WEBVTT - How does travel engage the senses?

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey you welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>today we're gonna be talking about travel. This is an

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<v Speaker 1>interesting subject to think about right now because of the

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<v Speaker 1>context of the ongoing pandemic. You know, at least here

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<v Speaker 1>in the United States in early July. Of course, the

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<v Speaker 1>risk from coronavirus is still clear. It's very profound, and

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<v Speaker 1>so this has put some obvious limitations on people's designs

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<v Speaker 1>for summer travel, like whether it's actually worth the risk

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<v Speaker 1>at all to travel right now, and if you do travel,

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<v Speaker 1>how to mitigate those risks. Of course, if you are

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<v Speaker 1>traveling this summer, you should consult your local health guidelines.

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<v Speaker 1>It'll probably include advice like avoiding crowds all the stuff

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<v Speaker 1>you're familiar with by now, keeping your distance from people

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<v Speaker 1>outside your household, wearing a mask if you're in public,

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<v Speaker 1>you might need to quarantine before or afterwards, depending on

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<v Speaker 1>where you are, and so forth. But in addition to

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<v Speaker 1>these practical considerations, it's the time of year that a

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<v Speaker 1>lot of people would traditionally be thinking about summer vacation season.

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<v Speaker 1>You know, they be thinking about how this is when

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<v Speaker 1>they would be trying to get out of the house

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<v Speaker 1>and go somewhere and see something new, and that underlying

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<v Speaker 1>urge might still be there even as we grapple with

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<v Speaker 1>all the risks and important precautions that you would need

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<v Speaker 1>to take if you were actually going to travel right now.

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<v Speaker 1>And this has gotten me thinking about what travel means

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<v Speaker 1>to us and why it is that our brains keep

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<v Speaker 1>trying to compel us to visit far off places known

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<v Speaker 1>and unknown. Yeah, and to your point, though, it is

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<v Speaker 1>a weird time to think about travel. I was in

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<v Speaker 1>a like a zoom call with some friends last week

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<v Speaker 1>and one of one of them said, well, you know,

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<v Speaker 1>I don't know if I can do next week because

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<v Speaker 1>I need to travel. Actually, no, I'm not traveling. I'm

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<v Speaker 1>just going. I'm getting in the car and going from

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<v Speaker 1>one place to another. And we're all a little that's travel.

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<v Speaker 1>That sounds a lot like travel, but but we mean

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<v Speaker 1>different things by travel and um, and we're gonna we're

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<v Speaker 1>gonna get into that a bit here in this episode,

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<v Speaker 1>because yeah, human travel is really fascinating when you think

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<v Speaker 1>about it. The act of simply traversing distances, or say,

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<v Speaker 1>traversing vast distances, is far from a distinctly human thing. Uh,

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<v Speaker 1>consider like some of the more outstanding cases, like the

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<v Speaker 1>Eastern gray whale, for example, which regularly journeys close to

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<v Speaker 1>fourteen thousand miles from Russian waters to Mexico and then

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<v Speaker 1>back again. Yeah, great white sharks or another example that

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<v Speaker 1>swim just these unimaginable distances. I was just reading some

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<v Speaker 1>reports from about a great white shark named Lydia that

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<v Speaker 1>was tagged with a tracking device off the coast of

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<v Speaker 1>Florida in March, and then about a year later she

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<v Speaker 1>had traveled something like twenty thousand miles across the Atlantic,

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<v Speaker 1>you know, crossing over the mid Atlantic Ridge, and was

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<v Speaker 1>heading towards basically around the UK. Yeah. Another example that

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<v Speaker 1>frequently comes up monarch butterflies. They take a five hour

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<v Speaker 1>and five mile journey from central Mexico and California up

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<v Speaker 1>into North America. It kind of goes in different phases,

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<v Speaker 1>but eventually they're you know, they're getting up as far

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<v Speaker 1>north as the Great Lakes. And then in the the

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<v Speaker 1>avian world, we have a number of amazing examples, but

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<v Speaker 1>the most extreme is that of the Arctic Turn, which

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<v Speaker 1>flies a record forty four thousand miles. So these are

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<v Speaker 1>just a few examples of some amazing journeys undertaken by

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<v Speaker 1>individuals or groups. But then there's also the steady tide

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<v Speaker 1>of migration that enables organisms to spread out across the planet.

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<v Speaker 1>In humans are of course a prime example of this,

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<v Speaker 1>with our earliest waves of archaic human migration beginning what

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<v Speaker 1>an estimated two million years ago, and in waves we

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<v Speaker 1>proceeded over the course of our history to spread across

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<v Speaker 1>the planet, finding a foothold in all but the most

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<v Speaker 1>inhospitable of environments. Yeah, and there's something interesting to think

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<v Speaker 1>about when comparing human travel to other long traveling organisms,

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<v Speaker 1>which is that humans travel mostly on land. Like obviously

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<v Speaker 1>we travel by air and c. Two. But when you

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<v Speaker 1>think about most of human history, a lot of the

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<v Speaker 1>traveling is on land. And if you look at just

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<v Speaker 1>a list of like the farthest traveling organisms, you will

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<v Speaker 1>see a lot of magnificent beasts that travel either by

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<v Speaker 1>water or by air. And these are very different methods

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<v Speaker 1>of travel, right. These are both methods that allow you

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<v Speaker 1>to do unique things like drift along in currents of

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<v Speaker 1>the fluid whether that's air or water that move naturally

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<v Speaker 1>through the larger media. You can't really do the same

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<v Speaker 1>thing on land, right unless you're like riding a mud

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<v Speaker 1>slide down a mountain, which is not safe and not recommended.

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<v Speaker 1>Uh And and so that makes that makes land travel

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<v Speaker 1>kind of different than the other ones. Uh. And of

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<v Speaker 1>course there are other animals that do this. There there

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<v Speaker 1>are some epic walkers on earth, like the blue will

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<v Speaker 1>to beast in Africa, or the caribou in North America,

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<v Speaker 1>the ladder of which sometimes migrates something like forty kilometers annually. Yeah,

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<v Speaker 1>it's incredible. I guess you could say that that flying

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<v Speaker 1>and uh and traveling by boat for the passenger anyway,

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<v Speaker 1>it is kind of like you're you're taking walking and

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<v Speaker 1>via the use of vehicles, applying it to the air

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<v Speaker 1>the sea. But but yeah, for the most part, we

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<v Speaker 1>are we are walkers. We have to have these these

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<v Speaker 1>fabulous vehicles that allow us to do anything more. I

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<v Speaker 1>do enjoy those thought experiments of like running, how fast

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<v Speaker 1>are you going? If you're running forward in a plane

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<v Speaker 1>cabin that's already flying too fast because you should sit down. Um. Now,

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<v Speaker 1>of so human societies of what they've spread out across

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<v Speaker 1>the world, but of course they continue to move around

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<v Speaker 1>for the same reasons that animal species do for resources,

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<v Speaker 1>for mating, for shelter. Hunter gatherer societies especially had to

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<v Speaker 1>follow the natural ebb and flow of available resources where

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<v Speaker 1>food could be found, growing, where the prey animals traveled

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<v Speaker 1>and therefore, you know, you have to follow them and

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<v Speaker 1>hunt them. And there were also associated sites that offered shelter,

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<v Speaker 1>water or say in some cases something like hot spring,

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<v Speaker 1>something that was uh, you know, a desirable resource to

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<v Speaker 1>have on hand. And it wasn't until the agricultural revolution

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<v Speaker 1>that humans really were able to put themselves more in

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<v Speaker 1>a position to set down roots. But still many groups

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<v Speaker 1>remain nomadic by necessity. Shepherds, you know, for sure, But

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<v Speaker 1>also you know, think of fisher people who still have

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<v Speaker 1>to get in their fantastic vehicles of old and travel

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<v Speaker 1>to where the fish can be found, and with surplus

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<v Speaker 1>stocks of agriculture. With the rise of cities, we also

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<v Speaker 1>see the traveling conqueror, the the occupation of cities and

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<v Speaker 1>advances in sailing technology that enabled people to expand even further.

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<v Speaker 1>But what about traveling for reasons not directly associated with food?

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<v Speaker 1>Shelter and reproduction. This leads us to a particularly human

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<v Speaker 1>aspect of travel UH that that ultimately brings us to

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<v Speaker 1>our modern idea of travel and especially things like vacation travel.

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<v Speaker 1>But it has its roots in religious travel, sacred travel,

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<v Speaker 1>and pilgrimage into sing I was reading um paper by

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<v Speaker 1>Lutt's uh kilber Um. This is a titled Paradigms of

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<v Speaker 1>Travel from Medieval Pilgrimage to the postmodern Virtual tour poised

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<v Speaker 1>in two thousand six Tourism, Religion and Spiritual Journeys UH,

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<v Speaker 1>and the author points out that religiously motivated or sacred

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<v Speaker 1>travel to sacred sites might well be the oldest and

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<v Speaker 1>most prevalent type of travel and human history, and may

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<v Speaker 1>have factored into the beginnings of the world's oldest religions.

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<v Speaker 1>Religious travel is the oldest form of what is sometimes

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<v Speaker 1>referred to as non economic travel, and we see evidence

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<v Speaker 1>of this going back even to Neolithic times. I was

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<v Speaker 1>reading about this in UH Intercultural Pilgrimage, Identity and the

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<v Speaker 1>Actual Age and the Ancient Near East by Joy mccorriston,

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<v Speaker 1>published in Excavating Pilgrimage from Seen and the author points

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<v Speaker 1>out that we see examples of temporary gathering uh sacrifice

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<v Speaker 1>and feast that are quote commemorated in a memorial roal

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<v Speaker 1>or monument with subsequent revisits and these day back to

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<v Speaker 1>Neolithic times. Likewise, in Africa we see evidence from eight

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<v Speaker 1>thousand years ago of cattle sacrifice in quote mortuary linked

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<v Speaker 1>feasting that they commemorated with stone monuments. Yeah, religious pilgrimage

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<v Speaker 1>is an interesting thing to consider, and there are multiple

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<v Speaker 1>models for thinking about the cultural role of pilgrimage and

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<v Speaker 1>how it first emerges in history or I guess in prehistory.

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<v Speaker 1>Given the examples you decided, one interesting idea that I

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<v Speaker 1>came across was in the works of the influential anthropologists

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<v Speaker 1>Victor and Edith Turner in their nineteen seventy eight book

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<v Speaker 1>Image and Pilgrimage and Christian Culture that was from Columbia

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<v Speaker 1>University Press. And in this book they observe a lot

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<v Speaker 1>of things about Christian pilgrimage sites. So they do like

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<v Speaker 1>observation of the behaviors of pilgrim's uh it sites from

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<v Speaker 1>Mexico to Ireland to France, and they end up characterizing

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<v Speaker 1>these religious pilgrimages as what they call a limonoid phenomenon. Now,

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<v Speaker 1>this was interesting to me, but it also gets kind

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<v Speaker 1>of complex and took me a while to understand, and

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<v Speaker 1>I think I've got it figured out. So here are

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<v Speaker 1>the basics. Uh So, first of all, the idea of

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<v Speaker 1>a limonoid phenomenon plays on the original idea of a

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<v Speaker 1>liminal experience, which is a term that was coined by

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<v Speaker 1>a folklorist named Arnold van gennep Uh And the word

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<v Speaker 1>liminal here comes from the word for threshold. So a

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<v Speaker 1>liminal experience is part of an initiation or a rite

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<v Speaker 1>of passage, in which a person temporarily steps outside of

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<v Speaker 1>normal social structures to undergo or signal a change, and

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<v Speaker 1>then rejoins the social structure on the other side of

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<v Speaker 1>the experience having changed. So there's who you are before

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<v Speaker 1>the change that's preliminal, and then there's who you are

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<v Speaker 1>after the change that's postliminal, and then in between there's

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<v Speaker 1>this spended middle state, the liminal stage. And this might

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<v Speaker 1>be in a practical example, say the time that a

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<v Speaker 1>person physically separates themselves from the rest of their tribe

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<v Speaker 1>to do rituals for some part of a right of passage,

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<v Speaker 1>and in the context that they studied. The Turners argue

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<v Speaker 1>that this middle liminal status is reinforced by the fact

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<v Speaker 1>that people join in what they call a community toss.

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<v Speaker 1>It's this sense of community with other pilgrims that comes

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<v Speaker 1>with a freeing sense of equality and a shedding of

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<v Speaker 1>previously existing social structures and differences. Though I have noted

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<v Speaker 1>that several critics disagree with the Turner's characterization here, citing

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<v Speaker 1>examples of well, you know, there are times when regular

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<v Speaker 1>power structures are still expressed among in between pilgrims to

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<v Speaker 1>religious sites. It may be that if this equalizing community

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<v Speaker 1>power of community toss during pilgrimage really exists, it might

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<v Speaker 1>be more common in some types of pill rimage than others.

