WEBVTT - The Monsters of the Future: Part 2

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<v Speaker 1>Brought to you by Toyota. Let's go places. Welcome to

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<v Speaker 1>Forward Thinking. Hey, and welcome to Forward Thinking, the podcast

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<v Speaker 1>that looks at the future and says got your jolt

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<v Speaker 1>from my electrode. I'm Joe McCormick, I'm Lauren voc Obama,

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<v Speaker 1>and our usual host John from Strickland is not with

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<v Speaker 1>us today. He is on vacation, but we have joining

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<v Speaker 1>us again for part two a special guest, co host,

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<v Speaker 1>Robert Lamb. Say hi Robert. Hey, Yeah, great to still

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<v Speaker 1>be here, and I guess I'll continue to be here

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<v Speaker 1>until we finished talking about monsters. Wonder do you want

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<v Speaker 1>to briefly introduce yourself again? Oh yeah, yeah, if you

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<v Speaker 1>missed miss b introduction on the last episode. I am

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<v Speaker 1>a co host of the Stuff to Blow Your Mind

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<v Speaker 1>podcast and I blog It's Stuff to Blow your Mind

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<v Speaker 1>dot com. And we also do some videos here and there, um,

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<v Speaker 1>including the monster Science series that goes up on the

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<v Speaker 1>house Stuff Works YouTube page and uh and on stuff

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<v Speaker 1>to Blow your Mind dot com. And that's all about

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<v Speaker 1>unnatural creatures, monsters, the natural world of biology and science

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<v Speaker 1>and where those two kind of crossover and what we

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<v Speaker 1>can learn by comparing them. Yeah, it's furthermore stars, Mr

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<v Speaker 1>or doctor. I'm sorry Anton Jessup, who is who is

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<v Speaker 1>one of my favorite humans who has ever in the

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<v Speaker 1>respect dumped a lot of blood on me. So yeah,

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<v Speaker 1>that happened, and you know, and of course you helped

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<v Speaker 1>out with the most recent season if yeah, yeah, so

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<v Speaker 1>far you have to kind of look closely to see

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<v Speaker 1>the artifacts, but you are are resident oh VHS specter.

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<v Speaker 1>Yeah yeah, so so if you want to see me

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<v Speaker 1>being creepy in the background of some videos, then ah,

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<v Speaker 1>then I mean, that's not the only reason you should

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<v Speaker 1>watch them. They're they're very excellent in their own rights.

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<v Speaker 1>As long as they watch them, I don't care if

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<v Speaker 1>you go there for that sole reason. Keep it on

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<v Speaker 1>you even, Alright, So I'm gonna be frank and admit

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<v Speaker 1>that we initially just planned to do one podcast with

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<v Speaker 1>Robert about the future of Monster but we got to

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<v Speaker 1>talking about monsters and realized we had way too much

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<v Speaker 1>to say about them. Yeah. Yeah, we have like ten

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<v Speaker 1>pages of notes here. Um, so we so we got

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<v Speaker 1>through about half of it last time. Um. And during

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<v Speaker 1>that last podcast, we covered what monsters are and what

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<v Speaker 1>they mean in our culture, and and a little bit

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<v Speaker 1>of the history of how we have I mean, not

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<v Speaker 1>the three of us sitting here, but humans in general

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<v Speaker 1>have explored their their fears and anxieties through monsters throughout

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<v Speaker 1>the ages. Right, So today we're actually going to speculate

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<v Speaker 1>a little bit about what the monsters of the future are,

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<v Speaker 1>what is going to terrify our our future generations. But

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<v Speaker 1>I think first we should do it just a real

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<v Speaker 1>quick refresher on what we talked about last time. And

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<v Speaker 1>I'd say the driving point of our last episode was

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<v Speaker 1>that monsters are not arbitrary, and they don't exist in

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<v Speaker 1>a vacuum. There are product of culture and especially of

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<v Speaker 1>social change and anxiety and of technology. Would you all

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<v Speaker 1>say this, right? Oh? Indeed? I mean they're symbolically powerful entities,

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<v Speaker 1>even if even if one is just creating a monster

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<v Speaker 1>on the fly for the World's Chiefest Tara film. Uh.

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<v Speaker 1>You know, with little or no philosophical intent, you're still

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<v Speaker 1>playing on traditions of monsters, monsters that have built up

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<v Speaker 1>in our in our varying cultures over the over thousands

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<v Speaker 1>of years, in folklore and myth and in in fiction,

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<v Speaker 1>and uh, and here we are today still making them

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<v Speaker 1>up over and over again. Yeah. And so last time

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<v Speaker 1>we talked about the seven theses about the meaning of

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<v Speaker 1>monsters from the English professor Jeffrey Jerome Cohen, and what

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<v Speaker 1>were some of the more important to those. I think

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<v Speaker 1>one of them was the idea of the mixing of categories.

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<v Speaker 1>That a monster very often occurs at a boundary of classification.

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<v Speaker 1>It's a confusion or mixing of different classes that shouldn't

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<v Speaker 1>be together. And you see that all the time and monsters.

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<v Speaker 1>So you see the beast man, you know it's half

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<v Speaker 1>animal half human, or you see the living dead that

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<v Speaker 1>crosses the boundary of life and death, or you see

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<v Speaker 1>the human machine, uh, and all kinds of strange creatures

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<v Speaker 1>like this. We also mentioned the xenomorph. It seems part biological,

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<v Speaker 1>part mechanical. Y. It's like what orange Julius, right, is

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<v Speaker 1>it orange juice or is it milk? I know how

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<v Speaker 1>to treat orange juice. I know how to treat milk.

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<v Speaker 1>But that's unholy combination of the two throws me for

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<v Speaker 1>a loop. Together it is monster, right. And so because

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<v Speaker 1>we can't apply our usual categorical system of treatment to

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<v Speaker 1>these things, we don't know how to deal with them,

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<v Speaker 1>and they're frightening. One of the other things was that

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<v Speaker 1>the monster polices the borders of the possible. It's sort

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<v Speaker 1>of guards the boundaries right right. It is both a

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<v Speaker 1>transgressor it it's doing things that that we cannot do

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<v Speaker 1>as polite members of society. And it's furthermore punishing human transgressors.

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<v Speaker 1>It's saying stay on the path, like like, don't go

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<v Speaker 1>out into the woods, don't feed something after midnight, you know.

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<v Speaker 1>And yeah, it could be any kind of violation. It

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<v Speaker 1>could punish too much intellectual curiosity or physically going to

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<v Speaker 1>a place you're not supposed to go, crossing taboos, anything

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<v Speaker 1>like that. Very often, like ritual taboos. You know, you

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<v Speaker 1>do the wrong ritual and oh, here finds demon. One

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<v Speaker 1>of the other thess is that very often the monster

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<v Speaker 1>sort of represents the other, that it's difference embodied, and

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<v Speaker 1>that this can play a metaphorical relationship with others in society,

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<v Speaker 1>both the treatment of the other and the fear of

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<v Speaker 1>being the other. And then finally, I would say an

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<v Speaker 1>important one is that the monster has something to do

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<v Speaker 1>with desire. It's not just scary, but it's also attractive

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<v Speaker 1>because it's associated with the forbidden and the not allowed

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<v Speaker 1>that's probably the same thing as forbidden. Huh, it's a

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<v Speaker 1>it's a good rephrase. I like that idea as an

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<v Speaker 1>alternate harm movie title because I think the forbidden has

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<v Speaker 1>been taken, but the not allowed zone. Yeah, well, because

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<v Speaker 1>it's associated with that, it's also associated as with I

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<v Speaker 1>think we say said less time, the no no pleasures,

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<v Speaker 1>right exactly. And so there's a there's a desire associated

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<v Speaker 1>with the monster, and it's sort of a desire to

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<v Speaker 1>be the monster. Yeah, I mean, you see the I

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<v Speaker 1>was just thinking, you know, about the outsider monsters that

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<v Speaker 1>often kind of make you know, kind of make weapons

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<v Speaker 1>out of their their imperfections in their flaws. It's it's

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<v Speaker 1>kind of like, I'm the things that make me feel

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<v Speaker 1>weak and beat up and and outside of society, and

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<v Speaker 1>the monster becomes an elevation and uh, you know. So

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<v Speaker 1>so they're they're desirable characters from from a number of

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<v Speaker 1>different ways. Their freedom or there. I mean, I think

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<v Speaker 1>a lot of times it is about freedom, sure, sure,

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<v Speaker 1>And I think that especially starting with things like like

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<v Speaker 1>Buffy the Vampire Slayer and and getting into all of

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<v Speaker 1>the the youth culture monster television shows that are happening

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<v Speaker 1>right now. There's there's a whole lot of these monsters

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<v Speaker 1>being very sexy and in not a forbidden way, but

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<v Speaker 1>in a like like superpower kind of way. There's a

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<v Speaker 1>power in in having that freedom, right absolutely, Yeah, that's interesting.

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<v Speaker 1>And so one of the last things we talked about

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<v Speaker 1>in the last episode was we just looked a little

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<v Speaker 1>bit at the history of monster trends, and so we

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<v Speaker 1>looked at Frankenstein perhaps being a reaction to enlightenment science

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<v Speaker 1>and philosophy of fear that we were going too far

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<v Speaker 1>with intellectual curiosity and experimentation. Maybe Lovecraft representing a response

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<v Speaker 1>to new science in the early twentieth century, to relativity,

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<v Speaker 1>to UH, to of course the First World War, and

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<v Speaker 1>to quantum theory. We looked at the atomic age, where

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<v Speaker 1>we had all these giant mutated bugs and stuff that

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<v Speaker 1>are a reaction very much obviously to nuclear testing and

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<v Speaker 1>the power of the atom, the social upheavals of the

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<v Speaker 1>sixties and seventies and how they manifested in horror and

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<v Speaker 1>then finally this kind of e horror phase UH that

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<v Speaker 1>it's a direct response to the new technologies that were

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<v Speaker 1>coming that we have been coming out in this our

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<v Speaker 1>internet age, right, the angry ghost is in the telephone.

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<v Speaker 1>It's going to get you through the wires. The wires

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<v Speaker 1>will not save you. Okay, But now we want to

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<v Speaker 1>make the shift and talk about what we think the

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<v Speaker 1>future of monsters really will be. What what is the

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<v Speaker 1>scariest thing to the next generation in thirty or fifty years.

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<v Speaker 1>What will the horror movies be about? And I think

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<v Speaker 1>the place we got to start, because it's the most

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<v Speaker 1>obvious one is robots and artificial intelligence. Yes, definitely, artificial intelligence,

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<v Speaker 1>whether that's embodied in a robot body or separate in

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<v Speaker 1>some kind of machine the cloud. Yea, indeed, I mean

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<v Speaker 1>there are are technological children, right, and and so like

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<v Speaker 1>like actual children, they're they're terrifying because there there are

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<v Speaker 1>future We've put a certain amount into them, uh you know,

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<v Speaker 1>either either via nurture or nature. And then it's the

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<v Speaker 1>same way with with technology basically, and uh yeah, so

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<v Speaker 1>you can't help it. Have a have a bit of

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<v Speaker 1>apprehension about where it's going, right, And one of Gerome's

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<v Speaker 1>thesis is actually one of the ones we didn't just mentioned,

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<v Speaker 1>was the idea that monsters are very much our offspring.

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<v Speaker 1>There there are children, and much like our real children,

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<v Speaker 1>they sort of look back at us and ask why

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<v Speaker 1>they were created. They want to know. They want us

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<v Speaker 1>to give them a purpose and a lot We don't

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<v Speaker 1>necessarily have anything good to tell them sometimes, and so

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<v Speaker 1>this makes a lot of sense to me, is the

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<v Speaker 1>future of monsters. But I do want to raise a

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<v Speaker 1>strange objection that I think we can maybe rectify, which

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<v Speaker 1>is that robots killer robots, no matter how menacing they are,

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<v Speaker 1>aren't all that immediately scary to me for some reason.

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<v Speaker 1>So we've seen it a million times. Science fiction is

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<v Speaker 1>full of dangerous and threatening artificial intelligence. You've got how

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<v Speaker 1>in two thousand one, you've got sky Ned and the

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<v Speaker 1>Terminator series. You've got the big machine complex in the Matrix.

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<v Speaker 1>I guess it would be the Matrix. Uh, none of

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<v Speaker 1>this really frightens me, and so I want to make

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<v Speaker 1>a kind of distinction, And if you all want to

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<v Speaker 1>offer alternative terminology, please do. I this is probably not

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<v Speaker 1>the best way to phrase it, but I'm just trying

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<v Speaker 1>to explain an idea. There's a difference between a merely

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<v Speaker 1>conceivable monster and a plausible monster. So a conceivable monster

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<v Speaker 1>is basically any monster. Any monster you can picture in

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<v Speaker 1>place in a scenario, and and the evil artificial intelligence

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<v Speaker 1>would fit this, So it could be a terminator, could

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<v Speaker 1>be whatever. But by contrast, a plausible monster is not

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<v Speaker 1>necessarily one I find scientifically or physically plausible, but it

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<v Speaker 1>feels relevant to my life, so it actually scares me.

