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Speaker 1: I did see, I think, I got to throw a

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Speaker 1: flag on the plate. You be saying, you said something

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Speaker 1: on the show that I be... I said, I'm going

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Speaker 1: to go to it right now. I said, you the

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Speaker 1: elf in the shelf. Let me tell you something. He said,

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Speaker 1: I always late the shows, all kind of.

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Speaker 2: Hold on, hold on. It's time to go there.

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Speaker 1: I've seen a couple clips where, in fact, I was

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Speaker 1: waiting to come up here.

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Speaker 2: Let me hear this. Let's get it. Let's get it. Yeah, yeah,

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Speaker 2: what up, y'all? Joe Crack the Dog.

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Speaker 3: You know who it is, your boy Jada. You know

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Speaker 3: what it is, Joe and Jada. Every show legendary, every

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Speaker 3: show iconic.

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Speaker 2: Iconic. Now, we ain't going to.

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Speaker 4: Diss all the other podcasters. We got a fellow potter here.

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Speaker 4: You know, that's around the time I'd be like, yo, man,

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Speaker 4: fuck these dudes. You know, these podcasts ain't shit.

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Speaker 2: Pop your shit. Pop your shit. Don't switch up for me.

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Speaker 2: Don't change up now. Don't switch up for me.

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Speaker 3: Yeah, that's when I start my shit, my bully shit

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Speaker 3: for a little 20, 30 seconds.

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Speaker 2: Could you introduce who's here?

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Speaker 3: Because once he's talked, his voice, he gave it up.

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Speaker 2: Yeah, but still, we still get flowers. Okay.

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Speaker 3: When you think of today's guest, you think of the

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Speaker 3: smoothest flow, the sharpest punchlines to ever come.

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Speaker 2: Out of Brooklyn. That's a big accomplishment. That's a big one.

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Speaker 2: You know who came out of Brooklyn.

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Speaker 3: He came up off DJ Clue's Hot 97 show. And

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Speaker 3: in September 2001, he dropped Ghetto Fabulous. Top five debut

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Speaker 3: on the Billboard 200.

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Speaker 2: Platinum. Can't deny it. Youngin. Trade it all.

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Speaker 3: Then he came right back with Can't Let You Go

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Speaker 3: and Into You.

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Speaker 2: Little adjustment for you, brother. Let's go. Little adjustments. It's

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Speaker 2: when it comes out better. I mean, the cardis. Little adjustments.

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Speaker 2: The cardis that look like the Croons, but they cardis. Oh,

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Speaker 2: my God. Thank you, Mike. Wow. Whatever you call a

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Speaker 2: doctor for the eyes. Let's go back to the beginning.

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Speaker 3: When you think of today's guest, you think of the

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Speaker 3: smoothest flow, the sharpest punchlines that ever come out of Brooklyn.

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Speaker 2: He came up off DJ.

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Speaker 3: Clue's Hot 97 show, and in September 2001, he dropped

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Speaker 3: Ghetto Fabulous. Top five debut on the Billboard 200.

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Speaker 2: Platinum.

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Speaker 3: Can't deny it. Youngin'. Trade it all. Then he came

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Speaker 3: right back with Can't Let You Go and Into You.

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Speaker 3: Both number four in the Hot 100. And Breathe went platinum.

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Speaker 3: Doing shit. He's a mixtape king with the Soul Tape

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Speaker 3: and the Summer Shootout series. He's my partner on Friday

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Speaker 3: on Elm Street. 25 years after that debut, he's still

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Speaker 3: one of the most respected lyricists in the game. Make

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Speaker 3: some noise for the F-A-B-O-L-O-U-S. Fabulous is in the building.

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Speaker 3: That's high four with the glass. You see what a

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Speaker 3: prescription can do?

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Speaker 4: Yo, Fab, I ain't gonna lie. That's my outfit for

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Speaker 4: my video tomorrow, man.

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Speaker 2: I'm just letting you know ahead of time.

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Speaker 3: Don't think that it's already sitting there.

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Speaker 2: What are you talking? What's the flag? You stole his

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Speaker 2: outfit in one? My outfit? I'm just trying to smash

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Speaker 2: it up on the hanger. But in one set? Damn,

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Speaker 2: my shit is there. What are you talking about? I'm

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Speaker 2: wearing that shit tomorrow. Another set?

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Speaker 3: You got any more flags?

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Speaker 2: You couldn't save that fat. That couldn't have been a

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Speaker 2: you and him moment. Your pops is crazy, bro. No,

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Speaker 2: I'm not.

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Speaker 4: He going to be like, yo, see, I pulled up

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Speaker 4: and the next day, fat, you're wearing and got that outfit.

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Speaker 2: I got the same shit. I'm being honest with you.

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Speaker 2: That happened to me before.

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Speaker 3: It happened before when he was like, yo, he stole

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Speaker 3: my shit. No, that just mean y'all niggas like to

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Speaker 3: spend a lot of money on gear and y'all buy it.

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Speaker 2: Brother, when I want to.

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Speaker 4: Look like Schoolhouse Rock, I wear that Victor Victor shit

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Speaker 4: you got going on right there.

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Speaker 2: Oh, yes, I'm a pill. They saw your face. They

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Speaker 2: saw your face. I am a pill. You can say

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Speaker 2: whatever you want.

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Speaker 3: You got the fourth floor face on the Joe and

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Speaker 3: Jada page.

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Speaker 2: So we know you want him. We know you a sneakerhead.

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Speaker 2: You just let it go, brother. No, no, no. Don't

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Speaker 2: start this. This is true. Don't start this. Don't start this, man.

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Speaker 2: He know he's a sneakerhead. He wants him. He got him.

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Speaker 2: You got them T.S. You got them T.S. 25,005 minutes.

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Speaker 2: When did you comment about something? He know he wants him. 5,000.

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Speaker 3: It's two days in one store.

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Speaker 2: He know he wants it. Don't kick my shit. Let

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Speaker 2: me tell you something.

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Speaker 3: He know he wants it. We talking about fat. Can

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Speaker 3: I say something? Why you ain't let me get my

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Speaker 3: shit off though? Because you're going the wrong direction here.

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Speaker 3: Thank you, sir. Thank you.

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Speaker 2: That's happened to me before, though.

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Speaker 1: One time I was doing 106 and Park back in

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Speaker 1: the days. AJ, remember the host that was... Nah, he

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Speaker 1: came in the dressing room. He came in the dressing room,

102
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Speaker 1: was like, yo, what's up, Fab? Just giving you a rundown.

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Speaker 1: He wasn't dressed yet, but I had... Remember the Jeff

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Speaker 1: Hamilton jacket that got the football patches all over it?

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Speaker 1: I got that jacket.

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Speaker 2: I'm dressed for the show already. You're already dressed.

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Speaker 1: I came up, they announced to me, freeing AJ. Yo,

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Speaker 1: everybody make some noise for Fabulous. I come out there,

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Speaker 1: AJ got the same jacket on.

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Speaker 2: I said, yo, AJ, bro. Nah, you got fat. How

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Speaker 2: you compete what I'm wearing?

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Speaker 3: That ain't the same as you got on the head.

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Speaker 1: It ain't the same. That was Fabulous. But I had

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Speaker 1: a similar situation. So he let me know that he

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Speaker 1: got this jacket tomorrow.

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Speaker 2: I appreciate that. You know, everybody ain't got style. Yeah.

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Speaker 4: Everybody ain't original. Everybody needs pointers. They see shit on you.

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Speaker 2: They want it.

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Speaker 4: You know, I know for a fact, my wife get

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Speaker 4: a bag, the whole crew go and get the same bag,

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Speaker 4: same color, same everything, same thing, same thing.

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Speaker 2: Otherwise it's mannequin time. You know what I mean?

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Speaker 3: They got to get the mannequins. So they be like,

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Speaker 3: you know, everybody, I look at it as inspiration. You

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Speaker 3: got to switch it up a little bit though. You

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Speaker 3: got to put your own, Tell me about it. I

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Speaker 3: talk her off the cliff all the time. I'll be like,

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Speaker 3: she'll be like, guess what? My friend just got the

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Speaker 3: same bag, same color, same.

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Speaker 2: I'll be like, yo. Bags is crazy because you can

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Speaker 2: get another color. In beige? Yeah. Orange? Like, nah, that's

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Speaker 2: the problem. You know what I'm saying?

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Speaker 4: But you know, hip hop is all about inspiring people

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Speaker 4: to want to dress better, want to live better.

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Speaker 1: They say imitation is the best form of flattery. I

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Speaker 1: think it's just the best form of annoying you. You

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Speaker 1: know what I'm saying? It's annoying to see somebody try

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Speaker 1: to be you when they could just be themselves.

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Speaker 2: You know what I'm saying? Couldn't say that no better.

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Speaker 4: Now you talking that shit right now. That's that shit.

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Speaker 4: I was worried about you in the back podcast business.

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Speaker 2: Yeah. Because you always so quiet. Yeah, that's my vibe.

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Speaker 2: You know what I'm saying? And that's your vibe, but

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Speaker 2: not in this podcast. Yeah, you can't be like that.

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Speaker 2: You talking your shit in this podcast. You got to talk.

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Speaker 1: You can't sit up there and not talk. I think

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Speaker 1: it's easier when you're talking amongst your guys or your

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Speaker 1: people that you have that kind of relationship with.

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Speaker 2: It's easy.

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Speaker 1: I wouldn't be able to do it with somebody that

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Speaker 1: I can't vibe with like that.

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Speaker 2: Yeah. You know, besides him being quiet, you've been dropping

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Speaker 2: some jewels on him. That's right.

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Speaker 3: Oh, yeah.

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Speaker 2: I mean, you got how many years in the business?

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Speaker 3: How many years? 20, 25. Bro, we all been through

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Speaker 3: some shit, bro. He's been in the game 20-something years. Yeah,

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Speaker 3: you're going to go through.

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Speaker 1: If you've been doing anything for a while, you go

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Speaker 1: through the ups and downs, the peaks and valleys of it.

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Speaker 4: I did a show one time in Brazil. When I

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Speaker 4: got to Brazil, I thought it was just sexy Brazil.

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Speaker 4: When I got there, they explained to me I am

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Speaker 4: performing for the biggest warlord in Brazil.

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Speaker 2: Wow.

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Speaker 4: And it's the city of gods. The guy went, bro,

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Speaker 4: when I go up in there, there's a kid like

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Speaker 4: 12 years old, 60 pounds flat with a rocket launcher

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Speaker 4: that can shoot down the plane.

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Speaker 2: Talking about Fat Joe, let's smoke a blunt. My asshole

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Speaker 2: got this tight.

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Speaker 3: Hey, I can loan you one.

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Speaker 2: You got the flags? You done got the flags? Your

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Speaker 2: shit's on the side, right? Oh, I got some flags? Oh, yeah. Okay.

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Speaker 2: When I tell you... I walked up that hill in

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Speaker 2: the favela. I was like, yo, all money ain't good money.

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Speaker 4: You ever had a time where you felt like all

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Speaker 4: money ain't good money?

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Speaker 2: You was like, yo, what the fuck am I doing here?

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Speaker 3: I had a show in Africa. My first one. I

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Speaker 3: went to Swaziland for the president. What's Swaziland? There's a

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Speaker 3: country called Swazi, man? Man, I never been to that one.

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Speaker 2: Damn, man. I could chill on that one. I go

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Speaker 2: over there. It's for the president's kids. They were very

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Speaker 2: nice people. They were beautiful. It was almost like some

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Speaker 2: experience you had. His kids went to all.

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Speaker 2: The president, I think he had 14 wives or something.

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Speaker 2: Of course.

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Speaker 3: He got the crazy crib, and around it is more

190
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Speaker 3: crazy cribs. Those is his wife's. Now he got the kids.

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Speaker 3: The kids is the one who do the show. They

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Speaker 3: the ones who book me. His kids go to all

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Speaker 3: the best colleges.

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Speaker 2: Some go in LA, some go in Dubai.

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Speaker 3: We get these kids just pulling up, Jacob watches 745s

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Speaker 3: and this and that. We get off the plane, no,

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Speaker 3: this how powerful it was.

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Speaker 2: It's a regular plane. off. Don't worry about customs, no.

199
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Speaker 2: Don't worry about your luggage, none of that. I was scared, me.

200
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Speaker 3: It's mad people. I ain't know which luggage it is.

201
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Speaker 3: We got everything. Get in the Phantom. It's like coming

202
00:10:12,179 --> 00:10:15,660
Speaker 3: to America. Now we go, now I'm in the town.

203
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Speaker 3: It's one of them shits I'm going to a store.

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Speaker 3: So I'm telling you, I'm going to see the king.

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Speaker 3: Them the king?

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Speaker 2: No way. You're not going to his house.

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Speaker 3: You can't touch him. You can't even see him. Now

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Speaker 3: I'm getting nervous. Now let me rewind. Before I get there,

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Speaker 3: I'm getting mad tweets. You know what Twitter is, all

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Speaker 3: type of, you don't know what's going on. People's telling me,

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Speaker 3: don't vote it. I'm saying, vote it.

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Speaker 2: The bag was right. Back forward. I'm over there.

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Speaker 3: I'm going to see the king. The show's tomorrow. I'm

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Speaker 3: on my way to his crib right now. When I

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Speaker 3: get there, everybody's on their knees. His mans, the kids, everything.

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Speaker 3: You got to talk to him on your knees, man.

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Speaker 3: This how royal you be. I'm like, what the fuck

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Speaker 3: is this?

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Speaker 2: Him. Not you, though. Man, you come sit next to me. Pictures,

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Speaker 2: all that. They like, what? He's doing some shit that

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Speaker 2: never been done. So you're the only one that didn't

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Speaker 2: have to get on your knees? No knees, none of it. Oh,

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Speaker 2: he wasn't getting on his knees. Yeah, I wasn't getting

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Speaker 2: on my knees. Come on. Flat. Bro, you in one

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Speaker 2: of them countries. Yeah, you got to do whatever the

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Speaker 2: fuck you say. Get on your knees, crack. No crack

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Speaker 2: is not getting on his knees. Take the flick.

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Speaker 3: Sorry.

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Speaker 2: When I got kidnapped, I told the nigga, yo, I'm

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Speaker 2: not pussy. While he was manhandling me, I was like,

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Speaker 2: you're my man. When I got kidnapped, I told him

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Speaker 2: I'm not pussy. I am not pussy. I'm telling the nigga, yo,

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Speaker 2: I'm not pussy. Like, don't play with me, like, even

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Speaker 2: though I fuck you up. Okay, what happens? Yo, listen.

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Speaker 1: So now, they tell you to get on your knees

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Speaker 1: and swaziland? I'm doing some investigating. I'm seeing what's going on. No, first,

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Speaker 1: his face is on everything. KFC, the airport, the money,

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Speaker 1: the everything. He's like, yo, It's crazy.

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Speaker 3: I meet some people that's saying it's not so good

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Speaker 3: what you think of it.

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Speaker 2: I'm like, I got mixed emotions.

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Speaker 3: Now, fast forward tomorrow to show. Somebody hijacked the equipment.

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Speaker 3: The production shit got to come from Johannesburg.

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Speaker 2: They shot it. They shot the equipment. Oh, so it's

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Speaker 2: not a pop now. They shot the equipment. It's active.

246
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Speaker 3: They shot up the equipment. They knocked off the equipment.

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Speaker 3: They got so much bread, they got another equipment. I'm

248
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Speaker 3: starting to understand. Look, they got so much bread, they

249
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Speaker 3: just replaced it. Now I'm doing my homework. I'm looking

250
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Speaker 3: up where the fuck is going on here. I got

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Speaker 3: to go back. When I went to the King's crib,

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Speaker 3: he was showing me suits. for you to come at

253
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Speaker 3: a time like this? And then me, what is he,

254
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Speaker 3: what do you mean a time like this? What's a

255
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Speaker 3: time like this?

256
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Speaker 2: I went and looked. It was warm. I was this stupid. Yo, dog,

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Speaker 2: I was in a 211 trip. I don't know how

258
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Speaker 2: I was there. It was one of them shits.

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Speaker 3: I wasn't, he was saying, you are the greatest person

260
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Speaker 3: for you to come in right now. And I'm thinking,

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Speaker 3: I'm like, yeah, but anytime this, I look, This shit

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Speaker 3: was cold red.

263
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Speaker 2: It's the middle one. It's going down.

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Speaker 1: You ever been in some shit like that? Yeah, like,

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Speaker 1: I think, I was going to say one time we

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Speaker 1: did a show.

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Speaker 2: I brought you to Angola. Yeah, Angola. Angola, we did that.

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Speaker 1: Anytime I go to any of them countries, we literally

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Speaker 1: look the whole country, see what's going on. Like, it'd

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Speaker 1: be countries having civil wars. And they ain't want to

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Speaker 1: tell you like they told me.

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Speaker 2: Or you don't know.

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Speaker 1: No, you just going because of the bag or, you

274
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Speaker 1: know what I mean? It might be a festival that

275
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Speaker 1: you're doing. You don't know what's going on out there.

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Speaker 1: So I, I try to have my team just look up.

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Speaker 1: Like one time we had, like, I got an offer

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Speaker 1: from Libya. Yo, you got a smarter team than me. Like, nah,

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Speaker 1: we can't. They like, nah, it's, it's, it's a little

280
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Speaker 1: shaky out there right now. Or like some, you get

281
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Speaker 1: something in Haiti. They'd be like, nah, don't do it.

282
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Speaker 2: All money ain't good, man. I did hate you. You

283
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Speaker 2: did everything. You crazy. I did everything.

284
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Speaker 4: Just last week, I went to Romania. It was like

285
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Speaker 4: 100,000 people. Busta came. They said, Ja Rule ain't coming.

286
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Speaker 4: I said, Ja Rule ain't coming. It was like, you know,

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Speaker 4: 12 minutes that way is Ukraine. I'm like, once again,

288
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Speaker 4: my asshole got this small.

289
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Speaker 2: I said, huh? First time I ever caught the phone. Yo.

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Speaker 2: I said, what? He was like, you know, 12 miles

291
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Speaker 2: this way, Ukraine. The war. Yeah. They said, because Ja

292
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Speaker 2: Rule been in Africa with me, like the trenches.

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Speaker 4: For him not to come? He's tougher than me in

294
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Speaker 4: them spots. They was like, no, Ja Rule said, because

295
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Speaker 4: of what, Ja Rule? He said, you know, 12 miles

296
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Speaker 4: that way, Ukraine.

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Speaker 2: I was like, oh. 12 miles ain't that far. Yeah,

298
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Speaker 2: but it wasn't positive. That's too far for bombs. That's

299
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Speaker 2: nothing for a bomb. That's an Uber for a bomb.

300
00:15:10,750 --> 00:15:14,370
Speaker 2: Instead of a bomb and an Uber, it's 12 miles.

301
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Speaker 2: Just last week, but I didn't hear nothing. I ain't

302
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Speaker 2: seen nothing. It was a beautiful country, great seafood.

303
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Speaker 4: But sheesh, like, Ja Rule knew better than me.

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Speaker 2: He didn't show up. No drama, no nothing. Eve showed up.

305
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Speaker 2: Timberland showed up.

306
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Speaker 4: I mean, but you know, like a festival, big festival,

307
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Speaker 4: a hundred thousand people. But I do believe if I,

308
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Speaker 4: if I had that information, I might've not shown up.

309
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Speaker 4: If I knew somebody would've told me, yo, it's 12

310
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Speaker 4: miles from Ukraine. I'm not going, I'm pulling the job over.

311
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Speaker 4: That's a little bit too close.

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Speaker 2: It is tough.

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Speaker 1: We also come from like, we travel to LA. We

314
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Speaker 1: travel to Miami. We travel all these places. And sometimes

315
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Speaker 1: we out of our environment, even when you go from

316
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Speaker 1: state to state, but you know, we got connections and

317
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Speaker 1: stuff there. So we never even think about like, if

318
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Speaker 1: we go into those other countries, if it's really too

319
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Speaker 1: much over there, we think, and we go in there

320
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Speaker 1: to get our bag.

321
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Speaker 2: We do what we do.

322
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Speaker 1: But sometimes it's, They got different things going on.

