1 00:00:00,280 --> 00:00:03,040 Speaker 1: Hey, I'm Norah Jones and today I'm playing along with 2 00:00:03,200 --> 00:00:04,080 Speaker 1: Sasha Dobson. 3 00:00:04,680 --> 00:00:12,680 Speaker 2: I'm just playing long with you. I'm just playing in 4 00:00:12,960 --> 00:00:18,279 Speaker 2: lone with you. Hey, I'm Nora. 5 00:00:18,400 --> 00:00:21,200 Speaker 1: Welcome to the show with me as always Sarah Oda. 6 00:00:21,320 --> 00:00:23,960 Speaker 1: Hi there, Odi Chan, Hello, Hi. 7 00:00:24,280 --> 00:00:24,440 Speaker 3: Hi. 8 00:00:25,120 --> 00:00:30,960 Speaker 1: Our guest today is our sister. She is sister sister. 9 00:00:31,720 --> 00:00:37,000 Speaker 1: Sasha Dobson is a singer, a songwriter, an incredible guitar player. 10 00:00:37,520 --> 00:00:40,440 Speaker 1: I love her drum grooves, and she happens to be 11 00:00:40,760 --> 00:00:43,160 Speaker 1: both of our oldest friends in New York City. 12 00:00:43,320 --> 00:00:46,000 Speaker 4: This is true. She's also a dancer, but you'll hear 13 00:00:46,080 --> 00:00:47,040 Speaker 4: more about that later. 14 00:00:47,400 --> 00:00:51,600 Speaker 1: Yeah, she's one of my favorite, favorite, most beloved people 15 00:00:51,880 --> 00:00:53,880 Speaker 1: in my life. Actually, she's one of my best friends, 16 00:00:53,960 --> 00:00:57,080 Speaker 1: and she's one of my favorite people to collaborate with. 17 00:00:57,280 --> 00:00:59,800 Speaker 4: She's put out a lot of albums as a solo artist, 18 00:01:00,040 --> 00:01:03,080 Speaker 4: but she's also a bandmate of yours in Puss and Boots. 19 00:01:03,160 --> 00:01:06,360 Speaker 4: That's right with Catherine Popper. Yep, we have a band together. 20 00:01:07,080 --> 00:01:09,640 Speaker 1: In this band, we sort of learned how to play 21 00:01:09,680 --> 00:01:12,960 Speaker 1: guitar a little bit together. Then she switched to drums 22 00:01:13,000 --> 00:01:15,160 Speaker 1: and started playing drums. It's been a really fun band 23 00:01:15,200 --> 00:01:22,000 Speaker 1: of experimentation and chasing different things just for fun and songwriting. 24 00:01:21,440 --> 00:01:26,680 Speaker 4: And she's a very accomplished, beautiful songwriter, but she's also 25 00:01:26,760 --> 00:01:28,960 Speaker 4: such a good improviser that I feel like she's a 26 00:01:28,959 --> 00:01:31,560 Speaker 4: fun musician to have around to kind of just like 27 00:01:31,680 --> 00:01:33,360 Speaker 4: anything's possible, exactly. 28 00:01:33,440 --> 00:01:36,320 Speaker 1: I definitely feel like anything's possible with Sasha, like she's 29 00:01:36,319 --> 00:01:40,160 Speaker 1: always up for anything musically as well, which kind of 30 00:01:40,200 --> 00:01:44,319 Speaker 1: goes back to I think being raised jazz in that 31 00:01:44,680 --> 00:01:46,920 Speaker 1: school of music and improvising. 32 00:01:47,240 --> 00:01:49,280 Speaker 4: I felt like having Sasha on the show as sort 33 00:01:49,320 --> 00:01:52,200 Speaker 4: of a no brainer because the heart of our show 34 00:01:52,280 --> 00:01:54,880 Speaker 4: is about collaborating, and I feel like there's something so 35 00:01:55,120 --> 00:01:58,040 Speaker 4: natural and easy about collaborating with somebody that you know 36 00:01:58,160 --> 00:02:01,360 Speaker 4: so well, like a family member. It's just in your DNA. 37 00:02:01,720 --> 00:02:05,720 Speaker 1: Yeah, I mean, Sasha was the first guest we wanted, 38 00:02:05,840 --> 00:02:08,840 Speaker 1: she was first on the list, and I've known her 39 00:02:08,919 --> 00:02:11,560 Speaker 1: so long and I know her so well that actually 40 00:02:11,600 --> 00:02:15,040 Speaker 1: this episode was hard for me because of the talking stuff. 41 00:02:15,240 --> 00:02:18,160 Speaker 1: We talk really easily, and that's not a problem, but 42 00:02:18,480 --> 00:02:21,280 Speaker 1: actually trying to think of things I didn't know about her, 43 00:02:21,400 --> 00:02:23,799 Speaker 1: or trying to figure out how to pretend I didn't 44 00:02:23,880 --> 00:02:26,880 Speaker 1: know the answer to the questions I was asking. Yeah, 45 00:02:26,919 --> 00:02:28,720 Speaker 1: but the truth is I learned a lot that I 46 00:02:28,760 --> 00:02:29,280 Speaker 1: didn't know. 47 00:02:29,480 --> 00:02:32,640 Speaker 4: Yeah, it's like we've watched her journey as a musician 48 00:02:32,720 --> 00:02:36,280 Speaker 4: and a friend for almost twenty years, or more than 49 00:02:36,280 --> 00:02:39,760 Speaker 4: twenty years, but like there's just little nooks where yeah, 50 00:02:39,760 --> 00:02:40,760 Speaker 4: I didn't know about her. 51 00:02:41,000 --> 00:02:45,840 Speaker 1: Yeah, things I didn't really completely know. She is from 52 00:02:45,880 --> 00:02:49,640 Speaker 1: Santa Cruz, California. She grew up in a family of musicians, 53 00:02:49,760 --> 00:02:54,000 Speaker 1: jazz musicians specifically, And we talk about all that. I 54 00:02:54,080 --> 00:02:57,600 Speaker 1: highly recommend you go check out her social media pages 55 00:02:57,800 --> 00:03:00,440 Speaker 1: and go see her play because she plays all over 56 00:03:00,480 --> 00:03:03,320 Speaker 1: New York all the time, and see if she's on 57 00:03:03,360 --> 00:03:06,200 Speaker 1: tour in a city near you. Because she's a beautiful 58 00:03:06,200 --> 00:03:10,080 Speaker 1: performer and she's a special songwriter. She has become such 59 00:03:10,280 --> 00:03:13,560 Speaker 1: a special songwriter over the years. You know, I remember 60 00:03:13,560 --> 00:03:15,120 Speaker 1: when she wrote her first song. We talked about that 61 00:03:15,160 --> 00:03:17,880 Speaker 1: in this episode. Now she's got so many songs that 62 00:03:18,000 --> 00:03:21,520 Speaker 1: it was hard for me to choose them for this episode. 63 00:03:21,600 --> 00:03:23,600 Speaker 4: I just have so much love and respect for her 64 00:03:23,800 --> 00:03:25,560 Speaker 4: as she's just such a true artist. 65 00:03:25,760 --> 00:03:28,840 Speaker 1: Yeah, she's a beautiful human and one of our favorite 66 00:03:28,880 --> 00:03:33,440 Speaker 1: people inside and out and musically and friend wise. And 67 00:03:34,240 --> 00:03:37,000 Speaker 1: we just love her so much. You're going to hear 68 00:03:37,200 --> 00:03:39,720 Speaker 1: a lot of beautiful songs that she wrote in this episode, 69 00:03:39,840 --> 00:03:42,400 Speaker 1: as well as an old jazz standard that we recorded together. 70 00:03:42,920 --> 00:03:46,000 Speaker 1: She's one of my favorite guitar players, actually rhythm guitar players, 71 00:03:46,000 --> 00:03:48,320 Speaker 1: So she brought her guitar and she played some guitar, 72 00:03:48,400 --> 00:03:50,880 Speaker 1: and we're going to open up with a song we 73 00:03:51,280 --> 00:03:53,600 Speaker 1: do in Pus some boots that she's going to be 74 00:03:53,600 --> 00:03:56,120 Speaker 1: playing drums on, So please enjoy. 75 00:03:56,560 --> 00:04:13,600 Speaker 5: Sasha Dobson, Oh, sister, I don't want to know it you. 76 00:04:16,000 --> 00:04:18,560 Speaker 6: I don't want to know it's true. 77 00:04:20,320 --> 00:04:32,640 Speaker 7: You lost your well again, Sister, You've forgot your head again. 78 00:04:34,760 --> 00:04:40,800 Speaker 6: Bakers. Instead, it's time to let you know. 79 00:04:44,880 --> 00:04:49,159 Speaker 8: You can take my money, you can take my man. 80 00:04:49,600 --> 00:04:55,520 Speaker 8: You can try to every think you can check it 81 00:04:56,000 --> 00:05:01,159 Speaker 8: down the two three buds Eavin's I don't feel. 82 00:05:00,880 --> 00:05:02,800 Speaker 9: That empty hard. 83 00:05:04,000 --> 00:05:12,960 Speaker 10: Sisters, You've all learn them wrong. Won't you listen to 84 00:05:13,040 --> 00:05:17,520 Speaker 10: my song? I can't let you go. 85 00:05:56,680 --> 00:06:04,359 Speaker 8: Now? You can take that money, can take my man, charity. 86 00:06:05,800 --> 00:06:09,880 Speaker 8: You think you can chegg it down? 87 00:06:10,800 --> 00:06:12,200 Speaker 6: Ju be mad? 88 00:06:13,200 --> 00:06:21,880 Speaker 8: Nevin's gone to feel ity, sister, Oh. 89 00:06:22,000 --> 00:06:22,640 Speaker 11: I don't know. 90 00:06:25,320 --> 00:06:31,640 Speaker 6: Won't you listen to myself? I can you. 91 00:06:46,839 --> 00:06:50,960 Speaker 1: Georgie, Well, your doggie was barking at the door. 92 00:06:50,800 --> 00:06:51,520 Speaker 6: The whole time. 93 00:06:52,560 --> 00:06:55,159 Speaker 1: You're awesome, not bad, not bad. 94 00:06:55,160 --> 00:06:56,080 Speaker 12: It's not for chess. 95 00:06:56,240 --> 00:07:00,160 Speaker 1: Oh my god, I miss playing with you. I know. Oh, 96 00:07:01,080 --> 00:07:03,599 Speaker 1: I know, god, I miss playing with you. 97 00:07:03,680 --> 00:07:04,760 Speaker 12: I missed it a lot. 98 00:07:05,640 --> 00:07:06,480 Speaker 1: Oh man. 99 00:07:06,800 --> 00:07:07,680 Speaker 12: Yeah. 100 00:07:08,000 --> 00:07:12,000 Speaker 1: So we okay, so we share I say our birthdays. 101 00:07:12,080 --> 00:07:14,920 Speaker 1: We were twenty because we're one day apart. Yes, and 102 00:07:14,960 --> 00:07:17,640 Speaker 1: we have had many a birthday together. Yes, And so 103 00:07:17,720 --> 00:07:21,120 Speaker 1: we met. It was it was nineteen ninety nine, okay, 104 00:07:21,240 --> 00:07:23,240 Speaker 1: the summer that's when I moved to New York. So 105 00:07:23,280 --> 00:07:27,080 Speaker 1: that's when I was twenty and you were twenty. Yeah, okay, 106 00:07:27,160 --> 00:07:29,120 Speaker 1: so we shared that gig. But we met for the 107 00:07:29,120 --> 00:07:33,360 Speaker 1: first time at Carpo's Cafe. Yeah, on Bleaker Street. Yeah, 108 00:07:33,440 --> 00:07:36,320 Speaker 1: because Danielle Guessparo was singing. 109 00:07:36,080 --> 00:07:38,800 Speaker 12: Right, Yeah, it was her gig. Was playing drums and 110 00:07:38,840 --> 00:07:40,280 Speaker 12: it was his game. And that's why I was there, 111 00:07:40,440 --> 00:07:43,040 Speaker 12: that's right, because I followed him around like puppy. 112 00:07:43,200 --> 00:07:43,960 Speaker 1: Oh. 113 00:07:44,000 --> 00:07:46,360 Speaker 12: And I remember you said it and I was. 114 00:07:46,320 --> 00:07:48,680 Speaker 1: Like, who's that sing Yeah, and you said it and 115 00:07:48,720 --> 00:07:50,120 Speaker 1: I was like hi, Yeah. 116 00:07:50,680 --> 00:07:52,920 Speaker 12: I just remember thought, oh my god, she's so friendly, 117 00:07:53,720 --> 00:07:59,280 Speaker 12: a friendly chess friendly you and Danielle. I was like, oh, 118 00:07:59,400 --> 00:08:00,480 Speaker 12: she was gonna it out. 119 00:08:00,680 --> 00:08:00,880 Speaker 10: You know. 120 00:08:01,000 --> 00:08:02,880 Speaker 1: It was so generous of her too. I mean, I 121 00:08:02,920 --> 00:08:05,720 Speaker 1: know that's always the jazz scene you're supposed to sit 122 00:08:05,800 --> 00:08:08,520 Speaker 1: in and all that, but that was not typical. No, 123 00:08:08,760 --> 00:08:11,160 Speaker 1: it's scary for a sing I don't know. It just 124 00:08:11,240 --> 00:08:12,560 Speaker 1: felt very generous. 125 00:08:12,720 --> 00:08:18,040 Speaker 12: Yes, Yeah, and I and that's part of why your friendship. 126 00:08:18,360 --> 00:08:20,240 Speaker 12: One of the many reasons why your friendship means so 127 00:08:20,320 --> 00:08:22,880 Speaker 12: much to me is because, yeah, I mean, it feels 128 00:08:22,920 --> 00:08:27,040 Speaker 12: like singers aren't necessarily mean to each other, but it's 129 00:08:27,160 --> 00:08:28,320 Speaker 12: kind of a lonely road. 130 00:08:28,760 --> 00:08:31,280 Speaker 1: Yeah, it is. And I've got to say, I agree 131 00:08:31,360 --> 00:08:33,680 Speaker 1: they're not mean. I think they get a lot of 132 00:08:33,720 --> 00:08:36,000 Speaker 1: crap maybe, and so they put on a little bit 133 00:08:36,040 --> 00:08:38,760 Speaker 1: of armor, especially the jazz jazz world. Maybe. 134 00:08:38,840 --> 00:08:39,480 Speaker 12: Absolutely. 135 00:08:39,760 --> 00:08:42,200 Speaker 1: What does the term chick singer mean to you? 136 00:08:43,280 --> 00:08:47,400 Speaker 12: I mean, I don't really have like a huge hang 137 00:08:47,480 --> 00:08:51,080 Speaker 12: up about it. I guess from being it. Yeah, but 138 00:08:52,040 --> 00:08:57,280 Speaker 12: I do know that I always felt just personally like 139 00:08:57,640 --> 00:08:59,880 Speaker 12: something was missing all those years when when I was 140 00:09:00,400 --> 00:09:05,240 Speaker 12: just quote unquote singing. Yeah, And I do know that 141 00:09:05,679 --> 00:09:09,319 Speaker 12: I always felt left out in a way when all 142 00:09:09,360 --> 00:09:11,760 Speaker 12: I was doing was singing. And not being a part 143 00:09:11,760 --> 00:09:12,960 Speaker 12: of the rhythm section. 144 00:09:13,040 --> 00:09:17,080 Speaker 1: Especially when like between verses, right or exactly, yeah, they're 145 00:09:17,120 --> 00:09:18,760 Speaker 1: all sololy and you're just standing there. 