WEBVTT - Empire on Blood | 7. This Too Shall Pass

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<v Speaker 1>Hi.

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<v Speaker 2>There a quick note before we start. Most of you

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<v Speaker 2>love listening to ads. I know that, But if you don't,

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<v Speaker 2>here's an option. Subscribe to True Crime Clubhouse on Apple Podcasts.

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<v Speaker 2>You'll get ten episodes of Empire on Blood the Director's

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<v Speaker 2>Cut ad free and one week early with exclusive bonus content.

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<v Speaker 2>And it's a mere two ninety nine a month previously

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<v Speaker 2>on Empire on Blood.

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<v Speaker 3>These Days Full names of the record, My name is

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<v Speaker 3>Calvin or are you okayme out? I'm back.

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<v Speaker 4>When you looked at him, did you recognize him? Yes?

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<v Speaker 3>And who did you see the way.

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<v Speaker 5>Therefore, discord grants to the defender's motion and hereby vacates

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<v Speaker 5>the conviction.

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<v Speaker 6>All right, cow, you did it. You did it.

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<v Speaker 5>You are the most persistent motherfucker.

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<v Speaker 4>And oh good lord.

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<v Speaker 3>Yeah.

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<v Speaker 2>So cal called me last night to ask oh he

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<v Speaker 2>did yeah?

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<v Speaker 1>His uh.

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<v Speaker 2>He's not left his cell in the forty eight hours,

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<v Speaker 2>and he's turning.

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<v Speaker 4>Francis was supposed to not.

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<v Speaker 2>Risk any any possible problem. He's just packing himself up,

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<v Speaker 2>sitting in his cell and just waiting. Yeah, he says,

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<v Speaker 2>I'm staying away from everybody, about talking to anybody. I

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<v Speaker 2>asked him how it felt to be in there and

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<v Speaker 2>he just said he was so anxious.

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<v Speaker 4>Yeah, how do you sleep?

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<v Speaker 3>Right?

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<v Speaker 4>Do you think he has even slept?

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<v Speaker 2>That's me in one of Calvin Buari's attorneys, Oscar Michelin,

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<v Speaker 2>early morning of Monday May eighth, twenty and seventeen, the

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<v Speaker 2>day Calvin is supposed to be released after twenty two

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<v Speaker 2>years in prison. This passed for a judge in the

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<v Speaker 2>Bronx vacated his double homicide conviction as if it never happened.

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<v Speaker 2>Cal is free to walk out of prison. The judge

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<v Speaker 2>said so, but paperwork that takes time. So the Department

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<v Speaker 2>of Corrections took him back to prison for the weekend.

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<v Speaker 2>And then in Oscar's car, the phone rings. It's Cal's friend.

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<v Speaker 4>She yes, they say, he's not going nowhere.

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<v Speaker 2>The judge may have let cal go, but maybe his

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<v Speaker 2>past won't.

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<v Speaker 7>Why that was a sergeant because they thought I was

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<v Speaker 7>on a visit.

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<v Speaker 5>I was like, no, I'm trying to see us the process.

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<v Speaker 5>And so he looks on the paper and he was like, yeah,

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<v Speaker 5>he's here, He's not going away.

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<v Speaker 2>Why is that?

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<v Speaker 5>He's not giving me the information.

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<v Speaker 2>So here we are in a moment between what should

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<v Speaker 2>be and what is We've gotten to know moments like

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<v Speaker 2>this pretty well from Orbit Media. This is Empire on Blood,

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<v Speaker 2>a story of murder, betrayal and a man who fought

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<v Speaker 2>the law for two decades and of a question when

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<v Speaker 2>is a man truly free? I'm Steve Fishman. We're sitting

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<v Speaker 2>in Oscar's car in front of the ironically named green

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<v Speaker 2>Haven Correctional Facility. Haven. My ass it's got a thirty

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<v Speaker 2>foot high window is cement wall around it. We pull

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<v Speaker 2>up shortly after ten am after a two hour ride

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<v Speaker 2>from the city. What's going on inside green Haven? Who knows?

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<v Speaker 4>Yes?

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<v Speaker 2>Hi, my name is Oscar Mitchell. I'm gonna turn it

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<v Speaker 2>for Kalabowari.

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<v Speaker 6>The issue is that we were Yeah, he was supposed

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<v Speaker 6>to be released today and I want to just double

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<v Speaker 6>check to make sure that everything is all set for

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<v Speaker 6>his release.

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<v Speaker 2>He got his conviction.

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<v Speaker 5>To Oscar Michelin and you attorney.

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<v Speaker 2>I am cal Bui's attorney.

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<v Speaker 1>Yes, concerned?

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<v Speaker 5>And why you would think he's leaving this week.

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<v Speaker 2>Because he was?

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<v Speaker 1>Uh?

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<v Speaker 3>I'm sorry?

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<v Speaker 5>Can I have remotely close to his day?

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<v Speaker 2>What is to be done? We're here, Let's go inside,

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<v Speaker 2>try to get this straightened out.

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<v Speaker 3>Oh so, just have a seat distreevisits inside.

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<v Speaker 2>Do you know when a prisoners released, he would he

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<v Speaker 2>come this way?

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<v Speaker 4>This is the only way they could go.

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<v Speaker 2>We see ourselves in a gloomy area what passes for

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<v Speaker 2>a waiting month A few feet away. Corrections officers, process visitors,

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<v Speaker 2>A handful of us are here. Cal's lawyers, a few relatives.

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<v Speaker 2>His god brother, Pam is not here. She and Cal

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<v Speaker 2>are still legally married, but they've grown apart. Cal friend,

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<v Speaker 2>she drove up from Westchester. She's his main support now.

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<v Speaker 2>There are also a couple of journalists from the Associated Press.

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<v Speaker 2>Cal will be let go. A judge ordered his release.

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<v Speaker 2>It's unconstitutional to hold him in prison, after all, he's

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<v Speaker 2>no longer convicted of anything, but the anxiety it won't quit.

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<v Speaker 2>Cal calls me from inside, maybe one hundred feet from him,

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<v Speaker 2>but several tons of cement and steel separate us. It's

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<v Speaker 2>ten forty six a m cow, cow, How are you?

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<v Speaker 4>Yeah?

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<v Speaker 5>I'm all right. I'm afraid to get up out of

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<v Speaker 5>his You know what's going to.

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<v Speaker 8>Hold up is?

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<v Speaker 2>I don't where are you now?

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<v Speaker 4>Are you?

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<v Speaker 2>Are they telling you you're getting outton?

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<v Speaker 1>No?

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<v Speaker 5>There ain't nobody even come and tell me anything. And

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<v Speaker 5>I'm talking to people. Everybody know that I'm supposed to

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<v Speaker 5>get out, but nobody ain't come to tell me it's

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<v Speaker 5>time to go.

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<v Speaker 2>The hours pass one, two, three. Finally the paperwork lands

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<v Speaker 2>on the right desk, eyes dotted, tea's crossed. It's not

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<v Speaker 2>every day someone's conviction is vacated. Then Cal appears in

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<v Speaker 2>the distance, maybe fifty feet away. I can see his

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<v Speaker 2>nit cap through the bars of the steel gate for

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<v Speaker 2>one more minute. He looks like he's inside a cage.

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<v Speaker 2>Then the gate slides open.

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<v Speaker 3>You see you.

