WEBVTT - 92: STAR CATS TAKE NIGHT CALLYWOOD

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<v Speaker 1>Welcome to Night Call, a production of I Heart Radio.

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<v Speaker 1>It's four fourteen am in the heavy Side Layer and

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<v Speaker 1>you're listening tonight Call. Welcome back to Night Call, a

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<v Speaker 1>podcast for your strange days and lonely new decades. Today

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<v Speaker 1>we will be talking about, of course, star Wars and cats.

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<v Speaker 1>Um Emily just got back from Berlin and has a

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<v Speaker 1>hot report for us about the extremely night Collie Museum

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<v Speaker 1>of Things. But first, welcome back everybody. Hi, oh Hello,

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<v Speaker 1>I'm Molly Lambert of course, and with me as always

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<v Speaker 1>our Malayoda and Test Lynch. And today we are joined

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<v Speaker 1>by special guest Alex Pavidimus. Hello Alex, formerly on North

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<v Speaker 1>Mollywood with me. This is now a supergroup podcast. Kicking

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<v Speaker 1>it off right, there's a there's a multiverse of podcasts

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<v Speaker 1>and they all kind of intersect. This is CSN and

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<v Speaker 1>why special Crossover edition. Um. Alex is going to join

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<v Speaker 1>us really to talk about cats and Star Wars, two

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<v Speaker 1>things he has very strong feelings about. But first we're

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<v Speaker 1>gonna start off the year with a night email about

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<v Speaker 1>a spooky fridge. This night email comes to us from Meredith.

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<v Speaker 1>Meredith writes, Hey, night Call, first time caller. I live

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<v Speaker 1>in New York City, and shortly after moving into my

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<v Speaker 1>apartment I realized there was weird writing on my fridge.

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<v Speaker 1>In the beginning, I thought it was a moving related

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<v Speaker 1>stress hallucination or something, but then I realized you can

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<v Speaker 1>only see it fully when the light is hitting the

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<v Speaker 1>steel fridge in the right way, so usually very early

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<v Speaker 1>in the morning. I've tried everything to get it off,

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<v Speaker 1>including having professional cleaners come, but nothing works. The writing

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<v Speaker 1>appears to be notes or poems in all caps. The

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<v Speaker 1>largest words are all alone my own existence written in

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<v Speaker 1>huge letters on the middle of the door. There are

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<v Speaker 1>a number of insults and what appears to be a

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<v Speaker 1>reminder that maintenance people came, and just an assortment of

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<v Speaker 1>words that have no real connection and something about sociology.

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<v Speaker 1>I don't know anything about the guy who lived in

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<v Speaker 1>the apartment before me. I do feel like the fridge

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<v Speaker 1>is kind of a sinister entity in my life, although

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<v Speaker 1>maybe I should be a friended like a ghost who

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<v Speaker 1>means well, thank you, Meredith. This is a real New

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<v Speaker 1>York I mean, like, obviously their apartments are everywhere. You

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<v Speaker 1>have to deal with appliances that have been owned by

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<v Speaker 1>many people in every city, But this feels like specifically,

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<v Speaker 1>like a real New Yorky type situation. I'm trying to

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<v Speaker 1>figure out how this could have happened. Do you think

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<v Speaker 1>that it was that there were like notes stuck to

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<v Speaker 1>the fridge for so long that there was photo damage,

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<v Speaker 1>or like a pen, you know, like a permanent marker

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<v Speaker 1>or something that like like it came through a post

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<v Speaker 1>it note? Or do you think this person wrote directly

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<v Speaker 1>on the fridge. I feel like somebody wrote directly on

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<v Speaker 1>the fridge. I feel like writing all alone my own existence,

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<v Speaker 1>um on your fridge is kind of like a weird

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<v Speaker 1>like shut in thing to do, and then the yeah,

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<v Speaker 1>and then the landlord like scrubbed it down, but you

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<v Speaker 1>you know, obviously couldn't completely break it down, so there's

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<v Speaker 1>sort of a ghost image. I mean that that that's

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<v Speaker 1>that part. I don't really it's hard for me to

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<v Speaker 1>imagine what these other things look like like are they

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<v Speaker 1>are they like done by finger like because I was

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<v Speaker 1>sort of imagining like when you write on um when

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<v Speaker 1>you're with your finger on a fog mirror and then

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<v Speaker 1>the fog clears and you can still see when people

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<v Speaker 1>do that in dust when they're like wash me right, yeah, um,

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<v Speaker 1>I don't know. To me, this sounds like they had

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<v Speaker 1>taped or otherwise placed notes on their fridge and that

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<v Speaker 1>they were all kind of overlapping, because they could have

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<v Speaker 1>had all alone my own existence could be like part

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<v Speaker 1>of a note, and then the maintenance person could have

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<v Speaker 1>been like a sticker in the words that aren't related

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<v Speaker 1>could just be like layers and layers of notes. I

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<v Speaker 1>think you're thinking about this like a sane person. Yeah, okay,

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<v Speaker 1>it's like I have to keep track of all alone

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<v Speaker 1>my existence, right, Yeah, this seems more like a like

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<v Speaker 1>a punk fridge situation. I have. I have a thought.

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<v Speaker 1>Uh okay, it's a steel fridge, like stainless, like a

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<v Speaker 1>stainless steel fridge, so I'm assuming it's like a smooth surface.

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<v Speaker 1>It's not like the textured sort of plastic sort of

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<v Speaker 1>like a white fridge. I'm imagining somebody probably used their

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<v Speaker 1>fridge as a a wipe off board and they used um,

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<v Speaker 1>white chalkboard paint. You mean, no, with like white boff markers. Um.

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<v Speaker 1>This is You're gonna have to get back to us

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<v Speaker 1>on this, merete, because we're kind of piecing this together

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<v Speaker 1>from your description. But like you know that stuff if

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<v Speaker 1>you leave on a wipe off marker on a board

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<v Speaker 1>for long off, sometimes it doesn't even come off. Like

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<v Speaker 1>if you leave something on a wipe off board for

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<v Speaker 1>a year, sometimes it just doesn't come off anymore. That

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<v Speaker 1>is an interesting point that could be. It also could

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<v Speaker 1>be there people have this like chalkboard paint that I'm

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<v Speaker 1>wondering if they thought they could remove or you can do. Um,

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<v Speaker 1>they have sticky chalkboard paint that's almost like wallpaper, and

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<v Speaker 1>then if they were writing directly on it, it could

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<v Speaker 1>have etched itself into the fridge beneath, or it just

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<v Speaker 1>could be haunted by ghosts. Um. I feel like I'm

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<v Speaker 1>willing to explore some rational options before we go for ghosts.

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<v Speaker 1>But I do think it's like, you know, it's like

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<v Speaker 1>all these things you talk about where it doesn't need

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<v Speaker 1>to be a ghost to feel like a presence, a

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<v Speaker 1>dark presence. It's very like Russian doll. Yeah. Also yeah, yeah,

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<v Speaker 1>I guess you don't have to think about that as

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<v Speaker 1>much here at the like eight million people that lived

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<v Speaker 1>in an apartment before you. Yeah, I don't know, like

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<v Speaker 1>people don't think about fridges enough, Like I think people

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<v Speaker 1>think a lot about beds and hotels obviously, and the

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<v Speaker 1>sheets on hotels, but fridges and apartments. But like a

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<v Speaker 1>fridge holds a lot of psychic energy. I feel like,

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<v Speaker 1>well the idea also that she can only see it

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<v Speaker 1>when it's like hit it, the light hits it in

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<v Speaker 1>a certain way. I do think maybe you're right that

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<v Speaker 1>it's like because sometimes you're like a white whiteboard pain

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<v Speaker 1>if you like to leave it on too long leaves,

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<v Speaker 1>that weird snail trail. But just to know that at

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<v Speaker 1>some point in your space, somebody was compelled to write

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<v Speaker 1>all alone my existence while they were in your nice kitchen.

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<v Speaker 1>I mean, it doesn't like you know your kitchen that

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<v Speaker 1>you have tried to make the best stuff. Um like

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<v Speaker 1>somebody has had wild and desperate thoughts in there. That's

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<v Speaker 1>a little bit unsettling. What do you listeners think that

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<v Speaker 1>the spooky fridge have or should do about the spooky fridge? Move?

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<v Speaker 1>They have to move or get a new fridge. And

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<v Speaker 1>that's too now, that's to move, burn it down. You

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<v Speaker 1>can't get a fridge out, everybody. You can't get a fridge.

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<v Speaker 1>You see a lot of fridges on the street, though, yes,

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<v Speaker 1>do you? Yeah, there's one on my street right now

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<v Speaker 1>it's not mine. They also used to be like, don't

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<v Speaker 1>play in the abandoned fridges was a big thing. Wait

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<v Speaker 1>what what that was the thing? Alex means what I'm

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<v Speaker 1>talking about. Maybe it's more a California thing. Don't play

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<v Speaker 1>an abandoned, play in the abandoned anywhere. Stuck in a fridge, yeah,

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<v Speaker 1>you'll shut yourself in. There's all horror stories about like

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<v Speaker 1>that's they have those magnets. I think they make them

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<v Speaker 1>now so they can't do that, so they don't shut

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<v Speaker 1>from the inside. You can get out of them. They

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<v Speaker 1>are haunted though they're like that they leave, they're on

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<v Speaker 1>the front lawn kind of just being haunted a lot

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<v Speaker 1>like toilets. I think they have something in them like

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<v Speaker 1>air conditioners do. Also, so when you see them on

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<v Speaker 1>the street, they've all all died by violence, Like they're

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<v Speaker 1>all busted open because someone's trying to get the valuable,

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<v Speaker 1>Like there's a piece of gold or free on something

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<v Speaker 1>in there that freon hoarders and can you go around

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<v Speaker 1>collecting free on for coins. It's the combustible converter, catalytic converter,

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<v Speaker 1>or whatever it's called. You guys are really like changing

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<v Speaker 1>my perception of refrigerators in a terrible way. I'm like,

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<v Speaker 1>you can get trapped in a refrigera like children playing

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<v Speaker 1>in refrigerators. I had no idea, Meredith, Meredith, please send

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<v Speaker 1>us a picture of this if you can. I really

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<v Speaker 1>want to like I want now, I'm I want to

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<v Speaker 1>know if I'm right about the wipe off board thing.

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<v Speaker 1>So please get back to part is the insults. Sorry,

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<v Speaker 1>I keep I won't let it go. I just keep

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<v Speaker 1>circling back to the bad vibe party house. That sounds

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<v Speaker 1>like a bad vibe party house to me. Maybe it's

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<v Speaker 1>a bad party house, or or what if they what

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<v Speaker 1>if she looks up the person who lived there before

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<v Speaker 1>and it's her. Oh, I just watched Black Swans. I

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<v Speaker 1>watched that on the plane that I passed out on,

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<v Speaker 1>So that explains everything. Yeah, get back to this, Meredith.

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<v Speaker 1>And if you have a night call for us. We

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<v Speaker 1>love getting your night calls in whatever format you prefer.

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<v Speaker 1>Call us or text us at two four oh four

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<v Speaker 1>six night or email us at night call podcast at

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<v Speaker 1>gmail dot com and we'll be back in a moment

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<v Speaker 1>with some tales from the Dark Knights of Berlin. Right

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<v Speaker 1>after this had welcome back, to night call. Emily, you

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<v Speaker 1>just got back from a trip to Berlin where you

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<v Speaker 1>went to one of the most night call places imaginable,

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<v Speaker 1>the Museum of Things. Well, I feel like Berlin in

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<v Speaker 1>general is like one of the most night call places

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<v Speaker 1>right now, like in a very literal sense, and that

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<v Speaker 1>it's like mostly night like all the time. The sun

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<v Speaker 1>came up at like eight or thirty in the morning

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<v Speaker 1>and went down and it was totally dark by four

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<v Speaker 1>every day, so it was a lot of night like.

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<v Speaker 1>We could do what we could do an intro and

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<v Speaker 1>it could be like it's five thirty pm. It was

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<v Speaker 1>the first time I've ever been there in winter actually too,

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<v Speaker 1>so it was a very different experience. But I did

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<v Speaker 1>go to the Museum of Things, which I now kind

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<v Speaker 1>of put in this canon of museums that I don't know.

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<v Speaker 1>I love a good, small, very unique museum, like the

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<v Speaker 1>Museum of Jurassic Technology is kind of, I think, like

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<v Speaker 1>a pinnacle of that kind of a museum where you

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<v Speaker 1>have to kind of figure out what the spaces as

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<v Speaker 1>you're navigating it, like somebody has curated this stuff and

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<v Speaker 1>it makes sense, but you're not going to get it

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<v Speaker 1>at first, And the only way to do it is

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<v Speaker 1>to kind of like actually move through and figure it out. Um.

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<v Speaker 1>It's fun. It's like a mystery dinner or something. Um,

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<v Speaker 1>what are the things in the Museum of Things? So

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<v Speaker 1>the Museum of Things is an archive. It's it's it's

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<v Speaker 1>the archive of the Deutsche RK. Boon's I'm gonna use

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<v Speaker 1>my terrible. I don't know a lick of German. It's amazing,

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<v Speaker 1>I like I I it's one of it's. Any time

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<v Speaker 1>I go to like France or Japan, I kind of

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<v Speaker 1>exhausted because I'm trying to figure out how to speak

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<v Speaker 1>there and I don't know any German at all, so

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<v Speaker 1>I can lay back and let other people do it

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<v Speaker 1>for me. So I don't know any But it's the

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<v Speaker 1>it was this um kind of government uh, I don't know, initiative.

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<v Speaker 1>It predated um about how school and it was just

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<v Speaker 1>this like initiative to create a specifically German idea of

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<v Speaker 1>like design and like what manufactured like consumer goods should

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<v Speaker 1>look like and and graphic design and advertising and stuff

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<v Speaker 1>like that because they wanted to be competitive with the

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<v Speaker 1>other um kind of first of all countries, I guess. Um.

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<v Speaker 1>And it's so it's an archive. It's like it's kind

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<v Speaker 1>of through that lens. But the stuff there is not

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<v Speaker 1>all stuff that was created by the work bone and

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<v Speaker 1>the people who were designers for it. UM. It's kind

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<v Speaker 1>of just like cabinet after cabinet that basically as you

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<v Speaker 1>move through it goes through time, just kind of showing

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<v Speaker 1>you what everyday objects if you lived in Germany and

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<v Speaker 1>both East and West Germany, UH looked like as you

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<v Speaker 1>went through time, are you going backwards in time? Or

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<v Speaker 1>because it started in um I think nineteen o seven, Yeah,

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<v Speaker 1>nineteen o seven, I think, or nineteen o nine, UM,

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<v Speaker 1>so it starts about there and gives a lot of

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<v Speaker 1>examples of like the kind of objects and consumer goods

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<v Speaker 1>that they thought were trash and we're very vocally UM

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<v Speaker 1>critical of. And it's just like it's like a spoon

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<v Speaker 1>or like a picture frame that then like somebody at

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<v Speaker 1>the like set aside and it's like bad, this is

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<v Speaker 1>a picture frame, UM. And then I mean so and

0:12:32.880 --> 0:12:34.199
<v Speaker 1>then they have a lot of stuff that was like

0:12:34.400 --> 0:12:36.359
<v Speaker 1>so one of the things that's like the very signature

0:12:36.720 --> 0:12:40.280
<v Speaker 1>UM look that came out of this organization with sort

0:12:40.320 --> 0:12:46.000
<v Speaker 1>of those the very UM abstract sprayed on designs or

0:12:46.080 --> 0:12:49.600
<v Speaker 1>like they look very Eastern block that kind of the

0:12:49.679 --> 0:12:52.600
<v Speaker 1>plates with the yeah, yeah yeah. If you're a subscribed

0:12:52.640 --> 0:12:54.559
<v Speaker 1>to our newsletter, you can see some pictures from there.

