1 00:00:00,160 --> 00:00:04,320 Speaker 1: This entertainment report is on the pread show Freddy, This 2 00:00:04,440 --> 00:00:09,080 Speaker 1: one's for you, Okay. Taylor Swift has incorporated elements of 3 00:00:09,440 --> 00:00:14,360 Speaker 1: George Michaels nineteen eighty seven absolute banger father figure into 4 00:00:14,360 --> 00:00:17,520 Speaker 1: her upcoming song of the same name on the Life 5 00:00:17,560 --> 00:00:20,040 Speaker 1: of a Showgirl. I mean, why I can agree that's 6 00:00:20,040 --> 00:00:22,720 Speaker 1: a banger, right, that's a banger? 7 00:00:22,800 --> 00:00:23,840 Speaker 2: What? Yes? 8 00:00:24,079 --> 00:00:26,759 Speaker 3: So thank you for that fake reaction. 9 00:00:27,000 --> 00:00:30,800 Speaker 2: I have not. I'm stunned. Dam little John Great. I'll 10 00:00:30,840 --> 00:00:33,519 Speaker 2: tell you something. And of course the Swifties would never 11 00:00:33,600 --> 00:00:35,520 Speaker 2: tell her if she did. But if she screws this up, 12 00:00:35,880 --> 00:00:38,960 Speaker 2: this is gonna be bad. If I hear this and 13 00:00:39,120 --> 00:00:46,120 Speaker 2: she messes with this classic, this icon, then we're gonna 14 00:00:46,120 --> 00:00:49,159 Speaker 2: have a problem. So such a sexy. 15 00:00:48,800 --> 00:00:51,839 Speaker 1: Song, what she's doing is kind of interesting. She's actually 16 00:00:51,880 --> 00:00:55,200 Speaker 1: not sampling the song. She's interpolating it, which I. 17 00:00:55,280 --> 00:00:56,880 Speaker 3: Learned this same morning where we get in trouble. 18 00:00:57,280 --> 00:01:01,520 Speaker 1: Oh boy, No, it's gonna be more pure because when 19 00:01:01,560 --> 00:01:07,399 Speaker 1: you interpolate something, as opposed to sampling it, you use 20 00:01:07,440 --> 00:01:11,040 Speaker 1: this process of estimating unknown values between known data points, 21 00:01:11,120 --> 00:01:14,600 Speaker 1: or inserting something into a piece of music, aka recreating 22 00:01:14,640 --> 00:01:15,840 Speaker 1: a melody or composition. 23 00:01:16,000 --> 00:01:17,240 Speaker 3: Note for note with. 24 00:01:17,240 --> 00:01:20,360 Speaker 1: Another song, so it's gonna be like almost exactly the 25 00:01:20,400 --> 00:01:24,040 Speaker 1: same song he gets writing credits on the album, and 26 00:01:24,080 --> 00:01:27,319 Speaker 1: she's going to reimagine it in her in her imagination. 27 00:01:27,520 --> 00:01:30,240 Speaker 2: Wow, let me when you like five or ten seconds 28 00:01:30,240 --> 00:01:31,920 Speaker 2: of this so that it shows up on the spreadsheets. 29 00:01:31,920 --> 00:01:35,199 Speaker 2: So there's some more on suit emails me and ask me. 30 00:01:35,520 --> 00:01:37,200 Speaker 3: Did you play George Michael? 31 00:01:38,360 --> 00:01:38,560 Speaker 2: Yeah? 32 00:01:38,600 --> 00:01:39,600 Speaker 3: We did. Yeah, I don't know. 33 00:01:39,600 --> 00:01:41,800 Speaker 2: We weren't on the air, by the way, so maybe 34 00:01:41,800 --> 00:01:43,800 Speaker 2: you want to check on that before you'd write me 35 00:01:43,840 --> 00:01:47,600 Speaker 2: a stupid memo about it spreadsheet that you're staring at you. 36 00:01:48,160 --> 00:01:51,200 Speaker 3: Hey, way, hold on for I definitely want this to 37 00:01:51,240 --> 00:01:51,600 Speaker 3: show up. 38 00:01:52,240 --> 00:01:56,920 Speaker 2: So, yeah, did you play George Michael? 39 00:01:58,120 --> 00:02:00,800 Speaker 3: I played it twice? Wait till they asked we had 40 00:02:00,800 --> 00:02:01,240 Speaker 3: a reason. 41 00:02:01,600 --> 00:02:03,960 Speaker 2: Actually, I think Taylor should sing the words word for 42 00:02:04,000 --> 00:02:06,040 Speaker 2: word because this is how she This is what she's 43 00:02:06,040 --> 00:02:06,840 Speaker 2: saying to her fans. 44 00:02:06,920 --> 00:02:08,200 Speaker 3: Let me be your father figure. 