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Speaker 1: Hey, we are back with part two of the pilot

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Speaker 1: episode recap. There was so much to cover in this

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Speaker 1: first episode, we definitely wanted to get into all the

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Speaker 1: details and bring you all of the information. So here

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Speaker 1: we are back with part two of the pilot episode.

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Speaker 1: Who I hope you turned into Part one?

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Speaker 2: So now we get into Michelle's room. Jesse and Joey

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Speaker 2: go in to see a crying baby Michelle. And this

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Speaker 2: is the first time we see Mary Kate or Ashley.

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Speaker 2: I'm not sure which one as baby Michelle. Can you

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Speaker 2: tell them apart in this scene?

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Speaker 3: Do you know which twin this was?

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Speaker 1: I could at the time. I want to say, I'm

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Speaker 1: trying to remember. I think Mary Kate is the one.

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Speaker 1: In the last scene in the kitchen scene when they're

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Speaker 1: changing her diaper, I think, but I don't know. They

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Speaker 1: kind of it went back and forth and like but

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Speaker 1: you know, Ashley mary Kate kind of bounced back and

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Speaker 1: forth depending on who wanted who was in a better mood,

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Speaker 1: you know, when they're babies like that. That's why there's twins,

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Speaker 1: because exactly babies are often not in a great mood

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Speaker 1: all the time.

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Speaker 3: And like we mentioned, I think in the previous episode.

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Speaker 2: You know, there are strict child labor laws that right,

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Speaker 2: babies can only work so many hours.

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Speaker 1: So not even hours, it's like twenty minutes I think

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Speaker 1: they can be in front of the camera.

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Speaker 3: Yeah, it's not a lot of time.

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Speaker 2: So I was shocked at how much Michelle is actually

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Speaker 2: in this episode and you actually see tholes and twins,

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Speaker 2: not like you know, a stunt baby or a baby ball.

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Speaker 3: Or just like a baby carrier turned around.

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Speaker 1: I remember those days, those consisted of Adria later or

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Speaker 1: the baby wrangler. Yeah, it might not have been Adria yet,

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Speaker 1: it was probably whoever the baby wrangler was. Maybe it

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Speaker 1: was Adria anyway, whoever it was, right. Baby wranglers are

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Speaker 1: the people that they bring in who are strictly responsible

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Speaker 1: for the care of the babies while they're on set,

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Speaker 1: for bringing them to set, for making sure that all

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Speaker 1: the labor laws are like abided by all of that

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Speaker 1: they have, you know, they're social workers all this kind

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Speaker 1: of stuff, but they are the baby wranglers are there

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Speaker 1: to be off camera making weird faces and all the stuff.

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Speaker 1: So I remember as a kid, you know, having to

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Speaker 1: do these shots where it would just be like a

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Speaker 1: single you know, just a close up shot of the

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Speaker 1: babies of Michelle and somebody off camera or several people

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Speaker 1: off camera looking like complete imbeciles, you know, just doing

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Speaker 1: all those like weird stuff to try and get them

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Speaker 1: to smile or react in some way. And so, yeah,

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Speaker 1: there was a lot of ridiculous behind the scenes stuff

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Speaker 1: where people just making fools of themselves to get the

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Speaker 1: kids to react. That was.

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Speaker 3: That's a thankless job right there.

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Speaker 1: Yeah, right, it's somewhere. There's a there's there's gag reel

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Speaker 1: video of Adrian, all of that of Adrian. But if

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Speaker 1: there's like a whole bunch of people, the kids wouldn't

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Speaker 1: do something, and they were. There was like six people

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Speaker 1: dancing around and being ridiculous. Was really funny.

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Speaker 2: Oh man, I hope we can find that footage. Yeah,

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Speaker 2: so Michelle is crying and the guys don't know what

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Speaker 2: to do. So Jesse yells shut up at the crib.

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Speaker 3: Which did you cringe? I cringed? WHOA so harsh?

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Speaker 1: That was? I did not remember that. I was like, wow,

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Speaker 1: that was aggressive, Yeah, I said, Jesse, he's he It's

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Speaker 1: a testament to how much he grew over the years,

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Speaker 1: because yeah, I think he obviously had a very harsh childhood.

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Speaker 1: I don't know people screaming at babies.

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Speaker 2: I think it's just that this joke was written or

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Speaker 2: not even a joke, but this bit was written by

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Speaker 2: somebody who never had a baby, I don't.

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Speaker 1: I don't know, by men perhaps, yeah, who just yells

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Speaker 1: shut up at a baby.

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Speaker 2: So okay, it's clear that these these two men are unquiet.

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Speaker 1: I mean, at least within the first five minutes.

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Speaker 2: No, right, well yeah, wait till they're teenagers, right, and

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Speaker 2: it's totally different.

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Speaker 3: Yeah, right, And Joey has a much better approach.

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Speaker 2: He tries to soothe her with a tight five impressions

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Speaker 2: kermit pee wee herman, and then he spits water like

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Speaker 2: a sprinkler, which is really creative.

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Speaker 1: Actually, I mean I love the bit where he's doing

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Speaker 1: the sprinkler and John just pulls the the umbrella out

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Speaker 1: and puts it up over the baby. Was the timing,

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Speaker 1: I mean, it's ridiculous, and you're like, who would be

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Speaker 1: making a sprinkler an inside a house? But it was

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Speaker 1: so funny, like just the timing of it. And he

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Speaker 1: doesn't even say anything, and you can already see like

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Speaker 1: the setup of who Jesse and Joey are going to

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Speaker 1: be in this like kind of straight man, you know,

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Speaker 1: ridiculous Laurel and Hardy esque duo.

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Speaker 3: It's great. They're working as a team.

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Speaker 2: They're not working effectively, but they are working together right

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Speaker 2: as a team.

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Speaker 3: And it's so funny.

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Speaker 2: So yeah, Jesse grabs the umbrella to cover Michelle from

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Speaker 2: from the soda mouth sprinkler and there's a huge, huge

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Speaker 2: laugh and a big.

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Speaker 3: Applause from the audience, which is great.

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Speaker 1: Well, when he first walked into the scene, I was like,

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Speaker 1: why is he carrying a can? What's he gonna do?

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Speaker 2: Like?

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Speaker 3: Was he thirsty?

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Speaker 1: This is obvious, right, I was like, no one ever

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Speaker 1: walks into a scene with a can in their hand

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Speaker 1: for no reason.

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Speaker 3: You know, you know that it's a setup for a

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Speaker 3: joe That's right.

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Speaker 1: I knew it was a setup, yeah, because I was like,

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Speaker 1: this looks too oddly natural for a sitcom to just

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Speaker 1: have someone walking in with like a drink, and that's

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Speaker 1: not going to pay off somehow, right, right.

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Speaker 2: Joey asks if Jesse thinks she needs to be changed,

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Speaker 2: and we learn that neither of them have ever changed

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Speaker 2: a diaper.

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Speaker 3: Jesse, filled with bravado and.

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Speaker 2: Confidence, tells Joey to move aside, and then he lifts

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Speaker 2: Michelle up. Joey grabs her legs and they walk together,

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Speaker 2: carrying Michelle out of the room like she's a filthy sofa.

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Speaker 1: They both which would also be an awkward way to

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Speaker 1: carry a filthy sofa, like facing up and down like

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Speaker 1: that one at the top one of the bottom.

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Speaker 2: They just they didn't want to get near the poopy diaper.

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Speaker 2: I think they were just like, you know, sure, it's gross.

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Speaker 1: They never chot a coordination though, to run down the

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Speaker 1: stairs with the baby like that.

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Speaker 3: This is such another, such an iconic moment, and it's

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Speaker 3: so funny.

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Speaker 2: They're walking, walking briskly down the stairs and I love

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Speaker 2: how they go step one step two step one.

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Speaker 3: Step yeah together, It's so great.

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Speaker 2: They passed Stephanie along the way, who says show time

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Speaker 2: and quickly follows them into the kitchen. Jody, you and

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Speaker 2: again nailed the delivery of that line. And you just

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Speaker 2: have the best Zingers in this entire episode.

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Speaker 1: I think, Yeah, Steph was the Steph was kind of

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Speaker 1: the the queen of zingers and one liners. I always

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Speaker 1: appreciated that about her.

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Speaker 3: Oh yeah, I can see why. I can see why

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Speaker 3: Jeff wrote you those lines because you yield it.

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Speaker 1: So heading into this scene, which is actually the answer

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Speaker 1: to our second trivia question, which was what scene was

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Speaker 1: it that got the network to love the show and

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Speaker 1: and buy Full House, And it was the kitchen scene

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Speaker 1: that we're about to talk about with with Michelle and

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Speaker 1: Jesse and Joey and Stephanie and the the diaper dilemma.

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Speaker 2: The diaper dilemma this is but that's an iconic that

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Speaker 2: was the Yeah, I can see why this scene sold

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Speaker 2: the pilot, like I can absolutely like it's it's so great,

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Speaker 2: such great physical comedy between John and Dave and and

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Speaker 2: Ashley or Marrikay whoever was whoever it was.

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Speaker 3: Yep, it's just hysterical.

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Speaker 2: It's hysterical watching two unqualified men try to change a

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Speaker 2: diaper for the first time, and it's like three men

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Speaker 2: in a baby. It's why that movie was so popular.

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Speaker 2: That's what It's true.

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Speaker 3: It's true.

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Speaker 1: So yeah, well done, Jeff for two men in another bag.

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Speaker 1: But close.

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Speaker 2: Now we are in the kitchen and Jesse and Joey

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Speaker 2: wonder aloud where are they gonna put the baby? And

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Speaker 2: Joey recommends a pot, but Jesse says, this is a

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Speaker 2: living thing.

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Speaker 3: You don't just stick it in a pot. You use

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Speaker 3: a meat rack.

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Speaker 2: Joey says, I'm an idiot and grabs a meat rack

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Speaker 2: as Stephanie climbs up into a chair and asks, are

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Speaker 2: we gonna cook Michelle?

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Speaker 3: Joey says, we're changing our the way.

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Speaker 1: I say Michelle, like, are you gonna cook Michelle?

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Speaker 2: Well, you're watching your diction just like the strategic very carefully.

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Speaker 3: And then Stephanie applies.

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Speaker 2: After Joey says we're gonna change your diaper, Stephanie replies

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Speaker 2: with this iconic I'm not even gonna do the line

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Speaker 2: reading because you do so well.

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Speaker 1: Stephanie replies, then how do you eroast a turkey?

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Speaker 2: This is so okay? Was this all you? Was this

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Speaker 2: all you and your life? Or did the director tell

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Speaker 2: you how.

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Speaker 3: To do this line? Did you mean I tell you

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Speaker 3: how to do well?

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Speaker 1: I wish I could tell you exactly whose influence it was,

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Speaker 1: but I also know I was kind of a little sarcastic,

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Speaker 1: like smart Alecy, you know what I mean, Like, so

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Speaker 1: that was just kind of who I was, so personal

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Speaker 1: it fit my personality and I got the joke, like

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Speaker 1: I knew, you know what I mean, I knew Steph

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Speaker 1: was like, you guys are idiots, you know, And that

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Speaker 1: was sort of who she was, was this kid that

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Speaker 1: just like she knew everything already, like I you know,

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Speaker 1: what are you guys doing? Nobody asked you know a

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Speaker 1: lot of her things were like, oh, just hanging around. Well,

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Speaker 1: nobody asked me. You know. The sarcasm was was already

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Speaker 1: running deep with Steph at age five. And yeah, that

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Speaker 1: that line became so iconic. I mean the than Hattie

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Speaker 1: arose the turkey.

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Speaker 3: Oh, it's one of my favorites.

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Speaker 2: And clearly at five years old, you know, way more

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Speaker 2: than any of the adults in the house.

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Speaker 3: It's true.

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Speaker 2: Jesse and Joey used tongs to try and get rid

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Speaker 2: of the diaper, and once it's off, they yell ough.

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Speaker 2: We get an adorable reaction shot of Michelle smiling, proud

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Speaker 2: of herself and enjoying this. Joey doesn't know where to

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Speaker 2: put the poopy diaper, so he puts it in a

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Speaker 2: tupperware container and Jesse says, good idea, keep it fresh.

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Speaker 2: I feel like I've seen this scene a million times,

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Speaker 2: but till last night, I had never actually watched the

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Speaker 2: entire Pilole thing. This scene is so iconic, and yeah.

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Speaker 1: And I remember, I just I remember sitting in the chair.

