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Speaker 1: No question is what exactly are we talking about?

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Speaker 2: Fake hold? Because you like, do we need to hold? Yeah? Yeah?

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Speaker 3: What up?

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Speaker 4: The artist is Joe Crack your boy Jada. You know

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Speaker 4: what it is, the Joe and Jada's Show. And without

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Speaker 4: further ado, ladies and gentlemen, you like to welcome my

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Speaker 4: beautiful guest, Tianna Taylor.

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Speaker 2: Make some noise what's going on? But I'm just so

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Speaker 2: happy you here. Man. You know, uh, my family we

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Speaker 2: celebrate you and so like you're one of the favorite artists,

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Speaker 2: my wife's favorite artists. My daughter, she's big everywhere but

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Speaker 2: in my household. So I know all that I was

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Speaker 2: dizzy to. I made it. I made it like they was.

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Speaker 2: They had that all super repeat on when it came out.

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Speaker 2: So it's honor to have you here. They told me

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Speaker 2: not to talk much, but I gotta set it off.

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Speaker 2: I'm gonna be honest with you. I know, Tianna. It's crazy.

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Speaker 2: I'm looking at your daughter right now and I think

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Speaker 2: I met you about that age, about that age, and

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Speaker 2: I'm in Harlem coaching at the Rucker and you pull

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Speaker 2: up in that famous that world famous biker yours and

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Speaker 2: the reason why there's such a you and that.

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Speaker 4: The first time I haven't met it is that bike.

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Speaker 4: She was on the bike to That's Crazy around the

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Speaker 4: same time. I don't know if it's the same, but

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Speaker 4: when I ever first seen it, she was on the bike,

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Speaker 4: I'm like, who's that?

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Speaker 2: Like, no, let's tea. You know what's crazy is I

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Speaker 2: meet so many people, right, I've been doing this thirty

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Speaker 2: some years, and I met so many people who told me, Joe,

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Speaker 2: I'm gonna be rich, I'm gonna be a billionaire. Even

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Speaker 2: Angie Martinez laughs at me because she said the first

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Speaker 2: time I met her, I was like, yo, I'm gonna

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Speaker 2: be the biggest fact and she was like yeah right.

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Speaker 2: And so you out of nowhere, you pull up on

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Speaker 2: me and you like, yo, I needed meet for real,

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Speaker 2: Like you got to introduce me to forrel I'm gonna

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Speaker 2: be a s next artist, And I'm like, yo, this

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Speaker 2: girl she flies. She little, what I mean, she got

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Speaker 2: big dreams And to see everything you ever predicted at

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Speaker 2: that age to come to fluition. How did you know

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Speaker 2: because you had to know when you was young, Like

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Speaker 2: did you how did you know that? You say, Yo,

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Speaker 2: I'm special. God made me special because for real, though

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Speaker 2: you have to have a certain type of blessing and

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Speaker 2: and confidence to just predict all that in the few

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Speaker 2: uture and it actually become true.

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Speaker 3: I mean, first and foremost, I got a lot of

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Speaker 3: prayer warriors. That's first, I feel like I'm.

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Speaker 1: Covered, you know.

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Speaker 3: But secondly, I think it's just some cocky hallm shit,

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Speaker 3: Like that's just hall OFM shit. In general, we understand

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Speaker 3: aesthetics and vibes and what things are supposed to look like.

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Speaker 3: But I've always been very intentional, even at a young age.

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Speaker 3: So it's kind of crazy to see JUNI now speak

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Speaker 3: the same way, you know, but it's kind of like

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Speaker 3: seeing you like that was a big thing for me.

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Speaker 1: I'm like, yo, what's up?

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Speaker 2: I know you in there hotel forrella, No da.

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Speaker 1: What we do it?

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Speaker 2: And then she got with for real?

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Speaker 4: That's crazy. Yeah, it's safe to say she she's good

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Speaker 4: at everything. I'm a manifest anything she puts her in

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Speaker 4: doing this.

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Speaker 2: We call you a triple threat because there's nothing you

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Speaker 2: can't do. And was that of a complication for you know,

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Speaker 2: A and R somebody to see your vision because you

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Speaker 2: do so many things? Was it hard to get the

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Speaker 2: team that just get aligne with like all right, I

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Speaker 2: want to choreograph this. I want to I want to sing,

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Speaker 2: I want to shoot at I wanted to, Like, youre

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Speaker 2: just like, yo, what the fuck? Like? Everybody ain't built

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Speaker 2: like that? Did you ever ask?

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Speaker 1: I mean, it was, it was a lot, and it

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Speaker 1: was it was very difficult.

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Speaker 3: And the way you're breaking it down actually make me

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Speaker 3: like I want to like empathize with them for them

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Speaker 3: a little bit, because no, real shit, because I never

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Speaker 3: you be like, they don't know what to do with you?

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Speaker 2: What the fuck does they don't know what.

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Speaker 1: To do with me? I'm not trying to hear all that.

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Speaker 3: Like you like, if I'm giving you everything, you're you're

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Speaker 3: avoiding all the things you would pay for normal for

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Speaker 3: the next artist.

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Speaker 1: So I used to think it was easier having an

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Speaker 1: artist that.

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Speaker 3: I used to walk into the label with the old

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Speaker 3: school move board like cut out pictures and like glued

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Speaker 3: to a cardboard box, like I had the vision.

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Speaker 1: So it's like, if everything is literally laid in your.

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Speaker 2: Lap, how are you saying you? Yeah, how you saying

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Speaker 2: you don't know.

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Speaker 1: What to do?

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Speaker 3: But to your point, if it's like a robotic system

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Speaker 3: and they're stagnant and their comfort their comfort is here's

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Speaker 3: the standard. We do this with all our artists. So

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Speaker 3: because we do this with all our artists, then no

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Speaker 3: other way is the right way.

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Speaker 1: You know what I'm saying.

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Speaker 3: I dealt with it for a long time until I

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Speaker 3: took that step back because I do do everything. So

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Speaker 3: it's kind of like again when I seen you, and

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Speaker 3: when I took a step back from music, I went

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Speaker 3: and I manifested the same thing because I was definitely

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Speaker 3: shoved in the corner on So I'm like, yo, if.

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Speaker 1: You if you retire, you boom boom. I don't think

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Speaker 1: that's smart. This is I'm telling you.

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Speaker 3: It's not like I'm going to be a big director.

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Speaker 3: Everybody's in the court and I'm gonna be a go

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Speaker 3: to director, going to be a big actress. I'm gonna

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Speaker 3: protect other creatives. I'm going to pour into other creators.

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Speaker 3: Everything I said I.

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Speaker 4: Was going to do, I did that, did that, did

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Speaker 4: that and did it superbly.

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Speaker 1: Thank you.

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Speaker 4: You know what I mean.

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Speaker 2: It's not feeded that.

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Speaker 3: But that's all a part of that faithful you know

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Speaker 3: what I'm saying. Like you know, I go to the

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Speaker 3: you know with God, Yo, were betting on to day

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Speaker 3: we betting on to day.

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Speaker 2: Both of y'all were God us.

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Speaker 3: Well not literally, but I'm just saying, is like when

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Speaker 3: people take bets elsewhere, people take gambles elsewhere.

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Speaker 1: My gamble is like, Father, God, will we doing? What's

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Speaker 1: my purpose? You know what I'm saying.

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Speaker 3: When I'm ready to give up, Like why you keep

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Speaker 3: pushing me while you keep pushing me back in? What's

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Speaker 3: my purpose? You know what I'm saying, Like I want

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Speaker 3: to do everything. I don't want to be in a box. Okay,

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Speaker 3: if don't want to be in a box, and show

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Speaker 3: me you don't want to be in a box.

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Speaker 1: You know what I'm saying.

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Speaker 3: Keep praying, Keep having conversations. You got to communicate. You

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Speaker 3: got to over communicate, over communicate. So like with over communicating,

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Speaker 3: then he's more clear on what I wanted. He can

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Speaker 3: leave me in that direction because he's gonna gow it

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Speaker 3: in my lap, you know what I'm saying. So I've

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Speaker 3: always took my gamble, you know, within my favor.

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Speaker 2: It's weird terms and you over communicate, you can overstead.

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Speaker 2: I understand that. And it's weird times out there right

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Speaker 2: in the world. You know, hard to get a job.

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Speaker 2: People on tough times. This thing has made it so

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Speaker 2: everybody and their mother can say something about somebody. And

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Speaker 2: so this price of fame, right, it's on another level

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Speaker 2: to where, uh, I think the only thing that can

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Speaker 2: keep you normal right now is your belief in God.

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Speaker 2: And so when I sit down, you know, I tell them,

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Speaker 2: you know, my my wife, she best friends with mary Ja.

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Speaker 2: I said, with all the jones, Christy Hallom, I'm always

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Speaker 2: surrounded by all the right And then the conversation always

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Speaker 2: turned into God. I don't know how it just if

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Speaker 2: you just start talking about everything everybody like yo, but

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Speaker 2: thank God for God, and I pay my tides and

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Speaker 2: because I feel like it's the only salvation, is the

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Speaker 2: only way do with all this noise that's going on

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Speaker 2: around us. You know this this you know you gotta

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Speaker 2: be careful what you what you wish for with this

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Speaker 2: fame and fortune. You know now, I know what, I

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Speaker 2: know what. I love my life. But you know, I

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Speaker 2: think I would have rather been wealthy more than wealthy

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Speaker 2: and famous. Right Like, when I see people far, I

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Speaker 2: rather wish I could just be wealthy. And but nobody

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Speaker 2: can know you, I mean, but I meet wealthy people

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Speaker 2: and they want to be lit like they want to

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Speaker 2: hang out with the famous people they want. People think

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Speaker 2: they want to be lit.

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Speaker 1: No, that's that's that's real.

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Speaker 3: There's a lot of people think they know what they

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Speaker 3: want until they get it, you know what I'm saying.

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Speaker 3: But I think for me, it's super important that even

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Speaker 3: through my accolades, that like every single one of my speeches,

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Speaker 3: that then they always go in my speech, all my

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Speaker 3: speech is.

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Speaker 1: Always a prayer.

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Speaker 3: I think it's important because I think a lot of

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Speaker 3: times we turn to God when when things ain't.

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Speaker 1: Right else wrong.

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Speaker 3: Yeah, different have them conversations through good batter in different

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Speaker 3: you know, submit and pray and understand that we're not perfect.

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Speaker 3: It's still a working progress. None of us haven't be

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Speaker 3: perfect enough, you know what I'm saying. So it's just

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Speaker 3: like you gotta pray through it all, you know, and

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Speaker 3: give things.

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Speaker 1: I think it's important, gotta give things.

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Speaker 4: That has been five years since the album what pulled

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Speaker 4: You Back? What made You say?

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Speaker 2: Is time.

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Speaker 3: I got pulled back on my own terms. You know

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Speaker 3: what I'm saying, Like I left the first time because

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Speaker 3: it wasn't on my terms. You know what I'm saying,

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Speaker 3: And I knew that I was more. I was more

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Speaker 3: than what was being you know.

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Speaker 1: Put in a box for me. You know what I'm saying.

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Speaker 3: They were trying to stuff everything in one box. And

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Speaker 3: that's just not that was never me. I can't stay still,

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Speaker 3: you know what I'm saying. Like me always considered myself

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Speaker 3: a glade plugging. I'm'a plug in every single socket outlet

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Speaker 3: you see in this building. Why only make the bathroom

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Speaker 3: smell good? You can make it every Yeah, like smelling

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Speaker 3: foods of your label. Like, I'm not about to be

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Speaker 3: locked in one room. I'm not gonna be locked in

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Speaker 3: one box. I'm not gonna be locked with one set

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Speaker 3: of keys the one door.

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Speaker 2: Shout out to your mother. Your mother's in the building. Yeah,

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Speaker 2: HALLM legend. And you know, I just feel like you

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Speaker 2: me Jim Jones. Not to alienate nobody, but New York

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Speaker 2: made some hustles, say Lola lolah. And that's an MTV

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Speaker 2: job to being an actress, to be into this, to

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Speaker 2: be in that. You know, what is it in you

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Speaker 2: that make you that hustler debt? Because well, I'm a

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Speaker 2: fake HALLM guy from the box, right, but I got

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Speaker 2: the hustle too.

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Speaker 3: I'll say that's New York thing. I think that's a

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Speaker 3: New York it's a New York thing. But also it's like,

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Speaker 3: you know, my mom hustler, you know what I'm saying. Yeah,

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Speaker 3: And also what would help keep me grounded is actually

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Speaker 3: use and use and the gyms and like to see

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Speaker 3: y'all be successful and still be on a block. You

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Speaker 3: feel what I'm saying, Like that's big for me. The

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Speaker 3: first time I met Jada, I was mad young, and

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Speaker 3: I asked for and that Negroes something script and for

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Speaker 3: the life of me, I was trying to figure out

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Speaker 3: what he wrote.

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Speaker 2: And at first it was me and my hunt.

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Speaker 3: I was like he was saying so you know, I

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Speaker 3: was like trying to figure out what he was saying.

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Speaker 3: But it was the fact that he like took out

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Speaker 3: the time to write the autograph and I probably wasn't

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Speaker 3: my bike on my skateboard or something, but it was

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Speaker 3: just like, Yo, this shit is is dope.

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Speaker 1: So now do I have the hustle? But I got

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Speaker 1: the ground.

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Speaker 3: I'm grounded because people that I look up to that's

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Speaker 3: paving a way for me is really outside, you know,

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Speaker 3: grounded but successful and still graceful.

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Speaker 1: And you know, like just the balance of it. I

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Speaker 1: just think that's a New York thing.

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Speaker 4: I love that Roses describing all your emotions been.

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Speaker 2: I like that.

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Speaker 3: Better Roses for me, Well, you got to kind of

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Speaker 3: hear the album. Once you hear the album, it's like

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Speaker 3: a it's a whole story. It's an arm break album.

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Speaker 3: So it's like the different emotions from heartbreak to healing,

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Speaker 3: you know what I'm saying. On from like dark clouds

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Speaker 3: to you know, sunny sky. So it's kind of like

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Speaker 3: all the all the moments of vulnerability and grief and

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Speaker 3: different things like that, but most importantly resetting, realigning and

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Speaker 3: resenting yourself without armor, you know. And that's what Better

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Speaker 3: Roses is for me, Like I feel like even through

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Speaker 3: everything I've been through, I still got so much love

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Speaker 3: to give, you know what I'm saying, Like, I'm not

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Speaker 3: a guarded person.

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Speaker 2: I don't.

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Speaker 1: I don't walk around with bricks ready to build a wall.

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Speaker 1: It's just not who I am.

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Speaker 2: So you don't base a new relationship based on past relationship.

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Speaker 3: I mean, always move a caution exactly, But to be

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Speaker 3: to be guarded, that's how you block your blessings, you

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Speaker 3: know what I'm saying, Like, Yeah, I don't. And I've

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Speaker 3: never moved like that, you know what I'm saying. And

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Speaker 3: that's what better roses represent. I wanted to do something for,

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Speaker 3: you know, just the lover. People love it, girls love

264
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Speaker 3: it boys, because I think right now, music is so

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Speaker 3: toxic and so prideful and very very egocentric, you know,

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Speaker 3: and it's just not who I am. And I wanted

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Speaker 3: to create a lane to create healthy dialogue, healthy conversations

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Speaker 3: with them music.

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Speaker 2: You know this whole time I'm looking at you, the

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Speaker 2: petty Joe is just like, Yo, what's up with the

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Speaker 2: cute boyfriend a brother? Peddy Joe. Man, I'm sitting there

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Speaker 2: the other day I'm gonna tell you and shout out

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Speaker 2: to the brother right But the other day I'm sitting

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Speaker 2: on the couch trying to look at something and Netflix

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Speaker 2: and I see it's fit and I'm like, yo, you

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Speaker 2: know that that's Tianna's man right there. You know what

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Speaker 2: I'm saying. We watched the movie and shit, and.

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Speaker 4: Yes I watched it.

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Speaker 2: I skipped it a bunch of times, but once, Tuanna,

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Speaker 2: you know, I'm keeping it a buck which I can't buy.

