1 00:00:00,920 --> 00:00:05,399 Speaker 1: It's time. It's time time to wake up. Tak intantially, 2 00:00:05,440 --> 00:00:08,280 Speaker 1: Get and Charlotte mean the Doctor to practice club bitching 3 00:00:08,800 --> 00:00:11,600 Speaker 1: the voice of the culture. People watch The Records Club 4 00:00:11,640 --> 00:00:14,400 Speaker 1: for like news and really be tuned in. It's one 5 00:00:14,440 --> 00:00:16,960 Speaker 1: of my favorite shows to do just because y'all always 6 00:00:17,040 --> 00:00:19,239 Speaker 1: keep you one hunting. Y'all keep you really. They might 7 00:00:19,280 --> 00:00:21,640 Speaker 1: not watch the news, but they're on Twitter, they're on Facebook, 8 00:00:21,920 --> 00:00:23,799 Speaker 1: they're you know, they're listening to the break of the 9 00:00:23,800 --> 00:00:34,400 Speaker 1: Brothers Club show. Ass sub him, It's time time to 10 00:00:34,440 --> 00:00:37,159 Speaker 1: wake up. You take intantially Geet and Charlotte I mean 11 00:00:37,240 --> 00:00:40,680 Speaker 1: the Doctor to practice club bitches the voice of the culture. 12 00:00:40,680 --> 00:00:43,800 Speaker 1: People watch The Records Club for like news to really 13 00:00:43,840 --> 00:00:46,280 Speaker 1: be tuned in. That's one of my favorite shows to dude, 14 00:00:46,400 --> 00:00:49,400 Speaker 1: just because y'all always keeping one hunting. Y'all keep it really. 15 00:00:49,479 --> 00:00:51,240 Speaker 1: They might not watch the news, but they're on Twitter, 16 00:00:51,320 --> 00:00:53,960 Speaker 1: they're on Facebook, they're you know, they're listening to the 17 00:00:54,000 --> 00:01:07,840 Speaker 1: breath of the Brothers show. Ass suck good Morney in 18 00:01:08,000 --> 00:01:10,120 Speaker 1: usc yo yo yo yo yo yo yo yo yo 19 00:01:10,200 --> 00:01:11,840 Speaker 1: yo yo yo yo yo yo yo yo yo yo 20 00:01:11,880 --> 00:01:13,640 Speaker 1: yo yo yo yo yo yo yo yo yo yo 21 00:01:13,680 --> 00:01:16,399 Speaker 1: yo yo yo yo yo yo yo angelis out? What up, 22 00:01:16,480 --> 00:01:21,320 Speaker 1: Charlemagne Fish? Yeah, Piece to the Planet is Tuesday. It 23 00:01:21,360 --> 00:01:23,400 Speaker 1: is not Tuesday. God damn it. Hold on, start over, 24 00:01:24,160 --> 00:01:25,960 Speaker 1: wrong with you? Hold that damn thing. Oh. I was 25 00:01:26,040 --> 00:01:31,200 Speaker 1: up late last day watching body joa started day and 26 00:01:31,400 --> 00:01:33,600 Speaker 1: Monday was a holiday. Goal. Kids are back to school 27 00:01:33,600 --> 00:01:38,880 Speaker 1: and every day Ago, good morning, usc yo yo yo 28 00:01:38,920 --> 00:01:40,480 Speaker 1: yo yo yo yo yo yo yo yo yo yo 29 00:01:40,560 --> 00:01:42,280 Speaker 1: yo yo yo yo yo yo yo yo yo yo 30 00:01:42,319 --> 00:01:44,640 Speaker 1: yo yo yo yo yo yo yo yo yo yo yo. 31 00:01:44,760 --> 00:01:48,080 Speaker 1: Angelie's on vacation. Charlemagne was copping Piece to the planet. 32 00:01:48,200 --> 00:01:55,120 Speaker 1: Guess what day is? Guess what day it is? Yes, 33 00:01:55,200 --> 00:01:57,680 Speaker 1: it's Wednesday. It's hump day. Yes, kids are back to 34 00:01:57,680 --> 00:02:00,320 Speaker 1: school today today. Kids gotta everybody got back to school. 35 00:02:00,320 --> 00:02:01,920 Speaker 1: I asked, my kids were back to school yesterday, but 36 00:02:01,920 --> 00:02:03,560 Speaker 1: I know in New York City and the East Coast 37 00:02:03,640 --> 00:02:05,920 Speaker 1: kids are back today. Yeah. My oldest daughter goes back 38 00:02:05,960 --> 00:02:08,520 Speaker 1: to day. So parent to paranoia, sex in you know, 39 00:02:08,560 --> 00:02:11,720 Speaker 1: all the anxiety of your your child being back in school. Yeah, 40 00:02:11,880 --> 00:02:14,000 Speaker 1: set in immediately, you know. But you know we all 41 00:02:14,040 --> 00:02:16,400 Speaker 1: prayed up so we good over here. Yeah me too. Now, 42 00:02:16,520 --> 00:02:19,720 Speaker 1: Um Bobby Brown movie last night? What did you think, Um, 43 00:02:19,840 --> 00:02:21,480 Speaker 1: I enjoyed it. I mean I read the book every 44 00:02:21,480 --> 00:02:23,440 Speaker 1: little step a couple of years ago, so you know 45 00:02:23,600 --> 00:02:25,800 Speaker 1: books are always better. But I did enjoy it. And 46 00:02:25,919 --> 00:02:28,919 Speaker 1: I'm mad because today is all show national be late 47 00:02:28,960 --> 00:02:31,440 Speaker 1: for something they so being. And I went to sleep 48 00:02:31,480 --> 00:02:33,640 Speaker 1: at eleven thirty last night, a little bit after eleven 49 00:02:33,680 --> 00:02:35,640 Speaker 1: thirty because I was still on the high of you know, 50 00:02:35,960 --> 00:02:38,040 Speaker 1: Bobby Brown, I could have I could have been late 51 00:02:38,080 --> 00:02:40,040 Speaker 1: this morning. What you take of the movie? I just 52 00:02:40,120 --> 00:02:42,400 Speaker 1: told you I enjoyed it. I read the book, but 53 00:02:42,680 --> 00:02:45,160 Speaker 1: you know the book is it's better. But I enjoyed it. 54 00:02:45,200 --> 00:02:47,760 Speaker 1: I didn't like the part where they cut the scene 55 00:02:48,040 --> 00:02:51,000 Speaker 1: where they threw Janet Jackson out of the hotel room. 56 00:02:51,040 --> 00:02:53,880 Speaker 1: That kid though, No, you know what they cut the 57 00:02:53,880 --> 00:02:56,280 Speaker 1: scene so you didn't see the version? What you mean, 58 00:02:56,800 --> 00:02:59,240 Speaker 1: Oh I showed you. Yeah, I got the version right 59 00:02:59,280 --> 00:03:01,560 Speaker 1: there where they told Janet out out the room naked 60 00:03:01,800 --> 00:03:04,119 Speaker 1: and she's outside the hotel room and then he throws 61 00:03:04,120 --> 00:03:06,120 Speaker 1: it the blanket, thro blake. Let's post that on the GRAM. 62 00:03:06,160 --> 00:03:07,840 Speaker 1: And then I didn't know when you had that. You 63 00:03:07,960 --> 00:03:11,720 Speaker 1: have to tell him that's what y'all get BT for 64 00:03:11,760 --> 00:03:14,960 Speaker 1: sending out you know, the version of don't say yeah, 65 00:03:15,000 --> 00:03:18,560 Speaker 1: let's let's let's let's let's Bob. Bobby actually tweeted me 66 00:03:18,639 --> 00:03:21,480 Speaker 1: last night and said that they cut it last minute. 67 00:03:21,520 --> 00:03:23,600 Speaker 1: I mean, it made sense because right after it they 68 00:03:23,600 --> 00:03:27,680 Speaker 1: said honor and Janet Jackson's kind of so what I'm 69 00:03:27,680 --> 00:03:29,160 Speaker 1: gonna tell you why? I say, so what on that? 70 00:03:29,720 --> 00:03:32,360 Speaker 1: It's a movie about people that really existed. And if 71 00:03:32,400 --> 00:03:34,240 Speaker 1: Bobby Brown is telling his story and that's part of 72 00:03:34,240 --> 00:03:35,640 Speaker 1: his story, they should show that. They don't have no 73 00:03:35,640 --> 00:03:38,880 Speaker 1: problem showing Whitney Houston good, bad, ugly. So what's the 74 00:03:38,920 --> 00:03:41,440 Speaker 1: did tweet Whitney Houston and Janet Jackson because he's alive 75 00:03:41,720 --> 00:03:44,120 Speaker 1: and she's here to have her lawyers call and say, look, 76 00:03:44,160 --> 00:03:46,560 Speaker 1: don't put that in there. If that happened in Bobby's life, 77 00:03:46,560 --> 00:03:48,440 Speaker 1: din that happened. I've seen some people getting that Bobby 78 00:03:48,480 --> 00:03:51,040 Speaker 1: saying Bobby shouldn't be uh telling the story kissing it telling. 79 00:03:51,040 --> 00:03:53,440 Speaker 1: They were saying, oh, shut up, people do everybody kisses 80 00:03:53,480 --> 00:03:55,000 Speaker 1: and tells that's his story? You know what I mean? 81 00:03:55,080 --> 00:03:56,920 Speaker 1: And and and I actually in the book, I like 82 00:03:56,960 --> 00:03:58,160 Speaker 1: the way it played out in the book is in 83 00:03:58,160 --> 00:04:00,400 Speaker 1: the book, Janet says to him. I cannot bring a 84 00:04:00,480 --> 00:04:03,200 Speaker 1: black man home. My dad wouldn't appreciate that. And to know, 85 00:04:03,440 --> 00:04:06,120 Speaker 1: Bobby grabbed him through her, so right here, see Bobby 86 00:04:06,160 --> 00:04:08,160 Speaker 1: grabs her, goes out in the hole, goes out in 87 00:04:08,160 --> 00:04:10,080 Speaker 1: the hallway, and then he said to himself, there and 88 00:04:10,120 --> 00:04:12,640 Speaker 1: that's Shannon Jackson. And then he tosses her a blanket. Yeah, 89 00:04:12,680 --> 00:04:14,080 Speaker 1: because he don't want to be out there naked in 90 00:04:14,080 --> 00:04:16,160 Speaker 1: the howay? Correct? Hey man, I don't know why y'all 91 00:04:16,160 --> 00:04:17,599 Speaker 1: want to be rock stars and y'all can be Bobby 92 00:04:17,600 --> 00:04:22,840 Speaker 1: Brown dropping a cloth box with Bobby Brown. God damn it, Bobby. Alright, Well, 93 00:04:22,920 --> 00:04:24,760 Speaker 1: Lasby's book is amazing. I'm not gonna front I mean, 94 00:04:24,920 --> 00:04:26,960 Speaker 1: my only concern with Bobby Brown's book was the fact 95 00:04:26,960 --> 00:04:28,440 Speaker 1: that it was gonna be on bat and I feel 96 00:04:28,440 --> 00:04:30,800 Speaker 1: like it couldn't be as raw as it could have been. 97 00:04:30,839 --> 00:04:33,919 Speaker 1: And I'm still feeling that way. But overall, it was 98 00:04:33,920 --> 00:04:36,000 Speaker 1: good last night. I enjoyed it. Okay, all right, when 99 00:04:36,000 --> 00:04:37,719 Speaker 1: we come back, we got front page news. We gotta 100 00:04:37,760 --> 00:04:39,919 Speaker 1: tell you about Jeffrey Owens. You know, he used to 101 00:04:40,320 --> 00:04:43,320 Speaker 1: work on the Cosby Shows. An after and he was taked. 102 00:04:43,440 --> 00:04:45,080 Speaker 1: He took some pics of him and traded Joe's. Well, 103 00:04:45,120 --> 00:04:47,159 Speaker 1: it looks like he might have a new job trying 104 00:04:47,200 --> 00:04:49,240 Speaker 1: to play that man. And if God don't have a 105 00:04:49,279 --> 00:04:51,720 Speaker 1: plan for all his all his children and Nike, I'll 106 00:04:51,720 --> 00:04:53,280 Speaker 1: tell you how that stock is doing. We'll talk about 107 00:04:53,320 --> 00:04:54,800 Speaker 1: it when we come back. Keep it like hey, wait, 108 00:04:54,800 --> 00:04:56,599 Speaker 1: wait a minute now, Bobby Brown gonna be here this 109 00:04:56,640 --> 00:05:00,440 Speaker 1: morning aka Willy McClain, whatdy McClain will be claim plays 110 00:05:00,440 --> 00:05:05,359 Speaker 1: Bobby Brown born in Charleston, South Carolina, raised and dude Jacksonville, Florida. 111 00:05:05,440 --> 00:05:07,320 Speaker 1: Here this morning. I'm gonna teach him how to properly 112 00:05:07,320 --> 00:05:12,240 Speaker 1: face sniff cocaine. All right, yeah, all right, well all right, 113 00:05:12,240 --> 00:05:14,000 Speaker 1: all right, but we'll do that when we come back. Morning. 114 00:05:14,000 --> 00:05:17,760 Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are 115 00:05:17,760 --> 00:05:21,160 Speaker 1: the Breakfast Club. Let's get to front page news now. 116 00:05:21,240 --> 00:05:24,440 Speaker 1: Yesterday we tell you about tropical Storm Gordon, which made 117 00:05:24,560 --> 00:05:27,440 Speaker 1: land for in their Alabama, Mississippi and Florida. What it 118 00:05:27,480 --> 00:05:30,760 Speaker 1: looks like it fizzled out. One death though a tree 119 00:05:30,800 --> 00:05:33,360 Speaker 1: fell on a house and actually killed a little boy. 120 00:05:33,480 --> 00:05:37,360 Speaker 1: So one death. So but that hurricane or that tropical 121 00:05:37,400 --> 00:05:40,560 Speaker 1: storm is now over now let's talk about Nike. Since 122 00:05:40,600 --> 00:05:45,800 Speaker 1: everybody's been boycotting Nike knock Nike stock fell three percent. Now, 123 00:05:45,960 --> 00:05:47,839 Speaker 1: it might not seem like a lot, but it actually 124 00:05:48,040 --> 00:05:51,679 Speaker 1: looks like a four billion dollars loss for Nike. Yesterday, 125 00:05:51,680 --> 00:05:55,080 Speaker 1: after everybody was boycotting because of Colin Caper, I read 126 00:05:55,120 --> 00:05:57,640 Speaker 1: an article on the Bloomberg Report that said Nike received 127 00:05:57,680 --> 00:06:00,800 Speaker 1: more than forty three million dollars worth for media media exposure, 128 00:06:01,440 --> 00:06:03,279 Speaker 1: and they said the vast majority of it was neutral 129 00:06:03,320 --> 00:06:05,640 Speaker 1: and positive. And Knight says, it only cares about the 130 00:06:05,760 --> 00:06:08,960 Speaker 1: influences and uh tastemakers because they said they know that 131 00:06:09,200 --> 00:06:12,000 Speaker 1: the customers they lose will only be short term, but 132 00:06:12,040 --> 00:06:13,920 Speaker 1: they're not the kind of customers that really drive their 133 00:06:13,920 --> 00:06:16,080 Speaker 1: business anyway. That's dope. That's the that's dope to the 134 00:06:16,120 --> 00:06:18,240 Speaker 1: fact that nag you standing up. Of course, Donald Trump says, 135 00:06:18,240 --> 00:06:21,280 Speaker 1: it's a terrible message with the Colin Kapnick partnership. What's 136 00:06:21,320 --> 00:06:24,679 Speaker 1: the message that you stand by somebody who actually stood 137 00:06:24,720 --> 00:06:28,440 Speaker 1: up for other people? What's so terrible about that message? 138 00:06:28,680 --> 00:06:32,000 Speaker 1: That National Police Organization said they are boycotton nikee. They 139 00:06:32,040 --> 00:06:36,880 Speaker 1: have two hundred and forty one thousand enforcement officers. Noway 140 00:06:36,960 --> 00:06:40,000 Speaker 1: y'all way, goddamn gore, Tex all right, high tech boots, 141 00:06:40,600 --> 00:06:43,400 Speaker 1: all right, lugs, black lugs, Birdman style, knock it off, 142 00:06:43,480 --> 00:06:46,680 Speaker 1: and also Cosby show stared. Jeffrey Owens. It looks like 143 00:06:47,000 --> 00:06:50,440 Speaker 1: he was devastated at first over the traded Joe's picks. 144 00:06:50,440 --> 00:06:52,800 Speaker 1: He was on Good Morning America yesterday and he spoke 145 00:06:52,839 --> 00:06:55,440 Speaker 1: about it. I mean I was. I was really devastated, 146 00:06:55,920 --> 00:06:58,919 Speaker 1: But the period of devastation was so short because the 147 00:06:59,040 --> 00:07:02,520 Speaker 1: responses might life and I started to read these responses 148 00:07:02,560 --> 00:07:06,120 Speaker 1: from like literally all over the world of support, and 149 00:07:06,800 --> 00:07:10,280 Speaker 1: fortunately the shame part didn't last very long. I respect them, 150 00:07:10,320 --> 00:07:12,120 Speaker 1: and I respect them so much because there's so many 151 00:07:12,120 --> 00:07:14,160 Speaker 1: people out there that feel like they have to do 152 00:07:14,240 --> 00:07:16,120 Speaker 1: something for a look, and that man said, you know what, 153 00:07:16,400 --> 00:07:18,320 Speaker 1: times is hard, I gotta go work. It ain't nothing 154 00:07:18,320 --> 00:07:20,520 Speaker 1: wrong with that man. I respect that one hundred and 155 00:07:20,760 --> 00:07:23,400 Speaker 1: fifty thousand percent. That's that's the part of the process 156 00:07:23,440 --> 00:07:26,040 Speaker 1: that nobody sees, right. Everybody always sees the end result, 157 00:07:26,040 --> 00:07:28,520 Speaker 1: and usually in this area, the end result revolves around 158 00:07:28,560 --> 00:07:31,120 Speaker 1: you looking all shiny and glossy yard has some celebrity 159 00:07:31,160 --> 00:07:33,000 Speaker 1: attached to it. Are you out here front and like 160 00:07:33,000 --> 00:07:35,080 Speaker 1: you got so much goddamn money. But then when you 161 00:07:35,120 --> 00:07:38,440 Speaker 1: see somebody actually in the process of working and absolutely 162 00:07:38,440 --> 00:07:42,120 Speaker 1: earning a living, you look down upon That's what's going 163 00:07:42,120 --> 00:07:44,320 Speaker 1: on in America, man, America saw obsessed with celebrity that 164 00:07:44,320 --> 00:07:48,440 Speaker 1: when you see somebody working a regular job. I don't 165 00:07:48,480 --> 00:07:50,320 Speaker 1: want to call it a regular job, it's a job job. 166 00:07:50,400 --> 00:07:52,680 Speaker 1: It's a job job. You see somebody working a job, 167 00:07:52,720 --> 00:07:54,720 Speaker 1: you look down upon them, like, knock it off. Now 168 00:07:54,720 --> 00:07:59,280 Speaker 1: we have more all of them talking. I've been teaching acting, 169 00:07:59,320 --> 00:08:03,560 Speaker 1: directing for for thirty plus years, but you know, got 170 00:08:03,600 --> 00:08:06,560 Speaker 1: to a point where you know, it just it just 171 00:08:06,640 --> 00:08:08,760 Speaker 1: didn't add up and us, you know, and you gotta 172 00:08:08,800 --> 00:08:10,760 Speaker 1: do what you gotta do. I wanted a job that 173 00:08:10,800 --> 00:08:14,000 Speaker 1: I could have some flexibility, try to stay in the business. 174 00:08:14,720 --> 00:08:18,080 Speaker 1: I didn't advertise that I was at Trader Joe's only, 175 00:08:18,080 --> 00:08:19,800 Speaker 1: but not that I was ashamed of it, but because 176 00:08:20,000 --> 00:08:23,080 Speaker 1: I didn't want the entertainment community to kind of decide 177 00:08:23,080 --> 00:08:25,360 Speaker 1: while he's doing that, he's not in you know, he's 178 00:08:25,400 --> 00:08:28,960 Speaker 1: not pursuing acting anymore. So what listen, Yeah, you'd be surprised. 179 00:08:29,000 --> 00:08:30,360 Speaker 1: And I had to be sending these people you see 180 00:08:30,400 --> 00:08:34,360 Speaker 1: on TV here on the radio, Dy Living Regular Lives. 181 00:08:34,400 --> 00:08:37,840 Speaker 1: It's like everybody else, slutely white and this is a blessing. 182 00:08:37,920 --> 00:08:39,320 Speaker 1: And I'm gonna tell him why. I don't know if 183 00:08:39,320 --> 00:08:42,080 Speaker 1: he's listening, but if he has an acting school or 184 00:08:42,080 --> 00:08:44,960 Speaker 1: he's an acting coach, who wouldn't you want to learn 185 00:08:45,080 --> 00:08:47,160 Speaker 1: acting from the somebody that was on the Cosby Show 186 00:08:47,160 --> 00:08:49,800 Speaker 1: for so many damn years. I think about it. If 187 00:08:49,840 --> 00:08:51,640 Speaker 1: my kids wanted to get an acting I would definitely 188 00:08:51,640 --> 00:08:53,360 Speaker 1: take him into your course of your class. Oh, I 189 00:08:53,360 --> 00:08:55,040 Speaker 1: gotta see more than I gotta see more than just 190 00:08:55,080 --> 00:08:56,840 Speaker 1: his samples on the Cosby Show. No, he did great 191 00:08:56,840 --> 00:08:59,400 Speaker 1: on the Coffee Show. He knows the business. He's been 192 00:08:59,440 --> 00:09:01,719 Speaker 1: there for eight is. Yes, he I need to see 193 00:09:01,840 --> 00:09:04,600 Speaker 1: the more he got, more things than just the coy stop. 194 00:09:04,720 --> 00:09:07,080 Speaker 1: I mean, I'm just saying, but I wanted to learn acting. 195 00:09:07,080 --> 00:09:08,199 Speaker 1: I don't know if I want to learn it from that. 196 00:09:08,320 --> 00:09:09,600 Speaker 1: If he had a class, you wouldn't go to him 197 00:09:09,600 --> 00:09:10,760 Speaker 1: for a class? How to see more than just the 198 00:09:10,840 --> 00:09:14,280 Speaker 1: Cosby Show? I love, Yeah, but that was early on. 199 00:09:14,320 --> 00:09:15,920 Speaker 1: I'm sure that he's done much better. I'm sure he's 200 00:09:15,920 --> 00:09:17,720 Speaker 1: done some dramas and stuff that we don't know about 201 00:09:17,840 --> 00:09:19,520 Speaker 1: Tyler Perry, offer him a role as well. I was 202 00:09:19,520 --> 00:09:22,000 Speaker 1: gonna say that Tyler Perry City shooting. Uh I guess 203 00:09:22,000 --> 00:09:24,760 Speaker 1: a new flick on owns own network, and he said 204 00:09:24,960 --> 00:09:27,360 Speaker 1: he needs somebody like him, so hopefully he will start 205 00:09:27,400 --> 00:09:30,080 Speaker 1: working soon. Back in acting, look to Jeffrey Owens, man, 206 00:09:30,200 --> 00:09:32,040 Speaker 1: live your life, man. Everybody lived their life, man. Stop 207 00:09:32,040 --> 00:09:34,800 Speaker 1: minding people's business. God damn, let people go through their 208 00:09:34,800 --> 00:09:37,920 Speaker 1: process of life. Stop being so obsessed with celebrity in America. 