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Speaker 1: Hello, Hello, this is George with quite literally three pieces

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Speaker 1: of very exciting news. First of all, if you're in

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Speaker 1: LA this week, I am doing my new hour of

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Speaker 1: stand up on Tuesday March fifth and Wednesday March sixth

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Speaker 1: at the Allegian Theater and you can find tickets for

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Speaker 1: that in my Instagram bio or at the Allegian's website.

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Speaker 1: That's e l Ysian. Second, if you're in LA next week,

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Speaker 1: Sam and I are doing a last minute, very special

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Speaker 1: and intimate st Radio Lab Live show at UCB Franklin

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Speaker 1: on Thursday, March fourteenth, with Mitra Juhari, Joel Kim Booster

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Speaker 1: and a very special news segment that we're trying out

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Speaker 1: for the very first time, and this time we're doing

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Speaker 1: it with New York magazine writer Carrie Howley. And Third,

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Speaker 1: if you're in New York, we are back at the

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Speaker 1: Bellhouse on Thursday, March twenty first for our first New

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Speaker 1: York show of twenty twenty four and you can find

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Speaker 1: tickets for that one on the Bellhouse website. All right,

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Speaker 1: that's enough promo for now. Enjoy the show.

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Speaker 2: You can either have me on a podcast or you

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Speaker 2: can have me not touch a table.

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Speaker 1: Okay, let's the first literally are we recording that that

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Speaker 1: podcasts started? Is you saying? What did you say?

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Speaker 2: You can either have me on a podcast or you

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Speaker 2: can have me not touch a table.

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Speaker 1: So I said, very kindly, I asked, Max, do you

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Speaker 1: mind not tapping the table because it is bad for

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Speaker 1: the mic? And actually I've been known to tap it

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Speaker 1: in the past, something that has made people post homophobic

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Speaker 1: slurs to me online. Nonsense.

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Speaker 2: I actually, I have to be honest, I can't even

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Speaker 2: listen to you right now because I have so many

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Speaker 2: interests of thoughts of me just slamming on the tables.

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Speaker 3: Yeah.

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Speaker 2: Now, it's like, now it's gonna happen more than do.

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Speaker 3: You want to do.

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Speaker 1: You want to get out of get it out of

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Speaker 1: your system? Tap the table?

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Speaker 3: Okay, as we intro, you like this, welcome to the podcast.

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Speaker 2: I don't need instructions on how to tap Okay.

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Speaker 1: Okay, Sam was just trying to be helpful.

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Speaker 2: Okay, came off as really aggressive.

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Speaker 3: Well, we could collectively get into a bit.

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Speaker 2: Well, there was a lot of physicality thrown my way,

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Speaker 2: and I'm just saying that, like you two are positioned

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Speaker 2: on one side of the table, I'm positioned over here.

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Speaker 1: Well, we thought that would be nice for you to have,

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Speaker 1: like the stage, you know which, I'm the spotlight.

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Speaker 3: I know you love you love the spotlight.

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Speaker 1: Yeah, you guys are I'm always saying listen to me,

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Speaker 1: listen to me.

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Speaker 2: Yeah you know I I I wasn't. I did not

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Speaker 2: say listen to me, listen to me. You said we

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Speaker 2: need you on this podcast because we're doggie paddling to

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Speaker 2: state above water here.

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Speaker 3: Well, that's actually funny because what we have said is recorded,

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Speaker 3: and what you are saying we said is not recorded anywhere.

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Speaker 1: Yeah you know what else is interesting?

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Speaker 2: Oh? Well, and who's in charge of this podcast? Who

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Speaker 2: is editing it? Who is manipulating every fucking thing that

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Speaker 2: I said?

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Speaker 1: It's really rich. I think it's really rich to pretend.

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Speaker 2: Every time I don't like what you're saying, you.

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Speaker 1: Need this is actually dangerous.

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Speaker 3: This is.

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Speaker 1: All Max is the one. Max is tapping so that

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Speaker 1: my voice is drowned out. He's weaponizing my past. He's

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Speaker 1: weaponizing my past as a tapper against me. Wow, what

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Speaker 1: I was gonna say, You actually stop doing that.

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Speaker 2: Okay, it's rich.

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Speaker 1: For you to say that we were desperate to have

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Speaker 1: me on the podcast. But in fact what happened was

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Speaker 1: you You texted us saying I have to promote my tour.

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Speaker 1: I've sold a total of zero tickets in all cities,

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Speaker 1: and I desperately need to do the podcast radio lab

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Speaker 1: so that I can promote it. Is that right?

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Speaker 3: Is that writer? Or is that wrong?

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Speaker 2: That is so completely wrong?

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Speaker 3: Oh oh, so you won't be promoting the tour at all.

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Speaker 1: Great, So we won't mention the dates for the cities.

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Speaker 2: You don't need to mention Seattle, you don't need to

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Speaker 2: mention Poorland, you don't need to mention La because I'm

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Speaker 2: doing just fine selling everything that I need to see.

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Speaker 1: And we won't mention the specific dates either.

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Speaker 2: No, it wouldn't. No, you don't even have to say

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Speaker 2: March thirteenth in Seattle. People know. You don't have to

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Speaker 2: say March fifteenth in Portland. People know. Let alone allesion

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Speaker 2: in Los Angeles. I mean that everyone. I mean March twentieth.

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Speaker 2: Who doesn't know about that?

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Speaker 1: So we can openly talk about how you have talked

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Speaker 1: about the cities, specifically of Seattle, Portland and Los Angeles.

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Speaker 2: I have. Yeah, Yeah, you're not to say lost that

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Speaker 2: I talked about Los Angeles. That is last feminis, well you,

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Speaker 2: last femois, last feminists.

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Speaker 1: Last feminist is actually a movement of sort of variet

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Speaker 1: girl feminism that is dirt dirty.

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Speaker 2: Do you think I'm looking sort of right girl today?

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Speaker 1: I actually do think.

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Speaker 3: Yeah, in the sense of your sweating, you're.

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Speaker 2: You yourself, are listening.

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Speaker 1: You know, you're looking like right girl, just in the

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Speaker 1: sense that you're unpolished and it's unclear if it's intentional

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Speaker 1: that I'm what and it's uncle.

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Speaker 2: Sorry, I couldn't hear that, and I won't. I couldn't

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Speaker 2: hear it, and I won't. Can I lean on the table?

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Speaker 1: You can lean on the table?

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Speaker 3: Guys this, No, we're not picking up well, we don't

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Speaker 3: pick up anything. We don't have headphones, are you?

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Speaker 2: So you're just completely checked out of the process of

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Speaker 2: making this thing.

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Speaker 1: No, you ever heard of alienation of labor? Because we're

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Speaker 1: living it.

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Speaker 2: I actually haven't.

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Speaker 1: What is that being alienated from one's labor?

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Speaker 2: You guys like this, by the way, actually yeah, that

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Speaker 2: is literally a Gucci watch. And then I got for

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Speaker 2: one to get it. I got it like a flea

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Speaker 2: marketer was in a pile of watches.

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Speaker 1: I'm not very bitch. But is it actually Gucci?

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Speaker 2: It literally is actually Gucci? And you know, what do

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Speaker 2: you mean?

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Speaker 3: How do I know anyone? The letters on the metal?

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Speaker 1: Oh Max, you really you bought a watch for one

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Speaker 1: dollar and it's.

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Speaker 2: Gucci and therefore that's amazing.

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Speaker 1: It's it's a real biton bag from someone on the street.

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Speaker 2: And you're just mad because it was only You're just

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Speaker 2: mad that I said successfully pull off high low. You

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Speaker 2: know It's like it's like one minute I can be

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Speaker 2: wearing a Gucci watch, the next minute I can be

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Speaker 2: on this podcast.

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Speaker 1: You know, well, where's where would you say? The hi is?

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Speaker 1: I'm looking at you right now, I'm seeing the one

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Speaker 1: dollar fake watch the rest of your riot? Girl?

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Speaker 2: Esthetic I mean, what is that? You're trying to tear

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Speaker 2: me down? Which means I must be on a pedestal

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Speaker 2: to you.

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Speaker 1: Pedestal.

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Speaker 3: No, George is not afraid to punch down. He has

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Speaker 3: made fun of some weak people.

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Speaker 1: That's right. I prefer making fun of week people because

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Speaker 1: they can't fight back. What do you have to say

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Speaker 1: about that? Anyone?

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Speaker 2: Do you want to start this podcast?

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Speaker 3: Okay, podcast starts now. Welcome to the stage, Max Twitter,

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Speaker 3: how is your Friday going fine.

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Speaker 2: Sorry, I'm sorry, Trevor was sorry Trevor so sorry. I

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Speaker 2: already forgot your name too, Bame. Okay, sorry, you're the

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Speaker 2: one wearing headphunds.

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Speaker 1: And you're weaponizing. You're weaponizing everyone's name so that you

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Speaker 1: come across as like caring. Is that not what you're doing?

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Speaker 3: Is that not what you're doing?

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Speaker 2: I'm apologizing. You're doing people that are doing all the work.

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Speaker 1: You're being someone being interviewed by Terry Gross who's fundamentally

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Speaker 1: uninteresting and keeps being like, you know, Terry, that's a

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Speaker 1: great question you're being.

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Speaker 3: Keanu Reeves takes the Subway.

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Speaker 2: Do you think that Terry Gross is a good it

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Speaker 2: is a good interviewer.

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Speaker 1: I actually think that's an impossible question to answer because

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Speaker 1: it's sort of like, that's not what it's about.

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Speaker 2: Okay, Basically, what you just did was that's a really

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Speaker 2: interesting question, Terry to me, what what?

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Speaker 3: What?

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Speaker 2: Huh?

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Speaker 3: Huh?

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Speaker 2: What?

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Speaker 3: I you just did?

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Speaker 2: What you were accusing me of?

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Speaker 1: Up saying what an interesting question? Why just say? I

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Speaker 1: mean you did ask an interesting question.

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Speaker 3: What are you accusing me?

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Speaker 1: What am I being accused of?

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Speaker 2: Wait? What didn't you.

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Speaker 1: Think Terry gross is a good interviewer? Yes or no?

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Speaker 2: Me?

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Speaker 1: Yes, you do? Yeah?

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Speaker 2: And so what I did want to do. I wanted

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Speaker 2: to do a video parody.

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Speaker 1: Do I still a good interviewer? Or she was like

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Speaker 1: in the.

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Speaker 2: Night, Well she does doesn't exist anymore. Yes, she says,

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Speaker 2: she comes in and she's.

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Speaker 1: Well, she's dealing with a family emergency. And if you

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Speaker 1: were a regular listener, you would know that.

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Speaker 2: By the way, I am a regular listener, and I

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Speaker 2: have my suspicions about that.

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Speaker 4: I think there's she got a huge facelift, she got

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Speaker 4: she's she's going to come back a lot of going

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Speaker 4: to come back looking like cat cat Lady, the woman

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Speaker 4: that got surgery to look like a cat.

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Speaker 2: Oh yeah, yeah, you're gonna say, like Michelle Fife. I

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Speaker 2: thought you just forgot Michelle Fiffer's name.

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Speaker 1: No, no, no, lady, cat Lady. You know, the whole

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Speaker 1: cat Person is the whole other thing. They tried to

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Speaker 1: make that actually a great straight shooter, but they did

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Speaker 1: try to make that into a film and it flopped.

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Speaker 1: People don't like with cousin Greg.

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Speaker 2: Wait.

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Speaker 1: Cat Person was a viral short story in the New

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Speaker 1: Yorker they adapted into a film waited too long to

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Speaker 1: release that film.

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Speaker 2: I don't feel on yet.

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Speaker 1: Do you what can we do to help you?

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Speaker 3: You tell me, do you want us to do an intro?

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Speaker 3: And then you can sort of hop in after that,

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Speaker 3: and then.

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Speaker 2: You guys just like talking among yourselves from it. I

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Speaker 2: need to focus.

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Speaker 3: I feel like he's doing okay, I don't think he's

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Speaker 3: doing okay, no, no, I.

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Speaker 1: Mean my excitations at this point are solow that. I'm

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Speaker 1: like he's stringing together since he's not using any slurs.

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Speaker 3: Yeah, you sort of think of him the same way

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Speaker 3: you think about Terry Gross.

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Speaker 1: Well, yeah, I mean his best days are behind him.

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Speaker 1: Oh now he's tapping the table again.

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Speaker 3: So George, what are your weekend plans?

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Speaker 2: Well? Okay, now I feel like you're ignoring me.

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Speaker 3: We're actively ignoring.

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Speaker 1: Are you told us to talk amongst ourselves? We're doing

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Speaker 1: that as a favor to you. Do you think we

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Speaker 1: want to be here?

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Speaker 2: I certainly don't know. I don't want you to be here.

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Speaker 1: This isn't I can do.

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Speaker 2: Just find with these two cameras, these lovely people here.

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Speaker 3: Okay, what if you do a podcast without us?

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Speaker 2: Okay?

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Speaker 3: Bye, okay, go.

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Speaker 5: Okay, go good evening, America. This is Max Whittard coming

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Speaker 5: to you from the iHeart Radio sponsored by Poland Springs Laboratories,

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Speaker 5: and I am I have so many things. Oh my god,

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Speaker 5: there's protests happening outside. Did you guys hear that the

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Speaker 5: world is in case?

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Speaker 1: There were protests happening? That wou means it was making

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Speaker 1: an impact?

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Speaker 2: God, you're really I will say, you're coming out guns

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Speaker 2: blazing now. You see the problem is that you're on.

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Speaker 1: Because okay, because we did an episode.

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Speaker 2: Yeah, you did an episode before this, and I didn't

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Speaker 2: get a chance to do an episode before this. So

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Speaker 2: actually I think that this is just a pre episode

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Speaker 2: and that we should do my episode afterwards.

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Speaker 1: I don't know. While we were doing another, we were

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Speaker 1: getting tired doing another. Meanwhile, you've been sleeping in your

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Speaker 1: tomb vampire style up hanging upside down in your room.

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Speaker 3: Your full strength.

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Speaker 2: Have you, guys talked about how prevalent cocaine is in

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Speaker 2: the podcast industry yet or have you been too scared

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Speaker 2: to talk about that?

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Speaker 1: I'm sorry, why would we be the ones to talk

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Speaker 1: about why would you We never said we were role models,

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Speaker 1: didn't do you think it's are inability?

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Speaker 3: Yes?

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Speaker 1: All our listeners are many of our listeners are on cocaine.

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Speaker 1: Are on cocaine right now? Yeah, yeah, that's none of

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Speaker 1: my business.

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Speaker 3: They call it one point five speed.

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Speaker 1: Oh wait, that's good.

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Speaker 2: Wait, that's good.

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Speaker 3: That is good. Okay, okay.

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Speaker 1: One point five speed is a drug that podcast listener

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Speaker 1: that listeners addicted to comedy podcasts hosted by gay guys

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Speaker 1: take yeah, yeah.

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Speaker 2: Do you guys watch things like on one point five speed?

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Speaker 3: Never know?

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Speaker 2: And by the way, don't you do it tutorials especially?

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Speaker 2: I'm just like, get this overweight?

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Speaker 3: Are video games?

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Speaker 1: You're doing tutorials for video games?

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Speaker 2: Like like maybe software?

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Speaker 1: Oh I was about to say the results from I was.

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Speaker 2: Waiting for it. Jesus Christ, I love it.

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Speaker 3: I've never actually seen you get in such a roast mode.

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Speaker 2: This is really it's what an unbelievable cunt.

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Speaker 1: So what did you want to talk about?

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Speaker 3: Love?

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Speaker 1: Well, right, but we're not we're not ready to introduce

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Speaker 1: the topic. I just sort of like, what have you

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Speaker 1: been up to?

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Speaker 2: I got an MRI today?

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Speaker 3: Is that true?

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Speaker 2: Yeah?

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Speaker 3: What for?

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Speaker 2: I don't know.

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Speaker 1: I just kind of felt like a creational MRI.

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Speaker 2: Recreational m R.

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Speaker 3: That's really Yeah, amazing. Did they figure out everything that's

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Speaker 3: wrong with you?

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Speaker 2: Well, okay, so basically I'm currently diagnosed with like nothing

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Speaker 2: being wrong with me. But that just can't it just

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Speaker 2: can't be possible. But yeah, it's like, you know, when

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Speaker 2: the doctor says, clinically you're fine, it's sort of like, well,

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Speaker 2: I don't think so.

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Speaker 1: If you're clinically fine, then like, are you even part

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Speaker 1: of the narrative? Yeah, sort of where do you fit in?

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Speaker 1: You're you're basically right.

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Speaker 2: It's like, and yet I'm here in the doctor's office,

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Speaker 2: so that.

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Speaker 3: Can't be a healthy berth and a healthy Oh.

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Speaker 1: More from from May December. I love your work.

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Speaker 2: Oh my god, I need to go to the doctor.

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Speaker 3: I have to go to the doctor.

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Speaker 1: You've been diagnosed with the list. Here's a question. When

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Speaker 1: did lisps have become the one like character choice character

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Speaker 1: trait that you are allowed to make fun like there's

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Speaker 1: something no one's gonna call you able making fun of a.

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Speaker 3: Life they're not able to. But I still think you

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Speaker 3: can't make fun of them.

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Speaker 1: I guess I wouldn't. Just if someone was talking to

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Speaker 1: me and they were like, have it going, I wouldn't

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Speaker 1: look at them and be like, oh A got one,

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Speaker 1: that would be sort of mean.

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Speaker 3: Yeah, that's my point. Okay, you can't make fun of it.

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Speaker 1: You can't make fun of it. You can perform it,

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Speaker 1: you can perform.

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Speaker 3: It in a dramatic film, but I don't think you

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Speaker 3: can make fun of it still. Wow, do you think

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Speaker 3: all acting is making fun of the person they're portraying? Yes?

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Speaker 1: Do you Max? Do you think any can be ethical?

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Speaker 2: You're kind of asking the like, is acting lying or

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Speaker 2: telling the truth?

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Speaker 3: Question?

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Speaker 2: Yes?

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Speaker 3: Yes, do you have an answer?

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Speaker 2: I do think it's lying. I agree, I agree, Yeah,

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Speaker 2: I think lock them all right, But I mean it's

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Speaker 2: it's sort of pathological lie. The best acting is pathological lying, right, Yeah,

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Speaker 2: Like like like you have like you have to be

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Speaker 2: you can't so convinced. Yeah, you can't tell yourself and

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Speaker 2: you're so convinced of your own that is true.

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Speaker 1: Yeah, Like it's like they think that reaching that state

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Speaker 1: of giving an amazing performance is actually a form of truth.

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Speaker 1: But it's a form of pathological lying. It's like literally

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Speaker 1: becoming a full on sociopath.

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Speaker 3: Because of talking about Lisps. Every time either of you

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Speaker 3: say pathological, I think you're saying pathological.

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Speaker 1: Sometimes when a word has a sound in it. It's

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Speaker 1: like the person who made that up just have a lisp.

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Speaker 3: Yeah, and we all.

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Speaker 2: Diet saying that as a Greek too. Yeah, there's like

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Speaker 2: a lot of isn't it.

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Speaker 1: Like no, that's more Spanish, Yeah, like Barcelona thoughts, sots

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Speaker 1: soft sots thoughts.

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Speaker 2: That's really hard to say.

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Speaker 3: This is my thought?

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Speaker 2: What is it?

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Speaker 3: I don't even know if I want to say it.

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Speaker 1: What is it?

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Speaker 3: Do people still have lisps?

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Speaker 1: Yes?

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Speaker 3: I feel like I never meet anyone with one.

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Speaker 2: Well, okay, there's a I feel like, especially the nineties

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Speaker 2: was so speech pathology. Yeah right, everyone in the nineties

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Speaker 2: I went to one did you really?

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Speaker 3: Yeah?

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Speaker 2: For what was wrong with you?

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Speaker 3: I would talk maybe I still do it? What else?

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Speaker 3: It was? What else?

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Speaker 2: What else could possibly be wrong with you?

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Speaker 3: It was like, yeah, I am I'm the medical one.

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Speaker 2: Now I would like, I like they we're taking turns

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Speaker 2: being the one in medical.

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Speaker 3: I go, I wonder what I'll do when it's like

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Speaker 3: I would talk like like it like it was my.

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Speaker 1: Way through it again.

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Speaker 2: I can't don't do it again. Somebody's gonna memify that

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Speaker 2: and be like Sam Tager was caught making fun.

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Speaker 1: So you were talking nasally, but like very like my essays,

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Speaker 1: like would be through coming through your nose rather than

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Speaker 1: through your mouth. Yeah wow, and they fixed that.

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Speaker 2: Yeah, just like shove marshmallows up your nose and be

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Speaker 2: like now try it.

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Speaker 3: They made fun of me.

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Speaker 2: Yeah yeah, they said, you look fucking stupid mass Yeah,

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Speaker 2: I'm performing speech pathology. Stop at you, stupid bitch.

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Speaker 3: Do you realize what you even look like?

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Speaker 2: A dumb little baby bitch right now? And they walk up,

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Speaker 2: fuck fuck up?

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Speaker 1: Isn't up with the phrase?

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Speaker 2: That's what I said?

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Speaker 3: Yeah, I thought you said why don't you up? Up?

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Speaker 3: So yeah, I got speech pathologized and they did an

383
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Speaker 3: incredible job. I had to get like a camera down

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Speaker 3: my nose, got into.

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Speaker 2: Cameras in every corner of your body.

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Speaker 3: Well I'm a star.

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Speaker 1: Yeah, that's when you caught the bug. You said the

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Speaker 1: camera went up your nose and you said.

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Speaker 2: I need to be on TV. I literally was like,

390
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Speaker 2: there will always be camera Boddy.

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Speaker 3: They made me like say phrases like seven slippery slimy

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Speaker 3: snakes while the camera's my nose and like I'm like

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Speaker 3: seven yeah, and fully like crying the whole time. It

394
00:17:03,160 --> 00:17:06,680
Speaker 3: was a very iconic moment. Yeah, and then like, but

395
00:17:06,800 --> 00:17:10,720
Speaker 3: it worked well. They were more like, do you have

396
00:17:10,760 --> 00:17:12,960
Speaker 3: to get surgery? Is it like a more physical thing?

397
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Speaker 3: And then they were like, no, you just to practice.

398
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Speaker 3: He's just stupid, He's just weird.

399
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Speaker 2: And was there a moment where you were like, I

400
00:17:20,560 --> 00:17:23,119
Speaker 2: finally had a breakthrough and now I can see the snake.

401
00:17:23,680 --> 00:17:25,200
Speaker 1: It was just I deserve to be on camera.

402
00:17:25,520 --> 00:17:28,399
Speaker 3: Yeah, yeah, no, I actually don't. I don't remember a

403
00:17:28,480 --> 00:17:30,919
Speaker 3: day like I remember having to leave classic speech class,

404
00:17:31,040 --> 00:17:32,440
Speaker 3: but I don't remember when it stopped.

405
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Speaker 2: Okay, So the thing that I've been dealing with is

406
00:17:35,480 --> 00:17:38,199
Speaker 2: is back pain and all. And I already know I

407
00:17:38,200 --> 00:17:38,520
Speaker 2: can hear.

408
00:17:38,680 --> 00:17:39,600
Speaker 1: That's why I got the MRI.

409
00:17:39,880 --> 00:17:43,440
Speaker 2: That's what That's why I got the MRI. Had an

410
00:17:43,440 --> 00:17:46,520
Speaker 2: injury a few months ago, and the pain is persistent.

411
00:17:47,000 --> 00:17:51,280
Speaker 2: But like, and when I posted to my private Instagram

412
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Speaker 2: about being like has anybody old would like her neiate

413
00:17:53,160 --> 00:17:55,480
Speaker 2: a disk or whatever, and immediately got like an influx

414
00:17:55,520 --> 00:17:57,639
Speaker 2: of people sending me like literature about like living with

415
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Speaker 2: chronic pain, and I was like, I got so furious,

416
00:18:01,760 --> 00:18:03,800
Speaker 2: and I was like so mad about it. And then

417
00:18:03,840 --> 00:18:05,960
Speaker 2: in the last twenty four hours, I was like, fine,

418
00:18:05,960 --> 00:18:07,600
Speaker 2: you I'm mean to fucking read this shit. I'll fucking

419
00:18:07,600 --> 00:18:09,720
Speaker 2: read this shit. And then I started reading. I'm like

420
00:18:09,880 --> 00:18:12,439
Speaker 2: fully pilled, like it's all in my It's like, it's

421
00:18:12,480 --> 00:18:13,560
Speaker 2: not that it's all in my head, but it's.

422
00:18:13,400 --> 00:18:16,080
Speaker 1: Like you are not being believed by the medical establishment

423
00:18:16,119 --> 00:18:17,840
Speaker 1: because you're living with chronic I'm like.

