WEBVTT - TGI - Episode 211 “The Beard”

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<v Speaker 1>I'm looking forward to seeing you guys in Richmond next weekend.

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<v Speaker 1>That's gonna be really fun. We has anybody looked into

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<v Speaker 1>what the restaurants are around there? Where will we go

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<v Speaker 1>have our our Should we bring a tape recorder and

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<v Speaker 1>record our we do that every week? We were gonna

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<v Speaker 1>want to have dinner with each other after and talk. Yeah,

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<v Speaker 1>I'm in Richmond, Virginia, down south. Oh, I'm guessing maybe

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<v Speaker 1>we can find some good barbecue. I'd be pretty happy

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<v Speaker 1>with something along those lines. Okay, happy with barbecue. Um,

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<v Speaker 1>what what political topics should we dive? O? Oh gosh,

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<v Speaker 1>you guys start thinking about things. We'll figure it out.

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<v Speaker 1>We'll figure out. I'm happy to get back out there

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<v Speaker 1>and and meeting fans and seeing people. And this is

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<v Speaker 1>actually this will be our first con since well my

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<v Speaker 1>first con and maybe writer's first con since we started

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<v Speaker 1>the podcast. Yeah, yeah, and so Will has already had

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<v Speaker 1>the experience, and he's poets world listeners, the world listeners

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<v Speaker 1>and seeing the pod meats world merch. It hasn't happened yet.

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<v Speaker 1>Shirts everywhere and it's cool and yeah, people come up

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<v Speaker 1>and throw out like you know, one liners are inside

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<v Speaker 1>jokes on the podcast. It's really fun. I definitely I

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<v Speaker 1>got recognized as Sundance a couple of times, and it

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<v Speaker 1>was so interesting because people clarify, you know, as opposed

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<v Speaker 1>to recognizing me for Boy Meets World, which people do,

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<v Speaker 1>you know all the time, and they would be like, no, no,

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<v Speaker 1>I'm a fan of Boy Meats World, but I'm a

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<v Speaker 1>bigger fan of pod Meets World at this point, and

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<v Speaker 1>so like they would go out of their way. It

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<v Speaker 1>happened to be a couple of times I was like, oh,

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<v Speaker 1>that's so nice. It's it's it's a it's a it's

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<v Speaker 1>like a different level of recognition, you know. It's like

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<v Speaker 1>not only do I know you from that TV show

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<v Speaker 1>when you were a kid, but like now I'm kind

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<v Speaker 1>of on this other journey with you. Um, so I

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<v Speaker 1>am really excited to see the fans part of me

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<v Speaker 1>because I feel the same way. There's something that feels

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<v Speaker 1>more personal about pod Meat's World. Well then there is

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<v Speaker 1>and I yeah, yeah, And I wonder if it's just

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<v Speaker 1>because obviously Podmeats World is very much us. It's just us.

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<v Speaker 1>It's not there are no characters, it's just who we are. Um.

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<v Speaker 1>Whereas Boy Meets World of course, there's that feeling when

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<v Speaker 1>somebody compliments you on it. There's always that like, well,

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<v Speaker 1>I'm not the person who wrote and well I'm not

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<v Speaker 1>the person who created it, and I'm you know, I'm

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<v Speaker 1>just the physical actually exactly, I'm not actually to bangaloreans

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<v Speaker 1>and all those things. So yeah, there is something so nice.

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<v Speaker 1>So anyway, I am very excited to be out there

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<v Speaker 1>and to see everybody and to have those conversations. And

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<v Speaker 1>so yeah, we will be in Richmond the twenty fourth

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<v Speaker 1>through the twenty sixth. If you haven't already got tickets,

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<v Speaker 1>get them, come say hi, come meet us, and we're

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<v Speaker 1>looking forward to it. So I'm actually restaurant to I'm

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<v Speaker 1>actually you are. Yeah, it's Will character thirty years since. Yes,

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<v Speaker 1>and what's them? Is Batman the mask or is Bruce

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<v Speaker 1>Way in the mask? That's the question writer. I'll put

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<v Speaker 1>you on picking the restaurants. Yeah, okay, yeah, no, I

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<v Speaker 1>was saying, somebody tweet us, tweet us restaurants if you know,

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<v Speaker 1>uh Richmond, Yeah, where we should go? Will wants barbecue.

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<v Speaker 1>I just want I want I want good food. I

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<v Speaker 1>want good, cool, awesome places. Hopefully not chains, you know,

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<v Speaker 1>we want a good local place where Will and I

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<v Speaker 1>can scream at each other and guys, guys, we all

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<v Speaker 1>love each other. I think I will saying and I

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<v Speaker 1>think we're saying, yeah, perfect ribs like ribs after you

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<v Speaker 1>eat them are really good to just fling across the table.

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<v Speaker 1>So I think we're we've got some some good stuff happening.

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<v Speaker 1>Welcome to pod Meet's world. I'm Danielle fisheral, I'm Riders Strong,

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<v Speaker 1>and I'm Eric Matthews. So today we are recapping season two,

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<v Speaker 1>episode eleven, The Beard. It originally aired December ninth, nineteen

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<v Speaker 1>ninety four. The synopsis is that Sean gets Corey to

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<v Speaker 1>Data Girl solely to keep her unavailable while he dates

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<v Speaker 1>another one. It is directed by David Trayner, was written

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<v Speaker 1>by Jeff Minnelle and a guest stars Blake. Soaper is

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<v Speaker 1>Joseph Joey, the ride epstein Ethan supplie is Frankie Stacchino.

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<v Speaker 1>John Capitos as Chubby. He appeared in ace Ventura, Independence

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<v Speaker 1>Day and Speed. This is the first time we see

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<v Speaker 1>mister Chubby, right, yeah, is the only time I think

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<v Speaker 1>there's I think Henves back, but it's a different actor

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<v Speaker 1>playing Chubby. I feel like somebody's pointed that out to

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<v Speaker 1>us before. Yeah, yeah, uh. Lenny Wolf as car dealer,

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<v Speaker 1>Hayley Johnson as Linda. She's from Kids Incorporated. He is

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<v Speaker 1>and Ashley Johnson's sister, Yess's sister, Molly Morgan as Stacy,

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<v Speaker 1>and Josh Keaton returns, but this time as Roy. It's

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<v Speaker 1>so funny. When I saw Josh at the beginning, I

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<v Speaker 1>was like, is that that's Josh again? But then I

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<v Speaker 1>was like, no, it can't be because he looks different.

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<v Speaker 1>It looks different, and I was like, no, that's not him,

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<v Speaker 1>and then I saw his name in the ground. I

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<v Speaker 1>was like, oh, yeah it actually, but yeah, it's funny.

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<v Speaker 1>He looks less like himself in this shot or whatever.

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<v Speaker 1>The last one, yes, and the last one he didn't

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<v Speaker 1>even have any lines, right, So yeah, yeah, super interesting.

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<v Speaker 1>But this makes sense why we were friends with him

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<v Speaker 1>and like, because he was always kind of around like

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<v Speaker 1>he was in two more than one episode. So yeah. Yeah. Well,

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<v Speaker 1>to start our recap, we are in the Matthews kitchen.

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<v Speaker 1>Amy is stressing and looking at pictures of cars at

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<v Speaker 1>the kitchen table because she's looking to buy a new car.

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<v Speaker 1>Corey and Eric enter to tell Amy she should get

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<v Speaker 1>a turbo charged Ferrari, and Amy asks, how's that going

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<v Speaker 1>to work for the family. She decides to go with

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<v Speaker 1>a van, and both Corey and Eric yell no. Amy

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<v Speaker 1>defends the van for camping and soccer and her job

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<v Speaker 1>at the gallery, and then Amy yep, still, she's got

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<v Speaker 1>a load paintings. She's just loading paintings. And remember how

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<v Speaker 1>big of a deal minivans were, Like that was a thing,

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<v Speaker 1>like because they didn't really exist before the early nineties,

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<v Speaker 1>Like yeah, and then it was like suddenly everybody had

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<v Speaker 1>a minivan. Like my family got a minivan. Everybody your

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<v Speaker 1>family these mini van when we would go places and

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<v Speaker 1>it was awesome. Yeah, it was a Toyota Previa. Yes,

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<v Speaker 1>it was there, amazing car, awesome my parents. My dad

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<v Speaker 1>kept ran that car into the ground. He loved it

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<v Speaker 1>because you could actually put i don't know, a certain

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<v Speaker 1>size would in the like you could open up and

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<v Speaker 1>use it basically as a truck. And he's like, oh no,

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<v Speaker 1>it fits a perfect size plywood whatever he build something,

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<v Speaker 1>why would he would like have this measurement. He's like,

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<v Speaker 1>other trucks, other vans can't do it, but the Previa,

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<v Speaker 1>so he like three hundred thousand miles. They finally killed

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<v Speaker 1>that car and threw it away, but or gave it

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<v Speaker 1>away or whatever rebuilt it. But my parents loved that

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<v Speaker 1>car and we bought it right when Boy Beat the

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<v Speaker 1>World started. Anyway, I just it's just so funny to remember,

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<v Speaker 1>like mini vans were in the in the culture. It's

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<v Speaker 1>like now it's just like a standard thing, like people

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<v Speaker 1>have minivans. But back then, man, they were the new

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<v Speaker 1>hot thing. But it was so strange because I not

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<v Speaker 1>that long ago, maybe a year or two ago. I

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<v Speaker 1>flew back to Connecticut, and when I fly there, I

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<v Speaker 1>fly into Boston because I liked fly direct. And I

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<v Speaker 1>had to rent a car to drive there. And the

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<v Speaker 1>only thing they had and I didn't know the horse.

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<v Speaker 1>The horse had colic and yeah, the buggie was the

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<v Speaker 1>axel was thine broken? Um, your penny farthing bike wasn't working.

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<v Speaker 1>Your hey, oh here we go now driving wow here

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<v Speaker 1>on these two fangled roads. Wow, check me out. I

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<v Speaker 1>had to go to the gym and lift those big

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<v Speaker 1>triangle things. Um. So the only thing they had was

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<v Speaker 1>a minivan, and so I was like, okay, I'll rent

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<v Speaker 1>this thing. I had so much fun in this minivan

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<v Speaker 1>that I came back and said to Sue, we almost

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<v Speaker 1>need to have children just to justify getting this damn thing.

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<v Speaker 1>Best friend has a minivan, and when I first was pregnant,

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<v Speaker 1>she said to me, Oh, I'm so excited you're gonna

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<v Speaker 1>You're gonna get a minivan just like me. I can't wait,

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<v Speaker 1>can't wait for you to get a minivan. And I

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<v Speaker 1>was like, I am not going to get a minivan. No,

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<v Speaker 1>thank you, it's not for me. I'm not going to

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<v Speaker 1>get one. And then I had to get my car

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<v Speaker 1>had needed service and it was going to take longer

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<v Speaker 1>than expected, so they got me a rental car, and

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<v Speaker 1>the only rental car they had was a minivan. And

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<v Speaker 1>if I didn't spend the rest of the day googling

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<v Speaker 1>luxury minivans, I was like, this is amazing. The doors

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<v Speaker 1>they don't have to open wide. They slide open so

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<v Speaker 1>you can fit in narrow like because our garage is

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<v Speaker 1>very narrow, it's very long. So if in order for

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<v Speaker 1>me to get both kids in the car, I have

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<v Speaker 1>to back out of the driveway so that the doors

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<v Speaker 1>can open, I wouldn't need to do that with a minivan. No,

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<v Speaker 1>do they have hybrid minivans yet. Is there a hybrid

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<v Speaker 1>or electric minivan? Is that a thing? I think they

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<v Speaker 1>have hybrids that don't remember. Yeah, I'm sure it's love

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<v Speaker 1>a good minivan anyway, and you can fit all the

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<v Speaker 1>all the paintings from the gallery and soccer and when

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<v Speaker 1>you go camping, it's probably great perfect. So Amy then

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<v Speaker 1>leaves to try and figure out what color she's gonna get.

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<v Speaker 1>Alan tells the boys they just witnessed the big difference

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<v Speaker 1>between men and women. Men like to rush, rush, rush,

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<v Speaker 1>and just do it, but women they don't like to

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<v Speaker 1>just do it. You've got to buy him a car first.

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<v Speaker 1>And then there's a real tim Allen laugh moment between

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<v Speaker 1>the boys and we're out of that scene. Well, no,

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<v Speaker 1>he does say, I'm just kidding, Yes he did. I

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<v Speaker 1>never said that. I never said exactly, which I thought

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<v Speaker 1>was nice because if it was I, if this were

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<v Speaker 1>home and prove, he would have just ended on that.

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<v Speaker 1>And there, you're right, you're right. But the fact that

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<v Speaker 1>like Alan then says, I didn't just kidding, I didn't

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<v Speaker 1>say just kidding softens the softens the sexism, if you will,

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<v Speaker 1>what's nice just a little? There are there are actually

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<v Speaker 1>many moments of um going out of the way to

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<v Speaker 1>avoid some sexism, like even are there are there are

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<v Speaker 1>other there are a lot of them, so we will

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<v Speaker 1>point them out less than any zero. Yeah. And then

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<v Speaker 1>we are in mister Turner's classroom. Mister Turner is teaching

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<v Speaker 1>the class all about Hamlet. That's all they can get.

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<v Speaker 1>That's all these people, which is like Hamlet. We already

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<v Speaker 1>covered that episode season one, right, and and and then

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<v Speaker 1>I was like, oh, it's gonna pay off in some way,

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<v Speaker 1>but it doesn't. Actually we go into President Kennedy so

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<v Speaker 1>and we never even get a shady melon. So what's

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<v Speaker 1>the point. What is this? What is the point of

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<v Speaker 1>this episode? Come on, we need more mergeez uh. So

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<v Speaker 1>Sean says Hamlet sounds just like Thanksgiving dinner at his house.

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<v Speaker 1>And then a girl in front of Corey who is

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<v Speaker 1>not to panga. Yeah in topanga seat, I'd like to

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<v Speaker 1>point that out, passes a note to Corey, but it's

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<v Speaker 1>for Sean. And then we cut to mister Feeney's class room.

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<v Speaker 1>Mister Feeney is teaching the class about is that Haley

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<v Speaker 1>or is that that's Haley? That's Haley who also for

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<v Speaker 1>some reason is the only uh young woman in class

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<v Speaker 1>anywhere to pass a full size note, who uses an

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<v Speaker 1>entire higher sheet of paper to pass a note? Right, right,

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<v Speaker 1>it's very obvious. Yeah, you say, she's like a notebook.

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<v Speaker 1>Like her hand this back to Sean. It's like, man,

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<v Speaker 1>you were she drew a ma shady melon the whole

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<v Speaker 1>paper she was giving me your thoughts on hamlet. You know,

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<v Speaker 1>she just wrote, didn't we do this episode? And then

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<v Speaker 1>she handed it back? Yeah I wasn't. In season one,

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<v Speaker 1>Uh so, mister Feenie is teaching the class about the

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<v Speaker 1>Cuban missile crisis. Mister Feenie explains that JFK had to

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<v Speaker 1>make an impossible decision, and Sean guesses it must be

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<v Speaker 1>between his wife and Marilyn Monroe. So this is the

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<v Speaker 1>first time we've seen Phoenie and second because right, yeah, right,

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<v Speaker 1>And then we're back in Foenie's classroom. We're facing the

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<v Speaker 1>right way, finally, finally, the right way. So much better now,

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<v Speaker 1>it's amazing. It's so dumb, but I just feel better.

0:11:58.120 --> 0:12:00.720
<v Speaker 1>I know. I don't know why it must, I mean,

0:12:01.160 --> 0:12:04.400
<v Speaker 1>we have we are so used to facing that Phoene

0:12:04.559 --> 0:12:09.000
<v Speaker 1>classroom direction. Yes, so then another girl passes a note

0:12:09.040 --> 0:12:10.959
<v Speaker 1>to Corey and he thinks this one has to be

0:12:11.080 --> 0:12:13.959
<v Speaker 1>for him, but it's once again meant for Sean. Corey

0:12:14.040 --> 0:12:17.920
<v Speaker 1>wonders if he has an unlisted desk? Okay, do we

0:12:18.000 --> 0:12:22.839
<v Speaker 1>want to talk about what I discovered? I think so.

0:12:23.280 --> 0:12:25.280
<v Speaker 1>I mean, this has been something I've been trying to

0:12:25.280 --> 0:12:27.040
<v Speaker 1>get to the bottom of for a very long time.

