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Speaker 1: It's Memorial Day. We're recording this today, Memorial Day. We

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Speaker 1: should be at a barbecue together.

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Speaker 2: Yeah, we should be eating ribs.

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Speaker 3: We should be Wait, are you really trying wait, hold on,

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Speaker 3: let me get this straight going.

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Speaker 2: Are you really trying not to eat meat nowadays?

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Speaker 1: I am a pescatarian. I'm trying that out.

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Speaker 2: When did you become a pescatarian?

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Speaker 1: I watched this documentary that really got me inspired about

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Speaker 1: stopping eating animals besides fish.

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Speaker 2: You sound like my dad. My dad is the same

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Speaker 2: way right now.

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Speaker 1: The documentary was it's called the Game Changers. Is that

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Speaker 1: what it's called? Yes, game changers. So, but I've never

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Speaker 1: done anything. I love burgers, I love I love all

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Speaker 1: this shit. We all have eaten our whole lives. But

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Speaker 1: we have all this time on our hands. Right, It's

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Speaker 1: like an experimentation time on every front, right, Like you

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Speaker 1: can experiment with you know, I've been experimenting with all

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Speaker 1: sorts of things in my life. Is I'm sure a

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Speaker 1: lot of people have. And one was like, okay, well

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Speaker 1: let me just try this this during this time to

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Speaker 1: only be a fish. And I do feel better, I

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Speaker 1: do feel healthier.

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Speaker 2: Well that's great, but I know you're I.

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Speaker 1: Know you're very meat passionate.

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Speaker 4: Donald.

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Speaker 3: You know, I'm trying to stay away from the red meat.

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Speaker 3: That's the hardest thing to stay away from. It's so tasty.

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Speaker 3: So I've been trying to figure out different ways to

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Speaker 3: cook a chicken, and I've been doing that a lot lately.

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Speaker 2: But yeah, you're right.

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Speaker 3: I do agree that too much meat is bad for you, obviously,

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Speaker 3: because you know, cholesterol says something about that, blood pressure

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Speaker 3: says something about that, heart disease, colorectal cancer says a

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Speaker 3: lot about that, you know what I mean, And that's

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Speaker 3: when you eat too much red meat, usually or processed foods.

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Speaker 3: I'm having a hard time getting off of all of

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Speaker 3: that stuff though.

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Speaker 2: That's the problem.

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Speaker 1: But I gotta tell you last night we had a

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Speaker 1: fake burger.

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Speaker 2: You had Beyond Burger.

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Speaker 1: It wasn't one of the fancy ones.

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Speaker 2: Beyond.

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Speaker 1: It wasn't beyond it impossible. It was the only two

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Speaker 1: names I know, and we just got it at a supermarket.

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Speaker 1: It was a nice a nice brand. I forgot the brand,

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Speaker 1: but it was amazing. I mean, once you put cheese

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Speaker 1: on it and all the fixens and your spices, it's great.

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Speaker 2: But once you put the cheese on it.

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Speaker 3: You're no longer prescytarian whatever it is that you're tresctarian.

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Speaker 1: That's yeah, I'm I can eat cheese. I'm just not

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Speaker 1: eating I'm not eating meat. I'm not eating I'm not

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Speaker 1: eating any form of meat other than fish.

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Speaker 2: All right, well should we sing?

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Speaker 1: You don't seem happy. I want you to get happy.

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Speaker 1: You seem very dumb if you can't sing unless you're happy.

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Speaker 1: Donald's very old.

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Speaker 2: Song, hold on, hold on, hold on.

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Speaker 1: You just you have a furrowed brow.

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Speaker 2: I am very happy, first of all.

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Speaker 1: Okay, well let's let me see it. We're about to

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Speaker 1: bring on Randall Winston, one of the most exciting people.

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Speaker 2: I'm really excited, but I don't want him to see you.

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Speaker 1: Better turn that motherfucking bearded frown upside down.

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Speaker 2: I'm telling you something right now.

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Speaker 3: Randall Winston is responsible for some of the most happiest

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Speaker 3: moments of my life.

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Speaker 2: So I can't wait to have him on.

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Speaker 1: Okay, well, then count these motherfuckers in.

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Speaker 2: Five, six, seven, eight, motherfuckers.

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Speaker 5: Here's some story I'm not show. We made about a

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Speaker 5: bunch of tips and nurses.

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Speaker 6: He said he's a stormy neal, so Ganda around here,

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Speaker 6: Ganda around here.

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Speaker 7: Sweat me.

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Speaker 1: There he is? Why is he wearing like a gaming headset?

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Speaker 4: That's the only headset I can find.

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Speaker 1: Oh my god, you're so normal.

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Speaker 2: You're play an Xbox later, buddy.

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Speaker 1: Did we interrupt you from call of duty? Or are

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Speaker 1: you flying a chop? Are you flying a chopper anytimes too?

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Speaker 2: Oh my god, we're so excited to have you on

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Speaker 2: the show. Yeah, we hear you.

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Speaker 4: Just awesome. Yes, these are this is my son's gaming

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Speaker 4: heads I knew it.

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Speaker 1: By the way, this is gonna be I wish the

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Speaker 1: audience could see Randel is wearing a gaming headset. But

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Speaker 1: if you don't play games, picture a helicopter headset, right,

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Speaker 1: and he's in his beautiful garden and he's wearing his

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Speaker 1: kids gaming inset.

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Speaker 2: Well that literally is it? Literally is a game?

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Speaker 4: Lights up?

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Speaker 6: Oh?

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Speaker 2: I love it? I love it. How are you man?

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Speaker 1: How are you? Randy?

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Speaker 4: I am fantastic, I mean, of things considered, I'm great.

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Speaker 2: You know, congratulations on your pickup.

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Speaker 4: Yes we did.

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Speaker 3: We didn't get picked up, Randall, but.

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Speaker 1: I didn't know you didn't get picked up. I'm sorry,

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Speaker 1: It's all good.

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Speaker 3: ABC decided not to go further with Emergents, but better news,

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Speaker 3: ABC decided to go further with Mixed Dish, which is

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Speaker 3: Randall's show. Now, let me get this straight. Randal, you're

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Speaker 3: executive producer on the show.

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Speaker 4: Now that is correct.

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Speaker 2: Look at you man started.

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Speaker 1: At rand We gotta go back because Randall's career is

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Speaker 1: on FA and I think if for people that want

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Speaker 1: to go into Hollywood, Randall is a really exciting case

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Speaker 1: of someone that's on Fuego right now.

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Speaker 3: Well, not only is Antuego. I remember a video. I

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Speaker 3: don't know how I saw this video, but it was

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Speaker 3: a video of you pretty much manifesting your destiny, you

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Speaker 3: know what I mean, saying this is what I want

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Speaker 3: to do. I want to move to Hollywood. I want

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Speaker 3: to be a I want to be a big time producer.

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Speaker 3: And you know, and you're very young in this video too.

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Speaker 2: I don't know how I saw this video.

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Speaker 4: It was it was posted by a friend of mine.

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Speaker 4: It was we were like it was our twenty first

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Speaker 4: birthday or something like that. This is a girl who

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Speaker 4: I met on the journey to Los Angeles. We met

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Speaker 4: at a rest stop in Oklahoma and became life for friends.

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Speaker 4: We were on our way to come find our dreams.

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Speaker 4: And she was very into documenting everything and Donald, I

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Speaker 4: can't believe you saw that. That's that's crazy.

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Speaker 1: Donald and I are very into well I don't know, Donald,

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Speaker 1: I think you are, but I'm very pro right now

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Speaker 1: manifesting your shit and making everything happen. My friend, our friend,

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Speaker 1: Amanda is missed like whiteboard and writing everything down. And

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Speaker 1: actually I became friendly with John Legend's manager. I think

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Speaker 1: I've told you this story Donald, who said that everything

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Speaker 1: that John Legend has accomplished they put on a whiteboard

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Speaker 1: when they were kids, like out of out of college,

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Speaker 1: and they were like writing down, like they were laughing,

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Speaker 1: like I don't know this many Grammys and cover a

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Speaker 1: Time magazine and they were just like cracking each other up.

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Speaker 1: And She's like, every single thing we put on that

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Speaker 1: whiteboard happened.

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Speaker 2: Yeah, John Legend got an egot.

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Speaker 1: He's got well, Randall's gonna get a fucking egot, especially

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Speaker 1: for his acting skills.

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Speaker 2: Oh boy, here we go.

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Speaker 1: No, we had to get into it because Donald called

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Speaker 1: me out to Randall saying that I dissed his work

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Speaker 1: as Death in the show, and Randall texted me very

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Speaker 1: upset about his work is death being criticized?

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Speaker 4: I mean, I think I played the part that was

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Speaker 4: required of death. And I also, you know, death is

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Speaker 4: not the only role that they played on Scrubs. You know.

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Speaker 3: No, you also, well, we haven't gotten to the to

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Speaker 3: the security guard yet. He hasn't been introduced yet, the

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Speaker 3: hook the hook handed security guards.

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Speaker 1: Oh, I forgot that you were the hook handed security guard.

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Speaker 4: Leonard who had letter Letard, who had tens of fans?

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Speaker 1: Randall, how many episodes did Leonard do? Do you think?

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Speaker 4: I don't know exactly how many episodes he did, but

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Speaker 4: I will tell you this, all fans that wrote to me,

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Speaker 4: so many people from Men's prison got some sort of

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Speaker 4: treat assigned script or something from Scrubs.

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Speaker 3: So you are you aren't able to you weren't you

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Speaker 3: were able to do it and not get carport tunnel,

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Speaker 3: is what you're saying, because there's only like tens of them.

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Speaker 1: Exactly would you really give fan mail?

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Speaker 4: Yeah? Yeah, I got like not a.

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Speaker 1: Lot, but you got more fan mail Leonard or death.

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Speaker 4: Leonard? For sure?

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Speaker 2: All right, let's go back to the beginning.

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Speaker 1: Yes, let's start at the very beginning.

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Speaker 3: I tried to do that with you manifesting your destiny.

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Speaker 3: But at some point things changed for you, Like you

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Speaker 3: lived in New York for a little bit and then

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Speaker 3: you moved to Los Angeles. Can you just tell us

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Speaker 3: how it all started and how you got connected with Bill,

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Speaker 3: and how this became and how this all trans send

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Speaker 3: it into scrubs.

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Speaker 4: Yes, the truth is Bill and I met socially first.

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Speaker 4: As a matter of fact, on scrubs. We kept a

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Speaker 4: graduation photo in Turk and JD's apartment and told everybody

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Speaker 4: that was our graduation picture. But we really we met

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Speaker 4: on the basketball court. I had an I had an

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Speaker 4: old room, so I had I had driven out from

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Speaker 4: the Midwest, you know, I kind of trying to find

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Speaker 4: my dream, got to Los Angeles, snuck onto all the

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Speaker 4: lots in town, got myself a job, and I started

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Speaker 4: creating my circle, you know, your chosen family, your la family,

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Speaker 4: and a guy who was my best friend, who I

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Speaker 4: lived with, a guy named Greg Malon's who went on

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Speaker 4: to run friends, and how I met your mother, and

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Speaker 4: a bunch of other stuff. He and Bill had this

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Speaker 4: played in this Saturday game and invited me to play

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Speaker 4: a few times. And that's how that was how I

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Speaker 4: originally met met Bill. I went from working for a

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Speaker 4: guy named Gary Dave Goldberg. That was my very first job.

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Speaker 4: He's the guy who created Family Ties. Yeah. Yeah, he

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Speaker 4: was amazing. He was an amazing mentor and he had

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Speaker 4: taken Bill under his wing. So so Gary is in

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Speaker 4: some ways the reason that we started working together. And

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Speaker 4: the first show we did together was a show called Champs.

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Speaker 4: That was the first show we did together and Kevin

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Speaker 4: Neilan was in it and it was it was DreamWorks

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Speaker 4: very first TV show.

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Speaker 3: So that kind of okay, Just to so Kevin Nilan,

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Speaker 3: who Zach remembers being at the first party we ever

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Speaker 3: had in our scrubs up. That's why Kevin Nielan was there, Zach.

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Speaker 3: He wasn't there because he was a fan of the show.

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Speaker 3: He was there because he worked with Bill and Randall.

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Speaker 1: Okay, well he may have been a coincidence, but okay,

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Speaker 1: I'll hear you, okay. Randal v. Froz are you still there?

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Speaker 1: Oh boy?

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Speaker 2: And that was when we lost random.

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Speaker 1: Oh god, what are you drinking there?

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Speaker 2: Momosa, little Mimosa. Memorial Day, Yeah, buddy.

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Speaker 1: The think about Memorial Day is it's just another weekday

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Speaker 1: that you can rationalize it's okay to drink early. Yeah,

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Speaker 1: in this day and age, it doesn't feel any different.

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Speaker 1: My girlfriend was like, it's a memorial day. I'm like,

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Speaker 1: how is that going to be different from any other

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Speaker 1: day that we're living in hibernation right now?

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Speaker 2: Well, kids, we can drink. Yeah. The kids don't have

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Speaker 2: to get on zoom today.

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Speaker 1: Okay, if you have kids, they don't have to get

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Speaker 1: on their zoom things.

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Speaker 3: But but today is a is a day where you know,

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Speaker 3: my wife looked at me, it was like, you're drinking already,

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Speaker 3: and I was like, it's it's.

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Speaker 1: A memorial day.

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Speaker 2: It's a memorial day.

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Speaker 1: So did she then join you?

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Speaker 2: No, she did not. She was like, you're an alcoholic.

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Speaker 1: I was like, oh shit, be like, baby, it's a

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Speaker 1: Memorial Day.

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Speaker 3: And on that note, I'm going upstairs to do my podcast.

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Speaker 4: Okay.

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Speaker 3: Randall says he's resetting the Wi Fi. Oh god, that's

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Speaker 3: that's that's unfortunate.

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Speaker 1: You know, we lost all the momentum of blowing this

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Speaker 1: guy up. We're gonna have to regenerate it.

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Speaker 2: We're gonna have to regenerate it.

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Speaker 1: We're gonna have to regenerate our Randall blow up.

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Speaker 2: He said, fucking Spectrum.

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Speaker 8: I just had my dad switch off of Spectrum for

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Speaker 8: the same reason that shit is do do.

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Speaker 1: Trum is bad. Dan, you don't support no, guys, I

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Speaker 1: want you to listen. This is a very very technical

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Speaker 1: man here, and he's saying fuck Spectrum. So if you're

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Speaker 1: choosing a provider, listen to Dan.

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Speaker 8: The only way that I found that you get good

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Speaker 8: internet service is if you just switched from provider to

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Speaker 8: provider every year or so. Because they don't reward loyalty.

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Speaker 8: There's no like your bill is reduced, your service is better.

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Speaker 8: It just gets worse and worse and worse, and they

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Speaker 8: want to keep getting new customers. So I have gigabit Internet,

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Speaker 8: a thousand megabytes up and down for seventy five bucks

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Speaker 8: a month, which is the cheapest Internet I've ever had.

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Speaker 2: And it's just because I switched.

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Speaker 1: I What are you using now, Dan? AT and A

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Speaker 1: T and T All right, Well, guys, you're hearing it

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Speaker 1: a year first that Dan really recommends AT and T.

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Speaker 1: It's really about you can work the companies against each other.

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Speaker 1: If you're constantly quitting one and saying no, fuck off,

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Speaker 1: you suck, and then they give you a better rate.

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Speaker 1: So if you have the time, which you do now,

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Speaker 1: you two can have fancy fast internet like Dan Randall

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Speaker 1: welcome back, blowing you up. And then you had to

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Speaker 1: do a Wi Fi problem.

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Speaker 2: All right, so let's get back into it.

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Speaker 1: So you let's just jump to in the spirit of time,

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Speaker 1: let's just keep this moving. You start work on Spin

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Speaker 1: City with Bill, and you hit it off. You become besties.

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Speaker 1: You're partying around the city. Your young men in Manhattan, go.

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Speaker 2: And make it from LA. How did you get from

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Speaker 2: LA to Manhattan? How did that happen?

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Speaker 1: Well, we're playing Donald no doubt.

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Speaker 2: Fuck you man the fight. If I could reach through

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Speaker 2: this screen right now.

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Speaker 4: Uh, you know what, it goes back to basketball. We

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Speaker 4: came off the basketball court one night playing and uh,

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Speaker 4: Gary and Bill pulled me aside and they said, you know,

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Speaker 4: we just wrote this pilot.

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Speaker 8: Uh.

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Speaker 4: We sent it to uh. We sent it to Michael J.

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Speaker 4: Fox and they said, there's a character. The mayor is

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Speaker 4: named after you. I think your mother would be very proud.

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Speaker 4: Mayor Randall Winston and uhlaid by the great Berry box

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Speaker 4: work and with the show Gut. We did the pilot,

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Speaker 4: but Michael was living in New York and said he

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Speaker 4: would only do this series if we took it to

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Speaker 4: New York. So that was the opportunity of a lifetime,

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Speaker 4: you know, change my life. I got the chance to

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Speaker 4: go to New York. Garry took a select group of

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Speaker 4: people and Donald you know Sebastians, Do you guys know

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Speaker 4: Sebastian gents. We moved. We all went to New York

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Speaker 4: with all excitement, like nobody was over anything. Everybody just

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Speaker 4: was into going to the city. You were, How old

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Speaker 4: were you I was? I think I was twenty nine.

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Speaker 4: I think I turned thirty that year. But Bill was.

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Speaker 4: Bill's like a year younger than me, and he had

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Speaker 4: like the first American Express black card, and he would say,

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Speaker 4: you know, Randall go out and find us in after

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Speaker 4: hours every Friday. So there'd be lines at these after

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Speaker 4: ours clubs and they're like, you know, absolutely, we don't

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Speaker 4: have any room. I'd be like, you got room now, motherfucker.

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Speaker 4: Now Now I say, I say, I need two cases

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Speaker 4: of champagne and a private room. And that was just

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Speaker 4: the beginning.

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Speaker 2: Right now, I got to tell you something.

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Speaker 3: Some of my favorite moments, some of the best moments

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Speaker 3: of my life I've shared with you. Rend you have

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Speaker 3: been present at some of the most special moments, some

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Speaker 3: of the most wildest moments, some of the craziest moments

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Speaker 3: of my life have been with you there.

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Speaker 4: I love that.

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Speaker 1: Everything, everything from partying in Vegas to marrying him and

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Speaker 1: his wife and everything in between, Randall has been there.

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Speaker 2: He has been there.

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Speaker 1: How many people have you married, Randall?

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Speaker 4: U seventeen successful couples? Donald? What I said? I said,

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Speaker 4: you got to be serious, because everybody I marry stays together?

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Speaker 2: Right? How many? How many people have gotten divorced?

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Speaker 4: Zero?

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Speaker 1: You got a good streak.

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Speaker 4: I don't have people messing with my streak up now.

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Speaker 1: Now, Randal, If I'm listening to this, I was preparing

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Speaker 1: for this, and I thought, if I'm listening to this

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Speaker 1: and I'm interested in production, but I don't know anything

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Speaker 1: about it. I see in the credits all the time

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Speaker 1: a line producer, but I see exec producer, I see

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Speaker 1: associate producer. I see all these titles. Could you explain

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Speaker 1: to people that have nothing to do with the business

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Speaker 1: what a line producer does?

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Speaker 4: Yes, yes, it is. It's true that the TV credits

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Speaker 4: are lousy with producers, and usually if the credit is

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Speaker 4: line producer or produced by that credit is reserved for

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Speaker 4: the person who is essentially responsible for keeping the train

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Speaker 4: running on time, making sure that you've got the right

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Speaker 4: group people in the right place, making sure that the

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Speaker 4: show is on budget, that it is getting delivered on time,

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Speaker 4: not just within the time concerts of your time slote,

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Speaker 4: but delivered the day that it's supposed to be delivered,

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Speaker 4: you know, sort of soup to nuts. That it starts

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Speaker 4: with the prep, which is, as it sounds, the paring

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Speaker 4: of the show. When you first get a little bit

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Speaker 4: of information about the about the series and each episode,

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Speaker 4: you know, you start to break it down with your team.