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00:18:17,920 --> 00:18:19,760
Speaker 2: Yeah, I know, I feel like very like fiber mayalsha

425
00:18:19,800 --> 00:18:23,000
Speaker 2: about it. You know what I mean? Yeah, okay, but

426
00:18:23,040 --> 00:18:23,879
Speaker 2: I actually that I mean this.

427
00:18:24,240 --> 00:18:26,760
Speaker 1: Well, I think that what the chronic pain community and

428
00:18:27,119 --> 00:18:28,639
Speaker 1: I'm trying to say this in as sensitive the way

429
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Speaker 1: as possible.

430
00:18:29,240 --> 00:18:30,000
Speaker 2: Yeah, You're.

431
00:18:31,320 --> 00:18:34,520
Speaker 1: Chronic pain community needs is someone like you, someone who

432
00:18:34,640 --> 00:18:39,359
Speaker 1: is so belligerent, bitchy, and like literally hates women. Like

433
00:18:39,480 --> 00:18:42,960
Speaker 1: we never would never believe anyone who said.

434
00:18:42,840 --> 00:18:44,760
Speaker 2: Problem with communities that they love women.

435
00:18:44,800 --> 00:18:47,119
Speaker 1: And then you come out and say, you say, you know,

436
00:18:47,520 --> 00:18:50,000
Speaker 1: my whole life, I've always thought people with chronic pain

437
00:18:50,040 --> 00:18:54,480
Speaker 1: were stupid and delusional, but now I haven't. And then

438
00:18:54,600 --> 00:18:56,680
Speaker 1: people we'll start and then that we'll start believing it.

439
00:19:01,240 --> 00:19:05,320
Speaker 2: Okay, So back to me, Uh, we're already on you.

440
00:19:05,480 --> 00:19:08,359
Speaker 4: Yeah, yeah, we're talking about your medical I'm I'm just

441
00:19:08,400 --> 00:19:09,359
Speaker 4: hearing a lot of it, and.

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00:19:09,359 --> 00:19:11,400
Speaker 3: I think it's interesting to say that because when I

443
00:19:11,440 --> 00:19:13,120
Speaker 3: was hearing Max, I was sort of like, Max, don't

444
00:19:13,160 --> 00:19:17,480
Speaker 3: say this stuff because your your reputation is like this bitchy, exertive.

445
00:19:17,800 --> 00:19:19,480
Speaker 1: But I think it's time to subvert.

446
00:19:20,080 --> 00:19:23,280
Speaker 2: Yeah, you categorize me as the victim. Well, I do

447
00:19:23,400 --> 00:19:24,840
Speaker 2: think your slacks.

448
00:19:24,880 --> 00:19:26,640
Speaker 1: I don't know. I mean, I think that would work

449
00:19:26,640 --> 00:19:28,879
Speaker 1: for both of us, because I think the reputation for

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00:19:28,880 --> 00:19:31,360
Speaker 1: at this point over four years, is that you come

451
00:19:31,480 --> 00:19:35,919
Speaker 1: on this podcast. You are such a huge bitch to us.

452
00:19:36,160 --> 00:19:38,639
Speaker 1: We are crying in tears by the end of it,

453
00:19:38,720 --> 00:19:42,880
Speaker 1: We're being attacked. We have wounds physical and emotional. Yet

454
00:19:42,880 --> 00:19:43,760
Speaker 1: you take.

455
00:19:43,760 --> 00:19:46,040
Speaker 3: Years to well, to be fair, you asked.

456
00:19:46,080 --> 00:19:48,679
Speaker 1: You asked because you wanted to promote your tour.

457
00:19:48,920 --> 00:19:52,800
Speaker 2: And yet you had no problem saying yes, please are

458
00:19:52,800 --> 00:19:54,399
Speaker 2: the love of God, we need to fill in another slobs.

459
00:19:54,440 --> 00:19:56,440
Speaker 1: Well, it took us about forty eight hours to respond,

460
00:19:56,520 --> 00:19:58,440
Speaker 1: so I don't think it was a you.

461
00:19:58,320 --> 00:20:03,159
Speaker 2: Know, because you were so flabbergasted that I was available.

462
00:20:03,359 --> 00:20:05,520
Speaker 2: The point is this is in your few were like,

463
00:20:05,600 --> 00:20:07,200
Speaker 2: You're like, I need a moment to even.

464
00:20:07,080 --> 00:20:10,480
Speaker 1: I think both need a brand change. It's like we've

465
00:20:10,520 --> 00:20:12,000
Speaker 1: become really are trying.

466
00:20:11,720 --> 00:20:15,159
Speaker 2: To be nicer? Like I'm alienated so many true, it's

467
00:20:15,200 --> 00:20:18,080
Speaker 2: actually yeah, like like in my com in my comedy

468
00:20:18,080 --> 00:20:19,240
Speaker 2: in particular.

469
00:20:18,880 --> 00:20:21,520
Speaker 1: Yeah, oh just when you're on stage then yeah, off.

470
00:20:21,400 --> 00:20:23,960
Speaker 2: Stage, I have no problem showing you the truth.

471
00:20:24,080 --> 00:20:27,480
Speaker 1: You have you and you think your behavior off stage

472
00:20:27,760 --> 00:20:28,960
Speaker 1: no problems.

473
00:20:29,480 --> 00:20:31,120
Speaker 2: So I don't have to think it. I know. I mean,

474
00:20:31,160 --> 00:20:33,560
Speaker 2: it's it shows in the numbers I have, I mean

475
00:20:33,680 --> 00:20:35,600
Speaker 2: millions of millions of.

476
00:20:35,200 --> 00:20:36,120
Speaker 3: Of what of what?

477
00:20:36,200 --> 00:20:36,960
Speaker 1: How are you counting?

478
00:20:47,960 --> 00:20:50,080
Speaker 2: Because you know, I think if you, I mean, you can't,

479
00:20:51,200 --> 00:20:54,680
Speaker 2: if you're this maligned on a podcast, you're doing something right.

480
00:20:55,520 --> 00:20:57,160
Speaker 1: I don't think that's that the.

481
00:20:57,160 --> 00:21:00,760
Speaker 3: Saying yeah yeah.

482
00:21:00,200 --> 00:21:04,400
Speaker 1: Do you feel like maybe that kind of uh outlook

483
00:21:04,880 --> 00:21:06,760
Speaker 1: that if people are mad at me, I must be

484
00:21:06,800 --> 00:21:09,439
Speaker 1: doing something right. It's sort of the defining motto of

485
00:21:09,480 --> 00:21:10,000
Speaker 1: your life.

486
00:21:10,560 --> 00:21:14,320
Speaker 2: No, no, but I think you really wanted to be

487
00:21:14,480 --> 00:21:16,160
Speaker 2: George interesting.

488
00:21:16,440 --> 00:21:20,200
Speaker 1: Yeah, huh, So how are you trying to be nicer?

489
00:21:20,400 --> 00:21:20,840
Speaker 3: Yeah?

490
00:21:21,480 --> 00:21:22,119
Speaker 1: And we're giving you.

491
00:21:22,480 --> 00:21:24,960
Speaker 2: I'm giving you as much time as you need here

492
00:21:25,840 --> 00:21:30,480
Speaker 2: to come to terms with your own aggression. I'm giving

493
00:21:30,520 --> 00:21:33,919
Speaker 2: you space to really, how are you so? What I

494
00:21:33,960 --> 00:21:35,880
Speaker 2: was going to talk about. Okay, so this I want

495
00:21:35,880 --> 00:21:38,560
Speaker 2: to circle back to the thing that I that was

496
00:21:38,560 --> 00:21:40,280
Speaker 2: sort of like pulled away from me when you just

497
00:21:40,280 --> 00:21:44,440
Speaker 2: started talking over me, which is that. So in this

498
00:21:44,560 --> 00:21:48,159
Speaker 2: literature that I've been reading, chronic pain, a lot of

499
00:21:48,160 --> 00:21:55,760
Speaker 2: people talk about how it's this like, uh, it can

500
00:21:55,800 --> 00:21:57,679
Speaker 2: be like a stand in or a distraction from some

501
00:21:57,840 --> 00:22:04,400
Speaker 2: other like potentially emotional pain that that does not want

502
00:22:04,440 --> 00:22:06,840
Speaker 2: to be addressed because it's interesting. And I was and

503
00:22:07,880 --> 00:22:10,800
Speaker 2: sometimes people experience pain as like because they're in a

504
00:22:10,960 --> 00:22:13,639
Speaker 2: place where they need to be like healed or like

505
00:22:13,760 --> 00:22:16,080
Speaker 2: cared for by people. And so I was just thinking

506
00:22:16,119 --> 00:22:19,479
Speaker 2: that maybe your lisp went away once you felt like

507
00:22:19,560 --> 00:22:21,080
Speaker 2: you were being taken care of.

508
00:22:21,320 --> 00:22:23,680
Speaker 3: Well, it wasn't a lisp, but it was a different.

509
00:22:23,359 --> 00:22:25,320
Speaker 2: Sort of what was it speech? It was.

510
00:22:28,280 --> 00:22:29,240
Speaker 3: Based speech impediment.

511
00:22:29,359 --> 00:22:33,200
Speaker 2: Yeah, yeah, right, And so right now I'm also letting

512
00:22:33,520 --> 00:22:35,720
Speaker 2: George sort of express all of his pain in the

513
00:22:35,720 --> 00:22:39,280
Speaker 2: form of aggression towards me. I mean, the hopes that

514
00:22:39,359 --> 00:22:41,720
Speaker 2: eventually he gets to the root of his problem, which

515
00:22:41,840 --> 00:22:45,680
Speaker 2: is probably a deep seated understanding of his insignificance.

516
00:22:46,760 --> 00:22:51,000
Speaker 1: Do what where is this literature you're reading? Because this

517
00:22:51,080 --> 00:22:51,800
Speaker 1: doesn't sound.

518
00:22:51,560 --> 00:22:53,280
Speaker 2: Man, Oh, it's all online.

519
00:22:53,520 --> 00:22:56,560
Speaker 1: No, all right, well, no further questions.

520
00:22:56,640 --> 00:23:00,920
Speaker 2: Yeah, yeah, no, no, I'm well, a combination of things.

521
00:23:00,920 --> 00:23:05,080
Speaker 1: It's a combination of medical and also non medical.

522
00:23:05,160 --> 00:23:09,720
Speaker 2: There's pain psychiatrists and which you know, I can see

523
00:23:09,800 --> 00:23:14,920
Speaker 2: you're just glot your eyes are I'm smiling internally?

524
00:23:15,119 --> 00:23:15,320
Speaker 1: Check?

525
00:23:15,560 --> 00:23:19,080
Speaker 2: Yeah, yeah, yeah. And there's also this work of this

526
00:23:19,119 --> 00:23:24,719
Speaker 2: guy John Sarno, who yeah, no, definitely, I think is

527
00:23:25,200 --> 00:23:29,399
Speaker 2: shun by the medical community. Interesting, yeah, by and large.

528
00:23:29,680 --> 00:23:33,720
Speaker 3: Huh do you consider yourself the John Sarno of comedy.

529
00:23:35,480 --> 00:23:37,280
Speaker 1: And that you're discredited and.

530
00:23:38,760 --> 00:23:43,720
Speaker 2: That I'm shunned by the comedy community? Oh my god,

531
00:23:43,800 --> 00:23:45,440
Speaker 2: yeah maybe so yeah.

532
00:23:45,520 --> 00:23:47,480
Speaker 3: Do you think if John started being nicer to people

533
00:23:47,560 --> 00:23:49,200
Speaker 3: people would like his medical advice more?

534
00:23:49,520 --> 00:23:53,080
Speaker 2: Well, he's dead, so so no. And that's another way

535
00:23:53,280 --> 00:23:57,320
Speaker 2: in that that I'm the John sort of comedy and

536
00:23:57,359 --> 00:23:59,679
Speaker 2: that you feel dead, is that I'm gone.

537
00:23:59,720 --> 00:24:00,800
Speaker 1: Yeah, You're gonna.

538
00:24:00,600 --> 00:24:01,280
Speaker 2: I'm gonna die.

539
00:24:01,800 --> 00:24:02,399
Speaker 3: Yeah.

540
00:24:03,040 --> 00:24:06,440
Speaker 1: I think something that would be really sort of a

541
00:24:06,600 --> 00:24:07,720
Speaker 1: Kaufman esque.

542
00:24:08,160 --> 00:24:10,760
Speaker 2: Bit for you to do is to die for the

543
00:24:10,800 --> 00:24:11,919
Speaker 2: sake of comedy.

544
00:24:11,960 --> 00:24:15,879
Speaker 1: To like make your thing that just that you're gonna die,

545
00:24:16,480 --> 00:24:18,359
Speaker 1: and write an entire book about how you're gonna die

546
00:24:18,359 --> 00:24:20,040
Speaker 1: as though it's something that's particular only to you.

547
00:24:21,320 --> 00:24:24,040
Speaker 2: Oh right, Like I'm so special exactly when to die. Yeah,

548
00:24:24,160 --> 00:24:25,320
Speaker 2: I'm the only one who won't live.

549
00:24:25,680 --> 00:24:26,879
Speaker 3: I'm walking these people.

550
00:24:28,480 --> 00:24:30,960
Speaker 1: You have never heard of death being universal. You think

551
00:24:31,200 --> 00:24:33,520
Speaker 1: you're the only one that's it's gonna happen to Oh

552
00:24:33,600 --> 00:24:34,120
Speaker 1: I like that.

553
00:24:34,320 --> 00:24:38,679
Speaker 2: That's a good children's book. Actually, I'm gonna die and

554
00:24:38,720 --> 00:24:39,080
Speaker 2: only me.

555
00:24:39,480 --> 00:24:42,680
Speaker 1: I'm gonna die only me. Yeah, I guess. So what

556
00:24:42,760 --> 00:24:45,200
Speaker 1: age do you think would you explain death to a child?

557
00:24:47,359 --> 00:24:50,119
Speaker 2: I mean, I think there's ways of expressing it before

558
00:24:50,119 --> 00:24:55,480
Speaker 2: they're verbal. Oh, you take their little the heads off

559
00:24:56,440 --> 00:24:58,879
Speaker 2: and say no, you throw it in the trash can

560
00:24:59,000 --> 00:25:04,600
Speaker 2: and they go and then they start questioning whether or

561
00:25:04,640 --> 00:25:05,479
Speaker 2: not that can happen to them.

562
00:25:05,640 --> 00:25:07,040
Speaker 3: I think that's actually pretty smart.

563
00:25:07,119 --> 00:25:09,120
Speaker 1: Yeah, that sounds a little John Sorbo to me.

564
00:25:09,960 --> 00:25:12,600
Speaker 3: John whatever his name is.

565
00:25:12,840 --> 00:25:14,080
Speaker 2: Oh, I was thinking of Kevin Sorbo.

566
00:25:14,160 --> 00:25:18,440
Speaker 3: Sorry, yeah, yeah.

567
00:25:18,200 --> 00:25:24,520
Speaker 1: It would be funny if they were the same pain psychiatrist.

568
00:25:24,880 --> 00:25:27,720
Speaker 2: And he's like he's like, he's like and it became

569
00:25:27,720 --> 00:25:29,359
Speaker 2: too much for him, and so he's like, I'm sorry.

570
00:25:29,400 --> 00:25:30,440
Speaker 2: Like John Sarno died.

571
00:25:31,080 --> 00:25:34,560
Speaker 3: Yeah, he faked at yeah yeah, and he.

572
00:25:34,680 --> 00:25:36,639
Speaker 2: Yeah, and he like shuns it and he's like, anyway, sorry,

573
00:25:36,680 --> 00:25:37,960
Speaker 2: I need to focus on Trump now.

574
00:25:39,960 --> 00:25:43,720
Speaker 3: So chronic pain, what love are you needing? And care

575
00:25:43,720 --> 00:25:44,680
Speaker 3: you needing? Do you think?

576
00:25:47,840 --> 00:25:49,920
Speaker 1: Yeah? How can we be how can we support you?

577
00:25:50,040 --> 00:25:51,359
Speaker 3: How can we support you in the stream? I mean

578
00:25:51,400 --> 00:25:53,320
Speaker 3: we could probably make your pain away right now?

579
00:25:53,480 --> 00:25:53,920
Speaker 1: Yeah?

580
00:25:54,400 --> 00:25:56,000
Speaker 2: Oh, I mean I'm not experiencing pain right now.

581
00:25:56,040 --> 00:25:57,480
Speaker 1: Do you want us to give you a massage?

582
00:25:57,800 --> 00:26:00,919
Speaker 2: I honestly really do. There's this bit that I've been

583
00:26:00,920 --> 00:26:05,920
Speaker 2: doing completely, which is I I tell people that I've

584
00:26:05,960 --> 00:26:08,760
Speaker 2: been in physical therapy and that the only part of

585
00:26:08,760 --> 00:26:12,160
Speaker 2: it that feels good is the massage part. And and uh,

586
00:26:12,280 --> 00:26:13,800
Speaker 2: it's the job of the comedian to sort of like

587
00:26:13,840 --> 00:26:15,600
Speaker 2: release tension in the same way that it is the

588
00:26:15,680 --> 00:26:17,719
Speaker 2: job of the miss seward to do so. And so

589
00:26:18,119 --> 00:26:20,680
Speaker 2: instead of performing comedy, I'm gonna have someone else read

590
00:26:20,720 --> 00:26:22,840
Speaker 2: my pieces while I give them a massage. And so

591
00:26:22,960 --> 00:26:26,160
Speaker 2: I've been seeding people down, giving them massages while they

592
00:26:26,280 --> 00:26:27,720
Speaker 2: read off a bunch of old tweets.

593
00:26:27,840 --> 00:26:29,440
Speaker 1: And that's what the lawsuits are about.

594
00:26:29,560 --> 00:26:33,879
Speaker 2: Yeah, no, no lawsuits.

595
00:26:34,000 --> 00:26:38,040
Speaker 1: Oh well, I mean we got an email before we

596
00:26:38,560 --> 00:26:40,960
Speaker 1: had you on warning us that it might be a

597
00:26:40,960 --> 00:26:42,600
Speaker 1: controversial choice because of the lawsuits.

598
00:26:42,600 --> 00:26:46,040
Speaker 2: But no, no, no, no, no, that's the lawsuits are for

599
00:26:46,160 --> 00:26:46,879
Speaker 2: my LLC.

600
00:26:47,000 --> 00:26:47,240
Speaker 5: Not me.

601
00:26:48,320 --> 00:26:50,600
Speaker 3: Oh so that's why that's smart.

602
00:26:51,320 --> 00:26:53,520
Speaker 2: That's why you have an LLC. Yeah, so that no,

603
00:26:53,680 --> 00:26:55,280
Speaker 2: so that you can't be it's like.

604
00:26:55,400 --> 00:26:57,480
Speaker 3: Because it's it's it's actually a perfect thing because you

605
00:26:57,480 --> 00:26:59,879
Speaker 3: don't have to pay taxes then right and you exactly

606
00:26:59,880 --> 00:27:00,920
Speaker 3: I get sued.

607
00:27:00,720 --> 00:27:02,959
Speaker 2: Yeah exactly, and you can't go to jail, like you're

608
00:27:03,160 --> 00:27:04,720
Speaker 2: LLC can go to jail, but you can't.

609
00:27:04,800 --> 00:27:05,760
Speaker 3: Yeah.

610
00:27:05,800 --> 00:27:07,080
Speaker 1: And what's your LLC called?

611
00:27:09,760 --> 00:27:12,280
Speaker 2: Well, it's tricky. It's Max whitter co.

612
00:27:12,960 --> 00:27:15,320
Speaker 1: Oh. So it's not attached to you at.

613
00:27:15,240 --> 00:27:16,960
Speaker 2: All, not attached to me. There's no association.

614
00:27:17,160 --> 00:27:18,400
Speaker 1: Okay, well that's interesting.

615
00:27:18,600 --> 00:27:25,080
Speaker 2: Huh yeah, well that and what's but but here's the

616
00:27:25,200 --> 00:27:31,520
Speaker 2: here's the tricky part is that by this time, uh

617
00:27:32,160 --> 00:27:35,200
Speaker 2: in next year, it's I'm actually going to be I'm

618
00:27:35,280 --> 00:27:39,080
Speaker 2: changing the name of the LLC so so that there's

619
00:27:39,560 --> 00:27:41,000
Speaker 2: really no chance of it being linked to me, and

620
00:27:41,040 --> 00:27:43,440
Speaker 2: it's it's actually going to be called George Severis, Inc.

621
00:27:44,400 --> 00:27:46,800
Speaker 1: And a year from now is of course the date

622
00:27:46,840 --> 00:27:50,560
Speaker 1: of the court date from what I remember. Yeah, so

623
00:27:50,600 --> 00:27:54,400
Speaker 1: you're planning on changing your LLC's name, which is being

624
00:27:54,480 --> 00:28:00,480
Speaker 1: sued for very invasive harassment of comedy audiences. Mm hmm

625
00:28:00,960 --> 00:28:03,520
Speaker 1: to my name another Brooklyn.

626
00:28:03,520 --> 00:28:06,800
Speaker 2: No, no, no, it's George Severi's ink it's not you.

627
00:28:06,920 --> 00:28:08,840
Speaker 1: But don't you think people will associate that with me

628
00:28:08,880 --> 00:28:09,440
Speaker 1: because my name?

629
00:28:09,480 --> 00:28:11,880
Speaker 2: I don't know will they? I mean, that's you sort

630
00:28:11,920 --> 00:28:14,200
Speaker 2: of being narcissistic and bringing it back to you, and

631
00:28:16,000 --> 00:28:17,320
Speaker 2: so you're resenting yourself.

632
00:28:17,400 --> 00:28:19,959
Speaker 1: So if it's not about me, then what inspired then

633
00:28:20,240 --> 00:28:21,440
Speaker 1: could possibly be about?

634
00:28:21,920 --> 00:28:22,080
Speaker 3: Well?

635
00:28:22,119 --> 00:28:25,320
Speaker 1: What inspired? What inspired you to do?

636
00:28:25,680 --> 00:28:27,760
Speaker 2: The brightest light in this room focused right on you?

637
00:28:27,960 --> 00:28:29,840
Speaker 2: I know you set that up before I got here.

638
00:28:31,760 --> 00:28:37,880
Speaker 3: Wow, I mean, I'm just here. I'm just listening. I'm

639
00:28:37,920 --> 00:28:39,520
Speaker 3: just trying to I want you guys to settle it.

640
00:28:39,560 --> 00:28:42,640
Speaker 3: I can't wagh any either side. I'm clearly in the

641
00:28:42,680 --> 00:28:43,440
Speaker 3: mediator role.

642
00:28:43,640 --> 00:28:45,479
Speaker 1: I just want to say, Sam, you know we we

643
00:28:45,520 --> 00:28:47,960
Speaker 1: always say when Max comes on, like, we can't turn

644
00:28:48,000 --> 00:28:50,400
Speaker 1: on one another. We have to be a united front.

645
00:28:50,640 --> 00:28:53,280
Speaker 1: And yet what I'm seeing right now from you is

646
00:28:53,280 --> 00:28:56,120
Speaker 1: a sort of neutrality and situations of injustice.

647
00:28:56,440 --> 00:28:58,280
Speaker 2: Wait, I just remember that I actually have a gift

648
00:28:58,320 --> 00:28:58,880
Speaker 2: for you guys.

649
00:28:59,280 --> 00:28:59,680
Speaker 1: What is it?

650
00:28:59,680 --> 00:29:01,200
Speaker 2: When I can I just go get it. It's in

651
00:29:01,200 --> 00:29:05,280
Speaker 2: my jacket. Okay, just talking about the problem at all. Okay, sure,

652
00:29:05,280 --> 00:29:12,640
Speaker 2: you can just gab on endlessly. Wait where's my jacket?

653
00:29:12,960 --> 00:29:13,360
Speaker 3: Just go?

654
00:29:17,760 --> 00:29:20,080
Speaker 1: I really left behind back there.

655
00:29:21,320 --> 00:29:24,040
Speaker 3: Look, I didn't know what to say. He's in pain? What?

656
00:29:24,360 --> 00:29:27,320
Speaker 1: Oh, so you're so Because Max is in chronic pain,

657
00:29:28,280 --> 00:29:32,200
Speaker 1: it means that he can both sexually harassed comedy audience

658
00:29:32,240 --> 00:29:34,720
Speaker 1: members and frame me for doing the harassing.

659
00:29:34,880 --> 00:29:36,520
Speaker 3: Well, he is framing your ink.

660
00:29:36,920 --> 00:29:38,240
Speaker 1: Oh my god.

661
00:29:38,680 --> 00:29:40,160
Speaker 3: It just makes sense, and it just.

662
00:29:40,040 --> 00:29:43,480
Speaker 1: Makes sense in the Okay, what you have closer?

663
00:29:43,840 --> 00:29:44,320
Speaker 3: Close my eyes.

664
00:29:45,000 --> 00:29:46,479
Speaker 1: Okay, my eyes are closed.

