WEBVTT - #20 Soraya

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<v Speaker 1>Hello, I've been getting the feeling that you've been avoiding

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<v Speaker 1>my calls, but.

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<v Speaker 2>No really ever gives you that idea.

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<v Speaker 1>So you mean my my paranoia is is true? You

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<v Speaker 1>have been avoiding my calls. That means everyone's really out

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<v Speaker 1>to get me.

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<v Speaker 3>Do any of your friends like you anymore?

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<v Speaker 1>I have a don't ask, don't tell policy about it

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<v Speaker 1>from Gimlet Media. I'm Jonathan Goldstein and this is Heavyweight

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<v Speaker 1>Today's episode Soirea. In the fall of twenty fifteen, Sorea

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<v Speaker 1>began her freshman year at Harvard. She was studying history,

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<v Speaker 1>a subject that she's loved ever since she was a kid.

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<v Speaker 3>The person that gave me my love of history was

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<v Speaker 3>my dad. We would always watch documentaries together, which is

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<v Speaker 3>one of my favorite things.

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<v Speaker 1>Shortly after getting to Harvard, Soria met Professor Alyssa mount Pleasant.

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<v Speaker 1>Soria liked the Lissa right away. She was a Native

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<v Speaker 1>American history professor studying indigenous people. Siria also wanted to

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<v Speaker 1>tell the stories of people without a complete written history,

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<v Speaker 1>in Sorea's case, African American people.

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<v Speaker 3>She was doing the type of history I wanted to do,

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<v Speaker 3>in the type of history that I love. She is

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<v Speaker 3>a woman of color, and you know it's game recognizing game.

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<v Speaker 1>You felt a kinship.

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<v Speaker 3>Yeah, like I don't even know how old she is,

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<v Speaker 3>but she seems young, which was really inspiring.

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<v Speaker 1>Alyssa was writing a book about a tribe called the

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<v Speaker 1>hoden n Ashone, and she was looking for a research assistant,

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<v Speaker 1>someone to sift through microfilm of thousands of newspapers from

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<v Speaker 1>the early eighteen hundred.

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<v Speaker 3>She said that she didn't usually hire freshmen, but she

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<v Speaker 3>was going to give me a chance, and she thought

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<v Speaker 3>I was, I don't know, charming, the guiling. She didn't

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<v Speaker 3>say these words out loud. I don't know, I don't

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<v Speaker 3>know why you would hire me, but she did.

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<v Speaker 1>For reasons Soireya couldn't quite fathom. Alyssa had taken a

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<v Speaker 1>chance on her, and for Sorea, that felt like an

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<v Speaker 1>act of kindness. She was working alongside a mentor who

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<v Speaker 1>saw something in her and contributing to a project that

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<v Speaker 1>felt meaningful. Life seemed to be working out great. Sorea

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<v Speaker 1>should have been thrilled.

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<v Speaker 3>I found myself in a new school, surrounded by new people,

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<v Speaker 3>things that I really loved, But I found myself very unhappy.

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<v Speaker 1>Sarria had struggled with feelings of depression since she was

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<v Speaker 1>a kid, but she'd always been able to pin those

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<v Speaker 1>feelings on the world around her. Classes that weren't engaging,

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<v Speaker 1>relationships that weren't fulfilling. But with her arrival at Harvard,

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<v Speaker 1>she hoped that finally things might fall into place.

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<v Speaker 3>But like every time I woke up there, it didn't

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<v Speaker 3>feel right. You know. I don't know how to explain it,

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<v Speaker 3>other than like whenever I look in the mirror, I

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<v Speaker 3>don't feel like a Harvard student, Like I'm black, I'm Arab,

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<v Speaker 3>I'm a woman. I just I felt bad about all

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<v Speaker 3>of that, and I couldn't stop myself from feeling bad

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<v Speaker 3>about it. And I felt sad because I felt bad

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<v Speaker 3>that I felt bad, and it felt like things were

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<v Speaker 3>supposed to get better, because on paper, my life had

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<v Speaker 3>gotten better. But nothing changed.

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<v Speaker 1>Siriah stopped going to class, stopped showering, stop sleeping. Sometimes

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<v Speaker 1>for almost a week straight. At night, she'd stay up

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<v Speaker 1>reading trashy romance novels and watching conspiracy videos on YouTube.

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<v Speaker 3>And there was something comforting about sort of being adjacent

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<v Speaker 3>to crazy when you're feeling crazy. There would be long

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<v Speaker 3>stretches of time when I wouldn't leave my room one

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<v Speaker 3>of my roommates had left her keys in her room,

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<v Speaker 3>and so she sent out a text on our group

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<v Speaker 3>chat and was like, hey, is anyone in the room.

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<v Speaker 3>And she stood outside our door knocking and knocking and

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<v Speaker 3>knocking and knocking, and I didn't move. I couldn't. I

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<v Speaker 3>couldn't muster the energy to talk to anyone or to

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<v Speaker 3>face anyone. I really feel like I was a zombie.

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<v Speaker 3>This is all happening. And one of the key relationships

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<v Speaker 3>that I was doing my best to maintain was my

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<v Speaker 3>relationship with Alyssa. But I just I just kept digging

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<v Speaker 3>a whole.

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<v Speaker 1>When talking with me about her depression. Soirea is always

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<v Speaker 1>pretty even keeled until the subject of Alyssa comes up.

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<v Speaker 3>I just kept showing up to meetings, saying that I

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<v Speaker 3>was doing things and like it was going great.

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<v Speaker 1>The truth was that shortly after being hired because of

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<v Speaker 1>her depression, Sorey's work researching Alyssa's book ground to a halt.

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<v Speaker 1>But just the same, she kept on meeting with Alyssa.

