WEBVTT - Life After Contact

0:00:00.120 --> 0:00:02.720
<v Speaker 1>I would like to believe that if aliens really took

0:00:02.759 --> 0:00:06.360
<v Speaker 1>over the Earth, that I would become a fearless resistance fighter.

0:00:06.720 --> 0:00:10.800
<v Speaker 1>I'd be living underground, I'd be stealing alien technology, but

0:00:10.920 --> 0:00:14.360
<v Speaker 1>most of all, I'd be making those inspirational speeches right

0:00:14.400 --> 0:00:17.640
<v Speaker 1>before the dangerous missions. But I really don't know. I've

0:00:17.680 --> 0:00:20.680
<v Speaker 1>got no army training. I'm not good with camping. I

0:00:20.720 --> 0:00:24.360
<v Speaker 1>really do like indoor plumbing and air conditioning. So honestly,

0:00:24.600 --> 0:00:26.200
<v Speaker 1>I think it could be really tough for me to

0:00:26.280 --> 0:00:29.160
<v Speaker 1>survive one of those invasions. But Brent, I don't know

0:00:29.240 --> 0:00:31.480
<v Speaker 1>if you've given any thought to how you would get

0:00:31.480 --> 0:00:32.720
<v Speaker 1>through an alien invasion.

0:00:33.120 --> 0:00:35.640
<v Speaker 2>I've thought about this a lot. Actually, Oh good, Yeah,

0:00:35.680 --> 0:00:38.640
<v Speaker 2>and so I have exactly the same amount of skills

0:00:38.680 --> 0:00:42.879
<v Speaker 2>that you do in terms of surviving. If you think

0:00:42.920 --> 0:00:46.159
<v Speaker 2>about it, there seems to be three different lanes you

0:00:46.200 --> 0:00:48.440
<v Speaker 2>can pick. There's the I'm going to roll over and

0:00:48.479 --> 0:00:51.600
<v Speaker 2>assimilate and just be a good soldier. I'm going to

0:00:51.760 --> 0:00:55.120
<v Speaker 2>join a resistance and fight and try and bring down

0:00:55.400 --> 0:01:00.200
<v Speaker 2>the alien overlords. Or I'm going to be a double agent. Yeah. So,

0:01:01.160 --> 0:01:04.120
<v Speaker 2>even though I have qualms about the moral and ethical

0:01:04.600 --> 0:01:07.880
<v Speaker 2>gray area of that, if you will. It sounds more exciting,

0:01:08.319 --> 0:01:10.840
<v Speaker 2>So I think I would go with collaborator.

0:01:10.959 --> 0:01:15.039
<v Speaker 1>It's completely defensible for you because no matter who you're

0:01:15.080 --> 0:01:17.720
<v Speaker 1>talking to, you get to say I'm actually on your side.

0:01:17.840 --> 0:01:20.920
<v Speaker 1>I've only been pretending yes to do the other. That's

0:01:21.160 --> 0:01:24.400
<v Speaker 1>really smart. What you don't want to become is an

0:01:24.520 --> 0:01:29.160
<v Speaker 1>enthusiastic collaborator. But I'm afraid that if I was collaborating,

0:01:29.160 --> 0:01:32.840
<v Speaker 1>I'd be one of those reluctant middle management collaborators, the

0:01:32.880 --> 0:01:36.520
<v Speaker 1>guys that has preservations but just trying to make things

0:01:36.600 --> 0:01:37.040
<v Speaker 1>work out.

0:01:37.160 --> 0:01:39.279
<v Speaker 2>That's my nightmare scenario. I like yours.

0:01:39.400 --> 0:01:41.240
<v Speaker 1>I'm going to go with double agent from now on.

0:01:41.600 --> 0:01:44.880
<v Speaker 1>But this whole thing, this episode Life After Contact, has

0:01:44.920 --> 0:01:48.840
<v Speaker 1>been really fun because to try to imagine what actually

0:01:48.960 --> 0:01:51.360
<v Speaker 1>might happen, because we've done a lot where we're talking

0:01:51.400 --> 0:01:55.120
<v Speaker 1>about are there movies that actually reflect something that's really

0:01:55.160 --> 0:01:57.560
<v Speaker 1>going on right now? But clearly, if we're going to

0:01:57.640 --> 0:02:02.680
<v Speaker 1>do a show about life after Contact where contact has

0:02:02.720 --> 0:02:06.120
<v Speaker 1>occurred in some result and they're here with us on

0:02:06.200 --> 0:02:08.600
<v Speaker 1>Earth right now, I may believe they're here on Earth

0:02:08.680 --> 0:02:12.200
<v Speaker 1>right now, some of them, but I don't actually see

0:02:12.240 --> 0:02:15.360
<v Speaker 1>evidence that we are having the boot of aliens on

0:02:15.480 --> 0:02:18.600
<v Speaker 1>us on a daily basis, and so really the question

0:02:18.840 --> 0:02:22.240
<v Speaker 1>we're answering today is once the ships stop arriving and

0:02:22.320 --> 0:02:25.760
<v Speaker 1>these aliens settle in, there's a lot of different ways

0:02:25.800 --> 0:02:28.960
<v Speaker 1>to go. And I hadn't actually thought of this until

0:02:29.000 --> 0:02:31.280
<v Speaker 1>we started looking into all these movies. We've got a

0:02:31.280 --> 0:02:34.320
<v Speaker 1>bunch of them today. Freedom Fighter and Collaborator obviously the

0:02:34.360 --> 0:02:39.200
<v Speaker 1>ones the big choices, but we found places where there's refugees,

0:02:39.280 --> 0:02:43.560
<v Speaker 1>and certainly there's bureaucrats out there, and neighbors and even

0:02:43.720 --> 0:02:46.280
<v Speaker 1>romantic partners and a few of them, which is very

0:02:46.520 --> 0:02:49.600
<v Speaker 1>odd and strange. But mostly I think a lot of

0:02:49.600 --> 0:02:51.639
<v Speaker 1>people would just turn out to be the guy that's

0:02:51.680 --> 0:02:54.040
<v Speaker 1>trying to keep his lights on without getting vaporized.

0:02:54.280 --> 0:02:57.960
<v Speaker 2>That tends to be the most common storyline. Although I

0:02:58.000 --> 0:03:00.680
<v Speaker 2>do notice that most of the time Hollywood casts the

0:03:00.720 --> 0:03:03.880
<v Speaker 2>heroes as rebels. That the people that you're usually following

0:03:03.919 --> 0:03:07.239
<v Speaker 2>in these stories, if there is some sort of resistance

0:03:07.320 --> 0:03:11.000
<v Speaker 2>or rebellion, those are the characters you'll be following, right,

0:03:11.840 --> 0:03:14.760
<v Speaker 2>which I think makes sense from a dramatic standpoint. That's

0:03:14.800 --> 0:03:18.360
<v Speaker 2>the toughest character arc. You're against all odds, you're just

0:03:18.440 --> 0:03:21.200
<v Speaker 2>one guy. You're part of a resistance. At any time

0:03:21.240 --> 0:03:24.560
<v Speaker 2>you could get caught and probably killed. And it's a

0:03:24.600 --> 0:03:27.079
<v Speaker 2>David versus Goliath story, So what's not to love.

0:03:27.240 --> 0:03:31.040
<v Speaker 1>I've been on a film festival of post contact interaction

0:03:31.520 --> 0:03:34.239
<v Speaker 1>and the one thing that kind of struck me after

0:03:34.320 --> 0:03:36.680
<v Speaker 1>watching all these things is, if you think about it,

0:03:36.760 --> 0:03:41.440
<v Speaker 1>first contact is like an event, that's something that happens

0:03:41.480 --> 0:03:44.920
<v Speaker 1>at some point in these movies or even in the

0:03:44.920 --> 0:03:48.640
<v Speaker 1>backstory of the movie. A bunch of ships come and

0:03:48.960 --> 0:03:51.680
<v Speaker 1>quite often a specific number of them, which is very

0:03:51.680 --> 0:03:56.760
<v Speaker 1>interesting as well. But if first contacts an event, coexistence

0:03:57.080 --> 0:04:00.800
<v Speaker 1>is a political system. And I find that very interesting

0:04:00.960 --> 0:04:02.760
<v Speaker 1>because as we look through the films we're going to

0:04:02.840 --> 0:04:05.360
<v Speaker 1>be talking about today and the TV series. In fact,

0:04:05.360 --> 0:04:09.160
<v Speaker 1>TV series are quite prominent in this world. It's how

0:04:09.200 --> 0:04:13.320
<v Speaker 1>they are trying to organize themselves. After this clash of

0:04:13.360 --> 0:04:16.400
<v Speaker 1>cultures that we were talking about in our previous episode.

0:04:16.520 --> 0:04:20.520
<v Speaker 1>I've had it fascinating, and it actually one began.

0:04:20.240 --> 0:04:21.240
<v Speaker 2>To inform the other.

0:04:21.480 --> 0:04:23.400
<v Speaker 1>I would watch We'll get to all this later, but

0:04:23.480 --> 0:04:26.840
<v Speaker 1>you watch Alien Nation, which comes from the eighties, and

0:04:26.880 --> 0:04:29.880
<v Speaker 1>then you get to watch District nine from the two thousands,

0:04:30.279 --> 0:04:33.600
<v Speaker 1>and they seem to have evolved in their own way.

0:04:34.000 --> 0:04:36.640
<v Speaker 2>Yeah, I have to say that when we were preparing

0:04:36.680 --> 0:04:40.240
<v Speaker 2>for this, and I'd seen a lot of this content before,

0:04:40.320 --> 0:04:43.240
<v Speaker 2>but I went back and refreshed myself on several of

0:04:43.279 --> 0:04:46.640
<v Speaker 2>the things. First of all, the sheer volume of times

0:04:46.680 --> 0:04:50.080
<v Speaker 2>this story has been told that the Life after contact

0:04:50.640 --> 0:04:52.800
<v Speaker 2>surprised me. I knew it had been told a couple

0:04:52.839 --> 0:04:56.040
<v Speaker 2>of times, we have talked about this just in our

0:04:56.080 --> 0:04:59.720
<v Speaker 2>personal lives before. But I also was starting to get

0:04:59.720 --> 0:05:02.400
<v Speaker 2>all the the details blurred together when I was trying

0:05:02.440 --> 0:05:06.039
<v Speaker 2>to keep track of one movie versus a TV show. Okay, wait,

0:05:06.080 --> 0:05:09.240
<v Speaker 2>so this one was the Resistance called this, but then

0:05:09.279 --> 0:05:11.480
<v Speaker 2>this one that was called this, and this one they

0:05:11.480 --> 0:05:14.240
<v Speaker 2>were successful, and this one they weren't. To forgive me.

0:05:14.440 --> 0:05:16.200
<v Speaker 2>If I get a bunch of stuff mixed out, I

0:05:16.240 --> 0:05:18.479
<v Speaker 2>think I've got it straight. But there's a lot of

0:05:18.480 --> 0:05:20.560
<v Speaker 2>plates to spin, and it's spinning.

0:05:20.640 --> 0:05:23.000
<v Speaker 1>Listen, I'm just going to give people a little some

0:05:23.839 --> 0:05:25.839
<v Speaker 1>things to think about as we go into our first

0:05:25.880 --> 0:05:28.920
<v Speaker 1>break here. One of the reasons that this is a

0:05:28.960 --> 0:05:32.480
<v Speaker 1>popular thing is that it allows writers to comment on

0:05:32.640 --> 0:05:37.120
<v Speaker 1>humans by virtue of the mirror of the aliens. So

0:05:37.200 --> 0:05:40.160
<v Speaker 1>a great example of that of course would be District nine,

0:05:40.200 --> 0:05:43.880
<v Speaker 1>which talks about apartheid and alienation, which I mentioned talks

0:05:43.920 --> 0:05:48.560
<v Speaker 1>about immigration. They're both the same coin, but the different

0:05:48.600 --> 0:05:51.400
<v Speaker 1>sides of it. And then V of course was talking

0:05:51.440 --> 0:05:55.159
<v Speaker 1>about fascism and colony, which we'll talk about the TV

0:05:55.279 --> 0:05:58.760
<v Speaker 1>series that's really talking about occupation. It's like the French

0:05:59.120 --> 0:06:02.839
<v Speaker 1>resistance thing. And the film that we probably Bulchosa I

0:06:02.960 --> 0:06:06.960
<v Speaker 1>was Captive State, which is that colonial exploitation. And then

0:06:07.000 --> 0:06:09.080
<v Speaker 1>of course the big one that's hot right now is

0:06:09.240 --> 0:06:11.720
<v Speaker 1>the conformity of pluribus. So yes, a lot of thanks

0:06:11.760 --> 0:06:14.080
<v Speaker 1>for us to talk about. We're just getting started, so

0:06:14.160 --> 0:06:16.000
<v Speaker 1>stay with us. We'll talk about it. On the other

0:06:16.040 --> 0:06:16.440
<v Speaker 1>side of.

0:06:16.400 --> 0:06:37.720
<v Speaker 2>This, I'm Brent Friedman. Years ago, a family friend who

0:06:37.800 --> 0:06:41.159
<v Speaker 2>became a cabinet member in the Reagan administration just closed

0:06:41.160 --> 0:06:44.640
<v Speaker 2>to me that aliens are real, they're here, and he'd

0:06:44.680 --> 0:06:46.479
<v Speaker 2>seen them. I'm Bryce's Abel.

0:06:46.760 --> 0:06:50.640
<v Speaker 1>Later, when we were producing Dark Skies, an NBCTV series

0:06:50.680 --> 0:06:53.760
<v Speaker 1>about an alien invasion, we were approached by men who

0:06:53.800 --> 0:06:56.680
<v Speaker 1>said they were from the Office of Naval Intelligence and

0:06:56.720 --> 0:07:00.840
<v Speaker 1>they wanted to give us inside information in exchange for as.

0:07:00.480 --> 0:07:03.719
<v Speaker 2>To our show. We didn't take that deal, but we

0:07:03.800 --> 0:07:05.520
<v Speaker 2>have never stopped thinking about it.

0:07:06.040 --> 0:07:09.400
<v Speaker 1>That's why we do this podcast. We're working out ideas

0:07:09.400 --> 0:07:14.800
<v Speaker 1>in real time about how Hollywood is portrayed aliens and why.

0:07:14.200 --> 0:07:18.440
<v Speaker 2>Every episode is different because there are so many questions.

