WEBVTT - Experience as Media

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<v Speaker 1>I'm off my game today. No, you're not. People are

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<v Speaker 1>going to have to start making better content. I think

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<v Speaker 1>we're gonna be talking about this for a long time.

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<v Speaker 1>When you program for everyone, you program for no one.

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<v Speaker 1>I think it's a word purpose driven platform. Like we're

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<v Speaker 1>trying to get to substance? How was that? Are you

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<v Speaker 1>happy with that? This is marketing therapy right now? And

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<v Speaker 1>it really is? What's up? I'm Laura Currenti and I'm

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<v Speaker 1>Alexa Kristen. Welcome back to Atlantia. Episode for I Like

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<v Speaker 1>even Numbers, Yes, And this week we have podcast O

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<v Speaker 1>g and Atlas Obscura CEO David Plotts on the show.

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<v Speaker 1>We like to call him Platsy, Yes, plots and he

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<v Speaker 1>was okay with it, yeah somehow. So we talk a

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<v Speaker 1>lot about Alice Obscura with him and how experiences and

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<v Speaker 1>a media company are coming together, converging and creating audiences

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<v Speaker 1>that I think people didn't even know existed. Yeah. This

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<v Speaker 1>whole idea of offline experience built from online discovery is

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<v Speaker 1>one that we were super fascinated with and really excited

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<v Speaker 1>to talk to David later in the show. But first

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<v Speaker 1>we want to have a conversation about some of the

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<v Speaker 1>things that have been happening with a lot of traditional publishers. Yeah, so,

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<v Speaker 1>if you've been following at Landia podcast on Twitter, you'll

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<v Speaker 1>notice a flurry of tweets over the last few weeks

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<v Speaker 1>that have been focused on this convergence of legacy publishers.

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<v Speaker 1>So in the news, Fox, Turner and Viacom, who have

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<v Speaker 1>um come together to talk about the future of measurement

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<v Speaker 1>as it relates to broadcasting, presumably cable television, and saying

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<v Speaker 1>that we as an industry need to challenge the way

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<v Speaker 1>standards have been bought. You know, this is proceeding this

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<v Speaker 1>year's upfront, which will be interesting to see how the

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<v Speaker 1>implications and how people think about buying models. When you've

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<v Speaker 1>got three of the biggest broadcast cable network standing up

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<v Speaker 1>and saying, we know that our audiences are proliferating across technology,

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<v Speaker 1>we know that viewing behaviors have changed, and we also

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<v Speaker 1>know that the whole person becomes a part that a

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<v Speaker 1>brand and an advertiser want to get to write. And

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<v Speaker 1>so you've got this interesting tension now happening where you've

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<v Speaker 1>got a model that is quickly approaching later in the

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<v Speaker 1>second quarter, which asks brands to commit dollars based on

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<v Speaker 1>upfront ratings. So, now, how do you ask advertisers to

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<v Speaker 1>pay premium for a model you just profusely claimed as

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<v Speaker 1>broken and by the way, on the same platforms that

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<v Speaker 1>you've been using. So I think it's big media companies

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<v Speaker 1>are going at audience in different ways. So you've got

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<v Speaker 1>the Turner Fox Viacom relationship and they're talking about, Okay,

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<v Speaker 1>we've got to take data, we've got to look at

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<v Speaker 1>it across the networks, right, and have a different conversation

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<v Speaker 1>about who the audience is and how we're going to

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<v Speaker 1>reach them collectively. Right, So you've got that model, You've

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<v Speaker 1>got the scale game that others are playing with the

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<v Speaker 1>convergence of NBC, Vox and now Conde nasked coming to

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<v Speaker 1>the table to reach a wider and presumably deeper audience

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<v Speaker 1>pool that currently exists in their network. So what does

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<v Speaker 1>that totally mean? That means you can buy right across NBC,

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<v Speaker 1>Vox and we say Vox, v X, v o X

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<v Speaker 1>through the Conde portfolio and totally get why NBC and

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<v Speaker 1>Vox partnered in early days, right, NBC was looking to

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<v Speaker 1>go younger, looking for new thought leadership, especially around people

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<v Speaker 1>like Carrot Swisher and recode and leaning into the super

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<v Speaker 1>smart micro uh communities are subcultures. And then Conde came

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<v Speaker 1>to the table. And when Conde came to the table,

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<v Speaker 1>it's set off that red flag. We call it the

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<v Speaker 1>f It was like that we describe as the flare

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<v Speaker 1>going off, and we're looking for a sound effect for

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<v Speaker 1>the flair and when that happened, right, it's confused, Susian

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<v Speaker 1>because Connie Nast presumably has the quality of content, but

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<v Speaker 1>are they really pulling the audience? Are they pulling the audience?

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<v Speaker 1>And then are you competing with vox You're both going

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<v Speaker 1>down very niche paths. So that one is a really

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<v Speaker 1>interesting one and one we need to watch because it

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<v Speaker 1>signals a couple of things to me, and I'm not

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<v Speaker 1>sure what direction is going, and I don't know what

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<v Speaker 1>you think about it. On the other side, the Viacom,

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<v Speaker 1>Fox and Turner, I find that one to be more

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<v Speaker 1>interesting because they were the first major networks to say

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<v Speaker 1>we have to think about this differently, and we recognize

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<v Speaker 1>that audiences aren't just made up of simple age, sex

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<v Speaker 1>and location demographics. Right that we've got you're far pasting

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<v Speaker 1>generations we've got a market to the whole person, and

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<v Speaker 1>so I think that that one is more interesting about Listen,

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<v Speaker 1>we know that we've got this audience, but we're gonna

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<v Speaker 1>get really fucking smart about who they are, right A men,

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<v Speaker 1>Sister Peace talking about audience and building experiences within a

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<v Speaker 1>media company. We'll be right back. So welcome back, everybody

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<v Speaker 1>to a landy. We are so excited to have the

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<v Speaker 1>O G of podcasting David Plots in the house. Welcome, welcome,

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<v Speaker 1>thank you. And I just have to say O G

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<v Speaker 1>of podcasting with gab Fest. You are a co host

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<v Speaker 1>of Political gab Fest. Correct, I am. We've been doing

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<v Speaker 1>it since the year the word podcast was coined. We've

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<v Speaker 1>been podcasting that long, but you've been very long time.

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<v Speaker 1>Didn't coin it now, but you could have definitely would

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<v Speaker 1>have coined it had someone else not beaten me to it.

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<v Speaker 1>So you've become kind of an unofficial mentor to us,

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<v Speaker 1>and we'll talk about that because I think that's really

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<v Speaker 1>interesting about podcasting in general. And uh, some of the

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<v Speaker 1>advice you've given us. If the school oji prayer hands

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<v Speaker 1>is our sign of the day, yeah, exactly, thank you,

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<v Speaker 1>thank you. But I think first we got to know

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<v Speaker 1>you when you were at Slate. You were the editor

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<v Speaker 1>in chief of Slate, and now you are on the

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<v Speaker 1>business side. You're the CEO of Atlas Obscura, a new

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<v Speaker 1>media company, right that is really blending experience and media together. Yes,

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<v Speaker 1>that is extremely well put. So in I took over

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<v Speaker 1>what was a beautiful little venture that had been started

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<v Speaker 1>by Joshua four and Dylan Thurris, and they had created

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<v Speaker 1>the site called out a Secure, which is where people

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<v Speaker 1>could share knowledge of the world's unusual places, so like

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<v Speaker 1>the secret apartment at the top of the Affril Tower

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<v Speaker 1>or the splunking in New York City subways. Yeah, I

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<v Speaker 1>love that, Yes, subways or do you know if you

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<v Speaker 1>take the six train past the end? You can take

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<v Speaker 1>it past the end and you keep going. Legally, they

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<v Speaker 1>won't kick you off it because it goes and does

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<v Speaker 1>it turnaround. You can stay on it and you go

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<v Speaker 1>into this abandoned City Hall station, which is this beautiful

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<v Speaker 1>station that was built in the early twenty century. It's gorgeous,

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<v Speaker 1>it's lit and you can just get a glance of

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<v Speaker 1>it as you just go. Podcast. We're going, actually I

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<v Speaker 1>think we go on the six. We do a record

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<v Speaker 1>if we can. Is that considered spunking If you go

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<v Speaker 1>on a subway spunk and you gotta climb in, Yeah,

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<v Speaker 1>we could do that too. I don't know if you

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<v Speaker 1>want to see any climbing on this. Do not encourage

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<v Speaker 1>your listeners to splunk. Nobody's blunk. Nobody Nobody's slunk. But

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<v Speaker 1>Alice is talking about the unknown, travel and treasures and

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<v Speaker 1>the idea, and the idea that Dylan and Josh had

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<v Speaker 1>was that we're all explorers, that everyone's an explorer. You

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<v Speaker 1>don't might not know what you're an explorer, but around

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<v Speaker 1>the corner from you is something that is going to

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<v Speaker 1>surprise you and it's going to light you and amaze you,

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<v Speaker 1>and we're going to give you that experience digitally. So

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<v Speaker 1>we created this huge compendium, or rather our users created

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<v Speaker 1>this huge compendium of these unusual places around the world.