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<v Speaker 1>It follows me home from the theater. I might be

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<v Speaker 1>alone in my house at night and worry about this monster.

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<v Speaker 1>And one of the strange things is it almost sometimes

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<v Speaker 1>seems inversely related to the amount of plausibility of the monster.

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<v Speaker 1>For example, I don't personally believe in ghosts. I don't

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<v Speaker 1>think they exist, but ghosts are a very plausible monster

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<v Speaker 1>to me in my house at night, Yeah, there might

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<v Speaker 1>be a ghost there. I find terminators, at least in theory,

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<v Speaker 1>quite possible, as you could build a cybernetic creature that's

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<v Speaker 1>designed to kill. That idea doesn't really frighten me that much,

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<v Speaker 1>and I wonder why that is. Well, and this is

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<v Speaker 1>this will probably just be as much as a sort

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<v Speaker 1>of ambiguous way of looking at it, But it it

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<v Speaker 1>kind of comes down to to the question, um, is

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<v Speaker 1>there room in the shadows for this particular monster? You know,

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<v Speaker 1>it's kind of and not the necessarily the actual optical shadows,

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<v Speaker 1>but you know it is there is there enough mystery

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<v Speaker 1>in your life or in the world to accommodate, uh,

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<v Speaker 1>that creature at least at two in the morning, or

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<v Speaker 1>at least on that dark street or when you're walking

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<v Speaker 1>through the woods, and it's it's kind of hard to

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<v Speaker 1>nail down exactly you know which ones fit into that category?

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<v Speaker 1>Oh yeah, yeah, No. I do think that this fear

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<v Speaker 1>of of yours, and I think it's a pretty common

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<v Speaker 1>way of looking at different categories of horror movies goes

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<v Speaker 1>back to the fear of the unknown, which is one

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<v Speaker 1>of those very basic ones, um, because you can understand

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<v Speaker 1>basically how a terminator would be put together and how

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<v Speaker 1>a sufficient advanced artificial intelligence could totally go like a

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<v Speaker 1>global hannibal lector on all of us, because you know,

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<v Speaker 1>we all have those days, so we get it. Um.

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<v Speaker 1>But but ghosts are are are that unknown factor, that

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<v Speaker 1>that thing that is in the shadows, especially if you

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<v Speaker 1>don't believe in them, because they're just completely inexplicable. That's

0:12:18.120 --> 0:12:20.440
<v Speaker 1>really interesting. I like that you'll both brought up the

0:12:20.480 --> 0:12:23.360
<v Speaker 1>shadows because that might be part of it. And I

0:12:23.440 --> 0:12:27.280
<v Speaker 1>wonder if as we move further down the road towards

0:12:27.320 --> 0:12:33.560
<v Speaker 1>cybernetics and towards artificial intelligence and really powerful, adaptable, all

0:12:33.559 --> 0:12:37.320
<v Speaker 1>purpose robotics, that's something like that actually would become scarier,

0:12:37.440 --> 0:12:41.160
<v Speaker 1>not just because it's more pervasive, but because there are

0:12:41.160 --> 0:12:45.480
<v Speaker 1>places in the shadows where it could plausibly hide. I mean,

0:12:45.679 --> 0:12:48.560
<v Speaker 1>if you imagine a world in which there is tons

0:12:48.559 --> 0:12:52.440
<v Speaker 1>of private research into artificial intelligence and robotics, you don't

0:12:52.440 --> 0:12:56.000
<v Speaker 1>know what that weird lab down the street is ting. Sure? Sure,

0:12:56.080 --> 0:12:59.760
<v Speaker 1>And as that kind of technology becomes more ubiquitous, I mean,

0:12:59.800 --> 0:13:03.400
<v Speaker 1>not that's not already bordering unubiquity given the I mean,

0:13:03.679 --> 0:13:05.560
<v Speaker 1>how many of us have cell phones in our pockets

0:13:05.640 --> 0:13:09.000
<v Speaker 1>or or fitness trackers on our risks or etcetera. Um,

0:13:09.040 --> 0:13:11.480
<v Speaker 1>I mean how many electronic devices do you own in

0:13:11.520 --> 0:13:14.160
<v Speaker 1>your home right now? Can you even count them? Um?

0:13:14.240 --> 0:13:17.080
<v Speaker 1>And when they're all speaking to each other, maybe that

0:13:17.120 --> 0:13:19.560
<v Speaker 1>will become or you know, like the more advance that

0:13:19.559 --> 0:13:23.080
<v Speaker 1>they've become, perhaps it will become more shadowy. The less

0:13:23.160 --> 0:13:27.679
<v Speaker 1>that the average consumer is able to understand about those objects. Yeah, yeah,

0:13:27.720 --> 0:13:30.160
<v Speaker 1>I mean at some point where we find ourselves in

0:13:30.200 --> 0:13:34.040
<v Speaker 1>our kitchen with our robotic kitchen robot. And it's not

0:13:34.080 --> 0:13:36.520
<v Speaker 1>so much the fear of the killer robot, but maybe

0:13:36.520 --> 0:13:38.960
<v Speaker 1>the fear of what if this killer robot catches some

0:13:39.040 --> 0:13:43.000
<v Speaker 1>sort of killer virus off of the ubiquitous Internet, you know,

0:13:43.080 --> 0:13:46.480
<v Speaker 1>I mean, yeah, the mystery becomes the inner psyche of

0:13:46.520 --> 0:13:49.400
<v Speaker 1>the robot. As the robot's mind becomes more and more

0:13:49.440 --> 0:13:52.480
<v Speaker 1>complex and difficult for us to understand, it becomes more

0:13:52.520 --> 0:13:54.800
<v Speaker 1>and more like an animal, like a human, like a

0:13:54.840 --> 0:13:59.280
<v Speaker 1>monster that might have strange motivations that you can't grapple.

0:13:59.520 --> 0:14:01.560
<v Speaker 1>What remind to be of a line in uh in

0:14:01.720 --> 0:14:05.559
<v Speaker 1>William Gibson's Neuromancer, where he uh, he makes the comparison

0:14:05.600 --> 0:14:07.280
<v Speaker 1>and one of the characters, of course makes a deal

0:14:07.400 --> 0:14:11.040
<v Speaker 1>essentially with a really powerful AI and uh and it's

0:14:11.280 --> 0:14:14.280
<v Speaker 1>of somebody comments that that essentially it's a deal with

0:14:14.320 --> 0:14:18.200
<v Speaker 1>the devil, and it's something that that was impossible for

0:14:18.200 --> 0:14:21.560
<v Speaker 1>for centuries and centuries. It was purely a human creation,

0:14:21.880 --> 0:14:25.680
<v Speaker 1>but then eventually technology came around and made it possible,

0:14:26.280 --> 0:14:30.440
<v Speaker 1>uh in reality. So I'm not sure how that where

0:14:30.440 --> 0:14:32.360
<v Speaker 1>that lays into it, because you can still, of course

0:14:32.400 --> 0:14:34.240
<v Speaker 1>be afraid of the of the devil in the night

0:14:34.280 --> 0:14:36.400
<v Speaker 1>you can be afraid of the ghost. Uh, that's just

0:14:36.480 --> 0:14:38.760
<v Speaker 1>outside of the shadow of your night light. But then

0:14:38.840 --> 0:14:41.800
<v Speaker 1>the idea of reaching a point technologically where we can

0:14:42.000 --> 0:14:46.640
<v Speaker 1>manifest those things in reality, Yeah, yeah, I can very

0:14:46.680 --> 0:14:50.920
<v Speaker 1>plausibly see that becoming the new the new ghost, and

0:14:51.760 --> 0:14:55.800
<v Speaker 1>also consciousness is is certainly mysterious. So definitely, and that

0:14:55.840 --> 0:14:57.560
<v Speaker 1>ties into the next point I want to make about

0:14:57.680 --> 0:15:01.280
<v Speaker 1>artificial intelligence, which is that this could relate to another

0:15:01.280 --> 0:15:03.880
<v Speaker 1>one of Cohen's theses. We talked about the idea that

0:15:04.560 --> 0:15:08.640
<v Speaker 1>sometimes the monster is a thing that is persecuted or

0:15:08.840 --> 0:15:13.040
<v Speaker 1>oppressed and looks back on us in judgment. And so

0:15:13.160 --> 0:15:14.840
<v Speaker 1>I want to bring up something we've talked about on

0:15:14.880 --> 0:15:18.240
<v Speaker 1>this podcast before, which is the idea of artificial intelligence

0:15:19.320 --> 0:15:24.320
<v Speaker 1>becoming sentient. I think we'll always be haunted by this question, right,

0:15:24.520 --> 0:15:28.920
<v Speaker 1>if you design something that seems to be intelligent according

0:15:28.960 --> 0:15:31.760
<v Speaker 1>to the the idea lingering behind the Turing test, you know,

0:15:31.760 --> 0:15:35.920
<v Speaker 1>Alan Turing's original question, should you basically have to assume

0:15:36.000 --> 0:15:39.280
<v Speaker 1>that this thing actually is sentient, that it possesses a

0:15:39.320 --> 0:15:43.240
<v Speaker 1>subjective experience, that it's something is happening inside the mind

0:15:43.320 --> 0:15:47.400
<v Speaker 1>of this computer you've created that's not just external it's

0:15:47.400 --> 0:15:49.480
<v Speaker 1>not just coming out to you. It's not just behavior.

0:15:50.120 --> 0:15:52.320
<v Speaker 1>There's such a thing as what it's like to be

0:15:52.480 --> 0:15:56.320
<v Speaker 1>this computer and you are now enslaving it. Yeah. Yeah.

0:15:56.320 --> 0:15:58.560
<v Speaker 1>It raises the question that once we have this fabulous

0:15:58.560 --> 0:16:01.880
<v Speaker 1>internet of things, like is my toaster really happy making toast?

0:16:01.920 --> 0:16:05.200
<v Speaker 1>Should I force it into toastitude? Well, I mean, we

0:16:05.200 --> 0:16:07.920
<v Speaker 1>have such a problem understanding human consciousness. So I mean

0:16:07.920 --> 0:16:10.960
<v Speaker 1>the mind body problem comes basically down to the situation

0:16:11.000 --> 0:16:13.080
<v Speaker 1>that you you look at the organic brain and you say,

0:16:13.120 --> 0:16:14.200
<v Speaker 1>all right, and I see how I see how it

0:16:14.240 --> 0:16:15.800
<v Speaker 1>works and see what's going on there, more or less.

0:16:16.040 --> 0:16:17.840
<v Speaker 1>And then you have the mind and you can look

0:16:17.840 --> 0:16:19.520
<v Speaker 1>at the mind and say, all right, I can sort

0:16:19.520 --> 0:16:20.840
<v Speaker 1>of see what's going on there. But then when you

0:16:20.880 --> 0:16:23.040
<v Speaker 1>try and compare the two, you say, well, this doesn't

0:16:23.040 --> 0:16:25.480
<v Speaker 1>match up with this. This does not seem like it's

0:16:25.480 --> 0:16:27.120
<v Speaker 1>not one to one, right, it's not a one to

0:16:27.200 --> 0:16:30.960
<v Speaker 1>one match. So if we can't even identify that that

0:16:31.080 --> 0:16:34.360
<v Speaker 1>connection with our own mind and brain, then what chance

0:16:34.400 --> 0:16:38.000
<v Speaker 1>do we have in looking at circuitry in the future

0:16:38.080 --> 0:16:40.240
<v Speaker 1>and saying, oh, well, that's consciousness right there. Because we

0:16:40.280 --> 0:16:42.680
<v Speaker 1>can't even really point to our own heads and say

0:16:42.720 --> 0:16:44.800
<v Speaker 1>that right, it's really hard. I mean, if you can't

0:16:44.840 --> 0:16:47.400
<v Speaker 1>find a piece of tissue in the brain, then you

0:16:47.400 --> 0:16:50.920
<v Speaker 1>could you realize is magic. Then what says a computer

0:16:51.040 --> 0:16:56.720
<v Speaker 1>can't accomplish that same subjective experience? It it's a little terrifying.

0:16:56.880 --> 0:16:58.920
<v Speaker 1>Oh yeah, yeah, no, no one, no one wants to

0:16:58.920 --> 0:17:02.080
<v Speaker 1>be that guy. So yeah, and and uh and it

0:17:02.720 --> 0:17:05.359
<v Speaker 1>is interesting in the in the way that it's you know,

0:17:05.440 --> 0:17:08.800
<v Speaker 1>it turns the camera back on ourselves too. You know,

0:17:08.840 --> 0:17:11.479
<v Speaker 1>it's like the fear of the other kind of becomes

0:17:11.480 --> 0:17:18.280
<v Speaker 1>the fear of of ourselves. Um one robot human conflict

0:17:18.359 --> 0:17:22.000
<v Speaker 1>that that I always think about in the in these situations.