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<v Speaker 2>Cal walks out in khaki pants, timberlands, toting a single

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<v Speaker 2>canvas bag stuffed with the essentials from two decades behind bars,

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<v Speaker 2>legal documents I find out later, go, oh my god.

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<v Speaker 9>Daddy came out said, where's everybody? As you're gonna praise

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<v Speaker 9>that you can't do the.

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<v Speaker 1>Photography, thank you, and if you want to conduct an

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<v Speaker 1>interview and.

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<v Speaker 3>Asking the property, let's go.

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<v Speaker 2>We go out double swinging doors, leaving the guard tower

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<v Speaker 2>behind us and the thirty foot high cement wall. We

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<v Speaker 2>go down two sets of stairs into a parking lot

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<v Speaker 2>that spreads over a couple of acres.

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<v Speaker 10>Surreal, surreal, man, Oh.

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<v Speaker 7>My god, Oh no, we got a bus ticket for you.

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<v Speaker 2>We're not gonna drive. You gotta take a great house.

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<v Speaker 2>I'm sorry we couldn't.

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<v Speaker 3>We couldn't afford it.

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<v Speaker 2>I'm sorry about yeah, but it's a good man. You

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<v Speaker 2>could see right by the driver.

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<v Speaker 3>A call right now.

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<v Speaker 11>People don't know, you know, it's like anxiety.

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<v Speaker 10>It's beautiful, man. I never seen this side without the

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<v Speaker 10>handcuffing on. That's the beautiful thing about it, you know,

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<v Speaker 10>no handcuffs, no shocks. Finally, man, oh, long time coming.

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<v Speaker 3>Couldn't come at a better time.

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<v Speaker 7>Unbelievable.

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<v Speaker 2>Right. Cal hugs his god brother, he hugs me. He's muscular,

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<v Speaker 2>prison muscles. It's a powerful embrace. You did it. The

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<v Speaker 2>prison authorities insist that we leave state property. They don't

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<v Speaker 2>have to ask. Twice. We trooped through the parking lot,

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<v Speaker 2>a small horde, making our way to the shoulder of

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<v Speaker 2>the road. The Associated press hands cow a microphone.

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<v Speaker 10>That's what it really.

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<v Speaker 1>It's just like I work so hard to get to

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<v Speaker 1>where I'm at right now, and I finally made it

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<v Speaker 1>the long journey that I took to get to where

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<v Speaker 1>I'm at, and it's still a continuous fight, you know,

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<v Speaker 1>because still dealing with the issues that are launcht the

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<v Speaker 1>a office not really worn until mix to their mistakes

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<v Speaker 1>and doing the right thing.

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<v Speaker 4>I gotta keep my mind and keep.

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<v Speaker 2>Pushing Cows on message, hitting his talk point, staying focused.

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<v Speaker 2>Of course, he's right. The District Attorney's office has threatened

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<v Speaker 2>to appeal the decision that set him free. He knows

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<v Speaker 2>there might be more coming. And I feel like the

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<v Speaker 2>truth is finally revealing it, so, you know, thank you.

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<v Speaker 2>Cal hands back the microphone. She pulls up the getaway car.

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<v Speaker 2>My producer Emil, and I jump in with Cal.

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<v Speaker 9>Okay, see where are we going?

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<v Speaker 2>Well, we want We're gonna ride with you wherever.

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<v Speaker 4>The change station station.

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<v Speaker 2>What's Cal? Looking forward to an iPhone and a bath

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<v Speaker 2>his first bath in twenty two years.

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<v Speaker 10>That's that's that's one of sleeping in the bed and

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<v Speaker 10>probably getting in the bathtube and then going into a refrigerator.

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<v Speaker 3>What I want to to get out? What I want

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<v Speaker 3>to get out.

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<v Speaker 2>Of such things? Freedom is made. Cow's walked off prison grounds.

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<v Speaker 2>But what does it take to feel free? Cal knows

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<v Speaker 2>what I mean from prison. He told me, I just

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<v Speaker 2>can't wait to get in a situation where I'm around

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<v Speaker 2>the people that truly genuinely love me, so I can

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<v Speaker 2>just be me truthfully, just be free. And so Cal

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<v Speaker 2>he wants to see his.

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<v Speaker 10>Mom, and I'm an knock on the door, let him

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<v Speaker 10>have a come downstairs.

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<v Speaker 3>Once she over the door, is gonna be me happy.

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<v Speaker 3>Mother's dak. You got an early mother's taken.

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<v Speaker 2>But first, Cow's got some errands to run. After the break,

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<v Speaker 2>a free man heads out into the world with a

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<v Speaker 2>long to do list and finds more than he bargained for.

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<v Speaker 2>Stay with us outside, we're back with Empire on blood.

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<v Speaker 2>So when does an ex prisoner actually shake prison out

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<v Speaker 2>of his bones? I asked Emil mcdalell, Cal's prison buddy,

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<v Speaker 2>who got his own sentence vacated email served nineteen years.

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<v Speaker 12>When the judge vegacated my conviction, it was like a

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<v Speaker 12>surreal experience.

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<v Speaker 2>You really can't believe it.

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<v Speaker 12>Cal is not going to believe that he's really out

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<v Speaker 12>until he actually steps his foot on concrete and he's

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<v Speaker 12>able to walk in a store with dollars in his pocket.

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<v Speaker 2>That's how it was for me.

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<v Speaker 12>Yeah, they said, you know you're out, You're going home,

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<v Speaker 12>and I'm just still sitting there looking at the judge,

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<v Speaker 12>and I'm just like, Okay, I'm going home. I'll be

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<v Speaker 12>home with my family for Christmas. You know, I could

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<v Speaker 12>be home for my birthday finally after nineteen years.

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<v Speaker 9>But.

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<v Speaker 12>Until I got out, and you know, my cousin gave

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<v Speaker 12>me like one hundred dollars but in twenties and tens.

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<v Speaker 12>He gave it to me, and I actually jumped out

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<v Speaker 12>of his car, went into the store and I was like,

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<v Speaker 12>I'm out.

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<v Speaker 2>So Email will put twenties and tens in Cal's pocket.

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<v Speaker 2>He's going to take Cal shopping in Brooklyn for sneakers.

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<v Speaker 2>Once upon a time, Cal had wanted air Jordan's. Twenty

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<v Speaker 2>five years ago, he'd started selling crack so he could

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<v Speaker 2>buy them. This time, his hardworking prison comrade says he'll

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<v Speaker 2>pick up the tab. But Cal has a few other

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<v Speaker 2>items to attend to, people, to visit, places to see.

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<v Speaker 2>He's a man in a hurry.

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<v Speaker 3>Open buzz me in, man, buzz me in.

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<v Speaker 2>Email drives Cal to Tracy, Koit's apartment, coming to see trade.

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<v Speaker 3>Where are you at.

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<v Speaker 7>That count?

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<v Speaker 2>Because you look alive and he was a mess. Tracy

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<v Speaker 2>was for a time one of his main allies on

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<v Speaker 2>the outside, a leading light of the Free count Lady

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<v Speaker 2>that helps fixed all mambo said, man, you know me

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<v Speaker 2>and home was going hard.

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<v Speaker 10>She's the first one that picked up the bend of

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<v Speaker 10>the Free Cow fan and waved it the round in

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<v Speaker 10>the rallies stripped.

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<v Speaker 3>Into t shows.

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<v Speaker 2>You know, I assume Tracy might be celebrating Cow's release.