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Speaker 1: I remember them putting her in the pod, you know,

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Speaker 1: sitting there and sort of having that like flashback of

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Speaker 1: being on the other side of it. And yeah, you know,

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Speaker 1: remembering them you know, hosing her down and you know,

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Speaker 1: water shooting everywhere. And also I thought, as a kid,

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Speaker 1: I thought, was huh, hilarious, It's so great, and it was,

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Speaker 1: you know, I'm probably giggling off in the corner.

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Speaker 2: Like you mentioned, Jesse picks up Michelle and Joey Spray's

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Speaker 2: water from the kitchen sinkos onto her. Okay, this first

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Speaker 2: of all, we have a naked baby in this scene.

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Speaker 3: Did this bump you too?

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Speaker 1: I'm just like, because I don't think, I don't think. Yeah,

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Speaker 1: the baby nudity was fine. I mean I was a

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Speaker 1: little uncomfortable. No, there's the Nirvana album too, It's uh yeah,

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Speaker 1: I mean yeah, I thought about it too. I was like, oh,

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Speaker 1: I don't think we can do this. This was another

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Speaker 1: one of those things you can't do with children in

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Speaker 1: television anymore, because I was like, wait, yeah, no, I

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Speaker 1: was a little I was a little bothered by it.

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Speaker 1: Not lie and she's.

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Speaker 3: Naked for like the rest of the scene or not naked,

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Speaker 3: but I.

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Speaker 1: Mean the waist, it's just it's from the waist down

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Speaker 1: and it's just a little her rear. Yeah, I'm it

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Speaker 1: was a little weird for me.

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Speaker 2: Maybe this is where the Olsen's didn't come back to

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Speaker 2: do fuller houses because their ass was on display in.

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Speaker 1: The very I mean, I don't know. Yeah, I don't know.

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Speaker 3: It's another theory I'm working on here.

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Speaker 1: That's well, so many theories, but I but my theory

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Speaker 1: is that you can't do this with children anymore, because yeah,

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Speaker 1: you shouldn't be able to show children's naked butts on TV.

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Speaker 2: Well, and then splashing the water on her, like I'm

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Speaker 2: surprised she wasn't crying.

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Speaker 1: Again, I watched them doing that, and I was like,

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Speaker 1: I feel like, yeah, again the things that you know,

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Speaker 1: you could just kind of that that you kind of

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Speaker 1: got away with and again nobody like they weren't hurt,

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Speaker 1: they were babies, weren't crying, they weren't. But now it's

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Speaker 1: things that give you pause in regards to sort of

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Speaker 1: the business in the industry, and like you know, kids

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Speaker 1: in stunt harnesses and and you know, being hosed down

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Speaker 1: on camera. I mean, you know the things that you're like, yeah,

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Speaker 1: you know, I see this is a little okay, Okay,

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Speaker 1: there's some critiques.

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Speaker 3: It was very.

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Speaker 2: Distracting, and I kept thinking, I'm like, how long how

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Speaker 2: long did it take them to clean up this water?

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Speaker 2: In between every take? Did anybody slip? Is this dangerous?

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Speaker 2: Like I was so distracted by all of these elements

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Speaker 2: that you don't think about when you're watching the episode

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Speaker 2: for the first time, right.

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Speaker 1: Yeah, I never it never had hit me. They're like, oh,

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Speaker 1: oh wow, we're just okay, no, just no diaper and

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Speaker 1: just there yeah.

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Speaker 3: Such a hysterical scene.

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Speaker 1: Okay, but it is, I mean, it's so yeah, it's

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Speaker 1: so it's a turkey.

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Speaker 3: Jesse says, we're doing great.

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Speaker 2: We should be mothers, and then they fan her butt

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Speaker 2: in front of a moving fan and Joey says, you know,

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Speaker 2: babies really haven't made.

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Speaker 3: We would kill for this kind of service.

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Speaker 2: They can't find any diapers, so they grab some super

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Speaker 2: absorbent paper towels and spin her to wrap her up

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Speaker 2: and finish it off by putting her in a mesh

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Speaker 2: oven bag.

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Speaker 3: And Jesse and Joey are so proud of themselves.

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Speaker 2: We end the scene with Stephanie saying, Oh, it's not bad,

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Speaker 2: but next time.

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Speaker 3: Try these, and she holds up the diapers.

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Speaker 2: Jesse asks why she's just now giving them the diapers,

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Speaker 2: and she says, nobody asked me.

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Speaker 1: No one asked me. That I think was they were

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Speaker 1: trying that out. I think as one of the original

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Speaker 1: little catchphrase moments because they thought it was funny. How

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Speaker 1: I said, nobody asked me, because you'd see it a

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Speaker 1: couple times in this episode, and I think it makes

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Speaker 1: some early appearances in some other episodes too, before the

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Speaker 1: before the How Rude wound up sticking.

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Speaker 3: Yeah, I like how Rude so much better.

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Speaker 2: So Yes, although your line delivery was great, I can

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Speaker 2: see why it never fully became. But he asked me

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Speaker 2: a catch phrase. The next scene, we are in the

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Speaker 2: living room. Danny comes home to Jesse and Joey passed

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Speaker 2: out on the couch, sitting in a mess.

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Speaker 3: Of toys and dirty baby clothes.

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Speaker 2: And I just have to say, at this moment, when

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Speaker 2: Danny makes his entrance and slams the front door, it

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Speaker 2: immediately triggered something in me because I'm like, oh, the

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Speaker 2: sound of the front door.

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Speaker 1: Every I can hear that sound. So it's funny that

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Speaker 1: you said that, because it did the same thing for me. Yes,

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Speaker 1: the sound of the way the front door, and not

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Speaker 1: the fuller house front door, the full house set front door. Yes,

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Speaker 1: slammed the way that it slammed, and like it was

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Speaker 1: actual like like stained glass in the remember I remember

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Speaker 1: like always touching it, but it was actual stained glass

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Speaker 1: with like the little you know, metal things like in

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Speaker 1: between the filaments or whatever. And when it would shut.

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Speaker 1: It was a double door and it kind of like

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Speaker 1: reverberated on the top lock of the other one, and

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Speaker 1: it just had an echo to it. And yeah, I

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Speaker 1: just I vividly. I like the sounds of that set.

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Speaker 1: I remember the textures of things.

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Speaker 3: It's such a distinctive sound.

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Speaker 1: But yeah, the sound I can hear the sound of

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Speaker 1: the front door.

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Speaker 3: Yeah, it's like.

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Speaker 2: A hollow wood reverberating it. It's like a very unsturdy

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Speaker 2: front door slamming itself against a wall that shakes because

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Speaker 2: it's not attached to anything on the other side. And

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Speaker 2: we always had to time our lines so that we

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Speaker 2: wouldn't slam the door on our opening line. So that

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Speaker 2: was like, it was like a delicate dance that you

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Speaker 2: had to do between making your entrance stay in your

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Speaker 2: line and then slamming the door right when you finish

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Speaker 2: your first line so that it doesn't interrupt your line.

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Speaker 3: Right.

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Speaker 1: Yeah, the door. The door choreography was a thing.

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Speaker 3: That was a thing.

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Speaker 2: I mean, the front door is so famous it's practically

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Speaker 2: another character on the show, truly.

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Speaker 3: So Joey says, you.

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Speaker 2: Know, we're sorry, but every time we feed Michelle, she would.

336
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Speaker 3: Drool or dribble or spit up.

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Speaker 2: The doorbell rings and Jesse stands up to get it,

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Speaker 2: but first he tells Danny, your baby is a pig.

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Speaker 2: I mean, Jesse again, is just not really a fan of.

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Speaker 1: A baby, not a fan of the babies.

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Speaker 2: Yeah, No, Jesse opens the door to reveal Miss International

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Speaker 2: nineteen eighty two, and as we mentioned before, Hulk Hogan's

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Speaker 2: ex sister in law Vanessa.

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Speaker 1: Right, really, that's the most important part of this entire series.

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Speaker 3: That's the thing you need to know.

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Speaker 1: That's the only thing you need to know. That's a

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Speaker 1: wrap that we're done every time, and we're done, yep.

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Speaker 3: Thank you for joining our podcast.

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Speaker 2: But even more importantly, we hear Jesse's fame miss catch

350
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Speaker 2: rays for the very first time, have Mercy, which.

351
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Speaker 1: Was a which wasn't that an Elvis thing?

352
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Speaker 2: I wouldn't be surprised if it is, because I think

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Speaker 2: even the name, even the name Jesse, Elvis had a

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Speaker 2: twin named Jesse who died like he was like stillborn

355
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Speaker 2: in childbirth.

356
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Speaker 3: So I feel like the name from Uncle Adam to Uncle.

357
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Speaker 2: Jesse was because well no, but I'm just saying I

358
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Speaker 2: think John and Johnstaingles had a huge influence.

359
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Speaker 1: So Jesse's named Well, Jeff Franklin loves.

360
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Speaker 2: Elvis, right, so I think that's why Jesse became Jesse

361
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Speaker 2: and not Uncle Adam became Jesse.

362
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Speaker 3: Jesse dead when it well not the dead, it was

363
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Speaker 3: he was paying.

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Speaker 1: Aug okay to the dead Elvis.

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Speaker 3: Right, I'm just.

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Speaker 2: Saying, Okay, so have Mercy. We think that's an Elvis

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Speaker 2: thing too.

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Speaker 1: That's gonna I don't. I don't know enough about Elvis. Again,

369
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Speaker 1: I'm sure Jeff or John would have the correct answer

370
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Speaker 1: to that question, or uh a fan or a fact

371
00:17:01,480 --> 00:17:03,520
Speaker 1: checker at some point, But I yeah, I feel like

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Speaker 1: have Mercy was something that it wasn't like an Elvis catchphrase.

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Speaker 1: But it was something that he sort of said in

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Speaker 1: movies or something, or I could be totally wrong.

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Speaker 2: We're gonna have to ask John when we have them

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Speaker 2: on the show, because yes, John, John would know. John's

377
00:17:17,680 --> 00:17:19,600
Speaker 2: going to take credit for it. We're okay, we're just.

378
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Speaker 1: Gonna say John to say that it was that he

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Speaker 1: did it.

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Speaker 3: Anyway, he's going to take that.

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Speaker 1: Would love John. But he's and he's laughing, going yeah.

382
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Speaker 3: He's totally laughing and saying yep, yep. That tracks.

383
00:17:31,240 --> 00:17:34,960
Speaker 2: Vanessa asks Jesse if his invitation to stay with him

384
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Speaker 2: is still good, and Jesse says it's more than good,

385
00:17:38,359 --> 00:17:39,639
Speaker 2: it's amazing, and they.

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Speaker 3: Share a passionate kiss.

387
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Speaker 2: Right.

388
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Speaker 3: I was like, hell I in.

389
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Speaker 1: The living room. It was a fan that I was like,

390
00:17:48,240 --> 00:17:51,760
Speaker 1: who does that with the family in the living room?

391
00:17:52,400 --> 00:17:54,239
Speaker 1: Just start making out with people, you know what I mean,

392
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Speaker 1: especially someone that you met the night before in Reno.

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Speaker 2: Well, and you've got children, there's children in the room,

394
00:17:59,840 --> 00:18:02,399
Speaker 2: Like this is like, come on, guys, get a room, literally,

395
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Speaker 2: get a room.

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Speaker 1: Well they were trying, but there were none left. There

397
00:18:06,560 --> 00:18:07,200
Speaker 1: was only the Alco.

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Speaker 3: They were trying.

399
00:18:09,080 --> 00:18:12,680
Speaker 1: But yeah, I did. I was like I in that

400
00:18:12,800 --> 00:18:18,480
Speaker 1: moment I questioned Miss International nineteen eighty two and was

401
00:18:18,520 --> 00:18:20,879
Speaker 1: a little bit like, you know, I don't know. I

402
00:18:20,880 --> 00:18:23,199
Speaker 1: don't know if I trust your judgment, I don't know,

403
00:18:23,359 --> 00:18:25,000
Speaker 1: or Jesse's for that matter again.

404
00:18:25,320 --> 00:18:30,040
Speaker 2: Right, well, Stephanie walks in and interrupts this awkward moment,

405
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Speaker 2: a dressed in her ballerina clothes and wants to play

406
00:18:32,280 --> 00:18:35,600
Speaker 2: ballerina again, and Jesse says we will play later, but

407
00:18:35,640 --> 00:18:37,720
Speaker 2: she runs at him, saying catch me, and he lets

408
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Speaker 2: go of Vanessa.