209 00:09:37,960 --> 00:09:40,080 Speaker 1: Do you think just because somebody ain't a celebrity or 210 00:09:40,120 --> 00:09:41,840 Speaker 1: somebody ain't got some type of fame, that they're not 211 00:09:41,920 --> 00:09:44,120 Speaker 1: popping like, knock it off, man, leave people to hell alone? 212 00:09:44,280 --> 00:09:46,480 Speaker 1: All right? Well, last front page news. Get it off 213 00:09:46,559 --> 00:09:49,160 Speaker 1: your chest eight hundred five eight five one oh five one. 214 00:09:49,400 --> 00:09:51,400 Speaker 1: If you need to vent, hit us up right now. 215 00:09:51,760 --> 00:09:54,480 Speaker 1: Maybe had a bad night or bad morning, or maybe 216 00:09:54,480 --> 00:09:56,160 Speaker 1: you feel blessed, or maybe you would have told to 217 00:09:56,200 --> 00:09:58,160 Speaker 1: us about the Bobby Brown flick last night, whatever it 218 00:09:58,160 --> 00:10:00,120 Speaker 1: may be, Get it off your chest eight undre at 219 00:10:00,200 --> 00:10:02,240 Speaker 1: five five one or five one is to breakfast club. 220 00:10:02,240 --> 00:10:05,880 Speaker 1: Good morning. The breakfast is your time to get it 221 00:10:05,920 --> 00:10:09,920 Speaker 1: off your chest, your man, Thank you, from you on 222 00:10:09,960 --> 00:10:14,520 Speaker 1: the breakfast club. But you got something on your mom? Hello, 223 00:10:14,600 --> 00:10:18,000 Speaker 1: whose is right? Good morning? How are you? Good morning? 224 00:10:18,040 --> 00:10:20,160 Speaker 1: My mom? Get it off your chest. I have a 225 00:10:20,280 --> 00:10:25,000 Speaker 1: question my husband. Then I was trying to save our 226 00:10:25,080 --> 00:10:27,280 Speaker 1: son's life. He was born at twenty six weeks he 227 00:10:27,440 --> 00:10:30,400 Speaker 1: was one pound fifteen. Now, wow, sorry to hear that. 228 00:10:31,520 --> 00:10:35,000 Speaker 1: Thank you. The night of um, that mort to night, 229 00:10:35,440 --> 00:10:37,719 Speaker 1: trying to you know, keep him inside, you know, to 230 00:10:37,800 --> 00:10:41,720 Speaker 1: put somewhere. I found out that he said, you know, 231 00:10:41,800 --> 00:10:43,439 Speaker 1: I want to go home and get to rest. But 232 00:10:43,880 --> 00:10:47,000 Speaker 1: he went and left with his son's mother. Wow. So 233 00:10:47,080 --> 00:10:48,720 Speaker 1: instead of being at the hospital, he left you at 234 00:10:48,760 --> 00:10:51,240 Speaker 1: the hospital and went it and cheated on you. Yes. Wow, 235 00:10:51,440 --> 00:10:54,280 Speaker 1: how long you've been with him? Um? Four years? Wow? 236 00:10:54,320 --> 00:10:58,000 Speaker 1: How'd you catch him? Cell phone? So what you're gonna do? 237 00:10:58,440 --> 00:11:00,400 Speaker 1: You're calling up here for some type of advice? You 238 00:11:00,480 --> 00:11:02,319 Speaker 1: gonna leave him or not? She wants want she wants 239 00:11:02,320 --> 00:11:08,080 Speaker 1: your advice. Cell phone and taste messages. You're checking those things. 240 00:11:08,080 --> 00:11:10,920 Speaker 1: But are you ready to leave? Yes? I don't believe you, 241 00:11:12,480 --> 00:11:15,160 Speaker 1: all right, So what's the problem? Be out? Okay? I 242 00:11:15,240 --> 00:11:19,280 Speaker 1: just want to see, like you know, um, you ain't 243 00:11:19,280 --> 00:11:21,400 Speaker 1: going anywhere. I don't even know conviction in your voice. 244 00:11:21,480 --> 00:11:24,920 Speaker 1: People people do cheating in relationships. But I mean, if 245 00:11:25,000 --> 00:11:27,280 Speaker 1: it's the time when you're at your lowest, you're at 246 00:11:27,320 --> 00:11:29,800 Speaker 1: your lowest, you're at the hospital. This someone was just 247 00:11:29,920 --> 00:11:32,439 Speaker 1: born and he leaves your side for that, that's kind 248 00:11:32,480 --> 00:11:34,160 Speaker 1: of low. I mean, the man needed somebody to make 249 00:11:34,200 --> 00:11:36,720 Speaker 1: him feel better, so he went to this little side. Boom. Okay, 250 00:11:36,760 --> 00:11:39,160 Speaker 1: that's all, and he came right back, didn't he? I bet? Yeah. 251 00:11:39,160 --> 00:11:42,480 Speaker 1: But the thing is, I'm trying to, you know, actually admit, 252 00:11:43,080 --> 00:11:44,720 Speaker 1: admit to do it. That's why I wanted him to 253 00:11:44,720 --> 00:11:48,000 Speaker 1: do admitted his wrong. But he's not admitted to his wrong. 254 00:11:48,080 --> 00:11:50,240 Speaker 1: He don't love you if you admit that he cheated, right, 255 00:11:50,280 --> 00:11:52,720 Speaker 1: So I'm showing him. I showed him all the messages 256 00:11:52,800 --> 00:11:56,600 Speaker 1: that he likes to be right. But so that's my thing, 257 00:11:56,679 --> 00:11:59,720 Speaker 1: you know, because you said, yeah, yeah, dropped, you gotta 258 00:11:59,720 --> 00:12:03,240 Speaker 1: have got your you're drunk in artists to um who 259 00:12:03,280 --> 00:12:05,079 Speaker 1: ahead in life. He's to be honest. He got you 260 00:12:05,120 --> 00:12:08,200 Speaker 1: gotta be open up, Charlemagne al. We used to say, deny, deny, deny, deny, deny, 261 00:12:08,360 --> 00:12:09,959 Speaker 1: But he has to be honest if he wants this 262 00:12:10,040 --> 00:12:13,199 Speaker 1: to even remotely work. So how old y'all? I am? 263 00:12:13,360 --> 00:12:15,719 Speaker 1: I hoping party six in a few weeks. How old 264 00:12:15,760 --> 00:12:21,200 Speaker 1: is he? He's Oh yeah, he's still in his lion stage. 265 00:12:21,320 --> 00:12:22,959 Speaker 1: Ain don't even him to start telling the truth yet. 266 00:12:23,040 --> 00:12:25,200 Speaker 1: All right, I'm sorry, MoMA. You're closer to the grave. 267 00:12:25,480 --> 00:12:28,280 Speaker 1: So it's like, you know a lot of things you 268 00:12:28,320 --> 00:12:29,959 Speaker 1: don't want to you don't want to say. You know 269 00:12:29,960 --> 00:12:31,280 Speaker 1: what I mean, you don't want to take You don't 270 00:12:31,280 --> 00:12:32,839 Speaker 1: want to take those things with you. But him, he 271 00:12:32,960 --> 00:12:36,760 Speaker 1: still got some time. Hello, who's this? There's Ivan? I 272 00:12:36,840 --> 00:12:39,600 Speaker 1: haven't what's up getting off your chest? Hey man, I'm glassed, 273 00:12:40,080 --> 00:12:42,719 Speaker 1: I'm going to school. I'm a Mexican man like this 274 00:12:43,400 --> 00:12:46,040 Speaker 1: this crazy brother, no cursing brother, no curson. Let's try 275 00:12:46,040 --> 00:12:48,199 Speaker 1: this again. Why why being a Mexican so crazy that 276 00:12:48,320 --> 00:12:50,720 Speaker 1: you well why I don't get it? What do you mean? 277 00:12:51,559 --> 00:12:55,520 Speaker 1: I got a scholarship full ride? Um, this happens rarely. 278 00:12:55,800 --> 00:12:58,520 Speaker 1: I mean, it's crazy, man, It's crazy that you're a 279 00:12:58,559 --> 00:13:00,679 Speaker 1: Mexican who got a scholarship. Let's schoo youre going to 280 00:13:01,120 --> 00:13:04,400 Speaker 1: HS you humbled stay up in ark to California. I 281 00:13:04,400 --> 00:13:06,200 Speaker 1: don't like that. I don't like this negative steriole type 282 00:13:06,200 --> 00:13:07,679 Speaker 1: of Mexicans you're throwing out here this morning as the 283 00:13:07,720 --> 00:13:10,600 Speaker 1: Mexicans don't get scholarships. Hey, it's crazy because I come 284 00:13:10,640 --> 00:13:13,360 Speaker 1: from a small town. It's crazy because I got a 285 00:13:13,440 --> 00:13:17,040 Speaker 1: lot of stuff paid for and I'm blessed now. It's crazy. 286 00:13:17,240 --> 00:13:20,640 Speaker 1: I love it. Well, congratulations to you, brother pays off. Sir. 287 00:13:20,920 --> 00:13:23,400 Speaker 1: All right, man, get it off your chests. Eight hundred 288 00:13:23,480 --> 00:13:25,560 Speaker 1: five eighty five, one oh five one. If you need 289 00:13:25,640 --> 00:13:27,360 Speaker 1: to vent, hit us up now. It's the Breakfast Club. 290 00:13:27,400 --> 00:13:32,480 Speaker 1: Good morning, the Breakfast Club. You can't pick up the 291 00:13:32,559 --> 00:13:35,160 Speaker 1: mother mother phone, and don this is your time to 292 00:13:35,200 --> 00:13:39,000 Speaker 1: get it off your chat mother. You're man. Last. We 293 00:13:39,080 --> 00:13:40,599 Speaker 1: want to hear from you on the Breakfast Club, so 294 00:13:40,720 --> 00:13:44,679 Speaker 1: you better have the same energy. Jason, what's up? Get 295 00:13:44,720 --> 00:13:47,200 Speaker 1: it off your chests, bro, Good morning, breakfast stuff. How 296 00:13:47,280 --> 00:13:50,959 Speaker 1: y'all doing this morning? Sir? Ain't knowing, man, But I 297 00:13:51,120 --> 00:13:53,439 Speaker 1: just want to call and big y'all up, like I 298 00:13:53,640 --> 00:13:57,080 Speaker 1: love y'all, but mainly though, like I want to big 299 00:13:57,200 --> 00:14:00,160 Speaker 1: up Nike, y'all. Big up Nike and Nike, and big up. 300 00:14:00,200 --> 00:14:02,080 Speaker 1: I love what you're doing. I love what you're doing, 301 00:14:02,200 --> 00:14:04,880 Speaker 1: the culture. I love how they're helping on Kaepernick, like 302 00:14:05,240 --> 00:14:08,320 Speaker 1: like I could, big up to the fullest brook Brook Brooks, 303 00:14:08,679 --> 00:14:11,000 Speaker 1: That's all I want to say, breakfast stuff. I'm a blessing. 304 00:14:11,080 --> 00:14:12,920 Speaker 1: I uel like, big up that set of herb and 305 00:14:12,960 --> 00:14:15,520 Speaker 1: get I maginally ain't not here, Anginal, ain't Africa trying 306 00:14:15,520 --> 00:14:17,760 Speaker 1: to get cloth to the black I said, she need 307 00:14:18,240 --> 00:14:21,640 Speaker 1: and come back. But big up, litten charlom mean, big up, striped, Yeah, 308 00:14:21,920 --> 00:14:26,520 Speaker 1: big up everybody. It's in me, see me see that. 309 00:14:27,120 --> 00:14:31,960 Speaker 1: You know who am I got? You know what? Slem? Hey, 310 00:14:32,600 --> 00:14:34,520 Speaker 1: what's up? I'm gonna get it off your chest? What's up? 311 00:14:34,720 --> 00:14:37,600 Speaker 1: You're starting to get trave access nowadays? Hunt? You got 312 00:14:37,640 --> 00:14:41,520 Speaker 1: the trap number you always get through to talk to you. 313 00:14:41,800 --> 00:14:43,720 Speaker 1: What's him? I love y'all? I love you too. You 314 00:14:43,800 --> 00:14:46,000 Speaker 1: love Charlotte. Mean that's why y'all seen your little tweet. 315 00:14:46,240 --> 00:14:48,760 Speaker 1: I love Charlotte. I've seen your little toy. I mean, 316 00:14:48,800 --> 00:14:53,440 Speaker 1: if you love boy? Can I get off my chest? Ahead? McDonald? 317 00:14:53,560 --> 00:14:56,440 Speaker 1: This morning, which I usually don't, but this morning I 318 00:14:56,560 --> 00:14:58,800 Speaker 1: got a little attitude on the manager called and no 319 00:14:59,000 --> 00:15:01,480 Speaker 1: love and Nola whatever any more. And she gave me 320 00:15:01,520 --> 00:15:03,680 Speaker 1: an attitude because I asked him my repiat so you 321 00:15:03,800 --> 00:15:06,840 Speaker 1: know what I did. What you knew, Charlemagne. I gave 322 00:15:06,880 --> 00:15:09,040 Speaker 1: her a copye or I gave her a recepipt. I 323 00:15:09,120 --> 00:15:11,640 Speaker 1: mean a little sticky note that said get your book. 324 00:15:11,880 --> 00:15:13,600 Speaker 1: I give a recommendation. He told it. You need to 325 00:15:13,640 --> 00:15:15,720 Speaker 1: get from books. You need to leave real job. You 326 00:15:15,800 --> 00:15:17,280 Speaker 1: do not need to be working where you need to 327 00:15:17,360 --> 00:15:20,720 Speaker 1: work at. She she does not need to be working at. 328 00:15:20,760 --> 00:15:22,120 Speaker 1: So I said, you need to get the book Black 329 00:15:22,160 --> 00:15:26,480 Speaker 1: Privilege Opportunity because to those who create it. And she's like, yes, 330 00:15:26,720 --> 00:15:28,920 Speaker 1: but it don't matter. She she just does need to 331 00:15:28,960 --> 00:15:30,640 Speaker 1: be working at. My thing is, you know, like where 332 00:15:30,640 --> 00:15:33,800 Speaker 1: you're working at? Quite like it's simple. But she just 333 00:15:34,200 --> 00:15:35,920 Speaker 1: let me ask your question, Salem, what was you gonna 334 00:15:35,920 --> 00:15:38,240 Speaker 1: do with that McDonald's receipt. I'm just curious save it 335 00:15:38,400 --> 00:15:42,080 Speaker 1: for taxes. I mean it's okay, how like third times, 336 00:15:42,120 --> 00:15:45,240 Speaker 1: like two am, they don't accept debit cards. So there's 337 00:15:45,280 --> 00:15:48,640 Speaker 1: just some quote unquoted down. So there was just like 338 00:15:48,720 --> 00:15:50,640 Speaker 1: the receipt doesn't come. You can't get a receipt with us. 339 00:15:50,640 --> 00:15:52,600 Speaker 1: I don't know if they're gonna give me the change, 340 00:15:52,880 --> 00:15:54,840 Speaker 1: but I don't do the mathematic christom As that gets 341 00:15:54,920 --> 00:15:58,480 Speaker 1: up to the car. Okay, s, thank you for calling Mama, 342 00:15:58,960 --> 00:16:02,520 Speaker 1: man gag Yes, good morning, good morning, Get it off. 343 00:16:03,480 --> 00:16:05,640 Speaker 1: I just want to talking about large Brown story talk 344 00:16:06,280 --> 00:16:08,640 Speaker 1: talk to us. I really enjoyed it. I really even 345 00:16:08,720 --> 00:16:13,280 Speaker 1: might I was talked about when Dan and Jackson said that. Um, 346 00:16:13,720 --> 00:16:16,040 Speaker 1: when Bobby Brown was like, Oh, you don't want to 347 00:16:16,040 --> 00:16:17,560 Speaker 1: be with me because I'm black, like that kind of 348 00:16:17,640 --> 00:16:19,400 Speaker 1: threw me off. That because you didn't read the book. 349 00:16:19,400 --> 00:16:21,120 Speaker 1: If you if you read the book, you wouldn't be surprised. 350 00:16:21,240 --> 00:16:23,640 Speaker 1: That's right. I didn't. That's not my generation either, So 351 00:16:24,320 --> 00:16:27,760 Speaker 1: I didn't really grew up in that time. Whatever I 352 00:16:27,800 --> 00:16:29,360 Speaker 1: grew up in that time, I didn't know about Bobby 353 00:16:29,360 --> 00:16:31,480 Speaker 1: and janitill I read the book. Will continue, Go ahead, Mama. 354 00:16:31,640 --> 00:16:35,000 Speaker 1: But I also like the part where they talked about 355 00:16:35,080 --> 00:16:37,320 Speaker 1: Robin because I watched the documentary Go in the Houston 356 00:16:37,840 --> 00:16:40,160 Speaker 1: on HBO, and I feel like a lot of people 357 00:16:40,200 --> 00:16:43,520 Speaker 1: don't know about her. Smilely, Helln included that, and oh, 358 00:16:43,600 --> 00:16:46,480 Speaker 1: Wendy Williams been telling y'all about Whitney's lesbian love of Robin. 359 00:16:47,280 --> 00:16:50,480 Speaker 1: That was Whitney's Let have the non believes it? Yeah, 360 00:16:50,520 --> 00:16:52,200 Speaker 1: they should have. They should They could have played that 361 00:16:52,280 --> 00:16:54,000 Speaker 1: up in the movie a little bit more, especially when 362 00:16:54,000 --> 00:16:56,320 Speaker 1: Bobby threw the food on the floor. Robin should have said, 363 00:16:56,320 --> 00:16:58,440 Speaker 1: I've been, I've been, I've been eating in this house 364 00:16:58,520 --> 00:17:04,000 Speaker 1: for years. He stupid, Thank you Maggan. Alrighty, that's another 365 00:17:04,040 --> 00:17:06,800 Speaker 1: problem I have with the movie. If you're gonna show 366 00:17:06,920 --> 00:17:10,040 Speaker 1: all Whitney's secrets, her lesbian lover, and her being on coke, 367 00:17:10,280 --> 00:17:11,879 Speaker 1: why can't you show Jane getting thrown out of the 368 00:17:11,920 --> 00:17:13,639 Speaker 1: hotel room nagger that's all you wanted to say. I 369 00:17:13,640 --> 00:17:15,320 Speaker 1: should just showed it to you. My thing is, if 370 00:17:15,320 --> 00:17:17,840 Speaker 1: you pay to pay respect to all the legends equally 371 00:17:17,880 --> 00:17:20,159 Speaker 1: across the board, that's all. But you can't. You know 372 00:17:20,240 --> 00:17:22,879 Speaker 1: why you can't, because these are people's stories, and guess what, 373 00:17:23,119 --> 00:17:25,359 Speaker 1: people have flaws, and people may mistake people like these 374 00:17:25,400 --> 00:17:27,919 Speaker 1: perfect beings that you try to make them out to be. Okay, 375 00:17:28,240 --> 00:17:30,560 Speaker 1: So like yo, everybody had some things that they're not 376 00:17:30,640 --> 00:17:33,920 Speaker 1: proud of. And if Janet was more transparent and more 377 00:17:34,040 --> 00:17:36,160 Speaker 1: vulnerable with her life, then that wouldn't be a surprise 378 00:17:36,240 --> 00:17:39,200 Speaker 1: and nobody, well Janet can't. She's not gonna be able 379 00:17:39,200 --> 00:17:41,080 Speaker 1: to defend herself. She doesn't speak, no Whitney not gonna 380 00:17:41,080 --> 00:17:44,000 Speaker 1: be able to defend herself. Okay, Janet can still defend herself, 381 00:17:44,119 --> 00:17:45,480 Speaker 1: Dy don't speak, but she's not gonna be able to 382 00:17:45,480 --> 00:17:47,919 Speaker 1: defend herself anyway. Get it off your chest eight hundred 383 00:17:48,000 --> 00:17:50,160 Speaker 1: five A five one on five one, And don't forget 384 00:17:50,280 --> 00:17:53,200 Speaker 1: Woody McClean. That's the guy that played Bobby Brown. He'll 385 00:17:53,200 --> 00:17:55,240 Speaker 1: be joining us this morning and we'll take your calls 386 00:17:55,320 --> 00:17:56,920 Speaker 1: later on about the flick. If you've seen the Bobby 387 00:17:56,920 --> 00:17:59,159 Speaker 1: Brown's story, we'll take your calls in a little bit. 388 00:17:59,240 --> 00:18:02,400 Speaker 1: Right now, we got room on the way. Kanye apologizes. 389 00:18:02,600 --> 00:18:04,960 Speaker 1: We'll tell you the who want keep it lock. It's 390 00:18:04,960 --> 00:18:11,399 Speaker 1: the Breakfast Club of the Morning, The Breakfast Club. Hello, Yes, 391 00:18:11,480 --> 00:18:12,920 Speaker 1: it's the world the most Dangerous Morning to show, the 392 00:18:12,960 --> 00:18:16,000 Speaker 1: Breakfast Club. Charlemagne, the God, angela Ye DJ and Envy. 393 00:18:16,040 --> 00:18:18,720 Speaker 1: Angelis actually in African Aron trying to get closer to 394 00:18:18,800 --> 00:18:20,920 Speaker 1: her black side. But you got the rumor report coming 395 00:18:21,000 --> 00:18:23,720 Speaker 1: up with my bitch, DJ Envy. What did you just 396 00:18:23,840 --> 00:18:27,320 Speaker 1: call me? I'm going to human resources. We're talking Kanye 397 00:18:27,440 --> 00:18:30,720 Speaker 1: West and he says sorry, and Charlemagne will too. This 398 00:18:31,119 --> 00:18:40,520 Speaker 1: is the rumor Report with angela Ye Breakfast club. All right, well, 399 00:18:40,520 --> 00:18:43,600 Speaker 1: it looks like yesterday, Kanye West, we're on up an 400 00:18:43,640 --> 00:18:47,399 Speaker 1: apologizing tweet storm last night. Now this is because I 401 00:18:47,520 --> 00:18:50,400 Speaker 1: believe I guess a snippet of Drake's new song that's 402 00:18:50,440 --> 00:18:53,280 Speaker 1: coming out came out and he talks about I told 403 00:18:53,320 --> 00:18:56,240 Speaker 1: her don't wear three fifties around me. Drake kind of 404 00:18:56,280 --> 00:19:00,240 Speaker 1: throws shots at Kanye, and Kanye apologize. Which one the 405 00:19:00,320 --> 00:19:02,840 Speaker 1: three fifties? I know, the seven hundred looked like three fifties, 406 00:19:02,880 --> 00:19:06,119 Speaker 1: not the desert rats, right, No, those are the low 407 00:19:06,160 --> 00:19:08,040 Speaker 1: ones I wear. Oh, I ain't got them one time. 408 00:19:08,040 --> 00:19:11,080 Speaker 1: I got bands on today. But so Kanye apologized like crazy. 409 00:19:11,160 --> 00:19:14,080 Speaker 1: He says, sending good energy and love to Drake and 410 00:19:14,320 --> 00:19:16,920 Speaker 1: family and crew. I haven't seen the show in person, 411 00:19:16,960 --> 00:19:20,320 Speaker 1: but the images look incredible online. I understand where the 412 00:19:20,400 --> 00:19:25,119 Speaker 1: confusion started. Let me start by apologizing for stepping stepping 413 00:19:25,160 --> 00:19:27,479 Speaker 1: on your release date. In the first place. We are 414 00:19:27,520 --> 00:19:30,880 Speaker 1: building a bond and working on music together, including squashing 415 00:19:30,920 --> 00:19:34,040 Speaker 1: the issues with Cutty at our office. When I put 416 00:19:34,080 --> 00:19:36,280 Speaker 1: the dates up, I was a bit ramped up doing 417 00:19:36,359 --> 00:19:41,280 Speaker 1: twenty five tweets a day. TMZ happened shortly after I 418 00:19:41,359 --> 00:19:43,040 Speaker 1: have to hop on a plane now will type more 419 00:19:43,080 --> 00:19:45,960 Speaker 1: when I land. I guess you should do public apologies nowadays. 