1 00:00:04,080 --> 00:00:07,480 Speaker 1: Welcome to Aaron Benky's Cabinet of Curiosities, a production of 2 00:00:07,480 --> 00:00:13,840 Speaker 1: I Heart Radio and Grim and Mild. Our world is 3 00:00:13,960 --> 00:00:17,960 Speaker 1: full of the unexplainable, and if history is an open book, 4 00:00:18,280 --> 00:00:22,119 Speaker 1: all of these amazing tales right there on display, just 5 00:00:22,239 --> 00:00:28,840 Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities. 6 00:00:36,680 --> 00:00:38,960 Speaker 1: Scientists will tell you that it was George le Metra 7 00:00:39,120 --> 00:00:42,600 Speaker 1: who first coined the idea of an expanding universe originating 8 00:00:42,640 --> 00:00:45,199 Speaker 1: at a single point, a point he referred to as 9 00:00:45,240 --> 00:00:48,560 Speaker 1: the primeval atom. This theory came about in the year 10 00:00:50,000 --> 00:00:52,760 Speaker 1: and just two years later Edwin Hubbell confirmed that the 11 00:00:52,880 --> 00:00:57,120 Speaker 1: universe and the galaxies within were indeed drifting apart. But 12 00:00:57,200 --> 00:00:58,960 Speaker 1: what if I were to tell you that le Metra 13 00:00:59,240 --> 00:01:01,680 Speaker 1: was not the first to propose such a theory, or 14 00:01:01,720 --> 00:01:04,679 Speaker 1: that the first person to do so was actually better known, 15 00:01:05,080 --> 00:01:08,080 Speaker 1: someone perhaps a little more grounded in science than we 16 00:01:08,200 --> 00:01:11,480 Speaker 1: might think, known far and wide as one of the 17 00:01:11,520 --> 00:01:15,200 Speaker 1: greatest writers to have ever lived. This poet and storyteller 18 00:01:15,280 --> 00:01:19,120 Speaker 1: also dabbled in the sciences, and it's within that world, 19 00:01:19,400 --> 00:01:21,840 Speaker 1: rather than literature, that we can find one of his 20 00:01:21,959 --> 00:01:27,160 Speaker 1: lesser known works. He himself categorized it as a prose poem, 21 00:01:27,200 --> 00:01:29,959 Speaker 1: but it has more or less confounded people for years. 22 00:01:30,440 --> 00:01:34,479 Speaker 1: He called it Eureka, after the legendary exclamation uttered by 23 00:01:34,520 --> 00:01:38,000 Speaker 1: Greek inventor Archimedes after he discovered a method for testing 24 00:01:38,040 --> 00:01:41,920 Speaker 1: the purity of gold. This work of nonfiction clocks in 25 00:01:42,040 --> 00:01:45,120 Speaker 1: at a healthy forty thousand words, and it was actually 26 00:01:45,160 --> 00:01:48,240 Speaker 1: the last bit of writing this man composed just before 27 00:01:48,320 --> 00:01:52,680 Speaker 1: his untimely death. After spending years composing it, he ended 28 00:01:52,760 --> 00:01:55,360 Speaker 1: up delivering it as a speech on a blusty winter 29 00:01:55,520 --> 00:01:58,200 Speaker 1: night in front of an audience of about sixty people. 30 00:01:58,640 --> 00:02:01,200 Speaker 1: Yet it remains one of the most curious works of 31 00:02:01,200 --> 00:02:05,480 Speaker 1: an already curious writer, given the incredible scientific merit found 32 00:02:05,480 --> 00:02:10,239 Speaker 1: within it, despite its sheer lack of scientific proof. Among 33 00:02:10,280 --> 00:02:13,120 Speaker 1: the massive theories contained within this work of genius are 34 00:02:13,320 --> 00:02:16,120 Speaker 1: theories of what happens to the soul after the body dies, 35 00:02:16,520 --> 00:02:19,320 Speaker 1: and how all things are composed of the same materials, 36 00:02:19,600 --> 00:02:22,840 Speaker 1: the body, the spirit, and even the cosmos, and that 37 00:02:22,960 --> 00:02:27,000 Speaker 1: at the end of everything, all consciousness will collapse into 38 00:02:27,040 --> 00:02:30,720 Speaker 1: a singular mass. Now, if that sounds in any way 39 00:02:30,840 --> 00:02:34,040 Speaker 1: convoluted or out there, rest assured that it has been 40 00:02:34,080 --> 00:02:37,120 Speaker 1: analyzed and cross analyzed in the years since his death. 