1
00:00:03,279 --> 00:00:06,200
Speaker 1: Yes, it's way up. But Angela Yee, I'm Angela Yee

2
00:00:06,240 --> 00:00:10,680
Speaker 1: Mano is here and we have a special guest host,

3
00:00:11,200 --> 00:00:16,360
Speaker 1: comedian actor host finess O, author Vaness Mitchell is here.

4
00:00:16,600 --> 00:00:18,639
Speaker 2: I'm in the building. I'm here.

5
00:00:18,800 --> 00:00:19,560
Speaker 1: Yes, he's here.

6
00:00:20,000 --> 00:00:20,079
Speaker 3: You.

7
00:00:20,160 --> 00:00:22,160
Speaker 1: We're lucky to have you because you're going to actually

8
00:00:22,160 --> 00:00:22,840
Speaker 1: be in Nayak.

9
00:00:23,320 --> 00:00:27,600
Speaker 4: Yes, I would be in West Nayak tonight tomorrow. The

10
00:00:27,640 --> 00:00:30,600
Speaker 4: comedy club is called Levity Live. It's in the Big Mall.

11
00:00:30,760 --> 00:00:32,440
Speaker 4: I think that's the only thing there in that city

12
00:00:32,479 --> 00:00:32,640
Speaker 4: to do.

13
00:00:32,960 --> 00:00:35,640
Speaker 1: Everybody goes to Levity. Every comedian who was here last

14
00:00:35,680 --> 00:00:39,000
Speaker 1: I'm then maybe Ida, Yeah, she was there, all right.

15
00:00:39,040 --> 00:00:42,680
Speaker 1: It's also the fiftieth anniversary of hip hop. Happy birthday

16
00:00:43,280 --> 00:00:45,240
Speaker 1: hip Hop Terrence fifty. We shouldn't even be at work.

17
00:00:45,560 --> 00:00:49,440
Speaker 5: No, it's holiday, national should be an international holiday.

18
00:00:50,080 --> 00:00:51,760
Speaker 1: But we are going to have a good time. Fab

19
00:00:51,800 --> 00:00:54,280
Speaker 1: five Freddy actually is going to be joining us later

20
00:00:54,920 --> 00:00:58,000
Speaker 1: alongside doctor Brandy mcnail. She works with the New York

21
00:00:58,040 --> 00:01:01,680
Speaker 1: Public Library and you know Fab five. Freddie was the

22
00:01:01,720 --> 00:01:05,039
Speaker 1: first ever host of Yo MTV Raps. He did the

23
00:01:05,040 --> 00:01:07,840
Speaker 1: movie Wild Style, which is a classic hip hop movie.

24
00:01:08,160 --> 00:01:10,200
Speaker 1: It might have been the first hip hop movie, right,

25
00:01:10,680 --> 00:01:14,280
Speaker 1: I think so. Yeah, so that's a special day. May No,

26
00:01:14,319 --> 00:01:16,720
Speaker 1: you wouldn't even be here for hip hop.

27
00:01:17,720 --> 00:01:21,800
Speaker 6: Yeah, that's a scary thought for who, for us, for

28
00:01:21,880 --> 00:01:22,720
Speaker 6: what I could be doing.

29
00:01:23,120 --> 00:01:26,000
Speaker 4: It saved a lot of lives, saved, saved a lot

30
00:01:26,040 --> 00:01:27,479
Speaker 4: of lives, saved my life.

31
00:01:27,560 --> 00:01:31,560
Speaker 1: I wonder when stand up comedy was born, A very.

32
00:01:31,440 --> 00:01:34,240
Speaker 4: Very very long time ago, when they came out with

33
00:01:34,280 --> 00:01:36,800
Speaker 4: the Ten Commandments and they said.

34
00:01:36,680 --> 00:01:39,360
Speaker 2: You want us to not do what? And I don't know.

35
00:01:39,640 --> 00:01:41,480
Speaker 1: Let me see, I'm I'm gonna do a deep dive.

36
00:01:41,319 --> 00:01:44,200
Speaker 4: In Lenny Bruson back back in the day. I don't know,

37
00:01:44,240 --> 00:01:47,000
Speaker 4: as old as I go, probably Flip Wilson. It's my

38
00:01:47,240 --> 00:01:48,880
Speaker 4: first recollection.

39
00:01:48,400 --> 00:01:51,960
Speaker 1: Of black in the eighties.

40
00:01:51,320 --> 00:01:56,640
Speaker 4: Eighteen forty menstrel shows what history. Yeah, that's when black

41
00:01:56,680 --> 00:01:57,760
Speaker 4: people use black face.

42
00:02:00,360 --> 00:02:01,760
Speaker 5: You had to have you had to have a sense

43
00:02:01,800 --> 00:02:04,040
Speaker 5: of hum one o man, eighteen hundreds.

44
00:02:04,200 --> 00:02:05,880
Speaker 4: I don't think they had no choice but to make

45
00:02:05,920 --> 00:02:08,920
Speaker 4: people laugh, laugh, make us laugh, or get out there

46
00:02:08,919 --> 00:02:09,360
Speaker 4: in that field.

47
00:02:09,360 --> 00:02:10,560
Speaker 1: It has to be the worst thing you could say

48
00:02:10,600 --> 00:02:12,639
Speaker 1: to a comedian, make us make it.

49
00:02:12,680 --> 00:02:15,240
Speaker 2: Say something funny. That's the one thing I hate. Say

50
00:02:15,240 --> 00:02:18,280
Speaker 2: something funny, say something people people do that still to

51
00:02:18,320 --> 00:02:18,720
Speaker 2: this day.

52
00:02:19,040 --> 00:02:22,600
Speaker 5: That's that can that can lead into a fight.

53
00:02:23,600 --> 00:02:25,240
Speaker 2: Look looks like you, U.

54
00:02:28,760 --> 00:02:28,919
Speaker 6: Joe.

55
00:02:29,000 --> 00:02:30,639
Speaker 1: All right, well, let's start the show off the way

56
00:02:30,639 --> 00:02:32,760
Speaker 1: we always do on the fiftieth anniversary of hip hop,

57
00:02:32,800 --> 00:02:34,799
Speaker 1: Shine a light on them. Eight hundred two nineteen fifty

58
00:02:34,840 --> 00:02:36,800
Speaker 1: one fifty it's a number. Call us up and let

59
00:02:36,880 --> 00:02:38,200
Speaker 1: us know who you want to shine a light on

60
00:02:38,200 --> 00:02:40,480
Speaker 1: it, and we have a world premiere for you guys. It

61
00:02:40,560 --> 00:02:43,720
Speaker 1: is DJ Khaled featuring Little Baby Future and Little Uzi

62
00:02:43,840 --> 00:02:47,280
Speaker 1: Vert supposed to be loved. It's way up with Angela. Ye,

63
00:02:48,040 --> 00:02:49,280
Speaker 1: were gonna up.

64
00:02:51,760 --> 00:02:55,040
Speaker 7: Turn your lights on, y'all spreading love to those who

65
00:02:55,120 --> 00:02:56,000
Speaker 7: are doing greatness.

66
00:02:58,520 --> 00:03:02,200
Speaker 3: Shut it's time to shine a light on.

67
00:03:03,000 --> 00:03:05,640
Speaker 1: Yes, it is way up with Angela Yee. I'm Angela

68
00:03:05,720 --> 00:03:07,200
Speaker 1: Yee and Maina is here, you.

69
00:03:07,160 --> 00:03:09,960
Speaker 6: Know, man, Yeah, my drop is unstoppable and.

70
00:03:09,919 --> 00:03:12,040
Speaker 1: My friend Vanessa Mitchell is here too.

71
00:03:12,280 --> 00:03:14,440
Speaker 2: You always hold me down. Thank you, Yes, thank you

72
00:03:14,440 --> 00:03:14,959
Speaker 2: for the invite.

73
00:03:15,000 --> 00:03:16,799
Speaker 1: I'm so glad to see you. And we're gonna shine

74
00:03:16,800 --> 00:03:19,120
Speaker 1: a light on him as you're our special guest today

75
00:03:19,480 --> 00:03:21,480
Speaker 1: because Maino's always here, He's like part of this So

76
00:03:21,840 --> 00:03:24,359
Speaker 1: sorry Mane Uh, Vanessa, would you like to shine a

77
00:03:24,440 --> 00:03:24,720
Speaker 1: light on?

78
00:03:25,040 --> 00:03:27,679
Speaker 4: I'm gonna shine a light onto my baby. Mom's with

79
00:03:28,200 --> 00:03:29,760
Speaker 4: the barge.

80
00:03:29,960 --> 00:03:31,480
Speaker 2: Yeah, the wife. Well, I'm in New York.

81
00:03:31,520 --> 00:03:33,280
Speaker 4: I was trying to you know, I wanted to feel Yeah,

82
00:03:33,320 --> 00:03:35,000
Speaker 4: I'm sorry.

83
00:03:35,160 --> 00:03:38,040
Speaker 2: I was trying. You know, I've been watching Power and

84
00:03:38,080 --> 00:03:39,360
Speaker 2: you know all that stuff. Uh.

85
00:03:39,400 --> 00:03:44,320
Speaker 4: Anyway, Yeah, a great woman, two kids. She does everything

86
00:03:44,480 --> 00:03:45,040
Speaker 4: I don't do.

87
00:03:45,240 --> 00:03:47,560
Speaker 1: And so he was telling us a great story about her.

88
00:03:47,640 --> 00:03:50,080
Speaker 1: Maybe he'll tell it later, but how she really really

89
00:03:50,120 --> 00:03:55,600
Speaker 1: holds him down. Yes, he was definitely talking about you

90
00:03:55,720 --> 00:03:58,000
Speaker 1: and saying how phenomenal you are and how you saved

91
00:03:58,000 --> 00:03:58,480
Speaker 1: his life.

92
00:03:58,840 --> 00:04:00,640
Speaker 2: Yes, she did, and I didn't know, because that's how

93
00:04:00,640 --> 00:04:01,080
Speaker 2: got work.

94
00:04:01,520 --> 00:04:03,400
Speaker 1: All right. Well, who do you guys want to shine

95
00:04:03,400 --> 00:04:05,440
Speaker 1: a light on? Eight hundred and two nine fifty one

96
00:04:05,520 --> 00:04:07,480
Speaker 1: fifty is a number? Joshua, how are you?

97
00:04:08,440 --> 00:04:08,880
Speaker 8: I'm good?

98
00:04:08,960 --> 00:04:10,440
Speaker 9: Angela? How are you, Felim this morning?

99
00:04:10,560 --> 00:04:12,400
Speaker 1: I'm good? Thank you? Who would you like to shine

100
00:04:12,400 --> 00:04:12,840
Speaker 1: a light on?

101
00:04:13,360 --> 00:04:15,280
Speaker 9: I want to shine a light on my girl ash

102
00:04:15,360 --> 00:04:17,040
Speaker 9: between her twenty seventh birthday.

103
00:04:17,120 --> 00:04:19,440
Speaker 8: She's twenty seventy and final like a glass of wine.

104
00:04:19,520 --> 00:04:20,760
Speaker 1: Oh what you gonna do for her?

105
00:04:21,440 --> 00:04:21,640
Speaker 6: Oh?

106
00:04:21,680 --> 00:04:22,480
Speaker 10: We got a lot planning.

107
00:04:22,520 --> 00:04:24,200
Speaker 8: We got a trip going down the floor to coming

108
00:04:24,240 --> 00:04:24,599
Speaker 8: up soon.

109
00:04:24,640 --> 00:04:26,680
Speaker 11: So you know I'm surprise you with a couple of

110
00:04:26,680 --> 00:04:27,360
Speaker 11: things out there.

111
00:04:27,720 --> 00:04:30,000
Speaker 1: Oh it is so sweet. Okay, I love it.

112
00:04:30,640 --> 00:04:30,960
Speaker 2: All right.

113
00:04:31,000 --> 00:04:32,520
Speaker 1: Well, happy birthday, Ashley.

114
00:04:33,279 --> 00:04:33,840
Speaker 12: All right.

115
00:04:34,040 --> 00:04:35,440
Speaker 9: I appreciate Andrew.

116
00:04:35,200 --> 00:04:36,680
Speaker 1: No problem, thank you?

117
00:04:36,800 --> 00:04:37,240
Speaker 13: All right?

118
00:04:37,680 --> 00:04:38,800
Speaker 1: Hey, Gabby, how are you?

119
00:04:39,480 --> 00:04:40,840
Speaker 11: Hi? Angela?

120
00:04:41,080 --> 00:04:41,560
Speaker 12: Hi?

121
00:04:41,839 --> 00:04:42,760
Speaker 1: What's good girl?

122
00:04:43,320 --> 00:04:44,000
Speaker 5: How are you doing?

123
00:04:44,360 --> 00:04:44,800
Speaker 6: I'm good.

124
00:04:45,520 --> 00:04:46,320
Speaker 11: I actually that's you.

125
00:04:46,480 --> 00:04:50,640
Speaker 1: Like a few months ago at a uh, I know

126
00:04:50,800 --> 00:04:51,520
Speaker 1: Cassy was there.

127
00:04:51,560 --> 00:04:54,640
Speaker 10: It was like a like a face okay.

128
00:04:54,320 --> 00:04:56,840
Speaker 1: For that was he butter skincare got a.

129
00:04:56,760 --> 00:04:58,719
Speaker 8: Better stink here. Yeah, And I was talking to you

130
00:04:58,800 --> 00:04:59,880
Speaker 8: when you was dropping down.

131
00:05:00,640 --> 00:05:05,159
Speaker 11: I was really like grateful to the experience. Well, yeah,

132
00:05:05,320 --> 00:05:06,720
Speaker 11: I just want to give a shout.

133
00:05:06,440 --> 00:05:08,719
Speaker 10: Out to you on the fact that you you know, you.

134
00:05:08,800 --> 00:05:11,560
Speaker 11: Branched off and cubs bigger and bad days. And I

135
00:05:11,600 --> 00:05:14,359
Speaker 11: want to give a shout out to my to my family.

136
00:05:14,760 --> 00:05:16,880
Speaker 1: All right, are you so dope? Well, thank you so much.

137
00:05:16,920 --> 00:05:18,480
Speaker 1: I'm glad I had a chance to speak to you

138
00:05:18,520 --> 00:05:20,839
Speaker 1: in person, and thank you so much for listening to

139
00:05:20,880 --> 00:05:22,440
Speaker 1: way you put Angela yee and calling in.

140
00:05:22,920 --> 00:05:24,800
Speaker 11: Thank you so much. I appreciate that.

141
00:05:25,040 --> 00:05:26,840
Speaker 1: All right, make sure you come to Angela Yee day,

142
00:05:26,880 --> 00:05:28,720
Speaker 1: August twenty seventh, all the time.

143
00:05:28,760 --> 00:05:28,920
Speaker 11: Time.

144
00:05:29,880 --> 00:05:33,799
Speaker 1: It's a free event outside the Barclays. Okay, no problem,

145
00:05:33,880 --> 00:05:37,240
Speaker 1: all right, thank you, thank you, all right, all right,

146
00:05:37,279 --> 00:05:38,960
Speaker 1: Well that was shine a light out him. Eight hundred

147
00:05:39,000 --> 00:05:41,120
Speaker 1: two ninety two fifty one fifty is the number. In

148
00:05:41,160 --> 00:05:42,920
Speaker 1: case you couldn't get through. You can always call for

149
00:05:43,040 --> 00:05:45,479
Speaker 1: last word. And when we come back, we have yet.

150
00:05:45,800 --> 00:05:49,000
Speaker 1: Tory Lanez, he is breaking his silence and speaking out,

151
00:05:49,040 --> 00:05:51,200
Speaker 1: will tell you about the statement after being sentenced to

152
00:05:51,279 --> 00:05:53,920
Speaker 1: ten years in the Megan the Stallion shooting case. It's

153
00:05:53,920 --> 00:05:56,520
Speaker 1: the way you put Angela Yee just like.

154
00:05:56,520 --> 00:05:59,680
Speaker 11: To talk like they Angela Ge, like they Angela.

155
00:05:59,200 --> 00:06:01,120
Speaker 3: Gee, and she's spilling it all.

156
00:06:01,520 --> 00:06:07,360
Speaker 1: This is yet way up, Yes, it is way up

157
00:06:07,360 --> 00:06:11,200
Speaker 1: for Angela Yee. I'm Angela Yee. Mano is here, Yeah,

158
00:06:12,040 --> 00:06:12,920
Speaker 1: Mitchell is here.

159
00:06:12,880 --> 00:06:15,240
Speaker 2: Faness, Mitchell's in the building. Comedian extraordinary.

160
00:06:15,440 --> 00:06:18,479
Speaker 1: Now finas, I gotta ask you the word finesse, right, yes,

161
00:06:20,200 --> 00:06:20,799
Speaker 1: so many.

162
00:06:20,600 --> 00:06:23,040
Speaker 2: People take it now. I just can't nothing about.

163
00:06:22,839 --> 00:06:24,400
Speaker 1: It right because that's really your name.

164
00:06:24,520 --> 00:06:28,479
Speaker 4: Yeah, oh yes, your boy name it is now I'm

165
00:06:28,480 --> 00:06:30,599
Speaker 4: saying it is. Don't google me off it isn't.

166
00:06:31,240 --> 00:06:32,880
Speaker 1: But I feel like, did it always mean like to

167
00:06:32,960 --> 00:06:35,560
Speaker 1: finesse somebody? Was that always like, even from when you

168
00:06:35,640 --> 00:06:37,720
Speaker 1: first started in comedy? Was it always used how it

169
00:06:37,760 --> 00:06:38,320
Speaker 1: was used now?

170
00:06:38,440 --> 00:06:40,120
Speaker 4: When I went to the University of Miami, it was

171
00:06:40,160 --> 00:06:42,320
Speaker 4: sort of like that that drum Line movie when I

172
00:06:42,400 --> 00:06:45,200
Speaker 4: approached the head aka and I was trying to holler

173
00:06:45,720 --> 00:06:47,159
Speaker 4: and it wasn't going nowhere because I.

174
00:06:47,160 --> 00:06:48,039
Speaker 2: Was she knew I was lying.

175
00:06:48,040 --> 00:06:50,039
Speaker 4: I was like, y'all, y'all, ladies need a tour, and

176
00:06:50,080 --> 00:06:52,080
Speaker 4: she was like, yeah, right, what's that building. I was like,

177
00:06:52,120 --> 00:06:55,000
Speaker 4: that's the library, cess cafeteria. Shut up, you're a freshman.

178
00:06:55,480 --> 00:06:58,360
Speaker 4: But then somebody else walked up and said, who's this

179
00:06:58,440 --> 00:06:59,640
Speaker 4: and she said this mister finess.

180
00:07:00,040 --> 00:07:01,480
Speaker 1: Okay, that's how it happened.

181
00:07:01,520 --> 00:07:01,839
Speaker 6: Okay.

182
00:07:02,000 --> 00:07:05,000
Speaker 2: And then when I was playing ball and you know Miami,

183
00:07:05,040 --> 00:07:05,960
Speaker 2: we was whooping.

184
00:07:06,960 --> 00:07:11,160
Speaker 1: We was He's trying to figure out how to say it's.

185
00:07:10,440 --> 00:07:12,240
Speaker 4: A list of words. You can't say list of words.

186
00:07:12,240 --> 00:07:14,120
Speaker 4: But we was dope in the nineties. Win the championship.

187
00:07:14,880 --> 00:07:15,080
Speaker 6: Yeah.

188
00:07:15,080 --> 00:07:17,560
Speaker 4: And then I'm in the locker room and it's Texas,

189
00:07:17,600 --> 00:07:19,800
Speaker 4: Florida boys. I'm from Atlanta, and somebody said, yo, Budd

190
00:07:19,800 --> 00:07:21,880
Speaker 4: what's your name? And I want about to say Alfred,

191
00:07:23,320 --> 00:07:25,640
Speaker 4: I said, for mess I said what a question mark? I

192
00:07:25,640 --> 00:07:28,280
Speaker 4: said Finesse and I was like, oh that's moved.

193
00:07:28,320 --> 00:07:31,080
Speaker 2: Why I like that? And then once they started saying.