0:12:54.600 --> 0:12:56.760
<v Speaker 1>Also you can just like google the plates with the

0:12:56.800 --> 0:13:01.400
<v Speaker 1>ants where the geometric pattern. Yeah, they looked like yeah,

0:13:01.480 --> 0:13:04.000
<v Speaker 1>I mean kind of like Germany meets like New York

0:13:04.080 --> 0:13:08.840
<v Speaker 1>loft of the primary color kind of rectangles. It's that

0:13:08.920 --> 0:13:11.560
<v Speaker 1>super kind of like Soviet look of just and it's

0:13:11.600 --> 0:13:13.679
<v Speaker 1>like non. The idea is that like you don't want

0:13:13.679 --> 0:13:16.600
<v Speaker 1>anything figural in it. You're like kind of just you're

0:13:16.600 --> 0:13:20.840
<v Speaker 1>trying to do something decorative without being decorative boring. I

0:13:20.880 --> 0:13:23.640
<v Speaker 1>mean a lot of it is quite pretty. I think

0:13:23.800 --> 0:13:25.280
<v Speaker 1>like a lot of it looks, but how much of

0:13:25.320 --> 0:13:27.200
<v Speaker 1>the kits did you like where you like, Oh, I

0:13:27.240 --> 0:13:29.040
<v Speaker 1>like the bad stuff. I mean I like the bad

0:13:29.080 --> 0:13:30.600
<v Speaker 1>stuff too, But then it gets really I mean it's

0:13:30.640 --> 0:13:34.880
<v Speaker 1>it's the old bad stuff is funny because you're just like, oh,

0:13:34.920 --> 0:13:39.240
<v Speaker 1>like they abhorred this chintzy like figure of the Virgin

0:13:39.280 --> 0:13:41.600
<v Speaker 1>Mary or whatever, like stuff like like a lot of

0:13:41.600 --> 0:13:45.680
<v Speaker 1>religious objects are in the bad section. But then um,

0:13:45.720 --> 0:13:47.880
<v Speaker 1>as it goes forward and you get closer to the

0:13:47.920 --> 0:13:50.920
<v Speaker 1>present day and you're like looking at like iPod nanos

0:13:51.440 --> 0:13:55.000
<v Speaker 1>and what were some of the other things, just like

0:13:55.000 --> 0:13:57.599
<v Speaker 1>like dumb toys for kids, like you know that was

0:13:57.679 --> 0:14:01.240
<v Speaker 1>kind of like cardboard with the plastic on top, like

0:14:01.240 --> 0:14:03.600
<v Speaker 1>that kind of design of packaging, um that sort of

0:14:03.600 --> 0:14:06.560
<v Speaker 1>glued on like all these you know a lot of

0:14:06.559 --> 0:14:10.199
<v Speaker 1>it from like the eighties nineties and oh's You're just like, man,

0:14:10.400 --> 0:14:13.880
<v Speaker 1>we like make so much crap, like and it's interesting

0:14:13.920 --> 0:14:16.400
<v Speaker 1>to see it. Like a museum is good for that,

0:14:16.520 --> 0:14:20.160
<v Speaker 1>Like you can really contextualize like something that you don't

0:14:20.200 --> 0:14:22.720
<v Speaker 1>think about in the every day when it's in behind

0:14:22.840 --> 0:14:25.040
<v Speaker 1>a cabinet and with a placard over it and you're

0:14:25.080 --> 0:14:29.000
<v Speaker 1>looking at a iPod nano from two thousand five or whatever,

0:14:29.040 --> 0:14:33.680
<v Speaker 1>You're like, uh, it's like the museum. And um, do

0:14:33.680 --> 0:14:36.760
<v Speaker 1>you ever see the really bad time Machine movie from

0:14:36.800 --> 0:14:40.920
<v Speaker 1>like two thousand two or something Guy Pierce one? Yeah,

0:14:41.680 --> 0:14:46.320
<v Speaker 1>un original like a billion love. Um I saw I

0:14:46.400 --> 0:14:50.960
<v Speaker 1>saw that. I just remember that. Samantha iconic Irish pop

0:14:51.000 --> 0:14:54.800
<v Speaker 1>star Samantha Mumbo isn't um the time Machine the End

0:14:54.920 --> 0:14:58.040
<v Speaker 1>Orlando Jones, but Orlando Jones and it is um He's

0:14:58.080 --> 0:15:02.560
<v Speaker 1>like the holographic. UM. I guess like docent at the

0:15:02.640 --> 0:15:05.600
<v Speaker 1>museum of like a history museum there and they just

0:15:05.680 --> 0:15:09.400
<v Speaker 1>have like stuff from today, and it's sort of like, oh,

0:15:09.440 --> 0:15:13.120
<v Speaker 1>why is this where the time machine is? UM, I

0:15:13.160 --> 0:15:16.200
<v Speaker 1>can't remember it would make sense, was it or does

0:15:16.240 --> 0:15:18.360
<v Speaker 1>he build it at home as in the original? No,

0:15:18.480 --> 0:15:20.480
<v Speaker 1>I think he goes to the future and the museum

0:15:20.520 --> 0:15:22.680
<v Speaker 1>is there in the future and everybody has died, but

0:15:22.800 --> 0:15:26.760
<v Speaker 1>the museum is still there anyway. But like, I don't know,

0:15:26.800 --> 0:15:29.160
<v Speaker 1>I like that kind of like I like it's it's

0:15:29.240 --> 0:15:32.160
<v Speaker 1>it's a it's a really interesting place to think about.

0:15:32.520 --> 0:15:35.160
<v Speaker 1>I have two questions. One of them is that you

0:15:35.200 --> 0:15:38.080
<v Speaker 1>shared a picture that's in our newsletter of you knew

0:15:38.200 --> 0:15:40.720
<v Speaker 1>I was gonna as this. There's a t set, a

0:15:40.800 --> 0:15:46.640
<v Speaker 1>white porcelain looking t set with very realistic ants painted

0:15:46.640 --> 0:15:49.360
<v Speaker 1>onto it that I that gave me a nightmare. It's

0:15:49.360 --> 0:15:53.120
<v Speaker 1>a horrible nightmare. No, I mean, it didn't give me

0:15:53.160 --> 0:15:57.040
<v Speaker 1>a nightmare, but it made me supremely uncomfortable, and I

0:15:57.120 --> 0:15:58.680
<v Speaker 1>knew I had to share it with you as soon

0:15:58.680 --> 0:16:02.640
<v Speaker 1>as when is that from? UM? That was that seems

0:16:02.680 --> 0:16:06.160
<v Speaker 1>I think that was like in the fifties or sixties

0:16:06.160 --> 0:16:09.440
<v Speaker 1>and that was good. I think it was bad. I

0:16:09.440 --> 0:16:14.160
<v Speaker 1>think it wasn't it was good. It's good chaotic for UM.

0:16:14.200 --> 0:16:16.520
<v Speaker 1>And then the other thing there was a there was

0:16:16.560 --> 0:16:20.280
<v Speaker 1>a laptop with like a cutout picture of a boy.

0:16:20.600 --> 0:16:23.160
<v Speaker 1>What was going on there that all the electronics they

0:16:23.200 --> 0:16:25.760
<v Speaker 1>had these little like pictures that seemed to be cut

0:16:25.760 --> 0:16:28.400
<v Speaker 1>out of magazines at the time, like children's magazines at

0:16:28.400 --> 0:16:31.040
<v Speaker 1>the time of like kids doing cartwheels and stuff on them.

0:16:31.160 --> 0:16:33.720
<v Speaker 1>It was so weird. It was like very weird laptop

0:16:34.000 --> 0:16:37.440
<v Speaker 1>arranged with a little cut out boy, but it really

0:16:37.520 --> 0:16:40.520
<v Speaker 1>kind of crudely cut out, so he was just kind

0:16:40.560 --> 0:16:45.520
<v Speaker 1>of like that was purely that was purely an act

0:16:45.560 --> 0:16:48.120
<v Speaker 1>of like expression on the part of whoever put that together.

0:16:48.280 --> 0:16:52.760
<v Speaker 1>I just municipal art trying to make it slightly. It

0:16:54.000 --> 0:16:56.280
<v Speaker 1>seemed so wrong for a museum, which made it seem

0:16:56.320 --> 0:16:59.960
<v Speaker 1>so right for this musing UM. But I highly erect

0:17:00.000 --> 0:17:02.600
<v Speaker 1>amend the museum. If you ever find yourself in Berlin,

0:17:02.760 --> 0:17:05.800
<v Speaker 1>it's um. It's you know, it's it's an hour or

0:17:05.920 --> 0:17:09.960
<v Speaker 1>two uh and and super interesting. You learn a lot

0:17:10.040 --> 0:17:15.120
<v Speaker 1>and you think a lot about trash and pre trash. UM.

0:17:15.160 --> 0:17:17.119
<v Speaker 1>I just went to the Librea Tar Pits for the

0:17:17.160 --> 0:17:21.479
<v Speaker 1>first time in a while because they're threatening to redevelop it,

0:17:21.640 --> 0:17:25.160
<v Speaker 1>which they should not do. Part of the remodel. It's

0:17:25.200 --> 0:17:28.080
<v Speaker 1>part of the never ending fiasco that is the Miracle

0:17:28.119 --> 0:17:33.280
<v Speaker 1>Mile overhaul. Uh. They're building a death Star Hollywood museum,

0:17:33.359 --> 0:17:36.400
<v Speaker 1>which we'll talk more about death Stars shortly. Well, there's

0:17:36.400 --> 0:17:39.879
<v Speaker 1>also the Lucas that's the death Star. It's literally in

0:17:39.880 --> 0:17:43.359
<v Speaker 1>the shape of a death star. It's very bad. But

0:17:43.760 --> 0:17:46.640
<v Speaker 1>the Libreria Tar Pits is like a seventies, late seventies,

0:17:46.640 --> 0:17:50.399
<v Speaker 1>early eighties museum. It's super weird. I love it so much.

0:17:50.880 --> 0:17:55.200
<v Speaker 1>Um there are no dinosaurs. It is only giant sloths,

0:17:55.400 --> 0:18:01.520
<v Speaker 1>giant bear type things, California native sper fauna. I was

0:18:01.560 --> 0:18:04.680
<v Speaker 1>so disappointed when I first went to the Libria tar Pets.

0:18:04.720 --> 0:18:06.800
<v Speaker 1>Now it's fine, But when I was a kid, I

0:18:06.840 --> 0:18:08.760
<v Speaker 1>came out here and my parents were like taking you

0:18:08.800 --> 0:18:10.960
<v Speaker 1>to the tar pits and I was like, what is

0:18:11.000 --> 0:18:13.120
<v Speaker 1>that and they were like, it's you know, there used

0:18:13.160 --> 0:18:15.919
<v Speaker 1>to be like tar underground and they were all of

0:18:15.960 --> 0:18:19.359
<v Speaker 1>these animals in the tar and I was like, great,

0:18:19.400 --> 0:18:22.960
<v Speaker 1>like a zoo, but they're like tar and they're like, no,

0:18:24.080 --> 0:18:29.000
<v Speaker 1>there's sculptures of animals in tar and they're just like,

0:18:29.080 --> 0:18:31.879
<v Speaker 1>this is scary. It's so scary. I'm not sure how

0:18:31.920 --> 0:18:36.240
<v Speaker 1>to interact and elephant. Yeah, especially when you're a kid

0:18:36.280 --> 0:18:38.159
<v Speaker 1>and you're like, oh, that kid is watching one of

0:18:38.200 --> 0:18:42.960
<v Speaker 1>its parents die forever. It's like it's the scene from

0:18:43.080 --> 0:18:48.399
<v Speaker 1>Never Ending Story. An impact that certainly does. Certainly the

0:18:48.960 --> 0:18:51.320
<v Speaker 1>Great Museum, and it's just like a little weird loop.

0:18:51.400 --> 0:18:54.160
<v Speaker 1>It's got a great gift shop also, and a weird

0:18:54.240 --> 0:18:56.840
<v Speaker 1>hill you can roll down that kids love to do.

0:18:57.560 --> 0:19:01.879
<v Speaker 1>I've never I've never been to the museum. There's the

0:19:01.920 --> 0:19:04.719
<v Speaker 1>part where they explain why it exists, and that's just

0:19:04.840 --> 0:19:07.280
<v Speaker 1>as weird as anything, where they're just like, somebody owned

0:19:07.280 --> 0:19:09.720
<v Speaker 1>this big plot of land with a huge, bubbling tar

0:19:09.800 --> 0:19:12.080
<v Speaker 1>pit in it, and it's like developed many times, like

0:19:12.160 --> 0:19:14.360
<v Speaker 1>it belongs to a lot of different people, but they

0:19:14.359 --> 0:19:17.840
<v Speaker 1>all are like, this is the historical feature. We must

0:19:17.880 --> 0:19:20.200
<v Speaker 1>leave it intact. Didn't you say at some point, Molly,

0:19:20.280 --> 0:19:23.000
<v Speaker 1>that there were tar pits under the Beverly Center or

0:19:23.000 --> 0:19:28.879
<v Speaker 1>did I make that up? There's a center and stuff

0:19:28.960 --> 0:19:31.479
<v Speaker 1>underneath the whole the whole city. They were finding. They

0:19:31.480 --> 0:19:33.840
<v Speaker 1>found some mammoths when they were doing the subway. Recently

0:19:34.119 --> 0:19:38.720
<v Speaker 1>they found some more more mammoths. Makes you think about

0:19:38.760 --> 0:19:41.080
<v Speaker 1>what could happen to all of us. Yeah, there was

0:19:42.160 --> 0:19:45.000
<v Speaker 1>in the subject of things that are underground in Los Angeles,

0:19:45.040 --> 0:19:47.720
<v Speaker 1>when I was in college, there was once a um

0:19:48.359 --> 0:19:51.320
<v Speaker 1>hesitate to call it a bomb scare, but it was

0:19:51.400 --> 0:19:54.920
<v Speaker 1>this like we had to abandon the campus for afternoon

0:19:55.119 --> 0:19:59.879
<v Speaker 1>because they found like old World War two nuclear like

0:20:00.119 --> 0:20:01.880
<v Speaker 1>or not new. They just like bombs. They I think

0:20:01.920 --> 0:20:03.359
<v Speaker 1>they were worried that they were a new glare, but

0:20:03.400 --> 0:20:05.560
<v Speaker 1>they were just like by accident. They were just like

0:20:05.600 --> 0:20:09.360
<v Speaker 1>that because they were doing construction work down where all

0:20:09.359 --> 0:20:12.960
<v Speaker 1>those condos and stuff are now and this l no,

0:20:13.200 --> 0:20:17.719
<v Speaker 1>this is at Loyola Mary And and yeah, somebody just

0:20:18.000 --> 0:20:20.800
<v Speaker 1>stashed those there. So you never know what you'll find

0:20:20.800 --> 0:20:24.240
<v Speaker 1>if you go digging in Los Angeles. Tess, what's the

0:20:24.280 --> 0:20:27.080
<v Speaker 1>weirdest museum you've ever been to? That's a good question.