0:12:27.080 --> 0:12:28.960
<v Speaker 1>And I woke up this morning. Do you having solved

0:12:29.040 --> 0:12:31.320
<v Speaker 1>the mystery for him? Sold to mystery last night watching

0:12:31.400 --> 0:12:35.839
<v Speaker 1>this episode? Because when I saw this actress whose name

0:12:36.160 --> 0:12:41.520
<v Speaker 1>is her name is Wayne's Stay, Molly Morgan, Molly. She

0:12:41.720 --> 0:12:45.240
<v Speaker 1>is playing Stacy. When I saw her face, I had

0:12:45.760 --> 0:12:51.199
<v Speaker 1>a series of memories flooed into me and I put

0:12:51.280 --> 0:12:55.120
<v Speaker 1>some clues together, and what happened this week while we're

0:12:55.120 --> 0:13:01.360
<v Speaker 1>filming this episode was she could do some amazing double

0:13:01.440 --> 0:13:05.040
<v Speaker 1>jointed things with her arms, Like she could like take

0:13:05.080 --> 0:13:07.760
<v Speaker 1>her arms and like wap them around her head. And

0:13:09.040 --> 0:13:12.559
<v Speaker 1>Ben and I saw her doing that and immediately were

0:13:12.640 --> 0:13:17.120
<v Speaker 1>reminded of the girl who had originally played to Panco.

0:13:17.400 --> 0:13:20.440
<v Speaker 1>Because the would originally played to Pango for one day,

0:13:20.520 --> 0:13:22.280
<v Speaker 1>we'd only worked with her one day. We did the

0:13:22.320 --> 0:13:25.800
<v Speaker 1>table read and we rehearsed that day and then um,

0:13:25.960 --> 0:13:28.679
<v Speaker 1>she was gone the next day and Danielle you replaced

0:13:28.720 --> 0:13:31.280
<v Speaker 1>her based on that whole story that we've all told

0:13:31.320 --> 0:13:33.680
<v Speaker 1>him heard a million times, but we couldn't remember her

0:13:33.760 --> 0:13:36.520
<v Speaker 1>name because she was never credited with the role or whatever.

0:13:37.000 --> 0:13:40.280
<v Speaker 1>And but we'd remembered that she could do this interesting

0:13:40.360 --> 0:13:43.079
<v Speaker 1>contortionist stuff with her body. Also was in Yeah, she

0:13:43.120 --> 0:13:45.000
<v Speaker 1>could also like she could also do it stuff. So

0:13:45.120 --> 0:13:49.160
<v Speaker 1>when when this when when Molly Morgan did it, Ben

0:13:49.240 --> 0:13:50.760
<v Speaker 1>and I looked at each other and said, oh, my gosh,

0:13:50.800 --> 0:13:53.840
<v Speaker 1>that reminds us of person X, whose name I couldn't

0:13:53.840 --> 0:13:57.760
<v Speaker 1>remember now at the age of forty three. And Molly

0:13:57.840 --> 0:14:01.760
<v Speaker 1>Morgan overheard us say that and then me aside during

0:14:01.800 --> 0:14:03.800
<v Speaker 1>the filming of this episode and said, you know, that

0:14:03.960 --> 0:14:07.160
<v Speaker 1>actually was my sister. My sister was the original to

0:14:07.280 --> 0:14:11.520
<v Speaker 1>Panga Wow. And she got fired and she doesn't want

0:14:11.720 --> 0:14:13.640
<v Speaker 1>you know, people talking about it. I you know, I

0:14:13.679 --> 0:14:16.280
<v Speaker 1>don't want everybody to know that I am that girl's sister,

0:14:16.360 --> 0:14:18.720
<v Speaker 1>because it wasn't a great experience to have been fired,

0:14:18.760 --> 0:14:21.520
<v Speaker 1>I guess obviously. Um, And you know, the show went

0:14:21.560 --> 0:14:23.160
<v Speaker 1>on to do well. The character went on to become

0:14:23.160 --> 0:14:25.440
<v Speaker 1>a part of the show. So anyway, so that that

0:14:25.640 --> 0:14:28.760
<v Speaker 1>week we discovered that Molly Morgan was the sister to

0:14:29.000 --> 0:14:31.960
<v Speaker 1>the person who was originally the cast is to Panga,

0:14:32.280 --> 0:14:35.960
<v Speaker 1>So that I don't know, is so Bonnie Moan. What's

0:14:35.960 --> 0:14:38.640
<v Speaker 1>her name, Bonnie Morgan? So now we now know it's

0:14:38.720 --> 0:14:42.359
<v Speaker 1>Bonnie Morgan whom I looked up who is a contortionist,

0:14:42.600 --> 0:14:47.680
<v Speaker 1>and she is. She's a famous They both are successful actors, performers,

0:14:48.120 --> 0:14:50.880
<v Speaker 1>but she is she has made a big part of

0:14:50.960 --> 0:14:53.720
<v Speaker 1>her career being like a contortionist, which is so funny

0:14:53.760 --> 0:14:56.240
<v Speaker 1>that that's the connective tissue why we were able to

0:14:56.360 --> 0:14:58.720
<v Speaker 1>remember this person or why you know, we were able

0:14:58.760 --> 0:15:01.320
<v Speaker 1>to learn about who this person was, and so yeah,

0:15:01.360 --> 0:15:06.280
<v Speaker 1>to discover her now in twenty twenty three, she you know,

0:15:06.400 --> 0:15:10.120
<v Speaker 1>does she's like the Ring girl from the movies The Ring,

0:15:10.560 --> 0:15:13.120
<v Speaker 1>like not the original ones, but like basically everything since

0:15:13.160 --> 0:15:16.600
<v Speaker 1>the Gorela Bin. Yes, she is responsible for that famous

0:15:16.680 --> 0:15:19.840
<v Speaker 1>spider crawl in the Ring too. Yes, she does all

0:15:19.880 --> 0:15:21.720
<v Speaker 1>of that cool stuff with her boy. And then I

0:15:21.800 --> 0:15:24.440
<v Speaker 1>guess I think she's She and her family are performers.

0:15:24.520 --> 0:15:26.320
<v Speaker 1>They have like a I think they both of the

0:15:26.400 --> 0:15:29.760
<v Speaker 1>girls that we worked with came from their dad was

0:15:29.800 --> 0:15:32.200
<v Speaker 1>like a service performer or something, so they have this

0:15:32.360 --> 0:15:35.960
<v Speaker 1>like crazy, interesting, cool career. She was raised by third

0:15:36.200 --> 0:15:41.080
<v Speaker 1>generation circus performers, also have a fantastic horror lineage. They

0:15:41.520 --> 0:15:46.680
<v Speaker 1>have been a part of horror franchises for generations. She

0:15:46.920 --> 0:15:51.760
<v Speaker 1>is incredibly talented, incredibly famous. Maybe you know, like I said,

0:15:52.080 --> 0:15:54.560
<v Speaker 1>she is absolutely famous for doing that spider crawl. You

0:15:54.640 --> 0:15:57.440
<v Speaker 1>may not know, oh, the famous spider crawl by Bonnie Morgan.

0:15:57.480 --> 0:15:59.560
<v Speaker 1>You may not necessarily know her name, but you know

0:15:59.680 --> 0:16:04.600
<v Speaker 1>her work. And yeah, I have been wanting to get

0:16:04.680 --> 0:16:06.880
<v Speaker 1>to the bottom of this mystery of who she was

0:16:06.960 --> 0:16:09.360
<v Speaker 1>because I did, at one at one time know her

0:16:09.440 --> 0:16:12.560
<v Speaker 1>name years and years ago, and I did look her

0:16:12.640 --> 0:16:16.120
<v Speaker 1>up and I did remember seeing that she was a contortionist.

0:16:16.520 --> 0:16:19.480
<v Speaker 1>And remember I brought it up to you writer, I said, well, yeah,

0:16:19.480 --> 0:16:21.440
<v Speaker 1>because I think she's a contortionist now, and you said,

0:16:21.800 --> 0:16:23.560
<v Speaker 1>is she really or do you just think that because

0:16:23.600 --> 0:16:26.840
<v Speaker 1>we remember her doing those contortion things. And the funny

0:16:26.880 --> 0:16:29.160
<v Speaker 1>thing is that I didn't remember that because I wasn't

0:16:29.200 --> 0:16:31.240
<v Speaker 1>there for this week when you worked with Molly, so

0:16:31.280 --> 0:16:35.240
<v Speaker 1>I wouldn't have seen that. And I don't remember Bonnie

0:16:35.320 --> 0:16:37.720
<v Speaker 1>doing that on that first day because I had other

0:16:37.920 --> 0:16:40.880
<v Speaker 1>things going on in my mind on that first day.

0:16:40.960 --> 0:16:42.720
<v Speaker 1>That was the day I ended up auditioning for Topanga,

0:16:42.800 --> 0:16:45.760
<v Speaker 1>So her doing you know, double jointed stuff was just

0:16:45.840 --> 0:16:51.400
<v Speaker 1>not in my memory. But I have wanted to. I

0:16:51.480 --> 0:16:54.280
<v Speaker 1>have wanted to solve the mystery because I have thought

0:16:54.320 --> 0:16:57.600
<v Speaker 1>about her. I mean, I won't say every day, but

0:16:57.680 --> 0:17:01.200
<v Speaker 1>I have thought about her so many times over these years,

0:17:02.320 --> 0:17:07.280
<v Speaker 1>and I've often wondered whether or not my story, me

0:17:07.480 --> 0:17:11.080
<v Speaker 1>telling my half of the story, has ever hurt her,

0:17:11.800 --> 0:17:15.600
<v Speaker 1>you know, like I have. I had told the story

0:17:15.640 --> 0:17:17.480
<v Speaker 1>about how I got to Penga and there was another

0:17:17.560 --> 0:17:19.199
<v Speaker 1>girl and then she was let go and then they

0:17:19.240 --> 0:17:21.800
<v Speaker 1>replaced it, and then I got the job. And it

0:17:22.000 --> 0:17:24.800
<v Speaker 1>wasn't until you know, I mean I don't, I don't know.

0:17:24.880 --> 0:17:26.560
<v Speaker 1>I should have thought of it, I should have thought

0:17:26.600 --> 0:17:28.639
<v Speaker 1>of it earlier, but it wasn't until I was significantly

0:17:28.720 --> 0:17:32.159
<v Speaker 1>older that I was like, Wow, what's her half of

0:17:32.280 --> 0:17:35.680
<v Speaker 1>that story? For me, it's you know, a life changing moment,

0:17:35.720 --> 0:17:38.000
<v Speaker 1>and for her it probably isn't life changing, but it

0:17:38.080 --> 0:17:41.200
<v Speaker 1>also wasn't pleasant. Um well, but it was interesting, you know,

0:17:41.240 --> 0:17:44.560
<v Speaker 1>because you could say the same thing about Marla sockle off. Right, Yeah,

0:17:44.680 --> 0:17:46.280
<v Speaker 1>and when we brought it up with Marla, it's like

0:17:46.359 --> 0:17:49.560
<v Speaker 1>suddenly this like, yeah, origin story for you that is

0:17:49.640 --> 0:17:53.199
<v Speaker 1>pretty positive. Yeah, you know, could be kind of perceived

0:17:53.200 --> 0:17:55.120
<v Speaker 1>as like an awful but Marla didn't seem to really

0:17:55.200 --> 0:17:57.199
<v Speaker 1>be bothered that much by it. True. But the one

0:17:57.240 --> 0:17:58.680
<v Speaker 1>thing I'll say that's a big difference is that it

0:17:58.760 --> 0:18:02.560
<v Speaker 1>wasn't Marla's that she lost. It was possibly Marla's and

0:18:02.600 --> 0:18:04.520
<v Speaker 1>it was possibly mine. It was going to be one

0:18:04.560 --> 0:18:08.560
<v Speaker 1>of ours, and someone was going to win out over

0:18:08.640 --> 0:18:12.960
<v Speaker 1>the other. Sure for Bonnie it was hers. Yeah, That's

0:18:13.000 --> 0:18:14.840
<v Speaker 1>how I felt with Harry. I mean, it's that same

0:18:14.880 --> 0:18:17.200
<v Speaker 1>thing because there was another Eric Matthews. So yeah, but

0:18:17.880 --> 0:18:20.119
<v Speaker 1>neither of those situations or have you guys had no

0:18:20.240 --> 0:18:23.440
<v Speaker 1>responsibility with the actual situation, right, Like, you were not

0:18:23.560 --> 0:18:26.280
<v Speaker 1>doing the firing, you were getting You're just getting hired

0:18:26.320 --> 0:18:29.400
<v Speaker 1>for a job that just unfortunately might be not great

0:18:29.440 --> 0:18:31.920
<v Speaker 1>for this other person. But it's not your fault. And

0:18:32.119 --> 0:18:34.200
<v Speaker 1>interestingly too, Daniel, I want I want to point out

0:18:34.240 --> 0:18:37.080
<v Speaker 1>that I feel like on this podcast you were telling

0:18:37.160 --> 0:18:40.520
<v Speaker 1>the origin story and it suddenly felt a little more

0:18:40.640 --> 0:18:43.040
<v Speaker 1>negative even for you, in a way that you hadn't

0:18:43.280 --> 0:18:45.440
<v Speaker 1>expressed it, you know, when when you heard David Trayner's

0:18:45.440 --> 0:18:49.120
<v Speaker 1>point of view, it suddenly changed, um, and and all

0:18:49.160 --> 0:18:50.760
<v Speaker 1>the what you had sort of seen is like this,

0:18:51.280 --> 0:18:54.080
<v Speaker 1>this great story of you rising to the challenge of

0:18:54.359 --> 0:18:57.760
<v Speaker 1>Michael Jacob's expectations and notes suddenly was like this is

0:18:57.880 --> 0:19:00.080
<v Speaker 1>maybe not wasn't a great situation to be threat and

0:19:00.200 --> 0:19:02.639
<v Speaker 1>to be fired and you know, so it's it's it

0:19:02.800 --> 0:19:05.520
<v Speaker 1>is interesting that there's, um, there's a much bunch of

0:19:05.560 --> 0:19:08.560
<v Speaker 1>different point of views here. Um. And I I don't know, like,

0:19:08.680 --> 0:19:11.080
<v Speaker 1>I don't think it's a negative thing that you know,

0:19:11.200 --> 0:19:15.200
<v Speaker 1>at twelve years old, this young actress did not you know,

0:19:15.320 --> 0:19:16.959
<v Speaker 1>she didn't get this job or she had this job

0:19:17.040 --> 0:19:20.160
<v Speaker 1>and got fired. I don't know, like I think it's

0:19:20.240 --> 0:19:22.440
<v Speaker 1>it should be positive because she's clearly doing fine and

0:19:22.640 --> 0:19:24.840
<v Speaker 1>has lived an interesting, cool life. And I don't know,

0:19:24.920 --> 0:19:28.680
<v Speaker 1>but maybe, you know, I I hope that's true. And

0:19:29.920 --> 0:19:32.040
<v Speaker 1>it's just I'm very aware of the fact that you

0:19:32.080 --> 0:19:34.639
<v Speaker 1>don't get to tell somebody what their experience is of

0:19:34.680 --> 0:19:38.520
<v Speaker 1>a situation you And so that is how I hope

0:19:38.720 --> 0:19:40.760
<v Speaker 1>she feels about it. And I would nothing would make

0:19:40.800 --> 0:19:42.600
<v Speaker 1>me feel better than for her to say to me,

0:19:43.160 --> 0:19:45.119
<v Speaker 1>Oh my gosh, that was a really difficult time, and

0:19:45.200 --> 0:19:47.119
<v Speaker 1>I beat myself up over it at the beginning. Like

0:19:47.280 --> 0:19:49.760
<v Speaker 1>I it was tragic at that time, but man, now

0:19:49.960 --> 0:19:53.040
<v Speaker 1>looking back everything where you know, I would love I

0:19:53.080 --> 0:19:55.240
<v Speaker 1>would love that, But I don't want to just assume,

0:19:55.320 --> 0:19:57.639
<v Speaker 1>and I have always thought I want her to know

0:19:58.280 --> 0:20:01.399
<v Speaker 1>that me telling the story, UM was never meant if

0:20:01.400 --> 0:20:04.200
<v Speaker 1>it did make her feel bad, I am sorry for that.

0:20:04.480 --> 0:20:06.359
<v Speaker 1>I certainly never meant to, and I just want to.

