Speaker 1: Hi allan happy holidays from the whole crew of the
Speaker 1: History of Curb Your Enthusiasm. Season four has come to
Speaker 1: a close, and as a special delight, we are re
Speaker 1: releasing two of our favorite episodes.
Speaker 2: Enjoy.
Speaker 3: You can watch the original episode we'll be discussing in
Speaker 3: every other episode of HBO's Curby Your Enthusiasm, including the
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Speaker 3: the episode description. All right, abstusiastic you who.
Speaker 4: We always need to recover from the ship? That he says?
Speaker 4: That is that scenario?
Speaker 2: Yeah, it's hilarious. I'm Jeff Garland.
Speaker 3: And we're here with Larry David. Yes, and we're discussing
Speaker 3: season two the doll Okay, episode seven.
Speaker 5: By the way, feel free to ask me any question
Speaker 5: about the doll, or any any question about anything.
Speaker 3: How did this episode come up?
Speaker 5: Here's how it came up.
Speaker 2: Anything we want.
Speaker 5: My daughter, I don't know, Let's see what year are
Speaker 5: we talking about to that she must have been six
Speaker 5: and she had a doll and I was looking at
Speaker 5: the doll and I thought, what if I cut the dolls.
Speaker 5: I thought, I'd really like to give this dollar a haircut.
Speaker 5: What would happen if I did? Would would be upset? Whatever?
Speaker 3: And so that was the derivation. Yeah.
Speaker 4: But by the way, people like us, and I'm talking
Speaker 4: about comeding people, we have a million thoughts that run
Speaker 4: the gamut from that to really inappropriate, and we don't
Speaker 4: act on it because you didn't cut the dolls hair, right.
Speaker 3: No, yeah, but you thought what if I did? And
Speaker 3: she'd be upset? And thus the germ of a classic. Yes,
Speaker 3: so we start out, you're in a pitch with ABC
Speaker 3: with Julia pitching on not Evelyn or what you know what?
Speaker 5: Yeah, I'm sure, and you're.
Speaker 3: Drinking a lot of water. You have to drink water
Speaker 3: eight times a.
Speaker 5: Day setting up the ending.
Speaker 3: Yeah, correct, And so you already had the ending in mind.
Speaker 5: I don't know if I did. We needed the bottle
Speaker 5: of water because.
Speaker 4: You had to him because the bottle of water didn't
Speaker 4: add anything to the storyline except for his argument and
Speaker 4: the ending.
Speaker 3: And you know a lot of peeing having to use
Speaker 3: the bathroom with the Michaelson's house, you know a lot
Speaker 3: of that.
Speaker 5: Yeah, yes, yes, yeah.
Speaker 2: Have you ever been told a lot of peing in
Speaker 2: your work.
Speaker 3: No okay, And you're there and you find out that
Speaker 3: Jason is also going to be working with ABC, playing
Speaker 3: a motivational speaker, and your question is where did you meet?
Speaker 3: Because prior to that you had the whole Mischi gos
Speaker 3: with Jason about having to go to his office.
Speaker 5: And show one. Yeah right, yes, it was just a joke. Yeah, yeah,
Speaker 5: did he come to you or did you?
Speaker 4: Well? By the way, one thing I love about your character,
Speaker 4: nothing is Letto nothing. If there's anything done to you,
Speaker 4: it will be investigated until the end, and you may
Speaker 4: destroy that person. But I always find that usually you
Speaker 4: dig a bigger hole for yourself.
Speaker 3: Usually as a grudge bearer. I think, so, yes, where'd
Speaker 3: you meet? And then you're pondering because we see how
Speaker 3: deeply it upsets you that you actually met that Jason
Speaker 3: came to them, but you had to go to him,
Speaker 3: and then you're part of the ABC family. Come to
Speaker 3: the screening of Harriet.
Speaker 5: The hardest the hardest thing about this show, as I
Speaker 5: recall or one of the things that I didn't care
Speaker 5: for that I had to do. There had to be
Speaker 5: two screenings in the same theater, and it's so stupid
Speaker 5: because something happened the first screening, right, and then some
Speaker 5: of course the ending the second screening. But you're coming
Speaker 5: back for part two tomorrow.
Speaker 4: Yes, by the way, the part tomorrow becomes hilarious. Yeah,
Speaker 4: you actually throw around. Yeah, and then your question, what's
Speaker 4: the difference between Harriet.
Speaker 3: Yeah, that's later that at this meeting. No, that's later thought,
Speaker 3: Oh that's yeah, yeah, that's that is the last line
Speaker 3: of this. Yeah, but you know, who wants to go
Speaker 3: to a screening of Harriet Beach a Stowe?
Speaker 4: You know?
Speaker 2: And then history buffs just saying I.
Speaker 3: Never understand why you go to a screening of something
Speaker 3: that's going to be on television. Why do you need
Speaker 3: to go to a screen because he's part of your
Speaker 3: house comfortably watching it on television. It's not like a
Speaker 3: movie that's going to be in a movie theater. Doesn't
Speaker 3: make any sense to me, and I'm sure it didn't
Speaker 3: it to Larry.
Speaker 4: That's a movie theater that we've used since I don't
Speaker 4: think before Para with that premiere is there. Well, our
Speaker 4: premieres have been numerous times, yeah, maybe even three times.
Speaker 4: But on Paramount Pictures a lot there's a big screening.
Speaker 2: I mean theater. It's a theater.
Speaker 3: Our last premiere was there, yeah, season eleven. And then
Speaker 3: Lane Michaelson asked you you're gonna come. You say your
Speaker 3: wife's Susie's a friend. It is the art director. How
Speaker 3: is Susie? He has your host Susie, And then you'd
Speaker 3: say you're staying in a hotel.
Speaker 2: We split.
Speaker 5: I had completely forgotten that your characters had split up. Yes,
Speaker 5: when I was watching it last night, I thought, oh
Speaker 5: my god, they're not together because.
Speaker 3: We already did the thor episode where we split up
Speaker 3: where you had to go get his porn right right?
Speaker 3: That was prior to that. We got back together obviously
Speaker 3: because it was such a happy couple. Yes, Julia gets
Speaker 3: out of it by saying her son has pink eye,
Speaker 3: very wisely, which we know was bullshit.
Speaker 2: No one argues that pinky now it's one of those ones.
Speaker 3: And after that, that's when you say, what's the difference
Speaker 3: between Harriet Peter Stowe and Harriet Tubman who Harriet Tubman
Speaker 3: comes back again? We're not going to say how right,
Speaker 3: And at the screening you set another thing up. This
Speaker 3: is the beauty of this episode. You say to Cheryl,
Speaker 3: I think we might be due for some sex tonight,
Speaker 3: and Lane Michaelson COOMSI introduces himself and a woman stops
Speaker 3: you going into the theater.
Speaker 6: There's no food or.
Speaker 3: Drink in the theater.
Speaker 6: I'm sorry, really, I got like a condition.
Speaker 5: I really need to have this.
Speaker 3: You're gonna have to finish it out here. I'm sorry.
Speaker 2: That's my favorite stoppage of all time.
Speaker 5: And then I find out a minute later that she's
Speaker 5: just somebody attending the screen act. She doesn't work for this.
Speaker 2: Which, by the way, gold, yeah, gold.
