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Speaker 1: One last time. I need to be the one who

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Speaker 1: takes you home one more time. I promise, Ah, do that,

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Speaker 1: I'll let you go. What is that? It's beautiful, Ariana

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Speaker 1: Grande baby? Is that a new song? Old song? Man?

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Speaker 1: It reminds me of this episode, this episode. Now listen, everybody.

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Speaker 1: I've said this episode's great because I directed it. Forget, dude,

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Speaker 1: This shit's good, dude, forget. This is my favorite episode

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Speaker 1: so far. I agree, I agree. I'm not just saying that.

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Speaker 1: I'm not just saying that because I directed direction. Aside,

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Speaker 1: the script for this episode is fucking hilarious. You are

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Speaker 1: fucking hilarious. You have said that. I'll accept that. You'll

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Speaker 1: have like five laugh out loud moments. Yeah, I'll take it.

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Speaker 1: I'll take it. I'll take it, dude. This episode, and

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Speaker 1: first of all, it's so funny. Listen, Thank you listeners.

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Speaker 1: You have to understand that Bill Lawrence is so competitive

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Speaker 1: that he gave me this episode. If you watch this episode,

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Speaker 1: it is far and away more epic than any other episode.

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Speaker 1: It look, there's a car crash. All the characters except Laverne,

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Speaker 1: which was weird. Everybody's in the freaking opening montage everybody's

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Speaker 1: a big ass party that now I'm literally on fire.

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Speaker 1: I mean, I dude, you have to understand, I got

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Speaker 1: this script that I was saw saying to show. I'm

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Speaker 1: just saying, I'm glad you're saying what you're saying, because

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Speaker 1: I was like, I'm watching this and I'm going people

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Speaker 1: are gonna clown on me. But I think this might

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Speaker 1: be the best fucking one of them. No, it is, dude,

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Speaker 1: send far. I think it's it's the funniest, most epic

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Speaker 1: episode so far, so far as the best episode so

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Speaker 1: far of Scrubs. So that's weird, so far as the

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Speaker 1: best episode so far of Scrubs. It's pretty fucking good, dude, dude,

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Speaker 1: it's so freaking good. And I love all the directors

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Speaker 1: that before, and I love all the people who've written before,

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Speaker 1: and all of the show has had great meaning. This

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Speaker 1: episode feels like a feature film. Yes, absolutely, And I

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Speaker 1: wonder if that has something to do with the director.

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Speaker 1: Let's look up and see who it was scrolling, Joe.

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Speaker 1: Can you look that up up? Can you look up

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Speaker 1: who directed this one? Because it's it feels different, it

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Speaker 1: feels like, you know, how wand division you were saying

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Speaker 1: doesn't feel like a TV show, feel yet. I haven't

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Speaker 1: watched yet. No, I haven't either, but I'm saying nobody's

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Speaker 1: watched it. I love it. We're gonna watch tonight, dude,

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Speaker 1: I listen, listen. You know how everyone is saying you

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Speaker 1: were saying that one division doesn't feel like a TV show,

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Speaker 1: it feels like a feature. Yes, well, I feel that

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Speaker 1: about this episode of Scrubs. It feels like Scrubs the feature. Absolutely,

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Speaker 1: I agree with you. It is so fucking funny. I

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Speaker 1: have like so many pages of notes. I don't know

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Speaker 1: how we're gonna get through all this in the amount.

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Speaker 1: I'm glad you wrote a lot of notes because I

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Speaker 1: was working on the recap in my mind. Oh are

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Speaker 1: we gonna get a special rap as promised? We're gonna

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Speaker 1: start right now. I'm gonna rehearse him a couple of times.

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Speaker 1: I'm not recording shit, Daniel, You're gonna have to. I

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Speaker 1: don't say I was recording the whole time. It's also

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Speaker 1: echo everyone Donald forgot to press play on, you forgot

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Speaker 1: to hit to hit record time. Now they are they're great,

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Speaker 1: all right, So loo that's why. Because he was on

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Speaker 1: the zoom audio do you want to apologize to the

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Speaker 1: I apologize to everybody. I'm glad. I looked down to

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Speaker 1: make sure though, because you were so enthralled by the

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Speaker 1: direction of this episode. Fast episode, dude, it is, it

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Speaker 1: really is, all right, so look the recap. We gotta wait.

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Speaker 1: Do you want to do you want to count into

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Speaker 1: the show first? Yeah? Sure we could count on the show.

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Speaker 1: Can I do it? Because I directed the episode? Absolutely, man,

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Speaker 1: go for yours keep story about story so yeah around here? Yeah,

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Speaker 1: an m we have so much to talk about. All right,

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Speaker 1: all right, let me just rehearse this real quick and

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Speaker 1: then we could get into we have wants to talk.

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Speaker 1: What if the one that you rehearse is magical, then

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Speaker 1: we don't have recorded it? And then I got recorded

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Speaker 1: and we got it. All right, go for yours Donald,

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Speaker 1: all right, here we go. J D was like, cannot

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Speaker 1: freaky freak with Molly to Elliott, who was hard pressed,

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Speaker 1: but probably when I think of it, knew he had

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Speaker 1: no chance in hell, so she sent him on the quest.

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Speaker 1: Feel me watch he fails. This episode was directed Buzzy

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Speaker 1: Bizzle at the Garden State came out, so he was

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Speaker 1: starting to sizzle, and dollar Bill was like I don't

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Speaker 1: want the boy the fizzle. I'll let him direct pepe

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Speaker 1: us and there rehizzle, back lot, crazy shots, improvised, what

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Speaker 1: you got treat by a ka Yo room that's kind

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Speaker 1: of hot, top yotta chuck a lot, so's your face,

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Speaker 1: Doctor Cox and Molly Shannon Molly clock zip blind because

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Speaker 1: she's hot. All well received by the pop your list

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Speaker 1: because like prim zb was an optimist, I'm rocket like

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Speaker 1: Alaju want s's like a restaurant. You can just call

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Speaker 1: the faith. That's the recap, but it wouldn't be complete

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Speaker 1: without shouting now. DJ Daniel and Joe wil Monique. Yeah,

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Speaker 1: come three, dude. I feel like it's my birthday and

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Speaker 1: you gave me the best present you've ever given. Yo.

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Speaker 1: I hope that you can put this together. Oh, don't

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Speaker 1: you worry about a thing that was hard? What was

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Speaker 1: the metronome set to ninety five beats per minute? How

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Speaker 1: happy you made your beat maker? Don't you worry about

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Speaker 1: the thing dude? That was incredible? You are I mean,

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Speaker 1: I'm not just saying this because I love you. You're

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Speaker 1: a really good writer of of raps and rhymes. You're

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Speaker 1: a gentleman and a scholar. No, you you are a

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Speaker 1: really good director and writer of movies, dude, you know what.

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Speaker 1: You know what I say to everybody all the time.

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Speaker 1: And and because you like already a really good actor,

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Speaker 1: I think you're a better director than you are an actor.

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Speaker 1: And that's saying a lot, because you're a really good actor, dude,

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Speaker 1: you know what I mean. Than like, I'm excited for

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Speaker 1: you to be doing Cheaper by the Dozen and everything

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Speaker 1: like that. I'd liked. I like it when you direct

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Speaker 1: things too, like this episode. So far in the shows

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Speaker 1: that we've watched, this is the most Bill. I'm sorry.

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Speaker 1: I know you're gonna hate me for saying this. He's

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Speaker 1: not that's all an act. This is the best episode, man.

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Speaker 1: This is the best episode. It really is. And I'm

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Speaker 1: glad you agree because I got to say, you know,

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Speaker 1: when of we haven't ever done this exercise of sitting

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Speaker 1: down and watching them all in a row. And they're

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Speaker 1: all they all have great things about them, but there's

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Speaker 1: just something about this episode that kicked everything up a notch.

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Speaker 1: And I'm not and I can say that because it

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Speaker 1: isn't just the direction, although I am proud of the

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Speaker 1: way I directed it. In five days, which if you

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Speaker 1: are in production at all know is fucking insane when

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Speaker 1: you look in scope of this episode, how are you

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Speaker 1: how are you able to get all of the stuff

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Speaker 1: with Molly Shannon and freaking h Johnny and then still

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Speaker 1: get all of the stuff with me You have the

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Speaker 1: gram and then still get the cold opening, which and

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Speaker 1: then get the stunts and what about like fire right,

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Speaker 1: And by the way, that ambulance stuff is all I mean,

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Speaker 1: there's a few green screenshots in the ambulance, but for

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Speaker 1: the most part that's all practical, which means we are

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Speaker 1: literally pulling, towing around a giant ambulance and and setting

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Speaker 1: up cameras mounted on it doing an accident. We had

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Speaker 1: never done something this with this amount of scope and

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Speaker 1: scale to it in in all of scrubs. Now as

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Speaker 1: we go on, of course we have other ones. We

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Speaker 1: have the Musical, which was the most epic. We have

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Speaker 1: the Princess Bride one and stuff. But this, this so far,

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Speaker 1: was the biggest thing we ever took on, and it

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Speaker 1: didn't What was great is that it didn't feel out

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Speaker 1: of place, like when we get to the musical and

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Speaker 1: when we get to the the The Wizard of oz

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Speaker 1: One and everything like that. And then when we get

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Speaker 1: to the Fantasy one, the Princess Bride one and everything,

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Speaker 1: it gets a little fantasyish like this felt like Licensed

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Speaker 1: to Drive. This felt like you know, planes, trains and automobiles.

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Speaker 1: You know, if you merge the two of those movies together.

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Speaker 1: This was it. I was Corey Felm and you were

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Speaker 1: Corey Hame. Heather Graham was well, well, Heather Graham was

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Speaker 1: Heather Graham and License to Drive, Yeah, was Licensed to Drive.

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Speaker 1: I never saw it, dude, Yeah, dude, look I gotta

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Speaker 1: see it. But dude, I gotta tell you that I

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Speaker 1: couldn't believe it's twenty one minutes. I mean twenty one minutes.

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Speaker 1: It's a short film, it's tiny, but look how much

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Speaker 1: we accomplished in twenty one minutes. Dude, I can't believe

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Speaker 1: that you have never seen License to Drive. I'm just

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Speaker 1: a little put it on my list. We're looking for

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Speaker 1: new things to watch. Look, all right, Look, when I

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Speaker 1: was a kid, this movie meant everything to me. And

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Speaker 1: it starred Corey Hame, Corey Fellman, and a very very

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Speaker 1: very young Heather Grahm. Okay, this is like how the

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Speaker 1: world was introduced, Like you might have been introduced to

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Speaker 1: her through Boogie Nights. I was introduced through her. I

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Speaker 1: was introduced to her through License to Drive, right, License

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Speaker 1: to Drive. Do you think I'm so disappointed in you

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Speaker 1: right now? Dude, dude, I'm so disappointed in you right now.

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Speaker 1: I'm just I can't believe it. And that's what this movie,

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Speaker 1: that's what this freaking all right. So look, Corey Hay,

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Speaker 1: we gotta get into it. Corey Hame, give us, give

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Speaker 1: us the cliff notes. We have so much to talk

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Speaker 1: about with this episode. Okay, Corey Hame is a kid

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Speaker 1: in high school and it's him. He's trying to drive

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Speaker 1: for the weekend. He built up the courage one night

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Speaker 1: to ask out Heather Graham and she said yeah, and

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Speaker 1: so he's built up the courage to he did that,

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Speaker 1: and so he's got to get his life sense in

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Speaker 1: order to get the car from his dad. He fails

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Speaker 1: the test, sneaks out with the car and crashes it.

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Speaker 1: He goes to his best friend, Corey Feldman to help

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Speaker 1: him fix it, and they go on an adventure so

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Speaker 1: he can have this ultimate date with had the Graham.

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Speaker 1: That's kind of a cliff note. She kind of passes

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Speaker 1: out and all of that stuff like that, and all

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Speaker 1: hell breaks loose. But that's the cliff notes, dude. It's

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Speaker 1: the same exact shit, dude, and you can't find and

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Speaker 1: you couldn't see the connection in it. And you directed

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Speaker 1: an episode that was so similar to that movie License

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Speaker 1: to Drive where we all met Heather Graham. Oh wow,

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Speaker 1: I didn't know that. I wonder. I wonder if that

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Speaker 1: was in Bill or Mike Schwartz, who wrote this episode's

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Speaker 1: mind at all. Since it's like an homage, Let's ask

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Speaker 1: Bill and or Mike Schwartz Bill, Mike Schwartz's Bill ahead, Bill,

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Speaker 1: is this a homage to License to Drive? The awesome

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Speaker 1: Corey movie that star Heathergram Hey fellas, Um, I never

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Speaker 1: saw License to Drive. I think the only movie I

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Speaker 1: saw what the quarries in it was Lost Boys, and

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Speaker 1: I have to watch that a lot because Krista dated

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Speaker 1: one of the Lost Boys back when she was younger,

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Speaker 1: So that needs to be pointed out to me a lot.

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Speaker 1: But not m License to Drive, though. There's so many

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Speaker 1: movies that are kind of an odyssey of can I

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Speaker 1: get from point A to point B? See you guys,

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Speaker 1: anything with two Quarries is as a special special film

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Speaker 1: lost Boys. Yeah, I can't beat it. All right, let's

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Speaker 1: get into it. So the show opens with a fantasy,

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Speaker 1: which I couldn't remember that ever happening. Do you recall?

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Speaker 1: And since we've been watching, if a show ever opened

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Speaker 1: with a fantasy? No, I didn't, I know, I did not. Yeah,

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Speaker 1: was it a fantasy? Yeah, they're all all these seniors

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Speaker 1: are having a party like, oh right, oh right, and

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Speaker 1: I thought it was right. Yes, I didn't. I don't

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Speaker 1: know that we've ever done that. Yeah, I didn't. I

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Speaker 1: don't recall. And then so I just and then and

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Speaker 1: then so we walk in and then everyone's parting. They

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Speaker 1: and then they hide, and then I see two feet

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Speaker 1: and I pull back the covers and there's two old

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Speaker 1: men cuddling and one of them goes like, going back

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Speaker 1: to your bed, Jerry, and he goes, I love you.

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Speaker 1: That was funny. And this is the I guess, the

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Speaker 1: first time we hear sows your face. Yeah, I guess.

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Speaker 1: So I was gonna say, this is a monumental moment

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Speaker 1: because I've used this for you loved my whole life

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Speaker 1: since So's your Face was introduced, you have really, really

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Speaker 1: stuck to sows your face since this moment. It's the

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Speaker 1: best comeback ever I've seen you use it on people

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Speaker 1: that are bothering you on your Instagram you say, so's

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Speaker 1: your face? And or Twitter, so is your face? It's

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Speaker 1: it's the best. I'm rubber your glue, you know what

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Speaker 1: I mean. It makes the person really think about what

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Speaker 1: they're gonna say after you say that, once they realize, oh,

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Speaker 1: so my face is that too? Once they realize, then

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Speaker 1: then and then some then like some of them, I

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Speaker 1: think Sarah says something like that doesn't even make any sense.

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Speaker 1: So's your face? So's your face? Always makes sense? It

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Speaker 1: just made But that doesn't even make sense. So's your face?

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Speaker 1: That makes sense? Right? That scene with them all dancing,

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Speaker 1: one of them is like one of them is doing curls.

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Speaker 1: It was really funny, like cocoon style. Now Molly's does

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Speaker 1: a crab cloth like crab claw to try and get

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Speaker 1: Sarah mad at her. Right, But you know what made

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Speaker 1: me laugh harder than crab claw was the mentally disturbed

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Speaker 1: man who runs in yeah and says he says, they're here,

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Speaker 1: ignite the tractor beam and she totally deadpan goes, I

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Speaker 1: should go that's my two o'clock. Yeah, but he didn't

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Speaker 1: have a shirt on either. He didn't have a shirt on,

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Speaker 1: and then he strikes a pose. What did he do?

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Speaker 1: He was like, he like hits like a cat. That

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Speaker 1: guy was amazing, really all it was funny. There's an

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Speaker 1: example of how an actor can come in and have

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Speaker 1: one sentence and just fucking kill it. That guy was hilarious.

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Speaker 1: It's very funny. I laughed out loud a lot in

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Speaker 1: this episode, you know, And while so while watching this,

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Speaker 1: in my mind, I'm like, Yo, who the fuck directed this?

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Speaker 1: At this point, I'm like, this ship is fucking hilarious.

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Speaker 1: And then I'm like, oh, I know, I knew, but

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Speaker 1: in my mind it was like, this is crazy. Who

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Speaker 1: directed this? Oh that's right, my boy z b Yeah

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Speaker 1: he did, Yeah he did. All right. Now listen, there's

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Speaker 1: so much that fucking happens in this In this first

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Speaker 1: even the cold open is so much to happen. So

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Speaker 1: then you get then then before you get to tide. Okay.

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Speaker 1: One of the funniest line exchanges in the Scrubs history, Sarah,

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Speaker 1: you actually ranked the women of this hospital by appearance,

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Speaker 1: and I go, calm down, twelve and she goes, yes,

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Speaker 1: top twenty. Yeah, yeah, I wanted it was funny. It

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Speaker 1: was funny, dude. It was the fact that Molly Clock

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Speaker 1: wasn't number one. Also and Nurse Tisdale's number one that

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Speaker 1: had me rolling. Also. Yeah, and we haven't seen Nursed

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Speaker 1: Tisdale in a while. I think the only time we

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Speaker 1: saw Nurse Tisdale, we talked about her a lot when

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Speaker 1: she did that when she walked down the Phoebe Kates. Yeah,

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Speaker 1: she's apparently the hottest, although gift Shop Girl was also.

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Speaker 1: I mean, there's there's a lot of hot them. But anyway,

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Speaker 1: but Carl is not on the list because she's married. Yeah,

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Speaker 1: you're so funny by the way you put your foot

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Speaker 1: in your mouth with Carla in so many funny ways.

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Speaker 1: And it's the first time is when you go, oh, baby,

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Speaker 1: we only ranked the single women. You actually ranked the

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Speaker 1: women in's hospital by appearance. Calm down twelve, yes, stop twenty.

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Speaker 1: That's it's hilarious, all right. Then we go to the

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Speaker 1: party that we're throwing and Elliott has bought Molly up

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Speaker 1: going away pinana that's shaped like it's missing, but it's missing,

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Speaker 1: but it's missing, and then we flashed to Todd, who says,

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Speaker 1: who says, it's getting late. The big dog wants some candy.