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<v Speaker 1>That's part of it. But also we created experiences for

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<v Speaker 1>people so that you can come with us and go

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<v Speaker 1>hike to the secret fort in the middle of Rock

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<v Speaker 1>Creek Park in Washington, d C. Or come do a

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<v Speaker 1>falconry workshop in the desert with us. Work you get

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<v Speaker 1>to like hunt with a falcon. No way, that's that's cool.

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<v Speaker 1>That will really brought outside my comfort home. My favorite,

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<v Speaker 1>my favorite thing that we did at Alice since I've

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<v Speaker 1>been there, were there so many things, but one is

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<v Speaker 1>that we took over this bar in green Point one night.

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<v Speaker 1>So it's had about people in this bar and broken land.

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<v Speaker 1>You like, kicked out all the hipsters and brought your

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<v Speaker 1>own We brought our own hips, bring your own. It

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<v Speaker 1>was the hipsters paid us to be there, and we

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<v Speaker 1>brought a wolf to the bar and so the door opened.

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<v Speaker 1>Everyone realized that this is when the wolf comes in.

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<v Speaker 1>The bar went. It's totally dead silent, and then you

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<v Speaker 1>hear I can't reenact up with the clatter of these

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<v Speaker 1>wolf claws on the wooden floor. It was incredible. One

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<v Speaker 1>of the cool things you've talked to us a bit

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<v Speaker 1>about is how you've kind of went at this idea

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<v Speaker 1>of the problem of building brand in the modern media world.

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<v Speaker 1>You talk about how Google and Facebook on your audience,

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<v Speaker 1>and it's very deff a goal for you to kind

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<v Speaker 1>of go and do things cost effectively, right. I think

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<v Speaker 1>I'm one of the things that you guys, I'm sure

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<v Speaker 1>experience like all the time is that if you're a

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<v Speaker 1>media site you think you have an audience, but really

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<v Speaker 1>your audience is coming to you because that someone has

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<v Speaker 1>done them a Facebook link or they maybe saw you

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<v Speaker 1>on snapchack discover Um that the platform owns your audience.

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<v Speaker 1>You don't own your audience. Your audience doesn't necessarily know

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<v Speaker 1>who you are. They don't. They follow the link and

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<v Speaker 1>they see your story and you get to count them

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<v Speaker 1>as someone who's seen you, but they don't really know

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<v Speaker 1>who you are. And I think one of the the

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<v Speaker 1>that's a very deadly position to be in because all

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<v Speaker 1>of a sudden, these people who you think are connected

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<v Speaker 1>to you the way a newspaper subscriber used to be

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<v Speaker 1>connected to the newspaper that they paid for, they're not

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<v Speaker 1>connected to you. They don't care, they don't really know.

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<v Speaker 1>You're just a flip in the feed exactly. Yeah, I

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<v Speaker 1>haven't used that. That's a good expression. Yeah, And so

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<v Speaker 1>our premise is that that, um, if we can build

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<v Speaker 1>genuine liken unity, in genuine sort of real experiences for people,

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<v Speaker 1>that we can then create a brand that actually has

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<v Speaker 1>meaning for them. And people are coming so like your

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<v Speaker 1>community right of of readers or I don't even know

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<v Speaker 1>what you call them, like explorers right, are contributing to

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<v Speaker 1>the events, contributing to some of the local points that

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<v Speaker 1>you guys are talking about. Do you recruit them? Do

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<v Speaker 1>they just talk to you guys and say, Hey, this

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<v Speaker 1>is something that's really cool, Like how do you guys

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<v Speaker 1>find those people? Well, it depends some of some of

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<v Speaker 1>them find us. There. In every town, there's somebody who

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<v Speaker 1>knows like here's the weird history, or here's the house

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<v Speaker 1>that al Capone lived in for seven years when he

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<v Speaker 1>was a kid, or whatever particular thing it is. There's

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<v Speaker 1>always someone in town who knows it. And sometimes they

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<v Speaker 1>have an outlet, but often they don't have an outlet,

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<v Speaker 1>so so they stumble across us and then they start

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<v Speaker 1>to contribute. There's this kid, I shouldn't call him a kid.

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<v Speaker 1>He's a full grown adult in Washington named Elliott Carter

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<v Speaker 1>who knows more about Washington, d c. And it's distinctive

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<v Speaker 1>history than anybody. And he kind of found me and said,

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<v Speaker 1>I took him out to coffee one day and here's

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<v Speaker 1>this person. Now every time I turned around, he's like

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<v Speaker 1>pointed out some other incredible thing. There's this uh, like

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<v Speaker 1>did you know the US Constitution is at the National

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<v Speaker 1>Archives and every night so you can go see it.

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<v Speaker 1>I don't know if you've ever seen it, the Declaration

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<v Speaker 1>of Independence and Constitution, and every night there's this mechanism,

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<v Speaker 1>this elevator that lowers it into a safe in the ground.

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<v Speaker 1>I lived in d C. I can tell you my

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<v Speaker 1>my tours of DC are different than finding the Constitution.

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<v Speaker 1>I was there for college. Oh yeah, as far as

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<v Speaker 1>with great history too, yes, I love this idea of

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<v Speaker 1>modern folklore. I was actually um on the train the

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<v Speaker 1>other day going home to Connecticut, and I was on

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<v Speaker 1>Atlas Obscures website and immediately GEO located me and was like,

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<v Speaker 1>here are things in Connecticut and there are things like

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<v Speaker 1>I'm like, oh, I live in Stanford, Connecticut home. There

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<v Speaker 1>were some really cool things that I had never I

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<v Speaker 1>had no idea about. That's I mean, that's really that's

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<v Speaker 1>really interesting, Like how do brands? Because I think something

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<v Speaker 1>that we've talked a lot about, Laura and I have

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<v Speaker 1>talked a lot about, is this idea of local community

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<v Speaker 1>becoming more important, especially post election, Like what's happening in

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<v Speaker 1>your local community? Do you really know who are the voices?

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<v Speaker 1>Who are the people? You know? How do brand start

0:12:20.320 --> 0:12:24.280
<v Speaker 1>tapping into something that Alice Obscure is doing in certain

0:12:24.360 --> 0:12:29.360
<v Speaker 1>communities that are important to them. That's a really good question.

0:12:29.559 --> 0:12:31.199
<v Speaker 1>Let me think about that. I think one way is

0:12:31.840 --> 0:12:33.800
<v Speaker 1>and now, and I think eight US cities we have

0:12:33.840 --> 0:12:37.720
<v Speaker 1>what are called Atlas Obscure Societies, and these are local

0:12:37.880 --> 0:12:41.680
<v Speaker 1>organizations and they're run by somebody who works for us,

0:12:41.760 --> 0:12:45.720
<v Speaker 1>usually in a part time basis, and every week they're

0:12:45.760 --> 0:12:49.839
<v Speaker 1>putting together local experiences. So in Washington, d C. I

0:12:49.960 --> 0:12:52.199
<v Speaker 1>noticed that we're going to do a tasting of George

0:12:52.240 --> 0:12:55.600
<v Speaker 1>Washington's whiskey and so they'll be a whiskey tasting down

0:12:55.600 --> 0:12:59.280
<v Speaker 1>the mountain, getting it to a totally different side of

0:12:59.360 --> 0:13:03.560
<v Speaker 1>the president. Huge, he was a huge where that somewhere

0:13:03.600 --> 0:13:11.079
<v Speaker 1>my boyfriend is putting in next trip. Um, it's one

0:13:11.120 --> 0:13:14.280
<v Speaker 1>way a brand could engage. Right, Well, we've been doing

0:13:14.320 --> 0:13:18.840
<v Speaker 1>these tours. If you're listening, Johnny Walker, if you're listening, Yeah,

0:13:19.120 --> 0:13:21.599
<v Speaker 1>like a historic whiskey tour be amazing. There's all this

0:13:21.720 --> 0:13:25.520
<v Speaker 1>kind of great whiskey history through Apple Acchian Kentucky. You

0:13:25.559 --> 0:13:27.800
<v Speaker 1>could do so much cool stuff. So, David, when you