194
00:07:30,840 --> 00:07:34,200
Speaker 1: It, okay, well Finesse is here, Fanesse is here? Transition

195
00:07:34,320 --> 00:07:38,320
Speaker 1: into comedy, was it all right? Well, let's talk about

196
00:07:38,360 --> 00:07:41,040
Speaker 1: Tory Lanez and the uteam now he is put out

197
00:07:41,040 --> 00:07:43,600
Speaker 1: a statement to the Umbrellas after he was sentenced in

198
00:07:43,640 --> 00:07:46,120
Speaker 1: the Megan the Stallion shooting the Umbrellas for you guys

199
00:07:46,160 --> 00:07:48,760
Speaker 1: that may not know are his fans. He said, I've

200
00:07:48,760 --> 00:07:50,760
Speaker 1: never let a hard time intimidate me. I will never

201
00:07:51,000 --> 00:07:54,080
Speaker 1: let no jail time eliminate me, regardless if they try

202
00:07:54,080 --> 00:07:56,480
Speaker 1: to spend my words. I've always maintained my innocence and

203
00:07:56,520 --> 00:07:59,680
Speaker 1: I always will. This week in court, I took responsibility

204
00:07:59,720 --> 00:08:02,000
Speaker 1: for all verbal and intimate moments that I shared with

205
00:08:02,040 --> 00:08:04,760
Speaker 1: the parties involved. That's it. In no way, shape or

206
00:08:04,840 --> 00:08:07,520
Speaker 1: form was I apologizing for the charges I'm being wrongfully

207
00:08:07,560 --> 00:08:09,960
Speaker 1: convicted of. So he just wanted to put that out

208
00:08:09,960 --> 00:08:13,080
Speaker 1: there because some people felt like he was saying, oh

209
00:08:13,480 --> 00:08:15,400
Speaker 1: he did it and apologizing, but no, he was just

210
00:08:15,440 --> 00:08:17,040
Speaker 1: saying I shouldn't have done the things that I did

211
00:08:17,080 --> 00:08:19,640
Speaker 1: after all, right, I.

212
00:08:20,360 --> 00:08:25,160
Speaker 2: Just walked.

213
00:08:24,520 --> 00:08:29,120
Speaker 1: Walked in here like a ghost anniversary or hip hop We.

214
00:08:29,160 --> 00:08:31,200
Speaker 5: Definitely relative just pulled up.

215
00:08:31,920 --> 00:08:33,960
Speaker 1: I like, and t I here and two people who

216
00:08:34,000 --> 00:08:35,640
Speaker 1: are in the same field. He's in r in here

217
00:08:35,679 --> 00:08:37,560
Speaker 1: to a comedian and a hip hop artist.

218
00:08:37,840 --> 00:08:39,080
Speaker 6: Yeah.

219
00:08:41,000 --> 00:08:43,000
Speaker 4: I was running the laugh Factory for a little while

220
00:08:43,040 --> 00:08:45,600
Speaker 4: and Tiya was out there and he was doing this

221
00:08:45,720 --> 00:08:48,439
Speaker 4: West Coast run and he he was like, yo, can

222
00:08:48,480 --> 00:08:50,800
Speaker 4: I get some stage time or whatever? And you know,

223
00:08:50,880 --> 00:08:53,280
Speaker 4: as as new comedians, you're like, yeah, you can go

224
00:08:53,360 --> 00:08:55,160
Speaker 4: up first. And he was like, yeah, I don't think

225
00:08:55,200 --> 00:08:58,280
Speaker 4: that's a good idea. And I was like, oh oh wow.

226
00:08:58,800 --> 00:09:00,960
Speaker 4: I said, yeah, just do ten minutes, because we got

227
00:09:01,280 --> 00:09:03,120
Speaker 4: booked comedians. They're gonna do the show. He was like, yeah,

228
00:09:03,120 --> 00:09:05,520
Speaker 4: I should go last. And I was like, why are

229
00:09:05,480 --> 00:09:07,280
Speaker 4: you gonna go last? He was like, I'm probably gonna

230
00:09:07,280 --> 00:09:08,200
Speaker 4: do about thirty minutes.

231
00:09:09,720 --> 00:09:11,599
Speaker 2: In my head, I'm like, does he know how this

232
00:09:11,679 --> 00:09:13,720
Speaker 2: is supposed to go? But at the end, I was

233
00:09:13,760 --> 00:09:15,520
Speaker 2: just like, hey, man, do thirty minutes.

234
00:09:15,520 --> 00:09:18,040
Speaker 14: You're going but check this that though, so so the

235
00:09:18,160 --> 00:09:22,120
Speaker 14: thing well, so I knew you know the first the

236
00:09:22,160 --> 00:09:24,360
Speaker 14: first joke, you know, how to how to get started

237
00:09:24,640 --> 00:09:27,760
Speaker 14: is usually like a tough thing for people to learn.

238
00:09:27,960 --> 00:09:29,960
Speaker 6: But for me, my dismount, I ain't know how to

239
00:09:30,000 --> 00:09:30,440
Speaker 6: get off.

240
00:09:30,520 --> 00:09:32,480
Speaker 9: You know what I'm saying, you know?

241
00:09:32,679 --> 00:09:35,280
Speaker 14: And and I would and a lot of my my

242
00:09:35,400 --> 00:09:38,880
Speaker 14: caminding style is telling stories and so it gets, it

243
00:09:38,960 --> 00:09:40,520
Speaker 14: gets a little, it gets a little lifty.

244
00:09:40,720 --> 00:09:44,920
Speaker 6: Yeah, I'm a loquacious right, it's not a stop. Ah,

245
00:09:45,160 --> 00:09:46,880
Speaker 6: my God, is not a stop. No, I ain't had

246
00:09:46,880 --> 00:09:47,400
Speaker 6: no breaks.

247
00:09:47,880 --> 00:09:50,079
Speaker 2: Yeah, but I heard it's going well, you're selling out

248
00:09:50,120 --> 00:09:50,640
Speaker 2: on the road.

249
00:09:50,840 --> 00:09:53,680
Speaker 1: Yeah, how are you going to do? Like a whole special?

250
00:09:53,800 --> 00:09:54,600
Speaker 1: Are you ready for hour?

251
00:09:54,640 --> 00:09:56,680
Speaker 14: I'm working on Yeah, I'm working on it. I'm working

252
00:09:56,679 --> 00:09:58,520
Speaker 14: on it right now. I'm working on it right now.

253
00:09:59,440 --> 00:10:02,280
Speaker 14: But we will being in Philly with me in Philly,

254
00:10:02,320 --> 00:10:05,400
Speaker 14: I think the seventeen eighteen nineteen Man at the Helium.

255
00:10:05,800 --> 00:10:07,839
Speaker 4: Okay, Yeah, I wouldn't want you to come out there

256
00:10:07,840 --> 00:10:09,600
Speaker 4: to night with me a levety line, but I know

257
00:10:09,640 --> 00:10:11,400
Speaker 4: I won't be on my own show if you come

258
00:10:11,400 --> 00:10:11,720
Speaker 4: out there.

259
00:10:12,520 --> 00:10:16,360
Speaker 14: I actually got to go to Vegas tonight, man, But

260
00:10:16,440 --> 00:10:17,599
Speaker 14: I would take you up on that.

261
00:10:17,840 --> 00:10:19,600
Speaker 2: You know, I'm hit you we'll do something.

262
00:10:19,760 --> 00:10:22,719
Speaker 6: Absolutely love to man. I don't want to interrupt y'all.

263
00:10:22,840 --> 00:10:26,320
Speaker 6: No blood, it's all good, you know.

264
00:10:27,080 --> 00:10:28,680
Speaker 2: Try to tell me man used to be a menace

265
00:10:28,880 --> 00:10:29,520
Speaker 2: and I said that I.

266
00:10:29,440 --> 00:10:36,800
Speaker 5: Ain't Google made and all this please stop it stopping.

267
00:10:37,960 --> 00:10:42,960
Speaker 6: You have no ideativity? People know how close me?

268
00:10:43,640 --> 00:10:43,840
Speaker 11: Yeah?

269
00:10:44,120 --> 00:10:45,960
Speaker 1: So close that he has no idea.

270
00:10:45,720 --> 00:10:47,880
Speaker 6: No idea, absolutely no idea.

271
00:10:48,040 --> 00:10:48,439
Speaker 1: What I mean?

272
00:10:48,600 --> 00:10:49,760
Speaker 2: This man was at my wedding.

273
00:10:49,880 --> 00:10:52,719
Speaker 6: That's right. Bubble Windson not tied.

274
00:10:54,960 --> 00:10:56,920
Speaker 1: Said, y'all have been in some spaces together.

275
00:10:57,040 --> 00:10:57,480
Speaker 6: That's right.

276
00:10:57,600 --> 00:10:59,920
Speaker 5: That's right, my guy.

277
00:11:00,040 --> 00:11:01,760
Speaker 1: All right, well that is your u T. And when

278
00:11:01,760 --> 00:11:03,319
Speaker 1: we come back, we have about last night. That's what

279
00:11:03,480 --> 00:11:08,880
Speaker 1: we talk about hip hop tip man stopping by on

280
00:11:08,920 --> 00:11:13,800
Speaker 1: the fiftieth anniversary of hip hop already but maybe one day.

281
00:11:13,880 --> 00:11:17,760
Speaker 1: You know, it's way up.

282
00:11:19,240 --> 00:11:24,160
Speaker 3: So about last night? Last night went down?

283
00:11:24,880 --> 00:11:27,560
Speaker 1: Yes, it is way up at Angela ye Angela yee.

284
00:11:27,559 --> 00:11:31,000
Speaker 1: And Mano is here, you know it. And that's Mitchell

285
00:11:31,120 --> 00:11:31,960
Speaker 1: is here, Vaness.

286
00:11:32,040 --> 00:11:33,360
Speaker 2: Mitchell was in the building.

287
00:11:33,080 --> 00:11:36,480
Speaker 1: Everybody, Yes, stand up comedian but also an actor and

288
00:11:36,520 --> 00:11:39,800
Speaker 1: an author. And this is about last night. Now, when

289
00:11:39,800 --> 00:11:42,040
Speaker 1: did you get in town Finesse last night? Okay, so

290
00:11:42,080 --> 00:11:43,520
Speaker 1: did you do anything or you just went to sleep.

291
00:11:43,559 --> 00:11:44,319
Speaker 2: I went to sleep.

292
00:11:44,720 --> 00:11:46,160
Speaker 1: Is that a good feeling sometimes?

293
00:11:46,760 --> 00:11:49,240
Speaker 2: Yeah? Absolutely at this age, definitely.

294
00:11:49,000 --> 00:11:49,640
Speaker 1: You should try it.

295
00:11:49,720 --> 00:11:50,920
Speaker 6: Mano doing what sleeping?

296
00:11:51,000 --> 00:11:52,920
Speaker 1: Yeah, go to sleep at night because you were out.

297
00:11:53,280 --> 00:11:55,600
Speaker 6: This is crazy, but I really don't sleep that much

298
00:11:55,760 --> 00:11:57,439
Speaker 6: through the night. I was out.

299
00:11:57,480 --> 00:11:59,040
Speaker 5: I went to Appley, met me and Jim Jones. Shout

300
00:11:59,080 --> 00:12:00,760
Speaker 5: out to my brother Jim Jones. I've went over there.

301
00:12:01,080 --> 00:12:01,920
Speaker 1: Lobby boys.

302
00:12:01,920 --> 00:12:04,319
Speaker 5: Lobby boys hung out with a Tracy T. Shout of

303
00:12:04,360 --> 00:12:05,720
Speaker 5: Tracy T and cash it all.

304
00:12:05,720 --> 00:12:07,760
Speaker 1: Okay, oh I love it. Cute couple.

305
00:12:07,880 --> 00:12:10,199
Speaker 5: Yeah, this time ran in a TT tourist. She told

306
00:12:10,200 --> 00:12:12,080
Speaker 5: me she listened to the show. Okay, I wanted me

307
00:12:12,160 --> 00:12:14,400
Speaker 5: to shout out. Shout out to T T taurists at

308
00:12:14,880 --> 00:12:17,439
Speaker 5: love all right, definitely.

309
00:12:17,000 --> 00:12:17,760
Speaker 6: All right with us?

310
00:12:17,800 --> 00:12:19,079
Speaker 1: Dope. What was the Apple event?

311
00:12:19,480 --> 00:12:21,520
Speaker 6: Uh, fifty year hip hop event?

312
00:12:21,640 --> 00:12:24,560
Speaker 1: Okay, all right? A lot going on. Yeah, yesterday. I

313
00:12:24,640 --> 00:12:28,000
Speaker 1: actually was on a two hour zoom but it was

314
00:12:28,040 --> 00:12:30,160
Speaker 1: an interesting one. It was. It was a good one.

315
00:12:30,280 --> 00:12:33,920
Speaker 1: So there's this prize called the Just Brooklyn Prize, and

316
00:12:34,000 --> 00:12:36,880
Speaker 1: so what they do is they pick five different small

317
00:12:36,960 --> 00:12:40,360
Speaker 1: businesses that have to do with social justice that actually

318
00:12:40,400 --> 00:12:42,600
Speaker 1: helped the community, and they give them grants. So each

319
00:12:42,640 --> 00:12:45,240
Speaker 1: of those businesses gets a twenty thousand dollars grant. So

320
00:12:45,280 --> 00:12:47,839
Speaker 1: I'm on the committee to help pick who's going to

321
00:12:47,880 --> 00:12:50,600
Speaker 1: get this money. And so they narrowed it down to

322
00:12:51,120 --> 00:12:54,760
Speaker 1: ten different organizations and then we chose the five. And

323
00:12:54,880 --> 00:12:57,040
Speaker 1: I want to say something like that is really hard

324
00:12:57,080 --> 00:13:00,000
Speaker 1: to do. I remember Angie Martinez was talking about how

325
00:13:00,080 --> 00:13:02,920
Speaker 1: she had the opportunity to be a judge on American Idol,

326
00:13:03,400 --> 00:13:07,160
Speaker 1: and that's hard because while it's exciting to give money

327
00:13:07,160 --> 00:13:10,040
Speaker 1: to people and for people to win, it's also heartbreaking

328
00:13:10,080 --> 00:13:13,600
Speaker 1: when you're like, man, this is a tough decision because

329
00:13:13,679 --> 00:13:17,079
Speaker 1: everybody in that top ten could have, you know, all

330
00:13:17,240 --> 00:13:20,000
Speaker 1: made it far enough that they deserved to get that money,

331
00:13:20,000 --> 00:13:23,320
Speaker 1: because I think like over six hundred people. Yeah, they

332
00:13:23,320 --> 00:13:25,080
Speaker 1: were all amazing. Like when you hear some of the

333
00:13:25,160 --> 00:13:28,640
Speaker 1: things that these organizations are doing, you know, as far

334
00:13:28,679 --> 00:13:31,960
Speaker 1: as helping people connect to lawyers when they get arrested

335
00:13:32,600 --> 00:13:35,559
Speaker 1: right away, so and that's a free service, or helping

336
00:13:35,559 --> 00:13:37,440
Speaker 1: people keep their homes. You know, a lot of times

337
00:13:37,480 --> 00:13:41,200
Speaker 1: when gentrification happens, they'll try to take your home from

338
00:13:41,200 --> 00:13:43,480
Speaker 1: you and trick you out of your home. So there's

339
00:13:43,559 --> 00:13:45,800
Speaker 1: fund set up to help people with that, just all

340
00:13:45,840 --> 00:13:49,720
Speaker 1: different kinds of services, black maternal health care, making sure

341
00:13:49,760 --> 00:13:52,679
Speaker 1: that doulas are paid for by insurance, or making sure

342
00:13:52,720 --> 00:13:55,400
Speaker 1: that you can have access to a doula if you're pregnant,

343
00:13:55,400 --> 00:13:58,439
Speaker 1: to help you throughout that process and after just all

344
00:13:58,480 --> 00:14:00,960
Speaker 1: these things that really are supportive to people. And so

345
00:14:01,040 --> 00:14:04,240
Speaker 1: it was so hard to choose who was gonna get

346
00:14:04,240 --> 00:14:05,840
Speaker 1: that money. But it was a committee of us, so

347
00:14:05,880 --> 00:14:08,360
Speaker 1: we had to come together and vote and figure out

348
00:14:08,360 --> 00:14:12,280
Speaker 1: who what five what five organizations we're going to get

349
00:14:12,280 --> 00:14:12,840
Speaker 1: those grants.

350
00:14:12,880 --> 00:14:15,439
Speaker 2: But they haven't definitely know how to make it easier

351
00:14:15,559 --> 00:14:16,040
Speaker 2: next time.

352
00:14:16,880 --> 00:14:17,520
Speaker 6: Kickbacks?

353
00:14:18,200 --> 00:14:19,480
Speaker 2: Who gonna give you the kickback?

354
00:14:19,520 --> 00:14:22,800
Speaker 4: Angela, you gotta get paid, baby, this at al baby,

355
00:14:22,800 --> 00:14:23,440
Speaker 4: we in the house.

356
00:14:24,280 --> 00:14:25,600
Speaker 2: That's how we do it.

357
00:14:24,920 --> 00:14:27,800
Speaker 1: In the eight I'm gonna tell you this part. If

358
00:14:27,840 --> 00:14:30,760
Speaker 1: you had any type of affiliation or anything with any

359
00:14:30,760 --> 00:14:32,920
Speaker 1: of them, you have to recuse yourself from that part

360
00:14:32,920 --> 00:14:33,520
Speaker 1: of the voting.

361
00:14:33,720 --> 00:14:37,280
Speaker 4: Yeah, and but see that's how my gosh, don't you

362
00:14:37,440 --> 00:14:38,920
Speaker 4: get tired of playing by the rules?

363
00:14:39,040 --> 00:14:41,400
Speaker 2: Right, that's how the Republicans win all the time. They

364
00:14:41,840 --> 00:14:42,720
Speaker 2: don't care about.

365
00:14:42,560 --> 00:14:45,920
Speaker 1: Rules, all right, Well, that's why your name is Finesse.

366
00:14:46,080 --> 00:14:48,680
Speaker 2: Yeah, I'm definitely getting ten percent if I give you

367
00:14:48,720 --> 00:14:49,080
Speaker 2: a grant.

368
00:14:50,040 --> 00:14:51,240
Speaker 1: Man, we already know what it is.

369
00:14:51,320 --> 00:14:52,200
Speaker 6: You know what.

370
00:14:55,280 --> 00:14:57,320
Speaker 1: We already know what it is. But that is about

371
00:14:57,400 --> 00:14:59,920
Speaker 1: last night. Now when we come back. This is a

372
00:15:00,160 --> 00:15:04,320
Speaker 1: segment that happens on Mondays, Wednesdays and Fridays. This actually

373
00:15:04,360 --> 00:15:07,560
Speaker 1: happens to be Mano's favorite segment and Finesse, I feel

374
00:15:07,600 --> 00:15:09,680
Speaker 1: like you're gonna grow to love this. But this is

375
00:15:09,760 --> 00:15:11,920
Speaker 1: tell us a secret, so people get to call in

376
00:15:12,360 --> 00:15:14,400
Speaker 1: and you know, just put some things out.

377
00:15:14,280 --> 00:15:16,760
Speaker 6: Here, Darky's secrets.

378
00:15:16,320 --> 00:15:18,440
Speaker 1: And we don't judge them. So that's the hard part,

379
00:15:18,520 --> 00:15:21,520
Speaker 1: right when someone calls up and tells you something and

380
00:15:21,560 --> 00:15:23,600
Speaker 1: you're like, you did what you can't do that. You

381
00:15:23,640 --> 00:15:25,600
Speaker 1: got to have the game phase and be like, all right, well,

382
00:15:25,600 --> 00:15:29,080
Speaker 1: thank you for sharing with us. Yeah okay, And it's anonymous, right,

383
00:15:29,160 --> 00:15:30,960
Speaker 1: so if you want to go another room and call in.

384
00:15:31,040 --> 00:15:32,040
Speaker 2: Yeah, no, I'm good.

385
00:15:32,240 --> 00:15:34,440
Speaker 4: I saw what you'd be doing to people on your podcast,

386
00:15:34,680 --> 00:15:37,240
Speaker 4: what they be showing and expressing, and I'm like, yeah,

387
00:15:37,240 --> 00:15:39,120
Speaker 4: I'm I'm just going.

388
00:15:38,640 --> 00:15:41,480
Speaker 1: Oh man, yeah, that little check out that latest moment before.

389
00:15:41,560 --> 00:15:43,880
Speaker 1: But I'm eight hundred two ninety two fifty one fifty

390
00:15:43,920 --> 00:15:45,240
Speaker 1: years a number. Call us up and tell us a

391
00:15:45,280 --> 00:15:49,040
Speaker 1: secret again. That's eight hundred nine two fifty one to fifty.

