WEBVTT - Keone Young Meets World

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<v Speaker 1>So, I you guys know how much I love shoes.

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<v Speaker 1>One of my gifts from writer here is a shoe candle.

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<v Speaker 1>I just, I have loved shoes since I was a kid.

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<v Speaker 1>I loved my mom's shoes. Then when I was old

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<v Speaker 1>enough to start buying my own shoes, I've just I've

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<v Speaker 1>loved heels and Espa drills and sneakers and wedges and.

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<v Speaker 2>What's an Esqua drill? I'm sorry I heard. I understood

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<v Speaker 2>everything else, but what's an drill?

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<v Speaker 3>Is a type of poem. It's sixteen lines exactly. Doesn't

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<v Speaker 3>it sound like it should be.

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<v Speaker 2>In a drill that drills and the screw the other direction.

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<v Speaker 2>It's an Espa drill.

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<v Speaker 1>What what is an Espa drill? It's I'll show you

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<v Speaker 1>Espa drill wedges. It's like, this is a classic Espa

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<v Speaker 1>drill right there?

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<v Speaker 3>It went away, but yeah I saw it.

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<v Speaker 1>Yeah, that's an Espa drill.

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<v Speaker 2>Okay, okay.

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<v Speaker 1>Sometimes they sometimes they lace up around your ankle. Is

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<v Speaker 1>that like shoe?

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<v Speaker 3>Yeah, it's a heeled sandal, kind of.

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<v Speaker 1>Like a heeled sandal. Yeah, they're definitely a flat well,

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<v Speaker 1>I mean there's also these these are flat versions of it.

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<v Speaker 2>So it's a totally different thing.

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<v Speaker 1>This is so, this is what the definition is. A

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<v Speaker 1>flat shoe with a cloth upper, a rope sole, and

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<v Speaker 1>sometimes lacing that ties around the ankle, so that as

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<v Speaker 1>long as it has the rope bottom and a cloth top,

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<v Speaker 1>the shape of the shoe can be anything.

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<v Speaker 4>And then it sounds like what they would have worn

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<v Speaker 4>on ships and stuff like rope bottom, cloth top.

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<v Speaker 2>I kind of like them, are there, male? Can you

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<v Speaker 2>get men's esp drills?

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<v Speaker 1>Yeah? I'm going to get an s P A A

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<v Speaker 1>U D R I L L EAT for men. Okay,

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<v Speaker 1>are you looking them up?

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<v Speaker 3>Yeah, I'm gonna get some pirate shoes exact.

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<v Speaker 2>That's what they're called.

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<v Speaker 5>From now on. Those are.

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<v Speaker 1>Well, there are when you love shoes, there are just

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<v Speaker 1>some shoes that like really give you the ick, you know,

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<v Speaker 1>like like say, I mean crocs used to be one

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<v Speaker 1>of them, for sure, before crocs became so mainstream and

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<v Speaker 1>in your face that everybody wore them. But even crocs

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<v Speaker 1>took me a really long time to get past. I

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<v Speaker 1>was like, nope, never, you could never convince to wear crocs.

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<v Speaker 1>But I used to feel that way about Birkenstocks.

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<v Speaker 2>Oh yeah, oh gross.

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<v Speaker 1>No, Well guess what. The pandemic changed many things for me. Also,

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<v Speaker 1>becoming a mother changed many things for me. I bought

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<v Speaker 1>my first pair of Crocs during the pandemic. And I

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<v Speaker 1>bought my first pair of Birkenstocks when Adler was little

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<v Speaker 1>and we were going on a vacation and I was

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<v Speaker 1>going to be doing a ton of walking and I

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<v Speaker 1>need support. And everyone's like, oh, once you break in

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<v Speaker 1>your pair of Birkenstocks, they're the You can spend fourteen

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<v Speaker 1>hours walking around a city in them. So I did.

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<v Speaker 1>I got my first pair of Birkenstocks that broke them

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<v Speaker 1>in greatest, most comfortable shoe, never a shoe pain. If

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<v Speaker 1>I'm in a pair of Birkenstocks, I can wear them

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<v Speaker 1>for literally twelve hours going anywhere. I walked around Austria

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<v Speaker 1>totally fine. Yesterday I put on a pair of shoes

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<v Speaker 1>that are so icky. Do you know the shoes that

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<v Speaker 1>have individual pockets for your toast?

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<v Speaker 4>Oh my god, the yes rocks.

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<v Speaker 2>Yes, I do.

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<v Speaker 1>Okay, So I went to the gym yesterday. As you know,

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<v Speaker 1>very healthy lifestyle I've picked up over the last couple

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<v Speaker 1>of months have changed my eating habits, have started working out,

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<v Speaker 1>I've it has helped me, not at all. I've only

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<v Speaker 1>gained weight. I don't know how to explain it, but

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<v Speaker 1>I feel better. I do feel better, so I'm keeping

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<v Speaker 1>up with it. Anyway. Went to the gym yesterday to

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<v Speaker 1>do a met con class, which is a hit workout,

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<v Speaker 1>a high intensity interval training workout. You use weights and

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<v Speaker 1>you do these ten exercises. You do them three you

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<v Speaker 1>do them all ten of them. Then you start over

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<v Speaker 1>and you do them again three times. You do each

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<v Speaker 1>exercise for a minute. At my gym, the Poluva shoe

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<v Speaker 1>people were there and they were like, for this class only,

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<v Speaker 1>we are giving away free socks to anyone who would

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<v Speaker 1>like to try the shoes, and you can just wear

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<v Speaker 1>them for this class and then we'd love your honest feedback.

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<v Speaker 1>Tell us what you think about them. And I was like, yeah,

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<v Speaker 1>you know what, I'm gonna try it. Why not do

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<v Speaker 1>out there? Put on socks that have five daoles for

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<v Speaker 1>each of my toes, and then I put toes in

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<v Speaker 1>the shoes. They're freaking phenomenal.

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<v Speaker 2>Not don't be that guy, bro.

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<v Speaker 1>I will never ever wear them out to like run

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<v Speaker 1>an errand, but I am thinking about buying some for weightlifting.

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<v Speaker 1>I can't even believe I'm saying it. I got pictures. Look,

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<v Speaker 1>I need to show you guys. First of all, the

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<v Speaker 1>bottoms of them are so cute, like I have little

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<v Speaker 1>panda feet.

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<v Speaker 3>So just your Wiki feet page is about to get

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<v Speaker 3>an update.

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<v Speaker 1>And the bottom of these shoes, okay, and then look look,

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<v Speaker 1>look look, and they feel cool. They feel great. So

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<v Speaker 1>here's what I like about it.

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<v Speaker 3>I'm so worried about each one of my toes. I

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<v Speaker 3>don't know, just stuff.

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<v Speaker 1>Here's what's great. And this is what they tried to

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<v Speaker 1>tell me. And at first I was like, I don't

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<v Speaker 1>understand what you're talking about. With normal shoes and the

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<v Speaker 1>way our feet are in them and as thick as

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<v Speaker 1>they are, and with the not having individual toe brackets,

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<v Speaker 1>you don't actually like your toes don't really grip the ground.

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<v Speaker 1>All of your toes don't really grip the ground. They're

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<v Speaker 1>just kind of like in your shoes. With these shoes.

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<v Speaker 1>Because all of my toes were housed in their own

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<v Speaker 1>little home. When I would have to do something balancing,

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<v Speaker 1>so say I had heavy weights in my hands and

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<v Speaker 1>I was doing like a lunge that then where I

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<v Speaker 1>lifted my back foot and so I'm balancing on my

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<v Speaker 1>front foot. All of a sudden, all of my toes

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<v Speaker 1>were gripping the ground, kind of the way they do

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<v Speaker 1>when you're barefoot, like if you were doing yoga or

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<v Speaker 1>pilates and you're able to feel yourself and you can

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<v Speaker 1>like look down at your foot and realize, like, oh,

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<v Speaker 1>I need to put I have all my weight in

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<v Speaker 1>my pinky toe. I need to put more weight in

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<v Speaker 1>the ball on my foot. You can feel all of

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<v Speaker 1>that with these shoes on. They were really grippy, so

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<v Speaker 1>I was still able to run around on the floor.

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<v Speaker 1>They're hideous. They're the ugliest shoes I've ever seen in

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<v Speaker 1>my entire life, and I could never be seen in them.

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<v Speaker 1>But I am thinking about buying a pair.

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<v Speaker 2>Would they in any way shape or form, uh like

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<v Speaker 2>get in.

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<v Speaker 4>Like screw up your man bun if you're wearing them.

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<v Speaker 4>I'm curious, would they mess Would they mess with that?

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<v Speaker 1>They would screw They'd screw up your macho ltte, your ice.

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<v Speaker 2>I'm wondering about that, your cargo shorts and your man but.

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<v Speaker 1>Your petuli is a little less.

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<v Speaker 2>Potent, Okay, I'm just I'm just checking.

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<v Speaker 1>Yeah, because you.

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<v Speaker 3>Can still do the devil sticks though, right, that's that's.

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<v Speaker 2>That's great, you can still do that. I love that anyway.

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<v Speaker 1>I did think you guys would not would just not

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<v Speaker 1>expect me to be an ugly shoe lady.

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<v Speaker 2>No, we call those douche shoes at our house.

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<v Speaker 1>I love that douche.

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<v Speaker 2>Yeah, we do.

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<v Speaker 1>Oh, I love it so much, the douche, the douche shoes,

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<v Speaker 1>the douche shoe.

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<v Speaker 2>So that's that's kind of what we call those. But hey,

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<v Speaker 2>I think you talk to me album no, to each

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<v Speaker 2>their own.

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<v Speaker 4>I mean, that's no, it makes sense because if you

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<v Speaker 4>if you then have the same conversation, but around hands,

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<v Speaker 4>you're talking about the difference between wearing a pair of

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<v Speaker 4>gloves and which makes it, which does make a big difference.

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<v Speaker 2>But yeah, but no, but I just you know, it

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<v Speaker 2>is what it.

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<v Speaker 1>Is, and I do think because then I so I

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<v Speaker 1>left and I was like, I'm going to look these

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<v Speaker 1>shoes up. I'm going to see how much they are.

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<v Speaker 1>And I was looking at them and I did. Then

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<v Speaker 1>first of all, they're so so hideous on the website.

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<v Speaker 1>I was like, I just wore them and they didn't

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<v Speaker 1>look that hideous in person. On the website, I'm like,

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<v Speaker 1>they this is it couldn't possibly be this ugly. And

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<v Speaker 1>and I did stop myself from buying a pair because

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<v Speaker 1>I thought, am I ever going to be able to

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<v Speaker 1>get out of my own head when I'm wearing these

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<v Speaker 1>or the whole time? Am I going to be like

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<v Speaker 1>that person over there staring at my ugly feet? Shooes?

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<v Speaker 4>Yeah, I don't be able to do. If you're going

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<v Speaker 4>to do it, you have to just jump in with No.

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<v Speaker 1>You guys have single to.

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<v Speaker 3>Talk you out of it.

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<v Speaker 1>For weight lifting, Yeah no, No, it's good.

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<v Speaker 4>I like you shouldn't define you or be stereotypical. I

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<v Speaker 4>do put on your broken stocks, get into your super

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<v Speaker 4>and go and buy the douche shoes.

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<v Speaker 6>I think they'll be great. I don't see the problem.

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<v Speaker 6>What's no, I'm good. I'm good even with the cute

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<v Speaker 6>little bottom pand of feet. I'm not gonna not gonna

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<v Speaker 6>do it now.

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<v Speaker 3>I would not judge you for shaming me. I know

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<v Speaker 3>I would not.

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<v Speaker 4>I would not every time you put them on. He

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<v Speaker 4>would unabashedly shame you the whole time.

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<v Speaker 3>I'm just worried about the comfort. I just whenever I

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<v Speaker 3>see like the idea of wrapping every one of my toes,

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<v Speaker 3>like exactly, that's what I mean. You don't, yeah, you know,

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<v Speaker 3>it seems like it wouldn't fit. Like it's just like

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<v Speaker 3>my toes would be too fat for one of them.

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<v Speaker 1>I just need it is. It is weird because my

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<v Speaker 1>big toe was like a little too long for that

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<v Speaker 1>size of shoe, but my pinky toe was nowhere near

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<v Speaker 1>the end of it. So like if I went up

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<v Speaker 1>a different size, my would have my big toe would

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<v Speaker 1>have more room, but my pinky it could be cost

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<v Speaker 1>a mold one for you, they told me when I

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<v Speaker 1>said that, They said, but part of the reason your

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<v Speaker 1>pinky toe doesn't take up enough room is because it's

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<v Speaker 1>so used to being squished in your regular shoes.

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<v Speaker 2>So they're pinky suffocating your petto.

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<v Speaker 1>My pinky toe has shrunk itself in order to fit

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<v Speaker 1>into the fabric of this society.

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<v Speaker 3>And if I could, in order to appeal to people

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<v Speaker 3>like you who call her douche shoes, if she likes

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<v Speaker 3>the wrong shoes.

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<v Speaker 1>My pinky could have its own identity.

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<v Speaker 2>You do you it doesn't? You go out there and

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<v Speaker 2>you bet the bottom shoes bag you can.

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<v Speaker 3>That's how I look at it. Be in a douchebag.

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<v Speaker 3>It's it's it's wearing what you want. Wear that hair bun.

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<v Speaker 2>Of course, wear that hair bun.

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<v Speaker 1>Neglect your feet. If you guys want your pinky toes

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<v Speaker 1>to continue to shrink themselves to fit into society.

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<v Speaker 3>I am I'm totally are you? Are you well? Because

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<v Speaker 3>you know I don't have beach shoes. I hate anything

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<v Speaker 3>that actually shows my feet. This is perfect. These are

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<v Speaker 3>beachy shoes that I can wear. They're like sandals, but

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<v Speaker 3>I don't have to Actually, you know, one has to

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<v Speaker 3>look at my hobby feet.

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<v Speaker 1>It's perfect. Will you update us when you get your

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<v Speaker 1>male espadral? Yeah, okay, thank you. Welcome to Pod meets World.

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<v Speaker 2>I'm Daniel Fishl, I'm right or Strong, and I'm Will Fordell.

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<v Speaker 1>If we've said it once, we've said it a million times.