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<v Speaker 1>And just one example that there was a paper I

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<v Speaker 1>found by a scholar named Darlene Yushka which does an

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<v Speaker 1>amazing job of making this critical point just in its title,

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<v Speaker 1>which is whose turn is it to cook? But to

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<v Speaker 1>bring it back to the idea of so. So they're

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<v Speaker 1>arguing that pilgrimage might be one of these liminal experiences,

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<v Speaker 1>this like in in the middle state of this change process,

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<v Speaker 1>except they call it not quite liminal. They say it's lemonoid.

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<v Speaker 1>And so lemonoid applies to experiences that are somewhat like

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<v Speaker 1>liminal experiences in structure, but they're more optional, and they're

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<v Speaker 1>less explicitly transformative of your station in society, so they

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<v Speaker 1>might be seen as simply an internally transformative experience rather

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<v Speaker 1>than as a marker of an external change in status.

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<v Speaker 1>And in a lot of religious tractions, pilgrimage is honored

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<v Speaker 1>but not required, you know, so that would make it

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<v Speaker 1>more limonoid than liminal. And I was reading a review

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<v Speaker 1>of the Turner's work by the anthropologist Daniel are Gross,

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<v Speaker 1>and so he has kind of a mixed opinion. He

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<v Speaker 1>thinks the book is valuable, but that he also has

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<v Speaker 1>some criticisms of the idea of communitas being a universal

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<v Speaker 1>But he pulls an interesting quote from the Turner's book

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<v Speaker 1>describing the role of of the of the Christian pilgrimage,

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<v Speaker 1>which says, quote in the paradigmatic Christian pilgrimage, the initiatory

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<v Speaker 1>quality of the process is given priority, though it is

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<v Speaker 1>initiation to and not through a threshold. So, if I

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<v Speaker 1>understand correctly in their view based on all of the

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<v Speaker 1>observations they've made of Christian pilgrimages, the symbolic message of

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<v Speaker 1>a Christian pilgrimage most often might be not you are

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<v Speaker 1>now changed, but welcome to the process of change. That's interesting,

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<v Speaker 1>and I think that's something we can we can continue

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<v Speaker 1>to take with us in this discussion and apply to

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<v Speaker 1>uh to to travel itself. The idea of travel as

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<v Speaker 1>a a process of change, which we probably don't think

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<v Speaker 1>about it as such, but I think whenever we engage

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<v Speaker 1>in meaningful travel uh it is a process of change.

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<v Speaker 1>We should arrive in a different place and end in

0:13:12.240 --> 0:13:15.040
<v Speaker 1>at least a slightly transformed state of mind. Like even

0:13:15.080 --> 0:13:17.520
<v Speaker 1>if it's as simple as well, I have to drive

0:13:17.600 --> 0:13:20.320
<v Speaker 1>up to uh, you know, um to my parents house,

0:13:20.360 --> 0:13:22.480
<v Speaker 1>but I'm gonna listen to this audio book on the way,

0:13:22.520 --> 0:13:24.400
<v Speaker 1>or I'm gonna catch up on my podcast, Like I'm

0:13:24.440 --> 0:13:29.080
<v Speaker 1>somehow going to arrive there in an enhanced state. Yeah,

0:13:29.120 --> 0:13:31.040
<v Speaker 1>I think you're exactly right, And I think it makes

0:13:31.080 --> 0:13:33.760
<v Speaker 1>a lot of sense to think about that enhanced state

0:13:33.960 --> 0:13:38.640
<v Speaker 1>that travel triggers as essentially an openness to change or

0:13:38.679 --> 0:13:41.839
<v Speaker 1>a potential for change. So I think it's pretty safe

0:13:41.840 --> 0:13:44.360
<v Speaker 1>to say that, as far as non economic travel goes,

0:13:44.720 --> 0:13:50.680
<v Speaker 1>sacred journeys are ultimately that the predecessor to modern vacation travel. Now,

0:13:50.840 --> 0:13:53.480
<v Speaker 1>a particular line is often drawn to the link between

0:13:53.559 --> 0:13:57.000
<v Speaker 1>medieval pilgrimage and also some of the economics of medieval

0:13:57.040 --> 0:14:01.120
<v Speaker 1>pilgrimage with modern travel. You know, you see um advances

0:14:01.160 --> 0:14:04.640
<v Speaker 1>in banking and so forth to take place during that time. Uh.

0:14:04.679 --> 0:14:06.400
<v Speaker 1>And of course it's also important to note that the

0:14:06.440 --> 0:14:09.440
<v Speaker 1>pilgrimage is still, you know, very much a part of

0:14:09.480 --> 0:14:13.120
<v Speaker 1>modern travel traditions, not only in the overt case of

0:14:13.240 --> 0:14:17.160
<v Speaker 1>you know, people going on an actual pilgrimage to holy site, say,

0:14:17.240 --> 0:14:19.160
<v Speaker 1>you know, to to Mecca on the hodge, that sort

0:14:19.200 --> 0:14:23.120
<v Speaker 1>of thing, but also holy sites are often of significance

0:14:23.160 --> 0:14:26.440
<v Speaker 1>to the modern traveler, even if they themselves are not, uh,

0:14:26.480 --> 0:14:29.200
<v Speaker 1>you know, believers of that particular faith or practitioners of

0:14:29.240 --> 0:14:31.400
<v Speaker 1>that particular faith. Like if you you know, if you

0:14:31.520 --> 0:14:35.960
<v Speaker 1>go to a particular vacation destination and there is an

0:14:36.000 --> 0:14:38.200
<v Speaker 1>ancient temple, there's a good chance you're gonna want to

0:14:38.280 --> 0:14:41.480
<v Speaker 1>check it out to whatever degree is appropriate. This actually

0:14:41.480 --> 0:14:43.240
<v Speaker 1>triggers something for me that I want to come back

0:14:43.280 --> 0:14:47.640
<v Speaker 1>to when we talk about Roman tourism. Yes, Roman tourism,

0:14:47.680 --> 0:14:50.320
<v Speaker 1>because because this is also key we again we can

0:14:50.360 --> 0:14:53.520
<v Speaker 1>we can look to examples of sacred travel, uh, you know,

0:14:54.200 --> 0:14:57.040
<v Speaker 1>far back in history. But in terms of looking for

0:14:57.080 --> 0:15:01.080
<v Speaker 1>examples of travel that more closely resemble durn vacation travel,

0:15:01.360 --> 0:15:05.920
<v Speaker 1>there are some interesting examples from the Greek and Roman periods. Uh.

0:15:06.160 --> 0:15:09.200
<v Speaker 1>For instance, in our episode uh that we have this

0:15:09.240 --> 0:15:10.920
<v Speaker 1>is from what a couple of years ago, I think

0:15:10.960 --> 0:15:13.440
<v Speaker 1>we did an episode on the singing Colossi of Memnon.

0:15:14.400 --> 0:15:18.720
<v Speaker 1>We mentioned how the then fourteen hundred year old pair

0:15:18.760 --> 0:15:21.920
<v Speaker 1>of Egyptian statues were visited by Roman travelers in the

0:15:21.960 --> 0:15:26.360
<v Speaker 1>first century. See they you know, they've come to experience them,

0:15:26.360 --> 0:15:30.080
<v Speaker 1>to to hear this unique singing that they that that

0:15:30.200 --> 0:15:33.480
<v Speaker 1>that they produced. Uh. And then they inscribed their names

0:15:34.240 --> 0:15:36.280
<v Speaker 1>on the statue as well to show that they had

0:15:36.320 --> 0:15:38.400
<v Speaker 1>been there. So rude, I mean, I guess they just

0:15:38.480 --> 0:15:41.280
<v Speaker 1>must have had a different attitude towards the preservation of

0:15:41.480 --> 0:15:45.840
<v Speaker 1>historical artifacts and monuments. But man, yeah, graffiti on this

0:15:46.040 --> 0:15:50.440
<v Speaker 1>like hundreds of years old monument. Yeah. And it's worth

0:15:50.480 --> 0:15:54.800
<v Speaker 1>noting that they did seem to equate these statues with

0:15:55.080 --> 0:15:58.960
<v Speaker 1>the Greek figure Memnon. Uh. But the colossi were not

0:15:59.040 --> 0:16:02.240
<v Speaker 1>really of the religious value to the Roman travelers. As

0:16:02.280 --> 0:16:04.080
<v Speaker 1>far as we can tell. Uh, and of course they

0:16:04.080 --> 0:16:07.400
<v Speaker 1>were of Egyptian origin anyway. On one hand, I think

0:16:07.400 --> 0:16:10.960
<v Speaker 1>that is true, But also that had me thinking about

0:16:11.000 --> 0:16:14.600
<v Speaker 1>another tangent, about the significance of sites that we visit

0:16:14.680 --> 0:16:18.680
<v Speaker 1>and how our orientation toward culture and religion kind of

0:16:19.280 --> 0:16:24.360
<v Speaker 1>uh mitigates whatever that that relationship is. Uh. Something that

0:16:24.440 --> 0:16:27.760
<v Speaker 1>I think is possibly interesting about understanding the Pagan Roman

0:16:27.880 --> 0:16:30.840
<v Speaker 1>mindset is that well, at least compared to us, at

0:16:30.880 --> 0:16:33.000
<v Speaker 1>least here in the United States, for a lot of US,

0:16:33.640 --> 0:16:37.760
<v Speaker 1>our idea of religious significance is primarily through either kind

0:16:37.760 --> 0:16:41.480
<v Speaker 1>of a secular lens of just sort of disinterested observation,

0:16:42.160 --> 0:16:46.720
<v Speaker 1>or perhaps through an exclusive monotheistic lens, So that when

0:16:46.760 --> 0:16:50.840
<v Speaker 1>we visit sites or monuments that were of religious significance

0:16:50.880 --> 0:16:54.400
<v Speaker 1>to other cultures in history, I think it's possible that

0:16:54.480 --> 0:16:57.200
<v Speaker 1>we're more likely to just think what that was somebody

0:16:57.240 --> 0:17:00.480
<v Speaker 1>else's belief. I don't believe that, but this is in tristing.

0:17:01.080 --> 0:17:05.680
<v Speaker 1>But the Pagan Romans were I think somewhat more religiously omnivorous.

0:17:05.720 --> 0:17:08.360
<v Speaker 1>Their world was full of God's and I think too

0:17:08.400 --> 0:17:11.679
<v Speaker 1>many of them it would have been perfectly plausible to

0:17:11.760 --> 0:17:15.080
<v Speaker 1>go somewhere and find out about yet another god that

0:17:15.160 --> 0:17:18.320
<v Speaker 1>you weren't aware of before. Uh So, I think it

0:17:18.560 --> 0:17:21.040
<v Speaker 1>might have been possible for a pagan Roman to wonder,

0:17:21.680 --> 0:17:24.399
<v Speaker 1>you know, to to see a statue made by the

0:17:24.440 --> 0:17:28.040
<v Speaker 1>ancient Egyptians that had some religious significance to them and

0:17:28.160 --> 0:17:31.520
<v Speaker 1>wonder if something is going on here that's worth investigating

0:17:31.600 --> 0:17:34.640
<v Speaker 1>or knowing more about, at least more than than many

0:17:34.680 --> 0:17:37.040
<v Speaker 1>of us would would feel that way. And if there's

0:17:37.080 --> 0:17:39.240
<v Speaker 1>any truth to this, it would make traveling to a

0:17:39.280 --> 0:17:42.399
<v Speaker 1>foreign land with a great history a different kind of

0:17:42.440 --> 0:17:44.520
<v Speaker 1>experience I think like it would be. You know, you

0:17:44.600 --> 0:17:48.719
<v Speaker 1>might also discover things that are actively relevant in the world.

0:17:49.520 --> 0:17:51.760
<v Speaker 1>I know that the Romans generally had a respect for

0:17:51.800 --> 0:17:55.040
<v Speaker 1>antiquity when it came to religious traditions. Uh though, I'd

0:17:55.040 --> 0:17:57.680
<v Speaker 1>be interested to hear from listeners with expertise in ancient

0:17:57.800 --> 0:17:59.840
<v Speaker 1>Roman culture and religion to find out what they think

0:17:59.840 --> 0:18:02.200
<v Speaker 1>of about this. Now, this is a great point, Yeah,

0:18:02.200 --> 0:18:05.439
<v Speaker 1>that perhaps the Romans traveled more um with kind of

0:18:05.520 --> 0:18:11.320
<v Speaker 1>a spiritual mindset, you know, as opposed to a religious one. Um.