Speaker 3: She says, you know who to drink in the theater,
Speaker 3: and what if I have a condition?
Speaker 2: Yeah, she was hard on you.
Speaker 4: You thought there were strict rules and she was in
Speaker 4: charge of which made the second part.
Speaker 5: Yeah, yeah, who are you?
Speaker 4: Yeah, there's no way other people wouldn't react that way
Speaker 4: unless they're repressed.
Speaker 3: You know, I might not say something they know.
Speaker 4: Oh, yes, that's that's absurd. That's absurd that she doesn't
Speaker 4: work there.
Speaker 3: But most people wouldn't say.
Speaker 5: There was a five percent jackass factor. People who just
Speaker 5: don't like rules to be broken regardless, and so, yeah,
Speaker 5: but there might be a five percent chance that someone
Speaker 5: would go. You know the you're not supposed to bring.
Speaker 2: Water face that before.
Speaker 4: But the person who is so so in control, it's
Speaker 4: the rule, you can't do it.
Speaker 5: I have to tell you when i'm when when there's
Speaker 5: a rule okay that I think is a legitimate rule,
Speaker 5: and I see somebody breaking a legitimate rule, I don't
Speaker 5: like it. No, I don't like that person.
Speaker 3: Who do you? Who do you think when you see
Speaker 3: somebody litter for example?
Speaker 5: Exactly?
Speaker 3: Yeah, but if you were coming in with a big
Speaker 3: thing of food and a sandwich.
Speaker 5: But a bottle, yeah, it's usually even no food or drink.
Speaker 5: Water is water can be succeptible.
Speaker 3: Yeah, yeah, But I feel the same way you see
Speaker 3: somebody doing something a litterate or or something we did
Speaker 3: in the later opposode, taking two spaces in a in
Speaker 3: a parking lot, or you know the big parker.
Speaker 4: By the way, it happens every day when you drive.
Speaker 4: Every day, when you drive there somewhere, you know, no,
Speaker 4: when people say I'm not going to follow this rule,
Speaker 4: I'm going to cut in here, do this? Do that?
Speaker 2: Every day when I drive in New York.
Speaker 3: You know what happens to me all the time, because
Speaker 3: I have a dog. I see other dog owners not
Speaker 3: picking up the poop. That perfect dad. They and I
Speaker 3: say something all the time because I am that woman.
Speaker 5: Okay, But meanwhile I brought the water into the theater
Speaker 5: and that was no big deal.
Speaker 3: That was no big deal. But the fight between you
Speaker 3: and her was hilarious.
Speaker 6: Excuse me, yeah, do you work here?
Speaker 3: No?
Speaker 6: How come you told me to get rid of the water.
Speaker 6: Then I saw you coming with water.
Speaker 3: There's no water.
Speaker 6: That's the rules. I don't say I was your concern.
Speaker 6: You don't work here, it's the rules.
Speaker 3: The sign says no food or drink in the theater.
Speaker 3: I'm sure we would all like to have a barn.
Speaker 6: Yeah, we're all dying of thirst. What are you the
Speaker 6: hallway monitor here?
Speaker 3: Who are you that the rules don't apply?
Speaker 6: I'm applying the Golden rule?
Speaker 1: Are you?
Speaker 3: I don't think the Golden rule applies here?
Speaker 6: If you had water, which you want me to tell
Speaker 6: you not to bring it in, I don't think so.
Speaker 3: How about common courtesy by doesn't.
Speaker 2: Supersede the Golden rule?
Speaker 5: That's the big one.
Speaker 3: Nuts, You're you're nuts, jackass.
Speaker 6: Don't don't bring any pencil pencils in?
Speaker 4: What loser?
Speaker 5: Excuse me, missus Carter, we've got homework. You forgot to
Speaker 5: give us homework.
Speaker 3: You know what, are you the whole Monitor, the Golden Rule,
Speaker 3: all of that teacher? You forgot to tell us we
Speaker 3: have homework.
Speaker 2: By the way, it depends in pencils?
Speaker 4: Was I think the last one?
Speaker 2: Are we going to be using.
Speaker 3: Excuse me, missus cantor was that a teacher? You really
Speaker 3: we've done homework, And Cheryl for the millionth time saying
Speaker 3: all right, all right, I mean every episode Cheryl has
Speaker 3: said so far that we've watched. All right. Then you're
Speaker 3: at the Michaelson's house and you're telling Jeff about the fight,
Speaker 3: and you see the whole Monitor woman we don't know
Speaker 3: her name, talking to Anne Michaelson, which was to Wilson,
Speaker 3: and Jeff says to you, you want to go to
Speaker 3: dinner tomorrow before part two.
Speaker 5: Now that's just the beginning. Now I wouldn't do that
Speaker 5: to Jeff, but because it was so early in the
Speaker 5: run of the series, it didn't seem to make a difference.
Speaker 5: That I said at the Jeff, our relationship has grown,
Speaker 5: has grown, and any wouldn't give a shit.
Speaker 4: By the way, in real life, that's our relationship that
Speaker 4: you would say to me, no, don't do that.
Speaker 5: But still, this is part of the joy of doing
Speaker 5: the show for me is to be able to say
Speaker 5: things to people that I can't say in my life.
Speaker 5: And one of them is you want to go to
Speaker 5: dinner tomorrow? No I don't. Yeah, but it was Jeff
Speaker 5: who got the brunt of it that time.
Speaker 2: I loved it, by the way. I thought that was hilarious.
Speaker 3: You know, let me ask you, Jeff, I have a
Speaker 3: note here and then you start talking about that you
Speaker 3: liked it because she's showing a lot of cleavage.
Speaker 2: Yeah, when I don't think that was in the script.
Speaker 4: Yeah, when they walked away, I'm telling the ABC guy,
Speaker 4: what happens in the second half? Is she in there?
Speaker 2: Because there's a lot of I'm in a lot of cleavage.
Speaker 3: Yeah, I don't know that your character would do that.
Speaker 3: Now what do you think? Oh, totally again, how the
Speaker 3: characters changed.
Speaker 4: My character has not evolved. Actually, if anything, I'm more
Speaker 4: a defender of Larry every season. Yes, and everyone understands
Speaker 4: my feeling towards you. That's why my character has a
Speaker 4: million and one affairs. So I think he would definitely
Speaker 4: question whether there's going to be cleavage, all right.
Speaker 3: Larry then has a frozen Margarita has a chess freeze, and.
Speaker 5: I must I think there was a period that I
Speaker 5: went through I would get that chess freeze right right, No, no,
Speaker 5: I just thought.
Speaker 3: Now you freeze yourself on purpose. And Anne Michaelson comes
Speaker 3: over and she's clearly doesn't like you already, she's already
Speaker 3: heard from you who have a volunteer to be a
Speaker 3: whole monitor. Not me either, I hated the whole monitors,
Speaker 3: the rules, rosies, and she's she's clearly doesn't like you. Ready.
Speaker 3: You go to the bathroom and there's no lock, and
Speaker 3: then the strings playing. You're holding your foot against the
Speaker 3: door and trying to go away.
Speaker 4: The funniest one is holding the foot against the door
Speaker 4: because the toilets a mile away.
Speaker 2: The idea that you thought reach you. Yeah, so stupid,
Speaker 2: it's so stupid, hilarious.