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<v Speaker 1>For the most part, we were pretty self absorbed as

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<v Speaker 1>kids on the set of Boy Meets World. The sheer

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<v Speaker 1>number of adult actors Will could have talked to about

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<v Speaker 1>their time on MASH or the stories Bill could have

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<v Speaker 1>told us about the making of the graduate, or the

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<v Speaker 1>moments I could have at least remembered from the run

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<v Speaker 1>of the show. They all seem like missed opportunities that

0:11:47.600 --> 0:11:50.400
<v Speaker 1>now with a rewatch podcast three decades later, we can

0:11:50.520 --> 0:11:53.280
<v Speaker 1>right those wrongs and not only shine a spotlight on

0:11:53.320 --> 0:11:55.679
<v Speaker 1>some of these incredible talents that joined us on set,

0:11:55.840 --> 0:11:58.319
<v Speaker 1>but we can learn more about them, even if a

0:11:58.360 --> 0:12:00.760
<v Speaker 1>little late. And this week we get to right our

0:12:00.800 --> 0:12:04.199
<v Speaker 1>wrongs once again. With a career spanning over fifty years,

0:12:04.240 --> 0:12:06.200
<v Speaker 1>our guest this week has two hundred and eighty one

0:12:06.240 --> 0:12:08.720
<v Speaker 1>acting credits to his name. You may have seen him

0:12:08.760 --> 0:12:12.560
<v Speaker 1>steal scenes on the genius HBO show Deadwood, or appear

0:12:12.559 --> 0:12:15.280
<v Speaker 1>in movies like Men in Black three and the adrenaline

0:12:15.360 --> 0:12:18.520
<v Speaker 1>laced cult hit Crank, or on TV where he kicked

0:12:18.559 --> 0:12:21.280
<v Speaker 1>off his career with appearances on shows like Different Strokes,

0:12:21.360 --> 0:12:25.040
<v Speaker 1>Heart to Heart, Saint Elsewhere, and Webster. He's the absolute

0:12:25.120 --> 0:12:28.640
<v Speaker 1>definition of a working actor, still acting and making a

0:12:28.760 --> 0:12:31.720
<v Speaker 1>killing as one of the most prolific voice actors working today,

0:12:32.040 --> 0:12:36.480
<v Speaker 1>with classics like Narudo, Gi Joe, Samurai Jack, Teen Titans,

0:12:36.840 --> 0:12:41.640
<v Speaker 1>and Avatar The Last Airbender. On a long, long resume.

0:12:41.800 --> 0:12:43.720
<v Speaker 5>He's awesome, He's awesome.

0:12:44.080 --> 0:12:46.240
<v Speaker 3>Yeah, Yeah, Avatar the Last Mayorbender is one of those

0:12:46.440 --> 0:12:47.760
<v Speaker 3>classes I've never watched.

0:12:47.920 --> 0:12:49.120
<v Speaker 2>Everyone just in Gi Joe.

0:12:49.200 --> 0:12:51.840
<v Speaker 1>I mean, come on, yeah, But for some reason, and

0:12:51.880 --> 0:12:54.120
<v Speaker 1>we don't know why, he's agreed to join us this

0:12:54.200 --> 0:12:56.640
<v Speaker 1>week to talk about the one time he played a

0:12:56.640 --> 0:13:00.360
<v Speaker 1>professor at Penbrook University dealing with a group of bright

0:13:00.400 --> 0:13:04.040
<v Speaker 1>eyed freshmen on our Meager family sitcom for season six's

0:13:04.200 --> 0:13:07.200
<v Speaker 1>Ain't College Great? This week we're talking to one of

0:13:07.200 --> 0:13:10.400
<v Speaker 1>the most impressive guest stars we have ever had. Please

0:13:10.440 --> 0:13:11.880
<v Speaker 1>welcome keone Young.

0:13:15.640 --> 0:13:15.880
<v Speaker 5>Hello.

0:13:16.440 --> 0:13:20.160
<v Speaker 1>Thank you so much for joining us. We are honored

0:13:20.200 --> 0:13:22.000
<v Speaker 1>that you would share some of your time with us

0:13:22.040 --> 0:13:27.080
<v Speaker 1>to talk about your very prolific career. Just trying to

0:13:27.120 --> 0:13:33.400
<v Speaker 1>get your first credit on IMDb takes several minutes. Yes,

0:13:33.920 --> 0:13:36.120
<v Speaker 1>so you were raised in Hawaii. Both of your parents

0:13:36.160 --> 0:13:39.079
<v Speaker 1>had immigrated to the United States. Your father Chinese.

0:13:39.600 --> 0:13:44.960
<v Speaker 5>No, actually they didn't immigrant. They were born in Hawaii, Okaya.

0:13:45.080 --> 0:13:46.320
<v Speaker 1>Tell us about your upbringing.

0:13:47.480 --> 0:13:52.440
<v Speaker 5>I'm a third generation from My grandfather was from China.

0:13:52.520 --> 0:13:56.679
<v Speaker 5>My grandmother and grand father on my mother's side was

0:13:56.960 --> 0:14:00.520
<v Speaker 5>from Japan. But my parents were born in Honolulu, hoois Okay.

0:14:01.120 --> 0:14:05.440
<v Speaker 1>And so what was their reaction when you decided to

0:14:05.480 --> 0:14:08.000
<v Speaker 1>pursue a career in the entertainment industry.

0:14:09.120 --> 0:14:12.800
<v Speaker 5>Well, I have to tell you that. You know, for

0:14:12.920 --> 0:14:17.200
<v Speaker 5>Asians who emigrated to this country, they came as agricultural people.

0:14:17.679 --> 0:14:23.280
<v Speaker 5>They came as peasants. My grandparents worked in the fields

0:14:23.320 --> 0:14:29.800
<v Speaker 5>you know of in the sugarcane and pineapple fields, and

0:14:29.840 --> 0:14:34.160
<v Speaker 5>that's where Hawaii became very commercially, very viable for the

0:14:34.240 --> 0:14:37.720
<v Speaker 5>United States because they provided a lot of sugar for

0:14:37.800 --> 0:14:46.360
<v Speaker 5>the country. So my grandparents were indentured workers to plantations.

0:14:47.600 --> 0:14:54.320
<v Speaker 5>So my grandfather and grandmother wanted their my grandparents wanted

0:14:54.320 --> 0:14:59.000
<v Speaker 5>their kids to be educated. So my my parents were

0:15:00.080 --> 0:15:02.800
<v Speaker 5>were the first to go to school, finish high school

0:15:03.560 --> 0:15:08.760
<v Speaker 5>and from from there where they fed kind of like

0:15:08.840 --> 0:15:13.320
<v Speaker 5>this new workforce during the fifties through the Eisenhower years,

0:15:13.320 --> 0:15:16.520
<v Speaker 5>the post war years. Their dream was for their kids

0:15:16.560 --> 0:15:24.440
<v Speaker 5>to become doctors, lawyers, or even a dentist. Yeah, that

0:15:24.520 --> 0:15:33.440
<v Speaker 5>was the lowest acceptable. Let you do that. That was acceptable.

0:15:34.480 --> 0:15:41.520
<v Speaker 5>And you know, I just I was really a bad student,

0:15:41.680 --> 0:15:47.240
<v Speaker 5>and you know, having kids myself, I realized that school.

0:15:47.280 --> 0:15:49.600
<v Speaker 5>You know, my son told me I want to quit

0:15:49.640 --> 0:15:53.440
<v Speaker 5>school at third grade and I said why and he said, well,

0:15:53.680 --> 0:15:58.480
<v Speaker 5>school kills my creativity. And I couldn't argue that with him,

0:15:58.520 --> 0:16:02.400
<v Speaker 5>because they did that for me, because I come from

0:16:02.640 --> 0:16:05.720
<v Speaker 5>school in the sixties where everything was you know, you

0:16:06.120 --> 0:16:09.520
<v Speaker 5>by wrote, there's no creativity at all. You know, you

0:16:09.600 --> 0:16:13.520
<v Speaker 5>had to memorize your multiplication tables. You had to memorize

0:16:13.560 --> 0:16:15.480
<v Speaker 5>all your science for me, you know, and I just

0:16:15.640 --> 0:16:21.320
<v Speaker 5>I couldn't. My brain didn't function that way. And so

0:16:21.440 --> 0:16:23.880
<v Speaker 5>I was a real bad student. So I was considered

0:16:24.960 --> 0:16:29.680
<v Speaker 5>what we call in Japanese yogo day, which means dirty,

0:16:31.360 --> 0:16:35.000
<v Speaker 5>you know, the filthy part of life, A person who

0:16:35.080 --> 0:16:40.720
<v Speaker 5>is scum actually so and I mean scum, I mean

0:16:40.720 --> 0:16:45.400
<v Speaker 5>the residue of the bottom side of society. And I

0:16:45.680 --> 0:16:49.560
<v Speaker 5>found and because I was regarded as such, you know,

0:16:49.680 --> 0:16:53.680
<v Speaker 5>my my friends, my friend's parents would say, oh, don't,

0:16:53.840 --> 0:16:56.320
<v Speaker 5>don't play with him, don't, don't, you know, because he's

0:16:56.360 --> 0:17:03.160
<v Speaker 5>he's no good. So I found a family in the theater.

0:17:04.640 --> 0:17:09.040
<v Speaker 5>I wanted to work in theater. I wanted to actually

0:17:09.040 --> 0:17:11.760
<v Speaker 5>I want to build sets. I wanted to design lights.

0:17:11.800 --> 0:17:14.359
<v Speaker 5>I hung lights. I was I was a kid, I

0:17:14.440 --> 0:17:16.959
<v Speaker 5>was like fourteen fifteen. I wasn't afraid to go up

0:17:17.000 --> 0:17:22.240
<v Speaker 5>into the to the fly they call it, fly and

0:17:22.600 --> 0:17:28.200
<v Speaker 5>hang lights. And I was mentored by some good technical people,

0:17:28.800 --> 0:17:32.560
<v Speaker 5>you know, and as I was in. I was in

0:17:32.600 --> 0:17:35.240
<v Speaker 5>the Humblu Community Theater. There is a long story. I

0:17:35.280 --> 0:17:39.080
<v Speaker 5>hope you have the time we do so. In the

0:17:39.160 --> 0:17:43.480
<v Speaker 5>Hullelo Community Community Theater, I'd be from up in the flies.

0:17:43.480 --> 0:17:45.840
<v Speaker 5>I'd be watching actors and I thought I'd be thinking,

0:17:47.080 --> 0:17:47.960
<v Speaker 5>they're not that good.

0:17:51.040 --> 0:17:52.000
<v Speaker 1>I don't like what they're doing.

0:17:53.080 --> 0:17:55.080
<v Speaker 5>Now It's not I didn't like. I just thought, well,

0:17:55.600 --> 0:18:00.119
<v Speaker 5>I don't believe them, you know. Yeah, and I and

0:18:00.880 --> 0:18:03.520
<v Speaker 5>of course a lot of the actors during that time,

0:18:03.560 --> 0:18:07.119
<v Speaker 5>they didn't want to do small parts, you know. So

0:18:07.240 --> 0:18:09.360
<v Speaker 5>directors would come up to me and go, hey, kid,

0:18:09.440 --> 0:18:11.520
<v Speaker 5>we need a waiter in the scene to come in

0:18:11.560 --> 0:18:14.399
<v Speaker 5>and take an order. Would you do it? So while

0:18:14.440 --> 0:18:17.560
<v Speaker 5>moving the sets and you know, doing the lights, I'd go,

0:18:17.760 --> 0:18:20.439
<v Speaker 5>I'd say okay, and I'd do it one line. And

0:18:20.520 --> 0:18:22.480
<v Speaker 5>I did a lot of great plays. I was in

0:18:22.520 --> 0:18:25.119
<v Speaker 5>the Death of a Salesman. I played the waiter and

0:18:25.200 --> 0:18:27.800
<v Speaker 5>Death of a Salesman. Right, come in and I say,

0:18:28.440 --> 0:18:30.720
<v Speaker 5>can I take your order, sir? One a cup of coabi?

0:18:30.840 --> 0:18:37.600
<v Speaker 5>Thank you. But but what forced me then was I'd

0:18:37.680 --> 0:18:40.960
<v Speaker 5>be able to watch a play like Arthur Miller's Death

0:18:40.960 --> 0:18:46.280
<v Speaker 5>of a Salesman and and gain benefits from it. Realize,

0:18:47.840 --> 0:18:52.040
<v Speaker 5>you know, school was important, but this is life drama

0:18:52.320 --> 0:18:54.640
<v Speaker 5>and this, you know. I watched, you know, and then

0:18:54.680 --> 0:19:00.200
<v Speaker 5>I would meet young people from New York who would say, hey,

0:19:00.640 --> 0:19:08.560
<v Speaker 5>read Tennessee Williams read, Edward Alby read Chekhov. And I

0:19:08.560 --> 0:19:11.800
<v Speaker 5>would go up into the They had this little library

0:19:11.800 --> 0:19:14.520
<v Speaker 5>in the theater and i'd sit there and i'd work

0:19:14.560 --> 0:19:18.600
<v Speaker 5>as a janitor there too, just to you know, pay

0:19:18.640 --> 0:19:25.720
<v Speaker 5>for classes and whatever. And I'd read all these wonderful plays.

0:19:25.800 --> 0:19:29.240
<v Speaker 5>I read out Edward Alby the Zoo Story, and I

0:19:29.320 --> 0:19:35.240
<v Speaker 5>was like, wow, this is fantastic. So I got inspired

0:19:35.320 --> 0:19:41.639
<v Speaker 5>to the theater. And also, if you know musicals, you

0:19:41.640 --> 0:19:44.080
<v Speaker 5>know there's a lot of chorus parts where people would

0:19:45.480 --> 0:19:51.280
<v Speaker 5>would sing and dance, and I was oftentimes they actors

0:19:51.280 --> 0:19:54.280
<v Speaker 5>didn't want to be in these chorus parts, so they'd

0:19:54.280 --> 0:19:57.960
<v Speaker 5>throw me in there because I had a bass voice.

0:19:58.280 --> 0:20:03.400
<v Speaker 5>And it was really funny because at fourteen and fifteen,

0:20:03.440 --> 0:20:05.600
<v Speaker 5>there was a young woman who was a year older

0:20:05.640 --> 0:20:08.000
<v Speaker 5>than me, who was in sort of the same position,

0:20:08.080 --> 0:20:12.119
<v Speaker 5>who kind of like befriended me and who showed me

0:20:12.200 --> 0:20:15.480
<v Speaker 5>how kind theater people were to me. They didn't judge

0:20:15.480 --> 0:20:19.280
<v Speaker 5>me if I didn't have the credentials like being a doctor,

0:20:19.280 --> 0:20:23.040
<v Speaker 5>a lawyer of four point oh you know, yeah, student,

0:20:23.200 --> 0:20:28.960
<v Speaker 5>and she we kind of like I did My Fair

0:20:29.040 --> 0:20:34.000
<v Speaker 5>Lady with her, and it was really funny because you know,

0:20:34.040 --> 0:20:36.320
<v Speaker 5>I spoke to local patois. But then I had to

0:20:36.440 --> 0:20:42.800
<v Speaker 5>learn how to relearn how to speak standard stage speech,

0:20:43.520 --> 0:20:45.919
<v Speaker 5>and you know, so I'm getting married in the morning,

0:20:46.000 --> 0:20:50.520
<v Speaker 5>I'd have to learn cognitia yes, and did how to

0:20:50.560 --> 0:20:54.439
<v Speaker 5>succeed in business without really trying. And she became she

0:20:54.680 --> 0:20:57.840
<v Speaker 5>was like, you know, like just a not a really

0:20:57.880 --> 0:21:01.240
<v Speaker 5>good We had these good looking women stars in there,

0:21:01.440 --> 0:21:06.440
<v Speaker 5>you know, and they would always kind of like, oh,

0:21:07.040 --> 0:21:10.679
<v Speaker 5>treat her like very patronizing to her. But she was

0:21:10.680 --> 0:21:14.920
<v Speaker 5>a very beautiful person and very beautiful voice. So at eighteen,

0:21:15.000 --> 0:21:16.719
<v Speaker 5>and I was seventeen, she said, I'm going to New

0:21:16.800 --> 0:21:20.600
<v Speaker 5>York study become an actress, which kind of inspired me.