392
00:15:49,000 --> 00:15:50,840
Speaker 2: Sell us a secret, got no secrets.

393
00:15:50,880 --> 00:15:51,480
Speaker 1: It's way up.

394
00:15:51,840 --> 00:15:53,160
Speaker 2: It's a judgment free zone.

395
00:15:53,560 --> 00:15:54,480
Speaker 6: Tell us a secret.

396
00:15:55,200 --> 00:15:56,640
Speaker 1: Yes, it is way up. With Angela.

397
00:15:56,720 --> 00:15:56,880
Speaker 11: Yee?

398
00:15:56,960 --> 00:15:59,240
Speaker 1: What's up? I'm Angela yee. Mano is here?

399
00:15:59,320 --> 00:15:59,880
Speaker 6: What's hadden it?

400
00:16:00,080 --> 00:16:01,160
Speaker 1: Finess Mitchell is here.

401
00:16:01,240 --> 00:16:03,200
Speaker 4: I'm in the building, Angela. I gotta get me some

402
00:16:03,240 --> 00:16:05,160
Speaker 4: more chains to be hanging out with you. All the

403
00:16:05,240 --> 00:16:08,280
Speaker 4: dudes in here, got dj will just what everybody comes

404
00:16:08,560 --> 00:16:12,320
Speaker 4: will crazy the fiftieth anniversary holiday.

405
00:16:12,400 --> 00:16:13,600
Speaker 6: We're feeling ourselves today.

406
00:16:13,800 --> 00:16:15,680
Speaker 1: You know what it is. But let's see if y'all

407
00:16:15,680 --> 00:16:17,960
Speaker 1: feeling yourselves or right, because it is time for tell

408
00:16:18,040 --> 00:16:20,960
Speaker 1: us a secrets. Eight hundred two ninety two fifty one

409
00:16:21,040 --> 00:16:23,080
Speaker 1: fifty is a number. And y'all know the rules. Well,

410
00:16:23,080 --> 00:16:24,480
Speaker 1: I don't know if Finess knows the rules. But the

411
00:16:24,560 --> 00:16:28,320
Speaker 1: rules are you cannot judge anybody, and people remain anonymous,

412
00:16:28,320 --> 00:16:30,840
Speaker 1: so they can tell us absolutely anything, and they definitely

413
00:16:31,000 --> 00:16:33,680
Speaker 1: can and will. It's hard for me no not to judge.

414
00:16:34,400 --> 00:16:35,480
Speaker 1: He feels like it's his responcise.

415
00:16:35,560 --> 00:16:38,760
Speaker 6: I'm not a judger. I just give him real talk.

416
00:16:38,920 --> 00:16:40,600
Speaker 5: They want it, they want the real and plus a

417
00:16:40,640 --> 00:16:43,000
Speaker 5: lot of these people they want your response. They want

418
00:16:43,040 --> 00:16:45,440
Speaker 5: to know what you think about some of the things

419
00:16:45,440 --> 00:16:45,920
Speaker 5: that they've done.

420
00:16:46,000 --> 00:16:49,040
Speaker 1: Plus y'all be hyping him up in the comments. Okay

421
00:16:51,160 --> 00:16:55,880
Speaker 1: to oh gosh, fifty one fifty again anonymously, let's hear

422
00:16:55,880 --> 00:16:58,480
Speaker 1: what you have to tell us a secret? Anonymous call it?

423
00:16:58,520 --> 00:16:58,920
Speaker 1: How are you?

424
00:17:00,320 --> 00:17:00,840
Speaker 8: What's going on?

425
00:17:01,160 --> 00:17:04,080
Speaker 1: What's good? You want to tell us a secret? No judgment, guys,

426
00:17:06,600 --> 00:17:11,200
Speaker 1: So I did what ahead.

427
00:17:15,640 --> 00:17:17,560
Speaker 10: I with this girl that she burnt me.

428
00:17:17,640 --> 00:17:20,199
Speaker 8: She had the committee, so I left her alone, but

429
00:17:20,320 --> 00:17:22,919
Speaker 8: she blocked me, So I don't know. She knows she

430
00:17:23,000 --> 00:17:25,160
Speaker 8: got it, so.

431
00:17:25,320 --> 00:17:27,720
Speaker 6: She burned, she gave it to you and then blocked you.

432
00:17:28,280 --> 00:17:30,600
Speaker 8: Yeah, I left her alone before I knew.

433
00:17:31,400 --> 00:17:33,919
Speaker 1: Oh, so she blocked because you stopped talking to her.

434
00:17:34,119 --> 00:17:36,040
Speaker 6: And then she knew she gave it to him.

435
00:17:36,080 --> 00:17:38,679
Speaker 1: And then afterward, when he found out he had it.

436
00:17:39,280 --> 00:17:40,080
Speaker 2: You tried to get back.

437
00:17:41,000 --> 00:17:41,800
Speaker 1: She might have blocked him.

438
00:17:43,560 --> 00:17:46,080
Speaker 6: No, she knew, she knew. Did she know that she

439
00:17:46,119 --> 00:17:46,639
Speaker 6: gave it to you?

440
00:17:47,440 --> 00:17:49,000
Speaker 8: I don't know. I ain't talked to her.

441
00:17:49,240 --> 00:17:51,040
Speaker 1: Did she black you because you ghosted her?

442
00:17:51,600 --> 00:17:53,080
Speaker 10: Well, maybe that's what I think.

443
00:17:53,160 --> 00:17:53,639
Speaker 6: She blocked me.

444
00:17:53,640 --> 00:17:57,520
Speaker 1: So I don't know, go house, send her a cash

445
00:17:57,600 --> 00:18:00,280
Speaker 1: app request and then the cash at request be like

446
00:18:00,440 --> 00:18:02,680
Speaker 1: for the chamydia you gave me a.

447
00:18:02,600 --> 00:18:04,600
Speaker 4: Lot of women don't know they carrying a lot of

448
00:18:04,640 --> 00:18:06,120
Speaker 4: women don't know they carrying chlamydia.

449
00:18:06,960 --> 00:18:09,600
Speaker 1: Dudes know, that's how you find out if you give

450
00:18:09,600 --> 00:18:11,840
Speaker 1: it to some money and then I mean.

451
00:18:12,000 --> 00:18:16,399
Speaker 2: That's what I heard. I don't you know. I don't

452
00:18:16,400 --> 00:18:17,680
Speaker 2: know how I did.

453
00:18:18,840 --> 00:18:20,639
Speaker 1: How did you? Were you burning? Like that's how you

454
00:18:20,680 --> 00:18:21,120
Speaker 1: found out?

455
00:18:21,840 --> 00:18:24,280
Speaker 2: Now you don't burn? Well, No, I don't know, sir.

456
00:18:27,680 --> 00:18:30,200
Speaker 10: No, you can tell. You can tell when you pee,

457
00:18:30,240 --> 00:18:33,200
Speaker 10: like it's just to be coming out like two different.

458
00:18:33,880 --> 00:18:36,959
Speaker 1: Like that that happened to you, finness, Is that how

459
00:18:37,000 --> 00:18:37,280
Speaker 1: you tell?

460
00:18:38,880 --> 00:18:41,440
Speaker 4: I think I was a victim of this back in college.

461
00:18:41,720 --> 00:18:45,800
Speaker 4: And so if I remember correctly, yes, when you pee,

462
00:18:46,400 --> 00:18:50,600
Speaker 4: your your your spray can go different directions because you

463
00:18:50,600 --> 00:18:51,840
Speaker 4: you're a little pussy.

464
00:18:51,560 --> 00:18:55,439
Speaker 2: Up up top. Oh locks the urethra.

465
00:18:55,680 --> 00:18:57,120
Speaker 1: And by the way, we can't say pussy.

466
00:18:57,359 --> 00:19:00,520
Speaker 4: So I'm thinking, as I talked while.

467
00:19:00,440 --> 00:19:03,360
Speaker 10: On DM Hull, I ain't trying to reach out.

468
00:19:04,880 --> 00:19:05,240
Speaker 6: I'm good.

469
00:19:05,280 --> 00:19:07,159
Speaker 1: Now, well, at least it was terrible.

470
00:19:07,280 --> 00:19:09,959
Speaker 4: So yeah, get to take the pills for two weeks

471
00:19:10,920 --> 00:19:13,840
Speaker 4: once a day and cranberry juice.

472
00:19:13,880 --> 00:19:15,440
Speaker 2: This is what I'm hearing.

473
00:19:14,920 --> 00:19:18,440
Speaker 8: You and your butt.

474
00:19:18,600 --> 00:19:20,000
Speaker 6: You could have kept that to yourself.

475
00:19:20,040 --> 00:19:22,000
Speaker 1: A shot in your butt? Is that true?

476
00:19:22,480 --> 00:19:23,320
Speaker 2: I have no clue.

477
00:19:23,400 --> 00:19:25,600
Speaker 1: Okay, that might have been something else you had too.

478
00:19:25,800 --> 00:19:27,320
Speaker 1: All right, well, thank you for sharing.

479
00:19:28,119 --> 00:19:28,760
Speaker 2: Yeah, thank you.

480
00:19:29,560 --> 00:19:34,200
Speaker 1: And as you can see, you're not the only one. Hey,

481
00:19:34,240 --> 00:19:35,560
Speaker 1: Anonymous color, how are you.

482
00:19:36,080 --> 00:19:37,960
Speaker 8: I'm good, I'm good.

483
00:19:37,960 --> 00:19:40,040
Speaker 1: We're good here. We're not gonna judge you. We're ready

484
00:19:40,040 --> 00:19:40,840
Speaker 1: to hear your secret.

485
00:19:41,359 --> 00:19:43,399
Speaker 8: So a little while back, I had a girl that

486
00:19:43,600 --> 00:19:46,320
Speaker 8: keet it on me, and he lied about it the

487
00:19:46,320 --> 00:19:49,080
Speaker 8: whole time. So eventually I came up with the idea

488
00:19:49,680 --> 00:19:52,399
Speaker 8: that every time I see her car, I'm putting sugar in.

489
00:19:53,000 --> 00:19:54,520
Speaker 8: It might not be her car, but I don't care.

490
00:19:54,800 --> 00:19:56,160
Speaker 1: It might not be her car.

491
00:19:56,520 --> 00:19:58,680
Speaker 6: Teddy man, why would you do that?

492
00:19:59,200 --> 00:19:59,320
Speaker 11: Now?

493
00:19:59,320 --> 00:20:00,240
Speaker 10: Why would you?

494
00:20:01,520 --> 00:20:03,439
Speaker 1: The problem I have is what about all these innocent

495
00:20:03,440 --> 00:20:04,280
Speaker 1: people's cars?

496
00:20:04,720 --> 00:20:07,680
Speaker 2: It'd be all right, do you have a call?

497
00:20:08,359 --> 00:20:08,439
Speaker 11: Jo?

498
00:20:08,600 --> 00:20:08,639
Speaker 15: Do?

499
00:20:09,480 --> 00:20:11,440
Speaker 6: And so? How would you feel if somebody put sugar

500
00:20:11,440 --> 00:20:11,880
Speaker 6: in your car?

501
00:20:12,640 --> 00:20:13,760
Speaker 10: My car in the garage?

502
00:20:15,080 --> 00:20:17,560
Speaker 1: Number you didn't have a license plate number or anything

503
00:20:17,600 --> 00:20:19,720
Speaker 1: to make sure you're at least you're targeting the right person.

504
00:20:20,240 --> 00:20:22,680
Speaker 10: No, see, the only one person I know that got

505
00:20:22,760 --> 00:20:24,040
Speaker 10: like the steering will.

506
00:20:24,080 --> 00:20:26,000
Speaker 4: Okay, so let me ask you the question that we

507
00:20:26,040 --> 00:20:28,680
Speaker 4: all want to know. Are you just randomly walking around

508
00:20:28,720 --> 00:20:31,919
Speaker 4: with a pound of sugar in your pocket just in

509
00:20:31,920 --> 00:20:34,040
Speaker 4: case you run up on our car to a good point?

510
00:20:34,800 --> 00:20:37,879
Speaker 8: Nah, I'm not a lie. I keep a pound of

511
00:20:37,920 --> 00:20:39,959
Speaker 8: sugar in the back feet of my car, so if

512
00:20:39,960 --> 00:20:42,600
Speaker 8: I'm dropping around, I do see the car, it's right there.

513
00:20:43,560 --> 00:20:48,439
Speaker 1: Yes, it might be something wrong. All right, Well I

514
00:20:48,440 --> 00:20:50,440
Speaker 1: can't wait to you move on and find somebody else

515
00:20:50,440 --> 00:20:51,560
Speaker 1: so you could forget about this.

516
00:20:52,080 --> 00:20:54,520
Speaker 10: Oh I did. It's just more fun to keep messing with.

517
00:20:54,480 --> 00:20:55,560
Speaker 6: People, all right.

518
00:20:56,119 --> 00:21:00,760
Speaker 1: Well, thank you for calling. You're welcome anything anytime. Hey,

519
00:21:00,760 --> 00:21:06,120
Speaker 1: anonymous color, how are you finesse Mitchell's hair Mayno's hair.

520
00:21:06,200 --> 00:21:07,680
Speaker 1: They're not gonna judge you. Do you want to tell

521
00:21:07,720 --> 00:21:08,320
Speaker 1: us a secret?

522
00:21:08,920 --> 00:21:09,200
Speaker 3: Yeah?

523
00:21:09,440 --> 00:21:12,680
Speaker 10: Basically I had such one, of course with my b

524
00:21:12,840 --> 00:21:13,240
Speaker 10: and mother.

525
00:21:14,240 --> 00:21:16,280
Speaker 2: How did you do that with his penis?

526
00:21:16,720 --> 00:21:18,040
Speaker 5: Like? How did you get her to do that? Did

527
00:21:18,040 --> 00:21:19,919
Speaker 5: you do did you do them all both together?

528
00:21:20,720 --> 00:21:21,040
Speaker 9: No?

529
00:21:21,040 --> 00:21:21,720
Speaker 2: No, no, no, no.

530
00:21:21,760 --> 00:21:24,840
Speaker 4: Actually, my BM told me to go drop some value

531
00:21:24,880 --> 00:21:26,720
Speaker 4: off her mother, and my mother smoke.

532
00:21:26,800 --> 00:21:28,880
Speaker 10: So when I went to do it, one thing led

533
00:21:28,920 --> 00:21:29,240
Speaker 10: to another.

534
00:21:29,400 --> 00:21:30,320
Speaker 2: She gave me a compliment.

535
00:21:30,400 --> 00:21:32,680
Speaker 10: I'm a leo compliment, elite engagement.

536
00:21:33,240 --> 00:21:36,480
Speaker 2: Yeah, I'm not judge. Yeah, I'm not judge. You did

537
00:21:36,600 --> 00:21:37,800
Speaker 2: you did what you had to do.

538
00:21:37,840 --> 00:21:39,000
Speaker 1: You know you only did it once.

539
00:21:39,720 --> 00:21:43,640
Speaker 10: No, Yeah, my cousin now you car now so.

540
00:21:44,640 --> 00:21:46,679
Speaker 6: She might have to give you a legendary status. Man,

541
00:21:47,600 --> 00:21:48,440
Speaker 6: you're a legend. Man.

542
00:21:48,640 --> 00:21:49,919
Speaker 2: You introduced it to your cousin.

543
00:21:50,520 --> 00:21:51,679
Speaker 3: Yeah, yeah you did that.

544
00:21:51,840 --> 00:21:52,399
Speaker 2: Yeah wow.

545
00:21:53,240 --> 00:21:55,639
Speaker 6: Do your cousin know that you that you slammed up?

546
00:21:56,280 --> 00:21:56,720
Speaker 10: Yeah?

547
00:21:56,720 --> 00:21:59,479
Speaker 1: I told him, I'm okay, I be married here.

548
00:22:00,080 --> 00:22:01,480
Speaker 6: Okay, that's right.

549
00:22:01,680 --> 00:22:04,440
Speaker 2: Listen, man, sit family, right, they like That's right, they

550
00:22:04,520 --> 00:22:04,760
Speaker 2: like it.

551
00:22:04,880 --> 00:22:05,400
Speaker 6: We love it.

552
00:22:05,440 --> 00:22:06,679
Speaker 1: But thank you for calling.

553
00:22:06,560 --> 00:22:08,400
Speaker 2: Hope, I'm putting no sugar in your gas tank.

554
00:22:10,920 --> 00:22:11,920
Speaker 1: Thanks for sharing with all.

555
00:22:12,000 --> 00:22:13,920
Speaker 10: Love y'all, man, appreciate.

556
00:22:13,680 --> 00:22:16,640
Speaker 1: Love you too. All right, Well, that was tell us

557
00:22:16,640 --> 00:22:18,560
Speaker 1: a secret. And in case you couldn't get through, eight

558
00:22:18,640 --> 00:22:20,840
Speaker 1: hundred two ninety two fifty one fifty is a number.

559
00:22:20,920 --> 00:22:23,280
Speaker 1: Y'all did a good job of not judging. Yeah, it

560
00:22:23,320 --> 00:22:25,760
Speaker 1: was nothing to Judge Mayne, I wish you would have

561
00:22:25,760 --> 00:22:28,680
Speaker 1: shared your story also about what Comydia.

562
00:22:28,800 --> 00:22:30,040
Speaker 6: No, I don't have a story about this.

563
00:22:31,000 --> 00:22:33,159
Speaker 1: All right, when we come back, we have yet, and

564
00:22:33,240 --> 00:22:36,200
Speaker 1: let's talk about Missy Elliott. It is the fiftieth anniversary

565
00:22:36,240 --> 00:22:38,600
Speaker 1: of hip hop and she has number one on the

566
00:22:38,640 --> 00:22:41,439
Speaker 1: list of one hundred and fifty best hip Hop music videos.

567
00:22:41,440 --> 00:22:42,760
Speaker 1: Will tell you what she had to say. It's the

568
00:22:42,760 --> 00:22:43,880
Speaker 1: way you put Angela yee.

569
00:22:44,000 --> 00:22:45,720
Speaker 3: She's about to blow the lid about this fot.

570
00:22:45,800 --> 00:22:46,399
Speaker 2: Let's get it.

571
00:22:47,040 --> 00:22:50,000
Speaker 3: Angela's feeling that yet, come and get your tea.

572
00:22:50,600 --> 00:22:52,960
Speaker 1: Yes, it's the way you put Angela yee. I'm Angela Yee.

573
00:22:53,000 --> 00:22:57,800
Speaker 1: Mano is here, yeah, yes, And Vanessa Mitchell is here.

574
00:22:58,080 --> 00:23:01,479
Speaker 2: I'm Morgan Freeman and I'm here comedian.

575
00:23:04,119 --> 00:23:08,439
Speaker 4: Whoa, I'm at that Levety Live this weekend people, Yes,

576
00:23:08,480 --> 00:23:09,280
Speaker 4: West Nya.

577
00:23:09,200 --> 00:23:12,960
Speaker 1: West Nayak Friday, Saturday and Sunday in case anybody wants

578
00:23:13,000 --> 00:23:14,600
Speaker 1: to go, I'm trying to figure out which day I'm going.

579
00:23:14,800 --> 00:23:18,879
Speaker 1: But let's get into some yet, Missy Elliott. According to

580
00:23:19,359 --> 00:23:22,879
Speaker 1: the list of the best videos hip Hop videos of

581
00:23:22,920 --> 00:23:24,960
Speaker 1: all time, the one hundred and fifty greatest hit hip

582
00:23:24,960 --> 00:23:28,680
Speaker 1: Hop Videos of all time, Missy Elliott is number one,

583
00:23:29,160 --> 00:23:31,159
Speaker 1: and I think that's very well does it. Missy Elliott

584
00:23:31,200 --> 00:23:34,399
Speaker 1: used to movie like, honestly, she has the most creative videos,

585
00:23:34,480 --> 00:23:39,280
Speaker 1: her dancing and styling, all of that. Yeah, so congratulations

586
00:23:39,320 --> 00:23:42,760
Speaker 1: to her. Super Dupa Fly was the song of the

587
00:23:42,880 --> 00:23:45,320
Speaker 1: rain and she said, fun fact, I had to go

588
00:23:45,359 --> 00:23:47,560
Speaker 1: to a gas station in Brooklyn to get air in

589
00:23:47,600 --> 00:23:49,280
Speaker 1: this blow up suit and the super blew up so

590
00:23:49,320 --> 00:23:51,320
Speaker 1: big I couldn't fit in the car, so I had

591
00:23:51,359 --> 00:23:53,040
Speaker 1: to walk back to sit down the street in this

592
00:23:53,119 --> 00:23:55,280
Speaker 1: outfit in Brooklyn. Then people was riding past like she

593
00:23:55,400 --> 00:23:56,280
Speaker 1: must be high.