Speaker 3: But I think that's a great example of how music
Speaker 3: is used in that show. You know that you know
Speaker 3: that the strings there was just so yes, how did you?
Speaker 3: How did while we have you here? If I may,
Speaker 3: is there somebody who originally came up with all this music?
Speaker 3: Was there a music editor.
Speaker 5: Well, I heard the theme bum bump. I heard that
Speaker 5: on a bank commercial, right, And I told Laura and
Speaker 5: my assistant, I said, I heard this music that I
Speaker 5: love and maybe I'll use it one day. And then
Speaker 5: two years later, I said, remember that music I told
Speaker 5: you to say if she said yes, so that's in
Speaker 5: some kind of library, right. And once we got that
Speaker 5: music from the library, there were tons of other little
Speaker 5: little pieces that were usable for the.
Speaker 3: Show, like like.
Speaker 5: Like I said, I told Steve, Steve editor, I said,
Speaker 5: I want like Italian circus music. Yeah, all kinds of
Speaker 5: Italian circus music, because I felt like, even if something
Speaker 5: doesn't work, you put that circus music in there and
Speaker 5: it makes everything lighter and funnier. So yeah, that's that's
Speaker 5: where we get all the music from this this library.
Speaker 5: But occasionally I will say, oh, you know, it would
Speaker 5: be great here some strausswaltz or or you know, would
Speaker 5: be great here some Rossini, and I'll know a particular
Speaker 5: piece that I'll suggest.
Speaker 2: Yeah, do you listen that much?
Speaker 4: No?
Speaker 5: No, classical music.
Speaker 4: By the way, You've surprised me over the years, and
Speaker 4: I get a big laugh out of it. With your
Speaker 4: knowledge of popular music, and you know the words they
Speaker 4: are actuate from one word to the next, And I'll say,
Speaker 4: have you listened to that you like their music? Beach
Speaker 4: Boys whatever? No, No, I've heard of the Bunch, and
Speaker 4: I you start saying that I do like the bitch Boys. No.
Speaker 4: I know.
Speaker 2: I'm sorry to use an example, but is.
Speaker 3: There a separate editor who does music or is that
Speaker 3: all that.
Speaker 5: Steve used to do? All the music did. Yeah, I'm
Speaker 5: not sure if he does it all now because the
Speaker 5: music is.
Speaker 3: So important in the show. You know, one of the
Speaker 3: things that Jeff and I noticed when we were doing
Speaker 3: the original pilot it didn't have the music and it
Speaker 3: felt so I mean, it had some cute little jazz
Speaker 3: music and it was fine, but it felt so different.
Speaker 3: It felt so different the whole world of it. The
Speaker 3: music creates the world of it. Okay, so you need
Speaker 3: to find another bathroom because this bathroom is not working.
Speaker 5: For No, it's no good.
Speaker 3: A lot of always a lot of bathroom themes.
Speaker 4: Yet there was always humor as long as it's not
Speaker 4: about statological scatological. There's a lot of humor and bathrooms
Speaker 4: there is. We even't did a big episode about that later.
Speaker 5: My favorite bathroom bit was the one I did on
Speaker 5: the plane where I went into the bathroom and there
Speaker 5: was turbulence. Yes, that was I think that was eight.
Speaker 2: I think season four. It was a New York one.
Speaker 5: It was going to New York to shoot the producers.
Speaker 3: I think, oh, that was that one. Yeah, So you
Speaker 3: go upstairs to find another bathroom. You enter the little
Speaker 3: girl's room and her name was Tara. Little girl's name
Speaker 3: was Sarah, and she's playing with her dolls and she asked,
Speaker 3: you do you have to go potty? And you come
Speaker 3: out of the bathroom and she's brushing her doll, Judy's hair,
Speaker 3: which is very long hair. How was she cast this
Speaker 3: little girl? Because she was terrific.
Speaker 4: Audition Yes, she auditioned. By the way her rhythms, she
Speaker 4: was great. Yeah, her rhythms were like because she would
Speaker 4: go from A to Z in a millisecond and then
Speaker 4: go right back.
Speaker 3: Go right back. Yes, she was terrific. She was, And
Speaker 3: I want to get to running into her later in life,
Speaker 3: but after we get more storyline.
Speaker 4: Yeah, thirty shut your great grandma's balls.
Speaker 3: This was two thousand and one.
Speaker 5: Yeah, I think she's like twenty eight.
Speaker 3: Yeah, but I want to I want to hold it
Speaker 3: because I want to get more storyline and because I
Speaker 3: don't want to give that. Okay, we'll be right back,
Speaker 3: stay tuned, and we're back. So she's brushing and and
Speaker 3: she asked you to give her a haircut. What is
Speaker 3: he supposed to do?
Speaker 4: But by the way, he's already having so much joy
Speaker 4: being with the girl.
Speaker 3: Talking to her at the party.
Speaker 2: Well, that for sure, But that's one of the things
Speaker 2: that you know, Larry.
Speaker 3: Was I think I commented on the long hair, right, yes,
Speaker 3: very long hair.
Speaker 5: I don't think I brought up would you would you
Speaker 5: want me to get it? I didn't say that. She
Speaker 5: asked me.
Speaker 3: Yeah, she said, do you think you could give it
Speaker 3: a haircut? And you take out your Swiss army knife
Speaker 3: and have a very funny line about the Swiss let
Speaker 3: everybody do their fighting for them while they ski and
Speaker 3: eat chocolate. Yeah, and you cut it. It's a drothy
Speaker 3: hamel thing and it was great, and she's all happy,
Speaker 3: and she even says the doll looks pretty, and you
Speaker 3: say it's a very French look. Now I would take
Speaker 3: her out, And then you go back downstairs and you
Speaker 3: pass the hall monitor on the way. We never know
Speaker 3: her name. And Cheryl walks out of the power room
Speaker 3: says to you, there's no luck you're like I know,
Speaker 3: and she asks you to guard the door.
Speaker 2: Hara, why did you cut her hair?
Speaker 4: Well?
Speaker 2: She asked me.
Speaker 5: She asked me to give it a haircut.
Speaker 7: You walked into my daughter's room and you cut her.
Speaker 6: Judy's hair well, she asked me to give it a haircut.
Speaker 7: And did you ever tell her that maybe it wouldn't
Speaker 7: grow back?
Speaker 6: I thought it was understood.
Speaker 7: How could you not understand that a little girl has
Speaker 7: a vivid imagine nation. She's extremely This little girl doesn't
Speaker 7: know that her Dolly's hair is not going to really
Speaker 7: you know who this is?
Speaker 6: This is Judy.
Speaker 7: If she is a collector's item, we're not going to
Speaker 7: be able to find another one like this. I can
Speaker 7: I got this doll before she was born.
Speaker 6: Well, I can replace it.
Speaker 5: I'm sure I can't.
Speaker 6: You can replace it.
Speaker 3: This is like Liberty, the a B Baby out of production.
Speaker 7: OPI okay, not coming back, is never gonna go back?
Speaker 6: What is that? I guess I missed a strand there.
Speaker 6: I got a Swiss army.
Speaker 5: Let me get it.
Speaker 6: I got a Swiss army. And if I could, I
Speaker 6: could get that.
Speaker 3: Mommy, mommy, look at my doll's hair. I hate it.
