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Speaker 1: Hi allan happy holidays from the whole crew of the

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Speaker 1: History of Curb Your Enthusiasm. Season four has come to

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Speaker 1: a close, and as a special delight, we are re

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Speaker 1: releasing two of our favorite episodes.

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Speaker 2: Enjoy.

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Speaker 3: You can watch the original episode we'll be discussing in

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Speaker 3: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 3: new and final season, on Max. You can also watch

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Speaker 3: the video version of the History of Curby Your Enthusiasm

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Speaker 3: podcast on Max and YouTube as well. Links available in

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Speaker 3: the episode description. All right, abstusiastic you who.

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Speaker 4: We always need to recover from the ship? That he says?

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Speaker 4: That is that scenario?

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Speaker 2: Yeah, it's hilarious. I'm Jeff Garland.

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Speaker 3: And we're here with Larry David. Yes, and we're discussing

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Speaker 3: season two the doll Okay, episode seven.

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Speaker 5: By the way, feel free to ask me any question

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Speaker 5: about the doll, or any any question about anything.

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Speaker 3: How did this episode come up?

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Speaker 5: Here's how it came up.

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Speaker 2: Anything we want.

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Speaker 5: My daughter, I don't know, Let's see what year are

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Speaker 5: we talking about to that she must have been six

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Speaker 5: and she had a doll and I was looking at

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Speaker 5: the doll and I thought, what if I cut the dolls.

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Speaker 5: I thought, I'd really like to give this dollar a haircut.

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Speaker 5: What would happen if I did? Would would be upset? Whatever?

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Speaker 3: And so that was the derivation. Yeah.

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Speaker 4: But by the way, people like us, and I'm talking

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Speaker 4: about comeding people, we have a million thoughts that run

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Speaker 4: the gamut from that to really inappropriate, and we don't

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Speaker 4: act on it because you didn't cut the dolls hair, right.

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Speaker 3: No, yeah, but you thought what if I did? And

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Speaker 3: she'd be upset? And thus the germ of a classic. Yes,

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Speaker 3: so we start out, you're in a pitch with ABC

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Speaker 3: with Julia pitching on not Evelyn or what you know what?

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Speaker 5: Yeah, I'm sure, and you're.

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Speaker 3: Drinking a lot of water. You have to drink water

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Speaker 3: eight times a.

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Speaker 5: Day setting up the ending.

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Speaker 3: Yeah, correct, And so you already had the ending in mind.

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Speaker 5: I don't know if I did. We needed the bottle

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Speaker 5: of water because.

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Speaker 4: You had to him because the bottle of water didn't

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Speaker 4: add anything to the storyline except for his argument and

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Speaker 4: the ending.

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Speaker 3: And you know a lot of peeing having to use

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Speaker 3: the bathroom with the Michaelson's house, you know a lot

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Speaker 3: of that.

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Speaker 5: Yeah, yes, yes, yeah.

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Speaker 2: Have you ever been told a lot of peing in

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Speaker 2: your work.

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Speaker 3: No okay, And you're there and you find out that

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Speaker 3: Jason is also going to be working with ABC, playing

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Speaker 3: a motivational speaker, and your question is where did you meet?

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Speaker 3: Because prior to that you had the whole Mischi gos

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Speaker 3: with Jason about having to go to his office.

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Speaker 5: And show one. Yeah right, yes, it was just a joke. Yeah, yeah,

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Speaker 5: did he come to you or did you?

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Speaker 4: Well? By the way, one thing I love about your character,

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Speaker 4: nothing is Letto nothing. If there's anything done to you,

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Speaker 4: it will be investigated until the end, and you may

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Speaker 4: destroy that person. But I always find that usually you

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Speaker 4: dig a bigger hole for yourself.

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Speaker 3: Usually as a grudge bearer. I think, so, yes, where'd

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Speaker 3: you meet? And then you're pondering because we see how

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Speaker 3: deeply it upsets you that you actually met that Jason

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Speaker 3: came to them, but you had to go to him,

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Speaker 3: and then you're part of the ABC family. Come to

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Speaker 3: the screening of Harriet.

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Speaker 5: The hardest the hardest thing about this show, as I

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Speaker 5: recall or one of the things that I didn't care

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Speaker 5: for that I had to do. There had to be

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Speaker 5: two screenings in the same theater, and it's so stupid

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Speaker 5: because something happened the first screening, right, and then some

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Speaker 5: of course the ending the second screening. But you're coming

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Speaker 5: back for part two tomorrow.

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Speaker 4: Yes, by the way, the part tomorrow becomes hilarious. Yeah,

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Speaker 4: you actually throw around. Yeah, and then your question, what's

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Speaker 4: the difference between Harriet.

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Speaker 3: Yeah, that's later that at this meeting. No, that's later thought,

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Speaker 3: Oh that's yeah, yeah, that's that is the last line

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Speaker 3: of this. Yeah, but you know, who wants to go

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Speaker 3: to a screening of Harriet Beach a Stowe?

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Speaker 4: You know?

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Speaker 2: And then history buffs just saying I.

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Speaker 3: Never understand why you go to a screening of something

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Speaker 3: that's going to be on television. Why do you need

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Speaker 3: to go to a screen because he's part of your

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Speaker 3: house comfortably watching it on television. It's not like a

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Speaker 3: movie that's going to be in a movie theater. Doesn't

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Speaker 3: make any sense to me, and I'm sure it didn't

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Speaker 3: it to Larry.

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Speaker 4: That's a movie theater that we've used since I don't

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Speaker 4: think before Para with that premiere is there. Well, our

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Speaker 4: premieres have been numerous times, yeah, maybe even three times.

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Speaker 4: But on Paramount Pictures a lot there's a big screening.

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Speaker 2: I mean theater. It's a theater.

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Speaker 3: Our last premiere was there, yeah, season eleven. And then

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Speaker 3: Lane Michaelson asked you you're gonna come. You say your

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Speaker 3: wife's Susie's a friend. It is the art director. How

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Speaker 3: is Susie? He has your host Susie, And then you'd

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Speaker 3: say you're staying in a hotel.

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Speaker 2: We split.

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Speaker 5: I had completely forgotten that your characters had split up. Yes,

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Speaker 5: when I was watching it last night, I thought, oh

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Speaker 5: my god, they're not together because.

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Speaker 3: We already did the thor episode where we split up

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Speaker 3: where you had to go get his porn right right?

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Speaker 3: That was prior to that. We got back together obviously

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Speaker 3: because it was such a happy couple. Yes, Julia gets

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Speaker 3: out of it by saying her son has pink eye,

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Speaker 3: very wisely, which we know was bullshit.

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Speaker 2: No one argues that pinky now it's one of those ones.

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Speaker 3: And after that, that's when you say, what's the difference

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Speaker 3: between Harriet Peter Stowe and Harriet Tubman who Harriet Tubman

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Speaker 3: comes back again? We're not going to say how right,

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Speaker 3: And at the screening you set another thing up. This

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Speaker 3: is the beauty of this episode. You say to Cheryl,

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Speaker 3: I think we might be due for some sex tonight,

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Speaker 3: and Lane Michaelson COOMSI introduces himself and a woman stops

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Speaker 3: you going into the theater.

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Speaker 6: There's no food or.

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Speaker 3: Drink in the theater.

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Speaker 6: I'm sorry, really, I got like a condition.

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Speaker 5: I really need to have this.

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Speaker 3: You're gonna have to finish it out here. I'm sorry.

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Speaker 2: That's my favorite stoppage of all time.

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Speaker 5: And then I find out a minute later that she's

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Speaker 5: just somebody attending the screen act. She doesn't work for this.

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Speaker 2: Which, by the way, gold, yeah, gold.

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Speaker 3: She says, you know who to drink in the theater,

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Speaker 3: and what if I have a condition?

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Speaker 2: Yeah, she was hard on you.

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Speaker 4: You thought there were strict rules and she was in

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Speaker 4: charge of which made the second part.

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Speaker 5: Yeah, yeah, who are you?

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Speaker 4: Yeah, there's no way other people wouldn't react that way

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Speaker 4: unless they're repressed.

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Speaker 3: You know, I might not say something they know.

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Speaker 4: Oh, yes, that's that's absurd. That's absurd that she doesn't

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Speaker 4: work there.

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Speaker 3: But most people wouldn't say.

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Speaker 5: There was a five percent jackass factor. People who just

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Speaker 5: don't like rules to be broken regardless, and so, yeah,

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Speaker 5: but there might be a five percent chance that someone

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Speaker 5: would go. You know the you're not supposed to bring.

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Speaker 2: Water face that before.

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Speaker 4: But the person who is so so in control, it's

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Speaker 4: the rule, you can't do it.

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Speaker 5: I have to tell you when i'm when when there's

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Speaker 5: a rule okay that I think is a legitimate rule,

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Speaker 5: and I see somebody breaking a legitimate rule, I don't

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Speaker 5: like it. No, I don't like that person.

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Speaker 3: Who do you? Who do you think when you see

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Speaker 3: somebody litter for example?

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Speaker 5: Exactly?

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Speaker 3: Yeah, but if you were coming in with a big

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Speaker 3: thing of food and a sandwich.

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Speaker 5: But a bottle, yeah, it's usually even no food or drink.

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Speaker 5: Water is water can be succeptible.

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Speaker 3: Yeah, yeah, But I feel the same way you see

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Speaker 3: somebody doing something a litterate or or something we did

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Speaker 3: in the later opposode, taking two spaces in a in

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Speaker 3: a parking lot, or you know the big parker.

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Speaker 4: By the way, it happens every day when you drive.

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Speaker 4: Every day, when you drive there somewhere, you know, no,

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Speaker 4: when people say I'm not going to follow this rule,

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Speaker 4: I'm going to cut in here, do this? Do that?

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Speaker 2: Every day when I drive in New York.

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Speaker 3: You know what happens to me all the time, because

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Speaker 3: I have a dog. I see other dog owners not

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Speaker 3: picking up the poop. That perfect dad. They and I

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Speaker 3: say something all the time because I am that woman.

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Speaker 5: Okay, But meanwhile I brought the water into the theater

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Speaker 5: and that was no big deal.

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Speaker 3: That was no big deal. But the fight between you

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Speaker 3: and her was hilarious.

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Speaker 6: Excuse me, yeah, do you work here?

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Speaker 3: No?

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Speaker 6: How come you told me to get rid of the water.

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Speaker 6: Then I saw you coming with water.

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Speaker 3: There's no water.

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Speaker 6: That's the rules. I don't say I was your concern.

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Speaker 6: You don't work here, it's the rules.

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Speaker 3: The sign says no food or drink in the theater.

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Speaker 3: I'm sure we would all like to have a barn.

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Speaker 6: Yeah, we're all dying of thirst. What are you the

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Speaker 6: hallway monitor here?

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Speaker 3: Who are you that the rules don't apply?

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Speaker 6: I'm applying the Golden rule?

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Speaker 1: Are you?

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Speaker 3: I don't think the Golden rule applies here?

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Speaker 6: If you had water, which you want me to tell

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Speaker 6: you not to bring it in, I don't think so.

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Speaker 3: How about common courtesy by doesn't.

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Speaker 2: Supersede the Golden rule?

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Speaker 5: That's the big one.

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Speaker 3: Nuts, You're you're nuts, jackass.

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Speaker 6: Don't don't bring any pencil pencils in?

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Speaker 4: What loser?

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Speaker 5: Excuse me, missus Carter, we've got homework. You forgot to

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Speaker 5: give us homework.

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Speaker 3: You know what, are you the whole Monitor, the Golden Rule,

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Speaker 3: all of that teacher? You forgot to tell us we

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Speaker 3: have homework.