594
00:23:56,320 --> 00:24:00,960
Speaker 5: Wow, and it became an iconic scene that videos crazy classic.

595
00:24:01,080 --> 00:24:03,639
Speaker 1: So this is all according to Rolling Stone. So shout

596
00:24:03,640 --> 00:24:04,320
Speaker 1: out to everybody.

597
00:24:04,359 --> 00:24:06,600
Speaker 2: That was my favorite video.

598
00:24:06,520 --> 00:24:09,200
Speaker 1: And yoh yeah, that's a great video too. Now, Dune

599
00:24:09,200 --> 00:24:11,760
Speaker 1: Ambrose said, wow, well deserved, and she shout it out Missy,

600
00:24:11,840 --> 00:24:14,840
Speaker 1: Hype Williams, Mona, Scott silvi Aron and all the creators

601
00:24:14,840 --> 00:24:18,360
Speaker 1: involved in this production because clearly, you know, June Ambrose

602
00:24:18,440 --> 00:24:21,360
Speaker 1: is like the best stylist ever, so she was involved

603
00:24:21,359 --> 00:24:24,919
Speaker 1: in that too, all right. So other people on that list,

604
00:24:25,200 --> 00:24:27,320
Speaker 1: Cardi B and Meg the Stallion made the list would wop.

605
00:24:27,600 --> 00:24:29,840
Speaker 1: They were number twenty three, Missy Elliott made it again

606
00:24:29,920 --> 00:24:33,359
Speaker 1: and number twenty five would work it just as a fyi.

607
00:24:33,440 --> 00:24:35,080
Speaker 1: So congratulations to everybody.

608
00:24:35,200 --> 00:24:38,000
Speaker 4: That's when they used to spend like three million dollars

609
00:24:38,240 --> 00:24:39,120
Speaker 4: millions on video.

610
00:24:39,240 --> 00:24:42,000
Speaker 1: Man Hype Williams was caking out. Let me see that,

611
00:24:42,560 --> 00:24:45,800
Speaker 1: you see the whole list. Let me give me. Number

612
00:24:45,840 --> 00:24:48,080
Speaker 1: two was public Enemy fight the power buster rhymes, put

613
00:24:48,160 --> 00:24:49,960
Speaker 1: your hands where my eyes can see. Number four BC

614
00:24:50,080 --> 00:24:54,920
Speaker 1: Boys sabotaging, Number five outcasts Bob bombs of a bag dad.

615
00:24:55,400 --> 00:24:58,800
Speaker 1: All right, now, let's talk about your guy, one half

616
00:24:58,840 --> 00:25:01,960
Speaker 1: of the Lobby Boys, Jim Jones. He is saying that

617
00:25:02,000 --> 00:25:04,600
Speaker 1: the locks gave him COVID. Here's what he said on

618
00:25:05,080 --> 00:25:08,439
Speaker 1: the preview for Drink Champs. I called covid acting verses

619
00:25:08,480 --> 00:25:10,000
Speaker 1: after the verses on.

620
00:25:16,760 --> 00:25:17,920
Speaker 6: Top everybody.

621
00:25:19,720 --> 00:25:24,040
Speaker 1: I couldn't That's one of the funniest verses ever.

622
00:25:24,560 --> 00:25:25,720
Speaker 6: That was the biggest verses.

623
00:25:25,760 --> 00:25:30,359
Speaker 1: I think that was hilarious. Styles p was. There were

624
00:25:30,400 --> 00:25:31,480
Speaker 1: some moments in there.

625
00:25:31,880 --> 00:25:34,680
Speaker 6: That was a real moment for Out of City.

626
00:25:34,920 --> 00:25:36,719
Speaker 1: Did you watch that fins.

627
00:25:36,440 --> 00:25:38,760
Speaker 2: You know it gave me chills.

628
00:25:39,119 --> 00:25:44,359
Speaker 4: When Jada Kiss did the whole talk intro of what

629
00:25:44,440 --> 00:25:47,480
Speaker 4: I'm on my block where they be at we outside,

630
00:25:47,640 --> 00:25:50,040
Speaker 4: and then went into the actual song.

631
00:25:52,160 --> 00:25:53,080
Speaker 2: Whatever that song was.

632
00:25:53,280 --> 00:25:54,000
Speaker 6: It's a freestyle.

633
00:25:54,119 --> 00:25:54,359
Speaker 2: Yeah.

634
00:25:54,520 --> 00:25:56,560
Speaker 1: And let me tell you something too. When I remember

635
00:25:56,640 --> 00:25:59,960
Speaker 1: we had the conversation right Dipset versus the Locks before,

636
00:26:00,080 --> 00:26:02,440
Speaker 1: and I was like, I'm gonna be honest, the Lacks

637
00:26:02,480 --> 00:26:03,679
Speaker 1: are gonna be more organized.

638
00:26:03,920 --> 00:26:04,720
Speaker 2: Yeah, that's what it.

639
00:26:04,680 --> 00:26:07,720
Speaker 1: Felt like, And that's really what it. No shade to anybody,

640
00:26:07,760 --> 00:26:09,880
Speaker 1: but you know, I just found you're on.

641
00:26:09,800 --> 00:26:13,400
Speaker 4: The outside looking in and you're a fan of New

642
00:26:13,480 --> 00:26:16,480
Speaker 4: York krepop and you saw two groups like that. When

643
00:26:16,520 --> 00:26:19,320
Speaker 4: I saw Jada Kiss and his boys, I was like, oh, yeah,

644
00:26:19,359 --> 00:26:20,320
Speaker 4: they talked before.

645
00:26:20,359 --> 00:26:21,639
Speaker 2: They actually want us.

646
00:26:21,960 --> 00:26:25,520
Speaker 6: They used to performing together, they have the routine.

647
00:26:25,680 --> 00:26:27,240
Speaker 1: Wasn't performing together.

648
00:26:26,960 --> 00:26:30,080
Speaker 5: They and they probably rehearsing and stuff like that.

649
00:26:30,240 --> 00:26:34,199
Speaker 1: Right, doing what you're supposed to do, all right. And

650
00:26:34,240 --> 00:26:36,680
Speaker 1: speaking of Drinke, TAM's a con says that he wore

651
00:26:36,760 --> 00:26:40,040
Speaker 1: that fake Dior jacket. Remember he said Drio and not

652
00:26:40,119 --> 00:26:45,120
Speaker 1: Dior a lot of a lot of money. He did

653
00:26:45,119 --> 00:26:46,400
Speaker 1: it for a reason. Here's what he said.

654
00:26:47,160 --> 00:26:50,040
Speaker 6: YU want to know where did you get that Drio

655
00:26:51,600 --> 00:26:54,040
Speaker 6: rio came from? One of my Africans. I knew that

656
00:26:55,320 --> 00:26:59,440
Speaker 6: because I knew the one person to notice. And it's

657
00:26:59,480 --> 00:27:03,120
Speaker 6: gonna Cat.

658
00:27:03,720 --> 00:27:05,639
Speaker 2: Yeah. Cat, I was just thinking.

659
00:27:05,400 --> 00:27:13,920
Speaker 1: That even after he gave friends watch, he con must

660
00:27:13,960 --> 00:27:14,560
Speaker 1: be stopped.

661
00:27:14,640 --> 00:27:16,200
Speaker 6: They come must be stopped.

662
00:27:16,240 --> 00:27:18,399
Speaker 1: All right, Well that is your yet and when we

663
00:27:18,440 --> 00:27:20,159
Speaker 1: come back, we have under the radar. These are the

664
00:27:20,160 --> 00:27:22,359
Speaker 1: stories that are not in the headlines, but they are

665
00:27:22,440 --> 00:27:24,600
Speaker 1: under the radar and you still need to know them anyway.

666
00:27:24,880 --> 00:27:26,879
Speaker 1: I'm Angela ye Meno and Finesse Mitchell.

667
00:27:27,440 --> 00:27:27,880
Speaker 3: News.

668
00:27:27,880 --> 00:27:30,639
Speaker 7: This in the news that relates to you. These stories

669
00:27:30,720 --> 00:27:32,040
Speaker 7: are flying under the radar.

670
00:27:32,920 --> 00:27:35,160
Speaker 1: Yes, it is way up with Angela Yee. I'm Angela

671
00:27:35,240 --> 00:27:39,280
Speaker 1: Yee Mano is here, Faness Mitchell is here.

672
00:27:39,560 --> 00:27:42,800
Speaker 2: Shut out to Mount Vernon, all the cousins, Judy Brown,

673
00:27:42,920 --> 00:27:44,240
Speaker 2: Charlie Brown, Benny Brown.

674
00:27:44,480 --> 00:27:50,320
Speaker 1: Okay, Charlie Brown, sir, I mean yes, ma'am, all right,

675
00:27:50,320 --> 00:27:52,080
Speaker 1: and let's get into some of these under the radar

676
00:27:52,119 --> 00:27:54,280
Speaker 1: stories now in honor of tell us a secret today

677
00:27:54,320 --> 00:27:57,199
Speaker 1: the guy who called in who had chlamydia uh s

678
00:27:57,280 --> 00:28:00,080
Speaker 1: t I. Sexually transmitted infections are on the rise in

679
00:28:00,119 --> 00:28:02,560
Speaker 1: the United States. But now there is a pill that

680
00:28:02,600 --> 00:28:05,240
Speaker 1: you can take after sex. It can help slow them down.

681
00:28:05,840 --> 00:28:09,800
Speaker 1: It's called doxy cycling, and it's a class of medications that's.

682
00:28:09,640 --> 00:28:10,760
Speaker 6: Traditionally used.

683
00:28:12,880 --> 00:28:21,359
Speaker 1: What issues, that's it. Traditionally it's been used to treat

684
00:28:21,400 --> 00:28:25,480
Speaker 1: bacterial sdis after you've been infected. But research suggests that

685
00:28:25,560 --> 00:28:27,280
Speaker 1: if you take a dose of that drug, it can

686
00:28:27,320 --> 00:28:29,760
Speaker 1: help prevent infections among men who have sex with men

687
00:28:30,280 --> 00:28:34,679
Speaker 1: if taken with it, it's taken within seventy two hours

688
00:28:34,720 --> 00:28:40,560
Speaker 1: after to say, I was waiting for that. Okay. So

689
00:28:40,640 --> 00:28:42,560
Speaker 1: the number of simplest cases in the US are at

690
00:28:42,560 --> 00:28:44,880
Speaker 1: their highest level in over fifty years, by the way,

691
00:28:45,000 --> 00:28:49,040
Speaker 1: so this is something that perhaps can be done. And

692
00:28:49,080 --> 00:28:52,080
Speaker 1: they've been still doing studies on this. So we're just uh,

693
00:28:52,600 --> 00:28:55,240
Speaker 1: you know, keeping you guys aware on how can be

694
00:28:55,280 --> 00:28:56,880
Speaker 1: helped doxy cycling.

695
00:28:56,960 --> 00:28:58,800
Speaker 2: Yeah, that's it. That's the committee.

696
00:29:00,080 --> 00:29:02,600
Speaker 1: They can now prevent commydia, gunnaria, syphilis, and gay and

697
00:29:02,600 --> 00:29:07,840
Speaker 1: bisexual men and trans women. All right, strikings, striking screenwriters

698
00:29:07,840 --> 00:29:11,280
Speaker 1: will resume negotiations with studios, and that's going to happen today,

699
00:29:11,440 --> 00:29:14,120
Speaker 1: thank goodness. All Right, So, the Writers Guild of America

700
00:29:14,160 --> 00:29:16,640
Speaker 1: sent a message to their members yesterday saying they expect

701
00:29:16,640 --> 00:29:19,680
Speaker 1: the studios will respond to their proposals. They met last

702
00:29:19,680 --> 00:29:23,680
Speaker 1: week to discuss possibly restarting negotiations, but no dates were

703
00:29:23,680 --> 00:29:26,800
Speaker 1: immediately set, and so now they set. Our committee returns

704
00:29:26,840 --> 00:29:28,800
Speaker 1: to the bargaining table, ready to make a fair deal,

705
00:29:28,840 --> 00:29:33,240
Speaker 1: knowing the unified WGA membership stands behind us, and also

706
00:29:33,320 --> 00:29:36,000
Speaker 1: from the ongoing support of our union allies. So it's

707
00:29:36,040 --> 00:29:38,960
Speaker 1: been one hundred and one days since screenwriters have been

708
00:29:39,000 --> 00:29:39,680
Speaker 1: on strike.

709
00:29:39,880 --> 00:29:41,760
Speaker 2: Pray for is Jesus getting rough.

710
00:29:42,160 --> 00:29:46,640
Speaker 4: Actors guils, screenwriters guil. We all stand in solidarity. There's

711
00:29:46,760 --> 00:29:50,320
Speaker 4: no way you can have AI write the scripts the

712
00:29:51,160 --> 00:29:55,840
Speaker 4: on camera look alikes because they copied your face and

713
00:29:55,880 --> 00:29:56,840
Speaker 4: your image.

714
00:29:56,520 --> 00:30:02,480
Speaker 2: And then when your stuff gets when when the stud when.

715
00:30:02,320 --> 00:30:06,240
Speaker 4: The things you write get renegotiated to a streamer when

716
00:30:06,280 --> 00:30:09,720
Speaker 4: you wrote it for CBS and you get a very small.

717
00:30:09,480 --> 00:30:13,800
Speaker 1: Check, right but one Yeah, it's like a whole separate deal.

718
00:30:14,120 --> 00:30:17,720
Speaker 1: It should be to come back to the table figure out.

719
00:30:17,560 --> 00:30:18,120
Speaker 6: How this works.

720
00:30:18,360 --> 00:30:21,400
Speaker 4: It's so and it's like the music biz that the

721
00:30:21,560 --> 00:30:24,800
Speaker 4: streamers will say, well, we don't know how we're getting.

722
00:30:24,960 --> 00:30:27,840
Speaker 4: We don't know either how much money we're making. A guess,

723
00:30:27,920 --> 00:30:28,880
Speaker 4: yes you do, you know?

724
00:30:29,240 --> 00:30:31,880
Speaker 1: Lots and the fact that Billy Porter had to actually

725
00:30:32,240 --> 00:30:35,040
Speaker 1: sell he has to sell his house. I mean that's

726
00:30:35,280 --> 00:30:38,280
Speaker 1: I look at him as somebody who's very successful, and

727
00:30:38,360 --> 00:30:40,680
Speaker 1: so it just goes to show you like people are like, oh,

728
00:30:40,720 --> 00:30:42,760
Speaker 1: we don't care about these rich people problems. No, it's

729
00:30:43,320 --> 00:30:45,880
Speaker 1: everybody is not making the money that everybody are making.

730
00:30:46,400 --> 00:30:49,560
Speaker 4: That is the main thing. Everybody's not making the money

731
00:30:49,600 --> 00:30:51,640
Speaker 4: that people are making. Instagram and all that stuff. The

732
00:30:51,640 --> 00:30:54,080
Speaker 4: pictures are nice, but it's not what the monthly in.

733
00:30:55,880 --> 00:30:59,000
Speaker 1: Rich all right now, speaking are rich. There's a deal

734
00:30:59,040 --> 00:31:02,640
Speaker 1: that is bringing together six powerhouse labels under one umbrella.

735
00:31:03,000 --> 00:31:08,120
Speaker 1: Coach is the parent company and they're acquiring Versace, Michael Cors,

736
00:31:08,160 --> 00:31:11,360
Speaker 1: Jimmy Two, Kate SPADs, do It, Whitesman, all of them

737
00:31:11,680 --> 00:31:16,400
Speaker 1: are gonna be together. So Coach, So Tapestry, that's the

738
00:31:16,480 --> 00:31:19,320
Speaker 1: luxury conglomerate headquartered in New York City, has announced its

739
00:31:19,360 --> 00:31:22,600
Speaker 1: plans to acquire Capri Holding, that's a competitor. It's an

740
00:31:22,640 --> 00:31:26,520
Speaker 1: eight point five billion dollar deal. By the way, So Coach,

741
00:31:26,600 --> 00:31:29,240
Speaker 1: Kate Spade, and Stuart Wissman are all owned by Tapestry,

742
00:31:29,480 --> 00:31:32,160
Speaker 1: and then Capri owns Versace, Michael Cors and Jimmy Chwo.

743
00:31:32,640 --> 00:31:35,320
Speaker 1: So now they're all going to be under this Tapestry umbrella.

744
00:31:35,680 --> 00:31:39,320
Speaker 1: So they did announce this acquisition yesterday after the merger

745
00:31:39,440 --> 00:31:40,120
Speaker 1: was approved.

746
00:31:40,400 --> 00:31:43,640
Speaker 4: So yeah, I watch people still pay triple for the

747
00:31:43,720 --> 00:31:46,200
Speaker 4: Versace and Jimmy Choo, but it's all owned by Coach

748
00:31:47,080 --> 00:31:47,920
Speaker 4: if that make any sense.

749
00:31:47,920 --> 00:31:49,880
Speaker 6: Well, yeah, the parent label of Coach.

750
00:31:49,960 --> 00:31:52,320
Speaker 1: Yeah yeah, the parent Tapestry. Now it's all under the

751
00:31:52,360 --> 00:31:55,920
Speaker 1: same umbrella. So there you have it, all right, and

752
00:31:55,960 --> 00:31:57,640
Speaker 1: that is you're under the radar now.

753
00:31:57,680 --> 00:31:57,840
Speaker 6: You know.

754
00:31:57,880 --> 00:31:59,480
Speaker 1: We got the Way Up mix at the top of

755
00:31:59,520 --> 00:32:02,640
Speaker 1: the hour plus it is the fiftieth anniversary of Hip

756
00:32:02,680 --> 00:32:05,160
Speaker 1: Hop and Fab five Freddy is going to be joining

757
00:32:05,240 --> 00:32:09,040
Speaker 1: us today Legend alongside the New York Public Libraries doctor

758
00:32:09,080 --> 00:32:12,600
Speaker 1: Brandy McNeill. They have this whole fiftieth anniversary initiative going

759
00:32:12,640 --> 00:32:15,600
Speaker 1: on at the New York Public Library as well. All right,

760
00:32:15,600 --> 00:32:16,960
Speaker 1: it's way up at Angela yee.

761
00:32:17,280 --> 00:32:21,440
Speaker 7: This says the rooms from Industry Shade to all the

762
00:32:21,520 --> 00:32:23,640
Speaker 7: gossip out Angelas.

763
00:32:23,200 --> 00:32:23,720
Speaker 3: Spieling that.

764
00:32:25,800 --> 00:32:27,960
Speaker 1: Yes, it is way up at Angela yee. I'm Angela

765
00:32:28,040 --> 00:32:31,760
Speaker 1: ye and Maino is here now, Mana and stand up

766
00:32:31,800 --> 00:32:35,480
Speaker 1: comic actor author host Vaness Mitchell is here.

767
00:32:35,560 --> 00:32:37,480
Speaker 2: I'm in the building. What's up, everybody?

768
00:32:37,600 --> 00:32:38,120
Speaker 1: What's up?

769
00:32:38,440 --> 00:32:38,680
Speaker 3: Now?

770
00:32:38,760 --> 00:32:41,360
Speaker 1: Let's get into some yet. Chris Tecker has announced his

771
00:32:41,400 --> 00:32:44,400
Speaker 1: first in of comedy tour in over a decade. It's

772
00:32:44,400 --> 00:32:45,440
Speaker 1: called Legend Tour.

773
00:32:45,720 --> 00:32:45,960
Speaker 12: Man.

774
00:32:47,280 --> 00:32:49,840
Speaker 1: It's a thirty city comedy tour and he's gonna be

775
00:32:49,920 --> 00:32:53,360
Speaker 1: kicking that off September eighth in North Charleston, South Carolina,

776
00:32:53,880 --> 00:32:59,080
Speaker 1: Sat Prime, SAT Time. That's clearly Chris Tucker here in

777
00:32:59,080 --> 00:33:03,080
Speaker 1: the studio with us, all right. Now, next up, Tyrese.