0:13:27.920 --> 0:13:31.520
<v Speaker 1>talk a lot about you know, these um new ways

0:13:31.600 --> 0:13:34.640
<v Speaker 1>of curating experiences in this blend of what we call

0:13:34.760 --> 0:13:37.520
<v Speaker 1>like mixed reality. Right, you've got the offline thing happening,

0:13:37.600 --> 0:13:40.480
<v Speaker 1>you've got the online creation of editorial. One of the

0:13:41.080 --> 0:13:44.720
<v Speaker 1>interesting lines I've heard of late came from Jed Hartman,

0:13:44.760 --> 0:13:47.199
<v Speaker 1>the c r OH of UM Washington Post. He said,

0:13:47.920 --> 0:13:50.400
<v Speaker 1>you know, we're at a time when you're always um

0:13:50.960 --> 0:13:53.720
<v Speaker 1>one click away from somebody never coming back to your site,

0:13:54.440 --> 0:13:57.199
<v Speaker 1>and in a in a space where you're playing in

0:13:57.559 --> 0:14:02.120
<v Speaker 1>a world that's blurred. How are you gauging the effect

0:14:02.200 --> 0:14:04.760
<v Speaker 1>of this and success of Atlas Obscure? What does that

0:14:04.880 --> 0:14:08.800
<v Speaker 1>look like? Well, we're in a lot of different lines

0:14:08.880 --> 0:14:12.360
<v Speaker 1>of businesses. So we have published a book. We you know,

0:14:12.440 --> 0:14:16.880
<v Speaker 1>are piloting podcasts, We do digital media, we do events,

0:14:16.920 --> 0:14:19.600
<v Speaker 1>we do international trips. So there are a lot of

0:14:19.680 --> 0:14:23.160
<v Speaker 1>different ways we can measure success. I think, like most people,

0:14:23.240 --> 0:14:25.720
<v Speaker 1>we look at the kind of top line audience number,

0:14:26.040 --> 0:14:28.800
<v Speaker 1>but that is not sufficient. I mean that's sort of

0:14:28.960 --> 0:14:31.200
<v Speaker 1>just like you can get a Reddit spike and all

0:14:31.200 --> 0:14:32.960
<v Speaker 1>of a sudden, your top line audience number looks great.

0:14:33.320 --> 0:14:36.840
<v Speaker 1>So we are trying to and I could use some advice,

0:14:36.920 --> 0:14:39.520
<v Speaker 1>and we're trying to get some kind of measurement, which

0:14:39.640 --> 0:14:43.520
<v Speaker 1>kind of combines the durability of time on site with

0:14:44.160 --> 0:14:49.040
<v Speaker 1>like user action around events and you know, buying things

0:14:49.160 --> 0:14:53.320
<v Speaker 1>from us. But because we're a young brand, that's all.

0:14:53.680 --> 0:14:57.160
<v Speaker 1>It's all kind of I think off earlier about this,

0:14:57.320 --> 0:14:59.800
<v Speaker 1>I was like, I want to talk to David about this.

0:15:00.000 --> 0:15:03.400
<v Speaker 1>I want to say, like, why even have a website today?

0:15:03.880 --> 0:15:06.080
<v Speaker 1>And I think that that's an interesting question for you,

0:15:06.280 --> 0:15:10.040
<v Speaker 1>and then let's take it further, like I think that

0:15:11.040 --> 0:15:14.560
<v Speaker 1>you guys are well positioned to do something totally different

0:15:14.680 --> 0:15:18.600
<v Speaker 1>in terms of how content comes to life via experience

0:15:19.080 --> 0:15:23.480
<v Speaker 1>and only have that be the centerpiece. You just position

0:15:24.080 --> 0:15:27.520
<v Speaker 1>Obscure as a parent company that's a collective of different

0:15:27.560 --> 0:15:31.920
<v Speaker 1>revenue streams, right, and different platforms that exist. Which kudos

0:15:31.960 --> 0:15:33.640
<v Speaker 1>to you because I think a lot of brands are

0:15:33.680 --> 0:15:35.760
<v Speaker 1>trying to figure out how they go off platform and

0:15:35.840 --> 0:15:38.120
<v Speaker 1>so I think you have an advantage there. But the

0:15:38.200 --> 0:15:41.320
<v Speaker 1>other website, it's like go off of like yeah dot com.

0:15:42.080 --> 0:15:44.760
<v Speaker 1>But the other part that's interesting is also to your

0:15:44.760 --> 0:15:48.320
<v Speaker 1>advantage is you don't have audience. You have explorers. So

0:15:48.640 --> 0:15:51.560
<v Speaker 1>to me, the fact that people can go deep and

0:15:51.680 --> 0:15:54.160
<v Speaker 1>they're not there to just click on an article and

0:15:54.400 --> 0:15:56.840
<v Speaker 1>keep moving there there to immerse themselves in experience and

0:15:56.920 --> 0:15:59.880
<v Speaker 1>potentially then go on one to me things like can

0:16:00.120 --> 0:16:03.360
<v Speaker 1>version rate to experience or you're a lot closer depth

0:16:03.440 --> 0:16:06.400
<v Speaker 1>of exploration is more intriguing to me as a marketer,

0:16:07.120 --> 0:16:09.080
<v Speaker 1>and that Yeah, that's exactly. That's the kind of we

0:16:09.160 --> 0:16:11.680
<v Speaker 1>don't have like a great CRM tool, but we that's

0:16:11.720 --> 0:16:14.280
<v Speaker 1>what we need is to figure that out because right

0:16:14.320 --> 0:16:17.200
<v Speaker 1>now we have we know how many people went to events,

0:16:17.640 --> 0:16:19.600
<v Speaker 1>we know how many people bought the book, we know

0:16:19.680 --> 0:16:21.240
<v Speaker 1>how many people are going on trips, we know how

0:16:21.240 --> 0:16:22.600
<v Speaker 1>many people are the website, but we don't know how

0:16:22.680 --> 0:16:25.000
<v Speaker 1>one gets to the other and game those things. But

0:16:25.280 --> 0:16:27.360
<v Speaker 1>I want to actually just to dig into that into

0:16:27.400 --> 0:16:28.920
<v Speaker 1>the kind of website question is like why I have

0:16:29.000 --> 0:16:31.680
<v Speaker 1>a website. So one of the things I think why

0:16:31.880 --> 0:16:33.880
<v Speaker 1>that was obscured in particular as a website is that

0:16:34.000 --> 0:16:35.680
<v Speaker 1>so much of what we do is actually created by

0:16:35.720 --> 0:16:40.120
<v Speaker 1>our users. So the entire atlas, this compendium of places,

0:16:40.160 --> 0:16:43.200
<v Speaker 1>which is much of what we do online, users started

0:16:43.240 --> 0:16:46.040
<v Speaker 1>all of that. They contributed all of that, and we

0:16:46.160 --> 0:16:48.600
<v Speaker 1>had this amazing moment with so we published a book

0:16:48.640 --> 0:16:52.480
<v Speaker 1>this fall, which, by the way, it gets crazy reviews

0:16:52.920 --> 0:16:57.160
<v Speaker 1>and write crazy reviews. Lena Dunham, like tons of people

0:16:57.240 --> 0:17:02.800
<v Speaker 1>have said, this reinvented what travel should be. Yeah, it was.

0:17:02.920 --> 0:17:06.880
<v Speaker 1>It's a pretty good endorsements. I'm not quoting her. I'm

0:17:06.920 --> 0:17:09.359
<v Speaker 1>just saying that there are so many people who have

0:17:09.520 --> 0:17:13.520
<v Speaker 1>said to that effect, that's what this is, right. I

0:17:13.600 --> 0:17:15.600
<v Speaker 1>think Lena's actual line was this is the only thing

0:17:15.640 --> 0:17:19.000
<v Speaker 1>that makes me get out of my house, which is

0:17:19.240 --> 0:17:23.000
<v Speaker 1>which I love that. But so that book was a

0:17:23.040 --> 0:17:27.320
<v Speaker 1>bestseller before it came out because we pre sold we

0:17:27.600 --> 0:17:30.080
<v Speaker 1>we told our audience about it. We told the people

0:17:30.119 --> 0:17:33.200
<v Speaker 1>on the website preorder this book. This is a book

0:17:33.240 --> 0:17:36.159
<v Speaker 1>that our users had written. The things that are in

0:17:36.200 --> 0:17:38.639
<v Speaker 1>the book are things that they contributed. They bought a

0:17:38.680 --> 0:17:41.200
<v Speaker 1>book that they had written. Do you start doing a

0:17:41.240 --> 0:17:43.639
<v Speaker 1>reb stream with them? We should start doing well. The

0:17:43.680 --> 0:17:45.320
<v Speaker 1>reb stream is that we is that we put out

0:17:45.320 --> 0:17:47.520
<v Speaker 1>a beautiful book and that we we made it useful,

0:17:47.560 --> 0:17:49.280
<v Speaker 1>and that that we are giving them you know, we're

0:17:49.280 --> 0:17:51.520
<v Speaker 1>doing events with them, and we are constantly looking for

0:17:51.560 --> 0:17:53.920
<v Speaker 1>ways to give them these rich experiences. But there is

0:17:53.960 --> 0:17:55.840
<v Speaker 1>a sort of virtuous cycle and the web is important

0:17:55.840 --> 0:17:57.520
<v Speaker 1>part of it because the web is the place we

0:17:57.640 --> 0:18:01.520
<v Speaker 1>give them to contribute contents that adds to your credibility.

