WEBVTT - The Rise of the Guinea Pigs

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<v Speaker 1>Pushkin.

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<v Speaker 2>One of my favorite podcasts is called This Week in

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<v Speaker 2>Virology TWIV, as it's known.

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<v Speaker 3>This Week in Virology, the podcast about viruses, the kind

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<v Speaker 3>that make you sick.

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<v Speaker 2>On the show, a prominent virologist named Vincent Racaniello has

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<v Speaker 2>a weekly chat with colleagues from around the country, updating

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<v Speaker 2>their listeners on the latest news from around the world

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<v Speaker 2>about microbes. TWIV is a very big deal. It's the

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<v Speaker 2>tonight show only for virologists. For my birthday, my friend

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<v Speaker 2>Charles got me a twift shirt, which I'm wearing right now.

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<v Speaker 2>TWIF has taught me more about science than almost anything

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<v Speaker 2>I can remember, and one of their most memorable episodes

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<v Speaker 2>is called I Love the Smell of Vaccines in the Morning.

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<v Speaker 3>Many people sent this to us asking our thoughts, and

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<v Speaker 3>so there you go, We're going to give you our thoughts.

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<v Speaker 2>I Love the Smell of Vaccines in the Morning came

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<v Speaker 2>out in the winter of twenty twenty two. The Twivers

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<v Speaker 2>wanted to talk about a study that had just been

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<v Speaker 2>published entitled Safety, Tolerability and Viral Kinetics during tsar's COVID

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<v Speaker 2>two Human Challenge.

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<v Speaker 4>This is a.

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<v Speaker 3>Study where you deliberately infect human volunteers under very carefully

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<v Speaker 3>controlled conditions. They're under hospital care, they're isolated. Right, You've

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<v Speaker 3>got anti virals and monoclonals at the ready should anything happen.

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<v Speaker 2>The Human Challenge trial had thirty six unvaccinated subjects, all

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<v Speaker 2>between the ages of eighteen and twenty nine, all volunteers

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<v Speaker 2>who agree to be infected with COVID in a concentrated

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<v Speaker 2>dose administered to the nasal cavity. The aim of the

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<v Speaker 2>study was to figure out a crucial bit of information

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<v Speaker 2>that was still unknown in the early days of the pandemic.

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<v Speaker 2>How large a dose of covid do you have to

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<v Speaker 2>be exposed to before you get infected.

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<v Speaker 3>Sars kov two is not without risk. I mean it's

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<v Speaker 3>not a bolah, right, but it's not common cold either.

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<v Speaker 2>The TWIF crew went on for close to two hours

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<v Speaker 2>about the study, comb through every detail, went on fascinating digressions,

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<v Speaker 2>looked for insights and inconsistencies, and all came to the

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<v Speaker 2>same conclusion.

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<v Speaker 3>I would love to have been privy to the discussions

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<v Speaker 3>that led up to the approval of this to see

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<v Speaker 3>what they're thinking, right, Yeah, because I have to say

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<v Speaker 3>I wouldn't be in favor of this because if one

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<v Speaker 3>person dies, that's the end of it, and that person's

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<v Speaker 3>family is pretty upset.

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<v Speaker 1>Pretty upset, I would say, very upset. It's difficult because

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<v Speaker 1>when you look at the paper and you see results, okay,

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<v Speaker 1>and nobody died, nobody even got really sick, I mean

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<v Speaker 1>really sick. Okay, when you look at it from that

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<v Speaker 1>point of view, you go, oh wow, this is great.

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<v Speaker 2>My name is Malcolm Golbwell, you're listening to Revisionist History,

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<v Speaker 2>my podcast about things overlooked and misunderstood. This is part

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<v Speaker 2>two of our examination of the Minnesota starvation experiment. Part

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<v Speaker 2>one was about what happened when ansel keyes invited a

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<v Speaker 2>group of young men to spend a year in a

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<v Speaker 2>dingy set of rooms under the University of Minnesota football stadium.

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<v Speaker 2>This episode is about the strange way that so many

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<v Speaker 2>scientists think about the morality of human experiments, like, for example,

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<v Speaker 2>the experiment described in the twelve episode I Love the

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<v Speaker 2>Smell of Vaccines in the morning. When the crew at

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<v Speaker 2>This Week in Virology start talking about the experiment, they

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<v Speaker 2>sound reasonable.

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<v Speaker 1>There was very careful consideration given by the authors and

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<v Speaker 1>a whole bunch of other people as to whether they

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<v Speaker 1>turned it ethical. So no matter what we might think, okay,

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<v Speaker 1>there are a whole bunch of people who thought that

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<v Speaker 1>this was just fine.

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<v Speaker 2>That's Rich Condent of the University of Florida, another of

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<v Speaker 2>the twive mainstays. Medicine is typically in the business of

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<v Speaker 2>trying to make sick people healthy, but there's no question

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<v Speaker 2>that you can learn more by making healthy people sick.

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<v Speaker 2>Making healthy people sick means you can study your disease

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<v Speaker 2>from the very beginning, as opposed to the point where

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<v Speaker 2>the patient shows up in your office. It means you

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<v Speaker 2>can choose exactly the kind of disease you want to study,

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<v Speaker 2>the precise strain of virus, the exact species of bacteria.

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<v Speaker 2>You can choose who you want to study, young people,

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<v Speaker 2>old people, world class marathoners, the thin, the overweight. You

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<v Speaker 2>can compare different treatments easily and cheaply. But when you

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<v Speaker 2>go from healthy to sick, you have a big ethical problem.

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<v Speaker 2>The hippocratic oath all physicians take says first, do no harm.

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<v Speaker 2>So how can you justify infecting healthy people with a

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<v Speaker 2>potentially deadly virus.

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<v Speaker 1>If I were confronted personally with whether or not to

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<v Speaker 1>launch or support this study, I'm not sure I would

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<v Speaker 1>do it.

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<v Speaker 2>Then Brian Barker, a virologist at Drew University, chimed.

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<v Speaker 5>In, Yeah, I was trying to imagine if I was

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<v Speaker 5>in this age group, would I.

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<v Speaker 6>Be interested in being in the study.

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<v Speaker 4>And my answer was absolutely not.

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<v Speaker 2>The more they talked about it, the more adamant the

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<v Speaker 2>Twig crew became.

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<v Speaker 3>I would not have approved this. If I were on

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<v Speaker 3>the committee, I would have voted no. At some point,

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<v Speaker 3>there's going to be a young person who seems perfectly healthy.

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<v Speaker 3>There's got something we don't know about and is going

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<v Speaker 3>to die here. And that's what I'm concerned about. And

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<v Speaker 3>I don't know how. I'm sure these people don't know

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<v Speaker 3>anything we don't know, all right. I don't know how

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<v Speaker 3>they can sleep at night.

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<v Speaker 2>Now, why are we spending so much time on the

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<v Speaker 2>issue that Twivers had with this obscure COVID study, Because

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<v Speaker 2>the Minnesota starvation experiment was exactly the same kind of

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<v Speaker 2>human challenge trial ancil Keys took thirty six perfectly healthy

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<v Speaker 2>young men and made them sick by starving them for months.

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<v Speaker 2>A study like that should raise a million red flags, right.

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<v Speaker 2>The Minnesota starvation experiment ran during the final year of

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<v Speaker 2>the Second World War, and the subjects were all drawn

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<v Speaker 2>from the pool of men who had refused military service

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<v Speaker 2>conscientious objectors. They were about seventy two thousand and registered

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<v Speaker 2>conscientious objectors in the United States during the Second World War.

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<v Speaker 2>Some served in the military in non combat roles. Others

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<v Speaker 2>chose alternative service and were put to work fighting forest

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<v Speaker 2>fires or staffing hospitals.

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<v Speaker 7>They did social work in the Deep South. They worked

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<v Speaker 7>as orderlies in state mental health facilities. Many of them

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<v Speaker 7>were digging ditches and grading roads and doing things that

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<v Speaker 7>simply couldn't be defined as work of national importance.