0:21:20.640 --> 0:21:22.440
<v Speaker 5>I didn't have enough money to go to New York,

0:21:23.119 --> 0:21:25.840
<v Speaker 5>so I had enough money to go to California. Yeah,

0:21:27.119 --> 0:21:29.840
<v Speaker 5>I came to California. I had four hundred dollars in

0:21:29.880 --> 0:21:32.320
<v Speaker 5>my pocket. And that lady was Bet Middler, by the way,

0:21:32.840 --> 0:21:39.680
<v Speaker 5>Oh yeah, she became Bet Middler. So I said, Wow,

0:21:41.240 --> 0:21:44.560
<v Speaker 5>that's nice. You know that it could happen to someone

0:21:44.600 --> 0:21:50.640
<v Speaker 5>who I grew up with, that's amazing. And so that's

0:21:50.680 --> 0:21:53.480
<v Speaker 5>the story. I came to LA. I had four hundred

0:21:53.520 --> 0:21:57.639
<v Speaker 5>dollars in my pocket, two pairs of pants, two pairs

0:21:57.680 --> 0:21:59.800
<v Speaker 5>of shirts, I mean a pair of shirts. And so.

0:22:01.560 --> 0:22:03.880
<v Speaker 1>Where did you live? Did you have a roommate? Where?

0:22:03.960 --> 0:22:05.399
<v Speaker 1>How did you find a place to stay?

0:22:06.240 --> 0:22:12.440
<v Speaker 5>Well, I applied my mother, being the Asian mother, applied

0:22:13.000 --> 0:22:16.360
<v Speaker 5>to several colleges, which all rejected me because my GPA.

0:22:17.320 --> 0:22:22.959
<v Speaker 5>But Pasadena Playoffs took me amazing. It was a college

0:22:23.000 --> 0:22:25.800
<v Speaker 5>of theater arts back in the sixties. It was very

0:22:25.800 --> 0:22:30.000
<v Speaker 5>famous at that time. Gene Hackman went there, Dustin Hoffman

0:22:30.080 --> 0:22:35.040
<v Speaker 5>went there. So they accepted me. I worked during the

0:22:35.080 --> 0:22:39.520
<v Speaker 5>summer to pay for the fee, and I didn't know

0:22:39.560 --> 0:22:44.000
<v Speaker 5>they needed the money really bade so they took a

0:22:44.040 --> 0:22:48.840
<v Speaker 5>lot of people. Yeah, and I went to people like

0:22:48.880 --> 0:22:53.120
<v Speaker 5>in my class were Stally Struthers from you know father

0:22:53.760 --> 0:22:55.679
<v Speaker 5>that three company.

0:22:55.760 --> 0:22:58.720
<v Speaker 2>Oh, No, Sally from from from all in the family.

0:22:58.600 --> 0:23:01.679
<v Speaker 5>All in the family. Yeah. And I don't know if

0:23:01.680 --> 0:23:04.800
<v Speaker 5>you know Ben Murphy, he was in Alias Smith and Jones.

0:23:04.800 --> 0:23:11.240
<v Speaker 5>He was so anyway, So I studied there for two

0:23:11.359 --> 0:23:16.800
<v Speaker 5>years and I was able to survive it and graduate,

0:23:17.240 --> 0:23:22.320
<v Speaker 5>and I found out, oh, this is an interesting thing

0:23:22.359 --> 0:23:26.760
<v Speaker 5>I was looking. I was. I worked during its school

0:23:26.840 --> 0:23:33.560
<v Speaker 5>in the library, and I came across past students at

0:23:33.960 --> 0:23:38.520
<v Speaker 5>East at Pastina playoffs, and I'd see names like Dustin Hoffman,

0:23:39.480 --> 0:23:43.520
<v Speaker 5>Gene Hackman went there, and it inspired me. And then

0:23:43.560 --> 0:23:45.919
<v Speaker 5>I saw this picture of this Asian guy because I

0:23:45.960 --> 0:23:47.800
<v Speaker 5>thought I was the first Asian guy that went to

0:23:47.840 --> 0:23:51.439
<v Speaker 5>Pasadena Playhouse, but there was another guy there and his

0:23:51.520 --> 0:23:54.199
<v Speaker 5>name was Maco, and I found out he was nominated

0:23:54.200 --> 0:23:58.840
<v Speaker 5>for Academy Award for San Pebbles. Consequently, he was nominated

0:23:58.880 --> 0:24:04.520
<v Speaker 5>for a Tony even Somendheims Pacific Overtures, And so I said, wow,

0:24:05.119 --> 0:24:08.840
<v Speaker 5>that's inspirational. So I've been having all these as a

0:24:08.880 --> 0:24:12.680
<v Speaker 5>failure that I was as a person, you know, according

0:24:12.720 --> 0:24:15.840
<v Speaker 5>to my status in life, I was fortunate to have

0:24:16.000 --> 0:24:21.639
<v Speaker 5>all these experiences and these moments of like inspiration. So

0:24:21.720 --> 0:24:24.560
<v Speaker 5>I said, wow, he got nominated for an Academy Award

0:24:24.680 --> 0:24:32.040
<v Speaker 5>with Steve McQueen and Candy Bergen, and so I, you know,

0:24:32.119 --> 0:24:35.000
<v Speaker 5>I was motivated. And then I came to La and

0:24:35.080 --> 0:24:39.200
<v Speaker 5>I met him. I found him and he had founded

0:24:39.200 --> 0:24:42.080
<v Speaker 5>a theater called the East West Players, and I had

0:24:42.119 --> 0:24:47.640
<v Speaker 5>been a member there. And his philosophy was like, actors

0:24:47.680 --> 0:24:51.720
<v Speaker 5>have to learn everything, not just because acting is like

0:24:53.400 --> 0:24:57.439
<v Speaker 5>is not a defined science, you know, where one method

0:24:57.560 --> 0:25:02.040
<v Speaker 5>is a correct answer to any every situation. He would say,

0:25:02.080 --> 0:25:06.880
<v Speaker 5>actors have to learn the sciences that surround acting, which

0:25:06.960 --> 0:25:11.920
<v Speaker 5>is dance, music. So he sent me to New York

0:25:12.280 --> 0:25:15.639
<v Speaker 5>in seventy six, and he told me go to New

0:25:15.720 --> 0:25:18.560
<v Speaker 5>York and study because LA is full of Hollywood actors.

0:25:21.080 --> 0:25:23.560
<v Speaker 5>He said, they don't know nothing. So I went to

0:25:23.640 --> 0:25:28.639
<v Speaker 5>New York. I studied, you know, method Gratowski. I studied ballet.

0:25:28.760 --> 0:25:33.280
<v Speaker 5>I went to opera. I studied modern dance. You know,

0:25:35.080 --> 0:25:38.000
<v Speaker 5>everything I studied, I learned through music theory. I learned

0:25:38.040 --> 0:25:41.600
<v Speaker 5>to play an instrument. I learned about classical music, Western

0:25:41.680 --> 0:25:47.600
<v Speaker 5>and Asian. I went to Berlitz. I studied languages. So

0:25:48.320 --> 0:25:52.160
<v Speaker 5>he made he forced me to study, and he was

0:25:51.880 --> 0:25:54.800
<v Speaker 5>He went to do Pacific overtures for some time at

0:25:54.840 --> 0:25:58.159
<v Speaker 5>that time in seventy six, and he kind of funded me.

0:25:58.400 --> 0:26:01.600
<v Speaker 5>You know, yeah, I mean I had to borrow two

0:26:01.680 --> 0:26:05.880
<v Speaker 5>thousand from my screen actors. Guild Credit Union as well

0:26:05.920 --> 0:26:09.280
<v Speaker 5>in order to live. So I have to thank the

0:26:09.359 --> 0:26:12.399
<v Speaker 5>Credit Union for funding my education at that time. So

0:26:12.720 --> 0:26:14.439
<v Speaker 5>I was on there on my own. I lived at

0:26:14.440 --> 0:26:20.040
<v Speaker 5>the YMCA, and I've been studying ever since. Studying is

0:26:21.000 --> 0:26:23.040
<v Speaker 5>just part of being an actor. I study today, I

0:26:23.119 --> 0:26:24.560
<v Speaker 5>have classes today, I study.

0:26:25.080 --> 0:26:29.280
<v Speaker 4>It is so incredible and Maco is I mean, forget

0:26:29.920 --> 0:26:32.280
<v Speaker 4>being hugely important to me for my favorite show of

0:26:32.320 --> 0:26:35.480
<v Speaker 4>all time, mash where he must have played eight or

0:26:35.560 --> 0:26:40.439
<v Speaker 4>nine different characters, but Conan, his role in Conan the

0:26:40.440 --> 0:26:42.920
<v Speaker 4>Barbarian and ConA the Destroyer, like helped to define me

0:26:42.960 --> 0:26:43.400
<v Speaker 4>as a kid.

0:26:43.480 --> 0:26:44.680
<v Speaker 5>They were sicking.

0:26:45.280 --> 0:26:48.200
<v Speaker 4>Well, yeah, because I mean I'm a fantasy nerd. And

0:26:48.240 --> 0:26:50.879
<v Speaker 4>he was one of the first quote unquote wizards I

0:26:50.920 --> 0:26:53.879
<v Speaker 4>ever saw, because he played a sorcerer and a wizard

0:26:53.960 --> 0:26:56.120
<v Speaker 4>in Conan. And I think I was eight or nine

0:26:56.119 --> 0:26:58.680
<v Speaker 4>when it came out and it was just awe inspiring.

0:26:58.760 --> 0:26:59.960
<v Speaker 2>So yeah, he was alleged.

0:27:00.560 --> 0:27:02.679
<v Speaker 5>Can I tell you a little funny story about Conan,

0:27:02.920 --> 0:27:08.879
<v Speaker 5>please please, Well what had happened was Arnold had hired

0:27:09.600 --> 0:27:14.280
<v Speaker 5>One of his requirements was that the director had to

0:27:14.400 --> 0:27:18.120
<v Speaker 5>hire all his buddies so Arnold could train with them.

0:27:18.520 --> 0:27:22.399
<v Speaker 5>While he was there in Spain, and one director hired

0:27:22.440 --> 0:27:26.360
<v Speaker 5>them to play all these warriors and muscle. Uh, these

0:27:27.480 --> 0:27:32.679
<v Speaker 5>these bad guys. Well, one thing that they did was

0:27:32.720 --> 0:27:37.440
<v Speaker 5>they developed every muscle in their body except one muscle,

0:27:38.280 --> 0:27:41.320
<v Speaker 5>and that was the voice musk, the throat muscle. So

0:27:41.440 --> 0:27:43.200
<v Speaker 5>they all came talking like this.

0:27:45.920 --> 0:27:49.120
<v Speaker 2>The way it was John Millis, John Milias.

0:27:49.119 --> 0:27:51.000
<v Speaker 5>So I had a meeting with John, you know, and

0:27:51.440 --> 0:27:53.840
<v Speaker 5>John said I can't have this because they were all time,

0:27:53.920 --> 0:27:58.520
<v Speaker 5>I will kill you. And John was this kind of

0:27:58.680 --> 0:28:02.640
<v Speaker 5>like Asiano file who loved Kurosawa, you know, I don't

0:28:02.640 --> 0:28:06.879
<v Speaker 5>know if you know. He did the Seventh Summarise and

0:28:07.680 --> 0:28:10.439
<v Speaker 5>me fooney and all that. So John said, I'm going

0:28:10.520 --> 0:28:13.320
<v Speaker 5>to play this movie the scene, this battle scene, and

0:28:13.359 --> 0:28:17.680
<v Speaker 5>this is how I want the battle scene to sound. Well,

0:28:17.800 --> 0:28:20.400
<v Speaker 5>Maco had introduced me to John and said, John, hire

0:28:20.440 --> 0:28:25.000
<v Speaker 5>this kid. And so I said, John, you don't have

0:28:25.040 --> 0:28:27.440
<v Speaker 5>to run. I used to watch that on my grandmother's lap.

0:28:27.560 --> 0:28:29.679
<v Speaker 5>So I know the movie backwards and forwards. I know

0:28:29.760 --> 0:28:32.720
<v Speaker 5>the sound that you want. So I recreated all these

0:28:32.720 --> 0:28:36.640
<v Speaker 5>Samurai voices, you know, for John. So I replaced all

0:28:36.680 --> 0:28:43.800
<v Speaker 5>these muscle men and made men out of them cool,

0:28:43.840 --> 0:28:46.120
<v Speaker 5>and that was in Conan Barbarian and that kind of

0:28:46.200 --> 0:28:49.080
<v Speaker 5>like was a trajectory for me and my If you've

0:28:49.120 --> 0:28:51.800
<v Speaker 5>seen my IMDb, I've done a lot of voice work. Yeah,

0:28:52.960 --> 0:28:55.840
<v Speaker 5>that was a trajectory for me to start working in

0:28:55.960 --> 0:28:58.880
<v Speaker 5>voice because I said, Wow, I don't have to I

0:28:58.920 --> 0:29:03.440
<v Speaker 5>can wear my pajamas exactly, get up and walk to

0:29:03.640 --> 0:29:05.640
<v Speaker 5>I don't don't have to worry about, you know, having

0:29:05.680 --> 0:29:08.880
<v Speaker 5>these two hour early calls before I hit the set.

0:29:08.680 --> 0:29:11.440
<v Speaker 2>With the makeup makeup man.

0:29:12.040 --> 0:29:24.240
<v Speaker 5>So yeah, so that's my con end story.

0:29:26.480 --> 0:29:28.880
<v Speaker 1>Let's jump into your TV career a little bit. You

0:29:28.920 --> 0:29:31.560
<v Speaker 1>began your career on shows like Room two twenty two

0:29:31.640 --> 0:29:35.080
<v Speaker 1>and Kojak and movies like Private Benjamin. But I think

0:29:35.160 --> 0:29:37.880
<v Speaker 1>most of our audience may have first seen you on

0:29:37.960 --> 0:29:41.480
<v Speaker 1>different strokes, So I wanted to talk to you about

0:29:41.520 --> 0:29:44.959
<v Speaker 1>that experience and but also the kinds of roles you

0:29:45.000 --> 0:29:47.280
<v Speaker 1>were auditioning for as an Asian American.