0:17:22.320 --> 0:17:26.200
<v Speaker 1>Uh comes around to the book Doom, of course, where

0:17:26.280 --> 0:17:30.000
<v Speaker 1>you have in the backstory the whole um Butalerrian Jijihad,

0:17:30.240 --> 0:17:34.360
<v Speaker 1>where humans and machines had this you know, this big conflict.

0:17:34.400 --> 0:17:37.719
<v Speaker 1>And and I've read that that Frank Herbert's original thinking

0:17:37.920 --> 0:17:41.800
<v Speaker 1>along these lines was less this physical conflict between man

0:17:41.880 --> 0:17:46.280
<v Speaker 1>and machine, between humans and thinking machines, but but more

0:17:46.359 --> 0:17:48.680
<v Speaker 1>about what what does it do when we depend upon

0:17:48.680 --> 0:17:50.959
<v Speaker 1>all this technology, we depend on thinking machine, how does

0:17:51.000 --> 0:17:53.560
<v Speaker 1>it change the human experience? Do we end up thinking

0:17:53.600 --> 0:17:57.879
<v Speaker 1>more like machines? Um, which certainly gets into the whole.

0:17:58.720 --> 0:18:01.639
<v Speaker 1>One of the key areas in the in in computers

0:18:01.840 --> 0:18:04.919
<v Speaker 1>and in human computer interaction is is you know, the

0:18:04.920 --> 0:18:08.160
<v Speaker 1>continual struggle to well, let's let's try and make make

0:18:08.200 --> 0:18:10.280
<v Speaker 1>it a situation where the machines are more human like

0:18:11.000 --> 0:18:13.199
<v Speaker 1>and I don't have to become more machine like to

0:18:13.280 --> 0:18:17.920
<v Speaker 1>use them. Yeah, let's actually talk about that, the concept

0:18:17.960 --> 0:18:22.240
<v Speaker 1>of of cybernetics and and those those actual combinations and

0:18:22.280 --> 0:18:26.680
<v Speaker 1>the horrific idea of of losing your humanity by being

0:18:27.320 --> 0:18:31.560
<v Speaker 1>by by willfully becoming part machine. Right. Well, there's the

0:18:31.680 --> 0:18:34.679
<v Speaker 1>very simple version of this, which is that you imagine

0:18:34.760 --> 0:18:38.959
<v Speaker 1>that we have cybernetics that increase our physical capabilities. That's

0:18:38.960 --> 0:18:42.040
<v Speaker 1>sort of you know, the brute force version. You have exoskeleton,

0:18:42.119 --> 0:18:45.040
<v Speaker 1>you have a robot arm. I'd take a robot arm.

0:18:45.119 --> 0:18:47.520
<v Speaker 1>I mean yeah, right, yeah, I think we did a

0:18:47.520 --> 0:18:51.639
<v Speaker 1>poll on the podcast before Robert off your arm to

0:18:51.680 --> 0:18:53.479
<v Speaker 1>get a stronger robot arm. I have to cut one

0:18:53.480 --> 0:18:55.080
<v Speaker 1>off to get a robot and just had a third

0:18:55.160 --> 0:18:57.120
<v Speaker 1>robot arm. No, you have to cut off your armor.

0:18:57.119 --> 0:18:59.399
<v Speaker 1>You can get a stronger robot arm. I'd have to

0:18:59.440 --> 0:19:03.880
<v Speaker 1>see a demo for really the younger me would say yes,

0:19:03.920 --> 0:19:06.080
<v Speaker 1>because it was very obsessed with robotic arms when I

0:19:06.080 --> 0:19:07.680
<v Speaker 1>as a kid, you know, because you'd see that scene

0:19:07.680 --> 0:19:10.719
<v Speaker 1>in terminators trying out in front of near But right,

0:19:10.760 --> 0:19:14.200
<v Speaker 1>but that's the simple version that we just don't think

0:19:14.240 --> 0:19:17.520
<v Speaker 1>about all that deeply. Okay, it's just augmenting physical capability

0:19:17.600 --> 0:19:20.600
<v Speaker 1>is sure, that's one thing cybernetics could do. But it

0:19:20.680 --> 0:19:23.280
<v Speaker 1>increasingly looks like cybernetics are going to have to involve

0:19:23.320 --> 0:19:27.440
<v Speaker 1>direct connections with the brain, which is now widely accepted

0:19:27.480 --> 0:19:29.000
<v Speaker 1>to be the seat of the self. As we were

0:19:29.000 --> 0:19:31.320
<v Speaker 1>just talking about in the in the last point. So

0:19:31.359 --> 0:19:34.520
<v Speaker 1>we've discussed on the podcast before how brain computer interfaces

0:19:34.560 --> 0:19:37.120
<v Speaker 1>allow all kinds of crazy stuff. We talked about how

0:19:38.280 --> 0:19:42.080
<v Speaker 1>monkeys can control computer cursors with their brains and I

0:19:42.119 --> 0:19:43.840
<v Speaker 1>don't know if you've read about this rather, but yeah,

0:19:44.000 --> 0:19:46.440
<v Speaker 1>so they don't need to use their hands at all.

0:19:46.480 --> 0:19:48.320
<v Speaker 1>They can just look at a computer screen with the

0:19:48.359 --> 0:19:51.320
<v Speaker 1>wire going into their head and move the cursor around.

0:19:52.119 --> 0:19:55.720
<v Speaker 1>The same thing has been done with allowing people suffering

0:19:55.760 --> 0:19:59.000
<v Speaker 1>from quadruplegia to be able to move a robot arm

0:19:59.040 --> 0:20:02.879
<v Speaker 1>to feed themselves with a brain implant. There was actually

0:20:02.920 --> 0:20:04.919
<v Speaker 1>just something I read about the other day. It was

0:20:05.119 --> 0:20:09.120
<v Speaker 1>published in Science Translational Medicine by sellers Ryan and Hawser,

0:20:09.160 --> 0:20:12.560
<v Speaker 1>and then reported in New Scientists and that they described

0:20:12.560 --> 0:20:15.720
<v Speaker 1>how just the other day, a non invasive brain computer

0:20:15.840 --> 0:20:18.960
<v Speaker 1>interface allowed a sixty eight year old man with locked

0:20:19.000 --> 0:20:22.080
<v Speaker 1>in syndrome. So that means he's aware, but he can't

0:20:22.200 --> 0:20:25.399
<v Speaker 1>use any of his muscles, uh, following a brain stem

0:20:25.480 --> 0:20:28.679
<v Speaker 1>stroke to spell out written messages to family members with

0:20:28.760 --> 0:20:34.520
<v Speaker 1>brain activity alone. So communicating through computers using only your brain.

0:20:34.600 --> 0:20:36.520
<v Speaker 1>And I think this is only going to continue and

0:20:36.520 --> 0:20:40.959
<v Speaker 1>get more efficient and more deeply involved biologically. Yeah, and

0:20:40.960 --> 0:20:43.200
<v Speaker 1>and it's and it's so wonderful for for people who

0:20:43.240 --> 0:20:47.720
<v Speaker 1>do have a traumatic brain injury or or traumatic bodily injury,

0:20:47.920 --> 0:20:51.080
<v Speaker 1>or who who otherwise need this kind of technology in

0:20:51.200 --> 0:20:53.720
<v Speaker 1>order to have a a quote unquote normal life. Oh

0:20:53.760 --> 0:20:56.520
<v Speaker 1>certainly right. I'm mentioning that in the in the context

0:20:56.520 --> 0:20:59.480
<v Speaker 1>of a monster podcast. I don't want to demonize technology, though,

0:20:59.560 --> 0:21:04.200
<v Speaker 1>absolutely super welcome news. Yeah, yeah, that is rad extremely red.

0:21:04.640 --> 0:21:08.200
<v Speaker 1>But what happens when brain computer interfaces or b c

0:21:08.400 --> 0:21:11.359
<v Speaker 1>i s get so good that healthy people want to

0:21:11.440 --> 0:21:14.760
<v Speaker 1>use them to browse the internet to communicate with domestic

0:21:14.840 --> 0:21:18.840
<v Speaker 1>robots to play video games. I mean, you can, we

0:21:18.880 --> 0:21:22.800
<v Speaker 1>can we assume that this will be done. Could self

0:21:22.840 --> 0:21:26.840
<v Speaker 1>modification in the coming cybernetics era lead to a resurgence

0:21:27.280 --> 0:21:29.600
<v Speaker 1>I thought about in the body horror genre, the kind

0:21:29.640 --> 0:21:33.560
<v Speaker 1>of stuff we saw from Cronenberg, like the fly Videodrome,

0:21:33.680 --> 0:21:36.119
<v Speaker 1>the brood, where the threat is not so much that

0:21:36.160 --> 0:21:39.520
<v Speaker 1>there's an external predator coming to get you, but there's

0:21:39.520 --> 0:21:41.960
<v Speaker 1>a loss of your sense of autonomy, a loss of

0:21:42.000 --> 0:21:45.280
<v Speaker 1>the sense of self, transformation of the self into this

0:21:45.400 --> 0:21:49.919
<v Speaker 1>non human and otherwise unrecognizable abomination. Yeah, you see this

0:21:50.000 --> 0:21:52.680
<v Speaker 1>externalization of the self, and then you begin to wonder, well,

0:21:52.680 --> 0:21:55.600
<v Speaker 1>where do where do where do I actually end? And

0:21:55.640 --> 0:21:58.399
<v Speaker 1>where does it begin? And we we already see shades

0:21:58.440 --> 0:22:01.600
<v Speaker 1>of that as our as our memory ends up sort

0:22:01.600 --> 0:22:04.760
<v Speaker 1>of offloading some of its capabilities. You know, we we

0:22:04.800 --> 0:22:07.720
<v Speaker 1>no longer really need to know how to spell even

0:22:07.880 --> 0:22:11.919
<v Speaker 1>normal words in our everyday usage, because the machine is

0:22:11.960 --> 0:22:14.000
<v Speaker 1>taking care of that. You know, in the same way

0:22:14.040 --> 0:22:17.040
<v Speaker 1>that if you you're you're in a even a short

0:22:17.160 --> 0:22:19.560
<v Speaker 1>term relationship, but let's say a long term relationship, and

0:22:19.600 --> 0:22:22.000
<v Speaker 1>there are things that your spouse remembers or your your

0:22:22.000 --> 0:22:25.680
<v Speaker 1>partner remembers that you don't, and you end up so compartmentalizing.

0:22:25.720 --> 0:22:29.080
<v Speaker 1>It's actually the same kind of mental process going on there,

0:22:29.080 --> 0:22:31.240
<v Speaker 1>all right. Sure it's going like, oh, Judy, I don't

0:22:31.280 --> 0:22:33.719
<v Speaker 1>remember you tell this story exactly kind of thing. It's

0:22:33.720 --> 0:22:36.080
<v Speaker 1>a very good point. We we even planned for that,

0:22:36.119 --> 0:22:37.399
<v Speaker 1>don't we. I Mean, I feel like there are just

0:22:37.520 --> 0:22:40.840
<v Speaker 1>some types of information I don't even try to remember

0:22:40.880 --> 0:22:44.240
<v Speaker 1>because I know my wife Rachel will remember them. Yeah,

0:22:44.320 --> 0:22:46.360
<v Speaker 1>and it's and everything else is just a key stroke away.

0:22:46.400 --> 0:22:48.440
<v Speaker 1>I mean, it's a wonder we'd bother to remember anything.