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<v Speaker 2>That's the historian Sarah Tracy who's been researching the Minnesota

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<v Speaker 2>starvation experiment.

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<v Speaker 7>Conscientious Objectors had been used as medical guinea pigs, and

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<v Speaker 7>the US Civilian Public Service and Selective Service learn about this,

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<v Speaker 7>and so there is this program that about seven hundred

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<v Speaker 7>of the twelve thousand conscientious objectors who were doing work

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<v Speaker 7>of national and importance, so called work of the national importance,

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<v Speaker 7>about seven hundred of them enroll in medical experiments all

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<v Speaker 7>around the country.

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<v Speaker 2>Among the researchers who used human guinea pigs was ansel Keys.

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<v Speaker 2>He's testing the effects of thiamine deficiency and needs willing

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<v Speaker 2>to test subjects for a long term study in his lab.

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<v Speaker 2>Why not these religious pacifists.

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<v Speaker 7>He writes away, and he gets several about eleven to

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<v Speaker 7>do vitamin experiments, and that goes very well. He's impressed

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<v Speaker 7>by these conscientious objectors. They're dedicated, they're committed, they're excellent

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<v Speaker 7>research subjects.

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<v Speaker 2>It's from this pool of volunteers that Keys draws the

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<v Speaker 2>first of the subjects for his starvation experiment. Now, if

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<v Speaker 2>you want to make healthy people sick, you have to

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<v Speaker 2>be completely sure that your subjects are acting autonomously, to

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<v Speaker 2>use the word favored by ethicists, meaning did the subjects

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<v Speaker 2>make their decision to join the experiment freely, without pressure

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<v Speaker 2>or constraint. Were they informed of all the consequences? Did

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<v Speaker 2>they fully understand what they were getting into? The NYU

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<v Speaker 2>bioethicist Art Kaplan says, it's hard for scientists now to

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<v Speaker 2>find an easy answer to those questions when it comes

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<v Speaker 2>to the starvation experiment.

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<v Speaker 8>Bioethicists like me have tended not to comment much on

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<v Speaker 8>this study. It's interesting, this is such a difficult case

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<v Speaker 8>that I think people they've steered away from it a

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<v Speaker 8>little bit.

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<v Speaker 2>What makes the case so difficult is a keys of

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<v Speaker 2>study was conducted in the middle of a world war.

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<v Speaker 2>His subjects were all men who would refuse to fight

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<v Speaker 2>Nazis in Europe, and because of that they were subject

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<v Speaker 2>to intense social pressure. People called them cowards, shirkers, morally bankrupt.

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<v Speaker 2>Doors were slammed in their faces. And so along comes

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<v Speaker 2>Ansel Keys, charismatic ansel Keys, Ansel Keys with a two

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<v Speaker 2>hundred point IQ score, and he says, would you like

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<v Speaker 2>to be part of a medical experiment that makes a

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<v Speaker 2>difference that erases the sin of your absence from the war? Well,

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<v Speaker 2>of course they're going to say yes. So is that

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<v Speaker 2>an autonomous decision or is that a coerce decision? In

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<v Speaker 2>the previous episode, we heard how one of the volunteers,

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<v Speaker 2>Sam Legg, chopped off some of his fingers with an

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<v Speaker 2>axe in the delirium of his starvation. And then as

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<v Speaker 2>he lay in his hospital bed, leg begged Ansel Keys

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<v Speaker 2>to let him stay in study. Remember what he told Keys, doctor,

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<v Speaker 2>for the rest of my life people are going to

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<v Speaker 2>ask me what I did during the war. This experiment

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<v Speaker 2>is my chance to give an honorable answer to that. Question.

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<v Speaker 2>That does not sound like a rational, autonomous decision. That

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<v Speaker 2>sounds like someone who's terrified to go back to his

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<v Speaker 2>hometown and tell I'm sorry, I've now failed my country twice.

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<v Speaker 2>As for the second test of autonomy, did the subjects

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<v Speaker 2>know what they were getting into? Did they fully understand

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<v Speaker 2>the consequences of their participation? Of course not. That's the

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<v Speaker 2>whole lesson of the testimony from the eighteen volunteers in

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<v Speaker 2>the Library of Congress. They thought they would be hungry.

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<v Speaker 2>They didn't understand that starvation could cause him to start

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<v Speaker 2>losing their moral bearings. Sam Legg remembered one day when

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<v Speaker 2>he was out walking and saw a boy whiz by

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<v Speaker 2>on his bicycle.

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<v Speaker 9>How very brief I hope it was brief moment I

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<v Speaker 9>suddenly hated that that boy, and that I hate at

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<v Speaker 9>this point to tell you this, because it doesn't speak

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<v Speaker 9>very well for me.

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<v Speaker 2>Legg was a committed pacifist, a deeply spiritual man. Did

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<v Speaker 2>he consent to that feeling when he signed up? He's

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<v Speaker 2>still ashamed of it half a century later.

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<v Speaker 4>Frankly, I was amazed or shocked by the study.

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<v Speaker 2>That's so hard. Letterman, a bioethicist who teaches at the

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<v Speaker 2>Rohmbam Medical Campus in Israel, and it's one of the

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<v Speaker 2>few people in his field to have written about the

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<v Speaker 2>Minnesota starvation experiment. Letterman's big problem is with the notion

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<v Speaker 2>that the subjects quote unquote volunteered.

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<v Speaker 4>We served is ready serving the army as well. And

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<v Speaker 4>we have a joke about volunteering for something. You don't

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<v Speaker 4>volunteer in the army, you get volunteered, right, And we

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<v Speaker 4>even have a special ward for it in Himbrew.

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<v Speaker 2>Only in Israel is there a special word to describe

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<v Speaker 2>the condition of volunteering without actually volunteering being volunteered.

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<v Speaker 4>So I suspect that in that environment. And again I'm not,

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<v Speaker 4>you know, not an historian. They don't know what it

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<v Speaker 4>was like during that time in the early forties in

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<v Speaker 4>the US. But I think we need to be worthy

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<v Speaker 4>of any assumption of voluntariness in that context.

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<v Speaker 2>Letterman's point is, if an experiment isn't truly voluntary, how

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<v Speaker 2>do we justify making the subjects suffer?

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<v Speaker 4>If it's minimal harm, you give them diarrhea. I mean,

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<v Speaker 4>you can say, okay, that's fine, that's nothing, But if

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<v Speaker 4>that means that they start chewing gums, showing a bubble

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<v Speaker 4>gum all day long, or cutting off their fingers, or

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<v Speaker 4>developing neurosis or developing kidney failure, or two people developed

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<v Speaker 4>kidney failure because of the study. I think at that

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<v Speaker 4>point you should say, no, that's enough. Regardless of the

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<v Speaker 4>potential benefits. There are some things we cannot do.

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<v Speaker 2>There are some things we cannot do. This is exactly

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<v Speaker 2>where the Twitters ended up as well in their discussion

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<v Speaker 2>of the COVID infection study. Remember what Vincent Racanello said.

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<v Speaker 3>I'm sure these people don't know anything. We don't know,

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<v Speaker 3>all right. I don't know how they can sleep at night.

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<v Speaker 10>Now.

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<v Speaker 2>Am I happy that scientists cared deeply about the ethical

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<v Speaker 2>implications of their field, of course, But there's something I

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<v Speaker 2>don't quite understand about the arguments used by those who

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<v Speaker 2>worry about human jallenge trials. Listen to this exchange, for example,

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<v Speaker 2>the twive crew are digging deeper and deeper into the

0:14:42.196 --> 0:14:46.516
<v Speaker 2>details of the COVID infection experiment and which condit starts,

0:14:46.676 --> 0:14:49.356
<v Speaker 2>reading to the fine print on the studies design.