146 00:09:19,000 --> 00:09:21,319 Speaker 12: And now, of course, all this, all these years later, 147 00:09:21,840 --> 00:09:23,520 Speaker 12: I can go back and do a jazz gig and 148 00:09:23,640 --> 00:09:26,280 Speaker 12: just sing and it's actually kind of nice to just 149 00:09:26,360 --> 00:09:29,240 Speaker 12: relax and not have to set up gear or totally 150 00:09:29,360 --> 00:09:31,520 Speaker 12: play in between, and I can enjoy. But you know, 151 00:09:31,640 --> 00:09:33,680 Speaker 12: I love you, know me. I love playing rhythm, I 152 00:09:33,760 --> 00:09:35,240 Speaker 12: love being involved the whole time. 153 00:09:35,400 --> 00:09:39,040 Speaker 1: You're a great musician, and I think it's so I mean, 154 00:09:39,040 --> 00:09:41,400 Speaker 1: we've known each other so long, so thinking about I've 155 00:09:41,400 --> 00:09:43,680 Speaker 1: been having a running conversation with you in my head, 156 00:09:43,720 --> 00:09:47,800 Speaker 1: which is hilarious because you've also been here at my house. 157 00:09:48,320 --> 00:09:51,600 Speaker 1: But I'm trying to think of all these things because 158 00:09:51,640 --> 00:09:53,280 Speaker 1: I know you so well and we have so much 159 00:09:53,320 --> 00:09:57,080 Speaker 1: shared history. But I want to know about what I 160 00:09:57,120 --> 00:09:59,720 Speaker 1: don't know about you, which is it's interesting because we 161 00:09:59,760 --> 00:10:02,560 Speaker 1: both come from the jazz world, and we shared that 162 00:10:02,640 --> 00:10:05,920 Speaker 1: gig a Vintage for so long, totally or for that summer, 163 00:10:06,520 --> 00:10:09,160 Speaker 1: and we knew each other and that's when we met 164 00:10:09,200 --> 00:10:12,960 Speaker 1: and we were both singing jazz. But then both of 165 00:10:13,040 --> 00:10:18,560 Speaker 1: us have come together doing other things, yeah, and writing songs. 166 00:10:18,600 --> 00:10:22,320 Speaker 1: And you just played drums. You're a guitar player. I 167 00:10:22,440 --> 00:10:25,560 Speaker 1: hired you to be in my band once playing rhythm 168 00:10:25,720 --> 00:10:30,200 Speaker 1: guitar because you're such a great rhythm guitar player. So 169 00:10:30,320 --> 00:10:32,559 Speaker 1: it's kind of wild to me that you didn't start 170 00:10:32,559 --> 00:10:37,360 Speaker 1: playing an instrument until much later than most people I know. So, okay, 171 00:10:37,440 --> 00:10:42,080 Speaker 1: so your childhood, you have a jazz family. 172 00:10:44,000 --> 00:10:49,800 Speaker 12: It's true. I was born into a family of jazz musicians, allible. 173 00:10:50,480 --> 00:10:51,679 Speaker 1: Yeah, it's incredible. 174 00:10:52,160 --> 00:10:54,959 Speaker 12: I love them so much, and they're all amazing and 175 00:10:56,160 --> 00:11:01,480 Speaker 12: very inspiring, unique people, and it was very intimid. 176 00:11:00,679 --> 00:11:03,760 Speaker 1: Well, so that's what I'm wondering about. Yeah, do you 177 00:11:03,800 --> 00:11:08,520 Speaker 1: think that's why you didn't Your your mom is a singer, yep. 178 00:11:09,040 --> 00:11:13,400 Speaker 1: Your brother plays drums and saxophone yeah, and vibes and vibes, 179 00:11:13,520 --> 00:11:16,199 Speaker 1: and and he's older and he's two years thank you 180 00:11:16,320 --> 00:11:21,319 Speaker 1: for me, Yeah, he's no. Just for the intimidation, yeah, no, 181 00:11:21,360 --> 00:11:24,120 Speaker 1: two years older. And then your father, who has passed 182 00:11:24,120 --> 00:11:27,880 Speaker 1: away but was an amazing legendary pianist. 183 00:11:28,040 --> 00:11:28,400 Speaker 12: Yeah. 184 00:11:28,480 --> 00:11:32,440 Speaker 1: Yeah, I've heard so many stories from it's crazyious because 185 00:11:32,559 --> 00:11:34,760 Speaker 1: he is crazy. I think I feel him. 186 00:11:34,960 --> 00:11:36,680 Speaker 12: Yeah, yeah, you've heard enough about it. 187 00:11:36,679 --> 00:11:40,080 Speaker 1: I've heard so much about him. But but you were intimidated, 188 00:11:40,360 --> 00:11:42,719 Speaker 1: you think out of playing an instrument growing up, Well, it. 189 00:11:42,760 --> 00:11:46,240 Speaker 12: Was like Smith grew up playing with dad, just like 190 00:11:46,280 --> 00:11:49,040 Speaker 12: you and me are doing right now. It's so amazing 191 00:11:49,559 --> 00:11:52,600 Speaker 12: to be in this seat because and to wake up 192 00:11:52,600 --> 00:11:55,120 Speaker 12: in your home and your piano in the morning, just 193 00:11:55,120 --> 00:11:58,040 Speaker 12: because it was so much your I'm like, I'm your kid. 194 00:11:58,240 --> 00:12:00,880 Speaker 12: Your kids are growing up in a similar way that 195 00:12:00,960 --> 00:12:05,360 Speaker 12: I did, you know, and I looked up, I mean 196 00:12:05,400 --> 00:12:12,200 Speaker 12: now after many many years of therapy, piece it together, 197 00:12:12,400 --> 00:12:14,920 Speaker 12: and see that I was in awe of what was 198 00:12:15,000 --> 00:12:18,240 Speaker 12: going on between particularly my brother and my dad. And 199 00:12:18,559 --> 00:12:22,760 Speaker 12: they always wanted, especially my dad, maybe not so much 200 00:12:22,800 --> 00:12:24,959 Speaker 12: my brother, who wanted me to be a part of it. 201 00:12:25,440 --> 00:12:29,480 Speaker 12: But I was so shy and I just was but 202 00:12:31,679 --> 00:12:34,760 Speaker 12: and I didn't maybe know quite how to participate. And 203 00:12:34,880 --> 00:12:38,480 Speaker 12: my brother was you know, I didn't know until many 204 00:12:38,600 --> 00:12:41,480 Speaker 12: many years later that he was definitely like a prodigy, 205 00:12:41,640 --> 00:12:45,240 Speaker 12: a freaky you know, I mean, like he could play drums. 206 00:12:45,440 --> 00:12:48,160 Speaker 12: I have videos watching him playing drums at age ten, 207 00:12:48,200 --> 00:12:50,959 Speaker 12: and it was like, oh, I had no idea. 208 00:12:51,040 --> 00:12:54,520 Speaker 1: He was like a freak of nature. 209 00:12:54,640 --> 00:12:58,120 Speaker 12: Yeah, and I didn't know that then. I just was like, 210 00:12:58,200 --> 00:13:01,439 Speaker 12: why can't I do that? Yeah, I must not be 211 00:13:01,559 --> 00:13:05,160 Speaker 12: able to like because it just didn't happen. You know, 212 00:13:05,240 --> 00:13:07,600 Speaker 12: I didn't find it the way he did. 213 00:13:08,240 --> 00:13:08,600 Speaker 11: I was. 214 00:13:08,960 --> 00:13:10,800 Speaker 12: It took me a long time to figure out what 215 00:13:10,840 --> 00:13:12,240 Speaker 12: I wanted to do other than sing. 216 00:13:12,320 --> 00:13:14,559 Speaker 1: Well, you always wanted to sing, though, right, Yeah. 217 00:13:14,360 --> 00:13:17,160 Speaker 12: I mean singing definitely. It was the easiest way to 218 00:13:17,240 --> 00:13:17,640 Speaker 12: jump in. 219 00:13:17,960 --> 00:13:20,800 Speaker 1: Well. It also singing when you're when you're in a 220 00:13:20,880 --> 00:13:23,720 Speaker 1: musical family. I mean, you're natural, You're a natural musician. 221 00:13:24,000 --> 00:13:27,200 Speaker 1: You're just doing it. You're probably doing it right after 222 00:13:27,200 --> 00:13:29,280 Speaker 1: you were born, right, I. 223 00:13:29,240 --> 00:13:32,120 Speaker 12: Mean I guess I think that, you know, because I 224 00:13:32,120 --> 00:13:37,000 Speaker 12: didn't have like a steady like itinerary with one instrument. Yeah, 225 00:13:37,280 --> 00:13:40,040 Speaker 12: I definitely was around it, you know. 226 00:13:40,200 --> 00:13:45,360 Speaker 1: Yeah. Yeah, did your mom sing when she wasn't practicing 227 00:13:45,400 --> 00:13:47,560 Speaker 1: a song? Did she just sing around the house like 228 00:13:47,640 --> 00:13:48,120 Speaker 1: for fun? 229 00:13:48,400 --> 00:13:52,320 Speaker 12: Well, mom and dad sang a lot. Yeah he sang too, Yeah, 230 00:13:52,360 --> 00:13:54,920 Speaker 12: like in harmony, and I do. 231 00:13:54,960 --> 00:13:57,480 Speaker 1: Why you're such a great harmony singer. It is okay 232 00:13:59,000 --> 00:14:01,640 Speaker 1: amazing to play some of that you did once and 233 00:14:01,679 --> 00:14:02,520 Speaker 1: I totally yeah. 234 00:14:02,840 --> 00:14:05,880 Speaker 12: Yeah, a lot of people don't know because because they 235 00:14:05,880 --> 00:14:10,000 Speaker 12: only made a couple of records where they mostly gigged. Yeah, 236 00:14:10,240 --> 00:14:13,839 Speaker 12: and she sang and she sang and they harmonized together, 237 00:14:13,920 --> 00:14:17,480 Speaker 12: and there's a lot of rating. That's why Girl Talk 238 00:14:17,600 --> 00:14:21,840 Speaker 12: is so magical for me personally. Which is a song 239 00:14:21,880 --> 00:14:25,240 Speaker 12: that we recorded together in harmony, and we're gonna do 240 00:14:25,280 --> 00:14:28,000 Speaker 12: it so much like what I grew up around with. 241 00:14:28,200 --> 00:14:29,240 Speaker 12: That's double harmony. 242 00:14:29,320 --> 00:14:32,600 Speaker 1: That makes so much sense now because I was trying 243 00:14:32,640 --> 00:14:35,200 Speaker 1: to piece it together and I was thinking, Okay, you're 244 00:14:35,240 --> 00:14:41,920 Speaker 1: one of my most chemistry harmony. We harmonize with each 245 00:14:41,920 --> 00:14:45,040 Speaker 1: other best out of anyone I've ever heard. It's the 246 00:14:45,080 --> 00:14:48,200 Speaker 1: same here, familiar, It's like we were twins or something. 247 00:14:48,520 --> 00:14:52,640 Speaker 1: And I was thinking about my background with harmonies being 248 00:14:52,680 --> 00:14:54,680 Speaker 1: I was just harmonized with whatever was on the radio, 249 00:14:54,800 --> 00:14:57,640 Speaker 1: and then I was in church choirs and then school choirs. 250 00:14:58,720 --> 00:15:02,160 Speaker 1: But you came up different, diferently, And that makes sense 251 00:15:02,200 --> 00:15:04,119 Speaker 1: now because I was wondering where the harmony stuff. 252 00:15:04,000 --> 00:15:05,800 Speaker 12: Because that's what my dad got. Well, that's where he 253 00:15:05,880 --> 00:15:08,480 Speaker 12: got all the harmony shops from because he was a 254 00:15:08,720 --> 00:15:12,640 Speaker 12: magical harmony singer from you and he learned it in 255 00:15:12,960 --> 00:15:13,400 Speaker 12: the church. 256 00:15:13,640 --> 00:15:18,920 Speaker 1: Ah. Okay, of course, and his mother and Nana. Nana 257 00:15:19,360 --> 00:15:22,000 Speaker 1: great singer, and she's a great singer, and she sat 258 00:15:22,040 --> 00:15:25,200 Speaker 1: in with us. Yes, that was one of my all 259 00:15:25,280 --> 00:15:26,320 Speaker 1: time favorite things. 260 00:15:26,360 --> 00:15:29,120 Speaker 12: Oh my god, you made it happen. You surprised me. 261 00:15:29,680 --> 00:15:32,480 Speaker 1: I did. I thought you made it happen. How did 262 00:15:32,520 --> 00:15:32,960 Speaker 1: I make it? 263 00:15:33,160 --> 00:15:37,200 Speaker 12: I think you said, should we ask Nana to sing? 264 00:15:37,240 --> 00:15:40,760 Speaker 12: And I was like, you've got to be kidding, she'll freak. 265 00:15:40,960 --> 00:15:43,440 Speaker 1: Well, that was because when we were doing put some 266 00:15:43,600 --> 00:15:46,160 Speaker 1: This was on our first record, like five six years 267 00:15:46,200 --> 00:15:50,800 Speaker 1: ago to fourteen, Yeah, twenty fourteen, and we were still 268 00:15:50,840 --> 00:15:53,680 Speaker 1: doing Tumbling Tumbleweeds sometimes and you said that she taught 269 00:15:53,680 --> 00:15:55,640 Speaker 1: it to you, I think where she used to sing. 270 00:15:55,720 --> 00:15:57,040 Speaker 12: Yeah, we did it a couple of times. 271 00:15:57,160 --> 00:15:59,320 Speaker 1: Yeah, and so we thought we'd do that song with her. 272 00:16:00,080 --> 00:16:03,640 Speaker 12: That that was amazing. She's never cropped up the ending, 273 00:16:04,480 --> 00:16:07,720 Speaker 12: but she and she was well, my grandmother Portnana was 274 00:16:07,840 --> 00:16:11,520 Speaker 12: just starting to struggle severely at that time. Now it's 275 00:16:11,720 --> 00:16:14,400 Speaker 12: pretty pretty gone her hearing, but that was it was 276 00:16:14,520 --> 00:16:16,360 Speaker 12: just starting to kind of seep in. I don't think 277 00:16:16,360 --> 00:16:17,400 Speaker 12: she had a hearing aid yet. 278 00:16:17,560 --> 00:16:19,760 Speaker 1: She was amazing. And then I loved the inning, and 279 00:16:19,800 --> 00:16:23,200 Speaker 1: I remember feeling so like, oh no. 280 00:16:22,960 --> 00:16:26,480 Speaker 12: But she and she also amazing and she was that 281 00:16:26,560 --> 00:16:27,840 Speaker 12: was that was so sweet. 282 00:16:28,080 --> 00:16:29,960 Speaker 1: So your musical roots go way. 283 00:16:29,720 --> 00:16:32,040 Speaker 12: Back, I'm doomed. 