0:22:48.760 --> 0:22:51.879
<v Speaker 1>And so so Yeah, even though the the the smartphone

0:22:51.880 --> 0:22:55.200
<v Speaker 1>in our pocket isn't actually connected to our body, I mean,

0:22:55.240 --> 0:22:58.159
<v Speaker 1>it becomes such a part of us. It becomes a

0:22:58.160 --> 0:23:02.520
<v Speaker 1>part of our our working memory. Even so, cybernetics, yeah,

0:23:02.600 --> 0:23:05.200
<v Speaker 1>I I see very good potential for that in the

0:23:05.560 --> 0:23:08.320
<v Speaker 1>Monsters of the Future. It's it's that crossover again, the

0:23:08.359 --> 0:23:13.480
<v Speaker 1>mixing of categories what's machine what's human that already terrifies

0:23:13.520 --> 0:23:16.439
<v Speaker 1>people now that it's not even necessarily imminent for the

0:23:16.480 --> 0:23:19.080
<v Speaker 1>average person. I mean, when when it is a common thing,

0:23:20.080 --> 0:23:21.919
<v Speaker 1>who knows how scary this will be? Yeah, I mean,

0:23:21.920 --> 0:23:25.800
<v Speaker 1>and we're all fundamentally cybernetic organisms. I mean, and I'm

0:23:25.800 --> 0:23:27.280
<v Speaker 1>not necessarily talking about the fact that we have a a

0:23:27.320 --> 0:23:29.040
<v Speaker 1>lot of us wear glasses or we have, you know,

0:23:29.080 --> 0:23:31.359
<v Speaker 1>some sort of medical implant or what have you. But

0:23:31.560 --> 0:23:33.919
<v Speaker 1>I mean, just done a very basic level when when

0:23:34.160 --> 0:23:38.080
<v Speaker 1>when primitive humans picked up stick or a bone club,

0:23:38.920 --> 0:23:41.880
<v Speaker 1>it updates their body scheme and in their mind that

0:23:42.080 --> 0:23:44.760
<v Speaker 1>bone club is becoming a part of their body, becoming

0:23:44.760 --> 0:23:46.600
<v Speaker 1>a part of their arm. And so I mean, you

0:23:46.600 --> 0:23:48.879
<v Speaker 1>can make an argument that that's the earliest cyborg and

0:23:48.920 --> 0:23:51.320
<v Speaker 1>we've been cybers for a very long time, and anything

0:23:51.359 --> 0:23:54.680
<v Speaker 1>else we do digitally is just icing on the cake. Sure,

0:23:54.880 --> 0:23:56.280
<v Speaker 1>you know, kind of the same way that that you

0:23:56.320 --> 0:23:59.439
<v Speaker 1>feel a personal territory to your car when you're driving

0:23:59.480 --> 0:24:01.840
<v Speaker 1>it like it it becomes an extension of your body,

0:24:01.840 --> 0:24:03.600
<v Speaker 1>and when someone moves too close to it, you get

0:24:03.600 --> 0:24:05.840
<v Speaker 1>a little bit me about it. This is something I

0:24:05.880 --> 0:24:07.719
<v Speaker 1>was thinking about. Not to go on a huge tangent,

0:24:07.760 --> 0:24:09.159
<v Speaker 1>but I did a blog post on this because I

0:24:09.200 --> 0:24:11.560
<v Speaker 1>was thinking about it in terms of gun ownership. Because

0:24:11.600 --> 0:24:15.440
<v Speaker 1>of obviously gun ownership big controversial issue, especially here in

0:24:15.480 --> 0:24:18.760
<v Speaker 1>the States, people get very possessive of their their firearms,

0:24:18.800 --> 0:24:21.080
<v Speaker 1>and there's a lot of anxiety along along the ideas

0:24:21.080 --> 0:24:23.480
<v Speaker 1>of rights to have them and the the you know,

0:24:23.520 --> 0:24:26.200
<v Speaker 1>the the bugbear of them being taken away. And I wonder,

0:24:26.359 --> 0:24:27.879
<v Speaker 1>you know, when you're when one is using that, when

0:24:27.920 --> 0:24:31.480
<v Speaker 1>one is comfortable with that weapon, they're updating into their

0:24:31.520 --> 0:24:33.600
<v Speaker 1>body scheme. It's becoming a part of themselves. So does

0:24:33.600 --> 0:24:36.199
<v Speaker 1>it become a type of dismemberment for that to be

0:24:36.240 --> 0:24:41.200
<v Speaker 1>taken away from them anyway? And also, I mean speaking

0:24:41.200 --> 0:24:47.640
<v Speaker 1>of Cronenberg and like video drome, So we've been talking

0:24:47.680 --> 0:24:51.560
<v Speaker 1>about about the brain, and I think that that's another

0:24:51.640 --> 0:24:55.479
<v Speaker 1>really terrific example of of of how horror might go

0:24:55.520 --> 0:24:58.280
<v Speaker 1>in the future through through the study of neuroscience. We

0:24:58.320 --> 0:25:01.720
<v Speaker 1>haven't seen a lot of neur are scientific monsters out

0:25:01.760 --> 0:25:04.840
<v Speaker 1>there yet, but but I think it has huge potential. Right,

0:25:04.920 --> 0:25:08.120
<v Speaker 1>So we've been talking about technology, mostly how technology affects

0:25:08.119 --> 0:25:11.280
<v Speaker 1>the brain, but what about the research that's going to

0:25:11.320 --> 0:25:14.600
<v Speaker 1>continue to be conducted in pure neuroscience itself, just learning

0:25:14.640 --> 0:25:17.879
<v Speaker 1>more about the relationship between the mind and the brain.

0:25:18.560 --> 0:25:20.760
<v Speaker 1>Is that a cause for horror? Is there a monster

0:25:20.840 --> 0:25:24.160
<v Speaker 1>somewhere in there? We're talking earlier about about shadows and monsters.

0:25:24.200 --> 0:25:26.159
<v Speaker 1>Is there room in the shadows for for for this

0:25:26.200 --> 0:25:29.280
<v Speaker 1>particular brand of monster. And certainly there's plenty of room

0:25:29.320 --> 0:25:31.639
<v Speaker 1>in the shadows when it comes to human consciousness and

0:25:31.720 --> 0:25:34.480
<v Speaker 1>our mental processes. And and you know, the more we learn,

0:25:34.560 --> 0:25:37.560
<v Speaker 1>the more it seems as if our mind is just there,

0:25:37.640 --> 0:25:40.560
<v Speaker 1>just the the shallow, sunlit waters of a bunch of

0:25:40.600 --> 0:25:44.320
<v Speaker 1>deeper body. And there's plenty of darkness there with the

0:25:44.520 --> 0:25:47.480
<v Speaker 1>where there's there's cognition going on that we don't really

0:25:47.520 --> 0:25:50.640
<v Speaker 1>have access to. And then you start dissecting that apart,

0:25:50.680 --> 0:25:52.800
<v Speaker 1>and you get into a whole discussion of free will.

0:25:52.840 --> 0:25:55.320
<v Speaker 1>Are we actually choosing anything or we just sort of,

0:25:55.440 --> 0:25:59.000
<v Speaker 1>uh have this We're in this self delusion that we're

0:25:59.040 --> 0:26:01.160
<v Speaker 1>making all these choices for ourselves. Are we just these

0:26:01.200 --> 0:26:03.879
<v Speaker 1>these chemical computers that are running out programs. Well, I

0:26:03.960 --> 0:26:06.600
<v Speaker 1>think people are already terrified of this idea, or I

0:26:06.640 --> 0:26:08.840
<v Speaker 1>don't know if terrified is the right word, but there

0:26:08.560 --> 0:26:13.120
<v Speaker 1>at least many people are repulsed by the idea of determinism.

0:26:13.440 --> 0:26:16.080
<v Speaker 1>If you hear this brought up in a philosophical conversation,

0:26:16.200 --> 0:26:19.520
<v Speaker 1>some people find they seem to find it repugnant. They

0:26:19.560 --> 0:26:21.520
<v Speaker 1>can't deal with it. Do you know, what I mean. Yeah, yeah,

0:26:21.560 --> 0:26:24.760
<v Speaker 1>I mean, I mean even myself. I I've certainly covered

0:26:24.760 --> 0:26:27.080
<v Speaker 1>it enough and and read enough about it to where

0:26:27.119 --> 0:26:29.240
<v Speaker 1>on a on a level, I pretty much agree with it.

0:26:29.280 --> 0:26:32.000
<v Speaker 1>I say, yeah, I'm I don't really think we have

0:26:32.080 --> 0:26:33.439
<v Speaker 1>a lot of free will in our lives. I think

0:26:33.440 --> 0:26:38.320
<v Speaker 1>we're obeying our programming, we're obeying their environmental stimuli. But

0:26:39.160 --> 0:26:41.840
<v Speaker 1>at the end of the day, that doesn't match up

0:26:42.080 --> 0:26:44.520
<v Speaker 1>all that well with my experience of the reality. And

0:26:44.560 --> 0:26:46.359
<v Speaker 1>then I have to sort of fall back in into

0:26:46.440 --> 0:26:48.560
<v Speaker 1>just thinking about it and the way the way we

0:26:48.600 --> 0:26:50.600
<v Speaker 1>all do that. I'm making these choices and I'm deciding

0:26:50.640 --> 0:26:53.120
<v Speaker 1>what I'm gonna do with this hour of free time,

0:26:53.160 --> 0:26:55.760
<v Speaker 1>even though it's pretty much already been written, right. I

0:26:55.760 --> 0:26:58.680
<v Speaker 1>guess we can't get into a whole debate about determinism,

0:26:58.720 --> 0:27:02.080
<v Speaker 1>compatible is um, and libertarian free will on this podcast,

0:27:02.280 --> 0:27:06.240
<v Speaker 1>but uh, yeah, it's certainly a serious question and one

0:27:06.280 --> 0:27:09.040
<v Speaker 1>that neuroscience I think does have something to say about.

0:27:09.840 --> 0:27:12.240
<v Speaker 1>It's there. I think there's some people who are skeptical

0:27:12.280 --> 0:27:15.000
<v Speaker 1>that neuroscience can offer anything on this question, but I

0:27:15.040 --> 0:27:18.320
<v Speaker 1>think it certainly can, especially if you find seats of

0:27:18.359 --> 0:27:21.760
<v Speaker 1>consciousness and decision making in the brain. We've talked on

0:27:21.800 --> 0:27:24.960
<v Speaker 1>this podcast before. Not to keep referring to previous podcasts

0:27:25.000 --> 0:27:27.239
<v Speaker 1>all the time, but we definitely have about uh, like

0:27:27.359 --> 0:27:29.679
<v Speaker 1>recent recent research that made it look like, Oh, I

0:27:29.720 --> 0:27:32.760
<v Speaker 1>wonder if the clostrum is the part of the brain

0:27:32.800 --> 0:27:37.560
<v Speaker 1>that actually combines the various phenomena to create the sensation

0:27:37.560 --> 0:27:44.760
<v Speaker 1>of consciousness. You're saying, there's a monster in the classroom. Um, yeah,

0:27:44.880 --> 0:27:46.760
<v Speaker 1>and so. But the other question I would ask is

0:27:46.840 --> 0:27:50.119
<v Speaker 1>that that definitely is a deeply scary idea that I

0:27:50.200 --> 0:27:52.880
<v Speaker 1>think will resonate with people as this science becomes more

0:27:52.920 --> 0:27:55.720
<v Speaker 1>and more popular and we get popular reporting on it.

0:27:56.320 --> 0:27:59.480
<v Speaker 1>But what does the monster actually look like? What form

0:27:59.560 --> 0:28:02.880
<v Speaker 1>does it to a? Well, you know, another another side

0:28:02.880 --> 0:28:04.159
<v Speaker 1>to think about in terms of this is also a

0:28:04.240 --> 0:28:07.920
<v Speaker 1>memory and the fallibility of memory false memories. Um. When

0:28:07.920 --> 0:28:10.680
<v Speaker 1>you really start getting into that area, it gets a

0:28:10.680 --> 0:28:12.840
<v Speaker 1>little scary because you start looking at your life and

0:28:12.880 --> 0:28:14.840
<v Speaker 1>you're saying, well, my life is made out of these memories,

0:28:14.840 --> 0:28:16.240
<v Speaker 1>and how many of them are real? And when you

0:28:16.240 --> 0:28:18.960
<v Speaker 1>start realizing that every time you reach back into the

0:28:19.040 --> 0:28:21.679
<v Speaker 1>archives and you draw out that memory, you're actually changing it.

0:28:22.400 --> 0:28:25.399
<v Speaker 1>M One one recent example that comes to mind on.

0:28:25.480 --> 0:28:27.680
<v Speaker 1>This is the movie Oculus. I don't know if you

0:28:27.720 --> 0:28:29.320
<v Speaker 1>guys have seen it. I have not, But I was

0:28:29.359 --> 0:28:30.760
<v Speaker 1>just going to bring up the fact that I think

0:28:30.760 --> 0:28:34.240
<v Speaker 1>that some of the recent return to Mirror and Doublegang

0:28:34.320 --> 0:28:36.760
<v Speaker 1>or Horror might have something to do with the advances

0:28:36.800 --> 0:28:40.520
<v Speaker 1>that we've been making a neuroscience because it's about ourselves

0:28:40.600 --> 0:28:43.760
<v Speaker 1>and who we are. And Oculus, besides of being just

0:28:43.800 --> 0:28:47.480
<v Speaker 1>a bleak our film, I thought it was. I thought

0:28:47.520 --> 0:28:49.880
<v Speaker 1>it was well executed, and it does some interesting things

0:28:49.920 --> 0:28:53.480
<v Speaker 1>where it plays with memory, with these two characters memory

0:28:53.520 --> 0:28:56.040
<v Speaker 1>of a traumatic event and uh and and I thought

0:28:56.040 --> 0:28:58.040
<v Speaker 1>it it dabbled in that in an effective way. So

0:28:58.040 --> 0:28:59.640
<v Speaker 1>in a in a way, even though it's dealing with

0:28:59.680 --> 0:29:03.920
<v Speaker 1>a very old trope of the of the haunted Mirror, Uh,

0:29:04.120 --> 0:29:08.360
<v Speaker 1>it kind of is getting into a neuro scientific zone. Yeah,

0:29:08.400 --> 0:29:10.160
<v Speaker 1>I've been wanting to check it out. I will add

0:29:10.200 --> 0:29:11.800
<v Speaker 1>that to my list of all of the movies that

0:29:11.840 --> 0:29:14.400
<v Speaker 1>I apparently need to go see now. Yeah, okay, So

0:29:14.560 --> 0:29:18.800
<v Speaker 1>how about just straight up post apocalyptic dystopia the breakdown

0:29:18.840 --> 0:29:21.960
<v Speaker 1>of society. This is something that's really on people's minds.