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<v Speaker 3>You don't want thisake, right, No?

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<v Speaker 2>I mean she's just hearing from Cal Now.

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<v Speaker 9>Off the audio because I got let you let me

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<v Speaker 9>miss that moment.

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<v Speaker 2>You're walking out of Greenhaven. You ain't want me you

0:14:42.000 --> 0:14:42.800
<v Speaker 2>let me missed out.

0:14:42.840 --> 0:14:44.440
<v Speaker 3>You didn't know what Dale was coming.

0:14:44.520 --> 0:14:48.160
<v Speaker 2>Now he was coming out until cal changes the subject

0:14:48.680 --> 0:14:52.560
<v Speaker 2>like a natural born politician, he picks up Tracy's baby

0:14:52.760 --> 0:14:53.320
<v Speaker 2>harmit This.

0:14:53.440 --> 0:15:02.040
<v Speaker 4>Man, yes, yes, wood, gorgeous.

0:15:02.320 --> 0:15:08.200
<v Speaker 2>Ray cal is smiling, loving on harmony the way. It

0:15:08.280 --> 0:15:10.560
<v Speaker 2>seems to me that maybe Tracy had hoped to be

0:15:10.680 --> 0:15:11.400
<v Speaker 2>treated me.

0:15:13.360 --> 0:15:15.040
<v Speaker 4>Like you.

0:15:16.440 --> 0:15:22.760
<v Speaker 2>You soon it's time to go. This has been something

0:15:22.800 --> 0:15:25.040
<v Speaker 2>of a thank you visit to one of the soldiers

0:15:25.120 --> 0:15:28.200
<v Speaker 2>in the Free Cow movement. One of the women they

0:15:28.320 --> 0:15:31.960
<v Speaker 2>came for Cow but worked for the movement price of admission,

0:15:32.720 --> 0:15:33.040
<v Speaker 2>said you.

0:15:33.080 --> 0:15:36.840
<v Speaker 4>Always loved yourself some Calvin, But now now let Calvin go.

0:15:37.400 --> 0:15:40.160
<v Speaker 4>You are not your free man. Now you should think

0:15:40.200 --> 0:15:41.000
<v Speaker 4>of me every day.

0:15:42.240 --> 0:15:47.000
<v Speaker 2>I'm sure he will. And that's another element of what

0:15:47.120 --> 0:15:50.320
<v Speaker 2>it means to be free, free to play the field,

0:15:50.920 --> 0:15:53.000
<v Speaker 2>to be a player. As Tracy says, I.

0:15:53.080 --> 0:15:55.800
<v Speaker 3>Wanted to surprise you. No, that's not how it goes you.

0:15:56.000 --> 0:15:59.240
<v Speaker 3>Lucky that I was it lucky. I'm blessed. I don't

0:15:59.240 --> 0:16:02.240
<v Speaker 3>believe in love. I'm blessed. I gotta give him a

0:16:02.360 --> 0:16:05.400
<v Speaker 3>golf definitely always.

0:16:06.600 --> 0:16:12.360
<v Speaker 2>Fire store right there, good man, so cal visits a supporter. Okay,

0:16:14.480 --> 0:16:19.120
<v Speaker 2>let's shop for some sneakers on a Sunday afternoon in Brooklyn.

0:16:19.320 --> 0:16:23.120
<v Speaker 2>Email and cow head to the Atlantic. Mall, eh god,

0:16:23.200 --> 0:16:26.000
<v Speaker 2>they they do a whole festival for your hold festival.

0:16:26.040 --> 0:16:29.200
<v Speaker 10>They knew you was coming downtown for that's where everybody

0:16:29.280 --> 0:16:31.120
<v Speaker 10>at Look at that, look at it.

0:16:31.280 --> 0:16:32.320
<v Speaker 11>Look that's something.

0:16:32.400 --> 0:16:35.400
<v Speaker 2>They spend hours going from shoe store to shoe store

0:16:36.080 --> 0:16:39.720
<v Speaker 2>along the way, callent, email, running to people. They know

0:16:40.000 --> 0:16:40.800
<v Speaker 2>what they're doing with that.

0:16:40.960 --> 0:16:41.560
<v Speaker 1>I ain't.

0:16:41.640 --> 0:16:43.520
<v Speaker 11>Now you know, I'm all filing for my wrong for

0:16:43.600 --> 0:16:46.920
<v Speaker 11>conviction and all, oh good, I've been here about him

0:16:47.000 --> 0:16:48.280
<v Speaker 11>doing good by.

0:16:49.120 --> 0:16:50.800
<v Speaker 2>I tell you my old lady to you right now,

0:16:51.080 --> 0:16:52.040
<v Speaker 2>I say my old lights.

0:16:52.120 --> 0:16:52.440
<v Speaker 3>I did that.

0:16:52.600 --> 0:16:53.840
<v Speaker 4>I did thirty three years straight.

0:16:54.000 --> 0:16:55.800
<v Speaker 3>That's right, Yeah, thirty three years straight.

0:16:55.880 --> 0:16:58.360
<v Speaker 5>You know, look in anyway, they ain't wait five years ago.

0:16:58.680 --> 0:16:59.640
<v Speaker 2>Let this took from shopping.

0:16:59.680 --> 0:17:00.240
<v Speaker 5>He just came.

0:17:00.720 --> 0:17:02.240
<v Speaker 4>My nephew just came over last week.

0:17:02.600 --> 0:17:05.320
<v Speaker 5>I just took him shop and bought him some clothes, guns, saying, man,

0:17:05.480 --> 0:17:06.320
<v Speaker 5>some barbecue, and.

0:17:06.359 --> 0:17:09.320
<v Speaker 2>Now I gotta cut out your stay safe. But anything

0:17:09.359 --> 0:17:11.360
<v Speaker 2>to work out for you, all right, you take care

0:17:11.520 --> 0:17:12.320
<v Speaker 2>right right later?

0:17:12.600 --> 0:17:12.959
<v Speaker 7>All right?

0:17:23.600 --> 0:17:26.120
<v Speaker 10>Yeah, last time I was when I first met him.

0:17:27.119 --> 0:17:31.639
<v Speaker 10>He cut the dude that tried to start man just

0:17:31.760 --> 0:17:39.159
<v Speaker 10>being Pattica. Yeah yeah, yeah, that's how I first met him,

0:17:39.160 --> 0:17:41.520
<v Speaker 10>and we ended up going to South Fort.

0:17:41.560 --> 0:17:43.000
<v Speaker 4>He was never my next door neighbor.

0:17:44.080 --> 0:17:44.680
<v Speaker 2>So it's good.

0:17:44.720 --> 0:17:48.520
<v Speaker 10>I knew I was going run into somebody in downtown Brooklyn.

0:17:50.840 --> 0:17:54.440
<v Speaker 2>Not just one somebody inside a shop. They bump into

0:17:54.480 --> 0:17:58.119
<v Speaker 2>another guy from the old days. This one did nine years.

0:18:00.040 --> 0:18:05.159
<v Speaker 3>I've been on being changed. Dramatic, dramatic. I'm talking. I

0:18:05.200 --> 0:18:07.320
<v Speaker 3>remember how first Gale. I remember I went to Green

0:18:07.359 --> 0:18:07.920
<v Speaker 3>Niggas mall.

0:18:08.320 --> 0:18:11.040
<v Speaker 2>How I felt when I was giving the phone and

0:18:11.119 --> 0:18:13.160
<v Speaker 2>you know what I mean, Like I was like, okay, how.