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Speaker 4: You know, how many actors are we going to need,

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Speaker 4: do we need to build sets? Are we going out anywhere?

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Speaker 4: And what is it going to take? And I think

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Speaker 4: that job at its best is a negotiator and a translator.

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Speaker 4: You know, that's somebody who you know, oftentimes it was

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Speaker 4: between I'm working between Bill on scrubs, between Bill who

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Speaker 4: created the show, and the studio and the network. So

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Speaker 4: everybody's getting what they need and even when they're not

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Speaker 4: speaking the same language, or figure out what the best

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Speaker 4: thing to accomplish what's in the script is can be

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Speaker 4: accomplished within the box that's been built.

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Speaker 1: Yeah, and the line bruisers. Also, if you think about it,

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Speaker 1: the keeper of the purse in a sense that when

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Speaker 1: you're directing or show running, you will often think, oh,

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Speaker 1: I think we should I wrote this big scene. It'd

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Speaker 1: be great to shoot it in this amazing restaurant. And

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Speaker 1: then I want to get a crane outside that's gonna

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Speaker 1: come down here, and then it'd be cool if it

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Speaker 1: was raining outside. This is when the line producer starts

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Speaker 1: to sweat, when we start to go, wait, we need rain,

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Speaker 1: need rain, every every time.

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Speaker 4: Every time Zach got a directing assignment, before there was

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Speaker 4: even a script, he could come here and say, I

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Speaker 4: need a crane exactly exactly.

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Speaker 1: I don't even know what the fucking script says, but

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Speaker 1: I'm gonna need a big ass cran. But so it's

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Speaker 1: the line producer's job, almost like a parent, to be like, look,

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Speaker 1: you use the dollar and you got your candy bar.

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Speaker 1: You should have saved it and you could have gotten ice.

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Speaker 4: Cream, yes, right, you could have. You could have one

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Speaker 4: big thing or two little things right right.

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Speaker 1: And a lot of times it's negotiation, like you like, hey,

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Speaker 1: you know they're keeper of the money. But in terms

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Speaker 1: of the money, it's not just the camera gear, but

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Speaker 1: how many crew, how many extras are you're gonna be

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Speaker 1: able to afford? Are you gonna be able to do

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Speaker 1: any overtime on? All of that is off into the

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Speaker 1: releaseship I often have with the line producer. As they

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Speaker 1: say it, think of it like a Chinese food menu,

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Speaker 1: in that you're choosing from a myriad of things that

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Speaker 1: you can have, but you can't exceed that budget. So

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Speaker 1: if you do want a big ass crane, then maybe

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Speaker 1: you can't have as many background at the wedding.

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Speaker 4: It's so funny that you say that. I oftentimes it

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Speaker 4: crossed my career have literally made a Chinese menu for

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Speaker 4: directors and producers, you know, because you inevitably get to

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Speaker 4: a point and Bill and I used to have, you

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Speaker 4: know something back then it was like the thousand dollars deal,

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Speaker 4: which was once we had locked the budget, he was

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Speaker 4: not allowed to bring me any problems that cost more

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Speaker 4: than one thousand dollars. Like I could figure it out,

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Speaker 4: you know, if it was a thousand or under. But

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Speaker 4: you know, you can't be adding stuff once we're once

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Speaker 4: we started rolling.

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Speaker 1: Now on screen back in the day, we would do

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Speaker 1: a lot of overtime, which which now people don't really

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Speaker 1: do anymore, right, I mean, on your jobs now, are

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Speaker 1: people pretty much keeping it to twelve hours these days?

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Speaker 4: It depends, really, I mean for the for the most part, yes,

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00:20:04,280 --> 00:20:06,720
Speaker 4: but a lot has changed. You know. We did for

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Speaker 4: a big chunk of that show a true single camera show,

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Speaker 4: which is almost all shows have more than one camera

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Speaker 4: rolling at the time now, so you can get more

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Speaker 4: work done within the hours you can get you know,

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Speaker 4: for those who do people know that just been single

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Speaker 4: and multi like usually on the single camera show, you're

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Speaker 4: getting one angle at a time, shooting one actors close up,

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Speaker 4: and then you turn around and get the other actor,

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Speaker 4: and the more actors in a scene, you know, the

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Speaker 4: more times you're turning, And if you have multiple cameras,

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Speaker 4: then you can get multiple shots. But on a show

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Speaker 4: like Mixed Dish, you know, or you know, American Housewife

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Speaker 4: or any show that's got a family, you know, family

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Speaker 4: show as opposed to community, you're up against kid hours.

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Speaker 4: So those shows in particular are held to a bricter standard. Hoowers.

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Speaker 3: I'm gonna be honest with you, I love it when

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Speaker 3: kids are on the show now and you're working the

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Speaker 3: show because you're not going past twelve hours. Dude, you

427
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Speaker 3: might not even do eight hours that day, you know

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Speaker 3: what I mean?

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Speaker 2: I love it.

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Speaker 3: I love so I did Emergence this uh this last

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Speaker 3: year didn't get picked up ABC.

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Speaker 2: Thank you.

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Speaker 4: You were great in it.

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Speaker 1: Donald, by the way, you were great in that show.

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Speaker 1: I think we should pour some out for Emergence of Emergence.

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Speaker 3: But I remember we had two very young ladies on

437
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Speaker 3: the show and they were in school and once they

438
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Speaker 3: showed up to set, we had the clock was ticking.

439
00:21:24,920 --> 00:21:26,679
Speaker 3: We had eight hours to get them done or they

440
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Speaker 3: would they turned into a pumpkin yea, And so I

441
00:21:33,000 --> 00:21:33,560
Speaker 3: used to love that.

442
00:21:33,600 --> 00:21:35,480
Speaker 2: It would be like, are the kids working today? They'd

443
00:21:35,480 --> 00:21:36,520
Speaker 2: be like yeah, and I'd be like, great.

444
00:21:36,560 --> 00:21:38,879
Speaker 3: That means I'm done before you know, I'm done before

445
00:21:38,880 --> 00:21:41,320
Speaker 3: the sun goes down. Is when the kids weren't working

446
00:21:41,320 --> 00:21:43,240
Speaker 3: that you were like, oh my god, I'm gonna be

447
00:21:43,280 --> 00:21:43,960
Speaker 3: here forever.

448
00:21:44,680 --> 00:21:45,960
Speaker 2: Well, random, you see kids on.

449
00:21:46,000 --> 00:21:48,439
Speaker 3: There, you can make it right right, You'd be like,

450
00:21:48,440 --> 00:21:50,000
Speaker 3: I can make that eight o'clock movie tonight.

451
00:21:50,440 --> 00:21:53,760
Speaker 1: Randall, you and I always got along so well. You know,

452
00:21:53,880 --> 00:21:57,600
Speaker 1: sometimes the relationship between a director and a line producer

453
00:21:57,640 --> 00:22:00,080
Speaker 1: could be contentious because the director feels like, oh, you're

454
00:22:00,119 --> 00:22:01,919
Speaker 1: taken away. You're not you're not working with me, you're

455
00:22:01,960 --> 00:22:04,600
Speaker 1: not making it, you're not helping me realize all the

456
00:22:04,600 --> 00:22:06,600
Speaker 1: things I want to do. Of course, the line producer

457
00:22:06,640 --> 00:22:08,240
Speaker 1: has a stressful job. You're like, dude, you're killing me.

458
00:22:08,280 --> 00:22:10,320
Speaker 1: You're so over budget, what the hell are you talking about.

459
00:22:10,720 --> 00:22:13,840
Speaker 1: But but when the two are friends and they feel like, hey,

460
00:22:13,960 --> 00:22:16,760
Speaker 1: let's work it out, then then then it never gets contentious.

461
00:22:16,760 --> 00:22:19,800
Speaker 1: But of course sometimes when people don't get along, the

462
00:22:19,880 --> 00:22:22,080
Speaker 1: line producer and the director don't always like each other.

463
00:22:22,480 --> 00:22:26,000
Speaker 4: Well, I think that, uh, it has been to the

464
00:22:26,000 --> 00:22:28,560
Speaker 4: great benefit of my career in general. Part of it

465
00:22:28,640 --> 00:22:30,720
Speaker 4: is just I think the way that I like to

466
00:22:30,720 --> 00:22:33,600
Speaker 4: work is that the goal is to be symbiotic. Like

467
00:22:33,640 --> 00:22:36,280
Speaker 4: you know, when people think that it's contentious, it is contentious,

468
00:22:36,280 --> 00:22:38,320
Speaker 4: but you know, we're all rowing in the same direction.

469
00:22:38,400 --> 00:22:40,760
Speaker 4: You want, you want a great show, you want and

470
00:22:40,920 --> 00:22:44,560
Speaker 4: comedies in particular, you know, like I think about the episode,

471
00:22:44,600 --> 00:22:47,920
Speaker 4: not it's the episode to day, but your episode when

472
00:22:48,000 --> 00:22:53,760
Speaker 4: you when you go into the puddle and you see, uh,

473
00:22:52,840 --> 00:22:53,159
Speaker 4: what was.

474
00:22:55,680 --> 00:22:58,199
Speaker 1: A sea monster? Do you say? Sea monster? It was

475
00:22:58,280 --> 00:23:01,960
Speaker 1: not a sea monster random named Julian.

476
00:23:02,040 --> 00:23:02,359
Speaker 4: Julian.

477
00:23:04,800 --> 00:23:07,399
Speaker 1: I love that you said sea monsters. What was the

478
00:23:07,400 --> 00:23:08,320
Speaker 1: sea monster's name?

479
00:23:10,520 --> 00:23:14,679
Speaker 4: So that's a perfect example of that script had so

480
00:23:15,000 --> 00:23:18,680
Speaker 4: much in it. But that was the biggest joke in

481
00:23:18,720 --> 00:23:21,560
Speaker 4: the show. And you know, we had to call the

482
00:23:21,600 --> 00:23:23,560
Speaker 4: city and get Diggler and it was the first time

483
00:23:23,560 --> 00:23:25,560
Speaker 4: I got to use a jackhammer, and we're like digging

484
00:23:25,600 --> 00:23:28,879
Speaker 4: holes in the parking lot and creating a swimming pool

485
00:23:28,880 --> 00:23:31,320
Speaker 4: that we're gonna have to fill in. But but the

486
00:23:31,400 --> 00:23:35,000
Speaker 4: question was, you know, is this one of the funniest

487
00:23:35,000 --> 00:23:37,080
Speaker 4: things in the script? What what what are we gonna

488
00:23:37,080 --> 00:23:39,440
Speaker 4: give up or combined so that we can keep that

489
00:23:40,000 --> 00:23:44,520
Speaker 4: and that trusting relationship, you know, with with with the actor,

490
00:23:44,560 --> 00:23:48,200
Speaker 4: with the director, with the writers, you know, builds that

491
00:23:48,280 --> 00:23:48,879
Speaker 4: thing that you're.

492
00:23:48,720 --> 00:23:51,000
Speaker 1: Talking and Renald, you're the kind of person that was

493
00:23:51,080 --> 00:23:53,160
Speaker 1: like so on board. You'd be like, oh my god,

494
00:23:53,200 --> 00:23:53,960
Speaker 1: we have to figure it out.

495
00:23:54,080 --> 00:23:55,240
Speaker 2: We have to figure out a way.

496
00:23:55,359 --> 00:23:58,600
Speaker 1: I know because I think that I think that gag,

497
00:23:58,640 --> 00:24:02,240
Speaker 1: which involved building two different small swimming pools to code

498
00:24:02,280 --> 00:24:04,159
Speaker 1: because the city was not going to let anyone not

499
00:24:04,240 --> 00:24:06,320
Speaker 1: do it to code, was one of the most expensive

500
00:24:06,400 --> 00:24:07,639
Speaker 1: gags in Scrubs history.

501
00:24:07,640 --> 00:24:12,320
Speaker 4: As I recall, Yes it was, Yes, it was very expensive.

502
00:24:12,480 --> 00:24:15,959
Speaker 2: But that's you're right, Zach. That's a very important point.

503
00:24:16,480 --> 00:24:19,479
Speaker 3: If you have a line producer who's game, and it's like,

504
00:24:19,720 --> 00:24:22,320
Speaker 3: I can figure this out. If you work with me,

505
00:24:22,960 --> 00:24:25,320
Speaker 3: we can figure this out. You're gonna get some of

506
00:24:25,359 --> 00:24:26,879
Speaker 3: the best stuff, you know what I mean.

507
00:24:26,920 --> 00:24:28,840
Speaker 1: Of course, of course I was so weirried about Randall

508
00:24:28,920 --> 00:24:30,720
Speaker 1: was he wasn't you know some of these guys and

509
00:24:30,760 --> 00:24:32,720
Speaker 1: gals are sitting in office and they're rolling your eyes

510
00:24:32,720 --> 00:24:34,320
Speaker 1: when you walk in. Randon was out there with the

511
00:24:34,400 --> 00:24:36,359
Speaker 1: jackhammer being like, I can't believe o' building.

512
00:24:36,119 --> 00:24:45,920
Speaker 4: The tay totally true?

513
00:24:46,560 --> 00:24:48,399
Speaker 1: All right, should we get into the episode. Let's get

514
00:24:48,400 --> 00:24:52,240
Speaker 1: into the episode. So Randal, this one is supersized. Let's

515
00:24:52,240 --> 00:24:55,800
Speaker 1: talk about that. Very rare. Most episodes thus far in

516
00:24:55,840 --> 00:24:58,439
Speaker 1: the show are been twenty two minutes without commercials. This

517
00:24:58,480 --> 00:25:01,840
Speaker 1: one is twenty eight, which is a bit leap to supersize. Right.

518
00:25:02,160 --> 00:25:03,879
Speaker 4: It was a big It was a big issue at

519
00:25:03,880 --> 00:25:07,240
Speaker 4: the time the show with the pizza clock as we

520
00:25:07,359 --> 00:25:11,520
Speaker 4: as we called it. But the network was very contemptus

521
00:25:11,560 --> 00:25:14,159
Speaker 4: about this episode and they did not rerun it. Again

522
00:25:14,359 --> 00:25:18,200
Speaker 4: in certainly not that season, and I don't think for

523
00:25:18,480 --> 00:25:24,320
Speaker 4: years because being supersized and it's a it's a very

524
00:25:24,800 --> 00:25:28,480
Speaker 4: thoughtful episode, you know, very emotional goes inside where where

525
00:25:28,480 --> 00:25:31,520
Speaker 4: the characters are. And I think at the time, you know,

526
00:25:31,640 --> 00:25:33,480
Speaker 4: we were still in season one and they wanted it

527
00:25:33,520 --> 00:25:36,679
Speaker 4: to just to be you know, more JD falling.

528
00:25:37,000 --> 00:25:40,080
Speaker 1: Yeah, exactly, they were like, what are you doing this

529
00:25:40,160 --> 00:25:43,760
Speaker 1: weird documentary style interludes? I mean, where's JD running into

530
00:25:43,760 --> 00:25:46,560
Speaker 1: a wall? And you know, but it's a great episode.

531
00:25:46,560 --> 00:25:50,239
Speaker 1: I just want to say. Written by Gabrielle Allen and

532
00:25:50,359 --> 00:25:54,760
Speaker 1: directed by Lawrence Trilling, who became one of our favorites

533
00:25:54,960 --> 00:25:58,440
Speaker 1: early on. He then went on to do Pushing Daisies

534
00:25:58,520 --> 00:26:02,760
Speaker 1: and Parenthood and I just googled now that he's on Goliath.

535
00:26:03,160 --> 00:26:04,840
Speaker 1: But super talented guy.

536
00:26:05,040 --> 00:26:07,560
Speaker 2: I think Lawrence Trilling and I did Felicity together.

537
00:26:07,680 --> 00:26:07,960
Speaker 1: He did?

538
00:26:08,040 --> 00:26:08,360
Speaker 4: You did?

539
00:26:08,840 --> 00:26:10,160
Speaker 1: He did? Were we ever on Alias?

540
00:26:10,240 --> 00:26:11,119
Speaker 4: Done? No?

541
00:26:11,200 --> 00:26:12,280
Speaker 2: I was never on Alias?

542
00:26:12,400 --> 00:26:14,560
Speaker 1: Okay, well he also did Alias, but yeah, he directed

543
00:26:15,440 --> 00:26:17,000
Speaker 1: Young Donald Faison and Felicity.

544
00:26:17,320 --> 00:26:21,760
Speaker 4: He's a really great guy, really fun, good director. And

545
00:26:21,800 --> 00:26:23,000
Speaker 4: Gabby got I love her.

546
00:26:24,680 --> 00:26:28,040
Speaker 1: Good team, great team, and I just thought there's a

547
00:26:28,080 --> 00:26:30,719
Speaker 1: lot of style to this. So so there became this

548
00:26:30,760 --> 00:26:33,879
Speaker 1: convention a few conventions. There's the pizza clock thing if

549
00:26:33,880 --> 00:26:36,119
Speaker 1: you look down at the pizza guys, in case you

550
00:26:36,160 --> 00:26:38,639
Speaker 1: didn't notice, the idea was that it was mimicking a clock.

551
00:26:39,320 --> 00:26:43,040
Speaker 1: And so as the episode is cutting between that one

552
00:26:43,160 --> 00:26:45,640
Speaker 1: night of Saturn and I in bed and then back

553
00:26:45,680 --> 00:26:48,480
Speaker 1: to the few weeks that follow us trying to date,

554
00:26:49,080 --> 00:26:52,480
Speaker 1: whenever it cuts back, the pizza's trying to look like

555
00:26:52,800 --> 00:26:55,879
Speaker 1: a clock from that night. So there's that sort of gag,

556
00:26:56,400 --> 00:26:59,960
Speaker 1: the timeline shake up, and then there's these documentary stop

557
00:27:00,320 --> 00:27:04,480
Speaker 1: shaky cam, grainy film as though we're all being interviewed

558
00:27:04,480 --> 00:27:09,000
Speaker 1: for a psychologist project on why people become doctors?

559
00:27:09,080 --> 00:27:13,439
Speaker 3: Right, all right, okay, well that's not I thought that

560
00:27:13,520 --> 00:27:15,359
Speaker 3: was the next episode, but okay.

561
00:27:15,640 --> 00:27:18,919
Speaker 1: No, that's my bed banter. And beyond that's inter cutting

562
00:27:19,040 --> 00:27:23,040
Speaker 1: Saren I and our big epic fuck fest for lack

563
00:27:23,080 --> 00:27:24,600
Speaker 1: of a better term, I gotta.

564
00:27:24,320 --> 00:27:26,560
Speaker 2: Tell you something, man, no miss that.

565
00:27:27,440 --> 00:27:30,240
Speaker 3: Let's go back because are you said the word, and

566
00:27:30,240 --> 00:27:32,280
Speaker 3: now I'm gonna now we can talk about it. I

567
00:27:32,280 --> 00:27:35,480
Speaker 3: guess I missed those days. I missed the days when

568
00:27:35,760 --> 00:27:39,280
Speaker 3: it was just sex all day. You know before kids,

569
00:27:39,600 --> 00:27:42,960
Speaker 3: when you could just bone all day, then go out

570
00:27:43,000 --> 00:27:46,919
Speaker 3: to dinner that night and then bone some more. My

571
00:27:47,040 --> 00:27:49,159
Speaker 3: wife and I, you know what, we gotta make an

572
00:27:49,200 --> 00:27:50,760
Speaker 3: appointment now and it.