45 00:02:08,840 --> 00:02:14,880 Speaker 2: This is what she has to say to all of you, 46 00:02:15,440 --> 00:02:22,080 Speaker 2: see me all your money. I could see it working. 47 00:02:22,680 --> 00:02:24,520 Speaker 1: I can't too, And I think the whole album is 48 00:02:24,639 --> 00:02:27,680 Speaker 1: similar vibes. So I think you will be driving down 49 00:02:27,760 --> 00:02:32,160 Speaker 1: Lake Shore with your windows down and you know me 50 00:02:32,400 --> 00:02:34,760 Speaker 1: and your sweatshirt, and I think you're gonna vibe you. 51 00:02:34,720 --> 00:02:35,799 Speaker 3: Know me, my Kispia. 52 00:02:35,840 --> 00:02:37,600 Speaker 2: I went, I got one of those like speaker boxes 53 00:02:37,600 --> 00:02:39,000 Speaker 2: that you like, if you were cool, you had it 54 00:02:39,040 --> 00:02:41,000 Speaker 2: like in the late nineties early remember, like you had 55 00:02:41,040 --> 00:02:43,720 Speaker 2: the bump. I got the bump. Yeah, that's got my 56 00:02:43,800 --> 00:02:45,880 Speaker 2: name etched into the side of it. Yeah it's his friend, 57 00:02:46,880 --> 00:02:48,360 Speaker 2: which I may or not have had at one point, 58 00:02:48,400 --> 00:02:49,160 Speaker 2: but it's fine. 59 00:02:50,080 --> 00:02:51,760 Speaker 3: No, I did. I did this is way back in 60 00:02:51,760 --> 00:02:52,000 Speaker 3: the day. 61 00:02:52,040 --> 00:02:54,960 Speaker 2: I did commercials for like a car's audio place doesn't 62 00:02:55,000 --> 00:02:57,000 Speaker 2: even exist anymore, Like, does any want to do that anymore? 63 00:02:57,400 --> 00:03:00,600 Speaker 2: Does anybody take their car to like the card place 64 00:03:00,639 --> 00:03:02,799 Speaker 2: and have them pimp it out like we did, you know. 65 00:03:02,800 --> 00:03:04,320 Speaker 3: Back in the Yeah, do you remember that? 66 00:03:04,480 --> 00:03:06,799 Speaker 2: Like yes, I think maybe now people everything is either 67 00:03:06,840 --> 00:03:10,000 Speaker 2: too complicated or it already comes like right, it already 68 00:03:10,040 --> 00:03:11,040 Speaker 2: comes like pretty good. 69 00:03:11,639 --> 00:03:12,480 Speaker 3: But I don't. 70 00:03:13,000 --> 00:03:15,560 Speaker 2: I think these places were on every corner and everybody 71 00:03:15,560 --> 00:03:17,520 Speaker 2: did it. They took their car and they would drive 72 00:03:17,560 --> 00:03:20,200 Speaker 2: it in the place and be like make it loud 73 00:03:20,320 --> 00:03:22,000 Speaker 2: or whatever, and they'd put like a new deck in 74 00:03:22,200 --> 00:03:24,320 Speaker 2: and they'd put speakers in places and said anyways, I 75 00:03:24,360 --> 00:03:26,320 Speaker 2: did commercials for this place. And I took my jeep, 76 00:03:27,000 --> 00:03:29,560 Speaker 2: my cheap grand Cherokee, and I drove it in there. 77 00:03:29,600 --> 00:03:31,840 Speaker 2: And I come out and I had this like gigantic 78 00:03:31,880 --> 00:03:33,280 Speaker 2: like the back of the truck. I didn't know what 79 00:03:33,280 --> 00:03:35,000 Speaker 2: they were doing because it was free, because I was 80 00:03:35,000 --> 00:03:38,040 Speaker 2: doing the commercial. The entire back of the thing was 81 00:03:38,080 --> 00:03:40,520 Speaker 2: this custom clear box with speakers. 82 00:03:40,640 --> 00:03:45,120 Speaker 3: It shaid Fred. It was like lit in me so hard. 83 00:03:46,640 --> 00:03:48,080 Speaker 3: I would have done it so quick. 84 00:03:49,800 --> 00:03:50,040 Speaker 4: Same. 85 00:03:50,240 --> 00:03:52,440 Speaker 3: That's really all it took. Was like a stooped up 86 00:03:52,920 --> 00:03:53,920 Speaker 3: That's what I'm saying. 