420 00:19:46,000 --> 00:19:49,119 Speaker 1: I guess it's more if your issues are public plane 421 00:19:49,359 --> 00:19:52,679 Speaker 1: taxing for takeoff. Because we spoke about doing Lift Yourself together, 422 00:19:52,960 --> 00:19:54,800 Speaker 1: I should have given you the opportunity for us to 423 00:19:54,880 --> 00:19:57,760 Speaker 1: do this together before I released it. Since we are 424 00:19:57,800 --> 00:20:00,560 Speaker 1: building as friends and brothers, I should have to push 425 00:20:00,600 --> 00:20:03,639 Speaker 1: you about the Quentin Miller bar. There should have been 426 00:20:03,720 --> 00:20:06,359 Speaker 1: no songs with my involvement that had any negative energy 427 00:20:06,480 --> 00:20:09,959 Speaker 1: towards you. I never listened to either this track that followed, 428 00:20:10,000 --> 00:20:12,239 Speaker 1: but I did hear quotes from both songs after they 429 00:20:12,280 --> 00:20:15,520 Speaker 1: were released. I did not have any conversation about your 430 00:20:15,640 --> 00:20:18,159 Speaker 1: child with Pusha. I don't play with the idea of 431 00:20:18,240 --> 00:20:21,520 Speaker 1: people's children. After I spoke to Wiz a few years earlier, 432 00:20:22,240 --> 00:20:25,359 Speaker 1: I understand pushes issues as a man. If someone mentions 433 00:20:25,359 --> 00:20:28,960 Speaker 1: your fiance, men go mask off. I've done the same 434 00:20:29,040 --> 00:20:31,639 Speaker 1: myself for times. I love you and I love Pusha, 435 00:20:31,960 --> 00:20:34,800 Speaker 1: and were all having an admiration for each other's craft. 436 00:20:35,320 --> 00:20:37,879 Speaker 1: This is all Jedi level. I would be coming to 437 00:20:37,960 --> 00:20:39,880 Speaker 1: your show within the next seven days to give love 438 00:20:39,960 --> 00:20:42,320 Speaker 1: and be inspired by the art you have created and 439 00:20:42,359 --> 00:20:44,560 Speaker 1: I don't have no problem with somebody apologizing them they 440 00:20:44,600 --> 00:20:46,440 Speaker 1: feel like they need to apologize. But I was watching 441 00:20:47,680 --> 00:20:49,800 Speaker 1: I was watching every Day Struggle episode and I saw 442 00:20:49,800 --> 00:20:53,600 Speaker 1: academics in WAYNEO and Nick Cannon debating over Drake smashing 443 00:20:53,680 --> 00:20:56,880 Speaker 1: Kim Kave that the alleged rumor that they say Drake 444 00:20:57,000 --> 00:20:58,840 Speaker 1: is hitting out that was a room. I think Drake 445 00:20:58,920 --> 00:21:00,600 Speaker 1: might have put a bar and of his songs and 446 00:21:00,640 --> 00:21:02,800 Speaker 1: people just assume that or something like that. I would 447 00:21:02,800 --> 00:21:04,359 Speaker 1: I would advise Drake not to do that. And the 448 00:21:04,400 --> 00:21:06,040 Speaker 1: reason I would tell Drake not to do that because 449 00:21:06,080 --> 00:21:07,440 Speaker 1: that makes him look corny. You know what I'm saying. 450 00:21:07,440 --> 00:21:09,320 Speaker 1: If you're hitting that you smashed Kim, then you are 451 00:21:09,359 --> 00:21:11,640 Speaker 1: admitting that you are a dirt bag or slime ball. 452 00:21:11,720 --> 00:21:14,320 Speaker 1: You smash your man's wife. Maybe it was beforehand he met, 453 00:21:14,440 --> 00:21:15,800 Speaker 1: but that's what I mean. If you if you smash 454 00:21:15,880 --> 00:21:18,040 Speaker 1: that man's wife and he told Pusha all the dirt 455 00:21:18,119 --> 00:21:19,840 Speaker 1: that push you used against you in the rap battle, 456 00:21:20,000 --> 00:21:22,280 Speaker 1: then you got what you deserved. Like that, don't make 457 00:21:22,359 --> 00:21:24,200 Speaker 1: Kanye look bad because you slept with his wife. That 458 00:21:24,240 --> 00:21:26,040 Speaker 1: makes you and Kim looked nuts because you're supposed to 459 00:21:26,040 --> 00:21:28,480 Speaker 1: be his man. So if you did smash his wife beforehand, 460 00:21:28,480 --> 00:21:30,680 Speaker 1: you really gonna be mad at Kanye because Kanye told 461 00:21:30,800 --> 00:21:33,480 Speaker 1: push you about some things to putting a dis record 462 00:21:33,520 --> 00:21:35,359 Speaker 1: after the man smashed your wife. Well, he smashed his 463 00:21:35,359 --> 00:21:37,159 Speaker 1: way before they were together. That shouldn't have nothing to 464 00:21:37,200 --> 00:21:39,879 Speaker 1: do with what happens now. Kim together for a while, 465 00:21:40,400 --> 00:21:43,159 Speaker 1: and Kim's been out here dating people a while as 466 00:21:43,200 --> 00:21:46,000 Speaker 1: well together. I thought it was more recent. I thought 467 00:21:46,000 --> 00:21:48,000 Speaker 1: it because they said that he said some lying about 468 00:21:48,040 --> 00:21:50,520 Speaker 1: on sickle mode where he went up to block hit 469 00:21:50,600 --> 00:21:52,199 Speaker 1: the lights buster the right. You know, they all live 470 00:21:52,240 --> 00:21:53,720 Speaker 1: in the same neighborhood, and that's what I thought. I 471 00:21:53,760 --> 00:21:55,440 Speaker 1: don't know, I could be wrong. Well, I don't know. 472 00:21:55,480 --> 00:21:57,199 Speaker 1: I just don't see how you get scrapes for admitting 473 00:21:57,240 --> 00:21:59,560 Speaker 1: you smashed the man's wife. I think it was maybe 474 00:21:59,600 --> 00:22:02,520 Speaker 1: before and I don't know. Well, Kim Kardashian. Speaking of Kim, 475 00:22:02,600 --> 00:22:04,320 Speaker 1: it looks like she's doing some more good now. We 476 00:22:04,400 --> 00:22:07,119 Speaker 1: all know she got Alice Johnson released from prison. Now 477 00:22:07,200 --> 00:22:10,440 Speaker 1: she's working on somebody else, all right. She's been speaking 478 00:22:10,480 --> 00:22:12,000 Speaker 1: with Chris Young, who was sent this to life in 479 00:22:12,119 --> 00:22:15,440 Speaker 1: prison for marijuana and cocaine possession after being arrested in 480 00:22:15,480 --> 00:22:17,879 Speaker 1: twenty ten, and it looks like she's trying to get 481 00:22:18,000 --> 00:22:20,360 Speaker 1: him out as well. You aim a little high. I'm 482 00:22:20,359 --> 00:22:21,800 Speaker 1: not mad if you should get Chris Young out, but 483 00:22:21,960 --> 00:22:26,080 Speaker 1: you know, go after somebody like Mumia. I moved Jamal. 484 00:22:26,240 --> 00:22:27,960 Speaker 1: I think I pronounce his name right. Yeah, these are 485 00:22:27,960 --> 00:22:30,840 Speaker 1: all opportunities she's trying to get people out. So I 486 00:22:30,880 --> 00:22:32,360 Speaker 1: mean not mad at that. I don't. I don't see 487 00:22:32,359 --> 00:22:33,680 Speaker 1: how you can even find a way to hate on that. 488 00:22:33,720 --> 00:22:35,600 Speaker 1: And that's exactly why she won't talk bad about Trump, 489 00:22:35,640 --> 00:22:37,560 Speaker 1: because she's the Trump whisperer. And I keep telling y'all, 490 00:22:37,560 --> 00:22:40,000 Speaker 1: Donald Trump is a celebrity, so being at he's a celebrity, 491 00:22:40,000 --> 00:22:41,879 Speaker 1: you need other celebrities to get through to him because 492 00:22:41,880 --> 00:22:44,480 Speaker 1: you don't understand political talk from politicians because he's not 493 00:22:44,520 --> 00:22:48,160 Speaker 1: a politician that goes way over his Tupay it does, 494 00:22:48,600 --> 00:22:51,680 Speaker 1: all right, Well that is your rumor report. Now when 495 00:22:51,720 --> 00:22:53,520 Speaker 1: we come back. Did you see the Bobby Brown story? 496 00:22:53,600 --> 00:22:55,480 Speaker 1: You know I didn't, don't question me about stupid thing. 497 00:22:55,520 --> 00:22:56,879 Speaker 1: Do you think about the Buyer Brown story and the 498 00:22:56,920 --> 00:22:59,280 Speaker 1: actors and every in the way they played everybody I 499 00:22:59,480 --> 00:23:01,879 Speaker 1: enjoyed everybody. I don't know if it's the nostalgia of it, 500 00:23:02,320 --> 00:23:05,000 Speaker 1: the fact that that's our era, you know what I'm saying, Like, 501 00:23:05,080 --> 00:23:07,399 Speaker 1: that's something that I listened to all the time. Anyway, 502 00:23:07,440 --> 00:23:09,240 Speaker 1: I'm a nineties R and B guy. I love that 503 00:23:09,320 --> 00:23:12,280 Speaker 1: whole New Jack era. So I enjoyed, enjoyed the Bobby 504 00:23:12,320 --> 00:23:14,120 Speaker 1: Brown movie. I did read the book. Every little step 505 00:23:14,200 --> 00:23:15,920 Speaker 1: in the book is better. But you know, I don't 506 00:23:15,960 --> 00:23:17,720 Speaker 1: go into it with the expectation that it's gonna be 507 00:23:17,760 --> 00:23:19,640 Speaker 1: good at the book, especially being that it's on BT. 508 00:23:19,800 --> 00:23:23,800 Speaker 1: I ain't mad BT goup mad commercials though, mad commercials. 509 00:23:23,840 --> 00:23:27,600 Speaker 1: I'll be needing those because I'll be having the PR 510 00:23:27,800 --> 00:23:29,600 Speaker 1: I'll be having the p I'll be wanting to leave 511 00:23:29,640 --> 00:23:31,040 Speaker 1: the room, you know what. I'm wanting to give me 512 00:23:31,040 --> 00:23:32,680 Speaker 1: something to drink, give me a little snack. I'll be 513 00:23:32,760 --> 00:23:35,080 Speaker 1: needing those commercial breaks. I'll be in bed the whole time. 514 00:23:35,200 --> 00:23:38,720 Speaker 1: Just watch up. Like I started, I started uh in 515 00:23:38,840 --> 00:23:40,680 Speaker 1: the bedroom. Then I went downstairs and I was on 516 00:23:40,800 --> 00:23:42,879 Speaker 1: the in one of my rooms for a minute, and 517 00:23:42,960 --> 00:23:46,720 Speaker 1: then I went back upstairs to the bedroom, TV the 518 00:23:47,160 --> 00:23:49,640 Speaker 1: different rooms up and then I'm sky and my dumbass, 519 00:23:49,800 --> 00:23:51,480 Speaker 1: I'm laying in the belt, my wife. When all the 520 00:23:51,560 --> 00:23:58,159 Speaker 1: infidelity starts, that's when you gonn get a snack that man. 521 00:23:58,359 --> 00:24:00,240 Speaker 1: And I'm just going to you know, you being such 522 00:24:00,240 --> 00:24:02,399 Speaker 1: awkward position, You just be laying this in dumb stuff 523 00:24:02,440 --> 00:24:05,320 Speaker 1: like nigga don't really cheat like that? No more, that 524 00:24:05,400 --> 00:24:07,600 Speaker 1: was the nineties. Black men don't cheat. Black men ain't 525 00:24:07,680 --> 00:24:11,600 Speaker 1: cheating since the nineties. What, Yeah, I can disgust it. Oh, 526 00:24:11,760 --> 00:24:14,200 Speaker 1: I can't believe him. I'm going to the bathroom back. 527 00:24:14,359 --> 00:24:16,240 Speaker 1: I'm saying, stutter, he get Whitney pregnant, and he got 528 00:24:16,320 --> 00:24:19,399 Speaker 1: the other baby man pregn I'm like, technically he got twins, 529 00:24:19,440 --> 00:24:20,760 Speaker 1: you know what I'm saying, he just got one, but 530 00:24:21,040 --> 00:24:25,680 Speaker 1: he just got one with one another one. I'm just like, 531 00:24:25,720 --> 00:24:28,000 Speaker 1: why don't I just shut up? Shut up exactly? Why 532 00:24:28,040 --> 00:24:29,720 Speaker 1: can't I just lay him be quiet? Why is this 533 00:24:29,800 --> 00:24:32,479 Speaker 1: silence so awkward? All Right, when we come back, we're 534 00:24:32,520 --> 00:24:35,560 Speaker 1: gonna talk to Woody McClain, who who played Bobby Brown 535 00:24:35,920 --> 00:24:37,720 Speaker 1: in the Bobby Brown Story. We'll talk to him. So 536 00:24:37,840 --> 00:24:39,440 Speaker 1: keep it locked. This to Breakfast Club, Good Morning, and 537 00:24:39,440 --> 00:24:41,399 Speaker 1: we're gonna do a Bobby Brown minimix. Why because why not? 538 00:24:41,720 --> 00:24:46,440 Speaker 1: Good Morning Morning? Everybody is DJ MVY Angela yee, Charlomagne, 539 00:24:46,480 --> 00:24:48,240 Speaker 1: the guy. We are the breakfast Club. We got a 540 00:24:48,280 --> 00:24:51,359 Speaker 1: special guest in the building, my guy, young Bobby Brown 541 00:24:51,480 --> 00:24:56,439 Speaker 1: a k A. Woody McClain. Yo, let's get South Carolina's on. Well, 542 00:24:56,440 --> 00:24:57,960 Speaker 1: I need to know who claims Woody is the South 543 00:24:58,000 --> 00:25:00,720 Speaker 1: Carolina and Jacksonville? What what? What? Step you? What? Set 544 00:25:00,760 --> 00:25:03,359 Speaker 1: you rep full? That's that's that's a tough one, okay, 545 00:25:03,640 --> 00:25:05,760 Speaker 1: because it's both equally like you know what I mean, 546 00:25:06,400 --> 00:25:08,760 Speaker 1: I can't set on one. You was born in Charleston. 547 00:25:08,840 --> 00:25:10,520 Speaker 1: I was born in Charleston, South Carolina, and then I 548 00:25:10,640 --> 00:25:15,000 Speaker 1: moved to Jacksonville. Uh wait when did I move Elementary? 549 00:25:15,240 --> 00:25:17,680 Speaker 1: Oh no, he's he's Florida all day. I'm gonna be 550 00:25:17,720 --> 00:25:19,440 Speaker 1: honest with you, man, I'm shocked that you stood a 551 00:25:19,480 --> 00:25:21,959 Speaker 1: chance in life being born in South Carolina. The Florida. 552 00:25:22,240 --> 00:25:26,080 Speaker 1: It was Jacksonville, South Calta. I didn't. The only thing 553 00:25:26,119 --> 00:25:28,920 Speaker 1: I didn't like about South Carolina because my parents would 554 00:25:28,920 --> 00:25:31,800 Speaker 1: give the principal permission to whoop me in school. Yes, 555 00:25:31,840 --> 00:25:33,440 Speaker 1: I used to have to have had that happen to 556 00:25:33,440 --> 00:25:36,720 Speaker 1: me up intil high school. I hated anymore, No no more, 557 00:25:36,800 --> 00:25:38,560 Speaker 1: I mean, but back when I was in school. I'm 558 00:25:38,600 --> 00:25:48,000 Speaker 1: not that am I gonna? Yeah? He said a few grades. 559 00:25:51,400 --> 00:25:52,920 Speaker 1: Now I'm happy I got out of there for that 560 00:25:53,080 --> 00:25:56,280 Speaker 1: reason though, so used to get paddling. Yea, my principal 561 00:25:56,400 --> 00:25:57,760 Speaker 1: used to love it. He was like, yeah, I'm calling 562 00:25:57,800 --> 00:25:59,520 Speaker 1: your mom my mom be like yep, do it, and 563 00:25:59,600 --> 00:26:01,800 Speaker 1: then he would he would go, ham, really, do you 564 00:26:01,800 --> 00:26:03,880 Speaker 1: remember the principal's name? No, I don't got you. It's 565 00:26:03,880 --> 00:26:06,920 Speaker 1: all blurr. Got you? Now? How much cooking did you 566 00:26:07,000 --> 00:26:09,600 Speaker 1: have to sniff to prepare for the role of Bobby Brown? 567 00:26:09,600 --> 00:26:12,679 Speaker 1: Couldn't this gracious you talk about on on set are 568 00:26:12,760 --> 00:26:14,720 Speaker 1: in real life? Real life? Oh no, no, no, I've 569 00:26:14,760 --> 00:26:16,760 Speaker 1: never done it that real life? Okay? Did you have 570 00:26:16,840 --> 00:26:18,040 Speaker 1: to Did you have to learn how to fake it? 571 00:26:18,080 --> 00:26:19,920 Speaker 1: Because Charlemagne tell us a story of how he had 572 00:26:19,960 --> 00:26:21,440 Speaker 1: the you know, every once in a while he's in 573 00:26:21,480 --> 00:26:24,440 Speaker 1: those circles, and because faked every once in a while. 574 00:26:24,480 --> 00:26:27,159 Speaker 1: It happened one time I was you can put the 575 00:26:27,200 --> 00:26:29,480 Speaker 1: line of coke right here, and then you just oh, 576 00:26:29,880 --> 00:26:31,920 Speaker 1: but you knocked off here, you know what I'm saying, 577 00:26:32,119 --> 00:26:33,320 Speaker 1: And you just let a little get on the tip 578 00:26:33,359 --> 00:26:35,120 Speaker 1: of your nose and you just go whoa. Oh, that's 579 00:26:35,160 --> 00:26:39,520 Speaker 1: the ultimate for this. That's all. That's all of this. 580 00:26:39,680 --> 00:26:41,760 Speaker 1: I like, I respected, I respect. How did you prepare 581 00:26:41,800 --> 00:26:45,159 Speaker 1: for this role? Man? This time around? It was it 582 00:26:45,240 --> 00:26:48,440 Speaker 1: was a different process. It brought in like a whole 583 00:26:48,520 --> 00:26:51,080 Speaker 1: new like coach or whatever to work with me. How 584 00:26:51,160 --> 00:26:53,240 Speaker 1: much did you know about Bobby Brown before this? Because 585 00:26:53,240 --> 00:26:55,760 Speaker 1: you are young? Yeah? So did you know anything about 586 00:26:55,760 --> 00:26:58,800 Speaker 1: Bobby Brown new audition before this? Nah? I didn't. I 587 00:26:59,000 --> 00:27:01,000 Speaker 1: only knew a little bit because they brought me in 588 00:27:01,200 --> 00:27:04,440 Speaker 1: for the during the Whitney Houston movie for Teama called 589 00:27:04,440 --> 00:27:05,760 Speaker 1: me and she was like, I need somebody to do 590 00:27:06,320 --> 00:27:10,200 Speaker 1: the dance for the guy playing my guy Arland. He 591 00:27:10,400 --> 00:27:12,240 Speaker 1: was the real Bobby for that, so they brought me 592 00:27:12,280 --> 00:27:14,240 Speaker 1: in to be his dance though. So then that's when 593 00:27:14,240 --> 00:27:16,240 Speaker 1: I learned about Bobby because I only knew real husbands 594 00:27:16,280 --> 00:27:19,800 Speaker 1: of Hollywood Bobby Man. Yeah, damn it. I'm not mad 595 00:27:19,840 --> 00:27:21,760 Speaker 1: at that though, because you're young. So none of the 596 00:27:21,840 --> 00:27:23,720 Speaker 1: music at all? Every little step now I knew. I 597 00:27:23,840 --> 00:27:25,720 Speaker 1: heard the music, but I didn't put the music with 598 00:27:25,840 --> 00:27:28,400 Speaker 1: the face though, because he looked different from like now 599 00:27:28,680 --> 00:27:30,639 Speaker 1: when he was back in the data. I mean thing 600 00:27:30,720 --> 00:27:35,600 Speaker 1: called age. Yeah, wears your body down. Yeah, he's that guy. 601 00:27:35,720 --> 00:27:37,280 Speaker 1: He's that guy what your parents used to listen to 602 00:27:37,400 --> 00:27:39,600 Speaker 1: growing up in the house. My dad's like an earth 603 00:27:39,680 --> 00:27:42,680 Speaker 1: winning fire type of dude. Okay, yeah, yeah, he's stay 604 00:27:42,720 --> 00:27:44,719 Speaker 1: cranking that. So he never got Yeah, you never had 605 00:27:44,760 --> 00:27:49,679 Speaker 1: the nineties armed be vibe, the new late eighties, early nineties. 606 00:27:49,880 --> 00:27:52,840 Speaker 1: Never never really Wow. So did you talk to Bobby 607 00:27:52,840 --> 00:27:54,679 Speaker 1: Brown when you were shooting this? Were y'all in contact 608 00:27:54,720 --> 00:27:56,560 Speaker 1: with each other and talking? And how was that talking 609 00:27:56,600 --> 00:27:59,440 Speaker 1: to Bobby? If you met Bobby, you know, he's like 610 00:28:00,080 --> 00:28:02,320 Speaker 1: he's like he comes becomes family. He's like he became 611 00:28:02,400 --> 00:28:04,480 Speaker 1: like my uncle. So anything I ever wanted to talk 612 00:28:04,520 --> 00:28:06,359 Speaker 1: to him about I asked him, he would tell me, 613 00:28:06,440 --> 00:28:09,120 Speaker 1: it's there anything difficult talking to him about. I never 614 00:28:09,200 --> 00:28:13,960 Speaker 1: talked to him about Bobby Chrissy. I couldn't. I couldn't 615 00:28:13,960 --> 00:28:16,440 Speaker 1: do it because, like, he's super emotional. So when he's talking, 616 00:28:16,480 --> 00:28:19,600 Speaker 1: you can feel you can see his tears. Yeah, he's 617 00:28:19,640 --> 00:28:21,920 Speaker 1: he's like that guy. So when people ask him certain things, 618 00:28:21,960 --> 00:28:23,600 Speaker 1: like I'd be sitting there and somebody would be like 619 00:28:24,000 --> 00:28:25,840 Speaker 1: so blah blah blah. They'll just say, like he's not 620 00:28:25,920 --> 00:28:27,320 Speaker 1: like a real human being. But I'm like, yo, this 621 00:28:27,400 --> 00:28:29,040 Speaker 1: dude has real emotions, you know what I mean, And 622 00:28:29,320 --> 00:28:31,280 Speaker 1: I hate to see people cry, so I would just 623 00:28:31,359 --> 00:28:33,719 Speaker 1: like avoid those kinds of questions. Yeah, it's interested, man, 624 00:28:33,760 --> 00:28:35,760 Speaker 1: because you know it's layers to Bobby Brown's life. Did 625 00:28:35,760 --> 00:28:37,600 Speaker 1: you read the book Every Little Step? Yeah? Yeah, so 626 00:28:37,960 --> 00:28:41,080 Speaker 1: you realize how many how much death happened in his life, 627 00:28:41,160 --> 00:28:43,160 Speaker 1: back to back to back to back. Yeah, yeah, it 628 00:28:43,240 --> 00:28:45,600 Speaker 1: was insane, so you would know why he would cry. Yeah, yeah, 629 00:28:45,600 --> 00:28:47,920 Speaker 1: of course, of course, you know, and I haven't. I 630 00:28:48,040 --> 00:28:49,680 Speaker 1: haven't thanked God, I haven't lost a lot of people 631 00:28:49,720 --> 00:28:50,960 Speaker 1: in my life, you know what I mean. But doing 632 00:28:51,040 --> 00:28:54,320 Speaker 1: this role it made me realize how important family is 633 00:28:54,640 --> 00:28:56,600 Speaker 1: because he can't go back and tell them how he 634 00:28:56,880 --> 00:28:58,240 Speaker 1: how he feels now, you know what I mean. But 635 00:28:58,280 --> 00:29:00,240 Speaker 1: I still have my my people's here to day, so 636 00:29:00,280 --> 00:29:02,120 Speaker 1: I make sure I call him every day and like, Mama, 637 00:29:02,120 --> 00:29:04,240 Speaker 1: I love you, Dad, since I love y'all, you know 638 00:29:04,240 --> 00:29:06,160 Speaker 1: what I mean. So I'm super excited that I did this. 639 00:29:06,240 --> 00:29:07,720 Speaker 1: So you didn't talk to him about Bobby and Christian. 