665
00:29:46,720 --> 00:29:50,400
Speaker 2: Hang on a second. I have to sort of wrap

666
00:29:50,480 --> 00:29:51,400
Speaker 2: these really quickly.

667
00:29:51,600 --> 00:29:53,040
Speaker 1: Max, you don't have time to wrap.

668
00:29:54,800 --> 00:29:57,120
Speaker 2: Just lean into it. We have all the time in

669
00:29:57,160 --> 00:29:57,480
Speaker 2: the world.

670
00:29:57,520 --> 00:29:58,240
Speaker 3: We don't have all the time.

671
00:29:58,280 --> 00:30:00,480
Speaker 2: You actually do have all the time in the world.

672
00:30:00,720 --> 00:30:02,680
Speaker 2: And the more pressure that you put on yourself, the

673
00:30:02,680 --> 00:30:06,640
Speaker 2: more pain you're going to experience later on. Okay, you

674
00:30:06,680 --> 00:30:09,320
Speaker 2: can open your eyes now, and your gifts.

675
00:30:10,560 --> 00:30:11,280
Speaker 1: Wrap my gift?

676
00:30:11,680 --> 00:30:15,600
Speaker 3: Oh oh oh the hospital.

677
00:30:15,200 --> 00:30:19,040
Speaker 2: Socks, Yeah yeah, I got those. They those are the

678
00:30:19,080 --> 00:30:21,479
Speaker 2: regulation socks that I was given for my MRI earlier,

679
00:30:22,640 --> 00:30:25,240
Speaker 2: and I wore those from the changing room into the

680
00:30:25,360 --> 00:30:26,360
Speaker 2: MRI room and back.

681
00:30:26,560 --> 00:30:28,360
Speaker 1: Your feet have been in these.

682
00:30:28,240 --> 00:30:30,480
Speaker 2: Yeah, and they've been all over a medical facilities floor

683
00:30:31,000 --> 00:30:35,520
Speaker 2: and the and there's a symbol in this which is excel,

684
00:30:35,680 --> 00:30:38,400
Speaker 2: which is too. Yeah. First of all, which is to

685
00:30:38,440 --> 00:30:40,960
Speaker 2: remind you that every step you guys take in this

686
00:30:41,000 --> 00:30:44,400
Speaker 2: process together, you have to take together, and that every

687
00:30:44,640 --> 00:30:46,920
Speaker 2: one of those steps that you take together is thanks

688
00:30:46,960 --> 00:30:48,959
Speaker 2: to me, so.

689
00:30:48,400 --> 00:30:51,560
Speaker 1: So and again for anyone not watching on YouTube, on

690
00:30:51,640 --> 00:30:56,520
Speaker 1: our wildly undersubscribed YouTube channel, each of us has received

691
00:30:56,560 --> 00:31:00,600
Speaker 1: one sock. These are both meta socks were on your feet, yeah, which, luckily,

692
00:31:00,680 --> 00:31:03,840
Speaker 1: despite our medical issues, you have two of so far.

693
00:31:04,520 --> 00:31:08,840
Speaker 1: And when you said that you wrapped them, you meant

694
00:31:08,840 --> 00:31:10,160
Speaker 1: that you rolled it.

695
00:31:10,160 --> 00:31:11,040
Speaker 3: Up, it up?

696
00:31:11,520 --> 00:31:13,520
Speaker 2: Yeah, I know what a gomi.

697
00:31:13,880 --> 00:31:15,320
Speaker 1: So you just rolled up each sock.

698
00:31:15,440 --> 00:31:16,800
Speaker 3: I don't know that counts are got me.

699
00:31:17,120 --> 00:31:18,840
Speaker 1: I don't think rolling up a sock counters or a

700
00:31:18,880 --> 00:31:19,480
Speaker 1: gomi why not?

701
00:31:20,400 --> 00:31:22,160
Speaker 3: I just well, I think, do you?

702
00:31:22,760 --> 00:31:24,360
Speaker 2: Yeah, what do you know about it? Tell me Sam?

703
00:31:24,440 --> 00:31:25,920
Speaker 2: Telling me everything you know about.

704
00:31:26,000 --> 00:31:27,440
Speaker 1: I only just saw a story to tell.

705
00:31:27,680 --> 00:31:29,080
Speaker 3: I just know there's something to it.

706
00:31:29,600 --> 00:31:32,400
Speaker 1: You're both appropriating it. And bastardizing it.

707
00:31:33,000 --> 00:31:34,840
Speaker 2: How would you know you don't know anything about it?

708
00:31:35,320 --> 00:31:36,520
Speaker 3: What do you know about it? Tell me everything you

709
00:31:36,600 --> 00:31:37,120
Speaker 3: know about it?

710
00:31:37,480 --> 00:31:41,240
Speaker 2: What a gomi started in the sixteenth in the sixties,

711
00:31:41,360 --> 00:31:45,800
Speaker 2: in the sixties, really crazy undergone psychology.

712
00:31:46,000 --> 00:31:47,000
Speaker 3: Somebody did ask.

713
00:31:47,000 --> 00:31:49,360
Speaker 1: I have a question for you. These socks. Okay, you've

714
00:31:49,360 --> 00:31:50,840
Speaker 1: worn them, your feet had been in them.

715
00:31:50,880 --> 00:31:52,240
Speaker 2: Yeah, you can't get enough of it?

716
00:31:52,400 --> 00:31:55,240
Speaker 1: You are now you are you know you're someone who

717
00:31:55,240 --> 00:31:56,760
Speaker 1: has been on this podcast. I think at this point

718
00:31:56,840 --> 00:32:00,280
Speaker 1: four to six times, forty six times to six times,

719
00:32:00,320 --> 00:32:01,120
Speaker 1: please pay attention.

720
00:32:01,160 --> 00:32:02,800
Speaker 3: It would be forty six if we said yes as

721
00:32:02,800 --> 00:32:04,320
Speaker 3: many times as you were asking Jesus.

722
00:32:04,040 --> 00:32:07,040
Speaker 2: Crazy every forty six if it was every time you

723
00:32:07,080 --> 00:32:08,840
Speaker 2: mentioned my fucking name, if every time.

724
00:32:08,720 --> 00:32:10,400
Speaker 1: You had a set at a bar show and you

725
00:32:10,560 --> 00:32:15,080
Speaker 1: message us saying can I please show? But luckily you

726
00:32:15,080 --> 00:32:17,080
Speaker 1: know we are very kind and very understanding. But my

727
00:32:17,160 --> 00:32:18,760
Speaker 1: question for you is, you know, people at this point

728
00:32:18,880 --> 00:32:22,120
Speaker 1: know you, again, mostly as a character on our podcast.

729
00:32:23,120 --> 00:32:25,280
Speaker 1: How much money do you think you could get selling

730
00:32:25,320 --> 00:32:27,640
Speaker 1: these worn hospital socks online?

731
00:32:28,280 --> 00:32:30,600
Speaker 2: I don't know. You'll have to find out for me,

732
00:32:30,800 --> 00:32:33,959
Speaker 2: because you know I would never stoop so low. But

733
00:32:34,280 --> 00:32:36,640
Speaker 2: you be your mind goes there, so go for it.

734
00:32:36,720 --> 00:32:37,960
Speaker 3: I want to talk about something, and I.

735
00:32:37,880 --> 00:32:39,240
Speaker 2: Will say that the more that you handle it, the

736
00:32:39,320 --> 00:32:42,040
Speaker 2: less valuable it becomes. So just something to consider.

737
00:32:42,560 --> 00:32:45,880
Speaker 3: I want to say something. Yeah, something interesting is happening

738
00:32:45,880 --> 00:32:46,520
Speaker 3: with this dynamic.

739
00:32:46,560 --> 00:32:50,120
Speaker 2: Okay, I think you're being completely abandoned. No, no, no, yeah.

740
00:32:50,200 --> 00:32:54,120
Speaker 3: I think that you have actually come in with less

741
00:32:54,120 --> 00:32:56,840
Speaker 3: guns blazing than you normally would. I think you actually

742
00:32:56,880 --> 00:32:58,800
Speaker 3: are trying to make amends, and I think we don't

743
00:32:58,800 --> 00:33:00,800
Speaker 3: know how to deal with it. Yeah, we keep being like,

744
00:33:00,880 --> 00:33:03,000
Speaker 3: be mean to us, be mean to us, and by

745
00:33:03,040 --> 00:33:04,680
Speaker 3: not being mean back, we look insane.

746
00:33:04,960 --> 00:33:07,120
Speaker 1: Yeah yeah, but don't you think that that is literally

747
00:33:07,400 --> 00:33:10,640
Speaker 1: his last trick, The last trick the devil played is

748
00:33:10,680 --> 00:33:13,600
Speaker 1: coming in and gas lighting us into us being the

749
00:33:13,640 --> 00:33:16,760
Speaker 1: bad guy because you are tricking us into.

750
00:33:16,880 --> 00:33:20,040
Speaker 2: I'm gaslighting you by being completely silent while you just

751
00:33:20,280 --> 00:33:26,360
Speaker 2: give me every insult you can think to make.

752
00:33:26,600 --> 00:33:29,240
Speaker 1: You just left the room, got your jacket, took out

753
00:33:29,280 --> 00:33:31,480
Speaker 1: two used socks, roll them up and gave them to

754
00:33:31,560 --> 00:33:32,240
Speaker 1: us as a gift.

755
00:33:32,640 --> 00:33:37,280
Speaker 2: I left the room, gave you space, and you still

756
00:33:37,400 --> 00:33:42,040
Speaker 2: are obsessed with me. Well, I gave pros, I gave

757
00:33:42,080 --> 00:33:43,800
Speaker 2: you space to process.

758
00:33:44,120 --> 00:33:46,200
Speaker 1: The idea that we are we are interacting with you

759
00:33:46,200 --> 00:33:48,360
Speaker 1: because you're the guest. And then your response is why

760
00:33:48,400 --> 00:33:51,640
Speaker 1: are you obsessed with me? Is that not gaslighting? That

761
00:33:51,720 --> 00:33:53,480
Speaker 1: is not gas I would say textbook definition?

762
00:33:54,840 --> 00:33:56,160
Speaker 2: Is there even a textbook definition?

763
00:33:56,360 --> 00:33:57,920
Speaker 1: Yes, well someone is not up to date.

764
00:33:58,120 --> 00:33:58,800
Speaker 3: It's in a book.

765
00:34:01,080 --> 00:34:03,000
Speaker 1: Is this a Is this a manary?

766
00:34:03,120 --> 00:34:03,360
Speaker 2: Yeah?

767
00:34:03,880 --> 00:34:04,360
Speaker 1: Open it.

768
00:34:05,520 --> 00:34:09,080
Speaker 2: I don't give me yet the app. Oh so now

769
00:34:09,080 --> 00:34:14,480
Speaker 2: it's okay to read things online. Oh my god, my

770
00:34:14,520 --> 00:34:17,120
Speaker 2: tables have turned interesting.

771
00:34:17,320 --> 00:34:22,520
Speaker 1: That's a really good point again, completely the way that

772
00:34:22,600 --> 00:34:23,799
Speaker 1: you are so easily sway.

773
00:34:24,000 --> 00:34:25,840
Speaker 3: Look, I can't help, but I have a moral compass

774
00:34:25,880 --> 00:34:27,839
Speaker 3: and I'm really just trying to live in them.

775
00:34:27,840 --> 00:34:29,839
Speaker 2: Are you guys going to start this podcast at some point?

776
00:34:29,960 --> 00:34:31,799
Speaker 1: Should we our first second? Let's do our first second,

777
00:34:31,800 --> 00:34:33,800
Speaker 1: our first segment, maxa.

778
00:34:33,719 --> 00:34:36,000
Speaker 2: As if you've even figured this out yet, what do

779
00:34:36,080 --> 00:34:38,040
Speaker 2: you mean you guys still have no idea what you're

780
00:34:38,080 --> 00:34:38,880
Speaker 2: doing with this thing.

781
00:34:38,880 --> 00:34:44,600
Speaker 3: This segment, this podcast, This is a beloved podcast performing at.

782
00:34:44,480 --> 00:34:46,200
Speaker 1: The Sphere in Las Vegas next month.

783
00:34:46,760 --> 00:34:48,560
Speaker 2: Oh no, it is that bad.

784
00:34:56,320 --> 00:34:59,319
Speaker 3: Max, George, will you explain it? I can't do it.

785
00:35:00,160 --> 00:35:02,360
Speaker 1: Our first segment is called straight shooters, and in this segment,

786
00:35:02,400 --> 00:35:04,360
Speaker 1: we ask you a series of rapid fire questions to

787
00:35:04,400 --> 00:35:07,239
Speaker 1: get your familiarity with straight culture and the one who

788
00:35:07,320 --> 00:35:08,680
Speaker 1: is you can't ask questions.

789
00:35:08,680 --> 00:35:09,560
Speaker 2: Are you ready?

790
00:35:10,760 --> 00:35:11,160
Speaker 1: Max?

791
00:35:14,200 --> 00:35:16,840
Speaker 2: That's what you sound like. That is not what I

792
00:35:16,880 --> 00:35:18,279
Speaker 2: sound That is not what I sound like.

793
00:35:19,520 --> 00:35:20,680
Speaker 3: He's doing speech pathology.

794
00:35:20,920 --> 00:35:22,880
Speaker 2: Okay, so exactly, I'm doing speech pathology.

795
00:35:23,360 --> 00:35:23,520
Speaker 3: Now.

796
00:35:23,560 --> 00:35:27,520
Speaker 1: You are being kind to us. Friends. That did you

797
00:35:27,560 --> 00:35:29,760
Speaker 1: a favor by having you on our podcast.

798
00:35:29,960 --> 00:35:32,560
Speaker 2: What I'm doing right now was called therapy. Okay. What

799
00:35:32,600 --> 00:35:35,200
Speaker 2: a therapist does is they sort of reflect what you've

800
00:35:35,239 --> 00:35:38,920
Speaker 2: given them by mocking your voice. I'm talking right now,

801
00:35:39,560 --> 00:35:41,800
Speaker 2: and you just will not stop.

802
00:35:41,880 --> 00:35:44,920
Speaker 1: As an LGBTQ plus American, I was mocked for my

803
00:35:45,080 --> 00:35:49,719
Speaker 1: plus for you Greek, I was.

804
00:35:49,680 --> 00:35:53,520
Speaker 2: Mocked for them the time. The Greek Orthodox cross.

805
00:35:53,600 --> 00:35:58,360
Speaker 1: That's right, Orthodox cross, and I wear it proudly. Yeah, Max.

806
00:36:00,239 --> 00:36:02,160
Speaker 1: Capture the flag or manufacture a bag.

807
00:36:04,400 --> 00:36:06,000
Speaker 2: Capture the flag, Max.

808
00:36:06,160 --> 00:36:08,880
Speaker 3: Loss of childhood innocence or gain of cognitive dissonance.

809
00:36:13,280 --> 00:36:14,719
Speaker 2: Gain of cognitive dissonance.

810
00:36:14,800 --> 00:36:17,360
Speaker 1: The mask of Zoro or her past is unknown.

811
00:36:17,960 --> 00:36:18,440
Speaker 2: The mask of.

812
00:36:18,480 --> 00:36:21,000
Speaker 3: Zorro being witty or showing titty.

813
00:36:21,120 --> 00:36:25,359
Speaker 1: Being witty attending a masquerade ball or offending at Union Hall?

814
00:36:25,840 --> 00:36:30,160
Speaker 2: What I'm speaking? Sorry at this point, I'm just starting

815
00:36:30,160 --> 00:36:32,960
Speaker 2: to tune it out. What was it offending the audience

816
00:36:33,000 --> 00:36:33,600
Speaker 2: at Union Hall?

817
00:36:33,719 --> 00:36:36,919
Speaker 1: Or Okay, yeah, Hi, that's the answer I heard.

818
00:36:37,000 --> 00:36:42,160
Speaker 3: Okay, Max, flip flops tic TACs or Osh.

819
00:36:43,800 --> 00:36:46,640
Speaker 2: Flip flop. I never understood why you guys did this.

820
00:36:47,280 --> 00:36:49,880
Speaker 1: The final countdown or the anal ass pound?

821
00:36:51,280 --> 00:36:53,680
Speaker 2: You you anal ass pound?

822
00:36:55,320 --> 00:36:57,640
Speaker 3: Angel Haired pasta or Devil Wears product.

823
00:36:57,320 --> 00:36:59,680
Speaker 2: Angel Hair Pasta? Yes?

824
00:37:00,520 --> 00:37:04,359
Speaker 1: Yeah, okay, you guys are bonding. I get it.

825
00:37:04,880 --> 00:37:06,600
Speaker 3: No, do you not like angel Heirdapasta?

826
00:37:06,760 --> 00:37:08,800
Speaker 1: Max? What is your straight topic that you brought to me?

827
00:37:09,280 --> 00:37:10,200
Speaker 1: What makes it straight?

828
00:37:10,239 --> 00:37:10,439
Speaker 3: Wait?

829
00:37:10,520 --> 00:37:14,560
Speaker 2: Do you I want to know the answer to this question, Apasta?

830
00:37:14,800 --> 00:37:16,880
Speaker 1: I growing up it was a thing you had when

831
00:37:16,880 --> 00:37:19,879
Speaker 1: you were sick? Is that? Do you not feel that way?

832
00:37:20,200 --> 00:37:20,719
Speaker 3: I don't know.

833
00:37:20,960 --> 00:37:23,040
Speaker 2: Okay, so that no, I was deprived of everything when

834
00:37:23,080 --> 00:37:23,440
Speaker 2: I That.

835
00:37:23,440 --> 00:37:25,719
Speaker 1: Might be that might be sort of a Greek grandma thing.

836
00:37:25,760 --> 00:37:29,240
Speaker 1: It's like I think it's like there's you're so weak,

837
00:37:29,400 --> 00:37:31,160
Speaker 1: they're so weak, and all you can handle you can

838
00:37:31,480 --> 00:37:34,800
Speaker 1: handle skinny pastas. Yeah, and it was like soupy. It

839
00:37:34,800 --> 00:37:37,360
Speaker 1: would be like almost like with the pasta broth in it.

840
00:37:37,440 --> 00:37:39,160
Speaker 2: Yeah, yeah, yah, sure, well I think that's actually the

841
00:37:39,160 --> 00:37:40,400
Speaker 2: original intention, to be.

842
00:37:40,520 --> 00:37:45,200
Speaker 1: Exactly, I'm sorry, Oh you know what I forgive you.

843
00:37:48,120 --> 00:37:51,560
Speaker 1: So that's that was my initial association with it. And

844
00:37:51,600 --> 00:37:53,760
Speaker 1: then I actually had a renaissance of angel hair pasta

845
00:37:53,800 --> 00:37:55,239
Speaker 1: when I was in my twenties, and I was like, oh,

846
00:37:55,320 --> 00:37:56,080
Speaker 1: how fun.

847
00:37:55,960 --> 00:37:58,120
Speaker 2: And You're like, I can eat it when exactly whenever,

848
00:37:58,280 --> 00:37:59,320
Speaker 2: any stage.

849
00:37:59,320 --> 00:38:03,000
Speaker 1: But then I sort of rediscovered that ultimately, objectively speaking,

850
00:38:03,040 --> 00:38:04,080
Speaker 1: normal posta.

851
00:38:03,880 --> 00:38:08,560
Speaker 2: Is better normal normal normal, Like what do you do

852
00:38:08,640 --> 00:38:10,880
Speaker 2: you think spaghetti is normal, thick.

853
00:38:10,800 --> 00:38:14,040
Speaker 1: Thick pasta, not thin angel hair pasta?

854
00:38:14,719 --> 00:38:19,160
Speaker 2: You think thick is normal and thin is abnormal? Yeah?

855
00:38:19,200 --> 00:38:22,760
Speaker 1: Do you think the opposite? Because you're not body positive?

856
00:38:22,800 --> 00:38:23,840
Speaker 2: I think they're all normal.

857
00:38:24,880 --> 00:38:30,160
Speaker 1: No. Interesting, do you if someone were to offer you

858
00:38:30,440 --> 00:38:33,960
Speaker 1: spaghetti and angel hair pasta together, preparation was the same,

859
00:38:34,000 --> 00:38:34,960
Speaker 1: which one would you choose?

860
00:38:37,480 --> 00:38:40,200
Speaker 2: An hair? Hair? You would chose anal hair?

861
00:38:41,000 --> 00:38:44,040
Speaker 3: I say one thing, I would choose angel hair pasta

862
00:38:44,280 --> 00:38:45,440
Speaker 3: over spaghetti right now.

863
00:38:45,520 --> 00:38:47,480
Speaker 2: Yeah, because we keep talking about it and I'm craving it.

864
00:38:47,719 --> 00:38:51,920
Speaker 2: I mean, it's the thin, silkily slipping all of my

865
00:38:54,440 --> 00:38:57,920
Speaker 2: delicate railing down my throat like a liquid sort of

866
00:38:57,960 --> 00:39:00,880
Speaker 2: slap slap, slippy, sloppy all over my chin and lips.

867
00:39:02,000 --> 00:39:03,200
Speaker 3: I also find it softer.

868
00:39:03,400 --> 00:39:07,040
Speaker 2: I find it to find it slippers slops, soft drip,

869
00:39:07,120 --> 00:39:07,799
Speaker 2: dribblely dip.

870
00:39:11,760 --> 00:39:17,719
Speaker 1: Okay, well, I have to say, I'm the majority of

871
00:39:17,840 --> 00:39:21,080
Speaker 1: people would prefer spaghetti to angel hair posta if both

872
00:39:21,080 --> 00:39:21,960
Speaker 1: of them were prepared.

873
00:39:22,320 --> 00:39:23,840
Speaker 2: Oh and by the way, but the fact that you

874
00:39:23,880 --> 00:39:26,760
Speaker 2: would say that that I'm not like the majority of people.

875
00:39:26,800 --> 00:39:28,600
Speaker 2: I take that as a compliment.

876
00:39:28,600 --> 00:39:31,320
Speaker 1: Right, and that is your right to take.

877
00:39:31,160 --> 00:39:33,239
Speaker 2: That, And that's the most And that's like a very

878
00:39:33,320 --> 00:39:37,239
Speaker 2: LGBT sort of framework. I mean, not the plus because

879
00:39:37,239 --> 00:39:38,240
Speaker 2: it's not Greek orthodism.

880
00:39:38,280 --> 00:39:41,440
Speaker 1: Yeah, yeah, yeah, I guess it's LGBT to be in

881
00:39:41,520 --> 00:39:45,880
Speaker 1: the minority of the population. But just by virtue of

882
00:39:45,920 --> 00:39:47,640
Speaker 1: being in the minority, in the minority.

883
00:39:47,360 --> 00:39:49,880
Speaker 2: Of population, that's actually a really interesting thing to think of,

884
00:39:51,760 --> 00:39:57,960
Speaker 2: just whether or not being a minority is gay. No,

885
00:40:00,920 --> 00:40:02,600
Speaker 2: you're like, no, that's not what I just said. So

886
00:40:02,640 --> 00:40:04,000
Speaker 2: it is absolutely you just said.

887
00:40:04,239 --> 00:40:06,800
Speaker 1: No, I'm saying the opposite what I'm saying.

888
00:40:07,840 --> 00:40:10,800
Speaker 2: There are my You're saying it's gay to be the majority.

889
00:40:10,800 --> 00:40:13,200
Speaker 1: No, let's listen. What is the most unethical thing you

890
00:40:13,200 --> 00:40:16,360
Speaker 1: can think of having? Being a murderer?

891
00:40:16,440 --> 00:40:18,800
Speaker 3: Okay, being a murderer, or healthcare system?

892
00:40:19,040 --> 00:40:24,520
Speaker 2: Yeah, oh there you go, fast fashion, yes, litter.

893
00:40:25,200 --> 00:40:25,760
Speaker 3: Yeah, litter.

894
00:40:27,480 --> 00:40:30,960
Speaker 1: Okay, all right, wait, well that doesn't work with what

895
00:40:31,000 --> 00:40:31,640
Speaker 1: I'm trying to say.

896
00:40:32,239 --> 00:40:34,680
Speaker 2: Oh oh holes in your logic.

897
00:40:34,840 --> 00:40:36,279
Speaker 1: What is your straight topic.

898
00:40:37,719 --> 00:40:38,000
Speaker 2: Love?

899
00:40:38,480 --> 00:40:39,680
Speaker 1: So tell us about that.

900
00:40:39,800 --> 00:40:45,960
Speaker 2: Okay, So I think love is a principle is very straight. Yeah,

901
00:40:46,160 --> 00:40:47,280
Speaker 2: for the following reasons.

902
00:40:47,320 --> 00:40:48,879
Speaker 1: Okay, and you're getting a romantic love.

