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Speaker 1: All right, welcome back to one bad movie. This is it,

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Speaker 1: This is the one we've all been waiting for sieving.

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Speaker 2: Oh man, people are jacked up, dude, Yeah, they kind

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Speaker 2: of listen. I just went and did for the first

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Speaker 2: time an autograph signything. The number of people that want

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Speaker 2: to see Biodome two is mind blowing.

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Speaker 1: Yeah, we finally got the one and only poly Shore

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Speaker 1: on the pod, the nineties comedy legend, star of cult

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Speaker 1: hits like Ensino Man, Jerry Duty, son in law, and

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Speaker 1: most importantly, you're co star of Biodome.

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Speaker 2: Biodome the comedy extravaganza, Stoner, dumb and dumber, so to speak.

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Speaker 2: But really it's a poly Shore vehicle. I just I'm

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Speaker 2: so stoked to know him, and and I gotta be

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Speaker 2: cool right now in this intro because I want to

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Speaker 2: choke his little neck. He's so crazy. Uh but I

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Speaker 2: love him. You know, He's just you can't He's like

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Speaker 2: a rash, you know what I mean.

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Speaker 1: It was like you guys picked up from the last

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Speaker 1: day of filming of Biden. You guys instantly picked it up.

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Speaker 1: It was fun to just sit back and watch and

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Speaker 1: uh just hear what you guys would have pitched for

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Speaker 1: Biodome too.

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Speaker 2: But then in the interview on One Bad Movie with

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Speaker 2: Pauli Shore, I must admit, remember when he teared up.

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Speaker 2: Oh yeah, okay, don't say anything more, just remember it

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Speaker 2: was it was. It was a very interesting interview with

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Speaker 2: my dear friend Paulie Shore, who I loved to death,

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Speaker 2: who came on One Bad Movie and he was funny,

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Speaker 2: and it was the Weasel a little bit here and there,

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Speaker 2: but it was mostly Steven and Paulie and Bud and Doyle,

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Speaker 2: so to speak, kind of chipmunking and giggling and squirreling

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Speaker 2: and having fun. But then Paulie now is you know,

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Speaker 2: in his stand up work and stuff, and he's touring

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Speaker 2: and he's doing this, and he's put you know, he's

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Speaker 2: playing at Joe Rogan's place wherever that is in Texas

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Speaker 2: or something. He's Mothership, yeah, and he's just he's just

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Speaker 2: he's really kick an ass. Those guys. You know, the

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Speaker 2: way to you know, do well and be successful and

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Speaker 2: stand up is changed, yeah, you know, But just for

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Speaker 2: for Paula to reflect on all of that of his

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Speaker 2: success now, his mom, the comedy store, all his retro nests,

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Speaker 2: it kind of was interesting to talk about in the interview.

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Speaker 1: Yeah, it was very, very hilarious, but also it was

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Speaker 1: very heartfelt, which anyway, all right, Oh and we should

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Speaker 1: also know that jingling that you may hear in the

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Speaker 1: background if you're not on the YouTube is Polly's dog

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Speaker 1: who was running through this set in the.

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Speaker 3: Studio here and there.

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Speaker 2: What's the dog's name again?

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Speaker 3: I don't know.

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Speaker 1: Sure, he kept calling it Chinese, and he called me

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Speaker 1: Chinese as well, so I was very confused.

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Speaker 2: Yeah, yeah, yeah, Paul, he's got his own.

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Speaker 3: I loved it, all right.

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Speaker 1: Everybody, don't forget to like and subscribe the episode, Yes,

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Speaker 1: put in your favorite parts about it in leading a review,

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Speaker 1: and most importantly.

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Speaker 2: Share with your friend Harriet, with your.

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Speaker 1: Friends, follow us on social at one bad movie across

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Speaker 1: social media, all right, without further.

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Speaker 3: Ado, guys, the one and only Pollie.

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Speaker 4: Sure not in a dona creating those bad lips.

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Speaker 2: Be so bad.

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Speaker 5: It's good because.

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Speaker 4: Sets out you see lasts, this sun this dude, it's

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Speaker 4: so bad.

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Speaker 2: It's good. The one bad movie. So you have a

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Speaker 2: license and a permit.

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Speaker 5: For buster, Well, it's just the document.

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Speaker 2: It's not like a so I go buster.

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Speaker 6: You come here.

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Speaker 5: Bye?

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Speaker 6: Sir, you're my dog by sir, but my man, that's cool.

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Speaker 5: Where is he.

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Speaker 2: Play your microphone? Closer? You do a podcast? You know

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Speaker 2: what's up?

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Speaker 5: Yeah? I don't know if mine's called don't you think

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Speaker 5: of our show? I don't know if I don't know

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Speaker 5: if mine's a podcast. Mine's more of like a mushroom trip,

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Speaker 5: a variety show.

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Speaker 2: We'll call it a modern variety show.

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Speaker 5: It is.

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Speaker 3: Can you just just three inches from your mouth?

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Speaker 5: More like like this?

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Speaker 7: You like this? Closer almost eat it? Like closer to no,

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Speaker 7: like Chinese closer. We're good here, you're good there?

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Speaker 5: Yeah?

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Speaker 6: What is he doing with that light?

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Speaker 5: Broll me?

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Speaker 2: If I'm having too many flyaways? We're just kidding.

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Speaker 5: That's good for me, as long as it's good for

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Speaker 5: you. You got to check the thing, busser. Where's buster? So

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Speaker 5: you set this up wherever?

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Speaker 2: Right, Well, this we do in l A. Now just here,

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Speaker 2: we did set it up wherever. We did a bunch

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Speaker 2: at a house. But with this background.

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Speaker 6: I use this background.

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Speaker 2: This is my little set up.

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Speaker 6: So this is your background.

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Speaker 2: This is my set.

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Speaker 6: Yeah, your set.

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Speaker 5: So you travel with this this background all the time.

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Speaker 2: Not to New York. We kind of read you it

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Speaker 2: again in New York if we have to.

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Speaker 5: Are you guys ready, Yeah, we're good. Yes, let's dive in.

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Speaker 6: Okay, let's go.

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Speaker 5: Hey, first of all, buster Buster, you're my dog, buster Buster,

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Speaker 5: You're my dog. First of all, I think this is

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Speaker 5: a good idea for you because you've been in a

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Speaker 5: lot of bad movies. You missed my joke, dude, that

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Speaker 5: was like a good joke.

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Speaker 2: How many bad movies I've been in?

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Speaker 5: Buster? Yeah? Well you know you had you were there

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Speaker 5: was You're very much like Nicholas Cage.

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Speaker 6: You know what I mean?

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Speaker 5: There was like there was a timer you needed a

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Speaker 5: way better actor. No, but Chinese, there was a timer

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Speaker 5: you needed in the cheddar Bro. That is what I'm saying.

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Speaker 2: You had a little cash cowboy, the chatter I.

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Speaker 5: Remember I did that. You did a lot of movies, dude.

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Speaker 5: How many movies is this guy?

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Speaker 2: So listen?

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Speaker 5: So many?

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Speaker 2: The funny thing is so many movies. You don't remember

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Speaker 2: a lot of the movies, right, don't so. Jared, Thank

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Speaker 2: goodness he's here because I said to him, he's like literally,

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Speaker 2: when we were developing one bad movie, he's like, well,

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Speaker 2: how many bad movies do you think you've been in.

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Speaker 2: Here's the one sensible person in the room to ask

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Speaker 2: the simple question. I went, well, Sharks and Dennis and Heartbeat.

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Speaker 6: What is.

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Speaker 2: A few more?

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Speaker 6: Well, let's name him bro. I can't remember.

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Speaker 2: I just said that.

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Speaker 5: You can't remember him, right, No, I had, So I

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Speaker 5: came up with like, I came up with like ten

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Speaker 5: seven seven.

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Speaker 2: I could remember, like, you know, just what they were

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Speaker 2: about kind of, And then there was that, and then.

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Speaker 5: He you were going from movie to movie to movie

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Speaker 5: to movie, the movie movie movie.

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Speaker 2: Is you that money making era we're talking about?

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Speaker 5: There was like a but you were also just doing

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Speaker 5: movies from random like Israeli producers or this Persian. He

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Speaker 5: guy's got cash and getting random. Yeah, you know, are

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Speaker 5: you good? Are you mad at us? Uh? Oh? Because

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Speaker 5: we worked with some really cool but what tenness? He's

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Speaker 5: trying to fix the thing. See he's got a hair

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Speaker 5: in the gate.

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Speaker 2: Gona, We've got a chicken in the gate. Look at

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Speaker 2: this man. We're gonna have creepy glitches because we're gonna

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Speaker 2: talk about biodome.

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Speaker 5: We're gonna talk about that.

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Speaker 2: The mystery of biodome.

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Speaker 6: Yeah, mm hmm hmm.

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Speaker 2: Buster with my maid, Buster Pollie Shore is in the

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Speaker 2: house Maid.

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Speaker 5: He's beautiful, He's amazing. Right, I love it so much.

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Speaker 6: Chinese suck Buster, that's you. You're my service animal man.

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Speaker 8: Mommy, mommy, mommy, Watch your tea, Watch your tea.

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Speaker 5: Oh no, it's a good dog. I ate a half

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Speaker 5: a sandwich. That's what happens.

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Speaker 2: We'll talk about my one bad movies later. Okay, Jared,

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Speaker 2: how's my makeup? Is it? Okay? Sure? Okay? I was freshest.

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Speaker 6: Look at us, right, but in Crusty Doyle Bro.

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Speaker 2: Word great, I look off.

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Speaker 6: Now we look crusty, bro We're all krusty.

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Speaker 2: Do we look like but toile Wood? Kind of maybe?

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Speaker 2: Now if they had some sense of anything.

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Speaker 5: There's just a lot of sadness in the world now, right,

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Speaker 5: you know what I mean, there's a lot of angst.

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Speaker 2: Yeah.

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Speaker 5: So that's that makes us, I think more burnout than

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Speaker 5: it would have been if the internet never came. I

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Speaker 5: think if the internet never came, I think everyone would

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Speaker 5: be a little bit more lovely.

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Speaker 2: Good call.

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Speaker 6: We were part of that time, a beautiful era.

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Speaker 2: Sure.

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Speaker 5: You know, people are like, why do you talk about

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Speaker 5: the past, because it was a really sweet.

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Speaker 6: Time, better times, way better time.

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Speaker 5: Yeah. I mean, Sunset Strip was you know, where I

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Speaker 5: was born, was just a fun place to be and

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Speaker 5: now it's like Armageddon. Dude. You know, it's just it's

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Speaker 5: not it's not enjoyable, you know, just walking down Sunset

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Speaker 5: there's just like, I mean, he went to you know,

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Speaker 5: he went to the deli what's it called, my daughter's

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Speaker 5: deli for a sandwich. Thinks that was nice to you.

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Speaker 5: But I'm just saying that it's yeah sandwich. No, I say,

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Speaker 5: get me whatever this guy has, I don't care. Yeah,

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Speaker 5: but but yeah, so I think that's part of the

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Speaker 5: reason why I think we're worn out kind of. You know,

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Speaker 5: that makes sense because it is you know, like just

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Speaker 5: constantly tweeting or instagramming or that, you know what I mean. YouTube,

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Speaker 5: But you take that stuff.

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Speaker 2: You keep your stuff for work reasons pretty.

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Speaker 5: Absolutely, yeah, But it's not you.

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Speaker 2: It's your team.

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Speaker 5: Well I mean I I yeah, I mean, you're right, Yeah,

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Speaker 5: I mean we you know, I have people that from

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Speaker 5: my podcast we post our clips and I have a

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Speaker 5: girl named Beth Hoops she does my my postings. Yeah.

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Speaker 6: But still, you know, it's all the time, you know,

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Speaker 6: it's all the time.

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Speaker 2: Shame is for here, for one bad movie.

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Speaker 6: So yeah, you got to keep going so all the time.

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Speaker 2: We have a bunch of fans.

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Speaker 6: Pretty quick, I'm sure it's so it's going very well.

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Speaker 5: Yeah, and I know a lot of people are looking

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Speaker 5: at this right now and they're saying, Biodome is not

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Speaker 5: one bad movie. I mean, at the time when it

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Speaker 5: came out, some people maybe you know, the critics definitely

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Speaker 5: thought it.

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Speaker 6: Was one bad movie.

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Speaker 5: But once no, they did bro and and but you know,

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Speaker 5: with with with time, that film has has and will

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Speaker 5: always be like a like a section in people's lives.

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Speaker 5: I mean, I mean, it's very embedded into into several

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Speaker 5: millions of kids. You know, they're you know, growing up

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Speaker 5: with it.

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Speaker 2: It's weird to ever have somebody walk up to you

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Speaker 2: and say, that's the best movie I've ever seen.

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Speaker 6: Yeah, I know.

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Speaker 2: You have other films in your filmography that, yeah, for

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Speaker 2: the and like it's really cool now because like I

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Speaker 2: get to explain to my daughter, a lie, I'll be

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Speaker 2: like or younger people today, not necessarily about me, it's

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Speaker 2: different about you. You were specifically a you carried movies

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Speaker 2: that were successful. That's one some of those movies. Some

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Speaker 2: stoners are like, no, dude, it's the best movie. It's

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Speaker 2: their funniest film. So it is weird, especially with Biodome,

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Speaker 2: because it just worked. I followed your leave brilliantly.

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Speaker 5: Yeah.

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Speaker 1: Can I ask how did you get how did that

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Speaker 1: come to be? How did Biodome come to be? What

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Speaker 1: was the story behind what's the story behind you guys

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Speaker 1: getting Biodome and working together?

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Speaker 5: Oh? Yeah, how did you not hear him three times

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Speaker 5: that he said? I heard him perfectly. It's not just me, Yeah, no,

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Speaker 5: I heard him perfectly. Basically what happened was is I

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Speaker 5: was starring in films and this film came to me

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Speaker 5: and Steve was hot off of but I think it

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Speaker 5: was Usual Suspects, and he was very close with bracker Boy,

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Speaker 5: who did Dumb and Dumber and a whole bunch of

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Speaker 5: other really silly comedies. And he's like, yo, you two guys.

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Speaker 5: And I was a fan of Stevens, you know. I

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Speaker 5: thought he was very sexy and a great actor.

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Speaker 6: And Hollywood royalty. And I was a fan.

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Speaker 2: But I had to be funny enough. Yeah, and I

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Speaker 2: was intimidated. Chris drewsdy infamous phone call where I won't

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Speaker 2: say the quote, but I called a friend and I said, hey, man,

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Speaker 2: you know everybody's excited to do like you know, this

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Speaker 2: and that and this and that. But man, I think

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Speaker 2: paul he's funny. Man, he's funny. And I just think

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Speaker 2: that if we do this kind of our Mutt and

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Speaker 2: Jeff kind of Stoner's version, I think I could get

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Speaker 2: Paulie enough on the reactionary thing with the comedy time,

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Speaker 2: it could be pretty funny. But it was funnier than that,

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Speaker 2: in my opinion, because when we well.

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Speaker 5: You've followed my lead, but now you've followed my lead, like,

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Speaker 5: but a lot of the time.

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Speaker 2: You would say to me, bro just shut up, like

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Speaker 2: you literally, I want to pay you a compliment quickly,

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Speaker 2: and I just don't want to forget this. It's the

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Speaker 2: free mahi mahi story. Only twice in my career, and

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Speaker 2: you're gonna think I'm full of shit.

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Speaker 5: They just go free mahi mahi, free mahi mahi.

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Speaker 6: If you will, Oh, hey, go on.

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Speaker 5: How many times he just capable said that to me

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Speaker 5: in the last thirty years? Yeah, yeah, over one hundred.

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Speaker 2: Yeah, in thirty years, I've had at an airport, at

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Speaker 2: a Starbucks, at a bro Seck, free mahima.

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Speaker 5: Right, that's like because that was like an im it

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Speaker 5: was it wasn't an improv. Improv right, complete total improvisation.

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Speaker 2: On your part.

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Speaker 5: Yeah.

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Speaker 2: The only other time that ever happened to me was

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Speaker 2: on Casualties of War. Michael J. Fox to pay you

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Speaker 2: a compliment.

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Speaker 5: Oh wow.

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Speaker 2: We were shooting a scene and he was standing with

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Speaker 2: one of the extras and the extra to Vietnam film.

