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Speaker 1: Look, man, oh I see you. Why look over there?

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Speaker 1: How is that culture? Yeah? Goodness ding dong cultures calling? Wow,

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Speaker 1: you are fresh from the fight, as we say, I

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Speaker 1: want to be just honest, transparent and just show up

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Speaker 1: in my truth and say that I did not sleep

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Speaker 1: last night from I saw Adele in Vegas and my

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Speaker 1: flight was at eight thirty five in the morning, and

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Speaker 1: so it was the energy was so high and kinetic,

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Speaker 1: and it bowen that I said, I'm not going to

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Speaker 1: bed and I didn't. Was it the right choice? How

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Speaker 1: could you? We'll find out you won't regret this. Maybe

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Speaker 1: you regret it now, but in forty eight hours you

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Speaker 1: will not will not regret Well, let me just say

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Speaker 1: one thing to you, this one and it's like, yeah, okay,

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Speaker 1: breaking those fag sees Adele says it was best show ever.

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Speaker 1: It really was. It sucks that you have to sort

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Speaker 1: of qualify it like that, because it really is meaningful

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Speaker 1: that fag saw Adele. And yet we're at a point

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Speaker 1: in the culture now where fag saw Adele is losing

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Speaker 1: its meaning and so for my best friend to say,

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Speaker 1: and it makes me sad that you have to sort

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Speaker 1: of like get ahead of it, like that it was

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Speaker 1: such a given that it was going to be what

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Speaker 1: it was for me. But when I tell you, I

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Speaker 1: joined up with thousands of people in the openly sobbing community,

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Speaker 1: and everyone in the openly sobbing Lately community got together

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Speaker 1: last night to openly sob for two hours while this

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Speaker 1: woman sang, and it was truly it was like at

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Speaker 1: a certain point you have to laugh because you're like,

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Speaker 1: oh yeah, Like, isn't it going to be funny when

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Speaker 1: she sings take it All? Isn't that going to be funny?

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Speaker 1: What's gonna happen to us? She's saying take it all.

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Speaker 1: Not only does she sing take it all, she extra

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Speaker 1: take it all. She she put us through take it

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Speaker 1: Oh my god, I can't. I can't think about take

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Speaker 1: it all, or I'll cry. Do you think I can

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Speaker 1: think about take it all? What about you think I

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Speaker 1: can think about take it all? And then I am sorry,

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Speaker 1: I don't know. Good too? And I want to say,

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Speaker 1: because podcasts are not a visual medium, I would describe

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Speaker 1: the way I look right now like fact, like I

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Speaker 1: got punched in the head repeatedly by music. Punch in

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Speaker 1: the head repeatedly by music. Fact. Saw adell is a

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Speaker 1: hate crime in Nevada. And that's a real culture. That's

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Speaker 1: real culture. Number twenty in Nevada take it all. First

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Speaker 1: of all, I'm just kind of stuck on this one number.

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Speaker 1: This was so fucking good, and I just cried and

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Speaker 1: cried and cried because, you know what, whatever, it's common

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Speaker 1: knowledge amongst people that listen to this podcast. I genuinely

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Speaker 1: feel like maybe that was a cathartic final thing for

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Speaker 1: me and break up era. Yeah, but like wow, I mean,

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Speaker 1: just unbelievable the amount of emotion. She knows she's putting

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Speaker 1: you through too. She says at the top, she's like, hey,

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Speaker 1: so sorry, y'all are about to get fucked up, and

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Speaker 1: she just says it. Everyone looks at each other like

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Speaker 1: m and the openly sobbing community was thriving last night.

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Speaker 1: It was so unbelievable, Bowen, it was so unbelievable. I

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Speaker 1: haven't been part of OSC for a long time. I

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Speaker 1: have not openly sobbed. I've sobbed in the past a week,

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Speaker 1: but not openly. I've sobbed in front of my therapist

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Speaker 1: on Zoom. We sobbed on the phone, We stobbed on

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Speaker 1: the phone. I sobbed on patient portal sessions, is what

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Speaker 1: I sobbed. Oh wow, oh no, oh god. Thursday, it

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Speaker 1: was a bad day. We don't have to get into it,

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Speaker 1: don't I know it? But didn't Channy Nicholas say, and

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Speaker 1: you and I checked in about this. Channy Nicholas said,

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Speaker 1: say that it is a sharp, jagged cliff of a week.

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Speaker 1: You're not gonna want to dive into the ocean when

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Speaker 1: you know there are sharp rocks in the water, So

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Speaker 1: tread lightly, literally just carefully walk through the week because

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Speaker 1: there are going to be hazards, and indeed there were,

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Speaker 1: and you and I might have even touched a sharp

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Speaker 1: point on our own paths. Do you know what I'm saying.

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Speaker 1: I think you and I needed to have Thursday because

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Speaker 1: Thursday was I'm gonna say, Thursday of last week. If

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Speaker 1: you're listening to this on Wednesday was one of the

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Speaker 1: worst days ever. I'm ever sorry, Channing Nicholas said, confirmed

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Speaker 1: that that was astrologically written in the stars aida one

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Speaker 1: of the worst weeks anyone could ever have. And when

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Speaker 1: I said that to my sister and they're checked them

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Speaker 1: with people about it, they were like, it's we are

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Speaker 1: all feeling it. Yeah, and every literally everyone literally went

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Speaker 1: through it. Talking to Ago last night, our guest, he

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Speaker 1: better have had a terrible week. I'm sure that our

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Speaker 1: guests had a fucking awful week. Let's check in with

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Speaker 1: him about this in a second. I'm so excited our

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Speaker 1: guest is here. Our guest is one of those people.

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Speaker 1: I think he was always someone that like you and

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Speaker 1: I looked up to still do. I mean every time

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Speaker 1: he posts something, and I hate that I'm like verbalizing

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Speaker 1: posts in a way that like just the word post

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Speaker 1: on a linguistic level does not match like the act

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Speaker 1: of posting post. I think that you're right, post is

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Speaker 1: reserved for the mail. Ultimately, though, I'm very happy about

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Speaker 1: post because when our guest does post, dame to post,

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Speaker 1: I would say effortless star, I would say incredibly gifted, funny,

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Speaker 1: hilarious young man. And I would also say, you know,

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Speaker 1: it's not an apology to the readers, but it is

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Speaker 1: a recognition that there is a community. So there's the

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Speaker 1: openly sobbing community, and then there's a large community of

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Speaker 1: people in our fan community, the readers who are actively

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Speaker 1: angry and upset that this has taken this long. I

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Speaker 1: agree with them, I see you, I hear you, and

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Speaker 1: we've rectified it. This is an incredible moment. Bowen our

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Speaker 1: guests recently was in the film Megan and I have

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Speaker 1: something to say about the way that the fates had

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Speaker 1: it with his character, and Megan and I want to

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Speaker 1: run something by him. But yeah, first of all, that

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Speaker 1: was the film of the year, film of the year.

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Speaker 1: You know him from Well Grace, you know him from

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Speaker 1: Oh my God, The Gay in Winter's Life of Caleb Gallo, huge,

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Speaker 1: huge formative culture for a generation. It's true, among many

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Speaker 1: other things, Among many other things. Of course, there's Timothy,

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Speaker 1: there's TJ. Mack husband, there's the wife, there's Marnie t

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Speaker 1: There's just this universe of characters who you must intimately

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Speaker 1: get to know if you haven't already. We're very lucky women.

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Speaker 1: We're very lucky women this week, and let's check in

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Speaker 1: with him and see if he had a terrible week.

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Speaker 1: Why don't we Okay, so everyone, please welcome into your

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Speaker 1: ears right doing an hour Hi, Hi, Oh my god.

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Speaker 1: That was the best. That was the best introduction. That

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Speaker 1: was the most flattering introduction I've ever heard, deserved, deserved.

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Speaker 1: Thank you, guys. You guys are the best. Wow, how

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Speaker 1: is your last week? You know, I think it was bad,

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Speaker 1: and I'm trying When you guys were saying that, I

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Speaker 1: was like, oh my god, they're so right. And then

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Speaker 1: I was trying to remember if it was Oh no, no, yeah,

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Speaker 1: I fell completely ill. I had a horrible stomach flu.

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Speaker 1: Oh no, I recovered, and then I just went and

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Speaker 1: like took some time in nature yesterday and the early

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Speaker 1: party today, and then I just came back to I

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Speaker 1: just get back to the city. And I was so mad, Dude,

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Speaker 1: I'm in New York right now for work and I

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Speaker 1: was so mad to come back in the mint had

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Speaker 1: I had to drop up my brother in law let

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Speaker 1: me his car. I just had to drop his car

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Speaker 1: off in like NoHo, and I accidentally went I was

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Speaker 1: trying to make a turn in Soho. I was in

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Speaker 1: Soho and I was trying to make a turn and

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Speaker 1: I was almost there, and I accidentally went into the

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Speaker 1: Holland Tunnel and I to go over all the way

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Speaker 1: to Jersey City, Jersey all the way back. Yeah, but

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Speaker 1: what a nightmare. No, it has been a wild week.

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Speaker 1: It really is. In the stars. It was beyond us.

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Speaker 1: And how did you guys experience it, but you ended

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Speaker 1: you ended it in this incredible way at the adult concert.

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Speaker 1: I have to tell you, like I really I can't.

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Speaker 1: And it's like it's so stupid to be like, guys,

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Speaker 1: see Adele, you know what I mean? I know, well,

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Speaker 1: she needs somebody kind of like backing her up, like

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Speaker 1: go to this show. You know, yeah, she needs me

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Speaker 1: out here pushing it like this is an ad for

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Speaker 1: weekends with Adele. No, it was just that thing of

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Speaker 1: like it was a place where people came to literally

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Speaker 1: just at one point, I just turned around and I

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Speaker 1: was you can see my face right now, I am swollen.

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Speaker 1: I turned around, I made babe, I turned on. I

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Speaker 1: made eye contact with a woman who maybe was in

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Speaker 1: her fifties, and she just looked at me. We looked me,

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Speaker 1: made eye contact for about three solid seconds. She nodded

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Speaker 1: like she was just like yeah, me too, Like turning

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Speaker 1: tables is also doing it to me right now, so

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Speaker 1: she's like absolutely, and I think I reached out and

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Speaker 1: grabbed her hand and then like it was, I mean,

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Speaker 1: I feel closer with the friends that I went with.

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Speaker 1: I want my friends re clip and Gus like we were.

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Speaker 1: I have to thank the universe. I mean, if there's

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Speaker 1: anyone to see live, there's anyone to see a lion

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Speaker 1: for sure. I mean it's it's gotta be basically the

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Speaker 1: best voice in the world right now, right it's there

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Speaker 1: another and bo when you were right there when she did,

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Speaker 1: because she came to U s and l and hosted

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Speaker 1: and sang and was messing around and fucking around, and

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Speaker 1: boone got to stand right there. Yeah, that was fun.

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Speaker 1: She was just riffing. She was just riffing. It was fun.

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Speaker 1: How is how is nature? What did you do? Did

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Speaker 1: you on little walks hikes? I did a little bit.

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Speaker 1: I more just like sat in the I went to Woodstock,

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Speaker 1: New York. Have you ever been there? We've heard of

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Speaker 1: that one. I think I typed like upstate New York

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Speaker 1: into Airbnb. This this is like my longest Is that

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Speaker 1: even up state? Yeah? Exactly? Yeah, yeah, okay, that is upstate?

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Speaker 1: Yeah for sure? Is anything north of the city upset?

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Speaker 1: Like when do you start? I think once you're on Taconic,

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Speaker 1: once you're on the Taconic State Parkway, you're officially upstate, baby,

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Speaker 1: And I will not do that again. You were there alone?

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Speaker 1: I was there alone. Yeah, I stayed like in sort

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Speaker 1: of a cabin by myself, and I was slightly worried

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Speaker 1: that I was gonna be murdered. But yeah, it's too scary.

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Speaker 1: It's too scary. I know. I was like, Oh, I

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Speaker 1: should have just stayed in a hotel. Why did I

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Speaker 1: She was like a house with glass doors on all

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Speaker 1: the you know, that's fine. I slept the light on. Yeah,

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Speaker 1: it's incredibly dark too. It gets slightly dark. Yeah, I know,

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Speaker 1: I know. Yeah, you said this is your longest time

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Speaker 1: in the city. So yeah, I have an interesting history

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Speaker 1: with New York because I was born here and I

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Speaker 1: lived here until I was four. Because my dad used

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Speaker 1: to run the Roosevelt Island Tramway. Do you guys know

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Speaker 1: that tramway? Yes, a cable car that goes Yes, of

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Speaker 1: course he used to run it. He was the king

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Speaker 1: of that. He he was the king. Yeah, that is

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Speaker 1: a country and he was the king. Yeah. Um, he

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Speaker 1: like managed that for many years. But then we moved

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Speaker 1: to like rural Tennessee. And basically I've been sort of

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Speaker 1: an la actor in my adulthood, so I haven't done

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Speaker 1: the New York thing. But now I'm here writing. Um,

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Speaker 1: so it's it's cool to sort of be in the

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Speaker 1: city and have a job in the city and feel

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Speaker 1: like a real city girl. But but then you, like

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Speaker 1: everyone in the city, feel like you have to get

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Speaker 1: out of the city. So you have to get out

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Speaker 1: of the city. You know, it's so much city in

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Speaker 1: every direction. It's like everything everywhere, all ones. And then

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Speaker 1: you really do become that person who googles Upstate New York,

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Speaker 1: you know what I mean, Because but the thing about

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Speaker 1: upstate New York and the thing about that, and I'm

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Speaker 1: guessing it did work for you, you know what I mean.

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Speaker 1: You went out and got into nature, did except I

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Speaker 1: was mad at having to come back. But yeah, it

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Speaker 1: actually worked shockingly well it thought. I was there last night.

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Speaker 1: I was like, this is corny. How much better I

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Speaker 1: feel instantly, and how I am kind of ready to

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Speaker 1: go back to the city. You know, almost it was

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Speaker 1: your I went to Adele and actually cried, get this,

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Speaker 1: you know what I mean. It was I went upstate

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Speaker 1: and it worked nature, Actually it was healing. Exactly where

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Speaker 1: did you see Adela at Caesar's? How many nights did

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Speaker 1: you spend in Vegas? Two? Because you can't do more

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Speaker 1: than that. I find Vegas incredible. I feel so corny

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Speaker 1: for loving as much as the title of app I

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Speaker 1: find Vegas incredible. Well, it's not great about but I agree,

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Speaker 1: it's so fun. It's just like God, I guess it is.

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Speaker 1: It sort of build as an adult playground, and everything

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Speaker 1: is so insane. I mean, especially Caesar's House, Like it's

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Speaker 1: so big. You're like, how big is this? You're just

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Speaker 1: walking in it for like miles. You're like, that's still

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Speaker 1: Caesar's Palace and that building is Caesar's Palace and they

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Speaker 1: have the start from David I think in there. Yeah,

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Speaker 1: that's right. I feel like we grew up on Ocean's eleven,

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Speaker 1: and we grew up on rat Race, and we grew

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Speaker 1: up on like important Vegas films. Yeah, and I think

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Speaker 1: rat Race is an excellent piece of art. I never

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Speaker 1: got that into rat Race, and I was I watched

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Speaker 1: I watched Oceans eleven. I think a few times. Rat

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Speaker 1: Race is supposed to be incredible though, right, No, it's not,

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Speaker 1: it's not. It's actually I have not watched it since

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Speaker 1: two thousand or or something. Rat Race is one of

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Speaker 1: those movies where it's like you see the trailer for it.

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Speaker 1: I remember being a kid and seeing the trailer for

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Speaker 1: rat Race and it was like, you know, would be

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Speaker 1: Goldberg and like so many people like I literally I

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Speaker 1: could not name any more people in the cast, but

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Speaker 1: I remember being kids seeing that lot of sample cast

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Speaker 1: and being like, I know that that is one of

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Speaker 1: the greatest films ever made. And I know. And then

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Speaker 1: I remember like the movie came out and it got

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Speaker 1: like a shady review and like my local paper, I

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Speaker 1: was like, that's gotta be wrong. Unbelievable cut two years

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Speaker 1: and years been tracking this project, and I thought it

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Speaker 1: was gonna be great. I know for a fact that

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Speaker 1: because of my of my cursory viewing of the trailer

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Speaker 1: as a child, that's one of the greatest films. And

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Speaker 1: I feel personally attacked to read and then my local paper,

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Speaker 1: news Day Long Island's own Newsday that there was a

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Speaker 1: two star rating. Absolutely not wait, Matt say you never

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Speaker 1: saw it either, No, there's an amazing Kathy Bates. It was,

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Speaker 1: oh my god, no, but Bowen, this is this is

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Speaker 1: a thing. People love that movie. I think my friend

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Speaker 1: Stephanie loves that movie. Think my boyfriend loves that movie.