Speaker 3: He cut it.
Speaker 2: That's what she could do.
Speaker 4: She could go from really warm and calm to insane
Speaker 4: in a matter of seconds.
Speaker 5: Yeah, case she came down.
Speaker 2: Yeah yeah, your kids thinking like that, what do.
Speaker 3: You And once again, you didn't really do anything wrong,
Speaker 3: and yet no good deed goes unpunished. She asked you
Speaker 3: to cut the dolls exactly.
Speaker 2: And by the way, you dine a good job cutting
Speaker 2: the hair.
Speaker 3: He left one little strand, but that's okay.
Speaker 2: Yeah, but was that not part of the script? The strand?
Speaker 3: Probably not?
Speaker 5: I don't remember, because it certainly gives uh uh Rita
Speaker 5: Wilson's character ammunition tortures such an awkward moment.
Speaker 2: It's great.
Speaker 3: I don't think it was. If I recall the outline, whatever, right,
Speaker 3: And You're like, she asked me to cut the hair,
Speaker 3: and Anne's like, did you tell her it wouldn't grow back?
Speaker 3: Of course you didn't tell her wouldn't grow back to
Speaker 3: what a freking idiot wouldn't back?
Speaker 5: That comes back? Thought it was understood, it comes later on.
Speaker 5: That's one of my favorite lines in the show.
Speaker 3: Yes, I thought it was understood and and she has
Speaker 3: a vivid imagination. Rita was terrific in this episode.
Speaker 2: Did you mention that she goes to Mermann?
Speaker 3: That was later? That was later? That was later. And
Speaker 3: then Lane Michaelson walks in.
Speaker 5: On Cheryl in the back because I left my post,
Speaker 5: left to deal with the situation.
Speaker 3: Paul Hilarious was going on, and Anne Michaelson says, this
Speaker 3: is Judy. She's a colle item. We could not find
Speaker 3: another oh oh pee out of production. And the girl's
Speaker 3: crying and the haircuts ugly, and you say, I can
Speaker 3: replace it. And then Jeff says, Sammy, our daughter who
Speaker 3: was a son prior to that but suddenly became a
Speaker 3: daughter and also aged quite a bit in the year
Speaker 3: in between, has a huge doll collection. We'll go to
Speaker 3: my house, will zip in, will zip out, because you know,
Speaker 3: you're not really allowed to be there.
Speaker 5: Right, Jeff's pretty sure that he's got the Judy. He's
Speaker 5: got the Judy.
Speaker 4: Ohso the fact that I wouldn't take into consideration my
Speaker 4: daughter's feelings, I'm serving you.
Speaker 2: I gotta get.
Speaker 5: You know, she had a giant doll collection, and you
Speaker 5: didn't think she mis it.
Speaker 4: But I didn't take a beat to go And that's right,
Speaker 4: why my character is shitty, you know, tell me.
Speaker 2: About it all right, stop.
Speaker 3: So Cheryl likes at the bathroom and she just looks
Speaker 3: at you with that look, which I found in the
Speaker 3: first couple of seasons. This more of that with Cheryl
Speaker 3: than there was later on, like more of her going
Speaker 3: to get you back. There's been several episodes where she's
Speaker 3: going to kind of get you back, and then you're
Speaker 3: home and you're like, I fucked up.
Speaker 5: That's a real Brooklyn thing. Yeah, I fucked up.
Speaker 4: But by the way, if there's one thing that in
Speaker 4: my experience that you do to a woman is when
Speaker 4: they're yammering about something, then they're angry that you make
Speaker 4: a joke or you do a silly voice. They're infuriated.
Speaker 4: So with this time, when I saw you do that,
Speaker 4: I was like, oh my.
Speaker 3: God, it makes it worse.
Speaker 2: Oh my god, that's what's taking.
Speaker 3: It seriously, you're not validating my feelings.
Speaker 5: I'm admitting I made a mistake, right Yeah.
Speaker 3: Yeah, but not really. Yeah, any weren't really. So Cheryl's
Speaker 3: like he saw everything, like, think of the worst possible thing.
Speaker 3: So I was sitting there. What did he say, she's
Speaker 3: sitting on whatever?
Speaker 4: She was not happy, and no, he saw her pretty
Speaker 4: much completely naked.
Speaker 2: That's what she asserts. You know, he saw.
Speaker 4: Everything right, And she tells humiliating by the way.
Speaker 3: She tells you that she could never see this, that
Speaker 3: I just wanted.
Speaker 2: To get breath to go. Why did I add that?
Speaker 2: That's humiliating.
Speaker 3: Well, of course it's humiliating.
Speaker 4: No, no, I know that. You just answered my question. Of
Speaker 4: course it's humiliating. Did I want to just participate more
Speaker 4: in the show? What was my choice in doing that?
Speaker 4: Let's move on.
Speaker 3: Should we analyze that?
Speaker 5: Why did you add that?
Speaker 2: Because I didn't want anyone at home to go? Why
Speaker 2: the fuck did he ask that?
Speaker 4: And I know our audience, I'm assuming is very intelligent,
Speaker 4: and I just don't want to let anything go by.
Speaker 3: Where you know, cheryld then says, get anything to worry
Speaker 3: about with it. I'm moving on. Cheryl then says, you know,
Speaker 3: I can never face this man again. I'm humiliating, And
Speaker 3: Cheryl's like, you have to go somewhere else. We can't
Speaker 3: do it at ABC. She can't go to NBC's because
Speaker 3: of ge and the period brides. You can't, HBO, you
Speaker 3: totally fucked with We're running out and you say it's
Speaker 3: a mood point if we can't replace the doll and
Speaker 3: then you go into divorce. Is this a divorce? And
Speaker 3: that's where we see that dynamic with Cheryl. That's great.
Speaker 3: You know your relationship, how she plays off you and
Speaker 3: you play with you.
Speaker 5: Know, you know, in my in my real marriage, I
Speaker 5: would never say to my wife, what don you think
Speaker 5: maybe a little sex tonight? Yeah, I wouldn't say that
Speaker 5: I have to put a move on the way if
Speaker 5: I was dating you know, you know, I don't. I
Speaker 5: don't say let's have sex. I never say that.
Speaker 3: Does she always have to initiate? No, No, you'll initiate,
Speaker 3: but you just won't verbalize it.
Speaker 5: Yeah, or I'll I'll pick up a cue or something, okay.
Speaker 3: Yeah, always looking for the cues.
Speaker 5: And and so the divorce. If we had a fight,
Speaker 5: I would never go divorce. Yeah.
Speaker 4: You were clearly joking though when you said divorce and
Speaker 4: she knew that. Yeah, I'm just saying, you can't say
Speaker 4: I would never have said that. You can't say that.
Speaker 5: Yeah, you're in a fight, You're you're in a fight.
Speaker 3: Yeah, but that's what I'm saying. It shows the playfulness
Speaker 3: that Larry Show Larry and Show Cheryl had in their relationship,
Speaker 3: which I think is important. Okay, then you go look
Speaker 3: for the Judy doll. You drove up to our house.
Speaker 3: Remember that house we had in the hills.
Speaker 2: Yeah, yeah, yeah, Nichols.
Speaker 5: Came fell on the sponge cake.
Speaker 3: Yeah yes, yeah.
Speaker 5: No, wasn't that the house?