284 00:16:32,320 --> 00:16:35,080 Speaker 1: And your grandpa was a musician, a. 285 00:16:35,040 --> 00:16:39,080 Speaker 12: Great court of ox. More so, my dad was more 286 00:16:39,080 --> 00:16:42,280 Speaker 12: of like the musical scholar, and my grandfather was a 287 00:16:42,320 --> 00:16:44,880 Speaker 12: little bit more like my brother and I were. You know, 288 00:16:45,320 --> 00:16:49,200 Speaker 12: we jumped ahead and mostly are self taught by ear. 289 00:16:50,040 --> 00:16:50,240 Speaker 10: You know. 290 00:16:50,360 --> 00:16:53,120 Speaker 1: Grandpa was a little more fussy. 291 00:16:53,720 --> 00:16:56,600 Speaker 12: Play that one song, ssh, I only know that one 292 00:16:56,680 --> 00:17:00,640 Speaker 12: song and one key, you know, very but he but 293 00:17:00,760 --> 00:17:03,320 Speaker 12: he played all night one man band with the drum 294 00:17:03,360 --> 00:17:06,520 Speaker 12: machines which I have, and and then he would have 295 00:17:06,880 --> 00:17:11,840 Speaker 12: his old drum machine bam bambooed bungee corded to his 296 00:17:12,040 --> 00:17:15,720 Speaker 12: ham and organ and he would play quarterbacks. 297 00:17:16,840 --> 00:17:18,800 Speaker 1: Left hand with the drum machine. He was just a 298 00:17:18,800 --> 00:17:20,399 Speaker 1: one man bands. Crazy. 299 00:17:20,640 --> 00:17:22,000 Speaker 12: It was crazy set up. 300 00:17:22,119 --> 00:17:24,080 Speaker 1: Did he wear suspenders? Yeah, I feel like that. My 301 00:17:24,160 --> 00:17:29,480 Speaker 1: image of him was god him. Oh yeah yeah. And 302 00:17:29,520 --> 00:17:32,240 Speaker 1: I feel like I could totally picture your hands as 303 00:17:32,280 --> 00:17:36,520 Speaker 1: a one man Yeah. Crazy, these crazy crazy. 304 00:17:36,640 --> 00:17:39,159 Speaker 12: I mean, once you get older, you can really see 305 00:17:39,280 --> 00:17:42,440 Speaker 12: the life that you you can step out of it 306 00:17:42,480 --> 00:17:44,760 Speaker 12: and it's different, you know, and you can see these 307 00:17:44,760 --> 00:17:47,760 Speaker 12: people maybe more as people, unless as like your parents 308 00:17:47,880 --> 00:17:51,119 Speaker 12: or grandparents, and just you know, there's some definitely unique 309 00:17:51,119 --> 00:17:55,040 Speaker 12: creatures in my upbringing. So I feel lucky. 310 00:17:55,440 --> 00:17:56,200 Speaker 1: It's amazing. 311 00:17:56,840 --> 00:17:59,000 Speaker 12: But but yes, I am a late bloomer. 312 00:17:59,359 --> 00:18:04,960 Speaker 1: But you're not behind anything. I mean, okay, because I 313 00:18:04,960 --> 00:18:07,560 Speaker 1: feel like I was there at the start of your 314 00:18:07,600 --> 00:18:11,760 Speaker 1: songwriting journey, Button, I might know. I know what I 315 00:18:11,840 --> 00:18:14,439 Speaker 1: think you're What was the first song you wrote? So? 316 00:18:14,560 --> 00:18:16,040 Speaker 12: I think it was for Leaf Clover? 317 00:18:16,240 --> 00:18:19,920 Speaker 1: Okay, that's on guitar. Yeah, yeah, I love this song, 318 00:18:20,200 --> 00:18:25,040 Speaker 1: thanks man, So we should play four leaf Clover. Okay, 319 00:18:25,040 --> 00:18:28,439 Speaker 1: it's the first song you wrote. And it's also it's like, 320 00:18:29,160 --> 00:18:30,920 Speaker 1: you know, we haven't played this song in so long. 321 00:18:31,160 --> 00:18:34,600 Speaker 1: Before we were Pussing Boots, we were the sloppy joe 322 00:18:34,680 --> 00:18:39,879 Speaker 1: Inne and we played this song a lot. Yeah, was 323 00:18:39,920 --> 00:18:42,960 Speaker 1: it before you recorded it? Which with the for the record, 324 00:18:43,200 --> 00:18:44,600 Speaker 1: I think or after? 325 00:18:44,800 --> 00:18:49,720 Speaker 12: Maybe it was all happening around the same time. And honestly, 326 00:18:50,560 --> 00:18:52,760 Speaker 12: I might not have had the nerve to ask if 327 00:18:52,760 --> 00:18:55,320 Speaker 12: I could play guitar on the actual recording because I 328 00:18:55,520 --> 00:18:59,359 Speaker 12: had Richard Julian and Jesse Harris there also accompanying me. 329 00:18:59,440 --> 00:19:03,720 Speaker 12: On that record yea, which is an amazing situation in scenario, 330 00:19:04,000 --> 00:19:09,800 Speaker 12: but it worked somehow, you know. And but but they 331 00:19:09,840 --> 00:19:13,159 Speaker 12: both were like, yeah, man, because I was playing guitar 332 00:19:13,280 --> 00:19:15,359 Speaker 12: with you and we were I think we were doing 333 00:19:15,359 --> 00:19:17,640 Speaker 12: this song that I was like at the Fat Cat, 334 00:19:17,720 --> 00:19:20,760 Speaker 12: at the Fat Cat and at the Rodeo Bares and 335 00:19:21,480 --> 00:19:23,320 Speaker 12: that I was like, well, maybe I could try and 336 00:19:23,359 --> 00:19:26,480 Speaker 12: playing it on the recording. And we were at Compass 337 00:19:26,520 --> 00:19:30,240 Speaker 12: Points studios and I was not going to play guitar, 338 00:19:30,359 --> 00:19:32,200 Speaker 12: but I did, I think because. 339 00:19:31,920 --> 00:19:33,520 Speaker 1: Because he wrote it on that I wanted to. 340 00:19:33,800 --> 00:19:34,200 Speaker 11: Yeah. 341 00:19:34,320 --> 00:19:38,040 Speaker 12: And it took me many years after that to realize 342 00:19:38,040 --> 00:19:41,960 Speaker 12: that even though I'm shy about my playing, that my 343 00:19:42,119 --> 00:19:46,879 Speaker 12: playing is informing the melody, the phrasing, it's informing the 344 00:19:46,920 --> 00:19:47,560 Speaker 12: whole thing. 345 00:19:47,680 --> 00:19:51,040 Speaker 1: You're playing the guitar for the song you wrote on 346 00:19:51,119 --> 00:19:53,560 Speaker 1: the guitar is what it is. 347 00:19:53,720 --> 00:19:55,480 Speaker 12: Yeah, exactly exactly. 348 00:19:55,760 --> 00:19:59,480 Speaker 1: It's not you. If it's someone else playing accompanying me, 349 00:19:59,560 --> 00:20:02,639 Speaker 1: else feel yeah, well, that's and that goes back to 350 00:20:02,640 --> 00:20:04,720 Speaker 1: why I hired you to play rhythm guitar, because I 351 00:20:04,920 --> 00:20:08,880 Speaker 1: always felt a little disconnected because I wasn't good enough 352 00:20:08,880 --> 00:20:10,879 Speaker 1: at guitar yet to play live. I always felt a 353 00:20:10,880 --> 00:20:14,320 Speaker 1: little disconnected from the rhythm guitar parts until you and 354 00:20:14,359 --> 00:20:16,200 Speaker 1: I started doing those guits together. 355 00:20:16,440 --> 00:20:17,160 Speaker 12: I get it now. 356 00:20:17,320 --> 00:20:19,119 Speaker 1: I mean, I get it too. And it doesn't mean 357 00:20:19,160 --> 00:20:22,320 Speaker 1: it's hardtter. It has nothing to do with it. It's better worse. 358 00:20:22,359 --> 00:20:24,520 Speaker 1: It's just about the feel you connect with. 359 00:20:24,720 --> 00:20:28,480 Speaker 12: I mean, as a jazz singer, there are so few 360 00:20:28,560 --> 00:20:32,880 Speaker 12: people that I feel that ease with when I can 361 00:20:32,960 --> 00:20:35,600 Speaker 12: just let go. And I mean, that's why it's such 362 00:20:35,600 --> 00:20:38,119 Speaker 12: a It's gonna be so grivy to do that today 363 00:20:38,119 --> 00:20:41,440 Speaker 12: with you. But and also, yeah, there are even in 364 00:20:41,560 --> 00:20:45,480 Speaker 12: jazz with all the monstrous musicians in New York. There's 365 00:20:45,560 --> 00:20:48,439 Speaker 12: so many incredible musicians, but to have that connection, it's 366 00:20:48,520 --> 00:20:50,520 Speaker 12: just kind of rare, no matter how good they are. Like, 367 00:20:50,560 --> 00:20:53,680 Speaker 12: accompanying a singer is a thing. It's it's a different thing. 368 00:20:53,720 --> 00:20:54,400 Speaker 12: It's a different thing. 369 00:20:54,480 --> 00:20:57,320 Speaker 1: It's a totally different thing. All right, Well, let's do 370 00:20:57,960 --> 00:20:59,760 Speaker 1: four Leaf Clover. I love this song. 371 00:21:00,280 --> 00:21:28,600 Speaker 3: Fo dot do doo doo doo doo do do. 372 00:21:33,800 --> 00:21:35,320 Speaker 8: Do do do do. 373 00:21:35,359 --> 00:21:50,240 Speaker 13: Do doo doo doo. H I found me a falling clover. 374 00:21:54,280 --> 00:21:55,680 Speaker 9: Didn't change a thing. 375 00:22:00,440 --> 00:22:04,679 Speaker 6: Still cut out with a storm, fastenal Fer. 376 00:22:06,600 --> 00:22:08,440 Speaker 14: And I'm hanging by. 377 00:22:10,240 --> 00:22:10,720 Speaker 6: Stream. 378 00:22:13,280 --> 00:22:30,760 Speaker 8: Oh no, no, no, one day you will. 379 00:22:32,720 --> 00:22:48,080 Speaker 15: Seem way. 380 00:22:50,200 --> 00:22:52,240 Speaker 6: I won't have that conversation. 381 00:22:55,960 --> 00:23:07,200 Speaker 16: There's nothing left to say. I don't need those expectations. 382 00:23:09,359 --> 00:23:19,960 Speaker 8: I can't live that way. I don't don't don't. 383 00:23:21,480 --> 00:23:22,760 Speaker 6: I want to hurt you. 384 00:23:28,440 --> 00:23:32,240 Speaker 1: How we laugh, we live with. 385 00:23:33,800 --> 00:23:37,160 Speaker 6: If I have to. 386 00:23:45,440 --> 00:24:22,960 Speaker 8: Die, I don't dott doo doo do do do. 387 00:24:24,840 --> 00:24:25,560 Speaker 6: Do do. 388 00:24:29,880 --> 00:24:34,760 Speaker 8: Do do do do do do do do. 389 00:24:33,440 --> 00:24:40,800 Speaker 11: Do do do do do do bo? 390 00:25:17,040 --> 00:25:19,919 Speaker 1: You graduated from high school early? Like I was thinking, 391 00:25:20,359 --> 00:25:22,800 Speaker 1: what was I was talking to Sarah because she's also 392 00:25:22,880 --> 00:25:26,040 Speaker 1: known you twenty something years or maybe a little, which is. 393 00:25:26,080 --> 00:25:27,680 Speaker 12: Amazing since we're only twenty five years. 394 00:25:27,760 --> 00:25:31,320 Speaker 1: Yeah, we're only twenty five years old. But I was like, 395 00:25:31,400 --> 00:25:34,960 Speaker 1: can you help me because I feel like I'm too 396 00:25:35,320 --> 00:25:38,480 Speaker 1: in with Sasha, like I know too much about her. 397 00:25:38,600 --> 00:25:41,560 Speaker 1: Help me think of stuff I don't know? And she said, 398 00:25:41,760 --> 00:25:44,520 Speaker 1: what was teenager? Sasha? Like, I was like, I don't know. 399 00:25:44,960 --> 00:25:48,320 Speaker 1: So before you graduated early, what was school? 400 00:25:48,359 --> 00:25:48,479 Speaker 11: Like? 401 00:25:48,480 --> 00:25:49,440 Speaker 1: What kind of school did you? 402 00:25:49,440 --> 00:25:51,919 Speaker 12: Guys? I mean, I wish I was more scholarly again, 403 00:25:52,280 --> 00:25:54,159 Speaker 12: I feel like I'm just starting to get into like 404 00:25:54,200 --> 00:25:58,240 Speaker 12: studying and things, and like, oh, I don't know. My 405 00:25:58,359 --> 00:26:01,040 Speaker 12: brain is a little bit more focus. But back then 406 00:26:01,240 --> 00:26:05,880 Speaker 12: I was shy, which most people can't imagine because I'm 407 00:26:05,920 --> 00:26:11,160 Speaker 12: so silly and extroverted now yeah, yeah, especially with boys. 408 00:26:12,880 --> 00:26:15,360 Speaker 12: Just yeah, I'm kind of a nerd, I think because 409 00:26:15,400 --> 00:26:17,760 Speaker 12: I grew up on stage playing with mom and dad 410 00:26:17,800 --> 00:26:20,960 Speaker 12: and in an environment that was such a tribe that 411 00:26:22,200 --> 00:26:28,159 Speaker 12: branching out and being in normal, uh schooling environment it 412 00:26:28,280 --> 00:26:29,160 Speaker 12: was hard. 413 00:26:29,520 --> 00:26:32,600 Speaker 1: Yeah, And I was dorky and like, you know, a 414 00:26:32,600 --> 00:26:36,040 Speaker 1: little bit chubby, you know. But you went to normal schools, 415 00:26:36,119 --> 00:26:39,119 Speaker 1: the normal like public school. Did you do any music 416 00:26:39,119 --> 00:26:42,320 Speaker 1: in school? Choir? I should have a choir? 417 00:26:42,560 --> 00:26:44,159 Speaker 12: And I think I was a little bit, you know, 418 00:26:44,200 --> 00:26:46,400 Speaker 12: because I was so spoiled back home. Yeah, I didn't 419 00:26:46,440 --> 00:26:49,080 Speaker 12: have the patience to be in like school. 420 00:26:48,840 --> 00:26:52,359 Speaker 1: Choir and they only way boring and it was pretty boring, 421 00:26:52,520 --> 00:26:53,320 Speaker 1: not fun. 422 00:26:53,480 --> 00:26:56,280 Speaker 12: It wasn't as it wasn't as fun. And I mean 423 00:26:56,480 --> 00:27:01,040 Speaker 12: I was so spoiled musically at home that I didn't 424 00:27:01,080 --> 00:27:04,680 Speaker 12: have the patience or the sort of focus to have 425 00:27:04,800 --> 00:27:09,320 Speaker 12: this other thing happening. And unfortunately, I really think, oh man, 426 00:27:09,359 --> 00:27:12,240 Speaker 12: if I had just knew what I or had the 427 00:27:12,280 --> 00:27:16,800 Speaker 12: nerve or the courage to start an instrument. Back home, 428 00:27:17,160 --> 00:27:19,399 Speaker 12: when I was younger, I would have stayed out of 429 00:27:19,400 --> 00:27:24,359 Speaker 12: trouble and probably been less shy socially, you know, because 430 00:27:24,400 --> 00:27:27,480 Speaker 12: I would have been busy working on music. Yeah, but 431 00:27:27,800 --> 00:27:29,960 Speaker 12: I didn't have that yet, so it was lost. 432 00:27:30,119 --> 00:27:32,920 Speaker 1: But yeah, that's what's so interesting to me, because you're 433 00:27:32,960 --> 00:27:36,320 Speaker 1: so good at all of it now and I'm just 434 00:27:36,320 --> 00:27:38,400 Speaker 1: trying to picture you. Weren't you really into the swing 435 00:27:38,480 --> 00:27:39,880 Speaker 1: dancing scene, really. 