41 00:02:37,520 --> 00:02:40,120 Speaker 1: And let's say that there is much more merit in 42 00:02:40,160 --> 00:02:44,880 Speaker 1: this fantastical work then you might expect. All throughout his life, 43 00:02:44,960 --> 00:02:48,200 Speaker 1: this writer explored the ideas of life after death, so 44 00:02:48,280 --> 00:02:50,960 Speaker 1: it's not all that outlandish to think that he explored 45 00:02:51,000 --> 00:02:54,280 Speaker 1: them in a more scientific capacity as well. Oh and 46 00:02:54,440 --> 00:02:56,840 Speaker 1: there was one other major theme that he explored in 47 00:02:56,919 --> 00:02:59,760 Speaker 1: his final piece, a theme that George le Metra got 48 00:03:00,080 --> 00:03:04,000 Speaker 1: it for coining in ven You see, it was in 49 00:03:04,040 --> 00:03:07,040 Speaker 1: Eureka that we first hear about the possibility of an 50 00:03:07,080 --> 00:03:11,160 Speaker 1: expanding universe, a theory that's, according to modern science, didn't 51 00:03:11,200 --> 00:03:15,760 Speaker 1: exist until yet here. It was written out on the 52 00:03:15,800 --> 00:03:20,359 Speaker 1: page eighty years earlier in eighteen forty eight. And he 53 00:03:20,400 --> 00:03:23,799 Speaker 1: saw beyond just the expansion as well, proposing that the 54 00:03:23,919 --> 00:03:28,919 Speaker 1: universe expanded and contracted like massive eternal heartbeats, something that 55 00:03:29,040 --> 00:03:32,600 Speaker 1: science has found evidence of in the decades since. Yeah, 56 00:03:32,600 --> 00:03:36,360 Speaker 1: this particular man is rarely mentioned in many conversations about 57 00:03:36,360 --> 00:03:39,880 Speaker 1: the cosmos. Critics of Eureka have complained that while he 58 00:03:39,920 --> 00:03:42,720 Speaker 1: did touch on many scientific ideas that are all but 59 00:03:42,800 --> 00:03:47,160 Speaker 1: accepted today, he did so without any scientific backing whatsoever, 60 00:03:47,680 --> 00:03:51,840 Speaker 1: no proof which apparently discredits all of those truths entirely. 61 00:03:52,520 --> 00:03:55,440 Speaker 1: But while many questioned the scientific merit of his piece, 62 00:03:55,840 --> 00:03:58,920 Speaker 1: the author himself never did. He referred to it as 63 00:03:59,000 --> 00:04:02,520 Speaker 1: his greatest work, and rather modestly said that his proposal 64 00:04:02,920 --> 00:04:06,320 Speaker 1: was more important than the discovery of gravity. In fact, 65 00:04:06,400 --> 00:04:09,360 Speaker 1: upon completing it, he told his mother in law, I 66 00:04:09,440 --> 00:04:12,080 Speaker 1: have no desire to live since I have done Eureka. 67 00:04:12,440 --> 00:04:15,960 Speaker 1: I could accomplish nothing more, And true to form, he 68 00:04:16,080 --> 00:04:20,839 Speaker 1: died the following year, barely forty years old. Whatever the case, 69 00:04:21,120 --> 00:04:23,640 Speaker 1: even if he hadn't already proven himself something of a 70 00:04:23,680 --> 00:04:26,520 Speaker 1: genius for his groundbreaking writings in the world of horror 71 00:04:26,560 --> 00:04:30,279 Speaker 1: and the macabre, this crowning exploration of the universe sets 72 00:04:30,320 --> 00:04:34,640 Speaker 1: him apart from his contemporaries forevermore. And the name of 73 00:04:34,680 --> 00:04:52,800 Speaker 1: this writer turned man of science, Edgar Allan Poe. Conservation 74 00:04:53,000 --> 00:04:55,960 Speaker 1: is so important to the survival of our planet, from 75 00:04:55,960 --> 00:04:59,880 Speaker 1: preserving our natural resources to rescuing the animal kingdom, we 76 00:05:00,080 --> 00:05:02,440 Speaker 1: need to do all we can to save what remains 77 00:05:02,520 --> 00:05:07,680 Speaker 1: after generations have lost. Deforestation, climate change, and the industrial 78 00:05:07,760 --> 00:05:12,159 Speaker 1: revolution have all decimated countless acres of land, spewed smog 79 00:05:12,240 --> 00:05:15,800 Speaker 1: and chemicals into our air and forced thousands of species 80 00:05:15,839 --> 00:05:18,960 Speaker 1: to go extinct. Many of the animals that have survived, though, 81 00:05:19,000 --> 00:05:22,800 Speaker 1: have done so by adapting. After World War Two, for example, 82 00:05:22,920 --> 00:05:26,599 Speaker 1: American soldiers returning home, we're getting married and moving out 83 00:05:26,600 --> 00:05:29,640 Speaker 1: of the city to raise their families. Mass housing was 84 00:05:29,680 --> 