Speaker 2: It was the house, So it.
Speaker 5: Was the house.
Speaker 3: Yes, that next season. Yeah, I fell on the sponge Yeah.
Speaker 3: And you come and you go up to Sammy's room.
Speaker 3: There's a million fucking dolls. I've never seen so many
Speaker 3: dolls in.
Speaker 5: And Jeff says, there you go, no, yes, it is,
Speaker 5: of course it is.
Speaker 6: No, it's not our that's Judy. No, it's not Judy.
Speaker 2: I've seen Judy.
Speaker 5: That's Judy.
Speaker 6: Jody's brown eyes, no, blue eyes, the eyes, I don't know,
Speaker 6: the eyes come on, Jody, brown eyes. I made I
Speaker 6: said it on my eyes brown eye.
Speaker 4: I know.
Speaker 2: The song is sweet Judy.
Speaker 6: Blue eyes and brown eyes.
Speaker 4: It's brown Judy, Sweet Judy brown eyes. Holy shit, sweetuity
Speaker 4: brown eyes. Now, by the way, yeah, when he said that,
Speaker 4: when he came up with that, we both exploded. It
Speaker 4: took a while to get back into it because that
Speaker 4: is nuts. I remembered her. I put it together, sweet
Speaker 4: Judy brown eyes. It's fucking hilarious. It's hilarious.
Speaker 3: But then you just spot Judy up on the top
Speaker 3: shelves and you go to get it. And the shelf fall,
Speaker 3: which was an accident.
Speaker 4: Yes, it was. Every time we did it, shelf was fine.
Speaker 4: Maybe it was the last time or no, it was
Speaker 4: the last the first time, no, nothing, the shell fell down.
Speaker 3: It was the first take.
Speaker 2: I don't remember, but you.
Speaker 4: Would know that. I don't think so, because we anyhow,
Speaker 4: point being is that was not planned, and Larry and
Speaker 4: I just stuck with it. We knew you were coming shortly.
Speaker 4: We just stuck with it and were like scrambling and
Speaker 4: that whole thing of me putting it up and saying
Speaker 4: I'm worried. I'm just made that up on the spot
Speaker 4: because we had to justify the thing being on the ground.
Speaker 3: And sometimes that's the best things that for.
Speaker 2: You, because that makes you go, what the fuck.
Speaker 4: Is going on?
Speaker 3: And that does happen frequently where it's a happy accident,
Speaker 3: where it just makes everything.
Speaker 2: Why one of the case to improvising is don't stop.
Speaker 3: Keep going, and the door slim Susie's here, fear fear fear.
Speaker 3: I love that. And Larry, what are you gonna do?
Speaker 3: You take the head off and you stick it down
Speaker 3: your pants.
Speaker 5: Which screw the head screws off pretty much all off.
Speaker 2: Yeah.
Speaker 5: So, yeah, there was something about the way this show
Speaker 5: just unfolded that I love. Because now I've got this head,
Speaker 5: and and I'm going back to Rita Wilson, missus Michaelson
Speaker 5: to give her the head. Then I have to go back.
Speaker 5: Then we see you by it that that's coming up.
Speaker 3: Yeah, yeah, so and also you stick the head down
Speaker 3: because the thing too.
Speaker 5: Usually I need a number of ideas to get through
Speaker 5: an episode, and the idea is okay, the ideas will
Speaker 5: I try and make them all connect intersect at some point.
Speaker 5: But with this show, it's really just one idea, cutting
Speaker 5: this doll's hair. There are little things around it that
Speaker 5: support the idea.
Speaker 3: Like the bottle of water.
Speaker 5: Yeah, like the bottle of water, the relationship with the
Speaker 5: woman who you know, the whole monitor, But that's just
Speaker 5: supporting the overall idea of this doll, of cutting the
Speaker 5: doll's hair, It's one of the few episodes I think
Speaker 5: in the series, maybe the only one where there was
Speaker 5: really only one strong theme from beginning to end. I
Speaker 5: might be wrong, but that's somehow that's in my memory by.
Speaker 4: The way I watch it, and I think that episode
Speaker 4: was so dense and everything perfectly led to the next thing.
Speaker 4: It was like the dominoes on The Tonight Show. You
Speaker 4: don't know where it's going to end, you do, obviously, it's.
Speaker 5: About legs, and so this idea of cutting this dolls here.
Speaker 5: It just had a lot of legs. You could see
Speaker 5: it going from here to there to there to there
Speaker 5: to there, like twice as many scenes as an ordinary
Speaker 5: story would happen. Right, most stories, most ideas don't have
Speaker 5: legs like that. You can only get, you know, maybe
Speaker 5: three four scenes the most out of it. But this
Speaker 5: one had so many legs that it covered the entire episode.
Speaker 4: Yeah, yeah, I'm in awe of your writing on this
Speaker 4: episode because I always refer to it, but I always
Speaker 4: referring to that hiking. This is your truly net hike
Speaker 4: in you know, car fifty four, where you don't know
Speaker 4: where it's going to end, even though because the connections
Speaker 4: we're you're about to get a rash, like, how did that?
Speaker 4: You know, steps and steps, and I find that fastening.
Speaker 4: He's the only the writer who I've said, you know,
Speaker 4: that's a nice compliment. It is for any of you
Speaker 4: at home. Just google net hiking. I don't want to explain.
Speaker 3: Okay, So Susie's here, take the head off and the
Speaker 3: music is so great on this takes the head off,
Speaker 3: sticks it in his pants and I'm screaming, you're supposed
Speaker 3: to call first, And I walk in and you're pretending
Speaker 3: to put the shelf on, which was an accident. Again,
Speaker 3: that was, you know, And I noticed for myself this
Speaker 3: is really the first beginning of the Susie Green. Look,
Speaker 3: I've got the animal print vest, I've got a goal.
Speaker 3: Then I think, so there was little hints of it before,
Speaker 3: but this is this is season two.
Speaker 5: Yeah, I remember supervising what you wore. I was really
Speaker 5: on top of it the first couple of seasons. I
Speaker 5: look out. I go, no, it's too much, it's too much,
Speaker 5: it's too much. And then finally I just gave up.
Speaker 4: I gave up. Now every time we work, we have
Speaker 4: no idea and it's a surprise. Don't care the one
Speaker 4: you wore yesterday with the side loops. Yeah, the orange
Speaker 4: outfit was pure insanity.
Speaker 3: Yeah.
Speaker 4: Yeah.
Speaker 3: But when I come on set, there's always a reveal.
Speaker 2: It's always funny.
Speaker 3: So you're pretending to put the shelf up and you
Speaker 3: say to me, I'm like, what are you doing here?
Speaker 3: What are you doing here? And you say to Sammy's
Speaker 3: shelf was always bothered, always.
Speaker 2: Worrying, you thinking about the shelf that's going.
Speaker 3: To Larry put up all the shelves in his house,
Speaker 3: which is the most un.
Speaker 4: That's where the show goes. It's like someone says something.
Speaker 4: You go, oh, I can make this, and I.
Speaker 3: Say, what are you misster California closets.
Speaker 2: You know, the idea of you're putting up all the shelves.
Speaker 2: It's hilarious.
Speaker 3: And then I say to what do you think?
Speaker 2: Have you ever put up a shelf in my life?
