WEBVTT - Andor Season 2 (Episodes 7-9) Roundtable

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<v Speaker 1>Worrying.

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<v Speaker 2>Today's episode contains spoilers for and Or season two episode seven,

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<v Speaker 2>eight and nine, the third tranch of chapters from and

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<v Speaker 2>Or season two.

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<v Speaker 1>If you weren't.

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<v Speaker 3>Hello, my name is Jasconcepcio and I'm Rosie Night.

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<v Speaker 2>Welcome back to X ray Visions, the podcast movie dived

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<v Speaker 2>your favorite Jos movies, comics of pop culture for by

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<v Speaker 2>our podcast, where we'll bring you three episodes a week

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<v Speaker 2>every Tuesday, Wednesday, Thursday.

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<v Speaker 4>In today's episode, we are calling everyone back to Abbin

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<v Speaker 4>to discuss episode seven A and nine of Andor's second

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<v Speaker 4>season for our round table. It's roundly being called some

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<v Speaker 4>of the best star wars you've ever seen, not just

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<v Speaker 4>by me and Jason in all recently released social clips,

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<v Speaker 4>but also by the critical mass. There's one person who

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<v Speaker 4>won't be calling them that will.

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<v Speaker 3>Well let him in lay up.

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<v Speaker 4>So let's welcome a Boo and Joel. How you doing, guys,

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<v Speaker 4>So nice.

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<v Speaker 1>To have you, guys.

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<v Speaker 5>Very excited.

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<v Speaker 1>My eyes hurt from crying. It's a lot.

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<v Speaker 4>There was a lot, a lot of emotional stuff going on,

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<v Speaker 4>so let's just let's dig into it. Let's talk about it.

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<v Speaker 2>Yeah, first, you know, we've heard our Rosie and I

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<v Speaker 2>are opinions on this What what What are y'all's thoughts

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<v Speaker 2>on episode seven through nine?

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<v Speaker 3>A boo, let's start with you.

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<v Speaker 5>My thoughts are not much changed from last time. I

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<v Speaker 5>feel like a broken record at this point. But every

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<v Speaker 5>week I'm like, that was the greatest Star Wars I've

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<v Speaker 5>ever seen. It can't possibly get better. And then I

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<v Speaker 5>watched three more episodes of this show, and I'm like,

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<v Speaker 5>that was the greatest Star Wars I've ever seen. It

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<v Speaker 5>just keeps getting better. I think, gosh, I don't even

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<v Speaker 5>know if this is I'd have to like rewatch this

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<v Speaker 5>whole show and like really process it. But at the moment,

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<v Speaker 5>at the height of my emotions, having just watched and

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<v Speaker 5>rewatched this set of episodes, I think it's the best

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<v Speaker 5>one so far. And I might just be saying that again, yeah.

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<v Speaker 4>And I will say because there's gonna be quite a

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<v Speaker 4>lot of I think that sentiment. Aboo, what is it

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<v Speaker 4>for you that makes these three episodes some of the

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<v Speaker 4>best Star Wars, if not the best Star Wars that you.

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<v Speaker 5>Use mon Mathma keeps getting hotter? Important topic, No, I

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<v Speaker 5>think what's really gosh? I mean, like the stars aligning

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<v Speaker 5>the planets, aligning with the show releasing in this moment

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<v Speaker 5>in time, just keeps hitting it in ways that I

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<v Speaker 5>find like extremely unexpected, like Mon Mathema's speech. I was

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<v Speaker 5>expecting Mon to drop a fire speech, and she did.

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<v Speaker 5>But I think her specific use of the word genocide

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<v Speaker 5>given everything that's going on in the world, particularly in

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<v Speaker 5>the Israel Palestine corner of the world right now, like

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<v Speaker 5>Mon saying that word on the Senate floor to countless

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<v Speaker 5>people in a broadcast, to who knows trillions of citizens

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<v Speaker 5>across the Galactic Empire. Saying that word out loud and

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<v Speaker 5>acknowledging it, that kind of for me personally, hit like

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<v Speaker 5>a truck. And the show continues to do that over

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<v Speaker 5>and over again in ways that feel we've said it,

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<v Speaker 5>you know, on these episodes many times, but that feel

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<v Speaker 5>prescient in a way that is shocking.

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<v Speaker 1>In a speech about the what you call it abyss

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<v Speaker 1>between what we know to be true and what we're

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<v Speaker 1>able to say here, I mean fucking chills. And I

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<v Speaker 1>think compounded by the fact that it follows the attack

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<v Speaker 1>on Gore and the last speech. Dina's giving this speech

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<v Speaker 1>over the radio and she's talking about how her people

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<v Speaker 1>are being massacred and dying around her, and she's like,

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<v Speaker 1>anyone can hear us? Like we're dying? I mean, I

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<v Speaker 1>and it tempt not to cry too early as sobbing,

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<v Speaker 1>Like I think it's just some of the most beautiful writing.

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<v Speaker 1>But also I think in a series about war to

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<v Speaker 1>bring us to a true point of hopelessness and crafting

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<v Speaker 1>a narrative around it so that you can too be

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<v Speaker 1>in it and feel it. I mean, I know, again

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<v Speaker 1>we say it all the time, but like the way

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<v Speaker 1>this Plus is rogue one in such a profound and

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<v Speaker 1>significant way, in the way that was able to Plus

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<v Speaker 1>a new hope. I mean, I think it's just so

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<v Speaker 1>impressive to be able to raise a series that's been

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<v Speaker 1>around for forty plus years in new and shocking ways

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<v Speaker 1>by treading over the things that made the series essential

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<v Speaker 1>in our hearts in the first place. I mean, what

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<v Speaker 1>he does with the force in this and I mean,

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<v Speaker 1>we'll get into it later, but I didn't know that

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<v Speaker 1>you could show and not tell us what the forces

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<v Speaker 1>without having to use like CGI and magical whimsy chimes

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<v Speaker 1>and stuff. He showed us what the force is without

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<v Speaker 1>any force powers. How'd you do it? It was incredible.

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<v Speaker 1>I was so moved by the series of episodes. To me,

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<v Speaker 1>this is the best Star Wars movie of all time,

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<v Speaker 1>and it is because it's hitting on the rebellion, it's

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<v Speaker 1>hitting on the politics, it's hitting on the purpose and

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<v Speaker 1>importance and impact of faith. I don't know if there's

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<v Speaker 1>better TV on or has ever been better TV on period. Yeah,

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<v Speaker 1>it's brilliant.

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<v Speaker 2>I think it's I think it's clearly the best TV

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<v Speaker 2>that's on right now. And I think we've we've been

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<v Speaker 2>banging that drum for a little while. Yeah, I had,

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<v Speaker 2>you know again, for a show that is obviously not

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<v Speaker 2>connected at all to current events at all, to find

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<v Speaker 2>the way it's resonating, it's just it's It is incredibly powerful.

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<v Speaker 2>And the thing that I took away from these episodes

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<v Speaker 2>in particular is this is kind of the awakening for

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<v Speaker 2>everybody that, Okay, there's no way forward without losing, without

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<v Speaker 2>getting hit, without giving up something, without sacrificing a relationship,

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<v Speaker 2>without sacrificing comfort, without sacrificing safety. There's no way to

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<v Speaker 2>go forward through this without being labeled a criminal or

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<v Speaker 2>an outlaw or a terrorist. Like and in a lot

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<v Speaker 2>of ways after that it seems like everything is is

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<v Speaker 2>almost easier. I'm fascinated also by the by the way

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<v Speaker 2>that these episodes in the series plays with some of

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<v Speaker 2>the tropes of Star Wars.

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<v Speaker 3>I think Dedra and Cyril for instances about them.

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<v Speaker 2>Yeah, because we're used to the idea in Star Wars

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<v Speaker 2>of the villain who is redeemed, who comes to a

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<v Speaker 2>moment where they realize, oh shit, on the bad guy,

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<v Speaker 2>I've been doing evil because I'm hurt, because I'm traumatized,

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<v Speaker 2>I'm doing evil for quote unquote the right reasons. Now

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<v Speaker 2>it's time to stop doing this. And we see both

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<v Speaker 2>Cyril and Dedra come to these realizations, but in ways

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<v Speaker 2>that are completely twisted from what we're used to. Cyril

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<v Speaker 2>has the scales falls from his eyes. He realizes, oh wait,

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<v Speaker 2>the Empire is doing bad stuff. People who don't like

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<v Speaker 2>the Empire are not diluted fools who have been misled

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<v Speaker 2>by you know, agitators. But he's still more comfortable throwing

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<v Speaker 2>his lot in with the bad guys than he is

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<v Speaker 2>doing anything else.

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<v Speaker 3>And then there's Dedra, who is.

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<v Speaker 2>Broadly against what is happening and what she's taking an

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<v Speaker 2>active role in doing, but is against it for purely

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<v Speaker 2>like personal reasons of ambitions and career. I think I

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<v Speaker 2>think that's really fascinating, showing the different ways that you

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<v Speaker 2>can be for something that's absolutely fucking terrible.

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<v Speaker 4>I completely agree. I think that this show and something

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<v Speaker 4>that has become very clear from my rewatches and then like,

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<v Speaker 4>as soon as this episode's hit, I'm in the discord,

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<v Speaker 4>I'm on ready, I want to know what everyone else

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<v Speaker 4>feels about it. I think something that Gil or I

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<v Speaker 4>did here was gave us more time with the Imperials

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<v Speaker 4>than we've ever gotten before, and not just time of

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<v Speaker 4>what do they believe in? What are they doing? Personal time,

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<v Speaker 4>personal interactions, and they humanized them, not so we would

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<v Speaker 4>feel empathetic, so that we could understand where they were

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<v Speaker 4>coming from. Sooo, what was your read now that.

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<v Speaker 3>We're this far in?

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<v Speaker 4>Obviously we are the rip, They're all part.

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<v Speaker 6>Of the Swiss, I think we would say, but aboo,

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<v Speaker 6>how did that part of these episodes speak to you

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<v Speaker 6>and kind of help raise it above what we've seen

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<v Speaker 6>before in Star Wars.

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<v Speaker 5>Yeah. Look, I think the two of you aptly called

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<v Speaker 5>Cyril a rat many times in your recap, and that

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<v Speaker 5>certainly fits the label is well deserved, but all throughout

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<v Speaker 5>Episode seven, in particular, where we see Cyril go out

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<v Speaker 5>into the massacre and you're like, is he gonna do something?

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<v Speaker 5>Is he gonna help someone? I was waiting for that

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<v Speaker 5>classic Star Wars redemption moment to happen, and I think

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<v Speaker 5>the show very much knew that as well. It was

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<v Speaker 5>very much teasing the serial redemption moment back to the light.

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<v Speaker 5>He saw his mistakes, the error of his ways, and

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<v Speaker 5>he's gonna do something small maybe, but something enough to

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<v Speaker 5>redeem him.

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<v Speaker 7>And he doesn't no.

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<v Speaker 2>The thing I loved about that moment Abo is it's

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<v Speaker 2>almost like he's so mad at Cassian, yeah, for bursting

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<v Speaker 2>his bubble, for making him realize the truth, and he's

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<v Speaker 2>almost more angry at that he would have preferred to

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<v Speaker 2>stay in the fantasy that the Upper's grade and everything's

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<v Speaker 2>gone great and all that shit.

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<v Speaker 1>Yeah.

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<v Speaker 5>I think that's the same reaction he has with who

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<v Speaker 5>is at Papa Rye Lance, the older, older man. He

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<v Speaker 5>tries to actually stop, you know, he realizes it's a trap.

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<v Speaker 5>And that was very hard for me to watch too,

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<v Speaker 5>because obviously the dramatic irony there as the viewer, I

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<v Speaker 5>know it's a trap. And this guy's right and nobody's

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<v Speaker 5>listening to him, and it's too late. But Cyril confronts

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<v Speaker 5>him as well and really like rough houses him, throws

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<v Speaker 5>and throws him to the ground. And I think it's

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<v Speaker 5>because he's coming face to face with the humanity of

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<v Speaker 5>the Gormans and the mistake that he's made. You know,

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<v Speaker 5>he's having these emotional outbursts and these reactions, literally grabbing

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<v Speaker 5>Dietre by the neck. I was like, oh my god, Yeah,

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<v Speaker 5>my god, I think it is. It was very enjoyable

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<v Speaker 5>for me to watch the serial breakdown happen. And at

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<v Speaker 5>the same time, part of me, the especially the little

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<v Speaker 5>kid in me who grew up watching Star Wars, was

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<v Speaker 5>waiting for Cyril to redeem himself and he never did.

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<v Speaker 5>And I think that that was brilliant and shocking.

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<v Speaker 4>Joelle, how about you.

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<v Speaker 1>I really appreciate So Dan Gilroy wrote this set of episodes,

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<v Speaker 1>and so I just want to make sure we like

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<v Speaker 1>shout out what he's done here to me, Like, I

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<v Speaker 1>it's so easy to hate Cyril, like wow, whiney Mama's boy,

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<v Speaker 1>like boot liquor rat, Like it's really easy to throw

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<v Speaker 1>all these lables. But she's earned, like not taking anything

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<v Speaker 1>away from that, but what I think has been done

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<v Speaker 1>really well here is there's a removal of the idea

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<v Speaker 1>that any of these people are monsters. Right, Like Will

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<v Speaker 1>at one point is like daters of monster. I don't

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<v Speaker 1>think datres a monster. I think Datre's a person who's

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<v Speaker 1>only just now discovered like true love. And I don't

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<v Speaker 1>mean just in the romance sense, like this is the

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<v Speaker 1>first person who's ever loved Dandra and taken time and

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<v Speaker 1>invested in her and believed in her beyond just what

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<v Speaker 1>she was able to do for him.

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<v Speaker 8>Right.

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<v Speaker 1>I think Cyril is a person who was told this

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<v Speaker 1>is what it is to be a man, and like

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<v Speaker 1>a good person is to fight for the empire. And

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<v Speaker 1>he's I'll just be a little crash, too stupid to

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<v Speaker 1>figure out like what's actually going on, like staring him

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<v Speaker 1>in the face. He doesn't see it at all. He's

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<v Speaker 1>so gobsmacked by the idea that he was like, it's

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<v Speaker 1>not you. They don't even think it's you. They think

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<v Speaker 1>it's outside people. And the guys like do you think

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<v Speaker 1>I'm stupid? Like how could you even say this word

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<v Speaker 1>to mean? He's like, no, I believe these words these

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<v Speaker 1>words aren't true. What's going on? And then the only

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<v Speaker 1>person that's ever been genuinely kind and supportive and defended

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<v Speaker 1>him that we've seen Deadra has been lying to him

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<v Speaker 1>for a years and he's finding all this out at

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<v Speaker 1>the same time, and he is unraveling in front of us.

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<v Speaker 1>And I think, I just think it's it's profoundly important

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<v Speaker 1>to remember all times that everyone you're dealing with is

0:13:01.840 --> 0:13:06.839
<v Speaker 1>a human and is a person, and so that when

0:13:06.840 --> 0:13:08.880
<v Speaker 1>you get to this final moment for him, you're not

0:13:08.960 --> 0:13:12.599
<v Speaker 1>so much mourning him as just mourning every point in

0:13:12.720 --> 0:13:14.800
<v Speaker 1>time that you've known him where he might have seen

0:13:14.840 --> 0:13:17.080
<v Speaker 1>the light and just made a different choice.

0:13:17.720 --> 0:13:19.760
<v Speaker 4>I do think that you made the point about, like,

0:13:20.240 --> 0:13:24.319
<v Speaker 4>how do humans enact terrific things? And this is a

0:13:24.400 --> 0:13:27.320
<v Speaker 4>great study in that. And I love I didn't actually

0:13:27.440 --> 0:13:30.920
<v Speaker 4>realize that this was Tony Gilroy's brother, Dan Gilroy, who

0:13:30.960 --> 0:13:33.320
<v Speaker 4>wrote this episode, So I'm saying, brother.

0:13:35.400 --> 0:13:40.800
<v Speaker 1>All three Gilroy's out here cooking absolutely is crazy. And yeah,

0:13:40.800 --> 0:13:42.959
<v Speaker 1>I just think I think, what like if we look

0:13:42.960 --> 0:13:44.839
<v Speaker 1>at like what's going on with Daja for a minute,

0:13:44.920 --> 0:13:49.800
<v Speaker 1>like she like, I mean, I went for Dadrea. Guys,

0:13:49.920 --> 0:13:53.800
<v Speaker 1>that's incredible writing that's incredible acting. I hated this woman

0:13:54.240 --> 0:13:56.000
<v Speaker 1>and she's so alone at the end of this, and

0:13:56.040 --> 0:13:58.720
<v Speaker 1>again from her own making. I don't feel bad for her.

0:13:59.120 --> 0:14:01.400
<v Speaker 1>She put herself in this position again at any time.

0:14:01.480 --> 0:14:03.760
<v Speaker 1>She is the one who literally is in the position

0:14:03.840 --> 0:14:05.559
<v Speaker 1>to call for this attack to happen or not. She

0:14:05.679 --> 0:14:09.640
<v Speaker 1>is guilty every which way you look. And yet I

0:14:09.960 --> 0:14:13.720
<v Speaker 1>feel for how alone and completely isolated and devastated by

0:14:13.760 --> 0:14:19.080
<v Speaker 1>her own decisions and how you understand fully she's never

0:14:19.560 --> 0:14:21.400
<v Speaker 1>ever going to get what she's seeking on this path.

0:14:21.480 --> 0:14:33.080
<v Speaker 1>There's no possible way, Dandre, for one one execu to another.

0:14:33.280 --> 0:14:36.840
<v Speaker 1>Your job cannot love you back, give you anything you

0:14:37.080 --> 0:14:39.760
<v Speaker 1>need things outside of this, and she has nothing. And

0:14:39.840 --> 0:14:44.000
<v Speaker 1>I just I mean to witness to hold space for

0:14:44.160 --> 0:14:47.600
<v Speaker 1>both their tragedies again that they set up themselves and

0:14:48.240 --> 0:14:50.240
<v Speaker 1>the horrific massacre of Gore.

0:14:51.040 --> 0:14:52.440
<v Speaker 4>I I don't.

0:14:52.880 --> 0:14:55.160
<v Speaker 1>I didn't think I had space for that kind of

0:14:55.720 --> 0:14:59.480
<v Speaker 1>except like realization, acceptance in my heart, in my body.

0:14:59.560 --> 0:15:02.960
<v Speaker 1>For them to do in a show, it's just entirely moving.

0:15:03.360 --> 0:15:04.720
<v Speaker 1>It's wonderful. Yeah.