0:29:48.560 --> 0:29:52.320
<v Speaker 5>Well, let me just say this to you quite frankly,

0:29:52.400 --> 0:29:59.280
<v Speaker 5>that Asian Americans are not seen as Americans. Of my

0:29:59.400 --> 0:30:04.760
<v Speaker 5>roles has been as a foreigner, right, so, which was

0:30:04.960 --> 0:30:09.920
<v Speaker 5>really difficult for for many of us because when we

0:30:09.920 --> 0:30:14.320
<v Speaker 5>were growing up our parents said, no, you're American, don't

0:30:14.400 --> 0:30:20.520
<v Speaker 5>speak our language. So you know, it was a kind

0:30:20.520 --> 0:30:23.239
<v Speaker 5>of like a contradiction. Here I was in Hollywood, and

0:30:23.280 --> 0:30:28.040
<v Speaker 5>I realized that shortly. I said, Wow, they only see

0:30:28.120 --> 0:30:30.240
<v Speaker 5>me as a foreigner. But I speak English, and I

0:30:30.280 --> 0:30:38.680
<v Speaker 5>can speak English better than a lot of English. So

0:30:38.680 --> 0:30:42.200
<v Speaker 5>so different strokes. So I had to learn to adjust.

0:30:42.280 --> 0:30:47.440
<v Speaker 5>I had to learn to learn other people's cultures, which

0:30:47.480 --> 0:30:49.320
<v Speaker 5>I was fortunate because I was in Hawaiian and it

0:30:49.360 --> 0:30:55.440
<v Speaker 5>was multicultural. You know. We grew up with Japanese, Chinese, Koreans, Filipinos, Vietnamese,

0:30:56.680 --> 0:31:00.480
<v Speaker 5>Portuguese and so on, so I kind of learned the culture.

0:31:00.600 --> 0:31:05.400
<v Speaker 5>So different strokes was interesting. You know. At night I

0:31:05.440 --> 0:31:10.320
<v Speaker 5>would be doing Ibsen and Tennessee Williams, like I said, Albi,

0:31:10.920 --> 0:31:14.560
<v Speaker 5>and then in the day I would be doing stuff

0:31:14.600 --> 0:31:17.440
<v Speaker 5>like different strokes and Golden Girls and stuff like that,

0:31:18.520 --> 0:31:21.120
<v Speaker 5>and I was kind of weighing what is most important

0:31:21.160 --> 0:31:23.560
<v Speaker 5>to me, you know. I was doing regional theater. I

0:31:23.600 --> 0:31:27.280
<v Speaker 5>went to Milwaukee, I went to New Hampshire. I was

0:31:27.440 --> 0:31:30.680
<v Speaker 5>traveling around the country working for peanuts. And then I

0:31:30.720 --> 0:31:34.880
<v Speaker 5>would do these TV shows and make incredible amounts of money,

0:31:34.920 --> 0:31:42.239
<v Speaker 5>and I just could not understand it, the contributions. So

0:31:43.160 --> 0:31:46.360
<v Speaker 5>what I found out though, was that when people were

0:31:46.400 --> 0:31:51.200
<v Speaker 5>working in Hollywood, and particularly in TV, and particularly in

0:31:51.200 --> 0:31:57.480
<v Speaker 5>three camera comedy, people were very anxious about their longevity

0:31:57.520 --> 0:32:02.360
<v Speaker 5>and their life. Yeah, people always worried and scared, particularly

0:32:02.400 --> 0:32:05.000
<v Speaker 5>the adults, whether they were going to get canceled, what

0:32:05.040 --> 0:32:07.280
<v Speaker 5>their ratings were, where they were going to live, where

0:32:07.280 --> 0:32:10.680
<v Speaker 5>their character was going to die, whether they were whether

0:32:10.760 --> 0:32:15.360
<v Speaker 5>the writer, producer, runner of the show was happy with them,

0:32:15.680 --> 0:32:18.400
<v Speaker 5>you know, because if they weren't, they might be written

0:32:18.440 --> 0:32:23.280
<v Speaker 5>out of the show, or they not enough dialogue. So

0:32:23.880 --> 0:32:28.040
<v Speaker 5>I said, well, it's good. I'm I can't you know,

0:32:28.360 --> 0:32:31.520
<v Speaker 5>I'm I'm just a guest there, and I'll be a

0:32:31.560 --> 0:32:34.560
<v Speaker 5>guest everywhere I go. I'll never be a part of

0:32:34.600 --> 0:32:39.000
<v Speaker 5>this infrastructure, you know, I'll never be part of that society.

0:32:39.080 --> 0:32:42.640
<v Speaker 5>Number One, they wouldn't allow us in unlike today you

0:32:42.720 --> 0:32:45.200
<v Speaker 5>might see more of us because we fought for that.

0:32:46.760 --> 0:32:49.960
<v Speaker 5>But I said, you know, I cannot rely on these people.

0:32:50.000 --> 0:32:53.640
<v Speaker 5>I just have to do my own thing. So I

0:32:53.680 --> 0:33:01.040
<v Speaker 5>was never worried about being fired, or being a band

0:33:01.240 --> 0:33:03.719
<v Speaker 5>or being how would you say an outcast? I mean,

0:33:03.760 --> 0:33:08.720
<v Speaker 5>I just did my thing. And I guess there was

0:33:08.760 --> 0:33:14.560
<v Speaker 5>some smart enough people to realize, Yeah, that guy knows

0:33:15.080 --> 0:33:18.680
<v Speaker 5>m he's always on time, he always knows his lines,

0:33:18.960 --> 0:33:23.440
<v Speaker 5>he always hits his mart get them, yeah, you know,

0:33:23.560 --> 0:33:27.480
<v Speaker 5>And I realized that I would spend more time being

0:33:27.600 --> 0:33:32.200
<v Speaker 5>proficient and efficient as opposed to trying to get somebody

0:33:32.240 --> 0:33:32.760
<v Speaker 5>to love me.

0:33:33.960 --> 0:33:34.200
<v Speaker 1>Right.

0:33:34.800 --> 0:33:44.600
<v Speaker 5>So, I don't know, I really I really felt a contradiction.

0:33:44.720 --> 0:33:47.320
<v Speaker 5>You know. I was happy doing this show, but as

0:33:47.360 --> 0:33:49.600
<v Speaker 5>I watched the kids around me, I was kind of

0:33:49.640 --> 0:33:52.760
<v Speaker 5>sad at the same time, if you know what I mean.

0:33:52.800 --> 0:33:58.480
<v Speaker 5>And it was very sad because I felt no one's

0:33:58.680 --> 0:34:06.280
<v Speaker 5>really educating the young people about the potential of their potential,

0:34:07.560 --> 0:34:12.520
<v Speaker 5>you know. And consequently what happened was proved to be true.

0:34:14.120 --> 0:34:17.960
<v Speaker 5>I loved working with the old timers. Conrad Bain was

0:34:18.200 --> 0:34:21.759
<v Speaker 5>a wonderful gentleman who came from theater and he could

0:34:21.840 --> 0:34:26.000
<v Speaker 5>understand me, and so we kind of bonded there and

0:34:26.040 --> 0:34:30.680
<v Speaker 5>it was it was enjoyable. I'll say one other thing,

0:34:30.800 --> 0:34:34.840
<v Speaker 5>like like Golden Girls. Golden Girls, everybody would warn me

0:34:34.920 --> 0:34:38.320
<v Speaker 5>about be Arthur. Yeah, they say, oh, you got to

0:34:38.360 --> 0:34:41.080
<v Speaker 5>watch out for her. She suffers the fools. Well, she

0:34:41.200 --> 0:34:46.919
<v Speaker 5>doesn't but she does appreciate actors who are serious. And

0:34:47.160 --> 0:34:49.640
<v Speaker 5>when I did the scene with her, it was it

0:34:49.680 --> 0:34:53.440
<v Speaker 5>was delightful because she was she was good.

0:34:53.840 --> 0:34:57.200
<v Speaker 2>Oh yeah, one of the best ever on television.

0:34:57.040 --> 0:35:00.719
<v Speaker 5>I think, so. I mean she was. She was very good,

0:35:00.840 --> 0:35:08.160
<v Speaker 5>very professional, and she was a fellow I don't want

0:35:08.160 --> 0:35:10.280
<v Speaker 5>to say the word artists. I never refer to myself

0:35:10.320 --> 0:35:14.759
<v Speaker 5>as one a fellow artisan, you know, very craft. She

0:35:14.880 --> 0:35:19.280
<v Speaker 5>was respected the craft, and that's what I really loved

0:35:19.280 --> 0:35:19.920
<v Speaker 5>about her.

0:35:20.640 --> 0:35:23.200
<v Speaker 1>Well, you would go on to appear on literal classic

0:35:23.280 --> 0:35:28.000
<v Speaker 1>TV shows like Taxi, The Jefferson's, Cheers, and Saint Elsewhere,

0:35:28.200 --> 0:35:34.400
<v Speaker 1>alongside our pwell William Daniels. Yeah, did you ever feel like,

0:35:35.480 --> 0:35:37.719
<v Speaker 1>you know, that sense you had as a kid that

0:35:37.800 --> 0:35:41.000
<v Speaker 1>you weren't going to amount to much because you weren't

0:35:41.200 --> 0:35:44.520
<v Speaker 1>the traditional good student. Did you ever feel like you

0:35:44.600 --> 0:35:47.640
<v Speaker 1>were making it moving here from Hawaii and booking so

0:35:47.719 --> 0:35:48.720
<v Speaker 1>much incredible work?

0:35:49.880 --> 0:35:55.120
<v Speaker 5>No? No, wow, Because you know, my mother's friends, their

0:35:55.160 --> 0:36:00.000
<v Speaker 5>sons were doctors and lawyers and very very wealthy, very established,

0:36:00.080 --> 0:36:04.759
<v Speaker 5>and my mom was very impressed because they grew up

0:36:04.760 --> 0:36:07.720
<v Speaker 5>in the Eisenhower days, they grew up the Rockefeller days,

0:36:07.719 --> 0:36:12.400
<v Speaker 5>they grew up in the how to influence people, you know,

0:36:13.200 --> 0:36:18.080
<v Speaker 5>with your magnanimity. They would love Donald Trump today because

0:36:18.120 --> 0:36:23.360
<v Speaker 5>he was wealthy, and that would be the criteria. I'm me,

0:36:23.440 --> 0:36:31.640
<v Speaker 5>I'm presuming, yeah, But I tell you one time I

0:36:32.000 --> 0:36:35.920
<v Speaker 5>did I did. I did a movie The Week with

0:36:36.239 --> 0:36:42.560
<v Speaker 5>Karen Allen and it was about the Challenger Shuttle. You

0:36:42.600 --> 0:36:46.279
<v Speaker 5>remember the shuttle that carsonal So I played one of

0:36:46.320 --> 0:36:48.840
<v Speaker 5>the astronauts, Elison on a Zuka who was on the

0:36:48.880 --> 0:36:53.840
<v Speaker 5>flight at that time. And I went home and in

0:36:53.920 --> 0:36:59.920
<v Speaker 5>Hawaii and finally my mom was kind of proud of me.

0:37:00.520 --> 0:37:03.040
<v Speaker 5>And then but then she would go around to her

0:37:03.040 --> 0:37:05.040
<v Speaker 5>friends going like, well, you know where he got his

0:37:05.120 --> 0:37:06.400
<v Speaker 5>talent from?

0:37:09.040 --> 0:37:11.560
<v Speaker 2>So taking credit, no praise, but taking credit.

0:37:11.719 --> 0:37:14.960
<v Speaker 5>Wow, well you know because I was, you know, when

0:37:15.040 --> 0:37:16.440
<v Speaker 5>high school, I was, you.

0:37:16.400 --> 0:37:18.680
<v Speaker 1>Know, in a play in a play.

0:37:19.360 --> 0:37:21.600
<v Speaker 5>Wow, So I really you know, it was it was

0:37:21.680 --> 0:37:23.600
<v Speaker 5>kind of funny. But when my dad asked me how

0:37:23.680 --> 0:37:26.080
<v Speaker 5>much money I made, and I made a lot of money,

0:37:26.320 --> 0:37:30.160
<v Speaker 5>as you can imagine, he just he would not believe

0:37:30.200 --> 0:37:33.160
<v Speaker 5>me because what I made in a week he made

0:37:33.200 --> 0:37:40.239
<v Speaker 5>in a year. So they all kind of like in

0:37:40.280 --> 0:37:45.799
<v Speaker 5>the final decades kind of like was proud, but they

0:37:45.800 --> 0:37:48.000
<v Speaker 5>were proud because I was part of the family.

0:37:48.440 --> 0:37:51.600
<v Speaker 4>You know, I have to ask about the about the

0:37:51.600 --> 0:37:54.880
<v Speaker 4>the the movie of the week was Karen Allen, Krista mccaulloff.

0:37:55.200 --> 0:38:00.759
<v Speaker 5>Yeah, okay, and Barry Bostwick was in it, you know, man,

0:38:02.120 --> 0:38:05.080
<v Speaker 5>Peter Boy was in it. It was it was a

0:38:05.120 --> 0:38:07.120
<v Speaker 5>fun project. Yeah. Wow.

0:38:07.520 --> 0:38:10.279
<v Speaker 1>Let's get into your time on Boy Meets World. Do

0:38:10.360 --> 0:38:13.880
<v Speaker 1>you remember the audition for the role of Professor?

0:38:15.760 --> 0:38:16.040
<v Speaker 5>Yeah?

0:38:16.760 --> 0:38:18.960
<v Speaker 1>Yeah, And what was that like?

0:38:20.200 --> 0:38:22.560
<v Speaker 5>It was like any other job. You know, I've going

0:38:22.640 --> 0:38:29.080
<v Speaker 5>on auditions for all kinds of stuff. So if if

0:38:29.120 --> 0:38:32.359
<v Speaker 5>you know the role, I mean it was just gibberish, right,

0:38:32.760 --> 0:38:35.960
<v Speaker 5>and so I just didn't get gibberish.

0:38:36.040 --> 0:38:40.520
<v Speaker 1>We talked about it when we recapped the episode, because

0:38:41.080 --> 0:38:45.839
<v Speaker 1>you say it was just gibberish, as if doing gibberish

0:38:46.160 --> 0:38:51.640
<v Speaker 1>is actually easy. It is not. We all like practiced

0:38:51.880 --> 0:38:54.120
<v Speaker 1>on the day we recapture episode.

0:38:53.640 --> 0:38:54.640
<v Speaker 2>And none of us could do it.

0:38:54.840 --> 0:38:56.200
<v Speaker 1>None of us could even come close.

0:38:56.400 --> 0:38:58.440
<v Speaker 3>It's one of those things that conceptually, like even if

0:38:58.480 --> 0:39:00.000
<v Speaker 3>you wrote it, you'd be like, oh, that'll be funny,

0:39:00.040 --> 0:39:03.759
<v Speaker 3>but to actually deliver it and sell it is really difficult.