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Speaker 2: So this little kid has to say to him, you know,

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Speaker 2: like oh, you know, blah blah blah and Vietnamese, and

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Speaker 2: he goes, oh, look, and he takes a Hershey bar

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Speaker 2: and he goes, oh, Hershey Bar number one. He goes,

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Speaker 2: hurrshey bar. That's the line, Hershey Bar number one. And

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Speaker 2: we're rehearsing the scene and Michael J. Fox goes the

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Speaker 2: Great Ammerican, Great American chocolate bar. He during the rehearsal,

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Speaker 2: he sings the Hershey song and he does it like

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Speaker 2: two or three times in the rehearsal, and I look

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Speaker 2: at him before we shoot and I go to Mike Fox,

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Speaker 2: You're not really gonna sing the song, are you. Mike

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Speaker 2: Fox goes, just like this.

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Speaker 5: Make a couple of movies.

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Speaker 2: You're God is like your second or third film. Make

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Speaker 2: a couple of movies, then come back and ask me

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Speaker 2: that question again.

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Speaker 6: Why did he say that?

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Speaker 2: He was just kicking me in the nuts a little

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Speaker 2: bit like going on, Mike Fox. You don't have to

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Speaker 2: ask me if I'm making the right choice. Subtext of

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Speaker 2: what you saying, got it?

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Speaker 5: Got it?

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Speaker 2: But he improved it in the film.

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Speaker 6: Mm hmm.

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Speaker 2: And it really I wasn't questioning or judging the choice.

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Speaker 2: I was asking him, were you just doing that for rehearsal?

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Speaker 2: But he did it for the film only because for

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Speaker 2: the character that improv worked. Bro, we're on the set.

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Speaker 2: I remember it like it was yesterday, and you're like,

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Speaker 2: m and the director's there and everybody's there and we're

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Speaker 2: doing it, you know, and you're member and you literally went,

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Speaker 2: wait a second, wait a think it still really is?

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Speaker 2: Let me just you literally just blurted it out. Let

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Speaker 2: me do one like still rolling. It was like one

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Speaker 2: of those, and you were like, look, and we have

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Speaker 2: to set the mahi free like free. You just set

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Speaker 2: it in this incredible mischievous panic and uh it was.

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Speaker 2: It was priceless. And the best part is, I'm just

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Speaker 2: like Mike Fox, I'm going free. I'm you know, I'm.

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Speaker 5: Rolling with it, going to figure it out.

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Speaker 2: If this makes the cut, I'll be surprised. So you

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Speaker 2: didn't make the cut. It's one of the quotes of the.

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Speaker 6: On son in law.

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Speaker 5: I did this Steven Tyler PJS because there's that part

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Speaker 5: where I come out from the dorm room like Steven

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Speaker 5: Tyler PJ. Steven Tyler pj's and that was it. I

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Speaker 5: did it the exact same way that you just said

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Speaker 5: about free my might that we had already done a

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Speaker 5: couple takes. I'm like, keep I'm yelling, don't stop, don't stop.

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Speaker 5: And I just came out and I go Steven Tyler, PJ.

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Speaker 5: Steven Tyler and I run back in and that line,

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Speaker 5: like people everywhere was like they do that to me, Like,

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Speaker 5: I'll go, I'll do like comic cons, you know, if

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Speaker 5: you don't know what to comic con is basically when

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Speaker 5: actors sign autographs to the fans that are all on

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Speaker 5: the spectrum and and they come up to your table

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Speaker 5: and they basically cause play and they basically come up

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Speaker 5: to and they start doing free my my all that shit.

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Speaker 6: So I was just doing some materials. Sorry, that was on.

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Speaker 5: Sometimes I slide in. Sometimes I slide in some of

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Speaker 5: my material. I got new comic con jokes, so I

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Speaker 5: was just practicing.

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Speaker 2: Sorry, when's your next comic con?

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Speaker 5: I don't know.

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Speaker 6: I might do it in uh Lexington, Kentucky.

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Speaker 5: I enjoy it.

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Speaker 2: Now, you said you were gonna help me get on

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Speaker 2: some comic cons.

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Speaker 6: Yeah, I'm gonna hook you up with Freds. Yeah, I'll

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Speaker 6: hook you up with Fred Yeah.

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Speaker 2: I talk to you about getting me on some h Yeah.

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Speaker 5: It's fun. It's fun, very endearing, and it's very sweet

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Speaker 5: and you see a lot of your your colleagues there

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Speaker 5: and it's it's just it's beautiful. It's because we're at

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Speaker 5: that age now.

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Speaker 2: I see Danny trey Hoo.

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Speaker 6: You'll see Danny Treyjo.

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Speaker 5: I see Danny trey ho I because my favorite part

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Speaker 5: about the comic cons is hanging out in the green room,

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Speaker 5: you know, because with all the people and they see

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Speaker 5: me coming like because they're stuck with me there because

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Speaker 5: I'm telling too. So I see like Shatner, He's like,

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Speaker 5: hits me with this cane. He's like, get that guy

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Speaker 5: out of here. Ron Pearlman, hell boy, you know he's

368
00:19:00,440 --> 00:19:02,359
Speaker 5: eating a sandwich and I'm like, Ron, you go get

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Speaker 5: the fuck out of here.

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Speaker 4: Bro.

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Speaker 6: Then Danny Trejo's there.

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Speaker 5: You know, he likes me because he thinks some Mexican

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Speaker 5: Shotner story.

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00:19:10,320 --> 00:19:13,199
Speaker 2: Tell me a Shotner and tell me any tell me

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Speaker 2: like a moment you had with Shotner.

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Speaker 5: He just always looks at me like I'm scum, you know,

377
00:19:19,359 --> 00:19:20,880
Speaker 5: not scum, but like it's.

378
00:19:20,680 --> 00:19:23,360
Speaker 2: Not the word dumb, it said, he's that much more intelligent.

379
00:19:23,520 --> 00:19:26,120
Speaker 5: Yeah, exactly, not like that. That's not a nice word.

380
00:19:26,200 --> 00:19:28,119
Speaker 5: That's not right, but just like get out of here,

381
00:19:28,200 --> 00:19:31,120
Speaker 5: kid like kind of like you know what I mean, goofy,

382
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Speaker 5: Like where you've.

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Speaker 2: Ever seen him is just these yeah, never never anywhere else.

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Speaker 5: Not really yeah, but they're horrible.

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Speaker 2: Experience with Bill Shatner once when I was very young,

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Speaker 2: I'm sure, I walked up to him. I said, it's

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Speaker 2: a true story. I walked up to him. I said,

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Speaker 2: you know, gee whiz you know, yeah, you're probably like that,

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Speaker 2: and he literally just gave me this like scoff you know,

390
00:19:55,280 --> 00:19:56,320
Speaker 2: he scoffed at man.

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Speaker 5: Right.

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Speaker 2: He literally was like, that's the word, dude. He like

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Speaker 2: looked at me, went.

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Speaker 5: Okay.

395
00:20:03,600 --> 00:20:06,680
Speaker 2: He was like I was like, whoa.

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Speaker 6: That's yeah, but you know you will do him it's cool.

397
00:20:12,680 --> 00:20:14,919
Speaker 5: So one bad movie? Is that what I'm supposed to

398
00:20:14,920 --> 00:20:17,639
Speaker 5: talk about? What it's my one bad movie? James, Stephen

399
00:20:17,680 --> 00:20:19,840
Speaker 5: can name a couple of them. I mean, we'll be

400
00:20:19,880 --> 00:20:20,600
Speaker 5: here for hours.

401
00:20:20,640 --> 00:20:22,840
Speaker 1: But Stephen, why don't you just set him up with

402
00:20:22,880 --> 00:20:25,120
Speaker 1: the question that we use for promos.

403
00:20:26,359 --> 00:20:28,520
Speaker 2: Well, I wasn't injury duty. We talked about that.

404
00:20:29,560 --> 00:20:30,080
Speaker 6: Is my dog?

405
00:20:30,160 --> 00:20:35,320
Speaker 5: Okay, bust ust Chinese? Look at look at my dog?

406
00:20:35,359 --> 00:20:37,560
Speaker 5: Look at him right, turn around? No, I don't know

407
00:20:37,640 --> 00:20:38,480
Speaker 5: he's relaxing.

408
00:20:38,520 --> 00:20:39,760
Speaker 2: There is he laying down?

409
00:20:39,840 --> 00:20:40,880
Speaker 5: He's laying down for.

410
00:20:40,920 --> 00:20:43,720
Speaker 3: The listeners at home and viewers. Polly's dog is here.

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00:20:43,760 --> 00:20:47,120
Speaker 2: So I tried to get you to talk about this

412
00:20:47,240 --> 00:20:50,760
Speaker 2: earlier in the green room. Well, I just simply said,

413
00:20:52,600 --> 00:20:53,320
Speaker 2: for example, I.

414
00:20:53,520 --> 00:20:55,360
Speaker 6: Got a burp one sec. You got me a sandwich.

415
00:20:57,000 --> 00:20:57,840
Speaker 2: Don't hurt yourself.

416
00:20:58,720 --> 00:20:59,800
Speaker 6: But they we're not leaving.

417
00:21:01,520 --> 00:21:08,399
Speaker 5: Sorry, Buster Momy. You know you know how people use

418
00:21:08,480 --> 00:21:11,439
Speaker 5: service dogs. They say it's like a scamm, not a scam.

419
00:21:11,440 --> 00:21:14,600
Speaker 5: I really need a service animal. Okay, go on, first question,

420
00:21:16,160 --> 00:21:18,320
Speaker 5: what's your one bad movie?

421
00:21:18,640 --> 00:21:19,480
Speaker 2: The service dog?

422
00:21:20,040 --> 00:21:20,880
Speaker 5: The service dog.

423
00:21:21,440 --> 00:21:22,760
Speaker 2: That's a great idea for a movie.

424
00:21:23,119 --> 00:21:26,760
Speaker 5: Yes, let's do it, James, Right, James write the movie

425
00:21:26,880 --> 00:21:31,080
Speaker 5: right here. I don't know, James, some of the films.

426
00:21:31,200 --> 00:21:33,080
Speaker 2: I was trying to give you an example. So I

427
00:21:33,160 --> 00:21:37,080
Speaker 2: made a movie once called Sharks and Venice. Wow, where

428
00:21:37,119 --> 00:21:39,760
Speaker 2: I play a scientist and a shark expert that has

429
00:21:39,800 --> 00:21:43,480
Speaker 2: to go to Italy to Venice, Italy where there would

430
00:21:43,560 --> 00:21:46,320
Speaker 2: never be sharks in the canals of Venice.

431
00:21:46,400 --> 00:21:47,439
Speaker 6: That's kind of cool.

432
00:21:47,800 --> 00:21:49,440
Speaker 5: Yeah, that's dope. What's the name of.

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00:21:49,400 --> 00:21:53,840
Speaker 2: It, Sharks and Venice starring Steve Yeah.

434
00:21:53,600 --> 00:21:54,520
Speaker 6: That's actually cool.

435
00:21:55,960 --> 00:21:58,000
Speaker 5: You got to cut that up and put on your Instagram.

436
00:21:58,280 --> 00:22:01,679
Speaker 5: I better kill Yeah, good, you should do that. But

437
00:22:01,760 --> 00:22:04,359
Speaker 5: what's dude, that would be hilarious to promote this?

438
00:22:04,840 --> 00:22:06,119
Speaker 2: What's a bad movie?

439
00:22:07,480 --> 00:22:12,560
Speaker 5: I would have to say. I did a movie called

440
00:22:12,640 --> 00:22:15,080
Speaker 5: dream Date. It was a TV movie and it was

441
00:22:15,080 --> 00:22:19,880
Speaker 5: with Anson. Williams was the director, and I forgot who

442
00:22:21,280 --> 00:22:27,359
Speaker 5: was the star. I forgot who the star was, but

443
00:22:27,440 --> 00:22:29,000
Speaker 5: it was it was Prettynson.

444
00:22:29,200 --> 00:22:30,760
Speaker 2: Williams is the director.

445
00:22:30,840 --> 00:22:33,160
Speaker 6: Yeah, it was the director. When he was Williams.

446
00:22:33,160 --> 00:22:35,760
Speaker 5: Hanson Williams was like in uh he was in a

447
00:22:36,320 --> 00:22:40,280
Speaker 5: happy Happy Days. Yeah, because Ron Howard was directing, so

448
00:22:40,359 --> 00:22:44,720
Speaker 5: he gets to what direct too?

449
00:22:45,400 --> 00:22:47,760
Speaker 2: But Anson played what character? Unhappyness?

450
00:22:48,320 --> 00:22:50,280
Speaker 5: I don't remember what his characters. He's part of the

451
00:22:50,320 --> 00:22:52,040
Speaker 5: Fawns and all that shit. Yeah.

452
00:22:52,160 --> 00:22:56,119
Speaker 2: No, Anson was the dark haired guy. Yes, yeah I

453
00:22:56,160 --> 00:22:59,560
Speaker 2: remember Anson. Yeah he was cool, he was handsome.

454
00:23:00,080 --> 00:23:03,800
Speaker 5: Yeah, sure, name me, James, name me a couple of

455
00:23:03,880 --> 00:23:07,560
Speaker 5: movies that can oh wow, whiskey business for Straight Straight

456
00:23:07,600 --> 00:23:08,920
Speaker 5: To That was for CMT.

457
00:23:12,080 --> 00:23:13,760
Speaker 2: Wait you just said the name of that.

458
00:23:13,800 --> 00:23:17,560
Speaker 5: Otherwise Guesthouse House or dream Date?

459
00:23:17,880 --> 00:23:19,760
Speaker 2: Yeah, where's dream Date? James?

460
00:23:19,920 --> 00:23:23,680
Speaker 1: James should be on there dancing played Potzi by the way.

461
00:23:23,720 --> 00:23:24,879
Speaker 5: Yeah, Potsy right.

462
00:23:25,880 --> 00:23:32,359
Speaker 2: Dream Date it's right here. Wow are you in this?

463
00:23:33,160 --> 00:23:34,960
Speaker 5: Yeah?

464
00:23:35,000 --> 00:23:47,800
Speaker 2: I love it? Rudy Paulie? Sure? Is that really? You stop?

465
00:23:48,000 --> 00:23:50,960
Speaker 5: Let me see. Oh that's not from dream Day. That's

466
00:23:51,000 --> 00:23:52,960
Speaker 5: just another photo but it's what.

467
00:23:52,960 --> 00:23:55,680
Speaker 2: They're using for that film on IMDb.

468
00:23:56,040 --> 00:23:56,600
Speaker 5: There you go.

469
00:23:57,960 --> 00:24:01,399
Speaker 6: That's what Squirrel, Tempest, Bloodstone.

470
00:24:01,440 --> 00:24:01,640
Speaker 5: Right.

471
00:24:02,960 --> 00:24:07,000
Speaker 6: Yeah, that was a really bad movie, like really bad.

472
00:24:07,520 --> 00:24:09,520
Speaker 5: But the oh you know. I also did a movie

473
00:24:09,520 --> 00:24:13,480
Speaker 5: called Wedding Band. But my see, my movies were so bad,

474
00:24:13,520 --> 00:24:17,960
Speaker 5: they're actually pretty good. Like Wedding Band is like genius, dude,

475
00:24:18,040 --> 00:24:20,119
Speaker 5: what's it about. I play a bass player in a

476
00:24:20,119 --> 00:24:23,679
Speaker 5: wedding band And it was for IRS Pictures.

477
00:24:24,400 --> 00:24:25,200
Speaker 2: I remember that.

478
00:24:25,280 --> 00:24:27,440
Speaker 5: Yeah, I r S Pictures. Can you, James? Can you

479
00:24:27,480 --> 00:24:29,800
Speaker 5: find that one? Do you see it?

480
00:24:30,280 --> 00:24:30,919
Speaker 6: Great film?

481
00:24:31,359 --> 00:24:33,200
Speaker 2: And do you literally play a musician?

482
00:24:33,359 --> 00:24:33,560
Speaker 6: Yeah?

483
00:24:33,560 --> 00:24:35,480
Speaker 5: I play a bass player in a wedding band where

484
00:24:35,480 --> 00:24:37,560
Speaker 5: we go around in a van and we play different weddings.

485
00:24:37,600 --> 00:24:41,320
Speaker 5: But it's funny, dude, it's funny. Bro.

486
00:24:42,280 --> 00:24:43,920
Speaker 3: That's got a good rating on IMDb.

487
00:24:44,200 --> 00:24:46,320
Speaker 5: I'm sure because they're so bad they're good.

488
00:24:47,280 --> 00:24:47,760
Speaker 2: I don't know.

489
00:24:47,920 --> 00:24:50,440
Speaker 3: That's over two fifty votes for.

490
00:24:51,160 --> 00:24:51,879
Speaker 6: People like it?

491
00:24:51,960 --> 00:24:54,040
Speaker 5: Right, Yeah, I'm going to put that on my YouTube

492
00:24:54,080 --> 00:24:55,399
Speaker 5: page tomorrow.