0:29:22.000 --> 0:29:24.600
<v Speaker 1>I noticed that there's so much common reporting about like

0:29:24.640 --> 0:29:27.120
<v Speaker 1>about like are we at the end of this era

0:29:27.280 --> 0:29:28.800
<v Speaker 1>of like like are we going the way of the

0:29:28.920 --> 0:29:31.360
<v Speaker 1>Romans kind of stuff or even down just like at

0:29:31.400 --> 0:29:36.120
<v Speaker 1>the at the vox populi level YouTube comments, we make

0:29:36.240 --> 0:29:38.880
<v Speaker 1>videos about the future. We make videos about the future

0:29:38.920 --> 0:29:41.960
<v Speaker 1>and put them up on YouTube, and tons of comments

0:29:42.040 --> 0:29:45.800
<v Speaker 1>are about you know, just the coming dystopia, the end

0:29:45.840 --> 0:29:49.960
<v Speaker 1>of the world, the apocalypse. People. This is popular. People

0:29:50.000 --> 0:29:52.480
<v Speaker 1>are thinking about this idea a lot. What happens when

0:29:52.480 --> 0:29:56.320
<v Speaker 1>society collapses because of you know, politics or technology or

0:29:57.120 --> 0:29:59.600
<v Speaker 1>social change, whatever it is. Yeah, and and there's so

0:29:59.680 --> 0:30:02.320
<v Speaker 1>much there's so much popular media about zombies right now.

0:30:02.400 --> 0:30:04.200
<v Speaker 1>Like I I think that Robert and I we've had

0:30:04.240 --> 0:30:06.200
<v Speaker 1>a little bit of a conversation and just around the

0:30:06.240 --> 0:30:09.480
<v Speaker 1>office before about how kind of tired we get of zombies.

0:30:09.560 --> 0:30:12.760
<v Speaker 1>Sometimes I am right there with you. I discovered Dawn

0:30:12.800 --> 0:30:14.280
<v Speaker 1>of the Dead when I was I think in my

0:30:14.400 --> 0:30:16.720
<v Speaker 1>senior year of high school, and I went through a

0:30:16.720 --> 0:30:18.920
<v Speaker 1>brief phase where I was like, zombie movies, this is

0:30:18.960 --> 0:30:22.200
<v Speaker 1>the best thing ever. And then I got so sick

0:30:22.240 --> 0:30:25.640
<v Speaker 1>of them I couldn't stand it anymore. Yeah, I mean, yeah,

0:30:25.720 --> 0:30:28.080
<v Speaker 1>you get kind of used to the taste, and then

0:30:28.080 --> 0:30:31.640
<v Speaker 1>you start trying different spiced versions of it to try

0:30:31.640 --> 0:30:34.640
<v Speaker 1>and stick with that diet. But eventually you kind of realized,

0:30:34.640 --> 0:30:36.320
<v Speaker 1>I don't know, I think maybe I'm done with zombies.

0:30:36.520 --> 0:30:38.600
<v Speaker 1>I'd like to pause it that I would I never

0:30:38.680 --> 0:30:43.480
<v Speaker 1>want to think about spiced zombies again. Um it is

0:30:43.560 --> 0:30:46.080
<v Speaker 1>it is. It is decorative gourd season you guys, it's

0:30:46.080 --> 0:30:49.880
<v Speaker 1>pumping spice zombies. Sorry, okay please, Uh well, anyway, one

0:30:49.920 --> 0:30:53.040
<v Speaker 1>thing I think I'd like to tie the post apocalyptic

0:30:53.280 --> 0:30:59.400
<v Speaker 1>zombie genre into is Cohen's thesis about desire about how

0:31:00.080 --> 0:31:02.560
<v Speaker 1>this is so it's sort of scary. It's not a

0:31:02.600 --> 0:31:05.800
<v Speaker 1>situation you'd actually want to be in. But on the

0:31:05.840 --> 0:31:09.160
<v Speaker 1>other hand, you hear this a lot in the popular

0:31:09.200 --> 0:31:12.320
<v Speaker 1>talk about zombies. People want that experience of blowing a

0:31:12.400 --> 0:31:14.880
<v Speaker 1>zombie's head off with a shotgun. Oh sure, I mean

0:31:15.040 --> 0:31:18.120
<v Speaker 1>it's being it's the experience of being able to destroy

0:31:18.280 --> 0:31:21.800
<v Speaker 1>human body with no consequences. And I'm sure I just

0:31:21.840 --> 0:31:24.400
<v Speaker 1>sounded like a terrible murderer right now and I said that,

0:31:24.440 --> 0:31:29.120
<v Speaker 1>But but they're certainly amongst my friends anecdotally. Uh, there's

0:31:29.160 --> 0:31:33.680
<v Speaker 1>almost a fetish fetishization of that kind of post apocalyptic environment.

0:31:33.720 --> 0:31:38.000
<v Speaker 1>We spend so many casual conversations talking about our roles

0:31:38.040 --> 0:31:40.160
<v Speaker 1>in the post apocalypse and like how we would get

0:31:40.160 --> 0:31:42.240
<v Speaker 1>out of the city and and you know what kind

0:31:42.240 --> 0:31:44.400
<v Speaker 1>of weapons we would use and and you know that

0:31:44.480 --> 0:31:46.040
<v Speaker 1>kind of stuff. It's huge and of course we do

0:31:46.040 --> 0:31:49.320
<v Speaker 1>all die there. I would be first. Yeah, yeah, no,

0:31:49.440 --> 0:31:52.000
<v Speaker 1>I'm useless in a post apocalypse. I'm a writer, like what,

0:31:53.240 --> 0:31:56.320
<v Speaker 1>But you know it's uh, I totally agree, though, it

0:31:56.400 --> 0:31:59.000
<v Speaker 1>is something we desire and uh and and even that

0:31:59.000 --> 0:32:01.800
<v Speaker 1>that physical violence, it's against the zombie we desire because

0:32:02.080 --> 0:32:05.280
<v Speaker 1>it's a it's a situation where we've we've simplified reality

0:32:05.760 --> 0:32:08.440
<v Speaker 1>into a vision where there's a definite right and a

0:32:08.480 --> 0:32:12.080
<v Speaker 1>definite wrong. There's dead and there's removed the moral ambiguity. Yeah,

0:32:12.280 --> 0:32:13.920
<v Speaker 1>or there's living in there's undead. I guess. So they're

0:32:13.920 --> 0:32:16.520
<v Speaker 1>the zombies and there us. They are bad, we are good.

0:32:16.560 --> 0:32:18.760
<v Speaker 1>If we see one of those, we can use direct

0:32:19.400 --> 0:32:22.880
<v Speaker 1>lethal violence against them and solve the problem. And because

0:32:22.880 --> 0:32:26.280
<v Speaker 1>we live these lives where very little is black and white,

0:32:26.760 --> 0:32:29.520
<v Speaker 1>everything's grey, and and you know that the problems on

0:32:29.560 --> 0:32:32.320
<v Speaker 1>the news are not so easily solved that as a

0:32:32.400 --> 0:32:34.320
<v Speaker 1>situation of what point a gun at the zombie's head

0:32:34.320 --> 0:32:36.920
<v Speaker 1>and then the case is closed. So we desire that

0:32:36.960 --> 0:32:40.400
<v Speaker 1>kind of simplicity. Um. I've heard it argued that the

0:32:40.800 --> 0:32:45.520
<v Speaker 1>zombie Horde comet is also almost kind of a flow state,

0:32:45.600 --> 0:32:49.440
<v Speaker 1>kind of a fantasy, because the zombies are easily dispatched

0:32:49.480 --> 0:32:51.520
<v Speaker 1>one by one and it's just a matter of getting

0:32:51.520 --> 0:32:53.240
<v Speaker 1>in the flow of dealing with it. It's like a

0:32:53.320 --> 0:32:55.840
<v Speaker 1>checklist that never ends, but we can definitely check things

0:32:55.880 --> 0:32:59.040
<v Speaker 1>off that list. It's it's it's that immediate reward kind

0:32:59.080 --> 0:33:02.240
<v Speaker 1>of thing, right, It's the it's the achievement unlocked right right.

0:33:02.280 --> 0:33:05.280
<v Speaker 1>The flow state is the it's a continuous challenge, so

0:33:05.320 --> 0:33:07.920
<v Speaker 1>you're never bored, but it's something you can do exactly,

0:33:08.000 --> 0:33:10.680
<v Speaker 1>you can get it done. So ye, zombie Apocalypse is

0:33:10.760 --> 0:33:13.560
<v Speaker 1>kind of a flow state fantasy. And and also it's

0:33:13.560 --> 0:33:17.600
<v Speaker 1>a chance and almost kind of a more honey sense,

0:33:17.960 --> 0:33:20.320
<v Speaker 1>We're we get it. It's a chance to sort of

0:33:20.320 --> 0:33:24.000
<v Speaker 1>reconnect or at least fantasize about reconnecting with older modes

0:33:24.040 --> 0:33:27.000
<v Speaker 1>of life. You know, suddenly you're you're actually living for

0:33:27.040 --> 0:33:30.120
<v Speaker 1>yourself out there. You're not depending on technology. You're picking

0:33:30.200 --> 0:33:33.160
<v Speaker 1>food or growing food, or at least scavenging for food.

0:33:33.600 --> 0:33:37.200
<v Speaker 1>You know, you're protecting the loved one closest to you

0:33:37.280 --> 0:33:40.480
<v Speaker 1>from this this very cut and dry horror. Yeah. Yeah,

0:33:40.480 --> 0:33:43.080
<v Speaker 1>I do think that the part of the popularity of

0:33:43.200 --> 0:33:45.920
<v Speaker 1>zombie movies right now is also just a general like

0:33:46.000 --> 0:33:49.680
<v Speaker 1>urbanization anxiety and that we're we're losing touch with those

0:33:49.680 --> 0:33:52.800
<v Speaker 1>parts of ourselves as humans and losing touch with the nature,

0:33:53.640 --> 0:33:56.840
<v Speaker 1>losing some of our individuality and freedom by being in

0:33:56.880 --> 0:34:00.240
<v Speaker 1>these in these stifling urban environments, and also are just

0:34:00.280 --> 0:34:05.080
<v Speaker 1>being kind of starting crammed into these inescapable and claustrophobic spaces.

0:34:05.120 --> 0:34:07.280
<v Speaker 1>So do you guys think that we're that we're coming

0:34:07.320 --> 0:34:09.520
<v Speaker 1>to an end of this fascination with zombies or do

0:34:09.560 --> 0:34:11.560
<v Speaker 1>you think that we're we're just kind of riding the wave.

0:34:12.200 --> 0:34:13.720
<v Speaker 1>I don't know. I thought we were kind of getting

0:34:13.719 --> 0:34:15.440
<v Speaker 1>to the end of a few years back, and we

0:34:15.560 --> 0:34:19.480
<v Speaker 1>keep going. So yeah, it's interesting because it's something that

0:34:19.560 --> 0:34:22.640
<v Speaker 1>I feel like people people are beginning to tire of. Actually,

0:34:22.680 --> 0:34:25.160
<v Speaker 1>I mean, they're catching on that this has been done

0:34:25.200 --> 0:34:30.680
<v Speaker 1>a lot, But then again, it does continuously play on

0:34:30.680 --> 0:34:34.360
<v Speaker 1>on these the zeitgeist right in ways that we I

0:34:34.640 --> 0:34:37.200
<v Speaker 1>don't think we're done with this feeling yet. In culture,

0:34:37.280 --> 0:34:41.960
<v Speaker 1>that there's there's something we're domesticated, there's some kind of violent,

0:34:42.040 --> 0:34:44.719
<v Speaker 1>primal existence we'd like to get back to. We still

0:34:44.800 --> 0:34:47.560
<v Speaker 1>do desire this flow state with our kind of uh

0:34:47.600 --> 0:34:51.040
<v Speaker 1>stifling office jobs. Not not speaking about my own if

0:34:51.080 --> 0:34:53.600
<v Speaker 1>my boss is listening, but you know the idea, and

0:34:53.640 --> 0:34:56.000
<v Speaker 1>we're living in these urban spaces where there's so many

0:34:56.040 --> 0:35:01.000
<v Speaker 1>people so close together in the same space. I can

0:35:01.040 --> 0:35:06.799
<v Speaker 1>see this continuing too, to reach the feelings that are

0:35:06.840 --> 0:35:10.560
<v Speaker 1>still very popular. I don't see going away. Yeah, I mean,

0:35:10.600 --> 0:35:13.239
<v Speaker 1>like you know, we as we discussed, the monster comes

0:35:13.280 --> 0:35:15.840
<v Speaker 1>out of culture, and as long as its culturally relevant,