0:18:13.200 --> 0:18:14.200
<v Speaker 3>Y'all doing stuff. I'm painting.

0:18:14.200 --> 0:18:17.120
<v Speaker 2>I'm trying to see how you mighty rap, what's cool

0:18:17.160 --> 0:18:17.560
<v Speaker 2>and what's not.

0:18:17.960 --> 0:18:19.399
<v Speaker 3>I think I had some shoes on. It was like

0:18:19.520 --> 0:18:20.520
<v Speaker 3>I thought they was flooding.

0:18:20.560 --> 0:18:21.280
<v Speaker 4>It's not the lot.

0:18:24.720 --> 0:18:28.880
<v Speaker 2>Two X cons on a Sunday shopping trip recognized another

0:18:29.000 --> 0:18:32.040
<v Speaker 2>two X cons what the hell is going on at

0:18:32.080 --> 0:18:35.800
<v Speaker 2>the mall. I'm accustomed to running into people, people I

0:18:35.920 --> 0:18:39.119
<v Speaker 2>met at college or summer camp or over a cocktail

0:18:39.160 --> 0:18:43.040
<v Speaker 2>at my bar. But this, this vast web of people

0:18:43.160 --> 0:18:47.000
<v Speaker 2>linked by the shared experience of prison that's invisible to

0:18:47.119 --> 0:18:50.040
<v Speaker 2>somebody like me. Of course, you read about it all

0:18:50.080 --> 0:18:54.160
<v Speaker 2>the time, black men swept off the streets, crowded into prisons.

0:18:54.800 --> 0:18:58.200
<v Speaker 2>And here's the evidence. Think of it. One afternoon outside

0:18:58.320 --> 0:19:02.960
<v Speaker 2>Burlington Coat factory in Chucky Cheese. Four black men Email

0:19:03.160 --> 0:19:06.680
<v Speaker 2>and Cal and the two others. These guys randomly meet

0:19:07.200 --> 0:19:10.560
<v Speaker 2>and together they've done a total of eighty three years

0:19:10.680 --> 0:19:17.760
<v Speaker 2>in prison. Yeah, Cow was a drug dealer, and maybe

0:19:17.800 --> 0:19:21.560
<v Speaker 2>the too many ran into were criminals as well. Maybe

0:19:21.600 --> 0:19:24.560
<v Speaker 2>they should have all done time. But I've made a

0:19:24.680 --> 0:19:28.000
<v Speaker 2>seven year journey with Cal. I know his case inside

0:19:28.040 --> 0:19:31.399
<v Speaker 2>and out, and I know emails too. The honor student

0:19:31.520 --> 0:19:35.760
<v Speaker 2>sentence for a murder that someone else committed. The system

0:19:35.800 --> 0:19:39.560
<v Speaker 2>feels rigged against people like Cal and email. People like

0:19:39.720 --> 0:19:43.520
<v Speaker 2>Col people like Email. That's how the system viewed them

0:19:43.760 --> 0:19:47.440
<v Speaker 2>as a type, the type of person society is better

0:19:47.560 --> 0:19:51.960
<v Speaker 2>off without. And let's agree society was better off without

0:19:52.040 --> 0:19:55.200
<v Speaker 2>crack dealing Cal on the streets in the theater of

0:19:55.240 --> 0:19:58.359
<v Speaker 2>the early nineties, Cool Cal had a role to play,

0:19:58.640 --> 0:20:01.480
<v Speaker 2>and he played it to perfection. He wore minks and

0:20:01.560 --> 0:20:06.840
<v Speaker 2>drove BMW's rewards for seating a neighborhood with poison. Cal

0:20:07.160 --> 0:20:10.600
<v Speaker 2>he high stepped through falling bodies and his admiring crew.

0:20:11.080 --> 0:20:13.919
<v Speaker 2>They thought he was master of it all. They wanted

0:20:13.960 --> 0:20:19.600
<v Speaker 2>to be just like Cal. Cal could have done other

0:20:19.680 --> 0:20:22.760
<v Speaker 2>things with his life. He had the talent, but no

0:20:22.880 --> 0:20:26.160
<v Speaker 2>one in authority looked at Cal and thought there's potential here,

0:20:26.480 --> 0:20:30.399
<v Speaker 2>if only it could be redirected. That wasn't anyone's duty.

0:20:30.480 --> 0:20:33.840
<v Speaker 2>Of course, Cal sometimes told me that if only his

0:20:34.080 --> 0:20:38.320
<v Speaker 2>father had stuck around, his life might have looked different. Instead,

0:20:38.680 --> 0:20:41.600
<v Speaker 2>for a pair of air Jordan's, which his mother couldn't

0:20:41.640 --> 0:20:45.600
<v Speaker 2>afford and which a teenage cow desperately wanted, he turned

0:20:45.600 --> 0:20:48.560
<v Speaker 2>to the streets and there was no turning back from.

0:20:48.480 --> 0:20:57.520
<v Speaker 3>That ocause you gotta let me know.

0:21:11.240 --> 0:21:13.880
<v Speaker 2>Cal and e. Mel ended up visiting a dozen stores

0:21:14.280 --> 0:21:17.880
<v Speaker 2>in search of just the right sneakers. Cow finally selected

0:21:17.920 --> 0:21:21.879
<v Speaker 2>a pair of sand colored Nike Hirachis retail price one

0:21:22.000 --> 0:21:23.080
<v Speaker 2>hundred and twenty dollars.

0:21:23.440 --> 0:21:28.160
<v Speaker 3>Yeah, I almosnikus. It took almost all day.

0:21:28.200 --> 0:21:34.520
<v Speaker 2>But other items on cows to do list lawyers, driver's license, housing,

0:21:35.160 --> 0:21:38.399
<v Speaker 2>visiting HERVs of course, and catch up with people he

0:21:38.520 --> 0:21:42.400
<v Speaker 2>left behind. At one point, Cow visits Jay, another ex

0:21:42.560 --> 0:21:45.719
<v Speaker 2>con who'd been his best friend. They were shot together.

0:21:46.000 --> 0:21:50.480
<v Speaker 2>There's a bond, and Cow visits Pam, still legally his wife.

0:21:51.080 --> 0:21:54.879
<v Speaker 2>They reminisce, laugh, They share a few hours of conversation.

0:21:55.960 --> 0:21:58.440
<v Speaker 2>As for the other friends from the Bronx, friends like

0:21:58.600 --> 0:22:02.640
<v Speaker 2>Jmo or former crew members, callous staying away for the time,

0:22:02.720 --> 0:22:05.880
<v Speaker 2>being too close to the days of murder in Mayhem,

0:22:06.400 --> 0:22:14.080
<v Speaker 2>days he needs to put behind him. But me, I

0:22:14.200 --> 0:22:15.720
<v Speaker 2>stay in touch with the old crew.

0:22:18.160 --> 0:22:23.280
<v Speaker 5>Yeah, yeahs, you will pass myself. He saw me, master

0:22:23.359 --> 0:22:26.000
<v Speaker 5>be It's all he's on dr.

0:22:29.040 --> 0:22:29.200
<v Speaker 4>Right.

0:22:31.960 --> 0:22:35.640
<v Speaker 2>Dwight Robinson, What is Dwight going through now?

0:22:36.440 --> 0:22:36.640
<v Speaker 1>Man?

