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Speaker 1: What's ups the angela Ye, And this week Elliott Wilson

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Speaker 1: is guest hosting, and we have in the building geting

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Speaker 1: five gum. Okay, all right, good, put this chair. We're

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Speaker 1: gonna sell that.

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Speaker 2: No, that's what I said.

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Speaker 1: I'm trying to help, you know what I mean. Yeah,

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Speaker 1: we get no because you know it doesn't sound good

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Speaker 1: in the mic.

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Speaker 2: Even though now.

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Speaker 1: Before we started this interview, I had to make sure

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Speaker 1: you and Elliott don't have beef because I never know

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Speaker 1: who's beefing with.

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Speaker 3: Who's you guys journalism?

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Speaker 4: Yeah, right now I'm going through it.

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Speaker 3: Thank you, thank you.

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Speaker 1: But you know, earlier Elliott and I were talking about

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Speaker 1: his whole history and the business and how things have

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Speaker 1: changed so much when it comes to first it was

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Speaker 1: print magazines. Then it was going you know, internet, he

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Speaker 1: had rap radar, then it was podcasting. Streamers are the

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Speaker 1: big thing right now. Elliott was not too pleased about that.

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Speaker 5: Man, good god, Man, Atlanta, Atlanta cod But jed for you,

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Speaker 5: I mean just even and I know we were talking

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Speaker 5: about this, and I know part of what we're talking

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Speaker 5: about today is TikTok and how much that can actually be.

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Speaker 1: Something like you have a song that's almost two years old.

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Speaker 1: That is number one on the I didn't even know

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Speaker 1: TikTok had a billboard, you know, top fifty.

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Speaker 4: That's crazy on the kids, bro, you like, I don't know,

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Speaker 4: I say the thing like you put your art out

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Speaker 4: to the world is not yours no more. So it

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Speaker 4: just happened. I feel like I knew the record was good.

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Speaker 4: I know it was an amazing, amazing record. I knew

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Speaker 4: it was more like an a grower, not a show.

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Speaker 2: I don't know about the bussies.

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Speaker 4: But so how did it happen?

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Speaker 3: Jed like all of a sudden. It's the challenge, like

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Speaker 3: where did you first come aware of what was going on?

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Speaker 4: When I dropped the album. It was a few challenges

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Speaker 4: going on, like with a few different songs. Dance Now

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Speaker 4: was one of them. And then the video was actually

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Speaker 4: shot like overhead parip like overhead angle. So I guess

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Speaker 4: that was maybe an challenge to the challenge, you know

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Speaker 4: what I'm saying, because we did the same thing I had,

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Speaker 4: like girls in video dancing around the overhead God. So

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Speaker 4: I guess it just it just took shape.

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Speaker 3: So that's dope of means it was organic from your

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Speaker 3: fan base. It wasn't just somebody didn't know who you were.

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Speaker 4: And yeah, because it was platinum before like this happened,

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Speaker 4: it was still.

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Speaker 1: A good but the album was already phenomenal, like critically

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Speaker 1: acclaim people loved it. But then it's nice when something

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Speaker 1: like that, like you said, because labels go hard to

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Speaker 1: try to figure out how can I make this atack, Yeah,

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Speaker 1: to figure out that.

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Speaker 3: The labels must hate you because you.

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Speaker 4: Love him, they love me trying to figure it out.

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Speaker 4: I don't know, it's just it's like some time of

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Speaker 4: thing that it was meant to be, meant to be.

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Speaker 4: I can't I couldn't have asked for that. I didn't

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Speaker 4: even want to say I want to be a rapper

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Speaker 4: one day and I want this to happen this type

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Speaker 4: of way, like it's just a blessing.

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Speaker 3: And me and you were talking about, you know, the

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Speaker 3: Most Death record was a classic in its own right

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Speaker 3: for sure, So for you to flip that same Aretha

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Speaker 3: Franklin booty and now like you have your own classic

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Speaker 3: with that.

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Speaker 4: It's kind of like a full circle moment for real.

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Speaker 4: And then Most that's like the O G. Will I've seen.

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Speaker 4: We talked all the time, so Oh great. It's just

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Speaker 4: beautiful to even have a relationship and then be able

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Speaker 4: to do like honor his music and then like reath

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Speaker 4: and that's hard.

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Speaker 1: Like yeah, I love how most aka Yea seen Bab

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Speaker 1: live his life and do whatever he wants live in

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Speaker 1: a whole nother country.

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Speaker 2: He's not even here. He just does him.

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Speaker 3: About the record too. It's like reminds me of the Nelly record,

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Speaker 3: like the Nelly Country Ground, but he's secretly also has

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Speaker 3: kind of a gun referencing it cock ready to let

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Speaker 3: it go? Yeah, your thing is get this strap. If

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Speaker 3: it happens to blow, it makes a round sound like

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Speaker 3: you're sneaking a gun thing in into it.

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Speaker 4: It's just come on, man, hip hop journalism and.

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Speaker 1: You got stick to Oh yeah, that's another hit just

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Speaker 1: a little and let me ask you this.

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Speaker 2: So we are this one viral.

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Speaker 1: You probably couldn't have anticipated this when you were talking

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Speaker 1: about young Doug on Twitter and the trial and you

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Speaker 1: were saying the prosecutors were.

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Speaker 4: Oh yeah, a lot of people responded to that, I'll

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Speaker 4: be watching. So actually it was a time period in

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Speaker 4: my life when I was in cottage. I wanted to

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Speaker 4: be like a lawyer. So they showed the case. All

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Speaker 4: the case documents are on TV every day on Court

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Speaker 4: TV or you can just live streaming. So I've been

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Speaker 4: going through it like every single day, watching the trial son,

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Speaker 4: and not even my perspective, I'm watching other lawyers and

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Speaker 4: other judges that are reviewing the case. They're saying the

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Speaker 4: prosecution is sloppy, sloppy and they're not prepared. Like it's

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Speaker 4: I can go way deeper into it. But the fact

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Speaker 4: that it's other lawyers and judges on Court TV naturally

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Speaker 4: syndicated toe you know what I'm saying, it's crazy.

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Speaker 2: What do you think this case is really about?

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Speaker 4: Then it's a bunch of things. I know. Me being

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Speaker 4: from Atlanta, I know way more than the pup, you

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Speaker 4: know what I'm saying, just being from the city, So

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Speaker 4: I kind of got more of a different perspective. And

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Speaker 4: I don't want to speak too much of them, but

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Speaker 4: I would say the music being used, that's like, that's

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Speaker 4: the biggest thing. That's one of the bigger things of it.

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Speaker 4: That's overshadow on the whole case, just using lyrics and

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Speaker 4: all of that stuff that's going into prosecuting here. So

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Speaker 4: I don't know, it's not too much I can really say.

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Speaker 4: But at the same time, it's just like you're paying attention.

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Speaker 2: I'm paying attention what you have wanted to be Uh.

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Speaker 4: I don't even know. I was just always smart, like

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Speaker 4: you know what I'm saying. I had good uh good memory,

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Speaker 4: good be able to retain information like real good. So

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Speaker 4: I just thought there would be something to do. I

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Speaker 4: didn't even really think about it too much though. I

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Speaker 4: just start doing the process to get to it.

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Speaker 1: It works for the music, the good memory and speaking

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Speaker 1: of which, all right, So it seems like now you're

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Speaker 1: trying a different approach to write, and you talk about

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Speaker 1: it on your Twitter page and with the freestyle that

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Speaker 1: you just put out. Also, so you said you did

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Speaker 1: thirty freestyles that you just freestyle. Didn't usually you write, yeah,

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Speaker 1: for sure, But this time you're like, Okay, I'm trying

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Speaker 1: a different approach. So what do you like better now

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Speaker 1: that you tried it both ways?

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Speaker 4: I don't know, because it ain't know one way to

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Speaker 4: skin cat. That's a horrible saying skinner cat. Yeah, it's

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Speaker 4: kind of crazy. I wish you would, but I think

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Speaker 4: I don't know. Whatever way I just can get it done.