00:05:33,880 Speaker 1: being built in previously undeveloped areas, along with shopping centers 85 00:05:33,880 --> 00:05:36,760 Speaker 1: and highways. In other words, the end of World War 86 00:05:36,800 --> 00:05:40,040 Speaker 1: Two led to the beginning of the era of the suburb, 87 00:05:40,720 --> 00:05:43,440 Speaker 1: and with it came the destruction of millions of habitats 88 00:05:43,480 --> 00:05:46,560 Speaker 1: across the United States, which either pushed out or wiped 89 00:05:46,600 --> 00:05:49,600 Speaker 1: out the animal populations that once lived there. But one 90 00:05:49,600 --> 00:05:52,440 Speaker 1: of the most prominent areas where development affected the local 91 00:05:52,480 --> 00:05:56,960 Speaker 1: animal population happened to be McCall, Idaho. McCall had been 92 00:05:57,040 --> 00:06:00,360 Speaker 1: established in eighteen eighty nine by Thomas and Louisa McCall. 93 00:06:00,760 --> 00:06:03,080 Speaker 1: For over fifty years, it was home to a few 94 00:06:03,120 --> 00:06:07,640 Speaker 1: major industries, including lumber and mining. Over that time, McCall 95 00:06:07,720 --> 00:06:10,039 Speaker 1: drew all kinds of people to work and play there. 96 00:06:10,400 --> 00:06:13,520 Speaker 1: Recreational sailors enjoyed taking their boats out on the lake, 97 00:06:13,920 --> 00:06:16,279 Speaker 1: and the turn of the century saw an explosion of 98 00:06:16,320 --> 00:06:20,480 Speaker 1: tourism brought on by new hotels and resorts. But after 99 00:06:20,480 --> 00:06:23,920 Speaker 1: World War Two, McCall became a hot destination for married 100 00:06:23,920 --> 00:06:28,200 Speaker 1: couples and entrepreneurs looking to settle down. Newlywed's flocked there 101 00:06:28,240 --> 00:06:31,480 Speaker 1: to build homes and start families, while business owners from 102 00:06:31,480 --> 00:06:35,400 Speaker 1: the northern town of Lewiston came to open lodges, doctors, offices, 103 00:06:35,480 --> 00:06:39,040 Speaker 1: and social clubs. Now while all of this expansion brought 104 00:06:39,040 --> 00:06:41,120 Speaker 1: a lot of money to the town, those who were 105 00:06:41,120 --> 00:06:44,760 Speaker 1: already living there weren't very happy about it. New construction 106 00:06:44,839 --> 00:06:48,760 Speaker 1: had infringed on the habitats of McCall's native beaver population. 107 00:06:49,240 --> 00:06:52,400 Speaker 1: With nowhere else to go and maybe a bit of resentment, 108 00:06:52,760 --> 00:06:55,800 Speaker 1: the beavers began taking their anger out on their new neighbors. 109 00:06:56,480 --> 00:06:59,479 Speaker 1: They started cutting down trees with their sharp teeth, not 110 00:06:59,600 --> 00:07:03,080 Speaker 1: carrying where those trees fell. The damns they built wound up, 111 00:07:03,080 --> 00:07:06,880 Speaker 1: flooding yards and destroying crops. After all, just because humans 112 00:07:06,880 --> 00:07:09,680 Speaker 1: have moved into their territory didn't mean the beavers were 113 00:07:09,680 --> 00:07:13,480 Speaker 1: going to stop being beavers. Naturally, the new homeowners and 114 00:07:13,520 --> 00:07:18,480 Speaker 1: business owners wanted them gone. Idaho's Fish and Game Department 115 00:07:18,560 --> 00:07:21,320 Speaker 1: took up the call. They didn't see the beavers as 116 00:07:21,360 --> 00:07:24,600 Speaker 1: annoying rodents with a vindictive streak. They knew the animals 117 00:07:24,680 --> 00:07:28,360 Speaker 1: served a very specific purpose within their ecosystem. They helped 118 00:07:28,360 --> 00:07:30,880 Speaker 1: improve the quality of the water and streams and brooks. 