WEBVTT - CZM Book Club: Printed Guns & Sold Schematics by SJ Klapecki

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Book Club book Club book Club book Club. It's the

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<v Speaker 2>Cool Zone Media book Club, which is a book club

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<v Speaker 2>where I read you a story. I'm Margaret Kildre. I'm

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<v Speaker 2>the I in the aforementioned I read you a story.

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<v Speaker 2>People say that pronouns are hard, but I is an

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<v Speaker 2>example of a pronoun and I bet you've used it.

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<v Speaker 2>I bet you can figure it out. You might have guessed.

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<v Speaker 2>The other thing you might have figured out is that

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<v Speaker 2>I don't have a guest today. It's just me. I'm

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<v Speaker 2>gonna read you a story. It's a me reading you

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<v Speaker 2>all bus story. That's today. You all are the guests.

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<v Speaker 2>Every single one of you is welcome the Cool Zone

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<v Speaker 2>Media book Club. Okay, so today we got sci fi

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<v Speaker 2>story for you and it is by SJ. Klupecky. Who's

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<v Speaker 2>s J. Clopecky. I'm glad you asked, because I'm going

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<v Speaker 2>to read their bio.

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<v Speaker 1>S J.

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<v Speaker 2>Clipecky is a writer from the North of Canada who

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<v Speaker 2>focuses on queer themes in the way that power interacts

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<v Speaker 2>with people. Starting from anarchist principles, they write science fiction

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<v Speaker 2>and fantasy about those who do not fit within the norm.

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<v Speaker 2>You can find them at s j klup heck writing

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<v Speaker 2>on Twitter, which is s J k l A p

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<v Speaker 2>e c writing on Twitter. This story is called Printed

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<v Speaker 2>Guns and Sold Schematics. So get yourself your whatever you

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<v Speaker 2>it's Sunday. Don't don't drink whiskey early in the morning

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<v Speaker 2>on Sunday unless you really want to t Get yourself

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<v Speaker 2>here some tea or whatever you would like, and cozy

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<v Speaker 2>up because you're the guest today. Printed Guns and Sold

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<v Speaker 2>Schematics by s J. Clipecki. The weapons of the future suck.

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<v Speaker 2>Everyone imagined great sci fi glassings, the world being reduced

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<v Speaker 2>to a gray nanite sludge, some viral contagion that only

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<v Speaker 2>kills men, or some shit. But it's none of that.

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<v Speaker 2>It's drones, not even the proper Lockheed Martin ones. Instead

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<v Speaker 2>their quad copters, the type rich kids get when their

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<v Speaker 2>parents feel bad for divorcing. Only some assholes strapped a

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<v Speaker 2>bomb to them too. The market for guns is still big,

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<v Speaker 2>but they changed made of layers of printed plastic, doped

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<v Speaker 2>with as much metal as needed to keep it together,

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<v Speaker 2>and not an iota more. I have a pepperbox revolver

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<v Speaker 2>I printed myself, strapped to my chest. The hard edge

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<v Speaker 2>of an unsanded handle digs into my breast. The gun's

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<v Speaker 2>a hack job, made before I left and without any

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<v Speaker 2>my usual care put into it. But it's six shots

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<v Speaker 2>of nine to nineteen parabellium that I can't go without

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<v Speaker 2>in my pocket. There's a USB on that USB. There's

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<v Speaker 2>designs that were originally made by an afghanji hottist, iterated

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<v Speaker 2>upon by an American Nazi, taken by a French anarchist,

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<v Speaker 2>and changed before being sent to me. Another American Darwin

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<v Speaker 2>would be proud of how quickly things now evolve, how

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<v Speaker 2>they iterate and phil niches. The compound I was told

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<v Speaker 2>to go to is a small place, at least small

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<v Speaker 2>for compounds that radical groups hang out in fifty acres

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<v Speaker 2>of land in the middle of fucking nowhere. I know

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<v Speaker 2>it's the right place because the only way in is

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<v Speaker 2>a break in the birch trees. There's a sign that

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<v Speaker 2>reads Clarefield Farm standing outside. Those are the two clues

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<v Speaker 2>I was given as a standard. No phone, no way

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<v Speaker 2>to trace me if I'm not carrying anything with a signal.

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<v Speaker 2>Even if the state security APPARATUSUS have collapsed, others might

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<v Speaker 2>want my trail. Sadly, that means no GPS. There's a

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<v Speaker 2>building in the middle of nowhere with its lights on.

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<v Speaker 2>It doesn't look new, retrofitted, so the roof is covered

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<v Speaker 2>with solar panels. A red flag is illuminated from behind,

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<v Speaker 2>the words Montana Free Corps in bold gold lettering glowing

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<v Speaker 2>from the window. I wonder briefly how many different compounds exist,

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<v Speaker 2>how many radicals stake out just across the border, flitting

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<v Speaker 2>back and forth. But it doesn't matter. This is the place.

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<v Speaker 2>I let out a sigh of relief and walk right

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<v Speaker 2>on up. A blinking camera shifts this attention to me.

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<v Speaker 2>The disembodied eye of some security guards staring I wave.

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<v Speaker 2>An intercom lights up. A gruff, deep voice speaks, demanding

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<v Speaker 2>my name and the passcode Rahai Yotan's daughter. I replied

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<v Speaker 2>the fake name. I gave them Buck the front power

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<v Speaker 2>to the people. I feel silly even saying it, but

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<v Speaker 2>I don't control the passcodes that the clients give me.

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<v Speaker 2>I don't control their ideologies or what they do, or

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<v Speaker 2>what stupid things they obsess over. It's not like it matters,

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<v Speaker 2>so long as they're good on their cash. There's a

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<v Speaker 2>moment of waiting. I tap my foot on the ground expectantly.

