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Speaker 1: From Hollywood to you, thank you for listening to us.

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Speaker 2: Ryan Air on Air with a Ryan Seacrest.

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Speaker 3: Ciciny was doing a little research project in the music department,

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Speaker 3: and you found something about the decade of the twenty

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Speaker 3: tens and Kiss FM's songs right, Yes.

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Speaker 1: And a particular lyric that was in a lot of

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Speaker 1: the songs from twenty ten or the twenty tens in

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Speaker 1: general that decade. And we didn't notice it at the time,

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Speaker 1: But then when you kind of compile all these songs together,

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Speaker 1: you're like.

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Speaker 2: Wow, what was in the tea? Like this should be studied.

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Speaker 3: So there was one specific lyric that appeared in multiple

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Speaker 3: songs in the twenty ten hit songs Yes, and we

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Speaker 3: didn't realize it, and do we What does it mean

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Speaker 3: this lyric?

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Speaker 2: Why does it say this?

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Speaker 1: It's a sound, it's like a it's it's not not

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Speaker 1: it's non not like it's.

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Speaker 2: Just or no no either or okay for over and

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Speaker 2: over again.

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Speaker 3: For example, this is twenty ten's I as replay every Days.

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Speaker 2: I think sometimes when.

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Speaker 3: You need to get to a lyric that rhymes, you

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Speaker 3: gotta give up.

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Speaker 2: Every day. Every artist did it, every artist who else it?

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Speaker 2: Rihanna did it Rihanna, what's my name? What's my name?

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Speaker 2: Did it mean? Something? In?

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Speaker 4: Is?

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Speaker 3: Not?

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Speaker 2: Not like a thing? Was it?

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Speaker 3: Was it a saying?

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Speaker 2: It wasn't even slang for anything that I remember. I

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Speaker 2: don't know. Selena Gomez was on.

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Speaker 1: It one direction, What makes You Beautiful?

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Speaker 2: I mean they really want and didn't really We're just

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Speaker 2: singing along.

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Speaker 3: The songwriters are sitting in the room. They're like, guys,

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Speaker 3: I give up, let's just turn some there.

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Speaker 1: Had to have been or like that's what they fill

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Speaker 1: and they're like trying to figure out the lyrics and

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Speaker 1: we'll just leave.

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Speaker 2: Then it sounds good. Here's Maclamo.

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Speaker 3: Song in the two ten's had a Nana somewhere hidden

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Speaker 3: in it.

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Speaker 2: I can't hear it.

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Speaker 3: I can't DJ snakes my brother.

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Speaker 5: Beaver.

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Speaker 3: That is a fascinating thing. I wish we were to

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Speaker 3: have more information on the why why exactly? It's it's

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Speaker 3: no different than Tanya's Oh Crutch. It's like when's not

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Speaker 3: a lyric to say she goes oh. It's like these

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Speaker 3: guys didn't know what to put in the song. So

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Speaker 3: like this one, no, whoam.

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Speaker 2: I'll give it to it?

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Speaker 6: No, no, no, no, Rihanna's is the only one that

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Speaker 6: makes sense because like that's her name.

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Speaker 3: Maybe anybody else is paing homage to No No, No, no,

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Speaker 3: no No, Susy. There's nothing better than finding these little

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Speaker 3: yes treasures.

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Speaker 2: It made me so happy.

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Speaker 3: Twenty tens Kiss Music, every song almost featured No No,

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Speaker 3: no no. Now every song just features Kendrick Lamar. It's true,

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Speaker 3: and you'll hear Kendrick six times this hour, Ryan Seacrest here.

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Speaker 3: You know, you go through life and you have these

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Speaker 3: phases where you think, I remember all my phases, the

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Speaker 3: macha te phase.

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Speaker 2: Yeah, I love your phases.

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Speaker 3: My surfing phase, my mountain biking phase, and in my

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Speaker 3: plates phase.

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Speaker 2: Now I'm in a mobility phase.

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Speaker 5: Now.

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Speaker 3: I'm also into baggy pants right now on a few.

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Speaker 2: Yeah, the baggy chants are in yeah pants recently.

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Speaker 7: Uh.

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Speaker 3: So we're going through my phases. Tanya is in one

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Speaker 3: of hers. Shall we enter?

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Speaker 2: So we walked through this door, walk through a baby,

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Speaker 2: Come along with me, cisciny.

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Speaker 3: Tanya wants to find an energy healer.

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Speaker 2: No, I've found one. Oh, of course you have. Oh

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Speaker 2: you've already found one since you told me about it.

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Speaker 6: I have found well, I found two I'm not sure

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Speaker 6: which one I'm going to end up.

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Speaker 3: What was the searching for an energy interview process?

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Speaker 6: So, actually I was talking to a girlfriend of mine

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Speaker 6: at the gym, and she was telling me that she

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Speaker 6: at work was like dealing with somebody that was like

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Speaker 6: really sucking the energy out of her.

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Speaker 3: And I was just like really.

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Speaker 6: Relating to everything that she was saying, and she was like, yeah,

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Speaker 6: I actually went to this energy healer in Orange County.

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Speaker 2: Is someone at.

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Speaker 1: Work sucking the energy out of you?

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Speaker 3: Uh?

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Speaker 2: No, no, no, this was.

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Speaker 6: One of my This is what the girl friend of

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Speaker 6: my gym, because she said I totally related to her

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Speaker 6: because I feel like I've just been giving my energy

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Speaker 6: expending it in places that I don't need to be

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Speaker 6: and I want I want that energy back.

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Speaker 3: And what's something that, like if I didn't live in

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Speaker 3: LA that I even know how to Probably not there.

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Speaker 2: Probably not.

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Speaker 1: It's very lay, but I'm intrigued to carry on.

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Speaker 6: Yes, So I don't know what I haven't I have

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Speaker 6: obviously haven't had the appointment yet. But what they do

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Speaker 6: is they like heal like you give a lot of

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Speaker 6: energy to things that you shouldn't give your energy to

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Speaker 6: in life and Basically, what this healer does is she

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Speaker 6: helps you reclaim that energy back and then bring it

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Speaker 6: back to yourself.

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Speaker 2: Is she like talking to you or she Yeah, she

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Speaker 2: like talks to you between your body.

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Speaker 3: Is there like a butterfly net where you can bring it,

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Speaker 3: capture and bring it back.

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Speaker 6: No, one person is in person and then one other

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Speaker 6: one can do it over the phone.

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Speaker 2: Well, not that person's phoning it in person. I don't know.

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Speaker 2: I don't I've never done I. I don't know. I

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Speaker 2: don't think it's raki. No, we've done reyki before.

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Speaker 1: Remember we laid down and they like and they don't

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Speaker 1: touch your bodies, but they so it's not greravitate with

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Speaker 1: the energy like this.

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Speaker 2: It's not reiki. It's something different.

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Speaker 3: Well, the concept of like we give out energy to

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Speaker 3: places in people we shouldn't is a very common one.

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Speaker 3: I find myself often obsessing and giving energy to something

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Speaker 3: it doesn't really matter, but for some reason I can't

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Speaker 3: get out of my head and it matters in that moment.

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Speaker 2: Yes, this is exactly it, Ryan.

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Speaker 3: But I don't know that a healer is gonna walk

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Speaker 3: into my life with a magic wand and some dust

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Speaker 3: and get me to stop putting that energy in that place.

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Speaker 2: I actually don't know if it would work, but you

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Speaker 2: never know that you try. Plus you're gonna have to

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Speaker 2: pay for this.

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Speaker 1: You're gonna cost Yes, I am going to pay for it.

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Speaker 2: I would do this on my own. This is like

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Speaker 2: a healer.

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Speaker 3: Will be call oust will heal you energy elsewhere they

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Speaker 3: got the list of America's favorite baby names that are

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Speaker 3: out right.

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Speaker 1: Social Security Administration drops the annual list of the most

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Speaker 1: popular baby names in the US from last year from

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Speaker 1: twenty twenty four. So let's start with the boys coming

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Speaker 1: in at five James, then Theodore, Oliver, Noah, and then

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Speaker 1: once again, Liam takes the number one spot.

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Speaker 2: For the girls, the list goes.

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Speaker 1: Mia, Charlotte, Amelia, Emma, and the queen of the list

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Speaker 1: for twenty twenty four is Olivia.

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Speaker 2: I know so many Olivia's more than five.

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Speaker 1: It's interesting because these names have been steady for years.

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Speaker 1: I think Liam has been holding that number one spot

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Speaker 1: for eight years straight.

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Speaker 2: Olivia has been holding it for six.

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Speaker 1: Years straight now, so they're not changing, which is I

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Speaker 1: think it's kind of fascinating.

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Speaker 3: So the name the one, you know, the name that

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Speaker 3: if I were to have a chat I might use.

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Speaker 2: That's not on Andy's list, so I'm good, right, Sure,

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Speaker 2: what was the name again, Sienna?

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Speaker 3: Sienna? Don't say, don't tell anybody.

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Speaker 2: I like this.

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Speaker 3: I like, I was saying cities, cities, old cities and

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Speaker 3: you know, beautiful cities, and that could be the name

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Speaker 3: of Siena.