0:35:15.920 --> 0:35:18.760
<v Speaker 1>as long as there's something in the monster that fulfills

0:35:18.760 --> 0:35:22.640
<v Speaker 1>our desires or helps us process our fears, we're going

0:35:22.680 --> 0:35:24.640
<v Speaker 1>to keep coming back to it, even if we we

0:35:24.680 --> 0:35:26.640
<v Speaker 1>don't like to admit. Wait, so, do you think it's

0:35:26.640 --> 0:35:29.919
<v Speaker 1>actually going away or not? I guess not. It's gonna

0:35:30.000 --> 0:35:32.080
<v Speaker 1>It's gonna be here. And you know, the good thing

0:35:32.160 --> 0:35:34.480
<v Speaker 1>is that along the ride some people are going to

0:35:34.600 --> 0:35:36.800
<v Speaker 1>do something interesting with it. People are going to spice

0:35:36.840 --> 0:35:42.560
<v Speaker 1>those zombies and uh and make them a little more palatable. Well,

0:35:42.600 --> 0:35:44.680
<v Speaker 1>I certainly don't mean to say there are no good

0:35:44.760 --> 0:35:48.960
<v Speaker 1>recent zombie movies. I don't that entirely, but I'm still

0:35:49.080 --> 0:35:52.680
<v Speaker 1>enjoying some some parts of the culture. Um. But another

0:35:52.719 --> 0:35:55.680
<v Speaker 1>thing that actually think zombies tap into very deeply is

0:35:55.840 --> 0:36:01.960
<v Speaker 1>our current anxiety around pandemic, which is certainly with with

0:36:02.000 --> 0:36:05.560
<v Speaker 1>the recent Ebola outbreaks, very forefront in a lot of

0:36:05.560 --> 0:36:08.160
<v Speaker 1>people's minds. Yeah, I think this is also very much

0:36:08.200 --> 0:36:12.759
<v Speaker 1>related to urbanization, because you come into the office, if

0:36:12.840 --> 0:36:15.520
<v Speaker 1>one person sick, ends up, half the office gets sick,

0:36:15.600 --> 0:36:18.760
<v Speaker 1>or maybe everybody gets sick. We're all in close spaces

0:36:18.800 --> 0:36:22.280
<v Speaker 1>and we're all sharing germs. This didn't this wasn't always

0:36:22.320 --> 0:36:24.200
<v Speaker 1>the case, right, I mean, this is a fairly recent

0:36:24.239 --> 0:36:26.800
<v Speaker 1>thing in human history that we're cramming so many people

0:36:26.840 --> 0:36:31.520
<v Speaker 1>together in such tight spaces. Oh. Sure, Also there is

0:36:31.560 --> 0:36:34.279
<v Speaker 1>you know, just just as we discover more about how

0:36:34.360 --> 0:36:36.919
<v Speaker 1>our bodies work and kind of how fragile they are,

0:36:37.120 --> 0:36:40.680
<v Speaker 1>and how many weird new diseases can kind of come

0:36:40.760 --> 0:36:44.520
<v Speaker 1>out of nothing. Um and and be very serious, I mean,

0:36:44.560 --> 0:36:46.560
<v Speaker 1>you know, I think that a lot of the recent

0:36:46.800 --> 0:36:50.200
<v Speaker 1>interest in vampire horror kicking off in the nineteen eighties

0:36:50.239 --> 0:36:53.520
<v Speaker 1>was very much due to the AIDS epidemic. Uh. Fun

0:36:53.560 --> 0:36:55.600
<v Speaker 1>fact by the way. For instance, Sport Coppola was working

0:36:55.640 --> 0:36:57.799
<v Speaker 1>on a documentary about AIDS at the same time that

0:36:57.840 --> 0:37:01.720
<v Speaker 1>he was putting together his film bram Stoker's Dragula. That's interesting,

0:37:01.800 --> 0:37:05.439
<v Speaker 1>especially considering that there are some strong arguments that brom

0:37:05.560 --> 0:37:11.200
<v Speaker 1>Stoker himself uh wrote Dracula and was became so obsessed

0:37:11.200 --> 0:37:15.080
<v Speaker 1>with the vampire motif because he himself may have been

0:37:15.280 --> 0:37:18.120
<v Speaker 1>suffering from syphilis, and that you see a lot of

0:37:18.440 --> 0:37:24.200
<v Speaker 1>shades of specially the third final level of syphilis in

0:37:24.320 --> 0:37:27.360
<v Speaker 1>the Vampire. Yeah. Absolutely. I think you've talked a lot

0:37:27.400 --> 0:37:30.520
<v Speaker 1>about the link between syphilis and vampires, and that was

0:37:30.520 --> 0:37:34.200
<v Speaker 1>really on syphilis for a while. It's a fascinating topic. Um,

0:37:34.239 --> 0:37:38.160
<v Speaker 1>if you've been around me, I probably tried to convince

0:37:38.200 --> 0:37:42.200
<v Speaker 1>you of it. But yeah, but this is another one

0:37:42.200 --> 0:37:44.880
<v Speaker 1>I can definitely see extending into the future and creating

0:37:44.920 --> 0:37:48.600
<v Speaker 1>the monsters of tomorrow. They might be tiny monsters. Germs.

0:37:48.600 --> 0:37:51.280
<v Speaker 1>I mean something that's hard to hard to to place

0:37:51.360 --> 0:37:54.880
<v Speaker 1>put your finger on, especially because it's especially frightening because

0:37:54.880 --> 0:37:59.160
<v Speaker 1>a germ is mindless. It chases you and and and

0:37:59.239 --> 0:38:02.800
<v Speaker 1>hunts you without knowing what it's doing, so there's nothing

0:38:02.840 --> 0:38:05.920
<v Speaker 1>to demonize you can't really argue with it. Yeah, but

0:38:06.040 --> 0:38:08.560
<v Speaker 1>also but there, but it's that that boundary point can

0:38:08.560 --> 0:38:11.040
<v Speaker 1>also come into play because in order to get the germ,

0:38:11.080 --> 0:38:13.400
<v Speaker 1>I mean, one of the whole things, especially with syphilis

0:38:13.400 --> 0:38:16.239
<v Speaker 1>and in any sexually transmitted disease, is that there's kind

0:38:16.239 --> 0:38:19.360
<v Speaker 1>of this moral zone to it because to acquire that

0:38:19.360 --> 0:38:23.000
<v Speaker 1>that mindless and you know, non judging entity, you had

0:38:23.040 --> 0:38:28.040
<v Speaker 1>to engage in activity that might be considered um morable,

0:38:28.800 --> 0:38:33.560
<v Speaker 1>apprehensive others would judge. Yeah, it's that border patrol and exactly. Yeah.

0:38:33.840 --> 0:38:35.440
<v Speaker 1>Uh And and also someone wrote in here and I

0:38:35.440 --> 0:38:40.680
<v Speaker 1>think it's a really terrific uh parallel the Fly and

0:38:40.719 --> 0:38:46.240
<v Speaker 1>the thing um from the early nineties, late eighties, eighties

0:38:46.239 --> 0:38:49.960
<v Speaker 1>issue Yah. Yeah, and that kind of of of body

0:38:50.120 --> 0:38:52.560
<v Speaker 1>horror that was going on at the time that was

0:38:52.800 --> 0:38:56.319
<v Speaker 1>very very much I think part of our anxiety about

0:38:56.360 --> 0:38:58.439
<v Speaker 1>these diseases that we that we couldn't do a whole

0:38:58.440 --> 0:39:01.080
<v Speaker 1>lot about. Oh yeah, I think definitely with Cronenberg's The Fly,

0:39:01.200 --> 0:39:03.600
<v Speaker 1>I think that's a there's a there's a strong case

0:39:03.640 --> 0:39:06.320
<v Speaker 1>to be made that there's a lot of AIDS anxiety

0:39:06.400 --> 0:39:12.000
<v Speaker 1>tied up in that one. Definitely. How about technological connectivity,

0:39:12.239 --> 0:39:14.919
<v Speaker 1>I mean, this is something that I cannot see going

0:39:14.960 --> 0:39:17.879
<v Speaker 1>away now. There there are people talking about how we're

0:39:17.880 --> 0:39:21.240
<v Speaker 1>going to get sick of Facebook and surveillance and stuff

0:39:21.280 --> 0:39:23.160
<v Speaker 1>like that. I don't buy it at all. I think

0:39:23.239 --> 0:39:28.160
<v Speaker 1>we are headlong and we're not coming back. I think

0:39:28.160 --> 0:39:32.919
<v Speaker 1>that the deeply connected, digitally enabled networking that we're experiencing now,

0:39:33.440 --> 0:39:36.959
<v Speaker 1>we haven't even reached the peak yet, not not even close.

0:39:37.000 --> 0:39:38.960
<v Speaker 1>I don't think yeah. I mean I fantasize about leaving

0:39:38.960 --> 0:39:42.200
<v Speaker 1>it all behind sometimes, and then I remind myself rather quickly,

0:39:42.239 --> 0:39:43.520
<v Speaker 1>oh well, I have I have to do it as

0:39:43.560 --> 0:39:45.839
<v Speaker 1>part of my job, so there's no way I would

0:39:45.840 --> 0:39:48.120
<v Speaker 1>have to leave this job and to leave that behind.

0:39:48.160 --> 0:39:50.040
<v Speaker 1>And then I have. It's the way I connect with people.

0:39:50.080 --> 0:39:53.120
<v Speaker 1>I know. It's just we're we've waited too far into

0:39:53.160 --> 0:39:55.439
<v Speaker 1>that pool to really get out again. I think there's

0:39:55.480 --> 0:39:58.839
<v Speaker 1>really no going back. I hate Facebook sometimes, but then

0:39:58.920 --> 0:40:02.160
<v Speaker 1>I realized that without Facebook, I'd probably never talk to

0:40:02.239 --> 0:40:04.480
<v Speaker 1>these dozen friends of mine who live in different cities.

0:40:04.560 --> 0:40:08.520
<v Speaker 1>And I mean, it keeps you connected, it really does, sure, sure,

0:40:08.520 --> 0:40:10.360
<v Speaker 1>and you know there are some parts of it that

0:40:10.400 --> 0:40:13.279
<v Speaker 1>are a little bit a horrible, but but there's a

0:40:13.400 --> 0:40:16.040
<v Speaker 1>lot of it that is very dear to me, and

0:40:16.040 --> 0:40:17.440
<v Speaker 1>that I would I would, you know, I feel like

0:40:17.480 --> 0:40:20.200
<v Speaker 1>I really am being enriched by seeing the photographs that

0:40:20.239 --> 0:40:22.640
<v Speaker 1>they post and and and reading about how their kids

0:40:22.640 --> 0:40:24.640
<v Speaker 1>are doing, or their dogs or you know whatever. It is.

0:40:24.680 --> 0:40:26.720
<v Speaker 1>That it and it's great that all that social connection

0:40:26.800 --> 0:40:31.080
<v Speaker 1>is his own via a soulless corporation. It is intent

0:40:31.200 --> 0:40:34.439
<v Speaker 1>on making profits, right, but that occasionally turning your life

0:40:34.440 --> 0:40:36.960
<v Speaker 1>into money. Yeah, yeah, and that and that occasionally does

0:40:37.080 --> 0:40:40.839
<v Speaker 1>strange uh psychological studies on us. So but you can't really,

0:40:41.239 --> 0:40:43.719
<v Speaker 1>you can't turn away from it because yeah, your your

0:40:43.760 --> 0:40:46.040
<v Speaker 1>social connections are bound up in it. But if we

0:40:46.080 --> 0:40:49.279
<v Speaker 1>accept the prediction that this trend continues, we're only going

0:40:49.320 --> 0:40:53.000
<v Speaker 1>to get more and more connected via these digital channels.

0:40:53.520 --> 0:40:56.320
<v Speaker 1>What does this mean for our anxieties as a culture

0:40:56.760 --> 0:40:59.759
<v Speaker 1>and how does that turn into a monster or does it? Well?

0:40:59.800 --> 0:41:03.960
<v Speaker 1>I think you know, monsters on Facebook, monsters on message boards.