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<v Speaker 2>Rain dribbles down my back, cold and uncomfortable. Wish they'd

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<v Speaker 2>hurried up so I could at least be a little

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<v Speaker 2>bit dry. Don't know how good a bunch of leftists

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<v Speaker 2>are for hospitality, but when dealing with the type of

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<v Speaker 2>people who run out to the woods to do a

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<v Speaker 2>bunch of training, it's always a mixed bag. Sometimes it's

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<v Speaker 2>a bunch of unwashed men who keep thinking you're there

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<v Speaker 2>to get with them. Sometimes it's a polite group of

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<v Speaker 2>ideologues who try to win you over with tea, biscuits

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<v Speaker 2>and god awful pamphlets. Sometimes it's just the smell of

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<v Speaker 2>gunpowder and laconic grunts until the transaction is over. The

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<v Speaker 2>last one is always the one I hope for, quick clean,

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<v Speaker 2>done in and out. A boy greets me. His voice

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<v Speaker 2>is squeaky. He's young, no older than nineteen. If I

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<v Speaker 2>had to guess, he's wearing a beret and a T

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<v Speaker 2>shirt with from some punk band. I don't recognize. A

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<v Speaker 2>beard that refuses to grow as much as he's been trying,

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<v Speaker 2>and a revolver strapped to his waist. The smell of

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<v Speaker 2>gunpowder and weed hits me as the warmth of the

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<v Speaker 2>house bleeds out come in, he says. I step inside.

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<v Speaker 2>The door closes behind me. A low sigh escapes involuntary

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<v Speaker 2>from my mouth. I take off my jacket. Underneath is

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<v Speaker 2>a thin polyester windbreaker. Under that my revolver. I don't

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<v Speaker 2>feel the need to strip further. As I put my

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<v Speaker 2>jacket on the coat rack, the squeaky voiced man asked

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<v Speaker 2>me a question you hear about the I have the schematics.

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<v Speaker 2>I am kurt, but not rude, measured, someone who seems

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<v Speaker 2>even tempered, mild if direct. The man shifts uncomfortably. He

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<v Speaker 2>must have wanted more from me, an apology for lateness.

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<v Speaker 2>Perhaps I run my fingers through damp, short hair. Maybe

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<v Speaker 2>he heard my name expecting someone more ladylike than my

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<v Speaker 2>make up list demeanor gives off no matter. I shake

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<v Speaker 2>my hands dry and clasp them in front of me.

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<v Speaker 2>Your name is, I ask Louis? He says, in the

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<v Speaker 2>French pronunciation, I'm louis. Probably a nom de guere based

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<v Speaker 2>on some FLQ member or something. I can't remember too

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<v Speaker 2>much about history. That's not where I bake my bread. Well, Louis,

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<v Speaker 2>I try to shake off the cold of the storm

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<v Speaker 2>as I speak. Wouldn't want to come across as rude,

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<v Speaker 2>now would I I was told there would be a

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<v Speaker 2>commander or something I would be meeting or something the

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<v Speaker 2>guy who wanted me to sell you all what I have.

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<v Speaker 2>Louis's face changes. I can see that he's trying to

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<v Speaker 2>figure me out, read me as best as he can,

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<v Speaker 2>and process new information. I don't know if he was

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<v Speaker 2>told why I was coming here. I doubt it. He

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<v Speaker 2>didn't see him in the inner cadre, so to speak, Yeah,

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<v Speaker 2>that would be uh. He's raking his mind. I can

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<v Speaker 2>see the confusion on his face, the way his eyes

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<v Speaker 2>scrunch a little as he searches for a name, or

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<v Speaker 2>maybe as he figures out what name to use. Half

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<v Speaker 2>these guys use a half dozen names, not that I

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<v Speaker 2>can judge, right, I'll get them for you. I don't

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<v Speaker 2>know who I expect, but it's sure as hell not

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<v Speaker 2>who shows up. Funny how after years of dealing you

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<v Speaker 2>never really clear that image out of your mind of

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<v Speaker 2>the rebel leader with a beard, a beret, a hopeful

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<v Speaker 2>and youthful look. Chay is burned into the neurons of

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<v Speaker 2>my brain that I associate with rebel, but I've never

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<v Speaker 2>seen a chay. The man I see before me is clean, shaven, dower.

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<v Speaker 2>He looks in pain based on the limp my eyes

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<v Speaker 2>trailed down, and a medical brace is tight around his leg,

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<v Speaker 2>which he had shown up sooner. He says. He sounds old,

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<v Speaker 2>maybe in his forties, with a gruff voice, the type

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<v Speaker 2>someone gets from a packa day smoking a cigarette. Isn't

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<v Speaker 2>in his mouth right now, but it's a matter of time.

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<v Speaker 2>I don't particularly like speeding when I'm carrying a legal stuff,

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<v Speaker 2>doubly so when it's pissing brain outside. I say that

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<v Speaker 2>gets a smirk out of him. He understands, So what

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<v Speaker 2>do you got from me? M We discussed it on

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<v Speaker 2>h fuck. I can't remember they squashed these sites as

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<v Speaker 2>soon as they pop up. No, they don't, not since

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<v Speaker 2>the Americans started fighting in their homelands more than they

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<v Speaker 2>did in the overseas ventures. Five Eyes collapsed when the

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<v Speaker 2>central government did an anti insurgency, turned from that flawed

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<v Speaker 2>system of panopticonic internet trawling and investigation to whack a

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<v Speaker 2>moles that none of their allies could handle on their own.

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<v Speaker 2>I remember exactly the site, I remember the username, the

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<v Speaker 2>contact used. I know this game and sidestep the implied

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<v Speaker 2>question I have. I look around the hall. Bookshelves are

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<v Speaker 2>full of radical literature. Bookchin lenin. I don't care all

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<v Speaker 2>of a maw or two well read radicals across their

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<v Speaker 2>own narrow spectrum of ideas. An idea strikes a good

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<v Speaker 2>idea of political power to hand over if you're keeping

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<v Speaker 2>your end of the bargain. He smirks a grin. He

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<v Speaker 2>liked the reference to the old warlord. Play to the customer,

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<v Speaker 2>keep them thinking I'm on their side. I won't mention

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<v Speaker 2>that the Christian Front made me an offer too. Yes, well,

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<v Speaker 2>maybe you can tell me a little bit more about

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<v Speaker 2>the form that power takes. He raises a hand to

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<v Speaker 2>his face, scratches behind his ear. If I recall it

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<v Speaker 2>was an anti tank round a nod. It isn't, but

0:10:10.520 --> 0:10:13.199
<v Speaker 2>the differences are slight when it comes to blowing up technicals.