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<v Speaker 1>It was the only time all week that she showered,

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<v Speaker 1>that she got dressed and left her room.

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<v Speaker 3>Because I just wanted to meet with her. And for

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<v Speaker 3>those moments when I was meeting with her and we

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<v Speaker 3>were talking and we were sharing. It just felt in

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<v Speaker 3>those moments like this is how I wanted my life

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<v Speaker 3>to be, but I couldn't have it outside of these

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<v Speaker 3>moments that were in the end a lie.

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<v Speaker 1>Eventually, Harvard tried to intervene, first with emergency meds and

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<v Speaker 1>then psychiatric treatment, but nothing was helpful and in the

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<v Speaker 1>end Sorea was left with no choice but to drop out.

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<v Speaker 1>She returned to her childhood home, where she spent the

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<v Speaker 1>next two months in bed. Since dropping out, Sirey's depression

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<v Speaker 1>is lifted. A new therapist, then a new job of helped.

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<v Speaker 1>She says she generally feels good about things, except for

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<v Speaker 1>one particular thing. Sarria abandoned the project without ever saying

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<v Speaker 1>anything to Alyssa. After dropping out. She just ghosted Alyssa,

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<v Speaker 1>sent emails and tried to set up Skype sessions, but

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<v Speaker 1>Soria never responded, and eventually Alyssa stopped reaching out. For

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<v Speaker 1>the last two years, Saray has been carrying around the

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<v Speaker 1>original flash drive where she saved all the old newspaper

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<v Speaker 1>articles that she was supposed to read through for Alyssa.

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<v Speaker 3>I've been carrying it with me in my backpack for

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<v Speaker 3>two years.

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<v Speaker 1>You've literally been carrying, like literally carrying it around as

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<v Speaker 1>a weight on your back. So what do you want.

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<v Speaker 3>I need to know whether or not I can make

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<v Speaker 3>it right by finishing this.

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<v Speaker 1>By this, she means the research work she promised Alyssa.

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<v Speaker 1>Soirea doesn't just want to apologize. She wants to present

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<v Speaker 1>Alyssa with a bold gesture. And as far as gestures go,

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<v Speaker 1>the bold kind are my favorite. So, in answer to

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<v Speaker 1>the question I've not yet been asked, yes, Sirea, I

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<v Speaker 1>will be your life coach, helping you at every turn

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<v Speaker 1>to see this through. According to the Internet, every good

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<v Speaker 1>life coach needs a catchphrase, an inspirational cohen that can

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<v Speaker 1>bring solace during difficult moments, a soft light made of

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<v Speaker 1>brave words to whisper when dark night has fallen. Something

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<v Speaker 1>wise yet simple, soulful but dignified. You're gonna boom boom

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<v Speaker 1>boom bang it out. Say it with me. I'm going

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<v Speaker 1>to boom boom boom. Come on with me, I'm gonna

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<v Speaker 1>boom boom boom bang it out. I know it seems

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<v Speaker 1>I know it seems silly, but I'll say one part

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<v Speaker 1>of you say the next you'd boom boom M.

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<v Speaker 3>I can't, I won't, I could, I won't.

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<v Speaker 1>I get Sorea's hesitation. There's nothing more soul deadening than

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<v Speaker 1>mindlessly repeating other people's slogans and catchphrases, of which it's

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<v Speaker 1>time once again for an important message from a sponsor

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<v Speaker 1>that I personally care about. Soria gets started on the project.

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<v Speaker 1>On the flash drive she's been carrying around since she

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<v Speaker 1>left Harvard. There are sixty two PDF files, each one

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<v Speaker 1>containing hundreds of pages of newspaper. Anytime a native person

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<v Speaker 1>is mentioned in any way, a marriage, an arrest, a

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<v Speaker 1>treaty being signed, Sorea makes a copy of the article

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<v Speaker 1>and then catalogs it. So after her regular nine to

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<v Speaker 1>five is finished and the office is emptied out, Sorea

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<v Speaker 1>remain at her desk, scrolling through years and years of microfilm.

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<v Speaker 1>And the plan is that at the end of each

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<v Speaker 1>week she's to check in with me so I can

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<v Speaker 1>offer support and inspiration. Week one, so how is it going?

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<v Speaker 3>And we'll find this week. I think it is in

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<v Speaker 3>the doing that I will find some piece. So I'm

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<v Speaker 3>excited and I.

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<v Speaker 1>So far life coaching is a breeze for sure, easier

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<v Speaker 1>than baseball or football coaching. But by week two Soreya

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<v Speaker 1>and I hit a snag.

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<v Speaker 3>It's just God, I hate this about me so much.

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<v Speaker 3>I basically litigate with myself. I'm like, you know, if

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<v Speaker 3>you start working at four and you do two hours

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<v Speaker 3>of work, it'll only be That's fine. It's six pm.

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<v Speaker 3>If you do two hours, that's only eight o'clock. It's

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<v Speaker 3>four am. Okay, Soiria, you have to do it now

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<v Speaker 3>or you're not going to be able to sleep tonight.

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<v Speaker 3>It's six am. Well, you really can't sleep now because

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<v Speaker 3>you have to be up for work in two hours.

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<v Speaker 3>It's eight am, and then I went to work. I

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<v Speaker 3>went to work.

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<v Speaker 1>According to ancient Greek myth, as punishment for betraying the gods,

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<v Speaker 1>Sisyphus was forced to spend eternity pushing a rock up

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<v Speaker 1>a hill, only to have the rock roll back down

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<v Speaker 1>again when it reached the top. It was hell in

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<v Speaker 1>the form of boredom and meaninglessness. Like Sisyphis, Soria sees

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<v Speaker 1>no end to her toil. She's sorting through mountains of

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<v Speaker 1>articles about lost wallets and lost umbrellas, the War of

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<v Speaker 1>eighteen twelve, stolen horses, and scalpings. She scrolls and scrolls

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<v Speaker 1>and scrolls looking for any mention of indigenous people. She

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<v Speaker 1>can go hours, even days without finding anything relevant. Plus

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<v Speaker 1>she doesn't even know if her work will have any worth.