323
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Speaker 2: Sometimes they got different hood politics going on.

324
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Speaker 1: Even Brazil, how you said Brazil trenches is... I'm telling you.

325
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Speaker 1: I ain't gonna lie to you, dog. Because I never

326
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Speaker 1: used to really... It just had to be.

327
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Speaker 3: If nobody ain't get killed then yesterday, I'm gone.

328
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Speaker 2: If it ain't in the news.

329
00:16:31,250 --> 00:16:34,109
Speaker 1: But sometimes the news ain't showing they type of shit

330
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Speaker 1: going on over there. You started me investigating where I'm

331
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Speaker 1: going to.

332
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Speaker 2: The news might not be showing where I'm going. I

333
00:16:41,090 --> 00:16:44,050
Speaker 2: learned all of that from you. Because I never really

334
00:16:44,080 --> 00:16:46,040
Speaker 2: was doing that. One time they paid me.

335
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Speaker 4: I was going to one of the biggest markets for

336
00:16:48,740 --> 00:16:52,830
Speaker 4: Fat Joe his whole entire life is the Ivory Coast

337
00:16:52,850 --> 00:16:56,430
Speaker 4: in Africa. One time I took a show. They paid

338
00:16:56,470 --> 00:16:59,790
Speaker 4: me in full. I go to the airport. Sia called me.

339
00:16:59,830 --> 00:17:02,740
Speaker 4: He's like, yo, You don't have to get on the plane.

340
00:17:02,780 --> 00:17:05,280
Speaker 4: I'm about to get on the plane. I said, what happened?

341
00:17:05,359 --> 00:17:07,520
Speaker 4: They killed 500 guys in front of the venue that

342
00:17:07,560 --> 00:17:08,840
Speaker 4: you're supposed to go to.

343
00:17:09,380 --> 00:17:09,880
Speaker 2: This, this.

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Speaker 3: Yo, I was getting on the plane. Not down the block,

345
00:17:14,660 --> 00:17:17,660
Speaker 3: not around the corner. He was like, if you look

346
00:17:17,700 --> 00:17:18,820
Speaker 3: at the United.

347
00:17:18,609 --> 00:17:21,230
Speaker 4: States website and it's telling you not to go, this

348
00:17:21,290 --> 00:17:24,449
Speaker 4: and this and that. Shit, they don't understand that because

349
00:17:24,650 --> 00:17:27,090
Speaker 4: we travel so much and the bag is out there.

350
00:17:27,150 --> 00:17:29,010
Speaker 4: Shit that you watch on the news that you don't

351
00:17:29,070 --> 00:17:30,850
Speaker 4: care about if you never leave New York.

352
00:17:31,650 --> 00:17:36,100
Speaker 2: It affects us. I'm in fucking Paris to do a

353
00:17:36,180 --> 00:17:40,800
Speaker 2: show and they shoot up all those theaters and we

354
00:17:40,820 --> 00:17:43,400
Speaker 2: watch the CNN Paris. They're killing 100 people.

355
00:17:43,480 --> 00:17:45,720
Speaker 3: We look and Google that shit was across the street

356
00:17:45,770 --> 00:17:46,669
Speaker 3: down the block. Yeah.

357
00:17:47,570 --> 00:17:49,429
Speaker 2: We don't watch world news either.

358
00:17:49,450 --> 00:17:51,970
Speaker 1: So even when you, even people here watch the news,

359
00:17:52,010 --> 00:17:55,209
Speaker 1: they watch like shit that happened in the Bronx, shit

360
00:17:55,260 --> 00:17:59,359
Speaker 1: that happened in Yonkers. They not really watching what's going

361
00:17:59,460 --> 00:18:02,679
Speaker 1: on in Libya. Watching the boroughs, maybe a little bit

362
00:18:02,720 --> 00:18:05,580
Speaker 1: to Florida or something. In our environments, we come from,

363
00:18:06,560 --> 00:18:08,960
Speaker 1: we come from humble beginnings and rough times.

364
00:18:09,020 --> 00:18:10,439
Speaker 2: So like, you know what I mean?

365
00:18:10,460 --> 00:18:13,020
Speaker 1: When we grew up, you thinking you going, when I

366
00:18:13,020 --> 00:18:16,139
Speaker 1: went to Paris one time, they said, like the soccer

367
00:18:16,180 --> 00:18:19,830
Speaker 1: team was playing there and they was like, yo, they

368
00:18:19,890 --> 00:18:24,340
Speaker 1: shutting everything down because whether they win or lose, they

369
00:18:24,380 --> 00:18:25,820
Speaker 1: get kind of crazy out here.

370
00:18:26,260 --> 00:18:29,139
Speaker 2: I'm like, Well, how crazy could it... You know what

371
00:18:29,160 --> 00:18:29,400
Speaker 2: I mean?

372
00:18:29,520 --> 00:18:33,260
Speaker 1: I'm thinking the crowd outside the garden.

373
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Speaker 2: You know what I mean?

374
00:18:34,040 --> 00:18:36,250
Speaker 1: They're going to get a little rowdy, but we're going

375
00:18:36,270 --> 00:18:39,490
Speaker 1: to be on our... Nah, it went crazy out there.

376
00:18:39,590 --> 00:18:40,950
Speaker 1: Shit on fire.

377
00:18:40,990 --> 00:18:41,960
Speaker 2: Cars burning.

378
00:18:43,040 --> 00:18:46,399
Speaker 1: Smoke everywhere like it was crazy out there so I

379
00:18:46,400 --> 00:18:47,540
Speaker 1: got you gotta pay attention to that I said Germany

380
00:18:47,560 --> 00:18:49,040
Speaker 1: one time when they won that shit.

381
00:18:48,820 --> 00:18:53,100
Speaker 3: You could not sleep the hotel the hotel put a

382
00:18:53,119 --> 00:18:56,250
Speaker 3: gate they boarded up windows of Goyard and all like

383
00:18:56,290 --> 00:18:59,210
Speaker 3: they like all of the stores boarded up the windows

384
00:18:59,850 --> 00:19:03,109
Speaker 3: the hotel the Mandarin closed this gate and you couldn't

385
00:19:03,150 --> 00:19:05,890
Speaker 3: come in and out of the hotel oh they got

386
00:19:05,910 --> 00:19:10,520
Speaker 3: the proof for that they say the man we performing

387
00:19:11,020 --> 00:19:13,970
Speaker 3: for like Look, he was a good guy to me.

388
00:19:13,990 --> 00:19:14,770
Speaker 2: Who?

389
00:19:15,170 --> 00:19:17,830
Speaker 4: No, no, the guy from the favela. He obviously was

390
00:19:17,890 --> 00:19:21,209
Speaker 4: a beyond dangerous guy. If you're the leader of the

391
00:19:21,310 --> 00:19:26,429
Speaker 4: whole favela, city of gods, he was killing everything moving, right?

392
00:19:27,050 --> 00:19:30,230
Speaker 2: So we go up there, we perform. It was beautiful.

393
00:19:30,330 --> 00:19:34,320
Speaker 4: When we leaving, I'm watching everybody put a gun on

394
00:19:34,359 --> 00:19:37,399
Speaker 4: the car. Like, so they give the whole town a

395
00:19:37,460 --> 00:19:41,359
Speaker 4: gun in case if the enemies come to their concert,

396
00:19:42,220 --> 00:19:45,510
Speaker 4: So like everybody's walking by throwing a gun on the, like,

397
00:19:45,950 --> 00:19:47,170
Speaker 4: they all do their collection.

398
00:19:47,650 --> 00:19:50,540
Speaker 2: Yo, this shit out of control. Some money ain't good money.

399
00:19:50,600 --> 00:19:53,640
Speaker 2: I remember being out. Yo, these people, then you get

400
00:19:53,680 --> 00:19:54,960
Speaker 2: mad at your family, right?

401
00:19:54,980 --> 00:19:57,260
Speaker 4: When you walking out that bitch, you're like, yo, these

402
00:19:57,300 --> 00:19:59,320
Speaker 4: people don't even appreciate this shit.

403
00:19:59,640 --> 00:20:01,320
Speaker 2: They don't know what type of shit I had to

404
00:20:01,359 --> 00:20:04,280
Speaker 2: do to go get this bag. This shit crazy over here.

405
00:20:04,320 --> 00:20:08,350
Speaker 4: Like, it really is crazy sometimes when we go in

406
00:20:08,390 --> 00:20:09,030
Speaker 4: these areas.

407
00:20:09,210 --> 00:20:12,610
Speaker 1: And it's not just us. Like, I've heard stories from you.

408
00:20:12,710 --> 00:20:15,730
Speaker 1: I've heard stories from Swiss. I've heard, you know, people

409
00:20:15,770 --> 00:20:18,970
Speaker 1: go in places and they ain't want to let us out.

410
00:20:19,150 --> 00:20:19,950
Speaker 2: I'm like, what?

411
00:20:20,600 --> 00:20:23,419
Speaker 1: So I even keep them stories in mind when I

412
00:20:23,440 --> 00:20:24,720
Speaker 1: be going to them places.

413
00:20:24,420 --> 00:20:27,639
Speaker 2: Too, like, just to be on point. I see Swiss

414
00:20:27,700 --> 00:20:30,980
Speaker 2: in Saudi Arabia. He look like he was home. Oh, no. Saudi,

415
00:20:31,020 --> 00:20:33,689
Speaker 2: he got it. Saudi, he got that shit on. He

416
00:20:33,710 --> 00:20:34,850
Speaker 2: went somewhere, though.

417
00:20:34,970 --> 00:20:37,550
Speaker 1: He went somewhere. He told me it might have been Haiti.

418
00:20:37,630 --> 00:20:40,550
Speaker 1: He went somewhere. And I'm just a prisoner for.

419
00:20:40,490 --> 00:20:42,050
Speaker 2: A little minute. I'm going to tell you my heyday story.

420
00:20:42,070 --> 00:20:44,149
Speaker 2: I'm going to tell you what they do, what they do.

421
00:20:44,270 --> 00:20:46,550
Speaker 2: They had him there for a minute. They had him.

422
00:20:46,570 --> 00:20:48,600
Speaker 2: He couldn't leave. Yeah.

423
00:20:48,730 --> 00:20:51,140
Speaker 1: This artist I know from Africa said she went somewhere

424
00:20:51,160 --> 00:20:54,000
Speaker 1: to perform and the guy kept saying, do it again.

425
00:20:54,359 --> 00:20:56,440
Speaker 2: Like she sang this song. That's the same guy. That's

426
00:20:56,460 --> 00:20:58,760
Speaker 2: the same guy. Do it again. That guy did it

427
00:20:58,820 --> 00:21:01,160
Speaker 2: to me. That guy did it to me. So he go,

428
00:21:01,440 --> 00:21:03,520
Speaker 2: he go, no, no. One more time. One more time.

429
00:21:03,580 --> 00:21:05,859
Speaker 2: Shake your ass this time. To my lady. Sing it

430
00:21:05,880 --> 00:21:09,380
Speaker 2: to my lady. Sing it. Nah. You know, because you're

431
00:21:09,420 --> 00:21:12,219
Speaker 2: over there. I don't care who you got. I was

432
00:21:12,330 --> 00:21:16,129
Speaker 2: in Angola one time. I had a security. He looked

433
00:21:16,150 --> 00:21:18,350
Speaker 2: like a midget by the time they finished with us.

434
00:21:18,890 --> 00:21:21,950
Speaker 2: That motherfucker was like, because they got machine guns and

435
00:21:21,990 --> 00:21:22,830
Speaker 2: you got nothing.

436
00:21:22,890 --> 00:21:26,630
Speaker 4: I don't care how tough you is. But damn, I

437
00:21:26,650 --> 00:21:29,070
Speaker 4: was going to say, when I went to Haiti, this

438
00:21:29,130 --> 00:21:31,990
Speaker 4: only happened in Haiti. This is a true story. This

439
00:21:32,010 --> 00:21:32,530
Speaker 4: is crazy.

440
00:21:33,170 --> 00:21:35,250
Speaker 2: So when I get to Haiti, we go to do

441
00:21:35,290 --> 00:21:39,419
Speaker 2: a concert. They immediately take me to the president, the

442
00:21:39,480 --> 00:21:44,460
Speaker 2: White House. This is before the last earthquake. That house

443
00:21:45,060 --> 00:21:48,140
Speaker 2: is demolished because of the earthquake. They took me in there.

444
00:21:48,880 --> 00:21:51,760
Speaker 2: So I go in there. I meet the president, this, this, that,

445
00:21:51,800 --> 00:21:56,239
Speaker 2: his son, good people. What was his son's name? Oliver. Oliver.

446
00:21:56,720 --> 00:22:00,080
Speaker 2: But it's Oliver. And all I know is the president

447
00:22:00,900 --> 00:22:04,679
Speaker 2: walked me into an SUV and said, now they're going

448
00:22:04,720 --> 00:22:09,310
Speaker 2: to take you somewhere. You know, just good people. Don't worry.

449
00:22:09,609 --> 00:22:14,070
Speaker 2: The man's this card that the president of Haiti put

450
00:22:14,090 --> 00:22:18,490
Speaker 2: me in took me to the biggest drug gang infested killer.

451
00:22:18,859 --> 00:22:21,720
Speaker 2: When they tell you not to go and stop. And

452
00:22:21,760 --> 00:22:22,220
Speaker 2: it was the.

453
00:22:22,220 --> 00:22:24,419
Speaker 3: Killer of all of Haiti's house.

454
00:22:25,420 --> 00:22:28,479
Speaker 2: His mother was my fan. He wouldn't want a president.

455
00:22:29,200 --> 00:22:32,620
Speaker 2: Send me to this dude Like He was like Yo

456
00:22:32,680 --> 00:22:35,340
Speaker 2: Joe You know We love you here My mother's a

457
00:22:35,380 --> 00:22:38,580
Speaker 2: big fan And this This the circle That's so late

458
00:22:38,660 --> 00:22:42,980
Speaker 2: It's the most Crenshaw You know Niggas send me to

459
00:22:43,020 --> 00:22:45,380
Speaker 2: Chicago Old block Boom.

460
00:22:45,100 --> 00:22:47,620
Speaker 3: I'm like yeah Compton I'm up in there Yo this

461
00:22:47,640 --> 00:22:50,220
Speaker 3: this that Yo I run everything So no one's gonna

462
00:22:50,260 --> 00:22:52,880
Speaker 3: touch you Thank you for coming To see my mother.

463
00:22:52,680 --> 00:22:56,200
Speaker 2: I said yo How the president Of Haiti Lines you

464
00:22:56,359 --> 00:23:01,530
Speaker 2: up With the bad guys Like, nah, this shit crazy.

465
00:23:01,630 --> 00:23:03,030
Speaker 2: It could be anybody.

466
00:23:03,070 --> 00:23:07,130
Speaker 1: Robert Kraft told us a story that Pooin took his

467
00:23:07,150 --> 00:23:07,950
Speaker 1: Super Bowl ring.

468
00:23:08,790 --> 00:23:11,199
Speaker 2: He said he was... Who took it? He went to

469
00:23:11,220 --> 00:23:12,899
Speaker 2: see Pooin and he took his shit. He took it

470
00:23:12,960 --> 00:23:14,959
Speaker 2: and put it on. I like this. And walked off.

471
00:23:15,920 --> 00:23:18,900
Speaker 2: What you going to do if Putin.

472
00:23:19,450 --> 00:23:22,109
Speaker 1: Take your Joe and Jada chain and just throw it

473
00:23:22,190 --> 00:23:23,129
Speaker 1: on and walk off?

474
00:23:23,230 --> 00:23:26,169
Speaker 2: I like this. Hold on, Putin. I seen shit in Russia.

475
00:23:26,230 --> 00:23:27,150
Speaker 2: First of all, in.

476
00:23:27,170 --> 00:23:35,230
Speaker 4: Russia, I didn't see no violence. But when I tell you,

477
00:23:35,869 --> 00:23:38,440
Speaker 4: I seen guys on a date with their girlfriend giving

478
00:23:38,460 --> 00:23:41,560
Speaker 4: them flowers with 10 dudes with machine guns around them. Like,

479
00:23:41,820 --> 00:23:44,540
Speaker 4: you can't even be like, you can't kiss your girl

480
00:23:44,640 --> 00:23:47,460
Speaker 4: on the cheek without a 10 clip with machine guns.

481
00:23:47,740 --> 00:23:51,270
Speaker 2: I didn't see no violence, but I anticipate they blow

482
00:23:51,310 --> 00:23:56,590
Speaker 2: shit up on me. Everybody got you. Wow, security, right?

483
00:23:56,869 --> 00:23:59,530
Speaker 2: Russia is tough. No, no. You know how you see

484
00:23:59,550 --> 00:24:02,650
Speaker 2: shit in a movie sometimes? You can see shit over

485
00:24:02,670 --> 00:24:05,100
Speaker 2: there and be like, yeah. Guy giving this girl.

486
00:24:04,940 --> 00:24:08,920
Speaker 4: A flower by a water fountain. 10 security women. So

487
00:24:09,040 --> 00:24:13,700
Speaker 4: I go like this. I go, right? Scott Storch, rest

488
00:24:13,760 --> 00:24:16,620
Speaker 4: in peace, Raul. I go with a billionaire dude. He's

489
00:24:16,680 --> 00:24:19,840
Speaker 4: my neighbor in Miami. The nicest guy you ever seen

490
00:24:19,859 --> 00:24:21,960
Speaker 4: in your life. When I go over there, I didn't know.

491
00:24:22,720 --> 00:24:25,920
Speaker 4: I went over there, a hundred Rolls Royces. Any car

492
00:24:25,940 --> 00:24:28,100
Speaker 4: you want to get in. So I come, I sit

493
00:24:28,140 --> 00:24:29,050
Speaker 4: down in the Rolls Royce.

494
00:24:30,070 --> 00:24:30,750
Speaker 2: They drive.

495
00:24:30,770 --> 00:24:33,630
Speaker 4: All right, there's a cat story, by the way, guys. America,

496
00:24:34,670 --> 00:24:37,470
Speaker 4: I'm sorry you guys ain't live like this. I'm just,

497
00:24:37,930 --> 00:24:41,130
Speaker 4: this is too hard to believe. We drive for like

498
00:24:41,170 --> 00:24:44,870
Speaker 4: an hour. All of a sudden, there's a gate, like

499
00:24:44,950 --> 00:24:48,070
Speaker 4: a gate to a store in the middle of a forest,

500
00:24:48,109 --> 00:24:49,050
Speaker 4: in the middle of a.

501
00:24:49,050 --> 00:24:50,130
Speaker 2: Thing, right?

502
00:24:50,670 --> 00:24:54,439
Speaker 4: They open the shit up. Another hundred dudes with machine guns.

503
00:24:55,140 --> 00:24:57,160
Speaker 4: Then it goes up. It's my man's house.

504
00:24:57,440 --> 00:24:59,400
Speaker 2: Yo, what's up? This, this, that.

505
00:24:59,420 --> 00:25:02,979
Speaker 4: So his wife is Miss Russia. He has got stores

506
00:25:03,020 --> 00:25:07,730
Speaker 4: producing her album. God forbid what Scott Storch was charging them,

507
00:25:07,770 --> 00:25:12,800
Speaker 4: because he was like, Jesus! Like, then you had it happen.

508
00:25:12,820 --> 00:25:15,379
Speaker 4: They had castles and shit. So I go there, I

509
00:25:15,420 --> 00:25:18,020
Speaker 4: go in his house, I'm like, yo, what's up? Like you,

510
00:25:18,119 --> 00:25:21,619
Speaker 4: with the king, I'm like, come here, Vlad. And his

511
00:25:21,660 --> 00:25:23,900
Speaker 4: people look like, should we kill this guy or not?

512
00:25:23,940 --> 00:25:27,220
Speaker 4: But he's my neighbor. In Miami, he's the sweetest guy

513
00:25:27,270 --> 00:25:30,030
Speaker 4: in the world. So he's like, yo, Joe, what's up?

514
00:25:30,070 --> 00:25:30,670
Speaker 2: This, this, that.