0:18:01.600 --> 0:18:04.879
<v Speaker 1>It's like this buy me for me sort of UM model,

0:18:05.000 --> 0:18:10.400
<v Speaker 1>and that there's many travel mags and sites and destinations

0:18:10.440 --> 0:18:13.040
<v Speaker 1>at a talent and yeah, yeah, I mean everything from

0:18:13.080 --> 0:18:15.879
<v Speaker 1>Airbnb having the potential to become a content platform to

0:18:16.560 --> 0:18:19.320
<v Speaker 1>travel and leisure. So the user content is a key

0:18:19.359 --> 0:18:21.000
<v Speaker 1>part of it. One we have to edit it, so

0:18:21.080 --> 0:18:22.680
<v Speaker 1>it needs to be improved, so it needs editing. And

0:18:22.720 --> 0:18:26.760
<v Speaker 1>the other is that we supplement it with professional content

0:18:26.800 --> 0:18:28.640
<v Speaker 1>and stories that we can go out and find which

0:18:28.680 --> 0:18:31.440
<v Speaker 1>have made the audience still bigger and made you know,

0:18:31.960 --> 0:18:34.399
<v Speaker 1>people want to sign up for emails, and it creates

0:18:34.440 --> 0:18:37.480
<v Speaker 1>a whole new richness to what we're doing. So I

0:18:37.560 --> 0:18:40.359
<v Speaker 1>think it's I think um the balance that it's a balance.

0:18:40.400 --> 0:18:42.399
<v Speaker 1>I mean, it does mean our cost of content production

0:18:42.480 --> 0:18:44.760
<v Speaker 1>is lower than it would be if we were pure

0:18:44.960 --> 0:18:48.119
<v Speaker 1>professional journalism play and that that's a good position to

0:18:48.160 --> 0:18:49.879
<v Speaker 1>be in. But I think we need both pieces. I

0:18:49.960 --> 0:18:52.680
<v Speaker 1>want to see I want to see Alice Obscura have

0:18:52.880 --> 0:18:56.639
<v Speaker 1>the ability to go from see this cool thing and

0:18:56.720 --> 0:18:59.159
<v Speaker 1>do it now, like right now, Like if I was

0:18:59.200 --> 0:19:04.280
<v Speaker 1>four Square, I'd buy Atlas Obscura. Are you listening. I mean,

0:19:04.359 --> 0:19:08.600
<v Speaker 1>that's actually really what they need, right, and that's what

0:19:08.680 --> 0:19:14.080
<v Speaker 1>they should have become with. Yeah, but I think Airbnb

0:19:14.359 --> 0:19:18.520
<v Speaker 1>love Airbnb would swallow Atlas Obscura up and make it

0:19:18.760 --> 0:19:21.480
<v Speaker 1>something that it's not. What I think that you guys

0:19:21.600 --> 0:19:24.680
<v Speaker 1>could do is have this immediate like I want to

0:19:24.760 --> 0:19:27.000
<v Speaker 1>do this now. I want to go see a show now,

0:19:27.480 --> 0:19:30.239
<v Speaker 1>like underground this, I want to take the six train now,

0:19:30.440 --> 0:19:31.920
<v Speaker 1>I want to do this now, I want to buy

0:19:31.920 --> 0:19:34.840
<v Speaker 1>the ticket now. And I think like on demand experience

0:19:35.280 --> 0:19:40.239
<v Speaker 1>is really the next kind of step in also in commerce, right,

0:19:40.320 --> 0:19:45.240
<v Speaker 1>like having commerce and experience come together for this like amazing,

0:19:45.920 --> 0:19:50.680
<v Speaker 1>you know, really great idea are you writing? So don't worry,

0:19:50.680 --> 0:19:52.440
<v Speaker 1>it's reported. We had a we had a kind of

0:19:52.520 --> 0:19:57.480
<v Speaker 1>like a very beta extremely like soa beta we barely

0:19:57.640 --> 0:19:59.720
<v Speaker 1>let a thing called we called missions, which was we

0:19:59.800 --> 0:20:02.280
<v Speaker 1>try to do that, which was it wasn't just here's

0:20:02.320 --> 0:20:05.359
<v Speaker 1>a place, it was here's something you can go do now.

0:20:05.840 --> 0:20:07.560
<v Speaker 1>Do you know how many people say all the time

0:20:07.760 --> 0:20:10.119
<v Speaker 1>like I'm bored. Do you know how many how many

0:20:10.160 --> 0:20:14.200
<v Speaker 1>times tons if something stopped you in the middle of

0:20:14.320 --> 0:20:16.719
<v Speaker 1>your tracks and said you can go do this? Now?

0:20:16.920 --> 0:20:19.120
<v Speaker 1>Here are eight things that you can go do now.

0:20:20.119 --> 0:20:23.679
<v Speaker 1>I mean, yeah, that's a that's an extremely good idea. Well,

0:20:23.720 --> 0:20:25.879
<v Speaker 1>that's why we do what we do so in this

0:20:26.160 --> 0:20:27.960
<v Speaker 1>in this shared economy, I mean, do you think that

0:20:28.040 --> 0:20:34.000
<v Speaker 1>the Atlas obscure a model leans into this shared economy?

0:20:34.040 --> 0:20:36.960
<v Speaker 1>Obviously we have shared services like Uber, the Airbnb, is

0:20:36.960 --> 0:20:39.800
<v Speaker 1>the world, excetera. We actually from a colleague just learned

0:20:39.840 --> 0:20:42.440
<v Speaker 1>of this new app called cool Cousin. Are you familiar

0:20:42.480 --> 0:20:45.520
<v Speaker 1>with coin? So similar to what you're doing, but more

0:20:45.680 --> 0:20:48.800
<v Speaker 1>from a host than guide standpoint versus like actually immersing

0:20:48.840 --> 0:20:52.240
<v Speaker 1>yourself in unpacking. It's like an expert down a certain vertical.

0:20:52.359 --> 0:20:55.200
<v Speaker 1>So like one of our colleagues is food. He's like

0:20:55.280 --> 0:20:57.560
<v Speaker 1>the foodie of New York City, so that's what he

0:20:57.800 --> 0:21:00.959
<v Speaker 1>like he does. You know, how do you see styles

0:21:01.000 --> 0:21:03.080
<v Speaker 1>obscured playing in the shared economy? Do you think it

0:21:03.119 --> 0:21:06.080
<v Speaker 1>gets to a place where you can exchange experiences for

0:21:06.960 --> 0:21:10.800
<v Speaker 1>non transactional things or can you see like some of

0:21:10.880 --> 0:21:17.119
<v Speaker 1>your contributors actually um bartering expartering experiences right exactly creating

0:21:17.160 --> 0:21:19.639
<v Speaker 1>their own revenue streams off of a Las obscura. There

0:21:19.760 --> 0:21:22.560
<v Speaker 1>was a great um an example of that, which is

0:21:22.600 --> 0:21:24.399
<v Speaker 1>that we did an event. Last year, we had this

0:21:24.480 --> 0:21:27.639
<v Speaker 1>thing called Obscure Day, which is on May six market calendars.

0:21:27.680 --> 0:21:31.439
<v Speaker 1>On May six all over the world, we it's our

0:21:31.680 --> 0:21:34.520
<v Speaker 1>International Day of Exploration, so we do two events all

0:21:34.560 --> 0:21:36.760
<v Speaker 1>over the world on that day. And one of the

0:21:36.800 --> 0:21:38.360
<v Speaker 1>ones we did in York last year was this person

0:21:38.400 --> 0:21:42.120
<v Speaker 1>who actually in their apartment has all these Victorian electronics.