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Speaker 2: By the way, it depends in pencils?

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Speaker 4: Was I think the last one?

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Speaker 2: Are we going to be using.

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Speaker 3: Excuse me, missus cantor was that a teacher? You really

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Speaker 3: we've done homework, And Cheryl for the millionth time saying

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Speaker 3: all right, all right, I mean every episode Cheryl has

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Speaker 3: said so far that we've watched. All right. Then you're

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Speaker 3: at the Michaelson's house and you're telling Jeff about the fight,

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Speaker 3: and you see the whole Monitor woman we don't know

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Speaker 3: her name, talking to Anne Michaelson, which was to Wilson,

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Speaker 3: and Jeff says to you, you want to go to

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Speaker 3: dinner tomorrow before part two.

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Speaker 5: Now that's just the beginning. Now I wouldn't do that

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Speaker 5: to Jeff, but because it was so early in the

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Speaker 5: run of the series, it didn't seem to make a difference.

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Speaker 5: That I said at the Jeff, our relationship has grown,

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Speaker 5: has grown, and any wouldn't give a shit.

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Speaker 4: By the way, in real life, that's our relationship that

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Speaker 4: you would say to me, no, don't do that.

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Speaker 5: But still, this is part of the joy of doing

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Speaker 5: the show for me is to be able to say

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Speaker 5: things to people that I can't say in my life.

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Speaker 5: And one of them is you want to go to

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Speaker 5: dinner tomorrow? No I don't. Yeah, but it was Jeff

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Speaker 5: who got the brunt of it that time.

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Speaker 2: I loved it, by the way. I thought that was hilarious.

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Speaker 3: You know, let me ask you, Jeff, I have a

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Speaker 3: note here and then you start talking about that you

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Speaker 3: liked it because she's showing a lot of cleavage.

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Speaker 2: Yeah, when I don't think that was in the script.

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Speaker 4: Yeah, when they walked away, I'm telling the ABC guy,

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Speaker 4: what happens in the second half? Is she in there?

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Speaker 2: Because there's a lot of I'm in a lot of cleavage.

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Speaker 3: Yeah, I don't know that your character would do that.

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Speaker 3: Now what do you think? Oh, totally again, how the

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Speaker 3: characters changed.

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Speaker 4: My character has not evolved. Actually, if anything, I'm more

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Speaker 4: a defender of Larry every season. Yes, and everyone understands

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Speaker 4: my feeling towards you. That's why my character has a

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Speaker 4: million and one affairs. So I think he would definitely

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Speaker 4: question whether there's going to be cleavage, all right.

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Speaker 3: Larry then has a frozen Margarita has a chess freeze, and.

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Speaker 5: I must I think there was a period that I

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Speaker 5: went through I would get that chess freeze right right, No, no,

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Speaker 5: I just thought.

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Speaker 3: Now you freeze yourself on purpose. And Anne Michaelson comes

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Speaker 3: over and she's clearly doesn't like you already, she's already

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Speaker 3: heard from you who have a volunteer to be a

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Speaker 3: whole monitor. Not me either, I hated the whole monitors,

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Speaker 3: the rules, rosies, and she's she's clearly doesn't like you. Ready.

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Speaker 3: You go to the bathroom and there's no lock, and

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Speaker 3: then the strings playing. You're holding your foot against the

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Speaker 3: door and trying to go away.

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Speaker 4: The funniest one is holding the foot against the door

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Speaker 4: because the toilets a mile away.

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Speaker 2: The idea that you thought reach you. Yeah, so stupid,

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Speaker 2: it's so stupid, hilarious.

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Speaker 3: But I think that's a great example of how music

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Speaker 3: is used in that show. You know that you know

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Speaker 3: that the strings there was just so yes, how did you?

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Speaker 3: How did while we have you here? If I may,

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Speaker 3: is there somebody who originally came up with all this music?

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Speaker 3: Was there a music editor.

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Speaker 5: Well, I heard the theme bum bump. I heard that

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Speaker 5: on a bank commercial, right, And I told Laura and

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Speaker 5: my assistant, I said, I heard this music that I

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Speaker 5: love and maybe I'll use it one day. And then

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Speaker 5: two years later, I said, remember that music I told

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Speaker 5: you to say if she said yes, so that's in

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Speaker 5: some kind of library, right. And once we got that

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Speaker 5: music from the library, there were tons of other little

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Speaker 5: little pieces that were usable for the.

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Speaker 3: Show, like like.

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Speaker 5: Like I said, I told Steve, Steve editor, I said,

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Speaker 5: I want like Italian circus music. Yeah, all kinds of

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Speaker 5: Italian circus music, because I felt like, even if something

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Speaker 5: doesn't work, you put that circus music in there and

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Speaker 5: it makes everything lighter and funnier. So yeah, that's that's

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Speaker 5: where we get all the music from this this library.

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Speaker 5: But occasionally I will say, oh, you know, it would

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Speaker 5: be great here some strausswaltz or or you know, would

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Speaker 5: be great here some Rossini, and I'll know a particular

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Speaker 5: piece that I'll suggest.

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Speaker 2: Yeah, do you listen that much?

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Speaker 4: No?

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Speaker 5: No, classical music.

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Speaker 4: By the way, You've surprised me over the years, and

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Speaker 4: I get a big laugh out of it. With your

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Speaker 4: knowledge of popular music, and you know the words they

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Speaker 4: are actuate from one word to the next, And I'll say,

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Speaker 4: have you listened to that you like their music? Beach

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Speaker 4: Boys whatever? No, No, I've heard of the Bunch, and

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Speaker 4: I you start saying that I do like the bitch Boys. No.

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Speaker 4: I know.

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Speaker 2: I'm sorry to use an example, but is.

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Speaker 3: There a separate editor who does music or is that

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Speaker 3: all that.

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Speaker 5: Steve used to do? All the music did. Yeah, I'm

305
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Speaker 5: not sure if he does it all now because the

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Speaker 5: music is.

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Speaker 3: So important in the show. You know, one of the

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Speaker 3: things that Jeff and I noticed when we were doing

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Speaker 3: the original pilot it didn't have the music and it

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Speaker 3: felt so I mean, it had some cute little jazz

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Speaker 3: music and it was fine, but it felt so different.

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Speaker 3: It felt so different the whole world of it. The

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Speaker 3: music creates the world of it. Okay, so you need

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Speaker 3: to find another bathroom because this bathroom is not working.

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Speaker 5: For No, it's no good.

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Speaker 3: A lot of always a lot of bathroom themes.

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Speaker 4: Yet there was always humor as long as it's not

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Speaker 4: about statological scatological. There's a lot of humor and bathrooms

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Speaker 4: there is. We even't did a big episode about that later.

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Speaker 5: My favorite bathroom bit was the one I did on

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Speaker 5: the plane where I went into the bathroom and there

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Speaker 5: was turbulence. Yes, that was I think that was eight.

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Speaker 2: I think season four. It was a New York one.

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Speaker 5: It was going to New York to shoot the producers.

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Speaker 3: I think, oh, that was that one. Yeah, So you

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Speaker 3: go upstairs to find another bathroom. You enter the little

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Speaker 3: girl's room and her name was Tara. Little girl's name

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Speaker 3: was Sarah, and she's playing with her dolls and she asked,

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Speaker 3: you do you have to go potty? And you come

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Speaker 3: out of the bathroom and she's brushing her doll, Judy's hair,

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Speaker 3: which is very long hair. How was she cast this

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Speaker 3: little girl? Because she was terrific.

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Speaker 4: Audition Yes, she auditioned. By the way her rhythms, she

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Speaker 4: was great. Yeah, her rhythms were like because she would

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Speaker 4: go from A to Z in a millisecond and then

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Speaker 4: go right back.

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Speaker 3: Go right back. Yes, she was terrific. She was, And

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Speaker 3: I want to get to running into her later in life,

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Speaker 3: but after we get more storyline.

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Speaker 4: Yeah, thirty shut your great grandma's balls.

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Speaker 3: This was two thousand and one.

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Speaker 5: Yeah, I think she's like twenty eight.

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Speaker 3: Yeah, but I want to I want to hold it

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Speaker 3: because I want to get more storyline and because I

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Speaker 3: don't want to give that. Okay, we'll be right back,

346
00:16:11,840 --> 00:16:26,840
Speaker 3: stay tuned, and we're back. So she's brushing and and

347
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Speaker 3: she asked you to give her a haircut. What is

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Speaker 3: he supposed to do?

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Speaker 4: But by the way, he's already having so much joy

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Speaker 4: being with the girl.

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Speaker 3: Talking to her at the party.

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Speaker 2: Well, that for sure, But that's one of the things

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Speaker 2: that you know, Larry.

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Speaker 3: Was I think I commented on the long hair, right, yes,

355
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Speaker 3: very long hair.

356
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Speaker 5: I don't think I brought up would you would you

357
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Speaker 5: want me to get it? I didn't say that. She

358
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Speaker 5: asked me.

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Speaker 3: Yeah, she said, do you think you could give it

360
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Speaker 3: a haircut? And you take out your Swiss army knife

361
00:16:55,000 --> 00:16:56,960
Speaker 3: and have a very funny line about the Swiss let

362
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Speaker 3: everybody do their fighting for them while they ski and

363
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Speaker 3: eat chocolate. Yeah, and you cut it. It's a drothy

364
00:17:01,480 --> 00:17:04,680
Speaker 3: hamel thing and it was great, and she's all happy,

365
00:17:05,160 --> 00:17:08,479
Speaker 3: and she even says the doll looks pretty, and you

366
00:17:08,560 --> 00:17:11,240
Speaker 3: say it's a very French look. Now I would take

367
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Speaker 3: her out, And then you go back downstairs and you

368
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Speaker 3: pass the hall monitor on the way. We never know

369
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Speaker 3: her name. And Cheryl walks out of the power room

370
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Speaker 3: says to you, there's no luck you're like I know,

371
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Speaker 3: and she asks you to guard the door.

372
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Speaker 2: Hara, why did you cut her hair?

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Speaker 4: Well?

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Speaker 2: She asked me.

375
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Speaker 5: She asked me to give it a haircut.

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Speaker 7: You walked into my daughter's room and you cut her.

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Speaker 6: Judy's hair well, she asked me to give it a haircut.

378
00:17:50,240 --> 00:17:52,160
Speaker 7: And did you ever tell her that maybe it wouldn't

379
00:17:52,160 --> 00:17:53,760
Speaker 7: grow back?

380
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Speaker 6: I thought it was understood.

381
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Speaker 7: How could you not understand that a little girl has

382
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Speaker 7: a vivid imagine nation. She's extremely This little girl doesn't

383
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Speaker 7: know that her Dolly's hair is not going to really

384
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Speaker 7: you know who this is?

385
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Speaker 6: This is Judy.

386
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Speaker 7: If she is a collector's item, we're not going to

387
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Speaker 7: be able to find another one like this. I can

388
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Speaker 7: I got this doll before she was born.

389
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Speaker 6: Well, I can replace it.

390
00:18:16,520 --> 00:18:17,240
Speaker 5: I'm sure I can't.

391
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Speaker 6: You can replace it.

392
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Speaker 3: This is like Liberty, the a B Baby out of production.

393
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Speaker 7: OPI okay, not coming back, is never gonna go back?

394
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Speaker 6: What is that? I guess I missed a strand there.

395
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Speaker 6: I got a Swiss army.

396
00:18:30,840 --> 00:18:31,280
Speaker 5: Let me get it.

397
00:18:31,320 --> 00:18:33,000
Speaker 6: I got a Swiss army. And if I could, I

398
00:18:33,000 --> 00:18:33,680
Speaker 6: could get that.