87 00:03:54,000 --> 00:03:55,760 Speaker 2: Like, if you're a child of the nineties and two thousand, 88 00:03:55,840 --> 00:03:57,160 Speaker 2: you know what I'm talking about. It. I didn't know 89 00:03:57,160 --> 00:03:58,440 Speaker 2: what they were going to do, and I show up 90 00:03:58,480 --> 00:04:00,320 Speaker 2: and I'm like, it was like pit my ride. There 91 00:04:00,400 --> 00:04:02,520 Speaker 2: was like a popcorn maker in a like a clay 92 00:04:02,560 --> 00:04:07,560 Speaker 2: studio in the back of my car. The car flew 93 00:04:07,640 --> 00:04:09,400 Speaker 2: when I was done with it. It was when they when 94 00:04:09,400 --> 00:04:10,520 Speaker 2: they were done. 95 00:04:11,120 --> 00:04:14,280 Speaker 1: You are going to be living your best eighties life picture. 96 00:04:14,280 --> 00:04:15,560 Speaker 3: You're in that jeep with this. 97 00:04:15,640 --> 00:04:18,240 Speaker 2: Album, and you had your case logic. I mean, God, 98 00:04:18,279 --> 00:04:19,720 Speaker 2: this is going to really ages, but you had your 99 00:04:19,760 --> 00:04:22,320 Speaker 2: case logic. If you were really a pimp, you had 100 00:04:22,560 --> 00:04:27,960 Speaker 2: they were Ye, you had the album right in there. 101 00:04:28,120 --> 00:04:30,640 Speaker 2: You had the one with the handle, the handle on it, 102 00:04:30,720 --> 00:04:33,039 Speaker 2: the big blanket, and then oh yeah, and then you 103 00:04:33,040 --> 00:04:34,720 Speaker 2: had like the six disc changer and that was the 104 00:04:34,720 --> 00:04:36,200 Speaker 2: only bad part about it was if you had the 105 00:04:36,200 --> 00:04:38,400 Speaker 2: six disc changer in the back, which of course I had, 106 00:04:39,040 --> 00:04:41,040 Speaker 2: then like you only had the six so like if 107 00:04:41,040 --> 00:04:42,600 Speaker 2: you were rolling, like I want to hear something else, 108 00:04:42,640 --> 00:04:45,040 Speaker 2: you have to pull over switch it out. Yeah. Then 109 00:04:45,040 --> 00:04:46,719 Speaker 2: you had the deck that had the little face that 110 00:04:46,800 --> 00:04:49,320 Speaker 2: came off. If you were like a real g you 111 00:04:49,400 --> 00:04:52,000 Speaker 2: pop the face off, you know, because people could steal it. 112 00:04:52,440 --> 00:04:54,880 Speaker 3: I always wondered why, like they were afraid people would 113 00:04:54,880 --> 00:04:55,120 Speaker 3: take that. 114 00:04:55,240 --> 00:04:57,000 Speaker 2: Well, because if you pop the face off, then all 115 00:04:57,040 --> 00:04:59,320 Speaker 2: that all you'd be able to steal is the deck 116 00:04:59,360 --> 00:05:00,440 Speaker 2: with no thing on it. 117 00:05:00,480 --> 00:05:03,760 Speaker 3: So it was like a security mechanism. I guess, okay it. 118 00:05:04,320 --> 00:05:05,880 Speaker 2: And yes, people are asking, we're going to play the 119 00:05:05,920 --> 00:05:07,440 Speaker 2: album on Friday, We're gonna play the albums? 120 00:05:08,320 --> 00:05:08,920 Speaker 3: What were you talking about? 121 00:05:09,000 --> 00:05:10,680 Speaker 1: I thought we were I forgot how we got here. 122 00:05:10,720 --> 00:05:11,719 Speaker 3: We were talking about Taylor. 123 00:05:11,920 --> 00:05:14,320 Speaker 1: We totally forgot by the way, she just made history 124 00:05:14,520 --> 00:05:17,120 Speaker 1: by becoming the first and only female artists who surpass 125 00:05:17,160 --> 00:05:19,039 Speaker 1: one hundred million certified album sales. 126 00:05:19,040 --> 00:05:21,400 Speaker 3: In the US. As of yesterday, she sold over one. 127 00:05:21,400 --> 00:05:24,440 Speaker 1: Hundred and five million albums, placing her among the top 128 00:05:24,440 --> 00:05:25,520 Speaker 1: selling artists of all time. 129 00:05:25,600 --> 00:05:27,880 Speaker 3: Only a few male artists have higher sales. 130 00:05:27,920 --> 00:05:30,359 Speaker 4: So I'll give you the little listy list the Beatles, 131 00:05:30,520 --> 00:05:35,080 Speaker 4: Garth Brooks, Elvis, the Eagles, And as for her most 132 00:05:35,200 --> 00:05:40,880 Speaker 4: successful albums, we are nineteen eighty nine, Fearless, Red Taylor Swift, 133 00:05:40,920 --> 00:05:45,800 Speaker 4: which's debut debut and The Tortured Poets Department comes in last, 134 00:05:46,279 --> 00:05:47,960 Speaker 4: and Kiki, this one's gonna. 