0:15:04.840 --> 0:15:15.000
<v Speaker 2>I have a slightly different tweak on the dedrashial are

0:15:15.280 --> 0:15:18.440
<v Speaker 2>humans kind of a perspective which I completely agree with

0:15:18.520 --> 0:15:24.040
<v Speaker 2>It's important to remember the fleshing out of these characters

0:15:24.440 --> 0:15:27.280
<v Speaker 2>to allow you to understand how they came to this place.

0:15:27.320 --> 0:15:28.360
<v Speaker 2>I think is really important.

0:15:28.360 --> 0:15:30.560
<v Speaker 3>And for me it's what is What.

0:15:30.800 --> 0:15:36.240
<v Speaker 2>Hits is how is less about the tragedy of their

0:15:36.360 --> 0:15:43.560
<v Speaker 2>lives and more about how how much humility these characters

0:15:43.640 --> 0:15:46.600
<v Speaker 2>have to take into what they're doing, because it's not

0:15:47.840 --> 0:15:52.800
<v Speaker 2>that far away from what Cassian and the rebels are doing.

0:15:53.280 --> 0:15:57.080
<v Speaker 2>In terms of like an ideological leap two. It's just

0:15:57.160 --> 0:15:59.320
<v Speaker 2>like a little bit more thought, be a little bit

0:15:59.400 --> 0:16:02.280
<v Speaker 2>more thoughtless, be a little bit more closed off, be

0:16:02.440 --> 0:16:05.680
<v Speaker 2>a little bit less questioning, and you're just and you're

0:16:05.760 --> 0:16:08.200
<v Speaker 2>that person right without real without realizing it.

0:16:08.680 --> 0:16:09.560
<v Speaker 1>And I think it's that.

0:16:12.040 --> 0:16:15.360
<v Speaker 3>It's that the idea that it doesn't and really doesn't

0:16:15.400 --> 0:16:16.400
<v Speaker 3>take that much.

0:16:16.920 --> 0:16:20.240
<v Speaker 2>For you to for people who are just trying to

0:16:20.920 --> 0:16:27.680
<v Speaker 2>work a job to enact something terrible. That is truly

0:16:27.800 --> 0:16:31.440
<v Speaker 2>the for me, the gut punch thought of this, like,

0:16:31.600 --> 0:16:35.800
<v Speaker 2>these aren't these aren't spectacularly special.

0:16:35.520 --> 0:16:39.880
<v Speaker 4>People, you know, these are just sociopaths that they have enlist,

0:16:40.200 --> 0:16:42.520
<v Speaker 4>that people who have raised in a system. And I

0:16:42.600 --> 0:16:45.240
<v Speaker 4>think this makes this Jason, that's such a good point

0:16:45.320 --> 0:16:47.400
<v Speaker 4>because I do think as well as this is not

0:16:47.560 --> 0:16:50.560
<v Speaker 4>based on any specific real life experience, but we are

0:16:50.680 --> 0:16:53.920
<v Speaker 4>in a time again where we are getting reports that

0:16:54.160 --> 0:16:57.520
<v Speaker 4>people who are doing horrific things, who are disappearing. People

0:16:57.640 --> 0:17:01.480
<v Speaker 4>are saying, hey, I'm just following my orders. I'm not evil,

0:17:01.640 --> 0:17:03.760
<v Speaker 4>I'm just doing what the government tells me. And I

0:17:03.880 --> 0:17:08.840
<v Speaker 4>think there is definitely a continuous reckoning with that kind

0:17:08.880 --> 0:17:11.440
<v Speaker 4>of idea in this And Tony Giro did a great

0:17:11.480 --> 0:17:14.760
<v Speaker 4>interview with the Hollywood Reporter. Obviously, the show is in

0:17:14.840 --> 0:17:17.320
<v Speaker 4>pre production twenty twenty two, so it's more about being

0:17:17.400 --> 0:17:20.960
<v Speaker 4>prescient than no, like just making shows that are so

0:17:21.160 --> 0:17:24.200
<v Speaker 4>good that they end up feeling realistic whatever timeline you're in.

0:17:24.440 --> 0:17:26.879
<v Speaker 4>But he had this great thing, which I think is

0:17:27.600 --> 0:17:30.240
<v Speaker 4>a really good point, which says the really sorry truth

0:17:30.280 --> 0:17:33.840
<v Speaker 4>about this question about the genocide, question about the reality

0:17:33.920 --> 0:17:36.040
<v Speaker 4>of the show and what inspired it. And he said,

0:17:36.040 --> 0:17:37.840
<v Speaker 4>and we get it a lot, is that peace and

0:17:37.920 --> 0:17:41.560
<v Speaker 4>prosperity and calm are the rarities. Those are rarities throughout

0:17:41.600 --> 0:17:44.120
<v Speaker 4>the last six thousand years of recorded history. You could

0:17:44.200 --> 0:17:46.160
<v Speaker 4>drop this show at any point in the last six

0:17:46.240 --> 0:17:48.280
<v Speaker 4>thousand years and it would make sense to some people.

0:17:48.440 --> 0:17:51.680
<v Speaker 4>About what is happening to them. And I love the

0:17:51.800 --> 0:17:55.919
<v Speaker 4>notion of like Gilra is like, bro, human history sucks,

0:17:56.560 --> 0:17:58.840
<v Speaker 4>and guess what it's sucking right now. And it sucked

0:17:59.119 --> 0:18:01.280
<v Speaker 4>fifty years ago, and it sucked one hundred years ago.

0:18:01.520 --> 0:18:06.040
<v Speaker 4>And that's why this feels so relevant. And I kind

0:18:06.080 --> 0:18:11.399
<v Speaker 4>of love the almost like nihilistic viewpoint on that. And

0:18:11.520 --> 0:18:14.520
<v Speaker 4>the truth is, look, there's a reason it moved everyone.

0:18:14.880 --> 0:18:17.640
<v Speaker 4>People speaking truth to power, and as he continued to say,

0:18:17.760 --> 0:18:20.040
<v Speaker 4>is like the control of truth has always been the

0:18:20.080 --> 0:18:23.360
<v Speaker 4>scabbard of power, and power dictates the narrative. And look

0:18:23.400 --> 0:18:26.080
<v Speaker 4>at what the Empire does to Gorman with their propaganda campaign,

0:18:26.280 --> 0:18:28.840
<v Speaker 4>and that is like the realist shit, because I think

0:18:28.960 --> 0:18:30.800
<v Speaker 4>that is what makes it feel so real, is like

0:18:31.560 --> 0:18:34.640
<v Speaker 4>those people are in that system and at any point

0:18:34.840 --> 0:18:37.880
<v Speaker 4>in life a change could come where they would see

0:18:37.960 --> 0:18:40.879
<v Speaker 4>something different. Cassium wasn't always going to be a revolutionary.

0:18:41.000 --> 0:18:43.440
<v Speaker 4>He wasn't born into it, you know. And I think,

0:18:43.880 --> 0:18:47.400
<v Speaker 4>to me, the fact that this feels so real and literally,

0:18:47.560 --> 0:18:49.960
<v Speaker 4>like two days ago, we're hearing people say, oh, I'm

0:18:50.040 --> 0:18:53.080
<v Speaker 4>just following my job when they're disappearing people under the

0:18:53.119 --> 0:18:56.080
<v Speaker 4>guise of ice or homeland security and it feels just

0:18:56.160 --> 0:18:59.200
<v Speaker 4>as relevant to have that conversation. That is the power

0:18:59.240 --> 0:19:01.760
<v Speaker 4>of what Tony girl doing. As he said, it's not

0:19:01.880 --> 0:19:04.320
<v Speaker 4>a psychic this was made in twenty twenty two, But

0:19:04.480 --> 0:19:08.320
<v Speaker 4>I'm like, actually, that's the power of the storytelling. Can

0:19:08.400 --> 0:19:11.119
<v Speaker 4>you make something that feels so timeless that it has

0:19:11.200 --> 0:19:16.639
<v Speaker 4>literally started a global political discourse due to one speech

0:19:16.760 --> 0:19:22.200
<v Speaker 4>that you wrote two years before the Israel Palestine conflict

0:19:22.280 --> 0:19:24.600
<v Speaker 4>as it is now existed, Like that to me is

0:19:24.720 --> 0:19:28.399
<v Speaker 4>like an unbelievable understanding of history and human nature. And

0:19:28.480 --> 0:19:32.960
<v Speaker 4>I think that is what the stuff, specifically with Deirdre

0:19:33.080 --> 0:19:37.159
<v Speaker 4>and Cyril really was giving me, like a lot of

0:19:37.560 --> 0:19:40.879
<v Speaker 4>feelings in this of like how horrific to be the

0:19:41.040 --> 0:19:43.879
<v Speaker 4>human who makes the wrong choice and look at what

0:19:44.000 --> 0:19:46.399
<v Speaker 4>you've done, like look at the death you've caused, because

0:19:46.400 --> 0:19:48.240
<v Speaker 4>at no point did you listen to any kind of

0:19:48.359 --> 0:19:50.800
<v Speaker 4>inkling within yourself of whether this was right or wrong.

0:19:51.080 --> 0:19:54.680
<v Speaker 4>And I just think that's like unbelievable storytelling. And also

0:19:54.800 --> 0:19:57.840
<v Speaker 4>like rest in peace, piss to Cyril, as Jason put it,

0:19:58.040 --> 0:20:00.880
<v Speaker 4>like I don't care, like sorry, but I do think

0:20:00.920 --> 0:20:02.240
<v Speaker 4>it's an incredible story.

0:20:02.840 --> 0:20:04.679
<v Speaker 3>Let's take a quick break and then we'll be right

0:20:04.720 --> 0:20:05.320
<v Speaker 3>back before.

0:20:05.920 --> 0:20:14.280
<v Speaker 2>Y m h.

0:20:20.760 --> 0:20:21.240
<v Speaker 3>And we're back.

0:20:22.280 --> 0:20:24.359
<v Speaker 4>Jason, you raised a great point that I really wanted

0:20:24.400 --> 0:20:27.480
<v Speaker 4>to ask you about earlier. Would the Empire of one

0:20:27.680 --> 0:20:30.360
<v Speaker 4>if they had been more patient, like is the gold

0:20:30.600 --> 0:20:33.760
<v Speaker 4>massacre the critical misstep that it then goes on to

0:20:33.840 --> 0:20:36.399
<v Speaker 4>ignite the rebellion as not to not to.

0:20:36.480 --> 0:20:42.399
<v Speaker 3>Coach up, the not to coach up if I had

0:20:42.600 --> 0:20:44.600
<v Speaker 3>orchestrated the this is.

0:20:46.560 --> 0:20:51.000
<v Speaker 1>That said, not not saying you're doing, but that said.

0:20:51.080 --> 0:20:55.520
<v Speaker 2>I think what what is fascinating to me about about

0:20:55.840 --> 0:20:58.439
<v Speaker 2>the massacre and about this is.

0:21:00.040 --> 0:21:00.680
<v Speaker 3>What's the rush?

0:21:00.760 --> 0:21:01.080
<v Speaker 1>Guys?

0:21:01.600 --> 0:21:03.760
<v Speaker 3>Why you need the Death Star for what?

0:21:04.200 --> 0:21:08.080
<v Speaker 2>Like? What problem is the Death Star solving that the

0:21:08.200 --> 0:21:14.320
<v Speaker 2>fleet can't solve? And I would argue again not to

0:21:14.920 --> 0:21:18.240
<v Speaker 2>not to coach up the empire. But had they gone slower?

0:21:19.040 --> 0:21:21.119
<v Speaker 2>And I think this is in part a function of

0:21:21.880 --> 0:21:25.800
<v Speaker 2>the structure and culture of the empire, with all these

0:21:26.480 --> 0:21:29.280
<v Speaker 2>lap dogs all the way up to Palpatine just looking

0:21:29.400 --> 0:21:32.679
<v Speaker 2>to please their master Krenic. I'm under I must go faster,

0:21:33.200 --> 0:21:33.800
<v Speaker 2>mof Tarkan.

0:21:33.880 --> 0:21:34.720
<v Speaker 3>I must go faster.

0:21:34.800 --> 0:21:37.840
<v Speaker 2>I must please the Emperor. You know, I think if

0:21:37.880 --> 0:21:43.960
<v Speaker 2>they had gone slower and taken more time, I think

0:21:44.080 --> 0:21:44.680
<v Speaker 2>maybe they win.

0:21:45.160 --> 0:21:48.159
<v Speaker 3>I think I think maybe they have all of all empires.

0:21:48.320 --> 0:21:50.439
<v Speaker 1>Like that's why I about to say, the only thing

0:21:50.520 --> 0:21:53.680
<v Speaker 1>that the greed cannot help but topple itself, like the

0:21:54.760 --> 0:21:58.920
<v Speaker 1>the the graphs, the firm graphs cannot help, but like

0:21:59.359 --> 0:22:01.760
<v Speaker 1>crush and stuff, okay, everything it tries to touch. I

0:22:01.840 --> 0:22:04.000
<v Speaker 1>don't know if there's even if they crawl, you're going

0:22:04.040 --> 0:22:07.600
<v Speaker 1>to eviscerate an entire plant. Now you might do ovisterate

0:22:07.680 --> 0:22:11.920
<v Speaker 1>this planet and not have an immediate rise of action. Galactically,

0:22:12.359 --> 0:22:15.000
<v Speaker 1>perhaps they could have stuffled that out sooner, but really

0:22:15.080 --> 0:22:18.840
<v Speaker 1>it's just mod getting what like two inches ahead of them,

0:22:19.040 --> 0:22:22.000
<v Speaker 1>like two seconds to say, hey the emperor did this.

0:22:22.200 --> 0:22:26.240
<v Speaker 1>That really allows forward momentums. I don't I don't know.

0:22:26.400 --> 0:22:29.600
<v Speaker 1>I think the all empires are doomed eventually.

0:22:30.200 --> 0:22:34.840
<v Speaker 2>Well yeah, but there's a difference between like, you know,

0:22:35.119 --> 0:22:39.520
<v Speaker 2>five hundred years and five I think, you know, like

0:22:39.840 --> 0:22:41.400
<v Speaker 2>and these guys electrily.

0:22:41.040 --> 0:22:41.680
<v Speaker 1>Like one.

0:22:43.000 --> 0:22:47.240
<v Speaker 2>I and I think that they're I think that I

0:22:47.280 --> 0:22:49.280
<v Speaker 2>think the Death Star in and of itself is like

0:22:49.400 --> 0:22:55.200
<v Speaker 2>a huge mistake and was a vanity project and ego

0:22:55.359 --> 0:22:57.920
<v Speaker 2>project to say, like we've got the biggest gun in

0:22:58.000 --> 0:23:01.920
<v Speaker 2>the galaxy and when you really look at it for

0:23:02.200 --> 0:23:05.680
<v Speaker 2>what was necessary for what you have the Senate you

0:23:05.800 --> 0:23:11.160
<v Speaker 2>already age doing genocide easily. Galactic system is completely under

0:23:11.160 --> 0:23:15.320
<v Speaker 2>your control. The media, the galactic media completely under your control.

0:23:15.680 --> 0:23:20.120
<v Speaker 2>You have despite this nascent rebellion.

0:23:20.200 --> 0:23:20.800
<v Speaker 1>That is.

0:23:22.320 --> 0:23:23.200
<v Speaker 3>Very courageous.

0:23:24.359 --> 0:23:26.720
<v Speaker 2>But like I bet you, like you could find some

0:23:26.960 --> 0:23:30.960
<v Speaker 2>independent statistician in the in the galaxy right now to say, okay,

0:23:31.040 --> 0:23:33.520
<v Speaker 2>like what are they really what are they really doing?

0:23:33.560 --> 0:23:34.080
<v Speaker 1>You know what I mean?

0:23:34.160 --> 0:23:35.480
<v Speaker 4>Like a propaganda army.

0:23:35.800 --> 0:23:38.359
<v Speaker 2>Yeah, you've got a propaganda arm You've got a justice

0:23:38.400 --> 0:23:43.480
<v Speaker 2>system for that reason, why do this? And I think

0:23:43.560 --> 0:23:47.480
<v Speaker 2>it was the shock of this and Mon's courage and

0:23:47.520 --> 0:23:49.240
<v Speaker 2>the courage of all the rebels in the face of

0:23:49.320 --> 0:23:53.560
<v Speaker 2>this that allowed everybody to wake up, because I think

0:23:53.640 --> 0:23:56.720
<v Speaker 2>there's an argument that if they go if like the

0:23:57.200 --> 0:23:59.720
<v Speaker 2>boiling the frog in the water, if they step it up,

0:24:00.200 --> 0:24:01.920
<v Speaker 2>people will just be like, you know what, I don't

0:24:01.960 --> 0:24:04.920
<v Speaker 2>like the empire. This sucks, but I'm not looking for

0:24:05.440 --> 0:24:06.840
<v Speaker 2>to get killed, you know.

0:24:07.920 --> 0:24:11.720
<v Speaker 4>Yeah. I think my brain like was melting in my

0:24:11.880 --> 0:24:16.160
<v Speaker 4>head as I realized just how not relevant to real

0:24:16.280 --> 0:24:19.000
<v Speaker 4>life this is this hundred days last hundred days of

0:24:19.080 --> 0:24:23.000
<v Speaker 4>speeding through destroying democracy. I'm like, that was like melting

0:24:23.080 --> 0:24:27.800
<v Speaker 4>my brain because Jason, You're absolutely right. Aboo, how does

0:24:27.920 --> 0:24:33.960
<v Speaker 4>the balance between these huge intergalactic political conversations and questions

0:24:34.000 --> 0:24:39.880
<v Speaker 4>about the empire and their efficiency merge in this three

0:24:40.080 --> 0:24:42.520
<v Speaker 4>episodes with the kind of heart of the show with

0:24:42.640 --> 0:24:46.080
<v Speaker 4>bix and and or like, did those big swings work

0:24:46.160 --> 0:24:48.560
<v Speaker 4>for you? Because it's very tonally different. But I think

0:24:48.600 --> 0:24:49.119
<v Speaker 4>it landed.

0:24:49.440 --> 0:24:53.040
<v Speaker 5>Yeah, I think it absolutely landed. And before I get

0:24:53.080 --> 0:24:55.240
<v Speaker 5>to that, I do want to offer up a potential

0:24:55.359 --> 0:24:57.959
<v Speaker 5>answer to Jason's question why did the empire rush here?

0:24:58.359 --> 0:25:02.000
<v Speaker 5>I think perhaps in a addition to normal bureaucratic like

0:25:02.640 --> 0:25:06.840
<v Speaker 5>I gotta suck up to the boss in front of

0:25:06.880 --> 0:25:09.399
<v Speaker 5>me and always have something like exciting and new to report.