573
00:27:50,960 --> 00:27:52,720
Speaker 1: Sucks, isn't in your cow?

574
00:27:53,800 --> 00:27:55,119
Speaker 2: Dude, I'll be like it.

575
00:27:55,480 --> 00:27:57,280
Speaker 3: You think it's a joke, and a lot of stand

576
00:27:57,400 --> 00:27:59,360
Speaker 3: up comics have made this joke, but it's real.

577
00:27:59,400 --> 00:28:04,600
Speaker 2: You'll be like, how about sex Thursday? Can we do Thursday?

578
00:28:04,640 --> 00:28:05,480
Speaker 1: I'm having my hair.

579
00:28:05,320 --> 00:28:07,320
Speaker 3: Done right, No, no, no, no, no no. The kid's

580
00:28:07,400 --> 00:28:10,560
Speaker 3: got zoom all day. I'm gonna be exhausted by eight o'clock.

581
00:28:10,800 --> 00:28:14,360
Speaker 3: There's no way. And Ozark comes on. I gotta watch Ozark?

582
00:28:15,119 --> 00:28:18,840
Speaker 1: Okay, Well, Jason Bateman, Jason Bateman is stealing your sex night.

583
00:28:19,400 --> 00:28:22,360
Speaker 3: Jason Bateman is fucking it up for me right now.

584
00:28:22,440 --> 00:28:23,480
Speaker 1: Dude.

585
00:28:23,800 --> 00:28:25,920
Speaker 2: I hear the shows that the good looking man.

586
00:28:26,240 --> 00:28:29,719
Speaker 3: I hear the show's great, but damn you, Jason Bateman.

587
00:28:29,840 --> 00:28:31,680
Speaker 3: I just wish he would get through the show already.

588
00:28:31,800 --> 00:28:34,080
Speaker 3: I just missed those days. I missed the days where

589
00:28:34,080 --> 00:28:34,879
Speaker 3: it was like and not.

590
00:28:34,960 --> 00:28:35,320
Speaker 2: Granted.

591
00:28:35,320 --> 00:28:38,479
Speaker 3: I love my children and I love having them in

592
00:28:38,520 --> 00:28:40,960
Speaker 3: my life, but I just missed the days of freaking

593
00:28:41,000 --> 00:28:45,680
Speaker 3: waking up boning, going to Hugo's.

594
00:28:45,120 --> 00:28:46,600
Speaker 2: To get breakfast.

595
00:28:48,680 --> 00:28:52,320
Speaker 3: Or brunch, right, brunch, whatever it is, coming back home

596
00:28:52,640 --> 00:28:54,000
Speaker 3: and being like, well, what do you want to do?

597
00:28:54,480 --> 00:28:56,640
Speaker 2: Well, we haven't fucked in like five hours, we might

598
00:28:56,680 --> 00:28:57,520
Speaker 2: as well fuck again.

599
00:28:58,000 --> 00:29:03,920
Speaker 4: Perfect Donald, I am sitting outside looking longingly at my

600
00:29:03,960 --> 00:29:06,880
Speaker 4: blackout shutters, and how will you to use them? So

601
00:29:06,960 --> 00:29:07,360
Speaker 4: much more?

602
00:29:07,520 --> 00:29:07,640
Speaker 2: Right?

603
00:29:07,760 --> 00:29:13,520
Speaker 4: Just like crank it down, black out the bedroom and.

604
00:29:12,240 --> 00:29:15,080
Speaker 2: And do what you gotta do right them days is

605
00:29:15,120 --> 00:29:16,600
Speaker 2: over them? Days?

606
00:29:16,920 --> 00:29:19,560
Speaker 1: Is you guys are really doing a great ad for

607
00:29:19,600 --> 00:29:20,720
Speaker 1: having children right now?

608
00:29:21,200 --> 00:29:23,920
Speaker 2: No, you should do it. It's great, It's wonderful.

609
00:29:25,120 --> 00:29:27,320
Speaker 1: As you both drink your white claw.

610
00:29:29,160 --> 00:29:29,320
Speaker 4: Now.

611
00:29:29,400 --> 00:29:32,320
Speaker 1: Elliott has said in previous episodes that she's never had

612
00:29:32,360 --> 00:29:35,600
Speaker 1: an orgasm, and she said that she doesn't like sex.

613
00:29:35,680 --> 00:29:40,640
Speaker 1: So is JD the first person to not only bring

614
00:29:40,640 --> 00:29:43,560
Speaker 1: her to orgasm but show her the wondrous world of

615
00:29:43,720 --> 00:29:45,560
Speaker 1: epic sex days?

616
00:29:45,680 --> 00:29:48,080
Speaker 2: I'm sure you would like to think so, I think.

617
00:29:47,960 --> 00:29:52,440
Speaker 1: Yes, I'm not JD. Donald, I'm Zach Braff, but I'm

618
00:29:52,520 --> 00:29:55,640
Speaker 1: character of JD. Probably was good in bed.

619
00:29:55,840 --> 00:29:58,120
Speaker 3: Well, you know, in the beginning of it all, JD

620
00:29:58,280 --> 00:30:00,400
Speaker 3: was kind of a sucker when he's like he's almost

621
00:30:00,480 --> 00:30:02,880
Speaker 3: let her walk out of the house, and she was

622
00:30:03,000 --> 00:30:06,720
Speaker 3: obviously very much into jd.

623
00:30:06,680 --> 00:30:09,000
Speaker 1: Well, I don't know, dude, I disagree. I was watching

624
00:30:09,040 --> 00:30:11,320
Speaker 1: it with fresh eyes and I was thinking I couldn't

625
00:30:11,360 --> 00:30:14,560
Speaker 1: read where she was. Was she like, hey, I should go?

626
00:30:15,160 --> 00:30:17,560
Speaker 1: And then you know you know what that's like back

627
00:30:17,600 --> 00:30:18,000
Speaker 1: in the day.

628
00:30:18,160 --> 00:30:20,320
Speaker 3: Do I hate that shit? I hate that shit? Why

629
00:30:20,360 --> 00:30:23,120
Speaker 3: to test? Why I gotta be tested for? How come

630
00:30:23,160 --> 00:30:25,680
Speaker 3: you can't just be like, you know what, maybe, uh,

631
00:30:26,160 --> 00:30:27,000
Speaker 3: this was a mistake.

632
00:30:27,360 --> 00:30:29,560
Speaker 2: Was it a mistake though? Or did you know what

633
00:30:29,600 --> 00:30:29,880
Speaker 2: I mean?

634
00:30:30,040 --> 00:30:32,240
Speaker 3: Like I remember saying to my wife when she was

635
00:30:32,280 --> 00:30:35,600
Speaker 3: my girlfriend, like, you know, I don't know, I don't

636
00:30:35,640 --> 00:30:38,240
Speaker 3: know if this is if this is working out, you

637
00:30:38,280 --> 00:30:40,000
Speaker 3: know what I mean, and her being.

638
00:30:39,880 --> 00:30:41,160
Speaker 2: Like, you don't.

639
00:30:42,880 --> 00:30:45,920
Speaker 3: Wait a second, this is the best thing that's ever

640
00:30:46,000 --> 00:30:47,520
Speaker 3: happened to you. What do you mean you don't know

641
00:30:47,560 --> 00:30:50,480
Speaker 3: if this is working out? Like that was real talk.

642
00:30:50,840 --> 00:30:53,400
Speaker 3: The fact that Jad almost had her out the door

643
00:30:53,800 --> 00:30:56,240
Speaker 3: before he was before she turned around and was like, yo,

644
00:30:56,680 --> 00:30:58,560
Speaker 3: just say you want me to stay and stop being

645
00:30:58,560 --> 00:31:01,760
Speaker 3: a sucker, stop being a a little punk about this.

646
00:31:02,120 --> 00:31:04,040
Speaker 3: Just say you want me to stay, and I'll stay

647
00:31:04,040 --> 00:31:06,200
Speaker 3: and we can go have sex again, and then he's

648
00:31:06,240 --> 00:31:09,240
Speaker 3: finally like, will you stay? She's like, yeah, you gotta

649
00:31:09,240 --> 00:31:11,320
Speaker 3: pay for that though, because I almost will.

650
00:31:11,400 --> 00:31:13,760
Speaker 1: But don't you remember back in the day when you weren't,

651
00:31:13,760 --> 00:31:16,000
Speaker 1: when you weren't in such a long term relationship, when

652
00:31:16,080 --> 00:31:19,120
Speaker 1: something's new and you're kind of insecure about it, You're like,

653
00:31:19,160 --> 00:31:21,720
Speaker 1: did this person have as good of fun as I did?

654
00:31:21,760 --> 00:31:23,000
Speaker 1: I don't want to be the one who put I

655
00:31:23,040 --> 00:31:24,640
Speaker 1: don't want to put my one. I don't want to

656
00:31:24,680 --> 00:31:26,800
Speaker 1: be the one who puts myself out there and and

657
00:31:26,800 --> 00:31:29,080
Speaker 1: and gets dissed. Like you're you're You're in a very

658
00:31:29,200 --> 00:31:31,640
Speaker 1: vulnerable state. You're like, I kind of like this person,

659
00:31:31,640 --> 00:31:32,240
Speaker 1: do they like me?

660
00:31:32,640 --> 00:31:32,840
Speaker 2: You know?

661
00:31:33,440 --> 00:31:35,800
Speaker 4: Well did I? Ja? Do you? The character just wasn't

662
00:31:35,800 --> 00:31:38,600
Speaker 4: he in the friend zone a couple episodes before that? Yeah?

663
00:31:38,640 --> 00:31:40,120
Speaker 2: Yeah they were. They were friend zoned.

664
00:31:40,240 --> 00:31:44,120
Speaker 3: Yeah, like, uh, maybe seven episodes before he gets friend

665
00:31:44,200 --> 00:31:45,400
Speaker 3: zoned and.

666
00:31:45,320 --> 00:31:47,360
Speaker 1: Then he and then we gotta go to break. We'll

667
00:31:47,360 --> 00:31:50,160
Speaker 1: be right back with the legendary Randall Winster.

668
00:31:57,800 --> 00:32:05,120
Speaker 2: Random where instand is. We're very excited.

669
00:32:05,160 --> 00:32:08,280
Speaker 1: We're very excited Randall's here. We're talking about sex. JD

670
00:32:08,400 --> 00:32:12,200
Speaker 1: and Elliott have an epic epic twenty four hours of sex,

671
00:32:13,240 --> 00:32:15,640
Speaker 1: and it seems that JD has found a way to

672
00:32:16,160 --> 00:32:19,240
Speaker 1: bring Elliott all the way to the Promised Land because

673
00:32:19,240 --> 00:32:20,800
Speaker 1: she seems to be really enjoying sex.

674
00:32:21,120 --> 00:32:23,000
Speaker 3: Well, the fact that they have it like six or

675
00:32:23,080 --> 00:32:25,400
Speaker 3: seven times is ridiculous. And she even brings up, I'm

676
00:32:25,400 --> 00:32:26,640
Speaker 3: gonna need a vagina transport.

677
00:32:26,720 --> 00:32:28,320
Speaker 1: Yeah, she says, She's said you need a giant transplant,

678
00:32:28,320 --> 00:32:31,160
Speaker 1: which is a very funny fantasy cutting to the guys.

679
00:32:31,960 --> 00:32:37,480
Speaker 2: Running through Go Do Go Bucks box.

680
00:32:38,000 --> 00:32:42,240
Speaker 4: It's a cooler. Randall was that they should have done

681
00:32:42,280 --> 00:32:43,360
Speaker 4: the song vagainaa Bucks.

682
00:32:44,120 --> 00:32:47,640
Speaker 1: Randall was vagina transplant something that anyone was worried about

683
00:32:47,640 --> 00:32:50,680
Speaker 1: getting through the sensors, because it seems pretty pretty risque

684
00:32:50,720 --> 00:32:52,240
Speaker 1: to have a vagina in a box.

685
00:32:53,360 --> 00:32:58,240
Speaker 4: Yes, I remember there being like some conversation about I

686
00:32:58,240 --> 00:33:00,400
Speaker 4: can't remember whether it was whether it was a Chris

687
00:33:00,480 --> 00:33:03,560
Speaker 4: But the great thing about Scrubs was that there was

688
00:33:03,600 --> 00:33:06,320
Speaker 4: always something else to point at, like, you know, another

689
00:33:06,360 --> 00:33:08,240
Speaker 4: red herring. I was like, well, they have a vaian

690
00:33:08,280 --> 00:33:11,360
Speaker 4: in the box, but he says, dick three times two

691
00:33:11,360 --> 00:33:13,280
Speaker 4: pages later, we'll get rid of that and let us

692
00:33:13,320 --> 00:33:13,920
Speaker 4: keep a giant.

693
00:33:14,080 --> 00:33:17,800
Speaker 1: So part of Randall's job was was being Bill's liaison

694
00:33:17,840 --> 00:33:20,000
Speaker 1: to the studio. I mean, like, listen, guys, it's just

695
00:33:20,080 --> 00:33:23,200
Speaker 1: one vagina in a box. We're not gonna have vaginas

696
00:33:23,200 --> 00:33:24,440
Speaker 1: in boxes every week.

697
00:33:27,720 --> 00:33:31,080
Speaker 4: And and the and the great thing about about the

698
00:33:30,280 --> 00:33:35,040
Speaker 4: h the working with the person. There was a woman

699
00:33:35,640 --> 00:33:37,720
Speaker 4: I can't remember if this was Sandy Christmas, it was

700
00:33:37,720 --> 00:33:40,640
Speaker 4: this Sandy Christmas. It was this very sweet woman who

701
00:33:41,440 --> 00:33:43,560
Speaker 4: used to have these conversations with So I'd get on

702
00:33:43,600 --> 00:33:45,760
Speaker 4: the phone and she'd be like, now, Randall, I back

703
00:33:45,800 --> 00:33:51,560
Speaker 4: to vagina in the bull and you know, and then

704
00:33:51,640 --> 00:33:54,120
Speaker 4: you later say, penis you know, do we have to

705
00:33:54,160 --> 00:33:56,800
Speaker 4: have all of that in the show? Yeah?

706
00:33:56,840 --> 00:33:59,320
Speaker 1: And what's funny is they'll often give you they'll often

707
00:33:59,360 --> 00:34:01,560
Speaker 1: give you a sheet of all their objections and it's

708
00:34:01,560 --> 00:34:04,280
Speaker 1: a negotiation, and then even when you get it through,

709
00:34:04,320 --> 00:34:06,400
Speaker 1: they'd be like, Okay, we're fine with the vagina in

710
00:34:06,440 --> 00:34:09,440
Speaker 1: the box, please do not show a vagina in a box.

711
00:34:10,000 --> 00:34:14,360
Speaker 1: Like even shit, You're like, really, guys, you had to

712
00:34:14,400 --> 00:34:16,200
Speaker 1: write that on the paper, like you think we were

713
00:34:16,200 --> 00:34:19,040
Speaker 1: gonna cut to a vagina on for NBC in the box.

714
00:34:19,640 --> 00:34:22,280
Speaker 4: And sometimes they say sometimes they say stuff and you're thinking,

715
00:34:22,560 --> 00:34:26,480
Speaker 4: oh damn, you're weight dirtier than I thought. That is

716
00:34:26,520 --> 00:34:31,920
Speaker 4: not what we meant. This is a true story. We

717
00:34:32,040 --> 00:34:36,880
Speaker 4: had to go into the effects visual effects and adjust

718
00:34:37,280 --> 00:34:39,880
Speaker 4: Donald scrubs in a particular scene because they thought we're

719
00:34:39,880 --> 00:34:40,680
Speaker 4: seeing too much of a bob.

720
00:34:40,880 --> 00:34:46,920
Speaker 1: Oh, that is how we do, Dan, how about thunder

721
00:34:46,920 --> 00:34:50,239
Speaker 1: and we do. Let's have some thunders to plaster as

722
00:34:50,280 --> 00:34:55,200
Speaker 1: applause from my junk and then Dan, if you wouldn't

723
00:34:55,200 --> 00:34:55,839
Speaker 1: mind put them?

724
00:34:57,600 --> 00:34:59,840
Speaker 4: That was I used to do a Loma at the

725
00:34:59,840 --> 00:35:02,520
Speaker 4: t and most of my yes inspired me to just

726
00:35:02,520 --> 00:35:03,399
Speaker 4: go mm hm.

727
00:35:05,680 --> 00:35:08,800
Speaker 1: Whenever Nurse Roberts couldn't be at the table, read Randa

728
00:35:08,840 --> 00:35:11,600
Speaker 1: would would play her and his favorite part was doing her.

729
00:35:11,640 --> 00:35:16,360
Speaker 3: M speaking of speaking of Aloma, Holy cow, she's amazing

730
00:35:16,400 --> 00:35:18,760
Speaker 3: in this episode, very funny.

731
00:35:19,080 --> 00:35:21,240
Speaker 2: Every one of her lines lands hard.

732
00:35:21,360 --> 00:35:21,960
Speaker 4: You know what I mean?

733
00:35:22,239 --> 00:35:25,600
Speaker 2: White boys? Uh you mean it was a secret.

734
00:35:25,880 --> 00:35:29,080
Speaker 3: All of that stuff, everything that everything that she said

735
00:35:29,120 --> 00:35:30,879
Speaker 3: in this episode, I laughed out loud.

736
00:35:30,960 --> 00:35:33,719
Speaker 1: Now let's get rid of into it right away, you know.

737
00:35:33,880 --> 00:35:38,480
Speaker 1: Let's you know, the janitor sees Aloma and she sees him,

738
00:35:39,480 --> 00:35:42,040
Speaker 1: and she looks at him like, get the fuck out

739
00:35:42,040 --> 00:35:45,240
Speaker 1: of my way, and Randall. Bill is still hanging onto

740
00:35:45,320 --> 00:35:49,600
Speaker 1: his his his dream that the Janitor was only seen

741
00:35:49,640 --> 00:35:53,239
Speaker 1: by JD in season one, and we are Donald and

742
00:35:53,280 --> 00:35:56,200
Speaker 1: I are detectives that are quickly proving him wrong in

743
00:35:56,320 --> 00:35:57,240
Speaker 1: every other episode.

744
00:35:57,600 --> 00:36:00,560
Speaker 4: Yes, yes, I was. I never bought into that, that

745
00:36:00,719 --> 00:36:06,680
Speaker 4: that he was a figment of JD's imagination. It's mister snuff. Yeah, yeah,

746
00:36:06,760 --> 00:36:09,400
Speaker 4: I mean, and I remember he had because there's some

747
00:36:09,440 --> 00:36:12,400
Speaker 4: episodes later. I remember an episode I directed where he

748
00:36:12,480 --> 00:36:15,239
Speaker 4: has a group of benchmen played by our Grip team,

749
00:36:15,800 --> 00:36:19,759
Speaker 4: you know, and they are all in it.

750
00:36:19,719 --> 00:36:23,960
Speaker 3: With him, and isn't his his side He has two sidekicks,

751
00:36:24,040 --> 00:36:25,200
Speaker 3: Troy and Randall.

752
00:36:25,320 --> 00:36:26,400
Speaker 1: Right, yeah, Randall.

753
00:36:27,680 --> 00:36:31,320
Speaker 3: I remember Randall played by Martin, played by Martin.

754
00:36:31,440 --> 00:36:33,680
Speaker 1: Martin, who was also in Oz the Great and Powerful

755
00:36:33,680 --> 00:36:36,520
Speaker 1: with me, and he was also in Pirates of the Caribbean. Yes,

756
00:36:40,200 --> 00:36:42,520
Speaker 1: let's talk about Colleco Vision, which comes up at seven

757
00:36:42,600 --> 00:36:44,640
Speaker 1: twenty one. Did you have Collecovision either one of you?