0:18:11.440 --> 0:18:15.280
<v Speaker 1>I you know, as as a traveler who who does

0:18:15.400 --> 0:18:17.920
<v Speaker 1>like to go to to religious sides. I mean I

0:18:17.960 --> 0:18:21.640
<v Speaker 1>always think it is kind of an a rewarding exercise

0:18:21.680 --> 0:18:24.560
<v Speaker 1>to sort of engage in that kind of spiritual mindset,

0:18:24.640 --> 0:18:27.640
<v Speaker 1>you know, to try to at least to the degree

0:18:27.720 --> 0:18:32.800
<v Speaker 1>that is culturally appropriate, you know, to to experience it. Uh,

0:18:32.960 --> 0:18:34.720
<v Speaker 1>almost as if you were a believer, you know what

0:18:34.800 --> 0:18:37.679
<v Speaker 1>I'm saying. Um, though it's gonna you know, obviously it's

0:18:37.680 --> 0:18:40.920
<v Speaker 1>gonna vary depending on what is what is culturally appropriate,

0:18:40.960 --> 0:18:45.000
<v Speaker 1>what feels appropriate given given the space. But but yeah,

0:18:45.080 --> 0:18:46.920
<v Speaker 1>you go to some of these these places and you're

0:18:46.920 --> 0:18:50.320
<v Speaker 1>engaging with such such history and like the and the

0:18:50.400 --> 0:18:53.159
<v Speaker 1>level of belief is is tangible because a lot of

0:18:53.160 --> 0:18:55.239
<v Speaker 1>times you go to a religious side and there are

0:18:55.280 --> 0:18:58.359
<v Speaker 1>practitioners of the religion. They're maintaining the grounds or the

0:18:58.400 --> 0:19:01.720
<v Speaker 1>facilities in addition to visiting it, and it it creates

0:19:01.760 --> 0:19:05.680
<v Speaker 1>this this sacred air that you can't help but breathe in. Yeah,

0:19:05.720 --> 0:19:09.000
<v Speaker 1>I totally agree. Now, another issue just whether or not

0:19:09.080 --> 0:19:11.480
<v Speaker 1>it's appropriate and all that, it's also just a question

0:19:11.520 --> 0:19:13.679
<v Speaker 1>of what to what extent it's possible for you to

0:19:13.760 --> 0:19:16.920
<v Speaker 1>like get into that alternate mindset. I know it's easier

0:19:16.960 --> 0:19:19.600
<v Speaker 1>for some people than others, But yeah, I think that's

0:19:19.600 --> 0:19:22.199
<v Speaker 1>a wonderful exercise. All right. On that note, we're going

0:19:22.240 --> 0:19:23.920
<v Speaker 1>to take a quick break, but when we come back

0:19:24.400 --> 0:19:27.760
<v Speaker 1>we will discuss um the work of a Greek author

0:19:27.920 --> 0:19:31.359
<v Speaker 1>that's that is sometimes pointed to as the world's first

0:19:31.560 --> 0:19:40.000
<v Speaker 1>travel guide. Thank alright, we're back, so yeah. A particular

0:19:40.080 --> 0:19:44.840
<v Speaker 1>note here is a Greek geographer, Pausanias, who lived u

0:19:45.359 --> 0:19:49.280
<v Speaker 1>one Tin through one a d c. And some indeed

0:19:49.320 --> 0:19:53.160
<v Speaker 1>point to to him as being the world's first travel writer.

0:19:53.840 --> 0:19:56.520
<v Speaker 1>He wrote a book in the second century titled Hello

0:19:56.520 --> 0:20:01.159
<v Speaker 1>dos Paregus, or the Description of Greece. It is essentially

0:20:01.240 --> 0:20:05.639
<v Speaker 1>a travel guide. UM. I was reading about this in

0:20:05.680 --> 0:20:08.760
<v Speaker 1>an Atlas Obscura article titled the World's first travel Writer

0:20:08.920 --> 0:20:11.960
<v Speaker 1>was a guy from Ancient Greece by Lauren Young and

0:20:12.280 --> 0:20:16.600
<v Speaker 1>she she chats with Maria Pretzler, professor of Ancient History

0:20:16.640 --> 0:20:20.040
<v Speaker 1>at Swansea University in Wales and the author um of

0:20:20.080 --> 0:20:24.320
<v Speaker 1>a book about Passonias Pasanias travel writing in ancient Greece,

0:20:25.000 --> 0:20:27.760
<v Speaker 1>and uh. The author says that you know, there were

0:20:27.800 --> 0:20:31.480
<v Speaker 1>smaller guides at the time, but Passonia's book is the

0:20:31.560 --> 0:20:34.960
<v Speaker 1>largest and the most comprehensive that survives to this day.

0:20:35.000 --> 0:20:38.040
<v Speaker 1>And also it still works. It's still functions as a

0:20:38.040 --> 0:20:41.159
<v Speaker 1>travel guide. You know, obviously the world has changed, but

0:20:41.240 --> 0:20:43.720
<v Speaker 1>a lot of the places and even the landmarks are

0:20:43.760 --> 0:20:48.240
<v Speaker 1>still there. Interesting Now. The full text can be found online,

0:20:48.240 --> 0:20:50.879
<v Speaker 1>and I invite everyone to go check it out because

0:20:50.880 --> 0:20:53.760
<v Speaker 1>it's it's very recognizable and travel literature. This is not

0:20:53.840 --> 0:20:56.600
<v Speaker 1>an example where you're looking at ancient writings and you're

0:20:56.600 --> 0:20:59.240
<v Speaker 1>having to really, you know, squint a bid and you know,

0:20:59.359 --> 0:21:02.199
<v Speaker 1>take a few EAPs of faith to identify it as

0:21:02.240 --> 0:21:04.680
<v Speaker 1>to travel writing. No, you read it and it reads

0:21:05.000 --> 0:21:08.159
<v Speaker 1>more or less like modern travel guides. In fact, I

0:21:08.240 --> 0:21:11.520
<v Speaker 1>highly recommend when you read it, uh, make sure that

0:21:11.600 --> 0:21:14.000
<v Speaker 1>the voice that you hear in your head is tuned

0:21:14.040 --> 0:21:18.000
<v Speaker 1>to your favorite TV travel guide, maybe Rick Steves or someone,

0:21:18.040 --> 0:21:21.120
<v Speaker 1>because it's exactly the sort of thing Rick Steves would say,

0:21:21.200 --> 0:21:23.720
<v Speaker 1>you know, would be like like Passonius is saying, oh, well,

0:21:23.720 --> 0:21:25.800
<v Speaker 1>you're gonna you're gonna around this next corner, and then

0:21:25.800 --> 0:21:28.359
<v Speaker 1>you're gonna see the city of such and such, and

0:21:28.440 --> 0:21:30.400
<v Speaker 1>out here you're gonna see the sea, and well there's

0:21:30.400 --> 0:21:34.000
<v Speaker 1>a there's a particular legend about this, uh, about a

0:21:34.000 --> 0:21:36.240
<v Speaker 1>military engagement that happened here that you know, this sort

0:21:36.240 --> 0:21:38.600
<v Speaker 1>of thing. He's just telling you how you travel from

0:21:38.640 --> 0:21:40.520
<v Speaker 1>one place to the other. What you're gonna see there?

0:21:40.560 --> 0:21:44.119
<v Speaker 1>What the historical significance or cultural significance of the place is.

0:21:44.840 --> 0:21:48.320
<v Speaker 1>I want to know the ancient Greco Roman world's equivalent

0:21:48.400 --> 0:21:51.240
<v Speaker 1>of the person who like gives the one star Google

0:21:51.320 --> 0:21:55.199
<v Speaker 1>reviews to all inspiring monuments from the ancient world, you know,

0:21:55.280 --> 0:21:58.240
<v Speaker 1>like two stars for the less shan Buddha. Well, I

0:21:58.240 --> 0:22:01.000
<v Speaker 1>mean maybe I don't don't even think the Romans were

0:22:01.000 --> 0:22:04.040
<v Speaker 1>doing that on the Colossi were there, Uh, like one

0:22:04.080 --> 0:22:07.040
<v Speaker 1>star coloss I did not sing while I was here.

0:22:07.160 --> 0:22:10.240
<v Speaker 1>That's sort of thing that was too hot, bathrooms hard

0:22:10.280 --> 0:22:14.040
<v Speaker 1>to find. Yeah, as far as I can tell, Pausanias

0:22:14.119 --> 0:22:17.240
<v Speaker 1>wasn't engaging in in any of that. But he is

0:22:17.280 --> 0:22:20.199
<v Speaker 1>indeed often pointed to is as this example of like

0:22:20.320 --> 0:22:24.959
<v Speaker 1>early travel literature and this idea of modern travel uh

0:22:25.080 --> 0:22:28.320
<v Speaker 1>in the ancient world. But there are also some some

0:22:28.400 --> 0:22:31.800
<v Speaker 1>other examples that pop up. There's a quote attributed to

0:22:31.800 --> 0:22:35.840
<v Speaker 1>the semi legendary Chinese philosopher Lao Zu, the Old Master

0:22:35.960 --> 0:22:39.480
<v Speaker 1>and the founder of Daoism, who's often depicted as traveling

0:22:39.480 --> 0:22:43.119
<v Speaker 1>on a water buffalo um in in in art and sculpture,

0:22:43.440 --> 0:22:46.159
<v Speaker 1>and the quote is a good traveler has no fixed

0:22:46.200 --> 0:22:50.680
<v Speaker 1>plans and is not intent upon arriving. So he's said

0:22:50.720 --> 0:22:53.120
<v Speaker 1>to be a sixth century BC figure, though he might

0:22:53.119 --> 0:22:56.960
<v Speaker 1>have been a fourth century BC historical figure. Again, he

0:22:57.119 --> 0:22:59.439
<v Speaker 1>takes on this air of semi legendary status, like you

0:22:59.480 --> 0:23:01.119
<v Speaker 1>see with a lot of figures from that period in

0:23:01.240 --> 0:23:06.000
<v Speaker 1>Chinese history. Um though, Uh, what's interesting about this is this,

0:23:06.119 --> 0:23:10.040
<v Speaker 1>this this mantra of of traveling with no fixed plans

0:23:10.040 --> 0:23:12.920
<v Speaker 1>and not being intent upon arriving. It does certainly get

0:23:12.960 --> 0:23:16.320
<v Speaker 1>to sort of this this heart of travel as the

0:23:16.320 --> 0:23:20.359
<v Speaker 1>the transformative journey. Um and and it gets into this

0:23:20.440 --> 0:23:23.879
<v Speaker 1>you know, sort of unmoored sounding notion of travel, further

0:23:23.920 --> 0:23:26.880
<v Speaker 1>removed from the idea of destination travel and perhaps more

0:23:26.880 --> 0:23:29.840
<v Speaker 1>in common with some of the ideas of hunter gathering.

0:23:30.359 --> 0:23:32.760
<v Speaker 1>Uh though even in those traditions a certain amount of

0:23:32.760 --> 0:23:37.800
<v Speaker 1>strategic thinking was involved. This Uh, this this does feel

0:23:38.320 --> 0:23:40.960
<v Speaker 1>like a almost a I feel like a more modern

0:23:41.040 --> 0:23:43.080
<v Speaker 1>sense of you know, just go out and see the world,

0:23:43.200 --> 0:23:47.240
<v Speaker 1>just be that noble drifter from from that film you

0:23:47.280 --> 0:23:49.679
<v Speaker 1>saw in the fifties, that sort of thing. This allowed

0:23:49.720 --> 0:23:52.600
<v Speaker 1>to quote makes me think of a poem by St.

0:23:52.640 --> 0:23:55.879
<v Speaker 1>Vincent Malay, The Unexplored. Do you know this poem? I

0:23:55.880 --> 0:23:58.480
<v Speaker 1>don't think I do. It's great as a short little poem.

0:23:58.480 --> 0:24:00.800
<v Speaker 1>I can read the whole thing. So this was published

0:24:00.840 --> 0:24:04.639
<v Speaker 1>in nineteen two and she writes, there was a road

0:24:04.760 --> 0:24:08.480
<v Speaker 1>ran past our house, too lovely to explore. I asked

0:24:08.560 --> 0:24:11.160
<v Speaker 1>my mother once. She said that if you followed where

0:24:11.160 --> 0:24:14.440
<v Speaker 1>it led, it brought you to the milkman store. That's

0:24:14.440 --> 0:24:17.840
<v Speaker 1>why I have not traveled more. I think it's a

0:24:17.880 --> 0:24:21.240
<v Speaker 1>grade encapsulation of the sort of the let down feeling

0:24:21.320 --> 0:24:23.000
<v Speaker 1>of when you have when you're a child in the

0:24:23.040 --> 0:24:27.159
<v Speaker 1>world is full of unknown possibility. You have that exploration mindset,

0:24:27.720 --> 0:24:31.399
<v Speaker 1>and then the adult lays on you the instrumental nature

0:24:31.480 --> 0:24:33.879
<v Speaker 1>of travel. Well, that road goes to the place I

0:24:33.920 --> 0:24:36.919
<v Speaker 1>go to get this. And the interesting thing too, is

0:24:36.960 --> 0:24:39.320
<v Speaker 1>that allows you quote I think is going to get

0:24:39.359 --> 0:24:40.879
<v Speaker 1>to the heart of what we're going to spend the

0:24:40.920 --> 0:24:44.360
<v Speaker 1>rest of the podcast talking about. And that's how our

0:24:44.400 --> 0:24:48.200
<v Speaker 1>senses engage with travel. Because ultimately, if your if your

0:24:48.240 --> 0:24:51.800
<v Speaker 1>senses are fully engaged, if all this sense data is streaming,

0:24:52.240 --> 0:24:54.360
<v Speaker 1>you know, into your nervous system and into your your

0:24:54.440 --> 0:24:57.879
<v Speaker 1>your brain this is how we often enter this state

0:24:57.960 --> 0:25:00.440
<v Speaker 1>of of you know, being in the moment, of living

0:25:00.480 --> 0:25:03.800
<v Speaker 1>in the now, of just observing and being a part

0:25:03.800 --> 0:25:07.000
<v Speaker 1>of the stream of things. And I think that ultimately,

0:25:07.040 --> 0:25:10.720
<v Speaker 1>like that's one of the really rewarding aspects of travel,

0:25:11.359 --> 0:25:13.440
<v Speaker 1>and it's we might not even focus on it that much.