436 00:27:39,640 --> 00:27:42,359 Speaker 12: Into the swing dancing thing. So my mom is a 437 00:27:42,400 --> 00:27:44,720 Speaker 12: great dancer, and the one thing I did do growing 438 00:27:44,800 --> 00:27:47,240 Speaker 12: up was dance. I took dance up until like fourteen. 439 00:27:47,400 --> 00:27:50,320 Speaker 12: Once I hit puberty, which I hit late, which we 440 00:27:50,359 --> 00:27:55,679 Speaker 12: talked about last night. It was like, uh, you know, 441 00:27:56,400 --> 00:27:59,760 Speaker 12: the whole skinny dancer thing was not for me. Competitive 442 00:28:00,160 --> 00:28:01,920 Speaker 12: not for me. But I still, as you know, love 443 00:28:01,960 --> 00:28:04,280 Speaker 12: to dance. My mom is a great swing dancer. So 444 00:28:04,560 --> 00:28:07,679 Speaker 12: back then and I well, I was always sort of 445 00:28:07,680 --> 00:28:11,280 Speaker 12: made fun of for being a jazz nerd. And I 446 00:28:11,280 --> 00:28:14,159 Speaker 12: remember one time, even like in kindergarten, I brought my 447 00:28:14,240 --> 00:28:18,520 Speaker 12: dad's jazz record Smithsonian to show and tell to share 448 00:28:18,560 --> 00:28:21,679 Speaker 12: to the class. And back then in kindergarten, our teacher 449 00:28:21,720 --> 00:28:26,280 Speaker 12: actually had a turntable in the classroom. Wow, like my dad, 450 00:28:26,640 --> 00:28:30,360 Speaker 12: She's put out this record smith Yonian and and I 451 00:28:30,359 --> 00:28:33,000 Speaker 12: I remember how it was like my first feeling of like, 452 00:28:33,320 --> 00:28:36,200 Speaker 12: I don't know, I just remember experiencing like that thing 453 00:28:36,280 --> 00:28:38,080 Speaker 12: where not everybody likes jazz. 454 00:28:38,200 --> 00:28:40,720 Speaker 1: Yeah, like being like this sounds great to me, Oh no, 455 00:28:41,040 --> 00:28:42,520 Speaker 1: like hearing it through their ears. 456 00:28:42,640 --> 00:28:42,920 Speaker 11: Yeah. 457 00:28:43,160 --> 00:28:45,440 Speaker 1: Like it wasn't like everybody was like this sucks, but 458 00:28:45,600 --> 00:28:48,560 Speaker 1: they just weren't listening probably, yeah, And the teacher was like, 459 00:28:48,840 --> 00:28:52,040 Speaker 1: and I just remember being like, huh, do you remember 460 00:28:52,040 --> 00:28:52,600 Speaker 1: what you played? 461 00:28:53,200 --> 00:28:56,120 Speaker 12: I think it was just like the first song on Smithsonian, 462 00:28:56,240 --> 00:28:59,760 Speaker 12: which was I had that smith Yeah, Steve gadd and 463 00:29:00,200 --> 00:29:04,080 Speaker 12: Gomez and I don't remember which song it was anyway. 464 00:29:04,280 --> 00:29:07,880 Speaker 12: I mean, so with swing dancing. As soon as I 465 00:29:07,880 --> 00:29:10,560 Speaker 12: got out of high school early, which I took my 466 00:29:10,680 --> 00:29:13,200 Speaker 12: ged and kind of like got out of that scene, 467 00:29:14,000 --> 00:29:16,760 Speaker 12: I started, you know, hanging out in cafes and Santa 468 00:29:16,760 --> 00:29:18,680 Speaker 12: Cruz and making friends with people who were. 469 00:29:18,600 --> 00:29:20,560 Speaker 1: Older than me who were into the same stuff. 470 00:29:20,640 --> 00:29:23,040 Speaker 12: Yeah, who were into the same stuff, and swing dancers 471 00:29:23,040 --> 00:29:23,680 Speaker 12: in particular. 472 00:29:23,960 --> 00:29:26,440 Speaker 1: I remember it was huge then. It was huge in 473 00:29:26,480 --> 00:29:28,520 Speaker 1: the nineties, so right, Yeah, it was big. 474 00:29:28,640 --> 00:29:31,360 Speaker 12: Yeah, and all my friends or people. All of a sudden, 475 00:29:31,440 --> 00:29:34,440 Speaker 12: it was like I was cool for the first time ever. 476 00:29:34,960 --> 00:29:37,440 Speaker 12: I was cool for knowing about jazz. 477 00:29:37,400 --> 00:29:43,040 Speaker 1: That is really and I was like yeah. 478 00:29:41,520 --> 00:29:44,680 Speaker 12: Well yeah, and my friends wanted to dance to jazz. 479 00:29:44,760 --> 00:29:48,320 Speaker 12: So then I was like all in and like, you know, 480 00:29:48,440 --> 00:29:50,400 Speaker 12: shaved my eyebrows off and. 481 00:29:52,080 --> 00:29:52,600 Speaker 6: Black hair. 482 00:29:52,840 --> 00:29:55,720 Speaker 1: Yeah. I was in like a different scene all of 483 00:29:55,760 --> 00:29:56,120 Speaker 1: a sudden. 484 00:29:56,240 --> 00:29:56,480 Speaker 12: Yeah. 485 00:29:56,520 --> 00:29:59,160 Speaker 1: Yeah, I hung out with the songwriter like I mean, 486 00:29:59,640 --> 00:30:01,800 Speaker 1: I met you and the jazz scene sort of yes, 487 00:30:01,960 --> 00:30:03,560 Speaker 1: and then I was you came. 488 00:30:03,840 --> 00:30:07,360 Speaker 12: I didn't even know about other music scenes. 489 00:30:07,120 --> 00:30:09,000 Speaker 1: Well me either when I first moved to New York, 490 00:30:09,040 --> 00:30:13,080 Speaker 1: and then it sort of opened up. So, uh, you 491 00:30:13,120 --> 00:30:15,280 Speaker 1: came on the like songwriter scene, and then you started 492 00:30:15,280 --> 00:30:21,840 Speaker 1: writing songs well well slowly. Well yeah, but man, I 493 00:30:21,880 --> 00:30:25,240 Speaker 1: had trouble choosing songs for this podcast because you've written 494 00:30:25,240 --> 00:30:29,480 Speaker 1: so many great songs things. And but I did have 495 00:30:29,520 --> 00:30:33,719 Speaker 1: a point on anyway, which was that we were fast friends. 496 00:30:33,720 --> 00:30:38,080 Speaker 1: All of a sudden. We were like totally each other's girl, 497 00:30:38,360 --> 00:30:42,960 Speaker 1: you know, and you were getting into you said, you said, hey, Norah, 498 00:30:43,440 --> 00:30:45,640 Speaker 1: I want to learn how to play guitars like me too. 499 00:30:46,640 --> 00:30:48,400 Speaker 12: And yeah, I'll never forget that. 500 00:30:48,560 --> 00:30:50,840 Speaker 1: And you said, Okay, I booked a gig at the 501 00:30:50,840 --> 00:30:53,280 Speaker 1: Fat Hat every week in the pool hall part, not 502 00:30:53,360 --> 00:30:55,440 Speaker 1: the back room, but the pool hall. You want to 503 00:30:55,520 --> 00:30:58,760 Speaker 1: like learn. I was like, yeah, but I would have 504 00:30:58,800 --> 00:31:01,360 Speaker 1: never done that. But that whole learning on the gig thing, 505 00:31:01,480 --> 00:31:03,640 Speaker 1: sort of working it out on the gig, that comes 506 00:31:03,640 --> 00:31:06,200 Speaker 1: from both of us. I think just playing playing gigs. 507 00:31:06,840 --> 00:31:08,560 Speaker 1: That's how that's how we did it. 508 00:31:08,720 --> 00:31:14,480 Speaker 12: You play gigs. Yeah, you don't spend a lifetime practicing 509 00:31:14,640 --> 00:31:15,240 Speaker 12: in your room. 510 00:31:15,560 --> 00:31:17,600 Speaker 1: You get out there, get out there and play music 511 00:31:17,640 --> 00:31:19,880 Speaker 1: with other people. Yeah, And that's so important. 512 00:31:20,000 --> 00:31:23,000 Speaker 12: It's so important. I mean, this year it's been so 513 00:31:23,160 --> 00:31:27,400 Speaker 12: hard exactly, even though it's an opportunity to work on 514 00:31:27,480 --> 00:31:30,400 Speaker 12: other things. And I mean you make the best out 515 00:31:30,400 --> 00:31:33,840 Speaker 12: of it or in your own way, but but I yeah, 516 00:31:33,880 --> 00:31:36,240 Speaker 12: spiritually it's like it's hard. It's been hard. 517 00:31:36,440 --> 00:31:42,160 Speaker 1: Yeah, But that's that was you. That was you pushing 518 00:31:42,240 --> 00:31:46,680 Speaker 1: us both into just doing it. And boy, some of 519 00:31:46,680 --> 00:31:49,120 Speaker 1: it was not good, but it was awesome at the 520 00:31:49,160 --> 00:31:51,600 Speaker 1: same time. I mean, we had the harmonies dialed in 521 00:31:51,640 --> 00:31:53,960 Speaker 1: and sometimes we would just drop out because we forgot 522 00:31:54,040 --> 00:31:58,360 Speaker 1: where the chord was. Remember, But then yeah, we'd done 523 00:31:58,400 --> 00:32:01,320 Speaker 1: it for two months every Wednesday, and it felt it 524 00:32:01,360 --> 00:32:03,719 Speaker 1: got better better, and then it got better and then 525 00:32:03,760 --> 00:32:04,440 Speaker 1: it got better. 526 00:32:04,920 --> 00:32:07,840 Speaker 12: Yeah, I mean it's amazing. I have some old there 527 00:32:07,880 --> 00:32:11,880 Speaker 12: are some YouTube thingies up there and I'm like, that 528 00:32:11,960 --> 00:32:14,080 Speaker 12: sounds great. Yeah, how is that possible? 529 00:32:14,120 --> 00:32:16,440 Speaker 1: And the stuff where I'm playing guitar with you in 530 00:32:16,480 --> 00:32:17,320 Speaker 1: the early days. 531 00:32:17,360 --> 00:32:19,320 Speaker 12: I mean to think that you took me out on 532 00:32:19,360 --> 00:32:21,280 Speaker 12: the road back then, I mean I was I didn't 533 00:32:21,320 --> 00:32:25,840 Speaker 12: even believe it could ever. I didn't even believe it 534 00:32:25,880 --> 00:32:30,040 Speaker 12: could ever happen, you know. I mean, it's amazing when 535 00:32:30,080 --> 00:32:33,920 Speaker 12: you you know, you just have a dream to make something. 536 00:32:34,520 --> 00:32:36,880 Speaker 12: I don't even know why I'm emotional, but it's like 537 00:32:37,200 --> 00:32:40,120 Speaker 12: back then, I just we were working on guitar, but 538 00:32:40,200 --> 00:32:43,240 Speaker 12: I just never thought that it could come together. 539 00:32:43,480 --> 00:32:46,240 Speaker 1: Well, you were so good at it, and I asked 540 00:32:46,280 --> 00:32:48,880 Speaker 1: you to come on the road with me because you 541 00:32:48,920 --> 00:32:51,520 Speaker 1: were a better rhythm guitar player than I had played 542 00:32:51,560 --> 00:32:53,320 Speaker 1: with a lot of great guitar players, and I'm not 543 00:32:53,360 --> 00:32:56,320 Speaker 1: saying they weren't great, but there's just something about your 544 00:32:56,520 --> 00:33:01,520 Speaker 1: feel when you're playing guitar. No, I'm not being nice, 545 00:33:01,600 --> 00:33:05,320 Speaker 1: I'm being serious. It just felt natural, It felt connected 546 00:33:05,360 --> 00:33:08,200 Speaker 1: to what I was. I mean, and then obviously the 547 00:33:08,200 --> 00:33:11,600 Speaker 1: harmonies you know, were great. The two things together, it 548 00:33:11,680 --> 00:33:13,400 Speaker 1: was just like a no brainer for me. I was 549 00:33:13,440 --> 00:33:14,080 Speaker 1: so excited. 550 00:33:14,200 --> 00:33:16,960 Speaker 12: Well, I wish that I did a better job. 551 00:33:16,760 --> 00:33:18,080 Speaker 1: And you did a great job. 552 00:33:18,160 --> 00:33:21,360 Speaker 12: And I am amazed at your trust in me because 553 00:33:21,440 --> 00:33:24,120 Speaker 12: looking back, you know, I was so green and like 554 00:33:24,760 --> 00:33:27,680 Speaker 12: I've been there, believe it. I didn't believe it, but 555 00:33:27,680 --> 00:33:28,600 Speaker 12: but it sounded pretty. 556 00:33:28,880 --> 00:33:31,760 Speaker 1: It sounded great. And you know what we were both 557 00:33:31,800 --> 00:33:34,360 Speaker 1: in like super transitional. Yeah, I was in a huge 558 00:33:34,360 --> 00:33:37,640 Speaker 1: transition in my life, my music, everything. Yeah that was 559 00:33:37,680 --> 00:33:38,520 Speaker 1: two thousand and nine. 560 00:33:38,640 --> 00:33:41,479 Speaker 12: Yeah, you've got the doggies. We prove it. 561 00:33:41,560 --> 00:33:43,600 Speaker 1: Yeah, we our dogs are old now, but we had 562 00:33:43,680 --> 00:33:45,800 Speaker 1: just gotten them. And we brought our dogs on the road. 563 00:33:45,920 --> 00:33:49,280 Speaker 1: That was we had our dogs on the tour bus. 564 00:33:50,000 --> 00:33:50,800 Speaker 1: That was amazing. 565 00:33:50,920 --> 00:33:55,840 Speaker 12: That was amazing. And now I never this little nugget. 566 00:33:55,880 --> 00:33:58,760 Speaker 12: These two are best friends. Oh my god, I love 567 00:33:58,840 --> 00:34:00,640 Speaker 12: so great. I know, really amazing. 568 00:34:11,000 --> 00:34:19,600 Speaker 16: I see said, it's up change boo, and it's happening 569 00:34:19,680 --> 00:34:20,440 Speaker 16: all around. 570 00:34:24,400 --> 00:34:31,520 Speaker 6: And the simple things, the bad, I can't think nothing 571 00:34:31,640 --> 00:34:32,120 Speaker 6: of it. 572 00:34:34,800 --> 00:34:43,400 Speaker 16: In the distance we create, in the closeness we cat change. 573 00:34:46,800 --> 00:34:52,400 Speaker 6: It's the simple things. It's the simple. 574 00:34:54,080 --> 00:34:54,319 Speaker 17: Thing. 575 00:35:13,160 --> 00:35:20,800 Speaker 16: It's a thoughtful disposition, way looking too mad. 576 00:35:25,040 --> 00:35:32,040 Speaker 6: In the words we're using bad and the can is 577 00:35:32,160 --> 00:35:33,319 Speaker 6: that w shave. 