758
00:36:45,280 --> 00:36:45,680
Speaker 2: I did not.

759
00:36:45,760 --> 00:36:48,439
Speaker 3: My friend had Calleco Vision, and I remember colleco Vision

760
00:36:48,480 --> 00:36:50,960
Speaker 3: being so awesome because the video games looked exactly like

761
00:36:51,000 --> 00:36:53,440
Speaker 3: they look in the arcade. So if you had Donkey

762
00:36:53,480 --> 00:36:56,000
Speaker 3: Kong it looked like Donkey Kong from the Arcade.

763
00:36:56,160 --> 00:36:58,520
Speaker 2: Yeah, I thought that was you had first.

764
00:36:58,640 --> 00:36:59,640
Speaker 1: Do you remember that game?

765
00:37:00,200 --> 00:37:02,800
Speaker 2: I don't. I don't remember the Smurf Well, if.

766
00:37:02,600 --> 00:37:04,879
Speaker 1: You were interested in video games, please go. I'm sure

767
00:37:04,880 --> 00:37:08,520
Speaker 1: on YouTube they can play you the theme music from

768
00:37:08,600 --> 00:37:11,240
Speaker 1: Smurfs on Cleacovision. And that jam was fire?

769
00:37:11,640 --> 00:37:14,880
Speaker 2: Was it? La la la la la la la la

770
00:37:15,040 --> 00:37:15,720
Speaker 2: la la.

771
00:37:15,960 --> 00:37:16,279
Speaker 1: Come on?

772
00:37:16,360 --> 00:37:19,480
Speaker 9: That was the dope ship La la la la la

773
00:37:19,560 --> 00:37:21,040
Speaker 9: la la la la.

774
00:37:21,080 --> 00:37:22,760
Speaker 1: La la Ahead.

775
00:37:22,960 --> 00:37:23,120
Speaker 4: Let me.

776
00:37:23,239 --> 00:37:25,399
Speaker 3: Let's put it this way. If jay Z can make

777
00:37:25,440 --> 00:37:27,400
Speaker 3: a song from Hard Knock Life.

778
00:37:27,239 --> 00:37:30,080
Speaker 1: Yes, dude, do that again and I'll kick in my

779
00:37:30,080 --> 00:37:31,560
Speaker 1: beat box and we got a jam halfway there.

780
00:37:33,360 --> 00:37:41,880
Speaker 9: Hey, la la la la la la la la la

781
00:37:42,040 --> 00:37:46,279
Speaker 9: la la la la la la la la la la

782
00:37:46,400 --> 00:37:48,359
Speaker 9: la la.

783
00:37:48,040 --> 00:37:50,200
Speaker 1: Dam And you're gonna have to line that up with

784
00:37:50,280 --> 00:37:52,440
Speaker 1: some delay, but we I think it's fire, and I

785
00:37:52,480 --> 00:37:54,399
Speaker 1: think we can beat a Hard Knocked Life.

786
00:37:56,480 --> 00:38:00,160
Speaker 4: You you did me that donald On set you to

787
00:38:00,239 --> 00:38:03,120
Speaker 4: do Transformers as a dude.

788
00:38:03,560 --> 00:38:07,080
Speaker 3: Late Neil Diamond, Neil Diamond singing Transformers. I thought I

789
00:38:07,080 --> 00:38:09,160
Speaker 3: did it already, But if I haven't, if you missed

790
00:38:09,160 --> 00:38:12,880
Speaker 3: it to Transformers more.

791
00:38:12,760 --> 00:38:14,280
Speaker 2: Than meets the eye.

792
00:38:16,880 --> 00:38:21,920
Speaker 10: Keep going, keep going, bud face their battles to destroy

793
00:38:22,120 --> 00:38:26,680
Speaker 10: the evil forces of the Decepticons.

794
00:38:29,920 --> 00:38:32,719
Speaker 1: By meay Neil Diamond's your best impersonation. You also do

795
00:38:32,760 --> 00:38:34,960
Speaker 1: a pretty good uh, I don't know how much.

796
00:38:36,280 --> 00:38:38,520
Speaker 3: My Well, you do a better version of Aaron Neville

797
00:38:38,520 --> 00:38:51,759
Speaker 3: than I do. Mine's trash that maybe, yeahs is way

798
00:38:51,760 --> 00:38:53,680
Speaker 3: better than mine, way better than mine.

799
00:38:53,719 --> 00:38:54,040
Speaker 4: There you go.

800
00:38:54,080 --> 00:38:57,160
Speaker 1: That's the extent of our impressions. Gleco Vision great game system.

801
00:38:57,160 --> 00:38:59,600
Speaker 1: I felt like a baller because I had it, and

802
00:38:59,760 --> 00:39:02,160
Speaker 1: uh uh you know, I remember the control was like

803
00:39:02,880 --> 00:39:04,799
Speaker 1: it was like a long rectangle and then there was a.

804
00:39:05,320 --> 00:39:07,759
Speaker 2: Circle on the bottom. Yeah, not to be confused.

805
00:39:07,440 --> 00:39:09,479
Speaker 1: With in television, which I didn't have.

806
00:39:09,920 --> 00:39:14,000
Speaker 2: Or in television. Wow was it in television? It was Kalico.

807
00:39:14,080 --> 00:39:18,600
Speaker 1: Vision started with the Atari twenty six hundred. I remember

808
00:39:18,640 --> 00:39:20,359
Speaker 1: that everybody had that.

809
00:39:20,840 --> 00:39:22,399
Speaker 2: Yeah, and then there was Vision.

810
00:39:22,400 --> 00:39:24,880
Speaker 1: Go ahead, Randall, I feel like the guy with the

811
00:39:24,880 --> 00:39:25,960
Speaker 1: gaming heads that you weigh in.

812
00:39:29,200 --> 00:39:31,239
Speaker 4: But this makes me said one hundred years old. I

813
00:39:31,280 --> 00:39:36,160
Speaker 4: am currently doing a puzzle during COVID that is all

814
00:39:36,719 --> 00:39:41,160
Speaker 4: of the original video games Atari and like, yeah, so it's.

815
00:39:41,400 --> 00:39:45,000
Speaker 1: I need that puzzle. We we got a Van Gos

816
00:39:45,040 --> 00:39:47,360
Speaker 1: Starry Night, and we're not even getting anywhere near to

817
00:39:47,400 --> 00:39:48,719
Speaker 1: starting it. But I feel like if it was the

818
00:39:48,760 --> 00:39:50,880
Speaker 1: old game consoles, we've had it done already.

819
00:39:51,120 --> 00:39:52,000
Speaker 4: I'm sending it to you.

820
00:39:52,520 --> 00:39:54,440
Speaker 2: There's an Alf mentioned in this show.

821
00:39:55,000 --> 00:39:55,239
Speaker 1: Alf.

822
00:39:56,040 --> 00:39:57,520
Speaker 2: I was a huge fan of Alf when I.

823
00:39:57,760 --> 00:40:00,919
Speaker 1: Too, Max, Right, what do you doing out?

824
00:40:03,680 --> 00:40:07,320
Speaker 3: The puppet from out of space who loved to eat cats?

825
00:40:07,560 --> 00:40:10,200
Speaker 1: I remember being a little kid and the trailer teaser

826
00:40:10,320 --> 00:40:12,399
Speaker 1: for ALF came on and I remember being a little kid,

827
00:40:12,440 --> 00:40:15,919
Speaker 1: my first film critic going that looks so stupid. Cut

828
00:40:16,000 --> 00:40:19,280
Speaker 1: to me loving Alf, like having alf stuffed animals?

829
00:40:20,640 --> 00:40:23,040
Speaker 4: What was not to love about ALF? I visited the

830
00:40:23,080 --> 00:40:25,600
Speaker 4: ALF set, you did, I remember? Yes?

831
00:40:25,680 --> 00:40:27,840
Speaker 1: That was it raised up so they could have a puppeteer.

832
00:40:28,600 --> 00:40:30,840
Speaker 4: Yes, And it was like it was. It wasn't at

833
00:40:30,880 --> 00:40:33,240
Speaker 4: a real stage. It was at uh an, a warehouse

834
00:40:33,239 --> 00:40:34,000
Speaker 4: in Culver City.

835
00:40:34,760 --> 00:40:37,440
Speaker 1: Is I pall? Max Wright, who was who played the father,

836
00:40:37,480 --> 00:40:41,520
Speaker 1: who was an accomplished theater actor and Shakespearean actor and

837
00:40:41,760 --> 00:40:44,719
Speaker 1: genius actor all around fucking hated it. I think that's

838
00:40:44,840 --> 00:40:47,719
Speaker 1: part of the lore, is that he absolutely hated doing

839
00:40:47,760 --> 00:40:48,439
Speaker 1: a puppet show.

840
00:40:51,440 --> 00:40:54,719
Speaker 4: Now, did you did you watch all the Alps were

841
00:40:54,800 --> 00:40:56,640
Speaker 4: religious ALF because there's.

842
00:40:56,400 --> 00:40:57,759
Speaker 1: Episodes, I Mitch, I mean, I'm not ready to do

843
00:40:57,800 --> 00:40:59,120
Speaker 1: the rewatch podcast.

844
00:40:58,680 --> 00:41:01,480
Speaker 4: But there's a there's a very special ALF where I

845
00:41:02,120 --> 00:41:05,239
Speaker 4: remember mostly is crying during alf. ALF wred to visit

846
00:41:05,280 --> 00:41:07,160
Speaker 4: the girl in the hospital. It was like, you know,

847
00:41:07,520 --> 00:41:09,040
Speaker 4: tonight on a very special ALF.

848
00:41:11,160 --> 00:41:13,000
Speaker 1: Do you remember when they would do you remember when

849
00:41:13,040 --> 00:41:14,759
Speaker 1: they would like back in the day, for those of

850
00:41:14,760 --> 00:41:16,840
Speaker 1: you who are too young, they when there was a

851
00:41:16,920 --> 00:41:19,440
Speaker 1: sad like on Scrubs. We had sad episodes all the time,

852
00:41:19,719 --> 00:41:22,160
Speaker 1: but on the old school sitcoms, they would always warn you,

853
00:41:22,239 --> 00:41:27,240
Speaker 1: like tonight on a very special silver Spoons, the ricker

854
00:41:27,320 --> 00:41:31,480
Speaker 1: will the ricker will kill a deer, we recommend and

855
00:41:31,480 --> 00:41:34,120
Speaker 1: they would go, we recommend parents watch with their children.

856
00:41:34,280 --> 00:41:35,719
Speaker 1: Do you remember that for sure?

857
00:41:35,880 --> 00:41:38,359
Speaker 4: But on Scrubs, if it was sad, we just would

858
00:41:38,360 --> 00:41:39,439
Speaker 4: play the theme song a little.

859
00:41:39,960 --> 00:41:49,799
Speaker 1: Yeah, so there was silver spoons when the wrecker killed

860
00:41:49,800 --> 00:41:52,840
Speaker 1: a deer, there was different strokes. When Dudley got molested

861
00:41:52,840 --> 00:41:54,919
Speaker 1: by the bike shop owner, remember that.

862
00:41:55,200 --> 00:41:58,920
Speaker 2: I do remember that, and everything happened to Dudley or Arnold.

863
00:41:59,280 --> 00:42:01,040
Speaker 1: Yeah, and then I don't know what happened on ALF,

864
00:42:01,120 --> 00:42:02,360
Speaker 1: but I don't know if they made the announcement. It

865
00:42:02,400 --> 00:42:03,160
Speaker 1: must have been serious.

866
00:42:03,520 --> 00:42:10,840
Speaker 3: Tony special episode of Alf Alf learns to touch himself.

867
00:42:11,239 --> 00:42:14,319
Speaker 2: Oh boy, oh boy, but you can't handle it.

868
00:42:14,440 --> 00:42:17,239
Speaker 1: I used to have an alf stuffed animal and uh, well,

869
00:42:17,320 --> 00:42:20,680
Speaker 1: never mind that. Man, it sounds like I fucked the doll.

870
00:42:20,719 --> 00:42:21,000
Speaker 1: I didn't.

871
00:42:21,040 --> 00:42:23,000
Speaker 3: I just I just it did sound like you were

872
00:42:23,040 --> 00:42:26,640
Speaker 3: about to say it sounded like you were about to say, yeah.

873
00:42:26,440 --> 00:42:27,080
Speaker 2: I fucked the doll.

874
00:42:27,560 --> 00:42:28,600
Speaker 1: Did Alf have a tail?

875
00:42:30,040 --> 00:42:31,759
Speaker 2: I don't know. No, no, no, he did not.

876
00:42:32,000 --> 00:42:32,960
Speaker 4: I don't think so well.

877
00:42:32,960 --> 00:42:34,560
Speaker 1: Can you please look up with Alf had a tail?

878
00:42:34,640 --> 00:42:35,680
Speaker 2: Alf did not have a tail.

879
00:42:36,320 --> 00:42:38,560
Speaker 1: You're feeling really confident about that. You didn't see pretty

880
00:42:38,600 --> 00:42:40,640
Speaker 1: sure you didn't see Alf's ask that much.

881
00:42:41,480 --> 00:42:44,280
Speaker 3: Okay, let's talk about how well Johnny does in this episode.

882
00:42:44,440 --> 00:42:47,919
Speaker 1: Yeah, in the monologue, in the monologue section, everybody's great.

883
00:42:47,920 --> 00:42:50,359
Speaker 1: In the Oh, Joelle, what you look? Your face lit up?

884
00:42:51,000 --> 00:42:52,480
Speaker 2: Alf does have a tail?

885
00:42:57,719 --> 00:42:59,560
Speaker 1: Donald, You fucking liar.

886
00:43:00,120 --> 00:43:02,120
Speaker 2: I just don't remember after the long term.

887
00:43:03,000 --> 00:43:05,000
Speaker 1: No, it's like a dog's tail.

888
00:43:05,160 --> 00:43:07,879
Speaker 4: And it only because you can see him like he's

889
00:43:07,920 --> 00:43:09,680
Speaker 4: looking out the window in a single shot.

890
00:43:10,239 --> 00:43:12,200
Speaker 3: Listen, but I want to see if the album barely

891
00:43:12,239 --> 00:43:13,680
Speaker 3: remember episodes of Scrubs.

892
00:43:13,680 --> 00:43:14,960
Speaker 2: How am I supposed to remember Alf?

893
00:43:16,640 --> 00:43:19,440
Speaker 1: He does have a tail, so I am a memory.

894
00:43:19,600 --> 00:43:20,719
Speaker 1: I think what I was trying to say with the

895
00:43:20,719 --> 00:43:24,040
Speaker 1: stuff animals, I used to pull Alf's tail through his

896
00:43:24,160 --> 00:43:26,720
Speaker 1: legs to make it look like it was Alb's peenis.

897
00:43:37,480 --> 00:43:39,040
Speaker 2: Oh my gosh.

898
00:43:39,080 --> 00:43:42,080
Speaker 1: All right, all right, so is good in this episode? Yes,

899
00:43:42,280 --> 00:43:42,759
Speaker 1: not only that.

900
00:43:42,840 --> 00:43:44,440
Speaker 2: Before we do that, let's go back a little bit.

901
00:43:45,040 --> 00:43:48,320
Speaker 3: Uh, I didn't know that Kelso's actual name was Kelso

902
00:43:48,920 --> 00:43:52,360
Speaker 3: Kelso Kelsanovitch.

903
00:43:52,400 --> 00:43:54,520
Speaker 1: Yeah, well, I don't think that comes up again. But

904
00:43:54,680 --> 00:43:57,640
Speaker 1: this is the first episode where he introduces his wife's name, Enid.

905
00:43:57,920 --> 00:44:01,000
Speaker 3: Right, and I thought that was just very interesting that,

906
00:44:01,600 --> 00:44:03,640
Speaker 3: you know, he changed his name to fit in to

907
00:44:03,719 --> 00:44:06,960
Speaker 3: be to sound more American, so instead of kel Sonovich,

908
00:44:07,440 --> 00:44:08,720
Speaker 3: it then became Kelso.

909
00:44:09,800 --> 00:44:14,680
Speaker 1: I think everybody did, including uh, Donald Faison and Judy

910
00:44:14,920 --> 00:44:18,960
Speaker 1: and Sarah. Everybody was great in these monologue sections. They were,

911
00:44:19,120 --> 00:44:20,960
Speaker 1: oh god, it was kind of a cool. It's funny

912
00:44:20,960 --> 00:44:23,560
Speaker 1: because that documentary style became very common in shows like

913
00:44:23,880 --> 00:44:27,399
Speaker 1: the Office and A Modern Family that were doing sort

914
00:44:27,400 --> 00:44:30,280
Speaker 1: of the shaky cam documentary style was not a style

915
00:44:30,320 --> 00:44:33,080
Speaker 1: we did on Scrubs. But because of this segment, I

916
00:44:33,080 --> 00:44:35,080
Speaker 1: don't know why the interviewer was so herky jerky with

917
00:44:35,080 --> 00:44:36,560
Speaker 1: the damn camera. I mean, put the fucking thing on

918
00:44:36,560 --> 00:44:40,400
Speaker 1: a tripod and calm down. But it was the interviewer

919
00:44:40,520 --> 00:44:43,200
Speaker 1: was making like his own shaky cam TV show. But

920
00:44:43,880 --> 00:44:46,640
Speaker 1: I thought everyone it seemed like the mandate was that

921
00:44:46,680 --> 00:44:47,960
Speaker 1: they were not going to have cuts in them. They

922
00:44:47,960 --> 00:44:50,879
Speaker 1: would all be long takes. And yeah, and I thought

923
00:44:50,880 --> 00:44:52,680
Speaker 1: everyone did a really nice job in those scenes.

924
00:44:52,840 --> 00:44:53,400
Speaker 2: Do you call it?

925
00:44:53,480 --> 00:44:55,920
Speaker 3: They prepared us for that, because the fact that I

926
00:44:55,960 --> 00:45:01,600
Speaker 3: knew my lines like that was very weird yourself. I'm

927
00:45:01,640 --> 00:45:03,799
Speaker 3: watching it, I'm like, they're gonna cut soon, because there's

928
00:45:03,840 --> 00:45:05,040
Speaker 3: no way I remember all of this.

929
00:45:06,480 --> 00:45:09,360
Speaker 4: We talked about it a lot, and we knew it

930
00:45:09,400 --> 00:45:12,600
Speaker 4: was gonna be one take. If I remember correctly, those

931
00:45:12,640 --> 00:45:15,880
Speaker 4: are half the monologues that we did. I mean, part

932
00:45:15,920 --> 00:45:17,160
Speaker 4: of the reason why the episode is so long is

933
00:45:17,200 --> 00:45:20,320
Speaker 4: because those chunks. And I remember Johnny C I feel

934
00:45:20,320 --> 00:45:25,279
Speaker 4: like he was disappointed because there was another long take.

935
00:45:25,719 --> 00:45:27,840
Speaker 4: You know. So even though this episode is what do

936
00:45:27,920 --> 00:45:31,040
Speaker 4: we Say? Twenty four eight, twenty eight, twenty eight, I

937
00:45:31,120 --> 00:45:33,880
Speaker 4: think the editor's cut was closer to forty.

938
00:45:34,280 --> 00:45:37,359
Speaker 1: Yeah, And there's a really cool section later on where

939
00:45:37,400 --> 00:45:40,120
Speaker 1: Donald and Judy are side by side and they're still

940
00:45:40,160 --> 00:45:42,800
Speaker 1: not cutting, so they were able to time out. I

941
00:45:42,840 --> 00:45:44,799
Speaker 1: don't know, was Judy in the room reading with you? Donald,

942
00:45:44,840 --> 00:45:45,280
Speaker 1: do you remember?