409
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Speaker 3: To pick her up.

410
00:18:40,200 --> 00:18:41,399
Speaker 1: Stephani needs to read us.

411
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Speaker 3: He tells Stephanie to go upstairs and play bedroom.

412
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Speaker 2: You were five.

413
00:18:44,800 --> 00:18:45,399
Speaker 3: You were five.

414
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Speaker 2: It's understandable you want to play ballerina with your eye jail.

415
00:18:49,720 --> 00:18:51,520
Speaker 1: Even at five, if you walk into a room and

416
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Speaker 1: two people are making out, you just don't go interrupt

417
00:18:53,920 --> 00:18:55,720
Speaker 1: a conversation, you know what I mean? It gets weird.

418
00:18:55,800 --> 00:18:57,840
Speaker 1: I don't know, I'm just saying. Well.

419
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Speaker 2: Jesse tells Stephanie to go upstairs and play ball with

420
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Speaker 2: her big sister, and Stephanie says she can't play with

421
00:19:03,240 --> 00:19:07,280
Speaker 2: DJ because DJ moved out. Danny asked Stephanie, what do

422
00:19:07,280 --> 00:19:10,199
Speaker 2: you mean, and Stephanie says she's gone. She rolled up

423
00:19:10,200 --> 00:19:13,320
Speaker 2: her crepe paper and took off. Danny tells everyone to

424
00:19:13,320 --> 00:19:17,159
Speaker 2: follow him. We smash cut too, DJ and Stephanie's bedroom.

425
00:19:17,200 --> 00:19:20,960
Speaker 2: Moments later, they all walk into a perfectly empty bedroom

426
00:19:21,040 --> 00:19:21,960
Speaker 2: and look around for DJ.

427
00:19:22,160 --> 00:19:23,280
Speaker 3: She's nowhere to be found.

428
00:19:23,760 --> 00:19:25,800
Speaker 2: Danny glares up at Joey and Jesse, who look at

429
00:19:25,840 --> 00:19:28,240
Speaker 2: each other like they know they screwed up.

430
00:19:28,720 --> 00:19:36,040
Speaker 1: That room, by the way, was immaculate like that when

431
00:19:36,080 --> 00:19:41,560
Speaker 1: she moved out, she moved out. I need. All I'm

432
00:19:41,600 --> 00:19:44,600
Speaker 1: saying is is I need a ten year old like

433
00:19:44,600 --> 00:19:47,320
Speaker 1: that to come and you know, when I'm cleaning up something,

434
00:19:47,359 --> 00:19:50,520
Speaker 1: to come move out that efficiently. Because no one around.

435
00:19:50,280 --> 00:19:50,720
Speaker 3: This house does.

436
00:19:50,800 --> 00:19:52,959
Speaker 1: DJ could start her own moving services company.

437
00:19:53,480 --> 00:19:56,000
Speaker 2: Ten year round can move that amount of stuff without

438
00:19:56,000 --> 00:19:58,880
Speaker 2: anyone noticing. A house full of people, and no one

439
00:19:58,920 --> 00:20:00,680
Speaker 2: noticed that she moved all of that stuff down to.

440
00:20:00,640 --> 00:20:05,240
Speaker 3: The garage, probably a secret staircase exactly. We have a

441
00:20:05,359 --> 00:20:06,760
Speaker 3: very tense commercial break.

442
00:20:07,080 --> 00:20:09,480
Speaker 2: And then we come back to the bedroom and Danny

443
00:20:09,480 --> 00:20:10,320
Speaker 2: says to Jesse.

444
00:20:10,119 --> 00:20:11,480
Speaker 1: And what I thought you meant we were having a

445
00:20:11,480 --> 00:20:13,240
Speaker 1: tense commercial break right now? I was like, why is

446
00:20:13,280 --> 00:20:13,640
Speaker 1: it tense?

447
00:20:13,680 --> 00:20:14,280
Speaker 3: What's happening?

448
00:20:14,359 --> 00:20:14,479
Speaker 1: Oh?

449
00:20:14,560 --> 00:20:14,919
Speaker 3: I got it?

450
00:20:14,960 --> 00:20:17,960
Speaker 2: We can add one in. I'm sure, like Monde or somebody. Yeah,

451
00:20:18,000 --> 00:20:19,080
Speaker 2: let's add a commercial.

452
00:20:18,760 --> 00:20:19,359
Speaker 3: Break right now.

453
00:20:19,880 --> 00:20:22,320
Speaker 2: The show had a tense commercial break. We come back

454
00:20:22,800 --> 00:20:25,760
Speaker 2: to the bedroom. Danny says to Jesse and Joey, you

455
00:20:25,920 --> 00:20:28,959
Speaker 2: lost my daughter. He went to work for seven hours

456
00:20:29,000 --> 00:20:31,960
Speaker 2: and they lost thirty three percent of his children.

457
00:20:32,640 --> 00:20:35,359
Speaker 3: Danny tells Joey to call the police, Jesse to drive.

458
00:20:35,240 --> 00:20:37,879
Speaker 2: He around the neighborhood, and he's gonna call up DJ's friends.

459
00:20:37,920 --> 00:20:40,120
Speaker 2: As they walk out of the room with a purpose,

460
00:20:40,359 --> 00:20:44,359
Speaker 2: Stephanie says, and I'll go get DJ, Jesse, Joey and Danny.

461
00:20:44,400 --> 00:20:46,960
Speaker 2: I'll slowly come back into the bedroom and Danny squats

462
00:20:47,000 --> 00:20:49,479
Speaker 2: down to ask Stephanie if she knows where DJ is.

463
00:20:49,840 --> 00:20:52,359
Speaker 2: She says that she does, and when Danny asks her

464
00:20:52,359 --> 00:20:54,920
Speaker 2: why she didn't say something sooner, we get an adorable

465
00:20:54,920 --> 00:20:57,720
Speaker 2: call back to earlier with the diapers when Stephanie says,

466
00:20:58,240 --> 00:21:01,920
Speaker 2: nobody asked me. The guys all at each other like yeah, okay, true,

467
00:21:01,960 --> 00:21:06,479
Speaker 2: that's fair. We end up in the garage. DJ is

468
00:21:06,560 --> 00:21:12,280
Speaker 2: on her bright red, enormous lips phone phone. The phone

469
00:21:12,520 --> 00:21:14,800
Speaker 2: this brought me right back, like that lips phone was

470
00:21:14,840 --> 00:21:19,240
Speaker 2: so cool, right, I wanted a lips phone for myself because.

471
00:21:19,000 --> 00:21:23,440
Speaker 1: Okay, I I had a friend who had the lips phone. Yeah,

472
00:21:23,480 --> 00:21:26,000
Speaker 1: we're terrible, they were to it was like the it

473
00:21:26,160 --> 00:21:28,960
Speaker 1: just holding it awkward, like you try to put it again.

474
00:21:29,080 --> 00:21:31,160
Speaker 1: It was very hard to hold half of a lip

475
00:21:31,160 --> 00:21:34,880
Speaker 1: against your shoulder, which sounds awkward, but it's really Yeah,

476
00:21:35,320 --> 00:21:40,399
Speaker 1: that's a different surprise. Wow. But yeah, it was that

477
00:21:40,560 --> 00:21:43,159
Speaker 1: the lip phone made its first appearance, and that was

478
00:21:43,480 --> 00:21:45,760
Speaker 1: a key part of DJ and Stuff's room for sure.

479
00:21:46,000 --> 00:21:49,800
Speaker 2: Oh I love it. So DJ's on lips phone in

480
00:21:49,880 --> 00:21:52,919
Speaker 2: the garage. She's on the phone with Kimmy Gibbler. So

481
00:21:53,000 --> 00:21:54,879
Speaker 2: this is our first Kimmi Gibbler reference.

482
00:21:55,400 --> 00:21:58,720
Speaker 1: Yep, full name by the way. Again, I was like, oh,

483
00:21:58,760 --> 00:22:01,000
Speaker 1: we're setting her up. Yeah, I'm on the phone with

484
00:22:01,080 --> 00:22:03,040
Speaker 1: Kimmy Gibler, the next door neighbor who's going to be

485
00:22:03,080 --> 00:22:04,000
Speaker 1: my best friend.

486
00:22:05,440 --> 00:22:09,520
Speaker 3: I was so proud. Right, So DJ says, Kimmy called

487
00:22:09,560 --> 00:22:10,200
Speaker 3: me from her.

488
00:22:10,080 --> 00:22:13,760
Speaker 2: Own phone, from her own room, despite the fact that

489
00:22:13,800 --> 00:22:17,520
Speaker 2: she has three sisters of her own. So here we are, okay,

490
00:22:18,040 --> 00:22:20,879
Speaker 2: the continuity here at this moment in time, in just

491
00:22:20,920 --> 00:22:25,439
Speaker 2: the Pilot, Kimmy Gibler has three three sisters, but we

492
00:22:25,560 --> 00:22:28,199
Speaker 2: never hear about them again, I don't think because, like

493
00:22:28,240 --> 00:22:30,800
Speaker 2: we said in our trivia question, how many siblings does

494
00:22:30,840 --> 00:22:32,000
Speaker 2: Kimmy Gibler really have?

495
00:22:32,960 --> 00:22:36,040
Speaker 1: We don't know at this moment there were At this moment,

496
00:22:36,080 --> 00:22:39,640
Speaker 1: there were three sisters, but eventually it becomes it becomes

497
00:22:39,800 --> 00:22:43,800
Speaker 1: one older brother named Garth, but he don't We don't

498
00:22:43,800 --> 00:22:46,160
Speaker 1: hear about him for a long time. Yeah, but then

499
00:22:46,400 --> 00:22:48,399
Speaker 1: then Garth, Then what about Jimmy?

500
00:22:48,560 --> 00:22:52,640
Speaker 2: Then Jimmy, Jimmy who is younger, he's the younger Gibbler sibling.

501
00:22:53,359 --> 00:22:55,640
Speaker 3: That and I I, we can talk about this later.

502
00:22:55,680 --> 00:22:58,960
Speaker 2: But I had a moment with the Fuller House writers

503
00:22:59,000 --> 00:23:00,800
Speaker 2: where I was like, you know, I'm going to hear

504
00:23:00,800 --> 00:23:03,639
Speaker 2: about this from all the fans that Jimmy wasn't a thing.

505
00:23:03,720 --> 00:23:06,320
Speaker 2: It was Garth Gibbler and they were They just hand

506
00:23:06,359 --> 00:23:07,800
Speaker 2: waved it away and they're like, oh, but we like

507
00:23:07,880 --> 00:23:10,800
Speaker 2: the Jimmy Kimmy alliteration. So they went with it, and

508
00:23:10,840 --> 00:23:12,280
Speaker 2: I said, We're going to hear about it for the

509
00:23:12,320 --> 00:23:14,080
Speaker 2: rest of our lives, and we will.

510
00:23:14,160 --> 00:23:16,080
Speaker 1: Yeah, and we will and we will and for the

511
00:23:16,080 --> 00:23:18,680
Speaker 1: rest of this podcast. But yeah, that's the first that's

512
00:23:18,680 --> 00:23:22,880
Speaker 1: the setup. Of Kimmy's family that really never gets thought

513
00:23:22,880 --> 00:23:23,679
Speaker 1: about again, never.

514
00:23:23,560 --> 00:23:24,600
Speaker 3: Never gets talked about again.

515
00:23:25,440 --> 00:23:28,119
Speaker 2: Danny says DJ doesn't want to live in the garage

516
00:23:28,119 --> 00:23:30,720
Speaker 2: because it's filthy and stuffy. He asks if she wants

517
00:23:30,760 --> 00:23:32,760
Speaker 2: some fresh air and opens the garage.

518
00:23:34,480 --> 00:23:35,960
Speaker 1: Yeah, she's got a point, I mean yeah.

519
00:23:36,440 --> 00:23:39,200
Speaker 2: Danny sighs and stands up and says, Donna Joe, which

520
00:23:39,240 --> 00:23:42,360
Speaker 2: is the first time we hear yep, DJ's full.

521
00:23:42,200 --> 00:23:43,480
Speaker 3: Name, which is Donna Joe.

522
00:23:44,200 --> 00:23:47,159
Speaker 2: I want you back inside right now this instant. She

523
00:23:47,240 --> 00:23:51,000
Speaker 2: doesn't budge, and he says, is that okay? She responds, no,

524
00:23:51,080 --> 00:23:53,159
Speaker 2: thank you, dad, and hops back on the phone with Kimmy.