0:14:50.716 --> 0:14:53.556
<v Speaker 1>I thought it was interesting that they apparently started out

0:14:53.596 --> 0:15:01.236
<v Speaker 1>by soliciting volunteers with an online application and got twenty

0:15:01.236 --> 0:15:02.596
<v Speaker 1>seven thousand responses.

0:15:03.596 --> 0:15:07.076
<v Speaker 2>Wait, the people who ran that study didn't have to

0:15:07.156 --> 0:15:10.116
<v Speaker 2>trick people to get them to side, or go to

0:15:10.196 --> 0:15:13.036
<v Speaker 2>some out of the way prison and use inmates as

0:15:13.076 --> 0:15:18.156
<v Speaker 2>guinea pigs. No, twenty seven thousand people looked around them

0:15:18.236 --> 0:15:21.076
<v Speaker 2>at the millions of people dying from COVID and said,

0:15:21.636 --> 0:15:24.436
<v Speaker 2>I'm willing to take that risk, to make that sacrifice

0:15:24.516 --> 0:15:27.476
<v Speaker 2>for society. There was a line out the door, down

0:15:27.516 --> 0:15:29.476
<v Speaker 2>the block and clear across town.

0:15:29.916 --> 0:15:32.156
<v Speaker 11>They were coming to us saying, we're in the middle

0:15:32.156 --> 0:15:32.876
<v Speaker 11>of a pandemic.

0:15:33.316 --> 0:15:37.036
<v Speaker 2>I called up Andrew Catchpull, the British virologist who led

0:15:37.076 --> 0:15:38.396
<v Speaker 2>the COVID infection study.

0:15:38.716 --> 0:15:41.196
<v Speaker 11>They came to us with phrases like they just wanted

0:15:41.236 --> 0:15:43.436
<v Speaker 11>to do their bit for the pandemic. They felt that

0:15:43.476 --> 0:15:47.196
<v Speaker 11>this was something that they could do to help. So

0:15:47.276 --> 0:15:49.276
<v Speaker 11>it was really heart warming actually to see that.

0:15:50.116 --> 0:15:52.636
<v Speaker 2>Now, you would think that if you were a virologist

0:15:52.796 --> 0:15:55.676
<v Speaker 2>on the biggest virology podcast in the world trying to

0:15:55.716 --> 0:15:59.316
<v Speaker 2>figure out the ethics of a particular study, then this

0:15:59.476 --> 0:16:03.236
<v Speaker 2>kind of information would matter. That if you're worrying about consent,

0:16:04.036 --> 0:16:07.916
<v Speaker 2>then that kind of overwhelming enthusiasm should maybe make you

0:16:08.076 --> 0:16:11.796
<v Speaker 2>a little less worried. So, like any loyal Twive listener,

0:16:12.236 --> 0:16:14.436
<v Speaker 2>I waited for the rest of the crew to start

0:16:14.476 --> 0:16:18.236
<v Speaker 2>talking about the implications of the twenty seven thousand volunteers.

0:16:18.996 --> 0:16:22.596
<v Speaker 2>I waited and waited for the Twivers to make sense

0:16:22.636 --> 0:16:28.356
<v Speaker 2>of this and crickets. The conversation just moved on.

0:16:29.396 --> 0:16:29.796
<v Speaker 1>All right.

0:16:30.396 --> 0:16:34.996
<v Speaker 3>So after the screening, they're admitted to individual negative pressure

0:16:35.036 --> 0:16:39.516
<v Speaker 3>rooms in a quarantine unit twenty four hour monitoring their

0:16:39.556 --> 0:16:42.396
<v Speaker 3>screen for other respiratory infections using what's bulderbio.

0:16:42.556 --> 0:16:45.356
<v Speaker 2>Vincent Racanello might as well admit a big w with

0:16:45.396 --> 0:16:50.956
<v Speaker 2>his fingers. Whatever, the fact that twenty seven thousand people

0:16:51.276 --> 0:16:54.636
<v Speaker 2>signed up to get infected with COVID has apparently made

0:16:55.116 --> 0:17:00.116
<v Speaker 2>no impression at all on these virologists. Human challenge trials

0:17:00.356 --> 0:17:10.756
<v Speaker 2>are a problem to scientists. Let me read to you

0:17:10.796 --> 0:17:13.796
<v Speaker 2>from a paper that appeared early in the pandemic in

0:17:13.956 --> 0:17:17.796
<v Speaker 2>p and As Proceedings of the National Academy of Sciences,

0:17:18.076 --> 0:17:21.756
<v Speaker 2>which is about as prestigious as scientific journals get. The

0:17:21.796 --> 0:17:25.796
<v Speaker 2>paper was written by a group of America's leading medical ethicists.

0:17:26.276 --> 0:17:29.396
<v Speaker 2>They're talking about the same general question that was discussed

0:17:29.436 --> 0:17:34.036
<v Speaker 2>on the TWIB episode. Should people be allowed to volunteer

0:17:34.156 --> 0:17:37.716
<v Speaker 2>to be deliberately infected with COVID. In this case, they're

0:17:37.716 --> 0:17:42.676
<v Speaker 2>talking about deliberate infection for testing potential COVID vaccines. They

0:17:42.716 --> 0:17:45.436
<v Speaker 2>give you the experimental vaccine, then they expose you to

0:17:45.476 --> 0:17:47.676
<v Speaker 2>COVID to see if it works, and the risk, of

0:17:47.716 --> 0:17:51.476
<v Speaker 2>course is that if it doesn't work, you'll get sick. Now,

0:17:51.556 --> 0:17:54.116
<v Speaker 2>if you volunteer to be a COVID guinea pig in

0:17:54.156 --> 0:17:57.596
<v Speaker 2>an experiment like that, I'm assuming you understand what you're

0:17:57.596 --> 0:18:01.716
<v Speaker 2>getting into. But the famous ethicists, in their paper in

0:18:01.796 --> 0:18:05.436
<v Speaker 2>the Proceedings of the National Academy of Sciences begged to differ.

0:18:06.276 --> 0:18:11.196
<v Speaker 2>Here's what they wrote. Despite acknowledge in consent forms that

0:18:11.236 --> 0:18:15.956
<v Speaker 2>participants may not experience direct benefits from the experimental intervention,

0:18:16.516 --> 0:18:20.516
<v Speaker 2>it is entirely possible that volunteers may labor under a

0:18:20.596 --> 0:18:25.036
<v Speaker 2>quote preventive misconception that they will receive some protection from

0:18:25.076 --> 0:18:30.596
<v Speaker 2>infection by their participation. That's a lot of gobbletgook. So

0:18:30.716 --> 0:18:33.916
<v Speaker 2>let me translate for you. You can tell the guinea

0:18:33.916 --> 0:18:37.996
<v Speaker 2>pig that this vaccine is experimental, that it hasn't been tested,

0:18:38.356 --> 0:18:40.916
<v Speaker 2>that we don't know yet whether it works, but there

0:18:40.956 --> 0:18:44.036
<v Speaker 2>is at least a theoretical possibility that one of those

0:18:44.076 --> 0:18:47.636
<v Speaker 2>guinea pigs are going to misunderstand what's going on, And

0:18:47.716 --> 0:18:51.476
<v Speaker 2>the possibility of that misapprehension means that you should never

0:18:52.156 --> 0:18:58.156
<v Speaker 2>ever try an experiment like that. I'll be honest. When

0:18:58.196 --> 0:19:01.836
<v Speaker 2>I read that paper, I got a little puzzled. I mean,

0:19:02.036 --> 0:19:05.756
<v Speaker 2>what would it take to make these bioethesists happy? What

0:19:05.916 --> 0:19:08.676
<v Speaker 2>if we screened and vetted and sifted and sorted through

0:19:08.756 --> 0:19:12.436
<v Speaker 2>every one of the people who volunteered, picking out only

0:19:12.476 --> 0:19:15.916
<v Speaker 2>the select few who we thought really and truly understood

0:19:15.996 --> 0:19:19.236
<v Speaker 2>what was going on? Would that make them happy? What

0:19:19.276 --> 0:19:22.116
<v Speaker 2>if we only pick people with graduate degrees, or ones

0:19:22.116 --> 0:19:24.396
<v Speaker 2>with IQs over one hundred and fifty, or ones willing

0:19:24.436 --> 0:19:27.476
<v Speaker 2>to run a ten thousand word essay describing exactly what

0:19:27.556 --> 0:19:30.596
<v Speaker 2>they think they're getting into. Would that make them happy?