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Speaker 1: I think it's like it has a real cult following. Yeah,

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Speaker 1: a cult following exactly. It's not quite cult. It's more

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Speaker 1: like an MLM following something. It's definitely trying to make

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Speaker 1: you do something else. Yeah, it's trying to get you

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Speaker 1: to watch some recruit. Your boyfriend loves it, so then

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Speaker 1: why haven't you seen it? Maybe I know, well maybe

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Speaker 1: that maybe that him. So yeah, that is going to

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Speaker 1: be the strong you need to go to weekends. I'm

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Speaker 1: writing this, I'm writing this down. He's writing down. See

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Speaker 1: race race race, respect my lover, see rat race respect? Man?

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Speaker 1: Are you missing La? Do you hate New York? Overla? Finally,

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Speaker 1: I know I was so New York. I was so

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Speaker 1: engine New York for I've been here two months already

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Speaker 1: and I've been very vocally in favor of it. I've

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Speaker 1: been like, oh my god, odd walkable city because like

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Speaker 1: my my friend um Stephanie has this say this is

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Speaker 1: maybe slightly morbid, but they it just because it's about

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Speaker 1: It's like, there's a study about Alzheimer's that says one

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Speaker 1: of the things that the two things ilp you avoid

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Speaker 1: it the most are talking to people and walking walking

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Speaker 1: and New York City. It just creates these scenarios all

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Speaker 1: the time you're walking talking. So there is this sort

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Speaker 1: of health, this healthy thing here in the way of life.

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Speaker 1: But then what what started to wear on me was

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Speaker 1: just the real concrete jungle. But I think I also

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Speaker 1: just don't know the and it's winter. I don't know

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Speaker 1: which parks to go to. You know, I've heard there's

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Speaker 1: something called Central Park. No kidding, I really I haven't

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Speaker 1: gone to Central Park much. It's so cold out. You

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Speaker 1: own you don't need to go to Central Park? And

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Speaker 1: can I say, like, what do you do when you do?

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Speaker 1: It's quite lovely. I never regret it, right, right? What

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Speaker 1: are you about to say, Matt? Do you know this

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Speaker 1: about me? Though? Like I lived in New York City

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Speaker 1: for eleven years, I've been to Central Park less than

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Speaker 1: five times. I lived in the city for eleven years,

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Speaker 1: and I can count literally on one hand the amount

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Speaker 1: of times I've even been there. It's really weird, and

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Speaker 1: I would say that I can say pretty confidently that

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Speaker 1: I have had a full New York experience without having

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Speaker 1: spent a lot of time there. Yeah. Interesting, Well you're

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Speaker 1: about to hit spring. Yeah, it's also it's more a

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Speaker 1: summer thing anyway, too, right, But there's others these other

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Speaker 1: cooler parks that people I see people at in the summer, right,

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Speaker 1: I think you're thinking that one where they play a

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Speaker 1: movie up on a big building or something. Bryant is

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Speaker 1: that Brian Park. But yeah, they do that at Bryant.

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Speaker 1: And then there's Prospect Park in for Green mccaren is

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Speaker 1: kind of fun, even though it's flat and there's not

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Speaker 1: much going on besides like running in soccer. I mean,

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Speaker 1: parks parks to New York are quite special, and I

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Speaker 1: take that for granted because I feel like it's not

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Speaker 1: quite as prevalent in other parts of the world. Maybe

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Speaker 1: I don't know, maybe like San Francisco. The one thing

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Speaker 1: San Francisco has going for it now, I think is

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Speaker 1: like that Mission Viejo thing, right, that what it's called

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Speaker 1: where you like lay and then you see and the

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Speaker 1: gays are running around San Francisco. Gays are obsessed with

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Speaker 1: that part. They really they They love to let you

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Speaker 1: know they're at that park. Yeah, they're like, hey, we're

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Speaker 1: at this iconic park, Like, come visit San Francisco. It's

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Speaker 1: like me with Adel, like they're being paid to advertise

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Speaker 1: for it. But wait, this is what I wanted to

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Speaker 1: ask you about Megan before I forget Okay, so Megan

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Speaker 1: incredible when we also I saw Megan with friends and

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Speaker 1: my friend afterwards he was like, it's it's definitely a

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00:18:41,200 --> 00:18:43,040
Speaker 1: cult it's a cult hit, and I was like, it's

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Speaker 1: not a hit, it's a huge movie. It made money, Yeah,

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00:18:48,960 --> 00:18:51,600
Speaker 1: made money, Okay, And we can say this like, being

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Speaker 1: gay and enjoying a movie does not make something called

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Speaker 1: and that's actually number thirty. Being gay and enjoying a

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00:18:57,680 --> 00:19:00,920
Speaker 1: movie does not make something called yeah you were gay

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Speaker 1: and like something. So speaking of being gay, and in

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00:19:03,280 --> 00:19:06,240
Speaker 1: the movie, you get the script, you're like, you're doing it,

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Speaker 1: and then you realize you're not going to die in

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Speaker 1: the movie. And here's my thing. It's like I thought,

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Speaker 1: if I was you in the movie, I would want

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Speaker 1: to get killed by Megan. And I kind of was like, Brian,

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Speaker 1: it feels like this character is getting absolutely fucked up

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Speaker 1: by Megan. Thrilled that you survived because then you can

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Speaker 1: be Megan two. Megan's yeah, whatever's going to happen with

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Speaker 1: Megan going forward and thrilled for that, but what percentage

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Speaker 1: of you is like disappointed that you didn't get to

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Speaker 1: get fucked up by Megan. Well, no, I do get

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Speaker 1: fucked up by her. She's well, I don't know you

356
00:19:42,880 --> 00:19:46,119
Speaker 1: really spoilers, but she she there's definitely some violence that

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00:19:46,160 --> 00:19:49,240
Speaker 1: she inflicts upon me. But I'm glad she didn't kill

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Speaker 1: me because I do want to. I want to live

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Speaker 1: on to battle her further or to sort of engage

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Speaker 1: with her. She's working actually such powerful, she's such a

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Speaker 1: woman in business these days. You know, did you see

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Speaker 1: she's in the new Mark Jacobs campaign. I saw that. No,

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Speaker 1: I'm wrestling with how to feel about it. Oh, and

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00:20:06,280 --> 00:20:08,760
Speaker 1: she has a Mark Jacobs campaign. I wish I could

365
00:20:08,760 --> 00:20:12,680
Speaker 1: show you. Oh that's genius. Yeah. What's Drew Barrymore's obsession

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Speaker 1: with Megan? What's that about? Why is Drew like dressing

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Speaker 1: up as her? I don't know the clip of Alison

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Speaker 1: Williams on Drew Barrymore. Well, can we just talk about

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Speaker 1: the Drew Barrymore of it? All is I was on

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Speaker 1: the show once and she was sitting behind a table,

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Speaker 1: so she couldn't she didn't have the opportunity to do this.

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Speaker 1: That woman will get up out of her chair, crawl

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Speaker 1: over to her guest, get right up in their face. Yeah,

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00:20:41,200 --> 00:20:45,399
Speaker 1: it's wild. She is. She is everywhere, she is on

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Speaker 1: the ground like she is, and that when she dressed

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Speaker 1: up as Megan and got really really really close knit

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Speaker 1: to Alison, I was like, at what point are you

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Speaker 1: just like why does it start and end? Right? Yeah?

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00:21:00,280 --> 00:21:02,879
Speaker 1: And she had I think her contact was like sliding off.

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Speaker 1: I was fucked, yes, yes, yeah, wait, what's Allison like?

381
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Speaker 1: We're being so stupid? Tell us she's the best man.

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Speaker 1: I love No, I love Alison. The thing about Allison

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00:21:16,119 --> 00:21:19,679
Speaker 1: is she's so smart and so that part that I

384
00:21:19,680 --> 00:21:21,320
Speaker 1: think that's why she works so well on that part,

385
00:21:21,320 --> 00:21:24,640
Speaker 1: because she's like she is like an Ivy League, like

386
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Speaker 1: a plus plus. She's the real deal. Gene's a robotics queen.

387
00:21:30,320 --> 00:21:33,080
Speaker 1: She's a robotics genius exactly well, Alison Williams is a

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Speaker 1: robotics Genius's culture number forty four, Alison. What I love

389
00:21:39,400 --> 00:21:41,560
Speaker 1: about here is like she is so self aware about

390
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Speaker 1: the Alison Williams thing that literally even the character being

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Speaker 1: named Megan when Alison's there's some scenes in the movie

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Speaker 1: where intrinsically the energy is just like Megan stop stop now, yeah,

393
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Speaker 1: Megan off. Yeah, It is so brilliant just called Megan

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00:22:00,160 --> 00:22:05,119
Speaker 1: it's a chick. It's a normal name on some Yeah. No,

395
00:22:05,160 --> 00:22:07,439
Speaker 1: but Alison was really sweet, She really was. She was

396
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Speaker 1: just so kind to me. And I think my favorite

397
00:22:10,040 --> 00:22:11,720
Speaker 1: thing was that she found me funny and I found

398
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Speaker 1: her really funny. And I was like, Alison Williams so funny.

399
00:22:14,840 --> 00:22:17,880
Speaker 1: Don't we love that? That is the highest compliment? But no,

400
00:22:17,920 --> 00:22:21,240
Speaker 1: how could she not? Oh? Thank you? Yeah, you really

401
00:22:21,280 --> 00:22:23,919
Speaker 1: are a fucking icon. Boo, thank you so much. You

402
00:22:23,960 --> 00:22:28,000
Speaker 1: guys are obviously stars of stage and screen. No, no, no,

403
00:22:28,000 --> 00:22:30,880
Speaker 1: no no, But it's an event anytime something goes up,

404
00:22:30,960 --> 00:22:35,399
Speaker 1: it's an event in the group chat for us. Oh no,

405
00:22:35,480 --> 00:22:39,000
Speaker 1: it really is. Where someone's like, oh, TJ. Mac wife

406
00:22:39,080 --> 00:22:41,560
Speaker 1: is back. Does she have a name? His wife is back.

407
00:22:41,760 --> 00:22:43,720
Speaker 1: She doesn't have a name. You guys can name her

408
00:22:43,760 --> 00:22:47,840
Speaker 1: if she wants. No, No, no, absolutely not. I'm saying

409
00:22:47,920 --> 00:22:50,399
Speaker 1: so many names in my head right now. Anything is

410
00:22:50,480 --> 00:22:55,359
Speaker 1: her name? Rita? Rita? I said, And that's so funny

411
00:22:55,359 --> 00:22:58,800
Speaker 1: that you said Rita because I was living in Roberta Land, Roberta. Wait, Brian,

412
00:22:58,800 --> 00:23:02,440
Speaker 1: you're gonna say something, I said, Jessica, But I'm wrong.

413
00:23:02,600 --> 00:23:07,200
Speaker 1: How can you you are the creator? Are you just

414
00:23:07,280 --> 00:23:11,280
Speaker 1: going into like a flow state when you do that. Definitely, yeah,

415
00:23:11,400 --> 00:23:13,600
Speaker 1: And I need to be doing it more because I'm here.

416
00:23:14,520 --> 00:23:17,359
Speaker 1: You know, I'm very consumed by you know, we're writing

417
00:23:17,359 --> 00:23:20,680
Speaker 1: this TV show right now for affects. That's very exciting

418
00:23:20,680 --> 00:23:24,320
Speaker 1: and amazing, but it um you know, speaking of posting,

419
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Speaker 1: as you guys were, I am like, I'm not posting enough.

420
00:23:28,320 --> 00:23:33,159
Speaker 1: The pressure to post, but it's like I love posting,

421
00:23:33,200 --> 00:23:36,760
Speaker 1: but for me it comes out of like really sitting

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Speaker 1: in your apartment and scrolling for hours and like like

423
00:23:41,640 --> 00:23:44,560
Speaker 1: you're eating like chicken off freighto and then you're just

424
00:23:44,680 --> 00:23:49,000
Speaker 1: like take a video and like the laziest space. You know.

425
00:23:49,040 --> 00:23:51,359
Speaker 1: It's like it's like, actually, to me, it's like the

426
00:23:51,400 --> 00:23:54,080
Speaker 1: closest thing I can conceive up to inspired work because

427
00:23:54,080 --> 00:23:56,600
Speaker 1: it's like it's something I'm doing because I want to

428
00:23:57,280 --> 00:24:00,359
Speaker 1: write when I want to and then posting it right away,

429
00:24:00,400 --> 00:24:02,920
Speaker 1: which is like I often think like, oh, if I

430
00:24:02,920 --> 00:24:07,520
Speaker 1: would put more planning or energy into these videos, they

431
00:24:07,520 --> 00:24:09,960
Speaker 1: would maybe do better, or I could get more of

432
00:24:10,080 --> 00:24:12,479
Speaker 1: numbers or something, but I'm just like, I don't know.

433
00:24:12,520 --> 00:24:14,080
Speaker 1: It's like the only way I know how to do it.

434
00:24:14,200 --> 00:24:17,320
Speaker 1: It's just off the cuff, you know, no, but that's

435
00:24:17,359 --> 00:24:19,760
Speaker 1: perfect because of course it's the best inspired thing because

436
00:24:19,760 --> 00:24:26,480
Speaker 1: it's you in your like day to day life and

437
00:24:26,600 --> 00:24:29,400
Speaker 1: your slices of life or whatever that you're like, I'm

438
00:24:29,400 --> 00:24:31,800
Speaker 1: going to post something. I know that sounds like sort

439
00:24:31,800 --> 00:24:34,200
Speaker 1: of reductive, but that's how it feels to me. No, No,

440
00:24:34,280 --> 00:24:45,359
Speaker 1: that that's what it is exactly. I demand to know

441
00:24:45,440 --> 00:24:47,520
Speaker 1: the answer to the question, and that is sort of

442
00:24:47,560 --> 00:24:51,440
Speaker 1: the centerpiece of Lost Cultures. This I demand. So, Brian

443
00:24:51,520 --> 00:24:53,720
Speaker 1: Jordan Elvers, what was the culture they made? You say?

444
00:24:53,760 --> 00:24:56,080
Speaker 1: Culture was for you? Because we're talking sort of about

445
00:24:56,080 --> 00:24:59,600
Speaker 1: how you create and quite frankly post culture, and we

446
00:24:59,680 --> 00:25:05,040
Speaker 1: want to no, what made her her? Well? This question?

447
00:25:05,119 --> 00:25:10,000
Speaker 1: To me? What this question means to me? Yeah, well

448
00:25:10,040 --> 00:25:11,919
Speaker 1: no that what I mean what comes to mind for

449
00:25:12,000 --> 00:25:16,080
Speaker 1: me is Alma Dovar movies. But I don't know if

450
00:25:16,080 --> 00:25:19,720
Speaker 1: that's a satisfying answer. Have you seen that's a great answer? Yeah,

451
00:25:19,760 --> 00:25:21,879
Speaker 1: have you guys ever seen All About My Mother? The

452
00:25:21,880 --> 00:25:25,080
Speaker 1: one that won the y It's so good to me

453
00:25:25,240 --> 00:25:28,560
Speaker 1: that probably I watched it like maybe a hundred times.

454
00:25:28,560 --> 00:25:32,000
Speaker 1: I've also watched Prometheus like two hundred times or something,

455
00:25:32,200 --> 00:25:33,760
Speaker 1: which I think a lot of people hate pro me

456
00:25:33,840 --> 00:25:40,200
Speaker 1: are you guys? I find that First of all, I

457
00:25:40,240 --> 00:25:42,680
Speaker 1: find that movie very gay. It's like very I was

458
00:25:42,720 --> 00:25:47,240
Speaker 1: just gonna say, has this really perfect esthetic. And David

459
00:25:47,359 --> 00:25:50,199
Speaker 1: the robot is very sort of yeah, I don't know,

460
00:25:50,320 --> 00:25:53,639
Speaker 1: maybe gay coded or something. Spender is gay coded and

461
00:25:53,800 --> 00:25:57,159
Speaker 1: he's definitely serving one way or another for sure. And

462
00:25:57,320 --> 00:26:00,160
Speaker 1: also any movie where Charlie's Theron sort of get it's

463
00:26:00,200 --> 00:26:05,720
Speaker 1: like crushed by a big yeah, like a real Madonna

464
00:26:05,920 --> 00:26:09,359
Speaker 1: energy in that movie. She's like really an all powerful,

465
00:26:10,040 --> 00:26:13,679
Speaker 1: powerful being. Yeah, that movie is such gay culture. But

466
00:26:13,840 --> 00:26:15,480
Speaker 1: that's so funny that you bring that up, because I

467
00:26:15,480 --> 00:26:20,879
Speaker 1: remember thinking really cult, it's really cult. It's cult classic,

468
00:26:21,560 --> 00:26:24,240
Speaker 1: like Megan, I will never forget. Like when that movie,

469
00:26:24,320 --> 00:26:25,959
Speaker 1: the trailer for that came out, it was a very

470
00:26:26,040 --> 00:26:29,120
Speaker 1: rat race because I was like, I know, I'm gonna

471
00:26:29,160 --> 00:26:32,120
Speaker 1: see that and absolutely love that, And nothing about that

472
00:26:32,240 --> 00:26:35,199
Speaker 1: genre of movie is my thing. Like I don't like

473
00:26:35,240 --> 00:26:37,399
Speaker 1: to be scared. I do not like science fiction. I

474
00:26:37,440 --> 00:26:39,680
Speaker 1: don't like to be grossed out. I don't like aliens.