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Speaker 2: Your got the clamps on me, y'all don't want me

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Speaker 2: to go you do it. I don't want me to

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Speaker 2: do it so well to Okay, I'm gonna calm down again.

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Speaker 2: But you watched it, hell yeah, cause I mean he

285
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Speaker 2: was a great actor. But what about the pretty boy?

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Speaker 2: I mean, I'm not like this guy Dad tell us

287
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Speaker 2: about him. Man, Well, what's the question you said? What

288
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Speaker 2: about the pretty boy? What's the question? So rough to

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Speaker 2: you from harlling you from this? And this guy is like,

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00:14:31,040 --> 00:14:34,640
Speaker 2: you know, a model or something like. But anyway, you

291
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Speaker 2: don't think she fit. You don't think I figure for

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Speaker 2: more of a like a.

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Speaker 1: No, this this is what I think it is.

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Speaker 3: What I think it is is like y'all watch me

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Speaker 3: grow up, you know what I'm saying. Like coming home

296
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Speaker 3: has been funny as hell because every single interview I've

297
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Speaker 3: been doing has been all like my big brothers. So

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Speaker 3: it's been a lot of tough love and a lot

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Speaker 3: of of like you know, y'all knowing me from being

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Speaker 3: little tea, you know what I'm saying. But I'm a woman,

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Speaker 3: you know, and I am a mother, and you know,

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Speaker 3: people people grow and people change, and I feel like

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Speaker 3: you know, young when you're young, yeah, you just you

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Speaker 3: you high you heavy, you, you just your the personality

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Speaker 3: is big.

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Speaker 1: But when that carry on into.

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Speaker 3: Adulthood, majority of it is surviva mole, you know what

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00:15:26,120 --> 00:15:30,080
Speaker 3: I'm saying. And when you find a place that is

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Speaker 3: so gentle and so delicate and so kind, it will

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Speaker 3: it could so if anything, it's like boiling noodles, you

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Speaker 3: know you're gonna go in there.

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Speaker 2: Was it was it like this the guy for me?

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Speaker 2: Or was it like hard work? Was it like? What?

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Speaker 2: Did you see him? And you was like, yo, this

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00:15:48,040 --> 00:15:51,920
Speaker 2: this because you know, you come off of such a

316
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Speaker 2: big publicized relationship. Is it scared for a girl to

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Speaker 2: take a chance with the next guys? Say? Yo, all right,

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Speaker 2: this is the guy? Because I mean, you're beautiful, on

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Speaker 2: top of the world, you got money, you got whatever.

320
00:16:05,760 --> 00:16:08,080
Speaker 2: I'm sure everybody and their mother was coming at you.

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Speaker 2: How did this guy get your attention?

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Speaker 3: I mean, I am really big on feeling, and I

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00:16:13,720 --> 00:16:16,800
Speaker 3: always tell people like, it's okay to feel, allow yourself

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Speaker 3: to feel whatever you feel, follow that, you know, And

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00:16:21,480 --> 00:16:24,040
Speaker 3: it wasn't something I don't go looking for anything. I

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00:16:24,080 --> 00:16:27,320
Speaker 3: didn't go looking for anything, and needed did he You know,

327
00:16:27,400 --> 00:16:31,600
Speaker 3: we were friends and it you know where it went?

328
00:16:31,640 --> 00:16:34,080
Speaker 3: Where it went, And I think the biggest thing is

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Speaker 3: is the friendship, you know what I'm saying, In.

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Speaker 1: The safe space. We created a safe space, you know.

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Speaker 3: And that's why I think now in days when people

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Speaker 3: putting titles and labels on everything, it's just kind of like,

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Speaker 3: create that safe space, create a friendship, you know what

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00:16:48,680 --> 00:16:53,520
Speaker 3: I'm saying, Like, it's sweet and it's gentle, and I

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Speaker 3: deserve that.

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Speaker 2: That's right.

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Speaker 1: That was perfect.

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Speaker 4: End, It was a perfect How has your experience in

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00:17:00,400 --> 00:17:06,640
Speaker 4: film and television influenced your creativity on making music now

340
00:17:07,560 --> 00:17:11,240
Speaker 4: or does it? Does it even contrast or it shit

341
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Speaker 4: a little? Because yeah, around you've been doing you doing shit.

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Speaker 3: Yeah, Like I've always been a character. So like even

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00:17:17,760 --> 00:17:20,359
Speaker 3: when I was into music and doing videos, I was like,

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Speaker 3: I'm ready to do more. I started my own production

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00:17:22,160 --> 00:17:24,840
Speaker 3: company or female production company. My partner Coco called it

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00:17:24,880 --> 00:17:28,040
Speaker 3: Auntie's Production, so we always like even we were doing

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Speaker 3: my videos independently.

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Speaker 4: Yeah, on places from by. When I saw it, I

349
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Speaker 4: knew it was that was just a typical.

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Speaker 2: Yeah.

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Speaker 1: I was just ready.

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Speaker 3: I was I was always ahead of my time. I

353
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Speaker 3: was just like I'm ready for something else. Like even

354
00:17:41,760 --> 00:17:43,479
Speaker 3: when I started doing videos, for everybody. I'm like, all,

355
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Speaker 3: I'm ready to move into television and film. I knew

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Speaker 3: that's what I wanted to do. So by the time I,

357
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Speaker 3: you know, took a step back from music, I was

358
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Speaker 3: just like, I'm ready to do movies. I want to

359
00:17:53,840 --> 00:17:55,199
Speaker 3: do this, I want to do that things I was

360
00:17:55,240 --> 00:17:58,359
Speaker 3: already doing. But you know, you alrea'ty know how it

361
00:17:58,440 --> 00:18:00,720
Speaker 3: is when you're prepared for album, everything about the album

362
00:18:00,720 --> 00:18:02,680
Speaker 3: and everything else is put to the back burning and

363
00:18:02,720 --> 00:18:05,040
Speaker 3: I'm like, yo, if y'all can't balance this, then I'm

364
00:18:05,080 --> 00:18:05,639
Speaker 3: too much.

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00:18:06,200 --> 00:18:07,760
Speaker 1: This don't even make sense to do this.

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00:18:08,160 --> 00:18:11,760
Speaker 3: So they came, they came correct, and I got everything

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Speaker 3: that that I wanted.

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Speaker 4: You as a good ass action store. You went to

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Speaker 4: acting school. You took no lessons just from Hallow or

370
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Speaker 4: now you you're a different kind of a different human being.

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Speaker 2: Though we acting in the boat, Dave, we acted everywhere,

372
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Speaker 2: bro like no, but she's really good on on screen

373
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Speaker 2: like the movie the movie you had the hard time

374
00:18:33,320 --> 00:18:36,960
Speaker 2: and and that I think that's showing. That shows your skills.

375
00:18:37,000 --> 00:18:40,880
Speaker 2: And now you with Leonardo the ship, that's the ship. Though,

376
00:18:40,960 --> 00:18:43,280
Speaker 2: like you've done elevated to enough. You know a lot

377
00:18:43,320 --> 00:18:48,600
Speaker 2: of people are talented. You know. Sometimes I go to

378
00:18:48,760 --> 00:18:51,200
Speaker 2: karaoke and some girl go up there and sing her

379
00:18:51,240 --> 00:18:53,560
Speaker 2: ass off. But I'm like, damn, why this girl never

380
00:18:53,640 --> 00:18:56,040
Speaker 2: became a star? You know, it was such a blessing

381
00:18:56,080 --> 00:18:57,960
Speaker 2: from you as you said, I'm acting, and you went

382
00:18:58,040 --> 00:19:02,040
Speaker 2: from let's say that movie wasn't a lot of money, right,

383
00:19:02,080 --> 00:19:07,520
Speaker 2: but it showed your skill. Now you're Exactlyrio. Yeah, that's great,

384
00:19:07,600 --> 00:19:09,560
Speaker 2: that's real shit. I mean, you got to work your area.

385
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Speaker 1: You know what I'm saying.

386
00:19:10,240 --> 00:19:13,399
Speaker 3: I think people want what they want so fast without

387
00:19:13,440 --> 00:19:15,480
Speaker 3: doing the work. They want the glory. They don't want

388
00:19:15,480 --> 00:19:17,480
Speaker 3: to do the stuff that is creating the story for

389
00:19:17,560 --> 00:19:19,280
Speaker 3: the glory. You feel what I'm saying, Like, I want

390
00:19:19,280 --> 00:19:21,679
Speaker 3: to do the work. I'm a student. I'm never above learning,

391
00:19:22,080 --> 00:19:23,840
Speaker 3: you feel me. So it's just like I'm a student

392
00:19:23,880 --> 00:19:26,680
Speaker 3: even when i'm teaching, you know. So it's just like

393
00:19:26,880 --> 00:19:29,720
Speaker 3: that's my mindset and understanding. And I think that's probably

394
00:19:29,720 --> 00:19:32,439
Speaker 3: at New York shit too, Like, yo, nam do this,

395
00:19:33,520 --> 00:19:34,720
Speaker 3: my nigga, See what's going on?

396
00:19:35,000 --> 00:19:36,879
Speaker 2: Get you get where I want to be.

397
00:19:36,960 --> 00:19:39,080
Speaker 3: Then start calling some shots and you know, making some

398
00:19:39,160 --> 00:19:41,840
Speaker 3: noiseble boom boom, But you gotta gotta do that first

399
00:19:41,880 --> 00:19:43,359
Speaker 3: before you can do this.

400
00:19:43,480 --> 00:19:44,760
Speaker 1: You just got to know how to work your area.

401
00:19:44,920 --> 00:19:50,119
Speaker 4: Man, it's a great sill blessing at fifteen. Yeah, the

402
00:19:50,640 --> 00:19:55,920
Speaker 4: sweet tender age of fifteen. You coreograph Beyonce is ringing

403
00:19:56,119 --> 00:19:58,640
Speaker 4: along VI? What was that? How did that?

404
00:19:58,640 --> 00:19:59,800
Speaker 2: That's crazy? How did that?

405
00:20:00,040 --> 00:20:00,320
Speaker 3: Want to know?

406
00:20:00,359 --> 00:20:02,800
Speaker 1: It was crazy? Another stamp to New York. She wanted

407
00:20:02,840 --> 00:20:04,160
Speaker 1: to learn the chicken noodle soup?

408
00:20:04,720 --> 00:20:04,880
Speaker 2: Why?

409
00:20:05,800 --> 00:20:06,800
Speaker 3: And this is you know, this is when I was

410
00:20:06,880 --> 00:20:08,639
Speaker 3: rolling around with the big hair, the fitted cap. You

411
00:20:08,680 --> 00:20:10,200
Speaker 3: already know you know what I'm saying.

412
00:20:10,240 --> 00:20:14,240
Speaker 5: So so they called me because I was outside battle

413
00:20:14,280 --> 00:20:16,080
Speaker 5: on everybody, like it was up for everybody.

414
00:20:16,359 --> 00:20:17,960
Speaker 3: So it's like they called me to come and do it,

415
00:20:17,960 --> 00:20:20,200
Speaker 3: but you already know the haller me like I'm about

416
00:20:20,200 --> 00:20:21,520
Speaker 3: to throw a wow of this ship in there.

417
00:20:21,560 --> 00:20:24,119
Speaker 2: Like it was like, yo, she had one job. She

418
00:20:24,240 --> 00:20:25,640
Speaker 2: just wanted to learn the chicken noodle soup.

419
00:20:26,160 --> 00:20:28,199
Speaker 3: And I went in there and I was ready, Like

420
00:20:28,359 --> 00:20:31,400
Speaker 3: I wasn't Like, I was like everybody, I'm ready to work.

421
00:20:31,480 --> 00:20:33,280
Speaker 3: Let's go with a woman she just started dying labn

422
00:20:33,320 --> 00:20:35,000
Speaker 3: She's like, oh yeah, she's a star, like I was.

423
00:20:35,080 --> 00:20:36,119
Speaker 1: I was ready.

424
00:20:36,119 --> 00:20:37,760
Speaker 3: We were shaking the soup and some more shit like

425
00:20:37,800 --> 00:20:39,840
Speaker 3: I was throwing it mad at this ship, like maybe this,

426
00:20:39,960 --> 00:20:43,000
Speaker 3: maybe this, And she called me back for another performance

427
00:20:43,040 --> 00:20:45,879
Speaker 3: that she had and you know, let me, you know,

428
00:20:46,000 --> 00:20:47,240
Speaker 3: help work on that, and.

429
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Speaker 1: You know, it's just was amazing.

430
00:20:49,160 --> 00:20:52,600
Speaker 3: But I'm also a sponge I'm SpongeBob square fucking pants,

431
00:20:52,640 --> 00:20:55,360
Speaker 3: Like I'm a soak in everything.

432
00:20:55,400 --> 00:20:59,399
Speaker 1: I'm gonna take learning so to be able to, you know,

433
00:20:59,520 --> 00:21:00,280
Speaker 1: work with her.

434
00:21:00,440 --> 00:21:04,159
Speaker 3: And it's like at that age, I'm taking in everything.

435
00:21:04,720 --> 00:21:08,040
Speaker 3: Following me is like understand aesthetics. And I was already

436
00:21:08,040 --> 00:21:10,760
Speaker 3: fifteen walking by dance groups like nah, this needs to

437
00:21:10,760 --> 00:21:12,680
Speaker 3: be like this, yeah, because if.

438
00:21:12,600 --> 00:21:14,480
Speaker 2: You look from here, it's not right.

439
00:21:14,680 --> 00:21:16,320
Speaker 1: It ain't. I ain't rolling you, hear me?

440
00:21:16,359 --> 00:21:16,760
Speaker 2: Like I was.

441
00:21:17,119 --> 00:21:19,440
Speaker 1: I was bossy, but it was always for the best.

442
00:21:19,640 --> 00:21:22,040
Speaker 2: You know, your hood, right, you know, I don't know

443
00:21:22,080 --> 00:21:24,520
Speaker 2: if you know. I started at one hundred and thirty

444
00:21:24,560 --> 00:21:29,000
Speaker 2: second in Park Avenue where yes, ma'am right by way,

445
00:21:29,040 --> 00:21:30,760
Speaker 2: the pimps in the holes used to be, and the

446
00:21:30,880 --> 00:21:35,880
Speaker 2: free cheese was out there underneath the train. My mad

447
00:21:36,080 --> 00:21:41,400
Speaker 2: chubby love. He passed away, My mad chubby love. Ak

448
00:21:41,680 --> 00:21:44,359
Speaker 2: jard X trying to his sister's trying to get the

449
00:21:44,400 --> 00:21:46,720
Speaker 2: block named after them. So you know the term where

450
00:21:46,720 --> 00:21:49,440
Speaker 2: that where the basketball courts in a handball court where

451
00:21:49,480 --> 00:21:52,200
Speaker 2: it used to see crack is whack. He used to

452
00:21:52,280 --> 00:21:54,280
Speaker 2: be out there. So one day he pulls up, he's

453
00:21:54,320 --> 00:21:57,240
Speaker 2: in a four tourists and he gets out the car.

454
00:21:57,400 --> 00:21:59,679
Speaker 2: This guy's like six hundred pounds. You have had to

455
00:21:59,720 --> 00:22:02,720
Speaker 2: see when you was a kid. He was this big

456
00:22:02,760 --> 00:22:08,000
Speaker 2: and he got out Louis Vatan from the floor and

457
00:22:08,080 --> 00:22:13,800
Speaker 2: I said, oh shit, what Scott, cause this guy five

458
00:22:13,880 --> 00:22:18,679
Speaker 2: six hundred pounds, what the fuck he was? He was

459
00:22:18,720 --> 00:22:21,840
Speaker 2: like yo, this dapper Dan. He was like yo. I

460
00:22:21,960 --> 00:22:24,080
Speaker 2: was like what. He took me to Dap of Dad

461
00:22:24,160 --> 00:22:26,440
Speaker 2: when I was fourteen. I got my first dap of

462
00:22:26,520 --> 00:22:30,919
Speaker 2: Dad because girard X I never seen no shit like that.

463
00:22:31,119 --> 00:22:34,720
Speaker 2: He get out the car, the car go up, he

464
00:22:34,880 --> 00:22:39,320
Speaker 2: goes and the motherfucker Louis v turned all the way up.