493
00:24:56,560 --> 00:24:58,880
Speaker 1: I have the video and you guess what the rating

494
00:24:58,920 --> 00:25:00,680
Speaker 1: is on a scale one to ten what.

495
00:25:00,680 --> 00:25:02,000
Speaker 3: People have voted for it?

496
00:25:02,640 --> 00:25:04,200
Speaker 5: No? What is it?

497
00:25:04,359 --> 00:25:05,200
Speaker 3: Seven and a half?

498
00:25:05,480 --> 00:25:05,920
Speaker 5: Not bad?

499
00:25:06,000 --> 00:25:08,680
Speaker 1: No, that's really that's really good for IMDb. Anything above

500
00:25:08,680 --> 00:25:10,120
Speaker 1: a seven is that's a solid movie.

501
00:25:10,160 --> 00:25:11,800
Speaker 5: And I did a movie called Phantom of the Mall,

502
00:25:11,920 --> 00:25:12,920
Speaker 5: which is pretty bad.

503
00:25:12,960 --> 00:25:15,440
Speaker 6: But you know, again, so bad, so good.

504
00:25:15,240 --> 00:25:19,720
Speaker 5: Right, Yeah, wedding band.

505
00:25:19,520 --> 00:25:21,920
Speaker 6: That's not What was that one called Phantom of the Mall.

506
00:25:23,080 --> 00:25:26,720
Speaker 5: That's Phantom, A Phantom of the Mall starring myself a

507
00:25:26,800 --> 00:25:28,160
Speaker 5: Morgan Fairchild.

508
00:25:29,119 --> 00:25:30,600
Speaker 6: Yeah, remember Morgan Fairchild?

509
00:25:30,760 --> 00:25:33,119
Speaker 2: Yeah, Eric's Revenge.

510
00:25:33,280 --> 00:25:36,560
Speaker 5: Yeah, I don't believe it.

511
00:25:37,640 --> 00:25:39,360
Speaker 3: What about your like your your.

512
00:25:41,000 --> 00:25:44,600
Speaker 6: Way Chinese? You can't do that while we're filming.

513
00:25:44,720 --> 00:25:48,919
Speaker 1: He's learning the rules of podcasts. Still twenty episodes in Uh?

514
00:25:49,119 --> 00:25:51,280
Speaker 1: What about like your biggest movies, like in your Running

515
00:25:51,280 --> 00:25:52,960
Speaker 1: for the nineties. Were there ever one that came out?

516
00:25:53,000 --> 00:25:55,840
Speaker 1: You're like, man, that just that one didn't hit the mark,

517
00:25:55,880 --> 00:25:57,600
Speaker 1: even if it like it did well theatrically.

518
00:25:58,640 --> 00:26:02,359
Speaker 5: Oh no, I thought they all did. They all are good.

519
00:26:02,920 --> 00:26:04,680
Speaker 5: I mean, I like the Army and the jury and

520
00:26:04,720 --> 00:26:16,359
Speaker 5: the Biodomino. Oh shit, behind the wall, beneath your own feet.

521
00:26:17,680 --> 00:26:20,960
Speaker 5: You all tried to destroy him in your greed. You

522
00:26:21,119 --> 00:26:24,720
Speaker 5: tore everything precious from him.

523
00:26:24,720 --> 00:26:30,040
Speaker 2: But Eric remembers what if Eric didn't really die in

524
00:26:30,119 --> 00:26:30,679
Speaker 2: that fire?

525
00:26:31,640 --> 00:26:35,440
Speaker 6: Rob Estes. Rob Estes was in it. Remember him?

526
00:26:35,600 --> 00:26:36,400
Speaker 2: Yes, handsome?

527
00:26:37,200 --> 00:26:48,360
Speaker 5: He is handsome. You remember too, Eric Matthews is still alive.

528
00:26:50,000 --> 00:26:59,240
Speaker 5: What do you mean they freeze entertainment? I went and

529
00:26:59,280 --> 00:27:01,959
Speaker 5: saw this in a theater in Hollywood. It was hilarious.

530
00:27:03,000 --> 00:27:03,960
Speaker 5: It was hilarious.

531
00:27:05,240 --> 00:27:07,520
Speaker 6: They're get a small theater like by the Chinese.

532
00:27:08,760 --> 00:27:10,400
Speaker 5: It was a nightmare.

533
00:27:15,400 --> 00:27:15,680
Speaker 2: Film.

534
00:27:15,840 --> 00:27:18,000
Speaker 6: Yeah, it's a it's a dasher film.

535
00:27:18,119 --> 00:27:19,320
Speaker 2: And what do they do to you in it.

536
00:27:19,400 --> 00:27:22,200
Speaker 5: Do you get I played buzz I saved them all

537
00:27:22,240 --> 00:27:25,920
Speaker 5: from the from Eric blowing it up or something. How

538
00:27:26,080 --> 00:27:27,880
Speaker 5: you I don't remember.

539
00:27:28,640 --> 00:27:29,800
Speaker 2: Were you on a skateboard?

540
00:27:30,560 --> 00:27:32,040
Speaker 5: No, I was just working, you know. It was like

541
00:27:32,040 --> 00:27:37,600
Speaker 5: the nerdy kid at the mall. Oh yeah, yeah, yeah.

542
00:27:36,240 --> 00:27:36,919
Speaker 2: I love that.

543
00:27:37,240 --> 00:27:38,040
Speaker 5: Yeah.

544
00:27:38,240 --> 00:27:40,800
Speaker 2: What was it called Phantom of the Mall?

545
00:27:40,880 --> 00:27:46,120
Speaker 5: Phantom of the All Eric's Revenge. Yeah that's a bad movie, PAULI. Yeah,

546
00:27:46,520 --> 00:27:50,080
Speaker 5: it makes the cut officially as one bad movie. I

547
00:27:50,119 --> 00:27:54,360
Speaker 5: don't know, there's there could be debates out there, how many.

548
00:27:54,359 --> 00:27:56,400
Speaker 2: I think anything that uses the word.

549
00:27:56,200 --> 00:28:00,320
Speaker 5: Revenge in it. Yeah, yeah, it's a pretty bad movie.

550
00:28:00,520 --> 00:28:05,200
Speaker 6: Yeah.

551
00:28:05,320 --> 00:28:08,159
Speaker 2: Do you think we should never make a sequel to Biodome?

552
00:28:09,720 --> 00:28:14,679
Speaker 5: I think we should if it was done properly and

553
00:28:14,800 --> 00:28:22,119
Speaker 5: it was done right. You know. I think that it

554
00:28:22,240 --> 00:28:24,879
Speaker 5: has to, you know, have that younger you know gen

555
00:28:25,040 --> 00:28:28,320
Speaker 5: Z crowd and then we're there so like there's just

556
00:28:28,480 --> 00:28:33,800
Speaker 5: a crow. Yeah no, but you know, the younger kids,

557
00:28:33,960 --> 00:28:36,440
Speaker 5: and I think we would be the older guys in it,

558
00:28:36,880 --> 00:28:38,840
Speaker 5: you know what I mean. I don't think we should

559
00:28:38,840 --> 00:28:41,360
Speaker 5: be like the main guys. I think they're like we

560
00:28:41,400 --> 00:28:46,840
Speaker 5: should have kids or something, right, No, should be Yeah, don't.

561
00:28:46,280 --> 00:28:48,320
Speaker 1: You think that shows played out by now? Don't you

562
00:28:48,360 --> 00:28:51,920
Speaker 1: think that all the all the reboots, they all agree

563
00:28:52,280 --> 00:28:53,440
Speaker 1: we need to bring the younger kids.

564
00:28:53,640 --> 00:28:55,400
Speaker 6: I agree, Yeah, I agree.

565
00:28:55,840 --> 00:28:57,880
Speaker 5: It's all about the script and the idea. I mean,

566
00:28:57,880 --> 00:29:00,640
Speaker 5: they they didn't they do like Bill and Ted's like

567
00:29:00,800 --> 00:29:02,880
Speaker 5: recently thought I thought that was bad.

568
00:29:03,440 --> 00:29:04,200
Speaker 2: I didn't see.

569
00:29:04,160 --> 00:29:06,280
Speaker 5: Yeah, But then again, it was kind of cool though,

570
00:29:06,320 --> 00:29:09,880
Speaker 5: because those films they go like in different eras, and

571
00:29:09,920 --> 00:29:12,160
Speaker 5: I think that's pretty funny, Like Bill's all sudden, like

572
00:29:12,640 --> 00:29:14,440
Speaker 5: Bill and Tad all sudden, and then they're like the

573
00:29:15,080 --> 00:29:17,640
Speaker 5: Roman Times, you know what I mean. I think that's

574
00:29:17,640 --> 00:29:19,520
Speaker 5: pretty funny. But I don't know.

575
00:29:20,040 --> 00:29:21,720
Speaker 2: But Biodome, where would it go?

576
00:29:22,320 --> 00:29:22,800
Speaker 5: I don't know?

577
00:29:23,160 --> 00:29:26,120
Speaker 2: Is there a Mars opportunity? Oh?

578
00:29:26,240 --> 00:29:28,240
Speaker 5: Yeah, that was that one that we had that the

579
00:29:28,280 --> 00:29:32,320
Speaker 5: one guy wrote the thing Peter Horror, Peter Horr, Peter,

580
00:29:32,480 --> 00:29:37,440
Speaker 5: everybody Peter Horror, Peter or Peter. He wrote the treatment

581
00:29:38,440 --> 00:29:42,480
Speaker 5: Biodome Buden Doyle go to Mars, Mission, Mission to Mars.

582
00:29:42,560 --> 00:29:43,560
Speaker 3: Yeah, how long ago?

583
00:29:43,720 --> 00:29:46,480
Speaker 5: Was that a couple of years ago?

584
00:29:47,840 --> 00:29:51,680
Speaker 2: But do you think it's so brilliant we should just

585
00:29:51,840 --> 00:29:52,720
Speaker 2: not do another one?

586
00:29:52,800 --> 00:29:53,320
Speaker 5: I agree?

587
00:29:54,600 --> 00:29:57,440
Speaker 1: Couldn't you do a spiritual sequel, you know, like Carlito's

588
00:29:57,480 --> 00:30:00,480
Speaker 1: Way is the spiritual sequel to Scarface, ask a team

589
00:30:00,560 --> 00:30:03,000
Speaker 1: up and do something in the vein.

590
00:30:03,320 --> 00:30:03,800
Speaker 5: I don't know.

591
00:30:06,040 --> 00:30:06,840
Speaker 6: I just think that.

592
00:30:09,320 --> 00:30:16,680
Speaker 5: It was at a time where it was joyful and

593
00:30:17,360 --> 00:30:24,560
Speaker 5: it was very silly, and it was what's the word

594
00:30:27,320 --> 00:30:27,720
Speaker 5: it was.

595
00:30:28,640 --> 00:30:31,120
Speaker 2: It was a different comedy algorithm.

596
00:30:31,520 --> 00:30:34,920
Speaker 5: Yeah, it was.

597
00:30:35,000 --> 00:30:37,280
Speaker 6: Now what's it wouldn't work now.

598
00:30:38,000 --> 00:30:39,960
Speaker 2: I think it's because pardon me, I think it's because

599
00:30:40,040 --> 00:30:45,400
Speaker 2: storytelling has changed. You know, they don't. We've been talking

600
00:30:45,560 --> 00:30:48,320
Speaker 2: a lot on the podcast about how, you know, they

601
00:30:48,320 --> 00:30:50,000
Speaker 2: don't make them like they used to. You said it

602
00:30:50,000 --> 00:30:52,640
Speaker 2: a little while ago. Uh, you know, how they don't

603
00:30:52,640 --> 00:30:54,120
Speaker 2: make Jerry Maguire anymore.

604
00:30:54,640 --> 00:30:57,840
Speaker 5: God, what a great film, you know. God what about

605
00:30:57,920 --> 00:31:00,800
Speaker 5: rain Man? Yeah, stuff like that.

606
00:31:00,880 --> 00:31:05,160
Speaker 2: Yeah, I mean they they they make stuff like it now,

607
00:31:05,200 --> 00:31:06,600
Speaker 2: But it's not like that.

608
00:31:08,080 --> 00:31:11,560
Speaker 5: I mean when Forrest Gump came out, or even like Titanic,

609
00:31:12,040 --> 00:31:14,720
Speaker 5: it brought you goose pumps, you know what I mean.

610
00:31:15,720 --> 00:31:17,840
Speaker 5: And it was because I think it was the movies,

611
00:31:17,920 --> 00:31:21,000
Speaker 5: and it was also the time of the movie. Like

612
00:31:21,040 --> 00:31:22,920
Speaker 5: I think if they came out with those things now,

613
00:31:23,040 --> 00:31:24,720
Speaker 5: I don't know if they would hit like they hit

614
00:31:24,760 --> 00:31:25,320
Speaker 5: back then.

615
00:31:25,280 --> 00:31:28,800
Speaker 2: I could just depending on because that's Cameron. He can

616
00:31:28,840 --> 00:31:29,240
Speaker 2: do whatever.

617
00:31:29,360 --> 00:31:31,560
Speaker 5: He's like, he's like a Spielberg, so you can just

618
00:31:31,560 --> 00:31:32,480
Speaker 5: do what ever he wants.

619
00:31:34,960 --> 00:31:36,959
Speaker 2: But I don't know, I'm weird. I'm just I'm not.

620
00:31:37,760 --> 00:31:40,720
Speaker 2: All the big special effects stuff now bores me.

621
00:31:40,920 --> 00:31:46,560
Speaker 5: Oh god. So that's just And what's so crazy is

622
00:31:46,600 --> 00:31:47,880
Speaker 5: this whole AI thing.

623
00:31:48,680 --> 00:31:49,960
Speaker 6: It's just like it's.

624
00:31:49,760 --> 00:31:52,520
Speaker 5: Like I'm hearing like they're going to be doing the

625
00:31:52,680 --> 00:31:56,640
Speaker 5: actors and like and this right here is an actual set.

626
00:31:57,440 --> 00:31:59,760
Speaker 5: But with the AI you can make a green screen

627
00:32:00,320 --> 00:32:03,120
Speaker 5: and you don't have to travel with this stuff. And

628
00:32:03,160 --> 00:32:06,000
Speaker 5: then they're going to do that with the actors because

629
00:32:06,000 --> 00:32:08,720
Speaker 5: they're they're talking about they're doing it. I mean, look

630
00:32:08,760 --> 00:32:11,560
Speaker 5: at the whole Donald Trump, Taylor Swift, you know thing

631
00:32:11,600 --> 00:32:15,760
Speaker 5: that was crazy, Like it looks real. Dude, it's scary.

632
00:32:16,640 --> 00:32:19,240
Speaker 5: It's scary what they can do with famous people.

633
00:32:19,400 --> 00:32:22,280
Speaker 2: But you don't have to worry. You know why why

634
00:32:22,600 --> 00:32:26,840
Speaker 2: Robert Downey Junior is on the case already? Did you

635
00:32:26,880 --> 00:32:30,000
Speaker 2: see all the headlines down j.

636
00:32:31,840 --> 00:32:35,040
Speaker 5: I like that. I like that.

637
00:32:35,880 --> 00:32:38,920
Speaker 2: I'll have a banshee of lawyers knocking at your door.

638
00:32:39,160 --> 00:32:41,600
Speaker 5: Wow, you can google that that's.

639
00:32:41,480 --> 00:32:44,040
Speaker 2: He literally has already been threatening.

640
00:32:45,120 --> 00:32:48,600
Speaker 5: The powers. That's like, that's like Doctor Dre and Metallica

641
00:32:48,640 --> 00:32:52,360
Speaker 5: and all that stuff coming out when Napster came out.

642
00:32:53,280 --> 00:32:55,280
Speaker 5: And they're like, all right, anyways, peace, we're still going

643
00:32:55,320 --> 00:32:58,360
Speaker 5: to get take the movie music for free. And they

644
00:32:58,400 --> 00:33:01,000
Speaker 5: still took it. And now you and now if she

645
00:33:01,080 --> 00:33:05,320
Speaker 5: can't be that, she can't someone's image it image?

646
00:33:05,360 --> 00:33:07,200
Speaker 2: You mean, well, what's what are they going to do?

647
00:33:07,440 --> 00:33:10,920
Speaker 2: So they're going to steal Leonardo's likeness and put it

648
00:33:10,960 --> 00:33:12,560
Speaker 2: in a movie. And where's it gonna play that? No

649
00:33:12,560 --> 00:33:13,200
Speaker 2: one's gonna know.