0:41:04.040 --> 0:41:07.320
<v Speaker 1>I mean it's easy because I mean, really, you encounter

0:41:07.400 --> 0:41:10.799
<v Speaker 1>trolls already, and and you on one level, you know

0:41:10.880 --> 0:41:12.880
<v Speaker 1>that that is an actual person. On the other side,

0:41:13.520 --> 0:41:17.400
<v Speaker 1>on the same level you they're human. Well, I know,

0:41:17.520 --> 0:41:19.320
<v Speaker 1>and that's that's where it gets kind of interesting. I

0:41:19.360 --> 0:41:22.080
<v Speaker 1>wonder if that, if the trolls of the Internet, that

0:41:22.400 --> 0:41:25.080
<v Speaker 1>the the impostures of the Internet, to what extent that

0:41:25.120 --> 0:41:27.040
<v Speaker 1>becomes more and more of a thing. I mean, maybe

0:41:27.080 --> 0:41:29.279
<v Speaker 1>I'm I missed there's a there's actually maybe there's an

0:41:29.280 --> 0:41:32.439
<v Speaker 1>actual recent example of this in horror cinema that I'm

0:41:32.520 --> 0:41:36.040
<v Speaker 1>I'm I'm forgetting about. But it seems like that's I

0:41:36.239 --> 0:41:38.880
<v Speaker 1>feel like this could be part of the return to

0:41:38.920 --> 0:41:42.600
<v Speaker 1>the to the slasher and serial killer genres that we've

0:41:42.600 --> 0:41:45.400
<v Speaker 1>been seeing a little bit lately, because I feel like

0:41:45.440 --> 0:41:49.880
<v Speaker 1>that that de humanizing, that that de humanized human is

0:41:50.120 --> 0:41:52.239
<v Speaker 1>very much a part of of our lives every day.

0:41:52.239 --> 0:41:53.839
<v Speaker 1>I mean, it's it's why you know, we all know

0:41:53.880 --> 0:41:56.160
<v Speaker 1>not to read the comments, except for those of us

0:41:56.200 --> 0:42:01.080
<v Speaker 1>for whom that's that's our job. But uh it we

0:42:01.120 --> 0:42:03.640
<v Speaker 1>get lots of really lovely comments. Oh no, no, no,

0:42:03.800 --> 0:42:08.840
<v Speaker 1>you guys specifically are upstanding ladies and gentlemen and et cetera,

0:42:09.040 --> 0:42:11.080
<v Speaker 1>and uh and we love every single one of you.

0:42:11.160 --> 0:42:13.720
<v Speaker 1>But there there are many other people on the Internet

0:42:13.719 --> 0:42:17.680
<v Speaker 1>who are not that curious and kind. So yeah, maybe

0:42:17.680 --> 0:42:19.960
<v Speaker 1>that thing I can't help. But wonder, as we you know,

0:42:20.360 --> 0:42:23.040
<v Speaker 1>as we we sort of lose our one to one

0:42:23.480 --> 0:42:26.000
<v Speaker 1>social connections, and we depend more and more on this

0:42:26.800 --> 0:42:30.400
<v Speaker 1>on Facebook and the Internet in general to connect with people.

0:42:30.520 --> 0:42:32.320
<v Speaker 1>Like maybe we end up having a more of a

0:42:32.320 --> 0:42:34.360
<v Speaker 1>return to not only the slasher but like the straight

0:42:34.440 --> 0:42:40.440
<v Speaker 1>up like Dario Argento hands strangling someone kind of slasher scenario,

0:42:40.560 --> 0:42:42.880
<v Speaker 1>not as almost out of a desire to just be

0:42:43.040 --> 0:42:47.200
<v Speaker 1>physically contact. Yeah. Yeah, well you mean as a as

0:42:47.200 --> 0:42:48.920
<v Speaker 1>a result of the fact that we're carrying on so

0:42:48.960 --> 0:42:52.000
<v Speaker 1>many of our relationships not in person, right, Yeah, that

0:42:52.480 --> 0:42:55.720
<v Speaker 1>you might be the five people you're closest with, maybe

0:42:55.719 --> 0:42:57.920
<v Speaker 1>you don't even see them on a regular basis. So

0:42:58.000 --> 0:43:00.720
<v Speaker 1>maybe the sort of dark desire become well, at least

0:43:00.719 --> 0:43:04.560
<v Speaker 1>when I die, let my murder hug me to death,

0:43:04.640 --> 0:43:06.319
<v Speaker 1>you know, because then at least I'll go out of

0:43:06.320 --> 0:43:08.920
<v Speaker 1>this world with some human contact. Yeah. I wonder if

0:43:08.960 --> 0:43:12.400
<v Speaker 1>there could also be the exact opposite, where the horror

0:43:12.719 --> 0:43:17.400
<v Speaker 1>is isolation. I mean people, people are terrified now to

0:43:17.480 --> 0:43:20.400
<v Speaker 1>be away from email, to be away from Facebook. Not everyone,

0:43:20.480 --> 0:43:23.239
<v Speaker 1>but this is a common fear. People report, I haven't

0:43:23.320 --> 0:43:26.200
<v Speaker 1>checked my email in three hours. I have intense anxiety

0:43:26.239 --> 0:43:29.480
<v Speaker 1>about this. Yeah. Yeah, and maybe that could even tie

0:43:29.520 --> 0:43:32.799
<v Speaker 1>back into another thing which I'm started skipping around in

0:43:32.800 --> 0:43:36.360
<v Speaker 1>our notes, but but space exploration. Uh. Certainly in the

0:43:36.800 --> 0:43:39.279
<v Speaker 1>seventies ish there was there was a lot of that

0:43:39.400 --> 0:43:42.920
<v Speaker 1>horror of being isolated literally in space on on a

0:43:43.040 --> 0:43:45.799
<v Speaker 1>cold dark ship somewhere, even though space isn't cold, which

0:43:45.800 --> 0:43:49.240
<v Speaker 1>we have discussed. Um. But uh uh, and so maybe

0:43:49.280 --> 0:43:51.720
<v Speaker 1>maybe we'll see more of that. Yeah, Definitely, there's always

0:43:51.760 --> 0:43:54.400
<v Speaker 1>room in the in the world of isolation for the monster,

0:43:54.560 --> 0:43:58.759
<v Speaker 1>because that's the realm where your mind turns on itself. Uh.

0:43:58.760 --> 0:44:03.040
<v Speaker 1>And the instant of hours. Ye. But speaking of of

0:44:03.160 --> 0:44:08.280
<v Speaker 1>human contact, I think I think parenthood is a trope

0:44:08.320 --> 0:44:11.040
<v Speaker 1>and horror cinema that we are certainly not done with. Yeah.

0:44:11.080 --> 0:44:13.879
<v Speaker 1>I think there are several facets to this. Number one

0:44:14.120 --> 0:44:17.480
<v Speaker 1>is going to be something more related to the cybernetics

0:44:17.560 --> 0:44:20.000
<v Speaker 1>we already talked about, because I think we're seeing we've

0:44:20.040 --> 0:44:23.960
<v Speaker 1>already seen, at least in America, I think, largely a

0:44:24.840 --> 0:44:29.400
<v Speaker 1>medicalizing of birth, and it's become it's a hospital event.

0:44:29.480 --> 0:44:34.080
<v Speaker 1>It's associated with health industry and technology and stuff like that.

0:44:34.160 --> 0:44:38.480
<v Speaker 1>And I think is technology intrudes more and more on

0:44:38.480 --> 0:44:41.160
<v Speaker 1>on birth, that's something that really does make people uncomfortable

0:44:41.160 --> 0:44:43.960
<v Speaker 1>because birth. I mean, it's one of the the most

0:44:44.000 --> 0:44:48.200
<v Speaker 1>intensely emotional experiences that humans have. We feel very strongly

0:44:48.239 --> 0:44:50.680
<v Speaker 1>about it. And now we've got things coming up, like

0:44:50.719 --> 0:44:53.960
<v Speaker 1>what about the the idea of the artificial uterus. You

0:44:54.080 --> 0:44:57.200
<v Speaker 1>can to allow a fetus to just date without putting

0:44:57.200 --> 0:44:59.360
<v Speaker 1>it in a human body. Yeah. Actually, one of the

0:44:59.640 --> 0:45:03.280
<v Speaker 1>only scenes, m one of the most visually arresting scenes

0:45:03.320 --> 0:45:05.560
<v Speaker 1>for me in The Matrix was that scene where where

0:45:05.640 --> 0:45:08.120
<v Speaker 1>Keanu Reeves is born in that goo bath and it's

0:45:08.160 --> 0:45:10.440
<v Speaker 1>and it's and it's actually really quite horrific. Like, not

0:45:10.480 --> 0:45:13.279
<v Speaker 1>a whole lot in that movie is very scary, but

0:45:13.360 --> 0:45:15.560
<v Speaker 1>that that kind of stuck with me. True. I mean,

0:45:15.760 --> 0:45:17.719
<v Speaker 1>there's certainly a lot of room for for horror there.

0:45:17.880 --> 0:45:20.439
<v Speaker 1>But but on the other hand, there's there's a lot

0:45:20.480 --> 0:45:22.600
<v Speaker 1>that we easily get used to. Like I can't help

0:45:22.640 --> 0:45:25.840
<v Speaker 1>but think back to like Newsweek and Time covers about

0:45:26.160 --> 0:45:28.520
<v Speaker 1>the test tube baby. The age of the test two

0:45:28.600 --> 0:45:30.399
<v Speaker 1>baby is coming, and now we live in the age

0:45:30.400 --> 0:45:32.560
<v Speaker 1>of the test tube baby, and it's generally not that

0:45:32.600 --> 0:45:34.799
<v Speaker 1>big of a deal. I feel the same. It's going

0:45:34.840 --> 0:45:36.880
<v Speaker 1>to be the same with with human cloning, you know,

0:45:36.960 --> 0:45:39.239
<v Speaker 1>it's it's still remains a bit of a bug bear,

0:45:39.520 --> 0:45:41.640
<v Speaker 1>but as uh as we work out the kinks, as

0:45:41.640 --> 0:45:44.520
<v Speaker 1>it becomes more of a reality, it becomes a reproductive

0:45:44.800 --> 0:45:48.040
<v Speaker 1>choice than you know, we're going to realize. It's it's

0:45:48.080 --> 0:45:51.799
<v Speaker 1>not you know, reaching into devoid and or anything. It's

0:45:51.840 --> 0:45:55.520
<v Speaker 1>something ultimately grounded in biological reality. Yeah. Oh man, I've

0:45:55.520 --> 0:45:57.200
<v Speaker 1>got another one. I can't believe I didn't put this

0:45:57.239 --> 0:46:00.319
<v Speaker 1>in the notes, but genetic modification of humans, I mean,

0:46:00.640 --> 0:46:03.759
<v Speaker 1>genetic engineering of humans is something that I think will

0:46:03.800 --> 0:46:07.680
<v Speaker 1>be very much related to the birth horror, the scariness

0:46:07.719 --> 0:46:10.640
<v Speaker 1>of what you're creating this child? You know, do you

0:46:11.520 --> 0:46:15.840
<v Speaker 1>do you tamper with nature? Yeah? Yeah, yeah, And maybe

0:46:15.840 --> 0:46:17.440
<v Speaker 1>that's also part of what we were seeing in in

0:46:17.520 --> 0:46:21.680
<v Speaker 1>like in Prometheus, with the abortion squid and um and

0:46:21.680 --> 0:46:23.399
<v Speaker 1>and all of that kind of stuff. I mean, I mean,

0:46:23.440 --> 0:46:25.200
<v Speaker 1>of course, all of the alien movies are very much

0:46:25.239 --> 0:46:27.680
<v Speaker 1>about birth and they've got a very feminine mystique kind

0:46:27.680 --> 0:46:31.360
<v Speaker 1>of thing going on. But genetic modification, with just body

0:46:31.400 --> 0:46:34.040
<v Speaker 1>modification in general, you get into that scenario at what

0:46:34.080 --> 0:46:35.920
<v Speaker 1>point you go too far? At what point are you

0:46:36.080 --> 0:46:38.560
<v Speaker 1>is it? Are you? Are you becoming less human or

0:46:38.600 --> 0:46:41.160
<v Speaker 1>more human and both of course for their own shade

0:46:41.160 --> 0:46:44.520
<v Speaker 1>of monsters. Uh. The idea of genetic modification also, I

0:46:44.560 --> 0:46:47.880
<v Speaker 1>mean it touches several of Cohen's theses. Actually, So yeah,

0:46:47.920 --> 0:46:51.320
<v Speaker 1>there's the idea about policing the borders and the scientifically possible.

0:46:52.040 --> 0:46:55.080
<v Speaker 1>There's also the idea of mixing of categories, because a

0:46:55.120 --> 0:46:58.160
<v Speaker 1>lot of times when you're talking about creating transgenic organisms,

0:46:58.200 --> 0:47:01.040
<v Speaker 1>you're talking about taking a gene and one organism and

0:47:01.080 --> 0:47:04.080
<v Speaker 1>placing it in another. That's why you read these stories

0:47:04.120 --> 0:47:08.600
<v Speaker 1>about how you had these tomatoes that were genetically modified

0:47:08.760 --> 0:47:12.400
<v Speaker 1>to resist frost because they had a fish gene implanted

0:47:13.840 --> 0:47:18.160
<v Speaker 1>tomatoes exactly. Yeah, people were extremely upset about this, and

0:47:18.239 --> 0:47:20.640
<v Speaker 1>if you if you ask them, I remember there was

0:47:20.680 --> 0:47:23.040
<v Speaker 1>some pole I read about where people thought that these

0:47:23.040 --> 0:47:26.440
<v Speaker 1>tomatoes would taste fishing. They believed there was some kind

0:47:26.480 --> 0:47:29.799
<v Speaker 1>of inherent essence of fishiness that would come along to

0:47:29.840 --> 0:47:34.520
<v Speaker 1>the tomato with that isolated frost resistance gene. And so

0:47:34.840 --> 0:47:37.200
<v Speaker 1>I wonder if the same kind of thing could happen

0:47:37.239 --> 0:47:40.799
<v Speaker 1>if we we say, oh, there's a gene we can

0:47:40.840 --> 0:47:45.160
<v Speaker 1>take from some other animal that will prevent perhaps some

0:47:45.239 --> 0:47:48.680
<v Speaker 1>sort of birth defactor or health problem or something like that,

0:47:48.920 --> 0:47:50.839
<v Speaker 1>if we put it in a human embryo, and so

0:47:50.960 --> 0:47:52.760
<v Speaker 1>let's just go ahead and do that to be safe.