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Speaker 2: Just seems like a cool name. Yeah, cool name.

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Speaker 1: They gave us a list of some of the less

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Speaker 1: common names, and these would kind of to put it

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Speaker 1: in perspective for you, Ryan as kind of like an

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Speaker 1: eighty forty breakout.

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Speaker 2: Okay, thanks for speaking mine, you know what I mean?

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Speaker 2: Like these like these didn't make might might make the charts.

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Speaker 1: So yeah, like these names didn't make the countdown, but

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Speaker 1: you know they're they're get some real heat behind it, right,

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Speaker 1: So for boys, truce.

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Speaker 3: Truce might make the countdown? Okay, what else?

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Speaker 1: Aa almost like Asa. And for the girls, it's a

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Speaker 1: lot Scotty and Annell.

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Speaker 2: Ya. What's so unique about Scotty for a girl?

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Speaker 1: Oh?

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Speaker 2: Which, actually I know a little Scotty girl. Yeah you do, Scotty.

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Speaker 2: I never met a Scotty girl.

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Speaker 3: I met a Danny boy. Sienna's currently ranked number one

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Speaker 3: thirty nine in Rising is that bad. That's rising. I

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Speaker 3: need to keep quiet about this.

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Speaker 2: Yeah, maybe keep quiet.

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Speaker 1: I remember my rule was that they couldn't be in

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Speaker 1: the top one thousand names for all three of my children.

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Speaker 2: What about Sicily, Ryan, That sounds so close to sicy.

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Speaker 2: You want to have a Sicily? That might be confusing.

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Speaker 2: You can't have that. But that's the derivative of Sienna Cicily.

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Speaker 2: You know, it's like Sicily. All right.

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Speaker 3: So I don't know if you guys are whoever's in relationships?

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Speaker 3: Everybody but me, MICHAELA, all right, listen up. So this

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Speaker 3: is something that you should pay attention to. You say

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Speaker 3: these phrases to your significant other. One they say that

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Speaker 3: if you do, it's going to destroy your relationship. One

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Speaker 3: is stop being so sensitive.

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Speaker 1: Ooh, that's like calling somebody crazy.

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Speaker 3: I don't think I've ever said that. Another is saying

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Speaker 3: you're fine when you're not really fine. I think we

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Speaker 3: all do that.

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Speaker 2: It's innocent.

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Speaker 3: And another one that I think we probably all do

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Speaker 3: is do whatever you want.

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Speaker 2: I don't care. I mean that.

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Speaker 6: No, I say that a lot when I actually really

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Speaker 6: don't care, Like what do you want for dinner? I

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Speaker 6: actually whatever you want, because I actually don't care.

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Speaker 2: Harsh. Yeah, I don't know how to read you. I'm

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Speaker 2: totally serious. Yeah that scares me. Yeah, me too.

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Speaker 3: It sounds harsh. Do what you want because I really

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Speaker 3: don't care. Yeah, like saying I don't care is so

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Speaker 3: know what everyone to do. I'm fine, I'm little mean,

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Speaker 3: all right. Today's quote don't cling Quote of the day.

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Speaker 3: Don't cling to a mistake just because you spent a

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Speaker 3: long time making it. Two point seven Kiss FM. All right,

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Speaker 3: let's get to it. Tanya with the headlines.

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Speaker 2: Kiss FM Headlines.

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Speaker 6: With Tanya rad A fatal car crash in Arcadia has

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Speaker 6: lanes closed on the East to ten. Expect more delays

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Speaker 6: and more on that coming up. In traffic Southern California.

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Speaker 6: Authorities are increasing security protocols following an apparent terror attack

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Speaker 6: at a Honic event in Sydney, Australia. No power ball

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Speaker 6: winner again. The jackpot is now one point one billion

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Speaker 6: dollars for tonight's drawing, and Sizza and Dochi will perform

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Speaker 6: at the annual La Toy Drive and Christmas Concert on Thursday.

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Speaker 3: Rebecca is on Kiss FM. I want to get right

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Speaker 3: into it, all right, Rebecca, thanks for hanging on you're

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Speaker 3: trying to figure out how to go through this breakup

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Speaker 3: with a very important person in your life, someone that

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Speaker 3: you spend a lot of time with them, pray, you

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Speaker 3: tell a lot of different things intimately, And that is

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Speaker 3: your hairdresser, right exactly.

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Speaker 8: She's seen the worst of me and the best. But yeah,

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Speaker 8: my hair salon, I see one person for cuts and

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Speaker 8: a different person for color. I've been going to both

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Speaker 8: of them for over ten years and I absolutely love them.

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Speaker 8: But my colorist just told me she's cutting back her

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Speaker 8: hours and it's only working a few days a month now,

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Speaker 8: so she asked me to book directly with her going forward.

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Speaker 8: I've been trying that for like a while, but I

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Speaker 8: realized her schedules really just don't match up. So it's

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Speaker 8: been really hard to find a time that works. And

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Speaker 8: so I'm kind of thinking that I need to switch

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Speaker 8: to a new colorist. But it's really hard to go

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Speaker 8: about that because I still want to go to the

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Speaker 8: same salon for my cuts. But like, is it weird

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Speaker 8: to ask for someone new for color? Do I have

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Speaker 8: to find a whole new salon or like, what would

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Speaker 8: you do? I really don't know.

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Speaker 3: Well, Sissy just colored her hair so she could probably

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Speaker 3: speak closest on this.

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Speaker 1: And I actually had to switch to my hairdressers that

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Speaker 1: I have non the exact same situation. I have a

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Speaker 1: colors and then someone that cuts my hair right from

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Speaker 1: my previous hairdresser had to switch. I had to because

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Speaker 1: every time I tried to book appointments before, like it

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Speaker 1: was the same thing, like she wasn't available when I

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Speaker 1: need it or et cetera, et cetera. So I don't

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Speaker 1: know that I actually did break up with her. I

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Speaker 1: just kind of goes.

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Speaker 2: I just kind of moved on.

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Speaker 1: So yeah, I think in this case that's what it is. Like,

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Speaker 1: it's just not working with your schedule. So sorry, I

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Speaker 1: gotta get on with my life.

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Speaker 3: I mean, I have to say it, Rebecca, it is

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Speaker 3: business like, it's not personal. Yeah, business, this person is

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Speaker 3: doing business with you, doesn't sue.

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Speaker 2: What you need.

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Speaker 3: You shouldn't really carry the guilt. I understand, I get it,

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Speaker 3: but you shouldn't carry guilt in having to make a

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Speaker 3: change with something that is a service to you at

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Speaker 3: your convenience that you're paying for. It's not doing it

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Speaker 3: for free.

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Speaker 6: Funny though, because I feel exactly the same way, like

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Speaker 6: I wouldn't. I would just make it work with with

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Speaker 6: whatever time she has available.

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Speaker 2: I tried, and I couldn't after a while.

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Speaker 3: But RecA, if she was giving you this for free,

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Speaker 3: then I would feel bad about it.

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Speaker 2: But you're paying for it, so you can't carry the gills.

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Speaker 2: And but you're attached to your hair cut.

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Speaker 1: Do you tell me, Oh, you are so attached to yours, Ryan, Yeah,

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Speaker 1: break it up with mine? Well, what if the schedules

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Speaker 1: there was a conflict and it wasn't gonna work out,

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Speaker 1: and it wasn't gonna be convenient for you.

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Speaker 2: And I want let my hair grow.

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Speaker 1: Oh you say you wouldn't be able to move on

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Speaker 1: because you'd miss Jason way too much.

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Speaker 2: Yeah, well it is business.

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Speaker 1: I know, but it's not it's not business for you

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Speaker 1: at that point.

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Speaker 3: Well that's not fair because Jason works out like my

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Speaker 3: job and gets hired to my job.

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Speaker 6: A lot of people feel that way about their hair dressers,

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Speaker 6: Like I only left one of mine because she moved

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Speaker 6: to a different state, and then I've been with my

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Speaker 6: new one ever since the other one moved.

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Speaker 3: Look, I know people that have broken up with their

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Speaker 3: husbands and wives much easier than this. So you just

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Speaker 3: need to not take it so seriously.

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Speaker 2: Rebecca.

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Speaker 3: It is, it is what it is. You need to

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Speaker 3: make it work for you and good luck. Do not

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Speaker 3: carry guilt in life.

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Speaker 2: It's toxic. Love you for listening, right, It's all right,

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Speaker 2: So what are we doing?

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Speaker 3: Well, let me run it down if you've got this

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Speaker 3: hour to hang with us. We have a Ryan's roses

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Speaker 3: coming up. But I want to talk about slaying that

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Speaker 3: we should not be using anymore.

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Speaker 2: We shouldn't be using it.

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Speaker 3: They're outdated slang.

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Speaker 2: Yeah, some say it's outdated.

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Speaker 3: Well, like I, I will hear people say gnarly, and

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Speaker 3: I think that you can't say that anymore.

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Speaker 7: I like.

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Speaker 2: Gnarly is in my vocal.

