WEBVTT - Capítulo 229: Expectations vs. Reality of your 30s

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<v Speaker 1>Are your ears bored? Yeah?

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<v Speaker 2>Are you looking for a new podcast that will make

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<v Speaker 2>you laugh, learn, and say get Yeah.

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<v Speaker 1>Then tune in to Look At Though Our Radio Season ten.

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<v Speaker 2>Today, Okay, look at Our Radio is a radiophonic novella,

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<v Speaker 2>which is just an extra way of saying a podcast.

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<v Speaker 1>Season ten of Look At Thought Our Radio is totally nostalgic.

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<v Speaker 1>We're diving in with a four part series about the

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<v Speaker 1>Latinos who shaped pop culture in the early two thousands.

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<v Speaker 2>But that's not all.

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<v Speaker 1>Season ten is also launching in the wake of LA

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<v Speaker 1>wildfires and a new Trump presidency. As always, we're leaning

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<v Speaker 1>into community by conducting critical interviews with people leading the

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<v Speaker 1>efforts to rebuild LA and fight back against oppression.

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<v Speaker 2>Tune in to Look at Our Radio Season ten. Now

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<v Speaker 2>that's what I call a podcast. Love with every listen right.

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<v Speaker 1>At your fingertips.

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<v Speaker 2>Loga Olaola Loka Motes, Welcome to Season ten of lok

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<v Speaker 2>at Dora Radio.

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<v Speaker 1>I'm the Osa and I am Mala.

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<v Speaker 2>Lok at Dora Radio is a podcast dedicated to archiving

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<v Speaker 2>our present and shifting the culture forward. You're tuning in

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<v Speaker 2>to Capituro do Sento two twenty.

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<v Speaker 1>Nine, Last time on lok Attar Radio. We had the

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<v Speaker 1>immense pleasure of talking to Kathleen Erles, the voice of

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<v Speaker 1>Dora the Explorer. You may recognize my voice when I

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<v Speaker 1>sound like this.

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<v Speaker 2>Hi out, Dora the Explorer.

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<v Speaker 1>Go ahead, listen to that episode, leave us a review

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<v Speaker 1>and share with a friend.

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<v Speaker 2>Let's just jump right in into our new segment, climax

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<v Speaker 2>and cry. How did you climax this week? How did

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<v Speaker 2>you cry?

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<v Speaker 1>Oh my god? Oh my god? How did I climax

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<v Speaker 1>this week? Well? We picture locked at school.

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<v Speaker 2>What does picture lock mean?

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<v Speaker 1>Yes, so picture lock means it's the point in your

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<v Speaker 1>post production process after you make a movie where the

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<v Speaker 1>editors lock in the picture, so everything you see on screen,

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<v Speaker 1>frame by frame, the actual moving image is done with

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<v Speaker 1>the editing process. Now we're not making any changes to

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<v Speaker 1>the picture, but we are in this process of post

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<v Speaker 1>production now where we're color grading, sound design is happening,

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<v Speaker 1>sound mixing, our composer is creating our score. So as

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<v Speaker 1>a producer on this documentary, it is just a huge

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<v Speaker 1>relief to be in this phase of post production, like

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<v Speaker 1>the movie has been made and now it's just all

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<v Speaker 1>the bells and whistles. So that was my climax.

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<v Speaker 2>I have to admit that's a good one. And how

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<v Speaker 2>about you, how is your cry? Did you cry?

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<v Speaker 1>Oh? My god, I think I cry this week and

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<v Speaker 1>I've been sharing this with you. This is an ongoing thing.

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<v Speaker 1>Is my dog Boppas is just giving me so much grief?

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<v Speaker 1>I just cannot. I'm just having such a hard time,

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<v Speaker 1>like spending enough time with him, and he's acting out

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<v Speaker 1>in different ways, and so I'm just trying to figure

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<v Speaker 1>out how to accommodate the school schedule, the shooting schedule,

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<v Speaker 1>work schedule, and still making sure that like he gets

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<v Speaker 1>all the attention that he needs.

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<v Speaker 2>What did I tell you would be a solution? Tell

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<v Speaker 2>them what I told you, to get a second dog.

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<v Speaker 2>I know that that might ruin you.

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<v Speaker 1>It'll destroy my life, but it would really help him,

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<v Speaker 1>I know I think he need and you know what,

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<v Speaker 1>I agree with you. And not too long ago, I

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<v Speaker 1>saw an adorable stray dog, yes outside of my apartment,

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<v Speaker 1>and I was walking Bopas at the time, and I

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<v Speaker 1>literally stopped dead in my tracks because I saw this precious,

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<v Speaker 1>precious puppy running around out and about. Sometimes people walk

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<v Speaker 1>their dogs without a leash downtown, so I didn't like,

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<v Speaker 1>go and snatch him right away, because I thought, Okay,

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<v Speaker 1>well maybe he's with some but he's just not leashed.

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<v Speaker 1>And I really, like, I really stood there and watched

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<v Speaker 1>this dog from across the street, and I thought about it,

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<v Speaker 1>like should I snatch up this puppy and bring him

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<v Speaker 1>home and give my dog a companion? But I just

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<v Speaker 1>I'll have a nervous breakdown. It's a lot, it's a lot.

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<v Speaker 2>Having a dog is a big responsibility.

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<v Speaker 1>Yeah, I totally get it. Yeah, yeah, but that's my climax,

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<v Speaker 1>And cry, my poor papas he's he's acting out and

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<v Speaker 1>it's all attention seeking behavior.

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<v Speaker 2>Yes, he's being temperamental.

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<v Speaker 1>He's being very temperamental. He's tearing things up, he's creating messes.

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<v Speaker 1>But he's a dog. It's not his fault, right, Yeah, anyway,

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<v Speaker 1>so that's my climax, and cry, don't call peta. He's fine,

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<v Speaker 1>he's very happy and we'll take in cares. Yes, he's

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<v Speaker 1>just he's needy. Yeah, how about you theosa with your climax?

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<v Speaker 1>What's your cry for this week?

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<v Speaker 2>So one of the ways that I climax this week,

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<v Speaker 2>which super Nerdy I went to a podcasting event. Both

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<v Speaker 2>went and it was hosted by the Signal Awards and

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<v Speaker 2>it was about video forward podcast and the future of podcasting.

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<v Speaker 2>And it was out here in Hollywood. It was at

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<v Speaker 2>gold Diggers and it was a really cute venue planting seeds. Yes,

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<v Speaker 2>we'd love to use.

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<v Speaker 1>That venue, so whoever's listening, yes.

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<v Speaker 2>And it was so cool because like all of our

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<v Speaker 2>creative peers were there and there was a really good

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<v Speaker 2>conversation about podcasting. Video is video the future of podcasting?

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<v Speaker 2>How do we embrace it? How do we know if

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<v Speaker 2>it's the right move for our podcast? And I thought

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<v Speaker 2>that was really interesting. And it's a conversation that you

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<v Speaker 2>and I have ongoing. And I just love to nerd

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<v Speaker 2>out over those kinds of panels. I love to be

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<v Speaker 2>in the room with other audio people and just you know,

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<v Speaker 2>chatting it up. And so I hadn't been out like

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<v Speaker 2>that in a while, like in the middle of the

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<v Speaker 2>week for a work thing, and so that was really nice.

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<v Speaker 1>It was fun. It was very fun. It was it

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<v Speaker 1>was very nerdy. There was like a YouTube up there.

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<v Speaker 1>There was somebody from Headspaced Space dayson Afualo, who is

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<v Speaker 1>Drew Afualo's sister was there on the panel because they

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<v Speaker 1>co host a podcast called Two Idiot Girls. So Dayson

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<v Speaker 1>brought in the like, you know, content creator side of things,

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<v Speaker 1>and yeah, I was the who's who of podcasting. Yeah,

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<v Speaker 1>I think.

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<v Speaker 2>It was very cool. I love going. I love when

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<v Speaker 2>we're invited, and I love when we're able to go.

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<v Speaker 2>So that was really fun. And then my cry of

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<v Speaker 2>the week. I mean, I've talked about this before. I

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<v Speaker 2>am ruled by the sun and it's been gloomy in

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<v Speaker 2>La and it just bums me out. We had a

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<v Speaker 2>really beautiful, sunny couple of weeks and then gloom this

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<v Speaker 2>past week, and I just I just want to sleep.

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<v Speaker 2>I don't want to go outside. I don't want to work.

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<v Speaker 2>It's just cozy weather for me. Yes, I hate I

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<v Speaker 2>hate it.

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<v Speaker 1>It's uh. La is very tricky in that way where

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<v Speaker 1>we think like, oh my god, we're done with the rain,

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<v Speaker 1>we're done with the gloom. It's sunny now, we're in spring,

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<v Speaker 1>we're in summer, and then it reverts right back.

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<v Speaker 2>Yes, April is always a gloomy month. I feel it's

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<v Speaker 2>like that saying April showers bring me flowers. We haven't

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<v Speaker 2>really had a rainy April yet, but it is something

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<v Speaker 2>that I know. You know, we get the gloom in April,

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<v Speaker 2>so I'm trying not to let it affect me too much,

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<v Speaker 2>but I you know it does.

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<v Speaker 1>Yeah, and that's very reasonable. I feel like you and

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<v Speaker 1>I say this every year, like we activate in the summer. Yes,

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<v Speaker 1>we come alive.