943
00:45:45,320 --> 00:45:46,480
Speaker 4: No? That was it.

944
00:45:46,680 --> 00:45:48,840
Speaker 2: They gave us earwigs, I think for that.

945
00:45:50,400 --> 00:45:52,920
Speaker 1: Because earwig, if for those who don't know, is a

946
00:45:52,920 --> 00:45:55,080
Speaker 1: tiny ear piece that goes in your ear that you

947
00:45:55,120 --> 00:45:56,720
Speaker 1: can't see, the camera can't see.

948
00:45:56,840 --> 00:46:01,080
Speaker 3: I remember rehearsing it with the voice track.

949
00:46:01,080 --> 00:46:02,760
Speaker 2: I think they recorded Judy first.

950
00:46:03,280 --> 00:46:05,600
Speaker 3: I could be wrong, though, I think they recorded Judy

951
00:46:05,640 --> 00:46:10,200
Speaker 3: first and then I went in after her to record.

952
00:46:10,239 --> 00:46:12,520
Speaker 1: Well, the timing of that was perfect because you you know,

953
00:46:12,560 --> 00:46:14,560
Speaker 1: you had to stall, so you were like thinking and

954
00:46:14,600 --> 00:46:16,239
Speaker 1: then you took a sip of your water and like

955
00:46:16,280 --> 00:46:18,239
Speaker 1: it totally looked natural, but it was. It was well

956
00:46:18,280 --> 00:46:20,719
Speaker 1: done by by Larry trilling trilling Man.

957
00:46:21,120 --> 00:46:23,600
Speaker 3: That was one of the That was one of the

958
00:46:22,920 --> 00:46:27,560
Speaker 3: highlights in my notes that I wrote. You know, this

959
00:46:27,760 --> 00:46:29,880
Speaker 3: was his first episode to direct for us, and we

960
00:46:29,880 --> 00:46:31,960
Speaker 3: gave him a pretty you know, you guys gave him

961
00:46:31,960 --> 00:46:34,640
Speaker 3: a big randall and you and Bill gave.

962
00:46:34,560 --> 00:46:36,600
Speaker 2: Him a pretty big episode to produce.

963
00:46:36,800 --> 00:46:39,200
Speaker 3: I wondered if it was ever, like, Yo, what money

964
00:46:39,200 --> 00:46:42,040
Speaker 3: do I get to make this go easier for me?

965
00:46:42,200 --> 00:46:42,799
Speaker 2: You know what I mean?

966
00:46:42,960 --> 00:46:45,400
Speaker 1: Like, I'm guessing he was told that it was going

967
00:46:45,480 --> 00:46:48,560
Speaker 1: to be a long one because right Randall or it

968
00:46:48,640 --> 00:46:49,759
Speaker 1: was decided after the fact.

969
00:46:51,120 --> 00:46:52,880
Speaker 4: It was decided after the fact. We didn't know it

970
00:46:52,920 --> 00:46:55,080
Speaker 4: was going to come out, but we knew from timing

971
00:46:55,120 --> 00:46:57,759
Speaker 4: the table read that we were up against it and

972
00:46:57,760 --> 00:47:01,040
Speaker 4: that we didn't want to make cuts in those you know,

973
00:47:01,160 --> 00:47:05,560
Speaker 4: soliloquy pieces, you know, directly to the camera. For some reason,

974
00:47:05,719 --> 00:47:08,439
Speaker 4: I feel like production wise, there was just a lot

975
00:47:08,480 --> 00:47:10,919
Speaker 4: of talk about the pizza clock, like getting the right

976
00:47:10,960 --> 00:47:13,120
Speaker 4: angle and how much beizza did it take out? And

977
00:47:13,200 --> 00:47:15,879
Speaker 4: you know, we were we were in that bedroom for

978
00:47:15,920 --> 00:47:17,440
Speaker 4: so long, which was a tight set.

979
00:47:17,880 --> 00:47:20,040
Speaker 1: Yeah, and Sarah and I, you know, we were friends

980
00:47:21,239 --> 00:47:24,319
Speaker 1: and we really loved each other. But that was a

981
00:47:24,440 --> 00:47:28,640
Speaker 1: very bizarre thing to have that much fake sex all

982
00:47:28,680 --> 00:47:30,920
Speaker 1: over one set for many days on end.

983
00:47:31,440 --> 00:47:33,600
Speaker 3: Well, yeah, not just that you guys were very much

984
00:47:33,640 --> 00:47:35,960
Speaker 3: in each other's face. I was going to ask you,

985
00:47:35,960 --> 00:47:38,759
Speaker 3: you guys made out a lot in this episode. Yeah,

986
00:47:38,800 --> 00:47:40,279
Speaker 3: how awkward was that for you?

987
00:47:41,480 --> 00:47:45,960
Speaker 1: I think it was you know, you always hear actors

988
00:47:45,960 --> 00:47:48,919
Speaker 1: talking about, oh it's you know, it's all very you know, choreographed,

989
00:47:48,920 --> 00:47:49,799
Speaker 1: and it's not weird at all.

990
00:47:49,840 --> 00:47:50,360
Speaker 4: It is weird.

991
00:47:50,400 --> 00:47:52,759
Speaker 1: You know, there's everyone standing around, you're making out with

992
00:47:52,960 --> 00:47:57,160
Speaker 1: your good friend. Uh, it's you know, it was. It

993
00:47:57,200 --> 00:47:59,279
Speaker 1: was bizarre. I remember being because also a lot of

994
00:47:59,320 --> 00:48:01,759
Speaker 1: most times like okay, there's a quick makeout scene. It's

995
00:48:01,800 --> 00:48:04,399
Speaker 1: a TV show, you know, that's that's all it ever is.

996
00:48:04,760 --> 00:48:07,680
Speaker 1: This was like, you know, wrestling around and groping each

997
00:48:07,719 --> 00:48:10,520
Speaker 1: other and for days, So it was.

998
00:48:10,440 --> 00:48:14,200
Speaker 2: Weird face to face and not only face to.

999
00:48:14,239 --> 00:48:18,040
Speaker 1: Fanaka Donald, you gotta have Banaka. We had a boom

1000
00:48:18,160 --> 00:48:21,000
Speaker 1: man named Kevin. What was his last name? Ryandal do

1001
00:48:21,040 --> 00:48:21,440
Speaker 1: you remember?

1002
00:48:22,120 --> 00:48:23,040
Speaker 4: I can't figure it right now.

1003
00:48:25,840 --> 00:48:28,040
Speaker 1: Also hires the whole crew everybody, so he should really

1004
00:48:28,080 --> 00:48:31,880
Speaker 1: know Kevin's last name. But Kevin used to see that

1005
00:48:31,880 --> 00:48:33,399
Speaker 1: we all used to have banaka. This is like back

1006
00:48:33,400 --> 00:48:35,160
Speaker 1: in the day still that we had like spray the

1007
00:48:35,239 --> 00:48:38,600
Speaker 1: aerosol banokam and uh. We made a joke like, oh,

1008
00:48:38,600 --> 00:48:40,279
Speaker 1: it'd be great because the boom MIC's right over your head.

1009
00:48:40,360 --> 00:48:41,600
Speaker 1: We were like, it'd be great if there was a

1010
00:48:41,640 --> 00:48:44,040
Speaker 1: boom if there was banaka on the boom, because then

1011
00:48:44,080 --> 00:48:45,960
Speaker 1: we can just reach up, pull the boom mic down

1012
00:48:45,960 --> 00:48:47,799
Speaker 1: and grab it off. Next day we show up and

1013
00:48:47,840 --> 00:48:50,799
Speaker 1: he had velcrowe a banaka to the end of the

1014
00:48:50,800 --> 00:48:53,680
Speaker 1: boom mic not not the mic itself, the stick and

1015
00:48:54,120 --> 00:48:58,640
Speaker 1: poll and Kevin santy, thank you and uh and and

1016
00:48:58,719 --> 00:49:00,560
Speaker 1: literally he wasn't just a joke. He kept it up

1017
00:49:00,560 --> 00:49:03,440
Speaker 1: there for like months. And whenever you need a banaka,

1018
00:49:03,440 --> 00:49:05,600
Speaker 1: you just reach up, grab the boom pole, pull it

1019
00:49:05,640 --> 00:49:07,840
Speaker 1: off to a spray. They'll crawl back and stick it up.

1020
00:49:08,360 --> 00:49:10,239
Speaker 3: I used to go crazy with the banaka because I

1021
00:49:10,239 --> 00:49:12,920
Speaker 3: felt like, maybe if I spray enough in my mouth

1022
00:49:12,920 --> 00:49:16,600
Speaker 3: the aarosol and the freaking mint will get me high enough.

1023
00:49:18,840 --> 00:49:21,759
Speaker 1: When your weed was wearing off. So Donald, this weed

1024
00:49:21,760 --> 00:49:23,200
Speaker 1: had worn off and he was on set too long.

1025
00:49:23,239 --> 00:49:24,760
Speaker 1: He's like, let me try and get high on baca.

1026
00:49:24,840 --> 00:49:25,080
Speaker 4: Yeah.

1027
00:49:25,239 --> 00:49:27,440
Speaker 2: I remember one day Randall came into the room.

1028
00:49:27,520 --> 00:49:29,160
Speaker 3: Randal, tell me if you remember this, and you were

1029
00:49:29,200 --> 00:49:31,200
Speaker 3: like Donald and we were on set.

1030
00:49:31,239 --> 00:49:32,480
Speaker 2: You were like, Donald, wake up.

1031
00:49:32,560 --> 00:49:34,200
Speaker 3: Do I need to splash cold water in your face

1032
00:49:34,200 --> 00:49:35,759
Speaker 3: and something breake you ass up?

1033
00:49:35,920 --> 00:49:37,000
Speaker 2: Where you high or something?

1034
00:49:41,960 --> 00:49:42,160
Speaker 4: No?

1035
00:49:42,160 --> 00:49:44,319
Speaker 3: No, no, no, no, no no, No, But in my

1036
00:49:44,360 --> 00:49:46,799
Speaker 3: mind I was like, they know, they know.

1037
00:49:48,880 --> 00:49:50,520
Speaker 1: It's probably because you were taking too long to get

1038
00:49:50,520 --> 00:49:50,879
Speaker 1: to set.

1039
00:49:51,400 --> 00:49:51,680
Speaker 9: No.

1040
00:49:52,280 --> 00:49:53,960
Speaker 3: The only time I took a long time to get

1041
00:49:53,960 --> 00:49:56,680
Speaker 3: to set was when Grand Theft Auto Vice City came out.

1042
00:49:56,920 --> 00:49:58,600
Speaker 3: And I remember one time they were trying to get

1043
00:49:58,600 --> 00:50:00,799
Speaker 3: me the set and I was my way out the

1044
00:50:00,840 --> 00:50:03,840
Speaker 3: door and Randall's pushing my door in as I'm pulling

1045
00:50:03,880 --> 00:50:06,839
Speaker 3: it and I was like hi, and he was like,

1046
00:50:07,360 --> 00:50:12,680
Speaker 3: get upstairs, random.

1047
00:50:12,680 --> 00:50:13,680
Speaker 1: You had to be bad cop.

1048
00:50:14,080 --> 00:50:16,640
Speaker 4: I had to get the grip. Yeah, grab people, steer them.

1049
00:50:16,960 --> 00:50:19,719
Speaker 4: I remember sending a PA to your house one time, Zach.

1050
00:50:20,000 --> 00:50:22,279
Speaker 4: Somebody had to climb over the fence to get you

1051
00:50:22,760 --> 00:50:23,719
Speaker 4: to like, wait, it.

1052
00:50:23,680 --> 00:50:25,880
Speaker 1: Was a really bad moment. No, what happened was the power.

1053
00:50:25,880 --> 00:50:29,680
Speaker 1: What had happened was the power went out. The power

1054
00:50:29,719 --> 00:50:31,680
Speaker 1: went out in my in my on my street or

1055
00:50:31,719 --> 00:50:35,720
Speaker 1: my neighborhood, and so the alarms didn't go off and

1056
00:50:35,719 --> 00:50:38,560
Speaker 1: and also the phones didn't work, and so I woke

1057
00:50:38,640 --> 00:50:43,160
Speaker 1: up to a PA knocking on my window, and which

1058
00:50:43,200 --> 00:50:45,279
Speaker 1: is the worst sight if you're an actor. It's like

1059
00:50:45,280 --> 00:50:48,480
Speaker 1: the most horrible feeling. And I remember getting to set

1060
00:50:48,520 --> 00:50:50,400
Speaker 1: really late, and Bill looked at me, and he's like, no, no,

1061
00:50:50,400 --> 00:50:52,000
Speaker 1: don't worry, we'll split the fifty grand.

1062
00:50:55,520 --> 00:50:58,759
Speaker 4: I think during scrubs I had a real moment of

1063
00:50:58,800 --> 00:51:02,839
Speaker 4: peace about producing, which was I gave up on the

1064
00:51:02,880 --> 00:51:05,920
Speaker 4: idea of everything being okay for more than five minutes

1065
00:51:05,920 --> 00:51:10,239
Speaker 4: at a time, because nothing's ever always okay. It's like no,

1066
00:51:10,440 --> 00:51:15,000
Speaker 4: and and nobody comes to my door to be like

1067
00:51:15,120 --> 00:51:19,360
Speaker 4: everything's great. It's like, you know, somebody took my candy.

1068
00:51:19,600 --> 00:51:21,879
Speaker 4: We don't have any film. You know, somebody's late.

1069
00:51:22,239 --> 00:51:24,799
Speaker 3: Did we ever run out of film?

1070
00:51:25,080 --> 00:51:27,440
Speaker 4: We came, We came close. We used to a lot

1071
00:51:27,480 --> 00:51:29,719
Speaker 4: of short ends one particular week because part of the

1072
00:51:29,760 --> 00:51:35,080
Speaker 4: reason that we were able to fly under the radar financially,

1073
00:51:35,360 --> 00:51:37,279
Speaker 4: and one of the reasons that that show is one

1074
00:51:37,280 --> 00:51:41,080
Speaker 4: of the last shows to be on film is because

1075
00:51:41,160 --> 00:51:44,000
Speaker 4: we shot on sixteen. We shot Super sixteen, not thirty five,

1076
00:51:44,040 --> 00:51:46,680
Speaker 4: So we cut our production costs, you know, by a lot.

1077
00:51:47,120 --> 00:51:49,160
Speaker 4: But we made a great print. I mean we we

1078
00:51:49,280 --> 00:51:53,520
Speaker 4: showed that show on a DJA in the GGA screening

1079
00:51:53,560 --> 00:51:54,359
Speaker 4: room and held up.

1080
00:51:55,680 --> 00:51:57,000
Speaker 1: So yeah, those of you who don't know, this was

1081
00:51:57,000 --> 00:52:00,640
Speaker 1: one of the last shows still being shot on film,

1082
00:52:00,719 --> 00:52:04,200
Speaker 1: especially sixteen millimeter film. Probably at the time. Probably nothing

1083
00:52:04,360 --> 00:52:07,480
Speaker 1: is right now, I would guess unless it's like a

1084
00:52:07,480 --> 00:52:11,160
Speaker 1: big budget feature on Netflix or something. But most people

1085
00:52:11,200 --> 00:52:13,680
Speaker 1: don't do that anymore anyway, And it's one of the

1086
00:52:13,680 --> 00:52:15,960
Speaker 1: reasons why people always ask how come there's no blu

1087
00:52:16,120 --> 00:52:21,760
Speaker 1: ray and high resolution sixteen by nine version of the show.

1088
00:52:22,200 --> 00:52:24,400
Speaker 1: It's because when we made it, we didn't and we

1089
00:52:24,400 --> 00:52:27,680
Speaker 1: were done with it. No one anticipated all this streaming stuff,

1090
00:52:27,680 --> 00:52:31,120
Speaker 1: so it was never like upres to be four K video.

1091
00:52:31,280 --> 00:52:34,759
Speaker 4: Right, they didn't cut the film and then we do it,

1092
00:52:34,760 --> 00:52:36,919
Speaker 4: and some of the film that we used you can't

1093
00:52:36,960 --> 00:52:40,040
Speaker 4: even get anymore. A lot of the flashback scenes I think,

1094
00:52:40,440 --> 00:52:43,360
Speaker 4: I think you'll see it in season one are shot

1095
00:52:43,560 --> 00:52:46,960
Speaker 4: on something that was called reversal film, which was like

1096
00:52:47,000 --> 00:52:50,840
Speaker 4: from the Vietnam War. It could had this look of yeah.

1097
00:52:50,880 --> 00:52:53,600
Speaker 1: That's why they have a specific texture, though in fact

1098
00:52:53,640 --> 00:52:56,359
Speaker 1: there's different clearly a different film stock being shot for

1099
00:52:56,480 --> 00:52:59,160
Speaker 1: these interview sequences, because they're very grainy and have a

1100
00:52:59,160 --> 00:53:02,680
Speaker 1: different color sort of palette than the show itself.

1101
00:53:03,080 --> 00:53:05,479
Speaker 3: When did we switch When did we switch over to chip?

1102
00:53:05,520 --> 00:53:07,480
Speaker 3: Then when did we switch over to digital?

1103
00:53:07,640 --> 00:53:09,239
Speaker 1: Because I know, did you do it in season nine?

1104
00:53:09,280 --> 00:53:10,640
Speaker 1: It would only be in season nine.

1105
00:53:11,000 --> 00:53:13,040
Speaker 2: I think it was before season nine, to be honest

1106
00:53:13,120 --> 00:53:13,440
Speaker 2: with you.

1107
00:53:13,760 --> 00:53:17,160
Speaker 4: I don't think so. I mean because because it was

1108
00:53:17,200 --> 00:53:19,840
Speaker 4: talked about so much shows, because NBC had made this

1109
00:53:19,880 --> 00:53:22,120
Speaker 4: mandate that everybody was going digital. But then when they

1110
00:53:22,120 --> 00:53:23,919
Speaker 4: looked at our numbers, they were like, hey, keep doing

1111
00:53:23,920 --> 00:53:27,120
Speaker 4: what you're doing. Like I think, I think maybe in

1112
00:53:27,120 --> 00:53:29,600
Speaker 4: that season nine we went digital, Like I honestly can't

1113
00:53:29,640 --> 00:53:30,680
Speaker 4: remember us the top of my head.

1114
00:53:30,840 --> 00:53:31,480
Speaker 2: I remember that.

1115
00:53:31,520 --> 00:53:33,799
Speaker 3: I remember that that was very interesting when you would

1116
00:53:33,840 --> 00:53:37,880
Speaker 3: see them changing mags or somebody getting the film ready

1117
00:53:38,000 --> 00:53:40,640
Speaker 3: for the day and having to put the film in

1118
00:53:40,760 --> 00:53:44,000
Speaker 3: a mag so that it could fit on the camera

1119
00:53:44,320 --> 00:53:47,240
Speaker 3: and reaching into this like bag.

1120
00:53:47,280 --> 00:53:49,520
Speaker 2: It looked like a bag, is what it looked like.

1121
00:53:49,719 --> 00:53:52,239
Speaker 1: Well, it was a picture like a miniature camping tent

1122
00:53:52,680 --> 00:53:54,920
Speaker 1: that like that would fit on a desktop, and it

1123
00:53:54,960 --> 00:53:57,160
Speaker 1: was blacked out so that they could put their hands

1124
00:53:57,200 --> 00:53:59,839
Speaker 1: in there and not expose the film while loading them

1125
00:54:00,120 --> 00:54:01,040
Speaker 1: camera magazines.

1126
00:54:01,280 --> 00:54:01,480
Speaker 4: Right.