515
00:25:30,750 --> 00:25:33,429
Speaker 4: So I look, I go in the house, see his wife,

516
00:25:33,490 --> 00:25:35,850
Speaker 4: I know her. And I said, yo, what's that? It

517
00:25:35,890 --> 00:25:39,950
Speaker 4: was equipment, like band equipment. He's like, Pussycat Doll. Huh,

518
00:25:39,990 --> 00:25:42,700
Speaker 4: Pussycat Doll? Last night they performed for dinner.

519
00:25:43,040 --> 00:25:47,940
Speaker 2: We eat dinner. My wife's favorite, Pussycat Doll. I said, yo.

520
00:25:48,320 --> 00:25:51,570
Speaker 1: They bag is serious. No, the bag is not even

521
00:25:51,619 --> 00:25:54,550
Speaker 1: a bag. I ain't never seen so many full length

522
00:25:54,690 --> 00:25:55,430
Speaker 1: to the floor.

523
00:25:55,890 --> 00:25:59,730
Speaker 2: Nah. Every woman dance. Let me tell you what this

524
00:25:59,770 --> 00:26:02,699
Speaker 2: guy does. This guy goes like this. He says, you hungry?

525
00:26:02,720 --> 00:26:03,020
Speaker 3: Yeah.

526
00:26:03,060 --> 00:26:06,380
Speaker 4: So we go to a restaurant. Now, the restaurant has

527
00:26:06,660 --> 00:26:11,020
Speaker 4: nothing but Rolls Royces, Ben's Trucks. It had to be

528
00:26:11,040 --> 00:26:11,660
Speaker 4: the most.

529
00:26:11,480 --> 00:26:12,200
Speaker 2: Poppin' shit.

530
00:26:12,240 --> 00:26:16,650
Speaker 4: They walk inside and threw the whole restaurant. And these

531
00:26:16,690 --> 00:26:20,750
Speaker 4: guys in this restaurant can't be no bums. Like, Ben's Trucks,

532
00:26:20,930 --> 00:26:23,730
Speaker 4: all of them got machine guns. All of them got,

533
00:26:23,770 --> 00:26:26,629
Speaker 4: they threw the whole restaurant. Yo, everybody got to go.

534
00:26:27,490 --> 00:26:30,790
Speaker 4: Everybody left. Imagine somebody coming Prime 112 or something and

535
00:26:30,810 --> 00:26:35,119
Speaker 4: be like, yo, Brooklyn Chop House, everybody out. Everybody out now.

536
00:26:35,430 --> 00:26:39,840
Speaker 2: This, that. Niggas left with their bodyguards jumping in their trucks.

537
00:26:39,880 --> 00:26:44,020
Speaker 2: I'm like, this, we going there. They got one black

538
00:26:44,100 --> 00:26:48,520
Speaker 2: lady in the whole Russia store. Right? That's a fact.

539
00:26:48,560 --> 00:26:48,820
Speaker 1: No.

540
00:26:50,060 --> 00:26:52,700
Speaker 2: We was the only black people I seen out there.

541
00:26:53,119 --> 00:26:56,010
Speaker 2: I ain't seen no black people out there. One black lady. Listen.

542
00:26:57,350 --> 00:26:59,830
Speaker 2: We sit down at the table. They bring a piano.

543
00:27:00,710 --> 00:27:04,109
Speaker 2: And the lady starts playing the piano, singing Stevie Wonder

544
00:27:04,150 --> 00:27:08,490
Speaker 2: and shit like that. In the restaurant. So I go

545
00:27:08,510 --> 00:27:10,170
Speaker 2: like this. I said, look at him. I said like this.

546
00:27:10,190 --> 00:27:15,000
Speaker 2: Because everybody likes. So you need some... Middle East guys,

547
00:27:15,040 --> 00:27:19,040
Speaker 2: they'll tell you it's Oyu or their family's Oyu. Italians

548
00:27:19,180 --> 00:27:22,379
Speaker 2: make up a story. My uncle's the best hibachi player.

549
00:27:22,609 --> 00:27:24,970
Speaker 2: Nobody tells you how they really got the bag, right?

550
00:27:25,750 --> 00:27:28,650
Speaker 2: So I'm looking at this shit. I've never seen nobody

551
00:27:28,670 --> 00:27:30,889
Speaker 2: with this type of juice. I said, yo, Vladimir, let

552
00:27:30,970 --> 00:27:33,969
Speaker 2: me ask you. How did you get this? Like, I'm

553
00:27:34,010 --> 00:27:39,250
Speaker 2: thinking they made up AI, the spaceship. What happened? So

554
00:27:39,290 --> 00:27:42,440
Speaker 2: we took this shit. My crew, the toughest crew, we

555
00:27:42,480 --> 00:27:45,240
Speaker 2: took all of these. You see this? We run this shit.

556
00:27:45,859 --> 00:27:48,270
Speaker 2: First guy I ever kept it real with me. Because,

557
00:27:48,290 --> 00:27:50,709
Speaker 2: you know, everybody wants to tell you success, though. You

558
00:27:50,750 --> 00:27:52,710
Speaker 2: might have a girl, she got divorced from a man,

559
00:27:52,730 --> 00:27:55,790
Speaker 2: took 50 million. She out here doing interviews how she's

560
00:27:55,850 --> 00:27:59,760
Speaker 2: a fucking entrepreneur of all entrepreneurs.

561
00:27:59,800 --> 00:28:02,040
Speaker 3: But we know how she got the bag, right? But

562
00:28:03,220 --> 00:28:05,560
Speaker 3: this guy here, he said, yo, we took this shit.

563
00:28:06,020 --> 00:28:07,980
Speaker 2: It is what it is. We got the strongest crew.

564
00:28:08,060 --> 00:28:11,440
Speaker 2: I mean, my brother's the treasury. My other brother has

565
00:28:11,540 --> 00:28:14,929
Speaker 2: all the aluminum. We run this shit. You know, we

566
00:28:14,970 --> 00:28:18,209
Speaker 2: Putin's crew. I was like, oh, shit. You get to

567
00:28:18,250 --> 00:28:21,209
Speaker 2: see all that. You know, you get to see shit

568
00:28:21,230 --> 00:28:22,270
Speaker 2: when you travel that world.

569
00:28:22,290 --> 00:28:25,760
Speaker 1: You're going to have memories and stories for days if

570
00:28:25,780 --> 00:28:26,320
Speaker 1: you travel.

571
00:28:26,690 --> 00:28:30,600
Speaker 2: I'm scared to go places like that. Nah, you got

572
00:28:30,619 --> 00:28:32,080
Speaker 2: to go. You got to see it for yourself.

573
00:28:32,680 --> 00:28:39,120
Speaker 3: Abroad is a fair broad. You see abroad, you helpless.

574
00:28:43,480 --> 00:28:46,880
Speaker 3: You know what I've learned? The things that really matter,

575
00:28:46,920 --> 00:28:47,900
Speaker 3: you can't rush them.

576
00:28:48,340 --> 00:28:48,720
Speaker 2: Facts.

577
00:28:49,280 --> 00:28:52,350
Speaker 3: You can't rush the sauce. You can't rush the music.

578
00:28:52,480 --> 00:28:57,050
Speaker 3: You can't rush relationships. And you definitely can't rush great tequila.

579
00:28:57,230 --> 00:29:00,850
Speaker 4: That's why 1800 Tequila stands out. The name goes all

580
00:29:00,870 --> 00:29:04,490
Speaker 4: the way back to the 1800s when the Beckman family

581
00:29:04,570 --> 00:29:08,890
Speaker 4: started making tequila. And that patience, that attention to the

582
00:29:08,990 --> 00:29:12,270
Speaker 4: craft has been passed down through more than 11 generations.

583
00:29:13,790 --> 00:29:14,550
Speaker 2: That's legacy.

584
00:29:14,930 --> 00:29:18,130
Speaker 3: Sometimes you just got to let something cook. Juan Beckman

585
00:29:18,190 --> 00:29:22,010
Speaker 3: Vidal aged.

586
00:29:20,520 --> 00:29:22,040
Speaker 2: 1,800 aneo longer than he.

587
00:29:22,140 --> 00:29:24,560
Speaker 3: Even had to because he knew it wasn't ready yet.

588
00:29:24,720 --> 00:29:25,460
Speaker 2: I respect that.

589
00:29:25,560 --> 00:29:28,120
Speaker 3: Don't put it out just because you can put it out.

590
00:29:28,340 --> 00:29:31,219
Speaker 2: Put it out when it's right. That applies to a record, a.

591
00:29:31,220 --> 00:29:36,150
Speaker 3: Conversation, a move, a making, and clearly a bottle of tequila.

592
00:29:36,490 --> 00:29:38,950
Speaker 2: Once you get it right, you share it with your people.

593
00:29:39,290 --> 00:29:41,040
Speaker 2: That's always best. part of the story.

594
00:29:41,160 --> 00:29:44,820
Speaker 3: Good tequila, good conversation, and the people around you really

595
00:29:44,880 --> 00:29:45,900
Speaker 3: appreciate both.

596
00:29:46,180 --> 00:29:48,090
Speaker 2: Passion, hard work, honesty.

597
00:29:48,220 --> 00:29:53,470
Speaker 3: Those words are written on every bottle of 1800. And honestly,

598
00:29:53,630 --> 00:29:57,050
Speaker 3: that's the foundation for anything built to last. So take

599
00:29:57,090 --> 00:29:59,490
Speaker 3: your time with what you're creating. And when the moment

600
00:29:59,580 --> 00:30:01,640
Speaker 3: is right, share it with your people.

601
00:30:01,640 --> 00:30:06,000
Speaker 2: 1800 Tequila. Good stuff takes time. And the best stuff's

602
00:30:06,120 --> 00:30:07,910
Speaker 2: meant to be shared with your people.

603
00:30:11,490 --> 00:30:15,330
Speaker 4: That trip for Russia. I was getting on the plane

604
00:30:15,390 --> 00:30:17,750
Speaker 4: and it was trying to take my watch, the TSA,

605
00:30:17,910 --> 00:30:20,930
Speaker 4: Russia TSA. It was like, dude, when you had.

606
00:30:20,850 --> 00:30:23,850
Speaker 2: The Breitlings and shit with the big diamonds, they was

607
00:30:23,970 --> 00:30:26,230
Speaker 2: pulling my watch. I'm like, yo, they pulling Tug of

608
00:30:26,270 --> 00:30:29,070
Speaker 2: War with my watch. Hey, leave the watch. I said, yo,

609
00:30:29,190 --> 00:30:31,590
Speaker 2: I ain't leaving shit. Like, they pulling the watch. I said, yo,

610
00:30:31,610 --> 00:30:34,190
Speaker 2: get the fuck. Yo, they was trying to rob me.

611
00:30:35,530 --> 00:30:39,040
Speaker 2: entering the plane. You want me to go there? No,

612
00:30:39,060 --> 00:30:42,600
Speaker 2: I'm just saying, it ain't wrong. So I stood back.

613
00:30:42,620 --> 00:30:44,540
Speaker 4: They said, if you don't give me the watch, you

614
00:30:44,580 --> 00:30:47,040
Speaker 4: missing the plane. I said, I'm missing the plane. So

615
00:30:47,080 --> 00:30:49,400
Speaker 4: I get in the airport. They ain't know Vladimir was

616
00:30:49,460 --> 00:30:50,090
Speaker 4: my man.

617
00:30:50,200 --> 00:30:52,830
Speaker 2: So I call him. I tell him, He booked us

618
00:30:52,910 --> 00:30:55,910
Speaker 2: on a flight to, like, France and then the U.S.

619
00:30:55,970 --> 00:30:58,890
Speaker 2: It was beautiful. If you do go to Russia, Kiss,

620
00:30:58,930 --> 00:31:02,150
Speaker 2: you got to know Vladimir. Mikhail or something. You got

621
00:31:02,250 --> 00:31:05,030
Speaker 2: to know one of them. Mikhail Vladimir. You going to

622
00:31:05,050 --> 00:31:07,850
Speaker 2: know him, baby. You need a Vladimir in your cola.

623
00:31:07,870 --> 00:31:13,440
Speaker 2: Come on, Kiss. I ain't going nowhere. Vladimir, I love you.

624
00:31:13,450 --> 00:31:15,920
Speaker 1: I ain't coming over there. And it's always a Vladimir.

625
00:31:15,940 --> 00:31:19,020
Speaker 1: It's a Vladimir in my story. That's a name over there. No,

626
00:31:19,020 --> 00:31:22,020
Speaker 1: that's a comment. That's like Jose in Puerto Rico.

627
00:31:22,040 --> 00:31:28,370
Speaker 2: Jose? Like Vladimir. Is Mad Vladimir over there? Yeah, but

628
00:31:28,430 --> 00:31:32,490
Speaker 2: this is the one. The one I'm talking about. Oh, shit.

629
00:31:32,630 --> 00:31:37,340
Speaker 2: This guy here. What a life. They're serious people, though.

630
00:31:37,600 --> 00:31:39,880
Speaker 2: I ain't going to lie. I see serious.

631
00:31:39,920 --> 00:31:40,660
Speaker 3: No, no, no, no.

632
00:31:40,720 --> 00:31:42,260
Speaker 2: Hold on, hold on. I ain't going to lie to you.

633
00:31:42,280 --> 00:31:43,600
Speaker 2: The women look serious.

634
00:31:43,840 --> 00:31:47,240
Speaker 1: The men, it look like nobody joking play over there.

635
00:31:47,260 --> 00:31:50,270
Speaker 2: They probably joke amongst themselves. Rush is dead serious. Let

636
00:31:50,290 --> 00:31:52,870
Speaker 2: me tell you something. Even in playing, they dead serious.

637
00:31:52,890 --> 00:31:54,270
Speaker 2: They playing. Remember Drago?

638
00:31:54,330 --> 00:31:57,190
Speaker 1: It was mad Drago's over there. I'm telling you. I

639
00:31:57,190 --> 00:31:59,530
Speaker 1: don't know if that's crazy. Drago like this.

640
00:32:00,130 --> 00:32:02,710
Speaker 4: You know what I did see over there that was crazy?

641
00:32:03,170 --> 00:32:05,490
Speaker 4: So we went to like an after-hour spot. Your man,

642
00:32:05,890 --> 00:32:11,140
Speaker 4: Jacob DeJula, slipped out, you know, bloated, drinking. Hey, Joe,

643
00:32:11,180 --> 00:32:11,880
Speaker 4: how are you?

644
00:32:11,900 --> 00:32:12,620
Speaker 2: Yeah, he's Russian.

645
00:32:12,680 --> 00:32:18,000
Speaker 4: No, he was there. He came out that after-hour. Yo, Joe,

646
00:32:18,080 --> 00:32:21,270
Speaker 4: how are you, buddy? Oh, you made it out here?

647
00:32:21,290 --> 00:32:22,800
Speaker 4: I'm like, yo, Jacob, what's up?

648
00:32:23,130 --> 00:32:26,430
Speaker 1: They also are very proud people too like how we

649
00:32:26,470 --> 00:32:28,710
Speaker 1: proud to be from New York and we represent that

650
00:32:29,010 --> 00:32:32,970
Speaker 1: like I feel like Russia or Russians represent Russia wherever

651
00:32:32,990 --> 00:32:34,690
Speaker 1: they go like how you said when you was in

652
00:32:34,710 --> 00:32:38,100
Speaker 1: Miami and met him like they they had that they

653
00:32:38,600 --> 00:32:40,180
Speaker 1: they project that they proud.

654
00:32:39,940 --> 00:32:41,980
Speaker 4: Of where they from I'll tell you an ill story

655
00:32:42,060 --> 00:32:43,860
Speaker 4: I shouldn't be telling but I'm gonna tell it who

656
00:32:43,920 --> 00:32:46,510
Speaker 4: saying this All right, fuck it.

657
00:32:46,570 --> 00:32:47,230
Speaker 2: But I mean, like.

658
00:32:47,330 --> 00:32:51,010
Speaker 3: He the illest thing I've ever talked to.

659
00:32:51,050 --> 00:32:56,030
Speaker 2: The crowd, they in the barbershop. They engaged. They not

660
00:32:56,070 --> 00:33:01,220
Speaker 2: talking about the real. That's the real. I like to

661
00:33:01,260 --> 00:33:04,920
Speaker 2: hear stories. A friend of mine, a friend of ours, actually,

662
00:33:05,840 --> 00:33:10,100
Speaker 2: not who, friend of ours, he got robbed for like

663
00:33:10,140 --> 00:33:11,830
Speaker 2: a million dollars.

664
00:33:11,900 --> 00:33:15,890
Speaker 4: He was using this guy as an accountant. And the

665
00:33:15,970 --> 00:33:22,670
Speaker 4: guy just bounced with his paper, right? And you know

666
00:33:22,690 --> 00:33:25,670
Speaker 4: the story, right, man? And the man, they went to

667
00:33:25,710 --> 00:33:27,830
Speaker 4: the airports and all that, and they found out that

668
00:33:27,870 --> 00:33:28,820
Speaker 4: he went to Russia.

669
00:33:29,760 --> 00:33:30,650
Speaker 2: Don't go there.

670
00:33:30,860 --> 00:33:36,400
Speaker 4: Our guy, he knows some serious Russians. So he goes

671
00:33:36,460 --> 00:33:39,140
Speaker 4: to Russia. He says, yo, I'm looking for this guy.

672
00:33:39,840 --> 00:33:43,160
Speaker 4: And in Russia, everything is cameras and worse than here.

673
00:33:44,090 --> 00:33:46,250
Speaker 4: So they had the juice. So they was like, look,

674
00:33:46,450 --> 00:33:49,610
Speaker 4: this guy walks in this house. Guy that robbed him

675
00:33:50,390 --> 00:33:53,350
Speaker 4: walks in this house. They know where he's at and everything.

676
00:33:54,970 --> 00:33:58,030
Speaker 4: Man said he came outside. The niggas was like, yo,

677
00:33:58,750 --> 00:34:02,520
Speaker 4: put him in the bench. Our friend was there. Oh,

678
00:34:02,620 --> 00:34:04,340
Speaker 4: I meant to give you your money back.

679
00:34:04,410 --> 00:34:07,880
Speaker 2: This, that, please. Do you know who these guys are? This.

680
00:34:08,300 --> 00:34:12,359
Speaker 2: He got his money back. Russia, they'll find you. Like,

681
00:34:12,400 --> 00:34:13,400
Speaker 2: you can't hide him.

682
00:34:13,460 --> 00:34:16,359
Speaker 4: Like, Don't give a fuck. They went and found that

683
00:34:16,420 --> 00:34:20,210
Speaker 4: motherfucker and got him his million dollars back. Russians are serious.

684
00:34:21,070 --> 00:34:22,390
Speaker 4: They got that shit on lock.

685
00:34:22,850 --> 00:34:27,569
Speaker 3: For all the real ones out there, we keeping it 1800. 1800.

686
00:34:27,570 --> 00:34:31,230
Speaker 4: We're toasting to 25 years of ghetto fabric.

687
00:34:31,270 --> 00:34:34,840
Speaker 2: You usually do the toast. Do it. There's nothing wrong

688
00:34:34,860 --> 00:34:37,700
Speaker 2: with partners. You can do it. It's okay. 25 years

689
00:34:37,780 --> 00:34:40,020
Speaker 2: and they gave me the boot off. Look at this shit.

690
00:34:40,020 --> 00:34:42,780
Speaker 4: 25 years of 1800 celebration.

691
00:34:42,840 --> 00:34:45,700
Speaker 2: Ghetto fabulous. 25 more. 25 more. God bless. 25 more.

692
00:34:45,780 --> 00:34:46,700
Speaker 2: Over the shoulder. Jerry Chase.

693
00:34:46,719 --> 00:34:47,000
Speaker 3: Two things.

694
00:35:02,070 --> 00:35:04,770
Speaker 2: Two thick nights to rip. They gave me the poodle. Beautiful.

695
00:35:05,110 --> 00:35:08,790
Speaker 2: Two things. Beautiful. 25 years. Y'all don't fabulous. How does

696
00:35:08,870 --> 00:35:10,750
Speaker 2: it feel? You doing the tour? You doing the one

697
00:35:10,810 --> 00:35:13,590
Speaker 2: night only? You doing anything you do? I don't know.