578 00:35:35,120 --> 00:35:35,840 Speaker 15: In the sun. 579 00:35:36,239 --> 00:35:42,279 Speaker 6: D's passed through the sun, and I hope we move. 580 00:35:46,520 --> 00:35:47,920 Speaker 6: It's the simple things. 581 00:35:50,160 --> 00:36:21,879 Speaker 9: It's the sable things in a seam of man. 582 00:36:22,080 --> 00:36:23,200 Speaker 11: Move thing. 583 00:36:25,800 --> 00:36:27,440 Speaker 6: But my body lacks me. 584 00:36:31,360 --> 00:36:34,680 Speaker 9: And we die to around. 585 00:36:34,280 --> 00:36:39,400 Speaker 6: In circles to a temple we can't. 586 00:36:39,320 --> 00:36:46,840 Speaker 8: Fine, and A try to tell you our fee. 587 00:36:47,480 --> 00:36:54,680 Speaker 18: But we never make that time. It's the simple thing. 588 00:36:56,880 --> 00:36:58,799 Speaker 18: It's the simple. 589 00:37:00,400 --> 00:37:00,640 Speaker 11: Thing. 590 00:37:05,880 --> 00:37:09,680 Speaker 18: It's the simple things. 591 00:37:10,400 --> 00:37:11,640 Speaker 9: It's the sum. 592 00:37:25,680 --> 00:37:26,120 Speaker 11: I like you. 593 00:37:27,000 --> 00:37:30,840 Speaker 1: I wanted to talk about that tour we did with 594 00:37:30,960 --> 00:37:35,359 Speaker 1: the Dogs in two thousand and nine. So growing up 595 00:37:35,800 --> 00:37:39,480 Speaker 1: in this sort of world of jazz musicians, I always 596 00:37:39,719 --> 00:37:42,600 Speaker 1: sort of try to be one of the guys, you know. 597 00:37:43,400 --> 00:37:46,439 Speaker 1: And I don't know if you had that experience or 598 00:37:46,640 --> 00:37:49,440 Speaker 1: if it was totally opposite for you, but when you 599 00:37:49,520 --> 00:37:52,600 Speaker 1: came on that tour with me, it was like the 600 00:37:52,640 --> 00:37:59,200 Speaker 1: world of girly stuff kind of like I was like, oh, 601 00:37:59,440 --> 00:38:04,560 Speaker 1: Sasha's really dulled up. I'm gonna put more makeup on tonight. No, 602 00:38:04,840 --> 00:38:08,120 Speaker 1: it was I mean in a positive, an extremely fun 603 00:38:08,920 --> 00:38:11,120 Speaker 1: positive way. It was like I was scared. 604 00:38:11,360 --> 00:38:14,840 Speaker 12: To play up. I grew up with that. That's actually 605 00:38:14,920 --> 00:38:17,440 Speaker 12: that rings that hits me in the heart because I 606 00:38:17,480 --> 00:38:20,960 Speaker 12: do remember years before that, ten years before that, yeah, 607 00:38:21,040 --> 00:38:25,400 Speaker 12: with in college and being in love with Toma, my 608 00:38:25,440 --> 00:38:28,080 Speaker 12: first boyfriend who we both know and who's a dear 609 00:38:28,120 --> 00:38:33,239 Speaker 12: friend still, and and having I mean, I always, ever 610 00:38:33,320 --> 00:38:38,000 Speaker 12: since I was a little tiny kid, love love makeup 611 00:38:38,040 --> 00:38:39,120 Speaker 12: and clothes me. 612 00:38:39,640 --> 00:38:41,800 Speaker 1: Too, makeup, not close to much, but makeup. I always 613 00:38:41,840 --> 00:38:43,880 Speaker 1: loved makeup. So it was so weird that I pushed 614 00:38:43,880 --> 00:38:44,320 Speaker 1: it down. 615 00:38:44,560 --> 00:38:47,880 Speaker 12: But yeah, I think because when you're going up around 616 00:38:48,000 --> 00:38:51,360 Speaker 12: jazz musicians, it's like, oh, that's not hip man to 617 00:38:51,400 --> 00:38:52,920 Speaker 12: be all into that crap. 618 00:38:53,120 --> 00:38:54,400 Speaker 1: Or there's just not as many women. 619 00:38:54,680 --> 00:38:56,160 Speaker 12: You know, that's for sure, you're one. 620 00:38:56,000 --> 00:38:56,400 Speaker 9: Of the guys. 621 00:38:56,400 --> 00:38:58,439 Speaker 12: Because everybody's one of them. There's always just a bunch 622 00:38:58,440 --> 00:39:01,000 Speaker 12: of dudes up until recently. That's why it's so liberating, 623 00:39:01,200 --> 00:39:01,680 Speaker 12: and you want to. 624 00:39:01,640 --> 00:39:07,000 Speaker 1: Get taken seriously, especially as a singer, you know. Yeah, 625 00:39:07,040 --> 00:39:08,000 Speaker 1: But it was like I. 626 00:39:07,920 --> 00:39:10,840 Speaker 12: Definitely I don't know exactly why, but I definitely remember 627 00:39:10,880 --> 00:39:14,840 Speaker 12: feeling shy about letting that part of my personality out 628 00:39:15,160 --> 00:39:17,720 Speaker 12: on the bandstand and in front of other cats. 629 00:39:18,000 --> 00:39:19,680 Speaker 1: Guys, do you know when that switched? 630 00:39:20,640 --> 00:39:26,520 Speaker 12: Probably last year, I definitely, I mean on tour with you, 631 00:39:26,680 --> 00:39:32,040 Speaker 12: and maybe honestly I never really thought about it until 632 00:39:32,120 --> 00:39:35,120 Speaker 12: this second, but I do think having a guitar, oh yeah, 633 00:39:35,320 --> 00:39:40,880 Speaker 12: really helped, because there's something about just singing jazz where 634 00:39:41,000 --> 00:39:46,000 Speaker 12: you just don't think about I mean, like, you don't 635 00:39:46,080 --> 00:39:49,000 Speaker 12: think I want to look conservative, but it is a 636 00:39:49,040 --> 00:39:50,920 Speaker 12: conservative environment kind. 637 00:39:50,680 --> 00:39:53,040 Speaker 1: Of well, and also you're just standing there out front, 638 00:39:53,480 --> 00:39:56,120 Speaker 1: so you don't want to be too inviting of the 639 00:39:56,160 --> 00:39:57,280 Speaker 1: wrong kind of attention. 640 00:39:57,800 --> 00:40:00,319 Speaker 12: It's true, even though jazz singers back in the day 641 00:40:00,480 --> 00:40:01,960 Speaker 12: were the most. 642 00:40:01,680 --> 00:40:03,239 Speaker 6: Lavish they did. 643 00:40:03,320 --> 00:40:03,600 Speaker 4: You know. 644 00:40:03,760 --> 00:40:06,759 Speaker 1: Well, that's what's so weird about our generation of I 645 00:40:06,760 --> 00:40:09,400 Speaker 1: don't know, I feel like it's not just us. It's 646 00:40:09,480 --> 00:40:11,799 Speaker 1: probably a thing for a lot of women who grew 647 00:40:11,840 --> 00:40:14,600 Speaker 1: up in that in that era or in our era. 648 00:40:14,600 --> 00:40:18,000 Speaker 12: Yeah, where it was like, for some reason, well, I 649 00:40:18,000 --> 00:40:24,120 Speaker 12: guess because we're pushing out of that girl mentality where 650 00:40:24,160 --> 00:40:29,560 Speaker 12: the woman's only only only women sing, you know, even 651 00:40:29,600 --> 00:40:32,239 Speaker 12: though that's kind of the Even though my parents were 652 00:40:32,320 --> 00:40:36,080 Speaker 12: super supportive and very liberal and not like that, I 653 00:40:36,120 --> 00:40:38,239 Speaker 12: did grow up in that environment where the women sang 654 00:40:38,280 --> 00:40:41,000 Speaker 12: and the men played instruments. Yeah exactly, And my dad 655 00:40:41,080 --> 00:40:44,080 Speaker 12: wanted nothing more than to have me play an instrument. 656 00:40:44,520 --> 00:40:46,600 Speaker 12: But I was like, man, you know, scow that I'm 657 00:40:46,680 --> 00:40:50,520 Speaker 12: just gonna sing. But I mean yeah, but he was right. 658 00:40:50,680 --> 00:40:53,359 Speaker 12: I mean this was this was it like to sing 659 00:40:53,400 --> 00:40:54,960 Speaker 12: and play and to be a part of all of 660 00:40:55,000 --> 00:40:56,920 Speaker 12: it is like where it's at, you know. 661 00:40:57,120 --> 00:41:00,759 Speaker 1: Yeah, they made it feels so good, so good. It 662 00:41:00,840 --> 00:41:04,640 Speaker 1: was too nerdy and shy and also impatient as a. 663 00:41:04,680 --> 00:41:07,399 Speaker 12: Kid, you know, you have to be willing to like suck. 664 00:41:08,320 --> 00:41:12,120 Speaker 1: There's one particular. There's some show we did in Belgium 665 00:41:12,200 --> 00:41:15,160 Speaker 1: that was filmed okay, that is on YouTube. And I've 666 00:41:15,200 --> 00:41:17,120 Speaker 1: been going through a bunch of archives trying to find 667 00:41:17,120 --> 00:41:20,840 Speaker 1: fun stuff to post on Instagram. And there's this show 668 00:41:21,120 --> 00:41:24,880 Speaker 1: it's like Midway and our promo tour we did for 669 00:41:24,960 --> 00:41:28,719 Speaker 1: that album of mine, Okay, And I'm wearing like a 670 00:41:29,000 --> 00:41:33,600 Speaker 1: Teal Madonna prom dress that's short and sleeveley. 671 00:41:33,800 --> 00:41:34,360 Speaker 12: I love that. 672 00:41:35,520 --> 00:41:37,480 Speaker 1: I know, I love that dress doesn't fit me anymore, 673 00:41:37,560 --> 00:41:40,160 Speaker 1: but I mean I couldn't imagine, and I love the 674 00:41:40,200 --> 00:41:42,880 Speaker 1: way I look like It's great. It's so fun. But 675 00:41:42,960 --> 00:41:46,640 Speaker 1: it's just like I couldn't have imagined ever dressing up 676 00:41:47,200 --> 00:41:50,279 Speaker 1: and having that much fun with clothes and makeup and 677 00:41:50,320 --> 00:41:53,200 Speaker 1: hair if we weren't, you know, sharing a dressing room 678 00:41:53,239 --> 00:41:53,839 Speaker 1: on that tour. 679 00:41:54,120 --> 00:41:55,440 Speaker 12: God, that was a dream. 680 00:41:55,600 --> 00:41:56,759 Speaker 1: It was so full. 681 00:41:56,960 --> 00:42:01,440 Speaker 12: And the wardrobe case we had the word and the 682 00:42:01,480 --> 00:42:03,600 Speaker 12: thing was like I couldn't shut it. 683 00:42:04,560 --> 00:42:08,719 Speaker 1: Because it was too full. There we had like hair, 684 00:42:09,000 --> 00:42:12,759 Speaker 1: I had hair extensions and it was so funny. 685 00:42:12,880 --> 00:42:15,759 Speaker 12: It was so funny and so much fun. I mean, 686 00:42:15,800 --> 00:42:19,160 Speaker 12: I I would definitely, I'm like, I would definitely do 687 00:42:19,200 --> 00:42:20,879 Speaker 12: things different and try and shave it down. 688 00:42:21,480 --> 00:42:24,000 Speaker 1: I would do things different in every situation. But it 689 00:42:24,040 --> 00:42:24,640 Speaker 1: doesn't matter. 690 00:42:24,719 --> 00:42:25,480 Speaker 14: We had so much. 691 00:42:26,239 --> 00:42:27,480 Speaker 12: Yeah, it's great. 692 00:42:27,560 --> 00:42:31,839 Speaker 1: It was amazing. What do you have anything new? You're 693 00:42:31,920 --> 00:42:34,759 Speaker 1: working on a couple of new things you would feel 694 00:42:34,800 --> 00:42:38,839 Speaker 1: comfortable sharing? Sure, as songs, you don't mind an unfinished No, 695 00:42:40,040 --> 00:42:41,160 Speaker 1: I love clear and Loose. 696 00:42:41,400 --> 00:42:42,840 Speaker 12: You've seen my live shows. 697 00:42:43,160 --> 00:42:46,359 Speaker 1: I don't care well, but I think that's that's what's 698 00:42:46,400 --> 00:42:49,720 Speaker 1: so fun about music is it's it's just a moment 699 00:42:49,800 --> 00:42:55,239 Speaker 1: of that thing. It doesn't mean it's the final, definitive thing. 700 00:42:55,520 --> 00:42:58,520 Speaker 1: It's just it's alive. Don't you think songs are kind 701 00:42:58,520 --> 00:42:58,960 Speaker 1: of alive? 702 00:42:59,239 --> 00:43:03,000 Speaker 12: Definitely. Yeah, it's almost like until you put them down 703 00:43:03,000 --> 00:43:05,640 Speaker 12: on a record that you can kind of do whatever 704 00:43:05,680 --> 00:43:06,120 Speaker 12: you want. 705 00:43:06,360 --> 00:43:09,239 Speaker 1: Or yeah, it's like you're searching for the definitive version 706 00:43:09,280 --> 00:43:11,520 Speaker 1: until you record it. Yeah, and then you can kind 707 00:43:11,560 --> 00:43:12,680 Speaker 1: of move along and do it. 708 00:43:13,080 --> 00:43:15,480 Speaker 12: You can still change it, but yeah, it does. Once 709 00:43:15,520 --> 00:43:17,000 Speaker 12: it's on a record, it's a little bit more like, oh, 710 00:43:17,080 --> 00:43:18,839 Speaker 12: let's go back to that and reference it, because why 711 00:43:18,840 --> 00:43:19,839 Speaker 12: did I do that one time? 712 00:43:20,000 --> 00:43:21,200 Speaker 1: I don't know exactly. 713 00:43:21,719 --> 00:43:28,279 Speaker 12: It's weird. It is interesting, though, I long for definition 714 00:43:28,520 --> 00:43:31,319 Speaker 12: and like when you I mean, it's so I need 715 00:43:31,320 --> 00:43:34,680 Speaker 12: to practice what I tell other people who maybe I 716 00:43:34,880 --> 00:43:37,680 Speaker 12: have a chance to work with younger artists, you know, 717 00:43:37,760 --> 00:43:41,440 Speaker 12: because it's like making decisions and defining things. It's like 718 00:43:41,480 --> 00:43:44,040 Speaker 12: the best feeling in the world, but it's so hard. 719 00:43:44,320 --> 00:43:46,560 Speaker 1: It is sometimes yeah, yeah, you. 720 00:43:46,520 --> 00:43:47,719 Speaker 12: Know, at least sometimes for me. 721 00:43:47,880 --> 00:43:50,719 Speaker 1: Yeah. Well, and that's why I think playing music with 722 00:43:50,800 --> 00:43:55,800 Speaker 1: someone you either have that chemistry moment, whether it's perfect 723 00:43:55,880 --> 00:43:59,320 Speaker 1: or not, or you don't. You could get it totally 724 00:43:59,400 --> 00:44:03,440 Speaker 1: right and could not sound that good right or wouldn't 725 00:44:03,440 --> 00:44:04,239 Speaker 1: feel good you know. 726 00:44:05,920 --> 00:44:12,000 Speaker 12: Yeah, yeah, decision making, you know, there's nothing like finishing 727 00:44:12,040 --> 00:44:13,560 Speaker 12: something and you know, it, You're like. 728 00:44:14,680 --> 00:44:17,120 Speaker 1: It happened, Yeah, exactly. 