0:22:36.840 --> 0:22:40.760
<v Speaker 2>I hear about it. His trouble his dramas. I send

0:22:40.840 --> 0:22:44.080
<v Speaker 2>Dwight things like Sudoku books, which he tells me will

0:22:44.119 --> 0:22:47.960
<v Speaker 2>prevent Alzheimer's and lottery tickets, which he says can earn

0:22:48.080 --> 0:22:52.320
<v Speaker 2>us millions. Once he asked for a porn magazine. Sure, Dwight,

0:22:52.480 --> 0:22:56.480
<v Speaker 2>why not? And as always, Dwight wants news from the

0:22:56.560 --> 0:23:00.840
<v Speaker 2>outside to keep his mind free. Lately he wants to

0:23:00.960 --> 0:23:04.040
<v Speaker 2>know what outfits cal is wearing now that he's out.

0:23:04.560 --> 0:23:07.800
<v Speaker 2>Is he wearing a rolex? Mostly though we talk about

0:23:07.920 --> 0:23:12.639
<v Speaker 2>prison nonsense, nonsense, that's the word Dwight uses. There always

0:23:12.640 --> 0:23:16.119
<v Speaker 2>seems to be some craziness happening, some of it of

0:23:16.200 --> 0:23:21.400
<v Speaker 2>Dwight's own making, and that craziness it's compounded by living

0:23:21.480 --> 0:23:24.760
<v Speaker 2>out his days in an institution where a body can't

0:23:24.880 --> 0:23:25.320
<v Speaker 2>be free.

0:23:26.440 --> 0:23:27.880
<v Speaker 5>See I write this information out.

0:23:28.320 --> 0:23:29.560
<v Speaker 2>Seem to see.

0:23:29.480 --> 0:23:37.879
<v Speaker 5>It right, Special Investigator Donkey, okay, all right, tell him

0:23:37.920 --> 0:23:40.640
<v Speaker 5>that right now. See that my life is in danger

0:23:40.760 --> 0:23:42.880
<v Speaker 5>with these officers here, and I would like to see

0:23:42.920 --> 0:23:44.160
<v Speaker 5>somebody as soon as possible.

0:23:44.920 --> 0:23:48.080
<v Speaker 2>Dwight says. The officers are angry at him over the incident,

0:23:48.560 --> 0:23:51.320
<v Speaker 2>his plan to pick a fight with an inmate. He

0:23:51.400 --> 0:23:54.680
<v Speaker 2>says it's sided with the guards. Okay, I am you

0:23:54.760 --> 0:23:55.560
<v Speaker 2>sure you should do that?

0:23:55.720 --> 0:23:55.880
<v Speaker 4>Man?

0:23:56.880 --> 0:23:59.159
<v Speaker 5>You could just I thought about every more is the

0:23:59.200 --> 0:24:02.280
<v Speaker 5>best move plus plus plus. Once I beat them up,

0:24:02.280 --> 0:24:05.159
<v Speaker 5>they're gonna separate us. I'm only gonna be locked up

0:24:05.160 --> 0:24:06.600
<v Speaker 5>for like thirty days. I'm just gonna beat them up.

0:24:07.200 --> 0:24:09.639
<v Speaker 2>I really don't want to hear this. I do my

0:24:09.800 --> 0:24:13.960
<v Speaker 2>best not to get pulled into Dwight's nonsense, but I'm

0:24:14.040 --> 0:24:18.160
<v Speaker 2>thinking Dwight could get hurt. I can't not be involved.

0:24:19.240 --> 0:24:22.600
<v Speaker 2>But mostly I think, how well do I really know?

0:24:22.880 --> 0:24:27.639
<v Speaker 2>Dwight's a really nervous man. I just really know.

0:24:29.359 --> 0:24:33.360
<v Speaker 5>Relast man. Look Steeve, Steeve, you know how we grew

0:24:33.440 --> 0:24:39.760
<v Speaker 5>up really so you know what I mean different? We

0:24:39.960 --> 0:24:43.680
<v Speaker 5>were a different breed. Yeah, you know that. You know

0:24:43.720 --> 0:24:44.040
<v Speaker 5>what I mean?

0:24:45.160 --> 0:24:45.919
<v Speaker 3>What do you mean?

0:24:47.800 --> 0:24:52.080
<v Speaker 5>We're a complete different breathing. Yeah, you got from a

0:24:52.119 --> 0:24:57.560
<v Speaker 5>different cloth, yeare? That's that's that's listen everything on one

0:24:57.600 --> 0:25:01.480
<v Speaker 5>God for the best one you are. Don't worry about nothing,

0:25:02.240 --> 0:25:04.760
<v Speaker 5>you know. I mean, I think how a company has

0:25:04.800 --> 0:25:05.200
<v Speaker 5>trust me?

0:25:07.240 --> 0:25:12.280
<v Speaker 2>Trust me? For the record, Dwight doesn't beat up anyone.

0:25:13.200 --> 0:25:16.000
<v Speaker 2>We spoke on a recorded line. Dwight told me the

0:25:16.080 --> 0:25:20.320
<v Speaker 2>authorities tuned into our conversation and then search the inmating

0:25:20.440 --> 0:25:26.160
<v Speaker 2>question establish control and prison. Of course, it's all about control.

0:25:26.720 --> 0:25:31.640
<v Speaker 2>Control is all encompassing. Nothing is private, not one movement,

0:25:32.040 --> 0:25:36.080
<v Speaker 2>not a single article of clothing. I send Dwight a

0:25:36.200 --> 0:25:41.639
<v Speaker 2>Christmas present, some timberland chuckus his dream footwear of many years.

0:25:42.520 --> 0:25:46.639
<v Speaker 2>Prison officials. They return the shoes to me. The reason

0:25:47.359 --> 0:25:53.720
<v Speaker 2>it's complicated. Dwight is furious in his way. Dwight is

0:25:53.840 --> 0:25:58.680
<v Speaker 2>relentless too, and hopeful. On the phone. He tells me

0:25:58.760 --> 0:26:01.560
<v Speaker 2>he's got a plan. He'll figure it out. He assures

0:26:01.640 --> 0:26:06.600
<v Speaker 2>me he will get his sneakers. Dwight's first shot at

0:26:06.640 --> 0:26:09.879
<v Speaker 2>parole is in less than four years. I wonder if

0:26:09.960 --> 0:26:13.960
<v Speaker 2>Cal's appeal will affect Dwight's chances. The judge as much

0:26:14.000 --> 0:26:16.600
<v Speaker 2>as said that the DA should look hard at Dwight

0:26:16.680 --> 0:26:20.280
<v Speaker 2>as a murder suspect. So far, though the DA has

0:26:20.359 --> 0:26:25.080
<v Speaker 2>made it clear for them, the bigger picture is still Cal,

0:26:25.960 --> 0:26:29.359
<v Speaker 2>and so Dwight is hopeful on that score. Two, he

0:26:29.600 --> 0:26:37.440
<v Speaker 2>dreams of freedom after the break. Cal, now outside prison's control,

0:26:37.880 --> 0:26:43.159
<v Speaker 2>gets to be himself truly deeply. Finally, stay with us.