0:39:04.440 --> 0:39:11.239
<v Speaker 5>Well, you know, sound is as important as words. You know.

0:39:11.520 --> 0:39:14.680
<v Speaker 5>That's what I was taught from my mentor Macco. He says,

0:39:15.480 --> 0:39:20.120
<v Speaker 5>sound tells you the truth, and just you go back

0:39:20.160 --> 0:39:23.120
<v Speaker 5>on this tape and listen to yourselves. How much sound

0:39:23.200 --> 0:39:27.319
<v Speaker 5>you just said? Hmm, And it has subtext to it.

0:39:27.840 --> 0:39:32.640
<v Speaker 5>So sound is very important. When we're singing opera, we're

0:39:32.640 --> 0:39:36.560
<v Speaker 5>singing Italian and like, I don't know what it means, right,

0:39:37.160 --> 0:39:39.760
<v Speaker 5>you know, when I'm singing German, I'm singing Ontie music

0:39:39.880 --> 0:39:44.000
<v Speaker 5>and Schubert's under music to hold the kunsin vivel gauen Stunden.

0:39:44.640 --> 0:39:51.360
<v Speaker 5>I don't know what the actual meaning is. I've since learned,

0:39:52.000 --> 0:39:55.800
<v Speaker 5>but while I'm singing it, I'm kind of like thinking

0:39:55.880 --> 0:40:01.799
<v Speaker 5>of the German you know, at that time, and you

0:40:01.840 --> 0:40:08.719
<v Speaker 5>know the music of Bach and and sound is really important.

0:40:08.800 --> 0:40:11.160
<v Speaker 5>So sound was not a problem with me because I

0:40:11.200 --> 0:40:14.760
<v Speaker 5>grew up in a country or a state that sound.

0:40:15.120 --> 0:40:20.759
<v Speaker 5>You know. I would hear the Filipinos speaking and the

0:40:21.080 --> 0:40:24.600
<v Speaker 5>Koreans speaking, and their sounds were, for example, like Chinese

0:40:24.680 --> 0:40:29.440
<v Speaker 5>would in a moment of expression, they would say ah yeah, uh,

0:40:29.760 --> 0:40:35.879
<v Speaker 5>Koreans would uh. Koreans would say aigh. Philippines with withoud

0:40:36.239 --> 0:40:39.759
<v Speaker 5>Filipino you would say, oh no, and in Japanese you

0:40:39.760 --> 0:40:43.720
<v Speaker 5>would say, ah yah. They are all sounds, and there's

0:40:43.800 --> 0:40:47.239
<v Speaker 5>sounds that relate to what you feel, deep feelings that

0:40:47.280 --> 0:40:52.239
<v Speaker 5>you feel. So sound was not difficult for me. What

0:40:52.600 --> 0:40:57.680
<v Speaker 5>was difficult was, you know, when you do three camera,

0:40:58.000 --> 0:41:00.360
<v Speaker 5>I'm really talking a lot. I don't know why, because

0:41:00.480 --> 0:41:01.279
<v Speaker 5>maybe because.

0:41:01.000 --> 0:41:07.000
<v Speaker 1>That's wanted to talk to you.

0:41:07.080 --> 0:41:10.520
<v Speaker 5>Usually I don't spend that much time explaining. But with

0:41:10.640 --> 0:41:13.440
<v Speaker 5>other actors, I think you guys could understand it, really sure.

0:41:14.920 --> 0:41:17.960
<v Speaker 5>But when you when you're working in three camera comedy

0:41:18.320 --> 0:41:20.560
<v Speaker 5>and you know, I work with guys like Bud Yorkin

0:41:21.600 --> 0:41:25.280
<v Speaker 5>and Norman Lear and those guys, and it was brutal,

0:41:25.840 --> 0:41:30.280
<v Speaker 5>bruialty No, but it was brutal because Bud would come down,

0:41:30.400 --> 0:41:33.080
<v Speaker 5>you know, after you have a run through and he'd

0:41:33.120 --> 0:41:35.840
<v Speaker 5>watched run through, he'd come down with a martini with

0:41:35.920 --> 0:41:38.719
<v Speaker 5>his guys and they would sit there and criticize. And

0:41:38.800 --> 0:41:42.560
<v Speaker 5>you know, these guys were not they were not theater people.

0:41:42.600 --> 0:41:46.640
<v Speaker 5>They didn't you know, they were just they wanted the laugh,

0:41:47.200 --> 0:41:55.520
<v Speaker 5>they wanted the moment of response. They wanted results, well,

0:41:55.680 --> 0:41:58.200
<v Speaker 5>results in terms of the scene, in terms of acting.

0:41:58.320 --> 0:42:02.400
<v Speaker 5>They wanted results and Wow, I was not that. I

0:42:02.520 --> 0:42:05.239
<v Speaker 5>was the type of actor where I bet, like you know,

0:42:05.800 --> 0:42:11.279
<v Speaker 5>we loved Brando, you know, like searching and wondering and

0:42:11.400 --> 0:42:14.600
<v Speaker 5>you know that was our kind of like hero when

0:42:14.640 --> 0:42:18.360
<v Speaker 5>when I was a kid, and and James Dean and

0:42:19.080 --> 0:42:21.600
<v Speaker 5>we try to find the moment of the scene, and

0:42:21.640 --> 0:42:23.799
<v Speaker 5>they weren't interested in the moment of the scene. They

0:42:23.840 --> 0:42:25.400
<v Speaker 5>wanted to laugh, you know. It was rhythm.

0:42:25.960 --> 0:42:26.440
<v Speaker 1>Yeah.

0:42:26.600 --> 0:42:34.640
<v Speaker 5>So I when you say the audition I just I

0:42:34.680 --> 0:42:39.120
<v Speaker 5>mean the gibberish part wasn't the problem of it was.

0:42:39.280 --> 0:42:45.960
<v Speaker 5>It was. It was the results and what the showrunner wanted.

0:42:46.520 --> 0:42:48.799
<v Speaker 1>So when so you get the job, you come, you come.

0:42:48.880 --> 0:42:50.560
<v Speaker 1>You're on set with us during that week. What do

0:42:50.600 --> 0:42:55.360
<v Speaker 1>you remember that week about the rehearsal process taping, because,

0:42:55.400 --> 0:42:57.560
<v Speaker 1>like you mentioned, we had a showrunner that would come

0:42:57.560 --> 0:43:00.760
<v Speaker 1>down after, you know, run through and give very long notes.

0:43:01.120 --> 0:43:02.800
<v Speaker 1>What was your experience that week.

0:43:03.719 --> 0:43:06.239
<v Speaker 5>Well, for the young people, I really liked them. They

0:43:06.280 --> 0:43:11.080
<v Speaker 5>were very respectful to me, you know, and I liked

0:43:11.120 --> 0:43:12.439
<v Speaker 5>all the young people.

0:43:12.600 --> 0:43:13.439
<v Speaker 1>That would have been us.

0:43:16.360 --> 0:43:20.400
<v Speaker 5>Yeah, I mean they were very supportive and friendly to me.

0:43:21.080 --> 0:43:23.399
<v Speaker 5>They would bring up shows movies that they had seen

0:43:23.440 --> 0:43:27.320
<v Speaker 5>me and you know, yeah, and we talked. The older

0:43:27.320 --> 0:43:32.640
<v Speaker 5>people were always like nervous, particularly with the showrunner, you know,

0:43:32.760 --> 0:43:35.879
<v Speaker 5>like is he upset? Is he mad? Did he think

0:43:35.920 --> 0:43:38.480
<v Speaker 5>I was funny? And I was going, well, that's not

0:43:38.520 --> 0:43:42.319
<v Speaker 5>a way to live a life for me anyway. And

0:43:42.440 --> 0:43:46.799
<v Speaker 5>so I was like on my tiptoes, you know, like

0:43:47.120 --> 0:43:51.560
<v Speaker 5>trying to like be careful, like just be careful that

0:43:51.640 --> 0:43:53.560
<v Speaker 5>I would make it through the week at my check

0:43:53.600 --> 0:43:58.239
<v Speaker 5>and then go on to do other things. I don't

0:43:58.239 --> 0:44:00.759
<v Speaker 5>know if you talk to the woman that kind of

0:44:00.800 --> 0:44:02.600
<v Speaker 5>like talk to me about this show, And I said,

0:44:02.880 --> 0:44:04.880
<v Speaker 5>it was not a really great experience for me. So

0:44:04.920 --> 0:44:06.319
<v Speaker 5>I don't know why they want to talk to me.

0:44:07.160 --> 0:44:10.919
<v Speaker 1>We want to hear your experience good, bad, We want

0:44:10.920 --> 0:44:11.520
<v Speaker 1>to hear it all.

0:44:12.400 --> 0:44:16.480
<v Speaker 5>Well, like I said, the showrunner was you know, pretty alpha,

0:44:16.520 --> 0:44:17.440
<v Speaker 5>pretty dominating.

0:44:17.880 --> 0:44:18.160
<v Speaker 3>Yeah.

0:44:18.760 --> 0:44:23.400
<v Speaker 5>And I understood the necessity of it. I understood the

0:44:23.440 --> 0:44:26.320
<v Speaker 5>importance of that. I mean I had worked in many

0:44:26.400 --> 0:44:29.000
<v Speaker 5>many shows where like I said, I worked for Dorm

0:44:29.440 --> 0:44:32.959
<v Speaker 5>Bud yorkin you know, and Bud was doing the Red

0:44:33.000 --> 0:44:36.440
<v Speaker 5>Fox show and read banned him from the set and

0:44:36.600 --> 0:44:39.120
<v Speaker 5>read and he said, but Red, I owned the show,

0:44:40.440 --> 0:44:42.360
<v Speaker 5>and read, I don't care. I'm not coming to the

0:44:42.400 --> 0:44:46.319
<v Speaker 5>set if you're there. And ABC had called up Bud

0:44:46.440 --> 0:44:50.319
<v Speaker 5>York and had said, don't go down to the set, So,

0:44:51.560 --> 0:44:54.520
<v Speaker 5>you know, you have that kind of conflict and contradiction,

0:44:54.680 --> 0:44:58.400
<v Speaker 5>and I just I was like, not intimidated, but I

0:44:58.440 --> 0:45:01.319
<v Speaker 5>didn't want to be around that kind of you know,

0:45:01.360 --> 0:45:06.920
<v Speaker 5>and every three camera comedy I had seen it, you know, yeah,

0:45:06.960 --> 0:45:10.560
<v Speaker 5>and where the showrunner is the boss and there's no

0:45:10.680 --> 0:45:16.920
<v Speaker 5>way to have a conversation about it. You know, you

0:45:16.960 --> 0:45:20.799
<v Speaker 5>do what you're told or you're done. So my job

0:45:20.880 --> 0:45:23.879
<v Speaker 5>was just doing what I was told. That was it.

0:45:24.760 --> 0:45:28.759
<v Speaker 1>Yep, get in, do it like this and leave, take

0:45:28.760 --> 0:45:31.400
<v Speaker 1>your shot, and then go do something that actually fills

0:45:31.440 --> 0:45:31.799
<v Speaker 1>your soul.

0:45:32.600 --> 0:45:36.759
<v Speaker 5>Well yeah, but I enjoyed the people on the show.

0:45:36.840 --> 0:45:39.920
<v Speaker 5>There was one writer who can't remember his name, but

0:45:40.000 --> 0:45:44.640
<v Speaker 5>he was very kind, and like I said, the young

0:45:44.680 --> 0:45:46.440
<v Speaker 5>people were very fun to be with.

0:45:46.920 --> 0:45:50.120
<v Speaker 1>Yeah. Yeah, well good, I'm glad. I'm glad at least

0:45:50.120 --> 0:45:51.480
<v Speaker 1>we were fun to be around.

0:45:52.120 --> 0:45:54.239
<v Speaker 5>Yeah, I mean, I'm glad I was done with it.

0:45:54.600 --> 0:45:57.200
<v Speaker 1>Yeah, yeah, you got to leave. Did you ever watch

0:45:57.280 --> 0:45:59.520
<v Speaker 1>the shows when they aired? Did you see your boy

0:45:59.560 --> 0:46:01.239
<v Speaker 1>Meets were all episode when it aired on TV?

0:46:01.320 --> 0:46:06.759
<v Speaker 5>Eventually, I only watched it recently, really told me to

0:46:06.800 --> 0:46:07.239
<v Speaker 5>watch it.

0:46:07.680 --> 0:46:09.839
<v Speaker 1>Yeah, what did you? What were your thoughts on it?

0:46:09.880 --> 0:46:10.080
<v Speaker 5>Now?

0:46:10.160 --> 0:46:11.319
<v Speaker 1>What were your thoughts watching it?

0:46:14.040 --> 0:46:18.800
<v Speaker 5>I was terrible? You know how you think that we

0:46:19.000 --> 0:46:21.320
<v Speaker 5>as actors, you know, you always look at yourself. I

0:46:21.360 --> 0:46:23.680
<v Speaker 5>could have done that. I could. Of course, I should

0:46:23.719 --> 0:46:26.040
<v Speaker 5>have did this. I should have done it. You know,

0:46:26.080 --> 0:46:29.280
<v Speaker 5>I could have been better, which has always been my mantra.

0:46:29.600 --> 0:46:32.000
<v Speaker 5>You know, I can be better. I should be better.

0:46:33.440 --> 0:46:35.440
<v Speaker 5>You know. So such an actor thing.

0:46:35.480 --> 0:46:38.720
<v Speaker 4>It's such an actor thing too, your Monday morning quarterback,

0:46:38.760 --> 0:46:40.560
<v Speaker 4>your own performance all the time. And oh if I

0:46:40.600 --> 0:46:42.560
<v Speaker 4>could just have given it a shot, if I could

0:46:42.600 --> 0:46:44.040
<v Speaker 4>do it one more time, I would have done this.

0:46:44.160 --> 0:46:46.719
<v Speaker 4>But the truth of the matter is, then if you

0:46:46.760 --> 0:46:48.799
<v Speaker 4>watched it a third time, you'd want to change the.

0:46:48.760 --> 0:46:49.719
<v Speaker 2>Thing you just did again.

0:46:49.800 --> 0:46:51.600
<v Speaker 3>It would it would never be.

0:46:51.560 --> 0:46:53.240
<v Speaker 2>Perfect, no matter what you think.

0:46:53.320 --> 0:46:55.160
<v Speaker 5>Yeah, yeah, but.

0:46:55.120 --> 0:46:58.600
<v Speaker 1>We absolutely loved you in it.

0:46:59.000 --> 0:47:00.000
<v Speaker 5>Yeah, thank you.