903
00:40:49,400 --> 00:40:51,520
Speaker 2: I'm going to talk the whole. Well, this is one

904
00:40:51,560 --> 00:40:52,880
Speaker 2: of the problems. This is one of the problems with

905
00:40:52,960 --> 00:40:55,359
Speaker 2: it is that it's like it's it's very uh, it's

906
00:40:55,400 --> 00:40:57,120
Speaker 2: really up for debate. But that word actually even means

907
00:40:57,480 --> 00:41:00,600
Speaker 2: but I think that straight people are complete obsessed with it,

908
00:41:01,239 --> 00:41:04,040
Speaker 2: which is why, like the only way that gay people

909
00:41:04,160 --> 00:41:06,520
Speaker 2: could start to gain rights is by framing it as

910
00:41:06,560 --> 00:41:09,200
Speaker 2: being about love the whole, Like love is love thing

911
00:41:09,440 --> 00:41:12,200
Speaker 2: right when love and it's like it's like, first of all,

912
00:41:12,440 --> 00:41:16,160
Speaker 2: like like actually like love is like not love sometimes

913
00:41:16,160 --> 00:41:19,600
Speaker 2: sometimes it's actually really not. But but like there's no

914
00:41:19,680 --> 00:41:22,439
Speaker 2: one that was ever like like oh, actually, I don't

915
00:41:22,440 --> 00:41:32,000
Speaker 2: think that let me back up, gay people. Gay people

916
00:41:32,000 --> 00:41:34,799
Speaker 2: are a problem whether they're experiencing love or not. Right,

917
00:41:34,880 --> 00:41:37,239
Speaker 2: it's like, and so the problem. The question isn't whether

918
00:41:37,280 --> 00:41:38,800
Speaker 2: or not love is love. The question is whether or

919
00:41:38,840 --> 00:41:40,880
Speaker 2: not like but is pussy? Right?

920
00:41:40,960 --> 00:41:47,879
Speaker 1: Wait, so like, okay, that's actually genuinely a good point, right,

921
00:41:48,160 --> 00:41:50,920
Speaker 1: So that is what's being debated. There is no one, like,

922
00:41:51,160 --> 00:41:53,800
Speaker 1: no one who is you know, against gay rights is

923
00:41:53,960 --> 00:41:56,719
Speaker 1: arguing love isn't love. Right, They're just arguing, don't put that.

924
00:41:56,760 --> 00:42:01,440
Speaker 2: There, exactly exactly, yeah, exactly. And Also a subject that

925
00:42:01,440 --> 00:42:03,840
Speaker 2: I was thinking about is how like the very existent

926
00:42:04,040 --> 00:42:06,960
Speaker 2: So the idea of love and like romance that persists

927
00:42:07,120 --> 00:42:11,560
Speaker 2: in the culture is like very much about loving another,

928
00:42:12,080 --> 00:42:14,799
Speaker 2: at which whether that person is someone of your gender

929
00:42:14,920 --> 00:42:18,880
Speaker 2: or not, is actually still very hetero because it's about

930
00:42:18,960 --> 00:42:22,000
Speaker 2: the other. And yeah, well no, it's about well, it's

931
00:42:22,040 --> 00:42:26,000
Speaker 2: about two entities, and the very nature of loving something

932
00:42:26,080 --> 00:42:30,200
Speaker 2: outside of yourself is actually heterosexual. Yeah, And which is

933
00:42:30,239 --> 00:42:32,799
Speaker 2: why I think that a lot of gay people are

934
00:42:33,640 --> 00:42:39,240
Speaker 2: really like publicly grossed out by gay twins gay twinning,

935
00:42:39,400 --> 00:42:43,319
Speaker 2: because it's like the one vestige left of like something

936
00:42:43,400 --> 00:42:48,040
Speaker 2: that's like esthetically actually homo erotic and and they're exercising

937
00:42:48,080 --> 00:42:51,400
Speaker 2: their final amount of homo phobia.

938
00:42:51,520 --> 00:42:56,000
Speaker 1: So you're basically saying you're taking the words right words

939
00:42:56,080 --> 00:42:58,560
Speaker 1: hetero and homo as literally as possible.

940
00:42:58,680 --> 00:42:58,879
Speaker 3: Yeah.

941
00:42:58,960 --> 00:43:02,439
Speaker 1: Hetero from the Greek heros means different. Do you see

942
00:43:02,480 --> 00:43:07,399
Speaker 1: how you just homo. He's like hetero from the Greek

943
00:43:07,400 --> 00:43:11,239
Speaker 1: word burrito means different. Homo from the Greek word chal

944
00:43:14,320 --> 00:43:19,960
Speaker 1: means the same. So you are basically saying, like, no,

945
00:43:20,120 --> 00:43:21,520
Speaker 1: this is actually like such, No, there's.

946
00:43:21,360 --> 00:43:24,319
Speaker 3: Something because it's all right the whole like siblings are

947
00:43:24,400 --> 00:43:27,279
Speaker 3: dating trend even among straight people. If the straight people

948
00:43:27,320 --> 00:43:29,279
Speaker 3: look too similar, we all get to be like.

949
00:43:29,520 --> 00:43:35,120
Speaker 2: Stupid, yeah exactly, gay yeah yeah, gay yeah, gay pejoratives.

950
00:43:35,160 --> 00:43:39,239
Speaker 1: So, in fact, the most the last taboo is identical

951
00:43:39,440 --> 00:43:40,799
Speaker 1: twins dating.

952
00:43:40,840 --> 00:43:47,120
Speaker 2: Which, by the way, I finally found like a Twitter account.

953
00:43:47,320 --> 00:43:49,000
Speaker 3: Congratuation of that.

954
00:43:49,440 --> 00:43:53,600
Speaker 1: Yeah, so you're really doing the works of gay acceptance.

955
00:43:54,400 --> 00:43:57,680
Speaker 2: Yeah, I mean, I'm really open to exploring all sort

956
00:43:57,719 --> 00:44:02,320
Speaker 2: of like corners of you know, like the psyche. I

957
00:44:02,400 --> 00:44:04,759
Speaker 2: have a question for you, including twin says that.

958
00:44:05,520 --> 00:44:09,600
Speaker 1: So, taking this sort of to another step, do you

959
00:44:09,640 --> 00:44:12,320
Speaker 1: think the more different two people are, the straighter to

960
00:44:12,320 --> 00:44:14,480
Speaker 1: the relationship because I actually could see it being the I.

961
00:44:15,000 --> 00:44:18,920
Speaker 1: But I also don't you think like sort of like the.

962
00:44:18,960 --> 00:44:20,839
Speaker 2: More different you're gonna say, the more different than they are,

963
00:44:21,000 --> 00:44:23,920
Speaker 2: the more distance there's exact they're actually totally saying exactly.

964
00:44:24,160 --> 00:44:29,000
Speaker 1: Well, no, not obsessed, but just like the less natural

965
00:44:29,320 --> 00:44:31,919
Speaker 1: Like there's almost like a sweet spot, and the sweet

966
00:44:31,960 --> 00:44:35,960
Speaker 1: spot is like man and women on top like wedding toppers,

967
00:44:36,520 --> 00:44:41,360
Speaker 1: like like Google image search, couple in a house with

968
00:44:41,440 --> 00:44:45,439
Speaker 1: white picket fence whatever. But then imagine like older woman

969
00:44:45,560 --> 00:44:49,520
Speaker 1: with younger guy. That's not more straight, that's more queer,

970
00:44:50,520 --> 00:44:53,279
Speaker 1: you know what I mean? At some point it becomes at.

971
00:44:53,200 --> 00:44:54,880
Speaker 2: Some points sort of like it's sort of like if

972
00:44:54,920 --> 00:44:58,160
Speaker 2: you imagine like a panoramic photo, like going all the

973
00:44:58,200 --> 00:45:00,640
Speaker 2: way around until you actually get back to the starting

974
00:45:00,640 --> 00:45:01,160
Speaker 2: thing exactly.

975
00:45:01,239 --> 00:45:03,839
Speaker 1: It's like, really horseshoe theory, which is what everyone thing

976
00:45:03,920 --> 00:45:04,520
Speaker 1: comes back to.

977
00:45:05,080 --> 00:45:08,280
Speaker 2: Oh, which is kind of poorly named because horse Actually

978
00:45:08,360 --> 00:45:09,320
Speaker 2: it should be a circle.

979
00:45:09,440 --> 00:45:10,160
Speaker 3: It should be a circle.

980
00:45:10,280 --> 00:45:11,560
Speaker 2: Yeah, it should be a bracelet theory.

981
00:45:11,760 --> 00:45:12,359
Speaker 1: Bracelet theory.

982
00:45:12,440 --> 00:45:14,640
Speaker 2: Yeah, it would be the watch theory.

983
00:45:14,680 --> 00:45:19,200
Speaker 1: Okay, so Gucci watched. The theory is that is horseshoe

984
00:45:19,239 --> 00:45:21,520
Speaker 1: theory but right exactly okay.

985
00:45:21,360 --> 00:45:23,120
Speaker 3: But correct, but only cost one dollar.

986
00:45:23,600 --> 00:45:26,040
Speaker 2: And what do you guys think of the notion of

987
00:45:26,120 --> 00:45:29,719
Speaker 2: polarity When people are talking about things being polaris it's

988
00:45:29,719 --> 00:45:32,000
Speaker 2: attract Well okay, this is something that I want to

989
00:45:32,000 --> 00:45:35,280
Speaker 2: talk about, the idea, the idea that poles are opposites,

990
00:45:35,600 --> 00:45:37,440
Speaker 2: when I don't they're actually kind of the.

991
00:45:37,440 --> 00:45:39,120
Speaker 1: Opposites are middle versus poles.

992
00:45:39,239 --> 00:45:44,239
Speaker 2: Yeah, yeah, I agree, the middle versus explain Okay, So,

993
00:45:44,480 --> 00:45:47,960
Speaker 2: like the simplest analogy that I can think of, the

994
00:45:48,120 --> 00:45:50,279
Speaker 2: poles are like the poles of this earth. Right, It's

995
00:45:50,320 --> 00:45:52,000
Speaker 2: like you think of the north and the South pole. There,

996
00:45:52,040 --> 00:45:54,640
Speaker 2: they're basically the same thing. I mean, you know, you

997
00:45:54,680 --> 00:45:55,360
Speaker 2: wouldn't say.

998
00:45:55,239 --> 00:45:57,280
Speaker 1: The north pole is opposite the South pole? What's opposite

999
00:45:57,320 --> 00:45:57,759
Speaker 1: as being like.

1000
00:45:57,800 --> 00:46:01,760
Speaker 2: It's like yeah in Ecuador, yeah right, sure, sure, sure.

1001
00:46:01,760 --> 00:46:03,879
Speaker 1: Where my mother was researching spiders before she died.

1002
00:46:04,400 --> 00:46:04,600
Speaker 2: Do you.

1003
00:46:08,040 --> 00:46:09,839
Speaker 3: Okay, do you mean the weather?

1004
00:46:10,840 --> 00:46:13,320
Speaker 1: I basically everything about them.

1005
00:46:14,320 --> 00:46:17,360
Speaker 3: Because the difference, of course isn't the weather. It's the

1006
00:46:17,360 --> 00:46:18,799
Speaker 3: one is north and one in the south. But I'm

1007
00:46:18,800 --> 00:46:20,000
Speaker 3: also okay, but it's like a location.

1008
00:46:20,120 --> 00:46:22,239
Speaker 2: But then you think of like when people are talking

1009
00:46:22,239 --> 00:46:25,640
Speaker 2: about like politics, being so polarizing, and you know, and

1010
00:46:25,760 --> 00:46:28,120
Speaker 2: then and then at the same time, people are like

1011
00:46:28,560 --> 00:46:32,400
Speaker 2: are like, like the two party system is false because

1012
00:46:32,600 --> 00:46:36,480
Speaker 2: like they're actually just the same, and you know it's anyway, Well,

1013
00:46:36,480 --> 00:46:39,239
Speaker 2: you know, I'm kind of spaghetti at the wall. I'm

1014
00:46:39,239 --> 00:46:40,400
Speaker 2: throwing spaghet at the wall right now.

1015
00:46:40,480 --> 00:46:42,520
Speaker 1: Oh so you're wasting all the spaghetti, but keep.

1016
00:46:42,400 --> 00:46:44,800
Speaker 2: Why wouldn't I there's so much of it. What you

1017
00:46:44,920 --> 00:46:49,520
Speaker 2: are pointing to everyone apparently, Yeah, it's queer to throw

1018
00:46:49,520 --> 00:46:50,239
Speaker 2: spaghetti around.

1019
00:46:50,320 --> 00:46:51,799
Speaker 1: Oh yeah, and you guys are in a table being

1020
00:46:51,840 --> 00:46:53,839
Speaker 1: bitchy gig as with the angel hair pasta in the corner.

1021
00:46:54,480 --> 00:46:56,000
Speaker 3: We ordered spaghetti just to throw.

1022
00:46:57,360 --> 00:47:00,520
Speaker 2: I'm sorry you tell me that if you had the opportunity,

1023
00:47:00,600 --> 00:47:02,600
Speaker 2: if someone was like, I can either give you spaghetti,

1024
00:47:02,760 --> 00:47:05,000
Speaker 2: or I can take each strand of spaghetti and I

1025
00:47:05,040 --> 00:47:08,840
Speaker 2: can cut it down the middle. That's exactly You're right.

1026
00:47:08,920 --> 00:47:09,480
Speaker 3: They quarter it.

1027
00:47:10,480 --> 00:47:13,480
Speaker 1: Yeah, okay, but can I I'm really responding to what

1028
00:47:13,520 --> 00:47:16,120
Speaker 1: you're saying, and what you're saying actually essentially boils down

1029
00:47:16,160 --> 00:47:20,400
Speaker 1: to literally rejecting binaries, because you're basically saying, the difference

1030
00:47:20,480 --> 00:47:23,360
Speaker 1: isn't A or B, the difference is buying into airb

1031
00:47:23,520 --> 00:47:25,359
Speaker 1: or not buying into a Yeah, right.

1032
00:47:25,800 --> 00:47:29,279
Speaker 2: Sure, no, I don't think mathematically like that, but I'm not.

1033
00:47:29,640 --> 00:47:31,640
Speaker 1: But that's the whole point of rejecting.

1034
00:47:31,920 --> 00:47:34,800
Speaker 2: But that's the whole point of my podcasts.

1035
00:47:35,840 --> 00:47:37,120
Speaker 1: I'm trying to agree with you.

1036
00:47:37,360 --> 00:47:39,680
Speaker 2: Oh okay, do I see what I'm saying. I'm trying

1037
00:47:39,760 --> 00:47:44,120
Speaker 2: to I actually have no, I'm being a bitch, but

1038
00:47:44,160 --> 00:47:45,200
Speaker 2: actually no, I don't know what you're talking.

1039
00:47:45,320 --> 00:47:46,560
Speaker 3: Yeah, I'm like trying to get up.

1040
00:47:46,560 --> 00:47:49,239
Speaker 1: Well you're trying. I mean this entire thing. What you're

1041
00:47:49,280 --> 00:47:53,480
Speaker 1: saying is like the two poles are actually not opposites. Okay, right, Well,

1042
00:47:53,560 --> 00:47:56,280
Speaker 1: isn't that literally like rejecting a binary.

1043
00:47:56,280 --> 00:48:00,880
Speaker 2: Two poles aren't Is that two poles? That aren't that?

1044
00:48:01,480 --> 00:48:04,160
Speaker 2: And so the problem is that then they're not going

1045
00:48:04,239 --> 00:48:06,160
Speaker 2: to come together because they're rejecting.

1046
00:48:06,200 --> 00:48:06,920
Speaker 3: But that's rejecting.

1047
00:48:07,200 --> 00:48:10,520
Speaker 2: But an which are total, which doesn't make sense, doesn't

1048
00:48:10,520 --> 00:48:10,879
Speaker 2: make sense.

1049
00:48:11,040 --> 00:48:11,920
Speaker 3: So here's my issue.

1050
00:48:12,239 --> 00:48:14,719
Speaker 1: They just are opposites north and south.

1051
00:48:14,840 --> 00:48:17,000
Speaker 2: Yeah, that's your issue.

1052
00:48:18,960 --> 00:48:20,480
Speaker 1: Why is not? Why is north?

1053
00:48:21,640 --> 00:48:23,480
Speaker 3: Because one is north and one south. They're on the

1054
00:48:23,520 --> 00:48:24,840
Speaker 3: opposite sides of the globe.

1055
00:48:26,320 --> 00:48:27,240
Speaker 2: But is it opposite?

1056
00:48:27,239 --> 00:48:28,880
Speaker 3: That's literally opposite.

1057
00:48:31,640 --> 00:48:34,959
Speaker 2: Hot But it's also the kind of thing where it's like, okay,

1058
00:48:35,200 --> 00:48:38,480
Speaker 2: what like, okay, what is the Obviously.

1059
00:48:38,200 --> 00:48:40,239
Speaker 3: There's a spectrum. You can be in the middle of north.

1060
00:48:40,640 --> 00:48:43,759
Speaker 1: What you're saying is you can accept Okay. So what

1061
00:48:43,840 --> 00:48:45,800
Speaker 1: you're saying is you can accept opposite the theory of

1062
00:48:45,840 --> 00:48:50,000
Speaker 1: opposites while maintaining that a binary, that a spectrum exists. Yeah, okay,

1063
00:48:50,080 --> 00:48:51,840
Speaker 1: I see, So you don't have to actually reject a

1064
00:48:51,920 --> 00:48:54,000
Speaker 1: binary to accept a spectrum.

1065
00:48:54,080 --> 00:48:55,960
Speaker 2: And I think what we're talking about is like is like,

1066
00:48:56,040 --> 00:48:58,160
Speaker 2: you know, how like people are like, what's the opposite

1067
00:48:58,320 --> 00:48:58,799
Speaker 2: of hot?

1068
00:48:59,600 --> 00:48:59,839
Speaker 1: Cold?

1069
00:49:00,239 --> 00:49:03,080
Speaker 2: Okay? Traditionally right, But at the same time, those two

1070
00:49:03,120 --> 00:49:04,440
Speaker 2: things actually have a lot in common, which is that

1071
00:49:04,480 --> 00:49:07,480
Speaker 2: they're both temperatures, right, And I'm saying, like, maybe the

1072
00:49:07,560 --> 00:49:10,520
Speaker 2: opposite of south is like hamburger or whatever.

1073
00:49:10,920 --> 00:49:16,440
Speaker 3: Okay, I mean you're certainly queering an area or or

1074
00:49:16,520 --> 00:49:18,200
Speaker 3: what if the opposite I'm clearing.

1075
00:49:17,920 --> 00:49:20,680
Speaker 1: Opposites like very hot and very cold they have more

1076
00:49:20,719 --> 00:49:23,120
Speaker 1: in common in the sense that they're like unlivable temperatures

1077
00:49:23,560 --> 00:49:25,520
Speaker 1: and the opposite is temperate.

1078
00:49:25,680 --> 00:49:27,640
Speaker 3: So true sexuality, well, sure.

1079
00:49:27,600 --> 00:49:30,040
Speaker 2: I mean that's still along a spectrum. And I'm saying

1080
00:49:30,080 --> 00:49:36,320
Speaker 2: maybe this is your spectrum are also letting Heterosexuality is

1081
00:49:36,520 --> 00:49:37,520
Speaker 2: a man dating a tree.

1082
00:49:37,760 --> 00:49:43,200
Speaker 1: Yeah, no, no because of bracelet theory. No no, no, yeah, yeah,

1083
00:49:43,239 --> 00:49:47,400
Speaker 1: that's heteroxus queer and valid. By the way, heterosexualary remains

1084
00:49:47,800 --> 00:49:52,440
Speaker 1: like Joe and Joe biden okay, okay, and then mandature

1085
00:49:52,560 --> 00:49:59,439
Speaker 1: is and then after that, mandating tree and gay twin

1086
00:49:59,520 --> 00:50:03,800
Speaker 1: sest are at the same part of the Gucci bracelet.

1087
00:50:05,000 --> 00:50:07,200
Speaker 1: Oh but here's the thing. If it's a bracelet, can

1088
00:50:07,239 --> 00:50:09,279
Speaker 1: there still be opposites because you're sort of like on

1089
00:50:09,360 --> 00:50:10,799
Speaker 1: the it's kind of like the globe thing.

1090
00:50:11,000 --> 00:50:14,399
Speaker 3: Well, there will definitely be exactly their opposites at point.

1091
00:50:14,440 --> 00:50:16,279
Speaker 2: But this is what I'm saying is that it's like

1092
00:50:16,320 --> 00:50:19,320
Speaker 2: you're thinking of the bracelet, isn't as like as like

1093
00:50:19,400 --> 00:50:24,720
Speaker 2: being like the whole like concept being present in that bracelet,

1094
00:50:24,800 --> 00:50:28,000
Speaker 2: And maybe well it's maybe there's actually maybe there's also

1095
00:50:28,400 --> 00:50:28,960
Speaker 2: we're still.

1096
00:50:28,800 --> 00:50:31,719
Speaker 1: Basing it on geometry, like we're still basing it on

1097
00:50:32,640 --> 00:50:33,240
Speaker 1: a circle.

1098
00:50:33,520 --> 00:50:35,759
Speaker 3: That is, I have a question. Yes, I want to

1099
00:50:35,840 --> 00:50:36,759
Speaker 3: run an exercise by you.

1100
00:50:37,360 --> 00:50:41,399
Speaker 2: Oh, let's get up, let's get let's get moving.

1101
00:50:42,680 --> 00:50:44,400
Speaker 3: Imagine listening to this, me.

1102
00:50:44,560 --> 00:50:48,600
Speaker 2: Listening to this, I would never I can't even imagine that.

1103
00:50:49,880 --> 00:50:51,839
Speaker 3: Imagine listen to this. How do you feel at this point?

1104
00:50:52,680 --> 00:50:55,200
Speaker 2: I feel so angry at whom?

1105
00:50:56,520 --> 00:50:57,479
Speaker 1: Oh wow?

1106
00:50:58,560 --> 00:51:01,080
Speaker 2: Why does it have at someone? So you?

1107
00:51:01,200 --> 00:51:01,719
Speaker 3: Are you angry?

1108
00:51:01,880 --> 00:51:02,919
Speaker 1: Just that you're wasting your time?

1109
00:51:03,480 --> 00:51:04,920
Speaker 2: It's just like a lot of noise.

1110
00:51:06,280 --> 00:51:08,480
Speaker 1: Yeah, you play it.

1111
00:51:08,520 --> 00:51:11,640
Speaker 2: Wouldn't it be so nice if just like someone was quiet,

1112
00:51:11,719 --> 00:51:13,320
Speaker 2: maybe say George or like someone.

1113
00:51:15,840 --> 00:51:18,200
Speaker 3: Wow, but then if he's quiet.

1114
00:51:18,280 --> 00:51:20,520
Speaker 1: Now I'm gonna I'm gonna be quiet for a few

1115
00:51:20,600 --> 00:51:23,080
Speaker 1: minutes and I'm just gonna see where this goes without

1116
00:51:23,160 --> 00:51:27,040
Speaker 1: my Yeah, you guys keeping, I'm gonna I'm I'm gonna

1117
00:51:27,040 --> 00:51:27,480
Speaker 1: be quiet.

1118
00:51:27,719 --> 00:51:29,319
Speaker 2: You can hold Yeah, you can stuff that s sock

1119
00:51:29,360 --> 00:51:30,040
Speaker 2: in your mouth and just.

1120
00:51:31,880 --> 00:51:37,640
Speaker 1: That disgusting. Please talk amongst yourself. Let's see where it goes.

1121
00:51:37,719 --> 00:51:39,760
Speaker 1: Let's see if any new theories are discovered.

1122
00:51:43,440 --> 00:51:44,200
Speaker 3: How's your Friday?

1123
00:51:45,080 --> 00:51:47,439
Speaker 2: Really? It's getting better?

1124
00:51:47,800 --> 00:51:48,920
Speaker 3: Yeah, all of a.

1125
00:51:48,920 --> 00:51:49,839
Speaker 2: Sudden it feels something.

1126
00:51:49,880 --> 00:51:50,720
Speaker 3: Yeah, what changed?

1127
00:51:52,280 --> 00:51:53,800
Speaker 2: I just feel like I'm letting off a lot of

1128
00:51:53,880 --> 00:51:56,160
Speaker 2: dead weight lately. Yeah, and he has your back because

1129
00:51:56,160 --> 00:51:57,560
Speaker 2: of that, it's so good. I feel like I could

1130
00:51:57,560 --> 00:51:58,120
Speaker 2: do backflips.

1131
00:51:58,160 --> 00:51:59,080
Speaker 3: Oh my god, you should.

1132
00:51:59,560 --> 00:52:02,440
Speaker 2: Okay, do you guys turn off the cameras. I don't

1133
00:52:02,480 --> 00:52:04,240
Speaker 2: want to. I don't want to hurt anybody.

1134
00:52:04,960 --> 00:52:07,040
Speaker 3: I can't whoa, he did it?