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Speaker 3: Is sick overused into old?

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Speaker 2: Now, I don't think I say that anymore. No, I

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Speaker 2: don't say sick anymore.

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Speaker 3: I I know people that are older than I that

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Speaker 3: will use uh like, kill it, and I feel like

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Speaker 3: they're trying hard kill it today.

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Speaker 2: You crushed it. Oh, we can't say that, crush it.

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Speaker 2: I don't think you can. I think it's old that's

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Speaker 2: on this list. Well, you're just adding those is what

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Speaker 2: do you else say? Who's the youngest over there? I

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Speaker 2: love saying you crushed it. I always say that what.

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Speaker 3: Are you supposed to say? Or what are you supposed

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Speaker 3: to say? Instead of crushed it?

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Speaker 2: I do say you killed it? Or so it's still fine.

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Speaker 2: That's that one's fine with the Fonzie.

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Speaker 7: I see.

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Speaker 2: The thing is so I use all of those still

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Speaker 2: so okay, I would say sick like all right, so

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Speaker 2: sick as fine.

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Speaker 3: This is the outdated slang words they just put out gnarly, stoked,

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Speaker 3: sick peace instead of goodbye.

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Speaker 2: I can't say stoked. I think it's overused now. Stoked

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Speaker 2: is like a little aren't you stoked about that?

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Speaker 3: I do type it in text sometimes because I can't

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Speaker 3: smell psyched. So I spelled spell stoked because I'm like psyched.

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Speaker 3: It's like itinerary. I can never spell that word. I

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Speaker 3: can't get it close.

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Speaker 2: Itinerary is not that bad for me. Here's new slang

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Speaker 2: words that are in eight. Yes you did something good, right, Yes,

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Speaker 2: curve curve.

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Speaker 3: I'm going to curve you. Rude, I'm going to curve you.

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Speaker 3: It's to reject romantic gestures.

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Speaker 2: Okay, fine, curve away.

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Speaker 3: We're not drip like in the fashion cent drips goood

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Speaker 3: Dripso have you heard mog.

356
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Speaker 2: What is it in a sentence?

357
00:16:00,200 --> 00:16:02,280
Speaker 3: Like you outshined, you mogged them, You mogged them in

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Speaker 3: that audition.

359
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Speaker 1: Yeah, I mean these days sounds a lot coolereric.

360
00:16:06,440 --> 00:16:08,040
Speaker 2: You know, we should just post them right here in

361
00:16:08,040 --> 00:16:08,800
Speaker 2: the studio wall.

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00:16:10,080 --> 00:16:13,720
Speaker 3: I can say simp instead of a sims to Abby.

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00:16:14,800 --> 00:16:17,840
Speaker 3: It is time for Ryan's roses and this is kiss

364
00:16:17,920 --> 00:16:21,000
Speaker 3: of Femi. Los Angeles is where it originates. Christina's on

365
00:16:21,000 --> 00:16:23,120
Speaker 3: the phone reaching out. Wants to talk about her husband

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00:16:23,600 --> 00:16:25,320
Speaker 3: who said her coworker's name in his sleep.

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Speaker 2: Okay, Christina, what did you hear?

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Speaker 9: Well, first of all, my friends tell me that I

369
00:16:30,800 --> 00:16:32,960
Speaker 9: am being paranoid, and they do know him, but I

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00:16:33,000 --> 00:16:36,200
Speaker 9: just really feel like something is going on here. So

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Speaker 9: he has this coworker named Marissa, and they work pretty

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Speaker 9: closely and he talks about her all the time. So

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Speaker 9: I was already uneasy about that. But the other night

374
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Speaker 9: I came to bed and he was already asleep, and

375
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Speaker 9: he was like moaning, okay, you know, and he said,

376
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Speaker 9: oh Marisa and said her name. It was gross and

377
00:16:58,600 --> 00:17:00,160
Speaker 9: it made me mad, and so I asked about it

378
00:17:00,200 --> 00:17:03,640
Speaker 9: the next day, asked him about it, and He said

379
00:17:03,680 --> 00:17:06,440
Speaker 9: that he has no recollection of any dreams about Marissa,

380
00:17:06,480 --> 00:17:09,240
Speaker 9: and he was actually annoyed at me the out tasking

381
00:17:09,240 --> 00:17:09,600
Speaker 9: about her.

382
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Speaker 3: Are you sure you heard correctly, because a lot of

383
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Speaker 3: people mumble stuff in their sleep.

384
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Speaker 9: Yeah, oh no, for sure.

385
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Speaker 3: It was Riska.

386
00:17:18,600 --> 00:17:20,760
Speaker 9: Well, I mean they work together. I don't know much

387
00:17:20,760 --> 00:17:22,879
Speaker 9: about her at all other than he talks about her

388
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Speaker 9: all the time, and I do know that she's single.

389
00:17:26,840 --> 00:17:29,480
Speaker 9: But get this, Okay, So I was doing laundry the

390
00:17:29,560 --> 00:17:32,359
Speaker 9: other day kind of after this, and I found a

391
00:17:32,440 --> 00:17:35,000
Speaker 9: note and it must have been like in his pocket

392
00:17:35,200 --> 00:17:39,119
Speaker 9: and it said like, you're so beautiful to me.

393
00:17:40,000 --> 00:17:41,280
Speaker 10: So he used to.

394
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Speaker 9: Leave me notes like that, So like, I know that's

395
00:17:44,359 --> 00:17:48,000
Speaker 9: something that he does. And you know he knows he

396
00:17:48,040 --> 00:17:50,359
Speaker 9: said her name in asleep, but he doesn't know about

397
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Speaker 9: the note that I found. So I'm just parannoid and

398
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Speaker 9: I'm freaking out.

399
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Speaker 2: There's a lot there. Wow was it Whose writing? Was it?

400
00:17:58,960 --> 00:17:59,359
Speaker 5: It was his?

401
00:17:59,600 --> 00:18:00,160
Speaker 3: For sure?

402
00:18:01,400 --> 00:18:02,720
Speaker 1: I mean it.

403
00:18:03,080 --> 00:18:05,280
Speaker 3: Okay, hold on one second, We're gonna try and call

404
00:18:05,320 --> 00:18:06,840
Speaker 3: your husband. Here a kiss FM next and found ot

405
00:18:06,840 --> 00:18:10,119
Speaker 3: what's going on? We're about to call Christina's husband, So

406
00:18:10,680 --> 00:18:13,120
Speaker 3: he might he basically said, I mean to me. It's

407
00:18:13,240 --> 00:18:16,800
Speaker 3: like he was thinking about this woman at work named Marissa,

408
00:18:17,040 --> 00:18:19,800
Speaker 3: and he said it in a loving way while he

409
00:18:19,840 --> 00:18:22,399
Speaker 3: was sleeping. That's what she heard. She overheard it. He's like, well,

410
00:18:22,400 --> 00:18:25,240
Speaker 3: I didn't wasn't dreaming about Maris at work, did you?

411
00:18:26,200 --> 00:18:26,639
Speaker 2: I don't know?

412
00:18:26,680 --> 00:18:31,000
Speaker 3: And maybe he wasn't. Maybe just said it. And Christina

413
00:18:31,040 --> 00:18:33,200
Speaker 3: knows that Maris at work is single. And she also

414
00:18:33,200 --> 00:18:36,160
Speaker 3: found a note in his writing You're so beautiful on it,

415
00:18:36,600 --> 00:18:38,439
Speaker 3: and she thinks that note was going to go to

416
00:18:38,560 --> 00:18:42,240
Speaker 3: maybe Marisa. She's putting all the pieces together, basically losing

417
00:18:42,280 --> 00:18:44,160
Speaker 3: sleep over the fact that this is going on, and

418
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Speaker 3: she thinks it's too much to be coincidence.

419
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Speaker 2: So that's where we are. Christina.

420
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Speaker 3: We're gonna call your husband now. I need you to

421
00:18:48,920 --> 00:18:50,720
Speaker 3: say Ryan, you have my permission to call, and then

422
00:18:50,720 --> 00:18:51,120
Speaker 3: his name.

423
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Speaker 9: Go ahead, Brian, you have permission to call called for me.

424
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Speaker 3: Yep, We're gonna do it. Now, be very quiet until

425
00:18:59,560 --> 00:19:01,439
Speaker 3: we tell him he's on the air. Let's see if

426
00:19:01,480 --> 00:19:04,400
Speaker 3: he sends him to you the roses to Marissa, what's

427
00:19:04,440 --> 00:19:05,240
Speaker 3: on's mine?

428
00:19:05,240 --> 00:19:06,639
Speaker 2: Here we go, Okay, here we go?

429
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Speaker 7: Hello?

430
00:19:18,760 --> 00:19:18,879
Speaker 8: Hi?

431
00:19:19,080 --> 00:19:20,280
Speaker 2: Can I speak to Devin please?

432
00:19:22,320 --> 00:19:22,480
Speaker 3: Hi?

433
00:19:22,480 --> 00:19:22,640
Speaker 10: There.

434
00:19:22,680 --> 00:19:24,920
Speaker 2: My name is Elena. I'm calling from the Eli Florest.