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<v Speaker 1>Alyssa might have already finished her book, or worse because

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<v Speaker 1>of her abandoned it entirely. It all feels pointless. Week ten.

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<v Speaker 1>How did the weekend go?

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<v Speaker 3>Pretty? Pretty shit? Not good?

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<v Speaker 1>But according to the Internet, a life coach has to

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<v Speaker 1>be persistent, and so we keep checking in even when

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<v Speaker 1>Sorey is out of town. Week eleven.

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<v Speaker 3>I did not work on this project this week. Week twelve,

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<v Speaker 3>this week has not been productive.

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<v Speaker 1>Week thirteen, this week did not go to plan. Week fourteen. Hello, Hey,

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<v Speaker 1>this is Jonathan speaking.

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<v Speaker 3>Oh oh crap, I totally forgot about this.

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<v Speaker 1>As a life coach. I'm also like Sissyphist. I'm pushing

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<v Speaker 1>a rock up a hill, and my rock is Soreya

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<v Speaker 1>pushing her rock up a hill. Should I be continuing

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<v Speaker 1>to try to inspire you? I?

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<v Speaker 3>Uh, it's not you, It's me.

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<v Speaker 1>It is me, isn't it? Do you know? Are you

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<v Speaker 1>familiar with the quote from Highlander? There is no trial? Wait?

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<v Speaker 1>Did I get there is no try. There can only

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<v Speaker 1>be here. Oh no, sorry, it's Yoda. Do are not? Sorry?

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<v Speaker 1>Do or do not? There is no try?

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<v Speaker 3>Thank you. I'm surprised you didn't try to imitate Yoda.

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<v Speaker 3>If I'm gonna be honest, I'm a little disappointed.

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<v Speaker 1>You done on showing Soireyah that there is no try.

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<v Speaker 1>Is something that I must actually do rather than try

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<v Speaker 1>to do. I must do to do, do or do not?

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<v Speaker 1>There is no there is no try, do or do not. Wait.

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<v Speaker 1>Let me I can nail this. Hang on, I've never

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<v Speaker 1>really tried. You know when you can hear the voice

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<v Speaker 1>in your head that you're trying to imitate, but you

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<v Speaker 1>can't get it out, but you just know it's in there.

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<v Speaker 1>What cannot be done? I always do what cannot be done. Huh,

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<v Speaker 1>why did I start this? Anyone?

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<v Speaker 3>What is this? It definitely feels like an intervention.

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<v Speaker 1>Just because people are intervening they care about you, doesn't

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<v Speaker 1>make it an intervention. Hang on a second, So the

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<v Speaker 1>question of why did she start this? Anyone? I invite

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<v Speaker 1>Sorea into the studio or a stage, a full on

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<v Speaker 1>mo ALTI media event, or at least a single media event.

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<v Speaker 1>I play Sireya some audio tape from the one person

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<v Speaker 1>she needs to hear from most. I thought that maybe

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<v Speaker 1>the best person for you to hear right now would

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<v Speaker 1>be you.

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<v Speaker 3>This is an intervention.

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<v Speaker 1>Siria shakes her head and I press play, and together

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<v Speaker 1>we listened to a conversation that we had back when

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<v Speaker 1>this whole thing began.

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<v Speaker 3>I think it is in the doing that I will

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<v Speaker 3>find some piece, you know.

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<v Speaker 1>In his essay about Sisyphis, the French existentialist Albert Camier

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<v Speaker 1>writes that Sisyphis's real struggle wasn't that he had to

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<v Speaker 1>roll a heavy rock up a hill without ever getting

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<v Speaker 1>to the top, but that he had to somehow find

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<v Speaker 1>meaning in the rock rolling. Siria has lost sight of

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<v Speaker 1>the thing that was bringing meaning to her rock rolling,

0:16:00.120 --> 0:16:03.800
<v Speaker 1>lost sight of Alyssa, Like I don't even know how.

0:16:03.640 --> 0:16:08.640
<v Speaker 3>Old she is, but she seems young, which was really inspiring.

0:16:08.920 --> 0:16:13.040
<v Speaker 1>She was past Soria talks about how important Alyssa was

0:16:13.080 --> 0:16:15.640
<v Speaker 1>to her, how kind she was when she was at

0:16:15.640 --> 0:16:20.440
<v Speaker 1>her lowest, and as past Soria speaks present, Siria covers

0:16:20.480 --> 0:16:20.960
<v Speaker 1>her face.

0:16:21.440 --> 0:16:24.000
<v Speaker 3>I need to know whether or not I can make

0:16:24.000 --> 0:16:25.600
<v Speaker 3>it right by finishing this.

0:16:33.760 --> 0:16:38.720
<v Speaker 1>I believe that person was talking from the heart Soria

0:16:38.800 --> 0:16:41.560
<v Speaker 1>looks down at the table. She's quiet for a while,

0:16:42.120 --> 0:16:48.280
<v Speaker 1>thinking about Alyssa. And when they first met.

0:16:46.520 --> 0:16:49.840
<v Speaker 3>I was feeling very bad about myself, and so this

0:16:50.080 --> 0:16:57.120
<v Speaker 3>job like it was this moment my freshman year. Ah shit,

0:17:00.040 --> 0:17:05.040
<v Speaker 3>it's like, God, she's a deeply nice person.