399
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Speaker 3: Mommy, mommy, look at my doll's hair. I hate it.

400
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Speaker 3: He cut it.

401
00:18:38,800 --> 00:18:40,000
Speaker 2: That's what she could do.

402
00:18:40,160 --> 00:18:44,119
Speaker 4: She could go from really warm and calm to insane

403
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Speaker 4: in a matter of seconds.

404
00:18:45,440 --> 00:18:47,000
Speaker 5: Yeah, case she came down.

405
00:18:47,359 --> 00:18:51,600
Speaker 2: Yeah yeah, your kids thinking like that, what do.

406
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Speaker 3: You And once again, you didn't really do anything wrong,

407
00:18:55,680 --> 00:18:58,439
Speaker 3: and yet no good deed goes unpunished. She asked you

408
00:18:58,520 --> 00:19:00,400
Speaker 3: to cut the dolls exactly.

409
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Speaker 2: And by the way, you dine a good job cutting

410
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Speaker 2: the hair.

411
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Speaker 3: He left one little strand, but that's okay.

412
00:19:08,000 --> 00:19:10,760
Speaker 2: Yeah, but was that not part of the script? The strand?

413
00:19:10,920 --> 00:19:11,479
Speaker 3: Probably not?

414
00:19:11,880 --> 00:19:15,680
Speaker 5: I don't remember, because it certainly gives uh uh Rita

415
00:19:15,720 --> 00:19:19,800
Speaker 5: Wilson's character ammunition tortures such an awkward moment.

416
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Speaker 2: It's great.

417
00:19:20,680 --> 00:19:24,080
Speaker 3: I don't think it was. If I recall the outline, whatever, right,

418
00:19:24,480 --> 00:19:26,040
Speaker 3: And You're like, she asked me to cut the hair,

419
00:19:26,080 --> 00:19:28,560
Speaker 3: and Anne's like, did you tell her it wouldn't grow back?

420
00:19:28,920 --> 00:19:30,440
Speaker 3: Of course you didn't tell her wouldn't grow back to

421
00:19:30,480 --> 00:19:32,880
Speaker 3: what a freking idiot wouldn't back?

422
00:19:33,240 --> 00:19:35,520
Speaker 5: That comes back? Thought it was understood, it comes later on.

423
00:19:35,600 --> 00:19:37,200
Speaker 5: That's one of my favorite lines in the show.

424
00:19:37,280 --> 00:19:40,200
Speaker 3: Yes, I thought it was understood and and she has

425
00:19:40,240 --> 00:19:43,080
Speaker 3: a vivid imagination. Rita was terrific in this episode.

426
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Speaker 2: Did you mention that she goes to Mermann?

427
00:19:45,440 --> 00:19:48,320
Speaker 3: That was later? That was later? That was later. And

428
00:19:48,359 --> 00:19:50,560
Speaker 3: then Lane Michaelson walks in.

429
00:19:50,680 --> 00:19:52,800
Speaker 5: On Cheryl in the back because I left my post,

430
00:19:53,000 --> 00:19:54,840
Speaker 5: left to deal with the situation.

431
00:19:54,920 --> 00:19:58,720
Speaker 3: Paul Hilarious was going on, and Anne Michaelson says, this

432
00:19:58,800 --> 00:20:01,600
Speaker 3: is Judy. She's a colle item. We could not find

433
00:20:01,640 --> 00:20:04,719
Speaker 3: another oh oh pee out of production. And the girl's

434
00:20:04,800 --> 00:20:08,320
Speaker 3: crying and the haircuts ugly, and you say, I can

435
00:20:08,400 --> 00:20:12,720
Speaker 3: replace it. And then Jeff says, Sammy, our daughter who

436
00:20:12,840 --> 00:20:15,639
Speaker 3: was a son prior to that but suddenly became a

437
00:20:15,760 --> 00:20:18,920
Speaker 3: daughter and also aged quite a bit in the year

438
00:20:19,080 --> 00:20:22,840
Speaker 3: in between, has a huge doll collection. We'll go to

439
00:20:22,880 --> 00:20:25,359
Speaker 3: my house, will zip in, will zip out, because you know,

440
00:20:25,400 --> 00:20:26,920
Speaker 3: you're not really allowed to be there.

441
00:20:27,040 --> 00:20:29,720
Speaker 5: Right, Jeff's pretty sure that he's got the Judy. He's

442
00:20:29,720 --> 00:20:30,240
Speaker 5: got the Judy.

443
00:20:30,400 --> 00:20:34,320
Speaker 4: Ohso the fact that I wouldn't take into consideration my

444
00:20:34,480 --> 00:20:36,760
Speaker 4: daughter's feelings, I'm serving you.

445
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Speaker 2: I gotta get.

446
00:20:38,240 --> 00:20:41,000
Speaker 5: You know, she had a giant doll collection, and you

447
00:20:41,000 --> 00:20:42,240
Speaker 5: didn't think she mis it.

448
00:20:42,280 --> 00:20:46,719
Speaker 4: But I didn't take a beat to go And that's right,

449
00:20:47,080 --> 00:20:50,199
Speaker 4: why my character is shitty, you know, tell me.

450
00:20:50,200 --> 00:20:51,520
Speaker 2: About it all right, stop.

451
00:20:51,800 --> 00:20:55,240
Speaker 3: So Cheryl likes at the bathroom and she just looks

452
00:20:55,280 --> 00:20:57,959
Speaker 3: at you with that look, which I found in the

453
00:20:58,000 --> 00:21:01,439
Speaker 3: first couple of seasons. This more of that with Cheryl

454
00:21:01,520 --> 00:21:03,479
Speaker 3: than there was later on, like more of her going

455
00:21:03,520 --> 00:21:06,600
Speaker 3: to get you back. There's been several episodes where she's

456
00:21:06,640 --> 00:21:08,440
Speaker 3: going to kind of get you back, and then you're

457
00:21:08,480 --> 00:21:10,640
Speaker 3: home and you're like, I fucked up.

458
00:21:13,400 --> 00:21:16,000
Speaker 5: That's a real Brooklyn thing. Yeah, I fucked up.

459
00:21:16,520 --> 00:21:19,760
Speaker 4: But by the way, if there's one thing that in

460
00:21:19,840 --> 00:21:24,040
Speaker 4: my experience that you do to a woman is when

461
00:21:24,040 --> 00:21:27,880
Speaker 4: they're yammering about something, then they're angry that you make

462
00:21:27,920 --> 00:21:30,879
Speaker 4: a joke or you do a silly voice. They're infuriated.

463
00:21:31,160 --> 00:21:32,879
Speaker 4: So with this time, when I saw you do that,

464
00:21:33,000 --> 00:21:33,960
Speaker 4: I was like, oh my.

465
00:21:34,000 --> 00:21:35,200
Speaker 3: God, it makes it worse.

466
00:21:35,600 --> 00:21:38,520
Speaker 2: Oh my god, that's what's taking.

467
00:21:38,400 --> 00:21:41,960
Speaker 3: It seriously, you're not validating my feelings.

468
00:21:42,320 --> 00:21:44,520
Speaker 5: I'm admitting I made a mistake, right Yeah.

469
00:21:44,400 --> 00:21:48,560
Speaker 3: Yeah, but not really. Yeah, any weren't really. So Cheryl's

470
00:21:48,600 --> 00:21:51,960
Speaker 3: like he saw everything, like, think of the worst possible thing.

471
00:21:52,200 --> 00:21:54,119
Speaker 3: So I was sitting there. What did he say, she's

472
00:21:54,160 --> 00:21:55,359
Speaker 3: sitting on whatever?

473
00:21:55,640 --> 00:21:58,359
Speaker 4: She was not happy, and no, he saw her pretty

474
00:21:58,440 --> 00:21:59,640
Speaker 4: much completely naked.

475
00:22:00,080 --> 00:22:02,480
Speaker 2: That's what she asserts. You know, he saw.

476
00:22:02,400 --> 00:22:05,880
Speaker 4: Everything right, And she tells humiliating by the way.

477
00:22:05,960 --> 00:22:08,719
Speaker 3: She tells you that she could never see this, that

478
00:22:08,800 --> 00:22:09,480
Speaker 3: I just wanted.

479
00:22:09,280 --> 00:22:11,760
Speaker 2: To get breath to go. Why did I add that?

480
00:22:11,760 --> 00:22:12,960
Speaker 2: That's humiliating.

481
00:22:13,000 --> 00:22:14,080
Speaker 3: Well, of course it's humiliating.

482
00:22:14,119 --> 00:22:16,359
Speaker 4: No, no, I know that. You just answered my question. Of

483
00:22:16,400 --> 00:22:19,600
Speaker 4: course it's humiliating. Did I want to just participate more

484
00:22:19,640 --> 00:22:21,840
Speaker 4: in the show? What was my choice in doing that?

485
00:22:21,920 --> 00:22:22,399
Speaker 4: Let's move on.

486
00:22:22,440 --> 00:22:23,560
Speaker 3: Should we analyze that?

487
00:22:24,040 --> 00:22:25,560
Speaker 5: Why did you add that?

488
00:22:26,240 --> 00:22:29,440
Speaker 2: Because I didn't want anyone at home to go? Why

489
00:22:29,440 --> 00:22:30,560
Speaker 2: the fuck did he ask that?

490
00:22:30,760 --> 00:22:33,760
Speaker 4: And I know our audience, I'm assuming is very intelligent,

491
00:22:34,119 --> 00:22:36,280
Speaker 4: and I just don't want to let anything go by.

492
00:22:36,200 --> 00:22:39,240
Speaker 3: Where you know, cheryld then says, get anything to worry

493
00:22:39,240 --> 00:22:42,679
Speaker 3: about with it. I'm moving on. Cheryl then says, you know,

494
00:22:42,840 --> 00:22:45,760
Speaker 3: I can never face this man again. I'm humiliating, And

495
00:22:45,840 --> 00:22:47,920
Speaker 3: Cheryl's like, you have to go somewhere else. We can't

496
00:22:47,960 --> 00:22:50,840
Speaker 3: do it at ABC. She can't go to NBC's because

497
00:22:51,200 --> 00:22:54,639
Speaker 3: of ge and the period brides. You can't, HBO, you

498
00:22:54,720 --> 00:22:57,920
Speaker 3: totally fucked with We're running out and you say it's

499
00:22:57,920 --> 00:23:00,159
Speaker 3: a mood point if we can't replace the doll and

500
00:23:00,200 --> 00:23:03,360
Speaker 3: then you go into divorce. Is this a divorce? And

501
00:23:03,400 --> 00:23:06,000
Speaker 3: that's where we see that dynamic with Cheryl. That's great.

502
00:23:06,400 --> 00:23:08,840
Speaker 3: You know your relationship, how she plays off you and

503
00:23:08,960 --> 00:23:09,800
Speaker 3: you play with you.

504
00:23:09,760 --> 00:23:14,240
Speaker 5: Know, you know, in my in my real marriage, I

505
00:23:14,280 --> 00:23:16,520
Speaker 5: would never say to my wife, what don you think

506
00:23:16,560 --> 00:23:19,000
Speaker 5: maybe a little sex tonight? Yeah, I wouldn't say that

507
00:23:19,280 --> 00:23:21,800
Speaker 5: I have to put a move on the way if

508
00:23:21,840 --> 00:23:25,359
Speaker 5: I was dating you know, you know, I don't. I

509
00:23:25,400 --> 00:23:27,840
Speaker 5: don't say let's have sex. I never say that.

510
00:23:28,240 --> 00:23:31,880
Speaker 3: Does she always have to initiate? No, No, you'll initiate,

511
00:23:31,880 --> 00:23:33,399
Speaker 3: but you just won't verbalize it.