119 00:07:31,120 --> 00:07:34,800 Speaker 1: They created habitats for other creatures, and they were responsible 120 00:07:34,800 --> 00:07:39,240 Speaker 1: for keeping the wetlands well. Wet Fish and game employees 121 00:07:39,320 --> 00:07:42,160 Speaker 1: wouldn't kill them, no matter how much the town's residents 122 00:07:42,200 --> 00:07:45,640 Speaker 1: wanted them to. Instead, they decided to move all seventy 123 00:07:45,720 --> 00:07:49,320 Speaker 1: six of the offending beavers elsewhere. They've done it before, 124 00:07:49,360 --> 00:07:52,720 Speaker 1: back in the nineteen thirties under similar circumstances, but the 125 00:07:52,840 --> 00:07:55,720 Speaker 1: job was tough on both the people transporting them and 126 00:07:55,800 --> 00:07:59,600 Speaker 1: the beavers themselves. It started with the beavers being trapped 127 00:07:59,640 --> 00:08:02,679 Speaker 1: and by before getting loaded onto a truck. That truck 128 00:08:02,680 --> 00:08:05,720 Speaker 1: would then take them to a conservation officer who would 129 00:08:05,760 --> 00:08:08,880 Speaker 1: watch them overnight, then load them onto yet another truck, 130 00:08:09,120 --> 00:08:11,560 Speaker 1: and that truck would carry the boxes to a nearby 131 00:08:11,600 --> 00:08:14,360 Speaker 1: area where the beavers would be released, at which point 132 00:08:14,400 --> 00:08:17,240 Speaker 1: their carriers would be fastened to horses and mules and 133 00:08:17,400 --> 00:08:20,920 Speaker 1: hauled the rest of the way. Many beavers didn't survive 134 00:08:20,960 --> 00:08:25,240 Speaker 1: the journey due to intense heat and dehydration. Also, the pack. 135 00:08:25,320 --> 00:08:30,320 Speaker 1: Animals didn't love carrying angry beavers, because who would, so 136 00:08:30,400 --> 00:08:33,840 Speaker 1: it was up to Idaho Fish and Game employee Elmo W. 137 00:08:34,080 --> 00:08:37,400 Speaker 1: Header to figure out a better way. First, he designed 138 00:08:37,400 --> 00:08:40,199 Speaker 1: special boxes in which to carry the beavers. They were 139 00:08:40,200 --> 00:08:43,000 Speaker 1: wooden with holes drilled in the side, and they would 140 00:08:43,040 --> 00:08:45,960 Speaker 1: open when they touched the ground. He also had the 141 00:08:46,000 --> 00:08:49,280 Speaker 1: perfect new home ready for them in the Chamberlain Basin 142 00:08:49,520 --> 00:08:52,960 Speaker 1: two miles away, but that was a long haul and 143 00:08:53,000 --> 00:08:56,360 Speaker 1: it wasn't really accessible by truck or car. Even using 144 00:08:56,440 --> 00:08:59,960 Speaker 1: mules and horses would have been really tricky, so instead, 145 00:09:00,000 --> 00:09:02,800 Speaker 1: Head he used an abundant resource that was left over 146 00:09:02,880 --> 00:09:08,000 Speaker 1: from World War Two parachutes. Yes, Elmo Header wanted to 147 00:09:08,080 --> 00:09:12,000 Speaker 1: parachute the beavers into Chamberlain Basin, and he did it, 148 00:09:12,480 --> 00:09:15,240 Speaker 1: and after a series of tests with an older male beaver, 149 00:09:15,720 --> 00:09:20,960 Speaker 1: he put his plan into motion. On August fourteenth, Header 150 00:09:21,040 --> 00:09:24,000 Speaker 1: filled eight crates worth of beavers and transported them by 151 00:09:24,040 --> 00:09:27,840 Speaker 1: plane over the basin. Almost every beaver made it, save 152 00:09:28,040 --> 00:09:30,480 Speaker 1: for one who chewed his way out of the box 153 00:09:30,520 --> 00:09:34,000 Speaker 1: while still seventy five ft above the ground. But once 154 00:09:34,040 --> 00:09:37,920 Speaker 1: the rest safely landed, their boxes automatically opened up and 155 00:09:38,000 --> 00:09:40,760 Speaker 1: the beavers were free to start living their new lives. 156 00:09:41,480 --> 00:09:44,360 Speaker 1: Oh and that older beaver that header used to test 157 00:09:44,520 --> 00:09:49,760 Speaker 1: his new box design. He gave it the perfect name, Geronimo. 158 00:09:53,679 --> 00:09:56,400 Speaker 1: I hope you've enjoyed today's guided tour of the Cabinet 159 00:09:56,400 --> 00:10:00,319 Speaker 1: of Curiosities. Subscribe for free on Apple Podcasts, or learn 160 00:10:00,360 --> 00:10:04,920 Speaker 1: more about the show by visiting Curiosities podcast dot com. 161 00:10:04,920 --> 00:10:08,480 Speaker 1: The show was created by me Aaron Manky in partnership 162 00:10:08,559 --> 00:10:11,839 Speaker 1: with how Stuff Works. I make another award winning show 163 00:10:11,920 --> 00:10:16,000 Speaker 1: called Lore, which is a podcast, book series, and television show, 164 00:10:16,280 --> 00:10:18,160 Speaker 1: and you can learn all about it over at the 165 00:10:18,320 --> 00:10:24,080 Speaker 1: World of Lore dot com. And until next time, stay curious. Yeah,