525
00:23:53,240 --> 00:23:56,440
Speaker 2: She's very polite for an angsty preteen, She's very polite here.

526
00:23:56,880 --> 00:23:59,400
Speaker 1: I felt there was some snark in the no thanks dad,

527
00:23:59,400 --> 00:24:01,679
Speaker 1: And I also felt like I saw myself and my

528
00:24:01,720 --> 00:24:04,280
Speaker 1: own parenting moments in that thing. When you're like, that's

529
00:24:04,280 --> 00:24:05,040
Speaker 1: it you're gonna do?

530
00:24:05,240 --> 00:24:05,439
Speaker 2: Is that?

531
00:24:05,560 --> 00:24:07,800
Speaker 1: Can you please just do it? Can you just do

532
00:24:07,840 --> 00:24:08,840
Speaker 1: the thing that I ask?

533
00:24:09,080 --> 00:24:11,520
Speaker 2: Yeah, it's like you're so desperate you just resort to begging,

534
00:24:11,600 --> 00:24:13,280
Speaker 2: and you're like, please do this right, You're like.

535
00:24:13,200 --> 00:24:17,080
Speaker 1: I'm gonna lose my mind. Please please right, I'm begging you. Yeah,

536
00:24:17,160 --> 00:24:20,120
Speaker 1: it was. And and honestly, in that moment I watched it,

537
00:24:20,160 --> 00:24:25,439
Speaker 1: like I did. I have this like like feeling for

538
00:24:25,560 --> 00:24:27,840
Speaker 1: Danny and like what he's going through, and he's just

539
00:24:27,880 --> 00:24:31,760
Speaker 1: like please is that okay? Like he has he's in

540
00:24:32,400 --> 00:24:35,720
Speaker 1: so over his head. And I think, as a parent now,

541
00:24:35,880 --> 00:24:39,000
Speaker 1: like you watch it and you go, oh, this poor guy.

542
00:24:39,600 --> 00:24:41,560
Speaker 1: I feel for him, right, you feel.

543
00:24:41,320 --> 00:24:43,120
Speaker 3: For him, you really feel for him.

544
00:24:43,520 --> 00:24:44,639
Speaker 1: Yeah.

545
00:24:44,680 --> 00:24:47,359
Speaker 2: So Jesse teases Danny by asking if he's been reading

546
00:24:47,480 --> 00:24:48,439
Speaker 2: Cosby's book.

547
00:24:48,880 --> 00:24:53,760
Speaker 1: Oh, I certainly hope not. He's a joke. That didn't age.

548
00:24:53,440 --> 00:24:55,040
Speaker 3: Well, no, I did not.

549
00:24:55,760 --> 00:24:58,000
Speaker 2: Joey steps in and says, I'll handle this. Joey does

550
00:24:58,040 --> 00:25:02,840
Speaker 2: a Bill Cosby impression, mentioning Joe and everything, which you know,

551
00:25:03,720 --> 00:25:06,159
Speaker 2: Dave does so many great voices so well.

552
00:25:06,040 --> 00:25:08,439
Speaker 3: But this this one didn't for me.

553
00:25:08,480 --> 00:25:10,520
Speaker 2: I don't know if it's the Bill Cosby thing or

554
00:25:10,520 --> 00:25:11,400
Speaker 2: if it's I don't know.

555
00:25:11,359 --> 00:25:15,320
Speaker 1: The also yeah, I just don't. I don't know.

556
00:25:15,440 --> 00:25:16,600
Speaker 3: We'll just we'll handwave that.

557
00:25:16,760 --> 00:25:19,480
Speaker 1: And well, but yeah, that it was yeah, yeah, yeah,

558
00:25:19,520 --> 00:25:23,040
Speaker 1: I mean, god, that's a dark one, you know what

559
00:25:23,080 --> 00:25:27,760
Speaker 1: I mean? Knowing now it's yeah, anyway, didn't age well, yeah, no,

560
00:25:28,240 --> 00:25:30,520
Speaker 1: and the joke that was like a juicy bowl of

561
00:25:30,600 --> 00:25:34,840
Speaker 1: jello pudding. I was like, don't don't say that, right Cosby,

562
00:25:34,880 --> 00:25:35,600
Speaker 1: that's it's creepy.

563
00:25:35,640 --> 00:25:35,840
Speaker 2: Now.

564
00:25:36,359 --> 00:25:37,960
Speaker 3: Yeah, we're gonna have to go back and reshoot that

565
00:25:38,000 --> 00:25:38,600
Speaker 3: scene now.

566
00:25:39,640 --> 00:25:41,440
Speaker 1: Right, Maybe they could just dub it over with someone

567
00:25:41,560 --> 00:25:42,480
Speaker 1: slightly less offensive.

568
00:25:42,520 --> 00:25:46,720
Speaker 2: Today, Stephanie announces that Michelle is crying and she's got

569
00:25:46,760 --> 00:25:48,320
Speaker 2: that thirsty look in her eyes.

570
00:25:48,640 --> 00:25:51,880
Speaker 3: Again, adorable delivery. You could do like a formula commercial,

571
00:25:52,840 --> 00:25:54,160
Speaker 3: Jody so great.

572
00:25:54,160 --> 00:25:58,760
Speaker 1: Basically like does your child look like they're starving, you

573
00:25:58,800 --> 00:26:01,719
Speaker 1: should feed them. That's basically with stuff like she got

574
00:26:01,760 --> 00:26:05,280
Speaker 1: that thirsty looking rye because she looks hungry. Everyone is

575
00:26:05,320 --> 00:26:06,960
Speaker 1: forgotten and put her in a pot.

576
00:26:07,400 --> 00:26:10,360
Speaker 2: Right, everyone's downstairs in the garage and Michelle is alone.

577
00:26:11,440 --> 00:26:15,200
Speaker 1: Shells well, she's loan steps obviously watching out for her.

578
00:26:15,560 --> 00:26:17,520
Speaker 2: Well, but you left her to come talk about how

579
00:26:17,840 --> 00:26:20,359
Speaker 2: the thirsty look in her eye that's okay.

580
00:26:20,359 --> 00:26:22,800
Speaker 1: Couldn't bring I couldn't carry her down the basement steps.

581
00:26:22,800 --> 00:26:25,560
Speaker 1: That would have been more dangerous, you know, all right,

582
00:26:26,560 --> 00:26:30,000
Speaker 1: I made the right call. I left her sitting on

583
00:26:30,040 --> 00:26:34,560
Speaker 1: the floor by an open stairway like in the opening credits. Yes,

584
00:26:34,920 --> 00:26:38,080
Speaker 1: with no baby gate. By the way, I noticed that

585
00:26:38,119 --> 00:26:40,040
Speaker 1: in the baby like pick the baby up off the

586
00:26:40,080 --> 00:26:41,920
Speaker 1: floor in the opening credits, and I'm like, there's not

587
00:26:41,960 --> 00:26:44,400
Speaker 1: a baby gate. The door's open. Who is letting these

588
00:26:44,440 --> 00:26:45,480
Speaker 1: children on the floor.

589
00:26:47,880 --> 00:26:49,200
Speaker 3: This series hits so differently.

590
00:26:49,280 --> 00:26:51,520
Speaker 1: Now maybe she's still in the pot but on the floor,

591
00:26:51,560 --> 00:26:52,840
Speaker 1: and so she just couldn't really get out.

592
00:26:53,960 --> 00:26:56,240
Speaker 3: Well, her legs are tied up in the paper.

593
00:26:56,000 --> 00:26:58,639
Speaker 1: Towels, and she's she's dressed like a turkey, you know

594
00:26:58,680 --> 00:26:59,040
Speaker 1: what I mean.

595
00:26:59,119 --> 00:27:03,439
Speaker 2: Like, so Danny asks Joey to go warm up her bottle,

596
00:27:03,520 --> 00:27:06,200
Speaker 2: and Joey says, with this particular baby, it might make

597
00:27:06,240 --> 00:27:09,879
Speaker 2: more sense just to pour the formula directly into her diaper.

598
00:27:11,080 --> 00:27:12,920
Speaker 3: That made me laugh so hard. I don't know why.

599
00:27:12,960 --> 00:27:15,639
Speaker 3: It's they're so incol because.

600
00:27:15,400 --> 00:27:18,679
Speaker 1: It completely bypasses the point of feeding a baby. And

601
00:27:18,760 --> 00:27:21,240
Speaker 1: it's like, really, this is just about what a nuisance

602
00:27:21,400 --> 00:27:24,240
Speaker 1: it is to me that there's just a diaper change and.

603
00:27:24,320 --> 00:27:30,400
Speaker 2: We even process and right that one joke said so much.

604
00:27:31,640 --> 00:27:34,320
Speaker 2: Jesse says he's got Vanessa waiting upstairs, so he wishes

605
00:27:34,359 --> 00:27:36,320
Speaker 2: them the best and tries to leave Danny says he

606
00:27:36,359 --> 00:27:38,440
Speaker 2: has to go check on Michelle, and he begs Jesse

607
00:27:38,560 --> 00:27:39,200
Speaker 2: to talk to DJ.

608
00:27:39,320 --> 00:27:41,560
Speaker 3: He says, you're her uncle, be parental or something.

609
00:27:42,000 --> 00:27:44,520
Speaker 2: Jesse says he can be parental because he's got parents,

610
00:27:45,000 --> 00:27:47,159
Speaker 2: and he walks up to DJ. He tells her he

611
00:27:47,240 --> 00:27:50,080
Speaker 2: understands her desire for her own room, but the world

612
00:27:50,160 --> 00:27:53,160
Speaker 2: isn't a perfect place. Bruce Willis has a record deal.

613
00:27:55,080 --> 00:27:57,800
Speaker 1: I know, you know that joke. It used to be

614
00:27:57,840 --> 00:27:59,320
Speaker 1: like making fun of him, but then I was like,

615
00:27:59,359 --> 00:28:01,399
Speaker 1: you're good for Willis getting a record deal, you know

616
00:28:01,440 --> 00:28:02,720
Speaker 1: what I mean. Now it's got to have a little

617
00:28:02,720 --> 00:28:05,159
Speaker 1: different flavor to it because you're going through some stuff,

618
00:28:05,160 --> 00:28:08,320
Speaker 1: you know. But at the time it was pretty ridiculous.

619
00:28:08,480 --> 00:28:12,600
Speaker 1: It was this is one of those eighties moments that

620
00:28:12,680 --> 00:28:16,639
Speaker 1: I don't know that people who aren't our age or

621
00:28:16,680 --> 00:28:17,480
Speaker 1: older will get.

622
00:28:18,320 --> 00:28:18,600
Speaker 2: True.

623
00:28:18,720 --> 00:28:21,919
Speaker 1: Yeah, Bruce Willis he did have he did have a

624
00:28:21,920 --> 00:28:27,080
Speaker 1: record deal, and it was everything that you would probably imagine.

625
00:28:27,240 --> 00:28:29,720
Speaker 1: Oh well, and I mean that with all due respect

626
00:28:29,920 --> 00:28:33,240
Speaker 1: to Bruce Willis, but you know what he was like.

627
00:28:33,359 --> 00:28:35,159
Speaker 1: It was something, wasn't he like it was like a

628
00:28:35,160 --> 00:28:37,040
Speaker 1: fake name or I don't know, whatever it was. It

629
00:28:37,080 --> 00:28:38,280
Speaker 1: was pretty ridiculous.

630
00:28:38,480 --> 00:28:42,240
Speaker 2: Well, God bless him for trying, you know, like, we

631
00:28:42,320 --> 00:28:43,760
Speaker 2: wish him nothing but the best.

632
00:28:43,960 --> 00:28:47,480
Speaker 1: So now, yeah, I mean at the time it was funny,

633
00:28:47,720 --> 00:28:48,600
Speaker 1: but now it's not.

634
00:28:49,200 --> 00:28:53,840
Speaker 2: Now yeah that now it's not, Jesse says. But then

635
00:28:54,440 --> 00:28:57,080
Speaker 2: Vanessa shows up at your door and the world all

636
00:28:57,120 --> 00:28:57,600
Speaker 2: evens out.

637
00:28:57,640 --> 00:29:00,040
Speaker 3: Do you know what I'm saying? Jesse says, she does, so,

638
00:29:00,880 --> 00:29:01,720
Speaker 3: DJ says she does.

639
00:29:01,760 --> 00:29:03,600
Speaker 2: So. Jesse says, great, so you're moving back in and

640
00:29:03,640 --> 00:29:06,520
Speaker 2: DJ quickly says nah. So they bribe back and forth.