0:47:00.040 --> 0:47:04.600
<v Speaker 1>Hysterical so funny, absolutely nailed it, laugh out loud funny,

0:47:04.600 --> 0:47:07.320
<v Speaker 1>I mean, truly sparked an entire discussion for us about

0:47:07.360 --> 0:47:11.040
<v Speaker 1>how much harder what you are doing, how much harder

0:47:11.040 --> 0:47:14.360
<v Speaker 1>it is than it looks it looks like? How I

0:47:14.400 --> 0:47:17.359
<v Speaker 1>mean you make it look seamless and effortless, and then

0:47:17.480 --> 0:47:20.200
<v Speaker 1>all of us, with effort, could not come close to it.

0:47:20.480 --> 0:47:24.840
<v Speaker 1>So truly, we also wanted to talk Deadwood with you,

0:47:24.880 --> 0:47:28.000
<v Speaker 1>where you played mister wu. This was a magical show

0:47:28.080 --> 0:47:31.080
<v Speaker 1>created by David Milch that even with all the acclaim

0:47:31.200 --> 0:47:34.440
<v Speaker 1>it did get deserved even more. Do you consider this

0:47:34.560 --> 0:47:37.600
<v Speaker 1>maybe the best thing you've ever done? And if not,

0:47:38.600 --> 0:47:42.440
<v Speaker 1>what do you think is the best thing you've ever done?

0:47:42.719 --> 0:47:46.560
<v Speaker 5>Well? Yes, I was very fortunate to meet David Milch.

0:47:46.880 --> 0:47:50.640
<v Speaker 5>You know, oftentimes, like I said, people see us as foreigners.

0:47:51.200 --> 0:47:54.759
<v Speaker 5>Well we are in a sense, at least my grandparents were,

0:47:56.160 --> 0:48:01.600
<v Speaker 5>and I've always wanted the opportunity to show them, not

0:48:01.719 --> 0:48:04.839
<v Speaker 5>to glorify them, but to show them that they had

0:48:05.400 --> 0:48:10.680
<v Speaker 5>desires and passions too, And David Milt was open to that.

0:48:15.080 --> 0:48:19.040
<v Speaker 5>It's kind of character that I've I am and I've

0:48:19.040 --> 0:48:22.520
<v Speaker 5>always wanted to develop and he did too. So and

0:48:22.600 --> 0:48:25.719
<v Speaker 5>he did that with every character. You know, he did

0:48:25.800 --> 0:48:28.799
<v Speaker 5>that with every character. Find out get the essence of

0:48:28.840 --> 0:48:32.840
<v Speaker 5>what that character represented, what his dreams were, what his

0:48:32.960 --> 0:48:39.719
<v Speaker 5>failures were, and his inner dialogue, what we really thought

0:48:39.719 --> 0:48:45.400
<v Speaker 5>about the situation. It was just grand You know, just

0:48:45.440 --> 0:48:47.840
<v Speaker 5>to be on the set to work with as great actors.

0:48:48.320 --> 0:48:51.360
<v Speaker 5>I don't know about you, but you know, like that

0:48:51.440 --> 0:48:53.040
<v Speaker 5>old joke about when you look at a script you

0:48:53.040 --> 0:48:58.560
<v Speaker 5>go to my line, my line both, well, we would

0:48:58.680 --> 0:49:01.359
<v Speaker 5>like I would come down to the set just to

0:49:01.600 --> 0:49:11.600
<v Speaker 5>watch people act. Wow, yeah, and just watch scene. Billy sorry,

0:49:11.640 --> 0:49:15.000
<v Speaker 5>I can't think of his name. William Anderson, Billy Anderson.

0:49:16.239 --> 0:49:18.560
<v Speaker 5>He was in that Bob Newhart show. He was one

0:49:18.600 --> 0:49:21.920
<v Speaker 5>of the brothers. He played. Yeah. Uh, he played the

0:49:21.920 --> 0:49:26.480
<v Speaker 5>mayor of Deadwood, and he is such a great actor.

0:49:26.520 --> 0:49:28.239
<v Speaker 5>I would just go down to the set just to

0:49:28.280 --> 0:49:33.680
<v Speaker 5>watch him act. Uh. And it was just wonderful. It

0:49:33.840 --> 0:49:36.480
<v Speaker 5>was like being in school, you know, like being like

0:49:36.520 --> 0:49:38.960
<v Speaker 5>an actors studio where you go and watch somebody scene

0:49:38.960 --> 0:49:41.839
<v Speaker 5>and you'd learn from that, and Milts would come down

0:49:41.880 --> 0:49:44.000
<v Speaker 5>and explain to you what the scene was about and

0:49:44.000 --> 0:49:48.840
<v Speaker 5>how stupid you were, and you, you don't know. The

0:49:48.960 --> 0:49:52.040
<v Speaker 5>great feeling it is when somebody as smart as David

0:49:52.080 --> 0:49:55.320
<v Speaker 5>Milt comes up to you and go, that was stupid,

0:49:59.000 --> 0:50:01.919
<v Speaker 5>you know, And he goes, you know what I'm trying

0:50:01.960 --> 0:50:03.880
<v Speaker 5>to say, right, you know what I mean? Right? And

0:50:03.920 --> 0:50:06.799
<v Speaker 5>I go, yeah, I know what you mean. David, and

0:50:06.840 --> 0:50:09.600
<v Speaker 5>then we would go back and work it out. And

0:50:09.719 --> 0:50:12.440
<v Speaker 5>David was the kind of guy. He was great. I mean,

0:50:12.480 --> 0:50:15.600
<v Speaker 5>he feared nobody. You know, he'd go, we'd be on

0:50:15.719 --> 0:50:19.959
<v Speaker 5>season episode three and he go, he'd watch episode three

0:50:20.239 --> 0:50:24.520
<v Speaker 5>the scene and go, you know that scene in episode one,

0:50:25.800 --> 0:50:30.040
<v Speaker 5>I want to rewrite it. He took the producers and

0:50:30.040 --> 0:50:32.680
<v Speaker 5>he go, I think that I could make that scene better.

0:50:34.440 --> 0:50:38.480
<v Speaker 5>And they go, David, we have to rehire all those actors,

0:50:38.640 --> 0:50:42.279
<v Speaker 5>build a set, and he goes, I don't care to

0:50:42.280 --> 0:50:46.680
<v Speaker 5>do it because it will make me better. And I

0:50:46.719 --> 0:50:50.200
<v Speaker 5>think that's why HBO kind of like canceled it, because

0:50:50.239 --> 0:50:53.000
<v Speaker 5>it was it was an expensive show because of how

0:50:53.120 --> 0:50:58.880
<v Speaker 5>David wanted to do this show, and that's when TV

0:50:59.000 --> 0:51:04.440
<v Speaker 5>can be. It's yeah, I think, I think, I think,

0:51:04.800 --> 0:51:05.920
<v Speaker 5>you know, but.

0:51:05.920 --> 0:51:07.920
<v Speaker 2>I mean watching it was it was. I remember the

0:51:07.920 --> 0:51:10.200
<v Speaker 2>first time, the first couple episodes, it hit me.

0:51:10.239 --> 0:51:13.799
<v Speaker 4>I was like, oh, this is this is how Shakespeare

0:51:14.160 --> 0:51:15.080
<v Speaker 4>would do a Western.

0:51:16.360 --> 0:51:17.760
<v Speaker 2>I mean it was it was that level.

0:51:17.800 --> 0:51:20.680
<v Speaker 4>It was literally Shakespearean with the characters and there, I

0:51:20.719 --> 0:51:24.000
<v Speaker 4>mean there. It was amazing it what it did for television,

0:51:24.000 --> 0:51:26.680
<v Speaker 4>but also for the Western, where it was just such

0:51:26.719 --> 0:51:29.880
<v Speaker 4>on a different level all the way around.

0:51:29.920 --> 0:51:33.000
<v Speaker 2>It was truly just one of the most magical things

0:51:33.000 --> 0:51:34.320
<v Speaker 2>that I think has ever been on television.

0:51:34.360 --> 0:51:36.760
<v Speaker 4>And I know people would think that's that's a bold statement,

0:51:36.800 --> 0:51:40.359
<v Speaker 4>but I truly think it's deserving of that statement. It

0:51:40.400 --> 0:51:43.480
<v Speaker 4>is was magical. It really was lightning in a bottle.

0:51:43.520 --> 0:51:46.960
<v Speaker 4>It was all the ridiculous platitudes you hear about something

0:51:47.000 --> 0:51:50.040
<v Speaker 4>wonderful that was fleeting was Deadwood.

0:51:50.200 --> 0:51:51.040
<v Speaker 2>It was incredible.

0:51:52.040 --> 0:51:55.319
<v Speaker 5>Well, let me ask you this question, then, do you

0:51:55.400 --> 0:52:00.640
<v Speaker 5>think that every Western since Deadwood on TV? Successful successful

0:52:00.640 --> 0:52:02.960
<v Speaker 5>Western has been influenced by Deadwood?

0:52:02.960 --> 0:52:03.120
<v Speaker 4>Oh?

0:52:03.120 --> 0:52:08.319
<v Speaker 5>Absolutely, absolutely? Do you think not? I do. I read

0:52:08.320 --> 0:52:12.440
<v Speaker 5>an article recently that said every Western that has followed

0:52:12.480 --> 0:52:16.920
<v Speaker 5>dead Deadwood has something to be thankful for from.

0:52:18.920 --> 0:52:20.200
<v Speaker 1>In some way Deadwood.

0:52:20.239 --> 0:52:21.840
<v Speaker 2>Yeah, that's amazing.

0:52:22.360 --> 0:52:27.319
<v Speaker 5>The struggle that we had, the challenge that we had

0:52:27.360 --> 0:52:31.680
<v Speaker 5>as actors was great because where in TV does a

0:52:31.840 --> 0:52:38.560
<v Speaker 5>challenge you to to surpass your present state and become

0:52:38.920 --> 0:52:45.880
<v Speaker 5>something greater. Where where in TV does that? You know?

0:52:46.960 --> 0:52:51.200
<v Speaker 5>And I find that that has carried me in my career.

0:52:52.000 --> 0:52:58.120
<v Speaker 5>I just recently did a a series with Jessica Bielle

0:52:59.440 --> 0:53:03.320
<v Speaker 5>in New York and it was one of the first

0:53:03.320 --> 0:53:07.719
<v Speaker 5>times I felt as an actor that I was complete,

0:53:07.719 --> 0:53:11.000
<v Speaker 5>that I had my own identity, that my identity was

0:53:11.080 --> 0:53:14.800
<v Speaker 5>not fined for you by the writer or the director,

0:53:14.920 --> 0:53:20.600
<v Speaker 5>or the or the producer, but that I had felt

0:53:20.600 --> 0:53:27.640
<v Speaker 5>that I had my own identity as the character, and

0:53:27.680 --> 0:53:32.080
<v Speaker 5>I had established it. And I guess that's what Deadwood

0:53:32.520 --> 0:53:37.680
<v Speaker 5>has allowed me to do, was to come onto every

0:53:38.760 --> 0:53:43.000
<v Speaker 5>project to be able to say, Okay, let me give

0:53:43.160 --> 0:53:48.040
<v Speaker 5>a dimension to this that is not just two dimensional

0:53:48.160 --> 0:53:50.719
<v Speaker 5>or four dimensional. Let me be more abstract, let me

0:53:51.160 --> 0:53:56.600
<v Speaker 5>let me uncover the character, and consequently, wow, that seems

0:53:56.640 --> 0:53:59.840
<v Speaker 5>to work for me. Which what I learned from Deadwood

0:54:00.239 --> 0:54:03.399
<v Speaker 5>that you're much more than the printed page is two dimensional? Right?

0:54:03.440 --> 0:54:05.920
<v Speaker 5>You read it on the page, You read on the

0:54:05.960 --> 0:54:09.759
<v Speaker 5>page eight times, and you think, oh, what can make

0:54:09.840 --> 0:54:14.839
<v Speaker 5>this work? Why? Right? Right? And you find it? And

0:54:14.920 --> 0:54:19.880
<v Speaker 5>so that pushed by David Mills, is find the character.

0:54:20.000 --> 0:54:25.120
<v Speaker 5>Don't be stupid, don't take the least common denominator, take

0:54:25.520 --> 0:54:30.200
<v Speaker 5>the highest common denominate, yes on the other extra spectrum

0:54:30.800 --> 0:54:33.520
<v Speaker 5>and challenge you as an actor. And I guess that's

0:54:33.560 --> 0:54:37.840
<v Speaker 5>what Didwood did. And I was very fortunate. I'm so

0:54:38.000 --> 0:54:41.400
<v Speaker 5>fortunate that I was to meet somebody like David Milch.

0:54:52.920 --> 0:54:55.319
<v Speaker 1>I won't talk about all the video games that you

0:54:55.360 --> 0:54:57.600
<v Speaker 1>have worked on because those companies have to pay your

0:54:57.719 --> 0:55:02.240
<v Speaker 1>union first. But in animated product Jax, you voiced Naruto Avatar,

0:55:02.320 --> 0:55:05.320
<v Speaker 1>The Last Airbender, High High, Puffy on the Yumi Batman,

0:55:05.520 --> 0:55:09.080
<v Speaker 1>and now Gremlin's The Secrets of Maguai. All of these

0:55:09.080 --> 0:55:12.520
<v Speaker 1>projects have had huge spikes in popularity over the past

0:55:12.520 --> 0:55:16.520
<v Speaker 1>few years. Are you surprised by the mainstreaming of anime

0:55:16.640 --> 0:55:18.040
<v Speaker 1>and animated shows?

0:55:18.640 --> 0:55:23.040
<v Speaker 5>No, let me tell you what I'm surprised about. That

0:55:23.239 --> 0:55:30.160
<v Speaker 5>is young people's devotion to it. Yeah, and I wish

0:55:30.239 --> 0:55:36.240
<v Speaker 5>it wasn't so much so, because they're obviously looking for

0:55:36.360 --> 0:55:43.600
<v Speaker 5>an outlet that relieves them from anxiety and pressures. And

0:55:43.680 --> 0:55:47.799
<v Speaker 5>I go to all these I'm invited to a lot

0:55:47.800 --> 0:55:54.120
<v Speaker 5>of comic cons Yeah, and I see young people just uh,

0:55:54.880 --> 0:55:58.760
<v Speaker 5>throwing themselves into that kind of like a cult of anime,

0:56:00.200 --> 0:56:07.080
<v Speaker 5>understanding what that anime means. In Japan, it's the same thing,

0:56:07.640 --> 0:56:12.160
<v Speaker 5>you know, you know in Japan. You know, Japan is

0:56:12.360 --> 0:56:16.680
<v Speaker 5>a very controlled society in terms of behavior and in

0:56:16.760 --> 0:56:20.000
<v Speaker 5>terms of how you relate to each other, in terms

0:56:20.040 --> 0:56:25.319
<v Speaker 5>of not only personal relationship, but in class relationship. There's

0:56:25.400 --> 0:56:28.600
<v Speaker 5>forms of language that you must speak if you're talking

0:56:28.640 --> 0:56:33.359
<v Speaker 5>to someone older than you, superior to you. And there's

0:56:33.400 --> 0:56:39.520
<v Speaker 5>a way to talk to somebody who's beneath you. In Japanese,

0:56:39.600 --> 0:56:43.880
<v Speaker 5>you know, to cuss somebody out, there's no real cuss words.