0:19:30.956 --> 0:19:33.276
<v Speaker 2>Or would they still be like? I don't know. I

0:19:33.316 --> 0:19:36.476
<v Speaker 2>think it's entirely possible that volunteers may labor under a

0:19:36.476 --> 0:19:40.836
<v Speaker 2>preventative misconception. So even as this pandemic rages all around us,

0:19:41.356 --> 0:19:44.596
<v Speaker 2>let's not do anything at all. Now, how are they

0:19:44.636 --> 0:19:47.356
<v Speaker 2>so sure of this? Did they debrief anyone who've been

0:19:47.396 --> 0:19:51.156
<v Speaker 2>part of a vacting challenge trial. No, they didn't. I

0:19:51.196 --> 0:19:53.436
<v Speaker 2>want to talk a little bit more about the men

0:19:53.516 --> 0:19:56.756
<v Speaker 2>who volunteer and their motivations and how we judge them

0:19:56.836 --> 0:20:00.316
<v Speaker 2>in retrospect. I brought this issue up with the bioethicist

0:20:00.396 --> 0:20:04.316
<v Speaker 2>Zohar Letterman when we were discussing the Minnesota Starvation Experiment,

0:20:04.636 --> 0:20:07.516
<v Speaker 2>and I'm wondering, when it comes to assessing the risks

0:20:07.516 --> 0:20:11.516
<v Speaker 2>and benefits of a study like this, shouldn't what the

0:20:11.556 --> 0:20:16.116
<v Speaker 2>subjects think matter? You're not interested in subjects.

0:20:15.676 --> 0:20:15.916
<v Speaker 1>I think.

0:20:16.916 --> 0:20:21.836
<v Speaker 4>I think in research ethics, as BIOasis, as policy makers,

0:20:23.516 --> 0:20:27.676
<v Speaker 4>we can only listen to what people want up to

0:20:27.716 --> 0:20:34.916
<v Speaker 4>a certain point when it comes to unnecessary harms. When

0:20:34.916 --> 0:20:40.316
<v Speaker 4>it comes to the ethics per se of a certain

0:20:40.876 --> 0:20:45.676
<v Speaker 4>policy or certain study, there comes a point when you

0:20:45.876 --> 0:20:48.476
<v Speaker 4>no longer need to listen to the voices, but you

0:20:48.756 --> 0:20:51.036
<v Speaker 4>just have to go on the ethics of it.

0:20:52.316 --> 0:21:16.556
<v Speaker 2>Actually, no, I think we should listen to the voces.

0:21:17.996 --> 0:21:22.436
<v Speaker 2>Eighteen of the surviving members of the starvation experiment left

0:21:22.636 --> 0:21:27.716
<v Speaker 2>oral histories behind about their experience. On first listen, what's

0:21:27.716 --> 0:21:31.036
<v Speaker 2>striking about them is what the men went through their pain.

0:21:31.556 --> 0:21:34.796
<v Speaker 2>But if you listen more closely, you hear something else.

0:21:36.196 --> 0:21:38.316
<v Speaker 12>Why were you a craciential subjector.

0:21:40.036 --> 0:21:43.516
<v Speaker 13>Well, because in when I was in high school, I

0:21:43.676 --> 0:21:47.676
<v Speaker 13>became acquainted with a fellow by the name of Jesus

0:21:47.676 --> 0:21:51.796
<v Speaker 13>of Nazareth, and I thought he was a pretty good guy,

0:21:53.676 --> 0:21:58.956
<v Speaker 13>and I liked what he said, and I liked the

0:21:58.956 --> 0:22:03.156
<v Speaker 13>way he lived and the way he handled situations with

0:22:03.236 --> 0:22:04.156
<v Speaker 13>other human beings.

0:22:05.956 --> 0:22:12.556
<v Speaker 9>I couldn't imagine Jesus. I couldn't visualize him in the

0:22:12.676 --> 0:22:16.716
<v Speaker 9>uniform of a US army or any kind of an army.

0:22:17.516 --> 0:22:23.036
<v Speaker 9>It just didn't fit. And so I basically said, well,

0:22:23.036 --> 0:22:24.396
<v Speaker 9>if he couldn't do what, I can't do it.

0:22:25.356 --> 0:22:29.716
<v Speaker 2>The interviewer asked everyone the same question, why wouldn't you fight?

0:22:30.356 --> 0:22:32.916
<v Speaker 2>And each man gives a version of the same answer.

0:22:33.036 --> 0:22:35.196
<v Speaker 12>Why were you a conscientious objector?

0:22:35.956 --> 0:22:37.836
<v Speaker 14>I'm not going to kill anybody, and I don't want

0:22:37.836 --> 0:22:38.676
<v Speaker 14>anyone to kill me.

0:22:39.716 --> 0:22:41.316
<v Speaker 12>God put us on his earth.

0:22:42.716 --> 0:22:44.596
<v Speaker 14>And as the only one that has a right to

0:22:44.636 --> 0:22:45.276
<v Speaker 14>take us away.

0:22:45.956 --> 0:22:48.436
<v Speaker 2>These were not people who dodged the draft out of

0:22:48.516 --> 0:22:53.676
<v Speaker 2>cowardice or indifference. These were deeply moral people from religious

0:22:53.716 --> 0:22:56.676
<v Speaker 2>traditions like the Quakers or the Mennonites or the Brethren,

0:22:56.916 --> 0:23:00.756
<v Speaker 2>that had principled theological objections to war that go back

0:23:00.876 --> 0:23:01.796
<v Speaker 2>hundreds of years.

0:23:02.316 --> 0:23:05.516
<v Speaker 5>So you know, on the most basic level, why were

0:23:05.516 --> 0:23:06.716
<v Speaker 5>you a conscientious objector?

0:23:07.476 --> 0:23:10.676
<v Speaker 14>Well, I don't believe in killing people under any circumstances.

0:23:11.676 --> 0:23:14.636
<v Speaker 2>Conscientious objectors had many ways to serve during the war,

0:23:15.076 --> 0:23:17.916
<v Speaker 2>but it becomes clear listening to their accounts that the

0:23:17.956 --> 0:23:20.636
<v Speaker 2>issue for them was not what is the easiest or

0:23:20.676 --> 0:23:24.596
<v Speaker 2>most convenient way to fulfill my wartime obligation. It was

0:23:24.996 --> 0:23:27.276
<v Speaker 2>what is the most useful way for me to help

0:23:27.316 --> 0:23:30.836
<v Speaker 2>alleviate human suffering. That's why some of them volunteer to

0:23:30.876 --> 0:23:34.516
<v Speaker 2>work as research subjects in ansel Keys's lab. They want

0:23:34.556 --> 0:23:37.796
<v Speaker 2>to do more than dig ditches or work as hospital orderlies.

0:23:38.796 --> 0:23:42.716
<v Speaker 2>So did they suffer during the starvation experiment? Of course

0:23:42.756 --> 0:23:46.716
<v Speaker 2>they did, but that doesn't make the experiment immoral. Listen

0:23:46.756 --> 0:23:48.996
<v Speaker 2>to Sam leg again, the man who chopped off his

0:23:49.036 --> 0:23:53.156
<v Speaker 2>own fingers in the delirium of malnourishment. Many decades later,

0:23:53.556 --> 0:23:54.756
<v Speaker 2>this is what he has to say.

0:23:55.476 --> 0:23:57.876
<v Speaker 9>Everybody else around us is pulling down the world. We

0:23:57.916 --> 0:24:00.156
<v Speaker 9>want to build it up. We want to be of service.