0:17:10.119 --> 0:17:13.720
<v Speaker 1>So what are we gonna do? Sorea looks at me

0:17:13.800 --> 0:17:20.480
<v Speaker 1>like I'm an idiot. Then her smile widens, and I'm.

0:17:20.320 --> 0:17:22.200
<v Speaker 3>Gonna boom boom boom bang it out.

0:17:23.160 --> 0:17:25.080
<v Speaker 1>Who's gonna boom boom boom bang it out?

0:17:26.400 --> 0:17:29.480
<v Speaker 3>I'm going to boom boom boom bang it out.

0:17:30.119 --> 0:17:31.720
<v Speaker 1>See how did that feel?

0:17:33.640 --> 0:17:35.480
<v Speaker 3>About as good as I imagined it too.

0:17:36.640 --> 0:17:40.560
<v Speaker 1>We're gonna boom boom boom bang it out.

0:17:44.400 --> 0:17:46.200
<v Speaker 3>I'm past the fifty percent march.

0:17:47.119 --> 0:17:50.000
<v Speaker 1>When we check back in a week later, it seems

0:17:50.040 --> 0:17:52.920
<v Speaker 1>Soray has gotten back what I will heretoforeth refer to

0:17:53.119 --> 0:17:57.600
<v Speaker 1>as after carefully vetting my language with Gimlet Media's paralegal department.

0:17:58.200 --> 0:18:07.919
<v Speaker 1>The look of the leper The glass is half empty

0:18:08.680 --> 0:18:12.640
<v Speaker 1>or full, whichever The optimistic part is. You know you

0:18:12.720 --> 0:18:16.800
<v Speaker 1>have emptied this glass of nagging, guilt and shame so

0:18:16.840 --> 0:18:19.640
<v Speaker 1>that it's half empty, which is good.

0:18:19.920 --> 0:18:25.120
<v Speaker 3>Okay again in the colloquial spear of things that would

0:18:25.160 --> 0:18:26.520
<v Speaker 3>sound really really negative.

0:18:26.720 --> 0:18:27.359
<v Speaker 1>Are you sure?

0:18:27.720 --> 0:18:28.159
<v Speaker 2>I don't know.

0:18:28.440 --> 0:18:34.359
<v Speaker 1>Yeah, I think you might have that backwards And from here,

0:18:34.800 --> 0:18:37.960
<v Speaker 1>the half empty glass just keeps getting emptier.

0:18:39.160 --> 0:18:45.040
<v Speaker 3>Week fifteen, I would say I'm at fifty two percent.

0:18:45.960 --> 0:18:50.000
<v Speaker 1>Week sixteen, I'm at sixty percent. Week seventeen. I'm gonna

0:18:50.000 --> 0:18:53.000
<v Speaker 1>put it out sixty two Week eighteen.

0:18:52.800 --> 0:18:55.639
<v Speaker 3>The seventy five percent mark.

0:18:57.520 --> 0:19:00.520
<v Speaker 1>It isn't always easy. There are still stops in starts.

0:19:01.160 --> 0:19:06.280
<v Speaker 1>Sorea gets tired, Sorea gets bored, Soria gets busy, but slowly.

0:19:07.000 --> 0:19:10.840
<v Speaker 1>Soraya nears the finish line. Week twenty four.

0:19:11.600 --> 0:19:14.440
<v Speaker 3>I think I'm going to get there. I'm almost done.

0:19:14.480 --> 0:19:16.360
<v Speaker 3>I think I have two I have two of those

0:19:16.440 --> 0:19:18.840
<v Speaker 3>files left. I can do that.

0:19:23.160 --> 0:19:28.159
<v Speaker 1>Week twenty six, So, yeah, what do you have to

0:19:28.200 --> 0:19:28.560
<v Speaker 1>tell me?

0:19:29.840 --> 0:19:30.679
<v Speaker 3>I'm done?

0:19:31.080 --> 0:19:31.679
<v Speaker 1>You're done?

0:19:31.760 --> 0:19:32.399
<v Speaker 3>I'm done?

0:19:37.280 --> 0:19:53.000
<v Speaker 1>After the break? Alyssa, Yes, it's a boy call around

0:19:53.440 --> 0:19:58.040
<v Speaker 1>Train forty three and stops at Newark, Chanson, Philadelphia. Is

0:19:58.040 --> 0:20:02.800
<v Speaker 1>that us? My history is Melissa is currently doing academic

0:20:02.880 --> 0:20:06.359
<v Speaker 1>research in Philadelphia. So Sorey and I meet at New

0:20:06.440 --> 0:20:09.600
<v Speaker 1>York's Penn Station, and right and early we board a

0:20:09.640 --> 0:20:14.280
<v Speaker 1>train to Philly. As Soreya's life coach. I'm a nervous wreck,

0:20:15.000 --> 0:20:17.719
<v Speaker 1>so I can only assume that Sorea must be feeling

0:20:17.800 --> 0:20:21.439
<v Speaker 1>three to six times as anxious as I am. I

0:20:21.480 --> 0:20:24.520
<v Speaker 1>try to soothe her. Do you find that sounds soothing?

0:20:24.760 --> 0:20:27.480
<v Speaker 1>Time to hear it? Check it, check it, check check it,

0:20:27.560 --> 0:20:30.919
<v Speaker 1>check it, check it, check out. Soreya doesn't appear to

0:20:30.960 --> 0:20:34.960
<v Speaker 1>find it soothing, so I pull out another life coaching technique,

0:20:35.720 --> 0:20:42.280
<v Speaker 1>breathing in. I'm breathing in. I don't know that was

0:20:42.320 --> 0:20:42.880
<v Speaker 1>breathing out.

0:20:43.200 --> 0:20:44.440
<v Speaker 3>I was breathing out.