0:56:44.000 --> 0:56:47.319
<v Speaker 5>Is the word you and the different forms of you.

0:56:50.360 --> 0:56:52.799
<v Speaker 5>So I can have a formal way of saying you,

0:56:53.440 --> 0:56:55.879
<v Speaker 5>or I can have an informal way, and the way

0:56:56.000 --> 0:57:00.160
<v Speaker 5>you use it to somebody determines your really, So what

0:57:00.200 --> 0:57:03.480
<v Speaker 5>I'm trying to say is Japan has very control society

0:57:03.800 --> 0:57:07.160
<v Speaker 5>and they let their emotions out by watching all this

0:57:07.320 --> 0:57:10.759
<v Speaker 5>man manga and you know, you say, wow, they have

0:57:10.840 --> 0:57:15.840
<v Speaker 5>so much violence in their things. Well yeah, but that's

0:57:16.160 --> 0:57:19.800
<v Speaker 5>the one way what they use in order not to

0:57:19.880 --> 0:57:26.640
<v Speaker 5>commit violence. Yeah, but in America, kids are really like

0:57:29.480 --> 0:57:34.880
<v Speaker 5>put so much equity in these things. And it doesn't

0:57:34.920 --> 0:57:37.520
<v Speaker 5>bother me, but I just wish I could sit down

0:57:37.560 --> 0:57:39.320
<v Speaker 5>with them and say, oh, hey, you know why you're

0:57:39.360 --> 0:57:44.760
<v Speaker 5>doing this right? Yeah, you know, you know why. And

0:57:44.880 --> 0:57:48.720
<v Speaker 5>Star Wars has been becoming a cult as well, you know,

0:57:49.640 --> 0:57:52.600
<v Speaker 5>and it's fine, you should love these things, but you

0:57:52.600 --> 0:57:55.560
<v Speaker 5>should love them in terms of how that relates to

0:57:55.600 --> 0:57:58.360
<v Speaker 5>your life, that what you want to do with your

0:57:58.360 --> 0:58:00.600
<v Speaker 5>life and what you want how you want to be

0:58:00.640 --> 0:58:06.280
<v Speaker 5>progressive to progress. So when you say, am I surprised, No,

0:58:06.320 --> 0:58:09.800
<v Speaker 5>I'm not surprised because we live in a cult kind

0:58:09.840 --> 0:58:14.520
<v Speaker 5>of world right now. Well, we're not thinking for ourselves,

0:58:14.720 --> 0:58:22.600
<v Speaker 5>you know, we're not looking at factual evidence and heroes.

0:58:22.800 --> 0:58:27.120
<v Speaker 5>Heroes are not going to save our day for us ourselves.

0:58:27.680 --> 0:58:32.160
<v Speaker 5>And so it really bothers me that about this kind

0:58:32.160 --> 0:58:38.600
<v Speaker 5>of implosion of anime and manga. And you know, I mean,

0:58:38.600 --> 0:58:42.360
<v Speaker 5>it's it's great. We have cartoons. There's some really great

0:58:42.480 --> 0:58:43.920
<v Speaker 5>you know, like I don't know if you know the

0:58:43.960 --> 0:58:46.760
<v Speaker 5>history of like comics like Will Eisner who was uh,

0:58:47.920 --> 0:58:55.920
<v Speaker 5>who was a great great UH novelist, comic book novelist.

0:58:57.560 --> 0:59:01.080
<v Speaker 5>He wrote about the strugg of the Jews in the

0:59:01.120 --> 0:59:07.720
<v Speaker 5>Lower East Side during the Depression and uh, And that's

0:59:07.800 --> 0:59:09.760
<v Speaker 5>what I find kind of missing sometimes.

0:59:12.080 --> 0:59:14.680
<v Speaker 1>Wow. Well, we talked we talked a little bit about

0:59:14.680 --> 0:59:17.160
<v Speaker 1>this with Stephen Park when he was on the podcast.

0:59:17.200 --> 0:59:22.840
<v Speaker 1>But obviously you have witnessed a total evolution of opportunities

0:59:22.840 --> 0:59:26.280
<v Speaker 1>for Asian actors in Hollywood. What are your feelings when

0:59:26.320 --> 0:59:29.960
<v Speaker 1>you see actors like Stephen Youn or Henry Golding starring

0:59:30.200 --> 0:59:34.600
<v Speaker 1>in massive movies without any signifying mark about their race.

0:59:36.560 --> 0:59:41.400
<v Speaker 5>It's good, it's good. But you know in plays I've

0:59:41.400 --> 0:59:47.520
<v Speaker 5>done Gibson, I've done Chekhov, you know, I've done a

0:59:47.560 --> 0:59:50.520
<v Speaker 5>lot of and I think I laid that found is

0:59:50.560 --> 0:59:53.720
<v Speaker 5>my generation that kind of laid the foundation for them

0:59:53.760 --> 0:59:54.920
<v Speaker 5>thinking where they could go.

0:59:55.440 --> 0:59:56.800
<v Speaker 1>Yes, sure, for sure.

0:59:57.400 --> 1:00:00.640
<v Speaker 5>You know the generation before me, which was the first

1:00:00.640 --> 1:00:05.520
<v Speaker 5>generation that was with like people like Richard lou Kee Luke,

1:00:08.160 --> 1:00:11.800
<v Speaker 5>that generation. I'm the second generation. They were kind of

1:00:11.800 --> 1:00:15.080
<v Speaker 5>like immigrants and kind of fulfilling the role of being

1:00:15.120 --> 1:00:18.800
<v Speaker 5>the Asian you know, the Fu Manchu or the Asian

1:00:18.840 --> 1:00:23.040
<v Speaker 5>stereotype for what America needed in terms of like a

1:00:23.080 --> 1:00:28.000
<v Speaker 5>growing as a as a first world They needed to

1:00:28.120 --> 1:00:32.240
<v Speaker 5>picture the enemy properly for people, you know. And so

1:00:32.960 --> 1:00:35.760
<v Speaker 5>we came up and said, hey, you know, we're Americans too,

1:00:35.840 --> 1:00:40.800
<v Speaker 5>So we wanted so and theater was our outlet because

1:00:41.720 --> 1:00:44.360
<v Speaker 5>like I said, I think I said of the characters

1:00:44.400 --> 1:00:49.280
<v Speaker 5>I played in Foreigners, and to see that change now

1:00:49.880 --> 1:00:53.080
<v Speaker 5>is very is very good. It's what we've worked for

1:00:54.000 --> 1:00:58.520
<v Speaker 5>as a community of Asian American performers in this country.

1:00:59.480 --> 1:01:04.280
<v Speaker 5>Don't forget that we got reparations for when Japanese Americans

1:01:04.280 --> 1:01:08.360
<v Speaker 5>were interned during the war. We got reparations from the

1:01:08.880 --> 1:01:16.560
<v Speaker 5>an apology from Ronald Reagan. So that l Mark was

1:01:17.680 --> 1:01:22.840
<v Speaker 5>very important for us because it showed, hey, we are

1:01:22.920 --> 1:01:30.960
<v Speaker 5>humans too, which consequently transferring itself to a lot of writers, novelists.

1:01:31.080 --> 1:01:33.800
<v Speaker 5>You know who wrote Crazy Rich Asians and who wrote

1:01:33.840 --> 1:01:38.880
<v Speaker 5>all these books and Maxine Hank Kingston and Amy Tanned

1:01:38.880 --> 1:01:41.200
<v Speaker 5>they wrote all these novels and then movies were made

1:01:41.240 --> 1:01:45.840
<v Speaker 5>from them, which is really good. But I just have

1:01:45.920 --> 1:01:51.520
<v Speaker 5>one question, one point of view that you might not

1:01:51.600 --> 1:01:54.880
<v Speaker 5>agree with me, and I'm sure it will offend a

1:01:54.880 --> 1:02:00.200
<v Speaker 5>lot of people that Asian men are still shown uh

1:02:00.760 --> 1:02:04.200
<v Speaker 5>yeh in a non positive light. It could be shown

1:02:04.240 --> 1:02:07.000
<v Speaker 5>in a more positive light. And you mentioned these guys

1:02:07.040 --> 1:02:09.560
<v Speaker 5>like Steve and you and Harry Golden, which is good?

1:02:09.800 --> 1:02:13.280
<v Speaker 5>Which is which is which? Which is I really admire.

1:02:13.880 --> 1:02:20.640
<v Speaker 5>But we're still shown as subhumans. We're really shown. We're

1:02:20.800 --> 1:02:31.480
<v Speaker 5>still shown as effeminate, submissive, passive, and in my community,

1:02:32.000 --> 1:02:37.280
<v Speaker 5>we're not. We're not and that's what's not being shown.

1:02:38.720 --> 1:02:46.120
<v Speaker 5>And so our culture has to be brought out into

1:02:46.120 --> 1:02:50.520
<v Speaker 5>the open so people can see yeah, you know, and

1:02:50.520 --> 1:02:53.280
<v Speaker 5>and then some people do some people do, you know,

1:02:53.760 --> 1:02:58.720
<v Speaker 5>some people do. Uh. I remember when I was young,

1:02:59.520 --> 1:03:02.800
<v Speaker 5>people would say to me, you guys eat raw fish.

1:03:03.200 --> 1:03:09.760
<v Speaker 5>Now everybody eats raw yeah, right exactly, But it's what

1:03:09.840 --> 1:03:11.959
<v Speaker 5>kind of raw fish? Now? That's important?

1:03:12.280 --> 1:03:12.680
<v Speaker 3>Right right?

1:03:13.080 --> 1:03:17.240
<v Speaker 5>Yeah, you know, it's not just some fancy exotic kind

1:03:17.320 --> 1:03:21.800
<v Speaker 5>of thing. But it's the you know, it's it's the

1:03:21.880 --> 1:03:24.920
<v Speaker 5>real versus the fake. And that is always our struggle

1:03:24.960 --> 1:03:28.880
<v Speaker 5>as human beings on this earth is always what is real?

1:03:29.000 --> 1:03:29.760
<v Speaker 5>What is fake?

1:03:30.440 --> 1:03:31.920
<v Speaker 1>Yeah?

1:03:32.280 --> 1:03:37.440
<v Speaker 5>And I subscribe that Asian American men have a place

1:03:37.520 --> 1:03:39.600
<v Speaker 5>in this, in our story of America.

1:03:40.600 --> 1:03:44.280
<v Speaker 1>You know, yes, I really appreciate you sharing your POV.

1:03:44.480 --> 1:03:46.840
<v Speaker 1>I know you started it by saying there are going

1:03:46.920 --> 1:03:49.680
<v Speaker 1>to be some people who may disagree or who find

1:03:49.720 --> 1:03:54.320
<v Speaker 1>it offensive, but you know, truly being willing to speak

1:03:54.400 --> 1:03:56.960
<v Speaker 1>out and say your experience. You have a POV that

1:03:57.000 --> 1:03:58.920
<v Speaker 1>certainly the three other people on this zoom with you

1:03:59.400 --> 1:04:02.560
<v Speaker 1>don't have. We can't we can't speak from your POV.

1:04:02.760 --> 1:04:05.320
<v Speaker 1>And so for you being willing to say it and

1:04:05.360 --> 1:04:08.360
<v Speaker 1>to share your honesty with us, Like you said, your

1:04:08.400 --> 1:04:12.160
<v Speaker 1>generation is the generation that helped propel and make these changes,

1:04:12.160 --> 1:04:15.040
<v Speaker 1>but there are still more strides that need to be

1:04:15.120 --> 1:04:18.480
<v Speaker 1>taken and that that need to happen. And so thank

1:04:18.480 --> 1:04:22.000
<v Speaker 1>you for sharing that thought with us and your perspective

1:04:22.040 --> 1:04:22.360
<v Speaker 1>with us.

1:04:22.720 --> 1:04:26.880
<v Speaker 5>Yeah, I can tell you one thing. Uh you look

1:04:26.920 --> 1:04:31.520
<v Speaker 5>at what the women's movement has done. Mhmm. You can

1:04:31.520 --> 1:04:35.080
<v Speaker 5>get kicked off for show. Now if you sexually harass somebody, right,

1:04:36.280 --> 1:04:39.080
<v Speaker 5>you can get your career can be destroyed if you

1:04:39.360 --> 1:04:44.520
<v Speaker 5>if you engage in those activities. Well, in my time,

1:04:45.720 --> 1:04:47.040
<v Speaker 5>those activities were common.

1:04:48.160 --> 1:04:49.000
<v Speaker 1>Yeah, it was.

1:04:49.240 --> 1:04:51.200
<v Speaker 5>You had to expect it if you wanted to be

1:04:51.240 --> 1:04:54.160
<v Speaker 5>an actress, if you wanted to be successful, not only

1:04:54.160 --> 1:04:57.240
<v Speaker 5>an actress, as actress too, you have to succumb to it.

1:04:57.280 --> 1:04:58.040
<v Speaker 5>You'd have to accept this.

1:04:58.160 --> 1:04:59.360
<v Speaker 1>Yeah, it was just part of the job.

1:04:59.600 --> 1:05:03.520
<v Speaker 5>Yeah, part of the gig. Right, So now that's changed.

1:05:05.120 --> 1:05:09.640
<v Speaker 5>But can you stop with somebody from harassing you racially?

1:05:10.200 --> 1:05:14.240
<v Speaker 1>Hm hmmm No, yeah, not yet.

1:05:14.760 --> 1:05:20.640
<v Speaker 5>Not yet. So I mean, uh, maybe my my look

1:05:20.640 --> 1:05:24.600
<v Speaker 5>at life is skewed, skewed, you know, twisted, and it

1:05:24.680 --> 1:05:28.000
<v Speaker 5>is it is because going back to when I was

1:05:28.040 --> 1:05:31.400
<v Speaker 5>a kid, I was not accepted by the general public.

1:05:31.960 --> 1:05:36.160
<v Speaker 5>So my view of life is kind of skewed. Skewed. Yeah, yeah,

1:05:36.240 --> 1:05:40.760
<v Speaker 5>So I I ask you for your understanding and forgiveness

1:05:40.800 --> 1:05:43.400
<v Speaker 5>for having that kind of like view as a Yogo

1:05:43.480 --> 1:05:51.240
<v Speaker 5>d h h. But I am one h but because

1:05:51.280 --> 1:05:54.000
<v Speaker 5>of who I am, because of the race I am,

1:05:54.440 --> 1:05:57.480
<v Speaker 5>because of the class I am, I have been twisted,

1:05:57.520 --> 1:05:59.280
<v Speaker 5>so you must forgive my twisted view.