640 00:29:07,760 --> 00:29:09,280 Speaker 1: You talked to him about his mom. You're talking about 641 00:29:09,320 --> 00:29:12,200 Speaker 1: his dad, You're talking about with me? Yeah, yeah, and T. K. 642 00:29:12,360 --> 00:29:14,600 Speaker 1: Carter that played my dad. He was real cool with 643 00:29:14,680 --> 00:29:16,760 Speaker 1: the family too, so he gave me a lot of insight. 644 00:29:17,440 --> 00:29:19,320 Speaker 1: What did you learn about Bobby that you didn't know? 645 00:29:19,800 --> 00:29:22,760 Speaker 1: He didn't know nothing. I mean, yeah, but I'm saying 646 00:29:22,800 --> 00:29:24,800 Speaker 1: after you did the New Addition movie, so you learned 647 00:29:24,840 --> 00:29:26,800 Speaker 1: a lot of things. Yeah. Yeah, doing the solo movie? 648 00:29:26,800 --> 00:29:28,800 Speaker 1: What did you learn if you didn't know? Is this 649 00:29:28,920 --> 00:29:32,560 Speaker 1: a moment in there that I didn't know? Yeah? Yeah, 650 00:29:33,800 --> 00:29:36,440 Speaker 1: I was like, oh where people go crazy for that part. 651 00:29:36,800 --> 00:29:39,280 Speaker 1: I think that she gonna get slanted heavily on social media. 652 00:29:39,360 --> 00:29:42,280 Speaker 1: Think so, yes, man, But it's not her fault. Yeah, 653 00:29:42,360 --> 00:29:44,680 Speaker 1: it was her father, that's like. And it was a 654 00:29:44,760 --> 00:29:46,880 Speaker 1: long time. Allegedly her father didn't want her with a 655 00:29:46,920 --> 00:29:48,719 Speaker 1: black guy, and because she was with a black guy, 656 00:29:48,840 --> 00:29:51,000 Speaker 1: Bobby got mad. Well, no, no, no, no. She told 657 00:29:51,080 --> 00:29:53,440 Speaker 1: her father. Bobby was like, I love you, I want 658 00:29:53,440 --> 00:29:55,000 Speaker 1: to be with you, and she said, my father would 659 00:29:55,000 --> 00:29:56,680 Speaker 1: hate if I bring a black man home. Right, Yes, 660 00:29:57,320 --> 00:30:00,040 Speaker 1: Bobby threw her out butt naked, and then I I 661 00:30:00,040 --> 00:30:01,680 Speaker 1: think she's gonna get I think I'm pretty sure she's 662 00:30:01,680 --> 00:30:03,720 Speaker 1: gonna get slanded heavy for that. Boy, I don't think 663 00:30:03,760 --> 00:30:05,840 Speaker 1: so I can't see it. It wasn't hood. I mean 664 00:30:06,240 --> 00:30:08,240 Speaker 1: because if you add up everything with the Jackson's right, 665 00:30:08,240 --> 00:30:09,640 Speaker 1: and I love the Jackson. I'm just saying, if you 666 00:30:09,720 --> 00:30:11,520 Speaker 1: take Janet, you know what I'm saying, and you take 667 00:30:11,560 --> 00:30:14,200 Speaker 1: that statement, and then you look at the way Michael 668 00:30:14,280 --> 00:30:17,200 Speaker 1: Jackson transitioned, correct, you know what I'm saying, was born 669 00:30:17,280 --> 00:30:20,640 Speaker 1: a strong black man, looking like Colin Kaepernick, and now 670 00:30:20,760 --> 00:30:23,080 Speaker 1: he died a white woman and none of his kids, 671 00:30:23,360 --> 00:30:26,400 Speaker 1: none of his kids are black. I'm just saying, I 672 00:30:26,440 --> 00:30:28,360 Speaker 1: don't know if I don't know if it's the father's 673 00:30:28,440 --> 00:30:31,440 Speaker 1: fault or what, but it was the manti blackness going 674 00:30:31,480 --> 00:30:33,760 Speaker 1: on in that household. But Janet dated one of the 675 00:30:33,800 --> 00:30:36,920 Speaker 1: blackest of all black people, Jamaine Dupree is strip club 676 00:30:37,040 --> 00:30:40,680 Speaker 1: Jermaine Dupree. Jamine was an elf. He's not even human, 677 00:30:40,880 --> 00:30:45,560 Speaker 1: like you know what are human? Yes, I leave j D. 678 00:30:45,960 --> 00:30:47,720 Speaker 1: You think that you're gonna have some backlash from Janet 679 00:30:47,760 --> 00:30:50,640 Speaker 1: fans for doing that? Yeah, yeah, yeah, I'm not the 680 00:30:50,720 --> 00:30:52,680 Speaker 1: real Bobby Room. Yeah, but can't be mad at me. 681 00:30:52,840 --> 00:30:55,320 Speaker 1: You are to this era, No I'm not. Then that's 682 00:30:55,360 --> 00:30:57,280 Speaker 1: the That's the only part that I don't like because 683 00:30:57,280 --> 00:30:59,400 Speaker 1: I remember when we did the New Addition story and 684 00:30:59,480 --> 00:31:01,560 Speaker 1: I was in a grocery store and it's older older 685 00:31:01,640 --> 00:31:03,600 Speaker 1: lady kept looking back at me and I can see 686 00:31:03,720 --> 00:31:05,440 Speaker 1: out of my perfel I'm like, damn, you keep looking 687 00:31:05,440 --> 00:31:07,040 Speaker 1: at me. And then the last time she looked at me, 688 00:31:07,160 --> 00:31:09,400 Speaker 1: she was like, you're so bad, like you're just bad 689 00:31:09,480 --> 00:31:11,520 Speaker 1: for the group. And I'm like, she was talking to 690 00:31:11,600 --> 00:31:13,720 Speaker 1: me like as if I was really Bobby Brown like 691 00:31:13,920 --> 00:31:15,360 Speaker 1: and that that kind of hit me, you know what 692 00:31:15,400 --> 00:31:17,800 Speaker 1: I mean. I'm like, yo, it was just a movie 693 00:31:17,880 --> 00:31:20,920 Speaker 1: that I'm not really him. My name is Woody. Yeah. 694 00:31:20,960 --> 00:31:23,000 Speaker 1: She said you just hard headed and then walked away. 695 00:31:23,680 --> 00:31:25,840 Speaker 1: I was like, all right, yeah, yeah, see that's what 696 00:31:25,880 --> 00:31:27,360 Speaker 1: I'm saying. So I think you will probably get a 697 00:31:27,400 --> 00:31:30,560 Speaker 1: little backlash from Janet Jackson fans. I don't think so. Now, 698 00:31:30,720 --> 00:31:32,960 Speaker 1: when Bobby cries, right, what are you doing? Bobby cries 699 00:31:33,280 --> 00:31:35,280 Speaker 1: when you're talking to Bobby and he cried, like what 700 00:31:35,440 --> 00:31:38,400 Speaker 1: do you do? That can be kind of awkward. Now 701 00:31:38,480 --> 00:31:42,480 Speaker 1: I look away. I try to change the subject. Really yeah, yeah, 702 00:31:42,720 --> 00:31:46,360 Speaker 1: you know, rubbers back another Nah, no no physical anything. 703 00:31:46,600 --> 00:31:49,360 Speaker 1: I just look away. I get a text message and 704 00:31:49,400 --> 00:31:52,400 Speaker 1: walk away. Something. It's something I wanted. I can't. I 705 00:31:52,480 --> 00:31:55,000 Speaker 1: just can't see nobody. I can't see nobody like in 706 00:31:55,120 --> 00:31:59,280 Speaker 1: pain like that. Yeah it's hard, yeah, you know what 707 00:31:59,280 --> 00:32:01,760 Speaker 1: I mean. Doing this project it made me emotional. I 708 00:32:01,800 --> 00:32:04,080 Speaker 1: haven't cried since I was like fourteen years old really, 709 00:32:04,160 --> 00:32:06,400 Speaker 1: but doing this and like feeling what he actually went 710 00:32:06,440 --> 00:32:08,400 Speaker 1: through with the hair and I had the makeup on. 711 00:32:08,520 --> 00:32:10,320 Speaker 1: They put me with the teeth in my mouth, like 712 00:32:10,360 --> 00:32:11,800 Speaker 1: I really felt like as if I was they put 713 00:32:11,840 --> 00:32:14,720 Speaker 1: the cooked teeth in your mouth and everybody. Yeah, yeah, 714 00:32:14,800 --> 00:32:16,880 Speaker 1: A lot of people be disappointed by the two girls 715 00:32:16,920 --> 00:32:19,680 Speaker 1: because like, oh, you don't have a gap, Like Ah'm like, uh, 716 00:32:20,000 --> 00:32:22,400 Speaker 1: you know, you're not nervous to be pigeonholed, like everybody's 717 00:32:22,400 --> 00:32:23,800 Speaker 1: just gonna look at you a Bobby Brown for the 718 00:32:23,840 --> 00:32:26,960 Speaker 1: rest of your life. Nah. The two pop characters, the 719 00:32:27,080 --> 00:32:29,240 Speaker 1: dude that played Tupac, Like every time I look at him, 720 00:32:29,240 --> 00:32:31,480 Speaker 1: I just see pop because he looked like, oh yeah, 721 00:32:31,840 --> 00:32:33,200 Speaker 1: I don't think I look like Bobby, you know what 722 00:32:33,240 --> 00:32:35,280 Speaker 1: I mean. I don't know. I've never been put in 723 00:32:35,360 --> 00:32:37,200 Speaker 1: a box that I couldn't break out of, you know 724 00:32:37,240 --> 00:32:38,880 Speaker 1: what I mean, So I don't I don't know. I 725 00:32:38,960 --> 00:32:41,120 Speaker 1: mean when we first got casted for it. They was like, 726 00:32:41,320 --> 00:32:44,120 Speaker 1: who is he gonna look nothing like new addition, they 727 00:32:44,240 --> 00:32:49,200 Speaker 1: was saying, I looked like Bob to Uh. I got 728 00:32:49,320 --> 00:32:54,920 Speaker 1: Bob to to call Mitchell. It was like it was like, oh, 729 00:32:54,960 --> 00:32:57,920 Speaker 1: that's the dude from Good know what I mean? But 730 00:32:58,080 --> 00:33:00,080 Speaker 1: now I look like Bobby Brown. So I'm like, can 731 00:33:00,120 --> 00:33:01,520 Speaker 1: y'all make up? Y'all mind which you'll want me to 732 00:33:01,560 --> 00:33:03,600 Speaker 1: look like? Yeah? Yeah, all right. We got more with 733 00:33:03,680 --> 00:33:06,160 Speaker 1: Woody McClain when we come back. He played Bobby Brown 734 00:33:06,200 --> 00:33:08,000 Speaker 1: and the Bobby Brown Stories. You don't move. It's the 735 00:33:08,000 --> 00:33:13,680 Speaker 1: Breakfast Club. Good Morning, the Breakfast Club Morning. Everybody is 736 00:33:13,800 --> 00:33:17,360 Speaker 1: cej Envy Angela yee. Charlemagne the guy we are the 737 00:33:17,400 --> 00:33:20,120 Speaker 1: Breakfast Club. Woody McClain's in the building. He played Bobby 738 00:33:20,160 --> 00:33:23,160 Speaker 1: Brown and the Bobby Brown Story. Charlemagne. Did you spend 739 00:33:23,160 --> 00:33:25,560 Speaker 1: a lot of time with Bobby personally on and off 740 00:33:25,720 --> 00:33:27,920 Speaker 1: off off? Yeah, a lot, because you know he cooks too. 741 00:33:28,040 --> 00:33:29,920 Speaker 1: So they didn't blinded me over for the Fourth of July. 742 00:33:31,160 --> 00:33:33,240 Speaker 1: The crib. Yeah, yeah, that was that. It was dough. 743 00:33:33,720 --> 00:33:36,000 Speaker 1: It's real though. I enjoy his family. They're real cool. 744 00:33:36,200 --> 00:33:39,680 Speaker 1: Did you needed that world famous cocaine rip sauce. No, 745 00:33:39,800 --> 00:33:41,760 Speaker 1: I never had that hold of cocaine. I mean the 746 00:33:41,840 --> 00:33:47,880 Speaker 1: barbecue sauce man cocaine cocaine. You man, you're talking about 747 00:33:47,880 --> 00:33:50,160 Speaker 1: the flower thing from the book, Oh the co Yeah, yeah, 748 00:33:50,160 --> 00:33:52,840 Speaker 1: that's what it was, the flower. Yeah yeah yeah, yeah, no, nine, 749 00:33:53,000 --> 00:33:55,400 Speaker 1: it was none of that, none of that since you 750 00:33:55,520 --> 00:33:57,760 Speaker 1: never you never did drugs, right, no, no, no, So 751 00:33:57,880 --> 00:33:59,800 Speaker 1: you never had a drug over those no way? Do you? 752 00:34:00,040 --> 00:34:02,160 Speaker 1: You know what inspiration? You know, what do you pull from? 753 00:34:02,280 --> 00:34:05,760 Speaker 1: Because you the first seeing in the movie you drug overdoors? Yeah, 754 00:34:05,800 --> 00:34:09,359 Speaker 1: and just coach. I was working with Claire. She's been 755 00:34:09,440 --> 00:34:13,319 Speaker 1: through like everything, so she she like really like put 756 00:34:13,400 --> 00:34:15,319 Speaker 1: me through the course of like what she went through 757 00:34:15,400 --> 00:34:17,279 Speaker 1: when she was dealing with that kind of stuff. So 758 00:34:17,360 --> 00:34:19,000 Speaker 1: I just kind of took what she did and kind 759 00:34:19,040 --> 00:34:21,960 Speaker 1: of put my own thing on it. You never had 760 00:34:22,040 --> 00:34:25,560 Speaker 1: no drug use in your family, close friend, not that 761 00:34:25,680 --> 00:34:28,760 Speaker 1: I know of. Wow, that's great coming from South Carolina 762 00:34:28,760 --> 00:34:31,000 Speaker 1: and Florida. Yeah, no, no that I know. Everybody just 763 00:34:31,040 --> 00:34:32,960 Speaker 1: smoked weed. I don't smoke weeds, so I only drink, 764 00:34:33,040 --> 00:34:35,799 Speaker 1: never smoke we before, never smoked damn my life. Really, yeah, 765 00:34:36,200 --> 00:34:38,799 Speaker 1: you know, I'm missing nothing yeah. Do you have any vices? Man, 766 00:34:39,200 --> 00:34:45,440 Speaker 1: like a habit? We drugs, spending some women sex? Nah, no, no, no, 767 00:34:45,520 --> 00:34:52,600 Speaker 1: I'd be chilling. I'll be at the crib listen. It's 768 00:34:52,600 --> 00:34:55,000 Speaker 1: all about the craft. It's all about the work, you 769 00:34:55,040 --> 00:34:56,640 Speaker 1: know what I mean. I don't focus on none of 770 00:34:56,680 --> 00:34:58,440 Speaker 1: that stuff. You gotta enjoy life a little bit though, 771 00:34:58,480 --> 00:35:00,000 Speaker 1: a little bit, a little bit. You ain't getting no 772 00:35:00,120 --> 00:35:04,480 Speaker 1: extracurriculum act poem poem since getting I just tell him, like, yo, 773 00:35:04,560 --> 00:35:07,080 Speaker 1: I'm focused on my career. And they said, I respect that. Now, 774 00:35:07,120 --> 00:35:09,279 Speaker 1: I know. I know Caribbean women really did you? Man? 775 00:35:09,920 --> 00:35:11,520 Speaker 1: I know one around here right now that did you? 776 00:35:11,560 --> 00:35:14,560 Speaker 1: A little bit caller in here, uh, caller in here, 777 00:35:14,719 --> 00:35:23,399 Speaker 1: Taylor mccallacall. She embarrassed. You don't want to come in. Oh, 778 00:35:24,120 --> 00:35:26,799 Speaker 1: I'm gonna introduce her to you off the end? Who 779 00:35:28,080 --> 00:35:32,319 Speaker 1: is she works here at I Heeart Radio? Saying, woman, 780 00:35:32,400 --> 00:35:34,520 Speaker 1: you know what I'm saying. Maybe a little tall? Tall? 781 00:35:34,520 --> 00:35:37,160 Speaker 1: Are you? I'm like six, she's about six? Ain't no six, 782 00:35:37,239 --> 00:35:40,880 Speaker 1: I'm definitely six, bro about six one six? You know 783 00:35:40,920 --> 00:35:43,719 Speaker 1: what I'm saying. O, woman, you know what I mean? 784 00:35:44,080 --> 00:35:49,320 Speaker 1: HBCU Yeah, I said the same thing. I said the 785 00:35:49,400 --> 00:35:51,160 Speaker 1: same thing, but you didn't give a pass. She's a 786 00:35:51,200 --> 00:35:55,080 Speaker 1: good person. She's not going she embarrassed for whatever reason. 787 00:35:55,400 --> 00:35:57,160 Speaker 1: I heard you like women that shoot. They shot, though, 788 00:35:57,160 --> 00:35:58,600 Speaker 1: So maybe I should tell her love this stuff to you? 789 00:35:58,840 --> 00:36:00,680 Speaker 1: I love it, tell her to shoot. Let me send her. 790 00:36:00,960 --> 00:36:02,560 Speaker 1: He like you like aggressive women and women that will 791 00:36:02,600 --> 00:36:06,480 Speaker 1: come at you immediately. Yeah, what's the craziest thing a 792 00:36:06,560 --> 00:36:11,800 Speaker 1: female has done? It to get your attention? MICHAELA, what 793 00:36:11,920 --> 00:36:14,319 Speaker 1: do you want? Come say hi to Woody. He likes 794 00:36:14,360 --> 00:36:18,000 Speaker 1: girls that shoot, they shot. We live, we live on 795 00:36:18,480 --> 00:36:22,560 Speaker 1: Come say hi? He likes Why you don't want to 796 00:36:22,560 --> 00:36:27,160 Speaker 1: say high on camera? I'm right outside. Oh she's right there, Mchaella. 797 00:36:27,239 --> 00:36:35,120 Speaker 1: Come what you think Woody? Do you know who come here? 798 00:36:35,160 --> 00:36:37,239 Speaker 1: She's coming here. I feel like y'all know each other 799 00:36:37,320 --> 00:36:39,120 Speaker 1: for some reason. Why do you feel like I don't know? 800 00:36:39,200 --> 00:36:41,160 Speaker 1: I feel like this I accessed with my spiders sense 801 00:36:41,200 --> 00:36:50,640 Speaker 1: each other. MC Michaelly, you know what you know whaty oh? Okay, 802 00:36:50,719 --> 00:36:52,400 Speaker 1: you do? Now you didn't know him before this? Huh. 803 00:36:52,600 --> 00:36:54,239 Speaker 1: We were talking. We were talking about you, and you 804 00:36:54,320 --> 00:36:56,120 Speaker 1: know the only thing that he said was a little 805 00:36:56,160 --> 00:36:58,600 Speaker 1: funny was that you went to Howard that's just the 806 00:36:58,760 --> 00:37:02,560 Speaker 1: only thing. He went to an HBCU and everything both 807 00:37:02,640 --> 00:37:05,799 Speaker 1: went to terrible schools. WHOA, this is not gonna work. 808 00:37:05,840 --> 00:37:10,479 Speaker 1: This help like shooting shot. That's not how you shoot 809 00:37:10,520 --> 00:37:12,200 Speaker 1: your shot. If you were shooting your shot with what 810 00:37:12,440 --> 00:37:14,160 Speaker 1: what would you say? What would you say? First of all? 811 00:37:14,360 --> 00:37:16,600 Speaker 1: Why am I getting in ter If you see him 812 00:37:16,640 --> 00:37:20,200 Speaker 1: at the bar and you even wander as tall as 813 00:37:20,200 --> 00:37:25,680 Speaker 1: you don't know how to shoot? I should type yeah 814 00:37:25,880 --> 00:37:32,400 Speaker 1: yet up for me? Okay, okay, out here freaking love connections. Okay, 815 00:37:32,800 --> 00:37:34,520 Speaker 1: all right, We're gonna see how this goes. You know 816 00:37:34,560 --> 00:37:37,160 Speaker 1: what I mean? Have Nick follow follow y'all with the camera. Okay, 817 00:37:37,280 --> 00:37:38,920 Speaker 1: you know what I'm saying. See how it goes with 818 00:37:39,000 --> 00:37:41,839 Speaker 1: y'all for a little funny thing. Say no more? Okay, Well, 819 00:37:41,880 --> 00:37:44,719 Speaker 1: what do we appreciate you for joining us? Too far? 820 00:37:45,239 --> 00:37:48,160 Speaker 1: Don't too go too far? I do wonder how far 821 00:37:48,280 --> 00:37:50,440 Speaker 1: off you are from the character Bobby Brown, though. Do 822 00:37:50,560 --> 00:37:53,000 Speaker 1: you feel like you'll have any similarities anything in common? 823 00:37:53,880 --> 00:37:57,680 Speaker 1: We both can damn that's it. Yeah, Bobby's like super 824 00:37:57,800 --> 00:38:00,520 Speaker 1: like outspoken and like, you know what I mean, He's 825 00:38:00,560 --> 00:38:02,480 Speaker 1: that guy. I'm like the guy that like to disappear 826 00:38:02,560 --> 00:38:05,839 Speaker 1: in the room. Really, I don't attention. Really, yeah, I don't. 827 00:38:05,880 --> 00:38:08,000 Speaker 1: I hate it. I hate it so becoming an actor 828 00:38:08,560 --> 00:38:10,680 Speaker 1: because I just wanted to make people feel But you 829 00:38:10,719 --> 00:38:12,560 Speaker 1: know what I mean. Like, I mean just when I 830 00:38:12,680 --> 00:38:14,840 Speaker 1: was younger, I remember my mom sitting in front of 831 00:38:14,840 --> 00:38:16,560 Speaker 1: the TV and she's like, oh my god, Eddie Murphy. 