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<v Speaker 2>I've been defrosting, is how I've been describing it. I

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<v Speaker 2>normally talk about blooming, but this year I'm defrosting. I

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<v Speaker 2>love it eternally, spiritually, emotionally, I'm defrosting.

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<v Speaker 1>It's been a cold winter, yes, in many different ways.

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<v Speaker 2>In every sense, in every sense, everywhere, it's been a.

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<v Speaker 1>Cold, cold, frigid winter. What is that movie? Frigid reminds

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<v Speaker 1>me of a quote from a specific movie where she's

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<v Speaker 1>like that, da da da da, you wouldn't be such,

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<v Speaker 1>you wouldn't look like such a frigid bitch or something.

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<v Speaker 1>Does this ring a bell?

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<v Speaker 2>No? I have to think about it more.

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<v Speaker 1>Me think about it well.

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<v Speaker 2>From Legally Blonde. The quote is from Legally Blonde, and

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<v Speaker 2>how does it go?

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<v Speaker 1>It goes, I love your outfit when I but when

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<v Speaker 1>I dress up like a frigid bitch, I try not

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<v Speaker 1>to look so constipated. That's so good and that's l

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<v Speaker 1>to Vivian Kensington.

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<v Speaker 2>Yes, so good.

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<v Speaker 1>Anyways, love the word frigid. Thank you for bringing it

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<v Speaker 1>in today today's conversation.

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<v Speaker 2>Actually you brought it in oh yourself quoting yourself and

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<v Speaker 2>a movie.

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<v Speaker 1>Oh Lord, what's happening? Well, thank you for sharing your

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<v Speaker 1>climax and cry.

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<v Speaker 2>So now let's move into olas. And this question was

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<v Speaker 2>submitted by one of our listeners on Instagram, and it goes,

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<v Speaker 2>how do you navigate a day that changes your entire mood?

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<v Speaker 1>You are now listening to Oh Yes.

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<v Speaker 2>I'm a moody girl. I don't know if the listeners

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<v Speaker 2>know that about me, but I'm moody.

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<v Speaker 1>Do you think they've picked that up over ten seasons?

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<v Speaker 2>I hope, so.

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<v Speaker 1>Maybe you drop little hints here and there.

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<v Speaker 2>Yeah, yeah, I'm kind of moody. I know that about myself.

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<v Speaker 2>But if for me, I talked about this recently at

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<v Speaker 2>the beginning of the season, my moodiness is now I

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<v Speaker 2>understand it as anxiety, so I'm able to regulate and

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<v Speaker 2>check it and I'm like, girl, it's okay, you know.

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<v Speaker 2>But this is also why I exercise a lot, because

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<v Speaker 2>I need the endorphins, the outlet yes.

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<v Speaker 1>Yes, I'm really happy that you took up tennis because

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<v Speaker 1>you can hit things. Yes, that's good for you, it's

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<v Speaker 1>good for me.

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<v Speaker 2>How do you navigate a day that changes your entire mood?

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<v Speaker 1>Oh my god, I mean I think for me. I

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<v Speaker 1>love a good nap. Yes, Sometimes you just I just

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<v Speaker 1>need to go to sleep, Yes, and just be in darkness.

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<v Speaker 2>And it feels better. Afterwards You're like, oh, it wasn't

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<v Speaker 2>that bad.

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<v Speaker 1>Yeah, a little nap, a little rest can really change

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<v Speaker 1>your perspective. This sounds super simple, but like a super

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<v Speaker 1>cold like sparkling water, yes, will lift my spirits? Yes, instantly,

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<v Speaker 1>instantly yes. And what else well, of course, like a

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<v Speaker 1>good joint. That'll do it. Those three in combination, actually joint,

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<v Speaker 1>sparkling water, nap, delicious, cured, cured so much better.

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<v Speaker 2>Yes, I love that.

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<v Speaker 1>Yeah.

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<v Speaker 2>I'm a treat girl. I want a little treat, and

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<v Speaker 2>so if I'm having a bad day, you know, it's like,

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<v Speaker 2>let me go drive and get my little ice coffee,

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<v Speaker 2>my ice beverage and a little croissant.

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<v Speaker 1>You do love a little tree?

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<v Speaker 2>You do?

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<v Speaker 1>You do love a little reward? I do?

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<v Speaker 2>Yes, I'm motivated if I say this all the time.

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<v Speaker 2>If I don't have a treat a week.

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<v Speaker 1>I will die.

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<v Speaker 2>Immediately, immediately, I won't have that whither away.

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<v Speaker 1>Yeah, we can't have that. We need you.

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<v Speaker 2>Yeah, so that and I think, yeah, just sometimes you

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<v Speaker 2>just have to let yourself have a bad day and

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<v Speaker 2>then know like tomorrow is a new day. Literally, it's true,

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<v Speaker 2>and let yourself feel the feels, feel the anger, feel

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<v Speaker 2>the mooniness. Just don't take it out on other people

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<v Speaker 2>or yourself or yourself. Yes, don't self sabotage, No, because

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<v Speaker 2>that can happen.

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<v Speaker 1>Sometimes. I've had those moments where it's like, oh my god,

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<v Speaker 1>everything is trash, everything is terrible. I'm trash, I'm terrible,

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<v Speaker 1>everything sucks. Throw it all away, set it all on fire.

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<v Speaker 1>But you can't because then everything will be trash. Yes,

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<v Speaker 1>you know, it's just a it's just a momentary lapse

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<v Speaker 1>m hm. And you do your little things to make

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<v Speaker 1>you feel better. You put your little band aids on,

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<v Speaker 1>and then you'll be okay.

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<v Speaker 2>Your emotional band aids, your emotional band aids. Yeah, it's

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<v Speaker 2>like the feminine urge to like run away and like

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<v Speaker 2>run to another country. Yes, frolic in a field to

0:11:36.440 --> 0:11:38.000
<v Speaker 2>gone girl, it forget everyone.

0:11:38.200 --> 0:11:39.880
<v Speaker 1>Yeah, yes, start a new identity.

0:11:40.000 --> 0:11:42.200
<v Speaker 2>Well, frolic or gone girl. It that's like the only

0:11:42.280 --> 0:11:44.320
<v Speaker 2>in between. There's like no one between. It's like one

0:11:44.400 --> 0:11:44.760
<v Speaker 2>or the other.

0:11:44.880 --> 0:11:45.680
<v Speaker 1>We have two options.

0:11:45.760 --> 0:11:49.040
<v Speaker 2>Frolic gone girl, damn yeah.

0:11:49.240 --> 0:11:52.800
<v Speaker 1>Or you listen to like some type of escapist podcast,

0:11:53.440 --> 0:11:56.080
<v Speaker 1>or you watch a movie or a TV show. You

0:11:56.160 --> 0:11:58.600
<v Speaker 1>do something that takes you out of your reality for

0:11:58.640 --> 0:12:01.440
<v Speaker 1>a little bit and gives you that temporary relief yes,

0:12:01.480 --> 0:12:03.800
<v Speaker 1>and sense of I'm somewhere.

0:12:03.440 --> 0:12:06.720
<v Speaker 2>Else there we go. Yeah, Well, thank you to our

0:12:06.760 --> 0:12:09.760
<v Speaker 2>listener for submitting this question. We hope this gives you

0:12:09.920 --> 0:12:13.280
<v Speaker 2>a little inspo for how to navigate a moody day.

0:12:13.360 --> 0:12:14.360
<v Speaker 2>It's okay to be moody.

0:12:14.640 --> 0:12:17.800
<v Speaker 1>It's okay. That's why we have mood comes and goes. Yeah,

0:12:18.000 --> 0:12:21.000
<v Speaker 1>if we didn't have moods like, we wouldn't need to

0:12:21.120 --> 0:12:24.400
<v Speaker 1>use them. Yes, but we have them to use them. Yes, Yeah,

0:12:24.559 --> 0:12:25.240
<v Speaker 1>great question.

0:12:27.360 --> 0:12:29.959
<v Speaker 2>Don't go anywhere, lokomotives. We'll be right.

0:12:29.720 --> 0:12:37.400
<v Speaker 1>Back and we're back with more of our episode.

0:12:39.120 --> 0:12:42.319
<v Speaker 2>So today we have a light episode. We've been covering

0:12:42.840 --> 0:12:47.040
<v Speaker 2>some politics. We had a great interview last episode, and

0:12:47.080 --> 0:12:49.480
<v Speaker 2>so we just want to kind of connect with y'all

0:12:49.520 --> 0:12:55.120
<v Speaker 2>and talk about the thing that consumes I feel women

0:12:55.400 --> 0:12:58.320
<v Speaker 2>right now, especially if you're in your thirties at least,

0:12:58.320 --> 0:13:00.760
<v Speaker 2>Like the online chatter is what it means to be

0:13:00.800 --> 0:13:01.560
<v Speaker 2>in your thirties.

0:13:02.160 --> 0:13:03.840
<v Speaker 1>Expectation versus reality.

0:13:04.000 --> 0:13:07.000
<v Speaker 2>Yes, yeah, yeah, So we we're just gonna sit in

0:13:07.040 --> 0:13:09.080
<v Speaker 2>this for a little bit and talk about it.

0:13:09.120 --> 0:13:11.640
<v Speaker 1>We're gonna sit in the dirt, yes, in the mud.