729 00:44:17,280 --> 00:44:19,600 Speaker 12: Falling in love you think it's never gonna happen, it's 730 00:44:19,600 --> 00:44:20,600 Speaker 12: never gonna happen. 731 00:44:20,320 --> 00:44:24,160 Speaker 1: And then one day it happens. 732 00:44:24,200 --> 00:44:29,960 Speaker 12: So I've heard. I'm kidding. I'm waiting wait for that 733 00:44:30,120 --> 00:44:32,960 Speaker 12: day to come. We're talking about songs, of course. 734 00:44:37,000 --> 00:44:41,719 Speaker 1: It's just so fun thinking about the journey, you know, 735 00:44:41,960 --> 00:44:46,960 Speaker 1: like watching it over the last fifteen twenty years, I know, 736 00:44:47,200 --> 00:44:51,359 Speaker 1: watching you go from singing jazz standards to playing all 737 00:44:51,400 --> 00:44:54,240 Speaker 1: these instruments and writing songs, and it's just fun. 738 00:44:54,440 --> 00:44:56,280 Speaker 12: Oh thanks, Yeah, And now. 739 00:44:56,120 --> 00:44:59,000 Speaker 1: We get to watch Kat do it, you know, writing 740 00:44:59,080 --> 00:45:01,799 Speaker 1: so much since we started playing with her and singing more. 741 00:45:02,000 --> 00:45:05,600 Speaker 12: I know, I'm really excited to hear what she's like making. 742 00:45:06,120 --> 00:45:06,919 Speaker 6: It's pretty cool. 743 00:45:08,640 --> 00:45:31,279 Speaker 19: What do you got, well, I have no idea. 744 00:45:37,360 --> 00:45:47,720 Speaker 20: Wig up, slow down, lead down, look out. 745 00:45:50,760 --> 00:45:56,640 Speaker 21: And away for side, make a move. 746 00:45:58,320 --> 00:46:01,920 Speaker 11: Way four, sid. 747 00:46:20,880 --> 00:46:27,719 Speaker 20: Stole me, Monday, bill. 748 00:46:27,640 --> 00:46:29,880 Speaker 6: Me, Sunday. 749 00:46:32,760 --> 00:46:33,080 Speaker 14: Emma. 750 00:46:35,200 --> 00:46:45,680 Speaker 16: It doesn't say the way ses, it doesn't say. 751 00:46:48,960 --> 00:46:49,000 Speaker 11: On. 752 00:47:20,200 --> 00:47:23,920 Speaker 12: It's pretty much all I got. 753 00:47:23,960 --> 00:47:24,400 Speaker 14: Let's go. 754 00:47:33,160 --> 00:47:51,800 Speaker 11: Yeah, m m mm hmmm mm hmmm. 755 00:47:55,840 --> 00:47:56,520 Speaker 6: Rain drops. 756 00:47:56,760 --> 00:47:59,879 Speaker 1: I love it. You know what, It's so cool because 757 00:48:00,200 --> 00:48:04,440 Speaker 1: always come with cool rifts. All. Thanks. I love it. 758 00:48:04,560 --> 00:48:06,360 Speaker 1: I'm sure I was thinking of you when I wrote it. 759 00:48:06,440 --> 00:48:12,480 Speaker 1: Now always, you know, I love it. That's great. 760 00:48:12,680 --> 00:48:12,960 Speaker 12: Thanks. 761 00:48:12,960 --> 00:48:14,839 Speaker 1: I have been you know, I've got a bunch of 762 00:48:14,880 --> 00:48:15,920 Speaker 1: snippets and. 763 00:48:18,120 --> 00:48:21,279 Speaker 12: These months have been a little out of focus. 764 00:48:22,200 --> 00:48:25,480 Speaker 1: Yeah, tell me about it. It's so hard about the 765 00:48:25,600 --> 00:48:29,200 Speaker 1: drive of the work kind of keeping you like having 766 00:48:29,280 --> 00:48:32,480 Speaker 1: something to do work for Yeah, I'm having a reason 767 00:48:32,640 --> 00:48:35,360 Speaker 1: to finish something or a reason absolutely. Yeah, I know 768 00:48:35,400 --> 00:48:35,759 Speaker 1: what you mean. 769 00:48:35,920 --> 00:48:39,360 Speaker 12: Last year we were all raging. I mean, for me, 770 00:48:39,600 --> 00:48:42,240 Speaker 12: I was busier than I've been in many, many years, 771 00:48:42,280 --> 00:48:45,440 Speaker 12: and you were on the verge of a full year 772 00:48:45,480 --> 00:48:49,000 Speaker 12: of touring and and and I felt like those first 773 00:48:49,080 --> 00:48:52,040 Speaker 12: couple of months of lockdown, I was like, I'm gonna 774 00:48:52,120 --> 00:48:52,600 Speaker 12: keep going. 775 00:48:52,960 --> 00:48:53,600 Speaker 1: Yeah, I was. 776 00:48:53,560 --> 00:48:55,040 Speaker 12: Still on this like adrenaline. 777 00:48:55,120 --> 00:48:56,840 Speaker 1: It took a time for everybody to sink in. 778 00:48:57,120 --> 00:48:59,560 Speaker 12: Yeah. And then and then the summer it really hit me. 779 00:48:59,600 --> 00:49:02,520 Speaker 12: And in the winter that's when I think I wouldn't 780 00:49:02,520 --> 00:49:05,480 Speaker 12: say I went into a depression, but definitely where it 781 00:49:05,560 --> 00:49:08,560 Speaker 12: was like harder to finish things, and you. 782 00:49:08,520 --> 00:49:11,040 Speaker 1: Know, yeah, but that stuff just goes in cyclic it 783 00:49:11,080 --> 00:49:13,839 Speaker 1: does it does. Do you ever get worried anymore? That 784 00:49:13,960 --> 00:49:16,440 Speaker 1: you're going to never have another idea or you're past 785 00:49:16,480 --> 00:49:16,879 Speaker 1: that point. 786 00:49:16,960 --> 00:49:22,680 Speaker 12: I feel like I'm definitely because it always comes around. 787 00:49:22,920 --> 00:49:25,239 Speaker 1: Yeah, that's love. Or you don't worry about it. 788 00:49:25,480 --> 00:49:29,000 Speaker 12: There, Yeah, I don't worry, but I definitely am like, 789 00:49:29,800 --> 00:49:33,800 Speaker 12: Oh how old am I? I noticed the clock taking 790 00:49:33,840 --> 00:49:37,080 Speaker 12: a little more where I'm like, I want to accomplish more. 791 00:49:37,719 --> 00:49:40,319 Speaker 12: Or back in the day I didn't care or think 792 00:49:40,320 --> 00:49:41,080 Speaker 12: about time. 793 00:49:42,719 --> 00:49:46,040 Speaker 1: Yeah, that's what the thought is more than more than Yeah, 794 00:49:46,080 --> 00:49:48,600 Speaker 1: worried about inspiration coming back? Yeah, and because I know 795 00:49:48,719 --> 00:49:49,840 Speaker 1: that's always going to happen. 796 00:49:50,360 --> 00:49:52,319 Speaker 12: Yeah, I think that it'll be easier to finish songs 797 00:49:52,360 --> 00:49:54,600 Speaker 12: when there's something going on in life. 798 00:49:55,120 --> 00:49:59,120 Speaker 1: To write about, exactly nothing to write about? Yeah, can 799 00:49:59,160 --> 00:50:01,680 Speaker 1: I write about it? What am I watching right now? 800 00:50:02,000 --> 00:50:02,080 Speaker 7: Oh? 801 00:50:02,160 --> 00:50:05,680 Speaker 12: My god? How many times can I rewatch Glow? 802 00:50:05,719 --> 00:50:07,520 Speaker 1: Can I write another song about it? 803 00:50:07,760 --> 00:50:08,640 Speaker 12: Can I? 804 00:50:08,800 --> 00:50:09,160 Speaker 14: Oh? 805 00:50:09,200 --> 00:50:10,520 Speaker 1: Man, I should watch that one? 806 00:50:10,760 --> 00:50:11,600 Speaker 12: And Shit's Creek? 807 00:50:11,920 --> 00:50:16,879 Speaker 1: Oh yeah, so good the Wigs? I love that? Thanks man, 808 00:50:17,120 --> 00:50:20,480 Speaker 1: I'll finish it maybe the night, finish it, finish it, 809 00:50:20,719 --> 00:50:22,799 Speaker 1: finish it. Yeah. 810 00:50:22,960 --> 00:50:26,319 Speaker 12: In fact, You've always been such a great resource of 811 00:50:26,440 --> 00:50:30,919 Speaker 12: inspiration for many reasons. But it's like, what song were 812 00:50:30,960 --> 00:50:37,480 Speaker 12: we doing? Uh, Sex Degrees of Separation where you were like, Sasha, 813 00:50:37,760 --> 00:50:40,120 Speaker 12: are you going to finish this? And I remember I 814 00:50:40,160 --> 00:50:44,360 Speaker 12: was like okay, and I just forced myself in a 815 00:50:44,400 --> 00:50:46,520 Speaker 12: way that I hadn't before and then I finished it. 816 00:50:46,560 --> 00:50:47,960 Speaker 12: So sometimes you need that push. 817 00:50:48,080 --> 00:50:50,160 Speaker 1: Yeah, well that I feel like that's the work part 818 00:50:50,200 --> 00:50:53,759 Speaker 1: of songwriting, the inspiration part when it comes through you 819 00:50:53,800 --> 00:50:57,839 Speaker 1: and you you know, it's like feels divine. Yes, that's 820 00:50:57,960 --> 00:51:01,360 Speaker 1: the that's the fun part. And then finishing it is 821 00:51:01,440 --> 00:51:01,799 Speaker 1: the work. 822 00:51:02,080 --> 00:51:03,879 Speaker 12: Is the work part, the work. Yeah, you have to 823 00:51:04,160 --> 00:51:06,399 Speaker 12: make time and yeah, sit down. 824 00:51:06,960 --> 00:51:12,759 Speaker 1: Yeah. Can I play a song of yours for you? 825 00:51:13,280 --> 00:51:13,880 Speaker 1: Is that weird? 826 00:51:14,160 --> 00:51:15,000 Speaker 12: Are you kidding? 827 00:51:15,560 --> 00:51:17,240 Speaker 1: I thought it would be fun, and then I thought 828 00:51:17,320 --> 00:51:19,160 Speaker 1: I should tell her what I'm gonna do so she 829 00:51:19,200 --> 00:51:22,480 Speaker 1: can chime in. But it's your song, so you know it, 830 00:51:22,760 --> 00:51:24,319 Speaker 1: So I'm thinking chime in. 831 00:51:24,680 --> 00:51:26,080 Speaker 12: Probably I don't know it. 832 00:51:26,160 --> 00:51:28,640 Speaker 1: Okay, sit down at the drums because you might want 833 00:51:28,640 --> 00:51:32,680 Speaker 1: to chime in. Okay, this is a This is one 834 00:51:32,719 --> 00:51:39,800 Speaker 1: of my favorite songs, yours. Okay, here's your song written 835 00:51:39,840 --> 00:51:42,680 Speaker 1: by you. I love this song. This. This was on 836 00:51:42,760 --> 00:51:44,479 Speaker 1: our first Pus Some Boots album, but it was also 837 00:51:44,520 --> 00:51:47,399 Speaker 1: on one of your albums. Oh, so you know each one. 838 00:51:47,480 --> 00:52:03,960 Speaker 1: It is okay. You forget me, I know you will. 839 00:52:06,160 --> 00:52:07,239 Speaker 14: We had. 840 00:52:09,080 --> 00:52:10,080 Speaker 6: Our face. 841 00:52:11,840 --> 00:52:23,440 Speaker 22: For now, but let's beyond it and. 842 00:52:23,800 --> 00:52:27,960 Speaker 6: Tie sometimes. 843 00:52:29,040 --> 00:52:44,600 Speaker 1: To our mind for now, will ride. 844 00:52:46,360 --> 00:52:47,480 Speaker 11: And fall. 845 00:52:49,480 --> 00:52:53,520 Speaker 9: Again, your card. 846 00:52:55,200 --> 00:52:56,520 Speaker 16: Will face. 847 00:52:58,239 --> 00:52:59,359 Speaker 17: Always. 848 00:53:05,320 --> 00:53:10,880 Speaker 22: Don't be sorry, just smile. 849 00:53:12,520 --> 00:53:13,440 Speaker 17: Somehow. 850 00:53:15,239 --> 00:53:19,520 Speaker 22: Oh we did our best. 851 00:53:21,200 --> 00:53:21,560 Speaker 6: Phone. 852 00:53:21,680 --> 00:54:00,640 Speaker 23: Now I'll be roll and free brow you. 853 00:54:01,840 --> 00:54:05,840 Speaker 6: And you be fake. 854 00:54:07,760 --> 00:54:08,239 Speaker 11: From me. 855 00:54:15,239 --> 00:54:18,000 Speaker 6: You be smarter. 856 00:54:19,719 --> 00:54:20,640 Speaker 9: And take. 857 00:54:22,640 --> 00:54:23,600 Speaker 11: Her hay. 858 00:54:25,760 --> 00:54:26,359 Speaker 7: And by. 859 00:54:28,760 --> 00:54:31,680 Speaker 6: He may. 860 00:54:32,080 --> 00:54:32,400 Speaker 11: Fall. 861 00:54:32,600 --> 00:54:44,440 Speaker 17: Now you say it better. 862 00:54:45,080 --> 00:54:46,759 Speaker 1: It was so funny. I was trying. I was like, 863 00:54:46,920 --> 00:54:49,400 Speaker 1: oh wait, I'm gonna go up like no slash always, 864 00:54:49,719 --> 00:54:54,759 Speaker 1: I'm not gonna And I was like, I can't, No, 865 00:54:54,960 --> 00:54:56,680 Speaker 1: I said, I was just I was flashy. 866 00:54:57,040 --> 00:54:58,279 Speaker 12: You are such a sweeter. 867 00:54:59,560 --> 00:55:04,000 Speaker 1: No, it was, it's not your fault. I I love 868 00:55:04,040 --> 00:55:07,600 Speaker 1: this song because it's such a torch song. It's such 869 00:55:07,640 --> 00:55:09,680 Speaker 1: an old jazz song. But it's also just such a 870 00:55:09,719 --> 00:55:12,919 Speaker 1: country song. It's really just a country song. Yeah, both, 871 00:55:13,040 --> 00:55:15,920 Speaker 1: but it's both. And that's how I feel about you. 872 00:55:16,239 --> 00:55:18,440 Speaker 1: And I'm like, wait, where did she get the country side? 873 00:55:18,480 --> 00:55:20,960 Speaker 1: Because you're oh you you you got it from us 874 00:55:21,080 --> 00:55:21,720 Speaker 1: doing those. 875 00:55:22,280 --> 00:55:24,800 Speaker 12: We were playing a lot, and I remember I crashed 876 00:55:24,840 --> 00:55:26,640 Speaker 12: at your house. I was I don't know if I 877 00:55:26,719 --> 00:55:29,880 Speaker 12: might have been babysitting Ralph, but I was also going through. 878 00:55:31,600 --> 00:55:34,200 Speaker 1: Oh sorry, no, no, I'm just not my baby. 879 00:55:34,239 --> 00:55:39,040 Speaker 12: My dog. Ralph is the baby, our first love. The 880 00:55:39,120 --> 00:55:42,680 Speaker 12: first baby is Ralph, second baby is George, my dad. 881 00:55:42,800 --> 00:55:48,400 Speaker 12: But anyway, and I remember I was going through the 882 00:55:48,440 --> 00:55:52,359 Speaker 12: beginning stages of a breakup and I wrote that on. 883 00:55:52,280 --> 00:55:55,880 Speaker 1: Your floor, really yes, in Manhattan. 