0:20:45.200 --> 0:20:49.640
<v Speaker 1>Gotta confused. Sometimes Sirea didn't get any sleep the night

0:20:49.720 --> 0:20:54.919
<v Speaker 1>before interfugue state of sleep deprivation. I can only assume

0:20:55.000 --> 0:20:58.439
<v Speaker 1>that Sorea must be experiencing this train trip, not as

0:20:58.480 --> 0:21:01.879
<v Speaker 1>an actual train trip, but as a symbolic and surreal

0:21:01.960 --> 0:21:06.479
<v Speaker 1>train trip of self discovery. We chug along past Newark,

0:21:06.520 --> 0:21:12.399
<v Speaker 1>New Jersey, home of the first successful submarine voyage, Elizabeth,

0:21:12.480 --> 0:21:15.720
<v Speaker 1>New Jersey, birthplace of the first ice cream soda in

0:21:15.800 --> 0:21:21.639
<v Speaker 1>New Jersey. Rahway, New Jersey, originally called spank towns by

0:21:21.720 --> 0:21:28.840
<v Speaker 1>early settlers for disgusting reasons. I won't go into here. Andalusia,

0:21:28.960 --> 0:21:33.440
<v Speaker 1>New Jersey filming locale for the NBC pilot Outlaw, which

0:21:33.440 --> 0:21:41.280
<v Speaker 1>started Young Jimmy Smith's and ran for eight episodes. And finally,

0:21:43.520 --> 0:21:48.120
<v Speaker 1>so here we are. Oh boy, oh boy, oh boy, Philadelphia.

0:21:49.600 --> 0:21:52.199
<v Speaker 1>Welcome to Philly. Yeah they call it. They call it

0:21:52.200 --> 0:21:58.840
<v Speaker 1>Philly for short, third short for Philip, Philipdelphia. Outside the

0:21:58.880 --> 0:22:04.399
<v Speaker 1>train station, the city is bustling. As Sorea's life coach

0:22:04.440 --> 0:22:07.640
<v Speaker 1>slash tour guide, I point out the sights and sounds

0:22:07.680 --> 0:22:10.359
<v Speaker 1>of the city. Look at this, look at that. There's

0:22:10.400 --> 0:22:13.199
<v Speaker 1>the Crack Liberty, there's those stairs that Rodney ran up,

0:22:13.240 --> 0:22:18.879
<v Speaker 1>and there's a tub of cream cheese Philadelphia Fresh. We

0:22:19.000 --> 0:22:22.360
<v Speaker 1>cab over to the Temple University campus where I've set

0:22:22.440 --> 0:22:28.240
<v Speaker 1>up our meeting with Alyssa. Here we are. We're on campus. Yeah,

0:22:28.320 --> 0:22:32.240
<v Speaker 1>feeling that adrenaline that that that college sort of we're

0:22:32.280 --> 0:22:34.240
<v Speaker 1>college students and we could do anything we want.

0:22:34.359 --> 0:22:39.920
<v Speaker 3>I miss the sweats carrying pizza luck because there's.

0:22:39.720 --> 0:22:44.919
<v Speaker 1>A guy that's like cheap beer at a frat party.

0:22:45.280 --> 0:22:48.040
<v Speaker 1>It's all rising up in me, running through the dorm

0:22:48.040 --> 0:22:52.160
<v Speaker 1>in my underwear hacky sack and my underwear underwear pong

0:22:52.320 --> 0:22:56.679
<v Speaker 1>underwear runs no pants parties, all the college things I

0:22:56.760 --> 0:23:00.119
<v Speaker 1>experienced in movies, but not in my five years at

0:23:00.160 --> 0:23:04.680
<v Speaker 1>the Sir George Williams campus of downtown Montreal's Concordia University.

0:23:05.560 --> 0:23:12.440
<v Speaker 1>What good was my education? Anyway? As for Soirea, after

0:23:12.480 --> 0:23:14.480
<v Speaker 1>being out of school for a couple of years, now,

0:23:14.920 --> 0:23:16.560
<v Speaker 1>I wonder what it's like for her to be back

0:23:16.600 --> 0:23:19.760
<v Speaker 1>on a college campus. It's hard, though, to tell what

0:23:19.760 --> 0:23:20.320
<v Speaker 1>she's feeling.

0:23:21.800 --> 0:23:24.360
<v Speaker 3>It's literally exactly.

0:23:28.400 --> 0:23:31.400
<v Speaker 1>I've arranged to meet Alyssa at the Entertainment and Community

0:23:31.520 --> 0:23:34.920
<v Speaker 1>Education Center on the edge of campus. We're a few

0:23:34.960 --> 0:23:38.160
<v Speaker 1>minutes early, so Sirea decides to use the extra time

0:23:38.320 --> 0:23:41.240
<v Speaker 1>to run into the bathroom, but just as she steps

0:23:41.240 --> 0:23:44.320
<v Speaker 1>into the hallway, she comes face to face with a

0:23:44.320 --> 0:23:47.520
<v Speaker 1>wavy haired woman wearing narrow, black framed glasses.

0:23:50.119 --> 0:23:51.520
<v Speaker 3>Hi, how are you.

0:23:52.280 --> 0:23:54.200
<v Speaker 1>It's Alyssa.

0:23:54.240 --> 0:23:57.080
<v Speaker 3>How are you good. It's so good to see you.

0:23:57.200 --> 0:23:58.000
<v Speaker 3>It's good to see you.

0:23:58.000 --> 0:24:02.960
<v Speaker 1>Too, send Soria stand around awkwardly in the hallway, not

0:24:03.040 --> 0:24:07.119
<v Speaker 1>sure what to say. As they fall into silence, Sorea's

0:24:07.119 --> 0:24:16.000
<v Speaker 1>life coach springs into action. To meet you now, Alyssa

0:24:16.000 --> 0:24:18.879
<v Speaker 1>and Srea and I stand around awkwardly in the hallway,

0:24:19.280 --> 0:24:20.720
<v Speaker 1>not sure what to say.

