WEBVTT - #63: Extra Stuffing...This Is A TryptoPHANTASTIC Episode + An Interview with Anthony Cumia

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<v Speaker 1>I can't believe it's all gone. Us has gone to

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<v Speaker 1>mind's gone. You know, we have a culprit, the popcorn

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<v Speaker 1>culprit around here at the radio station. It's not just

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<v Speaker 1>the popcorn culprit. It's the Jody's Gourmet popcorn culprit. And

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<v Speaker 1>I have the same culprit in my house. That stuff

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<v Speaker 1>is so good it doesn't last. No, they sent up

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<v Speaker 1>thirty flavors and they lined them up all over the table.

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<v Speaker 1>I'm like, oh, i'll get some later. They're gone. Jody's

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<v Speaker 1>Ultra Gourmet popcorn has this taste that you can't find

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<v Speaker 1>anywhere else. She's got this recipe fifty three. She worked

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<v Speaker 1>so long and hard to get this recipe fifty two

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<v Speaker 1>failure recipes, well not failure, but yeah. She didn't stop

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<v Speaker 1>until the fifty third recipe and she said, ah, this

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<v Speaker 1>is it, and it's a caramel recipe, and oh my god,

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<v Speaker 1>what do you think? Like seven tastes like I don't know,

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<v Speaker 1>but not as good as umber fifty three recipe. I

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<v Speaker 1>feel like I want to try them all. Well we have,

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<v Speaker 1>I mean, I had no right, So there's some recipe

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<v Speaker 1>fifty three is her world famous. Of course we have

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<v Speaker 1>um nacho double cheddar. I like the peanut butter. I

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<v Speaker 1>brought home the halapeno cheddar for myself that was gone.

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<v Speaker 1>I brought home fun fetty and birthday cake for my kids.

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<v Speaker 1>I brought home the City Mix for my wife. And

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<v Speaker 1>I brought home, uh, the strawberry because I thought that

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<v Speaker 1>was a unique flavor that was actually really good. I

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<v Speaker 1>was like, strawberry popcorn, it's really good. Did you try

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<v Speaker 1>bird birthday cake and birthday cake and fun fetty and

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<v Speaker 1>Christmas candy corns and not had Christmas candy car? You

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<v Speaker 1>know the best part about Jody's is you can go

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<v Speaker 1>to the website Jody's Popcorn dot com. This is the

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<v Speaker 1>gift that you're gonna want to give to your friends,

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<v Speaker 1>but like, wait in a second, I'm gonna have some

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<v Speaker 1>of that too, So you're gonna buy something for yourself

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<v Speaker 1>and you might wind up eating the gift that you

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<v Speaker 1>were gonna send them. Agin And speaking of gift, if

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<v Speaker 1>you use the code radio, you get off. That's right,

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<v Speaker 1>You're welcome. That's right off using promo code radio at

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<v Speaker 1>checkout at Jody's Popcorn dot com. You could also follow

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<v Speaker 1>them on social at Jody's Popcorn official. We Love Jody's

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<v Speaker 1>Popcorn start Ups Up, Brooklyn Boy, Ye Yet Up, Brooklyn

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<v Speaker 1>Buy Data Hagon Noise Data Up Episode. This is the

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<v Speaker 1>Brooklyn Boys Podcast. Hello, I'm Scary Jones. That's David Brodie. Yeah, Brodi,

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<v Speaker 1>Scary Scary bro whatever, whatever. I don't care any more.

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<v Speaker 1>You don't care anymore, do you? No? No, Every treet

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<v Speaker 1>that goes out hashtag scary. Well that's the hashtag. That's

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<v Speaker 1>something the slices decided that I love the slices. We

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<v Speaker 1>gotta do a meet up at some point. I'm a

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<v Speaker 1>little jealous. Our friend Jake and Ricky, they have their

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<v Speaker 1>twenties Something's Doing Nothing podcast. They had their very first

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<v Speaker 1>meet up at a bar over this past week and

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<v Speaker 1>I followed him on on social media. They were putting

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<v Speaker 1>up video video instant stories and I'm watching them. Had

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<v Speaker 1>a great time, and I was thinking of going, you

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<v Speaker 1>were thinking of going. I end up doing what we

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<v Speaker 1>had other things that we were doing, and I was

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<v Speaker 1>getting fomo and you were staying home. O uh nope, nope, nope,

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<v Speaker 1>I was staying at my home. Not that's something wrong

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<v Speaker 1>with that. So listen. Um, we had a couple of

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<v Speaker 1>things going on today. First of all, welcome, We're gonna

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<v Speaker 1>be welcoming a friend of ours a little later on. Yeah,

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<v Speaker 1>this is and by the way, just so you know,

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<v Speaker 1>when you hear the interview, this is all time shifted.

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<v Speaker 1>We recorded this on a separate day, right, and so

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<v Speaker 1>we already know it's a great interview. Yeah, because we

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<v Speaker 1>already recorded it. Right, you're gonna here. We're gonna play

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<v Speaker 1>it back at the end of this part of that.

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<v Speaker 1>You can jump ahead, but we'll we'll introduce and explaining

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<v Speaker 1>interview when we get to it. But it's long, but

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<v Speaker 1>it's worth it. Yeah, and it's we can tell him

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<v Speaker 1>who it is, well, you know it's in the podcast descriptions.

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<v Speaker 1>So it's Anthony Kumia from from a radio show that

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<v Speaker 1>went was nationally syndicated. It was a huge show in America,

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<v Speaker 1>but especially in New York from that's fifteen years and

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<v Speaker 1>also if you're if you listen to us here in Boston,

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<v Speaker 1>you might remember them from there. Out on Long Island

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<v Speaker 1>was where they got their start, of course, but they

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<v Speaker 1>were on serious satellite radio and mornings and afternoons in

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<v Speaker 1>they feuded with Howard all the time. They were kind

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<v Speaker 1>of a big deal and uh, little did we know

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<v Speaker 1>there was a lot of drama going on backs behind

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<v Speaker 1>the scenes. The co host didn't like each other for

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<v Speaker 1>most of the time they worked together. We got a

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<v Speaker 1>little behind it. I mean, they did a show much

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<v Speaker 1>different than the others Train Morning show and I'm I'm

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<v Speaker 1>a fan, but Brody you are and I said it,

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<v Speaker 1>you are a super fan. So I I actually at

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<v Speaker 1>the time, uh signed up for satellite radio because to

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<v Speaker 1>hear their show. And they're great guys. But Anthony specifically,

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<v Speaker 1>who's going to be here? He wrote a book called

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<v Speaker 1>Permanently Suspended because he gets fired and suspended from job.

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<v Speaker 1>Here's the thing. If you don't know who Anthony is,

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<v Speaker 1>even if we just described into you, well you didn't

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<v Speaker 1>like the show back in the day, irrelevant. This is

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<v Speaker 1>a funny interview with a guy who just bears his soul,

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<v Speaker 1>talks about everything. We had a lot of fun with him,

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<v Speaker 1>Brooklyn Boys style. He laid it all out on the

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<v Speaker 1>tip And so if you ever wondered what a radio

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<v Speaker 1>a show sounds like, that does really crazy stuff that

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<v Speaker 1>we would never get away with on on the air. Uh,

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<v Speaker 1>It's it's a nice little look into the world of

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<v Speaker 1>radio and the fact that he was feuding with his

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<v Speaker 1>co host all time, and that text message, I'll forget

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<v Speaker 1>about it all right. Luckily you and I get along

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<v Speaker 1>for now. But I do, as always, have a bone

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<v Speaker 1>to pick with you. Of course you do. Is it

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<v Speaker 1>a turkey like a wishbone or something. It's about cheese Thanksgiving,

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<v Speaker 1>It's about cheesecakes. There's an Italian restaurant near our radio station,

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<v Speaker 1>right is Peppolino's Pepino Pepolinos and by the way, with

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<v Speaker 1>a name like Peppolinos. You know, the food is good, right,

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<v Speaker 1>the food is great. But it was a point where

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<v Speaker 1>I had never been there. We had moved into this

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<v Speaker 1>area to these studios, and we were here for years,

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<v Speaker 1>and every time Scary and I walked by this place,

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<v Speaker 1>he said, you know, the cheesecake is one of the

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<v Speaker 1>highest rated cheesecakes in New York. It's true. And I

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<v Speaker 1>would say, yeah, yeah, and you told me jus famous

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<v Speaker 1>cheesecake right here. But this place has got is the

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<v Speaker 1>gat rating. It's okay, And every every time we would

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<v Speaker 1>pass it, secare we go? You know this play? Yeah,

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<v Speaker 1>I know, I know, you know like that that's thing,

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<v Speaker 1>you know, like that all your old uncle. Every time

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<v Speaker 1>you see him, he's like, remember that story with the

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<v Speaker 1>gum when you were five. That's what he's scared with

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<v Speaker 1>this cheesecake. So about a year ago we finally got

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<v Speaker 1>to eat there. Elvis took us all there for a

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<v Speaker 1>going away party for our friend Ronnie. So good, so good, right,

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<v Speaker 1>six eight months ago. That was the last time he

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<v Speaker 1>spoke to you, boy, Ronnie. Right, yeah, that dick, And

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<v Speaker 1>I'm trying to get him on the phone. Still he wouldn't.

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<v Speaker 1>By the way, you know that he saw the miscall

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<v Speaker 1>the other night. They when we were trying to get

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<v Speaker 1>him on the phone. Right, he still hasn't call me

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<v Speaker 1>back when he screens your calls. All right, So ball

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<v Speaker 1>freak Rannie was going away party. We go there and

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<v Speaker 1>I knew to have the cheesecake. When you walked in,

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<v Speaker 1>there was a big cheesecake on like the waiters area,

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<v Speaker 1>like the prep area, like when because they must sell

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<v Speaker 1>so much of it, they haven't ready. Okay, So of

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<v Speaker 1>course Scary starts in with you know this places the

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<v Speaker 1>best cheesecake. All right? We all got everyone's hurting story

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<v Speaker 1>and then everyone's eating cheesecake. Is that the best cheesecake?

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<v Speaker 1>It does plays famous with cheesecake. We've cheesecake the funk

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<v Speaker 1>out of the cheesecake. Okay, so you're at s Our show,

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<v Speaker 1>Well you've heard on this podcast. She leaves the show.

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<v Speaker 1>She moved out to l A. So we went to

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<v Speaker 1>last week. We had a good bye lunch for by

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<v Speaker 1>lunch for her, and of course the minute we were

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<v Speaker 1>walking over there, scary, tell everybody you got cheesecaked Gandhi

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<v Speaker 1>Gandhia I newest member. Gandhi Italiano cheese, Italian cheese, so

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<v Speaker 1>light area and if you're not from the northeast, it

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<v Speaker 1>means Italian Ricotta. We pronounce anyway. Okay, okay, So we're

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<v Speaker 1>all stuff in our faces and we're like, oh, we

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<v Speaker 1>don't even move with dessert's get discerned the cheesecake, you know.

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<v Speaker 1>And it's like we know, we know, because after like

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<v Speaker 1>the thirty nine time per day, it's like we know

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<v Speaker 1>that the point is the problem with can I get

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<v Speaker 1>excited for food? You always get excited a vote. The

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<v Speaker 1>problem is you the cheesecake can't be as good as

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<v Speaker 1>the recommendation you give every time we walk by the place.

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<v Speaker 1>Every time one everyone to taste what I'm taste right,

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<v Speaker 1>but we should go. Hey, try the cheesecake out here.

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<v Speaker 1>It's pretty good. No, it's the best cheesecake this area.

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<v Speaker 1>Code it's the best. That God says, yeah, it's it's

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<v Speaker 1>heaven and a mouthful. That God says, you should you

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<v Speaker 1>should do you sleep with the cat sheets. But like

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<v Speaker 1>your bed sheets have the GAT ratings on them, you

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<v Speaker 1>know what, they might as well. But because I yeah,

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<v Speaker 1>the thing is, if I'm enjoying great food, I want

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<v Speaker 1>everyone to enjoy food. Oh my god, I'll tell you

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<v Speaker 1>how they cannot because despite all of my warnings and

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<v Speaker 1>all of my clamoring, producer Jake said, well, I'm gonna

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<v Speaker 1>have the kramber lay. He didn't even take me under

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<v Speaker 1>advisement at the bastard because it's over over over over.

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<v Speaker 1>It's like when people go, you gotta watch, you gottatch ok.

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<v Speaker 1>I can't watch ozok now because it can't be as

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<v Speaker 1>good as everyone you gotta watch. Oh my god, ok Ozark.

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<v Speaker 1>That's not a bone. I'm sorry you didn't. You have

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<v Speaker 1>a bone to pickre you know why, because I'm gonna

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<v Speaker 1>the next time we go to Peppolino's, i gotta hear

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<v Speaker 1>about the cheesekaking Peppolino also a great Italian mouse. Peppolino

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<v Speaker 1>the Italian Mouse was a great song for the sixties. Yeah,

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<v Speaker 1>I know where is that Peppino, pepo the Italian You

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<v Speaker 1>want you want to? Really? You know what a bone is.

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<v Speaker 1>Here's a bone that I have to pick with somebody,

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<v Speaker 1>and it's not with you. I'm gonna talk about somebody

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<v Speaker 1>behind their bath in that case. Let okay, Well, you

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<v Speaker 1>know you know my buddy Brian. You know buddy Brian

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<v Speaker 1>Brinan Phillips, No buddy, Yeah, yeah, he's a d J

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<v Speaker 1>in Chicago. He's a long time Brooklyn buddy. He grew

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<v Speaker 1>up in Marine Park, not far from us. What nobody kiss?

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<v Speaker 1>What is called I don't know if you checked the tile,

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<v Speaker 1>It's called the Brooklyn Boys podcast. You know what I'm saying.

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<v Speaker 1>But it's like the Insider the neighborhood, Marine Park, Brooklyn.

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<v Speaker 1>You and I are right now. I was going that

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<v Speaker 1>I went to Brooklyn College with him. Okay, worked in

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<v Speaker 1>the college radio station. Fantastic. Well, your friends a long time,

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<v Speaker 1>like a long time friends anyway, they get it up.

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<v Speaker 1>You don't have a lot of long time friends. Forties

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<v Speaker 1>and every few weeks. He comes back to the to

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<v Speaker 1>the to New York right to hang out. Yeah. Now

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<v Speaker 1>you think a guy in the mid forties, you know what,

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<v Speaker 1>I want to stay at a hotel. No, he doesn't

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<v Speaker 1>do that. I want to crash on your couch. Your couch. Yeah.

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<v Speaker 1>He calls you up. He says, hey, I'm be in town. Yeah,

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<v Speaker 1>I'm gonna crash on your couch. I said. He works

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<v Speaker 1>at radio, has a real job. He has a job,

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<v Speaker 1>he can afford it, and he crashes on my couch.

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<v Speaker 1>But we're boys, and I like it and I enjoy it,

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<v Speaker 1>and that's not the problem. Can I enter up for

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<v Speaker 1>a second? Thursday? Huge snow storm in New Jersey and

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<v Speaker 1>New York. Huge took me five hours to get home.

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<v Speaker 1>Where should have taken me thirty five minutes. I come

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<v Speaker 1>out of the Holland Tunnel. At that point, I was already, uh,

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<v Speaker 1>forty five minutes to an hour into my journey. So

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<v Speaker 1>I text my wife. I say, hey, I just got

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<v Speaker 1>of the tunnel. I don't know. It's so far smooth

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<v Speaker 1>sail and sort of hopefully I'll be home in an hour.

0:10:29.960 --> 0:10:32.360
<v Speaker 1>She says, the roads are horrific. I said, no, I'm

0:10:32.400 --> 0:10:34.480
<v Speaker 1>looking at the roads. They look okay, just you should

0:10:34.520 --> 0:10:37.720
<v Speaker 1>probably stay at Scary's house. See everyone, my house, my

0:10:37.880 --> 0:10:39.720
<v Speaker 1>costa suit, costa. But you're right by the top. So

0:10:39.720 --> 0:10:42.520
<v Speaker 1>you're saying, if I texted you out of nowhere with

0:10:42.640 --> 0:10:46.120
<v Speaker 1>no toilet, trees, no clothes, nothing, and said I'm coming over,

0:10:46.120 --> 0:10:47.800
<v Speaker 1>I got to spend the night, of course, you would

0:10:47.800 --> 0:10:52.280
<v Speaker 1>have been fine. My couches belonged to you know, your couch, Yeah,

0:10:52.320 --> 0:10:54.560
<v Speaker 1>my couch as hard as a rock, feel all I got.

0:10:54.559 --> 0:10:56.480
<v Speaker 1>It's either my bet on my couch. You didn't buay

0:10:56.480 --> 0:10:59.000
<v Speaker 1>a comfy couch. You bought a photograph couch. You bought

0:10:59.040 --> 0:11:00.720
<v Speaker 1>the kind of couch to people look at the magazine.

0:11:00.720 --> 0:11:03.720
<v Speaker 1>That's another topic on my list, what photographed couches, Couches

0:11:03.800 --> 0:11:06.280
<v Speaker 1>that are okay, that are aesthetically pleasing, but they're not

0:11:06.320 --> 0:11:08.600
<v Speaker 1>for comfortable. I didn't know that. Your fucking couch. It's

0:11:08.600 --> 0:11:10.720
<v Speaker 1>on my light blue couch, right, that's on my list.

0:11:10.880 --> 0:11:12.600
<v Speaker 1>You have a couch brown brown? Right, you have a

0:11:12.600 --> 0:11:15.280
<v Speaker 1>brown what's light blue? The chairs? The chairs a light blue,

0:11:15.280 --> 0:11:17.240
<v Speaker 1>the couches brown. The carpet is light blue and brown.

0:11:17.440 --> 0:11:22.440
<v Speaker 1>It's all coordinated. Expresso. It's it's an expressos Brown, you're

0:11:22.480 --> 0:11:26.559
<v Speaker 1>from Brooklyn, it's it's ship from Italian. It's Express, It's

0:11:26.559 --> 0:11:30.080
<v Speaker 1>ship Brown Italian, it's you ps point, it's real leather.

0:11:30.280 --> 0:11:31.880
<v Speaker 1>And I paid a lot of money for right with

0:11:32.000 --> 0:11:34.400
<v Speaker 1>the chaise. It's got a chase with the point. The chase,

0:11:34.840 --> 0:11:38.600
<v Speaker 1>cha cha chase, I call chase, right, I don't think

0:11:38.600 --> 0:11:41.480
<v Speaker 1>it's chase. All right, Well, anyway, there's the point. I

0:11:41.559 --> 0:11:43.080
<v Speaker 1>get the phone to tell me right now. The point

0:11:43.080 --> 0:11:45.360
<v Speaker 1>I'll do it, okay. The point is. The point is

0:11:45.360 --> 0:11:46.800
<v Speaker 1>I don't want to say you need a better couch

0:11:46.840 --> 0:11:48.599
<v Speaker 1>for company. I pull out couch with the bed. I

0:11:49.000 --> 0:11:51.280
<v Speaker 1>live in a one bedroom apartment. Yeah, I take the bed,

0:11:51.640 --> 0:11:55.040
<v Speaker 1>and whoever is the guest. That's not right. A real, real,

0:11:55.320 --> 0:11:57.480
<v Speaker 1>real host would say I'll take the couch. People like

0:11:57.520 --> 0:11:59.400
<v Speaker 1>Gregg t have slept on that couch. I should sleep

0:11:59.400 --> 0:12:02.320
<v Speaker 1>in the bed, though, come over, Well you to sleep

0:12:02.320 --> 0:12:04.199
<v Speaker 1>on the couch, couch. You bought that couch. You should

0:12:04.200 --> 0:12:06.880
<v Speaker 1>pay for it. You should pay the price. All right.

0:12:07.720 --> 0:12:09.520
<v Speaker 1>What I'm saying is this, I'd rather sleep on the

0:12:10.040 --> 0:12:13.040
<v Speaker 1>You're lucky. You're lucky you're inviting yourself over in my house. Well,

0:12:13.080 --> 0:12:14.559
<v Speaker 1>I just you can do is sleep on my couch.

0:12:14.880 --> 0:12:17.280
<v Speaker 1>The couch is really hard. Anyway, I got a bad back.

0:12:17.400 --> 0:12:19.679
<v Speaker 1>My point is that, Okay, I know you do. You

0:12:19.760 --> 0:12:21.600
<v Speaker 1>don't care. Let me tell you if the couch as

0:12:21.600 --> 0:12:23.599
<v Speaker 1>hard as a rock, as hard as a rock for

0:12:23.640 --> 0:12:26.240
<v Speaker 1>your back. No, it's the kind of bad back. It

0:12:26.280 --> 0:12:29.240
<v Speaker 1>does not. It needs, it needs, it needs uh form

0:12:29.280 --> 0:12:32.400
<v Speaker 1>fitting curvature. Okay, that's what I need. We needs soft couch. Well,

0:12:32.440 --> 0:12:34.360
<v Speaker 1>let me let me tell you this handed leather, oh

0:12:34.440 --> 0:12:38.000
<v Speaker 1>couch reclimate. Chance greg t sleeps on the couch. Who else?

0:12:38.120 --> 0:12:40.439
<v Speaker 1>Bald freak Rannie, the guy who's my friend that look,

0:12:40.440 --> 0:12:42.080
<v Speaker 1>he won't call you back. Is that couch is terrible?

0:12:42.360 --> 0:12:46.319
<v Speaker 1>He seems on my couch hashtag few hard couch. Well, anyway,

0:12:46.480 --> 0:12:48.640
<v Speaker 1>so so they all sleep on my couch. Well, when

0:12:48.679 --> 0:12:50.960
<v Speaker 1>Brian comes over my house, he sleeps on my couch.

0:12:51.040 --> 0:12:52.959
<v Speaker 1>But here's think about you. Ever go to furniture store

0:12:53.000 --> 0:12:54.360
<v Speaker 1>to buy a couch and you sit on the couch.

0:12:54.360 --> 0:12:56.800
<v Speaker 1>You go, who the fuck is buying this couch? Because

0:12:56.840 --> 0:12:59.360
<v Speaker 1>it's so awful? Right, you got like you go to

0:12:59.400 --> 0:13:01.600
<v Speaker 1>say like you expect to go like and fit in

0:13:01.600 --> 0:13:03.800
<v Speaker 1>the couch, and then you sit like on concrete and

0:13:03.840 --> 0:13:06.439
<v Speaker 1>it goes boo and it stops you short. Okay, nobody

0:13:06.440 --> 0:13:08.520
<v Speaker 1>wants a couch like that's my girlfriend, she hates the

0:13:08.520 --> 0:13:12.599
<v Speaker 1>couchch Well, but well, why are you doing around the

0:13:12.640 --> 0:13:16.040
<v Speaker 1>couch bringing to the bed? Hey? Can we can we

0:13:16.080 --> 0:13:17.120
<v Speaker 1>go back to the time. By the way, what are

0:13:17.160 --> 0:13:18.840
<v Speaker 1>you doing your girl on the couch? Do you point

0:13:18.840 --> 0:13:21.959
<v Speaker 1>out that it's uppresso? You know this couch is a suppresso.

0:13:22.040 --> 0:13:24.360
<v Speaker 1>Stop that shut up, Anthony, keep doing it, listen to me.

0:13:24.520 --> 0:13:28.120
<v Speaker 1>But hey, come on all right, back to back to

0:13:28.160 --> 0:13:31.959
<v Speaker 1>the couch. Couch by the way, f you obnoxious color guy,

0:13:32.280 --> 0:13:36.160
<v Speaker 1>it's brown blue. No, it's it's when you get clote.

0:13:36.160 --> 0:13:39.120
<v Speaker 1>When you got on the catalog online, did you this

0:13:39.160 --> 0:13:42.480
<v Speaker 1>is slate? Okay, the shirts slate, I'll tell you. I

0:13:42.520 --> 0:13:47.000
<v Speaker 1>just want just bought jeans and I went with the

0:13:47.000 --> 0:13:50.000
<v Speaker 1>colors Brody, So I bought, I went and back. I

0:13:50.000 --> 0:13:52.200
<v Speaker 1>went to American Eagle. I tried them on and then

0:13:52.240 --> 0:13:53.880
<v Speaker 1>I looked on retail me Not, which is a great

0:13:53.920 --> 0:13:56.559
<v Speaker 1>app and it showed me that they will online sales only,

0:13:57.240 --> 0:14:00.720
<v Speaker 1>so I had to go and buy them online. But

0:14:00.800 --> 0:14:03.199
<v Speaker 1>I had to try to remember what they are. So

0:14:03.400 --> 0:14:08.000
<v Speaker 1>there's medium wash light tinted wash, which is like authentic light.

0:14:09.000 --> 0:14:12.400
<v Speaker 1>Is that dark rich indigo you've never seen, like like quartz,

0:14:12.559 --> 0:14:19.040
<v Speaker 1>That shirt is quartz. It's it's that red. No, but

0:14:19.240 --> 0:14:22.920
<v Speaker 1>that they use fancy names. They shades of everything, shades

0:14:22.920 --> 0:14:26.480
<v Speaker 1>of authentic. What is authentic light as opposed to light

0:14:26.480 --> 0:14:29.360
<v Speaker 1>tint is that light tinted isn't even light. It's dark,

0:14:29.600 --> 0:14:31.800
<v Speaker 1>but not as dark as the dark rich in. They go, Okay,

0:14:31.920 --> 0:14:34.440
<v Speaker 1>if you could have colors like quartz and slate and

0:14:34.440 --> 0:14:36.600
<v Speaker 1>and and emerald, I can have. I just want to

0:14:36.600 --> 0:14:39.600
<v Speaker 1>buy blue, red and great. Can have an espresso couch anyway,

0:14:39.640 --> 0:14:44.440
<v Speaker 1>it's brown. My couches there, My couches there for aesthetics.

0:14:44.480 --> 0:14:48.080
<v Speaker 1>And it's modular furniture. It's modern contemporary living. Okay, it's

0:14:48.120 --> 0:14:52.000
<v Speaker 1>so so that's a lot of words, not modern contemporary living.

0:14:52.640 --> 0:14:55.440
<v Speaker 1>Who calls the furniture that it's modular? It's got his

0:14:55.520 --> 0:14:58.160
<v Speaker 1>fit in my apartment. My apartment has a very specific

0:14:58.240 --> 0:15:02.280
<v Speaker 1>dimension to it. I can't go to fucking Raymored Flannagan

0:15:02.440 --> 0:15:06.160
<v Speaker 1>doorways and doorway listen. Raymored Flanagan has made there there there.

0:15:06.480 --> 0:15:09.760
<v Speaker 1>Furniture is big and bulky and made to hold to

0:15:09.880 --> 0:15:12.600
<v Speaker 1>be in those biggests that comes in all sizes. You come, No,

0:15:12.880 --> 0:15:16.280
<v Speaker 1>I have a tiny apartment. I got get successful. Why

0:15:16.280 --> 0:15:18.520
<v Speaker 1>don't you get a better apartment? You know what, let's

0:15:18.520 --> 0:15:20.880
<v Speaker 1>a tellwagon the dog go. We get back to the open.

0:15:20.920 --> 0:15:23.080
<v Speaker 1>The refrigerator bangs into the couch. You make a lot

0:15:23.120 --> 0:15:26.360
<v Speaker 1>of money. God. Back to Brian. So Brian, com don't

0:15:26.360 --> 0:15:28.320
<v Speaker 1>you want to stay your shitty apartment? Still small? Okay?

0:15:28.440 --> 0:15:31.080
<v Speaker 1>He comes here because it's free, that's why. And if

0:15:31.080 --> 0:15:34.520
<v Speaker 1>it's for free, it's from that's a hashtag. If it's

0:15:34.600 --> 0:15:37.800
<v Speaker 1>for free, it's for me. That's how we feel. Anyway.

0:15:37.880 --> 0:15:40.720
<v Speaker 1>So Brian comes over and he does this every time.

0:15:40.760 --> 0:15:41.840
<v Speaker 1>And I don't know if you have a friend that

0:15:41.920 --> 0:15:43.480
<v Speaker 1>does this or if you've ever done it growing up.

0:15:43.520 --> 0:15:45.800
<v Speaker 1>I have good friends. This is what he does. He

0:15:45.920 --> 0:15:49.040
<v Speaker 1>goes out, he sees all his friends at night, gets drunk,

0:15:49.120 --> 0:15:52.520
<v Speaker 1>ties one on, and he comes home to my apartment

0:15:53.160 --> 0:15:54.920
<v Speaker 1>and at three o'clock in the morning, somewhere in the

0:15:54.960 --> 0:15:56.600
<v Speaker 1>middle of the night, he broke a tooth on the couch.

0:15:57.960 --> 0:16:01.200
<v Speaker 1>I jumped ahead, I'm sorry. He goes into my bathroom

0:16:01.880 --> 0:16:04.120
<v Speaker 1>and he falls asleep on the toilet, still softer than

0:16:04.160 --> 0:16:08.360
<v Speaker 1>your couch. Hashtag toilet Brian, hashtag toilet bed. He literally,

0:16:08.760 --> 0:16:11.720
<v Speaker 1>he literally comes in and I don't know what it is.

0:16:12.040 --> 0:16:14.720
<v Speaker 1>He gets drunk. When he's drunk, he will come in

0:16:14.800 --> 0:16:16.520
<v Speaker 1>and he will go in the bathroom and he will

0:16:16.600 --> 0:16:19.200
<v Speaker 1>sit on the toilet. I've got pictures of him in

0:16:19.360 --> 0:16:22.800
<v Speaker 1>Vegas because we shared a hotel room together. At at

0:16:22.840 --> 0:16:24.400
<v Speaker 1>three o'clock in the morning, I'm like, what's going on?

0:16:24.560 --> 0:16:28.240
<v Speaker 1>I walk it. I walk into the room and I'm like, Brian,

0:16:28.400 --> 0:16:30.240
<v Speaker 1>are you there? And he's not in his bed. He's

0:16:30.280 --> 0:16:32.920
<v Speaker 1>got his own bed. We'll share a room and the

0:16:33.040 --> 0:16:37.840
<v Speaker 1>fucking guy is in the bathroom with the door open. Well,

0:16:38.080 --> 0:16:39.800
<v Speaker 1>he can't only see much because he's like, you know,

0:16:39.960 --> 0:16:42.840
<v Speaker 1>covering he's but he slumped over and he's he's on

0:16:42.960 --> 0:16:45.480
<v Speaker 1>the toilet. I have pictures of Brian on the toilet.

0:16:45.800 --> 0:16:48.640
<v Speaker 1>I'm gonna post post it. Okay, pictures of Brian. Okay,

0:16:48.720 --> 0:16:51.840
<v Speaker 1>picture of Brian toilet on the toilet. He does it everywhere.

0:16:51.960 --> 0:16:53.720
<v Speaker 1>I don't know what it is. I said, Brian, you

0:16:53.800 --> 0:16:56.320
<v Speaker 1>gotta stop this. Are you sleepwalking? Here's the worst part.

0:16:57.000 --> 0:16:58.920
<v Speaker 1>He doesn't even he doesn't even go into the bathroom.

0:16:59.200 --> 0:17:01.440
<v Speaker 1>He just sits on the toilet, pulls his pants downs

0:17:01.440 --> 0:17:04.120
<v Speaker 1>it's on the toilet, and leans over and slumps over,

0:17:04.200 --> 0:17:06.480
<v Speaker 1>and he falls asleep in that position for hours. The

0:17:06.520 --> 0:17:09.560
<v Speaker 1>good positions, the toilet is comfortable. Well, why does he

0:17:09.640 --> 0:17:13.920
<v Speaker 1>do that? Now? Last night? Thing? Hold on before you

0:17:14.000 --> 0:17:16.159
<v Speaker 1>call him. He went out with all his boys, right,

0:17:16.960 --> 0:17:20.760
<v Speaker 1>didn't invite you? Did he? Pretty much? Wow? He's somebody

0:17:22.280 --> 0:17:25.480
<v Speaker 1>which is worse? Which is worse? Uh? Your boy? Uh?

0:17:27.760 --> 0:17:29.800
<v Speaker 1>Who doesn't return your calls? R answered the phone? Oh

0:17:29.880 --> 0:17:32.159
<v Speaker 1>this guy who uses me. I'm gonna call him right now.

0:17:32.200 --> 0:17:35.720
<v Speaker 1>I'm calling him right now. We call him toilet, Brian, Hey, toilet.

0:17:37.760 --> 0:17:39.280
<v Speaker 1>There's no way he's answering. He's on the air right now,

0:17:39.320 --> 0:17:42.520
<v Speaker 1>isn't he's a former? No, No, he's at my apartment day.

0:17:42.880 --> 0:17:45.600
<v Speaker 1>He's here all week. Why would he answer the phone.

0:17:45.640 --> 0:17:47.119
<v Speaker 1>He can be making collect calls on your phone. He's

0:17:47.119 --> 0:17:51.120
<v Speaker 1>probably still distance. The guy passes out and he doesn't

0:17:51.160 --> 0:17:54.119
<v Speaker 1>wake up for hours. I'm over for two here. Ronnie

0:17:54.119 --> 0:17:57.760
<v Speaker 1>would answer my calls? You have the worst friends? What

0:17:57.920 --> 0:17:59.400
<v Speaker 1>is it? What does his phone number come up? Ass?