0:21:42.280 --> 0:21:44.760
<v Speaker 1>So I guess during the nineteenth century there was you know,

0:21:44.840 --> 0:21:48.440
<v Speaker 1>they had electronics. It was early electronics. And because this

0:21:48.560 --> 0:21:51.800
<v Speaker 1>collection and demonstrated all this stuff in their apartment, um,

0:21:51.960 --> 0:21:54.640
<v Speaker 1>and it was this idea that there's kind of people

0:21:54.680 --> 0:21:57.000
<v Speaker 1>with secret knowledge and secret expertise and they want to

0:21:57.040 --> 0:22:00.200
<v Speaker 1>share it, and we we give it a platform because

0:22:00.200 --> 0:22:02.040
<v Speaker 1>many of them as possible. But I like the idea

0:22:02.119 --> 0:22:05.399
<v Speaker 1>that people can start to do it themselves, create it themselves.

0:22:05.480 --> 0:22:08.879
<v Speaker 1>I mean, you've got a whole sub revenue stream then

0:22:08.960 --> 0:22:11.360
<v Speaker 1>of people kind of branching off and then becoming their

0:22:11.400 --> 0:22:16.320
<v Speaker 1>own sort of like self organizing, yeah explorer or obscure evangelists.

0:22:16.359 --> 0:22:18.320
<v Speaker 1>I guess that that can create. I mean I see

0:22:18.320 --> 0:22:20.959
<v Speaker 1>a huge partnership with you and meet up with Atlas

0:22:21.000 --> 0:22:23.040
<v Speaker 1>Obscura and meet up to be able to do something

0:22:23.119 --> 0:22:25.399
<v Speaker 1>like us can be amazing. I mean, the potential for

0:22:25.520 --> 0:22:29.600
<v Speaker 1>brands that to do is like totally unlimited in that

0:22:29.720 --> 0:22:31.840
<v Speaker 1>there are so many ways. So like when you talk

0:22:31.840 --> 0:22:36.280
<v Speaker 1>about international you know, Explorer's Day, like our brands like

0:22:36.480 --> 0:22:41.160
<v Speaker 1>Patagonia and go Pro reaching out to you to integrate

0:22:41.760 --> 0:22:45.000
<v Speaker 1>their products and ways that are actually tangible and useful

0:22:45.320 --> 0:22:48.520
<v Speaker 1>and an experience versus just badging that day we should

0:22:49.720 --> 0:22:55.480
<v Speaker 1>be badging means like it. So I'm just curious to

0:22:55.520 --> 0:22:58.000
<v Speaker 1>get your take. Haven't been in this world for a

0:22:58.040 --> 0:23:02.720
<v Speaker 1>couple of years, Like what are people most interested in travel? Like?

0:23:02.880 --> 0:23:05.600
<v Speaker 1>How has it evolved with technology and the sort of

0:23:05.680 --> 0:23:08.480
<v Speaker 1>platform you've created has it shaped it? Yeah? I think

0:23:08.680 --> 0:23:13.040
<v Speaker 1>I think, um people are really interested in kind of

0:23:13.119 --> 0:23:15.480
<v Speaker 1>off the beaten track experiences and and some of it

0:23:15.600 --> 0:23:18.080
<v Speaker 1>is some of it actually think is slightly one upsmanship.

0:23:18.119 --> 0:23:19.520
<v Speaker 1>There's a lot of like I've been there, look at

0:23:19.560 --> 0:23:22.280
<v Speaker 1>my Instagram where I've been, haven't been there, and so

0:23:22.440 --> 0:23:24.399
<v Speaker 1>so part of it I don't like. But part of

0:23:24.480 --> 0:23:29.520
<v Speaker 1>it is is the sense that um that thanks to technology,

0:23:29.720 --> 0:23:33.560
<v Speaker 1>thanks to you know, improve travel, you can now get

0:23:33.640 --> 0:23:35.399
<v Speaker 1>to places where you couldn't get before. And it's a

0:23:35.480 --> 0:23:39.040
<v Speaker 1>genuine curiosity of saying like, well, it used to be.

0:23:39.359 --> 0:23:40.840
<v Speaker 1>It used to be that everyone thought, I've got to

0:23:40.880 --> 0:23:44.080
<v Speaker 1>see the Eiffel Tower and the Tower of London and

0:23:45.280 --> 0:23:47.480
<v Speaker 1>Mona Lisa before I die. And now people, I think, don't.

0:23:47.520 --> 0:23:50.640
<v Speaker 1>I think people you could see that through a digital version,

0:23:50.800 --> 0:23:53.479
<v Speaker 1>they don't care. Like going to the Mona Lisa. It's awful.

0:23:53.600 --> 0:23:57.680
<v Speaker 1>It's a terrible experience. It's super crowded, it's terrible. It's terrible.

0:23:57.680 --> 0:23:59.680
<v Speaker 1>And you you if you, you know that if you

0:23:59.720 --> 0:24:02.959
<v Speaker 1>had an alternative experience in like some weird place outside

0:24:02.960 --> 0:24:04.600
<v Speaker 1>of Paris, it would be a better experience. I think

0:24:04.600 --> 0:24:08.960
<v Speaker 1>people are looking for things that are more bespoken, unusual,

0:24:09.480 --> 0:24:12.040
<v Speaker 1>things that you can't typically get access to. I feel

0:24:12.080 --> 0:24:15.040
<v Speaker 1>like it is something that is more valued these days

0:24:15.119 --> 0:24:19.560
<v Speaker 1>than to your point, the mainstream tourist stops, right. I

0:24:19.640 --> 0:24:21.720
<v Speaker 1>think that's exactly right. And also one of the things

0:24:21.760 --> 0:24:25.440
<v Speaker 1>that's happening is that is that because of Asia's getting

0:24:25.480 --> 0:24:29.359
<v Speaker 1>so rich, there are these h Yeah, so there are

0:24:29.400 --> 0:24:32.440
<v Speaker 1>tons of I mean there have been tons of Japanese tourist,

0:24:32.440 --> 0:24:35.200
<v Speaker 1>but now Korean and Chinese tourists who are in in

0:24:36.000 --> 0:24:37.960
<v Speaker 1>in Europe and so there it's like there's just a

0:24:38.040 --> 0:24:41.159
<v Speaker 1>lot more tourists in places which there where there's been

0:24:41.200 --> 0:24:44.520
<v Speaker 1>fewer tourists, and so there's a spill on effect where

0:24:44.720 --> 0:24:48.240
<v Speaker 1>where people who who have tourist experience are looking for

0:24:48.840 --> 0:24:52.000
<v Speaker 1>really unusual in different places to go, and that that

0:24:52.720 --> 0:24:56.399
<v Speaker 1>we think is a huge opportunity. And like you know,

0:24:57.680 --> 0:24:59.800
<v Speaker 1>and people sometimes say like, well you have outos obscure

0:24:59.880 --> 0:25:01.800
<v Speaker 1>and worried that all these weird places are going to

0:25:01.840 --> 0:25:05.359
<v Speaker 1>be ruined. Argue is like, no, ruined because of what

0:25:05.520 --> 0:25:07.760
<v Speaker 1>because suddenly people are going to find them, And it's

0:25:07.760 --> 0:25:10.080
<v Speaker 1>actually much much more. The case of what happens is

0:25:10.160 --> 0:25:14.240
<v Speaker 1>that places that don't get visited die, they get it's abandoned, forgotten,

0:25:14.280 --> 0:25:16.800
<v Speaker 1>and disappear. And what you want is actually for these places,

0:25:17.000 --> 0:25:20.000
<v Speaker 1>these wonderful, weird places to be celebrated and found. Did

0:25:20.040 --> 0:25:22.040
<v Speaker 1>you guys ever cover This is a totally random but

0:25:22.080 --> 0:25:25.119
<v Speaker 1>I was obsessed with this. So remember finding Sugarman? Did

0:25:25.160 --> 0:25:29.960
<v Speaker 1>you remember that? Okay, the musician in Detroit? But I

0:25:30.080 --> 0:25:32.880
<v Speaker 1>was like really obsessed with Detroit culture because of finding

0:25:32.920 --> 0:25:35.720
<v Speaker 1>Sugarman and like just all the stuff that was happening

0:25:36.000 --> 0:25:38.680
<v Speaker 1>some time with like the Chrysler comeback and like all

0:25:38.720 --> 0:25:41.359
<v Speaker 1>of these things I've just moved into brainstorm mode because

0:25:41.400 --> 0:25:45.359
<v Speaker 1>you you do this to me. So what Alexa just described,

0:25:45.640 --> 0:25:49.880
<v Speaker 1>I think is an amazing product opportunity, and it's how

0:25:49.960 --> 0:25:53.720
<v Speaker 1>does Atlas obscurre a move into the search bar of experiences?