0:20:27.160 --> 0:20:29.280
<v Speaker 1>I have a tendency to go to museums and then

0:20:29.320 --> 0:20:31.960
<v Speaker 1>just like erase the whole experience from my mind to

0:20:32.040 --> 0:20:34.199
<v Speaker 1>leave room for new museums. I did go to a

0:20:34.240 --> 0:20:38.000
<v Speaker 1>weird museum in It was a long long time ago.

0:20:38.040 --> 0:20:40.960
<v Speaker 1>I was visiting a friend in Munich and we went

0:20:41.000 --> 0:20:43.919
<v Speaker 1>to Austria and I tried to google it right before

0:20:44.280 --> 0:20:46.320
<v Speaker 1>I came here to do this podcast, because I was like,

0:20:46.359 --> 0:20:48.159
<v Speaker 1>what is it called? What is it called? And I

0:20:48.200 --> 0:20:50.320
<v Speaker 1>cannot find it for the life of me. I was

0:20:50.359 --> 0:20:53.000
<v Speaker 1>a kid and with her family, so I had no

0:20:53.200 --> 0:20:54.560
<v Speaker 1>and I'd never been to Germany, so I had no

0:20:54.640 --> 0:20:57.760
<v Speaker 1>idea where I was or what I was doing. But um,

0:20:57.920 --> 0:21:01.679
<v Speaker 1>it had like a lot of jars of oddities, preserved oddities.

0:21:02.280 --> 0:21:04.080
<v Speaker 1>And then I remember that I did go to the

0:21:04.119 --> 0:21:06.920
<v Speaker 1>Bunny Museum once, um, which I think we've talked about

0:21:06.960 --> 0:21:10.760
<v Speaker 1>on this podcast. Another hidden memory of museums. I don't

0:21:10.760 --> 0:21:12.920
<v Speaker 1>think I even know that you went to the Yeah,

0:21:13.720 --> 0:21:19.399
<v Speaker 1>this really like it's creepy, it's good, chaotic, good, had

0:21:19.520 --> 0:21:23.479
<v Speaker 1>it good. It's a woman's collection of a billion stuffed

0:21:23.480 --> 0:21:27.320
<v Speaker 1>animals and like bunny statues and things. If you would

0:21:27.400 --> 0:21:31.600
<v Speaker 1>like to really go down a hole on YELP, that's

0:21:31.600 --> 0:21:38.600
<v Speaker 1>a good I'm gonna I'm gonna say, Emily would love it.

0:21:38.880 --> 0:21:43.000
<v Speaker 1>They're they're conflicting reports of it's like by Santa Barbara right. No,

0:21:43.200 --> 0:21:46.320
<v Speaker 1>it moved. It was in Pasadena in her house and

0:21:46.359 --> 0:21:49.000
<v Speaker 1>then she moved it into a space. I heard Alex,

0:21:49.040 --> 0:21:51.320
<v Speaker 1>did you maybe go there recently? I have not actually

0:21:51.320 --> 0:21:54.800
<v Speaker 1>been there, but I've contemplated it because a delightful thing

0:21:54.920 --> 0:21:56.480
<v Speaker 1>for a small child. But then I've been like, is

0:21:56.520 --> 0:21:59.240
<v Speaker 1>this going to be delightful? I heard from yelp that

0:21:59.359 --> 0:22:01.960
<v Speaker 1>it's not to be done with a small children. Also,

0:22:02.000 --> 0:22:06.400
<v Speaker 1>I think she's grumpy. Well, she's like she's she's an

0:22:06.440 --> 0:22:09.680
<v Speaker 1>eccentric person. But it's like the perfect like woman from

0:22:09.680 --> 0:22:14.399
<v Speaker 1>a David Lynch movie, like showing you funny. She shows

0:22:14.440 --> 0:22:16.919
<v Speaker 1>you her bunnies. There's like a it just looks like

0:22:16.920 --> 0:22:18.960
<v Speaker 1>a Mike Kelly photo. It's just like a room with

0:22:19.000 --> 0:22:21.920
<v Speaker 1>like a million bunny stuffed animals, like stuffed into every crevice.

0:22:22.440 --> 0:22:24.520
<v Speaker 1>And then she takes you outside to the bunny graveyard

0:22:24.560 --> 0:22:27.920
<v Speaker 1>where the bunnies that have passed are um, and then

0:22:27.920 --> 0:22:30.120
<v Speaker 1>she tries to sell you her book about the apocalypse.

0:22:30.240 --> 0:22:32.560
<v Speaker 1>Does it smell like some of the Mike Kelly stuff

0:22:32.600 --> 0:22:38.159
<v Speaker 1>smells like like like, I'll be the one to say yes,

0:22:38.320 --> 0:22:40.960
<v Speaker 1>but maybe I haven't been there recently. She moved into

0:22:40.960 --> 0:22:44.760
<v Speaker 1>a space now and we should all go Okay, maybe, um,

0:22:44.800 --> 0:22:46.840
<v Speaker 1>that's a weird museum. And obviously in the Museum of

0:22:46.920 --> 0:22:50.000
<v Speaker 1>Drastic Technology is a favorite of all of ours, although

0:22:50.040 --> 0:22:52.280
<v Speaker 1>I'll be the one to also say that museum has

0:22:52.280 --> 0:22:54.439
<v Speaker 1>a funny smell as well. Oh yeah, I mean all

0:22:54.520 --> 0:22:58.320
<v Speaker 1>museums does a little sulfury or something. Yeah, well there's

0:22:58.359 --> 0:23:01.800
<v Speaker 1>the there's the little outdoor area that's a very bird smell,

0:23:02.840 --> 0:23:06.400
<v Speaker 1>aggressively bird smell, and then yeah, inside there's kind it's

0:23:06.440 --> 0:23:09.200
<v Speaker 1>kind of a sulfury. I went there. The most recent

0:23:09.240 --> 0:23:13.440
<v Speaker 1>time I went there was maybe four years ago, um

0:23:13.480 --> 0:23:16.080
<v Speaker 1>and I believe or maybe maybe it was five years

0:23:16.080 --> 0:23:18.960
<v Speaker 1>ago and I was pregnant. Yeah, that's why you had

0:23:19.000 --> 0:23:21.920
<v Speaker 1>birds smell a thing that you think, Yeah, it is

0:23:21.960 --> 0:23:26.960
<v Speaker 1>a thing, I swear. Yeah. I prefer all the weird

0:23:26.960 --> 0:23:32.159
<v Speaker 1>cluttered stuff too, you know, minimalist gallery, white wall stuff,

0:23:32.680 --> 0:23:36.400
<v Speaker 1>two point two point enjoy it all. I enjoy it all.

0:23:36.480 --> 0:23:40.080
<v Speaker 1>My favorite museum and in Berlin has just got like

0:23:40.200 --> 0:23:42.560
<v Speaker 1>two things in it. It's the Programmam museum. I mean,

0:23:42.560 --> 0:23:44.200
<v Speaker 1>it's got a lot of stuff in it, but it's

0:23:44.240 --> 0:23:46.719
<v Speaker 1>like built around two giant things and you just go

0:23:46.760 --> 0:23:48.760
<v Speaker 1>and you see the things and you leave. It's great.

0:23:51.040 --> 0:23:53.120
<v Speaker 1>I went to a weird mushroom museum also, Yeah, what

0:23:53.160 --> 0:23:56.919
<v Speaker 1>was Pennsylvania. Um, we were in Philadelphia, me and my family,

0:23:57.119 --> 0:24:01.480
<v Speaker 1>and we went to a botanical guarden in in the

0:24:01.560 --> 0:24:04.119
<v Speaker 1>bourb somewhere, and on the way we stopped at this

0:24:04.240 --> 0:24:06.720
<v Speaker 1>like just because my parents were into all kinds of

0:24:06.760 --> 0:24:11.720
<v Speaker 1>like you know, weird roadside attraction type stuff. Yeah, and

0:24:11.720 --> 0:24:13.960
<v Speaker 1>it was a weird. It was like just about mushrooms.

0:24:14.000 --> 0:24:17.760
<v Speaker 1>It was just psychedelic or edible or inedible or just edible,

0:24:17.880 --> 0:24:21.480
<v Speaker 1>like a mushroom farm being like the history of mushrooms

0:24:21.560 --> 0:24:25.280
<v Speaker 1>and people. Yeah, and just like here's all the different kinds.

0:24:25.560 --> 0:24:30.000
<v Speaker 1>I love museums like that, but focus ye, yeah, about

0:24:30.040 --> 0:24:33.280
<v Speaker 1>like one thing, Alex. Do you have a favorite museum?

0:24:33.320 --> 0:24:35.359
<v Speaker 1>I do? I mean in this in this category. I

0:24:35.400 --> 0:24:38.840
<v Speaker 1>have many favorite museums. But the Grant Museum in London

0:24:39.800 --> 0:24:41.600
<v Speaker 1>where you can it's in like the it's one of

0:24:41.640 --> 0:24:44.720
<v Speaker 1>the university districts. It's in like one of those college buildings,

0:24:44.840 --> 0:24:48.640
<v Speaker 1>and it's like a weird zoological museum with like it's

0:24:49.040 --> 0:24:51.840
<v Speaker 1>really small and packed with all of these specimens like

0:24:52.000 --> 0:24:56.720
<v Speaker 1>preserved in like old school ways, like we're talking like that,

0:24:57.760 --> 0:25:01.880
<v Speaker 1>like a like just a jar of moles. Yeah, Like

0:25:01.960 --> 0:25:05.320
<v Speaker 1>the in Philadelphia. I haven't been there, but there's the

0:25:05.359 --> 0:25:08.480
<v Speaker 1>Motor Museum. Yeah, I don't. I can't do any love

0:25:08.560 --> 0:25:14.520
<v Speaker 1>that stuff. That seems to me also like European museums, like, oh,

0:25:14.560 --> 0:25:17.560
<v Speaker 1>we've just got like a billion ancient things in jars

0:25:17.600 --> 0:25:20.479
<v Speaker 1>that we stole. Oh, there's definitely like Man in the

0:25:20.480 --> 0:25:28.119
<v Speaker 1>Closet that stuff in the basement at the l a

0:25:28.240 --> 0:25:31.880
<v Speaker 1>Natural History Museum, which is also a good weird museum. Yeah.

0:25:31.920 --> 0:25:33.879
<v Speaker 1>I have always a little let down by the LA.

0:25:34.359 --> 0:25:37.199
<v Speaker 1>It's not the New York Natural History even been to

0:25:37.240 --> 0:25:40.199
<v Speaker 1>the New York Natural What are you doing with your life, Emily,

0:25:40.240 --> 0:25:44.040
<v Speaker 1>it's amazing that the whale seems overrated. You don't know,

0:25:44.160 --> 0:25:46.520
<v Speaker 1>you haven't been like everything in New York. It's like

0:25:46.560 --> 0:25:49.119
<v Speaker 1>everybody has made their impression of it. And I lived

0:25:49.119 --> 0:25:50.960
<v Speaker 1>in New York for that many years, and you never

0:25:51.000 --> 0:25:53.159
<v Speaker 1>went to the Natural History Museum. That's like the only

0:25:53.200 --> 0:25:55.520
<v Speaker 1>thing that is fun to do there. I went to

0:25:55.600 --> 0:25:58.720
<v Speaker 1>the Met like four times, and I went to Sorry,

0:25:58.760 --> 0:26:00.520
<v Speaker 1>if we go to New York to do a live show,

0:26:00.800 --> 0:26:02.720
<v Speaker 1>we're going to the Natural History for sure. I haven't

0:26:02.760 --> 0:26:04.960
<v Speaker 1>been there forever. You can't even do it in a day.

0:26:05.280 --> 0:26:08.240
<v Speaker 1>It's true. It's like Disneyland for nerves. I actually really

0:26:08.280 --> 0:26:11.040
<v Speaker 1>love the Ellie Natural History Museum stand for that, and

0:26:11.119 --> 0:26:13.560
<v Speaker 1>I love the Science Center. The Science Center is great

0:26:13.560 --> 0:26:16.399
<v Speaker 1>because it's also free free. I love a science center.

0:26:16.480 --> 0:26:19.439
<v Speaker 1>I always love us a whole weird Exposition Park Plaza

0:26:19.640 --> 0:26:23.159
<v Speaker 1>super Haunted for sure. Definitely maybe some nukes under the

0:26:23.240 --> 0:26:27.479
<v Speaker 1>Natural History Museum there. Check it out. If you have

0:26:27.600 --> 0:26:31.399
<v Speaker 1>nukes in your back. Give us a night call. I

0:26:31.520 --> 0:26:33.720
<v Speaker 1>went to four oh four six night. We're going to

0:26:33.840 --> 0:26:36.320
<v Speaker 1>take a quick break and come back with another night

0:26:36.320 --> 0:26:55.480
<v Speaker 1>call or night email. I suppose hello, welcome back. We

0:26:55.560 --> 0:26:59.639
<v Speaker 1>have a night email from Christina high night call. I

0:26:59.680 --> 0:27:02.320
<v Speaker 1>was so thrilled with Karina's Song of the South episode.

0:27:02.480 --> 0:27:04.520
<v Speaker 1>I'm loving the new season of her show. And I

0:27:04.560 --> 0:27:07.280
<v Speaker 1>have long had a love hate relationship with Splash Mountain

0:27:07.640 --> 0:27:09.880
<v Speaker 1>as a so Cal native, I remember the whole thing

0:27:09.880 --> 0:27:13.440
<v Speaker 1>with the America Sings accident and the recycled animatronic animals,

0:27:13.600 --> 0:27:16.080
<v Speaker 1>and it's never sat right with me. Did you guys

0:27:16.119 --> 0:27:18.680
<v Speaker 1>know the robots and the Star tours Que are also

0:27:18.760 --> 0:27:22.120
<v Speaker 1>recycled geese from America Sings. You can tell by their

0:27:22.160 --> 0:27:25.560
<v Speaker 1>webbed feet. Anyway, my point, there are a few things

0:27:25.600 --> 0:27:28.240
<v Speaker 1>I love more than a homegrown, off brand theme park,

0:27:28.520 --> 0:27:30.320
<v Speaker 1>and there are too many in this country to ever

0:27:30.359 --> 0:27:32.640
<v Speaker 1>have time to visit. When I can't sleep, I love

0:27:32.720 --> 0:27:35.440
<v Speaker 1>discovering ride through videos of all the crazy dark rides

0:27:35.440 --> 0:27:38.240
<v Speaker 1>in random parks I'll never go to, such as Garfield's

0:27:38.320 --> 0:27:41.639
<v Speaker 1>Nightmare in kenny Wood, Pennsylvania. This is how I discovered

0:27:41.640 --> 0:27:44.919
<v Speaker 1>that Splash Mountain was actually patterned after a deeply weird

0:27:45.040 --> 0:27:48.320
<v Speaker 1>log ride in six Flags, Georgia based on the Uncle

0:27:48.359 --> 0:27:54.000
<v Speaker 1>Remus stories called Tales from the Oh There we Go Swamp,

0:27:54.280 --> 0:27:57.240
<v Speaker 1>which still sort of exists today as Monster Mansion. This

0:27:57.320 --> 0:27:59.359
<v Speaker 1>video makes me feel like I am losing my mind.