0:18:01.000 --> 0:18:03.399
<v Speaker 1>Oh my god, I'm gonna call him again. It's a

0:18:03.520 --> 0:18:06.240
<v Speaker 1>call from different number. Anyway, The point is this. I

0:18:06.320 --> 0:18:08.880
<v Speaker 1>don't know if toilet Brian needs an intervention. I don't

0:18:08.880 --> 0:18:10.200
<v Speaker 1>know if I should just let him to sleep on

0:18:10.240 --> 0:18:13.440
<v Speaker 1>the toilet. You know, I say it's you know, Mikasa sukasa,

0:18:13.520 --> 0:18:15.400
<v Speaker 1>but he takes it to a whole new level. This guy,

0:18:15.680 --> 0:18:18.840
<v Speaker 1>he really does. Let me get him right now. You

0:18:18.880 --> 0:18:22.639
<v Speaker 1>got him on the phone. I can answer your apartment phone. No,

0:18:22.760 --> 0:18:26.720
<v Speaker 1>I'm calling his house. I'm calling his line again. You

0:18:26.760 --> 0:18:29.120
<v Speaker 1>should call Ronnie and Briant and see if we'll it's

0:18:29.119 --> 0:18:30.800
<v Speaker 1>out to the place a bed. Who's gonna see a phone?

0:18:30.920 --> 0:18:32.439
<v Speaker 1>The two voice mails will be talking to each other

0:18:32.480 --> 0:18:34.200
<v Speaker 1>because they're not. Neither one of them is answering my

0:18:34.280 --> 0:18:37.560
<v Speaker 1>calls to This is wasted time on a podcast. Your

0:18:37.600 --> 0:18:39.600
<v Speaker 1>friends don't like you. What is I'll put this? They

0:18:39.640 --> 0:18:41.600
<v Speaker 1>don't want to answer my fucking call. I think it's

0:18:41.600 --> 0:18:47.359
<v Speaker 1>your couch truthfully, okay, anyway, toilet Brian, he this is

0:18:47.400 --> 0:18:50.080
<v Speaker 1>what I don't know. But where have you passed out before? Drunk?

0:18:50.440 --> 0:18:53.440
<v Speaker 1>Where have you? I mean, isn't a toilet bowl? Just

0:18:53.760 --> 0:18:56.199
<v Speaker 1>slumped over a weird place? And you think he might

0:18:56.240 --> 0:18:58.560
<v Speaker 1>have a secret fetish with that? Does he dream about it?

0:18:58.880 --> 0:19:00.680
<v Speaker 1>And I think you sit down with the intention to

0:19:00.720 --> 0:19:03.560
<v Speaker 1>go into the bathroom before you go to bed, so well,

0:19:03.640 --> 0:19:05.720
<v Speaker 1>he could have peen, he could have flushed, and he

0:19:05.800 --> 0:19:08.600
<v Speaker 1>just sits there hours in a time. Did I do

0:19:08.680 --> 0:19:10.439
<v Speaker 1>that when I'm awake and sober? How is he up?

0:19:10.560 --> 0:19:12.760
<v Speaker 1>How has he hurt his back? I don't know. I'm

0:19:12.800 --> 0:19:15.520
<v Speaker 1>just saying it's just a little weird for me. Anyway,

0:19:15.560 --> 0:19:17.680
<v Speaker 1>this is what happens. This is a Thanksgiving traditions from me,

0:19:18.080 --> 0:19:20.280
<v Speaker 1>the holiday traditions. Honest, my friends come in and they

0:19:20.400 --> 0:19:22.760
<v Speaker 1>use me for my toilet and my bed and my

0:19:23.000 --> 0:19:25.800
<v Speaker 1>and my freaking and my my. Again, don't mention couch

0:19:25.800 --> 0:19:29.040
<v Speaker 1>because they don't use it for that. Absolutely, don't. I think.

0:19:29.080 --> 0:19:30.800
<v Speaker 1>I think if we put up a pole, you should

0:19:30.840 --> 0:19:34.639
<v Speaker 1>put up a pole on Brooklyn. Boys, wtf would you

0:19:34.720 --> 0:19:38.280
<v Speaker 1>rather have a comfortable couch or a magazine worthy couch

0:19:39.720 --> 0:19:41.800
<v Speaker 1>because you did not buy that couch for comfort, but

0:19:41.840 --> 0:19:43.680
<v Speaker 1>I wanted to look nice when people walk in, so

0:19:43.760 --> 0:19:46.159
<v Speaker 1>then they don't want to sit down though. You know what,

0:19:46.280 --> 0:19:48.399
<v Speaker 1>you can't have it both ways. You get yourself a

0:19:48.520 --> 0:19:51.639
<v Speaker 1>big leather couch with double recliners, and that's people like,

0:19:51.800 --> 0:19:58.000
<v Speaker 1>oh yeah, Corny's not right. Now most of our audience

0:19:58.080 --> 0:20:00.320
<v Speaker 1>has them. I have them. I'm sure they do of them,

0:20:00.560 --> 0:20:01.879
<v Speaker 1>I know, but I want to hit the button on

0:20:01.920 --> 0:20:04.640
<v Speaker 1>the side, put my feater up. My mother and father

0:20:04.720 --> 0:20:07.879
<v Speaker 1>have that. I can lay down. The armrest is a

0:20:07.960 --> 0:20:12.600
<v Speaker 1>pillow done after Thanksgiving, me a meal off, watching the

0:20:12.640 --> 0:20:14.680
<v Speaker 1>football game, and then you push on the armrest and

0:20:14.720 --> 0:20:18.320
<v Speaker 1>it reclines. Nothing better than that. I would never have

0:20:18.400 --> 0:20:20.000
<v Speaker 1>that in my apartment. You will never see that. You

0:20:20.119 --> 0:20:22.159
<v Speaker 1>want to sit on that hard brown espresso couch. You

0:20:22.200 --> 0:20:25.520
<v Speaker 1>sit down, your pants fall and you're like stuffed, but vomit.

0:20:26.880 --> 0:20:28.600
<v Speaker 1>I'm sorry. I want a nice looking apartment. I want

0:20:28.640 --> 0:20:31.720
<v Speaker 1>everything to look beautiful. I'd rather be comfortable beautiful. So

0:20:31.960 --> 0:20:33.919
<v Speaker 1>so you know what, you sack your Felix on Oscar

0:20:33.960 --> 0:20:36.680
<v Speaker 1>and the odd couple. Okay, so so be it that

0:20:36.840 --> 0:20:39.520
<v Speaker 1>that's the case. By the way, I want a public service.

0:20:39.640 --> 0:20:41.760
<v Speaker 1>I've been wanting to just want a public service. I

0:20:41.840 --> 0:20:45.840
<v Speaker 1>want to give everybody a public service announcement for Thanksgiving Day. Okay, Um,

0:20:46.280 --> 0:20:49.520
<v Speaker 1>this has bothered me, boggled my mind actually for several years,

0:20:49.560 --> 0:20:52.359
<v Speaker 1>and every every Thanksgiving morning I issue the same tweet.

0:20:53.880 --> 0:20:56.600
<v Speaker 1>There are so many people brodie that are fooled. They

0:20:56.720 --> 0:20:59.280
<v Speaker 1>don't realize that by pre Brian Turkey. Nope, that on

0:20:59.400 --> 0:21:03.400
<v Speaker 1>Thanksgiving morning when they go watch the parade, people don't

0:21:03.480 --> 0:21:08.720
<v Speaker 1>realize it. But only NBC has the official rights to

0:21:08.920 --> 0:21:13.200
<v Speaker 1>the Macy's Thanksgiving Day parade. So what is what do

0:21:13.280 --> 0:21:17.560
<v Speaker 1>they get? They get Al Roker and everybody and Savannah

0:21:17.600 --> 0:21:20.960
<v Speaker 1>whoever is they're They're all sitting there and they have

0:21:21.280 --> 0:21:24.480
<v Speaker 1>all the attention on. They got front and center, they

0:21:24.560 --> 0:21:28.000
<v Speaker 1>got the best view, they got everything. They show you

0:21:28.320 --> 0:21:32.719
<v Speaker 1>the entire parade. They are, they are the officials. They

0:21:33.080 --> 0:21:36.360
<v Speaker 1>show you the head on when the when the parade

0:21:36.400 --> 0:21:40.199
<v Speaker 1>float stops in front of Macy's and they performance of performances.

0:21:40.760 --> 0:21:43.520
<v Speaker 1>By the way, those were filmed in August. Well, I

0:21:43.600 --> 0:21:45.760
<v Speaker 1>know know something. You know not when the floats stops

0:21:45.800 --> 0:21:48.280
<v Speaker 1>in front of Maze, it's all lip SYNCD. It's all taped.

0:21:48.440 --> 0:21:51.520
<v Speaker 1>That's lip sync. But no, but but no, the visual

0:21:51.680 --> 0:21:53.879
<v Speaker 1>of the float coming down and the artists on the

0:21:53.960 --> 0:21:57.000
<v Speaker 1>float is live. No, no, no, no no, it's live

0:21:57.080 --> 0:21:58.479
<v Speaker 1>until I get to the front of Macy's and they

0:21:58.520 --> 0:22:02.840
<v Speaker 1>cut the old footage of people singing. Those people are

0:22:02.880 --> 0:22:06.480
<v Speaker 1>gonna sing in the cold. You can't see their breath

0:22:06.920 --> 0:22:08.480
<v Speaker 1>and you can't see their breath. It was taped on

0:22:08.600 --> 0:22:11.560
<v Speaker 1>No no, no, the the audio soundtrack is, but not

0:22:11.680 --> 0:22:16.000
<v Speaker 1>the video. No no, no, oh no, it's all taped earlier.

0:22:16.080 --> 0:22:20.359
<v Speaker 1>We've talked to artists that no, no, no, no, no, no, Brodie,

0:22:20.600 --> 0:22:22.640
<v Speaker 1>you're getting it. They filmed, I'm telling you, they filmed

0:22:22.760 --> 0:22:27.359
<v Speaker 1>months in advance, months, no months. When you on Thanksgiving

0:22:27.440 --> 0:22:30.320
<v Speaker 1>morning when you see those floats coming down, and then

0:22:30.359 --> 0:22:33.480
<v Speaker 1>they say, all right, and now here's Michael Bublet on

0:22:33.600 --> 0:22:39.360
<v Speaker 1>this float. Macy's Thanksgiving Day parade. Singing acts prerecorded, They

0:22:39.440 --> 0:22:44.440
<v Speaker 1>prerecord the vocals, the audio is prerecording. No, but no,

0:22:44.680 --> 0:22:46.640
<v Speaker 1>but Brodie, you still can't see their breath because their

0:22:46.680 --> 0:22:49.800
<v Speaker 1>lips sinking. So you're but that lip sinking is done.

0:22:49.960 --> 0:22:52.399
<v Speaker 1>Even when you when you lip sink, you breathe and

0:22:52.480 --> 0:22:56.600
<v Speaker 1>and cold air comes out. You're wrong, Brodie, b You're wrong.

0:22:56.680 --> 0:22:58.440
<v Speaker 1>But but that we had we had a band on

0:22:58.600 --> 0:23:01.120
<v Speaker 1>here that admitted that they taped it ready. I think

0:23:01.119 --> 0:23:02.920
<v Speaker 1>it was one direction when they were still together, they said,

0:23:02.960 --> 0:23:04.960
<v Speaker 1>oh yeah, we already recorded. Might be one or two acts,

0:23:05.000 --> 0:23:07.960
<v Speaker 1>but the majority of them are live. But that wasn't

0:23:08.000 --> 0:23:13.440
<v Speaker 1>my point. You always divert me. I never divert. My

0:23:13.640 --> 0:23:15.840
<v Speaker 1>point was, oh, did you see what they have? An ken?

0:23:16.600 --> 0:23:18.800
<v Speaker 1>I'm kidding. I was that was a joke because I diverted.

0:23:18.800 --> 0:23:22.200
<v Speaker 1>It's all good. But my point is this on Thanksgiving morning,

0:23:22.760 --> 0:23:26.480
<v Speaker 1>everybody's watching NBC except for those people that don't realize

0:23:26.720 --> 0:23:31.000
<v Speaker 1>that they're getting a bootleg version of the parade on CBS.

0:23:31.080 --> 0:23:34.560
<v Speaker 1>Hey is NBC a sponsor? I don't know about No Brody,

0:23:34.600 --> 0:23:40.080
<v Speaker 1>I'm being honest, And people listening to this podcast on CDs.

0:23:40.320 --> 0:23:44.640
<v Speaker 1>The parade is called the Thanksgiving Day Parade, and their

0:23:44.800 --> 0:23:49.119
<v Speaker 1>cameras and their footage advantage point is like like from

0:23:49.160 --> 0:23:52.520
<v Speaker 1>a fucking rooftop that they convinced somebody to let them

0:23:52.640 --> 0:23:54.639
<v Speaker 1>like hang out there for a while. I get it,

0:23:54.760 --> 0:23:57.360
<v Speaker 1>it's not they don't get and they don't get the performances.

0:23:57.440 --> 0:24:00.280
<v Speaker 1>They don't get the and now here's the rockets. They

0:24:00.320 --> 0:24:02.520
<v Speaker 1>don't get any of that. Maybe maybe get the soundtrack.

0:24:02.560 --> 0:24:04.920
<v Speaker 1>They don't get any of that. They get their reporters.

0:24:05.080 --> 0:24:07.560
<v Speaker 1>So a lot of people are like, why am I

0:24:07.680 --> 0:24:10.680
<v Speaker 1>watching balloons go by? But there's no performances. This is

0:24:10.760 --> 0:24:14.119
<v Speaker 1>boring this year. So every Thanksgiving morning I issue a

0:24:14.160 --> 0:24:19.440
<v Speaker 1>tweet that says, Hey, everybody, the macy Thanks Parade is

0:24:19.520 --> 0:24:22.280
<v Speaker 1>on NBC. They're the ones with the full rights to

0:24:22.359 --> 0:24:26.480
<v Speaker 1>the whole thing. Question, And then people are thanking me

0:24:26.600 --> 0:24:29.360
<v Speaker 1>on Twitter for pointing that out. Be like, oh my god,

0:24:29.400 --> 0:24:32.240
<v Speaker 1>I was watching CBS the whole time. CBS gives you

0:24:32.359 --> 0:24:34.560
<v Speaker 1>a boot like all the other channels give you a

0:24:34.640 --> 0:24:37.240
<v Speaker 1>bootleg version of the parade because they're not they're not

0:24:37.359 --> 0:24:40.679
<v Speaker 1>the actual people that are sponsored every question. Yeah, um,

0:24:40.880 --> 0:24:43.959
<v Speaker 1>you have an appearance on Thanksgiving Day? Right? Correct? Uh?

0:24:44.160 --> 0:24:46.920
<v Speaker 1>And uh you get paid a little extra because it's Thanksgiving. Yes,

0:24:47.200 --> 0:24:50.560
<v Speaker 1>where's that appearance on Thursday? It's at Macy's. Harold Square,

0:24:50.720 --> 0:24:56.480
<v Speaker 1>hit the chiggle, your bastard, hit this whole thing. You

0:24:56.600 --> 0:24:59.080
<v Speaker 1>issue a tweet, You issue a tweet. You have the

0:24:59.119 --> 0:25:01.680
<v Speaker 1>same appearance that a year at Macy's on Nanksgiving. But

0:25:01.800 --> 0:25:04.120
<v Speaker 1>that's a five PM. That's a matter. Client has nothing

0:25:04.119 --> 0:25:06.000
<v Speaker 1>to do you stuck it up to Macy's. Has nothing

0:25:06.000 --> 0:25:07.240
<v Speaker 1>to do with are you? Are you not going to

0:25:07.320 --> 0:25:09.280
<v Speaker 1>send a copy of this audio to Macy's and the

0:25:09.600 --> 0:25:11.640
<v Speaker 1>people going to this sales people? You know what you're

0:25:11.680 --> 0:25:14.200
<v Speaker 1>going to Oh you're such a chill No, no, no, no,

0:25:15.359 --> 0:25:20.440
<v Speaker 1>When I'm talking about, Oh, they would never performing. Hey,

0:25:21.280 --> 0:25:23.359
<v Speaker 1>what I'm trying to tell you is this, there are

0:25:23.440 --> 0:25:25.560
<v Speaker 1>people that get it wrong. How do you not know

0:25:26.000 --> 0:25:29.639
<v Speaker 1>that this is about I don't think it's amazing thing,

0:25:29.800 --> 0:25:32.959
<v Speaker 1>that it's a major thing. People. Okay, people switch all

0:25:33.119 --> 0:25:37.840
<v Speaker 1>up people, you know what? The balloons go by and

0:25:37.880 --> 0:25:40.760
<v Speaker 1>with no performances, which by the way, are done right

0:25:40.840 --> 0:25:43.000
<v Speaker 1>then and there, but their lip SYNCD they are not

0:25:43.160 --> 0:25:45.720
<v Speaker 1>done in August. I don't know what you're talking about, Brodie.

0:25:45.800 --> 0:25:48.639
<v Speaker 1>They prerecord all the voices and some relations, but not

0:25:48.760 --> 0:25:51.240
<v Speaker 1>that they're telling you. Sometimes the artists can't be there,

0:25:51.600 --> 0:25:55.280
<v Speaker 1>so they prerecord it, so they prerecord video of them walk,

0:25:55.359 --> 0:25:57.600
<v Speaker 1>you know, flying down, they roll the thing up, so

0:25:57.680 --> 0:26:00.359
<v Speaker 1>they so they block off four street us for that

0:26:00.520 --> 0:26:04.640
<v Speaker 1>in August. Ye, it's the street. Get They blocked off

0:26:04.680 --> 0:26:08.320
<v Speaker 1>the street for us for a jingle Bowl announcement ing announcement.

0:26:08.320 --> 0:26:11.440
<v Speaker 1>They blocked off the street, Brodie, they're not recording video

0:26:11.560 --> 0:26:14.679
<v Speaker 1>in August of artists coming down the street. And by

0:26:14.720 --> 0:26:16.640
<v Speaker 1>the way, when you see that, it'll only be on NBC.

0:26:16.760 --> 0:26:22.680
<v Speaker 1>It won't be on CBS video. You are so thick

0:26:22.760 --> 0:26:27.000
<v Speaker 1>headed sometimes, but I'm right, you're wrong no, the voices,

0:26:27.080 --> 0:26:30.400
<v Speaker 1>they don't sing, they lip sync. That's done in advance,

0:26:30.720 --> 0:26:33.800
<v Speaker 1>but not the video. The video of them coming down

0:26:33.880 --> 0:26:36.800
<v Speaker 1>the street is done right there, Al Roker is pointing

0:26:36.840 --> 0:26:39.600
<v Speaker 1>at them. It's the oldest trick in the book. No

0:26:39.760 --> 0:26:54.680
<v Speaker 1>it's not. You're wrong now I'm fighting to be right. No, right,

0:26:58.640 --> 0:27:01.080
<v Speaker 1>thank you for this ration of have yet another jingle.

0:27:04.440 --> 0:27:07.520
<v Speaker 1>I wrote that one too. I rease jingles about me

0:27:09.280 --> 0:27:16.560
<v Speaker 1>because you're wrong. Thanksgiving parade. Yes, their lip sinking, but

0:27:16.760 --> 0:27:19.000
<v Speaker 1>that video is live and happening. And by the way,

0:27:19.119 --> 0:27:23.800
<v Speaker 1>once again NBC has the access c Nobody cares. It's

0:27:23.840 --> 0:27:26.840
<v Speaker 1>a stoopid it's a stupid parade. It's balloons. We get it.

0:27:27.119 --> 0:27:29.320
<v Speaker 1>You can watch last year's parade. It's the same ship.

0:27:29.680 --> 0:27:32.000
<v Speaker 1>You know. You should do DVR it and then zip

0:27:32.160 --> 0:27:35.440
<v Speaker 1>through it at twice the speed Boopooproop have new acts

0:27:35.480 --> 0:27:41.080
<v Speaker 1>every year. They added four balloons. Oh okay, so now

0:27:41.160 --> 0:27:43.280
<v Speaker 1>they have like, let's say, Pikachu. I'm not saying that's

0:27:43.320 --> 0:27:45.360
<v Speaker 1>the new one this year. Oh look there's a Pikachu

0:27:45.440 --> 0:27:50.520
<v Speaker 1>filled with air. Wow. Oh look there's Snoopy. They brought

0:27:50.600 --> 0:27:54.480
<v Speaker 1>back up. I'll roker, oh old favorite Snoopy first brought

0:27:54.520 --> 0:27:57.159
<v Speaker 1>to the parade in ninety seven. This one takes a

0:27:57.720 --> 0:28:01.359
<v Speaker 1>fifteen people to hold them down and holds seventy undred

0:28:01.520 --> 0:28:06.120
<v Speaker 1>tons of helium. That's not Oh, it's good to see

0:28:06.160 --> 0:28:10.240
<v Speaker 1>all Snoopy again. Look what his Peanuts gang. You're tiny

0:28:10.359 --> 0:28:13.520
<v Speaker 1>daggers at my childhood and the worst script ever written.

0:28:15.400 --> 0:28:19.600
<v Speaker 1>Snoopy the red baron out that I like to watch

0:28:19.680 --> 0:28:22.320
<v Speaker 1>the video. I just want the video. I don't need to.

0:28:23.320 --> 0:28:25.639
<v Speaker 1>It's the cat in the hat looking for his one

0:28:25.720 --> 0:28:28.760
<v Speaker 1>fish to fish redhen Garfield comes down, or Woody Woodpecker.

0:28:29.160 --> 0:28:33.080
<v Speaker 1>Oh it's Garfield. He's looking for his lasagna again. We

0:28:33.280 --> 0:28:35.840
<v Speaker 1>get it. You don't like to what part of the

0:28:35.920 --> 0:28:39.120
<v Speaker 1>country is going lasagna? Oh? It gets me every year.

0:28:39.240 --> 0:28:41.960
<v Speaker 1>You don't like watching the You don't at least the TV.

0:28:42.200 --> 0:28:44.360
<v Speaker 1>I make it a point. I make it a point

0:28:44.440 --> 0:28:48.440
<v Speaker 1>to sleep. I don't cook. It's until noon. What time

0:28:48.440 --> 0:28:53.120
<v Speaker 1>do you wake up? Well, you're awful, bro, I have

0:28:53.240 --> 0:28:55.720
<v Speaker 1>no interest in watching the parade. You are a mean man.

0:28:56.120 --> 0:28:59.080
<v Speaker 1>Mr Gradge. Oh, here comes Grinch. He's gonna spoil Christmas

0:28:59.160 --> 0:29:01.920
<v Speaker 1>for all the kids as he comes down sixth Avenue,

0:29:02.360 --> 0:29:09.560
<v Speaker 1>fifth Avenue, whatever the six fifth Avenue he's gonna put

0:29:09.640 --> 0:29:12.880
<v Speaker 1>coal in your stockings. Watch that, boys and girls, Well

0:29:13.040 --> 0:29:16.480
<v Speaker 1>that I can do with that. It comes Popeye, he's

0:29:16.520 --> 0:29:18.680
<v Speaker 1>looking for all of all. He just had his spinach.

0:29:18.720 --> 0:29:23.120
<v Speaker 1>Look out big, his muscles off, green, giant float coming down.

0:29:23.200 --> 0:29:25.760
<v Speaker 1>Oh who doesn't? And look he's got sprout with them all.

0:29:25.840 --> 0:29:29.360
<v Speaker 1>Let's prop alone. So you don't. You can't appreciate that

0:29:29.440 --> 0:29:32.880
<v Speaker 1>at least as visual in the background while you're cooking nothing. No,

0:29:33.200 --> 0:29:34.520
<v Speaker 1>first of all, I just told you I don't cook

0:29:35.520 --> 0:29:37.360
<v Speaker 1>helping your wife set the table. Why do you think

0:29:37.400 --> 0:29:38.960
<v Speaker 1>my wife sets the table? What do you do doing?

0:29:39.200 --> 0:29:41.000
<v Speaker 1>Don't you set the table while your wife? I mean,

0:29:41.200 --> 0:29:43.520
<v Speaker 1>what do you guys? What is your Thanksgiving tradition? I

0:29:43.640 --> 0:29:45.200
<v Speaker 1>call a restaurant and say, is it too late to

0:29:45.240 --> 0:29:48.560
<v Speaker 1>make reservations? Really? Yeah, we're going out this year? Where

0:29:48.560 --> 0:29:54.880
<v Speaker 1>are you going? Uh? We're doing Ruth Ruth Chris apostrophe.

0:29:55.360 --> 0:29:57.080
<v Speaker 1>You're doing that on a free gift card that you're

0:29:58.160 --> 0:30:01.040
<v Speaker 1>pan pan actual full price. Well, we'll see how the

0:30:01.120 --> 0:30:04.640
<v Speaker 1>night goes. It always starts at full price until they

0:30:04.680 --> 0:30:07.720
<v Speaker 1>do ship and then they give you money. We we

0:30:07.840 --> 0:30:11.720
<v Speaker 1>did the Thanksgiving special at Ruth's Chris Steakhouse. All about

0:30:11.720 --> 0:30:14.840
<v Speaker 1>four or five years ago, had a great meal. Great

0:30:14.880 --> 0:30:17.240
<v Speaker 1>meal was the sweet potato casserole part of that so good?

0:30:17.400 --> 0:30:22.720
<v Speaker 1>That's like crack. This year, my daughter, the vegan is

0:30:22.800 --> 0:30:25.200
<v Speaker 1>joining us, your daughter, the vegans. So we're going to

0:30:25.280 --> 0:30:27.560
<v Speaker 1>a steakhouse. And I had to make sure that they

0:30:27.600 --> 0:30:31.160
<v Speaker 1>can prepare all the vegetables and stuff they vegans. She

0:30:31.240 --> 0:30:35.600
<v Speaker 1>doesn't even she doesn't even fish of veganese, vegan veganese.

0:30:35.800 --> 0:30:38.840
<v Speaker 1>He's vegan. So they have to prepare everything veganese and style.

0:30:39.240 --> 0:30:41.560
<v Speaker 1>So what what do what can she eat? What does

0:30:41.600 --> 0:30:47.280
<v Speaker 1>a veganese eat? Steamed vegetables and cardboard tofu? Soy all

0:30:47.360 --> 0:30:51.000
<v Speaker 1>that she's good a vegetables. She she loves vegetables. She

0:30:51.120 --> 0:30:55.120
<v Speaker 1>makes very healthy Yeah sure, yeah, all right, wow so

0:30:55.280 --> 0:30:58.040
<v Speaker 1>she doesn't need Wow, that's crazy, man, But I give

0:30:58.040 --> 0:31:00.840
<v Speaker 1>her credit. She's not complaining about going there. She's like not,

0:31:00.960 --> 0:31:04.960
<v Speaker 1>she's cool about it. So the family is going to Chris.

0:31:06.200 --> 0:31:07.720
<v Speaker 1>And for those of you don't remember, I think we've

0:31:07.720 --> 0:31:10.920
<v Speaker 1>talked about it. It's Chris Steakhouse was in New Orleans,

0:31:10.960 --> 0:31:13.840
<v Speaker 1>I think, and Ruth bought it. So it's it's it's

0:31:13.920 --> 0:31:15.600
<v Speaker 1>harror because you don't want to change your name because

0:31:15.600 --> 0:31:18.480
<v Speaker 1>it was established already as Chris Steakhouse, right, so it's

0:31:18.640 --> 0:31:24.160
<v Speaker 1>Ruth's Chris Steakhouse, not Ruth Chris. Yeah, Ruth's. You tire

0:31:24.240 --> 0:31:27.440
<v Speaker 1>me out. You just read the sign sometimes people. So

0:31:28.680 --> 0:31:30.720
<v Speaker 1>we have some email that we've been holding off on,

0:31:30.880 --> 0:31:32.480
<v Speaker 1>but we could continue to hold off on it. We

0:31:32.640 --> 0:31:35.600
<v Speaker 1>because we we have to interview Anthony Kumia. We have

0:31:35.680 --> 0:31:37.520
<v Speaker 1>that coming up. We do. I have some bad resumes

0:31:37.520 --> 0:31:38.960
<v Speaker 1>and then he'll say this for next time. I do

0:31:39.080 --> 0:31:41.200
<v Speaker 1>have a bunch of tweets that I wanted to get

0:31:41.240 --> 0:31:43.440
<v Speaker 1>to and I think I have a quick a quick

0:31:43.560 --> 0:31:47.040
<v Speaker 1>rand told on a second. Oh, bathroom towel soap guy.

0:31:47.360 --> 0:31:50.520
<v Speaker 1>We talked about this guy for a minute. Sometimes you

0:31:50.600 --> 0:31:53.400
<v Speaker 1>go to the bathroom and you're in a swanky place, right,

0:31:53.760 --> 0:31:56.560
<v Speaker 1>and they have the guy in there, the bathroom soap guy.

0:31:57.200 --> 0:31:59.440
<v Speaker 1>He's the Franquent Skuy. He's got he's the guy who

0:31:59.480 --> 0:32:01.720
<v Speaker 1>gives you a score. Hes just he's holding he's holding

0:32:01.800 --> 0:32:06.400
<v Speaker 1>the soft soap. But he was. Now do you remember

0:32:06.520 --> 0:32:10.240
<v Speaker 1>before soft soap when it was just bar soap? No?

0:32:10.840 --> 0:32:13.360
<v Speaker 1>Did they What did they do back then? They just

0:32:13.360 --> 0:32:15.960
<v Speaker 1>hand your bar soap? I don't know they unwrap a

0:32:16.000 --> 0:32:18.000
<v Speaker 1>little like I feel like there was always a time

0:32:18.040 --> 0:32:20.960
<v Speaker 1>where there was flower shaped soap, liquid soap. There was

0:32:20.960 --> 0:32:23.960
<v Speaker 1>always liquid soap. Really, you think your father was using

0:32:24.000 --> 0:32:25.800
<v Speaker 1>liquid soap in the shower when he was fifteen. Maybe

0:32:25.800 --> 0:32:28.200
<v Speaker 1>they didn't have bathroomintendance then then maybe those people all

0:32:28.280 --> 0:32:30.640
<v Speaker 1>they have you seen these bathroomintendants they still from when

0:32:30.680 --> 0:32:32.440
<v Speaker 1>you fallow to stand hold on a second. You mean

0:32:32.440 --> 0:32:35.440
<v Speaker 1>to tell me that when people would go to bathrooms

0:32:35.480 --> 0:32:38.320
<v Speaker 1>and restaurants and bars, they had bar soap only in

0:32:38.400 --> 0:32:41.400
<v Speaker 1>these places that's unsanitary. To the Chinese restaurant used to

0:32:41.400 --> 0:32:43.640
<v Speaker 1>go to until I was had kids had a bar

0:32:43.720 --> 0:32:48.240
<v Speaker 1>so they all share. That's disgusting. I didn't use it.

0:32:49.960 --> 0:32:52.600
<v Speaker 1>So yeah, so good. So missed sometimes and sometimes you're

0:32:52.720 --> 0:32:55.600
<v Speaker 1>you're feeling like fancy you go to place and they go, sir,

0:32:55.680 --> 0:32:57.600
<v Speaker 1>would you like a napkin and a little towel or

0:32:57.640 --> 0:33:00.200
<v Speaker 1>they give you a little hot towel, towers they throwing

0:33:00.240 --> 0:33:03.080
<v Speaker 1>a hamper. Those guys I'm good with. But when they

0:33:03.200 --> 0:33:04.720
<v Speaker 1>go into the papper towel to spencer and hand your

0:33:04.720 --> 0:33:07.000
<v Speaker 1>pepper towel and to give a little squirt, I could

0:33:07.000 --> 0:33:09.760
<v Speaker 1>have done it myself. And you try. So when we

0:33:09.840 --> 0:33:12.800
<v Speaker 1>went off with the corner O'Brien thing, they had a

0:33:12.840 --> 0:33:16.920
<v Speaker 1>guy in the bathroom. Right, little squirre the guy, tell

0:33:16.960 --> 0:33:21.040
<v Speaker 1>squirt guy, and so the right there were four sinks

0:33:21.400 --> 0:33:23.640
<v Speaker 1>at sinc number one to the right, closest to the door,

0:33:23.960 --> 0:33:27.600
<v Speaker 1>he had little jar candies hit the tip jaws. Right,

0:33:27.800 --> 0:33:30.640
<v Speaker 1>he had his little that's a whole other topic bathroom

0:33:30.720 --> 0:33:33.800
<v Speaker 1>candy about it. But I don't know if I want

0:33:34.640 --> 0:33:40.160
<v Speaker 1>they got. So I go to the sink on the left.

0:33:40.320 --> 0:33:44.240
<v Speaker 1>Two reasons. One, I don't need his service. I'm good

0:33:44.320 --> 0:33:49.280
<v Speaker 1>right now. Two, I'm in a hurry. Three I already

0:33:49.320 --> 0:33:52.080
<v Speaker 1>know I have not a dollar in my pocket. I

0:33:52.160 --> 0:33:54.719
<v Speaker 1>have no money. So to save the guy the trouble

0:33:55.120 --> 0:33:59.080
<v Speaker 1>from working for free, because that's rude, I go, no,

0:33:59.200 --> 0:34:01.600
<v Speaker 1>I'm good. I'm going to sick number four. I'm going

0:34:01.600 --> 0:34:07.160
<v Speaker 1>to sink one. He's a sink four right, I read left, right,

0:34:07.440 --> 0:34:09.160
<v Speaker 1>sink one's on the left. I am a Jew, but

0:34:09.200 --> 0:34:14.480
<v Speaker 1>I don't this is in the Hebrew sink. So I

0:34:14.560 --> 0:34:16.439
<v Speaker 1>go to the first one and I'm like, I'm gonna

0:34:16.560 --> 0:34:19.200
<v Speaker 1>get my own soap. He comes flying in like a condor.