0:13:12.559 --> 0:13:15.160
<v Speaker 1>It's not that bad, it's great. I think that like

0:13:15.880 --> 0:13:19.600
<v Speaker 1>when we think about our thirties, we I think talk

0:13:19.640 --> 0:13:22.760
<v Speaker 1>about sex and the city quite a bit because I

0:13:22.800 --> 0:13:27.520
<v Speaker 1>think for a lot of people, it's that quintessential womanhood. Yes,

0:13:28.000 --> 0:13:32.920
<v Speaker 1>single womanhood, dating, womanhood in a big city, making decisions

0:13:32.920 --> 0:13:36.160
<v Speaker 1>for yourself, good or bad, making a mess, having fun,

0:13:36.320 --> 0:13:37.679
<v Speaker 1>falling in love, falling.

0:13:37.400 --> 0:13:39.760
<v Speaker 2>Out of love, going out all the time.

0:13:40.120 --> 0:13:45.280
<v Speaker 1>Constantly different outfits every episode, yes, no repeat outfits.

0:13:45.400 --> 0:13:47.520
<v Speaker 2>Yes, brunching all the time.

0:13:47.360 --> 0:13:50.520
<v Speaker 1>Constantly brunching. And so I think there's a maybe that

0:13:50.559 --> 0:13:54.800
<v Speaker 1>creates an expectation. But what's the reality right Well, first.

0:13:54.640 --> 0:13:56.560
<v Speaker 2>Of all, a lot of people are talking about Kerry

0:13:56.559 --> 0:14:00.160
<v Speaker 2>Bradshaw as a character I feel on TikTok especially, I

0:14:00.160 --> 0:14:03.160
<v Speaker 2>love Carrie. I think she's a messy character. She's written

0:14:03.160 --> 0:14:05.560
<v Speaker 2>to be messy, she's written to be real, and people

0:14:05.640 --> 0:14:08.880
<v Speaker 2>say they want a messy woman, but they don't actually

0:14:08.960 --> 0:14:09.840
<v Speaker 2>like when they.

0:14:09.679 --> 0:14:12.199
<v Speaker 1>Get one, when they actually see it, yes.

0:14:12.440 --> 0:14:16.960
<v Speaker 2>They're like, girl, act better. No, she's dumb, Like that's

0:14:17.000 --> 0:14:19.720
<v Speaker 2>part of it. There's growth, there's developments, like she's gonna

0:14:19.760 --> 0:14:20.600
<v Speaker 2>make bad choices.

0:14:20.720 --> 0:14:21.760
<v Speaker 1>Yeah, that's the point.

0:14:21.840 --> 0:14:24.200
<v Speaker 2>That's the point. She's going to chase after the man

0:14:24.240 --> 0:14:25.400
<v Speaker 2>who doesn't really want her.

0:14:25.760 --> 0:14:27.800
<v Speaker 1>Yes, that's the point. That's the point.

0:14:28.200 --> 0:14:31.480
<v Speaker 2>And in addition to that, I've seen folks say, or

0:14:31.520 --> 0:14:37.600
<v Speaker 2>women on TikTok specifically, say, like Carrie Bradshaw and the

0:14:37.760 --> 0:14:41.200
<v Speaker 2>cast are only thirty two in season one, amazing, like

0:14:41.400 --> 0:14:44.640
<v Speaker 2>your season one is barely starting right, like it's okay, Yeah,

0:14:44.720 --> 0:14:46.280
<v Speaker 2>if you don't have it all figured out, it's fine,

0:14:46.520 --> 0:14:48.560
<v Speaker 2>and kind of that perspective of like you're just in

0:14:48.600 --> 0:14:49.440
<v Speaker 2>your season one.

0:14:49.720 --> 0:14:52.040
<v Speaker 1>It's true. And so in that sense, I think there

0:14:52.040 --> 0:14:55.240
<v Speaker 1>are aspects of a show like Sex and the City

0:14:55.320 --> 0:14:59.800
<v Speaker 1>that they are capturing, like a messiness, an internal ca

0:15:01.040 --> 0:15:06.760
<v Speaker 1>like this, troubles with love and with with relationships and

0:15:07.040 --> 0:15:10.440
<v Speaker 1>conflicts with friends, like that's all in there. What they

0:15:10.480 --> 0:15:13.920
<v Speaker 1>don't capture, of course, because it wouldn't be glamorous or entertaining.

0:15:14.040 --> 0:15:16.400
<v Speaker 1>Is the minutia, right of the thirties.

0:15:16.720 --> 0:15:19.440
<v Speaker 2>They also, I mean, and this has been talked about

0:15:19.960 --> 0:15:23.680
<v Speaker 2>in depth everywhere else, but Sex and the City captures

0:15:23.680 --> 0:15:25.760
<v Speaker 2>a very specific type of New York. Right. It's an

0:15:25.760 --> 0:15:29.560
<v Speaker 2>all white cast, they're all at least in the original series,

0:15:29.560 --> 0:15:33.160
<v Speaker 2>they're all heterosexual. Right. It's a very specific type of

0:15:33.160 --> 0:15:36.520
<v Speaker 2>womanhood that's being represented, so of course want to remember that.

0:15:37.240 --> 0:15:40.680
<v Speaker 2>But yeah, it doesn't cover the ins and outs of

0:15:40.680 --> 0:15:43.520
<v Speaker 2>what it means to be growing and being your thirties

0:15:43.560 --> 0:15:46.240
<v Speaker 2>and there. But there are a couple other shows at

0:15:46.320 --> 0:15:48.000
<v Speaker 2>least that we're going to be talking about today, or

0:15:48.000 --> 0:15:50.600
<v Speaker 2>at least some type of representation of thirties.

0:15:50.120 --> 0:15:53.080
<v Speaker 1>Of women in their thirties, And there's just I don't know,

0:15:53.120 --> 0:15:56.640
<v Speaker 1>they seem there seems to be a focus on setting

0:15:56.680 --> 0:15:59.480
<v Speaker 1>these types of stories in New York. I think because

0:15:59.520 --> 0:16:02.880
<v Speaker 1>of the whole concrete jungle idea and making your way

0:16:02.960 --> 0:16:07.320
<v Speaker 1>through this crazy, glamorous, difficult to live in place, and

0:16:07.400 --> 0:16:09.720
<v Speaker 1>it just is this backdrop for I think a lot

0:16:09.760 --> 0:16:12.960
<v Speaker 1>of like coming of age and coming into one's own

0:16:13.160 --> 0:16:14.040
<v Speaker 1>type stories.

0:16:14.200 --> 0:16:14.320
<v Speaker 2>Right.

0:16:14.440 --> 0:16:16.400
<v Speaker 1>I feel like stuff in La tends to be more

0:16:16.440 --> 0:16:19.800
<v Speaker 1>about well, if it's Latino, it's about gentrification and immigration

0:16:20.160 --> 0:16:24.640
<v Speaker 1>and you're Alwilita. But for everybody else, it's like chasing

0:16:24.640 --> 0:16:25.680
<v Speaker 1>your dreams.

0:16:26.000 --> 0:16:28.240
<v Speaker 2>Yeah, you know, you know, I think what show does

0:16:28.320 --> 0:16:30.800
<v Speaker 2>cover that kind of My new show that you talked

0:16:30.800 --> 0:16:34.120
<v Speaker 2>about is Insecure, right, that's obviously based in La Yeah,

0:16:34.120 --> 0:16:36.520
<v Speaker 2>And I think that was a really great representation of

0:16:36.560 --> 0:16:41.280
<v Speaker 2>like being broke, trying to figure it out, dating gone wrong, friends, friends,

0:16:41.320 --> 0:16:45.200
<v Speaker 2>like having messy friend groups sometimes, and like fights. I

0:16:45.240 --> 0:16:48.400
<v Speaker 2>think that was I think the most realistic representation in

0:16:48.440 --> 0:16:50.720
<v Speaker 2>like a diverse way, if you will.

0:16:50.840 --> 0:16:53.440
<v Speaker 1>I agree. I agree, And I you know, the origins

0:16:53.440 --> 0:16:56.960
<v Speaker 1>of the show being like Diaries of Awkward Black Girl

0:16:57.320 --> 0:17:00.920
<v Speaker 1>and that kind of being the core of Lisa's character,

0:17:01.080 --> 0:17:04.760
<v Speaker 1>like she's awkward, yeah, and so awkward things are constantly happening,

0:17:04.800 --> 0:17:08.080
<v Speaker 1>which is very real. Life is filled with awkward moments,

0:17:08.280 --> 0:17:13.400
<v Speaker 1>absolutely awkward interactions, awkward conversations, awkward exchanges. And that does

0:17:13.440 --> 0:17:17.480
<v Speaker 1>not go away in your thirties. No, it doesn't. Maybe

0:17:17.560 --> 0:17:20.240
<v Speaker 1>I think I'm less embarrassed or like I care less,

0:17:20.320 --> 0:17:23.560
<v Speaker 1>but I'm like this, I'm having an awkward moment. I'm

0:17:23.560 --> 0:17:25.560
<v Speaker 1>being awkward right now. This is awkward.

0:17:25.720 --> 0:17:28.640
<v Speaker 2>I was just talking about that with my best friend Jackie.