0:25:09.800 --> 0:25:12.080
<v Speaker 5>It's boring if credit goes to the ghost of Palpi

0:25:12.119 --> 0:25:14.920
<v Speaker 5>and is like, yeah, things are slow and steady. Just

0:25:14.960 --> 0:25:15.359
<v Speaker 5>hang tight.

0:25:15.480 --> 0:25:16.200
<v Speaker 7>It's gonna take.

0:25:19.720 --> 0:25:22.080
<v Speaker 5>This is like a it's a very long term, fifteen

0:25:22.119 --> 0:25:24.520
<v Speaker 5>year plan. I need you to hang tight, Like to

0:25:24.640 --> 0:25:26.480
<v Speaker 5>be real, Like, nobody at their job can go to

0:25:26.520 --> 0:25:29.439
<v Speaker 5>their boss and like say that enough times before their

0:25:29.480 --> 0:25:30.680
<v Speaker 5>boss is like, so nothing.

0:25:30.520 --> 0:25:32.679
<v Speaker 4>Is happening, and you're like it is it just has

0:25:32.760 --> 0:25:35.520
<v Speaker 4>to be so we do we They do have the

0:25:36.119 --> 0:25:39.440
<v Speaker 4>time constraints of the story as it was in nineteen

0:25:39.520 --> 0:25:40.600
<v Speaker 4>seventy seven and before.

0:25:40.960 --> 0:25:43.959
<v Speaker 5>So I do like that absolutely, But I think there

0:25:44.040 --> 0:25:46.679
<v Speaker 5>it also speaks to a culture of arrogance within the empire,

0:25:46.800 --> 0:25:48.960
<v Speaker 5>like you do could to control the media, you do

0:25:49.119 --> 0:25:53.320
<v Speaker 5>control the biggest fleet in the entire galaxy. Who cares

0:25:53.440 --> 0:25:55.320
<v Speaker 5>about these rebels, Like we'll just crush them, It'll just

0:25:55.400 --> 0:25:57.200
<v Speaker 5>be a blitz on the radar, and we're just so

0:25:57.320 --> 0:26:00.680
<v Speaker 5>big and unstoppable. Uh, And maybe it speaks to a

0:26:00.720 --> 0:26:05.119
<v Speaker 5>little bit of arrogance on about Palpatine as well, like

0:26:05.200 --> 0:26:09.160
<v Speaker 5>he almost single handedly toppled a republic, getting wiped out

0:26:09.520 --> 0:26:12.800
<v Speaker 5>the Jedi quote unquote wiped out the Jedi. So what

0:26:13.280 --> 0:26:16.119
<v Speaker 5>are a couple of like rich French Gorman is going

0:26:16.200 --> 0:26:16.680
<v Speaker 5>to do to him?

0:26:17.280 --> 0:26:17.440
<v Speaker 1>You know?

0:26:17.640 --> 0:26:21.200
<v Speaker 5>So I think that top level arrogance might maybe seeps

0:26:21.240 --> 0:26:23.639
<v Speaker 5>down to lieutenants and then subordinates and then all the

0:26:23.680 --> 0:26:26.600
<v Speaker 5>way down to folks like Dadri and Carrel. This idea

0:26:26.640 --> 0:26:29.080
<v Speaker 5>that like we're unstoppable, we are the machine. What are

0:26:29.119 --> 0:26:30.280
<v Speaker 5>a couple of rebels.

0:26:29.960 --> 0:26:30.280
<v Speaker 8>Going to do?

0:26:31.359 --> 0:26:33.280
<v Speaker 5>And so, yeah, if we want something, we just take it.

0:26:33.680 --> 0:26:37.000
<v Speaker 5>There's no need to go slow and easy and worry

0:26:37.040 --> 0:26:42.960
<v Speaker 5>about any outside agitators actually endangering us. But I think overall,

0:26:43.200 --> 0:26:48.000
<v Speaker 5>the politics of the show combined and contrasted with the

0:26:48.200 --> 0:26:51.639
<v Speaker 5>very personal stakes for and Or and Bix. To get

0:26:51.680 --> 0:26:54.879
<v Speaker 5>to your question, Rosie, that absolutely works for me because

0:26:54.880 --> 0:26:58.560
<v Speaker 5>I think the show brilliantly does here's large scale, and

0:26:58.720 --> 0:27:02.440
<v Speaker 5>here's how the large scale affects the person and the

0:27:02.520 --> 0:27:06.040
<v Speaker 5>personal and the interpersonal. And so you know, as we

0:27:06.119 --> 0:27:08.080
<v Speaker 5>see over the arc of these three episodes, like the

0:27:08.160 --> 0:27:12.119
<v Speaker 5>heartbreaking decision that Biggs makes and how that affects and Or, like,

0:27:12.400 --> 0:27:14.520
<v Speaker 5>none of that has to do with I mean, of

0:27:14.600 --> 0:27:16.160
<v Speaker 5>course it does have to do with the big picture

0:27:16.200 --> 0:27:18.440
<v Speaker 5>empire stuff, but that is two people figuring out a

0:27:18.520 --> 0:27:21.560
<v Speaker 5>relationship and their current circumstances, and both of those things

0:27:21.880 --> 0:27:23.399
<v Speaker 5>hit just as hard, which is brilliant.

0:27:23.520 --> 0:27:25.800
<v Speaker 2>Let's talk about that, because there's a conversation a little

0:27:25.800 --> 0:27:30.080
<v Speaker 2>bit in our discord about about whether or not about

0:27:30.119 --> 0:27:34.280
<v Speaker 2>this idea that there's there's a discussion about whether the

0:27:34.400 --> 0:27:36.560
<v Speaker 2>show is kind of having it both ways, both saying

0:27:36.720 --> 0:27:40.240
<v Speaker 2>community is important in the face of oppression, you know,

0:27:40.720 --> 0:27:47.879
<v Speaker 2>grassroots connections between people, but also that relationships are going

0:27:47.920 --> 0:27:50.600
<v Speaker 2>to get broken, like you can't you have to break up.

0:27:50.680 --> 0:27:53.800
<v Speaker 3>You can't be in love and also be a rebel.

0:27:53.920 --> 0:27:55.000
<v Speaker 1>I disagree with that.

0:27:55.080 --> 0:27:57.360
<v Speaker 3>I disagree on several fronts.

0:27:58.720 --> 0:28:01.920
<v Speaker 2>Because I think listen, I think, I think the with

0:28:02.080 --> 0:28:04.480
<v Speaker 2>love and respect, with love and respect, I disagree. I

0:28:04.520 --> 0:28:08.600
<v Speaker 2>think the continuing escapades of Will in his uh in

0:28:08.720 --> 0:28:14.359
<v Speaker 2>his various passions, direct objection to.

0:28:16.080 --> 0:28:19.520
<v Speaker 4>He's falling in love, He's happen some ride, He's a

0:28:19.640 --> 0:28:20.680
<v Speaker 4>functioning user.

0:28:26.280 --> 0:28:30.200
<v Speaker 2>Yeah, this guy is having so I I disagree with that,

0:28:30.280 --> 0:28:34.960
<v Speaker 2>but I but I understand the I understand the the notion,

0:28:35.280 --> 0:28:37.480
<v Speaker 2>and I think it's part of it is just like

0:28:37.600 --> 0:28:42.400
<v Speaker 2>the human objection to the idea that we want Cassie

0:28:42.400 --> 0:28:44.120
<v Speaker 2>and and Bix to be together, right and they and

0:28:44.200 --> 0:28:46.040
<v Speaker 2>they don't end up being together at least at the

0:28:46.160 --> 0:28:49.040
<v Speaker 2>end of these episodes. And I think that is hurtful

0:28:49.080 --> 0:28:51.520
<v Speaker 2>to people. But I wanted to get people's take about

0:28:51.600 --> 0:28:55.040
<v Speaker 2>how can you can you can you have a really

0:28:55.800 --> 0:28:57.720
<v Speaker 2>when you're in a rebellion, when you're in a war?

0:28:58.920 --> 0:29:05.520
<v Speaker 2>Can you juggle personal relationships and this larger struggle?

0:29:07.240 --> 0:29:10.360
<v Speaker 1>I want to throw it back to our girl Marva, Yes,

0:29:10.600 --> 0:29:14.240
<v Speaker 1>and conversations she had with Cassie in where he was like,

0:29:14.280 --> 0:29:16.480
<v Speaker 1>but I'll worry. She's like, that's just love, dear, There's

0:29:16.560 --> 0:29:18.400
<v Speaker 1>nothing you can do about that. I think if you

0:29:18.440 --> 0:29:20.320
<v Speaker 1>feel this way, the show's doing a great job of

0:29:20.480 --> 0:29:23.040
<v Speaker 1>making you love and fall in love with these characters,

0:29:23.200 --> 0:29:27.520
<v Speaker 1>and not seeing them together is tremendously awful. And I

0:29:27.600 --> 0:29:29.760
<v Speaker 1>also think if you're a Star Wars fan, you are

0:29:30.320 --> 0:29:33.840
<v Speaker 1>used to love winning the day, and so perhaps that's

0:29:33.880 --> 0:29:37.160
<v Speaker 1>a little bit of an adjustment for you in this series.

0:29:37.920 --> 0:29:43.880
<v Speaker 1>I think loving acts don't always feel loving, And I

0:29:44.040 --> 0:29:46.920
<v Speaker 1>think when we talk more about the role the Force

0:29:47.040 --> 0:29:49.960
<v Speaker 1>is playing in this series, we can delve a little

0:29:49.960 --> 0:29:55.080
<v Speaker 1>bit more into Bigs's decision at the end. But I

0:29:55.320 --> 0:29:59.240
<v Speaker 1>was like, just genuinely, I think love is what is

0:29:59.320 --> 0:30:01.440
<v Speaker 1>keeping all of this together. I don't think the show

0:30:01.520 --> 0:30:03.440
<v Speaker 1>is telling you you can't have love. I think the

0:30:03.480 --> 0:30:06.960
<v Speaker 1>show is saying love is often comes from a point

0:30:07.000 --> 0:30:09.720
<v Speaker 1>of sacrifice. Yeah, it comes to and if you have

0:30:10.240 --> 0:30:13.400
<v Speaker 1>really great parents who at all have had to struggle

0:30:13.440 --> 0:30:17.080
<v Speaker 1>in their life, you'll completely understand this perspective of like

0:30:17.680 --> 0:30:22.360
<v Speaker 1>they they lose a lot in order to give you something.

0:30:22.560 --> 0:30:25.080
<v Speaker 1>All the entirety of the rebellion is an active love

0:30:25.120 --> 0:30:27.000
<v Speaker 1>to the entirety of the galaxy to say what we

0:30:27.240 --> 0:30:29.840
<v Speaker 1>want is the thing that Andor's repeat, Oh, the guys

0:30:29.960 --> 0:30:31.400
<v Speaker 1>is so brilliant. I don't know if you guy's going

0:30:31.440 --> 0:30:33.720
<v Speaker 1>back and watch season one at all, but in the

0:30:33.800 --> 0:30:36.880
<v Speaker 1>first three episodes, and Or is constantly like, I don't

0:30:36.920 --> 0:30:39.840
<v Speaker 1>know what to do. I mean literally, like every every

0:30:40.000 --> 0:30:43.240
<v Speaker 1>scene I think ends with him being told by another person,

0:30:43.720 --> 0:30:45.480
<v Speaker 1>here's what you're gonna do next, and then he goes

0:30:45.880 --> 0:30:47.840
<v Speaker 1>and does it. And in these episodes he's like, I

0:30:48.120 --> 0:30:50.280
<v Speaker 1>just I want to make my own decisions, and like,

0:30:50.400 --> 0:30:52.880
<v Speaker 1>that's literally what we're fighting for her. That is the

0:30:53.040 --> 0:30:55.959
<v Speaker 1>whole point of us being here is so that everyone

0:30:56.040 --> 0:30:57.320
<v Speaker 1>can make their own choices.

0:30:57.440 --> 0:31:00.640
<v Speaker 4>I also think that the love thing is really interesting

0:31:00.800 --> 0:31:04.080
<v Speaker 4>because we do see Star Wars as love. Concerzole you,

0:31:04.280 --> 0:31:06.240
<v Speaker 4>even if you fall in love with your sister, don't worry,

0:31:06.360 --> 0:31:08.320
<v Speaker 4>She'll fall in love with someone else and that won't

0:31:08.360 --> 0:31:11.720
<v Speaker 4>be weird, Anna, like love is, you know, love is

0:31:11.800 --> 0:31:14.480
<v Speaker 4>a tangible thing. I love the EU. I have my

0:31:14.640 --> 0:31:17.200
<v Speaker 4>Star Wars you books back there. There's so much marriage,

0:31:17.240 --> 0:31:23.360
<v Speaker 4>so much love, so much personality and kind of fire

0:31:23.520 --> 0:31:26.080
<v Speaker 4>found through those relationships. What I think and on does

0:31:26.160 --> 0:31:30.160
<v Speaker 4>it's pretty fantastic is by show Joelle. I agree with

0:31:30.240 --> 0:31:32.360
<v Speaker 4>everything that you said, Like I think Bix is making

0:31:32.400 --> 0:31:34.560
<v Speaker 4>the sacrifice out of love. But what I think is

0:31:34.640 --> 0:31:38.080
<v Speaker 4>really interesting is they also represent like Theirdra and Cyril

0:31:38.240 --> 0:31:41.400
<v Speaker 4>as like, guess what, sometimes love is actually massively fucking

0:31:41.480 --> 0:31:45.040
<v Speaker 4>dysfunctional and does not save everything. Those who didn't decide

0:31:45.320 --> 0:31:47.760
<v Speaker 4>because they were in love that they had to, you know,

0:31:47.920 --> 0:31:50.440
<v Speaker 4>love concazole, let's escape, let's get off. Though I do

0:31:50.560 --> 0:31:52.880
<v Speaker 4>believe Cyril would have done that honestly because he was

0:31:52.960 --> 0:31:55.920
<v Speaker 4>a symp for Deirdre. But like they didn't come together.

0:31:56.040 --> 0:31:58.400
<v Speaker 4>Love is almost neutral in that space. It didn't make

0:31:58.440 --> 0:32:01.200
<v Speaker 4>it worse. Maybe their behavior actually got worse because they

0:32:01.320 --> 0:32:04.240
<v Speaker 4>met each other, you know, and she was able to

0:32:04.360 --> 0:32:07.160
<v Speaker 4>use a tool Cyril as a tool because of his love.

0:32:07.360 --> 0:32:09.480
<v Speaker 4>So I think something that the show does that's really brave.

0:32:09.640 --> 0:32:12.280
<v Speaker 4>There's showing us different kinds of love and not kind

0:32:12.320 --> 0:32:14.720
<v Speaker 4>of fitting into that idea of love will save the day.

0:32:14.960 --> 0:32:17.720
<v Speaker 4>But in some cases it can. And Biggs's choice, as

0:32:17.760 --> 0:32:20.680
<v Speaker 4>we know from watching Rogue, is a key choice and

0:32:20.880 --> 0:32:23.800
<v Speaker 4>is the reason that it ends up the death start

0:32:23.880 --> 0:32:26.560
<v Speaker 4>ends up being able to be destroyed. And I just

0:32:26.680 --> 0:32:31.160
<v Speaker 4>think that there's so much intrinsic complexity in their representation

0:32:31.320 --> 0:32:33.440
<v Speaker 4>of love that we often don't get in your classic

0:32:33.520 --> 0:32:35.720
<v Speaker 4>happily ever after style, which is, by the way, a

0:32:35.800 --> 0:32:38.160
<v Speaker 4>story that I love story trope, I love, I love

0:32:38.240 --> 0:32:41.200
<v Speaker 4>reading happily ever after romances. But I think that just

0:32:41.320 --> 0:32:43.400
<v Speaker 4>as the rest of the show is very complex the

0:32:43.520 --> 0:32:45.960
<v Speaker 4>representation of love and what it means to love and

0:32:46.040 --> 0:32:48.640
<v Speaker 4>whether you're a found family or you're loving someone just

0:32:48.680 --> 0:32:50.680
<v Speaker 4>because they're in the same situation as you, I just

0:32:50.720 --> 0:32:53.760
<v Speaker 4>think they really did something profound with it that until

0:32:53.800 --> 0:32:55.840
<v Speaker 4>you were kind of talking about Joel, I didn't really

0:32:56.200 --> 0:32:58.640
<v Speaker 4>clock on too just how much the dead rassyrial stuff

0:32:58.720 --> 0:33:01.840
<v Speaker 4>is kind of a refutation of the idea that if

0:33:01.880 --> 0:33:04.760
<v Speaker 4>you're in love, you're somehow pure, which I think is interesting.

0:33:05.480 --> 0:33:06.400
<v Speaker 3>I completely agree.

0:33:06.480 --> 0:33:09.400
<v Speaker 5>I also think the show is not saying there's only

0:33:09.480 --> 0:33:12.000
<v Speaker 5>one way to be a rebel, and that and that

0:33:12.120 --> 0:33:15.080
<v Speaker 5>you must sacrifice a B C D in order to

0:33:15.200 --> 0:33:17.640
<v Speaker 5>check the boxes of Okay, now you are a rebel,

0:33:17.960 --> 0:33:20.400
<v Speaker 5>now you are casting it, or I think that's you know,

0:33:20.760 --> 0:33:23.880
<v Speaker 5>we have seen I believe YouTube Jason and Rosie said

0:33:23.880 --> 0:33:26.320
<v Speaker 5>this in your recaps, but the show has continuously showed

0:33:26.400 --> 0:33:30.040
<v Speaker 5>us how the little guy, the normal person can do.

0:33:30.200 --> 0:33:31.520
<v Speaker 3>The small, tiny thing.

0:33:31.600 --> 0:33:34.160
<v Speaker 7>Yeah, yeah, exactly to how did you put it?