0:20:06.440 --> 0:20:08.159
<v Speaker 1>I just would like to apologize if if I have

0:20:08.240 --> 0:20:11.080
<v Speaker 1>ever made her feel bad by just simply sharing my story,

0:20:11.240 --> 0:20:14.680
<v Speaker 1>it bringing up something for her that was bad. So anyway, UM,

0:20:15.400 --> 0:20:17.720
<v Speaker 1>And also to your point writer about you know, retelling

0:20:17.760 --> 0:20:20.280
<v Speaker 1>the story, I think the thing that's one of the

0:20:20.359 --> 0:20:22.720
<v Speaker 1>things I love the most about this podcast is that

0:20:24.320 --> 0:20:28.159
<v Speaker 1>I still to this day think of that situation with

0:20:28.280 --> 0:20:30.159
<v Speaker 1>the story of how I got to Panga, and there

0:20:30.200 --> 0:20:32.679
<v Speaker 1>are parts of it that are so inspiring, and there

0:20:32.760 --> 0:20:35.240
<v Speaker 1>are parts of it that I'm like, That's one of

0:20:35.280 --> 0:20:40.920
<v Speaker 1>the reasons I've been successful, as my definition of success

0:20:40.960 --> 0:20:44.000
<v Speaker 1>for myself in my career has been achieving these milestones,

0:20:44.040 --> 0:20:45.680
<v Speaker 1>and one of the reasons I have been that way

0:20:45.800 --> 0:20:49.160
<v Speaker 1>is because from the time I was young, I learned

0:20:49.320 --> 0:20:52.560
<v Speaker 1>to rise to the occasion under extreme pressure. So there

0:20:52.560 --> 0:20:54.440
<v Speaker 1>are still parts of it that I find inspirational. And

0:20:54.560 --> 0:20:58.240
<v Speaker 1>then on the other side, I can sympathize and empathize

0:20:58.440 --> 0:21:01.320
<v Speaker 1>with the child that was there, not the professional, not

0:21:01.480 --> 0:21:03.920
<v Speaker 1>the actor, not the adult doing you know, not the

0:21:04.000 --> 0:21:06.480
<v Speaker 1>kid doing an adult job. But I can empathize with

0:21:06.560 --> 0:21:09.240
<v Speaker 1>the child that was there and think that's a tough

0:21:09.280 --> 0:21:12.760
<v Speaker 1>situation And is that a situation kid should be in?

0:21:13.800 --> 0:21:17.879
<v Speaker 1>And so I think it's both. And yeah, so anyway,

0:21:18.400 --> 0:21:22.040
<v Speaker 1>thank you for solving that mystery. For me. I am

0:21:22.200 --> 0:21:26.520
<v Speaker 1>going to reach out to her personally. My number one

0:21:26.640 --> 0:21:28.760
<v Speaker 1>goal would just be for her to know that I

0:21:28.840 --> 0:21:30.920
<v Speaker 1>have reached out to her, woman to woman, person to person,

0:21:31.400 --> 0:21:33.920
<v Speaker 1>and just talk to her. And then my number two

0:21:34.000 --> 0:21:36.879
<v Speaker 1>goal would be to introduce her to all of you

0:21:37.240 --> 0:21:38.879
<v Speaker 1>on the podcast. I don't know if she's going to

0:21:38.920 --> 0:21:41.159
<v Speaker 1>be interested in that. I hope that she would, and

0:21:41.280 --> 0:21:43.320
<v Speaker 1>I hope that she will because I'd like to share

0:21:43.359 --> 0:21:45.560
<v Speaker 1>her with you and I'd love for us to meet

0:21:45.640 --> 0:21:48.959
<v Speaker 1>her and to hear about her life and her adventures

0:21:49.000 --> 0:21:52.000
<v Speaker 1>in her career. And so yeah, so we'll we'll see

0:21:52.000 --> 0:21:55.520
<v Speaker 1>how that works out. I remember working with Molly and

0:21:55.640 --> 0:21:58.240
<v Speaker 1>having a really great time this week. She was awesome

0:21:58.440 --> 0:22:01.480
<v Speaker 1>and she's great, she's greatly at theisode and you so,

0:22:01.600 --> 0:22:03.760
<v Speaker 1>I have very fond memories small like and and and

0:22:04.040 --> 0:22:06.280
<v Speaker 1>she confided in me, you know, she didn't want the

0:22:06.320 --> 0:22:08.359
<v Speaker 1>words spread around the set that her sister was the

0:22:08.440 --> 0:22:11.520
<v Speaker 1>original Topengo UM, and we bonded, like I remember hanging

0:22:11.560 --> 0:22:13.320
<v Speaker 1>out with her and loving working with her. UM. And

0:22:13.440 --> 0:22:16.359
<v Speaker 1>then of course, you know, she never guest starred on

0:22:16.400 --> 0:22:18.359
<v Speaker 1>our show again. I never never saw her again and

0:22:18.680 --> 0:22:20.480
<v Speaker 1>forgot her name until I saw it in the credits

0:22:20.480 --> 0:22:22.480
<v Speaker 1>and I was like, I know her face that is

0:22:22.600 --> 0:22:25.200
<v Speaker 1>the sister was the original Topanca and so connected the

0:22:25.280 --> 0:22:28.639
<v Speaker 1>dods UM and then yeah, and it was also interested

0:22:28.720 --> 0:22:32.440
<v Speaker 1>Hayley Johnson, who's in this episode. Her sister, Ashley Johnson

0:22:32.960 --> 0:22:35.440
<v Speaker 1>is it was a child actress who worked with my

0:22:35.520 --> 0:22:38.560
<v Speaker 1>brother on a show called Maybe This Time, UM, a

0:22:38.800 --> 0:22:40.600
<v Speaker 1>pilot that didn't get picked up. And then she was

0:22:40.680 --> 0:22:42.080
<v Speaker 1>in a bunch of stuff. She's still in a bunch

0:22:42.080 --> 0:22:44.040
<v Speaker 1>of stuff and will you know where now right? Yeah,

0:22:44.119 --> 0:22:46.520
<v Speaker 1>she as she's a friend, she's she is with the

0:22:46.600 --> 0:22:48.240
<v Speaker 1>crew over a critical role and she's a D and

0:22:48.320 --> 0:22:50.960
<v Speaker 1>D buddy so and she's she's engaged my friend Brian.

0:22:51.040 --> 0:22:53.879
<v Speaker 1>So yeah, they're right. Yeah, I saw Ashley like a

0:22:53.960 --> 0:22:56.399
<v Speaker 1>week ago. That's so funny. Um, so did you know

0:22:56.520 --> 0:22:58.200
<v Speaker 1>her sister when you saw her in this episode? You

0:22:58.520 --> 0:23:00.800
<v Speaker 1>oh yeah, oh instant, because because she and Ashley looks

0:23:00.880 --> 0:23:03.680
<v Speaker 1>so similar, they do. Right. It was so funny to

0:23:03.720 --> 0:23:07.320
<v Speaker 1>see Haley's face, like I remember her from this episode,

0:23:07.359 --> 0:23:09.240
<v Speaker 1>but I also feel like she looks like somebody else,

0:23:09.280 --> 0:23:11.280
<v Speaker 1>and I like to put it all together. Yeah, there

0:23:11.400 --> 0:23:13.840
<v Speaker 1>is no Yeah, no, I've known Ashley for for years

0:23:13.880 --> 0:23:16.439
<v Speaker 1>and years and years. Yeah. She's a big voice over

0:23:16.520 --> 0:23:18.119
<v Speaker 1>actor too, so I mean I I've worked I think

0:23:18.160 --> 0:23:19.720
<v Speaker 1>the first time I worked with Ashley she was like

0:23:19.920 --> 0:23:22.320
<v Speaker 1>eleven or something like that. I mean, we've known each

0:23:22.359 --> 0:23:35.040
<v Speaker 1>other for a long time. Yea. So, jumping back into

0:23:35.119 --> 0:23:38.560
<v Speaker 1>our recap in the school cafeteria, Sean can't decide between

0:23:38.560 --> 0:23:41.800
<v Speaker 1>the note passers Stacy and Linda. If he rejects Linda,

0:23:41.920 --> 0:23:44.760
<v Speaker 1>she'll get upset, but if he rejects Stacy, she may

0:23:44.800 --> 0:23:47.080
<v Speaker 1>get a sex change operation and come back as a

0:23:47.240 --> 0:23:52.440
<v Speaker 1>very angry man. Weird out of nowhere joke, I know,

0:23:52.640 --> 0:23:54.639
<v Speaker 1>and also then he says, hey, I've seen it happen,

0:23:56.560 --> 0:24:00.239
<v Speaker 1>so yeah, really okay comes out of nowhere, and then

0:24:00.520 --> 0:24:03.480
<v Speaker 1>Corey says, just choose, like when you picked between meat

0:24:03.520 --> 0:24:06.680
<v Speaker 1>loaf and chicken at lunch. Right. Then Sean realizes something

0:24:06.720 --> 0:24:09.280
<v Speaker 1>and asks, how do you know if you're having an idea?

0:24:10.520 --> 0:24:15.120
<v Speaker 1>I love dumb Sean. Yeah, I don't hate dumb Sean either,

0:24:15.160 --> 0:24:19.920
<v Speaker 1>if I dumb all right, yeah, yeah, okay, I kind

0:24:19.960 --> 0:24:22.240
<v Speaker 1>of like dumb Sean more than I like angsty Sean.

0:24:22.359 --> 0:24:25.000
<v Speaker 1>But I gotta see what where angsty Sean goes. I

0:24:25.119 --> 0:24:27.800
<v Speaker 1>think I'm I mean, I don't think I like either.

0:24:28.080 --> 0:24:33.000
<v Speaker 1>So but okay, no, you know, I definitely am not. Yeah, like,

0:24:33.560 --> 0:24:36.240
<v Speaker 1>I don't know, I'm not comfortable with it, but I

0:24:36.280 --> 0:24:38.720
<v Speaker 1>guess maybe I'm not going to be comfortable with anything. No,

0:24:38.800 --> 0:24:40.159
<v Speaker 1>I don't think you're going to be comfortable. And I

0:24:40.240 --> 0:24:41.800
<v Speaker 1>think it's also one of the things I don't think

0:24:41.800 --> 0:24:46.360
<v Speaker 1>you're comfortable with is I don't think you'll ever see

0:24:46.440 --> 0:24:50.560
<v Speaker 1>yourself as funny when actually you are. You were very funny, yeah,

0:24:50.680 --> 0:24:52.639
<v Speaker 1>and I don't think you ever. I think one of

0:24:52.680 --> 0:24:55.160
<v Speaker 1>the reasons you're funny is because you don't think you're funny,

0:24:55.200 --> 0:24:57.639
<v Speaker 1>so you don't play it for the joke. Yeah, and

0:24:57.800 --> 0:25:00.040
<v Speaker 1>it comes off as funny. It's funny. I mean, you

0:25:00.200 --> 0:25:03.600
<v Speaker 1>was saying so earnestly, how do you know when you're

0:25:03.640 --> 0:25:06.440
<v Speaker 1>having an idea? It was funny? It's so funny. It's

0:25:06.480 --> 0:25:11.880
<v Speaker 1>so it's so funny. I really enjoy dumb Sean. It's

0:25:11.960 --> 0:25:14.800
<v Speaker 1>literally one of my funny I I you know, I

0:25:14.920 --> 0:25:19.720
<v Speaker 1>just feel like I'm looking at this show and looking

0:25:19.760 --> 0:25:22.719
<v Speaker 1>at my acting. Um, I just feel like I'm out

0:25:22.760 --> 0:25:26.120
<v Speaker 1>of control. Like I feel like I have no control.

0:25:26.240 --> 0:25:28.000
<v Speaker 1>Like I feel like I'm just sort of lurching from

0:25:28.080 --> 0:25:30.879
<v Speaker 1>beat to beat, which maybe makes it a little real

0:25:31.240 --> 0:25:34.840
<v Speaker 1>or something. But um, watching it, I'm uncomfortable with my performance.

0:25:34.880 --> 0:25:36.800
<v Speaker 1>I'm like, why didn't I work on that a little

0:25:36.840 --> 0:25:38.920
<v Speaker 1>bit more? Or like, I don't know, it just feels

0:25:39.080 --> 0:25:40.840
<v Speaker 1>off to me. But you know, I think a lot

0:25:40.880 --> 0:25:43.280
<v Speaker 1>of that is just insecurity looking at you know, myself

0:25:43.359 --> 0:25:46.520
<v Speaker 1>in an awkward stage of life and feeling awkward about it.

0:25:47.040 --> 0:25:48.720
<v Speaker 1>I'm sure, but I don't know. I mean, compared to

0:25:48.800 --> 0:25:53.000
<v Speaker 1>like Will, I feel like you were like you guys

0:25:53.080 --> 0:25:56.560
<v Speaker 1>both are your present You're like presentable in a way

0:25:56.640 --> 0:25:58.480
<v Speaker 1>that like I've every time I'm on the screen, I'm like,

0:25:58.840 --> 0:26:02.120
<v Speaker 1>this kid's just a mess. There's no idea what he's doing,

0:26:02.280 --> 0:26:04.760
<v Speaker 1>like just all over the place, like my face and

0:26:04.840 --> 0:26:07.159
<v Speaker 1>my mouth and my eyes like I'm just not like

0:26:08.280 --> 0:26:09.880
<v Speaker 1>I don't know. I mean, I just did. I don't

0:26:09.920 --> 0:26:13.679
<v Speaker 1>feel presentable. I feel again, it's probably just my insecurity,

0:26:13.800 --> 0:26:15.960
<v Speaker 1>Like it's a weird It's gotta be because it looks great.

0:26:16.280 --> 0:26:18.040
<v Speaker 1>It did. It's a great character. I mean, it's a

0:26:18.080 --> 0:26:20.720
<v Speaker 1>great character, and it's a perfect foil for Corey and

0:26:20.920 --> 0:26:24.520
<v Speaker 1>the two of you work together really really well. And

0:26:24.840 --> 0:26:26.840
<v Speaker 1>I had to pang it in when when there's episodes

0:26:26.840 --> 0:26:29.119
<v Speaker 1>where it's the three of you, there's something about the

0:26:29.200 --> 0:26:31.280
<v Speaker 1>trinity of the three of you that just the it

0:26:31.480 --> 0:26:34.920
<v Speaker 1>balances perfectly. It really does. Yeah, I guess I do

0:26:35.040 --> 0:26:39.560
<v Speaker 1>feel I guess I like the stuff with Corey in particular, Like, yeah, um,

0:26:40.720 --> 0:26:42.639
<v Speaker 1>I don't know. It's probably me just judging my own

0:26:42.680 --> 0:26:45.400
<v Speaker 1>appearance more than anything, you know, I just feel awkward. Yeah,

0:26:45.440 --> 0:26:46.879
<v Speaker 1>I mean, I don't know what you're talking about. Your

0:26:46.960 --> 0:26:49.399
<v Speaker 1>mouth and your eyes stay stayed on your face. They

0:26:49.440 --> 0:26:53.959
<v Speaker 1>are in different there, They're never different directions at they

0:26:54.000 --> 0:26:56.840
<v Speaker 1>are always on your face, and your face is always

0:26:56.880 --> 0:26:59.280
<v Speaker 1>where it's supposed to be, and so yeah, I don't

0:26:59.320 --> 0:27:01.439
<v Speaker 1>I don't know it. Then we're in the school hallway.

0:27:01.520 --> 0:27:04.640
<v Speaker 1>Corey called Sean a sick and twisted individual, but Sean

0:27:04.720 --> 0:27:07.720
<v Speaker 1>thinks he's a visionary because he wants Corey to date

0:27:07.760 --> 0:27:10.040
<v Speaker 1>one girl while he dates the other, and that way

0:27:10.320 --> 0:27:12.600
<v Speaker 1>she's off the market until he's ready to date her.

0:27:13.080 --> 0:27:15.000
<v Speaker 1>And Corey says, you want me to keep her fresh?

0:27:15.080 --> 0:27:18.560
<v Speaker 1>What am I tupperware? Which is exactly on the nose

0:27:18.600 --> 0:27:22.600
<v Speaker 1>because later Eric calls it right out. You're you're safe,

0:27:23.400 --> 0:27:26.320
<v Speaker 1>You're bubble wrap, bubble rap exactly. Corey says he has

0:27:26.400 --> 0:27:28.880
<v Speaker 1>things to do. He can't date her. His calendar has

0:27:28.920 --> 0:27:31.840
<v Speaker 1>Lincoln's birthday Sinco de Mayo and a warning to reorder

0:27:31.880 --> 0:27:35.320
<v Speaker 1>the calendar in it, so obviously he's jammed. Remember calendars, guys,

0:27:35.400 --> 0:27:38.800
<v Speaker 1>physical calendars. Will has a giant one, Yeah, Will huge,

0:27:39.000 --> 0:27:41.560
<v Speaker 1>And it's the only thing that's that's determining my life

0:27:41.640 --> 0:27:43.399
<v Speaker 1>right now. But I remember people used to have to

0:27:43.480 --> 0:27:46.040
<v Speaker 1>have pocket calendars, right, oh yeah, the time all go.

0:27:46.440 --> 0:27:49.200
<v Speaker 1>Like my dad always had one the fire department would

0:27:49.240 --> 0:27:51.879
<v Speaker 1>give him every year, and I started I started using them.