435
00:19:24,920 --> 00:19:25,800
Speaker 2: How you doing this morning?

436
00:19:27,160 --> 00:19:27,440
Speaker 5: Good?

437
00:19:28,040 --> 00:19:29,280
Speaker 2: I'm good. Thank you for asking.

438
00:19:29,320 --> 00:19:31,560
Speaker 1: You know, we deliver all over East La Manabello and

439
00:19:31,600 --> 00:19:34,560
Speaker 1: surrounding areas, and today we're offering a free promotion of

440
00:19:34,640 --> 00:19:37,440
Speaker 1: free dozen red roses that you can send to anybody

441
00:19:37,440 --> 00:19:41,399
Speaker 1: that you'd like. They're absolutely free.

442
00:19:41,760 --> 00:19:43,439
Speaker 5: Okay, is there.

443
00:19:44,240 --> 00:19:45,720
Speaker 2: I'm just trying to promote my business.

444
00:19:45,760 --> 00:19:48,000
Speaker 1: I do ask that if you're pleased with our arrangements,

445
00:19:48,040 --> 00:19:49,960
Speaker 1: maybe you come back as a customer one day. Leave

446
00:19:50,000 --> 00:19:52,400
Speaker 1: us a nice YELP review, things like that. But these

447
00:19:52,440 --> 00:19:54,240
Speaker 1: are free. I don't need cash, I don't need credit

448
00:19:54,240 --> 00:19:56,000
Speaker 1: card info anything like that. Just the name of the

449
00:19:56,000 --> 00:19:56,879
Speaker 1: person you want to send to.

450
00:19:58,640 --> 00:20:03,040
Speaker 5: Uh. Okay, Yeah, you can send them to my wife, Christina.

451
00:20:03,280 --> 00:20:05,200
Speaker 2: Okay, And what would you like to put on the card?

452
00:20:07,880 --> 00:20:10,160
Speaker 5: You put something like to the love of my life,

453
00:20:10,680 --> 00:20:13,679
Speaker 5: forever and ever always love Devon.

454
00:20:13,880 --> 00:20:17,560
Speaker 1: The love of my life, forever and ever, always love Devin.

455
00:20:17,680 --> 00:20:20,200
Speaker 3: Your voice is being broadcast on the radio. We're celebrating

456
00:20:20,359 --> 00:20:21,560
Speaker 3: your relationship.

457
00:20:21,600 --> 00:20:21,760
Speaker 8: Here.

458
00:20:21,760 --> 00:20:23,480
Speaker 3: My name is Ryan Seacrest and I have Cisany and

459
00:20:23,520 --> 00:20:24,280
Speaker 3: Tanya with us.

460
00:20:24,800 --> 00:20:24,879
Speaker 7: Uh.

461
00:20:25,160 --> 00:20:32,280
Speaker 3: Tell me about your wife Christina. Uh, I'm on the radio, Yes, sir,

462
00:20:33,200 --> 00:20:36,200
Speaker 3: Celebration of Love segment. Tell me about your wife.

463
00:20:38,280 --> 00:20:43,800
Speaker 5: My wife, Christina, she's I mean, she's amazing. I don't know.

464
00:20:43,840 --> 00:20:46,119
Speaker 5: I mean, you know, she's the love of my life.

465
00:20:46,240 --> 00:20:47,919
Speaker 3: Well, she's on the phone right now. She asks us

466
00:20:47,920 --> 00:20:51,400
Speaker 3: to call you to celebrate love. And here she is, Christina.

467
00:20:51,440 --> 00:20:56,320
Speaker 3: This is Devin. Devin, Christina. You guys know each other obviously, Christina.

468
00:20:56,400 --> 00:20:58,600
Speaker 3: Anything you want to say to Devin, Hey.

469
00:20:58,680 --> 00:21:01,720
Speaker 9: Hey, I'm here.

470
00:21:01,520 --> 00:21:04,720
Speaker 5: You're you're on the phone.

471
00:21:06,359 --> 00:21:10,480
Speaker 9: Yeah, I'm here.

472
00:21:10,320 --> 00:21:11,560
Speaker 5: Are you upstairs?

473
00:21:13,920 --> 00:21:16,639
Speaker 9: Yeah, I am upstairs.

474
00:21:17,320 --> 00:21:22,280
Speaker 4: I honestly I called them because I just was really

475
00:21:22,320 --> 00:21:25,560
Speaker 4: curious what was going on and who you would actually

476
00:21:25,640 --> 00:21:28,920
Speaker 4: send the flowers to, because I I just want to

477
00:21:28,920 --> 00:21:30,360
Speaker 4: know what's going on with you and Marissa.

478
00:21:30,640 --> 00:21:32,520
Speaker 9: And I know I brought this up and you say

479
00:21:32,520 --> 00:21:35,439
Speaker 9: there's nothing going on, but I just like I just

480
00:21:35,520 --> 00:21:36,359
Speaker 9: really needed to.

481
00:21:36,280 --> 00:21:41,560
Speaker 5: Know what Why are we doing the right there's nothing

482
00:21:41,600 --> 00:21:43,520
Speaker 5: going on, but why why are you doing on the radio.

483
00:21:43,560 --> 00:21:45,359
Speaker 5: Why didn't you just come down thought to me about this?

484
00:21:45,440 --> 00:21:46,880
Speaker 2: So Devin, let me just cut to it.

485
00:21:47,119 --> 00:21:50,040
Speaker 3: She heard you say Marissa's name in a romantic way

486
00:21:50,040 --> 00:21:51,679
Speaker 3: while you were sleeping. I think you know about this,

487
00:21:51,880 --> 00:21:55,680
Speaker 3: and then she just found a note you don't know about. Uh, yes,

488
00:21:56,760 --> 00:22:00,639
Speaker 3: in the laundry, yeah, to someone else or to someone

489
00:22:01,000 --> 00:22:02,120
Speaker 3: that says you're so beautiful?

490
00:22:02,119 --> 00:22:03,720
Speaker 2: And then your name is on it in your handwriting.

491
00:22:04,480 --> 00:22:07,840
Speaker 9: Can you explain did not ring any bells, Devin, because

492
00:22:07,880 --> 00:22:09,240
Speaker 9: you didn't give me that note?

493
00:22:10,560 --> 00:22:13,520
Speaker 5: I no, I did not write a note to Marsa.

494
00:22:13,720 --> 00:22:14,959
Speaker 2: I mean, well she found it.

495
00:22:15,040 --> 00:22:17,040
Speaker 3: She has it. I mean your wife has it. So

496
00:22:17,080 --> 00:22:17,800
Speaker 3: who is it written?

497
00:22:17,960 --> 00:22:22,040
Speaker 9: Yeah, it was in the laundry when I washed your clothes.

498
00:22:22,680 --> 00:22:27,200
Speaker 5: All right? Was it? Was it a pink posted kind

499
00:22:27,200 --> 00:22:28,119
Speaker 5: of note?

500
00:22:28,359 --> 00:22:32,160
Speaker 9: Well, yeah, it was a pink post it note.

501
00:22:32,160 --> 00:22:34,960
Speaker 5: That's that's probably a note I left for you. Remember

502
00:22:35,119 --> 00:22:36,919
Speaker 5: remember on your birthday that one year I did all

503
00:22:36,960 --> 00:22:37,840
Speaker 5: those those notes.

504
00:22:37,920 --> 00:22:40,120
Speaker 9: I was like two years ago. Why was the note

505
00:22:40,280 --> 00:22:40,600
Speaker 9: in there?

506
00:22:40,680 --> 00:22:41,200
Speaker 10: Right now?

507
00:22:41,400 --> 00:22:44,240
Speaker 5: I them? I hid them all over the place, remember,

508
00:22:44,240 --> 00:22:46,159
Speaker 5: like they were like all over the house, like we

509
00:22:46,240 --> 00:22:48,200
Speaker 5: must have I guess we probably missed.

510
00:22:47,920 --> 00:22:50,360
Speaker 11: Water in the laundry.

511
00:22:50,880 --> 00:22:56,080
Speaker 9: Listen, you said your name in your fleet and that's weird.

512
00:22:56,200 --> 00:22:58,000
Speaker 5: Told me that, I know, I know I said her name.

513
00:22:59,040 --> 00:23:01,960
Speaker 3: Your accountable for saying has like a name in the sleep.

514
00:23:02,040 --> 00:23:03,600
Speaker 3: I mean that's you can't control.

515
00:23:03,320 --> 00:23:07,520
Speaker 5: Your dream Well, yeah, exactly right about.

516
00:23:07,240 --> 00:23:09,760
Speaker 2: Controlling your dreams. It's about your subconscious thoughts.

517
00:23:10,760 --> 00:23:10,960
Speaker 5: Yeah.

518
00:23:12,080 --> 00:23:15,439
Speaker 2: I can't control the subconscious thoughts, I know. But your

519
00:23:15,480 --> 00:23:18,639
Speaker 2: subconscious thoughts are you are meaningful and significant? Okay, but

520
00:23:18,640 --> 00:23:20,440
Speaker 2: they can also just be stressed. It could be someone

521
00:23:20,440 --> 00:23:21,879
Speaker 2: that you're with every single day.