475
00:26:39,760 --> 00:26:42,840
Speaker 1: I would rather not even talk about whether or not

476
00:26:42,880 --> 00:26:44,960
Speaker 1: they exist, like the UFOs of it all, Like I

477
00:26:44,960 --> 00:26:47,040
Speaker 1: don't want to participate in that we are even like

478
00:26:47,080 --> 00:26:50,520
Speaker 1: talking about whether or not no, and I'm actually upset

479
00:26:50,640 --> 00:26:53,679
Speaker 1: right now. I don't even want to. But when I

480
00:26:53,720 --> 00:26:55,639
Speaker 1: saw that movie and I saw Charlie's there on in

481
00:26:55,680 --> 00:26:58,760
Speaker 1: that movie and what's her name? Um, I was like,

482
00:26:59,040 --> 00:27:01,760
Speaker 1: I know, I have to participate in this culture. And

483
00:27:01,760 --> 00:27:05,800
Speaker 1: I remember going with like people in college, I think,

484
00:27:05,800 --> 00:27:09,119
Speaker 1: and going to the Union Square Regal and watching Prometheus.

485
00:27:09,160 --> 00:27:12,480
Speaker 1: And it was a tough sit because it is it's scary,

486
00:27:12,560 --> 00:27:15,719
Speaker 1: it's weird, it's fucked up. Yeah, but you had to

487
00:27:15,760 --> 00:27:19,160
Speaker 1: go because ultimately Charlie Starren was there sort of like

488
00:27:20,359 --> 00:27:24,359
Speaker 1: serving Madonna and getting crushed by a rock. I'm not

489
00:27:24,400 --> 00:27:27,040
Speaker 1: gonna not sit for that. I'm seated for that. And

490
00:27:27,119 --> 00:27:29,960
Speaker 1: she has like shockingly perfect hair the whole movie and

491
00:27:30,160 --> 00:27:34,280
Speaker 1: like sometimes that ponytail, like you can't you gotta get

492
00:27:34,320 --> 00:27:36,920
Speaker 1: to the theater for the wait. Those are great answers

493
00:27:37,040 --> 00:27:39,359
Speaker 1: that this is where we caught on your answer, like

494
00:27:39,400 --> 00:27:44,200
Speaker 1: what was the culture that made me say culture for me? Yeah? Prometheus, man,

495
00:27:44,440 --> 00:27:46,720
Speaker 1: you gave us all about my mother and we were like, oh,

496
00:27:46,760 --> 00:27:52,240
Speaker 1: but let's skip. Let's incredible. Is all about my mother

497
00:27:52,359 --> 00:27:57,119
Speaker 1: is incredible? Yeah? It's so from Penelope cruise and then

498
00:27:57,200 --> 00:27:59,560
Speaker 1: she's like twenty three or something. She's like, yeah, she

499
00:27:59,680 --> 00:28:02,200
Speaker 1: looks like an eight. You're like, is this an angel?

500
00:28:02,359 --> 00:28:05,679
Speaker 1: Is this person real? You know? Yeah? And her acting

501
00:28:05,880 --> 00:28:08,199
Speaker 1: is of all the acting in that movie, and just

502
00:28:08,240 --> 00:28:12,040
Speaker 1: like the rich colors, and like there's there's something Almodovar

503
00:28:12,119 --> 00:28:16,919
Speaker 1: does too where the acting is extremely fully good, like

504
00:28:16,920 --> 00:28:20,119
Speaker 1: it's at the highest level, but it's also it's also

505
00:28:20,160 --> 00:28:23,840
Speaker 1: sort of going melodrama, but you're buying it fully. It's

506
00:28:23,840 --> 00:28:26,520
Speaker 1: an interesting line to ride because you're never like, oh,

507
00:28:26,560 --> 00:28:29,280
Speaker 1: this is feeling fake or cheesy. Instead you're just like, oh,

508
00:28:29,280 --> 00:28:32,240
Speaker 1: this is like acting times ten, you know, which is

509
00:28:32,359 --> 00:28:36,879
Speaker 1: so delicious to watch. Delicious delicious because even like the

510
00:28:36,960 --> 00:28:42,040
Speaker 1: mother's son relationship in the beginning is so convincing that

511
00:28:42,120 --> 00:28:45,120
Speaker 1: like yeah yeah, and like the way he dies is

512
00:28:45,160 --> 00:28:48,200
Speaker 1: so sorry spoiler, like he gets hit by cars that's

513
00:28:48,240 --> 00:28:50,520
Speaker 1: like ten minutes in. Yeah, yeah, yeah, I don't think

514
00:28:50,520 --> 00:28:51,920
Speaker 1: that's a big sport. But it's like the way he

515
00:28:51,960 --> 00:28:53,920
Speaker 1: dies is some al dramatic because he likes he's like

516
00:28:54,000 --> 00:28:56,720
Speaker 1: chasing after an actress. He's he was gay, right, that son,

517
00:28:56,880 --> 00:28:58,800
Speaker 1: he had to have been. He was like standing an

518
00:28:58,800 --> 00:29:03,640
Speaker 1: actress that is a great question. Maybe he is. Yeah, yeah,

519
00:29:03,640 --> 00:29:06,800
Speaker 1: he's obsessed with the theater actress, with the theater actress.

520
00:29:07,040 --> 00:29:10,440
Speaker 1: I've never picked up on that. Yeah, I've seen the

521
00:29:10,440 --> 00:29:12,680
Speaker 1: movie so many times. You're so right. Well, those are

522
00:29:12,680 --> 00:29:15,120
Speaker 1: the gayest movies of all time, like even talk to her. Yeah,

523
00:29:15,440 --> 00:29:18,680
Speaker 1: so did you watch Parallel Mothers? You watch Parallel Mothers?

524
00:29:18,680 --> 00:29:21,000
Speaker 1: I mean Parallel mother I didn't. I didn't have it.

525
00:29:21,200 --> 00:29:25,400
Speaker 1: I didn't see it. Both of you gay men need

526
00:29:25,480 --> 00:29:30,720
Speaker 1: to get red. Wait, who is in parallel is it? Yeah? Wait?

527
00:29:30,760 --> 00:29:33,720
Speaker 1: What's the one with Antonio Benderis? That was right before that?

528
00:29:33,840 --> 00:29:36,440
Speaker 1: Ohhh oh that was the one where he plays like

529
00:29:36,440 --> 00:29:41,360
Speaker 1: the fucked up doctor, right, yeah, yeah, um, oh no,

530
00:29:41,480 --> 00:29:43,600
Speaker 1: you're thinking of the skin, Yes, the skin I live

531
00:29:43,680 --> 00:29:46,959
Speaker 1: that there. No, there's one where he plays a director.

532
00:29:47,120 --> 00:29:50,520
Speaker 1: Just now, that was right before. But the what's the

533
00:29:50,560 --> 00:29:51,920
Speaker 1: one that you were talking about? It just came out, Oh,

534
00:29:51,960 --> 00:29:55,000
Speaker 1: Parallel Mothers, Well, Parallel Mothers. This is just I mean,

535
00:29:55,120 --> 00:29:58,480
Speaker 1: it's very clearly to me, like one of the best

536
00:29:58,480 --> 00:30:02,120
Speaker 1: performances that she is were given, which is like saying

537
00:30:02,160 --> 00:30:06,760
Speaker 1: something because she is so unbelievably good like and like

538
00:30:06,920 --> 00:30:09,880
Speaker 1: she's she gets lost in the conversation. But I remember

539
00:30:10,000 --> 00:30:12,880
Speaker 1: nominated when she got the Oscar nomination for pat Yes,

540
00:30:12,960 --> 00:30:14,920
Speaker 1: she did, and I think she she very came very

541
00:30:14,920 --> 00:30:17,560
Speaker 1: close to winning. Way there was like for Parallel Mothers,

542
00:30:17,640 --> 00:30:19,360
Speaker 1: I'm like, you have to see this movie. If you

543
00:30:19,480 --> 00:30:22,440
Speaker 1: love I'm one of our, like, you must see this movie.

544
00:30:22,680 --> 00:30:25,360
Speaker 1: It is really really good. And what I love about

545
00:30:25,400 --> 00:30:27,160
Speaker 1: his movies too, is like, like you were saying, like

546
00:30:27,200 --> 00:30:31,680
Speaker 1: the colors, the melodrama, the music, it is really for

547
00:30:31,800 --> 00:30:35,480
Speaker 1: us like a way yeah, oh yeah, yeah exactly. Yeah

548
00:30:35,520 --> 00:30:38,800
Speaker 1: it's deeply gay. It's like deeply gay. Oh yeah yeah,

549
00:30:38,920 --> 00:30:42,000
Speaker 1: but I love melodrama. It's like it's talking to like, um,

550
00:30:42,040 --> 00:30:45,000
Speaker 1: soap opera in a way that's like exactly, but in

551
00:30:45,040 --> 00:30:48,080
Speaker 1: an artistic way. I mean I I absolutely it's like

552
00:30:48,080 --> 00:30:51,200
Speaker 1: if soap operas had the time, that film has to

553
00:30:51,400 --> 00:30:53,720
Speaker 1: light and to riot because so much of the soap

554
00:30:53,760 --> 00:30:57,760
Speaker 1: operatics it's the lightning that day, it's the lighting of

555
00:30:57,800 --> 00:31:00,440
Speaker 1: the cameras. They have to do it day or don't

556
00:31:00,440 --> 00:31:03,760
Speaker 1: they does in a day or something? Oh yeah, sop

557
00:31:03,840 --> 00:31:07,760
Speaker 1: factors work. That is like so they really do? They

558
00:31:07,880 --> 00:31:11,120
Speaker 1: really work? I mean a passions did you wait? Have

559
00:31:11,120 --> 00:31:13,480
Speaker 1: we talked about passions on this podcast. You were a

560
00:31:13,480 --> 00:31:15,920
Speaker 1: little passions gay. I was a passion. That was when

561
00:31:15,920 --> 00:31:18,120
Speaker 1: we were kids, right, Yeah, that was when we were

562
00:31:18,120 --> 00:31:20,440
Speaker 1: a kid. I had a friend who watched it. She

563
00:31:20,520 --> 00:31:22,800
Speaker 1: was always telling me to watch it when I was interesting.

564
00:31:23,280 --> 00:31:25,960
Speaker 1: There were witches, there were a little like dolls that

565
00:31:26,040 --> 00:31:29,600
Speaker 1: came to life. It was a crazy, motherfucking child. Wow,

566
00:31:30,560 --> 00:31:35,360
Speaker 1: you are the passion vernon inside of me. That's so sorry.

567
00:31:35,400 --> 00:31:37,800
Speaker 1: The soaps have been stripped down. There's like one there's

568
00:31:37,840 --> 00:31:40,480
Speaker 1: only one soap luff now. That's why we have housewives

569
00:31:40,520 --> 00:31:42,680
Speaker 1: now is it's filled the space. It's like the new

570
00:31:42,720 --> 00:31:46,640
Speaker 1: soap opera of our job, right, I mean that's literally

571
00:31:46,680 --> 00:31:48,880
Speaker 1: what Andy Cohen says. Anyway, He's like, you know, I

572
00:31:48,880 --> 00:31:51,240
Speaker 1: think that the reason why this is such a popular

573
00:31:51,280 --> 00:31:53,400
Speaker 1: thing is because it actually fills a space in the

574
00:31:53,440 --> 00:31:58,320
Speaker 1: culture that no longer exists with media soap operas being gone.

575
00:31:58,360 --> 00:32:00,440
Speaker 1: I remember when I was little, my mom was like,

576
00:32:00,720 --> 00:32:04,120
Speaker 1: my mom was like a lifelong die hard. All my children,

577
00:32:04,400 --> 00:32:06,560
Speaker 1: Fan and Bone and I have talked about this like

578
00:32:07,280 --> 00:32:10,920
Speaker 1: that being on always. I remember I even got so

579
00:32:11,000 --> 00:32:14,800
Speaker 1: into it as a kid because the storytelling was so slow,

580
00:32:15,160 --> 00:32:17,960
Speaker 1: Like I remember, they would start an episode on a Monday.

581
00:32:18,320 --> 00:32:21,520
Speaker 1: The way that like the episode's restructure was like they'd

582
00:32:21,960 --> 00:32:24,960
Speaker 1: have like a two person scene and then you'd return

583
00:32:25,000 --> 00:32:27,560
Speaker 1: to it like four different times in an episode, and

584
00:32:27,760 --> 00:32:31,760
Speaker 1: by Friday they were ending that conversation. It was like

585
00:32:31,960 --> 00:32:34,720
Speaker 1: it was like you essentially were watching two people have

586
00:32:34,920 --> 00:32:39,280
Speaker 1: a conversation for a week. So that literally, like people

587
00:32:39,320 --> 00:32:42,400
Speaker 1: that were at home watching it could be doing everything

588
00:32:42,480 --> 00:32:46,840
Speaker 1: else in the world, right, but really actively watching the show.

589
00:32:46,880 --> 00:32:49,479
Speaker 1: And in fact, that I think is why, if I

590
00:32:49,520 --> 00:32:52,560
Speaker 1: really boil it down, why I like The Housewives is

591
00:32:52,600 --> 00:32:55,600
Speaker 1: because it's the same thing, because it's hard to miss

592
00:32:55,800 --> 00:32:58,960
Speaker 1: anything too. Yeah, you can always sort of que back

593
00:32:58,960 --> 00:33:02,680
Speaker 1: into what's going on. Yes, everything is five episodes longer

594
00:33:02,720 --> 00:33:04,880
Speaker 1: than it needs to be. I mean it's like real

595
00:33:04,960 --> 00:33:07,960
Speaker 1: househoves up Beverly Hills is like like I think I

596
00:33:08,040 --> 00:33:12,200
Speaker 1: might bring something up to Garcelle, and then later she's like,

597
00:33:12,560 --> 00:33:15,400
Speaker 1: I brought it up and then and now I'm going

598
00:33:15,440 --> 00:33:17,440
Speaker 1: to take two episodes to think about how I feel

599
00:33:17,440 --> 00:33:20,520
Speaker 1: about it. Wait, do you guys watch Selling Sunset? Did

600
00:33:20,520 --> 00:33:23,120
Speaker 1: you get into that? Not the new season? Didn't the

601
00:33:23,160 --> 00:33:25,160
Speaker 1: new one just come out? It was good? Did a

602
00:33:25,160 --> 00:33:27,520
Speaker 1: brand new one just come out. No, I don't think yet.

603
00:33:27,960 --> 00:33:29,920
Speaker 1: I mean one came out on maybe a few months ago.

604
00:33:30,160 --> 00:33:32,680
Speaker 1: Oh okay, okay, I have not seen the most recent one.

605
00:33:32,680 --> 00:33:34,760
Speaker 1: It's so good. My thing was selling Sunset is I

606
00:33:34,800 --> 00:33:37,800
Speaker 1: don't think there's been a new season yet without Christine,

607
00:33:37,840 --> 00:33:39,960
Speaker 1: And now she's not on the show. Christine Quinn is

608
00:33:39,960 --> 00:33:42,000
Speaker 1: not on the show anymore, and I'm kind of like, okay,

609
00:33:42,000 --> 00:33:45,200
Speaker 1: what will that Wait, did she quit? She's gone, she's gone,

610
00:33:45,280 --> 00:33:47,959
Speaker 1: she's gone. Wait, but they and they haven't They've filmed

611
00:33:47,960 --> 00:33:50,040
Speaker 1: a season without her, but they haven't aired it yet

612
00:33:50,120 --> 00:33:53,760
Speaker 1: or something that I think, so wow. Okay, So what's

613
00:33:53,800 --> 00:33:57,760
Speaker 1: the most recent season that we've all seen, the one

614
00:33:57,800 --> 00:34:00,720
Speaker 1: where Chrishelle is dating one of Yeah, yeah, that is

615
00:34:00,720 --> 00:34:04,120
Speaker 1: the most recents. Okay, then I'm fine, okay, okay, okay, yeah. Yeah.

616
00:34:04,200 --> 00:34:07,640
Speaker 1: My thing with Selling Sunset, Brian, is that I'm convinced

617
00:34:07,680 --> 00:34:10,280
Speaker 1: that all of those people get a list of words

618
00:34:10,360 --> 00:34:12,200
Speaker 1: at the beginning of each season. You're like, you can

619
00:34:12,320 --> 00:34:16,200
Speaker 1: only say these words words, like their sentences are so

620
00:34:16,440 --> 00:34:21,200
Speaker 1: like simple. Everything they say is a second grader can understand,

621
00:34:21,719 --> 00:34:24,960
Speaker 1: Like it's incredible. That's how The Hills was too. That's

622
00:34:24,960 --> 00:34:28,200
Speaker 1: why it's so intoxicated. Yeah. Absolutely, And if they only

623
00:34:28,200 --> 00:34:30,040
Speaker 1: have one hundred words, they can say for two of

624
00:34:30,080 --> 00:34:34,480
Speaker 1: the words to be these two words, Escrow and Divina.