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Speaker 1: He's trying to fuck the pinata. He's sitting next to

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Speaker 1: the pinata. Yeah, and he says that. Yes. Now when

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Speaker 1: he comes into the party, his face is covered with chocolate. Sorry,

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Speaker 1: I'm late now to believe he ate the shit out

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Speaker 1: of right. But are we supposed to believe like he

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Speaker 1: made out with it or he No, he ate that

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Speaker 1: ship's asshole. Oh. I didn't know if it was Lingus

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Speaker 1: or Ana Lingus, but I think they joke is because

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Speaker 1: he has chocolate around his mouth that it's like, well,

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Speaker 1: it was either an Lingus or Cunlingus. But the point

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Speaker 1: is is that he went down on the pan hardcore.

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Speaker 1: I think it's safe to say that he may be

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Speaker 1: the first person in television industry to go down on

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Speaker 1: a Panada. I don't know. I don't know, Juell Google,

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Speaker 1: that's that's that's saying a lot turn my key for that. Well,

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Speaker 1: I don't want to fuck up your Google searches, so

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Speaker 1: don't look for that. They're far gone at this point.

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Speaker 1: I like the fact that at the I like the

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Speaker 1: fact that at the party j D true to his word,

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Speaker 1: drinking and appletini. Yes, yep. By the way, so at

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Speaker 1: the bar party, do you know who that beautiful woman

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Speaker 1: is that I'm talking to before the fire event. No,

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Speaker 1: that's Amy Ferguson, who in Garden State was the beautiful

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Speaker 1: girl at the ecstasy party that I hook up with.

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Speaker 1: You remember that, yes, I do. Well, it's funny. I'm

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Speaker 1: looking at the um French poster of Garden State that

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Speaker 1: I have in my office and it's it's got more

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Speaker 1: Amy Ferguson on it than Natalie, which is funny because

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Speaker 1: you know, Natalie's stunning. Um, but I think because the

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Speaker 1: movie had this sort of sexual moment with Amy Ferguson

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Speaker 1: and she's literally on the on this collage poster like

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Speaker 1: four times, so that you're saying Natalie's on once, but

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Speaker 1: Amy Ferguson's on like four times. So you're saying the

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Speaker 1: French like sex. I'm saying, yes, the French like to

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Speaker 1: sell sexy women more than any They made up the kiss.

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Speaker 1: They made up that kiss, or they made up the

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Speaker 1: French kiss. I don't know if they really did make

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Speaker 1: up the French kiss, but many they figured something out though,

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Speaker 1: that was a that's a great invention. Whoever made up

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Speaker 1: that the French it has to be When that was over.

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Speaker 1: When that when I when Garden State came out, so

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Speaker 1: many men would come up to me like, hey man,

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Speaker 1: love the movie. By the way, who's that girl? And anyway,

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Speaker 1: she was a friend of mine and Amy Ferguson and

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Speaker 1: so I now it's funny because now that I was

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Speaker 1: able to cast because I was directing, I put a

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Speaker 1: couple of my friends in and um, and so Amy's

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Speaker 1: the girl I'm flirting with at the bar. Okay, now

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Speaker 1: this fire thing, I want you to know how hard

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Speaker 1: this was to shoot because I am literally on fire

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Speaker 1: and we did. We did one of these cowboy switches

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Speaker 1: that we've told you about, where so when I first

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Speaker 1: catch on fire because it dug in his fire shots,

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Speaker 1: that's literally me on fire. I had. I had the

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Speaker 1: whole fucking thing they put on you. They put on

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Speaker 1: this these layers and layers of anti flame returnant gel

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Speaker 1: and then like, um, I don't know, it's almost like

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Speaker 1: sweatsuit material, and then another layer is just for your back.

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Speaker 1: This is just from my back. Because they were like

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Speaker 1: will you do this? And I was like yeah, I'll

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Speaker 1: go for it. I'll do it. It was really scary.

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Speaker 1: The stuntmen were incredible. Your hair, dude, that's all I

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Speaker 1: was worried. I was like, I had I had the gel. Allah,

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Speaker 1: you have the gel all over all over your hair.

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Speaker 1: And so what happens is in the stunt I then

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Speaker 1: ran to the bathroom, if you recall, and then we

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Speaker 1: cut and what's all real on camera is for this.

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Speaker 1: For part two, the stunt man, incredible stunt man did

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Speaker 1: a full burn. That is to say, every single thing

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Speaker 1: on his body that's all real, that's not augmented at all.

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Speaker 1: When you watch him running on fire, you remember this Donald,

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Speaker 1: And then I was hiding down for part two. I

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Speaker 1: was hiding below, all made up to look like I'm burnt.

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Speaker 1: And then he comes in, running through, falls down and

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Speaker 1: then I pop and then Donald sprays um with the

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Speaker 1: fire extinguisher and then I pop up burnt and I'm

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Speaker 1: talking about her because she was talking about her nephew

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Speaker 1: or something. I'm like, yeah, that's a crazy age and

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Speaker 1: I sit my apple teeny um. So it was crazy

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Speaker 1: and it's just funny. It's just all I could think

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Speaker 1: of when I was watching. It was This is the

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Speaker 1: ultimate example of Bill Lawrence competitiveness. He's like, no, no, no,

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Speaker 1: it'll be great, it'd be great. Um, you're gonna direct,

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Speaker 1: so in one of the early scenes, you're gonna be

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Speaker 1: on fully on fire, right, Well, just that, and it's

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Speaker 1: it's you. You laugh because it's like you're set on fire.

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Speaker 1: But if you really think about what it takes to

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Speaker 1: have to do that for a scene and how much

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Speaker 1: time takes the safety protocol. Also, there were so many

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Speaker 1: people in the area, you know, I remember if I

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Speaker 1: remember the stuntman band like Donald, you gotta put me out, dude,

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Speaker 1: like giving me the dude, you have to spread because

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Speaker 1: you But I think someone else was another stuntman was

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00:21:18,840 --> 00:21:21,000
Speaker 1: off camera helping you, right, or it wasn't just all you.

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Speaker 1: I'm not exactly I'm not exactly sure. I do remember

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Speaker 1: the look in my eye like you got this right

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Speaker 1: type shit? You know what I mean. I mean, it's

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Speaker 1: I'd never I'd never seen a stuntman do something like

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Speaker 1: that in person. Obviously we've all seen it in the movies.

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Speaker 1: It was fucking insane that he did that, that someone

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Speaker 1: would do that. I think the gel and the covering

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Speaker 1: buys you like, I don't know what the time is,

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Speaker 1: like thirty seconds. I mean, I'm sure people, but he

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Speaker 1: didn't do it. He didn't do it just once. He

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Speaker 1: did it a couple of times. He was the one.

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Speaker 1: He did it one time with us with the wide shot,

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Speaker 1: and then he did it and he did it again,

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Speaker 1: like there were several cameras. But I remember watching him

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Speaker 1: do it also, and then I remember stepping in and

394
00:22:02,920 --> 00:22:07,359
Speaker 1: doing the scary spray also, Yeah, dude, it was. But

395
00:22:07,960 --> 00:22:10,080
Speaker 1: but it's so fucking funny. I mean, cut into the

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Speaker 1: thing with the cowboy switch and me just popping up.

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Speaker 1: So yeah, seven, that's a crazy age with the burn

398
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Speaker 1: mark sole over my face, right, I really love that.

399
00:22:21,119 --> 00:22:23,480
Speaker 1: I'm proud of how great that that still looks this

400
00:22:23,640 --> 00:22:27,600
Speaker 1: this many years later. It looks fucking flawless. Amazing, amazing.

401
00:22:28,119 --> 00:22:29,920
Speaker 1: Um um. What about the fact that you don't know

402
00:22:30,160 --> 00:22:32,240
Speaker 1: that your wife is Dominican and and this is going

403
00:22:32,280 --> 00:22:34,520
Speaker 1: to be a recurring theme when we get to the musical.

404
00:22:34,680 --> 00:22:39,800
Speaker 1: Obviously he thinks she's Puerto Rican so much. When we

405
00:22:39,880 --> 00:22:43,040
Speaker 1: get to the musical for the last time, Turk, I'm Dominican.

406
00:22:43,280 --> 00:22:46,240
Speaker 1: If you know Puerto Rican and Dominicans that's an issue too.

407
00:22:46,840 --> 00:22:51,119
Speaker 1: You know, in New York City, I'm not The Dominicans

408
00:22:51,119 --> 00:22:54,119
Speaker 1: are like, I'm not Puerto Rican, I'm Dominican, And Puerto

409
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Speaker 1: Ricans are like, I'm not Dominican, I'm Puerto Rican. That's

410
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Speaker 1: real talk. You blame it on me, which is funny.

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00:23:00,160 --> 00:23:02,680
Speaker 1: You go, yeah, I guess, but well, guess what you

412
00:23:02,760 --> 00:23:05,879
Speaker 1: were wrong. Guess what helps you were wrong about? Carlos

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00:23:06,080 --> 00:23:09,280
Speaker 1: Definican like you were you were relying on me to

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Speaker 1: know what your wife is. Yeah, like like one night

415
00:23:13,600 --> 00:23:16,680
Speaker 1: we were hanging out and and and I was like,

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Speaker 1: I w what's my what's my wife? Like we were

417
00:23:20,400 --> 00:23:22,200
Speaker 1: they had to be baked, they couldn't be baked. But

418
00:23:22,240 --> 00:23:25,080
Speaker 1: it's like, what's my wife? What's my wife's nationality? What

419
00:23:25,280 --> 00:23:28,520
Speaker 1: is where is she from? You're like, dude, trust me,

420
00:23:29,400 --> 00:23:31,760
Speaker 1: she's Puerto Rican. She's Puerto Rican, Turk, I know this.

421
00:23:31,920 --> 00:23:35,040
Speaker 1: You're sure about this? Yes, I trust me, trust me,

422
00:23:35,160 --> 00:23:37,960
Speaker 1: she's Puerto Rican. You rely on them? Well you know

423
00:23:38,040 --> 00:23:43,959
Speaker 1: what you were wrong about? Oh my god? All right,

424
00:23:44,040 --> 00:23:48,359
Speaker 1: so then God bless Molly's everywhere. Someone paid the license

425
00:23:48,440 --> 00:23:53,160
Speaker 1: sixteen candles, thank you? Right now? That scene in sixteen

426
00:23:53,280 --> 00:23:56,840
Speaker 1: Candles um I remember my sister. My sister loved them.

427
00:23:57,119 --> 00:24:01,040
Speaker 1: We both love them. My sister, like so many um

428
00:24:01,840 --> 00:24:06,080
Speaker 1: women and gay men loved Jake Ryan from sixteen Candles.

429
00:24:07,840 --> 00:24:11,280
Speaker 1: Whatever happened to Jake Ryan man? You know, I think

430
00:24:11,359 --> 00:24:14,119
Speaker 1: he got out of the business because he stopped working.

431
00:24:14,280 --> 00:24:18,080
Speaker 1: But he I mean, so many women were like, yeah,

432
00:24:18,680 --> 00:24:21,879
Speaker 1: that's accurate, Jake Ryan, that that's what I want. He

433
00:24:22,160 --> 00:24:26,280
Speaker 1: was like the typical looking New England dude. Yo. Like

434
00:24:26,600 --> 00:24:29,919
Speaker 1: that was like he was like an Abercromian Fitch model,

435
00:24:30,160 --> 00:24:33,080
Speaker 1: right Like, if we're not there, I think I think

436
00:24:34,040 --> 00:24:35,959
Speaker 1: he could have played Captain him. He would have been

437
00:24:36,000 --> 00:24:40,080
Speaker 1: Captain America back then. Chris Evans is like the Jake

438
00:24:40,200 --> 00:24:42,440
Speaker 1: Ryan now, you know what I mean? Like they got

439
00:24:42,520 --> 00:24:45,880
Speaker 1: that similar look, the dark hair, the blue eyes. Okay,

440
00:24:45,920 --> 00:24:51,720
Speaker 1: here's a little something from from jewel Um. Michael Chauffling

441
00:24:51,960 --> 00:24:55,480
Speaker 1: is his name. His final acting credit was in the

442
00:24:55,640 --> 00:24:58,359
Speaker 1: nineteen ninety one film Wild Hearts Can't Be Broken. He's

443
00:24:58,400 --> 00:25:01,240
Speaker 1: since retired from acting and resig in Pennsylvania with his wife.

444
00:25:01,840 --> 00:25:03,720
Speaker 1: Not much is known about his life now, but he

445
00:25:03,840 --> 00:25:07,600
Speaker 1: does own a woodworking shop. He I just feel like

446
00:25:07,640 --> 00:25:10,360
Speaker 1: every girl I knew had a crush on that guy. Yeah.

447
00:25:11,200 --> 00:25:13,480
Speaker 1: So anyway, there he is kissing Molly Ringwold at the

448
00:25:13,560 --> 00:25:15,639
Speaker 1: end of the movie, and I say, God bless Molly,

449
00:25:16,280 --> 00:25:20,159
Speaker 1: and God bless Molly's everywhere. Now. It's just it's been

450
00:25:20,200 --> 00:25:22,399
Speaker 1: interesting that we have an extra Molly because we have

451
00:25:22,520 --> 00:25:25,920
Speaker 1: the delightful, hilarious Molly Shannon as a guest star on

452
00:25:25,960 --> 00:25:31,440
Speaker 1: this episode. She was so great, dude. Okay, had she

453
00:25:31,560 --> 00:25:35,960
Speaker 1: started doing dramatic stuff yet, I don't know. It's a

454
00:25:36,080 --> 00:25:40,480
Speaker 1: good question, but she Joel is gonna look. But I

455
00:25:40,680 --> 00:25:44,000
Speaker 1: gotta tell you, Donald, there is no better example of

456
00:25:44,119 --> 00:25:49,320
Speaker 1: a guest star bringing it. She steals. She steals a show, dude,

457
00:25:49,400 --> 00:25:53,400
Speaker 1: She steals a show. She's incredible. She steals a show. Dude.

458
00:25:53,440 --> 00:25:55,560
Speaker 1: It made me want to hire her to work with

459
00:25:55,680 --> 00:25:59,720
Speaker 1: me and something new. Everyone's hiring her, she's she's doing great.

460
00:25:59,760 --> 00:26:01,480
Speaker 1: But I just want to work with her again, just

461
00:26:01,600 --> 00:26:04,640
Speaker 1: reminding me how good she is. She steals the show, dude,

462
00:26:05,000 --> 00:26:10,400
Speaker 1: Like it's it's I love the the nostalgia of watching

463
00:26:11,040 --> 00:26:15,000
Speaker 1: what Turk and j D go through, so that h

464
00:26:15,280 --> 00:26:18,119
Speaker 1: JD can have that one moment with Molly at the end.

465
00:26:19,000 --> 00:26:23,320
Speaker 1: But and and the music at the end also phenomenal.

466
00:26:23,840 --> 00:26:28,199
Speaker 1: But what Molly Shannon does is like it's great, man,

467
00:26:28,760 --> 00:26:31,800
Speaker 1: she does the John Candy trained plains and automo yes,

468
00:26:32,480 --> 00:26:38,320
Speaker 1: like it's like it's that's a hard character to do

469
00:26:38,480 --> 00:26:41,920
Speaker 1: because it usually comes off very obnoxious. Of course, the

470
00:26:42,000 --> 00:26:44,600
Speaker 1: trick of that character is can you be that annoying

471
00:26:44,920 --> 00:26:47,320
Speaker 1: but have the audience like you? I mean, that's the challenge.

472
00:26:48,400 --> 00:26:52,320
Speaker 1: She nails it because you're you're partially watching through Johnny

473
00:26:52,680 --> 00:26:54,399
Speaker 1: and that scene where she's in the house with Christa

474
00:26:54,480 --> 00:26:57,960
Speaker 1: and Johnny c is very funny, but you're partially watching

475
00:26:59,359 --> 00:27:01,280
Speaker 1: from the john you see from the Coxs point of

476
00:27:01,359 --> 00:27:03,120
Speaker 1: you and being like, oh my god, this fucking woman.

477
00:27:03,560 --> 00:27:06,560
Speaker 1: But you can't. But she's so fucking charming still because

478
00:27:06,800 --> 00:27:08,879
Speaker 1: what Molly brings to it, you just like her and

479
00:27:08,960 --> 00:27:11,119
Speaker 1: you root for And that's even before you find out

480
00:27:11,200 --> 00:27:14,040
Speaker 1: what happened to her kid at the end, which is well,

481
00:27:14,080 --> 00:27:16,120
Speaker 1: if you let's sit there, we'll get there to that turn.

482
00:27:16,240 --> 00:27:19,359
Speaker 1: But that was beautiful. She was She's so wonderful on

483
00:27:19,480 --> 00:27:23,600
Speaker 1: this uh on on on the show. Um and and

484
00:27:23,760 --> 00:27:26,080
Speaker 1: that was really cool. Also, do you want to ask

485
00:27:26,119 --> 00:27:28,720
Speaker 1: me a question? Pretend pretend that I'm a Molly and

486
00:27:28,800 --> 00:27:30,480
Speaker 1: I came on the show. Just say, we'll say, what

487
00:27:30,640 --> 00:27:33,440
Speaker 1: was it like to work on the show? No, Molly,

488
00:27:33,920 --> 00:27:36,960
Speaker 1: what would it like to work with Zach Braff? He's

489
00:27:37,000 --> 00:27:41,200
Speaker 1: a very good director. I really like it when he

490
00:27:41,480 --> 00:27:50,080
Speaker 1: gave me good notes. That's Molly, that's yeah. I know

491
00:27:50,200 --> 00:27:59,600
Speaker 1: it's similar to DJ college, but and they're in netwall Um.

492
00:28:00,000 --> 00:28:04,480
Speaker 1: How about ice tongue? So JD is apparently runs to

493
00:28:04,760 --> 00:28:07,520
Speaker 1: the kitchen when he's making out with In the World

494
00:28:07,600 --> 00:28:11,720
Speaker 1: of Scrubs, JD is making out with other Graham and

495
00:28:12,160 --> 00:28:15,440
Speaker 1: decides that he's going to run to the refrigerator freezer

496
00:28:15,560 --> 00:28:19,240
Speaker 1: to grab ice because he thinks that ladies like ice tongue.

497
00:28:20,200 --> 00:28:25,320
Speaker 1: I like ice tongue, really, I've never ice tongued tongue.