0:24:00.476 --> 0:24:03.316
<v Speaker 9>Here was an obvious opportunity for us to be of service.

0:24:03.756 --> 0:24:06.876
<v Speaker 2>You cannot form a legitimate opinion on the ethics of

0:24:06.916 --> 0:24:10.956
<v Speaker 2>what happened in Minnesota. Unless you willing to listen to Sandleg.

0:24:10.796 --> 0:24:15.516
<v Speaker 9>Now immediately you'll say, oh, come on, you are a

0:24:15.596 --> 0:24:19.636
<v Speaker 9>Jesus freak, which I will agree to. And so you

0:24:19.676 --> 0:24:22.676
<v Speaker 9>were going to emulate Jesus. How well have you done it?

0:24:22.716 --> 0:24:24.956
<v Speaker 9>And I say, that's none of your business on this

0:24:25.036 --> 0:24:28.556
<v Speaker 9>one issue of this aspect of Jesus, I've done it.

0:24:29.556 --> 0:24:32.836
<v Speaker 9>Never mind the rest, but that stock that was important

0:24:32.836 --> 0:24:33.036
<v Speaker 9>to me.

0:24:36.036 --> 0:24:38.916
<v Speaker 2>When ensel Keys retired, he was interviewed by a colleague

0:24:38.956 --> 0:24:41.716
<v Speaker 2>of his at the University of Minnesota. At one point

0:24:42.076 --> 0:24:43.916
<v Speaker 2>they talk about the starvation experiment.

0:24:44.396 --> 0:24:47.636
<v Speaker 14>There's evidence coming all around. At the end of the war,

0:24:47.716 --> 0:24:50.636
<v Speaker 14>would see a lot of problems and people have been

0:24:50.636 --> 0:24:55.516
<v Speaker 14>semi starved, especially in northern countries. So I went to

0:24:55.556 --> 0:25:01.156
<v Speaker 14>the certain general's office and mentioned this, said we ought

0:25:01.156 --> 0:25:05.196
<v Speaker 14>to get some evidence on it and what happens when

0:25:05.196 --> 0:25:10.316
<v Speaker 14>people are starved. And then so the network others of him,

0:25:10.356 --> 0:25:14.436
<v Speaker 14>being an experimentalist, proposed to carry out an experiment, and

0:25:15.796 --> 0:25:20.076
<v Speaker 14>we've got the authorization to have conscientious objectors.

0:25:20.956 --> 0:25:23.396
<v Speaker 2>The net result is that I propose that we carry

0:25:23.396 --> 0:25:26.996
<v Speaker 2>out an experiment, and we got the authorization to have

0:25:27.076 --> 0:25:32.036
<v Speaker 2>conscientious objectors. Ansel Keys, the Great Genius, wanted the world

0:25:32.076 --> 0:25:37.116
<v Speaker 2>to know that the starvation experiment was his idea, But

0:25:37.356 --> 0:25:40.236
<v Speaker 2>like so many other things about that study, the truth

0:25:40.636 --> 0:25:44.756
<v Speaker 2>is more complicated. It goes back to Ansel Keys's earlier

0:25:44.836 --> 0:25:48.996
<v Speaker 2>experiments with wartime volunteers, the experiments on vitamins.

0:25:50.396 --> 0:25:55.036
<v Speaker 7>The conscientious objectors who are working in Keys's lab realize

0:25:55.276 --> 0:25:59.316
<v Speaker 7>that this is a military experiment, that in fact, what

0:25:59.356 --> 0:26:03.956
<v Speaker 7>he's doing is testing different rations that will have military applications,

0:26:04.396 --> 0:26:07.876
<v Speaker 7>and they object to that because it has a military application.

0:26:08.756 --> 0:26:12.756
<v Speaker 2>Sarah Tracy, the historian writing a biography of Keys. When

0:26:12.756 --> 0:26:16.396
<v Speaker 2>she was researching her book, she stumbled across correspondence among

0:26:16.516 --> 0:26:19.556
<v Speaker 2>Keyes's volunteers in the early years of the war. The

0:26:19.636 --> 0:26:22.636
<v Speaker 2>men were concerned that Keys's work was being funded by

0:26:22.636 --> 0:26:25.796
<v Speaker 2>the War Department, which made them, in their own eyes,

0:26:26.156 --> 0:26:27.916
<v Speaker 2>complicit in the war effort.

0:26:28.236 --> 0:26:33.796
<v Speaker 7>Another idea comes to them, why don't we design our

0:26:33.836 --> 0:26:39.156
<v Speaker 7>own experiment. We can design an experiment that we want

0:26:39.196 --> 0:26:45.516
<v Speaker 7>to do that will be of peacetime value, and then

0:26:46.036 --> 0:26:48.996
<v Speaker 7>we'll get our home churches to pay for it.

0:26:49.396 --> 0:26:50.596
<v Speaker 2>Oh, I didn't realize that.

0:26:50.796 --> 0:26:53.356
<v Speaker 7>Nobody's realized that nobody's realized that.

0:26:57.276 --> 0:27:01.236
<v Speaker 2>Sarah Tracy discovered that we've gotten the origin story of

0:27:01.276 --> 0:27:06.236
<v Speaker 2>the starvation experiment backwards. Here's what actually happened. A group

0:27:06.316 --> 0:27:10.556
<v Speaker 2>of volunteers approached the National Service Board religious objectors. They

0:27:10.556 --> 0:27:13.996
<v Speaker 2>make a proposal. They point out that even if peace

0:27:14.076 --> 0:27:16.516
<v Speaker 2>breaks out, the war is still going to leave millions

0:27:16.516 --> 0:27:20.036
<v Speaker 2>of people starving and malnourished. What if we conducted an

0:27:20.036 --> 0:27:23.556
<v Speaker 2>experiment to figure out how to help them. The Service

0:27:23.596 --> 0:27:27.676
<v Speaker 2>Board likes the idea and funds it, and the volunteers

0:27:27.956 --> 0:27:31.476
<v Speaker 2>take that idea and the grant money to answer keys.

0:27:32.596 --> 0:27:34.796
<v Speaker 7>They wanted to give relief, and if they couldn't go

0:27:34.836 --> 0:27:37.276
<v Speaker 7>abroad to give relief, then they could use science to

0:27:37.316 --> 0:27:39.356
<v Speaker 7>determine how that relief should be given.

0:27:40.436 --> 0:27:44.836
<v Speaker 2>Yeah, it's so beautiful. And now so they come up

0:27:44.876 --> 0:27:48.676
<v Speaker 2>with this idea. How do they phrase the idea that

0:27:48.716 --> 0:27:52.476
<v Speaker 2>we will we will starve our sounds and then see

0:27:52.476 --> 0:27:54.916
<v Speaker 2>what the best study, the best means of bringing ourselves

0:27:54.956 --> 0:27:55.396
<v Speaker 2>back to help.

0:27:55.516 --> 0:27:58.796
<v Speaker 7>Yes, yes, so the people who write the recruitment brochure

0:27:58.876 --> 0:28:02.716
<v Speaker 7>are the conscientious objectors themselves, the vitamin conscientious objectors. Right,

0:28:02.756 --> 0:28:08.076
<v Speaker 7>those religious pacifists are doing the lion's share of legwork.

0:28:08.316 --> 0:28:10.756
<v Speaker 7>When it comes to writing the recruitment brochure?

0:28:10.876 --> 0:28:11.916
<v Speaker 2>How did you find that out?

0:28:12.116 --> 0:28:15.956
<v Speaker 7>I found it by going to the Swarthmore College Peace

0:28:16.036 --> 0:28:19.876
<v Speaker 7>Collection and combing through all their records.

0:28:20.476 --> 0:28:23.396
<v Speaker 2>The brochure said, will you starve that they may be

0:28:23.396 --> 0:28:26.876
<v Speaker 2>better fed? With a picture of children overturning their bowls

0:28:27.396 --> 0:28:29.316
<v Speaker 2>in hopes of finding one last grain of rice.

0:28:29.756 --> 0:28:32.956
<v Speaker 7>I mean, they arrived in Key's lab and within a

0:28:33.076 --> 0:28:37.516
<v Speaker 7>month or so they're publishing their own newsletter right called

0:28:38.356 --> 0:28:41.996
<v Speaker 7>It's Oh, the Guinea Pig Gazette. They published The Guinea

0:28:41.996 --> 0:28:42.876
<v Speaker 7>Pig Gazette.

0:28:43.036 --> 0:28:47.196
<v Speaker 2>Okay Keyes published his mammoth report on the Starvation experiment

0:28:47.236 --> 0:28:50.796
<v Speaker 2>in nineteen fifty years after the war was over, but

0:28:50.916 --> 0:28:54.716
<v Speaker 2>the volunteers published their findings almost immediately so it could

0:28:54.796 --> 0:28:56.916
<v Speaker 2>be of use in the chaos after the war ended.

0:28:57.396 --> 0:29:01.076
<v Speaker 2>A little book called Men in Hunger, a psychological Manual

0:29:01.116 --> 0:29:05.116
<v Speaker 2>for relief workers. The cover shows a kindly middle aged

0:29:05.116 --> 0:29:07.996
<v Speaker 2>man shaking the hand of a gaunt European against a

0:29:08.076 --> 0:29:12.956
<v Speaker 2>blighted landscape. The Minnesota experiment was not something Ansel Keys

0:29:13.036 --> 0:29:17.636
<v Speaker 2>did to the volunteers. It was something to volunteers chose

0:29:17.676 --> 0:29:22.316
<v Speaker 2>to do to themselves. Not everyone who suffers as a victim.

0:29:22.676 --> 0:29:25.036
<v Speaker 2>If we are at the point where we don't understand

0:29:25.076 --> 0:29:28.956
<v Speaker 2>that fact, where we have a moral vocabulary for victimhood

0:29:29.356 --> 0:29:32.916
<v Speaker 2>and none for self sacrifice, then God help us.

0:29:33.636 --> 0:29:36.956
<v Speaker 9>If you could turn the clock back and be back

0:29:36.956 --> 0:29:40.356
<v Speaker 9>in nineteen in nineteen forties, would you participate in the

0:29:40.356 --> 0:29:40.996
<v Speaker 9>study again?

0:29:41.356 --> 0:29:43.116
<v Speaker 12>Yeah, without hesitation.

0:29:44.236 --> 0:29:46.316
<v Speaker 3>There was a very sign never got event in my life,

0:29:47.516 --> 0:29:47.996
<v Speaker 3>very much.

0:29:47.996 --> 0:29:50.756
<v Speaker 15>So if you, if you had to make the decision

0:29:50.796 --> 0:29:54.276
<v Speaker 15>to participate again or not, what would you do again?

0:29:54.316 --> 0:29:57.676
<v Speaker 9>I enthusiastically say yes I would, and I think humanity

0:29:57.716 --> 0:29:59.396
<v Speaker 9>has been improved, and I'm glad I did it.

0:30:00.716 --> 0:30:02.436
<v Speaker 15>We knew, we knew it wasn't going to be easy.

0:30:02.436 --> 0:30:03.876
<v Speaker 15>We didn't know how hard it was going to be,

0:30:03.916 --> 0:30:08.276
<v Speaker 15>but we we knew it was not going to be easy,

0:30:08.596 --> 0:30:14.356
<v Speaker 15>and we were prepared to suffer, and we suffered. And

0:30:14.396 --> 0:30:18.916
<v Speaker 15>as far as someone taking advantage of us or mistreating us,

0:30:20.476 --> 0:30:23.756
<v Speaker 15>absolutely no feelings like that at all, no resentment of

0:30:23.796 --> 0:30:24.316
<v Speaker 15>any kind.

0:30:25.076 --> 0:30:25.436
<v Speaker 1>Nothing.

0:30:26.196 --> 0:30:28.116
<v Speaker 4>And I get that you could turn the clock back,

0:30:28.156 --> 0:30:29.716
<v Speaker 4>would you participate again?

0:30:29.916 --> 0:30:30.516
<v Speaker 1>Sure?

0:30:31.876 --> 0:30:32.356
<v Speaker 5>You bet you.

0:30:33.596 --> 0:30:35.876
<v Speaker 9>If you could turn the clock back, would you participate

0:30:35.956 --> 0:30:36.796
<v Speaker 9>in the study again?

0:30:37.916 --> 0:30:41.796
<v Speaker 2>Yes, I'm very happy that I did. It's one of

0:30:41.796 --> 0:30:42.996
<v Speaker 2>the things that I'm proud of.

0:30:44.276 --> 0:30:46.116
<v Speaker 15>Would you do you think you would make the same

0:30:46.116 --> 0:30:47.276
<v Speaker 15>decision to participate?

0:30:48.836 --> 0:30:50.796
<v Speaker 8>Yes, I would.

0:30:51.916 --> 0:30:53.116
<v Speaker 12>No regrets.

0:31:00.396 --> 0:31:03.316
<v Speaker 2>Next time. On revisions History, the story of one more

0:31:03.396 --> 0:31:06.556
<v Speaker 2>person who starved for a year so others might be fed.

0:31:07.196 --> 0:31:09.756
<v Speaker 12>He had a good life, He would say, he had

0:31:09.796 --> 0:31:11.436
<v Speaker 12>a good life.

0:31:11.396 --> 0:31:14.116
<v Speaker 2>And what happened to him and his family after that

0:31:14.236 --> 0:31:14.796
<v Speaker 2>year ended.

0:31:15.236 --> 0:31:18.756
<v Speaker 12>But he paid a price for what he believed, and

0:31:18.796 --> 0:31:24.796
<v Speaker 12>he kept paying that price his whole life.

0:31:30.556 --> 0:31:34.036
<v Speaker 2>Revisionist History is produced by Elwise, Linton Leeman Gestu, and

0:31:34.116 --> 0:31:38.556
<v Speaker 2>Jacob Smith, with Tolly Emlin and Harrison VJ. Choi. Our

0:31:38.676 --> 0:31:42.516
<v Speaker 2>editor is Julia Parton. Our executive producer is Miel Label.

0:31:43.036 --> 0:31:46.916
<v Speaker 2>Original scoring by Luis Kara, mastering by Flon Williams, and

0:31:46.996 --> 0:31:50.836
<v Speaker 2>engineering by Nina Lawrence. Beth Johnson is our fact checker.

0:31:51.196 --> 0:31:55.076
<v Speaker 2>Special thanks also to Ariela Markowitz for production help on

0:31:55.116 --> 0:32:18.356
<v Speaker 2>this episode. I'm Malcolm Glawell.

0:32:27.436 --> 0:32:31.916
<v Speaker 4>Much about connection. I mean kaenno trigatur.

0:32:33.076 --> 0:32:36.676
<v Speaker 2>If you target towns and cities, it's as clear as

0:32:36.796 --> 0:32:42.436
<v Speaker 2>day that there will be civilian victims. In nineteen forty five,

0:32:42.916 --> 0:32:46.076
<v Speaker 2>the US firebomb Tokyo, destroying a quarter of the city

0:32:46.396 --> 0:32:50.156
<v Speaker 2>and killing more than one hundred thousand people. I wrote

0:32:50.156 --> 0:32:54.636
<v Speaker 2>about this infamous bombing campaign in my audiobook The Bomber Mafia,

0:32:54.796 --> 0:32:57.276
<v Speaker 2>and one of the survivor's voices we Hear is from

0:32:57.316 --> 0:33:02.156
<v Speaker 2>a project called Paper City. Paper City is now out

0:33:02.436 --> 0:33:08.116
<v Speaker 2>as a groundbreaking feature documentary director Adrian Francis explores what

0:33:08.156 --> 0:33:12.236
<v Speaker 2>we choose to remember and hope to forget. To find

0:33:12.236 --> 0:33:17.516
<v Speaker 2>out more, visit papercityfilm dot com and follow at Paper

0:33:17.516 --> 0:33:26.916
<v Speaker 2>City Tokyo on social media. Hey Revision's history listeners, I'm

0:33:26.996 --> 0:33:29.836
<v Speaker 2>capping off this episode with a preview of a new

0:33:29.876 --> 0:33:33.156
<v Speaker 2>Pushkin show that really has me hooked. It's called Death

0:33:33.156 --> 0:33:35.636
<v Speaker 2>of an Artist. Death of an Artist has all the

0:33:35.676 --> 0:33:40.436
<v Speaker 2>elements of a gripping story, a suspicious death, a tumultuous relationship,

0:33:40.636 --> 0:33:44.036
<v Speaker 2>a murder trial, questions of morality, feminism, power and balance,

0:33:44.356 --> 0:33:47.996
<v Speaker 2>and a divided our world. On September eighth, nineteen eighty five,

0:33:48.156 --> 0:33:51.756
<v Speaker 2>up and coming artist Anna Mendietta fell from the thirty

0:33:51.836 --> 0:33:55.556
<v Speaker 2>fourth floor window of her husband and famous sculptor Karl

0:33:55.636 --> 0:34:01.156
<v Speaker 2>Andre's apartment. Host Helen Molesworth asks was Karl Andre involved?

0:34:01.676 --> 0:34:05.076
<v Speaker 2>You'll revisit on his untimely death. The trial that followed

0:34:05.276 --> 0:34:08.516
<v Speaker 2>and both the protests and silence that have followed this

0:34:08.596 --> 0:34:12.276
<v Speaker 2>story ever since. Okay, here comes a sneak peek. You

0:34:12.276 --> 0:34:14.876
<v Speaker 2>can follow the story by searching for Death of an

0:34:14.956 --> 0:34:17.596
<v Speaker 2>Artist wherever you get your podcasts.

0:34:18.716 --> 0:34:24.196
<v Speaker 6>It's May nineteen seventy three, Iowa City. There's a damp

0:34:24.316 --> 0:34:26.996
<v Speaker 6>chill in the air. We are on a sort of

0:34:27.116 --> 0:34:30.276
<v Speaker 6>shabby block in front of a brick apartment building with

0:34:30.316 --> 0:34:32.716
<v Speaker 6>a white door in need of a paint job, and

0:34:32.756 --> 0:34:38.596
<v Speaker 6>a storefront window with its blind strawn shut. The sidewalk

0:34:38.716 --> 0:34:41.636
<v Speaker 6>just in front of the door is covered in blood,

0:34:43.076 --> 0:34:45.836
<v Speaker 6>and it looks like the blood might be seeping out

0:34:45.916 --> 0:34:50.716
<v Speaker 6>from under the door jam. It's a busy weekday, and

0:34:50.756 --> 0:34:53.796
<v Speaker 6>as pedestrians pass the puddle of blood, they notice it

0:34:53.916 --> 0:34:57.796
<v Speaker 6>and casually step around it. Eventually, a man in a

0:34:57.836 --> 0:35:01.996
<v Speaker 6>green and black plaid jacket pauses and looks around as

0:35:02.036 --> 0:35:06.996
<v Speaker 6>if looking for an explanation. When none comes, he walks away.

0:35:07.836 --> 0:35:10.796
<v Speaker 6>Then a well dressed white woman uses her umbrella to

0:35:10.836 --> 0:35:13.716
<v Speaker 6>poke at the bloody puddle, but after a moment or

0:35:13.756 --> 0:35:19.276
<v Speaker 6>two of inspection, she also walks away. Finally, an older

0:35:19.356 --> 0:35:23.556
<v Speaker 6>gentleman emerges from a nearby storefront and silently cleans up

0:35:23.556 --> 0:35:27.876
<v Speaker 6>the mess, and the evidence of whatever happened is suddenly gone,

0:35:28.596 --> 0:35:31.916
<v Speaker 6>and with it disappears any account of whose blood was

0:35:31.956 --> 0:35:39.636
<v Speaker 6>spilled and how. The whole scene is being captured by

0:35:39.716 --> 0:35:43.596
<v Speaker 6>two young women in their twenties, sisters, who sit in

0:35:43.596 --> 0:35:47.276
<v Speaker 6>an old car park nearby. One of them holds a

0:35:47.316 --> 0:35:50.196
<v Speaker 6>super eight camera, the kind you'd make home movies with

0:35:50.356 --> 0:35:54.236
<v Speaker 6>back then the other snaps photos with a thirty five

0:35:54.316 --> 0:36:00.596
<v Speaker 6>millimeter camera. They are Anna and Raklein Mendietta, Cuban refugees

0:36:00.756 --> 0:36:08.836
<v Speaker 6>who landed in this unlikely place as children in nineteen

0:36:08.836 --> 0:36:11.996
<v Speaker 6>seven three. Anna was a first year MFA student at

0:36:12.036 --> 0:36:16.916
<v Speaker 6>the University of Iowa. She was funny, loud, outrageous and

0:36:16.996 --> 0:36:20.316
<v Speaker 6>had to take no prisoner's vibe, and in the way

0:36:20.316 --> 0:36:23.276
<v Speaker 6>of sisters, she had roped direct clean into helping her

0:36:23.316 --> 0:36:26.516
<v Speaker 6>make a new piece, and like many works on a maid,

0:36:27.036 --> 0:36:29.996
<v Speaker 6>it would come to seem tragically prophetic in the wake

0:36:30.036 --> 0:36:30.596
<v Speaker 6>of her death.

0:36:32.516 --> 0:36:39.276
<v Speaker 10>She basically staged what looked like the remnants of, you know,

0:36:39.316 --> 0:36:42.476
<v Speaker 10>physical violence with what looked like blood in the doorway

0:36:42.516 --> 0:36:45.476
<v Speaker 10>of a building, and I thought it was extremely powerful

0:36:46.116 --> 0:36:49.196
<v Speaker 10>for a very young artist to be doing that, and

0:36:49.236 --> 0:36:52.636
<v Speaker 10>to be doing it in this small, largely white town

0:36:52.676 --> 0:36:55.116
<v Speaker 10>of Iowa City was fascinating to me.

0:36:56.156 --> 0:36:59.036
<v Speaker 6>That's Connie Butler, one of the many curators who would

0:36:59.036 --> 0:37:01.836
<v Speaker 6>come to admire and study on A Mendieta's work in

0:37:01.876 --> 0:37:05.756
<v Speaker 6>the decades that followed. The photos in film the Mendieta

0:37:05.836 --> 0:37:08.836
<v Speaker 6>sisters took that day would ultimately become a work of

0:37:08.956 --> 0:37:11.516
<v Speaker 6>art called Moffat Building Piece.

0:37:12.436 --> 0:37:14.596
<v Speaker 10>The fact that it still exists only in these little

0:37:14.636 --> 0:37:17.596
<v Speaker 10>thirty five millimeters slides, which you know you have to

0:37:17.596 --> 0:37:21.156
<v Speaker 10>get very close to with a loop, and it's a

0:37:21.236 --> 0:37:25.236
<v Speaker 10>very intimate way of viewing these things, you know, that

0:37:25.316 --> 0:37:27.476
<v Speaker 10>implicates you as a view were too, almost as if

0:37:27.476 --> 0:37:29.316
<v Speaker 10>you are yourself looking at a crime scene.

0:37:30.516 --> 0:37:33.636
<v Speaker 6>Anna's interest in blood wasn't only meant to shock. She

0:37:33.796 --> 0:37:37.756
<v Speaker 6>was keenly aware of violence and injustice. When she made

0:37:37.756 --> 0:37:41.476
<v Speaker 6>the Maffat Building Piece, she was investigating her own community's

0:37:41.556 --> 0:37:45.196
<v Speaker 6>reaction to a brutal crime, a rape and murder that

0:37:45.276 --> 0:37:48.716
<v Speaker 6>had happened on campus a few months before. Here's how

0:37:48.756 --> 0:37:50.356
<v Speaker 6>she explained her inspiration.

0:37:51.436 --> 0:37:54.716
<v Speaker 5>A young woman was killed, raped and killed at Iowa

0:37:55.116 --> 0:37:57.836
<v Speaker 5>in one of the dorms, and it just really freaked

0:37:57.836 --> 0:38:01.076
<v Speaker 5>me out. So I did some of rape performances type

0:38:01.116 --> 0:38:05.036
<v Speaker 5>things at that time, using my own body, I did

0:38:05.116 --> 0:38:08.636
<v Speaker 5>something I believe in and that I felt I had

0:38:08.676 --> 0:38:08.916
<v Speaker 5>to do.

0:38:09.716 --> 0:38:13.036
<v Speaker 6>That's not actually an A Mendieta's voice you're hearing. That

0:38:13.276 --> 0:38:16.876
<v Speaker 6>was Tanya Brighera, another artist from Cuba who you'll hear

0:38:16.916 --> 0:38:26.236
<v Speaker 6>from more later. Anamandieza's question was could you make art

0:38:26.396 --> 0:38:30.636
<v Speaker 6>about something so awful? And she used blood, not paint.

0:38:31.196 --> 0:38:34.516
<v Speaker 6>Blood is the most essential substance of life. Could it

0:38:34.636 --> 0:38:38.356
<v Speaker 6>jolt people out of their daily routines? Could blood make

0:38:38.396 --> 0:38:42.636
<v Speaker 6>people pay attention? She didn't know it yet, but the

0:38:42.676 --> 0:38:45.916
<v Speaker 6>Moffat Building piece was about to be her first major artwork,

0:38:46.636 --> 0:38:50.356
<v Speaker 6>and in a circular way, that's kind of terrifying. The

0:38:50.476 --> 0:38:54.676
<v Speaker 6>question she asked about how we react when we encounter

0:38:54.796 --> 0:38:58.836
<v Speaker 6>the residue of violence. This question would haunt all of

0:38:58.916 --> 0:39:05.996
<v Speaker 6>us after she died. I'm your host Helen Mulesworth and

0:39:06.036 --> 0:39:10.876
<v Speaker 6>from Pushkin Industries, Something Else and Sony Music Entertainment. This

0:39:11.116 --> 0:39:28.356
<v Speaker 6>is Death of an Artist Episode one. The haunting For

0:39:28.476 --> 0:39:31.436
<v Speaker 6>my entire professional life, I've been a member of something

0:39:31.476 --> 0:39:37.996
<v Speaker 6>called the art World, an exclusive network of artists, gallery dealers, curators, collectors,

0:39:38.156 --> 0:39:42.076
<v Speaker 6>and philanthropists for two decades. I was lucky enough to

0:39:42.116 --> 0:39:45.076
<v Speaker 6>be a museum curator, making me one of a small

0:39:45.116 --> 0:39:48.836
<v Speaker 6>group of cultural insiders who determine what art we see

0:39:49.196 --> 0:39:52.716
<v Speaker 6>and how we talk about it. In the museum world

0:39:52.876 --> 0:39:55.516
<v Speaker 6>and in art history, there are a lot of unspoken

0:39:55.636 --> 0:39:58.596
<v Speaker 6>rules about what you can say publicly and what is

0:39:58.636 --> 0:40:02.756
<v Speaker 6>supposed to stay private. It turns out I wasn't that

0:40:02.836 --> 0:40:06.076
<v Speaker 6>good at sticking to the script, and I guess I'm

0:40:06.116 --> 0:40:08.556
<v Speaker 6>still not good at it, because I'm going to tell

0:40:08.596 --> 0:40:11.876
<v Speaker 6>you on A and Dietta's whole story all the way

0:40:12.196 --> 0:40:19.236
<v Speaker 6>to its shocking and troubling end, and much to my surprise,

0:40:19.676 --> 0:40:22.556
<v Speaker 6>I discovered it's a story many of my colleagues in

0:40:22.596 --> 0:40:30.076
<v Speaker 6>the art world would prefer I didn't tell at first, blush.

0:40:30.836 --> 0:40:32.956
<v Speaker 6>It seemed like people didn't want me to talk about

0:40:32.996 --> 0:40:35.516
<v Speaker 6>it because of who else is part of that story.

0:40:35.996 --> 0:40:40.876
<v Speaker 6>Anna's husband, the famous sculptor Carl andre He is one

0:40:40.916 --> 0:40:44.356
<v Speaker 6>of the so called fathers of minimalism, a cultural hero

0:40:44.516 --> 0:40:49.276
<v Speaker 6>to many are revered artists with lots of connections, and

0:40:49.316 --> 0:40:56.076
<v Speaker 6>he was a suspect in Anna's death. Even though Carl

0:40:56.116 --> 0:40:59.796
<v Speaker 6>Andrea and Anna Mendieta were a highly visible art world couple,

0:41:00.836 --> 0:41:04.076
<v Speaker 6>even though something terrible happened between them the night she died,

0:41:04.636 --> 0:41:06.836
<v Speaker 6>you will not read about it on a museum wall

0:41:06.916 --> 0:41:10.636
<v Speaker 6>label or in most art history text book reviews of

0:41:10.676 --> 0:41:13.156
<v Speaker 6>their exhibitions tend to take care of it in a

0:41:13.196 --> 0:41:17.236
<v Speaker 6>sentence or two. You would not know that Mendieta's death

0:41:17.396 --> 0:41:20.756
<v Speaker 6>divided the art world in nineteen eighty five, and in

0:41:20.796 --> 0:41:29.236
<v Speaker 6>many ways still does. I'm not the first person to

0:41:29.276 --> 0:41:32.396
<v Speaker 6>try and tell this story. In fact, many of the

0:41:32.476 --> 0:41:35.836
<v Speaker 6>voices you'll hear in this show are from interviews conducted

0:41:36.156 --> 0:41:40.476
<v Speaker 6>by investigative journalist Robert Katz. He published a book in

0:41:40.596 --> 0:41:44.156
<v Speaker 6>nineteen ninety that remains the most comprehensive look into this

0:41:44.316 --> 0:41:47.996
<v Speaker 6>art world tragedy. He spoke with dozens of Anna and

0:41:48.076 --> 0:41:52.036
<v Speaker 6>Carl's friends in noisy restaurants, in parks, in busy offices,

0:41:52.716 --> 0:41:55.756
<v Speaker 6>and you'll hear the voices of some art world insiders

0:41:55.836 --> 0:41:59.156
<v Speaker 6>on these tapes who have since decided not to talk.

0:42:00.196 --> 0:42:02.556
<v Speaker 6>Most folks don't want to discuss what happened that night.

0:42:03.076 --> 0:42:05.716
<v Speaker 6>They don't want to talk about what the ramifications of

0:42:05.756 --> 0:42:08.756
<v Speaker 6>that night were on the art world. They don't want

0:42:08.756 --> 0:42:11.636
<v Speaker 6>to con and plate what it means when a community

0:42:11.796 --> 0:42:14.796
<v Speaker 6>is torn apart by violence, and they don't want to

0:42:14.836 --> 0:42:19.316
<v Speaker 6>discuss whether or not justice has been served. All these

0:42:19.356 --> 0:42:22.796
<v Speaker 6>different folks not talking for all of their different reasons

0:42:23.556 --> 0:42:26.196
<v Speaker 6>means that a veil of silence started to fall over

0:42:26.236 --> 0:42:31.836
<v Speaker 6>this project, and I can't lie. The more silence we encountered,

0:42:32.276 --> 0:42:35.876
<v Speaker 6>the more sad and frustrated I became. And the more

0:42:35.916 --> 0:42:38.956
<v Speaker 6>silence we encountered, the more I wanted to talk.