625
00:34:35,440 --> 00:34:37,440
Speaker 1: It's the world I want to live going forward, you

626
00:34:37,480 --> 00:34:39,719
Speaker 1: know what I mean, Like, that's the conversation. I don't

627
00:34:39,719 --> 00:34:41,719
Speaker 1: want to have the UFO conversation. I want to have

628
00:34:41,760 --> 00:34:45,839
Speaker 1: conversations about Escrow and Divina. And actually, someone that I

629
00:34:45,920 --> 00:34:49,719
Speaker 1: know saw Divina out in life the other day and

630
00:34:49,920 --> 00:34:52,360
Speaker 1: it was like someone told me they saw Gwyneth Paltrow.

631
00:34:52,520 --> 00:34:55,560
Speaker 1: I was like, where, That's That's how I get about

632
00:34:55,600 --> 00:34:58,440
Speaker 1: like these like housewives and reality stars. It's just like,

633
00:34:58,680 --> 00:35:00,920
Speaker 1: you can't tell me the not the number one. And

634
00:35:00,960 --> 00:35:06,320
Speaker 1: I'll say this, Chrishell, she is all of us. Yeah,

635
00:35:06,880 --> 00:35:09,480
Speaker 1: is all. Wow, she is all of us. And I'm

636
00:35:09,480 --> 00:35:11,520
Speaker 1: gonna be the first to say it. I'm a gay

637
00:35:11,560 --> 00:35:14,839
Speaker 1: man that Sawdell cried and I'm saying that is all

638
00:35:14,840 --> 00:35:17,160
Speaker 1: of us. And you can go up states to feel good.

639
00:35:17,400 --> 00:35:20,720
Speaker 1: She came from from a small town or something, right,

640
00:35:21,320 --> 00:35:28,560
Speaker 1: and yeah, it's rual culture. Number seventy. Chris came out

641
00:35:28,600 --> 00:35:33,279
Speaker 1: of soap. This is such a profound and definitely accurate

642
00:35:33,360 --> 00:35:36,880
Speaker 1: theory that that reality TV has is what has replaced soaps.

643
00:35:37,400 --> 00:35:41,120
Speaker 1: And it's also just the the extremely beautiful women. It's

644
00:35:41,160 --> 00:35:44,279
Speaker 1: just like like I'm selling the sunset. They look they

645
00:35:44,320 --> 00:35:49,399
Speaker 1: look so incredible. I'm like, I can't believe it. And

646
00:35:49,520 --> 00:35:53,760
Speaker 1: also I'm just always like, did they sell one house

647
00:35:53,960 --> 00:35:57,359
Speaker 1: this whole season? No, that's the really crazy thing. Did

648
00:35:57,400 --> 00:35:59,600
Speaker 1: they sell a house at all in the most recent sies.

649
00:35:59,840 --> 00:36:01,680
Speaker 1: I don't think they've ever sold that. I don't trust.

650
00:36:02,960 --> 00:36:06,040
Speaker 1: I think Chrischelle, Like people were talking about Chrischelle in

651
00:36:06,080 --> 00:36:08,160
Speaker 1: the last couple of months because it did come out

652
00:36:08,200 --> 00:36:12,000
Speaker 1: that she has only sold six houses the entire time

653
00:36:12,080 --> 00:36:14,560
Speaker 1: she's been on the show or something like that. Okay,

654
00:36:14,719 --> 00:36:18,239
Speaker 1: also not real, but those are major houses. It's not

655
00:36:18,360 --> 00:36:21,920
Speaker 1: good it. Maybe yeah, but if he's commission is three

656
00:36:22,000 --> 00:36:25,439
Speaker 1: hundred grand and she's selling one, everyone, yeah, she's okay.

657
00:36:25,520 --> 00:36:27,560
Speaker 1: She's getting paid for the shows too. But I feel

658
00:36:27,600 --> 00:36:30,399
Speaker 1: like there are there are other people at Oppenheim who like,

659
00:36:30,680 --> 00:36:34,359
Speaker 1: do sell like six a quarter, like you know, ten

660
00:36:34,440 --> 00:36:38,160
Speaker 1: of years. I'm making that up, maybe, but I'm now

661
00:36:38,200 --> 00:36:40,480
Speaker 1: remembering two other words that they're allowed to say, which

662
00:36:40,520 --> 00:36:43,239
Speaker 1: is maya. Our friend's studio always does an impression of Maya,

663
00:36:43,320 --> 00:36:46,919
Speaker 1: and her impression of Maya is just Jas. The least

664
00:36:46,960 --> 00:36:55,800
Speaker 1: thing Jas Maya moved back to miamis I'm so sad

665
00:36:56,040 --> 00:36:58,239
Speaker 1: she like moved away. She's not going to be on

666
00:36:58,280 --> 00:37:01,200
Speaker 1: the show. Why would you do that? I don't know.

667
00:37:01,960 --> 00:37:05,399
Speaker 1: I don't know. She's leaving a massive career. People are

668
00:37:05,520 --> 00:37:09,960
Speaker 1: moving to Miami. Florida's growing. No that I understand that,

669
00:37:10,000 --> 00:37:12,760
Speaker 1: I really understand the movie. I was in Miami recently.

670
00:37:12,800 --> 00:37:15,000
Speaker 1: I was like, this is like a drug. I bet

671
00:37:15,040 --> 00:37:17,480
Speaker 1: you go off in Miami. Huh. I mean no, I

672
00:37:17,800 --> 00:37:19,880
Speaker 1: haven't been there that much, but I was just on

673
00:37:19,920 --> 00:37:23,000
Speaker 1: South Beach and I was like, it's like because also

674
00:37:23,040 --> 00:37:24,920
Speaker 1: I'm coming from La where they're like, let's go to

675
00:37:25,000 --> 00:37:27,440
Speaker 1: the beach and then you like sit, You're like on

676
00:37:27,560 --> 00:37:30,080
Speaker 1: the beach, it's like a mile deep and the wind

677
00:37:30,239 --> 00:37:32,840
Speaker 1: is like blasting you and it's like sixty five and

678
00:37:32,880 --> 00:37:34,799
Speaker 1: then they're like, let's get in the water and it's

679
00:37:35,000 --> 00:37:39,360
Speaker 1: literally like thirty degree, like the Pacific is whole year round.

680
00:37:39,880 --> 00:37:43,000
Speaker 1: And then you go to Miami and it's like small, cute,

681
00:37:43,040 --> 00:37:47,080
Speaker 1: beautiful beaches, palm trees, warm water, and let's just say

682
00:37:47,120 --> 00:37:49,439
Speaker 1: it here right now, water so clear you can see

683
00:37:49,480 --> 00:37:55,759
Speaker 1: to the bottom. Everybody, everybody got him. And I know

684
00:37:55,840 --> 00:37:58,440
Speaker 1: that we don't celebrate Will Smith, but he had a

685
00:37:58,480 --> 00:38:00,919
Speaker 1: point when he said that party in the city where

686
00:38:00,920 --> 00:38:03,480
Speaker 1: the heat is on all night, on the beach of

687
00:38:03,560 --> 00:38:07,240
Speaker 1: the break of dawn? Like what that song is formative

688
00:38:07,280 --> 00:38:10,279
Speaker 1: for me for sure. Remember when Will Smith's music was

689
00:38:10,320 --> 00:38:15,480
Speaker 1: just huge. I remember that album was that Willennium? Is

690
00:38:15,480 --> 00:38:17,640
Speaker 1: that what it's called a millennium? I think that was

691
00:38:17,640 --> 00:38:19,640
Speaker 1: the only big one. There is there another one that

692
00:38:19,640 --> 00:38:22,239
Speaker 1: I'm missing. That's the one that I like, go back. No,

693
00:38:22,560 --> 00:38:25,520
Speaker 1: you're forgetting just the two of us, and you're also

694
00:38:25,600 --> 00:38:31,560
Speaker 1: forgetting there was never a song that was more important

695
00:38:31,680 --> 00:38:35,759
Speaker 1: to dance contests and dance routines that children would make

696
00:38:35,840 --> 00:38:39,239
Speaker 1: than Wild Wild West by Will Smith. Whenever I get

697
00:38:39,440 --> 00:38:42,000
Speaker 1: I'd get together with all my girls. I'm talking about Megan,

698
00:38:42,080 --> 00:38:44,760
Speaker 1: I'm talking about Carly, I'm talking about my sister Chelsea.

699
00:38:45,040 --> 00:38:47,719
Speaker 1: I'm talking about these are the girls I would get

700
00:38:47,760 --> 00:38:50,800
Speaker 1: together with and we would put on Wild Wild West,

701
00:38:51,080 --> 00:38:54,359
Speaker 1: and there would be a choreo moment and you know,

702
00:38:54,440 --> 00:38:57,640
Speaker 1: this move would be somehow in it, which I'm sort

703
00:38:57,680 --> 00:38:59,600
Speaker 1: of doing the last So that would we're doing the

704
00:38:59,680 --> 00:39:01,960
Speaker 1: last so yeah. And also there's the moment where they

705
00:39:02,000 --> 00:39:04,440
Speaker 1: go like one, two, three and there's like a gunshot,

706
00:39:04,520 --> 00:39:07,160
Speaker 1: Like certainly a lot of hip action there, like so

707
00:39:07,239 --> 00:39:11,280
Speaker 1: much opportunity. Will Smith was huge for the dance contest.

708
00:39:11,880 --> 00:39:17,880
Speaker 1: Cousin huge. Wait were you are just your relative constantly?

709
00:39:19,920 --> 00:39:22,440
Speaker 1: You know what I've never shared Bowen. I don't think

710
00:39:22,440 --> 00:39:26,000
Speaker 1: I've ever told you this, but I became actually very

711
00:39:26,000 --> 00:39:29,480
Speaker 1: famous at a lake resort that my parents not even

712
00:39:29,520 --> 00:39:31,720
Speaker 1: a lake resort. It was like it was called Woodblock Pines.

713
00:39:32,040 --> 00:39:34,000
Speaker 1: It was dangerously close to upstate in New York. It

714
00:39:34,040 --> 00:39:36,759
Speaker 1: was in Pennsylvania. It's sort of like for very like

715
00:39:36,800 --> 00:39:40,399
Speaker 1: middle class people, like you went like really entertaining, fun

716
00:39:40,800 --> 00:39:43,160
Speaker 1: activities for the kids. You'd go for a week and

717
00:39:43,200 --> 00:39:46,400
Speaker 1: you'd go with other families and they had a dance

718
00:39:46,480 --> 00:39:50,200
Speaker 1: contest like as one of the activities. And I sounds

719
00:39:50,239 --> 00:39:52,960
Speaker 1: like the plot of Dirty Dancing. It's really similar to

720
00:39:53,000 --> 00:39:56,680
Speaker 1: Dirty Dancing, especially because what ended up happening was I

721
00:39:57,000 --> 00:40:00,880
Speaker 1: with my friends Christina and Meghan, we you were choreographed

722
00:40:00,880 --> 00:40:03,560
Speaker 1: a dance to Larger than Life by the Backstreet Boys,

723
00:40:04,200 --> 00:40:09,399
Speaker 1: and we became celebrities. So we called ourselves. I'm MCM, Matt,

724
00:40:09,520 --> 00:40:12,239
Speaker 1: Christina Megan Wow, and name Meghan is really getting thrown

725
00:40:12,239 --> 00:40:15,880
Speaker 1: around today. But it's powerful and there's an energy around it.

726
00:40:16,040 --> 00:40:19,439
Speaker 1: But we were MCM and I was, of course the boy,

727
00:40:19,520 --> 00:40:21,040
Speaker 1: so I was like in the middle. This is like,

728
00:40:21,080 --> 00:40:24,480
Speaker 1: you know, my hair was like looking ridiculous, and like

729
00:40:24,719 --> 00:40:27,160
Speaker 1: I'm telling you, it had to look so gay too,

730
00:40:27,239 --> 00:40:30,160
Speaker 1: It had to be so gay. But my parents and

731
00:40:30,360 --> 00:40:34,200
Speaker 1: our family like friends were just so insupport because what

732
00:40:34,280 --> 00:40:38,280
Speaker 1: they saw happened was a cultural reset at this lake place,

733
00:40:38,760 --> 00:40:40,799
Speaker 1: and it was. It was a moment bone I've never

734
00:40:40,840 --> 00:40:43,320
Speaker 1: told you that it changed to America. It changed America,

735
00:40:43,360 --> 00:40:45,200
Speaker 1: and I can't believe I'm learning more things about you.

736
00:40:45,280 --> 00:40:47,680
Speaker 1: I have a question for both of you. Well, I

737
00:40:47,680 --> 00:40:49,239
Speaker 1: have a question for Matt, which is would you say

738
00:40:49,280 --> 00:40:52,480
Speaker 1: that as like when of your first moments of notoriety,

739
00:40:52,719 --> 00:40:56,560
Speaker 1: maybe not fame, but like where people like looked at you, Well,

740
00:40:56,680 --> 00:40:59,120
Speaker 1: was that the first taste? That's when you're new. I

741
00:40:59,200 --> 00:41:00,560
Speaker 1: have to have more of them. You want to know

742
00:41:00,600 --> 00:41:02,400
Speaker 1: what it was? It was two thousand and two. It

743
00:41:02,440 --> 00:41:04,719
Speaker 1: was the same summer that American Idol was coming out,

744
00:41:04,760 --> 00:41:07,239
Speaker 1: and I think I had been like m. I think

745
00:41:07,239 --> 00:41:09,040
Speaker 1: my dick had probably moved for a boy, you know

746
00:41:09,080 --> 00:41:10,360
Speaker 1: what I mean. And I was like, I was getting

747
00:41:10,360 --> 00:41:14,520
Speaker 1: the sense that something was different, and I was just like, hmm,

748
00:41:15,040 --> 00:41:22,960
Speaker 1: maybe I'm maybe I'm a star. I think one possibility

749
00:41:22,960 --> 00:41:24,920
Speaker 1: for my life is I could be a star. Actually,

750
00:41:25,239 --> 00:41:28,040
Speaker 1: I was like, I think I'm interested in this possibility

751
00:41:28,080 --> 00:41:31,040
Speaker 1: that I'm actually a star. The way that everyone's treating

752
00:41:31,080 --> 00:41:35,600
Speaker 1: me to that makes you larger than life. That which,

753
00:41:35,640 --> 00:41:37,440
Speaker 1: by the way, now when I hear it is a trigger,

754
00:41:38,719 --> 00:41:41,600
Speaker 1: of course, But that was a moment for you, one

755
00:41:41,600 --> 00:41:45,040
Speaker 1: of the first ta yes. And I would imagine that

756
00:41:45,040 --> 00:41:48,319
Speaker 1: we all, as little gay boys have had that yes, yeah, yeah,

757
00:41:48,360 --> 00:41:51,319
Speaker 1: yeah yeah. The first time a crowd like falls for you.

758
00:41:51,600 --> 00:41:53,880
Speaker 1: I think it was four. I sang kocomo like at

759
00:41:53,920 --> 00:41:56,880
Speaker 1: a talent show, and everyone thought it was incredible, and

760
00:41:56,920 --> 00:42:02,680
Speaker 1: I was like, I am going to be a Yeah,

761
00:42:02,719 --> 00:42:07,080
Speaker 1: this attention is what I needed from this day. Wow,

762
00:42:07,400 --> 00:42:13,640
Speaker 1: that is beautiful. Mine was like a Christian youth group

763
00:42:13,760 --> 00:42:19,080
Speaker 1: camp with like all of literally the coolest Asian people

764
00:42:19,120 --> 00:42:22,840
Speaker 1: in Denver, and we went up to the mountains and

765
00:42:23,280 --> 00:42:28,720
Speaker 1: it was skit night. Skit night. For some reason, somewhat

766
00:42:28,880 --> 00:42:32,440
Speaker 1: someone wrote into something into a skit that you know

767
00:42:32,600 --> 00:42:35,560
Speaker 1: was a contem took place in the modern day in

768
00:42:35,560 --> 00:42:36,960
Speaker 1: the President. I remember if it was my idea or

769
00:42:36,960 --> 00:42:41,359
Speaker 1: someone else's idea, it was me. It was me. I

770
00:42:41,400 --> 00:42:43,840
Speaker 1: walked out it was a restaurant, and then I walked

771
00:42:43,840 --> 00:42:49,439
Speaker 1: out as a waiter as Austin Powers, and I did

772
00:42:49,440 --> 00:42:53,080
Speaker 1: an Austin Powers impression, and I just I said, like, yeah, baby,

773
00:42:53,200 --> 00:42:56,160
Speaker 1: I think I even said I didn't say horny, but

774
00:42:56,200 --> 00:42:58,920
Speaker 1: I said like, do I make you Randy? Baby? And

775
00:42:59,040 --> 00:43:03,360
Speaker 1: that was like it destroyed, it destroyed, and I and like,

776
00:43:03,400 --> 00:43:05,560
Speaker 1: if I had said Horney, it would have been too scandalous.