0:17:29.280 --> 0:17:31.280
<v Speaker 2>Was that when as a kid, I used to be

0:17:31.440 --> 0:17:34.840
<v Speaker 2>ruled by embarrassment, like I wouldn't do and it really

0:17:34.880 --> 0:17:37.639
<v Speaker 2>limited me now looking back, like I wouldn't do things

0:17:37.680 --> 0:17:40.359
<v Speaker 2>if I was going to be embarrassed if there was

0:17:40.520 --> 0:17:42.479
<v Speaker 2>now like a we use the word cringe, right, if

0:17:42.480 --> 0:17:45.240
<v Speaker 2>there was like a cringe element of something, I wouldn't

0:17:45.280 --> 0:17:49.320
<v Speaker 2>do it. I was very very sensitive to like being perceived,

0:17:49.800 --> 0:17:52.119
<v Speaker 2>what would others think about me? And that can really

0:17:52.240 --> 0:17:55.040
<v Speaker 2>limit you and what you do and how you move

0:17:55.200 --> 0:17:57.680
<v Speaker 2>and with your growth as a kid, right as an adult,

0:17:58.040 --> 0:18:00.480
<v Speaker 2>I've let a lot of that go. So yeah, there's

0:18:00.480 --> 0:18:02.679
<v Speaker 2>still times where like, oh my god, did I say that? Okay,

0:18:02.760 --> 0:18:07.320
<v Speaker 2>are they judging me? Is this embarrassing? You know, don't

0:18:07.320 --> 0:18:09.600
<v Speaker 2>get me wrong, Like I still have those moments, but

0:18:09.640 --> 0:18:12.280
<v Speaker 2>they don't rule my life the way they did when

0:18:12.320 --> 0:18:12.920
<v Speaker 2>I was a kid.

0:18:13.400 --> 0:18:17.920
<v Speaker 1>That's growth, Yeah, that's growth. Yeah, it's a working past

0:18:17.960 --> 0:18:20.560
<v Speaker 1>that can be hard. I think working being an artist

0:18:20.560 --> 0:18:23.240
<v Speaker 1>and working in the arts, of course we're sensitive about

0:18:23.240 --> 0:18:26.240
<v Speaker 1>our shit. But over the years, I think, I know

0:18:26.320 --> 0:18:29.280
<v Speaker 1>I've had to learn like I cannot let the audience

0:18:29.320 --> 0:18:33.320
<v Speaker 1>scare me, and doing stand up has you cannot be

0:18:33.400 --> 0:18:35.480
<v Speaker 1>afraid of the audience or they will eat you alive.

0:18:35.640 --> 0:18:36.800
<v Speaker 2>I could never do stand up.

0:18:37.240 --> 0:18:39.879
<v Speaker 1>It's fun, but it is hard because you have to

0:18:40.040 --> 0:18:42.399
<v Speaker 1>just be prepared that everyone in the room might hate you.

0:18:43.640 --> 0:18:47.000
<v Speaker 2>See, this is why I can't do stand up. I

0:18:47.000 --> 0:18:52.439
<v Speaker 2>have rejection sensitivity. I will die I combusted on stage

0:18:52.480 --> 0:18:53.160
<v Speaker 2>on the stage.

0:18:54.520 --> 0:18:58.040
<v Speaker 1>Yeah, no, it's I mean, and over the years there

0:18:58.080 --> 0:19:01.200
<v Speaker 1>have been those examples of comedians whosh out on stage

0:19:01.800 --> 0:19:03.719
<v Speaker 1>when the audience is just not with them and not

0:19:03.800 --> 0:19:07.359
<v Speaker 1>vibing with them, and that's a career ruiner. Yeah, you

0:19:07.480 --> 0:19:11.240
<v Speaker 1>really have to be okay with the complete silence or

0:19:11.240 --> 0:19:14.480
<v Speaker 1>the outright hatred of you. And I think even with

0:19:14.520 --> 0:19:16.720
<v Speaker 1>the podcast, like over the years, you know, we've gotten

0:19:16.800 --> 0:19:20.440
<v Speaker 1>comments here and there and reviews and criticism, and if

0:19:20.440 --> 0:19:24.200
<v Speaker 1>we let that stop us, we wouldn't be where we are,

0:19:25.000 --> 0:19:28.680
<v Speaker 1>you know. So Yeah, I think I don't remember how

0:19:28.680 --> 0:19:30.600
<v Speaker 1>we got into this conversation.

0:19:30.280 --> 0:19:33.040
<v Speaker 2>Me either, But I want to say, like, even in

0:19:33.160 --> 0:19:35.360
<v Speaker 2>just mean, with ten seasons, right, if you go back,

0:19:35.400 --> 0:19:37.359
<v Speaker 2>sometimes we go back to season one, season two and

0:19:37.400 --> 0:19:41.040
<v Speaker 2>we're like, oh, yes, I cringe a little bit a

0:19:41.040 --> 0:19:43.159
<v Speaker 2>little bit love what we were doing, but sometimes the

0:19:43.200 --> 0:19:46.000
<v Speaker 2>delivery I'm like, ooh, I would say that differently now,

0:19:46.119 --> 0:19:48.639
<v Speaker 2>but of course, I mean it captured that moment in

0:19:48.680 --> 0:19:51.359
<v Speaker 2>time in our twenties, what we were learning, what we

0:19:51.359 --> 0:19:54.240
<v Speaker 2>were on at that moment, like what was really important

0:19:54.240 --> 0:19:55.720
<v Speaker 2>to us at the moment, and a lot of that

0:19:55.840 --> 0:19:58.520
<v Speaker 2>still is true now, but the delivery is just a

0:19:58.560 --> 0:20:01.600
<v Speaker 2>little different. The frontal lobe has developed.

0:20:01.240 --> 0:20:04.399
<v Speaker 1>Truly, and we have to give ourselves credit because where

0:20:04.440 --> 0:20:08.480
<v Speaker 1>we maybe like could have been more eloquent or well

0:20:08.520 --> 0:20:12.040
<v Speaker 1>spoken or well researched or whatever. In the early years,

0:20:12.080 --> 0:20:15.000
<v Speaker 1>like there were a lot of people like putting out

0:20:15.040 --> 0:20:18.840
<v Speaker 1>straight up hate speech, you know, on their social platforms

0:20:19.680 --> 0:20:24.760
<v Speaker 1>and using slurs, and you know, not that that's like

0:20:24.880 --> 0:20:28.000
<v Speaker 1>the bar, but in some ways that's a sort of bar.

0:20:28.760 --> 0:20:31.399
<v Speaker 2>We can be very critical of what we create, and

0:20:31.440 --> 0:20:34.400
<v Speaker 2>it just people in general can be very critical of themselves.

0:20:34.920 --> 0:20:37.520
<v Speaker 2>You know, this goes back to my trying to grow

0:20:37.600 --> 0:20:39.400
<v Speaker 2>through that embarrassment, you know.

0:20:39.800 --> 0:20:43.600
<v Speaker 1>And as a community, like we have a predominantly LATINX

0:20:44.760 --> 0:20:47.760
<v Speaker 1>creative community that we're a part of and a predominantly

0:20:47.840 --> 0:20:50.480
<v Speaker 1>LATINX listenership, and we can be very like.

0:20:51.560 --> 0:20:55.400
<v Speaker 2>Oh yeah, very very.

0:20:55.320 --> 0:21:00.400
<v Speaker 1>Very So it's not just like this self imposed you know,

0:21:00.720 --> 0:21:04.160
<v Speaker 1>we know, we know, we know what the criticism could be,

0:21:04.200 --> 0:21:08.000
<v Speaker 1>so we do it to ourselves first to protect ourselves.

0:21:08.160 --> 0:21:09.240
<v Speaker 2>Our mothers taught us.

0:21:09.359 --> 0:21:12.120
<v Speaker 1>Our mothers taught us criticize yourself first before the next

0:21:12.119 --> 0:21:12.960
<v Speaker 1>person can do it.

0:21:12.960 --> 0:21:16.600
<v Speaker 2>It's rough, it's rough, don't condone it. But that's definitely

0:21:16.640 --> 0:21:18.960
<v Speaker 2>like the backdrop of how we grew up. Our moms

0:21:19.000 --> 0:21:22.320
<v Speaker 2>love them for sure, very much, so of ourselves, of

0:21:22.440 --> 0:21:23.960
<v Speaker 2>us themselves and others.

0:21:24.240 --> 0:21:27.679
<v Speaker 1>Yes, it's almost a way to like self edit, like

0:21:27.760 --> 0:21:31.120
<v Speaker 1>we edit ourselves, you know, so that like the draft

0:21:31.200 --> 0:21:34.639
<v Speaker 1>that we put out, yes, you know, is like okay,

0:21:34.640 --> 0:21:37.119
<v Speaker 1>this is a little more polish. Yeah, this is how

0:21:37.160 --> 0:21:39.199
<v Speaker 1>I'm trying to think about it. I like that.

0:21:39.600 --> 0:21:43.639
<v Speaker 2>I see that. So what were some expectations that maybe

0:21:43.680 --> 0:21:46.520
<v Speaker 2>you had, either as a teenager or even in your

0:21:46.560 --> 0:21:48.439
<v Speaker 2>twenties of what thirty would look like?