0:25:13.440 --> 0:25:16.280
<v Speaker 1>I mean, and to a certain extent, especially today, like it.

0:25:16.480 --> 0:25:18.600
<v Speaker 1>It helps to have a destination in mind. It helps

0:25:18.600 --> 0:25:21.040
<v Speaker 1>to have a plan and you sort of plan everything

0:25:21.040 --> 0:25:23.840
<v Speaker 1>out and have a destination so that you can perhaps

0:25:23.880 --> 0:25:29.880
<v Speaker 1>feel even accidentally that unmoored uh nowness of travel. Yeah. Absolutely, Well,

0:25:29.880 --> 0:25:31.840
<v Speaker 1>then do you want to shift over now? Talked about

0:25:31.880 --> 0:25:35.359
<v Speaker 1>talk about travel in the census, Yeah, let's do it. So,

0:25:35.359 --> 0:25:37.320
<v Speaker 1>so we've went through some examples of what human travel

0:25:37.480 --> 0:25:39.800
<v Speaker 1>is and how long we've been carrying it out and

0:25:39.920 --> 0:25:42.800
<v Speaker 1>uh and we should also stress that travel is maybe

0:25:42.800 --> 0:25:45.480
<v Speaker 1>not for everyone. You certainly encounter people who don't care

0:25:45.560 --> 0:25:48.480
<v Speaker 1>for it or have intense personal or sort of scholarly

0:25:48.480 --> 0:25:52.400
<v Speaker 1>objections to engaging in travel. Ralph Waldo Emerson, for instance,

0:25:52.440 --> 0:25:56.640
<v Speaker 1>wrote traveling as a fool's Paradise. Our first journeys discovered

0:25:56.680 --> 0:26:01.720
<v Speaker 1>to us the indifference of places. Um and I guess

0:26:01.760 --> 0:26:04.280
<v Speaker 1>you also see that reflected in such adages as you know,

0:26:04.480 --> 0:26:06.560
<v Speaker 1>wherever you go, there you are that sort of thing.

0:26:06.800 --> 0:26:09.840
<v Speaker 1>Um And and I think sometimes that's that's more about

0:26:11.000 --> 0:26:17.080
<v Speaker 1>tramping on unreasonable expectations of travel. But but you you

0:26:17.119 --> 0:26:20.960
<v Speaker 1>also see this this notion elsewhere as well, of of

0:26:21.040 --> 0:26:23.840
<v Speaker 1>travel as being a way of of avoiding inner, local

0:26:23.840 --> 0:26:28.440
<v Speaker 1>and spiritual endeavors. Um Gandhi said something to this effect

0:26:28.440 --> 0:26:30.880
<v Speaker 1>as well. Oh yeah, well, I mean I can certainly

0:26:30.960 --> 0:26:34.760
<v Speaker 1>see for some people how travel might just be a

0:26:34.760 --> 0:26:37.760
<v Speaker 1>way too busy the mind, you know, just like anything,

0:26:37.880 --> 0:26:39.800
<v Speaker 1>just like the same way TV could be a way

0:26:39.840 --> 0:26:43.280
<v Speaker 1>too busy the mind. Um. And in that sense that,

0:26:43.520 --> 0:26:45.720
<v Speaker 1>I don't know that that might be a less rewarding

0:26:45.720 --> 0:26:48.399
<v Speaker 1>way to think about it than as opening yourself to

0:26:48.520 --> 0:26:53.080
<v Speaker 1>experiences of novelty and readying yourself for change. Yeah. But

0:26:53.080 --> 0:26:55.680
<v Speaker 1>but then again, even if you're intent is one thing,

0:26:56.000 --> 0:26:57.560
<v Speaker 1>if you're gonna end up getting, it's kind of like

0:26:57.560 --> 0:27:00.840
<v Speaker 1>sneaking the you know, the medicine into the jam or something,

0:27:00.920 --> 0:27:05.360
<v Speaker 1>or or you know, grinding up some pulverizing some vegetables

0:27:05.359 --> 0:27:08.480
<v Speaker 1>and sneaking them in, um, you know, to the President's spaghetti.

0:27:08.520 --> 0:27:11.120
<v Speaker 1>That sort of thing. Um, it's it's like, if you're

0:27:11.119 --> 0:27:14.640
<v Speaker 1>gonna end up engaging and novelty and engaging the senses

0:27:14.720 --> 0:27:18.720
<v Speaker 1>than uh, then then ultimately the goal was there. How

0:27:18.760 --> 0:27:20.239
<v Speaker 1>I do I do want to point out there there

0:27:20.240 --> 0:27:23.520
<v Speaker 1>are environmental and sometimes health objections to travel, and we

0:27:23.640 --> 0:27:25.640
<v Speaker 1>touched on some of those at the beginning, and we

0:27:25.640 --> 0:27:27.800
<v Speaker 1>we should you know, certainly these are not things to

0:27:27.920 --> 0:27:31.600
<v Speaker 1>dismiss h No, absolutely not. I mean you can simultaneously

0:27:31.640 --> 0:27:34.560
<v Speaker 1>acknowledge that there might be a lot of great, uh

0:27:34.760 --> 0:27:38.040
<v Speaker 1>great reasons to appreciate the role of travel and human life,

0:27:38.040 --> 0:27:41.760
<v Speaker 1>while also understanding, you know, uh, maybe maybe we're driving

0:27:41.800 --> 0:27:43.919
<v Speaker 1>more than we should be, maybe we're flying in planes

0:27:44.000 --> 0:27:46.800
<v Speaker 1>more than we should be, and certainly understanding during like

0:27:46.840 --> 0:27:48.840
<v Speaker 1>a time of pandemic, that there are a lot of

0:27:48.880 --> 0:27:51.760
<v Speaker 1>inherent risks to travel and if you're going to do it,

0:27:51.800 --> 0:27:54.399
<v Speaker 1>you need to get really serious about finding ways to

0:27:54.400 --> 0:27:56.919
<v Speaker 1>make it safe. Yeah. And of course there's also the

0:27:56.920 --> 0:27:59.919
<v Speaker 1>point that the travel can be um, distravel itself as

0:28:00.119 --> 0:28:04.240
<v Speaker 1>industry can be an uh, you know, an economically transformative force,

0:28:04.280 --> 0:28:06.840
<v Speaker 1>but it can also be uh you can also pose

0:28:07.040 --> 0:28:12.480
<v Speaker 1>certain dangers to uh, to historical sites, to to local culture,

0:28:12.560 --> 0:28:15.359
<v Speaker 1>to the local environment if if it's not carried out

0:28:15.760 --> 0:28:18.040
<v Speaker 1>in just the right way. Yeah, that's another thing I'm

0:28:18.040 --> 0:28:20.680
<v Speaker 1>sure most people listening have probably experienced at some point

0:28:20.720 --> 0:28:24.840
<v Speaker 1>where you you go to a place wanting to experience

0:28:24.920 --> 0:28:28.239
<v Speaker 1>what that place is actually like, and instead when you

0:28:28.280 --> 0:28:31.080
<v Speaker 1>get there, you find that it has been altered to

0:28:31.240 --> 0:28:36.920
<v Speaker 1>make itself amenable to tourists and visitors like you. You know, Yeah,

0:28:37.440 --> 0:28:39.920
<v Speaker 1>this this has sadly been the case with, for instance,

0:28:39.920 --> 0:28:43.840
<v Speaker 1>to some cave environments where a part of the cave

0:28:43.880 --> 0:28:46.360
<v Speaker 1>ecology is how it is is closed off and then

0:28:46.400 --> 0:28:48.960
<v Speaker 1>if you open it up, um, you often just I

0:28:48.960 --> 0:28:51.920
<v Speaker 1>mean you you take part of it's it's life away

0:28:51.960 --> 0:28:54.040
<v Speaker 1>from it. But uh and and as you I want

0:28:54.040 --> 0:28:57.120
<v Speaker 1>to come back to the tourism industry because there there's

0:28:57.120 --> 0:28:59.920
<v Speaker 1>actually a lot of informative material that comes out of

0:29:00.000 --> 0:29:04.160
<v Speaker 1>that industry, out of papers and conferences related to just

0:29:04.240 --> 0:29:08.520
<v Speaker 1>figuring out like how do people engage um in a

0:29:08.560 --> 0:29:11.280
<v Speaker 1>tourist experience. And this is where I came across really

0:29:11.320 --> 0:29:13.640
<v Speaker 1>what I thought to be just a wonderful visual breakdown

0:29:13.680 --> 0:29:18.640
<v Speaker 1>of how we engage with environmental stimuli during well, certainly

0:29:18.680 --> 0:29:21.480
<v Speaker 1>in this case during travel, but perhaps to a certain degree,

0:29:21.600 --> 0:29:24.480
<v Speaker 1>just you know, in life itself. And this was from

0:29:24.600 --> 0:29:28.480
<v Speaker 1>Designing Tourism Places Understanding the Tourism Experience through Our Senses

0:29:28.800 --> 0:29:31.160
<v Speaker 1>by Kim at All, presented at the two thousand fifteen

0:29:31.200 --> 0:29:35.400
<v Speaker 1>t t r A International Conference. And apparently this particular

0:29:35.440 --> 0:29:39.480
<v Speaker 1>graphic framework of tourism experience creation was adapted from some

0:29:39.560 --> 0:29:45.720
<v Speaker 1>earlier work by by Krishna from and I'm gonna describe

0:29:45.720 --> 0:29:48.400
<v Speaker 1>it here, but basically the ideas you start with a

0:29:48.520 --> 0:29:55.000
<v Speaker 1>very environmental stimuli and then that feeds into sensation, vision, hearing, smell, taste, touch,

0:29:55.480 --> 0:29:59.560
<v Speaker 1>appropriate reception, temperature, sense and pain. And then that's gonna

0:29:59.600 --> 0:30:03.120
<v Speaker 1>all those sensations and hopefully you're not feeling too much

0:30:03.160 --> 0:30:05.920
<v Speaker 1>pain on your your vacation or on your travel, but

0:30:06.520 --> 0:30:10.600
<v Speaker 1>a part of it pain makes an experience real, It's true. Yeah,

0:30:10.640 --> 0:30:12.960
<v Speaker 1>I mean generally my in my experience, the first day

0:30:12.960 --> 0:30:14.720
<v Speaker 1>of travel is going to have its share of pains,

0:30:14.720 --> 0:30:16.400
<v Speaker 1>and you you just got to be prepared for it.

0:30:17.520 --> 0:30:19.600
<v Speaker 1>But anyway, all those sensations then are going to go

0:30:19.640 --> 0:30:22.640
<v Speaker 1>through your individual filter and then from there they're gonna

0:30:22.680 --> 0:30:26.640
<v Speaker 1>go to perception. And then the perception of those senses

0:30:26.720 --> 0:30:29.080
<v Speaker 1>is going to go through the individual filter again, and

0:30:29.080 --> 0:30:30.880
<v Speaker 1>it's gonna go in a few couple of different directions.