0:33:34.200 --> 0:33:36.080
<v Speaker 5>Gum up this come up the system? I think you

0:33:38.520 --> 0:33:43.280
<v Speaker 5>and that you know that hotel attendant might have like

0:33:43.400 --> 0:33:45.920
<v Speaker 5>a wife and kids or something like he maybe he

0:33:46.040 --> 0:33:49.240
<v Speaker 5>didn't give up love, but he still participated in his

0:33:49.400 --> 0:33:52.080
<v Speaker 5>own small way, and I would consider him just as

0:33:52.160 --> 0:33:54.160
<v Speaker 5>much a rebel as I would consider bix or and

0:33:54.480 --> 0:33:57.400
<v Speaker 5>Or or any or sent or any of the others

0:33:57.560 --> 0:33:59.760
<v Speaker 5>who have sacrificed many things. And I think the show,

0:34:00.080 --> 0:34:02.080
<v Speaker 5>I think it comes back to sacrifice. Joelle, you put

0:34:02.120 --> 0:34:06.320
<v Speaker 5>it perfectly like the show is displaying on screen, like

0:34:07.040 --> 0:34:11.240
<v Speaker 5>the types of sacrifice big and small, personal and profound

0:34:11.719 --> 0:34:15.400
<v Speaker 5>that are necessary to get a rebellion against a machine

0:34:15.480 --> 0:34:18.120
<v Speaker 5>like the Empire off the ground and into a place

0:34:18.160 --> 0:34:20.360
<v Speaker 5>where you have a base on Yevin and can go

0:34:20.600 --> 0:34:23.480
<v Speaker 5>public and give a speech in front of the Senate.

0:34:23.680 --> 0:34:26.120
<v Speaker 5>And in order to get there, some folks like and

0:34:26.360 --> 0:34:29.640
<v Speaker 5>Or will sacrifice a lot. Some folks like the hotel

0:34:29.640 --> 0:34:32.480
<v Speaker 5>attendant will sacrifice in their own way, but everyone will

0:34:32.520 --> 0:34:34.120
<v Speaker 5>sacrifice something at.

0:34:34.040 --> 0:34:38.760
<v Speaker 1>Some level, what does Lucent say everything in his original speech,

0:34:38.800 --> 0:34:41.840
<v Speaker 1>and then again when Cassian visits him in appropriately in

0:34:41.880 --> 0:34:43.360
<v Speaker 1>the middle of the night, breaking all the rules, he's like,

0:34:43.400 --> 0:34:47.239
<v Speaker 1>it's just everything, this is everything. So yeah, I do

0:34:47.360 --> 0:34:51.799
<v Speaker 1>think the show is kind of stating that, like it true,

0:34:51.840 --> 0:34:55.080
<v Speaker 1>rebellion is worth the risk of everything, But it's also

0:34:55.200 --> 0:34:58.520
<v Speaker 1>asking you to make some pretty intense decisions about like

0:34:58.719 --> 0:35:01.840
<v Speaker 1>where is that line? And it's sort of everywhere for

0:35:02.440 --> 0:35:05.520
<v Speaker 1>each individual, but it's different. Vermon is different from Kathy

0:35:05.560 --> 0:35:08.440
<v Speaker 1>into your point of boots. Rebellion looks different for a

0:35:08.520 --> 0:35:11.560
<v Speaker 1>lot of different people, but none of it is by

0:35:11.600 --> 0:35:12.120
<v Speaker 1>the wayside.

0:35:12.560 --> 0:35:13.920
<v Speaker 3>Well, I was just going to say, I think that.

0:35:15.920 --> 0:35:16.200
<v Speaker 9>In a.

0:35:17.719 --> 0:35:20.320
<v Speaker 2>Kind of zoomed out way, the difference between the empire

0:35:20.360 --> 0:35:23.120
<v Speaker 2>and the rebellion is this idea of these two systems.

0:35:23.640 --> 0:35:27.200
<v Speaker 2>One this idea of communal sacrifice for the greater good,

0:35:27.280 --> 0:35:31.960
<v Speaker 2>where here's a goal that must be achieved freedom and

0:35:33.400 --> 0:35:36.399
<v Speaker 2>for everyone in the galaxy, a return to a more

0:35:36.480 --> 0:35:40.160
<v Speaker 2>equal system, and that means I have to give up something.

0:35:40.800 --> 0:35:44.560
<v Speaker 2>And the imperial system, which is basically order at the

0:35:44.719 --> 0:35:48.920
<v Speaker 2>cost of you all out there bear the worst brunt

0:35:49.000 --> 0:35:52.400
<v Speaker 2>of everything, and we all inside the system benefit.

0:35:52.760 --> 0:35:56.480
<v Speaker 3>We pay none of the costs. We give up nothing.

0:35:56.600 --> 0:35:58.640
<v Speaker 2>We give up none of our security, we give up

0:35:58.680 --> 0:36:01.600
<v Speaker 2>none of our freedom, we give freedom within the system,

0:36:01.640 --> 0:36:04.040
<v Speaker 2>we give up none of our comforts, we give up

0:36:04.120 --> 0:36:07.640
<v Speaker 2>none of our luxury, and we put all the cost

0:36:07.760 --> 0:36:12.120
<v Speaker 2>of maintaining this on everybody who disagrees with us, and

0:36:12.280 --> 0:36:13.040
<v Speaker 2>everybody who.

0:36:12.960 --> 0:36:14.240
<v Speaker 3>Is outside this circle.

0:36:15.760 --> 0:36:19.759
<v Speaker 2>And I think, to me, that's kind of the at

0:36:19.840 --> 0:36:23.400
<v Speaker 2>the core the difference between these two ideas, Rosie, what

0:36:23.400 --> 0:36:24.040
<v Speaker 2>were you going to say?

0:36:24.239 --> 0:36:26.120
<v Speaker 4>Oh, that's real as hell, and it actually leads in

0:36:26.200 --> 0:36:28.600
<v Speaker 4>perfectly what I wanted to talk about is like, I

0:36:28.719 --> 0:36:30.600
<v Speaker 4>love this notion and we've talked about it a lot

0:36:30.719 --> 0:36:33.359
<v Speaker 4>in the group chat of like what does it take

0:36:33.480 --> 0:36:36.520
<v Speaker 4>to make a rebellion? And I think that these three

0:36:36.600 --> 0:36:39.720
<v Speaker 4>episodes really lean into that tension between like the scrappy

0:36:39.880 --> 0:36:42.360
<v Speaker 4>day one resistance like can we do it? And the

0:36:42.480 --> 0:36:45.680
<v Speaker 4>growing legitimate rebel alliance. We see it so we see

0:36:45.719 --> 0:36:47.640
<v Speaker 4>it with mon Mathma, we see it with and Or,

0:36:47.680 --> 0:36:50.319
<v Speaker 4>we see it with the big change that we will

0:36:50.360 --> 0:36:54.200
<v Speaker 4>get to talk about with Mod's speech. So how did

0:36:54.280 --> 0:36:56.239
<v Speaker 4>that hit for you, Joelle? Getting to see all these

0:36:56.320 --> 0:36:59.960
<v Speaker 4>different parts, the sacrifice, the clothes maker, that someone who

0:37:00.080 --> 0:37:02.520
<v Speaker 4>probably like dons your socks and somebody who makes a

0:37:03.239 --> 0:37:06.279
<v Speaker 4>Molotov cocktail, Like, what was it, Like, what spoke to

0:37:06.320 --> 0:37:07.280
<v Speaker 4>you about that aspect?

0:37:07.360 --> 0:37:10.680
<v Speaker 1>With these episodes, I think there's like no space where

0:37:10.719 --> 0:37:14.759
<v Speaker 1>this is more profound than just the singing of like

0:37:15.200 --> 0:37:23.319
<v Speaker 1>their national anthem on gorn exactly that part. I think

0:37:23.480 --> 0:37:27.120
<v Speaker 1>the like it leads right off from the speech the

0:37:27.239 --> 0:37:29.080
<v Speaker 1>the guy who started it from last week. You know,

0:37:29.400 --> 0:37:31.359
<v Speaker 1>they're at the table. He's like, hey, like, nothing else

0:37:31.440 --> 0:37:33.560
<v Speaker 1>matters except the fact that we're gorn. Like I don't

0:37:33.600 --> 0:37:37.560
<v Speaker 1>care if you're like launching bottles or or like if

0:37:37.560 --> 0:37:39.800
<v Speaker 1>you want to be throwing pedals, It doesn't matter to me.

0:37:40.440 --> 0:37:44.399
<v Speaker 1>We have to do it together. And I think sort

0:37:44.440 --> 0:37:49.200
<v Speaker 1>of seeing these like that entire group of extremely passionate

0:37:49.280 --> 0:37:53.840
<v Speaker 1>people who are just so determined to protect their community,

0:37:53.960 --> 0:37:57.840
<v Speaker 1>who feel that the only thing they have is their voice,

0:37:58.800 --> 0:38:02.480
<v Speaker 1>and watching them be snuffed out, like I think, like

0:38:02.600 --> 0:38:07.680
<v Speaker 1>it is genuinely like a chilly experience, and yet it's

0:38:07.760 --> 0:38:11.400
<v Speaker 1>also like the ways they come together at the end

0:38:11.440 --> 0:38:14.479
<v Speaker 1>of that to escape try to protect each other from

0:38:15.160 --> 0:38:18.920
<v Speaker 1>the KT units when they come out, Like there's something

0:38:19.040 --> 0:38:21.800
<v Speaker 1>really profound about that And if you couple it with

0:38:22.080 --> 0:38:25.600
<v Speaker 1>going to the rebel base and seeing them like try

0:38:25.640 --> 0:38:27.880
<v Speaker 1>to keep Cassie and that there, like, yeah, you have

0:38:28.000 --> 0:38:30.080
<v Speaker 1>to follow orders. You're like, listen, you already know where

0:38:30.120 --> 0:38:32.680
<v Speaker 1>I stand. When you start telling me orders, I'm done

0:38:32.760 --> 0:38:34.960
<v Speaker 1>And they're like, gud, that time is coming whether you

0:38:35.080 --> 0:38:39.920
<v Speaker 1>like it or not, because we have to be organized,

0:38:39.920 --> 0:38:41.960
<v Speaker 1>which goes back to what Luther was saying last week

0:38:42.040 --> 0:38:44.200
<v Speaker 1>about you know, I need you to be thinking like

0:38:44.280 --> 0:38:46.840
<v Speaker 1>a leader, like further ahead. And what I what I

0:38:46.960 --> 0:38:51.320
<v Speaker 1>find really great about what these episodes have done is

0:38:51.320 --> 0:38:54.040
<v Speaker 1>they pushed every everybody had to be pushed to greatness

0:38:54.280 --> 0:38:57.880
<v Speaker 1>from a space of like desperation and that kind of

0:38:58.080 --> 0:39:02.000
<v Speaker 1>drive on your penultimate episode, odes, I mean really like

0:39:02.239 --> 0:39:05.360
<v Speaker 1>I feel on pins and needles waiting for next week's episodes,

0:39:05.440 --> 0:39:08.600
<v Speaker 1>especially because we know they're going to lead into directly

0:39:08.680 --> 0:39:12.080
<v Speaker 1>into Rogue one. Uh, you're kind of like we I

0:39:12.160 --> 0:39:14.479
<v Speaker 1>know we're jumping a year, but like, what what's left?

0:39:14.640 --> 0:39:18.080
<v Speaker 1>Like who's here, who's gonna survive? We feel pretty confident

0:39:18.160 --> 0:39:20.000
<v Speaker 1>Luthn has been telling us he's gonna.

0:39:19.800 --> 0:39:24.240
<v Speaker 4>Die, Like, no spoilers, baby, it's happening. I'm dying.

0:39:24.760 --> 0:39:27.560
<v Speaker 1>Death is imminent for me, and so I think what

0:39:27.719 --> 0:39:30.879
<v Speaker 1>it has done seeing all these folks answer your question

0:39:31.200 --> 0:39:36.560
<v Speaker 1>is like it's made the rebellion more tactile. And I

0:39:36.640 --> 0:39:40.600
<v Speaker 1>think it's also burst open the world quite a lot

0:39:40.840 --> 0:39:44.800
<v Speaker 1>in that now when you revisit Star Wars, you're not

0:39:44.920 --> 0:39:47.439
<v Speaker 1>even just looking for like it used to be. Okay,

0:39:47.440 --> 0:39:49.280
<v Speaker 1>you could be a pilot, you could be a Jedi,

0:39:49.640 --> 0:39:52.319
<v Speaker 1>you could be a Sith, or you could be part

0:39:52.440 --> 0:39:57.640
<v Speaker 1>of the like senate. Yeah, those are the wings you

0:39:57.680 --> 0:40:00.600
<v Speaker 1>could occupy. But now it's like you want to be

0:40:00.640 --> 0:40:02.040
<v Speaker 1>a hotel clerk because he was fine.

0:40:04.120 --> 0:40:06.960
<v Speaker 4>I feel like Disney ironically is solving a problem for

0:40:07.040 --> 0:40:10.480
<v Speaker 4>themselves with that, because if you recall the the ill

0:40:10.600 --> 0:40:17.239
<v Speaker 4>fated Galactic star Cruiser experiment, you know where you could

0:40:17.320 --> 0:40:20.480
<v Speaker 4>choose to be. They only really understood two different aspects

0:40:20.600 --> 0:40:23.520
<v Speaker 4>of the story, which was you can be on side

0:40:23.600 --> 0:40:26.640
<v Speaker 4>with Chewbacca or you can try and catch Chewbacca as

0:40:26.719 --> 0:40:29.480
<v Speaker 4>a Nazi, and you can dress up in these costumes.

0:40:29.640 --> 0:40:31.239
<v Speaker 4>And I think because for a lot of people, the

0:40:31.480 --> 0:40:34.320
<v Speaker 4>good bad notion of Star Wars is very clear and

0:40:34.440 --> 0:40:36.520
<v Speaker 4>has been very clear for a long time, that didn't

0:40:36.560 --> 0:40:39.680
<v Speaker 4>sit well. I think when it comes to immersing people

0:40:39.880 --> 0:40:42.759
<v Speaker 4>in options that they have kids who watch and or

0:40:42.760 --> 0:40:44.200
<v Speaker 4>I want to watch this show when I was ten,

0:40:44.680 --> 0:40:47.680
<v Speaker 4>Like I liked long I like long winded ass boring ship.

0:40:47.760 --> 0:40:49.440
<v Speaker 4>And I'm not saying that that's what this is, but

0:40:49.480 --> 0:40:52.239
<v Speaker 4>I'm saying like it er me up in a good way.

0:40:52.320 --> 0:40:58.160
<v Speaker 4>Aaron was like, wait a minute, ros I'm you Aaron,

0:40:58.239 --> 0:41:00.399
<v Speaker 4>whack them alling you call we get over the hype.

0:41:00.640 --> 0:41:04.000
<v Speaker 4>But like, I think the idea that like a kid

0:41:04.480 --> 0:41:06.440
<v Speaker 4>or a younger person watching this, or a fifty year

0:41:06.440 --> 0:41:08.840
<v Speaker 4>old person watching this who has never really thought outside

0:41:08.840 --> 0:41:11.800
<v Speaker 4>of like bad he's bad, and good he's good. I

0:41:11.920 --> 0:41:15.160
<v Speaker 4>think there's an incredible space where you could see yourself

0:41:15.239 --> 0:41:17.360
<v Speaker 4>in the hotel clerk. You could see yourself as the

0:41:17.440 --> 0:41:20.640
<v Speaker 4>person coming up the machine. That's always what Rogan did

0:41:20.719 --> 0:41:22.719
<v Speaker 4>well to me, and I think this expands that in

0:41:22.760 --> 0:41:23.759
<v Speaker 4>such an incredible way.

0:41:23.840 --> 0:41:25.640
<v Speaker 2>That's a great point, Rosie. I think a lot of

0:41:25.719 --> 0:41:31.440
<v Speaker 2>what we're responding to is like the the transition of

0:41:31.680 --> 0:41:37.640
<v Speaker 2>Star Wars from purely a spectator sport to the kind

0:41:37.719 --> 0:41:40.640
<v Speaker 2>of thing that you could imagine taking part in, you know,

0:41:40.920 --> 0:41:44.800
<v Speaker 2>beyond the kind of like childhood fantasy of like having

0:41:44.920 --> 0:41:47.759
<v Speaker 2>the force and I'm having a calling. Yeah, I'm glad

0:41:47.760 --> 0:41:50.040
<v Speaker 2>we're calling out the hotel clerk. And also, you know

0:41:50.160 --> 0:41:54.840
<v Speaker 2>we should call out the workers in the Senate House

0:41:54.880 --> 0:41:57.920
<v Speaker 2>who like were like I don't know where you know.

0:41:58.560 --> 0:42:01.040
<v Speaker 4>That made me like like fucking warm.

0:42:02.400 --> 0:42:05.320
<v Speaker 3>It's and it's the government first episode.

0:42:05.360 --> 0:42:07.680
<v Speaker 4>We don't know what happens to her. Did she die? Yes,

0:42:07.880 --> 0:42:10.120
<v Speaker 4>she made that choice to walk with and or and

0:42:10.200 --> 0:42:11.480
<v Speaker 4>she helped make this happen.

0:42:11.840 --> 0:42:12.600
<v Speaker 1>It's spanning.

0:42:13.040 --> 0:42:17.520
<v Speaker 2>It's this is really the first time in Star Wars

0:42:17.920 --> 0:42:23.360
<v Speaker 2>where in one selection of episodes or one self contained

0:42:23.440 --> 0:42:26.279
<v Speaker 2>bit of story, you can see the entire breath of

0:42:26.320 --> 0:42:30.000
<v Speaker 2>the rebellion from the grassroots people like the hotel clerk,

0:42:30.360 --> 0:42:35.160
<v Speaker 2>all the way up to General Draven mon Mathma. And

0:42:35.640 --> 0:42:37.680
<v Speaker 2>I mean, the other thing that's really notable about these

0:42:37.719 --> 0:42:43.799
<v Speaker 2>episodes is this is the final death of authentic senatorial

0:42:43.920 --> 0:42:45.200
<v Speaker 2>politics in the galaxy.

0:42:45.640 --> 0:42:46.719
<v Speaker 1>This is like the end.

0:42:47.120 --> 0:42:49.720
<v Speaker 2>This is the end of the illusion that the Senate

0:42:49.920 --> 0:42:52.880
<v Speaker 2>does anything, Like we're doing away with that now. It

0:42:52.960 --> 0:42:58.000
<v Speaker 2>doesn't do anything. It's just a figlely for the empire.

0:42:58.600 --> 0:43:05.000
<v Speaker 2>And the way this show connects that idea to the

0:43:05.120 --> 0:43:07.839
<v Speaker 2>kind of struggle that's going on within all of these

0:43:07.960 --> 0:43:11.520
<v Speaker 2>characters to decide to either go along with what's happening

0:43:11.600 --> 0:43:12.319
<v Speaker 2>or do the right thing.

0:43:13.160 --> 0:43:17.719
<v Speaker 3>Is is really profound. Let's take a quick break and

0:43:17.760 --> 0:43:18.319
<v Speaker 3>then we'll come back.

0:43:32.920 --> 0:43:33.480
<v Speaker 7>And we're back.