641
00:29:06,600 --> 00:29:09,160
Speaker 2: Jesse tries to briber with five bucks if she moves

642
00:29:09,200 --> 00:29:09,520
Speaker 2: back in.

643
00:29:09,600 --> 00:29:10,800
Speaker 3: She negotiates for fifteen.

644
00:29:10,920 --> 00:29:13,680
Speaker 2: She has a hard bargain, she does, This is bargaining

645
00:29:13,680 --> 00:29:16,720
Speaker 2: one on one right here. Yeah, he offers her ten dollars.

646
00:29:16,880 --> 00:29:19,080
Speaker 2: She goes down to forty nine, and he's furious that

647
00:29:19,120 --> 00:29:21,560
Speaker 2: she negotiated for just one dollar lower. She says, now

648
00:29:21,560 --> 00:29:24,680
Speaker 2: it's back up to fifty. He says his final offer

649
00:29:24,760 --> 00:29:27,960
Speaker 2: is twenty and she says twenty one. Vanessa's waiting.

650
00:29:28,200 --> 00:29:30,240
Speaker 3: Ooh, getting them where it hurts.

651
00:29:30,560 --> 00:29:32,720
Speaker 2: She knows she's got him. He pulls out his wallet

652
00:29:32,760 --> 00:29:36,640
Speaker 2: and we dissolve to the living room. Jesse announces to

653
00:29:36,720 --> 00:29:39,760
Speaker 2: everyone that dj is moving back in because he has

654
00:29:39,840 --> 00:29:42,320
Speaker 2: a special way with kids. He heads upstairs, but Danny

655
00:29:42,320 --> 00:29:47,240
Speaker 2: stops him, saying Vanessa isn't up there. Stephanie says, she's history.

656
00:29:47,640 --> 00:29:51,120
Speaker 1: She's history. I do have a question though, because the

657
00:29:51,240 --> 00:29:56,240
Speaker 1: last that we've seen there's only a small child's bed

658
00:29:57,360 --> 00:29:58,480
Speaker 1: in Jesse's room.

659
00:29:58,680 --> 00:30:07,400
Speaker 3: Right, Well, they're not. They don't need space, Like the

660
00:30:07,480 --> 00:30:09,560
Speaker 3: closer the better. I don't know, it's.

661
00:30:09,440 --> 00:30:12,800
Speaker 1: A twin bed, that's doesn't I don't know. It just

662
00:30:12,880 --> 00:30:15,240
Speaker 1: that whole thing felt again, that was one of those

663
00:30:15,280 --> 00:30:17,120
Speaker 1: like wow, this feels its weird.

664
00:30:17,600 --> 00:30:21,000
Speaker 2: Well, yeah, the fact that it's his first night in

665
00:30:21,040 --> 00:30:24,440
Speaker 2: the Tanner House and he's already inviting overnight guests when

666
00:30:24,480 --> 00:30:30,520
Speaker 2: there are three daughters like vertuous.

667
00:30:29,240 --> 00:30:31,920
Speaker 1: Yeah, a little presumptuous, especially after putting the kid in

668
00:30:31,960 --> 00:30:33,880
Speaker 1: an oven bag, you know what I mean, Like you

669
00:30:34,040 --> 00:30:36,280
Speaker 1: really you have not earned the right.

670
00:30:36,160 --> 00:30:39,000
Speaker 2: To guests, sir, he has not earned the right to

671
00:30:40,040 --> 00:30:41,080
Speaker 2: sleep over yet.

672
00:30:41,560 --> 00:30:43,160
Speaker 1: No are they gonna get it? Like, was it like

673
00:30:43,400 --> 00:30:45,240
Speaker 1: an air mattress? You know what I mean? She's sleeping

674
00:30:45,240 --> 00:30:46,400
Speaker 1: on a sleeping bag in the floor.

675
00:30:47,840 --> 00:30:51,160
Speaker 2: So a concerned Jesse jumps over the couch to interrogate Danny,

676
00:30:51,360 --> 00:30:52,240
Speaker 2: and he covered.

677
00:30:52,640 --> 00:30:54,600
Speaker 1: By the way, Sorry I keep interrupting, but I that

678
00:30:54,680 --> 00:30:56,400
Speaker 1: was one of the notice things I noticed was John

679
00:30:56,520 --> 00:30:58,000
Speaker 1: liked to jump over furniture.

680
00:30:58,240 --> 00:30:58,800
Speaker 3: That was a John.

681
00:30:59,240 --> 00:31:01,720
Speaker 1: That was a John. It was a yeah, it was

682
00:31:01,760 --> 00:31:06,440
Speaker 1: a I'm gonna leap over this like a cougar or something.

683
00:31:06,800 --> 00:31:09,880
Speaker 2: He's very limber, and he want it was part of

684
00:31:09,880 --> 00:31:10,360
Speaker 2: a character.

685
00:31:10,520 --> 00:31:13,200
Speaker 1: I feel like, just knocking it. It just it was

686
00:31:13,240 --> 00:31:14,600
Speaker 1: funny that I think he did it like two or

687
00:31:14,600 --> 00:31:17,840
Speaker 1: three times in the first episode, or maybe just felt

688
00:31:17,840 --> 00:31:18,840
Speaker 1: like that. Maybe it's just once.

689
00:31:20,040 --> 00:31:21,360
Speaker 3: Yeah, maybe it felt like ten times.

690
00:31:22,240 --> 00:31:24,480
Speaker 2: Danny explains that he told Vanessa to sleep on the

691
00:31:24,520 --> 00:31:27,719
Speaker 2: couch since there are girls in the house, and she left.

692
00:31:28,040 --> 00:31:31,320
Speaker 2: Good for Danny, by the way, for making those boundaries clear,

693
00:31:31,920 --> 00:31:34,800
Speaker 2: right right, yeah, you know, right from the start.

694
00:31:34,920 --> 00:31:38,880
Speaker 1: And again, Vanessa, I questioned your judgment a little bit,

695
00:31:39,000 --> 00:31:43,080
Speaker 1: you know what I mean. It's I'd like to we

696
00:31:43,120 --> 00:31:44,880
Speaker 1: need to talk a little well, you know what I mean.

697
00:31:45,480 --> 00:31:47,960
Speaker 2: Vanessa doesn't know there were small children in the house,

698
00:31:48,240 --> 00:31:50,760
Speaker 2: so she's perfect for Jesse. You know.

699
00:31:51,040 --> 00:31:54,880
Speaker 1: All I gotta say is it really it. It's got

700
00:31:54,880 --> 00:31:56,640
Speaker 1: some things to work on, you know what I mean.

701
00:31:56,640 --> 00:31:57,719
Speaker 1: He's got some things to work on.

702
00:31:58,120 --> 00:32:00,720
Speaker 2: DJ walks and carrying her clothes and just explains that

703
00:32:00,800 --> 00:32:02,800
Speaker 2: Vanessa is gone, so the deal is off and he

704
00:32:02,840 --> 00:32:06,320
Speaker 2: wants his money back. Danny can't believe Jesse's way with

705
00:32:06,480 --> 00:32:08,960
Speaker 2: kids is buying them off, which.

706
00:32:08,720 --> 00:32:10,480
Speaker 3: I think is that's the way with kids, And I

707
00:32:10,560 --> 00:32:12,400
Speaker 3: was like, that's time your teenage.

708
00:32:12,400 --> 00:32:14,400
Speaker 1: I'm pretty sure that that's how they ask and just go,

709
00:32:14,640 --> 00:32:18,920
Speaker 1: just do this here, I will give you five dollars, ah.

710
00:32:18,880 --> 00:32:20,200
Speaker 3: The desperation of parenting.

711
00:32:21,960 --> 00:32:24,040
Speaker 2: DJ gives Jesse the money back and says she has

712
00:32:24,080 --> 00:32:26,760
Speaker 2: other sources of income. She's going back to her new

713
00:32:26,840 --> 00:32:29,480
Speaker 2: room in the garage to have a garage sale. Danny

714
00:32:29,520 --> 00:32:31,880
Speaker 2: asks Jesse to hold Michelle and goes after DJ. Jesse

715
00:32:32,000 --> 00:32:35,040
Speaker 2: looks at Michelle and says, don't even think about it.

716
00:32:36,320 --> 00:32:37,680
Speaker 3: Now we are in the kitchen.

717
00:32:38,080 --> 00:32:41,080
Speaker 2: Danny tells DJ he can't let her have a garage sale.

718
00:32:41,320 --> 00:32:44,200
Speaker 2: She offers, she offers him ten percent of the profits,

719
00:32:44,240 --> 00:32:45,960
Speaker 2: but he just wants her to try sharing a room

720
00:32:46,240 --> 00:32:47,000
Speaker 2: with her sister.

721
00:32:48,160 --> 00:32:50,360
Speaker 1: This is the moment, this is it, This is the

722
00:32:50,640 --> 00:32:56,320
Speaker 1: this is this is the moment that the violence come in.

723
00:32:56,440 --> 00:32:59,640
Speaker 1: Oh yeah, they make their first appearance the scene, it

724
00:32:59,680 --> 00:33:01,320
Speaker 1: gets tender and sensitive.

725
00:33:02,040 --> 00:33:04,960
Speaker 2: Danny says that DJ's mom was so good at this.

726
00:33:05,320 --> 00:33:08,800
Speaker 2: I would come home and everything would be perfect. Danny

727
00:33:08,880 --> 00:33:11,960
Speaker 2: earnestly sorry.

728
00:33:13,440 --> 00:33:16,320
Speaker 1: Violin moment I put up them, saying, He's like, I'd

729
00:33:16,320 --> 00:33:19,360
Speaker 1: come home and everything was perfect. Well, sir, what were

730
00:33:19,360 --> 00:33:20,960
Speaker 1: you doing around the house. No, I'm just sorry.

731
00:33:22,040 --> 00:33:23,720
Speaker 3: He was doing his sports reporting.

732
00:33:24,120 --> 00:33:24,960
Speaker 1: Okay, okay, okay.

733
00:33:25,560 --> 00:33:29,920
Speaker 2: Danny earnestly asks DJ, how would mom have handled this?

734
00:33:30,320 --> 00:33:31,600
Speaker 3: Which I thought was such.

735
00:33:31,400 --> 00:33:36,280
Speaker 2: A beautiful way of giving the DJ some agency and

736
00:33:36,400 --> 00:33:39,560
Speaker 2: just like, hey, how incorporating her into the solution. How

737
00:33:39,560 --> 00:33:44,720
Speaker 2: would mom have handled this? This is such excellent parenting. DJ,

738
00:33:45,160 --> 00:33:48,480
Speaker 2: now visibly sad, says her mom would have caught me

739
00:33:48,640 --> 00:33:52,000
Speaker 2: before I moved to the garage. Her mom knew everything

740
00:33:52,080 --> 00:33:54,880
Speaker 2: she did before she did it. Then there is some

741
00:33:54,960 --> 00:33:58,400
Speaker 2: sad music and Bob's eyes look like they well up

742
00:33:58,440 --> 00:34:02,560
Speaker 2: with tears. Says it's not fair. First I lose my mom,

743
00:34:02,960 --> 00:34:05,720
Speaker 2: then Grandma leaves. Now I even lose my own room.

744
00:34:06,200 --> 00:34:10,200
Speaker 2: Everything keeps disappearing. Danny says he knows how she feels,

745
00:34:10,320 --> 00:34:12,560
Speaker 2: and he knows how much the girls miss their mom

746
00:34:12,840 --> 00:34:18,160
Speaker 2: because he misses her too, Like I was. I watched

747
00:34:18,160 --> 00:34:22,000
Speaker 2: this episode three times and I bawled all three times,

748
00:34:22,200 --> 00:34:24,960
Speaker 2: like and I'm tearing up right now, just yeah, just

749
00:34:25,160 --> 00:34:30,040
Speaker 2: reading this, like it was such a knockout performance by

750
00:34:30,480 --> 00:34:33,600
Speaker 2: Candice and Bob. And I don't know if it makes

751
00:34:33,600 --> 00:34:38,640
Speaker 2: me emotional because Bob's not here anymore or because this.

752
00:34:38,719 --> 00:34:40,560
Speaker 3: Was just I mean, this is it. This is full house.

753
00:34:40,640 --> 00:34:43,479
Speaker 3: This is the scene. This is it is full House.

754
00:34:43,520 --> 00:34:47,239
Speaker 2: Is about heart and love and family and working through

755
00:34:47,280 --> 00:34:49,360
Speaker 2: problems together, and it is so beautiful.