0:30:30.880 --> 0:30:34.440
<v Speaker 1>It's gonna go to emotional response, your emotional response to

0:30:34.480 --> 0:30:37.200
<v Speaker 1>your perception of those different senses. It's also going to

0:30:37.280 --> 0:30:40.480
<v Speaker 1>go to a cognitive response to those perceptions of those

0:30:40.520 --> 0:30:43.760
<v Speaker 1>different senses. And then likewise you're gonna have an emotional

0:30:43.800 --> 0:30:46.640
<v Speaker 1>reaction to your cognitive responses, and you're also going to

0:30:46.720 --> 0:30:52.120
<v Speaker 1>have a cognitive response to your emotional responses. Um So

0:30:52.240 --> 0:30:53.840
<v Speaker 1>you know, kind of going in a circle there, and

0:30:53.880 --> 0:30:55.160
<v Speaker 1>then all of that is going to go through the

0:30:55.160 --> 0:31:00.440
<v Speaker 1>individual filter again and feed into attitude, memory, and behavior. Yeah,

0:31:00.440 --> 0:31:02.640
<v Speaker 1>and I think one of the elements that's most relevant

0:31:02.680 --> 0:31:06.520
<v Speaker 1>to us is how travel affects memory. I want to

0:31:06.560 --> 0:31:08.680
<v Speaker 1>come back to that in a moment after we discuss

0:31:08.760 --> 0:31:11.760
<v Speaker 1>novelty a bit. Yeah, Novelty I think is gonna be

0:31:11.840 --> 0:31:14.520
<v Speaker 1>gonna be key year. So, as we've discussed in the

0:31:14.520 --> 0:31:17.320
<v Speaker 1>show before, humans didn't evolve for to live in like

0:31:17.360 --> 0:31:20.720
<v Speaker 1>a solitary confinement situation. We evolved to thrive in an

0:31:20.800 --> 0:31:25.320
<v Speaker 1>environment of change, seeking resources, calculating risk, etcetera. And some

0:31:25.400 --> 0:31:27.479
<v Speaker 1>of these qualities have led to our I think our

0:31:27.560 --> 0:31:31.480
<v Speaker 1>species spirit of exploration but one of the more studied

0:31:31.480 --> 0:31:34.640
<v Speaker 1>aspects of all of this is certainly novelty, because travel,

0:31:34.680 --> 0:31:37.280
<v Speaker 1>to a very large degree comes down to novel that

0:31:37.360 --> 0:31:40.600
<v Speaker 1>you put yourself in a place, an environment, perhaps a culture,

0:31:40.640 --> 0:31:44.040
<v Speaker 1>that differs from what you deal with every day. Uh.

0:31:44.120 --> 0:31:45.920
<v Speaker 1>And and this is where you can feel, you know,

0:31:46.000 --> 0:31:51.520
<v Speaker 1>this enthralling, exhilarating, overpowering, and at times even frightening sensation

0:31:52.200 --> 0:31:55.080
<v Speaker 1>of novelty. It is, it is. I don't think it's

0:31:55.080 --> 0:31:57.120
<v Speaker 1>a stretch at all to say this is an altered

0:31:57.160 --> 0:32:01.160
<v Speaker 1>mental state. Sure, yeah. And one doesn't achieve this, this

0:32:01.240 --> 0:32:04.120
<v Speaker 1>particular altered state through the consumption of a potion or

0:32:04.160 --> 0:32:07.440
<v Speaker 1>a mushroom or or the via the physical alteration of

0:32:07.480 --> 0:32:10.160
<v Speaker 1>brain tissue. No, you achieve it by traveling from one

0:32:10.280 --> 0:32:14.080
<v Speaker 1>environment to another, uh, and then continuing to be human

0:32:14.160 --> 0:32:17.760
<v Speaker 1>along the way, and upon arrival endearing this altered state,

0:32:17.800 --> 0:32:20.800
<v Speaker 1>you might often find yourself functioning as a sponge, right,

0:32:21.000 --> 0:32:24.520
<v Speaker 1>soaking up information about your travel, destination or things along

0:32:24.560 --> 0:32:28.160
<v Speaker 1>the way, perhaps pouring yourself into the local museum or

0:32:28.200 --> 0:32:32.080
<v Speaker 1>historical site. And if this is is this is you?

0:32:32.320 --> 0:32:35.200
<v Speaker 1>It might be due to the role that novelty plays

0:32:35.280 --> 0:32:38.920
<v Speaker 1>in associative learning. I imagine a lot of us have

0:32:39.000 --> 0:32:42.120
<v Speaker 1>experienced or have been the uh this or in other people,

0:32:42.240 --> 0:32:44.560
<v Speaker 1>or have been the person who comes back from a

0:32:44.640 --> 0:32:47.560
<v Speaker 1>unique trip, and it's just rattling off, you know, endless

0:32:47.560 --> 0:32:50.400
<v Speaker 1>facts about the experience for everyone, about this site, they

0:32:50.440 --> 0:32:54.160
<v Speaker 1>saw this museum, they they uh, they visited that sort

0:32:54.160 --> 0:32:57.600
<v Speaker 1>of thing. Yeah, it becomes uh, there's a risk when

0:32:57.600 --> 0:33:01.080
<v Speaker 1>you travel somewhere that the place you most recently traveled

0:33:01.120 --> 0:33:04.760
<v Speaker 1>becomes your point of comparison for everything, every every topic

0:33:04.760 --> 0:33:09.120
<v Speaker 1>of conversation relates back to the most recent vacation you took. Uh.

0:33:09.160 --> 0:33:12.640
<v Speaker 1>And I, I shamefully will admit I've been of that

0:33:12.680 --> 0:33:16.400
<v Speaker 1>frame of mind before. And I think that happens because

0:33:16.480 --> 0:33:21.239
<v Speaker 1>of because essentially, the prominence of a travel experience in

0:33:21.280 --> 0:33:25.160
<v Speaker 1>the memory enables the availability heuristic. You know, the the

0:33:25.200 --> 0:33:30.680
<v Speaker 1>availability heuristic is, uh, the the idea where um concepts

0:33:30.760 --> 0:33:34.560
<v Speaker 1>and memories and ideas that are more accessible in memory

0:33:34.600 --> 0:33:37.640
<v Speaker 1>are overrepresented in our view of the world. So if

0:33:37.680 --> 0:33:41.240
<v Speaker 1>we're looking for comparisons to whatever we're talking about, whatever

0:33:41.360 --> 0:33:44.040
<v Speaker 1>is just most prominent in your memory is going to

0:33:44.040 --> 0:33:47.720
<v Speaker 1>be the thing that's most likely to facilitate those comparisons. Now,

0:33:47.760 --> 0:33:50.800
<v Speaker 1>speaking on memory, here that there, of course are multiple

0:33:50.800 --> 0:33:53.040
<v Speaker 1>different forms of memory at work in the brain, and

0:33:53.120 --> 0:33:58.280
<v Speaker 1>different brain states can enhance certain forms of memory. Associated learning,

0:33:58.280 --> 0:34:00.000
<v Speaker 1>which we're gonna be talking about here is the ability

0:34:00.040 --> 0:34:03.760
<v Speaker 1>need to learn and remember the relationship between unrelated items,

0:34:04.160 --> 0:34:07.520
<v Speaker 1>and we've we've known about this, this, this particular relationship

0:34:07.560 --> 0:34:11.440
<v Speaker 1>between novelty and associated learning since the nineteen sixties. UH,

0:34:11.480 --> 0:34:17.240
<v Speaker 1>the idea that novelty can enhance associated learning. One key finding,

0:34:17.280 --> 0:34:20.239
<v Speaker 1>it seems, stems from from twelve though. The University of

0:34:20.239 --> 0:34:23.600
<v Speaker 1>Toronto's Dr Catherine Duncan used f m RI I to

0:34:23.640 --> 0:34:27.480
<v Speaker 1>identify how the brain triggers memory states, and she identified

0:34:27.480 --> 0:34:30.279
<v Speaker 1>a brain ridge and region that detects novelty and demonstrated

0:34:30.320 --> 0:34:33.680
<v Speaker 1>that novelty detection acts like a switch, impacting how the

0:34:33.719 --> 0:34:37.200
<v Speaker 1>brain learns and remembers. Now, she's quick to remind everyone

0:34:37.200 --> 0:34:40.279
<v Speaker 1>this is not the only switch. Memory is complex and

0:34:40.320 --> 0:34:42.920
<v Speaker 1>there's a lot we still need to study and understand.

0:34:43.239 --> 0:34:46.000
<v Speaker 1>But this is one example where it seems like we

0:34:46.000 --> 0:34:49.680
<v Speaker 1>can we can draw a line between one type of

0:34:49.680 --> 0:34:52.400
<v Speaker 1>of brain state and UH and a change in the

0:34:52.400 --> 0:34:54.680
<v Speaker 1>way we we learn, and there the way we form

0:34:54.719 --> 0:34:59.839
<v Speaker 1>new memories. The process here involves the dopamine system, which

0:35:00.160 --> 0:35:03.560
<v Speaker 1>involved in associative learning. While this has been previously suspected,

0:35:03.880 --> 0:35:06.680
<v Speaker 1>it looks like there was some, uh, some additional evidence

0:35:06.680 --> 0:35:08.399
<v Speaker 1>for this that came out in February of this year

0:35:09.600 --> 0:35:13.480
<v Speaker 1>from the Flanders Institute of Biotechnology, publishing the journal Neuron

0:35:13.800 --> 0:35:16.279
<v Speaker 1>that took a closer to look at how this might work. So,

0:35:16.400 --> 0:35:19.640
<v Speaker 1>working with mice, they found that dopamine neurons were activated

0:35:19.680 --> 0:35:23.440
<v Speaker 1>by new smells but not by familiar ones. So this

0:35:23.600 --> 0:35:26.400
<v Speaker 1>enhanced learning, and they were able to stimulate or block

0:35:26.560 --> 0:35:30.480
<v Speaker 1>dopamine activation in familiar settings, then to alter learning in

0:35:30.520 --> 0:35:34.759
<v Speaker 1>the mice, slowing learning down or speeding it up. Now,

0:35:34.920 --> 0:35:36.480
<v Speaker 1>part of the take home here is that we might

0:35:36.480 --> 0:35:40.279
<v Speaker 1>be able to learn better by shaking up our routine. Um,

0:35:41.120 --> 0:35:43.680
<v Speaker 1>I feel like I engage in this, or at least

0:35:43.680 --> 0:35:46.440
<v Speaker 1>I would engage in this in a pretty pandemic world

0:35:46.480 --> 0:35:48.320
<v Speaker 1>where if I, you know, I'd be working on something

0:35:48.320 --> 0:35:50.359
<v Speaker 1>and then I would I need to change locations. I'd

0:35:50.360 --> 0:35:52.719
<v Speaker 1>go to a different coffee shop or something, you know,

0:35:52.760 --> 0:35:55.959
<v Speaker 1>somewhere else, some new environment where I could work while

0:35:56.360 --> 0:35:59.920
<v Speaker 1>you know, sort of casually observing foot traffic or or

0:36:00.000 --> 0:36:01.840
<v Speaker 1>where I actually I also really enjoy working on my

0:36:01.880 --> 0:36:04.319
<v Speaker 1>front porch watching people and trains go by, that sort

0:36:04.320 --> 0:36:07.080
<v Speaker 1>of thing. Uh, there's something about putting yourself in a

0:36:07.160 --> 0:36:12.760
<v Speaker 1>novel environment that seems to help with with forming these associations.

0:36:13.320 --> 0:36:15.880
<v Speaker 1>But this particular study also sheds light on some of

0:36:15.920 --> 0:36:18.960
<v Speaker 1>what's happening when we engage in travel, how and why

0:36:19.080 --> 0:36:22.200
<v Speaker 1>we record strong new memories, and why a vacation may seem,

0:36:22.239 --> 0:36:25.480
<v Speaker 1>in retrospect, a fuller example of life than our day

0:36:25.520 --> 0:36:28.239
<v Speaker 1>to day Yeah. I mean, so there are multiple things here.

0:36:28.239 --> 0:36:30.120
<v Speaker 1>I think we've touched on the podcast before, at least

0:36:30.160 --> 0:36:33.120
<v Speaker 1>the anecdotal evidence that people seem to find that on

0:36:33.160 --> 0:36:36.240
<v Speaker 1>a vacation or during some kind of travel or major

0:36:36.400 --> 0:36:39.319
<v Speaker 1>change to their day to day routine, it's easier to

0:36:39.560 --> 0:36:43.520
<v Speaker 1>establish new habits or to change existing habits. That's kind

0:36:43.520 --> 0:36:45.920
<v Speaker 1>of an interesting thing like people don't usually think of,

0:36:45.960 --> 0:36:49.280
<v Speaker 1>like the vacation is a good time to start a diet,

0:36:49.360 --> 0:36:52.759
<v Speaker 1>but it might actually work. Oh yeah, yeah, I've I've

0:36:52.800 --> 0:36:54.799
<v Speaker 1>seen this pointed out before, like if you're if you

0:36:54.840 --> 0:36:57.000
<v Speaker 1>want to change up your your schedule, start doing it

0:36:57.080 --> 0:37:00.839
<v Speaker 1>on vacation and in a new location. Yeah, And I

0:37:00.880 --> 0:37:03.920
<v Speaker 1>think that so this relates to memory obviously, and and

0:37:03.960 --> 0:37:06.400
<v Speaker 1>the idea of associate of learning is very much based

0:37:06.400 --> 0:37:09.120
<v Speaker 1>in memory. But another thing about memory that this makes

0:37:09.120 --> 0:37:11.720
<v Speaker 1>me think of is we've talked previously on the show

0:37:11.760 --> 0:37:15.880
<v Speaker 1>about I believe it was the neuroscientist David Eagleman who

0:37:15.960 --> 0:37:19.839
<v Speaker 1>had pointed out this research about the different perception of

0:37:20.040 --> 0:37:24.239
<v Speaker 1>time in the moment versus in retrospect and how that

0:37:24.320 --> 0:37:28.399
<v Speaker 1>relates to novelty. And the idea was that in the

0:37:28.520 --> 0:37:34.000
<v Speaker 1>moment experiences that our novel tend to go by really fast.