Speaker 4: Yeah?
Speaker 2: A shelf.
Speaker 5: I've never even held a shelf.
Speaker 3: Have you ever hung a picture back on forty third Street?
Speaker 5: Forty third Street? All the pictures were on the floor, Okay,
Speaker 5: there was nothing on the wall, nothing. Every picture was
Speaker 5: leaning leaning on the ground against the wall.
Speaker 3: And then I say to you, you think I didn't
Speaker 3: notice you, mister inconspicuous at the screening. And then okay,
Speaker 3: part two, I bring up part two again.
Speaker 5: You maybe I have to keep setting up part two
Speaker 5: because it's so crazy.
Speaker 3: Maybe maybe I'll go maybe. And then you're in the car.
Speaker 4: Told that in a second, the idea that there is
Speaker 4: a part two and that's a week apart.
Speaker 2: Yeah, it is so funny, so funny.
Speaker 3: It's not a week apart.
Speaker 5: Next day, day, next day.
Speaker 2: Because I was watching it, think what that is?
Speaker 3: You have to go back the next day. And then
Speaker 3: you're in the car and you pull the dolls head
Speaker 3: out of your pants and there's a little itch down.
Speaker 5: There going on from synthetic hair.
Speaker 3: And then Sammy screams. Talk about the casting of Sammy
Speaker 3: audition audition. She was adorable.
Speaker 4: But my favorite thing that you did before we get
Speaker 4: to Sammy screaming when we're driving in the car, you
Speaker 4: broke a record for saying the word penis, penis. This,
Speaker 4: I gotta look at my penis or at the next scene.
Speaker 3: That's the next scene.
Speaker 2: Tuck me, Okay, but I still love that.
Speaker 3: We'll be right back, stay tuned. Okay, we're back. Sammy screams,
Speaker 3: Mommy someone caught off, Judy said, which again shows what
Speaker 3: a horrible father you are that you thought you would
Speaker 3: never know it.
Speaker 4: That's why when I said my daughter's got it, don't worry,
Speaker 4: I thought, this is of course going to screw him up.
Speaker 4: But by the way, I'm a subtle asshole on the ship,
Speaker 4: just subtle. You see it in an explosive way after
Speaker 4: I've done it. But when I suggest Hilary, I'm about
Speaker 4: to do something, it tickles him. Really, you're going to
Speaker 4: do that, you know, especially my affairs? What's wrong you? Okay,
Speaker 4: go do that. And by the way, one of the
Speaker 4: cardinal rules I have in life is if I have
Speaker 4: a friend and they're having an affair, please don't tell me.
Speaker 4: I don't want to be exchanging way. It's disastrous. You
Speaker 4: want to do ship like that, keep that to yourself
Speaker 4: because I'm not going to be a part of your festival.
Speaker 3: Has anybody ever asked you to, like, you know, use
Speaker 3: your home or anything.
Speaker 4: Never a home, But people have told me that they're
Speaker 4: having affairs, And right away I go, why the fuck
Speaker 4: did you do that?
Speaker 2: Why did you do that?
Speaker 4: You know? Have you ever had anyone tell you.
Speaker 5: Not like confide some big secret, but just a very
Speaker 5: matter of factly.
Speaker 2: Right right right right right, like they were saying they.
Speaker 3: Were going to a nick game, you know, yeah, yeah,
Speaker 3: going to see my guma. Yeah, all right. So you
Speaker 3: bring the head to Anne Michaelson and she's, you know, suspicious.
Speaker 3: All right, it looks okay, I'll take it upstairs and
Speaker 3: make sure her up Again.
Speaker 4: Something we passed over is you doing carry grant to
Speaker 4: the little girl. But she has no idea what you're
Speaker 4: talking about.
Speaker 3: Judy, Judy, Judy. So she's going to go upstairs and
Speaker 3: you say, may I use your bathroom? You start to
Speaker 3: follow her upstairs because even when there's no one in
Speaker 3: the house, you don't want to use the powder room
Speaker 3: with no lock, and she points the hole.
Speaker 2: Hold on.
Speaker 4: That is fucking hilarious. That your assumption that you can
Speaker 4: go up there and use the little bit.
Speaker 5: I went to the girls room the last time, right,
Speaker 5: I don't want to use the powder room there's no lock.
Speaker 5: Made perfect sense, no, but it was really funny.
Speaker 3: And the locksmith is fixing the lock, and that was
Speaker 3: of course Jonas.
Speaker 2: Dear Jonas, dear Jonas.
Speaker 4: Yeah. Oh, by the way, Jonas was on our crew
Speaker 4: for so many years. And yeah, so sometimes we cast
Speaker 4: crew members because they're fucking perfect, Like he was perfect
Speaker 4: for the locksmith and he already knew the show inherently.
Speaker 4: I'm not going to try and be funny. I'm going
Speaker 4: to be matter of fact because Larry does the funny lift.
Speaker 5: But was it was really good? Really a couple of lines.
Speaker 3: We've also noticed several times up until this point, George,
Speaker 3: our prop master, was used as a person the.
Speaker 4: Water splashing in the shack up is and he's in
Speaker 4: there twice. And at the watch McCall with the asking
Speaker 4: for advice when you're trying to put a tire on.
Speaker 5: Yeah, I don't know.
Speaker 3: Okay, So Anne Michaelson comes in the head is fixed,
Speaker 3: and this is where you go into the whole discussion
Speaker 3: about that she's gifted. This is this is a great thing.
Speaker 5: She tells me how gifted her.
Speaker 3: Yeah, and you say it's a shame she didn't know
Speaker 3: the hair it was a good growback.
Speaker 5: She's so brilliant, Yet she didn't know that the dolls hare.
Speaker 4: That is another character. You won't let people throw you bullshit.
Speaker 4: You won't. It's truly And by the way, who hasn't
Speaker 4: encountered an asshole like that about how special.
Speaker 3: He said, murmured, well, one of my pet peeves is
Speaker 3: when people start telling me how gifted that children are.
Speaker 3: I don't want to hear how gifted your fucking children are,
Speaker 3: you know?
Speaker 4: And by the way, most children that are very gifted
Speaker 4: do not do well as an adult.
Speaker 2: I read a whole thing, oh really, in bullshit magazine.
Speaker 4: No, I read it.
Speaker 2: I think the times I don't know. And then do
Speaker 2: you like the fun facts I throw in?
Speaker 5: You fascinating?
Speaker 2: All right?
Speaker 3: And then you guys leave and you were driving up
Speaker 3: the driveway to Larry's house, and who's there waiting for you?
Speaker 7: Where's the head?
Speaker 3: I know you took the doll's head?
Speaker 7: Where is it?
Speaker 3: Where's the fucking head?
Speaker 5: That that? Now, this one is an iconic scene.
Speaker 3: It is exactly the spaghetti western music is playing, which
Speaker 3: I was upset to realize that you. I thought it
Speaker 3: was my theme. It had been played earlier for thor
Speaker 3: but then it became my Yeah, then.
Speaker 5: It became your theme.
Speaker 2: Yeah, And so did you pick that or did Steve? Steve? Oh,
Speaker 2: brilliant move.
Speaker 3: Yeah, yeah, brilliant move. And where's the head? And this
Speaker 3: scene just plays out.