465
00:22:40,200 --> 00:22:45,240
Speaker 2: And that guy took me to dap Girardas And so

466
00:22:45,320 --> 00:22:48,879
Speaker 2: when I realized you're from that same hood right there, Uh,

467
00:22:49,560 --> 00:22:54,280
Speaker 2: very important. Growing up so hard though, right like growing

468
00:22:54,359 --> 00:22:56,320
Speaker 2: up in that area, because you know, you go to

469
00:22:56,359 --> 00:22:58,720
Speaker 2: that school across you went to that school right there?

470
00:22:59,359 --> 00:23:03,000
Speaker 2: What's cool school right around the current? What's that school

471
00:23:03,040 --> 00:23:08,920
Speaker 2: right there? Ain't got fuck. I was a minutes in

472
00:23:09,000 --> 00:23:14,159
Speaker 2: piece got like metal detectives and ship tsa in that school.

473
00:23:14,200 --> 00:23:17,359
Speaker 2: My man's wife was the principal. She got me go

474
00:23:17,480 --> 00:23:19,359
Speaker 2: talk to the kids. I've never seen no ship like that.

475
00:23:19,400 --> 00:23:22,640
Speaker 2: They have the metal detectives with the cop in the front.

476
00:23:23,119 --> 00:23:25,080
Speaker 2: They still got pimps and ship and know all that

477
00:23:25,200 --> 00:23:29,439
Speaker 2: over there. But growing up so tough, right, to be

478
00:23:29,600 --> 00:23:34,879
Speaker 2: so polished and and to get to where you're going

479
00:23:35,200 --> 00:23:37,280
Speaker 2: and where you're at. Now, what does that feel like

480
00:23:37,320 --> 00:23:39,439
Speaker 2: when you come back to the city. I seen you

481
00:23:39,520 --> 00:23:45,080
Speaker 2: with bevy Ye. I love that, Yo. You know what

482
00:23:45,200 --> 00:23:51,280
Speaker 2: time it is with Bev and all that y'all. I've

483
00:23:51,280 --> 00:23:53,719
Speaker 2: seen you with Zav. I was like, you know, and

484
00:23:53,760 --> 00:23:56,320
Speaker 2: it is true. It is like kind of like a homecoming.

485
00:23:56,600 --> 00:24:10,400
Speaker 2: It is you're doing your aunt, your auntie and uncle ship. Yeah,

486
00:24:10,520 --> 00:24:11,440
Speaker 2: no real ship.

487
00:24:11,480 --> 00:24:14,239
Speaker 3: That's why I'm like, Yo, it's a lot of It's like,

488
00:24:14,359 --> 00:24:16,520
Speaker 3: fucking y'all up to see me be a little lady.

489
00:24:16,680 --> 00:24:17,920
Speaker 1: It's crazy.

490
00:24:18,880 --> 00:24:22,199
Speaker 2: She's grown, you know. Yeah, I know I've seen it

491
00:24:22,200 --> 00:24:24,720
Speaker 2: in that Kanye video. I was like, what the fuck

492
00:24:24,840 --> 00:24:28,600
Speaker 2: going on like that was the time, right, that was

493
00:24:28,640 --> 00:24:31,520
Speaker 2: when she became a woman. Right when we seen that video,

494
00:24:31,520 --> 00:24:33,720
Speaker 2: I was like, holy ship. I was at the wards

495
00:24:34,440 --> 00:24:37,080
Speaker 2: when they played that ship, you know, that was that

496
00:24:37,240 --> 00:24:41,840
Speaker 2: was I was in there watching. I said, what the fuck,

497
00:24:42,080 --> 00:24:50,840
Speaker 2: I'm saying, Yo, this ship crazy and and yeah, I

498
00:24:50,920 --> 00:24:53,760
Speaker 2: seen you in the club one time too, doing some

499
00:24:53,960 --> 00:24:57,879
Speaker 2: astronomical ship. It was in Miami and it was like

500
00:24:57,920 --> 00:25:01,159
Speaker 2: a pole, like a light in the way you not

501
00:25:01,200 --> 00:25:04,600
Speaker 2: a stripper pole, a pole. And the way you was

502
00:25:04,760 --> 00:25:07,840
Speaker 2: dancing on this fucking pole, I thought like, Yo, she's

503
00:25:07,880 --> 00:25:10,440
Speaker 2: ailing in or something. I said, Yo, she had of

504
00:25:10,520 --> 00:25:12,800
Speaker 2: control with the ship by yeah. I was like, Yo,

505
00:25:12,840 --> 00:25:15,520
Speaker 2: what the fuck? And you doing like he be doing

506
00:25:15,560 --> 00:25:18,280
Speaker 2: the pull ups? You doing all that ship on that

507
00:25:18,400 --> 00:25:20,120
Speaker 2: oh yeah, And I'd be like, that's that hall.

508
00:25:20,440 --> 00:25:20,600
Speaker 6: Yeah.

509
00:25:20,640 --> 00:25:23,080
Speaker 1: We used to be on the on the scaffoles doing that.

510
00:25:24,080 --> 00:25:26,880
Speaker 3: When I'm in battle Mold like, especially in the years,

511
00:25:26,960 --> 00:25:29,560
Speaker 3: like I don't like feeling like people playing with me

512
00:25:29,600 --> 00:25:32,480
Speaker 3: a little bit, and I feel like people would come

513
00:25:32,760 --> 00:25:36,040
Speaker 3: around like my table and try and like start dancing.

514
00:25:36,080 --> 00:25:37,600
Speaker 3: I gotta let you know, because you can't do no

515
00:25:37,600 --> 00:25:40,960
Speaker 3: pull ups. You from the years you can't do no.

516
00:25:42,960 --> 00:25:46,400
Speaker 3: H we got scaffoles on the block everywhere we go.

517
00:25:46,680 --> 00:25:48,760
Speaker 2: Now, I've seen that ship one time. I was like, yo,

518
00:25:48,800 --> 00:25:54,159
Speaker 2: this girl crazy, like this ship out of control. Like

519
00:25:54,200 --> 00:25:55,440
Speaker 2: I said, you're a triple through that.

520
00:25:56,560 --> 00:25:58,879
Speaker 3: Like I had every stage like in my life, like

521
00:25:59,320 --> 00:26:01,440
Speaker 3: Miami was like my young twenties, but like as a

522
00:26:01,480 --> 00:26:05,280
Speaker 3: mom and like just super grown, like I'm so.

523
00:26:07,720 --> 00:26:07,920
Speaker 2: Chill.

524
00:26:08,000 --> 00:26:10,680
Speaker 3: I'll be chilling as a mom, but I'm still ready

525
00:26:10,680 --> 00:26:12,840
Speaker 3: to battle whatever because I'll be feeling like people be

526
00:26:12,880 --> 00:26:13,480
Speaker 3: trying me but.

527
00:26:15,720 --> 00:26:16,280
Speaker 2: I can't even go.

528
00:26:16,359 --> 00:26:18,880
Speaker 3: I've been to a strip club where the girls didn't

529
00:26:18,920 --> 00:26:24,679
Speaker 3: even want to dance around me. Yeah, but it was

530
00:26:24,680 --> 00:26:26,520
Speaker 3: the sweetest because it wasn't like a battle thing like

531
00:26:26,560 --> 00:26:28,520
Speaker 3: in the club is when people trying try it. But

532
00:26:28,960 --> 00:26:30,680
Speaker 3: it got to a place where like it went from

533
00:26:30,680 --> 00:26:33,280
Speaker 3: people in the battle to now people don't even want

534
00:26:33,320 --> 00:26:35,200
Speaker 3: to like dancing for me.

535
00:26:35,240 --> 00:26:36,000
Speaker 1: The girls like, oh my.

536
00:26:35,920 --> 00:26:38,280
Speaker 2: God, go you be dancing down. I feel crazy. I'm like, girl,

537
00:26:38,480 --> 00:26:41,879
Speaker 2: this is this is job, not even bro.

538
00:26:42,000 --> 00:26:42,680
Speaker 1: You're killing it.

539
00:26:43,480 --> 00:26:47,040
Speaker 3: You feel me because y'all be doing ship that. I'm like, bitch,

540
00:26:47,200 --> 00:26:48,880
Speaker 3: yes get it, you know what I'm saying. So it's

541
00:26:48,920 --> 00:26:51,560
Speaker 3: like I don't want people to see me and be intimidated.

542
00:26:51,600 --> 00:26:53,840
Speaker 3: You know what I'm saying, Like y'all are beautiful, y'all

543
00:26:53,920 --> 00:26:56,840
Speaker 3: killing it, and they just be like start poplogging this.

544
00:26:56,800 --> 00:27:01,280
Speaker 2: Y'all was like bab a lot pop idn't always heal that,

545
00:27:01,800 --> 00:27:04,560
Speaker 2: you know, you you with you at your videos where

546
00:27:04,560 --> 00:27:07,159
Speaker 2: they they did, so they come to be in your

547
00:27:07,240 --> 00:27:10,240
Speaker 2: video and then they nobody want to see that ship,

548
00:27:10,359 --> 00:27:11,960
Speaker 2: right They come up in there and start popping like

549
00:27:12,080 --> 00:27:13,960
Speaker 2: you were like, yo, my man. We looking for the

550
00:27:14,119 --> 00:27:18,160
Speaker 2: like a vibe like they know when they start doing

551
00:27:18,200 --> 00:27:22,679
Speaker 2: the other dance you like, yo my man, like you

552
00:27:22,720 --> 00:27:25,600
Speaker 2: know we this ain't that type of party right here.

553
00:27:26,960 --> 00:27:27,600
Speaker 2: It's crazy.

554
00:27:27,640 --> 00:27:27,840
Speaker 1: You know.

555
00:27:28,040 --> 00:27:30,639
Speaker 2: The one time I've seen some ship like that was

556
00:27:31,000 --> 00:27:33,639
Speaker 2: we was at the ruck and we brought Ai and

557
00:27:33,720 --> 00:27:36,760
Speaker 2: they didn't want to check him. He's the only player

558
00:27:37,560 --> 00:27:42,040
Speaker 2: NBA player I ever seen at the Rutger that they

559
00:27:42,119 --> 00:27:44,520
Speaker 2: would not deal him up. They didn't want to d

560
00:27:44,640 --> 00:27:45,160
Speaker 2: up Ai.

561
00:27:45,359 --> 00:27:45,439
Speaker 7: Like.

562
00:27:45,480 --> 00:27:48,679
Speaker 2: He came out there and nobody wanted to deal him up.

563
00:27:48,720 --> 00:27:51,280
Speaker 2: They was playing him for far like almost like the

564
00:27:51,280 --> 00:27:53,320
Speaker 2: strippers don't want to dance around you where ay I

565
00:27:53,520 --> 00:27:56,480
Speaker 2: came out there started going like they was like nobody

566
00:27:56,520 --> 00:27:59,080
Speaker 2: wanted to be embarrassed on camera or nothing like that.

567
00:27:59,440 --> 00:28:02,280
Speaker 2: He was just hop into the rim. Nobody played defense

568
00:28:02,359 --> 00:28:04,760
Speaker 2: on them. I've seen that ship before.

569
00:28:05,400 --> 00:28:10,960
Speaker 4: Escape Room is an album in a short film, Walker's

570
00:28:11,040 --> 00:28:12,720
Speaker 4: Through the Process, Walkers Through.

571
00:28:12,880 --> 00:28:14,680
Speaker 2: I mean you told us we got to hear everything.

572
00:28:15,320 --> 00:28:15,800
Speaker 2: You gotta hear.

573
00:28:15,880 --> 00:28:18,320
Speaker 3: It's like going to the movies and happen to P.

574
00:28:19,400 --> 00:28:21,520
Speaker 3: You know, you lead the P you might miss you

575
00:28:21,560 --> 00:28:23,880
Speaker 3: feel me like we won't be able.

576
00:28:23,640 --> 00:28:29,080
Speaker 2: To pause to Joe and Jakes. You got sometimes you

577
00:28:29,160 --> 00:28:33,359
Speaker 2: gotta pause. You know, you gotta keep drinking that water.

578
00:28:33,440 --> 00:28:36,359
Speaker 2: That ship run through the system. Man, you know what

579
00:28:36,840 --> 00:28:38,840
Speaker 2: water is good for you some reason. I ain't pee

580
00:28:38,840 --> 00:28:41,200
Speaker 2: as much with dia PEPSI. Man, now I'm drinking the

581
00:28:41,200 --> 00:28:43,920
Speaker 2: whole bitch of water. I'm in the fucking bathroom wall day,

582
00:28:44,160 --> 00:28:47,080
Speaker 2: filter in your filter waterworks. Nah.

583
00:28:47,160 --> 00:28:49,360
Speaker 3: But like real shit, it's like it's an experience and

584
00:28:49,400 --> 00:28:53,760
Speaker 3: it's like it's one thing leads into another versus like Okay,

585
00:28:53,760 --> 00:28:54,640
Speaker 3: then listen to a few.

586
00:28:54,520 --> 00:28:56,120
Speaker 2: Songs and then I'm gonna go connect it.

587
00:28:56,480 --> 00:28:59,160
Speaker 3: Yeah, Like when people listen, it's like an audio movie,

588
00:28:59,200 --> 00:29:02,520
Speaker 3: like even without the movie attached, Like listening to the album,

589
00:29:02,520 --> 00:29:04,440
Speaker 3: it's like an audio movie. So it's one of them

590
00:29:04,480 --> 00:29:06,800
Speaker 3: things where it's like I want people to receive it

591
00:29:06,840 --> 00:29:09,080
Speaker 3: and really listen to it. When it got some real times,

592
00:29:09,080 --> 00:29:10,680
Speaker 3: don't rush into my you joy.

593
00:29:10,520 --> 00:29:13,840
Speaker 2: Riding the work like.

594
00:29:15,320 --> 00:29:17,360
Speaker 3: You feel me And like I said, it will create

595
00:29:17,360 --> 00:29:21,360
Speaker 3: a lot of healthy dialogue. I think I think it's important,

596
00:29:21,840 --> 00:29:24,480
Speaker 3: you know, to create those safe spaces and have an

597
00:29:24,520 --> 00:29:26,920
Speaker 3: album that's not a whole bunch of pointing of the

598
00:29:26,960 --> 00:29:31,000
Speaker 3: fingers and you know, different things like that. So the

599
00:29:31,040 --> 00:29:32,800
Speaker 3: process is dope. And then once you see the movie

600
00:29:32,800 --> 00:29:34,360
Speaker 3: with it, it's just like, oh, yeah, this is insane.

601
00:29:34,400 --> 00:29:39,000
Speaker 2: I got a personal question, right, Uh the first album

602
00:29:39,240 --> 00:29:47,200
Speaker 2: produced by the Icon yay easy? Right? What was that

603
00:29:47,360 --> 00:29:50,200
Speaker 2: process like working with this man? Because I want it

604
00:29:50,200 --> 00:29:53,120
Speaker 2: there to make a song? You want a song, I

605
00:29:53,160 --> 00:29:54,920
Speaker 2: brought a whole other song.

606
00:29:54,680 --> 00:29:55,280
Speaker 4: On that song.

607
00:29:55,640 --> 00:30:00,800
Speaker 2: It's like, listen me eighty seven the song is it?

608
00:30:01,080 --> 00:30:03,360
Speaker 2: I had a song it's called Pride and Joey I

609
00:30:03,360 --> 00:30:06,760
Speaker 2: did with with Kanye, but he went it called Kiss

610
00:30:07,040 --> 00:30:09,920
Speaker 2: Bust the dish. The point is, you know what's crazy?

611
00:30:09,960 --> 00:30:12,360
Speaker 2: Then had me later hook for Pride and Joy.

612
00:30:12,520 --> 00:30:16,360
Speaker 4: Yeah, I told you now, that's eighty five more eighty

613
00:30:16,480 --> 00:30:20,040
Speaker 4: six to that Yo, the craziest.