0:43:33.760 --> 0:43:37.719
<v Speaker 2>Let's talk about the tensions now that are quite clear

0:43:38.320 --> 0:43:42.280
<v Speaker 2>between these day one rebels as you put at rosy

0:43:42.400 --> 0:43:47.400
<v Speaker 2>Cassian and the rest and the kind of dispersed cells

0:43:47.560 --> 0:43:53.080
<v Speaker 2>saga eras you know upstart, he's got activists, that's resistance

0:43:53.160 --> 0:44:01.560
<v Speaker 2>activists and the now ascendant authentic rebellion of real politicians,

0:44:01.880 --> 0:44:09.399
<v Speaker 2>actual professional military people who are trying struggling to kind

0:44:09.440 --> 0:44:14.880
<v Speaker 2>of wrangle control from a bunch of folks who have,

0:44:15.320 --> 0:44:19.560
<v Speaker 2>buy necessity, been acting independently of any kind of outside control.

0:44:21.000 --> 0:44:24.080
<v Speaker 3>What were your How did that hit you? Aboo? How

0:44:24.120 --> 0:44:24.640
<v Speaker 3>did that hit you?

0:44:25.440 --> 0:44:28.359
<v Speaker 5>I was it was very satisfying for me to see

0:44:29.120 --> 0:44:31.480
<v Speaker 5>how organized things have become on yab and as a

0:44:31.760 --> 0:44:34.960
<v Speaker 5>as a type a person who loves a spreadsheet and

0:44:35.040 --> 0:44:38.600
<v Speaker 5>can't wait to color code things. Draven being like, you

0:44:38.680 --> 0:44:39.800
<v Speaker 5>got a log where.

0:44:39.719 --> 0:44:42.520
<v Speaker 3>This ship is going? Okay, did you submit the forms

0:44:42.680 --> 0:44:42.920
<v Speaker 3>or not?

0:44:43.520 --> 0:44:46.160
<v Speaker 5>I was like, yes, please, thank you. Someone is finally

0:44:46.239 --> 0:44:49.680
<v Speaker 5>saying it, and honestly, somebody like Cassian would be my

0:44:49.800 --> 0:44:53.640
<v Speaker 5>personal nightmare in the rebellion, you know, like and I'd

0:44:53.680 --> 0:44:56.920
<v Speaker 5>be like logging everything meticulously and everything would be color coded,

0:44:57.080 --> 0:44:59.080
<v Speaker 5>and then Cassian would just like go somewhere without telling

0:44:59.160 --> 0:44:59.480
<v Speaker 5>me and.

0:44:59.800 --> 0:45:01.040
<v Speaker 3>It and You'd be like that it would be like

0:45:01.080 --> 0:45:02.560
<v Speaker 3>an administrative.

0:45:02.000 --> 0:45:02.600
<v Speaker 2>Mess for me.

0:45:02.760 --> 0:45:05.320
<v Speaker 5>You know, Draven would be breathing down my neck. But

0:45:06.200 --> 0:45:09.880
<v Speaker 5>that tension I think is really lovely to see in

0:45:09.960 --> 0:45:12.600
<v Speaker 5>the show because we are seeing the transition, we are

0:45:12.640 --> 0:45:15.759
<v Speaker 5>seeing the growing pains that come with that. We're no

0:45:15.920 --> 0:45:19.840
<v Speaker 5>longer in the wild West phase of the rebellion, and

0:45:19.960 --> 0:45:24.600
<v Speaker 5>we are moving now into the more organized, formalized, and

0:45:24.840 --> 0:45:30.160
<v Speaker 5>very public rebellion that we can get entire planets. We

0:45:30.239 --> 0:45:32.200
<v Speaker 5>can convert entire planets to our side.

0:45:32.280 --> 0:45:32.440
<v Speaker 9>You know.

0:45:33.040 --> 0:45:37.040
<v Speaker 5>We no longer have to find the random spy hidden

0:45:37.080 --> 0:45:41.799
<v Speaker 5>away on a planet to hire and have have work

0:45:41.920 --> 0:45:43.719
<v Speaker 5>for Luthans.

0:45:44.320 --> 0:45:45.320
<v Speaker 3>We're past that stage.

0:45:45.360 --> 0:45:48.319
<v Speaker 5>So I really like seeing that tension. I also really

0:45:48.360 --> 0:45:51.239
<v Speaker 5>admired cashand for being like, fuck you, I've done so much,

0:45:51.400 --> 0:45:51.880
<v Speaker 5>Like you.

0:45:51.880 --> 0:45:53.120
<v Speaker 7>Don't need to tell me what to do.

0:45:54.080 --> 0:45:57.479
<v Speaker 4>I think that's the most powerful shit is like these

0:45:57.560 --> 0:46:00.640
<v Speaker 4>are real no based on real life, but these are

0:46:00.719 --> 0:46:03.520
<v Speaker 4>real quandaries that people have about where their role is

0:46:03.640 --> 0:46:07.040
<v Speaker 4>in a rebellion, and also like what is the acceptable

0:46:07.120 --> 0:46:10.319
<v Speaker 4>face of a rebellion, and also like what counts as

0:46:10.400 --> 0:46:13.879
<v Speaker 4>self defense and what counts as terrorism? And I think

0:46:14.040 --> 0:46:17.000
<v Speaker 4>a lot of these questions are brought up in this

0:46:17.120 --> 0:46:19.080
<v Speaker 4>show in a way that does make it feel like

0:46:19.120 --> 0:46:23.040
<v Speaker 4>they were writing it yesterday. And I just honestly was

0:46:23.200 --> 0:46:25.520
<v Speaker 4>kind of blown away with that. It's kind of very

0:46:25.680 --> 0:46:29.520
<v Speaker 4>real to like the anarchists who may be at a protest,

0:46:29.640 --> 0:46:32.120
<v Speaker 4>who don't show their faces, who are willing to like

0:46:32.320 --> 0:46:37.239
<v Speaker 4>throw a brick or something, to the non profit versions

0:46:37.360 --> 0:46:40.000
<v Speaker 4>of activist groups that have to make it seem like, hey,

0:46:40.760 --> 0:46:43.080
<v Speaker 4>we want to work within the system we have. You know,

0:46:43.280 --> 0:46:45.760
<v Speaker 4>it's it's really, really.

0:46:45.560 --> 0:46:48.520
<v Speaker 5>Really And I think that structure that's a lovely point, Rosie,

0:46:48.560 --> 0:46:52.719
<v Speaker 5>because I think that structure is necessary to legitimize, legitimize

0:46:52.760 --> 0:46:56.560
<v Speaker 5>your cause, yes, and to legitimize the public face of

0:46:56.640 --> 0:47:00.320
<v Speaker 5>your cause. You will not convert a galaxy kind a

0:47:00.360 --> 0:47:03.879
<v Speaker 5>bunch of spies operating in small cells and Luthen having

0:47:03.960 --> 0:47:05.000
<v Speaker 5>like unchecked power.

0:47:05.160 --> 0:47:06.960
<v Speaker 3>I really loved the interaction.

0:47:06.680 --> 0:47:09.040
<v Speaker 5>Between Luthen and Mon, where Mon is like, I'm more

0:47:09.040 --> 0:47:11.920
<v Speaker 5>afraid of you right now than anyone else really, And

0:47:12.360 --> 0:47:15.680
<v Speaker 5>it's because luthen Can could never be the face of

0:47:15.760 --> 0:47:19.440
<v Speaker 5>this rebellion and someone like him and.

0:47:19.440 --> 0:47:24.759
<v Speaker 1>The rebellion can never exist. And yet full circle exactly.

0:47:24.360 --> 0:47:25.600
<v Speaker 5>And both of those things are true.

0:47:25.719 --> 0:47:30.239
<v Speaker 7>It's and I really liked very rare, very rare for.

0:47:30.280 --> 0:47:33.920
<v Speaker 4>A show to want to get into the the in depth,

0:47:34.120 --> 0:47:37.759
<v Speaker 4>like almost inside baseball workings of what it takes to

0:47:37.800 --> 0:47:40.080
<v Speaker 4>make a rebellion. And I think that's another reason why

0:47:40.160 --> 0:47:41.520
<v Speaker 4>it feels like so prescient.

0:47:42.120 --> 0:47:46.560
<v Speaker 2>I think another thing that was just really intriguing to

0:47:46.600 --> 0:47:49.680
<v Speaker 2>me about this episode is this is the first time

0:47:49.800 --> 0:47:54.400
<v Speaker 2>we see the rebellion start to craft a narrative, a

0:47:54.560 --> 0:47:59.040
<v Speaker 2>myth of its own existence in a way that you know,

0:47:59.160 --> 0:48:02.000
<v Speaker 2>I think, in other our worst properties you would associate

0:48:02.120 --> 0:48:03.600
<v Speaker 2>with imperial activity.

0:48:04.120 --> 0:48:09.080
<v Speaker 3>Here's the lie. It was our elite heroes of Gold

0:48:09.239 --> 0:48:10.600
<v Speaker 3>Squadron that.

0:48:12.200 --> 0:48:16.200
<v Speaker 2>Swept Mond off of Coruscant to safety. Now we know

0:48:16.360 --> 0:48:20.600
<v Speaker 2>from that's from the rebel ship, right.

0:48:20.880 --> 0:48:24.760
<v Speaker 5>And definitely didn't kill an innocent taxi driver that you know, definitely.

0:48:27.360 --> 0:48:32.480
<v Speaker 3>And had nothing saying because he was.

0:48:34.440 --> 0:48:36.400
<v Speaker 1>There's a moment though, where they cut back to him

0:48:36.400 --> 0:48:38.439
<v Speaker 1>as he's listening to mon a moth of speech where

0:48:38.640 --> 0:48:42.839
<v Speaker 1>I couldn't quite tell if he was like, wait for real, Yeah,

0:48:43.000 --> 0:48:45.680
<v Speaker 1>wait is it We're the bad It almost look like

0:48:45.719 --> 0:48:47.239
<v Speaker 1>he was having a We're the Batties moment, but he

0:48:47.320 --> 0:48:49.800
<v Speaker 1>was also coiffeused and also it's way too late, like

0:48:50.719 --> 0:48:53.680
<v Speaker 1>size have been drawn. But it was interesting. Again, I

0:48:53.760 --> 0:48:57.080
<v Speaker 1>think just to see the humanity of people awakening to

0:48:57.800 --> 0:49:02.080
<v Speaker 1>what is real and what's puzzle. Yeah, like that throughout

0:49:02.160 --> 0:49:05.600
<v Speaker 1>the series of episodes was really palpable. It made it

0:49:05.719 --> 0:49:07.880
<v Speaker 1>feel like, oh, the rebellion is happening, yes, and I

0:49:07.960 --> 0:49:10.400
<v Speaker 1>think when you already know the timeline, like, that's a

0:49:10.560 --> 0:49:14.080
<v Speaker 1>really clever way to make it more alive for foobole.

0:49:14.400 --> 0:49:16.000
<v Speaker 4>Let's talk about that a little bit because we didn't

0:49:16.040 --> 0:49:19.360
<v Speaker 4>get into this in the recap, so basically we are

0:49:19.400 --> 0:49:22.880
<v Speaker 4>all Rebels stands. As you guys know, the animated series

0:49:23.040 --> 0:49:26.880
<v Speaker 4>Rebels one of the biggest kind of recon movements in

0:49:27.160 --> 0:49:30.520
<v Speaker 4>Star Wars that basically reintroduced people to the prequels and

0:49:30.640 --> 0:49:32.399
<v Speaker 4>set up a lot of stuff that we'd never seen

0:49:32.480 --> 0:49:36.440
<v Speaker 4>outside of the EU Expanded Universe novels. So there was

0:49:36.480 --> 0:49:39.520
<v Speaker 4>a lot of discussion in our group chat that's how

0:49:39.560 --> 0:49:41.080
<v Speaker 4>you know we were nerds. This was not even in

0:49:41.160 --> 0:49:43.680
<v Speaker 4>the discord. We're messaging each other and we're like, guys,

0:49:43.880 --> 0:49:46.000
<v Speaker 4>so what does this mean for the canon because mon

0:49:46.120 --> 0:49:50.319
<v Speaker 4>Mathma made a different speech. So in Entertainment Weekly, that's

0:49:50.360 --> 0:49:52.239
<v Speaker 4>how Big Star Wars is now, this is where the

0:49:52.280 --> 0:49:56.919
<v Speaker 4>scoops are going. Tony Gilroy basically explained the change and said,

0:49:57.239 --> 0:50:00.840
<v Speaker 4>we are hijacking Cannon. In Cannon, she is rescued by

0:50:00.880 --> 0:50:02.840
<v Speaker 4>the Gold Squadron and the speech that they gave in

0:50:02.960 --> 0:50:06.680
<v Speaker 4>the cartoon, which was a canonical show, is on that ship.

0:50:07.000 --> 0:50:08.880
<v Speaker 4>And his brother Danny was like, do I have to

0:50:09.040 --> 0:50:12.279
<v Speaker 4>stick to this fucking speech as it that's a direct quote.

0:50:12.600 --> 0:50:14.759
<v Speaker 4>As it turns out, they found a way that they

0:50:14.880 --> 0:50:17.719
<v Speaker 4>didn't have to, which is basically the conclusion we came

0:50:17.800 --> 0:50:22.279
<v Speaker 4>to in our group chat was basically like Cassian does

0:50:22.360 --> 0:50:26.640
<v Speaker 4>his rescue, she does the speech, evades Bale's corrupted squadron,

0:50:26.880 --> 0:50:30.279
<v Speaker 4>he delivers them to the safe house, but their Gold

0:50:30.360 --> 0:50:33.359
<v Speaker 4>Squadron pick her up as they hinted, and she does

0:50:33.440 --> 0:50:36.320
<v Speaker 4>the speech that we see in Rebels.

0:50:36.360 --> 0:50:40.040
<v Speaker 3>Right from the ship. From the ship, and so she does.

0:50:40.040 --> 0:50:43.600
<v Speaker 4>Make that speech, it's just not the speech which I

0:50:43.640 --> 0:50:45.759
<v Speaker 4>think is very interesting in this show because they have

0:50:45.840 --> 0:50:48.920
<v Speaker 4>also done that with the Gorman Massacre, which in Expanded

0:50:49.040 --> 0:50:52.279
<v Speaker 4>Universe was a talking massacre that had happened for a

0:50:52.360 --> 0:50:55.279
<v Speaker 4>long time and was kind of referenced. But what they

0:50:55.400 --> 0:50:59.080
<v Speaker 4>did with this is they now have two Gorman massacres,

0:50:59.560 --> 0:51:01.640
<v Speaker 4>and the one that everyone says is the one that

0:51:01.760 --> 0:51:05.360
<v Speaker 4>sparked the rebellion is no longer talking, you know, landing

0:51:05.480 --> 0:51:07.600
<v Speaker 4>on a bunch of people. It is now this version

0:51:07.640 --> 0:51:09.640
<v Speaker 4>that we've seen an Andle. I think the way they're

0:51:09.680 --> 0:51:15.400
<v Speaker 4>able to build in those moments is so fucking great,

0:51:15.520 --> 0:51:17.800
<v Speaker 4>and so what we loved about Rogue one and the

0:51:17.880 --> 0:51:19.359
<v Speaker 4>fact that they're able to do it in a way

0:51:19.400 --> 0:51:22.600
<v Speaker 4>that's still respectful to the cartoon which did so much work,

0:51:23.000 --> 0:51:26.200
<v Speaker 4>but also you know, makes sense within the law that

0:51:26.320 --> 0:51:29.600
<v Speaker 4>Tony Gilroy is building here where kind of everything that

0:51:29.760 --> 0:51:32.360
<v Speaker 4>you think you know about the original Star Wars movies

0:51:32.760 --> 0:51:35.360
<v Speaker 4>is fake, Like there's a whole different layer to it.

0:51:35.800 --> 0:51:38.960
<v Speaker 2>The thing I love about the way that Rebels episode

0:51:39.000 --> 0:51:42.440
<v Speaker 2>Secret Cargo works together with this story with and Or

0:51:42.719 --> 0:51:47.080
<v Speaker 2>is I now perceive the Rebels episode to be like

0:51:47.280 --> 0:51:48.560
<v Speaker 2>the propaganda version.

0:51:48.680 --> 0:51:53.759
<v Speaker 4>Yes, that's powerful, and I.

0:51:53.760 --> 0:51:57.520
<v Speaker 2>Guess what I wanted to get at is this is

0:51:57.600 --> 0:52:01.640
<v Speaker 2>another decision that to me, the leaders of the rebellion

0:52:02.280 --> 0:52:06.280
<v Speaker 2>I assume, have to take in full humility.

0:52:06.560 --> 0:52:07.560
<v Speaker 3>When do we lie?

0:52:08.920 --> 0:52:11.320
<v Speaker 2>The empire lies? The Empire is lying about everything. The

0:52:11.360 --> 0:52:14.239
<v Speaker 2>Empire is lying about Gorman. The Empire is lying, you know,

0:52:14.480 --> 0:52:19.000
<v Speaker 2>about what they're doing on Gorman, about who started the

0:52:19.040 --> 0:52:21.400
<v Speaker 2>mask or etcetera, etcetera, etcetera. And you could spread that

0:52:21.480 --> 0:52:24.200
<v Speaker 2>out across the galaxy. When is it okay? And I

0:52:24.280 --> 0:52:26.680
<v Speaker 2>think this is okay? What the what the what the

0:52:27.280 --> 0:52:30.080
<v Speaker 2>rebels have done? But I but it's not a decision

0:52:30.160 --> 0:52:32.120
<v Speaker 2>to be taken lightly. When is it okay to say,

0:52:32.160 --> 0:52:34.600
<v Speaker 2>you know what, let's lie.

0:52:34.520 --> 0:52:36.000
<v Speaker 3>Here because.

0:52:37.200 --> 0:52:40.160
<v Speaker 2>We need to do this in order to bring people

0:52:40.280 --> 0:52:43.000
<v Speaker 2>to our cause, to make us look more legitimate than

0:52:43.040 --> 0:52:46.359
<v Speaker 2>maybe we actually are at the moment? How did how

0:52:46.440 --> 0:52:49.640
<v Speaker 2>did you think about that decision? And how do you

0:52:49.800 --> 0:52:50.360
<v Speaker 2>think about it?

0:52:51.440 --> 0:52:54.480
<v Speaker 1>Listen, Jason, not everyone watches c SPAN and when a

0:52:54.600 --> 0:53:00.279
<v Speaker 1>message out in a quick, edible way like like Squadron, Yeah,

0:53:00.520 --> 0:53:02.280
<v Speaker 1>saved man Mathma.