0:34:19.560 --> 0:34:26.000
<v Speaker 1>Who is here, sir, that's what he's there. He's hustling

0:34:26.400 --> 0:34:28.879
<v Speaker 1>every day. I'm hustling, damn hustling. So I go, okay,

0:34:28.880 --> 0:34:31.719
<v Speaker 1>all right, and I washed my hands. Now I'm taking

0:34:31.760 --> 0:34:33.680
<v Speaker 1>a really long time to wash my hands and hopes

0:34:33.719 --> 0:34:37.920
<v Speaker 1>he'll go to somebody else. Nope, it hopes someone towel, right,

0:34:38.000 --> 0:34:40.480
<v Speaker 1>And this way you can and I can grab I

0:34:40.560 --> 0:34:43.560
<v Speaker 1>can grab a towel from the towel to Spencer next

0:34:43.600 --> 0:34:46.120
<v Speaker 1>to me, because he's got the one next dam And

0:34:46.360 --> 0:34:49.440
<v Speaker 1>I saw I'm waiting for the guy in the he's

0:34:49.480 --> 0:34:51.399
<v Speaker 1>in there. He's not coming out. The guys in the stall.

0:34:51.719 --> 0:34:54.200
<v Speaker 1>I hear him flush. So I'm like washing my hands,

0:34:54.560 --> 0:34:58.440
<v Speaker 1>washing my hands, and he's looking at me like, you

0:34:58.640 --> 0:35:01.200
<v Speaker 1>motherfucker just finished washing your hands. I can towel your ass,

0:35:01.520 --> 0:35:04.200
<v Speaker 1>and I don't want him. A towel makes out every money. Yeah,

0:35:04.680 --> 0:35:07.040
<v Speaker 1>of all reasons to not tip, it's always that one.

0:35:07.080 --> 0:35:09.400
<v Speaker 1>For me, it's I don't have I don't have anything

0:35:09.440 --> 0:35:11.640
<v Speaker 1>in my way and I feel like that and I

0:35:11.800 --> 0:35:14.480
<v Speaker 1>feel like that's a fifty cent kind of tip. I

0:35:14.560 --> 0:35:16.719
<v Speaker 1>feel like for a squirt and handing me a towel,

0:35:16.880 --> 0:35:20.200
<v Speaker 1>that's a dollar I give the guy. Okay, it's a dollar.

0:35:20.320 --> 0:35:21.520
<v Speaker 1>How much do you give the guy for bringing you

0:35:21.520 --> 0:35:26.560
<v Speaker 1>a car round at a valet? Three dollars? Three? Whoa, whoa?

0:35:27.200 --> 0:35:29.280
<v Speaker 1>Three dollars? Now I know I don't have a bigger apartment.

0:35:30.440 --> 0:35:32.280
<v Speaker 1>You read how much do you give to the valet?

0:35:32.360 --> 0:35:35.640
<v Speaker 1>Got two dollars? Like there's a big difference. There is

0:35:35.640 --> 0:35:39.040
<v Speaker 1>a difference because two dollars is twice what the regular

0:35:39.080 --> 0:35:41.960
<v Speaker 1>average person gives. They give a dollar. I supposed to

0:35:42.160 --> 0:35:45.480
<v Speaker 1>give a dollar for valet. And you drive a fancy

0:35:45.520 --> 0:35:47.200
<v Speaker 1>cost you give extra money cause you have a fancy car.

0:35:48.280 --> 0:35:49.799
<v Speaker 1>I think three dollars. And let me tell you something.

0:35:49.800 --> 0:35:51.920
<v Speaker 1>If I'm at a fancy event like a wedding, or

0:35:51.960 --> 0:35:54.560
<v Speaker 1>if they know that I'm scary Jones, I'm giving them five. Okay.

0:35:55.000 --> 0:35:56.560
<v Speaker 1>What if you go to a wedding and you're causing

0:35:56.640 --> 0:35:58.640
<v Speaker 1>like the third spot, and he walks over agains, you

0:35:58.640 --> 0:36:01.000
<v Speaker 1>call him boom right there, drives ten feet, You get

0:36:01.040 --> 0:36:04.360
<v Speaker 1>him five bucks. It's not about the distance he put in.

0:36:04.520 --> 0:36:06.800
<v Speaker 1>It's about it's it's just about etiquette. It's if I

0:36:06.880 --> 0:36:11.040
<v Speaker 1>see my car that close, I go, he's gotta What

0:36:11.120 --> 0:36:12.920
<v Speaker 1>if he's gotta run around the block and it takes

0:36:13.000 --> 0:36:15.960
<v Speaker 1>him fifteen minutes to retrieve your car. He's technically gone

0:36:16.000 --> 0:36:19.160
<v Speaker 1>a long distance, but really gotten has given you worse service?

0:36:19.360 --> 0:36:20.880
<v Speaker 1>Or did he drive my car on the block four

0:36:20.960 --> 0:36:24.279
<v Speaker 1>or five times, speeding it with the hemim all over

0:36:24.360 --> 0:36:26.400
<v Speaker 1>the place. So you're charging him for gas now? And

0:36:28.960 --> 0:36:32.680
<v Speaker 1>I think that the longer distance he goes, the longer

0:36:32.800 --> 0:36:36.280
<v Speaker 1>and inconvenience it is. And let's just say an average

0:36:36.480 --> 0:36:38.879
<v Speaker 1>cars up front, I'm paid a top dollar. You're you're

0:36:38.880 --> 0:36:42.640
<v Speaker 1>an idiot. Why he had you know, he's he's he knows,

0:36:42.760 --> 0:36:45.280
<v Speaker 1>he's considered. He's like, you know what your time is valuable?

0:36:45.960 --> 0:36:50.040
<v Speaker 1>Your front thirty seconds, boom boom, here's your car, buddy

0:36:50.320 --> 0:36:52.800
<v Speaker 1>that service with a smile. That's five bucks. That's he

0:36:52.920 --> 0:36:55.120
<v Speaker 1>did nothing. What if he's not even the guy who parkeded?

0:36:55.280 --> 0:36:57.160
<v Speaker 1>Oh come on, and don't tell me they pull the

0:36:57.200 --> 0:37:00.319
<v Speaker 1>tips because there's no proof of that. I so you're

0:37:00.400 --> 0:37:04.360
<v Speaker 1>telling me, let's say, average tip two dollars, average tiptoo dollars. Okay,

0:37:04.440 --> 0:37:07.400
<v Speaker 1>you admit three dollars, a little overboard, average tip is

0:37:07.400 --> 0:37:11.520
<v Speaker 1>two dollars. Are you telling me that getting going to

0:37:11.640 --> 0:37:15.120
<v Speaker 1>walk to a car, protecting it and driving all the

0:37:15.160 --> 0:37:17.000
<v Speaker 1>way backing and opening the door for your wife, for

0:37:17.080 --> 0:37:19.400
<v Speaker 1>your girlfriend, and let you go, sir, here you go,

0:37:19.880 --> 0:37:24.680
<v Speaker 1>give your keys and fancy spancy treatment. Hold on, let's

0:37:24.680 --> 0:37:26.840
<v Speaker 1>say it's two dollars. Okay, let's say it's two Is

0:37:26.960 --> 0:37:30.000
<v Speaker 1>that really? What is that? Are you saying the soap guy,

0:37:30.480 --> 0:37:33.279
<v Speaker 1>paper towel, soap guy is really worth only a dollar

0:37:33.400 --> 0:37:35.440
<v Speaker 1>less than that? Like? Is he really worth that much?

0:37:35.800 --> 0:37:37.600
<v Speaker 1>If the car guys getting too for doing all that

0:37:37.680 --> 0:37:40.280
<v Speaker 1>work going up the elevator to get your car, bringing

0:37:40.280 --> 0:37:42.560
<v Speaker 1>it around, make sure he doesn't scratch it. He's got

0:37:42.640 --> 0:37:44.720
<v Speaker 1>your he's got the life of your car in his hands.

0:37:45.160 --> 0:37:46.799
<v Speaker 1>He scratches that car, it will never be the same.

0:37:47.760 --> 0:37:50.400
<v Speaker 1>That guy gets two three dollars, And the scuirty hand

0:37:50.480 --> 0:37:53.200
<v Speaker 1>soap guy with the towel, paper towel, scorty paper towel

0:37:53.239 --> 0:37:56.680
<v Speaker 1>guy gets a buck. I don't know about that. No, no, no,

0:37:57.320 --> 0:37:59.680
<v Speaker 1>well that's a service. I don't So. Then here's there's

0:37:59.680 --> 0:38:02.000
<v Speaker 1>a certain excited want so so then okay, compare it

0:38:02.080 --> 0:38:03.440
<v Speaker 1>to what if I want to want to go to

0:38:03.520 --> 0:38:05.040
<v Speaker 1>a restaurant. Guy grabs my coat and I have to

0:38:05.040 --> 0:38:07.600
<v Speaker 1>tip enough check in my coat? What compare it to

0:38:07.680 --> 0:38:11.000
<v Speaker 1>the shampoo girl at the at the haircut place. If

0:38:11.040 --> 0:38:13.680
<v Speaker 1>you tip for a hair cut, I don't know how

0:38:13.800 --> 0:38:16.160
<v Speaker 1>much is your haircut and you tip for like seven

0:38:16.200 --> 0:38:18.480
<v Speaker 1>eight bucks maybe ten bucks bucks for a tap? Are

0:38:18.520 --> 0:38:21.279
<v Speaker 1>you crazy? How much you're paying for a haircut? What

0:38:21.440 --> 0:38:23.160
<v Speaker 1>hair cuts places are you going to? I go to

0:38:23.239 --> 0:38:24.920
<v Speaker 1>a salon, I go to the girl you used to

0:38:24.960 --> 0:38:27.279
<v Speaker 1>go to. I don't go there anymore. I will I

0:38:27.400 --> 0:38:30.239
<v Speaker 1>go there cost me more than money for a hair

0:38:30.640 --> 0:38:33.440
<v Speaker 1>eighteen bucks and that's I feel like that's expensive. I

0:38:33.840 --> 0:38:35.919
<v Speaker 1>tipped ten dollars. That's more than a dollar a minute.

0:38:35.920 --> 0:38:37.920
<v Speaker 1>How much you give the shampoop person. I don't go

0:38:38.000 --> 0:38:40.040
<v Speaker 1>for a shampoo like chip holmoehm an adult. No, but

0:38:40.080 --> 0:38:42.960
<v Speaker 1>see hypothetically I have to give her three dollars. Now

0:38:43.040 --> 0:38:45.560
<v Speaker 1>give it two bucks. Depends on the haircut, if expense.

0:38:45.560 --> 0:38:49.320
<v Speaker 1>If I give your haircut, do all your hands on

0:38:49.360 --> 0:38:53.759
<v Speaker 1>your eyebrows. I can still watch. You gotta work harder

0:38:53.840 --> 0:38:55.200
<v Speaker 1>on my hair. Yeah, because you got grease in it.

0:38:55.239 --> 0:38:57.759
<v Speaker 1>Because you got more of it and you got grease. Dude,

0:38:57.800 --> 0:38:59.320
<v Speaker 1>you have for your hands all day one of a

0:38:59.320 --> 0:39:02.040
<v Speaker 1>sudden fall out, you still got receiving hairline on the

0:39:02.080 --> 0:39:06.960
<v Speaker 1>sides or there Okay, you do that's forehead whatever. Dude

0:39:07.480 --> 0:39:13.680
<v Speaker 1>kicks digmy. I never said they didn't brody and scary. Whatever. Hey,

0:39:13.719 --> 0:39:15.319
<v Speaker 1>are you going to any football game? By the way,

0:39:15.640 --> 0:39:19.680
<v Speaker 1>the hairline wouldn't be receiving be increasing. We both actually whatever,

0:39:19.840 --> 0:39:24.680
<v Speaker 1>whatever you are, you you gonna do any tailgating? No,

0:39:26.040 --> 0:39:27.680
<v Speaker 1>well that means you're not going to any jet you've

0:39:27.680 --> 0:39:29.279
<v Speaker 1>given up in your jets already. No, but can I

0:39:29.360 --> 0:39:32.120
<v Speaker 1>tell you my daughter went to a football game, a

0:39:32.160 --> 0:39:35.680
<v Speaker 1>college football game, for the first time, and she tailgated.

0:39:36.440 --> 0:39:39.759
<v Speaker 1>So of course I said, now, now she's eighteen. So

0:39:39.840 --> 0:39:43.160
<v Speaker 1>I said, now, wait a minute. If you tailgate, you

0:39:43.239 --> 0:39:46.200
<v Speaker 1>only do two things. You eat hot dogs and sausages,

0:39:46.680 --> 0:39:49.600
<v Speaker 1>or you drink. And you're a vegetarian. Why can you

0:39:49.640 --> 0:39:52.440
<v Speaker 1>have both? Hold on first story? And I said, and

0:39:52.480 --> 0:39:55.320
<v Speaker 1>you're a vegetarian. So she gave me the look like

0:39:55.360 --> 0:39:57.600
<v Speaker 1>the cat that swallowed the goldfish. And I said, and

0:39:57.640 --> 0:39:59.600
<v Speaker 1>I know you didn't drink it eighteen, so it must

0:39:59.600 --> 0:40:01.359
<v Speaker 1>have been a bo time for you. And she's like, oh, yeah,

0:40:01.480 --> 0:40:05.200
<v Speaker 1>boring you. Well, if you're going to a tailgate, we

0:40:05.640 --> 0:40:08.000
<v Speaker 1>recommend a specific hot dog for you, and that would

0:40:08.000 --> 0:40:11.120
<v Speaker 1>be people already know if you didn't, just if you're

0:40:11.200 --> 0:40:13.200
<v Speaker 1>listening to this and you didn't mouth the word Feltman's,

0:40:13.360 --> 0:40:15.680
<v Speaker 1>you know when you start coming, my mouth is water

0:40:15.760 --> 0:40:19.640
<v Speaker 1>with Feltmon's right now, Feltman's hot Dogs. There's no nitrates,

0:40:19.719 --> 0:40:23.080
<v Speaker 1>no nitrites, no filler in there. This is a clean

0:40:23.200 --> 0:40:26.320
<v Speaker 1>tasting hot dog. It's so good and it doesn't have

0:40:26.440 --> 0:40:29.000
<v Speaker 1>that salty after taste like other hot dogs have. They

0:40:29.080 --> 0:40:32.600
<v Speaker 1>come in a package. They come in a package, right,

0:40:32.640 --> 0:40:35.759
<v Speaker 1>there's a selling point right to store and they're thrown

0:40:35.760 --> 0:40:38.799
<v Speaker 1>all over the place package and then not that though.

0:40:38.880 --> 0:40:41.239
<v Speaker 1>But they have skinless versions and they have the regular version.

0:40:41.280 --> 0:40:43.399
<v Speaker 1>And by the way, you did not say extra skin version,

0:40:44.080 --> 0:40:46.480
<v Speaker 1>almost like did I really have extra skin versions? But

0:40:46.600 --> 0:40:48.719
<v Speaker 1>here's the thing the guy said, I try him. Yeah,

0:40:48.760 --> 0:40:52.759
<v Speaker 1>exactly that good. Feltman's of Coney Island dot com. F E. L. T.

0:40:53.040 --> 0:40:55.319
<v Speaker 1>M A N S. Of Coney Island dot com. We've

0:40:55.360 --> 0:40:59.040
<v Speaker 1>had them on the Morning show Elvis Dosters for them. Yeah, well,

0:40:59.080 --> 0:41:00.920
<v Speaker 1>well you have, but you can't do that in the website.

0:41:00.920 --> 0:41:05.000
<v Speaker 1>It'll screw it up. Understand that. Go there and um

0:41:05.440 --> 0:41:07.920
<v Speaker 1>you could find out where you can pick these up

0:41:08.200 --> 0:41:11.400
<v Speaker 1>there on you can get them online Amazon dot com. Amazon,

0:41:11.680 --> 0:41:15.239
<v Speaker 1>you go to King's, Balducci, Mrs Green's and they're also

0:41:15.360 --> 0:41:18.560
<v Speaker 1>coming soon this next month to stop and shop. Okay,

0:41:19.239 --> 0:41:22.400
<v Speaker 1>that's big. But the best part about Feltman's is the

0:41:22.560 --> 0:41:26.400
<v Speaker 1>story behind it. Charles Feltman invented the hot dog in

0:41:26.480 --> 0:41:29.239
<v Speaker 1>eighteen sixty seven, and Nathan worked for him as a

0:41:29.320 --> 0:41:32.120
<v Speaker 1>bun slicer and then after a few years said I'm

0:41:32.120 --> 0:41:33.520
<v Speaker 1>out of here, and then you know the rest of

0:41:33.640 --> 0:41:37.320
<v Speaker 1>the Nathan story. But why not go to the original

0:41:37.560 --> 0:41:39.560
<v Speaker 1>in Coney Island. They're still They were there on Surf

0:41:39.600 --> 0:41:41.600
<v Speaker 1>Avenue right there. They have that Brook and Mortar right

0:41:41.680 --> 0:41:44.359
<v Speaker 1>there Feltman. So when we took a picture in front

0:41:44.360 --> 0:41:48.880
<v Speaker 1>of the cyclone, absolutely um and get a Feltman's hot

0:41:48.880 --> 0:41:50.640
<v Speaker 1>Dog right there. Get on the cyclone and eat it

0:41:50.680 --> 0:41:53.160
<v Speaker 1>as you're going down the hill. You'll love it, like

0:41:53.239 --> 0:41:57.200
<v Speaker 1>when you're screaming pap exactly. Now. You got some tweets

0:41:57.239 --> 0:41:58.800
<v Speaker 1>you wanted to read. I do have some tweets I

0:41:58.800 --> 0:42:01.440
<v Speaker 1>wanted to read or email? What you want I want

0:42:01.440 --> 0:42:03.000
<v Speaker 1>to get? I want to I want to get to what.

0:42:03.120 --> 0:42:04.879
<v Speaker 1>I want to rant about one thing, but I want

0:42:04.880 --> 0:42:07.680
<v Speaker 1>to talk about I want to talk about the tweets

0:42:07.680 --> 0:42:09.160
<v Speaker 1>I got go for it. Here we go, hold on,

0:42:09.200 --> 0:42:12.000
<v Speaker 1>let me go with my folder here. Okay, let's talk

0:42:12.040 --> 0:42:17.560
<v Speaker 1>about Mace at the underscore Mason jar. So he writes

0:42:17.719 --> 0:42:23.479
<v Speaker 1>good self correction on the Latissimus Dorsey muscle, which I replied, huh,

0:42:24.000 --> 0:42:25.920
<v Speaker 1>and he wrote back, sorry, I guess I'm too far

0:42:26.040 --> 0:42:28.800
<v Speaker 1>back still episode fifty seven of the Brooklyn Boys. You

0:42:28.920 --> 0:42:31.520
<v Speaker 1>said lats were your laterals and then corrected yourself right

0:42:31.560 --> 0:42:35.320
<v Speaker 1>after looking it up. So I wrote back, dude, we

0:42:35.400 --> 0:42:38.080
<v Speaker 1>have rules here on the Brooklyn Boys podcast that was

0:42:38.239 --> 0:42:42.080
<v Speaker 1>five weeks ago, almost six weeks ago. I don't remember.

0:42:42.600 --> 0:42:44.320
<v Speaker 1>You know. What happens? We do a scar and I

0:42:44.360 --> 0:42:46.720
<v Speaker 1>do the podcast right, we stopped rolling on the podcast,

0:42:46.760 --> 0:42:49.399
<v Speaker 1>we go We're from Brooklyn, the jingle plays whatever. Then

0:42:49.440 --> 0:42:51.800
<v Speaker 1>we go into the computer and we upload it, and

0:42:51.840 --> 0:42:53.600
<v Speaker 1>then Scary and I have to write a description, and

0:42:53.719 --> 0:42:55.960
<v Speaker 1>Scary says, what should we call this episode? And we

0:42:56.040 --> 0:42:58.240
<v Speaker 1>go what do we talk about? I don't remember, because

0:42:58.280 --> 0:42:59.759
<v Speaker 1>we we forget about what we talked about in the

0:42:59.800 --> 0:43:02.560
<v Speaker 1>last ten seconds. It's already in the past, right, so

0:43:02.680 --> 0:43:05.840
<v Speaker 1>you expect us to remember something weeks weeks I'm like,

0:43:06.000 --> 0:43:08.560
<v Speaker 1>what lateral? And and so then I tweet him I going, dude,

0:43:08.760 --> 0:43:10.799
<v Speaker 1>I don't remember what we just talked about five minutes ago,

0:43:11.000 --> 0:43:14.000
<v Speaker 1>sad He writes back, you know what, I vaguely remember

0:43:14.000 --> 0:43:16.560
<v Speaker 1>you guys mentioning that on the podcast. Don't bring up

0:43:16.560 --> 0:43:19.120
<v Speaker 1>stuff from five six weeks ago without mentioning what it is.

0:43:19.160 --> 0:43:21.080
<v Speaker 1>If you had said, hey, I'm on fifty seven blah

0:43:21.080 --> 0:43:23.360
<v Speaker 1>blah blah, even that I'm I don't remember doing that,

0:43:23.920 --> 0:43:27.960
<v Speaker 1>all right, So there you go, Trace Minch at Trace

0:43:28.040 --> 0:43:32.040
<v Speaker 1>Underscore Minch. I was walking through walmut tonight, back by

0:43:32.080 --> 0:43:34.680
<v Speaker 1>the milk and as I'm walking by, I overheard someone

0:43:34.760 --> 0:43:37.640
<v Speaker 1>say you want the vanilla milk, right, and I instantly

0:43:37.680 --> 0:43:40.960
<v Speaker 1>flashed back to David Brodie David Brodie's rant on vanilla

0:43:41.040 --> 0:43:43.759
<v Speaker 1>milk hashtag it's just milk. I got a good laugh.

0:43:44.160 --> 0:43:46.880
<v Speaker 1>That's right, it's just milk. It's just milk. It's not

0:43:47.040 --> 0:43:50.480
<v Speaker 1>vanilla milk. There's no vanilla in it. Now, don't tweet

0:43:50.520 --> 0:43:52.600
<v Speaker 1>me and say I poured vanilla milk. Yes, if they

0:43:52.640 --> 0:43:55.440
<v Speaker 1>put vanilla in, it's vanilla milk. But regular milk is milk, right,

0:43:55.520 --> 0:43:57.400
<v Speaker 1>It's not white milk. Oh, it's not white milk, by

0:43:57.400 --> 0:43:59.839
<v Speaker 1>the way, Trace The correction is it's not white milk.

0:44:00.160 --> 0:44:02.680
<v Speaker 1>If they have vanilla milk at Walmart, this person was right,

0:44:03.280 --> 0:44:05.680
<v Speaker 1>in which case they're not as douchy. Although the buying

0:44:05.760 --> 0:44:08.560
<v Speaker 1>vanilla milk, I'm just saying it's it's white milk, that's

0:44:08.600 --> 0:44:15.960
<v Speaker 1>the problem. Um Okay, hold on, Robert Faffinger Rob double

0:44:16.160 --> 0:44:19.960
<v Speaker 1>or double B r O double B Favenger, Scary Jones,

0:44:20.239 --> 0:44:22.320
<v Speaker 1>you do owe David Brodie a damn steak dinner you

0:44:22.400 --> 0:44:24.920
<v Speaker 1>pay for with your own money. Now, plus, here's what

0:44:25.000 --> 0:44:27.400
<v Speaker 1>you're going to do. Take him as your plus one

0:44:27.440 --> 0:44:30.680
<v Speaker 1>to your private invite plus another steak dinner and then

0:44:30.760 --> 0:44:32.880
<v Speaker 1>have meet Paul Sandwiches for lunch. Hey, you know what

0:44:32.960 --> 0:44:36.279
<v Speaker 1>he's gonna get for lunch, A fucking knuckle sandwiching any

0:44:36.320 --> 0:44:40.080
<v Speaker 1>of that. Dylan Anthony at Dylan Sullivan seven McDonald's made

0:44:40.120 --> 0:44:42.279
<v Speaker 1>me pull up to the smelly trash cans. I need

0:44:42.360 --> 0:44:44.960
<v Speaker 1>free dessert and there's a picture of the car sitting

0:44:45.000 --> 0:44:49.680
<v Speaker 1>by the trash can. Uh. Liz and the Laura Brooklyn boys. Oh,

0:44:49.760 --> 0:44:52.720
<v Speaker 1>how I've missed David Brodie Steak dinner update hashtag Brody

0:44:52.760 --> 0:44:56.120
<v Speaker 1>Steak dinner update hashtag update At Scary Jones, you owe

0:44:56.200 --> 0:44:59.440
<v Speaker 1>him that ship, and some regrett to meet Paul's hashtag,

0:44:59.640 --> 0:45:01.719
<v Speaker 1>and some we go out to meet Paul's hold on.

0:45:02.360 --> 0:45:04.320
<v Speaker 1>By the way, thank you everyone. We'll talk about this

0:45:04.320 --> 0:45:07.520
<v Speaker 1>in a minute. Thank you everyone for continuing to vote

0:45:07.560 --> 0:45:10.399
<v Speaker 1>for the Brooklyn Boys podcast on the I Heart Radio

0:45:10.440 --> 0:45:12.520
<v Speaker 1>Podcast Awards. Scare you, I'll give you the information in

0:45:12.520 --> 0:45:16.400
<v Speaker 1>a minute. Hold on. Uh, Stephanie Minker at v I

0:45:16.640 --> 0:45:18.680
<v Speaker 1>L L E two to seven. I don't get that. Stephanie,

0:45:19.040 --> 0:45:23.040
<v Speaker 1>currently getting an insurance quote and saw this vehicles and

0:45:23.160 --> 0:45:27.719
<v Speaker 1>to your vehicle then number that's not good. No, no,

0:45:28.000 --> 0:45:30.800
<v Speaker 1>it's not a vein number. And by the way, I

0:45:30.920 --> 0:45:33.560
<v Speaker 1>was at bed Bath and Beyond yesterday. The guy helping

0:45:33.640 --> 0:45:38.080
<v Speaker 1>me was really nice. Right what he says, Oh, uh,

0:45:38.560 --> 0:45:42.680
<v Speaker 1>what do you have your your pin number? I said,

0:45:42.719 --> 0:45:44.919
<v Speaker 1>I don't know what that is? You mean my pin code?

0:45:45.239 --> 0:45:46.520
<v Speaker 1>And he looked at me like I have three heads.

0:45:46.680 --> 0:45:49.799
<v Speaker 1>But I'm not let him get aware at that pin number. Uh,

0:45:50.400 --> 0:45:54.600
<v Speaker 1>let's say. Oh. Kevin Wright at Hokey Fan, he writes,

0:45:55.440 --> 0:45:58.719
<v Speaker 1>don't fall for a state dinner event. That's a sales pitch,

0:45:58.960 --> 0:46:01.719
<v Speaker 1>not a dinner from a friend. And thank you Kevin, right,

0:46:02.160 --> 0:46:06.040
<v Speaker 1>loving you, And let's see oh, let's talk about the

0:46:06.120 --> 0:46:08.960
<v Speaker 1>person who tweeted us thinking that the c m A

0:46:09.160 --> 0:46:12.120
<v Speaker 1>s uh and saying the c m A Awards was wrong.

0:46:12.320 --> 0:46:14.880
<v Speaker 1>It's actually saying the c m A Awards is right

0:46:14.960 --> 0:46:18.560
<v Speaker 1>because it's the Country Music Association Awards. Now that's on them.

0:46:19.000 --> 0:46:21.360
<v Speaker 1>They they did that deliberately. They could have called it

0:46:21.440 --> 0:46:25.319
<v Speaker 1>the Country Music Club, the Country Music Group, the Association

0:46:25.400 --> 0:46:29.000
<v Speaker 1>and you call but but saying the CIMA Awards is correct.

0:46:29.040 --> 0:46:30.719
<v Speaker 1>And I'm pretty sure they used this. I'm pretty sure

0:46:30.719 --> 0:46:32.719
<v Speaker 1>they used to be the CMAS. I think back in

0:46:32.760 --> 0:46:35.320
<v Speaker 1>the day. They're just the Country Music Awards Awards of

0:46:35.360 --> 0:46:39.800
<v Speaker 1>the Awards Awards. Caitlin Caitlin Gutierrez at O h K

0:46:40.200 --> 0:46:44.239
<v Speaker 1>Y two at David Brodie, This takes the cake. My

0:46:44.400 --> 0:46:48.680
<v Speaker 1>local burger king has two brooms taped together with red

0:46:48.800 --> 0:46:51.680
<v Speaker 1>reflective duct tape and used it to stop me from

0:46:51.719 --> 0:46:53.879
<v Speaker 1>getting to the drive through window until they were ready

0:46:53.920 --> 0:46:57.480
<v Speaker 1>to summon me. Hashtag fellow slice and she put a

0:46:57.520 --> 0:47:01.359
<v Speaker 1>picture up. There's flags on pole where they stick them

0:47:01.360 --> 0:47:03.360
<v Speaker 1>out and stop you until they're ready for you to

0:47:03.400 --> 0:47:05.720
<v Speaker 1>pull up. So they don't stuck their clock being time

0:47:06.040 --> 0:47:07.840
<v Speaker 1>until their food is ready so they can make it

0:47:07.920 --> 0:47:11.279
<v Speaker 1>look like you didn't wait that long. That's bullshit. That

0:47:11.440 --> 0:47:14.879
<v Speaker 1>is some bullshit. Burger king wherever this is located, that's

0:47:14.880 --> 0:47:18.720
<v Speaker 1>some bullshit. Uh. Sarah wrote to us, and she wanted

0:47:18.760 --> 0:47:20.640
<v Speaker 1>to tell us that she went to the dentist this

0:47:20.800 --> 0:47:23.600
<v Speaker 1>morning and she listened to our podcast while getting her

0:47:23.640 --> 0:47:26.759
<v Speaker 1>filling to calm her nerves. Uh. The dentist asked what

0:47:26.840 --> 0:47:29.240
<v Speaker 1>I was listening to, and she said the Brooklyn Boys,

0:47:29.719 --> 0:47:32.440
<v Speaker 1>and then he then did a pretty good impression of

0:47:32.520 --> 0:47:36.759
<v Speaker 1>someone from Brooklyn. That's from Sarah. H Yeah, I don't

0:47:36.760 --> 0:47:40.160
<v Speaker 1>know if you could really from Brooklyn. That's not how

0:47:40.239 --> 0:47:43.520
<v Speaker 1>we sound, right. Well, I'd like to hear his rendition

0:47:43.719 --> 0:47:45.600
<v Speaker 1>or I'm gonna save unused jokes because we had this

0:47:45.680 --> 0:47:48.680
<v Speaker 1>interview coming up and I just complain about about one thing.

0:47:51.040 --> 0:47:55.319
<v Speaker 1>Is it time? All right? So I had to send

0:47:55.360 --> 0:47:59.920
<v Speaker 1>out an email. Hold on wait, you pointed to your

0:48:00.360 --> 0:48:03.600
<v Speaker 1>get it ready, Get it ready, It's ready, It's so ready.

0:48:03.600 --> 0:48:09.719
<v Speaker 1>I hit the button. People hit the music too soon?

0:48:09.800 --> 0:48:13.600
<v Speaker 1>Would you like? I sent that an email? Right, I

0:48:13.680 --> 0:48:16.480
<v Speaker 1>had to alert a couple of people in one of

0:48:16.560 --> 0:48:20.440
<v Speaker 1>our divisions, okay of something major. Oh my god, this

0:48:20.520 --> 0:48:24.959
<v Speaker 1>pisses me off, And I sent it to a guy

0:48:25.840 --> 0:48:29.640
<v Speaker 1>and a woman, right, And I had already sent other

0:48:29.719 --> 0:48:32.880
<v Speaker 1>emails to other people to make sure everyone was in

0:48:32.920 --> 0:48:35.400
<v Speaker 1>the loop. And I said, to the guy and the woman,

0:48:36.040 --> 0:48:40.360
<v Speaker 1>here's this message that's very important. If there's anyone I

0:48:40.520 --> 0:48:45.320
<v Speaker 1>forgot in your department, right that should be on this email,

0:48:45.920 --> 0:48:48.719
<v Speaker 1>email me back. Let me know who it is. I'll

0:48:48.760 --> 0:48:52.840
<v Speaker 1>send them an email. That's a fair request. You forgot Jamie,

0:48:53.080 --> 0:48:56.400
<v Speaker 1>you forgot Julie, you forgot Mark, Steve Bob, Let me know.

0:48:56.719 --> 0:49:02.120
<v Speaker 1>I'll email him the Canista. So I send that email out,

0:49:03.120 --> 0:49:07.080
<v Speaker 1>and I had a completely different email and format of

0:49:07.160 --> 0:49:10.080
<v Speaker 1>an email I wanted to send the boss. Okay, I

0:49:10.200 --> 0:49:12.480
<v Speaker 1>didn't want to use that verbon, you were eventually going

0:49:12.600 --> 0:49:15.359
<v Speaker 1>to send the boss an email. What the email needed

0:49:15.400 --> 0:49:19.160
<v Speaker 1>to be written differently than the casual, matter of fact,

0:49:19.239 --> 0:49:22.080
<v Speaker 1>abrupt email I sent to them because I just needed

0:49:22.080 --> 0:49:26.200
<v Speaker 1>to get them a note right away. Okay. It wasn't

0:49:26.239 --> 0:49:28.359
<v Speaker 1>exactly what I wanted the boss to know in those terms.

0:49:28.800 --> 0:49:31.560
<v Speaker 1>It doesn't matter. I said, if I left anybody off,

0:49:31.600 --> 0:49:33.799
<v Speaker 1>you think I should let know email me their names.

0:49:34.400 --> 0:49:38.400
<v Speaker 1>I get a reply all that says, okay, no problem, Oh,

0:49:39.000 --> 0:49:41.279
<v Speaker 1>we'll take care of it. And by the way, I

0:49:41.440 --> 0:49:44.319
<v Speaker 1>plus one the boss, so added the boss to the kind.