0:24:22.760 --> 0:24:24.240
<v Speaker 3>Yeah, I'm good, We'll take care of Melissa.

0:24:24.320 --> 0:24:26.679
<v Speaker 1>Sorry that you could do your twilet and be at

0:24:26.720 --> 0:24:35.360
<v Speaker 1>your best. Great, come on in. When Sarria returns from

0:24:35.400 --> 0:24:38.720
<v Speaker 1>the bathroom, she finds Alyssa already seated at a large

0:24:38.800 --> 0:24:43.679
<v Speaker 1>round table. Sia sits beside her. Together, they try to

0:24:43.720 --> 0:24:44.840
<v Speaker 1>figure out how to begin.

0:24:48.520 --> 0:24:51.840
<v Speaker 3>How have you been? I've been good, I've been busy,

0:24:52.640 --> 0:24:55.480
<v Speaker 3>I've been I've been well. How are you I've been

0:24:55.600 --> 0:25:08.399
<v Speaker 3>I've been both up and down? Yeah, I really, I

0:25:08.440 --> 0:25:10.040
<v Speaker 3>mean what comes to mind is that I left you

0:25:10.200 --> 0:25:14.960
<v Speaker 3>high and dry. And by the time.

0:25:14.760 --> 0:25:18.840
<v Speaker 1>We met, Soria gets right into it, telling Alyssa all

0:25:18.880 --> 0:25:22.240
<v Speaker 1>the things that two years ago she wasn't able to.

0:25:22.600 --> 0:25:27.919
<v Speaker 4>I was in a really dark place and had She

0:25:27.960 --> 0:25:30.720
<v Speaker 4>tells Alyssa about not being able to leave her dorm room,

0:25:31.359 --> 0:25:34.360
<v Speaker 4>about how everything in her life was falling apart, how

0:25:34.359 --> 0:25:38.160
<v Speaker 4>meaningless it all felt, how ultimately she had to drop

0:25:38.160 --> 0:25:38.800
<v Speaker 4>out of school.

0:25:39.200 --> 0:25:42.480
<v Speaker 1>But she tells Alyssa about her depression.

0:25:42.480 --> 0:25:48.520
<v Speaker 3>And I was trying really really hard to be okay,

0:25:49.400 --> 0:25:56.520
<v Speaker 3>but like what I'm what I'm most ashamed of is

0:25:56.560 --> 0:26:02.879
<v Speaker 3>that I couldn't just like tell you. I just didn't

0:26:02.920 --> 0:26:06.480
<v Speaker 3>feel like I could tell you or anyone which is

0:26:07.720 --> 0:26:13.080
<v Speaker 3>to me sad because you were so nice.

0:26:13.640 --> 0:26:16.240
<v Speaker 1>Did you ever suspect that Sorea might be depressed?

0:26:18.680 --> 0:26:25.080
<v Speaker 3>I had no idea. I had absolutely no idea.

0:26:26.640 --> 0:26:29.160
<v Speaker 1>So less it turns to Sorea, I.

0:26:29.000 --> 0:26:34.760
<v Speaker 5>Was immediately impressed with you. You have an energy and

0:26:34.840 --> 0:26:41.000
<v Speaker 5>an enthusiasm and an honesty that is refreshing.

0:26:42.560 --> 0:26:43.960
<v Speaker 3>And inspiring.

0:26:46.359 --> 0:26:48.920
<v Speaker 1>So sorry, if I could just jump in for a minute,

0:26:49.080 --> 0:26:53.120
<v Speaker 1>you never felt like let down, or you didn't feel

0:26:53.200 --> 0:26:55.000
<v Speaker 1>angry or upset.

0:26:57.040 --> 0:27:01.800
<v Speaker 5>I might have been a little frustrated, but I was

0:27:02.400 --> 0:27:08.439
<v Speaker 5>never angry or disappointed. If anything, I was trying to

0:27:08.440 --> 0:27:13.720
<v Speaker 5>be compassionate about the workload that I was imagining you had,

0:27:14.119 --> 0:27:17.000
<v Speaker 5>not knowing that there was another workload that you had

0:27:17.040 --> 0:27:21.119
<v Speaker 5>that that you were dealing with. So you shouldn't feel

0:27:21.160 --> 0:27:22.480
<v Speaker 5>like you left me high and dry.

0:27:24.280 --> 0:27:27.600
<v Speaker 1>Sarria can't understand how Alyssa could feel this way, how

0:27:27.640 --> 0:27:30.480
<v Speaker 1>easily she's letting her off the hook. She came to

0:27:30.520 --> 0:27:34.200
<v Speaker 1>ask for forgiveness for screwing over her mentor, and she's

0:27:34.240 --> 0:27:37.880
<v Speaker 1>not buying Alyssa's response, Well, I just.

0:27:37.800 --> 0:27:41.480
<v Speaker 3>Felt like I hadn't accomplished anything, and like when I

0:27:41.520 --> 0:27:43.719
<v Speaker 3>was so, I was just going to jump in that

0:27:43.960 --> 0:27:45.200
<v Speaker 3>is wrong.

0:27:46.520 --> 0:27:49.679
<v Speaker 1>For the first time all afternoon. Alyssa drops her measured

0:27:49.720 --> 0:27:52.800
<v Speaker 1>tone and interrupts, Soria, you had.

0:27:52.680 --> 0:27:59.040
<v Speaker 5>Done a tremendous amount of work, and my recollection was

0:27:59.080 --> 0:28:01.720
<v Speaker 5>that there was just a little bit more that needed

0:28:01.760 --> 0:28:04.840
<v Speaker 5>to be done.