0:10:14.679 --> 0:10:17.000
<v Speaker 2>It's a squash head round that could be mass printed

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<v Speaker 2>with basic three D metallurgic techniques. The last guy you

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<v Speaker 2>touched it didn't trust the plastic to hold and overcompensate

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<v Speaker 2>it with the metal. That's probably the design you're using.

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<v Speaker 2>If you printed them right now, I actually know what

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<v Speaker 2>I'm doing, so a gesture as I speak, trying to

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<v Speaker 2>sound unrehearsed and on the fly. I modified the design

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<v Speaker 2>to use fifteen percent less material with only a five

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<v Speaker 2>percent reduction of material strength. And that's irrelevant to your purposes.

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<v Speaker 2>If you're using this in rockets, you're using them in rockets,

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<v Speaker 2>right you heard. I'm sure about the people in Kansas

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<v Speaker 2>who blew themselves up trying to stick something like this

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<v Speaker 2>in an M seventy nine. Dropping out of that engineering

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<v Speaker 2>course is the best damn choice of my life, all

0:10:57.040 --> 0:11:00.320
<v Speaker 2>things considered. They hadn't yet beaten safety pro to call

0:11:00.360 --> 0:11:02.199
<v Speaker 2>into my brain, but they sure taught me a lot

0:11:02.200 --> 0:11:06.480
<v Speaker 2>about material science, how plastic flexes and bends, and how

0:11:06.480 --> 0:11:09.080
<v Speaker 2>it snaps breaks on a windshield and sends glass and

0:11:09.120 --> 0:11:11.560
<v Speaker 2>tannerite into the eyes of a driver fractions of a

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<v Speaker 2>second before the detonator goes off. He nods approvingly and

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<v Speaker 2>waves Louis away, because, dear listener, who is of course

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<v Speaker 2>our guest, this man knows a good deal when he

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<v Speaker 2>hears one, and I think you know a good deal too,

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<v Speaker 2>which is why all of our ads are for good deals.

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<v Speaker 2>And you can totally trust me, because I'm saying this

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<v Speaker 2>not coerced by a capitalist system. I just genuinely believe

0:11:47.040 --> 0:12:08.160
<v Speaker 2>in everything you're about to hear. And we're back. Come

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<v Speaker 2>on inside, he urges. His voice is warm and cheerful now,

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<v Speaker 2>as though he's trying to put some fatherly affect into

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<v Speaker 2>his words. Water off A Duck's back to me, do

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<v Speaker 2>you drink tea? I reply? Nothing harder A call for

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<v Speaker 2>someone else, someone named Isabel, to put a pot on,

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<v Speaker 2>A half hearted reply that she's been putting too much

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<v Speaker 2>pot on tonight. I stiffle a laugh, don't trouble yourself.

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<v Speaker 2>Then I insist. The older man leads me deeper into

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<v Speaker 2>the house. We passed through the main hall, a kitchen

0:12:38.520 --> 0:12:41.840
<v Speaker 2>messy and with a sink full of dishes. A barracks

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<v Speaker 2>or something like it, with a dozen or so bunk

0:12:43.800 --> 0:12:48.360
<v Speaker 2>beds crammed together. People sleep soundly, despite haligen Court's lights

0:12:48.360 --> 0:12:51.400
<v Speaker 2>burning over them. One of the rooms has been converted

0:12:51.440 --> 0:12:55.079
<v Speaker 2>into an impromptu armory, printing caseines for bombs and upper

0:12:55.080 --> 0:12:59.520
<v Speaker 2>receivers for rifles. Someone is working on a quadrone, trying

0:12:59.520 --> 0:13:03.720
<v Speaker 2>to armor O the limbs, don't I point to the drone.

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<v Speaker 2>The arms can take it. You need to focus on

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<v Speaker 2>the rotors. Any good great bird shot will tear those up.

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<v Speaker 2>The armorer is a woman. Faded black dye covers up

0:13:13.960 --> 0:13:17.240
<v Speaker 2>her blonde roots. Her shoulders drop, and she smirks at me.

0:13:18.040 --> 0:13:20.360
<v Speaker 2>If I had to guess, she'd been telling people the same,

0:13:20.480 --> 0:13:23.560
<v Speaker 2>but only now did someone agree with her. She holds

0:13:23.600 --> 0:13:26.120
<v Speaker 2>her gaze at me for a fraction too long before

0:13:26.160 --> 0:13:29.440
<v Speaker 2>nodding and getting back to work. If this was a

0:13:29.440 --> 0:13:31.920
<v Speaker 2>different context, I'd hoped to heaven she was gay too.

0:13:32.400 --> 0:13:36.560
<v Speaker 2>But it's not good business to flirt on the job, right, Well,

0:13:36.640 --> 0:13:39.200
<v Speaker 2>we got those designs from a person and occupy. He

0:13:39.360 --> 0:13:45.360
<v Speaker 2>tries to justify himself his mistake. Everyone does, and they're wrong.

0:13:45.480 --> 0:13:48.800
<v Speaker 2>I cut the man off, so survivorship bias probably wasn't

0:13:48.840 --> 0:13:51.720
<v Speaker 2>factored in. You need those things to hit their target,

0:13:51.840 --> 0:13:54.960
<v Speaker 2>nothing more. It doesn't matter if they get buckshot lodged

0:13:55.000 --> 0:13:57.280
<v Speaker 2>in an arm It matters if their rotors are shredded

0:13:57.320 --> 0:14:00.360
<v Speaker 2>into foil. He doesn't like this. I can see senses

0:14:00.360 --> 0:14:03.520
<v Speaker 2>demeanor change. He is a bit icy as he gestures

0:14:03.520 --> 0:14:06.679
<v Speaker 2>towards the central computer. I don't know how many hundreds

0:14:06.720 --> 0:14:09.959
<v Speaker 2>he spent on the design. Schematics. But hey, at least

0:14:10.000 --> 0:14:12.480
<v Speaker 2>he doesn't need to invest in new ones. Should be

0:14:12.520 --> 0:14:16.920
<v Speaker 2>thanking me. Really, I don't sit down. Instead, I take

0:14:16.960 --> 0:14:19.080
<v Speaker 2>out the USB, plug it into the computer and ask

0:14:19.120 --> 0:14:22.200
<v Speaker 2>him to sit down. I'm sure you know your system's

0:14:22.240 --> 0:14:24.280
<v Speaker 2>better than I do. I'd hate to screw anything up.