777
00:43:05,560 --> 00:43:07,080
Speaker 1: But it was like a bunch of thirteen year olds

778
00:43:07,080 --> 00:43:10,600
Speaker 1: who fucking flipped out that I did Austin Powers so well.

779
00:43:10,680 --> 00:43:12,799
Speaker 1: And then I was like a king the rest of

780
00:43:12,840 --> 00:43:16,640
Speaker 1: that trip. Wow, Yeah, it launched you. I can see

781
00:43:16,680 --> 00:43:20,279
Speaker 1: it so clearly in my mind's eye, you as a

782
00:43:20,320 --> 00:43:23,600
Speaker 1: baby saying do I make you Horney? Baby? And like

783
00:43:23,640 --> 00:43:26,680
Speaker 1: going for it? And I'm telling you you should bring

784
00:43:26,680 --> 00:43:30,080
Speaker 1: that on to Saturday Night Life. You should use Austin Powers.

785
00:43:32,600 --> 00:43:35,160
Speaker 1: That I think Austin Powers would be a really good

786
00:43:35,239 --> 00:43:39,040
Speaker 1: character for you. That I agree, definitely, you know what's

787
00:43:39,040 --> 00:43:42,120
Speaker 1: funny though, is if you if you go watch those

788
00:43:42,480 --> 00:43:43,880
Speaker 1: well I don't know if you go watch like a

789
00:43:44,000 --> 00:43:47,800
Speaker 1: video of them, but I feel like if we saw

790
00:43:48,160 --> 00:43:50,719
Speaker 1: you doing that Bone or you doing that Matt, it

791
00:43:50,840 --> 00:43:54,600
Speaker 1: would still hit because when I know something is good,

792
00:43:55,080 --> 00:43:58,160
Speaker 1: they're not kidding, They're like, wait, that's fucking funny, you

793
00:43:58,160 --> 00:44:00,839
Speaker 1: know what I mean? Yeah, well say something. I'm you're

794
00:44:00,880 --> 00:44:03,960
Speaker 1: being disrespectful. It wasn't funny. It was really good dancing.

795
00:44:03,960 --> 00:44:07,880
Speaker 1: I was disrespectful, you know what I mean? Like you

796
00:44:07,920 --> 00:44:10,680
Speaker 1: said you think it was funny. Honestly though, all I

797
00:44:10,719 --> 00:44:13,480
Speaker 1: wish and I don't wish this, but it wouldn't it

798
00:44:13,520 --> 00:44:16,480
Speaker 1: be wonderful to have had it documented? And how stupid

799
00:44:16,520 --> 00:44:19,520
Speaker 1: that it wasn't, like, come on, parents, Where was Richie

800
00:44:19,520 --> 00:44:23,360
Speaker 1: and Trina with the goddamn camera? Like? Get Because I

801
00:44:23,400 --> 00:44:26,839
Speaker 1: will say, there's nothing more humiliating than like And this

802
00:44:26,880 --> 00:44:29,640
Speaker 1: has happened to me recently as well. Not recently, but

803
00:44:29,640 --> 00:44:31,440
Speaker 1: it's happened to me in my life, where like they

804
00:44:31,520 --> 00:44:35,520
Speaker 1: dig up like the old videos from way back, and

805
00:44:35,600 --> 00:44:39,880
Speaker 1: it's just you earnestly performing or singing. A video of

806
00:44:39,920 --> 00:44:43,520
Speaker 1: me singing, ain't no mountain high enough I want, but

807
00:44:43,719 --> 00:44:45,799
Speaker 1: if it ever came out, I'd be ruined. It's it's

808
00:44:45,840 --> 00:44:58,560
Speaker 1: not right. Yeah, I bet it's really good. Yeah. Wait, Brian,

809
00:44:58,600 --> 00:45:00,960
Speaker 1: where did you grow up? I grew up in the

810
00:45:01,160 --> 00:45:05,759
Speaker 1: super World, Tennessee's right. Where did you guys go at

811
00:45:05,760 --> 00:45:10,600
Speaker 1: your Long Island met and you in Colorado? Yeah? Wait?

812
00:45:10,600 --> 00:45:15,360
Speaker 1: Where in Colorado? Aurora? Where? Okay, there have been many shooting?

813
00:45:16,640 --> 00:45:19,480
Speaker 1: Is that is that close to Glenwood Springs? Have you

814
00:45:19,600 --> 00:45:23,719
Speaker 1: been there? Um? It is not? Hold on, let me,

815
00:45:23,800 --> 00:45:27,880
Speaker 1: I gotta do a quickly it is. Let's find out. No,

816
00:45:28,000 --> 00:45:32,880
Speaker 1: Glenwood Springs is. Yes, it is up in the mountains. Um,

817
00:45:32,920 --> 00:45:36,200
Speaker 1: it's past aspen Um west. If you if you were

818
00:45:36,200 --> 00:45:41,719
Speaker 1: to keep driving west to Utah, that's where here parts

819
00:45:41,760 --> 00:45:44,440
Speaker 1: of Colorado were like hot. Yeah, I was in Denver.

820
00:45:44,520 --> 00:45:47,000
Speaker 1: I've been in Denver a couple of times recently. Wait,

821
00:45:47,000 --> 00:45:49,239
Speaker 1: but there's also this thing when you go to you

822
00:45:49,320 --> 00:45:52,719
Speaker 1: have you spent time in Denver? Yeah? Yeah, it's like

823
00:45:52,760 --> 00:45:56,000
Speaker 1: a suburb of Denver. But yes, yes, oh oh okay. Um,

824
00:45:56,080 --> 00:45:57,920
Speaker 1: there's this thing when you go to Denver and you're like,

825
00:45:57,920 --> 00:46:00,520
Speaker 1: I'm gonna go skiing and then you like, you know,

826
00:46:00,680 --> 00:46:03,600
Speaker 1: book a spot at brecon Ridge or something or one

827
00:46:03,600 --> 00:46:05,760
Speaker 1: of the skiers and then you can do that drive

828
00:46:05,920 --> 00:46:10,400
Speaker 1: in and it is the most bumper to bumper traffic

829
00:46:10,520 --> 00:46:14,160
Speaker 1: for like eight hours. Oh yeah, it's it gets so

830
00:46:14,200 --> 00:46:15,920
Speaker 1: clogged up that you're like, oh, I should have just

831
00:46:15,960 --> 00:46:18,560
Speaker 1: stayed in the small town. Like it's it's not it's

832
00:46:18,600 --> 00:46:21,080
Speaker 1: not so accessible to get in and out of the skiers.

833
00:46:21,400 --> 00:46:25,880
Speaker 1: Do we think we can do anything about that? Or yeah?

834
00:46:25,920 --> 00:46:28,920
Speaker 1: I think I think there are flights direct flights, not

835
00:46:28,920 --> 00:46:30,920
Speaker 1: direct flights, but you could connect it from Denver to

836
00:46:31,080 --> 00:46:34,680
Speaker 1: brecon Ridge or I mean you can fly into these

837
00:46:34,719 --> 00:46:39,120
Speaker 1: I think there's there's a very small, tiny tiny plane.

838
00:46:39,320 --> 00:46:43,040
Speaker 1: Would listen, people have done it. People do it all

839
00:46:43,040 --> 00:46:46,239
Speaker 1: the time there, but we didn't go until like we

840
00:46:46,320 --> 00:46:48,520
Speaker 1: just couldn't afford it until like I was in college,

841
00:46:48,520 --> 00:46:50,719
Speaker 1: and then I didn't start doing that. Are you good

842
00:46:50,719 --> 00:46:53,719
Speaker 1: at king? No, I'm okay at it. Your skier, Yeah,

843
00:46:53,760 --> 00:46:56,480
Speaker 1: I'm okay at it. I would say I'm intermediate. Like

844
00:46:56,520 --> 00:46:58,439
Speaker 1: if I get on a black Diamond, I could figure

845
00:46:58,560 --> 00:47:00,719
Speaker 1: I can shut up. I just ski I skied in

846
00:47:00,800 --> 00:47:02,719
Speaker 1: the No. No, no, but I would not be good.

847
00:47:02,800 --> 00:47:05,240
Speaker 1: No. No No, I know what you're saying. I know exactly

848
00:47:05,239 --> 00:47:07,480
Speaker 1: what you mean. You so you actually can navigate a

849
00:47:07,480 --> 00:47:12,080
Speaker 1: black diamond like you can really very poorly. No, I

850
00:47:12,120 --> 00:47:14,799
Speaker 1: mean I would not I wouldn't die, but I would

851
00:47:14,800 --> 00:47:16,680
Speaker 1: go down in a way that most people would think

852
00:47:16,880 --> 00:47:18,719
Speaker 1: was funny. And people would also be like, get out

853
00:47:18,719 --> 00:47:20,719
Speaker 1: of my way. I think the same. But I was

854
00:47:20,800 --> 00:47:25,560
Speaker 1: just in the French French, No, the Swiss Alps actually,

855
00:47:26,040 --> 00:47:28,479
Speaker 1: and I did. I did ski over by the matter

856
00:47:28,560 --> 00:47:31,040
Speaker 1: work and it was really cool. Wow. I got on

857
00:47:31,080 --> 00:47:33,000
Speaker 1: a slope. I got on a slope that was way

858
00:47:33,040 --> 00:47:36,520
Speaker 1: too intense, and I was I was sort of stopped

859
00:47:36,520 --> 00:47:38,040
Speaker 1: on and I was saying to the sky like should

860
00:47:38,080 --> 00:47:39,560
Speaker 1: I do this or should I walk back up? And

861
00:47:39,560 --> 00:47:41,719
Speaker 1: he was like, you're in it, now go for it,

862
00:47:41,760 --> 00:47:44,239
Speaker 1: and so I did and I was like, oh my god,

863
00:47:44,280 --> 00:47:46,680
Speaker 1: look I'm doing it. And then I did like hit

864
00:47:46,800 --> 00:47:49,200
Speaker 1: something and took a really intense tumble in the like

865
00:47:49,280 --> 00:47:52,080
Speaker 1: landed floor. Yeah. I was wearing a helmet. It was yeah, yeah, yeah,

866
00:47:52,960 --> 00:47:54,920
Speaker 1: it was really cool. It was like the mountains are

867
00:47:55,000 --> 00:47:59,400
Speaker 1: so high that you're you're actually skiing above the clouds,

868
00:47:59,400 --> 00:48:01,360
Speaker 1: like you're on these mountains. Then you see the clouds

869
00:48:01,400 --> 00:48:05,040
Speaker 1: like down below because you're so high open. Wait, that's incredible. Wow.

870
00:48:05,520 --> 00:48:08,520
Speaker 1: I think like skiing as a concept appeals to me,

871
00:48:08,600 --> 00:48:12,279
Speaker 1: but I really feel like it's kind of like if

872
00:48:12,280 --> 00:48:14,799
Speaker 1: you decided now like to pick up a guitar and

873
00:48:14,920 --> 00:48:17,319
Speaker 1: learn it, It's like I don't think I could. It's

874
00:48:17,320 --> 00:48:19,080
Speaker 1: like when you try to learn a new language but

875
00:48:19,120 --> 00:48:21,480
Speaker 1: you're too old or something like it's something that I

876
00:48:21,600 --> 00:48:23,880
Speaker 1: just missed the boat on it, And it's like that

877
00:48:23,920 --> 00:48:26,359
Speaker 1: with skiing. It's like that you've never got it once. Man,

878
00:48:26,600 --> 00:48:30,000
Speaker 1: I've never ever once. I actually disagree, and I think

879
00:48:30,040 --> 00:48:31,799
Speaker 1: you could pick it. I think you could pick it up.

880
00:48:32,640 --> 00:48:36,440
Speaker 1: I really did. It's easier than snowboarding to learn, which

881
00:48:36,560 --> 00:48:38,719
Speaker 1: which is really weird to me, like that does not

882
00:48:38,760 --> 00:48:42,759
Speaker 1: compute in my brain that like seld be easier than snowboarding.

883
00:48:42,800 --> 00:48:45,200
Speaker 1: But then I guess, I guess it makes sense. But

884
00:48:45,239 --> 00:48:47,040
Speaker 1: also it was funny too, because when I was a

885
00:48:47,040 --> 00:48:49,319
Speaker 1: little kid, like all the video games I play were

886
00:48:49,320 --> 00:48:51,640
Speaker 1: all like intense, like the snowboarding video games, Like do

887
00:48:51,680 --> 00:48:55,160
Speaker 1: you remember like SSX Tricky. I loosed to love that ship.

888
00:48:55,960 --> 00:48:58,360
Speaker 1: You had the hots for Simon? You always talk about Simon.

889
00:48:59,120 --> 00:49:01,760
Speaker 1: Oh my god, Yes, I did have the hots for Simon.

890
00:49:02,040 --> 00:49:04,760
Speaker 1: Like that thing, that very very visceral thing of really

891
00:49:04,840 --> 00:49:09,480
Speaker 1: wanting to fuck a video game character. Yeah, yeah, and

892
00:49:09,600 --> 00:49:12,399
Speaker 1: that happens. Yeah, I've had that a lot in my life.

893
00:49:12,440 --> 00:49:14,960
Speaker 1: I mean yeah, a lot of them were beautiful professional

894
00:49:14,960 --> 00:49:17,799
Speaker 1: athletes turned into video game characters. Was this a this

895
00:49:17,920 --> 00:49:20,080
Speaker 1: was a real person or he was just a video game?

896
00:49:20,280 --> 00:49:22,640
Speaker 1: He was compute? Was computer animated and play at the

897
00:49:22,719 --> 00:49:25,960
Speaker 1: character in a snowboarding video game. And I don't remember

898
00:49:26,080 --> 00:49:28,080
Speaker 1: voiced him, but I do remember that one of the

899
00:49:28,160 --> 00:49:32,080
Speaker 1: characters was voiced by Macy Gray, who oh my god.

900
00:49:32,160 --> 00:49:36,319
Speaker 1: I remember thinking that was so fucking cool, like that Macy,

901
00:49:37,440 --> 00:49:41,520
Speaker 1: like that Macy Gray song was so big when we

902
00:49:41,520 --> 00:49:48,120
Speaker 1: were growing song Dominated Dominated. It is such a good song.

903
00:49:48,200 --> 00:49:50,360
Speaker 1: Anytime it came on the radio, you would free. I

904
00:49:50,480 --> 00:49:53,080
Speaker 1: know sometimes I look back and I'm just like things

905
00:49:53,080 --> 00:49:55,160
Speaker 1: would take over in such a massive way that it's

906
00:49:55,160 --> 00:49:57,920
Speaker 1: like what takes over like that? And everything moves like

907
00:49:58,080 --> 00:49:59,920
Speaker 1: it feels like a little bit faster now, you know,

908
00:50:00,480 --> 00:50:03,439
Speaker 1: Like when when All Star by Smashed Mouth was out,

909
00:50:03,960 --> 00:50:06,360
Speaker 1: it was like you would hear it a hundred times

910
00:50:06,360 --> 00:50:09,480
Speaker 1: a day for like a year and a half or something.

911
00:50:09,520 --> 00:50:14,879
Speaker 1: It was like, yeah, so crazy longer than that, it seems. Yeah, yeah,

912
00:50:14,920 --> 00:50:18,480
Speaker 1: it was like a decades long affair. That sounds cool,

913
00:50:18,560 --> 00:50:21,880
Speaker 1: But I think it's especially meaningful now if something really hits,

914
00:50:22,040 --> 00:50:24,920
Speaker 1: because it's people really making a choice to go and

915
00:50:24,920 --> 00:50:27,120
Speaker 1: then like see it here and engage with it. So

916
00:50:27,200 --> 00:50:28,759
Speaker 1: I feel like not to bring it back to Megan,

917
00:50:28,840 --> 00:50:31,279
Speaker 1: but like Megan like was a really special thing. I

918
00:50:31,320 --> 00:50:34,000
Speaker 1: think for like these times where it's like, oh, everyone's

919
00:50:34,040 --> 00:50:37,440
Speaker 1: talking about this one thing at the same time and

920
00:50:37,480 --> 00:50:40,360
Speaker 1: that never happened anymore, I agree that was that was

921
00:50:40,480 --> 00:50:42,480
Speaker 1: part of what was so cool about it was like, oh,

922
00:50:42,920 --> 00:50:46,520
Speaker 1: it sort of felt like the movies are back. It

923
00:50:46,640 --> 00:50:50,439
Speaker 1: was like whoa, people are going to the theater over

924
00:50:50,480 --> 00:50:53,759
Speaker 1: and over again to see this movie and it just yeah,

925
00:50:54,160 --> 00:50:55,880
Speaker 1: it's such a good movie. It's so it's so like

926
00:50:55,960 --> 00:51:00,960
Speaker 1: self aware, it's so like, well, it knows its own joke.