832 00:38:16,640 --> 00:38:18,320 Speaker 1: I went to school with him, like, and just to 833 00:38:18,360 --> 00:38:20,239 Speaker 1: see my mom's eyes light up like that, I was like, yo, 834 00:38:20,560 --> 00:38:22,239 Speaker 1: I want that same feeling for people that I go 835 00:38:22,280 --> 00:38:23,920 Speaker 1: to school with. Got you know what I mean? So 836 00:38:24,040 --> 00:38:26,560 Speaker 1: I always thought that was dupe micaela. What's his sign? 837 00:38:26,840 --> 00:38:29,600 Speaker 1: What's what he signed? I'm just testaments if you really 838 00:38:29,640 --> 00:38:32,839 Speaker 1: know him, not what's your sign with him? Tourists? Okay, 839 00:38:32,960 --> 00:38:34,960 Speaker 1: I don't know anything about tourists. Man. I was trying 840 00:38:34,960 --> 00:38:36,719 Speaker 1: to figure out why you're so reserved and like to 841 00:38:36,760 --> 00:38:39,000 Speaker 1: disappear in the room. I don't know. I just I 842 00:38:39,040 --> 00:38:42,200 Speaker 1: don't like the spotlight like that. Wow. So you probably 843 00:38:42,239 --> 00:38:45,560 Speaker 1: killed the role of Bobby Brown only because like when 844 00:38:45,600 --> 00:38:50,000 Speaker 1: you're the opposite of something, you really can let loose. Yes, yeah, 845 00:38:50,000 --> 00:38:52,839 Speaker 1: I can really be outspoken and loud, but in real 846 00:38:52,920 --> 00:38:56,279 Speaker 1: life negative My life is born Michaela's life is born 847 00:38:56,360 --> 00:38:59,640 Speaker 1: to worry. Yeah, y'all can be born. I was about 848 00:38:59,640 --> 00:39:02,000 Speaker 1: to say, hey, we can be boring together. I like that. 849 00:39:02,160 --> 00:39:05,120 Speaker 1: What's next? What's next after this? We got Canal Street 850 00:39:05,160 --> 00:39:08,239 Speaker 1: coming up um with Ryan Lamar. I think you know 851 00:39:08,480 --> 00:39:11,680 Speaker 1: you're not in it. Oh, I am in that. I 852 00:39:11,800 --> 00:39:13,560 Speaker 1: just thought about that. I didn't know what you're talking about. 853 00:39:15,120 --> 00:39:17,640 Speaker 1: Yeah yeah, I thought that was a documentary or something. Though. 854 00:39:17,680 --> 00:39:23,319 Speaker 1: It's like that. Yeah yeah, yeah, yeah, yeah, yeah, yeah yeah, 855 00:39:23,360 --> 00:39:25,600 Speaker 1: all right, right there, that's gonna be in theaters. Yeah, 856 00:39:25,600 --> 00:39:31,560 Speaker 1: that's a theater September fourteen. If he can't remember, yeah, yeah, 857 00:39:32,600 --> 00:39:34,880 Speaker 1: the whole scene. Yeah, I didn't. I didn't realize it. 858 00:39:35,880 --> 00:39:39,759 Speaker 1: Guh's dope though, So September fourteen, fourteen, Oh man, that's hot. 859 00:39:39,920 --> 00:39:44,239 Speaker 1: I'm talking out. I did part. I just seen that. 860 00:39:44,400 --> 00:39:46,520 Speaker 1: That was dope. That comes out September fourteen, and then 861 00:39:46,600 --> 00:39:49,160 Speaker 1: Body comes out November two. It is yep, and you 862 00:39:49,280 --> 00:39:51,920 Speaker 1: got talking scene and Body. Yeah yeah, I'm all over 863 00:39:51,920 --> 00:39:54,200 Speaker 1: about it. I'm gonna produce some body too. I'm the 864 00:39:54,280 --> 00:39:57,400 Speaker 1: executive producer. But that's okay, okay, yeah yeah yeah, get that, 865 00:39:58,200 --> 00:40:01,319 Speaker 1: And I shout to Willy mccle for joining us this morning. 866 00:40:01,400 --> 00:40:04,080 Speaker 1: We look forward to seeing part two tonight and we're 867 00:40:04,120 --> 00:40:06,640 Speaker 1: gonna take your calls eight hundred five eight five one 868 00:40:06,680 --> 00:40:08,799 Speaker 1: on five one. Did you see the Bobby Brown story 869 00:40:08,920 --> 00:40:11,279 Speaker 1: last night? What did you think? And let's get it 870 00:40:11,320 --> 00:40:13,480 Speaker 1: to this Bobby Brown mini mix? Why not right, it's 871 00:40:13,480 --> 00:40:18,920 Speaker 1: the Breakfast Club. Good morning. Let's come let me know 872 00:40:19,000 --> 00:40:22,759 Speaker 1: your favorite Bobby Brown tweet this morning. Morning everybody, you 873 00:40:23,040 --> 00:40:26,480 Speaker 1: turned me on, stop it. I'd like to run my 874 00:40:26,640 --> 00:40:31,600 Speaker 1: fingers through your hair. So come on this day with me, 875 00:40:31,920 --> 00:40:36,919 Speaker 1: your night. I want to rock with your baby all 876 00:40:37,200 --> 00:40:41,880 Speaker 1: night long. I want to roll with your lady. Come on, 877 00:40:42,320 --> 00:40:44,839 Speaker 1: feeling so strong? All right, all right, all right, right, 878 00:40:44,960 --> 00:40:48,040 Speaker 1: all right. What you gotta get to the back now? 879 00:40:48,160 --> 00:40:53,000 Speaker 1: Sweet loving loving, make it sweet love, don't you ever stop? 880 00:40:53,120 --> 00:40:55,080 Speaker 1: Doesn't stand awkward. It's two guys in here singing to 881 00:40:55,160 --> 00:40:57,000 Speaker 1: each other. I was singing by myself. You're the one 882 00:40:57,080 --> 00:40:58,600 Speaker 1: just jumped in here. You know what I'm saying. I've 883 00:40:58,600 --> 00:40:59,960 Speaker 1: started singing. I want to rock with you, and you 884 00:41:00,160 --> 00:41:02,439 Speaker 1: jump in on like you want to rock with Listen, 885 00:41:02,719 --> 00:41:06,080 Speaker 1: uh sleuth. Willie McClain dropped on a cluees bombs for Woody. Okay, 886 00:41:07,160 --> 00:41:09,200 Speaker 1: that's my guy. Born in Charter so can line of 887 00:41:09,280 --> 00:41:12,919 Speaker 1: raised in Duval County. And yes, I had no idea. 888 00:41:12,960 --> 00:41:16,600 Speaker 1: I've totally forgot that I'm in. That movie could sell 889 00:41:16,600 --> 00:41:18,160 Speaker 1: you see the Bobby Brown Story. What did you think 890 00:41:18,160 --> 00:41:20,719 Speaker 1: about the Bobby Brown Story? I loved it, But what 891 00:41:20,800 --> 00:41:23,719 Speaker 1: did you love about it? It was thinking, I see, 892 00:41:23,760 --> 00:41:25,520 Speaker 1: I read the book every little step, So being that 893 00:41:25,560 --> 00:41:27,360 Speaker 1: I read the book every little step, I had a 894 00:41:27,400 --> 00:41:29,719 Speaker 1: different expectation. But I should have known better than to 895 00:41:29,800 --> 00:41:31,960 Speaker 1: have that expectation because I know it's on BT, so 896 00:41:32,040 --> 00:41:34,440 Speaker 1: I know BT can't get as raw and as gritty 897 00:41:34,440 --> 00:41:37,000 Speaker 1: as the book Curson and stuff on BT, which was 898 00:41:37,040 --> 00:41:39,440 Speaker 1: surprised last night. Yeah, but the book was raw. But 899 00:41:39,480 --> 00:41:40,919 Speaker 1: I enjoyed it. I'm not I'm not even a matter 900 00:41:40,920 --> 00:41:42,480 Speaker 1: of fact that I think everybody should go out there 901 00:41:42,480 --> 00:41:44,359 Speaker 1: and get Bobby Brown's book Every Little Step. It's two 902 00:41:44,400 --> 00:41:47,560 Speaker 1: different forms of telling the story, you know what I mean, 903 00:41:47,600 --> 00:41:49,720 Speaker 1: two different ways to tell the story. But I totally 904 00:41:49,840 --> 00:41:51,560 Speaker 1: enjoyed it. The only thing I had a problem with 905 00:41:51,840 --> 00:41:53,920 Speaker 1: is the fact that they didn't show him throwing Janet Jackson. 906 00:41:54,080 --> 00:41:55,719 Speaker 1: Why did you want to see that so bad? That's 907 00:41:55,760 --> 00:41:57,920 Speaker 1: the only thing you wanted, because that's part of Bobby's story, 908 00:41:58,080 --> 00:41:59,640 Speaker 1: you know what I'm saying. And they didn't shoot that scene. 909 00:41:59,680 --> 00:42:01,799 Speaker 1: I should Charlemagne the scene this morning. So they did 910 00:42:01,880 --> 00:42:04,040 Speaker 1: shoot that scene. And in the book, Janet Jackson told 911 00:42:04,080 --> 00:42:05,960 Speaker 1: Bobby that my daddy would not allow me to bring 912 00:42:06,080 --> 00:42:08,560 Speaker 1: a black man home. So Bobby threw her out the room. 913 00:42:08,600 --> 00:42:10,640 Speaker 1: And then Bobby said to himself, then that's Janet Jackson, 914 00:42:10,640 --> 00:42:13,279 Speaker 1: so he threw her a blanket. So basically, Janet told 915 00:42:13,320 --> 00:42:15,600 Speaker 1: Bobby black lives don't matter, and so Bobby threw her 916 00:42:15,600 --> 00:42:16,880 Speaker 1: out the room for it. I thought it was an 917 00:42:16,920 --> 00:42:19,880 Speaker 1: amazing I love what BT's doing. I thought it was amazing. 918 00:42:20,120 --> 00:42:21,960 Speaker 1: I can't wait till tonight. I think the actors did 919 00:42:22,000 --> 00:42:24,279 Speaker 1: an amazing job. You know. It brought me back to 920 00:42:24,360 --> 00:42:27,520 Speaker 1: that moment as a kid. That kid was singing. It's 921 00:42:27,520 --> 00:42:29,560 Speaker 1: a lot of nostalgia with us because that's the era 922 00:42:29,680 --> 00:42:31,320 Speaker 1: we grew up in. And I'm a nineties R and 923 00:42:31,400 --> 00:42:33,600 Speaker 1: B guy. I'm a new jack guy. I like every 924 00:42:33,680 --> 00:42:36,879 Speaker 1: morning Uptown Records, old new edition, old body Brother. That's 925 00:42:37,120 --> 00:42:39,120 Speaker 1: that's my era, right. So I don't know if I 926 00:42:39,239 --> 00:42:40,879 Speaker 1: just be caught up in the hype. You ain't. I'm 927 00:42:40,920 --> 00:42:42,640 Speaker 1: not gonna ever say that movie was whack, even if 928 00:42:42,680 --> 00:42:44,000 Speaker 1: I didn't like it, because it just it makes me 929 00:42:44,040 --> 00:42:46,760 Speaker 1: feel away. It gives me a feeling. You know, understand 930 00:42:46,760 --> 00:42:49,080 Speaker 1: what I'm saying. The movie gives me a feeling. Right, 931 00:42:49,239 --> 00:42:53,200 Speaker 1: the music, the era, I'm already thinking this Fall and Winner. 932 00:42:53,239 --> 00:42:54,920 Speaker 1: I want to highlight my man Torreine. I want to 933 00:42:55,000 --> 00:42:58,400 Speaker 1: dress like Bobby Brown off fall, leather pants, leather hats. 934 00:42:58,520 --> 00:43:01,920 Speaker 1: You know what I'm saying, sheer shirt, yeah right, yeah, Well, 935 00:43:02,080 --> 00:43:04,200 Speaker 1: well let's go to the phone lines eight hundred five 936 00:43:04,280 --> 00:43:06,520 Speaker 1: eight five one on five one. Hello, did you see 937 00:43:06,560 --> 00:43:08,840 Speaker 1: the movie? Yeah? Man? It was good man? What you 938 00:43:08,920 --> 00:43:11,239 Speaker 1: think about it? Man? I think it's uh. I think 939 00:43:11,320 --> 00:43:14,719 Speaker 1: Bobby was a real deal player, Bagan the day. You 940 00:43:14,760 --> 00:43:18,040 Speaker 1: know what I'm saying, you, uh what? I don't like drugs? 941 00:43:18,080 --> 00:43:20,560 Speaker 1: And then you know what I'm saying, But saw the 942 00:43:20,600 --> 00:43:23,640 Speaker 1: Mississippi nam An Irish shot bird of twenty five years old? 943 00:43:23,719 --> 00:43:26,439 Speaker 1: I me and my way to work right now, I'd 944 00:43:26,480 --> 00:43:28,319 Speaker 1: like to give a shout out to my baby mama, 945 00:43:28,719 --> 00:43:31,400 Speaker 1: not my baby mama, well my wife. Yeah, man, you 946 00:43:31,480 --> 00:43:33,160 Speaker 1: call your wife your baby mama. Do you have a 947 00:43:33,200 --> 00:43:36,640 Speaker 1: wife and a baby mama your wife. Still, No, she's 948 00:43:36,960 --> 00:43:39,320 Speaker 1: she's my fiance. Yeah, you just got yeah, Okay, I 949 00:43:39,360 --> 00:43:40,800 Speaker 1: see what's going on. She's your baby mama for the 950 00:43:40,880 --> 00:43:43,600 Speaker 1: longest and you just proposed. Are you just transitioning into 951 00:43:43,719 --> 00:43:46,600 Speaker 1: calling her your wife? I get it, Yes, sir, Yes, sir. 952 00:43:47,600 --> 00:43:51,239 Speaker 1: She's next week she's be having another little baby girl. 953 00:43:51,360 --> 00:43:54,200 Speaker 1: So it is yours another little baby girl, not my 954 00:43:54,320 --> 00:43:58,480 Speaker 1: baby girl. Yeah, man, yeah, she's my goodness all right, brother, 955 00:43:58,680 --> 00:44:01,920 Speaker 1: have a blessed day, sir. Hello, who's this Taylor? Hey, Taylor? 956 00:44:01,960 --> 00:44:04,399 Speaker 1: Did you see the Boby Brown story last night? I did? 957 00:44:04,719 --> 00:44:08,040 Speaker 1: I did. What do you think I loved it? I 958 00:44:08,280 --> 00:44:11,880 Speaker 1: loved it. Um. What I didn't know is I know 959 00:44:11,960 --> 00:44:13,799 Speaker 1: that they said that Whitney he was saying I got 960 00:44:13,880 --> 00:44:15,680 Speaker 1: him started on the drugs. So I didn't know that 961 00:44:15,760 --> 00:44:19,719 Speaker 1: she went down hard. Yeah, I mean yeah, you see 962 00:44:19,719 --> 00:44:23,160 Speaker 1: when she putting the game and locked him out. That 963 00:44:23,320 --> 00:44:25,600 Speaker 1: was crazy. And by the way, he walked in on 964 00:44:25,719 --> 00:44:28,280 Speaker 1: Whitney doing cocaine first okay, to day at the wedding. 965 00:44:28,520 --> 00:44:31,880 Speaker 1: That's the bok. Yeah, I gotta get the book. He 966 00:44:32,760 --> 00:44:36,000 Speaker 1: team Torreans in the building. All right, Mama, Hello, who's 967 00:44:36,040 --> 00:44:39,000 Speaker 1: this yer Coleman. Hey, did you see the Bobby Brown 968 00:44:39,040 --> 00:44:43,160 Speaker 1: story last night? Yes? Yes, yes, what do you think? Amazing? 969 00:44:43,360 --> 00:44:44,919 Speaker 1: I love it? I stand up. You know, you gotta 970 00:44:44,920 --> 00:44:47,200 Speaker 1: wake up super early for work. What he did an 971 00:44:47,239 --> 00:44:51,040 Speaker 1: amazing job. The whole cast did two comes on the 972 00:44:51,120 --> 00:44:54,200 Speaker 1: night at nine o'clock on BT. I'm looking forward to that. Hello, 973 00:44:54,320 --> 00:44:57,400 Speaker 1: who's this? This plea to be curious? Hey, did you 974 00:44:57,400 --> 00:45:00,680 Speaker 1: see the Bobby Brown story last night? Of course? I 975 00:45:00,840 --> 00:45:03,759 Speaker 1: love Bobby Brown. What did you think? I'm loving I'm 976 00:45:03,800 --> 00:45:06,080 Speaker 1: loving an actor, and I just think that they put 977 00:45:06,120 --> 00:45:07,880 Speaker 1: a lot of energy into it. And I'm glad that 978 00:45:07,960 --> 00:45:10,399 Speaker 1: he was allied to tell his story because I love 979 00:45:10,480 --> 00:45:12,680 Speaker 1: Bobby Brown and like me and I can't wait till 980 00:45:12,719 --> 00:45:14,600 Speaker 1: the night. And that's my thing. If you're allied to 981 00:45:14,680 --> 00:45:16,399 Speaker 1: tell you the story, you gotta let me tell my story. 982 00:45:16,400 --> 00:45:17,799 Speaker 1: You know what I'm saying. You can't addit things out 983 00:45:17,880 --> 00:45:20,400 Speaker 1: of my story, you know what I mean? Yeah, I mean, 984 00:45:20,680 --> 00:45:24,399 Speaker 1: don't add I'm out in the hallway. That's the only 985 00:45:24,440 --> 00:45:25,759 Speaker 1: thing that I've seen that they cut out. But we'll 986 00:45:25,760 --> 00:45:28,560 Speaker 1: see tonight. But I thought it was an amazing, amazing show. 987 00:45:28,560 --> 00:45:30,520 Speaker 1: I think BT is doing with this original program and 988 00:45:30,520 --> 00:45:32,200 Speaker 1: I think it's amazing. I love it. Yeah, And basically 989 00:45:32,280 --> 00:45:35,280 Speaker 1: Janet told Bobby that black lives don't matter. That's basically 990 00:45:35,320 --> 00:45:37,600 Speaker 1: what she told if you read the book. But Janet 991 00:45:37,719 --> 00:45:39,680 Speaker 1: said by Daddy would not allow me to bring a 992 00:45:39,760 --> 00:45:42,359 Speaker 1: black man home, So she told Bobby black lives don't matter. 993 00:45:42,440 --> 00:45:44,799 Speaker 1: So Bobby threw her out the hotel room. Okay, don't 994 00:45:44,840 --> 00:45:47,680 Speaker 1: don't isn't that like, how y'all isn't that like? Isn't 995 00:45:47,719 --> 00:45:49,120 Speaker 1: that what y'all want to see when people don't think 996 00:45:49,160 --> 00:45:53,239 Speaker 1: black lives matter? Okay, my goodness? All right, Well, what's 997 00:45:53,280 --> 00:45:55,200 Speaker 1: the moral of the story. The brold story is being 998 00:45:55,239 --> 00:45:57,560 Speaker 1: Bobby brownks on that nine PM to night and to night. 999 00:45:57,640 --> 00:45:59,520 Speaker 1: And by the way, I'll say this over and over, 1000 00:45:59,560 --> 00:46:02,160 Speaker 1: I don't know why y'all want to be rock stars 1001 00:46:02,239 --> 00:46:04,120 Speaker 1: so bad when you can be Bobby Brown. All you 1002 00:46:04,280 --> 00:46:06,360 Speaker 1: rappers are this and y'all party like rock stars and 1003 00:46:06,560 --> 00:46:08,560 Speaker 1: do it like rock stars? Why be a rock star? 1004 00:46:08,640 --> 00:46:10,759 Speaker 1: You can be Bobby Brown? All right? Now, when we 1005 00:46:10,880 --> 00:46:13,640 Speaker 1: come back, Joe Button replies to Eminem, we'll tell you 1006 00:46:13,719 --> 00:46:15,799 Speaker 1: all about it. Keeping lock this to breakfast club. Good morning, 1007 00:46:16,200 --> 00:46:20,040 Speaker 1: all right, this is America Morning. Everybody is DJ Envy, 1008 00:46:20,200 --> 00:46:23,359 Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club Sir. 1009 00:46:23,880 --> 00:46:25,680 Speaker 1: Let's get to these rumors. First, we shout out to 1010 00:46:25,719 --> 00:46:27,560 Speaker 1: my kids there on their way to school. Shout the Maddie, shout, 1011 00:46:27,640 --> 00:46:30,400 Speaker 1: the LOGI shout, the Brookie, shout the Lundie. Shout to Jackson. 1012 00:46:30,719 --> 00:46:32,520 Speaker 1: I said them all right once with three for five, Yes, 1013 00:46:32,760 --> 00:46:34,800 Speaker 1: come on into my key tied. Now let's get to 1014 00:46:34,840 --> 00:46:42,440 Speaker 1: these rumors. AT's talk Eminem, Joe Budden, it's about. This 1015 00:46:42,840 --> 00:46:47,080 Speaker 1: is the rumor report, Angela Yee on the Breakfast Club. 1016 00:46:48,200 --> 00:46:50,320 Speaker 1: All right, now we tell you about Eminem's album that 1017 00:46:50,440 --> 00:46:52,440 Speaker 1: came out a couple of days ago, and he took 1018 00:46:52,520 --> 00:46:56,840 Speaker 1: shots at everybody, and one of those persons was Joe Button. 1019 00:46:57,200 --> 00:47:00,920 Speaker 1: Somebody tell bucking before Stanley Better fascinated his body packet 1020 00:47:00,960 --> 00:47:04,800 Speaker 1: sip the closest things. I didn't like that bar. I 1021 00:47:04,840 --> 00:47:06,719 Speaker 1: still don't like that bar. And the reason I don't 1022 00:47:06,760 --> 00:47:09,680 Speaker 1: like that bar is because Eminem has a history of 1023 00:47:10,280 --> 00:47:14,279 Speaker 1: writing songs that abuse women. So don't call somebody out 1024 00:47:14,680 --> 00:47:19,280 Speaker 1: for that, well, somebody's allegations. Of course. Joe Button's podcast 1025 00:47:19,360 --> 00:47:21,120 Speaker 1: comes out each and every Wednesday to be out in 1026 00:47:21,120 --> 00:47:23,400 Speaker 1: a little bit, but he did respond, and this is 1027 00:47:23,440 --> 00:47:28,160 Speaker 1: a piece of the podcast News Flash M. I heard 1028 00:47:28,200 --> 00:47:30,840 Speaker 1: the album and because I think you don't really know 1029 00:47:30,920 --> 00:47:33,200 Speaker 1: all the members that were in the group, I don't 1030 00:47:33,239 --> 00:47:35,440 Speaker 1: really think you know our history. Let me tell you 1031 00:47:35,520 --> 00:47:38,920 Speaker 1: what Joe Budden has thought this entire time. I've been 1032 00:47:39,040 --> 00:47:43,520 Speaker 1: better than you this entire decade. Can't say that back then, 1033 00:47:44,280 --> 00:47:48,600 Speaker 1: but in my rapper brain, I'm a content. You gotta 1034 00:47:48,719 --> 00:47:53,080 Speaker 1: say something. You have not said anything for the better 1035 00:47:53,239 --> 00:47:58,480 Speaker 1: part of a whole decade. You have rhymed a bunch 1036 00:47:58,560 --> 00:48:03,840 Speaker 1: of words. Let me think about that last decade. Absolutely, 1037 00:48:03,920 --> 00:48:06,880 Speaker 1: Joe Button gets busy. I think Joe Button is lyrically 1038 00:48:06,960 --> 00:48:10,839 Speaker 1: one of the nicest people that I've known, and I've heard. Yeah, 1039 00:48:10,840 --> 00:48:12,600 Speaker 1: I think everybody needs to understand what the decade is. 1040 00:48:12,640 --> 00:48:13,960 Speaker 1: A decade it would be from two thousand and eight 1041 00:48:14,000 --> 00:48:16,120 Speaker 1: to two thousand and eighteen. So that's like Relap didn't 1042 00:48:17,239 --> 00:48:20,719 Speaker 1: relap for kind of M's comeback album, so relapse to now. Yes, 1043 00:48:20,840 --> 00:48:22,399 Speaker 1: Joe has a better body of work for the back 1044 00:48:22,440 --> 00:48:25,880 Speaker 1: for the past decade. Yes, Yeah, I think I think 1045 00:48:25,960 --> 00:48:27,680 Speaker 1: Joe was slept on as a lyricist. He gets busy 1046 00:48:27,760 --> 00:48:29,480 Speaker 1: sometimes I think a lot of the shenanigaanst he was 1047 00:48:29,480 --> 00:48:31,440 Speaker 1: doing back then, I think people would miss it for 1048 00:48:31,520 --> 00:48:33,520 Speaker 1: his lyricist. It's easy to sleep on Joe when you 1049 00:48:33,560 --> 00:48:35,239 Speaker 1: see him with his white tank top screaming at the 1050 00:48:35,280 --> 00:48:37,000 Speaker 1: top of his long what I'm saying, some of your 1051 00:48:37,040 --> 00:48:40,120 Speaker 1: favorite rapper. I can see why you would, you know, 1052 00:48:40,440 --> 00:48:43,640 Speaker 1: just dismiss him as a rapper. Scott raps. Sometimes he 1053 00:48:43,719 --> 00:48:45,920 Speaker 1: does get busy. He also said this on this podcast. 