778
00:33:03,320 --> 00:33:05,959
Speaker 1: He's been having some issues and he's suing Home Depot

779
00:33:06,000 --> 00:33:10,280
Speaker 1: for one million dollars. He said it's racial profiling. He

780
00:33:10,320 --> 00:33:12,480
Speaker 1: went to go to the store and he has two

781
00:33:12,520 --> 00:33:16,680
Speaker 1: other plaintiffs, Eric Mora and Manuel Hernandez, and they're saying

782
00:33:16,720 --> 00:33:20,000
Speaker 1: that he spent at Home Depot locations about a million

783
00:33:20,040 --> 00:33:22,160
Speaker 1: dollars in his lifetime. He wants that money in addition

784
00:33:22,200 --> 00:33:25,920
Speaker 1: to punitive damages and a declaratory judgment declaring that Home

785
00:33:25,960 --> 00:33:30,280
Speaker 1: Depot's actions violated California's Civil Rights Act.

786
00:33:31,480 --> 00:33:32,760
Speaker 6: You're fighting for his rights, man.

787
00:33:32,840 --> 00:33:34,280
Speaker 2: Now, if you want to know what happened, you want

788
00:33:34,280 --> 00:33:35,520
Speaker 2: the money back that he already spent.

789
00:33:35,640 --> 00:33:39,400
Speaker 1: Yes, according to tyren Tom. He said that he waited

790
00:33:39,400 --> 00:33:41,760
Speaker 1: in the vehicle for these two guys to complete their

791
00:33:41,760 --> 00:33:45,720
Speaker 1: transaction with his credit card, and because fans started to

792
00:33:45,800 --> 00:33:48,080
Speaker 1: notice that Tyrese was in the store, so he said

793
00:33:48,080 --> 00:33:49,800
Speaker 1: he told the cashier that he would allow them to

794
00:33:49,880 --> 00:33:52,120
Speaker 1: use his card to complete the purchase, but the cashier

795
00:33:52,200 --> 00:33:55,760
Speaker 1: refused even after Tyrese came back in the store. All right,

796
00:33:55,760 --> 00:33:58,520
Speaker 1: here's what he had to say on his Live I

797
00:33:58,680 --> 00:33:59,480
Speaker 1: was just in.

798
00:33:59,360 --> 00:34:00,200
Speaker 2: Your store, ma'am.

799
00:34:00,280 --> 00:34:03,800
Speaker 16: If you're gonna talk to your manager, if you're gonna

800
00:34:03,800 --> 00:34:06,400
Speaker 16: talk to your manager, tell your manager the truth. I

801
00:34:06,480 --> 00:34:09,360
Speaker 16: was just in the store and I gave my guys

802
00:34:09,480 --> 00:34:12,480
Speaker 16: my credit card in front of your staff and team member,

803
00:34:12,719 --> 00:34:14,959
Speaker 16: and I walked off. Don't say that I'm not there

804
00:34:14,960 --> 00:34:17,480
Speaker 16: with no ID. You can pull up the cameras. I

805
00:34:17,520 --> 00:34:22,920
Speaker 16: was there five minutes ago. This is completely unnecessary.

806
00:34:22,960 --> 00:34:23,160
Speaker 11: Man.

807
00:34:23,280 --> 00:34:25,719
Speaker 16: Should I have the CEO of Home Depot to call

808
00:34:25,760 --> 00:34:26,320
Speaker 16: you tomorrow?

809
00:34:26,560 --> 00:34:27,720
Speaker 6: Because he's my neighbor.

810
00:34:27,880 --> 00:34:32,359
Speaker 2: He's my nelighbor in Atlanta, Big flex, real, big flex.

811
00:34:32,480 --> 00:34:35,400
Speaker 1: Yes, he posted this on YouTube so people could see

812
00:34:35,440 --> 00:34:39,920
Speaker 1: what happened the neighbor. Okay, don't make me listen.

813
00:34:41,120 --> 00:34:42,440
Speaker 6: We should go to Louis Vuitton.

814
00:34:42,640 --> 00:34:44,880
Speaker 5: You should pull up over there and you hand me

815
00:34:44,960 --> 00:34:48,479
Speaker 5: your credit card and see if you know swipe something.

816
00:34:48,760 --> 00:34:50,719
Speaker 1: Listen, I knock him out.

817
00:34:50,760 --> 00:34:54,080
Speaker 3: Please come and knock.

818
00:34:53,920 --> 00:34:55,200
Speaker 6: Lay No out.

819
00:34:55,320 --> 00:34:58,319
Speaker 4: I love home Depot. I live in home Depot. I'm

820
00:34:58,400 --> 00:35:02,839
Speaker 4: always there. There are not that many people in home

821
00:35:02,920 --> 00:35:07,080
Speaker 4: Depot where you're going to feel overwhelmed as a shopper.

822
00:35:07,560 --> 00:35:09,759
Speaker 4: So I don't know why you would even be like, oh,

823
00:35:09,800 --> 00:35:12,239
Speaker 4: it's too many fans. I'm gonna just go back to

824
00:35:12,280 --> 00:35:14,360
Speaker 4: the car, because.

825
00:35:14,640 --> 00:35:18,120
Speaker 1: Fairness, deepot do we crowded on the weekends when everybody's

826
00:35:18,120 --> 00:35:19,480
Speaker 1: doing their home projects.

827
00:35:19,840 --> 00:35:21,600
Speaker 6: Fight and New York.

828
00:35:21,400 --> 00:35:25,719
Speaker 1: Home Depot is lit? Oh yeah, not in Jersey. It's

829
00:35:25,719 --> 00:35:28,359
Speaker 1: lit because we don't have that many of them, all right.

830
00:35:28,440 --> 00:35:32,480
Speaker 1: And I'm still alive, a little tay. There were reports

831
00:35:32,520 --> 00:35:35,040
Speaker 1: that her and her brother were dead, but apparently they

832
00:35:35,080 --> 00:35:36,400
Speaker 1: are safe.

833
00:35:36,640 --> 00:35:39,800
Speaker 6: So this was it, This was a prank.

834
00:35:40,520 --> 00:35:45,200
Speaker 1: I'm still alive. So apparently according to what they're saying.

835
00:35:45,200 --> 00:35:48,440
Speaker 1: There's a statement that was provided to TMZ and she

836
00:35:48,600 --> 00:35:51,600
Speaker 1: said that those reports of her death were false. She

837
00:35:51,719 --> 00:35:56,319
Speaker 1: also confirmed her brother was alive, and apparently they said

838
00:35:56,320 --> 00:35:59,080
Speaker 1: their Instagram account was compromised by a third party and

839
00:35:59,200 --> 00:36:02,799
Speaker 1: used to spread jars, misinformation and rumors so much so

840
00:36:02,880 --> 00:36:04,600
Speaker 1: to the point she said that even my name is wrong,

841
00:36:04,640 --> 00:36:07,120
Speaker 1: my leg my legal name is at I not clear hope.

842
00:36:08,320 --> 00:36:12,920
Speaker 4: Oh yeah, this girl, yeah, she was she was pronounced I.

843
00:36:12,840 --> 00:36:14,640
Speaker 1: Don't know that she was pronounced it.

844
00:36:14,800 --> 00:36:17,120
Speaker 6: But yeah, yeah, yeah, yeah, we reported on it.

845
00:36:17,560 --> 00:36:19,680
Speaker 1: I'm still alive.

846
00:36:20,600 --> 00:36:25,400
Speaker 4: You know what, somebody probably said, yo, that that girl

847
00:36:25,440 --> 00:36:28,120
Speaker 4: and the girl who said she saw the baby and

848
00:36:28,239 --> 00:36:32,120
Speaker 4: had to go save the baby in Alabama. Yes, yes,

849
00:36:32,280 --> 00:36:34,279
Speaker 4: somebody probably had a long talk with her and said, yo,

850
00:36:34,600 --> 00:36:35,080
Speaker 4: go to jail.

851
00:36:35,160 --> 00:36:38,879
Speaker 1: Charlie Russell, Yeah, yeah, it takes former manager, by the way,

852
00:36:39,120 --> 00:36:42,959
Speaker 1: is not buying that her social media was hacked, he said,

853
00:36:43,200 --> 00:36:45,440
Speaker 1: because originally he said, I think she's still alive and

854
00:36:45,480 --> 00:36:48,000
Speaker 1: I think it was fake. And he said, I don't

855
00:36:48,000 --> 00:36:50,520
Speaker 1: believe anything that they say about the hacking. I'm glad

856
00:36:50,520 --> 00:36:53,719
Speaker 1: that she's okay. So that's his response. And I saw

857
00:36:53,760 --> 00:36:57,200
Speaker 1: when he first said to be wary of following this

858
00:36:57,239 --> 00:36:59,279
Speaker 1: story when it was saying that.

859
00:37:00,000 --> 00:37:01,680
Speaker 5: It was funny because the police was like, we don't

860
00:37:01,719 --> 00:37:04,879
Speaker 5: have no record of nobody with that name doing she.

861
00:37:04,880 --> 00:37:05,520
Speaker 2: Owe him money.

862
00:37:05,520 --> 00:37:07,680
Speaker 1: That's why he said, all right, Well, that is your

863
00:37:07,760 --> 00:37:09,320
Speaker 1: yet and you know it's a Friday, so you know

864
00:37:09,360 --> 00:37:12,680
Speaker 1: what that means. There's new music out and I love that.

865
00:37:12,840 --> 00:37:15,080
Speaker 1: Faness and Maynor have been talking about music behind the

866
00:37:15,080 --> 00:37:17,680
Speaker 1: scenes all morning and we're gonna bring that fascinating you

867
00:37:17,719 --> 00:37:20,560
Speaker 1: guys this afternoon. New music Friday when we come back.

868
00:37:20,800 --> 00:37:23,320
Speaker 1: It's the way you put Angela Yee.

869
00:37:24,239 --> 00:37:25,759
Speaker 3: You've gotten the way up with Angela Ye.

870
00:37:28,239 --> 00:37:30,920
Speaker 1: Yes, it is way up. Put Angela Yee on a Friday,

871
00:37:31,560 --> 00:37:35,760
Speaker 1: and I'm here with Maino and Vanessa Mitchell.

872
00:37:35,960 --> 00:37:40,399
Speaker 4: Yes, yes, you shout out to all the noops out there, Yo, yo,

873
00:37:40,920 --> 00:37:43,000
Speaker 4: see y'all. If y'all in the New York City area

874
00:37:43,320 --> 00:37:47,879
Speaker 4: over there and West Nayak devity live Ka can't even

875
00:37:47,920 --> 00:37:51,120
Speaker 4: say because West Nayak. If you got a good car,

876
00:37:51,120 --> 00:37:54,400
Speaker 4: come to West Nayak tonight tomorrow Sunday and comedy shows.

877
00:37:54,480 --> 00:37:55,920
Speaker 2: Yeah, good car, if you could make it out there

878
00:37:55,960 --> 00:37:57,719
Speaker 2: and make it break down.

879
00:37:58,000 --> 00:38:01,200
Speaker 4: Oh yeah, Uber, Uber, come on, come out, dare gets

880
00:38:01,239 --> 00:38:03,040
Speaker 4: you drinks, get your laugh phonelet's have a good time.

881
00:38:03,080 --> 00:38:04,239
Speaker 3: I'm in the city, all right.

882
00:38:04,320 --> 00:38:08,040
Speaker 1: Well, if you want to buy some CDs today, right CDs?

883
00:38:08,360 --> 00:38:10,160
Speaker 1: Remember people used to actually go to the.

884
00:38:10,200 --> 00:38:15,920
Speaker 2: Stars the show. You know, no more of that now

885
00:38:15,960 --> 00:38:18,879
Speaker 2: you give them thumb drives in QR code.

886
00:38:19,120 --> 00:38:23,000
Speaker 1: Okay, Well, new music that's out today, all right. So

887
00:38:23,200 --> 00:38:26,560
Speaker 1: Reason has an album out today. It's called Porches, and

888
00:38:26,640 --> 00:38:28,560
Speaker 1: of course we got to play some reason. Here is

889
00:38:28,680 --> 00:38:29,840
Speaker 1: Gina august Alsina.

890
00:38:30,719 --> 00:38:33,560
Speaker 5: Hey, triple Mam, want just to double.

891
00:38:33,360 --> 00:38:35,759
Speaker 17: The salary, and now they tell me they're proud of me.

892
00:38:36,719 --> 00:38:37,360
Speaker 2: That's what like that?

893
00:38:37,400 --> 00:38:37,839
Speaker 6: I like that?

894
00:38:38,040 --> 00:38:39,480
Speaker 1: Yes, the reason. I think he's going to be here

895
00:38:39,600 --> 00:38:41,680
Speaker 1: next week. We were trying to get him up here before.

896
00:38:42,040 --> 00:38:44,080
Speaker 2: And did you say August I was on that.

897
00:38:44,239 --> 00:38:48,560
Speaker 1: No, it's called Gina august Alsina. Okay. Also out today

898
00:38:48,600 --> 00:38:52,719
Speaker 1: Trippy Read a Love Letter to You five and here

899
00:38:52,960 --> 00:38:55,960
Speaker 1: is this song featuring Little Wayne. It's called I'm Mad

900
00:38:56,000 --> 00:38:56,200
Speaker 1: at Me.

901
00:38:57,000 --> 00:39:00,279
Speaker 5: Your birthday suit is real fashionable. I'm willing to let

902
00:39:00,280 --> 00:39:01,680
Speaker 5: the past just be the past with.

903
00:39:01,680 --> 00:39:05,880
Speaker 1: You because he's all right. Also out today is Ride

904
00:39:05,920 --> 00:39:09,560
Speaker 1: forty nine for God Too, and this song is viral

905
00:39:09,640 --> 00:39:10,600
Speaker 1: featuring Little Dirk.

906
00:39:11,320 --> 00:39:12,560
Speaker 3: Why do you say silent?

907
00:39:13,000 --> 00:39:14,080
Speaker 6: I know you who is lying?

908
00:39:14,520 --> 00:39:18,520
Speaker 1: I can from the alright, that's a deluxe version. He's

909
00:39:18,520 --> 00:39:22,480
Speaker 1: from New Orleans. Also d Perico seven figures later, no

910
00:39:22,640 --> 00:39:28,879
Speaker 1: name Sundal is out today and Carol g Maniana. All right.

911
00:39:28,960 --> 00:39:30,719
Speaker 1: You know we've been playing a new single from DJ

912
00:39:30,800 --> 00:39:32,920
Speaker 1: Kelly featuring a Little Baby featuring Little Uzzi Ver It's

913
00:39:32,920 --> 00:39:36,280
Speaker 1: supposed to be loved all morning. That was our premiere

914
00:39:36,440 --> 00:39:39,960
Speaker 1: this morning. Also, French Montana got a new song out.

915
00:39:40,000 --> 00:39:51,879
Speaker 1: It's called Good Summer Tuesday. Okay, you like that. That's

916
00:39:51,920 --> 00:39:53,160
Speaker 1: a a good sumthing that.

917
00:39:53,280 --> 00:39:54,920
Speaker 6: New Orleans belts.

918
00:39:55,640 --> 00:39:59,600
Speaker 1: And then I got a little dance tall vibe to it,

919
00:40:00,080 --> 00:40:03,239
Speaker 1: so out today. Miguel and Little YACHTI number nine, that

920
00:40:03,360 --> 00:40:08,200
Speaker 1: single is out, uh Bea and Luciano Mommy Doodle, I

921
00:40:08,239 --> 00:40:10,760
Speaker 1: mean at I got a wire on yours.

922
00:40:11,040 --> 00:40:12,400
Speaker 3: I'm with a gang in this plural.

923
00:40:12,640 --> 00:40:13,960
Speaker 1: Ok get it.

924
00:40:14,000 --> 00:40:18,359
Speaker 2: Beer, I love people. I love that sound, that voice. Yeah,

925
00:40:18,480 --> 00:40:20,200
Speaker 2: you know that float is dope.

926
00:40:20,239 --> 00:40:21,960
Speaker 1: What do you say behind it? She just like sexy,

927
00:40:22,000 --> 00:40:23,680
Speaker 1: a little dirty, like a little.

928
00:40:26,040 --> 00:40:31,759
Speaker 4: Yeah, it's like a dirty, dirty shat day.

929
00:40:31,800 --> 00:40:32,279
Speaker 6: We like that.

930
00:40:32,440 --> 00:40:35,840
Speaker 1: Be A also Sata Baby, Fresh Sauce, Walker, Dat Boyden,

931
00:40:36,040 --> 00:40:39,799
Speaker 1: Money Man Fair, No Man, Heat, Bigger than Everything, and

932
00:40:40,360 --> 00:40:48,880
Speaker 1: es t G and Yogati Moments Bugatti. Listen, faness. We

933
00:40:48,920 --> 00:40:50,560
Speaker 1: want to make sure you know about all the new music.

934
00:40:50,600 --> 00:40:51,160
Speaker 10: At all time.

935
00:40:51,280 --> 00:40:54,360
Speaker 1: So every Friday, I'm going to FaceTime you and play

936
00:40:54,400 --> 00:40:55,280
Speaker 1: segment of the show.

937
00:40:55,440 --> 00:40:57,439
Speaker 2: Yes, and I'm gonna do some research, uh.

938
00:40:57,800 --> 00:40:59,560
Speaker 1: Because Vanessa will be like, I don't know and then

939
00:40:59,600 --> 00:41:01,960
Speaker 1: you play, oh yeah you know that is yeah, but

940
00:41:02,040 --> 00:41:03,520
Speaker 1: a lot of people are like that, Yeah.

941
00:41:03,560 --> 00:41:11,240
Speaker 2: You don't know the names. Yeah, you don't know the songs.

942
00:41:09,160 --> 00:41:10,600
Speaker 1: When we want to come when we come back, we

943
00:41:10,600 --> 00:41:13,719
Speaker 1: want to make sure people know Faness Mitchell. So, Mana,

944
00:41:13,800 --> 00:41:15,840
Speaker 1: we're gonna have a talk with Finesse. We told finess

945
00:41:15,880 --> 00:41:17,560
Speaker 1: a lot about you. Now we're going to hear a

946
00:41:17,600 --> 00:41:21,800
Speaker 1: lot about him. What I say, I said, google don't okay,

947
00:41:21,880 --> 00:41:24,399
Speaker 1: don't google. Don't google Mano. But when we come back,

948
00:41:24,440 --> 00:41:27,000
Speaker 1: you can google Faness Mitchell and you'll see all great things.

949
00:41:27,280 --> 00:41:36,160
Speaker 1: It's the way Up with Angela yeey.

950
00:41:32,600 --> 00:41:37,200
Speaker 3: She back at it, bringing up with Angela ye is on.

951
00:41:37,760 --> 00:41:40,200
Speaker 1: Yes, it is way up with Angela Yee. I'm Angela Yee.

952
00:41:40,520 --> 00:41:44,839
Speaker 1: Mano is here. You know what's so funny about this?

953
00:41:44,840 --> 00:41:47,640
Speaker 1: This is the break because Vaness Mitchell has been a

954
00:41:47,800 --> 00:41:50,840
Speaker 1: guest hosting This Morning. He's a very funny comedian. He

955
00:41:50,840 --> 00:41:54,279
Speaker 1: actually was a cast member on SNL previously, also, and

956
00:41:54,320 --> 00:41:56,399
Speaker 1: then you know, he does stand up and now we're

957
00:41:56,440 --> 00:41:58,239
Speaker 1: doing a break all about Finesse and he goes to

958
00:41:58,280 --> 00:41:58,840
Speaker 1: the bathroom.

959
00:41:59,080 --> 00:42:04,920
Speaker 4: Yeah, because it was a break, but he's real break. Hey, Finesse,

960
00:42:05,400 --> 00:42:06,160
Speaker 4: what's up, Angela?

961
00:42:06,239 --> 00:42:07,520
Speaker 2: How are you main something?

962
00:42:07,520 --> 00:42:07,800
Speaker 6: Homie?

963
00:42:08,480 --> 00:42:10,200
Speaker 1: All right, so, fess I want to make sure people

964
00:42:10,280 --> 00:42:12,799
Speaker 1: know your whole story too. Just as far as you

965
00:42:12,920 --> 00:42:16,000
Speaker 1: as you're from Atlanta, I'm from the atl Yeah, you're

966
00:42:16,000 --> 00:42:17,080
Speaker 1: from the atl I thought I.