650
00:33:14,360 --> 00:33:17,280
Speaker 5: No everyone will know but Leo's. They'll just say it's

651
00:33:17,280 --> 00:33:22,800
Speaker 5: a public it's public domain. You know, he's famous, so

652
00:33:22,920 --> 00:33:25,520
Speaker 5: you can do it. And I'm not. I'm not. Uh

653
00:33:25,960 --> 00:33:28,840
Speaker 5: what's the word where you make make someone look bad? Not?

654
00:33:29,160 --> 00:33:34,720
Speaker 5: What's disparage? You're not disparaging him? You know? How do

655
00:33:34,840 --> 00:33:37,680
Speaker 5: how do people know right now that that me and you?

656
00:33:37,680 --> 00:33:39,520
Speaker 5: You're not in Upstate New York and I'm not in

657
00:33:39,600 --> 00:33:43,440
Speaker 5: Malibu right now? And this is AI. We look AI dude?

658
00:33:44,600 --> 00:33:47,840
Speaker 5: Maybe that's what the button Doyle button dog go a

659
00:33:48,000 --> 00:33:48,400
Speaker 5: I bro.

660
00:33:50,040 --> 00:33:53,600
Speaker 3: They think they're in the biodome simulation.

661
00:33:53,720 --> 00:33:59,560
Speaker 6: That's funny, bro, dog go AI, there you go?

662
00:34:00,800 --> 00:34:01,320
Speaker 2: AI.

663
00:34:02,240 --> 00:34:06,040
Speaker 5: Oh my god, it's scary, dude, I'm telling you, it's

664
00:34:06,240 --> 00:34:08,839
Speaker 5: so scary they're doing with scripts now.

665
00:34:09,680 --> 00:34:11,040
Speaker 6: Writers are freaking out.

666
00:34:11,120 --> 00:34:13,359
Speaker 5: Bro. No, I know that part of it, but it's

667
00:34:13,400 --> 00:34:14,640
Speaker 5: not to know that part of it.

668
00:34:14,640 --> 00:34:16,839
Speaker 6: It's dude, freaking.

669
00:34:16,680 --> 00:34:17,719
Speaker 2: Chinese uses A.

670
00:34:17,920 --> 00:34:20,640
Speaker 5: You do, Yeah, he does, So you just write scripts

671
00:34:20,680 --> 00:34:21,000
Speaker 5: with it.

672
00:34:21,120 --> 00:34:23,080
Speaker 3: No, because A I could never write a good script?

673
00:34:23,440 --> 00:34:24,319
Speaker 5: Could you could get?

674
00:34:24,480 --> 00:34:26,160
Speaker 6: You can get anymore.

675
00:34:26,480 --> 00:34:29,000
Speaker 1: Script writing class to write a better what you could

676
00:34:29,000 --> 00:34:31,240
Speaker 1: get a college student who's never taken a screenwriting class

677
00:34:31,239 --> 00:34:32,640
Speaker 1: before to write a better script than AI?

678
00:34:32,760 --> 00:34:35,160
Speaker 5: Ever? Could? I don't know that well.

679
00:34:35,239 --> 00:34:38,279
Speaker 3: AI can't get its heart broken. AI can't get into

680
00:34:38,280 --> 00:34:40,800
Speaker 3: a fistfight. A. I can't do anything in the stories.

681
00:34:40,880 --> 00:34:41,120
Speaker 5: Dude.

682
00:34:41,160 --> 00:34:44,360
Speaker 2: You could literally like say to your phone, hey, AI,

683
00:34:45,200 --> 00:34:47,360
Speaker 2: write jokes like Pollie Shore.

684
00:34:47,840 --> 00:34:51,480
Speaker 5: Let's do it, James, and it'll come back and they

685
00:34:51,520 --> 00:34:54,799
Speaker 5: might have made better than poly stars jokes like may

686
00:34:54,880 --> 00:34:57,520
Speaker 5: steal my own mande me steal my AI's jokes material.

687
00:34:57,560 --> 00:35:00,160
Speaker 2: Oh that's a great idea for next year, Paul. You

688
00:35:00,239 --> 00:35:06,719
Speaker 2: sure AI better than Here's some jokes that I got.

689
00:35:07,880 --> 00:35:09,560
Speaker 5: I thought it was funny that you came to my

690
00:35:09,640 --> 00:35:12,680
Speaker 5: show without telling me that you're at my York.

691
00:35:13,080 --> 00:35:15,400
Speaker 6: Why don't you come say hi? Your dispatched You're.

692
00:35:15,239 --> 00:35:18,399
Speaker 2: Like, well, no, I wanted to see you in your raw,

693
00:35:18,680 --> 00:35:25,360
Speaker 2: unadulterated pauliness. Ah and it was awesome, dude. Could you

694
00:35:25,440 --> 00:35:30,279
Speaker 2: really captivate an audience with your stand up? You really do?

695
00:35:30,480 --> 00:35:31,480
Speaker 5: Thank you, thank you?

696
00:35:32,160 --> 00:35:33,080
Speaker 2: But you made fun of me.

697
00:35:33,760 --> 00:35:36,000
Speaker 6: That's okay, I did I do a whole thing?

698
00:35:36,320 --> 00:35:37,080
Speaker 5: Now on, you too.

699
00:35:37,680 --> 00:35:42,120
Speaker 2: Know the funniest thing if you remember your Baldwin brother's joke,

700
00:35:44,520 --> 00:35:45,400
Speaker 2: I'm a Baldwin.

701
00:35:45,520 --> 00:35:48,360
Speaker 5: Oh yeah, go on, it's.

702
00:35:48,160 --> 00:35:53,520
Speaker 2: Just your boyfriend. Yeah, keep going, well I'm a bald

703
00:35:53,600 --> 00:35:57,680
Speaker 2: Oh yeah yeah girl, yeah yeah, I forgot how nothing

704
00:35:58,040 --> 00:35:58,600
Speaker 2: you got?

705
00:36:00,080 --> 00:36:01,360
Speaker 6: He's got something.

706
00:36:01,239 --> 00:36:05,080
Speaker 2: That's a terrible joke, the terrible joke terrible?

707
00:36:05,560 --> 00:36:07,000
Speaker 1: Should I read him to you or do you want

708
00:36:07,000 --> 00:36:08,320
Speaker 1: to read them? Alow to try to do it? Do

709
00:36:08,400 --> 00:36:09,480
Speaker 1: you want to react to him?

710
00:36:09,520 --> 00:36:09,879
Speaker 5: Read it?

711
00:36:10,239 --> 00:36:10,919
Speaker 2: What am I doing?

712
00:36:10,960 --> 00:36:14,160
Speaker 1: You're going to read the jokes that chat ept came

713
00:36:14,239 --> 00:36:15,720
Speaker 1: up with to sound like poly short.

714
00:36:15,800 --> 00:36:19,400
Speaker 5: So you said that the AI you said, do materials

715
00:36:19,440 --> 00:36:23,600
Speaker 5: like poly short? Yeah? What does it say?

716
00:36:23,840 --> 00:36:29,759
Speaker 2: Did you really just do this okay, like you, the

717
00:36:29,840 --> 00:36:34,440
Speaker 2: AI says on the subject of working out, Bro, I

718
00:36:34,520 --> 00:36:38,839
Speaker 2: hit the gym yesterday, totally crushed it. I did one

719
00:36:39,000 --> 00:36:42,720
Speaker 2: push up and then celebrated with a burrito. It's called

720
00:36:43,480 --> 00:36:49,520
Speaker 2: balance bra. You work the biceps and then feed the soul.

721
00:36:50,520 --> 00:36:56,000
Speaker 5: That's a great joke. Say that. Say that on relationships.

722
00:36:56,600 --> 00:36:58,440
Speaker 2: Dating these days is wild.

723
00:36:58,600 --> 00:36:58,839
Speaker 7: Man.

724
00:36:59,360 --> 00:37:02,040
Speaker 2: I met this role on a dating app. She was

725
00:37:02,080 --> 00:37:05,400
Speaker 2: all like, what's your sign? I told her stop because

726
00:37:05,400 --> 00:37:08,560
Speaker 2: you're going too fast girl. I'm still trying to find

727
00:37:08,600 --> 00:37:10,680
Speaker 2: my wallet.

728
00:37:10,680 --> 00:37:13,480
Speaker 6: Another good joke, right, yeah, these are good jokes.

729
00:37:13,920 --> 00:37:18,520
Speaker 2: So this is chat GPT of you.

730
00:37:19,280 --> 00:37:19,839
Speaker 5: There you go.

731
00:37:20,160 --> 00:37:26,719
Speaker 1: That's Steven. Let Polly read the third one. I want

732
00:37:26,719 --> 00:37:27,080
Speaker 1: to hear it.

733
00:37:27,320 --> 00:37:28,359
Speaker 2: Read the third one?

734
00:37:28,480 --> 00:37:32,239
Speaker 3: Yeah, let him let him? Yeah yeah, let him read

735
00:37:32,280 --> 00:37:32,960
Speaker 3: the third one.

736
00:37:34,440 --> 00:37:36,040
Speaker 2: Bro, we both need glasses.

737
00:37:37,239 --> 00:37:38,279
Speaker 3: Just pull the micloser.

738
00:37:38,560 --> 00:37:45,360
Speaker 2: What happened? Uh uh something happened on it went away?

739
00:37:46,480 --> 00:37:47,680
Speaker 3: We're gonna have to lose all this.

740
00:37:49,680 --> 00:37:50,839
Speaker 2: Like that third one comes.

741
00:37:50,880 --> 00:37:52,960
Speaker 5: Yeah, we need reading glasses. When did you start with

742
00:37:52,960 --> 00:37:53,680
Speaker 5: the reading glasses?

743
00:37:53,760 --> 00:37:56,760
Speaker 2: Long time ago? I'm almost sixty.

744
00:37:57,200 --> 00:38:05,120
Speaker 5: Wow, that's crazy. How old's billy? Oh, Steve, howld's Billy?

745
00:38:05,160 --> 00:38:05,799
Speaker 3: Can it bring it back?

746
00:38:05,840 --> 00:38:09,759
Speaker 2: Are you rased it? Oh, that's brilliant, Billy straight. He's

747
00:38:09,760 --> 00:38:11,040
Speaker 2: working like a banshee.

748
00:38:11,200 --> 00:38:11,640
Speaker 5: Wow.

749
00:38:12,000 --> 00:38:14,480
Speaker 2: It's all over the world, work and working.

750
00:38:14,239 --> 00:38:16,840
Speaker 5: Acting, acting Tavistar, Billy Baldwin. Wow.

751
00:38:17,719 --> 00:38:21,000
Speaker 2: And he's got his beautiful wife and the kids are

752
00:38:21,040 --> 00:38:21,840
Speaker 2: all over the place.

753
00:38:21,960 --> 00:38:25,560
Speaker 5: Wow. Where do they live here in Hollywood?

754
00:38:25,680 --> 00:38:25,879
Speaker 2: Oh?

755
00:38:25,920 --> 00:38:26,440
Speaker 5: Wow?

756
00:38:27,400 --> 00:38:28,680
Speaker 6: I haven't seen him forever?

757
00:38:30,480 --> 00:38:34,160
Speaker 2: Kids are going to school. Yeah, he's been working a lot.

758
00:38:36,600 --> 00:38:38,560
Speaker 2: What's next for PAULI sure.

759
00:38:39,239 --> 00:38:39,799
Speaker 6: You got it?

760
00:38:40,640 --> 00:38:44,239
Speaker 5: I'm reading my AI stand up comedy. So you typed in?

761
00:38:44,719 --> 00:38:45,399
Speaker 5: You typed in?

762
00:38:45,440 --> 00:38:47,839
Speaker 2: What check? Yo? Bro?

763
00:38:48,040 --> 00:38:49,719
Speaker 6: Dating in twenty twenty four is wow.

764
00:38:49,960 --> 00:38:54,440
Speaker 5: Bro, It's almost like you're eating it through a Burritos disappointment.

765
00:38:54,600 --> 00:38:54,839
Speaker 2: Man.

766
00:38:55,600 --> 00:39:02,520
Speaker 5: Oh, she's cute, she's into crystals. Bust or stop it next?

767
00:39:02,560 --> 00:39:03,359
Speaker 5: I don't like you?

768
00:39:03,760 --> 00:39:04,120
Speaker 6: Make sure?

769
00:39:04,120 --> 00:39:04,439
Speaker 2: I sure?

770
00:39:05,239 --> 00:39:08,040
Speaker 5: I need to text answers. I met this chick night.

771
00:39:08,880 --> 00:39:11,239
Speaker 5: I'm a foodie, I think, and I'm sweet. I don't

772
00:39:11,239 --> 00:39:12,000
Speaker 5: know how to read. Okay.

773
00:39:12,040 --> 00:39:12,760
Speaker 6: The third one.

774
00:39:12,800 --> 00:39:15,880
Speaker 5: Dating appster Gnarli Dude, it's like playing the lotto. So

775
00:39:16,000 --> 00:39:19,040
Speaker 5: dating appster narlely, Bro, it's like playing the lotto. You match,

776
00:39:19,520 --> 00:39:22,960
Speaker 5: you chat and then you vibe and she's like bye,

777
00:39:23,040 --> 00:39:26,040
Speaker 5: by the way, I live with my twelve cats and

778
00:39:26,080 --> 00:39:29,960
Speaker 5: my ex I'm out buddy. I gohosted her faster than

779
00:39:29,960 --> 00:39:31,759
Speaker 5: a Friday night text.

780
00:39:32,440 --> 00:39:34,399
Speaker 9: But this is just so funny because this is what

781
00:39:34,760 --> 00:39:38,719
Speaker 9: the AI thinks of you. Let's do me, let's just

782
00:39:38,800 --> 00:39:41,920
Speaker 9: do it. Yeah, yeah, let's do jokes by Stephen bald No,

783
00:39:41,920 --> 00:39:44,399
Speaker 9: I would just put a monologue in. Acting monologue by

784
00:39:44,400 --> 00:39:45,240
Speaker 9: Stephen Baldwin.

785
00:39:45,840 --> 00:39:48,960
Speaker 2: Wow. Yes, that's a great idea.

786
00:39:49,040 --> 00:39:55,480
Speaker 5: Yeah yeah, yeah, yeah, yeah yeah, Acting monologue by Stephen Baldwin. Wow.

787
00:39:55,960 --> 00:40:00,320
Speaker 2: Yeah, right, hold on any of my glass.

788
00:40:01,840 --> 00:40:04,800
Speaker 1: Should we get AI to write the logline for Biodome too.

789
00:40:05,000 --> 00:40:06,000
Speaker 6: Yes, Biodome two.

790
00:40:06,239 --> 00:40:08,479
Speaker 3: Yeah, that's if.

791
00:40:08,400 --> 00:40:09,680
Speaker 2: You put enough information in.

792
00:40:10,920 --> 00:40:13,440
Speaker 6: Why don't we just have the AI Chinese? I got it.

793
00:40:14,040 --> 00:40:17,120
Speaker 5: We should have the AI write the script for Biodome too,

794
00:40:17,200 --> 00:40:19,839
Speaker 5: and then we should just read it like this on

795
00:40:19,880 --> 00:40:23,080
Speaker 5: a green screen and that's it, and then just clip

796
00:40:23,120 --> 00:40:24,600
Speaker 5: it and just put just.

797
00:40:24,560 --> 00:40:27,480
Speaker 6: Put it out on the throw free free.

798
00:40:27,560 --> 00:40:29,239
Speaker 2: If we don't make any money on it, they can't

799
00:40:29,280 --> 00:40:29,680
Speaker 2: sue us.

800
00:40:29,840 --> 00:40:30,919
Speaker 6: No, just put it out.

801
00:40:31,080 --> 00:40:33,000
Speaker 2: Brad Cravoi would never sue us.

802
00:40:35,800 --> 00:40:37,560
Speaker 5: No, we wouldn't. We would just put it out for

803
00:40:37,600 --> 00:40:39,840
Speaker 5: our own fun. That would be fun.

804
00:40:40,680 --> 00:40:42,360
Speaker 1: Well we're waiting. Did you guys get in trouble on

805
00:40:42,400 --> 00:40:43,280
Speaker 1: the set of Biodome.

806
00:40:43,680 --> 00:40:46,799
Speaker 5: Well, Steven would with me a lot. You know.

807
00:40:46,920 --> 00:40:50,200
Speaker 6: He would like literally like I did.