927
00:51:01,120 --> 00:51:03,040
Speaker 1: But then it also just has a really good plot.

928
00:51:03,080 --> 00:51:04,680
Speaker 1: And I think what was so cool about Megan too

929
00:51:04,719 --> 00:51:07,680
Speaker 1: was like everybody, everybody was obsessed with the ad campaign

930
00:51:07,800 --> 00:51:10,080
Speaker 1: and it was it was really well done. But then

931
00:51:10,120 --> 00:51:12,360
Speaker 1: I think everybody expected the movie to be bad, and

932
00:51:12,360 --> 00:51:15,400
Speaker 1: then the fact that the movie was just super entertaining

933
00:51:15,880 --> 00:51:19,479
Speaker 1: and well made, and I think it was just shocked people.

934
00:51:19,520 --> 00:51:21,440
Speaker 1: It was a really great movie, you know, and so

935
00:51:21,480 --> 00:51:23,520
Speaker 1: it was sort of one two hit, but you're right,

936
00:51:23,520 --> 00:51:25,279
Speaker 1: it was. It was cool because it was like, oh,

937
00:51:25,320 --> 00:51:28,480
Speaker 1: I don't remember the last time there's been sort of

938
00:51:28,480 --> 00:51:31,000
Speaker 1: a cultural moment, you know, around a movie like this.

939
00:51:31,360 --> 00:51:35,000
Speaker 1: It was cool. Yeah. Well, speaking of projects, just before

940
00:51:35,040 --> 00:51:36,560
Speaker 1: we get into Don't Think, somebody, tell us a little

941
00:51:36,560 --> 00:51:39,480
Speaker 1: bit about the Effect show. What can you say? So

942
00:51:39,600 --> 00:51:42,880
Speaker 1: I was, I can't share a lot, but what I

943
00:51:42,920 --> 00:51:46,279
Speaker 1: what I can say is are the facts, which is, um,

944
00:51:46,800 --> 00:51:50,920
Speaker 1: it is an amazing project I'm extremely excited about with FX.

945
00:51:50,960 --> 00:51:55,440
Speaker 1: We shot the pilot already and um now we are

946
00:51:55,520 --> 00:51:59,040
Speaker 1: in the process of writing some more of it and

947
00:51:59,320 --> 00:52:01,880
Speaker 1: it's all very sighting and it's all looking really great.

948
00:52:02,520 --> 00:52:04,640
Speaker 1: Has been great to work with. The cast is awesome

949
00:52:05,280 --> 00:52:08,880
Speaker 1: and that I believe is all I should say right now.

950
00:52:08,920 --> 00:52:10,880
Speaker 1: But yeah, it's really cool and exciting and that's what

951
00:52:10,960 --> 00:52:12,520
Speaker 1: I'm here in New York working on. So it's like

952
00:52:13,040 --> 00:52:14,840
Speaker 1: it's been such a dream comes true. And like I

953
00:52:14,880 --> 00:52:17,440
Speaker 1: was saying before, I got tired of the city a

954
00:52:17,480 --> 00:52:19,759
Speaker 1: little bit, it's so cool to be like brought to

955
00:52:19,880 --> 00:52:23,879
Speaker 1: New York. You know, it feels very fancy, you know,

956
00:52:24,080 --> 00:52:28,520
Speaker 1: because New York, New York when you're like, like I struggle.

957
00:52:28,600 --> 00:52:30,880
Speaker 1: I was a young struggling actor in LA in a

958
00:52:30,960 --> 00:52:34,120
Speaker 1: way that I do not envy people that had to

959
00:52:34,160 --> 00:52:36,120
Speaker 1: do that in New York. I feel like it's easier

960
00:52:36,120 --> 00:52:37,840
Speaker 1: to do that in LA. But but coming to New

961
00:52:37,920 --> 00:52:42,520
Speaker 1: York with a job and you know, is like it

962
00:52:42,560 --> 00:52:44,960
Speaker 1: just feels very like, oh my god, I'm just you

963
00:52:45,040 --> 00:52:48,040
Speaker 1: get sort of dropped into being this this cool city person,

964
00:52:48,160 --> 00:52:50,080
Speaker 1: except I don't you don't know where any of the

965
00:52:50,120 --> 00:52:53,160
Speaker 1: parks are, and I don't really know what Upstate is.

966
00:52:53,440 --> 00:52:56,600
Speaker 1: But I'm telling you you never have to go to

967
00:52:56,719 --> 00:52:59,840
Speaker 1: Central Park. Oh my god, what is this campaign? I

968
00:53:00,080 --> 00:53:02,080
Speaker 1: love that that you're sort of the rep for like

969
00:53:02,360 --> 00:53:06,200
Speaker 1: anti Central Park sentiment. Look, you went out to Upstate

970
00:53:06,239 --> 00:53:08,360
Speaker 1: New York and you got nature, and you're fine, Okay,

971
00:53:08,640 --> 00:53:11,600
Speaker 1: yeah no. But because that's the other thing. It's like

972
00:53:11,680 --> 00:53:15,360
Speaker 1: Central Park is so big and beautiful, but it also

973
00:53:15,480 --> 00:53:18,160
Speaker 1: it's like actually in the center of this so there's

974
00:53:18,160 --> 00:53:22,200
Speaker 1: like city on all sides. So I'm looking, I'm looking

975
00:53:22,239 --> 00:53:26,000
Speaker 1: for fresh air. And if there's city all around it,

976
00:53:26,120 --> 00:53:28,279
Speaker 1: how how fresh can the air be I. I don't

977
00:53:28,320 --> 00:53:31,880
Speaker 1: know when you actually find out just how fake the

978
00:53:31,960 --> 00:53:37,080
Speaker 1: park is, Like so fakes are fake, like none of

979
00:53:37,080 --> 00:53:39,680
Speaker 1: it's real, you know what I'm saying. It's like so fake.

980
00:53:39,840 --> 00:53:43,480
Speaker 1: There's this park in Atlanta, Piedmont Park, that's also very beautiful,

981
00:53:43,520 --> 00:53:45,120
Speaker 1: and it was designed by the same guy who designed

982
00:53:45,160 --> 00:53:49,520
Speaker 1: Central Park. And I remember somebody telling you that Frederick

983
00:53:49,640 --> 00:53:52,800
Speaker 1: law Olmstead or something, right, But that when somebody told

984
00:53:52,800 --> 00:53:55,400
Speaker 1: me that, that was the first time I realized that

985
00:53:55,560 --> 00:53:59,160
Speaker 1: parks are even designed. Because I was so buff into

986
00:53:59,160 --> 00:54:00,880
Speaker 1: the fact that they were. I thought I was just

987
00:54:00,920 --> 00:54:05,360
Speaker 1: like in the forest, but it was not even once forest.

988
00:54:05,520 --> 00:54:09,840
Speaker 1: It's fake and it's they put it wasn't before it

989
00:54:10,000 --> 00:54:15,600
Speaker 1: used to be skyscraper. It was naturally occurring skyscrapers. No,

990
00:54:15,880 --> 00:54:19,480
Speaker 1: I think it was literally like Grassland. I think, I

991
00:54:19,480 --> 00:54:21,880
Speaker 1: don't think it's a fake as bad as thing. But

992
00:54:21,920 --> 00:54:26,520
Speaker 1: no Prospect Park in Brooklyn. Prospect Parks in Brooklyn, that's

993
00:54:26,520 --> 00:54:30,839
Speaker 1: that's another Homestead park, like really beautiful. And you love

994
00:54:30,880 --> 00:54:33,760
Speaker 1: Fort Green, you love mccare and a lot of fun, cute,

995
00:54:33,840 --> 00:54:36,719
Speaker 1: beautiful people go, I don't know what, How how long

996
00:54:36,760 --> 00:54:39,320
Speaker 1: are you gonna be in the city for I'm here

997
00:54:39,480 --> 00:54:41,920
Speaker 1: for quite a while. I'm here until the end of April,

998
00:54:42,040 --> 00:54:44,759
Speaker 1: so like another month in a week, okay, great and

999
00:54:44,840 --> 00:54:47,080
Speaker 1: a warm up. It'll be it'll be great. That's so

1000
00:54:47,120 --> 00:54:49,640
Speaker 1: cool too, because I feel like people obviously know you

1001
00:54:49,640 --> 00:54:51,840
Speaker 1: was an amazing performer, but I feel like you wrote

1002
00:54:51,920 --> 00:54:56,080
Speaker 1: Caleb Gallo right, yeah, obviously it's so well written. Thank

1003
00:54:56,120 --> 00:55:00,239
Speaker 1: you so mumuch singular singular honey, Yeah, I know it's

1004
00:55:00,280 --> 00:55:05,279
Speaker 1: it's it's interesting doing that in a official traditional yeah,

1005
00:55:05,320 --> 00:55:07,800
Speaker 1: and an official mapacity. Yeah. But it's been really I

1006
00:55:08,239 --> 00:55:10,440
Speaker 1: there's this great guy working on the show with us,

1007
00:55:10,480 --> 00:55:13,480
Speaker 1: Paul Sims, who's such a genius, and he he did

1008
00:55:13,480 --> 00:55:15,960
Speaker 1: Atlanta with Donald Glover and he does going to do

1009
00:55:16,000 --> 00:55:18,440
Speaker 1: in the Shadows, and he's such a he's such a

1010
00:55:18,440 --> 00:55:21,719
Speaker 1: wonderful guide for sort of the parts of it that

1011
00:55:21,760 --> 00:55:23,719
Speaker 1: are new to me. And he's been he's been such

1012
00:55:23,719 --> 00:55:25,640
Speaker 1: a blessing. It's really great. Well, good for you and

1013
00:55:25,680 --> 00:55:27,600
Speaker 1: good for us. And the writers in the writer's room

1014
00:55:27,600 --> 00:55:30,960
Speaker 1: are so great and everyone is so great. Yeah. I

1015
00:55:31,000 --> 00:55:32,840
Speaker 1: can tell it's gonna be great. You deserve it. I

1016
00:55:33,120 --> 00:55:35,400
Speaker 1: honestly like, if there's anyone who deserves it's you, We're

1017
00:55:35,400 --> 00:55:37,000
Speaker 1: proud of you, were happy for you, get you so much.

1018
00:55:45,800 --> 00:55:48,960
Speaker 1: This is the moment where we're gonna segue into I

1019
00:55:49,000 --> 00:55:51,560
Speaker 1: Don't Think So, Honey, which is really our big segment.

1020
00:55:51,600 --> 00:55:54,160
Speaker 1: Bou I would say, I'd call it the big segment.

1021
00:55:54,600 --> 00:55:56,800
Speaker 1: It's the big one. I'm gonna get it. Get my phone, Okay,

1022
00:55:56,880 --> 00:55:59,319
Speaker 1: that's going to be important because the reason why Bowen

1023
00:55:59,440 --> 00:56:00,680
Speaker 1: needs to get a phone, this is sort of a

1024
00:56:00,680 --> 00:56:02,719
Speaker 1: peak behind the curtain readers, is because we put one

1025
00:56:02,760 --> 00:56:05,600
Speaker 1: minute on the clock and we rail against something in

1026
00:56:05,680 --> 00:56:09,719
Speaker 1: culture that needs to be absolutely dragged. I feel like

1027
00:56:10,480 --> 00:56:13,480
Speaker 1: I have something. It's I don't want to target a

1028
00:56:13,520 --> 00:56:16,759
Speaker 1: specific person at the Adel concert last night, but I'm

1029
00:56:16,760 --> 00:56:20,880
Speaker 1: gonna I'm going to, oh, are you gonna specifically target

1030
00:56:20,960 --> 00:56:24,279
Speaker 1: someone this week? Not somebody the adult concert, it's someone specifically,

1031
00:56:24,360 --> 00:56:25,799
Speaker 1: and I haven't done that in a while, but yeah,

1032
00:56:26,000 --> 00:56:28,640
Speaker 1: got it. Okay, So this person is gonna be um.

1033
00:56:28,800 --> 00:56:31,279
Speaker 1: She represents something bigger. And I also just want to

1034
00:56:31,280 --> 00:56:33,439
Speaker 1: say before I do this that I also saw another

1035
00:56:33,440 --> 00:56:36,520
Speaker 1: concert which I immediately texted Bone about, which is Chapel Rone.

1036
00:56:36,719 --> 00:56:38,680
Speaker 1: Fucking get on board everyone, this girl is going to

1037
00:56:38,760 --> 00:56:41,920
Speaker 1: be a huge, huge, huge star Okay, now I'm reading

1038
00:56:42,120 --> 00:56:48,800
Speaker 1: She's incredible. Yeah, it's garma. Listen. Is a legendary, powerful

1039
00:56:48,800 --> 00:56:51,400
Speaker 1: song that will be remembered and standing this ass of time. Okay,

1040
00:56:51,520 --> 00:56:53,359
Speaker 1: this is Matt Rogers. I don't think so honeys, time

1041
00:56:53,360 --> 00:56:56,080
Speaker 1: starts now, I don't think so honey. You shush people

1042
00:56:56,120 --> 00:56:58,759
Speaker 1: singing along with the adult concert. I have news for you.

1043
00:56:58,760 --> 00:57:03,279
Speaker 1: You were in Las Vegas, Nevada. We're singing along like,

1044
00:57:03,400 --> 00:57:06,560
Speaker 1: I don't think so honey. If you don't think, no

1045
00:57:06,760 --> 00:57:09,799
Speaker 1: that please. It is the wild West in Las Vegas, Nevada,

1046
00:57:09,800 --> 00:57:14,360
Speaker 1: which is a rural culture of real vulture number seventy,

1047
00:57:14,520 --> 00:57:17,240
Speaker 1: And that means I'm singing you know what. Here's here's

1048
00:57:17,240 --> 00:57:19,280
Speaker 1: what you have to do at a show like Adele.

1049
00:57:19,600 --> 00:57:22,200
Speaker 1: Let us sing the verses. Let us sing the first

1050
00:57:22,280 --> 00:57:25,760
Speaker 1: chorus and then the rest of the choruses are ours

1051
00:57:26,040 --> 00:57:29,680
Speaker 1: and also iconic moments in certain verses that we all know,

1052
00:57:29,960 --> 00:57:31,720
Speaker 1: you know what I mean, Like we all know like

1053
00:57:32,000 --> 00:57:34,320
Speaker 1: what we're singing along too, and what we're not. No

1054
00:57:34,360 --> 00:57:37,240
Speaker 1: one was being disrespectful. There was one woman who sort

1055
00:57:37,240 --> 00:57:39,840
Speaker 1: of tossed a glance over to me and my friends,

1056
00:57:39,960 --> 00:57:41,720
Speaker 1: and it was I didn't even make an issue of

1057
00:57:41,720 --> 00:57:43,960
Speaker 1: it because I was too in my moment, in my feelings.

1058
00:57:43,960 --> 00:57:48,280
Speaker 1: But don't be shushing me. At Adele concert, we're all here.

1059
00:57:48,320 --> 00:57:50,360
Speaker 1: We can hear her very well. You can deal with

1060
00:57:50,360 --> 00:57:53,040
Speaker 1: me for one second. We're having a cathartic experience. It

1061
00:57:53,160 --> 00:57:57,520
Speaker 1: is open sobbing season. I don't think so the openly

1062
00:57:57,520 --> 00:58:00,920
Speaker 1: sobbing community is also the openly singing community at Adele

1063
00:58:00,960 --> 00:58:02,960
Speaker 1: weekends with all which, by the way, I think, is

1064
00:58:03,040 --> 00:58:05,240
Speaker 1: like I'm almost over, so you can't even go. Even

1065
00:58:05,280 --> 00:58:06,480
Speaker 1: if you wanted to go and you listen to this,

1066
00:58:06,520 --> 00:58:10,120
Speaker 1: you can't. You can't go. But other people it's like

1067
00:58:10,240 --> 00:58:14,440
Speaker 1: the whole crowd was singing along. It was a very communal,

1068
00:58:14,800 --> 00:58:18,240
Speaker 1: cathartic experience and we were and there's just there. There

1069
00:58:18,280 --> 00:58:20,640
Speaker 1: was one woman. I think I don't even remember what

1070
00:58:20,760 --> 00:58:22,280
Speaker 1: song it was, but I was like it might have

1071
00:58:22,360 --> 00:58:24,960
Speaker 1: even it wasn't anything up tempo, because like, no one

1072
00:58:25,040 --> 00:58:26,840
Speaker 1: was being that ridiculous. But I think there was one

1073
00:58:26,880 --> 00:58:29,600
Speaker 1: ballot where it's just like someone maybe just jumped in

1074
00:58:29,680 --> 00:58:31,240
Speaker 1: or chimed in on one thing and you got a

1075
00:58:31,280 --> 00:58:33,600
Speaker 1: dirty look. It's like not here, this is this is

1076
00:58:33,640 --> 00:58:36,000
Speaker 1: a place of good energy and we're supporting each other

1077
00:58:36,040 --> 00:58:38,960
Speaker 1: and we're actually holding hands. Do not look at me

1078
00:58:40,120 --> 00:58:43,160
Speaker 1: when I sing along with a doubt. It's just futile, futile.