0:25:53.880 --> 0:25:59.080
<v Speaker 1>That's right? So when Alexa thinks about finding sugar and

0:25:59.240 --> 0:26:04.119
<v Speaker 1>I think about finding Tony Soprano, what are the experiences

0:26:04.359 --> 0:26:07.560
<v Speaker 1>that I can go in and ask Atlas Obscura to

0:26:07.720 --> 0:26:10.120
<v Speaker 1>curate for me to go after that? And I think

0:26:10.520 --> 0:26:16.280
<v Speaker 1>that is the quintessential moment of digital and discovery and

0:26:16.480 --> 0:26:20.920
<v Speaker 1>search linking up with real world on demands that I

0:26:21.040 --> 0:26:23.159
<v Speaker 1>can go do tomorrow. That's where I was saying, like

0:26:23.200 --> 0:26:25.199
<v Speaker 1>the footh whole four square thing. I was like, if

0:26:25.240 --> 0:26:27.800
<v Speaker 1>I'm right here, what can I do right now? But

0:26:27.920 --> 0:26:31.359
<v Speaker 1>I love the like search the search bar for experiences.

0:26:31.720 --> 0:26:33.320
<v Speaker 1>I mean that you just give you a new tagline.

0:26:34.240 --> 0:26:37.520
<v Speaker 1>I mean, I think that's really in a lot of ways. Um,

0:26:38.680 --> 0:26:41.760
<v Speaker 1>who if I said I want to see Atlas Obscura

0:26:42.560 --> 0:26:46.240
<v Speaker 1>become something, I'd say, you become that. So can you

0:26:46.320 --> 0:26:49.200
<v Speaker 1>tell us a little bit about how you're infusing technology

0:26:49.280 --> 0:26:51.879
<v Speaker 1>to that point? So like you are eleven years in

0:26:51.920 --> 0:26:54.119
<v Speaker 1>the making a podcast are and of your own right.

0:26:54.560 --> 0:26:58.680
<v Speaker 1>How are things like audio and um other forms of

0:26:58.800 --> 0:27:01.560
<v Speaker 1>things like augmented reality, the artificial intelligence playing into the

0:27:01.640 --> 0:27:04.240
<v Speaker 1>experience world. Because Alex and I are bracing for this

0:27:04.920 --> 0:27:08.720
<v Speaker 1>time in our industry where the interface is going away,

0:27:09.440 --> 0:27:11.320
<v Speaker 1>and so you are poised to be at the forefront

0:27:11.359 --> 0:27:13.720
<v Speaker 1>of that. What does technology look like in your world?

0:27:13.960 --> 0:27:15.560
<v Speaker 1>I mean, there's a couple of a r apps that

0:27:15.640 --> 0:27:18.200
<v Speaker 1>we've talked to, and we think there's like a great

0:27:19.000 --> 0:27:22.520
<v Speaker 1>you know whatever the Pokemon go is for adults around

0:27:22.640 --> 0:27:25.399
<v Speaker 1>history and experience to replace. There are some apps we

0:27:25.480 --> 0:27:27.320
<v Speaker 1>looked at that seemed really cool that look at sort

0:27:27.359 --> 0:27:30.880
<v Speaker 1>of historical experience and allow you to kind of place

0:27:30.960 --> 0:27:33.440
<v Speaker 1>yourself in places if you have if you have a

0:27:33.480 --> 0:27:36.440
<v Speaker 1>good idea for that people, So you and I want

0:27:36.480 --> 0:27:38.560
<v Speaker 1>to go into a little bit. You said the founders

0:27:39.400 --> 0:27:42.359
<v Speaker 1>said that everyone's got an explore in them. I would

0:27:42.480 --> 0:27:44.960
<v Speaker 1>argue that that's not true. I would argue that people

0:27:45.040 --> 0:27:47.800
<v Speaker 1>generally are My mother's lived in the same place for

0:27:48.400 --> 0:27:51.800
<v Speaker 1>almost sixty years in the same way like my parents,

0:27:52.000 --> 0:27:54.680
<v Speaker 1>very similar. But I would argue it's not true and

0:27:54.920 --> 0:27:57.600
<v Speaker 1>less engaged in the right way. And I would love

0:27:57.720 --> 0:28:00.359
<v Speaker 1>to know right now when you look at your audience,

0:28:00.400 --> 0:28:03.760
<v Speaker 1>who are they? Well, do you want to argue You're

0:28:03.760 --> 0:28:05.960
<v Speaker 1>gonna say, I think you're wrong. No, I mean I've

0:28:06.000 --> 0:28:07.879
<v Speaker 1>I've lived all my life in Washington, you see. I

0:28:07.960 --> 0:28:12.280
<v Speaker 1>grew up there, and I still every not every day,

0:28:12.480 --> 0:28:16.960
<v Speaker 1>but every month I discover something surprising about this place,

0:28:17.040 --> 0:28:19.320
<v Speaker 1>which I know intimately. I mean, the reason I ended

0:28:19.359 --> 0:28:22.960
<v Speaker 1>up working at Atlas Obscure taking this job was I

0:28:23.000 --> 0:28:24.639
<v Speaker 1>had left Slate and I was just looking around. I

0:28:24.680 --> 0:28:27.000
<v Speaker 1>went for a bike ride with my daughter down in

0:28:27.200 --> 0:28:29.159
<v Speaker 1>a part of Washington I never really spent much time,

0:28:29.200 --> 0:28:31.160
<v Speaker 1>and I saw there's a bike path in Anacostia, which

0:28:31.200 --> 0:28:33.399
<v Speaker 1>is a poorer part of the city. And then so

0:28:33.480 --> 0:28:34.879
<v Speaker 1>we went on this bike path and I noticed as

0:28:34.920 --> 0:28:36.560
<v Speaker 1>we were on this path, which was kind of like

0:28:36.640 --> 0:28:39.120
<v Speaker 1>a crumby path, it wasn't that fun of bike ride, honestly,

0:28:39.480 --> 0:28:41.800
<v Speaker 1>but that everything we passed it was. We went through

0:28:41.840 --> 0:28:44.000
<v Speaker 1>Fort DuPont Park and Fort my Hand Park in Fort

0:28:44.000 --> 0:28:46.959
<v Speaker 1>Wallace Park, and I was like, why is everything called Fort?

0:28:48.080 --> 0:28:49.240
<v Speaker 1>And so I went back home and I was like,

0:28:49.280 --> 0:28:50.760
<v Speaker 1>why is everything called Fort? And I looked and if

0:28:50.760 --> 0:28:52.440
<v Speaker 1>you put your finger on the Capitol and then to

0:28:52.680 --> 0:28:55.800
<v Speaker 1>draw a circle around Washington, maybe three or four miles

0:28:55.840 --> 0:28:58.680
<v Speaker 1>from the capitol. Everything is called fort. There's Fort Totton,

0:28:59.240 --> 0:29:02.600
<v Speaker 1>Fort Stephen, Battery, Kimball, and it's like, oh, these are

0:29:02.640 --> 0:29:05.600
<v Speaker 1>the Civil War defenses of Washington City. But there's no

0:29:05.800 --> 0:29:08.960
<v Speaker 1>forts there. It's like all gone, except there's one spot.

0:29:09.960 --> 0:29:12.239
<v Speaker 1>And so a couple of weeks later, I went out

0:29:12.280 --> 0:29:14.760
<v Speaker 1>for a walk with my family in the woods up

0:29:15.240 --> 0:29:17.880
<v Speaker 1>a mile from where I grew up, off a very

0:29:17.960 --> 0:29:20.680
<v Speaker 1>busy street, off the corner of Military Road in Oregon Avenue.

0:29:20.720 --> 0:29:23.160
<v Speaker 1>You walk into the woods into Rock Creek Park. You're

0:29:23.160 --> 0:29:25.160
<v Speaker 1>in deep woods. You got a couple hundred yards and

0:29:25.200 --> 0:29:26.920
<v Speaker 1>there's a tiny little path off to the right. You

0:29:27.040 --> 0:29:29.000
<v Speaker 1>take this tiny little path off to the right, off

0:29:29.040 --> 0:29:32.240
<v Speaker 1>to the left actually, and you go another fifty yards

0:29:32.320 --> 0:29:34.800
<v Speaker 1>into the deep forest. All of a sudden there's a

0:29:34.880 --> 0:29:37.840
<v Speaker 1>moat and then these earthen walls they're twenty ft high,

0:29:38.160 --> 0:29:39.600
<v Speaker 1>and you climb up on these earthen models and you

0:29:39.640 --> 0:29:43.680
<v Speaker 1>realize that this is a ring and this is Fort Drusie.