0:37:34.200 --> 0:37:36.879
<v Speaker 1>They feel like they're happening really fast, and then they're over.

0:37:36.920 --> 0:37:39.080
<v Speaker 1>And you probably know this from experience. It seems like,

0:37:39.600 --> 0:37:42.279
<v Speaker 1>you know, your your regular routine day might kind of

0:37:42.360 --> 0:37:45.160
<v Speaker 1>drag on, especially if you're doing something kind of repetitive

0:37:45.200 --> 0:37:48.080
<v Speaker 1>and boring, but your vacation where you're doing a lot

0:37:48.120 --> 0:37:50.520
<v Speaker 1>of novel different stuff just kind of flies by. It

0:37:50.520 --> 0:37:53.279
<v Speaker 1>feels like it's over in an instant. But then once

0:37:53.320 --> 0:37:56.840
<v Speaker 1>you get into the retrospective mindset and you're representing those

0:37:56.960 --> 0:38:01.160
<v Speaker 1>time periods in your memory, suddenly the reverse is true,

0:38:01.440 --> 0:38:04.759
<v Speaker 1>where the experience that's full of novelty feels like it

0:38:04.880 --> 0:38:07.600
<v Speaker 1>lasted a long time and a lot of stuff happened

0:38:07.600 --> 0:38:10.520
<v Speaker 1>in it. It's like it spreads out and expands in

0:38:10.560 --> 0:38:14.319
<v Speaker 1>your memory, while the while the period of sameness where

0:38:14.320 --> 0:38:17.719
<v Speaker 1>you didn't experience a lot of novelty, contracts down to

0:38:17.760 --> 0:38:20.879
<v Speaker 1>a point and there's almost nothing to remember about it. Yeah.

0:38:20.920 --> 0:38:23.160
<v Speaker 1>I mean, ultimately, there's nothing like going on vacation to

0:38:23.239 --> 0:38:27.279
<v Speaker 1>fully engage in the weirdness of time. Um. In terms

0:38:27.280 --> 0:38:30.840
<v Speaker 1>of novelty, uh, I think Eagleman might have been the

0:38:30.920 --> 0:38:34.520
<v Speaker 1>one to refer to us as as novelty junkies. Uh.

0:38:34.680 --> 0:38:37.640
<v Speaker 1>And it could be misquoting him on that, but I

0:38:37.680 --> 0:38:41.680
<v Speaker 1>have that that association is in my head for some reason. UM.

0:38:41.880 --> 0:38:45.080
<v Speaker 1>I also ran across a book titled Satisfaction, in which

0:38:45.120 --> 0:38:48.480
<v Speaker 1>the author Gregory Burns, points out that even if you

0:38:48.600 --> 0:38:51.640
<v Speaker 1>don't personally like a novelty, if you're the type of

0:38:51.680 --> 0:38:54.239
<v Speaker 1>person who you know you feel very strongly that you

0:38:54.320 --> 0:38:57.239
<v Speaker 1>like a strict routine, you don't want any novelty thrown in.

0:38:57.640 --> 0:39:00.200
<v Speaker 1>You may not personally like it, but your brain is

0:39:01.360 --> 0:39:03.640
<v Speaker 1>because when we engage in novelty, we kind of go

0:39:03.680 --> 0:39:06.840
<v Speaker 1>into probe mode and to explore mode. Our brains tune

0:39:06.920 --> 0:39:10.200
<v Speaker 1>up to absorb and process the information we're hit with.

0:39:10.560 --> 0:39:12.359
<v Speaker 1>And so I think that's really interesting. It's like, take

0:39:12.400 --> 0:39:14.600
<v Speaker 1>that and think back to this, uh sort of flow

0:39:14.680 --> 0:39:19.839
<v Speaker 1>chart of how we engage with environmental stimuli, you know, um,

0:39:19.920 --> 0:39:22.680
<v Speaker 1>how you know it's going to be that that novel stimuli,

0:39:23.040 --> 0:39:25.799
<v Speaker 1>those novel sensations that are gonna end up sort of

0:39:26.000 --> 0:39:29.520
<v Speaker 1>supercharging this loop of emotional response and cognitive response and

0:39:29.560 --> 0:39:34.440
<v Speaker 1>then feeding into the formation of these associated memories. And

0:39:34.480 --> 0:39:36.600
<v Speaker 1>I think that also helps us better understand two of

0:39:36.680 --> 0:39:41.040
<v Speaker 1>the the the offsided benefits of travel broadened horizons and

0:39:41.160 --> 0:39:44.040
<v Speaker 1>self exploration. Well, yeah, this brings us back to the

0:39:44.280 --> 0:39:47.080
<v Speaker 1>anthropological framework that we're talking about earlier. Now that was

0:39:47.160 --> 0:39:50.520
<v Speaker 1>specifically in the context of Christian pilgrimage and not travel

0:39:50.600 --> 0:39:53.160
<v Speaker 1>more broadly, but I think it probably relates to things

0:39:53.200 --> 0:39:56.000
<v Speaker 1>that are going on often, if not always, in travel

0:39:56.080 --> 0:39:59.640
<v Speaker 1>more broadly, Which is the the idea that it is, Uh,

0:39:59.640 --> 0:40:03.040
<v Speaker 1>it places you at the threshold. It doesn't necessarily put

0:40:03.080 --> 0:40:06.279
<v Speaker 1>you through it, but it places you at the threshold

0:40:06.360 --> 0:40:10.600
<v Speaker 1>of personal change and transformation. And I think that there's

0:40:10.680 --> 0:40:15.280
<v Speaker 1>some relationship here between that cultural observation and the idea

0:40:15.280 --> 0:40:17.520
<v Speaker 1>of what's going on in the brain when we experience

0:40:17.560 --> 0:40:19.400
<v Speaker 1>a lot of novelty that we're sort of primed for

0:40:19.400 --> 0:40:22.640
<v Speaker 1>associate of learning that we can form new habits, and

0:40:22.680 --> 0:40:25.759
<v Speaker 1>the formation of new habits, while it doesn't sound all

0:40:25.800 --> 0:40:28.799
<v Speaker 1>that sexy when phrase that way, is the basis of

0:40:28.960 --> 0:40:32.480
<v Speaker 1>the change of the self. All right, Well, on that note,

0:40:32.520 --> 0:40:34.040
<v Speaker 1>we're going to take a quick break, but when we

0:40:34.120 --> 0:40:36.240
<v Speaker 1>come back, we're going to talk a little bit about

0:40:36.640 --> 0:40:44.359
<v Speaker 1>the idea of travel overload. Than alright, we're back. So, Joe,

0:40:44.880 --> 0:40:48.880
<v Speaker 1>I know you like um Italian horror films. Oh yeah,

0:40:49.080 --> 0:40:51.560
<v Speaker 1>have you Have you ever seen a little film titled

0:40:52.040 --> 0:40:55.520
<v Speaker 1>Stindall Syndrome. No, I have not seen the whole thing,

0:40:55.640 --> 0:40:58.640
<v Speaker 1>but I have watched the scene that you linked me

0:40:58.719 --> 0:41:03.800
<v Speaker 1>to in it, which involves which involves a character kissing

0:41:03.800 --> 0:41:06.480
<v Speaker 1>a fish on the mouth. And while I've heard that

0:41:06.520 --> 0:41:08.920
<v Speaker 1>the movie is not that great overall, even though I

0:41:08.920 --> 0:41:13.160
<v Speaker 1>do love some Italian horror, uh, this fish kissing scene

0:41:13.320 --> 0:41:17.839
<v Speaker 1>is extraordinary. Yeah. This was film The Stendahl Syndrome by

0:41:18.080 --> 0:41:22.280
<v Speaker 1>Dario Argento of Suspiria of Fame and countless other films

0:41:22.280 --> 0:41:26.239
<v Speaker 1>in which weird stuff, that stuff happens and people are stabbed. Right,

0:41:26.320 --> 0:41:28.479
<v Speaker 1>this is very much in the genre of of weird

0:41:28.520 --> 0:41:31.680
<v Speaker 1>stuff happens and people were stabbed, except it has this

0:41:31.680 --> 0:41:35.080
<v Speaker 1>this weird hook with Stendahl syndrome and which in this

0:41:35.200 --> 0:41:37.480
<v Speaker 1>in the film, you have this character played by Asia

0:41:37.560 --> 0:41:43.160
<v Speaker 1>Argento who experiences this overwhelming sensory experience when she engages

0:41:43.400 --> 0:41:47.080
<v Speaker 1>with fabulous works of art. Um. I believe that she's

0:41:47.120 --> 0:41:49.040
<v Speaker 1>in the movie. She's looking at landscape with the Fall

0:41:49.080 --> 0:41:51.560
<v Speaker 1>of Icarus, and so has this there's this dream like

0:41:51.680 --> 0:41:54.680
<v Speaker 1>sequence in which she falls into the painting and falls

0:41:54.719 --> 0:41:57.400
<v Speaker 1>into the ocean. You know that the Icarus would have

0:41:57.400 --> 0:42:00.879
<v Speaker 1>plunged into And is that by Broygal? Yeah, I think

0:42:00.920 --> 0:42:03.920
<v Speaker 1>it's broke of the elder and uh. And so she

0:42:04.000 --> 0:42:09.440
<v Speaker 1>falls into the water and then inexplicitly she kisses a fish.

0:42:09.560 --> 0:42:11.200
<v Speaker 1>So it's a it's it's a it's a. It's a

0:42:11.239 --> 0:42:15.880
<v Speaker 1>noteworthy uh scene in uh in in in the film,

0:42:16.120 --> 0:42:20.319
<v Speaker 1>for sure, but it also does a link into this

0:42:20.440 --> 0:42:24.160
<v Speaker 1>idea of Stendahl syndrome that is in an actual, at

0:42:24.239 --> 0:42:28.920
<v Speaker 1>least alleged um UH phenomenon that occurs. It's named for

0:42:29.320 --> 0:42:32.279
<v Speaker 1>the French author Stendahl, who wrote such works as The

0:42:32.320 --> 0:42:36.719
<v Speaker 1>Scarlet and Black and he he originally wrote about a

0:42:36.760 --> 0:42:41.640
<v Speaker 1>case of what we might call extreme travel overload. Uh.

0:42:41.640 --> 0:42:45.800
<v Speaker 1>This was from his book Naples and Florence, a journey

0:42:45.880 --> 0:42:49.719
<v Speaker 1>from Milan to Reggio, and he talks about emerging on

0:42:49.800 --> 0:42:52.400
<v Speaker 1>a on a porch uh and and being seized with

0:42:52.440 --> 0:42:55.800
<v Speaker 1>his fierce palpitation of his heart, feeling like his life

0:42:55.840 --> 0:42:58.560
<v Speaker 1>had just dried up and then uh and feeling like

0:42:58.600 --> 0:43:02.879
<v Speaker 1>it was just gonna collapse, like just physically overcome from

0:43:02.920 --> 0:43:07.600
<v Speaker 1>having visited a particular site. And and this kind of

0:43:07.640 --> 0:43:10.200
<v Speaker 1>this idea that was really um sort of drawn out

0:43:10.400 --> 0:43:13.680
<v Speaker 1>and and certainly was given the name Standal syndrome by

0:43:13.680 --> 0:43:19.920
<v Speaker 1>an Italian psychiatrist Graziella Magarini who who wrote about this

0:43:19.960 --> 0:43:24.480
<v Speaker 1>in her nine book UH the Stendhal Syndrome, which defined

0:43:24.480 --> 0:43:28.360
<v Speaker 1>it is a complex process quote not intellectual, but sensitive

0:43:28.640 --> 0:43:32.000
<v Speaker 1>and easily susceptible to emotions, so essentially a kind of

0:43:32.040 --> 0:43:36.360
<v Speaker 1>sensory overload um. And and it can apparently result in

0:43:36.360 --> 0:43:42.560
<v Speaker 1>a number of different symptoms breathlessness, panic attacks, faintness, temporary psychosis.