1135
00:52:08,160 --> 00:52:11,719
Speaker 1: Oh my god, this is the most boring podcast I've

1136
00:52:11,719 --> 00:52:13,719
Speaker 1: heard in my entire life. Have you guys ever had

1137
00:52:13,719 --> 00:52:14,600
Speaker 1: a conversation before?

1138
00:52:15,000 --> 00:52:17,719
Speaker 3: That was a conversation and actually we healed Max And

1139
00:52:17,840 --> 00:52:21,200
Speaker 3: that's valid and that's the work of Kevin Sorbo.

1140
00:52:22,480 --> 00:52:25,640
Speaker 2: That's what Kevin Sorbo's work was all about. You know, wait,

1141
00:52:25,680 --> 00:52:28,080
Speaker 2: did you watch that? Did you watch Hercules? I have

1142
00:52:28,280 --> 00:52:30,120
Speaker 2: watched and you were like, and you're like, this is

1143
00:52:30,440 --> 00:52:34,000
Speaker 2: my traditional text. Yeah, that's exactly.

1144
00:52:33,680 --> 00:52:34,200
Speaker 1: How I feel.

1145
00:52:34,320 --> 00:52:35,640
Speaker 3: Yeah, I did you?

1146
00:52:35,760 --> 00:52:37,239
Speaker 1: Were you into zena? Let me guess?

1147
00:52:37,360 --> 00:52:40,840
Speaker 2: Yes, Yeah, I man, listen, I'm complicated, but I'm not

1148
00:52:40,920 --> 00:52:43,759
Speaker 2: that complicated. Yeah, I was, of course obsessed. Why are

1149
00:52:43,760 --> 00:52:44,719
Speaker 2: you looking over there? I'm over here?

1150
00:52:46,440 --> 00:52:46,680
Speaker 1: I come.

1151
00:52:46,880 --> 00:52:49,080
Speaker 2: I thought I was your guest. Well, and now you're

1152
00:52:49,080 --> 00:52:49,680
Speaker 2: taking your eyes off.

1153
00:52:49,719 --> 00:52:51,600
Speaker 1: Do you want me to make direct eye contact with

1154
00:52:51,680 --> 00:52:53,200
Speaker 1: you the entire time? I don't know?

1155
00:52:53,400 --> 00:52:54,560
Speaker 2: Do you? I don't know. Do you want to be

1156
00:52:54,640 --> 00:52:55,440
Speaker 2: present for this or not?

1157
00:52:56,239 --> 00:52:58,120
Speaker 1: I think there's a way in which you can be

1158
00:52:58,200 --> 00:53:01,680
Speaker 1: present while also giving totally chanted out giving it. I'm

1159
00:53:01,880 --> 00:53:03,839
Speaker 1: sometimes I'm looking at you. Sometimes I'm not. I'm giving

1160
00:53:03,880 --> 00:53:05,000
Speaker 1: you space to take a break.

1161
00:53:05,400 --> 00:53:07,640
Speaker 2: There, you know, now your eyes are dotting all over

1162
00:53:07,680 --> 00:53:10,760
Speaker 2: the place to avoid I'm looking right at you. Okay.

1163
00:53:10,880 --> 00:53:13,719
Speaker 1: See this is the problem me looking right at you,

1164
00:53:13,800 --> 00:53:14,600
Speaker 1: the thing you asked me to do.

1165
00:53:14,719 --> 00:53:17,560
Speaker 2: Okay, now you're being really aggressive. You need to cool down.

1166
00:53:17,840 --> 00:53:19,279
Speaker 2: I think you might need to take a walk around.

1167
00:53:19,840 --> 00:53:21,279
Speaker 1: What else do you think it's straight about love?

1168
00:53:21,440 --> 00:53:27,200
Speaker 2: Okay, so let's get back to Xena, which is I love? Yeah?

1169
00:53:27,280 --> 00:53:30,239
Speaker 2: I did love Sina and right, and that's basically it.

1170
00:53:33,120 --> 00:53:35,520
Speaker 1: But if they rebooted it, now, who would play Zena?

1171
00:53:35,600 --> 00:53:35,960
Speaker 1: Do you think?

1172
00:53:36,400 --> 00:53:39,360
Speaker 2: Unfortunately? To cod to Chunce, Yeah, and she'd be like,

1173
00:53:39,800 --> 00:53:43,239
Speaker 2: she'd be like, there he is, get out of here.

1174
00:53:43,640 --> 00:53:44,560
Speaker 3: Let's fight these guys.

1175
00:53:44,960 --> 00:53:52,200
Speaker 2: Yeah, this sucks. She'd be like, Gabrielle, you guys, I don't.

1176
00:53:52,360 --> 00:53:53,279
Speaker 2: She'd be like, I don't know.

1177
00:53:54,680 --> 00:53:57,040
Speaker 3: They'd be like, let's kill her, and she'd be like why.

1178
00:53:57,760 --> 00:53:57,960
Speaker 2: Yeah?

1179
00:54:01,640 --> 00:54:02,680
Speaker 3: Do you think she'd have bangs?

1180
00:54:02,719 --> 00:54:05,279
Speaker 2: I'm astoned that they haven't brought back Zena. Right, it's

1181
00:54:05,320 --> 00:54:08,680
Speaker 2: actually Shaka, I mean truly, who would actually play her?

1182
00:54:09,440 --> 00:54:09,640
Speaker 3: Well?

1183
00:54:10,120 --> 00:54:10,560
Speaker 2: Zendaya?

1184
00:54:11,360 --> 00:54:13,279
Speaker 3: No, no, no, they wouldn't get some there.

1185
00:54:14,160 --> 00:54:16,759
Speaker 2: She was just but she was just caught wearing armor

1186
00:54:16,880 --> 00:54:17,480
Speaker 2: at the Dune.

1187
00:54:18,080 --> 00:54:21,720
Speaker 1: Yeah, she thought she was. She wore the move Blair.

1188
00:54:21,960 --> 00:54:26,120
Speaker 1: She thought like, I'm just trying to take out the trash.

1189
00:54:26,480 --> 00:54:28,040
Speaker 1: And then they got a paparazzi and.

1190
00:54:28,040 --> 00:54:30,120
Speaker 2: They wrote out the red carpet for and she's like fuck,

1191
00:54:30,200 --> 00:54:31,600
Speaker 2: And now she's at the Dune premiere.

1192
00:54:31,680 --> 00:54:34,960
Speaker 3: But she didn't even hate when that happens, that really sucks.

1193
00:54:36,200 --> 00:54:39,680
Speaker 1: What percentage of paparazzi photos do you think are staged?

1194
00:54:41,400 --> 00:54:41,840
Speaker 2: Eighty?

1195
00:54:42,480 --> 00:54:44,320
Speaker 1: I would agree, Yeah, I was gonna say something like

1196
00:54:44,440 --> 00:54:47,040
Speaker 1: seventy to eighty. Yeah, all right, well see we found

1197
00:54:47,080 --> 00:54:47,560
Speaker 1: common ground.

1198
00:54:47,640 --> 00:54:49,920
Speaker 2: I mean, listen, they get the tips from somewhere.

1199
00:54:50,480 --> 00:54:54,319
Speaker 1: Yeah, what if it wasn't dana a list actress. She's

1200
00:54:54,480 --> 00:54:56,319
Speaker 1: at home and she's like, I fucking hate this bitch.

1201
00:54:56,840 --> 00:54:58,839
Speaker 3: Yeah, text coot to Johnson, what are you doing tonight?

1202
00:54:59,560 --> 00:55:02,120
Speaker 3: I'm going to Chateau Marmont And then she's like.

1203
00:55:02,680 --> 00:55:04,680
Speaker 2: And then and then what Zanaia does is that she

1204
00:55:04,800 --> 00:55:07,359
Speaker 2: says like, oh, oh I'm early, can you rush? Can

1205
00:55:07,400 --> 00:55:10,040
Speaker 2: you run? And then but then actually she hasn't even

1206
00:55:10,120 --> 00:55:13,840
Speaker 2: left yet. Yeah, yeah, she called the pop baxact and

1207
00:55:14,000 --> 00:55:15,359
Speaker 2: she's like, oh, actually no, I'm running late.

1208
00:55:16,040 --> 00:55:16,359
Speaker 1: You know who?

1209
00:55:16,400 --> 00:55:17,200
Speaker 2: I think they're for me?

1210
00:55:17,440 --> 00:55:21,839
Speaker 1: The great playing Xena, Jenny Slay. That would be such

1211
00:55:21,880 --> 00:55:28,360
Speaker 1: a like doing all comedy Xena and being like, I mean.

1212
00:55:28,320 --> 00:55:31,120
Speaker 3: I can see it, but I just don't know. In

1213
00:55:31,239 --> 00:55:33,279
Speaker 3: all respect and love to Jenny Slay, I just don't

1214
00:55:33,280 --> 00:55:35,080
Speaker 3: know if that's what I want the Xena series.

1215
00:55:35,160 --> 00:55:35,960
Speaker 1: I don't want it to be.

1216
00:55:36,320 --> 00:55:37,960
Speaker 2: You wanted to really because he was a problem. I

1217
00:55:38,040 --> 00:55:39,480
Speaker 2: didn't like the goofy episode.

1218
00:55:39,480 --> 00:55:40,840
Speaker 1: Oh so you wanted to be serious.

1219
00:55:41,000 --> 00:55:42,400
Speaker 2: I wanted to be serious.

1220
00:55:42,880 --> 00:55:44,120
Speaker 3: I want like fight choreo.

1221
00:55:44,200 --> 00:55:48,440
Speaker 1: That's good, all right? So okay, who can do that?

1222
00:55:48,520 --> 00:55:50,520
Speaker 2: Who can fight Michelle?

1223
00:55:50,600 --> 00:55:50,719
Speaker 3: Yo?

1224
00:55:58,200 --> 00:56:00,080
Speaker 1: It would be really funny if we can have like

1225
00:56:00,120 --> 00:56:03,840
Speaker 1: an athlete. And then yes, Ronda Rowsey, who's that?

1226
00:56:04,160 --> 00:56:06,000
Speaker 2: Oh yeah, you know she went to my high school.

1227
00:56:06,920 --> 00:56:09,320
Speaker 1: Wait, I think she's like a you know, she's the

1228
00:56:09,440 --> 00:56:10,920
Speaker 1: judo something like that.

1229
00:56:11,120 --> 00:56:13,000
Speaker 2: Yeah, yeah, I think so. I think she went to

1230
00:56:13,040 --> 00:56:13,600
Speaker 2: my high school.

1231
00:56:14,680 --> 00:56:19,000
Speaker 1: Siri, Siri, did Rhonda Rowsy go to my high school?

1232
00:56:19,120 --> 00:56:19,320
Speaker 3: And what?

1233
00:56:19,560 --> 00:56:20,120
Speaker 1: And who is she?

1234
00:56:20,480 --> 00:56:29,160
Speaker 2: Siri? Did Rohnda Rowsy go to high school? You go

1235
00:56:29,280 --> 00:56:31,239
Speaker 2: to my high school? And who did Ronda Rowsy go

1236
00:56:31,320 --> 00:56:31,960
Speaker 2: to high school.

1237
00:56:32,200 --> 00:56:32,719
Speaker 3: Check it out.

1238
00:56:33,560 --> 00:56:35,160
Speaker 2: Why is your seria a British man?

1239
00:56:36,719 --> 00:56:39,759
Speaker 3: I don't know. You know, you made these decisions, you

1240
00:56:39,800 --> 00:56:40,840
Speaker 3: know when you get the phone.

1241
00:56:40,680 --> 00:56:43,520
Speaker 2: A million years ago and then there's no way to change.

1242
00:56:43,560 --> 00:56:45,640
Speaker 3: Well, you just think it's normal. Then, you know, sort

1243
00:56:45,640 --> 00:56:47,960
Speaker 3: of the this is water type thing. What sport does

1244
00:56:48,000 --> 00:56:48,279
Speaker 3: she play?

1245
00:56:48,320 --> 00:56:51,800
Speaker 2: Can you do you guys think that like like martial artists?

1246
00:56:52,640 --> 00:56:59,040
Speaker 2: You know, yeah, she went to in the Olympics.

1247
00:56:59,080 --> 00:57:00,920
Speaker 1: Olympic rip from playing.

1248
00:57:02,719 --> 00:57:05,080
Speaker 3: Like that. She's from Santa Monica, California.

1249
00:57:06,440 --> 00:57:07,120
Speaker 2: Yeah, that checks out.

1250
00:57:07,160 --> 00:57:09,440
Speaker 1: Oh, I mean, no offense to anyone involved, But to me,

1251
00:57:09,600 --> 00:57:11,839
Speaker 1: she strikes me way more is like kind of middle

1252
00:57:11,880 --> 00:57:13,640
Speaker 1: of nowhere Arizona of course.

1253
00:57:13,920 --> 00:57:16,960
Speaker 2: Well, this is the thing about Judo is that it's

1254
00:57:17,280 --> 00:57:19,520
Speaker 2: very strip mall. Yeah, right, which, but.

1255
00:57:19,760 --> 00:57:22,360
Speaker 1: I mean, no offense to California. So is everything over there?

1256
00:57:22,520 --> 00:57:23,120
Speaker 3: No, I know, I know.

1257
00:57:23,240 --> 00:57:24,920
Speaker 2: This is what I'm saying is that it's it's not

1258
00:57:25,120 --> 00:57:27,360
Speaker 2: generally thought of as being when you think of LA

1259
00:57:27,520 --> 00:57:30,960
Speaker 2: you don't think you think palm chi and like celebrities

1260
00:57:31,040 --> 00:57:34,720
Speaker 2: and beach or whatever. But it is all strip malls totally.

1261
00:57:34,920 --> 00:57:36,560
Speaker 1: I mean I get that with l A I just

1262
00:57:36,600 --> 00:57:38,920
Speaker 1: think Ronda Rousey as an individual, it looks like she

1263
00:57:40,320 --> 00:57:41,320
Speaker 1: came from a lesson.

1264
00:57:41,400 --> 00:57:43,840
Speaker 2: Politan to this to this point, I want a point,

1265
00:57:43,920 --> 00:57:45,160
Speaker 2: Well that's called quiet luxury.

1266
00:57:47,760 --> 00:57:51,000
Speaker 3: Yeah, Max, I want to hear your take. California is

1267
00:57:51,160 --> 00:57:52,400
Speaker 3: just more liberal Midwest.

1268
00:57:54,280 --> 00:57:56,400
Speaker 2: I wouldn't know. I've never been to the Midwest. I've

1269
00:57:56,520 --> 00:57:58,440
Speaker 2: never been to the Middle I know I went one

1270
00:57:58,480 --> 00:58:02,440
Speaker 2: time to Oklahoma. How is that we need to say?

1271
00:58:02,520 --> 00:58:07,120
Speaker 2: That's when my chronic pain started, the.

1272
00:58:07,240 --> 00:58:09,680
Speaker 1: Trauma of going to a to the Midwest.

1273
00:58:09,760 --> 00:58:15,000
Speaker 2: Yeah, and I still have not recovered more liberal Midwest

1274
00:58:15,200 --> 00:58:16,680
Speaker 2: in what like? What do you mean?

1275
00:58:16,760 --> 00:58:19,880
Speaker 3: I feel like because of people like Ronda Rousey.

1276
00:58:22,800 --> 00:58:25,280
Speaker 1: Part of what you're saying is like it doesn't have

1277
00:58:25,640 --> 00:58:27,880
Speaker 1: any of the aesthetics of a city, so it just

1278
00:58:28,200 --> 00:58:29,560
Speaker 1: is a giant suburb.

1279
00:58:29,800 --> 00:58:32,040
Speaker 3: Well, how if you grow up in New York you

1280
00:58:32,120 --> 00:58:33,680
Speaker 3: are If you grew up in New York City, you're

1281
00:58:33,760 --> 00:58:37,040
Speaker 3: not accidentally becoming a mixed martial artist judo person.

1282
00:58:37,600 --> 00:58:40,520
Speaker 1: You are, Like what I know, someone who grew up

1283
00:58:40,560 --> 00:58:44,720
Speaker 1: in Manhattan went to a prestigious heistchom Manhattan and and

1284
00:58:44,920 --> 00:58:45,200
Speaker 1: I'm not.

1285
00:58:45,160 --> 00:58:46,680
Speaker 2: Saying I ended up in the gut or as a

1286
00:58:46,760 --> 00:58:47,640
Speaker 2: jiu jitsu expert.

1287
00:58:47,760 --> 00:58:49,320
Speaker 1: No, no, no, And I'm not saying this as a

1288
00:58:49,480 --> 00:58:52,640
Speaker 1: as a negative thing. I'm just factually speaking, and as

1289
00:58:52,640 --> 00:58:55,480
Speaker 1: a NASCAR driver, something you don't associate with something.

1290
00:58:55,480 --> 00:58:56,600
Speaker 3: Okay, well that's an overcorrection.

1291
00:58:56,760 --> 00:58:59,280
Speaker 2: Well another person that went to my high school, and

1292
00:58:59,360 --> 00:59:01,600
Speaker 2: I don't know which one of your points this validates,

1293
00:59:01,880 --> 00:59:02,640
Speaker 2: is Stephen Miller.

1294
00:59:03,640 --> 00:59:07,920
Speaker 3: Oh wait, you went to Charles Gould to wait?

1295
00:59:08,840 --> 00:59:09,880
Speaker 1: Also doesn't see in La.

1296
00:59:11,280 --> 00:59:13,320
Speaker 3: Yeah, Cali's the Midwest.

1297
00:59:14,000 --> 00:59:15,200
Speaker 2: It's it takes all types.

1298
00:59:15,240 --> 00:59:18,520
Speaker 1: I mean, it takes a whole villa Cali more broad.

1299
00:59:18,560 --> 00:59:20,200
Speaker 1: I thought I was just talking about La. Cali is

1300
00:59:20,280 --> 00:59:22,640
Speaker 1: also like the deep South. I mean, if you're going

1301
00:59:22,720 --> 00:59:23,160
Speaker 1: to like the.

1302
00:59:24,080 --> 00:59:27,200
Speaker 2: What California is the deep Oh you mean about l

1303
00:59:27,280 --> 00:59:29,240
Speaker 2: A Yeah? And also below La.

1304
00:59:29,840 --> 00:59:36,840
Speaker 1: Yeah, what's the Baker's Field or something like not, that's

1305
00:59:36,880 --> 00:59:38,400
Speaker 1: not the California of the o C.

1306
00:59:39,280 --> 00:59:40,240
Speaker 3: Right right?

1307
00:59:40,360 --> 00:59:42,840
Speaker 1: And also the o C is very The o C

1308
00:59:43,200 --> 00:59:45,640
Speaker 1: is like Republican.

1309
00:59:46,720 --> 00:59:48,360
Speaker 3: Max. Yeah, how do you queer love?

1310
00:59:53,600 --> 00:59:55,600
Speaker 2: I was thinking about this and I was like, I

1311
00:59:55,720 --> 01:00:01,440
Speaker 2: was like, Okay, if the act of like loving like

1312
01:00:01,840 --> 01:00:06,120
Speaker 2: the other is hetero, then that means that the truest,

1313
01:00:06,360 --> 01:00:11,360
Speaker 2: the truest form of love, of homosexual love would be yourself. Well,

1314
01:00:13,440 --> 01:00:16,840
Speaker 2: I thought, well sort of. I mean, I like, that's

1315
01:00:16,960 --> 01:00:19,560
Speaker 2: that's your take. But yeah, it's about loving the self, right,

1316
01:00:19,600 --> 01:00:23,320
Speaker 2: and which is very rue Paul. In the end, the

1317
01:00:23,360 --> 01:00:24,680
Speaker 2: hell they're gonna can be gay?

1318
01:00:24,720 --> 01:00:25,840
Speaker 1: How the hell are you gonna be straight?

1319
01:00:26,280 --> 01:00:29,400
Speaker 2: Exactly, So exactly.

1320
01:00:29,120 --> 01:00:32,520
Speaker 1: The jerking point is really important because it's that is

1321
01:00:32,640 --> 01:00:34,880
Speaker 1: where the circle closes in on itself and the love

1322
01:00:34,960 --> 01:00:38,000
Speaker 1: you are doing the same sex love you're doing the

1323
01:00:38,080 --> 01:00:39,160
Speaker 1: same as your own self.

1324
01:00:41,840 --> 01:00:42,280
Speaker 3: I love it.

1325
01:00:42,480 --> 01:00:45,120
Speaker 1: It's the actual talk about opposites. That's the actual opposite

1326
01:00:45,120 --> 01:00:46,480
Speaker 1: of a man and a woman getting married. As a gig,

1327
01:00:46,480 --> 01:00:47,200
Speaker 1: I've jerken off.

1328
01:00:48,320 --> 01:00:50,960
Speaker 2: Yeah. Also, something that I wanted to mention is that

1329
01:00:51,440 --> 01:00:55,439
Speaker 2: like as it pertains to love as like they're okay,

1330
01:00:55,880 --> 01:01:03,160
Speaker 2: So there are like barely any show about there's like

1331
01:01:03,280 --> 01:01:05,600
Speaker 2: no like dating shows that are like with gay people.

1332
01:01:06,560 --> 01:01:09,680
Speaker 2: They've tried, they've tried, and they flop. And I don't

1333
01:01:09,680 --> 01:01:12,439
Speaker 2: think it's because well an audience for it. I think

1334
01:01:12,480 --> 01:01:16,120
Speaker 2: it's because like the premises, Like the premises always fucked

1335
01:01:16,280 --> 01:01:19,720
Speaker 2: up somehow, because just the like gay people being around

1336
01:01:19,880 --> 01:01:21,040
Speaker 2: ruins the idea of love.

1337
01:01:21,920 --> 01:01:25,240
Speaker 1: Well, okay, hold on people liked Queer Oltimatum. I never

1338
01:01:25,320 --> 01:01:28,080
Speaker 1: watched it. Yeah, maybe the issue is gay men.

1339
01:01:29,240 --> 01:01:31,640
Speaker 2: Maybe, so I've been watching Love Is Blond. Do you

1340
01:01:31,680 --> 01:01:32,160
Speaker 2: guys watch that?

1341
01:01:32,400 --> 01:01:33,720
Speaker 3: I watched. I watched the Perst season?

1342
01:01:34,400 --> 01:01:36,040
Speaker 2: Okay, do they do.

1343
01:01:36,160 --> 01:01:36,680
Speaker 1: Gain in that?

1344
01:01:36,840 --> 01:01:36,960
Speaker 3: Now?

1345
01:01:37,200 --> 01:01:39,080
Speaker 2: No? I mean, and you can't, right because literally the

1346
01:01:39,160 --> 01:01:40,880
Speaker 2: way that they the way that that show functions, although

1347
01:01:40,880 --> 01:01:42,320
Speaker 2: I had an idea for this, So the way that

1348
01:01:42,400 --> 01:01:45,560
Speaker 2: that show functions is that they take the women on

1349
01:01:45,640 --> 01:01:47,080
Speaker 2: one side and the man on the other side, and

1350
01:01:47,200 --> 01:01:49,800
Speaker 2: they and those groups live together, but then they date

1351
01:01:49,880 --> 01:01:52,200
Speaker 2: on opposite sides of like an opaque wall, yes, so

1352
01:01:52,320 --> 01:01:53,720
Speaker 2: that they can hear each other, but they can't see

1353
01:01:53,720 --> 01:01:57,760
Speaker 2: each other. And obviously that wouldn't work with gay guys,

1354
01:01:57,880 --> 01:02:00,760
Speaker 2: for instance, because you put a bunch gay guys in

1355
01:02:00,920 --> 01:02:04,480
Speaker 2: a house together, and especially if there's cameras on, they're

1356
01:02:04,480 --> 01:02:05,200
Speaker 2: gonna have sex.

1357
01:02:05,360 --> 01:02:08,040
Speaker 1: You know, so well, but they wouldn't be allowed.

1358
01:02:08,560 --> 01:02:11,200
Speaker 2: No, but like you can't you say a gay guy

1359
01:02:11,240 --> 01:02:13,120
Speaker 2: that you can, then they can't outsect them. Yeah, exactly.

1360
01:02:13,560 --> 01:02:15,920
Speaker 2: Now that it's off limits, this is the thing, they're gonna.

1361
01:02:15,720 --> 01:02:17,600
Speaker 3: Be cruising inside of the house, cruising inside of the house.

1362
01:02:17,640 --> 01:02:21,640
Speaker 2: Yeah, exactly. And so and all. But I still think

1363
01:02:21,680 --> 01:02:24,160
Speaker 2: that the premise may actually hold up because the types

1364
01:02:24,200 --> 01:02:26,160
Speaker 2: of so the point of love is blind is that

1365
01:02:26,240 --> 01:02:28,120
Speaker 2: you can't meet the person on the other side face

1366
01:02:28,200 --> 01:02:31,000
Speaker 2: to face until you're engaged. And like, any gay guy

1367
01:02:31,040 --> 01:02:34,120
Speaker 2: who wants to get engaged is like crazy enough that

1368
01:02:34,320 --> 01:02:39,160
Speaker 2: like sorry that that like they may actually appear on

1369
01:02:39,240 --> 01:02:41,400
Speaker 2: a show like that and be able to wear their

1370
01:02:41,440 --> 01:02:42,280
Speaker 2: little chastity belts.