614
00:30:19,680 --> 00:30:22,160
Speaker 2: I like that song. Yeah, but I want to be

615
00:30:22,280 --> 00:30:26,640
Speaker 2: doing that song. Listen. I do the another round with

616
00:30:26,640 --> 00:30:31,080
Speaker 2: with Chris Brown. The ship is out of control, popping.

617
00:30:32,120 --> 00:30:34,400
Speaker 2: You know this game. You need to be on a

618
00:30:34,520 --> 00:30:38,720
Speaker 2: roll sometimes. You know. When I was young, I was

619
00:30:38,840 --> 00:30:42,040
Speaker 2: just say what you want. I was just throwing our

620
00:30:42,160 --> 00:30:45,120
Speaker 2: hits so much. I gave Jo Ruhl New York. I

621
00:30:45,200 --> 00:30:47,920
Speaker 2: was just I felt like it was hit Mainia, Like

622
00:30:47,960 --> 00:30:50,320
Speaker 2: there's no way I could stop. Everything I did was

623
00:30:50,320 --> 00:30:53,760
Speaker 2: a hit number one. Then you get to that motherfucking

624
00:30:53,880 --> 00:30:58,240
Speaker 2: gray every I'm like, no, I'm telling you, I'm pulling

625
00:30:58,280 --> 00:31:01,080
Speaker 2: them out. Just everything up out. I know what's gone,

626
00:31:01,120 --> 00:31:04,000
Speaker 2: it's gone. I'm putting our hits. Then you get to

627
00:31:04,080 --> 00:31:07,920
Speaker 2: that little stumble were you try and catch that ship again.

628
00:31:08,040 --> 00:31:12,040
Speaker 2: That ain't easy. Fact. I go in the studio with

629
00:31:12,120 --> 00:31:16,400
Speaker 2: Chris Brown. We got another one, right, so now I

630
00:31:16,520 --> 00:31:30,840
Speaker 2: make right, so we make another one after that. I

631
00:31:30,880 --> 00:31:34,959
Speaker 2: swear to god, it was a smash ship and Kanye Yo,

632
00:31:35,120 --> 00:31:38,000
Speaker 2: let me work on that record. He changed the whole

633
00:31:38,200 --> 00:31:43,080
Speaker 2: fucking record. He made it like everybody. We had another one.

634
00:31:43,880 --> 00:31:46,960
Speaker 2: I had another one coming right after the Chris Brown

635
00:31:47,000 --> 00:31:50,720
Speaker 2: ship like another one, like I had one, and he

636
00:31:50,840 --> 00:31:54,600
Speaker 2: switched the whole ship up. So I know, the one

637
00:31:54,680 --> 00:31:56,440
Speaker 2: time I work with him, I know what he did

638
00:31:56,480 --> 00:31:59,400
Speaker 2: to meat. What was that process like working with him

639
00:31:59,400 --> 00:32:02,040
Speaker 2: on the whole album even though the project was came

640
00:32:02,080 --> 00:32:02,840
Speaker 2: out incredible.

641
00:32:02,920 --> 00:32:03,480
Speaker 1: I mean, I.

642
00:32:03,400 --> 00:32:06,160
Speaker 3: Definitely feel like, you know, KTSC was like some of

643
00:32:06,200 --> 00:32:10,160
Speaker 3: his best work and he's amazing, but like what he

644
00:32:10,200 --> 00:32:13,200
Speaker 3: did was gonna love me, and it was like that

645
00:32:13,280 --> 00:32:15,320
Speaker 3: Nigga was in a whole nother duffel, you know what

646
00:32:15,320 --> 00:32:17,120
Speaker 3: I'm saying, Like what he did and that's why I say,

647
00:32:17,120 --> 00:32:18,880
Speaker 3: like some of his best work, that shit is just

648
00:32:18,960 --> 00:32:23,479
Speaker 3: like incredible, you know. And I think because it was

649
00:32:24,920 --> 00:32:28,440
Speaker 3: that incredible that I think it became the both of

650
00:32:28,520 --> 00:32:32,880
Speaker 3: ours versus.

651
00:32:30,600 --> 00:32:33,880
Speaker 1: A my thing, you know, like a me thing.

652
00:32:34,280 --> 00:32:36,960
Speaker 3: I think he was, you know, and as a creative

653
00:32:37,000 --> 00:32:39,040
Speaker 3: even now looking at it, like being as I do

654
00:32:39,160 --> 00:32:43,480
Speaker 3: everything for everybody, like this was a passion project for him.

655
00:32:43,760 --> 00:32:46,360
Speaker 1: I think he was very very very very proud of it.

656
00:32:46,960 --> 00:32:49,680
Speaker 3: And I think that in that moment of being so proud,

657
00:32:49,760 --> 00:32:52,760
Speaker 3: it's like he was living in that moment and I

658
00:32:52,840 --> 00:32:57,640
Speaker 3: don't think he thought about everything else that was also

659
00:32:57,680 --> 00:33:00,560
Speaker 3: a part of that moment. You feel what I'm saying,

660
00:33:00,960 --> 00:33:02,760
Speaker 3: because if it was up to me, like dropping that

661
00:33:02,800 --> 00:33:05,680
Speaker 3: shit right after fade would have been insane, you feel

662
00:33:05,680 --> 00:33:06,200
Speaker 3: what I'm saying.

663
00:33:07,400 --> 00:33:10,480
Speaker 1: But I definitely think that it was a This project.

664
00:33:10,000 --> 00:33:14,280
Speaker 3: Was his baby, and he treated it as such, you

665
00:33:14,360 --> 00:33:16,080
Speaker 3: know what I'm saying. And I think both of us

666
00:33:16,120 --> 00:33:18,880
Speaker 3: like he was like, yeah, cause you're going baby yao me.

667
00:33:18,960 --> 00:33:21,000
Speaker 3: So I think both of us being like the super

668
00:33:21,000 --> 00:33:25,200
Speaker 3: creatives that we are. I think that like in that

669
00:33:25,520 --> 00:33:28,800
Speaker 3: in that moment, from one creative to another creative, like

670
00:33:28,840 --> 00:33:31,760
Speaker 3: we both it's like, Okay, I get that, you grab up.

671
00:33:31,760 --> 00:33:33,560
Speaker 2: This is a problem moment for me to But it

672
00:33:33,600 --> 00:33:34,800
Speaker 2: was just a lot.

673
00:33:34,760 --> 00:33:36,960
Speaker 1: Of that, you know what I'm saying.

674
00:33:37,480 --> 00:33:40,160
Speaker 3: But I think it's an amazing project and I think

675
00:33:40,200 --> 00:33:42,959
Speaker 3: it's a life changer, And it's just like that was

676
00:33:43,000 --> 00:33:44,800
Speaker 3: that was the time to be alive.

677
00:33:44,880 --> 00:33:46,840
Speaker 1: You just had to just had to be there, you

678
00:33:46,880 --> 00:33:47,360
Speaker 1: know what I'm saying.

679
00:33:47,360 --> 00:33:51,920
Speaker 3: And now even today, like I cut so much more crazy,

680
00:33:51,920 --> 00:33:54,000
Speaker 3: Like I give so much more grace because it's just

681
00:33:54,040 --> 00:33:57,360
Speaker 3: like people go through stuff, you know what I'm saying.

682
00:33:57,520 --> 00:34:00,560
Speaker 3: And I think all he ever wanted to do was create,

683
00:34:01,480 --> 00:34:04,320
Speaker 3: you know, and I know that feeling of just wanting

684
00:34:04,560 --> 00:34:09,480
Speaker 3: to create, and I think those seven albums allowed him

685
00:34:09,880 --> 00:34:14,319
Speaker 3: to just create without any of the extra shit.

686
00:34:14,600 --> 00:34:15,239
Speaker 1: You feel what I'm saying.

687
00:34:15,239 --> 00:34:17,960
Speaker 3: So at that point, it was block everybody out and

688
00:34:17,960 --> 00:34:21,080
Speaker 3: he showed up for hisself, and I think that's amazing,

689
00:34:21,440 --> 00:34:23,080
Speaker 3: you know what I'm saying. I think we always talk

690
00:34:23,120 --> 00:34:24,960
Speaker 3: about who's being selfish or whatever, but it's like, you

691
00:34:24,960 --> 00:34:27,680
Speaker 3: know what, show for yourself because it all still helped

692
00:34:27,719 --> 00:34:29,279
Speaker 3: us in a way, you know what I'm saying. I

693
00:34:29,280 --> 00:34:32,040
Speaker 3: would have preferred it to move differently and to roll

694
00:34:32,080 --> 00:34:34,400
Speaker 3: out to be handled differently because I am the baby

695
00:34:34,600 --> 00:34:36,960
Speaker 3: and I am the girl. So it's just like, you know,

696
00:34:37,120 --> 00:34:39,680
Speaker 3: out of everybody, I've been waiting the longest, you know

697
00:34:39,719 --> 00:34:42,520
Speaker 3: what I'm saying, Like everybody else here is consistent with

698
00:34:42,640 --> 00:34:46,000
Speaker 3: their music. I don't have consistent music. So I needed

699
00:34:46,000 --> 00:34:50,480
Speaker 3: you to pour into like continue on the passion of it.

700
00:34:50,920 --> 00:34:53,319
Speaker 3: He was passionate, like knowing you killed these fucking beasts.

701
00:34:53,320 --> 00:34:56,239
Speaker 3: Now'll be passionate about this roll out and understand that

702
00:34:56,800 --> 00:34:59,200
Speaker 3: you know we're in this together.

703
00:34:59,360 --> 00:34:59,959
Speaker 1: You know what I'm saying.

704
00:35:01,000 --> 00:35:03,520
Speaker 2: I got a ticket, slights, you're on some bullshit with

705
00:35:03,560 --> 00:35:06,920
Speaker 2: the Green Watch with the Green Louis with the acted

706
00:35:08,400 --> 00:35:10,759
Speaker 2: what type of smoke you can't when you wanted all

707
00:35:10,800 --> 00:35:13,960
Speaker 2: the sooke today? Like what the fuck? I'm looking at

708
00:35:14,000 --> 00:35:16,759
Speaker 2: the Green Watch with the Louise like you acting up

709
00:35:16,840 --> 00:35:21,520
Speaker 2: out here? Man, that's how you feel. That's how you feel,

710
00:35:22,239 --> 00:35:26,239
Speaker 2: according to a guess, Yeah, that's right. She throw that ship.

711
00:35:26,520 --> 00:35:27,160
Speaker 2: You know it's crazy.

712
00:35:27,200 --> 00:35:29,040
Speaker 3: That's actually a complet I noticed that when I go

713
00:35:29,120 --> 00:35:31,520
Speaker 3: places like people really be throwing on their Sunday's best.

714
00:35:32,400 --> 00:35:35,040
Speaker 1: I'm coming to that's a good.

715
00:35:35,719 --> 00:35:37,240
Speaker 2: Let me tell you something.

716
00:35:39,160 --> 00:35:41,080
Speaker 1: I love that, I really love that.

717
00:35:42,320 --> 00:35:45,319
Speaker 2: I don't really get to get my elaborated on these stinkers, right,

718
00:35:46,520 --> 00:35:51,120
Speaker 2: Jordan's they love you because the type of quality they

719
00:35:51,160 --> 00:35:57,040
Speaker 2: gave you game on the ship let kind of fucking

720
00:35:57,120 --> 00:36:00,840
Speaker 2: trees and ship and and yo, this ship is this

721
00:36:01,040 --> 00:36:06,080
Speaker 2: shoe to me when it came out was the shoe

722
00:36:06,080 --> 00:36:09,600
Speaker 2: of the year to me. Okay, I'm sure there's other

723
00:36:10,280 --> 00:36:12,840
Speaker 2: shoes that came out that was fly, but to me,

724
00:36:13,800 --> 00:36:17,600
Speaker 2: I do the sneaking ship for real, and I know

725
00:36:17,760 --> 00:36:19,840
Speaker 2: the quality. I know how they let you get away

726
00:36:19,880 --> 00:36:22,359
Speaker 2: with you know, when Jordan, don't let you put your

727
00:36:22,440 --> 00:36:25,640
Speaker 2: name on the ship all this, the box that came in.

728
00:36:25,680 --> 00:36:27,960
Speaker 2: I think I got stiffed. I think they gave me

729
00:36:28,040 --> 00:36:30,600
Speaker 2: a whack box. I think you had some special boxes.

730
00:36:30,640 --> 00:36:33,320
Speaker 2: What special body with you had they had a special box.

731
00:36:33,680 --> 00:36:36,520
Speaker 2: You got a concrete box, regular red here. I didn't

732
00:36:36,560 --> 00:36:39,360
Speaker 2: get the premiere. I didn't. They gave it to me regular.

733
00:36:39,480 --> 00:36:40,600
Speaker 2: Like I'm just being honest.

734
00:36:40,800 --> 00:36:42,239
Speaker 1: It's just like gave you a bear like sneakers in

735
00:36:42,280 --> 00:36:42,920
Speaker 1: a red box.

736
00:36:43,520 --> 00:36:46,840
Speaker 2: They fucked me. I swear even show a kind of box.

737
00:36:47,200 --> 00:36:51,399
Speaker 2: They came in the fly. I was calling the tea,

738
00:36:51,440 --> 00:36:53,839
Speaker 2: the cursing out everybody. I was like, Yo, we're the

739
00:36:53,880 --> 00:36:57,680
Speaker 2: fucking box, We're the box box.

740
00:36:58,360 --> 00:37:00,279
Speaker 3: I gotta get you a special box you put my

741
00:37:00,360 --> 00:37:02,480
Speaker 3: sneakers don't come in a special box. I gotta get

742
00:37:02,480 --> 00:37:04,200
Speaker 3: you a box to put in the store. They shot

743
00:37:04,320 --> 00:37:08,319
Speaker 3: my ship in the fucking oh what's the joint? The

744
00:37:08,360 --> 00:37:10,600
Speaker 3: Benning spot and all that we shot.

745
00:37:11,160 --> 00:37:13,640
Speaker 2: My photo show was shoot was on top of the

746
00:37:13,680 --> 00:37:17,319
Speaker 2: projects in the wad Kuci free though with me and

747
00:37:17,320 --> 00:37:19,840
Speaker 2: Ren me in there like this like that was our rollout.

748
00:37:19,960 --> 00:37:22,799
Speaker 2: Was like you got a special box or type. I

749
00:37:22,800 --> 00:37:25,480
Speaker 2: got the regular ship. They was like, nah, you represent

750
00:37:25,719 --> 00:37:26,920
Speaker 2: you know the.

751
00:37:26,960 --> 00:37:29,160
Speaker 3: Average Nah, but you know what I did though, it's

752
00:37:29,200 --> 00:37:31,560
Speaker 3: like again, but nah, that's that.

753
00:37:31,560 --> 00:37:34,960
Speaker 4: That's also the hustle and the festive.

754
00:37:35,320 --> 00:37:38,120
Speaker 1: I went into my commercial budget I took.

755
00:37:38,200 --> 00:37:40,480
Speaker 3: I was taking money from different places and saying, Yo,

756
00:37:40,520 --> 00:37:41,600
Speaker 3: this is what I want to do.

757
00:37:42,000 --> 00:37:42,520
Speaker 1: You know what I'm saying.

758
00:37:42,520 --> 00:37:44,880
Speaker 3: I need to make sure that the people you know

759
00:37:45,320 --> 00:37:47,360
Speaker 3: that I fuck with heavy received these sneakers in a

760
00:37:47,400 --> 00:37:48,040
Speaker 3: special way.

761
00:37:48,320 --> 00:37:48,759
Speaker 1: You know what I'm saying.

762
00:37:48,760 --> 00:37:50,080
Speaker 3: I ain't gonn front the sneaker with sod out before

763
00:37:50,080 --> 00:37:52,360
Speaker 3: we even dropped commercial, so low key, I could have

764
00:37:52,400 --> 00:37:54,680
Speaker 3: made more than even more of our boxes.

765
00:37:54,960 --> 00:37:57,000
Speaker 2: I went to give you my sneaker, and it was

766
00:37:57,120 --> 00:38:00,719
Speaker 2: so much marijuana that got you high in there that

767
00:38:00,719 --> 00:38:03,239
Speaker 2: that night. Who was it little Baby's party or something.