756
00:34:49,880 --> 00:34:56,120
Speaker 1: I for me and I watched this moment, yeah, it

757
00:34:57,440 --> 00:35:03,280
Speaker 1: with Bob being gone, it definitely it definitely felt different

758
00:35:03,360 --> 00:35:06,479
Speaker 1: watching this scene, you know, because it all just takes

759
00:35:06,480 --> 00:35:14,080
Speaker 1: on a little bit different meaning different error. But I

760
00:35:14,239 --> 00:35:16,440
Speaker 1: when I watched this scene, you know, the rest of

761
00:35:16,480 --> 00:35:19,200
Speaker 1: the pilot is fun and silly, and there's the you know,

762
00:35:19,239 --> 00:35:21,359
Speaker 1: the moments with the baby, and then you know, all

763
00:35:21,400 --> 00:35:29,759
Speaker 1: this wacky stuff happening. But I watched Bob and Candice

764
00:35:30,040 --> 00:35:36,880
Speaker 1: so genuinely connect in that scene, and I remember like

765
00:35:37,000 --> 00:35:40,400
Speaker 1: it was like a click, and I went, oh, this

766
00:35:41,480 --> 00:35:43,959
Speaker 1: is exactly why people fell in love with the show,

767
00:35:45,320 --> 00:35:49,840
Speaker 1: was that we could sit and laugh at the ridiculousness

768
00:35:49,840 --> 00:35:52,680
Speaker 1: and the stupidity and all of this stuff, and yet

769
00:35:52,760 --> 00:35:57,360
Speaker 1: we could come to a moment of people having a

770
00:35:57,440 --> 00:36:06,480
Speaker 1: real fan moment together and and also like it genuinely

771
00:36:06,560 --> 00:36:10,960
Speaker 1: be you know, like Bob was there and connected with that,

772
00:36:11,160 --> 00:36:13,440
Speaker 1: and Candice was and I was, you know, and like

773
00:36:13,480 --> 00:36:18,880
Speaker 1: as a little kid like it was it it meant

774
00:36:18,920 --> 00:36:24,960
Speaker 1: more than just saying lines on a page, you know,

775
00:36:25,239 --> 00:36:28,960
Speaker 1: and yeah, I when when that moment happened, and it

776
00:36:29,000 --> 00:36:31,080
Speaker 1: was and I you know, I laugh with the first

777
00:36:31,120 --> 00:36:33,440
Speaker 1: you know, the violins and all this, but it was

778
00:36:35,480 --> 00:36:39,120
Speaker 1: that that moment that people talk about in full house

779
00:36:39,160 --> 00:36:41,120
Speaker 1: that you know, yes, it gets wrapped up with a

780
00:36:41,200 --> 00:36:43,080
Speaker 1: nice little bow at the end of thirty minutes, but

781
00:36:43,160 --> 00:36:46,600
Speaker 1: it's there's a genuine feel to it and you feel

782
00:36:46,600 --> 00:36:49,839
Speaker 1: it between us, which was the thing that I think,

783
00:36:50,520 --> 00:36:52,719
Speaker 1: you know, again, this magic Little Show was really all

784
00:36:52,760 --> 00:36:57,640
Speaker 1: about the magic people that showed up and and that

785
00:36:57,880 --> 00:36:59,920
Speaker 1: was that moment. That was that moment when you saw

786
00:37:00,120 --> 00:37:05,880
Speaker 1: that special, genuine connection. And I think that has always

787
00:37:05,920 --> 00:37:08,160
Speaker 1: been the success of this show was that you could

788
00:37:08,239 --> 00:37:12,200
Speaker 1: watch whatever scene, whatever problem that we were all going through,

789
00:37:12,719 --> 00:37:16,799
Speaker 1: and you saw that genuine connection and it didn't feel

790
00:37:16,880 --> 00:37:18,960
Speaker 1: like they weren't a family it felt like you had

791
00:37:18,960 --> 00:37:24,479
Speaker 1: a window into these real people's lives, you know, And yeah,

792
00:37:24,560 --> 00:37:28,160
Speaker 1: I definitely I watched I watched this episode a couple times,

793
00:37:28,200 --> 00:37:35,839
Speaker 1: and I watched that scene several times, and yeah, it definitely,

794
00:37:36,120 --> 00:37:39,320
Speaker 1: Uh maybe miss Bob, I have my little Bob painting

795
00:37:39,360 --> 00:37:44,080
Speaker 1: up here. That's a looking over my desk. But yeah,

796
00:37:44,960 --> 00:37:47,680
Speaker 1: and it was then you know, we then ended it

797
00:37:47,719 --> 00:37:51,160
Speaker 1: with a hug and that was the moment, right, that

798
00:37:51,320 --> 00:37:53,799
Speaker 1: was the full house moment. That was the it was.

799
00:37:55,360 --> 00:38:00,480
Speaker 1: It was remembering what was really important. And yeah, I

800
00:38:00,560 --> 00:38:05,080
Speaker 1: just I watched that episode and I went, ah, yeah, okay,

801
00:38:05,120 --> 00:38:05,560
Speaker 1: I get it.

802
00:38:06,040 --> 00:38:06,520
Speaker 3: I get it.

803
00:38:07,400 --> 00:38:11,600
Speaker 2: I had that same light bulb moment. It just pierces

804
00:38:11,640 --> 00:38:14,520
Speaker 2: you straight in the heart, yeah, and tugs on your

805
00:38:14,520 --> 00:38:17,400
Speaker 2: heart strings. And I was just like, this is why

806
00:38:17,560 --> 00:38:18,759
Speaker 2: audiences fell in love.

807
00:38:19,040 --> 00:38:19,720
Speaker 3: Yeah this show.

808
00:38:21,200 --> 00:38:24,879
Speaker 2: And Danny says, you know, you have us, We're still

809
00:38:24,920 --> 00:38:28,160
Speaker 2: a family, and now you have Uncle Jesse and Michelle

810
00:38:28,239 --> 00:38:31,000
Speaker 2: and Joey and we all have to stick together. And

811
00:38:31,480 --> 00:38:33,239
Speaker 2: dj you have to move back inside or all five

812
00:38:33,239 --> 00:38:34,880
Speaker 2: of us are going to move into the garage to

813
00:38:34,960 --> 00:38:38,080
Speaker 2: keep the team together. Nothing can break up this team.

814
00:38:38,560 --> 00:38:41,440
Speaker 2: She smiles and says she will move back in, Danny

815
00:38:41,520 --> 00:38:44,319
Speaker 2: tells her he loves her and tells Stephanie he loves

816
00:38:44,360 --> 00:38:47,439
Speaker 2: her tune it loves her too, and the scene ends

817
00:38:47,480 --> 00:38:49,920
Speaker 2: with a big group hug and applause from the audience,

818
00:38:50,160 --> 00:38:53,360
Speaker 2: which is just so beautiful and speaks right to the

819
00:38:53,760 --> 00:38:55,200
Speaker 2: heart of the show and just it's about we are

820
00:38:55,239 --> 00:38:58,239
Speaker 2: a family. It's a non traditional family. It's a mom

821
00:38:58,239 --> 00:39:00,279
Speaker 2: and a dad and two point five kids. You know,

822
00:39:00,400 --> 00:39:02,919
Speaker 2: this family looks a little bit different. But I also

823
00:39:02,920 --> 00:39:05,319
Speaker 2: think that's why people love this show.

824
00:39:05,360 --> 00:39:07,480
Speaker 1: Has always been a huge piece of the show was that,

825
00:39:07,600 --> 00:39:11,239
Speaker 1: you know, we we basically said like, your family is

826
00:39:11,280 --> 00:39:14,000
Speaker 1: who you choose, your families, who you include, who shows

827
00:39:14,080 --> 00:39:15,680
Speaker 1: up for you, and it doesn't you know, might not

828
00:39:15,719 --> 00:39:19,680
Speaker 1: always be what people expected to look like, but that's

829
00:39:19,719 --> 00:39:23,480
Speaker 1: your family, you know. And yeah, and this it was

830
00:39:23,520 --> 00:39:28,160
Speaker 1: fun to go back and watch and not be watching

831
00:39:28,160 --> 00:39:29,920
Speaker 1: it from a place of like being a kid and

832
00:39:29,960 --> 00:39:31,719
Speaker 1: being like, oh my god, this is so late, you know,

833
00:39:31,800 --> 00:39:33,239
Speaker 1: like we did. I know as a kid that I

834
00:39:33,280 --> 00:39:34,920
Speaker 1: would watch the show and be like this is so silly,

835
00:39:35,640 --> 00:39:37,920
Speaker 1: But going back and watching it as an adult and

836
00:39:37,960 --> 00:39:41,560
Speaker 1: being like, oh, I get it, Like I get why

837
00:39:41,719 --> 00:39:45,880
Speaker 1: this resonated with people. Yeah it was. It was a

838
00:39:45,960 --> 00:39:50,279
Speaker 1: really wonderful, sweet moment. And then of course comes the

839
00:39:50,320 --> 00:39:54,479
Speaker 1: famous end of the Pilot's scene, Oh yes, in which

840
00:39:54,520 --> 00:39:56,280
Speaker 1: there is a tune which happens.

841
00:39:57,080 --> 00:40:00,040
Speaker 2: There is a tune. There's a tun a tune. We

842
00:40:00,120 --> 00:40:02,799
Speaker 2: are back in the living room. Jesse's trying to teach

843
00:40:02,800 --> 00:40:04,040
Speaker 2: Michelle how to say Uncle Jesse.

844
00:40:04,239 --> 00:40:06,799
Speaker 3: She coos. He kisses her on the.

845
00:40:06,719 --> 00:40:08,600
Speaker 2: Forehead, but when Danny and the girls come in the room,

846
00:40:08,640 --> 00:40:11,279
Speaker 2: he toughens up and tells Michelle, starting tomorrow, you use

847
00:40:11,320 --> 00:40:13,360
Speaker 2: the toilet like the rest of us, because God forbid,

848
00:40:13,400 --> 00:40:16,880
Speaker 2: he's caught, you know, having a tender moment with Michelle.

849
00:40:17,480 --> 00:40:20,120
Speaker 2: DJ tells Uncle Jesse there's good news. Our deal is

850
00:40:20,200 --> 00:40:23,799
Speaker 2: back on. Jesse reaches for his wallet and DJ says,

851
00:40:23,800 --> 00:40:26,200
Speaker 2: don't worry, I'll put it on your tab. Danny says,

852
00:40:26,239 --> 00:40:28,759
Speaker 2: this is all working out so great. The girls love

853
00:40:28,840 --> 00:40:32,400
Speaker 2: Uncle Jesse. He says, sure, because he dances around and

854
00:40:32,400 --> 00:40:35,000
Speaker 2: gives them money. Then Michelle coos, and Jesse asks, well,

855
00:40:35,000 --> 00:40:37,640
Speaker 2: what's wrong now. Danny says Michelle, no, there's nothing wrong.

856
00:40:37,640 --> 00:40:40,520
Speaker 2: Michelle loves music, and Joey appears from what is now

857
00:40:40,560 --> 00:40:43,120
Speaker 2: his room in the back of the living room, the

858
00:40:43,239 --> 00:40:47,359
Speaker 2: large alcove, which brings us to this little segment that

859
00:40:47,400 --> 00:40:51,399
Speaker 2: we're calling Everywhere You Look, which is a point where

860
00:40:51,400 --> 00:40:53,920
Speaker 2: what we're just going to point out some random.

861
00:40:53,920 --> 00:40:57,200
Speaker 1: Well everywhere you look is some of the set deck

862
00:40:57,280 --> 00:41:00,799
Speaker 1: and some of the iconic things that existed. Not only

863
00:41:00,840 --> 00:41:02,640
Speaker 1: that maybe the audience saw, but I know that there

864
00:41:02,640 --> 00:41:06,400
Speaker 1: are tons of stupid little set deck things and props

865
00:41:06,400 --> 00:41:08,719
Speaker 1: and whatever that I remember from being on the set.

866
00:41:09,239 --> 00:41:14,080
Speaker 1: But Joey's alcove was was a pretty fun one to watch,

867
00:41:14,120 --> 00:41:16,520
Speaker 1: and if you watch it from week to week, it

868
00:41:16,680 --> 00:41:21,759
Speaker 1: changes because what he had there was that mannequin in there,

869
00:41:21,800 --> 00:41:25,239
Speaker 1: which was terrifying. By the way, I terrifying. I just

870
00:41:25,280 --> 00:41:27,719
Speaker 1: don't I don't know. Mannequins are weird, but it was

871
00:41:27,719 --> 00:41:28,799
Speaker 1: like it.