0:53:02.239 --> 0:53:06.280
<v Speaker 4>And they are a great rebellions.

0:53:08.200 --> 0:53:11.319
<v Speaker 1>We saved her life. Okay, we don't like what's good?

0:53:11.360 --> 0:53:14.000
<v Speaker 1>And so I think like choosing a narrative that is

0:53:14.400 --> 0:53:18.560
<v Speaker 1>easy to spread, quick to digest, and clearly it's true,

0:53:18.760 --> 0:53:20.160
<v Speaker 1>is the message and point.

0:53:20.600 --> 0:53:24.000
<v Speaker 4>The true being like, hey, this guy just walked around

0:53:24.080 --> 0:53:25.560
<v Speaker 4>shooting a bunch of people.

0:53:26.680 --> 0:53:29.200
<v Speaker 3>And it's like at least fifty Like it's not.

0:53:31.400 --> 0:53:34.120
<v Speaker 1>No one needs to know we would have let Ma

0:53:34.200 --> 0:53:36.520
<v Speaker 1>Mathma die because we were too busy debating about should

0:53:36.560 --> 0:53:38.319
<v Speaker 1>we send Cassie and out or not. No one needs

0:53:38.360 --> 0:53:40.840
<v Speaker 1>to know what happens is we saved her. That's the

0:53:40.920 --> 0:53:43.440
<v Speaker 1>message going for it. So yeah, it was. What was

0:53:43.640 --> 0:53:47.520
<v Speaker 1>interesting to me, the most interesting is it's an echo

0:53:47.680 --> 0:53:51.359
<v Speaker 1>of what is and Or's future. Right, Andrew is going

0:53:51.400 --> 0:53:54.520
<v Speaker 1>to die without anyone knowing what he has sacrificed and

0:53:54.680 --> 0:53:59.560
<v Speaker 1>done to get to this point, and so it's interesting

0:53:59.640 --> 0:54:02.600
<v Speaker 1>to see how he accepts that, right, because you don't get.

0:54:02.640 --> 0:54:04.080
<v Speaker 1>All he get is that hug at the end, which

0:54:04.080 --> 0:54:07.520
<v Speaker 1>is so beautiful and and like, while what a declaration

0:54:07.680 --> 0:54:11.279
<v Speaker 1>of like love and reliance, whether it's romantic or not,

0:54:11.640 --> 0:54:14.279
<v Speaker 1>there's clearly a I see you between the two of

0:54:14.320 --> 0:54:16.560
<v Speaker 1>them in that moment. So that's really great. But here

0:54:16.640 --> 0:54:18.120
<v Speaker 1>we get she says, I don't know how to thank

0:54:18.160 --> 0:54:19.400
<v Speaker 1>you for what you've done. We don't know how to

0:54:19.440 --> 0:54:21.959
<v Speaker 1>thank Cassie and for what he's given us, and he says,

0:54:22.040 --> 0:54:25.960
<v Speaker 1>just make it worth and it settles something in you

0:54:26.200 --> 0:54:29.839
<v Speaker 1>about his eventuality. And I think that's very nice Dan

0:54:30.080 --> 0:54:34.120
<v Speaker 1>to give us, to be like, he's okay with this outcome.

0:54:34.280 --> 0:54:37.080
<v Speaker 1>This is what almost what he expects, and I think

0:54:37.120 --> 0:54:37.719
<v Speaker 1>that's really lovely.

0:54:37.880 --> 0:54:40.040
<v Speaker 4>I agree, And before we jump to an ad break

0:54:40.120 --> 0:54:44.440
<v Speaker 4>and then introduce our regular hate section with Aaron the

0:54:46.200 --> 0:54:49.040
<v Speaker 4>Joelle talk a little bit about how that connects to

0:54:49.239 --> 0:54:51.360
<v Speaker 4>the Force and the use of the Force in this

0:54:51.480 --> 0:54:53.280
<v Speaker 4>show and specifically in these episodes.

0:54:54.239 --> 0:54:58.560
<v Speaker 1>As a long time Star Wars fan, I was also

0:54:59.320 --> 0:55:01.440
<v Speaker 1>a very a huge fan of the Great Jedi. We

0:55:01.520 --> 0:55:02.800
<v Speaker 1>don't have to go into all the war. All you

0:55:02.840 --> 0:55:04.719
<v Speaker 1>need to know is there were people who were in

0:55:04.760 --> 0:55:06.479
<v Speaker 1>the middle. There were people who were in the middle.

0:55:06.880 --> 0:55:08.360
<v Speaker 1>They were in Jedies. They were said that they were

0:55:08.400 --> 0:55:08.719
<v Speaker 1>in the middle.

0:55:09.560 --> 0:55:12.400
<v Speaker 4>It's not canon. Don't worry. We've been told many times,

0:55:12.520 --> 0:55:14.879
<v Speaker 4>but I don't care.

0:55:15.160 --> 0:55:20.080
<v Speaker 1>I love it. And then uh, in Rebels, you get

0:55:20.200 --> 0:55:22.759
<v Speaker 1>is it bought? Oh fuck? Why can't remember the giant

0:55:22.800 --> 0:55:27.920
<v Speaker 1>guy's name? The monster dude. It'll come to me later.

0:55:28.000 --> 0:55:33.080
<v Speaker 1>Doesn't ben do think new story with the be So

0:55:33.160 --> 0:55:36.480
<v Speaker 1>then you get Bendu, who who has really profound things

0:55:36.560 --> 0:55:39.840
<v Speaker 1>to say about you know, how the force disorder for everyone,

0:55:39.960 --> 0:55:42.640
<v Speaker 1>and if you only see the good evil, you're missing

0:55:43.120 --> 0:55:49.640
<v Speaker 1>the bigger picture. Okay, we get a lunch lady who

0:55:50.000 --> 0:55:53.520
<v Speaker 1>can use a bit of power, not just to heal,

0:55:54.160 --> 0:55:55.959
<v Speaker 1>but to sort of see the future. I've been watching

0:55:56.000 --> 0:55:58.840
<v Speaker 1>the prequels for a project I'm working on. This is

0:55:59.040 --> 0:56:03.480
<v Speaker 1>a little bit, a little bit Anakin's power. He doesn't

0:56:03.600 --> 0:56:06.680
<v Speaker 1>know what he's seeing, but he's seeing something that he

0:56:06.840 --> 0:56:08.040
<v Speaker 1>knows to be true.

0:56:07.960 --> 0:56:09.239
<v Speaker 4>Very alphabe coded.

0:56:10.360 --> 0:56:16.839
<v Speaker 1>Absolutely as say listen, listen. This is the limitation of magic.

0:56:16.880 --> 0:56:18.400
<v Speaker 1>It's why we get to use it in stories.

0:56:18.760 --> 0:56:19.160
<v Speaker 5>And so I.

0:56:21.000 --> 0:56:27.120
<v Speaker 1>I think to have this woman represent in such an

0:56:27.239 --> 0:56:30.520
<v Speaker 1>almost casual way, like it's really it's it's so casual

0:56:30.600 --> 0:56:32.560
<v Speaker 1>how they introduce her. It's it's, hey, there's a healer

0:56:32.640 --> 0:56:34.239
<v Speaker 1>down here at your shoulders, not healing, I just want

0:56:34.280 --> 0:56:38.360
<v Speaker 1>you to be better. And he's so terrified of anything

0:56:38.560 --> 0:56:43.200
<v Speaker 1>that looks like faith. Again, another great insight insight into Cassian.

0:56:44.040 --> 0:56:47.759
<v Speaker 1>Cassian believes what he can do, he knows what he

0:56:47.920 --> 0:56:51.759
<v Speaker 1>can make real and that's his reality, and so to

0:56:52.200 --> 0:56:56.680
<v Speaker 1>interject anything outside of that is genuinely terrifying for him.

0:56:57.080 --> 0:56:59.360
<v Speaker 1>I think this is the cruxt of faith as it

0:56:59.440 --> 0:57:02.239
<v Speaker 1>exists in our world, whether you believe in it in

0:57:02.360 --> 0:57:06.720
<v Speaker 1>anything or not. What you can know is the impact

0:57:07.360 --> 0:57:10.040
<v Speaker 1>of people who have faith, right, the impact of faith

0:57:10.080 --> 0:57:12.880
<v Speaker 1>on people who do possess it, And to see it

0:57:14.080 --> 0:57:18.640
<v Speaker 1>in Bis in this way, this beautiful, beautiful way of

0:57:18.720 --> 0:57:24.000
<v Speaker 1>her being like, Hey, I'm feeling and seeing and understanding

0:57:24.720 --> 0:57:28.440
<v Speaker 1>that your role in this, this cause I believe in

0:57:29.240 --> 0:57:32.720
<v Speaker 1>is so important. I cannot be a distraction to you.

0:57:34.200 --> 0:57:36.400
<v Speaker 1>And she does it completely on faith. I mean, it's

0:57:36.440 --> 0:57:38.640
<v Speaker 1>the action of faith to say I have no idea

0:57:38.680 --> 0:57:40.160
<v Speaker 1>what's gonna happen to you, and I don't know what's

0:57:40.160 --> 0:57:42.480
<v Speaker 1>gonna happen to me. But in order for you to

0:57:42.560 --> 0:57:45.160
<v Speaker 1>focus on what I know to be good and true

0:57:45.200 --> 0:57:49.600
<v Speaker 1>and right, I have to leave you. I couldn't believe because,

0:57:49.640 --> 0:57:51.400
<v Speaker 1>I mean, this whole time, I've been afraid they were

0:57:51.440 --> 0:57:54.040
<v Speaker 1>just gonna kill Bicks. I thought she's dead. We know

0:57:54.160 --> 0:57:57.600
<v Speaker 1>he sacrifices everything, but the sacrifice was not one of death.

0:57:57.880 --> 0:57:59.720
<v Speaker 1>It was a choice to give you space and time

0:57:59.760 --> 0:58:01.840
<v Speaker 1>to do the job you were put on this earth

0:58:01.920 --> 0:58:05.640
<v Speaker 1>to do. The Force being more than just a magical

0:58:05.720 --> 0:58:08.520
<v Speaker 1>power the ability to bring us spoon to yourself from

0:58:08.560 --> 0:58:10.920
<v Speaker 1>across the room, but to be something that you not

0:58:11.040 --> 0:58:14.720
<v Speaker 1>just inertily feel, but that you trust and depend on

0:58:15.000 --> 0:58:17.360
<v Speaker 1>without any kind of proof.

0:58:18.360 --> 0:58:18.640
<v Speaker 4>Wow.

0:58:19.520 --> 0:58:22.080
<v Speaker 1>Wow, I feel like the Force is always being explained

0:58:22.120 --> 0:58:24.480
<v Speaker 1>to us. There's Medchlorians. There's always been this real push

0:58:24.520 --> 0:58:26.160
<v Speaker 1>to be like, this is what the Force is, and

0:58:26.240 --> 0:58:28.480
<v Speaker 1>we're really defining to just let us lay back in

0:58:28.520 --> 0:58:31.600
<v Speaker 1>the cut and feel it and experience it with two

0:58:31.640 --> 0:58:34.520
<v Speaker 1>people who we deeply love, where this decision hurts us,

0:58:34.560 --> 0:58:36.640
<v Speaker 1>but we also ultimately know it's the right one, Like

0:58:36.800 --> 0:58:39.840
<v Speaker 1>that is the profound use of your pen to bring

0:58:40.000 --> 0:58:43.120
<v Speaker 1>and and it's the lynchpin. This is what makes this

0:58:43.400 --> 0:58:44.200
<v Speaker 1>show star Wars.

0:58:45.000 --> 0:58:45.320
<v Speaker 5>This is it.

0:58:45.560 --> 0:58:47.800
<v Speaker 1>If you ever were watching Cassie Andor and you were like,

0:58:47.840 --> 0:58:49.680
<v Speaker 1>this doesn't feel quite like Star Wars. It's got the

0:58:49.720 --> 0:58:51.760
<v Speaker 1>Star Wars background, but this is it. You can't it

0:58:51.800 --> 0:58:54.040
<v Speaker 1>can't be argued anymore. It's Star Wars, and it's so

0:58:54.240 --> 0:58:57.920
<v Speaker 1>firmly rooted in the legacy and Lord that we love

0:58:57.960 --> 0:59:02.320
<v Speaker 1>while also pushing it forward and growling it up I'm amazed.

0:59:02.360 --> 0:59:03.880
<v Speaker 1>I'm amazed at what they were able to do.

0:59:04.960 --> 0:59:07.720
<v Speaker 4>What do you think about the lack of force or

0:59:08.200 --> 0:59:10.240
<v Speaker 4>the kind of way Forth is portrayed in the show?

0:59:10.280 --> 0:59:10.960
<v Speaker 4>How did that hit you?

0:59:11.200 --> 0:59:14.000
<v Speaker 5>I really don't want to follow up what Joelle just

0:59:14.080 --> 0:59:16.720
<v Speaker 5>puts so beautifully, so I will just say here here

0:59:16.880 --> 0:59:17.920
<v Speaker 5>I agree completely.

0:59:18.240 --> 0:59:19.840
<v Speaker 3>Yeah, Yeah, it's puff.

0:59:20.360 --> 0:59:21.480
<v Speaker 5>That was incredibly well put.

0:59:21.680 --> 0:59:24.720
<v Speaker 2>I want to quickly return to the to the idea

0:59:24.760 --> 0:59:28.000
<v Speaker 2>about lying for what you believe in which the rebellion

0:59:28.120 --> 0:59:30.840
<v Speaker 2>is doing here with their propaganda campaign to make a

0:59:30.920 --> 0:59:36.600
<v Speaker 2>gold Squadron the acceptable face of rebellion, understanding that like

0:59:36.840 --> 0:59:40.640
<v Speaker 2>it's either Cassian Saw or the heroes of Gold Squadron,

0:59:40.680 --> 0:59:43.600
<v Speaker 2>and we have to go with Gold Squadron because it's

0:59:43.640 --> 0:59:45.760
<v Speaker 2>something I've been thinking about too, you know, as I

0:59:45.960 --> 0:59:48.880
<v Speaker 2>understand that this is a show disconnected from all events, but.

0:59:48.960 --> 0:59:51.760
<v Speaker 3>As you as you know, unless that's six thous as

0:59:51.800 --> 0:59:52.480
<v Speaker 3>I watch.

0:59:53.240 --> 0:59:59.680
<v Speaker 2>Establishment politicians like who I would ostensibly vote for usually and.

1:00:00.000 --> 1:00:04.800
<v Speaker 3>Normal times kind of cut away from.

1:00:07.080 --> 1:00:11.880
<v Speaker 2>Minority community after a community because like it doesn't poll well,

1:00:12.320 --> 1:00:15.080
<v Speaker 2>or because like it doesn't Hey, it looks like we

1:00:15.240 --> 1:00:20.520
<v Speaker 2>lost that argument with like mainstream America. I've increasingly wondered,

1:00:20.640 --> 1:00:23.400
<v Speaker 2>like why not lie about it? You know, like, yeah,

1:00:23.680 --> 1:00:26.240
<v Speaker 2>if you believe in something, and if you come to

1:00:26.400 --> 1:00:29.480
<v Speaker 2>the you know, I'm talking for me personally, like to

1:00:29.600 --> 1:00:33.439
<v Speaker 2>come to a place where like, Okay, I've I've looked

1:00:33.440 --> 1:00:38.280
<v Speaker 2>at it, I've studied my heart, my feelings. I think

1:00:38.480 --> 1:00:42.800
<v Speaker 2>that supporting this group of people is right. And if

1:00:42.840 --> 1:00:45.280
<v Speaker 2>the whole world, or a majority of the world, or

1:00:45.280 --> 1:00:47.280
<v Speaker 2>at least the portion of the world that is in power,

1:00:47.480 --> 1:00:51.360
<v Speaker 2>says you can't do that, then why not lie about it?

1:00:52.040 --> 1:00:56.120
<v Speaker 2>That's why I found this decision to be to you know,

1:00:56.280 --> 1:01:01.840
<v Speaker 2>bury the scrappy, upstart face of the rebellion in favor

1:01:01.920 --> 1:01:06.320
<v Speaker 2>of the more acceptable story that we can prepackage and

1:01:06.480 --> 1:01:09.600
<v Speaker 2>sell to the galaxy in order to hopefully win and

1:01:09.680 --> 1:01:12.840
<v Speaker 2>defeat this evil empire. I found it really affecting because

1:01:12.840 --> 1:01:17.480
<v Speaker 2>I think it's it is you know, it's something I

1:01:17.560 --> 1:01:21.320
<v Speaker 2>think about, like, if you truly believe you're right about something,

1:01:21.880 --> 1:01:27.480
<v Speaker 2>and telling a lie is how you get there. It's

1:01:27.520 --> 1:01:30.360
<v Speaker 2>not your first choice, but you kind of should do it,

1:01:30.960 --> 1:01:36.600
<v Speaker 2>even though it's it's not well by by the by

1:01:36.680 --> 1:01:38.800
<v Speaker 2>the letter of the law what you should be doing.

1:01:38.920 --> 1:01:43.160
<v Speaker 5>Yeah, yeah, generally I agree but just to hypothetically play

1:01:43.200 --> 1:01:44.120
<v Speaker 5>the devil's advocate.

1:01:44.240 --> 1:01:44.600
<v Speaker 2>I do.

1:01:46.080 --> 1:01:49.440
<v Speaker 5>Worry that that's a slippery slope because sure, Cassine, Cassine

1:01:49.520 --> 1:01:53.000
<v Speaker 5>is maybe one skeleton you can put and say, okay,

1:01:53.800 --> 1:01:57.439
<v Speaker 5>but how many closets do you continue to put away

1:01:57.440 --> 1:02:00.400
<v Speaker 5>in your closet before before you are just the empire?

1:02:00.480 --> 1:02:05.000
<v Speaker 5>Because the Empire, that's that's the best right the same way,

1:02:05.080 --> 1:02:08.240
<v Speaker 5>we believe we're doing the right thing and we just

1:02:08.320 --> 1:02:09.880
<v Speaker 5>have to get the messaging right. So what if we

1:02:09.960 --> 1:02:11.360
<v Speaker 5>have to lie a little bit along the way, like

1:02:11.480 --> 1:02:12.320
<v Speaker 5>just why about Gorman?