1054 00:48:46,280 --> 00:48:52,080 Speaker 1: I live for this type of and all of that rapid, 1055 00:48:52,160 --> 00:48:56,560 Speaker 1: he rap lyrical miracle bulls and he wanted like that 1056 00:48:56,760 --> 00:48:59,600 Speaker 1: to think they wanted with me shut I don't think 1057 00:48:59,600 --> 00:49:04,920 Speaker 1: you would farewell. I also think it's really corny when 1058 00:49:05,040 --> 00:49:08,319 Speaker 1: retired popped about that what would could have been done? 1059 00:49:11,800 --> 00:49:15,040 Speaker 1: So I feel like I'm in control of the rules here, 1060 00:49:15,120 --> 00:49:19,879 Speaker 1: am I'm backed? Now you're not so much? He says 1061 00:49:19,920 --> 00:49:23,399 Speaker 1: he's backed. What does he mean by that? What maybe means? 1062 00:49:23,640 --> 00:49:26,080 Speaker 1: I thought he meant I'm back, meaning I'm popping again, 1063 00:49:26,160 --> 00:49:28,640 Speaker 1: But he could mean I'm backed. I guess Revolts or Spotify, 1064 00:49:28,719 --> 00:49:31,600 Speaker 1: I don't know, and will always be back Joe. He's white, 1065 00:49:31,719 --> 00:49:33,640 Speaker 1: stop it all right, man? Selling three hundred and fifty 1066 00:49:33,640 --> 00:49:36,839 Speaker 1: thousand records. Uh this week off an album that came 1067 00:49:36,880 --> 00:49:39,719 Speaker 1: out on Friday, Knock It Off, Joe, And I don't 1068 00:49:39,760 --> 00:49:41,200 Speaker 1: want to hear all that Joe. If you're not gonna 1069 00:49:41,200 --> 00:49:43,800 Speaker 1: wrap now, I don't think it's safe Joe exactly. Do 1070 00:49:43,920 --> 00:49:46,600 Speaker 1: I think Joe will body eminem in two thousand and eighteen, Yes, 1071 00:49:46,719 --> 00:49:49,759 Speaker 1: I do, okay, And I got a little change, you know, 1072 00:49:50,160 --> 00:49:52,120 Speaker 1: to put on that. And by change, I mean fifty 1073 00:49:52,120 --> 00:49:54,359 Speaker 1: cent seriously, all right, I got Joe's money, I got 1074 00:49:54,480 --> 00:49:58,680 Speaker 1: Joe's thousand dollars that Joe owes me and he old 1075 00:49:58,760 --> 00:50:01,400 Speaker 1: you will put that on Joe them. But I do 1076 00:50:01,560 --> 00:50:03,439 Speaker 1: think Joel Washington in two thy eighteen. But I don't 1077 00:50:03,440 --> 00:50:04,920 Speaker 1: want to hear all that spicy talk if you're not 1078 00:50:05,000 --> 00:50:06,960 Speaker 1: gonna wrap, because that sounds like somebody that's about to 1079 00:50:07,000 --> 00:50:09,120 Speaker 1: go into booth. Absolutely, if you're not gonna go into 1080 00:50:09,120 --> 00:50:11,960 Speaker 1: bootstop all that spicy talk. I told y'all that last week. 1081 00:50:12,160 --> 00:50:15,160 Speaker 1: I didn't want to hear Joe reply on a podcast. 1082 00:50:15,280 --> 00:50:18,400 Speaker 1: Emma is one of the greatest em seas of all time. Right, Right, 1083 00:50:18,600 --> 00:50:20,719 Speaker 1: Joe is a lyricist, right one of the greatest m 1084 00:50:20,760 --> 00:50:22,600 Speaker 1: seeds of all time call you out. I feel like 1085 00:50:22,640 --> 00:50:25,320 Speaker 1: you try to respond with bars. That's not Russ or 1086 00:50:25,480 --> 00:50:27,560 Speaker 1: who else came at Joe recently. That's not the me 1087 00:50:27,719 --> 00:50:31,279 Speaker 1: goals right, that's eminem correct. So I want to hit bars. 1088 00:50:31,320 --> 00:50:33,400 Speaker 1: I don't want hear no podcast dialogue. That's all I 1089 00:50:33,480 --> 00:50:34,640 Speaker 1: can do. All I can do is get on the 1090 00:50:34,719 --> 00:50:36,759 Speaker 1: radio and podcast and talk back to them. You got 1091 00:50:36,840 --> 00:50:39,760 Speaker 1: the skills to do some bars, right, Okay? Now? Nicki 1092 00:50:39,840 --> 00:50:42,759 Speaker 1: Minah she was on Ellen and she liked this terrible 1093 00:50:43,560 --> 00:50:45,200 Speaker 1: what what? What? What's that? Where you don't like going 1094 00:50:45,239 --> 00:50:47,200 Speaker 1: from Joe to m to Nicki and Travis Scott. I'm 1095 00:50:47,200 --> 00:50:49,320 Speaker 1: tired of Nicki and Travis. Well, too bad. She was 1096 00:50:49,360 --> 00:50:51,440 Speaker 1: on Nicki Minajs was on Ellen, and of course they 1097 00:50:51,520 --> 00:50:53,880 Speaker 1: talked about Travis Scott. Why do people say things like 1098 00:50:54,000 --> 00:50:56,520 Speaker 1: upset or angry when someone says how they feel, they're 1099 00:50:56,560 --> 00:50:58,640 Speaker 1: not always upset or angry? Well, what were you feeling? 1100 00:50:59,080 --> 00:51:05,480 Speaker 1: I feel like I wanted some gymnas face because because 1101 00:51:05,680 --> 00:51:08,440 Speaker 1: what are those emotions that? It's not anger? No, no, 1102 00:51:08,640 --> 00:51:11,640 Speaker 1: it's not anger. It's just what's right and what's wrong? 1103 00:51:11,840 --> 00:51:14,640 Speaker 1: What's fair? I don't I don't know what's right. I 1104 00:51:14,719 --> 00:51:16,760 Speaker 1: don't know what's wrong. I don't know what's fair because 1105 00:51:16,840 --> 00:51:19,359 Speaker 1: Nikki did the same thing as it was. Nikki had 1106 00:51:19,440 --> 00:51:22,720 Speaker 1: bundles for her album too. You can buy ticket sales 1107 00:51:22,760 --> 00:51:24,680 Speaker 1: and get the album and other stuff like you can 1108 00:51:24,760 --> 00:51:27,560 Speaker 1: buy tickets to Why why are we having this conversation? 1109 00:51:28,040 --> 00:51:30,920 Speaker 1: Well she talks some more on Ellen. Sometimes people think 1110 00:51:30,920 --> 00:51:33,399 Speaker 1: that you're ungrateful, and I'm like the most grateful person 1111 00:51:33,480 --> 00:51:36,400 Speaker 1: in the world. I love being grateful and remembering that 1112 00:51:36,520 --> 00:51:39,399 Speaker 1: things could be worse. Okay, I started from nothing. I'm 1113 00:51:39,440 --> 00:51:42,120 Speaker 1: one of those people who I get it. But I 1114 00:51:42,280 --> 00:51:44,919 Speaker 1: don't like being bullied and I don't like being taken 1115 00:51:44,920 --> 00:51:48,200 Speaker 1: advantage of. And sometimes people use scare tactics against you 1116 00:51:48,280 --> 00:51:50,680 Speaker 1: because they know, especially as a black woman, that people 1117 00:51:50,719 --> 00:51:53,320 Speaker 1: will say, well will kill all you angry or bitter 1118 00:51:53,719 --> 00:51:55,800 Speaker 1: begin and so now it's almost like we're not allowed 1119 00:51:55,840 --> 00:51:58,319 Speaker 1: to defend ourselves, what stand up for ourselves. And I'm 1120 00:51:58,360 --> 00:52:00,480 Speaker 1: not going to have that. I love you, Nikki. I 1121 00:52:00,520 --> 00:52:03,600 Speaker 1: don't want no smoke, all right, When when when when 1122 00:52:03,840 --> 00:52:05,520 Speaker 1: they come at you like that, you just gotta back away. 1123 00:52:05,520 --> 00:52:07,600 Speaker 1: You've got to listen to the keywords. All right, you're heard, 1124 00:52:07,680 --> 00:52:10,640 Speaker 1: black woman, you heard angry, can't defend yourself. You just 1125 00:52:10,719 --> 00:52:12,920 Speaker 1: stand down, all right, keep doing you. Nikki dropped on 1126 00:52:12,920 --> 00:52:15,359 Speaker 1: a clue month for Nicki Minaj. Everybody got damn buy 1127 00:52:15,360 --> 00:52:19,319 Speaker 1: a Queen album? All right now to Lakashi as telling 1128 00:52:19,400 --> 00:52:23,600 Speaker 1: the judge he wants no prison time please, Nope, he 1129 00:52:23,760 --> 00:52:27,040 Speaker 1: told the judge ds the deeds that I'm doing, I'm 1130 00:52:27,080 --> 00:52:29,759 Speaker 1: doing a lot of positivity. He said. He donated money 1131 00:52:29,760 --> 00:52:33,120 Speaker 1: to a childhood school. He said he handed out money 1132 00:52:33,160 --> 00:52:37,400 Speaker 1: in Dominican Republic. He donated to homeless in Chicago. He 1133 00:52:37,560 --> 00:52:41,320 Speaker 1: donated money to New York City youth programs, and he 1134 00:52:41,480 --> 00:52:44,319 Speaker 1: sayd it out money in Mexico several times. He says 1135 00:52:44,360 --> 00:52:47,200 Speaker 1: he's doing good for the community, and he wants to 1136 00:52:47,360 --> 00:52:49,880 Speaker 1: make sure he doesn't go back to jail. He didn't 1137 00:52:49,880 --> 00:52:52,560 Speaker 1: make a wish program. He said, he really wants to 1138 00:52:52,640 --> 00:52:54,439 Speaker 1: make sure he's out of jail. Nope. You've told people 1139 00:52:54,480 --> 00:52:57,080 Speaker 1: to SMD way more times than you're giving out money. Okay, 1140 00:52:57,120 --> 00:52:59,880 Speaker 1: You've given out way more SMD requests than you have 1141 00:53:00,080 --> 00:53:02,799 Speaker 1: have charity. All right, Okay, that what if the judge 1142 00:53:02,800 --> 00:53:04,160 Speaker 1: said that to him? To judge says, you know that's 1143 00:53:04,160 --> 00:53:06,719 Speaker 1: all finding good, but I got this even longer list 1144 00:53:06,920 --> 00:53:10,120 Speaker 1: of all the times you told somebody the SMD. All right, 1145 00:53:10,440 --> 00:53:12,000 Speaker 1: so I want to give you the opportunity to go 1146 00:53:12,080 --> 00:53:15,040 Speaker 1: to prison to tell somebody that so they can jump 1147 00:53:15,080 --> 00:53:17,520 Speaker 1: in your jeans my goodness. All right, all right, and 1148 00:53:17,719 --> 00:53:20,320 Speaker 1: that is your rumor. Pause. Don't think for one second 1149 00:53:20,360 --> 00:53:22,640 Speaker 1: that the person you told s MD yesterday is not 1150 00:53:22,760 --> 00:53:26,319 Speaker 1: sending that to the judge. I'm telling you that right now, 1151 00:53:26,840 --> 00:53:28,840 Speaker 1: that man is sending that to the judge. Right that 1152 00:53:28,960 --> 00:53:31,280 Speaker 1: man is writing a letter right now saying your minister 1153 00:53:31,360 --> 00:53:34,319 Speaker 1: society and a threat to everyone in this great trust 1154 00:53:34,400 --> 00:53:37,520 Speaker 1: me when I tell you, all right, sal about yeah, 1155 00:53:37,600 --> 00:53:39,560 Speaker 1: who are you giving that donkey to? I need Reverend 1156 00:53:39,640 --> 00:53:41,440 Speaker 1: Josper Williams to come to the front of the congregation. 1157 00:53:41,480 --> 00:53:42,840 Speaker 1: We'd like to have a word with him, please that 1158 00:53:43,840 --> 00:53:46,160 Speaker 1: he's the person who gave the so called eu leget 1159 00:53:46,239 --> 00:53:48,800 Speaker 1: Aretha Franklin's funeral. Okay, all right, we'll get to that 1160 00:53:48,840 --> 00:53:50,680 Speaker 1: when we come back. Keeping locked us to breakfast club, 1161 00:53:50,719 --> 00:53:53,719 Speaker 1: Come on there, this don't be a dust because right 1162 00:53:53,760 --> 00:53:58,520 Speaker 1: now you want some It's time for don't give the day. 1163 00:53:58,760 --> 00:54:01,360 Speaker 1: So if we ever feel I needed the man with 1164 00:54:01,440 --> 00:54:07,520 Speaker 1: the hero, did she get it becomes Donkey of the day. 1165 00:54:08,120 --> 00:54:13,759 Speaker 1: The Breakfast Club bitches, yes donkey today for Wednesday, September fifth, 1166 00:54:13,800 --> 00:54:16,160 Speaker 1: goals the Reverend Jasper Williams Junior. And now, if you 1167 00:54:16,200 --> 00:54:18,399 Speaker 1: don't know who that is, he is the pastor who 1168 00:54:18,440 --> 00:54:20,560 Speaker 1: gave the eulogy at the Queen of Soul at Reefer 1169 00:54:20,640 --> 00:54:23,399 Speaker 1: Franklin's funeral. Now, I was reading in the New York 1170 00:54:23,440 --> 00:54:27,279 Speaker 1: Post yesterday that a Reefer Franklin's family was disgusted by 1171 00:54:27,360 --> 00:54:29,600 Speaker 1: the reverend eulogy and in their words, they found it 1172 00:54:29,719 --> 00:54:33,239 Speaker 1: offensive and distasteful. Now, I'm gonna be honest. I didn't 1173 00:54:33,280 --> 00:54:35,960 Speaker 1: watch a Reef's funeral. Nope, I simply did. I simply 1174 00:54:36,000 --> 00:54:38,480 Speaker 1: didn't have three hundred and sixty minutes to commit to 1175 00:54:38,600 --> 00:54:40,839 Speaker 1: such a task. Okay, that's just not how I wanted 1176 00:54:40,840 --> 00:54:43,080 Speaker 1: to spend my day. So I only caught the clips online. 1177 00:54:43,239 --> 00:54:45,680 Speaker 1: U I saw Michael Eric Dyson, I saw Reverend. I 1178 00:54:45,760 --> 00:54:47,840 Speaker 1: was shocked, and I was waiting for the Honorable Minutester 1179 00:54:47,920 --> 00:54:49,759 Speaker 1: Lewis Frankhon to speak. I never saw that, but he 1180 00:54:49,880 --> 00:54:52,480 Speaker 1: was on stage and I saw some man inappropriately touching 1181 00:54:52,760 --> 00:54:54,880 Speaker 1: ariana grand day. So I thought everyone was given a 1182 00:54:54,920 --> 00:54:58,840 Speaker 1: eulogy but apparently Reverend Jasper Williams Junior was giving the 1183 00:54:58,960 --> 00:55:01,960 Speaker 1: official eulogy. And let's just say I totally understand why 1184 00:55:02,000 --> 00:55:04,600 Speaker 1: the family was pissed off. Before we listen to some 1185 00:55:04,800 --> 00:55:08,560 Speaker 1: highlights from Reverend Jasper Williams Junior's eulogy, it's important to 1186 00:55:08,719 --> 00:55:12,480 Speaker 1: know what the definition of a eulogy is. A eulogy 1187 00:55:12,600 --> 00:55:15,359 Speaker 1: is a speech or piece of writing that praises someone 1188 00:55:15,480 --> 00:55:19,359 Speaker 1: or something highly, typically someone who has just died. Does 1189 00:55:19,400 --> 00:55:22,400 Speaker 1: everybody have it? Did you write that down? Okay? I 1190 00:55:22,440 --> 00:55:25,399 Speaker 1: don't think Reverend Jasper Williams got the memo. Let's listen 1191 00:55:25,440 --> 00:55:29,000 Speaker 1: to some highlights from Reverend Reverend Jasper Williams Junior's eulogy. 1192 00:55:29,239 --> 00:55:32,520 Speaker 1: Why it's your soul, black man. As I look in 1193 00:55:32,640 --> 00:55:37,880 Speaker 1: your house, there are no fathers in the home, noble. 1194 00:55:38,640 --> 00:55:44,800 Speaker 1: Seven of our households are led by our precious black women. 1195 00:55:45,640 --> 00:55:50,399 Speaker 1: But that's proud, beautiful and fine as our black women are. 1196 00:55:51,320 --> 00:55:55,680 Speaker 1: One thing a black woman cannot do. A black woman 1197 00:55:56,440 --> 00:56:01,920 Speaker 1: cannot raise a black boy to be a man. If 1198 00:56:02,000 --> 00:56:06,640 Speaker 1: you choose to ask me today, do black lives matter? 1199 00:56:07,840 --> 00:56:11,919 Speaker 1: Black lives do not matter. Black lives will not matter. 1200 00:56:12,640 --> 00:56:16,560 Speaker 1: Black lives should not matter. Black lives must not matter. 1201 00:56:17,400 --> 00:56:24,760 Speaker 1: Until black people stop respecting black lives and stop killing ourselves. 1202 00:56:25,320 --> 00:56:28,440 Speaker 1: Black lives can never matter. He wasn't gonna say a 1203 00:56:28,480 --> 00:56:33,880 Speaker 1: respect there's no nothing once again. Definition of eulogy a 1204 00:56:33,960 --> 00:56:36,680 Speaker 1: speech a piece of writing that praises someone or something 1205 00:56:36,800 --> 00:56:39,560 Speaker 1: highly typically someone who has just died. When you know 1206 00:56:39,760 --> 00:56:42,720 Speaker 1: that definition, ask yourself what the hell was Reverend Jasper 1207 00:56:42,760 --> 00:56:45,879 Speaker 1: Williams Junior just doing. Okay, I thought mcdonnad was bad 1208 00:56:45,880 --> 00:56:48,120 Speaker 1: at the being made, but Reverend Jasper Williams Junior had 1209 00:56:48,160 --> 00:56:49,840 Speaker 1: the nerve to say a black woman cannot raise a 1210 00:56:49,880 --> 00:56:52,359 Speaker 1: black boy to be a man, which is disrespectful because 1211 00:56:52,520 --> 00:56:55,319 Speaker 1: Ripa Franklin is a single mother of four boys. Here's 1212 00:56:55,320 --> 00:56:59,160 Speaker 1: a thing. It's the funeral, all right, And I keep 1213 00:56:59,239 --> 00:57:02,080 Speaker 1: telling you all over and over respect. Okay, a lot 1214 00:57:02,160 --> 00:57:04,560 Speaker 1: of you can spell it, but do you actually have 1215 00:57:04,760 --> 00:57:07,239 Speaker 1: it for Aretha? Okay? I don't think so, because if 1216 00:57:07,280 --> 00:57:09,879 Speaker 1: you did, you wouldn't use her funeral for your own 1217 00:57:10,200 --> 00:57:14,160 Speaker 1: personal agendas. Okay, Yes, we care about black lives, all right, 1218 00:57:14,280 --> 00:57:16,880 Speaker 1: Yes we care about black lives. Black lives do matter, 1219 00:57:16,960 --> 00:57:19,520 Speaker 1: but today the only Black life that matters is the 1220 00:57:19,560 --> 00:57:22,520 Speaker 1: one we are here to celebrate, which is a refa Franklin. 1221 00:57:22,680 --> 00:57:24,760 Speaker 1: All right, she's the one, dad, all right, I'm telling 1222 00:57:24,760 --> 00:57:26,760 Speaker 1: you right now, if someone does that at my funeral, 1223 00:57:26,840 --> 00:57:29,920 Speaker 1: I want violence, all right. Don't make my funeral about 1224 00:57:30,000 --> 00:57:34,760 Speaker 1: you and your agenda. That's not r espect, that's this 1225 00:57:36,400 --> 00:57:39,880 Speaker 1: r es P s CT. That's right, key letter I 1226 00:57:40,600 --> 00:57:43,360 Speaker 1: all right, ain't no I in funeral unless it's you, 1227 00:57:43,760 --> 00:57:45,920 Speaker 1: all right, meaning you in the casket. And to do 1228 00:57:46,120 --> 00:57:50,400 Speaker 1: someone's eulogy and treat this situation any other way is disrespectful. 1229 00:57:50,560 --> 00:57:53,480 Speaker 1: Once again, when it comes to a REFA Franklin, everyone 1230 00:57:53,560 --> 00:57:58,480 Speaker 1: can spell respect sorry eSPI CT accept our shop today, 1231 00:57:58,640 --> 00:58:03,400 Speaker 1: but how many actually show it? All right? Please let 1232 00:58:03,520 --> 00:58:05,920 Speaker 1: rummy Mark give Reverend Josper Williams Junior the biggest he 1233 00:58:06,040 --> 00:58:10,000 Speaker 1: ha he ha he ha, you stupid motherfu are you 1234 00:58:10,280 --> 00:58:12,880 Speaker 1: dumb man? Jesus christ Man, you got one job. Just 1235 00:58:13,000 --> 00:58:15,800 Speaker 1: come up in and celebrate me. I'm giving y'all music 1236 00:58:15,840 --> 00:58:20,600 Speaker 1: for forty something, yeah, a lot long time. Again. You 1237 00:58:20,600 --> 00:58:23,160 Speaker 1: don't got nothing to say about me. Keep all this 1238 00:58:23,240 --> 00:58:25,720 Speaker 1: political stuff in your personal agenity to yourself. All right, 1239 00:58:25,920 --> 00:58:28,520 Speaker 1: all right, well thank you for that donkey today. Now 1240 00:58:28,600 --> 00:58:31,800 Speaker 1: when we come back, ask c and E. That's right, 1241 00:58:31,920 --> 00:58:34,800 Speaker 1: he is out. Usually she handles the relationship advice, So 1242 00:58:35,400 --> 00:58:37,440 Speaker 1: as C and Charlemagne and I will hold it down. 1243 00:58:37,760 --> 00:58:40,280 Speaker 1: Eight five A five one on five one. If you 1244 00:58:40,400 --> 00:58:43,479 Speaker 1: need relationship advice or any type of advice, we're gonna 1245 00:58:43,520 --> 00:58:45,400 Speaker 1: keep it real. I'm in an advice giving mood too. 1246 00:58:45,480 --> 00:58:46,960 Speaker 1: By the way, we're gonna tell you what it is. 1247 00:58:47,120 --> 00:58:48,720 Speaker 1: I got something out there that God want me to 1248 00:58:48,800 --> 00:58:51,080 Speaker 1: tell somebody out there. I can feel it, all right. 