1 00:00:00,200 --> 00:00:04,560 Speaker 1: I'm in a real good hearted place right now, so 2 00:00:04,760 --> 00:00:06,840 Speaker 1: I really don't want to see that taking advantage of 3 00:00:08,080 --> 00:00:10,719 Speaker 1: and I just I know that people could make up 4 00:00:10,720 --> 00:00:14,120 Speaker 1: stories for all kinds of reasons, but I'm trusting that 5 00:00:14,320 --> 00:00:15,800 Speaker 1: unless I see otherwise. 6 00:00:15,920 --> 00:00:18,280 Speaker 2: You know, you're in a good hearted place. So where 7 00:00:18,320 --> 00:00:19,520 Speaker 2: do you in one of those porn shops? 8 00:00:19,520 --> 00:00:19,720 Speaker 1: Are you? 9 00:00:19,760 --> 00:00:20,400 Speaker 2: Doctor John's? 10 00:00:20,600 --> 00:00:23,599 Speaker 1: That's right, that's right, that's a good place to be. 11 00:00:39,200 --> 00:00:43,360 Speaker 2: Welcome back. It's a brand new episode this is Laughing 12 00:00:43,400 --> 00:00:52,360 Speaker 2: Me podcast, Jeremy, I'm your Home, jo. I did you 13 00:00:52,520 --> 00:00:58,000 Speaker 2: check out the interview with the Tiger King? It's appropriately 14 00:00:58,040 --> 00:01:01,000 Speaker 2: titled Tiger King Joe exact. I could just came out 15 00:01:01,360 --> 00:01:04,679 Speaker 2: right before this episode. Check it out. He what a 16 00:01:04,680 --> 00:01:08,520 Speaker 2: gift it was. He called in from from prison to 17 00:01:08,560 --> 00:01:10,120 Speaker 2: give us an update on where he's at with the 18 00:01:10,200 --> 00:01:14,080 Speaker 2: pardons and and just kind of you know where he's at. 19 00:01:14,120 --> 00:01:15,840 Speaker 2: Some nuggets in there. We found out if he was 20 00:01:15,840 --> 00:01:18,920 Speaker 2: on the Epstein list. That's good. It's good to just 21 00:01:19,360 --> 00:01:23,440 Speaker 2: either clear your name or just hand up. So, uh, 22 00:01:23,600 --> 00:01:27,160 Speaker 2: check it out. Fun episode and uh was pretty surreal. 23 00:01:28,080 --> 00:01:29,880 Speaker 2: A big fan of his as far as like the 24 00:01:29,920 --> 00:01:33,680 Speaker 2: TV show, not a fan of the murder for hires 25 00:01:33,720 --> 00:01:38,520 Speaker 2: and the animal engagement and whatnot. As I'm sure a 26 00:01:38,560 --> 00:01:41,880 Speaker 2: lot of you are too. That wasn't a joke, Johnny, 27 00:01:42,040 --> 00:01:47,440 Speaker 2: I really don't agree with those things. But anyhow, for 28 00:01:47,560 --> 00:01:50,920 Speaker 2: more information on Joe Exotic, if you heard the episode 29 00:01:51,680 --> 00:01:57,520 Speaker 2: Joe Exotic Official dot come all right, Well today another 30 00:01:57,600 --> 00:02:00,880 Speaker 2: special guest and he's been on the show before. He's 31 00:02:00,920 --> 00:02:03,760 Speaker 2: a stand up comedian, he is an actor, he's a writer, 32 00:02:04,440 --> 00:02:09,360 Speaker 2: and he currently resides in Lincoln, Nebraska. Kitt Maslowsky. He 33 00:02:09,600 --> 00:02:13,480 Speaker 2: is calling in and we're going to get an update, 34 00:02:13,520 --> 00:02:15,720 Speaker 2: see where he's at, what he's got going on. And 35 00:02:15,800 --> 00:02:20,000 Speaker 2: he's got an awesome show July twenty fifth in Omaha 36 00:02:20,200 --> 00:02:24,240 Speaker 2: or not in Omaha and Lincoln the storm Seller. That's 37 00:02:24,360 --> 00:02:27,000 Speaker 2: it's for a great cause. So awesome lineup and it's 38 00:02:27,040 --> 00:02:28,760 Speaker 2: for a great cause. We're gonna hear all about that, 39 00:02:29,760 --> 00:02:33,720 Speaker 2: and frankly a whole lot more. We kind of we 40 00:02:33,760 --> 00:02:37,120 Speaker 2: went all over the place as far as what we 41 00:02:37,240 --> 00:02:39,920 Speaker 2: talk about. But it's always fun to catch up a cat. 42 00:02:39,919 --> 00:02:42,960 Speaker 2: And that's the thing. He's a guy that's like you know, 43 00:02:43,040 --> 00:02:47,200 Speaker 2: you know those people that are just they can talk 44 00:02:47,240 --> 00:02:49,600 Speaker 2: to you about anything, right, And I like to think 45 00:02:49,639 --> 00:02:51,640 Speaker 2: I'm kind of in that world too, where it's like 46 00:02:51,760 --> 00:02:54,320 Speaker 2: I could run into anybody and they'll bring up something 47 00:02:54,360 --> 00:02:56,760 Speaker 2: and I don't know everything about it, but I know 48 00:02:56,880 --> 00:02:59,120 Speaker 2: just enough and we can just talk and talk and talk, 49 00:02:59,400 --> 00:03:03,560 Speaker 2: and then you'll know something very rare or random about 50 00:03:03,600 --> 00:03:05,720 Speaker 2: that topic. He's one of those guys like I feel 51 00:03:05,720 --> 00:03:07,600 Speaker 2: like I'm one of those guys too, and so it's 52 00:03:07,680 --> 00:03:10,680 Speaker 2: fun to catch up with him and just just chat 53 00:03:10,800 --> 00:03:14,320 Speaker 2: and uh no fun episode, and we've got more coming 54 00:03:14,600 --> 00:03:17,639 Speaker 2: later this week as well as This is season four 55 00:03:18,320 --> 00:03:20,639 Speaker 2: of Laugh with Me. Ken't Masowski calling. 56 00:03:20,480 --> 00:03:28,919 Speaker 1: It She've been writing a bunch of new jokes. I've 57 00:03:28,960 --> 00:03:32,560 Speaker 1: been for some reason my sets. People are saying this 58 00:03:32,680 --> 00:03:36,200 Speaker 1: are just they're clicking harder than they ever have. I 59 00:03:36,200 --> 00:03:41,640 Speaker 1: don't know why. I don't know what's different. I have 60 00:03:41,760 --> 00:03:45,480 Speaker 1: no idea. And what's crazy about it is sometimes these 61 00:03:45,480 --> 00:03:47,480 Speaker 1: are said to know I'm not completely happy with because 62 00:03:47,480 --> 00:03:50,320 Speaker 1: I'm such a massive perfectionist. Yeah, I'll like, I'll arrange 63 00:03:50,360 --> 00:03:53,200 Speaker 1: a word, and because the audience doesn't know that I 64 00:03:53,240 --> 00:03:56,560 Speaker 1: did that, they don't care. But then when I listen back, 65 00:03:56,600 --> 00:03:58,720 Speaker 1: I'm like, oh, I said, I said. That doesn't even 66 00:03:58,760 --> 00:03:59,320 Speaker 1: make sense? 67 00:03:59,400 --> 00:04:03,000 Speaker 2: How to think, yeah, yeah, that's the best though, when 68 00:04:03,000 --> 00:04:05,800 Speaker 2: the audience still laughs and you're like, I can make 69 00:04:05,800 --> 00:04:06,240 Speaker 2: that better. 70 00:04:07,480 --> 00:04:10,400 Speaker 1: Yeah. Yeah. So when you're in that flow state, you know, 71 00:04:10,880 --> 00:04:13,600 Speaker 1: sometimes things get like transposed. But at the same time, 72 00:04:13,640 --> 00:04:16,880 Speaker 1: it's like they're responding to your competence. They're not really 73 00:04:17,279 --> 00:04:20,600 Speaker 1: they're not responding to the words per se. The confidence 74 00:04:20,720 --> 00:04:24,440 Speaker 1: allows you to do their thinking for them. 75 00:04:23,640 --> 00:04:27,080 Speaker 2: Yeah, so you're still you were producing the show where 76 00:04:27,080 --> 00:04:29,120 Speaker 2: because I did it last year where you eat the 77 00:04:29,640 --> 00:04:32,760 Speaker 2: you try to do a set while you're eating increasingly 78 00:04:32,839 --> 00:04:38,640 Speaker 2: hot chicken wings. That was a lot of fun. I 79 00:04:38,680 --> 00:04:41,400 Speaker 2: haven't seen that you've had one recently. What's what's the 80 00:04:41,400 --> 00:04:42,440 Speaker 2: status on that show? 81 00:04:44,360 --> 00:04:47,000 Speaker 1: It's kind of on hiatus right now. We're finding new 82 00:04:47,000 --> 00:04:50,560 Speaker 1: comics and I ran through all the comics, like I 83 00:04:50,560 --> 00:04:53,320 Speaker 1: got every single one, and you like, you know, I 84 00:04:53,360 --> 00:04:56,240 Speaker 1: think we have some people come from Omaha as well, 85 00:04:56,760 --> 00:04:58,520 Speaker 1: so like we just I don't want to do it 86 00:04:58,520 --> 00:05:00,719 Speaker 1: with the same people over and over. I think I 87 00:05:00,760 --> 00:05:04,719 Speaker 1: think the real novelty comes from the novelty, so people 88 00:05:04,800 --> 00:05:07,560 Speaker 1: trying it for the first time, because then if it's 89 00:05:07,560 --> 00:05:10,120 Speaker 1: someone who's already done it, then they kind of know 90 00:05:10,160 --> 00:05:12,279 Speaker 1: what they're in for and that's that kind of kill 91 00:05:12,400 --> 00:05:15,040 Speaker 1: some of the fun. I want, you know, I want 92 00:05:15,080 --> 00:05:19,080 Speaker 1: people to in real time have to strategize how am 93 00:05:19,120 --> 00:05:20,320 Speaker 1: I going to finish this set? 94 00:05:21,279 --> 00:05:25,760 Speaker 2: Yeah, because it it certainly was that because as the 95 00:05:25,960 --> 00:05:28,120 Speaker 2: I don't know if the first wing was fine, but 96 00:05:28,160 --> 00:05:30,600 Speaker 2: then once I got into the second one, I was like, 97 00:05:30,640 --> 00:05:33,240 Speaker 2: all right, this is I can see how it's going 98 00:05:33,279 --> 00:05:37,279 Speaker 2: to be a challenge as I'm also trying to keep 99 00:05:37,320 --> 00:05:41,680 Speaker 2: my composure and be able to talk. Yeah, it was fun, though. 100 00:05:41,839 --> 00:05:45,560 Speaker 2: I enjoy the show Hot Ones, so it's like anything 101 00:05:45,600 --> 00:05:49,080 Speaker 2: in that world is to me is just great, Like 102 00:05:49,120 --> 00:05:52,520 Speaker 2: there's endless opportunities for it. So I very much enjoyed 103 00:05:52,520 --> 00:05:54,680 Speaker 2: doing it, and I very much enjoyed watching the show 104 00:05:54,720 --> 00:05:55,080 Speaker 2: as well. 105 00:05:56,480 --> 00:05:59,480 Speaker 1: Yeah, it's fun. It's I think the audience enjoys it 106 00:05:59,560 --> 00:06:02,720 Speaker 1: because even if you've heard these jokes before, you've never 107 00:06:02,760 --> 00:06:03,880 Speaker 1: heard them perform this way. 108 00:06:03,960 --> 00:06:06,120 Speaker 2: Yeah, you never heard the mark. 109 00:06:06,000 --> 00:06:13,000 Speaker 1: Pauses and burths and cops and wow, that's only hot 110 00:06:13,480 --> 00:06:18,159 Speaker 1: there's more, you know, Like that's what But that's the 111 00:06:18,240 --> 00:06:20,720 Speaker 1: thing is like I've been saying for a while that 112 00:06:20,880 --> 00:06:23,039 Speaker 1: like I don't know if stand up comedy is dead 113 00:06:23,160 --> 00:06:25,559 Speaker 1: per se, and I don't mean dead like not living, 114 00:06:25,560 --> 00:06:28,240 Speaker 1: I mean dead like a sea like. I just I 115 00:06:28,279 --> 00:06:31,760 Speaker 1: feel like I don't know where it's going, and I 116 00:06:31,800 --> 00:06:34,440 Speaker 1: think the place for it to go is to is 117 00:06:34,520 --> 00:06:37,359 Speaker 1: back to its roots, which it's the roots of Vodville 118 00:06:37,400 --> 00:06:42,160 Speaker 1: are of standup comedy rather are vaudeville and really criminality, 119 00:06:42,200 --> 00:06:45,280 Speaker 1: because you know it was it was gangsters that named 120 00:06:45,320 --> 00:06:50,080 Speaker 1: stand up. Really, Oh, you don't know this, okay, No, you. 121 00:06:50,000 --> 00:06:51,680 Speaker 2: Give me a history lesson. No, I I one hundred 122 00:06:51,720 --> 00:06:52,480 Speaker 2: percent did not know that. 123 00:06:53,560 --> 00:06:56,359 Speaker 1: Okay, this is this is the core of the the 124 00:06:56,720 --> 00:07:02,240 Speaker 1: quote unquote jets and sharks issue with improv and stand up. Okay, 125 00:07:02,680 --> 00:07:06,719 Speaker 1: so improv comes from Toronto, which is a really nice 126 00:07:06,760 --> 00:07:09,320 Speaker 1: place in a really nice country and people like to 127 00:07:09,320 --> 00:07:13,720 Speaker 1: work together. Right, that's improv. Yeah, stand up all right. 