967
00:42:17,000 --> 00:42:19,880
Speaker 4: Was gonna play professional football. I went to the University

968
00:42:19,880 --> 00:42:23,000
Speaker 4: of Miami on a walk on scholarship. That did not

969
00:42:23,120 --> 00:42:26,680
Speaker 4: happen because they played football for real. They were very

970
00:42:26,719 --> 00:42:29,880
Speaker 4: fast and huge, and I realized I didn't want to

971
00:42:29,880 --> 00:42:31,879
Speaker 4: get hit like that. And practicing that hot heat.

972
00:42:32,200 --> 00:42:33,240
Speaker 1: Well, it all worked out.

973
00:42:33,160 --> 00:42:35,000
Speaker 4: It all worked out. I thought I was gonna be

974
00:42:35,040 --> 00:42:37,000
Speaker 4: a rapper. I started interning that Luke.

975
00:42:36,840 --> 00:42:40,440
Speaker 1: Records, you Internet, Luke Records?

976
00:42:40,520 --> 00:42:45,200
Speaker 2: What doing the Heyday Hazy Ahead a time, I.

977
00:42:45,160 --> 00:42:48,200
Speaker 4: Was in charge of putting h Town in confidence and

978
00:42:48,600 --> 00:42:52,320
Speaker 4: Best Westerns and and well.

979
00:42:52,160 --> 00:42:53,959
Speaker 1: That tell us a secret makes so much more sense

980
00:42:54,000 --> 00:42:54,440
Speaker 1: now for her.

981
00:42:57,239 --> 00:43:00,400
Speaker 2: You do your promo tour, and I was putting them

982
00:43:00,400 --> 00:43:01,120
Speaker 2: in nice hotels.

983
00:43:01,160 --> 00:43:04,560
Speaker 4: I'll never get hey, you Hey, you standing there too.

984
00:43:04,600 --> 00:43:07,080
Speaker 4: He gave me a list and the.

985
00:43:07,080 --> 00:43:13,200
Speaker 1: Comfort in yeah and h Town knocking the Boy, that's

986
00:43:13,200 --> 00:43:14,000
Speaker 1: a classic song.

987
00:43:14,120 --> 00:43:17,560
Speaker 4: And I was so with the Diddy people and the

988
00:43:17,719 --> 00:43:20,799
Speaker 4: faced people. They all wanted our gear because of course

989
00:43:20,880 --> 00:43:24,720
Speaker 4: Luke had these peak show trinkets and stuff and posts

990
00:43:24,719 --> 00:43:26,560
Speaker 4: and them. So I would just trade with whoever was

991
00:43:26,600 --> 00:43:28,440
Speaker 4: in my position at different record companies.

992
00:43:28,880 --> 00:43:30,520
Speaker 2: You know, I tried to be a rapper that work out.

993
00:43:30,560 --> 00:43:32,600
Speaker 2: Then I was telling one what type.

994
00:43:32,400 --> 00:43:35,399
Speaker 1: Of rap was it? Like, what would you have categorizing?

995
00:43:36,760 --> 00:43:39,359
Speaker 1: Like do it do a little verse for us?

996
00:43:41,000 --> 00:43:46,040
Speaker 4: I'm the FI, I'm the F I N the double

997
00:43:46,160 --> 00:43:48,480
Speaker 4: s C. I'm impressive and ladies find me hard to

998
00:43:48,520 --> 00:43:51,240
Speaker 4: handle because I'm aggressive. And if you can't handle aggression,

999
00:43:51,280 --> 00:43:53,239
Speaker 4: then see you because I'm gonna keep on stepping. And

1000
00:43:53,239 --> 00:43:55,239
Speaker 4: grew up quick from an age because of my past

1001
00:43:55,280 --> 00:43:56,920
Speaker 4: to come home with a blast that a last I

1002
00:43:56,920 --> 00:43:57,200
Speaker 4: don't know.

1003
00:43:57,239 --> 00:43:57,560
Speaker 2: That was.

1004
00:43:59,040 --> 00:44:05,839
Speaker 4: Fifty So yeah, so then that's I started time.

1005
00:44:07,239 --> 00:44:09,759
Speaker 17: I should have just reestyled for matecause that was now.

1006
00:44:09,920 --> 00:44:13,040
Speaker 17: So that was actual rhyme, right, that was a rhyme. Yeah,

1007
00:44:13,080 --> 00:44:13,920
Speaker 17: that was that, that was me.

1008
00:44:14,080 --> 00:44:14,719
Speaker 2: That was yeah, that.

1009
00:44:14,719 --> 00:44:16,319
Speaker 1: Was a while ago.

1010
00:44:16,440 --> 00:44:18,640
Speaker 2: So yeah, that was nineteen ninety two.

1011
00:44:18,960 --> 00:44:22,280
Speaker 1: Yeah, so but yeah, did you get any traction back.

1012
00:44:22,120 --> 00:44:26,280
Speaker 4: Then with it or no? I know I hated my voice.

1013
00:44:26,400 --> 00:44:29,080
Speaker 4: You know how sometimes you talk and when you.

1014
00:44:29,080 --> 00:44:30,799
Speaker 5: Hear yourself in your head, the way you hear on

1015
00:44:30,800 --> 00:44:31,560
Speaker 5: the record is different.

1016
00:44:31,600 --> 00:44:34,279
Speaker 4: And I couldn't stand it. I literally took myself out

1017
00:44:34,280 --> 00:44:36,200
Speaker 4: of the business because I'm like, if that's how it sound,

1018
00:44:36,600 --> 00:44:38,160
Speaker 4: I hate it. When I should have just sounded like

1019
00:44:38,160 --> 00:44:40,239
Speaker 4: this because Andre from three that you know, he's out

1020
00:44:40,360 --> 00:44:41,880
Speaker 4: like this. I should have just been talking like that

1021
00:44:41,920 --> 00:44:43,600
Speaker 4: because that's it's Brazilian records.

1022
00:44:44,000 --> 00:44:49,200
Speaker 5: Could I just don't want to stop doing Okay, so

1023
00:44:49,320 --> 00:44:50,160
Speaker 5: stand up happens.

1024
00:44:50,239 --> 00:44:52,839
Speaker 4: Yeah, and then I do an open mic night. I

1025
00:44:52,880 --> 00:44:56,080
Speaker 4: get a standing ovation doing open mic night. I come

1026
00:44:56,160 --> 00:44:58,480
Speaker 4: back the next week with all my friends and I

1027
00:44:58,520 --> 00:45:01,640
Speaker 4: wear a shirt and tie. Was excited and I got

1028
00:45:02,360 --> 00:45:04,439
Speaker 4: but it wasn't booed. It was just nobody said nothing.

1029
00:45:05,000 --> 00:45:06,640
Speaker 4: But I didn't know you were supposed to say the

1030
00:45:06,640 --> 00:45:10,200
Speaker 4: same stuff you said tonight. I just thought, yeah, that's

1031
00:45:10,200 --> 00:45:10,560
Speaker 4: not How.

1032
00:45:10,840 --> 00:45:12,480
Speaker 5: Was you already like a funny dude like you was

1033
00:45:12,520 --> 00:45:13,600
Speaker 5: always got known.

1034
00:45:13,480 --> 00:45:17,200
Speaker 4: For jokes, conversational funny, but never stand up okay, So

1035
00:45:17,239 --> 00:45:19,560
Speaker 4: it was literally a dare. It was literally like, I

1036
00:45:19,560 --> 00:45:21,239
Speaker 4: bet you wonna go up there, you know, watch me?

1037
00:45:21,520 --> 00:45:23,279
Speaker 1: But you did good to open mic night. I did,

1038
00:45:23,360 --> 00:45:26,360
Speaker 1: and that's where it all started. Ladies and gentlemen. Now, no,

1039
00:45:26,440 --> 00:45:28,239
Speaker 1: we don't have that much time to talk to you,

1040
00:45:28,280 --> 00:45:31,240
Speaker 1: but because it is a fifty the anniversary of hip hop,

1041
00:45:31,280 --> 00:45:33,600
Speaker 1: but we're gonna get back to you Saturday Night Live,

1042
00:45:33,760 --> 00:45:37,359
Speaker 1: Saturday Night Live. He was a cast Williams show. Most

1043
00:45:37,400 --> 00:45:39,000
Speaker 1: recently I saw that, Yes.

1044
00:45:39,600 --> 00:45:43,200
Speaker 4: Disney Channel ant Farm played China's Dad. But I've done

1045
00:45:43,280 --> 00:45:44,960
Speaker 4: every possible comedy show you could do.

1046
00:45:45,120 --> 00:45:49,239
Speaker 1: Yeah, Faness is amazing. He's been very consistent throughout the years.

1047
00:45:49,239 --> 00:45:51,359
Speaker 1: You had a special, You have a specialized show time,

1048
00:45:51,520 --> 00:45:52,359
Speaker 1: ye as well.

1049
00:45:52,560 --> 00:45:54,880
Speaker 4: I just finished another special, waiting for the strike to

1050
00:45:54,880 --> 00:45:56,440
Speaker 4: be over so I can sell it to somebody.

1051
00:45:57,120 --> 00:45:59,719
Speaker 1: Oh well, y'all know it's available for everybody listening there

1052
00:45:59,760 --> 00:46:03,160
Speaker 1: needed bye. All right, get in line now. It is

1053
00:46:03,200 --> 00:46:05,319
Speaker 1: the fiftieth anniversary of hip hop. That we do have

1054
00:46:05,360 --> 00:46:08,280
Speaker 1: Fab five Freddy when we come back alongside doctor Brandy McNeil,

1055
00:46:08,480 --> 00:46:10,200
Speaker 1: we're gonna talk to them. She's from the New York

1056
00:46:10,239 --> 00:46:12,880
Speaker 1: Public Library and they have something at the Schomberg that

1057
00:46:12,920 --> 00:46:15,600
Speaker 1: they're doing together. But we'll discuss a lot of the

1058
00:46:15,719 --> 00:46:17,600
Speaker 1: history of hip hop with Fab five Freddy. He was

1059
00:46:17,600 --> 00:46:20,880
Speaker 1: their first ever host of MTV reps. We'll discuss when

1060
00:46:20,920 --> 00:46:22,640
Speaker 1: we come back. It's way up with Angela Yee.

1061
00:46:23,000 --> 00:46:26,320
Speaker 3: You Way up with Angela Yee more.

1062
00:46:26,640 --> 00:46:29,719
Speaker 1: Now, what's up this? Way up with Angela Yee. I'm

1063
00:46:29,760 --> 00:46:32,600
Speaker 1: Angela Yee. And Jasmine from the Jasmine Brand is here. Yes,

1064
00:46:32,920 --> 00:46:35,600
Speaker 1: and we have two great guests with us. We got

1065
00:46:35,800 --> 00:46:38,359
Speaker 1: the iconic Fab five Freddy is here with.

1066
00:46:38,400 --> 00:46:40,359
Speaker 6: Us, happy to be here, Nice to see you.

1067
00:46:40,440 --> 00:46:46,560
Speaker 1: And doctor Brandon McNeill. I'm gonna call you iconic as well. Yes,

1068
00:46:47,120 --> 00:46:50,920
Speaker 1: icon She's a Deputy director of Digital Literacy Workforce Readyness,

1069
00:46:50,960 --> 00:46:55,120
Speaker 1: so the education ESOL and cultural programs. That's for the

1070
00:46:55,160 --> 00:46:58,000
Speaker 1: New York Public Library. There's a lot of titles, yes,

1071
00:46:58,040 --> 00:47:00,000
Speaker 1: and it's the fiftieth anniversary of hip hop. You guys

1072
00:47:00,040 --> 00:47:02,359
Speaker 1: have been doing a lot that by Freddie, You've been

1073
00:47:02,360 --> 00:47:04,080
Speaker 1: doing so much, it's never stopped for you.

1074
00:47:04,840 --> 00:47:06,680
Speaker 17: It's been a blessing. So there's a lot of work

1075
00:47:06,719 --> 00:47:09,040
Speaker 17: to be done and I've been I've been.

1076
00:47:08,880 --> 00:47:10,640
Speaker 1: Doing the work because you were the first ever host

1077
00:47:10,680 --> 00:47:11,840
Speaker 1: of Yo MTV rap.

1078
00:47:11,760 --> 00:47:12,279
Speaker 6: Yes, I was.

1079
00:47:12,400 --> 00:47:15,560
Speaker 17: Yeah, in the beginning of your MTV raps, cable was

1080
00:47:15,600 --> 00:47:18,880
Speaker 17: still a kind of a new thing. Raps went on

1081
00:47:18,920 --> 00:47:23,399
Speaker 17: the eight, so a lot of Manhattan was wired. But

1082
00:47:23,640 --> 00:47:27,920
Speaker 17: I'm from Bedstar Brooklyn, and Brooklyn Bedstar wasn't fully wide. Yes,

1083
00:47:28,040 --> 00:47:30,040
Speaker 17: I used to have to get I had it in

1084
00:47:30,080 --> 00:47:32,400
Speaker 17: my contract. Got to get a couple of VHS tapes.

1085
00:47:32,480 --> 00:47:35,280
Speaker 17: One I'd keep and one would go to my parents

1086
00:47:35,360 --> 00:47:37,440
Speaker 17: in Brooklyn so they could see what I'm doing. Like, look,

1087
00:47:37,680 --> 00:47:41,439
Speaker 17: I'm like really. We did to show for about seven

1088
00:47:41,480 --> 00:47:45,520
Speaker 17: years or so through that critical you know, golden era

1089
00:47:45,880 --> 00:47:46,919
Speaker 17: of hip hop.

1090
00:47:47,239 --> 00:47:50,240
Speaker 1: I mean, listen, you have some of the most iconic interviews,

1091
00:47:50,280 --> 00:47:52,399
Speaker 1: and at the time that you're doing things, you don't

1092
00:47:52,440 --> 00:47:55,160
Speaker 1: even know in the future what that would turn out

1093
00:47:55,160 --> 00:47:57,080
Speaker 1: to be. You did Tupac's first ever interview.

1094
00:47:57,320 --> 00:47:59,960
Speaker 17: Yes, I was looking at that too, Yeah, the first

1095
00:48:00,160 --> 00:48:02,160
Speaker 17: I interviewed Pac. Actually, it was interesting. It was a

1096
00:48:02,200 --> 00:48:04,279
Speaker 17: clever idea we came up with. I'd like to say.

1097
00:48:04,680 --> 00:48:07,680
Speaker 17: He was filming the movie Juice, so they were in

1098
00:48:07,880 --> 00:48:11,960
Speaker 17: New York shooting and we decided let's interview him on

1099
00:48:12,000 --> 00:48:15,040
Speaker 17: the set. I did a cameo in the movie Juice

1100
00:48:15,080 --> 00:48:18,640
Speaker 17: as well. I'm actually playing myself like I'm covering that

1101
00:48:19,160 --> 00:48:22,520
Speaker 17: big battle DJ battle going on. And then I so

1102
00:48:22,560 --> 00:48:25,239
Speaker 17: we interviewed I interviewed Tupac, and then we wait to

1103
00:48:25,360 --> 00:48:28,560
Speaker 17: air that when the film drops. So we now have

1104
00:48:28,800 --> 00:48:31,520
Speaker 17: here's a look at Tupac on the set. You know,

1105
00:48:31,600 --> 00:48:33,319
Speaker 17: here's the thing, and you'll go and see him in

1106
00:48:33,360 --> 00:48:36,000
Speaker 17: the film. But I interviewed Pac several times, and a

1107
00:48:36,040 --> 00:48:39,279
Speaker 17: lot of the pivotal people that define the kind of

1108
00:48:39,320 --> 00:48:44,640
Speaker 17: greatest era of hip hop made their television debut national television.

1109
00:48:44,239 --> 00:48:47,760
Speaker 6: Debut on Young TV raps. So a lot of special.

1110
00:48:47,400 --> 00:48:50,000
Speaker 1: Memories now doctor Brandon McNeill and Jazz and I'm gonna

1111
00:48:50,000 --> 00:48:51,600
Speaker 1: ask both of you, do you remember the first hip

1112
00:48:51,600 --> 00:48:52,680
Speaker 1: hop song you ever heard?

1113
00:48:53,200 --> 00:48:53,439
Speaker 11: Oh?

1114
00:48:53,680 --> 00:48:57,600
Speaker 13: I think the first one that I remember really knowing

1115
00:48:58,480 --> 00:48:59,880
Speaker 13: was gonna be Salt.

1116
00:48:59,719 --> 00:49:00,879
Speaker 1: And Let's push it.

1117
00:49:01,160 --> 00:49:03,239
Speaker 13: That one for me was like, ok I've got that

1118
00:49:03,320 --> 00:49:05,080
Speaker 13: down pad, Okay, So.

1119
00:49:05,040 --> 00:49:05,520
Speaker 1: What about you?

1120
00:49:05,719 --> 00:49:05,959
Speaker 2: Okay?

1121
00:49:06,800 --> 00:49:09,960
Speaker 1: Cool J I need love? Really yeah, it feels later,

1122
00:49:10,880 --> 00:49:16,239
Speaker 1: I know, that's that's my truth. Yeah, that sound you

1123
00:49:16,280 --> 00:49:18,239
Speaker 1: know what's crazy. When I was young, I remember they

1124
00:49:18,280 --> 00:49:21,279
Speaker 1: had when they were like Sandy Dough and they had

1125
00:49:21,280 --> 00:49:24,239
Speaker 1: it did a this song right to the UTFO crew.

1126
00:49:24,960 --> 00:49:27,719
Speaker 1: Do you remember that? And that was way early on

1127
00:49:27,800 --> 00:49:30,320
Speaker 1: because Push it was a little later. But in Tramp

1128
00:49:30,600 --> 00:49:34,800
Speaker 1: I remember, I remember, I remember yeah, yeah, yeah, Tramp

1129
00:49:34,800 --> 00:49:37,560
Speaker 1: and I remember the video and they had tramps right

1130
00:49:37,560 --> 00:49:41,560
Speaker 1: across the guy's faces. You know, I remember super Sonic

1131
00:49:42,040 --> 00:49:43,880
Speaker 1: JJ fab Yeah.

1132
00:49:44,000 --> 00:49:46,640
Speaker 17: Yeah, I'm gonna tell you something about that super Sonic record.

1133
00:49:46,960 --> 00:49:49,440
Speaker 17: Ice Cube wrote that entire album.

1134
00:49:49,880 --> 00:49:53,240
Speaker 1: He really is ice Cube ice Cube. That's hilarious.

1135
00:49:53,280 --> 00:49:55,520
Speaker 17: Actually I did the same thing, and it was Jerry

1136
00:49:55,560 --> 00:49:58,520
Speaker 17: Hella that had a ruthless record and I'm like, wait,

1137
00:49:58,560 --> 00:50:01,120
Speaker 17: I did, like had to ask him like twice.

1138
00:50:01,239 --> 00:50:04,000
Speaker 6: But that's the skills of a writer. Yeah, it's like, okay,

1139
00:50:04,040 --> 00:50:04,640
Speaker 6: I can you.

1140
00:50:04,600 --> 00:50:07,120
Speaker 1: Know I can write for women. Just watching that video

1141
00:50:07,280 --> 00:50:10,200
Speaker 1: the other day was yes, because that video was and

1142
00:50:10,200 --> 00:50:12,239
Speaker 1: then when she was rapping real fast no no no, no,

1143
00:50:14,719 --> 00:50:16,799
Speaker 1: that was wrote that too.

1144
00:50:17,239 --> 00:50:19,360
Speaker 17: Yes, you put it all together for them, which was

1145
00:50:19,400 --> 00:50:21,200
Speaker 17: pretty incredible to think about that.

1146
00:50:21,360 --> 00:50:24,279
Speaker 1: At that time, we're talking to doctor Brandy McNeil from

1147
00:50:24,320 --> 00:50:27,400
Speaker 1: the New York Public Library and the legendary Fab five Freddy.

1148
00:50:27,600 --> 00:50:30,959
Speaker 1: So for you, Fab five Freddy, since you go way

1149
00:50:31,000 --> 00:50:33,560
Speaker 1: back in this right, do you even remember the first

1150
00:50:33,560 --> 00:50:35,680
Speaker 1: time you were like, this is a real thing, because

1151
00:50:35,719 --> 00:50:38,080
Speaker 1: I know when hip hop first started, after you know,

1152
00:50:38,120 --> 00:50:40,640
Speaker 1: after Disco, everybody was like, this is a fad, This

1153
00:50:40,760 --> 00:50:42,920
Speaker 1: is not going anywhere, this is not going to be

1154
00:50:42,960 --> 00:50:45,840
Speaker 1: something that's gonna be sustainable. And people didn't take it seriously.