0:27:52.119 --> 0:27:53.560
<v Speaker 1>When I was a teenager, we would get them from

0:27:53.560 --> 0:27:55.879
<v Speaker 1>the San Francisco Fire Department. There were these little pocket

0:27:55.920 --> 0:27:58.119
<v Speaker 1>calendars that you have and they were great. I have

0:27:58.280 --> 0:28:00.399
<v Speaker 1>one that I carried around and it's Bill to this

0:28:00.600 --> 0:28:03.960
<v Speaker 1>day has every single letter from my freshman year boyfriend

0:28:04.000 --> 0:28:07.080
<v Speaker 1>Jeff Arnell. Wow. So Sean says he's going to go

0:28:07.160 --> 0:28:08.639
<v Speaker 1>out with the first girl that comes up to him,

0:28:08.640 --> 0:28:10.560
<v Speaker 1>while Corey will go out with the other. And then

0:28:10.720 --> 0:28:12.880
<v Speaker 1>Stacy comes over and she says hi, But he can't

0:28:12.880 --> 0:28:15.280
<v Speaker 1>decide who he wants. He's still stuck between Stacy and Linda.

0:28:15.359 --> 0:28:17.840
<v Speaker 1>He wants both, and actually I think Linda comes up first.

0:28:18.359 --> 0:28:20.720
<v Speaker 1>Linda comes up to him, it says Stacy. Linda is

0:28:20.720 --> 0:28:23.439
<v Speaker 1>the one who comes over first. And then he still stucks.

0:28:23.440 --> 0:28:27.280
<v Speaker 1>So Corey says, fine, he wants Debbie and Sean no, yeah,

0:28:27.320 --> 0:28:29.560
<v Speaker 1>And Sean says, but I want Debbie, and then Corey

0:28:29.600 --> 0:28:33.880
<v Speaker 1>yell's there is no Debbie and you very perfectly say

0:28:34.520 --> 0:28:39.040
<v Speaker 1>there's a Debbie somewhere. Can I say something very quickly

0:28:39.080 --> 0:28:44.720
<v Speaker 1>about it's Haley, right, Haley Johnson. She was so perfectly

0:28:44.840 --> 0:28:48.840
<v Speaker 1>cast as a seventh grader. I'm now putting it in

0:28:48.960 --> 0:28:51.000
<v Speaker 1>my head that this is the seventh grade, and we've

0:28:51.000 --> 0:28:53.200
<v Speaker 1>had some storylines and some stuff that happens some people

0:28:53.240 --> 0:28:55.840
<v Speaker 1>that have been cast where it's like, wow, they don't

0:28:55.880 --> 0:28:59.320
<v Speaker 1>look like they're seventh graders. She perfectly looks like a

0:28:59.520 --> 0:29:03.240
<v Speaker 1>nice seventh grader. Well, see, I was during this episode.

0:29:03.280 --> 0:29:05.000
<v Speaker 1>I was looking at how much Ben and I look

0:29:05.040 --> 0:29:07.800
<v Speaker 1>older from when we started this season. Yeah, like it's

0:29:07.800 --> 0:29:11.160
<v Speaker 1>already the progression, Like I feel like we're high scorers.

0:29:11.200 --> 0:29:12.920
<v Speaker 1>Like I'm looking at it going, yeah, oh yeah, I'm

0:29:12.920 --> 0:29:15.680
<v Speaker 1>definitely like I look like I'm in ninth grade or tenth. Yeah.

0:29:15.960 --> 0:29:17.640
<v Speaker 1>You know, that's what I really liked about beginning of

0:29:17.720 --> 0:29:21.400
<v Speaker 1>the season. I didn't so yeah, yeah, everyone's changing very

0:29:21.520 --> 0:29:23.480
<v Speaker 1>quick at this age. But I thought she was perfectly

0:29:23.520 --> 0:29:25.480
<v Speaker 1>cast because I feel the same way. But I wonder

0:29:25.520 --> 0:29:26.760
<v Speaker 1>how much of it because I felt the same way

0:29:26.760 --> 0:29:28.800
<v Speaker 1>even about myself. When I saw my face, I was like, wow,

0:29:28.880 --> 0:29:31.480
<v Speaker 1>my face has gotten so much more mature. I wonder

0:29:31.560 --> 0:29:33.720
<v Speaker 1>how much of it, though, is just us actually feeling

0:29:34.240 --> 0:29:37.479
<v Speaker 1>more comfortable seeing ourselves in those sets and seeing us

0:29:37.520 --> 0:29:39.960
<v Speaker 1>around the other background actors who all look older. I

0:29:40.000 --> 0:29:42.320
<v Speaker 1>wonder if we think we've aged up more than we

0:29:42.400 --> 0:29:45.720
<v Speaker 1>really have I don't know, riders super comfortable with it.

0:29:45.840 --> 0:29:49.560
<v Speaker 1>So that's obviously what it is. The other thing I'd

0:29:49.560 --> 0:29:51.880
<v Speaker 1>like to talk about about this episode and the last episode,

0:29:52.240 --> 0:29:56.320
<v Speaker 1>the writing staff has now let Seinfeld completely permeate the

0:29:56.440 --> 0:29:58.720
<v Speaker 1>writer's room. Oh really, because the last two episodes have

0:29:58.880 --> 0:30:03.120
<v Speaker 1>just had Seinfeld and Seinfeld moments inside. It's just there's

0:30:03.240 --> 0:30:05.600
<v Speaker 1>it's It was obviously huge in the lex kon at

0:30:05.640 --> 0:30:08.800
<v Speaker 1>the time, and so there have been moments that have

0:30:08.880 --> 0:30:10.800
<v Speaker 1>been like, oh, that's right from Seinfeld. Oh that's directly

0:30:10.960 --> 0:30:12.760
<v Speaker 1>and this is one of them or what there there's

0:30:12.760 --> 0:30:14.560
<v Speaker 1>a bunk. I mean, there's there's a couple of moments

0:30:14.600 --> 0:30:17.120
<v Speaker 1>that happier happen here with like you know, the who's well,

0:30:17.120 --> 0:30:19.160
<v Speaker 1>who's Debbie? I mean like all that kind of stuff

0:30:19.160 --> 0:30:22.000
<v Speaker 1>like that is there are some Seinfeld isms there, you know,

0:30:22.280 --> 0:30:26.400
<v Speaker 1>before U Ben Mike raving his socks, there's a whole thing.

0:30:26.480 --> 0:30:29.520
<v Speaker 1>There's a whole storyline about Kramer always wanting his stuff warm,

0:30:29.600 --> 0:30:31.320
<v Speaker 1>so putting. So the question, and I don't know if

0:30:31.360 --> 0:30:33.560
<v Speaker 1>we came first or they came first. We all Seinfeld

0:30:33.640 --> 0:30:36.360
<v Speaker 1>started in nineteen eighty nine and was on for nine seasons,

0:30:36.440 --> 0:30:39.040
<v Speaker 1>so it was already like in its prime it did.

0:30:39.160 --> 0:30:42.280
<v Speaker 1>But the but the episodes where Kramer is doing his

0:30:42.360 --> 0:30:44.560
<v Speaker 1>socks and his clothes come later in the season, so

0:30:44.640 --> 0:30:46.440
<v Speaker 1>I don't know, maybe this was earlier. I don't know,

0:30:46.680 --> 0:30:49.320
<v Speaker 1>but there's definite Seinfeld references that are now starting to

0:30:49.320 --> 0:30:53.200
<v Speaker 1>happen on the show. Hm, well, there you go. We

0:30:53.280 --> 0:30:57.880
<v Speaker 1>have also been accused of stealing things from friends very

0:30:57.920 --> 0:31:01.480
<v Speaker 1>consciously did South Park references on what did we from friends? Well,

0:31:01.480 --> 0:31:03.680
<v Speaker 1>I actually think maybe it's not things that were in

0:31:03.760 --> 0:31:06.000
<v Speaker 1>the show. But you know that very famous photo of

0:31:06.080 --> 0:31:07.640
<v Speaker 1>the four of us all lying on each other in

0:31:07.680 --> 0:31:09.960
<v Speaker 1>a little square format like in the Park that was

0:31:10.040 --> 0:31:12.760
<v Speaker 1>apparently like it had already been done by friends. Oh,

0:31:13.080 --> 0:31:14.760
<v Speaker 1>I think they all looked. I don't feel like the

0:31:14.800 --> 0:31:17.720
<v Speaker 1>opening our opening credit sequence a lot. Yeah, something about

0:31:17.720 --> 0:31:20.800
<v Speaker 1>the friends, Yeah, yeah, at the end especially, Yeah, I

0:31:20.840 --> 0:31:23.320
<v Speaker 1>think the on and off again relationship stuff too. I

0:31:23.360 --> 0:31:26.280
<v Speaker 1>don't know, I think that's a regular basic television trope

0:31:26.280 --> 0:31:28.440
<v Speaker 1>at the time, though, yeah, exactly, it's just kind of

0:31:28.680 --> 0:31:31.320
<v Speaker 1>maybe from us, Maybe they stole it from us. How

0:31:31.320 --> 0:31:34.960
<v Speaker 1>about that? How about that Courtney Cox called her out?

0:31:35.920 --> 0:31:39.000
<v Speaker 1>I love friends anyway, So we're in the school hallway.

0:31:39.080 --> 0:31:41.320
<v Speaker 1>Frankie asks Joey if he forgot to do something on

0:31:41.400 --> 0:31:43.760
<v Speaker 1>this Friday afternoon, and Joey says, yeah, he forgot to

0:31:43.840 --> 0:31:46.600
<v Speaker 1>clean out his locker. He opens the locker and two

0:31:46.960 --> 0:31:52.200
<v Speaker 1>very cute little nerds run out. Corey overhears Roy asking

0:31:52.320 --> 0:31:55.000
<v Speaker 1>Linda out, so Corey decides to run interference to get

0:31:55.080 --> 0:31:58.200
<v Speaker 1>him to go away, and Linda is thankful. Linda asks

0:31:58.280 --> 0:32:00.720
<v Speaker 1>Corey if Sean is avoiding her, and then Sean runs

0:32:00.760 --> 0:32:03.400
<v Speaker 1>over to Corey, sees Linda and quickly runs away because

0:32:03.400 --> 0:32:07.640
<v Speaker 1>he's avoiding her. Corey says that he's just shy, and

0:32:07.760 --> 0:32:11.360
<v Speaker 1>he compliments Linda, and Sean is probably intimidated because she

0:32:11.480 --> 0:32:14.760
<v Speaker 1>has such a beautiful smile and she's sweet and she's smart,

0:32:15.280 --> 0:32:20.360
<v Speaker 1>and I thought, wow, Ben is so Corey is so

0:32:20.760 --> 0:32:24.480
<v Speaker 1>confident when he's talking the Ladies Man, and now he's

0:32:24.520 --> 0:32:26.640
<v Speaker 1>got women all over to him again, and he's so

0:32:26.880 --> 0:32:30.000
<v Speaker 1>naturally charismatic, and he have an easy conversation when this

0:32:30.080 --> 0:32:31.760
<v Speaker 1>they're with this girl, when he's able to do it.

0:32:31.840 --> 0:32:34.760
<v Speaker 1>From the standpoint of talking about Sean, Yeah, it's also

0:32:34.920 --> 0:32:38.479
<v Speaker 1>funny because like Sean is established as this like ladies

0:32:38.560 --> 0:32:41.000
<v Speaker 1>man or whatever, but like I'm kind of all over

0:32:41.120 --> 0:32:43.720
<v Speaker 1>the place. I'm not and I've never kissed anybody on

0:32:43.760 --> 0:32:45.960
<v Speaker 1>the show yet. I mean there was the one, the

0:32:46.040 --> 0:32:47.840
<v Speaker 1>one episode where I was in a locker with a girl,

0:32:47.880 --> 0:32:51.120
<v Speaker 1>But like we've watched Corey like yeah, a lot of

0:32:51.160 --> 0:32:54.560
<v Speaker 1>different girls, not just to Panga, but like multiple episodes

0:32:54.640 --> 0:32:57.560
<v Speaker 1>now where he's been aggressive or you know, but he

0:32:57.680 --> 0:33:00.400
<v Speaker 1>just talks a lot about being nervous, but he actually

0:33:00.400 --> 0:33:04.120
<v Speaker 1>pretty confident and funny and tier. When they opened the

0:33:04.240 --> 0:33:06.560
<v Speaker 1>closet door in the seven minutes in Heaven episode, were

0:33:06.600 --> 0:33:09.000
<v Speaker 1>you actually kissing her? Then? I came out with a

0:33:09.000 --> 0:33:10.680
<v Speaker 1>different shirt on. Yeah, so I have not had an

0:33:11.040 --> 0:33:13.040
<v Speaker 1>in the locker, in the locker room, the locker when

0:33:13.040 --> 0:33:16.680
<v Speaker 1>you're in there, you didn't see it there in Yeah, yeah, yeah,

0:33:16.680 --> 0:33:18.160
<v Speaker 1>well I thought the same thing. I was like, you know,

0:33:18.240 --> 0:33:21.840
<v Speaker 1>for the guy who is so nerdy, never gets invited anywhere,

0:33:21.840 --> 0:33:23.640
<v Speaker 1>it doesn't have any friends, he's the most popular kid

0:33:23.680 --> 0:33:25.880
<v Speaker 1>in school. He's got women all over the place, He's

0:33:26.040 --> 0:33:28.960
<v Speaker 1>going to every single party. It's like, oh, Corey's actually

0:33:28.960 --> 0:33:31.400
<v Speaker 1>a pretty popular dude. Yeah, there's something, you know, this

0:33:31.560 --> 0:33:33.480
<v Speaker 1>is something that's all it's always struck me about. Boy

0:33:33.560 --> 0:33:36.360
<v Speaker 1>Mee's world. And I think it's part of the form itself,

0:33:37.160 --> 0:33:39.600
<v Speaker 1>part of sitcom in general, which is that there is

0:33:39.760 --> 0:33:44.040
<v Speaker 1>this it's like a play and and and we've talked

0:33:44.040 --> 0:33:46.840
<v Speaker 1>about that a bunch, but like part of the play

0:33:47.000 --> 0:33:49.440
<v Speaker 1>nature is that you're kind of told things more than

0:33:49.480 --> 0:33:52.720
<v Speaker 1>you're shown things. So like we're told a lot who

0:33:52.760 --> 0:33:55.560
<v Speaker 1>our characters are, and we talk about who our characters are,

0:33:55.800 --> 0:33:58.520
<v Speaker 1>so like we're told who Corey is, we're told who

0:33:58.560 --> 0:34:00.960
<v Speaker 1>Sean is, in a way that in a single camera

0:34:01.040 --> 0:34:04.440
<v Speaker 1>show or in a movie, you wouldn't rely on people's

0:34:04.560 --> 0:34:07.440
<v Speaker 1>dialogue to describe characters as often as you do in

0:34:07.480 --> 0:34:10.240
<v Speaker 1>a sitcom. In a sitcom, we're literally like, well, Sean,

0:34:10.400 --> 0:34:12.960
<v Speaker 1>you're always doing this, and Corey euro And it always

0:34:13.000 --> 0:34:15.960
<v Speaker 1>struck me as odd and never felt like I feel like,

0:34:16.000 --> 0:34:20.080
<v Speaker 1>in a lot of ways, like I'm giving credit four

0:34:20.360 --> 0:34:23.719
<v Speaker 1>Like I've always felt like Sean is given credit for

0:34:24.200 --> 0:34:27.000
<v Speaker 1>being this like bad boy who's always in trouble and

0:34:27.080 --> 0:34:29.960
<v Speaker 1>the ladies man. But in reality, I didn't actually play

0:34:30.080 --> 0:34:32.239
<v Speaker 1>that that often. Does that make sense? Like it just

0:34:32.320 --> 0:34:34.800
<v Speaker 1>sort of said that that was my character in a

0:34:34.880 --> 0:34:37.560
<v Speaker 1>way that like in any other context, if I was

0:34:37.600 --> 0:34:41.160
<v Speaker 1>in a movie, I would have played Sean differently because

0:34:41.160 --> 0:34:43.000
<v Speaker 1>I would have been I would have been acting those

0:34:43.080 --> 0:34:46.439
<v Speaker 1>things out as opposed to verbally reinforcing them. But something

0:34:46.480 --> 0:34:49.440
<v Speaker 1>about you know about the form of sitcom, and especially

0:34:49.520 --> 0:34:51.719
<v Speaker 1>our show in particular, it's a lot of talk, and

0:34:51.800 --> 0:34:54.640
<v Speaker 1>it's a lot of explaining characters, and then you know,

0:34:54.800 --> 0:34:57.920
<v Speaker 1>to a way that I felt uncomfortable with later in

0:34:58.080 --> 0:35:00.880
<v Speaker 1>later seasons where I would feel like we're just talking

0:35:00.920 --> 0:35:02.920
<v Speaker 1>about who we are a lot, and which I'm curious

0:35:02.960 --> 0:35:05.000
<v Speaker 1>to revisit, you know, by like fifth season, I feel

0:35:05.040 --> 0:35:07.040
<v Speaker 1>like we're always like, but your Corey, who does this

0:35:07.160 --> 0:35:08.799
<v Speaker 1>and this and this and this? And it's like, why

0:35:08.840 --> 0:35:11.719
<v Speaker 1>don't we just have actions that describe or that illustrate that,

0:35:11.840 --> 0:35:14.839
<v Speaker 1>as opposed to verbally describing that. And that was something

0:35:14.920 --> 0:35:18.160
<v Speaker 1>that frustrated me about the form of sitcom. What I

0:35:18.480 --> 0:35:20.520
<v Speaker 1>was thinking about when you just said that is what

0:35:21.160 --> 0:35:25.360
<v Speaker 1>an actual perfect way of creating instant conflict to only

0:35:25.480 --> 0:35:28.000
<v Speaker 1>have to show if you have to show the who

0:35:28.120 --> 0:35:31.400
<v Speaker 1>they are with action and then create conflict by seeing

0:35:31.480 --> 0:35:34.960
<v Speaker 1>them do the other part of that, it's much it's

0:35:35.120 --> 0:35:38.719
<v Speaker 1>a much longer situation where what's the instant conflict? If

0:35:38.760 --> 0:35:40.640
<v Speaker 1>I say, but Corey, you're always the good guy, and

0:35:40.760 --> 0:35:43.360
<v Speaker 1>yet actually every time we see Corey he's always in trouble,

0:35:43.640 --> 0:35:46.360
<v Speaker 1>and with Sean it's the opposite. Sean, Well, Sean's the troublemaker.