1:02:12.760 --> 1:02:15.880
<v Speaker 2>You know, like that's why that's I mean, I completely

1:02:15.920 --> 1:02:17.960
<v Speaker 2>agree with you, which is why, you know, when we're

1:02:18.000 --> 1:02:20.000
<v Speaker 2>talking about Dedra and Cyril and talking about this, I

1:02:21.280 --> 1:02:24.040
<v Speaker 2>try to stress like humility because I look at Cyril

1:02:24.120 --> 1:02:27.040
<v Speaker 2>and Dedra and I go, that could easily be any

1:02:27.120 --> 1:02:30.120
<v Speaker 2>of our heroes if things had been a little bit different,

1:02:30.200 --> 1:02:32.320
<v Speaker 2>if they had been a little bit less curious.

1:02:32.080 --> 1:02:34.440
<v Speaker 4>If you were orphaned, and instead of Marv finding you,

1:02:34.920 --> 1:02:37.040
<v Speaker 4>the Empire finds you, which is what happened to Dedra.

1:02:37.160 --> 1:02:40.880
<v Speaker 4>So there's that's reflection there. I also think that you

1:02:41.520 --> 1:02:45.400
<v Speaker 4>hit on a really interesting and complex point, Jason, because

1:02:45.800 --> 1:02:49.400
<v Speaker 4>the reality is as is in real life and is

1:02:49.760 --> 1:02:51.880
<v Speaker 4>in this show that's not connected to real life. The

1:02:52.000 --> 1:02:55.480
<v Speaker 4>other side is already lying, like extensively to get what

1:02:55.560 --> 1:02:58.200
<v Speaker 4>they want done. And I boo, I think you're completely right.

1:02:58.520 --> 1:03:01.040
<v Speaker 4>The question is how many times can you lie or

1:03:01.120 --> 1:03:03.480
<v Speaker 4>how many times can you tell your version of the

1:03:03.600 --> 1:03:07.480
<v Speaker 4>truth before that slippery slope where suddenly forced.

1:03:07.400 --> 1:03:11.560
<v Speaker 1>To use the tools of my oppressor exactly a thousand.

1:03:12.320 --> 1:03:16.040
<v Speaker 2>Yes, yes, and it's either and it's lies in the

1:03:16.240 --> 1:03:19.200
<v Speaker 2>kind of abstract sense in this episode, and it's also

1:03:19.760 --> 1:03:23.280
<v Speaker 2>in the very concrete sense reawakening K two s O

1:03:23.600 --> 1:03:25.160
<v Speaker 2>as a tool for rebellion.

1:03:25.560 --> 1:03:30.000
<v Speaker 1>Yes, yes, I calm believe we didn't even talk about him.

1:03:31.480 --> 1:03:33.640
<v Speaker 2>We don't get I think we'll get to talk about

1:03:33.720 --> 1:03:36.080
<v Speaker 2>him more and upcoming around tables at least.

1:03:36.120 --> 1:03:36.440
<v Speaker 4>That's the.

1:03:38.080 --> 1:03:41.840
<v Speaker 2>Let's take a quick break and sound the imperial claxon

1:03:42.720 --> 1:03:46.680
<v Speaker 2>because the Emperor's shuttle is landing.

1:03:47.840 --> 1:03:53.360
<v Speaker 4>And they're letting him out and he's here. He's gonna

1:03:53.360 --> 1:03:54.720
<v Speaker 4>be after the break, so.

1:03:54.840 --> 1:04:16.880
<v Speaker 10>Listen after the break, Yeah, okay, and we're rack bomb bomb.

1:04:18.320 --> 1:04:21.400
<v Speaker 3>Bum bum bum bum bum.

1:04:21.720 --> 1:04:24.760
<v Speaker 4>He's doing his hair, he's stretching, he's ready to tell

1:04:24.840 --> 1:04:27.120
<v Speaker 4>us this show is not as good as you think

1:04:27.160 --> 1:04:28.440
<v Speaker 4>it is, and we want to hear about it.

1:04:28.600 --> 1:04:31.160
<v Speaker 3>Aaron Emperor is coming here.

1:04:31.600 --> 1:04:34.400
<v Speaker 8>Team Yeah, Look, I love these three episodes of the

1:04:34.400 --> 1:04:36.840
<v Speaker 8>Book of Boba Fat. I'm sorry, sorry, and or and

1:04:37.040 --> 1:04:37.800
<v Speaker 8>or season two not.

1:04:39.440 --> 1:04:44.240
<v Speaker 7>I guess up sometime you want to get told off.

1:04:45.040 --> 1:04:47.760
<v Speaker 8>But I do think there's there's something before we start

1:04:48.480 --> 1:04:50.720
<v Speaker 8>we're talking about the show that just reminds me a

1:04:50.760 --> 1:04:53.160
<v Speaker 8>lot of talking about sports teams, and Jason, you'll you'll

1:04:53.240 --> 1:04:56.160
<v Speaker 8>know this, especially right now. You know you have a game,

1:04:56.280 --> 1:04:59.040
<v Speaker 8>you have the Thunder losing to the to the Nuggets,

1:04:59.320 --> 1:05:01.960
<v Speaker 8>and fans of the Under are going to say, don't worry,

1:05:02.120 --> 1:05:03.400
<v Speaker 8>that was a weird game.

1:05:03.520 --> 1:05:04.560
<v Speaker 7>They're going to come back from it.

1:05:04.800 --> 1:05:06.720
<v Speaker 8>Fans of the Nuggets are going to say, no way,

1:05:06.880 --> 1:05:09.680
<v Speaker 8>like you guys couldn't stop Jokic and like we had

1:05:09.760 --> 1:05:11.360
<v Speaker 8>bad games from other players.

1:05:12.080 --> 1:05:12.560
<v Speaker 7>It's over.

1:05:13.040 --> 1:05:15.640
<v Speaker 8>And then you you talk yourself into whatever argument you want.

1:05:15.720 --> 1:05:17.680
<v Speaker 8>And I think we're kind of in this place where

1:05:18.280 --> 1:05:20.840
<v Speaker 8>the four of you love Rogue One, you love the

1:05:20.880 --> 1:05:23.960
<v Speaker 8>first season of this show, and there's a lot of things,

1:05:24.640 --> 1:05:26.440
<v Speaker 8>there's a lot of things that I think you are

1:05:26.560 --> 1:05:28.960
<v Speaker 8>forgiving in this show. You don't forgive an other shows

1:05:29.320 --> 1:05:33.440
<v Speaker 8>for instance. Okay, first of all, I just want to

1:05:33.480 --> 1:05:37.240
<v Speaker 8>ask is the show helped or hurt by the fact

1:05:37.280 --> 1:05:39.600
<v Speaker 8>that it is Star Wars. I know, you just went

1:05:39.640 --> 1:05:42.959
<v Speaker 8>on this long monologue about the Force. I personally seeing

1:05:43.040 --> 1:05:45.360
<v Speaker 8>the X Wings go and the tie Fighters that was cool.

1:05:45.440 --> 1:05:47.240
<v Speaker 8>I loved when the X Wings are in that opening

1:05:47.280 --> 1:05:51.440
<v Speaker 8>shot in the seven and the Tie Fighters going overhead

1:05:51.760 --> 1:05:56.680
<v Speaker 8>the plaza in Gorman like that was very menacing. The

1:05:56.800 --> 1:05:59.680
<v Speaker 8>Force Healer did nothing for me. I thought it was wild.

1:06:00.120 --> 1:06:00.760
<v Speaker 3>You are forced.

1:06:00.920 --> 1:06:04.439
<v Speaker 4>Hey, you know what, this doesn't surprise me. This done

1:06:06.000 --> 1:06:11.160
<v Speaker 4>dun dun, dun sur me Because Aaron, you don't like

1:06:11.240 --> 1:06:13.800
<v Speaker 4>Grogue one, right, which is fine, that's your prerogative, but

1:06:14.040 --> 1:06:18.240
<v Speaker 4>that has one of the most nuanced, unbelievable explorations of

1:06:18.480 --> 1:06:20.640
<v Speaker 4>what is the Force? Who gets to be a Force user?

1:06:21.040 --> 1:06:21.479
<v Speaker 1>Is the Force?

1:06:21.640 --> 1:06:24.120
<v Speaker 4>Just blind faith? And so if you don't like Grogue,

1:06:24.320 --> 1:06:26.840
<v Speaker 4>you probably don't like this part of the Force, which

1:06:26.880 --> 1:06:30.120
<v Speaker 4>I do think worked for me. But also I would

1:06:30.160 --> 1:06:33.960
<v Speaker 4>say generally, I think it is helped by being a

1:06:34.080 --> 1:06:37.360
<v Speaker 4>Star War because one, this is the best thing you

1:06:37.440 --> 1:06:40.080
<v Speaker 4>can do with an ip is to make it something

1:06:40.200 --> 1:06:43.720
<v Speaker 4>that makes people engage with stories in a way they

1:06:43.800 --> 1:06:46.080
<v Speaker 4>haven't before. It's what they did with Watchmen, which was

1:06:46.360 --> 1:06:50.840
<v Speaker 4>an unbelievably complex situation when it came to adapting it,

1:06:51.360 --> 1:06:54.760
<v Speaker 4>but they made something that expanded the world and got

1:06:54.800 --> 1:06:56.919
<v Speaker 4>a ton of different people to watch it to learn

1:06:57.000 --> 1:07:01.360
<v Speaker 4>about historical things that really really happened and that a

1:07:01.440 --> 1:07:03.680
<v Speaker 4>lot of Americans did not know. And I think that

1:07:03.920 --> 1:07:07.680
<v Speaker 4>right now it being Star Wars helps because I think

1:07:07.800 --> 1:07:10.640
<v Speaker 4>the ships and the pupew and the Stormtroopers get people

1:07:10.760 --> 1:07:14.280
<v Speaker 4>in and then hopefully they can learn something from it.

1:07:14.360 --> 1:07:18.360
<v Speaker 4>Coming up a machine, the importance of like allowing somebody

1:07:18.440 --> 1:07:19.880
<v Speaker 4>to grow on their own. So I think it I

1:07:19.960 --> 1:07:22.720
<v Speaker 4>think it is helped by being Star Wars because it would.

1:07:22.480 --> 1:07:25.000
<v Speaker 8>Never have gotten It is helping because it's Star Wars

1:07:25.040 --> 1:07:26.840
<v Speaker 8>and we see Stormtroopers and we're like, yeah, I can

1:07:26.880 --> 1:07:28.560
<v Speaker 8>get into that. Or is it hurt by the fact

1:07:28.600 --> 1:07:30.960
<v Speaker 8>that we have a side plot featuring Sagarera, who I

1:07:31.280 --> 1:07:34.840
<v Speaker 8>hated in Row one and I hate here and Saw

1:07:37.920 --> 1:07:40.000
<v Speaker 8>and Will goes to hang out with Saw and then

1:07:40.040 --> 1:07:43.040
<v Speaker 8>he comes back and he's basically the same, except he's more.

1:07:42.960 --> 1:07:43.840
<v Speaker 7>Loyal to losing.

1:07:44.240 --> 1:07:47.120
<v Speaker 4>No no, no, I saw this. I saw this lie

1:07:47.480 --> 1:07:50.120
<v Speaker 4>that you put in the disco Will Will is still

1:07:50.280 --> 1:07:52.440
<v Speaker 4>hopping the rideo bro. You don't need to see it

1:07:52.480 --> 1:07:53.720
<v Speaker 4>because that motherfucker looking fuss.

1:07:53.760 --> 1:07:56.240
<v Speaker 7>Okay, So this is another conversation here.

1:07:56.400 --> 1:07:59.280
<v Speaker 8>You all have forgiven everything that happens offscreen in this

1:07:59.360 --> 1:08:01.200
<v Speaker 8>show in a way you don't in other things.

1:08:01.600 --> 1:08:03.680
<v Speaker 7>So many things are being done on screen.

1:08:06.560 --> 1:08:06.959
<v Speaker 1>The show.

1:08:07.360 --> 1:08:09.320
<v Speaker 3>I will just say that that is like a very

1:08:10.000 --> 1:08:11.320
<v Speaker 3>circular argument.

1:08:11.480 --> 1:08:11.640
<v Speaker 8>To me.

1:08:11.920 --> 1:08:15.480
<v Speaker 2>It's like saying, well, you like you hate boiled chicken,

1:08:15.560 --> 1:08:16.800
<v Speaker 2>but you love fried chicken.

1:08:16.880 --> 1:08:17.080
<v Speaker 1>Yeah.

1:08:17.240 --> 1:08:21.840
<v Speaker 3>Like, I like stories when they're good, and this is

1:08:21.920 --> 1:08:22.519
<v Speaker 3>a good one.

1:08:23.080 --> 1:08:30.679
<v Speaker 9>And does this story contain elements where in other less

1:08:30.760 --> 1:08:34.400
<v Speaker 9>well executed stories, I go, that's boring, that stupid.

1:08:34.120 --> 1:08:36.800
<v Speaker 2>Nothing so but of course, of course, but I just

1:08:36.840 --> 1:08:41.479
<v Speaker 2>feel like this is a well done story and a

1:08:41.680 --> 1:08:45.000
<v Speaker 2>very you know, like this is a high degree of difficulty,

1:08:45.479 --> 1:08:48.919
<v Speaker 2>and is it made easier more palatable? Does the medicine

1:08:48.960 --> 1:08:51.560
<v Speaker 2>go down smoother because it star wars? Of course, but

1:08:51.720 --> 1:08:55.639
<v Speaker 2>still this is to me a really well done tail,

1:08:55.880 --> 1:08:57.400
<v Speaker 2>really exceptionally well done.

1:08:57.640 --> 1:09:00.600
<v Speaker 1>I also think the structure allows for you you like,

1:09:00.960 --> 1:09:03.640
<v Speaker 1>whereas sometimes like the show is continuous, I don't want

1:09:03.680 --> 1:09:06.040
<v Speaker 1>to have to guess at things. The time that you've

1:09:06.040 --> 1:09:07.800
<v Speaker 1>spent and the time that you're showing me. You should

1:09:07.800 --> 1:09:10.000
<v Speaker 1>have highlighted that. But when you have year gaps and

1:09:10.040 --> 1:09:12.200
<v Speaker 1>you're only spending three days, the structure sort of lends

1:09:12.240 --> 1:09:14.600
<v Speaker 1>itself to allowing you to sort of have that lean in.

1:09:14.960 --> 1:09:16.320
<v Speaker 7>So I'm okay.

1:09:16.320 --> 1:09:19.840
<v Speaker 8>If they chose this structure, it wasn't mandated by law.

1:09:19.920 --> 1:09:21.200
<v Speaker 8>They don't get bonus points.

1:09:22.520 --> 1:09:24.799
<v Speaker 7>Shows everything you don't.

1:09:24.680 --> 1:09:28.000
<v Speaker 3>Show because the structure.

1:09:28.080 --> 1:09:32.360
<v Speaker 4>You pitch your structure, and the structure looks, then that's good.

1:09:32.400 --> 1:09:36.439
<v Speaker 2>If you pitch your your take would be, your take

1:09:36.479 --> 1:09:38.120
<v Speaker 2>would be, it would be better if it was like

1:09:38.320 --> 1:09:41.640
<v Speaker 2>the seven days leading up to mon Mathma's speech.

1:09:42.840 --> 1:09:46.560
<v Speaker 8>No take would be that would be good to me.

1:09:46.800 --> 1:09:49.720
<v Speaker 8>Let's not make this be three day packets all at once. Now,

1:09:49.800 --> 1:09:53.080
<v Speaker 8>this three day packet is incredibly important and I loved,

1:09:53.240 --> 1:09:57.400
<v Speaker 8>so I will okay. Episode eight I like was in shock.

1:09:57.720 --> 1:10:00.320
<v Speaker 8>I loved episode e. I texted you a joke that

1:10:00.479 --> 1:10:02.120
<v Speaker 8>I loved it. It gave it an a plus because

1:10:02.160 --> 1:10:04.560
<v Speaker 8>of the little clacks and handheld devices.

1:10:04.760 --> 1:10:06.640
<v Speaker 7>Those are amazing. I was all in on that.

1:10:06.720 --> 1:10:08.880
<v Speaker 8>You give me a funny musical instrument, and I'm in

1:10:09.479 --> 1:10:14.479
<v Speaker 8>But I just think that the brutal adherence to three

1:10:14.600 --> 1:10:17.280
<v Speaker 8>days and then nothing and then three days is a

1:10:17.320 --> 1:10:20.479
<v Speaker 8>little silly along the lines of things that are solved

1:10:20.520 --> 1:10:25.200
<v Speaker 8>off screen. Daredevil, Born Again, Flawed Show, Not Perfect. We

1:10:25.320 --> 1:10:27.839
<v Speaker 8>all talked about how Muse shows up as this incredible

1:10:27.880 --> 1:10:30.799
<v Speaker 8>hand to hand fighter, and it's like, oh wow, okay,

1:10:30.920 --> 1:10:33.080
<v Speaker 8>I guess like we just handwave that he had a

1:10:33.200 --> 1:10:38.639
<v Speaker 8>taekwondo instructor. Here Cyril goes from Cyril's like number one

1:10:39.080 --> 1:10:41.599
<v Speaker 8>image is him lying face down on the bed because

1:10:41.640 --> 1:10:44.120
<v Speaker 8>his mommy was mean to him, and now all of

1:10:44.200 --> 1:10:46.200
<v Speaker 8>a sudden he's hand to hand beaten the shit.

1:10:46.320 --> 1:10:48.759
<v Speaker 7>At a cassion, I think.

1:10:48.680 --> 1:10:51.400
<v Speaker 1>That this is not an organized fight. If he had

1:10:51.520 --> 1:10:54.360
<v Speaker 1>a bombing ring and he was like dodging and weaving,

1:10:54.439 --> 1:10:56.880
<v Speaker 1>that I would agree with you. There these hands, You're right,

1:10:56.920 --> 1:10:59.560
<v Speaker 1>You're right. Because and Or was not focused hand or

1:10:59.720 --> 1:11:01.519
<v Speaker 1>he is, he was not in the battle.

1:11:01.560 --> 1:11:05.040
<v Speaker 8>He was totally confused and shocked, and and Siril was

1:11:05.080 --> 1:11:07.040
<v Speaker 8>the one that was really on top of Oh wait

1:11:07.920 --> 1:11:08.719
<v Speaker 8>around at.

1:11:08.600 --> 1:11:11.280
<v Speaker 1>You in a rage air. I was gonna say, matter

1:11:11.400 --> 1:11:13.920
<v Speaker 1>how skilled they are, you are going to have to

1:11:14.080 --> 1:11:16.680
<v Speaker 1>like you're gonna livet and Cassian is not, from what

1:11:16.800 --> 1:11:20.479
<v Speaker 1>we've seen, an amazing like hand to hand fighter. He's

1:11:20.520 --> 1:11:23.599
<v Speaker 1>a spy, he's hide and he's Duckey's even he's shooting.