1371
01:02:42,280 --> 01:02:45,320
Speaker 1: That's true. So basically, be a self selecting group of

1372
01:02:45,440 --> 01:02:49,960
Speaker 1: gay men desperate to be married exactly, and then you know,

1373
01:02:50,000 --> 01:02:51,800
Speaker 1: the average person in America would think that's what gay

1374
01:02:51,880 --> 01:02:55,320
Speaker 1: guys are like no, no, no, no, talk about a minority, yeah,

1375
01:02:56,280 --> 01:02:57,200
Speaker 1: or is it a majority?

1376
01:02:57,520 --> 01:03:00,479
Speaker 3: This is we need more research. Actually, way, that's actually

1377
01:03:00,520 --> 01:03:01,880
Speaker 3: something that we have no idea.

1378
01:03:02,280 --> 01:03:05,360
Speaker 2: Which speaking of when I was getting my MRI earlier,

1379
01:03:05,840 --> 01:03:07,200
Speaker 2: they were asking me like, do you have any metal

1380
01:03:07,240 --> 01:03:09,040
Speaker 2: in your body? No? Do you have any like piercings, No,

1381
01:03:09,320 --> 01:03:12,000
Speaker 2: any like pacemakers? No, no, no, no, and uh and

1382
01:03:12,080 --> 01:03:16,080
Speaker 2: then it occurred to me like like what a like funny,

1383
01:03:16,320 --> 01:03:20,320
Speaker 2: perfect opportunity for someone who's like really into chastity to

1384
01:03:20,360 --> 01:03:24,440
Speaker 2: be like, you know what I do have my chastity

1385
01:03:24,480 --> 01:03:26,520
Speaker 2: of both, and then they'd have to be like, you're

1386
01:03:26,520 --> 01:03:27,480
Speaker 2: gonna have to take that off.

1387
01:03:30,920 --> 01:03:33,160
Speaker 1: Damn leave it to you to make getting an MRI

1388
01:03:33,960 --> 01:03:35,240
Speaker 1: a sexual experience.

1389
01:03:35,320 --> 01:03:37,640
Speaker 2: You know that really could be I mean claustrophobia, but

1390
01:03:37,720 --> 01:03:39,960
Speaker 2: I that is the sexual way to make love is

1391
01:03:40,000 --> 01:03:41,680
Speaker 2: blind for gay guys is that you have each of

1392
01:03:41,760 --> 01:03:44,720
Speaker 2: them in their own individual MRISI yeah, and they can

1393
01:03:44,800 --> 01:03:46,560
Speaker 2: only talk through the speak. The only way that you

1394
01:03:46,640 --> 01:03:48,240
Speaker 2: can make love is blind work for gay man is

1395
01:03:48,320 --> 01:03:51,520
Speaker 2: to strap them down and make them unable to move

1396
01:03:52,120 --> 01:03:56,040
Speaker 2: and tease their costs to make to strap them.

1397
01:03:56,480 --> 01:04:01,200
Speaker 1: And then the it's actually humiliated, and then and it's like,

1398
01:04:01,800 --> 01:04:03,800
Speaker 1: so we believe love is blind?

1399
01:04:03,880 --> 01:04:04,000
Speaker 6: Wait?

1400
01:04:04,040 --> 01:04:08,080
Speaker 2: No, no, First she says, Hi, I'm Vanessa La and

1401
01:04:08,240 --> 01:04:11,120
Speaker 2: I'm Nick Lache and then they go, oh god, yeah,

1402
01:04:12,520 --> 01:04:13,280
Speaker 2: do you remember.

1403
01:04:13,080 --> 01:04:16,080
Speaker 1: Amy at some point had taped like a clip of

1404
01:04:16,120 --> 01:04:18,200
Speaker 1: it where she goes, we leave. We live in such

1405
01:04:18,200 --> 01:04:20,040
Speaker 1: a fast paced and disconnected world.

1406
01:04:23,240 --> 01:04:25,880
Speaker 2: The things that people say on that show are fucking amazing. Wait,

1407
01:04:25,960 --> 01:04:29,160
Speaker 2: I wait, I actually have to pull up a line

1408
01:04:29,200 --> 01:04:32,400
Speaker 2: that that I heard on an episode that I specifically

1409
01:04:32,480 --> 01:04:35,280
Speaker 2: thought that you would love George, which is like, there's this,

1410
01:04:35,760 --> 01:04:37,600
Speaker 2: so there's this girl that's been going around. That's like

1411
01:04:38,880 --> 01:04:41,360
Speaker 2: like because she says that she looks like Making Fox,

1412
01:04:41,400 --> 01:04:44,280
Speaker 2: and everyone is like, absolutely look nothing like Making Fox.

1413
01:04:45,920 --> 01:04:46,560
Speaker 1: That's the reality.

1414
01:04:47,960 --> 01:04:52,720
Speaker 2: But there was she has a line that I had

1415
01:04:52,720 --> 01:04:56,360
Speaker 2: to record this verbatim. She wrote, or she said, the

1416
01:04:56,480 --> 01:04:59,160
Speaker 2: older I get, you know, there's a lot of flight

1417
01:04:59,200 --> 01:05:03,240
Speaker 2: attendants who you are alone, and I guess she is

1418
01:05:03,280 --> 01:05:03,960
Speaker 2: a flight attendant.

1419
01:05:04,080 --> 01:05:06,479
Speaker 6: Yeah, yeah, I mean yeah, so the older she gets,

1420
01:05:06,520 --> 01:05:10,920
Speaker 6: the more the older I get, you know, the more

1421
01:05:11,760 --> 01:05:14,120
Speaker 6: like there's flight that are alone.

1422
01:05:14,840 --> 01:05:17,600
Speaker 3: I mean that's that's if that were in like a

1423
01:05:17,680 --> 01:05:20,640
Speaker 3: rom com, that could work. I could see that line working.

1424
01:05:21,240 --> 01:05:23,360
Speaker 1: Well, because the flight attendant is one of those jobs

1425
01:05:23,440 --> 01:05:26,480
Speaker 1: where it's a bubble talk about what. It's also just

1426
01:05:26,560 --> 01:05:29,240
Speaker 1: so to be a young flight attendant. It's like the

1427
01:05:29,360 --> 01:05:34,200
Speaker 1: perfect way to travel. You're young, you're sexy, you're like

1428
01:05:34,280 --> 01:05:36,120
Speaker 1: getting on your pencil skirt, have little.

1429
01:05:35,960 --> 01:05:37,800
Speaker 2: Biscuits all the time that you're giving.

1430
01:05:39,200 --> 01:05:50,760
Speaker 1: Tokyo tokyo it's pronounced kyo. Yeah, that's the real kyo Japan. Yeah,

1431
01:05:52,160 --> 01:06:00,920
Speaker 1: totally bincock Tokyo landon Robbie, Robbie, you know, I.

1432
01:06:00,920 --> 01:06:03,840
Speaker 3: Actually think the fantasy of being a twenty five year

1433
01:06:03,880 --> 01:06:06,320
Speaker 3: old flight attendant is really nice.

1434
01:06:06,680 --> 01:06:07,840
Speaker 2: Really, Oh I don't.

1435
01:06:07,760 --> 01:06:09,480
Speaker 1: Accept it is so, but you have to. You just

1436
01:06:09,520 --> 01:06:11,000
Speaker 1: have to think about it for like one second, and

1437
01:06:11,040 --> 01:06:13,360
Speaker 1: you're like, of course, it's not like you're always sweating,

1438
01:06:13,440 --> 01:06:16,880
Speaker 1: You're always your skin looks terrible, You're always breathing recycled air.

1439
01:06:17,000 --> 01:06:19,720
Speaker 3: Maybe your skin looks under maybe your skin looks terrible.

1440
01:06:19,920 --> 01:06:21,640
Speaker 1: They're also you know, I don't know if anyone was

1441
01:06:22,240 --> 01:06:24,560
Speaker 1: reading about the Forever and Flight Attendants unionizing a couple

1442
01:06:24,560 --> 01:06:26,640
Speaker 1: of years ago, but like it was terrible work environment.

1443
01:06:26,720 --> 01:06:28,640
Speaker 2: Oh you're gonna talk about forever chemicals.

1444
01:06:28,320 --> 01:06:31,080
Speaker 3: In there forever chemical What are the forever chemicals.

1445
01:06:30,760 --> 01:06:32,160
Speaker 2: In their suits? There was like this big loss.

1446
01:06:32,280 --> 01:06:34,600
Speaker 1: Oh that too, yeah, that too. But also, I mean

1447
01:06:35,240 --> 01:06:38,000
Speaker 1: there's forever chemicals in literally all our fast fashioned.

1448
01:06:37,680 --> 01:06:41,240
Speaker 2: Clothing, especially the things that George wears.

1449
01:06:51,680 --> 01:06:53,360
Speaker 1: What if I always wear.

1450
01:06:53,360 --> 01:07:00,560
Speaker 2: My hat ONFLA, I'm wearing flight attendant, Like, it's just like,

1451
01:07:00,760 --> 01:07:02,040
Speaker 2: I mean, there's probably for chemicals.

1452
01:07:02,040 --> 01:07:02,760
Speaker 3: And watch.

1453
01:07:04,240 --> 01:07:06,800
Speaker 1: Oh yeah, your fake watch is literally made from I

1454
01:07:06,880 --> 01:07:10,280
Speaker 1: scrubbed it head to toe. Wow, opposite, Yeah, that will

1455
01:07:10,280 --> 01:07:11,560
Speaker 1: get rid of the forever chemicals.

1456
01:07:11,640 --> 01:07:14,000
Speaker 2: Scrubbing it, scrubbing it. Yeah, well it gets it gets

1457
01:07:14,080 --> 01:07:17,680
Speaker 2: them out of my watch and down into the fish's blaze.

1458
01:07:20,160 --> 01:07:22,280
Speaker 3: Let's see. That's what I meant see.

1459
01:07:22,320 --> 01:07:26,600
Speaker 2: Thank you for filling in the gaps. Yeah, have you

1460
01:07:26,840 --> 01:07:28,120
Speaker 2: guys been to a gap recently?

1461
01:07:28,600 --> 01:07:28,640
Speaker 5: No?

1462
01:07:29,040 --> 01:07:32,520
Speaker 1: Well you know, Zach Posen was just appointed creative director Drama.

1463
01:07:36,080 --> 01:07:38,479
Speaker 3: Yeah, because you were off for that role, right, Yeah

1464
01:07:38,560 --> 01:07:38,800
Speaker 3: I was.

1465
01:07:38,920 --> 01:07:41,600
Speaker 2: Yeah, I auditioned for that role. I do think I

1466
01:07:41,680 --> 01:07:41,960
Speaker 2: need to be.

1467
01:07:42,120 --> 01:07:46,760
Speaker 1: Zach Posen is like, like, do you think he sanitized you?

1468
01:07:47,280 --> 01:07:49,960
Speaker 1: Who is Zach Posen? He's a design he's.

1469
01:07:49,840 --> 01:07:52,640
Speaker 2: A gay guy. He's a gay guy who makes I'll

1470
01:07:52,720 --> 01:07:56,080
Speaker 2: show you he was. He he was judging on on

1471
01:07:56,240 --> 01:07:59,920
Speaker 2: product run Away for a little while. He's very like

1472
01:08:00,320 --> 01:08:02,600
Speaker 2: I don't like that top, Yeah, but like.

1473
01:08:02,680 --> 01:08:05,920
Speaker 1: Not even really. He's sort of like that top is okay.

1474
01:08:07,520 --> 01:08:10,560
Speaker 3: I actually do love a lazy critique. Oh I guess

1475
01:08:10,600 --> 01:08:14,520
Speaker 3: he kind of looks familiar my favorite kind of gig guys.

1476
01:08:14,560 --> 01:08:17,679
Speaker 3: It's like, yeah, I guess that top's okay. Like that's fun,

1477
01:08:17,880 --> 01:08:19,639
Speaker 3: but it chills up my spine.

1478
01:08:19,880 --> 01:08:21,760
Speaker 1: If they put Max in like a basic, if I

1479
01:08:21,760 --> 01:08:24,240
Speaker 1: had factory like, he would come out if you like

1480
01:08:24,360 --> 01:08:27,320
Speaker 1: hit me, and if he were like if I got

1481
01:08:27,360 --> 01:08:29,520
Speaker 1: you and I was like, no more having a personality,

1482
01:08:30,280 --> 01:08:31,320
Speaker 1: get him in the box.

1483
01:08:31,520 --> 01:08:33,920
Speaker 2: Yeah, if you sort of put a chastity belt on

1484
01:08:34,080 --> 01:08:37,640
Speaker 2: my personality. Yeah, yeah, totally. That's I do want to be.

1485
01:08:37,840 --> 01:08:40,120
Speaker 2: I do think I should be cast And so there's

1486
01:08:40,120 --> 01:08:43,559
Speaker 2: like they're making all the Beatles movies, all of them.

1487
01:08:43,680 --> 01:08:45,559
Speaker 2: Oh like sort of Eddie Murphy style.

1488
01:08:45,800 --> 01:08:48,479
Speaker 1: I think that great, right, you know when I read

1489
01:08:48,560 --> 01:08:51,280
Speaker 1: that announcement, So they're making four Beatles movies.

1490
01:08:51,360 --> 01:08:55,760
Speaker 2: I really want to be John Imagine what John Lennon

1491
01:08:55,800 --> 01:08:56,760
Speaker 2: when he gets shot, but.

1492
01:08:56,840 --> 01:08:59,320
Speaker 1: Only when Jay Leno, when he gets shot Jayleno, when.

1493
01:08:59,160 --> 01:09:01,400
Speaker 2: He gets shot. I want to be Johnny Legend when

1494
01:09:01,400 --> 01:09:01,840
Speaker 2: he gets shot.

1495
01:09:01,880 --> 01:09:03,280
Speaker 3: I want to be j Low when she's shooting her.

1496
01:09:04,680 --> 01:09:05,760
Speaker 2: Are we gonna have a watch party?

1497
01:09:06,840 --> 01:09:08,760
Speaker 3: Or I can't even now?

1498
01:09:08,840 --> 01:09:10,200
Speaker 2: Well, so this this is the thing, you know we

1499
01:09:11,400 --> 01:09:12,680
Speaker 2: by the way, I want to schedule it in two

1500
01:09:12,720 --> 01:09:13,240
Speaker 2: years from now.

1501
01:09:13,560 --> 01:09:15,320
Speaker 3: Of course that that's fine.

1502
01:09:15,560 --> 01:09:17,840
Speaker 1: Yeah, I mean this is the this is a difficult thing.

1503
01:09:17,880 --> 01:09:19,800
Speaker 2: I need to lose a few pounds before I let wait,

1504
01:09:19,840 --> 01:09:20,360
Speaker 2: can I say.

1505
01:09:20,240 --> 01:09:22,439
Speaker 1: One thing about Beatles In the announcement, it was like

1506
01:09:22,479 --> 01:09:25,000
Speaker 1: they're going to be four movies each about a different

1507
01:09:25,000 --> 01:09:27,360
Speaker 1: beetle and they're going to be intersecting narratives. And I

1508
01:09:27,479 --> 01:09:32,800
Speaker 1: was like, so it's gonna include the formation of the Beatles, Like, yeah,

1509
01:09:32,840 --> 01:09:36,160
Speaker 1: they're intersecting there, Like, you don't have to specify that

1510
01:09:36,160 --> 01:09:38,559
Speaker 1: they're intersecting narratives. It would be crazy if they weren't

1511
01:09:38,600 --> 01:09:43,080
Speaker 1: intersecting narratives. Were like, but they don't appear in each

1512
01:09:43,080 --> 01:09:43,639
Speaker 1: other's movies.

1513
01:09:43,760 --> 01:09:46,360
Speaker 2: Yeah, yeah, And who do you think is gonna play yokoha?

1514
01:09:47,360 --> 01:09:49,800
Speaker 1: Uh God, I don't know.

1515
01:09:49,920 --> 01:09:50,840
Speaker 3: Do you want to do that part too?

1516
01:09:50,880 --> 01:09:52,600
Speaker 2: I would love to do that party. You would be

1517
01:09:52,640 --> 01:09:53,840
Speaker 2: a great at amazing.

1518
01:09:53,880 --> 01:09:55,479
Speaker 1: I actually sort of think that might be the role

1519
01:09:55,520 --> 01:09:58,519
Speaker 1: you were born to play. I think so too, well,

1520
01:09:58,640 --> 01:10:02,759
Speaker 1: like not eve Ben joking, I'm joking a little.

1521
01:10:04,760 --> 01:10:07,640
Speaker 2: I don't know where I lie. God, this is such

1522
01:10:07,680 --> 01:10:09,760
Speaker 2: a beautiful dynamic now. Yeah, do you feel so much

1523
01:10:09,760 --> 01:10:11,400
Speaker 2: more at peace now that you're not being a fucking bitch?

1524
01:10:13,479 --> 01:10:15,040
Speaker 3: No, I'm actually disappointed.

1525
01:10:15,280 --> 01:10:18,000
Speaker 1: Yeah, I actually think I mean, I'm sorry to say this.

1526
01:10:18,040 --> 01:10:19,880
Speaker 1: I actually think this has been like for a long

1527
01:10:19,920 --> 01:10:21,320
Speaker 1: time coming. I feel like last time you were on

1528
01:10:21,439 --> 01:10:23,640
Speaker 1: you also were not as mean as we like wanted.

1529
01:10:23,439 --> 01:10:23,680
Speaker 3: You to be.

1530
01:10:24,120 --> 01:10:26,000
Speaker 2: Really and what do you want me to say? No?

1531
01:10:27,720 --> 01:10:30,880
Speaker 1: Okay, like, I'm not mad, I think you might be.

1532
01:10:31,000 --> 01:10:32,000
Speaker 1: I really am not.

1533
01:10:32,240 --> 01:10:34,200
Speaker 2: I wasn't accusing you of being mad. You brought that up.

1534
01:10:34,280 --> 01:10:35,560
Speaker 3: I'm just I'm surprised.

1535
01:10:37,280 --> 01:10:38,960
Speaker 1: Do you think you're losing? Do you think you're afraid

1536
01:10:39,000 --> 01:10:39,439
Speaker 1: of success?

1537
01:10:40,479 --> 01:10:44,640
Speaker 2: I do think I'm afraid of success? Yeah? Well, do

1538
01:10:44,720 --> 01:10:46,040
Speaker 2: you think I could handle success? Yes?

1539
01:10:46,680 --> 01:10:47,880
Speaker 1: What would success look like for you?

1540
01:10:51,640 --> 01:10:52,920
Speaker 2: Never having to come here again?

1541
01:10:54,360 --> 01:10:57,680
Speaker 1: If you could? If I could snap my fingers and

1542
01:10:57,800 --> 01:11:01,160
Speaker 1: make you into Zach Posen? You're starting your job as

1543
01:11:01,200 --> 01:11:03,800
Speaker 1: creative director of Old Navy and the Gap.

1544
01:11:04,400 --> 01:11:06,840
Speaker 2: Oh so I'm starting from like entry level?

1545
01:11:07,040 --> 01:11:11,000
Speaker 1: No, No, you're a day I know that's what you're

1546
01:11:11,120 --> 01:11:13,680
Speaker 1: Zach Poson today. Right, So he's gotten right, so I'm

1547
01:11:13,680 --> 01:11:16,840
Speaker 1: starting in the gutter? Yea yeah?

1548
01:11:16,920 --> 01:11:17,320
Speaker 3: Would you.

1549
01:11:19,360 --> 01:11:21,519
Speaker 1: Would you take Zach Posen's life?

1550
01:11:22,080 --> 01:11:24,760
Speaker 2: Not take his life, but I tell him front of

1551
01:11:24,880 --> 01:11:26,320
Speaker 2: cameras whether or not I would kill Zach.

1552
01:11:26,840 --> 01:11:27,800
Speaker 1: Don't kill Zach Poson?

1553
01:11:28,000 --> 01:11:31,880
Speaker 3: Would you? If you? If you were embody, would you

1554
01:11:32,040 --> 01:11:32,479
Speaker 3: kill him?

1555
01:11:32,640 --> 01:11:34,120
Speaker 2: If I had to kill him? How would I do it?

1556
01:11:34,320 --> 01:11:35,720
Speaker 1: Would you rather be him or kill him?

1557
01:11:37,200 --> 01:11:38,160
Speaker 2: Mary killed Zach?

1558
01:11:40,160 --> 01:11:40,439
Speaker 1: Okay?

1559
01:11:40,800 --> 01:11:43,040
Speaker 2: Did I ever tell you about the time that I well, okay, sorry, no,

1560
01:11:43,080 --> 01:11:43,720
Speaker 2: go ahead.

1561
01:11:43,560 --> 01:11:45,840
Speaker 1: No, I just what would you do to Zach Poson

1562
01:11:46,200 --> 01:11:47,000
Speaker 1: marry or kill him?

1563
01:11:48,400 --> 01:11:50,760
Speaker 3: Well, I mean I actually think you would marry him.

1564
01:11:50,840 --> 01:11:51,560
Speaker 2: I don't think so.

1565
01:11:51,800 --> 01:11:53,680
Speaker 3: I think you're gonna fall in love with him. I

1566
01:11:53,720 --> 01:11:55,519
Speaker 3: think that boyfriend twins way.

1567
01:11:56,800 --> 01:11:57,759
Speaker 2: In the home in the most.

1568
01:12:00,400 --> 01:12:03,600
Speaker 1: Now you're getting it, Max and Zach Posen together is

1569
01:12:03,880 --> 01:12:10,080
Speaker 1: that would be like the most sexuality homosexual couple. Yeah, great, wow,

1570
01:12:10,240 --> 01:12:13,120
Speaker 1: I guess that. Honestly, you'd look so cute together. Yeah,

1571
01:12:13,200 --> 01:12:15,400
Speaker 1: that could be cool because he would be like, you

1572
01:12:15,439 --> 01:12:20,120
Speaker 1: know some like you're oh see that's Mean's meaner than

1573
01:12:20,120 --> 01:12:22,880
Speaker 1: anything I've said. And yet I get the reputation. I

1574
01:12:22,920 --> 01:12:23,960
Speaker 1: think you're very attractive.

1575
01:12:25,520 --> 01:12:26,320
Speaker 3: That's so abusive.

1576
01:12:26,320 --> 01:12:32,479
Speaker 2: That finally the first truth he's told. But if I

1577
01:12:32,560 --> 01:12:38,439
Speaker 2: had to kill him, yeah, uh, well, I've always dreamed

1578
01:12:38,479 --> 01:12:39,880
Speaker 2: of being a poisons exp I was just.

1579
01:12:39,840 --> 01:12:42,320
Speaker 3: Gonna say poisons. I've always known that about you.

1580
01:12:42,520 --> 01:12:43,519
Speaker 2: Yeah, I'm very poison.

1581
01:12:43,560 --> 01:12:46,840
Speaker 1: You're very poison. You're sort of with Thurman as poison

1582
01:12:46,960 --> 01:12:47,920
Speaker 1: Girl in that movie.

1583
01:12:47,760 --> 01:12:48,519
Speaker 3: Poison Ivy.

1584
01:12:50,040 --> 01:12:56,240
Speaker 2: So close a cat lady versus woman poison girl woman,

1585
01:12:56,360 --> 01:13:03,439
Speaker 2: Web women women web Uh wait, what was I going

1586
01:13:03,520 --> 01:13:09,680
Speaker 2: to poison Zach poisons? Maybe that's where I came.

1587
01:13:09,720 --> 01:13:11,639
Speaker 1: Oh my god, does connect our web?

1588
01:13:15,439 --> 01:13:15,719
Speaker 3: Okay?

1589
01:13:15,800 --> 01:13:16,519
Speaker 2: What so we're done?

1590
01:13:17,000 --> 01:13:17,040
Speaker 5: No?

1591
01:13:18,080 --> 01:13:18,600
Speaker 1: Okay, I don't know.

1592
01:13:18,640 --> 01:13:20,080
Speaker 2: I just feel think the energy was thinking.

1593
01:13:20,280 --> 01:13:20,640
Speaker 3: I don't know.

1594
01:13:20,840 --> 01:13:22,280
Speaker 2: I feel that people are trying to check out at

1595
01:13:22,320 --> 01:13:22,599
Speaker 2: this point.

1596
01:13:22,720 --> 01:13:25,160
Speaker 3: Really yeah, right, well, who's people.

1597
01:13:25,479 --> 01:13:27,200
Speaker 2: Your listeners who are listening right now?

1598
01:13:27,280 --> 01:13:28,160
Speaker 3: Right for you?

1599
01:13:28,240 --> 01:13:30,360
Speaker 1: Who do you imagine is our listen?

1600
01:13:30,400 --> 01:13:33,680
Speaker 2: Why would they call it iHeart radio if it wasn't radio? Well,

1601
01:13:33,760 --> 01:13:36,920
Speaker 2: it also is radio on what radio station? Is it?

1602
01:13:37,280 --> 01:13:41,360
Speaker 1: I hear iHeart radio? And that's like what a radio station?

1603
01:13:41,720 --> 01:13:42,080
Speaker 2: HRT?

1604
01:13:42,680 --> 01:13:46,719
Speaker 1: No, it's iHeart and it's on the radio? Correct?

1605
01:13:47,520 --> 01:13:48,400
Speaker 2: Where where?

1606
01:13:48,640 --> 01:13:50,800
Speaker 3: Yeah? Just turn on the radio, you'll find and go

1607
01:13:50,880 --> 01:13:53,320
Speaker 3: to the radio channel. Yeah.

1608
01:13:54,479 --> 01:13:56,000
Speaker 1: What do you imagine our listeners are?

1609
01:13:56,120 --> 01:13:56,160
Speaker 2: Like?

1610
01:13:56,360 --> 01:13:58,360
Speaker 1: Like, when you imagine someone listening to this episode? Are

1611
01:13:58,400 --> 01:13:59,800
Speaker 1: you imagining you know what? Gender?

1612
01:13:59,800 --> 01:14:06,800
Speaker 2: Got me in a coma? Yeah?

1613
01:14:09,120 --> 01:14:12,479
Speaker 3: Right, I mean totally yeah, but like guy or girl?

1614
01:14:14,800 --> 01:14:16,759
Speaker 2: I feel like comas are pretty feminine.

1615
01:14:17,479 --> 01:14:19,920
Speaker 1: Coma is that beautiful name for como? Yeah?

1616
01:14:20,360 --> 01:14:24,120
Speaker 2: Da daughter, coma Savaris.

1617
01:14:25,640 --> 01:14:27,760
Speaker 1: Do you think coma witter or coma saverus or coma

1618
01:14:27,840 --> 01:14:29,040
Speaker 1: Taggart is a shikha's name.

1619
01:14:29,120 --> 01:14:31,479
Speaker 3: Coma by far.

1620
01:14:32,400 --> 01:14:35,920
Speaker 1: Oh, I mean thank you, But I feel I actually

1621
01:14:35,920 --> 01:14:37,840
Speaker 1: think Coma Taggart has a really good ring to it

1622
01:14:38,240 --> 01:14:38,680
Speaker 1: sounds like you.

1623
01:14:38,880 --> 01:14:40,320
Speaker 3: No, it sounds like your gagging.

1624
01:14:41,560 --> 01:14:43,080
Speaker 2: Coma tagger, Coma Taggert.

1625
01:14:43,200 --> 01:14:44,880
Speaker 1: Cola really is actually beautiful name.

1626
01:14:47,600 --> 01:14:48,160
Speaker 3: Coma witter.

1627
01:14:48,520 --> 01:14:50,960
Speaker 2: But I mean, okay, well here's the queste. Yeah, I

1628
01:14:51,000 --> 01:14:56,040
Speaker 2: mean you do sort of like you do sort of

1629
01:14:56,920 --> 01:14:59,559
Speaker 2: assign a destiny just to your child once you give

1630
01:14:59,600 --> 01:15:03,840
Speaker 2: them certain kind of names. Well, I wouldn't want to

1631
01:15:04,840 --> 01:15:05,679
Speaker 2: just kick the horse.

1632
01:15:05,880 --> 01:15:07,400
Speaker 1: Do you think because your name is Max, you're going

1633
01:15:07,479 --> 01:15:09,160
Speaker 1: to grow up to be like Golden Retriever?

1634
01:15:10,240 --> 01:15:12,679
Speaker 2: No, Max means king, Well.

1635
01:15:12,560 --> 01:15:17,479
Speaker 3: It's means hbos streaming it needs Yeah.

1636
01:15:17,920 --> 01:15:19,800
Speaker 1: You're going to grow up to be either a dog

1637
01:15:20,040 --> 01:15:24,280
Speaker 1: or or a streaming service, two of the most beloved

1638
01:15:24,360 --> 01:15:25,080
Speaker 1: things in the world.

1639
01:15:25,479 --> 01:15:26,800
Speaker 3: That's true. That's true.

1640
01:15:26,960 --> 01:15:28,120
Speaker 2: Man's best friend.

1641
01:15:29,960 --> 01:15:33,320
Speaker 1: And gay man's best game, man's best friend.

1642
01:15:35,200 --> 01:15:39,080
Speaker 2: No women, I think yeah, wait, okay.

1643
01:15:39,080 --> 01:15:40,840
Speaker 3: Okay, okay, oh, I was no please, no.

1644
01:15:41,040 --> 01:15:43,519
Speaker 2: I won't say never mind. It was gonna I was

1645
01:15:43,560 --> 01:15:46,960
Speaker 2: gonna propose like a funny thing to play around, like

1646
01:15:47,200 --> 01:15:49,160
Speaker 2: if dogs are a man's best friend, what's a woman's

1647
01:15:49,160 --> 01:15:50,880
Speaker 2: But then everyone's just gonna be like diamonds.

1648
01:15:52,200 --> 01:15:56,120
Speaker 1: Oh, that's actually interesting though, man's best friend, diamond, women's.

1649
01:15:55,840 --> 01:15:58,960
Speaker 2: Dogs and diamonds. The name of my book about love

1650
01:16:00,120 --> 01:16:02,559
Speaker 2: the differences between the genders, and is a kid's book.

1651
01:16:04,560 --> 01:16:09,120
Speaker 2: It's for all ages. Yeah, it's yeah, it's too like

1652
01:16:09,439 --> 01:16:11,240
Speaker 2: I want to talk about sex.

1653
01:16:11,640 --> 01:16:13,000
Speaker 1: For all ages two year olds.

1654
01:16:13,400 --> 01:16:14,960
Speaker 3: There will be chapters that are like, don't read this

1655
01:16:15,080 --> 01:16:17,160
Speaker 3: if you're from the ages of blank to blank exactly.

1656
01:16:17,160 --> 01:16:19,160
Speaker 3: The reports are like super imaginative, and you'll be like,

1657
01:16:19,200 --> 01:16:21,160
Speaker 3: don't read this if you're over forty exactly.

1658
01:16:21,280 --> 01:16:24,960
Speaker 2: Yeah, yeah, yeah, I like that. Have you guys considered

1659
01:16:24,960 --> 01:16:26,040
Speaker 2: writing children's books? No?

1660
01:16:26,479 --> 01:16:27,639
Speaker 1: No, would you not once?

1661
01:16:28,080 --> 01:16:28,360
Speaker 3: Why not?

1662
01:16:29,280 --> 01:16:30,400
Speaker 2: You don't want to go there. You don't want to

1663
01:16:30,400 --> 01:16:31,960
Speaker 2: address your inner child. There's a lot of pain there.

1664
01:16:32,040 --> 01:16:33,800
Speaker 3: Sam, you're alone with back pain.

1665
01:16:34,200 --> 01:16:37,160
Speaker 2: Yeah, I'm I'm shouldering your burden.

1666
01:16:37,920 --> 01:16:39,200
Speaker 1: Are you feeling in pain right now?

1667
01:16:39,439 --> 01:16:40,280
Speaker 2: No? No? No, I'm fine?

1668
01:16:40,680 --> 01:16:42,360
Speaker 1: Okay, Yeah, you start crying.

1669
01:16:45,040 --> 01:16:46,960
Speaker 2: Yeah, the second I leave this place, I collapse. They

1670
01:16:47,000 --> 01:16:50,240
Speaker 2: catch it on camera. Yeah, yeah, throwing my hands up

1671
01:16:50,240 --> 01:16:51,439
Speaker 2: against this screen. Here.

1672
01:16:51,479 --> 01:16:53,760
Speaker 1: Are you now fine? Because you address the emotional issue,

1673
01:16:53,760 --> 01:16:55,719
Speaker 1: the underlying emotional issues on your way here.

1674
01:16:55,680 --> 01:16:57,800
Speaker 2: Which is that? Oh yeah, which is that? Like you're

1675
01:16:58,760 --> 01:17:01,160
Speaker 2: that I am You're the main This is me confronting

1676
01:17:01,200 --> 01:17:02,479
Speaker 2: my demons, and I'm your demons.

1677
01:17:02,560 --> 01:17:03,880
Speaker 1: Yeah, oh oh okay, Well I'm glad.

1678
01:17:03,880 --> 01:17:05,080
Speaker 3: I I thought it was just you hadn't done the

1679
01:17:05,080 --> 01:17:08,320
Speaker 3: podcast in a while and you felt so happy that.

1680
01:17:08,520 --> 01:17:10,200
Speaker 2: I haven't had a microphone on my face in so long,

1681
01:17:10,280 --> 01:17:13,960
Speaker 2: and that's so I created a problem for myself in

1682
01:17:14,080 --> 01:17:15,280
Speaker 2: order to Yeah, no.

1683
01:17:15,360 --> 01:17:16,479
Speaker 3: That happens to us sometimes.

1684
01:17:16,600 --> 01:17:17,519
Speaker 1: Yeah, yeah, totally.

1685
01:17:17,640 --> 01:17:19,519
Speaker 3: Yeah. I went to the hospital because I had mad

1686
01:17:19,520 --> 01:17:21,000
Speaker 3: a microphone on my face for like three weeks.

1687
01:17:21,600 --> 01:17:24,240
Speaker 2: Yeah, you weren't getting booked until you're like, I need

1688
01:17:24,320 --> 01:17:28,160
Speaker 2: to get on someone's book, so maybe my medical You.

1689
01:17:28,240 --> 01:17:29,640
Speaker 1: Just wanted to see your name written.

1690
01:17:29,760 --> 01:17:33,000
Speaker 3: Of course, Yeah, exactly, get on the list.

1691
01:17:34,080 --> 01:17:35,519
Speaker 1: Well, Max, where can people find you?

1692
01:17:37,120 --> 01:17:41,640
Speaker 2: And plug your tour social media? My I'm doing a

1693
01:17:41,800 --> 01:17:44,479
Speaker 2: tour for my show I Can Steal Your Mother and

1694
01:17:44,600 --> 01:17:49,960
Speaker 2: it's going to Seattle at the Hereafter On three thirteen

1695
01:17:50,120 --> 01:17:54,320
Speaker 2: with Imani Denay, thank you, I realized I've never said

1696
01:17:54,320 --> 01:17:57,160
Speaker 2: her last name out loud, and I'm going to be

1697
01:17:57,280 --> 01:18:03,000
Speaker 2: in Portland on five with three Beachy ARMANI what.

1698
01:18:03,160 --> 01:18:04,240
Speaker 1: Three fifteen or five fifteen?

1699
01:18:04,240 --> 01:18:05,280
Speaker 2: Three fifteen to what did I say?

1700
01:18:05,560 --> 01:18:06,080
Speaker 1: Five to fifteen?

1701
01:18:06,600 --> 01:18:09,560
Speaker 2: I make three and five are so similar. It's like

1702
01:18:09,680 --> 01:18:13,200
Speaker 2: true and Kurby Kirby curvy curvy.

1703
01:18:13,400 --> 01:18:13,519
Speaker 5: Oh.

1704
01:18:14,160 --> 01:18:16,200
Speaker 2: I was thinking they're both like red and yellow.

1705
01:18:16,920 --> 01:18:17,280
Speaker 3: You guys.

1706
01:18:18,080 --> 01:18:19,880
Speaker 2: Something I was talking about last night is is like

1707
01:18:20,000 --> 01:18:25,760
Speaker 2: having synesthesia, but assigning like celebrities to numbers. Yeah, like

1708
01:18:26,479 --> 01:18:29,280
Speaker 2: like three feels very like like three to me feels

1709
01:18:29,280 --> 01:18:30,320
Speaker 2: a very lucy lou.

1710
01:18:31,439 --> 01:18:33,880
Speaker 1: Oh see, lucily to me is more severe like lucy,

1711
01:18:34,000 --> 01:18:36,360
Speaker 1: like like a seventeen ye yeah, seventeen.

1712
01:18:36,520 --> 01:18:39,120
Speaker 2: Yeah, what is like a what is five?

1713
01:18:39,200 --> 01:18:42,719
Speaker 3: To you? Five is actually five? Like John Goodman?

1714
01:18:42,920 --> 01:18:46,639
Speaker 2: Yeah, I was just going to say, John Goodman, that's crazy. Wait,

1715
01:18:46,720 --> 01:18:50,160
Speaker 2: that's actually insane. I was gonna say, all American, I'm sorry,

1716
01:18:50,200 --> 01:18:52,280
Speaker 2: I'm screaming into your ear. He had to take his

1717
01:18:52,600 --> 01:18:53,200
Speaker 2: headphones off.

1718
01:18:53,280 --> 01:18:55,080
Speaker 3: Oh yeah, I mean so did all of our listeners.

1719
01:18:55,120 --> 01:19:01,800
Speaker 2: Actually yeah, but before I started talking, Jesus Christ, did

1720
01:19:01,840 --> 01:19:04,240
Speaker 2: you want to finish your Oh?

1721
01:19:04,320 --> 01:19:04,479
Speaker 1: Yeah?

1722
01:19:04,520 --> 01:19:09,880
Speaker 2: And then also Los Angeles three twenty March twentieth at

1723
01:19:09,920 --> 01:19:11,960
Speaker 2: the Allegion with Greta Titleman.

1724
01:19:11,840 --> 01:19:14,800
Speaker 3: Isn't it MANI in Portland Seattle? Wait?

1725
01:19:14,920 --> 01:19:15,840
Speaker 2: Did I just mix those up?

1726
01:19:15,920 --> 01:19:16,080
Speaker 3: Yeah?

1727
01:19:16,120 --> 01:19:17,680
Speaker 2: I might have mixed those up. Yeah, Imani is in

1728
01:19:17,760 --> 01:19:19,920
Speaker 2: Portland and Ricci is in Seattle.

1729
01:19:20,560 --> 01:19:22,320
Speaker 3: Yeah, yeah, that is correct.

1730
01:19:22,400 --> 01:19:22,880
Speaker 1: I remember.

1731
01:19:23,080 --> 01:19:24,640
Speaker 2: Well. The thing for me is that, like, when I

1732
01:19:24,680 --> 01:19:26,360
Speaker 2: think of Seattle, the first thing that comes to mind

1733
01:19:26,400 --> 01:19:29,360
Speaker 2: is Portland, totally right, And then when I think of Portland,

1734
01:19:29,760 --> 01:19:34,280
Speaker 2: it's almost it's opposite, because they're polar opposites. Way in Seattle, Okay,

1735
01:19:34,520 --> 01:19:36,200
Speaker 2: because they're the same exactly.

1736
01:19:36,640 --> 01:19:42,519
Speaker 1: That's interesting. What does Seattle have to do to get

1737
01:19:42,600 --> 01:19:44,320
Speaker 1: on the map? You know what I mean? In fact,

1738
01:19:44,400 --> 01:19:45,759
Speaker 1: so many things have been set there.

1739
01:19:45,680 --> 01:19:47,200
Speaker 3: Honey, time travel back in the nineties.

1740
01:19:47,360 --> 01:19:50,280
Speaker 1: Yeah, no, that really is true. Uh. What does it

1741
01:19:50,439 --> 01:19:54,000
Speaker 1: have to do to get to the prestige of Portland?

1742
01:19:54,080 --> 01:19:56,240
Speaker 1: Even though Portland has been made fun of so much,

1743
01:19:56,439 --> 01:19:58,519
Speaker 1: it still has more name recognition than Seattle.

1744
01:19:58,560 --> 01:20:00,400
Speaker 3: Well, that's the big ticket is you have to let

1745
01:20:00,479 --> 01:20:01,360
Speaker 3: yourself be made funny.

1746
01:20:01,439 --> 01:20:03,320
Speaker 1: Yes, you have to be. There has to be something

1747
01:20:03,360 --> 01:20:06,720
Speaker 1: ritty even though Seattle but yes it's not.

1748
01:20:07,360 --> 01:20:08,200
Speaker 3: It's invulnerable.

1749
01:20:08,320 --> 01:20:11,840
Speaker 1: All the stereotypes of Seattle have stopped being relevant since

1750
01:20:11,880 --> 01:20:12,680
Speaker 1: like two thousand.

1751
01:20:12,400 --> 01:20:14,960
Speaker 2: And three they need to they need the problems that

1752
01:20:15,040 --> 01:20:16,040
Speaker 2: Seattle is too humble.

1753
01:20:16,800 --> 01:20:18,439
Speaker 1: Well, the problem is that Kurt Cobaine died.

1754
01:20:19,280 --> 01:20:20,439
Speaker 3: Should we do our final segment?

1755
01:20:21,280 --> 01:20:26,519
Speaker 1: The problem is that because if Nirvana had like gone

1756
01:20:26,600 --> 01:20:27,719
Speaker 1: into the new millennium.

1757
01:20:29,840 --> 01:20:32,080
Speaker 2: Yeah, exactly, you're telling me that Nirvana is from Seattle

1758
01:20:32,320 --> 01:20:34,679
Speaker 2: wearing an I'm wearing a flannel open right now.

1759
01:20:37,680 --> 01:20:38,720
Speaker 3: And your sweating.

1760
01:20:40,280 --> 01:20:43,439
Speaker 1: Where, well, you're where, You're leaking from every hole.

1761
01:20:44,040 --> 01:20:45,080
Speaker 3: Every pore is wide.

1762
01:20:45,120 --> 01:20:47,559
Speaker 2: Oak can smell it on the soft, sopping wet ye.

1763
01:20:47,640 --> 01:20:49,360
Speaker 1: Yeah, these disgusting songs came.

1764
01:20:51,800 --> 01:20:54,800
Speaker 2: Wetter than angel hair ponds. Slip sloppery, slippering down my

1765
01:20:55,040 --> 01:20:59,479
Speaker 2: cheeks and you can socks hole they're so slippery slipper right,

1766
01:20:59,520 --> 01:21:02,880
Speaker 2: and the shooting at the other end, easy floss my

1767
01:21:03,560 --> 01:21:04,240
Speaker 2: I get over.

1768
01:21:04,200 --> 01:21:07,559
Speaker 1: You guys saying you want angel hair pasta palmadoro more

1769
01:21:07,640 --> 01:21:08,400
Speaker 1: than spaghetti.

1770
01:21:08,600 --> 01:21:11,200
Speaker 2: I in this moment, In this moment, yes, I'd say,

1771
01:21:11,240 --> 01:21:14,400
Speaker 2: in all moments, I'm not going to couch my beliefs. Wait,

1772
01:21:14,520 --> 01:21:16,519
Speaker 2: don't can I tell you something what I'm And I'm

1773
01:21:16,560 --> 01:21:19,080
Speaker 2: not even like being controversially taking the stance on angela

1774
01:21:19,120 --> 01:21:21,160
Speaker 2: pasta right now, as we're talking about angelapasta. My mouth

1775
01:21:21,240 --> 01:21:25,040
Speaker 2: is watering. Actually, I'm dripper dripping, dribbling, drip, dribbling, dribbling.

1776
01:21:25,560 --> 01:21:27,080
Speaker 3: It's such a dainty little pasta.

1777
01:21:27,320 --> 01:21:30,519
Speaker 1: Okay, don't you think your mouth will be watering if

1778
01:21:30,560 --> 01:21:31,759
Speaker 1: we're talking about any food?

1779
01:21:31,960 --> 01:21:36,759
Speaker 2: No, So you just think I'm just a belligerent, hungry animal.

1780
01:21:36,800 --> 01:21:39,680
Speaker 2: You think I'm a hungry hippo, that's what You just

1781
01:21:40,280 --> 01:21:42,320
Speaker 2: say that, And you're looking directly on my love handles.

1782
01:21:42,360 --> 01:21:46,400
Speaker 1: And I don't think craving, my God, make someone like

1783
01:21:46,479 --> 01:21:48,719
Speaker 1: a slobbery, hungry body.

1784
01:21:48,760 --> 01:21:53,240
Speaker 2: Shame me about liking liking angel hair policy, you tried

1785
01:21:53,240 --> 01:21:54,200
Speaker 2: to reframe, what is your.

1786
01:21:54,160 --> 01:21:55,759
Speaker 1: Ideal preparation of angel hair pasta?

1787
01:21:57,000 --> 01:22:00,280
Speaker 2: I would say a light sort of like buttery lemon.

1788
01:22:00,439 --> 01:22:02,200
Speaker 1: Yeah, it's like brown butter lemon.

1789
01:22:02,479 --> 01:22:04,639
Speaker 2: Yeah, garlic and brown.

1790
01:22:04,680 --> 01:22:11,679
Speaker 1: But are we talking of green like an arugula or something?

1791
01:22:12,479 --> 01:22:12,519
Speaker 3: No?

1792
01:22:12,840 --> 01:22:16,200
Speaker 2: No, I don't, I don't you know what a arugula.

1793
01:22:16,640 --> 01:22:20,320
Speaker 2: You need to get itself in check. We need people,

1794
01:22:21,240 --> 01:22:24,879
Speaker 2: people need to stop putting a rugla on a pedestal,

1795
01:22:25,680 --> 01:22:28,280
Speaker 2: and especially the thought of it ever being in a salad.

1796
01:22:28,720 --> 01:22:32,519
Speaker 2: What happened ever? First of all, it being anywhere? Yeah,

1797
01:22:32,720 --> 01:22:35,280
Speaker 2: but most importantly in a salad. The idea that it

1798
01:22:35,320 --> 01:22:38,120
Speaker 2: could that it can stand up to a dressing of

1799
01:22:38,240 --> 01:22:41,559
Speaker 2: any kind is crazy. The second you put a drop

1800
01:22:41,640 --> 01:22:44,280
Speaker 2: of lemon juice on a piece of arugola, it turns

1801
01:22:44,280 --> 01:22:45,080
Speaker 2: into a wet cat.

1802
01:22:45,439 --> 01:22:48,280
Speaker 1: I think the reason arugula had such popularity is because

1803
01:22:48,320 --> 01:22:51,519
Speaker 1: it's skinny. And so when you're eating a salad, you know,

1804
01:22:51,640 --> 01:22:53,559
Speaker 1: put yourself in the position of someone eating a salad.

1805
01:22:53,600 --> 01:22:57,040
Speaker 1: They're so desperate to be skinny. They look at they say, look,

1806
01:22:57,080 --> 01:22:57,960
Speaker 1: it's skinnier.

1807
01:22:57,640 --> 01:22:59,920
Speaker 2: Than it's a thinnish lettuce, and.

1808
01:23:01,840 --> 01:23:04,040
Speaker 1: All the other ones are sort of like fat.

1809
01:23:04,120 --> 01:23:06,720
Speaker 2: If anything, I kind of think it's more like Guy

1810
01:23:06,800 --> 01:23:09,080
Speaker 2: Fieri culture of just like every bite has to pack

1811
01:23:09,120 --> 01:23:11,280
Speaker 2: a punch, right, And so they were like, it's it's

1812
01:23:11,320 --> 01:23:11,960
Speaker 2: like bittery.

1813
01:23:12,200 --> 01:23:15,360
Speaker 3: I like arugula. Oh and I don't think it should

1814
01:23:15,360 --> 01:23:15,759
Speaker 3: go anywhere.

1815
01:23:15,880 --> 01:23:17,320
Speaker 2: So how are we going to end this? George?

1816
01:23:18,560 --> 01:23:19,680
Speaker 1: Well, and I like the.

1817
01:23:19,680 --> 01:23:20,719
Speaker 3: Fact that it packs a punch.

1818
01:23:21,320 --> 01:23:23,080
Speaker 2: Yeah, and I like it's extra.

1819
01:23:23,200 --> 01:23:25,120
Speaker 1: I think what we now need is, you know, we

1820
01:23:25,240 --> 01:23:27,400
Speaker 1: have something that's Sam, a food that Sam and I

1821
01:23:28,080 --> 01:23:30,280
Speaker 1: know that you guys agree on angel hair Pasa and

1822
01:23:30,360 --> 01:23:32,200
Speaker 1: I disagree. We have a food that Max and I

1823
01:23:32,320 --> 01:23:35,200
Speaker 1: agree on. Arugula, we hate it, you disagree. Okay, we

1824
01:23:35,320 --> 01:23:37,760
Speaker 1: need to find something that we like that Sam and

1825
01:23:37,800 --> 01:23:41,320
Speaker 1: I like and you don't like. And guess what that'll do, re.

1826
01:23:43,240 --> 01:23:46,559
Speaker 2: Braceletlet No, No.

1827
01:23:46,720 --> 01:23:49,559
Speaker 1: That'll like bring us back to the initial dynamic. It'll

1828
01:23:49,600 --> 01:23:52,000
Speaker 1: be like a reparative experience where it's like we'll go

1829
01:23:52,160 --> 01:23:55,200
Speaker 1: back to you being the guest.

1830
01:23:55,479 --> 01:23:57,799
Speaker 2: Don't you kind of think we started off so broken

1831
01:23:57,920 --> 01:23:59,160
Speaker 2: and that we need to get back there.

1832
01:23:59,640 --> 01:24:01,920
Speaker 1: Oh you think we shouldn't get back to where we started?

1833
01:24:02,040 --> 01:24:03,599
Speaker 2: Well, no, actually you're right. We do need to complete

1834
01:24:03,600 --> 01:24:05,680
Speaker 2: the circle on exact exactly. Okay, So we have to

1835
01:24:05,680 --> 01:24:07,280
Speaker 2: figure something out between you two. And it can't be

1836
01:24:07,920 --> 01:24:09,840
Speaker 2: so I'm vegan, and it can't be something that's like

1837
01:24:09,880 --> 01:24:11,160
Speaker 2: obviously not vegan, because that's.

1838
01:24:11,000 --> 01:24:13,120
Speaker 1: What about this. Do you tell us your strong food

1839
01:24:13,160 --> 01:24:16,479
Speaker 1: opinions and we'll find some one that we both disagree with. Oh,

1840
01:24:16,920 --> 01:24:18,160
Speaker 1: I think that makes more sense.

1841
01:24:18,720 --> 01:24:19,799
Speaker 2: Love chocolate pudding?

1842
01:24:20,400 --> 01:24:22,920
Speaker 3: Hate it? I like it? Okay, Okay, fuck?

1843
01:24:24,120 --> 01:24:24,400
Speaker 2: Okay?

1844
01:24:24,680 --> 01:24:25,120
Speaker 3: I what.

1845
01:24:26,600 --> 01:24:30,280
Speaker 2: I oh? Best chip free doos?

1846
01:24:32,040 --> 01:24:33,240
Speaker 3: I feel fine about.

1847
01:24:33,040 --> 01:24:36,320
Speaker 1: Them, Okay, but I don't think they're the best chip Okay.

1848
01:24:36,400 --> 01:24:41,000
Speaker 2: Oh, I like uh, I low key ice cream sucks.

1849
01:24:41,800 --> 01:24:42,479
Speaker 3: I agree with that.

1850
01:24:42,640 --> 01:24:43,479
Speaker 1: What the hell.

1851
01:24:45,160 --> 01:24:45,680
Speaker 2: Interesting?

1852
01:24:45,880 --> 01:24:47,800
Speaker 1: This is so crazy? I mean actually, I'm really like

1853
01:24:47,880 --> 01:24:49,880
Speaker 1: a scary thing for us to not be like to

1854
01:24:50,720 --> 01:24:55,160
Speaker 1: about anything to do you of course, but that's a

1855
01:24:55,200 --> 01:24:57,280
Speaker 1: classic Max Fooday Okay.

1856
01:25:00,560 --> 01:25:05,040
Speaker 2: I can't believe we're sitting here. No, we were sitting

1857
01:25:05,080 --> 01:25:07,880
Speaker 2: at the end of the podcast just brainstorming foods that

1858
01:25:08,000 --> 01:25:08,799
Speaker 2: already exists.

1859
01:25:09,160 --> 01:25:11,200
Speaker 1: See when you do that, when you like zoom out

1860
01:25:11,320 --> 01:25:14,720
Speaker 1: and like make fun of it, that ruins the vibe.

1861
01:25:15,360 --> 01:25:18,519
Speaker 2: That brings people out of their coma. And that's a

1862
01:25:18,600 --> 01:25:23,000
Speaker 2: problem because we need them to stay there to keep listening.

1863
01:25:24,600 --> 01:25:28,160
Speaker 1: So you're saying if you describe anything, it sounds ridiculous, like, yes,

1864
01:25:28,200 --> 01:25:29,120
Speaker 1: we're listing foods.

1865
01:25:29,200 --> 01:25:31,320
Speaker 3: It's like, but we got here together. We got here together,

1866
01:25:31,520 --> 01:25:34,639
Speaker 3: like we're you were a major, you showed up late.

1867
01:25:34,760 --> 01:25:37,719
Speaker 1: It's just like you are being so First of all, Sam, plane,

1868
01:25:37,800 --> 01:25:42,519
Speaker 1: I was here. We're in an airplane, and again is

1869
01:25:42,600 --> 01:25:44,760
Speaker 1: like everyone is in the air and then you come

1870
01:25:44,800 --> 01:25:46,720
Speaker 1: out and you're like, is that random that we're in

1871
01:25:46,800 --> 01:25:47,439
Speaker 1: a cloud right now?

1872
01:25:47,439 --> 01:25:49,120
Speaker 2: I haven't started screaming and jumping out of the plane.

1873
01:25:49,200 --> 01:25:52,519
Speaker 3: Yeah, exactly, Sure, Okay, so we're just not going to

1874
01:25:52,560 --> 01:25:53,040
Speaker 3: find a food.

1875
01:25:54,000 --> 01:25:57,040
Speaker 2: Well, I mean, I told you we didn't broke in. Yeah,

1876
01:25:57,080 --> 01:26:00,360
Speaker 2: I guess that is sort of yeah, like tried, we

1877
01:26:00,439 --> 01:26:01,679
Speaker 2: tried to repair, we couldn't.

1878
01:26:01,720 --> 01:26:03,360
Speaker 1: We tried so hard to repair it than we couldn't

1879
01:26:03,520 --> 01:26:05,160
Speaker 1: and we got too far and in the end.

1880
01:26:07,280 --> 01:26:08,080
Speaker 3: It doesn't even matter.

1881
01:26:08,160 --> 01:26:08,719
Speaker 1: I can't believe.

1882
01:26:08,840 --> 01:26:12,599
Speaker 3: Well. Listeners feel free to reach out with critiques, thoughts

1883
01:26:13,000 --> 01:26:16,960
Speaker 3: for Sam and George, suggestions for Max on where he

1884
01:26:17,080 --> 01:26:20,720
Speaker 3: should cancel shop shows, and I.

1885
01:26:20,760 --> 01:26:23,320
Speaker 2: Wish where I should cancel my upcoming show. Yeah, give

1886
01:26:23,320 --> 01:26:24,759
Speaker 2: me some thoughts and where I should cancel.

1887
01:26:28,840 --> 01:26:30,040
Speaker 1: I would honestly love to.

1888
01:26:30,520 --> 01:26:32,840
Speaker 2: I do think it's so chic when people cancel shows.

1889
01:26:32,920 --> 01:26:35,640
Speaker 1: Oh, I love it, even though what it means is

1890
01:26:35,680 --> 01:26:36,519
Speaker 1: they didn't sell up.

1891
01:26:36,520 --> 01:26:38,759
Speaker 2: Tickets or it's just like it's like, dude to unforeseen

1892
01:26:38,800 --> 01:26:40,280
Speaker 2: circum I know, right.

1893
01:26:40,360 --> 01:26:41,920
Speaker 3: I had to cancel Club Comics when I was in

1894
01:26:41,920 --> 01:26:44,559
Speaker 3: the hospital, and I was like, this is incredible, so hot. Yeah,

1895
01:26:44,600 --> 01:26:45,920
Speaker 3: I was like, I've never gotten to do.

1896
01:26:46,040 --> 01:26:48,280
Speaker 2: There's also no bigger relief than when I can't. When

1897
01:26:48,320 --> 01:26:49,360
Speaker 2: I've canceled chairs, I've.

1898
01:26:49,200 --> 01:26:54,960
Speaker 1: Been like yeah, you know, yeah, no doing uh doing

1899
01:26:55,200 --> 01:26:57,360
Speaker 1: our passion is one of the worst things you can

1900
01:26:57,439 --> 01:26:58,120
Speaker 1: expect from.

1901
01:26:58,040 --> 01:27:08,400
Speaker 3: Us to Yeah, do we want to do our final segment?

1902
01:27:08,600 --> 01:27:08,760
Speaker 2: Yeah?

1903
01:27:08,760 --> 01:27:10,000
Speaker 1: I mean I don't have one either.

1904
01:27:10,640 --> 01:27:12,800
Speaker 3: Our final segment is called shout outs, and in this

1905
01:27:12,880 --> 01:27:16,880
Speaker 3: segment of him radio show, we enjoy it.

1906
01:27:18,880 --> 01:27:20,439
Speaker 1: I'm going to give a shout out to ice cream.

1907
01:27:20,880 --> 01:27:23,880
Speaker 1: I'm really still in shock of the fact that both

1908
01:27:24,000 --> 01:27:28,120
Speaker 1: two of my closest friends in my life are united

1909
01:27:28,479 --> 01:27:30,519
Speaker 1: against me in their hatred of ice cream. I guess

1910
01:27:30,520 --> 01:27:32,840
Speaker 1: I see it for Max just because he's vegan, so

1911
01:27:32,920 --> 01:27:35,920
Speaker 1: if he has some, he'll perish immediately from his lack

1912
01:27:35,960 --> 01:27:39,320
Speaker 1: of morality. But for Sam, someone who eats truly anything

1913
01:27:39,360 --> 01:27:41,960
Speaker 1: that's in front of him, I can't believe that that

1914
01:27:42,120 --> 01:27:43,680
Speaker 1: is where you dread the line. Of course, now I'm

1915
01:27:43,720 --> 01:27:46,879
Speaker 1: remembering Sam's famous shout out of things being room temperature

1916
01:27:46,920 --> 01:27:49,280
Speaker 1: and wishing that ice cream could be room temperature and

1917
01:27:49,400 --> 01:27:51,360
Speaker 1: he doesn't like it that are not too cold. I

1918
01:27:51,560 --> 01:27:53,800
Speaker 1: completely disagree, and I have to give a huge shout

1919
01:27:53,840 --> 01:27:56,840
Speaker 1: out to honestly, basically any kind of ice cream that

1920
01:27:56,880 --> 01:27:59,439
Speaker 1: has ever been popular I'm into. I loved when butter

1921
01:27:59,479 --> 01:28:02,720
Speaker 1: pecan was a thing. I love a sort of like

1922
01:28:03,040 --> 01:28:05,240
Speaker 1: salted caramel, even though it's very ninety.

1923
01:28:05,120 --> 01:28:05,920
Speaker 3: Sound very grandma.

1924
01:28:06,000 --> 01:28:07,759
Speaker 1: I as a caramel.

1925
01:28:07,880 --> 01:28:08,360
Speaker 3: Both of these.

1926
01:28:08,400 --> 01:28:11,360
Speaker 2: Well, yea, why don't you have some Lucky Strikes ice cream?

1927
01:28:11,880 --> 01:28:15,720
Speaker 1: If there was some, I would try it. I will

1928
01:28:15,760 --> 01:28:18,040
Speaker 1: do anything. Listen. I know it's gohoes to try all

1929
01:28:18,040 --> 01:28:19,840
Speaker 1: the different flavors, but if I could, if I was

1930
01:28:20,160 --> 01:28:22,120
Speaker 1: not insecure, and if I could get out of my

1931
01:28:22,200 --> 01:28:24,080
Speaker 1: own way, I would go to every ice cream place,

1932
01:28:24,160 --> 01:28:25,640
Speaker 1: get a little spoon, and try every single one of

1933
01:28:25,680 --> 01:28:25,960
Speaker 1: the places.

1934
01:28:25,960 --> 01:28:27,679
Speaker 2: It's kind of like you're fantasy about being a slub,

1935
01:28:27,720 --> 01:28:29,240
Speaker 2: but you can't actually when you could, feel like you

1936
01:28:29,320 --> 01:28:30,080
Speaker 2: can't actually go there?

1937
01:28:30,680 --> 01:28:33,439
Speaker 1: Right, Yeah, this is ultimately about that. This is about

1938
01:28:33,760 --> 01:28:36,760
Speaker 1: I guess ice cream for me is food for me

1939
01:28:36,880 --> 01:28:37,559
Speaker 1: is like sex.

1940
01:28:37,640 --> 01:28:38,880
Speaker 2: It's like better than sex.

1941
01:28:40,920 --> 01:28:42,160
Speaker 1: Okay, that's my shout out.

1942
01:28:42,280 --> 01:28:45,439
Speaker 3: Okay, I want to give a shout out to asking

1943
01:28:45,520 --> 01:28:47,680
Speaker 3: for a phone charger for people you don't really know.

1944
01:28:48,200 --> 01:28:51,360
Speaker 2: I feel like it is don't you dare sorry.

1945
01:28:51,600 --> 01:28:55,120
Speaker 3: I think it is actually a really humanizing experienced to

1946
01:28:55,120 --> 01:28:57,599
Speaker 3: ask for a phone charger. I think it is shunned

1947
01:28:57,600 --> 01:28:58,920
Speaker 3: in our culture, and I think.

1948
01:28:58,960 --> 01:28:59,960
Speaker 1: Do you currently need a phone?

1949
01:29:01,040 --> 01:29:01,080
Speaker 5: No?

1950
01:29:01,240 --> 01:29:03,479
Speaker 3: But I did last night, and I haven't needed one

1951
01:29:03,520 --> 01:29:06,040
Speaker 3: in a long time, and it sort of made me realize, like, wow,

1952
01:29:06,080 --> 01:29:08,040
Speaker 3: I'm kind of stuck in my way. It's like to

1953
01:29:08,160 --> 01:29:11,120
Speaker 3: be so closed off to society where you never are

1954
01:29:11,200 --> 01:29:12,760
Speaker 3: in a place where you need a phone charger from

1955
01:29:12,760 --> 01:29:15,400
Speaker 3: a stranger. Is actually you think it's a sign of growth,

1956
01:29:15,439 --> 01:29:20,280
Speaker 3: It's actually a sign of falling and losing your sense

1957
01:29:20,320 --> 01:29:22,080
Speaker 3: of spontaneity.

1958
01:29:24,360 --> 01:29:24,519
Speaker 4: Fall.

1959
01:29:24,640 --> 01:29:27,360
Speaker 3: So you know, if you're going out, go with a

1960
01:29:27,400 --> 01:29:30,679
Speaker 3: half charged phone, start asking people and make some friends

1961
01:29:30,800 --> 01:29:33,479
Speaker 3: and connections and be vulnerable for once in your life.

1962
01:29:33,920 --> 01:29:40,400
Speaker 2: Max go, I want to give a shout out to spices.

1963
01:29:40,800 --> 01:29:43,960
Speaker 2: Oh oh, I was walking down the strege earlier and

1964
01:29:44,080 --> 01:29:48,040
Speaker 2: got a big walk of spices in the air, and

1965
01:29:48,520 --> 01:29:50,479
Speaker 2: I just thought, you know, spices are this spice of

1966
01:29:50,560 --> 01:29:55,600
Speaker 2: life when you really think about it, and you know

1967
01:29:56,040 --> 01:30:01,840
Speaker 2: they what could be better than Can you give me

1968
01:30:01,920 --> 01:30:04,840
Speaker 2: something else to do other than spices? Yeah? I don't

1969
01:30:04,920 --> 01:30:05,360
Speaker 2: like that one.

1970
01:30:08,360 --> 01:30:10,120
Speaker 3: Are you like you do a shout out to us?

1971
01:30:10,720 --> 01:30:13,160
Speaker 2: You know what, if I want to do something positive,

1972
01:30:16,120 --> 01:30:17,439
Speaker 2: I'm trying to be nice, So I want.

1973
01:30:17,280 --> 01:30:19,599
Speaker 3: To do anything like seasonal anything in the weather right

1974
01:30:19,640 --> 01:30:20,920
Speaker 3: now that you're enjoying.

1975
01:30:21,560 --> 01:30:25,320
Speaker 1: Anything in the cities that you're going to. Oh, like

1976
01:30:25,560 --> 01:30:27,839
Speaker 1: anything related Portland related.

1977
01:30:28,479 --> 01:30:30,360
Speaker 2: I can't think of anything you haven't been here.

1978
01:30:30,640 --> 01:30:33,760
Speaker 3: Yeah, yeah, maybe something about.

1979
01:30:33,640 --> 01:30:39,000
Speaker 2: Okay, I found I really I came to a realization.

1980
01:30:39,120 --> 01:30:41,200
Speaker 2: I had an epiphany recently that which is that I

1981
01:30:41,280 --> 01:30:43,080
Speaker 2: want to take flamenco classes.

1982
01:30:45,400 --> 01:30:47,200
Speaker 3: This is you being afraid of success again.

1983
01:30:48,160 --> 01:30:50,840
Speaker 2: Right with me avoiding flamanco classes or or you're saying

1984
01:30:50,880 --> 01:30:53,920
Speaker 2: me being attractive flam maka classes is me avoiding work. Yeah,

1985
01:30:54,320 --> 01:30:57,240
Speaker 2: it's like, hey, maybe finally you have a tour your

1986
01:30:57,280 --> 01:30:59,920
Speaker 2: shows and I'm like canceling, and now you're like, I'm.

1987
01:31:01,240 --> 01:31:05,000
Speaker 1: Like I have to Like, you have to sort of move.

1988
01:31:05,280 --> 01:31:07,040
Speaker 1: You have to grow up at some point. You can't

1989
01:31:07,080 --> 01:31:09,640
Speaker 1: be constantly like getting somewhere in your career and then

1990
01:31:09,680 --> 01:31:11,839
Speaker 1: immediately a boarding classes.

1991
01:31:13,320 --> 01:31:15,720
Speaker 2: Fine, okay, I want to give a shout out to

1992
01:31:15,800 --> 01:31:20,160
Speaker 2: kickboxing classes. Kickboxing classes are amazing because they build court

1993
01:31:20,200 --> 01:31:24,560
Speaker 2: strength as well as give you really strong skills to

1994
01:31:24,680 --> 01:31:27,840
Speaker 2: fend off your enemies. No one will fuck around with

1995
01:31:27,920 --> 01:31:34,760
Speaker 2: you if you take kickboxing classes and you get to

1996
01:31:34,840 --> 01:31:36,719
Speaker 2: wear God, you're.

1997
01:31:36,680 --> 01:31:39,800
Speaker 1: Not very good at this. No, I'm not really really

1998
01:31:39,920 --> 01:31:41,840
Speaker 1: can't find the momentum I can't.

1999
01:31:42,040 --> 01:31:44,760
Speaker 2: I can't do it. It's crazy because this is what

2000
01:31:45,960 --> 01:31:47,320
Speaker 2: time you actually might have to put this at like

2001
01:31:47,400 --> 01:31:48,200
Speaker 2: one point five speed.

2002
01:31:48,360 --> 01:31:49,240
Speaker 1: Yeah, maybe we will.

2003
01:31:49,320 --> 01:31:52,160
Speaker 3: I think the issue is, you know you're having really

2004
01:31:52,600 --> 01:31:53,400
Speaker 3: experiencing joy.

2005
01:31:53,960 --> 01:31:55,320
Speaker 2: I think so. I think so too.

2006
01:31:55,400 --> 01:31:56,840
Speaker 1: What do you think would hell? And you know it's Friday.

2007
01:31:56,880 --> 01:31:57,639
Speaker 1: We can do whatever you want.

2008
01:31:57,720 --> 01:31:59,040
Speaker 3: You want us to give you another m R.

2009
01:31:59,240 --> 01:32:02,240
Speaker 1: You want to get a drink for this? I actually

2010
01:32:02,280 --> 01:32:03,000
Speaker 1: I can't.

2011
01:32:03,200 --> 01:32:07,479
Speaker 2: No, I can't. Yeah, I've important things to do, like

2012
01:32:07,560 --> 01:32:12,040
Speaker 2: what another MRI? Every day I get an MRI?

2013
01:32:14,120 --> 01:32:15,479
Speaker 1: Yeah, what do I are?

2014
01:32:15,520 --> 01:32:15,560
Speaker 2: You?

2015
01:32:15,600 --> 01:32:15,880
Speaker 3: Okay?

2016
01:32:16,880 --> 01:32:20,880
Speaker 2: I mean I guess yeah, yeah, I feel very sensitive today.

2017
01:32:20,960 --> 01:32:21,400
Speaker 2: I do too.

2018
01:32:21,720 --> 01:32:22,840
Speaker 3: Do you really know? What do you?

2019
01:32:23,960 --> 01:32:25,160
Speaker 2: I just feel like I have to the way you

2020
01:32:25,280 --> 01:32:26,720
Speaker 2: just pulled the rug out from underneath me. You have

2021
01:32:26,760 --> 01:32:28,120
Speaker 2: to peep. Yeah, but you just did it.

2022
01:32:28,439 --> 01:32:30,080
Speaker 3: Yeah, but you got here. I drink all this water.

2023
01:32:30,120 --> 01:32:31,040
Speaker 3: I had a coffee before.

2024
01:32:31,240 --> 01:32:32,320
Speaker 1: I'm sorry you feel sensitive.

2025
01:32:32,439 --> 01:32:33,040
Speaker 2: No, it's okay.

2026
01:32:33,880 --> 01:32:36,760
Speaker 1: I do think sometimes even if obviously I'm not saying

2027
01:32:36,840 --> 01:32:39,160
Speaker 1: getting an MIRI is traumatic, but like just being there,

2028
01:32:39,360 --> 01:32:42,120
Speaker 1: being in a doctor's office can like set off generalized

2029
01:32:42,120 --> 01:32:43,840
Speaker 1: anxiety about like illness and death.

2030
01:32:44,040 --> 01:32:46,600
Speaker 2: It was true that like, it was underground and there

2031
01:32:46,640 --> 01:32:49,120
Speaker 2: were no windows, and I'm sort of like, I'm gonna I.

2032
01:32:49,160 --> 01:32:50,880
Speaker 1: Think that's not going to affect you, but it does.

2033
01:32:51,000 --> 01:32:54,800
Speaker 2: But there were two women. Oh h, here's okay, the

2034
01:32:54,920 --> 01:32:58,800
Speaker 2: tea spill girl. I want to give a shout out

2035
01:32:58,920 --> 01:33:01,920
Speaker 2: to these two ladies. Is that I met when I

2036
01:33:02,280 --> 01:33:07,719
Speaker 2: was downstairs in the radiology office at Lenox Hill probably

2037
01:33:07,800 --> 01:33:11,599
Speaker 2: well lenox Hill Radiology. And these two ladies were named

2038
01:33:12,479 --> 01:33:15,599
Speaker 2: They both someone they called the name Susan. And both

2039
01:33:15,640 --> 01:33:19,360
Speaker 2: of them stood up, wow, and they and one of

2040
01:33:19,439 --> 01:33:21,640
Speaker 2: them was like, your name Susan, Your name Susan. And

2041
01:33:21,720 --> 01:33:24,400
Speaker 2: they had a real connection there and they realized which

2042
01:33:24,439 --> 01:33:26,280
Speaker 2: isn't it was supposed to be. And she went off

2043
01:33:26,320 --> 01:33:28,800
Speaker 2: and the other student sat back down and said to me,

2044
01:33:29,200 --> 01:33:32,559
Speaker 2: you know in my building there's seven units on the fourth.

2045
01:33:32,640 --> 01:33:35,320
Speaker 2: Three of us are named Susan. And I said, do

2046
01:33:35,439 --> 01:33:37,560
Speaker 2: you guys ever get your male mix up? And she

2047
01:33:37,680 --> 01:33:41,840
Speaker 2: says no, but I get my male mixed up with

2048
01:33:42,000 --> 01:33:43,680
Speaker 2: someone named Ruth. Oh.

2049
01:33:44,800 --> 01:33:48,080
Speaker 1: And you know what's interesting to Susan's standing up, that's

2050
01:33:48,120 --> 01:33:49,080
Speaker 1: the gayest thing you can.

2051
01:33:50,080 --> 01:33:50,720
Speaker 2: They should make.

2052
01:33:53,920 --> 01:33:54,120
Speaker 3: Wow.

2053
01:33:54,160 --> 01:33:57,439
Speaker 1: I think we should end up there. I think Susan

2054
01:33:57,479 --> 01:34:00,920
Speaker 1: and Susan should make love and Max should watch it.

2055
01:34:01,600 --> 01:34:04,080
Speaker 1: Twin says to Twitter account.

2056
01:34:05,160 --> 01:34:06,800
Speaker 3: Okay, bye.

2057
01:34:09,040 --> 01:34:13,280
Speaker 1: Podcast and now want more? Subscribe to our Patreon for

2058
01:34:13,400 --> 01:34:17,040
Speaker 1: two extra episodes a month, discord access and more by

2059
01:34:17,120 --> 01:34:20,280
Speaker 1: heading to patreon dot com. Slash Stradio Lab.

2060
01:34:20,400 --> 01:34:23,000
Speaker 3: And for all our visual learners, free full length video

2061
01:34:23,040 --> 01:34:24,839
Speaker 3: episodes are available on our YouTube.

2062
01:34:25,120 --> 01:34:26,080
Speaker 1: Now get back to work,