512
00:23:33,640 --> 00:23:36,600
Speaker 5: Yeah, or I'll I'll pick up a cue or something, okay.

513
00:23:36,400 --> 00:23:38,200
Speaker 3: Yeah, always looking for the cues.

514
00:23:38,640 --> 00:23:41,680
Speaker 5: And and so the divorce. If we had a fight,

515
00:23:42,119 --> 00:23:47,680
Speaker 5: I would never go divorce. Yeah.

516
00:23:47,840 --> 00:23:50,720
Speaker 4: You were clearly joking though when you said divorce and

517
00:23:50,760 --> 00:23:55,560
Speaker 4: she knew that. Yeah, I'm just saying, you can't say

518
00:23:55,600 --> 00:23:57,399
Speaker 4: I would never have said that. You can't say that.

519
00:23:57,960 --> 00:23:59,800
Speaker 5: Yeah, you're in a fight, You're you're in a fight.

520
00:24:00,080 --> 00:24:03,760
Speaker 3: Yeah, but that's what I'm saying. It shows the playfulness

521
00:24:03,800 --> 00:24:08,080
Speaker 3: that Larry Show Larry and Show Cheryl had in their relationship,

522
00:24:08,280 --> 00:24:11,359
Speaker 3: which I think is important. Okay, then you go look

523
00:24:11,400 --> 00:24:13,320
Speaker 3: for the Judy doll. You drove up to our house.

524
00:24:13,320 --> 00:24:14,760
Speaker 3: Remember that house we had in the hills.

525
00:24:15,600 --> 00:24:17,360
Speaker 2: Yeah, yeah, yeah, Nichols.

526
00:24:17,119 --> 00:24:18,720
Speaker 5: Came fell on the sponge cake.

527
00:24:18,840 --> 00:24:20,120
Speaker 3: Yeah yes, yeah.

528
00:24:20,480 --> 00:24:21,960
Speaker 5: No, wasn't that the house?

529
00:24:22,119 --> 00:24:23,840
Speaker 2: It was the house, So it.

530
00:24:23,680 --> 00:24:24,160
Speaker 5: Was the house.

531
00:24:24,280 --> 00:24:28,359
Speaker 3: Yes, that next season. Yeah, I fell on the sponge Yeah.

532
00:24:28,800 --> 00:24:31,080
Speaker 3: And you come and you go up to Sammy's room.

533
00:24:31,080 --> 00:24:33,560
Speaker 3: There's a million fucking dolls. I've never seen so many

534
00:24:33,600 --> 00:24:34,000
Speaker 3: dolls in.

535
00:24:35,640 --> 00:24:40,560
Speaker 5: And Jeff says, there you go, no, yes, it is,

536
00:24:40,640 --> 00:24:41,239
Speaker 5: of course it is.

537
00:24:41,320 --> 00:24:43,879
Speaker 6: No, it's not our that's Judy. No, it's not Judy.

538
00:24:44,040 --> 00:24:44,800
Speaker 2: I've seen Judy.

539
00:24:44,840 --> 00:24:46,520
Speaker 5: That's Judy.

540
00:24:46,800 --> 00:24:51,240
Speaker 6: Jody's brown eyes, no, blue eyes, the eyes, I don't know,

541
00:24:51,280 --> 00:24:55,119
Speaker 6: the eyes come on, Jody, brown eyes. I made I

542
00:24:55,119 --> 00:24:58,040
Speaker 6: said it on my eyes brown eye.

543
00:24:58,040 --> 00:24:58,240
Speaker 4: I know.

544
00:24:58,320 --> 00:24:59,600
Speaker 2: The song is sweet Judy.

545
00:24:59,400 --> 00:25:01,000
Speaker 6: Blue eyes and brown eyes.

546
00:25:01,560 --> 00:25:08,119
Speaker 4: It's brown Judy, Sweet Judy brown eyes. Holy shit, sweetuity

547
00:25:08,200 --> 00:25:11,120
Speaker 4: brown eyes. Now, by the way, yeah, when he said that,

548
00:25:11,200 --> 00:25:14,480
Speaker 4: when he came up with that, we both exploded. It

549
00:25:14,520 --> 00:25:16,480
Speaker 4: took a while to get back into it because that

550
00:25:16,600 --> 00:25:19,720
Speaker 4: is nuts. I remembered her. I put it together, sweet

551
00:25:19,800 --> 00:25:23,800
Speaker 4: Judy brown eyes. It's fucking hilarious. It's hilarious.

552
00:25:24,119 --> 00:25:26,080
Speaker 3: But then you just spot Judy up on the top

553
00:25:26,119 --> 00:25:28,920
Speaker 3: shelves and you go to get it. And the shelf fall,

554
00:25:29,080 --> 00:25:30,440
Speaker 3: which was an accident.

555
00:25:30,640 --> 00:25:34,560
Speaker 4: Yes, it was. Every time we did it, shelf was fine.

556
00:25:34,880 --> 00:25:37,840
Speaker 4: Maybe it was the last time or no, it was

557
00:25:37,880 --> 00:25:41,520
Speaker 4: the last the first time, no, nothing, the shell fell down.

558
00:25:41,760 --> 00:25:42,720
Speaker 3: It was the first take.

559
00:25:42,800 --> 00:25:44,000
Speaker 2: I don't remember, but you.

560
00:25:43,920 --> 00:25:47,680
Speaker 4: Would know that. I don't think so, because we anyhow,

561
00:25:47,720 --> 00:25:51,080
Speaker 4: point being is that was not planned, and Larry and

562
00:25:51,119 --> 00:25:54,280
Speaker 4: I just stuck with it. We knew you were coming shortly.

563
00:25:54,560 --> 00:25:57,199
Speaker 4: We just stuck with it and were like scrambling and

564
00:25:57,240 --> 00:25:59,240
Speaker 4: that whole thing of me putting it up and saying

565
00:25:59,280 --> 00:26:01,879
Speaker 4: I'm worried. I'm just made that up on the spot

566
00:26:02,000 --> 00:26:05,280
Speaker 4: because we had to justify the thing being on the ground.

567
00:26:05,320 --> 00:26:08,480
Speaker 3: And sometimes that's the best things that for.

568
00:26:08,440 --> 00:26:11,359
Speaker 2: You, because that makes you go, what the fuck.

569
00:26:11,240 --> 00:26:11,880
Speaker 4: Is going on?

570
00:26:12,040 --> 00:26:14,960
Speaker 3: And that does happen frequently where it's a happy accident,

571
00:26:15,000 --> 00:26:16,240
Speaker 3: where it just makes everything.

572
00:26:16,560 --> 00:26:19,520
Speaker 2: Why one of the case to improvising is don't stop.

573
00:26:19,520 --> 00:26:22,840
Speaker 3: Keep going, and the door slim Susie's here, fear fear fear.

574
00:26:23,320 --> 00:26:25,560
Speaker 3: I love that. And Larry, what are you gonna do?

575
00:26:25,800 --> 00:26:28,440
Speaker 3: You take the head off and you stick it down

576
00:26:28,480 --> 00:26:29,360
Speaker 3: your pants.

577
00:26:29,280 --> 00:26:34,400
Speaker 5: Which screw the head screws off pretty much all off.

578
00:26:34,520 --> 00:26:35,240
Speaker 2: Yeah.

579
00:26:35,280 --> 00:26:39,560
Speaker 5: So, yeah, there was something about the way this show

580
00:26:40,440 --> 00:26:44,560
Speaker 5: just unfolded that I love. Because now I've got this head,

581
00:26:45,280 --> 00:26:50,200
Speaker 5: and and I'm going back to Rita Wilson, missus Michaelson

582
00:26:50,240 --> 00:26:53,000
Speaker 5: to give her the head. Then I have to go back.

583
00:26:53,680 --> 00:26:55,919
Speaker 5: Then we see you by it that that's coming up.

584
00:26:56,040 --> 00:26:58,640
Speaker 3: Yeah, yeah, so and also you stick the head down

585
00:26:59,320 --> 00:27:00,560
Speaker 3: because the thing too.

586
00:27:00,760 --> 00:27:04,160
Speaker 5: Usually I need a number of ideas to get through

587
00:27:04,160 --> 00:27:08,120
Speaker 5: an episode, and the idea is okay, the ideas will

588
00:27:08,400 --> 00:27:11,240
Speaker 5: I try and make them all connect intersect at some point.

589
00:27:11,600 --> 00:27:15,160
Speaker 5: But with this show, it's really just one idea, cutting

590
00:27:15,160 --> 00:27:18,720
Speaker 5: this doll's hair. There are little things around it that

591
00:27:18,800 --> 00:27:20,280
Speaker 5: support the idea.

592
00:27:20,119 --> 00:27:21,080
Speaker 3: Like the bottle of water.

593
00:27:21,200 --> 00:27:23,560
Speaker 5: Yeah, like the bottle of water, the relationship with the

594
00:27:24,200 --> 00:27:27,959
Speaker 5: woman who you know, the whole monitor, But that's just

595
00:27:27,960 --> 00:27:31,840
Speaker 5: supporting the overall idea of this doll, of cutting the

596
00:27:31,880 --> 00:27:34,880
Speaker 5: doll's hair, It's one of the few episodes I think

597
00:27:34,920 --> 00:27:38,480
Speaker 5: in the series, maybe the only one where there was

598
00:27:38,600 --> 00:27:44,119
Speaker 5: really only one strong theme from beginning to end. I

599
00:27:44,200 --> 00:27:47,280
Speaker 5: might be wrong, but that's somehow that's in my memory by.

600
00:27:47,200 --> 00:27:50,320
Speaker 4: The way I watch it, and I think that episode

601
00:27:50,480 --> 00:27:54,880
Speaker 4: was so dense and everything perfectly led to the next thing.

602
00:27:55,080 --> 00:27:57,720
Speaker 4: It was like the dominoes on The Tonight Show. You

603
00:27:57,720 --> 00:28:00,320
Speaker 4: don't know where it's going to end, you do, obviously, it's.

604
00:28:00,160 --> 00:28:05,360
Speaker 5: About legs, and so this idea of cutting this dolls here.

605
00:28:05,800 --> 00:28:08,360
Speaker 5: It just had a lot of legs. You could see

606
00:28:08,359 --> 00:28:10,840
Speaker 5: it going from here to there to there to there

607
00:28:10,880 --> 00:28:14,080
Speaker 5: to there, like twice as many scenes as an ordinary

608
00:28:14,119 --> 00:28:18,199
Speaker 5: story would happen. Right, most stories, most ideas don't have

609
00:28:18,320 --> 00:28:20,840
Speaker 5: legs like that. You can only get, you know, maybe

610
00:28:21,240 --> 00:28:23,920
Speaker 5: three four scenes the most out of it. But this

611
00:28:23,960 --> 00:28:28,240
Speaker 5: one had so many legs that it covered the entire episode.

612
00:28:28,640 --> 00:28:31,199
Speaker 4: Yeah, yeah, I'm in awe of your writing on this

613
00:28:31,320 --> 00:28:34,240
Speaker 4: episode because I always refer to it, but I always

614
00:28:34,240 --> 00:28:38,000
Speaker 4: referring to that hiking. This is your truly net hike

615
00:28:38,080 --> 00:28:40,680
Speaker 4: in you know, car fifty four, where you don't know

616
00:28:40,720 --> 00:28:44,480
Speaker 4: where it's going to end, even though because the connections

617
00:28:44,760 --> 00:28:47,880
Speaker 4: we're you're about to get a rash, like, how did that?

618
00:28:48,080 --> 00:28:51,120
Speaker 4: You know, steps and steps, and I find that fastening.