884 00:55:55,400 --> 00:55:59,279 Speaker 12: In Manhattan, in the in the music room. Amazing, And 885 00:55:59,400 --> 00:56:04,360 Speaker 12: I remember I remember thinking, I can't believe it because it 886 00:56:04,840 --> 00:56:07,839 Speaker 12: was one of those songs that came really fast. 887 00:56:07,520 --> 00:56:11,080 Speaker 1: Which is always my favorite, and that doesn't surprise ever 888 00:56:11,160 --> 00:56:14,240 Speaker 1: happens because it's a simple but heavy song. 889 00:56:14,320 --> 00:56:17,120 Speaker 12: And it was back when I was only singing jazz 890 00:56:17,360 --> 00:56:20,400 Speaker 12: except for with you guys. You know, I was totally 891 00:56:20,440 --> 00:56:24,279 Speaker 12: still transitioning and where it was a novelty that I 892 00:56:24,320 --> 00:56:28,239 Speaker 12: was playing guitar, it wasn't normal yet. And and you 893 00:56:28,360 --> 00:56:31,600 Speaker 12: were a huge influence on me all opening up. 894 00:56:31,800 --> 00:56:34,680 Speaker 1: All I learned on guitar was the country corner. Like 895 00:56:34,760 --> 00:56:37,440 Speaker 1: I still don't know how to play like many dominant 896 00:56:37,440 --> 00:56:40,879 Speaker 1: sevenths or major seven chords on guitar, so our band 897 00:56:41,000 --> 00:56:44,200 Speaker 1: is kind of limited. If I'm playing guitar to sort 898 00:56:44,200 --> 00:56:48,839 Speaker 1: of country. It's a big country ish well you know, but. 899 00:56:49,120 --> 00:56:53,279 Speaker 12: Yeah, but then it was like, it's it's an really 900 00:56:53,320 --> 00:56:56,239 Speaker 12: nerd out is. It's an aaba form, which is why 901 00:56:56,280 --> 00:56:58,440 Speaker 12: people think it's sort of standard. 902 00:56:58,040 --> 00:56:59,880 Speaker 1: Sort of like a jazz snartist. That's what I like 903 00:57:00,040 --> 00:57:01,960 Speaker 1: all about it. It sort of goes both ways. I 904 00:57:02,040 --> 00:57:03,759 Speaker 1: meant to do it more country, but then I got 905 00:57:03,800 --> 00:57:05,719 Speaker 1: nervous and I didn't. I don't know what I did, 906 00:57:05,800 --> 00:57:09,480 Speaker 1: but we'll hear it later. Oh I'm so touch, Oh 907 00:57:09,520 --> 00:57:11,719 Speaker 1: I love you. That song was always one of my 908 00:57:11,760 --> 00:57:14,680 Speaker 1: favorite drum groups that you did with us, and I 909 00:57:14,719 --> 00:57:17,520 Speaker 1: feel like the last few songs I wrote for Puss 910 00:57:17,520 --> 00:57:20,800 Speaker 1: and Boots, I've wanted that torch because I love that 911 00:57:20,880 --> 00:57:26,640 Speaker 1: the way you play drums. Did you did you listen 912 00:57:26,640 --> 00:57:29,280 Speaker 1: to lyrics a lot when you were young singing jazz? 913 00:57:29,560 --> 00:57:32,120 Speaker 1: Because I didn't. I mean I did, but I didn't 914 00:57:32,200 --> 00:57:32,920 Speaker 1: the way I do now. 915 00:57:33,000 --> 00:57:35,480 Speaker 12: Yeah, definitely. No, they didn't register in the same way 916 00:57:36,680 --> 00:57:38,520 Speaker 12: I mean, I think because we're younger. 917 00:57:38,760 --> 00:57:40,600 Speaker 1: Well yeah, and a lot of those songs we hadn't 918 00:57:40,600 --> 00:57:41,919 Speaker 1: had those experiences yet. 919 00:57:42,560 --> 00:57:44,919 Speaker 12: I literally had to be told, Sasha, you're too young 920 00:57:44,960 --> 00:57:47,600 Speaker 12: to sing that song lush Life for me, lush Life, 921 00:57:47,640 --> 00:57:50,400 Speaker 12: and yeah, I don't even know all of them. Got 922 00:57:50,520 --> 00:57:56,080 Speaker 12: oh well, sophistic yeah, exactly, smoking, drinking, I am you're. 923 00:57:56,000 --> 00:58:02,360 Speaker 1: Like fifteen, Yeah, like nine. That's amazing. Oh my gosh, 924 00:58:02,480 --> 00:58:03,160 Speaker 1: I love that. 925 00:58:04,280 --> 00:58:05,520 Speaker 12: Well, there's a video of that. 926 00:58:05,840 --> 00:58:09,240 Speaker 1: It's interesting because, like when I started writing songs, music 927 00:58:09,400 --> 00:58:12,040 Speaker 1: wasn't the hard part. It was lyrics, and it was 928 00:58:12,120 --> 00:58:16,800 Speaker 1: finding a thread or a style or a story within 929 00:58:16,880 --> 00:58:18,960 Speaker 1: each song. And then I finally realized each song can 930 00:58:19,000 --> 00:58:21,920 Speaker 1: be totally different. But absolutely, yeah, I didn't. I mean 931 00:58:21,960 --> 00:58:24,440 Speaker 1: I that was a hard part. I grew up singing 932 00:58:24,520 --> 00:58:28,560 Speaker 1: these classic songs but not really hearing the lyrics in 933 00:58:28,600 --> 00:58:29,480 Speaker 1: the same way. 934 00:58:30,200 --> 00:58:30,680 Speaker 12: I hear you. 935 00:58:30,920 --> 00:58:31,480 Speaker 1: Yeah. 936 00:58:31,560 --> 00:58:33,400 Speaker 12: I guess that's one of the one of the many 937 00:58:33,440 --> 00:58:34,760 Speaker 12: good things about getting older. 938 00:58:35,000 --> 00:58:40,280 Speaker 1: Things resonate totally differently. Yeah, it's so funny. Do you 939 00:58:40,320 --> 00:58:45,280 Speaker 1: remember when we did we did Music Cares for Neil Young, 940 00:58:45,880 --> 00:58:47,720 Speaker 1: and I was like, Sasha, come to California with me, 941 00:58:47,800 --> 00:58:49,959 Speaker 1: we'll do this thing. And then we got something else 942 00:58:50,080 --> 00:58:53,880 Speaker 1: and I forgot to tell you what it was. Is 943 00:58:53,920 --> 00:58:56,440 Speaker 1: that right? And I remember we got out there, I 944 00:58:56,440 --> 00:58:58,400 Speaker 1: was like, yeah, learn a tell me why by Neil Young? 945 00:58:58,440 --> 00:59:00,880 Speaker 1: And you're like, uh, okay, I didn't really give you 946 00:59:00,920 --> 00:59:04,360 Speaker 1: any details, typical, just like I was like, sure, no problem, 947 00:59:04,360 --> 00:59:06,200 Speaker 1: I forgot to tell you. It was like this huge 948 00:59:06,200 --> 00:59:09,120 Speaker 1: event where we were playing Neil Young songs in front 949 00:59:09,120 --> 00:59:14,240 Speaker 1: of Neil dressing up. Probably good you didn't tell me. 950 00:59:14,400 --> 00:59:17,720 Speaker 1: I just remember like dropping the ball and actually informing 951 00:59:17,760 --> 00:59:20,200 Speaker 1: you about what we were doing. And you were such 952 00:59:20,240 --> 00:59:21,600 Speaker 1: a good sport, and I was like, I'm gonna play 953 00:59:21,600 --> 00:59:23,840 Speaker 1: guitar just like I was. It was as if I 954 00:59:23,920 --> 00:59:26,840 Speaker 1: was channeling you from the Fat Cat days, like I'm 955 00:59:26,840 --> 00:59:30,000 Speaker 1: just gonna play guitar. Uh. All these industry people know 956 00:59:30,040 --> 00:59:32,360 Speaker 1: me as a piano player, but I'm just gonna play guitar. 957 00:59:32,280 --> 00:59:34,880 Speaker 12: As your secret around. But you were I had ignorance, 958 00:59:34,960 --> 00:59:37,800 Speaker 12: is Bliss. I had no idea what I was getting into. 959 00:59:37,880 --> 00:59:38,560 Speaker 12: So it was fine. 960 00:59:38,600 --> 00:59:41,600 Speaker 1: It was so fun, and Don was the mdm' a 961 00:59:41,640 --> 00:59:43,800 Speaker 1: pause band. But I didn't want to play the husband 962 00:59:43,800 --> 00:59:45,439 Speaker 1: because I just wanted it to be our little thing, 963 00:59:45,520 --> 00:59:48,959 Speaker 1: our special little thing, which it's very special. It was cool, 964 00:59:49,000 --> 00:59:51,720 Speaker 1: but then remember I was like, but no, I'm not 965 00:59:51,920 --> 00:59:55,200 Speaker 1: We're not going direct. We're not plugging these guitars direct, 966 00:59:55,240 --> 00:59:59,240 Speaker 1: and we're pluwing just like Willie Nelson. We're plugging our 967 00:59:59,560 --> 00:59:59,800 Speaker 1: we were. 968 01:00:00,080 --> 01:00:00,640 Speaker 11: I was cool. 969 01:00:01,200 --> 01:00:04,000 Speaker 1: Well, it was so funny because I felt like the 970 01:00:04,080 --> 01:00:06,320 Speaker 1: band and the crew and everyone that was helping us 971 01:00:06,320 --> 01:00:08,880 Speaker 1: set up, they were super kind, but they were just 972 01:00:08,920 --> 01:00:09,960 Speaker 1: like all right. 973 01:00:10,880 --> 01:00:12,720 Speaker 12: They were letting us do whatever they were. 974 01:00:13,120 --> 01:00:16,320 Speaker 1: They were super cool about it. But I just remember, 975 01:00:16,360 --> 01:00:18,800 Speaker 1: remember I was really stubborn about it, because everybody wants 976 01:00:18,800 --> 01:00:21,000 Speaker 1: to plug indirect and to make sure they get a 977 01:00:21,040 --> 01:00:24,760 Speaker 1: good thing. It was so groovy because it was different. 978 01:00:24,880 --> 01:00:27,120 Speaker 1: It was so funny, and I just felt like we 979 01:00:27,120 --> 01:00:30,400 Speaker 1: were little high schoolers all in that big room, you know, 980 01:00:30,440 --> 01:00:33,600 Speaker 1: with all those industry people at all those artists. But 981 01:00:33,880 --> 01:00:37,120 Speaker 1: I felt totally good because I was with you. 982 01:00:36,880 --> 01:00:40,400 Speaker 12: Like I mean likewise again, I had no idea what 983 01:00:40,440 --> 01:00:43,320 Speaker 12: I was getting into, so it was totally fun amazing. 984 01:00:43,360 --> 01:00:47,440 Speaker 12: And also you know that you all were and always 985 01:00:47,520 --> 01:00:50,760 Speaker 12: are my like point of focus. So it was just 986 01:00:50,800 --> 01:00:53,480 Speaker 12: like I just put my energy into you. 987 01:00:53,720 --> 01:00:58,520 Speaker 1: It was hard not to focus on Nielson and I 988 01:00:58,160 --> 01:01:03,280 Speaker 1: didn't know you didn't see him very good. Yeah, so 989 01:01:03,320 --> 01:01:05,880 Speaker 1: we're gonna go full circle. 990 01:01:05,560 --> 01:01:06,760 Speaker 12: Now, Yeah, exactly. 991 01:01:07,320 --> 01:01:10,760 Speaker 1: So we're gonna so you have a new album which 992 01:01:10,840 --> 01:01:14,160 Speaker 1: is actually a jazz album, yes, ma'am, is this so 993 01:01:14,400 --> 01:01:17,000 Speaker 1: you did an album a long long time that was 994 01:01:17,040 --> 01:01:19,480 Speaker 1: a jazz album, right, The Dark Darkling Thresh. 995 01:01:19,600 --> 01:01:22,640 Speaker 12: Yeah, yeah, that was like your first It was like 996 01:01:22,680 --> 01:01:26,320 Speaker 12: the Cords one and yeah, my first sort of jazz thing. 997 01:01:26,960 --> 01:01:30,439 Speaker 12: It wasn't necessarily a Sasha, I mean, it's under my name, 998 01:01:30,440 --> 01:01:32,360 Speaker 12: but it was it was more of a Chris Buyer's 999 01:01:32,560 --> 01:01:35,360 Speaker 12: oh cock tat. I mean it was his arrangements and 1000 01:01:35,400 --> 01:01:41,000 Speaker 12: his kind of vision and me being twenty three and 1001 01:01:41,720 --> 01:01:45,880 Speaker 12: of course like, yes, sing on this album. 1002 01:01:45,600 --> 01:01:49,960 Speaker 1: But that was your first recording that was out of there. Yeah, yeah, yeah, 1003 01:01:50,040 --> 01:01:52,760 Speaker 1: and that was jazz and it was just standards or 1004 01:01:52,800 --> 01:01:53,840 Speaker 1: any original. 1005 01:01:53,680 --> 01:01:55,440 Speaker 12: And it's all no, yeah, not yet. 1006 01:01:55,800 --> 01:01:59,280 Speaker 1: And so then since then you've done all this original 1007 01:01:59,480 --> 01:02:02,280 Speaker 1: music and all these albums have been a lot of 1008 01:02:03,280 --> 01:02:07,320 Speaker 1: songs that you wrote. Yeah, and then now we're going back. 1009 01:02:07,880 --> 01:02:09,919 Speaker 12: Yeah, you know, I just felt like, I mean, as 1010 01:02:09,920 --> 01:02:14,440 Speaker 12: far as Sasha adopts all the opportunities that I've been 1011 01:02:14,520 --> 01:02:17,400 Speaker 12: fortunate to have as a recording artist so far, I've 1012 01:02:17,440 --> 01:02:20,880 Speaker 12: been more so as a songwriter. And I just started 1013 01:02:20,880 --> 01:02:24,800 Speaker 12: to feel like I never actually made a record myself that. 1014 01:02:24,920 --> 01:02:27,200 Speaker 1: Was jazz, which is such a huge part of what 1015 01:02:27,320 --> 01:02:29,560 Speaker 1: such how you are and where you come from. 1016 01:02:29,640 --> 01:02:31,960 Speaker 12: Starting to feel a little sad about that. 1017 01:02:31,840 --> 01:02:32,120 Speaker 14: I know. 1018 01:02:32,160 --> 01:02:36,120 Speaker 1: And it's like, I feel like a lot of people 1019 01:02:36,480 --> 01:02:40,840 Speaker 1: are in our community musicians, they sort of stray from 1020 01:02:40,920 --> 01:02:44,640 Speaker 1: the jazz world and they get into other music and 1021 01:02:46,600 --> 01:02:50,480 Speaker 1: it's really fun. It's like things blossom a little totally 1022 01:02:50,560 --> 01:02:54,440 Speaker 1: for us. And then but then it's like, yeah, that 1023 01:02:54,800 --> 01:02:56,120 Speaker 1: music made. 1024 01:02:55,880 --> 01:02:57,040 Speaker 12: Me for sure. 1025 01:02:57,160 --> 01:03:01,880 Speaker 1: Yeah, yeah, I feel like coming back to it is 1026 01:03:02,640 --> 01:03:03,320 Speaker 1: really heavy. 