0:29:43.760 --> 0:29:46.240
<v Speaker 1>This is like a fort. It's in the middle of

0:29:46.360 --> 0:29:49.880
<v Speaker 1>the fucking city, like right where I grew up, and

0:29:50.400 --> 0:29:52.920
<v Speaker 1>it's just this incredible plan and it turns out has

0:29:52.920 --> 0:29:55.160
<v Speaker 1>an amazing history. It's where you know, there was a

0:29:55.280 --> 0:29:58.560
<v Speaker 1>very important battle thought that fended off a Confederate invasion

0:29:58.600 --> 0:30:02.320
<v Speaker 1>in eighteen sixty four, very little talked about, but important battle,

0:30:02.720 --> 0:30:05.840
<v Speaker 1>but nobody knows that, nobody experiences it. So I so

0:30:05.920 --> 0:30:09.160
<v Speaker 1>I think even your you know, your relative, your grandmother's uh,

0:30:09.480 --> 0:30:12.160
<v Speaker 1>well you just said, yeah, it's totally inspired. This This

0:30:12.360 --> 0:30:14.960
<v Speaker 1>thought in my head as you're talking is like the

0:30:15.040 --> 0:30:18.160
<v Speaker 1>furthest my mother is explored as the Jersey Shore And

0:30:18.520 --> 0:30:22.280
<v Speaker 1>I say that and it's not a bad thing, and

0:30:22.320 --> 0:30:24.800
<v Speaker 1>it's not a bad thing, but a creature of habit.

0:30:24.960 --> 0:30:28.840
<v Speaker 1>Sixty years same town, born and raised, raised her family there,

0:30:28.920 --> 0:30:35.160
<v Speaker 1>continues to live there. How can brands help reach the

0:30:36.000 --> 0:30:38.640
<v Speaker 1>fruit on the tree that is not low hanging, which

0:30:38.680 --> 0:30:42.280
<v Speaker 1>are people like her who don't necessarily have the ambition

0:30:42.480 --> 0:30:44.560
<v Speaker 1>or maybe the financial means or whatever the case may be,

0:30:45.040 --> 0:30:47.920
<v Speaker 1>to go to see the mona Lisa, but can get

0:30:47.960 --> 0:30:52.760
<v Speaker 1>out in their neighborhoods and find for and feel and

0:30:53.160 --> 0:30:55.160
<v Speaker 1>you know what happens. What did you feel when you

0:30:55.880 --> 0:30:59.160
<v Speaker 1>like discovered this, It was like, yes, it's literally it's

0:30:59.280 --> 0:31:03.320
<v Speaker 1>literally yea. And I now take groups on I take

0:31:03.360 --> 0:31:06.400
<v Speaker 1>groups to this sport because it's so fun and people

0:31:06.440 --> 0:31:08.880
<v Speaker 1>are like, holy count, I'm seeing the next show, but

0:31:08.960 --> 0:31:12.160
<v Speaker 1>we want bar but Laura's mom to go fuck yeah.

0:31:13.000 --> 0:31:15.000
<v Speaker 1>The other thing is that bar may know. So the

0:31:15.080 --> 0:31:17.400
<v Speaker 1>other piece of it is, like you asked to the audiences,

0:31:17.400 --> 0:31:19.920
<v Speaker 1>and I think the audience is people who are passionate

0:31:20.000 --> 0:31:23.240
<v Speaker 1>about things and that that sense of like they are enthusiasts.

0:31:23.280 --> 0:31:26.520
<v Speaker 1>And I bet that Barb has, like she has some

0:31:26.680 --> 0:31:29.640
<v Speaker 1>deep knowledge of some aspect of her world and her community.

0:31:29.640 --> 0:31:32.440
<v Speaker 1>There's somebody who's history she knows, or some place that

0:31:32.560 --> 0:31:35.280
<v Speaker 1>she knows just intimately. And as much as we are

0:31:35.320 --> 0:31:38.400
<v Speaker 1>about people traveling to the farthest flung and like having

0:31:38.520 --> 0:31:42.240
<v Speaker 1>some like distant remote experience, where also about people like

0:31:42.640 --> 0:31:45.320
<v Speaker 1>connecting deeply to any place, like you can connect deeply

0:31:45.400 --> 0:31:49.440
<v Speaker 1>to the place that I think fingers right now, because

0:31:49.880 --> 0:31:55.480
<v Speaker 1>that right there, to me, brands local communities and making

0:31:55.680 --> 0:32:00.320
<v Speaker 1>people have a sense of life and a sense of

0:32:00.560 --> 0:32:05.000
<v Speaker 1>like excitement, pride and pride and pride it is pride

0:32:05.400 --> 0:32:08.360
<v Speaker 1>right that they didn't know even existed. That to me

0:32:08.600 --> 0:32:14.360
<v Speaker 1>is like amazingly exciting. So let's pivot into David plots

0:32:14.400 --> 0:32:21.000
<v Speaker 1>the podcaster, and I just call you Platsy, one of

0:32:21.160 --> 0:32:27.280
<v Speaker 1>many nicknames, that's the least awful that um, and talk

0:32:27.360 --> 0:32:29.880
<v Speaker 1>to us a little bit about eleven years in the

0:32:30.000 --> 0:32:34.800
<v Speaker 1>making as a podcaster, what you've seen this industry become,

0:32:35.520 --> 0:32:39.840
<v Speaker 1>and what you're excited about or not excited about. I mean,

0:32:39.920 --> 0:32:43.280
<v Speaker 1>I'm incredibly excited about. I love podcasting. I just love it.

0:32:43.520 --> 0:32:45.120
<v Speaker 1>It's one of the things. When I was at Slate

0:32:45.480 --> 0:32:48.600
<v Speaker 1>Andy Bowers, who you guys know and work with, and

0:32:48.680 --> 0:32:51.920
<v Speaker 1>Andy created this podcasting world and Slate no one knew

0:32:51.920 --> 0:32:54.120
<v Speaker 1>what podcasting was. I mean, it was literally the year

0:32:54.160 --> 0:32:56.960
<v Speaker 1>that podcasting was invented, and Andy saying, this is the future.

0:32:57.000 --> 0:33:00.960
<v Speaker 1>You've got to try this, and we didn't know. We're like, sure, whatever, Andy, Yeah, fine, yeah,

0:33:02.280 --> 0:33:05.400
<v Speaker 1>but he was so absolutely right and prophetic about it,

0:33:05.960 --> 0:33:11.760
<v Speaker 1>and and so um to me. Uh, what I love

0:33:12.040 --> 0:33:15.040
<v Speaker 1>and what I think is is profound about it is

0:33:15.120 --> 0:33:18.320
<v Speaker 1>that it is the most intimate medium. It is medium

0:33:18.360 --> 0:33:21.360
<v Speaker 1>where you when you hear someone's voice in your ears,

0:33:21.960 --> 0:33:24.160
<v Speaker 1>and when you hear someone's voice in your earbuds. It's

0:33:24.200 --> 0:33:27.040
<v Speaker 1>not even ambiently like like when you listen to the radio.

0:33:27.040 --> 0:33:28.800
<v Speaker 1>It tends to be sort of ambient around you. But

0:33:29.080 --> 0:33:31.840
<v Speaker 1>the earbuds. First of all, you've made an explicit choice

0:33:31.880 --> 0:33:35.000
<v Speaker 1>to listen, Like you can't not opt into a podcast,

0:33:35.040 --> 0:33:36.880
<v Speaker 1>you have opted to listen to it. And with the

0:33:36.960 --> 0:33:39.520
<v Speaker 1>plotsy voice, I mean, how could you not actually just

0:33:39.640 --> 0:33:44.280
<v Speaker 1>mee me, want to go like um, And then it's

0:33:44.400 --> 0:33:46.720
<v Speaker 1>and it's right in your ears, and so it creates

0:33:46.840 --> 0:33:50.320
<v Speaker 1>this intimacy. And television is a distancing medium. Print you

0:33:50.400 --> 0:33:53.600
<v Speaker 1>don't make this human connection with people, um, because it's

0:33:53.720 --> 0:33:56.480
<v Speaker 1>whoever writes it. It's like just you know whatever. And

0:33:56.640 --> 0:34:00.280
<v Speaker 1>digital is digital is ephemera, Digital is flashing across right

0:34:00.440 --> 0:34:06.000
<v Speaker 1>so quickly. Podcasting is unbelievably intimate, and therefore you have

0:34:06.200 --> 0:34:07.960
<v Speaker 1>human connections with people. I don't know if this is

0:34:08.160 --> 0:34:09.839
<v Speaker 1>starting to happen to you guys yet, but you're going

0:34:09.880 --> 0:34:11.840
<v Speaker 1>to meet people who know you because they listen to

0:34:11.920 --> 0:34:14.000
<v Speaker 1>you and they hear your voice, and they'll hear you

0:34:14.080 --> 0:34:17.360
<v Speaker 1>and they'll be like it's Laura, and not because you

0:34:17.600 --> 0:34:19.719
<v Speaker 1>know anything about them, but they know you and they've

0:34:19.760 --> 0:34:22.520
<v Speaker 1>connected to you, and that is a powerful connection. That's

0:34:22.560 --> 0:34:24.759
<v Speaker 1>why the ad rates are so high. Can I ask you?