498
00:28:25,800 --> 00:28:29,080
Speaker 1: Ice tongue is when you're like drinking, when you're drinking

499
00:28:30,240 --> 00:28:36,560
Speaker 1: soda or something that requires it to be cold with ice,

500
00:28:37,480 --> 00:28:40,360
Speaker 1: and then after you let the ice hit your tongue,

501
00:28:40,640 --> 00:28:43,160
Speaker 1: you kiss somebody who doesn't have that in their mouth.

502
00:28:43,480 --> 00:28:45,880
Speaker 1: There that doesn't have the cold feeling in their mouth.

503
00:28:46,840 --> 00:28:53,160
Speaker 1: And sometimes it's refreshing. It's way more so. You never

504
00:28:53,240 --> 00:28:57,400
Speaker 1: heard of it. That was, Yes, it's way more refreshing

505
00:28:57,440 --> 00:29:02,120
Speaker 1: than smoked tongue. Yeah, all right, you know it's way

506
00:29:02,200 --> 00:29:07,400
Speaker 1: more refreshing than smoke and mint tongue too. Um yeah,

507
00:29:07,400 --> 00:29:09,320
Speaker 1: but okay, So, I guess it's one thing if you're

508
00:29:09,360 --> 00:29:11,400
Speaker 1: making out with your person and you have a cold

509
00:29:11,440 --> 00:29:14,080
Speaker 1: drink in your hand and you make your tongue cold. Okay,

510
00:29:14,440 --> 00:29:17,400
Speaker 1: this guy's running to the kitchen to play. He's using it. Yeah,

511
00:29:17,400 --> 00:29:21,560
Speaker 1: he's using it as a as a method of seduction. Yeah, yes,

512
00:29:21,960 --> 00:29:25,120
Speaker 1: along with olive oil on his lips. Yes? Who told

513
00:29:25,160 --> 00:29:27,360
Speaker 1: him that was a good idea? I have no idea.

514
00:29:27,800 --> 00:29:29,600
Speaker 1: It's so funny. All Right, we're gonna take a break,

515
00:29:29,640 --> 00:29:31,480
Speaker 1: and when we come back, we're gonna talk about JD

516
00:29:31,640 --> 00:29:42,280
Speaker 1: put an olive oil on his lips. The hand. We're back,

517
00:29:42,520 --> 00:29:47,160
Speaker 1: We're back. Maria Antoinette. Molly Shannon's first dramatic role was

518
00:29:47,200 --> 00:29:49,920
Speaker 1: in two thousand and six Maria Antoinette. I didn't know

519
00:29:50,000 --> 00:29:52,520
Speaker 1: she was in. That must have been Sofia Coppola's movie

520
00:29:52,600 --> 00:29:58,640
Speaker 1: with Kirsten Dunst. Perhaps I don't know. Yes, Um, well,

521
00:29:58,880 --> 00:30:04,080
Speaker 1: Molly Shannon and I mean that was just an incredible performance.

522
00:30:04,120 --> 00:30:06,640
Speaker 1: We're gonna get to the end, which which gets even better.

523
00:30:06,760 --> 00:30:09,160
Speaker 1: We'll get that later. Yeah, what about Schinsky? Let's talk

524
00:30:09,160 --> 00:30:12,760
Speaker 1: about sin Yeah, let us talk about Shinsky. So it

525
00:30:12,840 --> 00:30:15,200
Speaker 1: didn't kill him, No, it didn't kill him. He falls

526
00:30:15,200 --> 00:30:17,240
Speaker 1: off the roof, the roll that's our hospital roof. That

527
00:30:17,520 --> 00:30:20,280
Speaker 1: that that clearly someone just they put they put a

528
00:30:20,320 --> 00:30:24,080
Speaker 1: different wall on it. But that's originally I originally I

529
00:30:24,160 --> 00:30:26,880
Speaker 1: do believe it did kill Shinsky. And they change that,

530
00:30:27,120 --> 00:30:30,440
Speaker 1: didn't they? Yes, I think Shinsky died and then someone

531
00:30:30,520 --> 00:30:33,760
Speaker 1: decided to soften it. Maybe they didn't want JD responsible

532
00:30:33,800 --> 00:30:36,160
Speaker 1: for killing someone. I wasn't really responsible. I just threw

533
00:30:36,240 --> 00:30:37,600
Speaker 1: him a beer. It's not my fall. He fell off

534
00:30:37,680 --> 00:30:39,880
Speaker 1: the fucking roof. Well, he reached. It was a bad throw.

535
00:30:40,400 --> 00:30:42,360
Speaker 1: It was a bad throw. But do you really think

536
00:30:42,440 --> 00:30:45,840
Speaker 1: that that's what they softened it? They're like, because it is,

537
00:30:45,920 --> 00:30:48,560
Speaker 1: it is corrected in voiceover that I go, I go.

538
00:30:49,200 --> 00:30:55,040
Speaker 1: Chinsky didn't die that day, but our friendship did Hinsky?

539
00:30:55,840 --> 00:30:58,000
Speaker 1: I mean shit, where the fuck did Shinsky come from?

540
00:30:59,240 --> 00:31:02,080
Speaker 1: Came from? I got the full mullet. You've got your

541
00:31:02,160 --> 00:31:05,840
Speaker 1: high top fade. It's not even a fade, it's look. Look,

542
00:31:06,160 --> 00:31:08,400
Speaker 1: I love the fact because this is real talk, and

543
00:31:08,640 --> 00:31:11,480
Speaker 1: a lot of my brothers out there know exactly what

544
00:31:11,600 --> 00:31:15,680
Speaker 1: I'm talking about. You get the fresh cut when you're young.

545
00:31:18,840 --> 00:31:21,440
Speaker 1: A lot of us don't got money like that to

546
00:31:21,560 --> 00:31:24,080
Speaker 1: get another fresh cut the next week or the next

547
00:31:24,160 --> 00:31:27,440
Speaker 1: cut in the next couple of days. So sometimes you

548
00:31:27,480 --> 00:31:32,000
Speaker 1: would go a month, month and a half, two months

549
00:31:32,600 --> 00:31:35,440
Speaker 1: without a fresh cut. If you look at Turk's hair,

550
00:31:36,320 --> 00:31:42,360
Speaker 1: that's Turk's hair. He didn't have money for a fresh cut,

551
00:31:42,480 --> 00:31:44,640
Speaker 1: so his fade is no longer. It's still got the

552
00:31:44,760 --> 00:31:48,040
Speaker 1: box shape, but it's damn near in Afro do you

553
00:31:48,200 --> 00:31:51,000
Speaker 1: remember do you remember when you were when they were

554
00:31:51,040 --> 00:31:53,960
Speaker 1: picking those wigs that do you remember thinking like, oh,

555
00:31:54,080 --> 00:31:56,000
Speaker 1: this needs to be cleaned up, or it's funny like that.

556
00:31:56,320 --> 00:31:58,240
Speaker 1: I was like, why can't we use the one from

557
00:31:58,280 --> 00:32:00,440
Speaker 1: the pilot because the one in the pilot is sick

558
00:32:00,600 --> 00:32:03,800
Speaker 1: and they were like, no, it just doesn't look realistic enough.

559
00:32:04,080 --> 00:32:07,360
Speaker 1: I was like, this ship doesn't look realistic. I used

560
00:32:07,360 --> 00:32:09,160
Speaker 1: to be so mad, but they were like, it's funny.

561
00:32:09,200 --> 00:32:11,360
Speaker 1: I'm sorry, this is what it's kind of. It was funny,

562
00:32:11,480 --> 00:32:13,680
Speaker 1: but I didn't, you know, for someone who doesn't have

563
00:32:14,440 --> 00:32:16,760
Speaker 1: that kind of hair, I didn't. It was always lops.

564
00:32:16,840 --> 00:32:18,240
Speaker 1: I used to hate when I had to put that

565
00:32:18,320 --> 00:32:21,680
Speaker 1: on because it was all I thought. It was so funny. Well,

566
00:32:22,280 --> 00:32:25,120
Speaker 1: we're not supposed to look good, dudek my fucking mullet, dude,

567
00:32:25,160 --> 00:32:27,720
Speaker 1: no doubt hindsight being twenty twenty, Well, I thought I

568
00:32:27,880 --> 00:32:31,760
Speaker 1: was thinking, kidn't play high top fate. Hindsight being twenty twenty,

569
00:32:32,200 --> 00:32:34,600
Speaker 1: it is hilarious when I look back at it now.

570
00:32:35,720 --> 00:32:40,240
Speaker 1: But that being said, right at the moment in time,

571
00:32:40,560 --> 00:32:42,600
Speaker 1: I was like, I just want a fresh cut. Please

572
00:32:42,640 --> 00:32:44,440
Speaker 1: give me a fresh cut. I don't know why they

573
00:32:44,480 --> 00:32:46,880
Speaker 1: couldn't clean. Can't you clean a wig up? Can't you

574
00:32:47,000 --> 00:32:51,200
Speaker 1: like how didn't shape it? Dude? My wig anomics is

575
00:32:51,280 --> 00:32:55,760
Speaker 1: not really high. I don't have a high wig anomics. Cue.

576
00:32:57,040 --> 00:32:58,600
Speaker 1: I don't know what that means. You mean your wig

577
00:32:58,680 --> 00:33:03,960
Speaker 1: knowledge or wiganomics. It's a science, due all right? Now?

578
00:33:04,040 --> 00:33:06,160
Speaker 1: How about when I push you in the fucking bushes?

579
00:33:06,240 --> 00:33:10,000
Speaker 1: That shit's hilarious because Molly tells me she only is

580
00:33:10,040 --> 00:33:13,160
Speaker 1: attracted to like troubled guys. I go on this huge

581
00:33:13,240 --> 00:33:15,120
Speaker 1: monologue about how fucked up my life is and how

582
00:33:15,160 --> 00:33:17,680
Speaker 1: I'm very well done too. Not only did you have

583
00:33:17,800 --> 00:33:22,200
Speaker 1: to direct, but you had to deliver a heartfelt need

584
00:33:22,320 --> 00:33:24,760
Speaker 1: to get that ass monologue. You need to get that

585
00:33:24,840 --> 00:33:27,720
Speaker 1: ass monologue. That is the ultimate example of like say

586
00:33:27,800 --> 00:33:31,440
Speaker 1: whatever you got to say to get the girl to

587
00:33:31,600 --> 00:33:34,400
Speaker 1: get that ass. It to go to get that ass,

588
00:33:34,680 --> 00:33:37,520
Speaker 1: Dad asked, I mean, first of all, let's talk about

589
00:33:37,560 --> 00:33:40,000
Speaker 1: how there's two moments in this where I was called

590
00:33:40,040 --> 00:33:43,040
Speaker 1: upon to shoot Heather. Talk about a good directing assignment

591
00:33:43,720 --> 00:33:46,920
Speaker 1: for your first TV job. In the script, there's two

592
00:33:47,000 --> 00:33:50,560
Speaker 1: moments that are sort of sexual fantasies about Heather Graham.

593
00:33:51,160 --> 00:33:55,560
Speaker 1: Will you be able to accomplish those? Uh, mister director, Yeah,

594
00:33:55,800 --> 00:33:59,719
Speaker 1: I got this, but she gives it to you at

595
00:33:59,760 --> 00:34:02,880
Speaker 1: the end too. But the innocent version of it. Oh,

596
00:34:03,000 --> 00:34:05,000
Speaker 1: you know what I mean? What about the stretch with

597
00:34:05,160 --> 00:34:07,160
Speaker 1: the thong. I mean, I'm sorry to sound like a

598
00:34:07,240 --> 00:34:09,680
Speaker 1: teenage boy, but when she does the yawn stretch with

599
00:34:09,840 --> 00:34:13,239
Speaker 1: the thongs showing. Yeah, but it's it's the lip bite,

600
00:34:13,480 --> 00:34:15,080
Speaker 1: the lip bite. You know, I'm a sucker for a

601
00:34:15,120 --> 00:34:16,880
Speaker 1: lip bite. I must spressed that I don't know if

602
00:34:16,920 --> 00:34:18,920
Speaker 1: she was throwing and left left lip bites left and

603
00:34:19,080 --> 00:34:21,920
Speaker 1: right without me. Well, she she's always done it. I'm

604
00:34:21,920 --> 00:34:24,959
Speaker 1: telling you. Look at license to drive like lip bites

605
00:34:25,000 --> 00:34:28,480
Speaker 1: and license to drive and in swingers and come on, dude,

606
00:34:28,520 --> 00:34:31,640
Speaker 1: I didn't my Heather Graham was a lip biter. It's

607
00:34:31,719 --> 00:34:33,600
Speaker 1: like it was like a signature type of thing. So

608
00:34:33,719 --> 00:34:35,320
Speaker 1: you asked her to do it. She does it for

609
00:34:35,520 --> 00:34:39,040
Speaker 1: you when the sexual fantasy, and then she gives it

610
00:34:39,120 --> 00:34:42,799
Speaker 1: to you at the end when it's the goodbye so long,

611
00:34:43,320 --> 00:34:46,360
Speaker 1: and it's even better because it's the cute. You know,

612
00:34:46,600 --> 00:34:48,440
Speaker 1: it could have been us. It could have been us.

613
00:34:48,560 --> 00:34:50,680
Speaker 1: But I am such a I am such a That's

614
00:34:50,719 --> 00:34:55,279
Speaker 1: my kryptonite. I'm a sucker for the for the lip bite. Dude.

615
00:34:55,280 --> 00:34:59,439
Speaker 1: It's man, you captured all of the look man, it's

616
00:34:59,520 --> 00:35:01,920
Speaker 1: and it's not because I love you. It is what

617
00:35:02,120 --> 00:35:04,840
Speaker 1: I do what I do. But you captured all of

618
00:35:04,880 --> 00:35:08,600
Speaker 1: the great moments from my youth that I love about movies.

619
00:35:08,640 --> 00:35:10,840
Speaker 1: If I walk away from a movie feeling like this,

620
00:35:11,239 --> 00:35:13,239
Speaker 1: like this is almost like la la land, you know

621
00:35:13,320 --> 00:35:15,680
Speaker 1: what I mean? What if they would That's the highest

622
00:35:15,719 --> 00:35:17,759
Speaker 1: praise there is from you. No, but think about it.

623
00:35:17,840 --> 00:35:19,719
Speaker 1: What if they would have gotten together, you know what

624
00:35:19,800 --> 00:35:23,919
Speaker 1: I mean? And then and then and then Elliott would

625
00:35:23,920 --> 00:35:26,800
Speaker 1: have never the whole thing with Elliot would have never happened.

626
00:35:27,560 --> 00:35:31,600
Speaker 1: It's such an important moment in and JD doesn't even

627
00:35:31,680 --> 00:35:34,280
Speaker 1: realize it. It's such an important moment in the JD

628
00:35:34,640 --> 00:35:39,080
Speaker 1: Elliott relationship. Her sleep. It's obvious her sleeping, which your

629
00:35:39,120 --> 00:35:42,399
Speaker 1: brother isn't going to ruin the relationship for the two

630
00:35:42,440 --> 00:35:45,080
Speaker 1: of you, but you're sleeping with her best friend, with

631
00:35:45,200 --> 00:35:50,080
Speaker 1: her mentor would fucking devastate her. I know we're being

632
00:35:50,200 --> 00:35:52,360
Speaker 1: so it's like more the roses. I mean, Elliot and

633
00:35:52,400 --> 00:35:55,000
Speaker 1: I are fucking going for broke in terms of fucking

634
00:35:55,080 --> 00:35:58,680
Speaker 1: with each other. She fucked my brother, now I'm trying

635
00:35:58,719 --> 00:36:02,239
Speaker 1: to sleep with her fucking men tour. It's like it's

636
00:36:02,280 --> 00:36:07,000
Speaker 1: like war. Yeah, yeah, it's Oh, it's such a great

637
00:36:07,120 --> 00:36:09,960
Speaker 1: It's such a great I mean, like, dude, you did

638
00:36:10,160 --> 00:36:13,080
Speaker 1: you did a really good job. This is well directed

639
00:36:13,120 --> 00:36:16,040
Speaker 1: and kudos to the crew. Kudos to the who wrote

640
00:36:16,080 --> 00:36:18,160
Speaker 1: this episode. It's Mike Schwartz. I mean, you know how

641
00:36:18,200 --> 00:36:19,960
Speaker 1: it goes all they all work on it, but Mike

642
00:36:20,120 --> 00:36:22,120
Speaker 1: is the head writer on the Kudos to the writers.

643
00:36:22,200 --> 00:36:26,760
Speaker 1: Kudos Mike Schwartz, Like well edited. Everything was well edited,

644
00:36:26,920 --> 00:36:30,319
Speaker 1: you know what I mean, Like it's it's lit well

645
00:36:30,520 --> 00:36:34,600
Speaker 1: it's I mean, it's an epic adventure yeah, and Scrubs

646
00:36:35,160 --> 00:36:38,960
Speaker 1: that but that fits this before we went off the rails,

647
00:36:39,040 --> 00:36:42,440
Speaker 1: before We're crazy out of control, it's an epic adventure

648
00:36:42,520 --> 00:36:48,719
Speaker 1: that still fits the Scrubs mold. After this season, we're gone, dude,

649
00:36:49,440 --> 00:36:52,160
Speaker 1: It's like, what do you mean you feel like the

650
00:36:52,280 --> 00:36:55,719
Speaker 1: tone changed in season five? I think we get so

651
00:36:55,840 --> 00:36:59,200
Speaker 1: whacky by the time, Like we're starting to show you

652
00:36:59,320 --> 00:37:02,960
Speaker 1: whackiness here, like if we're if if if we're dealing

653
00:37:03,000 --> 00:37:06,120
Speaker 1: out little bits of wackiness here by the time we

654
00:37:06,200 --> 00:37:10,879
Speaker 1: get to the by the time we have season five season, dude,

655
00:37:10,960 --> 00:37:15,320
Speaker 1: my hand freezes and I use it to come to

656
00:37:16,360 --> 00:37:22,279
Speaker 1: on my wife's head and when she's pregnant an ice pack.

657
00:37:22,560 --> 00:37:24,840
Speaker 1: As I know, But we have, we've we've we've already

658
00:37:24,840 --> 00:37:27,640
Speaker 1: talked about there's moments where like it's so the show's

659
00:37:27,640 --> 00:37:30,680
Speaker 1: already been so surreal it gets I don't know, Maybe

660
00:37:30,680 --> 00:37:34,239
Speaker 1: you're right, I I honestly don't remember what happens, dude.

661
00:37:34,280 --> 00:37:37,080
Speaker 1: Our bigger Listen, our big adventures after this aren't this.

662
00:37:37,239 --> 00:37:39,960
Speaker 1: Our big adventures after this, our musicals. Our big adventures

663
00:37:40,000 --> 00:37:43,600
Speaker 1: are Wizard of Oz homages, and our our big adventures

664
00:37:43,640 --> 00:37:48,120
Speaker 1: after this, our fantasies to you know, like, uh, um,

665
00:37:49,080 --> 00:37:51,279
Speaker 1: this that was what we were spending money on. After that,

666
00:37:51,360 --> 00:37:56,560
Speaker 1: we got really uh what's the word I'm looking for? Silly? No,

667
00:37:56,760 --> 00:37:58,960
Speaker 1: not so, we got special effects, see you know what

668
00:37:59,000 --> 00:38:02,120
Speaker 1: I mean, Like it just got everything got really, it

669
00:38:02,239 --> 00:38:04,640
Speaker 1: got brighter, we got shiny all of a sudden. When

670
00:38:04,680 --> 00:38:07,799
Speaker 1: it became the special episode, this still fit the mold

671
00:38:08,000 --> 00:38:11,000
Speaker 1: of this is what Scrubs look like. We were still

672
00:38:11,200 --> 00:38:12,480
Speaker 1: you know, I don't know, man, I don't know how

673
00:38:12,480 --> 00:38:15,160
Speaker 1: to explain it. Well, you just love it. How about

674
00:38:15,160 --> 00:38:18,399
Speaker 1: that scooter stunt into the wall? Now, I remember saying

675
00:38:18,480 --> 00:38:22,439
Speaker 1: to the stunt man, because I was directing and also

676
00:38:22,520 --> 00:38:25,320
Speaker 1: supposed to be on the scooter, that you've somehow fixed

677
00:38:25,440 --> 00:38:29,520
Speaker 1: all like Turtain knows how to fix scooters. I remember

678
00:38:29,560 --> 00:38:31,320
Speaker 1: saying to him, like, so, how do we do this,

679
00:38:31,600 --> 00:38:33,919
Speaker 1: Like how do we make sure you don't get hurt?

680
00:38:34,080 --> 00:38:36,520
Speaker 1: He's like, well, I really just have to drive it

681
00:38:36,560 --> 00:38:39,040
Speaker 1: into the wall. And I was like, um, yeah, there's

682
00:38:39,080 --> 00:38:42,240
Speaker 1: no like, there's nothing really to be done to ensure

683
00:38:42,320 --> 00:38:45,359
Speaker 1: your safety. And he's like, no, I'm just gonna drive

684
00:38:45,400 --> 00:38:51,520
Speaker 1: the scooter in the wall. Because he does. I mean,

685
00:38:51,560 --> 00:38:53,279
Speaker 1: I don't know if we sped it up a tiny bit,

686
00:38:53,360 --> 00:38:56,000
Speaker 1: maybe in post, but he just fucking drives that scooter

687
00:38:56,000 --> 00:38:58,000
Speaker 1: in the wall and it hits the wall straight up,

688
00:38:58,120 --> 00:39:01,120
Speaker 1: and then there's blood on the wall, and the janitor's pissed.

689
00:39:01,400 --> 00:39:03,880
Speaker 1: Is this your head blood? Is this your head blood? Now?

690
00:39:04,000 --> 00:39:06,280
Speaker 1: That was fucking now. First of all, it's in addition

691
00:39:06,320 --> 00:39:08,440
Speaker 1: to all the things that made this epic, we had

692
00:39:08,480 --> 00:39:11,200
Speaker 1: to go out to the middle of nowhere to do

693
00:39:11,360 --> 00:39:13,560
Speaker 1: this place where the janitor drops me off. Do you

694
00:39:13,600 --> 00:39:15,920
Speaker 1: remember we went there. I don't know where that was,

695
00:39:16,040 --> 00:39:18,720
Speaker 1: but I remember that it felt like we were running

696
00:39:18,719 --> 00:39:20,920
Speaker 1: on a track when we were running. No, no, we were.

697
00:39:21,200 --> 00:39:23,000
Speaker 1: I remember we location scouted for it, and it was

698
00:39:23,120 --> 00:39:24,879
Speaker 1: you know, we were looking for it has to feel

699
00:39:24,920 --> 00:39:29,320
Speaker 1: like middle of fucking nowhere. And we shot it at night, obviously,

700
00:39:29,920 --> 00:39:33,600
Speaker 1: and I remember it just being I remember we had

701
00:39:33,600 --> 00:39:35,400
Speaker 1: a crane because there's some cool crane shots. But I

702
00:39:35,440 --> 00:39:39,040
Speaker 1: remember laughing so hard at so many things. The janitor

703
00:39:39,120 --> 00:39:40,920
Speaker 1: pushes me out of the van and I'm like, what

704
00:39:41,000 --> 00:39:43,600
Speaker 1: are you doing? And he goes, it's been four years.

705
00:39:44,200 --> 00:39:47,759
Speaker 1: How do you not get how this works? You know?

706
00:39:47,800 --> 00:39:49,640
Speaker 1: Because he's just leaving me in the middle of nowhere.

707
00:39:50,000 --> 00:39:53,480
Speaker 1: It was a great, it's it's how you get stranded

708
00:39:54,040 --> 00:40:02,080
Speaker 1: this look, man, I can't say this enough. You've You've

709
00:40:02,120 --> 00:40:05,000
Speaker 1: made your point. It's it reminds me of license to drive. No,

710
00:40:05,280 --> 00:40:07,719
Speaker 1: but how do you make this? How do you make

711
00:40:07,840 --> 00:40:12,359
Speaker 1: this show with all these ridiculous look like, dude, it's

712
00:40:12,440 --> 00:40:15,560
Speaker 1: the scope of this. Where did we shoot this? Tell me? Please?

713
00:40:16,440 --> 00:40:19,040
Speaker 1: I know that. I mean, I'm sure it was you know,

714
00:40:19,680 --> 00:40:21,920
Speaker 1: within a half hour from the hospital and in the

715
00:40:22,040 --> 00:40:26,040
Speaker 1: valley that this this this middle of nowhere moment. And

716
00:40:26,160 --> 00:40:28,000
Speaker 1: then it had to be a park. It was a park.

717
00:40:28,120 --> 00:40:30,040
Speaker 1: It had to be a park. Well, I know there's

718
00:40:30,040 --> 00:40:32,239
Speaker 1: like fucked up cars and shit. We added that. I

719
00:40:32,280 --> 00:40:34,160
Speaker 1: don't think there was any like garbage there and stuff.

720
00:40:34,200 --> 00:40:36,400
Speaker 1: We added that stuff. But dude, so, how funny is

721
00:40:36,440 --> 00:40:40,000
Speaker 1: I call you and I calling on my cell phone

722
00:40:41,000 --> 00:40:46,759
Speaker 1: and and then what happens? You're checking your diabetes right,

723
00:40:47,000 --> 00:40:49,040
Speaker 1: and I say, come here, I need you, and then

724
00:40:49,160 --> 00:40:54,080
Speaker 1: Judy come and Judy drives you, and then what happened?

725
00:40:54,080 --> 00:40:56,279
Speaker 1: You say something that I said? So she says, She says,

726
00:40:56,320 --> 00:40:59,200
Speaker 1: I can't believe he's doing this for sex, and I go,

727
00:40:59,360 --> 00:41:01,879
Speaker 1: it's not for sex, it's for sex with Molly shit,

728
00:41:02,400 --> 00:41:04,719
Speaker 1: I'd kill someone to have sex with Molly. Yeah, and

729
00:41:04,840 --> 00:41:09,360
Speaker 1: you're my wife. Sorry, your wife's not really down with that.

730
00:41:09,920 --> 00:41:14,000
Speaker 1: She's like, that's it, and she drives off, leaving us. Yeah,

731
00:41:14,040 --> 00:41:16,160
Speaker 1: and then you come back and then you come to

732
00:41:16,239 --> 00:41:20,080
Speaker 1: me and and and I'm like, yo, what were you

733
00:41:20,160 --> 00:41:22,880
Speaker 1: doing all the way out there? And you're treat back Kyle.

734
00:41:23,480 --> 00:41:26,120
Speaker 1: I was like, oh, you got your phone? He took it.

735
00:41:29,200 --> 00:41:33,040
Speaker 1: And then we're running in the field. That's hilarious. My

736
00:41:33,239 --> 00:41:39,960
Speaker 1: outfits too tight, mine constricting, contracting, my too lots. And

737
00:41:40,000 --> 00:41:43,000
Speaker 1: then we switch much better. And then you're like, you're

738
00:41:43,040 --> 00:41:45,080
Speaker 1: like and then you're like, I don't think I can

739
00:41:45,160 --> 00:41:48,000
Speaker 1: make it, and I'm like, just think about just think

740
00:41:48,000 --> 00:41:50,520
Speaker 1: about Molly. And then you cut to the fantasy and

741
00:41:50,640 --> 00:41:54,200
Speaker 1: then you start running really fast. Now that's what I'm

742
00:41:54,360 --> 00:41:58,239
Speaker 1: talking about. By the way, you look ripped that This

743
00:41:58,400 --> 00:42:00,480
Speaker 1: is back then. This is when I thought I was fat.

744
00:42:00,680 --> 00:42:03,239
Speaker 1: This is when you weren't fat. Man, Your body looks

745
00:42:03,640 --> 00:42:05,920
Speaker 1: I wish I looked like like Tay Diggs. Baby, I

746
00:42:05,960 --> 00:42:08,799
Speaker 1: wish I looked like that. Still you look fierce. Um,

747
00:42:09,000 --> 00:42:11,400
Speaker 1: I don't. I've never heard a coyote called a kyote.

748
00:42:11,960 --> 00:42:16,080
Speaker 1: Is that a thing. Yeah, sure, all right, but it's

749
00:42:16,520 --> 00:42:20,400
Speaker 1: never and I never heard the expression being treated by something.

750
00:42:20,480 --> 00:42:26,040
Speaker 1: Have you heard that? Yeah, like I roofed it or

751
00:42:26,640 --> 00:42:29,320
Speaker 1: you treat that shit. I never heard that before. But

752
00:42:29,440 --> 00:42:32,239
Speaker 1: there's something so funny about saying that was treat I

753
00:42:32,360 --> 00:42:35,840
Speaker 1: was treated by that kyote? Did you you improvise that

754
00:42:35,920 --> 00:42:39,359
Speaker 1: shit too? If I remember correctly right, I don't think

755
00:42:39,400 --> 00:42:41,560
Speaker 1: I mean it may have been a One thing that

756
00:42:41,680 --> 00:42:44,120
Speaker 1: was great about this episode, by the way, is um

757
00:42:45,040 --> 00:42:46,799
Speaker 1: I do have some jokes, and that for the first

758
00:42:46,840 --> 00:42:49,200
Speaker 1: time ever, I had some jokes that were written in

759
00:42:49,440 --> 00:42:54,000
Speaker 1: because we we scheduled me directing this. Obviously, a director

760
00:42:54,080 --> 00:42:57,279
Speaker 1: needs a week to prep, so we would when every

761
00:42:57,320 --> 00:43:00,320
Speaker 1: time I directed any of the Scrubs episodes I directed,

762
00:43:00,320 --> 00:43:02,560
Speaker 1: it would come after a hiatus week that we had

763
00:43:02,640 --> 00:43:05,040
Speaker 1: so I could have that prior week to prep. And

764
00:43:05,239 --> 00:43:07,600
Speaker 1: one of the great things about prepping was when I

765
00:43:07,719 --> 00:43:10,359
Speaker 1: wasn't off location scouting or casting or doing other things

766
00:43:10,440 --> 00:43:14,880
Speaker 1: directors do, um Bill was totally down and and welcoming

767
00:43:14,920 --> 00:43:16,840
Speaker 1: me into the writer's room. So I would sit with

768
00:43:16,920 --> 00:43:20,480
Speaker 1: the writers on my episodes and pitch jokes just like

769
00:43:20,520 --> 00:43:22,160
Speaker 1: everybody else. And so I do have a handful that

770
00:43:22,200 --> 00:43:24,000
Speaker 1: got in here. But I can't take credit for treat

771
00:43:24,040 --> 00:43:26,360
Speaker 1: by Kayote because I didn't even heard that expression before.

772
00:43:26,520 --> 00:43:29,960
Speaker 1: It's hilarious. We may have made up. We may have

773
00:43:30,080 --> 00:43:35,960
Speaker 1: made up. He took it together at your phone, he

774
00:43:36,120 --> 00:43:40,800
Speaker 1: took it. He took it, um JD. Where are you hurry?

775
00:43:41,000 --> 00:43:43,840
Speaker 1: Oh my goodness, I remember when I remember when we

776
00:43:43,920 --> 00:43:47,880
Speaker 1: were shooting that. Um Bill came down to set and

777
00:43:47,960 --> 00:43:51,279
Speaker 1: he was like, oh my god, I do remember this.

778
00:43:52,800 --> 00:43:56,840
Speaker 1: It's like, I'm talking for a second. What did he expect?

779
00:43:57,160 --> 00:44:01,160
Speaker 1: What did you expect me? Did he take you aside?

780
00:44:01,600 --> 00:44:04,040
Speaker 1: Was he like, yeo, hold on, come here? But I remember, dick.

781
00:44:04,120 --> 00:44:06,040
Speaker 1: He was being a dick because obviously, but it was

782
00:44:06,360 --> 00:44:09,600
Speaker 1: it was out of control though we had been on

783
00:44:09,840 --> 00:44:13,279
Speaker 1: that like I was there, Like, I don't know why

784
00:44:13,280 --> 00:44:14,400
Speaker 1: you were there. There was no reason for you to

785
00:44:14,480 --> 00:44:17,040
Speaker 1: be there. Why were you visiting set that moment? Because

786
00:44:17,080 --> 00:44:19,640
Speaker 1: we were shooting. It was still shooting. We were still shooting, dude.

787
00:44:19,640 --> 00:44:21,480
Speaker 1: We had to shoot all of that in one day.

788
00:44:21,600 --> 00:44:23,920
Speaker 1: We had to shoot her. No, I'm talking about her

789
00:44:23,960 --> 00:44:27,600
Speaker 1: in bed going j D. That's the that's the bedroom

790
00:44:27,719 --> 00:44:32,120
Speaker 1: next door to the to the um that's your bedroom.

791
00:44:32,280 --> 00:44:34,480
Speaker 1: That's the apartment room. So we shot all of the

792
00:44:34,560 --> 00:44:38,840
Speaker 1: apartment stuff that day, so I don't know remembers. It

793
00:44:38,880 --> 00:44:41,160
Speaker 1: was a really embarrassing moment because, first of all, it

794
00:44:41,239 --> 00:44:44,160
Speaker 1: was written in the script that this Molly and Lingerie

795
00:44:44,320 --> 00:44:47,400
Speaker 1: is calling from me, all right, but of course, you know,

796
00:44:48,120 --> 00:44:50,560
Speaker 1: Bill comes to set and I've got like Heather Graham

797
00:44:50,640 --> 00:44:53,279
Speaker 1: and Lingerie in bed doing her lip bites, and the

798
00:44:53,480 --> 00:44:56,760
Speaker 1: and the cameras dollying in and there's like atmosphere smoke

799
00:44:56,800 --> 00:44:59,520
Speaker 1: in the air, and I remember building like, oh my god,

800
00:44:59,600 --> 00:45:01,840
Speaker 1: what are you doing, like trying to try to embarrass

801
00:45:01,840 --> 00:45:03,279
Speaker 1: me in front of the crew, like I'm something like

802
00:45:04,239 --> 00:45:06,840
Speaker 1: I don't know, fucking pervert, but I'm like you wrote it, bro,

803
00:45:07,000 --> 00:45:10,160
Speaker 1: I'm just fucking executing this ship. Very funny and very

804
00:45:10,440 --> 00:45:13,120
Speaker 1: very funny for the joke. Yeah, and she, you know,

805
00:45:13,239 --> 00:45:15,400
Speaker 1: she was so game to like, you know, Heather, you

806
00:45:15,480 --> 00:45:17,480
Speaker 1: could have someone like Heather, who's who's been a sex

807
00:45:17,520 --> 00:45:19,480
Speaker 1: symbol type for so long and who could say like, oh,

808
00:45:19,560 --> 00:45:21,840
Speaker 1: come on, I'm gona do another one of these like

809
00:45:22,400 --> 00:45:26,040
Speaker 1: blonde bombshell fantasy things. But she was like so in

810
00:45:26,160 --> 00:45:28,920
Speaker 1: on the joke and fun about it. You ever see

811
00:45:28,960 --> 00:45:33,320
Speaker 1: both Finger. Oh my god, I love both Finger. I

812
00:45:33,360 --> 00:45:35,359
Speaker 1: mean he goes when when when Eddie goes, You're doing

813
00:45:35,440 --> 00:45:40,160
Speaker 1: it great, You're doing great, You're gonna be a big star.

814
00:45:40,960 --> 00:45:45,120
Speaker 1: I gotta rewatch Movinger. I only thought it once. What, Yeah,

815
00:45:45,160 --> 00:45:47,480
Speaker 1: you you've seen it more than once. Oh my goodness,

816
00:45:47,480 --> 00:45:50,399
Speaker 1: I've seen that movie so many times. I never thought

817
00:45:50,440 --> 00:45:53,640
Speaker 1: I'd ever see a movie with two people like Eddie

818
00:45:53,760 --> 00:45:57,560
Speaker 1: Murphy and uh, Steve Martin. I thought Eddie Murphy had

819
00:45:57,560 --> 00:45:59,680
Speaker 1: gotten to the point where he didn't have to do

820
00:45:59,800 --> 00:46:02,960
Speaker 1: movies with people like that anymore, Like he was enough.

821
00:46:03,719 --> 00:46:07,400
Speaker 1: But Eddie, first of all, he steals the movie. But

822
00:46:07,719 --> 00:46:10,439
Speaker 1: Steve Martin carries the movie. You know what I mean? Yeah,

823
00:46:10,600 --> 00:46:14,600
Speaker 1: it's really again, I remember laughing so hard. It's really interesting.

824
00:46:14,920 --> 00:46:18,120
Speaker 1: It's really it's really I get the dynamic of the

825
00:46:18,360 --> 00:46:20,960
Speaker 1: of having the two now, like when you had Sydney

826
00:46:21,040 --> 00:46:24,440
Speaker 1: Potier and Bill Cosby Doo movies together, I get the dynamic.

827
00:46:24,600 --> 00:46:27,000
Speaker 1: Or when you have like Vince Vaughan and and and

828
00:46:27,239 --> 00:46:30,080
Speaker 1: and Jon Favreau, do I get or Zach Braff and

829
00:46:30,160 --> 00:46:32,680
Speaker 1: Donald Faison, I get the I get the dynamic. You

830
00:46:32,719 --> 00:46:39,920
Speaker 1: know what I mean? I I it took. I just

831
00:46:40,000 --> 00:46:43,160
Speaker 1: get the dynamic and I and I thank Eddie Murphy

832
00:46:43,239 --> 00:46:46,560
Speaker 1: and and uh Steve Martin for that. Like, well, if

833
00:46:46,600 --> 00:46:50,960
Speaker 1: you haven't seen Both Finger our our friends listeners, check

834
00:46:51,000 --> 00:46:53,280
Speaker 1: it out. It's laugh out loud funny. And Eddie Murphy

835
00:46:53,440 --> 00:46:57,680
Speaker 1: plays twins, right, he does play twins. He plays Kit

836
00:46:57,840 --> 00:47:01,239
Speaker 1: and he plays his twin brother. And the nerdy one

837
00:47:01,480 --> 00:47:04,480
Speaker 1: is the funniest thing I've ever seen. Well, the dialogue

838
00:47:04,520 --> 00:47:07,520
Speaker 1: that Kit has is really funny. Also, dude like, like,

839
00:47:09,040 --> 00:47:11,880
Speaker 1: you know, he's he's a part of this religious cult

840
00:47:11,960 --> 00:47:14,720
Speaker 1: and the reason why he's a part of it because

841
00:47:14,760 --> 00:47:17,800
Speaker 1: he's going crazy. Hears a voice in his head and

842
00:47:17,880 --> 00:47:20,000
Speaker 1: they're like, well, what's the boys say to you? Kit?

843
00:47:20,200 --> 00:47:25,600
Speaker 1: He's like, as I sit here before you, the Laker

844
00:47:25,719 --> 00:47:36,359
Speaker 1: girls must be taken down a pega two. Oh my god,

845
00:47:38,520 --> 00:47:40,399
Speaker 1: you're making me. I'm gonna watch this movie tonight. You're

846
00:47:40,400 --> 00:47:44,080
Speaker 1: reminding me how funny. It's so good man, it's so funny.

847
00:47:44,360 --> 00:47:47,239
Speaker 1: And they make it's about making a movie in Hollywood

848
00:47:47,360 --> 00:47:49,360
Speaker 1: where you know you don't have a budget, and so

849
00:47:49,480 --> 00:47:52,719
Speaker 1: you're stealing ways to make movies. And that's this dude

850
00:47:52,840 --> 00:47:56,359
Speaker 1: hires a bunch of people from home depot his crew,

851
00:47:57,239 --> 00:48:00,000
Speaker 1: and then it's also I think I remember another reason

852
00:48:00,000 --> 00:48:02,040
Speaker 1: and I really liked it. It was like a comedy

853
00:48:02,160 --> 00:48:04,399
Speaker 1: that's also behind the scenes of making a movie, which

854
00:48:04,400 --> 00:48:07,120
Speaker 1: I appreciate. And so you know, at the beginning, these

855
00:48:07,160 --> 00:48:10,200
Speaker 1: guys have zero idea on how to you know, work

856
00:48:10,280 --> 00:48:12,239
Speaker 1: a camera, and by the end of it, they're you know,

857
00:48:12,360 --> 00:48:15,040
Speaker 1: they're great. It's just such a funny movie. Man. All right, funny.

858
00:48:15,080 --> 00:48:17,080
Speaker 1: There you go. There's your recommendation of the week. Everybody

859
00:48:17,160 --> 00:48:20,360
Speaker 1: check out both finger. Um, let's talk about how we

860
00:48:20,520 --> 00:48:27,840
Speaker 1: find Kelso with a prostitute. Yeah, you gotta take your

861
00:48:27,880 --> 00:48:30,399
Speaker 1: shoes off if you're coming in movies. If you guys

862
00:48:30,480 --> 00:48:36,520
Speaker 1: want to give me shoes off. So it's official, everybody,

863
00:48:36,680 --> 00:48:43,120
Speaker 1: Kelso um enjoy enjoy sex workers. Is she a sex worker? Well, yeah,

864
00:48:43,120 --> 00:48:45,359
Speaker 1: I guess so, because she's dressed up like a sex worker, right,

865
00:48:45,440 --> 00:48:48,480
Speaker 1: I mean, that's that's not a massage. That's not a massage, bro.

866
00:48:49,000 --> 00:48:52,200
Speaker 1: I think it's safe to infer that there was banging

867
00:48:52,320 --> 00:48:58,920
Speaker 1: going on. Um, oh my god, so that was I

868
00:48:59,080 --> 00:49:01,080
Speaker 1: forgot if it was too different locations or if that

869
00:49:01,160 --> 00:49:04,320
Speaker 1: was all on the universal backst No, that's sacred heart hospital.

870
00:49:04,680 --> 00:49:07,520
Speaker 1: Everything that we did institute was in the hospital, and

871
00:49:07,760 --> 00:49:10,080
Speaker 1: then pulling off my gown was in the hospital. The

872
00:49:10,200 --> 00:49:13,880
Speaker 1: only thing that the only thing that is on the

873
00:49:14,040 --> 00:49:17,200
Speaker 1: lot is you zip from the zip line on is

874
00:49:17,280 --> 00:49:20,120
Speaker 1: you at the lot? Right? I remember I had to

875
00:49:20,239 --> 00:49:22,960
Speaker 1: go I remember I had to go into the tower

876
00:49:23,080 --> 00:49:27,080
Speaker 1: of that building and wait to pretend like it was

877
00:49:27,200 --> 00:49:30,000
Speaker 1: me standing behind you. That was the only reason why.

878
00:49:30,040 --> 00:49:32,440
Speaker 1: And then I had to zip down. I didn't zip down,

879
00:49:32,520 --> 00:49:36,239
Speaker 1: but don't. Right. That was so funny. So yeah, those

880
00:49:36,280 --> 00:49:38,560
Speaker 1: buildings on the back lot, they don't have interiors, they

881
00:49:38,680 --> 00:49:41,759
Speaker 1: just they're just facades. And so when we were so yeah,

882
00:49:41,800 --> 00:49:43,920
Speaker 1: all of that stuff, even you're right, Donald, even the

883
00:49:44,080 --> 00:49:46,560
Speaker 1: even us when I rip off your gown, that's um

884
00:49:46,920 --> 00:49:50,040
Speaker 1: we built. They built a window in the wall that

885
00:49:50,320 --> 00:49:53,000
Speaker 1: was one of the doors, and we did it at that.

886
00:49:53,320 --> 00:49:56,480
Speaker 1: We did it like it was we did it there right, right,

887
00:49:56,560 --> 00:49:58,759
Speaker 1: And then the building and then the building they made

888
00:49:58,840 --> 00:50:01,480
Speaker 1: the hallway I really I think it was the first floor.

889
00:50:01,840 --> 00:50:06,120
Speaker 1: They made the hallway look like apartment building, right, And

890
00:50:06,200 --> 00:50:09,120
Speaker 1: it was like that for a while too. Yeah, you're right,

891
00:50:09,160 --> 00:50:10,920
Speaker 1: But dude, how funny is it when I rip off

892
00:50:10,960 --> 00:50:17,640
Speaker 1: your gown it's hilarious. It is a great it's a

893
00:50:17,719 --> 00:50:20,080
Speaker 1: great moment. It's a great moment. So then we have

894
00:50:20,200 --> 00:50:24,120
Speaker 1: the coolest shot in Scrubs history where I zip line

895
00:50:24,120 --> 00:50:28,200
Speaker 1: across the street and then the stuntman nailed. I did,

896
00:50:28,280 --> 00:50:31,640
Speaker 1: actually did ziplining, but I stopped shy of nailing that that.

897
00:50:31,800 --> 00:50:33,400
Speaker 1: What do you call those things? What do you call

898
00:50:33,480 --> 00:50:38,879
Speaker 1: the roll down protector of the store the storefront gate? Yeah,

899
00:50:38,960 --> 00:50:42,680
Speaker 1: whatever it is, um, And the guy fucking really took

900
00:50:42,680 --> 00:50:46,080
Speaker 1: a nice hit and then shakes in the air. He

901
00:50:46,239 --> 00:50:49,080
Speaker 1: shimmy's in the air, Dude, how do you do that?

902
00:50:49,840 --> 00:50:52,759
Speaker 1: He hits the wall and use you know the and

903
00:50:53,080 --> 00:50:56,840
Speaker 1: propels off the wall using using his body. He shimmy's

904
00:50:56,840 --> 00:50:59,680
Speaker 1: in the air like the fourth I could. I don't

905
00:50:59,680 --> 00:51:01,840
Speaker 1: know how you do it. He hit the wall, and

906
00:51:02,040 --> 00:51:05,839
Speaker 1: after he hit the wall, that split second in the air,

907
00:51:05,960 --> 00:51:09,839
Speaker 1: he shakes and then falls. Now I loved it. When

908
00:51:09,880 --> 00:51:12,200
Speaker 1: I pop up, I've got spaghetti in my hair, and

909
00:51:12,480 --> 00:51:16,360
Speaker 1: I'm trying to act like I I it's just a coincidence.

910
00:51:16,360 --> 00:51:25,840
Speaker 1: We're running into each other, and I go, Molly, so funny,

911
00:51:26,160 --> 00:51:30,560
Speaker 1: I can't, dude, so funny, so funny, man like, And

912
00:51:30,680 --> 00:51:32,759
Speaker 1: then this, and then the conversation that you too have

913
00:51:33,000 --> 00:51:37,200
Speaker 1: and and the note Sarah Elliott gets me back. Man,

914
00:51:37,840 --> 00:51:43,120
Speaker 1: now we're even who's a wish? That'sen Brothers. I knew

915
00:51:43,120 --> 00:51:46,520
Speaker 1: it was Carrie. Honestly, oh you, I think we should

916
00:51:46,600 --> 00:51:48,239
Speaker 1: end the show with it, since it's one of the

917
00:51:48,360 --> 00:51:51,000
Speaker 1: rare opportunities we can play our friends music. That is,

918
00:51:51,120 --> 00:51:58,600
Speaker 1: the Brothers used to sleep to that song when beautiful

919
00:51:59,040 --> 00:52:04,200
Speaker 1: when around this time, a beautiful song, around the time,

920
00:52:04,320 --> 00:52:07,960
Speaker 1: this song was so I needed this song, so wish.

921
00:52:10,680 --> 00:52:17,400
Speaker 1: Oh my guy. Honestly, oh, you guys are sleeping on

922
00:52:17,520 --> 00:52:19,520
Speaker 1: Carrie Brothers if you're not listening to his music. And

923
00:52:19,640 --> 00:52:23,440
Speaker 1: by the way, it's one man's name. Carrie Brothers is

924
00:52:23,520 --> 00:52:26,279
Speaker 1: his last name. So many people think it's the Carry Brothers. No,

925
00:52:26,440 --> 00:52:29,160
Speaker 1: it's Carrie Brothers. Yeah, but I mean a lot of

926
00:52:30,239 --> 00:52:32,719
Speaker 1: Daniel's one of those people who thought it was Carry Brothers.

927
00:52:32,920 --> 00:52:35,200
Speaker 1: It's like, I can't find the Carrey Brothers anywhere. Man,

928
00:52:35,320 --> 00:52:38,360
Speaker 1: what kind of what we're looking for? Daniel, Remind me

929
00:52:38,400 --> 00:52:40,920
Speaker 1: we're gonna end the show with Carrey Brothers, the human,

930
00:52:41,040 --> 00:52:43,799
Speaker 1: not the not to a pair of brothers, and we're

931
00:52:43,800 --> 00:52:45,680
Speaker 1: doing a fan called We Have I mean, I guess

932
00:52:45,719 --> 00:52:47,560
Speaker 1: we're getting close. I still have more to talk about,

933
00:52:47,560 --> 00:52:49,480
Speaker 1: but we're gonna take a break and we're gonna go

934
00:52:49,560 --> 00:52:53,520
Speaker 1: to the fan call right right back after these words

935
00:52:53,640 --> 00:53:03,400
Speaker 1: from our friends at you and we're bad and we're bad.

936
00:53:04,200 --> 00:53:06,040
Speaker 1: You got to talk about the live show, because that's

937
00:53:06,080 --> 00:53:10,120
Speaker 1: getting more real, right, Choel. All I know is I

938
00:53:10,200 --> 00:53:12,479
Speaker 1: woke up this morning and it was like, sixty five

939
00:53:12,760 --> 00:53:16,600
Speaker 1: emails's happening. It's really I couldn't catch up. I had

940
00:53:16,680 --> 00:53:18,839
Speaker 1: to read. I was like, dang, oh my gosh, it's

941
00:53:18,880 --> 00:53:23,160
Speaker 1: like we read a script. Well, um, you know, while

942
00:53:23,200 --> 00:53:27,680
Speaker 1: you're sleeping, we're planning. Well, I'm caught up now, and

943
00:53:28,480 --> 00:53:32,200
Speaker 1: we're we're aiming for This isn't solidified, right, Joel, but

944
00:53:32,280 --> 00:53:35,319
Speaker 1: we're aiming for the last Friday in March, that's right,

945
00:53:35,960 --> 00:53:39,960
Speaker 1: and then um, it'll be like maybe two hours somewhere

946
00:53:40,000 --> 00:53:43,320
Speaker 1: in there. And um we found that we oh, I

947
00:53:43,440 --> 00:53:47,480
Speaker 1: found this app one of my followers on Instagram, which

948
00:53:47,520 --> 00:53:49,400
Speaker 1: you should be if you're not following me, come on,

949
00:53:49,480 --> 00:53:51,520
Speaker 1: I'm close to one point five. I need to get

950
00:53:51,560 --> 00:53:54,239
Speaker 1: over the edge. I need to edge edge me guys,

951
00:53:54,440 --> 00:54:05,320
Speaker 1: edge mail. Um all right, sorry, um you guys U.

952
00:54:05,800 --> 00:54:10,200
Speaker 1: One of my followers friends told me that there's this

953
00:54:10,960 --> 00:54:13,359
Speaker 1: website you can just do. It's called like instant straw

954
00:54:13,440 --> 00:54:16,239
Speaker 1: poles or some straw straw pole, so we can just

955
00:54:16,440 --> 00:54:18,480
Speaker 1: like we can just tell everyone to go on there

956
00:54:18,520 --> 00:54:20,600
Speaker 1: and ask a question and they can and it's like instant.

957
00:54:20,640 --> 00:54:22,640
Speaker 1: You'll see like the numbers move. So we can use that.

958
00:54:22,800 --> 00:54:26,160
Speaker 1: Donald since the program we're using to do the live

959
00:54:26,239 --> 00:54:28,800
Speaker 1: show doesn't have a pole feature, but we learned that

960
00:54:28,880 --> 00:54:30,600
Speaker 1: we could do it separately if we want to, let's

961
00:54:30,680 --> 00:54:34,000
Speaker 1: do it. And um, we are going to pull you

962
00:54:34,080 --> 00:54:37,680
Speaker 1: and play we should play family feud? Oh yeah, we

963
00:54:37,760 --> 00:54:42,160
Speaker 1: asked a hundred listeners. I'm dead serious though, I was

964
00:54:42,280 --> 00:54:45,600
Speaker 1: reached out to and to see how my family wanted

965
00:54:45,640 --> 00:54:49,400
Speaker 1: to play family feud. Wait are you serious? I'm dead serious.

966
00:54:49,520 --> 00:54:53,560
Speaker 1: My family does not live in Los Angeles, California, so

967
00:54:53,760 --> 00:54:57,040
Speaker 1: they can fucking get a RV if they don't want

968
00:54:57,040 --> 00:54:59,759
Speaker 1: to fly. I was saying. I was saying, I have

969
00:55:00,040 --> 00:55:03,359
Speaker 1: a family right here at Fake Doctor's Real Friends. Why

970
00:55:03,480 --> 00:55:06,000
Speaker 1: not do a fake doctors If I could get it

971
00:55:06,080 --> 00:55:08,279
Speaker 1: to happen, why couldn't we do a fake Doctor's Real

972
00:55:08,360 --> 00:55:11,160
Speaker 1: Friends family feud? We could promote the show, and we

973
00:55:11,239 --> 00:55:13,759
Speaker 1: could promote the and we could be on fake and

974
00:55:13,800 --> 00:55:16,360
Speaker 1: we could be on Family Feud. I'm just saying it's possible.

975
00:55:16,400 --> 00:55:18,759
Speaker 1: I don't know. That's amazing. Look how happy that Daniel

976
00:55:18,880 --> 00:55:21,600
Speaker 1: is about the idea I love. I don't know if

977
00:55:21,640 --> 00:55:23,160
Speaker 1: that's pot. I don't I don't know if it's pot.

978
00:55:23,200 --> 00:55:24,279
Speaker 1: I don't know if it's I don't know if. Well.

979
00:55:24,320 --> 00:55:26,479
Speaker 1: First of all, I have two thoughts. I have two thoughts.

980
00:55:26,719 --> 00:55:28,560
Speaker 1: I would love to go on Family Feud as our

981
00:55:28,600 --> 00:55:32,319
Speaker 1: fake doctor's real friends family um. But also I would

982
00:55:32,320 --> 00:55:35,240
Speaker 1: be thoroughly entertained by your actual family going. I'm scared

983
00:55:35,280 --> 00:55:36,640
Speaker 1: to do that. I would be too scared to do that.

984
00:55:36,719 --> 00:55:39,320
Speaker 1: I'm sorry. Your mom would be hilarious, Yeah, I know,

985
00:55:39,520 --> 00:55:42,440
Speaker 1: I I yeah, you know what I yeah, And my

986
00:55:42,640 --> 00:55:46,440
Speaker 1: dad would be hilarious, and your brothers would be hilarious

987
00:55:46,920 --> 00:55:50,640
Speaker 1: and would be hilarious, and I would be so embarrassed.

988
00:55:50,760 --> 00:55:55,239
Speaker 1: And so therefore you listen. I love these listeners. Don't

989
00:55:55,280 --> 00:55:57,320
Speaker 1: they know Casey a little bit from from listening to

990
00:55:57,400 --> 00:56:00,600
Speaker 1: the show. She's so funny and charming. The obviously don't

991
00:56:00,600 --> 00:56:03,000
Speaker 1: know your mom and your brothers. I mean, they would

992
00:56:03,040 --> 00:56:05,440
Speaker 1: be hilarious. I don't know why you're even thinking about this,

993
00:56:05,680 --> 00:56:07,960
Speaker 1: but yeah, I'd rather be us anyway. I think it

994
00:56:08,000 --> 00:56:10,160
Speaker 1: should be us, and they're not gonna choose like a

995
00:56:10,320 --> 00:56:13,080
Speaker 1: po podcast. Yeah, obviously we could do it for why not?

996
00:56:13,200 --> 00:56:15,160
Speaker 1: I got you, dude, I got me, and you are

997
00:56:15,160 --> 00:56:17,040
Speaker 1: you kidding me? They'd be like, wait, hold up, you

998
00:56:17,120 --> 00:56:19,160
Speaker 1: and Zach I willing to do it? You think you

999
00:56:19,200 --> 00:56:21,879
Speaker 1: can maybe get like h then they're gonna then they're

1000
00:56:21,920 --> 00:56:24,239
Speaker 1: gonna go down to the Scrubs cast wormhole, where I'd

1001
00:56:24,360 --> 00:56:29,080
Speaker 1: rather have Joelle and Daniel. I would rather that too,

1002
00:56:29,200 --> 00:56:32,680
Speaker 1: because then we're promoting fake doctor's real friends. Scrubs is

1003
00:56:32,719 --> 00:56:36,480
Speaker 1: no longer on, and just promote Scrubs anyway. Tell them

1004
00:56:36,560 --> 00:56:39,200
Speaker 1: that we're interested as long as we can promote our podcast.

1005
00:56:40,320 --> 00:56:45,120
Speaker 1: All right, let's go to the fans. Well, your wife

1006
00:56:45,200 --> 00:56:47,879
Speaker 1: can come on too, because she's technically part of the pod. Yeah,

1007
00:56:47,880 --> 00:56:49,799
Speaker 1: I know. She was like, this is what she said,

1008
00:56:49,920 --> 00:56:52,280
Speaker 1: this is and I'll get Florence too. No, no, Florence

1009
00:56:52,440 --> 00:56:54,439
Speaker 1: gonna do it. That's what my wife said. My wife said,

1010
00:56:54,480 --> 00:56:57,680
Speaker 1: I know Florence Wiley doesn't even know what. I'm sure

1011
00:56:57,680 --> 00:56:59,520
Speaker 1: she doesn't know what family Feud is she doesn't grow

1012
00:56:59,600 --> 00:57:01,600
Speaker 1: up on that like we did. I grew up in

1013
00:57:02,000 --> 00:57:03,960
Speaker 1: and it's and it's and it's Steve Harvey too. So

1014
00:57:04,160 --> 00:57:06,480
Speaker 1: I know, come on, Bud, I would love I just

1015
00:57:06,560 --> 00:57:09,120
Speaker 1: want to I just want to say something that's worthy

1016
00:57:09,320 --> 00:57:12,600
Speaker 1: of a Steve Harvey deadpan fig. Yes. So look, if

1017
00:57:12,640 --> 00:57:14,520
Speaker 1: you're listening to Family Feud, I guess this is the

1018
00:57:14,560 --> 00:57:17,040
Speaker 1: pitch right here. I don't know if I don't know

1019
00:57:17,080 --> 00:57:19,560
Speaker 1: if the bookers at Family Feud listen to the podcast,

1020
00:57:19,640 --> 00:57:24,920
Speaker 1: but we're down. They know what's good down. Um, all right,

1021
00:57:25,000 --> 00:57:27,640
Speaker 1: let's bring in the collar. What we got today? We

1022
00:57:27,840 --> 00:57:36,080
Speaker 1: have two people, yeah, huh, huh huh. He give it

1023
00:57:36,240 --> 00:57:45,600
Speaker 1: up for Rachel Libertine and right right right, that's right, Tyler,

1024
00:57:45,680 --> 00:57:50,120
Speaker 1: I'm sorry. And Tyler, who is at the hospital with

1025
00:57:50,360 --> 00:57:54,080
Speaker 1: the dopest pool badge I've ever seen in my live

1026
00:57:54,560 --> 00:57:56,880
Speaker 1: He got a pool badge. You too can get a

1027
00:57:56,960 --> 00:58:00,440
Speaker 1: pull batch all right, first one, it's called badge pulls. Okay,

1028
00:58:01,040 --> 00:58:02,920
Speaker 1: So I want to show I want to tell the

1029
00:58:03,200 --> 00:58:06,120
Speaker 1: listeners that Tyler appears to work in a hospital, or

1030
00:58:06,320 --> 00:58:10,000
Speaker 1: is that correct? I work for a hospital. I'm actually

1031
00:58:10,400 --> 00:58:13,160
Speaker 1: in a training room. This is my office at a

1032
00:58:13,280 --> 00:58:17,960
Speaker 1: high school. Okay, questions, but more apparently more importantly, he's

1033
00:58:17,960 --> 00:58:21,160
Speaker 1: wearing a badge pull with our faces on it, which

1034
00:58:23,000 --> 00:58:26,360
Speaker 1: it's I think, well maybe, yeah, it's a badge pull.

1035
00:58:26,400 --> 00:58:34,400
Speaker 1: But okay, um um there for sale, all right, get

1036
00:58:34,480 --> 00:58:36,280
Speaker 1: him for your friends and for your friends. You need

1037
00:58:36,320 --> 00:58:38,840
Speaker 1: badge bulls. You guys, what's going on? We know nothing.

1038
00:58:38,960 --> 00:58:42,919
Speaker 1: We have a two very good looking people. Um. I'm

1039
00:58:43,000 --> 00:58:45,400
Speaker 1: hoping that you're dating, uh, in love with each other

1040
00:58:45,520 --> 00:58:47,800
Speaker 1: and separated or something, Joelle, Is that the story? Well,

1041
00:58:47,920 --> 00:58:50,120
Speaker 1: I don't want them to be separated, No, but they're

1042
00:58:50,160 --> 00:58:52,600
Speaker 1: not in the same zoom windows. So I'm thinking it's

1043
00:58:52,640 --> 00:58:56,200
Speaker 1: like a long lost love, love that can't be forbidden

1044
00:58:56,280 --> 00:58:59,360
Speaker 1: love Jack Jack going into the ocean at the end

1045
00:58:59,400 --> 00:59:01,840
Speaker 1: of titan He could have got on that, he could

1046
00:59:01,880 --> 00:59:03,840
Speaker 1: have got on, Rachel. There's plenty of room on the

1047
00:59:03,960 --> 00:59:08,560
Speaker 1: door for Tyler. Sorry, that's a deep Titanic joke. All right,

1048
00:59:08,560 --> 00:59:11,120
Speaker 1: go ahead, Rachel. What's going on here? Oh no, we're

1049
00:59:11,160 --> 00:59:14,640
Speaker 1: just we're both like we're at separate work workplaces right now.

1050
00:59:14,800 --> 00:59:17,560
Speaker 1: So not not a long distance situation. Okay, I was

1051
00:59:17,600 --> 00:59:19,880
Speaker 1: trying to make it more romantic. First of all, where

1052
00:59:19,880 --> 00:59:21,920
Speaker 1: are you from and where are you at? We are

1053
00:59:22,040 --> 00:59:28,280
Speaker 1: in Cleveland, east side, Cleveland area, okay, And I had

1054
00:59:28,320 --> 00:59:31,280
Speaker 1: to remind myself Donald, what's the place that you love

1055
00:59:31,320 --> 00:59:38,400
Speaker 1: to eat in Cleveland? Again, there's Slimon, Slimon, That's what

1056
00:59:38,520 --> 00:59:51,440
Speaker 1: I was thinking of it also Mabels Mabels, Okay, barbecue. Yeah. Well,

1057
00:59:51,560 --> 00:59:56,480
Speaker 1: Tyler Ruden because he wanted us to help fix Rachel's life. Okay,

1058
00:59:56,520 --> 01:00:02,640
Speaker 1: we'll go right well, I um, Rachel is a physician.

1059
01:00:03,240 --> 01:00:06,920
Speaker 1: Got hold on what's one second, ladies and gentlemen, it's

1060
01:00:07,000 --> 01:00:12,760
Speaker 1: time for Cleveland, Ohio's favorite segment. It's time too. Thanks

1061
01:00:13,400 --> 01:00:21,120
Speaker 1: you live Tyler. When you guys are a couple, right, Yes, yes, sir,

1062
01:00:21,240 --> 01:00:24,440
Speaker 1: we are okay, and Um and you are are in

1063
01:00:24,560 --> 01:00:27,680
Speaker 1: different workplaces, so um and are you both in the

1064
01:00:27,760 --> 01:00:31,960
Speaker 1: medical fields? Yes, sir? I once again, I'm an I

1065
01:00:32,000 --> 01:00:36,640
Speaker 1: fight charing in the sports medicine realm uh Rachel um

1066
01:00:36,760 --> 01:00:40,400
Speaker 1: and she'll explain more clearly. She is a doctor, a

1067
01:00:40,520 --> 01:00:46,680
Speaker 1: resident physician UM in the Cleveland System Hospital systems UM,

1068
01:00:47,080 --> 01:00:52,120
Speaker 1: and I have I've been emailing Joel on a day

1069
01:00:52,160 --> 01:00:54,520
Speaker 1: to day basis, kind of like saying, hey, you know,

1070
01:00:54,600 --> 01:00:57,360
Speaker 1: I really like to give Rachel some recognition for all

1071
01:00:57,400 --> 01:01:00,360
Speaker 1: the hard work. She's going through a bit of a

1072
01:01:01,720 --> 01:01:05,960
Speaker 1: career crisis right now of where her jobs going, and

1073
01:01:06,360 --> 01:01:07,840
Speaker 1: I really want to give her a little bit of

1074
01:01:07,880 --> 01:01:11,840
Speaker 1: a platform and also some recognition for all the work. Um.

1075
01:01:12,080 --> 01:01:15,720
Speaker 1: One thing with Scrubs is being a resident in scrubs

1076
01:01:15,760 --> 01:01:18,960
Speaker 1: and it's like you work so much and you get

1077
01:01:19,120 --> 01:01:25,160
Speaker 1: little to know time for yourself and the recognition and uh,

1078
01:01:25,400 --> 01:01:29,040
Speaker 1: the just overall what you deserve to be given at

1079
01:01:29,240 --> 01:01:33,800
Speaker 1: for all all you sacrifice. Um and Joel picked up

1080
01:01:33,840 --> 01:01:36,480
Speaker 1: on it, and I really just wanted to give Rachel

1081
01:01:36,520 --> 01:01:39,160
Speaker 1: a little bit of like, just have you guys give

1082
01:01:39,200 --> 01:01:41,000
Speaker 1: her some advice on so well we will, But I

1083
01:01:41,040 --> 01:01:43,040
Speaker 1: gotta start off by saying you must are you as

1084
01:01:43,080 --> 01:01:46,120
Speaker 1: married or dating dating? I gotta say you're a really

1085
01:01:46,160 --> 01:01:50,480
Speaker 1: good boyfriend because you've been stalking Joel to give your

1086
01:01:50,840 --> 01:01:56,560
Speaker 1: your your partner some affirmation slash advice and that just

1087
01:01:57,200 --> 01:01:59,200
Speaker 1: I don't know, it just means you. I sense that

1088
01:01:59,240 --> 01:02:03,360
Speaker 1: you're a good man. Thank you, thank you. Maybe it

1089
01:02:03,480 --> 01:02:05,880
Speaker 1: might be the badge pull, but I just something about you,

1090
01:02:08,680 --> 01:02:12,880
Speaker 1: all right, Rachel? Alight, Rachel, how can we fix your life?

1091
01:02:13,200 --> 01:02:16,000
Speaker 1: Not only do you have Donald, but you have Danelon Joel.

1092
01:02:16,080 --> 01:02:18,720
Speaker 1: We're here for you. This is your time to shine.

1093
01:02:19,400 --> 01:02:22,080
Speaker 1: No one's listening. No one across the earth is listening

1094
01:02:22,160 --> 01:02:25,760
Speaker 1: but us six. Nobody can hear you. Just just this.

1095
01:02:25,920 --> 01:02:28,280
Speaker 1: What happens here stays here. Yes, No, you can talk

1096
01:02:28,320 --> 01:02:32,120
Speaker 1: shit about your job whatever you want. Oh gosh, okay. Um,

1097
01:02:33,040 --> 01:02:35,520
Speaker 1: I think the biggest thing I guess, you know, in

1098
01:02:35,680 --> 01:02:38,160
Speaker 1: terms of fix my life, which yes, I should take

1099
01:02:38,200 --> 01:02:40,320
Speaker 1: a second and say that this is amazing that Tyler

1100
01:02:40,440 --> 01:02:43,720
Speaker 1: did this. Um definitely the probably the most supportive thing

1101
01:02:43,720 --> 01:02:49,200
Speaker 1: anyone's ever done for me, so m thank you. But UM,

1102
01:02:49,640 --> 01:02:52,880
Speaker 1: I think in terms of you know, how you guys

1103
01:02:52,960 --> 01:02:56,760
Speaker 1: can help out or maybe some advice is how to

1104
01:02:57,000 --> 01:03:00,960
Speaker 1: get through the pay your dues kind of you know,

1105
01:03:01,120 --> 01:03:06,120
Speaker 1: time in your career. So you know, I've seventeen eighteen

1106
01:03:06,200 --> 01:03:09,280
Speaker 1: years old, good at science, so I figured why not

1107
01:03:09,400 --> 01:03:11,800
Speaker 1: just go to you know, do med school, do that process,

1108
01:03:11,960 --> 01:03:14,560
Speaker 1: go through pre med and you're kind of on this

1109
01:03:14,760 --> 01:03:17,600
Speaker 1: journey and you wake up one day and you struggle

1110
01:03:17,680 --> 01:03:19,520
Speaker 1: to realize, like, is this really what I even want

1111
01:03:19,560 --> 01:03:24,840
Speaker 1: to be doing? Am I really enjoying this? And I'm

1112
01:03:24,880 --> 01:03:27,480
Speaker 1: sure in your own personal lives obviously professionally, you guys

1113
01:03:27,520 --> 01:03:31,120
Speaker 1: played residence. You guys you know, were residents who had

1114
01:03:31,160 --> 01:03:35,240
Speaker 1: to go through residency in the concept of paying your dues.

1115
01:03:35,440 --> 01:03:39,000
Speaker 1: So just kind of curious in your own lives, when

1116
01:03:39,080 --> 01:03:41,000
Speaker 1: have you guys had to do that? And like, how

1117
01:03:42,200 --> 01:03:44,400
Speaker 1: how can I navigate this time where I'm just kind

1118
01:03:44,400 --> 01:03:46,400
Speaker 1: of climbing up a ladder and hoping that I get

1119
01:03:46,440 --> 01:03:49,520
Speaker 1: to the top and it's a great view, but right

1120
01:03:49,600 --> 01:03:54,120
Speaker 1: now it's pretty tough. Well, we have the perfect analogy,

1121
01:03:54,240 --> 01:03:56,280
Speaker 1: and it's not in being medicine, because when we were

1122
01:03:56,360 --> 01:03:59,760
Speaker 1: pretending to me in medicine, we were stars getting treated

1123
01:04:00,000 --> 01:04:02,520
Speaker 1: really well and having our own personal dressing rooms, and

1124
01:04:03,080 --> 01:04:04,800
Speaker 1: all we had to do is go try and make

1125
01:04:04,840 --> 01:04:08,320
Speaker 1: people laugh. But the analogy that's perfect is trying to

1126
01:04:08,400 --> 01:04:11,560
Speaker 1: be actors, because we we had you at least have

1127
01:04:11,680 --> 01:04:13,640
Speaker 1: a guarantee that if you work your ass off and

1128
01:04:13,840 --> 01:04:18,280
Speaker 1: make it true, you're going to be, you know, the

1129
01:04:18,480 --> 01:04:21,440
Speaker 1: highest thing you can be in society, a doctor that

1130
01:04:21,560 --> 01:04:23,480
Speaker 1: helps people. I mean, I don't think that there's any

1131
01:04:23,960 --> 01:04:27,720
Speaker 1: greater the way you can give back to society. I mean,

1132
01:04:27,800 --> 01:04:29,880
Speaker 1: it's just like the greatest in my mind, the greatest

1133
01:04:29,960 --> 01:04:34,520
Speaker 1: honor and career there is, but Donald and I you know,

1134
01:04:34,680 --> 01:04:37,640
Speaker 1: had to go out there with no idea if we

1135
01:04:37,720 --> 01:04:41,600
Speaker 1: would ever get work. In fact, for my first audition

1136
01:04:41,680 --> 01:04:43,720
Speaker 1: was when I was thirteen years old. I got little

1137
01:04:43,760 --> 01:04:46,080
Speaker 1: things here and there, but I didn't really get a

1138
01:04:46,200 --> 01:04:50,840
Speaker 1: meaningful job until twenty five, Right, Donald, do you want

1139
01:04:50,840 --> 01:04:52,520
Speaker 1: to speak to that? Yeah, you know, I think I

1140
01:04:52,920 --> 01:04:56,480
Speaker 1: feel like I'm still paying my dues, I'm still to

1141
01:04:56,720 --> 01:04:59,080
Speaker 1: the It's it's a journey, you know what I mean.

1142
01:04:59,120 --> 01:05:02,200
Speaker 1: You said it in in everything you were talking about,

1143
01:05:02,320 --> 01:05:05,520
Speaker 1: you said the keyword, it is a journey. That's the

1144
01:05:05,640 --> 01:05:09,560
Speaker 1: best part of this whole thing. Paying your dues and

1145
01:05:09,800 --> 01:05:16,680
Speaker 1: getting the accolades for you know, putting the work in.

1146
01:05:17,840 --> 01:05:19,600
Speaker 1: That's still a part of the journey. Because at the

1147
01:05:19,720 --> 01:05:22,080
Speaker 1: end of Scrubs, I'm still an actor and I'm still

1148
01:05:22,160 --> 01:05:24,280
Speaker 1: searching and trying to get another job, you know what

1149
01:05:24,360 --> 01:05:28,360
Speaker 1: I mean. I'm still trying to continuing further my career.

1150
01:05:29,360 --> 01:05:34,600
Speaker 1: And there was a you know, you're always gonna have

1151
01:05:34,760 --> 01:05:37,480
Speaker 1: to pay your dues, and there's gonna be great times.

1152
01:05:37,560 --> 01:05:40,080
Speaker 1: There's gonna be times where you're like this is so awesome,

1153
01:05:40,320 --> 01:05:42,000
Speaker 1: and there's gonna be times where it's like I don't

1154
01:05:42,000 --> 01:05:44,880
Speaker 1: know why I'm doing this, but it's the journey. That's

1155
01:05:44,920 --> 01:05:47,640
Speaker 1: the reward is the journey, I promise you it's not.

1156
01:05:47,960 --> 01:05:53,200
Speaker 1: There's nothing else You'll You'll get so much. You'll get

1157
01:05:53,280 --> 01:05:57,080
Speaker 1: so much out of it when it stops becoming, when

1158
01:05:57,120 --> 01:05:59,560
Speaker 1: it stops becoming. Well, if I work this hard, I'm

1159
01:05:59,560 --> 01:06:03,960
Speaker 1: gonna get this and just accept that. You know, I

1160
01:06:04,120 --> 01:06:08,560
Speaker 1: love what I do. Let me just experience what it has.

1161
01:06:08,960 --> 01:06:11,640
Speaker 1: Think about also like the different I mean, you are

1162
01:06:11,720 --> 01:06:14,240
Speaker 1: so blessed in a way that most people aren't in

1163
01:06:14,480 --> 01:06:18,760
Speaker 1: that you every day can make a difference in someone's life. Um,

1164
01:06:19,200 --> 01:06:23,600
Speaker 1: you know, most people who are who have who are good.

1165
01:06:24,200 --> 01:06:28,360
Speaker 1: We all we hope to change people's lives for the better.

1166
01:06:28,480 --> 01:06:30,280
Speaker 1: We know we do this little comedy show. We hope

1167
01:06:30,320 --> 01:06:32,800
Speaker 1: we make people giggle a little bit. We you know,

1168
01:06:32,920 --> 01:06:35,560
Speaker 1: we go out in the real world. I think that

1169
01:06:35,720 --> 01:06:38,600
Speaker 1: we like to say that we are good human beings.

1170
01:06:39,280 --> 01:06:42,400
Speaker 1: You are doing something that every day there is tangible

1171
01:06:42,560 --> 01:06:45,040
Speaker 1: evidence that you're making a difference in people's lives. And

1172
01:06:45,120 --> 01:06:47,240
Speaker 1: I know we know how hard it is, just from

1173
01:06:47,360 --> 01:06:51,000
Speaker 1: faking it and and and getting to know real doctors.

1174
01:06:51,120 --> 01:06:54,440
Speaker 1: We know how hard it is for you but but

1175
01:06:54,600 --> 01:06:58,680
Speaker 1: I mean, obviously your workload will will lighten up in time,

1176
01:06:58,840 --> 01:07:01,680
Speaker 1: and just think about I think you just have the

1177
01:07:01,800 --> 01:07:05,560
Speaker 1: greatest gift, the ability to genuinely affect people's lives for

1178
01:07:05,640 --> 01:07:10,320
Speaker 1: the better. I can't imagine a greater honor than that. Well, yeah,

1179
01:07:10,560 --> 01:07:15,000
Speaker 1: I mean, maybe you don't hear it enough. You're a hero,

1180
01:07:15,520 --> 01:07:17,280
Speaker 1: you know what I mean. Maybe that's something you don't

1181
01:07:17,320 --> 01:07:20,320
Speaker 1: hear enough. Maybe that's what you need to hear, you know,

1182
01:07:21,080 --> 01:07:26,840
Speaker 1: more often. And and it's true you you know, I

1183
01:07:26,920 --> 01:07:29,480
Speaker 1: don't know what your situation is. I don't know, but

1184
01:07:29,800 --> 01:07:34,520
Speaker 1: you're definitely in the path of what's killing a lot

1185
01:07:34,600 --> 01:07:37,760
Speaker 1: of Americans right now just by being in a hospital,

1186
01:07:37,960 --> 01:07:40,560
Speaker 1: you know what I mean. So you are a hero

1187
01:07:40,920 --> 01:07:44,800
Speaker 1: and you need to understand that. And I know, to

1188
01:07:44,960 --> 01:07:47,760
Speaker 1: your magnitude, I can't, I can't. I don't even know

1189
01:07:47,840 --> 01:07:50,040
Speaker 1: how to explain what it is that you go through.

1190
01:07:50,520 --> 01:07:56,800
Speaker 1: But from my experience, the lows are just is are

1191
01:07:56,960 --> 01:08:00,720
Speaker 1: are are low, but the highs are so wonderful and

1192
01:08:01,040 --> 01:08:04,560
Speaker 1: so rewarding, and you know, just stayed the path and stay.

1193
01:08:04,800 --> 01:08:07,640
Speaker 1: Not to mention there's so many people in your position

1194
01:08:07,720 --> 01:08:10,880
Speaker 1: that don't have a partner that they're crazy about well

1195
01:08:10,960 --> 01:08:13,160
Speaker 1: that that's that that don't have a partner that's as

1196
01:08:13,240 --> 01:08:16,400
Speaker 1: supportive raw supportive. But also I mean, look at the guy,

1197
01:08:16,520 --> 01:08:20,600
Speaker 1: he's a stud. You're doing really well. Um, I just

1198
01:08:20,880 --> 01:08:23,639
Speaker 1: don't work out. You work out, man, you work out.

1199
01:08:23,760 --> 01:08:26,000
Speaker 1: Don't get into it, don't get into his muscle stalk

1200
01:08:26,080 --> 01:08:30,439
Speaker 1: all right, listen, thank Rachel. Rachel. I just want to say, like,

1201
01:08:30,520 --> 01:08:32,519
Speaker 1: I know it's hard, but like there's so many people,

1202
01:08:32,680 --> 01:08:36,160
Speaker 1: no matter what the career, but in particularly medicine I'm sure,

1203
01:08:36,520 --> 01:08:38,920
Speaker 1: who are doing this all alone and are doing it

1204
01:08:39,080 --> 01:08:41,640
Speaker 1: all like oh fucking like, this is so hard, This

1205
01:08:41,720 --> 01:08:42,960
Speaker 1: is so hard. I have no one but I and

1206
01:08:43,040 --> 01:08:44,920
Speaker 1: I have no one to come home too because I'm

1207
01:08:45,000 --> 01:08:48,320
Speaker 1: so focused on my career. You're like in relationship with

1208
01:08:48,439 --> 01:08:52,160
Speaker 1: this awesome guy who's stalking Joel to get you a

1209
01:08:52,280 --> 01:08:55,800
Speaker 1: pep talk from us, Like, um, so you got to

1210
01:08:56,000 --> 01:08:59,519
Speaker 1: just focus on how how blessed you are for all

1211
01:08:59,520 --> 01:09:01,679
Speaker 1: the things. I'm I mean, like what's happening in your life.

1212
01:09:01,840 --> 01:09:04,439
Speaker 1: You're like going to be you are a doctor. You

1213
01:09:04,560 --> 01:09:08,200
Speaker 1: are going to be a career doctor and all the

1214
01:09:08,320 --> 01:09:11,639
Speaker 1: lives you'll affect, and you got this great fella Jesus,

1215
01:09:11,840 --> 01:09:14,519
Speaker 1: I think I loves amazing. It is true. I mean

1216
01:09:14,600 --> 01:09:18,200
Speaker 1: there's a piece of trying to you know, stop the

1217
01:09:18,800 --> 01:09:20,519
Speaker 1: train of just kind of where am I going? Where

1218
01:09:20,520 --> 01:09:22,240
Speaker 1: am I going? And looking around and seeing what I

1219
01:09:22,320 --> 01:09:26,439
Speaker 1: have now for sure need to appreciate that, and I think, um,

1220
01:09:27,280 --> 01:09:30,559
Speaker 1: you know, taking time stepping away and seeing the bigger picture,

1221
01:09:30,600 --> 01:09:34,240
Speaker 1: because there's just a lot of tiny details and mundane tasks,

1222
01:09:34,400 --> 01:09:38,400
Speaker 1: and you know, the day to day can get blurry

1223
01:09:38,520 --> 01:09:40,600
Speaker 1: and you can forget the things that you guys have

1224
01:09:41,000 --> 01:09:43,040
Speaker 1: brought up that come with the job and come with

1225
01:09:43,200 --> 01:09:46,559
Speaker 1: the career. So I mean, just think about I mean,

1226
01:09:46,720 --> 01:09:50,360
Speaker 1: I I just so I'm envious of the difference that

1227
01:09:50,520 --> 01:09:54,120
Speaker 1: you can make in the world. You know, all we

1228
01:09:54,240 --> 01:09:57,080
Speaker 1: can do is hopefully we entertain people, hopefully we make

1229
01:09:57,120 --> 01:09:59,639
Speaker 1: them laugh, hopefully occasionally bring a tear to their eye,

1230
01:10:00,080 --> 01:10:02,880
Speaker 1: and I'm happy with that being a storyteller and is

1231
01:10:02,960 --> 01:10:05,200
Speaker 1: my I feel so fucking lucky I get to do

1232
01:10:05,280 --> 01:10:09,000
Speaker 1: it in any capacity. But for you, I just I'm

1233
01:10:09,200 --> 01:10:12,400
Speaker 1: envious of the fact that you literally and sometimes it

1234
01:10:12,439 --> 01:10:15,400
Speaker 1: will be as extreme as saving someone's life, and sometimes

1235
01:10:15,439 --> 01:10:18,320
Speaker 1: it'll just be like the bedside manner of sitting there

1236
01:10:18,360 --> 01:10:20,760
Speaker 1: and listening to someone who's distraught and nodding your head

1237
01:10:20,800 --> 01:10:23,400
Speaker 1: and making them feel better. I mean, you you can

1238
01:10:23,479 --> 01:10:28,759
Speaker 1: make such a difference in the world. That's fucking thrilling. Yeah. Yeah, again,

1239
01:10:28,840 --> 01:10:32,600
Speaker 1: all things that get like tossed aside sometimes during you know,

1240
01:10:32,720 --> 01:10:35,960
Speaker 1: the training period of the career UM, where it just

1241
01:10:36,080 --> 01:10:39,960
Speaker 1: seems like there's more to learn and more hours to work,

1242
01:10:40,040 --> 01:10:42,240
Speaker 1: and you know, it's easy to forget about those those

1243
01:10:42,320 --> 01:10:45,200
Speaker 1: moments at the bedside, but you're exactly right. They definitely

1244
01:10:45,240 --> 01:10:47,840
Speaker 1: can keep me going. You're gonna you're you're you're nearing

1245
01:10:47,880 --> 01:10:50,840
Speaker 1: the end. Well, you're always gonna have to learn something though.

1246
01:10:50,920 --> 01:10:53,760
Speaker 1: Well yeah, but I'm saying, how much longer of this

1247
01:10:54,120 --> 01:10:57,679
Speaker 1: insane you have no control over your hours situation? About

1248
01:10:57,680 --> 01:10:59,720
Speaker 1: a year and a half, so yeah, definitely. Well, well,

1249
01:10:59,800 --> 01:11:02,479
Speaker 1: I mean, look how far you've made it. You I mean,

1250
01:11:02,560 --> 01:11:04,519
Speaker 1: you can't I know, I know sometimes you I'm sure

1251
01:11:04,640 --> 01:11:06,880
Speaker 1: you want to give up and say fuck this, but

1252
01:11:07,040 --> 01:11:10,439
Speaker 1: I mean you're so close to that, and uh, I

1253
01:11:10,479 --> 01:11:13,080
Speaker 1: don't know. I'm I'm happy for you. I'm excited for you.

1254
01:11:13,400 --> 01:11:14,960
Speaker 1: Do you do you have a specialty that you want

1255
01:11:15,000 --> 01:11:18,840
Speaker 1: to go into. UM, so I work with in pediatrics.

1256
01:11:19,040 --> 01:11:24,040
Speaker 1: So that's you buried the lead. Yeah. I get to

1257
01:11:24,080 --> 01:11:27,320
Speaker 1: work with the all all the kids, the young and

1258
01:11:27,400 --> 01:11:30,479
Speaker 1: the older kids. So um, I like working with the

1259
01:11:30,560 --> 01:11:33,720
Speaker 1: teenagers primarily. Those are actually my favorite patients if I

1260
01:11:33,800 --> 01:11:36,920
Speaker 1: had to pick. So potentially, you know, probably the reason

1261
01:11:36,960 --> 01:11:39,760
Speaker 1: why Tyler and I even uh linked up in the

1262
01:11:39,800 --> 01:11:42,320
Speaker 1: first place. I have an interest in sports medicine as well.

1263
01:11:42,439 --> 01:11:46,280
Speaker 1: So something in those in those lines. Well, I mean,

1264
01:11:46,320 --> 01:11:49,599
Speaker 1: Bumble came through for us. Bumble you guys are Bumble

1265
01:11:49,720 --> 01:11:56,000
Speaker 1: got out to Bumble notes. We're trying to get We're trying,

1266
01:11:56,080 --> 01:11:57,960
Speaker 1: as you know for listening to the podcast, We're trying

1267
01:11:58,040 --> 01:12:00,320
Speaker 1: to get a dating app to sponsor us. We can

1268
01:12:00,400 --> 01:12:03,080
Speaker 1: do a whole Joel's segment on her dating If you

1269
01:12:03,080 --> 01:12:05,160
Speaker 1: remember some of the theme songs that were that were

1270
01:12:05,280 --> 01:12:09,040
Speaker 1: very popular. Um man, do you remember bumble bee Tuna

1271
01:12:09,160 --> 01:12:14,880
Speaker 1: speaking of bumbo bum bum bumboo bee bumboo. I love

1272
01:12:14,960 --> 01:12:21,639
Speaker 1: a salad made with bumboo bee bob. Yeah, the salad

1273
01:12:21,840 --> 01:12:28,840
Speaker 1: made with bumble bee bumboo bee. Um all right, so

1274
01:12:29,280 --> 01:12:32,000
Speaker 1: um wow, I'm uh, you know, we didn't even know

1275
01:12:32,120 --> 01:12:34,840
Speaker 1: you're a pediatric, so that's even more I mean, that's

1276
01:12:34,880 --> 01:12:40,760
Speaker 1: even more special. Um. Listen, there's an expression that my

1277
01:12:40,880 --> 01:12:44,040
Speaker 1: mom taught me. I always think about um, and of

1278
01:12:44,200 --> 01:12:47,000
Speaker 1: course you probably heard it. Um. This two shall pass,

1279
01:12:48,200 --> 01:12:50,719
Speaker 1: and it's important to remember it when things were going great,

1280
01:12:51,760 --> 01:12:54,599
Speaker 1: that you need to savor it because this two shall pass.

1281
01:12:55,479 --> 01:12:59,479
Speaker 1: And remember when things are fucking shitty, because this two

1282
01:12:59,520 --> 01:13:03,679
Speaker 1: shall pass. So get that tattooed on your wrist. Yeah,

1283
01:13:03,800 --> 01:13:07,200
Speaker 1: I definitely had plenty of call ships before. If not

1284
01:13:07,479 --> 01:13:10,920
Speaker 1: your wrist, your forehead, not for it. She's too she's

1285
01:13:10,960 --> 01:13:13,479
Speaker 1: too nice and sweet and pretty for that on her forehead.

1286
01:13:13,600 --> 01:13:15,680
Speaker 1: And I'm sure that Tyler doesn't want a tattoo on

1287
01:13:15,760 --> 01:13:18,360
Speaker 1: her for it. But but maybe you know a little

1288
01:13:18,400 --> 01:13:23,280
Speaker 1: wrist spot right there. Yeah, yeah, all right. I don't

1289
01:13:23,280 --> 01:13:25,479
Speaker 1: know what else to say other than I'm happy for you, guys.

1290
01:13:25,520 --> 01:13:28,880
Speaker 1: I'm happy about bumble if you're single. If you're single,

1291
01:13:29,640 --> 01:13:31,479
Speaker 1: you got to see these two people. They're both like

1292
01:13:32,600 --> 01:13:35,320
Speaker 1: in the medical profession and there they look like models.

1293
01:13:35,360 --> 01:13:37,280
Speaker 1: They're on bumble for you. I'm doing I'm getting bumble

1294
01:13:37,320 --> 01:13:39,960
Speaker 1: a plug for no reason. Bumble. We are at fucking advertising.

1295
01:13:40,000 --> 01:13:43,640
Speaker 1: Thank you, thank you, thank you, are well Joel oh

1296
01:13:43,760 --> 01:13:48,040
Speaker 1: see Daniel's catchphrase Joel let's sign you up for Bumble.

1297
01:13:48,080 --> 01:13:49,640
Speaker 1: Even if they're not a sponsor. I think we can

1298
01:13:49,720 --> 01:13:53,439
Speaker 1: make a difference. Okay, Bumble is the one that that bumbles,

1299
01:13:53,439 --> 01:13:56,679
Speaker 1: the one that gets into your Facebook friends, right, Yeah,

1300
01:13:56,840 --> 01:13:58,760
Speaker 1: and the girl, the woman has to reach out first.

1301
01:13:58,960 --> 01:14:01,880
Speaker 1: So could you You made the first move? I made

1302
01:14:01,920 --> 01:14:06,559
Speaker 1: the first move. Look at that. Oh my god, you stud,

1303
01:14:06,760 --> 01:14:13,360
Speaker 1: you tyler, Tyler, you stud. It's only right. It's only

1304
01:14:13,600 --> 01:14:16,519
Speaker 1: right she came to you. It's only right that you

1305
01:14:16,760 --> 01:14:20,760
Speaker 1: do this for her. Yeah, I love that. Shout out.

1306
01:14:21,000 --> 01:14:27,680
Speaker 1: Scratch my back, guy, scratch yours shout out. Yeah, dat

1307
01:14:28,560 --> 01:14:33,840
Speaker 1: um early fall. Oh it's relatively it is brand new too. Yeah,

1308
01:14:34,200 --> 01:14:37,320
Speaker 1: you're going out all the stops early on. He yet

1309
01:14:38,880 --> 01:14:42,000
Speaker 1: you were supposed to save this for like seven. He's

1310
01:14:42,000 --> 01:14:44,280
Speaker 1: got a good one. He's got a fucking beautiful doctor

1311
01:14:44,320 --> 01:14:45,800
Speaker 1: on the hook. Do you think he's gonna suck it up?

1312
01:14:46,560 --> 01:14:48,680
Speaker 1: And that's where I want to just throw out, like

1313
01:14:49,080 --> 01:14:52,280
Speaker 1: thank you so much, Joel, Like I I just tried

1314
01:14:52,400 --> 01:14:54,720
Speaker 1: for the past couple, like just a month. I've been

1315
01:14:54,960 --> 01:14:58,639
Speaker 1: trying day to day. I'm just like, hey, like given

1316
01:14:58,680 --> 01:15:00,840
Speaker 1: the detail and found like I'm a click picture of us.

1317
01:15:00,880 --> 01:15:02,960
Speaker 1: See if that gets there like trying to fix it up.

1318
01:15:03,040 --> 01:15:05,559
Speaker 1: So I guess to anybody who's trying to get on here,

1319
01:15:06,040 --> 01:15:08,840
Speaker 1: keep working. Joel's see that she's going to get to you.

1320
01:15:09,439 --> 01:15:14,160
Speaker 1: I appreciate that, but please no Dick picks no automatic

1321
01:15:16,280 --> 01:15:18,400
Speaker 1: And I didn't know about this. Dick picks her an

1322
01:15:18,439 --> 01:15:22,400
Speaker 1: automatic disqualification. Well, now you know now, and now you

1323
01:15:22,520 --> 01:15:25,280
Speaker 1: know Tyler by the way, Tyler was gonna resort. He

1324
01:15:25,360 --> 01:15:27,519
Speaker 1: was two weeks away from trying that, but he didn't

1325
01:15:27,560 --> 01:15:36,520
Speaker 1: do it. I feel the cum gutters. He brought it up. Setters,

1326
01:15:38,360 --> 01:15:40,519
Speaker 1: don't don't say sea gutters in front of Rachel. She's

1327
01:15:40,560 --> 01:15:46,120
Speaker 1: too innocent. She got innocent. Well she diagnoses, sir, you

1328
01:15:46,160 --> 01:15:55,320
Speaker 1: have cum gutters. She doesn't. Sorry, all right, we gotta go. Uh,

1329
01:15:55,720 --> 01:15:58,879
Speaker 1: thank you guys. Wait, do you guys have any questions?

1330
01:15:59,120 --> 01:16:02,360
Speaker 1: Do you guys have any question? Well, we did an

1331
01:16:02,400 --> 01:16:04,479
Speaker 1: extra long segment. Do we're going an hour and a half.

1332
01:16:04,479 --> 01:16:07,320
Speaker 1: This is an extra long episode, dude. We got more

1333
01:16:07,360 --> 01:16:09,800
Speaker 1: to say about the episode. R one quick question, go ahead,

1334
01:16:10,320 --> 01:16:12,920
Speaker 1: Rachel saw you all right, So my question is it's

1335
01:16:12,960 --> 01:16:16,879
Speaker 1: our thirty you guys, are you know you're you're finishing

1336
01:16:16,960 --> 01:16:20,000
Speaker 1: being awake for thirty hours you're in the hospital, what's

1337
01:16:20,040 --> 01:16:24,160
Speaker 1: your go to meal? You finally leave the hospital, you

1338
01:16:24,280 --> 01:16:26,720
Speaker 1: have freedom after being awake for so long, So what

1339
01:16:26,960 --> 01:16:28,400
Speaker 1: what's your go to? What do you go? What do

1340
01:16:28,439 --> 01:16:35,240
Speaker 1: you go? Get? Mon Spot roast is all the doctors

1341
01:16:35,280 --> 01:16:38,000
Speaker 1: think about for like less sixteen hours of the call shift.

1342
01:16:38,080 --> 01:16:39,240
Speaker 1: Is like, when what am I going to eat when

1343
01:16:39,240 --> 01:16:42,479
Speaker 1: I'm gone out of here. I was younger, it would

1344
01:16:42,520 --> 01:16:47,240
Speaker 1: have been steak night. We're gonna eat it, right, Mine's

1345
01:16:47,240 --> 01:16:52,160
Speaker 1: going to be a beyond burger, cheese burger with all

1346
01:16:52,200 --> 01:16:58,200
Speaker 1: the fixings fries, and a Oreo cookie milkshake. Yep. But

1347
01:16:58,439 --> 01:17:05,559
Speaker 1: now that I'm an adult, my last my meal after

1348
01:17:05,680 --> 01:17:08,879
Speaker 1: I get out, it's usually something like it's something crazy

1349
01:17:09,560 --> 01:17:12,360
Speaker 1: like crispy cream, doughnuts and a beer. You can't beat it.

1350
01:17:13,439 --> 01:17:16,720
Speaker 1: A shower beer. You can't beat it. Love a shower beer.

1351
01:17:17,960 --> 01:17:21,240
Speaker 1: You have a meal? Uh sure? Three by three from

1352
01:17:21,280 --> 01:17:27,479
Speaker 1: in and out? A double doubles? Yeah, A double double

1353
01:17:27,560 --> 01:17:29,439
Speaker 1: is two patties, two slices of cheese. Three by three

1354
01:17:29,560 --> 01:17:31,280
Speaker 1: is three patties, three slices of cheese. And if we're

1355
01:17:31,280 --> 01:17:34,240
Speaker 1: getting specific extra toast on the bun, mustard, fried pickles,

1356
01:17:34,280 --> 01:17:37,680
Speaker 1: no lettuce not tomato. You say that you're one of

1357
01:17:37,760 --> 01:17:39,599
Speaker 1: those guys that in and out who's got a very

1358
01:17:39,680 --> 01:17:41,639
Speaker 1: long order, aren't. I've been eating it and out since

1359
01:17:41,680 --> 01:17:45,200
Speaker 1: I was a child. So I got Sally dude. You're

1360
01:17:45,280 --> 01:17:57,400
Speaker 1: Sally from when Harry Much Sally Dude. Yeah, I don't

1361
01:17:57,439 --> 01:17:59,439
Speaker 1: want to like take us away too quickly. I just

1362
01:17:59,560 --> 01:18:03,679
Speaker 1: want to if I can do a shout out shout.

1363
01:18:06,760 --> 01:18:09,320
Speaker 1: I have to shout out because I've Scrubs has changed

1364
01:18:09,400 --> 01:18:12,400
Speaker 1: my life just like influenced me when I was younger,

1365
01:18:12,680 --> 01:18:16,920
Speaker 1: and big shout out to my best friend whose name

1366
01:18:17,040 --> 01:18:22,519
Speaker 1: is Tyler Perry's his name. He's so successful yea, so

1367
01:18:22,880 --> 01:18:24,559
Speaker 1: I just want to stay. Shout out to him, thank

1368
01:18:24,600 --> 01:18:28,040
Speaker 1: you so much. And so your friend, you loved your

1369
01:18:28,080 --> 01:18:31,200
Speaker 1: work as media. Yes, you're wonderful as media. And you've

1370
01:18:31,240 --> 01:18:34,720
Speaker 1: built a fake white house apparently on your own black

1371
01:18:34,760 --> 01:18:36,639
Speaker 1: cloud in Atlanta. Is that where he makes his show

1372
01:18:36,640 --> 01:18:39,679
Speaker 1: as Atlanta believe? So yeah, shout out Atlanta, Tyler Perry

1373
01:18:40,120 --> 01:18:44,040
Speaker 1: doing it, Tyler Perry doing it. Um. And I didn't

1374
01:18:44,080 --> 01:18:47,200
Speaker 1: know that Tyler Perry was friends with with with mister Ray,

1375
01:18:47,640 --> 01:18:51,720
Speaker 1: but all right, shouting out to my my little brother

1376
01:18:52,000 --> 01:18:55,840
Speaker 1: John he's a sophomore over in college. Um, I hope

1377
01:18:55,920 --> 01:18:59,720
Speaker 1: he's enjoying uh an apple teeny. I got him all

1378
01:18:59,720 --> 01:19:03,240
Speaker 1: the applies for Christmas, nah show and him and his

1379
01:19:03,320 --> 01:19:05,639
Speaker 1: roommate are just hanging out trying to be safe with COVID.

1380
01:19:05,760 --> 01:19:08,040
Speaker 1: So I hope you're having a good Friday Friday night

1381
01:19:08,080 --> 01:19:11,439
Speaker 1: with your your apple Teenie's good. Now, Rachel, when you

1382
01:19:11,479 --> 01:19:13,640
Speaker 1: get upset and you want to go feedle and you

1383
01:19:13,840 --> 01:19:15,800
Speaker 1: frustrate your job, I want you to think of us

1384
01:19:16,120 --> 01:19:20,760
Speaker 1: telling you this too shall pass. Or you can just look,

1385
01:19:20,880 --> 01:19:22,320
Speaker 1: or you can just look in the mirror at your

1386
01:19:22,360 --> 01:19:26,240
Speaker 1: new forehead tattoo. Well, make sure to get it backwards

1387
01:19:26,360 --> 01:19:28,880
Speaker 1: on your forehead so that'll look right in the mirror. True.

1388
01:19:28,960 --> 01:19:31,880
Speaker 1: I'm gonna talking with every patient reassure them without you

1389
01:19:31,960 --> 01:19:35,360
Speaker 1: being point. You'll just point to your forehead. Hey, when

1390
01:19:35,400 --> 01:19:37,920
Speaker 1: they're sad, they're like, I'm so fucking sick of being sick.

1391
01:19:38,040 --> 01:19:41,040
Speaker 1: You're like, look at this, look at this, or, as

1392
01:19:41,120 --> 01:19:45,880
Speaker 1: Tom Kavanaugh once sang at upfronts, I can be a

1393
01:19:46,160 --> 01:19:55,679
Speaker 1: here o baby, you d my breath of rom Okay,

1394
01:19:56,240 --> 01:19:58,679
Speaker 1: on that note, we're gonna let you guys go. Thank

1395
01:19:58,720 --> 01:20:06,120
Speaker 1: you for coming ho. Yeah, so nice but lovely people.

1396
01:20:07,720 --> 01:20:14,639
Speaker 1: It's always great having them on. Oh they were cute.

1397
01:20:15,120 --> 01:20:16,840
Speaker 1: I hope we aspired. I hope we gave her a

1398
01:20:16,880 --> 01:20:19,960
Speaker 1: good pep talk. I hope so too, because I know

1399
01:20:20,080 --> 01:20:23,120
Speaker 1: how she feels. Man. All right, let's end on a

1400
01:20:23,160 --> 01:20:26,439
Speaker 1: funny note because we got all worked up. I want

1401
01:20:26,439 --> 01:20:29,720
Speaker 1: to talk about just the end of the episode, that

1402
01:20:30,000 --> 01:20:34,880
Speaker 1: scene when Molly Shannon's character breaks down. I believe what

1403
01:20:35,000 --> 01:20:37,760
Speaker 1: if you look at the shot, she's very close to

1404
01:20:37,840 --> 01:20:40,120
Speaker 1: the lens and doctor Cox is in the doorway, and

1405
01:20:40,200 --> 01:20:43,360
Speaker 1: they're both in focus. So if I'm not mistaken, we

1406
01:20:43,560 --> 01:20:48,519
Speaker 1: used something called a split field diopter, which enables you

1407
01:20:49,120 --> 01:20:53,800
Speaker 1: to have something very close. It's it's basically a half

1408
01:20:53,840 --> 01:20:57,760
Speaker 1: a lens that screws onto the front of your lens

1409
01:20:58,320 --> 01:21:02,120
Speaker 1: that allows you to match the Fokal distance. And I'm

1410
01:21:02,160 --> 01:21:04,559
Speaker 1: really into them and have used them a few times.

1411
01:21:05,200 --> 01:21:08,880
Speaker 1: They always have an out of focus scene. Yeah yeah,

1412
01:21:09,240 --> 01:21:11,000
Speaker 1: So if you notice, if you go back and watch

1413
01:21:11,120 --> 01:21:12,880
Speaker 1: when Cox is in the doorway, he kind of leans

1414
01:21:12,920 --> 01:21:14,439
Speaker 1: into it for a second and kind of goes out

1415
01:21:14,439 --> 01:21:17,400
Speaker 1: of focus. But that's how you get that that shot.

1416
01:21:18,360 --> 01:21:19,719
Speaker 1: And the other thing I want to tell you about

1417
01:21:19,720 --> 01:21:22,479
Speaker 1: that is when I first showed it to Bill. There

1418
01:21:22,520 --> 01:21:25,240
Speaker 1: was other coverage in that scene, but that shot was

1419
01:21:25,320 --> 01:21:28,800
Speaker 1: so powerful and Molly Shannon's performance was so powerful that

1420
01:21:28,920 --> 01:21:32,200
Speaker 1: I said to Bill, Um, please don't cut it. Please

1421
01:21:32,200 --> 01:21:33,840
Speaker 1: don't use any of the other cuts in my cut.

1422
01:21:34,000 --> 01:21:35,679
Speaker 1: I never cut away. I used stayed on that shot

1423
01:21:35,720 --> 01:21:38,000
Speaker 1: the whole time and um and to his credit, he

1424
01:21:38,120 --> 01:21:41,599
Speaker 1: left it in in his final edit because I just thought,

1425
01:21:42,200 --> 01:21:43,880
Speaker 1: you know, when a performance is that good, you know,

1426
01:21:43,960 --> 01:21:45,920
Speaker 1: don't cut it up. Show the audience that this is

1427
01:21:46,000 --> 01:21:49,080
Speaker 1: all real and happening. This isn't manufactured in the edit room,

1428
01:21:51,160 --> 01:21:54,120
Speaker 1: you know. Yeah, dude, I mean I just want to

1429
01:21:55,000 --> 01:21:59,920
Speaker 1: recap the whole show once again by saying one right

1430
01:22:00,160 --> 01:22:07,559
Speaker 1: job too, Molly Shannon, Wow, holy cow, really phenomenal, uh

1431
01:22:08,000 --> 01:22:11,080
Speaker 1: performance in this episode of Scrubs, I'm saying. And Johnny

1432
01:22:11,160 --> 01:22:14,000
Speaker 1: C also, you know, it takes two to tango and

1433
01:22:14,360 --> 01:22:17,080
Speaker 1: he played he you know, he played the other part

1434
01:22:17,439 --> 01:22:20,439
Speaker 1: in those scenes very well to make it, to make

1435
01:22:20,800 --> 01:22:23,120
Speaker 1: to make her performance work. So shout out Johnny C

1436
01:22:23,320 --> 01:22:28,720
Speaker 1: as well. Um, and uh, you know, this is this

1437
01:22:28,880 --> 01:22:31,560
Speaker 1: is one of those episodes. This, this is why I

1438
01:22:31,640 --> 01:22:34,040
Speaker 1: got into acting. I had dreams of doing things like this,

1439
01:22:34,280 --> 01:22:38,760
Speaker 1: you know what I mean, uh, going on adventures like this. This,

1440
01:22:39,040 --> 01:22:41,400
Speaker 1: these are this is the type of television I like.

1441
01:22:41,760 --> 01:22:43,240
Speaker 1: You know, this is the type. These are the type

1442
01:22:43,240 --> 01:22:46,479
Speaker 1: of movies I like. Action comedy. I mean, that's what

1443
01:22:46,680 --> 01:22:49,280
Speaker 1: this this, This was sort of an action comedy episode. Yeah,

1444
01:22:49,520 --> 01:22:52,000
Speaker 1: it's a well, it's a it's a yeah. Absolutely, it's

1445
01:22:52,000 --> 01:22:55,120
Speaker 1: an epic it's an epic journey. It's a you know,

1446
01:22:55,439 --> 01:22:58,560
Speaker 1: and it's a quest. I like movies like this, and

1447
01:22:58,640 --> 01:23:01,200
Speaker 1: I like TV shows like this, and so you know,

1448
01:23:02,520 --> 01:23:05,439
Speaker 1: this is my favorite episode so far. Me too, for sure,

1449
01:23:05,880 --> 01:23:08,880
Speaker 1: Me too, me too. Well, this was fun. And um,

1450
01:23:09,120 --> 01:23:12,559
Speaker 1: and thank you for your kind words and everyone, thanks

1451
01:23:12,600 --> 01:23:15,400
Speaker 1: for listening. Um, we'll be coming to you soon. This

1452
01:23:15,560 --> 01:23:18,160
Speaker 1: is the last episode without the sound machine working. I'm

1453
01:23:18,280 --> 01:23:22,599
Speaker 1: very excited to try that out. Um and UM, we're

1454
01:23:22,640 --> 01:23:24,320
Speaker 1: gonna come to you with it. More in full about

1455
01:23:24,320 --> 01:23:27,840
Speaker 1: the live show, which is coming together, likely for the

1456
01:23:27,920 --> 01:23:31,360
Speaker 1: last Friday in March. So put that in your calendar

1457
01:23:31,520 --> 01:23:36,080
Speaker 1: right now, because that is, I believe March twenty six Yes,

1458
01:23:36,280 --> 01:23:39,439
Speaker 1: March twenty sixth, put a put a save the date

1459
01:23:39,640 --> 01:23:43,120
Speaker 1: in your calendar, because that's when we're aiming to come

1460
01:23:43,200 --> 01:23:45,759
Speaker 1: to you live. We'll do it live. We'll do it live.

1461
01:23:46,400 --> 01:23:49,920
Speaker 1: We'll do it live, all right. We love you. Thank

1462
01:23:50,000 --> 01:23:54,040
Speaker 1: you for listening, Thank you for supporting the show, Joel Daniel,

1463
01:23:54,080 --> 01:23:58,640
Speaker 1: thank you for everything. Always have a glorious weekend. And

1464
01:23:59,360 --> 01:24:02,960
Speaker 1: and here's her brothers with the song we All Love Honestly.

1465
01:24:03,360 --> 01:24:20,800
Speaker 1: We can go hold, you can get lost to out

1466
01:24:20,880 --> 01:24:41,519
Speaker 1: of getting store. They can bound you night so old

1467
01:24:41,720 --> 01:25:03,160
Speaker 1: that on my dream stoop. I still believe everything. I

1468
01:25:03,320 --> 01:25:29,960
Speaker 1: wish you bla, I wish you bla. I'm slick, I'm slick.

1469
01:25:37,720 --> 01:26:05,040
Speaker 1: One live shot out true. I'm slick. Look VORs and hole,

1470
01:26:11,720 --> 01:26:22,200
Speaker 1: I polished off the whiskey night, turn the mountain. Stop

1471
01:26:29,040 --> 01:26:42,080
Speaker 1: looking at you straight in the eye, so I'll drive

1472
01:26:42,320 --> 01:27:03,160
Speaker 1: away all things. I faint believe everything. M h. I

1473
01:27:03,360 --> 01:27:29,960
Speaker 1: wish you blay, wish you blay. I'm slip, I'm sleep,

1474
01:27:37,720 --> 01:27:57,240
Speaker 1: I lie time, I'm slep of I wish you lie

1475
01:28:03,200 --> 01:28:25,040
Speaker 1: aist bland play a wiste plan a waist in land