0:21:49.000 --> 0:21:53.960
<v Speaker 1>So definitely more money, And I do think that we

0:21:54.000 --> 0:21:56.320
<v Speaker 1>do have more money in our thirties than we had

0:21:56.320 --> 0:22:00.280
<v Speaker 1>in our twenties, especially working with through the podcast, working

0:22:00.320 --> 0:22:04.320
<v Speaker 1>our way into this network life that we're living and

0:22:04.359 --> 0:22:07.360
<v Speaker 1>being under contract with iHeart. I think there is more

0:22:07.400 --> 0:22:10.280
<v Speaker 1>money there, but then that also means there's more expenses,

0:22:10.480 --> 0:22:16.800
<v Speaker 1>more work, and more work. I think that maybe going

0:22:16.840 --> 0:22:19.320
<v Speaker 1>back to like our favorite movies The Thirteen Going On,

0:22:19.400 --> 0:22:24.359
<v Speaker 1>thirty and Right and and Sex and the City. And

0:22:24.520 --> 0:22:26.679
<v Speaker 1>I know that there are others out there, but I

0:22:26.720 --> 0:22:29.359
<v Speaker 1>feel like in all these films, like everyone's always wearing

0:22:29.400 --> 0:22:32.320
<v Speaker 1>open toad shoes. Yes, no one's ever wearing a clothes

0:22:32.359 --> 0:22:34.400
<v Speaker 1>toed shoe. No one's ever wearing a sneaker.

0:22:35.200 --> 0:22:37.240
<v Speaker 2>You've been wearing a lot of open toad shoes lately.

0:22:37.359 --> 0:22:40.560
<v Speaker 2>Is that happening? Is that you're channeling this like rom

0:22:40.600 --> 0:22:41.920
<v Speaker 2>com main.

0:22:41.840 --> 0:22:46.040
<v Speaker 1>Girl maybe, but you know it's spring and I love

0:22:46.080 --> 0:22:48.480
<v Speaker 1>a sandal. I am an Elle girl. I love a sandal.

0:22:49.520 --> 0:22:52.000
<v Speaker 1>But also because of school, because of being in production,

0:22:52.320 --> 0:22:56.840
<v Speaker 1>like you have to wear shoes, you know, on set,

0:22:56.920 --> 0:22:59.000
<v Speaker 1>and if you if you're on campus, you'll notice like

0:22:59.080 --> 0:23:04.399
<v Speaker 1>nobody is wearing sandals at the School of Cinematic specifically. Yeah,

0:23:04.600 --> 0:23:09.360
<v Speaker 1>like everyone's prepared to like like run electricity and set

0:23:09.440 --> 0:23:11.480
<v Speaker 1>up lighting and handle equipment at all times.

0:23:11.480 --> 0:23:13.600
<v Speaker 2>I would wear my little heels to campus all the time,

0:23:13.840 --> 0:23:17.520
<v Speaker 2>strutting through Annenberg. Yeah, I wasn't operating a heavy machinery.

0:23:17.880 --> 0:23:20.240
<v Speaker 1>Yeah, and so that's just kind of the style is

0:23:20.359 --> 0:23:24.400
<v Speaker 1>like you're in sneakers, you're in boots, and uh, you're

0:23:24.440 --> 0:23:27.240
<v Speaker 1>like ready to do manual labor. Is kind of the

0:23:27.320 --> 0:23:29.120
<v Speaker 1>vibe that's like the filmmaker uniform.

0:23:29.280 --> 0:23:31.000
<v Speaker 2>So do you think that's that kind of effected your

0:23:31.040 --> 0:23:33.760
<v Speaker 2>personal style in a way where when you're off campus,

0:23:33.920 --> 0:23:37.000
<v Speaker 2>not working doing this instead of this type of work,

0:23:37.160 --> 0:23:38.520
<v Speaker 2>you're like, oh, I'm going to dress up. I'm going

0:23:38.560 --> 0:23:38.879
<v Speaker 2>to wear that.

0:23:39.040 --> 0:23:42.000
<v Speaker 1>Yes, yes, yes, And especially because I've been in the

0:23:42.119 --> 0:23:45.080
<v Speaker 1>role of producer this semester, I feel like producers have

0:23:45.119 --> 0:23:47.280
<v Speaker 1>a little bit more like we're on the phone, we're

0:23:47.320 --> 0:23:50.560
<v Speaker 1>answering emails, we're running around, you know, Like I can

0:23:50.600 --> 0:23:52.640
<v Speaker 1>be the producer and I can like wear a skirt

0:23:53.720 --> 0:23:57.399
<v Speaker 1>and like a kitten heel, and that's more acceptable. If

0:23:57.400 --> 0:24:01.439
<v Speaker 1>I'm operating the camera, I can't. That's great, right, you know.

0:24:01.960 --> 0:24:06.240
<v Speaker 1>So yeah, I think I'm like, Okay, I'm tired and

0:24:06.320 --> 0:24:08.080
<v Speaker 1>I want to wear I just want to throw on

0:24:08.160 --> 0:24:08.879
<v Speaker 1>my chunk glass.

0:24:09.119 --> 0:24:10.720
<v Speaker 2>You know that makes sense?

0:24:10.800 --> 0:24:13.440
<v Speaker 1>Yeah, what about you expectation versus reality?

0:24:13.880 --> 0:24:18.080
<v Speaker 2>Well, I mean thirteen going on thirty was definitely formative

0:24:18.200 --> 0:24:22.199
<v Speaker 2>for a lot of millennials and even I saw this

0:24:22.560 --> 0:24:26.199
<v Speaker 2>fabulous meme the other day about how there was like

0:24:26.400 --> 0:24:29.679
<v Speaker 2>this representation of journalists in rom coms and how that

0:24:29.840 --> 0:24:32.520
<v Speaker 2>was the expectation that you had for your life if

0:24:32.520 --> 0:24:33.720
<v Speaker 2>you wanted to be a journalist.

0:24:33.800 --> 0:24:34.000
<v Speaker 1>Yes.

0:24:34.200 --> 0:24:37.000
<v Speaker 2>So it's like Andy Anderson from How to Lose a

0:24:37.000 --> 0:24:39.240
<v Speaker 2>Guy in Ten Days of course, right, she was writing

0:24:39.359 --> 0:24:42.640
<v Speaker 2>like at a fashion style magazine and she just wanted

0:24:42.680 --> 0:24:47.000
<v Speaker 2>to write about politics. She wanted to be a serious journalist, right, Yeah,

0:24:47.040 --> 0:24:49.480
<v Speaker 2>but she's in her cute little outfits. And same with

0:24:50.359 --> 0:24:53.680
<v Speaker 2>Jenna Rink from thirteen going on thirty right, also a journalist,

0:24:53.880 --> 0:24:56.959
<v Speaker 2>also a journalist, you know. So I'm like, wow, the journalists,

0:24:57.000 --> 0:24:59.920
<v Speaker 2>like that was a job that was like the glamorous

0:25:00.119 --> 0:25:03.480
<v Speaker 2>fun job because at one point you could make a living,

0:25:03.800 --> 0:25:06.479
<v Speaker 2>a good living off of being a journalist. Yeah, And

0:25:06.520 --> 0:25:09.879
<v Speaker 2>I think that that moment from the early two thousands,

0:25:09.880 --> 0:25:15.040
<v Speaker 2>mid two thousands brom coms captured that that job and like, oh,

0:25:15.080 --> 0:25:16.840
<v Speaker 2>I'm gonna like grow up and be a journalist and

0:25:16.840 --> 0:25:17.280
<v Speaker 2>it's going to be.

0:25:17.320 --> 0:25:19.440
<v Speaker 1>Fabulous, and I'm going to move to New York City.

0:25:19.240 --> 0:25:20.760
<v Speaker 2>And I'm going to move to New York and wear

0:25:20.800 --> 0:25:24.000
<v Speaker 2>my fabulous, little open to heels on the subway every way,

0:25:24.080 --> 0:25:26.240
<v Speaker 2>and I'm going to write about politics and I'm going

0:25:26.320 --> 0:25:30.280
<v Speaker 2>to do a magazine rebrand and it's going to be great, fabulous,

0:25:30.320 --> 0:25:34.520
<v Speaker 2>you know. So definitely expectation, not so much the reality.

0:25:35.040 --> 0:25:36.160
<v Speaker 2>It didn't move to New York.

0:25:36.560 --> 0:25:36.720
<v Speaker 1>No.

0:25:37.000 --> 0:25:37.800
<v Speaker 2>I stayed in LA.

0:25:37.920 --> 0:25:41.000
<v Speaker 1>Yeah, so there's that which is which is, and you know,

0:25:41.240 --> 0:25:43.520
<v Speaker 1>La is a dream location for so many it is.

0:25:43.560 --> 0:25:46.240
<v Speaker 2>I have no regrets. I have no regrets. I think it.

0:25:46.400 --> 0:25:50.240
<v Speaker 2>I think that there's that fantasy, right, that expectation of

0:25:50.280 --> 0:25:52.560
<v Speaker 2>like I'm going to be the person that moves to

0:25:52.600 --> 0:25:54.960
<v Speaker 2>New York right at some point in my life. And

0:25:55.000 --> 0:25:57.639
<v Speaker 2>I've let that part go. I'm like, that's that was

0:25:57.680 --> 0:26:00.399
<v Speaker 2>not my path, and I'm confident and secure in that

0:26:00.440 --> 0:26:03.200
<v Speaker 2>path that I took. But I mean, that would be

0:26:03.280 --> 0:26:05.959
<v Speaker 2>the expectation that I think I had as a kid.