522
00:23:21,880 --> 00:23:25,560
Speaker 3: Take it to second gear on that unconsciousness consciousness thing.

523
00:23:25,680 --> 00:23:27,000
Speaker 2: I've done a lot of therapy on this.

524
00:23:28,200 --> 00:23:32,000
Speaker 3: Devin, Christina back to you. I think everything's okay here.

525
00:23:32,320 --> 00:23:34,479
Speaker 3: But Devin, we're gonna let you go, and Christina has

526
00:23:34,480 --> 00:23:36,879
Speaker 3: probably some more questions for you. She's concerned about this

527
00:23:36,920 --> 00:23:38,040
Speaker 3: woman named Marissa at your work.

528
00:23:38,160 --> 00:23:40,720
Speaker 2: Just know that, okay, Yeah, look, just there's nothing.

529
00:23:42,200 --> 00:23:46,399
Speaker 5: Yes, I swear I would never do that. I swear.

530
00:23:47,760 --> 00:23:48,720
Speaker 5: Can you just there you go?

531
00:23:49,040 --> 00:23:52,400
Speaker 2: I believe them, There you go. I believe them too.

532
00:23:53,040 --> 00:23:54,960
Speaker 2: I love it when we can actually.

533
00:23:54,640 --> 00:23:57,600
Speaker 3: Believe two people who are too gathered in a relationship.

534
00:23:57,720 --> 00:23:59,560
Speaker 2: Remember the last that happened, I really believe that.

535
00:24:01,760 --> 00:24:08,840
Speaker 10: On air with Ryan Seacrest, No, I.

536
00:24:08,800 --> 00:24:10,119
Speaker 2: Just want to go back to Ryan Rose. So so I

537
00:24:10,160 --> 00:24:10,920
Speaker 2: think that they're fine.

538
00:24:11,000 --> 00:24:16,680
Speaker 3: You had Christina and Devin and Manabella married. He said

539
00:24:16,680 --> 00:24:19,399
Speaker 3: a coworker's name in his sleep. Then she found a

540
00:24:19,480 --> 00:24:22,800
Speaker 3: note in his handwriting saying You're so beautiful. But they

541
00:24:23,000 --> 00:24:25,760
Speaker 3: hid notes way back when, and maybe this was a

542
00:24:25,800 --> 00:24:27,840
Speaker 3: note from then. So then and Tany, I think you

543
00:24:27,840 --> 00:24:30,960
Speaker 3: guys do that your place, hide notes for each other.

544
00:24:31,160 --> 00:24:33,720
Speaker 6: I actually I usually do a poem, but this morning

545
00:24:33,760 --> 00:24:35,919
Speaker 6: I was running late, so I just did this. But

546
00:24:36,240 --> 00:24:38,280
Speaker 6: I literally wrote a little pink post it on the

547
00:24:38,280 --> 00:24:38,960
Speaker 6: fridge this morning.

548
00:24:39,000 --> 00:24:42,840
Speaker 2: I love you so much, you so much? What else

549
00:24:42,920 --> 00:24:44,200
Speaker 2: is the same? Eyes are not that great?

550
00:24:44,320 --> 00:24:44,600
Speaker 5: Babe?

551
00:24:44,760 --> 00:24:48,600
Speaker 2: Yeah, babe, have a great day. Love me. Yeah, that's awesome.

552
00:24:48,600 --> 00:24:50,280
Speaker 2: But see that doesn't say Tanya, So you don't know

553
00:24:50,280 --> 00:24:50,800
Speaker 2: who that's from.

554
00:24:50,840 --> 00:24:54,199
Speaker 3: The conc somebody found that they'd be Ryan's roses all

555
00:24:54,200 --> 00:24:56,480
Speaker 3: over head and that's what happened here. So we believe

556
00:24:56,640 --> 00:25:00,679
Speaker 3: Devin was not cheating with the woman named marissaid that

557
00:25:00,680 --> 00:25:02,840
Speaker 3: he mumbled in his sleep, who's a coworker who's single

558
00:25:03,280 --> 00:25:05,879
Speaker 3: that his wife was concerned about. I mean, we are

559
00:25:05,920 --> 00:25:09,040
Speaker 3: all on the same page. Now, Two things quickly. Can

560
00:25:09,080 --> 00:25:10,159
Speaker 3: you be responsible for what you.

561
00:25:10,200 --> 00:25:15,320
Speaker 2: Say in your sleep? No, you can't. You cannot, you cannot.

562
00:25:15,480 --> 00:25:18,639
Speaker 1: You people can question it and then and be like,

563
00:25:18,760 --> 00:25:21,320
Speaker 1: why were you saying so and So's name?

564
00:25:21,440 --> 00:25:22,439
Speaker 2: I don't even know.

565
00:25:22,760 --> 00:25:24,520
Speaker 3: I would not know I did it, so you may

566
00:25:24,520 --> 00:25:25,320
Speaker 3: be making that up.

567
00:25:25,480 --> 00:25:28,080
Speaker 1: My kids say each other's names all the time. A's

568
00:25:28,160 --> 00:25:30,800
Speaker 1: is always like Max and stop like and she's just

569
00:25:30,880 --> 00:25:33,080
Speaker 1: you know, and it's just you can't control it.

570
00:25:33,640 --> 00:25:35,919
Speaker 3: So I don't think if you're accountable for what you

571
00:25:36,000 --> 00:25:38,480
Speaker 3: mumble in your sleep. Tiny number two, you think that

572
00:25:38,520 --> 00:25:41,000
Speaker 3: there is accountability because it's in the subconscious.

573
00:25:41,720 --> 00:25:43,320
Speaker 2: There's definitely something deeper there that.

574
00:25:43,520 --> 00:25:45,720
Speaker 3: What your therapist tell you said your therapist told you

575
00:25:45,720 --> 00:25:46,320
Speaker 3: some stuff.

576
00:25:46,080 --> 00:25:49,160
Speaker 6: About it, yes, so, like she would make me very

577
00:25:49,240 --> 00:25:52,520
Speaker 6: aware of my dreams, Like she would literally tell me

578
00:25:52,680 --> 00:25:55,120
Speaker 6: every morning if I woke up and I remembered my dreams,

579
00:25:55,480 --> 00:25:57,240
Speaker 6: to write it down, like in my notes page in

580
00:25:57,320 --> 00:25:59,280
Speaker 6: my phone, so that we could go through an analyze,

581
00:25:59,280 --> 00:26:02,520
Speaker 6: because it is it's like, it's something deeper, it's your subconscious.

582
00:26:02,560 --> 00:26:06,160
Speaker 6: It's stuff that you're dealing with through and it all

583
00:26:06,200 --> 00:26:08,359
Speaker 6: happens in your dreams. And it's usually more of like

584
00:26:08,400 --> 00:26:11,560
Speaker 6: a feeling. It's not necessarily specific to like a certain person,

585
00:26:11,600 --> 00:26:13,240
Speaker 6: but it's more of like a feeling. And what you're

586
00:26:13,280 --> 00:26:16,360
Speaker 6: feeling and that's coming out in your dreams. They're very

587
00:26:16,560 --> 00:26:20,280
Speaker 6: like significant. Okay, so don't just wash them away.

588
00:26:21,240 --> 00:26:24,400
Speaker 2: I prefer just wash. I don't have time to analyze.

589
00:26:24,480 --> 00:26:25,720
Speaker 2: I gotta get up, start moving.

590
00:26:26,119 --> 00:26:27,520
Speaker 6: No, you don't have to analyze it right away. But

591
00:26:27,520 --> 00:26:28,760
Speaker 6: that's why you just put it in your notes, so

592
00:26:28,760 --> 00:26:29,000
Speaker 6: you don't.

593
00:26:29,000 --> 00:26:31,360
Speaker 2: I don't even have time to do that. We'll make time.

594
00:26:31,680 --> 00:26:33,879
Speaker 2: And I can't find them in anywhere. Yeah, I do

595
00:26:34,000 --> 00:26:34,879
Speaker 2: not find your notes.

596
00:26:35,440 --> 00:26:37,960
Speaker 3: I don't know because I label them under something I

597
00:26:37,960 --> 00:26:39,320
Speaker 3: think I'm going to remember, and then I forget how

598
00:26:39,359 --> 00:26:39,960
Speaker 3: I labeled them.

599
00:26:40,000 --> 00:26:42,919
Speaker 2: Why do you code your notes so I can find them?

600
00:26:43,920 --> 00:26:45,720
Speaker 2: Just like title them what they are is you could

601
00:26:45,720 --> 00:26:46,399
Speaker 2: find them better.