1:06:01.080 --> 1:06:04.920
<v Speaker 1>Well, Keoni, we have been so honored to have you

1:06:05.040 --> 1:06:08.000
<v Speaker 1>as a part of the Boy Meets World legacy, an

1:06:08.080 --> 1:06:11.400
<v Speaker 1>actor with almost three hundred credits to his name, so

1:06:11.520 --> 1:06:15.200
<v Speaker 1>many memorable roles and projects. We really thank you very

1:06:15.280 --> 1:06:17.280
<v Speaker 1>much for spending your time and coming on the podcast

1:06:17.320 --> 1:06:20.200
<v Speaker 1>and talking with us. It was we thank you a real.

1:06:20.560 --> 1:06:22.280
<v Speaker 2>Joy, amazing.

1:06:22.400 --> 1:06:25.560
<v Speaker 5>Well, I am honored as well. I know about your

1:06:25.600 --> 1:06:30.120
<v Speaker 5>careers and I am very honored as well to be

1:06:30.160 --> 1:06:30.920
<v Speaker 5>accepted by you.

1:06:32.160 --> 1:06:34.360
<v Speaker 1>Thank you for spending your time with us. We really

1:06:34.560 --> 1:06:37.480
<v Speaker 1>really appreciate it. And I hope it's not the last time.

1:06:37.600 --> 1:06:37.800
<v Speaker 2>Hope.

1:06:37.880 --> 1:06:40.080
<v Speaker 1>I hope our paths cross again. I mean, who would

1:06:40.080 --> 1:06:42.919
<v Speaker 1>have predicted that almost thirty years later, our paths would

1:06:42.920 --> 1:06:46.200
<v Speaker 1>cross here on this podcast, So I hope it's not

1:06:46.240 --> 1:06:49.280
<v Speaker 1>the last time. Thank you so much, Thank you very much.

1:06:49.400 --> 1:06:52.640
<v Speaker 5>I am honored, have a wonderful day. Bye bye.

1:06:53.560 --> 1:06:54.720
<v Speaker 1>What a great conversation.

1:06:55.160 --> 1:06:55.880
<v Speaker 2>Yeah, amazing.

1:06:57.760 --> 1:07:02.840
<v Speaker 4>Yeah, again, his career is staggering, the things that he's done.

1:07:03.000 --> 1:07:06.160
<v Speaker 4>It's just and the idea that even with that career,

1:07:06.200 --> 1:07:08.280
<v Speaker 4>he kind of it seems like he kind of still

1:07:08.280 --> 1:07:11.480
<v Speaker 4>looks at himself as almost a failure, which is straight.

1:07:11.800 --> 1:07:13.720
<v Speaker 3>And you know what, he's just a journeyman. You know,

1:07:13.760 --> 1:07:15.640
<v Speaker 3>he's just like like when he calls himself an artisan

1:07:15.760 --> 1:07:18.520
<v Speaker 3>and was like, right, because you're never done, like you're

1:07:18.600 --> 1:07:22.520
<v Speaker 3>always this is about process, this is about acting, this

1:07:22.560 --> 1:07:24.720
<v Speaker 3>is about learning, like he still wants to learn new

1:07:24.760 --> 1:07:28.600
<v Speaker 3>skills and new things. That's so cool, man, What a great, healthy,

1:07:28.680 --> 1:07:31.680
<v Speaker 3>artistic perspective. You know, I'm sure it's led to a

1:07:31.680 --> 1:07:35.120
<v Speaker 3>lot of periods of you know, difficulty and feeling bad

1:07:35.160 --> 1:07:38.680
<v Speaker 3>about himself, but ultimately like he's succeeded because he it

1:07:38.720 --> 1:07:40.800
<v Speaker 3>doesn't matter what project he's in, he's always going to

1:07:40.800 --> 1:07:42.720
<v Speaker 3>be doing it, and he's always doing it one hundred percent.

1:07:42.800 --> 1:07:43.800
<v Speaker 2>Like yeah, I also.

1:07:45.080 --> 1:07:48.280
<v Speaker 4>At a comic con and you know, he he talks

1:07:48.280 --> 1:07:51.280
<v Speaker 4>about how he you know, he's a little disturbed by

1:07:51.400 --> 1:07:56.040
<v Speaker 4>the cult like uh, you know, stigma that that surrounds

1:07:56.080 --> 1:07:57.760
<v Speaker 4>anime and things like that. But I can also tell

1:07:57.760 --> 1:08:00.920
<v Speaker 4>you just from experience of watching him, he's so good

1:08:00.920 --> 1:08:03.040
<v Speaker 4>with his fans. I mean, it's one of those things

1:08:03.040 --> 1:08:05.840
<v Speaker 4>where he's still just so open with everybody that was

1:08:05.880 --> 1:08:08.360
<v Speaker 4>waiting in line. Again, he had a line, you know

1:08:08.440 --> 1:08:10.560
<v Speaker 4>that that's sitting there waiting to talk to him. And

1:08:10.880 --> 1:08:13.280
<v Speaker 4>so yeah, he might have that internally and he might

1:08:13.280 --> 1:08:15.160
<v Speaker 4>talk about that, but if you're a fan and you

1:08:15.240 --> 1:08:16.680
<v Speaker 4>go up to him, he's still going to show you

1:08:16.720 --> 1:08:19.519
<v Speaker 4>just the utmost respect and and you're gonna have a

1:08:19.520 --> 1:08:21.200
<v Speaker 4>great experience when you when you see him.

1:08:21.720 --> 1:08:26.280
<v Speaker 1>Yeah, I know, but like will, like you said it,

1:08:26.280 --> 1:08:32.200
<v Speaker 1>it uh the the impact his families and and and

1:08:32.280 --> 1:08:36.479
<v Speaker 1>the peers of his parents, that their opinion of him

1:08:36.960 --> 1:08:41.960
<v Speaker 1>is still just so forefront of his mind that it

1:08:42.080 --> 1:08:45.400
<v Speaker 1>feels like there's a it makes me emotional to think about, Like,

1:08:46.000 --> 1:08:48.400
<v Speaker 1>you know, we look at him and his career and

1:08:48.439 --> 1:08:51.479
<v Speaker 1>we're like awe struck by all of like, Wow, look

1:08:51.520 --> 1:08:53.280
<v Speaker 1>what you've been able to do, Look what you've been

1:08:53.280 --> 1:08:56.080
<v Speaker 1>able to accomplish. And you can tell that for him,

1:08:56.600 --> 1:08:59.599
<v Speaker 1>he it does. It's it's I don't know, it just

1:08:59.680 --> 1:09:01.880
<v Speaker 1>feel if I don't know, it makes me emotional.

1:09:01.600 --> 1:09:03.639
<v Speaker 3>It's interesting like me, you know, cause I've talked about

1:09:03.760 --> 1:09:06.400
<v Speaker 3>being friends with Larry Pressman, who's an older actor, and

1:09:06.760 --> 1:09:09.400
<v Speaker 3>I remember one of the first times talking to him

1:09:09.400 --> 1:09:12.960
<v Speaker 3>about people he knew, like great actors who were always

1:09:13.000 --> 1:09:15.360
<v Speaker 3>ashamed that they were an actor, and that does seem

1:09:15.360 --> 1:09:18.000
<v Speaker 3>like a generational thing, like especially for certain guys of

1:09:18.120 --> 1:09:20.880
<v Speaker 3>certain age, like you know that that were acting in

1:09:20.880 --> 1:09:24.040
<v Speaker 3>like the fifties or sixties, it felt like a cheap career,

1:09:24.160 --> 1:09:26.360
<v Speaker 3>like it felt like you were sort of avoiding a

1:09:26.400 --> 1:09:28.720
<v Speaker 3>real job by being an actor and by just being

1:09:28.760 --> 1:09:30.400
<v Speaker 3>a pretty face or you know, like there was an

1:09:30.439 --> 1:09:32.320
<v Speaker 3>inscution And I remember hearing him say that and being like,

1:09:32.400 --> 1:09:34.840
<v Speaker 3>oh wow, Like I think I had some of that too,

1:09:34.920 --> 1:09:36.800
<v Speaker 3>Like I think I was often like, well, I don't

1:09:36.840 --> 1:09:38.720
<v Speaker 3>want to just be an actor, like it just it's

1:09:38.720 --> 1:09:40.280
<v Speaker 3>something right and it's like, wait a minute, this is

1:09:40.280 --> 1:09:43.479
<v Speaker 3>an amazing thing, like that skill and the ability to

1:09:43.520 --> 1:09:46.640
<v Speaker 3>do it and like embrace it. So yeah, when I

1:09:46.680 --> 1:09:47.920
<v Speaker 3>heard him say that, I was like, oh, yeah, you're

1:09:47.960 --> 1:09:49.600
<v Speaker 3>never going to let that go that you didn't you know,

1:09:49.760 --> 1:09:51.960
<v Speaker 3>become a doctor or whatever, but in reality what you

1:09:52.000 --> 1:09:56.280
<v Speaker 3>did accomplish is insane. Yeah, Like it's so much like, yeah,

1:09:56.479 --> 1:09:59.360
<v Speaker 3>so much more rare. But I do think that nowadays

1:09:59.479 --> 1:10:02.080
<v Speaker 3>a lot of people, especially people who were listening to

1:10:02.120 --> 1:10:04.960
<v Speaker 3>something like this podcast, you think of actors or acting

1:10:05.000 --> 1:10:08.760
<v Speaker 3>as like automatically just a cool job. I think for

1:10:08.880 --> 1:10:12.040
<v Speaker 3>other generations and other contexts, it's not. It's actually like

1:10:12.320 --> 1:10:16.840
<v Speaker 3>kind of like being a Carney vaudeville like that's like this,

1:10:17.000 --> 1:10:19.400
<v Speaker 3>you know, the superficial job, this like weird thing that

1:10:19.439 --> 1:10:21.400
<v Speaker 3>you do that maybe you'll get lucky, but it's not

1:10:21.560 --> 1:10:22.519
<v Speaker 3>a real person's job.

1:10:22.600 --> 1:10:25.320
<v Speaker 2>As we just lost all of our carneye fans.

1:10:26.680 --> 1:10:29.120
<v Speaker 3>Sney, I think being a Carney is awesome.

1:10:29.760 --> 1:10:32.320
<v Speaker 1>I know when we go on our live show and

1:10:32.360 --> 1:10:35.400
<v Speaker 1>we go on our live show tours, I'll never forget.

1:10:35.479 --> 1:10:37.880
<v Speaker 1>I don't remember where we were, but there was some

1:10:37.880 --> 1:10:40.759
<v Speaker 1>some green room that we had that was like really

1:10:42.200 --> 1:10:48.200
<v Speaker 1>not anything pleasurable, and I was like, oh man, this

1:10:48.320 --> 1:10:52.160
<v Speaker 1>green room kind of makes me sad that like this

1:10:52.240 --> 1:10:54.479
<v Speaker 1>is where we are, and writers like, I love it.

1:10:54.920 --> 1:10:56.160
<v Speaker 1>This is what we're doing.

1:10:56.240 --> 1:11:02.680
<v Speaker 3>We're into some awful, disgusting room and then we make

1:11:02.720 --> 1:11:03.320
<v Speaker 3>a show.

1:11:03.120 --> 1:11:05.800
<v Speaker 1>Out we do the ND.

1:11:06.320 --> 1:11:08.000
<v Speaker 3>Yeah, I love it.

1:11:08.040 --> 1:11:12.120
<v Speaker 1>That's a cool that's a cool way of thinking about it,

1:11:12.160 --> 1:11:14.240
<v Speaker 1>and it has changed the way I feel when I

1:11:14.280 --> 1:11:16.959
<v Speaker 1>walk into a really musty green.

1:11:17.680 --> 1:11:19.800
<v Speaker 3>I kind of like it. I like they're weird and

1:11:19.920 --> 1:11:21.559
<v Speaker 3>like you got these like do you remember that one

1:11:21.560 --> 1:11:23.320
<v Speaker 3>time I couldn't find the coffee machine. It took like

1:11:23.320 --> 1:11:25.519
<v Speaker 3>twenty minutes. It was like that whole other warehouse room.

1:11:25.560 --> 1:11:26.439
<v Speaker 3>We don't know what it's for.

1:11:27.600 --> 1:11:31.160
<v Speaker 1>It's like, I don't want people to think we're we're

1:11:31.680 --> 1:11:34.479
<v Speaker 1>of under selling what this I mean. I'm truly talking

1:11:34.479 --> 1:11:36.080
<v Speaker 1>about the dankest.

1:11:36.439 --> 1:11:37.479
<v Speaker 2>Yeah, it's like.

1:11:37.720 --> 1:11:40.080
<v Speaker 3>A lot of backstages they don't care. It's that's the

1:11:40.120 --> 1:11:42.040
<v Speaker 3>point is that you care about. You take care of

1:11:42.040 --> 1:11:44.120
<v Speaker 3>the stage, you take care of the house, the front house,

1:11:44.360 --> 1:11:47.280
<v Speaker 3>but backstage is like it's just terrible.

1:11:48.880 --> 1:11:52.760
<v Speaker 1>It's just for the some some you know, bugs and

1:11:53.320 --> 1:11:56.960
<v Speaker 1>very very very bare bones. Feels like maybe an unclean

1:11:57.120 --> 1:11:59.519
<v Speaker 1>hospital space. Uh and so.

1:11:59.600 --> 1:12:01.960
<v Speaker 2>Wait to do it again. Can't wait and do it again,

1:12:02.560 --> 1:12:03.280
<v Speaker 2>Carni Folk.

1:12:05.120 --> 1:12:07.360
<v Speaker 1>Thank you all for listening to this episode of Podmeets World.

1:12:07.439 --> 1:12:09.599
<v Speaker 1>As always, you can follow us on Instagram pod meets

1:12:09.600 --> 1:12:12.040
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1:12:12.040 --> 1:12:15.200
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1:12:15.240 --> 1:12:17.360
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1:12:17.520 --> 1:12:21.200
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1:12:22.760 --> 1:12:27.280
<v Speaker 1>Podmeetsworldshow dot com. We love you all, pod dismissed.

1:12:29.400 --> 1:12:32.799
<v Speaker 3>Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1:12:32.840 --> 1:12:36.559
<v Speaker 3>Wilfridell and Ryder Straw Executive producers Jensen Karp and Amy

1:12:36.560 --> 1:12:40.280
<v Speaker 3>Sugarman Executive in charge of production, Danielle Romo, producer and editor,

1:12:40.360 --> 1:12:44.280
<v Speaker 3>Tarasubash producer, Maddie Moore engineer and Boy meets World Superman

1:12:44.439 --> 1:12:47.840
<v Speaker 3>Easton out Our theme song is by Kyle Morton of Typhoon.

1:12:48.120 --> 1:12:51.080
<v Speaker 3>Follow us on Instagram at Podmets World Show, or email

1:12:51.160 --> 1:12:57.240
<v Speaker 3>us at Podmeets World Show at gmail dot com