0:14:24.960 --> 0:14:29.960
<v Speaker 2>It's disingenuous, I know, but it convinces him. He sits down.

0:14:30.320 --> 0:14:32.400
<v Speaker 2>I notice the outline of a pistol tucked into his

0:14:32.440 --> 0:14:35.520
<v Speaker 2>pant line between the disheveled dress shirt and the khakis.

0:14:36.200 --> 0:14:39.800
<v Speaker 2>He opens the files. The actual instructions are encrypted. I

0:14:39.800 --> 0:14:41.600
<v Speaker 2>have the key on a piece of paper tucked into

0:14:41.640 --> 0:14:45.080
<v Speaker 2>my windbreaker. If it wasn't, then stealing my designs would

0:14:45.080 --> 0:14:48.280
<v Speaker 2>be as simple as copy paste. Instead, he gets a

0:14:48.280 --> 0:14:52.640
<v Speaker 2>series of PNGs from some short videos, my own voice

0:14:52.640 --> 0:14:55.800
<v Speaker 2>through the speakers explaining what is different about these squash heeads.

0:14:56.520 --> 0:14:59.000
<v Speaker 2>He watches them closely, glancing at my hand every so

0:14:59.120 --> 0:15:03.080
<v Speaker 2>often to check if still on the USB. It always

0:15:03.120 --> 0:15:07.480
<v Speaker 2>is right, he says, But the designs, I want to

0:15:07.480 --> 0:15:11.000
<v Speaker 2>see them in actual printing programs first, so I know

0:15:11.080 --> 0:15:14.120
<v Speaker 2>you're not selling me a pile of shit. I want

0:15:14.160 --> 0:15:17.440
<v Speaker 2>my money first, four thousand euros cash. That's what your

0:15:17.440 --> 0:15:21.360
<v Speaker 2>contact promised me, mister, I nudge for a name. He

0:15:21.440 --> 0:15:27.760
<v Speaker 2>grumbles and sighs. Tom, Just Tom. A few moments pass,

0:15:28.240 --> 0:15:30.640
<v Speaker 2>I consider ripping the USB out since he's starting to

0:15:30.640 --> 0:15:33.400
<v Speaker 2>get on my nerves. He shifts back in the chair,

0:15:33.440 --> 0:15:35.360
<v Speaker 2>an old leather piece of work with more duct tape

0:15:35.400 --> 0:15:38.160
<v Speaker 2>than filling. Is he going to make a move and

0:15:38.280 --> 0:15:40.520
<v Speaker 2>put my hand over my zipper? Ready to go for

0:15:40.600 --> 0:15:44.680
<v Speaker 2>my own gun? Look, I don't know what my contact

0:15:44.680 --> 0:15:47.760
<v Speaker 2>promised you exactly. He has this tendency to make you

0:15:47.800 --> 0:15:51.200
<v Speaker 2>know deals that I don't exactly agree with. Tom explains

0:15:52.080 --> 0:15:55.000
<v Speaker 2>he promised me four thousand euros in cash. I made

0:15:55.000 --> 0:15:57.960
<v Speaker 2>that pretty clear. I think my hand plays with a zipper.

0:15:58.560 --> 0:16:01.680
<v Speaker 2>Can we agree on something more reasonable? It's only designed plastic,

0:16:01.720 --> 0:16:04.880
<v Speaker 2>after all, his voice takes a grating edge to it.

0:16:05.480 --> 0:16:08.160
<v Speaker 2>I probably fucked up telling his armorer how to do

0:16:08.240 --> 0:16:12.080
<v Speaker 2>her job. It's only designed plastic. That took me twenty

0:16:12.080 --> 0:16:15.000
<v Speaker 2>two hours of work, math, chemistry and more to work

0:16:15.000 --> 0:16:17.880
<v Speaker 2>out a prototype for and four days of testing to

0:16:17.880 --> 0:16:20.720
<v Speaker 2>make sure it worked according to my calculations, and then

0:16:20.760 --> 0:16:23.800
<v Speaker 2>a month of shopping it around. And I know that

0:16:23.880 --> 0:16:26.840
<v Speaker 2>there's people like me, right, now doing the same. Who

0:16:26.880 --> 0:16:29.320
<v Speaker 2>wouldn't be caught dead selling to someone who isn't good

0:16:29.320 --> 0:16:32.040
<v Speaker 2>on the money in crypto. Well before they sent the

0:16:32.080 --> 0:16:36.320
<v Speaker 2>design over, I unsit my windbreaker, hoping he doesn't notice

0:16:36.360 --> 0:16:39.440
<v Speaker 2>the bulge of the revolver. I'm taking a risk here,

0:16:39.960 --> 0:16:43.720
<v Speaker 2>and I don't want to take any more. He glares

0:16:43.760 --> 0:16:45.880
<v Speaker 2>at me. I can see the game fall apart in

0:16:45.920 --> 0:16:48.360
<v Speaker 2>his head, what he wanted to do, how he wanted

0:16:48.400 --> 0:16:50.880
<v Speaker 2>to haggle. But I'm still in the room full of

0:16:50.920 --> 0:16:52.960
<v Speaker 2>his friends who are all armed to the teeth and

0:16:53.720 --> 0:16:56.160
<v Speaker 2>are out here on a moment of R and R

0:16:56.200 --> 0:17:00.160
<v Speaker 2>and training, probably before descending back down into Montana and

0:17:00.200 --> 0:17:03.680
<v Speaker 2>helping his folks down there some plans that I'm starting

0:17:03.680 --> 0:17:05.879
<v Speaker 2>to feel less like an accomplice to and more like

0:17:05.920 --> 0:17:09.960
<v Speaker 2>a hindrance to Freya. He says, You're putting me in

0:17:09.960 --> 0:17:13.600
<v Speaker 2>a fucking difficult position right now. His voice raises to

0:17:13.680 --> 0:17:17.560
<v Speaker 2>a growl, a hiss between Tobacco's stained teeth. I clench up,

0:17:17.600 --> 0:17:21.000
<v Speaker 2>step back, and yank the USB from its port. My

0:17:21.040 --> 0:17:24.719
<v Speaker 2>hand plunges into my windbreaker, wraps tight around that unsmooth handle.