1155
00:50:46,200 --> 00:50:47,400
Speaker 6: That's true, they didn't.

1156
00:50:47,480 --> 00:50:50,719
Speaker 17: And being that I had made some significant moves early on,

1157
00:50:50,920 --> 00:50:54,520
Speaker 17: like around hip hop's first film, Wild Style, when I

1158
00:50:54,560 --> 00:50:57,560
Speaker 17: would do early press, they would all ask, how long

1159
00:50:57,600 --> 00:50:58,760
Speaker 17: do I think it's going to last?

1160
00:50:59,360 --> 00:51:01,399
Speaker 6: This is a fact three years at least.

1161
00:51:02,360 --> 00:51:04,719
Speaker 17: A lot of people felt that I definitely didn't. I

1162
00:51:04,719 --> 00:51:07,600
Speaker 17: could not have imagined hip hop would be around for

1163
00:51:07,640 --> 00:51:10,680
Speaker 17: so long and so dominant. But in thinking about that,

1164
00:51:10,800 --> 00:51:14,120
Speaker 17: I realized how deep those roots went. I think that's

1165
00:51:14,440 --> 00:51:17,520
Speaker 17: the amazing thing, and how this went to countries all

1166
00:51:17,560 --> 00:51:18,320
Speaker 17: around the world.

1167
00:51:18,640 --> 00:51:21,960
Speaker 1: I remember I was watching recently also David Bowie, remember

1168
00:51:22,120 --> 00:51:23,840
Speaker 1: that MTV interview where.

1169
00:51:24,160 --> 00:51:26,520
Speaker 15: It occurred to me, having watched the MTV over the

1170
00:51:26,600 --> 00:51:28,799
Speaker 15: last few months, I'm just flowed by the fact that

1171
00:51:28,800 --> 00:51:31,680
Speaker 15: there's so many, so few black answers featured on it.

1172
00:51:31,800 --> 00:51:32,239
Speaker 15: Why is that?

1173
00:51:32,480 --> 00:51:34,680
Speaker 12: I think that we're trying to move in that direction.

1174
00:51:35,200 --> 00:51:38,080
Speaker 12: We want to play artists that seemed to be doing

1175
00:51:38,160 --> 00:51:40,600
Speaker 12: music that fits into what we want to play for MTV.

1176
00:51:40,760 --> 00:51:44,480
Speaker 12: There's the company is thinking in terms of narrow casting.

1177
00:51:44,760 --> 00:51:47,279
Speaker 15: There's evident in the fact that the only few black

1178
00:51:47,320 --> 00:51:49,680
Speaker 15: answers that one does see are on about two thirty

1179
00:51:49,680 --> 00:51:50,520
Speaker 15: in the morning.

1180
00:51:50,719 --> 00:51:54,160
Speaker 17: That interview he did two there's a couple of David Bowie.

1181
00:51:54,239 --> 00:51:56,400
Speaker 17: That's a big David Bowie fan, by the way, but

1182
00:51:56,520 --> 00:51:59,440
Speaker 17: that literally seeing the interview when he's talking to one

1183
00:51:59,480 --> 00:52:02,520
Speaker 17: of the empty tvvjs and asking them why they don't

1184
00:52:02,520 --> 00:52:05,319
Speaker 17: play black music, and the MTV guy didn't have a

1185
00:52:05,320 --> 00:52:09,520
Speaker 17: good answer at all. Yeah, David Bowie, you could feel

1186
00:52:09,560 --> 00:52:12,520
Speaker 17: how awkward he felt because it was really no good reason, right.

1187
00:52:12,680 --> 00:52:15,440
Speaker 17: And that was just a few years before Yo MTV

1188
00:52:15,560 --> 00:52:20,000
Speaker 17: raps happened indirectly influenced like we need to make a move,

1189
00:52:20,120 --> 00:52:22,360
Speaker 17: which was a very radical move because way ahead of

1190
00:52:22,400 --> 00:52:25,719
Speaker 17: B E T, MTV put a rap shore on the

1191
00:52:25,800 --> 00:52:29,120
Speaker 17: air and the ratings instantly became the highest ratings on

1192
00:52:29,160 --> 00:52:33,640
Speaker 17: the channel. MTV was trying to mimic what radio was

1193
00:52:33,680 --> 00:52:36,680
Speaker 17: doing at that time, and so radio in America in

1194
00:52:36,719 --> 00:52:37,960
Speaker 17: some cases still is.

1195
00:52:38,000 --> 00:52:39,879
Speaker 6: But it was very segregated at the.

1196
00:52:39,880 --> 00:52:42,520
Speaker 17: Time, so if you were a black artist, no matter

1197
00:52:42,520 --> 00:52:45,479
Speaker 17: what kind of music you made, you were considered urban

1198
00:52:45,560 --> 00:52:48,879
Speaker 17: dance or urban or soul funk or one of those

1199
00:52:48,880 --> 00:52:53,239
Speaker 17: other categories never popped, and so they mimiced that in

1200
00:52:53,320 --> 00:52:57,600
Speaker 17: terms of only playing what was on pop charts, pop radio.

1201
00:52:57,640 --> 00:52:59,279
Speaker 1: There's a lot of rock too. I feel like they

1202
00:52:59,280 --> 00:52:59,960
Speaker 1: put a lot of rock.

1203
00:53:00,120 --> 00:53:01,600
Speaker 6: He said, yeah, a lot of rock, a lot of

1204
00:53:01,600 --> 00:53:02,600
Speaker 6: stuff out of England.

1205
00:53:02,800 --> 00:53:05,600
Speaker 17: And it was Michael Jackson's label that pressured them, and

1206
00:53:05,600 --> 00:53:08,279
Speaker 17: they said, Man, if you don't play this Billy Jean

1207
00:53:08,400 --> 00:53:10,560
Speaker 17: and whatever, we're gonna pull all the other acts, which

1208
00:53:10,560 --> 00:53:13,520
Speaker 17: included Bruce Springsteen and a bunch of other acts. We're

1209
00:53:13,560 --> 00:53:15,520
Speaker 17: going to pull them off of the label and make

1210
00:53:15,560 --> 00:53:17,160
Speaker 17: it a real glaring fact.

1211
00:53:16,960 --> 00:53:18,960
Speaker 1: Because how do you not do Thriller? Remember when Thriller

1212
00:53:19,000 --> 00:53:21,120
Speaker 1: came out? Yeah, that was a literal movie.

1213
00:53:21,239 --> 00:53:22,279
Speaker 6: Yeah, it really was.

1214
00:53:22,360 --> 00:53:25,840
Speaker 17: And it changed the whole nature of video making, and

1215
00:53:26,920 --> 00:53:28,080
Speaker 17: MTV blew up.

1216
00:53:28,320 --> 00:53:30,319
Speaker 6: You know, the ratings went through the roof again and

1217
00:53:30,360 --> 00:53:30,959
Speaker 6: again and again.

1218
00:53:31,080 --> 00:53:34,240
Speaker 17: So that all played a six significant part in breaking

1219
00:53:34,280 --> 00:53:36,800
Speaker 17: those walls down, making change.

1220
00:53:37,080 --> 00:53:39,279
Speaker 1: All right, Well, fab five Freddy is here with us,

1221
00:53:39,320 --> 00:53:41,800
Speaker 1: so is doctor Brandy McNeil from the New York Public Library.

1222
00:53:41,800 --> 00:53:43,360
Speaker 1: We'll be back with some more. It's way up with

1223
00:53:43,440 --> 00:53:44,040
Speaker 1: Angela Yee.

1224
00:53:46,719 --> 00:53:48,359
Speaker 3: You rat the way up with Angela Yee?

1225
00:53:49,080 --> 00:53:51,000
Speaker 1: What's up this way up with Angela Yee? And Happy

1226
00:53:51,040 --> 00:53:54,840
Speaker 1: fiftieth anniversary of hip hop and I'm here with Jasmine

1227
00:53:54,840 --> 00:53:57,840
Speaker 1: Brand We are talking to the legend bad By Freddy

1228
00:53:57,960 --> 00:54:00,840
Speaker 1: alongside doctor Brandy McNeil from the New York Public Library.

1229
00:54:01,040 --> 00:54:03,080
Speaker 1: What did you think you were going to do in

1230
00:54:03,120 --> 00:54:03,600
Speaker 1: your life?

1231
00:54:03,680 --> 00:54:03,759
Speaker 6: Like?

1232
00:54:03,840 --> 00:54:06,520
Speaker 1: Besides, before all this happened and you became a host,

1233
00:54:06,800 --> 00:54:10,240
Speaker 1: because that's not something you could have ever envisioned for yourself.

1234
00:54:10,280 --> 00:54:11,880
Speaker 1: What did your parents think you were going to be?

1235
00:54:11,960 --> 00:54:12,040
Speaker 2: Like?

1236
00:54:12,080 --> 00:54:12,719
Speaker 1: What did you think?

1237
00:54:12,840 --> 00:54:15,480
Speaker 6: That's a very good question. So I was always a

1238
00:54:15,520 --> 00:54:16,680
Speaker 6: smart kid, but I.

1239
00:54:16,560 --> 00:54:21,080
Speaker 17: Didn't do well in school, so the disciplinary aspects of school.

1240
00:54:20,800 --> 00:54:21,759
Speaker 6: Didn't work well for me.

1241
00:54:22,200 --> 00:54:24,680
Speaker 17: But I was always in books and in the library,

1242
00:54:24,760 --> 00:54:27,000
Speaker 17: and a part of how I became an artist I

1243
00:54:27,040 --> 00:54:30,080
Speaker 17: was just sharing with her was I don't recommend cutting school,

1244
00:54:30,120 --> 00:54:32,040
Speaker 17: but I would do a fair share of cutting school,

1245
00:54:32,040 --> 00:54:35,120
Speaker 17: but I would do different I would go to different

1246
00:54:35,200 --> 00:54:38,919
Speaker 17: museums and libraries in the city, just on an exploratory tip,

1247
00:54:38,960 --> 00:54:42,400
Speaker 17: I'd get my little bus subway paths and go to

1248
00:54:42,440 --> 00:54:44,800
Speaker 17: the main branch of the New York Public Library, the

1249
00:54:45,000 --> 00:54:46,040
Speaker 17: Schwartzman Building.

1250
00:54:46,280 --> 00:54:49,400
Speaker 6: I'd go to the Metropolitan Museum. So I got very comfortable.

1251
00:54:48,920 --> 00:54:51,960
Speaker 1: With self taught right essentially, and so.

1252
00:54:51,960 --> 00:54:54,480
Speaker 17: The idea of making art, being an artist, it all

1253
00:54:54,520 --> 00:54:56,720
Speaker 17: became something big in my mind.

1254
00:54:56,760 --> 00:54:58,520
Speaker 6: And then I began to figure out how.

1255
00:54:58,360 --> 00:55:02,040
Speaker 17: Could I make moves and get myself into this space,

1256
00:55:02,080 --> 00:55:05,799
Speaker 17: which was not anything typical for young black kid at

1257
00:55:05,840 --> 00:55:07,640
Speaker 17: twenty twenty one to figure out how to get into

1258
00:55:07,680 --> 00:55:10,560
Speaker 17: the art world. But making the moves that I made,

1259
00:55:11,000 --> 00:55:14,680
Speaker 17: Connecting with people on the downtown scene, punk rock, new wave,

1260
00:55:14,920 --> 00:55:18,839
Speaker 17: blondie people that were doing things in culture like hurt

1261
00:55:19,040 --> 00:55:21,600
Speaker 17: my ideas and they said, we like what this is,

1262
00:55:21,800 --> 00:55:24,879
Speaker 17: we like the way this sounds. Come on, and let's

1263
00:55:24,880 --> 00:55:25,520
Speaker 17: make it happen.

1264
00:55:25,760 --> 00:55:28,279
Speaker 1: So isn't it amazing to have lived your life doing

1265
00:55:28,280 --> 00:55:30,400
Speaker 1: the things that you care about and you're passionate about.

1266
00:55:30,719 --> 00:55:34,000
Speaker 6: Oh yeah, it's been a blessing. That is truly a blessing.

1267
00:55:34,080 --> 00:55:35,880
Speaker 17: And the way you phrase it, just to do the

1268
00:55:35,920 --> 00:55:38,520
Speaker 17: things that I love and I care about and to

1269
00:55:38,560 --> 00:55:41,520
Speaker 17: be able to pay the bills, it's been, it's been special.

1270
00:55:41,320 --> 00:55:44,040
Speaker 1: Now truly like a cultural icon for us. And I

1271
00:55:44,080 --> 00:55:47,680
Speaker 1: do really appreciate you for coming through. Doctor Brandy McNeil.

1272
00:55:47,719 --> 00:55:49,920
Speaker 1: I don't know if you guys let people know again,

1273
00:55:50,000 --> 00:55:52,560
Speaker 1: where can they find out information? How can they get

1274
00:55:52,560 --> 00:55:55,799
Speaker 1: this wild style limited edition library card and go.

1275
00:55:55,760 --> 00:55:59,520
Speaker 13: To NYPL dot org slash hip hop.

1276
00:56:00,080 --> 00:56:01,000
Speaker 1: Hey, thank you?

1277
00:56:01,120 --> 00:56:01,279
Speaker 12: Right?

1278
00:56:01,640 --> 00:56:02,279
Speaker 11: And that five?

1279
00:56:02,280 --> 00:56:04,640
Speaker 1: Freddy? I mean, can you post some more Instagram please?

1280
00:56:04,680 --> 00:56:05,160
Speaker 1: We need you to.

1281
00:56:05,360 --> 00:56:06,880
Speaker 6: I will post a little bit more, just Y.

1282
00:56:07,000 --> 00:56:09,760
Speaker 1: I have so many great things that people need to see.

1283
00:56:10,000 --> 00:56:10,719
Speaker 6: I'm bringing it to you.

1284
00:56:10,800 --> 00:56:13,520
Speaker 17: I'm also in early stages of working on my memoir.

1285
00:56:13,560 --> 00:56:15,600
Speaker 17: I've got to collaborate I'm going to work with and

1286
00:56:16,239 --> 00:56:17,719
Speaker 17: so I've got a lot I want to lay it

1287
00:56:17,760 --> 00:56:20,440
Speaker 17: out in detail. It might even be need to be

1288
00:56:20,480 --> 00:56:21,720
Speaker 17: a two volume memoir.

1289
00:56:21,800 --> 00:56:22,720
Speaker 1: I can't even imagine.

1290
00:56:22,760 --> 00:56:24,600
Speaker 6: I want to tell I got some stories to tell.

1291
00:56:24,760 --> 00:56:26,680
Speaker 1: And I just want to ask you one last thing.

1292
00:56:26,960 --> 00:56:29,920
Speaker 1: How important since we're talking about history here, do you

1293
00:56:29,920 --> 00:56:32,360
Speaker 1: think it is now for these artists, these younger artists,

1294
00:56:32,400 --> 00:56:34,440
Speaker 1: to know their history because some of them feel like,

1295
00:56:34,640 --> 00:56:37,040
Speaker 1: you know, we're doing our own thing. It's evolved, and

1296
00:56:37,480 --> 00:56:40,000
Speaker 1: leave us alone and just support what the next generation

1297
00:56:40,160 --> 00:56:43,600
Speaker 1: is doing. But sometimes you feel like, look, at least

1298
00:56:43,920 --> 00:56:46,360
Speaker 1: know what came before you. What are your thoughts on that.

1299
00:56:46,719 --> 00:56:50,200
Speaker 17: I think that's exactly right. Artists should know and it's

1300
00:56:50,239 --> 00:56:52,640
Speaker 17: so easy. I was one of those kids that spent

1301
00:56:52,719 --> 00:56:55,279
Speaker 17: a lot of time at the library. So back in

1302
00:56:55,320 --> 00:56:57,720
Speaker 17: that era, if you wanted to learn about what happened

1303
00:56:57,719 --> 00:57:01,319
Speaker 17: in previous eras you went to books, some libraries had

1304
00:57:01,400 --> 00:57:03,840
Speaker 17: records that you could take out, put the headphones on

1305
00:57:03,920 --> 00:57:07,600
Speaker 17: and listen to this era of kids. All of this information,

1306
00:57:07,719 --> 00:57:12,359
Speaker 17: everything that happens just a few clicks away, and it's

1307
00:57:12,360 --> 00:57:15,160
Speaker 17: important to understand that so that you can know where

1308
00:57:15,200 --> 00:57:18,479
Speaker 17: we've been. When that road, that fork in the road

1309
00:57:18,560 --> 00:57:21,040
Speaker 17: comes up in your life and your young life, you

1310
00:57:21,040 --> 00:57:23,840
Speaker 17: can see which way to go and how to navigate.

1311
00:57:25,000 --> 00:57:29,400
Speaker 6: GPS is even a few clicks away. There's so many tools.

1312
00:57:29,400 --> 00:57:30,080
Speaker 6: There's really no.

1313
00:57:30,120 --> 00:57:32,760
Speaker 17: Excuse, you know, to not be on your game and

1314
00:57:32,920 --> 00:57:34,440
Speaker 17: understand some of the histories.

1315
00:57:34,760 --> 00:57:35,960
Speaker 6: And it's a lot of fun too.

1316
00:57:36,240 --> 00:57:38,360
Speaker 1: Yeah, some of my favorite artists are the ones that

1317
00:57:38,520 --> 00:57:42,160
Speaker 1: have you can tell that they have been inspired by

1318
00:57:42,920 --> 00:57:45,000
Speaker 1: just some of the older artists and the artists that

1319
00:57:45,040 --> 00:57:45,800
Speaker 1: came before them.

1320
00:57:45,960 --> 00:57:47,480
Speaker 6: Absolutely, that's really important.

1321
00:57:47,480 --> 00:57:49,560
Speaker 13: That's why it's so important at the library about the

1322
00:57:49,560 --> 00:57:52,000
Speaker 13: banned books right to make sure that people can get

1323
00:57:52,040 --> 00:57:53,280
Speaker 13: access to the history.

1324
00:57:53,440 --> 00:57:54,040
Speaker 6: Great point.

1325
00:57:54,480 --> 00:57:56,960
Speaker 17: There's some crazy people in different parts of the country

1326
00:57:56,960 --> 00:58:00,720
Speaker 17: that literally are trying to ban books and education.

1327
00:58:01,000 --> 00:58:03,600
Speaker 1: Can people from Florida get a New York Public library?

1328
00:58:07,560 --> 00:58:08,960
Speaker 1: Can you come here and go to the library?

1329
00:58:09,040 --> 00:58:09,360
Speaker 6: They can?

1330
00:58:09,520 --> 00:58:11,480
Speaker 1: Okay, yeah, they can definitely come here and do it. Yeah,

1331
00:58:11,520 --> 00:58:13,880
Speaker 1: that's what I'm saying. Can I come here? It's mass

1332
00:58:14,360 --> 00:58:16,960
Speaker 1: We got you guys, Okay, got to Florida.

1333
00:58:20,600 --> 00:58:20,720
Speaker 6: End.

1334
00:58:21,840 --> 00:58:24,200
Speaker 1: He's so good at this. Yeah, I mean he's a pro.

1335
00:58:24,400 --> 00:58:27,000
Speaker 1: So yeah, well, thank you, fab five Freddie. We really

1336
00:58:27,040 --> 00:58:30,040
Speaker 1: do appreciate you, doctor Brandy McNeill always appreciate you too.

1337
00:58:30,080 --> 00:58:33,080
Speaker 1: Thank you. And when we come back we have asked yee.

1338
00:58:33,320 --> 00:58:35,200
Speaker 1: That's when you guys get to call in eight hundred

1339
00:58:35,240 --> 00:58:37,640
Speaker 1: two nine fifty one fifty and ask any question you

1340
00:58:37,680 --> 00:58:39,520
Speaker 1: want and we are here to help. It's way up

1341
00:58:39,520 --> 00:58:40,240
Speaker 1: at Angela Yee.

1342
00:58:40,600 --> 00:58:45,120
Speaker 7: Everybody since whether it's relationship, for career advice, Angela's dropping facts,

1343
00:58:45,800 --> 00:58:46,200
Speaker 7: should know.

1344
00:58:46,480 --> 00:58:49,360
Speaker 1: This is ask what's up? Its way up at Angela Yee.