0:26:06.119 --> 0:26:10.000
<v Speaker 2>I like, even as a kid, I remember we were

0:26:11.160 --> 0:26:13.639
<v Speaker 2>in middle school assigned like you had to write to

0:26:14.000 --> 0:26:17.080
<v Speaker 2>a college and ask for like them to send you

0:26:17.119 --> 0:26:19.040
<v Speaker 2>a brochure because they were teaching us like how to

0:26:19.080 --> 0:26:21.520
<v Speaker 2>write a formal letter, okay, and so they had us

0:26:21.560 --> 0:26:25.240
<v Speaker 2>practice and send to a university. Girl I wrote to

0:26:25.359 --> 0:26:31.480
<v Speaker 2>fit really, Yes, the Fashion Institute, because I was like,

0:26:31.560 --> 0:26:33.200
<v Speaker 2>I'm going to be I'm going to work in fashion

0:26:33.400 --> 0:26:35.119
<v Speaker 2>and I'm going to move to New York. Of course,

0:26:35.240 --> 0:26:37.840
<v Speaker 2>little like middle schooler, right, And they wrote me back

0:26:37.880 --> 0:26:40.119
<v Speaker 2>and they sent me a brochure, and I remember being

0:26:40.160 --> 0:26:43.840
<v Speaker 2>like so excited about it. Right, Obviously my life went

0:26:43.880 --> 0:26:46.280
<v Speaker 2>on it. I went and took a different path. Love

0:26:46.320 --> 0:26:48.880
<v Speaker 2>the path I'm on, But I mean that's that would

0:26:48.880 --> 0:26:50.960
<v Speaker 2>be like that expectation I had maybe as a kid,

0:26:51.480 --> 0:26:53.840
<v Speaker 2>and then even in high school and then in my twenties, right,

0:26:53.960 --> 0:26:56.280
<v Speaker 2>still kind of figuring out like what does this career

0:26:56.359 --> 0:27:02.080
<v Speaker 2>look like? And you know the reality is entrepreneurs. Yeah,

0:27:02.119 --> 0:27:04.640
<v Speaker 2>wild did not envision that for my.

0:27:04.560 --> 0:27:05.760
<v Speaker 1>Life business owners.

0:27:05.840 --> 0:27:07.960
<v Speaker 2>It's yeah, it's and I don't mean that in a

0:27:08.000 --> 0:27:10.280
<v Speaker 2>negative way. It's just not the path that I saw

0:27:10.320 --> 0:27:10.879
<v Speaker 2>myself on.

0:27:11.080 --> 0:27:11.600
<v Speaker 1>Yeah.

0:27:11.680 --> 0:27:14.639
<v Speaker 2>I love the path. We're on it, we're learning. But

0:27:14.720 --> 0:27:16.639
<v Speaker 2>that would be like that for me that if I'm

0:27:16.680 --> 0:27:20.560
<v Speaker 2>holding them together. Expectation reality, Oh my god, I'm an entrepreneur.

0:27:20.359 --> 0:27:21.760
<v Speaker 1>Right, what right?

0:27:22.000 --> 0:27:22.400
<v Speaker 2>Yeah?

0:27:22.440 --> 0:27:25.159
<v Speaker 1>And we definitely, I mean, I know I identify as

0:27:25.160 --> 0:27:27.000
<v Speaker 1>an artist first, and I think you identify as an

0:27:27.080 --> 0:27:31.080
<v Speaker 1>artist first, and it's coming to terms with the reality

0:27:31.200 --> 0:27:34.800
<v Speaker 1>that maybe in film and television one can just be

0:27:34.880 --> 0:27:35.359
<v Speaker 1>a painter.

0:27:36.359 --> 0:27:39.840
<v Speaker 2>Yes, right, Yes, you can just be a journalist living

0:27:39.840 --> 0:27:40.560
<v Speaker 2>in New York.

0:27:40.400 --> 0:27:44.280
<v Speaker 1>Could just be your craft. But you have to fund

0:27:44.320 --> 0:27:46.600
<v Speaker 1>your craft, and you have to monetize your craft. Yes,

0:27:46.680 --> 0:27:48.679
<v Speaker 1>And so to be an artist is to be a

0:27:48.720 --> 0:27:49.439
<v Speaker 1>business owner.

0:27:49.680 --> 0:27:54.480
<v Speaker 2>Yes. How was Carrie Bradshaw sustaining her fabulous life for

0:27:54.680 --> 0:27:57.920
<v Speaker 2>Fabulous Shoes with a weekly column.

0:27:57.520 --> 0:28:03.520
<v Speaker 1>Once a week? Yes, one, there was that one episode

0:28:03.560 --> 0:28:06.240
<v Speaker 1>where she was like broke. Yeah, and she went and.

0:28:06.280 --> 0:28:09.680
<v Speaker 2>Asked, well, she has all her friends basically.

0:28:09.480 --> 0:28:11.560
<v Speaker 1>Money but yes, and they were like no.

0:28:11.160 --> 0:28:14.119
<v Speaker 2>No, well they all wanted to give her money except

0:28:14.160 --> 0:28:16.840
<v Speaker 2>for the one that had the money, Charlotte. Yes, and

0:28:16.840 --> 0:28:18.000
<v Speaker 2>that was like a thing.

0:28:18.200 --> 0:28:21.600
<v Speaker 1>And she and Carrie was upset about that. Yes, basically

0:28:21.680 --> 0:28:23.680
<v Speaker 1>like how could you not give me money?

0:28:23.720 --> 0:28:26.119
<v Speaker 2>How could you not offer me money? You live on

0:28:26.160 --> 0:28:30.280
<v Speaker 2>Fifth Avenue and like by the park, Like it.

0:28:30.240 --> 0:28:33.760
<v Speaker 1>Was like, your financial issues are not my problem.

0:28:33.520 --> 0:28:34.960
<v Speaker 2>Exactly, like get it together.

0:28:35.040 --> 0:28:36.960
<v Speaker 1>Sweet. She wasn't wrong, No.

0:28:36.880 --> 0:28:39.920
<v Speaker 2>She was not wrong. She was not wrong. I think Carrie.

0:28:40.240 --> 0:28:41.840
<v Speaker 2>I give Carrie a live benefit of the doubt all

0:28:41.840 --> 0:28:44.200
<v Speaker 2>the time. Of course, she's like when I watch her,

0:28:44.240 --> 0:28:46.240
<v Speaker 2>I'm like, I see it, girl, Like, I don't agree

0:28:46.240 --> 0:28:48.280
<v Speaker 2>with it, but I see it. She doesn't want it

0:28:48.320 --> 0:28:50.440
<v Speaker 2>to be offered the money. I don't think she would

0:28:50.480 --> 0:28:52.440
<v Speaker 2>have taken it. She did end up taking it because

0:28:52.520 --> 0:28:55.520
<v Speaker 2>Charlotte did offer in the end. That was like the arc, right,

0:28:57.000 --> 0:28:58.400
<v Speaker 2>But I think she just wanted the.

0:28:58.400 --> 0:29:00.760
<v Speaker 1>Gesture yes, like show me that you care about me

0:29:01.320 --> 0:29:04.880
<v Speaker 1>in a way that you're capable of coming through on. Yes,

0:29:05.200 --> 0:29:07.600
<v Speaker 1>you know that maybe asking the other girls wouldn't be

0:29:07.640 --> 0:29:11.720
<v Speaker 1>as feasible, but it's it's feasible for you. Yes, Yes,

0:29:12.240 --> 0:29:16.520
<v Speaker 1>after her divorce, she did very well after her divorce.

0:29:16.640 --> 0:29:21.560
<v Speaker 1>Well yeah, And that's another one, is okay, expectation versus reality.

0:29:21.640 --> 0:29:25.400
<v Speaker 1>I think in these pieces of media, divorce is something

0:29:25.440 --> 0:29:30.800
<v Speaker 1>that you come out of with something tangible right, and

0:29:30.840 --> 0:29:33.120
<v Speaker 1>it sets you up and it's almost something to celebrate.

0:29:33.680 --> 0:29:37.800
<v Speaker 1>But I think in reality we're not divorced. But in reality,

0:29:38.000 --> 0:29:41.520
<v Speaker 1>I think it's a much messier, more painful, and more

0:29:41.520 --> 0:29:42.520
<v Speaker 1>expensive thing.

0:29:44.440 --> 0:29:51.600
<v Speaker 2>Don't go anywhere, lookomotives, We'll be right back, and we're

0:29:51.640 --> 0:29:53.360
<v Speaker 2>back with more of our episode.

0:29:55.560 --> 0:29:56.400
<v Speaker 1>What else? Oh?

0:29:56.520 --> 0:29:56.760
<v Speaker 2>Oh?

0:29:56.840 --> 0:30:01.200
<v Speaker 1>So another like reality of being in our thirties. Oh,

0:30:01.240 --> 0:30:05.440
<v Speaker 1>my god, just like the constant cleaning, just constantly cleaning, right,

0:30:05.760 --> 0:30:09.440
<v Speaker 1>constantly cleaning, and it gives me so much perspective. Like

0:30:09.520 --> 0:30:12.120
<v Speaker 1>growing up, I remember being like, why is my mom

0:30:12.280 --> 0:30:15.280
<v Speaker 1>so insane about cleaning? She's like always up in arms,

0:30:15.600 --> 0:30:19.440
<v Speaker 1>like running, like like it was a constant stress. Yes,

0:30:20.040 --> 0:30:21.960
<v Speaker 1>you know, and like so and so their house is

0:30:21.960 --> 0:30:24.959
<v Speaker 1>always immaculate and why no, no, no, no, no, no, no, all that.

0:30:26.320 --> 0:30:29.320
<v Speaker 1>But our house was also like people were always at

0:30:29.320 --> 0:30:32.720
<v Speaker 1>our house, like friends, the track team, the cross country team,

0:30:32.920 --> 0:30:37.120
<v Speaker 1>like sleepovers. We always had people in our house like friends,

0:30:37.640 --> 0:30:40.240
<v Speaker 1>and we would host parties and all kinds of things.