872
00:41:28,800 --> 00:41:31,359
Speaker 2: Was dressed exactly like him, Like that was the very

873
00:41:32,120 --> 00:41:36,520
Speaker 2: week it had the same shirt on as Dave Yes,

874
00:41:36,840 --> 00:41:38,480
Speaker 2: and I think that was a day I think that

875
00:41:38,560 --> 00:41:41,960
Speaker 2: was a Dave choice. I'm willing to bet on that too,

876
00:41:42,120 --> 00:41:42,439
Speaker 2: is that.

877
00:41:43,239 --> 00:41:44,799
Speaker 1: That it was a day choice that he that he

878
00:41:44,880 --> 00:41:48,919
Speaker 1: always would wear like the same shirt as Joey.

879
00:41:49,040 --> 00:41:50,319
Speaker 3: Yeah, I love it.

880
00:41:50,440 --> 00:41:52,839
Speaker 1: So did they have to buy two shirts?

881
00:41:52,880 --> 00:41:55,560
Speaker 3: For sure? Were they two different sizes.

882
00:41:55,600 --> 00:41:58,000
Speaker 1: I don't know. There's a mannequin and Dave.

883
00:41:58,520 --> 00:42:01,360
Speaker 2: We also have a massive mister Pitt and yellow glasses,

884
00:42:02,160 --> 00:42:05,480
Speaker 2: a Popeye and olive oil, stuffed animal, stuffed animals. Yeah,

885
00:42:05,560 --> 00:42:08,920
Speaker 2: a globe, which I think I remember the globe for

886
00:42:08,960 --> 00:42:10,160
Speaker 2: some random reason.

887
00:42:10,680 --> 00:42:14,759
Speaker 1: I remember the globe. I remember in the alcove there

888
00:42:14,800 --> 00:42:16,400
Speaker 1: were like weird little you know, all those books and

889
00:42:16,440 --> 00:42:18,560
Speaker 1: all this stuff there was. Do you remember the book

890
00:42:18,640 --> 00:42:19,600
Speaker 1: Valley of the Dolls.

891
00:42:19,719 --> 00:42:20,960
Speaker 3: Oh, yes, I do.

892
00:42:21,320 --> 00:42:24,080
Speaker 1: I mean the book and what Valley of the Dolls

893
00:42:24,160 --> 00:42:26,960
Speaker 1: is about was like it's like, yeah, it's about like

894
00:42:27,360 --> 00:42:30,000
Speaker 1: drugs and dart and murder. That's kind of a dark book.

895
00:42:30,120 --> 00:42:31,839
Speaker 1: But for some reason I was drawn to that one

896
00:42:31,880 --> 00:42:34,759
Speaker 1: on the shelf as a kid talking right, But I

897
00:42:34,840 --> 00:42:38,399
Speaker 1: just I remember it had like the eighties like such

898
00:42:38,440 --> 00:42:40,600
Speaker 1: a like it was like a just such a bad

899
00:42:40,680 --> 00:42:44,480
Speaker 1: eighties cover of like drawings on. I don't know, it

900
00:42:44,520 --> 00:42:47,680
Speaker 1: was like such a just like terrible library books in

901
00:42:47,840 --> 00:42:51,240
Speaker 1: that thing. But all of the stuff that was Dave's

902
00:42:51,239 --> 00:42:55,239
Speaker 1: in there, and all of the laundry, and like, I

903
00:42:55,560 --> 00:42:57,880
Speaker 1: feel like every week we're going to go back to

904
00:42:58,400 --> 00:43:00,680
Speaker 1: looking in the alcove and being like, oh, my god.

905
00:43:00,760 --> 00:43:03,239
Speaker 1: Look there's the parrot or you know the parrot. That's right,

906
00:43:03,640 --> 00:43:05,600
Speaker 1: there was a parrot in there too. It wasn't a parrot.

907
00:43:05,800 --> 00:43:08,040
Speaker 2: I don't know if it's in this episode, but it's

908
00:43:08,080 --> 00:43:10,080
Speaker 2: definitely in an upcoming episode.

909
00:43:10,960 --> 00:43:13,480
Speaker 3: There's a click with box.

910
00:43:13,280 --> 00:43:15,480
Speaker 2: Yep and then all of the laundry that he piled

911
00:43:15,520 --> 00:43:18,720
Speaker 2: on to Bob in the first scene is still there

912
00:43:18,719 --> 00:43:20,280
Speaker 2: in the large alcove.

913
00:43:20,280 --> 00:43:23,520
Speaker 1: And the living room because they've apparently gone everywhere now.

914
00:43:24,040 --> 00:43:26,319
Speaker 1: And also I did notice this.

915
00:43:27,640 --> 00:43:33,440
Speaker 4: So Jesse calls off the deal with with DJ because

916
00:43:34,080 --> 00:43:37,120
Speaker 4: he's basically paying her because Vanessa is there right right,

917
00:43:37,400 --> 00:43:38,440
Speaker 4: So then she's like, okay.

918
00:43:38,239 --> 00:43:41,080
Speaker 1: I'm gonna move in. He's like, well, i'll pay you now, right,

919
00:43:42,440 --> 00:43:44,719
Speaker 1: But wasn't he only paying her because Vanessa was there?

920
00:43:44,760 --> 00:43:47,279
Speaker 1: So now, like wouldn't he Why would he be Why

921
00:43:47,320 --> 00:43:48,520
Speaker 1: would he offer to pay her again? You know what

922
00:43:48,520 --> 00:43:48,799
Speaker 1: I mean?

923
00:43:48,840 --> 00:43:51,919
Speaker 2: Like, that's already member, right, the deal the Vanessa's gone,

924
00:43:51,920 --> 00:43:53,120
Speaker 2: so the deal should be off.

925
00:43:53,080 --> 00:43:54,799
Speaker 1: Just to be fair, to be like, okay, final, I'll

926
00:43:54,800 --> 00:43:56,319
Speaker 1: give you the I'll give you the twenty bucks anyway,

927
00:43:56,360 --> 00:43:57,400
Speaker 1: because I said I was going to.

928
00:43:57,960 --> 00:43:59,440
Speaker 3: Yeah, I don't know that's a good plant.

929
00:43:59,800 --> 00:44:02,879
Speaker 1: I just I noticed it again.

930
00:44:02,920 --> 00:44:05,520
Speaker 2: Don't pull there's a lot of threads you do there

931
00:44:06,120 --> 00:44:09,200
Speaker 2: the whole because otherwise we'll never get past this pilot

932
00:44:10,080 --> 00:44:13,320
Speaker 2: because there's so many plot holes in every episode.

933
00:44:14,360 --> 00:44:15,960
Speaker 3: True, but that's okay, Joey.

934
00:44:16,480 --> 00:44:19,360
Speaker 2: Joey comes out of his large alcove and then starts

935
00:44:19,400 --> 00:44:23,240
Speaker 2: this again iconic moment. Joey starts singing the Flintstones theme

936
00:44:23,360 --> 00:44:27,840
Speaker 2: song and everyone joins in dancing around the crib. Stephanie

937
00:44:27,920 --> 00:44:31,080
Speaker 2: ends it by yelling Wilma, and we get an adorable

938
00:44:31,120 --> 00:44:34,560
Speaker 2: reaction shot of all three guys and the girls, including

939
00:44:34,640 --> 00:44:38,160
Speaker 2: baby Michelle. And there was this moment where you and

940
00:44:38,239 --> 00:44:41,280
Speaker 2: Kandace say daba, dude time and you're laughing.

941
00:44:42,160 --> 00:44:43,480
Speaker 1: I was laughing.

942
00:44:43,800 --> 00:44:45,040
Speaker 3: You remember why you were laughing?

943
00:44:45,200 --> 00:44:47,120
Speaker 1: I wish I could remember why I was laughing, but

944
00:44:47,239 --> 00:44:50,680
Speaker 1: I feel like I was probably laughing at Dave or Bob,

945
00:44:50,840 --> 00:44:53,799
Speaker 1: who were like screwing around and doing something. You know,

946
00:44:53,840 --> 00:44:56,360
Speaker 1: I'm being ridiculous, right, And I just thought it was

947
00:44:56,400 --> 00:44:59,160
Speaker 1: so funny. And also I was five. You know, there

948
00:44:59,160 --> 00:45:01,359
Speaker 1: are a lot of time when I'm sure we're gonna

949
00:45:01,360 --> 00:45:03,560
Speaker 1: be watching the show and I'm like, what was I doing?

950
00:45:03,640 --> 00:45:05,920
Speaker 1: Where was I like I'm over there like giggling to

951
00:45:06,000 --> 00:45:08,640
Speaker 1: myself or totally out of character, out of the scene.

952
00:45:09,040 --> 00:45:11,359
Speaker 1: But yeah, that was I don't know what we were

953
00:45:11,360 --> 00:45:14,200
Speaker 1: giggling at, but I'm sure it was either Bob or

954
00:45:14,320 --> 00:45:20,240
Speaker 1: Dave and and and Yeah, I was watching myself singing

955
00:45:20,280 --> 00:45:22,600
Speaker 1: the Flintstone song. I was quite into it.

956
00:45:22,680 --> 00:45:23,800
Speaker 3: Oh, you were so proud.

957
00:45:24,080 --> 00:45:26,480
Speaker 1: I was like, my little head was bobbin. I was

958
00:45:26,560 --> 00:45:28,919
Speaker 1: really into singing the song. Yeah, give me a song

959
00:45:28,960 --> 00:45:30,520
Speaker 1: to sing. And I'm just thrilled.

960
00:45:30,800 --> 00:45:33,359
Speaker 2: You were such a natural performer that this was right

961
00:45:33,440 --> 00:45:35,759
Speaker 2: up your alley. Do you know why they picked the

962
00:45:35,800 --> 00:45:39,920
Speaker 2: Flintstones theme song, Like, that's a very random way to

963
00:45:40,080 --> 00:45:44,720
Speaker 2: end a pilot episode is with a song from cartoon.

964
00:45:45,680 --> 00:45:49,760
Speaker 1: Yeah, but I I mean, I were the Flintstones popular

965
00:45:50,200 --> 00:45:52,480
Speaker 1: at some point and they I know, they were like

966
00:45:52,480 --> 00:45:55,359
Speaker 1: a sixties they were like a sixties cartoon, but it

967
00:45:55,400 --> 00:45:58,080
Speaker 1: was I know it was popular it I don't know.

968
00:45:58,120 --> 00:46:01,720
Speaker 1: Maybe it was the song that we could get cleared

969
00:46:02,120 --> 00:46:05,080
Speaker 1: for license. That's that's probably answer. That's what it was.

970
00:46:05,120 --> 00:46:08,600
Speaker 1: I'm sure there was something else that was that made

971
00:46:08,680 --> 00:46:11,359
Speaker 1: much more sense, but that was far more expensive. And

972
00:46:11,440 --> 00:46:14,879
Speaker 1: so the Flintstones themes song although that's a Jeff question.

973
00:46:14,960 --> 00:46:16,000
Speaker 3: That's a good question for Jeff.

974
00:46:16,040 --> 00:46:17,160
Speaker 1: Flintstone is the only.

975
00:46:16,960 --> 00:46:19,319
Speaker 3: Song we could afford the Flintstones theme song?

976
00:46:20,080 --> 00:46:20,279
Speaker 1: Right?

977
00:46:20,320 --> 00:46:21,000
Speaker 3: Probably? Yes?

978
00:46:21,120 --> 00:46:25,399
Speaker 1: Or does he have some special fondness for the Flintstones?

979
00:46:26,120 --> 00:46:30,520
Speaker 1: Is it a you know what? What is the what's

980
00:46:30,560 --> 00:46:31,880
Speaker 1: the story with the Flintstones?

981
00:46:31,920 --> 00:46:32,320
Speaker 3: Yeah?

982
00:46:33,080 --> 00:46:37,360
Speaker 1: Again, nothing against them, Totally fine with the Flintstones. Just

983
00:46:37,400 --> 00:46:38,480
Speaker 1: an interesting choice.

984
00:46:38,280 --> 00:46:39,120
Speaker 3: Interesting choice.

985
00:46:39,520 --> 00:46:42,520
Speaker 2: I look forward to hearing more about why why these

986
00:46:42,600 --> 00:46:43,319
Speaker 2: choices were made.