1249 00:58:51,280 --> 00:58:53,320 Speaker 1: Eight drink and feel it in my soul. Five A 1250 00:58:53,480 --> 00:58:56,080 Speaker 1: five one on five one, as C and Eat is next. 1251 00:58:56,120 --> 00:59:01,520 Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club this morning. 1252 00:59:01,560 --> 00:59:05,400 Speaker 1: Everybody is DJ Envy Angela Yee, Charlemagne the guy we 1253 00:59:05,520 --> 00:59:08,400 Speaker 1: are the Breakfast Club, ye is out. So it's all 1254 00:59:08,440 --> 00:59:11,800 Speaker 1: about as C and E. Hello, who's this? Hey? This 1255 00:59:12,040 --> 00:59:16,600 Speaker 1: is an Annie was. I love Orlando. My aunt lives 1256 00:59:16,600 --> 00:59:19,400 Speaker 1: in Orlando. What's your question for city? All right? So 1257 00:59:19,560 --> 00:59:21,840 Speaker 1: I'm calling it because I've been with my boyfriend for 1258 00:59:21,920 --> 00:59:27,520 Speaker 1: twelve years and we're not married. I'm really frustrated. I'm 1259 00:59:27,520 --> 00:59:32,240 Speaker 1: a professional, a go getter, I'm beautiful, and I just 1260 00:59:32,400 --> 00:59:36,000 Speaker 1: don't understand why I can't get him to seriously think 1261 00:59:36,040 --> 00:59:39,200 Speaker 1: about and consider marriage as soon as possible. Let me 1262 00:59:39,320 --> 00:59:43,280 Speaker 1: let me, let me handle this, Let me handle this one. 1263 00:59:44,360 --> 00:59:47,160 Speaker 1: Any kids. Mommy got kids. I have children. He does not. 1264 00:59:47,440 --> 00:59:49,960 Speaker 1: All right, let me handle this one. I've been with 1265 00:59:50,080 --> 00:59:52,720 Speaker 1: my wife. I was with my wife since nineteen ninety eight. 1266 00:59:53,400 --> 00:59:56,920 Speaker 1: I proposed to her in two thousand and thirteen. Actually 1267 00:59:57,000 --> 01:00:00,960 Speaker 1: tomorrow is our fifth year wedding, an ushery, So you 1268 01:00:01,080 --> 01:00:03,240 Speaker 1: do the math from nineteen ninety years a long term 1269 01:00:03,320 --> 01:00:06,240 Speaker 1: two thousand and three, all right, so you know, it 1270 01:00:06,360 --> 01:00:08,400 Speaker 1: just takes us a little bit of time. Plus you 1271 01:00:08,480 --> 01:00:10,480 Speaker 1: already got two kids, so you know what I'm saying. 1272 01:00:10,520 --> 01:00:12,360 Speaker 1: He may not want to take on all that baggage, 1273 01:00:12,680 --> 01:00:16,880 Speaker 1: all right, But but y'all been together twelve years, so 1274 01:00:16,880 --> 01:00:19,200 Speaker 1: I'm clear. I'm sure he loves those kids like there 1275 01:00:19,280 --> 01:00:22,360 Speaker 1: his own. So just get just give them some time. Bo, 1276 01:00:23,080 --> 01:00:26,360 Speaker 1: Do you live with them? We live together? Yes, y'all 1277 01:00:26,360 --> 01:00:28,880 Speaker 1: live together. Has he been saving? Maybe he's shaving for 1278 01:00:28,920 --> 01:00:32,000 Speaker 1: the perfect ring and in the perfect wedding. Is that possible? Listen? 1279 01:00:32,320 --> 01:00:35,160 Speaker 1: Listen At this point, I don't even care about any 1280 01:00:35,240 --> 01:00:36,920 Speaker 1: of that. I really don't like that. You want to 1281 01:00:36,960 --> 01:00:39,760 Speaker 1: get married. You want to get married, I do. I 1282 01:00:39,920 --> 01:00:43,120 Speaker 1: do settling, settling that Jello starting to saddle Stop it, 1283 01:00:43,400 --> 01:00:47,080 Speaker 1: Jello starting to sad. You have the conversation yet, We've 1284 01:00:47,120 --> 01:00:49,560 Speaker 1: been having a conversation for a long time, and for me, 1285 01:00:49,720 --> 01:00:51,520 Speaker 1: I just want to make sure that he is a 1286 01:00:52,040 --> 01:00:53,800 Speaker 1: solid you know. I want to make sure he's sure. 1287 01:00:54,160 --> 01:00:56,480 Speaker 1: I don't want to play any games. M oh y'all 1288 01:00:56,520 --> 01:00:58,480 Speaker 1: been together twelve years. If you're not gonna marry you 1289 01:00:58,520 --> 01:00:59,959 Speaker 1: by now, if you don't know about now, you ain't 1290 01:01:00,040 --> 01:01:01,600 Speaker 1: the one. Listen to it. How old are the kids? 1291 01:01:03,280 --> 01:01:06,880 Speaker 1: My all this, it's sixteen. Have the sixteen year old? No, 1292 01:01:06,960 --> 01:01:09,320 Speaker 1: who's the youngest. What's the youngest one? The youngest one 1293 01:01:09,480 --> 01:01:12,120 Speaker 1: is twelve. I have the youngest one. Say when you're 1294 01:01:12,120 --> 01:01:15,040 Speaker 1: gonna marry my mama, sit straight like that. I'm telling you. 1295 01:01:15,320 --> 01:01:17,840 Speaker 1: Tell her today to walk up on daddy and say, 1296 01:01:17,880 --> 01:01:19,840 Speaker 1: when you're gonna marry my mama, when you're gonna make 1297 01:01:19,840 --> 01:01:21,960 Speaker 1: an honest woman out of my mama? Stop, I'm her 1298 01:01:22,040 --> 01:01:24,240 Speaker 1: staying like Cardi Bards in that picture and put her 1299 01:01:24,240 --> 01:01:25,720 Speaker 1: hand on her hip and say, my mama said, you 1300 01:01:25,760 --> 01:01:30,520 Speaker 1: ain't gonna make an honest woman out of her? All right? Okay, yes, 1301 01:01:30,640 --> 01:01:33,280 Speaker 1: the point where I feel like it's either now or never. 1302 01:01:33,360 --> 01:01:35,240 Speaker 1: I feel like I'm at the point where I want 1303 01:01:35,320 --> 01:01:38,600 Speaker 1: to move on, Like, how old are you? No, I 1304 01:01:38,720 --> 01:01:40,680 Speaker 1: feel the same way. I feel the same way. Let's 1305 01:01:40,680 --> 01:01:42,360 Speaker 1: move on from this phone CARDY told you what you do? 1306 01:01:42,520 --> 01:01:45,960 Speaker 1: All right? The box from hold the box for a 1307 01:01:46,000 --> 01:01:47,600 Speaker 1: little bit. Don't let him get none of that box 1308 01:01:47,720 --> 01:01:50,440 Speaker 1: until he stay. Story starts thinking right, all right? Thanks? 1309 01:01:51,200 --> 01:01:56,439 Speaker 1: Oh sorry, Hello, who's this? Hello? It's a lady North Carolina. Hey, mama, 1310 01:01:56,480 --> 01:01:58,920 Speaker 1: what's your question for seeing me? Okay? So I've been 1311 01:01:59,000 --> 01:02:01,840 Speaker 1: back and forthd with this guy for five years, um 1312 01:02:02,480 --> 01:02:05,440 Speaker 1: two thousand and seven January tells seventeen. We broke up 1313 01:02:05,680 --> 01:02:08,520 Speaker 1: by May two thousand and seventeen. He was married all 1314 01:02:08,600 --> 01:02:11,360 Speaker 1: gets two thousand seventeen. I found out and I sent 1315 01:02:11,520 --> 01:02:14,440 Speaker 1: sent a simple Instagram message. I said, all right, baby, 1316 01:02:14,600 --> 01:02:16,960 Speaker 1: you would you would aside, check, you would decide, you 1317 01:02:17,000 --> 01:02:19,960 Speaker 1: would decide the whole time write no no, no, no, 1318 01:02:20,040 --> 01:02:22,280 Speaker 1: no no no, nothing else to talk about, no, nothing 1319 01:02:22,360 --> 01:02:24,160 Speaker 1: else to talk about. You were the side chick. Ma. 1320 01:02:24,400 --> 01:02:26,560 Speaker 1: He already had a whole other woman that he was 1321 01:02:26,600 --> 01:02:28,880 Speaker 1: in love with. Yeah, all right, so he wasn't my 1322 01:02:29,160 --> 01:02:31,440 Speaker 1: stopping stopped. Now, I don't calling me to be is 1323 01:02:31,480 --> 01:02:34,200 Speaker 1: not three months and he's married you you would decide, 1324 01:02:34,240 --> 01:02:36,400 Speaker 1: don't call a don't call of me to being, denial, 1325 01:02:36,840 --> 01:02:40,880 Speaker 1: divorce stop it. He was forty five days later he 1326 01:02:41,040 --> 01:02:44,960 Speaker 1: was separated. He separated, his divorce is final. Now that's 1327 01:02:45,240 --> 01:02:48,320 Speaker 1: like his divorce is final. Um, November of two stuffs 1328 01:02:48,320 --> 01:02:50,360 Speaker 1: this year, he just got the paperwork. Is he back 1329 01:02:50,400 --> 01:02:53,360 Speaker 1: with you? Yeah, he's yeah, Yeah, he said he got 1330 01:02:53,440 --> 01:02:56,400 Speaker 1: he stopped for divorce. He could so we could be together. 1331 01:02:56,600 --> 01:02:58,440 Speaker 1: So why are you calling us? What something fact that 1332 01:02:58,520 --> 01:03:00,760 Speaker 1: I need to know if if I need to accept 1333 01:03:00,840 --> 01:03:02,760 Speaker 1: him back. No, we're not the relationships. I don't marry 1334 01:03:03,040 --> 01:03:05,640 Speaker 1: Mary Man. But we have had conversation over the year. 1335 01:03:05,920 --> 01:03:07,680 Speaker 1: So I'm trying to figure out do I take him back? 1336 01:03:07,760 --> 01:03:10,880 Speaker 1: Even though he did that, and even though his divorce 1337 01:03:10,920 --> 01:03:13,040 Speaker 1: would be final, Mama, I would move back. I would 1338 01:03:13,080 --> 01:03:15,360 Speaker 1: move on, Mama. I mean he did you during Mama. 1339 01:03:15,960 --> 01:03:17,440 Speaker 1: He got he got home, he got married to a 1340 01:03:17,520 --> 01:03:19,240 Speaker 1: whole other lader. This man dumped you to have a 1341 01:03:19,320 --> 01:03:25,480 Speaker 1: whole and and you ask me he got married. You 1342 01:03:25,560 --> 01:03:28,320 Speaker 1: gotta be smarter than that. I would leave Mama alone 1343 01:03:28,560 --> 01:03:30,440 Speaker 1: unless he gave you an STD. Now, if you gave 1344 01:03:30,480 --> 01:03:33,200 Speaker 1: you an STD, that's uncarrible and y'all can share that 1345 01:03:33,320 --> 01:03:35,720 Speaker 1: together for the rest of y'all. About my goodness, that's 1346 01:03:35,760 --> 01:03:38,360 Speaker 1: not what happens. No, as CNE eight hundred and five 1347 01:03:38,440 --> 01:03:40,640 Speaker 1: eight five one on five one. If you got some 1348 01:03:40,760 --> 01:03:42,800 Speaker 1: questions for us, we'll keep it real. We'll help you 1349 01:03:42,920 --> 01:03:44,840 Speaker 1: out if we can. It's the breakfast Club, Good morning, 1350 01:03:45,200 --> 01:03:49,080 Speaker 1: wanting everybody. It's tj Envy and to Laye Charlomagne the 1351 01:03:49,120 --> 01:03:51,360 Speaker 1: guy we are the breakfast club with in the middle 1352 01:03:51,400 --> 01:03:54,160 Speaker 1: of ass c and e. If you need relationship advice, 1353 01:03:54,240 --> 01:03:57,560 Speaker 1: you can call us right now. Hello, who's this? This 1354 01:03:58,040 --> 01:04:03,960 Speaker 1: is Anonymous, Trendy Tredys got a STD. What's your question? 1355 01:04:04,040 --> 01:04:07,440 Speaker 1: Miss Anonymous? You're crazy trum man. Okay, So look, I'm 1356 01:04:07,480 --> 01:04:10,160 Speaker 1: in dating this guy for like seven or eight months Rick, 1357 01:04:10,920 --> 01:04:14,240 Speaker 1: and finally I met his ten year old son. Well, 1358 01:04:14,480 --> 01:04:18,320 Speaker 1: his son is related to me. He's my cousin, and like, 1359 01:04:18,520 --> 01:04:21,920 Speaker 1: I don't feel comfortable then even more, and he does 1360 01:04:22,000 --> 01:04:25,400 Speaker 1: not understand this, Like his child's mother is my cousin. 1361 01:04:25,520 --> 01:04:27,720 Speaker 1: We're all we don't know each other like that, but 1362 01:04:28,080 --> 01:04:30,040 Speaker 1: she thinks it's funny. She's like oh, you know we 1363 01:04:30,320 --> 01:04:32,520 Speaker 1: dated over ten years ago. You know he's just been 1364 01:04:32,600 --> 01:04:35,560 Speaker 1: father blah blah blah. But she had sex with our cousins, 1365 01:04:35,840 --> 01:04:38,040 Speaker 1: so uncomfortable. Let me get this grade. You have sex 1366 01:04:38,080 --> 01:04:41,360 Speaker 1: with your cousin. No, his son, his son is her cousin. 1367 01:04:41,520 --> 01:04:44,120 Speaker 1: His son is her cousin. He knocked off her cousin. 1368 01:04:44,360 --> 01:04:46,120 Speaker 1: So it's just a family and fair. You're not you're 1369 01:04:46,120 --> 01:04:47,840 Speaker 1: not really, you're not related that that blood is not 1370 01:04:47,920 --> 01:04:49,760 Speaker 1: in you. You good money if you like him. No, 1371 01:04:49,960 --> 01:04:51,800 Speaker 1: I know, but I just don't want to try to him. 1372 01:04:51,840 --> 01:04:54,240 Speaker 1: No more like no, I want children one day. That 1373 01:04:54,320 --> 01:04:56,960 Speaker 1: mean our kids to be cousin's answers to what's wrong 1374 01:04:57,000 --> 01:04:59,280 Speaker 1: with that? If y'all already had sex, right, it's kind 1375 01:04:59,320 --> 01:05:02,360 Speaker 1: of too late to turn back. Now you already did it. 1376 01:05:02,400 --> 01:05:04,560 Speaker 1: You already have sex with your cousin. Are your cousin's 1377 01:05:04,600 --> 01:05:08,000 Speaker 1: son whatever, I just Chile's father, and he was not 1378 01:05:08,120 --> 01:05:10,720 Speaker 1: on purpose, And no, I just man, go ahead and 1379 01:05:10,760 --> 01:05:13,840 Speaker 1: keep it in the family. Not listen, My advice is 1380 01:05:13,880 --> 01:05:16,240 Speaker 1: not whether I should keep talking with him wife, howe 1381 01:05:16,320 --> 01:05:18,200 Speaker 1: rid of him. Man, go ahead and keep it in 1382 01:05:18,240 --> 01:05:19,960 Speaker 1: the family. If y'all kids is born with an arm 1383 01:05:20,000 --> 01:05:24,840 Speaker 1: coming out day forehead, y'all all right, it's okay, yeah, 1384 01:05:24,960 --> 01:05:26,840 Speaker 1: I I don't know what you want to tell you 1385 01:05:26,880 --> 01:05:28,520 Speaker 1: already flip with your cousin. You might as well stay. 1386 01:05:28,520 --> 01:05:32,680 Speaker 1: It's not her cousin, man, it's her cousin. Cousin really 1387 01:05:32,720 --> 01:05:35,600 Speaker 1: early charting, I am, and your kids are gonna be 1388 01:05:35,640 --> 01:05:37,800 Speaker 1: too if you keep fleeping with your cousin. Thank you, mama. 1389 01:05:38,360 --> 01:05:41,280 Speaker 1: I don't know we helped. Hello. Hello, who's this Hi? 1390 01:05:41,520 --> 01:05:44,400 Speaker 1: My name was Densia. Good morning and v come on in, Charlomagne, 1391 01:05:44,440 --> 01:05:46,280 Speaker 1: Good morning, good morning. What's your question for c? And 1392 01:05:46,720 --> 01:05:50,200 Speaker 1: my question is primarily for Charlomagne. Charlottagne, I too, am 1393 01:05:50,280 --> 01:05:52,520 Speaker 1: from Charleston. Love your books. Can't wait for your new 1394 01:05:52,560 --> 01:05:54,800 Speaker 1: books to come out. Thank you? Eight four three? What's happening? 1395 01:05:55,560 --> 01:05:59,080 Speaker 1: Said hey Charlomagne. Um, I primarily wanted to know. I 1396 01:05:59,200 --> 01:06:01,960 Speaker 1: wrote a book my self. I'm twenty two, pretty young, 1397 01:06:02,360 --> 01:06:05,520 Speaker 1: so I'm not really familiar with how to publish. Is 1398 01:06:05,560 --> 01:06:08,080 Speaker 1: it better to self publish or is it better to 1399 01:06:08,280 --> 01:06:12,120 Speaker 1: go through a publishing agency? Well, I have a publishing agency. 1400 01:06:12,280 --> 01:06:14,400 Speaker 1: I'm with Touchdown Seaman the Shoes too, But I don't 1401 01:06:14,440 --> 01:06:16,680 Speaker 1: see any problem with self publishing either. I think self 1402 01:06:16,720 --> 01:06:18,880 Speaker 1: publishing is dope. I buy a lot of books from 1403 01:06:18,960 --> 01:06:21,360 Speaker 1: people who actually self published. I mean, you know you 1404 01:06:21,440 --> 01:06:24,440 Speaker 1: got Amazon right there. You can, you know, press up 1405 01:06:24,480 --> 01:06:26,480 Speaker 1: as many copies as you can afford to press up 1406 01:06:26,800 --> 01:06:29,640 Speaker 1: and put them up on Amazon. Do you see what happens? 1407 01:06:29,760 --> 01:06:31,320 Speaker 1: Don't you send a book up and let us read 1408 01:06:31,360 --> 01:06:33,400 Speaker 1: it and shout you out? Oh? Really? I only have 1409 01:06:33,600 --> 01:06:38,919 Speaker 1: like the paper version, paperback version of all paperback. Sorry, yeah, 1410 01:06:38,960 --> 01:06:41,920 Speaker 1: I primarily wrote it. It's done. I just don't know 1411 01:06:42,040 --> 01:06:43,800 Speaker 1: where to go from here. It took me about a 1412 01:06:43,880 --> 01:06:46,440 Speaker 1: year to write pretty much. Was talking about is it 1413 01:06:46,520 --> 01:06:49,320 Speaker 1: on paper like loose leaf paper or is it in 1414 01:06:49,440 --> 01:06:51,520 Speaker 1: book form? M I have it in book form on 1415 01:06:51,600 --> 01:06:53,560 Speaker 1: my iPhone. I mean you could try both that. You 1416 01:06:53,600 --> 01:06:55,160 Speaker 1: can try to shop it to a publisher. If a 1417 01:06:55,160 --> 01:06:56,840 Speaker 1: publisher doesn't want it, then you put it out yourself 1418 01:06:56,920 --> 01:06:59,560 Speaker 1: on Amazon. Send it up here, mama, we're reading, shout 1419 01:06:59,600 --> 01:07:02,200 Speaker 1: it out? Hello, who's that flying to people? Good morning? 1420 01:07:02,880 --> 01:07:06,520 Speaker 1: Good morning? What's your name? Amous? Another anonymous? An anonymous? 1421 01:07:06,640 --> 01:07:09,720 Speaker 1: What you got her? Bees? Chlamydia? Stop it? What's your question? Mama? 1422 01:07:09,880 --> 01:07:12,480 Speaker 1: Everybody in my townis is the Irradian basis so I'm like, 1423 01:07:13,560 --> 01:07:16,280 Speaker 1: let me just keep it anonymous. What's your question, you 1424 01:07:16,320 --> 01:07:19,720 Speaker 1: guys doing? My question is okay. So I have two 1425 01:07:19,800 --> 01:07:28,280 Speaker 1: children by two different men and project twins. My youngest 1426 01:07:29,000 --> 01:07:32,720 Speaker 1: father is a dead beat. However, my oldest is dad. 1427 01:07:32,960 --> 01:07:35,400 Speaker 1: You know, he saw me and he feels as though, 1428 01:07:35,560 --> 01:07:38,040 Speaker 1: you know, this is his son's sister. He stepped in 1429 01:07:38,200 --> 01:07:41,200 Speaker 1: and he plays that role in my child's life. Now, 1430 01:07:41,880 --> 01:07:44,880 Speaker 1: three years later, her father want to come into picture, 1431 01:07:45,280 --> 01:07:48,000 Speaker 1: and she has such a great connection as she's very 1432 01:07:48,080 --> 01:07:50,680 Speaker 1: attached to my son's father. I don't know if I 1433 01:07:50,720 --> 01:07:53,160 Speaker 1: should let him in because he's full of disappointments and 1434 01:07:54,120 --> 01:07:56,840 Speaker 1: he'd been in the same building with her before and 1435 01:07:56,920 --> 01:08:00,240 Speaker 1: didn't acknowledge her in public. So why should I at you? 1436 01:08:00,360 --> 01:08:02,520 Speaker 1: And now I don't think you have a choice. I don't. 1437 01:08:02,560 --> 01:08:03,840 Speaker 1: I don't think you have a choice. I think if 1438 01:08:04,320 --> 01:08:07,040 Speaker 1: he's the real daddy, can't he come and see his daughter. 1439 01:08:07,240 --> 01:08:10,440 Speaker 1: He lives four minutes away and she hasn't seen him 1440 01:08:10,480 --> 01:08:13,120 Speaker 1: in almost two years. Yeah, I would say it's never 1441 01:08:13,200 --> 01:08:15,120 Speaker 1: too late, man, But I mean, if he's not really 1442 01:08:15,200 --> 01:08:17,800 Speaker 1: making a he's not making a real effort to being 1443 01:08:17,840 --> 01:08:19,760 Speaker 1: a child's life, and if he ain't got no money. 1444 01:08:19,920 --> 01:08:22,240 Speaker 1: Why I confuse the poor kids about the money with you? 1445 01:08:22,320 --> 01:08:24,240 Speaker 1: You know what I'm saying? Why I confuse the poor kids? Still? 1446 01:08:24,280 --> 01:08:25,760 Speaker 1: He might be want to change. You always talk about 1447 01:08:25,760 --> 01:08:27,559 Speaker 1: people changing. Maybe this man was the chance she gotta 1448 01:08:27,600 --> 01:08:30,560 Speaker 1: father fingure in her life. He called, He's called in 1449 01:08:30,920 --> 01:08:32,920 Speaker 1: like every month he calls and say, hey, I want 1450 01:08:32,960 --> 01:08:35,240 Speaker 1: to pick her up this weekend and the weekend coming. 