768
00:38:03,280 --> 00:38:05,960
Speaker 2: It was like three in the morning, to give you

769
00:38:06,000 --> 00:38:08,640
Speaker 2: the sneaker and give him the sneaker, the TS sneaker.

770
00:38:08,800 --> 00:38:12,680
Speaker 2: It was. I was high, yeah, and I the way

771
00:38:12,680 --> 00:38:16,200
Speaker 2: to fake second hand smoke. Them motherfuckers were smoking so

772
00:38:16,360 --> 00:38:17,520
Speaker 2: much ship that night.

773
00:38:18,239 --> 00:38:20,919
Speaker 1: I'm of a certain that show was that showing our hate.

774
00:38:21,120 --> 00:38:22,640
Speaker 1: I was in there dying. But that was the tour

775
00:38:22,880 --> 00:38:23,320
Speaker 1: I created.

776
00:38:23,640 --> 00:38:28,000
Speaker 2: In the morning, brom that ship was like dumb, dumb, dumb,

777
00:38:28,120 --> 00:38:30,880
Speaker 2: like they were smoking so much shit. I was dizzy.

778
00:38:30,920 --> 00:38:32,680
Speaker 2: She was like, Joe, I know you got my ship.

779
00:38:34,880 --> 00:38:36,880
Speaker 2: I couldn't wait for that dude to walk in that

780
00:38:37,000 --> 00:38:39,440
Speaker 2: door to give him that sneaking so bad. I was like, Yo,

781
00:38:39,520 --> 00:38:43,040
Speaker 2: Lettle baby, shut you go, you got it. Take the pic.

782
00:38:43,520 --> 00:38:45,920
Speaker 2: That ship was crazy. But you know we grind different

783
00:38:45,920 --> 00:38:49,000
Speaker 2: with Cads Jada Man say anything.

784
00:38:49,080 --> 00:38:53,600
Speaker 4: I'm just enjoying the conversations the Aunties were done.

785
00:38:53,640 --> 00:38:54,080
Speaker 2: That's crazy.

786
00:38:54,120 --> 00:38:56,440
Speaker 3: I ain't bring up the fact that I got a

787
00:38:56,440 --> 00:38:57,799
Speaker 3: song in the video with both of y'all.

788
00:38:58,280 --> 00:38:59,680
Speaker 2: We hear the talk about you.

789
00:39:00,480 --> 00:39:01,399
Speaker 1: I'm a part of that.

790
00:39:01,400 --> 00:39:06,920
Speaker 4: That's a part of my journey talking about you know

791
00:39:06,920 --> 00:39:07,200
Speaker 4: what I mean.

792
00:39:07,280 --> 00:39:10,040
Speaker 2: It's why you say, yo, t how I feel that? Yeah?

793
00:39:10,040 --> 00:39:11,640
Speaker 2: How does it feel to have a song in the

794
00:39:11,719 --> 00:39:13,160
Speaker 2: video with us? To yo?

795
00:39:14,160 --> 00:39:14,920
Speaker 1: Where's the camera?

796
00:39:16,640 --> 00:39:19,840
Speaker 3: Like some of the best moments of my life. I

797
00:39:19,880 --> 00:39:23,120
Speaker 3: need you all to understand, like this little girl from Harlem,

798
00:39:23,120 --> 00:39:25,400
Speaker 3: having the opportunity to work with both of y'all is

799
00:39:25,440 --> 00:39:27,880
Speaker 3: amazing And I don't ever want you to get lost

800
00:39:27,920 --> 00:39:29,479
Speaker 3: on that, you know what I'm saying? Like, I feel

801
00:39:29,560 --> 00:39:32,360
Speaker 3: like people see where my career is going and you know,

802
00:39:33,400 --> 00:39:37,280
Speaker 3: feel feel like the other shit don't matter. So again

803
00:39:37,400 --> 00:39:40,000
Speaker 3: I say, it's all about where I started, and people

804
00:39:40,080 --> 00:39:42,000
Speaker 3: was always believing me. We got a few records together,

805
00:39:42,120 --> 00:39:45,000
Speaker 3: you know what I'm saying, And you know I you

806
00:39:45,040 --> 00:39:48,239
Speaker 3: know and feel with the most now we really do,

807
00:39:48,560 --> 00:39:49,960
Speaker 3: you know. And that's one thing I can always say,

808
00:39:49,960 --> 00:39:54,200
Speaker 3: Like I call Jay and it's like whatever, and it's

809
00:39:54,280 --> 00:39:54,879
Speaker 3: quick too.

810
00:39:55,280 --> 00:39:55,839
Speaker 2: You know what I'm saying.

811
00:39:55,880 --> 00:39:58,640
Speaker 1: It's like, that's the kind of shit that means the

812
00:39:58,680 --> 00:40:00,239
Speaker 1: world to me. You know what I saying?

813
00:40:00,280 --> 00:40:05,400
Speaker 2: Wait all the time? Are you making? Wait? You y'all'll

814
00:40:05,400 --> 00:40:05,880
Speaker 2: be having me.

815
00:40:05,960 --> 00:40:06,920
Speaker 1: I'll be getting my ship.

816
00:40:09,000 --> 00:40:12,480
Speaker 2: I'm shopping. What am I ship? They go often? What

817
00:40:12,560 --> 00:40:13,400
Speaker 2: am I shop? Me?

818
00:40:13,640 --> 00:40:14,080
Speaker 1: What am I?

819
00:40:14,640 --> 00:40:14,680
Speaker 6: What?

820
00:40:14,800 --> 00:40:15,480
Speaker 2: Am I chopped?

821
00:40:15,520 --> 00:40:16,000
Speaker 7: Me? Heah?

822
00:40:16,160 --> 00:40:20,319
Speaker 2: What was what? What I do? Jady kiss verse out here?

823
00:40:20,640 --> 00:40:23,799
Speaker 2: Gun start telling me? You know, people give me watches

824
00:40:23,920 --> 00:40:30,160
Speaker 2: for vers. That's my at that's my own artist. They

825
00:40:30,360 --> 00:40:32,879
Speaker 2: gotta do that. They get a verse out of me, Yo,

826
00:40:33,040 --> 00:40:34,640
Speaker 2: that's ship crazy.

827
00:40:35,000 --> 00:40:37,200
Speaker 3: Well listen, I'm just happy to be a part, you

828
00:40:37,239 --> 00:40:40,360
Speaker 3: know what I'm saying. And I feel blessed to have

829
00:40:40,480 --> 00:40:42,239
Speaker 3: both of y'all in my life and have been able

830
00:40:42,239 --> 00:40:43,520
Speaker 3: to work with y'all and I just really want to

831
00:40:43,520 --> 00:40:47,279
Speaker 3: give all yall flowers. The podcast is fucking fire. I

832
00:40:47,320 --> 00:40:50,480
Speaker 3: could not go into this surgery without coming home and

833
00:40:50,680 --> 00:40:51,680
Speaker 3: seeing y'all like this ship.

834
00:40:53,840 --> 00:40:56,080
Speaker 2: Let's backtrack here. We talked off the end.

835
00:40:56,600 --> 00:41:00,120
Speaker 4: It's a bittersweet moment, but we we walk with the

836
00:41:00,120 --> 00:41:00,839
Speaker 4: faith with God.

837
00:41:01,520 --> 00:41:03,719
Speaker 2: I sister has to have vocal surgery.

838
00:41:04,320 --> 00:41:06,839
Speaker 4: Tell them a little bit before, you know what I mean,

839
00:41:07,560 --> 00:41:11,200
Speaker 4: you know, elaborate a little yeah, we're saying per with.

840
00:41:12,760 --> 00:41:13,439
Speaker 2: No real talk.

841
00:41:13,480 --> 00:41:18,200
Speaker 3: We gotta say, prier, I'm good, you know, I think

842
00:41:18,440 --> 00:41:21,040
Speaker 3: you know, I've there's been a lot of years of

843
00:41:21,120 --> 00:41:23,799
Speaker 3: singing and then you know, and acting and just a

844
00:41:23,840 --> 00:41:26,040
Speaker 3: lot of trauma to the to the vocal cord.

845
00:41:26,080 --> 00:41:26,839
Speaker 1: You know what I'm saying, a.

846
00:41:26,760 --> 00:41:29,000
Speaker 3: Lot of a lot of stress to the vocal cord.

847
00:41:29,080 --> 00:41:31,040
Speaker 3: And I think it's just time to fix it. And

848
00:41:31,040 --> 00:41:35,040
Speaker 3: sometimes we just trying keep going and keep going and

849
00:41:35,120 --> 00:41:37,520
Speaker 3: keep going, keep going into like our bodies, like all right, now,

850
00:41:40,360 --> 00:41:42,600
Speaker 3: you know what I'm saying, like exactly, and I think

851
00:41:42,640 --> 00:41:44,200
Speaker 3: it's something that I want to handle now so I

852
00:41:44,239 --> 00:41:45,680
Speaker 3: am able to go on tour and I may not

853
00:41:45,719 --> 00:41:47,680
Speaker 3: be able to talk when this album drop, but to

854
00:41:47,719 --> 00:41:49,360
Speaker 3: be able to go on tour and even have a

855
00:41:49,400 --> 00:41:52,080
Speaker 3: bigger moment with that and what my supporters and give

856
00:41:52,120 --> 00:41:52,680
Speaker 3: them a real.

857
00:41:52,560 --> 00:41:54,440
Speaker 1: Show is It's amazing.

858
00:41:54,440 --> 00:41:57,440
Speaker 3: But you know, I love to be transparent with my people,

859
00:41:57,960 --> 00:42:01,040
Speaker 3: and you know, I just wanted to share it because

860
00:42:01,120 --> 00:42:03,839
Speaker 3: I will be like I won't have to really sit

861
00:42:04,400 --> 00:42:06,640
Speaker 3: sit back and you know, take that step back and

862
00:42:06,680 --> 00:42:09,480
Speaker 3: handle that. And a good thing is treatable. And I

863
00:42:09,520 --> 00:42:11,200
Speaker 3: caught it in just enough time because it could have

864
00:42:11,200 --> 00:42:12,920
Speaker 3: got it could it could get worse. You know what

865
00:42:12,920 --> 00:42:15,200
Speaker 3: I'm saying about, don't handle it. So I'll be doing that.

866
00:42:16,239 --> 00:42:18,800
Speaker 1: So it's got to be quiet for like two weeks straight.

867
00:42:18,880 --> 00:42:23,919
Speaker 2: That's crazy, man, that's crazy. Are you the animated one

868
00:42:23,960 --> 00:42:26,440
Speaker 2: in the crew? I am the animated I wouldn't wanted

869
00:42:26,440 --> 00:42:28,359
Speaker 2: to talk the most ship, you know what I'm saying

870
00:42:28,600 --> 00:42:29,239
Speaker 2: that that's me.

871
00:42:29,320 --> 00:42:31,200
Speaker 1: I'm like super animated.

872
00:42:32,000 --> 00:42:32,760
Speaker 2: I'm sorry.

873
00:42:33,040 --> 00:42:35,240
Speaker 1: Yeah, I'm like, I'm not even a text.

874
00:42:35,360 --> 00:42:39,080
Speaker 3: I gotta FaceTime for every little thing, Like I have

875
00:42:39,280 --> 00:42:43,320
Speaker 3: to like talk and I'm passionate and that's what the

876
00:42:43,320 --> 00:42:44,960
Speaker 3: New York Ship can and I'm at a house soft.

877
00:42:45,000 --> 00:42:49,319
Speaker 3: I get we having like a little like conversation and

878
00:42:49,360 --> 00:42:52,920
Speaker 3: that New York ship come out? Is you talking about

879
00:42:52,960 --> 00:42:56,200
Speaker 3: the like it's crazy? All of that, all of that,

880
00:42:56,360 --> 00:42:57,120
Speaker 3: I'm all of that.

881
00:42:57,440 --> 00:42:59,640
Speaker 2: They were like, yo, I'm not like I'm mad neither.

882
00:43:00,200 --> 00:43:03,319
Speaker 2: You ever see those like tiktoks and memes they be

883
00:43:03,400 --> 00:43:05,880
Speaker 2: doing about New York girls and they be like, Yo,

884
00:43:05,920 --> 00:43:09,240
Speaker 2: I'm dead ass. They be like for like the Bay Area,

885
00:43:09,360 --> 00:43:12,080
Speaker 2: somebody to be like, do you your New York girl

886
00:43:12,480 --> 00:43:16,200
Speaker 2: to be like, I'm dead ass? Where like, man, I

887
00:43:16,320 --> 00:43:19,399
Speaker 2: see some ship on the grand the other look, I'm

888
00:43:19,440 --> 00:43:22,080
Speaker 2: too old for this ship. Boy. Man, I remember those

889
00:43:22,120 --> 00:43:25,040
Speaker 2: ghetto love stories with with with the girl screaming. She

890
00:43:25,200 --> 00:43:31,360
Speaker 2: was like, Jonathan Ellis, so I'm telling you boy, I

891
00:43:31,760 --> 00:43:35,200
Speaker 2: your like they had like a hood girl arguing with

892
00:43:35,280 --> 00:43:39,399
Speaker 2: her man and she was like, Jonathan Ellis, I'm telling you,

893
00:43:40,000 --> 00:43:42,560
Speaker 2: don't fight with me. He's like he trying to eat

894
00:43:42,680 --> 00:43:45,160
Speaker 2: like you. I can't fucking eat? Like what's going? Like?

895
00:43:45,200 --> 00:43:47,600
Speaker 2: She just I mean, you know that's part of growing

896
00:43:47,719 --> 00:43:50,719
Speaker 2: up right in New York love story.

897
00:43:50,960 --> 00:43:55,440
Speaker 4: Let me hear about your all female production company, the

898
00:43:55,560 --> 00:43:56,640
Speaker 4: Auntie's Production.

899
00:43:57,080 --> 00:44:01,120
Speaker 3: Yeah, the Auntie's Production, your all female production cut really Uh.

900
00:44:01,280 --> 00:44:03,279
Speaker 3: We have a company called at sixty too, because we

901
00:44:03,320 --> 00:44:09,880
Speaker 3: do everything, so we creative direct, produced design, merch stage design,

902
00:44:10,000 --> 00:44:16,920
Speaker 3: sound design, movement, coaching, choreography, directing. Like literally everything is

903
00:44:16,960 --> 00:44:20,000
Speaker 3: really a safe space for creatives so they don't feel boxed.

904
00:44:20,280 --> 00:44:20,880
Speaker 1: You want to do this?

905
00:44:21,000 --> 00:44:21,239
Speaker 2: Bet?

906
00:44:21,239 --> 00:44:22,120
Speaker 1: You want to do this? Bet?

907
00:44:22,440 --> 00:44:22,680
Speaker 2: You know?

908
00:44:22,800 --> 00:44:26,399
Speaker 3: And cost effective? You know these labels and ship ain't

909
00:44:26,400 --> 00:44:27,560
Speaker 3: got no real budgets no more.

910
00:44:27,640 --> 00:44:31,759
Speaker 2: You know what? Tell me about it?

911
00:44:33,040 --> 00:44:33,800
Speaker 1: Uh?

912
00:44:34,080 --> 00:44:37,480
Speaker 2: You work with a lot of major brands. How you choose?

913
00:44:37,920 --> 00:44:38,880
Speaker 2: Is it the bag?

914
00:44:38,960 --> 00:44:42,880
Speaker 4: Of course the bags have to be right, but I

915
00:44:42,880 --> 00:44:45,600
Speaker 4: can imagine they just.

916
00:44:46,800 --> 00:44:47,720
Speaker 2: All of them brands.

917
00:44:48,000 --> 00:44:50,560
Speaker 3: All money ain't good money, you feel mean, like all

918
00:44:50,640 --> 00:44:54,840
Speaker 3: money ain't good going and just snatching bag just because

919
00:44:54,880 --> 00:44:57,480
Speaker 3: it's a bag to snatchucker right there, it might be

920
00:44:57,480 --> 00:44:58,440
Speaker 3: a bombing that motherfucker.

921
00:44:58,840 --> 00:45:00,600
Speaker 2: I ain't getting blown up, do you feel me?

922
00:45:00,680 --> 00:45:02,920
Speaker 1: So it's just like I'm very cautious with that.