0:07:18.160 --> 0:07:21.560
<v Speaker 1>We're looking for answers. It's an active investigation. Let's do

0:07:21.680 --> 0:07:22.200
<v Speaker 1>this together.

0:07:46.520 --> 0:07:49.960
<v Speaker 2>So before we jump into our slate of movies and

0:07:50.000 --> 0:07:52.280
<v Speaker 2>series today, I just want to mention that we have

0:07:52.840 --> 0:07:58.200
<v Speaker 2>already talked about movies that are based on life after contact.

0:07:58.440 --> 0:08:01.200
<v Speaker 2>They were a little bit more hostile, talked about Independence Day,

0:08:01.240 --> 0:08:04.000
<v Speaker 2>we talked about Mars attacks, and later we're going to

0:08:04.000 --> 0:08:06.720
<v Speaker 2>be talking about movies that are a little more subversive,

0:08:06.880 --> 0:08:09.360
<v Speaker 2>like Invasion of the Body Snatchers or they Live where

0:08:09.840 --> 0:08:13.720
<v Speaker 2>contact hasn't really happened, but the invasion has begun. So

0:08:13.760 --> 0:08:16.000
<v Speaker 2>there's a lot of different wrinkles on this. But I

0:08:16.040 --> 0:08:19.920
<v Speaker 2>think right now let's jump into our first TV series.

0:08:20.000 --> 0:08:23.360
<v Speaker 2>It was from Apple. It was a series called Invasion,

0:08:23.560 --> 0:08:27.720
<v Speaker 2>and it's basically about an alien attack on Earth that's

0:08:27.760 --> 0:08:30.560
<v Speaker 2>going to be a common refrain, but from the perspectives

0:08:30.560 --> 0:08:35.199
<v Speaker 2>of ordinary citizens that are scattered across multiple continents, and

0:08:35.520 --> 0:08:38.520
<v Speaker 2>all of these distinct characters are really trying to make

0:08:38.720 --> 0:08:42.640
<v Speaker 2>sense of what's happened and survive in the chaos you've got.

0:08:42.880 --> 0:08:44.640
<v Speaker 2>I'm not going to get into all the characters' names,

0:08:44.640 --> 0:08:46.720
<v Speaker 2>by the way, because I think Bryce you can agree.

0:08:46.840 --> 0:08:48.920
<v Speaker 2>If we think about all the characters' names we're going

0:08:49.000 --> 0:08:51.720
<v Speaker 2>to mention in this show, it would be overwhelming. So

0:08:52.080 --> 0:08:56.599
<v Speaker 2>we've got a mother who's discovered a powerful alien artifact

0:08:56.640 --> 0:08:59.719
<v Speaker 2>and she's dealing with her husband's infidelity. We've got a

0:08:59.760 --> 0:09:03.840
<v Speaker 2>calm specialist who's grieving the loss of her astronomer astronaut

0:09:03.920 --> 0:09:07.600
<v Speaker 2>lover while investigating the extraterrestrial signal, and so you can

0:09:07.640 --> 0:09:09.880
<v Speaker 2>see a theme coming up here. We've got a Navy

0:09:09.920 --> 0:09:13.160
<v Speaker 2>seal whose squad is ambushed by the invaders and killed,

0:09:13.240 --> 0:09:16.079
<v Speaker 2>leaving him to fight to try and return to his family.

0:09:16.480 --> 0:09:19.880
<v Speaker 2>And then finally, a British schoolboy who begins experiencing terrifying

0:09:19.960 --> 0:09:23.480
<v Speaker 2>visions and develops a mysterious psychic connection to the alien

0:09:23.559 --> 0:09:26.319
<v Speaker 2>hive mind. So this is really a story where everyone

0:09:26.320 --> 0:09:29.880
<v Speaker 2>has a personal problem or backstory or baggage that they're

0:09:29.880 --> 0:09:31.959
<v Speaker 2>trying to work through while they're also trying to make

0:09:32.000 --> 0:09:34.079
<v Speaker 2>sense with the alien storyline.

0:09:34.240 --> 0:09:37.560
<v Speaker 1>As you mentioned, it's Apple TV that has this, and

0:09:38.040 --> 0:09:40.839
<v Speaker 1>I know they've done three seasons. I've seen every episode.

0:09:40.920 --> 0:09:43.880
<v Speaker 1>A good friend of mine, director Sylvan White, has directed

0:09:44.160 --> 0:09:48.600
<v Speaker 1>multiple episodes. It's got a great pedigree, no issue about that.

0:09:49.240 --> 0:09:52.880
<v Speaker 1>I'll just admit something that most people who have seen

0:09:52.960 --> 0:09:55.440
<v Speaker 1>it would say anyway, and that the critics have said

0:09:55.720 --> 0:09:59.200
<v Speaker 1>the first season seemed incredibly slow to people. It's just

0:09:59.760 --> 0:10:03.400
<v Speaker 1>for to get places. To the average person, I was

0:10:03.559 --> 0:10:05.760
<v Speaker 1>willing to cut it a lot of slack because I

0:10:05.880 --> 0:10:08.160
<v Speaker 1>really felt, obviously, people have dropped a lot of money

0:10:08.200 --> 0:10:10.360
<v Speaker 1>on this thing, and people have spent a lot of

0:10:10.440 --> 0:10:13.400
<v Speaker 1>time thinking about it. The execution is beautiful, and it's

0:10:13.480 --> 0:10:16.840
<v Speaker 1>interesting to me because with season two and with season three,

0:10:16.960 --> 0:10:19.920
<v Speaker 1>with each one, the alien invasion part gets a little

0:10:19.920 --> 0:10:23.559
<v Speaker 1>more authentic and real. The aliens are more front and center,

0:10:24.080 --> 0:10:27.199
<v Speaker 1>and it felt to me like somebody in the executive

0:10:27.280 --> 0:10:30.360
<v Speaker 1>offices had a note saying, come on, let's get to it, folks.

0:10:30.880 --> 0:10:33.040
<v Speaker 1>I do think it is interesting, though it's probably the

0:10:33.120 --> 0:10:36.720
<v Speaker 1>thinking man's invasion piece. It's not for the popcorn crowd

0:10:36.920 --> 0:10:39.680
<v Speaker 1>like say V might be or something like that. It's

0:10:39.720 --> 0:10:43.320
<v Speaker 1>got big thoughts and big ideas it wants to lay

0:10:43.360 --> 0:10:46.160
<v Speaker 1>out there, and there's nothing simple about it.

0:10:46.200 --> 0:10:46.320
<v Speaker 2>Now.

0:10:46.320 --> 0:10:49.079
<v Speaker 1>It is interesting, as many of these things do print,

0:10:49.240 --> 0:10:52.199
<v Speaker 1>this one has a hive mind at work. Bren and

0:10:52.240 --> 0:10:55.280
<v Speaker 1>I are not claiming, folks that we have invented hive

0:10:55.400 --> 0:10:58.079
<v Speaker 1>minds for aliens or anything, but we did have a

0:10:58.160 --> 0:11:01.560
<v Speaker 1>hive mind. We actually called that the hive in Dark

0:11:01.600 --> 0:11:06.040
<v Speaker 1>Skies in our nineties show, and it seems like everybody's

0:11:06.080 --> 0:11:08.440
<v Speaker 1>calling it the hive these days. That must be the thing.

0:11:08.640 --> 0:11:10.920
<v Speaker 1>It's a hive in pluribus, which we'll get to you later.

0:11:11.000 --> 0:11:12.680
<v Speaker 1>A lot of hiving going on out there.

0:11:12.760 --> 0:11:15.520
<v Speaker 2>Why do you suppose that is? Why is that so

0:11:15.640 --> 0:11:18.920
<v Speaker 2>attractive to everybody? It's a great question, if I'm being honest,

0:11:19.000 --> 0:11:22.520
<v Speaker 2>it's probably when they sat down to make invasion, they said,

0:11:22.559 --> 0:11:26.520
<v Speaker 2>what has been done recently and what's what feels fresh.

0:11:26.840 --> 0:11:29.040
<v Speaker 2>No one's really done a hive mind recently. Let's do

0:11:29.120 --> 0:11:31.079
<v Speaker 2>that because I think it's hard, as we're going to

0:11:31.120 --> 0:11:34.400
<v Speaker 2>see when we go through these projects, that it's hard

0:11:34.440 --> 0:11:37.000
<v Speaker 2>to do something unique. The story has been told so

0:11:37.040 --> 0:11:39.720
<v Speaker 2>many times. This is a story that, as you're going

0:11:39.760 --> 0:11:44.280
<v Speaker 2>to see, has a human resistance that organizes against the aliens.

0:11:44.720 --> 0:11:48.319
<v Speaker 2>The aliens are here to terraform and reshape the earth

0:11:48.400 --> 0:11:53.960
<v Speaker 2>for themselves another common theme, and so I think what

0:11:54.040 --> 0:11:56.320
<v Speaker 2>I got the sense was their whole thing was let's

0:11:56.400 --> 0:12:00.480
<v Speaker 2>change the perspective that, let's make that unique. It be

0:12:00.559 --> 0:12:04.720
<v Speaker 2>four different stories across the globe, so you're really experiencing

0:12:04.760 --> 0:12:07.280
<v Speaker 2>this from four unique points of view, and how do

0:12:07.320 --> 0:12:10.079
<v Speaker 2>all these characters relate and what's going to happen? And

0:12:10.240 --> 0:12:12.880
<v Speaker 2>so I think that it was more of the structural

0:12:13.240 --> 0:12:15.920
<v Speaker 2>narrative that they came up with that is unique, because

0:12:15.920 --> 0:12:17.960
<v Speaker 2>a lot of the elements are things you've heard and

0:12:18.000 --> 0:12:18.559
<v Speaker 2>seen before.

0:12:18.720 --> 0:12:21.760
<v Speaker 1>I have a thing not specific to Invasion, which again

0:12:21.880 --> 0:12:25.000
<v Speaker 1>is a series I've come to like more as I

0:12:25.120 --> 0:12:27.760
<v Speaker 1>watch more of it. Not a put down, just saying

0:12:28.200 --> 0:12:31.199
<v Speaker 1>it rewards you, kind of sticking with it a little bit.

0:12:31.360 --> 0:12:33.320
<v Speaker 1>But I have a theory about the hive mind thing

0:12:33.840 --> 0:12:36.640
<v Speaker 1>I mentioned earlier how a lot of these sort of

0:12:36.679 --> 0:12:40.640
<v Speaker 1>post contact things give writers like ourselves a chance to

0:12:40.960 --> 0:12:46.240
<v Speaker 1>comment on humanity by through the eyes and the mirror

0:12:46.280 --> 0:12:49.560
<v Speaker 1>of the aliens. I think the hive is exactly what

0:12:49.960 --> 0:12:52.080
<v Speaker 1>that's about. And I think it applies to why we

0:12:52.160 --> 0:12:55.360
<v Speaker 1>even did the Hive, which is, if there's an alien

0:12:55.440 --> 0:12:56.520
<v Speaker 1>hive mind, what does that do?

0:12:56.600 --> 0:12:57.559
<v Speaker 2>First of all for us.

0:12:57.679 --> 0:13:00.320
<v Speaker 1>It showed off the communist thing we were doing the

0:13:00.400 --> 0:13:03.680
<v Speaker 1>nineteen sixties during the military Old War well and a

0:13:03.720 --> 0:13:06.920
<v Speaker 1>lot of American military planners saw the Soviets. It's just

0:13:07.040 --> 0:13:07.880
<v Speaker 1>they're just a hive.

0:13:08.400 --> 0:13:10.640
<v Speaker 2>They think is one, they act as one.

0:13:11.040 --> 0:13:14.920
<v Speaker 1>The other thing, though, is that if you have an enemy,

0:13:15.040 --> 0:13:18.040
<v Speaker 1>if you will, of aliens that have a hive mind,

0:13:18.760 --> 0:13:21.160
<v Speaker 1>what that does is it shows what we have that

0:13:21.280 --> 0:13:25.520
<v Speaker 1>makes us different and in some cases wonderful, which is

0:13:26.200 --> 0:13:28.880
<v Speaker 1>we may think a lot of weird things, and we

0:13:28.920 --> 0:13:32.760
<v Speaker 1>may not be perfect, but we think for ourselves. Yes,

0:13:33.480 --> 0:13:35.600
<v Speaker 1>now that may be one of our faults. And to

0:13:35.679 --> 0:13:38.400
<v Speaker 1>an alien, they may say, the problem with these humans

0:13:38.520 --> 0:13:41.079
<v Speaker 1>is they can't get their act together because they all

0:13:41.120 --> 0:13:41.880
<v Speaker 1>think differently.

0:13:42.320 --> 0:13:44.720
<v Speaker 2>Yes, right, yep, I think so.

0:13:44.800 --> 0:13:47.280
<v Speaker 1>I think that's kind of my how I would go

0:13:47.320 --> 0:13:50.160
<v Speaker 1>with that, And not that there's any as they say,

0:13:50.240 --> 0:13:51.719
<v Speaker 1>not that there's anything wrong with that.

0:13:51.840 --> 0:13:53.200
<v Speaker 2>It's a good show, yep.

0:13:53.880 --> 0:13:56.920
<v Speaker 1>Now, by the way, though, if let's move on from Invasion,

0:13:57.160 --> 0:14:00.000
<v Speaker 1>give it the light touch there, because again the problem

0:14:00.200 --> 0:14:04.080
<v Speaker 1>with certain shows is you and I may think to ourselves, wow,

0:14:04.120 --> 0:14:08.080
<v Speaker 1>it's on Apple, so wow, everybody's watching it. The truth

0:14:08.160 --> 0:14:12.560
<v Speaker 1>is Apple, while a very great platform, doesn't have that

0:14:12.720 --> 0:14:16.080
<v Speaker 1>many people watching it. Most people don't buy Apple and

0:14:16.200 --> 0:14:18.360
<v Speaker 1>watch it. A lot of people that are listening to

0:14:18.360 --> 0:14:21.080
<v Speaker 1>this are going, now, what's it called. It's called invasion again,

0:14:21.120 --> 0:14:21.720
<v Speaker 1>that sounds.

0:14:21.520 --> 0:14:22.840
<v Speaker 2>A little generic or whatever.

0:14:23.160 --> 0:14:28.000
<v Speaker 1>And in contrast, for example, another one where the invasion

0:14:28.200 --> 0:14:31.440
<v Speaker 1>is happening now and humans are fighting against it is

0:14:31.600 --> 0:14:36.520
<v Speaker 1>Falling Skies. Yes, Now, Falling Skies is something that I

0:14:36.560 --> 0:14:38.280
<v Speaker 1>believe it was on T and T, but a lot

0:14:38.360 --> 0:14:41.720
<v Speaker 1>of people saw it. It came from Steven Spielberg, and

0:14:41.960 --> 0:14:46.200
<v Speaker 1>it had Noah Wiley, as you said earlier, bravely standing

0:14:46.280 --> 0:14:49.760
<v Speaker 1>up for the resistance. And he was a school teacher

0:14:50.080 --> 0:14:53.200
<v Speaker 1>who picked up a gun and said to my job

0:14:53.320 --> 0:14:56.240
<v Speaker 1>is I got to fight off this alien attack. And

0:14:56.920 --> 0:14:58.600
<v Speaker 1>before we get into the show, I will just say

0:14:58.760 --> 0:15:01.520
<v Speaker 1>I had a really great moment last year on the

0:15:01.520 --> 0:15:04.160
<v Speaker 1>red carpet at the Emmys because I saw Noah Wiley,

0:15:04.360 --> 0:15:06.960
<v Speaker 1>who went on to win his first Emmy, I think,

0:15:07.160 --> 0:15:09.960
<v Speaker 1>as Best Actor for the Pit And I don't think

0:15:09.960 --> 0:15:13.480
<v Speaker 1>too many people last year were reminding him about how

0:15:13.560 --> 0:15:16.800
<v Speaker 1>much they enjoyed watching him in Falling Sky's fighting aliens.

0:15:16.800 --> 0:15:19.400
<v Speaker 1>But that's something I got to do. And I think

0:15:19.800 --> 0:15:22.320
<v Speaker 1>he did years of that show and he was great

0:15:22.360 --> 0:15:24.320
<v Speaker 1>at it. And in fact, it goes to show that

0:15:24.840 --> 0:15:28.480
<v Speaker 1>sometimes a series can really be elevated just by having

0:15:28.520 --> 0:15:31.760
<v Speaker 1>one really incredible quality actor who holds it all together,

0:15:31.840 --> 0:15:34.840
<v Speaker 1>and he certainly did with that. But the concept of it, though,

0:15:35.200 --> 0:15:37.840
<v Speaker 1>It'll leave to you what tell people what this is

0:15:37.880 --> 0:15:38.360
<v Speaker 1>all about.

0:15:38.640 --> 0:15:43.120
<v Speaker 2>This is an alien race called the s Fenny I believe.

0:15:43.520 --> 0:15:47.120
<v Speaker 2>I think you got that invaded Earth to extract resources,

0:15:47.800 --> 0:15:52.480
<v Speaker 2>enslave humanity, and basically create a frontline military units because

0:15:53.240 --> 0:15:56.360
<v Speaker 2>they are actually and this is an interesting twist, they're

0:15:56.400 --> 0:16:00.320
<v Speaker 2>trying to secure a strategic stronghold for an on going

0:16:00.400 --> 0:16:05.400
<v Speaker 2>intergalactic war that they are entangled in. So using Earth

0:16:05.440 --> 0:16:08.640
<v Speaker 2>as a staging ground is an interesting new take. So

0:16:08.920 --> 0:16:12.360
<v Speaker 2>of course, there is a resistance movement and it's basically

0:16:12.400 --> 0:16:15.680
<v Speaker 2>a primary group of civilian and military survivors that we

0:16:15.760 --> 0:16:18.560
<v Speaker 2>focus on in the Boston area, and it's led by

0:16:18.560 --> 0:16:21.960
<v Speaker 2>a military captain and i'll say played by Will Patten.

0:16:22.240 --> 0:16:25.960
<v Speaker 2>And that resistance that's happening there is part of a

0:16:26.120 --> 0:16:30.520
<v Speaker 2>larger growing resistance across the planet, where we come to believe.

0:16:31.000 --> 0:16:33.400
<v Speaker 2>And then what's interesting I found is that It wasn't

0:16:33.400 --> 0:16:36.400
<v Speaker 2>a military fighting back. It was much more ground warfare.

0:16:36.440 --> 0:16:38.960
<v Speaker 2>It was guerrilla warfare on the part of the humans

0:16:39.280 --> 0:16:43.840
<v Speaker 2>fighting pretty much overpowered aliens, stealing their technology when they

0:16:43.840 --> 0:16:46.680
<v Speaker 2>could to try and level up. It was a fun series.

0:16:46.720 --> 0:16:50.720
<v Speaker 2>It felt a lot more action oriented, certainly than Invasion.

0:16:51.200 --> 0:16:54.040
<v Speaker 2>It seemed like it was geared towards, frankly, a different audience.

0:16:54.800 --> 0:16:55.560
<v Speaker 2>It was fun.

0:16:55.640 --> 0:16:58.040
<v Speaker 1>I remember thinking to myself, I don't really need to

0:16:58.080 --> 0:17:02.120
<v Speaker 1>see every episode, and yet I did because I'm go oh,

0:17:02.200 --> 0:17:04.159
<v Speaker 1>Falling Skys it on. I think I'll watch that, because

0:17:04.160 --> 0:17:06.240
<v Speaker 1>I had it on the DVR and it would Oh,

0:17:06.320 --> 0:17:09.880
<v Speaker 1>I think I'll watch Falling Skies because it just felt comfortable.

0:17:09.960 --> 0:17:15.199
<v Speaker 1>It was broadcast television, it was comfortable to watch, and

0:17:15.280 --> 0:17:17.280
<v Speaker 1>because it had the aliens in it. This is a

0:17:17.320 --> 0:17:20.840
<v Speaker 1>show that is not about coexistence. We are going to

0:17:20.840 --> 0:17:23.840
<v Speaker 1>get into the coexistence model, but this ain't it. This

0:17:24.000 --> 0:17:27.479
<v Speaker 1>is the one where humanity is allowed to remain on

0:17:27.560 --> 0:17:31.520
<v Speaker 1>their own planet simply as raw material, whether it be

0:17:31.640 --> 0:17:36.159
<v Speaker 1>labor or biological inventory. The aliens do not want to

0:17:36.240 --> 0:17:38.640
<v Speaker 1>negotiate with us. That's the only thing I could say.

0:17:38.720 --> 0:17:41.800
<v Speaker 1>They're not here to have a conversation They're not here

0:17:41.880 --> 0:17:43.879
<v Speaker 1>to make a deal, as Trump is trying to do

0:17:43.920 --> 0:17:46.560
<v Speaker 1>with the Iranians. No deals are on the table with

0:17:46.600 --> 0:17:50.040
<v Speaker 1>these people, and their model of conquest has a lot

0:17:50.119 --> 0:17:52.600
<v Speaker 1>of different aspects to it, and I hope this never

0:17:52.640 --> 0:17:54.680
<v Speaker 1>happens to the Earth, to be honest with you, because

0:17:54.680 --> 0:17:58.600
<v Speaker 1>it's the same model as Independence Day, which is overwhelming

0:17:58.720 --> 0:18:03.320
<v Speaker 1>military black of symmetry. It's just it's an asymmetrical thing.

0:18:03.520 --> 0:18:05.639
<v Speaker 1>It's like for us to do it. We are the

0:18:05.720 --> 0:18:09.720
<v Speaker 1>scrappy guys because they got us beat technologically.

0:18:10.080 --> 0:18:10.960
<v Speaker 2>But the other thing.

0:18:10.840 --> 0:18:14.680
<v Speaker 1>They do is they destroy our human institutions. It isn't

0:18:14.920 --> 0:18:17.960
<v Speaker 1>just that they want to defeat us. They don't want

0:18:18.040 --> 0:18:21.760
<v Speaker 1>us being human any correct, okay, which I think is

0:18:21.920 --> 0:18:27.520
<v Speaker 1>really scary. Biological control. They're taking some of these usually kids,

0:18:27.560 --> 0:18:32.160
<v Speaker 1>and they're turning them into slave laborers by attaching some

0:18:32.240 --> 0:18:35.399
<v Speaker 1>weird alien thing to their back which I can't remember

0:18:35.440 --> 0:18:39.480
<v Speaker 1>the name, but that means child conscription, which is not

0:18:39.560 --> 0:18:42.119
<v Speaker 1>a good thing. But the defining thing about it is

0:18:42.160 --> 0:18:48.200
<v Speaker 1>the gorilla resistance. Now, I have to say, probably if

0:18:48.200 --> 0:18:52.160
<v Speaker 1>the Earth is ever unlucky enough to be trashed by

0:18:52.200 --> 0:18:56.240
<v Speaker 1>an alien species that comes here bent on domination, probably

0:18:56.320 --> 0:18:58.680
<v Speaker 1>plucky Gorilla warfare.

0:18:58.320 --> 0:19:02.360
<v Speaker 2>Isn't going to win the day for us, probably not right. Yeah,

0:19:02.440 --> 0:19:05.440
<v Speaker 2>it makes for a good TV series, but in terms

0:19:05.520 --> 0:19:10.600
<v Speaker 2>of being realistic or believable, hard to imagine. As you

0:19:10.840 --> 0:19:14.200
<v Speaker 2>pointed out, it's not just that they are technologically superior

0:19:14.280 --> 0:19:18.760
<v Speaker 2>to us. It's that they have no morality whatsoever. They

0:19:18.760 --> 0:19:23.239
<v Speaker 2>are conscripting kids, they're using kids as human shields. In

0:19:23.280 --> 0:19:27.080
<v Speaker 2>some cases the kids are being turned into some these

0:19:27.280 --> 0:19:30.760
<v Speaker 2>mutants that are called skidders. It's pretty dark and it's

0:19:30.760 --> 0:19:33.359
<v Speaker 2>pretty grim, and if they're willing to do all of that,

0:19:33.680 --> 0:19:37.800
<v Speaker 2>like how do we combat that? It's pretty It's intense.

0:19:38.240 --> 0:19:42.000
<v Speaker 1>It isn't just us against them. It's not like humans here,

0:19:42.440 --> 0:19:47.679
<v Speaker 1>aliens here fight. It's more complex, and to my mind

0:19:47.920 --> 0:19:51.439
<v Speaker 1>that if anything, is this card being laid down that

0:19:51.520 --> 0:19:54.400
<v Speaker 1>defines what might be happening here on Earth right now,

0:19:54.440 --> 0:19:58.200
<v Speaker 1>because a lot of people in UFO circles who are

0:19:58.800 --> 0:20:03.480
<v Speaker 1>major sources say it ain't just one and in fact,

0:20:03.520 --> 0:20:06.439
<v Speaker 1>they're talking four and five different species. One of the

0:20:06.480 --> 0:20:10.239
<v Speaker 1>things that I found very interesting about Falling Skies is

0:20:10.280 --> 0:20:15.560
<v Speaker 1>the s Finny isoud that's the bad guys, or there's

0:20:15.560 --> 0:20:18.560
<v Speaker 1>a group of good guys who show up to help.

0:20:19.119 --> 0:20:21.560
<v Speaker 1>And that's interesting because I thought it did mirror what

0:20:21.560 --> 0:20:24.480
<v Speaker 1>we did in Dark Skys. We basically said, we thought

0:20:24.560 --> 0:20:26.800
<v Speaker 1>that we were at war with the Grays, but it

0:20:26.880 --> 0:20:29.399
<v Speaker 1>turned out that the thing that was inside the human

0:20:29.480 --> 0:20:32.240
<v Speaker 1>head that was being taken over was also inside a

0:20:32.280 --> 0:20:34.560
<v Speaker 1>gray head, and that the Grays were a species that

0:20:34.600 --> 0:20:37.639
<v Speaker 1>had been sublimated, so they also wanted to fight the

0:20:37.720 --> 0:20:41.000
<v Speaker 1>high right, So there, maybe we'll get lucky if we

0:20:41.040 --> 0:20:44.520
<v Speaker 1>ever get invaded, and maybe we'll have somebody on our team,

0:20:44.840 --> 0:20:46.720
<v Speaker 1>which would be pretty wonderful.

0:20:47.359 --> 0:20:50.080
<v Speaker 2>No, just one last thing to point out. We had

0:20:50.119 --> 0:20:53.719
<v Speaker 2>a guest on just recently, Todd Masters, who did all

0:20:53.760 --> 0:20:55.720
<v Speaker 2>of the alien effects for Falling Skys, so it was

0:20:55.760 --> 0:20:58.680
<v Speaker 2>fun to go back and watch again his master work

0:20:58.720 --> 0:20:59.119
<v Speaker 2>as it were.

0:20:59.520 --> 0:21:02.119
<v Speaker 1>In fact, started talking about the guys that came to

0:21:02.160 --> 0:21:04.680
<v Speaker 1>help out, and I can't remember the name of the actor,

0:21:04.760 --> 0:21:05.840
<v Speaker 1>but it's tall English.

0:21:05.880 --> 0:21:10.119
<v Speaker 2>It's Doug Jones. Doug Jones, Yes, playing co cheese or

0:21:10.200 --> 0:21:14.840
<v Speaker 2>co cheese, co cheese, and he's tall and he I

0:21:14.920 --> 0:21:18.720
<v Speaker 2>must say, they let him speak in his own accent.

0:21:19.119 --> 0:21:22.480
<v Speaker 2>So he's this this other group that's here to help.

0:21:22.520 --> 0:21:25.760
<v Speaker 2>This sounds like the Brits have come. The British are coming.

0:21:25.800 --> 0:21:28.440
<v Speaker 2>The British are coming, only this time they're on our side.

0:21:28.760 --> 0:21:31.959
<v Speaker 2>But yes, I do think it looked very good. It

0:21:32.000 --> 0:21:33.919
<v Speaker 2>was a good looking show. Why don't you take us

0:21:33.960 --> 0:21:38.440
<v Speaker 2>into the next category, which is going to be the occupation, collaboration,

0:21:38.680 --> 0:21:42.360
<v Speaker 2>resistance that we're not in a hot war anymore.

0:21:42.440 --> 0:21:45.280
<v Speaker 1>Right, here's the post contact thing. And there are three

0:21:45.280 --> 0:21:48.040
<v Speaker 1>things that we highlighted here. One of them is there

0:21:48.359 --> 0:21:51.440
<v Speaker 1>is V, which I think we should talk about first,

0:21:51.480 --> 0:21:55.400
<v Speaker 1>because what's interesting about V is it really has had

0:21:55.440 --> 0:21:58.919
<v Speaker 1>a life. V tells the story. It's a franchise, by

0:21:58.960 --> 0:22:02.639
<v Speaker 1>the way, no question, and in its original form, it

0:22:02.680 --> 0:22:05.960
<v Speaker 1>came out in the eighties as a mini series and

0:22:06.160 --> 0:22:10.479
<v Speaker 1>it just took the viewing population by storm. And I

0:22:10.560 --> 0:22:14.520
<v Speaker 1>remember watching it and there is a shocking moment in it,

0:22:14.560 --> 0:22:18.439
<v Speaker 1>and again I just can't imagine we can spoil a

0:22:18.560 --> 0:22:22.480
<v Speaker 1>nineteen eighties mini series that everyone's been talking about for decades.

0:22:22.520 --> 0:22:26.800
<v Speaker 1>But the shocking thing at the time, though, is that

0:22:26.840 --> 0:22:29.280
<v Speaker 1>these visitors show up. They arrive and by the way,

0:22:29.320 --> 0:22:32.200
<v Speaker 1>I said that there were specific numbers of saucers, there's

0:22:32.240 --> 0:22:35.360
<v Speaker 1>fifty of them that show up over the Earth. Cities,

0:22:35.680 --> 0:22:38.800
<v Speaker 1>and they basically do we come in peace thing. Yes,

0:22:38.880 --> 0:22:43.399
<v Speaker 1>that the sleight of hand that to serve mankind aliens

0:22:43.440 --> 0:22:46.480
<v Speaker 1>did in the Highlight Zone, and they're there to help.

0:22:46.520 --> 0:22:47.879
<v Speaker 2>We need certain things from you.

0:22:47.960 --> 0:22:50.800
<v Speaker 1>We need some resources, but we want to give you

0:22:50.840 --> 0:22:54.240
<v Speaker 1>some things too, and they have the hot woman leader.

0:22:54.960 --> 0:22:57.040
<v Speaker 1>But then I believe it was at the end of

0:22:57.119 --> 0:22:59.760
<v Speaker 1>the thing, or sometime at the end of one episode.

0:23:00.160 --> 0:23:03.119
<v Speaker 1>Just remember a reporter, the reporter figure sneaks on the

0:23:03.160 --> 0:23:05.680
<v Speaker 1>mother ship and he's watching these things and they all

0:23:05.720 --> 0:23:08.520
<v Speaker 1>look like us. It could be Nordics. They look like us,

0:23:08.800 --> 0:23:12.960
<v Speaker 1>except he watches as one of them does this thing

0:23:13.040 --> 0:23:17.920
<v Speaker 1>and peels off the human mask and it's a freaking reptilian.

0:23:18.400 --> 0:23:23.399
<v Speaker 2>Yes. Yeah, that was a memorable moment for a network television.

0:23:24.240 --> 0:23:25.240
<v Speaker 2>Damn people like that.

0:23:25.440 --> 0:23:28.159
<v Speaker 1>Of course, there was a resistance and it led to

0:23:28.200 --> 0:23:31.600
<v Speaker 1>a TV series, So there was an initial I believe,

0:23:32.240 --> 0:23:34.160
<v Speaker 1>I don't know which. I think the mini series came first.

0:23:34.200 --> 0:23:36.480
<v Speaker 1>Then there was a movie, then there was a TV series,

0:23:36.880 --> 0:23:39.879
<v Speaker 1>and then there was a reboot in two thousand and nine.

0:23:40.520 --> 0:23:43.440
<v Speaker 1>And the one thing I will say and then drag

0:23:43.520 --> 0:23:47.919
<v Speaker 1>you into this is I did watch the original and

0:23:47.960 --> 0:23:51.119
<v Speaker 1>while I was enthralled by it watching it in the eighties.

0:23:52.240 --> 0:23:54.280
<v Speaker 1>If I watched it now, and I did watch a

0:23:54.400 --> 0:23:56.920
<v Speaker 1>couple episodes before this, it didn't do it.

0:23:56.840 --> 0:23:57.600
<v Speaker 2>For me anymore.

0:23:57.720 --> 0:24:00.520
<v Speaker 1>It was just like we've just we've advanced in our

0:24:00.560 --> 0:24:03.919
<v Speaker 1>storytelling the two thousand and nine series, which went on

0:24:04.000 --> 0:24:04.719
<v Speaker 1>for two years.

0:24:05.080 --> 0:24:06.120
<v Speaker 2>That's pretty darn good.

0:24:06.359 --> 0:24:08.520
<v Speaker 1>But again, the thing I thought was so funny is Okay,

0:24:08.720 --> 0:24:12.680
<v Speaker 1>first there were fifty and we talked about arrival. Previously

0:24:12.680 --> 0:24:14.159
<v Speaker 1>there were twelve crafts.

0:24:14.400 --> 0:24:15.000
<v Speaker 2>Okay, so they.

0:24:14.960 --> 0:24:19.000
<v Speaker 1>Went from fifty. In the eighties version, there's twenty nine ships.

0:24:19.080 --> 0:24:22.399
<v Speaker 1>I don't know why there's only twenty nine ships, but

0:24:22.440 --> 0:24:25.960
<v Speaker 1>they do have a hot female played by I believe

0:24:26.280 --> 0:24:29.399
<v Speaker 1>Monica whatever her last name is, who was one of

0:24:29.440 --> 0:24:32.120
<v Speaker 1>the leads on Home Front or Homeland.

0:24:32.560 --> 0:24:32.960
<v Speaker 2>Anyway.

0:24:33.400 --> 0:24:38.720
<v Speaker 1>Reboot didn't have the success culturally that the first one did,

0:24:38.840 --> 0:24:40.719
<v Speaker 1>but it was a better viewing experience.

0:24:46.480 --> 0:24:49.240
<v Speaker 2>I agree. I mean, I think that context is everything.

0:24:49.280 --> 0:24:52.080
<v Speaker 2>When v came out, there really hadn't been anything like

0:24:52.160 --> 0:24:56.040
<v Speaker 2>that on network television that everyone had access to, and

0:24:56.119 --> 0:24:58.960
<v Speaker 2>I think you talk about that. The reveal of the

0:24:59.000 --> 0:25:03.160
<v Speaker 2>reptilian alien was quite memorable, especially if you were younger.

0:25:04.680 --> 0:25:09.240
<v Speaker 2>On that topic. Something that it made me question when

0:25:09.480 --> 0:25:14.280
<v Speaker 2>was when did reptilians come into the discussion of ufology

0:25:14.920 --> 0:25:17.719
<v Speaker 2>and I so I went back and I honestly couldn't

0:25:17.800 --> 0:25:24.879
<v Speaker 2>find anything before V. And in fact, the most i

0:25:24.920 --> 0:25:29.760
<v Speaker 2>will say durable references that have started the conversations and

0:25:29.800 --> 0:25:33.480
<v Speaker 2>put it in pop culture were came from the British

0:25:33.520 --> 0:25:38.320
<v Speaker 2>conspiracy theorist David Ike in his book Yes, the Biggest Secret,

0:25:38.920 --> 0:25:42.439
<v Speaker 2>the Book that Will Change the World, and many of

0:25:42.480 --> 0:25:47.800
<v Speaker 2>the ideas in there are from V. And so we're

0:25:47.840 --> 0:25:50.480
<v Speaker 2>back to this whole thing of you know, is it

0:25:50.520 --> 0:25:54.399
<v Speaker 2>time to introduce the chicken to the egg? Because what

0:25:54.640 --> 0:26:00.240
<v Speaker 2>came first? That the idea that V put forward of

0:26:00.240 --> 0:26:05.399
<v Speaker 2>reptilian aliens born out of a Hollywood production or David

0:26:05.440 --> 0:26:09.520
<v Speaker 2>Iike's research that may have had nothing to do with me.

0:26:09.680 --> 0:26:12.199
<v Speaker 2>Maybe he never saw it and he uncovered something that

0:26:12.240 --> 0:26:15.400
<v Speaker 2>he decided to write this book. This is just it's

0:26:15.400 --> 0:26:20.240
<v Speaker 2>a fascinating topic to look at what created the idea

0:26:20.480 --> 0:26:22.679
<v Speaker 2>of reptilian aliens.

0:26:23.600 --> 0:26:26.280
<v Speaker 1>We need to update the phrasing. It's which came first,

0:26:26.359 --> 0:26:30.080
<v Speaker 1>the reptilian or the egg? Because I do believe these

0:26:30.119 --> 0:26:33.919
<v Speaker 1>reptilians have eggs. It is quite fascinating. That is a

0:26:33.960 --> 0:26:37.439
<v Speaker 1>great point. I'm really glad you unearthed that, because that

0:26:37.560 --> 0:26:40.080
<v Speaker 1>is the essence of the question that keeps popping up

0:26:40.080 --> 0:26:43.760
<v Speaker 1>in sound, light and frequency. Are writers who are attuned

0:26:43.800 --> 0:26:48.439
<v Speaker 1>to the zeitgeist and all those trolling for good ideas saying, Okay,

0:26:48.440 --> 0:26:51.840
<v Speaker 1>they're talking about this in the UFO world, and since

0:26:51.880 --> 0:26:54.880
<v Speaker 1>nobody believes in UFOs officially, this will be a great

0:26:54.920 --> 0:26:57.880
<v Speaker 1>topic for me to write about. And then people see

0:26:58.480 --> 0:27:02.159
<v Speaker 1>some people then see it on TV, and then the

0:27:02.160 --> 0:27:04.919
<v Speaker 1>theory would go. They begin to incorporate it into their

0:27:04.960 --> 0:27:08.879
<v Speaker 1>own worldview. That has limitations, but on the other hand,

0:27:09.040 --> 0:27:12.160
<v Speaker 1>there are moments where you can find some examples of it.

0:27:12.320 --> 0:27:14.520
<v Speaker 1>The one thing I would just like to say, because

0:27:14.560 --> 0:27:17.439
<v Speaker 1>I think in the same way that Reptilian's coming to

0:27:17.520 --> 0:27:21.360
<v Speaker 1>four is also part of this the evolution we've had

0:27:21.520 --> 0:27:25.320
<v Speaker 1>as a society. The eighties version of V really, if

0:27:25.359 --> 0:27:28.280
<v Speaker 1>you think about it, is asking how ordinary people will

0:27:28.320 --> 0:27:33.360
<v Speaker 1>respond when fascism comes to town, because that's what and

0:27:33.400 --> 0:27:38.600
<v Speaker 1>it's disguised as friendship. The v's in the v's which

0:27:38.640 --> 0:27:42.600
<v Speaker 1>stands for visitors in the initial one, and I don't

0:27:42.600 --> 0:27:46.600
<v Speaker 1>think they use that in the second one, but they

0:27:46.640 --> 0:27:50.040
<v Speaker 1>come and say, hey, we're just your friends. But then

0:27:50.440 --> 0:27:54.159
<v Speaker 1>they do all these fascist things, and one of the

0:27:54.200 --> 0:27:57.720
<v Speaker 1>things that they do is they cast doubt on scientists.

0:27:58.280 --> 0:28:01.800
<v Speaker 1>They start to undermine institution, which I thought was very interesting.

0:28:02.080 --> 0:28:05.920
<v Speaker 1>Don't trust the scientists, those scientists will do you wrong,

0:28:06.160 --> 0:28:08.960
<v Speaker 1>which I'm very fascinating because there's some of that going

0:28:09.000 --> 0:28:14.359
<v Speaker 1>on today. The remake, though, really asked what happens. Here's

0:28:14.400 --> 0:28:18.760
<v Speaker 1>the difference. In the eighties version, they come to town

0:28:19.160 --> 0:28:22.040
<v Speaker 1>in the show, that's when they show up on Earth.

0:28:22.359 --> 0:28:25.359
<v Speaker 1>But in the later version, they've been here for a

0:28:25.400 --> 0:28:28.960
<v Speaker 1>good long time and they have just been getting ready

0:28:29.800 --> 0:28:33.040
<v Speaker 1>to put the plan into motion. So the remake is

0:28:33.080 --> 0:28:37.560
<v Speaker 1>really asking what happens when these conquerors have already infiltrated

0:28:37.600 --> 0:28:42.560
<v Speaker 1>our institutions, and they've already mastered our media, and they've

0:28:42.600 --> 0:28:44.560
<v Speaker 1>already manipulated our children.

0:28:44.680 --> 0:28:47.320
<v Speaker 2>And you're talking about an alien sleeper cell? Essentially, yes,

0:28:47.880 --> 0:28:48.680
<v Speaker 2>that's here, I mean.

0:28:48.960 --> 0:28:53.320
<v Speaker 1>Only a planet wide, global alien sleeper cell. And to

0:28:53.360 --> 0:28:56.080
<v Speaker 1>be quite honest, the reason we do this isn't just

0:28:56.160 --> 0:28:57.840
<v Speaker 1>to talk about TV shows.

0:28:57.560 --> 0:28:58.840
<v Speaker 2>That we like and things like that.

0:28:58.920 --> 0:29:03.160
<v Speaker 1>It's also to ask question, is there a reference point

0:29:03.560 --> 0:29:06.040
<v Speaker 1>in what we're going through and what's out there in

0:29:06.120 --> 0:29:09.800
<v Speaker 1>eufhology right now, And it would literally be that. Even

0:29:09.840 --> 0:29:13.719
<v Speaker 1>Spielberg's latest movie, Disclosure Day, is talking about how there

0:29:13.840 --> 0:29:20.040
<v Speaker 1>are hybrids out there walking among us, and clearly David Jacobs,

0:29:20.080 --> 0:29:23.120
<v Speaker 1>who has been one of the leading researchers into the

0:29:23.160 --> 0:29:27.720
<v Speaker 1>abduction phenomenon, says, oh, they're here. He calls them ubrids

0:29:28.200 --> 0:29:34.040
<v Speaker 1>a human yes, hybrids. So I think that the latest

0:29:34.080 --> 0:29:37.240
<v Speaker 1>one from two thousand and nine probably was trying to

0:29:37.240 --> 0:29:39.680
<v Speaker 1>make some points, and clearly the people who were behind

0:29:39.680 --> 0:29:41.920
<v Speaker 1>it were well read on eufology.

0:29:42.600 --> 0:29:47.320
<v Speaker 2>Yeah, you're right. That brings us to Captive State. Oh yeah,

0:29:47.520 --> 0:29:52.160
<v Speaker 2>so the aliens again in Captive State, which is a

0:29:52.200 --> 0:29:56.920
<v Speaker 2>TV series I'm trying to remember. No, I'm sorry, Captive State. Yeah, see,

0:29:56.960 --> 0:29:58.880
<v Speaker 2>I totally I said this was going to happen. They

0:29:58.880 --> 0:30:00.480
<v Speaker 2>were all going to blurt together and here we go.

0:30:00.760 --> 0:30:03.480
<v Speaker 2>Captive State is a movie, and it is a movie

0:30:03.560 --> 0:30:07.760
<v Speaker 2>where the aliens come to Earth to exploit the planet's

0:30:07.840 --> 0:30:12.400
<v Speaker 2>natural resources and terrifying the environment for their own survival,

0:30:12.760 --> 0:30:17.240
<v Speaker 2>forcing humanity into a subsequent global surveillance state. So they're

0:30:17.240 --> 0:30:22.240
<v Speaker 2>adding the whole technological wrinkle here. Interestingly, this film did

0:30:22.240 --> 0:30:25.560
<v Speaker 2>not explain how the Aliens came to Earth or where

0:30:25.560 --> 0:30:30.360
<v Speaker 2>they came from. It begins, as we say in storytelling

0:30:30.440 --> 0:30:34.400
<v Speaker 2>in media res like during the invasion, focusing entirely on

0:30:34.440 --> 0:30:39.400
<v Speaker 2>the aftermath, the global capitulation and the subjugation of humanity

0:30:39.480 --> 0:30:44.120
<v Speaker 2>by what's called the legislators. That was an odd phrase

0:30:44.280 --> 0:30:47.400
<v Speaker 2>for aliens. It's very interesting anyway. The whole thing's set

0:30:47.440 --> 0:30:52.320
<v Speaker 2>in Chicago, and we begin but decade after this extraterrestrial

0:30:52.360 --> 0:30:54.760
<v Speaker 2>force has conquered Earth. So there's your setup.

0:30:55.080 --> 0:30:58.840
<v Speaker 1>Okay, here's a couple of things. They had high hopes

0:30:58.880 --> 0:31:02.240
<v Speaker 1>for this one, twenty five million dollars to make this thing.

0:31:02.280 --> 0:31:04.400
<v Speaker 1>They shot it all in Chicago, though, so it does

0:31:04.440 --> 0:31:07.440
<v Speaker 1>have a nice look to it. It is gritty Chicago.

0:31:08.520 --> 0:31:11.640
<v Speaker 1>It only made eight million, so it's a bomb. So

0:31:12.040 --> 0:31:14.120
<v Speaker 1>we're not telling everyone you need to go watch it

0:31:14.160 --> 0:31:18.640
<v Speaker 1>because it's important in film class. But it is interesting though.

0:31:20.040 --> 0:31:23.000
<v Speaker 1>You don't see the Aliens much in this thing. This

0:31:23.040 --> 0:31:27.760
<v Speaker 1>is not about watching them run rampant throughout the city.

0:31:28.040 --> 0:31:32.000
<v Speaker 1>This is a place where Chicago has already been conquered

0:31:32.080 --> 0:31:35.680
<v Speaker 1>nine years earlier, and it's drafted humans to help build

0:31:35.720 --> 0:31:40.320
<v Speaker 1>them these deep underground locations where they live, and the

0:31:40.400 --> 0:31:43.800
<v Speaker 1>people that are out the humans up there are in

0:31:43.880 --> 0:31:46.080
<v Speaker 1>charge of the other humans, and then some of the

0:31:46.200 --> 0:31:51.800
<v Speaker 1>lucky humans report to the aliens themselves. I can see

0:31:51.920 --> 0:31:55.680
<v Speaker 1>quite clearly why it wasn't as popular. It's hard to

0:31:55.680 --> 0:31:57.720
<v Speaker 1>get your head around it. I had to watch it

0:31:57.760 --> 0:32:01.600
<v Speaker 1>twice to understand the ending. So now that I do

0:32:01.680 --> 0:32:04.200
<v Speaker 1>understand the ending, and I'm not going to even spoil

0:32:04.280 --> 0:32:06.360
<v Speaker 1>this end, no if somebody might want to watch it,

0:32:06.520 --> 0:32:09.560
<v Speaker 1>but it was hard to get my head around, and

0:32:09.600 --> 0:32:14.040
<v Speaker 1>it's not that satisfying. It is, however, something with a

0:32:14.160 --> 0:32:18.840
<v Speaker 1>nice genealogy. The director and co writer was Rupert Wyatt, who,

0:32:18.920 --> 0:32:21.080
<v Speaker 1>among his credits, is one of the early Planet of

0:32:21.120 --> 0:32:25.080
<v Speaker 1>the Apes and maybe others. So it's well done, but

0:32:25.160 --> 0:32:27.480
<v Speaker 1>people didn't like it. They just didn't like it, and

0:32:27.560 --> 0:32:33.160
<v Speaker 1>maybe because maybe people who watch alien movies expect more

0:32:33.200 --> 0:32:34.320
<v Speaker 1>aliens in them.

0:32:34.560 --> 0:32:36.240
<v Speaker 2>I was going to say, I think that was what

0:32:36.320 --> 0:32:39.560
<v Speaker 2>was most notable was that they actually had an interesting

0:32:39.640 --> 0:32:42.960
<v Speaker 2>alien design. It was unique. It was porcupine like is

0:32:43.120 --> 0:32:46.320
<v Speaker 2>really the best way to describe it. But by and large,

0:32:46.400 --> 0:32:50.120
<v Speaker 2>as you said, they lived underground. They were a subterranean race,

0:32:50.600 --> 0:32:53.120
<v Speaker 2>and they were rarely on screen. If I'm going to

0:32:53.200 --> 0:32:55.560
<v Speaker 2>be at war with aliens, I kind of want to

0:32:55.560 --> 0:32:59.240
<v Speaker 2>see the enemy, and they didn't deliver that. And at

0:32:59.240 --> 0:33:01.120
<v Speaker 2>the end of the day, when we start looking at

0:33:01.120 --> 0:33:03.920
<v Speaker 2>across all of these different stories, you got to bring

0:33:03.960 --> 0:33:05.960
<v Speaker 2>the alien. I will say.

0:33:06.000 --> 0:33:08.320
<v Speaker 1>One thing that makes it different and stand out and

0:33:08.360 --> 0:33:11.600
<v Speaker 1>for me made it worth watching. It treats the act

0:33:11.640 --> 0:33:15.480
<v Speaker 1>of rebellion differently than most other films and TV series

0:33:15.600 --> 0:33:19.840
<v Speaker 1>like this in that it says rebellion is a matter

0:33:19.880 --> 0:33:24.640
<v Speaker 1>of patient infrastructure. Yes, where the people who are rebelling

0:33:25.080 --> 0:33:29.680
<v Speaker 1>are patient, they are planning, They're willing to sacrifice in

0:33:29.800 --> 0:33:32.480
<v Speaker 1>order to get to what they need. They're not just

0:33:32.600 --> 0:33:37.080
<v Speaker 1>out there angrily shooting a few rounds and getting vaporized.

0:33:37.920 --> 0:33:42.640
<v Speaker 1>This is a bureaucratic response that actually may be more

0:33:42.640 --> 0:33:45.160
<v Speaker 1>effective than the falling sky's response.

0:33:45.600 --> 0:33:51.360
<v Speaker 2>Yes, agreed. One is militia versus terror cell because I

0:33:51.400 --> 0:33:54.640
<v Speaker 2>hate to glorify terror cells, but I think that approach,

0:33:54.760 --> 0:33:58.720
<v Speaker 2>like you said, the patients working surreptitiously, having long term

0:33:58.760 --> 0:34:02.560
<v Speaker 2>strategic goals rather than just rushing out and fighting and

0:34:02.600 --> 0:34:06.120
<v Speaker 2>being brave and taking a bullet. Okay, that's one way

0:34:06.120 --> 0:34:09.120
<v Speaker 2>to do it, but yeah, that part of the movie

0:34:09.160 --> 0:34:11.840
<v Speaker 2>I thought was interesting how they approached how they approached

0:34:11.880 --> 0:34:15.359
<v Speaker 2>the resistance, because again, at this point, you keep seeing

0:34:15.440 --> 0:34:18.839
<v Speaker 2>this idea that there's always a human resistance, So how

0:34:18.920 --> 0:34:22.560
<v Speaker 2>is this story going to do it differently? There's moving on.

0:34:22.760 --> 0:34:25.839
<v Speaker 1>There's a TV version of Captive State that way more

0:34:25.880 --> 0:34:29.160
<v Speaker 1>people saw as tends to be the case other than

0:34:29.200 --> 0:34:34.279
<v Speaker 1>for the big, huge films, and it's Colony, and if

0:34:34.280 --> 0:34:38.520
<v Speaker 1>indeed Captive State the film is this two hour slice

0:34:38.560 --> 0:34:43.880
<v Speaker 1>where it's about the structure of power organizing in the

0:34:43.920 --> 0:34:49.360
<v Speaker 1>shadows to try to take down the alien overlords. Colony

0:34:50.480 --> 0:34:54.239
<v Speaker 1>uses the same setup, but to tell stories. I guess

0:34:54.280 --> 0:34:55.840
<v Speaker 1>the way I would say it is it wants to

0:34:55.880 --> 0:34:59.520
<v Speaker 1>tell stories about characters. Yeah, and that's what television is

0:35:00.120 --> 0:35:01.760
<v Speaker 1>most successful at.

0:35:02.080 --> 0:35:04.360
<v Speaker 2>And in I believe the lead.

0:35:04.239 --> 0:35:08.319
<v Speaker 1>Character is Josh Holloway from Lost, who everybody loved him

0:35:08.320 --> 0:35:10.480
<v Speaker 1>and Lost and I love him in general. I just

0:35:10.480 --> 0:35:14.840
<v Speaker 1>think he's a really interesting character. And it's his family,

0:35:15.400 --> 0:35:18.399
<v Speaker 1>so it's really the story of one family, and it's

0:35:18.880 --> 0:35:23.200
<v Speaker 1>also a story about how deceit isn't just something that's

0:35:23.320 --> 0:35:26.720
<v Speaker 1>institutional in terms of trying to fight this, but within

0:35:26.760 --> 0:35:27.560
<v Speaker 1>his own family.

0:35:27.560 --> 0:35:28.360
<v Speaker 2>It's corrosive.

0:35:28.800 --> 0:35:33.040
<v Speaker 1>He gets drafted to try to stop the insurgency, and

0:35:34.040 --> 0:35:36.319
<v Speaker 1>it looks like his wife is going along with that,

0:35:36.640 --> 0:35:38.719
<v Speaker 1>but his wife is part of the insurgency.

0:35:38.880 --> 0:35:40.920
<v Speaker 2>Yeah, that was a nice That was a nice wrinkle.

0:35:41.040 --> 0:35:44.279
<v Speaker 2>That's an interesting way again to say, Okay, how can

0:35:44.320 --> 0:35:47.560
<v Speaker 2>we do a resistance or an insurgency but make it

0:35:47.600 --> 0:35:52.279
<v Speaker 2>feel fresh? Have your family divided in one on each

0:35:52.280 --> 0:35:53.960
<v Speaker 2>side of the fence. I thought that that was a

0:35:54.040 --> 0:35:57.040
<v Speaker 2>nice twist. It was terrific. I talked about Josh Holloway.

0:35:57.080 --> 0:35:59.000
<v Speaker 2>I just have to say sometimes I just like to

0:35:59.040 --> 0:35:59.640
<v Speaker 2>talk about.

0:35:59.480 --> 0:36:02.759
<v Speaker 1>The actors because I'm a writer, producer and I like

0:36:02.800 --> 0:36:03.319
<v Speaker 1>to do that.

0:36:03.920 --> 0:36:05.280
<v Speaker 2>There is a character.

0:36:05.320 --> 0:36:10.480
<v Speaker 1>Called Proxy I believe Alan Snyder. Proxy Snyder now Proxy

0:36:10.560 --> 0:36:15.040
<v Speaker 1>Snyder is played by an actor Peter Jacobson, and Proxy

0:36:15.040 --> 0:36:19.480
<v Speaker 1>Snyder is ahead of the not the resistance. He is

0:36:19.560 --> 0:36:24.200
<v Speaker 1>the guy who's basically between the aliens and the population,

0:36:24.840 --> 0:36:27.640
<v Speaker 1>and a play him as such a pragmatist.

0:36:28.040 --> 0:36:29.439
<v Speaker 2>He's like, what do you want me to do?

0:36:29.800 --> 0:36:33.719
<v Speaker 1>He's almost aggressive in his compromise and it's such an

0:36:33.800 --> 0:36:37.600
<v Speaker 1>incredible performance by Jacobson. And for people who don't know him.

0:36:37.719 --> 0:36:40.799
<v Speaker 1>He was in House, he was in Ray Donovan. He

0:36:40.840 --> 0:36:44.400
<v Speaker 1>was in The Americans, but in this one, Proxy Snyder

0:36:45.320 --> 0:36:49.319
<v Speaker 1>is almost exactly what you would think would happen. This

0:36:49.360 --> 0:36:53.279
<v Speaker 1>thing takes place in Los Angeles, and if you're the

0:36:53.320 --> 0:36:55.920
<v Speaker 1>Aliens and you want to hide behind these giant walls

0:36:55.960 --> 0:36:58.800
<v Speaker 1>they build, then you're going to need some humans unless

0:36:58.800 --> 0:37:02.000
<v Speaker 1>you're going to kill every human. And for various reasons,

0:37:02.040 --> 0:37:04.759
<v Speaker 1>they don't want to kill every human. Yet you're going

0:37:04.840 --> 0:37:07.799
<v Speaker 1>to need humans to clean up their own mess. And

0:37:07.840 --> 0:37:11.160
<v Speaker 1>that's where Proxy Snyder comes in. It's a great performance.

0:37:11.200 --> 0:37:14.160
<v Speaker 1>I would advise seeing Colony just for that. And there's

0:37:14.200 --> 0:37:18.960
<v Speaker 1>some wonderful little moments because again his pragmatism. Halloway's characterist

0:37:18.960 --> 0:37:21.479
<v Speaker 1>Will Bowman, and he says to Snyder at one point,

0:37:21.480 --> 0:37:24.239
<v Speaker 1>he goes, you've met them, what are they like? Because

0:37:24.280 --> 0:37:28.319
<v Speaker 1>there's this interest in like because the Aliens have not

0:37:28.400 --> 0:37:32.120
<v Speaker 1>presented themselves. Yep, they're in the shadows or on the

0:37:32.120 --> 0:37:35.040
<v Speaker 1>other side of the wall. And Proxy Snyder says, it

0:37:35.160 --> 0:37:39.360
<v Speaker 1>is a humbling moment realizing how insignificant.

0:37:38.440 --> 0:37:42.520
<v Speaker 2>We all are in the universe. Wow.

0:37:43.080 --> 0:37:46.919
<v Speaker 1>So that's why he's been able to rationalize I don't

0:37:46.920 --> 0:37:51.080
<v Speaker 1>really have to stand up for humanity much because we're

0:37:51.120 --> 0:37:54.920
<v Speaker 1>all insignificant. I'm just helping everybody get by. And I

0:37:54.960 --> 0:37:58.760
<v Speaker 1>do think that's fascinating because I don't know if aliens rationalize.

0:37:58.880 --> 0:38:01.800
<v Speaker 1>I haven't had any exp aperience with them. I haven't

0:38:01.840 --> 0:38:04.080
<v Speaker 1>read any white papers on them or anything, but I

0:38:04.120 --> 0:38:07.239
<v Speaker 1>do know humans like to rationalize. I remember watching it

0:38:07.280 --> 0:38:10.840
<v Speaker 1>with Jackie, my wife, and I was interested because I'm

0:38:10.880 --> 0:38:13.560
<v Speaker 1>all in on alien stuff, even stuff that you and

0:38:13.640 --> 0:38:15.640
<v Speaker 1>I are. Some of the people listening they say that's

0:38:15.680 --> 0:38:19.160
<v Speaker 1>just bad, and I'm thinking maybe. But I enjoyed watching

0:38:19.200 --> 0:38:21.560
<v Speaker 1>it because I like to see the choices others make

0:38:21.920 --> 0:38:25.319
<v Speaker 1>absolutely made choices like that, and it's hard to make

0:38:25.360 --> 0:38:28.239
<v Speaker 1>all perfect choices. So I really enjoy seeing how it's

0:38:28.239 --> 0:38:32.040
<v Speaker 1>Simba for her, she got through season one and she's like,

0:38:32.320 --> 0:38:33.840
<v Speaker 1>I don't need to see this anymore.

0:38:33.880 --> 0:38:36.120
<v Speaker 2>Just a couple things to add here. I thought it

0:38:36.160 --> 0:38:39.920
<v Speaker 2>was interesting that we have we talked about falling skies

0:38:39.920 --> 0:38:43.040
<v Speaker 2>and the fact that those aliens was it the s

0:38:43.080 --> 0:38:47.960
<v Speaker 2>FENNI yeah, okay, s Fenny, that's going to roll off

0:38:48.000 --> 0:38:50.440
<v Speaker 2>your tongue like nobody's business by the time we get

0:38:50.440 --> 0:38:54.680
<v Speaker 2>done here, s Fenny. One of the things they were

0:38:54.719 --> 0:38:58.319
<v Speaker 2>here on Earth for was to build up their defenses

0:38:58.360 --> 0:39:01.560
<v Speaker 2>because they were being part of a cosmic war that

0:39:01.600 --> 0:39:04.719
<v Speaker 2>they were being dragged into. That was similar with these aliens.

0:39:05.080 --> 0:39:08.000
<v Speaker 2>They were here because they were part of a cosmic

0:39:08.080 --> 0:39:10.360
<v Speaker 2>war and they were at yes going to be in

0:39:10.400 --> 0:39:13.839
<v Speaker 2>battle with someone. The most interesting thing though I thought

0:39:13.880 --> 0:39:17.960
<v Speaker 2>about the show, which was their unique twist, is that

0:39:18.280 --> 0:39:23.400
<v Speaker 2>apparently prior to their arrival, there's a global conspiracy of

0:39:23.480 --> 0:39:27.160
<v Speaker 2>wealthy and powerful human leaders who made a deal with

0:39:27.239 --> 0:39:31.040
<v Speaker 2>the hosts with the aliens. Yes, and so this wasn't

0:39:31.040 --> 0:39:34.759
<v Speaker 2>a sleeper sell. That's very different. This is we're going

0:39:34.840 --> 0:39:36.759
<v Speaker 2>to come in and we're going to cut deals with

0:39:36.800 --> 0:39:40.319
<v Speaker 2>the people in charge, get them on our side so

0:39:40.400 --> 0:39:43.479
<v Speaker 2>that they can take care of themselves, and they'll sell

0:39:43.480 --> 0:39:48.040
<v Speaker 2>out humanity. Yeah. So that's what I think of when

0:39:48.080 --> 0:39:51.760
<v Speaker 2>I think of a very subversive type of alien invasion

0:39:51.840 --> 0:39:54.520
<v Speaker 2>that really says more about the humans than it does

0:39:54.560 --> 0:39:57.520
<v Speaker 2>the aliens. I think colony wins the day there.

0:39:58.080 --> 0:40:02.719
<v Speaker 1>Yeah, But into my favorite two movies are two ideas.

0:40:03.320 --> 0:40:07.400
<v Speaker 1>They're both movies because they're different. It isn't the alien

0:40:07.440 --> 0:40:11.279
<v Speaker 1>overlords come in and lord it over us puny humans.

0:40:10.960 --> 0:40:14.080
<v Speaker 2>It reverses it, and they're fascinating.

0:40:14.480 --> 0:40:16.879
<v Speaker 1>The movies we're talking about, of course, are Alien Nation

0:40:17.400 --> 0:40:23.520
<v Speaker 1>and also District Nine. Now we almost have the same timeframe.

0:40:23.800 --> 0:40:27.799
<v Speaker 1>Alienation is eighties and District Nine is the two thousands,

0:40:28.080 --> 0:40:35.000
<v Speaker 1>so the same evolution. And again I've evolved with it

0:40:35.040 --> 0:40:38.959
<v Speaker 1>myself because Alien Nation was a film first, James Kahn

0:40:39.239 --> 0:40:43.319
<v Speaker 1>was and Mandy Patent great Killing the Alien. That was

0:40:43.360 --> 0:40:45.680
<v Speaker 1>their movie, and then it became a TV series and

0:40:45.719 --> 0:40:48.000
<v Speaker 1>it also became a series of Movies of the Week

0:40:48.040 --> 0:40:51.120
<v Speaker 1>and things like that. The premise is very simple. It's

0:40:51.160 --> 0:40:53.239
<v Speaker 1>set in the near future, which, by the way, back

0:40:53.280 --> 0:40:55.520
<v Speaker 1>then was nineteen ninety one Los Angeles.

0:40:55.680 --> 0:40:58.560
<v Speaker 2>I know the near future was nineteen ninety one.

0:40:58.840 --> 0:41:03.799
<v Speaker 1>Okay, yes, I'm okay, and a human police detective is

0:41:03.840 --> 0:41:09.400
<v Speaker 1>partnered with an alien detective. Okay, that's the premise. But

0:41:09.520 --> 0:41:14.120
<v Speaker 1>the uber premise is interesting. Out in the desert outside

0:41:14.160 --> 0:41:18.000
<v Speaker 1>of Los Angeles, this giant craft has crashed and it's

0:41:18.000 --> 0:41:21.960
<v Speaker 1>a slave ship full of these They call them the Newcomers.

0:41:22.600 --> 0:41:26.439
<v Speaker 1>So you don't have to learn as FENNI or f Yeah,

0:41:26.440 --> 0:41:29.239
<v Speaker 1>you don't have to learn that because everybody can say newcomers.

0:41:29.440 --> 0:41:32.440
<v Speaker 1>So the Newcomers are out there in the desert and

0:41:32.480 --> 0:41:36.440
<v Speaker 1>they get integrated. They learn English, and they're humanoid and

0:41:36.760 --> 0:41:39.799
<v Speaker 1>they just have funny, weird heads with model stuff on them.

0:41:40.040 --> 0:41:44.239
<v Speaker 1>But they get integrated into Los Angeles society, and they

0:41:44.280 --> 0:41:46.719
<v Speaker 1>have all the same problems humans have, and humans look

0:41:46.719 --> 0:41:49.279
<v Speaker 1>at them with the same condescension we look at other

0:41:49.400 --> 0:41:52.759
<v Speaker 1>racial groups and things. So again it's a commentary on us.

0:41:53.080 --> 0:41:58.800
<v Speaker 1>But here's the thing. Loved it in the eighties, watched

0:41:58.840 --> 0:42:02.960
<v Speaker 1>it again for this show, just didn't make it for

0:42:03.040 --> 0:42:06.879
<v Speaker 1>me as a film, even though the concept is pretty cool.

0:42:07.600 --> 0:42:11.360
<v Speaker 2>Yeah, I agree it When I saw it at the time,

0:42:11.600 --> 0:42:16.799
<v Speaker 2>it felt interesting and fresh, that that idea of the assimilation,

0:42:17.040 --> 0:42:20.239
<v Speaker 2>and it's really a story about the immigrant struggle being

0:42:20.280 --> 0:42:23.399
<v Speaker 2>the outsider trying to fit in. What's funny is the

0:42:23.440 --> 0:42:25.720
<v Speaker 2>main thing that if you said do you remember Alien

0:42:25.800 --> 0:42:29.040
<v Speaker 2>Nation before I rewatched it for the podcast, I would

0:42:29.040 --> 0:42:31.279
<v Speaker 2>have said, oh, is that the movie where the aliens

0:42:31.360 --> 0:42:35.080
<v Speaker 2>get drunk on curdled milk. That was like the big

0:42:35.560 --> 0:42:38.520
<v Speaker 2>detail for me that stuck out that I couldn't tell

0:42:38.520 --> 0:42:41.200
<v Speaker 2>you anything about the plot until I had rewatched it.

0:42:41.480 --> 0:42:43.360
<v Speaker 2>I knew it was something about a cop, a buddy

0:42:43.360 --> 0:42:47.040
<v Speaker 2>cop thing, but that idea the idea that aliens would

0:42:47.040 --> 0:42:49.640
<v Speaker 2>come here and take something that is so vile to

0:42:49.800 --> 0:42:53.719
<v Speaker 2>humans and it actually is like an intoxicant. I loved

0:42:53.760 --> 0:42:55.880
<v Speaker 2>that idea. It makes James Kahn.

0:42:55.640 --> 0:43:00.560
<v Speaker 1>The other cop, just revolted. He just exact revolted too. Yeah, yeah,

0:43:00.600 --> 0:43:04.120
<v Speaker 1>boy curdled milk up. It is interesting though, so by

0:43:04.160 --> 0:43:09.520
<v Speaker 1>the way, something can succeed in concept and get dated

0:43:09.680 --> 0:43:12.880
<v Speaker 1>in execution. So in other words, if somebody remade Alien

0:43:12.920 --> 0:43:14.600
<v Speaker 1>Nation right now, I'm sure it'd be quite good, and

0:43:14.640 --> 0:43:16.959
<v Speaker 1>I'd be compelled by it because it would be made

0:43:16.960 --> 0:43:20.080
<v Speaker 1>with new actors and new ways of telling it and everything.

0:43:20.200 --> 0:43:24.080
<v Speaker 1>But this was unique for its time, I believe, because

0:43:24.080 --> 0:43:27.680
<v Speaker 1>the Aliens are not an invading army. There are basically

0:43:27.840 --> 0:43:31.080
<v Speaker 1>they're everything you could think of, particularly in the TV series.

0:43:31.400 --> 0:43:37.360
<v Speaker 1>They are neighbors, they're colleagues. There's defendants, their voters, their spouses,

0:43:37.440 --> 0:43:40.960
<v Speaker 1>their children, they move into homes across the street from you.

0:43:41.080 --> 0:43:43.760
<v Speaker 1>Just they manage to say a lot about human society.

0:43:43.840 --> 0:43:47.040
<v Speaker 1>Because when I believe it's the pilot for the TV

0:43:47.160 --> 0:43:50.319
<v Speaker 1>series and an alien family is moving in across the

0:43:50.360 --> 0:43:54.600
<v Speaker 1>street and it's like the first black family moving in

0:43:54.600 --> 0:43:58.040
<v Speaker 1>in the sixties or something, and there's just a lot

0:43:58.080 --> 0:44:03.600
<v Speaker 1>of conflict, and so it really does give the writers

0:44:03.600 --> 0:44:06.920
<v Speaker 1>a chance to talk about things that are racist, policing,

0:44:07.000 --> 0:44:07.680
<v Speaker 1>things like that.

0:44:08.440 --> 0:44:10.760
<v Speaker 2>But is it saying anything.

0:44:11.080 --> 0:44:15.920
<v Speaker 1>About where we actually are UFO wise? I'm not sure.

0:44:16.280 --> 0:44:16.879
<v Speaker 2>I do know.

0:44:17.680 --> 0:44:21.360
<v Speaker 1>It's always bothered me about the size of these reported

0:44:21.440 --> 0:44:24.319
<v Speaker 1>craft that are up there. Yeah, not all of them

0:44:24.360 --> 0:44:26.919
<v Speaker 1>are huge, but some of them, Brent I get are

0:44:26.960 --> 0:44:28.160
<v Speaker 1>reported as three.

0:44:28.040 --> 0:44:30.960
<v Speaker 2>Times the size of a cruise ship. Yeah, no, I

0:44:31.000 --> 0:44:33.920
<v Speaker 2>know it's in them. What is in those things? Maybe

0:44:34.040 --> 0:44:37.759
<v Speaker 2>three hundred thousand alien refugees? Are you prisoners in this case?

0:44:37.920 --> 0:44:41.040
<v Speaker 2>And that's a good segue into District nine because that's

0:44:41.080 --> 0:44:46.120
<v Speaker 2>how that story begins. With a huge mothership that has

0:44:46.320 --> 0:44:50.840
<v Speaker 2>arrived over Johannesburg, South Africa, and the ship just hovers

0:44:50.880 --> 0:44:55.760
<v Speaker 2>there for three months, not making any contact, no open door, nothing,

0:44:56.239 --> 0:44:59.320
<v Speaker 2>and then of course humans get impatient and they decide

0:44:59.360 --> 0:45:02.160
<v Speaker 2>to go the hull and go in and see what's

0:45:02.239 --> 0:45:06.799
<v Speaker 2>going on. And what do they find. They find an atrocity.

0:45:06.840 --> 0:45:09.960
<v Speaker 2>They find a bunch of aliens that are starving and dying. Again,

0:45:10.239 --> 0:45:12.879
<v Speaker 2>what I loved about that movie is they take the

0:45:12.920 --> 0:45:16.800
<v Speaker 2>idea of an alien invasion and they throw so many

0:45:16.840 --> 0:45:20.000
<v Speaker 2>twists at it, just from the start of Now the

0:45:20.040 --> 0:45:23.640
<v Speaker 2>aliens are at our doorstep. They're not even trying to immigrate,

0:45:24.400 --> 0:45:28.960
<v Speaker 2>They're dying. They're dying refugees at the mercy of humanity.

0:45:29.680 --> 0:45:33.120
<v Speaker 2>Very interesting setup. The director did a great job.

0:45:33.239 --> 0:45:35.319
<v Speaker 1>I don't know this was his first movie, but it

0:45:35.480 --> 0:45:38.480
<v Speaker 1>was certainly a big one for him. Neil Blomkamp is

0:45:38.480 --> 0:45:39.440
<v Speaker 1>that how you pronounce it.

0:45:39.719 --> 0:45:42.319
<v Speaker 2>If I'm not mistaken and someone in the comments can

0:45:42.360 --> 0:45:45.520
<v Speaker 2>correct me. I think he made a short film about

0:45:45.560 --> 0:45:49.919
<v Speaker 2>this idea that Peter Jackson saw. The director of Lord

0:45:49.960 --> 0:45:53.040
<v Speaker 2>of the Rings got really excited about it, promoted him,

0:45:53.080 --> 0:45:55.760
<v Speaker 2>and that got him a chance to make the feature

0:45:55.800 --> 0:45:57.279
<v Speaker 2>length version of District.

0:45:57.200 --> 0:46:00.560
<v Speaker 1>I also heard that they have an entire team assembled.

0:46:00.560 --> 0:46:03.160
<v Speaker 1>They were going to make Halo the movie, yes, and

0:46:03.239 --> 0:46:05.800
<v Speaker 1>I think blom Camp was he directing or he was

0:46:05.880 --> 0:46:09.040
<v Speaker 1>part of it. And then the thing got killed. The

0:46:09.120 --> 0:46:12.960
<v Speaker 1>project died, and instead of saying everybody go home, they said,

0:46:12.960 --> 0:46:15.680
<v Speaker 1>why don't we keep the teams working and let's make

0:46:15.760 --> 0:46:19.799
<v Speaker 1>another movie. They didn't have a script for District nine,

0:46:19.840 --> 0:46:21.880
<v Speaker 1>but they had an idea and they worked for a

0:46:21.920 --> 0:46:24.759
<v Speaker 1>couple months on it. Listen the first time I saw

0:46:24.800 --> 0:46:27.400
<v Speaker 1>that thing, and the first time most people saw it,

0:46:27.400 --> 0:46:32.319
<v Speaker 1>it was revelatory and it felt way more authentic.

0:46:31.920 --> 0:46:34.120
<v Speaker 2>In a way than Alien Nation.

0:46:34.480 --> 0:46:37.480
<v Speaker 1>Because I'm not sure if we'd let three hundred thousand

0:46:37.920 --> 0:46:42.160
<v Speaker 1>weird looking aliens integrate into Los Angeles if they showed up,

0:46:42.239 --> 0:46:46.239
<v Speaker 1>but basically in South Africa. First of all, what's great

0:46:46.280 --> 0:46:48.759
<v Speaker 1>about the film is, and I think it is a

0:46:48.800 --> 0:46:53.080
<v Speaker 1>good reference point for what's really going on. People say,

0:46:53.680 --> 0:46:55.879
<v Speaker 1>why do we always assume these things are only seen

0:46:55.960 --> 0:46:56.480
<v Speaker 1>in the US.

0:46:56.560 --> 0:46:59.919
<v Speaker 2>They're not. It's a global phenomenon. But this movie makes

0:47:00.200 --> 0:47:03.920
<v Speaker 2>clear this alien craft isn't hovering over Washington, DC or

0:47:03.960 --> 0:47:08.880
<v Speaker 2>New York City. It's hovering over Johannesburg. And what do

0:47:08.960 --> 0:47:11.919
<v Speaker 2>they do with these aliens? They stick them in the.

0:47:11.840 --> 0:47:15.440
<v Speaker 1>Project what do they call it in the Why am

0:47:15.480 --> 0:47:16.120
<v Speaker 1>I blanking?

0:47:17.239 --> 0:47:17.560
<v Speaker 2>Whatever?

0:47:18.400 --> 0:47:21.960
<v Speaker 1>They send them and put them in Squalor, which we're

0:47:22.160 --> 0:47:25.319
<v Speaker 1>along with where a number of black people have been

0:47:25.360 --> 0:47:29.040
<v Speaker 1>put in South Africa over the years, and it just

0:47:29.080 --> 0:47:31.879
<v Speaker 1>feels very authentic. I guess this is why I found

0:47:31.920 --> 0:47:34.600
<v Speaker 1>this to be an interesting episode, Brent. At the end

0:47:34.600 --> 0:47:37.200
<v Speaker 1>of the day, I think it's very clear we are

0:47:37.680 --> 0:47:42.040
<v Speaker 1>having contact right now now. I don't know specifically with who.

0:47:42.400 --> 0:47:45.640
<v Speaker 1>I don't know that they're extraterrestrial. They might be ultraterrestrial,

0:47:45.680 --> 0:47:49.200
<v Speaker 1>They might be any number of things, but there might

0:47:49.239 --> 0:47:50.800
<v Speaker 1>be one different kind or five.

0:47:51.280 --> 0:47:53.759
<v Speaker 2>I tend to think there's more than one.

0:47:54.120 --> 0:47:57.440
<v Speaker 1>But we're in the middle of contact. So the question

0:47:57.640 --> 0:48:04.040
<v Speaker 1>is what's it going to look like? Are we getting

0:48:04.080 --> 0:48:08.000
<v Speaker 1>set up for the world's worst time? Or are is

0:48:08.040 --> 0:48:10.600
<v Speaker 1>life going to kind of go on? And it's and

0:48:10.640 --> 0:48:12.759
<v Speaker 1>they're going to have the worst time. That's what this

0:48:13.000 --> 0:48:15.799
<v Speaker 1>thing is. And by the way, it's townships. It's yes,

0:48:16.440 --> 0:48:19.359
<v Speaker 1>they put them in townships, and that's what they ended

0:48:19.440 --> 0:48:21.440
<v Speaker 1>up doing with these these creatures.

0:48:21.840 --> 0:48:25.000
<v Speaker 2>Either way, do they have a name these creatures, that's

0:48:25.000 --> 0:48:28.799
<v Speaker 2>a great question. The prawns, Yeah, because they have a

0:48:28.840 --> 0:48:31.440
<v Speaker 2>weird shrimp equality to them. I think one of the

0:48:31.800 --> 0:48:34.680
<v Speaker 2>things I appreciated about this too was the fact that

0:48:34.719 --> 0:48:38.400
<v Speaker 2>this wasn't about rebellion or assimilation or whatnot in the

0:48:38.440 --> 0:48:42.359
<v Speaker 2>typical sense we've seen before. It was about watching one

0:48:42.520 --> 0:48:47.520
<v Speaker 2>human turn into an alien, be his his body being

0:48:47.640 --> 0:48:52.880
<v Speaker 2>converted into an alien. Yeah, and that type of body horror.

0:48:53.120 --> 0:48:55.799
<v Speaker 2>I just it was so unique, and so the whole thing,

0:48:55.840 --> 0:48:59.600
<v Speaker 2>the whole movie had a very satiric quality to it.

0:48:59.480 --> 0:49:03.279
<v Speaker 2>It clearly it was a satire about apartheid, but they

0:49:03.360 --> 0:49:05.719
<v Speaker 2>played that part of it with a lot of pathos.

0:49:06.040 --> 0:49:08.879
<v Speaker 2>It was both. It was darkly comedic like The Fly

0:49:09.040 --> 0:49:13.080
<v Speaker 2>and Jeff Goldblum's Transformation, but it was also sad too

0:49:13.239 --> 0:49:15.840
<v Speaker 2>that they told out he walked a fine line. It

0:49:15.880 --> 0:49:17.280
<v Speaker 2>was a very enjoyable movie.

0:49:17.560 --> 0:49:21.279
<v Speaker 1>Listen, Let's blast path. Just an honorable mention for this

0:49:21.400 --> 0:49:25.279
<v Speaker 1>category goes to the TV series Defiance, And what I

0:49:25.320 --> 0:49:28.440
<v Speaker 1>love most about it is that it's not just one alien,

0:49:28.560 --> 0:49:32.040
<v Speaker 1>there's multiple aliens, and yes they're all living. They're fighting

0:49:32.080 --> 0:49:34.240
<v Speaker 1>with them, they're living together with us.

0:49:34.040 --> 0:49:36.919
<v Speaker 2>And it felt to me a little bit like Star

0:49:37.000 --> 0:49:40.319
<v Speaker 2>Wars or Star Trek on Earth. Yeah, kind of did.

0:49:40.800 --> 0:49:41.279
<v Speaker 2>Loved it.

0:49:41.600 --> 0:49:44.920
<v Speaker 1>But there's another show that's out right now, right now

0:49:45.239 --> 0:49:48.960
<v Speaker 1>that got so much press last year when it debuted

0:49:49.320 --> 0:49:51.440
<v Speaker 1>because it comes from the guy that gave us.

0:49:51.320 --> 0:49:56.279
<v Speaker 2>Breaking bad and silly skill again. Yeah. Yeah. Pluribus is

0:49:56.800 --> 0:50:00.480
<v Speaker 2>I guess what you would call a benevolent assimilation. Definitely,

0:50:00.760 --> 0:50:04.320
<v Speaker 2>it has a quality of an alien invasion, but unlike

0:50:04.360 --> 0:50:08.880
<v Speaker 2>anything you've seen before. Basically it starts off with a

0:50:08.960 --> 0:50:12.759
<v Speaker 2>transmission from outer space that as these four repeating signals,

0:50:13.160 --> 0:50:18.280
<v Speaker 2>they just they determine that it represents these nucleotide building

0:50:18.320 --> 0:50:22.120
<v Speaker 2>blocks of RNA that's recreated in a lab. Trying to

0:50:22.120 --> 0:50:24.920
<v Speaker 2>decode it. What does it mean? They end up concreting

0:50:25.000 --> 0:50:28.360
<v Speaker 2>something that becomes contagious, that escapes out into the world,

0:50:28.840 --> 0:50:31.839
<v Speaker 2>and next thing you know, rather than aliens taking over

0:50:31.880 --> 0:50:36.600
<v Speaker 2>the planet, you've got seven point two billion humans because

0:50:36.760 --> 0:50:40.719
<v Speaker 2>a lot are lost in this process, are basically subsumed

0:50:40.800 --> 0:50:45.880
<v Speaker 2>by a cheerful collective consciousness called the joint Well for

0:50:45.960 --> 0:50:49.920
<v Speaker 2>what it is, though it's a high it is absolutely

0:50:50.000 --> 0:50:53.200
<v Speaker 2>a high mind. But the whole story is about the

0:50:53.239 --> 0:50:57.480
<v Speaker 2>fact that this conversion happens rapidly and then but there's

0:50:57.920 --> 0:51:02.040
<v Speaker 2>I think eleven or twelve people who are immune. So

0:51:02.440 --> 0:51:05.320
<v Speaker 2>the whole world changes in a matter of days, maybe

0:51:05.360 --> 0:51:07.720
<v Speaker 2>even a twenty four I don't remember, but it happens

0:51:07.800 --> 0:51:11.320
<v Speaker 2>very quickly. And then left standing are these eleven people

0:51:11.360 --> 0:51:15.880
<v Speaker 2>spread out across the planet who weren't converted. And because

0:51:15.960 --> 0:51:19.439
<v Speaker 2>these are this is a benevolent alien race, they don't

0:51:19.440 --> 0:51:22.160
<v Speaker 2>want to just kill those people, so they take care

0:51:22.200 --> 0:51:26.839
<v Speaker 2>of them until they are joined. That's the premise of Pluribus.

0:51:32.280 --> 0:51:34.919
<v Speaker 1>Now here's the thing as a piece of art. People

0:51:35.000 --> 0:51:37.640
<v Speaker 1>are somewhat divided on it. I think Vince Gilligan is

0:51:37.640 --> 0:51:40.759
<v Speaker 1>a great creator. He was on The X Files, and

0:51:41.239 --> 0:51:44.239
<v Speaker 1>of course Breaking Bad. I've seen seven times. I just

0:51:44.600 --> 0:51:47.680
<v Speaker 1>can't stop watching Breaking Bad. Great stuff. This is not

0:51:47.800 --> 0:51:51.400
<v Speaker 1>Breaking Bad. This is a whole different thing. And I

0:51:51.440 --> 0:51:53.200
<v Speaker 1>guess what I would say about it is I can

0:51:53.360 --> 0:51:58.360
<v Speaker 1>enjoy it on an artistic level, and do. But I

0:51:58.440 --> 0:52:02.680
<v Speaker 1>don't for a minute think that Pluribus in any way

0:52:03.480 --> 0:52:06.040
<v Speaker 1>reflects anything that might actually be about to.

0:52:06.040 --> 0:52:07.840
<v Speaker 2>Happen or will ever happen.

0:52:08.080 --> 0:52:11.759
<v Speaker 1>Whereas these other things that we've talked about today all

0:52:11.760 --> 0:52:15.120
<v Speaker 1>strike me as something that there's going to be a

0:52:15.200 --> 0:52:18.080
<v Speaker 1>menu of things about how contact's going to go down.

0:52:18.680 --> 0:52:21.480
<v Speaker 1>These are some of the darker visions of it. But

0:52:21.560 --> 0:52:23.759
<v Speaker 1>I just don't think that Pluribus, even though it is

0:52:23.800 --> 0:52:28.320
<v Speaker 1>a lighter vision, in some ways, it's actually dark that

0:52:28.360 --> 0:52:30.680
<v Speaker 1>our humanity gets subsumed.

0:52:30.880 --> 0:52:32.440
<v Speaker 2>But I just don't think that's going to happen. I

0:52:32.480 --> 0:52:32.879
<v Speaker 2>don't think.

0:52:33.160 --> 0:52:36.920
<v Speaker 1>I don't think there's anything in euphology or anything that

0:52:37.000 --> 0:52:39.640
<v Speaker 1>I've heard or read that makes me believe we're on.

0:52:39.600 --> 0:52:43.520
<v Speaker 2>The verge of a Pluribus situation breaking out. Yeah. I

0:52:43.640 --> 0:52:46.279
<v Speaker 2>tend to agree in a way. I feel like the

0:52:46.760 --> 0:52:50.640
<v Speaker 2>aliens of Pluribus watched the movies and the TV series

0:52:50.640 --> 0:52:53.799
<v Speaker 2>that came before them and realized, if we go down

0:52:53.840 --> 0:52:56.480
<v Speaker 2>there and we start things up and start a war,

0:52:56.960 --> 0:53:00.279
<v Speaker 2>this could go on a long time. These humans. Let's

0:53:00.320 --> 0:53:02.640
<v Speaker 2>go down with a different approach. Let's go down and

0:53:02.719 --> 0:53:05.120
<v Speaker 2>just tell them we're going to take care of them,

0:53:05.600 --> 0:53:08.919
<v Speaker 2>and go down with a peaceful, benevolent message and see

0:53:08.920 --> 0:53:11.640
<v Speaker 2>what happens. And BOYD did they have a much easier

0:53:11.680 --> 0:53:14.360
<v Speaker 2>time of it. They got everybody but eleven or twelve humans.

0:53:14.440 --> 0:53:17.080
<v Speaker 2>That I thought was interesting. I do agree, though, that

0:53:17.960 --> 0:53:21.600
<v Speaker 2>the idea of joining a hive mind and being told

0:53:21.719 --> 0:53:24.040
<v Speaker 2>this isn't going to be an upgrade because you don't

0:53:24.080 --> 0:53:28.520
<v Speaker 2>have fear and despair and all of these negative emotions anymore.

0:53:28.600 --> 0:53:30.759
<v Speaker 2>Everything will be done for you and you'll be part

0:53:30.800 --> 0:53:34.560
<v Speaker 2>of a joyful collective. I don't know. That feels like

0:53:34.800 --> 0:53:39.640
<v Speaker 2>joining a cult to me and losing my identity and

0:53:39.680 --> 0:53:43.560
<v Speaker 2>my individuality, And as you pointed out earlier, those qualities

0:53:43.600 --> 0:53:46.680
<v Speaker 2>are what give us a fighting shot when an alien

0:53:46.680 --> 0:53:49.359
<v Speaker 2>invasion takes over. That's what's keeping a lot of these

0:53:49.440 --> 0:53:53.120
<v Speaker 2>characters alive through these When they join a resistance, it's

0:53:53.160 --> 0:53:56.560
<v Speaker 2>because they're not willing to roll over and assimilate and

0:53:57.440 --> 0:54:00.520
<v Speaker 2>give up their own life and their beliefs. And so

0:54:00.920 --> 0:54:05.080
<v Speaker 2>I feel like it's funny because Pluribus is the least

0:54:05.719 --> 0:54:10.960
<v Speaker 2>horrifying in many ways, but psychologically it is the most horrifying.

0:54:11.000 --> 0:54:13.359
<v Speaker 2>In my mind, Yeah, it is.

0:54:13.480 --> 0:54:17.040
<v Speaker 1>If we've seen hard conquest in the previous ones, this

0:54:17.120 --> 0:54:18.200
<v Speaker 1>is soft conquest.

0:54:18.400 --> 0:54:21.040
<v Speaker 2>Okay, we got to get out of here. Closing thoughts,

0:54:21.200 --> 0:54:24.719
<v Speaker 2>you go first. So I think the interesting thing to

0:54:24.840 --> 0:54:27.680
<v Speaker 2>consider with everything that we've talked about and even the

0:54:27.719 --> 0:54:30.400
<v Speaker 2>things we didn't get to, is that there are always

0:54:30.440 --> 0:54:33.360
<v Speaker 2>these key points in this story, and that is the

0:54:33.440 --> 0:54:37.120
<v Speaker 2>aliens are going to come at some point. They're going

0:54:37.160 --> 0:54:40.040
<v Speaker 2>to probably try and take over. There's going to be

0:54:40.160 --> 0:54:43.359
<v Speaker 2>some number of humans who don't go along with it

0:54:43.480 --> 0:54:46.759
<v Speaker 2>and may resist in different forms, and the outcome is

0:54:46.800 --> 0:54:51.040
<v Speaker 2>going to be often unknown until especially if the series

0:54:51.040 --> 0:54:54.080
<v Speaker 2>doesn't get canceled, it's hard to know like how that's

0:54:54.120 --> 0:54:57.000
<v Speaker 2>going to go. I think Hollywood tends to always want

0:54:57.040 --> 0:55:00.560
<v Speaker 2>to tell positive stories. They want to show that humanity

0:55:00.600 --> 0:55:02.960
<v Speaker 2>will survive and endure because who wants to get the

0:55:03.040 --> 0:55:04.759
<v Speaker 2>end of ten seasons or even two and a half

0:55:04.800 --> 0:55:07.280
<v Speaker 2>hours and feel like, oh so we lost great let's

0:55:07.440 --> 0:55:10.680
<v Speaker 2>why is this hopeful? Why is this entertaining? I think,

0:55:11.000 --> 0:55:14.200
<v Speaker 2>but we are at a time right now where this

0:55:14.280 --> 0:55:18.200
<v Speaker 2>is a story that is actually unfolding in the real world.

0:55:18.880 --> 0:55:21.879
<v Speaker 2>And as you said, what can we learn from any

0:55:21.920 --> 0:55:25.520
<v Speaker 2>of these lessons? Is there anything to learn? Because we've

0:55:25.560 --> 0:55:30.400
<v Speaker 2>seen every story told, and it's been told so many

0:55:30.440 --> 0:55:33.560
<v Speaker 2>times now it starts to make me wonder is this

0:55:33.640 --> 0:55:36.040
<v Speaker 2>all part of messaging? If some of the things that

0:55:36.080 --> 0:55:40.200
<v Speaker 2>we believe to be true that Hollywood is actually wittingly

0:55:40.280 --> 0:55:46.719
<v Speaker 2>or unwittingly helping condition the populace. My question then, is okay,

0:55:46.760 --> 0:55:50.520
<v Speaker 2>with everything unfolding regarding disclosure, are we in imminent danger?

0:55:51.200 --> 0:55:54.000
<v Speaker 2>Is this a disclosure where there are things up in

0:55:54.040 --> 0:55:56.279
<v Speaker 2>the sky and they come here and visit us, or

0:55:56.360 --> 0:55:59.080
<v Speaker 2>is this leaning more towards Oh, by the way, they've

0:55:59.120 --> 0:56:02.880
<v Speaker 2>been here for a long time and they're living amongst

0:56:03.000 --> 0:56:07.000
<v Speaker 2>us and they are in charge. So I want to

0:56:07.040 --> 0:56:09.080
<v Speaker 2>just cut to the chase and get personal here for

0:56:09.080 --> 0:56:11.360
<v Speaker 2>a moment, because I go back, as I always do,

0:56:11.520 --> 0:56:14.520
<v Speaker 2>kind of my frame of references What did John Harrington

0:56:14.600 --> 0:56:19.920
<v Speaker 2>say to me? John Harrington said, aliens are real. They're

0:56:20.000 --> 0:56:24.680
<v Speaker 2>here and I've seen them. The thing that I get

0:56:24.719 --> 0:56:27.640
<v Speaker 2>caught up on, and I ask myself over and over again,

0:56:27.960 --> 0:56:31.560
<v Speaker 2>is when I pushed him and I said, Okay, are

0:56:31.600 --> 0:56:36.480
<v Speaker 2>they alive? He said I can't say, And I said, okay,

0:56:36.600 --> 0:56:38.640
<v Speaker 2>you can't say, or you won't say, so I can't say.

0:56:39.320 --> 0:56:44.000
<v Speaker 2>And so right then I'm asking myself, it doesn't sound

0:56:44.040 --> 0:56:47.800
<v Speaker 2>like they're human. It doesn't sound like potentially you can't

0:56:47.880 --> 0:56:51.760
<v Speaker 2>look at whatever he's talking about and answer the question,

0:56:51.880 --> 0:56:53.799
<v Speaker 2>are they like us? Are they human? Are they going

0:56:53.880 --> 0:56:57.600
<v Speaker 2>to come and assimilate with us and live and die

0:56:57.719 --> 0:57:01.239
<v Speaker 2>and possibly work together with our police force? Are they

0:57:01.239 --> 0:57:03.279
<v Speaker 2>going to be our overlords? But if they're not, if

0:57:03.320 --> 0:57:06.799
<v Speaker 2>he can't say if they're alive, then I'm starting to

0:57:06.880 --> 0:57:10.239
<v Speaker 2>think we're into sentient plasmoid, as David Grush says, So

0:57:10.760 --> 0:57:15.040
<v Speaker 2>I think the quality of whatever invasion might happen after

0:57:15.080 --> 0:57:18.400
<v Speaker 2>first contact is going to be solely dependent upon what

0:57:18.720 --> 0:57:21.920
<v Speaker 2>race of aliens are we talking about, And as some

0:57:21.960 --> 0:57:25.000
<v Speaker 2>of these shows point out, is it one race, is

0:57:25.000 --> 0:57:28.320
<v Speaker 2>it multiple races? And everything in the news right now

0:57:28.400 --> 0:57:32.720
<v Speaker 2>seems to be talking about multiple races, So.

0:57:32.680 --> 0:57:36.160
<v Speaker 1>You do wonder about all these Are they predictive programming

0:57:36.200 --> 0:57:36.800
<v Speaker 1>in any way?

0:57:37.240 --> 0:57:38.600
<v Speaker 2>Were they allowed to be created?

0:57:38.640 --> 0:57:41.640
<v Speaker 1>Did they get created because they're preparing us for something?

0:57:42.000 --> 0:57:45.000
<v Speaker 2>I'm not so sure. However, what ID take.

0:57:44.880 --> 0:57:47.720
<v Speaker 1>Away from your Harrington story always is that he said

0:57:47.720 --> 0:57:49.440
<v Speaker 1>he cried himself to sleep every day.

0:57:49.560 --> 0:57:53.200
<v Speaker 2>Yes, okay, if most of these things.

0:57:52.880 --> 0:57:55.280
<v Speaker 1>That we talked about in the first part of this

0:57:55.560 --> 0:57:58.400
<v Speaker 1>were to come true, that would cause me to cry

0:57:58.480 --> 0:57:59.280
<v Speaker 1>myself to sleep.

0:57:59.440 --> 0:58:00.560
<v Speaker 2>If I thought that it.

0:58:00.520 --> 0:58:03.360
<v Speaker 1>Was already happening and it was a done deal. And

0:58:03.520 --> 0:58:05.840
<v Speaker 1>I know that there's a lot of conflict out there

0:58:06.040 --> 0:58:09.120
<v Speaker 1>in the community, if you will, the UFO community, about

0:58:10.000 --> 0:58:12.880
<v Speaker 1>threat narratives and all that. You could argue maybe these

0:58:12.920 --> 0:58:15.160
<v Speaker 1>were to prepare us for that. I'm not sure about that,

0:58:15.360 --> 0:58:17.800
<v Speaker 1>but it does seem to me there may be a

0:58:17.920 --> 0:58:23.080
<v Speaker 1>dark side. And clearly if it was all sweetness and light,

0:58:23.120 --> 0:58:25.520
<v Speaker 1>there would have been a lot more reason to tell

0:58:25.600 --> 0:58:27.480
<v Speaker 1>us over the last eighty years.

0:58:27.680 --> 0:58:29.600
<v Speaker 2>I was going to say, what's the phrase in Hollywood,

0:58:29.640 --> 0:58:30.840
<v Speaker 2>good news travels fast.

0:58:31.400 --> 0:58:34.840
<v Speaker 1>Yeah, so listen, that's our show. But I again, as

0:58:34.960 --> 0:58:37.520
<v Speaker 1>we'd like to, we just want to say we appreciate

0:58:37.600 --> 0:58:40.840
<v Speaker 1>you watching this or listening to this, because these are

0:58:40.880 --> 0:58:43.800
<v Speaker 1>a lot of work and they're fun to do, and

0:58:43.840 --> 0:58:46.640
<v Speaker 1>we love sharing our ideas with you and you sharing

0:58:46.720 --> 0:58:49.640
<v Speaker 1>your reactions back to us. So whether you're listening to

0:58:49.680 --> 0:58:53.600
<v Speaker 1>the podcast or whether you're watching it on YouTube, you

0:58:53.680 --> 0:58:56.880
<v Speaker 1>always have access to comments. We love getting your comments.

0:58:57.000 --> 0:58:58.920
<v Speaker 1>We read them, and we try to read all of them.

0:58:59.000 --> 0:59:02.000
<v Speaker 1>We don't necessarily respond to all of them because there's

0:59:02.040 --> 0:59:04.840
<v Speaker 1>only so many hours in the day, but we appreciate them.

0:59:05.040 --> 0:59:07.960
<v Speaker 1>We also appreciate when you give us those thumbs up

0:59:08.000 --> 0:59:11.160
<v Speaker 1>and likes and follows and subscriptions and all that good

0:59:11.200 --> 0:59:13.880
<v Speaker 1>stuff because we love you for doing that.

0:59:14.040 --> 0:59:16.920
<v Speaker 2>So thank you for that. And anyway, we're out of

0:59:16.960 --> 0:59:18.800
<v Speaker 2>here for now. We'll be back next week.

0:59:37.080 --> 0:59:40.200
<v Speaker 1>Sound Light and Frequency is an iHeart podcast produced by

0:59:40.240 --> 0:59:44.040
<v Speaker 1>Stellar Productions. It's executive produced by Nick Johnson and for

0:59:44.120 --> 0:59:47.440
<v Speaker 1>Stellar Jackie's Abel. Our show's music was written by Anna

0:59:47.520 --> 0:59:51.280
<v Speaker 1>Stumf and Hamilton lighthauser and your hosts and executive producers

0:59:51.280 --> 0:59:53.880
<v Speaker 1>are Bryce Abel, That's me and Brent Friedman.

0:59:54.240 --> 0:59:55.040
<v Speaker 2>Watch the guys