698
00:35:13,710 --> 00:35:16,750
Speaker 1: I kind of like internally like always celebrate it in

699
00:35:16,790 --> 00:35:17,190
Speaker 1: a sense.

700
00:35:17,370 --> 00:35:20,930
Speaker 2: Not always like in the public. Also because it's more intimate.

701
00:35:21,050 --> 00:35:23,850
Speaker 2: Family more. Yeah. I like it that way too.

702
00:35:23,890 --> 00:35:27,680
Speaker 1: But I also the date that that first album dropped

703
00:35:27,719 --> 00:35:29,880
Speaker 1: was 9-11. So like, you know, just to To be

704
00:35:29,910 --> 00:35:33,319
Speaker 1: considerate of the lives lost and the tragedy of that day, like,

705
00:35:33,460 --> 00:35:37,239
Speaker 1: I can't pop out. But, you know, it's always, you know, internally,

706
00:35:37,300 --> 00:35:41,239
Speaker 1: it's with friends and fam to celebrate 25 years and

707
00:35:41,320 --> 00:35:42,120
Speaker 1: anything you do.

708
00:35:42,300 --> 00:35:43,279
Speaker 2: You know what I'm saying? That's the moment.

709
00:35:43,300 --> 00:35:48,739
Speaker 3: It was the same day that Jay-Z album came out, too, right?

710
00:35:48,780 --> 00:35:51,220
Speaker 3: When that first happened, they called me like, yo, man,

711
00:35:51,760 --> 00:35:53,820
Speaker 3: you see what's happening, man? Everything's canceled.

712
00:35:54,340 --> 00:35:55,120
Speaker 2: So I'm like, what?

713
00:35:55,900 --> 00:35:57,969
Speaker 1: I'm thinking it was Hov. Like I'm a young MC.

714
00:35:58,190 --> 00:36:00,569
Speaker 1: I'm just coming in the game. I'm thinking Hov shut

715
00:36:00,610 --> 00:36:02,490
Speaker 1: me down. You know what I mean? They like, nah,

716
00:36:02,530 --> 00:36:04,920
Speaker 1: turn on the TV. And I turn on the TV,

717
00:36:04,940 --> 00:36:06,719
Speaker 1: the plane. That's the first thing I see is the

718
00:36:06,760 --> 00:36:08,819
Speaker 1: plane going to building. So I'm like, but I'm still

719
00:36:08,880 --> 00:36:11,950
Speaker 1: not really understanding what that was. Cause I'm like, it's

720
00:36:12,010 --> 00:36:14,600
Speaker 1: a movie or something, but, Then like a few minutes later,

721
00:36:14,640 --> 00:36:17,200
Speaker 1: another person, I'm like, well, nah, this is serious.

722
00:36:17,219 --> 00:36:19,719
Speaker 4: I was watching that shit from Edgewater. I used to

723
00:36:19,760 --> 00:36:23,620
Speaker 4: live in a townhouse on the water. So we outside

724
00:36:24,000 --> 00:36:28,279
Speaker 4: on the balcony, my man Flex Recipes called me and

725
00:36:28,340 --> 00:36:32,150
Speaker 4: I'm looking and we see the building go down. It's

726
00:36:32,230 --> 00:36:37,009
Speaker 4: a lady right next to me. She's butt naked in

727
00:36:37,030 --> 00:36:44,560
Speaker 4: the balcony. whatever she butt naked I'm not looking at

728
00:36:44,580 --> 00:36:47,569
Speaker 4: her like she butt naked I'm looking like fucking end

729
00:36:47,610 --> 00:36:50,709
Speaker 4: of the world yeah right so I'm not that's not

730
00:36:50,730 --> 00:36:53,390
Speaker 4: 9-11 the building no it ain't nothing like.

731
00:36:53,190 --> 00:36:56,130
Speaker 2: That real real things going on I understand I'm getting.

732
00:36:56,250 --> 00:36:58,940
Speaker 3: Man about two three years ago I'll never forget where

733
00:36:58,960 --> 00:37:02,340
Speaker 3: we at uh what's that river palm lady walks in

734
00:37:02,360 --> 00:37:05,680
Speaker 3: where her family's just fat yo I'm the lady from

735
00:37:05,700 --> 00:37:08,390
Speaker 3: 9-11 that was on the balcony next to you.

736
00:37:08,489 --> 00:37:11,330
Speaker 4: I say, yo, I tell these guys the story all

737
00:37:11,350 --> 00:37:14,529
Speaker 4: the time. Lady really exists. She was butt naked on

738
00:37:14,550 --> 00:37:17,989
Speaker 4: the balcony. It's 9-11. The fucking buildings come down.

739
00:37:19,110 --> 00:37:21,330
Speaker 2: I got a question. I got a question. Hold on.

740
00:37:21,550 --> 00:37:24,690
Speaker 2: I lived in Queens when that happened. No, I lived

741
00:37:24,830 --> 00:37:28,430
Speaker 2: in Edgewater. Hold on. The lady was next to you

742
00:37:28,510 --> 00:37:31,100
Speaker 2: butt naked? She lived. She was my next door neighbor.

743
00:37:31,120 --> 00:37:35,000
Speaker 2: Who was she butt naked for? Somebody called and told

744
00:37:35,219 --> 00:37:38,140
Speaker 2: her 9-11. She come out the balcony like, you think

745
00:37:38,200 --> 00:37:40,860
Speaker 2: it's the end of the world? Did y'all kiss? I

746
00:37:40,900 --> 00:37:42,759
Speaker 2: look in the front of my house.

747
00:37:42,840 --> 00:37:44,440
Speaker 4: I wouldn't face the end of the world with a

748
00:37:44,440 --> 00:37:48,069
Speaker 4: sweatsuit on. Listen, in the front of my house, There

749
00:37:48,110 --> 00:37:51,430
Speaker 4: was a pool, like, in the complex. There was one man,

750
00:37:51,510 --> 00:37:53,230
Speaker 4: I ain't lying to you, he was just standing there

751
00:37:53,250 --> 00:37:54,969
Speaker 4: with all his clothes on at the pool.

752
00:37:54,989 --> 00:37:58,790
Speaker 2: Like, he was bugging. Like, that shit was really traumatizing.

753
00:37:59,230 --> 00:37:59,690
Speaker 2: There was a.

754
00:37:59,690 --> 00:38:03,730
Speaker 4: Dude just sitting in the beach chair just staring at nothing.

755
00:38:03,810 --> 00:38:06,710
Speaker 2: Nigga, like, he was schizophrenia for that day. He was

756
00:38:06,750 --> 00:38:08,550
Speaker 2: just sitting there. I looked at him. It was bugged

757
00:38:08,790 --> 00:38:11,840
Speaker 2: out that 9-11 was... some other shit.

758
00:38:12,090 --> 00:38:15,860
Speaker 1: I wasn't even thinking about the album after that started.

759
00:38:15,920 --> 00:38:18,480
Speaker 1: I had to like, I'm trying to check in with people. I'm,

760
00:38:18,660 --> 00:38:20,759
Speaker 1: I'm trying to figure out what's going on. You trying

761
00:38:20,780 --> 00:38:23,219
Speaker 1: to watch the news. You trying to like, I went

762
00:38:23,300 --> 00:38:26,840
Speaker 1: back to my projects that day and was like tapping

763
00:38:26,880 --> 00:38:28,900
Speaker 1: it with the hood and just seeing what was going on.

764
00:38:28,920 --> 00:38:30,920
Speaker 1: Like all kinds of, it was a different time.

765
00:38:31,020 --> 00:38:31,799
Speaker 2: You know what I'm saying?

766
00:38:31,840 --> 00:38:34,320
Speaker 4: I lived across, I lived, I lived on the water

767
00:38:34,340 --> 00:38:39,190
Speaker 4: across from the West side. When I tell you them planes,

768
00:38:40,290 --> 00:38:43,200
Speaker 4: The shit we ain't supposed to see The war They

769
00:38:43,239 --> 00:38:46,740
Speaker 4: came They was like My little fucking house Was shaking

770
00:38:46,780 --> 00:38:52,460
Speaker 4: like The army shit Tanks They had tanks On the

771
00:38:52,500 --> 00:38:56,200
Speaker 4: west side Mad tanks All the time I'm looking right.

772
00:38:56,219 --> 00:38:58,220
Speaker 2: At it Fighter planes And all that was The.

773
00:38:58,080 --> 00:39:02,440
Speaker 4: Fighter planes Was going like this The little bullshit Townhouses

774
00:39:02,460 --> 00:39:07,460
Speaker 4: Was shaking Like Fighter planes The fucking helicopters that blow

775
00:39:07,520 --> 00:39:07,980
Speaker 4: shit up.

776
00:39:09,260 --> 00:39:11,239
Speaker 2: Like all that shit. I'm watching all that shit out

777
00:39:11,280 --> 00:39:11,720
Speaker 2: the window.

778
00:39:11,760 --> 00:39:14,500
Speaker 1: You know, the craziest moment of that day. And when

779
00:39:14,540 --> 00:39:16,420
Speaker 1: I went back to my projects, we went to the

780
00:39:16,480 --> 00:39:19,650
Speaker 1: roof of my building. You could smell, you know, when

781
00:39:19,670 --> 00:39:24,110
Speaker 1: someone's on fire, you could smell fire. We're in Brooklyn?

782
00:39:24,130 --> 00:39:24,890
Speaker 2: I'm in Brooklyn.

783
00:39:25,290 --> 00:39:29,969
Speaker 1: In Bed-Stuy. I could smell fire. You could see the smoke.

784
00:39:30,110 --> 00:39:31,910
Speaker 1: shit in the air but you could smell it too

785
00:39:31,950 --> 00:39:34,609
Speaker 1: I was just like man this is crazy And that's

786
00:39:34,630 --> 00:39:36,009
Speaker 1: how I knew, like, you know what I mean?

787
00:39:36,030 --> 00:39:39,069
Speaker 2: This was real. People started coming home, like, coming down,

788
00:39:39,090 --> 00:39:41,620
Speaker 2: you see them with lights. Yeah, yeah, I seen that.

789
00:39:41,640 --> 00:39:42,799
Speaker 2: It was a crazy time, bro.

790
00:39:42,900 --> 00:39:48,160
Speaker 4: You know what happened was they have no planes flying. So,

791
00:39:48,200 --> 00:39:50,770
Speaker 4: we don't know that, like, right now, planes pass us

792
00:39:50,830 --> 00:39:52,850
Speaker 4: every day and we so used to it. It's like,

793
00:39:53,430 --> 00:39:58,800
Speaker 4: but when no planes pass, it's like, Silence up there.

794
00:39:58,840 --> 00:40:01,090
Speaker 4: So we was outside and all that. We was like, damn,

795
00:40:01,150 --> 00:40:03,589
Speaker 4: ain't no plane. I remember when the first plane just,

796
00:40:04,190 --> 00:40:06,509
Speaker 4: they were like, all right, planes can fly again.

797
00:40:06,550 --> 00:40:09,430
Speaker 2: Then you heard the noise. Where you was at that day, Kiss?

798
00:40:09,840 --> 00:40:12,820
Speaker 2: I was in the crib, in the bed, in the YL,

799
00:40:13,420 --> 00:40:17,420
Speaker 2: watching the news.

800
00:40:17,440 --> 00:40:19,640
Speaker 3: Then I started seeing people coming up the hill from

801
00:40:19,660 --> 00:40:20,549
Speaker 3: the Metro Northwest.

802
00:40:22,680 --> 00:40:25,259
Speaker 2: With the white, with the debris on them. Yeah, people

803
00:40:25,280 --> 00:40:27,339
Speaker 2: had to walk home that day and all. I'm in

804
00:40:27,400 --> 00:40:29,910
Speaker 2: George Washington Bridge. You had to walk home?

805
00:40:29,989 --> 00:40:31,950
Speaker 5: I was stuck on the subway for almost three hours

806
00:40:31,989 --> 00:40:34,670
Speaker 5: in Brooklyn at Kingston and Troop.

807
00:40:34,830 --> 00:40:36,989
Speaker 2: Yeah, the one in Jersey. No, I was living in

808
00:40:37,010 --> 00:40:40,910
Speaker 2: Far Rockaway. I think I'm back in Far Rockaway. You

809
00:40:40,989 --> 00:40:43,469
Speaker 2: walked off? I was on the platform. I was on

810
00:40:43,489 --> 00:40:46,810
Speaker 2: the platform. I saw the first plane hit. In the building.

811
00:40:47,170 --> 00:40:49,370
Speaker 5: I saw the first plane hit. And we thought, like

812
00:40:49,390 --> 00:40:51,750
Speaker 5: everyone else, we thought it was a Cessna or some whatever.

813
00:40:51,930 --> 00:40:54,050
Speaker 2: We thought it was an accident at first. Yeah, exactly.

814
00:40:54,070 --> 00:40:56,390
Speaker 2: So I get on. The second one, it was over. Yeah,

815
00:40:56,430 --> 00:40:57,590
Speaker 2: second one, you knew it was real.

816
00:40:57,750 --> 00:40:59,810
Speaker 5: We're there for about three hours. Then they back us

817
00:40:59,850 --> 00:41:02,589
Speaker 5: to the station before we get out. And I can

818
00:41:02,640 --> 00:41:05,819
Speaker 5: look over from Brooklyn downtown. And exactly like you said,

819
00:41:05,840 --> 00:41:07,450
Speaker 5: you could see everything billowing up.

820
00:41:07,920 --> 00:41:08,560
Speaker 2: Smell it.

821
00:41:08,920 --> 00:41:13,339
Speaker 4: Bro, my Uncle Dan worked in the building that fell down. Now,

822
00:41:13,440 --> 00:41:15,350
Speaker 4: Uncle Dan was there when they tried to blow it

823
00:41:15,430 --> 00:41:20,649
Speaker 4: up the first time, the blind chic, right? Dan, so

824
00:41:20,690 --> 00:41:24,120
Speaker 4: he already went through that. So when the plane hits

825
00:41:24,160 --> 00:41:27,480
Speaker 4: the thing, they telling everybody. I still ain't see this

826
00:41:27,560 --> 00:41:30,819
Speaker 4: on a documentary. They telling everybody on the loudspeaker. They

827
00:41:30,840 --> 00:41:32,000
Speaker 4: got a loudspeaker for.

828
00:41:31,940 --> 00:41:35,000
Speaker 2: The whole building. Don't panic. Don't rush.

829
00:41:35,440 --> 00:41:38,380
Speaker 4: This building's strong. It's going to be all right. Uncle

830
00:41:38,460 --> 00:41:42,620
Speaker 4: Dan ran the fuck up out that building. About 10

831
00:41:42,620 --> 00:41:46,410
Speaker 4: minutes later, that whole shit came down. That shit, like,

832
00:41:46,550 --> 00:41:46,890
Speaker 4: you know.

833
00:41:47,250 --> 00:41:49,410
Speaker 2: Yeah, God bless, man. God bless the.

834
00:41:50,130 --> 00:41:54,489
Speaker 1: Everybody lost their lives in that. But I also think

835
00:41:54,530 --> 00:41:57,339
Speaker 1: it's a part of American history now.

836
00:41:57,460 --> 00:41:58,240
Speaker 2: It is.

837
00:41:58,420 --> 00:42:02,340
Speaker 1: It's the thing that we've never seen before or seen since.

838
00:42:02,600 --> 00:42:06,730
Speaker 1: You know what I'm saying? It's a milestone or like

839
00:42:06,770 --> 00:42:08,470
Speaker 1: a moment in American history.

840
00:42:08,510 --> 00:42:08,850
Speaker 2: It is.

841
00:42:09,700 --> 00:42:12,440
Speaker 4: You dropped the album on that day. That's fucking nuts.

842
00:42:12,460 --> 00:42:13,020
Speaker 2: That's crazy.

843
00:42:14,060 --> 00:42:18,180
Speaker 4: That's how close we are to, like, shit happen. They

844
00:42:18,219 --> 00:42:21,090
Speaker 4: be trying to tell people all the time. We are

845
00:42:21,110 --> 00:42:22,569
Speaker 4: part of American history, too.

846
00:42:23,230 --> 00:42:28,569
Speaker 2: Yes. Like, hip-hop is American history. At this point, we at, like,

847
00:42:29,610 --> 00:42:32,250
Speaker 2: nothing gets sold or nothing.

848
00:42:32,330 --> 00:42:35,029
Speaker 1: It's a universal language. It got us in Russia. It

849
00:42:35,070 --> 00:42:37,970
Speaker 1: got us in Haiti, it got us all around the world.

850
00:42:38,030 --> 00:42:40,799
Speaker 1: So it's definitely a part of American history to me.

851
00:42:41,920 --> 00:42:45,260
Speaker 2: So when you decided, since when you been getting flopped?

852
00:42:45,880 --> 00:42:48,080
Speaker 2: I mean, I think for New Yorkers, like, it start

853
00:42:48,140 --> 00:42:50,740
Speaker 2: in the hood. I think, like, you know, like, now.

854
00:42:51,790 --> 00:42:55,049
Speaker 1: kids or like, you know, with social media, they could

855
00:42:55,090 --> 00:42:56,630
Speaker 1: look at their favorite artists.

856
00:42:56,650 --> 00:42:58,590
Speaker 2: You should never be wet.

857
00:42:58,610 --> 00:43:01,779
Speaker 1: Aesthetics and stuff that you could see online. We took it.

858
00:43:01,920 --> 00:43:04,700
Speaker 1: I took it from my hood. I seen what was

859
00:43:04,780 --> 00:43:09,739
Speaker 1: popping in our hood. I even think the rappers back

860
00:43:09,780 --> 00:43:13,250
Speaker 1: in the day, like say like a, uh, like LL,

861
00:43:13,790 --> 00:43:16,270
Speaker 1: he took his style from what he was seeing in

862
00:43:16,310 --> 00:43:16,810
Speaker 1: the streets.

863
00:43:17,730 --> 00:43:19,170
Speaker 2: I couldn't believe that when you said it. The one

864
00:43:19,190 --> 00:43:22,310
Speaker 2: leg up. Yeah, I could. The tango. You know that. Yeah,

865
00:43:22,370 --> 00:43:24,469
Speaker 2: I think that's what. I never knew that. I thought,

866
00:43:25,230 --> 00:43:27,590
Speaker 2: as a fan, I thought LL invented the style.

867
00:43:27,700 --> 00:43:29,919
Speaker 3: One day I seen the interview and he was talking about, yo,

868
00:43:29,980 --> 00:43:31,520
Speaker 3: I got that from drug dealers.

869
00:43:31,560 --> 00:43:34,560
Speaker 2: Yeah, that's where I got my shit from. I was like, huh?

870
00:43:34,820 --> 00:43:37,240
Speaker 2: I was influenced by what I was seeing in my hood.

871
00:43:37,280 --> 00:43:42,210
Speaker 1: I never looked at magazines or like, stuff like that. Instead,

872
00:43:42,250 --> 00:43:44,170
Speaker 1: I wanted to, I wanted to dress like the people

873
00:43:44,230 --> 00:43:46,529
Speaker 1: in my neighborhood. I wanted to wear the stuff that,

874
00:43:46,870 --> 00:43:49,410
Speaker 1: you know, the fly guys in my neighborhood was, was where,

875
00:43:49,450 --> 00:43:51,969
Speaker 1: so like mine came from just being a teenager in

876
00:43:52,010 --> 00:43:55,069
Speaker 1: that time. Now you can look on, you could take

877
00:43:55,090 --> 00:43:56,950
Speaker 1: your whole aesthetic. You should never be whack.

878
00:43:57,030 --> 00:44:00,020
Speaker 2: Yeah. Right now, you should never be whack. You can

879
00:44:00,040 --> 00:44:01,040
Speaker 2: switch up. You look at.

880
00:44:00,940 --> 00:44:03,779
Speaker 4: Fucking Instagram, it's like, yo, it's the black T and this,

881
00:44:03,800 --> 00:44:06,000
Speaker 4: that's what it is. Or it's just like, if you

882
00:44:06,040 --> 00:44:11,899
Speaker 4: come out looking corny, 20, 26, You don't have eyes.