0:17:25.560 --> 0:17:27.840
<v Speaker 2>I don't draw it yet, but he knows that I

0:17:27.920 --> 0:17:32.840
<v Speaker 2>have it and that's enough, right, he says, I'm putting

0:17:32.880 --> 0:17:35.359
<v Speaker 2>you in a difficult position too. I get that, but

0:17:35.440 --> 0:17:37.800
<v Speaker 2>you've seen what the Front's doing down in Montana, right,

0:17:38.119 --> 0:17:42.200
<v Speaker 2>the fucking burnings. Moral considerations aren't what got me into

0:17:42.240 --> 0:17:45.000
<v Speaker 2>this job. They're not gonna make me budge. He has

0:17:45.080 --> 0:17:47.960
<v Speaker 2>to know that I'm not in this for some glorious revolution.

0:17:49.960 --> 0:17:53.200
<v Speaker 2>What she might be in it for, dear listener, flash guest,

0:17:54.840 --> 0:17:58.560
<v Speaker 2>is the deals. Like you know that, that's kind of

0:17:58.560 --> 0:18:03.160
<v Speaker 2>a thing, And much like you, you actually only listen

0:18:03.200 --> 0:18:06.399
<v Speaker 2>to podcasts for the ads, and I respect that, unless,

0:18:06.440 --> 0:18:08.320
<v Speaker 2>of course, you listen to cooler Zone Medium, which case

0:18:08.359 --> 0:18:10.320
<v Speaker 2>you get the ad transitions and none of the ads.

0:18:10.760 --> 0:18:13.919
<v Speaker 2>But if you're just on cool Zone Medium, just perfectly legitimate,

0:18:14.680 --> 0:18:17.560
<v Speaker 2>then you get to hear the ads like these ones.

0:18:34.040 --> 0:18:37.880
<v Speaker 2>Yeah I've seen them. Oh I'm back by the way, Yeah,

0:18:37.920 --> 0:18:41.119
<v Speaker 2>I've seen him. Frontists laughed as they screamed, so fucking

0:18:41.200 --> 0:18:43.800
<v Speaker 2>what people like me sold them the weapons? Hell, I

0:18:43.880 --> 0:18:45.879
<v Speaker 2>might know the guy who did. I know what the

0:18:45.920 --> 0:18:48.240
<v Speaker 2>sides are doing. I know your fucking friends. And the

0:18:48.280 --> 0:18:50.520
<v Speaker 2>GDF did when they captured a bunch of the Front's men,

0:18:50.880 --> 0:18:54.080
<v Speaker 2>lined them up and shot them. No trial, nothing, that's war.

0:18:54.560 --> 0:18:57.840
<v Speaker 2>I sell war. You want to buy war. Don't try

0:18:57.840 --> 0:19:01.560
<v Speaker 2>to clean this up. Stands. I see the pistol in

0:19:01.600 --> 0:19:06.200
<v Speaker 2>his waistband glock nineteen polymer, not a shadow gun, probably

0:19:06.240 --> 0:19:09.639
<v Speaker 2>for long term carry. Sweat sticks his shirt to his body.

0:19:10.960 --> 0:19:14.040
<v Speaker 2>You aren't gonna hurt me, I say. My voice is confident,

0:19:14.119 --> 0:19:17.320
<v Speaker 2>my soul is shaking. You either pay me now or

0:19:17.359 --> 0:19:20.040
<v Speaker 2>I take this and leave. I threaten. We had a

0:19:20.080 --> 0:19:23.359
<v Speaker 2>deal set up, and I won't haggle again. I already

0:19:23.400 --> 0:19:26.240
<v Speaker 2>did that with your contact. They said four thousand, no less,

0:19:26.760 --> 0:19:29.200
<v Speaker 2>damn fucking cheap for that price, and you know it.

0:19:30.880 --> 0:19:33.600
<v Speaker 2>I don't think you fucking understand. Actually you've seen the videos,

0:19:33.600 --> 0:19:36.399
<v Speaker 2>but you haven't been there, even smelled the aftermath. You

0:19:36.400 --> 0:19:39.080
<v Speaker 2>haven't given food to the hungry or water to the thirsty.

0:19:39.640 --> 0:19:42.920
<v Speaker 2>His voice devolves into something almost rehearsed. We're doing good

0:19:42.960 --> 0:19:46.720
<v Speaker 2>workout there, and you can help us. Oh, yes, the

0:19:46.800 --> 0:19:50.440
<v Speaker 2>ideological crusade. They think I care about. The shifting acidic

0:19:50.480 --> 0:19:53.560
<v Speaker 2>weight heating at me intensified. I tried my damnedest to

0:19:53.600 --> 0:19:55.560
<v Speaker 2>not show it, not to give any clue of what

0:19:55.600 --> 0:19:59.000
<v Speaker 2>was happening in my head. I failed. He took his chance.

0:20:00.000 --> 0:20:01.919
<v Speaker 2>If I don't know your type, he steps towards me.

0:20:02.359 --> 0:20:04.360
<v Speaker 2>You think I don't know how little info you keep

0:20:04.359 --> 0:20:06.760
<v Speaker 2>about yourself, how fake your name is?

0:20:07.000 --> 0:20:07.160
<v Speaker 1>Hell?

0:20:07.200 --> 0:20:08.880
<v Speaker 2>I bet you don't even have a license on you,

0:20:09.040 --> 0:20:12.720
<v Speaker 2>let alone someone who's worried for you. I inhale sharply.