0:34:25.120 --> 0:34:26.920
<v Speaker 1>Can we ask you one last thing? So we have

0:34:27.120 --> 0:34:29.120
<v Speaker 1>this thing, this series, and this was actually a piece

0:34:29.160 --> 0:34:31.640
<v Speaker 1>of your advice. And after we talked, I was like,

0:34:31.719 --> 0:34:33.279
<v Speaker 1>oh my god, Laura, we got to bring it back.

0:34:33.600 --> 0:34:36.399
<v Speaker 1>So there's this Have you ever heard of the game?

0:34:36.719 --> 0:34:38.279
<v Speaker 1>I feel like you're too in a lex Mary kill?

0:34:38.520 --> 0:34:42.000
<v Speaker 1>Yeah kidd fuck Mary? But yeah, um we like, yeah,

0:34:42.080 --> 0:34:46.000
<v Speaker 1>just a tongue. Oh it's fun Mary kill? Maybe Cam?

0:34:46.200 --> 0:34:50.279
<v Speaker 1>Is it fuck? I am well? Cam says fun Mary kile,

0:34:50.480 --> 0:34:55.000
<v Speaker 1>We say Mary, And that's our show. So it's my

0:34:55.040 --> 0:34:57.160
<v Speaker 1>wife and I played an hour long game of the

0:34:57.239 --> 0:34:59.440
<v Speaker 1>other name. We were walking We're going to a concert.

0:34:59.520 --> 0:35:01.239
<v Speaker 1>We were walking to a concert. We're just like, it

0:35:01.360 --> 0:35:03.800
<v Speaker 1>was so much fun. Okay, so we're going to do

0:35:03.920 --> 0:35:08.760
<v Speaker 1>that though for marketing brands, technology media with you. Okay,

0:35:08.920 --> 0:35:11.279
<v Speaker 1>So it's kill. What would you kill? What would you

0:35:11.360 --> 0:35:13.479
<v Speaker 1>just get rid of? What would you strike from the earth?

0:35:13.960 --> 0:35:19.120
<v Speaker 1>David Blotts, what would you do yourself? Right? And what

0:35:19.200 --> 0:35:21.800
<v Speaker 1>would you buy? I mean I would definitely kill Facebook.

0:35:22.040 --> 0:35:25.719
<v Speaker 1>Definitely Facebook was dead. When we've talked a lot on

0:35:25.840 --> 0:35:28.800
<v Speaker 1>this podcast about sort of real experiences, I think Facebook

0:35:28.920 --> 0:35:32.040
<v Speaker 1>is the champion of separating you from real experience, that

0:35:32.239 --> 0:35:36.160
<v Speaker 1>creates pretend experience when where there should be real experience,

0:35:36.200 --> 0:35:38.680
<v Speaker 1>and it also has had this dire effect I think

0:35:38.760 --> 0:35:41.560
<v Speaker 1>on journalism and media. Okay, I buy that, all right?

0:35:41.600 --> 0:35:47.000
<v Speaker 1>What would I buy? Would I buy? I would buy? Uh?

0:35:47.680 --> 0:35:50.200
<v Speaker 1>This American life. I think that's American life does what

0:35:50.360 --> 0:35:53.480
<v Speaker 1>it does better than anything it has created. We are

0:35:53.560 --> 0:35:55.680
<v Speaker 1>all children of this American life in the way that

0:35:55.800 --> 0:35:57.839
<v Speaker 1>we're almost children or nothing else. I think it's it's

0:35:57.920 --> 0:36:01.520
<v Speaker 1>created how we do stories, how we think about stories,

0:36:01.560 --> 0:36:04.239
<v Speaker 1>how we listen to stories, more than anything. So I

0:36:04.239 --> 0:36:06.440
<v Speaker 1>would agree with that's a enough answer, and would agree

0:36:06.440 --> 0:36:09.200
<v Speaker 1>with you. And I think a call plots if if

0:36:09.280 --> 0:36:13.600
<v Speaker 1>you want to make a deal, and then he could

0:36:13.640 --> 0:36:16.040
<v Speaker 1>buy me actually, and then what what would I do?

0:36:16.800 --> 0:36:20.040
<v Speaker 1>What would do yourself? Yourself? Because I would do it better?

0:36:20.800 --> 0:36:25.440
<v Speaker 1>Is um American soccer? Like, I'm a huge soccer fan.

0:36:26.000 --> 0:36:28.960
<v Speaker 1>So disappointed you just hit You just hit a pash

0:36:29.120 --> 0:36:31.960
<v Speaker 1>point of miss lor Charanti over here. I played soccer

0:36:32.040 --> 0:36:39.440
<v Speaker 1>at American University, always an eagle. What would you do

0:36:39.680 --> 0:36:43.080
<v Speaker 1>differently about American soccer? Well, it's just there's a huge

0:36:43.120 --> 0:36:46.879
<v Speaker 1>fan base, there's a huge participation, there's an enormous love

0:36:47.040 --> 0:36:50.880
<v Speaker 1>for the game, and yet the quality of the league

0:36:50.960 --> 0:36:52.480
<v Speaker 1>and of the national of the MLS and of the

0:36:52.560 --> 0:36:55.080
<v Speaker 1>national team continues to be low. I think that is

0:36:55.080 --> 0:36:58.759
<v Speaker 1>a huge issue with the MLS organization. You have a

0:36:58.880 --> 0:37:05.120
<v Speaker 1>Hispanic Lettie community that turns out for UM international games

0:37:05.200 --> 0:37:07.800
<v Speaker 1>more than they do their own home team. The league

0:37:08.000 --> 0:37:10.120
<v Speaker 1>does not understand how to put the right folks in

0:37:10.200 --> 0:37:12.360
<v Speaker 1>marketing in these pockets of communities that truly understand them.

0:37:12.400 --> 0:37:15.160
<v Speaker 1>So I could go on about that I learned, but um, anyway,

0:37:15.239 --> 0:37:18.840
<v Speaker 1>David Plots, thank you for coming. Thank you. If you

0:37:18.960 --> 0:37:22.760
<v Speaker 1>haven't already, please go check out Atlas Obscura. We're expecting

0:37:22.800 --> 0:37:24.719
<v Speaker 1>a lot from Alice Obscure. I hope you know. I

0:37:24.760 --> 0:37:27.080
<v Speaker 1>mean I saw you break out the iPhone with some

0:37:27.200 --> 0:37:29.480
<v Speaker 1>ideas that we wrote down. We want to come and

0:37:30.200 --> 0:37:32.960
<v Speaker 1>and see these happen. So, David, how can people get

0:37:33.000 --> 0:37:35.719
<v Speaker 1>in touch with you if they have more interesting experiences

0:37:35.840 --> 0:37:37.680
<v Speaker 1>or ideas they want to share with us? Well, I'm

0:37:37.719 --> 0:37:39.920
<v Speaker 1>on Twitter at David Plots and I'm also David at

0:37:39.960 --> 0:37:43.160
<v Speaker 1>Atlas obscura dot com. Awesome, David Plots, everyone, thank you

0:37:43.239 --> 0:37:46.080
<v Speaker 1>so much. Thank you guys. Um that wraps this week's

0:37:46.120 --> 0:37:48.480
<v Speaker 1>episode of Atlandia. A few people we need to thank

0:37:49.080 --> 0:37:52.880
<v Speaker 1>Cameron Drews, our producer Laura Mayer, Mett Turk, Andy Bowers,

0:37:53.000 --> 0:37:56.240
<v Speaker 1>and our team at Panoply. Thanks very much. Thanks for listening.

0:37:56.440 --> 0:38:00.040
<v Speaker 1>Tweet us at at Landia Podcast, Like us, leave of

0:38:00.120 --> 0:38:02.399
<v Speaker 1>us a review, send us your thoughts. We'll be back

0:38:02.440 --> 0:38:09.560
<v Speaker 1>in two weeks with another episode. Full disclosure. Our opinions

0:38:09.600 --> 0:38:11.480
<v Speaker 1>are our own. H