1079
00:58:43,240 --> 00:58:45,520
Speaker 1: And at that point it's like what do you do?

1080
00:58:45,720 --> 00:58:47,880
Speaker 1: There's no point. And someone got in the DMS and

1081
00:58:47,880 --> 00:58:50,160
Speaker 1: they were like, how do we feel about everyone's singing along?

1082
00:58:50,280 --> 00:58:51,919
Speaker 1: And like you can't even hear her? And I didn't

1083
00:58:51,960 --> 00:58:53,720
Speaker 1: even respond because I was like, how do I feel

1084
00:58:53,720 --> 00:58:57,520
Speaker 1: about it? I'm participating some wait, what do you mean?

1085
00:58:57,560 --> 00:59:01,880
Speaker 1: Somebody got in the d somebody got in there. I

1086
00:59:01,920 --> 00:59:04,320
Speaker 1: posted it. I thought there was like some like some

1087
00:59:04,440 --> 00:59:09,120
Speaker 1: public DMS or something. I literally was. I thought there

1088
00:59:09,160 --> 00:59:14,200
Speaker 1: was a discord. I didn't know where thems like I posted.

1089
00:59:14,320 --> 00:59:17,760
Speaker 1: I think it was her doing. Maybe it was Hello,

1090
00:59:17,840 --> 00:59:20,280
Speaker 1: just because it was the first number, and I posted

1091
00:59:20,280 --> 00:59:25,720
Speaker 1: it and yes, everyone was singing along. And someone said

1092
00:59:25,760 --> 00:59:28,840
Speaker 1: to me, so, how do we feel about everyone's singing along?

1093
00:59:29,000 --> 00:59:31,600
Speaker 1: And I'm like, uh wait, it's because there was just

1094
00:59:31,680 --> 00:59:35,040
Speaker 1: that thing that went viral of somebody singing. Did you

1095
00:59:35,040 --> 00:59:37,760
Speaker 1: guys see this? I think it was either Billy Eilish

1096
00:59:37,880 --> 00:59:41,160
Speaker 1: or Taylor Swift. But there's something that's going viral right

1097
00:59:41,160 --> 00:59:43,360
Speaker 1: now on Twitter and I think that's why it's that

1098
00:59:43,840 --> 00:59:46,400
Speaker 1: somebody is filming a concert and then you can hear

1099
00:59:46,440 --> 00:59:49,640
Speaker 1: the person right next to the the person who's filming singing

1100
00:59:49,840 --> 00:59:52,760
Speaker 1: over it, very loudly and badly. But the differences, I'm

1101
00:59:52,800 --> 00:59:56,440
Speaker 1: sure you were singing very well. I can't confirm our

1102
00:59:56,520 --> 00:59:58,919
Speaker 1: deny that I was just as big of a star

1103
00:59:59,080 --> 01:00:00,680
Speaker 1: last night as I was when I was a little

1104
01:00:00,720 --> 01:00:04,120
Speaker 1: kid in that stage, absolutely slaying larger than life Coreo,

1105
01:00:04,320 --> 01:00:08,080
Speaker 1: I can't confirm her, Jenny, but a summer camp performance,

1106
01:00:08,120 --> 01:00:11,160
Speaker 1: the fucking what was the other one? I want it

1107
01:00:11,240 --> 01:00:15,760
Speaker 1: that way or in that same Backstreet Boy's moment, And

1108
01:00:15,840 --> 01:00:18,760
Speaker 1: I bet you were incredible. I bet you were incredible.

1109
01:00:18,800 --> 01:00:20,760
Speaker 1: Like I'm thinking about you doing that, and I'm like,

1110
01:00:21,120 --> 01:00:23,840
Speaker 1: I know it was stern. I think the differences. I

1111
01:00:23,880 --> 01:00:26,200
Speaker 1: think it was lip sinking. You were really singing right,

1112
01:00:26,640 --> 01:00:31,840
Speaker 1: No dancing, you guys were also, I can't actually see

1113
01:00:31,840 --> 01:00:33,680
Speaker 1: this is this is a thing like, and I'm talking

1114
01:00:33,680 --> 01:00:35,560
Speaker 1: to all my girls out there who are maybe still

1115
01:00:35,600 --> 01:00:37,960
Speaker 1: doing dance contests and dance routines. You really have to

1116
01:00:37,960 --> 01:00:39,800
Speaker 1: get on the same page with your girls about like

1117
01:00:39,800 --> 01:00:41,680
Speaker 1: whether or not you're lip syncing the song or not,

1118
01:00:41,760 --> 01:00:44,000
Speaker 1: because I think that I was sort of the stand

1119
01:00:44,000 --> 01:00:47,520
Speaker 1: in for like lead singer, being the boy out of

1120
01:00:47,520 --> 01:00:49,880
Speaker 1: the three of us. Like that, I think I may

1121
01:00:49,920 --> 01:00:52,640
Speaker 1: have been lip syncing, which also had to have been humiliating.

1122
01:00:52,640 --> 01:00:55,280
Speaker 1: And I don't think the girls were lip singing, but

1123
01:00:55,520 --> 01:00:57,680
Speaker 1: I can't I can't be sure. So you sort of

1124
01:00:57,680 --> 01:01:01,360
Speaker 1: inadvertently turn them into your knack up dance. Yeah, I mean, like,

1125
01:01:01,400 --> 01:01:08,960
Speaker 1: I wait, can we talk about quickly how Backstreet Boys

1126
01:01:09,080 --> 01:01:14,120
Speaker 1: really gave us, like just a small enough trapdoor for

1127
01:01:14,200 --> 01:01:19,480
Speaker 1: like closeted boys in that time to like, right do something.

1128
01:01:20,320 --> 01:01:23,560
Speaker 1: We're able to channel something a little bit a little gay,

1129
01:01:23,640 --> 01:01:27,160
Speaker 1: but palatable and appealing enough to like everybody, you are

1130
01:01:27,360 --> 01:01:31,320
Speaker 1: hitting on something so deep. We have to be thankful

1131
01:01:31,360 --> 01:01:33,560
Speaker 1: for the Backstreet Boys. We really do you have like

1132
01:01:33,600 --> 01:01:36,880
Speaker 1: a good detective nose for these sort of gay No

1133
01:01:36,920 --> 01:01:40,720
Speaker 1: one has an amazing nose for gay. I didn't pick

1134
01:01:40,800 --> 01:01:42,840
Speaker 1: up on the gay sun and all about my mother,

1135
01:01:43,000 --> 01:01:45,520
Speaker 1: and I didn't pick up on the fact that Backstreet

1136
01:01:45,520 --> 01:01:49,800
Speaker 1: Boys they really they were offering something to us as

1137
01:01:49,840 --> 01:01:53,040
Speaker 1: gay kids. Well, as soon as you said it, yeah,

1138
01:01:53,040 --> 01:01:58,120
Speaker 1: it was the metrosexual era, we forget it. That was

1139
01:01:58,200 --> 01:02:00,680
Speaker 1: such a big moment, which, by the way, is such

1140
01:02:00,920 --> 01:02:04,560
Speaker 1: a humiliating thing that was so widely accepted the idea

1141
01:02:04,600 --> 01:02:08,440
Speaker 1: of the metrosexual, like, how dare these people actually use

1142
01:02:08,520 --> 01:02:10,840
Speaker 1: their bus for sex? But we love when they and

1143
01:02:10,920 --> 01:02:13,000
Speaker 1: we love and respect and understand that they want to

1144
01:02:13,000 --> 01:02:18,360
Speaker 1: do their hair like it's like that era of sexual shame,

1145
01:02:18,760 --> 01:02:23,680
Speaker 1: But pride and appearance was intrinsically tied to that musical

1146
01:02:24,160 --> 01:02:27,280
Speaker 1: moment that ripe time in the culture in the late

1147
01:02:27,360 --> 01:02:31,680
Speaker 1: nineties early aughts, where it was you know, Clay Aken,

1148
01:02:31,840 --> 01:02:39,600
Speaker 1: Ryan Seacrest, like men who absolutely love vagina. They wanted

1149
01:02:39,640 --> 01:02:41,520
Speaker 1: they want to talk about it all night. Wait, wait, question,

1150
01:02:41,600 --> 01:02:43,919
Speaker 1: did you do you guys think of Backstreet Boys as

1151
01:02:44,040 --> 01:02:46,920
Speaker 1: having been way bigger than in Sync or do you

1152
01:02:47,000 --> 01:02:50,160
Speaker 1: think of them as exactly the same favorable or do

1153
01:02:50,200 --> 01:02:52,640
Speaker 1: you think of in Sync is bigger? I feel like

1154
01:02:52,760 --> 01:02:56,600
Speaker 1: n Sync got bigger once they hit their peak. I

1155
01:02:56,760 --> 01:02:59,959
Speaker 1: remember Backstreet Boys coming first, and I remember I remember

1156
01:03:00,200 --> 01:03:02,200
Speaker 1: they were like the moment and then in stinc was

1157
01:03:02,240 --> 01:03:05,560
Speaker 1: like sort of the Christina Aguilera, if you will, they

1158
01:03:05,680 --> 01:03:10,040
Speaker 1: really were the Christi Pepsi. There's always the Pepsi. There's

1159
01:03:10,040 --> 01:03:14,880
Speaker 1: always Pepsi's coach number eight. There's always wait, but was

1160
01:03:15,000 --> 01:03:17,880
Speaker 1: did Brittany do the amazing pepsi outer or did you

1161
01:03:17,920 --> 01:03:21,080
Speaker 1: do the amazing And I believe Christina was diet coke

1162
01:03:21,200 --> 01:03:24,080
Speaker 1: or coke like like they so transparently like the other

1163
01:03:24,200 --> 01:03:27,840
Speaker 1: one like and but this is a world where like so,

1164
01:03:27,920 --> 01:03:30,160
Speaker 1: I think it was different because Backstreet Boys was first,

1165
01:03:30,160 --> 01:03:32,400
Speaker 1: and then instinct came along and I think kind of

1166
01:03:32,400 --> 01:03:35,400
Speaker 1: took over. And this will be a world where Christina

1167
01:03:35,440 --> 01:03:37,960
Speaker 1: Aguilera had come along after Brittany and taken over, which is,

1168
01:03:37,960 --> 01:03:42,280
Speaker 1: of course the world we don't live in. Boone Yang,

1169
01:03:42,280 --> 01:03:43,920
Speaker 1: you're ready to tell you? I don't think so, honey, Yeah,

1170
01:03:43,920 --> 01:03:47,840
Speaker 1: I'm ready. Okay, Well that's good. This is bone yangs.

1171
01:03:47,840 --> 01:03:50,480
Speaker 1: I don't think so, honey. It's time starts now. I

1172
01:03:50,480 --> 01:03:53,280
Speaker 1: don't think so, honey, Lar step Pippin maybe soon to

1173
01:03:53,280 --> 01:03:57,120
Speaker 1: be Lar step Pippin Jordan. Your behavior at the reunion

1174
01:03:57,160 --> 01:04:00,960
Speaker 1: for the Real Houses in Miami is truly beyond the pale.

1175
01:04:01,240 --> 01:04:04,560
Speaker 1: How about dare you tell doctor Nicole that being an

1176
01:04:04,600 --> 01:04:08,400
Speaker 1: annesthseologist is not a real job. Sure, like anesthesiologists get

1177
01:04:08,440 --> 01:04:11,680
Speaker 1: like shout on within the medical community, but like the

1178
01:04:11,720 --> 01:04:14,680
Speaker 1: only people you have to thank are doctors. Larsa, the

1179
01:04:14,720 --> 01:04:18,040
Speaker 1: only people you have to thank are doctors and basketball players.

1180
01:04:18,400 --> 01:04:21,760
Speaker 1: You cannot come after this woman for like working in

1181
01:04:21,800 --> 01:04:25,120
Speaker 1: a hospital and then literally like fucking her career up

1182
01:04:25,120 --> 01:04:27,760
Speaker 1: potentially by saying that she's fucked every doctor in the hospital.

1183
01:04:28,320 --> 01:04:31,640
Speaker 1: And I part of me is like, oh, I actually,

1184
01:04:31,800 --> 01:04:34,919
Speaker 1: it's refreshing that Larsa's is sort of like flipping occupational

1185
01:04:35,160 --> 01:04:39,280
Speaker 1: stigma on its head, like, let's time we've given doctors

1186
01:04:39,400 --> 01:04:43,000
Speaker 1: some guff or something. Second, but it is revolutionary for

1187
01:04:43,000 --> 01:04:45,680
Speaker 1: her as an only fans foot model to like really

1188
01:04:45,680 --> 01:04:47,640
Speaker 1: come after her. But it's not, it's not the move.

1189
01:04:47,800 --> 01:04:49,880
Speaker 1: Larsa is fully an idiot by the end of the

1190
01:04:49,880 --> 01:04:52,120
Speaker 1: whole reunion, and that is one minute. And I'm so

1191
01:04:52,160 --> 01:04:55,120
Speaker 1: happy you brought it up because watching Larsa Pippen, who's

1192
01:04:55,240 --> 01:04:58,200
Speaker 1: famously and only fans foot moodels, say to a medical

1193
01:04:58,280 --> 01:05:01,800
Speaker 1: doctor that she actually a real job was one of

1194
01:05:01,800 --> 01:05:04,320
Speaker 1: the craziest things I've ever seen. And Brian, if you're

1195
01:05:04,320 --> 01:05:05,840
Speaker 1: going to get into a house, it has to be

1196
01:05:05,880 --> 01:05:08,000
Speaker 1: real houseivees of Miami, and Miami has of course come

1197
01:05:08,040 --> 01:05:10,040
Speaker 1: up on the episode prior, but they have a real

1198
01:05:10,040 --> 01:05:13,439
Speaker 1: Housewives franchise in that city. That is doing, as they say,

1199
01:05:13,480 --> 01:05:18,040
Speaker 1: what the other girls were supposed to have done. It

1200
01:05:18,120 --> 01:05:22,520
Speaker 1: is high art. This reunion is unhinged. To say nothing

1201
01:05:22,680 --> 01:05:26,520
Speaker 1: of Adriana's behavior, that is so crazy, to say nothing

1202
01:05:27,000 --> 01:05:33,120
Speaker 1: of Alexia. It is her saying to Lisa Hagstein that

1203
01:05:33,360 --> 01:05:35,520
Speaker 1: her husband would have stayed with her if she thought

1204
01:05:35,520 --> 01:05:38,120
Speaker 1: she was a star. If you believe you were a star,

1205
01:05:38,200 --> 01:05:40,680
Speaker 1: you had more confidence. If she had more confidence. Yea,

1206
01:05:40,960 --> 01:05:44,200
Speaker 1: she is wild. I said, she's Teresa Judais with more

1207
01:05:44,280 --> 01:05:48,200
Speaker 1: words per minute, which is not good. But I have

1208
01:05:48,320 --> 01:05:51,520
Speaker 1: no notes. This is the best television that is on

1209
01:05:51,680 --> 01:05:54,320
Speaker 1: and I implore just as we did several years ago.

1210
01:05:54,360 --> 01:05:57,480
Speaker 1: But with Potomac, we told everyone, don't sleep on Potomac.

1211
01:05:57,840 --> 01:06:00,600
Speaker 1: Do not be sleeping on the Real House of Miami.

1212
01:06:00,680 --> 01:06:03,640
Speaker 1: It is high art. Brian, if you like Selling Sunset,

1213
01:06:03,760 --> 01:06:07,120
Speaker 1: what seasons should you start on? You can start on four. Yeah,

1214
01:06:07,160 --> 01:06:09,240
Speaker 1: you can start on four, but selling. If you like

1215
01:06:09,280 --> 01:06:12,040
Speaker 1: Selling Sunset, you will love Miami. And you can start

1216
01:06:12,080 --> 01:06:14,120
Speaker 1: on four because that's when they rebooted it on Peacock,

1217
01:06:14,280 --> 01:06:18,479
Speaker 1: so you can watch it on Peacock. Oh, okay, Peacock. Yeah,

1218
01:06:18,880 --> 01:06:22,120
Speaker 1: we're the biggest supporters of Peacock that are out there,

1219
01:06:22,240 --> 01:06:26,200
Speaker 1: like we can ironically talk about Peacock constantly. Megan is

1220
01:06:26,240 --> 01:06:30,760
Speaker 1: also on Peacock. It's not a mistake. And you know

1221
01:06:30,800 --> 01:06:35,919
Speaker 1: what else is on peacock, Tar Tar, Yes, Hun Tar

1222
01:06:36,280 --> 01:06:40,720
Speaker 1: is streaming now because nothing says Peacock like Lydia Tar.