808
00:40:50,320 --> 00:40:53,919
Speaker 5: Man, Yeah, he would chase me, you know what I mean,

809
00:40:55,920 --> 00:40:58,960
Speaker 5: because I'm like all about like on camera, I'm like

810
00:40:59,200 --> 00:41:03,480
Speaker 5: knots when we were acting, and then off camera kind

811
00:41:03,480 --> 00:41:05,840
Speaker 5: of mellow, and then he was still kind of in character,

812
00:41:07,360 --> 00:41:10,320
Speaker 5: and then he would just chase me until I squealed,

813
00:41:10,680 --> 00:41:12,640
Speaker 5: and then I get pissed and I'd be like, do

814
00:41:12,719 --> 00:41:15,279
Speaker 5: it back off to leave me the which made him

815
00:41:15,360 --> 00:41:19,200
Speaker 5: laugh even more. Remember, because you were always fuck with me.

816
00:41:19,440 --> 00:41:21,320
Speaker 2: Because I knew I had to keep like a little

817
00:41:21,320 --> 00:41:23,200
Speaker 2: bit of the characteration.

818
00:41:23,520 --> 00:41:27,080
Speaker 6: Yeah, the antagonistic yeah.

819
00:41:26,719 --> 00:41:29,040
Speaker 2: You know, tugging on your coat tail, you know.

820
00:41:29,040 --> 00:41:30,279
Speaker 5: For like bugging me.

821
00:41:30,560 --> 00:41:32,799
Speaker 2: Well, yeah, you were like you know in the in

822
00:41:32,920 --> 00:41:36,440
Speaker 2: the real characters, you were the provider, you were like

823
00:41:36,480 --> 00:41:38,320
Speaker 2: the dad, you were the older brother.

824
00:41:38,480 --> 00:41:38,680
Speaker 5: Yeah.

825
00:41:38,760 --> 00:41:40,879
Speaker 2: Yeah, yeah, because we always did it your way.

826
00:41:41,160 --> 00:41:42,920
Speaker 5: Yeah. Yeah, So if.

827
00:41:42,760 --> 00:41:45,040
Speaker 2: I wanted to live a snap, you know, I had

828
00:41:45,040 --> 00:41:49,239
Speaker 2: to you know, yeah, I had to resort to your leadership,

829
00:41:49,320 --> 00:41:49,920
Speaker 2: so to speak.

830
00:41:50,120 --> 00:41:52,839
Speaker 5: Yeah. No, it was cool, it was fun.

831
00:41:54,200 --> 00:41:56,560
Speaker 2: Well, we never did anything bad. We couldn't. It was

832
00:41:56,600 --> 00:41:59,240
Speaker 2: such a you know, professional production.

833
00:42:00,120 --> 00:42:03,520
Speaker 6: Yeah, it was fun. I mean, I really, I really.

834
00:42:03,520 --> 00:42:06,719
Speaker 2: And then there were other great actors in him Great, Yeah,

835
00:42:06,840 --> 00:42:07,719
Speaker 2: what's his name? The lead?

836
00:42:07,880 --> 00:42:09,759
Speaker 6: William and William Atherton.

837
00:42:10,800 --> 00:42:13,879
Speaker 5: Brilliant. Yeah. Well that's the thing about comedy. A lot

838
00:42:13,880 --> 00:42:18,399
Speaker 5: of people don't know the best comedy is when comedy

839
00:42:18,719 --> 00:42:23,520
Speaker 5: comedic actress play off of straight actors like dramatic actors.

840
00:42:23,760 --> 00:42:26,040
Speaker 5: So if you look at Eddie Murphy films, especially the

841
00:42:26,080 --> 00:42:29,600
Speaker 5: early ones, he was always goofy, you know, but everyone

842
00:42:29,680 --> 00:42:32,239
Speaker 5: was so serious around him, which made him pop. And

843
00:42:32,280 --> 00:42:34,880
Speaker 5: then Son in Law, where I played off of Lane Smith,

844
00:42:35,719 --> 00:42:37,719
Speaker 5: the father, you know, where I was goofy and he

845
00:42:37,760 --> 00:42:41,560
Speaker 5: was just like just staring me Downe's serious.

846
00:42:41,600 --> 00:42:43,120
Speaker 6: That's where all the comedy comes in, you know.

847
00:42:43,600 --> 00:42:48,560
Speaker 2: I loved with Bill. There's that clip where they throw

848
00:42:48,680 --> 00:42:52,560
Speaker 2: us out, yes, and he's like, right, the idea where

849
00:42:53,840 --> 00:42:57,880
Speaker 2: we are here and you are there, but then we

850
00:42:58,080 --> 00:43:02,040
Speaker 2: complain and Bill's take his And I remember filming it

851
00:43:02,160 --> 00:43:04,840
Speaker 2: because I remember going, is he really gonna just walk

852
00:43:04,880 --> 00:43:09,200
Speaker 2: away and not say anything? Does that read as cold

853
00:43:09,280 --> 00:43:14,400
Speaker 2: as saying something mean and turning? And it's so cold

854
00:43:14,440 --> 00:43:17,480
Speaker 2: when we're we complained, and he just doesn't even ignore.

855
00:43:17,600 --> 00:43:21,920
Speaker 2: He just turns and he just walks that. He just

856
00:43:22,520 --> 00:43:25,279
Speaker 2: says the new rule and walks away.

857
00:43:25,320 --> 00:43:28,400
Speaker 6: It was very fun Yeah, he's very funny. Yeah, he was.

858
00:43:28,480 --> 00:43:32,520
Speaker 5: He was great to work with. And Kylie, of course,

859
00:43:32,600 --> 00:43:35,600
Speaker 5: Kylie was was fun to work with. And Joey Lauren

860
00:43:35,680 --> 00:43:43,520
Speaker 5: Adams was brilliant, brilliant, really funny, squarely and then Hillary, right,

861
00:43:44,440 --> 00:43:47,960
Speaker 5: your girl. Yeah, what was her last name?

862
00:43:48,440 --> 00:43:48,760
Speaker 2: Dara?

863
00:43:50,239 --> 00:43:55,440
Speaker 5: That was dark Dakmanovich. No, I'm talking about your girlfriend

864
00:43:55,480 --> 00:44:00,920
Speaker 5: and the brunette Joey's part. Yeah, yeah, that was yeah, Hillary,

865
00:44:00,960 --> 00:44:02,160
Speaker 5: I think Teresa Hill.

866
00:44:02,320 --> 00:44:06,359
Speaker 6: There you go, Teresa Hill. Who did I say? Hillary?

867
00:44:06,480 --> 00:44:06,920
Speaker 3: Hillary?

868
00:44:07,200 --> 00:44:10,600
Speaker 5: I'm so okay, we'll cut that part out. Hillary or no,

869
00:44:11,280 --> 00:44:14,600
Speaker 5: Teresa Hill. She was great. She was your girlfriend. Joey

870
00:44:14,680 --> 00:44:18,480
Speaker 5: Lauren Adams was my girlfriend. Yeah, but yeah, it was.

871
00:44:20,960 --> 00:44:28,239
Speaker 5: There's lots of yeah, but it was, it was. I

872
00:44:28,280 --> 00:44:31,200
Speaker 5: don't know, I mean, it just represents you know, I remember,

873
00:44:31,360 --> 00:44:34,000
Speaker 5: I think I've said this to you before. Whenever I

874
00:44:34,320 --> 00:44:36,840
Speaker 5: do a movie, I always prepare. However I'm going to

875
00:44:36,920 --> 00:44:39,640
Speaker 5: prepare and always kind of give myself some sort of

876
00:44:39,680 --> 00:44:43,040
Speaker 5: a direction of where I want the character character to go.

877
00:44:43,560 --> 00:44:45,720
Speaker 5: And then when I did Biodome, I said to myself,

878
00:44:45,719 --> 00:44:47,799
Speaker 5: you know, I knew what I'd done prior with my

879
00:44:47,880 --> 00:44:50,279
Speaker 5: other films. I said, I don't want to use the

880
00:44:50,440 --> 00:44:53,520
Speaker 5: R word here, but I want to make these guys

881
00:44:53,560 --> 00:44:57,439
Speaker 5: just like just so stupid, you know what I mean,

882
00:44:57,560 --> 00:45:00,120
Speaker 5: in a way like where the critics are just and

883
00:45:00,160 --> 00:45:03,600
Speaker 5: to go crazy, like meaning they're going to get these

884
00:45:03,640 --> 00:45:07,680
Speaker 5: guys are idiots. And that's kind of where I was,

885
00:45:06,400 --> 00:45:09,960
Speaker 5: and you know all that shit, you know what I mean?

886
00:45:10,000 --> 00:45:13,160
Speaker 5: And and and silly, silly. I wanted it to be

887
00:45:13,239 --> 00:45:17,320
Speaker 5: really silly, even sillier than my other films because my

888
00:45:17,400 --> 00:45:20,440
Speaker 5: other films. Not that these characters that we did weren't grounded.

889
00:45:20,800 --> 00:45:23,960
Speaker 5: They were grounded, but they were, you know, because we

890
00:45:23,960 --> 00:45:25,240
Speaker 5: were locked into the characters.

891
00:45:25,280 --> 00:45:26,160
Speaker 6: But they were silly.

892
00:45:26,440 --> 00:45:29,520
Speaker 2: But the premise was probably the most silly. So you know,

893
00:45:29,719 --> 00:45:33,880
Speaker 2: uh in Sino Man is a crazy premise.

894
00:45:34,719 --> 00:45:36,120
Speaker 3: See it, fix your mic.

895
00:45:37,560 --> 00:45:41,000
Speaker 2: You can't hear me. It's point gosh, how's that up? Better?

896
00:45:41,080 --> 00:45:41,760
Speaker 5: So much better?

897
00:45:41,960 --> 00:45:43,760
Speaker 2: I've pointed it right at my mouth.

898
00:45:45,320 --> 00:45:48,400
Speaker 5: But yeah, I told myself, you know, as I'm preparing,

899
00:45:48,440 --> 00:45:51,200
Speaker 5: I just want this to be like the live version

900
00:45:51,200 --> 00:45:54,320
Speaker 5: of live action version of Beavis and butt Head, you know,

901
00:45:54,360 --> 00:45:56,480
Speaker 5: which is what I told myself, which was, those are

902
00:45:56,560 --> 00:45:57,960
Speaker 5: silly characters. Yeah.

903
00:45:58,080 --> 00:45:59,560
Speaker 1: Did you do that a lot with your movies, like

904
00:45:59,600 --> 00:46:02,080
Speaker 1: think about like how to pretty much give f use

905
00:46:02,160 --> 00:46:02,800
Speaker 1: to the critics?

906
00:46:02,920 --> 00:46:06,840
Speaker 5: No, no, no, it's mostly just this film. Yeah, it

907
00:46:06,880 --> 00:46:09,520
Speaker 5: was mostly just this film because I knew if you're

908
00:46:09,560 --> 00:46:12,759
Speaker 5: really silly and stupid and crazy, I just wanted to

909
00:46:12,880 --> 00:46:14,880
Speaker 5: I wanted it to be, like I said, Beavis and

910
00:46:14,960 --> 00:46:18,880
Speaker 5: butt heead but for live you know, like live.

911
00:46:19,000 --> 00:46:21,480
Speaker 2: Yeahs accomplished.

912
00:46:21,560 --> 00:46:23,840
Speaker 5: Yeah, it was cool. It's just fun.

913
00:46:28,320 --> 00:46:32,319
Speaker 2: In the future, if you could play a serious role

914
00:46:32,320 --> 00:46:36,240
Speaker 2: as an actor, how do you go about it now?

915
00:46:36,840 --> 00:46:40,879
Speaker 2: Like you've created comedy characters just like because you were

916
00:46:41,320 --> 00:46:46,200
Speaker 2: trying in your mind, I think to maybe shift gears

917
00:46:46,200 --> 00:46:48,560
Speaker 2: in the future and do things with the more of

918
00:46:50,000 --> 00:46:51,080
Speaker 2: a serious bent.

919
00:46:52,600 --> 00:46:55,920
Speaker 5: Well, whatever script is laid out in front of me

920
00:46:57,800 --> 00:47:01,880
Speaker 5: is what I jump into. So if it's a dramatic film,

921
00:47:01,920 --> 00:47:04,759
Speaker 5: that's what I'll jump into. But that's not laid out

922
00:47:04,760 --> 00:47:07,680
Speaker 5: for me right now. But if it does, yeah yet,

923
00:47:07,960 --> 00:47:09,880
Speaker 5: But if it does, then I'll just kind of shift

924
00:47:09,920 --> 00:47:10,319
Speaker 5: into that.

925
00:47:11,000 --> 00:47:14,080
Speaker 2: But tell me, I want to just hear your heart

926
00:47:14,120 --> 00:47:18,840
Speaker 2: right now? Shifting into serious or more serious acting in

927
00:47:18,840 --> 00:47:20,480
Speaker 2: the future. Why do you want to do that?

928
00:47:20,920 --> 00:47:22,560
Speaker 6: Because it's my favorite thing.

929
00:47:23,520 --> 00:47:26,359
Speaker 2: The acting, The acting, you know, the challenge of the

930
00:47:26,400 --> 00:47:27,600
Speaker 2: acting mm.

931
00:47:28,560 --> 00:47:32,480
Speaker 5: Just becoming a character that you know is is menacing

932
00:47:32,680 --> 00:47:37,040
Speaker 5: or you know, scary or something like that, unexpected, you

933
00:47:37,080 --> 00:47:39,879
Speaker 5: know different. I did a it's on YouTube. I did

934
00:47:39,920 --> 00:47:42,640
Speaker 5: a I don't know if you saw it. It's pretty gnarly.

935
00:47:42,680 --> 00:47:44,800
Speaker 5: I thought it was. I thought I did a good job.

936
00:47:45,600 --> 00:47:48,520
Speaker 5: Is called Sin City Psycho, and it's like a ten

937
00:47:48,520 --> 00:47:53,279
Speaker 5: minute short film where I play a sociopath and it's

938
00:47:53,320 --> 00:47:56,800
Speaker 5: like it's kind of like a little bit Dennis Dennis

939
00:47:56,840 --> 00:48:01,960
Speaker 5: Hopper a little bit what's his name, American psycho A

940
00:48:01,960 --> 00:48:04,960
Speaker 5: little bit that way. It's a character that I wrote.

941
00:48:05,000 --> 00:48:08,719
Speaker 5: It's a it's a it's a film idea that I

942
00:48:08,800 --> 00:48:12,040
Speaker 5: came up with. It was called it was called Sin

943
00:48:12,120 --> 00:48:16,640
Speaker 5: City Psycho, and it's basically about a serial killer that

944
00:48:16,880 --> 00:48:21,319
Speaker 5: kills women that come to Vegas that cheat on her husbands.

945
00:48:22,360 --> 00:48:22,920
Speaker 5: You know what I mean.

946
00:48:22,960 --> 00:48:25,840
Speaker 6: It's like a slut vigilante. Does that makes sense.

947
00:48:26,440 --> 00:48:28,200
Speaker 2: It's a great title, slut vigilanti.

948
00:48:28,440 --> 00:48:30,880
Speaker 5: Yeah, No, but he's it's since city Psycho. So like,

949
00:48:31,280 --> 00:48:36,200
Speaker 5: so he meets this woman. He meets this woman and

950
00:48:37,440 --> 00:48:41,279
Speaker 5: she he finds out that that she's married and and

951
00:48:41,400 --> 00:48:43,319
Speaker 5: you know, kids and all that stuff. But in her eyes,

952
00:48:43,360 --> 00:48:45,839
Speaker 5: she's like, oh, I'm just in Vegas, you know, I'm

953
00:48:45,880 --> 00:48:48,680
Speaker 5: in Vegas. Like it's okay here, not with this guy.

954
00:48:49,480 --> 00:48:52,480
Speaker 5: And then no, no, so I mean you should pull

955
00:48:52,480 --> 00:48:56,759
Speaker 5: it up. It's gnarly. Let's do a serious it's gnarly, dude, Yeah,

956
00:48:56,840 --> 00:48:57,839
Speaker 5: it's it's pretty good.

957
00:48:57,920 --> 00:48:59,960
Speaker 2: Let's do a series called Slut Vigilant.

958
00:49:00,600 --> 00:49:02,120
Speaker 6: No, you can't do that these days?

959
00:49:03,000 --> 00:49:05,680
Speaker 2: No, am I wrong again? James?

960
00:49:05,880 --> 00:49:13,319
Speaker 5: Yeah? Since yes, Okay, now we're all shifting back to

961
00:49:13,320 --> 00:49:16,280
Speaker 5: Biodome too. From slat Virgilani from.

962
00:49:20,400 --> 00:49:20,920
Speaker 3: So that the.

963
00:49:20,960 --> 00:49:28,359
Speaker 5: Meetings, the title, that's what I'm saying. That's why they

964
00:49:28,360 --> 00:49:31,400
Speaker 5: don't need scriptwriters out Hey, do you scriptwriters out there?