0:35:46.400 --> 0:35:48.279
<v Speaker 1>And what do we actually see is always Sean being

0:35:48.320 --> 0:35:52.680
<v Speaker 1>sensitive and Sean not getting into trouble and the formula, Yeah,

0:35:53.320 --> 0:35:56.319
<v Speaker 1>this is the soft This is how Boy's World did it, right,

0:35:56.360 --> 0:35:59.439
<v Speaker 1>I mean, this is how you compress that much meaning

0:35:59.520 --> 0:36:02.799
<v Speaker 1>into a two minute episode, right, like, and it's it's

0:36:02.880 --> 0:36:05.239
<v Speaker 1>it's it's tricky, like, but yeah, I feel like that

0:36:05.560 --> 0:36:08.120
<v Speaker 1>is the formula for Boyme's World because I never felt

0:36:08.160 --> 0:36:10.800
<v Speaker 1>like Sean was actually a bad person, Like he was

0:36:10.840 --> 0:36:14.000
<v Speaker 1>never actually breaking the rules or actually doing anything, you know,

0:36:14.200 --> 0:36:17.000
<v Speaker 1>besides like changing the poenie to weenie like, which is

0:36:17.040 --> 0:36:20.000
<v Speaker 1>also kind of you know, there was all this talk,

0:36:20.080 --> 0:36:22.440
<v Speaker 1>there was all this explaining to the audience like this

0:36:22.680 --> 0:36:24.719
<v Speaker 1>is who these people are, and yeah, you know, and

0:36:24.800 --> 0:36:29.080
<v Speaker 1>I think, especially for kids, you absorb those those those

0:36:29.320 --> 0:36:32.400
<v Speaker 1>verbal descriptions almost as equally as you do what's actually

0:36:32.440 --> 0:36:35.400
<v Speaker 1>happening on screen, so you know, and you give them

0:36:35.520 --> 0:36:38.640
<v Speaker 1>just enough to to to uphold what you've said. So

0:36:38.800 --> 0:36:41.080
<v Speaker 1>for you, it was blowing up the mailbox. You got

0:36:41.160 --> 0:36:43.920
<v Speaker 1>that one episode. That's the biggest thing we could do,

0:36:44.040 --> 0:36:45.920
<v Speaker 1>is you blowing up the mailbox. And now we buy it.

0:36:46.040 --> 0:36:48.000
<v Speaker 1>You can say anything about Sean being a rebel, and

0:36:48.120 --> 0:36:50.640
<v Speaker 1>that foundation has already been laid. And then for Corey,

0:36:50.719 --> 0:36:52.319
<v Speaker 1>we do the thing with the seven minutes in Heaven.

0:36:52.360 --> 0:36:55.120
<v Speaker 1>We see him get humiliated once and now we just

0:36:55.320 --> 0:36:58.359
<v Speaker 1>no matter what else we show, we accept well, we've

0:36:58.360 --> 0:37:00.000
<v Speaker 1>seen it, we've seen it, and you've said it about

0:37:00.000 --> 0:37:03.120
<v Speaker 1>bunch of times. It must be true. Um so, yeah,

0:37:03.480 --> 0:37:07.439
<v Speaker 1>very very interesting. Uh So, Linda asks Corey why he's

0:37:07.520 --> 0:37:10.040
<v Speaker 1>not intimidated, and then we get a little flirty moment

0:37:10.120 --> 0:37:12.680
<v Speaker 1>of silence between the two of them, and then we

0:37:12.800 --> 0:37:15.320
<v Speaker 1>are in Chubbies. Frankie and Joey are standing at the

0:37:15.400 --> 0:37:18.160
<v Speaker 1>jukebox when Frankie asks two girls if they want to dance,

0:37:18.400 --> 0:37:21.520
<v Speaker 1>and when they say yes, Joey says, okay, go dance

0:37:21.920 --> 0:37:24.239
<v Speaker 1>and sits back to watch and the girls shake their

0:37:24.280 --> 0:37:28.920
<v Speaker 1>head like and walk away. And then Corey brings Linda

0:37:28.960 --> 0:37:31.160
<v Speaker 1>to Chubbies for the first time. She says she's always

0:37:31.200 --> 0:37:32.839
<v Speaker 1>heard it was a dive and he said it used

0:37:32.840 --> 0:37:34.319
<v Speaker 1>to be a dive, but now it's a rat hole.

0:37:34.400 --> 0:37:37.520
<v Speaker 1>Hold on, So no Danny in this episode. Huh No, No,

0:37:38.160 --> 0:37:40.120
<v Speaker 1>So they were just picking and choosing. It must have

0:37:40.160 --> 0:37:43.120
<v Speaker 1>been a budget thing. Yeah, they were constantly trying. Yeah,

0:37:43.120 --> 0:37:46.680
<v Speaker 1>well they have two guest stars. Yeah, it's just like

0:37:46.920 --> 0:37:48.920
<v Speaker 1>we had a serious number of guests, like a limited

0:37:49.000 --> 0:37:51.239
<v Speaker 1>number of guest stars, and then they just would write

0:37:51.280 --> 0:37:55.399
<v Speaker 1>to that that's exactly what it has to be. Well,

0:37:55.520 --> 0:37:58.560
<v Speaker 1>Linda asks for a menu from mister Chubby, and Corey

0:37:58.680 --> 0:38:01.040
<v Speaker 1>is embarrassed. He calls her a for an exchange student,

0:38:01.200 --> 0:38:05.439
<v Speaker 1>saying nicht on the menu, and he says, you can't

0:38:05.440 --> 0:38:07.080
<v Speaker 1>just come in here for like as a first time

0:38:07.200 --> 0:38:09.360
<v Speaker 1>or in order. Corey says Chubby doesn't like that she

0:38:09.480 --> 0:38:11.479
<v Speaker 1>has to act like a regular, and then he tells

0:38:11.520 --> 0:38:14.520
<v Speaker 1>her how to order, which is a very detailed exchange

0:38:15.320 --> 0:38:19.680
<v Speaker 1>and yeah it's by the way, this is very famous

0:38:19.719 --> 0:38:22.360
<v Speaker 1>and the boy meets World lexicon. The I didn't ordering

0:38:22.520 --> 0:38:26.680
<v Speaker 1>at all. I didn't I wasn't remember. I didn't even

0:38:26.719 --> 0:38:28.960
<v Speaker 1>remember that we ever saw Chubby. But again, this is

0:38:29.080 --> 0:38:31.320
<v Speaker 1>this is the Seinfeld thing. This is exactly this This

0:38:31.800 --> 0:38:34.359
<v Speaker 1>a souper Nazi. It's the same. There's an ordering thing

0:38:34.440 --> 0:38:36.759
<v Speaker 1>and you won't get I mean, it's all taken right

0:38:36.840 --> 0:38:40.560
<v Speaker 1>from something right. I didn't think about that to complain,

0:38:40.640 --> 0:38:44.120
<v Speaker 1>Its completely the same storyline. So Linda follows Corey's lead

0:38:44.160 --> 0:38:47.200
<v Speaker 1>on how to order a turkey chubby with everything, and

0:38:47.320 --> 0:38:50.000
<v Speaker 1>then she orders a diet soda and he pours out

0:38:50.080 --> 0:38:52.799
<v Speaker 1>half of a regular soda and says half the calories.

0:38:53.400 --> 0:38:57.759
<v Speaker 1>Very funny, very funny. Capitos is a big character actor.

0:38:57.840 --> 0:39:01.680
<v Speaker 1>By the way, this was good. He's so great, such

0:39:01.719 --> 0:39:03.359
<v Speaker 1>a good get for our show, though. I mean he's

0:39:03.400 --> 0:39:05.560
<v Speaker 1>been in He's that kind's been around forever and he's

0:39:05.560 --> 0:39:08.319
<v Speaker 1>been in everything. So yeah, it was I remember seeing

0:39:08.400 --> 0:39:09.600
<v Speaker 1>him on the set and be like, oh my god,

0:39:09.600 --> 0:39:12.359
<v Speaker 1>I've watched this guy in a thousand things. Yeah, really cool.

0:39:12.920 --> 0:39:15.040
<v Speaker 1>They walk over to a booth and Linda asks why

0:39:15.120 --> 0:39:17.400
<v Speaker 1>Corey isn't sitting next to her, and this gets a

0:39:17.600 --> 0:39:22.000
<v Speaker 1>who from the audience, and just as they get comfortable,

0:39:22.120 --> 0:39:26.200
<v Speaker 1>Sean and Stacy walk in and then Linda kisses Corey.

0:39:26.920 --> 0:39:29.640
<v Speaker 1>Corey is almost speechless, but Sean didn't see it. Shan

0:39:29.719 --> 0:39:32.320
<v Speaker 1>looks over. They exchange a thumbs up, and this is

0:39:32.360 --> 0:39:35.160
<v Speaker 1>all just a bit and much for Corey. Great thumbs

0:39:35.239 --> 0:39:37.480
<v Speaker 1>up between the two of you. M h, I love

0:39:37.520 --> 0:39:50.080
<v Speaker 1>a good thumbs up. So this is this was cool

0:39:50.160 --> 0:39:52.920
<v Speaker 1>to see this episode and this scene in particular, and

0:39:53.200 --> 0:39:55.600
<v Speaker 1>then the next one in Choby's because this is where

0:39:55.719 --> 0:39:58.319
<v Speaker 1>I became friends with someone who is still like one

0:39:58.360 --> 0:40:01.719
<v Speaker 1>of my best friends in life. Um, she's in the background.

0:40:02.120 --> 0:40:05.399
<v Speaker 1>She was actually Aaron. I don't you guys remember Aaron? Yeah,

0:40:05.560 --> 0:40:07.920
<v Speaker 1>Aaron who she was. She grew up with Ben. Actually

0:40:08.000 --> 0:40:10.640
<v Speaker 1>that's how she was there. She and Ben were friends

0:40:10.680 --> 0:40:12.920
<v Speaker 1>when they were like six and seven back in Chicago,

0:40:13.200 --> 0:40:15.640
<v Speaker 1>and she came out to LA for this episode to

0:40:15.800 --> 0:40:19.759
<v Speaker 1>visit him, and we met filming this scene and sat

0:40:19.800 --> 0:40:25.200
<v Speaker 1>and chubbies and talked. And then later on that week Ben, Aaron, Patrick,

0:40:25.360 --> 0:40:28.520
<v Speaker 1>Renna who I had done summertime switched with, and I

0:40:28.600 --> 0:40:30.040
<v Speaker 1>think some other people. I don't know if either of

0:40:30.120 --> 0:40:32.239
<v Speaker 1>you guys were there. We all went to Burbank and

0:40:32.400 --> 0:40:36.320
<v Speaker 1>watched Quiz Show, which was Michael's movie. We went to

0:40:36.360 --> 0:40:39.000
<v Speaker 1>the movie theater to watch Quiz Show and I bought

0:40:40.120 --> 0:40:44.960
<v Speaker 1>the Blind Melon CD there. Yeah, I think you were

0:40:45.000 --> 0:40:47.040
<v Speaker 1>there too. From it was one of the first CDs

0:40:47.040 --> 0:40:49.839
<v Speaker 1>I remember buying, and I loved that I loved that band.

0:40:49.840 --> 0:40:53.000
<v Speaker 1>It became a Dancing girl. Yeah, but at that album,

0:40:53.160 --> 0:40:55.320
<v Speaker 1>like I bought it from a vending machine at the

0:40:55.360 --> 0:40:59.240
<v Speaker 1>Burbank AMC for whatever theater we went to flood Ruckers. Anyway,

0:40:59.280 --> 0:41:01.040
<v Speaker 1>It's just so funny. As I was, I had the

0:41:01.320 --> 0:41:03.320
<v Speaker 1>flood of memories and I could see there's Aaron in

0:41:03.360 --> 0:41:05.279
<v Speaker 1>the background in the scene as an extra, and we

0:41:05.360 --> 0:41:07.880
<v Speaker 1>sat and talked and we started a She went back

0:41:07.920 --> 0:41:10.160
<v Speaker 1>to Chicago after visiting for the week and we started

0:41:10.200 --> 0:41:13.880
<v Speaker 1>a phone letter relationship friendship that has lasted to this day. Now.

0:41:13.880 --> 0:41:15.839
<v Speaker 1>I'm still best friends with her and her now her

0:41:15.960 --> 0:41:18.160
<v Speaker 1>husband and her two daughters, and we see each other

0:41:18.360 --> 0:41:20.600
<v Speaker 1>all the time. And it was so funny because I

0:41:20.760 --> 0:41:22.239
<v Speaker 1>texted her a couple of months ago. I was like,

0:41:22.320 --> 0:41:24.239
<v Speaker 1>I think your episode's coming up. Do you remember what

0:41:24.280 --> 0:41:26.080
<v Speaker 1>it's called. She's like, my mom said it was called

0:41:26.160 --> 0:41:28.080
<v Speaker 1>The Beard. I'm like, that doesn't sound like a Boyman's

0:41:28.120 --> 0:41:30.600
<v Speaker 1>World titled what is the Beard? She's like, yeah, sorry,

0:41:30.640 --> 0:41:32.600
<v Speaker 1>She's like, all your remembers that I yelled scum at

0:41:32.680 --> 0:41:37.840
<v Speaker 1>one point. Ye. Anyway, It's just like, yeah, so Aaron

0:41:37.920 --> 0:41:39.200
<v Speaker 1>is still like one of my and it was so

0:41:39.320 --> 0:41:42.320
<v Speaker 1>cool to see this in New York. No, she's in Chicago.

0:41:42.440 --> 0:41:44.560
<v Speaker 1>She she keep she moved out here for a while.

0:41:44.640 --> 0:41:46.560
<v Speaker 1>She and her husband lived in San Diego for years,

0:41:46.760 --> 0:41:49.239
<v Speaker 1>and now they went back to Chicago. So that, by

0:41:49.280 --> 0:41:51.720
<v Speaker 1>the way, the Weird also the name of a Seinfeld episode,

0:41:52.040 --> 0:41:54.960
<v Speaker 1>Are you serious? Ye? Oh my god? Same. They literally

0:41:55.000 --> 0:41:59.719
<v Speaker 1>called the Beard. Yep. Ye. That is the most nineties

0:42:00.120 --> 0:42:02.640
<v Speaker 1>or writer. We went to fud Ruckers. I thought of

0:42:02.920 --> 0:42:13.960
<v Speaker 1>Blind Melon from a great movie. Yes, incredible. Yeah, see

0:42:14.040 --> 0:42:16.200
<v Speaker 1>Quiz Show. If you haven't seen it, you should. Jeff

0:42:16.239 --> 0:42:20.960
<v Speaker 1>McCracken and Michael Jacob's producers on that movie. So um,

0:42:21.560 --> 0:42:23.840
<v Speaker 1>we're in the Matthews kitchen. Corey and Eric are setting

0:42:23.880 --> 0:42:26.040
<v Speaker 1>the table with their dad when Alan asks if they

0:42:26.120 --> 0:42:28.840
<v Speaker 1>remember the little conversation they had about women yesterday, and

0:42:28.920 --> 0:42:30.759
<v Speaker 1>Corey says yes. As a matter of fact, he needs

0:42:30.800 --> 0:42:33.719
<v Speaker 1>some advice. Alan says, men are creatures of action, and

0:42:33.760 --> 0:42:37.560
<v Speaker 1>he calls Amy downstairs. She's wearing another very cool bolo tie.

0:42:37.960 --> 0:42:40.520
<v Speaker 1>I don't know if you guys caught it this, I did,

0:42:40.680 --> 0:42:43.960
<v Speaker 1>I did. I also in the work three piece suit

0:42:44.040 --> 0:42:46.800
<v Speaker 1>that she's still in, it's a peplam a peplum skirt.