Speaker 4: Because you're speaking like the Susie when no now in
Speaker 4: a big way.
Speaker 3: And it's really I mean, well, we had the thor
Speaker 3: episode before this, where I was somewhat in that shade,
Speaker 3: but I think really this scene really established the fear
Speaker 3: that Jeff and Larry lived a stamp on.
Speaker 4: This is the journey we're going to have with.
Speaker 5: So totally justified what you were saying. Yeah, yeah, we
Speaker 5: took you were we took Judy's head.
Speaker 3: And imagine, you know, from my point of view, why
Speaker 3: why would you take a doll's head out of your
Speaker 3: daughter's daughter?
Speaker 5: It makes no sense whatsoever. It's so insane. Think about
Speaker 5: it from your point of view.
Speaker 3: Yeah, it's completely insane. That's why I say some votos got.
Speaker 5: We took We took a doll's head from your daughter.
Speaker 5: How could you possibly imagine what it could have been doing?
Speaker 5: What is it?
Speaker 3: And it sets up that has been going on for
Speaker 3: twelve seasons where you two were trying to put something off,
Speaker 3: put something over on me, which is just ridiculous and
Speaker 3: it never works and you live in fear of Susie
Speaker 3: Green And it's one of, of course, one of my
Speaker 3: favorite scenes.
Speaker 4: By the way, at the time it was one of
Speaker 4: our because remember we got in the car and drove
Speaker 4: off and we're going, wow, wow, is that great?
Speaker 2: Yeah, it was really.
Speaker 3: I also remember in that scene when I say stop
Speaker 3: scratching your balls and tell me where it is. That
Speaker 3: wasn't looping, And that was the first time I looped.
Speaker 3: Oh really, Yes, that was in looping because you needed
Speaker 3: that for story purpose to further along. I didn't actually
Speaker 3: say that in the episode. So that's an example. Now wow,
Speaker 3: And people always ask that question, is it all improvised?
Speaker 3: And that's an example of a time when a line
Speaker 3: was not improvised because it was needed for story.
Speaker 4: Rare.
Speaker 3: It's rare, but sometimes it's needed for story purposes. And
Speaker 3: then you get into the edge.
Speaker 5: So now this becomes a little a bit of a
Speaker 5: problem for me just in writing, because now I have
Speaker 5: to go back to Rita Wilson, Yeah, and see if
Speaker 5: she has the the doll, the original hair, the cut hair,
Speaker 5: the short hair, and so now so now it's like, oh,
Speaker 5: long hair, short hair.
Speaker 2: It's good.
Speaker 5: It's getting confusing. How much do we have to emphasize
Speaker 5: this that that became a bit of a problem to
Speaker 5: go back and if the is the audience still following this.
Speaker 5: Now I have to go back to her house and
Speaker 5: ask if she has the doll whose hair I cut
Speaker 5: off the head.
Speaker 2: Yeah.
Speaker 3: And it was in this next scene when you're in
Speaker 3: the car that you start talking about your penishitches and
Speaker 3: at the record.
Speaker 4: For penis talk, and I love the way you're just
Speaker 4: casually saying, I gotta clean my penis, I gotta get examined.
Speaker 4: I don't want to go to the penis doctor, like
Speaker 4: it was just penis, penis, penis.
Speaker 3: And you say you've got an allergic reaction, my friend. Yeah, yeah,
Speaker 3: you go to the doctor, say, oh, I stuck a dolls.
Speaker 5: Yeah.
Speaker 4: One thing that we skipped that really was another thing
Speaker 4: that we rode for a long time was when we
Speaker 4: left the house, you screamed at us, your bald piece
Speaker 4: of ship. I believe fat and I'm a fat fuck.
Speaker 3: Whatever.
Speaker 4: No, but the point thing is, I don't remember that
Speaker 4: happening before this.
Speaker 3: I think that's well know in the wire, I call
Speaker 3: you a fat fuck.
Speaker 2: Okay, you didn't call him a bald piece of shit.
Speaker 3: Maybe that's the first time I referenced you bald.
Speaker 5: Yeah, I don't think so.
Speaker 3: But I said you bald, fucking you fat piece of ship.
Speaker 3: That's what I said. I think it is because I
Speaker 3: was only in two episodes this season.
Speaker 5: Oh is that right?
Speaker 6: Yeah?
Speaker 3: Oh okay, yeah, okay. So then you go back to
Speaker 3: Anne's house to ask for the short hair.
Speaker 6: I was wondering, this is gonna sound a little crazy.
Speaker 6: Do you have the the shorthired head, the one that
Speaker 6: I that I cut right?
Speaker 4: You?
Speaker 7: You want the short haired Judy head?
Speaker 5: Yeah?
Speaker 2: Why would you want that short haired Judy?
Speaker 7: Ahead?
Speaker 1: Like it, you know, And.
Speaker 3: She's like, why why would you want that? You're like,
Speaker 3: I like it?
Speaker 5: Yeah, insanity.
Speaker 3: Yeah, And while she goes to up to the kids
Speaker 3: to see if she still has the short hair version,
Speaker 3: you go to the bathroom to check your penis because
Speaker 3: you've got an irritation there, and the whole monitor walks
Speaker 3: in on you, of course, and then Jonas the locksmith
Speaker 3: shows up. You said, I thought you fixed it. I
Speaker 3: have to go get some parts, which is soapersorb because
Speaker 3: it was like a simple little pushluck Like, what parts? What?
Speaker 5: I've never trusted a pushlock, really, yeah, I don't trust them.
Speaker 2: Yeah, the bolt lock?
Speaker 5: You give me, give me a bolt.
Speaker 4: And by the way, Jonah's played that perfectly, not non
Speaker 4: plus that Larry could give a ship. Yeah.
Speaker 3: So she gives you the short hair head back and
Speaker 3: you get the new head and you bring it to
Speaker 3: me and say, all right, I got the head and
Speaker 3: I'm like, nah, something's wrong. Yeah something is that right?
Speaker 3: I don't know.
Speaker 5: You thought it was okay, but yeah, something it's some
Speaker 5: suspicious and it's not it's not really working. It's seen.
Speaker 5: Really made me laugh last night when I was watching it.
Speaker 5: The two idiots at the door. Yeah, I'm standing behind
Speaker 5: him and we're both kind of talking at the same time.
Speaker 2: And when I got in you can see it in
Speaker 2: my face.
Speaker 5: Please don't notice.
Speaker 2: Don't notice.
Speaker 3: And the dynamic of the relationship of the three of
Speaker 3: us continuing till now have at scene the other day
Speaker 3: with such a it's such a great relations fun. So
Speaker 3: next we're at the screening part two.
Speaker 2: And I'm sorry the screening part two.
Speaker 5: Yeah, I know, I know.
Speaker 3: And Jeff asked, you, is your assistancyeing anybody? It's like,
Speaker 3: just so gross.
Speaker 2: I am a scumback. That's my character, and you know.
Speaker 3: And the Michaelsons show up with Tara, and Tara has
Speaker 3: the Judy doll, and I see the doll, and I
Speaker 3: see the long hair, and then I realize what it
Speaker 3: was to connect the dots, connect the dots, and I
Speaker 3: love that that The rest of it is mined.
Speaker 4: But you're miming it. But there there isn't anybody for
Speaker 4: a million miles around that doesn't know what voice is
Speaker 4: coming out of that you feel.