0:28:05.520 --> 0:28:09.680
<v Speaker 1>Sorea looks confused, and at this point I probably do too.

0:28:10.720 --> 0:28:13.280
<v Speaker 1>The way Sirea had always explained it to me, she'd

0:28:13.320 --> 0:28:17.040
<v Speaker 1>done almost no work on the project. She'd failed the project,

0:28:17.440 --> 0:28:19.840
<v Speaker 1>failed Alissa, and failed herself.

0:28:22.200 --> 0:28:25.040
<v Speaker 5>You know, I have an image in my mind of

0:28:25.920 --> 0:28:30.080
<v Speaker 5>the drop box file with a number of different.

0:28:30.080 --> 0:28:33.120
<v Speaker 1>Alyssa brings up the existence of a drop box folder.

0:28:33.800 --> 0:28:36.560
<v Speaker 1>It was there. She says that they both shared articles

0:28:36.560 --> 0:28:39.719
<v Speaker 1>and material as they worked on the project.

0:28:39.520 --> 0:28:46.080
<v Speaker 5>Spreadsheets, Excel spreadsheets and links to them, and there was additional.

0:28:45.720 --> 0:28:49.400
<v Speaker 1>It seems that on June fourteenth, twenty sixteen, just before

0:28:49.440 --> 0:28:52.920
<v Speaker 1>she ghosted on Alyssa, Soirea had uploaded almost half of

0:28:53.000 --> 0:28:58.840
<v Speaker 1>the required research. Not only that, but she'd organized it too.

0:28:59.120 --> 0:29:02.560
<v Speaker 1>And yet it doesn't remember any of this. For the

0:29:02.600 --> 0:29:05.920
<v Speaker 1>past two years, she's accepted her failure as the truth.

0:29:06.880 --> 0:29:09.520
<v Speaker 1>To now hear otherwise, it is hard to process.

0:29:12.440 --> 0:29:18.640
<v Speaker 3>What I'm sort of realizing is that I let the

0:29:18.680 --> 0:29:22.240
<v Speaker 3>fact that I didn't finish something eclipse the fact that

0:29:22.280 --> 0:29:24.720
<v Speaker 3>I had done anything at all.

0:29:26.360 --> 0:29:29.720
<v Speaker 1>Sirea had been telling herself a story that she'd failed,

0:29:30.120 --> 0:29:33.320
<v Speaker 1>that she'd made a mess of everything. In truth, though,

0:29:33.920 --> 0:29:36.360
<v Speaker 1>that was just a story the depression had been telling.

0:29:37.880 --> 0:29:41.200
<v Speaker 1>But it's this story that, two years later has stuck

0:29:41.200 --> 0:29:51.760
<v Speaker 1>with her. It took Alyssa the historian to excavate the past. Eventually,

0:29:52.040 --> 0:29:54.560
<v Speaker 1>the conversation turns to the matter of the work that

0:29:54.600 --> 0:30:00.480
<v Speaker 1>Sorea truly, verifiably didn't do. Did you you end up

0:30:00.560 --> 0:30:04.320
<v Speaker 1>having to hire another researcher to do what Soria was doing,

0:30:04.400 --> 0:30:06.800
<v Speaker 1>or did you do it yourself or it's still not done.

0:30:08.400 --> 0:30:12.320
<v Speaker 1>Hearing this, Sorea reaches into her bag and begins fumbling inside.

0:30:13.080 --> 0:30:15.440
<v Speaker 1>She pulls out the flash drive that contains all the

0:30:15.480 --> 0:30:18.680
<v Speaker 1>work she's done over the past six months. She explains

0:30:18.760 --> 0:30:21.680
<v Speaker 1>why she traveled all the way to Philly.

0:30:21.800 --> 0:30:28.440
<v Speaker 3>I brought it because I wanted to give it to you.

0:30:30.000 --> 0:30:33.360
<v Speaker 1>Soria begins in accounting of everything she's done in preparation

0:30:33.480 --> 0:30:34.040
<v Speaker 1>for the meeting.

0:30:34.800 --> 0:30:39.400
<v Speaker 3>So I read about a decade's worth of newspaper and

0:30:40.120 --> 0:30:44.800
<v Speaker 3>clipped I think it's like seven hundred articles and so

0:30:44.840 --> 0:30:47.960
<v Speaker 3>I'll just give you a quick look at what's inside.

0:30:48.040 --> 0:30:52.520
<v Speaker 1>But Soria speaks, Alyssa shakes her head.

0:30:52.560 --> 0:30:54.960
<v Speaker 3>Any of them the other thing is like it's the

0:30:54.960 --> 0:30:56.080
<v Speaker 3>War of eighteen twelve.

0:30:56.320 --> 0:30:59.800
<v Speaker 1>So there's just at first in disbelief because.

0:30:59.560 --> 0:31:02.040
<v Speaker 3>I also I just thought the creek stuff that's going

0:31:02.040 --> 0:31:03.880
<v Speaker 3>on is so fascinating.

0:31:03.680 --> 0:31:05.840
<v Speaker 1>But eventually in amazement.

0:31:06.080 --> 0:31:10.480
<v Speaker 3>What's going on with the tusc Aurora. It's wild to me.