1:11:23.920 --> 1:11:26.120
<v Speaker 1>We don't know what kind of hands Cassian has already

1:11:26.160 --> 1:11:27.519
<v Speaker 1>don't seem like in a life where you had to

1:11:27.600 --> 1:11:29.519
<v Speaker 1>grow up and learn how to fight. I'm fine with this.

1:11:29.680 --> 1:11:34.120
<v Speaker 3>What what's the Sagarera issue?

1:11:35.280 --> 1:11:38.439
<v Speaker 8>I just I thought Saw in Rogue one, I was

1:11:39.280 --> 1:11:41.200
<v Speaker 8>just in a different movie and they didn't do it

1:11:41.320 --> 1:11:43.840
<v Speaker 8>for me, and he didn't do it for me. Last batch,

1:11:44.800 --> 1:11:47.400
<v Speaker 8>I felt like that was this show has taken people

1:11:47.479 --> 1:11:50.360
<v Speaker 8>and put the and bench them in weird spots like

1:11:50.680 --> 1:11:53.920
<v Speaker 8>I think in the first batch, Cassian being on Yavin

1:11:54.040 --> 1:11:57.200
<v Speaker 8>with the poorly assembled rebels was something I didn't need.

1:11:57.560 --> 1:12:01.840
<v Speaker 8>I understand it shows that like rebel certaincies are not

1:12:02.360 --> 1:12:06.040
<v Speaker 8>perfect on day one and there's infighting in there are issues,

1:12:06.400 --> 1:12:08.439
<v Speaker 8>but it tells that in other ways throughout the story.

1:12:08.560 --> 1:12:11.080
<v Speaker 8>I didn't need Cassian on that planet. It just felt

1:12:11.120 --> 1:12:13.000
<v Speaker 8>like we need to delay him getting home to Bix

1:12:13.120 --> 1:12:15.280
<v Speaker 8>and said we're gonna do it this way Saw like

1:12:15.439 --> 1:12:16.719
<v Speaker 8>Will being Withsaw.

1:12:16.880 --> 1:12:19.840
<v Speaker 7>I just didn't I didn't need it, dude, Aaron have you.

1:12:19.880 --> 1:12:23.320
<v Speaker 4>Ever considered being a movie exactly because I feel like

1:12:23.400 --> 1:12:26.280
<v Speaker 4>you'd be given these notes and you're just mad, like

1:12:26.520 --> 1:12:27.080
<v Speaker 4>I don't get it.

1:12:27.479 --> 1:12:34.679
<v Speaker 8>Start and then and my final thing about this episode is, wow,

1:12:35.520 --> 1:12:40.960
<v Speaker 8>they really did bigs dirty. Tell me, like, what a

1:12:41.120 --> 1:12:43.880
<v Speaker 8>lazy way to get her out of this her entire

1:12:44.120 --> 1:12:46.360
<v Speaker 8>art she is literally.

1:12:46.160 --> 1:12:49.000
<v Speaker 4>Just accepting that she needs a bat at Chilla life

1:12:49.080 --> 1:12:50.519
<v Speaker 4>and the and or couldnot be.

1:12:50.560 --> 1:12:51.120
<v Speaker 7>A part of it.

1:12:51.560 --> 1:12:52.439
<v Speaker 4>She's like, I'm out.

1:12:52.520 --> 1:12:56.000
<v Speaker 8>Bix's entire role in this season is to move along

1:12:56.160 --> 1:12:59.280
<v Speaker 8>Cassian's plot. What are the monumental things that she does?

1:12:59.680 --> 1:13:04.920
<v Speaker 8>She uh uh, she reads Luthen when he comes over

1:13:05.040 --> 1:13:08.240
<v Speaker 8>one time. Oh wow, that's amazing. The second thing she

1:13:08.400 --> 1:13:11.840
<v Speaker 8>does is she takes Cassian into the Force Healer. The

1:13:11.960 --> 1:13:14.680
<v Speaker 8>third thing is Cassian leaves, and she's like, I will

1:13:14.760 --> 1:13:16.800
<v Speaker 8>stay and talk to the Force Healer a little longer,

1:13:17.120 --> 1:13:20.839
<v Speaker 8>and then she willingly takes herself out so that Cassian

1:13:20.880 --> 1:13:22.120
<v Speaker 8>will stay in the rebellion.

1:13:22.200 --> 1:13:22.320
<v Speaker 3>Oh.

1:13:22.400 --> 1:13:27.400
<v Speaker 8>She also she did talk to Belle very briefly about Cassian, like.

1:13:27.800 --> 1:13:33.280
<v Speaker 1>Looking in surviving is not nothing. You have an addiction

1:13:33.720 --> 1:13:38.439
<v Speaker 1>after being nearly being tortured, nearly killed, nearly raped, like

1:13:38.720 --> 1:13:40.880
<v Speaker 1>run having to flee your home. What she did was

1:13:40.960 --> 1:13:43.080
<v Speaker 1>survive and that's not a small thing, and it's a

1:13:43.120 --> 1:13:46.479
<v Speaker 1>really challenging thing to do. And she did it not

1:13:46.640 --> 1:13:47.360
<v Speaker 1>in a small way.

1:13:47.479 --> 1:13:50.080
<v Speaker 8>She does it in a way like a big way

1:13:50.160 --> 1:13:52.559
<v Speaker 8>to move Cassian's plot for it. It's very important.

1:13:52.600 --> 1:13:54.360
<v Speaker 4>It's no, no, no, no, no no.

1:13:54.960 --> 1:13:57.720
<v Speaker 1>That's not about Cassian's plot at all. Like nothing that

1:13:57.840 --> 1:14:01.200
<v Speaker 1>she does, it's about pushing Cassian forward. Everything she does,

1:14:01.360 --> 1:14:04.479
<v Speaker 1>you should do that makes Cassie. You can make cassim

1:14:05.880 --> 1:14:06.120
<v Speaker 1>I will.

1:14:07.160 --> 1:14:11.280
<v Speaker 2>From a structural point of view, he's continuously being taken

1:14:11.360 --> 1:14:16.559
<v Speaker 2>away from her, moving him in a direction, like everything

1:14:16.640 --> 1:14:22.400
<v Speaker 2>that happens between them is him very reluctantly separating from her,

1:14:22.520 --> 1:14:26.320
<v Speaker 2>like her moving his plot along would be okay, you know,

1:14:27.520 --> 1:14:30.200
<v Speaker 2>now he has to go on the Bix mission or

1:14:30.280 --> 1:14:32.280
<v Speaker 2>do the Bix thing, and that really does just that

1:14:32.400 --> 1:14:32.920
<v Speaker 2>never happens.

1:14:32.960 --> 1:14:36.080
<v Speaker 3>But I like, I'm not invalidating your perspective.

1:14:36.320 --> 1:14:38.639
<v Speaker 4>Yes, your perspective is valid. But what I love most

1:14:38.720 --> 1:14:41.360
<v Speaker 4>about this is that before we came on to record this,

1:14:41.600 --> 1:14:44.000
<v Speaker 4>you were like, Adria, she's gonna get an Emmy.

1:14:44.280 --> 1:14:47.599
<v Speaker 7>So you're like, you think I was joking because they

1:14:47.720 --> 1:14:48.120
<v Speaker 7>give her.

1:14:51.240 --> 1:14:53.599
<v Speaker 2>Just say one Let me just say one thing, because

1:14:53.640 --> 1:14:56.639
<v Speaker 2>this is d That's something I've noticed. This is something

1:14:56.640 --> 1:15:00.560
<v Speaker 2>I've noticed from various critiques of various shows, shows with

1:15:00.640 --> 1:15:02.960
<v Speaker 2>large casts, as and Ord has.

1:15:03.400 --> 1:15:09.720
<v Speaker 3>And I It's it's kind of like the the critical.

1:15:09.439 --> 1:15:13.120
<v Speaker 2>Version of like a participation trophy, this idea that every

1:15:13.280 --> 1:15:17.200
<v Speaker 2>single character in every show has to have this like

1:15:17.960 --> 1:15:23.800
<v Speaker 2>heroic ride into the sunset, like we go to Valhalla arc.

1:15:24.680 --> 1:15:29.640
<v Speaker 2>When to me it's like, does the story work like

1:15:29.760 --> 1:15:31.400
<v Speaker 2>you can put yeah, I can pick things out.

1:15:31.439 --> 1:15:33.280
<v Speaker 3>Did I want to know more about like this character?

1:15:33.520 --> 1:15:34.040
<v Speaker 4>Yeah? Sure?

1:15:34.400 --> 1:15:37.320
<v Speaker 3>But like does to me it's like does the tapestry work?

1:15:37.640 --> 1:15:37.680
<v Speaker 2>Not?

1:15:40.120 --> 1:15:42.880
<v Speaker 3>Do I want more from one particular character or not?

1:15:43.040 --> 1:15:46.080
<v Speaker 4>I also think that ironically, I mean, what Aaron is

1:15:46.120 --> 1:15:50.280
<v Speaker 4>calling out is like a systemic issue within all storytellings

1:15:50.560 --> 1:15:52.920
<v Speaker 4>there are women. But what I will say, I think

1:15:53.000 --> 1:15:56.240
<v Speaker 4>that what makes this different, and this is important, she

1:15:56.439 --> 1:15:59.519
<v Speaker 4>is not the only woman. There are multiple different versions

1:15:59.560 --> 1:16:02.320
<v Speaker 4>of how men are living in the rebellion. On mamm

1:16:02.479 --> 1:16:06.040
<v Speaker 4>Mathma's daughter, you also have a Dina who we now see.

1:16:08.040 --> 1:16:11.919
<v Speaker 4>I think that where the onus of representation on characters.

1:16:12.000 --> 1:16:14.960
<v Speaker 4>I think that Bix gets to just survive and be

1:16:15.160 --> 1:16:18.080
<v Speaker 4>like I'm leaving because she she's lived the world and

1:16:18.160 --> 1:16:20.080
<v Speaker 4>she's not the only woman in the story. So I

1:16:20.160 --> 1:16:23.000
<v Speaker 4>don't think it's like she doesn't feel to me as

1:16:23.080 --> 1:16:25.040
<v Speaker 4>someone who is like the real you know what, the

1:16:25.080 --> 1:16:27.439
<v Speaker 4>real truth is if they wanted to push Cassian along,

1:16:27.600 --> 1:16:30.840
<v Speaker 4>they would have just killed her. That's the classic Fridging way.

1:16:31.320 --> 1:16:34.360
<v Speaker 4>I think this way, she's actually doing the opposite of

1:16:34.439 --> 1:16:37.400
<v Speaker 4>what Cassian wants, which could tear him away from the

1:16:39.080 --> 1:16:41.320
<v Speaker 4>rebellion as it is, because now he has to make

1:16:41.400 --> 1:16:44.639
<v Speaker 4>that choice, you know. So I think that I think

1:16:44.760 --> 1:16:49.600
<v Speaker 4>that I understand your critique, but I also don't necessarily

1:16:49.640 --> 1:16:49.960
<v Speaker 4>see it in.

1:16:49.960 --> 1:16:52.200
<v Speaker 8>The same I mean, the show has incredible women. I

1:16:52.280 --> 1:16:57.240
<v Speaker 8>mean Claire mon Mathma. I love Clayre's evolution into the set,

1:16:57.360 --> 1:16:59.479
<v Speaker 8>like the long hair and suddenly she's not just like

1:16:59.640 --> 1:17:02.000
<v Speaker 8>hiding behind Luthen and she's like doing stuff.

1:17:04.640 --> 1:17:07.679
<v Speaker 4>Yeah, people are like, is claar like secretly like a sith?

1:17:07.960 --> 1:17:09.679
<v Speaker 3>Like what is up with this sick dri.

1:17:11.960 --> 1:17:15.600
<v Speaker 1>Like she came out long enough. She yes, I know

1:17:15.720 --> 1:17:16.320
<v Speaker 1>how to dress.

1:17:16.479 --> 1:17:18.400
<v Speaker 7>She's like, this is the role of two me and Mike.

1:17:19.439 --> 1:17:22.840
<v Speaker 4>It's like looking looking cool as hell. Okay, Aaron best

1:17:22.960 --> 1:17:25.120
<v Speaker 4>you did mention, And I think this is important because

1:17:25.160 --> 1:17:26.599
<v Speaker 4>it is fun to be a hater and we all

1:17:26.640 --> 1:17:28.960
<v Speaker 4>love to hate on stuff. But you mentioned the episode

1:17:29.000 --> 1:17:30.320
<v Speaker 4>eight was good for you, so could you talk a

1:17:30.400 --> 1:17:32.800
<v Speaker 4>little bit about what worked and why it stood out someone?

1:17:33.160 --> 1:17:37.680
<v Speaker 8>Episode eight turned my emotion on immediately and ratcheted up

1:17:37.680 --> 1:17:41.000
<v Speaker 8>the entire time. This episode built in a way that

1:17:41.320 --> 1:17:47.880
<v Speaker 8>I was not expecting, Like I felt like this, this insurrection,

1:17:48.080 --> 1:17:51.920
<v Speaker 8>this rebellion, this riot, this massacre is happening. The use

1:17:52.000 --> 1:17:55.120
<v Speaker 8>of the chanting, the use of then transitioning that to

1:17:55.280 --> 1:18:00.280
<v Speaker 8>singing again, like the the fucking sound of every single

1:18:00.400 --> 1:18:02.880
<v Speaker 8>shot that's made in the very beginning, when the K

1:18:03.040 --> 1:18:05.920
<v Speaker 8>two droids come out and kick the fucking stanchion into

1:18:06.000 --> 1:18:10.719
<v Speaker 8>the first person like it. Eight was incredible, and nine

1:18:12.160 --> 1:18:13.920
<v Speaker 8>does that in a similar way, but not in a

1:18:13.960 --> 1:18:17.120
<v Speaker 8>physical warfare way, but with this political although I do.

1:18:17.439 --> 1:18:19.519
<v Speaker 8>It's one of my notes, one of my notes for nine.

1:18:19.600 --> 1:18:21.800
<v Speaker 8>There is my note for nine is how much it

1:18:21.840 --> 1:18:23.479
<v Speaker 8>must suck to be the people in the Senate on

1:18:23.520 --> 1:18:25.720
<v Speaker 8>the bottom row where you're just looking up at the

1:18:25.760 --> 1:18:32.479
<v Speaker 8>Senate seats above you the entire time in your Yes

1:18:32.640 --> 1:18:36.240
<v Speaker 8>the Street episode seven, eight and nine are amazing.

1:18:36.520 --> 1:18:37.280
<v Speaker 7>I loved them.

1:18:37.760 --> 1:18:40.000
<v Speaker 8>I just want to you know, I just want to

1:18:40.040 --> 1:18:41.560
<v Speaker 8>come in here and make sure that we're not like

1:18:42.200 --> 1:18:45.400
<v Speaker 8>giving this show a free pass on everything.

1:18:45.840 --> 1:18:48.599
<v Speaker 3>I remind me. You remind me of my friends.

1:18:49.000 --> 1:18:51.639
<v Speaker 2>You remind me of my friend's dad whose favorite show

1:18:51.760 --> 1:18:55.479
<v Speaker 2>is Breaking Bad, but he rewatches Breaking Bad by fast

1:18:55.520 --> 1:19:01.320
<v Speaker 2>forwarding all the domestic scenes and only watching the shoot incredible.

1:19:03.520 --> 1:19:07.960
<v Speaker 1>Beha, I do Skyler blah blah blah.

1:19:08.760 --> 1:19:12.360
<v Speaker 7>I have been known to flight. I will watch Pacific

1:19:12.479 --> 1:19:14.439
<v Speaker 7>rim and just fast forward to the monster fights. So

1:19:14.680 --> 1:19:15.960
<v Speaker 7>that is that checks out.

1:19:23.880 --> 1:19:27.200
<v Speaker 4>Basically, Aaron is just setting himself up for his inevitable

1:19:27.600 --> 1:19:33.120
<v Speaker 4>tofah grace style and or super Just like that's it.

1:19:33.439 --> 1:19:35.040
<v Speaker 7>Like, what did we need the rest of it for?

1:19:35.479 --> 1:19:37.720
<v Speaker 4>Well, honestly, I will say they said it was like

1:19:37.800 --> 1:19:39.599
<v Speaker 4>a movie, and us Joel said, one of the best

1:19:39.680 --> 1:19:42.120
<v Speaker 4>Do Wars movies we've ever seen is these three chapters.

1:19:42.360 --> 1:19:46.519
<v Speaker 2>Yeah, well, Emperor Aaron, it was delightful to have you

1:19:46.720 --> 1:19:50.760
<v Speaker 2>with us, the super producers of Boo and Joel as

1:19:50.800 --> 1:19:53.559
<v Speaker 2>well as always delightful to hear your perspectives. Coming up

1:19:53.600 --> 1:19:56.280
<v Speaker 2>on Extra Vision on Tuesday, we're diving into the last

1:19:56.320 --> 1:19:59.200
<v Speaker 2>of US episode five. On Wednesday, we have a recaps

1:19:59.280 --> 1:20:02.679
<v Speaker 2>of the series finale episodes of Landor, and of course

1:20:03.320 --> 1:20:06.679
<v Speaker 2>we returned to the roundtable on Friday for our deeper

1:20:06.720 --> 1:20:07.880
<v Speaker 2>reactions and conversations.

1:20:08.080 --> 1:20:10.160
<v Speaker 4>Will Aaron who.

1:20:10.080 --> 1:20:14.600
<v Speaker 1>Knows for this episode.

1:20:14.960 --> 1:20:15.799
<v Speaker 3>Thanks for listening.

1:20:21.920 --> 1:20:24.120
<v Speaker 2>X ray Vision is hosted by Jason steps Young and

1:20:24.280 --> 1:20:26.639
<v Speaker 2>Rosie Knight and is a production of iHeart Podcast.

1:20:27.040 --> 1:20:30.599
<v Speaker 4>Our executive producers are Joel Monique and Aaron Kaufman.

1:20:30.880 --> 1:20:32.920
<v Speaker 3>Our supervising producer is Abu Safar.

1:20:33.280 --> 1:20:37.240
<v Speaker 4>Our producers are Common Laurent Dean Jonathan and Fay Wax.

1:20:37.360 --> 1:20:40.120
<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

1:20:40.200 --> 1:20:41.439
<v Speaker 2>songs by Aaron Kaufman.

1:20:41.640 --> 1:20:44.920
<v Speaker 4>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1:20:45.080 --> 1:20:46.920
<v Speaker 4>Heidi our Discord moderate them