602
00:26:46,760 --> 00:26:48,520
Speaker 3: No, I put them as other things because what if

603
00:26:48,560 --> 00:26:50,240
Speaker 3: it's passwords or something, then you got to put in

604
00:26:50,320 --> 00:26:55,879
Speaker 3: there that is coded. Yeah, right, but I forget what

605
00:26:55,920 --> 00:26:59,399
Speaker 3: I put as the code. You follow me on this,

606
00:26:59,560 --> 00:27:01,440
Speaker 3: I following you on it. But it's kind of like

607
00:27:01,480 --> 00:27:03,960
Speaker 3: if you go hide the treasure, but you can't remember

608
00:27:03,960 --> 00:27:04,800
Speaker 3: where you hit the treasure.

609
00:27:04,840 --> 00:27:06,439
Speaker 2: You hit it so well, But you did do this

610
00:27:06,520 --> 00:27:07,440
Speaker 2: with everything in your life.

611
00:27:07,480 --> 00:27:09,240
Speaker 1: You do it with your contacts, like you don't put

612
00:27:09,400 --> 00:27:12,080
Speaker 1: your contacts in as real names, and then you can't

613
00:27:12,080 --> 00:27:12,439
Speaker 1: find them.

614
00:27:12,520 --> 00:27:16,880
Speaker 12: Lady, So late Ryan with your capricorn son. You're known

615
00:27:16,920 --> 00:27:20,040
Speaker 12: for your discipline and hardwork, but let's be real, no

616
00:27:20,200 --> 00:27:23,160
Speaker 12: amount of career success can help you escape the reality

617
00:27:23,240 --> 00:27:26,680
Speaker 12: of being a perfectionist. You're the type to organize your

618
00:27:26,680 --> 00:27:29,480
Speaker 12: sock drawer by color and size, but when it comes

619
00:27:29,560 --> 00:27:33,040
Speaker 12: to taking a break, it's like pulling teeth. Remember, even

620
00:27:33,080 --> 00:27:35,640
Speaker 12: a Capricorn needs to loosen up and enjoy the ride.

621
00:27:36,400 --> 00:27:38,159
Speaker 2: Go back into your pot world.

622
00:27:39,359 --> 00:27:41,680
Speaker 3: Thank you for listening to anybody in the one oh five,

623
00:27:41,960 --> 00:27:45,480
Speaker 3: four oh five to ten two ten. If you're jammed

624
00:27:45,480 --> 00:27:48,159
Speaker 3: in there, we appreciate you. Some of y'all got a

625
00:27:48,200 --> 00:27:51,440
Speaker 3: long commute and you're here for a lot of this show.

626
00:27:52,520 --> 00:27:55,199
Speaker 3: I'm I surprised to hear you know people listen to

627
00:27:55,880 --> 00:27:58,040
Speaker 3: not just a few minutes, but you got those long commutes.

628
00:27:58,520 --> 00:28:02,280
Speaker 2: Because I'm not surprised you is over an hour every morning. Wow,

629
00:28:02,400 --> 00:28:02,840
Speaker 2: good on you.

630
00:28:02,960 --> 00:28:05,000
Speaker 3: Yeah, that's a lot of pressure for us fill that hour.

631
00:28:06,600 --> 00:28:09,159
Speaker 2: Not pressure privilege.

632
00:28:09,840 --> 00:28:11,640
Speaker 3: Okay, but we want to do it right, We want

633
00:28:11,640 --> 00:28:12,080
Speaker 3: to do it well.

634
00:28:12,400 --> 00:28:13,920
Speaker 2: We want to make you come back and not change

635
00:28:13,920 --> 00:28:14,280
Speaker 2: the station.

636
00:28:14,960 --> 00:28:17,560
Speaker 3: So this is something that you should stay for because

637
00:28:19,000 --> 00:28:23,440
Speaker 3: you've got loneliness is like the number one thing, is it?

638
00:28:23,520 --> 00:28:26,920
Speaker 3: Like lack of sleep and loneliness are the two an anxiety,

639
00:28:26,960 --> 00:28:29,600
Speaker 3: Like that whole world of issues is something that everybody

640
00:28:29,640 --> 00:28:32,000
Speaker 3: deals with one or all of those things at the

641
00:28:32,040 --> 00:28:32,600
Speaker 3: same time.

642
00:28:33,080 --> 00:28:34,440
Speaker 2: So how do you combat loneliness?

643
00:28:34,440 --> 00:28:36,280
Speaker 3: Well, this LA resident, apparently since you've got this story

644
00:28:36,280 --> 00:28:37,760
Speaker 3: a lot of people are talking about is figured it out.

645
00:28:38,240 --> 00:28:40,680
Speaker 1: Yeah, talk about like a real hometown hustler kind of

646
00:28:40,680 --> 00:28:42,080
Speaker 1: taking matters into her own hands.

647
00:28:42,080 --> 00:28:44,760
Speaker 2: And you're right, loneliness will take years off your life.

648
00:28:45,200 --> 00:28:47,560
Speaker 1: So you need to have that community that will like

649
00:28:47,800 --> 00:28:51,240
Speaker 1: that support system. And so when you think about la

650
00:28:51,400 --> 00:28:54,200
Speaker 1: it's massive, right, four a million plus people.

651
00:28:54,360 --> 00:28:57,760
Speaker 3: Every time I land at LAX, I cannot get over

652
00:28:57,800 --> 00:29:00,160
Speaker 3: the fact that all that's down there.

653
00:29:00,320 --> 00:29:01,920
Speaker 2: Yeah, and that's only part of it.

654
00:29:02,160 --> 00:29:02,400
Speaker 8: I was.

655
00:29:02,640 --> 00:29:05,040
Speaker 3: I drove, we went to Disneyland, I went to Deailand twice,

656
00:29:05,120 --> 00:29:06,880
Speaker 3: and like you drive the whole way, it is traffic

657
00:29:06,960 --> 00:29:08,760
Speaker 3: the whole way. I know, it's a fact.

658
00:29:08,880 --> 00:29:10,760
Speaker 2: It's like who are all these people? Where are you

659
00:29:10,840 --> 00:29:13,560
Speaker 2: going on a Tuesday somewhere? Exactly?

660
00:29:14,240 --> 00:29:17,080
Speaker 1: So twenty seven year old Emily A. Villa was just

661
00:29:17,120 --> 00:29:19,920
Speaker 1: basically fed up and tired of being lonely. And she

662
00:29:19,960 --> 00:29:22,600
Speaker 1: had been in LA for a while and she basically

663
00:29:22,600 --> 00:29:25,320
Speaker 1: just posted on TikTok like I'm lonely. She said, if

664
00:29:25,360 --> 00:29:27,480
Speaker 1: you also live in Los Angeles and if you're a

665
00:29:27,520 --> 00:29:29,880
Speaker 1: little lonely and you want to meet up or me,

666
00:29:30,000 --> 00:29:32,320
Speaker 1: just meet some friends, meet people in general, let me

667
00:29:32,360 --> 00:29:35,400
Speaker 1: know and I'll put something together. Well, she had so

668
00:29:35,560 --> 00:29:38,720
Speaker 1: many comments and that eventually she was like, Okay, this

669
00:29:38,760 --> 00:29:39,880
Speaker 1: seems like people are interested.

670
00:29:39,920 --> 00:29:40,880
Speaker 2: So she said, let's.

671
00:29:40,680 --> 00:29:43,440
Speaker 1: All meet at Alesian Park shout out to Ruby, her

672
00:29:43,480 --> 00:29:47,719
Speaker 1: favorite park, and forty five people ended up showing up

673
00:29:47,760 --> 00:29:50,880
Speaker 1: to the first meet greet or whatever, and so she

674
00:29:51,040 --> 00:29:51,280
Speaker 1: was like.

675
00:29:51,280 --> 00:29:53,560
Speaker 2: This is great. So now she continued this.

676
00:29:53,680 --> 00:29:56,640
Speaker 1: She called the group Los Angeles Friends and they just

677
00:29:56,680 --> 00:30:00,800
Speaker 1: celebrated their one year friendniversary and two hundred people showed

678
00:30:00,840 --> 00:30:04,040
Speaker 1: up this time for that event. And I think when

679
00:30:04,040 --> 00:30:07,280
Speaker 1: you get older, making friends is just so much harder.

680
00:30:07,680 --> 00:30:11,080
Speaker 1: You have more responsibilities. You you know, work more, you

681
00:30:11,120 --> 00:30:15,280
Speaker 1: may have kids, multiple jobs, whatever. So having the support

682
00:30:15,320 --> 00:30:16,880
Speaker 1: system in a group like this, I thought it was

683
00:30:16,920 --> 00:30:18,160
Speaker 1: really really cool that she did this.

684
00:30:18,520 --> 00:30:22,040
Speaker 3: I like the fact, I like the outgoing, proactive move

685
00:30:22,080 --> 00:30:27,080
Speaker 3: on yeah, right, like just go for be proactive vulnerability too, Yeah,

686
00:30:27,120 --> 00:30:29,640
Speaker 3: and just saying hey, here's my reality and it's maybe

687
00:30:29,640 --> 00:30:31,320
Speaker 3: it's yours too. And it connected one hundred and fifty

688
00:30:31,320 --> 00:30:35,080
Speaker 3: seven people commenting yes and like almost fifty showing up. Ruby,

689
00:30:35,080 --> 00:30:36,680
Speaker 3: they've taking over your park where you want to have

690
00:30:36,720 --> 00:30:41,440
Speaker 3: your barbecue? And right, isn't this Let me let me

691
00:30:41,440 --> 00:30:42,120
Speaker 3: just double check you.