0:42:46.880 --> 0:42:50.480
<v Speaker 1>Suit with a bolo tie and white tights. I did

0:42:50.680 --> 0:42:53.080
<v Speaker 1>notice remember when we had Marguerite on and she was

0:42:53.160 --> 0:42:55.839
<v Speaker 1>like the white tights. I've noticed a lot of white tights.

0:42:55.880 --> 0:42:57.920
<v Speaker 1>Sarah marco Witz a big fan of white tights. I

0:42:58.040 --> 0:42:59.560
<v Speaker 1>want to I want to make a note about that.

0:43:00.080 --> 0:43:05.239
<v Speaker 1>Pepsi and peplum peplum. Absolutely PEPSI get it for your

0:43:05.280 --> 0:43:08.920
<v Speaker 1>peplum um. Alan says he is taking charge of the

0:43:09.000 --> 0:43:11.440
<v Speaker 1>car purchasing so she can avoid all the things she

0:43:11.560 --> 0:43:14.920
<v Speaker 1>hates about the process. Alan then takes Amy outside to

0:43:15.040 --> 0:43:18.799
<v Speaker 1>show her the nineteen ninety nineteen ninety five minivan he bought.

0:43:19.800 --> 0:43:22.120
<v Speaker 1>Can we talk about where we never see the car?

0:43:22.480 --> 0:43:24.960
<v Speaker 1>Never see the car? But also where's their driveway? Where?

0:43:25.000 --> 0:43:27.759
<v Speaker 1>I don't know? I was so frustrated. I was like, wait,

0:43:27.880 --> 0:43:31.160
<v Speaker 1>they pull around this side, which is didn't Grandma was

0:43:31.200 --> 0:43:33.200
<v Speaker 1>a rolling Ston't she run to the other side. Yes,

0:43:33.880 --> 0:43:36.879
<v Speaker 1>people come from the other direction all the time. House.

0:43:38.160 --> 0:43:42.239
<v Speaker 1>It makes no sense, I mean, the truth really is.

0:43:42.719 --> 0:43:47.560
<v Speaker 1>It just is what's convenient for camera for camera. So

0:43:47.920 --> 0:43:50.560
<v Speaker 1>it just made sense that they wanted him to pull

0:43:50.600 --> 0:43:52.200
<v Speaker 1>her outside and for her to see it. But so

0:43:52.360 --> 0:43:54.560
<v Speaker 1>why if the car is parked over there? Why would

0:43:54.560 --> 0:43:56.960
<v Speaker 1>the front door be on the other side? Makes no

0:43:57.239 --> 0:44:00.880
<v Speaker 1>sense at all? Can I also ask, is what he

0:44:01.160 --> 0:44:06.839
<v Speaker 1>did so awful? I'm curious for two months that they've

0:44:06.880 --> 0:44:08.880
<v Speaker 1>wanted this car, they've set it up, that it's been

0:44:08.920 --> 0:44:10.840
<v Speaker 1>two months that she's trying to decide what car it is.

0:44:10.880 --> 0:44:12.560
<v Speaker 1>They finally get to a knight. Isn't it supposed to

0:44:12.600 --> 0:44:15.120
<v Speaker 1>be her decision? Right? But she does. She says, I

0:44:15.320 --> 0:44:17.640
<v Speaker 1>like the I like the minivan. He's like, pick a color,

0:44:17.680 --> 0:44:19.440
<v Speaker 1>and then he even loots the fact that he's you

0:44:19.600 --> 0:44:22.640
<v Speaker 1>said green with the tan and terrier. She picked the

0:44:22.719 --> 0:44:24.319
<v Speaker 1>car and then picked the color and he went out

0:44:24.400 --> 0:44:28.120
<v Speaker 1>thought I think what because I was thinking about this too,

0:44:28.200 --> 0:44:30.880
<v Speaker 1>and I think what the idea was is that she

0:44:31.160 --> 0:44:35.560
<v Speaker 1>never said there, that's it, I'm settled, go get now

0:44:35.640 --> 0:44:40.040
<v Speaker 1>we can go get it. She said, hmmm, minivan, yeah,

0:44:40.239 --> 0:44:44.279
<v Speaker 1>green Beisian terrier m And he was like, great, I'm

0:44:44.280 --> 0:44:45.680
<v Speaker 1>gonna go do that, and she was like, I never

0:44:45.800 --> 0:44:49.480
<v Speaker 1>gave you the go ahead. It's been two months of this.

0:44:49.760 --> 0:44:51.759
<v Speaker 1>This is not we've just started. We started talking about

0:44:51.800 --> 0:44:55.680
<v Speaker 1>buying a car like a monster, right, definitely don't see this.

0:44:56.000 --> 0:44:59.120
<v Speaker 1>But the point is that she's I just I just

0:44:59.239 --> 0:45:02.120
<v Speaker 1>think that, Yeah, he's the one that wants to drive it. Yeah,

0:45:02.360 --> 0:45:04.000
<v Speaker 1>she should probably let her be a part of the

0:45:04.080 --> 0:45:06.360
<v Speaker 1>process as much as she wants to be. So I

0:45:06.440 --> 0:45:08.480
<v Speaker 1>think she was. She picked the car and the color,

0:45:08.640 --> 0:45:11.160
<v Speaker 1>and then he went and bought it because they set up. Hey,

0:45:11.280 --> 0:45:15.040
<v Speaker 1>you hate talking to the dealership, you hate doing this stuff.

0:45:15.280 --> 0:45:17.319
<v Speaker 1>You picked the car, you picked the color. I went

0:45:17.400 --> 0:45:19.080
<v Speaker 1>and got it for you. But she also probably hates

0:45:19.120 --> 0:45:21.680
<v Speaker 1>being rushed into something that she didn't. You know what

0:45:23.080 --> 0:45:26.880
<v Speaker 1>the question is, what is rushing after what? Whatever she decides,

0:45:26.960 --> 0:45:30.120
<v Speaker 1>he doesn't get the decide. So if he's paying for

0:45:30.200 --> 0:45:34.480
<v Speaker 1>the car, he doesn't get to decide. He's a galorest.

0:45:34.920 --> 0:45:37.239
<v Speaker 1>Oh my god, this is one where I was paying

0:45:37.280 --> 0:45:39.319
<v Speaker 1>for it together there and it's gonna be her car

0:45:39.520 --> 0:45:42.560
<v Speaker 1>and they made the decision. So she she I don't

0:45:42.560 --> 0:45:45.680
<v Speaker 1>think you get anything absolutely wrong, but I definitely think that,

0:45:45.880 --> 0:45:49.279
<v Speaker 1>Like but the where she says, whoa, I didn't you know, Yeah,

0:45:49.280 --> 0:45:51.080
<v Speaker 1>I think we should have a little I think this

0:45:51.239 --> 0:45:53.600
<v Speaker 1>was a little too much like this is women are

0:45:53.680 --> 0:45:55.680
<v Speaker 1>this way, and look how dumb the man is. And

0:45:55.760 --> 0:45:57.960
<v Speaker 1>it's like his wife picked the car and picked the color,

0:45:58.040 --> 0:46:00.480
<v Speaker 1>and he went and bought it, So I don't think

0:46:00.520 --> 0:46:04.440
<v Speaker 1>the show reduces it too. I think it did. I mean,

0:46:04.680 --> 0:46:06.399
<v Speaker 1>I think it's time. I think it was. I think

0:46:06.440 --> 0:46:08.800
<v Speaker 1>it was a little like this is what women want kids,

0:46:08.880 --> 0:46:11.040
<v Speaker 1>and then it's like you don't know women at all,

0:46:11.360 --> 0:46:14.840
<v Speaker 1>and it's like, okay, well it's one bragging about how

0:46:14.960 --> 0:46:17.719
<v Speaker 1>much men are this way, and men are people of

0:46:17.800 --> 0:46:19.600
<v Speaker 1>action and we go out and do things. So I

0:46:19.640 --> 0:46:21.799
<v Speaker 1>think that's the argument that's under my not that he's

0:46:22.080 --> 0:46:24.799
<v Speaker 1>a bad person, right, but it's us would have made

0:46:24.880 --> 0:46:28.319
<v Speaker 1>more sense that but again, you're not rushing into something

0:46:28.480 --> 0:46:30.960
<v Speaker 1>after two months of deciding what it is. That was

0:46:31.040 --> 0:46:33.520
<v Speaker 1>my problem with it. It's like, hey, if the line

0:46:33.560 --> 0:46:35.359
<v Speaker 1>had simply been, hey, have you picked your car yet?

0:46:35.400 --> 0:46:37.320
<v Speaker 1>Are you kidding? We decided to get it on Friday,

0:46:37.400 --> 0:46:39.239
<v Speaker 1>give me a chance to look. But it wasn't. It

0:46:39.360 --> 0:46:41.560
<v Speaker 1>was you've been looking at this for two months. Now

0:46:41.640 --> 0:46:44.040
<v Speaker 1>you've gone, I want a minivan. Hey it's the mini.

0:46:44.280 --> 0:46:49.000
<v Speaker 1>Meant it showed how like stupid the man was. Because

0:46:49.040 --> 0:46:53.319
<v Speaker 1>what I didn't enjoy about it is how waffly it made.

0:46:53.719 --> 0:46:55.400
<v Speaker 1>That's what I mean women. Yeah, and then it was like,

0:46:55.960 --> 0:46:58.680
<v Speaker 1>you know, exactly, there's stereotypes something else, but you know

0:46:58.760 --> 0:47:04.000
<v Speaker 1>what kind of wants for me. Yes, but I know,

0:47:04.320 --> 0:47:07.440
<v Speaker 1>but and I like those things in the past though.

0:47:07.520 --> 0:47:09.400
<v Speaker 1>But like a lot of things in Boy Meets World,

0:47:09.800 --> 0:47:12.120
<v Speaker 1>I thought the end game was pretty great. Like I

0:47:12.200 --> 0:47:14.319
<v Speaker 1>thought the like therapy session at the end, it was funny.

0:47:14.640 --> 0:47:16.840
<v Speaker 1>It was it was funny, and it was like and

0:47:16.920 --> 0:47:20.839
<v Speaker 1>I love the way both both Betsy and Rusty play

0:47:20.880 --> 0:47:23.759
<v Speaker 1>it for realism, like they play true right, And I

0:47:23.840 --> 0:47:26.520
<v Speaker 1>don't know, I just you know, because I had similar

0:47:26.600 --> 0:47:28.640
<v Speaker 1>stuff with like the way Sean and Corey are in

0:47:28.680 --> 0:47:31.279
<v Speaker 1>the beginning of this episode is pretty despicable, right, Like

0:47:31.400 --> 0:47:33.399
<v Speaker 1>it's pretty awful, like the way that they're talking about

0:47:33.440 --> 0:47:36.279
<v Speaker 1>women and well sure that's the point. They get to

0:47:36.360 --> 0:47:39.120
<v Speaker 1>a place where they're you know, made to look like

0:47:39.719 --> 0:47:42.200
<v Speaker 1>the asses that they've been and it's like, okay, good,

0:47:42.320 --> 0:47:45.719
<v Speaker 1>Like so I feel like, you know, I don't have

0:47:45.960 --> 0:47:49.080
<v Speaker 1>that same kind of I don't. I just we've done,

0:47:49.160 --> 0:47:51.400
<v Speaker 1>we've it's it's it's a sitcom. I get that. But

0:47:51.520 --> 0:47:53.480
<v Speaker 1>we've always talked about how one of the things that

0:47:53.560 --> 0:47:57.040
<v Speaker 1>we avoided, especially with Alan and Amy, was kind of

0:47:57.200 --> 0:47:59.719
<v Speaker 1>like he's the dumb husband and I know where it

0:47:59.840 --> 0:48:02.640
<v Speaker 1>is it's like, it's never really that. And I felt

0:48:02.680 --> 0:48:05.040
<v Speaker 1>like it kind of hit that this same a little

0:48:05.080 --> 0:48:08.239
<v Speaker 1>bit where it was like, you know, because I didn't

0:48:08.280 --> 0:48:10.600
<v Speaker 1>tell him, he wouldn't know, and it's like, Okay, I

0:48:10.760 --> 0:48:13.239
<v Speaker 1>just it this thing that I was so proud that

0:48:13.280 --> 0:48:15.839
<v Speaker 1>they'd avoided for so long. I felt like they kind

0:48:15.840 --> 0:48:17.239
<v Speaker 1>of leaned in. Yeah, I guess it is kind of

0:48:17.280 --> 0:48:19.680
<v Speaker 1>punitive towards him because he ends up being at the

0:48:19.800 --> 0:48:21.560
<v Speaker 1>end having to give in and go Yeah, of course,

0:48:22.480 --> 0:48:24.960
<v Speaker 1>I guess I need therapy because I went out and

0:48:25.000 --> 0:48:27.360
<v Speaker 1>bought you the car you wanted, like yikes. And it

0:48:27.520 --> 0:48:30.120
<v Speaker 1>was just I don't know if I get the sitcom thing,

0:48:30.160 --> 0:48:32.359
<v Speaker 1>but I loved how we avoided that for so long,

0:48:32.480 --> 0:48:34.320
<v Speaker 1>and it just seemed like this episode was kind of

0:48:35.040 --> 0:48:37.120
<v Speaker 1>I don't it seemed I didn't like that. I didn't

0:48:37.120 --> 0:48:38.640
<v Speaker 1>like it very much. I just didn't get how it

0:48:38.719 --> 0:48:41.160
<v Speaker 1>was that big a deal. It was right, that was

0:48:41.200 --> 0:48:44.160
<v Speaker 1>the thing. It just I don't know. Yeah, I would

0:48:44.200 --> 0:48:47.640
<v Speaker 1>have rather it be about um a very big purchase

0:48:47.800 --> 0:48:52.080
<v Speaker 1>without including me, because that's that's a conversation almost every

0:48:52.160 --> 0:48:54.719
<v Speaker 1>married couple can have at some point time, and it's

0:48:54.800 --> 0:48:56.560
<v Speaker 1>or it's a if you're going to avoid the situation.

0:48:56.600 --> 0:48:59.439
<v Speaker 1>It's a conversation you have many times throughout the course

0:48:59.480 --> 0:49:01.719
<v Speaker 1>of your marriage. What do we spend money on? Who

0:49:01.920 --> 0:49:04.680
<v Speaker 1>do we have to ask permission before we spend money?

0:49:04.800 --> 0:49:06.800
<v Speaker 1>How do we do ours? Our money all joint? Is

0:49:06.880 --> 0:49:09.239
<v Speaker 1>it is some of it separate? So yeah, I mean

0:49:09.320 --> 0:49:11.440
<v Speaker 1>I can see the idea if we just look at

0:49:11.480 --> 0:49:14.560
<v Speaker 1>it as he made a very large purchase in her

0:49:14.640 --> 0:49:18.080
<v Speaker 1>mind without getting her approval. Even if he so he

0:49:18.200 --> 0:49:22.120
<v Speaker 1>miss interpreted exactly, he misses her out was a good thing,

0:49:22.400 --> 0:49:25.279
<v Speaker 1>and she wanted to be more involved, obviously. That's if

0:49:25.320 --> 0:49:27.800
<v Speaker 1>we just if we can reduce what happened to that

0:49:28.120 --> 0:49:31.840
<v Speaker 1>that he thought he got approval, She says, you did not.

0:49:32.080 --> 0:49:34.239
<v Speaker 1>I was not involved. I never I didn't know this

0:49:34.440 --> 0:49:36.439
<v Speaker 1>was happening. And so now there was a very large

0:49:36.480 --> 0:49:38.800
<v Speaker 1>purchase made that she feels like she didn't have input on,

0:49:39.120 --> 0:49:40.600
<v Speaker 1>and I guess that was I guess maybe it's a

0:49:40.640 --> 0:49:42.920
<v Speaker 1>writing thing for me because when they point out that

0:49:43.320 --> 0:49:45.520
<v Speaker 1>she's been looking at the car for two months, right,

0:49:45.680 --> 0:49:49.560
<v Speaker 1>she's now picked a color and an interior, then you're

0:49:49.640 --> 0:49:53.080
<v Speaker 1>fully involved in the decision. Yeah, you made the decision,

0:49:53.640 --> 0:49:56.239
<v Speaker 1>so it has to tie into the a storyline which

0:49:56.280 --> 0:49:59.120
<v Speaker 1>has to do with you know, so every guess. I

0:49:59.160 --> 0:50:00.680
<v Speaker 1>guess it's just a writing anything for me where it

0:50:00.760 --> 0:50:02.440
<v Speaker 1>was like they could have a couple lines here or there,

0:50:02.440 --> 0:50:04.960
<v Speaker 1>could have changed that entire thing for me. So Amy

0:50:05.080 --> 0:50:09.919
<v Speaker 1>is upset. There, okay, Amy is upset Allan impulsively about

0:50:09.920 --> 0:50:11.719
<v Speaker 1>the car and Alan doesn't get it. Amy asks what

0:50:11.920 --> 0:50:13.560
<v Speaker 1>is it with men? They are always in a rush.