1127
00:54:01,600 --> 00:54:03,800
Speaker 3: I used to I used to be like, I remember

1128
00:54:03,800 --> 00:54:06,320
Speaker 3: when we switched over to I guess it was season

1129
00:54:06,360 --> 00:54:08,520
Speaker 3: nine where we switched over to CHIP and I remember

1130
00:54:08,560 --> 00:54:10,520
Speaker 3: being like, this is the easiest thing in the world.

1131
00:54:10,600 --> 00:54:13,799
Speaker 3: Why didn't we do this before, like we could do

1132
00:54:13,920 --> 00:54:18,240
Speaker 3: takes for days and days and days. All I remember

1133
00:54:18,320 --> 00:54:21,560
Speaker 3: all my fuck ups, every time I missed a line

1134
00:54:21,680 --> 00:54:23,680
Speaker 3: or forgot a line and everything like that. I remember

1135
00:54:23,719 --> 00:54:26,200
Speaker 3: being like, how much how much more room do we

1136
00:54:26,239 --> 00:54:29,040
Speaker 3: have on the mag before? Before you know what I mean,

1137
00:54:29,040 --> 00:54:30,600
Speaker 3: before we're out and we have to and we have

1138
00:54:30,680 --> 00:54:31,960
Speaker 3: to change the mag again.

1139
00:54:32,360 --> 00:54:34,239
Speaker 1: You'd have eleven you'd have about eleven minutes on a

1140
00:54:34,600 --> 00:54:37,680
Speaker 1: sixty millimeter magazine and uh and and you'd be like

1141
00:54:37,800 --> 00:54:39,200
Speaker 1: trying to trying to get it, be like, how much

1142
00:54:39,200 --> 00:54:40,680
Speaker 1: how much more fun we got before you rolled out?

1143
00:54:40,760 --> 00:54:42,239
Speaker 1: I got it? I got I got it. Let's go,

1144
00:54:42,320 --> 00:54:44,400
Speaker 1: let's go go, you can go forever.

1145
00:54:44,480 --> 00:54:46,399
Speaker 2: Now you'd be like, don't cut, don't cut. We gotta cut,

1146
00:54:46,440 --> 00:54:46,960
Speaker 2: we gotta cut.

1147
00:54:46,960 --> 00:54:51,160
Speaker 3: We only got like nineteen feet, all right, fine cut.

1148
00:54:51,440 --> 00:54:54,000
Speaker 1: When I say to Sarah, we're gonna need a stool sample,

1149
00:54:54,120 --> 00:54:59,840
Speaker 1: not for medical reasons, my robot needs food. I made that,

1150
00:55:00,160 --> 00:55:02,600
Speaker 1: I'm proud to say, and Sarah cracked up at it.

1151
00:55:02,920 --> 00:55:07,160
Speaker 1: And it's so random and weird, but I love it. Okay,

1152
00:55:07,400 --> 00:55:11,239
Speaker 1: I gotta feed my robot yo pooh.

1153
00:55:10,840 --> 00:55:15,160
Speaker 3: Yeah, nobody's pooh patient pooh patient poof for the rover.

1154
00:55:15,280 --> 00:55:17,080
Speaker 4: It all comes down to pooh.

1155
00:55:17,120 --> 00:55:19,480
Speaker 1: Everything comes And I laughed out loud when Sarah is

1156
00:55:19,840 --> 00:55:22,120
Speaker 1: seventeen oh four. Sarah is making fun of my laugh

1157
00:55:22,160 --> 00:55:23,800
Speaker 1: because she's like already over me, and she's.

1158
00:55:23,640 --> 00:55:27,759
Speaker 4: Like, oh my god, that is so funny. That does

1159
00:55:27,760 --> 00:55:31,760
Speaker 4: a funny impression of you, because I mean that laugh

1160
00:55:31,800 --> 00:55:35,319
Speaker 4: has got a lot of genuine laughs with the silly

1161
00:55:35,400 --> 00:55:37,960
Speaker 4: JD laugh all through the season. Yeah.

1162
00:55:38,320 --> 00:55:40,279
Speaker 3: I feel like that's how every I think that's how

1163
00:55:40,320 --> 00:55:41,640
Speaker 3: every relationship should be.

1164
00:55:41,719 --> 00:55:43,480
Speaker 2: What you see is what you get, you know what

1165
00:55:43,560 --> 00:55:43,839
Speaker 2: I mean.

1166
00:55:44,920 --> 00:55:49,160
Speaker 3: Unfortunately, unfortunately what you see and what you get sometimes

1167
00:55:49,360 --> 00:55:52,160
Speaker 3: you think you want it, and then eventually it makes

1168
00:55:52,200 --> 00:55:54,120
Speaker 3: you want to kill the person what it turns out to,

1169
00:55:54,400 --> 00:55:56,759
Speaker 3: which turns out to be with Elliott and JD. She

1170
00:55:56,920 --> 00:55:59,080
Speaker 3: loved the laugh in the beginning. Oh I love it

1171
00:55:59,200 --> 00:56:01,840
Speaker 3: so cute, and then at the end of the show

1172
00:56:02,440 --> 00:56:05,759
Speaker 3: she's like, fuck that laugh, dude, laugh like that again

1173
00:56:05,800 --> 00:56:07,960
Speaker 3: one more time, I dare you.

1174
00:56:08,280 --> 00:56:09,320
Speaker 1: It's like, say what again?

1175
00:56:09,440 --> 00:56:12,840
Speaker 2: Say again, motherfucker, say what one more time?

1176
00:56:13,719 --> 00:56:15,439
Speaker 1: I know I hear you. Isn't that so sad?

1177
00:56:15,480 --> 00:56:15,640
Speaker 4: Though?

1178
00:56:15,640 --> 00:56:17,840
Speaker 1: When a relationship goes sour and all the things you

1179
00:56:17,880 --> 00:56:20,120
Speaker 1: thought were so adorable you now just fucking hate.

1180
00:56:20,719 --> 00:56:24,839
Speaker 3: Yeah, that was my life back in the day. Oh,

1181
00:56:24,880 --> 00:56:26,160
Speaker 3: he's got such potential.

1182
00:56:26,600 --> 00:56:29,319
Speaker 1: We have some guests here, Randall. So we have a

1183
00:56:29,440 --> 00:56:31,160
Speaker 1: guest that come on the show. Randal, I know that

1184
00:56:31,200 --> 00:56:32,400
Speaker 1: you don't listen to the podcast.

1185
00:56:32,480 --> 00:56:35,200
Speaker 2: So Randall listens to the podcast.

1186
00:56:35,440 --> 00:56:37,000
Speaker 1: He does, I don't. Yeah, he does.

1187
00:56:37,400 --> 00:56:37,920
Speaker 2: Yeah, he does.

1188
00:56:37,960 --> 00:56:39,799
Speaker 3: Because somebody was like, yo, they talked about you on

1189
00:56:39,800 --> 00:56:40,879
Speaker 3: the podcast the other Yeah.

1190
00:56:41,239 --> 00:56:44,320
Speaker 1: That means that means that Randall was told by someone

1191
00:56:44,400 --> 00:56:45,440
Speaker 1: and he went and listened to one.

1192
00:56:45,680 --> 00:56:48,839
Speaker 2: He was like, oh, they got a podcast. Check out.

1193
00:56:49,080 --> 00:56:49,719
Speaker 5: Somebody's on the.

1194
00:56:49,719 --> 00:56:55,760
Speaker 4: Podcast his real friends. I was like, oh nice.

1195
00:56:55,680 --> 00:56:57,279
Speaker 1: Hey, yeah, I got shut out.

1196
00:56:57,440 --> 00:56:58,759
Speaker 3: All right, we're gonna go to a break and when

1197
00:56:58,760 --> 00:57:03,759
Speaker 3: we come back, we'll have our guests.

1198
00:57:07,239 --> 00:57:10,000
Speaker 1: So Randall, when we do the commercial breaks and the

1199
00:57:10,080 --> 00:57:13,239
Speaker 1: song comes back, it doesn't have them. A lot of

1200
00:57:13,560 --> 00:57:15,359
Speaker 1: a lot of our fans like to add their own.

1201
00:57:16,040 --> 00:57:26,120
Speaker 1: That's part of Barbara Robbie. Barbara and Robbie are twins.

1202
00:57:26,320 --> 00:57:27,400
Speaker 2: One of your is a doctor.

1203
00:57:27,560 --> 00:57:30,600
Speaker 1: My god, things are getting weird, you guys. Two different

1204
00:57:30,600 --> 00:57:33,200
Speaker 1: women have entered and they appear to be identical twins

1205
00:57:33,600 --> 00:57:35,840
Speaker 1: in different parts of the world where you guys call

1206
00:57:35,880 --> 00:57:36,480
Speaker 1: it from.

1207
00:57:36,760 --> 00:57:39,520
Speaker 11: I'm calling from UK, in the.

1208
00:57:39,400 --> 00:57:46,120
Speaker 2: UK, and you're so you guys, are you a doctor?

1209
00:57:47,280 --> 00:57:50,320
Speaker 11: Yes I am, Yes, I am, but I'm not working yet.

1210
00:57:50,880 --> 00:57:51,240
Speaker 2: Okay.

1211
00:57:51,760 --> 00:57:57,840
Speaker 11: I had some problems for coronavirus which delayed some technical issues.

1212
00:57:58,440 --> 00:57:59,640
Speaker 1: Okay, okay.

1213
00:57:59,800 --> 00:58:03,640
Speaker 2: And then Robbie, what about you? Are you a doctor too? No?

1214
00:58:03,640 --> 00:58:07,000
Speaker 12: No, I got doited in law last February.

1215
00:58:07,520 --> 00:58:09,760
Speaker 2: So you've got a lawyer and a doctor. Your parents

1216
00:58:09,760 --> 00:58:11,480
Speaker 2: will be very happy, very proud.

1217
00:58:13,320 --> 00:58:13,640
Speaker 1: Yeah.

1218
00:58:13,680 --> 00:58:16,800
Speaker 12: And last time we saw each other was at the

1219
00:58:16,840 --> 00:58:20,960
Speaker 12: beginning of March when I brought Bobby to the airport

1220
00:58:21,520 --> 00:58:24,680
Speaker 12: to take her flight to go to the UK and

1221
00:58:24,760 --> 00:58:25,320
Speaker 12: move there.

1222
00:58:25,520 --> 00:58:27,120
Speaker 1: Oh, so you've been apart for a long time. I

1223
00:58:27,280 --> 00:58:27,960
Speaker 1: just miss each.

1224
00:58:27,840 --> 00:58:32,040
Speaker 11: Other, Yes, a lot. That's why I also asked you

1225
00:58:32,200 --> 00:58:36,000
Speaker 11: to do this meeting in because I knew that it

1226
00:58:36,120 --> 00:58:38,920
Speaker 11: was very important to her. It is important also for me.

1227
00:58:39,040 --> 00:58:42,720
Speaker 11: But she had a very rough time, so oh well, we're.

1228
00:58:42,520 --> 00:58:44,200
Speaker 1: Here to cheer her up. I'm so glad that you

1229
00:58:44,240 --> 00:58:46,600
Speaker 1: called in because not only do you have the legendary

1230
00:58:46,600 --> 00:58:50,440
Speaker 1: Donald Faison here and he's always funny, you have Randall Winston,

1231
00:58:50,800 --> 00:58:52,960
Speaker 1: who was our line producer, but you may know him

1232
00:58:53,000 --> 00:58:56,160
Speaker 1: as Leonard the security guard. And also he played Death

1233
00:58:56,560 --> 00:58:59,120
Speaker 1: and you know, we've gotten a lot of questions for

1234
00:58:59,240 --> 00:59:03,960
Speaker 1: Death on our Instagram pages. So finally you can ask

1235
00:59:04,080 --> 00:59:05,200
Speaker 1: deaf any question you have.

1236
00:59:06,840 --> 00:59:07,920
Speaker 11: Oh, that's wonderful.

1237
00:59:08,000 --> 00:59:14,360
Speaker 3: Than played much mouth from the Yeah you did play

1238
00:59:14,440 --> 00:59:16,800
Speaker 3: much mouth from Freaking the Fat Out Jump.

1239
00:59:17,640 --> 00:59:20,880
Speaker 1: Yes, different, you had three different parts.

1240
00:59:21,280 --> 00:59:23,520
Speaker 2: You had that big ass helmet on your head too.

1241
00:59:26,000 --> 00:59:26,880
Speaker 2: All right, so let's.

1242
00:59:26,680 --> 00:59:28,680
Speaker 1: Get ahead, ladies, ask a question.

1243
00:59:29,080 --> 00:59:31,120
Speaker 12: I would like to start it because I am in

1244
00:59:31,120 --> 00:59:36,320
Speaker 12: a theater company as well, so sometimes we argue about

1245
00:59:36,400 --> 00:59:40,520
Speaker 12: the best ways to perform. You know, when you have

1246
00:59:40,600 --> 00:59:45,840
Speaker 12: to feel in character and you have to feel what

1247
00:59:45,960 --> 00:59:50,680
Speaker 12: your character is feeling in order to act. So I

1248
00:59:50,720 --> 00:59:55,280
Speaker 12: was wondering whether sometimes you had some difficulties with that

1249
00:59:55,720 --> 00:59:59,600
Speaker 12: and to make a very strange scene you couldn't really

1250
01:00:00,160 --> 01:00:02,680
Speaker 12: feel what JD or Turk or.

1251
01:00:04,200 --> 01:00:04,840
Speaker 4: Or Leonards.

1252
01:00:06,920 --> 01:00:10,520
Speaker 1: Thank you, Bobby, thank you for including him.

1253
01:00:11,560 --> 01:00:15,680
Speaker 12: My pleasure, So if you had to find some strange

1254
01:00:15,720 --> 01:00:19,320
Speaker 12: way to perform. I thought about this question when I

1255
01:00:19,400 --> 01:00:23,080
Speaker 12: was listening to your podcast last week, and Donald said

1256
01:00:23,600 --> 01:00:27,160
Speaker 12: when he had to memorize the line you need the

1257
01:00:27,200 --> 01:00:32,360
Speaker 12: surgical counsole, so you had to make a song about it.

1258
01:00:32,720 --> 01:00:36,400
Speaker 12: So if if my question is not about memorizing things,

1259
01:00:36,440 --> 01:00:38,560
Speaker 12: it's more about like acting the feeling.

1260
01:00:38,800 --> 01:00:44,560
Speaker 2: Yeah, uh, you know, let Leonard go first.

1261
01:00:44,920 --> 01:00:46,400
Speaker 1: When I strapped on the arm.

1262
01:00:47,800 --> 01:00:51,600
Speaker 2: Here's here's the thing. You you work hard.

1263
01:00:52,240 --> 01:00:56,000
Speaker 3: You work so hard to try to feel everything, and

1264
01:00:56,160 --> 01:00:58,360
Speaker 3: that's what comes with being an actor. You're gonna work

1265
01:00:58,800 --> 01:01:01,520
Speaker 3: hard hard and you've ever worked in your life to

1266
01:01:01,560 --> 01:01:05,360
Speaker 3: try to feel it. But when the camera rolls and

1267
01:01:05,400 --> 01:01:07,960
Speaker 3: you don't feel it, you better act the shit out

1268
01:01:07,960 --> 01:01:10,680
Speaker 3: of it, you know what I mean, Because at the

1269
01:01:10,760 --> 01:01:12,240
Speaker 3: end of the day, it still has to be made.

1270
01:01:12,360 --> 01:01:15,000
Speaker 3: So you're gonna work your hard is to try and

1271
01:01:15,160 --> 01:01:19,320
Speaker 3: feel the emotion and find the emotion and pinpoint what

1272
01:01:19,360 --> 01:01:21,120
Speaker 3: it is that you're you know, you'll make notes and

1273
01:01:21,160 --> 01:01:23,760
Speaker 3: you'll do all of that stuff. But there comes a

1274
01:01:23,800 --> 01:01:26,600
Speaker 3: time when you're doing it where all of that preparation

1275
01:01:26,760 --> 01:01:29,600
Speaker 3: and stuff isn't helping, you know what I mean, And

1276
01:01:29,640 --> 01:01:31,840
Speaker 3: so when it's not helping, it's time for you to

1277
01:01:31,840 --> 01:01:32,760
Speaker 3: act the shit out of it.

1278
01:01:33,520 --> 01:01:35,440
Speaker 2: And that's just how it goes, you know what I mean.

1279
01:01:35,480 --> 01:01:38,480
Speaker 1: I would say there's times when it's really just natural

1280
01:01:38,560 --> 01:01:40,760
Speaker 1: and then there's times where it feels forced and you

1281
01:01:40,760 --> 01:01:43,320
Speaker 1: don't feel present. You can see the cameraman and you

1282
01:01:43,360 --> 01:01:47,040
Speaker 1: can see the crew, and your stomach's growling because you're hungry,

1283
01:01:47,120 --> 01:01:49,320
Speaker 1: and you know, you had an argument with someone in

1284
01:01:49,360 --> 01:01:51,840
Speaker 1: your family, and all these things that happen in any job,

1285
01:01:51,880 --> 01:01:53,920
Speaker 1: and you and you're in your head and you're distracted,

1286
01:01:54,360 --> 01:01:56,600
Speaker 1: and the trick with acting is to always be as

1287
01:01:56,800 --> 01:01:59,640
Speaker 1: present as possible. The good news about acting on film

1288
01:01:59,680 --> 01:02:01,480
Speaker 1: and tell vision is you really only need to do

1289
01:02:01,520 --> 01:02:05,400
Speaker 1: it in spurts because you're you're you're trying to shine

1290
01:02:06,320 --> 01:02:08,640
Speaker 1: for your other actor, but also when the camera's on you,

1291
01:02:08,680 --> 01:02:10,960
Speaker 1: when it's on when you're no matter what the shot is.

1292
01:02:11,360 --> 01:02:14,040
Speaker 1: When you're doing a play, you have to maintain that

1293
01:02:14,080 --> 01:02:17,280
Speaker 1: for for two hours and and scene real. But with

1294
01:02:17,400 --> 01:02:20,120
Speaker 1: with film and TV acting, the real challenge is to

1295
01:02:20,120 --> 01:02:22,400
Speaker 1: get it in spurts enough so that it will cut

1296
01:02:22,440 --> 01:02:25,800
Speaker 1: together and be believable. But but yeah, it can be

1297
01:02:25,840 --> 01:02:28,680
Speaker 1: really it can be really challenging, especially when you're there's

1298
01:02:28,720 --> 01:02:31,880
Speaker 1: so much distraction. You know, there's phones ringing, and there's

1299
01:02:31,880 --> 01:02:35,600
Speaker 1: a helicopter overhead, and and you're upset about something in

1300
01:02:35,640 --> 01:02:37,880
Speaker 1: your private life. You know, it's it's it's a real

1301
01:02:38,000 --> 01:02:41,920
Speaker 1: challenge to do everything you can to be present in

1302
01:02:42,080 --> 01:02:42,520
Speaker 1: the moment.

1303
01:02:43,040 --> 01:02:45,880
Speaker 2: And when you can't be present, that's what that's what

1304
01:02:46,040 --> 01:02:46,640
Speaker 2: acting is.

1305
01:02:46,880 --> 01:02:48,560
Speaker 1: Then you fake it till you make it, fake it

1306
01:02:48,560 --> 01:02:51,480
Speaker 1: till you make it. Now, Randall, when you were playing Leonard,

1307
01:02:52,960 --> 01:02:56,440
Speaker 1: did you did? You didn't? Didn't Leonard have a love interest?

1308
01:02:56,440 --> 01:02:59,480
Speaker 1: By the way, Oh, yes, I had to miss it

1309
01:02:59,520 --> 01:02:59,919
Speaker 1: was a scene.

1310
01:03:00,600 --> 01:03:01,160
Speaker 4: Yes she was.