128 00:07:14,080 --> 00:07:16,640 Speaker 1: The origins of stand up are if you could entertain 129 00:07:16,840 --> 00:07:19,600 Speaker 1: a room full of dudes in a back room, like 130 00:07:19,880 --> 00:07:22,560 Speaker 1: some of whom had pistols on the table, smoke in 131 00:07:22,600 --> 00:07:24,840 Speaker 1: the room, you know, you get them all to laugh 132 00:07:25,680 --> 00:07:28,280 Speaker 1: and you could survive that show. They say you're a 133 00:07:28,320 --> 00:07:29,000 Speaker 1: stand up guy. 134 00:07:30,080 --> 00:07:33,920 Speaker 2: Okay, okay, that made that stand up guy. Now I've 135 00:07:33,920 --> 00:07:36,960 Speaker 2: heard that phrase before, not thinking it had anything to 136 00:07:36,960 --> 00:07:38,080 Speaker 2: do with comedy. 137 00:07:38,960 --> 00:07:43,120 Speaker 1: Right right, It has, it has other connotations, but at 138 00:07:43,160 --> 00:07:45,600 Speaker 1: that time that was that was how they described like 139 00:07:45,640 --> 00:07:50,080 Speaker 1: Don Rickles, yep, stand up guy, because Don Rickles could 140 00:07:50,120 --> 00:07:52,960 Speaker 1: go into that room with actual, honest to god gangsters, 141 00:07:53,280 --> 00:07:55,640 Speaker 1: some with pistols on the table and make fun of 142 00:07:55,680 --> 00:08:00,760 Speaker 1: all of them to their face and survive the encounter. Yeah, 143 00:08:01,120 --> 00:08:02,680 Speaker 1: so pretty important. 144 00:08:03,040 --> 00:08:05,800 Speaker 2: George Burns was probably in that world. I would imagine. 145 00:08:06,880 --> 00:08:11,880 Speaker 1: Yeah, Anny, young men, do you. 146 00:08:11,880 --> 00:08:15,320 Speaker 2: Think do you think that is like, uh, that's a 147 00:08:15,360 --> 00:08:18,320 Speaker 2: world you could you could live in. I mean, do 148 00:08:18,400 --> 00:08:22,280 Speaker 2: you think you could survive that room? 149 00:08:22,640 --> 00:08:28,280 Speaker 3: I think I could perform in that room. I've had 150 00:08:28,600 --> 00:08:33,559 Speaker 3: enough bizarre experiences that I think, first and foremost, if 151 00:08:33,559 --> 00:08:36,520 Speaker 3: you leave with respect, it doesn't. 152 00:08:36,240 --> 00:08:39,360 Speaker 1: Really matter what room you're in, who you're around. I've 153 00:08:39,360 --> 00:08:43,120 Speaker 1: been with people from all different states and states of being, 154 00:08:43,440 --> 00:08:45,839 Speaker 1: and as long as you treat people with respect, by 155 00:08:45,880 --> 00:08:50,840 Speaker 1: and large, unless they're crazy, you're pretty much okay right now, 156 00:08:50,880 --> 00:08:53,920 Speaker 1: because the crazy ones are still there. That is a thing. 157 00:08:54,360 --> 00:08:58,880 Speaker 1: But like I performed it, like was it Doctor Jack's Drinkery? Yeah, 158 00:08:59,080 --> 00:09:01,599 Speaker 1: that's biker bar in Omaha. That was when I was 159 00:09:01,600 --> 00:09:04,520 Speaker 1: still drinking. Actually, I remember because I pulled off to 160 00:09:04,559 --> 00:09:07,360 Speaker 1: get some Soco shooters before I went in there, and 161 00:09:08,440 --> 00:09:11,160 Speaker 1: there was a comic who he was on stage. He 162 00:09:11,160 --> 00:09:14,360 Speaker 1: doesn't really perform anymore, but he did his entire set 163 00:09:14,679 --> 00:09:17,360 Speaker 1: unbeknownst to him with his flydown. Hilarious. 164 00:09:19,720 --> 00:09:23,160 Speaker 2: My biggest fear, not not just on stage, but just 165 00:09:23,200 --> 00:09:24,600 Speaker 2: in life, my biggest fear. 166 00:09:26,760 --> 00:09:30,280 Speaker 1: That's an understandable fear. But he did it, and it 167 00:09:30,400 --> 00:09:36,800 Speaker 1: was it was just like, man, like, you're with the lights. 168 00:09:36,960 --> 00:09:39,360 Speaker 1: I mean, it's impossible for us to miss and you 169 00:09:39,400 --> 00:09:43,080 Speaker 1: don't have any clue, and this is gonna be amazing. 170 00:09:43,080 --> 00:09:44,520 Speaker 1: And when he did find out, he just like ran 171 00:09:44,559 --> 00:09:45,120 Speaker 1: out of the bar. 172 00:09:45,360 --> 00:09:51,360 Speaker 2: Yeah. Was he Commando that night? Oh no, no, okay, 173 00:09:51,480 --> 00:09:58,320 Speaker 2: lucky him. Yeah, Oh it's lucky me. Yeah, the lucky you. 174 00:09:58,440 --> 00:09:58,640 Speaker 1: Yeah. 175 00:09:58,640 --> 00:10:02,960 Speaker 2: That's a good point. So you're so as a sober comic, 176 00:10:03,280 --> 00:10:06,800 Speaker 2: how is it being around folks? Because you just mentioned, 177 00:10:06,920 --> 00:10:08,520 Speaker 2: you know, at that show you had to get the 178 00:10:08,559 --> 00:10:11,360 Speaker 2: shooters ahead of time, and you know, and I've done 179 00:10:11,360 --> 00:10:14,160 Speaker 2: the same thing. I've had a few drinks before. How 180 00:10:14,160 --> 00:10:16,080 Speaker 2: do you feel about the difference in that when you're 181 00:10:16,120 --> 00:10:18,920 Speaker 2: there and you're preparing and getting ready on stage, and 182 00:10:18,960 --> 00:10:25,120 Speaker 2: maybe your co workers or castmates are not necessarily as sober. 183 00:10:26,960 --> 00:10:29,079 Speaker 1: Well, yeah, they probably won't be. Some of them will 184 00:10:29,120 --> 00:10:32,000 Speaker 1: make fun of you know. Yeah, there's one. Every time 185 00:10:32,000 --> 00:10:33,959 Speaker 1: I do my enough joke, I go and I look 186 00:10:34,000 --> 00:10:35,840 Speaker 1: in the crowd and I see if he's there, and 187 00:10:35,880 --> 00:10:39,920 Speaker 1: I'll point at him. And that's just because, uh, you know, 188 00:10:40,040 --> 00:10:42,559 Speaker 1: I see, I see where he's going, and I've been 189 00:10:42,600 --> 00:10:46,320 Speaker 1: there and I fully understand and right now he's having fun. 190 00:10:46,400 --> 00:10:48,080 Speaker 1: And I was having fun for a long time. But 191 00:10:48,080 --> 00:10:51,240 Speaker 1: at a certain point it just overshadows the fun and 192 00:10:51,280 --> 00:10:54,280 Speaker 1: it's fine. You just that's when you quit. And it's 193 00:10:54,360 --> 00:10:58,040 Speaker 1: just knowing when it happened. That was That was the 194 00:10:58,120 --> 00:11:01,520 Speaker 1: thing that I feel so black about, is that I 195 00:11:01,960 --> 00:11:05,480 Speaker 1: knew when as soon it was like a mathematical equation. 196 00:11:05,760 --> 00:11:10,719 Speaker 1: It was like, uh, this is encroaching on photography. I'm 197 00:11:10,760 --> 00:11:14,000 Speaker 1: cutting it out right. I had a I had a 198 00:11:14,040 --> 00:11:16,840 Speaker 1: gig that I woke up on my friend's floor and 199 00:11:16,960 --> 00:11:19,800 Speaker 1: I had to go and do and I was like, 200 00:11:19,840 --> 00:11:21,360 Speaker 1: this is this is the last time this is going 201 00:11:21,440 --> 00:11:25,520 Speaker 1: to happen. Yeah, And then the stand up. It took 202 00:11:25,559 --> 00:11:28,480 Speaker 1: four months after I stopped drinking to be able to 203 00:11:28,520 --> 00:11:31,520 Speaker 1: stand on stage without like my leg staking just a 204 00:11:31,520 --> 00:11:35,000 Speaker 1: little bit, like I because I really hadn't done it, 205 00:11:35,080 --> 00:11:38,439 Speaker 1: to be completely honest, like without that, I hadn't. Really 206 00:11:38,559 --> 00:11:40,000 Speaker 1: there have been a couple of shows that I'd done, 207 00:11:40,080 --> 00:11:42,320 Speaker 1: you know, completely Stone sober One was an expert to 208 00:11:42,360 --> 00:11:46,000 Speaker 1: like three hundred people. That was kind of a you know, 209 00:11:46,160 --> 00:11:48,160 Speaker 1: kind of a change. 210 00:11:48,760 --> 00:11:51,640 Speaker 2: But I'm thinking of your material and I'm like, so 211 00:11:51,720 --> 00:11:53,679 Speaker 2: you did a church. Was it a clean show? 212 00:11:54,600 --> 00:12:00,839 Speaker 1: Five minutes? Yes, I didn't. There's just back after five minutes. DJ, 213 00:12:01,200 --> 00:12:05,559 Speaker 1: you know young it was Reverend Durell ran that show 214 00:12:05,920 --> 00:12:09,000 Speaker 1: and Carlos Tibbs R I P was on that and 215 00:12:09,760 --> 00:12:15,400 Speaker 1: Carlos was amazing. If if, if you know anyone who 216 00:12:15,480 --> 00:12:19,080 Speaker 1: knew him, get you some Carloss stories because he was 217 00:12:19,679 --> 00:12:21,400 Speaker 1: he was a tremendous comic dude. 218 00:12:21,679 --> 00:12:23,760 Speaker 2: Speaking of R I P, do you you know O J. 219 00:12:23,960 --> 00:12:24,600 Speaker 2: Simpson died? 220 00:12:26,360 --> 00:12:28,480 Speaker 1: Yeah, a little while ago, right, Oh yeah, I don't know. 221 00:12:28,480 --> 00:12:34,280 Speaker 2: I'm it's still I'm still struggling with it. Okay, yeah, good, 222 00:12:34,320 --> 00:12:34,680 Speaker 2: carry on? 223 00:12:36,080 --> 00:12:39,440 Speaker 1: Is what what what is it about about Ojis Simpson dying? 224 00:12:39,480 --> 00:12:41,520 Speaker 2: The guests to you, Well, I just feel like he 225 00:12:41,559 --> 00:12:43,640 Speaker 2: didn't get a fair shake, like he died so young. 226 00:12:44,000 --> 00:12:47,520 Speaker 2: You know, Well, he's a Hall of Famer, he's a 227 00:12:47,559 --> 00:12:50,600 Speaker 2: Heisman Trophy winner. I mean, he's but loved in movies 228 00:12:50,640 --> 00:12:54,640 Speaker 2: and television like the guy. Just I don't know, I just. 229 00:12:55,760 --> 00:12:58,680 Speaker 1: Can't name a single bad thing he ever did either, So. 230 00:12:58,840 --> 00:13:01,360 Speaker 2: No, not really. Yeah, I mean, he had a little 231 00:13:01,360 --> 00:13:03,319 Speaker 2: bit of legal trouble in the nineties, but that all 232 00:13:03,360 --> 00:13:04,720 Speaker 2: got that all got sorted out. 233 00:13:05,920 --> 00:13:08,559 Speaker 1: Oh, that was some kind of you know, misunderstanding or something, 234 00:13:08,600 --> 00:13:10,360 Speaker 1: I'm sure, And you know, the good thing about it 235 00:13:10,440 --> 00:13:14,480 Speaker 1: is he didn't then publish a book that was called 236 00:13:14,679 --> 00:13:19,920 Speaker 1: If I Did It, which included the phrase I remember multiple. 237 00:13:19,480 --> 00:13:27,360 Speaker 2: Times, you know, if I if I remember correctly that 238 00:13:27,520 --> 00:13:32,000 Speaker 2: the proceeds from that book went to some victims of 239 00:13:32,040 --> 00:13:35,120 Speaker 2: that little legal case that was that was just a misunderstanding. 240 00:13:35,200 --> 00:13:37,600 Speaker 2: So in the end it worked out. 241 00:13:39,320 --> 00:13:41,600 Speaker 1: Truly a towering giant of a man. 242 00:13:42,160 --> 00:13:42,760 Speaker 2: Yeah, he is. 243 00:13:43,480 --> 00:13:44,360 Speaker 1: He will be missed. 244 00:13:44,600 --> 00:13:48,839 Speaker 2: He will be missed. And that concludes the O. J. 245 00:13:48,960 --> 00:13:50,000 Speaker 2: Simpson portion of the. 246 00:13:50,000 --> 00:13:56,360 Speaker 1: Episode, or does it. Yeah, you know they're they're remaking 247 00:13:56,800 --> 00:13:57,520 Speaker 1: the Naked Gun. 248 00:13:58,000 --> 00:14:01,360 Speaker 2: They are. Yes, they've got him make a mention, have to. 249 00:14:02,360 --> 00:14:03,960 Speaker 1: Well they did in the trailer. You didn't see it. 250 00:14:04,120 --> 00:14:06,400 Speaker 2: No I have not, did they really? 251 00:14:06,480 --> 00:14:14,720 Speaker 1: So yes? So okay, So what happened was the the 252 00:14:14,840 --> 00:14:24,280 Speaker 1: Leslie Nielsen character is uh is being played by uh, 253 00:14:25,080 --> 00:14:29,000 Speaker 1: what's his name? It's Liam Neeson. Okay, so Le he's 254 00:14:29,040 --> 00:14:33,480 Speaker 1: like the son of Frank Dreven. And there's a scene 255 00:14:33,760 --> 00:14:37,440 Speaker 1: where or there's a shot rather where it's him and 256 00:14:37,520 --> 00:14:40,880 Speaker 1: he's looking at the picture of his father and he's 257 00:14:40,920 --> 00:14:43,880 Speaker 1: talking to him and it and it just hands down 258 00:14:43,960 --> 00:14:45,960 Speaker 1: as all the cops are doing this and it gets 259 00:14:46,000 --> 00:14:51,000 Speaker 1: to oh, his kid, and he looks up and goes, na, No, 260 00:14:53,480 --> 00:14:54,040 Speaker 1: that's great. 261 00:14:55,760 --> 00:14:59,280 Speaker 2: I'm just happy. I'm just happy they give him a 262 00:15:00,080 --> 00:15:03,080 Speaker 2: give him a little nod that that movie is going 263 00:15:03,160 --> 00:15:05,880 Speaker 2: to be so funny because you can just imagine it's 264 00:15:05,880 --> 00:15:07,960 Speaker 2: going to have that same field they don't make, like 265 00:15:08,000 --> 00:15:10,800 Speaker 2: Hollywood doesn't make comedies like that anymore. So this hopefully 266 00:15:11,720 --> 00:15:13,440 Speaker 2: does well at the box office and they can start 267 00:15:13,440 --> 00:15:14,320 Speaker 2: to get that rolling again. 268 00:15:15,520 --> 00:15:19,320 Speaker 1: Yeah, man, I mean, you're you're not wrong. Our rated 269 00:15:19,320 --> 00:15:23,560 Speaker 1: comedies are like kind of the thing of the past 270 00:15:23,600 --> 00:15:25,360 Speaker 1: at this point. Like if they can, if they can 271 00:15:25,400 --> 00:15:27,320 Speaker 1: bring it back, I'll tell you who's going to do it, 272 00:15:27,360 --> 00:15:32,920 Speaker 1: probably is Kat Williams. Uh yeah, he just bought a 273 00:15:32,920 --> 00:15:36,760 Speaker 1: military base a couple of years ago, and this was 274 00:15:36,800 --> 00:15:39,920 Speaker 1: inspired by Tyler Perry, who previously bought a military base 275 00:15:40,000 --> 00:15:44,240 Speaker 1: and then started a huge film studio. Well, Kat Williams 276 00:15:44,280 --> 00:15:47,080 Speaker 1: bought a military base and it's got three million square 277 00:15:47,120 --> 00:15:52,720 Speaker 1: feet of studio space. So Kat Williams a lot of 278 00:15:52,760 --> 00:15:55,160 Speaker 1: stuff over the next few years. Yeah. 279 00:15:55,240 --> 00:15:58,160 Speaker 2: Well, I'm here for it because that's we just haven't 280 00:15:58,240 --> 00:16:02,680 Speaker 2: had that since uh well, probably the early early two thousands, 281 00:16:04,000 --> 00:16:06,600 Speaker 2: mid two thousands, somewhere in there. It's been a long time. 282 00:16:07,400 --> 00:16:12,440 Speaker 2: Did you see the movie Friendship? I did not paul 283 00:16:12,760 --> 00:16:16,200 Speaker 2: ed Tim Robinson so freaking oh. 284 00:16:16,280 --> 00:16:20,920 Speaker 1: I mean, I mean except for you know, Leonardo DiCaprio 285 00:16:21,040 --> 00:16:30,400 Speaker 1: in Romeo and Juliet. But yeah, isn't that weird. It 286 00:16:30,480 --> 00:16:32,360 Speaker 1: is one of the humans who dies in Romeo and 287 00:16:32,440 --> 00:16:34,720 Speaker 1: Juliet and they didn't kill Paris. Paris is like the 288 00:16:35,120 --> 00:16:39,320 Speaker 1: Platonic ideal for Juliet. Of course, you know Romeo should 289 00:16:39,360 --> 00:16:42,120 Speaker 1: kill him, but not in the bas learmon one where 290 00:16:42,120 --> 00:16:44,280 Speaker 1: everyone had guns. It wouldn't have been hard. 291 00:16:44,480 --> 00:16:46,840 Speaker 2: No, it wouldn't have been hard at all. That's a 292 00:16:47,040 --> 00:16:49,120 Speaker 2: that's a lapse in the in the in the script. 293 00:16:51,560 --> 00:16:53,520 Speaker 2: They gotta, we need to remake the movie. 294 00:16:54,640 --> 00:17:00,080 Speaker 1: That's right, Rooms Die Part two, cat Paris. 295 00:16:59,480 --> 00:17:01,800 Speaker 2: And they and they got to cast Leo in it 296 00:17:02,560 --> 00:17:04,720 Speaker 2: and make things right. 297 00:17:04,880 --> 00:17:08,240 Speaker 1: That's right and the past his girlfriend, and then after 298 00:17:08,280 --> 00:17:10,760 Speaker 1: she graduates from high school, yeah, you know, and they 299 00:17:10,800 --> 00:17:12,639 Speaker 1: can release it. 300 00:17:12,720 --> 00:17:16,560 Speaker 2: I heard that. I don't know who his girlfriend is currently, 301 00:17:16,600 --> 00:17:19,480 Speaker 2: but I heard she is over twenty nine, because he 302 00:17:19,520 --> 00:17:22,240 Speaker 2: had this whole thing forever that he doesn't date girls 303 00:17:22,760 --> 00:17:25,879 Speaker 2: over twenty nine. I heard that she is, So maybe 304 00:17:25,920 --> 00:17:27,399 Speaker 2: he's matured a little bit. 305 00:17:28,800 --> 00:17:31,000 Speaker 1: Yeah, well he's fifty, so that makes sense. 306 00:17:35,040 --> 00:17:36,040 Speaker 2: It's about that time. 307 00:17:37,400 --> 00:17:43,639 Speaker 1: Yeah, yeah, fifty, it's time to not not your own age. 308 00:17:43,640 --> 00:17:45,560 Speaker 1: But you know, a couple of decades down now. 309 00:17:45,520 --> 00:17:48,920 Speaker 2: You know, yeah, you know. 310 00:17:49,119 --> 00:17:52,560 Speaker 1: He and Toby McGuire are friends for life. And I 311 00:17:52,600 --> 00:17:56,800 Speaker 1: remember what was like ten plus years ago they were 312 00:17:56,800 --> 00:18:00,399 Speaker 1: talking on MTV about how they they have like matching 313 00:18:00,440 --> 00:18:04,199 Speaker 1: ferraris and they pull into the same like bar and 314 00:18:04,240 --> 00:18:08,200 Speaker 1: hang out together just be in movie stars with ferraris. 315 00:18:08,640 --> 00:18:10,360 Speaker 2: Movie stars. And they still do this. 316 00:18:11,880 --> 00:18:12,520 Speaker 1: Oh I don't know. 317 00:18:12,720 --> 00:18:14,359 Speaker 2: Oh okay, well I thought you were running in that 318 00:18:14,400 --> 00:18:18,479 Speaker 2: circle you you lived, you used to live in l A. 319 00:18:18,720 --> 00:18:21,480 Speaker 1: I did eat wrong glass. That's true. I met wrong glass, 320 00:18:21,520 --> 00:18:25,840 Speaker 1: but but it was under not false pretenses. But the 321 00:18:25,880 --> 00:18:29,159 Speaker 1: person who was introducing me was a super scientologist. I 322 00:18:29,200 --> 00:18:32,439 Speaker 1: was like, oh, I had to figure out if like 323 00:18:32,480 --> 00:18:34,400 Speaker 1: he was, then I don't know, I don't know. 324 00:18:34,600 --> 00:18:37,640 Speaker 2: Imagine where your career would be right now had you 325 00:18:37,840 --> 00:18:40,200 Speaker 2: joined scientology at that moment. 326 00:18:41,080 --> 00:18:44,879 Speaker 1: I would be one of those people who puts the 327 00:18:44,920 --> 00:18:48,760 Speaker 1: wood in lay in Tom Cruise's plathfinder. 328 00:18:49,600 --> 00:18:51,680 Speaker 2: Yes you would, that. 329 00:18:51,640 --> 00:18:56,800 Speaker 1: Would or no, sorry, was a weak navigator? Yeah, yeah, 330 00:18:57,320 --> 00:18:59,600 Speaker 1: that would. And then and then with my tongue, I 331 00:18:59,640 --> 00:19:02,359 Speaker 1: probably end up in that that facility that doesn't exist 332 00:19:02,440 --> 00:19:03,320 Speaker 1: out in Nevada that. 333 00:19:03,280 --> 00:19:05,080 Speaker 2: They have that doesn't exist. 334 00:19:05,160 --> 00:19:08,160 Speaker 1: Yeah, yeah, it doesn't exist. What are you talking about. 335 00:19:08,560 --> 00:19:10,000 Speaker 1: It's not like I have a friend who went and 336 00:19:10,000 --> 00:19:13,400 Speaker 1: shot industrials there yea, and it's like, yeah, they walk 337 00:19:13,440 --> 00:19:15,639 Speaker 1: you in. It's weird. Yeah, No, it's not like that 338 00:19:15,720 --> 00:19:16,240 Speaker 1: ever happened. 339 00:19:16,520 --> 00:19:18,560 Speaker 2: Oh that's terrible. 340 00:19:19,720 --> 00:19:21,320 Speaker 1: Yeah. Yeah. 341 00:19:21,600 --> 00:19:24,240 Speaker 2: Have you been have you? I know you're writing jokes, 342 00:19:24,240 --> 00:19:27,960 Speaker 2: but have you written or started working on any screenplays 343 00:19:28,040 --> 00:19:28,800 Speaker 2: or anything like that. 344 00:19:30,160 --> 00:19:32,720 Speaker 1: Well, I have a screenplay that I've been working on 345 00:19:32,840 --> 00:19:37,040 Speaker 1: for a while. It takes place at a church camp. 346 00:19:37,240 --> 00:19:44,040 Speaker 1: Actually it's a yeah, it's a kid. It's it's based 347 00:19:44,080 --> 00:19:48,159 Speaker 1: loosely on my actual experiences at church when I was 348 00:19:48,240 --> 00:19:51,640 Speaker 1: very very young. But one thing I noticed was that 349 00:19:52,400 --> 00:19:54,480 Speaker 1: in addition to kids who come from church, they would 350 00:19:54,480 --> 00:19:57,720 Speaker 1: also just bust in bad kids to be like no 351 00:19:57,800 --> 00:20:01,240 Speaker 1: bi osmosis, just like maybe power of Christ compels you, like, 352 00:20:01,400 --> 00:20:04,000 Speaker 1: can we make these good kids? And what ended up 353 00:20:04,000 --> 00:20:06,880 Speaker 1: happening was not that. What ended up happening was then 354 00:20:07,200 --> 00:20:10,360 Speaker 1: you just kind of let's see. I remember Jesus said, 355 00:20:10,640 --> 00:20:13,280 Speaker 1: I send you out as as sheep among the wolves. 356 00:20:13,280 --> 00:20:17,400 Speaker 1: It was a little like that because I had never 357 00:20:17,480 --> 00:20:22,600 Speaker 1: fought until that that camp, and I remember fighting on 358 00:20:22,680 --> 00:20:27,639 Speaker 1: the way to like nightly church service after after dinner 359 00:20:27,680 --> 00:20:31,480 Speaker 1: one time just clocked this kid at the water fountain. 360 00:20:32,960 --> 00:20:36,240 Speaker 1: So so basically the story is it's about one of 361 00:20:36,280 --> 00:20:40,000 Speaker 1: those kids and why is he there and what was 362 00:20:40,040 --> 00:20:44,560 Speaker 1: the idea behind this and because it was a time 363 00:20:47,040 --> 00:20:50,639 Speaker 1: where that that was a thing that they thought would 364 00:20:50,680 --> 00:20:53,840 Speaker 1: help and I stood this day don't understand, but I 365 00:20:53,880 --> 00:20:55,480 Speaker 1: was trying to like wrap my head around what is 366 00:20:55,520 --> 00:20:57,399 Speaker 1: the life of this kid who gets sent to this 367 00:20:57,560 --> 00:21:00,879 Speaker 1: as as punishment? You know, you want to go to Juvie, 368 00:21:00,920 --> 00:21:03,280 Speaker 1: but they send him to church camp. It's like, oh no, 369 00:21:03,440 --> 00:21:06,600 Speaker 1: what's the you know, what's the fall out there? And 370 00:21:08,560 --> 00:21:11,840 Speaker 1: I have the I have the broad strokes figured out. 371 00:21:12,160 --> 00:21:15,159 Speaker 1: I know how I wanted to end. It's just a 372 00:21:15,160 --> 00:21:21,639 Speaker 1: matter of like putting that connected tissue together. And then 373 00:21:21,680 --> 00:21:29,080 Speaker 1: I have, uh, I have a sci fi series that 374 00:21:29,480 --> 00:21:33,159 Speaker 1: I started writing like five years ago at the pilot 375 00:21:33,200 --> 00:21:37,479 Speaker 1: for that, and I've been working on the second episode 376 00:21:37,480 --> 00:21:40,240 Speaker 1: of that for a minute. 377 00:21:40,600 --> 00:21:44,000 Speaker 2: So the Church the Church movie, is that like a 378 00:21:44,040 --> 00:21:46,679 Speaker 2: young coming of age type movie or is it like 379 00:21:46,720 --> 00:21:49,000 Speaker 2: a faith based and he finds himself. 380 00:21:51,160 --> 00:21:56,280 Speaker 1: Neither neither. Huh yeah, yeah. So so the idea is 381 00:21:56,280 --> 00:21:58,639 Speaker 1: is is it's kind of like more of like a 382 00:21:58,680 --> 00:22:01,920 Speaker 1: slice of life kind of like this is the day in, 383 00:22:02,080 --> 00:22:04,320 Speaker 1: day out of this camp and then now we take 384 00:22:04,359 --> 00:22:08,320 Speaker 1: this aberration and we kind of injected in and just 385 00:22:08,359 --> 00:22:12,760 Speaker 1: like what are the effects. And then beyond that, everyone 386 00:22:12,800 --> 00:22:15,399 Speaker 1: has a past, everyone has a future. So you know, 387 00:22:15,440 --> 00:22:18,359 Speaker 1: it's like every was that, every center has a future, 388 00:22:18,400 --> 00:22:24,000 Speaker 1: everything has a path. Yep, souh. It's it's sort of 389 00:22:24,000 --> 00:22:26,359 Speaker 1: that where you know, you think, oh, this is a 390 00:22:26,359 --> 00:22:29,199 Speaker 1: bad kid, but like there are no just out of 391 00:22:29,240 --> 00:22:32,320 Speaker 1: nowhere bad kids, right, So you know, I try to 392 00:22:32,320 --> 00:22:35,679 Speaker 1: address how how this all came to be, and a 393 00:22:35,680 --> 00:22:38,080 Speaker 1: lot of kids that you think you're bad kids are 394 00:22:38,400 --> 00:22:42,440 Speaker 1: deeply misunderstood. And I, you know, the older I get, 395 00:22:42,480 --> 00:22:44,399 Speaker 1: the more I start to think and this sounds like 396 00:22:44,440 --> 00:22:47,760 Speaker 1: a joke, but it's not. I'm sorting to think I 397 00:22:47,800 --> 00:22:52,159 Speaker 1: was probably and am still somewhere on the spectrum. And 398 00:22:52,240 --> 00:22:53,840 Speaker 1: I know a lot of people like to say that 399 00:22:54,440 --> 00:22:57,000 Speaker 1: they watch TikTok and they go, oh, this is me right, 400 00:22:57,080 --> 00:23:03,400 Speaker 1: But I've been I've been looking at like just social 401 00:23:03,400 --> 00:23:07,080 Speaker 1: anxiety and then like things I have with food and 402 00:23:07,240 --> 00:23:09,679 Speaker 1: all these different little details, and I'm like, hold on, 403 00:23:10,880 --> 00:23:13,000 Speaker 1: first of all, if this is the case, I really 404 00:23:13,000 --> 00:23:15,720 Speaker 1: wish this would have been figured out years ago. But 405 00:23:16,000 --> 00:23:17,919 Speaker 1: no one was talking like that back then. If you 406 00:23:17,920 --> 00:23:22,919 Speaker 1: were autistic, you were non verbal. That's the only the 407 00:23:22,920 --> 00:23:29,159 Speaker 1: only version that you know that society beheld. So you know, 408 00:23:29,200 --> 00:23:32,119 Speaker 1: now we have concepts like Aspergers, et cetera. And so 409 00:23:32,160 --> 00:23:37,080 Speaker 1: I'm starting to think that I'm somewhere in this neurodivergent world, 410 00:23:37,160 --> 00:23:40,879 Speaker 1: which is weird. But at the same time, the thing 411 00:23:40,920 --> 00:23:43,120 Speaker 1: I keep coming back to is it's, uh, there's there's 412 00:23:43,119 --> 00:23:46,119 Speaker 1: a lot of comfort knowing that you're perfectly find zebra 413 00:23:46,240 --> 00:23:47,400 Speaker 1: and not just a messed up horse. 414 00:23:48,600 --> 00:23:53,239 Speaker 2: And so that there's a question. Do you think it 415 00:23:53,320 --> 00:23:55,399 Speaker 2: is just a matter of we have more tests, we 416 00:23:55,480 --> 00:24:00,160 Speaker 2: have more ability to diagnose people, or is there there's 417 00:24:00,280 --> 00:24:07,560 Speaker 2: something that is causing it and making it more? I 418 00:24:07,560 --> 00:24:09,919 Speaker 2: guess it's just having more people now, you know, like 419 00:24:09,960 --> 00:24:13,040 Speaker 2: the people who think that the vaccines are causing it, 420 00:24:13,240 --> 00:24:15,440 Speaker 2: I'm not one that believes that that the science is 421 00:24:15,480 --> 00:24:19,320 Speaker 2: too good to say that it does it. So do 422 00:24:19,400 --> 00:24:21,760 Speaker 2: you think it's one way or the other? I guess 423 00:24:21,760 --> 00:24:22,760 Speaker 2: where do you stand on that? 424 00:24:24,000 --> 00:24:25,919 Speaker 1: I think? And this is part of why I think 425 00:24:26,000 --> 00:24:29,960 Speaker 1: I have this neurodivergent mind, because when I asked questions 426 00:24:29,960 --> 00:24:33,000 Speaker 1: like that, I try to look at it from multiple angles. 427 00:24:33,240 --> 00:24:34,840 Speaker 1: And that's the thing. 428 00:24:34,720 --> 00:24:39,800 Speaker 4: Is there's it's been so many decades now, it's hard 429 00:24:39,840 --> 00:24:43,480 Speaker 4: to tell, is it Because during the unpleasantness of twenty 430 00:24:43,520 --> 00:24:45,920 Speaker 4: twenty we learned that the more you test for things, 431 00:24:45,920 --> 00:24:46,840 Speaker 4: the more you find them. 432 00:24:47,000 --> 00:24:48,439 Speaker 2: Sure, so. 433 00:24:51,000 --> 00:24:53,840 Speaker 1: We are testing more for autism, so we're finding it more. 434 00:24:54,280 --> 00:24:57,359 Speaker 1: But is it more prevalent as well? We can't say, 435 00:24:58,480 --> 00:25:02,720 Speaker 1: because we're finding it more. But maybe it was always there. 436 00:25:04,520 --> 00:25:07,560 Speaker 1: I don't know. But simultaneously, also we have, you know, 437 00:25:08,000 --> 00:25:11,240 Speaker 1: food dyes that are petroleum based. What are we doing 438 00:25:12,280 --> 00:25:17,040 Speaker 1: petroleum based? And Skittles did not. Skittles and Eminem's are like, no, 439 00:25:17,119 --> 00:25:21,560 Speaker 1: we're keeping our bright food dies. But a lot of 440 00:25:21,560 --> 00:25:24,320 Speaker 1: companies are like, yeah, we're gonna start flavoring with fruit 441 00:25:24,359 --> 00:25:26,320 Speaker 1: juice and coloring with fruit juice and stuff. That's what 442 00:25:26,320 --> 00:25:28,800 Speaker 1: they do in Canada. And I've had Canadian fruit loops 443 00:25:28,920 --> 00:25:30,040 Speaker 1: and they are top notch. 444 00:25:30,320 --> 00:25:31,200 Speaker 2: They are pretty good. 445 00:25:32,200 --> 00:25:35,760 Speaker 1: They're really good. We did a tape test Tuesday, which 446 00:25:35,760 --> 00:25:40,200 Speaker 1: we do on the radio every Wednesday, you know, for consistency, 447 00:25:40,800 --> 00:25:45,080 Speaker 1: and we tested American versus Canadian froot loops. And after 448 00:25:45,080 --> 00:25:47,640 Speaker 1: the Canadian proof loops, I threw away the American froot loops. 449 00:25:47,640 --> 00:25:51,000 Speaker 1: I was like, I don't want to subject myself to 450 00:25:51,040 --> 00:25:51,680 Speaker 1: these anymore. 451 00:25:53,200 --> 00:25:54,679 Speaker 2: Did the colors fade faster? 452 00:25:56,359 --> 00:26:03,400 Speaker 1: The colors are not as brilliant, but it's cereal. You're 453 00:26:03,440 --> 00:26:04,800 Speaker 1: gonna digest it pretty quick. 454 00:26:06,480 --> 00:26:09,040 Speaker 2: Yeah, But I like, I like my cereal to be neon, 455 00:26:09,200 --> 00:26:10,240 Speaker 2: Like I want it bright. 456 00:26:11,520 --> 00:26:16,080 Speaker 1: You like a pop of color in that blur right 457 00:26:16,119 --> 00:26:21,000 Speaker 1: before it gets shoved into your gullet. Yeah everything. Yeah, no, 458 00:26:21,119 --> 00:26:24,040 Speaker 1: it's yeah. Instead of instead of pale green, it was 459 00:26:24,280 --> 00:26:28,000 Speaker 1: it was bright neon green. And man, I'm telling you 460 00:26:28,480 --> 00:26:34,480 Speaker 1: here's the thing. It tastes worse because these are petroleum products. Jeez. 461 00:26:35,680 --> 00:26:38,520 Speaker 2: So while we're on this subject, go ahead plug the 462 00:26:38,600 --> 00:26:43,320 Speaker 2: radio show for anyone listen. Yeah. 463 00:26:43,359 --> 00:26:48,359 Speaker 1: So, Uh, every week on Tuesday and Wednesday on the 464 00:26:48,359 --> 00:26:54,000 Speaker 1: Santa Cruz Voice at Well it's too central, but out 465 00:26:54,040 --> 00:26:57,560 Speaker 1: there it's noon, we do a show called One Season 466 00:26:57,560 --> 00:27:00,840 Speaker 1: in the Sun. It's me and Uh, and the host 467 00:27:00,880 --> 00:27:05,680 Speaker 1: of the show is Brian g And we talk about sports, 468 00:27:05,920 --> 00:27:10,320 Speaker 1: we talk about goofy stuff, we talk about basically, we 469 00:27:10,400 --> 00:27:15,440 Speaker 1: are a non political show and I'm not crossing my fingers. 470 00:27:15,680 --> 00:27:19,040 Speaker 1: We are a non political show. The whole purpose is 471 00:27:19,080 --> 00:27:21,560 Speaker 1: that you can listen to it while you're eating your 472 00:27:21,640 --> 00:27:26,159 Speaker 1: lunch and just have something to enjoy. So we talk about, 473 00:27:26,200 --> 00:27:29,920 Speaker 1: like we talked about Ozzie last week, you know, talk 474 00:27:30,000 --> 00:27:34,399 Speaker 1: about how Sharon kicked somebody off that show, but we 475 00:27:34,440 --> 00:27:36,440 Speaker 1: don't know who. We've been trying to figure it out. 476 00:27:36,760 --> 00:27:38,320 Speaker 2: Oh that wanted them monetize it. 477 00:27:39,640 --> 00:27:42,919 Speaker 1: Yes, well we think it was their manager is more 478 00:27:43,000 --> 00:27:46,200 Speaker 1: than likely what it was. We not the band that's like, oh, 479 00:27:46,240 --> 00:27:48,720 Speaker 1: we want money, it's usually the manager. I think of 480 00:27:48,680 --> 00:27:53,800 Speaker 1: it that way. But you know what else have we 481 00:27:54,640 --> 00:27:55,119 Speaker 1: touched on? 482 00:28:00,720 --> 00:28:03,560 Speaker 2: Have you guys talked about the Backstreet Boys residency at 483 00:28:03,560 --> 00:28:05,879 Speaker 2: the Las Vegas Sphere yet No. 484 00:28:06,040 --> 00:28:08,960 Speaker 1: I just saw that this morning. I saw some of 485 00:28:09,000 --> 00:28:14,520 Speaker 1: the visuals and what was crazy was like, I mean, 486 00:28:15,359 --> 00:28:18,760 Speaker 1: the audience, it was like the nineties again because they 487 00:28:18,840 --> 00:28:22,560 Speaker 1: I mean were they were the same screaming fans they 488 00:28:22,560 --> 00:28:26,200 Speaker 1: were twenty years ago. They it was like no time 489 00:28:26,240 --> 00:28:31,600 Speaker 1: had passed and the visuals are so crazy, Like I 490 00:28:32,200 --> 00:28:34,879 Speaker 1: think what happened was these are the visuals that they 491 00:28:34,960 --> 00:28:36,400 Speaker 1: used to eat. If you wanted to see them, you'd 492 00:28:36,440 --> 00:28:39,800 Speaker 1: have to go to like Electron Electric, Daisy Carnival or 493 00:28:39,960 --> 00:28:44,120 Speaker 1: like He's like outdoor raves and so the visuals were 494 00:28:44,160 --> 00:28:46,560 Speaker 1: always there. Is just a matter of constructing a thing 495 00:28:46,600 --> 00:28:49,480 Speaker 1: that could hold them, and that's the Sphere, which, by 496 00:28:49,480 --> 00:28:52,960 Speaker 1: the way, I heard yesterday twenty five percent off for 497 00:28:53,120 --> 00:28:54,040 Speaker 1: Vegas locals. 498 00:28:54,640 --> 00:28:56,240 Speaker 2: Is it really pretty cool? 499 00:28:56,280 --> 00:28:56,560 Speaker 1: Yeah? 500 00:28:56,560 --> 00:29:01,680 Speaker 2: Well, the severe it loses millions and millions of dollars, Like, what, 501 00:29:01,880 --> 00:29:04,960 Speaker 2: at what point is this thing just gonna shut down? 502 00:29:06,160 --> 00:29:07,360 Speaker 2: I'm concerned. 503 00:29:08,440 --> 00:29:09,480 Speaker 1: You're concerned for this year. 504 00:29:09,840 --> 00:29:12,440 Speaker 2: I am because it's beautiful. It's a beautiful facility. I 505 00:29:12,480 --> 00:29:15,640 Speaker 2: haven't seen in person, but everything I've seen on TV 506 00:29:15,760 --> 00:29:20,000 Speaker 2: or they have seen it online, it looks insane. Everybody 507 00:29:20,040 --> 00:29:21,800 Speaker 2: that comes out of there is like, this is the 508 00:29:21,840 --> 00:29:23,960 Speaker 2: way to see a show, and you don't even have 509 00:29:24,040 --> 00:29:27,760 Speaker 2: to look at the band, Like it's just incredible. The 510 00:29:27,880 --> 00:29:30,240 Speaker 2: artists are like, it's amazing, but it's weird because the 511 00:29:30,280 --> 00:29:34,200 Speaker 2: audience isn't necessarily looking at us. But then but everybody 512 00:29:34,280 --> 00:29:37,600 Speaker 2: has a great time. But then I heard to like, 513 00:29:38,480 --> 00:29:41,840 Speaker 2: run the damn thing. It's just millions and millions and 514 00:29:41,840 --> 00:29:43,720 Speaker 2: millions of dollars that they're just losing. I don't know 515 00:29:43,720 --> 00:29:46,600 Speaker 2: if that's just over. They have they have a plan 516 00:29:46,680 --> 00:29:49,960 Speaker 2: where overtime, you know, like Netflix, where they're like, yeah, 517 00:29:50,000 --> 00:29:53,560 Speaker 2: by twenty thirty five will turn a profit, but then 518 00:29:54,040 --> 00:29:57,760 Speaker 2: that never happens, you know, when they get there. But uh, yeah, 519 00:29:57,800 --> 00:29:59,600 Speaker 2: I don't know. I don't know what the future of 520 00:29:59,680 --> 00:30:00,800 Speaker 2: it is. I'm concerned. 521 00:30:01,840 --> 00:30:04,600 Speaker 1: They said Uber hasn't ever turned a profit, but they 522 00:30:04,640 --> 00:30:08,160 Speaker 1: just happen to be gathering data on every single person 523 00:30:08,200 --> 00:30:11,320 Speaker 1: who uses their service. So at a certain point they're 524 00:30:11,320 --> 00:30:14,760 Speaker 1: going to have something more something true. Sphere. Yeah, the 525 00:30:14,760 --> 00:30:20,080 Speaker 1: Sphere is just it's just a performance venue with insane 526 00:30:20,240 --> 00:30:26,560 Speaker 1: fiber optics and it's got to be crazy expensive to run. 527 00:30:26,960 --> 00:30:30,280 Speaker 1: And not to mention, the show that you're seeing is 528 00:30:30,320 --> 00:30:33,720 Speaker 1: only half of the Sphere. The other half is while 529 00:30:33,760 --> 00:30:36,520 Speaker 1: you're waiting for the show, you're going through this like 530 00:30:37,720 --> 00:30:42,200 Speaker 1: museum of future technology. It's like technology of the twenty 531 00:30:42,200 --> 00:30:44,600 Speaker 1: first century, the twenty second century. If we're in the 532 00:30:44,600 --> 00:30:46,000 Speaker 1: twenty first century. How that happen? 533 00:30:46,240 --> 00:30:48,000 Speaker 2: So is that a separate ticket for that or is 534 00:30:48,040 --> 00:30:49,240 Speaker 2: that just when you get in. 535 00:30:50,400 --> 00:30:53,440 Speaker 1: No, my understanding is that's part of the overall experience 536 00:30:55,600 --> 00:30:59,640 Speaker 1: and there's all kinds of wacky technology. I've never been there, 537 00:31:00,240 --> 00:31:03,400 Speaker 1: but I have. I have looked at it, and I 538 00:31:03,440 --> 00:31:06,280 Speaker 1: have friends who have gone. They say it's, i mean, 539 00:31:06,720 --> 00:31:09,880 Speaker 1: just mind blowing through. Kerry said that it was like 540 00:31:10,120 --> 00:31:14,880 Speaker 1: a transformative experience. Why wow, he saw the dead there? 541 00:31:15,440 --> 00:31:17,360 Speaker 2: Oh really, Yeah, that would be quite the show. 542 00:31:18,480 --> 00:31:20,000 Speaker 1: Yeah, mhmm. 543 00:31:20,360 --> 00:31:22,960 Speaker 2: Yeah, I'd love to go, but man, that's that's gonna 544 00:31:22,960 --> 00:31:24,360 Speaker 2: be a that's a pricey ticket. 545 00:31:25,560 --> 00:31:29,400 Speaker 1: It's gonna be a pricey ticket for sure, and it's 546 00:31:29,440 --> 00:31:31,480 Speaker 1: it'd be good to do once at least. 547 00:31:31,640 --> 00:31:34,400 Speaker 2: Yeah, but. 548 00:31:36,240 --> 00:31:38,920 Speaker 1: Yeah, I don't know. I my sphere is that someone's 549 00:31:38,920 --> 00:31:42,600 Speaker 1: going to crash into that thing because they they have 550 00:31:42,680 --> 00:31:45,800 Speaker 1: traffic going around it all the time, and it's it's 551 00:31:46,200 --> 00:31:48,760 Speaker 1: bright and brilliant and periodically. I don't know if you've 552 00:31:48,760 --> 00:31:51,120 Speaker 1: seen this, they're like beings that are trying to break 553 00:31:51,160 --> 00:31:54,080 Speaker 1: out of it. Have you seen this? No? I have not, Okay, 554 00:31:54,080 --> 00:31:56,680 Speaker 1: so they have like as animated as part of the sphere. 555 00:31:56,720 --> 00:31:59,880 Speaker 1: It's like a giant being and it's beating on the sphere, 556 00:32:00,480 --> 00:32:04,920 Speaker 1: breaking through the glass. I have to think, Yeah, I 557 00:32:04,920 --> 00:32:06,680 Speaker 1: have to think you're driving around Vegas. Maybe if you're 558 00:32:06,720 --> 00:32:10,000 Speaker 1: driving around Vegas, you're desensitized and nothing, nothing, can nothing 559 00:32:10,000 --> 00:32:12,800 Speaker 1: get touch you about. I don't know. For me, if 560 00:32:12,880 --> 00:32:15,280 Speaker 1: I saw that thing, I'd get a little weirded out, 561 00:32:15,400 --> 00:32:21,200 Speaker 1: you know, and like does it ever get out? And 562 00:32:20,760 --> 00:32:22,880 Speaker 1: and why did you program it to get out? 563 00:32:23,120 --> 00:32:27,720 Speaker 2: Yeah, that's awesome. Welly didn't be to get you off 564 00:32:27,760 --> 00:32:31,320 Speaker 2: track from here from the radio show, but the uh, 565 00:32:31,360 --> 00:32:34,680 Speaker 2: but the Las Vegas fere just I don't know. I'm 566 00:32:34,720 --> 00:32:37,160 Speaker 2: concerned for the future of it, but I'm also encouraged 567 00:32:37,200 --> 00:32:39,880 Speaker 2: by the technology of it. You know, like what what 568 00:32:40,080 --> 00:32:43,280 Speaker 2: else is going to come from from this, you know, 569 00:32:43,320 --> 00:32:47,240 Speaker 2: because obviously people are super super excited about it. But Johnny, 570 00:32:47,280 --> 00:32:52,520 Speaker 2: we have solved all of your holiday shopping stress, your 571 00:32:52,720 --> 00:32:55,600 Speaker 2: needs because the holidays will sneak up fast, but it's 572 00:32:55,600 --> 00:32:58,200 Speaker 2: not too early to get your shopping done and actually 573 00:32:58,200 --> 00:33:01,600 Speaker 2: have fun with it. Uncommon Goods makes holiday shopping stress 574 00:33:01,680 --> 00:33:04,280 Speaker 2: free and joyful with thousands of one of a kind 575 00:33:04,320 --> 00:33:08,240 Speaker 2: gifts you can't find anywhere else. Uncommon Goods looks for 576 00:33:08,280 --> 00:33:12,520 Speaker 2: products that are high quality, unique, and often handmade or 577 00:33:12,640 --> 00:33:15,400 Speaker 2: made in the United States. Many are crafted by you 578 00:33:15,560 --> 00:33:19,040 Speaker 2: independent artists and small businesses, and because they're made in 579 00:33:19,120 --> 00:33:22,880 Speaker 2: small batches, they are the best fines. But they can 580 00:33:23,000 --> 00:33:26,680 Speaker 2: sell out fast, Johnny. What I found here, And I'm 581 00:33:26,680 --> 00:33:29,080 Speaker 2: telling you, Johnny, right now, if you use a promo code, 582 00:33:29,120 --> 00:33:30,560 Speaker 2: I'm gonna tell you that in here. In a second, 583 00:33:30,960 --> 00:33:34,240 Speaker 2: this is what I want for Christmas. Okay. Uncommon Goods 584 00:33:34,320 --> 00:33:38,840 Speaker 2: has a recycled skateboard display stand, so it looks like 585 00:33:38,880 --> 00:33:41,640 Speaker 2: a skateboard. It just sit on your desk, sit on 586 00:33:41,640 --> 00:33:44,120 Speaker 2: the bookshelf. I can put my laptop on it. I 587 00:33:44,120 --> 00:33:47,640 Speaker 2: can work on the show, Johnny. I could be working. 588 00:33:47,720 --> 00:33:51,840 Speaker 2: I could do your job, frankly and look like I 589 00:33:51,840 --> 00:33:54,840 Speaker 2: got a little skateboard. I got a little skateboard to 590 00:33:54,920 --> 00:33:56,720 Speaker 2: work off of, which you know I love. 591 00:33:57,600 --> 00:33:57,880 Speaker 1: I love. 592 00:33:58,360 --> 00:34:01,200 Speaker 2: Even though I'm getting older, I to love a good 593 00:34:01,320 --> 00:34:05,480 Speaker 2: skate But this recycled skateboard is so cool, and it's 594 00:34:05,520 --> 00:34:09,200 Speaker 2: just one of the many unique items that you can 595 00:34:09,239 --> 00:34:13,319 Speaker 2: find on Uncommon Goods. It has something for everyone, from 596 00:34:13,360 --> 00:34:16,480 Speaker 2: moms and dads to kids and teens. From book lovers, 597 00:34:16,680 --> 00:34:19,680 Speaker 2: history buffs, eric talking about you and die hard football 598 00:34:19,719 --> 00:34:24,720 Speaker 2: fans to foodies, mixologists and avid gardeners, you'll find thousands 599 00:34:24,760 --> 00:34:27,640 Speaker 2: of new gift ideas that you won't find anywhere else. 600 00:34:28,000 --> 00:34:31,319 Speaker 2: When you shop at uncommon Goods, you're supporting artists and 601 00:34:31,440 --> 00:34:35,600 Speaker 2: small independent businesses. Many of their handcrafted products are made 602 00:34:35,600 --> 00:34:38,680 Speaker 2: in small batches, so shop now before set. They sell 603 00:34:38,719 --> 00:34:41,919 Speaker 2: out this holiday season, and with every purchase you make 604 00:34:41,960 --> 00:34:45,319 Speaker 2: at uncommon Goods, they give back one dollar to a 605 00:34:45,360 --> 00:34:49,360 Speaker 2: nonprofit partner of your choice. They've donated more than three 606 00:34:49,719 --> 00:34:54,560 Speaker 2: million dollars to date. So shop early, have fun, and 607 00:34:54,640 --> 00:34:57,880 Speaker 2: cross some names off your list. To day get fifteen 608 00:34:57,920 --> 00:35:00,920 Speaker 2: percent off your next gift. Go to un common Goods 609 00:35:01,200 --> 00:35:05,759 Speaker 2: dot com slash laugh with me. That's Uncommon Goods dot 610 00:35:05,800 --> 00:35:10,799 Speaker 2: com slash laugh with me for fifteen percent off. Don't 611 00:35:10,800 --> 00:35:14,960 Speaker 2: miss out on this limited time offer Uncommon Goods. We 612 00:35:15,040 --> 00:35:19,120 Speaker 2: are all out of the ordinary. Johnny. If you haven't 613 00:35:19,160 --> 00:35:22,600 Speaker 2: told everybody this is how you're doing your holiday shopping, 614 00:35:23,280 --> 00:35:24,719 Speaker 2: you really missed the boat. I mean, that's what I 615 00:35:24,760 --> 00:35:30,160 Speaker 2: that's why I told my family that Ozzy Osbourne. Man, 616 00:35:30,880 --> 00:35:33,239 Speaker 2: I hadn't seen that guy in a long time, and 617 00:35:33,320 --> 00:35:36,560 Speaker 2: to see him performing it from his from that chair. 618 00:35:38,320 --> 00:35:38,760 Speaker 1: Was sad. 619 00:35:38,840 --> 00:35:40,839 Speaker 2: But it was also like, man, I hope I hope 620 00:35:40,880 --> 00:35:42,880 Speaker 2: that was the last run. Like I hope he actually 621 00:35:42,920 --> 00:35:43,560 Speaker 2: is retiring. 622 00:35:45,480 --> 00:35:49,440 Speaker 1: Yeah. Yeah, when he's saying Mama, I'm coming home, you 623 00:35:49,600 --> 00:35:53,000 Speaker 1: felt it. Yeah, you're justly I this is a man 624 00:35:53,400 --> 00:35:57,600 Speaker 1: who built a genre, who built a world, who built 625 00:35:57,600 --> 00:36:05,480 Speaker 1: a universe of music and of camaraderie like there. The 626 00:36:05,480 --> 00:36:10,720 Speaker 1: metal people would not exist without Ozzy Osborne. The whole 627 00:36:11,320 --> 00:36:14,600 Speaker 1: idea of metal, this whole prince of darkness thing that 628 00:36:14,680 --> 00:36:18,480 Speaker 1: you know. I mean, it just it would not be 629 00:36:18,600 --> 00:36:21,320 Speaker 1: there without him. And to be able to see his 630 00:36:21,560 --> 00:36:23,880 Speaker 1: for lack of a better word, to see his kids 631 00:36:24,280 --> 00:36:27,320 Speaker 1: come and pay tribute, it's pretty cool. 632 00:36:26,600 --> 00:36:29,200 Speaker 2: Yeah, it's pretty cool. 633 00:36:29,239 --> 00:36:31,040 Speaker 1: But at the same time, yeah, he's at the end 634 00:36:31,120 --> 00:36:33,920 Speaker 1: of his life. I mean, at the best case scenario, 635 00:36:34,239 --> 00:36:35,680 Speaker 1: he's what eighty. 636 00:36:35,840 --> 00:36:37,080 Speaker 2: Yeah, he's got to be in that range. 637 00:36:37,120 --> 00:36:41,640 Speaker 1: Yeah, yeah, So I mean he's he's not he's not 638 00:36:41,640 --> 00:36:48,440 Speaker 1: gonna be running around and touring anymore anyway. Now, I 639 00:36:48,480 --> 00:36:54,760 Speaker 1: would have liked if you know, oh it was sound Garden, Okay, 640 00:36:54,840 --> 00:36:57,919 Speaker 1: well there we go, just sound out. 641 00:36:58,160 --> 00:37:00,520 Speaker 2: Oh was the artist? 642 00:37:01,640 --> 00:37:05,440 Speaker 1: That's That's what I'm saying, says sound Garden explains absence 643 00:37:05,520 --> 00:37:09,319 Speaker 1: from concerts. Oh shit, because I heard that it was 644 00:37:09,360 --> 00:37:16,800 Speaker 1: possibly sound Garden, it was possibly Motley Crue. But yeah, okay, 645 00:37:16,840 --> 00:37:22,080 Speaker 1: so yeah, Ozzie's seventy six, Like he's had a good life, 646 00:37:22,280 --> 00:37:25,200 Speaker 1: he's done. What else can you do? He bit the 647 00:37:25,200 --> 00:37:30,560 Speaker 1: head off a bat accidentally, He's he's done more things 648 00:37:30,600 --> 00:37:36,600 Speaker 1: than you can imagine. I think. I think being able 649 00:37:36,640 --> 00:37:40,840 Speaker 1: to say, yeah, I'm done, I'm passing the torch, you know, 650 00:37:41,719 --> 00:37:45,680 Speaker 1: let young blood start running with it now, I think 651 00:37:45,680 --> 00:37:51,120 Speaker 1: that's kind of awesome. It's awesome because look, uh, you know, 652 00:37:51,400 --> 00:37:55,480 Speaker 1: everyone's everyone's life, you know it. It at a certain point, 653 00:37:55,520 --> 00:37:59,560 Speaker 1: it fades, and to be able to recognize that and 654 00:37:59,600 --> 00:38:02,520 Speaker 1: to not hold on with ego, you know, and and 655 00:38:02,640 --> 00:38:05,200 Speaker 1: end up doubling over on stage because he had to 656 00:38:05,239 --> 00:38:07,960 Speaker 1: get one more performance. And I think there's something something 657 00:38:08,000 --> 00:38:10,479 Speaker 1: kind of beautiful about that. You know, at a certain point, 658 00:38:10,560 --> 00:38:12,839 Speaker 1: step aside and you let the future come in. 659 00:38:13,160 --> 00:38:16,600 Speaker 2: I think you said it. It's he allowed the ego 660 00:38:16,600 --> 00:38:19,080 Speaker 2: to step aside, and you don't. That's that's very rare 661 00:38:19,280 --> 00:38:24,080 Speaker 2: for someone at his level. Yeah, yeah, it's pretty awesome. 662 00:38:24,120 --> 00:38:27,000 Speaker 2: I'm sitting here looking at a picture vinyl of young 663 00:38:27,040 --> 00:38:29,360 Speaker 2: Blood on my wall. I'm a big fan of young Blood. 664 00:38:29,400 --> 00:38:32,480 Speaker 2: I'm so excited for him and see like where that goes. 665 00:38:33,920 --> 00:38:35,399 Speaker 2: He's just blowing up right now. 666 00:38:37,160 --> 00:38:38,920 Speaker 1: And that's awesome because I didn't know anything about him 667 00:38:38,960 --> 00:38:43,760 Speaker 1: until this concert. Yeah. I I used to deliver food 668 00:38:44,400 --> 00:38:48,280 Speaker 1: years and years ago to this guy who unfortunately he passed. 669 00:38:48,320 --> 00:38:55,360 Speaker 1: He had cancer, unfortunately brain cancer actually, but he was 670 00:38:57,080 --> 00:39:00,120 Speaker 1: you know, he owned a company, h and basically all 671 00:39:00,200 --> 00:39:03,120 Speaker 1: he did with his time with well, his downtimes, he'd 672 00:39:03,160 --> 00:39:06,080 Speaker 1: sit in his garage and uh and he drink a 673 00:39:06,160 --> 00:39:09,640 Speaker 1: beer and he'd watched like Steve VI videos or like 674 00:39:09,840 --> 00:39:11,719 Speaker 1: you know, all the other great guitarists. And I remember 675 00:39:11,800 --> 00:39:14,600 Speaker 1: Steve VI had a guitarist who came out, who's about fifteen, 676 00:39:15,760 --> 00:39:17,520 Speaker 1: who came out and started threading with them. And that's 677 00:39:17,560 --> 00:39:18,920 Speaker 1: kind of what I thought of when I saw young 678 00:39:18,960 --> 00:39:22,399 Speaker 1: Blood up there with with Ozzy. I'm good. So you've 679 00:39:22,400 --> 00:39:25,880 Speaker 1: got the prodigies and they're connected to you know, the 680 00:39:25,960 --> 00:39:31,960 Speaker 1: old rock gods, and so you know, they're The ability 681 00:39:32,080 --> 00:39:35,280 Speaker 1: to have that, like that unbroken link to the past, 682 00:39:35,320 --> 00:39:37,040 Speaker 1: I think is so important. And there are a lot 683 00:39:37,120 --> 00:39:40,239 Speaker 1: of genres that don't have that. Yes, and metal does. 684 00:39:40,400 --> 00:39:43,719 Speaker 1: Metal has like a family kind of feel to it, 685 00:39:43,760 --> 00:39:45,319 Speaker 1: and I think that's great well, and. 686 00:39:45,360 --> 00:39:49,480 Speaker 2: That explains a lot about Ozzie then, because other every 687 00:39:49,760 --> 00:39:53,120 Speaker 2: others genre, everybody's trying to hold onto their spot even 688 00:39:53,160 --> 00:40:00,440 Speaker 2: at that age. Did you get did you get an 689 00:40:00,560 --> 00:40:01,880 Speaker 2: update on that show? 690 00:40:04,640 --> 00:40:07,400 Speaker 1: Uh? It has not. It has not come, So I 691 00:40:07,440 --> 00:40:11,439 Speaker 1: don't okay, let me let me, let me just try 692 00:40:11,480 --> 00:40:14,719 Speaker 1: to send a text. I know you're fine, hurting the 693 00:40:14,800 --> 00:40:15,680 Speaker 1: way back right now. 694 00:40:15,719 --> 00:40:21,960 Speaker 2: But where'd you say you were going tonight? Duffies? 695 00:40:23,440 --> 00:40:26,800 Speaker 1: Yeah, heading to Duffies supposed to start a nine thirty. 696 00:40:27,640 --> 00:40:30,479 Speaker 1: It's so funny that people make fun of storm Seller 697 00:40:30,520 --> 00:40:32,279 Speaker 1: for starting late, because every once in a while, like 698 00:40:32,320 --> 00:40:35,160 Speaker 1: we just like I don't know, we put it to 699 00:40:35,360 --> 00:40:39,280 Speaker 1: ten ten or something, you know. And I've seen Duffies 700 00:40:39,280 --> 00:40:41,640 Speaker 1: started like it was ten twenty when I left, like 701 00:40:41,680 --> 00:40:44,719 Speaker 1: a couple of weeks ago. So funny, you're gonna you're 702 00:40:44,760 --> 00:40:46,920 Speaker 1: start at nine thirty, you're starting at ten twenty. What 703 00:40:46,960 --> 00:40:49,160 Speaker 1: are you talking about? It started ten oh five. But 704 00:40:51,640 --> 00:40:56,600 Speaker 1: it's fine. Duffies is the place where I have no responsibility, 705 00:40:56,800 --> 00:40:59,200 Speaker 1: so that's where I like to try stuff, and the 706 00:40:59,280 --> 00:41:02,719 Speaker 1: Storm Celler I have a little better handle, so I 707 00:41:02,760 --> 00:41:05,040 Speaker 1: don't really try a lot of jokes there. It's more 708 00:41:05,080 --> 00:41:07,080 Speaker 1: about like just kind of setting the table and letting 709 00:41:07,200 --> 00:41:08,600 Speaker 1: the comics come up. 710 00:41:08,640 --> 00:41:09,360 Speaker 2: Work the material. 711 00:41:09,440 --> 00:41:13,480 Speaker 1: Yep, we have a really cool show. It is coming 712 00:41:13,560 --> 00:41:16,759 Speaker 1: up July twenty fifth, off the Storm Celler. It's going 713 00:41:16,840 --> 00:41:19,759 Speaker 1: to be fifteen dollars at the door. It starts at eight, 714 00:41:20,680 --> 00:41:24,280 Speaker 1: and we are going to have some great local comics 715 00:41:24,520 --> 00:41:26,960 Speaker 1: and we also have a comic who has been on 716 00:41:27,040 --> 00:41:29,600 Speaker 1: Jimmy Kimmel, which is pretty cool. You got a guy 717 00:41:29,680 --> 00:41:33,160 Speaker 1: named Casey Crawford who you can look them up on YouTube. 718 00:41:33,640 --> 00:41:37,200 Speaker 1: He will make you laugh, no doubt if nobody else 719 00:41:37,239 --> 00:41:39,680 Speaker 1: makes you laugh. And by the way, that's not gonna 720 00:41:39,680 --> 00:41:42,560 Speaker 1: happen either. But if nobody else makes you laugh, it 721 00:41:42,600 --> 00:41:45,080 Speaker 1: will be worth it. You will pay fifteen dollars for 722 00:41:45,160 --> 00:41:50,200 Speaker 1: Casey and you will smile about it. But that having 723 00:41:50,200 --> 00:41:53,400 Speaker 1: been said, we also have We have Will and Serenity Doherty. 724 00:41:54,800 --> 00:41:59,120 Speaker 1: We have Ben Danielson, and we have Colton Hopfer who's 725 00:41:59,160 --> 00:42:03,359 Speaker 1: one of our newer com and he's awesome. He's also 726 00:42:03,360 --> 00:42:07,760 Speaker 1: a steah. He's a really interesting guy. We have Robert Davies, 727 00:42:07,800 --> 00:42:11,319 Speaker 1: who's a really solid staple of the scene. And uh, 728 00:42:11,440 --> 00:42:14,799 Speaker 1: we're going to have a silent auction. We have a 729 00:42:14,840 --> 00:42:20,160 Speaker 1: lithograph which is signed by Tom Osborne from nineteen ninety four. 730 00:42:20,400 --> 00:42:20,799 Speaker 2: Let's go. 731 00:42:22,239 --> 00:42:28,600 Speaker 1: Yes, we're working on gathering some more donations, but that's 732 00:42:28,640 --> 00:42:30,680 Speaker 1: that's kind of the path we're on right now. We're 733 00:42:30,680 --> 00:42:33,640 Speaker 1: going to have I want to have buckets out by 734 00:42:33,680 --> 00:42:35,600 Speaker 1: the door so people can just drop money in. I 735 00:42:35,600 --> 00:42:37,919 Speaker 1: wanted to be huge, and I want to write off 736 00:42:37,920 --> 00:42:41,359 Speaker 1: in the bucket on the bucket, and I want her 737 00:42:41,719 --> 00:42:45,800 Speaker 1: to come away with as much money as possible. Because 738 00:42:45,920 --> 00:42:50,880 Speaker 1: what's happening is is this lady has he's a single mom. 739 00:42:51,600 --> 00:42:55,799 Speaker 1: He has two kids, and one of them as special needs, 740 00:42:55,840 --> 00:43:02,759 Speaker 1: and he has stayed four cancer. And I've said this 741 00:43:02,800 --> 00:43:07,040 Speaker 1: to other people. I can't hear cancer right If I could, 742 00:43:07,080 --> 00:43:11,040 Speaker 1: I would, And sorry, I know, Pharma, you're drawing a 743 00:43:11,040 --> 00:43:12,840 Speaker 1: bold eye on me right now, but I would. I 744 00:43:12,840 --> 00:43:15,239 Speaker 1: would cancer if I possibly could. And I don't care 745 00:43:15,280 --> 00:43:18,600 Speaker 1: who never could. Uh, but I can't. And because I can't, 746 00:43:19,440 --> 00:43:21,200 Speaker 1: we're gonna we're gonna try to help her with her 747 00:43:21,200 --> 00:43:26,120 Speaker 1: bills and we're going to try to to just just 748 00:43:26,360 --> 00:43:29,520 Speaker 1: support her with as much love as we possibly can. 749 00:43:30,200 --> 00:43:34,200 Speaker 1: And I have another reason for putting this show on, 750 00:43:34,320 --> 00:43:36,080 Speaker 1: and that is that she came to a show that 751 00:43:36,120 --> 00:43:38,880 Speaker 1: I was hosting, and I was so embarrassed because she 752 00:43:39,080 --> 00:43:42,000 Speaker 1: was her first comedy show ever. You've never seen stand 753 00:43:42,080 --> 00:43:45,880 Speaker 1: up comedy lives ever and who of the comics they 754 00:43:45,960 --> 00:43:51,239 Speaker 1: sort of two hours late, Oh no, and it was 755 00:43:51,520 --> 00:43:54,759 Speaker 1: it was a catastrophe. And she came back to an 756 00:43:54,800 --> 00:43:56,680 Speaker 1: open mic that we had in the storm Celler a 757 00:43:56,719 --> 00:44:00,279 Speaker 1: few maybe a month later, and that was a really 758 00:44:00,440 --> 00:44:03,319 Speaker 1: stolid night. So she was like, oh okay, So like 759 00:44:03,360 --> 00:44:06,040 Speaker 1: this is what comedy's supposed to be, and we want to, 760 00:44:06,320 --> 00:44:08,919 Speaker 1: you know, we want to give her a really good 761 00:44:09,000 --> 00:44:11,040 Speaker 1: night where he just doesn't have to worry about anything. 762 00:44:11,160 --> 00:44:14,440 Speaker 1: Just come and relax and laugh, you know, like like 763 00:44:14,600 --> 00:44:16,800 Speaker 1: what Roberts said is laughter is the best medicine. But 764 00:44:17,280 --> 00:44:18,319 Speaker 1: money definitely helps. 765 00:44:18,480 --> 00:44:21,680 Speaker 2: Money helps. Yeah, and you said her name's Cassie. 766 00:44:22,800 --> 00:44:24,400 Speaker 1: Her name's Cassy Yep, yep. 767 00:44:24,440 --> 00:44:28,400 Speaker 2: And it's July twenty fifth, eight pm. I know for 768 00:44:28,480 --> 00:44:33,360 Speaker 2: a fact, Casey, you're you're the headliner, is plenty worth 769 00:44:33,760 --> 00:44:36,520 Speaker 2: the price of admission and to help the good cause 770 00:44:36,560 --> 00:44:38,480 Speaker 2: as well. But then you've got a great lineup and 771 00:44:39,080 --> 00:44:40,520 Speaker 2: you're hosting, right. 772 00:44:41,440 --> 00:44:43,440 Speaker 1: Yep, I'll be hosting. I couldn't fit my name on 773 00:44:43,480 --> 00:44:46,480 Speaker 1: the poster and I look, you know you'll see me. 774 00:44:46,560 --> 00:44:51,239 Speaker 1: It's fine, but it's not my thing. It's her thing, 775 00:44:51,440 --> 00:44:56,960 Speaker 1: and I I really want to focus on her, and 776 00:44:56,960 --> 00:45:00,360 Speaker 1: and the comics are all donating their time, All the 777 00:45:00,360 --> 00:45:03,080 Speaker 1: money is going to her. No one is getting anything. 778 00:45:03,239 --> 00:45:05,719 Speaker 1: I mean, the bar you know, is going to get 779 00:45:05,719 --> 00:45:09,839 Speaker 1: paid for drinks etche But and do support the bar 780 00:45:10,360 --> 00:45:14,640 Speaker 1: because it's because of Jackie's big heart that we're able 781 00:45:14,680 --> 00:45:18,279 Speaker 1: to put on events like that. And and you know, 782 00:45:18,600 --> 00:45:21,719 Speaker 1: huge shout out to Jackie Storm because if not for her, 783 00:45:21,800 --> 00:45:24,920 Speaker 1: there'd be no Storm Seller And then where would I be, right, 784 00:45:24,920 --> 00:45:28,719 Speaker 1: where would any Honestly, that's it. That's a meeting place 785 00:45:28,760 --> 00:45:29,480 Speaker 1: for comics. 786 00:45:29,520 --> 00:45:33,400 Speaker 2: Another reason to support this show in particular, other than 787 00:45:33,440 --> 00:45:35,160 Speaker 2: the great cause and the great time you're gonna have. 788 00:45:35,920 --> 00:45:38,800 Speaker 2: But the more people come out and support local comedy 789 00:45:38,920 --> 00:45:42,200 Speaker 2: Lincoln and the storm Seller, the more opportunities for great 790 00:45:42,239 --> 00:45:46,000 Speaker 2: shows there will be. So go out July twenty fifth, 791 00:45:46,000 --> 00:45:49,799 Speaker 2: eight pm, Lincoln, Nebraska, Storm Seller and uh man, it's 792 00:45:49,840 --> 00:45:51,840 Speaker 2: gonna be great cause you're gonna tear it up. I 793 00:45:52,160 --> 00:45:54,040 Speaker 2: know that. What do you what are you gonna do 794 00:45:54,120 --> 00:45:55,440 Speaker 2: like five ten minutes? 795 00:45:57,000 --> 00:45:59,319 Speaker 1: Yeah, I probably, I probably won't do more than ten. 796 00:45:59,400 --> 00:46:01,680 Speaker 1: I'm just trying to do a tight little set, you know, 797 00:46:01,920 --> 00:46:05,279 Speaker 1: try to. I've got some some new stuff I've been 798 00:46:05,280 --> 00:46:08,920 Speaker 1: working on. I'll bring that with me, and you know 799 00:46:09,000 --> 00:46:11,000 Speaker 1: I've been doing. Here's the thing is, at the end 800 00:46:11,040 --> 00:46:12,560 Speaker 1: of the day, I and I don't know why it 801 00:46:12,560 --> 00:46:16,080 Speaker 1: took me this long. I'm eleven years in, but it 802 00:46:16,120 --> 00:46:18,200 Speaker 1: took me this long to realize, you know, buying large 803 00:46:18,440 --> 00:46:21,000 Speaker 1: people don't want comics. They'll they'll have comics think for them, 804 00:46:21,040 --> 00:46:24,160 Speaker 1: but they don't really care about your opinions. At the 805 00:46:24,239 --> 00:46:27,160 Speaker 1: end of the day, you know, I don't care. I don't. 806 00:46:27,160 --> 00:46:29,120 Speaker 1: I don't care what a comic tells me to vote 807 00:46:29,120 --> 00:46:32,680 Speaker 1: for or think. Really, I just want them to make 808 00:46:32,680 --> 00:46:35,360 Speaker 1: me laugh. I don't want them to go you know, 809 00:46:35,520 --> 00:46:38,279 Speaker 1: beyond that really, And that's the thing that I've been 810 00:46:38,360 --> 00:46:40,600 Speaker 1: kind of working on, is like just mining my own 811 00:46:40,640 --> 00:46:44,040 Speaker 1: life and being like, what's ridiculous about me? You know, 812 00:46:44,080 --> 00:46:47,719 Speaker 1: because if I if I talk about some kind of 813 00:46:47,800 --> 00:46:50,440 Speaker 1: big idea or whatever, people can attack that, et cetera. 814 00:46:50,560 --> 00:46:52,440 Speaker 1: And if I talk about a person, people can go, 815 00:46:52,600 --> 00:46:54,719 Speaker 1: you can defend that person. But if I talk about me, 816 00:46:54,960 --> 00:46:55,880 Speaker 1: no one's defending me. 817 00:46:58,440 --> 00:47:02,439 Speaker 2: Let me introduce you to this great comedian that has 818 00:47:02,480 --> 00:47:05,520 Speaker 2: that exact same principle. His name's Jerry Seinfeld. He's done 819 00:47:05,560 --> 00:47:10,120 Speaker 2: pretty good for himself up and commor then, yeah, you'll 820 00:47:10,120 --> 00:47:12,120 Speaker 2: have to you'll have to google him. There's a little 821 00:47:12,120 --> 00:47:15,120 Speaker 2: bit out there about him. But yeah, no, he's got 822 00:47:15,120 --> 00:47:19,439 Speaker 2: the same philosophies and it's it's just great stuff. You'll 823 00:47:19,440 --> 00:47:20,160 Speaker 2: have to check them out. 824 00:47:21,280 --> 00:47:22,399 Speaker 1: Well, at the end of the day, I think that's 825 00:47:22,440 --> 00:47:25,840 Speaker 1: all there is for comedy, is I Mean, people aren't 826 00:47:25,880 --> 00:47:28,600 Speaker 1: going because they want to hear how they should vote, 827 00:47:28,840 --> 00:47:32,480 Speaker 1: what they should think. They're going because they want you 828 00:47:33,040 --> 00:47:36,600 Speaker 1: to clap your symbols and dance monkey is exactly what 829 00:47:36,840 --> 00:47:40,960 Speaker 1: it's not. And it's not shameful either, because that's what 830 00:47:41,000 --> 00:47:44,040 Speaker 1: you're here for. It's what we all agreed to. Like 831 00:47:44,400 --> 00:47:46,759 Speaker 1: it's but at the same time, like I don't want 832 00:47:46,760 --> 00:47:49,480 Speaker 1: to see preachers tell jokes. I don't see comics preach. 833 00:47:50,160 --> 00:47:51,799 Speaker 2: Yep, I love it. 834 00:47:52,239 --> 00:47:54,760 Speaker 1: I can do anything. 835 00:47:54,880 --> 00:47:59,200 Speaker 2: Gat Wallives could do anything he wants, including saving Hollywood, 836 00:47:59,719 --> 00:48:02,719 Speaker 2: which he sounds like he's gonna do. I'm here for it. 837 00:48:03,680 --> 00:48:05,560 Speaker 1: He's down in Georgia. He might just you might just 838 00:48:05,600 --> 00:48:06,400 Speaker 1: replace Hollywood. 839 00:48:07,160 --> 00:48:11,000 Speaker 2: He could. That's Georgia loves. I think they have good 840 00:48:11,040 --> 00:48:15,080 Speaker 2: incentives for for filming there because I know a lot 841 00:48:15,120 --> 00:48:19,279 Speaker 2: of big studio shows and movies have been working down there, 842 00:48:19,320 --> 00:48:21,239 Speaker 2: because I don't know if it's tax incentives or what 843 00:48:21,280 --> 00:48:24,839 Speaker 2: it is, but I know they've got Yeah, they've got 844 00:48:24,840 --> 00:48:27,920 Speaker 2: great programs for him, so better in Hollywood I have. 845 00:48:30,960 --> 00:48:31,400 Speaker 1: Yeah. 846 00:48:31,480 --> 00:48:32,520 Speaker 2: Oh I did not know that. 847 00:48:33,520 --> 00:48:37,400 Speaker 1: Yep. My my former roommate, the closest person I have 848 00:48:37,520 --> 00:48:40,279 Speaker 1: to a brother in the whole world, Luke Sheridan. He 849 00:48:40,640 --> 00:48:46,680 Speaker 1: just became the vice president of gig Site Productions that's 850 00:48:46,760 --> 00:48:52,000 Speaker 1: located in Fremont just got a movie yesterday there and 851 00:48:52,640 --> 00:48:55,239 Speaker 1: actually had the mayor of Kremont say that, but he 852 00:48:55,360 --> 00:49:00,400 Speaker 1: was on set and uh. And it's really cool to 853 00:49:00,400 --> 00:49:03,600 Speaker 1: see Fremont just really wrap their arms around the concept 854 00:49:03,640 --> 00:49:07,840 Speaker 1: of film in Nebraska, because they're really the only community 855 00:49:08,080 --> 00:49:12,720 Speaker 1: that really has that vision and they have been nothing 856 00:49:12,760 --> 00:49:15,680 Speaker 1: but supportive, whether it's you know, White Lights City Film 857 00:49:15,800 --> 00:49:21,920 Speaker 1: Festival or just providing the tax and centives for films 858 00:49:21,920 --> 00:49:25,719 Speaker 1: to be shot there. I can't say enough about the 859 00:49:25,760 --> 00:49:29,600 Speaker 1: city of Fremont. Their mayor is amazing. I met him, 860 00:49:29,640 --> 00:49:33,040 Speaker 1: I met his wife at an event that that my 861 00:49:33,040 --> 00:49:37,720 Speaker 1: my my Famer roommate was at. We had the cinematographer 862 00:49:37,719 --> 00:49:43,520 Speaker 1: for Avatar was there. It was a good day. And 863 00:49:43,520 --> 00:49:47,040 Speaker 1: and be watching because Nebraska is about to start doing 864 00:49:47,080 --> 00:49:51,440 Speaker 1: some big stuff. Because the thing is like, hey, Nebraska 865 00:49:51,520 --> 00:49:54,960 Speaker 1: can play anywhere. Yeah, we have enough hills and we 866 00:49:55,080 --> 00:49:57,960 Speaker 1: have little desert ye places, and we have woods, and 867 00:49:58,000 --> 00:50:00,520 Speaker 1: we can we can play anywhere. We could be Norway, 868 00:50:01,000 --> 00:50:03,759 Speaker 1: we can be Hawaii, we can be there. I mean, 869 00:50:04,840 --> 00:50:09,720 Speaker 1: we have so much range as a state. And then simultaneously, 870 00:50:09,840 --> 00:50:16,200 Speaker 1: the democratization of technology allows for you can shoot anywhere. 871 00:50:16,360 --> 00:50:20,040 Speaker 1: You can you can shoot, you know, especially now with 872 00:50:20,040 --> 00:50:24,359 Speaker 1: with Blender and with AI you can shoot in your 873 00:50:24,480 --> 00:50:27,720 Speaker 1: room and you can you can put an entire feature together. 874 00:50:27,880 --> 00:50:31,080 Speaker 1: Like it's entirely possible now. So it's just a matter 875 00:50:31,120 --> 00:50:32,960 Speaker 1: of like who wants to pick those tools up and 876 00:50:33,040 --> 00:50:36,920 Speaker 1: work with them? And in Fremont there are a lot 877 00:50:36,960 --> 00:50:41,240 Speaker 1: of people also, massive, massive shout out to Stacy Heatherly. 878 00:50:41,440 --> 00:50:45,360 Speaker 1: She is the head of Eastern Nebraska Film and we 879 00:50:45,400 --> 00:50:47,560 Speaker 1: couldn't have done any of this without her. We are 880 00:50:47,800 --> 00:50:52,719 Speaker 1: just moving Ferduram forward. But she has been doing this 881 00:50:52,760 --> 00:50:56,040 Speaker 1: for decades. He has been working hard at this and 882 00:50:56,120 --> 00:50:59,520 Speaker 1: I'm so excited to see this happening because yeah, when 883 00:50:59,520 --> 00:51:01,960 Speaker 1: I left Hollywood, you know, I was kind of dejected, 884 00:51:02,080 --> 00:51:03,920 Speaker 1: but I came back with all this knowledge, and so 885 00:51:04,000 --> 00:51:06,439 Speaker 1: did a bunch of other Nebraskans, and it's like, hey, 886 00:51:07,080 --> 00:51:08,799 Speaker 1: we don't have to be in Hollywood to make movies. 887 00:51:08,880 --> 00:51:10,520 Speaker 1: Let's just go and make movies. So like you know, 888 00:51:10,640 --> 00:51:14,520 Speaker 1: in twenty well was at twenty sixteen, I just up 889 00:51:14,560 --> 00:51:18,960 Speaker 1: and shot a short film, you know, so I just 890 00:51:20,480 --> 00:51:24,239 Speaker 1: I had a camera available, I had some lights, and 891 00:51:24,280 --> 00:51:27,720 Speaker 1: I just got some comics and just wrote a script 892 00:51:27,760 --> 00:51:30,160 Speaker 1: and bam, you know, and you can do that now. 893 00:51:30,840 --> 00:51:34,480 Speaker 1: So Hollywood doesn't have the shine it used to because 894 00:51:34,480 --> 00:51:35,640 Speaker 1: it's not necessary. 895 00:51:36,920 --> 00:51:41,400 Speaker 2: Yeah, it's just it's more of an industry name anymore. 896 00:51:41,440 --> 00:51:43,640 Speaker 2: It's not necessarily a destination. 897 00:51:44,800 --> 00:51:50,560 Speaker 1: Right, absolutely. And I've worked on some excellent projects here, 898 00:51:51,840 --> 00:51:56,320 Speaker 1: and you'll work with people who sometimes they come from Hollywood, 899 00:51:56,440 --> 00:51:59,440 Speaker 1: sometimes they come from New York, sometimes they come from 900 00:51:59,480 --> 00:52:04,680 Speaker 1: sometimes local. But I've worked with some really really excellent directors, 901 00:52:05,440 --> 00:52:10,800 Speaker 1: really really excellent actors, And it's it's really going to 902 00:52:10,840 --> 00:52:13,359 Speaker 1: take people by surprise what Nebraska is gonna pull off. 903 00:52:14,960 --> 00:52:17,080 Speaker 2: Man, I think he buried the lead. I mean, here 904 00:52:17,080 --> 00:52:18,600 Speaker 2: we are, we're talking about the end of the show. 905 00:52:19,160 --> 00:52:21,040 Speaker 2: We should have been talking about this from the get. 906 00:52:22,200 --> 00:52:24,560 Speaker 1: I know, I'm still you gonna be thinking about the 907 00:52:24,600 --> 00:52:25,200 Speaker 1: car craft, right. 908 00:52:26,719 --> 00:52:28,279 Speaker 2: I was like, I'm going to bring this mood down 909 00:52:28,840 --> 00:52:31,280 Speaker 2: instantly and then we'll get to Hollywood character. 910 00:52:32,239 --> 00:52:34,000 Speaker 1: Well, at least you didn't just out of nowhere bring 911 00:52:34,040 --> 00:52:35,880 Speaker 1: up O. J. Simpson. That would have been whacky. 912 00:52:35,960 --> 00:52:40,279 Speaker 2: Oh geez, can you imagine the the vibe of the 913 00:52:40,320 --> 00:52:43,360 Speaker 2: show had I even begun to talk about a A. 914 00:52:43,960 --> 00:52:45,560 Speaker 2: I don't know, he's not even a murderer. He was 915 00:52:45,600 --> 00:52:47,680 Speaker 2: a accused. 916 00:52:47,280 --> 00:53:00,680 Speaker 1: Murderer he was, Yes, he was acquitted murderer. Yeah, accused, convicted, No, accused, excused, accused, 917 00:53:00,680 --> 00:53:03,360 Speaker 1: acquitted citizen. 918 00:53:04,280 --> 00:53:10,239 Speaker 2: Oh wait, thief, thief, thief, he did steal his own memorabilia. 919 00:53:10,360 --> 00:53:12,880 Speaker 2: He did do that. I will, I will admit to that. 920 00:53:13,840 --> 00:53:15,600 Speaker 1: Okay, he was convicted of that, so I can't. You 921 00:53:15,680 --> 00:53:17,279 Speaker 1: can't come after me from that one. 922 00:53:17,520 --> 00:53:20,520 Speaker 2: Oh that's funny, all right. July twenty fifth, eight pm, 923 00:53:20,560 --> 00:53:24,799 Speaker 2: Storm Celler, Lincoln, Nebraska. Great show, great cause. Uh you'll 924 00:53:24,840 --> 00:53:25,520 Speaker 2: have to check it out. 925 00:53:25,600 --> 00:53:25,759 Speaker 1: Kay. 926 00:53:25,840 --> 00:53:26,319 Speaker 2: Thanks man,