0:27:00.680 --> 0:27:04.040
<v Speaker 2>We're back with empire on blood back to the day

0:27:04.160 --> 0:27:06.520
<v Speaker 2>Cow was released when we rode with him in the

0:27:06.520 --> 0:27:10.400
<v Speaker 2>getaway car. At last Greenhaven Correctional was just a dot

0:27:10.480 --> 0:27:12.800
<v Speaker 2>in the rear view mirror. He had a lot on

0:27:12.880 --> 0:27:16.119
<v Speaker 2>his mind that day. One thing above all that won

0:27:16.160 --> 0:27:18.560
<v Speaker 2>a video and take one go and see my motto?

0:27:19.400 --> 0:27:20.840
<v Speaker 2>Oh yeah, what are you going to see her?

0:27:21.040 --> 0:27:22.560
<v Speaker 3>Yeah? You want me to see if I can get

0:27:22.560 --> 0:27:23.760
<v Speaker 3>a videographers come along?

0:27:25.240 --> 0:27:28.560
<v Speaker 2>Would Yeah that would be a nice gift.

0:27:28.760 --> 0:27:31.840
<v Speaker 3>I think I think you'd be all for it. Yeah, definitely.

0:27:32.040 --> 0:27:33.840
<v Speaker 4>That's day ticonic State Party.

0:27:35.840 --> 0:27:38.840
<v Speaker 2>Since I first spoke with Col back in twenty eleven,

0:27:39.200 --> 0:27:43.359
<v Speaker 2>lots has happened in my life. I've gotten divorced and remarried,

0:27:43.600 --> 0:27:46.919
<v Speaker 2>opened a bar, one of my kids became a teenager.

0:27:49.080 --> 0:27:52.840
<v Speaker 2>Much of Cal's life, his interior life, especially, has been

0:27:52.920 --> 0:27:57.080
<v Speaker 2>on hold in prison. That's the way it is. And

0:27:57.200 --> 0:28:02.720
<v Speaker 2>I've only known Cal while he's been in What is

0:28:02.840 --> 0:28:06.200
<v Speaker 2>Cal like when he's truly free? Maybe I'll find out

0:28:07.800 --> 0:28:11.280
<v Speaker 2>his mother lives in Maryland now she is driving Cow there.

0:28:11.720 --> 0:28:14.040
<v Speaker 2>He's had trouble getting a driver's license.

0:28:14.440 --> 0:28:14.960
<v Speaker 8>I left.

0:28:15.000 --> 0:28:17.720
<v Speaker 4>Hear right, Okay, we're going forty four?

0:28:17.840 --> 0:28:18.760
<v Speaker 3>God can go on up?

0:28:18.960 --> 0:28:19.120
<v Speaker 7>Oh?

0:28:19.160 --> 0:28:19.440
<v Speaker 5>He said.

0:28:19.520 --> 0:28:21.680
<v Speaker 7>Forty three.

0:28:23.000 --> 0:28:25.600
<v Speaker 2>Cal is in a car trying to spot the house,

0:28:25.800 --> 0:28:29.240
<v Speaker 2>which he's never seen. He's wearing a special outfit for

0:28:29.320 --> 0:28:33.879
<v Speaker 2>the day, raspberry colored sweater, gold chain, sunglasses, and the

0:28:34.040 --> 0:28:38.480
<v Speaker 2>ever present cap, a tan one and for today's event,

0:28:38.920 --> 0:28:41.960
<v Speaker 2>cool Cal has fastened a red bow to the front

0:28:42.000 --> 0:28:45.560
<v Speaker 2>of that cap. And he's carrying presents too. He grips

0:28:45.600 --> 0:28:48.360
<v Speaker 2>the string of a floating balloon, the words on it

0:28:48.760 --> 0:28:51.080
<v Speaker 2>I Love You. In his other hand, he's got a

0:28:51.160 --> 0:28:55.720
<v Speaker 2>dozen red roses wrapped in gold foil. I've never seen

0:28:55.840 --> 0:28:59.920
<v Speaker 2>Col so full of anticipation and mischief. He wants to

0:29:00.200 --> 0:29:03.400
<v Speaker 2>surprise his mother. He's actually tried to keep the news

0:29:03.440 --> 0:29:06.920
<v Speaker 2>of his release from her. Didn't call her, told friends

0:29:07.040 --> 0:29:07.920
<v Speaker 2>not to tell her.

0:29:14.120 --> 0:29:14.680
<v Speaker 3>What su.

0:29:22.040 --> 0:29:26.120
<v Speaker 2>Cal's mom lives in an attractive, well tended suburb, single

0:29:26.200 --> 0:29:30.680
<v Speaker 2>family homes clipped front lawns. Hers is a white stucco house.

0:29:31.240 --> 0:29:34.720
<v Speaker 2>Cal heads to the front door. She's iPhone in his hand.

0:29:35.240 --> 0:29:38.080
<v Speaker 2>He calls his mother. He pretends he's not at her

0:29:38.120 --> 0:29:40.960
<v Speaker 2>front door even as he bangs on the door.

0:29:44.480 --> 0:29:48.920
<v Speaker 3>You know, I wanted to see her. What's up?

0:29:49.000 --> 0:29:49.160
<v Speaker 7>Man?

0:29:50.280 --> 0:29:50.680
<v Speaker 3>What's up?

0:29:50.800 --> 0:29:52.360
<v Speaker 4>Mar Eh?

0:29:56.240 --> 0:29:56.920
<v Speaker 5>Who all saw?

0:29:57.960 --> 0:30:00.880
<v Speaker 2>I'm all side, I'm all saw in New York.

0:30:01.000 --> 0:30:02.160
<v Speaker 3>I'm in New York City.

0:30:22.160 --> 0:30:25.040
<v Speaker 2>When Col's sneak attack fails, he heads around to the

0:30:25.160 --> 0:30:27.560
<v Speaker 2>back of the house, goes through the gate of a

0:30:27.680 --> 0:30:31.080
<v Speaker 2>chain link fence. There's a sign on it beware of dog.

0:30:31.480 --> 0:30:34.120
<v Speaker 2>He walks into the house through an open back door.

0:30:34.400 --> 0:30:37.719
<v Speaker 2>His brother heads upstairs to bring down their mom, who

0:30:37.840 --> 0:30:41.680
<v Speaker 2>is still recuperating from surgery. And then there she is

0:30:42.000 --> 0:30:45.920
<v Speaker 2>the object of all the fuss, a small, older woman

0:30:46.280 --> 0:30:51.479
<v Speaker 2>with plane glasses in a flowery house dress. Col stands

0:30:51.680 --> 0:30:54.640
<v Speaker 2>awkwardly in a kind of pass through between the kitchen

0:30:55.120 --> 0:30:58.880
<v Speaker 2>and living room. That bouquet in his hand, that crazy

0:30:59.120 --> 0:30:59.960
<v Speaker 2>bow on his farm.

0:31:00.040 --> 0:31:00.320
<v Speaker 3>A head.

0:31:01.040 --> 0:31:05.240
<v Speaker 2>Cow's brother is in the background, the videographer nearby. The

0:31:05.360 --> 0:31:08.880
<v Speaker 2>spectators don't matter to Cows. It's like he's in a

0:31:09.000 --> 0:31:13.640
<v Speaker 2>private space with his mom. He kisses her, grips her tight,

0:31:15.240 --> 0:31:16.600
<v Speaker 2>Happy Mama's day.

0:31:16.840 --> 0:31:30.800
<v Speaker 6>Mommy, your son is him. Your son is here, Mommy,

0:31:32.440 --> 0:31:38.160
<v Speaker 6>your son is here. Huh, I'm here, Mom, I'm here. Mo,

0:31:39.280 --> 0:31:44.080
<v Speaker 6>Mom here, you hear me, I'm here. Your son's chip.