0:30:40.360 --> 0:30:42.960
<v Speaker 1>And so it was also this like, oh, we're always

0:30:42.960 --> 0:30:46.240
<v Speaker 1>getting ready because people are coming over. You know, someone's

0:30:46.240 --> 0:30:48.160
<v Speaker 1>coming over. We gotta get ready. Someone's coming over. We

0:30:48.160 --> 0:30:48.720
<v Speaker 1>gotta get ready.

0:30:48.760 --> 0:30:50.840
<v Speaker 2>The house has to be clean for people to come over.

0:30:51.000 --> 0:30:53.640
<v Speaker 1>Yes, yeah, And as an adult, it's like, okay, now

0:30:53.640 --> 0:30:57.640
<v Speaker 1>I understand why it was just this constant loop. Yes,

0:30:57.720 --> 0:31:01.840
<v Speaker 1>because it's a constant just reality is one is constantly cleaning,

0:31:02.240 --> 0:31:05.560
<v Speaker 1>and like constantly buying paper towels, constantly buying toilet paper,

0:31:05.680 --> 0:31:07.320
<v Speaker 1>constantly buying swift or wet white.

0:31:07.360 --> 0:31:11.760
<v Speaker 2>It's expensive, it's expensive. Yeah, you know what else, my

0:31:12.000 --> 0:31:15.760
<v Speaker 2>expectation and reality look very different. And I feel this

0:31:15.840 --> 0:31:18.760
<v Speaker 2>is partly based on location. But in Sex and the City,

0:31:19.040 --> 0:31:20.520
<v Speaker 2>the girls were going out all.

0:31:20.400 --> 0:31:21.440
<v Speaker 1>The time, constantly.

0:31:21.800 --> 0:31:25.160
<v Speaker 2>How did they have the stamina at their age, because

0:31:25.200 --> 0:31:27.840
<v Speaker 2>I'm thirty one and I don't have the stamina no

0:31:28.000 --> 0:31:28.400
<v Speaker 2>at all.

0:31:28.720 --> 0:31:28.960
<v Speaker 1>No.

0:31:29.680 --> 0:31:32.720
<v Speaker 2>Granted we live through a global pandemic. Lots of things

0:31:32.760 --> 0:31:35.840
<v Speaker 2>are happening. It makes sense, right, it's fictional. Yeah, they

0:31:35.840 --> 0:31:38.320
<v Speaker 2>were going out all the time. But I also makes

0:31:38.320 --> 0:31:40.040
<v Speaker 2>me wonder, is it also because they lived in New

0:31:40.120 --> 0:31:43.000
<v Speaker 2>York and it's still walkable. So for us, it's like

0:31:43.120 --> 0:31:46.160
<v Speaker 2>it could be a whole journey to go out. It's

0:31:46.200 --> 0:31:48.960
<v Speaker 2>true because it's maybe further out we have to take

0:31:49.000 --> 0:31:51.880
<v Speaker 2>an uber or maybe we're driving, but then there's traffic,

0:31:52.040 --> 0:31:54.760
<v Speaker 2>Like it's a whole thing to go out in LA

0:31:54.880 --> 0:31:57.600
<v Speaker 2>And so sometimes that will determin me like, oh, I

0:31:57.600 --> 0:31:59.560
<v Speaker 2>don't really want to get ready to go out and

0:31:59.600 --> 0:32:02.240
<v Speaker 2>to drive, and I'll stop myself.

0:32:03.040 --> 0:32:05.320
<v Speaker 1>No truly, I mean yeah, that would be.

0:32:05.280 --> 0:32:07.760
<v Speaker 2>My expectation and reality that's a little different.

0:32:07.840 --> 0:32:10.520
<v Speaker 1>The expectation is like, oh, it's Friday, we're going out.

0:32:10.880 --> 0:32:12.240
<v Speaker 1>It's Saturday, we're going out.

0:32:12.080 --> 0:32:14.160
<v Speaker 2>Again, cocktail hour, happy hour.

0:32:14.360 --> 0:32:17.160
<v Speaker 1>Yes, the reality is like how many happy hours can

0:32:17.200 --> 0:32:18.600
<v Speaker 1>we really go to if you have to drive to

0:32:18.600 --> 0:32:21.840
<v Speaker 1>all of them? Yes, A, yes, you know. And B

0:32:22.680 --> 0:32:26.320
<v Speaker 1>It's like I feel like the women in Sex and

0:32:26.360 --> 0:32:28.360
<v Speaker 1>the City, they were in their New York City apartments,

0:32:28.880 --> 0:32:31.760
<v Speaker 1>So I think it's easy to like, oh, it's your

0:32:31.800 --> 0:32:32.560
<v Speaker 1>tiny apartment.

0:32:32.680 --> 0:32:34.600
<v Speaker 2>You're just hopping out, like got to get out. I'm

0:32:34.600 --> 0:32:36.400
<v Speaker 2>going to go to my neighborhood bar, I'm going to

0:32:36.440 --> 0:32:39.520
<v Speaker 2>go somewhere fabulous, because they were going to fababulous places.

0:32:39.520 --> 0:32:41.440
<v Speaker 2>They were just going to the neighborhood.

0:32:40.960 --> 0:32:43.440
<v Speaker 1>Water, And so I think about a place like New

0:32:43.520 --> 0:32:45.600
<v Speaker 1>York and instead of staying in you like your tiny

0:32:45.600 --> 0:32:47.960
<v Speaker 1>little box that you live in, like you got to

0:32:48.000 --> 0:32:50.160
<v Speaker 1>get out right and you don't have a yard and

0:32:50.200 --> 0:32:52.520
<v Speaker 1>you don't really have your neighborhood. Is like I guess

0:32:52.520 --> 0:32:55.440
<v Speaker 1>it's a neighborhood, right, but like I wouldn't. I would

0:32:55.480 --> 0:32:58.640
<v Speaker 1>feel probably that claustrophobia that makes sense, you know, Yes,

0:32:58.800 --> 0:32:59.560
<v Speaker 1>let me get out of here.

0:33:00.240 --> 0:33:03.040
<v Speaker 2>Something I'm trying to do I'm trying to channel, especially

0:33:03.040 --> 0:33:07.160
<v Speaker 2>this summer is just more impromptu gatherings, hangs, cocktail hours,

0:33:07.160 --> 0:33:10.240
<v Speaker 2>if you will, Sananda and I had this day last

0:33:10.640 --> 0:33:12.760
<v Speaker 2>last week where we were just like out and about

0:33:12.760 --> 0:33:15.080
<v Speaker 2>the whole day and it was lovely and we hadn't

0:33:15.080 --> 0:33:16.440
<v Speaker 2>had one of those days in a while where we

0:33:16.440 --> 0:33:19.320
<v Speaker 2>were just like unplanned, let's just like see where we go.

0:33:19.520 --> 0:33:21.200
<v Speaker 2>And we ended up going to like all our favorite

0:33:21.240 --> 0:33:23.800
<v Speaker 2>little spots. But it was really nice and we were

0:33:23.800 --> 0:33:26.320
<v Speaker 2>there just us too, like having our cocktail that heen

0:33:26.400 --> 0:33:31.160
<v Speaker 2>joined us, and there was this group of people. It

0:33:31.240 --> 0:33:34.240
<v Speaker 2>started small, it was just like four people like having

0:33:34.280 --> 0:33:36.120
<v Speaker 2>their cocktail as a friend group, and then it got

0:33:36.160 --> 0:33:39.000
<v Speaker 2>bigger and bigger and bigger, and like people just kept

0:33:39.040 --> 0:33:41.880
<v Speaker 2>popping in like as it went, and I was like, okay,

0:33:41.920 --> 0:33:44.200
<v Speaker 2>the way my friend's schedules are, like I don't know

0:33:44.360 --> 0:33:46.000
<v Speaker 2>if I could text them right now and be like

0:33:46.040 --> 0:33:50.480
<v Speaker 2>come grab a drink, right, but I'm aspiring to have

0:33:50.520 --> 0:33:53.880
<v Speaker 2>that kind of hang this summer or it's just it's

0:33:54.000 --> 0:33:57.240
<v Speaker 2>just random spontaneous. If you're free, you're free, come grab

0:33:57.320 --> 0:34:00.240
<v Speaker 2>a drink, come to the park, come hang out. I

0:34:00.240 --> 0:34:02.680
<v Speaker 2>think that's like that, just like that spontaneity that makes

0:34:02.720 --> 0:34:04.680
<v Speaker 2>life so fun. Like, oh you know, I got to

0:34:04.680 --> 0:34:06.400
<v Speaker 2>see my friend today and it was lovely. Yeah, we

0:34:06.480 --> 0:34:07.920
<v Speaker 2>got to hang out and it wasn't planned. It wasn't

0:34:07.960 --> 0:34:11.080
<v Speaker 2>someone's birthday. I feel like the older we get, the

0:34:11.160 --> 0:34:15.720
<v Speaker 2>more it's about the birthday gatherings, the holidays, which is great,

0:34:15.880 --> 0:34:18.440
<v Speaker 2>but like all that in between time is so important,

0:34:18.640 --> 0:34:21.480
<v Speaker 2>and so that's something I'm like trying to orchestrate as

0:34:21.520 --> 0:34:23.239
<v Speaker 2>the planner of my friend group.