883
00:44:11,960 --> 00:44:16,100
Speaker 2: You do it every day. Huh? Some of your favorite

884
00:44:16,140 --> 00:44:18,800
Speaker 2: rappers do it every day. You got to stop, man.

885
00:44:18,820 --> 00:44:22,279
Speaker 2: You got to stop. Niggas is nasty out there. It

886
00:44:22,360 --> 00:44:25,680
Speaker 2: ain't no secret. Even us on the sneaker side, I

887
00:44:25,700 --> 00:44:30,960
Speaker 2: don't think none of us just thought. became popular.

888
00:44:30,980 --> 00:44:33,299
Speaker 1: Like you had to, I started getting sneakers from the

889
00:44:33,480 --> 00:44:36,380
Speaker 1: fifth grade from my uncle buying me Air Max in

890
00:44:36,400 --> 00:44:37,360
Speaker 1: the fifth grade.

891
00:44:37,840 --> 00:44:40,239
Speaker 2: I'm like, I seen the way I felt.

892
00:44:40,410 --> 00:44:43,910
Speaker 1: I seen how the people in my class recognize these

893
00:44:44,030 --> 00:44:44,850
Speaker 1: kicks when I came.

894
00:44:44,870 --> 00:44:47,450
Speaker 2: So it was a, it started a long time ago.

895
00:44:47,770 --> 00:44:48,030
Speaker 3: Right.

896
00:44:48,050 --> 00:44:50,450
Speaker 4: So we were so fucked up that I couldn't get it.

897
00:44:50,650 --> 00:44:53,530
Speaker 4: Niggas was rocking pro kids, which is nothing to brag about.

898
00:44:53,550 --> 00:44:55,900
Speaker 4: I was rocking the jocks turbo with strap.

899
00:44:55,940 --> 00:44:56,040
Speaker 2: Yeah.

900
00:44:56,580 --> 00:44:59,779
Speaker 4: This shit ain't even, this shit ain't even have laces.

901
00:44:59,820 --> 00:45:02,580
Speaker 2: You got a strap. My nigga like, niggas used to be.

902
00:45:02,560 --> 00:45:06,239
Speaker 3: Like, yo, he got the jocks turbos with the strap.

903
00:45:06,320 --> 00:45:09,670
Speaker 2: Like, they crucified me. But when you could get it,

904
00:45:09,680 --> 00:45:10,250
Speaker 2: you got it.

905
00:45:10,690 --> 00:45:14,069
Speaker 4: I'm trying to tell you now, one day, my moms,

906
00:45:14,530 --> 00:45:17,850
Speaker 4: God bless my moms, man, she understood. My father from Cuba,

907
00:45:18,690 --> 00:45:21,549
Speaker 4: You always want to save a dollar. My moms knew

908
00:45:21,590 --> 00:45:24,170
Speaker 4: we had to get fly. So one day she gave

909
00:45:24,210 --> 00:45:28,049
Speaker 4: my father $ 150 so I could buy, he could buy

910
00:45:28,090 --> 00:45:30,710
Speaker 4: me a bubble goose. So I'm like telling her, like,

911
00:45:30,730 --> 00:45:32,969
Speaker 4: your mama don't send me with him. Like, send me

912
00:45:33,010 --> 00:45:36,640
Speaker 4: with my brother. Not with him. We go to Jew Man,

913
00:45:37,960 --> 00:45:41,470
Speaker 4: name of the store. And the man start arguing for like,

914
00:45:42,230 --> 00:45:45,029
Speaker 4: had to be about $ 5.

915
00:45:43,989 --> 00:45:48,410
Speaker 2: Over $ 5. Yo, I got $ 135. They was like, Cuba

916
00:45:48,570 --> 00:45:49,710
Speaker 2: is $ 150.

917
00:45:49,290 --> 00:45:53,410
Speaker 4: $ 130. And they loved it. They was just bartering and

918
00:45:53,430 --> 00:45:55,209
Speaker 4: this and this and that. And then they came out, Cuba,

919
00:45:55,270 --> 00:46:00,580
Speaker 4: I got something for you. They brought out a plastic V-Bomb.

920
00:46:01,540 --> 00:46:06,360
Speaker 2: Cuba, $ 45 deal. The nigga bought the $ 45 plastic V-Bomb. Damn, right? Mm-hmm.

921
00:46:09,310 --> 00:46:13,149
Speaker 4: I went to school. That shit melted in the radiator.

922
00:46:13,170 --> 00:46:17,710
Speaker 4: These niggas, you know, I grew up in the South Bronx.

923
00:46:17,790 --> 00:46:22,560
Speaker 2: These niggas is mean and vicious. Yo, you got the

924
00:46:22,660 --> 00:46:27,049
Speaker 2: plastic niggas making names for the V-bomber. Shit melted in

925
00:46:27,070 --> 00:46:29,450
Speaker 2: the thing, but you know, shit happened to me, you know,

926
00:46:29,489 --> 00:46:31,810
Speaker 2: so I had to get, I had to get to

927
00:46:31,850 --> 00:46:32,350
Speaker 2: the bag.

928
00:46:32,390 --> 00:46:35,330
Speaker 4: You can't fly. I never, I never, I risked my

929
00:46:35,370 --> 00:46:37,930
Speaker 4: life so many times just to get fly. It was like,

930
00:46:38,250 --> 00:46:40,940
Speaker 4: it was out of control, but I had to have it.

931
00:46:41,280 --> 00:46:45,140
Speaker 1: But the hood, the hood styled us before anybody else

932
00:46:45,200 --> 00:46:47,540
Speaker 1: to style us. Even when I wasn't in the game

933
00:46:47,580 --> 00:46:51,520
Speaker 1: yet and I'm watching, Joe or y'all had the Fatigue

934
00:46:51,600 --> 00:46:56,040
Speaker 1: suits and Like my hood was wearing Fatigue even like

935
00:46:56,080 --> 00:46:59,960
Speaker 1: the Nas era Where everybody was wearing the Army shit

936
00:47:00,000 --> 00:47:02,160
Speaker 1: that's what we wore Like so that was like the

937
00:47:02,239 --> 00:47:04,319
Speaker 1: hood You know what I'm saying so that's what we

938
00:47:04,380 --> 00:47:07,000
Speaker 1: got It wasn't just about yo the rappers wearing that

939
00:47:07,040 --> 00:47:09,510
Speaker 1: We wearing what the hood is wearing And that's what

940
00:47:09,530 --> 00:47:12,970
Speaker 1: we represented so that's how I got into like really

941
00:47:13,630 --> 00:47:15,830
Speaker 1: Getting fresh and stuff like that Just seeing the people

942
00:47:15,870 --> 00:47:18,410
Speaker 1: around me getting fresh For real You.

943
00:47:18,300 --> 00:47:22,000
Speaker 4: Smoke the pure, that's the problem. They gave this nigga

944
00:47:22,020 --> 00:47:27,290
Speaker 4: the pure. Yo, somebody okay. Somebody give him the halfway weed.

945
00:47:27,710 --> 00:47:31,450
Speaker 4: Don't give him the whole, the pure, the hot juice.

946
00:47:31,950 --> 00:47:34,150
Speaker 4: That motherfucker come in the pot.

947
00:47:33,930 --> 00:47:37,600
Speaker 2: Like, yeah, look. I'm over here listening to you. We

948
00:47:37,640 --> 00:47:42,359
Speaker 2: did a live show. 5,000 people for some more. Joe

949
00:47:42,460 --> 00:47:45,560
Speaker 2: and Jada, that shit ain't easy. He high as fuck.

950
00:47:45,700 --> 00:47:47,799
Speaker 2: I'm like this. I'm like, yo, kiss. He looking at

951
00:47:47,820 --> 00:47:50,820
Speaker 2: me like, you better shit. I'm looking at you like,

952
00:47:50,860 --> 00:47:53,080
Speaker 2: I'm listening to you. He looking at me like, yo,

953
00:47:53,120 --> 00:47:57,339
Speaker 2: you better get to talking, nigga, because don't wait on me.

954
00:47:57,360 --> 00:48:01,480
Speaker 2: That motherfucker sitting there like, Look, you know when you trapped, like,

955
00:48:01,540 --> 00:48:05,280
Speaker 2: the movie Get Out? He was trapped in your kiss.

956
00:48:05,460 --> 00:48:08,830
Speaker 2: Are you in there, kiss? Kiss, are you in there?

957
00:48:08,850 --> 00:48:14,489
Speaker 2: He looking at me like, this thing is crazy. Ah!

958
00:48:15,739 --> 00:48:18,840
Speaker 2: I've been doing this shit with him so long. I

959
00:48:18,860 --> 00:48:22,620
Speaker 2: don't like to interrupt you. And it's hard to interrupt you.

960
00:48:23,140 --> 00:48:23,980
Speaker 2: So once you.

961
00:48:23,890 --> 00:48:26,770
Speaker 3: Turn that issue, he got to sit back and look

962
00:48:26,850 --> 00:48:27,670
Speaker 3: at you with that.

963
00:48:27,590 --> 00:48:29,969
Speaker 2: Face and let you go. I'm looking at him. I said, yo,

964
00:48:30,030 --> 00:48:33,010
Speaker 2: I need some kind of help with that. Nah, go.

965
00:48:33,070 --> 00:48:36,110
Speaker 2: Let me go. I've never seen.

966
00:48:35,870 --> 00:48:44,040
Speaker 3: You need to tell them one of your famous stories, Joe.

967
00:48:44,219 --> 00:48:47,240
Speaker 2: I said, yo.

968
00:48:47,320 --> 00:48:50,760
Speaker 1: He's like, if I can throw three Joe stories in there,

969
00:48:50,780 --> 00:48:51,859
Speaker 1: we can finish the whole show.

970
00:48:51,890 --> 00:48:53,930
Speaker 2: They wanted to hear it, though. He said, you know.

971
00:48:53,950 --> 00:48:57,950
Speaker 2: Man's stuck in his own. Yo, he's like, you know.

972
00:48:58,810 --> 00:49:03,259
Speaker 2: Tell him one of these stories. One of these stories, Joe.

973
00:49:03,300 --> 00:49:07,839
Speaker 2: I'm like, oh. Tell you about the time. Nah, you

974
00:49:07,900 --> 00:49:13,529
Speaker 2: a funny dude. Your pops is crazy.

975
00:49:13,610 --> 00:49:16,169
Speaker 1: I do think y'all, you know, I want to say congratulations.

976
00:49:16,230 --> 00:49:19,630
Speaker 1: I do think y'all compliment each other, you know, on

977
00:49:19,670 --> 00:49:24,279
Speaker 1: the show. When I see it, I see, like, y'all

978
00:49:24,550 --> 00:49:26,270
Speaker 1: bringing both of y'all personalities.

979
00:49:26,650 --> 00:49:32,710
Speaker 2: They work together. So, you know. It works. It works.

980
00:49:33,010 --> 00:49:36,089
Speaker 2: This guy here. I don't think two Joes on the

981
00:49:36,130 --> 00:49:37,760
Speaker 2: same show could work. Oh, no.

982
00:49:37,840 --> 00:49:37,910
Speaker 1: See?

983
00:49:38,030 --> 00:49:42,020
Speaker 4: I already said if it was me and Tony Yayo,

984
00:49:42,060 --> 00:49:44,739
Speaker 4: we had beef with the whole back community.

985
00:49:44,780 --> 00:49:48,090
Speaker 2: We had beef with the past. This is the perfect

986
00:49:48,270 --> 00:49:51,670
Speaker 2: oil and vinegar. Yo, Joe, chill. Let me pull him back.

987
00:49:52,290 --> 00:49:54,350
Speaker 4: Calm down. Let me not let him go too crazy.

988
00:49:54,469 --> 00:49:57,390
Speaker 4: If it was too wild for the night, crazy guys,

989
00:49:57,910 --> 00:49:58,550
Speaker 4: it's over.

990
00:49:58,750 --> 00:50:02,460
Speaker 1: Sometimes things work together that people don't expect. I wouldn't

991
00:50:03,020 --> 00:50:05,939
Speaker 1: store it, but that's how you look at peanut butter

992
00:50:05,980 --> 00:50:06,440
Speaker 1: and jelly.

993
00:50:06,560 --> 00:50:09,520
Speaker 2: It just works together. Oh, no, it's perfect, man. I

994
00:50:09,580 --> 00:50:11,560
Speaker 2: wouldn't do it with nobody else. And we having a

995
00:50:11,600 --> 00:50:17,509
Speaker 2: hell of a run, huh? Definitely, my brother. I love it.

996
00:50:17,550 --> 00:50:22,820
Speaker 2: He's like, whatever you say. That's like, in your show,

997
00:50:22,940 --> 00:50:25,680
Speaker 2: I guess Jim Jones is the fat Joe, right?

998
00:50:26,140 --> 00:50:29,200
Speaker 1: I would say Maino. I would say Maino is more

999
00:50:29,300 --> 00:50:30,859
Speaker 1: in your.

1000
00:50:30,900 --> 00:50:33,319
Speaker 2: No, Maino's my favorite on the pod. I'm not trying

1001
00:50:33,340 --> 00:50:36,510
Speaker 2: to disrespect... Because he says the most craziest shit. No, no, no, no, no.

1002
00:50:36,790 --> 00:50:43,190
Speaker 2: He has stories. He's unapologetically him. He actually is... saying

1003
00:50:43,210 --> 00:50:48,100
Speaker 2: the real, his truth. Yeah, he's unapologetically him. That's what you...

1004
00:50:47,560 --> 00:50:49,839
Speaker 2: He got a battle rap of 50 Cent and all that.

1005
00:50:49,880 --> 00:50:54,240
Speaker 2: Jim Jones is like... Jim Jones? That's the third rail

1006
00:50:54,300 --> 00:50:57,129
Speaker 2: right there. All day, every day, he's surfing on the third.

1007
00:50:57,670 --> 00:50:59,660
Speaker 2: He love that shit. Every day is in the.

1008
00:51:00,310 --> 00:51:03,310
Speaker 3: Are you nuts? At least they ain't no talking some

1009
00:51:03,390 --> 00:51:04,330
Speaker 3: normal shit.

1010
00:51:04,370 --> 00:51:06,529
Speaker 2: Nah, they figured it out. I think y'all fit.

1011
00:51:06,710 --> 00:51:09,310
Speaker 3: Cause with this shit, it takes a, you got to

1012
00:51:09,370 --> 00:51:11,190
Speaker 3: shoot a few and then you go and start, it

1013
00:51:11,210 --> 00:51:15,129
Speaker 3: starts morphing into what it ain't. Nobody, maybe, maybe Marv

1014
00:51:15,170 --> 00:51:17,450
Speaker 3: Auburn and them can sit down and say what they want.

1015
00:51:17,489 --> 00:51:21,570
Speaker 2: Davies just want to look sexy no matter what. Davies

1016
00:51:21,610 --> 00:51:25,470
Speaker 2: can be out of baptism. Nah, let me tell you something.

1017
00:51:26,130 --> 00:51:28,700
Speaker 2: That nigga do this Quentin Oz, he be like this.

1018
00:51:29,700 --> 00:51:35,120
Speaker 2: Y'all niggas show my... 26 people got shot. This, that, Dave.

1019
00:51:35,160 --> 00:51:45,130
Speaker 2: He's like this. For whoever watching that. 26 people got

1020
00:51:45,210 --> 00:51:51,580
Speaker 2: shot throwing over the rails. He don't give a fuck.

1021
00:51:51,920 --> 00:51:55,460
Speaker 2: This guy's crazy, dog. But I'm happy for you guys, man.

1022
00:51:55,500 --> 00:51:57,529
Speaker 2: You know what I'm saying? I told Jim Jones when

1023
00:51:57,570 --> 00:52:00,009
Speaker 2: he started, I said, yo, you are perfect for this.

1024
00:52:00,870 --> 00:52:03,350
Speaker 4: You know what I mean? I'd say, yo, you all

1025
00:52:03,410 --> 00:52:06,509
Speaker 4: perfect for this. You got something to say. You know,

1026
00:52:06,770 --> 00:52:09,650
Speaker 4: with us, it's like we had to figure to join

1027
00:52:09,770 --> 00:52:12,370
Speaker 4: out where, you know, everybody around us was.

1028
00:52:12,270 --> 00:52:14,730
Speaker 2: Getting rich off the shit. Nobody told me, yo, it's

1029
00:52:14,750 --> 00:52:17,450
Speaker 2: the bag over here. Yeah. That's how I look.

1030
00:52:17,560 --> 00:52:20,680
Speaker 1: Like, there's some research and I just thought, you know,

1031
00:52:20,739 --> 00:52:22,960
Speaker 1: it's one of the biggest growing.

1032
00:52:23,790 --> 00:52:25,260
Speaker 2: uh, things in a platform.

1033
00:52:25,300 --> 00:52:25,550
Speaker 3: Yeah.

1034
00:52:25,780 --> 00:52:28,219
Speaker 1: And I, and even our culture as hip hop, hip hop,

1035
00:52:28,760 --> 00:52:32,020
Speaker 1: the hip hop culture is now tapped in the podcast and,

1036
00:52:32,180 --> 00:52:35,339
Speaker 1: you know, seeing different people talk about different things. Like,

1037
00:52:36,330 --> 00:52:39,160
Speaker 1: podcasting has been around for a long time, but hip

1038
00:52:39,180 --> 00:52:40,940
Speaker 1: hop wasn't tapped into it all the time.

1039
00:52:40,960 --> 00:52:41,620
Speaker 2: You know what I mean?

1040
00:52:41,640 --> 00:52:43,920
Speaker 1: Like Joe, Joe buttons has been doing it for a while,

1041
00:52:43,940 --> 00:52:46,820
Speaker 1: but it was like his own audience.

1042
00:52:47,270 --> 00:52:51,910
Speaker 2: Yeah. I will say Jim is Western.

1043
00:52:52,010 --> 00:52:55,739
Speaker 1: Like he was, he was genius about, seeing that we

1044
00:52:55,760 --> 00:52:58,480
Speaker 1: could be a show because again, like how you said,

1045
00:52:58,540 --> 00:53:00,620
Speaker 1: I was, I'm not a big talker. So like, it

1046
00:53:00,660 --> 00:53:03,680
Speaker 1: wasn't something that I saw in the cards is what

1047
00:53:03,739 --> 00:53:05,819
Speaker 1: I wanted to do. But then when he put it

1048
00:53:05,860 --> 00:53:08,180
Speaker 1: together and was like, yo, we should do this. And we,

1049
00:53:08,239 --> 00:53:10,200
Speaker 1: you know, we started and I did the research on it.

1050
00:53:10,230 --> 00:53:12,810
Speaker 1: I'm like, damn, it's the money in it. It's, you

1051
00:53:12,830 --> 00:53:14,250
Speaker 1: know what I mean? It's also a way to show

1052
00:53:14,270 --> 00:53:17,009
Speaker 1: your personality, you know, and rap is, you know, you

1053
00:53:17,030 --> 00:53:18,350
Speaker 1: kind of like you're an artist.

1054
00:53:18,370 --> 00:53:20,210
Speaker 3: So you kind of, your personality is in that. I

1055
00:53:20,210 --> 00:53:22,640
Speaker 3: just think for us, it was more a way of

1056
00:53:22,780 --> 00:53:26,840
Speaker 3: preserving the culture. Cause you know, Everybody out here presenting

1057
00:53:26,920 --> 00:53:31,299
Speaker 3: false narratives. You know, I seen a Latinos in hip

1058
00:53:31,320 --> 00:53:34,100
Speaker 3: hop documentary and they started with Pitbull.

1059
00:53:34,800 --> 00:53:38,089
Speaker 4: They forgot Fat Joe, Big Pond, Cypress Hills, everywhere. I

1060
00:53:38,130 --> 00:53:38,710
Speaker 4: seen that shit.

1061
00:53:38,770 --> 00:53:42,370
Speaker 2: I said, oh, man. And I love Pitbull. I said, oh,

1062
00:53:42,410 --> 00:53:43,870
Speaker 2: this shit getting out of hand.

1063
00:53:43,890 --> 00:53:47,250
Speaker 4: So say Steve Stout put out a documentary, it's going

1064
00:53:47,270 --> 00:53:50,049
Speaker 4: to be all about how he invented hip hop and

1065
00:53:50,090 --> 00:53:52,480
Speaker 4: some shit like that. So he was doing all that.