692
00:30:42,240 --> 00:30:46,200
Speaker 2: Family is guys.

693
00:30:46,760 --> 00:30:49,760
Speaker 13: That makes everything more fun. It also means there's a

694
00:30:49,800 --> 00:30:52,960
Speaker 13: lot of opinions. It can be a little challenging trying

695
00:30:53,000 --> 00:30:55,960
Speaker 13: to agree on anything. Like this weekend, I want to

696
00:30:56,000 --> 00:30:57,640
Speaker 13: go have a cookout at a Lesion Park.

697
00:31:00,240 --> 00:31:00,600
Speaker 2: I knew it.

698
00:31:00,680 --> 00:31:03,480
Speaker 3: You want to go meet all these people, Emily and

699
00:31:03,520 --> 00:31:06,240
Speaker 3: everybody in a Lesion Park. I want a cookout. You're

700
00:31:06,480 --> 00:31:07,680
Speaker 3: wanting to go meet this group?

701
00:31:07,720 --> 00:31:09,400
Speaker 2: Yeah, Los Angeles friends.

702
00:31:10,520 --> 00:31:12,320
Speaker 13: I used to live in Echo Park, so that was

703
00:31:12,360 --> 00:31:15,400
Speaker 13: like the closest park. I like that one better than

704
00:31:15,440 --> 00:31:17,360
Speaker 13: the Echo Park Lake, so we would always go to

705
00:31:17,440 --> 00:31:17,760
Speaker 13: that one.

706
00:31:17,840 --> 00:31:19,720
Speaker 1: Well, anytime I go to Dodger Stadium and I passed

707
00:31:19,760 --> 00:31:21,480
Speaker 1: through Legion Park, I'm always like, man, I need to

708
00:31:21,520 --> 00:31:25,680
Speaker 1: come back here do a cookout.

709
00:31:27,320 --> 00:31:29,800
Speaker 3: Is this back when you were a teacher, Ruby, ah, yes,

710
00:31:29,800 --> 00:31:31,760
Speaker 3: this was actually all right.

711
00:31:31,800 --> 00:31:32,600
Speaker 2: Well, let us know.

712
00:31:32,640 --> 00:31:34,640
Speaker 3: I can't wait for the follow up to the AT

713
00:31:34,720 --> 00:31:36,520
Speaker 3: and T commercial where you say, guess what I did.

714
00:31:36,520 --> 00:31:39,320
Speaker 3: I went to have a cookout at Allegiant Park and

715
00:31:39,360 --> 00:31:42,000
Speaker 3: I took my phone with me and it worked. AT

716
00:31:42,120 --> 00:31:45,520
Speaker 3: and T, Yeah it worked. Whatever whatever you're saying in

717
00:31:45,560 --> 00:31:49,120
Speaker 3: that full bars. Oh, it's the most played commercial on

718
00:31:49,760 --> 00:31:52,600
Speaker 3: Kiss FM. A matter of facts, probably coming up here

719
00:31:52,600 --> 00:31:57,400
Speaker 3: in a second. Jamie in Studio City, good morning, Good morning,

720
00:31:58,280 --> 00:32:01,080
Speaker 3: So Jamie, your ex husband is about to move in

721
00:32:01,120 --> 00:32:05,200
Speaker 3: with his new girlfriend. Yes, and you're concerned.

722
00:32:05,320 --> 00:32:10,880
Speaker 11: Why I'm concerned because the kids were over at my

723
00:32:10,960 --> 00:32:15,160
Speaker 11: place the other day and they had their father's iPad

724
00:32:15,200 --> 00:32:17,880
Speaker 11: with them, and as soon as they connected to the

725
00:32:17,920 --> 00:32:21,120
Speaker 11: Wi Fi, a slew of text messages came in and

726
00:32:21,720 --> 00:32:26,720
Speaker 11: he is very clearly cheating on her with multiple women.

727
00:32:28,360 --> 00:32:33,360
Speaker 11: And wow. Yeah, so we get along and the new girlfriend,

728
00:32:33,400 --> 00:32:36,400
Speaker 11: we're fine. We're not best friends, but we're cordial, you know.

729
00:32:36,960 --> 00:32:37,160
Speaker 2: Yeah.

730
00:32:37,520 --> 00:32:42,600
Speaker 11: But my concern is that if they're going to be

731
00:32:42,640 --> 00:32:45,160
Speaker 11: moving in together, my kids are going to grow more

732
00:32:45,320 --> 00:32:49,440
Speaker 11: attached to her, and if things blow up, which I

733
00:32:49,440 --> 00:32:53,920
Speaker 11: imagine they will, this is a pattern. So I just

734
00:32:54,000 --> 00:32:55,720
Speaker 11: don't know. You know, I don't want my kids to

735
00:32:55,760 --> 00:32:58,680
Speaker 11: be basically exposed to that.

736
00:33:00,240 --> 00:33:04,800
Speaker 2: So the question is do you tell whom your ex girlfriend?

737
00:33:04,840 --> 00:33:05,480
Speaker 2: The girlfriend?

738
00:33:05,520 --> 00:33:07,400
Speaker 11: What do I do? Do I do I tell him

739
00:33:07,440 --> 00:33:09,680
Speaker 11: that I know what's going on? Do I tell her

740
00:33:09,800 --> 00:33:14,200
Speaker 11: what's going on? It's yeah, it's.

741
00:33:15,600 --> 00:33:18,680
Speaker 3: Because your kids that you're trying to protect by not

742
00:33:18,760 --> 00:33:23,440
Speaker 3: having them go through something difficult and challenging. Again, I

743
00:33:23,520 --> 00:33:26,600
Speaker 3: do think you should address it. I mean, what do

744
00:33:26,640 --> 00:33:28,920
Speaker 3: you have to lose? You address it with your ex,

745
00:33:29,040 --> 00:33:31,960
Speaker 3: and you should address it with his new girlfriend.

746
00:33:33,320 --> 00:33:37,040
Speaker 1: This is how you should medaling, medally trying to protect

747
00:33:37,040 --> 00:33:37,400
Speaker 1: her kids.

748
00:33:37,480 --> 00:33:39,920
Speaker 6: I think she should tell the girlfriends, not the act,

749
00:33:39,960 --> 00:33:40,640
Speaker 6: the cheating acts.

750
00:33:40,680 --> 00:33:42,160
Speaker 2: Why don't you tell the cheating acts.

751
00:33:42,720 --> 00:33:46,240
Speaker 11: There's one thing though that I'm afraid of letting the

752
00:33:46,280 --> 00:33:49,560
Speaker 11: girlfriend know too, is that he this is a pattern.

753
00:33:49,640 --> 00:33:52,680
Speaker 11: He has a history of it, and he's been to

754
00:33:53,120 --> 00:33:55,920
Speaker 11: you know, rehab for it. He got you know, he

755
00:33:55,960 --> 00:33:58,600
Speaker 11: got professional help for it. But I don't know if

756
00:33:58,640 --> 00:33:59,680
Speaker 11: she knows about that.

757
00:34:00,040 --> 00:34:01,400
Speaker 2: Well, you don't have to tell her all that.

758
00:34:04,440 --> 00:34:07,440
Speaker 1: It's also the fear of him using your kids against you,

759
00:34:07,560 --> 00:34:12,800
Speaker 1: because if you sabotage his relationship, he might want to

760
00:34:13,000 --> 00:34:14,080
Speaker 1: get back at you.

761
00:34:14,200 --> 00:34:16,920
Speaker 3: If I knew it, I wanted to save my kids

762
00:34:16,920 --> 00:34:20,480
Speaker 3: a heartache, I would go to him and I would

763
00:34:20,520 --> 00:34:26,440
Speaker 3: also probably go to her. And that's that's just what

764
00:34:26,640 --> 00:34:30,279
Speaker 3: I would do. Because you're you're protecting your kids from

765
00:34:30,280 --> 00:34:32,759
Speaker 3: going through something that might be, you know, the hard

766
00:34:32,800 --> 00:34:33,120
Speaker 3: on them.

767
00:34:33,880 --> 00:34:37,759
Speaker 2: Do it anonymously. Why don't you go to him though

768
00:34:37,800 --> 00:34:38,920
Speaker 2: he's a cheating.

769
00:34:38,560 --> 00:34:41,160
Speaker 3: Loser, like he needs to be accountable.

770
00:34:42,719 --> 00:34:43,720
Speaker 2: Just write a note.

771
00:34:43,880 --> 00:34:45,600
Speaker 3: I mean, I will tell you this. It does reinforce it.

772
00:34:45,680 --> 00:34:47,520
Speaker 3: You made the right move, yeah for sure.

773
00:34:48,719 --> 00:34:52,480
Speaker 11: Yeah, well that was years in the making, but definitely.

774
00:34:52,640 --> 00:34:53,200
Speaker 7: Yeah.