923
00:45:03,280 --> 00:45:04,239
Speaker 2: You see what weird?

924
00:45:04,360 --> 00:45:05,399
Speaker 1: That should be weird?

925
00:45:05,719 --> 00:45:07,879
Speaker 2: Back they try to throw you that, You was like, nah,

926
00:45:07,960 --> 00:45:11,319
Speaker 2: I can't do it. I'll tell you mine what No? No,

927
00:45:11,320 --> 00:45:12,000
Speaker 2: do you first?

928
00:45:12,480 --> 00:45:12,719
Speaker 6: Wait?

929
00:45:12,800 --> 00:45:16,600
Speaker 2: Boy? Nah? They try to get me to do the fires.

930
00:45:16,640 --> 00:45:21,160
Speaker 2: The man they had the mail ticket, they had the meal.

931
00:45:21,560 --> 00:45:29,120
Speaker 1: Anna, Lord, let him get the fire high brand.

932
00:45:29,280 --> 00:45:33,360
Speaker 2: You know what you had to do, just take the

933
00:45:33,480 --> 00:45:37,640
Speaker 2: flick with just yeah, that was it. You would have

934
00:45:40,160 --> 00:45:44,040
Speaker 2: what you want me to take. What's like, Yo, it's

935
00:45:44,120 --> 00:45:49,400
Speaker 2: all mail ticket, okay, but what the seventy third? You

936
00:45:49,440 --> 00:45:51,439
Speaker 2: wouldn't have dream of this thing? What if they said

937
00:45:51,640 --> 00:45:52,160
Speaker 2: just wear it.

938
00:45:52,239 --> 00:45:54,160
Speaker 1: You ain't gotta posting it, just say y'all got it on.

939
00:45:54,080 --> 00:45:57,719
Speaker 2: Under the all these guys, That's what I'm saying. Negotiate

940
00:45:57,960 --> 00:46:01,600
Speaker 2: what they wanted to me. They wanted to skiller ship.

941
00:46:02,040 --> 00:46:04,040
Speaker 2: They wanted me up in there with the son and

942
00:46:04,640 --> 00:46:07,239
Speaker 2: solid gold. I got a dog because yn't want a

943
00:46:07,280 --> 00:46:10,320
Speaker 2: solid gold ball, got a treaty with Did you Negotia?

944
00:46:10,480 --> 00:46:12,440
Speaker 1: How did you just flat out say no?

945
00:46:12,440 --> 00:46:17,759
Speaker 2: No? Under the slid me throwing under? And I don't

946
00:46:17,760 --> 00:46:20,680
Speaker 2: even want to say this story, right, I don't even

947
00:46:20,719 --> 00:46:23,359
Speaker 2: want to say the story. I'm not I'm making this

948
00:46:23,440 --> 00:46:27,000
Speaker 2: about Tiana. I'm not making this about fat Joe. I

949
00:46:27,040 --> 00:46:30,840
Speaker 2: don't want to a ton of people. Let's say they

950
00:46:30,880 --> 00:46:31,840
Speaker 2: said they want to hear this.

951
00:46:32,440 --> 00:46:35,040
Speaker 4: They want to hear they want they want to hear this,

952
00:46:35,800 --> 00:46:37,120
Speaker 4: they want to hear this.

953
00:46:38,760 --> 00:46:46,160
Speaker 2: Lesten people eat what they killed. Uncle Dan Quart a

954
00:46:46,280 --> 00:46:49,800
Speaker 2: company that told him they had a million to throw

955
00:46:49,960 --> 00:46:55,000
Speaker 2: Joe to do that, and the man was on on

956
00:46:55,280 --> 00:46:58,440
Speaker 2: my neck like yo with some meal ticket. Yo. Sup

957
00:46:58,520 --> 00:47:01,520
Speaker 2: this just a picture they can thought of? I said, Yo,

958
00:47:01,960 --> 00:47:05,480
Speaker 2: I fed yo the gangster be like you want maybe

959
00:47:05,600 --> 00:47:09,719
Speaker 2: now my own man could feel a little letter because

960
00:47:09,760 --> 00:47:11,560
Speaker 2: you know, we got to rewind the ten you could

961
00:47:11,600 --> 00:47:14,520
Speaker 2: color your beid your head. You know, why look fifty

962
00:47:14,560 --> 00:47:17,400
Speaker 2: three when you could look forty three, forty three? You twenty?

963
00:47:18,040 --> 00:47:21,319
Speaker 2: You know, times are changing. At the time when they

964
00:47:21,840 --> 00:47:23,560
Speaker 2: gave me that was way too early.

965
00:47:24,120 --> 00:47:26,759
Speaker 3: You could have told them like designed like a bulletproof

966
00:47:26,880 --> 00:47:29,200
Speaker 3: vest and the little straps would have made it.

967
00:47:29,120 --> 00:47:32,960
Speaker 2: Tight up, because.

968
00:47:34,840 --> 00:47:35,920
Speaker 1: I got that.

969
00:47:36,239 --> 00:47:40,080
Speaker 2: But you know, sometimes and not only sometimes, yo, I

970
00:47:40,120 --> 00:47:45,320
Speaker 2: of it was just just a period of time where

971
00:47:46,680 --> 00:47:48,920
Speaker 2: I turned down more money than I made. It was

972
00:47:49,000 --> 00:47:51,759
Speaker 2: just they was coming with just like that, all types

973
00:47:51,760 --> 00:47:55,160
Speaker 2: of crazy. You think you're crazy because I'm from the projects.

974
00:47:55,480 --> 00:47:57,880
Speaker 2: So I'm turning ship down left the thread. I'm like, yo,

975
00:47:57,960 --> 00:48:00,640
Speaker 2: are you bucking like you have gonna get this?

976
00:48:02,840 --> 00:48:03,480
Speaker 1: That's real ship.

977
00:48:03,600 --> 00:48:06,160
Speaker 3: All money. All money ain't good money. So I'm very

978
00:48:06,200 --> 00:48:10,320
Speaker 3: selective in who I work in. Most importantly, your freedom.

979
00:48:10,320 --> 00:48:13,200
Speaker 3: You're creative freedom because freedom ain't.

980
00:48:13,040 --> 00:48:18,000
Speaker 4: Free exactly, speak on the god.

981
00:48:19,719 --> 00:48:24,200
Speaker 3: Freedom free. What I'm saying is gonna come with the price,

982
00:48:24,440 --> 00:48:25,920
Speaker 3: you know. So it's just like you want to make

983
00:48:25,920 --> 00:48:28,799
Speaker 3: sure you go somewhere where you have that that that

984
00:48:28,880 --> 00:48:29,719
Speaker 3: freedom to do that.

985
00:48:30,120 --> 00:48:30,800
Speaker 1: You know what I'm saying.

986
00:48:31,520 --> 00:48:34,000
Speaker 2: Let's talk about the fives in the future. We might

987
00:48:34,040 --> 00:48:34,399
Speaker 2: get there.

988
00:48:35,040 --> 00:48:36,680
Speaker 1: Maybe like I could come in on a fans record

989
00:48:36,719 --> 00:48:38,280
Speaker 1: thing and figure out the name.

990
00:48:38,160 --> 00:48:41,160
Speaker 2: Of the company, the five Hs. In the future, ye

991
00:48:41,400 --> 00:48:45,960
Speaker 2: tell you this five Freedom kind of watch this guy

992
00:48:46,080 --> 00:48:48,440
Speaker 2: free to Fire, Freedom Fire.

993
00:48:58,440 --> 00:49:02,480
Speaker 4: You have an incredible late of upcoming films to be released,

994
00:49:03,960 --> 00:49:08,560
Speaker 4: I mean, including projects with Paul Thomas Anderson, Tyler Perry,

995
00:49:09,160 --> 00:49:10,040
Speaker 4: Ryan Murphy.

996
00:49:11,120 --> 00:49:13,960
Speaker 2: How do you choose your acting Robs m h.

997
00:49:14,760 --> 00:49:16,400
Speaker 1: That is a good question.

998
00:49:16,520 --> 00:49:19,000
Speaker 3: I mean, I gotta feel it, honestly, if I don't

999
00:49:19,000 --> 00:49:21,960
Speaker 3: fall asleep reading the script, I love it so real

1000
00:49:22,000 --> 00:49:24,680
Speaker 3: because sometime I will read a script and I will

1001
00:49:24,719 --> 00:49:26,719
Speaker 3: read it and it will go through one end out

1002
00:49:26,719 --> 00:49:29,920
Speaker 3: the like it won't leave the paper. I'm just like,

1003
00:49:30,960 --> 00:49:33,600
Speaker 3: but when I'm reading it and I can see what's

1004
00:49:33,640 --> 00:49:36,360
Speaker 3: happening while I'm reading it, because I am a visual person,

1005
00:49:36,920 --> 00:49:39,279
Speaker 3: then I know it's it's for me. But it's like,

1006
00:49:39,320 --> 00:49:41,759
Speaker 3: what's the what's the bigger message? Like what we what

1007
00:49:41,760 --> 00:49:43,440
Speaker 3: are we talking about here? You know?

1008
00:49:43,760 --> 00:49:44,759
Speaker 1: So that's important to me.

1009
00:49:44,760 --> 00:49:47,480
Speaker 3: And then of course have an opportunity to work with

1010
00:49:47,560 --> 00:49:48,560
Speaker 3: people that I've worked with.

1011
00:49:48,880 --> 00:49:52,680
Speaker 1: That's another big yes. That's like, oh absolutely, I gave

1012
00:49:52,719 --> 00:49:53,680
Speaker 1: you a laush I was.

1013
00:49:53,880 --> 00:49:55,720
Speaker 2: I went to see Centers something.

1014
00:49:55,840 --> 00:49:58,680
Speaker 4: I've seen the clip of your movie in it.

1015
00:49:58,840 --> 00:50:04,479
Speaker 2: I said, oh shit, Copio, they're looking at me. There's

1016
00:50:04,600 --> 00:50:09,560
Speaker 2: no hood nigga. Shut I gotta be honest. Uh. The

1017
00:50:09,640 --> 00:50:14,520
Speaker 2: only guy ever been a group before was Leonardo DiCaprio. Pause.

1018
00:50:14,760 --> 00:50:19,040
Speaker 1: So Leo said, do this spih commercial with me.

1019
00:50:20,520 --> 00:50:27,239
Speaker 2: Nah, but listen what I'm saying. Here the man at

1020
00:50:27,280 --> 00:50:33,520
Speaker 2: the Beyonce concert, he got a hoodie on this, Like

1021
00:50:33,800 --> 00:50:36,839
Speaker 2: there's no way to notice Leonardo DiCaprio. You know, we're

1022
00:50:36,880 --> 00:50:39,560
Speaker 2: sitting in there, arm we're standing in the thing and

1023
00:50:39,640 --> 00:50:42,200
Speaker 2: this ship like this. He got a hat like this.

1024
00:50:43,560 --> 00:50:44,440
Speaker 2: He's like, Yo, what's up?

1025
00:50:44,560 --> 00:50:44,799
Speaker 4: Joe?

1026
00:50:45,120 --> 00:50:48,000
Speaker 2: I'm like, what's up? I'm like, Yo's up? You know,

1027
00:50:48,040 --> 00:50:51,400
Speaker 2: because you know I'm doing the Joe crack too. I'm outsad,

1028
00:50:51,560 --> 00:50:53,399
Speaker 2: you know what I'm saying. I'm like, Yo, what's up. Man,

1029
00:50:54,239 --> 00:50:56,879
Speaker 2: He's like, yo, it's me Leonardo. I said, what the fuck,

1030
00:50:57,200 --> 00:50:59,880
Speaker 2: take the hoodie you off? Now. I took a picture

1031
00:50:59,840 --> 00:51:02,359
Speaker 2: of him. Ship still came out fucked up. It's the

1032
00:51:02,400 --> 00:51:05,600
Speaker 2: only time I ever did that ship and the picture

1033
00:51:05,719 --> 00:51:10,080
Speaker 2: came out too dark. But I made him take the

1034
00:51:10,160 --> 00:51:13,600
Speaker 2: fucking hoodie off. I was like, y'all, jerk the ship off, man,

1035
00:51:13,640 --> 00:51:15,400
Speaker 2: I gotta get a pict this. He was like boom,

1036
00:51:15,400 --> 00:51:17,080
Speaker 2: but he was a nice guy, made.

1037
00:51:18,719 --> 00:51:20,560
Speaker 1: Privacy, he loved it.

1038
00:51:20,960 --> 00:51:23,520
Speaker 2: But he was the only guy ever like lost my

1039
00:51:23,640 --> 00:51:29,600
Speaker 2: cool for pause. What is your favorite? Uh, well, I'll

1040
00:51:29,600 --> 00:51:31,399
Speaker 2: give you. I'll give you a way out. What's your

1041
00:51:31,520 --> 00:51:35,200
Speaker 2: all time favorite soulful spot in Harlem?

1042
00:51:36,920 --> 00:51:42,319
Speaker 3: I ain't gonna front a roos Amy Roofs was your favorite?

1043
00:51:42,400 --> 00:51:45,960
Speaker 3: It was, yeah, but I used to also love well

1044
00:51:46,040 --> 00:51:49,160
Speaker 3: Devin's was fried fish and ship like that, but like

1045
00:51:49,320 --> 00:51:54,840
Speaker 3: soulful Amy roots arm read was fired and fried chicken

1046
00:51:55,000 --> 00:51:59,000
Speaker 3: was fire and macaroni was fired and coming up like

1047
00:51:59,239 --> 00:52:02,799
Speaker 3: they were like just always show me mad love, like

1048
00:52:02,880 --> 00:52:05,120
Speaker 3: from a kid to like you know what I'm saying,

1049
00:52:05,160 --> 00:52:08,080
Speaker 3: like coming into the industry, like I have little events there,

1050
00:52:08,200 --> 00:52:10,680
Speaker 3: like because I'm like a creature habit so once I

1051
00:52:10,840 --> 00:52:12,359
Speaker 3: like something, it's like, that's all I want to eat.

1052
00:52:12,360 --> 00:52:15,560
Speaker 1: Beside soul food. It's Chinese spout on fortieth linux or

1053
00:52:15,640 --> 00:52:17,719
Speaker 1: it was Greennies on forty third.

1054
00:52:17,840 --> 00:52:21,560
Speaker 2: What does the Chinese regular ghetto Chinese? Or yeah right,

1055
00:52:21,800 --> 00:52:27,600
Speaker 2: oh lytics they still did. Oh speaking of food, you

1056
00:52:27,719 --> 00:52:31,000
Speaker 2: know the spot, well, shout out to make my cake

1057
00:52:31,080 --> 00:52:34,439
Speaker 2: and hall them make my cake, my cake. They don't

1058
00:52:34,440 --> 00:52:37,000
Speaker 2: want used to walk bottom.

1059
00:52:36,680 --> 00:52:38,360
Speaker 1: On on on on a seventh.

1060
00:52:38,520 --> 00:52:43,160
Speaker 2: You could just smell, oh, people's watched that episode from

1061
00:52:43,200 --> 00:52:43,760
Speaker 2: the Bronx.

1062
00:52:44,520 --> 00:52:48,920
Speaker 8: I'm from, I'm from for God. Now I'm telling you

1063
00:52:49,880 --> 00:52:53,200
Speaker 8: my mars. The people from the Bronx. The restaurant you

1064
00:52:53,280 --> 00:52:55,160
Speaker 8: said that got the banging sauce.

1065
00:52:55,920 --> 00:52:59,439
Speaker 2: Is groovy, lose in laws. They're gonna next show, they're

1066
00:52:59,480 --> 00:53:01,480
Speaker 2: gonna bring They're gonna lay shoe and bring you in.

1067
00:53:02,400 --> 00:53:05,400
Speaker 4: Let mean you remember because you told us about it

1068
00:53:05,480 --> 00:53:08,360
Speaker 4: on the show. What else the Bronx he got the

1069
00:53:08,560 --> 00:53:12,520
Speaker 4: chicken the sauce. One of these episodes you was talking

1070
00:53:12,600 --> 00:53:15,000
Speaker 4: about a spot in the Bronx with the banging sauce.