619
00:28:51,160 --> 00:28:53,520
Speaker 4: He's the only the writer who I've said, you know,

620
00:28:53,840 --> 00:28:56,000
Speaker 4: that's a nice compliment. It is for any of you

621
00:28:56,080 --> 00:28:59,000
Speaker 4: at home. Just google net hiking. I don't want to explain.

622
00:28:59,400 --> 00:29:03,440
Speaker 3: Okay, So Susie's here, take the head off and the

623
00:29:03,520 --> 00:29:05,920
Speaker 3: music is so great on this takes the head off,

624
00:29:06,160 --> 00:29:08,240
Speaker 3: sticks it in his pants and I'm screaming, you're supposed

625
00:29:08,240 --> 00:29:11,280
Speaker 3: to call first, And I walk in and you're pretending

626
00:29:11,360 --> 00:29:13,920
Speaker 3: to put the shelf on, which was an accident. Again,

627
00:29:14,240 --> 00:29:17,440
Speaker 3: that was, you know, And I noticed for myself this

628
00:29:17,640 --> 00:29:21,040
Speaker 3: is really the first beginning of the Susie Green. Look,

629
00:29:21,480 --> 00:29:24,440
Speaker 3: I've got the animal print vest, I've got a goal.

630
00:29:25,600 --> 00:29:28,920
Speaker 3: Then I think, so there was little hints of it before,

631
00:29:28,960 --> 00:29:30,400
Speaker 3: but this is this is season two.

632
00:29:30,920 --> 00:29:37,040
Speaker 5: Yeah, I remember supervising what you wore. I was really

633
00:29:37,080 --> 00:29:39,640
Speaker 5: on top of it the first couple of seasons. I

634
00:29:39,760 --> 00:29:41,800
Speaker 5: look out. I go, no, it's too much, it's too much,

635
00:29:41,800 --> 00:29:44,480
Speaker 5: it's too much. And then finally I just gave up.

636
00:29:44,520 --> 00:29:47,480
Speaker 4: I gave up. Now every time we work, we have

637
00:29:47,560 --> 00:29:50,240
Speaker 4: no idea and it's a surprise. Don't care the one

638
00:29:50,280 --> 00:29:52,840
Speaker 4: you wore yesterday with the side loops. Yeah, the orange

639
00:29:52,840 --> 00:29:54,960
Speaker 4: outfit was pure insanity.

640
00:29:55,120 --> 00:29:55,320
Speaker 3: Yeah.

641
00:29:55,520 --> 00:29:55,680
Speaker 4: Yeah.

642
00:29:56,080 --> 00:29:58,800
Speaker 3: But when I come on set, there's always a reveal.

643
00:30:00,280 --> 00:30:01,760
Speaker 2: It's always funny.

644
00:30:01,920 --> 00:30:04,040
Speaker 3: So you're pretending to put the shelf up and you

645
00:30:04,080 --> 00:30:05,960
Speaker 3: say to me, I'm like, what are you doing here?

646
00:30:06,000 --> 00:30:08,520
Speaker 3: What are you doing here? And you say to Sammy's

647
00:30:08,520 --> 00:30:10,280
Speaker 3: shelf was always bothered, always.

648
00:30:10,120 --> 00:30:13,240
Speaker 2: Worrying, you thinking about the shelf that's going.

649
00:30:13,160 --> 00:30:16,400
Speaker 3: To Larry put up all the shelves in his house,

650
00:30:16,400 --> 00:30:17,280
Speaker 3: which is the most un.

651
00:30:20,840 --> 00:30:24,000
Speaker 4: That's where the show goes. It's like someone says something.

652
00:30:24,040 --> 00:30:26,480
Speaker 4: You go, oh, I can make this, and I.

653
00:30:26,440 --> 00:30:29,200
Speaker 3: Say, what are you misster California closets.

654
00:30:29,280 --> 00:30:31,720
Speaker 2: You know, the idea of you're putting up all the shelves.

655
00:30:31,760 --> 00:30:32,520
Speaker 2: It's hilarious.

656
00:30:32,840 --> 00:30:34,000
Speaker 3: And then I say to what do you think?

657
00:30:35,000 --> 00:30:37,200
Speaker 2: Have you ever put up a shelf in my life?

658
00:30:37,360 --> 00:30:37,560
Speaker 4: Yeah?

659
00:30:37,560 --> 00:30:38,040
Speaker 2: A shelf.

660
00:30:38,400 --> 00:30:39,960
Speaker 5: I've never even held a shelf.

661
00:30:42,280 --> 00:30:45,680
Speaker 3: Have you ever hung a picture back on forty third Street?

662
00:30:46,200 --> 00:30:50,560
Speaker 5: Forty third Street? All the pictures were on the floor, Okay,

663
00:30:51,400 --> 00:30:54,920
Speaker 5: there was nothing on the wall, nothing. Every picture was

664
00:30:55,120 --> 00:30:57,560
Speaker 5: leaning leaning on the ground against the wall.

665
00:30:58,040 --> 00:30:59,720
Speaker 3: And then I say to you, you think I didn't

666
00:30:59,760 --> 00:31:04,280
Speaker 3: notice you, mister inconspicuous at the screening. And then okay,

667
00:31:04,760 --> 00:31:06,640
Speaker 3: part two, I bring up part two again.

668
00:31:07,160 --> 00:31:10,760
Speaker 5: You maybe I have to keep setting up part two

669
00:31:10,800 --> 00:31:11,800
Speaker 5: because it's so crazy.

670
00:31:12,760 --> 00:31:15,400
Speaker 3: Maybe maybe I'll go maybe. And then you're in the car.

671
00:31:15,720 --> 00:31:19,080
Speaker 4: Told that in a second, the idea that there is

672
00:31:19,160 --> 00:31:21,480
Speaker 4: a part two and that's a week apart.

673
00:31:21,800 --> 00:31:24,280
Speaker 2: Yeah, it is so funny, so funny.

674
00:31:24,400 --> 00:31:26,000
Speaker 3: It's not a week apart.

675
00:31:26,280 --> 00:31:28,320
Speaker 5: Next day, day, next day.

676
00:31:28,480 --> 00:31:31,000
Speaker 2: Because I was watching it, think what that is?

677
00:31:31,000 --> 00:31:33,720
Speaker 3: You have to go back the next day. And then

678
00:31:33,760 --> 00:31:35,760
Speaker 3: you're in the car and you pull the dolls head

679
00:31:35,760 --> 00:31:38,360
Speaker 3: out of your pants and there's a little itch down.

680
00:31:38,200 --> 00:31:40,360
Speaker 5: There going on from synthetic hair.

681
00:31:40,520 --> 00:31:45,440
Speaker 3: And then Sammy screams. Talk about the casting of Sammy

682
00:31:46,680 --> 00:31:48,720
Speaker 3: audition audition. She was adorable.

683
00:31:49,040 --> 00:31:52,320
Speaker 4: But my favorite thing that you did before we get

684
00:31:52,320 --> 00:31:55,120
Speaker 4: to Sammy screaming when we're driving in the car, you

685
00:31:55,200 --> 00:31:58,520
Speaker 4: broke a record for saying the word penis, penis. This,

686
00:31:58,720 --> 00:32:00,640
Speaker 4: I gotta look at my penis or at the next scene.

687
00:32:00,680 --> 00:32:01,360
Speaker 3: That's the next scene.

688
00:32:01,640 --> 00:32:04,120
Speaker 2: Tuck me, Okay, but I still love that.

689
00:32:05,320 --> 00:32:19,840
Speaker 3: We'll be right back, stay tuned. Okay, we're back. Sammy screams,

690
00:32:19,920 --> 00:32:23,000
Speaker 3: Mommy someone caught off, Judy said, which again shows what

691
00:32:23,040 --> 00:32:24,840
Speaker 3: a horrible father you are that you thought you would

692
00:32:24,960 --> 00:32:25,680
Speaker 3: never know it.

693
00:32:25,760 --> 00:32:29,240
Speaker 4: That's why when I said my daughter's got it, don't worry,

694
00:32:29,440 --> 00:32:32,120
Speaker 4: I thought, this is of course going to screw him up.

695
00:32:32,400 --> 00:32:35,560
Speaker 4: But by the way, I'm a subtle asshole on the ship,

696
00:32:36,040 --> 00:32:39,240
Speaker 4: just subtle. You see it in an explosive way after

697
00:32:39,280 --> 00:32:41,880
Speaker 4: I've done it. But when I suggest Hilary, I'm about

698
00:32:41,920 --> 00:32:44,880
Speaker 4: to do something, it tickles him. Really, you're going to

699
00:32:44,960 --> 00:32:48,400
Speaker 4: do that, you know, especially my affairs? What's wrong you? Okay,

700
00:32:48,440 --> 00:32:50,240
Speaker 4: go do that. And by the way, one of the

701
00:32:50,280 --> 00:32:53,080
Speaker 4: cardinal rules I have in life is if I have

702
00:32:53,120 --> 00:32:55,840
Speaker 4: a friend and they're having an affair, please don't tell me.

703
00:32:56,200 --> 00:33:02,080
Speaker 4: I don't want to be exchanging way. It's disastrous. You

704
00:33:02,120 --> 00:33:04,360
Speaker 4: want to do ship like that, keep that to yourself

705
00:33:04,440 --> 00:33:06,800
Speaker 4: because I'm not going to be a part of your festival.

706
00:33:07,040 --> 00:33:09,160
Speaker 3: Has anybody ever asked you to, like, you know, use

707
00:33:09,240 --> 00:33:10,760
Speaker 3: your home or anything.

708
00:33:10,720 --> 00:33:13,200
Speaker 4: Never a home, But people have told me that they're

709
00:33:13,200 --> 00:33:15,520
Speaker 4: having affairs, And right away I go, why the fuck

710
00:33:15,600 --> 00:33:16,240
Speaker 4: did you do that?

711
00:33:16,680 --> 00:33:17,600
Speaker 2: Why did you do that?

712
00:33:17,680 --> 00:33:19,160
Speaker 4: You know? Have you ever had anyone tell you.

713
00:33:20,680 --> 00:33:23,840
Speaker 5: Not like confide some big secret, but just a very

714
00:33:23,920 --> 00:33:25,000
Speaker 5: matter of factly.

715
00:33:24,800 --> 00:33:27,480
Speaker 2: Right right right right right, like they were saying they.

716
00:33:27,400 --> 00:33:30,680
Speaker 3: Were going to a nick game, you know, yeah, yeah,

717
00:33:31,000 --> 00:33:33,760
Speaker 3: going to see my guma. Yeah, all right. So you

718
00:33:33,840 --> 00:33:37,520
Speaker 3: bring the head to Anne Michaelson and she's, you know, suspicious.

719
00:33:37,560 --> 00:33:39,600
Speaker 3: All right, it looks okay, I'll take it upstairs and

720
00:33:39,600 --> 00:33:40,720
Speaker 3: make sure her up Again.

721
00:33:40,840 --> 00:33:44,040
Speaker 4: Something we passed over is you doing carry grant to

722
00:33:44,120 --> 00:33:49,600
Speaker 4: the little girl. But she has no idea what you're

723
00:33:49,600 --> 00:33:50,160
Speaker 4: talking about.

724
00:33:51,680 --> 00:33:55,120
Speaker 3: Judy, Judy, Judy. So she's going to go upstairs and

725
00:33:55,200 --> 00:33:56,680
Speaker 3: you say, may I use your bathroom? You start to

726
00:33:56,680 --> 00:33:59,640
Speaker 3: follow her upstairs because even when there's no one in

727
00:33:59,640 --> 00:34:02,120
Speaker 3: the house, you don't want to use the powder room

728
00:34:02,120 --> 00:34:04,720
Speaker 3: with no lock, and she points the hole.