0:50:13.880 --> 0:50:16.120
<v Speaker 1>Amy wants to talk in the other room, and that's

0:50:16.160 --> 0:50:19.320
<v Speaker 1>a big uh oh from the audience. Everyone knows. And

0:50:19.400 --> 0:50:22.200
<v Speaker 1>then when they leave, Corey tells Eric about Sean's dating plan,

0:50:22.440 --> 0:50:24.880
<v Speaker 1>and Eric says, this is happening because Corey is safe.

0:50:25.200 --> 0:50:29.280
<v Speaker 1>He's like bubble rap. Corey says, well, women think he's dangerous.

0:50:29.640 --> 0:50:32.560
<v Speaker 1>Eric asks if he means Grandma, and Corey says, yeah,

0:50:32.640 --> 0:50:37.160
<v Speaker 1>but also Linda, And then he talks about the fact

0:50:37.160 --> 0:50:40.759
<v Speaker 1>that they kissed on the lips at Chubby's and then

0:50:41.960 --> 0:50:44.440
<v Speaker 1>as excited, Eric says, everything is okay. Then he's not

0:50:44.560 --> 0:50:47.000
<v Speaker 1>safe anymore. This is great because Corey and Sean both

0:50:47.040 --> 0:50:50.000
<v Speaker 1>have girlfriends. Then Eric throws a wrench into the plan

0:50:50.120 --> 0:50:53.040
<v Speaker 1>because Sean may break up with his girlfriend at any moment,

0:50:53.160 --> 0:50:56.719
<v Speaker 1>and then he would ruin everything, and Eric has to

0:50:56.800 --> 0:50:58.720
<v Speaker 1>tell him, you have to decide who is more important,

0:50:58.840 --> 0:51:03.680
<v Speaker 1>your best friend or your girlfriend. You get Eric is,

0:51:03.760 --> 0:51:06.279
<v Speaker 1>yet we still don't know what he is at this point,

0:51:06.640 --> 0:51:08.759
<v Speaker 1>he's like was a ladies man. Now he's kind of

0:51:08.840 --> 0:51:11.640
<v Speaker 1>just the your older brother. But then and it's like

0:51:11.719 --> 0:51:14.600
<v Speaker 1>we're still finding him, I think, yeah, as as they're

0:51:14.600 --> 0:51:17.399
<v Speaker 1>still trying to figure out how to write for Eric. Yeah,

0:51:17.480 --> 0:51:21.719
<v Speaker 1>there's definitely there's definitely a little bit of the same way.

0:51:22.320 --> 0:51:25.200
<v Speaker 1>How the house is set up is based on convenience. Yeah,

0:51:25.280 --> 0:51:28.080
<v Speaker 1>who Eric is is a little bit of a character

0:51:28.160 --> 0:51:31.279
<v Speaker 1>of convenience. Who do we need right now, Batt'll be

0:51:31.480 --> 0:51:34.399
<v Speaker 1>let's give that to Eric. Absolutely. And like you said

0:51:34.680 --> 0:51:37.160
<v Speaker 1>that with with Ryder, with your character, where you've had

0:51:37.239 --> 0:51:39.920
<v Speaker 1>the mailbox, like we've established who he is. Eric never

0:51:40.040 --> 0:51:41.680
<v Speaker 1>really had that kind of like here's what it is.

0:51:41.719 --> 0:51:44.440
<v Speaker 1>We've established him, so now it's a foregone conclusion how

0:51:44.480 --> 0:51:46.160
<v Speaker 1>we want him to be in the future. It's just

0:51:46.239 --> 0:51:48.600
<v Speaker 1>I think you're right, exactly right, Danielle. He's he's he's

0:51:48.600 --> 0:51:50.960
<v Speaker 1>an MCS your character at this yeah point, he's a

0:51:51.080 --> 0:51:55.480
<v Speaker 1>character of convenience. And then we fade into mister Finie's classroom,

0:51:55.560 --> 0:51:59.080
<v Speaker 1>Corey's face becomes mister Finie's face, and Nice dissolve. Mister

0:51:59.160 --> 0:52:01.759
<v Speaker 1>Feinie continues to talk about the Cuban missile crisis and

0:52:01.960 --> 0:52:04.600
<v Speaker 1>President Kennedy staring at the destruction of the world, and

0:52:04.640 --> 0:52:06.759
<v Speaker 1>then Corey yells to give him a break because it's

0:52:06.800 --> 0:52:10.560
<v Speaker 1>his first big crisis. And I thought, it's a It's

0:52:10.640 --> 0:52:12.959
<v Speaker 1>interesting because this is I think maybe the first time

0:52:13.200 --> 0:52:18.440
<v Speaker 1>the storyline is about history tying into oh yeah, as

0:52:18.480 --> 0:52:22.719
<v Speaker 1>opposed to literature. Interesting even though we have Hamlet, it's

0:52:22.800 --> 0:52:25.600
<v Speaker 1>not really it was really about Hamlet. It's about this

0:52:25.760 --> 0:52:28.520
<v Speaker 1>history and how it's tying together. So mister Feeney tells

0:52:28.560 --> 0:52:31.640
<v Speaker 1>Corey to put his head down. It's naptime, and then

0:52:31.760 --> 0:52:34.239
<v Speaker 1>we're in the school hallway. Stacey tells Sean she wants

0:52:34.280 --> 0:52:36.920
<v Speaker 1>to see a romantic foreign film, not something where someone's

0:52:36.920 --> 0:52:39.560
<v Speaker 1>head blows up. And Stacy ends up thinking they may

0:52:39.640 --> 0:52:42.239
<v Speaker 1>have less in common than she thought, and Sean says

0:52:42.280 --> 0:52:44.279
<v Speaker 1>they don't have much as much in common as he

0:52:44.480 --> 0:52:49.480
<v Speaker 1>thought either. Dumb Sean. I like dumb Sean. Okay, also

0:52:50.440 --> 0:52:52.520
<v Speaker 1>to have dumb thing to have an argument over. But

0:52:52.880 --> 0:52:54.759
<v Speaker 1>you know, maybe guys are spending too much time together

0:52:54.800 --> 0:52:56.319
<v Speaker 1>over the last four days. I don't know is why

0:52:56.320 --> 0:52:59.279
<v Speaker 1>you're supposed to date him on a multiple group of people? Ye,

0:52:59.600 --> 0:53:02.760
<v Speaker 1>lots of people apparently at this age. Yeah. Corey overhears

0:53:02.760 --> 0:53:05.120
<v Speaker 1>the conversation and tries to help, but Stacy walks away,

0:53:05.280 --> 0:53:08.319
<v Speaker 1>somewhat ending the honeymoon phase of their relationship. They broke

0:53:08.400 --> 0:53:11.520
<v Speaker 1>up over what movies they like. Sean thanks Corey for

0:53:11.640 --> 0:53:13.680
<v Speaker 1>keeping Linda on deck. Looks like he's going to need

0:53:13.760 --> 0:53:16.640
<v Speaker 1>her after all, and Corey panics and says no, Sean

0:53:16.680 --> 0:53:19.080
<v Speaker 1>can't live without Stacy, and his voice gets higher and

0:53:19.120 --> 0:53:22.239
<v Speaker 1>he becomes more panicked, and he tells Sean to goes.

0:53:22.880 --> 0:53:25.360
<v Speaker 1>He tells Sean to go after Stacy, but then he

0:53:25.480 --> 0:53:29.200
<v Speaker 1>runs after her himself. Really liked her, Yeah, he set

0:53:29.239 --> 0:53:31.160
<v Speaker 1>it up with Corey, really likes her. I know. The

0:53:31.200 --> 0:53:32.759
<v Speaker 1>thing that was so interesting about it is it's like

0:53:33.360 --> 0:53:37.799
<v Speaker 1>I also I also thought in this moment, I thought, writer,

0:53:37.960 --> 0:53:40.080
<v Speaker 1>it looked like you had a bit of a knowing

0:53:41.080 --> 0:53:44.480
<v Speaker 1>smile on your face and not knowing how this episode

0:53:44.520 --> 0:53:46.319
<v Speaker 1>turned out because I had no memory of it at all.

0:53:46.800 --> 0:53:50.120
<v Speaker 1>You do then later know that he likes Linda and

0:53:50.280 --> 0:53:54.480
<v Speaker 1>I liked that as the actor. I really sensed that

0:53:54.680 --> 0:53:57.719
<v Speaker 1>you showed a little bit that you recognized what was

0:53:57.800 --> 0:54:00.400
<v Speaker 1>happening in the moment that as he was raising his

0:54:00.480 --> 0:54:02.240
<v Speaker 1>voice and he was telling you to go after Stacy,

0:54:02.360 --> 0:54:06.200
<v Speaker 1>you were like, he likes Linda. I don't know if

0:54:06.200 --> 0:54:10.120
<v Speaker 1>I got that. I noticed it. Did rider almost break

0:54:11.320 --> 0:54:13.160
<v Speaker 1>You had it as a knowing smile. I had it

0:54:13.239 --> 0:54:15.719
<v Speaker 1>as I thought he was about to start laughing. Interesting,

0:54:15.800 --> 0:54:19.439
<v Speaker 1>I was about to start laughing. I didn't catch that. Yeah,

0:54:19.480 --> 0:54:21.320
<v Speaker 1>I think you gave a little bit of like a

0:54:21.800 --> 0:54:24.480
<v Speaker 1>It was a little bit of like a mom, what's

0:54:24.480 --> 0:54:29.320
<v Speaker 1>going on with Corey? Exactly where? Right? And so? And

0:54:29.400 --> 0:54:31.800
<v Speaker 1>I liked that because in the moment I thought it,

0:54:32.000 --> 0:54:33.920
<v Speaker 1>and then later when it comes back, I go, oh,

0:54:34.680 --> 0:54:36.440
<v Speaker 1>I saw I saw the moment it happened for him.

0:54:36.480 --> 0:54:39.520
<v Speaker 1>I picked it up. So we're in Chubby's. Stacey is

0:54:39.560 --> 0:54:42.040
<v Speaker 1>angrily talking to Chubby trying to order a salad, and

0:54:42.120 --> 0:54:44.400
<v Speaker 1>Chubby says, where do you think you are? The sizzler,

0:54:45.080 --> 0:54:46.920
<v Speaker 1>and then Corey runs up behind her and tells her

0:54:46.960 --> 0:54:50.120
<v Speaker 1>how to order the turkey Chubby with everything. Corey says,

0:54:50.160 --> 0:54:52.319
<v Speaker 1>it's so weird to see her without Sean. He sees

0:54:52.360 --> 0:54:54.200
<v Speaker 1>them as a couple, even though they've only been dating

0:54:54.239 --> 0:54:57.280
<v Speaker 1>for four days. He says it feels more like five.

0:55:00.520 --> 0:55:02.839
<v Speaker 1>Stacy says she doesn't even want to hear the name Sean,

0:55:03.000 --> 0:55:06.719
<v Speaker 1>so Corey changes his name to Merle when talking about him. Um,

0:55:07.080 --> 0:55:10.359
<v Speaker 1>he says, them arguing tore him apart, and she says

0:55:10.400 --> 0:55:13.319
<v Speaker 1>that's so sweet, and Corey says she should really give

0:55:13.400 --> 0:55:15.440
<v Speaker 1>Merrell a chance and go out for him for like,

0:55:15.600 --> 0:55:17.440
<v Speaker 1>go out with him for like a year or two

0:55:17.600 --> 0:55:21.920
<v Speaker 1>a year two. And then Linda comes over and sees

0:55:22.000 --> 0:55:24.279
<v Speaker 1>Corey sitting in a booth with Stacy holding her hand

0:55:24.320 --> 0:55:26.640
<v Speaker 1>and telling her how to order at Chubby's. The girls

0:55:26.719 --> 0:55:29.640
<v Speaker 1>commiserate and call it his routine. Did he teach you

0:55:29.680 --> 0:55:34.719
<v Speaker 1>how to order? Like so funny? Corey says, I don't

0:55:34.719 --> 0:55:38.320
<v Speaker 1>have a routine. I don't have boom. Yes, the boom,

0:55:38.640 --> 0:55:42.840
<v Speaker 1>the boom came out, the boom came Yes, that guys

0:55:42.880 --> 0:55:45.839
<v Speaker 1>that got the boom. Yeah. When he is he does

0:55:45.920 --> 0:55:50.200
<v Speaker 1>the he does kind of boom, double fist pumps. I

0:55:50.239 --> 0:55:51.879
<v Speaker 1>don't think it doubled. I think it was just once.

0:55:51.920 --> 0:55:54.239
<v Speaker 1>I don't have the boom. I thought he did kind

0:55:54.280 --> 0:55:56.279
<v Speaker 1>of like I don't think it was a one. It

0:55:56.400 --> 0:56:03.160
<v Speaker 1>was I did see that. Okay, good Uh the girls

0:56:03.280 --> 0:56:06.160
<v Speaker 1>say he's not innocent, but Corey swears he's a new

0:56:06.560 --> 0:56:13.440
<v Speaker 1>newborn lamb and then Ben's so funny. Yep, that was

0:56:13.520 --> 0:56:16.759
<v Speaker 1>really funny. One thing I noticed about that is still

0:56:16.800 --> 0:56:20.000
<v Speaker 1>going on and I wrote this specifically down it's still

0:56:20.120 --> 0:56:23.520
<v Speaker 1>really all Ben carrying this show. Yeah, I mean, he

0:56:23.640 --> 0:56:26.120
<v Speaker 1>still has it all on his shoulders. The entire show

0:56:26.280 --> 0:56:30.759
<v Speaker 1>is Ben stressed out. Like watching Corey I was exhausted

0:56:30.840 --> 0:56:34.720
<v Speaker 1>for and just like, oh my god. It literally felt

0:56:34.800 --> 0:56:37.400
<v Speaker 1>like he was running, running around juggling plates. It was

0:56:37.480 --> 0:56:39.399
<v Speaker 1>just like he was just like, oh my god, he's

0:56:39.440 --> 0:56:41.759
<v Speaker 1>still he's he's still killing it, and it's like this

0:56:41.920 --> 0:56:45.200
<v Speaker 1>is all still on Ben. That's crazy, I know. Also

0:56:45.239 --> 0:56:47.840
<v Speaker 1>we have to say this, the lamb sound is like

0:56:47.880 --> 0:56:53.960
<v Speaker 1>the ultimate Ben Savage joke. Even loves sounds, impressions of

0:56:54.120 --> 0:56:57.480
<v Speaker 1>like weird noises, and people do like this what he

0:56:57.520 --> 0:56:59.799
<v Speaker 1>would be doing behind scenes all the time. It's like, yeah,

0:57:00.080 --> 0:57:03.640
<v Speaker 1>he weird noises to make us just random sounds like

0:57:03.719 --> 0:57:05.520
<v Speaker 1>he would just he would just pick up on things.

0:57:05.600 --> 0:57:07.120
<v Speaker 1>I remember pointed it out to him once. I was like,

0:57:07.160 --> 0:57:10.680
<v Speaker 1>Ben why do you always just obsessed with weird sounds?

0:57:10.760 --> 0:57:12.360
<v Speaker 1>Or and he was just so good at it and

0:57:12.440 --> 0:57:14.440
<v Speaker 1>he didn't always get to do it because I know,

0:57:15.080 --> 0:57:18.280
<v Speaker 1>I think as the show went later on, Corey starts

0:57:18.360 --> 0:57:21.800
<v Speaker 1>having weirder voices like do you remember when he in

0:57:22.600 --> 0:57:28.320
<v Speaker 1>Maitland confronts him and he hadn't Yeah, yeah, right, like

0:57:28.400 --> 0:57:31.560
<v Speaker 1>his ability to just do weird sounds or like tricks

0:57:31.600 --> 0:57:33.720
<v Speaker 1>with his voice that You're just like what, I don't

0:57:33.760 --> 0:57:35.520
<v Speaker 1>know why, but that's the funniest thing I've ever heard,

0:57:35.840 --> 0:57:39.920
<v Speaker 1>this Lamb Bowman who lost it? But I'm pretty sure

0:57:40.000 --> 0:57:41.760
<v Speaker 1>Ben is the one who introduced me to the Adam

0:57:41.840 --> 0:57:45.919
<v Speaker 1>Sandler comedy CDs. Of course, yea and the Jerky Boys,

0:57:45.960 --> 0:57:48.880
<v Speaker 1>which Dustin listen to the Jerky Boys and the Adam

0:57:49.000 --> 0:57:55.880
<v Speaker 1>Sandler all those like exactly, yeah, he loves that. That. Yeah,

0:57:55.960 --> 0:57:58.160
<v Speaker 1>he as a kid, that was I was big in

0:57:58.240 --> 0:58:01.280
<v Speaker 1>our lives um. And then Linda and Stacy both say

0:58:01.360 --> 0:58:04.240
<v Speaker 1>poor Sean, assuming that Corey is scamming them away from

0:58:04.240 --> 0:58:07.200
<v Speaker 1>their original crush, and Sean walks up just in time.