0:43:42.560 --> 0:43:47.400
<v Speaker 1>Even all of this brought on via exposure to great

0:43:47.440 --> 0:43:49.480
<v Speaker 1>works of art, generally the sort of great works of

0:43:49.560 --> 0:43:52.520
<v Speaker 1>art you would find in a museum in a destination

0:43:53.000 --> 0:43:57.640
<v Speaker 1>UH city, now I would be shocked if um, just

0:43:57.680 --> 0:44:00.800
<v Speaker 1>because of the interesting and sort of rome antic nature

0:44:00.880 --> 0:44:05.040
<v Speaker 1>of the syndrome. If it's I don't know, legitimacy or

0:44:05.120 --> 0:44:09.240
<v Speaker 1>or clinical characterization has not been somewhat controversial or questioned

0:44:09.320 --> 0:44:12.279
<v Speaker 1>at some point. Yeah, that that is my understanding of it.

0:44:12.320 --> 0:44:15.160
<v Speaker 1>I think it's it's one of these ideas that's certainly

0:44:15.280 --> 0:44:19.200
<v Speaker 1>snazzy and um and and appeals to sort of the

0:44:19.200 --> 0:44:24.760
<v Speaker 1>storytelling sensibilities UH that we have, though at the same time,

0:44:25.400 --> 0:44:27.520
<v Speaker 1>I don't know there seemed to be enough stories of it.

0:44:27.560 --> 0:44:29.600
<v Speaker 1>I feel like there is a there there is something

0:44:29.760 --> 0:44:34.520
<v Speaker 1>going on here UM which will perhaps unravel here. Now

0:44:34.560 --> 0:44:39.120
<v Speaker 1>there are other related uh alleged syndromes as well, or

0:44:39.239 --> 0:44:42.600
<v Speaker 1>one for instances Reuben syndrome. UH. This is the name

0:44:42.640 --> 0:44:46.200
<v Speaker 1>given for an erotically charged activity that breaks out after

0:44:46.400 --> 0:44:50.120
<v Speaker 1>or even daring viewings of works by old masters, such

0:44:50.120 --> 0:44:53.960
<v Speaker 1>as Peter Paul Reuben's. So I don't know about that.

0:44:54.000 --> 0:44:56.960
<v Speaker 1>I've never I don't think I've experienced or or witnessed

0:44:56.960 --> 0:45:00.879
<v Speaker 1>that going on anytime I've seen people looking at art

0:45:00.880 --> 0:45:02.759
<v Speaker 1>in an art museum, But who knows, maybe they're going

0:45:02.800 --> 0:45:05.359
<v Speaker 1>around the corner is Rubens the painter, where like just

0:45:05.560 --> 0:45:10.400
<v Speaker 1>everybody is just majorly thick, just like awesome, Like everybody's

0:45:10.440 --> 0:45:13.719
<v Speaker 1>got huge butts and they look amazing. Uh yeah, I

0:45:13.760 --> 0:45:16.840
<v Speaker 1>think that would be a fair description of of of

0:45:16.880 --> 0:45:19.680
<v Speaker 1>Ruben's work. Um yeah, it certainly there is a kind

0:45:19.680 --> 0:45:24.000
<v Speaker 1>of an erotic charge to it. Uh. Now, where I

0:45:24.000 --> 0:45:27.600
<v Speaker 1>think we really get here into the travel aspects of

0:45:27.640 --> 0:45:30.160
<v Speaker 1>this whole scenario is that there's a version of this

0:45:30.239 --> 0:45:33.520
<v Speaker 1>and more travel centric version. Uh that is summed up

0:45:33.520 --> 0:45:37.759
<v Speaker 1>in the idea of Jerusalem syndrome, in which tourists have

0:45:37.880 --> 0:45:41.440
<v Speaker 1>been said to experience psychosis while visiting holy sites in

0:45:41.480 --> 0:45:43.880
<v Speaker 1>the city of Jerusalem, and there have been similar accounts

0:45:43.920 --> 0:45:47.759
<v Speaker 1>related to travel to Mecca, holy sites in Spain, etcetera.

0:45:47.800 --> 0:45:49.439
<v Speaker 1>So it's not I don't want to make it sound

0:45:49.480 --> 0:45:53.400
<v Speaker 1>like it's just Jerusalem specific, but the people who came

0:45:53.480 --> 0:45:57.200
<v Speaker 1>up with that term, we're largely looking at data regarding

0:45:57.360 --> 0:46:00.720
<v Speaker 1>visitors to Jerusalem who were there for, you know, essentially

0:46:00.760 --> 0:46:03.640
<v Speaker 1>out of a sense of religious pilgrimage. Again, I think

0:46:03.680 --> 0:46:06.040
<v Speaker 1>one of the big we kind of have to come

0:46:06.040 --> 0:46:08.720
<v Speaker 1>back to that chart and think again about travel and senses,

0:46:09.160 --> 0:46:11.600
<v Speaker 1>you know, like imagine we can you don't even have

0:46:11.640 --> 0:46:13.120
<v Speaker 1>to imagine a lot of us can think back on

0:46:13.200 --> 0:46:17.360
<v Speaker 1>examples where we ourselves traveled somewhere and got to see

0:46:17.840 --> 0:46:21.600
<v Speaker 1>a work of art or particular site something that that

0:46:21.920 --> 0:46:26.520
<v Speaker 1>was indeed the destination, and and you you build it

0:46:26.600 --> 0:46:28.000
<v Speaker 1>up in your mind, right, you have a lot of

0:46:28.080 --> 0:46:31.600
<v Speaker 1>reasons to to want to experience it, cultural or maybe

0:46:31.640 --> 0:46:35.240
<v Speaker 1>perhaps it has to do with with your political sensibilities

0:46:35.360 --> 0:46:38.520
<v Speaker 1>or your overall worldview, like you really need to see

0:46:38.560 --> 0:46:41.560
<v Speaker 1>this thing and connect with it and witness it. On

0:46:41.680 --> 0:46:44.480
<v Speaker 1>top of that, sometimes you encounter a work of art

0:46:44.520 --> 0:46:46.000
<v Speaker 1>and you realize, oh, I had no idea it was

0:46:46.040 --> 0:46:49.319
<v Speaker 1>that small or um or or perhaps the lighting is

0:46:49.360 --> 0:46:52.760
<v Speaker 1>weird and it doesn't actually come off as well in person.

0:46:53.000 --> 0:46:57.040
<v Speaker 1>I feel like I had that situation with Buckland's um

0:46:57.520 --> 0:47:01.640
<v Speaker 1>The Island of of of Death um. The you know,

0:47:01.719 --> 0:47:04.520
<v Speaker 1>we have the weird trees and it's this uh, this

0:47:04.719 --> 0:47:07.920
<v Speaker 1>very islived dad, I'm sorry, that's the name of the painting. UM.

0:47:07.920 --> 0:47:09.560
<v Speaker 1>And I think there are a few different versions of

0:47:09.600 --> 0:47:13.440
<v Speaker 1>it at very evocative painting. But when I saw it,

0:47:13.480 --> 0:47:15.120
<v Speaker 1>I think at the matter, I saw a version of

0:47:15.160 --> 0:47:16.520
<v Speaker 1>it the mat There was something about the way it

0:47:16.520 --> 0:47:18.840
<v Speaker 1>was lid and the way that the dark aspects of

0:47:18.840 --> 0:47:21.719
<v Speaker 1>the painting came off like. I didn't find it displeasurable

0:47:21.719 --> 0:47:25.040
<v Speaker 1>and an experience. On the other hand, there are plenty

0:47:25.080 --> 0:47:28.280
<v Speaker 1>of other works that you just don't get the scale

0:47:28.400 --> 0:47:31.319
<v Speaker 1>unless you were there in front of it. I've had

0:47:31.400 --> 0:47:34.759
<v Speaker 1>both of those experiences looking at art. I've I've seen

0:47:34.800 --> 0:47:37.920
<v Speaker 1>things that I've seen before, like digitally represented, when I

0:47:37.920 --> 0:47:40.960
<v Speaker 1>saw them in person, I found them disappointing, and I've

0:47:41.160 --> 0:47:42.560
<v Speaker 1>and I've had it on the other end. On the

0:47:42.600 --> 0:47:46.279
<v Speaker 1>other end, one that really stuck with me where was

0:47:46.920 --> 0:47:51.360
<v Speaker 1>in the Louver the paintings of Eugene Delacroix, the French painter,

0:47:51.480 --> 0:47:53.839
<v Speaker 1>who I had seen some of his works before, just

0:47:53.880 --> 0:47:55.799
<v Speaker 1>like you know images on the Internet, and they never

0:47:55.800 --> 0:47:57.719
<v Speaker 1>really stood out to me. But for some reason when

0:47:57.719 --> 0:47:59.920
<v Speaker 1>I saw them in person and I was like, wow,

0:48:00.080 --> 0:48:03.960
<v Speaker 1>I couldn't stop looking at him. Oh yeah. I feel

0:48:03.960 --> 0:48:07.000
<v Speaker 1>this way about the works of Odali, for example. I

0:48:07.040 --> 0:48:09.879
<v Speaker 1>feel like his his work is his is oftentimes best

0:48:09.880 --> 0:48:13.040
<v Speaker 1>experienced large scale, though he has of course some works

0:48:13.040 --> 0:48:16.279
<v Speaker 1>that are actually smaller than you expect um. Likewise, one

0:48:16.280 --> 0:48:18.920
<v Speaker 1>of my favorite painters is Irving Norman, and he often

0:48:19.000 --> 0:48:22.080
<v Speaker 1>painted these very large pieces, and it's just something about

0:48:22.120 --> 0:48:24.920
<v Speaker 1>being there with it. And likewise, when we're dealing with

0:48:25.120 --> 0:48:27.399
<v Speaker 1>with other aspects of travel, like you think of things

0:48:27.440 --> 0:48:30.239
<v Speaker 1>like the Grand Canyon, like I've talked on the show

0:48:30.280 --> 0:48:32.720
<v Speaker 1>before about like seeing the being there at the Grand

0:48:32.719 --> 0:48:36.960
<v Speaker 1>Canyon is just uh, it's it's an experience that that

0:48:37.120 --> 0:48:42.359
<v Speaker 1>cannot be um you know, properly housed and just you know,

0:48:42.719 --> 0:48:44.960
<v Speaker 1>looking at a picture of reading about it. Like there's

0:48:45.080 --> 0:48:48.840
<v Speaker 1>the experience of being in a place of of of

0:48:49.040 --> 0:48:51.359
<v Speaker 1>of of taking it in and just being a part

0:48:51.400 --> 0:48:54.919
<v Speaker 1>of that environment or in the case of historically significant

0:48:54.960 --> 0:48:59.560
<v Speaker 1>locations temple cities, etcetera, like to actually be there for

0:48:59.600 --> 0:49:02.360
<v Speaker 1>this play used to suddenly be physically real. You know,

0:49:02.400 --> 0:49:05.640
<v Speaker 1>I can I can see how that could be overpowering

0:49:05.680 --> 0:49:08.239
<v Speaker 1>to the senses because it is engaging the senses and

0:49:08.280 --> 0:49:11.400
<v Speaker 1>your uh in your your your your your cognitive and

0:49:11.400 --> 0:49:15.319
<v Speaker 1>your emotional processes uh to such a high level. You know.

0:49:15.400 --> 0:49:18.160
<v Speaker 1>For me, that connects to a feeling that I've often

0:49:18.239 --> 0:49:20.440
<v Speaker 1>had throughout my life and I've tried to explain to

0:49:20.440 --> 0:49:22.319
<v Speaker 1>other people, and I think I have just failed to

0:49:23.000 --> 0:49:27.000
<v Speaker 1>adequately communicated. Maybe I'm about to fail again, But it's

0:49:27.040 --> 0:49:31.600
<v Speaker 1>this peculiar emotion that I associate primarily with two different activities.