1066
00:53:52,520 --> 00:53:55,930
Speaker 4: So I was like, you know what? We gotta preserve

1067
00:53:55,989 --> 00:53:59,460
Speaker 4: the culture. People gotta hear from the artists themselves. So

1068
00:53:59,480 --> 00:54:01,759
Speaker 4: when that kid is 30 years old and he wanna

1069
00:54:01,780 --> 00:54:04,640
Speaker 4: look back at the videotape, be like, nah, Fab said

1070
00:54:04,680 --> 00:54:07,780
Speaker 4: it like this. Snoop Dogg said it like this because

1071
00:54:07,960 --> 00:54:09,000
Speaker 4: shit was getting.

1072
00:54:08,739 --> 00:54:13,040
Speaker 2: Like, Yeah. Other people can tell your story as well.

1073
00:54:13,140 --> 00:54:15,759
Speaker 1: We all, and even down to that, like hip hop

1074
00:54:15,800 --> 00:54:17,950
Speaker 1: has a lot of stories, like even the stuff that

1075
00:54:17,989 --> 00:54:20,310
Speaker 1: we've been through. So we get to even share them

1076
00:54:20,350 --> 00:54:22,989
Speaker 1: stories with the public that they might've never known. Like

1077
00:54:23,010 --> 00:54:26,009
Speaker 1: that's a whole nother discovery for like a fan or

1078
00:54:26,170 --> 00:54:28,740
Speaker 1: just a fan of hip hop, you know what I mean?

1079
00:54:29,100 --> 00:54:31,910
Speaker 2: Fly on the wall. where people are like, word, that

1080
00:54:31,969 --> 00:54:33,669
Speaker 2: happened like that? They in the room.

1081
00:54:34,469 --> 00:54:39,140
Speaker 4: So you telling the story and your fan loves Reservoir

1082
00:54:39,180 --> 00:54:42,379
Speaker 4: Dogs and he tells the story how it came out.

1083
00:54:42,420 --> 00:54:46,859
Speaker 2: Niggas like, word? Ove was there when he spit this shit? Yo, this?

1084
00:54:46,960 --> 00:54:51,380
Speaker 4: They get that knowledge that they always wondered, you know, about.

1085
00:54:51,820 --> 00:54:55,260
Speaker 4: You know, the podcast shit to me is really, really dope.

1086
00:54:55,820 --> 00:54:58,120
Speaker 4: What about the, let's rap about it, the intro?

1087
00:54:59,880 --> 00:55:01,860
Speaker 2: The intro. Yo, who thought of that?

1088
00:55:02,239 --> 00:55:05,319
Speaker 1: We, uh, we was trying to think of the, the,

1089
00:55:05,540 --> 00:55:10,379
Speaker 1: the perfect, like hip hop beat. And, and I feel

1090
00:55:10,420 --> 00:55:14,040
Speaker 1: like shook ones is just, I think it might've even

1091
00:55:14,100 --> 00:55:15,839
Speaker 1: been voted as the number one.

1092
00:55:16,500 --> 00:55:18,020
Speaker 2: Yeah. Uh, arguably.

1093
00:55:18,080 --> 00:55:18,219
Speaker 3: Yeah.

1094
00:55:18,260 --> 00:55:19,660
Speaker 2: You know what I'm saying?

1095
00:55:19,719 --> 00:55:22,239
Speaker 1: So that's the, before they even voted that we was

1096
00:55:22,280 --> 00:55:24,919
Speaker 1: trying to pick a, a beat that one is like,

1097
00:55:25,460 --> 00:55:27,280
Speaker 1: you hear it, you know exactly.

1098
00:55:26,900 --> 00:55:27,500
Speaker 2: What it is.

1099
00:55:28,590 --> 00:55:30,819
Speaker 1: Just because all four of us was rappers and we

1100
00:55:30,860 --> 00:55:34,219
Speaker 1: wanted to, you know, represent the culture and hip hop.

1101
00:55:34,239 --> 00:55:36,960
Speaker 2: What are some of your favorite beats that producers have made?

1102
00:55:37,000 --> 00:55:40,830
Speaker 4: I'm not saying yours, just like other artists beats that

1103
00:55:40,870 --> 00:55:41,890
Speaker 4: you think is crazy.

1104
00:55:42,590 --> 00:55:48,430
Speaker 2: All time. What you mean? Definitely strict ones. Definitely strict ones. Uh,

1105
00:55:49,830 --> 00:55:50,810
Speaker 2: it's a lot, man.

1106
00:55:51,090 --> 00:55:54,250
Speaker 1: Like it's, it's so many hip hop beats that, that

1107
00:55:54,290 --> 00:55:56,550
Speaker 1: you hear, like you even wish they was yours.

1108
00:55:56,590 --> 00:55:57,290
Speaker 2: Like, you know what I'm saying?

1109
00:55:57,310 --> 00:56:00,529
Speaker 1: You wish when you hear them, you'd be like, not

1110
00:56:00,610 --> 00:56:02,950
Speaker 1: even a song, just the beat itself.

1111
00:56:02,989 --> 00:56:05,160
Speaker 2: You'd be like, man, this, this beat was crazy.

1112
00:56:05,200 --> 00:56:10,080
Speaker 1: Like even in me, some certain songs have crazy intros.

1113
00:56:10,180 --> 00:56:10,819
Speaker 2: Like, you know what I mean?

1114
00:56:10,840 --> 00:56:14,480
Speaker 1: Like even like lean back has the, like certain shit,

1115
00:56:14,520 --> 00:56:18,150
Speaker 1: like it's just, You know what I mean? Like, so

1116
00:56:18,230 --> 00:56:20,790
Speaker 1: it's so many beats, man, that I love. And I

1117
00:56:20,850 --> 00:56:22,029
Speaker 1: love hip hop for that.

1118
00:56:22,210 --> 00:56:22,650
Speaker 2: You know what I mean?

1119
00:56:22,690 --> 00:56:25,550
Speaker 1: I love that it, it connects with you on a

1120
00:56:25,610 --> 00:56:29,040
Speaker 1: musical level before sometimes somebody even say anything.

1121
00:56:29,180 --> 00:56:30,239
Speaker 2: So, you know what I mean?

1122
00:56:30,820 --> 00:56:33,860
Speaker 1: It's so, it's too many to name for me, but

1123
00:56:33,880 --> 00:56:36,440
Speaker 1: Shook Ones was our number one because it was just

1124
00:56:36,500 --> 00:56:39,629
Speaker 1: like a beat that I felt like anybody who's been

1125
00:56:39,650 --> 00:56:41,850
Speaker 1: a fan of hip hop, you know, that, that beat

1126
00:56:41,870 --> 00:56:42,589
Speaker 1: soon as it come home.

1127
00:56:43,150 --> 00:56:45,810
Speaker 2: What was that like, the Benjamins when you first heard it?

1128
00:56:46,030 --> 00:56:48,810
Speaker 2: We didn't like the Benjamins. You didn't like the beat?

1129
00:56:48,830 --> 00:56:51,150
Speaker 1: A lot of beats like that I heard. Like, the

1130
00:56:51,190 --> 00:56:53,950
Speaker 1: people that actually did the big songs, they be like,

1131
00:56:54,280 --> 00:56:56,360
Speaker 1: I wasn't feeling that beat at first.

1132
00:56:57,280 --> 00:56:58,020
Speaker 2: We didn't like it.

1133
00:56:58,739 --> 00:57:01,939
Speaker 4: I love how they flipped that beat for big.

1134
00:57:02,160 --> 00:57:06,100
Speaker 2: I've been there skills, and that feels, and that feels,

1135
00:57:06,200 --> 00:57:08,759
Speaker 2: and that feel, hard to figure me. You know, I

1136
00:57:08,760 --> 00:57:12,430
Speaker 2: don't know the words, man. Stop fucking... Don't play with me.

1137
00:57:13,910 --> 00:57:16,870
Speaker 2: You know who has the mean beats? It's Buckshot Shorty.

1138
00:57:18,010 --> 00:57:22,470
Speaker 2: Anything step off me, cling to me, guns. That's true.

1139
00:57:22,550 --> 00:57:26,580
Speaker 1: I got your open remix beat. I love that. It

1140
00:57:26,880 --> 00:57:29,000
Speaker 1: was like a jazz, but... It was like a hip

1141
00:57:29,060 --> 00:57:33,500
Speaker 1: hop jazz. That was when I used to listen to.

1142
00:57:35,400 --> 00:57:37,680
Speaker 1: I used to go to school with a Walkman and

1143
00:57:37,740 --> 00:57:39,940
Speaker 1: I used to listen to like hip hop and then

1144
00:57:39,960 --> 00:57:41,960
Speaker 1: you'll be in this like trance, you jump on the

1145
00:57:42,020 --> 00:57:44,660
Speaker 1: train or the bus and hip hop used to be

1146
00:57:44,700 --> 00:57:47,980
Speaker 1: like your soundtrack to, you know what I'm saying?

1147
00:57:49,380 --> 00:57:49,740
Speaker 3: Yeah.

1148
00:57:49,760 --> 00:57:52,410
Speaker 2: I just told that story. I used to hop the

1149
00:57:52,470 --> 00:57:56,770
Speaker 2: train with the Walkman and that was when I'm, you know, well,

1150
00:57:57,910 --> 00:57:59,790
Speaker 2: I don't want nobody to kill me because all my

1151
00:57:59,850 --> 00:58:08,900
Speaker 2: Queens guys, that bridge is over. That beat That's one

1152
00:58:08,960 --> 00:58:10,960
Speaker 2: of the ones KRS joint?

1153
00:58:11,280 --> 00:58:16,140
Speaker 1: Yes I just ran into KRS In a crazy place

1154
00:58:16,220 --> 00:58:19,360
Speaker 1: But I hadn't seen It was the first time We

1155
00:58:19,410 --> 00:58:24,390
Speaker 1: talked about hip hop In Europe In Latvia Latvia? Latvia

1156
00:58:25,570 --> 00:58:27,230
Speaker 1: I had never even Heard of this place before That

1157
00:58:27,250 --> 00:58:30,690
Speaker 1: sounds like a coffee Yeah So I ran into KRS

1158
00:58:30,990 --> 00:58:34,490
Speaker 1: there and we was just talking how, like, I don't,

1159
00:58:34,930 --> 00:58:39,080
Speaker 1: I've never really connected with him. Like, and we live

1160
00:58:39,120 --> 00:58:41,320
Speaker 1: in New York, but we here, I was like, hip

1161
00:58:41,340 --> 00:58:43,700
Speaker 1: hop brought us to the same place and we were

1162
00:58:43,780 --> 00:58:45,960
Speaker 1: able to connect here and just talk and kick it.

1163
00:58:46,280 --> 00:58:48,590
Speaker 2: But like, I see him in passing. I might say, yo,

1164
00:58:48,600 --> 00:58:50,120
Speaker 2: what's up? You know what I mean? But we never

1165
00:58:50,200 --> 00:58:52,440
Speaker 2: really got to, you know what I mean, kick it.

1166
00:58:52,930 --> 00:58:57,900
Speaker 2: That's my fucking don. That's my king. KRS-One, That man

1167
00:58:57,940 --> 00:58:59,540
Speaker 2: taught me just the other day.

1168
00:59:00,660 --> 00:59:04,140
Speaker 4: The sound fucked up in Baltimore for like a good 10,

1169
00:59:04,120 --> 00:59:08,930
Speaker 4: 15 minutes. Most people would have left and most artists

1170
00:59:08,970 --> 00:59:09,770
Speaker 4: would have folded.

1171
00:59:10,620 --> 00:59:13,919
Speaker 2: I had to go into that KRS-One warlord. You seen

1172
00:59:13,940 --> 00:59:17,640
Speaker 2: that performance? You seen that shit? You saw I was

1173
00:59:17,720 --> 00:59:22,720
Speaker 2: ripping that shit down. Legend like, boom, number one point.

1174
00:59:22,740 --> 00:59:27,620
Speaker 2: I had to get in that straight KRS-One band. Cause KRS,

1175
00:59:27,640 --> 00:59:29,140
Speaker 2: he from a different era.

1176
00:59:29,180 --> 00:59:29,360
Speaker 3: Yeah.

1177
00:59:29,400 --> 00:59:30,960
Speaker 2: He'll go freestyle.

1178
00:59:30,980 --> 00:59:34,890
Speaker 1: He'll do whatever he got to do to make, to, to,

1179
00:59:34,970 --> 00:59:37,910
Speaker 1: to make sure the performance is what it's supposed to be.

1180
00:59:37,990 --> 00:59:39,950
Speaker 1: I also like he had his daughter with him. His

1181
00:59:39,990 --> 00:59:44,130
Speaker 1: daughter was like his photographer camera. So I, I like

1182
00:59:44,170 --> 00:59:46,410
Speaker 1: seeing that in hip hop too, where, you know, when

1183
00:59:46,430 --> 00:59:49,060
Speaker 1: we at the age where our kids can work with

1184
00:59:49,160 --> 00:59:50,400
Speaker 1: us and you know what I mean?

1185
00:59:50,420 --> 00:59:52,300
Speaker 2: And Bill went to the rookie joint.

1186
00:59:52,340 --> 00:59:54,720
Speaker 4: I remember your sons used to be in the rookie joint.

1187
00:59:54,780 --> 00:59:55,720
Speaker 2: Yeah, yeah.

1188
00:59:55,740 --> 00:59:57,660
Speaker 1: They got to a point where they was too old.

1189
00:59:57,700 --> 01:00:00,540
Speaker 1: They say, oh, yeah, yeah, I ain't walking in there joining.

1190
01:00:00,800 --> 01:00:04,630
Speaker 2: Oh, no. They get to a certain age, they like it.

1191
01:00:04,650 --> 01:00:05,790
Speaker 2: They got, it's true.

1192
01:00:05,930 --> 01:00:08,990
Speaker 3: At a certain time, if I see some big kids

1193
01:00:09,070 --> 01:00:12,070
Speaker 3: in there, too, at a certain time, parents, don't torture

1194
01:00:12,090 --> 01:00:12,710
Speaker 3: your kids.

1195
01:00:12,770 --> 01:00:13,260
Speaker 2: Be 15, 16.

1196
01:00:13,250 --> 01:00:16,760
Speaker 1: Yeah, once they hit the teens, they be like, nah,

1197
01:00:16,800 --> 01:00:17,240
Speaker 1: I'm cool.

1198
01:00:17,280 --> 01:00:20,520
Speaker 2: Your son should walk it. They the right age.

1199
01:00:20,580 --> 01:00:23,120
Speaker 4: But, J-Wong can't come up in that shit They do

1200
01:00:23,160 --> 01:00:26,280
Speaker 4: it to him No they do it to him Yeah

1201
01:00:26,720 --> 01:00:29,700
Speaker 4: I see some big kids It's like yo look man

1202
01:00:29,720 --> 01:00:32,490
Speaker 4: The man don't really want to be there Yeah Y'all

1203
01:00:32,530 --> 01:00:36,570
Speaker 4: gonna force that kid 16 17 To walk that shit

1204
01:00:36,610 --> 01:00:37,470
Speaker 4: They you know.

1205
01:00:37,950 --> 01:00:41,210
Speaker 2: But it's a beautiful event. Yeah, for sure. It's so dope.

1206
01:00:41,310 --> 01:00:45,290
Speaker 4: I seen my nephews was there, Callis' sons, and Edgar

1207
01:00:45,310 --> 01:00:49,820
Speaker 4: Balanga's son, Chosen. It was a fun time, man. But

1208
01:00:50,260 --> 01:00:52,360
Speaker 4: I got to take this guy, Rizzy Blake. I got

1209
01:00:52,380 --> 01:00:53,180
Speaker 4: to go to the bathroom.

1210
01:00:53,580 --> 01:00:54,280
Speaker 2: I'm fired.

1211
01:00:54,300 --> 01:00:58,120
Speaker 3: Got to use that bathroom right quick.

1212
01:00:58,340 --> 01:01:02,810
Speaker 1: I'm about to use the bathroom, too, so we get

1213
01:01:02,830 --> 01:01:03,790
Speaker 1: a bathroom break.

1214
01:01:03,910 --> 01:01:04,870
Speaker 2: Bathroom break.

1215
01:01:08,900 --> 01:01:14,820
Speaker 3: JoeAndJayTheShow.com. We got new merch fresh off the presses. Go

1216
01:01:14,940 --> 01:01:15,260
Speaker 3: get it.

1217
01:01:15,520 --> 01:01:17,300
Speaker 2: Big. Out of big.

1218
01:01:18,010 --> 01:01:18,390
Speaker 3: Boom.

1219
01:01:18,660 --> 01:01:23,190
Speaker 2: JoeAndJayTheShow.com. You can get these. A little cold for a

1220
01:01:23,250 --> 01:01:24,570
Speaker 2: t-shirt with a hoodie.

1221
01:01:24,930 --> 01:01:29,130
Speaker 4: It's my favorite right there. I need an extra large. JoeAndJayTheShow.com.

1222
01:01:29,170 --> 01:01:30,010
Speaker 2: Go there. Get it.

1223
01:01:38,180 --> 01:01:40,480
Speaker 4: To me, your biggest song is the one with Tamir.

1224
01:01:42,180 --> 01:01:44,700
Speaker 4: Every day of my life, I hear that song. I

1225
01:01:44,780 --> 01:01:48,270
Speaker 4: don't care where I'm at, what radio station, what, you know.

1226
01:01:48,290 --> 01:01:51,810
Speaker 3: It's one of my favorite songs. That's my second favorite song.

1227
01:01:51,890 --> 01:01:54,970
Speaker 3: And that is Biggie, One More Chance. Biggie, One More Chance.

1228
01:01:55,930 --> 01:01:57,770
Speaker 3: I'm so into you.

1229
01:01:58,070 --> 01:02:00,170
Speaker 2: Bad. To me. One of your favorites.

1230
01:02:00,310 --> 01:02:00,610
Speaker 3: Yeah.

1231
01:02:00,970 --> 01:02:02,890
Speaker 2: Of all time. Yeah, that's what I want to hear.

1232
01:02:02,910 --> 01:02:06,210
Speaker 4: My favorite Fab song is the joint Timbo did for you,

1233
01:02:06,250 --> 01:02:08,800
Speaker 4: the I'ma move, man, by myself.

1234
01:02:08,930 --> 01:02:11,280
Speaker 2: Make me better. And Breathe, of course.

1235
01:02:11,360 --> 01:02:14,940
Speaker 3: Breathe is, but that's in a different, I got, Breathe

1236
01:02:14,960 --> 01:02:17,880
Speaker 3: is like my baby. So I come out and do

1237
01:02:17,900 --> 01:02:20,380
Speaker 3: the ad-libs when we do shows on Breathe. Yeah.

1238
01:02:21,040 --> 01:02:24,620
Speaker 2: No pause. I do the ad-libs, man. Nah, but it's

1239
01:02:24,660 --> 01:02:28,860
Speaker 2: your baby though. I love Breathe, man. You can't throw

1240
01:02:28,880 --> 01:02:30,910
Speaker 2: the flag at me. Breathe is my shit.

1241
01:02:31,160 --> 01:02:34,180
Speaker 1: Them two records, people have asked me like, I don't

1242
01:02:34,240 --> 01:02:37,030
Speaker 1: do it, but people ask me to perform that at

1243
01:02:37,070 --> 01:02:38,430
Speaker 1: their weddings.

1244
01:02:38,450 --> 01:02:39,410
Speaker 3: Breathe? No.

1245
01:02:39,430 --> 01:02:42,670
Speaker 2: So until you say it'll make me better. That's a

1246
01:02:42,750 --> 01:02:45,430
Speaker 2: serious one. That'll make you better. He don't do it.

1247
01:02:46,000 --> 01:02:47,380
Speaker 2: You won't do it at a wedding?