135 00:05:47,760 --> 00:05:49,159 Speaker 3: Hurt a little bit. It's official. 136 00:05:49,279 --> 00:05:52,680 Speaker 1: As of yesterday, nicolek Hadman filed for divorce from Keith Urban, 137 00:05:52,760 --> 00:05:55,200 Speaker 1: ending their nineteen year marriage. Now the couple, who share 138 00:05:55,279 --> 00:05:57,560 Speaker 1: two daughters, had been living separately for some time. We 139 00:05:57,640 --> 00:06:00,560 Speaker 1: knew this, but people close in a are saying that 140 00:06:00,600 --> 00:06:03,800 Speaker 1: she felt really hurt and betrayed by the separation, believing 141 00:06:03,839 --> 00:06:07,400 Speaker 1: that their marriage could be saved. Unfortunately, I'm hearing Keith 142 00:06:07,520 --> 00:06:09,640 Speaker 1: has already moved on dating a younger woman. 143 00:06:10,080 --> 00:06:13,000 Speaker 3: Are you kidding me? I Am not joking yet. Five 144 00:06:13,120 --> 00:06:17,760 Speaker 3: Blowout Curl, Rocket, Chunky Highlights. He has the audacity Wow, 145 00:06:17,800 --> 00:06:18,880 Speaker 3: this separation. 146 00:06:19,080 --> 00:06:20,839 Speaker 1: And I also heard that he was kind of sick, 147 00:06:20,960 --> 00:06:23,240 Speaker 1: which this really ticked me off. He was sick of 148 00:06:23,279 --> 00:06:25,960 Speaker 1: not seeing her a lot because their schedules figured out Keith. 149 00:06:26,040 --> 00:06:28,600 Speaker 1: But the separation follows a period of time where they 150 00:06:28,600 --> 00:06:30,919 Speaker 1: were living apart because she was filming A Practical Magic 151 00:06:30,920 --> 00:06:33,000 Speaker 1: Too in London and Keith was touring with this high 152 00:06:33,040 --> 00:06:35,719 Speaker 1: End a Live World tour. Their last public appearance together 153 00:06:35,960 --> 00:06:40,240 Speaker 1: was in June, and Nicole had recently celebrated their anniversary 154 00:06:40,279 --> 00:06:42,240 Speaker 1: online nineteenth same month. 155 00:06:42,320 --> 00:06:45,440 Speaker 3: So it makes me really saying what highlights? So well 156 00:06:45,520 --> 00:06:48,280 Speaker 3: suggested that we do a and I don't. 157 00:06:48,320 --> 00:06:50,080 Speaker 2: I don't think this is happening because I don't think 158 00:06:50,080 --> 00:06:51,200 Speaker 2: you could bring yourself to do it. 159 00:06:51,240 --> 00:06:54,159 Speaker 3: But someone suggested keiki karaoke be Keith Urban theme today. 160 00:06:54,320 --> 00:06:56,960 Speaker 3: I wish I would. I wish I would do that 161 00:06:57,080 --> 00:07:01,200 Speaker 3: for him. It need to be songs about cheaters. Oh 162 00:07:01,240 --> 00:07:04,719 Speaker 3: that's easy to do down man. What highlights yep, yes, 163 00:07:05,160 --> 00:07:05,919 Speaker 3: Harry Underwater. 164 00:07:07,240 --> 00:07:09,520 Speaker 2: I mean I love I'm a Keith Urban fan. I 165 00:07:09,520 --> 00:07:12,520 Speaker 2: mean I really enjoy I enjoy some Keith Urban. I 166 00:07:12,600 --> 00:07:13,640 Speaker 2: like Keith Urban's music. 167 00:07:13,680 --> 00:07:13,920 Speaker 3: I do. 168 00:07:14,640 --> 00:07:17,680 Speaker 2: I just don't know that I can bring myself to 169 00:07:17,760 --> 00:07:19,720 Speaker 2: do it. I don't know that I can bring myself 170 00:07:19,720 --> 00:07:21,800 Speaker 2: to play the songs and get him, you know, fifteen 171 00:07:21,840 --> 00:07:24,080 Speaker 2: minutes of Key Key's time today exact. 172 00:07:23,880 --> 00:07:26,440 Speaker 3: Not after he did that to my girl. Sorry. I 173 00:07:26,520 --> 00:07:32,200 Speaker 3: like cheaters songs. I like cheaters. I love tears song 174 00:07:32,280 --> 00:07:32,760 Speaker 3: We'll go with it. 175 00:07:33,200 --> 00:07:34,960 Speaker 1: By the way, the frend showonder Man on the Free 176 00:07:35,000 --> 00:07:36,640 Speaker 1: I heard app if you want to catch up on 177 00:07:36,680 --> 00:07:37,320 Speaker 1: anything you miss