1071
00:53:15,239 --> 00:53:19,200
Speaker 2: Whoever he was talking about the sisters they come it.

1072
00:53:19,520 --> 00:53:21,799
Speaker 2: He's about to bring you on. You know what I'm

1073
00:53:21,840 --> 00:53:25,240
Speaker 2: looking for you wanted to Parz put me onto turkey

1074
00:53:25,400 --> 00:53:30,440
Speaker 2: chops back in the day, stopping shot. They ain't got

1075
00:53:30,560 --> 00:53:33,480
Speaker 2: the turkey chops because I went to every stopping shop

1076
00:53:34,800 --> 00:53:38,759
Speaker 2: looking for the turkey chops they got. I think you got.

1077
00:53:40,400 --> 00:53:43,320
Speaker 1: Question is what exactly are we talking about?

1078
00:53:43,800 --> 00:53:49,440
Speaker 2: Fake hungry? That's what I'm like, Do we need to hold? Like?

1079
00:53:49,640 --> 00:53:52,680
Speaker 1: What we I'm just saying, like, what's the indoor b all?

1080
00:53:54,160 --> 00:53:55,040
Speaker 1: Because I'm hungry too?

1081
00:53:56,040 --> 00:54:00,600
Speaker 2: Now? Episode? Why shi he ordered and some ship for

1082
00:54:00,719 --> 00:54:02,759
Speaker 2: next week? I'm telling you right now?

1083
00:54:04,160 --> 00:54:05,200
Speaker 1: Is the ship coming today?

1084
00:54:05,800 --> 00:54:05,840
Speaker 6: No?

1085
00:54:06,200 --> 00:54:11,360
Speaker 2: What I'm saying is we was talking haul of He

1086
00:54:12,000 --> 00:54:17,600
Speaker 2: asks you about your five favorite soul foods. No turkey shop.

1087
00:54:18,160 --> 00:54:18,920
Speaker 2: That game.

1088
00:54:20,239 --> 00:54:24,799
Speaker 5: So for because the Chinese spot on hundred, but food

1089
00:54:24,920 --> 00:54:27,880
Speaker 5: is really chops. I'm like, yo, like they bring us up.

1090
00:54:28,719 --> 00:54:31,560
Speaker 5: I thought he was on He said, No, No, what shot?

1091
00:54:32,560 --> 00:54:33,959
Speaker 5: I'm looking for turkey shot?

1092
00:54:34,120 --> 00:54:34,160
Speaker 1: No?

1093
00:54:34,320 --> 00:54:36,640
Speaker 2: No, what's on this guy's mind?

1094
00:54:36,719 --> 00:54:36,960
Speaker 4: Over it?

1095
00:54:37,200 --> 00:54:41,279
Speaker 2: Vaughn Zip used to take me to a spot downtown

1096
00:54:41,440 --> 00:54:44,960
Speaker 2: like big time a Caprielli's is some wild ship and

1097
00:54:45,000 --> 00:54:48,040
Speaker 2: they used to have the turkey chops. The chips can't

1098
00:54:48,080 --> 00:54:52,080
Speaker 2: came and you fry it like porky shops and they

1099
00:54:52,200 --> 00:54:57,120
Speaker 2: taste like pork chops. They stopped making it. So the

1100
00:54:57,239 --> 00:55:00,279
Speaker 2: other day I seen the soul food joint. I was yo.

1101
00:55:00,360 --> 00:55:02,799
Speaker 2: They it said turkey jobs. I was like, yo, way

1102
00:55:02,840 --> 00:55:06,600
Speaker 2: the fuck the turkey job. And then everybody started telling

1103
00:55:06,640 --> 00:55:08,800
Speaker 2: me turkey chops, and they all said stopping shop. But

1104
00:55:08,920 --> 00:55:11,560
Speaker 2: I went to like stopping shops. By the way, we

1105
00:55:11,680 --> 00:55:14,719
Speaker 2: got rewinded ten up in that motherfucker too, So if

1106
00:55:14,719 --> 00:55:16,080
Speaker 2: you want to go fifty.

1107
00:55:18,000 --> 00:55:21,600
Speaker 3: There's no turkey shot they are. He just I love

1108
00:55:21,680 --> 00:55:23,920
Speaker 3: that we found something though, because I was confused.

1109
00:55:24,800 --> 00:55:29,400
Speaker 2: He's just we found it. Don't mind me. I love it.

1110
00:55:29,560 --> 00:55:29,960
Speaker 2: I love it.

1111
00:55:29,960 --> 00:55:31,839
Speaker 1: I'm just I'm tapping we found it because I wasn't

1112
00:55:31,880 --> 00:55:32,880
Speaker 1: sure where we was going to.

1113
00:55:33,120 --> 00:55:37,839
Speaker 2: I don't defend you. You mean jobs. For years they

1114
00:55:37,960 --> 00:55:41,680
Speaker 2: discontinued it, and then the other day I talked about

1115
00:55:41,680 --> 00:55:43,880
Speaker 2: it in one of the shows and everybody told me,

1116
00:55:44,000 --> 00:55:47,400
Speaker 2: now they got the turkey jobs. So I went to

1117
00:55:47,600 --> 00:55:52,600
Speaker 2: ten supermarkets and find the turkey child. Dear that that's

1118
00:55:52,640 --> 00:55:55,040
Speaker 2: a big deal. For that's a big deal. You ain't

1119
00:55:55,080 --> 00:55:57,520
Speaker 2: no swine, There ain't no puking mo fulk, no hamn

1120
00:55:57,560 --> 00:56:00,719
Speaker 2: in my pan you know what I'm saying. I don't

1121
00:56:00,800 --> 00:56:04,799
Speaker 2: know what you say. I don't know. Listen, your Big

1122
00:56:04,880 --> 00:56:06,480
Speaker 2: Tea performance.

1123
00:56:08,000 --> 00:56:11,520
Speaker 4: A long time was characorized as futuristic.

1124
00:56:11,960 --> 00:56:17,320
Speaker 2: For me, you might be like the second to Michael Jackson.

1125
00:56:17,400 --> 00:56:20,160
Speaker 4: How much you rehearse and how much you prepared for

1126
00:56:20,360 --> 00:56:24,839
Speaker 4: live performances. Me watching you, I see you all over.

1127
00:56:24,960 --> 00:56:27,200
Speaker 4: I see when you're getting ready to do a tour.

1128
00:56:27,360 --> 00:56:30,799
Speaker 4: You're getting ready to do something just like you're doing

1129
00:56:30,800 --> 00:56:35,239
Speaker 4: an unlimited amount of dancing rehearsing, And how do.

1130
00:56:35,600 --> 00:56:38,399
Speaker 2: What is it with that? Do you take that even

1131
00:56:38,520 --> 00:56:39,360
Speaker 2: more seriously?

1132
00:56:39,719 --> 00:56:41,000
Speaker 1: Take that so serious?

1133
00:56:41,000 --> 00:56:44,600
Speaker 3: Because honestly, if I could like record the album and

1134
00:56:44,680 --> 00:56:46,520
Speaker 3: then press the button that takes me straight on tour

1135
00:56:46,520 --> 00:56:49,680
Speaker 3: and I don't have to do as radio everything that

1136
00:56:49,840 --> 00:56:52,279
Speaker 3: comes with all that shit, I would. I would go

1137
00:56:52,440 --> 00:56:54,120
Speaker 3: on tour for the rest of my life. I love

1138
00:56:54,200 --> 00:56:56,320
Speaker 3: to perform live, and I love to rehearse. I'll rehearse

1139
00:56:56,360 --> 00:57:01,640
Speaker 3: my dances like I can dance like twelve thirty hours straight,

1140
00:57:01,880 --> 00:57:05,360
Speaker 3: like still Gold, you.

1141
00:57:05,360 --> 00:57:06,839
Speaker 1: Know what I mean, Like I would just I can

1142
00:57:07,080 --> 00:57:11,600
Speaker 1: just do that all day. And That's also why I'm

1143
00:57:11,600 --> 00:57:14,360
Speaker 1: so toned. Like I'd be sold. I'd be so ripped

1144
00:57:14,400 --> 00:57:14,560
Speaker 1: on you.

1145
00:57:14,880 --> 00:57:18,920
Speaker 2: Are you boring back? Yeah? You just boring six No,

1146
00:57:19,000 --> 00:57:19,200
Speaker 2: I was.

1147
00:57:19,240 --> 00:57:20,880
Speaker 3: I used to come up with a ninja turtle. You know,

1148
00:57:21,040 --> 00:57:22,920
Speaker 3: he had the little punch with a six pack on

1149
00:57:23,000 --> 00:57:24,680
Speaker 3: top of it. Girl ship, I was a ninja turtle.

1150
00:57:25,080 --> 00:57:28,320
Speaker 3: I never had a muscle in my life. We talked

1151
00:57:28,360 --> 00:57:28,640
Speaker 3: about it.

1152
00:57:28,840 --> 00:57:32,440
Speaker 2: Yeah, I was in the gym two times a day,

1153
00:57:33,000 --> 00:57:36,560
Speaker 2: trainers and everything and couldn't make a muscle. I don't know.

1154
00:57:37,000 --> 00:57:38,480
Speaker 2: I'm not the fire.

1155
00:57:40,800 --> 00:57:42,720
Speaker 1: You could have got paid to get that muscle too.

1156
00:57:43,040 --> 00:57:46,640
Speaker 1: You could have got paid the millie to get the muscle.

1157
00:57:46,680 --> 00:57:47,600
Speaker 2: Who she get it from?

1158
00:57:47,680 --> 00:57:47,840
Speaker 3: Mom?

1159
00:57:47,960 --> 00:57:50,520
Speaker 2: From you or from that where she gets the genetics from.

1160
00:57:52,080 --> 00:57:54,000
Speaker 2: I'm not asking you who York.

1161
00:57:55,560 --> 00:57:57,800
Speaker 3: New York now, but my mom My mom has been

1162
00:57:57,840 --> 00:58:00,560
Speaker 3: heavy into fitness, like at it at a young age.

1163
00:58:00,680 --> 00:58:04,560
Speaker 2: You know your gras both big better than ever. But

1164
00:58:04,640 --> 00:58:08,520
Speaker 2: let me tell you something right in the order. Like

1165
00:58:09,720 --> 00:58:13,560
Speaker 2: you know, I'm a big basketball fan, and in order

1166
00:58:14,160 --> 00:58:20,120
Speaker 2: for someone to become the MVP or to win the championship,

1167
00:58:20,640 --> 00:58:23,440
Speaker 2: it's a certain level. Like that's why you see all

1168
00:58:23,480 --> 00:58:27,480
Speaker 2: these guys breaking their achilles and all that. It's another

1169
00:58:27,960 --> 00:58:30,440
Speaker 2: like you gotta be faster than everybody. You got to

1170
00:58:30,480 --> 00:58:32,560
Speaker 2: go another level. You got to train another level, like

1171
00:58:32,680 --> 00:58:35,800
Speaker 2: to get to that to the chip. And then when

1172
00:58:35,840 --> 00:58:38,600
Speaker 2: I watch your performances for no reason, you'll be like

1173
00:58:39,160 --> 00:58:42,040
Speaker 2: you're jumping the heir like it ain't enough. Like for you,

1174
00:58:42,200 --> 00:58:45,400
Speaker 2: it's like, yo, it's like you got so much built

1175
00:58:45,440 --> 00:58:49,080
Speaker 2: in the energy that I believe you train your dances

1176
00:58:49,120 --> 00:58:53,600
Speaker 2: because I see you outwork them. And that's very rare,

1177
00:58:54,280 --> 00:58:56,160
Speaker 2: you know, because the dances they supposed to, you know,

1178
00:58:56,480 --> 00:58:59,680
Speaker 2: help out the artists. You know, some certain artists need

1179
00:58:59,760 --> 00:59:00,800
Speaker 2: a lot to help you.

1180
00:59:01,200 --> 00:59:03,920
Speaker 3: Yeah, but I also think that artists don't other artists

1181
00:59:03,960 --> 00:59:06,480
Speaker 3: are they don't choreograph for themselves.

1182
00:59:07,080 --> 00:59:09,320
Speaker 1: So it's like I'm the dancer and the choreographer, you

1183
00:59:09,360 --> 00:59:10,680
Speaker 1: know what I'm saying. So it's just like, yo, this

1184
00:59:10,800 --> 00:59:12,200
Speaker 1: is what we're doing. This is how it was going down.

1185
00:59:12,240 --> 00:59:15,680
Speaker 1: And me, I just I love to dance.

1186
00:59:15,760 --> 00:59:18,640
Speaker 2: I love to I just thought of one jay that

1187
00:59:18,920 --> 00:59:23,040
Speaker 2: is you have a battle Chris Brown behind the scenes

1188
00:59:23,120 --> 00:59:24,000
Speaker 2: at a show with something.

1189
00:59:24,640 --> 00:59:27,160
Speaker 3: It's never been a battle, but go behind the scenes,

1190
00:59:27,320 --> 00:59:30,160
Speaker 3: it goes down like it's just always dancing. But the

1191
00:59:30,200 --> 00:59:33,120
Speaker 3: thing about we be so in sync, it's never a battle.

1192
00:59:33,160 --> 00:59:35,040
Speaker 3: It's always like if he moved this way, then we

1193
00:59:35,120 --> 00:59:36,880
Speaker 3: both moving that way, and then we catch it and

1194
00:59:36,960 --> 00:59:38,480
Speaker 3: then we just like in our own little world.

1195
00:59:38,680 --> 00:59:41,480
Speaker 1: There's a lot of videos of us like literally doing that,

1196
00:59:41,680 --> 00:59:44,600
Speaker 1: Like we dance all day. Like it's people be tired

1197
00:59:44,640 --> 00:59:44,920
Speaker 1: of us.

1198
00:59:45,080 --> 00:59:48,080
Speaker 3: It's like, all right, fucking dancing motherfuckers, Like sit down,

1199
00:59:48,520 --> 00:59:49,240
Speaker 3: you know what I'm saying, But.

1200
00:59:49,240 --> 00:59:51,200
Speaker 1: Like we literally do that shit like all day.

1201
00:59:51,480 --> 00:59:53,320
Speaker 3: We hype each other up, you knowee what I'm saying,

1202
00:59:53,360 --> 00:59:57,200
Speaker 3: Like it's not there's no like we're not competitive toward

1203
00:59:57,280 --> 00:59:57,680
Speaker 3: one another.

1204
00:59:57,720 --> 01:00:00,200
Speaker 7: And I think us coming up together, you know, we

1205
01:00:00,280 --> 01:00:04,960
Speaker 7: would like to see the videos, the footage some day

1206
01:00:05,080 --> 01:00:09,600
Speaker 7: of you and Chris going because thank you brother, no

1207
01:00:09,800 --> 01:00:11,080
Speaker 7: alien tall, no.

1208
01:00:12,600 --> 01:00:14,640
Speaker 2: Crazy, they think I'm a basket now.

1209
01:00:14,640 --> 01:00:18,040
Speaker 1: I definitely think that the world deserve that moment.

1210
01:00:18,360 --> 01:00:21,960
Speaker 3: They deserve that moment from us. They deserve a stern

1211
01:00:22,200 --> 01:00:27,360
Speaker 3: dance number gotta be insane. That would be nuts.

1212
01:00:28,280 --> 01:00:31,040
Speaker 4: With Escape Room coming out in August, what's next feed

1213
01:00:33,080 --> 01:00:34,120
Speaker 4: of course, the surgery.

1214
01:00:34,240 --> 01:00:36,840
Speaker 3: How long is the healing well, I mean the first

1215
01:00:36,880 --> 01:00:38,920
Speaker 3: two weeks, I just gotta I gotta shut up, I

1216
01:00:38,960 --> 01:00:41,760
Speaker 3: gotta be quiet, and then the third week I'll go

1217
01:00:41,880 --> 01:00:46,080
Speaker 3: into back into like training to make sure doing therapy.

1218
01:00:45,840 --> 01:00:49,720
Speaker 1: On mine lovocal cords after that, So we're probably.

1219
01:00:49,520 --> 01:00:52,120
Speaker 3: In January because then I got to get ready for

1220
01:00:52,160 --> 01:00:55,240
Speaker 3: one battle after another September twenty sixth coming. Then I

1221
01:00:55,320 --> 01:00:57,480
Speaker 3: got All's Fair coming, and then I got Ripped coming

1222
01:00:57,520 --> 01:01:02,240
Speaker 3: with Matt Damon and the afflet. You know, just it's

1223
01:01:02,320 --> 01:01:04,320
Speaker 3: just it's a lot back to back to back to back,

1224
01:01:04,440 --> 01:01:08,440
Speaker 3: and then I'm thinking tour maybe like January February, and

1225
01:01:08,520 --> 01:01:11,400
Speaker 3: then oh, I'm about to direct my first feature film

1226
01:01:11,480 --> 01:01:13,880
Speaker 3: called get Lights on the get Light culture and all

1227
01:01:13,960 --> 01:01:17,040
Speaker 3: of them my first like feature film as director.

1228
01:01:19,080 --> 01:01:27,880
Speaker 2: Yeah, so and that too. So yeah, that's that's crazy.

1229
01:01:29,400 --> 01:01:34,480
Speaker 4: What advice would you give to somebody trying to do

1230
01:01:34,720 --> 01:01:38,280
Speaker 4: what you did on something remotely close to they want

1231
01:01:38,320 --> 01:01:41,280
Speaker 4: to sing dance produced? You know, if you just bumped

1232
01:01:41,320 --> 01:01:43,600
Speaker 4: into a young tea right now, and.

1233
01:01:43,960 --> 01:01:46,440
Speaker 3: I mean I bump into two young as that come

1234
01:01:46,480 --> 01:01:48,640
Speaker 3: to me all the time asking me that question and

1235
01:01:48,760 --> 01:01:50,840
Speaker 3: not tell them to be true to yourself. And I

1236
01:01:50,960 --> 01:01:54,840
Speaker 3: know that shit sound you know, gimmicky or whatever they

1237
01:01:54,880 --> 01:01:59,919
Speaker 3: call it, like yeah, generic, because people say, man, we're

1238
01:02:00,080 --> 01:02:00,520
Speaker 3: for Rell.

1239
01:02:01,400 --> 01:02:03,280
Speaker 1: Don't tell me, never give up. We're in for real,

1240
01:02:03,680 --> 01:02:05,560
Speaker 1: I'm trying to get signed. You feel me. So it's

1241
01:02:05,560 --> 01:02:08,000
Speaker 1: just like I like to be real with people and.

1242
01:02:09,800 --> 01:02:10,440
Speaker 2: Transparent.

1243
01:02:11,240 --> 01:02:14,600
Speaker 1: To Joe's point, like I'm a manifesto. You feel what

1244
01:02:14,600 --> 01:02:15,000
Speaker 1: I'm saying.

1245
01:02:15,040 --> 01:02:16,840
Speaker 3: So you gotta manifest what you want, and you got

1246
01:02:16,960 --> 01:02:19,000
Speaker 3: to say what you want and you gotta pray on

1247
01:02:19,120 --> 01:02:20,640
Speaker 3: what you want and you gotta believe that that's what

1248
01:02:20,760 --> 01:02:21,280
Speaker 3: it's going to be.

1249
01:02:21,840 --> 01:02:22,760
Speaker 1: It's the faith walk.

1250
01:02:22,800 --> 01:02:26,320
Speaker 3: I tell everybody, walk that walk. Walk that walk, and

1251
01:02:26,320 --> 01:02:28,760
Speaker 3: it ain't gonna be a straight one, you know what

1252
01:02:28,800 --> 01:02:30,560
Speaker 3: I'm saying. Like, it's going to be rocks and shit

1253
01:02:30,640 --> 01:02:33,320
Speaker 3: that's gonna be thrown and you know, you might run

1254
01:02:33,360 --> 01:02:33,959
Speaker 3: into a deer.

1255
01:02:34,120 --> 01:02:34,400
Speaker 1: You might.

1256
01:02:34,440 --> 01:02:36,040
Speaker 3: It's just there's a lot of shit going on, but

1257
01:02:36,120 --> 01:02:38,440
Speaker 3: you got to keep that faith walk going. And that's

1258
01:02:38,480 --> 01:02:42,840
Speaker 3: what I tell him, like, and it's just it's important.

1259
01:02:43,160 --> 01:02:45,240
Speaker 3: It's not never give up. It's not boo boom boom,

1260
01:02:45,240 --> 01:02:46,520
Speaker 3: because we have our times to be like fuck all

1261
01:02:46,600 --> 01:02:46,840
Speaker 3: this shit.

1262
01:02:46,840 --> 01:02:48,360
Speaker 1: I don't want to do it. You feel what I'm saying.

1263
01:02:48,360 --> 01:02:49,520
Speaker 1: So I'm not about to tell you to do that.

1264
01:02:49,880 --> 01:02:51,120
Speaker 3: You know what I'm saying, But I do want to

1265
01:02:51,120 --> 01:02:55,320
Speaker 3: tell you to believe and and and have those conversations

1266
01:02:55,360 --> 01:03:00,760
Speaker 3: with God. That's the only real like bets you need

1267
01:03:00,880 --> 01:03:03,240
Speaker 3: to make you know what I'm saying, and understanding that

1268
01:03:03,520 --> 01:03:04,880
Speaker 3: she's not gonna be thrown in your lap. And the

1269
01:03:05,040 --> 01:03:07,200
Speaker 3: number one thing is don't take none of this shit personal.

1270
01:03:07,880 --> 01:03:10,280
Speaker 3: My mom told me that a long time ago, because

1271
01:03:10,280 --> 01:03:12,840
Speaker 3: I coming in at fifteen, I took everything personal. That's

1272
01:03:12,840 --> 01:03:16,440
Speaker 3: why I was robie. Because I'm in survival mode, I'm

1273
01:03:16,520 --> 01:03:17,440
Speaker 3: taking it personal.

1274
01:03:17,960 --> 01:03:18,720
Speaker 1: You know what I'm saying.

1275
01:03:18,800 --> 01:03:20,800
Speaker 3: Like I got mouths to feed, people to take care of.

1276
01:03:21,040 --> 01:03:23,120
Speaker 3: I'm taking this shit serious. You know what I'm saying.

1277
01:03:23,120 --> 01:03:26,200
Speaker 3: And ain't shit shaken. So how I'm gonna shake this table?

1278
01:03:26,640 --> 01:03:28,480
Speaker 3: You know what I'm saying. But my mama tell me,

1279
01:03:28,560 --> 01:03:31,760
Speaker 3: don't take this shit personal. It's a wicked business. And

1280
01:03:31,920 --> 01:03:35,120
Speaker 3: when you stop taking shit personal, you'll feel a lot better.

1281
01:03:35,520 --> 01:03:39,520
Speaker 3: So now being back on my terms, don't take nothing personal,

1282
01:03:39,800 --> 01:03:41,840
Speaker 3: and I feel a lot better. And I'm glowing and

1283
01:03:41,920 --> 01:03:44,840
Speaker 3: I'm continuing to grow and I'm doing my things cause

1284
01:03:44,880 --> 01:03:46,840
Speaker 3: I don't take shit personal.

1285
01:03:47,640 --> 01:03:51,200
Speaker 4: That being said, get ready for the Escape Room project.

1286
01:03:51,560 --> 01:03:55,480
Speaker 4: Let's get into one of these banger's courtesy of Seanna

1287
01:03:55,600 --> 01:03:57,960
Speaker 4: Taylor only on the Joe and Jaydens.

1288
01:03:58,040 --> 01:04:02,160
Speaker 2: Show me sure we got permission for this, because last

1289
01:04:02,200 --> 01:04:05,720
Speaker 2: time I tried this ship, they said that was the

1290
01:04:05,800 --> 01:04:06,520
Speaker 2: great song.

1291
01:04:07,240 --> 01:04:10,400
Speaker 9: The fold on bullshit is that you sure you smoke

1292
01:04:10,440 --> 01:04:15,800
Speaker 9: to the White House hot you. We did this before

1293
01:04:15,840 --> 01:04:18,400
Speaker 9: and then and staff and sold the screen.

1294
01:04:19,440 --> 01:04:19,680
Speaker 2: Y'all.

1295
01:04:19,800 --> 01:04:22,040
Speaker 1: Just make sure y'all find his turkey chops.

1296
01:04:24,960 --> 01:04:27,040
Speaker 2: You heard it say that again, y'all.

1297
01:04:27,120 --> 01:04:30,720
Speaker 3: Just make sure y'all found his turkey chops. He ain't

1298
01:04:30,800 --> 01:04:36,240
Speaker 3: fun turkey shots. He ain't gone find them turkey not.

1299
01:04:37,600 --> 01:04:39,320
Speaker 2: He ain't trying it. Could have got it when you

1300
01:04:40,240 --> 01:04:43,360
Speaker 2: when you sold them, from when you sold this. So

1301
01:04:43,600 --> 01:04:44,920
Speaker 2: for the soul you know what's.

1302
01:04:44,760 --> 01:04:47,520
Speaker 3: Crazy type of it Huber eats you type of the

1303
01:04:47,600 --> 01:04:49,920
Speaker 3: Huber East. You might be able to find the turkey shops.

1304
01:04:49,920 --> 01:04:52,680
Speaker 2: They gonna find my mission to day. I'm gonna find me.

1305
01:04:52,840 --> 01:04:56,200
Speaker 2: Let me east right quick. I'm gonna go too. Whatever

1306
01:04:56,440 --> 01:04:58,720
Speaker 2: they got something lowis, I'll get you. They ain't got no,

1307
01:04:59,080 --> 01:05:03,960
Speaker 2: they ain't got no Ah. Let's get it to this exclusion,

1308
01:05:04,640 --> 01:05:07,000
Speaker 2: don't Dad, James, but a loud.

1309
01:05:12,240 --> 01:05:13,640
Speaker 8: Got a few questions for you.

1310
01:05:14,640 --> 01:05:17,800
Speaker 1: She just getting real confusing. Do you want this to

1311
01:05:17,960 --> 01:05:20,240
Speaker 1: do you don't huh m.

1312
01:05:24,240 --> 01:05:28,600
Speaker 6: O see a difference away, proving you don't give a

1313
01:05:28,720 --> 01:05:32,000
Speaker 6: fuck by losing, I say home, So now I'm gone.

1314
01:05:38,320 --> 01:05:39,400
Speaker 6: What's your ways?

1315
01:05:39,440 --> 01:05:43,000
Speaker 2: Your father? Oh you did was make me cry?

1316
01:05:43,320 --> 01:05:52,480
Speaker 1: Why you enjoyed the view? He so fucking selfish?

1317
01:05:52,520 --> 01:05:53,560
Speaker 9: Can't get throd of you?

1318
01:05:53,960 --> 01:05:54,960
Speaker 1: Who really wins?

1319
01:05:55,040 --> 01:05:57,160
Speaker 6: When the family shots so good?

1320
01:05:57,360 --> 01:05:58,040
Speaker 2: Johns are.

1321
01:06:01,000 --> 01:06:02,440
Speaker 1: The problems are bad.

1322
01:06:02,440 --> 01:06:04,160
Speaker 8: And not the time.

1323
01:06:06,640 --> 01:06:09,000
Speaker 6: To me and let the city be easy.

1324
01:06:09,760 --> 01:06:20,240
Speaker 2: The hard party is over. When I shut to me

1325
01:06:20,560 --> 01:06:22,320
Speaker 2: and there's shot, he be easy.

1326
01:06:23,240 --> 01:06:32,880
Speaker 6: The hard body is all I can feel you from

1327
01:06:33,000 --> 01:06:38,680
Speaker 6: me close the spaces, we feel the winches sign an edge.

1328
01:06:38,520 --> 01:06:41,040
Speaker 2: And us can't get back. Lucky damn knew it.

1329
01:06:41,160 --> 01:06:42,400
Speaker 1: You feel out these feelings.

1330
01:06:42,400 --> 01:06:46,840
Speaker 2: I'm feeling a carreact, call on the chain, React and

1331
01:06:46,920 --> 01:06:52,480
Speaker 2: I understand the stand right road. When we gage with

1332
01:06:52,760 --> 01:06:57,240
Speaker 2: drugs dressing pieces, see me back and I do move on?

1333
01:06:58,680 --> 01:07:02,280
Speaker 2: They give me tied out. Did you're not signed up

1334
01:07:02,520 --> 01:07:05,160
Speaker 2: the hardway?

1335
01:07:16,880 --> 01:07:27,840
Speaker 4: Hot she.

1336
01:07:36,440 --> 01:07:41,040
Speaker 2: Escape rope? That was the hard part? Holy ship was

1337
01:07:41,120 --> 01:07:42,360
Speaker 2: not a beautiful sult.

1338
01:07:43,640 --> 01:07:49,040
Speaker 4: They show you download, stream, purchase wherever you get your

1339
01:07:49,280 --> 01:07:50,200
Speaker 4: forms of music.

1340
01:07:50,800 --> 01:07:56,080
Speaker 2: Escapeboard Project, Lucky shout Out, Lucky Day, follow six packer.

1341
01:07:57,160 --> 01:08:00,520
Speaker 2: This guy gonna perform six packed out this guy right

1342
01:08:00,680 --> 01:08:05,400
Speaker 2: lucky day. Let me, I gotta tell you the vibe

1343
01:08:05,600 --> 01:08:08,280
Speaker 2: that gave me. First of all, you picked up right

1344
01:08:08,320 --> 01:08:12,920
Speaker 2: where you left off even better growth vi. You know

1345
01:08:13,040 --> 01:08:15,600
Speaker 2: that reminds me all when she called the car and

1346
01:08:15,720 --> 01:08:18,880
Speaker 2: she was like, you might not have noticed me, but

1347
01:08:19,000 --> 01:08:19,880
Speaker 2: I'm the waitress.

1348
01:08:21,720 --> 01:08:21,920
Speaker 7: You know.

1349
01:08:22,000 --> 01:08:24,080
Speaker 2: I throw water in your car, in your in your

1350
01:08:24,160 --> 01:08:28,080
Speaker 2: in your cool. My boss tell me that the club.

1351
01:08:28,479 --> 01:08:30,120
Speaker 2: He told me not to throw the milk, but I

1352
01:08:30,200 --> 01:08:33,000
Speaker 2: throw the milk in your chocolate. And what was the

1353
01:08:33,120 --> 01:08:37,680
Speaker 2: name of that spot? Legendary on the handand Handpam, which legend? Yo?

1354
01:08:37,800 --> 01:08:38,400
Speaker 2: You got us?

1355
01:08:38,439 --> 01:08:38,639
Speaker 1: Stop?

1356
01:08:38,800 --> 01:08:42,640
Speaker 2: You ain't no no my form of no ham in

1357
01:08:42,760 --> 01:08:48,080
Speaker 2: my pan. That's a HALLM restaurant. All right, This is

1358
01:08:48,120 --> 01:08:51,559
Speaker 2: why y'all got a five though. Well, we're gonna pray

1359
01:08:51,640 --> 01:08:55,320
Speaker 2: for you with the surgery. We thank you for honoring

1360
01:08:55,479 --> 01:08:58,559
Speaker 2: us with your presence. You after us, but we feel

1361
01:08:58,640 --> 01:09:02,840
Speaker 2: like you, like you just bridge our era with the

1362
01:09:03,000 --> 01:09:06,280
Speaker 2: new era. Like you you're a great cloth. She got

1363
01:09:06,320 --> 01:09:08,360
Speaker 2: that you're from that cloth, you know what I mean? That,

1364
01:09:08,479 --> 01:09:11,600
Speaker 2: Mama love, that's hard to be from that cloth, you

1365
01:09:11,680 --> 01:09:14,840
Speaker 2: know what I mean? So we appreciate you and thanks

1366
01:09:14,920 --> 01:09:17,639
Speaker 2: for sitting on the couch with us. I'm Joe cracked

1367
01:09:17,840 --> 01:09:20,920
Speaker 2: Jady kiss this, ain't that, that, ain't this, and this

1368
01:09:21,160 --> 01:09:23,200
Speaker 2: cracking kiss baby makes some noise.