1345
00:58:49,400 --> 00:58:52,120
Speaker 1: I'm Angela Yee. And the award winning advice giver Mano

1346
00:58:52,240 --> 00:58:54,920
Speaker 1: is here. That is that is me and Finess Mitchell,

1347
00:58:55,000 --> 00:58:59,160
Speaker 1: the author who can actually help all women out. Okay,

1348
00:58:59,240 --> 00:59:01,840
Speaker 1: Faness Mitchell's and we have an anonymous caller who needs

1349
00:59:01,840 --> 00:59:05,440
Speaker 1: some help. Hello, Hi, how you doing girl?

1350
00:59:05,800 --> 00:59:06,640
Speaker 8: I'm doing good.

1351
00:59:06,680 --> 00:59:07,520
Speaker 11: How are you doing?

1352
00:59:07,880 --> 00:59:09,640
Speaker 1: I'm good? Thank you? What do you need some help

1353
00:59:09,640 --> 00:59:10,120
Speaker 1: with today?

1354
00:59:10,840 --> 00:59:10,920
Speaker 18: So?

1355
00:59:11,880 --> 00:59:14,800
Speaker 11: I recently just had to all out with my best

1356
00:59:14,840 --> 00:59:16,560
Speaker 11: friend for seven years.

1357
00:59:17,040 --> 00:59:19,400
Speaker 9: I ended up finding out that she.

1358
00:59:19,680 --> 00:59:24,040
Speaker 11: Was talking to my ex boyfriends trying to sleep with him.

1359
00:59:23,560 --> 00:59:26,640
Speaker 9: While we were on a break, and I cut her

1360
00:59:26,680 --> 00:59:29,760
Speaker 9: off because of that. And now I kind of missed her,

1361
00:59:29,840 --> 00:59:31,520
Speaker 9: and I don't know if I was petty.

1362
00:59:31,320 --> 00:59:35,040
Speaker 11: And overreacting, but I found aufter a third party that

1363
00:59:35,200 --> 00:59:35,760
Speaker 11: it happened.

1364
00:59:35,880 --> 00:59:39,720
Speaker 5: So you apologized, But is it confirmed that she actually

1365
00:59:39,760 --> 00:59:40,800
Speaker 5: tried to sleep with him?

1366
00:59:40,960 --> 00:59:43,960
Speaker 9: She apologized, yes, because she told me.

1367
00:59:44,120 --> 00:59:44,280
Speaker 6: So.

1368
00:59:44,320 --> 00:59:47,040
Speaker 9: I confronted her about it and she told me that,

1369
00:59:47,560 --> 00:59:48,440
Speaker 9: oh yeah.

1370
00:59:48,280 --> 00:59:51,480
Speaker 11: I didn't think we were actually gonna do anything.

1371
00:59:52,560 --> 00:59:54,720
Speaker 1: Listen, girls, some people do not need to be in

1372
00:59:54,800 --> 00:59:57,320
Speaker 1: your life, and somebody that would try to sleep with

1373
00:59:57,360 --> 01:00:00,880
Speaker 1: your ex behind your back is pretty much one of

1374
01:00:00,920 --> 01:00:01,480
Speaker 1: those people.

1375
01:00:01,920 --> 01:00:03,240
Speaker 2: She is she with him right now?

1376
01:00:03,800 --> 01:00:04,960
Speaker 11: No, they're not together.

1377
01:00:05,160 --> 01:00:08,680
Speaker 9: But the thing is, she has another friend that has

1378
01:00:08,760 --> 01:00:09,280
Speaker 9: done that.

1379
01:00:09,200 --> 01:00:11,360
Speaker 1: To her before that said she has trauma.

1380
01:00:11,600 --> 01:00:13,480
Speaker 9: But she got mad at me because she said I

1381
01:00:13,520 --> 01:00:16,480
Speaker 9: cut her off over a guy I was vogus for that.

1382
01:00:17,040 --> 01:00:20,240
Speaker 5: Would you have been open to sleeping to allow her

1383
01:00:20,240 --> 01:00:21,400
Speaker 5: to sleep with him with you?

1384
01:00:21,640 --> 01:00:22,320
Speaker 1: Oh my god?

1385
01:00:23,160 --> 01:00:26,000
Speaker 11: Oh no, absolutely not. I don't like.

1386
01:00:28,880 --> 01:00:30,200
Speaker 2: You said that you miss her? Right?

1387
01:00:30,640 --> 01:00:32,760
Speaker 11: I do miss her, But I don't know if I

1388
01:00:32,920 --> 01:00:36,000
Speaker 11: miss her because it's like I'm kind of lonely right now,

1389
01:00:36,200 --> 01:00:39,840
Speaker 11: like I just graduated college.

1390
01:00:40,120 --> 01:00:41,880
Speaker 2: Has she reached out to you and said she missed you.

1391
01:00:42,800 --> 01:00:46,000
Speaker 11: She did reach out to me, and she did apologize,

1392
01:00:46,040 --> 01:00:49,080
Speaker 11: But I just feel like she's apologizing because she got caught.

1393
01:00:49,200 --> 01:00:50,040
Speaker 11: Not that exact.

1394
01:00:50,840 --> 01:00:52,840
Speaker 4: Listen, if the dude ain't in the picture no more,

1395
01:00:52,960 --> 01:00:55,520
Speaker 4: and she ain't talking to him and you miss it,

1396
01:00:55,680 --> 01:00:58,320
Speaker 4: then go be friends with her. Just don't bring the dude.

1397
01:00:58,360 --> 01:00:59,880
Speaker 4: Just don't bring more dudes around.

1398
01:00:59,680 --> 01:01:01,760
Speaker 6: Her unless you want to share your dude.

1399
01:01:07,360 --> 01:01:09,320
Speaker 1: That's not a real friendship. Here's my thing.

1400
01:01:09,480 --> 01:01:11,280
Speaker 2: If that was a moment in weakness, though for her,

1401
01:01:11,440 --> 01:01:12,320
Speaker 2: maybe that ain't.

1402
01:01:12,080 --> 01:01:12,600
Speaker 6: Who she is.

1403
01:01:13,000 --> 01:01:15,440
Speaker 1: If it was a moment in weakness, I shouldn't apologize.

1404
01:01:15,480 --> 01:01:18,200
Speaker 1: I should have came to you instead of getting caught, and.

1405
01:01:18,240 --> 01:01:19,800
Speaker 2: She said she came to apologize.

1406
01:01:19,880 --> 01:01:22,240
Speaker 1: No, what happened was one of her friends told that's

1407
01:01:22,280 --> 01:01:23,920
Speaker 1: the only reason she even knew, and then when she

1408
01:01:24,040 --> 01:01:27,360
Speaker 1: confronted her about it, she apologized. My whole thing is

1409
01:01:27,400 --> 01:01:29,080
Speaker 1: that I have come to a point in my life

1410
01:01:29,120 --> 01:01:32,800
Speaker 1: where I feel like I can't afford to be friends

1411
01:01:32,840 --> 01:01:35,880
Speaker 1: with people who are not really my friends. I value

1412
01:01:36,080 --> 01:01:38,600
Speaker 1: my friendships and if I can't trust you around my man,

1413
01:01:39,280 --> 01:01:42,040
Speaker 1: if I don't believe that you have my best interests,

1414
01:01:42,200 --> 01:01:43,960
Speaker 1: you know in your heart, it's too easy to not

1415
01:01:44,120 --> 01:01:46,480
Speaker 1: do something like that, and this is a warning sign.

1416
01:01:46,560 --> 01:01:49,040
Speaker 1: Now she does something like this again, then it's only

1417
01:01:49,040 --> 01:01:51,680
Speaker 1: your own fault for allowing that to happen. I just

1418
01:01:51,720 --> 01:01:54,480
Speaker 1: feel like I don't have time for somebody that I

1419
01:01:54,480 --> 01:01:56,680
Speaker 1: can't leave my man around. If I can't leave my

1420
01:01:56,720 --> 01:01:58,600
Speaker 1: man around you, we're not really friends.

1421
01:01:58,320 --> 01:01:59,040
Speaker 2: I feel you.

1422
01:01:59,200 --> 01:02:01,480
Speaker 4: Or you can get rid of the girl who actually

1423
01:02:01,520 --> 01:02:10,160
Speaker 4: snitched on the other girl because she breaking up friendships.

1424
01:02:08,960 --> 01:02:12,760
Speaker 11: I don't know, because we all have a friend group,

1425
01:02:12,880 --> 01:02:17,280
Speaker 11: and like everybody stops friends with the bread that I'm

1426
01:02:17,280 --> 01:02:19,720
Speaker 11: talking about, So I was the last person to stop

1427
01:02:19,760 --> 01:02:22,320
Speaker 11: being franks work, so everybody.

1428
01:02:22,760 --> 01:02:26,840
Speaker 1: Yeah she flood, Yeah, she floods, and that's gonna be

1429
01:02:26,840 --> 01:02:29,240
Speaker 1: too much for you, Like, don't even do that. It's

1430
01:02:29,320 --> 01:02:32,000
Speaker 1: been seven years of friendship. We can you know, if

1431
01:02:32,040 --> 01:02:34,320
Speaker 1: I see you, nice to see you, keep it moving.

1432
01:02:34,480 --> 01:02:36,440
Speaker 1: I don't think you need to allow that in your life.

1433
01:02:36,520 --> 01:02:38,920
Speaker 1: And that's something that you can't be friends with somebody

1434
01:02:38,960 --> 01:02:40,040
Speaker 1: you don't trust periods.

1435
01:02:40,160 --> 01:02:43,680
Speaker 4: So all jokes aside, life is long. Find new friends,

1436
01:02:44,120 --> 01:02:45,560
Speaker 4: you know, we can all find new friends.

1437
01:02:45,720 --> 01:02:47,080
Speaker 1: At least you still have your friend group.

1438
01:02:47,440 --> 01:02:49,120
Speaker 2: Yeah, you know you still in the group.

1439
01:02:49,320 --> 01:02:51,680
Speaker 6: You found a new man, right, No.

1440
01:02:52,560 --> 01:02:54,440
Speaker 2: Because man on is having lunch.

1441
01:02:54,200 --> 01:02:59,920
Speaker 11: At I'm like, I'm talking, I'm getting ready to go along.

1442
01:03:00,360 --> 01:03:04,440
Speaker 5: I'm focused on a right, focused on yourself.

1443
01:03:04,760 --> 01:03:08,160
Speaker 1: Yes, get your degree in as sue her. All right, No, kiddy,

1444
01:03:08,160 --> 01:03:10,560
Speaker 1: I don't know. All right, Well, thank you for calling.

1445
01:03:10,680 --> 01:03:14,840
Speaker 1: Good luck, Okay, thank you? All right. Well that was

1446
01:03:14,960 --> 01:03:17,640
Speaker 1: ask ye eight hundred two ninety fifty fifty. In case

1447
01:03:17,680 --> 01:03:20,040
Speaker 1: you couldn't get through, you can always ask us a

1448
01:03:20,120 --> 01:03:22,280
Speaker 1: question on the voicemail and we'll answer that for you

1449
01:03:22,520 --> 01:03:24,200
Speaker 1: and when we come back. Of course, you guys have

1450
01:03:24,320 --> 01:03:26,360
Speaker 1: the last word. It's way up at Angela Yee.

1451
01:03:26,600 --> 01:03:30,320
Speaker 7: Take up the phone, tapping to get your voice heard.

1452
01:03:30,360 --> 01:03:33,680
Speaker 3: What the word is? Here's the last word on Way

1453
01:03:33,800 --> 01:03:34,760
Speaker 3: Up with Angela Yee.

1454
01:03:35,080 --> 01:03:37,600
Speaker 1: What's up? It's way up with Angela. Ye. I'm Angela Yee.

1455
01:03:37,600 --> 01:03:40,600
Speaker 1: Mano is here. Yeah, am I the guy Vanessa Mitchell

1456
01:03:40,760 --> 01:03:41,160
Speaker 1: is here?

1457
01:03:41,440 --> 01:03:42,160
Speaker 2: Yes, I am.

1458
01:03:42,360 --> 01:03:44,440
Speaker 1: Thank you. You're here all weekend, by the way in

1459
01:03:44,480 --> 01:03:45,720
Speaker 1: West Nayak, West.

1460
01:03:45,640 --> 01:03:49,640
Speaker 4: Nayak at Levity Live Comedy Club, New York City, surrounding areas.

1461
01:03:49,720 --> 01:03:51,880
Speaker 4: Y'all need to get to a good comedy show this weekend.

1462
01:03:51,920 --> 01:03:54,880
Speaker 4: Faness Mitchell your best bet. I'm in town BT comed

1463
01:03:54,920 --> 01:03:55,919
Speaker 4: View SNL.

1464
01:03:55,640 --> 01:03:57,840
Speaker 5: All that's your show. You got openers and all that.

1465
01:03:57,920 --> 01:04:00,360
Speaker 4: I got some openers, I got somebody recording it. I

1466
01:04:00,440 --> 01:04:03,000
Speaker 4: might blast on you and put you on my social

1467
01:04:03,080 --> 01:04:04,720
Speaker 4: media since that was trending.

1468
01:04:04,480 --> 01:04:06,600
Speaker 1: My day day Sunday two shows.

1469
01:04:06,280 --> 01:04:10,880
Speaker 4: Friday seven thirty nine thirty two shows Saturday seven o'clock

1470
01:04:10,920 --> 01:04:13,680
Speaker 4: and now forty five and then one seven pm on Sunday.

1471
01:04:13,920 --> 01:04:15,440
Speaker 1: All right, and it's not that far because I was

1472
01:04:15,440 --> 01:04:17,160
Speaker 1: looking at it's like forty five minutes from where we

1473
01:04:17,200 --> 01:04:19,640
Speaker 1: are right now in Manhattan. So that's a good listen

1474
01:04:19,680 --> 01:04:21,440
Speaker 1: comedy shows are always a great date night.

1475
01:04:21,480 --> 01:04:22,440
Speaker 2: I love great date night.

1476
01:04:22,760 --> 01:04:26,280
Speaker 4: I love you have a did Carolinas, Yes, definitely back

1477
01:04:26,280 --> 01:04:28,200
Speaker 4: in my essen now days they's to Caroline.

1478
01:04:28,360 --> 01:04:29,960
Speaker 1: It's sad that Caroline is gone.

1479
01:04:30,120 --> 01:04:32,320
Speaker 2: Oh, I forgot about it.

1480
01:04:32,320 --> 01:04:36,480
Speaker 1: It's a sad thing Caroline since I don't know how long. Yeah,

1481
01:04:36,600 --> 01:04:39,240
Speaker 1: but it's also the fiftieth anniversary of hip hop and

1482
01:04:39,520 --> 01:04:42,360
Speaker 1: you know, support Finesse. He's also a hip hop artist.

1483
01:04:42,480 --> 01:04:43,240
Speaker 2: Yeah, you DJ.

1484
01:04:43,440 --> 01:04:44,920
Speaker 4: They used some of y'all might have heard of me.

1485
01:04:45,000 --> 01:04:48,640
Speaker 4: They called me Lord Finess Lord back in the day.

1486
01:04:48,840 --> 01:04:50,960
Speaker 4: And then I switched over to comedy. You know, I've

1487
01:04:51,000 --> 01:04:53,840
Speaker 4: just met Lord Finess in LA for the first time

1488
01:04:54,000 --> 01:04:56,600
Speaker 4: and we and we had a conversation about so you

1489
01:04:56,680 --> 01:04:59,080
Speaker 4: Finess the comedian. I said, you the DJ man. You

1490
01:04:59,120 --> 01:05:01,760
Speaker 4: know many people used to so yeah.

1491
01:05:01,800 --> 01:05:03,360
Speaker 1: And I don't know if you want to say this,

1492
01:05:03,480 --> 01:05:05,720
Speaker 1: but you we're also celebrating today.

1493
01:05:05,680 --> 01:05:07,360
Speaker 2: Could celebrating last night.

1494
01:05:07,480 --> 01:05:10,240
Speaker 4: Oh last night. I just finished my script. It's an

1495
01:05:10,320 --> 01:05:13,080
Speaker 4: urban comedy. It's super dope. I'm writing the next new

1496
01:05:13,120 --> 01:05:16,600
Speaker 4: Love Jones with a twist. So I'm excited about that.

1497
01:05:17,200 --> 01:05:21,200
Speaker 4: Fade too black happened last night in West Nayak in

1498
01:05:21,200 --> 01:05:22,000
Speaker 4: that hotel room.

1499
01:05:22,120 --> 01:05:25,440
Speaker 1: I love that. Oh yeah, all right, and mano, you're

1500
01:05:25,440 --> 01:05:27,000
Speaker 1: going to save these streets.

1501
01:05:27,000 --> 01:05:30,880
Speaker 5: It's hustle hard weekend. We're doing it big tonight. Starting

1502
01:05:30,920 --> 01:05:34,000
Speaker 5: tonight we got a bowling party and then shout out

1503
01:05:34,000 --> 01:05:36,760
Speaker 5: to Trap, Happy birthday to him. Then we got a

1504
01:05:36,800 --> 01:05:39,680
Speaker 5: cook out tomorrow, and then we got some festivities at

1505
01:05:39,880 --> 01:05:40,560
Speaker 5: Chelsea House.

1506
01:05:40,800 --> 01:05:43,200
Speaker 6: Okay, we got this hustle all week in second annual.

1507
01:05:43,520 --> 01:05:45,720
Speaker 2: I need to come through and bowl my one sixty two.

1508
01:05:46,200 --> 01:05:49,400
Speaker 1: Oh okay, so you're coming second after me? All right?

1509
01:05:49,480 --> 01:05:53,440
Speaker 4: Cool sprown my average, So that's amazing.

1510
01:05:53,520 --> 01:05:56,560
Speaker 1: That a great average. It's not three hundred, but it's good.

1511
01:05:56,840 --> 01:05:57,880
Speaker 6: You're not doing three hundred.

1512
01:05:59,040 --> 01:06:02,000
Speaker 1: All right, Well, you gots be safe. Happy fiftieth anniversary

1513
01:06:02,040 --> 01:06:04,000
Speaker 1: of Hip hop Things again to fab By Freddy for

1514
01:06:04,040 --> 01:06:06,480
Speaker 1: coming through. To doctor Brandon McNeil from the New York

1515
01:06:06,480 --> 01:06:09,560
Speaker 1: Public Library, and as usual, you guys have the last word.

1516
01:06:09,960 --> 01:06:13,280
Speaker 10: Man, look like the wrong care man. Somebody to put

1517
01:06:13,360 --> 01:06:15,560
Speaker 10: sugar in my tank? This du got my car? Man,

1518
01:06:15,840 --> 01:06:19,000
Speaker 10: h I need just contact Infoe call me back.

1519
01:06:19,560 --> 01:06:22,160
Speaker 18: Hey, this is a Derek Got of Oklahoma and I'm

1520
01:06:22,200 --> 01:06:25,760
Speaker 18: listening to yesterday's episode or whatever and y'all talking about

1521
01:06:25,800 --> 01:06:30,080
Speaker 18: greatest albums of all time and just a regionally out

1522
01:06:30,080 --> 01:06:32,960
Speaker 18: of Oklahoma. My brother had us listening to Bone Douz

1523
01:06:33,040 --> 01:06:35,160
Speaker 18: in Harmony and y'all gotta say the Art of War

1524
01:06:35,280 --> 01:06:38,760
Speaker 18: album that was a double disc album they had collaborations

1525
01:06:38,800 --> 01:06:40,520
Speaker 18: with both Biggie and POC.

1526
01:06:40,800 --> 01:06:43,000
Speaker 10: Also shout out to my old lady Evanie.

1527
01:06:43,080 --> 01:06:45,320
Speaker 18: Okay she and our old lady, but that's my woman,

1528
01:06:45,400 --> 01:06:46,040
Speaker 18: that's my baby.

1529
01:06:46,080 --> 01:06:46,520
Speaker 10: I love her.

1530
01:06:46,600 --> 01:06:47,280
Speaker 3: To see you later.

1531
01:06:47,320 --> 01:06:47,600
Speaker 6: Baby.

1532
01:06:48,040 --> 01:06:50,200
Speaker 11: Hey, it's Ebanie, and I want to sign a light

1533
01:06:50,200 --> 01:06:53,280
Speaker 11: out on my mom. She just be breast cancer and

1534
01:06:53,320 --> 01:06:54,520
Speaker 11: we are so blessed.

1535
01:06:54,520 --> 01:06:56,640
Speaker 13: And I also want to sign a light on my sister.

1536
01:06:56,760 --> 01:07:00,000
Speaker 11: She's always there, my sister Boo, I love you.

1537
01:07:00,480 --> 01:07:03,640
Speaker 3: Going way out with angela ye