0:20:13.040 --> 0:20:15.840
<v Speaker 2>The chime comes up, A sour taste forces itself under

0:20:15.880 --> 0:20:19.560
<v Speaker 2>my tongue. I can feel my body. My bone's shaking. God,

0:20:19.600 --> 0:20:21.639
<v Speaker 2>I hope I'm not showing it. I hope he's not

0:20:21.680 --> 0:20:25.040
<v Speaker 2>seeing the twitch in my eye, every tug, every involuntary

0:20:25.080 --> 0:20:29.200
<v Speaker 2>pull of a stressed muscle. I feel everything. Tom knows

0:20:29.240 --> 0:20:31.439
<v Speaker 2>he's got me in a bind. I think over the

0:20:31.480 --> 0:20:34.199
<v Speaker 2>exits in my head, try to remember where anything is.

0:20:34.760 --> 0:20:37.440
<v Speaker 2>A pang of fear strikes through me. There's only one

0:20:37.480 --> 0:20:39.560
<v Speaker 2>way out. My back would be turned to him, the

0:20:39.600 --> 0:20:42.280
<v Speaker 2>whole way. If I ran, good way to get my

0:20:42.400 --> 0:20:46.640
<v Speaker 2>spine ventilated. Maybe backing away would work. A step back,

0:20:46.680 --> 0:20:49.880
<v Speaker 2>glancing over my shoulder to the door. So you're going

0:20:49.880 --> 0:20:53.120
<v Speaker 2>to hand it over as palm is extended outwards? Are

0:20:53.119 --> 0:20:56.080
<v Speaker 2>you fucking robbing me? I try to stall for time.

0:20:57.000 --> 0:20:59.280
<v Speaker 2>It's a USB and a few hits to your dignity,

0:20:59.600 --> 0:21:02.600
<v Speaker 2>hardly grand theft. We can make this far more painful

0:21:02.640 --> 0:21:04.399
<v Speaker 2>if you want, but I'm not going to give you

0:21:04.440 --> 0:21:07.440
<v Speaker 2>a lot of time to think it over. He notices

0:21:07.480 --> 0:21:10.919
<v Speaker 2>my step backward, a flash of movement. A gun points

0:21:10.920 --> 0:21:13.840
<v Speaker 2>at the ground, aimed at my feet. My heart stops

0:21:13.840 --> 0:21:21.200
<v Speaker 2>cold dead. An exasperated sigh comes from behind me. Christ Above, Tommy,

0:21:21.280 --> 0:21:24.800
<v Speaker 2>you're being a shithead, The lady working on the drone says,

0:21:25.160 --> 0:21:27.320
<v Speaker 2>just give her the fucking money. You think we can't

0:21:27.320 --> 0:21:30.680
<v Speaker 2>take the hit, Go and fuck with Henry. He set

0:21:30.760 --> 0:21:33.080
<v Speaker 2>up the deal. If he promised something, that's all on

0:21:33.200 --> 0:21:36.160
<v Speaker 2>us to keep in an internal matter to resolve. We're

0:21:36.160 --> 0:21:40.879
<v Speaker 2>not the fucking front. We have protocol silence for a moment.

0:21:41.320 --> 0:21:44.160
<v Speaker 2>Tom looks at me, then at the armorer. There's something

0:21:44.200 --> 0:21:46.639
<v Speaker 2>between them that I can't place. Maybe they were in

0:21:46.720 --> 0:21:50.159
<v Speaker 2>battle together. That connection people have in the trenches is

0:21:50.160 --> 0:21:53.240
<v Speaker 2>hard to place, hard to replicate. You think you have

0:21:53.280 --> 0:21:56.720
<v Speaker 2>a fucking right to tell me what to do, Tom growls, yes.

0:21:56.800 --> 0:22:00.000
<v Speaker 2>She says, yeah, I fucking do. Swinging your cock around

0:22:00.040 --> 0:22:03.640
<v Speaker 2>isn't going to help any of us. Her tone is measured, casual,

0:22:03.880 --> 0:22:06.760
<v Speaker 2>like this is a Tuesday for her. Hell, what if

0:22:06.800 --> 0:22:09.320
<v Speaker 2>she did give you the designs? Did you ever think

0:22:09.480 --> 0:22:12.359
<v Speaker 2>past five minutes from now, she'd give you the USB,

0:22:12.600 --> 0:22:14.560
<v Speaker 2>run like hell and tell every damn person in the

0:22:14.560 --> 0:22:16.880
<v Speaker 2>business that we're liable to rob you blind and call

0:22:16.920 --> 0:22:21.520
<v Speaker 2>it business. How would that look for us? Tom sighs.

0:22:21.600 --> 0:22:24.320
<v Speaker 2>He removes the magazine from his pistol and racks the slide.

0:22:24.720 --> 0:22:28.720
<v Speaker 2>A bullet clatters on the concrete ground. My shoulders drop.

0:22:29.040 --> 0:22:33.560
<v Speaker 2>I breathe in clean, fresh air, almost purifying. I hadn't

0:22:33.560 --> 0:22:36.359
<v Speaker 2>realized how long I've been holding my breath. I wipe

0:22:36.359 --> 0:22:38.240
<v Speaker 2>the sweat off my forehead and relax the grip on

0:22:38.320 --> 0:22:42.480
<v Speaker 2>my revolver. Maybe this would actually go all right? You're

0:22:42.560 --> 0:22:46.439
<v Speaker 2>right here, right, he sighs Alex, he looks past me.

0:22:46.600 --> 0:22:49.600
<v Speaker 2>The woman perks up. Go to the vault. I think

0:22:49.640 --> 0:22:53.000
<v Speaker 2>we have enough fifties and hundreds. If you can, I'd

0:22:53.040 --> 0:22:55.280
<v Speaker 2>like to go with her, if you don't mind, I say.

0:22:55.480 --> 0:22:58.800
<v Speaker 2>Tom frowns, but Alex waves me over. I follow her

0:22:58.840 --> 0:23:02.000
<v Speaker 2>down the hall. She smells like peaches under the burnt

0:23:02.040 --> 0:23:06.359
<v Speaker 2>metal and sweat and WD forty. I'm so sorry about Tom,

0:23:06.440 --> 0:23:08.560
<v Speaker 2>she says to me. The second we're out of ear shot.