729
00:34:04,760 --> 00:34:05,120
Speaker 2: Hold on.

730
00:34:05,400 --> 00:34:09,399
Speaker 4: That is fucking hilarious. That your assumption that you can

731
00:34:09,440 --> 00:34:10,719
Speaker 4: go up there and use the little bit.

732
00:34:11,600 --> 00:34:13,719
Speaker 5: I went to the girls room the last time, right,

733
00:34:14,800 --> 00:34:16,879
Speaker 5: I don't want to use the powder room there's no lock.

734
00:34:17,480 --> 00:34:19,760
Speaker 5: Made perfect sense, no, but it was really funny.

735
00:34:20,120 --> 00:34:23,560
Speaker 3: And the locksmith is fixing the lock, and that was

736
00:34:23,560 --> 00:34:24,600
Speaker 3: of course Jonas.

737
00:34:24,840 --> 00:34:26,360
Speaker 2: Dear Jonas, dear Jonas.

738
00:34:26,480 --> 00:34:29,200
Speaker 4: Yeah. Oh, by the way, Jonas was on our crew

739
00:34:30,000 --> 00:34:35,320
Speaker 4: for so many years. And yeah, so sometimes we cast

740
00:34:35,440 --> 00:34:39,560
Speaker 4: crew members because they're fucking perfect, Like he was perfect

741
00:34:39,560 --> 00:34:42,640
Speaker 4: for the locksmith and he already knew the show inherently.

742
00:34:43,040 --> 00:34:45,120
Speaker 4: I'm not going to try and be funny. I'm going

743
00:34:45,160 --> 00:34:48,399
Speaker 4: to be matter of fact because Larry does the funny lift.

744
00:34:48,520 --> 00:34:51,440
Speaker 5: But was it was really good? Really a couple of lines.

745
00:34:51,480 --> 00:34:54,600
Speaker 3: We've also noticed several times up until this point, George,

746
00:34:54,800 --> 00:34:58,040
Speaker 3: our prop master, was used as a person the.

747
00:34:58,000 --> 00:35:00,480
Speaker 4: Water splashing in the shack up is and he's in

748
00:35:00,520 --> 00:35:03,400
Speaker 4: there twice. And at the watch McCall with the asking

749
00:35:03,560 --> 00:35:05,360
Speaker 4: for advice when you're trying to put a tire on.

750
00:35:05,960 --> 00:35:06,799
Speaker 5: Yeah, I don't know.

751
00:35:07,480 --> 00:35:11,480
Speaker 3: Okay, So Anne Michaelson comes in the head is fixed,

752
00:35:12,120 --> 00:35:14,440
Speaker 3: and this is where you go into the whole discussion

753
00:35:14,480 --> 00:35:17,399
Speaker 3: about that she's gifted. This is this is a great thing.

754
00:35:17,520 --> 00:35:18,719
Speaker 5: She tells me how gifted her.

755
00:35:18,800 --> 00:35:20,520
Speaker 3: Yeah, and you say it's a shame she didn't know

756
00:35:20,560 --> 00:35:21,880
Speaker 3: the hair it was a good growback.

757
00:35:23,239 --> 00:35:25,960
Speaker 5: She's so brilliant, Yet she didn't know that the dolls hare.

758
00:35:26,880 --> 00:35:31,000
Speaker 4: That is another character. You won't let people throw you bullshit.

759
00:35:31,239 --> 00:35:34,240
Speaker 4: You won't. It's truly And by the way, who hasn't

760
00:35:34,320 --> 00:35:37,520
Speaker 4: encountered an asshole like that about how special.

761
00:35:37,080 --> 00:35:39,880
Speaker 3: He said, murmured, well, one of my pet peeves is

762
00:35:39,880 --> 00:35:42,279
Speaker 3: when people start telling me how gifted that children are.

763
00:35:42,560 --> 00:35:44,560
Speaker 3: I don't want to hear how gifted your fucking children are,

764
00:35:44,920 --> 00:35:45,120
Speaker 3: you know?

765
00:35:45,320 --> 00:35:48,280
Speaker 4: And by the way, most children that are very gifted

766
00:35:48,560 --> 00:35:50,680
Speaker 4: do not do well as an adult.

767
00:35:50,880 --> 00:35:54,160
Speaker 2: I read a whole thing, oh really, in bullshit magazine.

768
00:35:54,200 --> 00:35:54,840
Speaker 4: No, I read it.

769
00:35:54,880 --> 00:35:57,200
Speaker 2: I think the times I don't know. And then do

770
00:35:57,280 --> 00:35:58,840
Speaker 2: you like the fun facts I throw in?

771
00:35:59,120 --> 00:36:00,960
Speaker 5: You fascinating?

772
00:36:03,200 --> 00:36:03,560
Speaker 2: All right?

773
00:36:03,880 --> 00:36:07,160
Speaker 3: And then you guys leave and you were driving up

774
00:36:07,200 --> 00:36:11,680
Speaker 3: the driveway to Larry's house, and who's there waiting for you?

775
00:36:19,600 --> 00:36:20,279
Speaker 7: Where's the head?

776
00:36:24,160 --> 00:36:25,600
Speaker 3: I know you took the doll's head?

777
00:36:25,600 --> 00:36:26,200
Speaker 7: Where is it?

778
00:36:28,880 --> 00:36:30,160
Speaker 3: Where's the fucking head?

779
00:36:31,080 --> 00:36:33,720
Speaker 5: That that? Now, this one is an iconic scene.

780
00:36:34,000 --> 00:36:37,880
Speaker 3: It is exactly the spaghetti western music is playing, which

781
00:36:38,200 --> 00:36:41,239
Speaker 3: I was upset to realize that you. I thought it

782
00:36:41,320 --> 00:36:44,200
Speaker 3: was my theme. It had been played earlier for thor

783
00:36:44,840 --> 00:36:46,439
Speaker 3: but then it became my Yeah, then.

784
00:36:46,320 --> 00:36:47,160
Speaker 5: It became your theme.

785
00:36:47,239 --> 00:36:51,600
Speaker 2: Yeah, And so did you pick that or did Steve? Steve? Oh,

786
00:36:51,760 --> 00:36:52,640
Speaker 2: brilliant move.

787
00:36:52,520 --> 00:36:56,239
Speaker 3: Yeah, yeah, brilliant move. And where's the head? And this

788
00:36:56,280 --> 00:36:57,760
Speaker 3: scene just plays out.

789
00:36:57,680 --> 00:37:01,319
Speaker 4: Because you're speaking like the Susie when no now in

790
00:37:01,360 --> 00:37:02,240
Speaker 4: a big way.

791
00:37:02,160 --> 00:37:04,359
Speaker 3: And it's really I mean, well, we had the thor

792
00:37:04,440 --> 00:37:07,440
Speaker 3: episode before this, where I was somewhat in that shade,

793
00:37:07,840 --> 00:37:11,600
Speaker 3: but I think really this scene really established the fear

794
00:37:11,880 --> 00:37:14,279
Speaker 3: that Jeff and Larry lived a stamp on.

795
00:37:15,400 --> 00:37:16,920
Speaker 4: This is the journey we're going to have with.

796
00:37:17,960 --> 00:37:22,759
Speaker 5: So totally justified what you were saying. Yeah, yeah, we

797
00:37:22,800 --> 00:37:26,600
Speaker 5: took you were we took Judy's head.

798
00:37:27,680 --> 00:37:31,400
Speaker 3: And imagine, you know, from my point of view, why

799
00:37:31,440 --> 00:37:33,960
Speaker 3: why would you take a doll's head out of your

800
00:37:34,080 --> 00:37:34,719
Speaker 3: daughter's daughter?

801
00:37:35,360 --> 00:37:39,280
Speaker 5: It makes no sense whatsoever. It's so insane. Think about

802
00:37:39,280 --> 00:37:40,319
Speaker 5: it from your point of view.

803
00:37:40,360 --> 00:37:45,719
Speaker 3: Yeah, it's completely insane. That's why I say some votos got.

804
00:37:46,719 --> 00:37:48,919
Speaker 5: We took We took a doll's head from your daughter.

805
00:37:49,000 --> 00:37:51,319
Speaker 5: How could you possibly imagine what it could have been doing?

806
00:37:51,480 --> 00:37:52,680
Speaker 5: What is it?

807
00:37:53,000 --> 00:37:55,880
Speaker 3: And it sets up that has been going on for

808
00:37:55,920 --> 00:37:59,200
Speaker 3: twelve seasons where you two were trying to put something off,

809
00:37:59,200 --> 00:38:02,520
Speaker 3: put something over on me, which is just ridiculous and

810
00:38:02,560 --> 00:38:05,360
Speaker 3: it never works and you live in fear of Susie

811
00:38:05,360 --> 00:38:07,239
Speaker 3: Green And it's one of, of course, one of my

812
00:38:07,320 --> 00:38:08,000
Speaker 3: favorite scenes.

813
00:38:08,040 --> 00:38:09,960
Speaker 4: By the way, at the time it was one of

814
00:38:09,960 --> 00:38:12,799
Speaker 4: our because remember we got in the car and drove

815
00:38:12,880 --> 00:38:15,840
Speaker 4: off and we're going, wow, wow, is that great?

816
00:38:16,200 --> 00:38:17,200
Speaker 2: Yeah, it was really.

817
00:38:17,719 --> 00:38:20,200
Speaker 3: I also remember in that scene when I say stop

818
00:38:20,239 --> 00:38:22,160
Speaker 3: scratching your balls and tell me where it is. That

819
00:38:22,239 --> 00:38:24,440
Speaker 3: wasn't looping, And that was the first time I looped.

820
00:38:24,520 --> 00:38:27,560
Speaker 3: Oh really, Yes, that was in looping because you needed

821
00:38:27,600 --> 00:38:31,560
Speaker 3: that for story purpose to further along. I didn't actually

822
00:38:31,640 --> 00:38:36,440
Speaker 3: say that in the episode. So that's an example. Now wow,

823
00:38:36,480 --> 00:38:39,160
Speaker 3: And people always ask that question, is it all improvised?

824
00:38:39,480 --> 00:38:41,440
Speaker 3: And that's an example of a time when a line

825
00:38:41,520 --> 00:38:43,920
Speaker 3: was not improvised because it was needed for story.

826
00:38:44,080 --> 00:38:44,279
Speaker 4: Rare.

827
00:38:44,400 --> 00:38:48,200
Speaker 3: It's rare, but sometimes it's needed for story purposes. And

828
00:38:48,600 --> 00:38:49,879
Speaker 3: then you get into the edge.

829
00:38:49,880 --> 00:38:52,719
Speaker 5: So now this becomes a little a bit of a

830
00:38:53,120 --> 00:38:56,759
Speaker 5: problem for me just in writing, because now I have

831
00:38:56,840 --> 00:39:01,080
Speaker 5: to go back to Rita Wilson, Yeah, and see if

832
00:39:01,080 --> 00:39:07,560
Speaker 5: she has the the doll, the original hair, the cut hair,

833
00:39:07,600 --> 00:39:11,080
Speaker 5: the short hair, and so now so now it's like, oh,

834
00:39:11,160 --> 00:39:11,960
Speaker 5: long hair, short hair.

835
00:39:12,000 --> 00:39:12,279
Speaker 2: It's good.

836
00:39:12,320 --> 00:39:15,680
Speaker 5: It's getting confusing. How much do we have to emphasize

837
00:39:15,680 --> 00:39:19,600
Speaker 5: this that that became a bit of a problem to

838
00:39:19,719 --> 00:39:22,520
Speaker 5: go back and if the is the audience still following this.