Speaker 3: So we've established that. Yeah, and I'm just I know
Speaker 3: what you two idiots? Did you know? You cut the hair?
Speaker 3: You thick fucking I love that scene. And then you
Speaker 3: go to the bathroom and the men's room is an
Speaker 3: olfactory nightmare.
Speaker 4: Well done. That was the first time I had heard
Speaker 4: that phrase. I've heard a few times since. What is
Speaker 4: the what does that mean?
Speaker 5: Smell? An old factory factor has to do with your
Speaker 5: sense of smell?
Speaker 3: Yeah, okay, I mean somebody took a dump in there
Speaker 3: and it was disgusting. And you asked Cheryl to go
Speaker 3: look in the women's room because you got to pee
Speaker 3: because you're constantly drinking water. So Cheryl looks in the
Speaker 3: women's room, all clear. You asked her to stand guard.
Speaker 3: But this is the subtle Cheryl revenge where she you
Speaker 3: just see it on her.
Speaker 4: Face, she has a smile and walks away.
Speaker 3: Smile, walks away, nothing needs to be said. It was
Speaker 3: the same thing in the end of the episode we
Speaker 3: did the other day, that Trick a Treat episode, same
Speaker 3: kind of thing where Cheryl just smiles because you just
Speaker 3: drive up to the house and this is her momentre
Speaker 3: She's gonna fuck you.
Speaker 5: I really like that Trick a Treat episode.
Speaker 3: It was a very funny episode.
Speaker 5: I love that scene outside with the cops.
Speaker 3: When we did that episode, we were talking about how
Speaker 3: fantastic Scrove Van Wasn't that great? He was great in
Speaker 3: that episode. We talked about that.
Speaker 2: Grove Van comedian writer that we all know.
Speaker 3: Cheryl leaves and then you have a moment it's like, well,
Speaker 3: you want the bottle of water and the screening with you,
Speaker 3: so what do you do? You put it down your pants.
Speaker 4: But by the way he was walking out and everything
Speaker 4: would be okay, yeah, big ginddy bink.
Speaker 2: And you turn around to get the water and shove
Speaker 2: it down.
Speaker 5: I want to I want to take the water into
Speaker 5: the theater. I don't want that woman to win. I
Speaker 5: wanted I wanted to have water.
Speaker 3: That's right, and nothing wrong with having water in the theater.
Speaker 3: It's got a closed top.
Speaker 5: I don't like being told. I don't like being told
Speaker 5: what to do.
Speaker 3: And Tara comes running in and she's like, oh, I
Speaker 3: love the doll the dolls.
Speaker 4: Wait the thing about her As she comes in, she's
Speaker 4: very confused about Larry bing in the bathroom, and like
Speaker 4: a switch, she's the happy little.
Speaker 3: Girl, delightful little girl, thank you for fixing Judy's hair,
Speaker 3: and she hugs you, and yeah, by bummy, that bollman
Speaker 3: in the bathroom and there's something hard in his pants
Speaker 3: and horrified people's sounds. Here are all the people too, Yeah,
Speaker 3: all the villagers, all.
Speaker 4: The villagers in like a universal horror mone exactly, and
Speaker 4: you rant to jump out the window and fade out.
Speaker 5: Yeah, it's it's one of those endings that just worked
Speaker 5: out perfectly, perfectly.
Speaker 3: So you didn't start with the end in this So
Speaker 3: tell about when you ran into her research. It's just
Speaker 3: like about a year ago you ran into this girl.
Speaker 3: It was when you were doing the thing at the
Speaker 3: Greek Theater. Yeah, yeah, Bob, Bob Whitey, Yeah, we directed
Speaker 3: this episode.
Speaker 5: Directed the episode. He was interviewing me the Greek and
Speaker 5: nuns to me he wanted to surprise me, and he
Speaker 5: brought the girl who played Tara, who is now an adult.
Speaker 5: It's almost thirty, I think. And she came up on
Speaker 5: stage and you know, we had a little job.
Speaker 3: And what did she say about it?
Speaker 5: I asked her if I had traumatized her full life
Speaker 5: by having to say that line. And she wasn't traumatized
Speaker 5: at all. She loved the experience of doing it, and
Speaker 5: she seems to have turned out great.
Speaker 3: Is she an actress?
Speaker 5: Yeah, she's an actress. Really, Yeah, I'd like to use
Speaker 5: her again. We should Yeah, we should use that. Yeah.
Speaker 3: And that's the episode, and it's to me it is
Speaker 3: one of the most perfect half hours of comedy in
Speaker 3: the history. Well look at you, well, I think so
Speaker 3: it's a perfect half hour.
Speaker 5: Pretty great too, Yeah, yeah, that's what. That's why I
Speaker 5: wanted to if I had one show to do, you
Speaker 5: do it?
Speaker 3: Friend?
Speaker 2: I have? Yeah, no future, But let me ask you
Speaker 2: a question here. Have you ever been to Disneyland? Yeah?
Speaker 2: Did you go on any of the rides?
Speaker 5: I went on? The Tea Cups.
Speaker 2: Perfectly lead to go.
Speaker 4: If there's one ride I would go on, it would
Speaker 4: be the Tea Cups. My god, Oh that's beautiful. I
Speaker 4: picture you, of course on the tea cups. I did
Speaker 4: it once and threw up the cups you threw up.
Speaker 4: Oh no, that's dizzying. You know they spend around.
Speaker 3: I don't know. I don't I don't like the.
Speaker 2: But that's why it's funny that he did it.
Speaker 3: Was there a reason you asked that question?
Speaker 4: No, I just know when I asked him things with Larry,
Speaker 4: hairs with Larry when I'm around him, when we do
Speaker 4: our conversation on Stay. I'm an investigative reporter, okay, and
Speaker 4: I want to ask the questions that I know and
Speaker 4: my way. Can I be honest with you? I've never
Speaker 4: asked him a question like that that hasn't led to
Speaker 4: something amazing. And so in my mind right there, and
Speaker 4: I went, I'm trying to picture Larry at Disneyland. You know,
Speaker 4: things pop in my mind, and I know it's gonna
Speaker 4: be interesting. A if he's been there or not? And
Speaker 4: then B did you go on a ride? And then
Speaker 4: who the fuck expects the tea cup? You're a big
Speaker 4: bowl of gold.
Speaker 2: You fuck her?
Speaker 3: And thank you for coming?
Speaker 2: Yeah, thank you, Larry, my pleasure.
Speaker 4: Yeah, So well we'll let you know, when you're needed extent.
Speaker 4: By the way, it's always your option not to.
Speaker 3: But you know, I think maybe the ski lift. Yeah,
Speaker 3: but that's so many seasons later.
Speaker 2: Well that's four.
Speaker 3: I think four, five, five, five, yeah, five, one of
Speaker 3: my favorite seasons.
Speaker 2: Yeah.
Speaker 4: By the way, was it Larry David in the what
Speaker 4: and hipsters? Fuck? And you know what, when you delivered
Speaker 4: that line, you immediately looked at me. I think you sensed,
Speaker 4: and of course I exploded because Larry David sh upstairs. Fuck.
Speaker 5: Thanks. Okay.
Speaker 3: The History of carp Your Enthusiasm is a production of
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