0:47:53.640 --> 0:47:56.920
<v Speaker 1>Does that bring some kind of scary animal essence with it?

0:47:56.960 --> 0:48:00.040
<v Speaker 1>Are you crossing the category line between human and be

0:48:00.520 --> 0:48:03.279
<v Speaker 1>And kids are already terrifying as we know, so if

0:48:03.280 --> 0:48:07.200
<v Speaker 1>we have these genetically modified kids, uh, I don't I

0:48:07.200 --> 0:48:09.640
<v Speaker 1>don't mean to actually say that I'm terrified of that,

0:48:09.640 --> 0:48:11.600
<v Speaker 1>but I think that could be something that catches on

0:48:11.640 --> 0:48:17.399
<v Speaker 1>in the popular conscious, the creation of monster imaginations of monsters. Yeah,

0:48:17.440 --> 0:48:20.279
<v Speaker 1>and the uh, the idea of genetically augmenting ourselves. That

0:48:20.320 --> 0:48:22.879
<v Speaker 1>kind of gets back into the idea of cybernetics as well,

0:48:22.920 --> 0:48:25.960
<v Speaker 1>because of our earlier ideas about about cyborgs that really

0:48:25.960 --> 0:48:28.319
<v Speaker 1>had to do a space exploration and the possibility of

0:48:28.400 --> 0:48:32.280
<v Speaker 1>changing the human body to uh to to better adapt

0:48:32.440 --> 0:48:36.120
<v Speaker 1>to travel in space, exploration in space, and ultimately reaching

0:48:36.160 --> 0:48:40.280
<v Speaker 1>other worlds. Because you know, we we we inevitably always

0:48:40.280 --> 0:48:42.320
<v Speaker 1>come back around to the idea of, well, let's change

0:48:42.320 --> 0:48:46.640
<v Speaker 1>space to to meet our biological needs. Let's change you know,

0:48:46.680 --> 0:48:48.279
<v Speaker 1>we're gonna we're gonna take a bubble of our own

0:48:48.280 --> 0:48:50.520
<v Speaker 1>atmosphere in our own world up there into the orbit,

0:48:50.600 --> 0:48:52.360
<v Speaker 1>and if we get to another planet, we want to

0:48:52.440 --> 0:48:54.319
<v Speaker 1>change that too, right, we want to terriform that into

0:48:54.400 --> 0:48:58.120
<v Speaker 1>something different, something more earthlike. But the other side of

0:48:58.160 --> 0:49:01.080
<v Speaker 1>the argument is why do we not change in yourselves? Why?

0:49:01.080 --> 0:49:04.160
<v Speaker 1>And we figure out what works from a biological standpoint

0:49:04.560 --> 0:49:08.160
<v Speaker 1>for space travel, and then we we adapt to meet that,

0:49:08.239 --> 0:49:10.359
<v Speaker 1>and then when the age comes that we finally make

0:49:10.400 --> 0:49:13.080
<v Speaker 1>it to other worlds. Maybe it's a little bit of

0:49:13.160 --> 0:49:16.560
<v Speaker 1>terraforming and a little bit of the of the genetic

0:49:16.560 --> 0:49:20.279
<v Speaker 1>augmentation and the cybernetic agmentation of the human form. We've

0:49:20.280 --> 0:49:23.320
<v Speaker 1>talked a little bit about that in our episode about

0:49:23.360 --> 0:49:26.120
<v Speaker 1>what the what what humans will look like in the future.

0:49:26.239 --> 0:49:30.360
<v Speaker 1>Oh yeah, there was that controversial article, right, what was it?

0:49:30.400 --> 0:49:32.920
<v Speaker 1>I think a couple of people they drew some pictures

0:49:32.960 --> 0:49:35.400
<v Speaker 1>of what they guessed humans would look like in the future,

0:49:36.560 --> 0:49:38.440
<v Speaker 1>you know, yeah, like like like a hundred years or

0:49:38.520 --> 0:49:41.560
<v Speaker 1>a hundred thousand years, and and they got increasingly anime

0:49:41.680 --> 0:49:44.480
<v Speaker 1>looking at these with these very large shiny eyes and

0:49:44.560 --> 0:49:47.440
<v Speaker 1>giant foreheads. Yeah, but I think the reasoned that the

0:49:47.480 --> 0:49:50.799
<v Speaker 1>reason that you would have huge eyes is to use

0:49:50.880 --> 0:49:53.480
<v Speaker 1>less energy in places that are dark. If you just

0:49:53.520 --> 0:49:58.120
<v Speaker 1>have larger pupils you can resolve images. Yeah, yeah, and

0:49:58.120 --> 0:50:00.680
<v Speaker 1>that we would specifically have genetically modified ourselves in order

0:50:00.719 --> 0:50:03.319
<v Speaker 1>to do that. Um And but but I'm you know,

0:50:03.520 --> 0:50:06.440
<v Speaker 1>as we spoke about in the in in that conversation,

0:50:06.440 --> 0:50:08.120
<v Speaker 1>I'm not sure if we will ever get over that

0:50:08.160 --> 0:50:11.000
<v Speaker 1>bodily horror enough to want to do it. But but

0:50:11.000 --> 0:50:13.279
<v Speaker 1>I think it's absolutely something that that people are going

0:50:13.280 --> 0:50:17.279
<v Speaker 1>to be playing with in in Through Monsters. Okay, I

0:50:17.320 --> 0:50:20.240
<v Speaker 1>got one more big one to ask about. What about

0:50:20.520 --> 0:50:24.239
<v Speaker 1>the supernatural? Because most of what we've discussed about, and

0:50:24.360 --> 0:50:27.560
<v Speaker 1>this is probably by virtue of trying to predict future

0:50:27.560 --> 0:50:31.160
<v Speaker 1>monsters based on the trends coming and technology, So it

0:50:31.239 --> 0:50:33.799
<v Speaker 1>might just be a function of our categories, but we

0:50:33.880 --> 0:50:39.480
<v Speaker 1>have been focusing mostly on materialist kinds of monsters, robots, cybernetics, etcetera.

0:50:40.200 --> 0:50:42.640
<v Speaker 1>Is the replace in the future for good old fashioned

0:50:43.160 --> 0:50:46.280
<v Speaker 1>spirits and ghosts and wraiths and you know, these vengeful

0:50:46.400 --> 0:50:50.359
<v Speaker 1>other worldly creatures. I would say there has to be,

0:50:50.360 --> 0:50:53.720
<v Speaker 1>because there's still come trends of these kind of things today.

0:50:54.160 --> 0:50:56.120
<v Speaker 1>For the past six or seven years, I'd say there

0:50:56.120 --> 0:50:59.600
<v Speaker 1>has been a craze in the movies for demon possession

0:51:00.040 --> 0:51:04.560
<v Speaker 1>and exorcism. Yeah, and I don't think this reflects largely

0:51:05.200 --> 0:51:09.319
<v Speaker 1>an expanded belief in demon possession in the general population,

0:51:09.719 --> 0:51:12.359
<v Speaker 1>but it does mean something. It reflects some kind of

0:51:12.400 --> 0:51:16.799
<v Speaker 1>thing in the popular consciousness that's that's just represented by

0:51:16.840 --> 0:51:19.520
<v Speaker 1>this demon possession. Well, I think that that with the

0:51:20.000 --> 0:51:24.359
<v Speaker 1>possession tropes specifically, um, it's relating to a lot of

0:51:24.400 --> 0:51:30.480
<v Speaker 1>the spiritual versus science anxieties that that are our global

0:51:30.520 --> 0:51:32.719
<v Speaker 1>culture is going through right now. Yeah. I mean there's

0:51:32.719 --> 0:51:36.200
<v Speaker 1>the idea popularized by by Karl Sagan that that science

0:51:36.280 --> 0:51:38.480
<v Speaker 1>is a candle in the demon haunted world, you know,

0:51:38.640 --> 0:51:42.879
<v Speaker 1>illuminating the darkness, and until science reaches the point where

0:51:42.920 --> 0:51:46.800
<v Speaker 1>you have absolute illumination, which it's you know, arguably, it

0:51:46.840 --> 0:51:49.319
<v Speaker 1>will never reach that point. Arguably, there are always going

0:51:49.400 --> 0:51:52.080
<v Speaker 1>to be some shadows remaining, and therefore they're always going

0:51:52.080 --> 0:51:54.640
<v Speaker 1>to be some spaces for the demons to haunt us,

0:51:54.640 --> 0:51:58.200
<v Speaker 1>for the monsters to hanson, for the supernatural to to exist,

0:51:58.400 --> 0:52:01.080
<v Speaker 1>at least as an idea. Yeah, I don't see the

0:52:01.120 --> 0:52:04.279
<v Speaker 1>supernatural monster going away. I hope not. Because ghosts are

0:52:04.280 --> 0:52:08.200
<v Speaker 1>my favorite. Yeah, mine too, I find them. Of all

0:52:08.280 --> 0:52:12.000
<v Speaker 1>the monsters, I find regular old ghosts, the scariest. Oh,

0:52:12.040 --> 0:52:13.880
<v Speaker 1>I find them the scariest, But I also find them

0:52:13.920 --> 0:52:19.520
<v Speaker 1>the most um uh palatable uh not spiced but um

0:52:20.800 --> 0:52:24.239
<v Speaker 1>zombie flesh Uh yeah, certainly, um but but but I'm

0:52:24.280 --> 0:52:29.560
<v Speaker 1>also genuinely disturbed by a lot of um uh serial

0:52:29.640 --> 0:52:32.600
<v Speaker 1>killer kind of like the hostile sort of genre. I'm

0:52:32.719 --> 0:52:35.799
<v Speaker 1>I'm genuinely upset by it. I'm not horrified, I'm just

0:52:36.040 --> 0:52:38.759
<v Speaker 1>grossed out. And and why did they make this? Yeah? Yeah,

0:52:38.760 --> 0:52:41.440
<v Speaker 1>like like this is this is actually not fun to watch.

0:52:41.680 --> 0:52:44.919
<v Speaker 1>Um so those tend to not even be monster movies. Yeah,

0:52:44.960 --> 0:52:47.640
<v Speaker 1>they're just about sure Why we start time talking about

0:52:47.640 --> 0:52:50.440
<v Speaker 1>torture movies? That's not in our arena? Now, if you

0:52:50.440 --> 0:52:52.960
<v Speaker 1>have a monster in there somewhere, then you have my

0:52:53.000 --> 0:52:55.759
<v Speaker 1>attention a little bit. But yeah, you know, we'll see

0:52:55.760 --> 0:52:58.440
<v Speaker 1>how it all plays out. But yeah, I think that

0:52:58.560 --> 0:53:00.839
<v Speaker 1>this has been such a fun to discussion. Thank you

0:53:00.880 --> 0:53:03.719
<v Speaker 1>so much Robert for coming and joining us. We have

0:53:03.800 --> 0:53:09.200
<v Speaker 1>really enjoyed having you. Yes, I enjoyed having you. Now

0:53:09.320 --> 0:53:11.680
<v Speaker 1>you say it, Lauren, I enjoyed having you as well.

0:53:12.440 --> 0:53:17.719
<v Speaker 1>Huzzah um um. If you have also enjoyed this discussion,

0:53:17.960 --> 0:53:21.320
<v Speaker 1>let us know. You can find us on Facebook, Twitter,

0:53:21.400 --> 0:53:25.080
<v Speaker 1>and Google Plus. Our handle is generally f W Thinking,

0:53:25.840 --> 0:53:28.640
<v Speaker 1>or you know, search the Googles for us, you'll find us. Uh.

0:53:28.880 --> 0:53:31.879
<v Speaker 1>You can also email us at f W Thinking at

0:53:31.960 --> 0:53:34.920
<v Speaker 1>how Stuff Works dot com. We hope that we will

0:53:34.960 --> 0:53:38.520
<v Speaker 1>hear from you, and either way we will talk to

0:53:38.560 --> 0:53:45.400
<v Speaker 1>you again really soon. For more on this topic in

0:53:45.440 --> 0:53:58.640
<v Speaker 1>the future of technology, visit forward Thinking dot com. Brought

0:53:58.640 --> 0:54:01.160
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