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Speaker 4: This is just more of like a practice, repetition, trying

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Speaker 4: to get it. So I was I learned this from Cold.

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Speaker 4: Maybe it's like one of the things he told me,

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Speaker 4: always like trying to perfect your craft. So I learned

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Speaker 4: this years ago. I was just trying to knock it

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Speaker 4: out like a song, like just don't stop, don't think,

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Speaker 4: just line for line. If you got the next line,

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Speaker 4: just go into it and then pick it from there.

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Speaker 2: Would you ever freestyle battle?

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Speaker 4: You know what? Them be the best rappers on earth

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Speaker 4: straight up, like the Smack DVDs, all of those guys

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Speaker 4: those Oh my god, that's how I started it, right,

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Speaker 4: So I would try, But I don't even think that

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Speaker 4: could be a.

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Speaker 2: Whole nother approach to I would love to see you

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Speaker 2: and Cold go at it.

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Speaker 4: We wouldn't even had a reason. It's a whole list

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Speaker 4: of folks I could eat up for that.

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Speaker 2: But so, what's gonna happen with the rest of these freestyles?

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Speaker 4: I'm put them out the ones I did before thirty,

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Speaker 4: like I did twenty nine. That was the first time

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Speaker 4: I dropped in and I dropped one call thirty. The

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Speaker 4: ones I did before it wasn't as good. It was

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Speaker 4: just practice, Like I was saying, so I probably won't

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Speaker 4: do nothing with them, but I'm gonna just keep going.

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Speaker 4: When this one hit like a million views on YouTube,

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Speaker 4: I'm just drop another one.

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Speaker 1: Look at you giving the people music, and it seems

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Speaker 1: like that's something that you're committed to. You know how

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Speaker 1: we make our New Year's resolutions, and it feels like

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Speaker 1: one of your resolutions is Okay, I'm gonna make sure

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Speaker 1: I do more music and give you more of like

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Speaker 1: Jid's songs.

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Speaker 3: Never puts it out, that's man. Barrier always tells me,

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Speaker 3: Jid has all the stuff in the vault. You don't

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Speaker 3: put it out.

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Speaker 4: Yeah, I wasting my time, Like that's that's stupid.

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Speaker 2: Would you ever sell some of those songs?

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Speaker 4: Yeah? I have. I've been. I've been selling songs on

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Speaker 4: the load for years. I didn't wrote for artists and

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Speaker 4: sold a lot of good songs that you probably heard.

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Speaker 1: For Oh yeah, that's good to know for sure. Shoot,

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Speaker 1: that's amazing. See that's what I'm saying. And sometimes people

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Speaker 1: could deliver those things because there's such a stigma and

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Speaker 1: hip hop about not writing your own music. But it's

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Speaker 1: always been like that. There's always been times sometimes like

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Speaker 1: Cruise in the studio.

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Speaker 4: That help you community. That's how all it just became.

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Speaker 4: You know what I'm saying. It's all just community and

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Speaker 4: sharing information. So I feel like that's the fastest way

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Speaker 4: that gets you want to get to if you want

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Speaker 4: to be on these charts. So we want to blah

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Speaker 4: blah blah. It's literally like teams of people that are

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Speaker 4: prepared to do that. That's people life, Like the dream

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Speaker 4: made you know what I'm saying. He's amazing for that.

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Speaker 4: I love writers, like specifically like.

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Speaker 1: Little Yachty Race for people and you work you guys

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Speaker 1: all the time.

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Speaker 4: Black Boys for sure.

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Speaker 3: Made you drop that little two piece.

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Speaker 4: Last year we got so much music. Bro and me

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Speaker 4: and Yady got some work. And it's crazy because people

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Speaker 4: like try to under you know what I'm saying, undermine

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Speaker 4: him or whatever.

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Speaker 3: But last year was a big year for him of

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Speaker 3: sort of people like really now seeing how talenty he

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Speaker 3: really is just Atlanta man, we got it.

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Speaker 1: It's an and getting his personality. I feel like that's

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Speaker 1: been good for him too, like to have his podcast.

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Speaker 2: Podcasts are amazing.

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Speaker 1: But sometimes like with artists, I think Elliott and you

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Speaker 1: can speak to this for what we do, like what

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Speaker 1: we sometimes you could say something that could come across

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Speaker 1: wrong and then people really will come at you.

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Speaker 2: And that's like a it's a hard line.

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Speaker 1: Because you're trying to be yourself and be comfortable in

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Speaker 1: a podcast and talk how you talk. But some things

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Speaker 1: don't get perceived the way that you intend.

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Speaker 3: Challenge the state of the game, right, like guys got

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Speaker 3: to step up. The music's got to be better. And

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Speaker 3: then people will go crazy and say, why why is

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Speaker 3: he saying that?

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Speaker 4: Why is he this in hip hop? He's right, though,

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Speaker 4: I feel like we've got to be better, you know

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Speaker 4: what I'm saying, in everything, all phases of music, Like

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Speaker 4: everybody got to get better.

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Speaker 2: That's good though, because, like you said, you're challenging yourself.

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Speaker 1: You went from always using the pending pad to say, okay,

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Speaker 1: let me try something different.

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Speaker 4: When it worked, we sounded good. I think the people

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Speaker 4: receiving it well, you know what I'm saying. So I'm

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Speaker 4: proud of that.

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Speaker 1: I like that so metro booming, this is something else

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Speaker 1: that everybody is like, when is this coming?

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Speaker 2: So of that project? How much is done so far?

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Speaker 4: I like the little try to around amazing. I don't

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Speaker 4: I vowed to like not give any false hopes. Okay,

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Speaker 4: but I would say it's in a good space to

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Speaker 4: where it is a hundred percent or should come out

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Speaker 4: one hundred percent this year. I would say that.

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Speaker 2: Okay, you said that last year, like Elliott was saying earlier.

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Speaker 3: Yeah, Metro, he's doing something with future like so is

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Speaker 3: there an order to the chaos? And Metro BOMs got

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Speaker 3: in his mind?

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Speaker 4: How he got it out? It gotta be because Brus

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Speaker 4: sends me. If he sent me any composition, it's always

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Speaker 4: at like the right time. Yesterday we performed at Jimmy

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Speaker 4: Fallon I get off stage. Metro sent two weeks. I'm like,

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Speaker 4: yes every time. As I was up writing one night,

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Speaker 4: just alone in the dark, I was mad about something

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Speaker 4: I was watching. I can't think it was. It was

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Speaker 4: a horrible movie when our old remember she buried the

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Speaker 4: dude and said put on his grave mean ness. Early

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Speaker 4: y'all remember that.

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Speaker 5: No, it's with Loretta Devine.

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Speaker 4: It was about a wedding, like somebody.

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Speaker 2: It's like, go go that please while we're doing this.

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Speaker 3: Please.

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Speaker 4: I might be wrong, but I know it's Loretta di Vine.

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Speaker 4: But just put him mean and certainly, Bro necessarily you

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Speaker 4: are l y you're gonna find redda Divine buried him

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Speaker 4: and she said, put on his grave. Mean, its surly.

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Speaker 4: I don't even know how I got here though, sending

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Speaker 4: beats and then you call him compositions? Do come? Was

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Speaker 4: it was ailing it?

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Speaker 2: I think he was exactly do not?

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Speaker 3: I never that one.

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Speaker 4: I'm a movie I feel like it's called the centophile, right,

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Speaker 4: a movie I said that.

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Speaker 2: Right, so you're a movie buff for sure.

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Speaker 1: All right, So the Golden Globes were just on how

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Speaker 1: many of those movies have you seen? Because sometimes I

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Speaker 1: watched those award show and I'm like, I didn't watch it?

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Speaker 2: Okay, what was it?

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Speaker 4: Was? Something else? On football?

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Speaker 2: Was all right, oh yeah, you gotta watch football.

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Speaker 3: Back to me your boom and compositions.

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Speaker 4: Yeah, compositions, because yeah, he don't sand beats to be

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Speaker 4: like composed. You can tell, he said and thought about it.

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Speaker 4: That's why it's like every beat he sent me, I

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Speaker 4: make sure I record to a regardless if I like

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Speaker 4: it or not. Like, wow, that's something that I just

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Speaker 4: learned from him. And I can't even think, bro name

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Speaker 4: what else, but some I learned just record every beat

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Speaker 4: and just see that's amazing.

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Speaker 3: Hope says that sometimes you try to because you don't know.

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Speaker 3: You might try to catch the pocket.

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Speaker 4: Imagine try to tap adapt to it, you know, imagine

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Speaker 4: you like you, you are producer, You making this beat.

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Speaker 4: It's amazing. You know what I'm saying. You send it

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Speaker 4: to the artists, they don't feel it, but it's a

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Speaker 4: fifty fifty comparison. It gotta be like you gotta especially.

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Speaker 3: When he's sending it to you. He didn't send that

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Speaker 3: one of the future on you, so you think you

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Speaker 3: hear Ji on this.

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Speaker 4: So it's like, I'm honored. I'm gonna try this even

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Speaker 4: if I don't like it, and then if we end

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Speaker 4: up liking it, and that's that's a blessing in itself.

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Speaker 1: Are the sounds that you gave to other people, Like

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Speaker 1: that you wrote for other people that you're like, man,

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Speaker 1: maybe I should have kept that when they blow up?

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Speaker 4: Uh, I give you all the I wrote this song

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Speaker 4: for on that recent project.

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Speaker 2: Okay.

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Speaker 4: And literally when I'm writing a song, I'm reading the

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Speaker 4: words is coming out. I'm like this, this is too freaky.

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Speaker 4: Like I try to like channel sometimes or I'll just

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Speaker 4: write it like you know what I'm saying, And I

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Speaker 4: don't think, I know, none of the songs would be

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Speaker 4: good for me.

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Speaker 1: And you also spent the end of the year in Africa,

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Speaker 1: so what were you were you performing or were you

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Speaker 1: just on vacation.

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Speaker 4: Performing That's when did you stilling challenge start going crazy?

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Speaker 4: And it starts like I ain't gonna say it started

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Speaker 4: in Africa, but Africa was a bit contributed to it

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Speaker 4: because they were like who started, like, you know, fellas

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Speaker 4: getting crazy on it. And I went over there. We

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Speaker 4: actually did this challenge on the stage and I didn't

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Speaker 4: even hold you like I'm I'm being I'm like pretty

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Speaker 4: famous states, but over there, like it was next level.

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Speaker 4: It was kind of crazy, like King Jid, like like

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Speaker 4: coming to Africa, like Africa coming to America. Coming to Africa,

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Speaker 4: did you.

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Speaker 1: Take some time to like go out and vacation a

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Speaker 1: little while you were there, because that's such a long flight.

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Speaker 1: Because I went to Johannesburg once and I went there

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Speaker 1: for work and I was like, man, I wish I

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Speaker 1: would have had yeah, like a few days.

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Speaker 4: I uh. I Actually I went fishing. It was amazing.

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Speaker 4: Actually we went fishing. You know, when you look at

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Speaker 4: Africa and you like right at the bottom on the

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Speaker 4: map and stuff. We went right there like in between

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Speaker 4: the I feel like this the Indian Ocean and whatever.

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Speaker 4: It's like where they crossed over. We was fishing over there,

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Speaker 4: got the fish, took it back, they cooked it up

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Speaker 4: and we ate it like right there on a on

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Speaker 4: a boat.

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Speaker 5: Wow.

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Speaker 4: It was like one of the craziest things I ever did.

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Speaker 4: That's amazing chasing us. We definitely saw sharks and stuff.

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Speaker 4: It was all type of fish, like African African waters

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Speaker 4: is crazy as.

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Speaker 2: See as a movie buff and somebody who watch this movies,

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Speaker 2: that would have scared me seeing sharks in the water

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Speaker 2: because I don't see too many movies.

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Speaker 4: Yeah for shore for show, but I'm about it. I'm

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Speaker 4: a fish. I'm from Atlanta, so I'm a Georgia boy.

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Speaker 4: So I'm with it. So you can cook too, show

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Speaker 4: a little bit. I could definitely grill. I can make

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Speaker 4: some a little bit. Here's a great's like, yes, but

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Speaker 4: I got certain things I can make. Ox tail, I

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Speaker 4: could grill a little bit, yeah, for sure. That's my

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Speaker 4: signature though, oxtail.

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Speaker 2: So for everybody like, we'll make you oxtails.

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Speaker 4: Now.

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Speaker 1: I want to talk about this five gundale since your

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Speaker 1: gum is sitting right here. But you did a song

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Speaker 1: that only five people will have the opportunity to hear?

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Speaker 4: How did?

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Speaker 2: And then it says it tape shreds. How does that?

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Speaker 2: I didn't believe that.

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Speaker 4: They made some specific type of radio box that can

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Speaker 4: do that. I don't know.

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Speaker 1: You know it happened, tape your shreds and destructs, so

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Speaker 1: I don't even I guess it happened already. So when

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Speaker 1: you do something like that and you know only five

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Speaker 1: people are going to hear it, how much effort do

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Speaker 1: you put into a song that you're like, ain't nobody

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Speaker 1: going to really hear this?

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Speaker 4: But I cooked it up. I cooked it because I

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Speaker 4: didn't want to, like with the opportunity like that, and

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Speaker 4: they give you a chance like I ain't want to

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Speaker 4: just give you like like nah, I put some effort

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Speaker 4: into what.

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Speaker 3: Was this call?

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Speaker 4: I really didn't have to. I just called it five

374
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Speaker 4: gone okay? Yeah? And I wrote it. I took a

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Speaker 4: little times versus Hoover. It was really good though. Actually

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Speaker 4: I sang a little bit that rap.

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Speaker 2: Do you still get nervous doing things like? What makes

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Speaker 2: you more nervous?

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Speaker 1: Performing at festivals in front of a whole crowd of people,

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Speaker 1: or like television performances or industry performances, because I feel

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Speaker 1: like those are the hardest people just be looking at you.

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Speaker 4: I would say the only time I felt nervous is

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Speaker 4: probably an award show performance, just because it's like, you

384
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Speaker 4: can't mess up. It's one time and you know on

385
00:16:38,800 --> 00:16:41,240
Speaker 4: the TV, and it's they try to like produce it,

386
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Speaker 4: so it's like the crowd has to be a little awkward,

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Speaker 4: they can't get all the way into it. But I

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Speaker 4: don't really be like festivals all that stuff. I don't

389
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Speaker 4: really get nervous. I came I feel like I came

390
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Speaker 4: to the game like at the perfect age, because I

391
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Speaker 4: really can maneuver through certain situations, like as a grown

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Speaker 4: man with a grown man in mind. And I know

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Speaker 4: it's like some other artists don't get the same opportunity.

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Speaker 4: So I just feel like it's like a blessing and

395
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Speaker 4: just be able to like see certain things. And I

396
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Speaker 4: don't know.

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Speaker 3: Let's be clear, too, just does not wrap over the vocals.

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Speaker 1: Yeah, for show performances are amazing because you get out there,

399
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Speaker 1: you don't you don't half step it.

400
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Speaker 4: For show. For Joe, that's the best part of being

401
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Speaker 4: a artist, because I feel like before it was radios

402
00:17:18,160 --> 00:17:19,880
Speaker 4: and all the streaming and stuff like that's the only

403
00:17:19,880 --> 00:17:21,399
Speaker 4: way you can interact with them like it used to

404
00:17:21,400 --> 00:17:23,000
Speaker 4: be like one hundred years ago. They have a drum

405
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Speaker 4: lea playing right here in your face and performing like

406
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Speaker 4: that's the best thing. The backtracks and all that, that's

407
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Speaker 4: it's good if yeah, certain situations certain artists, but from.

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Speaker 3: Every show is not the same because you're just feeding

409
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Speaker 3: off the energy of the crowd exactly.

410
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Speaker 4: And then I have moments in my show where I

411
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Speaker 4: have like a backtrack play just too because I'm doing

412
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Speaker 4: all that stuff. So I may play for a second,

413
00:17:39,560 --> 00:17:44,399
Speaker 4: but it's definitely a full thought out playing to just

414
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Speaker 4: like keep it pure and no rapping over to each

415
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Speaker 4: its own type.

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Speaker 1: And this last year, even though you have been working

417
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Speaker 1: and still putting out music, you didn't put out a

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Speaker 1: full album last year, And so is that an intentional thing?

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Speaker 1: Because I feel like sometimes people think come off like

420
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Speaker 1: the success of you know, twenty twenty two, they feel

421
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Speaker 1: like I got to keep on feeding them, I got

422
00:18:06,080 --> 00:18:08,080
Speaker 1: to put out more music, I gotta put out more product.

423
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Speaker 1: But for you, it feels like it's more like it's

424
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Speaker 1: just quality. I'm not trying to overdo it.

425
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Speaker 4: Yeah, it's just my process too, the way I like

426
00:18:15,200 --> 00:18:20,160
Speaker 4: receive and like put out information. I try to like live.

427
00:18:20,400 --> 00:18:22,679
Speaker 4: Of course, you gotta live a little. And then I

428
00:18:22,760 --> 00:18:24,159
Speaker 4: just got a lot of materials. So this year I

429
00:18:24,200 --> 00:18:25,440
Speaker 4: was just going to, like, let me see what happened

430
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Speaker 4: if I just flood like I ain't never got nominated

431
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Speaker 4: for like a BT Award or something like that. Let

432
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Speaker 4: me see if what happened if I just put ten

433
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Speaker 4: toes in and you know what I'm saying, just try

434
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Speaker 4: and put my best effort forward.

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Speaker 2: I feel like you should have.

436
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Speaker 4: Especially it's all a little pewed about that I've been

437
00:18:37,400 --> 00:18:38,880
Speaker 4: wrapping about. It's all gonna come out of the music.

438
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Speaker 3: I actually dial it back a little bit.

439
00:18:42,640 --> 00:18:44,080
Speaker 4: Dillar back. Ive been haveing a little ship on my

440
00:18:44,080 --> 00:18:46,320
Speaker 4: shoulder recently, but.

441
00:18:46,359 --> 00:18:48,280
Speaker 3: It's only been going up. Many been going up.

442
00:18:51,320 --> 00:18:53,120
Speaker 2: Sometimes it's the politics of it too.

443
00:18:53,280 --> 00:18:55,320
Speaker 4: Yeah, And I don't play them. Yeah, we know, I

444
00:18:55,359 --> 00:18:56,520
Speaker 4: don't care about none of that. Yeah.

445
00:18:56,560 --> 00:19:00,400
Speaker 3: Yeah, but no, because you got the people. That's the thing.

446
00:19:00,480 --> 00:19:02,080
Speaker 3: You have, the people, not the industry.

447
00:19:02,800 --> 00:19:04,600
Speaker 4: I'm not trying to really like the industry.

448
00:19:04,600 --> 00:19:06,280
Speaker 3: Didn't build you. You built the people built you.

449
00:19:06,400 --> 00:19:08,000
Speaker 4: Yeah, that's the lesson of it for real. Just being

450
00:19:08,000 --> 00:19:09,760
Speaker 4: a touring artist too, Like you've been able to tour

451
00:19:09,840 --> 00:19:12,159
Speaker 4: and have the people that you said it in the

452
00:19:12,320 --> 00:19:15,119
Speaker 4: art ticket our tickets for ticket.

453
00:19:15,720 --> 00:19:18,439
Speaker 1: Did your family still feel like you know? Does anybody

454
00:19:18,440 --> 00:19:20,359
Speaker 1: feel like you change? You got time for everybody?

455
00:19:20,400 --> 00:19:24,040
Speaker 4: Hope they do. I hope everybody them out last time.

456
00:19:25,400 --> 00:19:30,320
Speaker 4: I hope they feel like I'm I was Thanksgiving. It

457
00:19:29,160 --> 00:19:32,880
Speaker 4: was great Christmas too. I take everybody to the cabin.

458
00:19:33,680 --> 00:19:36,760
Speaker 3: Holly scared to hit the next hob.

459
00:19:38,880 --> 00:19:43,480
Speaker 4: They don't want to talk about it, gonna but my family,

460
00:19:43,480 --> 00:19:45,919
Speaker 4: my fan, everybody's great. You've just been you know.

461
00:19:46,320 --> 00:19:47,480
Speaker 3: Do you think your next time is going to be

462
00:19:47,560 --> 00:19:50,159
Speaker 3: as conceptual because he was so very conceptual with the

463
00:19:50,200 --> 00:19:51,480
Speaker 3: last the last project.

464
00:19:51,920 --> 00:19:56,240
Speaker 4: Uh, it's so. I got a lot of bodies of

465
00:19:56,280 --> 00:19:56,919
Speaker 4: work I'm working on.

466
00:19:57,000 --> 00:19:58,439
Speaker 3: So I don't want nobody though.

467
00:20:00,119 --> 00:20:04,600
Speaker 4: I love but dead and I gave years before I

468
00:20:04,640 --> 00:20:04,960
Speaker 4: was given.

469
00:20:05,000 --> 00:20:08,160
Speaker 2: Like it's just funny when somebody says I love them,

470
00:20:08,160 --> 00:20:11,040
Speaker 2: it's dead. Din't like that.

471
00:20:11,080 --> 00:20:13,280
Speaker 4: But you know what I'm saying, I'm just harsh with

472
00:20:13,320 --> 00:20:16,760
Speaker 4: my but it was a time I was giving a

473
00:20:16,800 --> 00:20:18,320
Speaker 4: lot of false hope. It was like, oh, I'm dropping

474
00:20:18,320 --> 00:20:20,200
Speaker 4: this dropping and I had it, but at the same

475
00:20:20,240 --> 00:20:23,000
Speaker 4: time I never delivered on it. So I felt like

476
00:20:23,119 --> 00:20:24,320
Speaker 4: real bad album.

477
00:20:24,200 --> 00:20:25,800
Speaker 3: Artists like you feel like the albums have to have

478
00:20:25,840 --> 00:20:27,200
Speaker 3: to really tell the story from beginning.

479
00:20:28,320 --> 00:20:31,760
Speaker 4: So to give back to your answer your question, yes,

480
00:20:32,600 --> 00:20:37,919
Speaker 4: Metro albums, I can say that it's conceptual and whatever

481
00:20:37,920 --> 00:20:39,760
Speaker 4: I dropped next, which is not gonna be the Metro project,

482
00:20:39,800 --> 00:20:41,480
Speaker 4: but whenever I dropped next probably a little.

483
00:20:41,280 --> 00:20:42,960
Speaker 2: More free Whatever in the day.

484
00:20:44,400 --> 00:20:48,800
Speaker 4: Hip hop. That's the name of the episode exactly.

485
00:20:49,800 --> 00:20:51,640
Speaker 2: So that is the name of the next project right

486
00:20:51,680 --> 00:20:52,320
Speaker 2: forever in a day.

487
00:20:52,359 --> 00:20:54,800
Speaker 4: But what I teased before when I was you know,

488
00:20:54,840 --> 00:20:58,760
Speaker 4: I'm not the same last week, I'm not the same guy.

489
00:20:59,000 --> 00:21:01,440
Speaker 4: But no, that's that's what the tentative title were running

490
00:21:01,480 --> 00:21:02,800
Speaker 4: with right now. So yeah, I'll say that.

491
00:21:02,960 --> 00:21:05,080
Speaker 1: It's so funny because Arie Lanne sat in that very

492
00:21:05,080 --> 00:21:06,800
Speaker 1: same seat and I was like, yeah, you said you're

493
00:21:06,800 --> 00:21:09,320
Speaker 1: not doing no more show. She said, I said that,

494
00:21:09,359 --> 00:21:10,680
Speaker 1: I just be saying stuff.

495
00:21:10,720 --> 00:21:14,639
Speaker 3: We grow, we grow internal battle of like you probably

496
00:21:14,640 --> 00:21:16,560
Speaker 3: want to make these great body work. This's conceptual story,

497
00:21:16,600 --> 00:21:18,400
Speaker 3: but then let me just do album I'm just showing

498
00:21:18,440 --> 00:21:18,680
Speaker 3: I could.

499
00:21:18,720 --> 00:21:21,080
Speaker 4: I'll wrap everybody the head off because it's a different

500
00:21:21,080 --> 00:21:23,560
Speaker 4: time right now. I don't think people give as much

501
00:21:24,040 --> 00:21:27,480
Speaker 4: ear to like the storytelling to that, you know what

502
00:21:27,480 --> 00:21:31,240
Speaker 4: I'm saying. It's a little bit more, uh, quick satisfaction

503
00:21:32,000 --> 00:21:35,040
Speaker 4: against the gratification with the music. I feel like, so

504
00:21:35,240 --> 00:21:37,439
Speaker 4: people not really trying to look for these similes and

505
00:21:37,480 --> 00:21:41,960
Speaker 4: these double unchanges or whatever and these syllable usages. Sometimes

506
00:21:41,960 --> 00:21:43,600
Speaker 4: it's a bit much, but I feel like I do

507
00:21:43,640 --> 00:21:46,240
Speaker 4: it pretty damn well. Yeah, I'm really feeling like, just

508
00:21:46,280 --> 00:21:49,080
Speaker 4: step on that because I feel like lyricism, which it

509
00:21:49,280 --> 00:21:51,520
Speaker 4: still is the biggest because we got Drake Kendrick Cole

510
00:21:51,600 --> 00:21:52,800
Speaker 4: like that, you know what I'm saying, those are the

511
00:21:52,840 --> 00:21:54,720
Speaker 4: biggest guys. So I don't want to say it's not

512
00:21:54,800 --> 00:21:56,880
Speaker 4: here for the same thing. At the same time, it's

513
00:21:56,880 --> 00:21:57,760
Speaker 4: not the most popular.

514
00:21:58,320 --> 00:22:00,600
Speaker 1: So yeah, even with surround sound, you have Baby Tait

515
00:22:00,680 --> 00:22:03,120
Speaker 1: on that song. I think she had an amazing year,

516
00:22:03,760 --> 00:22:06,440
Speaker 1: you know, in twenty twenty three also, and her album

517
00:22:06,560 --> 00:22:07,560
Speaker 1: I really enjoyed as well.

518
00:22:07,720 --> 00:22:09,640
Speaker 4: Explotation. Yeah, it was good, it was good.

519
00:22:09,680 --> 00:22:11,200
Speaker 2: I thought she did a great job with that.

520
00:22:11,280 --> 00:22:13,320
Speaker 4: So all I ain't gonna hold you all. The girl

521
00:22:13,359 --> 00:22:15,720
Speaker 4: has been killing it. Yeah, for show for show for show,

522
00:22:15,760 --> 00:22:17,600
Speaker 4: it's been tight. Used to watch even like flow MILLI

523
00:22:17,640 --> 00:22:19,960
Speaker 4: new song going Crazy on the charts right now.

524
00:22:20,480 --> 00:22:22,240
Speaker 1: No, it's been a it's been great. And I love

525
00:22:22,240 --> 00:22:24,400
Speaker 1: to see the women all working together too, for sure.

526
00:22:24,560 --> 00:22:26,720
Speaker 1: You know that means a lot. But a little competition

527
00:22:26,760 --> 00:22:28,640
Speaker 1: doesn't hurt because y'all guys do it all the time.

528
00:22:28,960 --> 00:22:31,239
Speaker 1: And sometimes I feel like people want the women to like, oh,

529
00:22:31,280 --> 00:22:32,240
Speaker 1: why is she talking about her?

530
00:22:32,280 --> 00:22:33,280
Speaker 2: Why they're not getting along?

531
00:22:33,320 --> 00:22:34,960
Speaker 4: But I'm not mad at it though, I'm like, it's

532
00:22:36,960 --> 00:22:41,000
Speaker 4: getting it stupid exactly what. It's stupid and people get

533
00:22:41,040 --> 00:22:42,560
Speaker 4: hurt lost. But but it's just a little bit of

534
00:22:42,600 --> 00:22:44,399
Speaker 4: you know, a.

535
00:22:44,880 --> 00:22:47,399
Speaker 2: Joke about it. Later, nobody's ever come at you. I

536
00:22:47,400 --> 00:22:48,040
Speaker 2: don't feel like.

537
00:22:48,520 --> 00:22:51,600
Speaker 4: Well, it was a little it was like a few

538
00:22:51,680 --> 00:22:55,280
Speaker 4: years ago Toys said song okay, but it wasn't no wrap.

539
00:22:55,280 --> 00:22:56,560
Speaker 4: It wasn't in the form of you.

540
00:22:56,760 --> 00:22:59,000
Speaker 3: Be beat out his name in one of the records, right,

541
00:22:59,160 --> 00:22:59,400
Speaker 3: was it.

542
00:22:59,359 --> 00:23:02,760
Speaker 4: That thing that was something like that? Yeh, cause I

543
00:23:02,800 --> 00:23:04,960
Speaker 4: went on that. Actually we got a good relationship. That's

544
00:23:04,960 --> 00:23:07,000
Speaker 4: why it was like misconscrewed because then Bro actually went

545
00:23:07,040 --> 00:23:09,480
Speaker 4: on Twitter other Okay, I'm born like not even talking

546
00:23:09,520 --> 00:23:10,800
Speaker 4: about all the other ship. You know what I'm saying,

547
00:23:10,960 --> 00:23:12,120
Speaker 4: not going over but we you know what I'm saying

548
00:23:12,160 --> 00:23:12,640
Speaker 4: before we.

549
00:23:12,600 --> 00:23:15,560
Speaker 1: Had to see Sometimes it really is just a conversation

550
00:23:16,160 --> 00:23:19,800
Speaker 1: because things always get misconstrued behind the scenes. Now let

551
00:23:19,840 --> 00:23:21,040
Speaker 1: me ask you this, since you said you were a

552
00:23:21,040 --> 00:23:23,439
Speaker 1: movie buff, what are some things that you would recommend

553
00:23:23,520 --> 00:23:25,680
Speaker 1: right now? Because I'm always at home and especially over

554
00:23:25,720 --> 00:23:27,920
Speaker 1: the holidays, I was like, what can I watch right now?

555
00:23:27,960 --> 00:23:29,960
Speaker 2: And then I watched the Golden Globes to see what

556
00:23:29,960 --> 00:23:31,919
Speaker 2: what wins all the awards. I never saw this. I

557
00:23:31,960 --> 00:23:32,480
Speaker 2: never saw this.

558
00:23:33,040 --> 00:23:33,720
Speaker 4: I never did that.

559
00:23:33,760 --> 00:23:36,920
Speaker 2: Did you watch Beef that series? Because that one.

560
00:23:37,880 --> 00:23:40,520
Speaker 4: I can't think of her name. Yeah I saw that.

561
00:23:40,560 --> 00:23:43,520
Speaker 4: I saw that when they was driving a kept doing stuff.

562
00:23:43,560 --> 00:23:45,080
Speaker 2: Yeah, they was going back and forth.

563
00:23:45,160 --> 00:23:46,199
Speaker 4: Yeah, yeah, yeah, I saw that.

564
00:23:46,600 --> 00:23:48,640
Speaker 1: All right, what is some what are some jed recommendations

565
00:23:48,720 --> 00:23:49,960
Speaker 1: year recommendations.

566
00:23:50,960 --> 00:23:55,080
Speaker 4: Uh, I'll say one of my favorite movies of all

567
00:23:55,160 --> 00:23:56,400
Speaker 4: time is Apocalypto.

568
00:23:56,920 --> 00:23:58,159
Speaker 2: Okay, that's a great movie.

569
00:23:58,440 --> 00:24:01,440
Speaker 4: Yeah, Male Gibson, I feel like he uh directed or

570
00:24:01,440 --> 00:24:02,120
Speaker 4: something like that.

571
00:24:02,359 --> 00:24:03,760
Speaker 2: No, Apocalypto, did you see that?

572
00:24:03,800 --> 00:24:09,480
Speaker 4: Elliott Man it's different languages. It's like the Mayan era

573
00:24:09,800 --> 00:24:13,399
Speaker 4: and they just showing like their civilization, civilization, they chopping

574
00:24:13,440 --> 00:24:14,440
Speaker 4: heads off, getting busy.

575
00:24:14,440 --> 00:24:15,360
Speaker 3: It's crazy.

576
00:24:15,640 --> 00:24:17,200
Speaker 2: What was it? What was it? Ma, I'm trying to

577
00:24:17,200 --> 00:24:20,480
Speaker 2: remember where his name was, No joke, what was it?

578
00:24:20,520 --> 00:24:24,679
Speaker 1: Oh, you've seen and then his wife was in the

579
00:24:24,720 --> 00:24:28,120
Speaker 1: well panther or something like yeah.

580
00:24:27,920 --> 00:24:30,080
Speaker 2: Because the panther was like attacking them in the woods.

581
00:24:30,080 --> 00:24:32,760
Speaker 4: The jack yeah, jaguar part that was his name.

582
00:24:32,840 --> 00:24:35,000
Speaker 2: Okay, all right, all right, so Apocalypto.

583
00:24:35,400 --> 00:24:39,800
Speaker 4: I'm gonna give you another one. I'm gonna take you back.

584
00:24:40,480 --> 00:24:42,520
Speaker 4: Uh John macavy.

585
00:24:42,280 --> 00:24:44,640
Speaker 2: Y'all know, yeah, John being John Mackovich.

586
00:24:44,760 --> 00:24:47,160
Speaker 4: Yeah, you know not that movie. It's called of Mice

587
00:24:47,240 --> 00:24:51,679
Speaker 4: and Men's from a book of Maicon Man movie so hard.

588
00:24:51,800 --> 00:24:55,159
Speaker 4: John Malcovich is a big dog in it. He's a

589
00:24:55,160 --> 00:24:59,600
Speaker 4: little slow and what's bruh name? Who ain't Lieutenant Dan

590
00:24:59,760 --> 00:25:04,720
Speaker 4: from uh you know Lieutenant Dan for his gump. Lieutenant

591
00:25:04,800 --> 00:25:08,560
Speaker 4: Dan was John Malcolvich's like cousin in the movie. And

592
00:25:08,600 --> 00:25:10,560
Speaker 4: they going to work on farms and you just gotta

593
00:25:10,600 --> 00:25:13,359
Speaker 4: go watch. It's crazy. It's a time piece to also.

594
00:25:13,359 --> 00:25:17,960
Speaker 1: Okay, favorite hood classes, something new I want something new.

595
00:25:19,359 --> 00:25:21,800
Speaker 4: Take it back. The news movie I've seen was like

596
00:25:21,880 --> 00:25:23,000
Speaker 4: Oppenheimer or something like that.

597
00:25:23,040 --> 00:25:25,159
Speaker 2: Okay, how is that won a lot of awards. I

598
00:25:25,160 --> 00:25:27,960
Speaker 2: didn't see it. It pop up on my TV, but

599
00:25:28,000 --> 00:25:30,720
Speaker 2: I haven't had that it was.

600
00:25:30,840 --> 00:25:32,080
Speaker 4: I don't know if they had black people in that

601
00:25:32,160 --> 00:25:34,679
Speaker 4: movie to keep it. You know what I'm saying, You

602
00:25:34,720 --> 00:25:36,960
Speaker 4: gotta keep it real ethnic in my in my circle

603
00:25:37,000 --> 00:25:38,880
Speaker 4: without watching something like that. So we're gonna go hood

604
00:25:38,920 --> 00:25:45,639
Speaker 4: classics mm hmmm, uh something with John Witherspoon. Bro, I've

605
00:25:45,640 --> 00:25:52,560
Speaker 4: been I've been missing John with Bro. Uh dang, I

606
00:25:52,560 --> 00:25:54,560
Speaker 4: don't even know. I don't want to say Friday. I'm

607
00:25:54,560 --> 00:26:00,919
Speaker 4: a typical nigga. Classics a class It's more deep cuts

608
00:26:00,920 --> 00:26:02,840
Speaker 4: we could find in there. I can't. I'm gonna say,

609
00:26:04,520 --> 00:26:06,800
Speaker 4: s what's it called? What the one it was?

610
00:26:08,800 --> 00:26:08,960
Speaker 5: Here?

611
00:26:09,000 --> 00:26:11,240
Speaker 4: I can't think of the movie so central? Bro, that's

612
00:26:11,280 --> 00:26:11,800
Speaker 4: another one.

613
00:26:12,000 --> 00:26:13,160
Speaker 2: Okay, I can't take that.

614
00:26:13,160 --> 00:26:13,840
Speaker 4: That's an old movie.

615
00:26:14,119 --> 00:26:16,680
Speaker 2: Listen, And I remember previously you had also said about

616
00:26:16,760 --> 00:26:17,879
Speaker 2: your life being a movie.

617
00:26:18,040 --> 00:26:18,680
Speaker 4: Yeah, for sure?

618
00:26:18,840 --> 00:26:21,959
Speaker 1: Is that something that you really are seriously considering one

619
00:26:22,000 --> 00:26:22,520
Speaker 1: hundred percent?

620
00:26:23,080 --> 00:26:25,520
Speaker 4: The fact that I'm even here saying y'all and everything,

621
00:26:25,560 --> 00:26:28,479
Speaker 4: I went through to being in position. It's kind of crazy.

622
00:26:28,560 --> 00:26:32,000
Speaker 4: So I'm probably gonna like make a whatever type style

623
00:26:32,119 --> 00:26:35,320
Speaker 4: movie like twenty one. G Did y'all see my buddy? Yeah,

624
00:26:35,359 --> 00:26:36,760
Speaker 4: my boy got Donald Clu.

625
00:26:38,440 --> 00:26:40,160
Speaker 2: We were talking about that, like great.

626
00:26:40,240 --> 00:26:42,440
Speaker 4: I think it's I think he did that on purpose.

627
00:26:42,480 --> 00:26:44,360
Speaker 4: I think it's intentional. Like I know, y'all don't look

628
00:26:44,400 --> 00:26:46,720
Speaker 4: like me, bru, but y'all can still tell this story

629
00:26:46,760 --> 00:26:48,520
Speaker 4: and more of a funny because if it's twenty one dude,

630
00:26:48,520 --> 00:26:51,080
Speaker 4: a real movie about his life, it's gonna be like really,

631
00:26:51,320 --> 00:26:53,280
Speaker 4: So I'd rather have it in a lighthearted you know

632
00:26:53,280 --> 00:26:55,359
Speaker 4: what I'm saying, because that she owned this genius bro,

633
00:26:55,400 --> 00:26:56,120
Speaker 4: it's great satire.

634
00:26:57,000 --> 00:26:58,800
Speaker 2: Yeah, okay, so look I feel like.

635
00:26:58,720 --> 00:27:01,040
Speaker 3: This is Alan now come on with everybody.

636
00:27:01,040 --> 00:27:10,439
Speaker 4: Everybody a bro gang itself one thing on fold, but everybody, do.

637
00:27:10,560 --> 00:27:11,280
Speaker 2: You know who he is?

638
00:27:11,800 --> 00:27:12,200
Speaker 4: For show?

639
00:27:14,080 --> 00:27:16,040
Speaker 2: You got a big family. I don't want no problem.

640
00:27:16,119 --> 00:27:21,320
Speaker 4: You know, we're in a for real record, but it's real,

641
00:27:21,400 --> 00:27:23,120
Speaker 4: like some real you can get touched.

642
00:27:24,480 --> 00:27:26,120
Speaker 2: Does anybody else in your family do music?

643
00:27:26,840 --> 00:27:30,439
Speaker 4: Uh? You know my cousin, I'm an entry plant. My

644
00:27:30,480 --> 00:27:34,760
Speaker 4: cousin is John T. Austin. Yeah so but it's crazy.

645
00:27:34,800 --> 00:27:36,840
Speaker 4: I an't even tell him I was doing music. When

646
00:27:36,840 --> 00:27:38,440
Speaker 4: I started doing I was like, I'm gonna wait till

647
00:27:38,440 --> 00:27:40,439
Speaker 4: I get to a certain area and I'm tap in, bro.

648
00:27:40,560 --> 00:27:43,040
Speaker 4: And that's exactly how it happened. Like brothers a legend.

649
00:27:43,080 --> 00:27:45,000
Speaker 4: I used to watch him as when I was a

650
00:27:45,080 --> 00:27:47,080
Speaker 4: kid because our family is so big, so we went

651
00:27:47,200 --> 00:27:49,159
Speaker 4: always like the closest. But they're like, hey, that's your

652
00:27:49,200 --> 00:27:52,479
Speaker 4: cousin on TV right there, say he rolled this, they

653
00:27:52,520 --> 00:27:54,280
Speaker 4: say he was a part of all these great records

654
00:27:54,280 --> 00:27:55,600
Speaker 4: and stuff. I was like, dang, I know this in

655
00:27:55,640 --> 00:27:57,639
Speaker 4: my blood, Like you know what I'm saying. I felt it,

656
00:27:57,680 --> 00:28:00,440
Speaker 4: and that kind of drove me to being on confident

657
00:28:00,440 --> 00:28:01,119
Speaker 4: to be able to do this.

658
00:28:01,359 --> 00:28:03,240
Speaker 3: Yeah, that versus was great for him. Everybody didn't know

659
00:28:03,280 --> 00:28:04,200
Speaker 3: who he was, that kind of.

660
00:28:06,119 --> 00:28:09,760
Speaker 4: He was. I was in that. I was so happy.

661
00:28:10,440 --> 00:28:12,320
Speaker 1: Wait, you said you had a big family, but so

662
00:28:12,359 --> 00:28:13,440
Speaker 1: did y'all know each other?

663
00:28:13,680 --> 00:28:17,760
Speaker 4: Or yeah yeah, yeah, Like we was around we like funerals,

664
00:28:17,800 --> 00:28:19,399
Speaker 4: families going to give them somebody that so we was

665
00:28:19,440 --> 00:28:24,320
Speaker 4: always in those types of scenarios. But maybe like a

666
00:28:24,359 --> 00:28:28,040
Speaker 4: disconnect because he was just in this industry doing his thing,

667
00:28:28,080 --> 00:28:29,920
Speaker 4: and sometimes you can't always be around. He's been in

668
00:28:29,960 --> 00:28:32,760
Speaker 4: it since he was like fourteen, right, so you just

669
00:28:32,960 --> 00:28:33,960
Speaker 4: understand his mindset.

670
00:28:34,000 --> 00:28:35,840
Speaker 1: So and your family used to listen to a lot

671
00:28:35,880 --> 00:28:38,000
Speaker 1: of music in the house stuff, and that's kind of

672
00:28:38,280 --> 00:28:41,400
Speaker 1: why you were able to like flash back and and

673
00:28:41,560 --> 00:28:43,040
Speaker 1: sample like a most death.

674
00:28:43,240 --> 00:28:45,320
Speaker 4: Yeah, that's always around it. I'm just like I'm the

675
00:28:45,400 --> 00:28:50,040
Speaker 4: youngest of my family but detached by like seven years,

676
00:28:50,440 --> 00:28:51,920
Speaker 4: you know what I'm saying, So I ain't really have

677
00:28:52,080 --> 00:28:54,640
Speaker 4: that close sibling everybody else like when I'm in middle

678
00:28:54,640 --> 00:28:56,800
Speaker 4: school y'all. In college, he ain't really tapping in with

679
00:28:56,840 --> 00:28:58,080
Speaker 4: a little brother like that. So I kind of had

680
00:28:58,120 --> 00:29:00,440
Speaker 4: a lot of Uh. I saw a lot of stuff,

681
00:29:00,800 --> 00:29:03,680
Speaker 4: and I retained a lot of information and just learned

682
00:29:03,760 --> 00:29:07,160
Speaker 4: like how to cipher through like life being in a

683
00:29:07,160 --> 00:29:09,760
Speaker 4: big family but kind of being to myself.

684
00:29:10,040 --> 00:29:11,720
Speaker 3: Child too, right, you know what I'm saying.

685
00:29:12,160 --> 00:29:15,560
Speaker 4: Then also, and then it was another factor to it

686
00:29:15,560 --> 00:29:18,000
Speaker 4: because all my brothers just like had like babies, and

687
00:29:18,040 --> 00:29:21,040
Speaker 4: so I'm like an uncle that ate three, you know

688
00:29:21,080 --> 00:29:25,080
Speaker 4: what I'm saying. My nephews damn the same age. So

689
00:29:25,160 --> 00:29:27,760
Speaker 4: it was just like a responsibility here. But then like

690
00:29:27,800 --> 00:29:30,680
Speaker 4: I'm still doing my thing it was a crazy like.

691
00:29:30,760 --> 00:29:30,960
Speaker 4: You know.

692
00:29:31,000 --> 00:29:33,080
Speaker 1: They always said the youngest gets away with the most too,

693
00:29:33,360 --> 00:29:35,480
Speaker 1: because her parents be so tight of everybody else that

694
00:29:35,600 --> 00:29:37,280
Speaker 1: messed up so much. By the time they get to you,

695
00:29:37,320 --> 00:29:38,000
Speaker 1: they's just like.

696
00:29:39,920 --> 00:29:44,240
Speaker 4: Whatever. My parents like my dad, military man, Mama super Southern,

697
00:29:44,280 --> 00:29:47,280
Speaker 4: like god fearing dame. She went through all seven the

698
00:29:47,320 --> 00:29:50,360
Speaker 4: same way, made me like all seven us. She probably

699
00:29:50,400 --> 00:29:52,680
Speaker 4: was like with the same intention because I feel like

700
00:29:52,720 --> 00:29:54,719
Speaker 4: I got a lot of love and attention too. But

701
00:29:56,240 --> 00:30:01,000
Speaker 4: hm hmm, my brother was a jailbird. Though he may

702
00:30:01,440 --> 00:30:02,720
Speaker 4: receive a little bit less love.

703
00:30:04,080 --> 00:30:07,000
Speaker 2: He wasn't around as much. I love that man.

704
00:30:07,080 --> 00:30:08,960
Speaker 4: Free him, bro, here and there right now, Free my dog.

705
00:30:09,360 --> 00:30:10,440
Speaker 2: What is he supposed to come home?

706
00:30:10,720 --> 00:30:12,800
Speaker 4: I don't even know, Bro, he doing? He dealing with

707
00:30:12,880 --> 00:30:14,800
Speaker 4: a lot. He don't want a lot.

708
00:30:14,880 --> 00:30:16,240
Speaker 2: Do you go visit him?

709
00:30:16,720 --> 00:30:19,600
Speaker 4: It's such a like a I have before. It's such

710
00:30:19,600 --> 00:30:23,560
Speaker 4: a tricky situation. I don't know. Y'all needs to locked up.

711
00:30:23,640 --> 00:30:25,680
Speaker 4: Y'all know how to you know, I be, bro. It's

712
00:30:25,680 --> 00:30:28,680
Speaker 4: such a tricky situation because he always like maybe closer,

713
00:30:28,760 --> 00:30:30,560
Speaker 4: like his third strike. He just got about for some

714
00:30:30,720 --> 00:30:34,880
Speaker 4: petty so it ain't anything pending right now. You know

715
00:30:34,920 --> 00:30:36,680
Speaker 4: what I'm saying. It's kind of limbo, like he send

716
00:30:36,720 --> 00:30:38,200
Speaker 4: all the money you want, but you ain't got no bun.

717
00:30:38,520 --> 00:30:42,880
Speaker 4: You know what I'm saying. No, like shit, when.

718
00:30:42,760 --> 00:30:44,840
Speaker 1: It's saying that your parents are still married, what does

719
00:30:44,880 --> 00:30:47,600
Speaker 1: that make you think about relationships and how does that

720
00:30:47,640 --> 00:30:49,640
Speaker 1: affect you when you think about later on in life.

721
00:30:50,120 --> 00:30:51,840
Speaker 4: No, I'm getting married and all that I want. I

722
00:30:51,880 --> 00:30:53,120
Speaker 4: want to be like a super dad, you know what

723
00:30:53,160 --> 00:30:55,080
Speaker 4: I'm saying. But rich dad, You know what I'm saying,

724
00:30:55,080 --> 00:30:56,880
Speaker 4: I ain't never want to have to go through some

725
00:30:56,960 --> 00:30:58,880
Speaker 4: of the same things my dad had to deal with,

726
00:30:59,080 --> 00:31:02,040
Speaker 4: like and then we got a blended family too, so

727
00:31:02,080 --> 00:31:03,600
Speaker 4: it was always tough. My dad had to take care

728
00:31:03,640 --> 00:31:06,120
Speaker 4: of step kids and then his kids, and so I

729
00:31:06,120 --> 00:31:08,200
Speaker 4: always like saw that position. I'm like, dang, bro, you

730
00:31:08,280 --> 00:31:11,520
Speaker 4: hard like you're dealing with a real tough situation. And

731
00:31:11,960 --> 00:31:13,120
Speaker 4: when I get a chance to do that, like, I

732
00:31:13,120 --> 00:31:15,560
Speaker 4: want to just be able. I don't want no blended family.

733
00:31:15,600 --> 00:31:18,000
Speaker 4: I want like boom like because I'll be seeing to

734
00:31:18,040 --> 00:31:20,040
Speaker 4: get treacheros and get triated off the street playing with

735
00:31:20,520 --> 00:31:22,680
Speaker 4: kids and girls and sight on the peak.

736
00:31:22,800 --> 00:31:24,640
Speaker 2: You're like, I am not taking no chances.

737
00:31:24,960 --> 00:31:27,040
Speaker 4: No, no, no time for that. Won't even play none

738
00:31:27,080 --> 00:31:30,200
Speaker 4: of these little No, I ain't got time form.

739
00:31:29,520 --> 00:31:33,200
Speaker 2: Over here, bro, I'm not That's not that type of jit.

740
00:31:33,400 --> 00:31:34,560
Speaker 4: No, not at all.

741
00:31:35,480 --> 00:31:37,480
Speaker 1: All right, well, listen, we appreciate you for coming through

742
00:31:37,480 --> 00:31:39,840
Speaker 1: because I know you know, this is a blessing to

743
00:31:39,920 --> 00:31:40,240
Speaker 1: have you.

744
00:31:41,080 --> 00:31:44,000
Speaker 4: You know, I was all I.

745
00:31:44,080 --> 00:31:48,240
Speaker 2: Know, I was like a week and then I was like,

746
00:31:48,360 --> 00:31:49,720
Speaker 2: is he coming? Like what are we doing here?

747
00:31:49,720 --> 00:31:52,000
Speaker 1: But I also understand you know that you have a

748
00:31:52,000 --> 00:31:54,600
Speaker 1: lot going on and that you're you're super busy, and

749
00:31:54,640 --> 00:31:56,640
Speaker 1: that you have this new project that's going to come

750
00:31:56,640 --> 00:31:58,040
Speaker 1: out before metro Boomer's project.

751
00:31:58,080 --> 00:32:00,160
Speaker 2: Do we have it? Is it like first quarter.

752
00:32:06,160 --> 00:32:10,479
Speaker 4: If Channelist's coming. I promise I don't want to make

753
00:32:10,520 --> 00:32:13,240
Speaker 4: no fault promises. I promise you that, Okay.

754
00:32:13,760 --> 00:32:17,320
Speaker 1: Your bottom dollars before forever to day.

755
00:32:17,640 --> 00:32:19,239
Speaker 3: I think this is a year we're gonna get more

756
00:32:19,320 --> 00:32:21,160
Speaker 3: gim music than we ever had. You need to say

757
00:32:21,160 --> 00:32:24,080
Speaker 3: that you need.

758
00:32:23,440 --> 00:32:24,479
Speaker 4: And whole record.

759
00:32:26,280 --> 00:32:33,720
Speaker 3: Look at me, whoel you come first with this? Jayz

760
00:32:34,000 --> 00:32:35,600
Speaker 3: you warm warm this.

761
00:32:35,680 --> 00:32:38,840
Speaker 4: I gotta I gotta tell this. At the Rot Nation brunch,

762
00:32:39,800 --> 00:32:41,280
Speaker 4: you introduced me again.

763
00:32:45,000 --> 00:32:52,960
Speaker 3: Yeah we met before, you know why introducing this guy.

764
00:32:53,200 --> 00:32:55,680
Speaker 4: But no, no, no, beyond that, I wanted to say

765
00:32:55,720 --> 00:32:57,880
Speaker 4: so much like I kind of got. That was the

766
00:32:57,880 --> 00:33:01,040
Speaker 4: first time I've ever been like drug or just at

767
00:33:01,040 --> 00:33:03,720
Speaker 4: a loss for words, because first off, he like O G.

768
00:33:03,840 --> 00:33:05,200
Speaker 4: I'm like, I respect you all, but I want to

769
00:33:05,240 --> 00:33:08,400
Speaker 4: tell like, Bro, I use like seven of your lines

770
00:33:08,440 --> 00:33:15,840
Speaker 4: on the album, Bro, like you know what I'm saying,

771
00:33:15,840 --> 00:33:17,880
Speaker 4: but I don't know. You're trying to get attention to grades.

772
00:33:17,880 --> 00:33:20,600
Speaker 4: You know, Nigga chasing ghost, they chasing all that, So.

773
00:33:21,000 --> 00:33:21,680
Speaker 2: Make it happened.

774
00:33:23,840 --> 00:33:25,840
Speaker 4: Ji Ho. I used that too. That was a line

775
00:33:25,840 --> 00:33:28,720
Speaker 4: I used on the song like Dumb Remix Home said

776
00:33:28,880 --> 00:33:30,640
Speaker 4: Jim Hole, Bro, my favorite.

777
00:33:31,200 --> 00:33:32,000
Speaker 3: It's inevitable.

778
00:33:32,120 --> 00:33:34,360
Speaker 1: Alight, Well let's make sure this goes about that clip

779
00:33:34,400 --> 00:33:36,440
Speaker 1: goes by.

780
00:33:37,040 --> 00:33:38,600
Speaker 2: But honestly, thank you so much for coming through. I

781
00:33:38,640 --> 00:33:39,640
Speaker 2: always appreciate you.

782
00:33:39,800 --> 00:33:42,040
Speaker 1: And when the new Pates come out, like anytime you're

783
00:33:42,080 --> 00:33:43,360
Speaker 1: in town, I would love for you to pull up.

784
00:33:43,840 --> 00:33:45,160
Speaker 2: Pull up, Bonus, pull up,