1027 01:03:03,880 --> 01:03:06,080 Speaker 12: Yeah, I mean it's still it was like such a 1028 01:03:06,120 --> 01:03:09,680 Speaker 12: meaningful thing and not something. It's one of the only 1029 01:03:09,720 --> 01:03:13,120 Speaker 12: recordings I've done personally under my own name where I 1030 01:03:13,400 --> 01:03:14,800 Speaker 12: wasn't shy. 1031 01:03:15,040 --> 01:03:19,040 Speaker 1: Yeah, because you're confident, You're you're totally You're like, oh, 1032 01:03:19,280 --> 01:03:20,960 Speaker 1: I know this finally. 1033 01:03:21,120 --> 01:03:23,520 Speaker 12: Well it's the only thing that I do that I'm 1034 01:03:23,520 --> 01:03:25,680 Speaker 12: not like, oh, I kind of know how to do, 1035 01:03:25,760 --> 01:03:31,040 Speaker 12: you know? Yeah, because yeah, because I paid my dues. 1036 01:03:31,360 --> 01:03:34,520 Speaker 1: I used to go always to Smalls to see Sam 1037 01:03:34,560 --> 01:03:39,120 Speaker 1: yell oh, and I would see you there sometimes. My 1038 01:03:39,240 --> 01:03:42,000 Speaker 1: first summer in New York, I was such a door 1039 01:03:42,280 --> 01:03:44,640 Speaker 1: well me too, and I would hide in the back 1040 01:03:45,040 --> 01:03:48,840 Speaker 1: and I was terrified of everyone for sure, and I 1041 01:03:48,840 --> 01:03:50,800 Speaker 1: would never go to the jam sessions. I would never 1042 01:03:50,800 --> 01:03:52,760 Speaker 1: sit in or anything like that. I was just a fan, 1043 01:03:53,040 --> 01:03:56,600 Speaker 1: you know, and a musician. But like I would see 1044 01:03:56,640 --> 01:04:00,240 Speaker 1: you there and you always but you had already lived 1045 01:04:00,240 --> 01:04:03,040 Speaker 1: in New York for three years and gone to the 1046 01:04:03,120 --> 01:04:03,640 Speaker 1: New school. 1047 01:04:03,880 --> 01:04:04,920 Speaker 12: I went to the new School. 1048 01:04:05,040 --> 01:04:07,560 Speaker 1: Yeah, so you already knew everything, kind of knew people. 1049 01:04:07,680 --> 01:04:12,280 Speaker 1: I always felt like, there's really cool, I know somebody 1050 01:04:12,240 --> 01:04:15,400 Speaker 1: because she knows everybody, so I felt like, oh my god. 1051 01:04:15,920 --> 01:04:17,960 Speaker 1: But also like just to see a girl there that 1052 01:04:18,040 --> 01:04:20,240 Speaker 1: I knew, I was just like, okay, I can relax 1053 01:04:20,280 --> 01:04:24,480 Speaker 1: a little, you know. And everybody there was never not 1054 01:04:24,680 --> 01:04:27,320 Speaker 1: nice to me. Everybody was always so nice. But I 1055 01:04:27,320 --> 01:04:30,520 Speaker 1: don't know why there's this thing of being like but 1056 01:04:30,640 --> 01:04:32,440 Speaker 1: the truth is, I bet some of those guys were 1057 01:04:32,480 --> 01:04:34,080 Speaker 1: the same way. They just don't show it in this 1058 01:04:34,400 --> 01:04:35,720 Speaker 1: all nerds. 1059 01:04:36,040 --> 01:04:39,520 Speaker 12: It's so weird. It's it's also being young, accombination where 1060 01:04:39,560 --> 01:04:43,560 Speaker 12: you're just like, it's so nice to see most of 1061 01:04:43,600 --> 01:04:48,040 Speaker 12: those people thankfully still and and like everybody's just as 1062 01:04:48,080 --> 01:04:51,000 Speaker 12: warm as ever. We you know, we played there together, 1063 01:04:51,240 --> 01:04:54,680 Speaker 12: you and on your birthday, my birthday years two years ago. 1064 01:04:54,840 --> 01:04:59,440 Speaker 1: Yeah, it was it was so it was magical. It 1065 01:04:59,520 --> 01:05:02,800 Speaker 1: was magic well because we were playing it Small. I 1066 01:05:02,800 --> 01:05:04,960 Speaker 1: had actually, I think I sat in with sam Ye 1067 01:05:05,000 --> 01:05:07,320 Speaker 1: Hall a couple of times because we became friends. He 1068 01:05:07,400 --> 01:05:10,720 Speaker 1: was my piano teacher back then. But I had never 1069 01:05:10,720 --> 01:05:13,800 Speaker 1: done a gig at Small, so I was like, oh 1070 01:05:13,840 --> 01:05:14,960 Speaker 1: my god. 1071 01:05:15,080 --> 01:05:17,120 Speaker 12: I'm happening, and we took over the joint. 1072 01:05:17,280 --> 01:05:20,040 Speaker 1: I am forty years old and I got my first 1073 01:05:20,040 --> 01:05:23,480 Speaker 1: gig at Small and I'm stoked, you know, but we 1074 01:05:23,480 --> 01:05:25,680 Speaker 1: should do the title track because it was the first 1075 01:05:25,720 --> 01:05:29,800 Speaker 1: time we sang this song girl Talk Yes, which is 1076 01:05:30,520 --> 01:05:33,640 Speaker 1: it is so funny to sing that song with you. 1077 01:05:33,840 --> 01:05:38,080 Speaker 12: It's totally us. I know, it's completely It was genius. 1078 01:05:38,320 --> 01:05:41,600 Speaker 12: Neil Miner he wrote a bunch of arrangements for that 1079 01:05:41,840 --> 01:05:45,640 Speaker 12: project and he brought me this song in said sash 1080 01:05:45,720 --> 01:05:48,080 Speaker 12: because I was like, oh, because I was hot to 1081 01:05:48,120 --> 01:05:50,360 Speaker 12: do Booch made for Walking and asked if he would 1082 01:05:50,400 --> 01:05:53,200 Speaker 12: learn that bass part. He was like, that's a big 1083 01:05:53,240 --> 01:05:55,480 Speaker 12: stretch for Neil because he's straight down the middle when 1084 01:05:55,520 --> 01:05:56,240 Speaker 12: it comes to jazz. 1085 01:05:56,320 --> 01:06:00,919 Speaker 1: Yeah, he's very stressed. Yeah, straight ahead a little more. 1086 01:06:01,000 --> 01:06:02,320 Speaker 6: And he was like, oh okay, and. 1087 01:06:02,320 --> 01:06:04,680 Speaker 12: You know, kind of excited about so then that opened 1088 01:06:04,680 --> 01:06:06,560 Speaker 12: his brain up and he was like, have you heard 1089 01:06:06,600 --> 01:06:08,720 Speaker 12: this song? Girl Talk? And I was like, well, I 1090 01:06:08,760 --> 01:06:12,360 Speaker 12: remember the instrumental version, but he turned me onto the 1091 01:06:12,440 --> 01:06:16,000 Speaker 12: lyrics and then you know, perfect when you sing it 1092 01:06:16,040 --> 01:06:17,560 Speaker 12: with me. I was like, you know, we got. 1093 01:06:17,320 --> 01:06:19,160 Speaker 1: To do this. Yeah, we should be in like our 1094 01:06:19,200 --> 01:06:23,600 Speaker 1: pajamas talking on the phone exactly we are. Let's do it. 1095 01:06:23,640 --> 01:06:27,040 Speaker 1: Are you gonna sing and not play guitar? Oh my gosh, 1096 01:06:27,200 --> 01:06:28,720 Speaker 1: what are you going to do with your hands? 1097 01:06:28,880 --> 01:06:35,280 Speaker 12: I'll show you absolutely nothing. Oh my god. 1098 01:06:35,400 --> 01:06:39,600 Speaker 21: Well maybe I'll do a little bit of that. 1099 01:06:39,280 --> 01:06:42,560 Speaker 1: That's why I could never do it. It took me 1100 01:06:42,560 --> 01:06:44,160 Speaker 1: an instrument because I didn't know what to do with 1101 01:06:44,240 --> 01:06:44,520 Speaker 1: my head. 1102 01:06:44,760 --> 01:06:48,120 Speaker 12: Oh man, I mean it's very hard, but it looks 1103 01:06:48,160 --> 01:06:50,680 Speaker 12: the best when you do nothing, which is the hard 1104 01:06:50,760 --> 01:06:53,479 Speaker 12: what I learned. It took me, like, it's very hard 1105 01:06:53,520 --> 01:06:56,600 Speaker 12: to do nothing with your hands. I know, it's it 1106 01:06:56,680 --> 01:06:59,360 Speaker 12: looks weird. We're talking about singing here, people. 1107 01:06:59,120 --> 01:07:02,040 Speaker 1: Yeah, we're talking about singing. It's really an important thing 1108 01:07:02,120 --> 01:07:04,000 Speaker 1: to learn when you're singing. Yeah, I know it is. 1109 01:07:04,200 --> 01:07:06,560 Speaker 1: It is all right, I'm gonna try. 1110 01:07:07,640 --> 01:07:08,840 Speaker 12: We'll see if I actually. 1111 01:07:08,600 --> 01:07:16,680 Speaker 21: Being with my hands. 1112 01:07:23,480 --> 01:07:27,960 Speaker 24: We like to chat about the dresses we will wear 1113 01:07:28,080 --> 01:07:33,240 Speaker 24: too night. Wech you the fat about the chassis and 1114 01:07:33,640 --> 01:07:35,120 Speaker 24: a neighbor's fine. 1115 01:07:36,040 --> 01:07:38,520 Speaker 6: In consequential things that. 1116 01:07:38,720 --> 01:07:44,840 Speaker 21: Men don't really care to know become essential things and 1117 01:07:45,080 --> 01:07:48,440 Speaker 21: were fa so abroo. 1118 01:07:48,880 --> 01:07:52,680 Speaker 6: But that's a day. They're all the same. It's just 1119 01:07:52,800 --> 01:07:55,240 Speaker 6: a game. We're all the. 1120 01:07:54,960 --> 01:07:56,880 Speaker 11: Girl time. 1121 01:07:58,200 --> 01:07:59,800 Speaker 14: Girl talk. 1122 01:08:01,760 --> 01:08:06,479 Speaker 21: We all me ow about the up sydowns of all 1123 01:08:06,680 --> 01:08:07,520 Speaker 21: our friends. 1124 01:08:08,400 --> 01:08:13,880 Speaker 8: The hell, the wild, we dish, the dirt and never. 1125 01:08:15,120 --> 01:08:21,640 Speaker 21: The weaker sex the speaker sex, wee on amazyld but. 1126 01:08:21,920 --> 01:08:25,439 Speaker 14: The joke he wouldn't trade here for. 1127 01:08:25,720 --> 01:08:27,280 Speaker 6: A time of gold. 1128 01:08:28,240 --> 01:08:29,519 Speaker 1: It's aben planning. 1129 01:08:29,840 --> 01:08:32,760 Speaker 6: So take my hand, please understand. 1130 01:08:33,240 --> 01:08:36,440 Speaker 9: The sweem is God talk. 1131 01:08:37,840 --> 01:08:43,519 Speaker 8: Talks to. 1132 01:08:47,080 --> 01:08:59,479 Speaker 14: Baba. 1133 01:09:02,280 --> 01:09:11,520 Speaker 8: No no no, no, no no no, I don't know, 1134 01:09:12,240 --> 01:09:16,800 Speaker 8: bah bah bah bah baba. 1135 01:09:20,840 --> 01:09:25,720 Speaker 21: We all me out about the synd downs of all 1136 01:09:25,880 --> 01:09:33,479 Speaker 21: our friends. Oh how the wild we dish the never ends. 1137 01:09:34,520 --> 01:09:39,960 Speaker 21: The weaker says, the speaker says, you load on mals. 1138 01:09:39,520 --> 01:09:45,040 Speaker 6: E hold where through we joke we want and change. 1139 01:09:44,720 --> 01:09:47,120 Speaker 12: It for turn gold. 1140 01:09:48,160 --> 01:09:52,840 Speaker 22: It's soon plans, So take my hand, please understand. 1141 01:09:53,360 --> 01:10:03,200 Speaker 6: The sweetest God talk talk to sweet is good talk. 1142 01:10:07,160 --> 01:10:12,120 Speaker 6: This sweet it is good talk. 1143 01:10:21,240 --> 01:10:26,200 Speaker 1: You oh man, that's so fun, so fun. 1144 01:10:26,600 --> 01:10:30,040 Speaker 12: Oh, talking about chats. If you love it, it's fun, 1145 01:10:30,280 --> 01:10:31,960 Speaker 12: it is fun, it gives you good energy. 1146 01:10:32,720 --> 01:10:35,160 Speaker 1: Well, thanks so much for doing this. Sure, it's weird. 1147 01:10:35,280 --> 01:10:38,160 Speaker 1: I feel like we've been besties for forever, and I 1148 01:10:38,280 --> 01:10:39,360 Speaker 1: feel like I learned a lot. 1149 01:10:39,800 --> 01:10:39,960 Speaker 11: Oh. 1150 01:10:40,439 --> 01:10:41,280 Speaker 6: Oh, I'm glad. 1151 01:10:42,360 --> 01:10:44,160 Speaker 1: There's still much. There's still much. 1152 01:10:44,360 --> 01:10:45,880 Speaker 12: So much for having me, sweetheart. 1153 01:10:46,080 --> 01:10:47,040 Speaker 1: Thanks for doing this. 1154 01:10:47,200 --> 01:10:48,160 Speaker 12: Now we can hang out. 1155 01:10:48,400 --> 01:10:50,920 Speaker 1: I love you, Matt, I love you so much. I'm 1156 01:10:50,960 --> 01:10:54,040 Speaker 1: so glad that we're here together. Yeah, see you in 1157 01:10:54,120 --> 01:10:55,120 Speaker 1: five minutes, see. 1158 01:10:54,960 --> 01:10:55,679 Speaker 12: You in five minutes. 1159 01:10:56,640 --> 01:10:57,599 Speaker 22: I'm just waiting. 1160 01:10:59,120 --> 01:10:59,559 Speaker 8: We say. 1161 01:11:01,920 --> 01:11:05,280 Speaker 1: That was Sasha Dopson. Oh that was great. Yeah, that 1162 01:11:05,479 --> 01:11:09,120 Speaker 1: was so fun. She's just she's so fun. We have also, 1163 01:11:09,280 --> 01:11:11,559 Speaker 1: we just it's like we're little kids at us lumber 1164 01:11:11,600 --> 01:11:14,160 Speaker 1: party when we're together. Yeah, and that song girl Talk 1165 01:11:14,280 --> 01:11:18,200 Speaker 1: is perfect for that exactly. Please go check out Sasha 1166 01:11:18,640 --> 01:11:22,800 Speaker 1: live in New York City anytime and check out her 1167 01:11:22,800 --> 01:11:25,760 Speaker 1: album Girl Talk, her album Simple Things. She's got a 1168 01:11:25,800 --> 01:11:27,400 Speaker 1: few more albums. She's great. 1169 01:11:27,560 --> 01:11:30,800 Speaker 4: Thanks Sasha, we love you, We love you, Bye, sister. 1170 01:11:37,960 --> 01:11:41,360 Speaker 4: Thanks for listening. Don't forget to subscribe to Nora Jones 1171 01:11:41,439 --> 01:11:43,680 Speaker 4: is playing along wherever you get your podcasts. 1172 01:11:43,720 --> 01:11:46,560 Speaker 1: So you never miss a new episode. This episode was 1173 01:11:46,600 --> 01:11:51,799 Speaker 1: recorded a mixed by Jamie Landry, additional engineering by Greg Tobler, 1174 01:11:52,520 --> 01:11:56,920 Speaker 1: edited by Sarah Oda, artwork by Eliza Fry, Photography by 1175 01:11:56,960 --> 01:12:01,280 Speaker 1: Shervin Linez. Produced by I and Sarah Ota,