0:23:08.960 --> 0:23:11.399
<v Speaker 2>He's got a real fuck you got mine attitude, and

0:23:11.440 --> 0:23:13.840
<v Speaker 2>I've tried to whip him into shape. It's not really

0:23:13.880 --> 0:23:17.240
<v Speaker 2>working out. I'm just glad I'm not leaving here in pieces,

0:23:17.240 --> 0:23:21.840
<v Speaker 2>I say. She laughs. It's sweet, gentle, reassuring. I remind

0:23:21.880 --> 0:23:24.640
<v Speaker 2>myself once more that I am working and think about

0:23:24.640 --> 0:23:28.480
<v Speaker 2>her too much. He's a business partner, after all. She

0:23:28.560 --> 0:23:30.959
<v Speaker 2>lets out a laugh, a tired laugh, somebone who's had

0:23:30.960 --> 0:23:33.639
<v Speaker 2>to deal with far too much nonsense. We wouldn't do

0:23:33.720 --> 0:23:37.800
<v Speaker 2>that to you, promise. They keep all their money in

0:23:37.800 --> 0:23:40.720
<v Speaker 2>a room, hidden in filing cabinets and sorted by denomination.

0:23:41.560 --> 0:23:44.960
<v Speaker 2>Some foreign currency, a lot of Canadian. Obviously, there's one

0:23:44.960 --> 0:23:48.440
<v Speaker 2>thing the Canadians got right other than poutine. It's polymer currency.

0:23:49.240 --> 0:23:51.440
<v Speaker 2>Europe has yet to catch up. And so my eyes

0:23:51.480 --> 0:23:55.280
<v Speaker 2>wander to the piles of cotton bills four thousand euros. Right,

0:23:55.760 --> 0:23:58.560
<v Speaker 2>Fuck Tom might have a point, as my wipe our reserves.

0:23:59.240 --> 0:24:02.480
<v Speaker 2>Not again, I'm not playing this haggling game again. A

0:24:02.520 --> 0:24:06.000
<v Speaker 2>cute girl won't change my answer. Not my problem, I

0:24:06.040 --> 0:24:09.399
<v Speaker 2>hope you know, I state. She nods and starts counting

0:24:09.800 --> 0:24:12.520
<v Speaker 2>a real hard nose. I see her voice grates like

0:24:12.560 --> 0:24:16.320
<v Speaker 2>glass shards. I must have foiled some plan. You know,

0:24:16.880 --> 0:24:20.360
<v Speaker 2>Tom's not a bad person. I don't care about his morals,

0:24:20.359 --> 0:24:24.720
<v Speaker 2>I say, I just want promises kept right right. She

0:24:24.800 --> 0:24:27.760
<v Speaker 2>hands me stacks of currency. I count through it quickly.

0:24:28.119 --> 0:24:30.199
<v Speaker 2>None of it seems fake, though I might need to

0:24:30.200 --> 0:24:33.200
<v Speaker 2>inspect closer later. The ero is always a good bet.

0:24:33.320 --> 0:24:35.960
<v Speaker 2>The Canadian and US dollars both collapse and rise and turn,

0:24:36.080 --> 0:24:38.359
<v Speaker 2>but across the pond the EUS managed to keep things

0:24:38.359 --> 0:24:42.320
<v Speaker 2>relatively stable. I say goodbye to Alex and start down

0:24:42.359 --> 0:24:45.399
<v Speaker 2>towards the entrance. As I pass through the hall, I

0:24:45.440 --> 0:24:48.480
<v Speaker 2>see a few people on a couch watching television. One

0:24:48.480 --> 0:24:51.919
<v Speaker 2>of them seems real strung out. Another is intently watching

0:24:51.920 --> 0:24:55.439
<v Speaker 2>the screen. The television plays footage from the Christian Fronts

0:24:55.440 --> 0:24:58.359
<v Speaker 2>fighting with the remains of the National Guard, and anchor

0:24:58.400 --> 0:25:00.879
<v Speaker 2>is speaking about the need for intervention from Britain or

0:25:00.880 --> 0:25:04.640
<v Speaker 2>something something. I need to pay attention to new players

0:25:04.640 --> 0:25:07.960
<v Speaker 2>in the field and all that. Tom meets me as

0:25:08.000 --> 0:25:10.639
<v Speaker 2>I walk no gun. At least it doesn't look like.

0:25:11.119 --> 0:25:13.120
<v Speaker 2>I don't take the time to search him up and down.

0:25:13.760 --> 0:25:16.400
<v Speaker 2>He doesn't speak. I have nothing to say to him.

0:25:16.520 --> 0:25:18.520
<v Speaker 2>It's a short walk to the door, but it feels

0:25:18.560 --> 0:25:22.840
<v Speaker 2>so so long. This didn't go smoothly, and I've put

0:25:22.880 --> 0:25:26.200
<v Speaker 2>these guys firmly on my blacklist, but I won't contribute

0:25:26.240 --> 0:25:28.960
<v Speaker 2>to the rumor mill. Maybe one of my competitors won't

0:25:28.960 --> 0:25:33.040
<v Speaker 2>be as lucky as me. That'd be nice. I stand

0:25:33.080 --> 0:25:35.800
<v Speaker 2>at the threshold, and a final few thoughts cross my mind.

0:25:36.400 --> 0:25:38.919
<v Speaker 2>But how they might not have the right materials. It

0:25:39.000 --> 0:25:42.439
<v Speaker 2>did include a list in the text file. How they

0:25:42.520 --> 0:25:45.399
<v Speaker 2>might try to alter the designs themselves, might fuck it

0:25:45.480 --> 0:25:49.080
<v Speaker 2>up too. The Alex seem capable just not listen to

0:25:49.920 --> 0:25:53.119
<v Speaker 2>They rarely listen to the engineers, at least until the

0:25:53.119 --> 0:25:56.480
<v Speaker 2>survivors need to pick up the pieces. A thousand thoughts

0:25:56.560 --> 0:25:59.960
<v Speaker 2>run through my head. I opened the door, say goodbye

0:26:00.160 --> 0:26:03.920
<v Speaker 2>to Tom, and I leave the idiots to blow themselves

0:26:04.000 --> 0:26:08.240
<v Speaker 2>up the end. If this was an old movie, it

0:26:08.280 --> 0:26:13.040
<v Speaker 2>would say Finn, although it's French when it says Finn,

0:26:13.080 --> 0:26:16.440
<v Speaker 2>So who knows? Maybe you don't. Maybe is it's probably

0:26:16.440 --> 0:26:19.120
<v Speaker 2>how it's pronounced, because you never pronounce all the letters.

0:26:19.240 --> 0:26:21.159
<v Speaker 2>Why am I randomly making fun of him? This is

0:26:21.160 --> 0:26:23.000
<v Speaker 2>the problem, is that you all are my guests, and

0:26:23.400 --> 0:26:26.840
<v Speaker 2>you've been a little bit quiet, So I've been left

0:26:26.880 --> 0:26:32.679
<v Speaker 2>to make these terrible jokes. But that's this week's story.

0:26:33.840 --> 0:26:35.200
<v Speaker 2>I don't know. I like this story, and I thought

0:26:35.200 --> 0:26:37.399
<v Speaker 2>that you all might like it too. I like this

0:26:37.560 --> 0:26:46.680
<v Speaker 2>kind of simple exploration of the complications involved in revolutionary

0:26:46.720 --> 0:26:50.840
<v Speaker 2>struggle and how you know, often at least I read

0:26:50.840 --> 0:26:53.520
<v Speaker 2>stuff that's like from a revolutionist's point of view, right,

0:26:53.600 --> 0:26:56.359
<v Speaker 2>and you know, it talks about the complications as like,

0:26:56.400 --> 0:26:59.080
<v Speaker 2>oh well, it's just complicated. You know, sometimes you got

0:26:59.080 --> 0:27:03.440
<v Speaker 2>to break goup served the making an omelet or whatever

0:27:03.480 --> 0:27:08.080
<v Speaker 2>fucking bullshit, you know, And I like something that's from

0:27:08.119 --> 0:27:12.280
<v Speaker 2>the perspective of a sort of a neutral observe. So

0:27:13.240 --> 0:27:17.920
<v Speaker 2>I thought you all might like it too. But there's

0:27:17.960 --> 0:27:21.399
<v Speaker 2>a few things I want to plug. Well, first I

0:27:21.440 --> 0:27:24.800
<v Speaker 2>want to plug s J. Clipecky, who you should follow.

0:27:24.960 --> 0:27:28.240
<v Speaker 2>You should follow on Twitter, which, as I said, is

0:27:28.480 --> 0:27:34.160
<v Speaker 2>s J k l A P E C W R I,

0:27:34.280 --> 0:27:39.919
<v Speaker 2>T I n G on Twitter. Also, you can follow

0:27:40.240 --> 0:27:43.360
<v Speaker 2>s J. Clipecky on Patreon, which is SJ Underscore. We'll

0:27:43.400 --> 0:27:46.560
<v Speaker 2>just google it. Clipecky is k L A P E

0:27:46.680 --> 0:27:51.240
<v Speaker 2>c K I. And probably more than anything else, I

0:27:51.320 --> 0:27:53.040
<v Speaker 2>want to plug their book, which I haven't read yet,

0:27:53.040 --> 0:27:55.600
<v Speaker 2>but was published by ak Press, who also published cool

0:27:55.680 --> 0:28:01.560
<v Speaker 2>Zone Media Friend of the Pod Me and also cool

0:28:01.640 --> 0:28:05.080
<v Speaker 2>Zone Media Friend of the Pod Robert Evans. Ak Press

0:28:05.080 --> 0:28:08.600
<v Speaker 2>published ak Press is a collectively run publisher who puts

0:28:08.640 --> 0:28:10.560
<v Speaker 2>out really good shit and has started to put out

0:28:10.600 --> 0:28:13.880
<v Speaker 2>a lot of really good fiction and ak Press put

0:28:13.880 --> 0:28:18.400
<v Speaker 2>out Station six by s. J. Clepecky and I think

0:28:18.440 --> 0:28:20.399
<v Speaker 2>you'll should check it out because I have it on

0:28:20.440 --> 0:28:23.480
<v Speaker 2>my shelf and I'm excited to read it, especially after

0:28:23.520 --> 0:28:27.320
<v Speaker 2>reading this story. That's the end of book Club. I'll

0:28:27.320 --> 0:28:30.480
<v Speaker 2>see you all next week. Maybe I'll have a different guest.

0:28:30.920 --> 0:28:33.640
<v Speaker 2>Maybe you'll be the guest again. Do you like being

0:28:33.680 --> 0:28:38.880
<v Speaker 2>the guest? If so, I don't know, Well, I guess

0:28:38.880 --> 0:28:39.960
<v Speaker 2>you're kind of always the guest.

0:28:40.320 --> 0:28:40.520
<v Speaker 1>Oh.

0:28:40.560 --> 0:28:43.160
<v Speaker 2>Also there's me. I have a podcast. If you heard

0:28:43.160 --> 0:28:44.680
<v Speaker 2>this on they it could Happen here feed. You can

0:28:44.720 --> 0:28:46.360
<v Speaker 2>also hear me on The Cool People Who Did Cool

0:28:46.400 --> 0:28:49.560
<v Speaker 2>Stuff Feed where every Monday and Wednesday, I tell you

0:28:49.640 --> 0:28:51.400
<v Speaker 2>a different kind of story. I tell you a story

0:28:51.400 --> 0:28:54.520
<v Speaker 2>of history instead of this futurest I'll.

0:28:54.360 --> 0:28:54.840
<v Speaker 1>Just shut up.

0:28:55.120 --> 0:28:55.880
<v Speaker 2>See you all next week.

0:28:57.680 --> 0:29:00.160
<v Speaker 1>It could happen here as a production of cool Zone Media.

0:29:00.240 --> 0:29:02.920
<v Speaker 1>For more podcasts from cool Zone Media, visit our website

0:29:02.960 --> 0:29:05.200
<v Speaker 1>cool zonemedia dot com, or trick us out on the

0:29:05.240 --> 0:29:08.760
<v Speaker 1>iHeartRadio app, Apple podcasts, or wherever you listen to podcasts,

0:29:09.040 --> 0:29:11.160
<v Speaker 1>you can find sources for It could happen here, Updated

0:29:11.240 --> 0:29:15.280
<v Speaker 1>monthly at coolzonmedia dot com slash sources. Thanks for listening.