1451 01:08:35,280 --> 01:08:37,320 Speaker 1: I don't hear from him at all. Oh yeah, Now 1452 01:08:37,320 --> 01:08:38,760 Speaker 1: you got to box him out changing them and don't 1453 01:08:38,760 --> 01:08:41,040 Speaker 1: even don't even mess with him. I'm gambling now it's 1454 01:08:41,280 --> 01:08:45,880 Speaker 1: worth setting. Yeah, why I confuse that poor how you 1455 01:08:45,960 --> 01:08:49,040 Speaker 1: know he broke because she just told us he is. 1456 01:08:51,720 --> 01:08:54,080 Speaker 1: Oh yeah, don't no no need for that boom Yeah, 1457 01:08:54,160 --> 01:08:55,920 Speaker 1: keep that away, Keep that away from your child. Don't 1458 01:08:55,920 --> 01:08:57,840 Speaker 1: be confusing your child. You don't want that negativeenity around 1459 01:08:57,840 --> 01:08:59,080 Speaker 1: your child. You know, when you pray to God to 1460 01:08:59,120 --> 01:09:01,559 Speaker 1: take negative ennity of your life. He's not swinging at spirits. 1461 01:09:01,680 --> 01:09:04,479 Speaker 1: He's swinging at people things and broke baby daddies. That's 1462 01:09:04,520 --> 01:09:09,320 Speaker 1: the embodiment of that negativity. All right. Huh, she got up, 1463 01:09:09,560 --> 01:09:11,280 Speaker 1: She got her a nice father figure that got his 1464 01:09:11,360 --> 01:09:14,400 Speaker 1: life together him they have the best relation, and he 1465 01:09:14,560 --> 01:09:17,360 Speaker 1: loved he he adores her, and we're not even together. 1466 01:09:17,560 --> 01:09:19,360 Speaker 1: So for a man to step in and do that 1467 01:09:19,560 --> 01:09:23,200 Speaker 1: for her, I mean, come up only than your other 1468 01:09:23,200 --> 01:09:24,519 Speaker 1: baby daddy can do for you at this point and 1469 01:09:24,560 --> 01:09:26,639 Speaker 1: pay that ten granted child's body or you. Yeah, that's 1470 01:09:26,640 --> 01:09:29,040 Speaker 1: all he gotta do is pay that, and we'll be say, Okay, 1471 01:09:29,160 --> 01:09:31,439 Speaker 1: he don't even ever have to ask about her, see her, 1472 01:09:31,479 --> 01:09:34,120 Speaker 1: interact with her. Just pay up. That's all, my goodness. 1473 01:09:34,200 --> 01:09:36,160 Speaker 1: It's not all about the money, Charlomagne. That's your first thing, 1474 01:09:36,840 --> 01:09:39,200 Speaker 1: is he broke It's not about the money, you bird. Well, 1475 01:09:39,479 --> 01:09:42,200 Speaker 1: that sounded like some shound advice to me. All right, Well, 1476 01:09:42,240 --> 01:09:44,320 Speaker 1: good luck, assy, And if you couldn't get through the 1477 01:09:44,320 --> 01:09:46,120 Speaker 1: phone lines to see a lot of you tried, we'll 1478 01:09:46,160 --> 01:09:48,040 Speaker 1: do the getting. Don't worry about it. You ain't miss nothing. 1479 01:09:48,040 --> 01:09:50,720 Speaker 1: You ain't miss nothing. All right now, when we come back, 1480 01:09:51,200 --> 01:09:53,719 Speaker 1: Tyler Perry offer somebody a job, we'll tell you about 1481 01:09:53,760 --> 01:09:56,320 Speaker 1: it and keep it locked. It's the breakfast logod morning morning. 1482 01:09:56,360 --> 01:09:59,800 Speaker 1: Everybody is DJ Envy and Jela Yee, Charlomagne, the guy. 1483 01:09:59,840 --> 01:10:02,160 Speaker 1: We all the breakfast club. Let's get to the rumors. 1484 01:10:02,240 --> 01:10:09,720 Speaker 1: Let's talk Jeffrey Owens. This is the rumor report with 1485 01:10:09,920 --> 01:10:14,120 Speaker 1: Angela Yee on the Breakfast Club. Well, of course, Jeffrey 1486 01:10:14,160 --> 01:10:16,519 Speaker 1: Owens from the Cosby Show. His picture was taken and 1487 01:10:16,880 --> 01:10:19,240 Speaker 1: it was plastered all over the place, and people were 1488 01:10:19,360 --> 01:10:22,000 Speaker 1: shaming him. Some people were supporting him. That's because he 1489 01:10:22,080 --> 01:10:24,080 Speaker 1: stopped acting and I guess was working at Trade As 1490 01:10:24,160 --> 01:10:26,360 Speaker 1: Joe's to make some money. Well, he was on Good 1491 01:10:26,400 --> 01:10:28,640 Speaker 1: Morning in America and he talked about it. I mean 1492 01:10:28,760 --> 01:10:32,080 Speaker 1: I was, I was really devastated, but the period of 1493 01:10:32,120 --> 01:10:35,160 Speaker 1: devastation was so short because the responses. My wife and 1494 01:10:35,240 --> 01:10:38,639 Speaker 1: I started to read these responses from like literally all 1495 01:10:38,720 --> 01:10:42,960 Speaker 1: over the world of support, and fortunately the shame part 1496 01:10:43,000 --> 01:10:46,760 Speaker 1: didn't last very long. I'm proud of him. I'm happy 1497 01:10:46,840 --> 01:10:48,519 Speaker 1: that he decided to do what he had to do 1498 01:10:48,560 --> 01:10:51,920 Speaker 1: as a man. He didn't go to the illegal roundy. 1499 01:10:51,920 --> 01:10:53,160 Speaker 1: He went and got a job. What's wrong with that? 1500 01:10:53,280 --> 01:10:55,160 Speaker 1: It's only a story because of social media. You do 1501 01:10:55,439 --> 01:10:58,439 Speaker 1: realize this. The people who work at Traded Joe's are 1502 01:10:58,439 --> 01:11:01,000 Speaker 1: the people who work at Starbucks, the people who you 1503 01:11:01,080 --> 01:11:03,800 Speaker 1: know drive public transportation, Those are people that really make 1504 01:11:03,840 --> 01:11:06,479 Speaker 1: the world go around, right, Absolutely, you do realize that right, 1505 01:11:06,560 --> 01:11:10,879 Speaker 1: and he talks why Traded Joe's. I've been teaching acting 1506 01:11:11,000 --> 01:11:15,200 Speaker 1: directing for for thirty plus years, but you know, got 1507 01:11:15,240 --> 01:11:18,120 Speaker 1: to a point where you know, it just it just 1508 01:11:18,280 --> 01:11:20,479 Speaker 1: didn't add up enough, you know, and you gotta do 1509 01:11:20,600 --> 01:11:22,720 Speaker 1: what gotta do. I wanted a job that I could 1510 01:11:22,760 --> 01:11:26,439 Speaker 1: have some flexibility, try to stay in the business. I 1511 01:11:26,520 --> 01:11:29,760 Speaker 1: didn't advertise that I was at Trader Joe's only, but 1512 01:11:29,880 --> 01:11:31,720 Speaker 1: not that I was ashamed of it, but because I 1513 01:11:31,800 --> 01:11:34,920 Speaker 1: didn't want the entertainment community to kind of decide, well, 1514 01:11:35,000 --> 01:11:37,080 Speaker 1: he's doing that, He's not in you know, he's not 1515 01:11:37,160 --> 01:11:40,760 Speaker 1: pursuing acting anymore. America saw obsessed with celebrity that when 1516 01:11:40,760 --> 01:11:43,439 Speaker 1: you see a person working a job at a grocery store, 1517 01:11:43,479 --> 01:11:45,920 Speaker 1: you talk down upon him just because he was once 1518 01:11:46,040 --> 01:11:48,479 Speaker 1: on television. That's why you see so many of these 1519 01:11:48,600 --> 01:11:50,719 Speaker 1: rappers don't want to get regular jobs after they didn't 1520 01:11:50,720 --> 01:11:52,639 Speaker 1: put out an album or put out his angle. It's 1521 01:11:52,680 --> 01:11:54,639 Speaker 1: tough trendy that James would love to get a job 1522 01:11:54,680 --> 01:11:56,679 Speaker 1: at Walmart. Ready he got a job. He's doing stuff 1523 01:11:56,720 --> 01:12:00,040 Speaker 1: for Complex. Oh my bad, you hate him, man, and 1524 01:12:00,200 --> 01:12:02,040 Speaker 1: ching you would love to get a job at Target, 1525 01:12:02,120 --> 01:12:04,680 Speaker 1: But y'all shit, shame that man so much that he 1526 01:12:04,800 --> 01:12:08,080 Speaker 1: can't Chickney's a personal trainer. All I'm simply saying is, 1527 01:12:08,240 --> 01:12:10,800 Speaker 1: don't be afraid to go get a job. Well, Tyler, 1528 01:12:10,840 --> 01:12:12,320 Speaker 1: what you got to do to put food on the table. 1529 01:12:12,479 --> 01:12:14,719 Speaker 1: Tyler Perry said, he's starting to shoot a new flick 1530 01:12:14,840 --> 01:12:17,960 Speaker 1: on the own and he would love if Jeffrey Owens 1531 01:12:18,000 --> 01:12:19,479 Speaker 1: came through and be a part of it. So look 1532 01:12:19,520 --> 01:12:21,880 Speaker 1: at that job. So whoever came into that store that day, 1533 01:12:22,160 --> 01:12:23,720 Speaker 1: you know what I'm saying, took a picture of him, 1534 01:12:24,000 --> 01:12:28,200 Speaker 1: trying to shame him. And what God metfoot, what man 1535 01:12:28,320 --> 01:12:32,519 Speaker 1: meant for evil, God will turn to good. Okay, Well, 1536 01:12:32,600 --> 01:12:36,200 Speaker 1: LaTavia says, I understand Jeffrey Latvia. I'm about to tell 1537 01:12:36,200 --> 01:12:39,080 Speaker 1: you LaTavia, you know who you know? LaTavia? Who was 1538 01:12:39,160 --> 01:12:42,240 Speaker 1: LaTavia boy from that City's Child. Man, we'll say that 1539 01:12:42,479 --> 01:12:45,800 Speaker 1: what LaTavia from the original Destiny Child when it was 1540 01:12:45,840 --> 01:12:48,479 Speaker 1: four members, She says, I understand Jeffrey Owens. When I 1541 01:12:48,560 --> 01:12:50,960 Speaker 1: was in Destiny Child and I was removed from the group, 1542 01:12:51,320 --> 01:12:53,240 Speaker 1: I ended up working at a little record shop I 1543 01:12:53,360 --> 01:12:56,360 Speaker 1: think in uh, I guess it's someplace I don't know, 1544 01:12:56,400 --> 01:12:57,880 Speaker 1: But she says, people used to come in all the 1545 01:12:58,000 --> 01:13:00,200 Speaker 1: time and see if it was really me. I just 1546 01:13:00,320 --> 01:13:03,000 Speaker 1: needed to feed my family and survive, so claps for him. 1547 01:13:05,400 --> 01:13:07,400 Speaker 1: I saw a funny game for somebody walking that record 1548 01:13:07,439 --> 01:13:09,280 Speaker 1: store and ask for the first Destinity Child album with 1549 01:13:09,360 --> 01:13:11,960 Speaker 1: you want the cover though, stop it, stop it now, 1550 01:13:12,080 --> 01:13:17,760 Speaker 1: Kanye West. He apologized like crazy yesterday. Now let's start 1551 01:13:17,800 --> 01:13:20,920 Speaker 1: off with his tweet store and he says, I'm sending 1552 01:13:20,960 --> 01:13:24,120 Speaker 1: good energy and love to Drake and family and crew. 1553 01:13:24,640 --> 01:13:26,559 Speaker 1: I haven't seen the show in person, but the images 1554 01:13:26,600 --> 01:13:31,479 Speaker 1: look incredible online. Understand where the confusion started. Let me 1555 01:13:31,560 --> 01:13:33,880 Speaker 1: start by apologizing for stepping on your release date in 1556 01:13:33,920 --> 01:13:36,240 Speaker 1: the first place. We are building a bond and working 1557 01:13:36,320 --> 01:13:40,240 Speaker 1: on music together, including squashing the issues with Cutty at 1558 01:13:40,280 --> 01:13:42,479 Speaker 1: our office. When I put the dates up, I was 1559 01:13:42,560 --> 01:13:44,920 Speaker 1: a bit ramped up to do twenty five tweets today. 1560 01:13:44,960 --> 01:13:48,000 Speaker 1: TMZ happened shortly after. I have to hop on a plane. 1561 01:13:48,040 --> 01:13:50,360 Speaker 1: Now we'll type more when I land. And then he said, 1562 01:13:50,479 --> 01:13:53,320 Speaker 1: playing his taxing it for takeoff. Because we spoke about 1563 01:13:53,360 --> 01:13:55,880 Speaker 1: doing liftoff for yourself together, I should have given you 1564 01:13:55,920 --> 01:13:58,479 Speaker 1: the opportunity for us to do this together before I 1565 01:13:58,600 --> 01:14:01,880 Speaker 1: released it. Since we are building as friends and brothers. 1566 01:14:02,200 --> 01:14:04,360 Speaker 1: I should have spoken to push you about the Quentin 1567 01:14:04,479 --> 01:14:07,560 Speaker 1: Miller bar. There should have been no songs with my 1568 01:14:07,720 --> 01:14:11,280 Speaker 1: involvement that had any negative energy towards you. I never 1569 01:14:11,360 --> 01:14:13,400 Speaker 1: listened to either this track that followed, but I did 1570 01:14:13,479 --> 01:14:16,560 Speaker 1: hear quotes from both songs after they were released. So 1571 01:14:16,640 --> 01:14:18,559 Speaker 1: what's the problem? He says. I did not have any 1572 01:14:18,640 --> 01:14:22,120 Speaker 1: conversations about your child with Pusha. I don't play with 1573 01:14:22,200 --> 01:14:24,880 Speaker 1: the idea of people's children. After I spoke to Wez 1574 01:14:24,920 --> 01:14:28,240 Speaker 1: a few years earlier, I understand pushes issues as a man. 1575 01:14:28,320 --> 01:14:31,720 Speaker 1: If someone mentions your fiance, men go mask off. I 1576 01:14:31,840 --> 01:14:33,880 Speaker 1: done the same myself at times. I love you, I 1577 01:14:33,960 --> 01:14:37,519 Speaker 1: love Pusha. We all have admiration for each other's craft. Okay, 1578 01:14:37,560 --> 01:14:40,360 Speaker 1: so he apologized to Drake. Cool, what else needs to 1579 01:14:40,400 --> 01:14:42,439 Speaker 1: be said? People don't want that though, That's not that's 1580 01:14:42,479 --> 01:14:45,479 Speaker 1: the thing. People want bloodshed. They want Drake to keep 1581 01:14:45,560 --> 01:14:48,080 Speaker 1: this in Kanye. They want Kanye to respond to Drake. 1582 01:14:48,160 --> 01:14:49,559 Speaker 1: They want to push you to keep going on Drake 1583 01:14:49,640 --> 01:14:52,640 Speaker 1: like nobody wants peace. Well, Drake's on the new record end. 1584 01:14:52,680 --> 01:14:59,559 Speaker 1: He kind of threw a shot at ya. Yeah, three 1585 01:14:59,560 --> 01:15:02,479 Speaker 1: fifties roun me lu Lu Lulu shot, which one of 1586 01:15:02,520 --> 01:15:04,479 Speaker 1: the three fifties? That's not the ones you have? I 1587 01:15:04,560 --> 01:15:06,720 Speaker 1: got desert rats and I got seven hundreds. What's the 1588 01:15:06,800 --> 01:15:08,759 Speaker 1: three fifties? What three fifties look like? From three fifties? 1589 01:15:08,760 --> 01:15:10,400 Speaker 1: Are the ones I wear all the time? I don't know? 1590 01:15:10,520 --> 01:15:13,920 Speaker 1: Just talking about that comfortable one? You don't know. I'm 1591 01:15:13,920 --> 01:15:16,200 Speaker 1: gonna show you a picture. Why doesn't Dree want the 1592 01:15:16,200 --> 01:15:18,160 Speaker 1: body to wear three fifties around him? It is the ones, 1593 01:15:18,200 --> 01:15:20,800 Speaker 1: you know, the comfortable one, they got the ultra I 1594 01:15:20,840 --> 01:15:23,680 Speaker 1: never liked those. Yeah, I want to body to wear 1595 01:15:23,720 --> 01:15:26,280 Speaker 1: those around me. I understand what he means. And lastly, 1596 01:15:26,479 --> 01:15:29,599 Speaker 1: Eminem and Joe Button. Seems like Joe Button's podcast comes 1597 01:15:29,640 --> 01:15:32,479 Speaker 1: out today and he has responded to Eminem. But first, 1598 01:15:32,520 --> 01:15:34,439 Speaker 1: if you don't know, let's see what Eminem said about 1599 01:15:34,479 --> 01:15:37,760 Speaker 1: Joe Button. Somebody tell Pudding before stand me better, fascinating 1600 01:15:37,760 --> 01:15:40,040 Speaker 1: behind his body packets tip the closest thing he's had 1601 01:15:40,080 --> 01:15:44,080 Speaker 1: to hit, the smacking pictures. WHOA all right? Well? Eminems well, 1602 01:15:44,280 --> 01:15:47,360 Speaker 1: Joe Button responds on this podcast that actually just came out, 1603 01:15:47,439 --> 01:15:50,280 Speaker 1: and this is what Joe Button had to say. News flash, 1604 01:15:50,840 --> 01:15:54,360 Speaker 1: M I heard the album and because I think you 1605 01:15:54,400 --> 01:15:56,400 Speaker 1: don't really know all the members that were in the group. 1606 01:15:57,000 --> 01:15:59,240 Speaker 1: I don't really think you know our history. Let me 1607 01:15:59,320 --> 01:16:01,639 Speaker 1: tell you what Joe Buddon has thought this entire time. 1608 01:16:02,520 --> 01:16:07,000 Speaker 1: I've been better than you this entire decade. Can't say 1609 01:16:07,080 --> 01:16:11,840 Speaker 1: that back then, But in my rapper brain, I'm a content. 1610 01:16:12,280 --> 01:16:16,519 Speaker 1: You gotta say something. You have not said anything for 1611 01:16:16,680 --> 01:16:21,839 Speaker 1: the better part of a whole decade. You have rhymed 1612 01:16:22,080 --> 01:16:25,400 Speaker 1: a bunch of words. Joe's right about that. From two 1613 01:16:25,400 --> 01:16:27,080 Speaker 1: thousand and eight to two thousand and eighteen, I would 1614 01:16:27,080 --> 01:16:28,920 Speaker 1: say Joe Budden has a better body of work than 1615 01:16:28,960 --> 01:16:30,680 Speaker 1: them and them. I would say that Joe Budden has 1616 01:16:31,000 --> 01:16:32,760 Speaker 1: spent better bars than them and them over the past 1617 01:16:32,800 --> 01:16:35,320 Speaker 1: ten years, from eight to two thousand eighteen. We're talking 1618 01:16:35,320 --> 01:16:40,400 Speaker 1: about from O eight to eight to two. And you're 1619 01:16:40,439 --> 01:16:42,280 Speaker 1: not listening to music. You just skimmed through it. If 1620 01:16:42,320 --> 01:16:44,400 Speaker 1: you think otherwise. He's been spitting. He's been rapping, even 1621 01:16:44,439 --> 01:16:46,800 Speaker 1: though he still owes us a thousand dollars each Joe 1622 01:16:46,840 --> 01:16:48,800 Speaker 1: Button has been spitting. That has nothing to do with it, 1623 01:16:48,840 --> 01:16:51,320 Speaker 1: But I want my thousand dollars. Yeah, and guess what 1624 01:16:51,439 --> 01:16:53,280 Speaker 1: I told y'all last week that if Joe Budden and 1625 01:16:53,320 --> 01:16:55,840 Speaker 1: Eminem do engage and two thousand and eighteen, my money 1626 01:16:55,880 --> 01:16:57,639 Speaker 1: would be on Joe. But I guess my money would 1627 01:16:57,640 --> 01:16:59,160 Speaker 1: be the money that Joe owes me. So I'm gonna 1628 01:16:59,160 --> 01:17:01,200 Speaker 1: take that thousand dollars that Joe choose me and put 1629 01:17:01,240 --> 01:17:02,880 Speaker 1: it back and put that on Joe when he has 1630 01:17:02,960 --> 01:17:07,320 Speaker 1: more to say about Eminem. I live for this type 1631 01:17:07,640 --> 01:17:12,240 Speaker 1: of and all of that rapid, he rap lyrical miracle 1632 01:17:12,400 --> 01:17:16,200 Speaker 1: bullsh anyone who wanted like that to think they wanted 1633 01:17:16,280 --> 01:17:21,400 Speaker 1: with me, I don't think you would fare well. I 1634 01:17:21,560 --> 01:17:25,200 Speaker 1: also think it's really corny when retired popped about that 1635 01:17:25,320 --> 01:17:30,280 Speaker 1: what they would have could have would have done. So 1636 01:17:31,479 --> 01:17:33,479 Speaker 1: I feel like I'm in control of the rules here, 1637 01:17:33,560 --> 01:17:37,960 Speaker 1: am I'm backed now you're not so much? I don't. 1638 01:17:38,080 --> 01:17:39,840 Speaker 1: I still don't this thing. I gotta call Join ask 1639 01:17:39,920 --> 01:17:41,840 Speaker 1: him what he meant by that when he said he's 1640 01:17:41,880 --> 01:17:44,280 Speaker 1: back now Eminem not so much. That is not true. 1641 01:17:45,160 --> 01:17:48,160 Speaker 1: I don't know what. Because he got Spotify by Revolt 1642 01:17:48,280 --> 01:17:50,639 Speaker 1: out of him Ben Eminem has a machine behind him 1643 01:17:50,640 --> 01:17:52,200 Speaker 1: whenever he wants to have a machine behind him, and 1644 01:17:52,280 --> 01:17:55,360 Speaker 1: Eminem is selling three hundred and fifty thousand records this week. 1645 01:17:55,560 --> 01:17:57,439 Speaker 1: And also when referring to eminem, you have to say 1646 01:17:57,520 --> 01:18:01,200 Speaker 1: lyrical miracle whip, not just lyrical miracles. All right, lyrical 1647 01:18:01,280 --> 01:18:04,040 Speaker 1: miracle whip. When we're refiring the eminem all right, Well 1648 01:18:04,080 --> 01:18:06,400 Speaker 1: that is your room a report, all right, up next 1649 01:18:06,400 --> 01:18:08,639 Speaker 1: to People's Choice mix. Get your request in right now 1650 01:18:08,840 --> 01:18:11,880 Speaker 1: at DJ Envy. I haven't heard a little Duvall in 1651 01:18:11,920 --> 01:18:13,320 Speaker 1: a couple of days. I need to get my little 1652 01:18:13,360 --> 01:18:15,719 Speaker 1: Duvall on pause, so we're gonna play some little Davaal 1653 01:18:15,760 --> 01:18:17,600 Speaker 1: in the mixing your request, whatever you want to hear 1654 01:18:17,640 --> 01:18:18,599 Speaker 1: is the Breakfast Club. Good morning,