1311
01:03:04,760 --> 01:03:07,680
Speaker 1: Uh And wasn't she a fellow security guarden?

1312
01:03:07,720 --> 01:03:10,840
Speaker 4: No, no, she was. Maybe she was a candy striper

1313
01:03:10,920 --> 01:03:11,920
Speaker 4: or something. I just.

1314
01:03:15,600 --> 01:03:20,720
Speaker 1: Oh, Robbie, no, she was an old Yes, that was

1315
01:03:21,320 --> 01:03:24,000
Speaker 1: I had to open mouth kissing her.

1316
01:03:25,720 --> 01:03:29,000
Speaker 4: That was specifically requested.

1317
01:03:31,600 --> 01:03:34,520
Speaker 1: By her? Was it in the script um?

1318
01:03:35,400 --> 01:03:41,760
Speaker 4: That parts a little foggy, But you know, I think.

1319
01:03:42,480 --> 01:03:45,400
Speaker 1: Robbie's question, how did you maintain being president in the

1320
01:03:45,440 --> 01:03:47,480
Speaker 1: moment when you were kissing the senior citizen?

1321
01:03:47,880 --> 01:03:50,240
Speaker 4: You know what, Robbie, I should have been listening, and

1322
01:03:50,280 --> 01:03:51,520
Speaker 4: I've been listening to her.

1323
01:03:51,640 --> 01:03:59,000
Speaker 1: Yeah, you were listening to her mouth. Okay, ladies, good question, Yes,

1324
01:03:59,200 --> 01:04:01,560
Speaker 1: go ahead with another one. Donald left he was so

1325
01:04:01,800 --> 01:04:03,240
Speaker 1: offended by that question he left.

1326
01:04:04,960 --> 01:04:08,720
Speaker 11: Okay, So my question is we watched Scrubs a lot

1327
01:04:08,760 --> 01:04:11,160
Speaker 11: of time, and the first time we watched it we

1328
01:04:11,160 --> 01:04:14,760
Speaker 11: were just teenagers, and so we watched it in Italian.

1329
01:04:15,440 --> 01:04:19,640
Speaker 11: So I wondered, have you ever listened to yourself dubbed

1330
01:04:19,800 --> 01:04:23,440
Speaker 11: in other languages such as Alan or Spanish or Japanese. Yes.

1331
01:04:23,800 --> 01:04:26,640
Speaker 3: Yeah, I hate how they dubbed me in Spanish and

1332
01:04:26,680 --> 01:04:29,280
Speaker 3: Italian and stuff like that. I never have a deep voice.

1333
01:04:29,280 --> 01:04:39,920
Speaker 7: I'm always like, yeah, I prefer your voice.

1334
01:04:39,040 --> 01:04:40,280
Speaker 4: You know.

1335
01:04:40,360 --> 01:04:43,440
Speaker 1: It's funny is that in most countries, when you become

1336
01:04:43,480 --> 01:04:46,680
Speaker 1: a known actor, they pick the same actor to always

1337
01:04:46,800 --> 01:04:50,040
Speaker 1: do you. So if Donald's in one, if he's in

1338
01:04:50,080 --> 01:04:53,000
Speaker 1: Scrubs and then he goes off to do another film

1339
01:04:53,000 --> 01:04:54,600
Speaker 1: that is not even to do with Scrubs, it's usually

1340
01:04:54,600 --> 01:04:56,160
Speaker 1: the same actor being Donald.

1341
01:04:56,600 --> 01:04:57,360
Speaker 2: And I hate that.

1342
01:04:57,520 --> 01:05:00,320
Speaker 3: I hate that that one person is like, oh, oh no,

1343
01:05:00,880 --> 01:05:01,640
Speaker 3: was he playing in this?

1344
01:05:02,000 --> 01:05:04,120
Speaker 2: Oh, don't worry about it. I did him on Scrubs.

1345
01:05:04,280 --> 01:05:14,120
Speaker 1: I got this, So to Donald's to Donald's dismay, that

1346
01:05:14,240 --> 01:05:15,920
Speaker 1: voice will always be his voice.

1347
01:05:18,480 --> 01:05:22,040
Speaker 2: That pisses me off, man, Yeah.

1348
01:05:21,800 --> 01:05:25,600
Speaker 1: I have. I've heard myself in almost so many voices.

1349
01:05:25,640 --> 01:05:27,960
Speaker 1: Traveling around, especially when the show was on NonStop, we

1350
01:05:28,080 --> 01:05:30,640
Speaker 1: travel around the World and you turn on the TV

1351
01:05:30,680 --> 01:05:33,240
Speaker 1: and there you were speaking German. It was very funny.

1352
01:05:33,280 --> 01:05:35,240
Speaker 1: I remember, Uh, then there was a thing where we

1353
01:05:35,280 --> 01:05:37,520
Speaker 1: had Germans in the show Herman the German right with

1354
01:05:37,560 --> 01:05:39,840
Speaker 1: the with the balloon things, none of that. And then

1355
01:05:40,200 --> 01:05:42,320
Speaker 1: I remember in Germany they had to change where they

1356
01:05:42,360 --> 01:05:44,560
Speaker 1: were from because it made no sense that their language

1357
01:05:44,600 --> 01:05:46,680
Speaker 1: was different, like you know, so you know, like think

1358
01:05:46,720 --> 01:05:48,600
Speaker 1: about it. If the show has a character that's speaking

1359
01:05:48,640 --> 01:05:50,400
Speaker 1: of the language, and all of a sudden, the show's

1360
01:05:50,440 --> 01:05:52,480
Speaker 1: dubbed into that language, they then have to switch that

1361
01:05:52,520 --> 01:05:54,960
Speaker 1: person's language, so it doesn't what makes sense.

1362
01:05:55,360 --> 01:05:56,800
Speaker 4: I think we made them Belgium.

1363
01:05:57,120 --> 01:06:00,920
Speaker 1: Yes, I think you're right. N Randall, How do you

1364
01:06:00,960 --> 01:06:03,720
Speaker 1: feel as being dubbed as Death and Leonard.

1365
01:06:06,400 --> 01:06:11,000
Speaker 4: As long as my fan base all? Did you ever hear?

1366
01:06:11,160 --> 01:06:14,840
Speaker 2: Have you ever heard yourself dubbed in other languages?

1367
01:06:14,920 --> 01:06:16,320
Speaker 4: Randall? I have not.

1368
01:06:16,840 --> 01:06:18,720
Speaker 1: The good thing about dubbing Death is that you don't

1369
01:06:18,720 --> 01:06:21,720
Speaker 1: see his mouth moves, so it doesn't look bad exactly.

1370
01:06:22,920 --> 01:06:25,000
Speaker 1: I prefer subtitles, but they don't. They don't do that.

1371
01:06:25,040 --> 01:06:26,600
Speaker 1: A lot of countries just dub it.

1372
01:06:27,760 --> 01:06:31,040
Speaker 2: I don't prefer subtitles. I do not like subtitles.

1373
01:06:31,160 --> 01:06:32,440
Speaker 1: You know you'd rather be dubbed.

1374
01:06:32,800 --> 01:06:35,560
Speaker 2: Yeah, I'm a I'm a very poor reader. So having

1375
01:06:35,600 --> 01:06:38,160
Speaker 2: to read subtitles.

1376
01:06:37,560 --> 01:06:41,400
Speaker 1: Does your poor screen? Does your dyslexia. I've never asked

1377
01:06:41,440 --> 01:06:44,200
Speaker 1: you this before, but does that make you less likely

1378
01:06:44,240 --> 01:06:45,960
Speaker 1: to watch subtitled films?

1379
01:06:46,320 --> 01:06:46,480
Speaker 2: Uh?

1380
01:06:46,760 --> 01:06:48,919
Speaker 3: No, you know, a good movie is a good movie,

1381
01:06:48,920 --> 01:06:52,840
Speaker 3: no matter what, even with a learning disability, even if

1382
01:06:52,880 --> 01:06:56,440
Speaker 3: it is written on the screen. My dyslexia isn't so

1383
01:06:56,600 --> 01:06:59,680
Speaker 3: bad that I can't keep up right.

1384
01:07:00,040 --> 01:07:01,520
Speaker 1: I just never asked you. I wondered if you if

1385
01:07:01,560 --> 01:07:03,720
Speaker 1: you said, ah, fuck, it's be paying the asser for

1386
01:07:03,720 --> 01:07:05,360
Speaker 1: me to read these subtitles.

1387
01:07:04,880 --> 01:07:07,919
Speaker 3: Or no, I would though I would prefer not to read.

1388
01:07:07,960 --> 01:07:09,959
Speaker 3: I'd prefer to listen to a dubbed mix.

1389
01:07:10,160 --> 01:07:10,920
Speaker 1: Right, got it?

1390
01:07:11,560 --> 01:07:12,600
Speaker 2: Do you guys have another question?

1391
01:07:13,040 --> 01:07:13,200
Speaker 4: Oh?

1392
01:07:13,240 --> 01:07:15,600
Speaker 1: You're giving them three? It must because they're separated sisters.

1393
01:07:15,640 --> 01:07:18,800
Speaker 3: They're separated sisters. This is the first time they've talked

1394
01:07:18,840 --> 01:07:19,880
Speaker 3: to each other since March.

1395
01:07:20,120 --> 01:07:22,840
Speaker 1: Right, they're using us. They don't care about scrubs. They

1396
01:07:22,840 --> 01:07:24,680
Speaker 1: just want to, you know, get on our zoom and

1397
01:07:24,720 --> 01:07:25,480
Speaker 1: talk to each other.

1398
01:07:26,040 --> 01:07:28,400
Speaker 3: Like I did a show back in a day called

1399
01:07:28,400 --> 01:07:30,120
Speaker 3: Free to Be a Family, and we did a space

1400
01:07:30,200 --> 01:07:33,320
Speaker 3: bridge to Russia and this is like our space bridge

1401
01:07:33,360 --> 01:07:35,240
Speaker 3: between the UK and Italy.

1402
01:07:35,600 --> 01:07:37,160
Speaker 1: Was that like free to be? Was that like free

1403
01:07:37,160 --> 01:07:37,720
Speaker 1: to be you and me?

1404
01:07:38,040 --> 01:07:39,280
Speaker 2: Yeah, it was free to be you and me.

1405
01:07:39,640 --> 01:07:41,800
Speaker 1: We're gonna have to see free to be you and

1406
01:07:41,880 --> 01:07:42,720
Speaker 1: me songs Monday.

1407
01:07:42,960 --> 01:07:45,400
Speaker 3: We're free to be I could say in a Russian

1408
01:07:46,080 --> 01:07:49,280
Speaker 3: glee wee wheat e e t t e glee we

1409
01:07:49,400 --> 01:07:51,160
Speaker 3: wheat nois sennoi.

1410
01:07:51,720 --> 01:07:54,400
Speaker 2: Right, wow, We're free to be you and me, You

1411
01:07:54,480 --> 01:07:55,760
Speaker 2: and me, We're free to be a family.

1412
01:07:56,080 --> 01:07:58,120
Speaker 1: I only know a little Russian from the Billy Joel

1413
01:07:58,160 --> 01:08:04,360
Speaker 1: Coleopt album when he played and he said Milly Joe

1414
01:08:05,160 --> 01:08:06,280
Speaker 1: and the crowd went crazy.

1415
01:08:06,720 --> 01:08:09,320
Speaker 3: I know that because I got to wrap We're free

1416
01:08:09,360 --> 01:08:11,680
Speaker 3: to be You and me with the Fat Boys. There

1417
01:08:11,680 --> 01:08:14,000
Speaker 3: a lot of people don't remember the Fat Boys, but

1418
01:08:15,280 --> 01:08:18,559
Speaker 3: one of them was an amazing beat boxer and he

1419
01:08:18,680 --> 01:08:21,280
Speaker 3: beat boxed while I rapped.

1420
01:08:21,800 --> 01:08:24,280
Speaker 2: Anyway, So if you guys have enough, did you.

1421
01:08:24,520 --> 01:08:27,800
Speaker 4: Ever answer any any any calls on the scrubs phone

1422
01:08:27,800 --> 01:08:29,080
Speaker 4: that were from out of the country.

1423
01:08:29,479 --> 01:08:30,720
Speaker 2: No, I never answered any.

1424
01:08:30,840 --> 01:08:33,479
Speaker 1: When we did this episode with Call Turk and we

1425
01:08:33,560 --> 01:08:36,599
Speaker 1: had cal Turk, we had to get a real phone line,

1426
01:08:37,040 --> 01:08:39,720
Speaker 1: and Bill thought it would be I don't know if

1427
01:08:39,720 --> 01:08:42,080
Speaker 1: it was you or Bill Randall, but said, you know,

1428
01:08:42,200 --> 01:08:44,160
Speaker 1: rather than do a five five five number, let's get

1429
01:08:44,160 --> 01:08:46,960
Speaker 1: a real number and have it all ring on a

1430
01:08:47,000 --> 01:08:48,920
Speaker 1: cell phone. And so the cell phone was in the

1431
01:08:48,920 --> 01:08:52,479
Speaker 1: Scrubs production office and it would just ring all the time,

1432
01:08:52,960 --> 01:08:54,920
Speaker 1: and when you were randomly just walking through and you

1433
01:08:54,960 --> 01:08:57,040
Speaker 1: had a minute to kill, you just answer it and

1434
01:08:57,080 --> 01:09:00,240
Speaker 1: talk to fans because it would just ring NonStop.

1435
01:09:01,240 --> 01:09:03,400
Speaker 4: Done stop for like five years. And we kept the

1436
01:09:03,439 --> 01:09:05,439
Speaker 4: map and we put pins in it, you know, every

1437
01:09:05,439 --> 01:09:07,200
Speaker 4: time we would get calls.

1438
01:09:07,520 --> 01:09:10,599
Speaker 1: Yeah, that was cool. It's all over the world, All right, ladies,

1439
01:09:10,640 --> 01:09:11,799
Speaker 1: one last question, go ahead.

1440
01:09:12,600 --> 01:09:15,719
Speaker 12: That's the thing I started to reach. Watched the show

1441
01:09:15,800 --> 01:09:19,599
Speaker 12: as well during this quarantine because my boyfriend was with

1442
01:09:19,640 --> 01:09:22,759
Speaker 12: me and he never watched Scrubs before, so I wanted

1443
01:09:22,800 --> 01:09:24,840
Speaker 12: to rewatch it with him, and we watched it.

1444
01:09:24,800 --> 01:09:26,040
Speaker 11: On Amazon Prime.

1445
01:09:26,560 --> 01:09:30,080
Speaker 12: And I noticed the thing that you mentioned sometimes in

1446
01:09:30,120 --> 01:09:33,840
Speaker 12: the podcast that they changed a few songs, especially one

1447
01:09:34,080 --> 01:09:36,320
Speaker 12: it really pissed me off they changed it. It was

1448
01:09:36,400 --> 01:09:39,000
Speaker 12: the one in the second season when j D and

1449
01:09:39,080 --> 01:09:44,040
Speaker 12: Elliott kiss again and they start again and it's dreaming

1450
01:09:44,120 --> 01:09:49,519
Speaker 12: of you of the choral and I was so waiting

1451
01:09:49,640 --> 01:09:52,960
Speaker 12: for that scene and when it arrived, the song was

1452
01:09:53,000 --> 01:09:53,759
Speaker 12: a different one.

1453
01:09:53,840 --> 01:09:55,719
Speaker 11: So I was so pissed off.

1454
01:09:55,760 --> 01:09:57,519
Speaker 1: And we are too.

1455
01:09:58,520 --> 01:09:58,840
Speaker 4: Yeah.

1456
01:09:58,880 --> 01:10:03,519
Speaker 12: So I it's wondering whether you have some one song

1457
01:10:03,720 --> 01:10:07,160
Speaker 12: or two that you really really like and you're attached

1458
01:10:07,160 --> 01:10:11,280
Speaker 12: to it, you know, in one sea of Scrubs, and

1459
01:10:11,600 --> 01:10:16,080
Speaker 12: you would really be angry if someone changed.

1460
01:10:16,120 --> 01:10:16,400
Speaker 2: Wow.

1461
01:10:16,479 --> 01:10:17,160
Speaker 1: Good question.

1462
01:10:17,320 --> 01:10:20,320
Speaker 3: Well, you know, anytime Josh Rayden did music on the show,

1463
01:10:21,880 --> 01:10:24,479
Speaker 3: if that got taken off of the show, I would

1464
01:10:24,520 --> 01:10:27,840
Speaker 3: be very upset. One because Josh is a very close

1465
01:10:27,880 --> 01:10:33,040
Speaker 3: body of mine. And two his songs it seems like

1466
01:10:33,840 --> 01:10:38,080
Speaker 3: were made for the episodes.

1467
01:10:37,600 --> 01:10:38,880
Speaker 2: Of Scrubs, you know what I mean.

1468
01:10:39,640 --> 01:10:41,360
Speaker 3: Like, I don't know if Zach and Josh had a

1469
01:10:41,400 --> 01:10:43,360
Speaker 3: thing where Zach would be like, yo, I need you

1470
01:10:43,400 --> 01:10:45,640
Speaker 3: to write a song about this, and he'd be like,

1471
01:10:45,800 --> 01:10:46,280
Speaker 3: I got it.

1472
01:10:46,680 --> 01:10:46,840
Speaker 2: No.

1473
01:10:46,920 --> 01:10:49,400
Speaker 1: But I mean the example that comes to mind the

1474
01:10:49,439 --> 01:10:52,879
Speaker 1: same thing with me is Robbie is Josh's song. Because

1475
01:10:53,400 --> 01:10:55,240
Speaker 1: you know we've told this on the podcast before, but

1476
01:10:55,520 --> 01:10:58,520
Speaker 1: when he wrote that song Winter that played at Benefaier's

1477
01:10:58,600 --> 01:11:01,559
Speaker 1: characters funeral, it was the first song you'd ever written.

1478
01:11:01,600 --> 01:11:03,400
Speaker 1: But he didn't have. Everyone was like, oh my god,

1479
01:11:03,439 --> 01:11:06,559
Speaker 1: this is amazing. Where's your album? He's like, album, it's

1480
01:11:06,600 --> 01:11:09,960
Speaker 1: the only time ever written. So that one was particularly

1481
01:11:10,000 --> 01:11:11,880
Speaker 1: special to all of us because Josh was our friend.

1482
01:11:12,720 --> 01:11:14,720
Speaker 1: He started playing guitar late in life. He wasn't someone

1483
01:11:14,720 --> 01:11:17,280
Speaker 1: who played as a kid, and all of a sudden,

1484
01:11:17,479 --> 01:11:19,519
Speaker 1: you know, with the thanks to Bill putting him in

1485
01:11:19,560 --> 01:11:22,360
Speaker 1: the show, his career blew up and he traveled, you know,

1486
01:11:22,400 --> 01:11:24,640
Speaker 1: when the world is not under lockdown. He travels all

1487
01:11:24,680 --> 01:11:26,640
Speaker 1: around the world, and you guy should see him when

1488
01:11:26,640 --> 01:11:29,240
Speaker 1: he comes to Italy because you'll you'll recognize a lot

1489
01:11:29,280 --> 01:11:31,320
Speaker 1: of his music that was in scrubs. Another person I

1490
01:11:31,320 --> 01:11:33,240
Speaker 1: want to just mention was Colin Hay who was really

1491
01:11:33,320 --> 01:11:34,160
Speaker 1: special for the show.

1492
01:11:34,200 --> 01:11:35,879
Speaker 4: And we're trying.

1493
01:11:35,720 --> 01:11:37,120
Speaker 1: To get brandall. I need your help. By the way,

1494
01:11:37,200 --> 01:11:40,479
Speaker 1: the fans are all listening. Yes, I need to get

1495
01:11:40,560 --> 01:11:43,080
Speaker 1: Colin's information because we'd like to have him on for

1496
01:11:43,120 --> 01:11:44,880
Speaker 1: the episode he was on in season two.