0:31:45.160 --> 0:31:48.400
<v Speaker 6>I'm here, Mom, your son is here.

0:31:49.880 --> 0:31:57.840
<v Speaker 3>I'm near. President, I'm the president. I'm your president present.

0:32:00.800 --> 0:32:01.000
<v Speaker 1>Huh.

0:32:01.480 --> 0:32:04.880
<v Speaker 3>Everything's gonna be all right. Mam. You gotta be strong.

0:32:05.840 --> 0:32:06.880
<v Speaker 3>You gotta be strong.

0:32:07.000 --> 0:32:07.200
<v Speaker 8>Mom.

0:32:07.600 --> 0:32:10.320
<v Speaker 3>You gotta believe, you gotta believe.

0:32:11.040 --> 0:32:11.480
<v Speaker 4>I'm here.

0:32:11.760 --> 0:32:13.760
<v Speaker 11>You know your son is always gonna be strong. I'm

0:32:13.760 --> 0:32:16.160
<v Speaker 11>gonna be alright. I'm gonna keep fighting.

0:32:16.240 --> 0:32:16.440
<v Speaker 7>Mom.

0:32:16.840 --> 0:32:19.800
<v Speaker 11>If you don't raise nobody that's gonna give up. You

0:32:19.960 --> 0:32:23.040
<v Speaker 11>know that we don't give up. You don't give up ever.

0:32:23.840 --> 0:32:24.320
<v Speaker 3>I'm here.

0:32:25.440 --> 0:32:29.760
<v Speaker 11>I'm gonna have your testament to that. What you raise, Mom,

0:32:30.440 --> 0:32:32.720
<v Speaker 11>nobody said you know matter, I'm gonna take give up.

0:32:32.760 --> 0:32:37.720
<v Speaker 11>Points were always gonna come out on top. Always know that, Mom,

0:32:38.440 --> 0:32:40.560
<v Speaker 11>always always gonna come out the.

0:32:40.600 --> 0:32:44.560
<v Speaker 3>Top because we got genuine hearts. It's always in a heart.

0:32:44.680 --> 0:32:44.880
<v Speaker 7>Mom.

0:32:45.960 --> 0:32:46.520
<v Speaker 11>You know that.

0:32:47.560 --> 0:32:48.600
<v Speaker 7>You know that I love you.

0:32:49.040 --> 0:32:50.080
<v Speaker 3>It's gonna get graying.

0:32:50.240 --> 0:32:54.440
<v Speaker 2>Mom. Cal always told me that his mom is a

0:32:54.600 --> 0:33:01.680
<v Speaker 2>silent warrior, never complaining, honest, upright religious, never disappointed in

0:33:01.800 --> 0:33:05.840
<v Speaker 2>him despite everything he's done. She prayed for his release.

0:33:06.960 --> 0:33:10.600
<v Speaker 3>Everybody sold me off leaving for dad. I'm here, your

0:33:10.680 --> 0:33:14.479
<v Speaker 3>son is here. I'm in the flesh of a baby.

0:33:14.880 --> 0:33:15.320
<v Speaker 4>I'm here.

0:33:15.880 --> 0:33:19.360
<v Speaker 8>We all we got That's how you us, that's how,

0:33:21.080 --> 0:33:27.480
<v Speaker 8>that's how, that's how you small well, all of them

0:33:28.480 --> 0:33:31.400
<v Speaker 8>all of them, all of them have ever doubted us.

0:33:32.320 --> 0:33:36.280
<v Speaker 3>All of them know that I'm here. I don't ever

0:33:36.400 --> 0:33:39.080
<v Speaker 3>think that I ain't missed your cause. Not to do

0:33:39.200 --> 0:33:42.440
<v Speaker 3>whatever I can to get to my mommy, to do

0:33:42.520 --> 0:33:45.320
<v Speaker 3>whatever I can't get to my mom. I love you,

0:33:46.720 --> 0:33:47.320
<v Speaker 3>Love you, mom.

0:33:48.640 --> 0:33:48.840
<v Speaker 5>Yeah.

0:33:59.680 --> 0:34:02.880
<v Speaker 2>Before or my father the IRV in my bar IRVS.

0:34:03.240 --> 0:34:06.760
<v Speaker 2>Before he passed away, I asked him a question, a

0:34:06.920 --> 0:34:11.440
<v Speaker 2>nosy pointed question. He'd been ailing for a while. His balance,

0:34:11.560 --> 0:34:14.680
<v Speaker 2>his strength were failing him. He had bruises on his

0:34:14.800 --> 0:34:18.040
<v Speaker 2>face from falling off a curb. My father died at

0:34:18.200 --> 0:34:21.560
<v Speaker 2>age eighty six, the same age at which Myron Beldock

0:34:21.640 --> 0:34:28.799
<v Speaker 2>passed away. By then, my dad was chair bound. Death

0:34:28.840 --> 0:34:31.920
<v Speaker 2>can be a kind of freedom, but my father resisted.

0:34:32.800 --> 0:34:35.880
<v Speaker 2>It sucks getting old, he told me. He hung on.

0:34:36.600 --> 0:34:40.600
<v Speaker 2>My father wanted to live forever. One day I asked

0:34:40.680 --> 0:34:45.160
<v Speaker 2>him why why was he so attached to living? He

0:34:45.280 --> 0:34:48.000
<v Speaker 2>had an answer ready. I want to see how the

0:34:48.120 --> 0:34:56.400
<v Speaker 2>story ends. This is the end of Empire on Blood,

0:34:56.800 --> 0:34:59.799
<v Speaker 2>the end of the story. I'd assigned myself seven years ago,

0:35:00.520 --> 0:35:04.400
<v Speaker 2>way before I knew how long it would take. But

0:35:04.520 --> 0:35:09.120
<v Speaker 2>as my father certainly knew, the story doesn't end life

0:35:09.239 --> 0:35:13.200
<v Speaker 2>goes on. I'm thinking of Cow's life and the turn

0:35:13.440 --> 0:35:17.640
<v Speaker 2>it took. This story never seemed to go where I expected.

0:35:18.640 --> 0:35:22.879
<v Speaker 2>Cow had decades in prison to anticipate freedom, to choreograph

0:35:22.960 --> 0:35:27.960
<v Speaker 2>reunions and dream of future successes. Someday Cow may be

0:35:28.080 --> 0:35:31.160
<v Speaker 2>worth millions. He sued the City of New York and

0:35:31.280 --> 0:35:34.840
<v Speaker 2>will sue the state. He wants compensation for having lost

0:35:34.880 --> 0:35:38.239
<v Speaker 2>more than two decades of his life, but he's not

0:35:38.440 --> 0:35:41.600
<v Speaker 2>waiting around for a settlement that could take years if

0:35:41.680 --> 0:35:46.280
<v Speaker 2>it comes at all. Remember, in prison, he'd written seven

0:35:46.440 --> 0:35:51.200
<v Speaker 2>business plans. Success legitimate success was always going to be

0:35:51.320 --> 0:35:55.839
<v Speaker 2>Cow's revenge. Sitting on a beach writing checks, Cal said

0:35:55.960 --> 0:36:00.399
<v Speaker 2>that was his five year plan. A couple months after

0:36:00.480 --> 0:36:04.000
<v Speaker 2>his release, Cal got his driver's license and started one

0:36:04.120 --> 0:36:09.719
<v Speaker 2>Venture Riders van service riders with a Z. Somehow he'd

0:36:09.800 --> 0:36:13.000
<v Speaker 2>managed to get hold of a fifteen seat Chevy van.