775
00:34:53,320 --> 00:34:55,040
Speaker 3: Well, Jamie, I hope you get to the bottom of this,

776
00:34:55,120 --> 00:34:57,440
Speaker 3: and I hope that you know, he gets himself back together.

777
00:34:57,480 --> 00:35:00,920
Speaker 12: Good luck, good luck, Thank you guys, thank you you

778
00:35:00,960 --> 00:35:01,319
Speaker 12: take care.

779
00:35:01,400 --> 00:35:02,560
Speaker 2: But bye.

780
00:35:02,680 --> 00:35:04,640
Speaker 3: Why not reach out to him and say, hey, look,

781
00:35:04,680 --> 00:35:07,560
Speaker 3: I know you're cheating on your new girlfriend, and I

782
00:35:07,560 --> 00:35:11,600
Speaker 3: don't want our kids to go through another emotional break up.

783
00:35:11,960 --> 00:35:14,360
Speaker 3: And I'm gonna let her know too, be done with

784
00:35:14,440 --> 00:35:15,480
Speaker 3: it and move on with it.

785
00:35:15,520 --> 00:35:17,200
Speaker 6: Because if she lets him know, then he has time

786
00:35:17,239 --> 00:35:21,960
Speaker 6: to come up with his plan to like lie, cheat,

787
00:35:22,120 --> 00:35:23,279
Speaker 6: steal whatever.

788
00:35:23,000 --> 00:35:27,040
Speaker 1: He's saying to go to the girlfriend, Yes, anonymously, Sure,

789
00:35:27,280 --> 00:35:28,239
Speaker 1: why anonymously?

790
00:35:28,239 --> 00:35:29,040
Speaker 2: Who cares?

791
00:35:29,480 --> 00:35:31,799
Speaker 1: Because then the acts will know that she's the one

792
00:35:31,800 --> 00:35:34,200
Speaker 1: that blew up the relationship, even though he did technically

793
00:35:34,239 --> 00:35:34,680
Speaker 1: by cheating.

794
00:35:34,920 --> 00:35:36,480
Speaker 3: Yes, but she's just trying to help.

795
00:35:38,239 --> 00:35:39,960
Speaker 2: I don't know. I guess say you go all Jersey

796
00:35:39,960 --> 00:35:41,440
Speaker 2: Shore anonymous.

797
00:35:40,880 --> 00:35:49,719
Speaker 10: Note on air with Ryan Seacrest, Ciciny was doing a

798
00:35:49,760 --> 00:35:52,760
Speaker 10: little research project in the music department, and you found

799
00:35:52,880 --> 00:35:57,600
Speaker 10: something about the decade of the twenty tens and Kiss

800
00:35:57,680 --> 00:35:59,560
Speaker 10: FM's songs, right, Yes, and.

801
00:35:59,480 --> 00:36:02,440
Speaker 1: In particular lyric that was in a lot of the

802
00:36:02,520 --> 00:36:05,680
Speaker 1: songs from twenty ten or the twenty ten's in general

803
00:36:06,480 --> 00:36:09,680
Speaker 1: that decade, and we didn't notice it at the time.

804
00:36:09,880 --> 00:36:11,759
Speaker 1: But then when you kind of compile all these songs together,

805
00:36:11,800 --> 00:36:13,719
Speaker 1: you're like, whoa, what was in the tea?

806
00:36:13,920 --> 00:36:15,600
Speaker 2: Like this should be studied.

807
00:36:16,000 --> 00:36:18,800
Speaker 3: So there was one specific lyric that appeared in multiple

808
00:36:18,840 --> 00:36:22,120
Speaker 3: songs in the twenty ten hit songs, Yes, and we

809
00:36:22,120 --> 00:36:24,520
Speaker 3: didn't realize it. And what does it mean this lyric?

810
00:36:24,600 --> 00:36:25,440
Speaker 3: Why does it say this?

811
00:36:25,640 --> 00:36:28,799
Speaker 1: It's a sound It's like it's it's noan, it's noan

812
00:36:29,360 --> 00:36:30,399
Speaker 1: like it's just.

813
00:36:30,840 --> 00:36:34,239
Speaker 2: Or no no no either or okay, Over and over again.

814
00:36:34,920 --> 00:36:42,920
Speaker 3: For example, this is twenty ten's I as replace every Days.

815
00:36:43,080 --> 00:36:44,520
Speaker 3: I think sometimes when you need to get to a

816
00:36:44,600 --> 00:36:50,680
Speaker 3: lyric that rhymes, you gotta give up Nana every day.

817
00:36:50,719 --> 00:36:53,760
Speaker 2: Every artist did it? Every artist? Well, who else? Rihanna

818
00:36:53,800 --> 00:36:55,960
Speaker 2: did it? Rihanna? What's my name? See? What's my name?

819
00:37:00,880 --> 00:37:03,080
Speaker 3: Did it mean something? In the It is not not

820
00:37:03,160 --> 00:37:03,560
Speaker 3: like a thing?

821
00:37:03,719 --> 00:37:04,080
Speaker 2: Was it?

822
00:37:04,160 --> 00:37:05,760
Speaker 3: Was it a saying?

823
00:37:05,880 --> 00:37:09,000
Speaker 2: It wasn't even slang for anything that I remember. I

824
00:37:09,000 --> 00:37:09,319
Speaker 2: don't know.

825
00:37:09,400 --> 00:37:12,680
Speaker 1: Selena Gomez was on it.

826
00:37:14,400 --> 00:37:16,280
Speaker 2: One direction, what makes you Beautiful?

827
00:37:16,480 --> 00:37:20,719
Speaker 3: I love it here?

828
00:37:23,320 --> 00:37:29,759
Speaker 2: No, I mean they really went for song and red.

829
00:37:30,239 --> 00:37:31,240
Speaker 2: We're just singing along.

830
00:37:32,080 --> 00:37:34,160
Speaker 3: The songwriters are sitting in the room. They're like, guys,

831
00:37:34,200 --> 00:37:35,319
Speaker 3: I give up, let's just turn some.

832
00:37:36,160 --> 00:37:38,120
Speaker 1: There had to have been or like that's what they

833
00:37:38,120 --> 00:37:39,839
Speaker 1: feel when they're like trying to figure out the lyrics

834
00:37:39,840 --> 00:37:40,640
Speaker 1: and we'll just leave.

835
00:37:40,680 --> 00:37:43,360
Speaker 2: Then it sounds good. Here's Macha with one.

836
00:37:50,320 --> 00:37:53,360
Speaker 3: Song in the tens had a Nana somewhere hidden it.

837
00:37:57,480 --> 00:37:58,400
Speaker 2: I can't hear it.

838
00:37:59,360 --> 00:38:01,839
Speaker 3: I can't DJ snakes my brother.

839
00:38:04,920 --> 00:38:05,200
Speaker 10: Beaver.

840
00:38:07,719 --> 00:38:09,279
Speaker 2: That is a fascinating thing.

841
00:38:09,400 --> 00:38:11,799
Speaker 3: I wish we were to have more information on the

842
00:38:11,840 --> 00:38:16,280
Speaker 3: why why exactly. It's no different than Tanya's Oh Crutch,

843
00:38:16,400 --> 00:38:19,799
Speaker 3: It's like when is a lyric to say she goes oh.

844
00:38:20,080 --> 00:38:21,719
Speaker 3: It's like these guys didn't know what's put in the song.

845
00:38:21,800 --> 00:38:29,560
Speaker 3: So like this one, whoa, I'll give it to No.

846
00:38:32,320 --> 00:38:35,600
Speaker 6: Rihanna's is the only one that makes sense because that's

847
00:38:35,640 --> 00:38:37,560
Speaker 6: her name.

848
00:38:37,719 --> 00:38:43,960
Speaker 3: Well, maybe everybody else is ping homage to No no no, no.

849
00:38:43,760 --> 00:38:45,120
Speaker 2: No no.

850
00:38:46,280 --> 00:38:50,480
Speaker 3: There's nothing better than finding these little yes treasures.

851
00:38:50,600 --> 00:38:51,560
Speaker 2: It made me so happy.

852
00:38:51,640 --> 00:38:56,000
Speaker 3: Twenty tens Kiss Music, every song almost featured no no, no,

853
00:38:55,800 --> 00:38:58,799
Speaker 3: no, no no. Now every song just features Kendrick Lamar. It's

854
00:38:58,840 --> 00:39:02,120
Speaker 3: true and you'll hear Kendrick six times this hour on

855
00:39:02,239 --> 00:39:04,960
Speaker 3: a two point seven. You're on Kiss a fam that

856
00:39:05,239 --> 00:39:09,280
Speaker 3: is going to do it for us today. Coming up tomorrow,

857
00:39:09,320 --> 00:39:12,680
Speaker 3: we've got a second date update. Have a great Monday, guys,

858
00:39:12,719 --> 00:39:13,279
Speaker 3: take good care.

859
00:39:13,880 --> 00:39:16,680
Speaker 2: Thanks for listening to On Air with Ryan Seacrest. Make

860
00:39:16,719 --> 00:39:19,040
Speaker 2: sure to subscribe, and we'll talk to you again tomorrow