0:27:59.720 --> 0:28:01.439
<v Speaker 1>I don't know how to explain any of this, so

0:28:01.480 --> 0:28:04.159
<v Speaker 1>I won't try. Also, I highly recommend you plan a

0:28:04.240 --> 0:28:06.720
<v Speaker 1>night called trip to Epcot before Disney ruins it and

0:28:06.760 --> 0:28:09.680
<v Speaker 1>turns it into an ip drenched build a bear for alcoholics.

0:28:09.960 --> 0:28:12.960
<v Speaker 1>I'm obsessed with Epcot because it crystallizes the exact moment

0:28:13.000 --> 0:28:15.480
<v Speaker 1>in the eighties before we stopped being able to visualize

0:28:15.480 --> 0:28:19.040
<v Speaker 1>the future by for now Christina, Christina, what a great

0:28:19.160 --> 0:28:25.560
<v Speaker 1>email email, very very good night email, vivid prose show. Well,

0:28:26.440 --> 0:28:29.800
<v Speaker 1>do you guys have a favorite tiny theme park? Or

0:28:29.880 --> 0:28:33.040
<v Speaker 1>one that you grew up in. Maybe uh. I used

0:28:33.080 --> 0:28:34.800
<v Speaker 1>to go to the Ghosten Fair, but I don't think

0:28:34.840 --> 0:28:37.639
<v Speaker 1>that counts, which is like an agriculture fair, but it

0:28:37.680 --> 0:28:39.760
<v Speaker 1>had some dinky rise. I've always learned to go to

0:28:39.800 --> 0:28:42.320
<v Speaker 1>an agricultural fair. Oh. I milk the cow. I drank

0:28:42.360 --> 0:28:44.960
<v Speaker 1>the cream. It was the whole, the whole thing. Yeause

0:28:45.240 --> 0:28:48.160
<v Speaker 1>the hogs. I went every year. Friend of Night call

0:28:48.320 --> 0:28:53.520
<v Speaker 1>It's the Brandy on Twitter posted about the minute Minnesota

0:28:53.560 --> 0:28:56.040
<v Speaker 1>State Fair. I think it was our friend Ka would

0:28:56.240 --> 0:29:00.400
<v Speaker 1>often talk about the minute. It seemed unbelievable, like very

0:29:00.440 --> 0:29:02.280
<v Speaker 1>much up our Alley two because she was in a

0:29:02.320 --> 0:29:05.320
<v Speaker 1>seed art crop art competition where you make seed art,

0:29:05.400 --> 0:29:07.480
<v Speaker 1>and it was yeah, just like people making seed art

0:29:07.480 --> 0:29:09.920
<v Speaker 1>of current events and things. I love a state fair.

0:29:10.120 --> 0:29:11.760
<v Speaker 1>I love a state fair for that kind of stuff.

0:29:11.880 --> 0:29:15.640
<v Speaker 1>I was a frequent um entrent into there was a

0:29:15.680 --> 0:29:17.840
<v Speaker 1>state fair. It wasn't a state fair, but it basically

0:29:17.840 --> 0:29:20.040
<v Speaker 1>with a state fair in Washington that had a huge

0:29:20.160 --> 0:29:24.120
<v Speaker 1>Lego competition, and I was always entering that. I went

0:29:24.200 --> 0:29:26.719
<v Speaker 1>to Lego Land and really liked it. Oh yeah, I

0:29:26.880 --> 0:29:30.840
<v Speaker 1>liked like well, Lego Land. Lego Lands. Now I think

0:29:31.280 --> 0:29:35.040
<v Speaker 1>it's like yeah, it's for babies, but it's good. I mean,

0:29:35.080 --> 0:29:38.080
<v Speaker 1>I've never been miniatures. There used to be a miniature

0:29:38.200 --> 0:29:41.320
<v Speaker 1>museum to bring it back to museums. Um in l A.

0:29:41.400 --> 0:29:45.520
<v Speaker 1>That was really good. Um, well, you went to maybe

0:29:45.760 --> 0:29:49.160
<v Speaker 1>the opposite of I went to any home Grown. I

0:29:49.200 --> 0:29:52.480
<v Speaker 1>went to Galaxy's Edge. And we talked about it last week,

0:29:52.880 --> 0:29:57.200
<v Speaker 1>and then we got a response from another friend of

0:29:57.240 --> 0:30:02.640
<v Speaker 1>the podcast podcast The Ride, the podcast about theme park rides. Um.

0:30:02.760 --> 0:30:05.440
<v Speaker 1>One of those dudes wrote us on Twitter to say

0:30:05.560 --> 0:30:09.040
<v Speaker 1>that the reason that Star Wars Galaxy's Edge is so

0:30:09.760 --> 0:30:14.200
<v Speaker 1>jankie and dystopian feeling. Is they ran out of money,

0:30:14.920 --> 0:30:18.720
<v Speaker 1>isn't jankie and dystopian feeling? Yes? Oh yeah, I forgot.

0:30:18.720 --> 0:30:22.280
<v Speaker 1>You weren't here for this. The Cantina Emily, they only

0:30:22.320 --> 0:30:24.840
<v Speaker 1>have a charcouterie plate and it's only like one. It's

0:30:24.880 --> 0:30:27.440
<v Speaker 1>like a green piece of It's so weird. All of

0:30:27.480 --> 0:30:30.360
<v Speaker 1>the choices they made are so weird. And and Johnny,

0:30:30.440 --> 0:30:33.160
<v Speaker 1>my boyfriend, said it sounded like Inner Zone from Naked Lunch.

0:30:33.280 --> 0:30:36.520
<v Speaker 1>And then last night I watched Total Recall and I

0:30:36.600 --> 0:30:38.479
<v Speaker 1>was like, oh my god, it's just like Total Recall.

0:30:38.880 --> 0:30:41.600
<v Speaker 1>That is what. And I could enjoy it again, because

0:30:42.080 --> 0:30:44.320
<v Speaker 1>but do kids who are going there care about the

0:30:44.400 --> 0:30:47.400
<v Speaker 1>charcouterie plate or they care about like paying two hundred

0:30:47.400 --> 0:30:52.680
<v Speaker 1>dollars for it's not four kids in any way, so weird.

0:30:52.840 --> 0:30:55.320
<v Speaker 1>It's like they made the weirdest choices and they started

0:30:55.320 --> 0:30:58.560
<v Speaker 1>developing it around the time of Solo, so it's like, yeah,

0:30:58.640 --> 0:31:00.680
<v Speaker 1>that's the weird thing to me that I've about it

0:31:00.720 --> 0:31:04.120
<v Speaker 1>is that it's not really that based on the classic trilogy,

0:31:04.160 --> 0:31:06.719
<v Speaker 1>which feels like a huge it's a huge misstep. And

0:31:06.760 --> 0:31:09.280
<v Speaker 1>then they sell only just like the weirdest dolls and

0:31:09.320 --> 0:31:11.600
<v Speaker 1>the weirdest things. Molly had a picture of one that

0:31:11.680 --> 0:31:16.360
<v Speaker 1>was like a rubber octopus with a hole in its Yeah,

0:31:16.560 --> 0:31:19.440
<v Speaker 1>you would love it. You would love it. And the

0:31:19.480 --> 0:31:22.680
<v Speaker 1>animatronics are just super like the choices made are super weird.

0:31:22.840 --> 0:31:26.400
<v Speaker 1>But apparently they ran out of money for the project.

0:31:26.480 --> 0:31:30.880
<v Speaker 1>They over that seems they went over budget. They wanted

0:31:30.920 --> 0:31:33.880
<v Speaker 1>to open it in time for the Star Wars. See

0:31:34.360 --> 0:31:39.600
<v Speaker 1>the Walt Disney Company ran out of money Star Wars.

0:31:40.920 --> 0:31:44.440
<v Speaker 1>Disney more than you would think. They want us to

0:31:44.520 --> 0:31:47.520
<v Speaker 1>think that that can't happen. But there was a thing

0:31:47.600 --> 0:31:51.200
<v Speaker 1>like two years last year's about um someone who said

0:31:51.200 --> 0:31:54.360
<v Speaker 1>they were juking the stats with the theme park stuff

0:31:54.400 --> 0:31:56.440
<v Speaker 1>to try and make the company look even more profitable,

0:31:56.440 --> 0:31:59.040
<v Speaker 1>and then they felled the whistle fire the whistleblower. It's

0:31:59.120 --> 0:32:03.560
<v Speaker 1>just like succession and parks and cruises is always where

0:32:03.560 --> 0:32:07.360
<v Speaker 1>the skeletons are. That's true. Well, um, this continues to

0:32:07.400 --> 0:32:10.640
<v Speaker 1>be a Star Wars podcast um for how many weeks

0:32:10.640 --> 0:32:13.960
<v Speaker 1>now because we have a good street going. It's off

0:32:14.000 --> 0:32:16.560
<v Speaker 1>and on for the past two months. I would say

0:32:16.680 --> 0:32:21.120
<v Speaker 1>there was the anticipation phase. Yeah, yeah, and we we

0:32:21.160 --> 0:32:25.240
<v Speaker 1>had like our whole baby Yoda um appetizer, not a

0:32:25.280 --> 0:32:28.000
<v Speaker 1>baby Yoda in sight at Star Wars Land. Isn't that

0:32:28.160 --> 0:32:30.120
<v Speaker 1>so weird? That's the only thing that makes me think,

0:32:30.160 --> 0:32:33.440
<v Speaker 1>like are they stupid? Are stupid? That's what I'm saying.

0:32:33.520 --> 0:32:36.280
<v Speaker 1>They don't know what they're doing. They want us to

0:32:36.360 --> 0:32:39.000
<v Speaker 1>think they always know what they're doing, but they don't.

0:32:39.320 --> 0:32:44.040
<v Speaker 1>Tiki Taki, it's Poppydemus, Welcome back to night Call for

0:32:44.120 --> 0:32:47.080
<v Speaker 1>the Star Wars cats a palloza. You're allowed to talk now.

0:32:48.560 --> 0:32:51.680
<v Speaker 1>There were two most important to do, most important releases

0:32:51.720 --> 0:32:53.880
<v Speaker 1>of the holiday season that we haven't been able to

0:32:53.920 --> 0:32:56.320
<v Speaker 1>talk about yet. We can start with Star Wars, which

0:32:56.800 --> 0:33:00.920
<v Speaker 1>you all saw. Can you believe it? You say, that's

0:33:00.960 --> 0:33:06.600
<v Speaker 1>so cute. Definitely saw Star Wars. Um Alex, what did

0:33:06.600 --> 0:33:12.640
<v Speaker 1>you think about Tross? I saw it first of all,

0:33:12.880 --> 0:33:15.680
<v Speaker 1>what's what does the refrigerator say? All alone by myself,

0:33:17.000 --> 0:33:19.960
<v Speaker 1>dead Center. I did everything I could to make myself

0:33:20.400 --> 0:33:22.640
<v Speaker 1>like it and to make myself have a feeling. While

0:33:22.680 --> 0:33:24.880
<v Speaker 1>I was watching it, I said, like dead Center and

0:33:24.960 --> 0:33:28.160
<v Speaker 1>Dome and arc Light, you know opening day really you

0:33:28.200 --> 0:33:33.040
<v Speaker 1>know excited. Uh, it hurts just to see a bad

0:33:33.080 --> 0:33:35.360
<v Speaker 1>Star Wars still. I mean I hate to be, you know,

0:33:35.560 --> 0:33:38.000
<v Speaker 1>for two year old white guy born in the seventies,

0:33:38.360 --> 0:33:40.400
<v Speaker 1>but like it does mean something to me, and it

0:33:40.400 --> 0:33:43.080
<v Speaker 1>means something to me when it's bad. And I was

0:33:43.160 --> 0:33:44.920
<v Speaker 1>just you know, there were people on either side of

0:33:44.960 --> 0:33:47.720
<v Speaker 1>me like cheering, and I was really I think bumming me. Yeah,

0:33:47.760 --> 0:33:49.280
<v Speaker 1>it was full, I was packed. So they are all

0:33:49.280 --> 0:33:51.240
<v Speaker 1>these people, like all these dudes on either side of

0:33:51.240 --> 0:33:53.000
<v Speaker 1>it just like really getting into it and like laughing

0:33:53.040 --> 0:33:55.080
<v Speaker 1>at the jokes. And I was like, come on, man,

0:33:55.320 --> 0:33:58.200
<v Speaker 1>this was on opening day. Yeah, just I'm just sitting

0:33:58.200 --> 0:34:03.720
<v Speaker 1>there just like just just calm book guy. You're the best,

0:34:03.920 --> 0:34:07.520
<v Speaker 1>the best Comic book Guy Piece of the Year. Also

0:34:07.800 --> 0:34:12.960
<v Speaker 1>about um, Marvel and Scorsese and all those things that

0:34:13.000 --> 0:34:15.160
<v Speaker 1>I thought was really good. I was like, this is

0:34:15.200 --> 0:34:17.920
<v Speaker 1>who I wanted to hear from about this, And you

0:34:17.960 --> 0:34:20.480
<v Speaker 1>said all the things Star Wars. Maybe want to pitch

0:34:20.880 --> 0:34:23.359
<v Speaker 1>a follow up like during the Holidays, which I would

0:34:23.400 --> 0:34:26.319
<v Speaker 1>never do ordinarily. Well, there's an interesting thing, Like, it's

0:34:26.360 --> 0:34:29.480
<v Speaker 1>an interesting thing to compare it to, especially them both

0:34:29.520 --> 0:34:32.960
<v Speaker 1>being like Disney properties. Is that I think that Marvel,

0:34:33.080 --> 0:34:35.719
<v Speaker 1>especially among film twitter types, gets a lot of fun,

0:34:35.840 --> 0:34:37.800
<v Speaker 1>and I guess like DC to it at the extent

0:34:37.840 --> 0:34:40.200
<v Speaker 1>now that Joker has been out, but gets a lot

0:34:40.200 --> 0:34:42.080
<v Speaker 1>of flat for like, Oh, you're just trying to like

0:34:42.520 --> 0:34:48.920
<v Speaker 1>imitate other genres of actual movies. I say actual with

0:34:49.120 --> 0:34:51.680
<v Speaker 1>heavy scare quotes that I will get added about, I'm sure,