1223
01:06:41,840 --> 01:06:45,840
Speaker 1: I will say it's rule culture number one. Tar now

1224
01:06:46,040 --> 01:06:49,080
Speaker 1: on pea Peacock. Thank you, Donna Langley ahead of head

1225
01:06:49,080 --> 01:06:52,680
Speaker 1: of Universal. Sorry, go ahead, you guys don't know the

1226
01:06:52,720 --> 01:06:56,160
Speaker 1: people that run that Lydia Tar Twitter account. You it's so,

1227
01:06:56,600 --> 01:06:58,120
Speaker 1: but I want to find them so I can vote

1228
01:06:58,120 --> 01:07:00,840
Speaker 1: for them for president of the United States. No, it's

1229
01:07:00,960 --> 01:07:04,200
Speaker 1: very funny. She's always tweeting shit like looking for looking

1230
01:07:04,200 --> 01:07:07,320
Speaker 1: for a new young female assistant, like looking to to

1231
01:07:07,360 --> 01:07:12,960
Speaker 1: help someone. It's new to the industry, Lydia Tar, and

1232
01:07:13,400 --> 01:07:17,320
Speaker 1: it's such an icon. She's an icon. I did think

1233
01:07:17,320 --> 01:07:20,080
Speaker 1: she was real the whole movie. I know everyone had

1234
01:07:20,160 --> 01:07:23,040
Speaker 1: confusion about this. I know I was. I was in

1235
01:07:23,080 --> 01:07:26,640
Speaker 1: the same club. It's something about how specific the movie is,

1236
01:07:26,720 --> 01:07:30,240
Speaker 1: where you go, oh, well, this is probably a somewhat

1237
01:07:30,280 --> 01:07:32,640
Speaker 1: fictionalized but I bet this is really based on somebody real,

1238
01:07:32,680 --> 01:07:35,360
Speaker 1: which maybe is kind of true, but it's there's parts

1239
01:07:35,400 --> 01:07:36,760
Speaker 1: of the the movie where you're like, wait, this has to

1240
01:07:36,800 --> 01:07:40,400
Speaker 1: be historical, this has to be a person. It's just not.

1241
01:07:41,560 --> 01:07:45,160
Speaker 1: I love how she drives that cream colored corn Berlin,

1242
01:07:45,360 --> 01:07:48,320
Speaker 1: And it's the way Kate perform right, the way Kate

1243
01:07:48,360 --> 01:07:51,200
Speaker 1: performance that makes you think it's a biopic. It's giving,

1244
01:07:51,240 --> 01:07:55,840
Speaker 1: it's giving biopic acting. Yeah, it will Alwait, Lydia Tar,

1245
01:07:55,920 --> 01:07:59,400
Speaker 1: you will always be famous and you will always be real.

1246
01:07:59,520 --> 01:08:02,280
Speaker 1: You always you can always be real, and you'll always

1247
01:08:02,280 --> 01:08:06,560
Speaker 1: have existed. Yeah, you all have existed. Okay, so this

1248
01:08:06,640 --> 01:08:10,960
Speaker 1: is sort of the when, to quote Ariana Grande, Brian,

1249
01:08:11,040 --> 01:08:12,640
Speaker 1: you do your I don't think so, honey, Are you

1250
01:08:12,680 --> 01:08:15,960
Speaker 1: ready for this? I am ready. I'm hoping I have them.

1251
01:08:16,360 --> 01:08:18,120
Speaker 1: I'm hoping to have a minute's worth it. Okay, I

1252
01:08:18,120 --> 01:08:21,200
Speaker 1: think you do. This is Brian Jordan Alvarez's I don't

1253
01:08:21,200 --> 01:08:25,120
Speaker 1: think so. Any time starts now, Okay, I don't think so, honey.

1254
01:08:25,520 --> 01:08:30,479
Speaker 1: These fake TikTok pranks that are so obviously fake and

1255
01:08:30,600 --> 01:08:34,400
Speaker 1: everybody is laughing at them like they're real. And then

1256
01:08:34,439 --> 01:08:37,639
Speaker 1: my boyfriend shows me these like and I go and

1257
01:08:37,680 --> 01:08:40,000
Speaker 1: I just there's just something subtle going on in them,

1258
01:08:40,000 --> 01:08:42,519
Speaker 1: where like you can tell, like, even if that prank

1259
01:08:42,560 --> 01:08:46,200
Speaker 1: had been real, the way the person's reacting, they're definitely

1260
01:08:46,240 --> 01:08:49,400
Speaker 1: acting the way would act if they knew it's acting.

1261
01:08:49,439 --> 01:08:51,280
Speaker 1: Even if it's good acting, you can tell if it's acting.

1262
01:08:51,680 --> 01:08:54,439
Speaker 1: And then my boyfriend, who I love obviously, will show

1263
01:08:54,479 --> 01:08:57,479
Speaker 1: them to me and I'll go, that's fake, and he'll

1264
01:08:57,520 --> 01:09:00,760
Speaker 1: go he cares if it's fake. It's funny, And I'm like,

1265
01:09:01,000 --> 01:09:04,040
Speaker 1: who doesn't care if it's fake? This is only funny

1266
01:09:04,080 --> 01:09:07,120
Speaker 1: because it's supposed to be not fake. This is supposed

1267
01:09:07,120 --> 01:09:11,320
Speaker 1: to be a fictional narrative video. Then I'm gonna be

1268
01:09:11,400 --> 01:09:14,880
Speaker 1: laughing at different things that this is supposed to be documentary. Yes,

1269
01:09:15,280 --> 01:09:17,479
Speaker 1: and I'm suppo be laughing at the reality of this

1270
01:09:17,520 --> 01:09:20,439
Speaker 1: and this is not real, So I care. I don't

1271
01:09:20,439 --> 01:09:24,880
Speaker 1: think so hunt period. That was excellent. I'm free, You're

1272
01:09:25,080 --> 01:09:27,799
Speaker 1: you're really right? Isn't that so true? Though? Has anybody

1273
01:09:27,800 --> 01:09:29,360
Speaker 1: ever done that where they're where they're like, well, who

1274
01:09:29,360 --> 01:09:30,840
Speaker 1: cares if it's fake? And it's like, what do you

1275
01:09:30,960 --> 01:09:36,599
Speaker 1: mean make a difference? Yeah? Different? Wasn't there a kid

1276
01:09:36,600 --> 01:09:38,880
Speaker 1: who like covered his whole kitchen and peanut butter or

1277
01:09:38,920 --> 01:09:44,200
Speaker 1: something like every break, every like every cupboard door, the fridge,

1278
01:09:44,360 --> 01:09:48,320
Speaker 1: that fake shit off my timeline. It's also not a prank.

1279
01:09:48,360 --> 01:09:53,439
Speaker 1: That's just a mess. It's not a prank. I know that.

1280
01:09:53,680 --> 01:09:56,759
Speaker 1: I know. The expression prank these days is so loose.

1281
01:09:56,800 --> 01:09:59,120
Speaker 1: It's like, no, I think you just hit someone. Actually

1282
01:09:59,200 --> 01:10:02,680
Speaker 1: I don't think that was a right you you just assault.

1283
01:10:02,760 --> 01:10:06,519
Speaker 1: It's just physical violence. Yeah, that's just cruelty that you

1284
01:10:06,640 --> 01:10:11,000
Speaker 1: post it. Yeah. I feel like pranks, pranks have like

1285
01:10:11,120 --> 01:10:13,120
Speaker 1: lifted off of April Fools, Like no one really gives

1286
01:10:13,120 --> 01:10:16,120
Speaker 1: a shit of April Fools anymore, but they're like proliferated

1287
01:10:16,120 --> 01:10:20,639
Speaker 1: through apols. It's fallen off for sure. Maybe it's like

1288
01:10:20,840 --> 01:10:22,920
Speaker 1: there's a gen z affinity to it because I guess

1289
01:10:23,000 --> 01:10:25,439
Speaker 1: like Jim would do it on the office a lot

1290
01:10:25,439 --> 01:10:28,280
Speaker 1: with like prank Dwight or whatever the fuck, And so

1291
01:10:28,360 --> 01:10:30,719
Speaker 1: now these kids are like, oh, pranks are the highest

1292
01:10:30,760 --> 01:10:36,479
Speaker 1: form of art and comedy. Let's do it on TikTok. Literally,

1293
01:10:36,520 --> 01:10:38,680
Speaker 1: it's just because it's a light lift and you can

1294
01:10:38,760 --> 01:10:41,880
Speaker 1: literally just post it. It's like what people who are

1295
01:10:41,880 --> 01:10:44,200
Speaker 1: obsessed with fails, you know what I mean? Like, and

1296
01:10:44,280 --> 01:10:47,040
Speaker 1: that always like drove me nuts, Like I can't sit

1297
01:10:47,120 --> 01:10:50,320
Speaker 1: through fails. I can't sit through like when oh, here's

1298
01:10:50,320 --> 01:10:54,000
Speaker 1: a video of someone get this getting really hurt. I

1299
01:10:56,160 --> 01:10:59,200
Speaker 1: can't do it. Here's a video of someone's skateboarding and

1300
01:10:59,479 --> 01:11:02,439
Speaker 1: what happened to them? They probably should be dead? Do

1301
01:11:02,439 --> 01:11:04,960
Speaker 1: you want to watch it again? Like, no, I don't know.

1302
01:11:05,200 --> 01:11:08,200
Speaker 1: I know. Yeah, it doesn't Yeah, it never. It never

1303
01:11:08,240 --> 01:11:11,759
Speaker 1: makes me laugh, yeah, because you're just like, are they dead?

1304
01:11:12,040 --> 01:11:15,000
Speaker 1: Like what happened? Like what's the conclusion of this film?

1305
01:11:15,120 --> 01:11:18,040
Speaker 1: You know? Are they right? And then the thing is

1306
01:11:18,240 --> 01:11:20,680
Speaker 1: you don't want to answer to that question sometimes, you

1307
01:11:20,680 --> 01:11:22,800
Speaker 1: know what I'm saying. It's just like because sometimes like

1308
01:11:22,920 --> 01:11:25,920
Speaker 1: sometimes get this, like you put the phone down and said, haha,

1309
01:11:26,080 --> 01:11:31,679
Speaker 1: that was funny. Mama's dead, you know what I mean? Dad, Wait, Matt.

1310
01:11:31,720 --> 01:11:36,479
Speaker 1: On the subject of falling though, you should learn to ski. Yeah,

1311
01:11:36,680 --> 01:11:38,160
Speaker 1: I think it would kind of be a chic look

1312
01:11:38,200 --> 01:11:41,120
Speaker 1: for me to picture it is. It's such a chic

1313
01:11:41,280 --> 01:11:43,840
Speaker 1: you feel so cool. Yeah, when you don't. I have

1314
01:11:43,920 --> 01:11:45,320
Speaker 1: yet to go to a gay ski week, but I

1315
01:11:45,320 --> 01:11:47,559
Speaker 1: think that's gonna be the high. Apparently there's one happening

1316
01:11:47,640 --> 01:11:50,599
Speaker 1: right now. Right. They have them all the time, I mean, okay,

1317
01:11:50,680 --> 01:11:54,160
Speaker 1: all the time. It's it's endless. No, I mean they

1318
01:11:54,240 --> 01:11:56,720
Speaker 1: have different cities. Is there is there one nearby? It's

1319
01:11:56,720 --> 01:11:59,599
Speaker 1: like mammoth SI, I believe, And like tons of gays

1320
01:11:59,600 --> 01:12:02,400
Speaker 1: are not like in LA because they're all skiing. And

1321
01:12:02,439 --> 01:12:04,599
Speaker 1: I was like huh. I was like, what, oh wait,

1322
01:12:04,600 --> 01:12:07,639
Speaker 1: are you guys in LA. No, you're in LA. I'm

1323
01:12:07,640 --> 01:12:10,880
Speaker 1: in Los Angeles, California. Did you move it? Yeah, you

1324
01:12:10,880 --> 01:12:13,719
Speaker 1: don't have to reveal that to No. I'm open about

1325
01:12:13,760 --> 01:12:15,639
Speaker 1: the fact that I moved to LA four about five

1326
01:12:15,720 --> 01:12:21,200
Speaker 1: years ago. And I actually I just just got another

1327
01:12:21,240 --> 01:12:25,240
Speaker 1: place in New York. So I'm gonna be Bicoastal. I'm

1328
01:12:25,240 --> 01:12:29,080
Speaker 1: gonna I'm gonna live in New York City and Los Angeles, California. Yeah. No,

1329
01:12:29,120 --> 01:12:31,760
Speaker 1: it's exciting. It's good. I'm excited about it. The new Era,

1330
01:12:31,800 --> 01:12:35,479
Speaker 1: a New Chapters is still owner. It's him. Did you

1331
01:12:35,520 --> 01:12:41,160
Speaker 1: hear my voice? Just dude, like a Tyrondosaurus Racks. You

1332
01:12:41,200 --> 01:12:44,320
Speaker 1: were screaming at Adele last night. Hold on one last thing.

1333
01:12:45,120 --> 01:12:48,360
Speaker 1: If I were to watch if I were to watch Tar,

1334
01:12:49,360 --> 01:12:51,400
Speaker 1: it doesn't make a difference to me if Tar is

1335
01:12:51,520 --> 01:12:56,920
Speaker 1: real or fake. Oh my god. That is the one exception. Wow,

1336
01:12:57,200 --> 01:13:00,920
Speaker 1: you have an amazing nose bow. Wow. No, it's an

1337
01:13:00,920 --> 01:13:05,719
Speaker 1: amazing nose. Thank you. Now. Was anything gay happening in Tar?

1338
01:13:06,080 --> 01:13:09,960
Speaker 1: Is the question? One hundred? No, I don't think I

1339
01:13:10,280 --> 01:13:12,479
Speaker 1: watched that movie, and I had not. I feel like

1340
01:13:12,520 --> 01:13:15,320
Speaker 1: it is possible to watch that movie and not maybe

1341
01:13:15,439 --> 01:13:19,080
Speaker 1: not pick up all the fact she's a lesbian. What

1342
01:13:19,160 --> 01:13:22,559
Speaker 1: I watch? That's because he could have just been like

1343
01:13:22,600 --> 01:13:25,960
Speaker 1: her good sins. So the film's about her her friends

1344
01:13:26,240 --> 01:13:33,040
Speaker 1: or was Yeah, listening with them and my voice is

1345
01:13:33,080 --> 01:13:37,839
Speaker 1: literally telling me it's time to rap because I'm a rap. Um. Wait, Brian,

1346
01:13:38,120 --> 01:13:40,160
Speaker 1: this was so fun, and thank you so much for

1347
01:13:40,200 --> 01:13:43,040
Speaker 1: doing I love you, Thank you so much for you

1348
01:13:43,520 --> 01:13:45,519
Speaker 1: so much, and you got to come back. Yeah, I

1349
01:13:45,520 --> 01:13:47,320
Speaker 1: would love. So three of us have to get together

1350
01:13:47,360 --> 01:13:49,479
Speaker 1: and be stupid in person. Go to park. Can't wait,

1351
01:13:49,600 --> 01:13:51,120
Speaker 1: Let's go to a park. Let's go to Prospect Park.

1352
01:13:51,640 --> 01:13:55,840
Speaker 1: Stream Megan on Peacock but not before Tar and we

1353
01:13:56,479 --> 01:13:59,400
Speaker 1: and oh god, but and I'm dying. We end every

1354
01:13:59,439 --> 01:14:09,120
Speaker 1: episode with a song. Okay, so dude, digget tiget. I

1355
01:14:09,160 --> 01:14:17,280
Speaker 1: don't don't look back now, do you do? The end?

1356
01:14:17,240 --> 01:14:26,439
Speaker 1: It's so iconic, so take it. I'm not really voting.

1357
01:14:26,439 --> 01:14:28,360
Speaker 1: I'm not really enunciating the word. What is it? What

1358
01:14:28,439 --> 01:14:31,080
Speaker 1: do you sounded like? Adele? You have an amazing nose,

1359
01:14:31,720 --> 01:14:36,240
Speaker 1: an amazing voice, amazing nose, amazing voice. Thank you for

1360
01:14:36,280 --> 01:14:38,800
Speaker 1: listening to this episode of Ictusis with Me, Rogers and

1361
01:14:38,840 --> 01:14:41,400
Speaker 1: boll And Yang. It just won the Best Podcast award

1362
01:14:41,439 --> 01:14:44,920
Speaker 1: at the iHeart Radio Podcast Awards and we are the

1363
01:14:44,960 --> 01:14:49,120
Speaker 1: best podcast in the world. Thank you so much. Critical

1364
01:14:49,160 --> 01:14:52,439
Speaker 1: Acclaim award winning feels incredible. Seven years in the game,

1365
01:14:52,479 --> 01:14:55,519
Speaker 1: finally you were an award winning podcast. Is none better.

1366
01:14:55,840 --> 01:14:58,200
Speaker 1: Sorry everyone, Bye bye.