0:49:44.440 --> 0:49:45.960
<v Speaker 1>They didn't like it, and they got to see the

0:49:46.120 --> 0:49:51.040
<v Speaker 1>entire chain. Right. Let me tell you something, if I

0:49:51.200 --> 0:49:54.200
<v Speaker 1>want to add the boss to an email, I'll add

0:49:54.239 --> 0:49:57.279
<v Speaker 1>the boss to an email. I'm perfectly capable of knowing

0:49:57.320 --> 0:50:00.040
<v Speaker 1>who my boss is. I could add the boss of

0:50:00.160 --> 0:50:03.080
<v Speaker 1>my want. I guess what, I know the bosses email address.

0:50:03.600 --> 0:50:06.880
<v Speaker 1>I very easily could say add boss, but I didn't.

0:50:07.160 --> 0:50:09.839
<v Speaker 1>I also could have said, hey, you know what, why

0:50:09.880 --> 0:50:12.719
<v Speaker 1>don't you forward this to anybody? I forgot No, I

0:50:12.800 --> 0:50:14.880
<v Speaker 1>didn't say that. I said, let me know who I

0:50:14.920 --> 0:50:17.840
<v Speaker 1>should email if I left anybody off the list that

0:50:17.960 --> 0:50:20.759
<v Speaker 1>you think I should email, I didn't say, take it

0:50:20.880 --> 0:50:24.160
<v Speaker 1>upon yourself to add the boss. So you'll look like

0:50:24.280 --> 0:50:26.759
<v Speaker 1>a little brown nose and bitch that you put the

0:50:26.840 --> 0:50:29.279
<v Speaker 1>boss on the email, and I look like a dick

0:50:29.600 --> 0:50:32.319
<v Speaker 1>for not including the boss. Let you look like shit.

0:50:32.800 --> 0:50:35.520
<v Speaker 1>Oh he sends up this important emails, looks stupid and

0:50:35.640 --> 0:50:38.200
<v Speaker 1>like because the boss is gonna think, Hong, how dumb

0:50:38.280 --> 0:50:41.400
<v Speaker 1>is brownie? And then he asked who to add, as

0:50:41.440 --> 0:50:43.960
<v Speaker 1>if he didn't know to add me the boss. So

0:50:44.080 --> 0:50:47.080
<v Speaker 1>now the boss is thinking Oh, what's Brony trying to hide? Right,

0:50:47.239 --> 0:50:48.919
<v Speaker 1>bro He's not trying to hide any off to something.

0:50:48.960 --> 0:50:50.920
<v Speaker 1>Are you being shifty? Yeah? Why did Brooke dido? You

0:50:50.920 --> 0:50:53.320
<v Speaker 1>don't want me to know this? You know what? Don't

0:50:53.480 --> 0:50:56.399
<v Speaker 1>copy the boss to emails, your fucking brown nose and fool.

0:50:56.600 --> 0:50:58.400
<v Speaker 1>That was a c y a move, you know, c

0:50:58.640 --> 0:51:04.240
<v Speaker 1>y a cover your ask because because excuse me, Espresso

0:51:04.360 --> 0:51:09.600
<v Speaker 1>knows there you go talking my language. Espresso knows can

0:51:09.640 --> 0:51:13.320
<v Speaker 1>I say this? Did? The person that did this is

0:51:13.440 --> 0:51:17.280
<v Speaker 1>probably afraid of their own job that they they shiver

0:51:17.400 --> 0:51:20.200
<v Speaker 1>in their boots, they're covering their ass, they're trying to

0:51:20.280 --> 0:51:23.680
<v Speaker 1>figure out they think helpful. No, no, but they also

0:51:23.800 --> 0:51:26.800
<v Speaker 1>are just like, whoa, we gotta include the boss in

0:51:26.880 --> 0:51:31.160
<v Speaker 1>on this, because it's it's it's a company where everybody micromanages.

0:51:32.160 --> 0:51:34.520
<v Speaker 1>It's wrong, it's it's it's more than wrong, Brody. And

0:51:34.560 --> 0:51:36.399
<v Speaker 1>now I felt like writing back, don't be a dick

0:51:36.440 --> 0:51:38.439
<v Speaker 1>and copy of the boss. But then they'll just right back,

0:51:38.640 --> 0:51:44.040
<v Speaker 1>Oh look I'm copying. Yeah, that's fucked up, fucked up.

0:51:45.160 --> 0:51:48.920
<v Speaker 1>Uh getta sucked up. Yeah, I think it's time to think,

0:51:48.920 --> 0:51:51.600
<v Speaker 1>it's time. Yeah, let's let's let's let's get into this interview.

0:51:52.000 --> 0:51:53.840
<v Speaker 1>This was an interview that we're gonna play for you

0:51:54.000 --> 0:51:56.719
<v Speaker 1>right now that was recorded at a previous date. As

0:51:56.719 --> 0:51:59.880
<v Speaker 1>we told you now we talked about giving you a bonus.

0:52:00.200 --> 0:52:02.840
<v Speaker 1>This is a bonus because Scary and Eye on a

0:52:02.920 --> 0:52:06.200
<v Speaker 1>day we don't normally record, recorded this seventy seven minutes.

0:52:07.080 --> 0:52:10.239
<v Speaker 1>This is a nice little long podcast. Yeah, a podcast already. Yeah,

0:52:10.239 --> 0:52:11.920
<v Speaker 1>we were gonna put as a separate episode. We're like, no,

0:52:12.040 --> 0:52:13.759
<v Speaker 1>let's edit it to this one, making a super long

0:52:14.239 --> 0:52:15.600
<v Speaker 1>so you're not the like, wait for the app to

0:52:15.640 --> 0:52:19.200
<v Speaker 1>go to the next one. So this is someone that

0:52:19.880 --> 0:52:26.080
<v Speaker 1>I think is a legendary radio performer. Look, these guys

0:52:26.400 --> 0:52:29.719
<v Speaker 1>were occasionally called shock shocks, but I think that minimizes

0:52:29.800 --> 0:52:33.320
<v Speaker 1>what they did. They reinvented a lot of the genre

0:52:33.440 --> 0:52:37.959
<v Speaker 1>of shock radio. They were pioneers. Um, they never cared

0:52:37.960 --> 0:52:40.480
<v Speaker 1>about getting in trouble if it was funny, which I

0:52:40.520 --> 0:52:44.120
<v Speaker 1>think is admirable. Um. By the and by the time

0:52:44.160 --> 0:52:46.520
<v Speaker 1>you hear this, by the way, the book will be out.

0:52:46.840 --> 0:52:50.640
<v Speaker 1>I believe Tuesday, November. You know, well, today's Monday. But

0:52:50.920 --> 0:52:53.160
<v Speaker 1>it's all good. It's he's doing book signings already. You

0:52:53.200 --> 0:52:55.280
<v Speaker 1>can pick up the book, the it's all the information

0:52:55.320 --> 0:52:57.719
<v Speaker 1>about the book, everything's in the in the interview, Uh,

0:52:57.840 --> 0:52:59.400
<v Speaker 1>we we have a we have a discount code for

0:52:59.440 --> 0:53:02.879
<v Speaker 1>you guys, of course for his streaming service. Uh. You'll

0:53:02.920 --> 0:53:05.040
<v Speaker 1>hear what Anthony's up to now. But if you're thinking,

0:53:05.080 --> 0:53:06.960
<v Speaker 1>like I never liked to open to Anthony, or I

0:53:07.000 --> 0:53:09.560
<v Speaker 1>don't know that show, I wasn't in my town, listen

0:53:10.040 --> 0:53:13.360
<v Speaker 1>to the story, the story story of what it's like,

0:53:13.680 --> 0:53:16.399
<v Speaker 1>how he got started. Uh, he was basically a day

0:53:16.480 --> 0:53:19.439
<v Speaker 1>laborer and he worked his way into radio by juko,

0:53:19.480 --> 0:53:23.279
<v Speaker 1>by crook, and he's a brilliant talent, whether he's your

0:53:23.320 --> 0:53:25.400
<v Speaker 1>cup of tea or not. And the stories and the

0:53:25.480 --> 0:53:28.160
<v Speaker 1>way things happened on the show, and the story about

0:53:28.200 --> 0:53:31.200
<v Speaker 1>the girl who caught him in bed. But there's so

0:53:31.320 --> 0:53:34.239
<v Speaker 1>much good stuff and the book. The book is fantastic.

0:53:34.560 --> 0:53:36.640
<v Speaker 1>So you'll hear information about the book, but enjoying this.

0:53:36.840 --> 0:53:40.239
<v Speaker 1>He lived, he is living or lived rock star. Yeah

0:53:41.560 --> 0:53:44.640
<v Speaker 1>to him in the interview, he was lived like a

0:53:44.760 --> 0:53:47.760
<v Speaker 1>rock star life on the radio. Unlike what you, Scary

0:53:47.800 --> 0:53:49.959
<v Speaker 1>and I have going for us. We have a good life.

0:53:50.200 --> 0:53:52.640
<v Speaker 1>It's fun. But the stuff that they did is just

0:53:52.840 --> 0:53:55.480
<v Speaker 1>over the top. Craziness. Here you go. I'm kind of

0:53:55.520 --> 0:53:57.600
<v Speaker 1>fan boying right now, Brodie. Okay, I have to say

0:53:57.719 --> 0:53:59.960
<v Speaker 1>I've interviewed rock stars that I grew up like Kiss

0:54:00.120 --> 0:54:05.919
<v Speaker 1>and Deaf Leopard, and we've interviewed comedians. I never get nervous. Really, yeah,

0:54:06.360 --> 0:54:09.359
<v Speaker 1>I'm a little nervous today. I'm looking at me. He's

0:54:09.360 --> 0:54:11.560
<v Speaker 1>just sitting there like comfortable, Like no big deal. Uh.

0:54:11.640 --> 0:54:14.520
<v Speaker 1>Anthony Coumia from the Opening Anthony Show. And he has

0:54:14.520 --> 0:54:17.080
<v Speaker 1>his own show now, which we'll talk about. We listen

0:54:17.160 --> 0:54:20.520
<v Speaker 1>to him. Listen to your show for over a decade

0:54:20.800 --> 0:54:25.879
<v Speaker 1>afternoons mornings. I paid for satellite radio specifically to get

0:54:25.920 --> 0:54:30.000
<v Speaker 1>your show during after one of your many firings, and

0:54:30.320 --> 0:54:33.320
<v Speaker 1>I've spent a lot of money on you. And so

0:54:33.920 --> 0:54:36.520
<v Speaker 1>as fans of your show, we would do our morning

0:54:36.560 --> 0:54:39.000
<v Speaker 1>show and then ride home and listen to you and

0:54:39.200 --> 0:54:41.600
<v Speaker 1>and on the Open Anthony Show you were Anthony by

0:54:41.600 --> 0:54:45.320
<v Speaker 1>the way, for those and we would come in the

0:54:45.360 --> 0:54:47.000
<v Speaker 1>next day going did you it was you had the

0:54:47.000 --> 0:54:49.160
<v Speaker 1>show that people go did you hear what they did yesterday?

0:54:49.520 --> 0:54:53.480
<v Speaker 1>That is really nice to hear. Thank you, gentlemen. We're

0:54:53.520 --> 0:54:59.480
<v Speaker 1>not We're not gentlemen. Obviously, this this interview is definitely

0:54:59.520 --> 0:55:01.920
<v Speaker 1>for us, but it's also for people who want to

0:55:02.000 --> 0:55:04.080
<v Speaker 1>hear about a different kind of radio than what you

0:55:04.080 --> 0:55:06.160
<v Speaker 1>do on the Elvi Strand Morning Show, but also the

0:55:06.239 --> 0:55:09.560
<v Speaker 1>pitfalls and pratfalls of having a job in this industry

0:55:09.719 --> 0:55:12.040
<v Speaker 1>and how a non radio person can get into radio

0:55:12.120 --> 0:55:15.120
<v Speaker 1>because you have your humble beginnings that you didn't start

0:55:15.160 --> 0:55:16.880
<v Speaker 1>in radio. You didn't go to school for now. I

0:55:16.920 --> 0:55:18.520
<v Speaker 1>didn't go to school for that. Didn't go to school

0:55:18.560 --> 0:55:21.840
<v Speaker 1>for pretty much anything. Yeah, I I didn't graduate high school.

0:55:22.239 --> 0:55:25.200
<v Speaker 1>I was stuck in the trades, you know, the the

0:55:25.360 --> 0:55:28.600
<v Speaker 1>dumping ground for anybody that screws up their their education.

0:55:29.080 --> 0:55:32.040
<v Speaker 1>And then, uh, you know, through Opie who was out

0:55:32.080 --> 0:55:35.320
<v Speaker 1>on Long Island, uh doing radio, I got into the

0:55:35.719 --> 0:55:38.840
<v Speaker 1>business and I just had complete misconceptions and what it

0:55:38.920 --> 0:55:43.200
<v Speaker 1>was all about. I didn't know Like I thought if

0:55:43.239 --> 0:55:45.160
<v Speaker 1>you were on the radio, you had to be rich.

0:55:45.880 --> 0:55:50.440
<v Speaker 1>That was like, it's not. I learned that really quickly.

0:55:50.920 --> 0:55:53.640
<v Speaker 1>Twenty three years. I'm still wearing the same for five

0:55:53.719 --> 0:55:56.680
<v Speaker 1>years ago. That was my first lesson, because you did

0:55:56.719 --> 0:55:59.640
<v Speaker 1>you did a conditioning right, yeah, air conditioning and heating

0:55:59.680 --> 0:56:03.520
<v Speaker 1>and still Lasian duct work and think rooftops and addicts

0:56:03.560 --> 0:56:07.040
<v Speaker 1>and the heat and cold. Did you do air conditioning

0:56:07.120 --> 0:56:09.520
<v Speaker 1>work for the radio station? No? But they would ask me,

0:56:10.640 --> 0:56:12.520
<v Speaker 1>could you you know, it's a little cold in here,

0:56:12.600 --> 0:56:14.040
<v Speaker 1>or can you fix that? And I'd be like, you

0:56:14.200 --> 0:56:18.160
<v Speaker 1>call the guy. You had access into the studios, but

0:56:18.280 --> 0:56:20.960
<v Speaker 1>you were just the guy. I was that guy that

0:56:21.080 --> 0:56:23.600
<v Speaker 1>had to, you know, fix the stuff right now. I

0:56:23.760 --> 0:56:28.120
<v Speaker 1>started writing comedy and one of the first things I

0:56:28.320 --> 0:56:32.600
<v Speaker 1>sold to anyone, um was uh an o J joke

0:56:32.680 --> 0:56:34.880
<v Speaker 1>to Bill Maher, Oh wow. And then I ended up

0:56:34.920 --> 0:56:37.640
<v Speaker 1>in radio sending song parodies to the Elvis rand Show

0:56:37.680 --> 0:56:40.160
<v Speaker 1>on a cassette and they liked it. Yeah, you have

0:56:40.239 --> 0:56:43.000
<v Speaker 1>a similar story. How did you get Opie's attention? Yeah,

0:56:43.040 --> 0:56:46.359
<v Speaker 1>that's uh. It was during that whole O J. Simpson thing.

0:56:46.520 --> 0:56:49.080
<v Speaker 1>Might hurt about that J? Yeah, thank you o J.

0:56:49.280 --> 0:56:52.320
<v Speaker 1>O J. Gave me a career. It's great, And it was.

0:56:52.880 --> 0:56:55.799
<v Speaker 1>It was a song parody about o J. And Uh,

0:56:56.040 --> 0:56:59.200
<v Speaker 1>my brother took it to Opie's show out on Long

0:56:59.280 --> 0:57:02.120
<v Speaker 1>Island and UH just banged on the back door and

0:57:02.200 --> 0:57:04.319
<v Speaker 1>an in turn came to the door and said, all right,

0:57:04.360 --> 0:57:06.000
<v Speaker 1>I'll take it to Opie And my brother was pretty

0:57:06.120 --> 0:57:08.560
<v Speaker 1>you know, hey, where's Opie, I'll give it to him.

0:57:08.640 --> 0:57:11.120
<v Speaker 1>I want to talk to him, and uh, really pushy,

0:57:11.640 --> 0:57:13.680
<v Speaker 1>and he gave him the tape. No, not me, I

0:57:14.360 --> 0:57:16.920
<v Speaker 1>I'm not. My brother was the guy that kind of

0:57:17.160 --> 0:57:20.440
<v Speaker 1>got the whole thing rolling, and uh, he gave him

0:57:20.440 --> 0:57:22.520
<v Speaker 1>the tape. Opie played at the people loved it, and

0:57:22.840 --> 0:57:25.200
<v Speaker 1>Opie invited us to come on the show and perform

0:57:25.280 --> 0:57:27.440
<v Speaker 1>it live, which we did. And I just thought it

0:57:27.560 --> 0:57:30.800
<v Speaker 1>was time to start spinning plates and juggling and singing

0:57:30.880 --> 0:57:34.280
<v Speaker 1>and just do everything I could to make an impression

0:57:34.360 --> 0:57:36.840
<v Speaker 1>to get back on that show. And I did, and

0:57:37.000 --> 0:57:39.160
<v Speaker 1>he he had me back on and it was taping

0:57:39.240 --> 0:57:42.000
<v Speaker 1>every appearance that I made and sent it out to

0:57:42.040 --> 0:57:44.200
<v Speaker 1>other stations and we got the gig at a f

0:57:44.320 --> 0:57:46.840
<v Speaker 1>in Boston, and that was the end of my tin

0:57:46.960 --> 0:57:49.880
<v Speaker 1>knocking days. As they say, I threw my toolbox out

0:57:49.920 --> 0:57:53.120
<v Speaker 1>the window on the driving up. So you left, you

0:57:53.200 --> 0:57:56.000
<v Speaker 1>left Long Island with Opie and then you both went

0:57:56.080 --> 0:57:59.120
<v Speaker 1>to Boston for this gig. Yeah, yeah, that's great. I

0:57:59.160 --> 0:58:02.800
<v Speaker 1>feel like we should just say it ended in the firing,

0:58:04.600 --> 0:58:06.760
<v Speaker 1>because you guys have become known for your had your

0:58:06.800 --> 0:58:09.520
<v Speaker 1>public stunts over the years. Yeah. Yeah, that was our

0:58:09.600 --> 0:58:12.480
<v Speaker 1>first firing. We uh so this was a a f Yeah,

0:58:13.160 --> 0:58:15.720
<v Speaker 1>April fools. We said that the mayor was dead. Mayor

0:58:15.760 --> 0:58:19.840
<v Speaker 1>Menino was dead because and it was because some of

0:58:19.920 --> 0:58:22.960
<v Speaker 1>these you know how it is April Fools with DJs

0:58:23.080 --> 0:58:25.520
<v Speaker 1>is so hackey. And and this is before social media,

0:58:25.560 --> 0:58:28.400
<v Speaker 1>where you could have corrected yourself. By the way, you're

0:58:28.440 --> 0:58:31.400
<v Speaker 1>the best on social media, as everyone knows, correcting yourself.

0:58:31.760 --> 0:58:34.400
<v Speaker 1>But you didn't. You didn't have an outlet at the time.

0:58:34.480 --> 0:58:37.880
<v Speaker 1>This is ninety nineties. Yeah around there, you ky of time.

0:58:37.960 --> 0:58:40.280
<v Speaker 1>So you go on the air. You hired a newscaster,

0:58:40.560 --> 0:58:42.200
<v Speaker 1>right because is by the way, I want to say,

0:58:42.240 --> 0:58:43.880
<v Speaker 1>while you're here, because I have some of thiss information.

0:58:44.160 --> 0:58:46.200
<v Speaker 1>You're here in addition to you love us. Of course,

0:58:46.240 --> 0:58:50.360
<v Speaker 1>of course you're promoting permanently suspended, uh, which is your

0:58:50.480 --> 0:58:53.080
<v Speaker 1>rise and fall and rise again of radio's most notorious

0:58:53.080 --> 0:58:57.840
<v Speaker 1>shock chock with the forward by Jimmy Norton. He has

0:58:57.880 --> 0:58:59.600
<v Speaker 1>a book out and by the way, and it's it

0:58:59.600 --> 0:59:02.800
<v Speaker 1>looks like a nice easy read. It is an easy

0:59:03.360 --> 0:59:07.400
<v Speaker 1>I didn't want to no, I didn't want to go

0:59:07.600 --> 0:59:10.479
<v Speaker 1>crazy with a big thing. You see a big, thick book.

0:59:10.520 --> 0:59:15.360
<v Speaker 1>It's just intimidating. This is fun. So this, this story

0:59:15.440 --> 0:59:16.720
<v Speaker 1>is in the book which I by the way, I

0:59:16.800 --> 0:59:20.760
<v Speaker 1>read that that chapter yesterday. I got some details I

0:59:20.840 --> 0:59:23.040
<v Speaker 1>wasn't aware of, even though I've heard the story many times. Yeah,

0:59:23.200 --> 0:59:25.720
<v Speaker 1>so you, you and Opie decide, let's do a practical joke,

0:59:25.760 --> 0:59:29.800
<v Speaker 1>say the Mayor's dead. Yeah, And uh, I knew it

0:59:29.880 --> 0:59:32.120
<v Speaker 1>was going to be trouble. And I was the guy,

0:59:32.280 --> 0:59:34.320
<v Speaker 1>like I had just started doing this. We were doing

0:59:34.360 --> 0:59:37.240
<v Speaker 1>it for about three years, I guess in Boston, and uh,

0:59:37.600 --> 0:59:40.360
<v Speaker 1>I was petrified of being back in that attic. I

0:59:40.480 --> 0:59:43.320
<v Speaker 1>did not want to go back, and we did it.

0:59:43.840 --> 0:59:46.800
<v Speaker 1>The news picked up on it Menino's family, and we

0:59:46.920 --> 0:59:50.400
<v Speaker 1>subsequently got fired. Uh And I thought that was it.

0:59:50.640 --> 0:59:52.400
<v Speaker 1>I was like, wow, that was fun. That was a

0:59:52.440 --> 0:59:55.120
<v Speaker 1>fun three years. I'll be back in an attic cutting

0:59:55.200 --> 0:59:57.120
<v Speaker 1>a duct work and going, hey, do you ever hear

0:59:57.320 --> 1:00:01.720
<v Speaker 1>you haven't hear? That was of that. Listen to this cassette. Yeah, yeah,

1:00:01.800 --> 1:00:04.320
<v Speaker 1>check it out. It was great. Uh So I thought

1:00:04.360 --> 1:00:07.520
<v Speaker 1>we were screwed. But it was the first of many

1:00:07.640 --> 1:00:14.160
<v Speaker 1>firings and surprising, not the worst and not right. There's

1:00:14.200 --> 1:00:17.439
<v Speaker 1>a there's a story in the book that I don't

1:00:17.480 --> 1:00:20.880
<v Speaker 1>know how this happens. You were off air in Buffalo

1:00:22.160 --> 1:00:26.360
<v Speaker 1>doing uh public appearance and a for O and all,

1:00:26.520 --> 1:00:29.919
<v Speaker 1>you decided to put girls in bikinis who were strippers. Yeah,

1:00:30.160 --> 1:00:32.880
<v Speaker 1>although based on how this story ends, they weren't porn stars.

1:00:32.880 --> 1:00:36.040
<v Speaker 1>They were just strippers. They were just strippers. We should

1:00:36.080 --> 1:00:40.080
<v Speaker 1>have known though it was gonna You decided to have

1:00:40.120 --> 1:00:43.080
<v Speaker 1>them play volleyball, and then, of course, as guys do

1:00:43.240 --> 1:00:45.960
<v Speaker 1>with a little power and microphones, we know, you got

1:00:46.040 --> 1:00:48.480
<v Speaker 1>them to take their tops off. Yeah, and then tell

1:00:48.560 --> 1:00:51.320
<v Speaker 1>us how it spiled out of control after that. Yeah.

1:00:51.440 --> 1:00:53.680
<v Speaker 1>It was the beach of public beach. It was a

1:00:53.720 --> 1:00:56.840
<v Speaker 1>public beach. It wasn't closed. We didn't have it closed

1:00:56.880 --> 1:00:59.920
<v Speaker 1>for our event. We were at a bar that was

1:01:00.200 --> 1:01:03.439
<v Speaker 1>on the beach. And Uh, it was great. Everybody's drinking,

1:01:03.480 --> 1:01:06.760
<v Speaker 1>having a good time, big crowd there Buffalo. They're insane

1:01:06.840 --> 1:01:09.240
<v Speaker 1>up there, So it was a great time. And we

1:01:09.360 --> 1:01:12.640
<v Speaker 1>just thought these strippers would play volleyball in their bikinis. Uh.

1:01:13.600 --> 1:01:16.320
<v Speaker 1>But after a while and they've been drinking, they started

1:01:16.360 --> 1:01:20.760
<v Speaker 1>getting together and uh touching each other and making out,

1:01:20.880 --> 1:01:27.080
<v Speaker 1>and slowly there their bikinis just started falling off. Involved. Yes,

1:01:27.200 --> 1:01:30.479
<v Speaker 1>alcohol was involved. Now you have to buy the book

1:01:30.520 --> 1:01:32.560
<v Speaker 1>because I want to get away too much. But then

1:01:32.600 --> 1:01:38.080
<v Speaker 1>it got worse. Yeah, there there was food products involved. Yeah, yeah, somebody.

1:01:38.200 --> 1:01:41.520
<v Speaker 1>I don't know where it came from, but out of nowhere, Uh,

1:01:41.800 --> 1:01:47.240
<v Speaker 1>someone showed up with zucchini's and cucumbers and egg plants

1:01:48.040 --> 1:01:53.560
<v Speaker 1>cat right because of the nutritional value, of course. And

1:01:53.640 --> 1:01:57.800
<v Speaker 1>then and then at some point those products disappeared. Yeah, yeah,

1:01:58.200 --> 1:02:00.920
<v Speaker 1>it's no longer see that like a magic trick, just

1:02:01.160 --> 1:02:03.400
<v Speaker 1>like a magic trick. And so there were families on

1:02:03.480 --> 1:02:05.880
<v Speaker 1>the beach. What I don't get, and it's in the book,

1:02:06.400 --> 1:02:09.560
<v Speaker 1>is that somehow the FCC got involved and you weren't

1:02:09.560 --> 1:02:11.720
<v Speaker 1>on the air. How does that happen? I don't know.

1:02:12.120 --> 1:02:14.200
<v Speaker 1>I think it is the only case of the FCC

1:02:14.320 --> 1:02:17.200
<v Speaker 1>having a field a complaint, uh, from something that was

1:02:17.320 --> 1:02:19.760
<v Speaker 1>never on the public airwaves. It was a show that

1:02:19.880 --> 1:02:21.880
<v Speaker 1>we were just doing live. We had a p A.

1:02:22.560 --> 1:02:24.760
<v Speaker 1>But they don't regulate what goes out over a public

1:02:24.800 --> 1:02:29.000
<v Speaker 1>address system over a beach is controversial, Yeah, controversial thing

1:02:29.080 --> 1:02:32.160
<v Speaker 1>for them to get involved in. Yeah, setting their boundaries almost.

1:02:32.320 --> 1:02:36.560
<v Speaker 1>I guess somebody thought that that complained to But it's

1:02:36.600 --> 1:02:38.000
<v Speaker 1>like when people go to the drive through and they

1:02:38.040 --> 1:02:40.400
<v Speaker 1>don't have chicken fingers, and they ca, yeah, what are

1:02:40.440 --> 1:02:42.800
<v Speaker 1>you gonna do the middle of the afternoon, by the way, right,

1:02:42.880 --> 1:02:47.080
<v Speaker 1>oh yeah, middle of the afternoon, uh in in Buffalo Lakeside.

1:02:47.200 --> 1:02:50.000
<v Speaker 1>So it was Mike and Margor with the kids by

1:02:50.080 --> 1:02:54.000
<v Speaker 1>the lake, just a nice day out of tassels, and

1:02:54.080 --> 1:02:58.600
<v Speaker 1>the celcumber disappeared. Yeah, yeah, that's awesome. It was. Yeah,

1:02:58.680 --> 1:03:02.080
<v Speaker 1>I saw it, Like the faces on the moms as

1:03:02.120 --> 1:03:05.200
<v Speaker 1>they're dragging the kids away, it was they were horrified.

1:03:05.360 --> 1:03:09.560
<v Speaker 1>Anthony goes into greater detail in the book. This This book,

1:03:09.640 --> 1:03:11.280
<v Speaker 1>I want to just say is first of all, it's

1:03:11.320 --> 1:03:14.240
<v Speaker 1>a great reading, very easy, thank you, crazy read It's

1:03:14.560 --> 1:03:18.600
<v Speaker 1>it's it's sort of not typical, Like, don't read this

1:03:18.640 --> 1:03:21.320
<v Speaker 1>book and think this is what radio is. Um. This

1:03:21.520 --> 1:03:22.800
<v Speaker 1>is a book that could have been written by a

1:03:22.880 --> 1:03:26.280
<v Speaker 1>rock star. You guys lived a life of rock stars.

1:03:26.720 --> 1:03:29.680
<v Speaker 1>You drank, you had strippers in the studio, you had

1:03:29.720 --> 1:03:33.520
<v Speaker 1>pinball machines, you had strippers on pinball machines. I don't

1:03:33.520 --> 1:03:35.400
<v Speaker 1>want to get too graphic. I don't. I'm sure it's

1:03:35.400 --> 1:03:37.880
<v Speaker 1>in the book, but you guys played cherry darts. Yeah,

1:03:38.000 --> 1:03:42.640
<v Speaker 1>Cherry darts, cherry darts, gallant drum challenge. Should we talk

1:03:42.680 --> 1:03:46.480
<v Speaker 1>about that? Okay, we don't. We don't have any regulation here,

1:03:46.720 --> 1:03:49.960
<v Speaker 1>but which is nice? Which is so the thing that

1:03:50.040 --> 1:03:52.760
<v Speaker 1>gets me And it's just like a rock star women

1:03:53.240 --> 1:03:55.040
<v Speaker 1>and men because there were plenty of men who do

1:03:55.120 --> 1:03:57.960
<v Speaker 1>crazy things on your show. We're willing to do anything

1:03:58.080 --> 1:04:00.640
<v Speaker 1>for you guys because you were on the radio and

1:04:00.720 --> 1:04:02.920
<v Speaker 1>you're you're larger than life for a long period of time.

1:04:03.040 --> 1:04:06.959
<v Speaker 1>It's the strangest phenomenon, but you're absolutely right. We would

1:04:07.120 --> 1:04:09.680
<v Speaker 1>come up with an idea and the first thing I

1:04:09.720 --> 1:04:12.240
<v Speaker 1>would think is, no one's coming in for this. This

1:04:12.440 --> 1:04:16.200
<v Speaker 1>is preposterous. They wouldn't do this, they wouldn't put themselves

1:04:16.280 --> 1:04:20.080
<v Speaker 1>through this, and we'd have too many people. We'd have

1:04:20.160 --> 1:04:22.640
<v Speaker 1>to tell people to leave because it was and the

1:04:23.240 --> 1:04:26.720
<v Speaker 1>gallon drum challenge was a prime example of that. We're like,

1:04:26.920 --> 1:04:29.840
<v Speaker 1>we are never gonna get girls that will come up

1:04:29.840 --> 1:04:33.840
<v Speaker 1>into the studio, stripped down to bron panties, get into

1:04:34.000 --> 1:04:37.840
<v Speaker 1>a fifty five gallon industrial drup like they put chemicals

1:04:37.920 --> 1:04:39.960
<v Speaker 1>in the dumped in the water. Yeah, this is like

1:04:40.120 --> 1:04:42.800
<v Speaker 1>you see this all the all the time on forensic files.

1:04:43.200 --> 1:04:45.800
<v Speaker 1>When they shove a body in it and leave it

1:04:45.840 --> 1:04:48.960
<v Speaker 1>in a crawl space for years. Not just spoil the fun.

1:04:49.080 --> 1:04:50.720
<v Speaker 1>But let me just bring it back to the present

1:04:50.800 --> 1:04:54.640
<v Speaker 1>for a second. How would that show and those shenanigans

1:04:54.800 --> 1:04:57.760
<v Speaker 1>or whatever you did it go over in today's culture

1:04:58.000 --> 1:05:00.640
<v Speaker 1>and today's climate with the way people we just came

1:05:00.680 --> 1:05:03.240
<v Speaker 1>we were talking about these snow flakes that were arguing

1:05:03.320 --> 1:05:06.960
<v Speaker 1>over over food. This phone prank that we played earlier

1:05:07.040 --> 1:05:09.560
<v Speaker 1>this morning. It was like it was harmless fun. We're

1:05:09.600 --> 1:05:13.439
<v Speaker 1>addicted to outrage. Okay, so don't dumped. A great story.

1:05:13.480 --> 1:05:17.680
<v Speaker 1>Man got these girls to go in the drum, Get

1:05:17.760 --> 1:05:19.760
<v Speaker 1>him in the drum. Let's go back there in the drum.

1:05:19.840 --> 1:05:22.720
<v Speaker 1>The tops were put on and feel like they were

1:05:22.920 --> 1:05:27.160
<v Speaker 1>literally trapped in these drums. And there was there's more. Yes, wait,

1:05:27.280 --> 1:05:29.800
<v Speaker 1>there's more. There's a hole in the top where you

1:05:29.960 --> 1:05:33.160
<v Speaker 1>usually jumped the chemicals out of. Okay, wait before you

1:05:33.240 --> 1:05:36.120
<v Speaker 1>go on with what you did. What was the payoff?

1:05:36.280 --> 1:05:38.960
<v Speaker 1>What were they doing this for? I believe it was

1:05:39.120 --> 1:05:43.600
<v Speaker 1>tickets to various shows. Said yeah, yeah, yeah, it was.

1:05:43.680 --> 1:05:45.320
<v Speaker 1>It was tickets. Right by the way we take call

1:05:45.440 --> 1:05:47.520
<v Speaker 1>one hundred on our show. It's a little easier, Yeah, yeah,

1:05:47.600 --> 1:05:49.480
<v Speaker 1>we will you call. I want you to know this

1:05:49.600 --> 1:05:52.320
<v Speaker 1>could have been Elvis could have said you could go

1:05:52.440 --> 1:05:54.560
<v Speaker 1>in the giant drum in the drum. So they go

1:05:54.640 --> 1:05:56.720
<v Speaker 1>in the drum. There's a hole in the top. Yeah. Yeah,

1:05:56.720 --> 1:06:00.880
<v Speaker 1>and we'd have maybe eight nine of these drums set

1:06:00.960 --> 1:06:03.600
<v Speaker 1>up with girls in there. Get those drums for a

1:06:03.680 --> 1:06:06.760
<v Speaker 1>radio bit. Boy, I don't know. We had a great

1:06:06.840 --> 1:06:10.760
<v Speaker 1>staff was able to actually come up with gallon drums

1:06:10.800 --> 1:06:13.240
<v Speaker 1>and get them upstairs and uh, and then we would

1:06:13.360 --> 1:06:17.720
<v Speaker 1>um solicit the audience, our audience of dedicated oh and

1:06:17.800 --> 1:06:22.800
<v Speaker 1>a fans to bring stuff up that was deemed disgusting,

1:06:23.280 --> 1:06:29.520
<v Speaker 1>just the worst things. Fish guts, uh, rotten food, uh,

1:06:30.120 --> 1:06:37.080
<v Speaker 1>liquids that were uh, living and dead things, Snakes, eels, uh,

1:06:38.440 --> 1:06:42.520
<v Speaker 1>hissing cockroaches was one of them. That was just terrible. Uh.

1:06:42.640 --> 1:06:45.560
<v Speaker 1>And all these things would be poured in to these

1:06:45.640 --> 1:06:48.760
<v Speaker 1>girls drums and they would be in their pitch black.

1:06:48.880 --> 1:06:51.480
<v Speaker 1>They can't really see all. They had to protect themselves

1:06:51.520 --> 1:06:57.040
<v Speaker 1>with goggles. We gaveh goggles. Yeah, you know, we should

1:06:57.080 --> 1:07:00.640
<v Speaker 1>have let him go blind. Uh. Actually we had one

1:07:00.680 --> 1:07:04.280
<v Speaker 1>girl a cricket crawled into her ear and we had

1:07:04.360 --> 1:07:06.200
<v Speaker 1>to pop the top off the drum and send her

1:07:06.240 --> 1:07:09.920
<v Speaker 1>to the hot the first cricket wireless. Yea, yeah, the

1:07:09.960 --> 1:07:11.960
<v Speaker 1>cricket right in her. They had to pull it out

1:07:12.000 --> 1:07:15.840
<v Speaker 1>with some four steps and um, well she throw jokes

1:07:15.880 --> 1:07:19.000
<v Speaker 1>were palming. Yeah, yeah, it's like I'm just hearing crickets

1:07:19.440 --> 1:07:23.360
<v Speaker 1>all is this? It was? And and the the screaming

1:07:23.720 --> 1:07:26.440
<v Speaker 1>that would come out of these barrels, I only I

1:07:26.720 --> 1:07:29.880
<v Speaker 1>could only equate with like the basement of a serial killer,

1:07:30.280 --> 1:07:34.200
<v Speaker 1>where where you just hear this echoe girls scream from

1:07:34.280 --> 1:07:36.440
<v Speaker 1>a drumless But how many times when you were doing

1:07:36.520 --> 1:07:40.640
<v Speaker 1>that did you feel bad? Uh? Not until after we

1:07:40.800 --> 1:07:43.880
<v Speaker 1>left the show, because we did a lot of things

1:07:43.960 --> 1:07:47.240
<v Speaker 1>that normal people should feel very badly because I'm reading

1:07:47.280 --> 1:07:48.760
<v Speaker 1>the book and I don't see at the end of

1:07:48.800 --> 1:07:54.000
<v Speaker 1>any story hash and there the walk to the car,

1:07:54.440 --> 1:07:56.320
<v Speaker 1>like the show is over. We're like, all right, that

1:07:56.440 --> 1:07:58.880
<v Speaker 1>was cold, great show, And then walking to the car,

1:07:58.960 --> 1:08:01.840
<v Speaker 1>you're kind of gone. I kind of feel bad. I

1:08:02.000 --> 1:08:04.640
<v Speaker 1>think I think we should wait three months before we

1:08:04.680 --> 1:08:06.520
<v Speaker 1>do it again. But you're going to do it again.

1:08:06.560 --> 1:08:10.160
<v Speaker 1>You didn't do it. We had to top the thing

1:08:10.280 --> 1:08:13.520
<v Speaker 1>we just did, and there and lied the problem. It

1:08:13.800 --> 1:08:16.240
<v Speaker 1>was so difficult to come up with the next thing

1:08:16.640 --> 1:08:20.080
<v Speaker 1>that would top the last thing. But the listeners expected it.

1:08:20.600 --> 1:08:23.160
<v Speaker 1>We were obsessed with it because we knew it brought

1:08:23.320 --> 1:08:27.799
<v Speaker 1>more listeners in and more ratings, and then we'd entertain

1:08:27.920 --> 1:08:31.040
<v Speaker 1>them with with radio. But they always wanted that next

1:08:31.160 --> 1:08:34.080
<v Speaker 1>stunt and it had to be crazier than the last one.

1:08:34.439 --> 1:08:37.960
<v Speaker 1>And management liked it to a point because they're able

1:08:38.000 --> 1:08:41.640
<v Speaker 1>to sell their getting ratings. But it will always be

1:08:41.760 --> 1:08:45.280
<v Speaker 1>the downfall. How about that time at St. Patrick's Cathedral.

1:08:46.200 --> 1:08:48.680
<v Speaker 1>That's that's sort of the end of this. But that

1:08:48.920 --> 1:08:54.679
<v Speaker 1>to me, but that I heard that headlines, I mean, yeah, okay,

1:08:54.840 --> 1:08:57.799
<v Speaker 1>So Anthony will explain and and it's it's more detailed

1:08:57.800 --> 1:08:59.960
<v Speaker 1>than the book, of course, but that's one of the

1:09:00.000 --> 1:09:03.519
<v Speaker 1>those things that as a radio person you're listening going, oh,

1:09:03.920 --> 1:09:05.560
<v Speaker 1>how are they getting out of this? They're going to

1:09:05.600 --> 1:09:08.200
<v Speaker 1>fire them on the air, like you knew, you knew.

1:09:08.360 --> 1:09:10.000
<v Speaker 1>I was cringing for you when I heard him that

1:09:10.960 --> 1:09:13.040
<v Speaker 1>he can talk about that a little bit. Well, yeah, okay,

1:09:13.040 --> 1:09:15.600
<v Speaker 1>So again I just want to point out permanently suspended.

1:09:16.200 --> 1:09:19.639
<v Speaker 1>This is another reason why the book is titled this. Yeah, yeah,

1:09:19.720 --> 1:09:24.640
<v Speaker 1>we were constantly being fired, suspended, permanently suspended, which is

1:09:24.680 --> 1:09:27.160
<v Speaker 1>an expulsion. At the time of this bit that you're

1:09:27.160 --> 1:09:29.760
<v Speaker 1>going to describe, you were doing afternoons at w n

1:09:29.960 --> 1:09:32.360
<v Speaker 1>W one or two seven, which was a legendary rock show,

1:09:32.640 --> 1:09:35.559
<v Speaker 1>rock station that decided to go talk. They flipped over

1:09:35.600 --> 1:09:37.040
<v Speaker 1>and got rid of a lot of the old jocks,

1:09:37.120 --> 1:09:39.280
<v Speaker 1>and and that you guys would number one in the afternoon.

1:09:39.360 --> 1:09:44.200
<v Speaker 1>Just actually aside and I go ken, He looked at me,

1:09:44.600 --> 1:09:47.479
<v Speaker 1>didn't say a word, and walked away. You were coming

1:09:47.479 --> 1:09:49.120
<v Speaker 1>on our show, right, because he's a friend of mine. No, No,

1:09:49.200 --> 1:09:50.840
<v Speaker 1>I didn't. I didn't imagine anything. But I was like,

1:09:51.280 --> 1:09:54.080
<v Speaker 1>oh man, that's and then I'm trying to go through

1:09:54.120 --> 1:09:56.000
<v Speaker 1>my head like what did we say? What did we do?

1:09:56.200 --> 1:09:59.680
<v Speaker 1>And there's a lot of you were sort of like

1:09:59.760 --> 1:10:01.320
<v Speaker 1>the young rebels that came in and we're like, we

1:10:01.439 --> 1:10:03.840
<v Speaker 1>douched out the place in your words, right, And so

1:10:03.920 --> 1:10:05.680
<v Speaker 1>you guys were number one in afternoons. We would come

1:10:05.720 --> 1:10:08.519
<v Speaker 1>home every day and listen to you on on terrestrial radio.

1:10:09.680 --> 1:10:12.599
<v Speaker 1>And you did all these crazy fifty five gallons drum challenge.

1:10:12.600 --> 1:10:14.720
<v Speaker 1>You did the homeless shop, very famous for the for

1:10:14.800 --> 1:10:18.040
<v Speaker 1>the homeless shopping spree is one of those things that's

1:10:18.720 --> 1:10:21.639
<v Speaker 1>you guys should google it because it's so funny. It's

1:10:21.680 --> 1:10:25.720
<v Speaker 1>a brilliant bit, but people will get upset that they'll

1:10:25.720 --> 1:10:27.840
<v Speaker 1>get upset, so just google it and enjoy if you

1:10:27.880 --> 1:10:29.880
<v Speaker 1>want to enjoy. And women would call him we gotta

1:10:29.880 --> 1:10:31.920
<v Speaker 1>talk about with Mount Wednesday because people would know that

1:10:32.000 --> 1:10:36.800
<v Speaker 1>we'll get to that black and yellow stickers. I still

1:10:36.880 --> 1:10:39.680
<v Speaker 1>see them on the back of a dirty truck from

1:10:40.439 --> 1:10:42.400
<v Speaker 1>So here's a little little behind the scenes. We were

1:10:42.439 --> 1:10:44.679
<v Speaker 1>looking for a promotion at one point, and so I said,

1:10:45.000 --> 1:10:47.799
<v Speaker 1>why don't we do mom stickers? We take the wild stickers,

1:10:47.840 --> 1:10:50.120
<v Speaker 1>turn them upside down and do like we love your mom,

1:10:50.240 --> 1:10:54.200
<v Speaker 1>and they're like your mom, like something like, um, I

1:10:54.280 --> 1:10:55.840
<v Speaker 1>forgot what we said m om stands for. But it

1:10:55.960 --> 1:10:58.040
<v Speaker 1>was like, um, whatever we took this we took. I

1:10:58.120 --> 1:10:59.680
<v Speaker 1>was like, we're not doing that now. We killed that.

1:11:00.080 --> 1:11:01.880
<v Speaker 1>But this bit is why I had to now pay

1:11:01.960 --> 1:11:03.960
<v Speaker 1>at that point, like eighteen dollars a month of satellite

1:11:04.040 --> 1:11:07.840
<v Speaker 1>radio because this bit got you fired and you didn't

1:11:07.880 --> 1:11:10.920
<v Speaker 1>come back on any kind of formatted radio for two years.

1:11:11.040 --> 1:11:14.680
<v Speaker 1>Were Yeah, for two years we were. They held us

1:11:14.720 --> 1:11:17.679
<v Speaker 1>to our contract. They didn't want us working for another company,

1:11:18.160 --> 1:11:21.800
<v Speaker 1>so they paid us and we sat out for two

1:11:21.880 --> 1:11:25.040
<v Speaker 1>years making an insane amount of money. They put you

1:11:25.120 --> 1:11:28.000
<v Speaker 1>on a shelf. He got paid to stay home. Yeah,

1:11:28.040 --> 1:11:29.320
<v Speaker 1>we were like, oh, can we get a job and

1:11:29.320 --> 1:11:31.120
<v Speaker 1>they're like, no, well we'll still pay you. You're just

1:11:31.200 --> 1:11:35.040
<v Speaker 1>not doing a show anymore. And this it was thousand two.

1:11:35.240 --> 1:11:38.000
<v Speaker 1>You wanted to be back on the air. Yeah, around

1:11:38.479 --> 1:11:41.720
<v Speaker 1>two thousand Whose idea was this? And and and you

1:11:41.760 --> 1:11:46.720
<v Speaker 1>can describe the bit oh again like the just like

1:11:46.960 --> 1:11:52.120
<v Speaker 1>the Mayor's dead bit, Opie came up with. You told them,

1:11:52.160 --> 1:11:56.280
<v Speaker 1>don't do this, it's against me. But this wasn't the

1:11:56.280 --> 1:11:58.000
<v Speaker 1>first time you had done this bit. No, we had

1:11:58.040 --> 1:12:00.599
<v Speaker 1>done it before. It was it was just and kind

1:12:00.640 --> 1:12:03.519
<v Speaker 1>of radio, you know, a bit of shock jockery. And

1:12:03.600 --> 1:12:05.800
<v Speaker 1>then you got fired for listen. It was worth it

1:12:05.920 --> 1:12:10.200
<v Speaker 1>because it's legendary radio. It's it's history of American radio.

1:12:10.320 --> 1:12:12.680
<v Speaker 1>This is one of the all times everyone. You can

1:12:12.760 --> 1:12:15.519
<v Speaker 1>google it. It's out there, the articles, the papers of

1:12:15.560 --> 1:12:17.519
<v Speaker 1>the day. And I'm gonna delay the story for another minute.

1:12:17.600 --> 1:12:20.760
<v Speaker 1>Had you not had if we didn't have terrestrial radio,

1:12:21.080 --> 1:12:23.120
<v Speaker 1>this is two thou two when you got fired. There's

1:12:23.160 --> 1:12:26.240
<v Speaker 1>no podcasts really to speak of. There's no SoundCloud. This

1:12:26.560 --> 1:12:30.200
<v Speaker 1>YouTube wasn't really it wasn't what YouTube was two six Yeah,

1:12:30.240 --> 1:12:33.720
<v Speaker 1>but it wasn't it was. If it was, it was

1:12:33.840 --> 1:12:37.560
<v Speaker 1>no real way for you to do your show. And

1:12:38.160 --> 1:12:40.040
<v Speaker 1>thank god said like radio came along, it was the

1:12:40.040 --> 1:12:42.599
<v Speaker 1>perfect medium for you. Guys. We were screwed, but you yeah,

1:12:42.640 --> 1:12:45.080
<v Speaker 1>you could have been like never worked in radio again. Yes,

1:12:45.400 --> 1:12:48.280
<v Speaker 1>we were. We were screwed. And I remember when serious

1:12:48.760 --> 1:12:53.120
<v Speaker 1>actually was x MT first came around and our agents

1:12:53.120 --> 1:12:55.519
<v Speaker 1>started telling us about it. Me and Opie, Uh, we

1:12:55.640 --> 1:12:57.320
<v Speaker 1>were hanging out and we're kind of looking at the

1:12:57.400 --> 1:12:59.760
<v Speaker 1>street and the car's gone by, and we're like, all right,

1:13:00.000 --> 1:13:02.519
<v Speaker 1>because they had those big shark fin antennas at the time,

1:13:02.760 --> 1:13:04.160
<v Speaker 1>and we're like, all right, let's kind of look and

1:13:04.240 --> 1:13:06.479
<v Speaker 1>see how many people actually have Mine was a magnet

1:13:06.520 --> 1:13:11.719
<v Speaker 1>that it's just big antenna's uh. And we just noticed

1:13:11.800 --> 1:13:15.240
<v Speaker 1>like barely any cars had these things, and we're like, wow,

1:13:15.400 --> 1:13:18.680
<v Speaker 1>we really screwed screwed up, man. We we really were

1:13:18.720 --> 1:13:22.360
<v Speaker 1>like this is nothing like we were talking to millions

1:13:22.400 --> 1:13:25.120
<v Speaker 1>of people and now you know, if there's twenty thousand

1:13:25.280 --> 1:13:29.599
<v Speaker 1>people even subscribing to all of satellite radio, we only

1:13:29.640 --> 1:13:32.519
<v Speaker 1>get a percentage of that we're talking to nobody, So

1:13:32.760 --> 1:13:36.360
<v Speaker 1>it was it was depressing at first, but you know

1:13:36.479 --> 1:13:38.840
<v Speaker 1>we we uh were right there at the beginning of

1:13:38.880 --> 1:13:41.400
<v Speaker 1>satellite radio and until it built up for ten years,

1:13:41.439 --> 1:13:43.320
<v Speaker 1>we were there, uh, and it built up into quite

1:13:43.360 --> 1:13:45.320
<v Speaker 1>a thing. So you're also at the beginning and we'll

1:13:45.400 --> 1:13:46.560
<v Speaker 1>get to this in a minute. We're also at the

1:13:46.600 --> 1:13:50.720
<v Speaker 1>beginning of pictures and streaming the show as it was

1:13:50.720 --> 1:13:52.600
<v Speaker 1>going on. We'll get to that. So tell us the

1:13:52.640 --> 1:13:55.160
<v Speaker 1>sex with Sam story. How did the bid originally start?

1:13:55.200 --> 1:13:57.040
<v Speaker 1>Because it did well for a couple of years. You

1:13:57.080 --> 1:14:00.479
<v Speaker 1>did it before you didn't get fired. Yeah, what was

1:14:00.520 --> 1:14:02.679
<v Speaker 1>the premise of the bit? Jim Cooke from Sam Adams

1:14:02.760 --> 1:14:05.160
<v Speaker 1>used to come up all the time, the nicest, nerdiest guy.

1:14:05.479 --> 1:14:08.240
<v Speaker 1>Just I don't know how he associated with this bit. Yeah,

1:14:08.280 --> 1:14:10.439
<v Speaker 1>I know, he's like, Hi, I'm Jim Cook. He was

1:14:10.520 --> 1:14:12.840
<v Speaker 1>really like, hey, why did you come here and drink

1:14:12.920 --> 1:14:15.960
<v Speaker 1>some beer? And naked girls will be in the studio

1:14:16.200 --> 1:14:18.800
<v Speaker 1>and he'd have this backpack with beer in it. He

1:14:18.840 --> 1:14:21.640
<v Speaker 1>always had some kind of a gimmick going my kind

1:14:21.680 --> 1:14:25.360
<v Speaker 1>of client and we loved him. He was great, Uh,

1:14:25.520 --> 1:14:28.360
<v Speaker 1>And somehow we tied in his beer company with this

1:14:29.200 --> 1:14:31.560
<v Speaker 1>thing that the stunt that we would do. What it

1:14:31.720 --> 1:14:35.639
<v Speaker 1>was was we had couples, uh, go around to various

1:14:35.720 --> 1:14:39.360
<v Speaker 1>famous locations around New York, landmarks of New York City,

1:14:39.360 --> 1:14:43.840
<v Speaker 1>the Empire State Building, F. A. O. Schwartz, Uh, you know,

1:14:44.160 --> 1:14:46.519
<v Speaker 1>the hard rock things like that, and they would have

1:14:46.600 --> 1:14:50.960
<v Speaker 1>to have sex at these locations, some form of sex. Yeah,

1:14:51.080 --> 1:14:55.080
<v Speaker 1>sexual act, sexual act, well, intercourse I believe was what

1:14:57.360 --> 1:14:59.879
<v Speaker 1>now weren't there certain there was points for the location,

1:15:00.040 --> 1:15:03.200
<v Speaker 1>but also points for the act. Yes, yes, there was

1:15:04.600 --> 1:15:07.439
<v Speaker 1>a two point conversion we called it. Yeah, and that

1:15:07.560 --> 1:15:09.960
<v Speaker 1>was an extra two points if they did it. Yeah yeah,

1:15:10.000 --> 1:15:15.679
<v Speaker 1>yeah the other way the other way, a three point conversion. Yeah,

1:15:15.960 --> 1:15:17.960
<v Speaker 1>it was. Was it popular? Did they have you guys

1:15:18.040 --> 1:15:22.479
<v Speaker 1>had a lot of volunteers? Oh yeah yeah yeah. They've

1:15:22.479 --> 1:15:24.800
<v Speaker 1>gotten a drum and had rat faces poured on them.

1:15:24.800 --> 1:15:27.040
<v Speaker 1>They're gonna get have sex. Come on, I'm just saying

1:15:27.120 --> 1:15:30.439
<v Speaker 1>I didn't know. I mean, did you have to like tickets? Well,

1:15:30.520 --> 1:15:35.560
<v Speaker 1>they got a trip to Boston. Yeah, it was a

1:15:35.680 --> 1:15:40.200
<v Speaker 1>trip to the Boston Beer Company facility and uh tickets

1:15:40.560 --> 1:15:42.640
<v Speaker 1>to maybe a socks game up there or something. So

1:15:42.680 --> 1:15:44.240
<v Speaker 1>you don't have to co worce anybody. It was all.

1:15:44.280 --> 1:15:47.879
<v Speaker 1>They loved that they would come in. We'd audition couples,

1:15:48.360 --> 1:15:50.320
<v Speaker 1>so they would come into the studio and of course

1:15:50.520 --> 1:15:54.599
<v Speaker 1>again Rockstar new things. It was amazing. So we had

1:15:54.680 --> 1:15:57.240
<v Speaker 1>spotters that went out also with these people, whether they

1:15:57.240 --> 1:15:59.760
<v Speaker 1>were some of them spotted here and there as well,

1:16:00.000 --> 1:16:04.840
<v Speaker 1>I think type of spot uh, and they were people

1:16:04.920 --> 1:16:07.479
<v Speaker 1>from the show and also stand up comics would go

1:16:07.600 --> 1:16:10.679
<v Speaker 1>out and make sure that they were actually doing these

1:16:11.040 --> 1:16:15.719
<v Speaker 1>these deeds because they play by play and we didn't

1:16:15.720 --> 1:16:20.840
<v Speaker 1>want any dishonesty a reputable contest we're doing here. So

1:16:21.960 --> 1:16:25.840
<v Speaker 1>Opie decided to put Church on the list. He just

1:16:25.920 --> 1:16:29.439
<v Speaker 1>put Church now right away, the red flag went up.

1:16:29.600 --> 1:16:33.120
<v Speaker 1>I'm like, I don't know about this. If he's like,

1:16:33.320 --> 1:16:35.120
<v Speaker 1>no one's gonna do it, we'll just say it's on

1:16:35.200 --> 1:16:41.000
<v Speaker 1>the list. But yeah, h my moral confidence. I'm not

1:16:41.040 --> 1:16:42.840
<v Speaker 1>looking to plug anybody else. But ope, he doesn't have

1:16:42.880 --> 1:16:46.240
<v Speaker 1>a book right because because you're just blaming everything on him,

1:16:46.240 --> 1:16:49.519
<v Speaker 1>today's just pile it off. First book is the truth,

1:16:49.600 --> 1:16:52.960
<v Speaker 1>That's what it is. Sorry, I got mine out first.

1:16:53.120 --> 1:16:55.000
<v Speaker 1>If he had a good story, he would have written first.

1:16:55.760 --> 1:16:57.320
<v Speaker 1>I guess he's too much guilt and he came up

1:16:57.360 --> 1:16:59.719
<v Speaker 1>with these bits that he's got all you guys fired.

1:17:00.080 --> 1:17:03.639
<v Speaker 1>That's that's it's so he puts church on this list,

1:17:03.760 --> 1:17:05.560
<v Speaker 1>churches on the list. So that way when we're on

1:17:05.680 --> 1:17:09.760
<v Speaker 1>the errand we read down the location, not churches, fried chickens. Well,

1:17:09.880 --> 1:17:12.040
<v Speaker 1>although it could have been and that would have been funny,

1:17:12.320 --> 1:17:15.640
<v Speaker 1>like church, yeah, good way out. So we're reading it

1:17:15.720 --> 1:17:18.599
<v Speaker 1>off and it just sounds outrageous, wild church, that's nuts.

1:17:18.920 --> 1:17:21.800
<v Speaker 1>Well we didn't know that. Uh. One couple and the

1:17:21.920 --> 1:17:26.040
<v Speaker 1>spot ter, Paul Mecuri, Oh comic would actually go not

1:17:26.200 --> 1:17:30.040
<v Speaker 1>only to a church, but the biggest, arguably the biggest

1:17:30.120 --> 1:17:35.439
<v Speaker 1>Catholic church in the country, cathedral. Uh. And they did.

1:17:35.600 --> 1:17:39.280
<v Speaker 1>And and right when we picked up the phone, he goes, uh, well,

1:17:39.600 --> 1:17:42.720
<v Speaker 1>we're here at St. Pat's and they're doing the conversion,

1:17:42.920 --> 1:17:48.320
<v Speaker 1>the conversion, and and we're like, and I looked at

1:17:48.360 --> 1:17:50.200
<v Speaker 1>that dump button right in front of me. We had

1:17:50.280 --> 1:17:52.800
<v Speaker 1>the delay. We had a long delay on the show.

1:17:52.920 --> 1:17:55.320
<v Speaker 1>Oh yeah, I'll contil van Halen started playing right, and

1:17:55.400 --> 1:17:57.120
<v Speaker 1>if the delay ran out, there was a guy in

1:17:57.160 --> 1:17:59.960
<v Speaker 1>a locked room that hit a button and Van hale

1:18:00.160 --> 1:18:02.400
<v Speaker 1>would start playing and we would be right. Because the

1:18:02.680 --> 1:18:04.439
<v Speaker 1>real quick the way delay works I think we've explained

1:18:04.439 --> 1:18:06.439
<v Speaker 1>it on the big shows. It's like your DVR when

1:18:06.520 --> 1:18:09.799
<v Speaker 1>we pause it behind like thirty seconds and the commercial

1:18:09.880 --> 1:18:12.280
<v Speaker 1>comes up. So imagine there's eight commercials and you skip

1:18:12.400 --> 1:18:15.080
<v Speaker 1>through seven and the eighth commercial comes up and you

1:18:15.160 --> 1:18:17.320
<v Speaker 1>have no skip left. You play Van Halen's you don't

1:18:17.320 --> 1:18:19.719
<v Speaker 1>listen to the commercial, right right? That meant that because

1:18:20.439 --> 1:18:23.920
<v Speaker 1>if we got it, Oh yeah, yes, so it got

1:18:24.040 --> 1:18:27.439
<v Speaker 1>it got really nerve wracking. I'm looking at the button,

1:18:27.479 --> 1:18:30.080
<v Speaker 1>going probably dump this. Oh you were in charge of

1:18:30.080 --> 1:18:32.320
<v Speaker 1>the dump button. We all had buttons in front of

1:18:34.840 --> 1:18:37.240
<v Speaker 1>had one. I had one. I thought there was just one.

1:18:37.479 --> 1:18:39.400
<v Speaker 1>Oh no, there was a guy in the locked room.

1:18:39.479 --> 1:18:43.599
<v Speaker 1>He had dump buttons and a big that's right. They

1:18:43.640 --> 1:18:45.360
<v Speaker 1>had to have a d They had the guy in

1:18:45.400 --> 1:18:48.040
<v Speaker 1>the back, I think because I remember you guys saying

1:18:48.080 --> 1:18:50.240
<v Speaker 1>that Gus like we got the thing was and it

1:18:50.320 --> 1:18:54.280
<v Speaker 1>was Al Duke's for a while. Yes I know Al now,

1:18:54.320 --> 1:18:56.920
<v Speaker 1>which is funny. So the thing is they would get

1:18:57.000 --> 1:18:58.679
<v Speaker 1>mad if they were dumped for things that they felt

1:18:58.720 --> 1:19:01.280
<v Speaker 1>shouldn't have been dumb. Yeah, I'm gonna be able to

1:19:01.400 --> 1:19:03.519
<v Speaker 1>dump in case the guy was too afraid to dump,

1:19:04.120 --> 1:19:05.760
<v Speaker 1>like if he felt like they're gonna get mad at

1:19:05.800 --> 1:19:07.840
<v Speaker 1>me for this dump or if it was questionable. So

1:19:07.960 --> 1:19:10.760
<v Speaker 1>you had the button, we had the button. You can't

1:19:10.760 --> 1:19:17.519
<v Speaker 1>throw anyone under the bus. We would freak out guests

1:19:17.600 --> 1:19:21.720
<v Speaker 1>sometimes by cursing on the air. I turn around, say

1:19:21.720 --> 1:19:24.360
<v Speaker 1>why don't you go yourself and actually say it, and

1:19:24.439 --> 1:19:28.560
<v Speaker 1>then I'd hit the dumb button and what do you

1:19:28.640 --> 1:19:30.800
<v Speaker 1>what did you just do? Like that's funny, we have

1:19:30.880 --> 1:19:33.880
<v Speaker 1>a dump? Uh, but I'm staring at that button going

1:19:34.120 --> 1:19:37.120
<v Speaker 1>and we neither of us, me or Opie. We didn't dump.

1:19:37.280 --> 1:19:39.679
<v Speaker 1>The guy in the back didn't dump because it wasn't

1:19:39.680 --> 1:19:42.920
<v Speaker 1>against FCC rules because it's going out over the air,

1:19:43.080 --> 1:19:48.560
<v Speaker 1>but none of their regulations were broken, and uh, it

1:19:48.760 --> 1:19:51.920
<v Speaker 1>just snowball. The police showed up, they arrested the couple

1:19:52.040 --> 1:19:55.519
<v Speaker 1>and Paul mecurie O and uh then once the media

1:19:55.560 --> 1:19:58.760
<v Speaker 1>got ahold of it, there's no coming back. There's no

1:19:58.960 --> 1:20:02.479
<v Speaker 1>defending that that you you had a couple do that

1:20:02.720 --> 1:20:07.080
<v Speaker 1>in uh st Pat's cat and the part that look,

1:20:08.479 --> 1:20:10.400
<v Speaker 1>we don't know for a fact. I mean you might

1:20:10.479 --> 1:20:12.479
<v Speaker 1>know for a fact, but as a listener, you don't

1:20:12.520 --> 1:20:14.400
<v Speaker 1>know for a fact. Actually didn't know of course, like

1:20:14.479 --> 1:20:17.679
<v Speaker 1>Paul mercurial could have said, Dad, they did it great radio.

1:20:18.040 --> 1:20:19.560
<v Speaker 1>You guys are not guilty of anything. You don't know.

1:20:19.640 --> 1:20:21.439
<v Speaker 1>I gotta be honest. At the time it was happening,

1:20:22.040 --> 1:20:25.920
<v Speaker 1>I thought, ah, fear of the mind. I was hoping

1:20:25.960 --> 1:20:28.720
<v Speaker 1>for you. So I said, there's no as much as

1:20:28.720 --> 1:20:30.160
<v Speaker 1>you guys would never come out go we faked it

1:20:30.200 --> 1:20:33.799
<v Speaker 1>because you didn't. But Paul may have. I said, please

1:20:33.960 --> 1:20:36.160
<v Speaker 1>let them come out and make it. Say look, Paul.

1:20:36.320 --> 1:20:38.639
<v Speaker 1>Paul comes out and says, we're going for the joke.

1:20:39.320 --> 1:20:42.280
<v Speaker 1>Wasn't real. They weren't even in the church. They weren't

1:20:42.320 --> 1:20:44.559
<v Speaker 1>doing it in the church. We just I thought it'd

1:20:44.560 --> 1:20:47.240
<v Speaker 1>be funny, and you go, Paul. So man at Paul,

1:20:47.320 --> 1:20:49.679
<v Speaker 1>why would you fake it? But he's great. They probably

1:20:49.720 --> 1:20:51.880
<v Speaker 1>would have been away to Yeah, but it was the

1:20:51.920 --> 1:20:55.320
<v Speaker 1>fact that you never said that, which was admirable, foolish

1:20:55.479 --> 1:20:58.920
<v Speaker 1>but amiable. Paul distanced himself from He was like, I

1:20:58.960 --> 1:21:00.920
<v Speaker 1>want no part of this. He was He seemed like

1:21:01.000 --> 1:21:02.200
<v Speaker 1>he was like I'm just doing my job. Like he

1:21:02.320 --> 1:21:04.920
<v Speaker 1>was like, I didn't do it. Yeah, yeah, yeah, it was.

1:21:05.439 --> 1:21:07.800
<v Speaker 1>It actually took place, I think in one of those

1:21:08.200 --> 1:21:10.640
<v Speaker 1>vestibules before you even go into the church, one of

1:21:10.680 --> 1:21:13.840
<v Speaker 1>the archways that surround the church. It happened in the

1:21:13.880 --> 1:21:17.200
<v Speaker 1>alternate opening near the regular door, right near the door,

1:21:17.479 --> 1:21:21.599
<v Speaker 1>and a security guard came over and and the anus

1:21:21.680 --> 1:21:27.160
<v Speaker 1>of entries to the right exactly. Uh. And and Paul

1:21:27.520 --> 1:21:31.519
<v Speaker 1>knowing what we want or thinking what we want the

1:21:31.880 --> 1:21:34.880
<v Speaker 1>conversion that when security came over, instead of just saying

1:21:34.920 --> 1:21:37.639
<v Speaker 1>all right, it's cool, no, nothing happened, will will leave,

1:21:37.760 --> 1:21:41.479
<v Speaker 1>thank you, goodnight, he wanted a conflict because he knew

1:21:41.520 --> 1:21:44.519
<v Speaker 1>we loved that. Uh. And that made it worse because

1:21:44.760 --> 1:21:46.800
<v Speaker 1>then the police showed up. And once the cops showed up,

1:21:47.320 --> 1:21:49.000
<v Speaker 1>that was it. The media got ahold of it. It

1:21:49.280 --> 1:21:51.920
<v Speaker 1>turned into you know, people actually to this day go,

1:21:52.320 --> 1:21:56.760
<v Speaker 1>didn't you and Opie have sex in the church? Yeah?

1:21:57.760 --> 1:22:02.479
<v Speaker 1>Fake news. So we didn't know, you know, we didn't

1:22:02.479 --> 1:22:04.559
<v Speaker 1>know it was going to get that far. But when

1:22:04.600 --> 1:22:06.479
<v Speaker 1>you're when you're in radio and you're on the brink

1:22:06.520 --> 1:22:09.160
<v Speaker 1>of being fired and you're watching the news, there's a

1:22:09.240 --> 1:22:12.519
<v Speaker 1>tipping point where you go, oh, yeah, we're done. We're done.

1:22:12.720 --> 1:22:15.360
<v Speaker 1>And yet, from what I read, not my personal opinion,

1:22:15.960 --> 1:22:17.559
<v Speaker 1>it seems like a lot of people have had sex

1:22:17.640 --> 1:22:20.120
<v Speaker 1>and churches and not lost their jobs. For it. Yeah. Yeah,

1:22:20.320 --> 1:22:25.120
<v Speaker 1>they could have just transferred us to another parish. I

1:22:25.160 --> 1:22:27.320
<v Speaker 1>saw in the movie. Yeah, plenty of movies about that.

1:22:28.040 --> 1:22:31.439
<v Speaker 1>We we we. Uh So is there anything that you

1:22:31.479 --> 1:22:35.720
<v Speaker 1>didn't put in the book that you thought was either

1:22:35.760 --> 1:22:38.200
<v Speaker 1>too uncomfortable for someone that you knew and worked with it.

1:22:38.439 --> 1:22:40.120
<v Speaker 1>You don't tell us what it is, but this thing

1:22:40.160 --> 1:22:44.000
<v Speaker 1>has it seems like it's everything something you were like. No,

1:22:44.320 --> 1:22:45.680
<v Speaker 1>as a matter of fact, you know what it is.

1:22:45.720 --> 1:22:49.720
<v Speaker 1>When when you're doing radio for twenty years, Uh, you

1:22:49.880 --> 1:22:52.400
<v Speaker 1>put everything out there. There are those slow news days

1:22:52.840 --> 1:22:56.639
<v Speaker 1>when you're just sitting there and lately yeah, no, not lately,

1:22:57.120 --> 1:22:59.719
<v Speaker 1>and when you got the likes of Jim Norton sitting

1:22:59.800 --> 1:23:02.880
<v Speaker 1>neck to you, you're gonna open up and just talk

1:23:02.960 --> 1:23:06.080
<v Speaker 1>about your life. And over the course of the years,

1:23:06.439 --> 1:23:09.600
<v Speaker 1>everything's been put out there. It's embarrassing at times, but

1:23:09.840 --> 1:23:13.719
<v Speaker 1>it's also freeing. You know, there's nothing anybody can approach

1:23:13.760 --> 1:23:15.680
<v Speaker 1>you with and then go ah, ha, I got this

1:23:15.880 --> 1:23:18.320
<v Speaker 1>on you. It's like we did that back in two

1:23:18.400 --> 1:23:20.760
<v Speaker 1>thousand and seven. We talked about that and you guys

1:23:20.800 --> 1:23:24.599
<v Speaker 1>were preaching authenticity and transparency long before it was yeah

1:23:25.200 --> 1:23:27.719
<v Speaker 1>in radio, and now that's what we we talk about

1:23:27.760 --> 1:23:30.240
<v Speaker 1>I mean we our show and with the Elvis Durran

1:23:30.280 --> 1:23:33.760
<v Speaker 1>show is actually extremely transparent and we just like to

1:23:33.840 --> 1:23:36.280
<v Speaker 1>put we put all our emotions out there. It makes

1:23:36.320 --> 1:23:40.400
<v Speaker 1>the best people love it. But now, speaking about being transparent,

1:23:40.920 --> 1:23:45.360
<v Speaker 1>you weren't transparent about one thing. That's what I was like.

1:23:45.520 --> 1:23:48.080
<v Speaker 1>I've already proven I'm a fan. I can I can

1:23:48.280 --> 1:23:50.599
<v Speaker 1>you know, I know your your your manages, your your

1:23:50.640 --> 1:23:55.080
<v Speaker 1>agents name um the late Bobby Bobby super super agent,

1:23:55.200 --> 1:23:58.800
<v Speaker 1>super Agent. He's no longer with us, he has passed. Now,

1:23:58.920 --> 1:24:02.519
<v Speaker 1>it's no secret that you and Opie did not end well. Yeah, right,

1:24:02.800 --> 1:24:05.920
<v Speaker 1>multiple times it was the fights on air, there was

1:24:07.240 --> 1:24:09.400
<v Speaker 1>it's it's got an ugly since it's ugly on his

1:24:09.520 --> 1:24:11.880
<v Speaker 1>show that you got ugly on what you're doing. By

1:24:11.920 --> 1:24:13.360
<v Speaker 1>the way, let's talk about you doing now real quick

1:24:13.360 --> 1:24:17.200
<v Speaker 1>and we'll get back to it. Uh. You're in the compound, right,

1:24:17.640 --> 1:24:22.200
<v Speaker 1>compound media, compound media, dot com um and your compound media.

1:24:23.640 --> 1:24:26.160
<v Speaker 1>Uh what's the what's the Twitter? I think that's a mistake.

1:24:26.760 --> 1:24:30.080
<v Speaker 1>A compound America. Yeah. By the way, the voice hearing

1:24:30.120 --> 1:24:32.439
<v Speaker 1>the background is my good friend Eric, who was noted

1:24:33.240 --> 1:24:35.559
<v Speaker 1>on the Open Anthony Show. He was on our podcast

1:24:35.720 --> 1:24:39.599
<v Speaker 1>last week, episode sixty I think right sixty or sixty one.

1:24:39.720 --> 1:24:41.599
<v Speaker 1>We did sixty one. We did the resumes. Eric has

1:24:41.600 --> 1:24:44.880
<v Speaker 1>been a great edition. He's only been with us a

1:24:44.920 --> 1:24:48.000
<v Speaker 1>short time now, but it's great to have so at

1:24:48.080 --> 1:24:51.080
<v Speaker 1>Compound America. So you're doing a show now you had

1:24:51.600 --> 1:24:53.719
<v Speaker 1>when you first kicked it off, you Edwards Opie Opie

1:24:53.720 --> 1:24:56.719
<v Speaker 1>ad words for you. He got emotional, You got emotional.

1:24:57.000 --> 1:24:59.720
<v Speaker 1>Got well he did get that one day with he

1:25:00.240 --> 1:25:03.599
<v Speaker 1>Yeah he did. You stayed angry? Yeah, no, no crying

1:25:03.640 --> 1:25:08.720
<v Speaker 1>at the Compound. I'm the guy in the relationship, all right. Now.

1:25:09.360 --> 1:25:12.040
<v Speaker 1>I thought I was under the impression as a listener

1:25:12.120 --> 1:25:15.040
<v Speaker 1>that things sort of went astray. Let's say two thousand eight,

1:25:15.120 --> 1:25:17.720
<v Speaker 1>two thousand seven, three quarters into your run. I could

1:25:19.040 --> 1:25:22.160
<v Speaker 1>I knew Eric, I heard some things. I spoke to Jimmy,

1:25:22.200 --> 1:25:25.439
<v Speaker 1>I heard some things. So I knew some things. This

1:25:25.680 --> 1:25:29.200
<v Speaker 1>is not when the problem started. You were basically married

1:25:29.240 --> 1:25:31.400
<v Speaker 1>to this guy on the radio. Your career was because

1:25:31.439 --> 1:25:34.920
<v Speaker 1>of him. You, you, your success was your team, the

1:25:35.120 --> 1:25:38.240
<v Speaker 1>ideas you're planning. When did the problem? When did you

1:25:38.280 --> 1:25:41.519
<v Speaker 1>guys start growing apart? What year? Roughly it was a

1:25:41.680 --> 1:25:45.320
<v Speaker 1>lot earlier on than people think. Really. Yeah. Yeah, when

1:25:45.360 --> 1:25:47.360
<v Speaker 1>we first got together and went up to Boston, we

1:25:47.439 --> 1:25:52.320
<v Speaker 1>were inseparable. Uh. It was myself and Opie my wife

1:25:52.560 --> 1:25:56.080
<v Speaker 1>at the time. And that is that five chapters in

1:25:56.120 --> 1:26:00.559
<v Speaker 1>the book. I just read the part about your wedding night. God,

1:26:01.360 --> 1:26:05.240
<v Speaker 1>it was yet you're able to smile and left today horrifying. Yeah,

1:26:05.600 --> 1:26:08.200
<v Speaker 1>but the separation went smooth from yeah, that went well,

1:26:09.600 --> 1:26:13.559
<v Speaker 1>Oh my god. Anyway, and and Opie and his girlfriend

1:26:13.600 --> 1:26:15.120
<v Speaker 1>at the time, and with the four of us were

1:26:15.120 --> 1:26:18.280
<v Speaker 1>the four Musketeers. We had each other. We were up

1:26:18.320 --> 1:26:22.160
<v Speaker 1>in Boston starting this amazing new career hadn't been yet,

1:26:22.400 --> 1:26:25.080
<v Speaker 1>hadn't been fired. I was happy to be there guy,

1:26:25.640 --> 1:26:27.800
<v Speaker 1>and it was great. And and me and Opie would

1:26:27.840 --> 1:26:31.040
<v Speaker 1>get together in the mornings, have breakfast and lunch and

1:26:31.120 --> 1:26:33.280
<v Speaker 1>discuss what we're gonna do on the show, and very

1:26:33.360 --> 1:26:38.960
<v Speaker 1>excited about it. Once my marriage went uh put uh

1:26:39.080 --> 1:26:42.000
<v Speaker 1>and and I started going out with another girl, and

1:26:43.800 --> 1:26:47.200
<v Speaker 1>his girlfriend couldn't stand that fact that I was out

1:26:47.240 --> 1:26:50.040
<v Speaker 1>of my marriage, and now this four Musketeers thing kind

1:26:50.040 --> 1:26:51.920
<v Speaker 1>of broke up. This happened when we got back to

1:26:52.000 --> 1:26:54.240
<v Speaker 1>New York because she was fed. Because Ope's girl was

1:26:54.320 --> 1:26:58.160
<v Speaker 1>close with your wife. Yes, so that started the tension thing.

1:26:58.560 --> 1:27:00.800
<v Speaker 1>You you left out a real sell her for this book.

1:27:00.880 --> 1:27:03.120
<v Speaker 1>Oh yeah, there's the overlap. There's a little bit of

1:27:03.200 --> 1:27:05.160
<v Speaker 1>you didn't just meet a girl, No, no, that it

1:27:05.320 --> 1:27:07.240
<v Speaker 1>was the girl that me and my wife had a

1:27:07.320 --> 1:27:09.479
<v Speaker 1>threesome with. Yeah, for an extended period of time, not

1:27:09.600 --> 1:27:12.439
<v Speaker 1>just one that's in the books. Yeah. The reason why

1:27:13.600 --> 1:27:17.120
<v Speaker 1>it's at least suspended primarily available at all places you

1:27:17.200 --> 1:27:19.760
<v Speaker 1>find your books. Yeah, you want to sell it on

1:27:19.840 --> 1:27:24.040
<v Speaker 1>your website dot com. By the way, I want to say,

1:27:24.080 --> 1:27:25.479
<v Speaker 1>we'll say this couple of times, but if you use

1:27:25.560 --> 1:27:28.000
<v Speaker 1>the promo code Compound twenty, do you get off a

1:27:28.040 --> 1:27:31.360
<v Speaker 1>new subscription to your shows? Yeah, a lot of different

1:27:31.400 --> 1:27:33.680
<v Speaker 1>shows on Compound promised if we had you on, we

1:27:33.720 --> 1:27:35.599
<v Speaker 1>get a free subscription. So that's right. Do it off

1:27:35.680 --> 1:27:41.679
<v Speaker 1>on your Here's threesome stories. So that no, no ahead,

1:27:42.040 --> 1:27:44.400
<v Speaker 1>because I didn't read the full book yet, I'm not. Yeah, yeah,

1:27:44.520 --> 1:27:47.680
<v Speaker 1>it was well, my wife seemed to have this, uh

1:27:48.040 --> 1:27:51.200
<v Speaker 1>kind of side of her that liked girls. There was

1:27:51.280 --> 1:27:54.519
<v Speaker 1>a part of that that, like I said, and uh

1:27:54.720 --> 1:27:58.280
<v Speaker 1>rock star book. The odd thing is I was able

1:27:58.320 --> 1:28:00.479
<v Speaker 1>to pull this off when I was still in instruction

1:28:00.560 --> 1:28:02.799
<v Speaker 1>back in New York. Yeah, it wasn't because you were famous.

1:28:03.320 --> 1:28:07.240
<v Speaker 1>You didn't pull the DJ threesome. No. I I was

1:28:07.320 --> 1:28:10.479
<v Speaker 1>doing a gig with my band years ago and this

1:28:10.600 --> 1:28:13.880
<v Speaker 1>girl that was friendly with us, uh, was there, and

1:28:14.640 --> 1:28:16.600
<v Speaker 1>my wife comes up to be drunk off r S

1:28:16.680 --> 1:28:19.479
<v Speaker 1>and goes, hey, Cindy wants to come back and watch

1:28:19.640 --> 1:28:26.960
<v Speaker 1>us have sex. I'm like, check, that's great, And I'm

1:28:27.080 --> 1:28:30.080
<v Speaker 1>driving home with the girls were sitting. I had a

1:28:30.160 --> 1:28:33.000
<v Speaker 1>work fan, that's all. I had my air conditioning Apollo

1:28:33.080 --> 1:28:35.720
<v Speaker 1>air conditioning work fan. They're sitting in the passage seat.

1:28:35.720 --> 1:28:39.320
<v Speaker 1>I'm in the driver's seat, wasted by the way, just thinking, please,

1:28:39.800 --> 1:28:43.200
<v Speaker 1>if there's a god, don't pull me over, don't get

1:28:43.320 --> 1:28:46.920
<v Speaker 1>Could you imagine having your first threesome potential right there

1:28:47.439 --> 1:28:51.120
<v Speaker 1>and getting arrested and that would be but thank god

1:28:51.240 --> 1:28:56.439
<v Speaker 1>that didn't happen. So became a regular thing. Yeah. Yeah, yeah,

1:28:56.560 --> 1:28:59.120
<v Speaker 1>it was not the reason why you're married. You got destroyed. No,

1:28:59.280 --> 1:29:02.200
<v Speaker 1>not that I'm it was it was every so often

1:29:02.280 --> 1:29:05.400
<v Speaker 1>with this uh Cindy girl. And then when we moved

1:29:05.439 --> 1:29:08.719
<v Speaker 1>up to Boston for the gig, it was we didn't

1:29:08.760 --> 1:29:11.439
<v Speaker 1>really think about it. Uh. And then when we came

1:29:11.520 --> 1:29:14.120
<v Speaker 1>back to New York three years later, she kind of

1:29:14.240 --> 1:29:16.200
<v Speaker 1>was like, Hey, is there any way maybe you could

1:29:16.240 --> 1:29:18.800
<v Speaker 1>find one of these fans, because that's when we really

1:29:18.840 --> 1:29:20.960
<v Speaker 1>started getting all the girls coming into the studio and everything.

1:29:21.320 --> 1:29:23.960
<v Speaker 1>And She's like, you think there's be anyway And I'm like, WHOA,

1:29:24.760 --> 1:29:27.920
<v Speaker 1>I don't know trying. Meanwhile, I'm like, I'm going through

1:29:28.000 --> 1:29:35.439
<v Speaker 1>Rollo decks in my head of potential. This is around there.

1:29:35.560 --> 1:29:38.559
<v Speaker 1>So you guys, obviously the friendship took a turn. Whether

1:29:38.560 --> 1:29:41.120
<v Speaker 1>either a guy gets married or whatever. In this situation,

1:29:41.200 --> 1:29:43.559
<v Speaker 1>you got single and he wanted the thing that used

1:29:43.600 --> 1:29:46.160
<v Speaker 1>to have. But when did it get uncomfortable in the studio?

1:29:46.439 --> 1:29:48.320
<v Speaker 1>When was it for like I hate coming to work,

1:29:48.560 --> 1:29:52.519
<v Speaker 1>this is not working. Yeah, I think he started getting

1:29:52.680 --> 1:29:56.839
<v Speaker 1>some resentment to me and Jimmy. Also we really started

1:29:56.880 --> 1:29:59.479
<v Speaker 1>hitting it off, and I think uh Opie felt his

1:29:59.680 --> 1:30:03.320
<v Speaker 1>role was kind of being pushed into the logistics placed

1:30:03.479 --> 1:30:06.120
<v Speaker 1>you added Jim Norton, a comic on the show. Yeah, Yeah,

1:30:07.280 --> 1:30:09.560
<v Speaker 1>was the reason for that to add more conversation and

1:30:09.640 --> 1:30:11.800
<v Speaker 1>to have an emissary in the clubs. What was the

1:30:11.840 --> 1:30:13.920
<v Speaker 1>reason for adding Jimmy at that point? Because Opie brought

1:30:13.960 --> 1:30:18.120
<v Speaker 1>him into the show. Opie says, now, uh that he

1:30:18.280 --> 1:30:20.640
<v Speaker 1>did that to save the show, like because me and

1:30:20.760 --> 1:30:24.240
<v Speaker 1>him weren't really getting along. And I don't really remember

1:30:24.320 --> 1:30:27.000
<v Speaker 1>us not getting along to that extent where we needed

1:30:27.080 --> 1:30:29.960
<v Speaker 1>somebody else to you know, as a buffer kind of

1:30:30.000 --> 1:30:32.720
<v Speaker 1>a thing. But that's how Opie says. I just think

1:30:32.840 --> 1:30:37.880
<v Speaker 1>Jimmy was a great third mike. Uh, just hilarious, quick,

1:30:38.360 --> 1:30:41.400
<v Speaker 1>quick witted, he could throw something. He brought something to

1:30:41.560 --> 1:30:44.479
<v Speaker 1>our show that we never had, which was this real

1:30:45.160 --> 1:30:49.160
<v Speaker 1>natural ability to goof on each other self deprecation. We

1:30:49.360 --> 1:30:55.479
<v Speaker 1>never did any kind of self deprecation if one yeah, yeah,

1:30:56.800 --> 1:31:01.280
<v Speaker 1>but if we would never, we would never acknowledge. And

1:31:01.400 --> 1:31:03.400
<v Speaker 1>Jimmy brought this whole thing to the show where if

1:31:03.600 --> 1:31:06.760
<v Speaker 1>something bombed, he would be like, what was that? And

1:31:07.240 --> 1:31:09.040
<v Speaker 1>we were horrified and first like, you know, you don't

1:31:09.080 --> 1:31:11.720
<v Speaker 1>bring this up right, And then after a while you realized, no,

1:31:11.880 --> 1:31:14.800
<v Speaker 1>that's the natural, funny thing to do, and people love it.

1:31:14.880 --> 1:31:16.599
<v Speaker 1>And we do that we on our show. If somebody

1:31:16.640 --> 1:31:19.760
<v Speaker 1>messes up, we're on top of them, even if it's

1:31:19.800 --> 1:31:24.639
<v Speaker 1>all yeah. And I think that's a style of radio

1:31:24.720 --> 1:31:27.640
<v Speaker 1>that didn't exist thirty years ago. It didn't it was

1:31:27.960 --> 1:31:31.760
<v Speaker 1>nothing wrong. And I don't want to discount Howard. We're

1:31:31.760 --> 1:31:33.240
<v Speaker 1>gonna get to talk about how in a minute, because

1:31:33.240 --> 1:31:35.920
<v Speaker 1>he plays a role in this whole story here and there. Um.

1:31:36.160 --> 1:31:38.320
<v Speaker 1>So what I'm saying is, as a listen, I couldn't

1:31:38.320 --> 1:31:40.240
<v Speaker 1>tell so you came in every day. Now, there's one

1:31:40.280 --> 1:31:43.240
<v Speaker 1>story where when it got really bad, your buddies with Jimmy.

1:31:43.280 --> 1:31:45.280
<v Speaker 1>Jimmy has now migrated to be your best buddy, and

1:31:45.360 --> 1:31:47.400
<v Speaker 1>you're you're sort of like a team, and Opie's on

1:31:47.400 --> 1:31:50.839
<v Speaker 1>an island by himself, and you sent a text message.

1:31:51.840 --> 1:31:54.920
<v Speaker 1>Right you're in the studio and you wanted to send

1:31:54.920 --> 1:31:57.960
<v Speaker 1>a text message to Jimmy about how uncomfortable it was

1:31:58.080 --> 1:32:00.639
<v Speaker 1>working with Opie that morning. Yeah, what did the text

1:32:00.680 --> 1:32:03.880
<v Speaker 1>message say? Do you remember? It said? Uh, the little

1:32:04.479 --> 1:32:08.960
<v Speaker 1>c words. Uh won't even look at me because there

1:32:09.080 --> 1:32:11.400
<v Speaker 1>was something I hope he would do. He if he

1:32:11.520 --> 1:32:13.200
<v Speaker 1>was mad at you, he wouldn't make you like you

1:32:13.280 --> 1:32:15.679
<v Speaker 1>weren't in the room. He wouldn't make eye contact, wouldn't

1:32:15.680 --> 1:32:17.960
<v Speaker 1>even look at you. If he if his head, his

1:32:18.080 --> 1:32:20.559
<v Speaker 1>line of sight had to pass by me to get

1:32:20.600 --> 1:32:23.519
<v Speaker 1>to another person's line of sight. He literally is as

1:32:23.560 --> 1:32:25.960
<v Speaker 1>you'd see him go over my head, back down, and

1:32:26.320 --> 1:32:28.439
<v Speaker 1>anything he could do to avoid icon. And again, these

1:32:28.439 --> 1:32:30.680
<v Speaker 1>are two people who are listening. You made a lot

1:32:30.720 --> 1:32:35.439
<v Speaker 1>of money. Oh yeah, very well, you guys made a

1:32:35.479 --> 1:32:36.720
<v Speaker 1>lot of money. A lot of it was because of

1:32:36.800 --> 1:32:40.439
<v Speaker 1>my XM subscription. I know, thank you. And yet your

1:32:40.560 --> 1:32:44.200
<v Speaker 1>your lives and success are based on each other. You're

1:32:44.240 --> 1:32:47.439
<v Speaker 1>getting along is how you guys have a job. Imagine

1:32:47.479 --> 1:32:49.599
<v Speaker 1>you're listening to this podcast. Whatever you do for a living,

1:32:50.000 --> 1:32:52.519
<v Speaker 1>and the person who you rely on, whether you're a

1:32:52.600 --> 1:32:54.960
<v Speaker 1>doctor and you have a nurse or your two lawyers

1:32:55.040 --> 1:32:58.000
<v Speaker 1>like Selina and Barnes, the most famous lawyers in America.

1:32:58.200 --> 1:33:00.200
<v Speaker 1>They hate each other. They hate each other. You don't

1:33:00.240 --> 1:33:03.360
<v Speaker 1>root Celeno and Barnes, you know. And so you guys

1:33:03.400 --> 1:33:06.519
<v Speaker 1>are trying to be funny every day you're not working

1:33:06.560 --> 1:33:08.439
<v Speaker 1>on a on a rock pile. Were like, fuck him,

1:33:08.479 --> 1:33:10.360
<v Speaker 1>I'll break rocks. You have to be funny. You have

1:33:10.439 --> 1:33:13.080
<v Speaker 1>to play off each other. So you send a text

1:33:13.120 --> 1:33:15.640
<v Speaker 1>message it says the C word isn't whatever and what

1:33:15.800 --> 1:33:19.120
<v Speaker 1>went wrong? Well, I I sent it to Jimmy and

1:33:19.200 --> 1:33:22.040
<v Speaker 1>then I looked at it and right after I had sent,

1:33:22.200 --> 1:33:23.680
<v Speaker 1>I look at the top of the text, and it

1:33:23.720 --> 1:33:30.160
<v Speaker 1>says Opie, I sent it to Opie. So I send

1:33:30.240 --> 1:33:36.160
<v Speaker 1>the same little studio. Oh yeah. I froze right then

1:33:36.320 --> 1:33:40.400
<v Speaker 1>I'm looking and and all you think is maybe something

1:33:40.439 --> 1:33:44.559
<v Speaker 1>will go wrong, maybe it won't send, maybe something until

1:33:46.360 --> 1:33:49.800
<v Speaker 1>right right. That would have been beautiful. But but I'm

1:33:49.840 --> 1:33:54.360
<v Speaker 1>sitting there and I hear on the console and it's

1:33:54.439 --> 1:33:57.639
<v Speaker 1>his phone, and I'm like, oh, there's there's my text.

1:33:58.320 --> 1:34:00.080
<v Speaker 1>I see him pick up the phone and look at it,

1:34:00.400 --> 1:34:02.559
<v Speaker 1>and then his eyes just go up and look right

1:34:02.600 --> 1:34:07.920
<v Speaker 1>at me. He goes, what is this? And I had nothing.

1:34:08.680 --> 1:34:13.680
<v Speaker 1>I couldn't have said something. You know, how how do

1:34:13.760 --> 1:34:14.960
<v Speaker 1>you not look at him? How do you not look

1:34:14.960 --> 1:34:18.320
<v Speaker 1>at him and go Jimmy's an ass am? I right, yeah, yeah, yeah, right,

1:34:19.560 --> 1:34:22.920
<v Speaker 1>look at You're right about him? He uh. It was

1:34:23.000 --> 1:34:26.360
<v Speaker 1>like I had nothing, So I finally I just went, well, yeah,

1:34:26.439 --> 1:34:28.320
<v Speaker 1>you're being a dick. Why don't you look at me?

1:34:28.600 --> 1:34:32.839
<v Speaker 1>I figured I would just let him let that. Fifteen

1:34:32.880 --> 1:34:35.439
<v Speaker 1>years later, Larry David did an episode about that, that

1:34:35.560 --> 1:34:39.439
<v Speaker 1>you send the unintentional text message deliberately. Yes, you're like, oh,

1:34:39.800 --> 1:34:41.400
<v Speaker 1>I want to buy my wife a gift, she's so

1:34:41.479 --> 1:34:44.480
<v Speaker 1>hot today, but you send it to horror, like the intention,

1:34:45.000 --> 1:34:46.840
<v Speaker 1>but you didn't know about that then. I didn't know,

1:34:46.920 --> 1:34:48.479
<v Speaker 1>and it was the opposite. I was just trying to

1:34:48.479 --> 1:34:51.080
<v Speaker 1>get a reaction, buddy, and you helping you at that

1:34:51.240 --> 1:34:53.720
<v Speaker 1>point that you had been talking about him behind his

1:34:53.800 --> 1:34:56.760
<v Speaker 1>back to Jimmy to Jimmy. Yeah, yeah, you know, so

1:34:56.920 --> 1:34:59.960
<v Speaker 1>I tried to cover Jimmy by saying I was sending

1:35:00.000 --> 1:35:03.680
<v Speaker 1>it to my girlfriend and and I don't think he

1:35:03.760 --> 1:35:07.080
<v Speaker 1>bought it. Well, the show ended, so I'm guessing you

1:35:07.080 --> 1:35:09.560
<v Speaker 1>didn't buy it. Yeah, yeah, he didn't buy it. Was

1:35:09.760 --> 1:35:11.560
<v Speaker 1>true that at the end it got so bad that

1:35:11.760 --> 1:35:13.559
<v Speaker 1>you guys would perform well on the air, and then

1:35:13.640 --> 1:35:16.240
<v Speaker 1>once you guys hit commercial, you guys would just bolt

1:35:16.360 --> 1:35:18.400
<v Speaker 1>out of the studios and oh yeah yeah. There was

1:35:18.439 --> 1:35:22.200
<v Speaker 1>a lot of bathroom breaks and uh and just not

1:35:22.560 --> 1:35:27.200
<v Speaker 1>paying attention to each other, not looking at each other big. Yeah. Yeah,

1:35:27.320 --> 1:35:30.519
<v Speaker 1>it's it's a small but I would go into the

1:35:30.600 --> 1:35:33.200
<v Speaker 1>live read, he would get up and walk away and

1:35:33.520 --> 1:35:36.080
<v Speaker 1>things like that. So yeah, and then the second the

1:35:36.120 --> 1:35:38.240
<v Speaker 1>show ended, we would just bolt and go to our

1:35:38.320 --> 1:35:41.640
<v Speaker 1>respective vehicles and that was it. It was. It was

1:35:41.760 --> 1:35:46.400
<v Speaker 1>tough spoken him recently. Uh No, we kind of did

1:35:46.439 --> 1:35:49.639
<v Speaker 1>a couple of he did a phoner on my show,

1:35:49.800 --> 1:35:53.920
<v Speaker 1>and you know, obviously I'm on his show. We were

1:35:54.080 --> 1:35:58.200
<v Speaker 1>cordial and then that just kind of broke apart. It

1:35:58.320 --> 1:36:01.679
<v Speaker 1>was sort of a a week peace treaty that didn't

1:36:01.760 --> 1:36:04.680
<v Speaker 1>Quittin and Lewis, Mike and the Mad Dog, all the

1:36:04.840 --> 1:36:08.040
<v Speaker 1>bands and things that you see, guns and roses and

1:36:08.600 --> 1:36:12.800
<v Speaker 1>eagles like it happens. You know, it's twenty years, you know,

1:36:13.840 --> 1:36:16.840
<v Speaker 1>twenty years with a beautiful wife that doesn't work a

1:36:16.920 --> 1:36:20.960
<v Speaker 1>lot of times. Never mind, what from that? I know

1:36:21.160 --> 1:36:24.800
<v Speaker 1>nine I was married nine years. Let's let's talk about

1:36:25.280 --> 1:36:28.200
<v Speaker 1>maybe my favorite story. And we know one of the

1:36:28.200 --> 1:36:32.760
<v Speaker 1>people involved other than you you were dating. It's up

1:36:32.800 --> 1:36:34.880
<v Speaker 1>to you whether you want to mention the name Jill Nicolin.

1:36:35.000 --> 1:36:38.559
<v Speaker 1>She's on the books book. So Jill Nicoline is a wonderful,

1:36:38.720 --> 1:36:43.880
<v Speaker 1>beautiful local New York newscaster. Yeah, she was the traffic girl. Right,

1:36:43.960 --> 1:36:46.519
<v Speaker 1>she does reports local, she goes out and she doesn't right. Anyway,

1:36:46.680 --> 1:36:48.080
<v Speaker 1>we've met her. Now, I'll tell you after you hit

1:36:48.120 --> 1:36:49.640
<v Speaker 1>the story. I don't want to. We had her up

1:36:49.640 --> 1:36:53.080
<v Speaker 1>here on a five years ago for something. A lot

1:36:53.120 --> 1:36:54.960
<v Speaker 1>of times the local stations will send people up to

1:36:55.000 --> 1:36:57.240
<v Speaker 1>cover a major story. And so she was up here

1:36:57.280 --> 1:37:00.560
<v Speaker 1>that day and very nice, oh very and all I

1:37:00.640 --> 1:37:04.920
<v Speaker 1>could think about it was this story. I'm looking at her,

1:37:05.120 --> 1:37:08.080
<v Speaker 1>I'm thinking about laptops, I'm thinking about closets, and I'm

1:37:08.600 --> 1:37:12.080
<v Speaker 1>family party, and I'm like both and I'm trying, and

1:37:12.120 --> 1:37:13.599
<v Speaker 1>then i'm you know, and then there's all those new

1:37:13.640 --> 1:37:16.320
<v Speaker 1>pictures are online. I couldn't something in that. And then

1:37:16.360 --> 1:37:18.560
<v Speaker 1>I'm look at the new pictures. I'm going Anthony hit that,

1:37:19.520 --> 1:37:21.720
<v Speaker 1>And that's what I could think about. He told me that,

1:37:21.960 --> 1:37:25.720
<v Speaker 1>He's like I told him that. I said, listen, we

1:37:25.840 --> 1:37:27.640
<v Speaker 1>have somebody coming up today. You've never met her. You

1:37:27.720 --> 1:37:30.920
<v Speaker 1>probably seen on television. But if you don't remember the story,

1:37:31.160 --> 1:37:33.920
<v Speaker 1>remember Anthony had that story. That's hard. That was the

1:37:34.080 --> 1:37:39.080
<v Speaker 1>summer romance. How did you know the part? Okay, the

1:37:39.240 --> 1:37:41.080
<v Speaker 1>part in the book I didn't understand, and I want

1:37:41.080 --> 1:37:42.559
<v Speaker 1>to make sure you tell it. It's part of the story.

1:37:43.120 --> 1:37:46.600
<v Speaker 1>As this what happened happened. There was a party in

1:37:46.680 --> 1:37:50.679
<v Speaker 1>the house, right, Okay, a party going on in your house.

1:37:51.040 --> 1:37:54.280
<v Speaker 1>Your girlfriend Jill is at the party. Yeah. Yeah, it

1:37:54.400 --> 1:37:57.800
<v Speaker 1>was a party, like it was mine and Jill's party.

1:37:57.880 --> 1:38:01.920
<v Speaker 1>It was under the families had Labor Day. Yeah, both

1:38:02.040 --> 1:38:07.559
<v Speaker 1>families were their friends. A huge party involved. Oh yeah,

1:38:08.479 --> 1:38:10.840
<v Speaker 1>at that point, I'm sure he did the jacouz. He's

1:38:10.920 --> 1:38:17.519
<v Speaker 1>got the jacouz. He's going. I mean barbecues and mixed drinks.

1:38:19.200 --> 1:38:22.800
<v Speaker 1>It was great. And uh boy, there was just this

1:38:23.000 --> 1:38:27.040
<v Speaker 1>girl from Canada that I had hooked up with a

1:38:27.120 --> 1:38:31.640
<v Speaker 1>few times, and she was, oh yeah, invited her to

1:38:31.720 --> 1:38:33.800
<v Speaker 1>this party because you thought something good would come from this.

1:38:34.520 --> 1:38:38.479
<v Speaker 1>I was. I was always terrible at this. I was

1:38:38.560 --> 1:38:41.040
<v Speaker 1>always very bad at the cheating thing. I got no

1:38:41.240 --> 1:38:44.559
<v Speaker 1>game as far as cheating goes. I am all out there.

1:38:45.680 --> 1:38:48.920
<v Speaker 1>Some Anthony's bat. Some people are bad at cheating in

1:38:49.080 --> 1:38:51.240
<v Speaker 1>terms of they go out and then they lie about

1:38:51.240 --> 1:38:53.559
<v Speaker 1>where they went, or they have lipstick on their collar. Yeah.

1:38:53.960 --> 1:38:56.200
<v Speaker 1>You take it to a new level. You invite both

1:38:56.280 --> 1:38:59.320
<v Speaker 1>women to your house. The flies over so stupid, and

1:38:59.360 --> 1:39:02.479
<v Speaker 1>then you bring this Canadian girl up to your room.

1:39:03.320 --> 1:39:06.360
<v Speaker 1>Yeah yeah, I brought her up to my room. Well,

1:39:06.439 --> 1:39:09.760
<v Speaker 1>Jill and her family are downstairs. Yeah. First we were

1:39:09.840 --> 1:39:12.200
<v Speaker 1>fiddling around in the jacuzzi. You know, you can't see

1:39:12.240 --> 1:39:15.240
<v Speaker 1>through those bubbles, so we're kind of sitting in the

1:39:15.320 --> 1:39:19.120
<v Speaker 1>jacuzzi and uh, screwing around a little bit under the bubbles.

1:39:19.240 --> 1:39:23.720
<v Speaker 1>Che Right assesses you to leave the party. Did you

1:39:23.800 --> 1:39:26.080
<v Speaker 1>think for a second that that Jill wasn't going to

1:39:26.160 --> 1:39:27.560
<v Speaker 1>come looking for you. Well, it was sort of the

1:39:27.680 --> 1:39:29.960
<v Speaker 1>tail end of the party. It was like, I think

1:39:30.520 --> 1:39:33.240
<v Speaker 1>the sun was coming up, a lot of people passed out,

1:39:33.439 --> 1:39:36.759
<v Speaker 1>a lot of people had left. Yeah, so I figured,

1:39:36.800 --> 1:39:40.000
<v Speaker 1>you know, at this point, not passed out. Uh no,

1:39:41.720 --> 1:39:45.320
<v Speaker 1>she yeah, she had. Uh, I guess she was entertaining

1:39:45.760 --> 1:39:49.920
<v Speaker 1>people and she had went out for something. Yeah. I

1:39:49.960 --> 1:39:51.960
<v Speaker 1>thought she was gone, Okay, I'm gonna go out for

1:39:52.040 --> 1:39:53.920
<v Speaker 1>beer or whatever she like. Yeah, yeah, I thought she

1:39:54.040 --> 1:39:58.960
<v Speaker 1>was gone. And Canada, So I had Canada come up. Yeah,

1:39:59.120 --> 1:40:02.519
<v Speaker 1>doing my duty is a good American. Uh and and

1:40:02.840 --> 1:40:05.760
<v Speaker 1>uh then I hear I hear Jill pulling up in

1:40:05.840 --> 1:40:09.000
<v Speaker 1>the driveway, and I'm like, oh here. I Am like

1:40:09.200 --> 1:40:11.800
<v Speaker 1>this is red handed stuff right here. So I sent

1:40:11.880 --> 1:40:15.000
<v Speaker 1>the Canadian to the walking closet. Had two big walking

1:40:15.080 --> 1:40:20.280
<v Speaker 1>closets in the house. Yeah, and you yeah, I was

1:40:20.320 --> 1:40:23.519
<v Speaker 1>in bed and in the closet. Yeah. She gets in

1:40:23.560 --> 1:40:27.160
<v Speaker 1>the closet and Jill comes into the bedroom and uh,

1:40:28.120 --> 1:40:32.240
<v Speaker 1>oh boy, I she she uh starts getting a little

1:40:32.280 --> 1:40:39.000
<v Speaker 1>amorous with me. And that's a big word. It means yeah, yeah, yeah,

1:40:39.120 --> 1:40:44.519
<v Speaker 1>yeah yeah. So if you know that way and keep

1:40:44.640 --> 1:40:48.639
<v Speaker 1>quiet in the closet. She was keeping quiet in the closet. Yeah,

1:40:49.000 --> 1:40:53.760
<v Speaker 1>And but Jill, Jill had started doing stuff that exposed

1:40:53.800 --> 1:41:02.000
<v Speaker 1>her to certain fragrances of yes. So she goes, what's

1:41:02.200 --> 1:41:06.040
<v Speaker 1>that and like, I don't again, I had nothing like

1:41:06.160 --> 1:41:08.840
<v Speaker 1>the Opie text. Okay, it must have been a wet dream.

1:41:08.920 --> 1:41:12.320
<v Speaker 1>I was thinking of you. That would have been that

1:41:12.400 --> 1:41:16.160
<v Speaker 1>would have been good. But yeah, so she looks around

1:41:16.200 --> 1:41:20.160
<v Speaker 1>the room and walks towards the closet. She opens up

1:41:20.200 --> 1:41:22.920
<v Speaker 1>one of the closets. It's not the one the Canadians

1:41:22.960 --> 1:41:26.719
<v Speaker 1>in number one door number one. Now this is almost

1:41:26.800 --> 1:41:29.120
<v Speaker 1>like when the when Opie's phone was going off. To

1:41:29.240 --> 1:41:31.800
<v Speaker 1>walk over to the phone the closet, don't open the

1:41:31.880 --> 1:41:35.639
<v Speaker 1>closet and uh so she walks back and she's really

1:41:35.680 --> 1:41:38.680
<v Speaker 1>giving me like the what have you? She's mad, she

1:41:38.800 --> 1:41:42.040
<v Speaker 1>knows something's up, um, but she didn't go back to

1:41:42.120 --> 1:41:45.439
<v Speaker 1>the other closet right away. Uh. She's yelling, man, I'm

1:41:45.479 --> 1:41:47.160
<v Speaker 1>like great, yelling at me. Keep it coming, you know,

1:41:47.280 --> 1:41:50.400
<v Speaker 1>get mad and leave. Uh. But then she she looks

1:41:50.439 --> 1:41:52.360
<v Speaker 1>at the other closet and goes over there and opens

1:41:52.400 --> 1:41:55.560
<v Speaker 1>it and there's the pride of Canada sitting right in

1:41:55.560 --> 1:41:58.360
<v Speaker 1>the middle of the floor and just and just waves

1:41:58.400 --> 1:42:00.920
<v Speaker 1>to her, how are you doing? She was taff dress

1:42:00.960 --> 1:42:03.880
<v Speaker 1>because she was putting her clothes on, like how are

1:42:03.920 --> 1:42:07.680
<v Speaker 1>you doing? And Jill then uh ran out of the

1:42:07.720 --> 1:42:11.120
<v Speaker 1>place and took off. Yeah it was terrible, but this

1:42:11.439 --> 1:42:18.799
<v Speaker 1>this the more because she gets a little revenge on revenge,

1:42:18.880 --> 1:42:23.000
<v Speaker 1>some property damage and on the Canadian and oh, it

1:42:23.400 --> 1:42:27.000
<v Speaker 1>just was out of hand. I don't know. I've done

1:42:27.200 --> 1:42:30.680
<v Speaker 1>horrible things like that in relationships and uh, what are

1:42:30.680 --> 1:42:33.960
<v Speaker 1>you gonna do? I've I've grown over the years. Right,

1:42:34.120 --> 1:42:36.640
<v Speaker 1>Luckily nothing bad is happened to so you got right, right,

1:42:36.800 --> 1:42:43.960
<v Speaker 1>It's not like there's karma. Howard Stern, Robin Howard Stern

1:42:44.600 --> 1:42:47.200
<v Speaker 1>probably the reason a lot of us in radio, that's right,

1:42:47.240 --> 1:42:50.840
<v Speaker 1>the king of all media, Robin no I I of

1:42:51.000 --> 1:42:53.680
<v Speaker 1>course he's the legend, the legend, the biggest thing. And

1:42:53.920 --> 1:42:56.920
<v Speaker 1>he'll be to tell you he invented everything, invented, you know,

1:42:57.160 --> 1:43:00.599
<v Speaker 1>in retrospect, most of it as far is the point

1:43:00.680 --> 1:43:02.600
<v Speaker 1>where he was at the beginning of his career, and

1:43:02.720 --> 1:43:06.320
<v Speaker 1>as high the height of his Private Parts movie and

1:43:06.400 --> 1:43:09.360
<v Speaker 1>his book. He was the inventor of much many things,

1:43:10.200 --> 1:43:12.000
<v Speaker 1>and he was he was everything. Nothing as far as

1:43:12.080 --> 1:43:15.559
<v Speaker 1>the modern day shock jock goes like that was him.

1:43:15.800 --> 1:43:19.120
<v Speaker 1>Everybody when it's like, oh you're when people said, oh,

1:43:19.200 --> 1:43:21.680
<v Speaker 1>you're a Howard wanna be and it's like, yeah, I

1:43:21.800 --> 1:43:24.200
<v Speaker 1>want to be doing a show like that and and

1:43:24.560 --> 1:43:27.080
<v Speaker 1>having that kind of success. Weird. Nobody looks at baseball

1:43:27.120 --> 1:43:28.880
<v Speaker 1>players and says, oh, you're a Mickey Man, will wanna be?

1:43:28.960 --> 1:43:32.360
<v Speaker 1>Want to be? Ye? Yeah? The guy, first of all,

1:43:32.439 --> 1:43:35.479
<v Speaker 1>makes a hundred million dollars a year. He's at the time.

1:43:35.520 --> 1:43:37.719
<v Speaker 1>He didn't have a hot wife, He had a nice wife.

1:43:38.200 --> 1:43:40.920
<v Speaker 1>Couldn't have been more successful, reinvented the industry of radio.

1:43:41.479 --> 1:43:43.720
<v Speaker 1>Who wouldn't want to emulate that? I saw Private Parts

1:43:43.800 --> 1:43:45.800
<v Speaker 1>and I said I want to do that for a living? Yeah, yeah,

1:43:45.880 --> 1:43:48.240
<v Speaker 1>that exactly. You know who wouldn't. And there's a way

1:43:48.280 --> 1:43:51.920
<v Speaker 1>to take what he did, be inspired by it and

1:43:52.439 --> 1:43:56.360
<v Speaker 1>do your own thing. Uh. And that's different than taking

1:43:56.960 --> 1:44:01.000
<v Speaker 1>his bits verbatim and running We've done prank phone calls,

1:44:01.040 --> 1:44:03.320
<v Speaker 1>of course, and people will go, you're ripping off Howard.

1:44:03.520 --> 1:44:06.599
<v Speaker 1>He did that bit um. We did a bit which

1:44:06.640 --> 1:44:12.240
<v Speaker 1>one was it? No? Yeah, one of his guys our

1:44:12.320 --> 1:44:15.479
<v Speaker 1>prank phone call becaust and Elvis has a saying, if

1:44:15.560 --> 1:44:18.040
<v Speaker 1>you steal something from us, it's been stolen twice. Right.

1:44:18.920 --> 1:44:20.720
<v Speaker 1>We invent a lot of things. We've created a lot

1:44:20.760 --> 1:44:22.320
<v Speaker 1>of things, but sometimes you borrow things and you make

1:44:22.360 --> 1:44:24.800
<v Speaker 1>them better. We didn't invent the prank phone call, but

1:44:25.200 --> 1:44:26.840
<v Speaker 1>being in New York and and and being able to

1:44:26.880 --> 1:44:29.360
<v Speaker 1>call New Yorkers and we actually we we we feel

1:44:29.400 --> 1:44:31.280
<v Speaker 1>like we have our own style of of busting on

1:44:31.400 --> 1:44:34.240
<v Speaker 1>people and in a day talking to yourself, we get

1:44:34.320 --> 1:44:36.360
<v Speaker 1>that we're nothing like that's what it was. There was

1:44:36.439 --> 1:44:39.439
<v Speaker 1>nothing talking to yourself bit where we call we we

1:44:39.680 --> 1:44:41.840
<v Speaker 1>usually somebody that's you know, we get them to say

1:44:41.880 --> 1:44:44.000
<v Speaker 1>a bunch of phrases things that you record them, put

1:44:44.040 --> 1:44:45.599
<v Speaker 1>them on a button bar, and then then have them

1:44:45.640 --> 1:44:49.160
<v Speaker 1>talk to themselves. We actually did that first, like two

1:44:49.240 --> 1:44:51.519
<v Speaker 1>thousand five to four. That was the one thing we

1:44:51.600 --> 1:44:53.800
<v Speaker 1>did first. No one has done that before that to

1:44:53.880 --> 1:44:57.040
<v Speaker 1>our knowledge, and so we would call it. We call

1:44:57.080 --> 1:44:58.800
<v Speaker 1>a couple of places where we got some people that

1:44:58.840 --> 1:45:01.080
<v Speaker 1>weren't the smartest so well you'd ask them questions like

1:45:01.200 --> 1:45:03.680
<v Speaker 1>who's this. They'd say their name and they'll say, uh,

1:45:04.320 --> 1:45:05.800
<v Speaker 1>you know, are you home right now? Yes? We get

1:45:05.800 --> 1:45:08.200
<v Speaker 1>them to say certain phrases uh, and then we would

1:45:08.200 --> 1:45:09.960
<v Speaker 1>play the phrases back, and because it was over the

1:45:10.080 --> 1:45:15.760
<v Speaker 1>radio phone, they didn't recognize the voice, so people would

1:45:15.840 --> 1:45:18.560
<v Speaker 1>gell at themselves and like, don't call here again, Like

1:45:18.760 --> 1:45:22.600
<v Speaker 1>is this Joanne? I'm Joanne? I'm joe Anne anyway, and

1:45:22.720 --> 1:45:26.160
<v Speaker 1>so they stole from us. So Howard is the king

1:45:26.200 --> 1:45:28.160
<v Speaker 1>of all media. Right, you guys come to New York.

1:45:28.640 --> 1:45:31.360
<v Speaker 1>You're doing afternoons at a radio station owned by the

1:45:31.400 --> 1:45:34.880
<v Speaker 1>same company company. Howard's on k Rock, which was FM

1:45:35.120 --> 1:45:37.920
<v Speaker 1>CBS in the mornings, and you were on any w

1:45:38.120 --> 1:45:42.439
<v Speaker 1>CBS afternoons. Not really competition, but turned into a Leno

1:45:42.520 --> 1:45:44.760
<v Speaker 1>Lederman thing where you couldn't book guests that he had

1:45:44.800 --> 1:45:48.760
<v Speaker 1>on and yeah, he was not gracious. No, no, I

1:45:49.200 --> 1:45:54.080
<v Speaker 1>think uh. And and without without patting ourselves on the back,

1:45:54.560 --> 1:45:58.360
<v Speaker 1>we handled him differently than any other show handled Howard Stern.

1:45:58.920 --> 1:46:02.800
<v Speaker 1>And because I was such a big fan, uh, I

1:46:02.960 --> 1:46:07.400
<v Speaker 1>had an idea of how you could battle Howard without

1:46:07.800 --> 1:46:11.439
<v Speaker 1>really battling him, and it was by having fun making

1:46:11.640 --> 1:46:15.240
<v Speaker 1>fun of him. Uh. In a way like a fan

1:46:15.360 --> 1:46:18.360
<v Speaker 1>would so that all of his fans wouldn't. If you

1:46:18.479 --> 1:46:20.920
<v Speaker 1>come into New York and go, oh, how it Sterns sucks.

1:46:21.000 --> 1:46:23.439
<v Speaker 1>We rule, all of his fans are gonna go, no,

1:46:24.160 --> 1:46:27.479
<v Speaker 1>Howard rules, you suck. So it never works that way.

1:46:27.600 --> 1:46:29.720
<v Speaker 1>You can't do it. But if you are such a

1:46:29.760 --> 1:46:32.120
<v Speaker 1>big fan and you start goofing on the fact that

1:46:32.560 --> 1:46:34.960
<v Speaker 1>he goes to the Hampton's on the weekends and you

1:46:35.040 --> 1:46:38.360
<v Speaker 1>know he's Hollywood Howie and doing an impression of him,

1:46:38.439 --> 1:46:41.200
<v Speaker 1>and and it's really deep, like you're doing an impression

1:46:41.280 --> 1:46:43.920
<v Speaker 1>and doing material that only a fan would know, then

1:46:43.960 --> 1:46:46.559
<v Speaker 1>the fans are gonna go, holy, that's kind of funny,

1:46:46.680 --> 1:46:49.240
<v Speaker 1>like he does do that, Oh my god. And it

1:46:49.360 --> 1:46:51.280
<v Speaker 1>was a great way to just chisel the way make

1:46:51.360 --> 1:46:54.040
<v Speaker 1>him seem a little hypocritical, and and and the fans

1:46:54.160 --> 1:46:56.280
<v Speaker 1>loved it, like we get you, like we get you, Howard,

1:46:56.320 --> 1:46:59.639
<v Speaker 1>which we get it. Were just just bust them balls

1:46:59.720 --> 1:47:01.960
<v Speaker 1>over me kind of a thing. By the way. You

1:47:02.160 --> 1:47:04.240
<v Speaker 1>do great impressions, and a lot of them you do.

1:47:04.520 --> 1:47:06.880
<v Speaker 1>Uh Chris Man dog Russo, who was a big national

1:47:06.920 --> 1:47:10.360
<v Speaker 1>sports Oh yeah, yeah, you do. Don iMOS, don i'mos

1:47:10.680 --> 1:47:14.880
<v Speaker 1>I amost in the morning program. All your jerk shut

1:47:14.960 --> 1:47:18.880
<v Speaker 1>up McGirk. I and so you went on Howard before

1:47:18.920 --> 1:47:22.200
<v Speaker 1>you were famous, and did didn't you do Howard? Yeah? Yeah,

1:47:22.200 --> 1:47:24.839
<v Speaker 1>I used to do like it was never a good impression.

1:47:24.880 --> 1:47:28.479
<v Speaker 1>It's just kind of a video pression on video of

1:47:28.560 --> 1:47:31.639
<v Speaker 1>you on his show. Yes. Yeah, before I ever got

1:47:31.680 --> 1:47:34.439
<v Speaker 1>into radio is right before I did a Jackie the

1:47:34.520 --> 1:47:38.560
<v Speaker 1>joke Man impersonation contest that they had any excuse to

1:47:38.640 --> 1:47:41.880
<v Speaker 1>get into the studio. So when I called up, they

1:47:41.920 --> 1:47:44.040
<v Speaker 1>were like, all right, come on in, and I was thrilled.

1:47:44.080 --> 1:47:45.840
<v Speaker 1>I went in with a buddy of mind, Randy, and

1:47:46.240 --> 1:47:48.600
<v Speaker 1>we drove into the city and got up into the

1:47:48.640 --> 1:47:52.200
<v Speaker 1>old K Rock studios and it was a dream for me.

1:47:52.320 --> 1:47:56.519
<v Speaker 1>I was standing there, Howard's behind the console, all the

1:47:56.600 --> 1:47:59.519
<v Speaker 1>players are there, Fred and Jackie and Gary and Robin,

1:47:59.840 --> 1:48:03.400
<v Speaker 1>and it was fantastic. And I, again, like I did

1:48:03.479 --> 1:48:05.800
<v Speaker 1>with Opie, I figured I'm in there, I'm cutting loose

1:48:06.040 --> 1:48:09.320
<v Speaker 1>so again, spinning the plates, juggling chainsaws, whatever I could do,

1:48:09.840 --> 1:48:13.400
<v Speaker 1>And Howard's laughing his ass off, and I'm like, whoa,

1:48:13.560 --> 1:48:17.599
<v Speaker 1>this is great. Like I'm making Howard. They're gonna hire

1:48:18.280 --> 1:48:22.600
<v Speaker 1>away from Opie in hindsight, is a good thing. He

1:48:22.720 --> 1:48:25.400
<v Speaker 1>didn't because I had taken the Howard job, and we

1:48:25.520 --> 1:48:27.719
<v Speaker 1>all know how those guys don't make it two dimes

1:48:27.800 --> 1:48:32.840
<v Speaker 1>to rub together if you work with Howard. But no,

1:48:32.920 --> 1:48:37.200
<v Speaker 1>it was it was fantastic, and that was that I

1:48:37.439 --> 1:48:39.519
<v Speaker 1>I went then with with Opie. But I always had

1:48:39.560 --> 1:48:42.320
<v Speaker 1>that that thing of making Howard laugh. So I thought

1:48:42.360 --> 1:48:44.680
<v Speaker 1>he was like, oh, who's that Anthony. That Anthony's a

1:48:44.720 --> 1:48:47.080
<v Speaker 1>good He's good, he's funny. I was like, holy shit,

1:48:47.320 --> 1:48:50.720
<v Speaker 1>is yeah, and so your idol knows who you are.

1:48:50.840 --> 1:48:53.360
<v Speaker 1>He thinks you're talented. And then it went south because

1:48:53.600 --> 1:48:55.960
<v Speaker 1>you guys blew up in the ratings. You became number one. Yeah,

1:48:56.240 --> 1:48:58.960
<v Speaker 1>and now he's not the only talk of New York. Yeah,

1:48:59.040 --> 1:49:02.280
<v Speaker 1>he feels he's got kind of squash anybody that's making

1:49:02.320 --> 1:49:05.000
<v Speaker 1>a name for themselves in radio. I guess even though

1:49:05.040 --> 1:49:07.960
<v Speaker 1>we weren't a competitor, he knows how radio is, and

1:49:08.040 --> 1:49:10.519
<v Speaker 1>we very well could have been a competitor at any moment,

1:49:10.960 --> 1:49:14.120
<v Speaker 1>gotten hired away by If you two idiots can do it,

1:49:14.360 --> 1:49:18.880
<v Speaker 1>then it diminishes what right, right, I'm the only guy

1:49:18.880 --> 1:49:20.840
<v Speaker 1>whould be number one because the number one then it's like, Oh,

1:49:20.840 --> 1:49:23.240
<v Speaker 1>anybody come to New York and the number one? I

1:49:23.280 --> 1:49:26.120
<v Speaker 1>want to hear a little bit more about about current

1:49:26.160 --> 1:49:29.400
<v Speaker 1>Anthony kobia, like the podcast, So, how is that how

1:49:29.520 --> 1:49:32.280
<v Speaker 1>your your radio show blew up? You were let go

1:49:32.439 --> 1:49:35.960
<v Speaker 1>by serious exams. I want to for the listener to

1:49:36.000 --> 1:49:38.320
<v Speaker 1>everybody up. You lose the gig going along, you can

1:49:38.360 --> 1:49:40.760
<v Speaker 1>figure out how what happened. It happened, and then you

1:49:40.840 --> 1:49:43.679
<v Speaker 1>don't have a show for a while, and the internet

1:49:43.920 --> 1:49:47.240
<v Speaker 1>exists and you decide you're going to do something with yourself. Yeah. Yeah,

1:49:47.560 --> 1:49:50.240
<v Speaker 1>I was up and running a month after I got fired.

1:49:50.400 --> 1:49:53.800
<v Speaker 1>That's how quickly, because we know that's how you had

1:49:53.880 --> 1:49:56.120
<v Speaker 1>to do it. It had to be quick. People forget

1:49:56.280 --> 1:49:58.400
<v Speaker 1>very quickly. And I had a studio built in my

1:49:58.479 --> 1:50:02.479
<v Speaker 1>house already. I for years I loved the idea of

1:50:03.320 --> 1:50:06.040
<v Speaker 1>just being home a news event happens, or I just

1:50:06.160 --> 1:50:09.680
<v Speaker 1>feel like it popping on, going online and putting a

1:50:09.760 --> 1:50:13.479
<v Speaker 1>show out there for people HD video so I could

1:50:13.520 --> 1:50:16.640
<v Speaker 1>have news clips and a cry on and and a

1:50:16.760 --> 1:50:20.360
<v Speaker 1>lower third, like I wanted it to look like the news,

1:50:20.880 --> 1:50:24.560
<v Speaker 1>but with me just saying ridiculous stuff. So I it

1:50:24.680 --> 1:50:27.360
<v Speaker 1>had to be professional. So I had this studio in

1:50:27.439 --> 1:50:31.519
<v Speaker 1>my house, thank god, because then when I got fired, Uh,

1:50:31.680 --> 1:50:33.760
<v Speaker 1>my buddy Keith, the cop is just like, you got

1:50:33.840 --> 1:50:37.479
<v Speaker 1>this studio down there, let's switch, let's figure it out.

1:50:37.640 --> 1:50:40.040
<v Speaker 1>You know. All we really needed was the logistics of

1:50:40.120 --> 1:50:42.720
<v Speaker 1>getting it out to a lot of people at once. Uh.

1:50:42.880 --> 1:50:45.320
<v Speaker 1>So you know you need a company that hosts the

1:50:45.439 --> 1:50:49.760
<v Speaker 1>servers and and things like that, the technical end. But yeah,

1:50:49.880 --> 1:50:51.920
<v Speaker 1>and that took about a month and we were up

1:50:51.960 --> 1:50:55.400
<v Speaker 1>and running as a subscriber service, a subscribed service. Uh,

1:50:55.600 --> 1:50:59.240
<v Speaker 1>and it was great. I was actually surprised at how

1:50:59.360 --> 1:51:02.360
<v Speaker 1>quickly we were able to get that done. Uh. And

1:51:02.520 --> 1:51:05.519
<v Speaker 1>then as time went on, we realized a lot of

1:51:05.600 --> 1:51:08.479
<v Speaker 1>other shows I want to do this. They want the

1:51:08.560 --> 1:51:13.120
<v Speaker 1>ability to get on and be completely uncensored. And uh,

1:51:13.320 --> 1:51:16.679
<v Speaker 1>we picked up a few shows. You're a pioneer because

1:51:16.800 --> 1:51:18.240
<v Speaker 1>a lot of them, a lot of the shows are

1:51:18.360 --> 1:51:20.680
<v Speaker 1>away behind the carve. You were ahead of it. You

1:51:20.840 --> 1:51:26.280
<v Speaker 1>started this in what the summer fourteen, the the current show. Yeah,

1:51:26.360 --> 1:51:28.080
<v Speaker 1>but even before that, like I said, I was doing

1:51:28.120 --> 1:51:30.040
<v Speaker 1>the live from the compound from my house while I

1:51:30.120 --> 1:51:33.360
<v Speaker 1>was still working at Serious for years before that. So

1:51:33.840 --> 1:51:39.519
<v Speaker 1>even Joe Rogan, who has a very successful podcast, listen

1:51:39.600 --> 1:51:43.280
<v Speaker 1>to it. We're up against him in in a podcast, right,

1:51:44.040 --> 1:51:47.160
<v Speaker 1>but he doesn't love his fans. But he even said, like,

1:51:47.400 --> 1:51:50.000
<v Speaker 1>it was your show from your house that inspired me

1:51:50.080 --> 1:51:52.720
<v Speaker 1>to go, Yeah, why wouldn't somebody just grab a mic

1:51:52.840 --> 1:51:55.479
<v Speaker 1>and and do a show like that? So, guys, I

1:51:55.600 --> 1:51:57.280
<v Speaker 1>have to give you credit. Not only did you put

1:51:57.320 --> 1:52:01.120
<v Speaker 1>girls in Gallon dramas, but you, to my knowledge as

1:52:01.160 --> 1:52:04.080
<v Speaker 1>a listener and a student of radio, one of the

1:52:04.120 --> 1:52:07.840
<v Speaker 1>first shows to put webcams in the studio yea, to

1:52:08.040 --> 1:52:11.360
<v Speaker 1>film things, to to make it a multimedia experience. I

1:52:11.439 --> 1:52:13.080
<v Speaker 1>mean how it had the show on e but you

1:52:13.200 --> 1:52:15.719
<v Speaker 1>guys had like a webcam that was taking like pictures,

1:52:15.800 --> 1:52:18.280
<v Speaker 1>like like a couple of frames, a couple of streamed

1:52:18.280 --> 1:52:22.280
<v Speaker 1>at like one frame every ten seconds or something. And

1:52:22.320 --> 1:52:24.799
<v Speaker 1>then you put cameras in every Mike station that followed

1:52:24.800 --> 1:52:29.040
<v Speaker 1>you around the room. That was stuff that nobody was doing, right, Eric, Yeah,

1:52:30.880 --> 1:52:32.880
<v Speaker 1>it was that. And then it upgraded to the pal

1:52:33.000 --> 1:52:35.760
<v Speaker 1>Talk service where it was live streaming and they were

1:52:35.840 --> 1:52:38.200
<v Speaker 1>interacting with us live on the air as the show.

1:52:38.360 --> 1:52:43.400
<v Speaker 1>It was a video conferencing system called pal Talk. It

1:52:43.520 --> 1:52:45.760
<v Speaker 1>was yeah, and it was on my laptop in front

1:52:45.800 --> 1:52:48.760
<v Speaker 1>of me. So people could watch me and do the show,

1:52:48.880 --> 1:52:52.639
<v Speaker 1>and I would be watching monitors, like eight different feeds

1:52:52.720 --> 1:52:56.840
<v Speaker 1>from people from their house, most of them naked girls

1:52:56.880 --> 1:53:00.240
<v Speaker 1>in bed. So I would sit doing the show watch that.

1:53:00.320 --> 1:53:03.519
<v Speaker 1>And Opie hated that one, oh because he knew sometimes

1:53:03.600 --> 1:53:07.320
<v Speaker 1>I was just horribly distracted. Uh, but you know I

1:53:07.400 --> 1:53:10.280
<v Speaker 1>had to get the next Canadian closet girl, so I

1:53:10.479 --> 1:53:13.760
<v Speaker 1>was focus. I was shopping. It was online shopping for me. Yeah,

1:53:14.200 --> 1:53:18.560
<v Speaker 1>multimedia was not something. I'll take that one. And we

1:53:18.640 --> 1:53:20.479
<v Speaker 1>know we never referenced, but real quick whip them out.

1:53:20.479 --> 1:53:22.320
<v Speaker 1>Wednesday was you guys put bumper stickers on your cars.

1:53:22.640 --> 1:53:25.640
<v Speaker 1>It's a w W would open Anthony logo and you

1:53:25.760 --> 1:53:27.559
<v Speaker 1>put the like we've put the Z free money sticker

1:53:27.880 --> 1:53:29.479
<v Speaker 1>right right, put the money sticker on your car and

1:53:29.520 --> 1:53:31.120
<v Speaker 1>if we spot it, you get a hundred dollars right

1:53:31.200 --> 1:53:33.600
<v Speaker 1>there you go. Every radio station has done that. You

1:53:33.760 --> 1:53:37.680
<v Speaker 1>guys had girls flash. Yeah people if you if you

1:53:37.720 --> 1:53:39.840
<v Speaker 1>had on your car, girls would flash the drivers of

1:53:39.880 --> 1:53:41.559
<v Speaker 1>the car. Yeah, we asked the girls and then you'd

1:53:41.600 --> 1:53:43.720
<v Speaker 1>go live to people. You were sticker spotting, but it

1:53:43.760 --> 1:53:46.439
<v Speaker 1>was a different kind of sticker spotting. Yeah, we'd do

1:53:46.560 --> 1:53:50.200
<v Speaker 1>sticker stops and those were hilarious because Earl from the

1:53:50.280 --> 1:53:52.360
<v Speaker 1>show would go out and do it and it was

1:53:52.560 --> 1:53:57.080
<v Speaker 1>some some catastrophe would always happen. It was naked women right, right,

1:53:57.240 --> 1:53:59.840
<v Speaker 1>more naked women. Right. So you're doing the Compound show.

1:54:01.200 --> 1:54:03.479
<v Speaker 1>The again, the pal talk thing was revolutionary. Now you're

1:54:03.479 --> 1:54:06.160
<v Speaker 1>doing the Compound show. You have nine shows, is it? Yeah?

1:54:06.200 --> 1:54:08.720
<v Speaker 1>I think we're up to nine and always looking and

1:54:08.880 --> 1:54:10.920
<v Speaker 1>adding new ones we get. We're in talks with other

1:54:11.000 --> 1:54:14.000
<v Speaker 1>people as we speak, and uh yeah, it's just building

1:54:14.080 --> 1:54:16.559
<v Speaker 1>up into something that I never expected. I thought, here

1:54:16.600 --> 1:54:20.640
<v Speaker 1>I am, I'm damaged goods. I need a platform and

1:54:20.920 --> 1:54:23.400
<v Speaker 1>and we kind of put something together that a lot

1:54:23.520 --> 1:54:28.519
<v Speaker 1>of other shows are are really um clamoring to get

1:54:28.600 --> 1:54:32.560
<v Speaker 1>on because they want to speak openly and honestly. Podcasts

1:54:32.600 --> 1:54:35.120
<v Speaker 1>that are out there and the numbers growing over how

1:54:35.360 --> 1:54:37.080
<v Speaker 1>and somebody that might be listening to this it might

1:54:37.120 --> 1:54:39.680
<v Speaker 1>be inspired, like what do you look for? What do

1:54:39.760 --> 1:54:41.640
<v Speaker 1>you because I mean, because now you're now you're also

1:54:41.680 --> 1:54:44.960
<v Speaker 1>a producer to you're not You're not just oh yeah, yeah,

1:54:45.240 --> 1:54:48.200
<v Speaker 1>this is your compound. You have to like I could

1:54:48.240 --> 1:54:53.080
<v Speaker 1>tell when people are appreciative of the freedom that they

1:54:53.200 --> 1:54:56.960
<v Speaker 1>can have at Compound Media. Uh and and and the

1:54:57.040 --> 1:55:00.080
<v Speaker 1>shows reflect that. In Hot Water with Geno Bisconti and

1:55:00.160 --> 1:55:03.080
<v Speaker 1>Aharonberg is a show that we have on in the

1:55:03.160 --> 1:55:06.680
<v Speaker 1>morning that I I watch and listen to and go, yeah,

1:55:06.760 --> 1:55:11.440
<v Speaker 1>that's way over the line. I'm horrified by some of

1:55:11.480 --> 1:55:15.160
<v Speaker 1>the stuff I see on that shows. Did you call

1:55:15.240 --> 1:55:20.880
<v Speaker 1>the I reported them immediately. Uh, they're going to hru Yeah,

1:55:21.000 --> 1:55:23.560
<v Speaker 1>it's uh. But that's the kind of shows. I want

1:55:23.680 --> 1:55:26.800
<v Speaker 1>guys that are willing to take those chances, fearless that

1:55:26.960 --> 1:55:29.760
<v Speaker 1>all they need is that platform that isn't gonna fire them.

1:55:30.000 --> 1:55:32.600
<v Speaker 1>I don't want a filter on people. Once you have

1:55:32.640 --> 1:55:36.040
<v Speaker 1>a filter, it it takes away from the funny. You know,

1:55:36.120 --> 1:55:39.200
<v Speaker 1>a joke can be hilariously funny. A second later, it's okay.

1:55:39.440 --> 1:55:42.000
<v Speaker 1>Two seconds later, it's not even funny anymore. And if

1:55:42.040 --> 1:55:44.200
<v Speaker 1>you're trying to think of who you might offend, or

1:55:44.400 --> 1:55:47.080
<v Speaker 1>you're scared for your job or this, you're gonna filter things.

1:55:47.120 --> 1:55:50.080
<v Speaker 1>And it's detrimental to actual comments right there. Is why

1:55:50.160 --> 1:55:52.160
<v Speaker 1>when when you when I tweet a joke out on

1:55:52.320 --> 1:55:54.520
<v Speaker 1>you know, because that's where I sometimes let my other

1:55:54.600 --> 1:55:58.480
<v Speaker 1>side out. People go too soon. You don't understand how

1:55:58.520 --> 1:56:01.560
<v Speaker 1>a comics mind works. It's like if you say cold,

1:56:01.600 --> 1:56:04.640
<v Speaker 1>I'm saying hot, like immediately, like, so the joke has

1:56:04.720 --> 1:56:06.360
<v Speaker 1>to get out. It's almost like like a fart. You

1:56:06.440 --> 1:56:08.560
<v Speaker 1>have to let it out right, so you get the

1:56:08.640 --> 1:56:10.120
<v Speaker 1>fart out of the far out of your system. You

1:56:10.160 --> 1:56:12.560
<v Speaker 1>tweet the joke. It's up to you as the as

1:56:12.600 --> 1:56:15.440
<v Speaker 1>the listener or the tweet reader to decide when you're

1:56:15.440 --> 1:56:17.800
<v Speaker 1>ready for it. I'm ready the minute it pops into

1:56:17.840 --> 1:56:19.720
<v Speaker 1>my head. I can't hold the joke. And because what

1:56:19.800 --> 1:56:21.720
<v Speaker 1>happens is you tweet the joke three days later when

1:56:21.720 --> 1:56:24.120
<v Speaker 1>it's acceptable, and they go, yeah, so and so did

1:56:24.200 --> 1:56:28.240
<v Speaker 1>that a fourth guy. You gotta be first only because

1:56:28.280 --> 1:56:33.440
<v Speaker 1>you want people to appreciate the joke. Jokes. Yeah, too soon,

1:56:33.560 --> 1:56:37.200
<v Speaker 1>Lincoln sat in the theater. It's too soon. So yeah,

1:56:37.480 --> 1:56:38.880
<v Speaker 1>you know, we played the play. You have this this

1:56:38.920 --> 1:56:41.440
<v Speaker 1>snowflake jingle. So whenever we have like a snowflake story,

1:56:41.480 --> 1:56:44.720
<v Speaker 1>people get offended. I can't believe it's so offensive. We

1:56:44.840 --> 1:56:49.520
<v Speaker 1>play this music real quick, up, snowflake alert. Here it comes.

1:56:51.840 --> 1:56:56.800
<v Speaker 1>It's just an old song from and So. The beauty

1:56:56.840 --> 1:57:01.040
<v Speaker 1>of your show, like she said, is no filter. Yeah, Paul,

1:57:03.240 --> 1:57:05.440
<v Speaker 1>and you don't have time to think about whether or

1:57:05.480 --> 1:57:07.440
<v Speaker 1>not you should say it or not. Yeah, yeah, now

1:57:07.600 --> 1:57:10.960
<v Speaker 1>you own, you run. This is your thing, Compound media,

1:57:11.000 --> 1:57:13.360
<v Speaker 1>as you would write, you the compound right, Well, let's

1:57:13.360 --> 1:57:16.560
<v Speaker 1>give the compound media dot com. With all that said,

1:57:16.640 --> 1:57:19.080
<v Speaker 1>if you've been paying attention to this, this podcast today,

1:57:19.920 --> 1:57:23.040
<v Speaker 1>I can't guarantee you won't be fired by this thing. Yeah,

1:57:23.160 --> 1:57:25.480
<v Speaker 1>even though you own it, isn't it weird? It's still

1:57:25.520 --> 1:57:28.000
<v Speaker 1>a five percent chance you could get fired. It gets

1:57:28.160 --> 1:57:31.440
<v Speaker 1>me nervous when I see, like the Papa John guy

1:57:31.560 --> 1:57:36.320
<v Speaker 1>gets fired, has to step down because he's doing things

1:57:36.400 --> 1:57:38.560
<v Speaker 1>on Twitter. This is gonna be a reference no one's

1:57:38.560 --> 1:57:43.160
<v Speaker 1>gonna get. But there's an eighties band called Docking. They've fired.

1:57:44.200 --> 1:57:47.440
<v Speaker 1>You can't fire Doc. The band was named Dock and

1:57:47.480 --> 1:57:51.000
<v Speaker 1>they fired him. So I prematurely asked the question because

1:57:51.040 --> 1:57:52.360
<v Speaker 1>it was in the middle of a great story. So

1:57:52.560 --> 1:57:54.600
<v Speaker 1>I'm gonna come back to it now. How do you

1:57:54.800 --> 1:57:57.120
<v Speaker 1>how do you handle this now? With this culture? Could

1:57:57.160 --> 1:58:03.080
<v Speaker 1>you fire somebody who knows what we can? We could

1:58:03.080 --> 1:58:07.000
<v Speaker 1>be fired for having you on our podcast. Built by association.

1:58:08.560 --> 1:58:11.320
<v Speaker 1>We just let it fly, let it fly, put it

1:58:11.400 --> 1:58:13.400
<v Speaker 1>out there. So, so how do you how do it?

1:58:13.480 --> 1:58:18.040
<v Speaker 1>How have you changed? It's uh, I haven't. You're there,

1:58:19.920 --> 1:58:22.440
<v Speaker 1>I am now you were worried about your own more,

1:58:23.040 --> 1:58:26.600
<v Speaker 1>not worrying. I was horrified by But but people love

1:58:26.680 --> 1:58:30.160
<v Speaker 1>it and I think it's great. It's such a weird

1:58:30.320 --> 1:58:33.640
<v Speaker 1>time wherein people want to be outraged. They they're they're

1:58:33.760 --> 1:58:37.320
<v Speaker 1>they're looking at things, they're seeking out things to be

1:58:37.480 --> 1:58:40.920
<v Speaker 1>mad at. Social media is the bane of of of

1:58:41.360 --> 1:58:44.040
<v Speaker 1>society these days. It's the worst thing you could do

1:58:44.520 --> 1:58:47.200
<v Speaker 1>is go on social media. If you're a young kid

1:58:47.720 --> 1:58:49.240
<v Speaker 1>and you want to have some kind of career in

1:58:49.320 --> 1:58:52.240
<v Speaker 1>the future, What the hell are you thinking posting because

1:58:52.280 --> 1:58:55.600
<v Speaker 1>you don't know something you right today, that's fine in

1:58:55.720 --> 1:58:58.360
<v Speaker 1>ten years, could be the worst thing ever ever said.

1:58:58.480 --> 1:59:00.600
<v Speaker 1>There's like that that Major League Baseball a picture he

1:59:00.720 --> 1:59:02.160
<v Speaker 1>was like, oh, he made the All Star Game, Denne

1:59:02.240 --> 1:59:04.680
<v Speaker 1>became famous. They found he had racist tweets. He had

1:59:04.720 --> 1:59:07.600
<v Speaker 1>tweets that I know a guy who got fired for tweets.

1:59:07.880 --> 1:59:12.560
<v Speaker 1>It happened. Yes, it does happen, and you just, uh, yeah,

1:59:12.880 --> 1:59:17.160
<v Speaker 1>I've divorced myself from social media and that it's one

1:59:17.200 --> 1:59:20.520
<v Speaker 1>more divorce. But all of it is just so bad

1:59:20.720 --> 1:59:25.200
<v Speaker 1>for society too. We've I think when it first came out,

1:59:25.280 --> 1:59:27.040
<v Speaker 1>everyone thought, this is great. We're gonna be able to

1:59:27.120 --> 1:59:31.200
<v Speaker 1>exchange ideas and and uh socialized, and it's gonna be

1:59:31.240 --> 1:59:33.160
<v Speaker 1>a good thing. And we instantly brought it down to

1:59:33.200 --> 1:59:38.000
<v Speaker 1>the lowest common denomina just crapping on each other over criticizing.

1:59:38.040 --> 1:59:44.960
<v Speaker 1>Because everybody has amplifications everyone everyone's opinion is equal. Some

1:59:44.960 --> 1:59:47.160
<v Speaker 1>of these people don't deserve to be amplified. And you

1:59:47.280 --> 1:59:49.400
<v Speaker 1>have access. I say it all the time. It's like,

1:59:49.520 --> 1:59:51.480
<v Speaker 1>do you think Clark Gable had to put up with

1:59:51.760 --> 1:59:54.600
<v Speaker 1>people telling him Gone with the winds sunk? Like, no,

1:59:55.000 --> 1:59:58.040
<v Speaker 1>you would have to find like what's the addressed to Metro.

1:59:58.440 --> 2:00:01.920
<v Speaker 1>I'm gonna get a hand out in the stamp, and

2:00:02.360 --> 2:00:04.480
<v Speaker 1>then his people are gonna read it first. And if

2:00:04.480 --> 2:00:06.400
<v Speaker 1>he says Gone with the wind suck, they're not giving

2:00:06.440 --> 2:00:09.839
<v Speaker 1>it to him. Now it's like, oh, yeah, your movie sucks.

2:00:10.240 --> 2:00:12.880
<v Speaker 1>You shouldn't have that kind of access. And you know what, people,

2:00:13.400 --> 2:00:16.080
<v Speaker 1>I have a rule if I talk about someone, I

2:00:16.240 --> 2:00:19.080
<v Speaker 1>don't ever tweet at them, Like if I'm gonna complain

2:00:19.120 --> 2:00:21.680
<v Speaker 1>about a movie or a baseball player, and then people

2:00:21.720 --> 2:00:24.640
<v Speaker 1>will will reply and they'll add that person in and

2:00:24.720 --> 2:00:26.560
<v Speaker 1>they go to I tell him to go, don't do that.

2:00:27.080 --> 2:00:29.040
<v Speaker 1>If I wanted to let Mike Piazza know that I'm

2:00:29.040 --> 2:00:31.560
<v Speaker 1>mad at my Piazza, I will tweet at Mike Piazza.

2:00:31.920 --> 2:00:34.520
<v Speaker 1>If I just write Mike Piazza, no at that's because

2:00:34.520 --> 2:00:36.640
<v Speaker 1>I just want my fans and my followers and my

2:00:36.760 --> 2:00:39.080
<v Speaker 1>mad friend friends to go, oh brody and opinion on

2:00:39.160 --> 2:00:41.000
<v Speaker 1>my Piazza. I don't want my Piazza to know I

2:00:41.040 --> 2:00:45.760
<v Speaker 1>have He'll catch heat because oh, you're a pussy copying him.

2:00:45.920 --> 2:00:48.040
<v Speaker 1>I'm gonna copy him for Yeah, you don't get to

2:00:48.080 --> 2:00:49.560
<v Speaker 1>make that to see. Yeah, you know, if you're gonna

2:00:49.560 --> 2:00:51.000
<v Speaker 1>talk about him, I'm gonna let him know what you

2:00:51.000 --> 2:00:53.440
<v Speaker 1>talk about because now you're the one telling him. That's

2:00:53.480 --> 2:00:54.920
<v Speaker 1>like if I go, that's like if I can call

2:00:55.000 --> 2:00:56.400
<v Speaker 1>up open now and go, you know anything, just talking

2:00:56.560 --> 2:01:02.040
<v Speaker 1>about you should listen to this podcast. He knows blessed

2:01:02.080 --> 2:01:03.720
<v Speaker 1>if hope he wants to plug this podcast, he's mother

2:01:03.720 --> 2:01:07.600
<v Speaker 1>the welcome listen. I have no beat, he played my songs,

2:01:07.640 --> 2:01:09.480
<v Speaker 1>he pushed the start button. It's all fair, that's all good.

2:01:10.120 --> 2:01:13.640
<v Speaker 1>Uh So people want to subscribe? Did they go to

2:01:13.760 --> 2:01:19.080
<v Speaker 1>Compound Media again promo code compound for new subscriptions. Yeah,

2:01:19.480 --> 2:01:22.160
<v Speaker 1>that's that's only because of the Brooklyn Boys. If you

2:01:22.160 --> 2:01:24.440
<v Speaker 1>don't listen to this podcast, you'd never get that exclusive.

2:01:24.680 --> 2:01:26.840
<v Speaker 1>It's like Monty Burr, you put my name in by

2:01:26.880 --> 2:01:31.640
<v Speaker 1>the microphones. Now, we we joked about this because we

2:01:31.760 --> 2:01:33.720
<v Speaker 1>do this podcast. We don't we get paid for it.

2:01:33.960 --> 2:01:36.600
<v Speaker 1>We do it after hours, right. We made a joke

2:01:36.640 --> 2:01:38.400
<v Speaker 1>once you saw many people listening were like, you know,

2:01:38.840 --> 2:01:41.320
<v Speaker 1>and we've said it on the podcast. If we charged

2:01:41.560 --> 2:01:44.920
<v Speaker 1>ten cents an episode, just ten cents or a quarter

2:01:45.040 --> 2:01:47.320
<v Speaker 1>a month we do one week, like if you like us,

2:01:47.480 --> 2:01:49.680
<v Speaker 1>I would pay ten cents for a podcast I like

2:01:49.800 --> 2:01:52.640
<v Speaker 1>fully ten sense sense did I figured it out to go?

2:01:53.640 --> 2:01:57.080
<v Speaker 1>We wouldn't be doing very well right right? Yeah, granted

2:01:57.200 --> 2:01:58.880
<v Speaker 1>you are more successful than we are, and I'm fine

2:01:58.920 --> 2:02:01.280
<v Speaker 1>with that. You could be humble. You charge a little

2:02:01.280 --> 2:02:04.960
<v Speaker 1>more than ten cents. We have a higher overhead, you

2:02:05.040 --> 2:02:07.280
<v Speaker 1>have that green screens, and you gotta pay for the

2:02:07.440 --> 2:02:11.720
<v Speaker 1>Rocks salary band with right bandwidth. But people are willing

2:02:12.040 --> 2:02:15.040
<v Speaker 1>and I understand it. Well, we're not in the world now.

2:02:15.160 --> 2:02:18.280
<v Speaker 1>We pay for Netflix, right, we pay for Hulu, we

2:02:18.400 --> 2:02:21.480
<v Speaker 1>pay for Spotify, we pay my heart. Radios free, but

2:02:21.600 --> 2:02:24.520
<v Speaker 1>you pay for the things you you're willing to pay right,

2:02:24.760 --> 2:02:26.880
<v Speaker 1>You're willing to pay for HBO back in the day,

2:02:26.960 --> 2:02:29.240
<v Speaker 1>Like pay for HBO. Now you're like, I couldn't live

2:02:29.240 --> 2:02:32.280
<v Speaker 1>it out HBO. Of course, if something is your niche,

2:02:32.880 --> 2:02:35.280
<v Speaker 1>you'll pay for it. Yeah. We live in a world

2:02:35.400 --> 2:02:38.760
<v Speaker 1>where you don't have to listen to something that's not

2:02:38.880 --> 2:02:40.960
<v Speaker 1>really what I like, but I watch it. Yeah, it's

2:02:41.040 --> 2:02:45.880
<v Speaker 1>and and it's kind of a safety too, because when

2:02:45.960 --> 2:02:50.520
<v Speaker 1>you just depend on sponsors, you're opening yourself up to

2:02:50.680 --> 2:02:55.480
<v Speaker 1>vulnerability of having people boycott. We're just having threatening pull

2:02:55.560 --> 2:02:58.200
<v Speaker 1>sponsors and now you're screwed again. You never lost the pinnacle,

2:02:58.400 --> 2:03:04.600
<v Speaker 1>horny goat weed spots or he that Oh my god.

2:03:05.800 --> 2:03:07.560
<v Speaker 1>I've been reading a lot of articles and seeing interviews

2:03:07.600 --> 2:03:09.960
<v Speaker 1>that a lot of these people are saying that subscription

2:03:10.320 --> 2:03:14.200
<v Speaker 1>is the future keeping this to great content alive. Yeah,

2:03:14.240 --> 2:03:19.560
<v Speaker 1>because you can't depend on uh, some other entity to

2:03:19.760 --> 2:03:23.040
<v Speaker 1>keep you going because they'll get to them and then

2:03:23.120 --> 2:03:25.800
<v Speaker 1>you're screwed. We have a couple of sponsors, but it's

2:03:25.880 --> 2:03:28.600
<v Speaker 1>not like you know, it's supplements what we're doing instead

2:03:28.640 --> 2:03:31.880
<v Speaker 1>of we're living or dying by by the sponsor. Uh.

2:03:32.200 --> 2:03:35.920
<v Speaker 1>So we got people that subscribe. They're great, they support

2:03:36.000 --> 2:03:39.600
<v Speaker 1>what we're doing, and they do appreciate again that that

2:03:40.000 --> 2:03:42.760
<v Speaker 1>you know, we're saying whatever the hell we want, and

2:03:42.840 --> 2:03:46.360
<v Speaker 1>it's it's great, this is great. I have to say selfishly,

2:03:46.400 --> 2:03:48.920
<v Speaker 1>I would keep you here another three hours, you know, right,

2:03:49.120 --> 2:03:52.840
<v Speaker 1>because I think legitimately two eighteen as we're recording this,

2:03:53.560 --> 2:03:56.080
<v Speaker 1>until a nineteen years that I've been a fan. I

2:03:56.600 --> 2:03:58.520
<v Speaker 1>remember we have a mutual friend or you do a

2:03:58.520 --> 2:03:59.920
<v Speaker 1>great impression of that, I'm gonna ask you to do.

2:04:00.080 --> 2:04:03.240
<v Speaker 1>No one's gonna get I used to headline Governor's Comedy

2:04:03.280 --> 2:04:05.600
<v Speaker 1>Club out in Long Island. I was in a comedy

2:04:05.640 --> 2:04:11.600
<v Speaker 1>group and we we headlined Wednesday nights for about ten years.

2:04:12.600 --> 2:04:14.960
<v Speaker 1>Comics would open for us. We would headline, so we

2:04:15.040 --> 2:04:18.040
<v Speaker 1>had Kevin James, Lisa Lympinelli, some big name comics would

2:04:18.080 --> 2:04:20.840
<v Speaker 1>come and open for us. But it was hosted by

2:04:20.880 --> 2:04:26.160
<v Speaker 1>the morning show at B A B. Right, yeah, yeah,

2:04:26.880 --> 2:04:29.680
<v Speaker 1>And so Bob came to me one day. He knew

2:04:29.680 --> 2:04:31.880
<v Speaker 1>I was a comedian at the time and sketch comedy

2:04:31.920 --> 2:04:35.280
<v Speaker 1>improv guy, and he said, uh, you know there's a

2:04:35.760 --> 2:04:37.560
<v Speaker 1>I said, hey, have you had these guys. I read

2:04:37.600 --> 2:04:38.960
<v Speaker 1>in the paper that there's a new show in New

2:04:39.040 --> 2:04:42.640
<v Speaker 1>York Opie and Anthony, and apparently they worked at B

2:04:42.720 --> 2:04:44.240
<v Speaker 1>A B at some point he was the morning show

2:04:44.280 --> 2:04:47.800
<v Speaker 1>guy Pep and you can do the voice. But he said, yeah,

2:04:47.880 --> 2:04:50.680
<v Speaker 1>these guys are they really talented. I gotta say that,

2:04:50.800 --> 2:04:55.360
<v Speaker 1>you're gonna really like them. Yeah, yeah, Bob was Bob

2:04:55.880 --> 2:05:00.040
<v Speaker 1>wanted me to do his show. Uh. When me and

2:05:00.080 --> 2:05:05.080
<v Speaker 1>Opie were negotiating with Boston, they came to me and actually,

2:05:05.560 --> 2:05:09.120
<v Speaker 1>Bob's like, we're gonna, We're gonna give you this opportunity.

2:05:09.560 --> 2:05:14.640
<v Speaker 1>Anthony here at w B A V. You want, you want,

2:05:14.720 --> 2:05:17.960
<v Speaker 1>you want the you want the seven to midnight. And

2:05:18.240 --> 2:05:21.760
<v Speaker 1>I'm like, wait a minute, you're offering me Opie's show

2:05:23.000 --> 2:05:25.120
<v Speaker 1>when Opie already said he'd go to Boston with me

2:05:25.280 --> 2:05:28.440
<v Speaker 1>as a team, like that, what a what a that

2:05:28.600 --> 2:05:32.760
<v Speaker 1>would be a scumbag move right there. I take his job.

2:05:33.080 --> 2:05:35.640
<v Speaker 1>And then and then Boston goes, well, we we wanted

2:05:36.120 --> 2:05:40.160
<v Speaker 1>Opie and Anthony, and so I I turned that down.

2:05:40.680 --> 2:05:43.840
<v Speaker 1>H yeah, because I didn't know from radio. I need

2:05:43.880 --> 2:05:46.400
<v Speaker 1>to learn with that. On the flip side Z one

2:05:46.840 --> 2:05:48.320
<v Speaker 1>at the morning show, I was dur in the morning show.

2:05:48.880 --> 2:05:52.440
<v Speaker 1>I worked here. I was freelancing, sending in song parody scripts.

2:05:52.480 --> 2:05:54.360
<v Speaker 1>I was faxing them in back in the day. I

2:05:54.480 --> 2:05:57.600
<v Speaker 1>was sending cassettes in, you know, and uh. I hung

2:05:57.640 --> 2:05:59.720
<v Speaker 1>out and I wrote jokes and whatever. They're like, hey, listen,

2:05:59.720 --> 2:06:01.640
<v Speaker 1>you can come back anytime you want. They didn't no

2:06:01.760 --> 2:06:02.960
<v Speaker 1>job for me. They had nothing. They was just like,

2:06:03.000 --> 2:06:05.480
<v Speaker 1>you can come in the morning. They said, you can

2:06:05.520 --> 2:06:09.240
<v Speaker 1>come in. I was writing jokes for Leno and Bill

2:06:09.320 --> 2:06:11.640
<v Speaker 1>Maher and Conan O'Brien, and I was I was hanging

2:06:11.680 --> 2:06:13.200
<v Speaker 1>out in the studio. One morning, I was writing jokes

2:06:13.480 --> 2:06:15.120
<v Speaker 1>and I was writing on a napkin with a sharpie,

2:06:15.200 --> 2:06:17.440
<v Speaker 1>like it was just splotchy. There was no smartphones. And

2:06:17.520 --> 2:06:18.920
<v Speaker 1>Elvis says to me, what are you doing over there?

2:06:19.080 --> 2:06:21.920
<v Speaker 1>I go, I'm writing some monologue jokes for Jay Leno.

2:06:22.320 --> 2:06:23.960
<v Speaker 1>He was let me see those. So he looks at it.

2:06:24.040 --> 2:06:26.360
<v Speaker 1>He was looks at Elliot, who was our host at

2:06:26.360 --> 2:06:28.040
<v Speaker 1>the time. He says, if you're gonna stand in this

2:06:28.080 --> 2:06:29.680
<v Speaker 1>studio and write jokes, you write them for me. Get

2:06:29.760 --> 2:06:33.040
<v Speaker 1>him some scrap paper. And so I became the joke

2:06:33.120 --> 2:06:35.320
<v Speaker 1>writer of the show. But I wasn't getting paid so

2:06:35.720 --> 2:06:37.840
<v Speaker 1>my wife says to me, listen, if you want to

2:06:37.880 --> 2:06:40.120
<v Speaker 1>hang out with these guys and learn radio, quit your job.

2:06:40.160 --> 2:06:43.960
<v Speaker 1>I'll support you. Go wow. Yeah, different story than than

2:06:44.040 --> 2:06:49.680
<v Speaker 1>yours on the flip side. No threesomes in my life.

2:06:50.600 --> 2:06:52.400
<v Speaker 1>And so I went to Bob Buckman and I said

2:06:52.680 --> 2:06:55.000
<v Speaker 1>one Wednesday night when he was there, I said, Bob, listen,

2:06:55.040 --> 2:06:57.520
<v Speaker 1>I have this opportunity to be on the morning show,

2:06:57.520 --> 2:06:58.880
<v Speaker 1>but they're not gonna pay me. And he said, I

2:06:58.960 --> 2:07:01.400
<v Speaker 1>gotta tell you. You get a foot in the door

2:07:01.680 --> 2:07:04.320
<v Speaker 1>because you gotta take it. That's it because this industry,

2:07:04.440 --> 2:07:07.080
<v Speaker 1>because you get in. You gotta get in. That's the key. Yeah,

2:07:07.320 --> 2:07:09.600
<v Speaker 1>just get in, impressed them, make a job for yourself.

2:07:10.040 --> 2:07:12.360
<v Speaker 1>And so Bob was really the guy and my wife

2:07:12.760 --> 2:07:15.400
<v Speaker 1>who pushed me to do radio and to take the

2:07:15.480 --> 2:07:18.120
<v Speaker 1>leap quit my real job, which was I was in retail.

2:07:18.200 --> 2:07:22.520
<v Speaker 1>Not you know, similar crappy job for me. It was miserable.

2:07:22.520 --> 2:07:23.840
<v Speaker 1>If you haven't read telling you love it that's great.

2:07:23.880 --> 2:07:27.680
<v Speaker 1>My wife, when we came back from Boston after that

2:07:27.960 --> 2:07:32.280
<v Speaker 1>first interview we had on the Answering Machine, was like, hey,

2:07:32.360 --> 2:07:35.240
<v Speaker 1>we want to hire you. I'm like, whoa, this is amazing.

2:07:35.320 --> 2:07:38.000
<v Speaker 1>Oh my God. The wife is like, because they said

2:07:38.200 --> 2:07:40.200
<v Speaker 1>they would give me, it worked out to be five

2:07:40.280 --> 2:07:43.080
<v Speaker 1>hundred dollars a year less than I was making doing construction.

2:07:43.520 --> 2:07:45.680
<v Speaker 1>And my wife's like, you call them and tell them

2:07:45.720 --> 2:07:48.240
<v Speaker 1>you need to make what you're making right now. And

2:07:48.320 --> 2:07:51.240
<v Speaker 1>I'm like, this dummy doesn't understand that in six months

2:07:51.600 --> 2:07:53.400
<v Speaker 1>they're gonna give me a raise. It's gonna be great.

2:07:53.480 --> 2:07:55.760
<v Speaker 1>This is a career. It's not that someday you'd make

2:07:55.760 --> 2:07:59.000
<v Speaker 1>a lot of money. Give her Yeah, so yeah, exactly,

2:07:59.720 --> 2:08:02.960
<v Speaker 1>so so so being the man I was, I was

2:08:03.000 --> 2:08:05.880
<v Speaker 1>gonna show her. I picked up the phone, made like

2:08:06.040 --> 2:08:09.960
<v Speaker 1>I dialed Boston and I'm like, well, listen here you

2:08:11.120 --> 2:08:14.240
<v Speaker 1>I need Meanwhile, it's going Matt Matt, Matt, mac off

2:08:14.240 --> 2:08:17.480
<v Speaker 1>the and uh. I hung the phone up. I'm like,

2:08:17.560 --> 2:08:20.160
<v Speaker 1>well they went for it. She's like, good, see that's

2:08:20.160 --> 2:08:22.360
<v Speaker 1>what you gotta go. She's not gonna know five hundred

2:08:22.440 --> 2:08:25.760
<v Speaker 1>a year more or less, whatever, shut up, just as

2:08:25.800 --> 2:08:29.320
<v Speaker 1>long as she's getting her Jack Daniels, I gotta say, Anthony,

2:08:29.400 --> 2:08:32.360
<v Speaker 1>I'm a huge fan. Brody's a super fan. As you

2:08:32.360 --> 2:08:34.760
<v Speaker 1>can say, Um, you gotta pick up this book. I

2:08:34.800 --> 2:08:36.560
<v Speaker 1>can't wait to get through the rest of it. Uh,

2:08:36.840 --> 2:08:39.480
<v Speaker 1>it's permanently suspended. The rise and fall and rise again

2:08:39.480 --> 2:08:42.600
<v Speaker 1>of radio's most notorious shock jock, Anthony Kumia. And of

2:08:42.720 --> 2:08:46.480
<v Speaker 1>course don't forget Compound Media dot com and from new

2:08:46.480 --> 2:08:51.120
<v Speaker 1>subscriptions using promo code Compound And by the way, that

2:08:51.280 --> 2:08:54.520
<v Speaker 1>the prices on the back, but ironically the Canadian price

2:08:54.600 --> 2:08:59.400
<v Speaker 1>is also on the back. Get Canadian dollars six dollars

2:08:59.480 --> 2:09:06.400
<v Speaker 1>Canadian go read it in a closet. There you go. Well, listen,

2:09:06.520 --> 2:09:08.320
<v Speaker 1>we will, we will show up to the Compound if

2:09:08.320 --> 2:09:11.000
<v Speaker 1>you'll have us. Yes, but and if this doesn't go well,

2:09:11.120 --> 2:09:12.880
<v Speaker 1>we may be your tenth show because I will say

2:09:13.080 --> 2:09:18.040
<v Speaker 1>exactly I'm sorry for the sake of you, Iraq. Thank

2:09:18.080 --> 2:09:23.360
<v Speaker 1>you for making this happen today, Eric Anthony, thanks for

2:09:23.400 --> 2:09:29.440
<v Speaker 1>having it. The funny thing is he screw up a

2:09:29.520 --> 2:09:33.160
<v Speaker 1>fan of show. He's sort of a pop pop nerd,

2:09:33.280 --> 2:09:35.640
<v Speaker 1>which is you know, But thank you guys for coming

2:09:35.680 --> 2:09:38.760
<v Speaker 1>in today, Thanks for twenty years of entertainment, Thanks for

2:09:38.800 --> 2:09:40.240
<v Speaker 1>having him as a producer. We ended up with a

2:09:40.320 --> 2:09:43.160
<v Speaker 1>with a fairly nice friendship. Yeah, he's a good game,

2:09:43.280 --> 2:09:45.920
<v Speaker 1>he's a good guy, and I'm glad he's working again. Yeah,

2:09:46.040 --> 2:09:48.680
<v Speaker 1>as he was hanging out in my driveway. Can I

2:09:48.720 --> 2:09:50.400
<v Speaker 1>be on the put? He's been on I do three

2:09:50.440 --> 2:09:52.400
<v Speaker 1>podcasts so far, he's been on two of them, so

2:09:52.960 --> 2:09:54.960
<v Speaker 1>uh and he's he's he's, you know what, Eric, why

2:09:54.960 --> 2:09:56.640
<v Speaker 1>don't we plug your podcast one more time? Go ahead

2:09:56.640 --> 2:09:58.720
<v Speaker 1>and plug yours. We can also be here heard here

2:09:58.760 --> 2:10:01.600
<v Speaker 1>on iHeart Radio. It's Eric Nickel, right, that's Eric with

2:10:01.640 --> 2:10:03.880
<v Speaker 1>a K. For some reason that that that told me

2:10:03.960 --> 2:10:05.920
<v Speaker 1>he wasn't. She was like, oh, Nicol must be jos

2:10:06.080 --> 2:10:11.560
<v Speaker 1>Eric with a K. What yes? Off Compound twenty as

2:10:11.600 --> 2:10:15.080
<v Speaker 1>your promo code, Anthony Komia. It's a pleasure, gentlemen, Thank

2:10:15.120 --> 2:10:26.840
<v Speaker 1>you so much. Getting the drunk Yeah. Brooklyn Boys, Brooklyn

2:10:27.520 --> 2:10:31.040
<v Speaker 1>Brookland Boys, Bro