0:49:31.680 --> 0:49:37.799
<v Speaker 1>One of them is successfully following instructions to UH to

0:49:37.920 --> 0:49:41.920
<v Speaker 1>accomplish a mechanical task, such as like repairing an object

0:49:42.040 --> 0:49:44.760
<v Speaker 1>that I have no previous knowledge about how to fix,

0:49:45.080 --> 0:49:49.560
<v Speaker 1>and the other is arriving successfully at a location that

0:49:49.600 --> 0:49:54.480
<v Speaker 1>I've read about before. Both times, I have this experience

0:49:54.520 --> 0:49:59.360
<v Speaker 1>of of sudden, overwhelming kind of rectitude with the universe,

0:49:59.400 --> 0:50:02.840
<v Speaker 1>Like I feel like, ah, the external world is real,

0:50:04.440 --> 0:50:06.680
<v Speaker 1>if that makes any sense at all. It's it's a

0:50:06.680 --> 0:50:09.839
<v Speaker 1>powerful emotion in the moment. UH. And I don't know

0:50:10.080 --> 0:50:12.759
<v Speaker 1>if this is something that other people really experience, but

0:50:13.040 --> 0:50:15.759
<v Speaker 1>it's something that's hugely operative in my mind and in

0:50:15.800 --> 0:50:19.200
<v Speaker 1>my life. No, I think I've I've I've experienced something

0:50:19.239 --> 0:50:21.640
<v Speaker 1>like this as well. I mean, it's it's kind of

0:50:21.640 --> 0:50:23.759
<v Speaker 1>like the on one level of the manifestation of the

0:50:23.880 --> 0:50:27.160
<v Speaker 1>inner world, you know, research becomes real, and on the

0:50:27.200 --> 0:50:29.560
<v Speaker 1>other hand, like this is what this is one of

0:50:29.560 --> 0:50:31.719
<v Speaker 1>the things that we have evolved to do, you know,

0:50:31.760 --> 0:50:35.120
<v Speaker 1>it's like the finding of things the uh. You know,

0:50:35.160 --> 0:50:37.919
<v Speaker 1>it's like we we you know, we can read about

0:50:37.960 --> 0:50:40.759
<v Speaker 1>these all day and it's satisfying, and it's fulfilling, but

0:50:41.040 --> 0:50:44.440
<v Speaker 1>to actually you know, hit the ground and and actually

0:50:44.520 --> 0:50:47.160
<v Speaker 1>you know, find a particular location or thing like that

0:50:47.160 --> 0:50:49.839
<v Speaker 1>that engages us on another level and engages the full

0:50:50.320 --> 0:50:53.440
<v Speaker 1>capabilities of our senses. Now, if you're if you're wondering,

0:50:53.440 --> 0:50:57.160
<v Speaker 1>okay Stindall syndrome, Jerusalem syndrome, should I be worried about

0:50:57.160 --> 0:51:00.440
<v Speaker 1>my senses being overloaded? Uh? The next time I'm I'm

0:51:00.480 --> 0:51:04.040
<v Speaker 1>able to travel, I would say, based on the information

0:51:04.080 --> 0:51:06.520
<v Speaker 1>we're looking at here, Uh, you know, I would not

0:51:06.560 --> 0:51:11.600
<v Speaker 1>freak out about this. Basically, pre existing psychological conditions seem

0:51:11.640 --> 0:51:14.920
<v Speaker 1>to be a major factor in most of these cases

0:51:15.080 --> 0:51:19.880
<v Speaker 1>of people being overwhelmed by the sights and sounds of travel. Again,

0:51:19.880 --> 0:51:22.000
<v Speaker 1>if we think of travel as an altered mental state,

0:51:22.480 --> 0:51:26.160
<v Speaker 1>and if we factor in potential travel stresses and travel anxiety,

0:51:26.400 --> 0:51:29.440
<v Speaker 1>we can easily see how travel to a given location

0:51:29.480 --> 0:51:32.759
<v Speaker 1>could trigger a slip into an overwhelming mental state. And

0:51:32.800 --> 0:51:35.200
<v Speaker 1>the stress, you know, of course, would would certainly be

0:51:35.239 --> 0:51:37.840
<v Speaker 1>capable of triggering a pre existing condition and causing it

0:51:37.880 --> 0:51:40.560
<v Speaker 1>to flare up. Yeah, I mean, going back to something

0:51:40.600 --> 0:51:43.279
<v Speaker 1>we mentioned earlier, I mean, like stress is a big

0:51:43.320 --> 0:51:45.160
<v Speaker 1>part of travel. It's not the part that we tend

0:51:45.200 --> 0:51:47.120
<v Speaker 1>to focus on in our memories because we think about

0:51:47.160 --> 0:51:49.440
<v Speaker 1>all the good things about it. But like, yeah, stress

0:51:49.520 --> 0:51:52.400
<v Speaker 1>is almost always going to be there, and that's going

0:51:52.440 --> 0:51:57.080
<v Speaker 1>to be a key factor for exacerbating underlying psychological issues. Yeah.

0:51:57.160 --> 0:51:59.920
<v Speaker 1>And I was looking at a two eighteen Columbia University

0:52:00.000 --> 0:52:03.520
<v Speaker 1>these Mailment School of Public Health study that showed that

0:52:03.600 --> 0:52:06.000
<v Speaker 1>traveling a great deal for work, so like two weeks

0:52:06.040 --> 0:52:09.400
<v Speaker 1>or more per month was capable of inducing enhanced depression

0:52:09.440 --> 0:52:13.000
<v Speaker 1>and anxiety. Now, certainly that's business travel, that's not non

0:52:13.040 --> 0:52:16.080
<v Speaker 1>economic travel like we're talking about here, but I think

0:52:16.080 --> 0:52:20.319
<v Speaker 1>it's still underlines like you know, when we when we're traveling, uh,

0:52:20.360 --> 0:52:23.040
<v Speaker 1>you know, we are uh, you know, we are engaging

0:52:23.040 --> 0:52:25.839
<v Speaker 1>in stress. It is a it is ultimately a stressful

0:52:26.239 --> 0:52:29.120
<v Speaker 1>um endeavor, even if you feel like you really have

0:52:29.160 --> 0:52:32.200
<v Speaker 1>a handle on it. There's also, you know, interesting research

0:52:32.400 --> 0:52:34.600
<v Speaker 1>along the lines of sleep, and of course sleep has

0:52:34.640 --> 0:52:38.160
<v Speaker 1>an impact on our overall mental stability. Uh. I think

0:52:38.160 --> 0:52:40.239
<v Speaker 1>we've talked about the first night effect on the show

0:52:40.239 --> 0:52:43.279
<v Speaker 1>before and which one tends to experience worse sleep on

0:52:43.320 --> 0:52:46.120
<v Speaker 1>a first night in a new location, and studies have

0:52:46.160 --> 0:52:48.560
<v Speaker 1>shown that this seems to be related to enhanced activity

0:52:48.600 --> 0:52:52.160
<v Speaker 1>in the default mode network during these nights. So travel

0:52:52.280 --> 0:52:55.640
<v Speaker 1>for those seeking the limits of human experience, pain and

0:52:55.719 --> 0:53:00.920
<v Speaker 1>pleasure indivisible. Yeah, I mean it's something that keep in mind. Um,

0:53:01.360 --> 0:53:03.920
<v Speaker 1>I think it ultimately like it just it. I know

0:53:03.960 --> 0:53:06.279
<v Speaker 1>in the past, when I've when I've traveled, you know,

0:53:06.360 --> 0:53:08.600
<v Speaker 1>with with my family, I was trying to remind myself

0:53:08.640 --> 0:53:10.920
<v Speaker 1>that that first day of travel is going to it's

0:53:10.960 --> 0:53:12.680
<v Speaker 1>gonna be stressful, it's gonna have there are gonna be

0:53:12.719 --> 0:53:14.839
<v Speaker 1>some flare ups and you just got to try and

0:53:15.400 --> 0:53:18.759
<v Speaker 1>you know, maintain some relative level of cool and uh

0:53:18.760 --> 0:53:21.040
<v Speaker 1>and flow with it. Well, maybe it's the time that

0:53:21.080 --> 0:53:24.640
<v Speaker 1>you're directly on route to your destination where it's most

0:53:24.719 --> 0:53:27.840
<v Speaker 1>important to keep the spirit of Lautsu or of the

0:53:28.239 --> 0:53:31.839
<v Speaker 1>child and the st vincent Malay before having her her

0:53:31.840 --> 0:53:37.880
<v Speaker 1>mother dash her dreams of exploration. Has to have that mindset. Yeah. Yeah, indeed,

0:53:37.920 --> 0:53:39.759
<v Speaker 1>you know, to to sort of remind yourself that it

0:53:39.840 --> 0:53:41.920
<v Speaker 1>is about the journey, not the arrival. I guess the

0:53:41.920 --> 0:53:43.719
<v Speaker 1>thing is, it's hard to remind yourself of that when

0:53:43.719 --> 0:53:47.319
<v Speaker 1>you say stuck in airports somewhere, like it's about the journey. Oh,

0:53:47.400 --> 0:53:49.680
<v Speaker 1>I guess I'll have a cent a bun. It's it's

0:53:49.760 --> 0:53:52.280
<v Speaker 1>not quite as rewarding. I guess it's about the journey

0:53:52.280 --> 0:53:56.880
<v Speaker 1>of standing in line for coffee. Yeah, so travel again.

0:53:56.920 --> 0:53:59.360
<v Speaker 1>I think it's important to to remind ourselves that it

0:53:59.480 --> 0:54:01.480
<v Speaker 1>is it is an altered state, and it is h

0:54:01.880 --> 0:54:05.399
<v Speaker 1>and and our senses play so heavily into the journey

0:54:05.480 --> 0:54:08.440
<v Speaker 1>and into our experience of the arrival, along with our

0:54:08.520 --> 0:54:12.399
<v Speaker 1>various you know, emotional expectations, you know, bringing it back

0:54:12.440 --> 0:54:15.920
<v Speaker 1>to the present circumstances of the world and and all

0:54:15.960 --> 0:54:17.719
<v Speaker 1>of the stuff going on right now. One thing I

0:54:17.800 --> 0:54:20.719
<v Speaker 1>think I would remind people of is that I think

0:54:20.760 --> 0:54:22.800
<v Speaker 1>you can get, you know, if you if you're feeling

0:54:22.840 --> 0:54:26.040
<v Speaker 1>this overwhelming desire to travel right now, but you're also

0:54:26.040 --> 0:54:28.640
<v Speaker 1>trying to be realistic about all the risks and stuff.

0:54:29.239 --> 0:54:31.040
<v Speaker 1>I think you can get a lot of the benefits

0:54:31.040 --> 0:54:34.840
<v Speaker 1>of travel just with activities that actually do remain relatively

0:54:34.880 --> 0:54:38.319
<v Speaker 1>close to home, you know, even near your house. There

0:54:38.360 --> 0:54:41.520
<v Speaker 1>were probably places you can figure out to go where

0:54:41.560 --> 0:54:44.440
<v Speaker 1>you can experience something novel, but you don't have to

0:54:44.520 --> 0:54:47.759
<v Speaker 1>travel long distances or be amongst crowds. You can stay

0:54:47.800 --> 0:54:50.160
<v Speaker 1>with you know, your household and family members and that

0:54:50.239 --> 0:54:53.400
<v Speaker 1>kind of thing. Oh yeah, absolutely, and and some households,

0:54:53.400 --> 0:54:55.759
<v Speaker 1>and of course I'm speaking to uh, you know, sort

0:54:55.760 --> 0:54:59.600
<v Speaker 1>of a neighborhood environment here, not like a really dense

0:54:59.680 --> 0:55:02.759
<v Speaker 1>urban environment, but uh, you know, there are cases where

0:55:02.760 --> 0:55:06.399
<v Speaker 1>people have are doing what they can to sort of enhance, uh,

0:55:06.440 --> 0:55:09.879
<v Speaker 1>the you know, the travel sensations of just walking around

0:55:09.880 --> 0:55:13.239
<v Speaker 1>the neighborhood, be it decorating for Halloween or Christmas several

0:55:13.239 --> 0:55:16.480
<v Speaker 1>months early, um, doing kind of unique things with their

0:55:16.560 --> 0:55:19.520
<v Speaker 1>yard or with signage. You know. Uh so I do.

0:55:19.640 --> 0:55:22.040
<v Speaker 1>I do feel like the that that spirit you know,

0:55:22.120 --> 0:55:24.920
<v Speaker 1>can be found even during a what is ultimately a

0:55:25.160 --> 0:55:30.200
<v Speaker 1>challenging time for those who seek novelty. Obviously, we'd love

0:55:30.200 --> 0:55:31.680
<v Speaker 1>to hear from everyone out there, because we know we

0:55:31.719 --> 0:55:35.640
<v Speaker 1>have some extensive travelers that listen to our show. We'd

0:55:35.680 --> 0:55:38.680
<v Speaker 1>love to hear your take on all of this. How

0:55:38.760 --> 0:55:41.319
<v Speaker 1>your senses are engaged during your travels, has it ever

0:55:41.640 --> 0:55:44.319
<v Speaker 1>become overwhelming? Uh that sort of thing, and how you're

0:55:44.480 --> 0:55:47.520
<v Speaker 1>you're you're coping today. In the meantime, if you would

0:55:47.520 --> 0:55:49.239
<v Speaker 1>like to check out other episodes of Stuff to Blow

0:55:49.239 --> 0:55:51.799
<v Speaker 1>your mind, you even find us wherever you get your podcasts.

0:55:52.000 --> 0:55:54.040
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0:55:54.080 --> 0:55:56.560
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0:55:56.600 --> 0:56:00.440
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0:56:00.600 --> 0:56:03.479
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0:56:03.560 --> 0:56:06.920
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0:56:06.960 --> 0:56:10.560
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

0:56:10.840 --> 0:56:12.359
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0:56:12.360 --> 0:56:14.760
<v Speaker 1>with feedback on this episode or any other, to suggest

0:56:14.800 --> 0:56:16.960
<v Speaker 1>a topic for the future, or just to say hi,

0:56:17.120 --> 0:56:19.919
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0:56:19.960 --> 0:56:29.800
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0:56:29.840 --> 0:56:32.520
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