0:58:07.760 --> 0:58:10.120
<v Speaker 1>Sean asks the girls to leave for a second, and

0:58:10.280 --> 0:58:13.160
<v Speaker 1>both the girls seem very into him again. One says

0:58:13.240 --> 0:58:15.840
<v Speaker 1>I'll see you later, and then Linda's kisses him on

0:58:15.840 --> 0:58:17.800
<v Speaker 1>the cheek and says, and I'll see you after that.

0:58:18.880 --> 0:58:29.200
<v Speaker 1>Wow wow, yikes. Yeah, the first kisses You've got the

0:58:29.360 --> 0:58:35.320
<v Speaker 1>Riz guys love it. Corey confronts Shawn about being safe

0:58:35.360 --> 0:58:39.200
<v Speaker 1>and like bubble wrap. Sean knows Corey likes Linda and says, well,

0:58:39.240 --> 0:58:41.560
<v Speaker 1>that wasn't part of the plan. Corey goes off about

0:58:41.600 --> 0:58:44.320
<v Speaker 1>Sean's plan, detailing it word for word, and the girls

0:58:44.400 --> 0:58:47.760
<v Speaker 1>are behind him, listening to every word, both of them. Right,

0:58:49.000 --> 0:58:53.200
<v Speaker 1>they're both there. Now, this was in like a lot

0:58:53.280 --> 0:58:55.320
<v Speaker 1>of things, I guess, but I feel like, in particular,

0:58:55.440 --> 0:58:58.120
<v Speaker 1>wasn't this a Billy Crystal bit in something where it's

0:58:58.160 --> 0:59:01.000
<v Speaker 1>like they're behind someone's right, baby, It's it's like six

0:59:01.120 --> 0:59:03.560
<v Speaker 1>cliquers city Slickers. Well, he does one in city Slickers

0:59:04.760 --> 0:59:07.600
<v Speaker 1>like a repetitive joke. It is just this just felt

0:59:07.720 --> 0:59:09.280
<v Speaker 1>very familiar to me, and I did like it, like

0:59:09.360 --> 0:59:12.000
<v Speaker 1>it's funny, but it's also it felt like it's already

0:59:12.080 --> 0:59:14.000
<v Speaker 1>kind of a tired joke. Yeah, it's an old it's

0:59:14.040 --> 0:59:16.320
<v Speaker 1>a very old joke. There's behind me, isn't he. Yeah,

0:59:16.320 --> 0:59:19.320
<v Speaker 1>it's very it's very old. Both to him right. Stacy

0:59:19.440 --> 0:59:21.440
<v Speaker 1>says she forgot her purse and had to come back.

0:59:21.600 --> 0:59:23.480
<v Speaker 1>Corey hands it to her and she hits both of

0:59:23.520 --> 0:59:25.760
<v Speaker 1>the guys with it. The girls are very mad and

0:59:25.880 --> 0:59:29.919
<v Speaker 1>everyone in Chubby's calls them scum in the unison, which

0:59:30.040 --> 0:59:33.360
<v Speaker 1>is what Aaron remembered, and then Sewan wants to start

0:59:33.440 --> 0:59:36.200
<v Speaker 1>fresh and they shouldn't treat the girls as objects. Sean

0:59:36.280 --> 0:59:38.760
<v Speaker 1>says he'll thumb wrestle for the girls, and then Stacy

0:59:38.880 --> 0:59:42.680
<v Speaker 1>hits him one more time. As everyone claps, Sean bows,

0:59:42.760 --> 0:59:45.760
<v Speaker 1>but then Corey explains, no, they're clapping because they hate us.

0:59:46.560 --> 0:59:51.680
<v Speaker 1>Sean then yells and same to you, which it's funny, funny,

0:59:52.280 --> 0:59:55.000
<v Speaker 1>I like it. Corey and Sean then sit in a

0:59:55.040 --> 0:59:57.720
<v Speaker 1>booth saying they miss the girls, but now Sean respects

0:59:57.800 --> 1:00:01.040
<v Speaker 1>Corey because he's dangerous and he can't be trusted around

1:00:01.200 --> 1:00:04.240
<v Speaker 1>the girls he likes, which I was like, guess the

1:00:04.560 --> 1:00:08.680
<v Speaker 1>lesson of this show. I don't really know what we've learned.

1:00:09.040 --> 1:00:14.320
<v Speaker 1>I'm not really sure what point Hamlet, we've learned that

1:00:14.440 --> 1:00:17.160
<v Speaker 1>if we go back to the Cuban missile crisis and

1:00:17.280 --> 1:00:21.360
<v Speaker 1>the choice between I mean, you know, I heard Michael

1:00:21.400 --> 1:00:24.120
<v Speaker 1>Jacobs once say that the thing that he writes over

1:00:24.200 --> 1:00:25.960
<v Speaker 1>and over again and all of his shows. And this

1:00:26.120 --> 1:00:28.640
<v Speaker 1>was from him during a panel that we were on

1:00:28.760 --> 1:00:31.720
<v Speaker 1>and at a film festival, Our Television Best. He said,

1:00:32.080 --> 1:00:35.640
<v Speaker 1>My he's like, my recurring theme is the love triangle

1:00:35.680 --> 1:00:39.320
<v Speaker 1>between two male friends and a woman, Like the idea

1:00:39.360 --> 1:00:42.400
<v Speaker 1>of like how do you navigate having a girlfriend and

1:00:42.640 --> 1:00:46.000
<v Speaker 1>having a best friend best male friend? And it's true,

1:00:46.080 --> 1:00:49.000
<v Speaker 1>like that is, yeah, the primary concern of boy Me's world.

1:00:49.040 --> 1:00:51.200
<v Speaker 1>Like if you think overall, it's like there's you know,

1:00:51.320 --> 1:00:54.400
<v Speaker 1>how do you love to Panga but also be best

1:00:54.440 --> 1:00:59.919
<v Speaker 1>friends with Sean? And so it's already here, right, even

1:01:00.000 --> 1:01:02.440
<v Speaker 1>without it being to Panga. It's like and you know,

1:01:02.640 --> 1:01:04.880
<v Speaker 1>there are episodes where it lands where it's more about

1:01:04.920 --> 1:01:06.640
<v Speaker 1>the relationship with the girl, and then their episodes like

1:01:06.680 --> 1:01:08.840
<v Speaker 1>this one where it's really just about how two guys

1:01:08.880 --> 1:01:11.120
<v Speaker 1>can be friends, you know, and like how do we

1:01:11.200 --> 1:01:14.920
<v Speaker 1>navigate being friends and dating well by treating women horribly

1:01:14.960 --> 1:01:17.280
<v Speaker 1>and still respecting each other in the end. But look,

1:01:17.520 --> 1:01:20.920
<v Speaker 1>I just what I don't understand is how does this

1:01:21.360 --> 1:01:26.080
<v Speaker 1>in particular seem as though to Corey he's now gained

1:01:26.440 --> 1:01:30.280
<v Speaker 1>the respect of Sean, so he up until this point

1:01:30.320 --> 1:01:32.200
<v Speaker 1>has felt like he's never had the respect of Sean,

1:01:32.320 --> 1:01:35.800
<v Speaker 1>and then the actual way he feels respected is because oh,

1:01:36.160 --> 1:01:38.760
<v Speaker 1>I can no longer trust you around females. I like,

1:01:39.000 --> 1:01:41.640
<v Speaker 1>because you might kiss them, you'll make the moves us.

1:01:41.880 --> 1:01:44.360
<v Speaker 1>I think you just answered your own question Danielle's Yeah,

1:01:44.440 --> 1:01:48.320
<v Speaker 1>that's how okay. I just I feel like we have

1:01:48.440 --> 1:01:51.920
<v Speaker 1>seen so much more respect shared between these two truly

1:01:52.000 --> 1:01:55.880
<v Speaker 1>incredible friends. Yeah. I yearned for the your Corey. I'm Sean. Yeah,

1:01:56.200 --> 1:01:57.960
<v Speaker 1>we are always going to be you know. That ending

1:01:58.000 --> 1:02:01.080
<v Speaker 1>of that episode kind of beat as opposed to you. Also,

1:02:01.240 --> 1:02:03.880
<v Speaker 1>this was one of the first episodes where the teachers

1:02:04.000 --> 1:02:07.160
<v Speaker 1>essentially taught nothing. Yeah, there was no lesson from the

1:02:07.200 --> 1:02:09.600
<v Speaker 1>teachers either. There was no I mean, he could correlate.

1:02:10.280 --> 1:02:13.080
<v Speaker 1>Kennedy was deciding what to do in the Cuban missile crisis.

1:02:13.160 --> 1:02:16.560
<v Speaker 1>So that's like dating your best friend's girlfriend. I mean,

1:02:16.560 --> 1:02:18.880
<v Speaker 1>I get what he's talking about where it's his first crisis, right,

1:02:19.040 --> 1:02:22.360
<v Speaker 1>but FENI didn't impart any wisdom. Turn it in't impart

1:02:22.360 --> 1:02:24.400
<v Speaker 1>any wisdom. There was no you know, they kind of

1:02:24.480 --> 1:02:31.000
<v Speaker 1>learned for themselves that Sean can't be around a woman. Yeah, schitzoid. Yes,

1:02:31.120 --> 1:02:34.040
<v Speaker 1>that was Yeah, that was dismissive description of am. I

1:02:34.120 --> 1:02:37.680
<v Speaker 1>would have actually preferred the idea of like, well, we

1:02:37.800 --> 1:02:40.000
<v Speaker 1>may not have any girls here, but at least you

1:02:40.040 --> 1:02:43.560
<v Speaker 1>know how to order, like, let's sake, make a joke

1:02:43.600 --> 1:02:45.560
<v Speaker 1>out of it. Let's order a turkey chubby, let's share,

1:02:45.600 --> 1:02:48.200
<v Speaker 1>you know, like something like, well, yeah, you know, we

1:02:48.280 --> 1:02:50.240
<v Speaker 1>may have lost out on one good thing, but it's

1:02:50.240 --> 1:02:51.960
<v Speaker 1>still you and me. And if this is as bad

1:02:52.000 --> 1:02:53.800
<v Speaker 1>as it gets, you know, if if no, if I

1:02:53.880 --> 1:02:55.640
<v Speaker 1>never have a partner in my life, but I always

1:02:55.680 --> 1:02:58.040
<v Speaker 1>have you. Just something I guess a little more positive

1:02:58.080 --> 1:03:00.880
<v Speaker 1>reading on it, in that Sean has been awful to

1:03:00.960 --> 1:03:03.720
<v Speaker 1>Corey in the beginning of the episode, yeah, not realizing

1:03:03.760 --> 1:03:06.000
<v Speaker 1>how awful he was being, just being dismissive of his friend.

1:03:06.240 --> 1:03:08.160
<v Speaker 1>And then now he's not going to be a dismissive

1:03:08.160 --> 1:03:09.840
<v Speaker 1>of his friends. He's not going to be like, you know,

1:03:09.920 --> 1:03:11.960
<v Speaker 1>like if we just take it from that point of

1:03:12.040 --> 1:03:14.200
<v Speaker 1>view of like, oh, I totally took advantage of you

1:03:14.320 --> 1:03:16.920
<v Speaker 1>being a nice guy, like you being my friend, and

1:03:17.680 --> 1:03:19.680
<v Speaker 1>you know, now I realized that I probably shouldn't have

1:03:19.720 --> 1:03:22.320
<v Speaker 1>done that. It doesn't really come out that way, right, right,

1:03:22.600 --> 1:03:26.520
<v Speaker 1>and I appreciate that perspective. And for Corey, he not

1:03:26.720 --> 1:03:29.080
<v Speaker 1>feeling safe is a win for him, so he also

1:03:29.440 --> 1:03:32.320
<v Speaker 1>from his own perspective, is like, yeah, danger boy again. Yeah,

1:03:32.360 --> 1:03:35.720
<v Speaker 1>I'm a little danger boy. Yeah okay. I I like

1:03:35.760 --> 1:03:37.439
<v Speaker 1>your idea of finishing it with a joke, though, could

1:03:37.440 --> 1:03:38.960
<v Speaker 1>have been something like all right, come on, I'll get

1:03:39.000 --> 1:03:40.800
<v Speaker 1>you turkey Chubby, and Sean goes, wow, that really is

1:03:40.840 --> 1:03:43.480
<v Speaker 1>your only move, like something like that, and then you

1:03:43.600 --> 1:03:45.760
<v Speaker 1>walk away, you know, like that's it's just better. Yeah,

1:03:45.800 --> 1:03:48.960
<v Speaker 1>but it is time machine. Yeah okay. And then we're

1:03:49.000 --> 1:03:51.240
<v Speaker 1>in the tag. We're at a car dealership. Alan and

1:03:51.320 --> 1:03:53.160
<v Speaker 1>Amy are at the dealership trying to return the van

1:03:53.240 --> 1:03:56.360
<v Speaker 1>because of a miscommunication. The car dealer suddenly becomes a

1:03:56.440 --> 1:03:59.720
<v Speaker 1>therapist working through their marriage. Tell me about the inner Amy,

1:04:00.280 --> 1:04:03.200
<v Speaker 1>and the dealer then suggests that they see him weekly.

1:04:03.440 --> 1:04:06.200
<v Speaker 1>And I think this guy might have done more than

1:04:06.240 --> 1:04:11.440
<v Speaker 1>one Boy Meats World episode because I really funny and

1:04:11.600 --> 1:04:13.760
<v Speaker 1>I think I worked with him. I want to say

1:04:13.880 --> 1:04:16.040
<v Speaker 1>he did another episode of the show. I could be wrong,

1:04:16.440 --> 1:04:20.280
<v Speaker 1>but I swear he came back. I think he did perfect.

1:04:20.760 --> 1:04:23.480
<v Speaker 1>He's so good. It was great. Yeah, I mean one

1:04:23.520 --> 1:04:26.160
<v Speaker 1>thing I'll definitely say is it wouldn't surprise me if

1:04:26.200 --> 1:04:29.040
<v Speaker 1>he comes back. We Michael Jacobs is really good about

1:04:29.120 --> 1:04:32.560
<v Speaker 1>reusing actors that he likes working with. I mean we've

1:04:32.600 --> 1:04:36.000
<v Speaker 1>seen already multiple different actresses and actor I mean Adam Scott,

1:04:36.080 --> 1:04:37.640
<v Speaker 1>you know, played Senior and then still came back and

1:04:37.640 --> 1:04:39.560
<v Speaker 1>played Griff. We have a lot of those, so I think,

1:04:40.520 --> 1:04:42.560
<v Speaker 1>so yeah, that'll be interesting when it comes up. So

1:04:43.160 --> 1:04:45.400
<v Speaker 1>thank you for joining us for this episode of Podmeats World.

1:04:45.440 --> 1:04:48.160
<v Speaker 1>As always, you can follow us on Instagram Podmeats World Show.

1:04:48.320 --> 1:04:50.640
<v Speaker 1>You can email us Podmeats World Show at gmail dot

1:04:50.680 --> 1:04:55.520
<v Speaker 1>com and we have got merch not that was for

1:04:55.640 --> 1:04:59.840
<v Speaker 1>Ben Podmeats World Show dot com. Please join us for

1:04:59.880 --> 1:05:03.440
<v Speaker 1>our next episode, which is season two episode twelve, Turnaround,

1:05:03.680 --> 1:05:08.640
<v Speaker 1>which originally aired December sixteenth, nineteen ninety four. We love

1:05:08.680 --> 1:05:13.920
<v Speaker 1>you all, pod dismissed. Pod Meets World is an iHeart

1:05:13.960 --> 1:05:18.000
<v Speaker 1>podcast produced and hosted by Danielle Fischel, Wilfordell and Writer Strong.

1:05:18.240 --> 1:05:22.360
<v Speaker 1>Executive producers Jensencarp and Amy Sugarman. Executive in charge of production,

1:05:22.560 --> 1:05:27.320
<v Speaker 1>Danielle Romo, producer and editor Tara Sudbach. Producer Jackie Rodriguez

1:05:27.520 --> 1:05:30.800
<v Speaker 1>engineer and Boy meets World super fan Easton Allen. Our

1:05:30.880 --> 1:05:33.600
<v Speaker 1>theme song is by Kyle Morton of Typhoon. You can

1:05:33.680 --> 1:05:36.320
<v Speaker 1>follow us on Instagram at Pod Meets World Show or

1:05:36.440 --> 1:05:39.120
<v Speaker 1>email us at Pod Meets World Show at gmail dot com.