0:36:13.760 --> 0:36:17.840
<v Speaker 2>He transports families and friends of inmates to prisons upstate.

0:36:18.560 --> 0:36:21.000
<v Speaker 2>Some days, Cal gets up at four in the morning

0:36:21.400 --> 0:36:25.960
<v Speaker 2>to pick up customers. Imagine this, Cal walks into the

0:36:26.040 --> 0:36:30.120
<v Speaker 2>waiting room of green Haven Correctional Facility to drop off

0:36:30.160 --> 0:36:35.000
<v Speaker 2>his business cards. This actually happens. Cal says the corrections

0:36:35.080 --> 0:36:43.600
<v Speaker 2>officers remember him and smile. Cal assures me business is

0:36:43.719 --> 0:36:47.960
<v Speaker 2>picking up. That's what Cal would say. He spent decades

0:36:48.040 --> 0:36:54.640
<v Speaker 2>thinking positive thoughts in the face of ongoing disappointment and disappointments, Well,

0:36:54.719 --> 0:36:59.600
<v Speaker 2>it seems they never cease. On November twenty ninth, twenty seventeen,

0:37:00.080 --> 0:37:03.760
<v Speaker 2>an assistant bronx DA told a judge that the office

0:37:03.800 --> 0:37:08.280
<v Speaker 2>will appeal the decision to vacate Cal's sentence. The office

0:37:08.320 --> 0:37:11.799
<v Speaker 2>seems intent on bringing him back to trial and back

0:37:11.880 --> 0:37:16.960
<v Speaker 2>to prison. The Cal I know is relentlessly fiercely positive,

0:37:17.560 --> 0:37:20.080
<v Speaker 2>But the day of the DA's announcement, I received a

0:37:20.200 --> 0:37:24.040
<v Speaker 2>text from him. He was he wrote, a little drained

0:37:24.160 --> 0:37:32.319
<v Speaker 2>from the living. At times, I fear the fight has

0:37:32.440 --> 0:37:35.719
<v Speaker 2>deformed Cal more than anything. He wanted to be with

0:37:35.840 --> 0:37:40.560
<v Speaker 2>people who truly genuinely love him. Now he has troubled

0:37:40.600 --> 0:37:44.399
<v Speaker 2>being with those people. She is in love with Cal

0:37:44.480 --> 0:37:48.160
<v Speaker 2>and Cal. He tells me he loves her too. He

0:37:48.280 --> 0:37:52.680
<v Speaker 2>calls her his partner. Still, She tells me that one

0:37:52.760 --> 0:37:56.560
<v Speaker 2>minute they are so close close is one finger wrapped

0:37:56.560 --> 0:38:02.399
<v Speaker 2>around another. The next Col flees his space. The intensity

0:38:02.520 --> 0:38:07.799
<v Speaker 2>of intimate relationships can overwhelm him. The living can overwhelm him.

0:38:09.400 --> 0:38:13.960
<v Speaker 2>As I record this, Cal is homeless. I never expected

0:38:14.080 --> 0:38:19.000
<v Speaker 2>that landlords aren't receptive. Cal has no credit history, and

0:38:19.200 --> 0:38:23.239
<v Speaker 2>on the internet he is still accused of a double homicide.

0:38:23.960 --> 0:38:27.000
<v Speaker 2>And so Cal tells me he lives in his van,

0:38:27.840 --> 0:38:30.359
<v Speaker 2>sleeping on one of the long seats in the rear.

0:38:30.960 --> 0:38:34.440
<v Speaker 2>Using the bathroom at the local McDonald's. He washes up

0:38:34.520 --> 0:38:37.800
<v Speaker 2>there too, brings his own toiletries and tow.

0:38:41.920 --> 0:38:42.160
<v Speaker 3>To me.

0:38:42.560 --> 0:38:47.880
<v Speaker 2>Cal sounds desperate. I'm silent. I don't know how to respond,

0:38:50.680 --> 0:38:57.759
<v Speaker 2>and then Cal, being Cal, recovers He assures me this

0:38:58.040 --> 0:39:26.360
<v Speaker 2>too shall pass. On March twenty first, twenty eighteen, just

0:39:26.440 --> 0:39:29.520
<v Speaker 2>as we were finishing production on this podcast, we got

0:39:29.560 --> 0:39:33.080
<v Speaker 2>some news. At a hearing, one that had been scheduled

0:39:33.239 --> 0:39:37.839
<v Speaker 2>months in advance. The Bronx District attorney shocked Cow's defense team.

0:39:38.280 --> 0:39:42.160
<v Speaker 2>The DA moved to dismiss the two decade old indictment

0:39:42.239 --> 0:39:46.120
<v Speaker 2>against Cal. A State Supreme Court judge granted the motion,

0:39:47.000 --> 0:39:51.120
<v Speaker 2>and with that the legal cloud over Cal lifted. He

0:39:51.480 --> 0:40:10.440
<v Speaker 2>is officially free. The director's cut of Empire on Blood

0:40:10.520 --> 0:40:14.280
<v Speaker 2>is produced by Emil Klein. Austin Smith is our associate

0:40:14.360 --> 0:40:18.080
<v Speaker 2>producer and production coordinator. The original production of the empowering

0:40:18.160 --> 0:40:21.719
<v Speaker 2>Blood was also produced by Emil Klein. Neil Lobell was

0:40:21.760 --> 0:40:26.920
<v Speaker 2>our executive producer, Julia Parton, our story editor, fact checking

0:40:27.000 --> 0:40:31.879
<v Speaker 2>by Stephanie Daniels. Our advisor was Joel Dusk. Additional field

0:40:31.960 --> 0:40:37.280
<v Speaker 2>reporting from Noah Shalom, mastering by Jason Gabrel, original scoring

0:40:37.360 --> 0:40:40.920
<v Speaker 2>by Joel Saint Julian, and our theme song, The Lonely

0:40:41.120 --> 0:40:45.640
<v Speaker 2>King is by mister Lynn. Special thanks to Andy Bowers,

0:40:45.880 --> 0:40:51.040
<v Speaker 2>who championed the original production at Paniple. I'm Steve Fishman,

0:40:52.920 --> 0:40:53.759
<v Speaker 2>Lucky Bill to.

0:40:53.920 --> 0:41:00.760
<v Speaker 9>Blood, Leedsday King, The Birds, The Blurbs, Friendo and Old

0:41:00.880 --> 0:41:01.480
<v Speaker 9>the last One.

0:41:01.600 --> 0:41:04.200
<v Speaker 5>You hear this com com.

0:41:14.040 --> 0:41:17.120
<v Speaker 2>Hi there before we go, You've just listened to another

0:41:17.239 --> 0:41:20.520
<v Speaker 2>brilliant episode of Empire on Blood the Director's Cut. To

0:41:20.680 --> 0:41:25.000
<v Speaker 2>hear episodes of this series one week early and ad

0:41:25.280 --> 0:41:29.160
<v Speaker 2>free with exclusive content, subscribe to True Crime Clubhouse on

0:41:29.480 --> 0:41:32.600
<v Speaker 2>Apple Podcasts. It's just two ninety nine a month.