1248
01:02:47,740 --> 01:02:50,010
Speaker 1: Nah, because it's like, one, I don't want to be

1249
01:02:50,030 --> 01:02:53,810
Speaker 1: the wedding singer, but, like, if it's my guy, like,

1250
01:02:54,850 --> 01:02:56,510
Speaker 1: I don't want to, like, we in different times. I'm

1251
01:02:56,750 --> 01:03:00,690
Speaker 1: about to perform at Donovan McNabb. Yeah, like, somebody that's

1252
01:03:00,710 --> 01:03:04,770
Speaker 1: your guy. I did do it at Kevin Hart's wedding thing,

1253
01:03:05,210 --> 01:03:07,630
Speaker 1: but that's, like, if it's your guy, but you can't, like.

1254
01:03:08,250 --> 01:03:10,250
Speaker 2: Be known for rocking niggas' weddings.

1255
01:03:10,290 --> 01:03:10,510
Speaker 3: Yeah, yeah.

1256
01:03:11,200 --> 01:03:14,590
Speaker 2: That might get crazy on the internet. The wedding singer.

1257
01:03:14,870 --> 01:03:16,490
Speaker 2: I do it for my guys. Not the bro would

1258
01:03:16,510 --> 01:03:18,610
Speaker 2: be the wedding singer if you're going to pay me.

1259
01:03:19,250 --> 01:03:20,210
Speaker 2: My thing is this.

1260
01:03:20,290 --> 01:03:23,770
Speaker 3: I know, yeah. Take that back. I got a friend

1261
01:03:23,950 --> 01:03:27,950
Speaker 3: of mine that's just so fierce. that's all he do

1262
01:03:27,970 --> 01:03:30,430
Speaker 3: he's caked up he's a wedding singer but he ain't

1263
01:03:30,490 --> 01:03:33,450
Speaker 3: a rapper he just known for being a wedding singer

1264
01:03:33,490 --> 01:03:35,850
Speaker 3: so it ain't he can't get no God bless to

1265
01:03:35,890 --> 01:03:38,130
Speaker 3: that he get cool though I'm not saying that what

1266
01:03:38,190 --> 01:03:41,790
Speaker 3: I'm saying is I'm performing you want what's the love

1267
01:03:41,830 --> 01:03:44,550
Speaker 3: you want another round I'm doing them shits at a

1268
01:03:44,610 --> 01:03:47,010
Speaker 3: wedding I'm here to get it bagged I'm like the

1269
01:03:47,090 --> 01:03:52,960
Speaker 3: Pac-Man nigga just eating this shit whoa that's a flat

1270
01:03:53,280 --> 01:03:56,660
Speaker 3: you see it's a game gotta pause When we try

1271
01:03:56,680 --> 01:03:58,700
Speaker 3: to help you out, you come back.

1272
01:03:58,720 --> 01:04:06,080
Speaker 2: Yo, that's the Pac-Man. After further review. That's the Pac-Man.

1273
01:04:06,220 --> 01:04:08,140
Speaker 3: Let him throw a flag. You want to throw one here.

1274
01:04:08,280 --> 01:04:09,700
Speaker 3: I'm starting to want to hit you. Man, you want

1275
01:04:09,740 --> 01:04:11,380
Speaker 3: your son to throw the fucking flag.

1276
01:04:11,400 --> 01:04:16,820
Speaker 2: Yeah. That's my man, too. You did me dirty. You

1277
01:04:16,860 --> 01:04:21,610
Speaker 2: did me dirty. You did me dirty. I would do it.

1278
01:04:22,410 --> 01:04:24,000
Speaker 2: There may be a time I would do it.

1279
01:04:24,030 --> 01:04:26,790
Speaker 1: I'm just not ready to be the wedding singer right now.

1280
01:04:27,890 --> 01:04:32,570
Speaker 2: I'd do it. Barmistas, weddings, everything. Whatever. Whoever got a check,

1281
01:04:32,610 --> 01:04:33,340
Speaker 2: the biggest check.

1282
01:04:33,890 --> 01:04:39,960
Speaker 4: Now, what happens to me a lot is the richest guys, billionaires, billionaires,

1283
01:04:40,040 --> 01:04:45,660
Speaker 4: not even like speaking of billionaires, That's a fact.

1284
01:04:45,930 --> 01:04:46,620
Speaker 2: Don't call me.

1285
01:04:47,360 --> 01:04:51,580
Speaker 3: Speaking to billionaires. Make you an offer you can't refuse. No,

1286
01:04:52,360 --> 01:04:56,930
Speaker 3: they want you to perform. Charge that, please. They want

1287
01:04:56,970 --> 01:05:01,380
Speaker 3: you to perform. But they don't really want to pay.

1288
01:05:01,800 --> 01:05:02,750
Speaker 2: Oh, the billionaires don't?

1289
01:05:02,770 --> 01:05:06,550
Speaker 3: The billionaires are like, hey, could you give me a play?

1290
01:05:06,610 --> 01:05:09,910
Speaker 2: That's like, what do you mean? You're a billionaire.

1291
01:05:10,250 --> 01:05:12,390
Speaker 1: That's part of the blessing of having a billion.

1292
01:05:12,410 --> 01:05:16,760
Speaker 2: You have to share. Billionaires. Yes, part of the blessing. Billionaires. Hey,

1293
01:05:16,780 --> 01:05:19,120
Speaker 2: you think you could come out to the Hamptons for

1294
01:05:19,160 --> 01:05:23,160
Speaker 2: the low? Like, yo, my man, ain't you a billionaire, man? Like,

1295
01:05:23,180 --> 01:05:24,840
Speaker 2: what the fuck? Like, what are you like?

1296
01:05:25,390 --> 01:05:27,570
Speaker 4: You know, because you got to understand, I don't know

1297
01:05:27,610 --> 01:05:29,930
Speaker 4: how y'all looked at it, but you saying you're about

1298
01:05:29,950 --> 01:05:33,390
Speaker 4: to do Donovan McNabb. You said Kevin Hart, that's your brother.

1299
01:05:33,410 --> 01:05:34,170
Speaker 4: That's different.

1300
01:05:34,190 --> 01:05:34,390
Speaker 2: Right.

1301
01:05:35,220 --> 01:05:38,660
Speaker 4: If I'm at a private show, right, if somebody is

1302
01:05:38,720 --> 01:05:44,120
Speaker 4: going to say, hey, I got Fat Joe and his

1303
01:05:44,180 --> 01:05:45,760
Speaker 4: friends are going to be like, really, you got Fat

1304
01:05:45,820 --> 01:05:50,600
Speaker 4: Joe and he's performing tonight. That's a different type of talk.

1305
01:05:50,960 --> 01:05:53,500
Speaker 4: You talking like I got Fat Joe.

1306
01:05:53,520 --> 01:05:56,950
Speaker 2: What about that guy we did 4th of July? That

1307
01:05:56,970 --> 01:06:02,189
Speaker 2: nigga's can't talk. I don't know who. He's a good guy, Anthony. Anthony,

1308
01:06:02,290 --> 01:06:04,510
Speaker 2: I love you. I love your whole family.

1309
01:06:04,570 --> 01:06:11,940
Speaker 3: Fat Joe, Jimmy, Kiss, Pat, 50, 50. You're in the backyard. Me, crack, Cal,

1310
01:06:12,020 --> 01:06:12,919
Speaker 3: and came by the show.

1311
01:06:13,020 --> 01:06:16,680
Speaker 2: It's 50. In the backyard on the 4th of July. Yo,

1312
01:06:16,720 --> 01:06:19,120
Speaker 2: he gave me a great birthday present. He gave me

1313
01:06:19,160 --> 01:06:23,110
Speaker 2: an iced out bracelet. I love Anthony. I love you.

1314
01:06:23,550 --> 01:06:26,550
Speaker 2: Anthony's my guy. But this is what I mean. If

1315
01:06:26,570 --> 01:06:29,890
Speaker 2: you want me to brag, it's not like you're a

1316
01:06:29,890 --> 01:06:31,130
Speaker 2: promoter throwing a show.

1317
01:06:31,210 --> 01:06:36,220
Speaker 4: You like, yo, I got 50 cents. Fat Joe J,

1318
01:06:36,240 --> 01:06:38,000
Speaker 4: that motherfucker. Then you got to pay.

1319
01:06:38,400 --> 01:06:41,100
Speaker 2: Yeah, man. You got to pay extra fee. I don't

1320
01:06:41,120 --> 01:06:44,380
Speaker 2: respect the cheap billionaire, man. You got to... They all

1321
01:06:44,440 --> 01:06:47,490
Speaker 2: like that. Nah, nah, nah. Nah, they got to... That's

1322
01:06:47,550 --> 01:06:50,390
Speaker 2: why they're billionaires. They don't like to spend that. I'm

1323
01:06:50,430 --> 01:06:51,550
Speaker 2: telling you. Yeah?

1324
01:06:51,870 --> 01:06:54,630
Speaker 3: I know a dude with a house a mile long.

1325
01:06:54,890 --> 01:06:56,050
Speaker 3: A mile long.

1326
01:06:56,190 --> 01:06:56,470
Speaker 2: Right?

1327
01:06:56,490 --> 01:06:56,610
Speaker 3: Yeah.

1328
01:06:57,410 --> 01:06:59,690
Speaker 4: When you in your yacht in Miami, you look at

1329
01:06:59,710 --> 01:07:02,360
Speaker 4: the house like, oh my God, I know him. He

1330
01:07:02,400 --> 01:07:05,320
Speaker 4: want to give you $ 20, 000 to do his birthday party.

1331
01:07:05,340 --> 01:07:08,250
Speaker 2: You be like, yo, my man. fuck is wrong with you?

1332
01:07:08,270 --> 01:07:10,210
Speaker 2: Those are club fever numbers.

1333
01:07:10,310 --> 01:07:14,780
Speaker 1: He spends $ 20, 000 cleaning his windows. But that's why I

1334
01:07:14,780 --> 01:07:17,720
Speaker 1: don't respect it. This shit a mile long. I'm like, yo,

1335
01:07:17,760 --> 01:07:18,479
Speaker 1: I mean, what?

1336
01:07:18,700 --> 01:07:21,200
Speaker 2: I said, you sure that's what he said? That's what

1337
01:07:21,220 --> 01:07:24,490
Speaker 2: he said. Well, tell them all, can't do it. Like,

1338
01:07:24,510 --> 01:07:26,650
Speaker 2: what do you want me to do? We can't play

1339
01:07:26,670 --> 01:07:29,430
Speaker 2: with the craft. You know what I mean? This is art.

1340
01:07:30,860 --> 01:07:34,550
Speaker 4: Nah, because it's different. It ain't like just doing the show.

1341
01:07:34,590 --> 01:07:37,390
Speaker 4: It's like this guy's in my backyard, El Molino.

1342
01:07:37,430 --> 01:07:42,290
Speaker 2: Can't do. That Bronzino, you just told you that. Here's

1343
01:07:42,330 --> 01:07:42,870
Speaker 2: the thing, though.

1344
01:07:42,890 --> 01:07:45,030
Speaker 1: When you perform at them weddings, it's not you just

1345
01:07:45,070 --> 01:07:48,430
Speaker 1: performing a song. You're making a moment for their life.

1346
01:07:48,450 --> 01:07:50,610
Speaker 1: They're going to remember this moment.

1347
01:07:50,630 --> 01:07:51,390
Speaker 2: These are moments.

1348
01:07:51,410 --> 01:07:55,350
Speaker 1: You can't be cheap in that. I knew I shouldn't

1349
01:07:55,370 --> 01:07:58,400
Speaker 1: have booked fat for you. No, I booked fat. That's

1350
01:07:58,420 --> 01:08:00,680
Speaker 1: going to be part of it. I booked fat Joe

1351
01:08:00,820 --> 01:08:04,060
Speaker 1: kiss 50 in the backyard. And you go act like this.

1352
01:08:04,120 --> 01:08:06,880
Speaker 1: That's part of that. Like you got to, that can't come.

1353
01:08:06,900 --> 01:08:08,980
Speaker 1: That can't be cheap, bro. You got to, you got to.

1354
01:08:09,840 --> 01:08:14,370
Speaker 2: Bar mitzvah. any of that. Where they got you there private,

1355
01:08:14,410 --> 01:08:18,429
Speaker 2: where they telling their friends, yo. These is moments. Like,

1356
01:08:18,670 --> 01:08:19,910
Speaker 2: it's the extra charge.

1357
01:08:20,110 --> 01:08:21,830
Speaker 1: Or else go to the show. You want to be,

1358
01:08:22,990 --> 01:08:25,290
Speaker 1: go to the show and just pay ticket price then.

1359
01:08:25,550 --> 01:08:28,510
Speaker 1: If you don't want to, you want a personal experience

1360
01:08:28,590 --> 01:08:31,970
Speaker 1: for you and your family and friends, like, you have to,

1361
01:08:31,970 --> 01:08:34,030
Speaker 1: that's just, I don't know.

1362
01:08:34,070 --> 01:08:36,360
Speaker 4: Yeah, that's what I'm trying to say. But I'll do

1363
01:08:36,400 --> 01:08:39,889
Speaker 4: the songs though, fam. And then, even like, And then

1364
01:08:39,930 --> 01:08:41,350
Speaker 4: I go PG-13.

1365
01:08:41,470 --> 01:08:46,070
Speaker 2: We did what? Worldwide Western Celebration? Yeah, yeah. Worldwide Western.

1366
01:08:46,180 --> 01:08:49,260
Speaker 1: I've done that too. I curved the curses for the bag.

1367
01:08:49,420 --> 01:08:50,820
Speaker 1: I ain't got a curse.

1368
01:08:50,840 --> 01:08:52,599
Speaker 2: You gotta learn how to do the clean version.

1369
01:08:52,620 --> 01:08:55,669
Speaker 1: You gotta do that for BET when you're doing it

1370
01:08:55,670 --> 01:08:58,620
Speaker 1: for free. So, like, why wouldn't I the current occurs

1371
01:08:58,680 --> 01:08:59,309
Speaker 1: is for the bad.

1372
01:08:59,420 --> 01:08:59,620
Speaker 3: Yeah.

1373
01:08:59,660 --> 01:08:59,920
Speaker 2: Yeah.

1374
01:08:59,960 --> 01:09:00,140
Speaker 3: Yeah.

1375
01:09:00,180 --> 01:09:06,410
Speaker 4: We did worldwide West Leon Rose, uh, Congratulations, party, whatever

1376
01:09:06,430 --> 01:09:08,430
Speaker 4: that shit was. All I know, they had a lot

1377
01:09:08,470 --> 01:09:11,690
Speaker 4: of sponsors up there. You seen that shit? The whole

1378
01:09:11,710 --> 01:09:13,930
Speaker 4: Wall Street. The whole store.

1379
01:09:13,950 --> 01:09:17,710
Speaker 2: Oh, my God. The whole store was in that motherfucker.

1380
01:09:17,790 --> 01:09:18,670
Speaker 2: Everything was there.

1381
01:09:18,750 --> 01:09:20,430
Speaker 4: I look at that shit, I said, man, did I

1382
01:09:20,470 --> 01:09:21,330
Speaker 4: charge them enough?

1383
01:09:21,350 --> 01:09:25,400
Speaker 2: When I start looking at all these fans. I've asked

1384
01:09:25,439 --> 01:09:27,060
Speaker 2: myself that question many times.

1385
01:09:27,140 --> 01:09:30,719
Speaker 4: It's happened a million times, right? When you tell somebody something,

1386
01:09:30,740 --> 01:09:31,860
Speaker 4: they be like, I ain't no problem.

1387
01:09:33,040 --> 01:09:37,720
Speaker 1: One time a guy even was like, congratulations, thanks for

1388
01:09:37,780 --> 01:09:38,560
Speaker 1: doing this, man.

1389
01:09:38,580 --> 01:09:41,680
Speaker 2: I should have paid you more. I'm like, man.

1390
01:09:42,979 --> 01:09:46,550
Speaker 4: I did a show for the girl. It was in Dubai.

1391
01:09:47,250 --> 01:09:50,990
Speaker 4: They locked down the whole one of them. When I

1392
01:09:51,070 --> 01:09:55,650
Speaker 4: tell you they had Indian food, Chinese food, Jamaican food,

1393
01:09:55,830 --> 01:09:58,530
Speaker 4: Spanish food, white people food.

1394
01:09:59,050 --> 01:10:02,860
Speaker 3: They thought Fat Joe was eating the whole, the food

1395
01:10:02,900 --> 01:10:04,439
Speaker 3: was a mile long.

1396
01:10:05,200 --> 01:10:08,100
Speaker 2: They had six people in the crowd.

1397
01:10:08,729 --> 01:10:13,370
Speaker 4: Six feet that was one of those what's love my

1398
01:10:13,650 --> 01:10:16,910
Speaker 4: favorite song can you do it again you start feeling

1399
01:10:16,950 --> 01:10:20,820
Speaker 4: like a whore with a fucking in a shoe with

1400
01:10:20,840 --> 01:10:24,139
Speaker 4: the fucking heel missing like you're walking down Collins Avenue

1401
01:10:24,160 --> 01:10:27,500
Speaker 4: like when they tell you again and again right so

1402
01:10:27,540 --> 01:10:29,420
Speaker 4: they gave me the bag but I was like boom

1403
01:10:29,600 --> 01:10:32,490
Speaker 4: so I go like this and I go out there

1404
01:10:32,570 --> 01:10:35,390
Speaker 4: after hey happy birthday this and that I tell you

1405
01:10:35,450 --> 01:10:37,490
Speaker 4: at the time I charged him $ 250 I thought it

1406
01:10:37,510 --> 01:10:40,140
Speaker 4: was like a lot favorite song, but I.

1407
01:10:40,620 --> 01:10:46,020
Speaker 2: Already gave you a million dollars. Shit! I said like this. Wait, what?

1408
01:10:46,040 --> 01:10:48,010
Speaker 2: They didn't send you the million dollar invoice? You got

1409
01:10:48,020 --> 01:10:49,970
Speaker 2: to switch up right here on the spot. What?

1410
01:10:49,990 --> 01:10:53,510
Speaker 3: They didn't send you the million? Yo, bro, she made

1411
01:10:53,550 --> 01:10:55,670
Speaker 3: me do it three, four times. I'm like, for the 250,

1412
01:10:55,650 --> 01:11:00,720
Speaker 3: I was like, all right. And she was like, I

1413
01:11:00,780 --> 01:11:03,439
Speaker 3: would have gave you a million dollars. That's how much

1414
01:11:03,520 --> 01:11:05,600
Speaker 3: I love that song. I said, one time that shit

1415
01:11:05,620 --> 01:11:08,200
Speaker 3: happened to me here. Hey, every time they gave me

1416
01:11:08,220 --> 01:11:11,189
Speaker 3: the right bag, I'm not going to matter. We did the,

1417
01:11:11,370 --> 01:11:14,650
Speaker 3: whatever that building is, the building they built for 9-11.

1418
01:11:14,670 --> 01:11:19,290
Speaker 3: The new one on the top. Somebody's birthday. He owns insurance.

1419
01:11:19,370 --> 01:11:22,010
Speaker 2: This, this, that. They paid us a great bag. We

1420
01:11:22,050 --> 01:11:24,280
Speaker 2: would have been like, all right, when I get, when

1421
01:11:24,340 --> 01:11:28,310
Speaker 2: I get on stage. So when I get there, fucking

1422
01:11:28,370 --> 01:11:36,620
Speaker 2: pit bull perform, 50 Cent perform. I'm like, no, no, listen, listen, no, no,

1423
01:11:36,880 --> 01:11:40,759
Speaker 2: Rich got it. Rich got a big trouble right there. No, no.

1424
01:11:41,360 --> 01:11:45,530
Speaker 2: They fucking tell me these things. Rich got in big

1425
01:11:45,630 --> 01:11:48,309
Speaker 2: trouble that day and it was a great bag. Don't

1426
01:11:48,330 --> 01:11:51,590
Speaker 2: get it fucked up. He said, yo, 50 Cent just

1427
01:11:51,770 --> 01:11:54,700
Speaker 2: perform and pit bull perform. I'm like, why am I

1428
01:11:54,740 --> 01:11:58,220
Speaker 2: performing after these guys, right? And they performing, we already knew.

1429
01:11:59,240 --> 01:12:02,340
Speaker 2: I get up there and all the way up comes

1430
01:12:02,500 --> 01:12:07,200
Speaker 2: on and the birthday guy dives on stage like the wrestler.