987
00:46:43,400 --> 00:46:45,640
Speaker 1: All I'm going to think about between this week and

988
00:46:45,719 --> 00:46:46,120
Speaker 1: next week.

989
00:46:48,800 --> 00:46:52,680
Speaker 2: So that is our pilot episode. What are your overall

990
00:46:52,719 --> 00:46:54,600
Speaker 2: thoughts about this episode? Do you think that?

991
00:46:54,800 --> 00:46:57,040
Speaker 3: Was it a great pilot? Was it a terrible pilot? Like?

992
00:46:57,040 --> 00:47:00,160
Speaker 3: What are your overall thoughts on this? Well?

993
00:47:00,320 --> 00:47:02,960
Speaker 1: Okay, so here's the thing. It's hard for me to

994
00:47:03,160 --> 00:47:10,840
Speaker 1: judge objectively because sitcoms are not something that I ever watched,

995
00:47:11,200 --> 00:47:14,719
Speaker 1: or ever or really watch even now. So for me,

996
00:47:14,840 --> 00:47:18,399
Speaker 1: when I watch it, it's so like the the the

997
00:47:18,600 --> 00:47:21,840
Speaker 1: jokes and stuff are so even for like the eighties

998
00:47:22,320 --> 00:47:25,200
Speaker 1: feel to me like something I just don't know that

999
00:47:25,239 --> 00:47:27,360
Speaker 1: I would have watched. But you know what, I'm a liar.

1000
00:47:27,560 --> 00:47:29,840
Speaker 1: I watched Small Wonder, you know, what I mean, what

1001
00:47:29,960 --> 00:47:32,760
Speaker 1: am I saying? I'm I watched you to add this world.

1002
00:47:32,840 --> 00:47:34,920
Speaker 1: That's I have no taste. I don't know what I'm

1003
00:47:34,960 --> 00:47:39,439
Speaker 1: talking about. I think it's because I know so much

1004
00:47:39,440 --> 00:47:41,759
Speaker 1: about everybody on the show that I'm like, oh, we could,

1005
00:47:41,800 --> 00:47:45,240
Speaker 1: you know, but I do. I watched it as a pilot,

1006
00:47:45,280 --> 00:47:48,440
Speaker 1: and I can absolutely see the heart in it, and

1007
00:47:48,520 --> 00:47:56,040
Speaker 1: I see why people like the characters. I can see.

1008
00:47:56,360 --> 00:48:00,040
Speaker 1: I mean, I just I see I see the the

1009
00:48:00,080 --> 00:48:04,160
Speaker 1: beginnings of what would become the things that people really

1010
00:48:04,160 --> 00:48:06,239
Speaker 1: loved about this show, and the relationships and all of that,

1011
00:48:06,280 --> 00:48:08,879
Speaker 1: and it is, you know, it's interesting to go back

1012
00:48:08,880 --> 00:48:12,520
Speaker 1: and watch the beginning of us all knowing each other,

1013
00:48:12,600 --> 00:48:17,640
Speaker 1: because it is so obvious that we're all kind of new,

1014
00:48:18,040 --> 00:48:20,840
Speaker 1: yeah together, you know, as opposed to now, you know,

1015
00:48:20,920 --> 00:48:22,839
Speaker 1: nearly forty years later. It's like there's such a level

1016
00:48:22,840 --> 00:48:26,560
Speaker 1: of comfortability and ease with us. But it is weird

1017
00:48:26,600 --> 00:48:29,319
Speaker 1: to go back and like watch sort of you know,

1018
00:48:29,400 --> 00:48:32,239
Speaker 1: our first interactions and like what we how we did,

1019
00:48:32,320 --> 00:48:33,760
Speaker 1: and how we how we got along.

1020
00:48:34,040 --> 00:48:35,680
Speaker 3: You know, we were still getting to know each other

1021
00:48:35,800 --> 00:48:36,440
Speaker 3: at this point.

1022
00:48:36,560 --> 00:48:39,120
Speaker 1: Yeah that's yeah, we didn't there was no you know,

1023
00:48:39,200 --> 00:48:42,600
Speaker 1: and That's why I think that scene with Bob and

1024
00:48:42,680 --> 00:48:46,360
Speaker 1: Candae is also so so poignant and touching, is because

1025
00:48:47,920 --> 00:48:51,080
Speaker 1: it is so evident that there's heart there and real, true,

1026
00:48:51,120 --> 00:48:55,880
Speaker 1: genuine connection. And to know that we had all just

1027
00:48:56,360 --> 00:48:58,720
Speaker 1: met recently and it was we were all still getting

1028
00:48:58,719 --> 00:49:01,640
Speaker 1: to kind of know each other, and you know, what

1029
00:49:01,760 --> 00:49:07,520
Speaker 1: a great moment to have captured for the show. You know,

1030
00:49:07,680 --> 00:49:09,960
Speaker 1: it just really sets the tone of what of what

1031
00:49:10,000 --> 00:49:12,719
Speaker 1: it's going to be. Yeah, it was, Oh god, it

1032
00:49:12,760 --> 00:49:14,520
Speaker 1: was so fun to w and I did not realize

1033
00:49:14,560 --> 00:49:16,760
Speaker 1: that I had such a tiny, little peanut voice.

1034
00:49:16,960 --> 00:49:19,840
Speaker 3: Oh yeah, you were even like a little person.

1035
00:49:19,880 --> 00:49:22,200
Speaker 2: And I did like this. You were a little munchkin.

1036
00:49:22,320 --> 00:49:24,480
Speaker 2: You were just a tiny, little little You were like

1037
00:49:24,520 --> 00:49:26,160
Speaker 2: a doll. I wanted to put you in my pocket

1038
00:49:26,520 --> 00:49:28,200
Speaker 2: and take you home with me. It was so cute.

1039
00:49:29,000 --> 00:49:29,360
Speaker 1: Thank you?

1040
00:49:30,120 --> 00:49:30,600
Speaker 3: You still do?

1041
00:49:30,600 --> 00:49:32,400
Speaker 1: You still want me to put me in your pocket

1042
00:49:32,600 --> 00:49:34,680
Speaker 1: every day? That sounded weird. That sounded weird. That's not

1043
00:49:34,719 --> 00:49:36,439
Speaker 1: how I meant it. I just meant because I'm still

1044
00:49:36,480 --> 00:49:39,880
Speaker 1: tiny and cute, that adorable. Well, I thought this was

1045
00:49:39,920 --> 00:49:41,440
Speaker 1: I'm old and bitter now.

1046
00:49:41,840 --> 00:49:44,920
Speaker 2: I thought this was the perfect pilot of an eighties

1047
00:49:45,000 --> 00:49:47,040
Speaker 2: sick company, and it had all the element you weren't

1048
00:49:47,080 --> 00:49:48,520
Speaker 2: in it, so you kind of have a you know,

1049
00:49:48,640 --> 00:49:50,520
Speaker 2: no horse objective a horse in this race.

1050
00:49:50,640 --> 00:49:51,200
Speaker 1: It's true.

1051
00:49:51,239 --> 00:49:53,920
Speaker 2: I feel like you had a clear sense of the

1052
00:49:54,000 --> 00:49:55,200
Speaker 2: character's personalities.

1053
00:49:55,840 --> 00:49:55,960
Speaker 1: Right.

1054
00:49:56,000 --> 00:49:58,440
Speaker 2: It was comedy, there were hijinks, there was tom foolery,

1055
00:49:58,760 --> 00:50:02,520
Speaker 2: but there was also hard and sentimentally very important. Yeah,

1056
00:50:02,680 --> 00:50:05,080
Speaker 2: it had everything, and as an audience member, you really

1057
00:50:05,120 --> 00:50:08,960
Speaker 2: feel like you are part of the family, which I

1058
00:50:08,960 --> 00:50:11,160
Speaker 2: think is why people kept tuning in every week, because like, it's.

1059
00:50:11,080 --> 00:50:13,080
Speaker 1: True, I could smell the alco from here.

1060
00:50:13,160 --> 00:50:15,720
Speaker 3: Yes, yeah, you can smell a lumber. You can smell

1061
00:50:15,800 --> 00:50:17,080
Speaker 3: the wood of the sets.

1062
00:50:18,520 --> 00:50:20,359
Speaker 1: You know. We were talking about this the other day,

1063
00:50:20,520 --> 00:50:23,880
Speaker 1: how as a kid and even just working in this

1064
00:50:23,920 --> 00:50:29,960
Speaker 1: business so much of sets and also studio lots, there's

1065
00:50:30,160 --> 00:50:32,839
Speaker 1: their lumber yards. You know, they're constantly building sets and

1066
00:50:32,960 --> 00:50:36,680
Speaker 1: cutting wood, and I just like I remember the smell

1067
00:50:36,840 --> 00:50:40,680
Speaker 1: of those freshly built sets and what you know, it's

1068
00:50:40,719 --> 00:50:44,160
Speaker 1: such a vivid memory, just like the door slamming shut.

1069
00:50:44,280 --> 00:50:47,240
Speaker 1: I can I can remember all of those things.

1070
00:50:47,320 --> 00:50:49,320
Speaker 3: It's a very sensory experience.

1071
00:50:49,480 --> 00:50:51,640
Speaker 2: And yeah, you're right, as soon as you smell that lumber,

1072
00:50:51,680 --> 00:50:54,359
Speaker 2: it's like you're instantly transported back to like, oh yeah, yeah,

1073
00:50:54,480 --> 00:50:56,040
Speaker 2: it's all and all the saw dust, like this.

1074
00:50:56,040 --> 00:50:58,319
Speaker 3: Is probably why I had allergies because of all the.

1075
00:50:58,280 --> 00:51:01,000
Speaker 1: Soft right, It's true, well it was, it was. I

1076
00:51:01,719 --> 00:51:04,480
Speaker 1: tie it all specifically back to that curtain slapping me

1077
00:51:04,520 --> 00:51:05,360
Speaker 1: in the face repeatedly.

1078
00:51:05,440 --> 00:51:07,200
Speaker 3: That's where it all starts, That's where it all began.

1079
00:51:07,280 --> 00:51:10,480
Speaker 1: And well, I'm so glad that everyone got to join

1080
00:51:10,560 --> 00:51:13,400
Speaker 1: us for this walk down memory Lane, the beginning of

1081
00:51:13,440 --> 00:51:16,480
Speaker 1: the walk down Memory Lane, because we are just getting started.

1082
00:51:16,800 --> 00:51:20,640
Speaker 1: Our next episode is next week, season one, episode two,

1083
00:51:21,400 --> 00:51:25,080
Speaker 1: our very First Night, which aired September twenty fourth, nineteen

1084
00:51:25,120 --> 00:51:28,160
Speaker 1: eighty seven. Make sure you're catching up and tuning into

1085
00:51:28,239 --> 00:51:30,279
Speaker 1: all of the episodes as we're watching them. They are

1086
00:51:30,400 --> 00:51:32,160
Speaker 1: available everywhere you look.

1087
00:51:32,320 --> 00:51:32,919
Speaker 3: I can't wait.

1088
00:51:33,120 --> 00:51:35,960
Speaker 2: I can't wait for the next episode. I am so

1089
00:51:36,080 --> 00:51:39,000
Speaker 2: excited to see where this goes. And I'm so excited

1090
00:51:39,000 --> 00:51:40,520
Speaker 2: to be recapping this with you, Jody.

1091
00:51:41,000 --> 00:51:42,800
Speaker 1: I know I love it. So make sure and follow

1092
00:51:42,960 --> 00:51:46,560
Speaker 1: and dm us on Instagram at how Rude podcast, or

1093
00:51:46,600 --> 00:51:50,759
Speaker 1: you can email us at Howerudpodcast at gmail dot com,

1094
00:51:51,320 --> 00:51:54,720
Speaker 1: and we will look forward to to seeing you guys

1095
00:51:54,800 --> 00:51:59,640
Speaker 1: next week to discuss more fun full house memories, Ridiculous,

1096
00:52:00,040 --> 00:52:03,799
Speaker 1: Andrea Barbara and I Stores, Andria barbarah Hood Sweeten and Yeah,

1097
00:52:04,000 --> 00:52:07,240
Speaker 1: I'm so looking forward to this. The world is small,

1098
00:52:07,239 --> 00:52:08,040
Speaker 1: but the house is full.

1099
00:52:09,040 --> 00:52:09,560
Speaker 3: I love that.

1100
00:52:09,920 --> 00:52:12,759
Speaker 2: And I love you, Jody, I love you all right,

1101
00:52:12,800 --> 00:52:13,480
Speaker 2: See you next week