965
00:49:32,400 --> 00:49:32,960
Speaker 6: I'm sorry.

966
00:49:33,000 --> 00:49:37,120
Speaker 5: This is what the strike was about, right, terrible, it's

967
00:49:37,120 --> 00:49:42,640
Speaker 5: a nightmare. So this is Biodome two, written by AI.

968
00:49:43,680 --> 00:49:44,400
Speaker 5: What's the title?

969
00:49:45,120 --> 00:49:48,319
Speaker 2: You're never gonna believe what you're about to hear? Can

970
00:49:48,320 --> 00:49:49,080
Speaker 2: I read all this?

971
00:49:50,000 --> 00:49:50,120
Speaker 5: All?

972
00:49:50,200 --> 00:49:53,920
Speaker 2: Right? Uh? Brad cvoy, we uh we may have outdone you.

973
00:49:55,520 --> 00:49:59,279
Speaker 2: Biodome two Echo Armageddon.

974
00:50:00,000 --> 00:50:00,840
Speaker 5: Oh that's cool.

975
00:50:02,160 --> 00:50:08,960
Speaker 2: Eco tagline saving the planet one questionable decision at a

976
00:50:09,040 --> 00:50:15,799
Speaker 2: time concept. In the decades since their original eco adventure,

977
00:50:16,520 --> 00:50:20,480
Speaker 2: Bud Squirrel, Macintosh poly Shore and Doyle Johnson Stephen Baldwin

978
00:50:20,520 --> 00:50:26,000
Speaker 2: have become accidental environmental influencers. After going viral for a

979
00:50:26,040 --> 00:50:32,240
Speaker 2: failed stunt in a refurbished biodome turned eco tourist attraction,

980
00:50:32,800 --> 00:50:36,920
Speaker 2: they're invited to consult and wreak havoc on a cutting

981
00:50:37,000 --> 00:50:43,200
Speaker 2: edge sustainable living experiment designed to combat climate change. The experiment,

982
00:50:43,320 --> 00:50:49,920
Speaker 2: spearheaded by two by two Ambas, ambitious young scientists TikTok,

983
00:50:50,000 --> 00:50:57,080
Speaker 2: famous climate activists Skuyler sky Vega, Florence Poe, and tech

984
00:50:57,160 --> 00:51:04,560
Speaker 2: billionaire turned eco warrior Jet mc allister Jacob Ilordi, aims

985
00:51:04,560 --> 00:51:08,440
Speaker 2: to test the ultimate green living concept, Biodome two point zero,

986
00:51:08,440 --> 00:51:11,759
Speaker 2: a self sustaining AI driven ecosystem that could reverse the

987
00:51:11,880 --> 00:51:16,279
Speaker 2: environmental damage on the global scale. But when Squirrel and

988
00:51:16,400 --> 00:51:22,120
Speaker 2: Doyle accidentally upload a party mode virus into the domesting

989
00:51:22,280 --> 00:51:25,640
Speaker 2: into the dome's operating system, the biodome turns into an

990
00:51:25,640 --> 00:51:29,080
Speaker 2: out of control, rave wreaking habit on the delicate eCos

991
00:51:29,400 --> 00:51:34,800
Speaker 2: that's a little bit, you know, the same as before. Tone,

992
00:51:34,840 --> 00:51:39,520
Speaker 2: a mix of Jurassic Parks eco crisis emergency with a

993
00:51:40,320 --> 00:51:46,920
Speaker 2: slapstick stoner humor of the original Biodome key scenes. A

994
00:51:46,960 --> 00:51:52,719
Speaker 2: new Biodome, same old budd and Doyle. The pair hilariously

995
00:51:52,760 --> 00:51:56,200
Speaker 2: fails to adapt to the high tech eco lifestyle, mistaking

996
00:51:56,640 --> 00:52:00,439
Speaker 2: hydroponic gardens for a buffet full of chaos the water

997
00:52:00,480 --> 00:52:03,839
Speaker 2: filtration system. I gotta read this last part because it's

998
00:52:03,880 --> 00:52:09,920
Speaker 2: just fascinating that the AI came up with this. Kylie

999
00:52:10,000 --> 00:52:17,240
Speaker 2: Jenner as herself unveiling the Biodome's new eco chick fashion

1000
00:52:17,320 --> 00:52:26,560
Speaker 2: line during a pivotal scene Jeff Goldbloom playing an eccentric scientist.

1001
00:52:27,200 --> 00:52:30,560
Speaker 2: This is not bad. This is not bad at all.

1002
00:52:31,680 --> 00:52:39,839
Speaker 1: Oh man, Yeah, you have to save that.

1003
00:52:41,719 --> 00:52:43,200
Speaker 6: We got to save the environment.

1004
00:52:43,280 --> 00:52:45,920
Speaker 2: But I might just do a bunch of these AI

1005
00:52:46,120 --> 00:52:48,600
Speaker 2: things with the story for bios and just read them

1006
00:52:48,840 --> 00:52:51,279
Speaker 2: like orson Wells in front of a fireplace.

1007
00:52:51,480 --> 00:52:54,759
Speaker 6: Yeah you all do.

1008
00:52:55,239 --> 00:52:58,440
Speaker 2: When he got drunk on the Ernest and Julia Gallo wines.

1009
00:52:58,480 --> 00:53:01,879
Speaker 2: Remember you ever see those famous commercials. I'll show them

1010
00:53:01,880 --> 00:53:02,920
Speaker 2: to you. I'm gonna send you.

1011
00:53:02,960 --> 00:53:05,360
Speaker 6: No, I know those commercials where he's staying.

1012
00:53:05,120 --> 00:53:07,000
Speaker 2: While you're out here, when he's wasted.

1013
00:53:07,640 --> 00:53:09,040
Speaker 6: Where he's staying while you're out here?

1014
00:53:09,600 --> 00:53:15,040
Speaker 2: I stayed with Irish Okay, my granddaughter? Oh wow, yeah,

1015
00:53:15,200 --> 00:53:18,480
Speaker 2: seven thirty in the morning, dude. Really Oh she's running

1016
00:53:18,520 --> 00:53:19,680
Speaker 2: grandpa around? Dude?

1017
00:53:19,920 --> 00:53:22,200
Speaker 6: Where is this in Beverly Hill's studio?

1018
00:53:22,600 --> 00:53:23,160
Speaker 5: Excuse me?

1019
00:53:24,520 --> 00:53:25,720
Speaker 2: Turkey sandwich.

1020
00:53:27,840 --> 00:53:32,080
Speaker 6: But not crazy AI. Shit, that's not bad.

1021
00:53:32,239 --> 00:53:34,280
Speaker 2: What's up? What's taking them so long?

1022
00:53:35,040 --> 00:53:36,480
Speaker 6: What's taking what's so long.

1023
00:53:36,480 --> 00:53:38,520
Speaker 2: Writing the script for the sequel to Biodome?

1024
00:53:39,120 --> 00:53:42,200
Speaker 5: I don't know. I thought Peter Hort did a good

1025
00:53:42,280 --> 00:53:42,759
Speaker 5: job with that.

1026
00:53:43,840 --> 00:53:46,440
Speaker 2: So if there's a script, that's pretty good. What are

1027
00:53:46,440 --> 00:53:48,319
Speaker 2: they doing? We don't know.

1028
00:53:48,480 --> 00:53:48,920
Speaker 5: I don't know.

1029
00:53:49,040 --> 00:53:50,440
Speaker 2: D very strange.

1030
00:53:50,560 --> 00:53:51,239
Speaker 5: What are you gonna do?

1031
00:53:52,760 --> 00:53:56,359
Speaker 6: I say you it's going it's going sound.

1032
00:53:56,760 --> 00:53:58,919
Speaker 2: We should make a pact right now to never make

1033
00:53:58,960 --> 00:54:04,240
Speaker 2: a sequel to the That wouldn't be funny.

1034
00:54:02,840 --> 00:54:04,120
Speaker 6: Will after this interview?

1035
00:54:15,160 --> 00:54:17,520
Speaker 5: You should have her on here, Lori.

1036
00:54:17,680 --> 00:54:18,600
Speaker 6: Petty would be great.

1037
00:54:18,880 --> 00:54:21,959
Speaker 3: Yeah. We wanted to get her on for a tank girl.

1038
00:54:22,080 --> 00:54:22,560
Speaker 2: Yeah.

1039
00:54:22,960 --> 00:54:27,000
Speaker 6: Yeah, I have a number. Yeah, yeah, I have a number.

1040
00:54:27,040 --> 00:54:27,799
Speaker 3: Let's get her on.

1041
00:54:28,600 --> 00:54:29,400
Speaker 5: You'd be great for you.

1042
00:54:29,719 --> 00:54:32,520
Speaker 2: Yeah, why do you have Petty's number?

1043
00:54:33,800 --> 00:54:37,840
Speaker 5: Because she's an old, old old friend of an owner forever.

1044
00:54:38,280 --> 00:54:42,600
Speaker 5: And then she just did some uh some interview with

1045
00:54:42,640 --> 00:54:46,759
Speaker 5: me for in the Army. Now for my documentary that

1046
00:54:46,800 --> 00:54:48,279
Speaker 5: I've been working on for a while that you're in.

1047
00:54:49,320 --> 00:54:49,520
Speaker 5: You know?

1048
00:54:50,480 --> 00:54:51,560
Speaker 2: Am I in the documentary?

1049
00:54:51,600 --> 00:54:51,759
Speaker 4: Are?

1050
00:54:51,880 --> 00:54:52,080
Speaker 5: Yeah?

1051
00:54:52,160 --> 00:54:53,480
Speaker 3: What's the name of it.

1052
00:54:53,480 --> 00:54:57,840
Speaker 5: It's called Once upon a Time in Hollywood. It's like

1053
00:54:57,880 --> 00:55:01,400
Speaker 5: a six to six part seven part ser It's pretty fun.

1054
00:55:01,600 --> 00:55:05,080
Speaker 5: Oh dude, no one knows about it?

1055
00:55:05,160 --> 00:55:06,120
Speaker 3: Is this breaking news?

1056
00:55:06,280 --> 00:55:06,719
Speaker 5: Now? They do?

1057
00:55:06,880 --> 00:55:08,080
Speaker 3: What is this breaking news?

1058
00:55:08,120 --> 00:55:11,680
Speaker 6: Is this the first kind of breaking news for a long time?

1059
00:55:11,840 --> 00:55:14,560
Speaker 2: Getting a scoop here? You're in bad movie?

1060
00:55:14,800 --> 00:55:15,719
Speaker 6: You're in it.

1061
00:55:15,960 --> 00:55:20,200
Speaker 2: Once upon a Time in Pollywood. I love the title. Yeah,

1062
00:55:20,239 --> 00:55:24,719
Speaker 2: it's almost good as Biodome two Echo, Echo of Chambers,

1063
00:55:25,840 --> 00:55:27,879
Speaker 2: No Armageddon.

1064
00:55:28,560 --> 00:55:31,640
Speaker 5: No. What I did was I've been for for probably

1065
00:55:31,719 --> 00:55:34,560
Speaker 5: eight years. I've been working on this docu series of

1066
00:55:34,560 --> 00:55:38,759
Speaker 5: my life. I've gotten over sixty interviews. I mean, I

1067
00:55:38,800 --> 00:55:41,120
Speaker 5: have everyone in it. I mean people, a lot of

1068
00:55:41,120 --> 00:55:43,200
Speaker 5: people have passed and I have their interviews.

1069
00:55:44,280 --> 00:55:45,759
Speaker 6: You know, and you're in it too.

1070
00:55:45,840 --> 00:55:49,640
Speaker 5: I did. I went to your hotel probably five years ago, remember,

1071
00:55:49,640 --> 00:55:52,120
Speaker 5: with the audio, and I did this whole thing.

1072
00:55:52,200 --> 00:55:54,919
Speaker 6: It's brilliant. It's so good, dude.

1073
00:55:54,960 --> 00:55:55,840
Speaker 2: It was just audio.

1074
00:55:56,520 --> 00:55:57,880
Speaker 6: It's everybody's audio.

1075
00:55:57,920 --> 00:56:01,560
Speaker 5: It's it's stylistically it's almost like Amy Winehouse documentary, except

1076
00:56:01,600 --> 00:56:08,480
Speaker 5: I don't die and you know, but but it's like, uh,

1077
00:56:08,600 --> 00:56:11,280
Speaker 5: it's all like old kind of super eight footage and

1078
00:56:11,360 --> 00:56:15,360
Speaker 5: it's kind of shutter stock and and it's got old

1079
00:56:16,239 --> 00:56:18,520
Speaker 5: you know clips, and but it's all done through audio.

1080
00:56:18,960 --> 00:56:22,680
Speaker 5: The thenar the story story is told through like all

1081
00:56:22,680 --> 00:56:27,440
Speaker 5: these audios mix it's hope. You remember you're there.

1082
00:56:27,680 --> 00:56:28,560
Speaker 6: Remember you were there.

1083
00:56:28,440 --> 00:56:30,640
Speaker 5: The other day at my house and you saw those

1084
00:56:30,680 --> 00:56:33,359
Speaker 5: two guys they were working. That's what we were working on.

1085
00:56:34,239 --> 00:56:36,480
Speaker 5: It's beautiful. It's a beautiful, very beautiful.

1086
00:56:36,680 --> 00:56:40,200
Speaker 2: And it already has distribution. No, you're just going straight

1087
00:56:40,239 --> 00:56:41,120
Speaker 2: through polytube.

1088
00:56:41,760 --> 00:56:44,720
Speaker 5: No, I'm just producing it. And when the time comes,

1089
00:56:45,560 --> 00:56:47,759
Speaker 5: you know, they all and it's ready. It's not ready yet.

1090
00:56:48,400 --> 00:56:51,000
Speaker 5: But you asked me how I got Lori Petty's phone number,

1091
00:56:51,360 --> 00:56:53,640
Speaker 5: because she did she did some audio. I got David

1092
00:56:53,640 --> 00:56:57,960
Speaker 5: Allen Greer you got, I got he was also in

1093
00:56:58,040 --> 00:57:00,720
Speaker 5: the army. And then I got a shot on Sean

1094
00:57:00,800 --> 00:57:03,359
Speaker 5: Aston who didn't Sino man, and I got to your

1095
00:57:03,360 --> 00:57:07,320
Speaker 5: career to do jury duty, and I got who else

1096
00:57:07,440 --> 00:57:10,440
Speaker 5: what was a son in law? I got Patrick Renna

1097
00:57:10,880 --> 00:57:14,399
Speaker 5: from son in law and then yeah, and then.

1098
00:57:14,280 --> 00:57:15,120
Speaker 6: I got executives.

1099
00:57:15,120 --> 00:57:18,200
Speaker 5: I got Jeffrey Katzenberg in there, and I got Rotenberg

1100
00:57:18,320 --> 00:57:21,600
Speaker 5: and Vnnett and everyone is in it. It's pretty wild.

1101
00:57:22,400 --> 00:57:24,840
Speaker 5: It's really what you've gotten, dude. You got to see

1102
00:57:24,840 --> 00:57:29,479
Speaker 5: the one man show. I have to trip. It's cool.

1103
00:57:29,520 --> 00:57:33,160
Speaker 5: It's it's really interesting. It's called that one is called

1104
00:57:33,200 --> 00:57:36,480
Speaker 5: Stick with the Dancing. That's the title of it. You

1105
00:57:36,520 --> 00:57:37,360
Speaker 5: know why it's called that.

1106
00:57:38,600 --> 00:57:40,320
Speaker 2: Because your parents said you should stick with.

1107
00:57:40,280 --> 00:57:44,040
Speaker 5: The Yeah, my mom, Yeah, it was funny. It was

1108
00:57:45,040 --> 00:57:47,720
Speaker 5: I was showcasing for my mom at the store after

1109
00:57:47,760 --> 00:57:49,680
Speaker 5: I've been doing stand up for a couple of years.

1110
00:57:49,880 --> 00:57:55,240
Speaker 5: Do you have a cramp? Sorry? Anyways, my leg and uh,

1111
00:57:55,320 --> 00:57:57,640
Speaker 5: and I showcased it from in front of my mom

1112
00:57:57,960 --> 00:58:00,400
Speaker 5: and she was there with sitting in her booth in

1113
00:58:00,440 --> 00:58:04,920
Speaker 5: between Louis Anderson and Paul Mooney. And I was showcasing

1114
00:58:04,960 --> 00:58:08,280
Speaker 5: for my mom and I finished my set and I

1115
00:58:08,400 --> 00:58:10,880
Speaker 5: ended with pop locking and I said, how do I do?