839
00:39:22,600 --> 00:39:25,239
Speaker 5: Now I have to go back to her house and

840
00:39:25,360 --> 00:39:27,799
Speaker 5: ask if she has the doll whose hair I cut

841
00:39:27,840 --> 00:39:28,439
Speaker 5: off the head.

842
00:39:28,560 --> 00:39:28,920
Speaker 2: Yeah.

843
00:39:28,960 --> 00:39:30,719
Speaker 3: And it was in this next scene when you're in

844
00:39:30,760 --> 00:39:33,880
Speaker 3: the car that you start talking about your penishitches and

845
00:39:33,960 --> 00:39:35,560
Speaker 3: at the record.

846
00:39:35,280 --> 00:39:37,960
Speaker 4: For penis talk, and I love the way you're just

847
00:39:38,000 --> 00:39:41,200
Speaker 4: casually saying, I gotta clean my penis, I gotta get examined.

848
00:39:41,200 --> 00:39:43,120
Speaker 4: I don't want to go to the penis doctor, like

849
00:39:43,440 --> 00:39:45,800
Speaker 4: it was just penis, penis, penis.

850
00:39:45,560 --> 00:39:49,399
Speaker 3: And you say you've got an allergic reaction, my friend. Yeah, yeah,

851
00:39:49,440 --> 00:39:51,520
Speaker 3: you go to the doctor, say, oh, I stuck a dolls.

852
00:39:53,120 --> 00:39:53,359
Speaker 5: Yeah.

853
00:39:54,600 --> 00:39:58,000
Speaker 4: One thing that we skipped that really was another thing

854
00:39:58,040 --> 00:40:00,600
Speaker 4: that we rode for a long time was when we

855
00:40:00,680 --> 00:40:04,200
Speaker 4: left the house, you screamed at us, your bald piece

856
00:40:04,239 --> 00:40:06,839
Speaker 4: of ship. I believe fat and I'm a fat fuck.

857
00:40:07,239 --> 00:40:07,600
Speaker 3: Whatever.

858
00:40:07,800 --> 00:40:10,120
Speaker 4: No, but the point thing is, I don't remember that

859
00:40:10,160 --> 00:40:11,040
Speaker 4: happening before this.

860
00:40:11,239 --> 00:40:13,200
Speaker 3: I think that's well know in the wire, I call

861
00:40:13,280 --> 00:40:14,080
Speaker 3: you a fat fuck.

862
00:40:14,239 --> 00:40:15,960
Speaker 2: Okay, you didn't call him a bald piece of shit.

863
00:40:16,400 --> 00:40:18,400
Speaker 3: Maybe that's the first time I referenced you bald.

864
00:40:18,640 --> 00:40:19,840
Speaker 5: Yeah, I don't think so.

865
00:40:19,800 --> 00:40:22,239
Speaker 3: But I said you bald, fucking you fat piece of ship.

866
00:40:22,520 --> 00:40:25,080
Speaker 3: That's what I said. I think it is because I

867
00:40:25,120 --> 00:40:26,720
Speaker 3: was only in two episodes this season.

868
00:40:26,800 --> 00:40:27,440
Speaker 5: Oh is that right?

869
00:40:27,600 --> 00:40:27,759
Speaker 6: Yeah?

870
00:40:27,800 --> 00:40:30,520
Speaker 3: Oh okay, yeah, okay. So then you go back to

871
00:40:30,560 --> 00:40:32,799
Speaker 3: Anne's house to ask for the short hair.

872
00:40:33,200 --> 00:40:36,280
Speaker 6: I was wondering, this is gonna sound a little crazy.

873
00:40:36,480 --> 00:40:41,560
Speaker 6: Do you have the the shorthired head, the one that

874
00:40:41,600 --> 00:40:43,839
Speaker 6: I that I cut right?

875
00:40:44,600 --> 00:40:45,160
Speaker 4: You?

876
00:40:45,160 --> 00:40:46,680
Speaker 7: You want the short haired Judy head?

877
00:40:46,920 --> 00:40:47,120
Speaker 5: Yeah?

878
00:40:48,560 --> 00:40:50,280
Speaker 2: Why would you want that short haired Judy?

879
00:40:50,280 --> 00:40:50,560
Speaker 7: Ahead?

880
00:40:53,320 --> 00:40:54,719
Speaker 1: Like it, you know, And.

881
00:40:54,880 --> 00:40:58,440
Speaker 3: She's like, why why would you want that? You're like,

882
00:40:58,560 --> 00:40:59,040
Speaker 3: I like it?

883
00:40:59,160 --> 00:41:02,080
Speaker 5: Yeah, insanity.

884
00:41:02,239 --> 00:41:06,120
Speaker 3: Yeah, And while she goes to up to the kids

885
00:41:06,160 --> 00:41:08,120
Speaker 3: to see if she still has the short hair version,

886
00:41:08,440 --> 00:41:11,000
Speaker 3: you go to the bathroom to check your penis because

887
00:41:11,000 --> 00:41:14,400
Speaker 3: you've got an irritation there, and the whole monitor walks

888
00:41:14,440 --> 00:41:18,240
Speaker 3: in on you, of course, and then Jonas the locksmith

889
00:41:18,280 --> 00:41:20,319
Speaker 3: shows up. You said, I thought you fixed it. I

890
00:41:20,320 --> 00:41:22,560
Speaker 3: have to go get some parts, which is soapersorb because

891
00:41:22,560 --> 00:41:25,000
Speaker 3: it was like a simple little pushluck Like, what parts? What?

892
00:41:26,400 --> 00:41:30,080
Speaker 5: I've never trusted a pushlock, really, yeah, I don't trust them.

893
00:41:30,280 --> 00:41:32,080
Speaker 2: Yeah, the bolt lock?

894
00:41:32,200 --> 00:41:33,480
Speaker 5: You give me, give me a bolt.

895
00:41:34,360 --> 00:41:37,439
Speaker 4: And by the way, Jonah's played that perfectly, not non

896
00:41:37,560 --> 00:41:39,560
Speaker 4: plus that Larry could give a ship. Yeah.

897
00:41:39,760 --> 00:41:42,680
Speaker 3: So she gives you the short hair head back and

898
00:41:42,760 --> 00:41:44,880
Speaker 3: you get the new head and you bring it to

899
00:41:44,920 --> 00:41:46,440
Speaker 3: me and say, all right, I got the head and

900
00:41:46,440 --> 00:41:49,719
Speaker 3: I'm like, nah, something's wrong. Yeah something is that right?

901
00:41:49,840 --> 00:41:50,319
Speaker 3: I don't know.

902
00:41:50,760 --> 00:41:54,960
Speaker 5: You thought it was okay, but yeah, something it's some

903
00:41:55,160 --> 00:41:59,560
Speaker 5: suspicious and it's not it's not really working. It's seen.

904
00:41:59,600 --> 00:42:02,560
Speaker 5: Really made me laugh last night when I was watching it.

905
00:42:02,920 --> 00:42:06,720
Speaker 5: The two idiots at the door. Yeah, I'm standing behind

906
00:42:06,800 --> 00:42:09,400
Speaker 5: him and we're both kind of talking at the same time.

907
00:42:10,320 --> 00:42:12,120
Speaker 2: And when I got in you can see it in

908
00:42:12,120 --> 00:42:12,600
Speaker 2: my face.

909
00:42:12,880 --> 00:42:14,160
Speaker 5: Please don't notice.

910
00:42:14,440 --> 00:42:15,040
Speaker 2: Don't notice.

911
00:42:15,480 --> 00:42:18,759
Speaker 3: And the dynamic of the relationship of the three of

912
00:42:18,880 --> 00:42:22,759
Speaker 3: us continuing till now have at scene the other day

913
00:42:22,800 --> 00:42:25,960
Speaker 3: with such a it's such a great relations fun. So

914
00:42:26,239 --> 00:42:28,240
Speaker 3: next we're at the screening part two.

915
00:42:28,840 --> 00:42:31,359
Speaker 2: And I'm sorry the screening part two.

916
00:42:31,560 --> 00:42:32,880
Speaker 5: Yeah, I know, I know.

917
00:42:33,040 --> 00:42:36,840
Speaker 3: And Jeff asked, you, is your assistancyeing anybody? It's like,

918
00:42:36,880 --> 00:42:37,840
Speaker 3: just so gross.

919
00:42:38,000 --> 00:42:41,759
Speaker 2: I am a scumback. That's my character, and you know.

920
00:42:41,800 --> 00:42:44,440
Speaker 3: And the Michaelsons show up with Tara, and Tara has

921
00:42:44,440 --> 00:42:47,799
Speaker 3: the Judy doll, and I see the doll, and I

922
00:42:47,880 --> 00:42:50,840
Speaker 3: see the long hair, and then I realize what it

923
00:42:51,280 --> 00:42:54,600
Speaker 3: was to connect the dots, connect the dots, and I

924
00:42:54,640 --> 00:42:57,520
Speaker 3: love that that The rest of it is mined.

925
00:42:57,440 --> 00:43:01,160
Speaker 4: But you're miming it. But there there isn't anybody for

926
00:43:01,200 --> 00:43:04,480
Speaker 4: a million miles around that doesn't know what voice is

927
00:43:04,560 --> 00:43:06,320
Speaker 4: coming out of that you feel.

928
00:43:06,600 --> 00:43:09,120
Speaker 3: So we've established that. Yeah, and I'm just I know

929
00:43:09,160 --> 00:43:12,080
Speaker 3: what you two idiots? Did you know? You cut the hair?

930
00:43:12,160 --> 00:43:18,279
Speaker 3: You thick fucking I love that scene. And then you

931
00:43:18,400 --> 00:43:20,759
Speaker 3: go to the bathroom and the men's room is an

932
00:43:20,760 --> 00:43:21,920
Speaker 3: olfactory nightmare.

933
00:43:22,000 --> 00:43:24,040
Speaker 4: Well done. That was the first time I had heard

934
00:43:24,160 --> 00:43:26,520
Speaker 4: that phrase. I've heard a few times since. What is

935
00:43:26,560 --> 00:43:28,040
Speaker 4: the what does that mean?

936
00:43:28,840 --> 00:43:32,120
Speaker 5: Smell? An old factory factor has to do with your

937
00:43:32,160 --> 00:43:32,840
Speaker 5: sense of smell?

938
00:43:33,000 --> 00:43:35,560
Speaker 3: Yeah, okay, I mean somebody took a dump in there

939
00:43:35,560 --> 00:43:38,920
Speaker 3: and it was disgusting. And you asked Cheryl to go

940
00:43:38,960 --> 00:43:40,719
Speaker 3: look in the women's room because you got to pee

941
00:43:40,719 --> 00:43:43,840
Speaker 3: because you're constantly drinking water. So Cheryl looks in the

942
00:43:43,840 --> 00:43:47,080
Speaker 3: women's room, all clear. You asked her to stand guard.

943
00:43:47,239 --> 00:43:50,480
Speaker 3: But this is the subtle Cheryl revenge where she you

944
00:43:50,560 --> 00:43:51,359
Speaker 3: just see it on her.

945
00:43:51,239 --> 00:43:53,120
Speaker 4: Face, she has a smile and walks away.

946
00:43:53,440 --> 00:43:56,799
Speaker 3: Smile, walks away, nothing needs to be said. It was

947
00:43:56,880 --> 00:43:59,160
Speaker 3: the same thing in the end of the episode we

948
00:43:59,200 --> 00:44:01,600
Speaker 3: did the other day, that Trick a Treat episode, same

949
00:44:01,760 --> 00:44:04,440
Speaker 3: kind of thing where Cheryl just smiles because you just

950
00:44:04,560 --> 00:44:06,440
Speaker 3: drive up to the house and this is her momentre

951
00:44:06,440 --> 00:44:07,319
Speaker 3: She's gonna fuck you.