0:34:51.880 --> 0:34:55.080
<v Speaker 1>but um, but Star Wars is like the opposite, and

0:34:55.120 --> 0:34:59.120
<v Speaker 1>that the only thing it's ever going to quote is itself. Um,

0:34:59.160 --> 0:35:02.480
<v Speaker 1>it's like like either not nobody's maybe maybe down the

0:35:02.520 --> 0:35:04.959
<v Speaker 1>line if they truly do a zillion Star Wars movies,

0:35:04.960 --> 0:35:06.480
<v Speaker 1>like everybody was afraid they were going to do a

0:35:06.480 --> 0:35:08.560
<v Speaker 1>few years ago. I don't think that's going to be

0:35:08.600 --> 0:35:11.520
<v Speaker 1>the case. Anymore. But um, but like, maybe we'll get

0:35:11.520 --> 0:35:16.120
<v Speaker 1>the Martin Squirtasey Star Wars movie. I'm actually kind of

0:35:16.120 --> 0:35:18.319
<v Speaker 1>curious what that would look like. But in general, that's

0:35:18.320 --> 0:35:20.040
<v Speaker 1>not the problem that they have. I thought that was

0:35:20.080 --> 0:35:22.080
<v Speaker 1>what they were trying to do with Solo and nobody

0:35:22.120 --> 0:35:24.239
<v Speaker 1>wanted it. It turns out, Oh, if they were trying

0:35:24.280 --> 0:35:26.680
<v Speaker 1>to do that, then that was like the gritty seventies,

0:35:26.760 --> 0:35:29.319
<v Speaker 1>like Star Wars attempt to be like, hey, remember the

0:35:29.320 --> 0:35:32.719
<v Speaker 1>thing you liked about this? But they're all like that,

0:35:32.760 --> 0:35:34.680
<v Speaker 1>and then they I feel like maybe they start out

0:35:34.719 --> 0:35:37.799
<v Speaker 1>as that, and then they eventually just revert back to

0:35:37.960 --> 0:35:40.399
<v Speaker 1>type like it just reverts back to eating its own

0:35:40.440 --> 0:35:43.080
<v Speaker 1>waste and kind of just ingesting and kind of you know,

0:35:43.200 --> 0:35:45.360
<v Speaker 1>here's the thing that exactly, here's the thing you like

0:35:45.440 --> 0:35:49.000
<v Speaker 1>kind of we moved the pieces around. What is the

0:35:49.000 --> 0:35:52.000
<v Speaker 1>thing that you like about it? About Star Wars in general?

0:35:52.239 --> 0:35:59.520
<v Speaker 1>Or Umm, I think it is a fun world. I

0:35:59.560 --> 0:36:04.040
<v Speaker 1>think it it feels very expansive. It feels endlessly like

0:36:04.160 --> 0:36:06.279
<v Speaker 1>you can make up new stuff within it, and it's

0:36:06.280 --> 0:36:08.359
<v Speaker 1>fun to think about stuff that feels like Star Wars

0:36:08.400 --> 0:36:10.319
<v Speaker 1>and doesn't feel like stars or actors who feel like

0:36:10.320 --> 0:36:15.200
<v Speaker 1>Star Wars like like um, Richard E. Grant showing up

0:36:15.200 --> 0:36:18.880
<v Speaker 1>in in Return to Skywalkers, like a yes, A Star

0:36:18.880 --> 0:36:23.399
<v Speaker 1>Wars was really so every yeah, and and and stay

0:36:23.440 --> 0:36:25.759
<v Speaker 1>with like Ben Mendelssohn in in Rogue one. I'm just

0:36:25.840 --> 0:36:30.640
<v Speaker 1>like yeah, like like I will also just like just

0:36:30.640 --> 0:36:33.960
<v Speaker 1>like I will you know Ben Medelssohn and anything like

0:36:34.000 --> 0:36:36.359
<v Speaker 1>Princess Leia right now because you have your headphones on

0:36:36.440 --> 0:36:40.919
<v Speaker 1>and they look like, well we all look like but yeah,

0:36:40.960 --> 0:36:44.040
<v Speaker 1>I think like I, um, I don't know. I mean,

0:36:44.080 --> 0:36:46.040
<v Speaker 1>it is a lot of it is nostalgia. I watched

0:36:46.080 --> 0:36:47.480
<v Speaker 1>it for the first time when I was like seven.

0:36:47.600 --> 0:36:50.319
<v Speaker 1>It's very impossible for me to be have any kind

0:36:50.320 --> 0:36:52.399
<v Speaker 1>of critical distance at this point. And I do feel

0:36:52.400 --> 0:36:55.600
<v Speaker 1>like I'm probably like in for life with all Star

0:36:55.600 --> 0:36:57.840
<v Speaker 1>Wars things, no matter how bad it gets. It's just

0:36:57.880 --> 0:37:00.400
<v Speaker 1>sort of a burden that I will bear from my life.

0:37:00.520 --> 0:37:04.600
<v Speaker 1>But I do genuinely like parts of the new movie,

0:37:04.760 --> 0:37:06.600
<v Speaker 1>and those parts that I like, it's because like that's

0:37:06.640 --> 0:37:08.719
<v Speaker 1>good Star Wars. Like I think that Ray is like

0:37:08.760 --> 0:37:12.719
<v Speaker 1>a good Star Wars character, like kind of screwed up

0:37:12.760 --> 0:37:15.080
<v Speaker 1>some stuff in this last one, but I think in

0:37:15.120 --> 0:37:18.239
<v Speaker 1>general it's and it's like a fun it's just like

0:37:18.280 --> 0:37:21.960
<v Speaker 1>a fun, kind of simple comic bookie type character. Oh.

0:37:23.760 --> 0:37:25.720
<v Speaker 1>I was like, okay, maybe I do like Star Wars

0:37:25.760 --> 0:37:27.600
<v Speaker 1>because of the first Star Wars movie I've seen. Bob

0:37:28.120 --> 0:37:31.600
<v Speaker 1>is a great Star Wars like pre most Star Wars,

0:37:31.640 --> 0:37:34.400
<v Speaker 1>and it's like, really it really shines in that movie

0:37:34.480 --> 0:37:36.600
<v Speaker 1>because it's like, oh, but this is what I'm here for.

0:37:37.200 --> 0:37:39.680
<v Speaker 1>Phrase like a little critter that looks like flight in

0:37:39.719 --> 0:37:43.040
<v Speaker 1>the Navigator or something like he's made of all thumbs. Yeah,

0:37:43.080 --> 0:37:46.040
<v Speaker 1>everything in Star Wars Land looks like something out of

0:37:46.040 --> 0:37:49.200
<v Speaker 1>Oar and I marriage had his puppet movies. Yeah, fantasies.

0:37:49.920 --> 0:37:53.040
<v Speaker 1>It's fun. That stuff is fun. And the e walks,

0:37:53.440 --> 0:37:57.160
<v Speaker 1>the walks are good. Were there any uh? There's the

0:37:57.239 --> 0:38:01.359
<v Speaker 1>walks and we're turning to very brief, very brief you us,

0:38:01.360 --> 0:38:04.839
<v Speaker 1>but they are there. They go to endoor, but not

0:38:04.960 --> 0:38:07.399
<v Speaker 1>before a smoon of endor. Whether he walks. I wish

0:38:07.400 --> 0:38:09.960
<v Speaker 1>the Star Wars Park was endoor or like any of

0:38:10.000 --> 0:38:11.879
<v Speaker 1>the places that I would want to go in Star

0:38:11.920 --> 0:38:18.080
<v Speaker 1>Wars and the Redwoods. Well true, and you're right, I

0:38:18.080 --> 0:38:20.160
<v Speaker 1>don't have to pay to go there. You're making some

0:38:20.280 --> 0:38:24.560
<v Speaker 1>very good points. We we live in, Um, well, we

0:38:24.640 --> 0:38:26.640
<v Speaker 1>kind of basically live in Star Wars because it was

0:38:26.680 --> 0:38:30.360
<v Speaker 1>all a lot of it was shot around here. Um, Alex,

0:38:30.400 --> 0:38:33.880
<v Speaker 1>what was your biggest complaint or is it impossible to choose?

0:38:35.719 --> 0:38:37.840
<v Speaker 1>I don't know if it's even like a complaint, it's

0:38:37.640 --> 0:38:41.520
<v Speaker 1>it's it's it's more just that it seems like it's

0:38:41.560 --> 0:38:43.719
<v Speaker 1>such a missed opportunity. Like I watched the first like

0:38:43.800 --> 0:38:45.680
<v Speaker 1>what you watch Force Awakens and you're like, okay. So

0:38:45.719 --> 0:38:47.759
<v Speaker 1>they had to sort of this was a very hard

0:38:47.880 --> 0:38:49.719
<v Speaker 1>needle to thread because they had to make a bunch

0:38:49.719 --> 0:38:51.719
<v Speaker 1>of new things for kids to be excited about, and

0:38:51.719 --> 0:38:53.680
<v Speaker 1>they had to give people the thing that they wanted,

0:38:54.239 --> 0:38:55.880
<v Speaker 1>you know who'd been in you know, sort of the

0:38:55.960 --> 0:38:58.439
<v Speaker 1>old people like me who were like, we're the best

0:38:58.480 --> 0:39:01.400
<v Speaker 1>thing about Star Wars is being five like and so

0:39:01.520 --> 0:39:03.600
<v Speaker 1>both of those things had to happen simultaneously. And I

0:39:03.640 --> 0:39:05.880
<v Speaker 1>was like okay, Like j J did that and like,

0:39:05.960 --> 0:39:08.359
<v Speaker 1>now okay, now we can have a last Jedi that's

0:39:08.360 --> 0:39:10.080
<v Speaker 1>going to sort of maybe go in a different direction.

0:39:10.440 --> 0:39:12.880
<v Speaker 1>And this one was like no, no, no, We're bringing

0:39:12.920 --> 0:39:14.799
<v Speaker 1>it all back home and like it's going to be

0:39:14.840 --> 0:39:16.600
<v Speaker 1>all the things that you like, and it just sort

0:39:16.640 --> 0:39:18.319
<v Speaker 1>of felt like, I mean I used this metaphor too

0:39:18.400 --> 0:39:20.239
<v Speaker 1>much in things, but it felt like, you know, you

0:39:20.320 --> 0:39:24.600
<v Speaker 1>like Star Wars, like here you smoke, it's like all

0:39:24.640 --> 0:39:26.640
<v Speaker 1>the Star Wars things and so anything that is because

0:39:26.640 --> 0:39:28.279
<v Speaker 1>there are things in there that are good Star Wars,

0:39:28.360 --> 0:39:31.520
<v Speaker 1>like Boba freakus one. I like the little lamp robot. Yeah,

0:39:32.040 --> 0:39:36.160
<v Speaker 1>that was the best. Excuse me, thank you? Yeah, the

0:39:36.239 --> 0:39:39.279
<v Speaker 1>little Oh he was so cute. I love to He

0:39:39.320 --> 0:39:41.640
<v Speaker 1>looked like a little megaphone on wheels. But he didn't

0:39:41.680 --> 0:39:44.239
<v Speaker 1>like to be talking like he had been like when

0:39:44.320 --> 0:39:46.120
<v Speaker 1>you were gone. This week we were talking about the

0:39:46.160 --> 0:39:50.040
<v Speaker 1>little robot, the waiter robot at the airport l a X,

0:39:50.120 --> 0:39:52.200
<v Speaker 1>you know, talking about the one that's like please come in.

0:39:53.680 --> 0:39:56.120
<v Speaker 1>It's just like that. It's like a little service robot

0:39:56.200 --> 0:39:57.920
<v Speaker 1>and it makes you sad. It looks a little bit

0:39:57.960 --> 0:39:59.960
<v Speaker 1>like C three b O, but it's smaller and why

0:40:00.040 --> 0:40:02.640
<v Speaker 1>eight And she's outside a restaurant. She's like, welcome to

0:40:02.880 --> 0:40:06.160
<v Speaker 1>the restaurant. How can really? Yeah, and you can talk

0:40:06.200 --> 0:40:08.719
<v Speaker 1>to her, but people are mean to her, and so

0:40:08.760 --> 0:40:11.520
<v Speaker 1>you're gonna look in bad behavior. Yeah, you'll you see

0:40:11.600 --> 0:40:13.960
<v Speaker 1>people like you know, just sort of like egging her on,

0:40:14.120 --> 0:40:16.600
<v Speaker 1>and she just kind of like keeps trying her. It

0:40:16.680 --> 0:40:19.560
<v Speaker 1>makes me like, like talking about it, we talked about

0:40:19.560 --> 0:40:22.360
<v Speaker 1>it last week and don't ever talk about it again. Well,

0:40:22.640 --> 0:40:25.400
<v Speaker 1>I think, Okay, I'm gonna I'm gonna get because I

0:40:25.400 --> 0:40:27.480
<v Speaker 1>have no outlet for these sorts of things. And it

0:40:27.640 --> 0:40:30.120
<v Speaker 1>was like very loth to go on Twitter and talk

0:40:30.160 --> 0:40:34.480
<v Speaker 1>about Star Wars, especially when I was on vacation. That

0:40:34.600 --> 0:40:37.120
<v Speaker 1>just sounded like something I didn't want to go, like

0:40:37.120 --> 0:40:39.279
<v Speaker 1>a path I did not want to go down. But

0:40:39.360 --> 0:40:42.160
<v Speaker 1>I think that a problem that became very apparent in

0:40:42.200 --> 0:40:45.600
<v Speaker 1>this movie was that, like we only know how to

0:40:45.640 --> 0:40:48.759
<v Speaker 1>do heroes journeys now in these movies, like that's it.

0:40:49.120 --> 0:40:51.920
<v Speaker 1>There's no other kind of character art that anybody can have.

0:40:51.960 --> 0:40:55.359
<v Speaker 1>And this was the problem with Solo. And so I think, like,

0:40:55.440 --> 0:40:57.719
<v Speaker 1>if this new trilogy whatever you want to call it,

0:40:57.760 --> 0:41:01.520
<v Speaker 1>is about Ray, then cool, like pretty good story. I

0:41:01.560 --> 0:41:04.640
<v Speaker 1>don't even care that she's like Palpatine's granddaughter or whatever

0:41:04.719 --> 0:41:06.400
<v Speaker 1>means stupid, but like, I don't know, I think like

0:41:06.440 --> 0:41:09.319
<v Speaker 1>it it holds up. I think the whole like kind

0:41:09.320 --> 0:41:11.840
<v Speaker 1>of arc that she goes through holds up is like

0:41:11.880 --> 0:41:13.960
<v Speaker 1>a pretty strong story it's just like they did not

0:41:14.080 --> 0:41:16.680
<v Speaker 1>know what to do with anybody else in those movies,

0:41:17.040 --> 0:41:21.200
<v Speaker 1>Like and the fun thing about Original Trilogy Star Wars

0:41:21.360 --> 0:41:24.400
<v Speaker 1>is that you've got this main kid who has to

0:41:24.440 --> 0:41:26.920
<v Speaker 1>go through transformation and going on, and you have his

0:41:26.920 --> 0:41:28.640
<v Speaker 1>heroes journey or whatever. But it's like you also have

0:41:28.680 --> 0:41:32.080
<v Speaker 1>two other interesting people who were there. Um, that's the

0:41:32.160 --> 0:41:36.879
<v Speaker 1>only reason it's good, right, Fisher and Harrison for the Yeah,

0:41:36.960 --> 0:41:39.680
<v Speaker 1>and they and they and there's something to follow there

0:41:39.719 --> 0:41:41.840
<v Speaker 1>and they kind of play off of each other and

0:41:41.920 --> 0:41:44.760
<v Speaker 1>the and the dynamic is different from movie to movie,

0:41:44.800 --> 0:41:47.279
<v Speaker 1>and but they're like it feels of a piece and

0:41:47.280 --> 0:41:50.439
<v Speaker 1>this is just like it's about Ray discovering she has

0:41:50.440 --> 0:41:53.439
<v Speaker 1>the Force, and then two other guys who like each other.

0:41:55.680 --> 0:41:59.080
<v Speaker 1>I don't know, it's just I also loved Oscar Isaac

0:41:59.200 --> 0:42:01.440
<v Speaker 1>just being like they should have made us gay, Like

0:42:01.600 --> 0:42:04.680
<v Speaker 1>he has been doing the best press tour about it,

0:42:04.840 --> 0:42:06.680
<v Speaker 1>just being like, yeah, yeah, I just wish they'd just

0:42:06.760 --> 0:42:09.839
<v Speaker 1>done it. Yeah. It's weird though, because I feel like

0:42:10.120 --> 0:42:13.360
<v Speaker 1>on both sides there's this level of investment. There's the

0:42:13.400 --> 0:42:15.440
<v Speaker 1>people who hate that it's about that you know that

0:42:15.480 --> 0:42:17.480
<v Speaker 1>it's about a woman, and that you know that's sort

0:42:17.520 --> 0:42:19.480
<v Speaker 1>of that there's like black characters now, and that the

0:42:19.480 --> 0:42:21.400
<v Speaker 1>people who thinks two woke. There's that side of it,

0:42:21.440 --> 0:42:23.480
<v Speaker 1>and then there's the people who are super invested in

0:42:23.560 --> 0:42:25.160
<v Speaker 1>like I want Finn and Poe to be in love

0:42:25.200 --> 0:42:26.680
<v Speaker 1>with each other and I want that to happen, and

0:42:26.760 --> 0:42:29.440
<v Speaker 1>like we need more better representation in these movies. And

0:42:29.520 --> 0:42:31.520
<v Speaker 1>it's like I feel like both of those people are

0:42:31.600 --> 0:42:35.920
<v Speaker 1>responding to this incredible lack of there there there's nothing

0:42:36.120 --> 0:42:40.000
<v Speaker 1>on either side except that potential for something representational to

0:42:40.040 --> 0:42:43.000
<v Speaker 1>happen because there's no character stuff whatsoever about anything. It's

0:42:43.040 --> 0:42:45.160
<v Speaker 1>like Finn is like the word. It's like that seems

0:42:45.160 --> 0:42:47.120
<v Speaker 1>like such a cool idea that begetting the first time

0:42:47.160 --> 0:42:51.200
<v Speaker 1>you see it's like this, I'm like cool, I like

0:42:51.440 --> 0:42:53.480
<v Speaker 1>this Star Wars, Like this is a good idea for

0:42:53.560 --> 0:42:55.759
<v Speaker 1>a new Star Wars. I don't know. And it's like

0:42:55.840 --> 0:42:57.440
<v Speaker 1>and you have Lewen Davis and you have all that.

0:42:57.480 --> 0:42:59.279
<v Speaker 1>It's like there's so much there's people who could have

0:42:59.360 --> 0:43:02.840
<v Speaker 1>done things, but they're just like action figure. Nothing happens exactly,

0:43:03.040 --> 0:43:05.560
<v Speaker 1>like so like I think it's yeah, and then two

0:43:05.600 --> 0:43:08.880
<v Speaker 1>women kiss and it's like we did it. It's like

0:43:09.800 --> 0:43:11.960
<v Speaker 1>and it's like totally blinking you missed. It has no

0:43:12.239 --> 0:43:15.759
<v Speaker 1>substance whatsoever. The guy hugging the slug was like held

0:43:15.840 --> 0:43:19.400
<v Speaker 1>that shot for longer, like I love the guy hugging

0:43:19.480 --> 0:43:21.880
<v Speaker 1>the slug. That was one one part where I had

0:43:21.920 --> 0:43:28.960
<v Speaker 1>to turn a Dave and be like, yeah, I don't know,

0:43:29.120 --> 0:43:32.000
<v Speaker 1>and I and I also this is my other hot

0:43:32.080 --> 0:43:34.200
<v Speaker 1>take about this movie and about these new Star Wars

0:43:34.280 --> 0:43:36.239
<v Speaker 1>is in general. I don't know that I shipped them,

0:43:36.640 --> 0:43:40.880
<v Speaker 1>but I like Ray and um Kylo or Ben or

0:43:40.960 --> 0:43:46.840
<v Speaker 1>what horse you do Kylo Wren shipper. Yeah, totally. I

0:43:46.920 --> 0:43:50.840
<v Speaker 1>think it's like a very interesting relationship for a like

0:43:51.040 --> 0:43:54.759
<v Speaker 1>big blockbuster movie. It's a very it's it's very much

0:43:54.960 --> 0:43:58.520
<v Speaker 1>at five version of the like the person that you

0:43:58.640 --> 0:44:01.520
<v Speaker 1>met on a chat or or like a message board

0:44:01.600 --> 0:44:03.480
<v Speaker 1>when you were in junior high that you like have

0:44:03.719 --> 0:44:06.600
<v Speaker 1>some kind of like weird friendship with and you're not

0:44:06.719 --> 0:44:08.560
<v Speaker 1>sure if it's going to turn into something else. Like

0:44:08.640 --> 0:44:10.880
<v Speaker 1>that's like that's in their Darth Vader and then they

0:44:10.920 --> 0:44:12.759
<v Speaker 1>turned into Darth well though, and then and then you

0:44:13.080 --> 0:44:14.880
<v Speaker 1>like find them later on and they're like all right

0:44:14.960 --> 0:44:17.960
<v Speaker 1>or whatever like that, but it's like it's a very

0:44:18.120 --> 0:44:21.640
<v Speaker 1>union I feel like people trying to project like actual

0:44:21.800 --> 0:44:25.040
<v Speaker 1>politics and this it does it's like a fool's errand

0:44:25.080 --> 0:44:27.760
<v Speaker 1>and yet I see like people trying to do it anyway.

0:44:28.080 --> 0:44:29.920
<v Speaker 1>I'm just using that as an example of like what

0:44:30.040 --> 0:44:32.879
<v Speaker 1>if what if you were friends? Like what if through

0:44:32.920 --> 0:44:35.279
<v Speaker 1>the power of the force and or the internet, like

0:44:35.400 --> 0:44:37.520
<v Speaker 1>you could be in contact with something you never would

0:44:37.560 --> 0:44:41.160
<v Speaker 1>have met otherwise, and then like you find out you

0:44:41.239 --> 0:44:43.160
<v Speaker 1>have some things in common. But then it's like, oh God,

0:44:43.280 --> 0:44:45.520
<v Speaker 1>but like you know, but it was it was better

0:44:45.640 --> 0:44:49.040
<v Speaker 1>before they created this thing where they were connected cosmically

0:44:49.200 --> 0:44:52.480
<v Speaker 1>on some genetic or sort of like hereary level, Like

0:44:52.560 --> 0:44:54.200
<v Speaker 1>it was when they just sort of had a thing,

0:44:54.560 --> 0:44:55.880
<v Speaker 1>and then it was like she was but she was

0:44:56.000 --> 0:44:57.960
<v Speaker 1>just a person like that would have been interesting. But

0:44:58.000 --> 0:44:59.239
<v Speaker 1>then when it was like, oh, they were meant to

0:44:59.280 --> 0:45:01.760
<v Speaker 1>be together all because J J Abrams can't not square

0:45:01.840 --> 0:45:05.160
<v Speaker 1>the circus. Okay, I'm going to get very very geeky

0:45:05.239 --> 0:45:07.279
<v Speaker 1>for a second here. Okay, I don't what do they

0:45:07.320 --> 0:45:10.319
<v Speaker 1>call that a diet? Diet the diet of the four? Okay,

0:45:10.360 --> 0:45:12.640
<v Speaker 1>that's bullshit. That's never nobody who knows what that is,

0:45:13.000 --> 0:45:14.960
<v Speaker 1>um except if you're related to somebody I guess, but

0:45:15.080 --> 0:45:21.239
<v Speaker 1>like also healing, like force healing is bullshit. Now they're

0:45:21.320 --> 0:45:24.840
<v Speaker 1>just now they're just Wolverine. And also you know what

0:45:25.080 --> 0:45:27.920
<v Speaker 1>also like in addition to the force heeling is bullshit.

0:45:27.960 --> 0:45:29.640
<v Speaker 1>But also the thing where suddenly, oh now we can

0:45:29.800 --> 0:45:33.640
<v Speaker 1>pass stuff along, that was crazy. We can teleport physical

0:45:33.760 --> 0:45:36.560
<v Speaker 1>objects like like you're telling me, like Obi wan Kenobi

0:45:36.760 --> 0:45:39.200
<v Speaker 1>never figured out how to do that, and no, Yoda

0:45:39.239 --> 0:45:41.600
<v Speaker 1>couldn't do it. There's never been a Jedi before who

0:45:41.640 --> 0:45:43.560
<v Speaker 1>could do it. But it's like then the emperors like, oh,

0:45:43.680 --> 0:45:47.440
<v Speaker 1>sure that you can you Yeah, it's hard, you can

0:45:47.480 --> 0:45:53.120
<v Speaker 1>do it. You guys are talking in wingdings right now. Za, Well,

0:45:53.160 --> 0:45:55.520
<v Speaker 1>I know something that Molly, that you're well versed. I

0:45:55.600 --> 0:45:57.600
<v Speaker 1>was going to say, speaking of a universe that is

0:45:57.760 --> 0:46:03.520
<v Speaker 1>very grounded and has perfect cinemat um and a passionate

0:46:03.600 --> 0:46:09.400
<v Speaker 1>fan passionate fan base um from the eighties Tom Hooper's Cats,

0:46:09.920 --> 0:46:12.680
<v Speaker 1>Tom Hooper's Cats, I wish they would have put Tom

0:46:14.280 --> 0:46:22.120
<v Speaker 1>Cats Cats is the best movie I've ever seen. It's

0:46:22.200 --> 0:46:26.560
<v Speaker 1>so good, Alex, you can you can testify. I will testify.

0:46:26.840 --> 0:46:29.680
<v Speaker 1>I I had an amazing experience. You have the opposite

0:46:29.719 --> 0:46:32.160
<v Speaker 1>experience of the star Wars experience. I had the opposite

0:46:32.200 --> 0:46:34.640
<v Speaker 1>experience of the Star Wars experience. I walked out elated

0:46:34.800 --> 0:46:37.680
<v Speaker 1>and alive with like the power of cinema and music

0:46:37.840 --> 0:46:42.600
<v Speaker 1>and Cats and song. An my the only person who

0:46:42.600 --> 0:46:44.279
<v Speaker 1>didn't see it. You know, I didn't see it. I'm

0:46:44.480 --> 0:46:48.000
<v Speaker 1>I am really struggling here, you guys, everyone I know.

0:46:48.239 --> 0:46:52.200
<v Speaker 1>I was telling Molly and Alex that I know people

0:46:52.360 --> 0:46:55.759
<v Speaker 1>who have seen Cats like you guys, and all of

0:46:55.880 --> 0:46:59.400
<v Speaker 1>them loved the film Cats. Yeah, but it has a

0:46:59.480 --> 0:47:03.560
<v Speaker 1>what like on rotten to me? I personally think critics

0:47:03.600 --> 0:47:07.560
<v Speaker 1>were just showboating on it, and not all of them.

0:47:07.760 --> 0:47:09.920
<v Speaker 1>Critics love to write a bad review. They love to

0:47:10.000 --> 0:47:12.320
<v Speaker 1>trash something that's like I will say it was a

0:47:12.440 --> 0:47:15.560
<v Speaker 1>pile on. It was a lot of critics last film

0:47:15.680 --> 0:47:18.760
<v Speaker 1>to review before the holidays. Having been in this position,

0:47:19.040 --> 0:47:21.839
<v Speaker 1>the last film before you leave for the holidays often

0:47:22.600 --> 0:47:25.239
<v Speaker 1>is just like, I'm gonna go nuts on this thing.

0:47:25.440 --> 0:47:28.360
<v Speaker 1>Yeah I'm and it's unfair, but it kind of is

0:47:28.400 --> 0:47:30.520
<v Speaker 1>just how it isn't and everybody feels insane by that

0:47:30.600 --> 0:47:33.320
<v Speaker 1>time a year. They can surprised me. I think that

0:47:33.360 --> 0:47:36.120
<v Speaker 1>there are two camps. There's people who love the musical

0:47:36.239 --> 0:47:39.720
<v Speaker 1>Cats so much that they wanted like an entirely faithful

0:47:39.719 --> 0:47:43.360
<v Speaker 1>adaptation with no changes whatsoever, the same costumes and makeup

0:47:43.400 --> 0:47:45.880
<v Speaker 1>and everything. Those people don't like it. And then there

0:47:45.920 --> 0:47:48.400
<v Speaker 1>are people who are like, why does this exist? The

0:47:48.600 --> 0:47:51.320
<v Speaker 1>c G I is so bad, like finish good idea

0:47:51.520 --> 0:47:54.360
<v Speaker 1>for a movie, and that's like those are both just

0:47:54.480 --> 0:47:56.640
<v Speaker 1>beside the point. You just have to give yourself over

0:47:56.800 --> 0:48:00.000
<v Speaker 1>to Cats. Yeah, it's really The movie that it reminded

0:48:00.040 --> 0:48:02.920
<v Speaker 1>to me the most of was Holy Motors. I'm not

0:48:03.160 --> 0:48:08.080
<v Speaker 1>kidding to see it. Yeah, Okay, somebody did something where

0:48:08.080 --> 0:48:10.719
<v Speaker 1>they set the gelical Cat song to the beginning of climax,

0:48:10.920 --> 0:48:12.200
<v Speaker 1>and I was like, this is how I'm going to

0:48:12.239 --> 0:48:15.000
<v Speaker 1>get Emily to see Cats. Um, I mean, just to

0:48:15.120 --> 0:48:20.200
<v Speaker 1>tell you it was a French extreme movie, totally French extremists.

0:48:20.480 --> 0:48:24.000
<v Speaker 1>That's the only way to sort of contextualize it cinematically,

0:48:24.200 --> 0:48:25.800
<v Speaker 1>I think, because it's also I mean, it is a

0:48:25.880 --> 0:48:27.640
<v Speaker 1>very faithful version. Would have a good treat about it.

0:48:27.640 --> 0:48:29.120
<v Speaker 1>We were like, this movie would be insane if it

0:48:29.160 --> 0:48:32.000
<v Speaker 1>weren't like a perfectly faithful adaptation of an insane thing. No,

0:48:32.160 --> 0:48:34.880
<v Speaker 1>because it's like I I remember once showing my my

0:48:35.000 --> 0:48:37.239
<v Speaker 1>wife and her sister there was I was like on

0:48:37.360 --> 0:48:40.120
<v Speaker 1>A and E like they broadcast the sort of the

0:48:40.239 --> 0:48:42.120
<v Speaker 1>televised version of it, like they filmed it once, the

0:48:42.200 --> 0:48:44.520
<v Speaker 1>London production or something, the Anderleig Webber one, and they

0:48:44.520 --> 0:48:46.719
<v Speaker 1>had never seen it. And I was like, Okay, you're

0:48:46.760 --> 0:48:49.560
<v Speaker 1>sitting down, We're gonna do this right now. And I

0:48:49.719 --> 0:48:52.560
<v Speaker 1>just like the experience of the movie, like what, like

0:48:52.800 --> 0:48:54.920
<v Speaker 1>what is even? I like they just did not and

0:48:55.000 --> 0:48:56.719
<v Speaker 1>like it's the weirdest thing. And so I felt like

0:48:56.800 --> 0:48:58.840
<v Speaker 1>this was actually I was expecting at some point that

0:48:58.920 --> 0:49:01.800
<v Speaker 1>the cats would be like mumble rapping or something like

0:49:01.880 --> 0:49:04.839
<v Speaker 1>there'd be some sort of like nod to it being

0:49:06.800 --> 0:49:10.480
<v Speaker 1>and like other than like casting, it never really came,

0:49:10.600 --> 0:49:12.680
<v Speaker 1>and that made it so much crazier than if they

0:49:12.800 --> 0:49:14.080
<v Speaker 1>I thought it was just gonna be like trolls, like

0:49:14.120 --> 0:49:16.200
<v Speaker 1>they sing like a Justin Timberlake song at some point,

0:49:16.239 --> 0:49:18.560
<v Speaker 1>and like you know, it's like the it's like eighteen

0:49:18.719 --> 0:49:24.000
<v Speaker 1>nineties London, Yeah, which is incredibly weird to see happened

0:49:24.080 --> 0:49:26.160
<v Speaker 1>at this at this level of budget, with this level

0:49:26.239 --> 0:49:29.200
<v Speaker 1>of excitement. It rules. It's just a tribute to British

0:49:29.320 --> 0:49:32.400
<v Speaker 1>music hall. So it's like the plot is that the

0:49:32.560 --> 0:49:35.719
<v Speaker 1>jellical cats are having the jelical ball where they pick

0:49:35.800 --> 0:49:37.919
<v Speaker 1>the cat that gets to ascend to the heavy side

0:49:37.960 --> 0:49:42.360
<v Speaker 1>layer Old Deuteronomy, the great old cat, the cat that

0:49:42.400 --> 0:49:44.520
<v Speaker 1>ascends to the heavy side layer, and they just are

0:49:44.640 --> 0:49:47.320
<v Speaker 1>all having a competition of like which cat deserves to go?

0:49:48.200 --> 0:49:50.360
<v Speaker 1>And they all sing songs about themselves. Is it like

0:49:50.440 --> 0:49:53.920
<v Speaker 1>survivor um? No, because you don't die if you don't go.

0:49:54.160 --> 0:49:56.880
<v Speaker 1>Sometimes you get thrown on a barge by Macavity, the

0:49:57.000 --> 0:49:59.640
<v Speaker 1>mystery cat, who is played by Idris Elba, who's amazing,

0:50:00.040 --> 0:50:03.760
<v Speaker 1>has amazing the only thing I care about. To be honest,

0:50:03.880 --> 0:50:06.799
<v Speaker 1>the show is like one show stopper after another. They

0:50:06.840 --> 0:50:09.759
<v Speaker 1>also made the great choice to not change the orchestration

0:50:09.880 --> 0:50:12.400
<v Speaker 1>at all, which is like they didn't try to class

0:50:12.480 --> 0:50:14.239
<v Speaker 1>it up and like lame is it up? Which was

0:50:14.440 --> 0:50:16.719
<v Speaker 1>brilliant because if they had it would suck. They just

0:50:16.960 --> 0:50:22.040
<v Speaker 1>kept cord since that they used in the original, so

0:50:22.160 --> 0:50:27.080
<v Speaker 1>it has this just weird kind of vapor wave feeling

0:50:27.200 --> 0:50:30.399
<v Speaker 1>to it the whole time. It is like, yeah, it's

0:50:31.120 --> 0:50:33.880
<v Speaker 1>I learned. What I learned about Cats is that it

0:50:34.040 --> 0:50:36.880
<v Speaker 1>kind of was the Star Wars of musicals. It was

0:50:37.440 --> 0:50:39.759
<v Speaker 1>not expected to be a hit at all. It got

0:50:39.920 --> 0:50:43.239
<v Speaker 1>terrible reviews both in London and on Broadway, but it

0:50:43.360 --> 0:50:47.000
<v Speaker 1>was like a huge, massive hit nonetheless, and it like

0:50:47.280 --> 0:50:52.600
<v Speaker 1>destroyed the like created super musicals created Phantom and Miss

0:50:52.600 --> 0:50:55.680
<v Speaker 1>Sigan and Lamas and all the like big stunt musicals

0:50:55.760 --> 0:50:59.359
<v Speaker 1>that took over. Speaking of lame Is, didn't anybody see

0:50:59.440 --> 0:51:03.600
<v Speaker 1>Tom Hooper is lame Is? Yes, it was fine that

0:51:03.719 --> 0:51:06.759
<v Speaker 1>movie gets trashed on, like like people are really like

0:51:06.880 --> 0:51:08.520
<v Speaker 1>a lot of film critics really have it out for

0:51:08.600 --> 0:51:11.240
<v Speaker 1>Tom Hooper, and I understand because of like king speeches

0:51:11.320 --> 0:51:13.759
<v Speaker 1>bullshit and stupid and boring. But like I actually think

0:51:14.000 --> 0:51:16.840
<v Speaker 1>I like what he did with lame Is enough, But

0:51:16.880 --> 0:51:18.560
<v Speaker 1>I don't have a relationship with cats, so I don't

0:51:18.560 --> 0:51:21.040
<v Speaker 1>really like it's good because he like he gave lame

0:51:21.200 --> 0:51:24.240
<v Speaker 1>Is the appropriate treatment for lame is, he gave cats

0:51:24.280 --> 0:51:26.920
<v Speaker 1>the appropriate treatment for cats. I was seriously worried he

0:51:27.040 --> 0:51:29.160
<v Speaker 1>was going to give cats the lame is and try

0:51:29.239 --> 0:51:32.840
<v Speaker 1>and make it serious and about something, and it's like, no,

0:51:33.000 --> 0:51:35.839
<v Speaker 1>it's falking about cats. You weren't at all put off

0:51:36.040 --> 0:51:39.560
<v Speaker 1>by the c g igal technology at all, And I

0:51:39.680 --> 0:51:42.040
<v Speaker 1>was like worried for the first there was like a

0:51:42.200 --> 0:51:44.920
<v Speaker 1>minute in the beginning, because I convinced like Johnny and

0:51:44.960 --> 0:51:46.719
<v Speaker 1>like our two friends who don't care about casts at all,

0:51:46.800 --> 0:51:48.440
<v Speaker 1>to go, And I was like, what if it's horrible.

0:51:48.480 --> 0:51:51.120
<v Speaker 1>Oh no, But there was like a moment where I

0:51:51.200 --> 0:51:53.359
<v Speaker 1>was concerned, and then I was like, no, this is great.

0:51:53.400 --> 0:51:57.440
<v Speaker 1>They look like people with cat bodies, like it's not

0:51:58.280 --> 0:52:01.120
<v Speaker 1>trying to be they looked like seals. Well, the one

0:52:01.160 --> 0:52:05.360
<v Speaker 1>thing they're plump. The thing that kind of makes me

0:52:05.520 --> 0:52:07.560
<v Speaker 1>a little bit hesitant a better feels like a bummer

0:52:07.600 --> 0:52:09.400
<v Speaker 1>to me about it is that, like so much of

0:52:09.480 --> 0:52:13.279
<v Speaker 1>it is c G. I that the actual fun of

0:52:13.480 --> 0:52:16.200
<v Speaker 1>seeing a musical where people are dancing and doing fun

0:52:16.280 --> 0:52:21.719
<v Speaker 1>movemancing and doing fun movements, there's kinds of yeah, it's

0:52:21.760 --> 0:52:24.200
<v Speaker 1>really it's but do you when you look at it,

0:52:24.280 --> 0:52:26.919
<v Speaker 1>you're like, wow, I can't believe humans are doing that. Yeah,

0:52:26.960 --> 0:52:29.400
<v Speaker 1>they hired lit twins are like in the background of

0:52:29.480 --> 0:52:32.399
<v Speaker 1>every scene just dancing. There is like some very good

0:52:32.480 --> 0:52:38.080
<v Speaker 1>dancing and singing. Um. And the thing that I kept

0:52:38.120 --> 0:52:40.440
<v Speaker 1>thinking that was it was like, but a good version

0:52:40.480 --> 0:52:42.359
<v Speaker 1>of it was because I also saw The Lion King,

0:52:42.560 --> 0:52:46.160
<v Speaker 1>the Disney remake of The Lion King, and that gave

0:52:46.239 --> 0:52:49.239
<v Speaker 1>me the Uncanny Valleys really badly. The whole time. This

0:52:49.440 --> 0:52:52.040
<v Speaker 1>did not because it's like, but that's that that they're

0:52:52.040 --> 0:52:54.319
<v Speaker 1>not trying to be humans. But this is like, you're

0:52:54.360 --> 0:52:56.920
<v Speaker 1>not supposed to believe their cats. They're like humans in

0:52:57.080 --> 0:53:00.520
<v Speaker 1>cat costumes, but the cat costumes are virtual. It's Judy

0:53:00.880 --> 0:53:04.879
<v Speaker 1>Judy Dench star Wars the digital cost Judy Dench plays

0:53:04.960 --> 0:53:08.640
<v Speaker 1>like an old cat named Old Deuteronomy. She's which is

0:53:08.719 --> 0:53:11.600
<v Speaker 1>like reverse gender from how it Yeah, she plays the

0:53:11.640 --> 0:53:13.600
<v Speaker 1>cat who chooses the cat who gets to go, and

0:53:13.840 --> 0:53:17.080
<v Speaker 1>she's just like, I don't know. It's like they're cute,

0:53:17.239 --> 0:53:19.880
<v Speaker 1>you want to hug them. I don't know that I

0:53:19.920 --> 0:53:22.000
<v Speaker 1>wanted to hug them. I wanted to hug They did

0:53:22.040 --> 0:53:24.560
<v Speaker 1>a weird choice. They made a weird choice with the proportions.

0:53:24.600 --> 0:53:26.520
<v Speaker 1>I mean that is the one on Candy Valley thing

0:53:26.600 --> 0:53:28.759
<v Speaker 1>is that everything is whatever scale it needs to be

0:53:29.719 --> 0:53:32.960
<v Speaker 1>given time. Are they tiny cats? It's a very This

0:53:33.040 --> 0:53:35.239
<v Speaker 1>was a weird decision. They seem to have looked. You've looked,

0:53:35.239 --> 0:53:37.200
<v Speaker 1>you've seen a cat. Everybody's seen a cat, right, like,

0:53:37.800 --> 0:53:39.520
<v Speaker 1>so you could have done like, oh, it's a cat

0:53:39.680 --> 0:53:41.960
<v Speaker 1>is like a long thing that has four legs. They're like,

0:53:42.200 --> 0:53:45.239
<v Speaker 1>here's the We're gonna do a cat like from shoulder height.

0:53:45.320 --> 0:53:50.000
<v Speaker 1>This is how that's the impression on the ground. Look

0:53:50.040 --> 0:53:52.440
<v Speaker 1>like those monkeys that come to steal your food national

0:53:52.560 --> 0:53:54.520
<v Speaker 1>parks in other countries. You know, like they have a

0:53:54.719 --> 0:53:57.520
<v Speaker 1>weird sort of simian vibe because it's a human that's this,

0:53:57.800 --> 0:54:00.200
<v Speaker 1>that's a foot tall. It doesn't take place and any

0:54:00.320 --> 0:54:02.840
<v Speaker 1>kind of reality that we know. There are no humans

0:54:02.880 --> 0:54:05.160
<v Speaker 1>and cats. There's no humans and cats. There's nothing to

0:54:05.280 --> 0:54:09.200
<v Speaker 1>scale it. They're in like a a weird abandoned post

0:54:09.239 --> 0:54:13.680
<v Speaker 1>apocalyptic London. Yeah, we're only cats survivor, much like ts

0:54:13.760 --> 0:54:17.920
<v Speaker 1>Eliot's other work, The Wasteland. Emily asked a very quiet

0:54:18.040 --> 0:54:21.320
<v Speaker 1>question that we need to answer, which is how was

0:54:21.360 --> 0:54:25.160
<v Speaker 1>Taylor Swift? Oh she was great, Actually she got her part. Yeah,

0:54:26.719 --> 0:54:29.239
<v Speaker 1>this musical builds and builds, and like I was in

0:54:29.280 --> 0:54:31.360
<v Speaker 1>a theater with not a lot of people, but we

0:54:31.480 --> 0:54:34.080
<v Speaker 1>were all like best friends by the end. You know.

0:54:34.320 --> 0:54:38.560
<v Speaker 1>It was a great bonding film experience. Everybody was singing

0:54:38.600 --> 0:54:41.799
<v Speaker 1>along at certain points. I think if if you give

0:54:41.880 --> 0:54:45.440
<v Speaker 1>yourself over to it, it's really it's really something and

0:54:45.560 --> 0:54:47.680
<v Speaker 1>I just like it, Like washed my brain. All I

0:54:47.719 --> 0:54:50.160
<v Speaker 1>could think about was Cats afterwards, and that was great.

0:54:50.960 --> 0:54:53.120
<v Speaker 1>I'm really bummed that I'm not going to get a

0:54:53.239 --> 0:54:55.400
<v Speaker 1>screener for it. That was the one thing I was

0:54:55.480 --> 0:54:57.279
<v Speaker 1>waiting on a screen. If this movie is going to

0:54:57.360 --> 0:55:00.520
<v Speaker 1>do crazy numbers on streaming, that's my blue You have

0:55:00.719 --> 0:55:04.120
<v Speaker 1>to go and see It's so it's just amazing what

0:55:04.239 --> 0:55:07.080
<v Speaker 1>it brings out of people because also like we were

0:55:07.080 --> 0:55:08.719
<v Speaker 1>in this row. Well, first of all, there was the

0:55:08.920 --> 0:55:11.080
<v Speaker 1>lady in our row who jumped up and it was

0:55:11.160 --> 0:55:12.840
<v Speaker 1>in cat makeup the whole time, and I was like,

0:55:12.920 --> 0:55:15.680
<v Speaker 1>she's just a super fan. I was like, that's really cool,

0:55:15.840 --> 0:55:17.680
<v Speaker 1>and we were just all enjoying the movie together. But

0:55:17.760 --> 0:55:20.000
<v Speaker 1>then like when the open the end credits hit, like

0:55:20.160 --> 0:55:22.640
<v Speaker 1>just right out of her chair up onto that sort

0:55:22.640 --> 0:55:24.759
<v Speaker 1>of little stage front there and arc light and just

0:55:24.920 --> 0:55:28.640
<v Speaker 1>doing the full like cat dance and everybody's cheering. She

0:55:28.880 --> 0:55:30.640
<v Speaker 1>was really a super fan. But then the person I

0:55:30.719 --> 0:55:33.000
<v Speaker 1>felt bad for there was a lady like one row

0:55:33.080 --> 0:55:36.080
<v Speaker 1>back from us UM and everybody was just mystery science

0:55:36.120 --> 0:55:38.680
<v Speaker 1>theatering the hell out of it, like to their partner.

0:55:38.760 --> 0:55:40.680
<v Speaker 1>But then one guy was doing it sort of out loud.

0:55:40.719 --> 0:55:43.640
<v Speaker 1>It was not me. I swear, and he was getting

0:55:43.640 --> 0:55:45.200
<v Speaker 1>a little he was not funny, and he was getting

0:55:45.200 --> 0:55:47.319
<v Speaker 1>a little bit sort of like volume increasing, like trying

0:55:47.360 --> 0:55:50.000
<v Speaker 1>to get a reaction everything. And so Memory is coming up,

0:55:50.000 --> 0:55:53.040
<v Speaker 1>which is the big number, the big sad song, and

0:55:53.120 --> 0:55:55.200
<v Speaker 1>it's like, I mean the ascent to the heavy side

0:55:55.280 --> 0:55:57.960
<v Speaker 1>layers like Awards season, like you have to perform your suffering,

0:55:58.040 --> 0:56:00.879
<v Speaker 1>and so Jennifer Hudson does this amazing version of Memory

0:56:00.960 --> 0:56:03.040
<v Speaker 1>that's like actually really it's like legit, like she just

0:56:03.280 --> 0:56:05.080
<v Speaker 1>you know, cuts your heart out after this, you're laughing

0:56:05.120 --> 0:56:07.360
<v Speaker 1>at this whole movie. And then like she's incredible, and

0:56:07.480 --> 0:56:09.279
<v Speaker 1>but you know, you have somebody has to land that.

0:56:10.200 --> 0:56:13.240
<v Speaker 1>So this song is coming up, and like the guys

0:56:13.280 --> 0:56:16.080
<v Speaker 1>like doing his commentary and like this lady clearly is

0:56:16.080 --> 0:56:18.480
<v Speaker 1>this cat superman who knows when Memory is coming. And

0:56:18.640 --> 0:56:21.440
<v Speaker 1>she's like, could you please like just give me this

0:56:21.640 --> 0:56:24.200
<v Speaker 1>one moment that I'm going to have with this and

0:56:24.280 --> 0:56:27.360
<v Speaker 1>then like everybody was quiet from Memory. Oh my gosh.

0:56:28.600 --> 0:56:31.080
<v Speaker 1>Well I learned something about the plot of Cats that

0:56:31.160 --> 0:56:33.520
<v Speaker 1>makes it make a little more sense, um, which is

0:56:33.600 --> 0:56:36.600
<v Speaker 1>that apparently it's well known among everybody in England that

0:56:36.840 --> 0:56:41.839
<v Speaker 1>tuxedo cats can become invisible on the vernal equinox. Learn

0:56:41.920 --> 0:56:44.200
<v Speaker 1>this looking up stuff about my own black and white cat.

0:56:44.880 --> 0:56:47.160
<v Speaker 1>But I was like, oh yeah, people who are like

0:56:47.400 --> 0:56:49.839
<v Speaker 1>cat makes no sense. It's like it makes its own

0:56:50.080 --> 0:56:53.520
<v Speaker 1>kind of sense. It makes it has its own like

0:56:53.640 --> 0:56:56.560
<v Speaker 1>a Star Wars. It has an internal logic that is flawless,

0:56:56.800 --> 0:57:01.160
<v Speaker 1>but like impenetrable if you don't your I always understood

0:57:01.160 --> 0:57:03.560
<v Speaker 1>I've never seen the show. I've never have no, I've

0:57:03.600 --> 0:57:05.359
<v Speaker 1>never really I mean I know some of the songs

0:57:05.400 --> 0:57:08.080
<v Speaker 1>from it, just by osmosis, but I just didn't. I

0:57:08.120 --> 0:57:10.200
<v Speaker 1>assumed it didn't have a plot. Like I assumed it

0:57:10.280 --> 0:57:12.880
<v Speaker 1>was basically like a review. It is a review. I

0:57:12.960 --> 0:57:15.719
<v Speaker 1>mean after we saw it, like my boyfriend was like,

0:57:15.760 --> 0:57:18.919
<v Speaker 1>what is this moving about? They just introduced themselves. Well yeah,

0:57:18.920 --> 0:57:21.600
<v Speaker 1>and I was like, it's about class, Like some of

0:57:21.680 --> 0:57:24.240
<v Speaker 1>the cats are rich and live off the rich people

0:57:24.360 --> 0:57:26.800
<v Speaker 1>scraps and someone and that's the James Cordon cat. And

0:57:26.880 --> 0:57:30.560
<v Speaker 1>some of the cats are poor and destitute, like Grizabella.

0:57:31.320 --> 0:57:34.800
<v Speaker 1>It's about London. It's implied that Grizabella is a sex

0:57:34.880 --> 0:57:36.960
<v Speaker 1>worker of some kind, is it? I never picked that

0:57:37.080 --> 0:57:40.560
<v Speaker 1>up as a child, But that's the one who sings Memory,

0:57:41.560 --> 0:57:43.640
<v Speaker 1>and they're like, she was a great star on the

0:57:43.760 --> 0:57:47.400
<v Speaker 1>Cat stage and now she's But it's weird because she

0:57:47.560 --> 0:57:50.040
<v Speaker 1>seems young for that role. She is young for the role.

0:57:50.080 --> 0:57:52.000
<v Speaker 1>I thought Judy Dench would be here. And also Judi

0:57:52.040 --> 0:57:53.480
<v Speaker 1>Dench I found out was supposed to be in the

0:57:53.520 --> 0:57:56.760
<v Speaker 1>original production of Cats and like sprained her ankle during

0:57:56.880 --> 0:57:59.280
<v Speaker 1>rehearsals and couldn't do it. So she's been waiting to

0:57:59.360 --> 0:58:04.200
<v Speaker 1>do Cats this whole time. Juden sings Memory somewhere she

0:58:04.680 --> 0:58:07.760
<v Speaker 1>she was supposed to originate one of the rules sent

0:58:07.840 --> 0:58:10.240
<v Speaker 1>in the class. Just like all the cats, all the

0:58:10.360 --> 0:58:13.800
<v Speaker 1>names of the cats are really funny and fun to say. Yes,

0:58:13.920 --> 0:58:17.680
<v Speaker 1>skimble Shanks and I would I left my body while

0:58:17.720 --> 0:58:19.920
<v Speaker 1>that was happening because I couldn't believe it because it

0:58:20.000 --> 0:58:22.280
<v Speaker 1>was also you know, first of all, it's like, oh,

0:58:22.480 --> 0:58:24.760
<v Speaker 1>he's a railway cat. You know, a railway cat like

0:58:25.920 --> 0:58:30.520
<v Speaker 1>everybody in kids, everybody knows a railway it's working class cats. Yeah,

0:58:30.600 --> 0:58:32.960
<v Speaker 1>but he's like a he's like a station master. He's

0:58:32.960 --> 0:58:36.600
<v Speaker 1>got a hat. He was skimble Shank. He's the railway

0:58:36.680 --> 0:58:40.480
<v Speaker 1>cat who plays skimble Shank. I don't know. With the

0:58:40.560 --> 0:58:43.439
<v Speaker 1>mustarch looks like the guy from Eagles of Death Metal,

0:58:43.600 --> 0:58:49.400
<v Speaker 1>Like as a cat, I can't read this tap dancing on. Yeah,

0:58:49.920 --> 0:58:52.400
<v Speaker 1>it's it's so good. Is this the kind of thing

0:58:52.480 --> 0:58:54.480
<v Speaker 1>where if you were in a union you would get

0:58:54.520 --> 0:58:57.080
<v Speaker 1>a screener or no, you seem to imply no, no,

0:58:57.360 --> 0:59:02.240
<v Speaker 1>the coman you can't actually something That's really bothering me too,

0:59:02.320 --> 0:59:04.680
<v Speaker 1>because I hate that everybody associated with it is like

0:59:05.080 --> 0:59:07.480
<v Speaker 1>running away from it, you know, like because it's a bomb,

0:59:07.480 --> 0:59:10.080
<v Speaker 1>because it's like it's going to have cult appeal for

0:59:10.160 --> 0:59:12.280
<v Speaker 1>a million years. It is, It's going to be an

0:59:12.360 --> 0:59:14.880
<v Speaker 1>instant Rocky Horror. I felt like I was watching Rocky

0:59:14.920 --> 0:59:18.360
<v Speaker 1>Horror in the theater on opening weekends and like if

0:59:18.440 --> 0:59:21.200
<v Speaker 1>any of those people, like if if Taylor Swifter or

0:59:21.200 --> 0:59:23.120
<v Speaker 1>whoever was like, you know what. I thought it was

0:59:23.160 --> 0:59:24.920
<v Speaker 1>a fun thing to do, and I'm glad I did it,

0:59:25.200 --> 0:59:27.600
<v Speaker 1>Like I hope people enjoy it forever, like that would

0:59:27.640 --> 0:59:30.480
<v Speaker 1>be cool. The fact that everyone's like not doing a

0:59:30.560 --> 0:59:33.120
<v Speaker 1>press tour, like James Cordon claimed he hadn't seen it

0:59:33.320 --> 0:59:36.080
<v Speaker 1>even it's just like maybe it wasn't a lot of

0:59:36.160 --> 0:59:38.800
<v Speaker 1>fun to make. Oh it looks like a lot of fun.

0:59:38.880 --> 0:59:42.439
<v Speaker 1>It may look like maybe it was a bad really

0:59:42.520 --> 0:59:46.880
<v Speaker 1>difficulty had a great time in cat school. I mean,

0:59:46.920 --> 0:59:49.320
<v Speaker 1>I think they probably didn't know it was probably entirely

0:59:49.400 --> 0:59:51.680
<v Speaker 1>green screen. They had no idea what movie they were

0:59:51.760 --> 0:59:54.600
<v Speaker 1>making while it was happening, so you know, and that's

0:59:54.640 --> 0:59:56.600
<v Speaker 1>how you make a great film. But no, we should not.

0:59:56.720 --> 0:59:58.760
<v Speaker 1>We cannot let this just sort of go directly to

0:59:58.880 --> 1:00:00.840
<v Speaker 1>riff tracks, like we can't just let them have it.

1:00:00.920 --> 1:00:03.080
<v Speaker 1>Like we should all sort of embrace this while we

1:00:03.160 --> 1:00:05.000
<v Speaker 1>can see it in the theater. It's all. Yeah, I mean,

1:00:05.120 --> 1:00:07.720
<v Speaker 1>it's not an original movie, but it is like the

1:00:07.960 --> 1:00:12.560
<v Speaker 1>weirdest big budget movie I've ever seen, and that to

1:00:12.640 --> 1:00:16.720
<v Speaker 1>me is an accomplishment. You know. Well, I feel like, yeah,

1:00:16.720 --> 1:00:18.400
<v Speaker 1>I I feel like it's not going to go away.

1:00:18.520 --> 1:00:20.400
<v Speaker 1>I feel like it's it's going to be like a

1:00:20.560 --> 1:00:26.880
<v Speaker 1>ten years from now, forever now and forever now and forever.

1:00:27.040 --> 1:00:29.400
<v Speaker 1>Maybe Emily and I just aren't cat people and you

1:00:29.480 --> 1:00:32.120
<v Speaker 1>guys are cat people. Maybe we're dog people. Oh, I'm

1:00:32.120 --> 1:00:33.840
<v Speaker 1>going to see it. I'm not like I'm not. I'm

1:00:33.920 --> 1:00:36.800
<v Speaker 1>just like I I and I agree with you that

1:00:36.960 --> 1:00:39.680
<v Speaker 1>it's not going to go away. But yeah, I just

1:00:39.760 --> 1:00:41.720
<v Speaker 1>haven't seen it. I'm not going to see this movie.

1:00:42.000 --> 1:00:44.880
<v Speaker 1>It gives everyone. Someone has to say that it gives

1:00:44.920 --> 1:00:49.200
<v Speaker 1>everyone the toxoplasmosis that you get from cats. But don't

1:00:49.240 --> 1:00:52.600
<v Speaker 1>forget that huffing cat pe as the study proved a

1:00:52.640 --> 1:00:56.040
<v Speaker 1>couple of years ago makes you more ambitious. It's true.

1:00:56.240 --> 1:00:59.040
<v Speaker 1>Thanks everyone, and thank you Alex for coming by to

1:00:59.120 --> 1:01:02.000
<v Speaker 1>talk about the two most important movies of nine and

1:01:03.080 --> 1:01:10.680
<v Speaker 1>possibly um Where can people find you on the internet? God, Twitter,

1:01:13.320 --> 1:01:17.280
<v Speaker 1>hiding out on Twitter, and you know various luck rack

1:01:17.400 --> 1:01:20.120
<v Speaker 1>Maybe I think muck muck rack is where you can

1:01:20.160 --> 1:01:22.400
<v Speaker 1>see all that I've discovered, this that my mom found it.

1:01:22.480 --> 1:01:25.800
<v Speaker 1>That's where all the stuff that I wrote goes. He's

1:01:25.800 --> 1:01:28.760
<v Speaker 1>aggregating you, all of you probably being aggregated to it

1:01:28.840 --> 1:01:31.680
<v Speaker 1>aggregates and then you can email them and take control

1:01:31.800 --> 1:01:35.880
<v Speaker 1>of your profile if you wish. Sounds exhausting, well find

1:01:36.000 --> 1:01:46.080
<v Speaker 1>Alex Papadimus on muck rack, Dot, hiding out on letterbox rating. UM.

1:01:46.160 --> 1:01:48.600
<v Speaker 1>We will be back next week. Give us a night

1:01:48.640 --> 1:01:51.280
<v Speaker 1>call in the meantime. Our numbers one to four oh

1:01:51.440 --> 1:01:54.280
<v Speaker 1>four sixth night. You can also follow us on Twitter

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<v Speaker 1>at Night called Pod, Instagram and Facebook at Night Call

1:01:58.160 --> 1:02:01.480
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1:02:01.560 --> 1:02:05.960
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1:02:06.160 --> 1:02:09.439
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1:02:09.600 --> 1:02:23.560
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1:02:23.600 --> 1:02:26.480
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