1116
00:58:10,960 --> 00:58:17,080
Speaker 5: She's like, stick with the Dancing and that's the title

1117
00:58:17,120 --> 00:58:20,160
Speaker 5: of it. And it's the one man show is all

1118
00:58:20,200 --> 00:58:23,160
Speaker 5: about my childhood leading up to you know, making it.

1119
00:58:23,200 --> 00:58:25,520
Speaker 5: And then did she really feel that way or she

1120
00:58:25,640 --> 00:58:29,320
Speaker 5: was with you? No, I think she really felt that way. Yes,

1121
00:58:29,400 --> 00:58:32,280
Speaker 5: she really felt that way because I wasn't ready. You know,

1122
00:58:32,320 --> 00:58:36,160
Speaker 5: it's like, but my dancing was great. You're dancing is fantasic.

1123
00:58:36,520 --> 00:58:38,480
Speaker 5: You move your body like a noodle.

1124
00:58:39,360 --> 00:58:40,120
Speaker 6: You know what I mean?

1125
00:58:40,680 --> 00:58:42,680
Speaker 5: You used to she would always just to save me, Paul,

1126
00:58:42,840 --> 00:58:45,800
Speaker 5: Your leg used to be like this. They were in knockknees,

1127
00:58:46,000 --> 00:58:47,520
Speaker 5: but now they're so beautiful.

1128
00:58:47,680 --> 00:58:50,160
Speaker 2: What happened that?

1129
00:58:50,320 --> 00:58:52,960
Speaker 5: What you do? My mom was funny? Well, you know

1130
00:58:53,000 --> 00:58:55,480
Speaker 5: it from Roseanne. You know, it's hard for me to

1131
00:58:55,520 --> 00:59:00,280
Speaker 5: talk about my mom. Yeah. Yeah, it's hard for me

1132
00:59:00,320 --> 00:59:02,840
Speaker 5: to talk about my mom and my dad.

1133
00:59:03,200 --> 00:59:07,000
Speaker 2: But they're both such pillars.

1134
00:59:07,120 --> 00:59:10,520
Speaker 6: Dude, it's not even that there are so inside of me.

1135
00:59:11,360 --> 00:59:16,520
Speaker 2: But that's wonderful legacy. Homemide. Yeah, you're their legacy.

1136
00:59:16,800 --> 00:59:21,680
Speaker 6: Yeah, they're so inside of me. You know, I miss

1137
00:59:21,720 --> 00:59:23,400
Speaker 6: them a lot, But.

1138
00:59:23,680 --> 00:59:27,680
Speaker 5: It doesn't Yeah, it doesn't get easier. You know, it's

1139
00:59:27,680 --> 00:59:30,800
Speaker 5: like a stock and the emotion your parents, it just

1140
00:59:30,840 --> 00:59:33,000
Speaker 5: goes up and down, like sometimes you're cool and then

1141
00:59:33,000 --> 00:59:35,280
Speaker 5: all of a sudden, You're like, it's just like there.

1142
00:59:35,560 --> 00:59:38,240
Speaker 5: And when I do the The One Man Show, She's

1143
00:59:38,240 --> 00:59:40,720
Speaker 5: in it a lot, you know. So I just did

1144
00:59:40,720 --> 00:59:43,160
Speaker 5: it last night, so I'm still kind of emotional from it.

1145
00:59:43,320 --> 00:59:43,560
Speaker 7: Wow.

1146
00:59:43,720 --> 00:59:47,200
Speaker 5: Yeah, yeah, So I go back, I go back into

1147
00:59:47,240 --> 00:59:50,120
Speaker 5: that in that space, and everyone at the comedy Store

1148
00:59:50,160 --> 00:59:52,520
Speaker 5: freaks out on my show because it's a whole new

1149
00:59:52,560 --> 00:59:55,280
Speaker 5: generation of comedians. And I'm kind of like the last

1150
00:59:55,320 --> 00:59:58,280
Speaker 5: person telling the story about how the comedy store was

1151
00:59:58,320 --> 01:00:01,320
Speaker 5: back in the day. I'm like the last colonel there.

1152
01:00:01,600 --> 01:00:04,680
Speaker 5: And then after like in ten, fifteen, twenty thirty years,

1153
01:00:04,680 --> 01:00:07,400
Speaker 5: I'll be gone or whatever it is, and then like

1154
01:00:07,560 --> 01:00:10,400
Speaker 5: it'll just be It'll be stories and spirits of me

1155
01:00:10,440 --> 01:00:13,080
Speaker 5: and my mom and and in the store. You know,

1156
01:00:13,640 --> 01:00:15,920
Speaker 5: the store will always be there. It's not going anywhere,

1157
01:00:16,520 --> 01:00:18,480
Speaker 5: you know. It's like, you know, it's a college. She

1158
01:00:18,600 --> 01:00:20,720
Speaker 5: set it up that way. It's weird. I drive by

1159
01:00:20,760 --> 01:00:22,600
Speaker 5: it a lot, you know, and I'm like, God, my

1160
01:00:22,640 --> 01:00:26,480
Speaker 5: mom created right because she did that right, you know.

1161
01:00:26,920 --> 01:00:31,600
Speaker 2: But I had fun recently again, I was when I

1162
01:00:31,600 --> 01:00:35,920
Speaker 2: talk to young people now about making movies doing I

1163
01:00:35,920 --> 01:00:39,439
Speaker 2: get to sit to young people about you comedy wise, dude,

1164
01:00:39,480 --> 01:00:43,600
Speaker 2: you did what not a lot of guys.

1165
01:00:43,360 --> 01:00:45,560
Speaker 6: Could thank you.

1166
01:00:45,560 --> 01:00:52,960
Speaker 2: You really parlated into your own brand hugely successfully. You know.

1167
01:00:53,720 --> 01:00:57,240
Speaker 2: I think now you're going to probably have more success

1168
01:00:57,240 --> 01:00:58,840
Speaker 2: in the next fifteen twenty years than you ever had

1169
01:00:58,880 --> 01:01:04,240
Speaker 2: before because you're monitoring it differently, and you're producing independently,

1170
01:01:04,280 --> 01:01:06,360
Speaker 2: and you're taking the acting part of it very much

1171
01:01:06,360 --> 01:01:11,040
Speaker 2: more seriously. So it's going to be interesting to see

1172
01:01:11,080 --> 01:01:15,320
Speaker 2: what's in your future with the acting. You were talking

1173
01:01:15,320 --> 01:01:16,720
Speaker 2: to me about some stuff a couple of months ago,

1174
01:01:16,760 --> 01:01:18,720
Speaker 2: and but what's the first thing I said to you?

1175
01:01:18,800 --> 01:01:24,360
Speaker 2: Find an acting coach, Find somebody you like that asks

1176
01:01:24,400 --> 01:01:29,120
Speaker 2: you the questions in the peeling of the material and

1177
01:01:29,200 --> 01:01:32,680
Speaker 2: the dissecting of the material, stuff like that. But you'll

1178
01:01:32,680 --> 01:01:34,880
Speaker 2: figure it out, because you're if you could do that

1179
01:01:34,920 --> 01:01:36,560
Speaker 2: with comedy, if you could do this with the one

1180
01:01:36,600 --> 01:01:40,560
Speaker 2: man show, you can start writing and producing whatever you

1181
01:01:40,600 --> 01:01:43,280
Speaker 2: want for you you could beco up your own Woody

1182
01:01:43,320 --> 01:01:46,000
Speaker 2: Allen for the next twenty years.

1183
01:01:46,640 --> 01:01:50,640
Speaker 5: Yeah, no, I And that's you know, that's why I'm

1184
01:01:50,680 --> 01:01:52,600
Speaker 5: getting off the road, you know what I mean. And

1185
01:01:53,000 --> 01:01:55,840
Speaker 5: a lot of that being on the road was the

1186
01:01:55,920 --> 01:01:58,120
Speaker 5: thing that was kind of keeping me from doing that.

1187
01:01:58,320 --> 01:01:59,560
Speaker 2: Having the time yeah.

1188
01:01:59,440 --> 01:02:03,160
Speaker 5: Having the time because you know, you know, you can't

1189
01:02:03,200 --> 01:02:05,280
Speaker 5: like constantly be doing you know what I mean stuff

1190
01:02:05,280 --> 01:02:09,360
Speaker 5: on the road, and then you know you just can't.

1191
01:02:09,400 --> 01:02:11,800
Speaker 5: You can't have that much bandwidth in your brain, you

1192
01:02:11,840 --> 01:02:13,120
Speaker 5: know where you're like, oh shit, now I'm going to

1193
01:02:13,200 --> 01:02:15,400
Speaker 5: go home and that two weeks while I'm home, while

1194
01:02:15,400 --> 01:02:17,160
Speaker 5: I'm not on the road, I'm going to act like no,

1195
01:02:17,880 --> 01:02:21,440
Speaker 5: you got to stop. It's like literally called turkey. Well

1196
01:02:21,480 --> 01:02:22,280
Speaker 5: it's also.

1197
01:02:22,160 --> 01:02:27,960
Speaker 2: Again for people who don't know you. You you, they

1198
01:02:27,960 --> 01:02:31,200
Speaker 2: don't know you've, Like you said a couple hours ago

1199
01:02:31,200 --> 01:02:35,120
Speaker 2: when we were talking, you've been touring for thirty years.

1200
01:02:35,720 --> 01:02:38,120
Speaker 2: You've been touring as a stand up comic for thirty years.

1201
01:02:38,160 --> 01:02:40,640
Speaker 2: So kind of kicking back now and producing a little

1202
01:02:40,680 --> 01:02:42,400
Speaker 2: bit more or writing a little bit more.

1203
01:02:43,800 --> 01:02:44,920
Speaker 6: I just want to breathe.

1204
01:02:46,360 --> 01:02:47,240
Speaker 2: Didn't take the time.

1205
01:02:49,200 --> 01:02:50,960
Speaker 6: I just want to be able to breathe again.

1206
01:02:51,400 --> 01:02:54,000
Speaker 2: Do it. You are doing it.

1207
01:02:54,080 --> 01:02:56,640
Speaker 5: That's what's cool. Yeah, I just want to be able

1208
01:02:56,680 --> 01:03:00,800
Speaker 5: to breathe again.

1209
01:03:02,120 --> 01:03:06,640
Speaker 6: You do not be like and I need to focus

1210
01:03:06,680 --> 01:03:07,760
Speaker 6: on that good.

1211
01:03:07,880 --> 01:03:08,960
Speaker 2: I think it's wonderful, bro.

1212
01:03:09,320 --> 01:03:12,960
Speaker 5: Yeah, yeah, and that's kind of where my focus is

1213
01:03:13,000 --> 01:03:15,320
Speaker 5: for next year. You know, it's just.

1214
01:03:18,240 --> 01:03:20,440
Speaker 2: You know, a little more focus on you.

1215
01:03:20,200 --> 01:03:24,280
Speaker 5: Me sell mental what's it called mental? They call it

1216
01:03:24,520 --> 01:03:27,400
Speaker 5: the mental health or whatever it's called, and they call it.

1217
01:03:27,440 --> 01:03:31,600
Speaker 5: But just like, well, try to get rid of some

1218
01:03:31,680 --> 01:03:35,320
Speaker 5: of my angst, you know, with my family and the

1219
01:03:35,360 --> 01:03:39,360
Speaker 5: world and the tragedy that's going on that my heart breaks,

1220
01:03:40,120 --> 01:03:42,240
Speaker 5: you know that the wars and all that shit over there.

1221
01:03:42,280 --> 01:03:46,280
Speaker 5: Just you know, but but I'm part of the sickness

1222
01:03:46,280 --> 01:03:48,120
Speaker 5: because I watch it and you know what I mean,

1223
01:03:48,200 --> 01:03:52,520
Speaker 5: because you know, my heart, my heart hurts for those people,

1224
01:03:52,720 --> 01:03:55,520
Speaker 5: you know, because it's just I've never seen so.

1225
01:03:55,480 --> 01:03:57,560
Speaker 6: Many wars in my life, have you.

1226
01:03:58,640 --> 01:04:01,880
Speaker 5: I mean, it's just usually growing up, it's always maybe

1227
01:04:01,880 --> 01:04:08,520
Speaker 5: one maybe and that was it. Now it's like strategy,

1228
01:04:08,640 --> 01:04:10,840
Speaker 5: but that's part of you know, what I need to

1229
01:04:10,880 --> 01:04:16,760
Speaker 5: take care of myself is like, you know, try to

1230
01:04:17,040 --> 01:04:22,240
Speaker 5: try to do that. So yeah, so I.

1231
01:04:22,200 --> 01:04:23,880
Speaker 3: Have a question for you if we want to take

1232
01:04:23,920 --> 01:04:24,880
Speaker 3: it off topic from that.

1233
01:04:25,280 --> 01:04:25,480
Speaker 5: Yeah.

1234
01:04:25,520 --> 01:04:27,880
Speaker 1: In fact, a little bit, Steven mentioned you could be

1235
01:04:27,960 --> 01:04:30,200
Speaker 1: your own Woody Allen and you're talking about your mom

1236
01:04:30,280 --> 01:04:32,200
Speaker 1: running the comedy store. Have you ever thought about making

1237
01:04:32,200 --> 01:04:34,440
Speaker 1: that a series, like make a scriptive series about your

1238
01:04:34,440 --> 01:04:38,280
Speaker 1: mom and the day and If so, who would you

1239
01:04:38,320 --> 01:04:39,120
Speaker 1: cast as your mom?

1240
01:04:39,240 --> 01:04:41,640
Speaker 5: If you know, I'm I'm kind of doing my own

1241
01:04:41,920 --> 01:04:44,760
Speaker 5: my own story with my mom, you know what I mean.

1242
01:04:44,880 --> 01:04:47,240
Speaker 6: So I have I have a book that I wrote.

1243
01:04:48,960 --> 01:04:52,200
Speaker 5: It's the book is very interesting because I wrote it

1244
01:04:52,240 --> 01:04:53,680
Speaker 5: when I was twenty eight years old.

1245
01:04:54,000 --> 01:04:54,520
Speaker 2: Oh wow.

1246
01:04:55,200 --> 01:04:57,320
Speaker 5: So it's called How'd you Expect Me to turn Out?

1247
01:04:58,400 --> 01:05:02,040
Speaker 5: And that's that's the title, and it's basically it's right

1248
01:05:02,080 --> 01:05:05,720
Speaker 5: after I grew up all in the business, and after

1249
01:05:05,840 --> 01:05:09,360
Speaker 5: all my movies and after everything in But back to

1250
01:05:09,560 --> 01:05:12,920
Speaker 5: just answering your question, I wrote this book How'd you

1251
01:05:12,960 --> 01:05:14,120
Speaker 5: Expect Me to turn Out?

1252
01:05:14,440 --> 01:05:16,040
Speaker 6: And I'm just holding on to it.

1253
01:05:16,760 --> 01:05:20,320
Speaker 5: And then I have my docuseriies called Once Upon a

1254
01:05:20,360 --> 01:05:22,720
Speaker 5: Time in Hollywood, And then I had my one man

1255
01:05:22,800 --> 01:05:25,240
Speaker 5: show Stick with the Dancing, and then I had to

1256
01:05:25,240 --> 01:05:28,320
Speaker 5: deal with Adam Sandler for a while for you know,

1257
01:05:28,400 --> 01:05:31,400
Speaker 5: my version of you know, Everybody Hates Chris meets the

1258
01:05:31,440 --> 01:05:34,000
Speaker 5: Wonder Years, which is like a deal that I had

1259
01:05:34,080 --> 01:05:36,680
Speaker 5: with Happy Madison, which is like the kind of like

1260
01:05:36,760 --> 01:05:40,920
Speaker 5: the scripted version of But you know, I don't want

1261
01:05:40,920 --> 01:05:43,000
Speaker 5: to go out with all that stuff. I'm not like

1262
01:05:43,440 --> 01:05:46,240
Speaker 5: pushing it. But at the right time, like a stock,

1263
01:05:46,720 --> 01:05:48,640
Speaker 5: you know, I'll have all these different things, and I'll

1264
01:05:48,640 --> 01:05:54,560
Speaker 5: have partners to help kind of bring these things out.

1265
01:05:55,760 --> 01:05:57,440
Speaker 6: But that's why you got to watch the One Man Show.

1266
01:05:58,000 --> 01:06:01,240
Speaker 5: Because the life that I had is just so weird,

1267
01:06:01,520 --> 01:06:02,840
Speaker 5: you know what I mean, which is why I wanted

1268
01:06:02,880 --> 01:06:05,120
Speaker 5: to do it, do the One Man Show. I mean,

1269
01:06:05,360 --> 01:06:08,400
Speaker 5: I went to Little League with Bob Dylan's kid. Bob

1270
01:06:08,480 --> 01:06:11,560
Speaker 5: Dylan would sit in the stands and heckless kid, you know.

1271
01:06:11,640 --> 01:06:13,920
Speaker 5: So I'd do a whole thing on that, and then

1272
01:06:13,960 --> 01:06:16,680
Speaker 5: what else, you know, I have a whole thing about

1273
01:06:18,000 --> 01:06:21,000
Speaker 5: my mom having a lot of after parties at the

1274
01:06:21,080 --> 01:06:23,800
Speaker 5: house during the week. You know. She'd always call the

1275
01:06:23,800 --> 01:06:28,800
Speaker 5: comedians from the comedy store to come to the Dohaney house, right,

1276
01:06:28,880 --> 01:06:31,560
Speaker 5: and she would party and I and my mom. My

1277
01:06:31,600 --> 01:06:35,360
Speaker 5: mom was from Wisconsin, so she talked like this, and

1278
01:06:35,440 --> 01:06:39,240
Speaker 5: so everyone would be laughing downstairs, but her voice would

1279
01:06:39,320 --> 01:06:44,800
Speaker 5: pierce through the laughter, being ah like that, and it

1280
01:06:44,840 --> 01:06:46,800
Speaker 5: pissed me off because I had to wake up for school.

1281
01:06:47,200 --> 01:06:50,360
Speaker 5: So I'd go downstairs to smoke filled room, you know

1282
01:06:50,400 --> 01:06:52,240
Speaker 5: what I mean, to tell her to shut the up.

1283
01:06:52,200 --> 01:06:54,320
Speaker 5: I had of school, and then she'd be in there

1284
01:06:54,320 --> 01:06:57,920
Speaker 5: with Richard Pryor and Robin Williams and Richard Belzer and

1285
01:06:57,960 --> 01:07:00,480
Speaker 5: all these guys. So while you were going through what

1286
01:07:00,520 --> 01:07:03,000
Speaker 5: you're going through your family, you know, I was going

1287
01:07:03,000 --> 01:07:05,520
Speaker 5: through what I was going through with my family, you know.

1288
01:07:05,680 --> 01:07:08,760
Speaker 5: So so all these stories are in my One Man's Show,

1289
01:07:08,920 --> 01:07:13,120
Speaker 5: and there's so many of them. And you know, going

1290
01:07:13,120 --> 01:07:15,880
Speaker 5: to Beverly Hills High School with the Angelina Jolie, Nicholas Cage,

1291
01:07:15,960 --> 01:07:19,800
Speaker 5: Lenny Kravitz, you know, and like that that era and

1292
01:07:19,840 --> 01:07:23,520
Speaker 5: that time and Oingo Boingo playing my swim gym, you

1293
01:07:23,560 --> 01:07:25,760
Speaker 5: know when I was a freshman at Beverly Hills High School,

1294
01:07:25,840 --> 01:07:29,360
Speaker 5: or me stealing frozen bananas and hot dogs from Michael

1295
01:07:29,400 --> 01:07:32,840
Speaker 5: Bay when he was you know, the guy working behind

1296
01:07:32,840 --> 01:07:34,360
Speaker 5: the hot dogs stand at D's Beach.

1297
01:07:34,920 --> 01:07:36,360
Speaker 6: So all these stories are.

1298
01:07:36,240 --> 01:07:38,480
Speaker 5: In that One Man's Show. That's all I wanted him

1299
01:07:38,520 --> 01:07:43,640
Speaker 5: to come. You know how I was inspired. I was

1300
01:07:43,680 --> 01:07:48,880
Speaker 5: inspired by Mike Tyson's Undisputed Truth. I don't know if

1301
01:07:48,880 --> 01:07:52,960
Speaker 5: you've ever seen that One Man's Show. It's so good.

1302
01:07:53,080 --> 01:07:56,080
Speaker 5: It's so good. So Spike Lee directs a One Man's

1303
01:07:56,080 --> 01:08:01,600
Speaker 5: Show in Brooklyn about Mike Tyson's life. You know, whether

1304
01:08:01,600 --> 01:08:03,560
Speaker 5: you're a fan or not, it doesn't really matter. It's

1305
01:08:03,600 --> 01:08:07,200
Speaker 5: just it's just brilliantly done. And he had like eleven

1306
01:08:07,320 --> 01:08:11,400
Speaker 5: or twelve cameras, and and it's dramatic, and there's you know,

1307
01:08:11,520 --> 01:08:14,680
Speaker 5: videos and photos that play and and and I was

1308
01:08:14,760 --> 01:08:18,040
Speaker 5: kind of inspired when I saw that that's my that's my,

1309
01:08:18,439 --> 01:08:20,880
Speaker 5: you know. And I did like the comedic version, you know,

1310
01:08:20,960 --> 01:08:28,080
Speaker 5: but still dramatic. Yeah, but uh yeah, it's so yeah,

1311
01:08:28,439 --> 01:08:30,360
Speaker 5: you know, all.

1312
01:08:30,320 --> 01:08:35,200
Speaker 2: Right, I think we're done, Jared, Okay, because I want

1313
01:08:35,200 --> 01:08:39,000
Speaker 2: to finish this episode with seeing if Paulie, which I

1314
01:08:39,040 --> 01:08:41,720
Speaker 2: know he's not kind of going to, but I just

1315
01:08:41,720 --> 01:08:44,639
Speaker 2: want to see if we can agree to never make

1316
01:08:44,680 --> 01:08:47,360
Speaker 2: a sequel to I just want to see if we can.

1317
01:08:48,000 --> 01:08:50,000
Speaker 3: I think the AI has served that for you, I see.

1318
01:08:50,040 --> 01:08:51,559
Speaker 2: I want to see if this episode can come out

1319
01:08:51,600 --> 01:08:53,519
Speaker 2: and people will go, wow, did you see that episode

1320
01:08:53,560 --> 01:08:55,880
Speaker 2: where Stephen and Paulie like just.

1321
01:08:56,040 --> 01:08:59,479
Speaker 5: Yeah, I think I think yeah, I think we I

1322
01:08:59,479 --> 01:09:01,840
Speaker 5: think we should didn't do Biodome too. I know a

1323
01:09:01,920 --> 01:09:03,880
Speaker 5: lot of people want us to do it, but I

1324
01:09:03,920 --> 01:09:07,479
Speaker 5: think like some things are left better, you know, unsaid?

1325
01:09:07,760 --> 01:09:08,720
Speaker 5: Was that the thing?

1326
01:09:09,040 --> 01:09:09,200
Speaker 2: Right?

1327
01:09:09,240 --> 01:09:12,280
Speaker 5: You know? Less is more, you know, And to be honest,

1328
01:09:12,360 --> 01:09:15,240
Speaker 5: the movie itself did not do well. It's not like

1329
01:09:15,240 --> 01:09:17,920
Speaker 5: it did one hundred million, right, you know when it

1330
01:09:17,960 --> 01:09:19,840
Speaker 5: came out it did thirteen fourteen.

1331
01:09:19,880 --> 01:09:23,560
Speaker 10: A comedy cold classic as a comedy could classic's legendary,

1332
01:09:23,680 --> 01:09:27,800
Speaker 10: yes it is, but it wasn't like you know, which

1333
01:09:27,840 --> 01:09:29,840
Speaker 10: is weird because I think, like that movie is more

1334
01:09:29,840 --> 01:09:33,200
Speaker 10: popular than I guess Wayne's World, right, and Wayne's World

1335
01:09:33,320 --> 01:09:34,760
Speaker 10: did millions.

1336
01:09:34,280 --> 01:09:36,280
Speaker 6: Of dollars at the box office.

1337
01:09:36,560 --> 01:09:38,320
Speaker 5: Do people still talk about Wayne's World?

1338
01:09:38,360 --> 01:09:39,000
Speaker 2: Of course? Yeah?

1339
01:09:39,360 --> 01:09:43,360
Speaker 5: Still yeah, because I don't. Okay, so they're still into it, right, yeah, okay,

1340
01:09:44,200 --> 01:09:47,719
Speaker 5: so there's a retro title. Yeah, and then what about

1341
01:09:47,760 --> 01:09:50,720
Speaker 5: like all of his other films.

1342
01:09:51,160 --> 01:09:52,240
Speaker 3: Who's Mike Miners?

1343
01:09:52,320 --> 01:09:52,840
Speaker 5: Yeah?

1344
01:09:53,280 --> 01:09:55,200
Speaker 3: I think awesome powers, so awesome powers?

1345
01:09:55,280 --> 01:09:59,439
Speaker 5: Yeah, he's His stuff was brilliant. Yeah, you know what

1346
01:09:59,479 --> 01:10:01,920
Speaker 5: I mean, This stuff was like another level.

1347
01:10:02,280 --> 01:10:02,639
Speaker 2: Yeah.

1348
01:10:02,680 --> 01:10:05,320
Speaker 5: He had a run too, you know, he had a

1349
01:10:05,360 --> 01:10:09,719
Speaker 5: real good run. But his movies did hundreds of millions

1350
01:10:09,760 --> 01:10:13,120
Speaker 5: of dollars. Biotome didn't do that, right.

1351
01:10:13,360 --> 01:10:14,840
Speaker 3: But didn't kill on like home video?

1352
01:10:15,000 --> 01:10:17,360
Speaker 2: But why can't you do Incino? Man?

1353
01:10:17,520 --> 01:10:23,400
Speaker 5: Now, I think the same reason why not to do Biodome? Now,

1354
01:10:23,760 --> 01:10:25,800
Speaker 5: you know, it's just kind of left better on set.

1355
01:10:25,920 --> 01:10:28,800
Speaker 1: You know, have you been approached by anyone like that

1356
01:10:28,880 --> 01:10:29,839
Speaker 1: for them to do a reboot.

1357
01:10:29,880 --> 01:10:32,800
Speaker 5: No. The thing is Disney owns it, so it's like

1358
01:10:32,840 --> 01:10:34,680
Speaker 5: it's Disney's you know, in Son in Law and all

1359
01:10:34,720 --> 01:10:38,120
Speaker 5: those films. So you know, if Disney called and they

1360
01:10:38,240 --> 01:10:40,760
Speaker 5: had they wanted to do it, then I would do

1361
01:10:40,840 --> 01:10:43,360
Speaker 5: it probably if it made sense. You know. We actually

1362
01:10:43,400 --> 01:10:47,280
Speaker 5: have the the treatment for for Son in Law too,

1363
01:10:47,720 --> 01:10:50,439
Speaker 5: the reboot. We have something. Yeah, it's called Father in

1364
01:10:50,520 --> 01:10:54,160
Speaker 5: Law where I play the father, she plays the blah

1365
01:10:54,200 --> 01:10:56,479
Speaker 5: blah blah, and then my daughter comes home with like

1366
01:10:57,080 --> 01:11:00,960
Speaker 5: JD vance you know what I mean, like something like that,

1367
01:11:01,080 --> 01:11:05,799
Speaker 5: and that's a good that's a good one. But yeah, yeah,

1368
01:11:06,240 --> 01:11:07,120
Speaker 5: like someone like that.

1369
01:11:07,160 --> 01:11:08,760
Speaker 2: Can I play the Bill Clinton in that?

1370
01:11:09,479 --> 01:11:09,719
Speaker 5: Yeah?

1371
01:11:09,760 --> 01:11:11,800
Speaker 2: Exactly, play Bill Clinton in that.

1372
01:11:12,760 --> 01:11:14,880
Speaker 5: But we'll see, you know, we'll see. I mean who

1373
01:11:15,000 --> 01:11:18,360
Speaker 5: you know, been talking to Hulu Hulo. Disney owns Hulu.

1374
01:11:18,640 --> 01:11:22,320
Speaker 5: Hulu plays my films a lot and they do really well,

1375
01:11:22,640 --> 01:11:24,800
Speaker 5: like the older films, the Son in Law and the

1376
01:11:25,280 --> 01:11:27,840
Speaker 5: Disney ones, So we'll see.

1377
01:11:28,880 --> 01:11:30,640
Speaker 1: I don't know all the big names that you've worked with.

1378
01:11:30,720 --> 01:11:33,240
Speaker 1: You worked a lot of people present company excluded. Who's

1379
01:11:33,280 --> 01:11:35,000
Speaker 1: who's been your favorite? You worked like the one who

1380
01:11:35,040 --> 01:11:36,840
Speaker 1: just made you laugh the most as long it's just like,

1381
01:11:36,920 --> 01:11:38,320
Speaker 1: damn this, I want to work with them again.

1382
01:11:39,040 --> 01:11:42,360
Speaker 5: Well, like I mentioned Lane, you know, and as an

1383
01:11:42,360 --> 01:11:45,400
Speaker 5: actor and son in law was so much such a

1384
01:11:45,439 --> 01:11:48,080
Speaker 5: pleasure to work with because he played it so real,

1385
01:11:48,360 --> 01:11:52,839
Speaker 5: similar to after Bill Atherton played the scientist, William Atherton

1386
01:11:52,880 --> 01:11:56,240
Speaker 5: played the scientist. So any any of the people that

1387
01:11:56,439 --> 01:11:59,559
Speaker 5: just didn't laugh around me, those are the best actors,

1388
01:12:00,400 --> 01:12:03,479
Speaker 5: you know, the people that just keep the straight face.

1389
01:12:03,560 --> 01:12:07,080
Speaker 2: Yeah, and there were times when Bill even lost it. Yeah,

1390
01:12:08,200 --> 01:12:11,320
Speaker 2: just in the ridiculousness of some of the stuff we

1391
01:12:11,320 --> 01:12:11,719
Speaker 2: were doing.

1392
01:12:13,080 --> 01:12:18,840
Speaker 5: You know what the bottom line is, Stephen, you know,

1393
01:12:19,280 --> 01:12:21,800
Speaker 5: and Sean Asten said it best and when I was

1394
01:12:21,880 --> 01:12:26,519
Speaker 5: interviewing him for my film. The reason why I think not,

1395
01:12:26,640 --> 01:12:30,479
Speaker 5: I think the reason why I know my films have

1396
01:12:31,040 --> 01:12:36,320
Speaker 5: resonated all these years later is not just because there

1397
01:12:36,360 --> 01:12:39,439
Speaker 5: were funny films, but because the audience can tell I

1398
01:12:39,479 --> 01:12:44,160
Speaker 5: put my heart into everything, and that's what I and

1399
01:12:44,200 --> 01:12:45,360
Speaker 5: that's what you get from me.

1400
01:12:46,640 --> 01:12:48,839
Speaker 6: You know, you get my heart.

1401
01:12:49,680 --> 01:12:53,880
Speaker 5: And that's and that's you know what I that's where

1402
01:12:53,920 --> 01:12:55,880
Speaker 5: that that's what motivates me.

1403
01:12:56,080 --> 01:12:59,799
Speaker 2: Well, keep giving us your heart. I hope you'll continue

1404
01:12:59,840 --> 01:13:06,559
Speaker 2: to do that, because I think the best of your

1405
01:13:06,640 --> 01:13:10,519
Speaker 2: heart creatively is yet to come.

1406
01:13:11,160 --> 01:13:13,880
Speaker 3: Can I ask one last question? Real quick?

1407
01:13:14,479 --> 01:13:15,080
Speaker 2: Chinese bro?

1408
01:13:16,479 --> 01:13:18,400
Speaker 3: Or it'll be a forty minutes when it's all cut down?

1409
01:13:18,960 --> 01:13:19,880
Speaker 5: Uh? Can we?

1410
01:13:19,920 --> 01:13:21,920
Speaker 3: Can I ask about the Richard Simmons movie as it happened?

1411
01:13:21,960 --> 01:13:22,120
Speaker 5: Now?

1412
01:13:22,200 --> 01:13:22,559
Speaker 3: Can I not?

1413
01:13:22,600 --> 01:13:24,320
Speaker 6: I can't talk about that right now.

1414
01:13:25,040 --> 01:13:25,960
Speaker 5: We're done.

1415
01:13:26,120 --> 01:13:26,960
Speaker 6: Yeah, we're done.

1416
01:13:27,080 --> 01:13:32,520
Speaker 2: We're done, Pollie, thanks for doing one bad movie.

1417
01:13:35,080 --> 01:13:43,040
Speaker 4: Don't pay of creating those badlets.

1418
01:13:43,400 --> 01:13:44,559
Speaker 6: It's so bad.

1419
01:13:44,760 --> 01:13:52,320
Speaker 4: It's Goodsam, Please Sam, guilty mans this Sun.

1420
01:13:53,720 --> 01:13:54,519
Speaker 5: It's so bad.

1421
01:13:54,640 --> 01:13:56,080
Speaker 7: It's one bad