0:31:11.080 --> 0:31:14.520
<v Speaker 1>And then I sit back and watch this side of

0:31:14.560 --> 0:31:17.520
<v Speaker 1>Soirea that I've not seen before. In spite of her

0:31:17.560 --> 0:31:21.760
<v Speaker 1>sleep deprived state, she has a natural enthusiasm, a passion

0:31:21.800 --> 0:31:24.920
<v Speaker 1>for the subject, and a command of the material, all

0:31:25.000 --> 0:31:27.800
<v Speaker 1>qualities Alyssa must have seen when she first decided to

0:31:27.880 --> 0:31:32.480
<v Speaker 1>hire her. Back then, Alyssa didn't see the depression. She

0:31:32.560 --> 0:31:35.960
<v Speaker 1>saw through it to other things, things that at the

0:31:36.000 --> 0:31:40.320
<v Speaker 1>time Soirea couldn't see herself. Maybe this is why Alyssa

0:31:40.400 --> 0:31:41.720
<v Speaker 1>took a chance on a freshman.

0:31:43.160 --> 0:31:48.600
<v Speaker 5>It's staggering the amount of work that you've taken on.

0:31:49.680 --> 0:31:56.400
<v Speaker 5>I'm overwhelmed, and I wonder about and here I'm spitballing.

0:31:57.520 --> 0:32:02.840
<v Speaker 1>Alyssa pauses for a moment, rubs here, But I wonder if.

0:32:02.640 --> 0:32:06.720
<v Speaker 5>There might be a co authored piece, or at least

0:32:06.760 --> 0:32:11.680
<v Speaker 5>co credited piece, because that wouldn't be possible without Saraya's work.

0:32:19.480 --> 0:32:27.920
<v Speaker 3>I'm I'm so glad that you're okay. Yeah, I am too.

0:32:29.680 --> 0:32:31.720
<v Speaker 3>I still want to say sorry. I don't know, I

0:32:31.760 --> 0:32:37.120
<v Speaker 3>know you don't seem to need it. Accept your apology,

0:32:38.840 --> 0:32:41.880
<v Speaker 3>It's okay, that's okay.

0:32:45.240 --> 0:32:47.520
<v Speaker 1>Just before the rock rolls back down and the schlap

0:32:47.520 --> 0:32:51.000
<v Speaker 1>begins anew. In that brief pause when the stone is

0:32:51.000 --> 0:32:55.400
<v Speaker 1>perfectly balanced at the mountain's top, Sissyphus must experience a

0:32:55.440 --> 0:32:58.880
<v Speaker 1>moment of respite, a moment when he can unclench his jaw,

0:32:59.400 --> 0:33:04.680
<v Speaker 1>rub his nack, scratches back. Siria still struggles with depression,

0:33:05.080 --> 0:33:08.640
<v Speaker 1>with whether she's ready to return to school, but for now,

0:33:09.400 --> 0:33:15.600
<v Speaker 1>there's a moment of peace. On the train ride back

0:33:15.640 --> 0:33:18.400
<v Speaker 1>to New York, Soria curls up in her sweatshirt and

0:33:18.480 --> 0:33:21.520
<v Speaker 1>rests her head against the window. And were it not

0:33:21.640 --> 0:33:24.560
<v Speaker 1>for the relentless affirmations of her life coach I find

0:33:24.600 --> 0:33:28.280
<v Speaker 1>train travel, the gentle chugga chugga of the train would

0:33:28.280 --> 0:33:31.960
<v Speaker 1>have by now rocked her to sleep. What's the expression again,

0:33:32.520 --> 0:33:38.480
<v Speaker 1>I don't know, Bippy bobbity boom, We're gonna escape, We're

0:33:38.480 --> 0:33:39.320
<v Speaker 1>gonna bip up.

0:33:40.600 --> 0:33:42.520
<v Speaker 3>I thought you've said that, what is it? Boom boom boom,

0:33:42.520 --> 0:33:46.560
<v Speaker 3>that's boom boom boom boom, bang it out.

0:34:10.280 --> 0:34:19.759
<v Speaker 2>Now that the furnitures returning to it's goodwill home, Now

0:34:19.840 --> 0:34:25.600
<v Speaker 2>that the last month's rant is scheming with the damaged pos,

0:34:25.840 --> 0:34:31.720
<v Speaker 2>take this moment to deserve, if we meant it, if

0:34:31.760 --> 0:34:40.799
<v Speaker 2>we talk, are felt around for far too.

0:34:39.320 --> 0:34:47.680
<v Speaker 1>From things good Accidentally. Heavyweight is hosted and produced by

0:34:47.680 --> 0:34:50.920
<v Speaker 1>me Jonathan Goldstein, along with Peter Bresnan, Khalila Holt, and

0:34:51.000 --> 0:34:54.120
<v Speaker 1>Stevie Lane. The show is edited by Jorge Just, with

0:34:54.280 --> 0:34:57.960
<v Speaker 1>additional editing by Alex Bloomberg. Special thanks to Emily Condon,

0:34:58.080 --> 0:35:01.640
<v Speaker 1>Jasmine Romero, Matilda or Felina, Amber Davis, b A. Parker,

0:35:02.120 --> 0:35:05.400
<v Speaker 1>and Jackie Cohen. Bobby Lord mixed the episode with music

0:35:05.400 --> 0:35:09.440
<v Speaker 1>by Christine Fellows, Blue Dot Sessions and he himself, Bobby Lord.

0:35:09.920 --> 0:35:12.959
<v Speaker 1>Additional music credits can be found on our website gimletmedia

0:35:13.040 --> 0:35:16.440
<v Speaker 1>dot com slash Heavyweight. Our theme song is by The

0:35:16.440 --> 0:35:19.360
<v Speaker 1>Weaker Thands courtesy of Epitaph Records, and our ad music

0:35:19.440 --> 0:35:22.360
<v Speaker 1>is by Hailey Shaw. Follow us on Twitter at heavyweight

0:35:22.520 --> 0:35:25.919
<v Speaker 1>or email us at Heavyweight at gimltmedia dot com. We'll

0:35:25.920 --> 0:35:28.280
<v Speaker 1>have a brand new episode next week