1431
01:12:07,960 --> 01:12:09,910
Speaker 4: You know how they going through the, I'm all the

1432
01:12:09,930 --> 01:12:13,070
Speaker 4: way up. I'm all, he grabbed a mic, started hyping

1433
01:12:13,090 --> 01:12:18,850
Speaker 4: me up. My favorite song ever. I'm like, Oh, my God, yo, witch.

1434
01:12:19,430 --> 01:12:23,439
Speaker 4: We ain't got to fucking talk, witch. Yo, we ain't

1435
01:12:23,460 --> 01:12:27,580
Speaker 4: got to. The man was my song. I'm like, all right,

1436
01:12:27,900 --> 01:12:32,540
Speaker 4: I'm doing the math. 50 Cent performed. Pitbull performed.

1437
01:12:33,600 --> 01:12:37,610
Speaker 2: I'm closing it. He dives on stage to do all

1438
01:12:37,630 --> 01:12:39,950
Speaker 2: the way up with me. I'm like, oh, no. Easy M.

1439
01:12:40,110 --> 01:12:42,920
Speaker 2: This was it. I want to.

1440
01:12:42,500 --> 01:12:46,400
Speaker 1: Say, like, we do shows. We've done radio shows. We've

1441
01:12:46,439 --> 01:12:50,580
Speaker 1: done club shows. We've done whatever. I think the best

1442
01:12:50,720 --> 01:12:54,440
Speaker 1: bags you get are those kind of private events.

1443
01:12:54,560 --> 01:12:55,479
Speaker 2: Technically, yes.

1444
01:12:56,000 --> 01:12:58,620
Speaker 1: I will say that. I feel like that's, when you

1445
01:12:58,660 --> 01:13:01,740
Speaker 1: look over, you know what I mean? Unless you're doing, like,

1446
01:13:01,820 --> 01:13:02,939
Speaker 1: touring and that kind of stuff.

1447
01:13:04,660 --> 01:13:07,330
Speaker 2: That shit, we just had one. What we did? Somebody,

1448
01:13:07,490 --> 01:13:08,430
Speaker 2: that shit in Florida.

1449
01:13:08,970 --> 01:13:09,290
Speaker 3: Yeah.

1450
01:13:09,330 --> 01:13:10,170
Speaker 2: Jeez, some shit.

1451
01:13:10,370 --> 01:13:12,510
Speaker 4: You know, it ain't got no gang members waiting for

1452
01:13:12,550 --> 01:13:13,850
Speaker 4: you outside, nothing.

1453
01:13:14,090 --> 01:13:17,009
Speaker 3: You know what I'm saying? Yeah, no, that shit went clean,

1454
01:13:17,070 --> 01:13:18,850
Speaker 3: easy money. You get up in there, you in the

1455
01:13:18,900 --> 01:13:21,800
Speaker 3: wrong place at the wrong time. And you like, all right,

1456
01:13:21,820 --> 01:13:23,800
Speaker 3: we got to get out of here. That was somebody's birthday?

1457
01:13:23,820 --> 01:13:27,479
Speaker 2: Yeah, it was a birthday. Or something, man. It shows us, like...

1458
01:13:28,060 --> 01:13:29,460
Speaker 2: I did see, I think, I got a thought flag

1459
01:13:29,479 --> 01:13:31,139
Speaker 2: on this. Yo, Fab, you know what? You be saying,

1460
01:13:31,200 --> 01:13:32,979
Speaker 2: you said something on the show that I be... I said,

1461
01:13:33,020 --> 01:13:33,969
Speaker 2: I'm going to go to it right now. I said,

1462
01:13:33,979 --> 01:13:36,549
Speaker 2: you the elf in the shelf. Let me tell you something.

1463
01:13:36,570 --> 01:13:39,790
Speaker 2: He said, I always late the shows, all kind of...

1464
01:13:39,750 --> 01:13:42,150
Speaker 2: Hold on, hold on. You know what I mean? It's

1465
01:13:42,170 --> 01:13:44,780
Speaker 2: time to go there. I've seen a couple clips where,

1466
01:13:44,840 --> 01:13:47,139
Speaker 2: in fact, I was waiting to come up here. Fab,

1467
01:13:47,180 --> 01:13:52,019
Speaker 2: let me hear this. Fab. You have. Let's get it.

1468
01:13:52,280 --> 01:13:57,420
Speaker 2: You've had, your name has been before mind on shows. Yeah.

1469
01:13:57,500 --> 01:14:01,140
Speaker 4: More than enough. And you came late. One time I

1470
01:14:01,180 --> 01:14:03,439
Speaker 4: pulled up, you was in the car, seen you do

1471
01:14:03,479 --> 01:14:05,700
Speaker 4: the R. Kelly, when the nigga duck cut his thing.

1472
01:14:05,939 --> 01:14:07,460
Speaker 4: I never did the R.

1473
01:14:07,660 --> 01:14:11,620
Speaker 2: Kelly. You got a problem. I never did the R. Kelly.

1474
01:14:11,640 --> 01:14:14,540
Speaker 2: That's a wild metaphor right there. When R. Kelly did

1475
01:14:14,580 --> 01:14:19,559
Speaker 2: the duck. You don't like performing before Fat Joe. That's it.

1476
01:14:19,660 --> 01:14:20,429
Speaker 2: That's not true.

1477
01:14:20,670 --> 01:14:20,750
Speaker 1: What?

1478
01:14:21,390 --> 01:14:27,210
Speaker 2: That's not true. First of all, Fat Joe is my brother.

1479
01:14:27,310 --> 01:14:32,130
Speaker 1: I've supported Fat Joe since I became a rapper, right?

1480
01:14:32,170 --> 01:14:32,510
Speaker 2: Yes!

1481
01:14:32,950 --> 01:14:39,300
Speaker 1: If I'm on a show... and I'm running late, we

1482
01:14:39,340 --> 01:14:41,360
Speaker 1: will reach out and be like, you know, you don't

1483
01:14:41,400 --> 01:14:43,460
Speaker 1: want to hold this show up. You don't want to

1484
01:14:43,560 --> 01:14:46,480
Speaker 1: lose your, if I was, if Joe was running late

1485
01:14:47,360 --> 01:14:50,010
Speaker 1: and he could call you, he could do the same favor.

1486
01:14:50,090 --> 01:14:52,689
Speaker 1: It's just as courtesy as the same thing would be

1487
01:14:52,750 --> 01:14:53,910
Speaker 1: with kids.

1488
01:14:54,870 --> 01:14:57,410
Speaker 2: I've never, I've never purposely.

1489
01:14:57,430 --> 01:14:59,790
Speaker 1: I will swear on my kids.

1490
01:14:59,850 --> 01:15:04,630
Speaker 2: I've never purposely said, came, showed up late to be

1491
01:15:04,689 --> 01:15:06,550
Speaker 2: behind Fat Joe. I've never did that in my life.

1492
01:15:06,610 --> 01:15:08,190
Speaker 2: I want to let you know that to your face.

1493
01:15:08,390 --> 01:15:12,729
Speaker 3: Only one time in my life and I was so mad.

1494
01:15:12,950 --> 01:15:13,590
Speaker 2: We've all been late.

1495
01:15:13,630 --> 01:15:18,840
Speaker 3: I wanted to scratch. I wanted to catch up. I

1496
01:15:18,880 --> 01:15:22,480
Speaker 3: wanted to crash out. We had a show with State

1497
01:15:22,520 --> 01:15:27,940
Speaker 3: Property at Delaware State University. I would never forget because

1498
01:15:27,979 --> 01:15:31,590
Speaker 3: I was crying. This how much I wanted. I wanted

1499
01:15:31,670 --> 01:15:35,170
Speaker 3: it to look like Sparta.

1500
01:15:35,750 --> 01:15:37,769
Speaker 2: I wanted it to pop. You know what I mean?

1501
01:15:37,830 --> 01:15:40,710
Speaker 2: You know what I mean, niggas?

1502
01:15:41,150 --> 01:15:46,030
Speaker 3: I wanted that on steroids. It's the golden era. We

1503
01:15:46,090 --> 01:15:52,380
Speaker 3: got Del State. They said it's locked. Stay proper. Don't

1504
01:15:52,439 --> 01:15:57,400
Speaker 3: you know Hov came? With the whole everybody. And they

1505
01:15:57,479 --> 01:16:01,500
Speaker 3: went before us. And he knows not to pull. They

1506
01:16:01,540 --> 01:16:05,560
Speaker 3: sucked the air out of the hole. I went to

1507
01:16:05,600 --> 01:16:08,880
Speaker 3: pee and luge and everybody. If y'all love me. If

1508
01:16:08,900 --> 01:16:09,780
Speaker 3: y'all my brothers.

1509
01:16:10,660 --> 01:16:13,910
Speaker 2: Let's go in that dressing room right there. And turn

1510
01:16:13,930 --> 01:16:18,090
Speaker 2: the lights off. And let's fucking go great. Let's go.

1511
01:16:18,350 --> 01:16:23,009
Speaker 2: Let's go London soccer game. Let's go. This is it, dog.

1512
01:16:24,050 --> 01:16:26,110
Speaker 3: First, they was with it. Then they was like, and

1513
01:16:26,130 --> 01:16:29,349
Speaker 3: then they sent Ty. They sent Ty to him. The

1514
01:16:29,430 --> 01:16:32,070
Speaker 3: best meeting, Ty came. Nah, I love y'all niggas, man.

1515
01:16:32,090 --> 01:16:35,670
Speaker 3: Come on, man. But he didn't know because we, I only,

1516
01:16:35,689 --> 01:16:41,040
Speaker 3: I called it audible. Let's fucking go Let's say fuck

1517
01:16:41,080 --> 01:16:42,240
Speaker 3: this show and go.

1518
01:16:42,140 --> 01:16:46,640
Speaker 2: In there and go crazy. Whoever makes it out makes it.

1519
01:16:46,680 --> 01:16:51,110
Speaker 2: I wanted one of those eyeballs. I wanted eyeballs. I

1520
01:16:51,110 --> 01:16:54,809
Speaker 2: wanted limbs. You wanted blood. I wanted to go like Irish.

1521
01:16:54,950 --> 01:16:58,070
Speaker 2: I wanted to go dark. If I never, it's only

1522
01:16:58,110 --> 01:17:00,570
Speaker 2: like a few times in life I would say fuck it.

1523
01:17:00,650 --> 01:17:04,800
Speaker 2: Let's fuck it. You lost it. I lost it. Because

1524
01:17:04,820 --> 01:17:07,180
Speaker 2: they know what he did. I got to talk to

1525
01:17:07,200 --> 01:17:08,520
Speaker 2: him about it.

1526
01:17:09,140 --> 01:17:14,269
Speaker 3: But Jada, you've been in more than enough of my

1527
01:17:14,310 --> 01:17:15,809
Speaker 3: stories that they stay capped.

1528
01:17:16,680 --> 01:17:17,360
Speaker 2: Let's talk about that.

1529
01:17:17,380 --> 01:17:20,180
Speaker 1: There's some stories that I got capped off of your story.

1530
01:17:21,120 --> 01:17:24,300
Speaker 1: That Whack 100. A connected cap is a crazy Whack 100. No,

1531
01:17:24,300 --> 01:17:26,360
Speaker 1: he caught a transformer cap. Yeah, I caught like a

1532
01:17:26,380 --> 01:17:27,120
Speaker 1: cap straight.

1533
01:17:27,150 --> 01:17:30,009
Speaker 2: That was capped. I caught a cap straight. No, that

1534
01:17:30,170 --> 01:17:32,410
Speaker 2: was capped. You caught a cap not from me. Yeah,

1535
01:17:32,470 --> 01:17:34,650
Speaker 2: not from him. Usually catch a straight bullet with a

1536
01:17:34,710 --> 01:17:37,130
Speaker 2: straight cap. A straight cap. I'm like.

1537
01:17:37,189 --> 01:17:39,560
Speaker 3: You saw Young Buck get punched in his face. You

1538
01:17:39,580 --> 01:17:41,929
Speaker 3: was standing there. Oh, don't put my man in the 211.

1539
01:17:41,920 --> 01:17:43,830
Speaker 2: I don't say it. Don't put him in the... No,

1540
01:17:43,880 --> 01:17:47,060
Speaker 2: you was there. You was standing right there. They put

1541
01:17:47,100 --> 01:17:50,720
Speaker 2: him in the 211. Behind the stage. The concert. They

1542
01:17:50,780 --> 01:17:53,809
Speaker 2: put him in the 211. You was there. Jeezy was there.

1543
01:17:53,820 --> 01:17:56,429
Speaker 2: Y'all was there. Yeah, they put him in the... Ooh,

1544
01:17:56,710 --> 01:17:58,690
Speaker 2: Astro Boy, give him some cold ease. Don't do it.

1545
01:17:58,689 --> 01:18:01,290
Speaker 1: I didn't see the actual punch. I saw the commotion

1546
01:18:01,310 --> 01:18:02,130
Speaker 1: of something.

1547
01:18:02,150 --> 01:18:03,790
Speaker 2: You didn't see the actual punch? I didn't see the

1548
01:18:03,870 --> 01:18:05,870
Speaker 2: actual punch. He didn't see... I didn't see the actual punch.

1549
01:18:06,410 --> 01:18:09,410
Speaker 2: Do you believe he got punched? Do you believe he

1550
01:18:09,439 --> 01:18:11,820
Speaker 2: got punched? Something happened. I don't know. I don't know.

1551
01:18:12,140 --> 01:18:16,660
Speaker 2: Something happened. He was dead. There's a little, there's a commotion.

1552
01:18:16,680 --> 01:18:18,920
Speaker 2: He's been at a lot of rock and roll. Yo,

1553
01:18:19,560 --> 01:18:23,520
Speaker 2: Fab is always dead. Crying like this. I'm very observant.

1554
01:18:23,600 --> 01:18:24,930
Speaker 2: I see a lot. He's always dead.

1555
01:18:24,970 --> 01:18:28,470
Speaker 3: I turn around when something happened to somebody else. The

1556
01:18:28,510 --> 01:18:29,550
Speaker 3: most recent one.

1557
01:18:29,590 --> 01:18:34,590
Speaker 2: Yeah. I turn around and I see him. No, no, no.

1558
01:18:34,610 --> 01:18:37,320
Speaker 2: We can't do that. We need a new louder. It's

1559
01:18:37,380 --> 01:18:39,800
Speaker 2: somebody we know. We can't keep doing it. He was dead.

1560
01:18:39,900 --> 01:18:42,680
Speaker 2: Our show hasn't ended. Bro, you're not listening. Yo, what's

1561
01:18:42,720 --> 01:18:46,090
Speaker 2: wrong with you? We can't be the biggest. Yeah, how

1562
01:18:46,130 --> 01:18:49,650
Speaker 2: can we be the biggest? Without the who? You see me...

1563
01:18:51,020 --> 01:18:52,540
Speaker 2: I've always you see me.

1564
01:18:53,160 --> 01:18:56,520
Speaker 1: I always peep I don't always speak what I peep

1565
01:18:56,560 --> 01:19:00,099
Speaker 1: but I always be peeping shit period that's just how

1566
01:19:00,479 --> 01:19:03,500
Speaker 1: I am when people now how you say that I'm

1567
01:19:03,540 --> 01:19:06,860
Speaker 1: not much of a talker, that's not because I'm really

1568
01:19:06,920 --> 01:19:10,340
Speaker 1: being observant and watching the surroundings.

1569
01:19:10,439 --> 01:19:11,360
Speaker 2: So I see a lot.

1570
01:19:11,520 --> 01:19:14,500
Speaker 1: I've seen, I got a lot of stories too, but

1571
01:19:14,979 --> 01:19:18,010
Speaker 1: not in Fat Joe's level of stories, but I got

1572
01:19:18,050 --> 01:19:19,710
Speaker 1: a lot of stories just from seeing shit.

1573
01:19:19,810 --> 01:19:22,250
Speaker 2: You know what I'm saying? Nobody has his level.

1574
01:19:24,130 --> 01:19:27,030
Speaker 3: Stephen King don't got your level of story.

1575
01:19:27,050 --> 01:19:32,120
Speaker 2: Yo, my shit real though. You got people thinking I'm cat.

1576
01:19:32,320 --> 01:19:34,760
Speaker 2: I don't got people thinking anything.

1577
01:19:35,120 --> 01:19:37,760
Speaker 3: And I never, we can go back, we on about

1578
01:19:37,820 --> 01:19:42,179
Speaker 3: a seven million episode. I never said tap at none,

1579
01:19:42,380 --> 01:19:44,139
Speaker 3: not near one of these episodes.

1580
01:19:44,600 --> 01:19:44,960
Speaker 2: Never.

1581
01:19:45,240 --> 01:19:49,439
Speaker 3: You could pull I never said it. If you translating

1582
01:19:49,479 --> 01:19:52,349
Speaker 3: that to cap, you making up your own. If you

1583
01:19:52,370 --> 01:19:55,210
Speaker 3: want to call that cap, then you got me. But

1584
01:19:55,229 --> 01:19:59,810
Speaker 3: if you don't got no audio or video of me

1585
01:19:59,930 --> 01:20:00,470
Speaker 3: saying cap.

1586
01:20:00,490 --> 01:20:03,980
Speaker 2: We do the live show in Baltimore. I say the truth.

1587
01:20:04,380 --> 01:20:05,650
Speaker 2: I went to Baltimore in the 80s.

1588
01:20:05,660 --> 01:20:08,120
Speaker 3: I love that footage. I didn't say cap. Went down

1589
01:20:08,140 --> 01:20:11,860
Speaker 3: there with my man Rich. The police threw me up

1590
01:20:11,939 --> 01:20:14,540
Speaker 3: on the wall 100 times in one day. I was

1591
01:20:14,560 --> 01:20:16,500
Speaker 3: the only Puerto Rican in the whole board.

1592
01:20:16,880 --> 01:20:19,360
Speaker 2: They was like, yo, buddy, what are you doing? They

1593
01:20:19,400 --> 01:20:20,469
Speaker 2: just kept searching me.

1594
01:20:20,930 --> 01:20:23,310
Speaker 4: I tell my man, Rich, it wasn't a lot, but

1595
01:20:23,350 --> 01:20:25,930
Speaker 4: I was like, yo, just keep it because I'm going

1596
01:20:25,950 --> 01:20:26,690
Speaker 4: to go to jail.

1597
01:20:26,770 --> 01:20:29,670
Speaker 2: I got to go. I couldn't live in Baltimore. He said,

1598
01:20:29,689 --> 01:20:34,370
Speaker 2: but where? What hood? What block? I said, I don't know.

1599
01:20:34,430 --> 01:20:38,130
Speaker 3: Baltimore, the whole crowd going, Cap, Cap, this guy, yo,

1600
01:20:38,229 --> 01:20:39,230
Speaker 3: you a funny dude.

1601
01:20:39,250 --> 01:20:42,250
Speaker 2: You're doing a live show. You got to entertain the people.

1602
01:20:42,610 --> 01:20:46,290
Speaker 2: Entertain the people? Dang. What do you have to say?

1603
01:20:46,310 --> 01:20:49,650
Speaker 2: Was it east side, west side? No. I didn't know where.

1604
01:20:49,710 --> 01:20:52,610
Speaker 2: Just make up something. Nah. Fuck out of here.

1605
01:20:52,689 --> 01:20:57,049
Speaker 4: Meanwhile, all my guys is there. They did 31 years there.

1606
01:20:57,450 --> 01:21:00,229
Speaker 3: My guys who've been running Baltimore for 40 years, they

1607
01:21:00,330 --> 01:21:01,990
Speaker 3: all sitting with me in the fucking.

1608
01:21:02,700 --> 01:21:06,549
Speaker 2: Yo, listen, this ain't that. That ain't this. It's crack

1609
01:21:06,570 --> 01:21:09,330
Speaker 2: and kiss. Make some noise for Fab. Oh, yeah.

1610
01:21:11,850 --> 01:21:14,670
Speaker 3: I almost called him his nickname, but that's not for.

1611
01:21:14,610 --> 01:21:16,280
Speaker 2: The world to know. If you know, you know.