0:34:23.400 --> 0:34:27.160
<v Speaker 1>I love that. Yeah, I love Please include me in

0:34:27.200 --> 0:34:30.120
<v Speaker 1>the impromptu hang Yes, I will invite you. It just

0:34:30.239 --> 0:34:30.919
<v Speaker 1>might be there.

0:34:31.440 --> 0:34:33.400
<v Speaker 2>She's like, I might be available.

0:34:33.080 --> 0:34:37.400
<v Speaker 1>She just might attend. But yeah, expectation versus reality. I

0:34:37.440 --> 0:34:43.400
<v Speaker 1>think thirties are fabulous. I'm having a wonderful time. I'm

0:34:43.480 --> 0:34:46.120
<v Speaker 1>like continuing to learn and grow as a person and

0:34:46.840 --> 0:34:49.799
<v Speaker 1>just figuring things out. Continue. And that's part of it too,

0:34:49.920 --> 0:34:51.839
<v Speaker 1>is like it's not all figured out by the time

0:34:51.880 --> 0:34:56.120
<v Speaker 1>you're thirty. No, it's a continuous process. It never ends.

0:34:56.440 --> 0:34:57.160
<v Speaker 1>It never ends.

0:34:57.280 --> 0:35:00.520
<v Speaker 2>It's also never too late to pivot. No, I've never

0:35:00.560 --> 0:35:02.960
<v Speaker 2>been less afraid to not have a plan. And I'm

0:35:03.000 --> 0:35:05.840
<v Speaker 2>such a planner. But it's like, ooh, sometimes we pivot,

0:35:06.480 --> 0:35:08.239
<v Speaker 2>And I agree, not having you're not going to have

0:35:08.280 --> 0:35:10.160
<v Speaker 2>everything figured out by the time you're thirty.

0:35:10.360 --> 0:35:10.480
<v Speaker 1>No.

0:35:11.600 --> 0:35:14.640
<v Speaker 2>I also wasn't afraid to turn thirty. I feel like

0:35:14.760 --> 0:35:18.359
<v Speaker 2>with the I mean, we talked about positive representations right

0:35:18.400 --> 0:35:20.840
<v Speaker 2>of like being you're thirty and being a young woman,

0:35:21.000 --> 0:35:24.120
<v Speaker 2>or just being a woman in your thirties. But I

0:35:24.160 --> 0:35:26.879
<v Speaker 2>feel like, you know, the culture, pop culture at least

0:35:26.920 --> 0:35:30.920
<v Speaker 2>has had these representations of like being afraid to turn thirty, right.

0:35:31.080 --> 0:35:34.400
<v Speaker 2>I was thinking about, you know, in the series Friends,

0:35:34.480 --> 0:35:37.879
<v Speaker 2>when we start, everyone's in their twenties. Yeah, at least

0:35:37.920 --> 0:35:41.040
<v Speaker 2>the characters are. And so there's an episode about everyone

0:35:41.040 --> 0:35:44.759
<v Speaker 2>turning thirty and they're all miserable, like it's horrible, their

0:35:44.760 --> 0:35:46.799
<v Speaker 2>life is over. They didn't do everything they thought they

0:35:46.840 --> 0:35:48.280
<v Speaker 2>were going to do by the time they were thirty,

0:35:48.280 --> 0:35:50.440
<v Speaker 2>and that's like the whole point of the episode. I

0:35:50.480 --> 0:35:53.359
<v Speaker 2>didn't feel afraid to turn thirty. I felt like, I'm

0:35:53.400 --> 0:35:55.640
<v Speaker 2>ready to turn thirty. I'm ready to put these twenties

0:35:55.640 --> 0:35:58.239
<v Speaker 2>behind me. Let's see what happens. Thirties have been rough,

0:35:58.360 --> 0:36:01.000
<v Speaker 2>let me say, but there's also been a lot of

0:36:01.040 --> 0:36:05.880
<v Speaker 2>like beautiful things, lots of growth, lots of lovely, wonderful things.

0:36:06.200 --> 0:36:08.400
<v Speaker 2>It's still life. It's still challenging. I think whatever decade

0:36:08.440 --> 0:36:12.000
<v Speaker 2>you're in and we're still young. That is something I've

0:36:12.040 --> 0:36:15.520
<v Speaker 2>been telling myself is young. I'm sorry, y'all, we have

0:36:15.760 --> 0:36:19.600
<v Speaker 2>got to let go of this like Signora mentality. I'm

0:36:19.600 --> 0:36:24.520
<v Speaker 2>so old. Yes to Senora, No, get out, get out,

0:36:24.880 --> 0:36:27.919
<v Speaker 2>do something, do everything, do everything. We're so young.

0:36:28.120 --> 0:36:32.120
<v Speaker 1>Yes. My mom is in her sixties and she's still dance.

0:36:32.200 --> 0:36:35.680
<v Speaker 1>My mom's a professional dancer. She still performs. She still dances. Yes,

0:36:35.760 --> 0:36:39.320
<v Speaker 1>And she's in rehearsal every week, and she's performing every week.

0:36:39.719 --> 0:36:43.440
<v Speaker 1>And it's like hard work. It's very physical. It's like

0:36:43.600 --> 0:36:46.919
<v Speaker 1>very exhausting work. But she's an incredible shape. My mom

0:36:46.960 --> 0:36:48.240
<v Speaker 1>has so much energy.

0:36:48.280 --> 0:36:49.919
<v Speaker 2>Your mom has a lot of stamina. Your mom also

0:36:49.960 --> 0:36:52.399
<v Speaker 2>likes to go out, like with her friends, like they

0:36:52.480 --> 0:36:54.840
<v Speaker 2>like to go dancing. Yeah, like little events.

0:36:55.040 --> 0:36:57.319
<v Speaker 1>They go out for their little margarita, they go out

0:36:57.320 --> 0:37:00.200
<v Speaker 1>for their little brunches. They have like their spots like

0:37:00.280 --> 0:37:02.960
<v Speaker 1>to go to. For a while, my mom was hosting

0:37:03.040 --> 0:37:06.080
<v Speaker 1>this Mesa and Mimosa's event where she would like her

0:37:06.080 --> 0:37:08.400
<v Speaker 1>and her friends would pick a different church and go

0:37:08.440 --> 0:37:12.640
<v Speaker 1>to Mass and then get Mimosa's afterwards. They're constantly out.

0:37:12.760 --> 0:37:14.759
<v Speaker 1>If anything, my mom lives more of a sex in

0:37:14.760 --> 0:37:18.759
<v Speaker 1>the city life than I ever have truly, truly yes,

0:37:18.840 --> 0:37:20.799
<v Speaker 1>and they're getting they get together, they talk about their

0:37:20.880 --> 0:37:23.920
<v Speaker 1>husbands and their ex husbands and their next husbands. You know,

0:37:24.200 --> 0:37:28.239
<v Speaker 1>for them, it is fabulous, so she to me. Even

0:37:28.360 --> 0:37:30.760
<v Speaker 1>sometimes when I'm with my mom, I feel like I'm

0:37:31.080 --> 0:37:35.799
<v Speaker 1>the less energetic one. Yes, you know, and so she is.

0:37:36.120 --> 0:37:38.719
<v Speaker 1>This just reminder that like youth.

0:37:38.440 --> 0:37:41.560
<v Speaker 2>And energy is, it's a mindset.

0:37:41.640 --> 0:37:44.399
<v Speaker 1>It's a mindset and that can carry with you even

0:37:44.480 --> 0:37:45.960
<v Speaker 1>into your sixties and seventies.

0:37:46.040 --> 0:37:50.919
<v Speaker 2>I love that. That's a great, great place to pause. Yes, yes,

0:37:51.080 --> 0:37:53.600
<v Speaker 2>we're still young. We will continue to be young.

0:37:53.719 --> 0:37:57.680
<v Speaker 1>We will forever young for every young.

0:37:58.640 --> 0:38:01.520
<v Speaker 2>Let's go grab a cocktail. Thank you for listening to

0:38:01.840 --> 0:38:04.759
<v Speaker 2>another episode of lok A Radio. We will catch you

0:38:04.800 --> 0:38:10.240
<v Speaker 2>next time, Bessitos. Loka to A Radio is executive produced

0:38:10.280 --> 0:38:12.480
<v Speaker 2>by Viosa Fem and Mala Munios.

0:38:12.680 --> 0:38:14.600
<v Speaker 1>Stephanie Franco is our producer.

0:38:15.000 --> 0:38:17.880
<v Speaker 2>Story editing by Me viosa.

0:38:17.400 --> 0:38:19.120
<v Speaker 1>Creative direction by Me Mala.

0:38:19.320 --> 0:38:22.280
<v Speaker 2>Look At Radio is a part of iHeartRadio's Michael Dura

0:38:22.360 --> 0:38:23.280
<v Speaker 2>podcast Network.

0:38:23.520 --> 0:38:26.080
<v Speaker 1>You can listen to lok At Radio on the iHeartRadio

0:38:26.080 --> 0:38:28.120
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0:38:30.600 --> 0:38:31.520
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0:38:31.680 --> 0:38:34.160
<v Speaker 1>And thank you to our local morees, to our listeners

0:38:34.160 --> 0:38:35.719
<v Speaker 1>for tuning in each and every week.

0:38:35.880 --> 0:38:40.680
<v Speaker 2>Besitos Look Radio

0:38:42.360 --> 0:38:43.520
<v Speaker 1>Loca Luni