1497
01:11:45,520 --> 01:11:48,879
Speaker 4: Okay, I get you. Whatever I had is my last contact.

1498
01:11:49,040 --> 01:11:51,160
Speaker 4: But Colin was a real friend of the show and

1499
01:11:51,640 --> 01:11:53,320
Speaker 4: fun and funny and had a good sense of humor

1500
01:11:53,320 --> 01:11:56,080
Speaker 4: about himself. There was a song I think it's in

1501
01:11:56,120 --> 01:11:59,799
Speaker 4: this season, the Christmas episode in Donald you are running

1502
01:12:00,040 --> 01:12:03,320
Speaker 4: and we play center Man. Yeah, that song fel was

1503
01:12:03,400 --> 01:12:06,680
Speaker 4: super powerful in the episode. And and we were all

1504
01:12:06,720 --> 01:12:09,840
Speaker 4: disappointed when songs got changed out, particularly in those first

1505
01:12:09,840 --> 01:12:14,000
Speaker 4: couple of seasons, because we were sort of like the

1506
01:12:14,040 --> 01:12:16,600
Speaker 4: bastard step child over there and like always held to

1507
01:12:16,720 --> 01:12:21,800
Speaker 4: a very strict, low budget number. We licensed a lot

1508
01:12:21,840 --> 01:12:25,599
Speaker 4: of songs not for forever. You know, when you license

1509
01:12:25,640 --> 01:12:27,920
Speaker 4: a song may have something called in perpetuity and all

1510
01:12:28,000 --> 01:12:30,360
Speaker 4: of the media that is now known or yet to

1511
01:12:30,400 --> 01:12:32,479
Speaker 4: be figured out, and you can keep the song. And

1512
01:12:33,920 --> 01:12:36,479
Speaker 4: so there's one and two. The music wasn't licensed that way,

1513
01:12:36,520 --> 01:12:39,200
Speaker 4: so we had to make some of those decisions about

1514
01:12:39,200 --> 01:12:40,120
Speaker 4: which they kill.

1515
01:12:41,160 --> 01:12:44,280
Speaker 1: But I always assumed it was that I didn't know.

1516
01:12:44,400 --> 01:12:46,640
Speaker 1: What you're implying is that as the seasons go on,

1517
01:12:46,760 --> 01:12:50,360
Speaker 1: you then did shot started doing contracts that would cover streaming,

1518
01:12:50,520 --> 01:12:51,920
Speaker 1: but no one knew what streaming was at.

1519
01:12:51,840 --> 01:12:56,000
Speaker 13: The time, exactly exactly, So like the first couple of seasons,

1520
01:12:56,320 --> 01:12:58,840
Speaker 13: the first couple of seasons, if the licensing has run

1521
01:12:58,880 --> 01:13:04,440
Speaker 13: out and then and didn't renegotiate or sign on to

1522
01:13:04,520 --> 01:13:08,519
Speaker 13: continue the licensing, the network automatically just changed the song.

1523
01:13:09,000 --> 01:13:11,679
Speaker 4: Yeah. I mean I actually had to sit with music

1524
01:13:11,760 --> 01:13:15,640
Speaker 4: editor of music Licensing for like, uh a week or

1525
01:13:15,640 --> 01:13:18,760
Speaker 4: so after the seasons were over in the summertime to

1526
01:13:18,800 --> 01:13:21,680
Speaker 4: figure out like what songs were. Oh.

1527
01:13:21,760 --> 01:13:24,200
Speaker 1: I always wondered who was who was putting these songs

1528
01:13:24,240 --> 01:13:26,120
Speaker 1: on We've we talked about that on the podcast that

1529
01:13:26,160 --> 01:13:29,800
Speaker 1: you don't listen to. But we always wondered, what what

1530
01:13:30,040 --> 01:13:34,720
Speaker 1: intern what intern somewhere is choosing these like second best songs.

1531
01:13:35,160 --> 01:13:38,360
Speaker 4: It's it was an exercise and killing babies like everything.

1532
01:13:38,400 --> 01:13:40,759
Speaker 4: It was great. But they're like, they're like, you absolutely

1533
01:13:40,800 --> 01:13:43,840
Speaker 4: cannot have all of this. You know, what do you

1534
01:13:43,880 --> 01:13:45,519
Speaker 4: want to say? Right?

1535
01:13:45,560 --> 01:13:49,920
Speaker 1: You're not gonna have center Man forever. All right, ladies,

1536
01:13:49,920 --> 01:13:52,280
Speaker 1: we have to move on because death has to take

1537
01:13:52,320 --> 01:13:56,080
Speaker 1: his kids swimming. And but thank you. I I'm sorry

1538
01:13:56,080 --> 01:13:58,080
Speaker 1: that you're I feel sad that your two sisters that

1539
01:13:58,120 --> 01:14:00,400
Speaker 1: are separated. That's horrible.

1540
01:14:00,560 --> 01:14:02,080
Speaker 2: Is there anything you want to say to each other?

1541
01:14:02,160 --> 01:14:03,360
Speaker 1: Yeah? Is there anything want to say to each other

1542
01:14:03,400 --> 01:14:04,360
Speaker 1: while everyone's listening.

1543
01:14:04,600 --> 01:14:05,360
Speaker 2: It's a free call.

1544
01:14:06,040 --> 01:14:11,000
Speaker 11: Yes, we actually rehearsed it before.

1545
01:14:15,080 --> 01:14:16,360
Speaker 12: Can we take a picture with you?

1546
01:14:16,439 --> 01:14:17,240
Speaker 1: Yes, of course.

1547
01:14:17,360 --> 01:14:17,519
Speaker 4: Yeah.

1548
01:14:17,600 --> 01:14:19,240
Speaker 2: Let me just get fresh for you. Let me get fresh.

1549
01:14:19,280 --> 01:14:19,640
Speaker 2: Here we go.

1550
01:14:21,640 --> 01:14:23,280
Speaker 4: Thank you, thank you.

1551
01:14:23,560 --> 01:14:26,160
Speaker 1: Thank you, lady so much, thank you be saying so much.

1552
01:14:27,320 --> 01:14:31,599
Speaker 1: Safe nineteen oh nine, in the Bowling Alley, two people

1553
01:14:31,640 --> 01:14:34,040
Speaker 1: on the left side of the screen spike the lens

1554
01:14:34,040 --> 01:14:37,000
Speaker 1: looked directly into the camera. I'm not sure.

1555
01:14:37,120 --> 01:14:39,800
Speaker 4: Oh my god, the Bowling Alley. Is that not the

1556
01:14:39,920 --> 01:14:43,680
Speaker 4: day when our prop man got stuck.

1557
01:14:44,160 --> 01:14:45,920
Speaker 2: Under Yes, it is.

1558
01:14:46,880 --> 01:14:50,360
Speaker 4: It does to retrieve the ball that it reached it.

1559
01:14:50,360 --> 01:14:51,160
Speaker 4: It was proper set.

1560
01:14:51,400 --> 01:14:52,920
Speaker 1: Patrick, my name Patrick Bolton.

1561
01:14:52,920 --> 01:14:53,360
Speaker 2: No, it wasn't.

1562
01:14:53,920 --> 01:14:56,160
Speaker 4: It wasn't because it was somebody who we laughed at

1563
01:14:56,280 --> 01:15:00,160
Speaker 4: much longer before we helped him. It was Acu. The

1564
01:15:00,200 --> 01:15:02,599
Speaker 4: thing came down on him and we thought it was hilarious.

1565
01:15:02,600 --> 01:15:04,400
Speaker 4: It was like a cartoon. Just saw his legs kick it,

1566
01:15:04,880 --> 01:15:07,960
Speaker 4: and then suddenly somebody was like, oh my god, we should.

1567
01:15:07,680 --> 01:15:09,160
Speaker 2: Probably take get him out of there.

1568
01:15:10,960 --> 01:15:15,519
Speaker 3: I remember he wasn't with us very much longer after that,

1569
01:15:15,600 --> 01:15:19,320
Speaker 3: either that.

1570
01:15:16,040 --> 01:15:16,439
Speaker 4: He was.

1571
01:15:18,160 --> 01:15:20,000
Speaker 1: Soon after he hid rowdy in the ceiling.

1572
01:15:21,439 --> 01:15:24,480
Speaker 4: He went to that guy. No, that guy went to uh,

1573
01:15:24,600 --> 01:15:25,240
Speaker 4: Jimmy Kimmel.

1574
01:15:25,600 --> 01:15:26,160
Speaker 2: Ah.

1575
01:15:26,320 --> 01:15:29,120
Speaker 1: Okay, So anyway, two people at the bowling eye, look

1576
01:15:29,200 --> 01:15:31,080
Speaker 1: right in the lens. If you're interested in your in

1577
01:15:31,160 --> 01:15:33,559
Speaker 1: your new hobby of finding people who spiked the lens.

1578
01:15:34,280 --> 01:15:36,639
Speaker 1: Donald you say, my baby knows how to knock him down.

1579
01:15:36,760 --> 01:15:37,439
Speaker 1: That was funny.

1580
01:15:38,040 --> 01:15:40,320
Speaker 2: My baby does know not. That was a lot of

1581
01:15:40,320 --> 01:15:41,080
Speaker 2: fun I don't remember.

1582
01:15:41,080 --> 01:15:44,880
Speaker 3: Okay, like most episodes we've watched so far, when watching this,

1583
01:15:45,000 --> 01:15:47,559
Speaker 3: I didn't remember any of it. And I thought that

1584
01:15:47,640 --> 01:15:49,760
Speaker 3: was the cutest thing. I thought Turk and Carla was

1585
01:15:49,840 --> 01:15:53,320
Speaker 3: so cute and so on point for the joke when

1586
01:15:53,560 --> 01:15:57,040
Speaker 3: JD's like, you know, couples go through this, this is

1587
01:15:57,080 --> 01:15:59,760
Speaker 3: what happens. Name show me a happy couple. And then

1588
01:15:59,800 --> 01:16:02,560
Speaker 3: right away you see Turk and Carla enjoying themselves.

1589
01:16:02,640 --> 01:16:05,360
Speaker 1: Yeah, yes, that was wonderful, and they're so sweet together.

1590
01:16:05,479 --> 01:16:07,240
Speaker 1: I mean you just you just love them. And then

1591
01:16:07,320 --> 01:16:09,679
Speaker 1: especially of course when you cut to the documentary footage

1592
01:16:09,720 --> 01:16:13,200
Speaker 1: thing and they're you know, and they're being so adorable

1593
01:16:13,400 --> 01:16:15,639
Speaker 1: and and and both saying how much they love each other.

1594
01:16:16,040 --> 01:16:19,559
Speaker 3: No, and you're rooting for them yeah, yeah, yeah, and

1595
01:16:19,600 --> 01:16:22,799
Speaker 3: not necessarily for Elliott and j D in this episode,

1596
01:16:22,840 --> 01:16:24,840
Speaker 3: even though it starts offtware, you're rooting for them.

1597
01:16:24,880 --> 01:16:25,479
Speaker 2: You can tell.

1598
01:16:26,479 --> 01:16:26,599
Speaker 4: Uh.

1599
01:16:26,760 --> 01:16:29,240
Speaker 3: Once it gets to the bad times, you're like, wow,

1600
01:16:29,320 --> 01:16:32,040
Speaker 3: these guys really aren't good for each other.

1601
01:16:32,200 --> 01:16:34,000
Speaker 1: Went sour so quick though.

1602
01:16:34,080 --> 01:16:36,360
Speaker 2: Very well, you only have a half an hour to

1603
01:16:36,360 --> 01:16:37,000
Speaker 2: tell the story.

1604
01:16:37,080 --> 01:16:39,040
Speaker 1: No, I'm saying like in the world of the show,

1605
01:16:39,080 --> 01:16:41,080
Speaker 1: they dated for like in two weeks and then they

1606
01:16:41,080 --> 01:16:42,080
Speaker 1: were like, this isn't working.

1607
01:16:42,800 --> 01:16:44,840
Speaker 4: But I think that was a pit sision by Bill

1608
01:16:44,960 --> 01:16:48,120
Speaker 4: because he wanted you know, he didn't want to have

1609
01:16:48,680 --> 01:16:52,720
Speaker 4: that protracted will they yeah, they will, They want the

1610
01:16:53,160 --> 01:16:54,400
Speaker 4: friends thing, you know.

1611
01:16:54,720 --> 01:16:55,920
Speaker 1: Then he ended up doing it anyway.

1612
01:16:56,600 --> 01:16:59,599
Speaker 3: Yes, well, but that's the works well even at the end, right,

1613
01:16:59,760 --> 01:17:04,080
Speaker 3: but even at the end of the episode, you say,

1614
01:17:04,560 --> 01:17:06,479
Speaker 3: you know that that there do I think it'll work?

1615
01:17:06,920 --> 01:17:07,160
Speaker 1: Yeah?

1616
01:17:07,160 --> 01:17:07,519
Speaker 4: I do.

1617
01:17:08,800 --> 01:17:12,840
Speaker 3: And JD's right. JD's right, it does work. It just

1618
01:17:12,920 --> 01:17:16,679
Speaker 3: doesn't work at that moment in time. In the long run,

1619
01:17:17,800 --> 01:17:21,200
Speaker 3: in the in the grand scheme of things, these two

1620
01:17:21,280 --> 01:17:22,320
Speaker 3: are meant to be together.

1621
01:17:22,400 --> 01:17:24,720
Speaker 1: So sad though I was, I was sad watching it

1622
01:17:24,760 --> 01:17:26,519
Speaker 1: that the two people who love each other who can't.

1623
01:17:26,680 --> 01:17:29,760
Speaker 1: I'm just a sucker for unrequited love and and love

1624
01:17:29,800 --> 01:17:32,120
Speaker 1: that cannot be. And here's two people that we want

1625
01:17:32,160 --> 01:17:33,920
Speaker 1: to be together but they can't.

1626
01:17:34,120 --> 01:17:36,920
Speaker 3: But that's when Harry met Sally, Like you said, that's

1627
01:17:36,960 --> 01:17:39,040
Speaker 3: it that's when Harry met Sally all over again, you

1628
01:17:39,080 --> 01:17:41,800
Speaker 3: know what I mean, Like, that's such one of my

1629
01:17:41,840 --> 01:17:43,719
Speaker 3: favorite that's first of all, one of my favorite movies

1630
01:17:43,760 --> 01:17:45,080
Speaker 3: Billy Crystal and Meg Ryan.

1631
01:17:45,439 --> 01:17:47,960
Speaker 2: But that story is great.

1632
01:17:48,120 --> 01:17:48,360
Speaker 4: You know.

1633
01:17:49,760 --> 01:17:52,920
Speaker 1: It reminds me of Fiona apple Lyric when she says,

1634
01:17:53,120 --> 01:17:56,559
Speaker 1: only kisses on the cheek from now on, and.

1635
01:17:58,640 --> 01:18:07,240
Speaker 14: Only they have wave, no, no, all right, if I

1636
01:18:07,320 --> 01:18:10,519
Speaker 14: need you, I'll just use your simple name.

1637
01:18:11,000 --> 01:18:12,639
Speaker 1: Keep going. Finish it.

1638
01:18:13,479 --> 01:18:18,559
Speaker 2: Only kisses on the cheek from now on, and in

1639
01:18:18,680 --> 01:18:22,280
Speaker 2: a little while, we'll only have to wave.

1640
01:18:22,800 --> 01:18:25,280
Speaker 1: That's so fucked up. They only have to wave. Hey,

1641
01:18:25,439 --> 01:18:26,879
Speaker 1: how you doing? Hey?

1642
01:18:27,479 --> 01:18:30,320
Speaker 3: I remember breaking up with someone and then going to

1643
01:18:30,400 --> 01:18:33,240
Speaker 3: give them a kiss and they gave me the cheek

1644
01:18:33,280 --> 01:18:36,200
Speaker 3: and being like, yeah, that's probably where what I should.

1645
01:18:36,240 --> 01:18:37,240
Speaker 2: We should probably gets.

1646
01:18:37,080 --> 01:18:39,680
Speaker 3: On the cheek from one one oh yeah, and now

1647
01:18:39,720 --> 01:18:40,320
Speaker 3: I just wave.

1648
01:18:40,520 --> 01:18:42,519
Speaker 1: The last thing I want to say is that when

1649
01:18:42,600 --> 01:18:44,720
Speaker 1: I liked how Judy a her delivery and also the

1650
01:18:44,760 --> 01:18:48,439
Speaker 1: writing when she she ends the documentary section and she

1651
01:18:48,520 --> 01:18:52,320
Speaker 1: says he seems to like who I am and I

1652
01:18:52,360 --> 01:18:54,840
Speaker 1: just thought that was so sweet, Like, you know, all

1653
01:18:54,840 --> 01:18:58,400
Speaker 1: bullshit aside, It seems like he genuinely likes who I

1654
01:18:58,560 --> 01:19:03,559
Speaker 1: genuinely am, and I just thought that was really pretty. Yeah, man, Randall,

1655
01:19:03,680 --> 01:19:04,880
Speaker 1: you've been a phenomenal guest.

1656
01:19:06,280 --> 01:19:07,120
Speaker 4: Thank you for having me.

1657
01:19:07,120 --> 01:19:08,760
Speaker 1: I feel like we're one step away from getting in

1658
01:19:08,800 --> 01:19:10,880
Speaker 1: your car with you, so we want to let you go.

1659
01:19:11,800 --> 01:19:14,800
Speaker 2: We should you just promise us you'll come back?

1660
01:19:14,840 --> 01:19:16,599
Speaker 1: And do you come back? Randall? I feel like you're

1661
01:19:16,600 --> 01:19:20,240
Speaker 1: gonna be a fan favorite because delight here is Randall.

1662
01:19:20,640 --> 01:19:20,880
Speaker 4: Randall.

1663
01:19:20,880 --> 01:19:22,400
Speaker 1: Do you use a washcloth in the shower?

1664
01:19:22,960 --> 01:19:23,080
Speaker 4: Uh?

1665
01:19:23,560 --> 01:19:25,559
Speaker 2: Yes, Okay, Randall's black dude.

1666
01:19:25,600 --> 01:19:28,439
Speaker 3: I'm trying to tell you this. I'm trying to tell

1667
01:19:28,479 --> 01:19:31,280
Speaker 3: you this. All black people use wash cloths.

1668
01:19:31,439 --> 01:19:36,360
Speaker 1: We have right, Randall, We love you. You can count us

1669
01:19:36,360 --> 01:19:38,400
Speaker 1: into our theme song. Thank you everybody for listening to

1670
01:19:38,439 --> 01:19:42,320
Speaker 1: Fake Doctor's Real Friends. Randall count us in three two one.

1671
01:19:42,720 --> 01:19:49,400
Speaker 1: Now he doesn't listen to the doesn't listen to the podcast.

1672
01:19:51,280 --> 01:19:54,880
Speaker 1: He's just been out. He's just been outed, you guys.

1673
01:19:55,400 --> 01:19:59,120
Speaker 3: Doesn't listen to the podcast five six, seven eight Stori.

1674
01:20:00,200 --> 01:20:04,720
Speaker 5: Show we made about a bunch of talks and nurses

1675
01:20:04,840 --> 01:20:06,320
Speaker 5: in Canada love.

1676
01:20:06,800 --> 01:20:10,519
Speaker 6: I said, here's a stormy next all should no.

1677
01:20:12,120 --> 01:20:13,800
Speaker 1: So gatherer around you here?

1678
01:20:14,000 --> 01:20:17,880
Speaker 2: Up gather around you here up expect me. My show

1679
01:20:18,160 --> 01:20:18,360
Speaker 2: is a