952
00:44:07,560 --> 00:44:09,400
Speaker 5: I really like that Trick a Treat episode.

953
00:44:09,440 --> 00:44:11,080
Speaker 3: It was a very funny episode.

954
00:44:11,120 --> 00:44:13,080
Speaker 5: I love that scene outside with the cops.

955
00:44:13,239 --> 00:44:15,160
Speaker 3: When we did that episode, we were talking about how

956
00:44:15,239 --> 00:44:18,480
Speaker 3: fantastic Scrove Van Wasn't that great? He was great in

957
00:44:18,480 --> 00:44:20,040
Speaker 3: that episode. We talked about that.

958
00:44:20,040 --> 00:44:22,960
Speaker 2: Grove Van comedian writer that we all know.

959
00:44:23,320 --> 00:44:26,279
Speaker 3: Cheryl leaves and then you have a moment it's like, well,

960
00:44:26,320 --> 00:44:28,480
Speaker 3: you want the bottle of water and the screening with you,

961
00:44:28,960 --> 00:44:30,800
Speaker 3: so what do you do? You put it down your pants.

962
00:44:31,120 --> 00:44:34,640
Speaker 4: But by the way he was walking out and everything

963
00:44:34,680 --> 00:44:37,400
Speaker 4: would be okay, yeah, big ginddy bink.

964
00:44:37,400 --> 00:44:39,640
Speaker 2: And you turn around to get the water and shove

965
00:44:39,680 --> 00:44:39,920
Speaker 2: it down.

966
00:44:39,960 --> 00:44:41,640
Speaker 5: I want to I want to take the water into

967
00:44:41,680 --> 00:44:43,640
Speaker 5: the theater. I don't want that woman to win. I

968
00:44:43,680 --> 00:44:45,160
Speaker 5: wanted I wanted to have water.

969
00:44:45,400 --> 00:44:47,839
Speaker 3: That's right, and nothing wrong with having water in the theater.

970
00:44:48,000 --> 00:44:49,480
Speaker 3: It's got a closed top.

971
00:44:49,640 --> 00:44:51,839
Speaker 5: I don't like being told. I don't like being told

972
00:44:51,880 --> 00:44:52,359
Speaker 5: what to do.

973
00:44:52,960 --> 00:44:56,520
Speaker 3: And Tara comes running in and she's like, oh, I

974
00:44:56,600 --> 00:44:58,120
Speaker 3: love the doll the dolls.

975
00:44:59,000 --> 00:45:02,120
Speaker 4: Wait the thing about her As she comes in, she's

976
00:45:02,360 --> 00:45:06,440
Speaker 4: very confused about Larry bing in the bathroom, and like

977
00:45:06,520 --> 00:45:08,960
Speaker 4: a switch, she's the happy little.

978
00:45:08,680 --> 00:45:13,000
Speaker 3: Girl, delightful little girl, thank you for fixing Judy's hair,

979
00:45:13,080 --> 00:45:20,200
Speaker 3: and she hugs you, and yeah, by bummy, that bollman

980
00:45:20,360 --> 00:45:22,880
Speaker 3: in the bathroom and there's something hard in his pants

981
00:45:23,280 --> 00:45:28,320
Speaker 3: and horrified people's sounds. Here are all the people too, Yeah,

982
00:45:28,320 --> 00:45:29,680
Speaker 3: all the villagers, all.

983
00:45:29,640 --> 00:45:32,640
Speaker 4: The villagers in like a universal horror mone exactly, and

984
00:45:32,719 --> 00:45:35,879
Speaker 4: you rant to jump out the window and fade out.

985
00:45:36,440 --> 00:45:39,440
Speaker 5: Yeah, it's it's one of those endings that just worked

986
00:45:39,480 --> 00:45:41,160
Speaker 5: out perfectly, perfectly.

987
00:45:41,400 --> 00:45:44,080
Speaker 3: So you didn't start with the end in this So

988
00:45:44,160 --> 00:45:46,040
Speaker 3: tell about when you ran into her research. It's just

989
00:45:46,040 --> 00:45:48,000
Speaker 3: like about a year ago you ran into this girl.

990
00:45:48,320 --> 00:45:49,759
Speaker 3: It was when you were doing the thing at the

991
00:45:49,800 --> 00:45:53,840
Speaker 3: Greek Theater. Yeah, yeah, Bob, Bob Whitey, Yeah, we directed

992
00:45:53,880 --> 00:45:54,920
Speaker 3: this episode.

993
00:45:54,480 --> 00:45:59,759
Speaker 5: Directed the episode. He was interviewing me the Greek and

994
00:46:00,120 --> 00:46:02,799
Speaker 5: nuns to me he wanted to surprise me, and he

995
00:46:02,920 --> 00:46:06,760
Speaker 5: brought the girl who played Tara, who is now an adult.

996
00:46:06,880 --> 00:46:09,680
Speaker 5: It's almost thirty, I think. And she came up on

997
00:46:09,760 --> 00:46:11,680
Speaker 5: stage and you know, we had a little job.

998
00:46:12,000 --> 00:46:13,279
Speaker 3: And what did she say about it?

999
00:46:13,560 --> 00:46:15,800
Speaker 5: I asked her if I had traumatized her full life

1000
00:46:16,000 --> 00:46:20,359
Speaker 5: by having to say that line. And she wasn't traumatized

1001
00:46:20,360 --> 00:46:24,200
Speaker 5: at all. She loved the experience of doing it, and

1002
00:46:24,719 --> 00:46:26,080
Speaker 5: she seems to have turned out great.

1003
00:46:26,360 --> 00:46:27,120
Speaker 3: Is she an actress?

1004
00:46:27,200 --> 00:46:29,799
Speaker 5: Yeah, she's an actress. Really, Yeah, I'd like to use

1005
00:46:29,840 --> 00:46:33,719
Speaker 5: her again. We should Yeah, we should use that. Yeah.

1006
00:46:34,120 --> 00:46:36,960
Speaker 3: And that's the episode, and it's to me it is

1007
00:46:37,160 --> 00:46:40,160
Speaker 3: one of the most perfect half hours of comedy in

1008
00:46:40,239 --> 00:46:42,560
Speaker 3: the history. Well look at you, well, I think so

1009
00:46:42,719 --> 00:46:44,480
Speaker 3: it's a perfect half hour.

1010
00:46:44,800 --> 00:46:47,640
Speaker 5: Pretty great too, Yeah, yeah, that's what. That's why I

1011
00:46:47,680 --> 00:46:50,239
Speaker 5: wanted to if I had one show to do, you

1012
00:46:50,360 --> 00:46:50,640
Speaker 5: do it?

1013
00:46:51,120 --> 00:46:51,359
Speaker 3: Friend?

1014
00:46:51,719 --> 00:46:54,800
Speaker 2: I have? Yeah, no future, But let me ask you

1015
00:46:54,800 --> 00:46:57,160
Speaker 2: a question here. Have you ever been to Disneyland? Yeah?

1016
00:46:57,360 --> 00:46:58,600
Speaker 2: Did you go on any of the rides?

1017
00:46:59,120 --> 00:47:03,560
Speaker 5: I went on? The Tea Cups.

1018
00:47:06,400 --> 00:47:07,799
Speaker 2: Perfectly lead to go.

1019
00:47:08,480 --> 00:47:11,359
Speaker 4: If there's one ride I would go on, it would

1020
00:47:11,400 --> 00:47:22,640
Speaker 4: be the Tea Cups. My god, Oh that's beautiful. I

1021
00:47:22,760 --> 00:47:25,120
Speaker 4: picture you, of course on the tea cups. I did

1022
00:47:25,120 --> 00:47:28,080
Speaker 4: it once and threw up the cups you threw up.

1023
00:47:28,120 --> 00:47:31,160
Speaker 4: Oh no, that's dizzying. You know they spend around.

1024
00:47:31,719 --> 00:47:33,319
Speaker 3: I don't know. I don't I don't like the.

1025
00:47:34,800 --> 00:47:37,319
Speaker 2: But that's why it's funny that he did it.

1026
00:47:37,360 --> 00:47:38,800
Speaker 3: Was there a reason you asked that question?

1027
00:47:39,080 --> 00:47:42,279
Speaker 4: No, I just know when I asked him things with Larry,

1028
00:47:42,320 --> 00:47:45,520
Speaker 4: hairs with Larry when I'm around him, when we do

1029
00:47:45,560 --> 00:47:49,400
Speaker 4: our conversation on Stay. I'm an investigative reporter, okay, and

1030
00:47:49,440 --> 00:47:52,680
Speaker 4: I want to ask the questions that I know and

1031
00:47:52,760 --> 00:47:54,839
Speaker 4: my way. Can I be honest with you? I've never

1032
00:47:54,840 --> 00:47:57,160
Speaker 4: asked him a question like that that hasn't led to

1033
00:47:57,239 --> 00:48:00,080
Speaker 4: something amazing. And so in my mind right there, and

1034
00:48:00,080 --> 00:48:02,279
Speaker 4: I went, I'm trying to picture Larry at Disneyland. You know,

1035
00:48:02,360 --> 00:48:05,080
Speaker 4: things pop in my mind, and I know it's gonna

1036
00:48:05,120 --> 00:48:07,560
Speaker 4: be interesting. A if he's been there or not? And

1037
00:48:07,600 --> 00:48:10,279
Speaker 4: then B did you go on a ride? And then

1038
00:48:10,360 --> 00:48:13,719
Speaker 4: who the fuck expects the tea cup? You're a big

1039
00:48:13,760 --> 00:48:14,480
Speaker 4: bowl of gold.

1040
00:48:14,520 --> 00:48:15,080
Speaker 2: You fuck her?

1041
00:48:15,400 --> 00:48:16,480
Speaker 3: And thank you for coming?

1042
00:48:16,600 --> 00:48:18,440
Speaker 2: Yeah, thank you, Larry, my pleasure.

1043
00:48:19,760 --> 00:48:22,720
Speaker 4: Yeah, So well we'll let you know, when you're needed extent.

1044
00:48:22,760 --> 00:48:24,319
Speaker 4: By the way, it's always your option not to.

1045
00:48:24,480 --> 00:48:27,279
Speaker 3: But you know, I think maybe the ski lift. Yeah,

1046
00:48:27,320 --> 00:48:28,919
Speaker 3: but that's so many seasons later.

1047
00:48:29,200 --> 00:48:30,080
Speaker 2: Well that's four.

1048
00:48:30,160 --> 00:48:33,719
Speaker 3: I think four, five, five, five, yeah, five, one of

1049
00:48:33,719 --> 00:48:34,640
Speaker 3: my favorite seasons.

1050
00:48:34,760 --> 00:48:34,960
Speaker 2: Yeah.

1051
00:48:35,000 --> 00:48:36,640
Speaker 4: By the way, was it Larry David in the what

1052
00:48:36,960 --> 00:48:41,160
Speaker 4: and hipsters? Fuck? And you know what, when you delivered

1053
00:48:41,160 --> 00:48:44,800
Speaker 4: that line, you immediately looked at me. I think you sensed,

1054
00:48:45,120 --> 00:48:54,120
Speaker 4: and of course I exploded because Larry David sh upstairs. Fuck.

1055
00:48:55,080 --> 00:48:56,080
Speaker 5: Thanks. Okay.

1056
00:49:00,280 --> 00:49:02,680
Speaker 3: The History of carp Your Enthusiasm is a production of

1057
00:49:02,760 --> 00:49:07,799
Speaker 3: iHeart Radio. For more podcasts from iHeartRadio, visit the iHeartRadio app,

1058
00:49:07,880 --> 00:49:10,960
Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows.