WEBVTT - Dirty Dancing

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<v Speaker 1>With Jenny Garth and Tori Spelling. Oh my gosh, Welcome

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<v Speaker 1>to another episode of OMG. Does it stand for oh

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<v Speaker 1>my gosh or oh my God? That's the big debates,

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<v Speaker 1>Oh my god, but you could say gosh if you

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<v Speaker 1>don't like to say god. You know what, Amy, I'm

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<v Speaker 1>gonna say, oh my golly. M hmm, just because Hi, everybody, welcome,

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<v Speaker 1>Welcome to another week with me and am I swear

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<v Speaker 1>you guys, Tory is coming up and she's going to

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<v Speaker 1>tell everybody everything. We promise we're not we haven't. I

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<v Speaker 1>think next week. I'm hoping we haven't exiled her or

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<v Speaker 1>taken her, tied her up in the trunk or anything.

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<v Speaker 1>She's definitely coming back. We miss her. We know you

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<v Speaker 1>guys miss her so much, but you have us. You're

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<v Speaker 1>stuck with us this week. Oh my golly, that's another one.

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<v Speaker 1>I like it, like it. How many of this oh

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<v Speaker 1>my goodness, Oh my geez, that works. Let's say I

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<v Speaker 1>want to hear what everybody thinks OMG stands for. I

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<v Speaker 1>see it constantly. Now, I don't know about you, guys.

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<v Speaker 1>It's embarrassing how much I put it in a text,

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<v Speaker 1>like it's probably it's out like embarrassing. The kids don't

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<v Speaker 1>say OMG anymore. I actually think you're right. I think

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<v Speaker 1>it is out. But we are old longdoing not for

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<v Speaker 1>us something. Listen, I when I have an OMG moment,

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<v Speaker 1>now it's equivalent to my AHA moment, like it's right

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<v Speaker 1>underneath AHA moment. So Oprah had her AHA moment. We

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<v Speaker 1>have our O m G moments. You know what I

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<v Speaker 1>think really dates me in our group text is because

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<v Speaker 1>there's young people in our group text. And first of all,

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<v Speaker 1>that just how we are that we call people young

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<v Speaker 1>people is when I write Rad, it's so you though,

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<v Speaker 1>when you say Raddy like Jenny and aren't texting, and

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<v Speaker 1>it was like, Okay, I'll see you at ten thirty.

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<v Speaker 1>Rap Oh, I'm cheap, get it to get Rad on nine? Oh,

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<v Speaker 1>I feel like Rad was going to it. I mean,

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<v Speaker 1>Yarley was gnarly around. The righteous Dudu has been around

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<v Speaker 1>is like one of my favorite words. How did we

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<v Speaker 1>even start talking about these things? And I'm really sorry, guys,

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<v Speaker 1>this happens. Well, we we have another episode to talk about.

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<v Speaker 1>Do you guys want to talk about it? Do you

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<v Speaker 1>want to talk about it? Amy, I'm saying you guys like,

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<v Speaker 1>there's more than one of you. It's just me and

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<v Speaker 1>my dogs. I totally behind because once again it is

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<v Speaker 1>the very serious issue combined with like nine O two

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<v Speaker 1>one oh jolly saying like wow, this was an after

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<v Speaker 1>school special episode. Yes, yes, and they tied it up

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<v Speaker 1>in way too pretty of a beau in forty eight

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<v Speaker 1>minutes or whatever. I was like, wait, that's totally major.

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<v Speaker 1>What just happened? I mean, did they It's all messed

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<v Speaker 1>up over there at the Scanling household, and I actually

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<v Speaker 1>can't remember if this was Nicole Tom's last. I think

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<v Speaker 1>she might come back again, but it's like, can you

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<v Speaker 1>imagine that they just she disappears after this? I can,

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<v Speaker 1>because that's what happens on our show. People come in

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<v Speaker 1>for their big O MG moment and then they just disappear,

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<v Speaker 1>kind of like Tori. I'm just kidding. She didn't disappear him.

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<v Speaker 1>Some really iconic fashion moments in these episodes, and good acting.

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<v Speaker 1>This was another great Donna Donna episode. Donna, there wasn't

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<v Speaker 1>enough Kelly in this episode. Did you notice that? It

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<v Speaker 1>was like, I was fine with it, but yeah, there's

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<v Speaker 1>a lot of Donna, a lot of Sue. I liked

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<v Speaker 1>it and Dylan has COVID. Uh, okay, let's just start

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<v Speaker 1>because we can't help us. Professional Season three, episode eleven,

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<v Speaker 1>A Presumption of Innocence, aired on October one. Meyer's future

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<v Speaker 1>is on the line over a sexual misconduct charge, but

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<v Speaker 1>he's more concerned about the future of his MHM. Meyer's

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<v Speaker 1>future is on the line over a sexual misconduct charge,

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<v Speaker 1>but he's more concerned about the future of his accuser. Meanwhile,

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<v Speaker 1>surfing becomes hazardous to Dylan's health and Brandon hits the

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<v Speaker 1>dance floor. Directed by Bethany Rooney, written by Karen Rosen

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<v Speaker 1>and Darren Starr. I love Bethany. It feels like it's

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<v Speaker 1>been for like a really long I mean really yeah.

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<v Speaker 1>We had a lot of shows. Are Parents. So this

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<v Speaker 1>was when I was a freshman in college. So so

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<v Speaker 1>I was graduating from high school in ninety two, but

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<v Speaker 1>I think at this point now I'm a freshman in

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<v Speaker 1>college and I'm telling you these were the episodes we

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<v Speaker 1>just squished our There was thirty girls in there, squished

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<v Speaker 1>into this tiny TV room and it was called a

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<v Speaker 1>TV room, and the screen was probably like the size

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<v Speaker 1>of my laptop screen. Did you have a VCR. Of course,

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<v Speaker 1>somebody would say, are you gonna tape it? I don't.

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<v Speaker 1>I wonder if the thing had You remember like TVs

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<v Speaker 1>when you had to turn the dial. I think we

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<v Speaker 1>did have remote. No, there was no dial. I remember, yeah,

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<v Speaker 1>my TV when I was a little girl, and I

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<v Speaker 1>would sit in front of it and watch the Brady bunch.

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<v Speaker 1>Was was one of those big consults, sat on the

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<v Speaker 1>floor and you had that was so seventies. That thing.

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<v Speaker 1>This people are gonna get mad. But I have to ask,

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<v Speaker 1>were you more Greg or Peter? Neither or her face?

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<v Speaker 1>It wasn't really into the boys then. I was into

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<v Speaker 1>Marcia and Cindy. Sorry, Jan, what if I was like

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<v Speaker 1>my favorite was Alice? Like, oh god, yeah, I think

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<v Speaker 1>I was more Peter because so like I'm not being braggy,

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<v Speaker 1>but like we've met a lot of bradies, right like

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<v Speaker 1>in our job. Not to beg but I know all

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<v Speaker 1>the bradies. You're totally bragging right now. I to this

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<v Speaker 1>day cannot look Greg Brady in the eye. Two celebrities.

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<v Speaker 1>I don't know. I don't know if it's because like

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<v Speaker 1>maybe I liked him back then he fiddled with his

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<v Speaker 1>mom on the show You're embarrassed or like he's kind

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<v Speaker 1>of goony. So it's like, oh no, it's yeah, it's

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<v Speaker 1>I cannot look Greg Brady in the eye, like when

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<v Speaker 1>we do things with them, I have to have I

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<v Speaker 1>run away. I go like, I'm sorry, you have to

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<v Speaker 1>have someone else handle this, and the other one I

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<v Speaker 1>can't really David hasshole. I literally cannot do it, like

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<v Speaker 1>I have I have to leave. I cannot do you wait,

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<v Speaker 1>and I needed to know more about the Hasslehoff that

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<v Speaker 1>I will admit. When he was a night writer, I

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<v Speaker 1>literally love you, Okay, so it was a love So

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<v Speaker 1>that is like I think it's a combination of that

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<v Speaker 1>and like, you know, his trajectory has been a little

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<v Speaker 1>wonky maybe. So it's like I'm just I'm like, no,

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<v Speaker 1>but I can watch an old night writer and I'm okay, yeah,

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<v Speaker 1>I don't know if I'd be able to look the

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<v Speaker 1>Hoff in the eye either. I wouldn't. I would I

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<v Speaker 1>wouldn't know where to look. It's it's wrong, Okay, back

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<v Speaker 1>to Okay, Yes, um yone has COVID like sink Okay. Yeah,

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<v Speaker 1>I was like, um, okay, so Dylan is coughing on

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<v Speaker 1>everyone his birthday. What the like what apparently this was

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<v Speaker 1>way before COVID and also before the whole like cough

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<v Speaker 1>into your elbow trend, you know, So, I mean he's

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<v Speaker 1>just he's coughing into a little closed fifth like that,

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<v Speaker 1>like as if the germs are going right in that

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<v Speaker 1>is this islder Okay? What is harder to play fake

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<v Speaker 1>drunk or fake six? He was good at playing fake sit.

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<v Speaker 1>I believed it. I believed he had a bronchial infection.

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<v Speaker 1>I agree, that's what do you think it was from

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<v Speaker 1>the water? Well, I think that's what we're like supposed

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<v Speaker 1>to believe. And then we're jumping ahead. But I love

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<v Speaker 1>they went to the pediatrician and got a lollipop in

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<v Speaker 1>some antibiotics. It was just like he just turned eighteen.

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<v Speaker 1>He hasn't gotten his big boy doctor yet. Yeah, and

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<v Speaker 1>you know, I knew he was going to be eighteen,

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<v Speaker 1>but that was sort of like, oh whoa. And then

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<v Speaker 1>it was very through me that Donna is eighteen. Yeah.

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<v Speaker 1>I was hard because she was the younger one in

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<v Speaker 1>real life, like with the younger ones in real life,

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<v Speaker 1>and then now she's supposed to be the gip a grade.

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<v Speaker 1>I'm so confused. I don't get it. Maybe she skipped

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<v Speaker 1>Kundergarten like my kids. Something weird. Okay, so really quickly,

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<v Speaker 1>did you notice Nicki and Brandon just so in love

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<v Speaker 1>in the back So the table is like Dylan and

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<v Speaker 1>the Cake and Brenda and then Nikki and Brandon are

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<v Speaker 1>just so touchy touchy. They're like j Lo and Ben,

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<v Speaker 1>like always touchy. They aren't even on camera practically like

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<v Speaker 1>this song, just making out for the fun of it

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<v Speaker 1>back there. And also, why what I am so confused

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<v Speaker 1>as a human being? Kelly and Anna? No, Kelly and

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<v Speaker 1>Brenda and Dylan just pretending like nothing ever happened. It's

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<v Speaker 1>so weird. Okay, so weird. But I guess in real life, Okay,

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<v Speaker 1>let's think about this. In real life, if you are

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<v Speaker 1>in high school and you like scandalously sort of made

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<v Speaker 1>out with a dude all summer and you're his girlfriend

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<v Speaker 1>is your best friend, Like, I guess you're going to

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<v Speaker 1>pretend nothing happened, because it would be weird if Kelly

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<v Speaker 1>was just never there, like she can't come around, then

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<v Speaker 1>it's like, what the F. Yeah, I guess they couldn't

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<v Speaker 1>really do that because of the they had to. I

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<v Speaker 1>don't know, but it just part of the stuff. I mean,

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<v Speaker 1>I'm happy that they're friends, but it's just I'm confused

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<v Speaker 1>because I was all amped up for something to happen

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<v Speaker 1>and and like the wheels were turning and and then nothing.

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<v Speaker 1>Well it's hullabaloo because it's coming, Like what's that mean?

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<v Speaker 1>Hulla Ballou's yeah, okay, it's a bunch of habernacky. I

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<v Speaker 1>don't know. I just made that up. Also, why is

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<v Speaker 1>Gill at the peach pick? Can you stop with your brains?

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<v Speaker 1>Because my note says why is uh Dil? I'm going

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<v Speaker 1>to call him from now because I don't like him

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<v Speaker 1>and his name is Gils, I'm gonna call him Dell.

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<v Speaker 1>Why is Dylan Dylan's party? It's so weird? Haven't eating

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<v Speaker 1>his cake? And was offered someone a bite? Oh god,

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<v Speaker 1>didn't he offer us? That was so weird. That was

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<v Speaker 1>very for telling, Like yes, it's like I get that

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<v Speaker 1>he didn't do it. Obviously we know that he didn't

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<v Speaker 1>do it, but it was so messy, like why are

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<v Speaker 1>you so tight with these kids? And like it's creepy. Yeah,

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<v Speaker 1>and she chump, she just comes in hot with what

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<v Speaker 1>do I have to do? Take my clothes off to

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<v Speaker 1>get a good gride. I just never said that she's

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<v Speaker 1>I don't know where she gets these things. Yeah, well,

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<v Speaker 1>obviously now we know that she's got like total trauma

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<v Speaker 1>from what happened to her, which is also probably why

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<v Speaker 1>she was so aggressive with David last episode because she's

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<v Speaker 1>so she just has massive trauma. Yeah, she's so messed up,

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<v Speaker 1>Sweet Sue. I feel so bad. And then you know,

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<v Speaker 1>the minute I saw that Mr Uncle Henry with the

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<v Speaker 1>creepy stash ad you know from the start, listen anybody

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<v Speaker 1>with a mustache like that, it's the red flag. Just no,

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<v Speaker 1>I mean, I do think it's so weird because watching

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<v Speaker 1>it with like eyes, these were important things not to

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<v Speaker 1>be like I don't know what the word is, like

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<v Speaker 1>preachy or like I don't know no eyed about it.

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<v Speaker 1>But it's like there were kids that watched these things.

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<v Speaker 1>That helps. Like I remember a Different Strokes episode that

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<v Speaker 1>totally addressed like molesting and kidnapping and like all these

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<v Speaker 1>heavy different Strokes. Yes, yes, so those were like very

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<v Speaker 1>special episodes too. They weren't like every time, but it

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<v Speaker 1>does bring the conversation out, so I do get why

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<v Speaker 1>they were doing this. You can't just have like kiss

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<v Speaker 1>kiss surf surf, make out with Dylan all the time.

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<v Speaker 1>I mean it's a huge thing, Like it's got to

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<v Speaker 1>happen still all the time. I mean, girls falling in

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<v Speaker 1>love with their teachers, teachers doing inappropriate like saying inappropriate

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<v Speaker 1>things or inappropriate all the time, touching, hugging. You cannot

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<v Speaker 1>at a child if you are women teachers have that's

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<v Speaker 1>in the news all the time, like women teachers with

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<v Speaker 1>male students. It's like, what the hell? So this wasn't

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<v Speaker 1>that outlandish, like that part of it, like it was weird,

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<v Speaker 1>but it was like I can understand when he was yeah,

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<v Speaker 1>he across the line, even though he didn't do anything wrong.

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<v Speaker 1>And I guess by the book when she when Seuss

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<v Speaker 1>closes that classroom door and walked back over to him,

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<v Speaker 1>I'm like no, no, and then she hugs him. I'm

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<v Speaker 1>like no, no hugging. Wait, but before that he puts

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<v Speaker 1>his he takes her her face in his hands. That

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<v Speaker 1>is just too intimate. Well, and back at the peach pit,

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<v Speaker 1>it was like also Andrea, so he she comes up

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<v Speaker 1>to him and then I think Aurea said like I'll

0:14:12.240 --> 0:14:16.120
<v Speaker 1>leave you too, And it was like, oh god, how

0:14:16.120 --> 0:14:18.920
<v Speaker 1>did she know? So fast, and then it's perfection that

0:14:19.000 --> 0:14:22.080
<v Speaker 1>she's like standing right outside his door went and she

0:14:22.200 --> 0:14:24.720
<v Speaker 1>comes out with the crying and the mascara was like

0:14:24.800 --> 0:14:26.800
<v Speaker 1>dripping down. I was just like, oh my god, what

0:14:26.960 --> 0:14:31.600
<v Speaker 1>happened in there? From the hug to the obviously said

0:14:32.000 --> 0:14:35.920
<v Speaker 1>no oh, and then that upset her and then she

0:14:36.040 --> 0:14:38.720
<v Speaker 1>was just probably overwhelmed and embarrassed and all the things.

0:14:38.800 --> 0:14:42.240
<v Speaker 1>And then I mean it was that was a mess.

0:14:42.280 --> 0:14:43.960
<v Speaker 1>There was a mess, but you know what it wasn't

0:14:43.960 --> 0:14:49.520
<v Speaker 1>a mess the fact that Dyl lived on malbou Beach, Like, um,

0:14:49.800 --> 0:14:53.080
<v Speaker 1>nice first of all, nice teacher salary over there. I

0:14:53.200 --> 0:14:57.400
<v Speaker 1>literally wrote, how is this guy affording this place? Even

0:14:57.440 --> 0:14:59.520
<v Speaker 1>though it was like a little surf shack, it was

0:14:59.560 --> 0:15:02.720
<v Speaker 1>so you I wanted to redo it. That's like millions

0:15:02.720 --> 0:15:05.400
<v Speaker 1>of dollars Like it was on the ocean, yeah, right there,

0:15:05.440 --> 0:15:08.800
<v Speaker 1>like in Malibu, and not even on like the noisy

0:15:08.880 --> 0:15:11.080
<v Speaker 1>part of it was not pch. It was like on

0:15:11.200 --> 0:15:17.200
<v Speaker 1>one of the cute little colony. Oh man, what I

0:15:17.240 --> 0:15:20.440
<v Speaker 1>wouldn't do for that? Okay, we need to backtrack, backtrack,

0:15:21.160 --> 0:15:23.480
<v Speaker 1>because I have a lot of questions. Now. I'm sure

0:15:23.520 --> 0:15:25.760
<v Speaker 1>we've talked about this before, and I need to look

0:15:25.760 --> 0:15:27.640
<v Speaker 1>it up. Maybe somebody can look it up while we're talking.

0:15:28.320 --> 0:15:31.760
<v Speaker 1>Sue Scanlon's mom was very of the time. She had

0:15:31.760 --> 0:15:35.000
<v Speaker 1>been in a lot of things. I first was jarred

0:15:35.040 --> 0:15:38.320
<v Speaker 1>because she looked very familiar to the creepy mom in

0:15:38.360 --> 0:15:40.800
<v Speaker 1>frid of thirteen, But I don't think she was her.

0:15:41.480 --> 0:15:45.440
<v Speaker 1>Do you remember the original? This is where you need

0:15:45.480 --> 0:15:49.320
<v Speaker 1>to because she loves her horrible Can somebody just tell

0:15:49.400 --> 0:15:53.640
<v Speaker 1>us a few other credits of Sue Scanlon's mom because

0:15:53.680 --> 0:15:59.440
<v Speaker 1>she was very around Okay, so backtracking, we all had

0:15:59.480 --> 0:16:03.120
<v Speaker 1>a bad vibe from the uncle right away. Also, oh

0:16:03.160 --> 0:16:08.080
<v Speaker 1>my god, okay, so Brenda's clearly got a job. And wait, yeah,

0:16:08.680 --> 0:16:12.640
<v Speaker 1>when did when did Brenda become Mrs Teasley's assistant? I

0:16:12.680 --> 0:16:15.360
<v Speaker 1>do not know, But how about her dressing for the part?

0:16:15.520 --> 0:16:18.600
<v Speaker 1>Like she's wearing full suit? Like it looked like she

0:16:18.760 --> 0:16:23.080
<v Speaker 1>borrowed Mrs Teasley suit today? Literally, guys, I went to

0:16:23.160 --> 0:16:27.480
<v Speaker 1>high school in the nineties and we wore boxer shorts

0:16:28.000 --> 0:16:30.800
<v Speaker 1>literally men's boxer shorts. I don't know why we're allowed

0:16:30.800 --> 0:16:35.320
<v Speaker 1>to do that, but we were Adidas slides with socks

0:16:36.480 --> 0:16:38.600
<v Speaker 1>I don't know what we were on top and double

0:16:38.640 --> 0:16:43.960
<v Speaker 1>strap backpacks. I have a visual right now. It's so bad,

0:16:44.080 --> 0:16:47.120
<v Speaker 1>like I literally like, oh my god. And then in

0:16:47.160 --> 0:16:49.560
<v Speaker 1>the early nineties we were wearing body suits, I will

0:16:49.600 --> 0:16:52.440
<v Speaker 1>admit that, and maybe like leggings were coming around, but

0:16:52.520 --> 0:16:55.920
<v Speaker 1>I never wore a suit that high school. No, But

0:16:56.000 --> 0:17:00.960
<v Speaker 1>Brenda has you know, big dreams, she's got inspirations. You know,

0:17:01.040 --> 0:17:04.520
<v Speaker 1>she's a girl in the rise, So it makes sense

0:17:04.800 --> 0:17:09.439
<v Speaker 1>for me. Can you believe how invests were? Okay, whoa

0:17:09.600 --> 0:17:13.760
<v Speaker 1>a lot of us? The vest on Andrea, you guys,

0:17:14.800 --> 0:17:17.080
<v Speaker 1>I know the difference between the cool vest they let

0:17:17.080 --> 0:17:21.800
<v Speaker 1>Brenda wear and the like grandma schoolmarm vest that poor

0:17:21.920 --> 0:17:25.240
<v Speaker 1>Andrea wear. No offense, but that vest with the flowers.

0:17:25.880 --> 0:17:30.160
<v Speaker 1>My mom has that same couch. I swear to God,

0:17:33.200 --> 0:17:36.360
<v Speaker 1>here's where. And again I don't know if it's eyes

0:17:36.720 --> 0:17:39.760
<v Speaker 1>or if I knew it. Then when Andrea and Sue

0:17:39.800 --> 0:17:44.200
<v Speaker 1>Scamblin are having that scene where she's saying like, I'm

0:17:44.240 --> 0:17:46.320
<v Speaker 1>here for you, But did you not feel like it

0:17:46.359 --> 0:17:51.560
<v Speaker 1>was a mom talking to a kid? Kind of yeah,

0:17:52.240 --> 0:17:57.080
<v Speaker 1>it's very like because she's I don't she's so much

0:17:57.160 --> 0:18:01.040
<v Speaker 1>there's could have been her daughter. Quite honestly, she's so maternal,

0:18:01.200 --> 0:18:06.560
<v Speaker 1>like as a person. She's a hairtake probably Gabrielle's. And

0:18:06.640 --> 0:18:09.760
<v Speaker 1>so it just came across like so much where I'm like,

0:18:11.280 --> 0:18:12.960
<v Speaker 1>is this a mom and a kid? And then like

0:18:12.960 --> 0:18:15.520
<v Speaker 1>when she goes to the house, it literally felt like

0:18:16.240 --> 0:18:18.480
<v Speaker 1>not as old as the mom, but definitely not as

0:18:18.480 --> 0:18:22.119
<v Speaker 1>young as Sue. It was like, yeah, she felt thirty

0:18:22.160 --> 0:18:26.679
<v Speaker 1>something weirdly. Yes, Yes, let's take a break and come

0:18:26.720 --> 0:18:43.440
<v Speaker 1>back because we have more to talk about. You know

0:18:43.520 --> 0:18:46.359
<v Speaker 1>what I always noticed about Andrea and every scene that

0:18:46.440 --> 0:18:50.960
<v Speaker 1>she's in I am mesmerized by her beautiful fingernails. Oh,

0:18:51.160 --> 0:18:54.800
<v Speaker 1>I have to look. She just has such pretty lady hands.

0:18:55.400 --> 0:18:58.320
<v Speaker 1>She's a great presence. I like her a lot. It's

0:18:58.359 --> 0:19:02.080
<v Speaker 1>just she's not a kid. She's not Gil. But also

0:19:02.480 --> 0:19:05.960
<v Speaker 1>I'm jumping ahead, but there is a scene between Andrea

0:19:06.080 --> 0:19:09.680
<v Speaker 1>and Gil where I was like, they had it was

0:19:09.720 --> 0:19:12.080
<v Speaker 1>a great conversation, but it was just so not a

0:19:12.160 --> 0:19:16.560
<v Speaker 1>student and a teacher. You mean in the newspaper office. Yeah,

0:19:16.600 --> 0:19:19.639
<v Speaker 1>when she finally tells her what happened and he opens

0:19:19.720 --> 0:19:22.119
<v Speaker 1>up to her, and you know, she's very fiery and

0:19:22.200 --> 0:19:25.080
<v Speaker 1>coming back at him, which I loved the I love

0:19:25.200 --> 0:19:31.440
<v Speaker 1>the conversation of two colleagues, like it was like, what,

0:19:32.240 --> 0:19:35.359
<v Speaker 1>he's not like a normal teacher though, and she's not

0:19:35.440 --> 0:19:42.080
<v Speaker 1>a normal student. Right, It's like the still what okay?

0:19:42.119 --> 0:19:46.560
<v Speaker 1>So that no, no, you go, I'm just taking us backwards, okay.

0:19:46.720 --> 0:19:49.159
<v Speaker 1>It just it gets into really tricky territory with the

0:19:49.200 --> 0:19:56.280
<v Speaker 1>whole innocent until proven guilty versus uh, you know, blaming

0:19:56.280 --> 0:19:59.960
<v Speaker 1>the victim. Like there's two sides of the argument there,

0:20:00.560 --> 0:20:04.439
<v Speaker 1>and you actually, when you learn everything, admire Gil because

0:20:04.480 --> 0:20:07.359
<v Speaker 1>he's been through this and he's like, I just this

0:20:07.520 --> 0:20:12.199
<v Speaker 1>child is not capable of me saying this didn't happen,

0:20:12.440 --> 0:20:13.639
<v Speaker 1>do you know what I mean? Like I thought that

0:20:13.760 --> 0:20:16.560
<v Speaker 1>was like, okay, he he was he is a good dude.

0:20:16.680 --> 0:20:21.080
<v Speaker 1>Gil is a good guy. Yeah yeah, yeah, but he's great,

0:20:21.400 --> 0:20:25.560
<v Speaker 1>sire a little too tight well and calling him Gil

0:20:25.680 --> 0:20:27.399
<v Speaker 1>is weird? And why is he a Dylan's birthday party?

0:20:27.480 --> 0:20:33.520
<v Speaker 1>But he was girls and party shoes still hanging onto

0:20:33.560 --> 0:20:36.520
<v Speaker 1>that weird. But it was sort of noble. I guess

0:20:36.520 --> 0:20:38.679
<v Speaker 1>you could say that he didn't want to fight back

0:20:38.720 --> 0:20:44.440
<v Speaker 1>to her because she was so traumatized and he knew

0:20:44.480 --> 0:20:48.199
<v Speaker 1>it and she was so like this was could have

0:20:48.240 --> 0:20:50.600
<v Speaker 1>been her undoing if he fought back and she had

0:20:50.680 --> 0:20:53.280
<v Speaker 1>to like, I don't know what happens to you, but

0:20:53.440 --> 0:20:57.120
<v Speaker 1>go to testify against him something. Yeah, and so he

0:20:57.560 --> 0:20:59.880
<v Speaker 1>was doing the right thing. Now did you also notice

0:21:00.080 --> 0:21:05.879
<v Speaker 1>us Donna goes to the pool party, Sue Scanlon tells

0:21:05.920 --> 0:21:09.040
<v Speaker 1>what happened, and like literally the next morning Gil was

0:21:09.080 --> 0:21:11.280
<v Speaker 1>back at school. I was like, m I think there

0:21:11.280 --> 0:21:15.000
<v Speaker 1>would have been like a bit more maybe some emails

0:21:15.040 --> 0:21:20.879
<v Speaker 1>on no letters take time, and then the classes like clappit, bloody,

0:21:20.960 --> 0:21:23.080
<v Speaker 1>glad you didn't do it. Like it was just like

0:21:23.480 --> 0:21:28.359
<v Speaker 1>this is not Yeah, it was too convenient, That's what

0:21:28.440 --> 0:21:32.880
<v Speaker 1>I was like, there's our little bow. Okay, So really

0:21:32.960 --> 0:21:36.400
<v Speaker 1>quickly the scene was weird with Sue Scanlon in there

0:21:36.800 --> 0:21:40.720
<v Speaker 1>in the office with the face touching and the whole

0:21:42.560 --> 0:21:52.520
<v Speaker 1>that was weird. Yeah, hello, duh, that's weird. And then

0:21:53.440 --> 0:21:56.400
<v Speaker 1>sort of we follow Sue. Let's do Sue's storyline first

0:21:56.400 --> 0:21:58.240
<v Speaker 1>and we'll get to the dancing. So then we follow

0:21:58.320 --> 0:22:02.760
<v Speaker 1>Sue to her uncomfortable house. That house is like I

0:22:02.840 --> 0:22:06.240
<v Speaker 1>don't know what it's the house of fear, like scary house.

0:22:06.280 --> 0:22:10.880
<v Speaker 1>What's that called fright house? But it's scary. How many

0:22:11.040 --> 0:22:13.640
<v Speaker 1>freaking kids do they have too? Because at the barbecue

0:22:13.680 --> 0:22:17.040
<v Speaker 1>or their kids, little kids running everywhere. I was assuming

0:22:17.040 --> 0:22:22.200
<v Speaker 1>neighbor kids came also. Now that was outside, like unlike

0:22:22.240 --> 0:22:24.400
<v Speaker 1>when you guys have a barbecue at Dylan's. That had

0:22:24.480 --> 0:22:27.960
<v Speaker 1>to have been actually shot outside. That felt like that

0:22:28.240 --> 0:22:29.960
<v Speaker 1>would have been a day when we would have shot

0:22:30.040 --> 0:22:34.359
<v Speaker 1>the exterior of the front of the house. So when uh,

0:22:34.520 --> 0:22:38.480
<v Speaker 1>Andrea goes over there, right and when yeah, Donna and

0:22:38.600 --> 0:22:40.760
<v Speaker 1>David come over later, they would shot those two scenes

0:22:40.800 --> 0:22:43.200
<v Speaker 1>and then they would have gone to the backyard and

0:22:43.280 --> 0:22:46.200
<v Speaker 1>shot the barbecue scene because that probably took because you've

0:22:46.240 --> 0:22:47.920
<v Speaker 1>got that, You've got this house for a day, so

0:22:48.040 --> 0:22:51.320
<v Speaker 1>it's like you gotta get it done. Interesting. Yeah, it

0:22:51.359 --> 0:22:54.000
<v Speaker 1>does feel more real that pool than the Melrose Place

0:22:54.080 --> 0:22:58.480
<v Speaker 1>pool or Dylan's yard. Yeah, it was. That was really

0:22:58.560 --> 0:23:02.639
<v Speaker 1>a backyard and that uncle was Yeah, he was creepy

0:23:02.720 --> 0:23:06.080
<v Speaker 1>from the go. Then a way he's touching that the

0:23:06.240 --> 0:23:09.560
<v Speaker 1>little one, the little thing. And then we learned obviously

0:23:10.400 --> 0:23:15.160
<v Speaker 1>there was some incident with Scott Scandlin because Scott used

0:23:15.200 --> 0:23:17.240
<v Speaker 1>to love the uncle and then he told David he

0:23:17.480 --> 0:23:21.680
<v Speaker 1>hates this guy. I don't know that it was heavy,

0:23:21.840 --> 0:23:24.840
<v Speaker 1>and then I just wanted to know what happened like

0:23:24.960 --> 0:23:28.200
<v Speaker 1>after did he go he. I hope they didn't move

0:23:28.280 --> 0:23:30.960
<v Speaker 1>to Colorado and go live with Uncle Henry because that

0:23:30.960 --> 0:23:36.800
<v Speaker 1>would be terrible. Should not be around children. I think

0:23:36.880 --> 0:23:40.080
<v Speaker 1>it was perf. Also, it was interesting to me because

0:23:40.119 --> 0:23:42.640
<v Speaker 1>there's a scene where Donna then referred to him as

0:23:43.760 --> 0:23:46.719
<v Speaker 1>their friend, and I'm like, that's their creepy uncle. Did

0:23:46.760 --> 0:23:49.359
<v Speaker 1>you see that? Huh? At the very end, She's like

0:23:50.600 --> 0:23:53.119
<v Speaker 1>their friend did that or something, and I'm like, that

0:23:53.240 --> 0:24:00.080
<v Speaker 1>was their uncle. Weird uncle anyway. Okay, so before we

0:24:00.200 --> 0:24:02.840
<v Speaker 1>move on to the good stuff, how about the fact

0:24:03.320 --> 0:24:07.879
<v Speaker 1>that like they just show up at the teacher's house weird,

0:24:08.320 --> 0:24:11.359
<v Speaker 1>and then that Dylan suddenly is on the beach with

0:24:11.840 --> 0:24:15.600
<v Speaker 1>Gil just growing out like it was DoD They even

0:24:15.720 --> 0:24:19.560
<v Speaker 1>know each have they are they is Dylan? I guess

0:24:19.640 --> 0:24:23.000
<v Speaker 1>maybe Dylan is as a student of it of Dil's.

0:24:23.600 --> 0:24:26.919
<v Speaker 1>The teacher student relationships on the show are a tad

0:24:27.560 --> 0:24:32.760
<v Speaker 1>odd Yeah. Well that they all seem like they could

0:24:32.760 --> 0:24:37.080
<v Speaker 1>go out for a beer, those three, Jason, Luke and

0:24:37.280 --> 0:24:42.639
<v Speaker 1>Dil I mean Mark, Yeah. I hope Mark doesn't get

0:24:42.680 --> 0:24:46.680
<v Speaker 1>mad that I'm calling his character dil not at all.

0:24:47.320 --> 0:24:49.560
<v Speaker 1>I think he's probably like, what sort of polarized by

0:24:49.640 --> 0:24:52.520
<v Speaker 1>that whole like how he feels about the character. Yeah,

0:24:53.440 --> 0:24:55.560
<v Speaker 1>I mean, I really wish I had known all this

0:24:56.320 --> 0:24:59.080
<v Speaker 1>this episode when I when we talked to him, like, god,

0:24:59.119 --> 0:25:01.000
<v Speaker 1>it's so weird to think about that he was gonna

0:25:01.080 --> 0:25:04.960
<v Speaker 1>be Dean Kane. That was that would have not worked.

0:25:05.119 --> 0:25:09.720
<v Speaker 1>Remember Mark Kylie was going to be Dean Kane's character.

0:25:10.960 --> 0:25:13.000
<v Speaker 1>That would have been not he is handsome and cue.

0:25:13.080 --> 0:25:31.159
<v Speaker 1>But no, all right, so let's get to the dancing.

0:25:32.760 --> 0:25:41.200
<v Speaker 1>Give me your thoughts. Well, I mean, Brandon doesn't dance.

0:25:42.680 --> 0:25:48.960
<v Speaker 1>That's just not common knowledge. And I it must come

0:25:49.080 --> 0:25:52.440
<v Speaker 1>back to the first time that he danced on the show,

0:25:53.640 --> 0:25:56.160
<v Speaker 1>remember with Peena Faris, and she was going to link

0:25:56.240 --> 0:25:59.680
<v Speaker 1>that to him. I think it traumatized him and he

0:25:59.800 --> 0:26:02.280
<v Speaker 1>was like, I I'm never doing another dancing scene before again.

0:26:04.080 --> 0:26:05.920
<v Speaker 1>I mean the first scene in the club. Oh, we

0:26:06.119 --> 0:26:08.359
<v Speaker 1>have to look up what that club's name was. I know,

0:26:08.520 --> 0:26:11.080
<v Speaker 1>I have it. I wrote it down because they were

0:26:11.119 --> 0:26:14.480
<v Speaker 1>going to that hot club to go the hot new

0:26:14.560 --> 0:26:17.480
<v Speaker 1>club to go dancing. I'll find it before we finish.

0:26:18.040 --> 0:26:19.960
<v Speaker 1>And he's wearing a sport coat, which also is like

0:26:21.760 --> 0:26:25.280
<v Speaker 1>that's his idea of dressing up. I know, the cook

0:26:25.400 --> 0:26:27.480
<v Speaker 1>is called a blazer, but I feel like sports coat

0:26:27.880 --> 0:26:32.520
<v Speaker 1>on Brandon, it's a sports jacket. Kingston twelve, Kingston twelve.

0:26:32.880 --> 0:26:41.520
<v Speaker 1>Now are these uh under one clubs? Apparently obviously? Oh,

0:26:42.040 --> 0:26:44.119
<v Speaker 1>I don't know or do there any of those dance

0:26:44.160 --> 0:26:46.240
<v Speaker 1>clubs exist still where you can go in and dance

0:26:46.320 --> 0:26:48.960
<v Speaker 1>if you're under twenty one here, I think so. But

0:26:49.440 --> 0:26:52.000
<v Speaker 1>did you ever go to anything like that? We didn't.

0:26:52.080 --> 0:26:54.600
<v Speaker 1>I never did that under twenty one. No, I went

0:26:54.720 --> 0:26:56.560
<v Speaker 1>to the over twenty one with the fake I d

0:26:58.119 --> 0:27:01.879
<v Speaker 1>That was like in high school. We never went to

0:27:02.119 --> 0:27:07.200
<v Speaker 1>any kind of a dance club ever. Yeah, No, I

0:27:07.240 --> 0:27:10.280
<v Speaker 1>didn't do that until I was out of high school. Yeah.

0:27:10.400 --> 0:27:12.879
<v Speaker 1>In college we would have like fraternity parties and I

0:27:12.920 --> 0:27:15.760
<v Speaker 1>think we would like rent out places and there was dancing.

0:27:16.000 --> 0:27:19.119
<v Speaker 1>The dancing. I'll give them, there's a lot of dancing,

0:27:19.440 --> 0:27:22.880
<v Speaker 1>but like, no, I don't know. I love. I used

0:27:22.880 --> 0:27:24.920
<v Speaker 1>to love. It reminded me when I saw them just

0:27:25.040 --> 0:27:27.119
<v Speaker 1>going there to dance, and I saw like Kelly and

0:27:27.200 --> 0:27:30.080
<v Speaker 1>Steve dancing together in the background. It reminded me of

0:27:30.200 --> 0:27:32.119
<v Speaker 1>like when I was young and I would go to

0:27:32.240 --> 0:27:35.920
<v Speaker 1>dance clubs just to dance. Yeah, Like I just wanted

0:27:35.920 --> 0:27:38.320
<v Speaker 1>to get my dance on, like I wanted to like

0:27:38.520 --> 0:27:41.800
<v Speaker 1>sweat it out on the dance floor. That was the

0:27:41.840 --> 0:27:44.480
<v Speaker 1>big thing when we were in college, like the fraternity party,

0:27:45.000 --> 0:27:48.359
<v Speaker 1>the like they parties or the you know whatever. It

0:27:48.440 --> 0:27:49.800
<v Speaker 1>was all about the dancing and was like, oh, I

0:27:49.840 --> 0:27:53.160
<v Speaker 1>hope there's a good DJ. Also, shout out to everybody

0:27:53.240 --> 0:27:56.680
<v Speaker 1>who agreed with my Stairway to Heaven think thank you. Yeah,

0:27:56.760 --> 0:28:00.560
<v Speaker 1>you had a number of people that could relate. So yeah,

0:28:00.640 --> 0:28:03.560
<v Speaker 1>so let's try it again. In college, it was very

0:28:03.640 --> 0:28:06.879
<v Speaker 1>seventies music, did you when we were all that age, remember,

0:28:06.960 --> 0:28:09.159
<v Speaker 1>it was like a lot of dancing, like seventies What

0:28:09.840 --> 0:28:11.680
<v Speaker 1>you are you talking about? You can ring my bell?

0:28:12.600 --> 0:28:16.800
<v Speaker 1>Are you can ring? I love that one. That's a

0:28:16.920 --> 0:28:20.160
<v Speaker 1>good one. Like some Marvin Gay was always in there.

0:28:20.320 --> 0:28:22.440
<v Speaker 1>Always the last song of the night at the fraternity

0:28:22.520 --> 0:28:25.800
<v Speaker 1>parties was like sexual Healing Marvin Gay. Oh yeah, I

0:28:25.840 --> 0:28:28.240
<v Speaker 1>always like it when they play that. Wait, what's that

0:28:28.359 --> 0:28:31.760
<v Speaker 1>song where we are family? Oh yeah, of course, yeah,

0:28:33.880 --> 0:28:36.160
<v Speaker 1>that happens to that song, though, like you can't really

0:28:36.200 --> 0:28:39.440
<v Speaker 1>actually dance to that song. It's more of like a wedding. Yeah,

0:28:40.840 --> 0:28:43.400
<v Speaker 1>every Italian wedding I've ever been to has that song

0:28:43.920 --> 0:28:47.520
<v Speaker 1>on the dance floor. Yeah, so I can remember all that.

0:28:47.720 --> 0:28:54.000
<v Speaker 1>We were definitely dancing in the nineties, yes, but not

0:28:54.200 --> 0:29:01.600
<v Speaker 1>at a club. Then Brandon getting so mad all of

0:29:01.680 --> 0:29:04.680
<v Speaker 1>a sudden, like she's dancing with this random guy after

0:29:04.840 --> 0:29:08.320
<v Speaker 1>random guy, why did he even go? Why? And then

0:29:08.400 --> 0:29:10.360
<v Speaker 1>why is he going to sit there and like lear

0:29:10.520 --> 0:29:13.719
<v Speaker 1>at her tables? And then then he loses it when

0:29:13.840 --> 0:29:16.840
<v Speaker 1>she dances with Steve. But I will say, she you know,

0:29:17.200 --> 0:29:19.520
<v Speaker 1>just because one he says, go ahead and dance with

0:29:19.680 --> 0:29:21.680
<v Speaker 1>one guy doesn't mean go ahead and dance with every

0:29:21.760 --> 0:29:24.400
<v Speaker 1>guy and dire They did like a montage of her

0:29:24.440 --> 0:29:28.240
<v Speaker 1>with literally every every background actor that could dance, like

0:29:28.960 --> 0:29:31.720
<v Speaker 1>she's a cute girl, She's a cute dancer. She I

0:29:31.840 --> 0:29:37.360
<v Speaker 1>love her, but she looks adorable, like perky, and she

0:29:37.520 --> 0:29:40.600
<v Speaker 1>said to him, I think it was Brenda finally said

0:29:40.640 --> 0:29:42.840
<v Speaker 1>to him, like you have a sexy girlfriend who wants

0:29:42.880 --> 0:29:46.080
<v Speaker 1>to dance, like learn to dance. He was such a

0:29:46.160 --> 0:29:48.440
<v Speaker 1>like a cur mudgeon the whole episode, like I don't

0:29:48.520 --> 0:29:55.840
<v Speaker 1>want to. I'm just there's a couple of like shots

0:29:55.920 --> 0:29:59.080
<v Speaker 1>of him going, especially when at the end when she's

0:29:59.120 --> 0:30:00.680
<v Speaker 1>trying to teach him to dance and they kind of

0:30:00.720 --> 0:30:02.920
<v Speaker 1>like rotate around him and they're in his room. He's

0:30:02.960 --> 0:30:06.720
<v Speaker 1>like has his arms crossed. He's like, yeah, I don't

0:30:06.720 --> 0:30:10.680
<v Speaker 1>know dance. Oh that he says, do you know that?

0:30:10.920 --> 0:30:13.040
<v Speaker 1>Do you know the Brandon Walsh Is that what he

0:30:13.120 --> 0:30:18.720
<v Speaker 1>calls dance? Oh? I know that dance? I know that dance. Well,

0:30:19.760 --> 0:30:23.920
<v Speaker 1>where you don't dancing, you just thrower on the bed.

0:30:25.000 --> 0:30:28.640
<v Speaker 1>First of all, so much to discuss with that, Like

0:30:29.520 --> 0:30:31.480
<v Speaker 1>I don't I mean, I didn't have super strict parents,

0:30:31.560 --> 0:30:35.480
<v Speaker 1>but like where that was weird that Cindy doesn't even

0:30:35.560 --> 0:30:41.520
<v Speaker 1>have a job but still downtoor vegetables and then the

0:30:41.720 --> 0:30:48.120
<v Speaker 1>full laying down makeout set all. He's like a senior senior.

0:30:48.760 --> 0:30:51.000
<v Speaker 1>I guess like if his parents came in and he'd

0:30:51.000 --> 0:30:55.440
<v Speaker 1>be like hey mom, like he wouldn't get in trouble.

0:30:55.520 --> 0:30:58.120
<v Speaker 1>I get. I don't know. Yeah, that wasn't like that

0:30:58.280 --> 0:31:02.400
<v Speaker 1>was like, wow, okay, well here's the problem I have. Well,

0:31:02.560 --> 0:31:06.400
<v Speaker 1>beside him being so stubborn, which is I kind of

0:31:06.480 --> 0:31:08.960
<v Speaker 1>think it was cute. I kind of actually like the

0:31:09.040 --> 0:31:12.520
<v Speaker 1>fact that Brandon doesn't dance. I think it's yea, yeah, yeah, yeah,

0:31:12.520 --> 0:31:17.160
<v Speaker 1>I agree, But I just have a problem with him

0:31:17.280 --> 0:31:23.600
<v Speaker 1>continually picking her up. Oh yeah, like she's like she's

0:31:23.640 --> 0:31:27.640
<v Speaker 1>a thing, a little dolly to be picked up. Yeah,

0:31:29.400 --> 0:31:31.960
<v Speaker 1>I don't know about you. I have a thing don't

0:31:32.000 --> 0:31:35.160
<v Speaker 1>pick me up, like like I have like a rule

0:31:35.240 --> 0:31:38.400
<v Speaker 1>like and and it happens all the time, like no,

0:31:38.520 --> 0:31:46.280
<v Speaker 1>I'm only tall you are, I'm five seven picked up

0:31:46.320 --> 0:31:49.480
<v Speaker 1>a lot, like I feel like I think I'm too

0:31:51.080 --> 0:31:55.640
<v Speaker 1>athletic to be picked up to say that, but even

0:31:55.680 --> 0:31:58.800
<v Speaker 1>all my life, it's always like in the scene they

0:31:58.880 --> 0:32:01.800
<v Speaker 1>want the guy to pick the girl up and twirl around.

0:32:02.600 --> 0:32:05.600
<v Speaker 1>So it's the Bachelor. So do you have you ever

0:32:05.640 --> 0:32:09.200
<v Speaker 1>watched The Bachelor? So okay, so like if you watch

0:32:09.280 --> 0:32:12.640
<v Speaker 1>The Bachelor regularly, you will always see the scene over

0:32:12.840 --> 0:32:15.480
<v Speaker 1>and over and over again where the woman So the

0:32:15.600 --> 0:32:18.280
<v Speaker 1>bachelors like standing on the beach or whatever, the woman

0:32:18.800 --> 0:32:21.960
<v Speaker 1>runs and then she it's called they have a name

0:32:22.040 --> 0:32:24.240
<v Speaker 1>for it. They it's like they actually tell the girl

0:32:24.320 --> 0:32:26.520
<v Speaker 1>to do it. I think, like run and do the

0:32:27.240 --> 0:32:31.280
<v Speaker 1>crawdaddy or whatever it is like and they big daddy

0:32:31.840 --> 0:32:36.680
<v Speaker 1>hug him in the arms and and it's like I think,

0:32:36.760 --> 0:32:39.440
<v Speaker 1>maybe is it good for television or something like maybe

0:32:39.520 --> 0:32:41.920
<v Speaker 1>that's why he picks her up. Do people want to see?

0:32:42.200 --> 0:32:45.160
<v Speaker 1>Is that what they want to see? The people? Does

0:32:45.240 --> 0:32:49.360
<v Speaker 1>that say, oh, they love each other? I don't. For me,

0:32:49.560 --> 0:32:51.960
<v Speaker 1>I just whenever a guy tries to pick me up

0:32:52.000 --> 0:32:54.640
<v Speaker 1>on camera in a scene, I like, don't, don't, don't, don't,

0:32:54.680 --> 0:32:57.360
<v Speaker 1>don't pick me up. I don't like it. Please don't

0:32:57.360 --> 0:33:01.120
<v Speaker 1>pick me up? Which interesting tricky When I did Dancing

0:33:01.200 --> 0:33:03.400
<v Speaker 1>with the Stars and I was gonna say, don't pick

0:33:03.480 --> 0:33:06.320
<v Speaker 1>me up sidebar. I mean, Derek Cuff was like, you

0:33:06.360 --> 0:33:08.440
<v Speaker 1>couldn't have had a better partner. I know, but I

0:33:08.600 --> 0:33:11.360
<v Speaker 1>was literally twice the size of him, and he I

0:33:11.600 --> 0:33:13.560
<v Speaker 1>don't think he could have picked He's so strong he

0:33:13.600 --> 0:33:16.720
<v Speaker 1>could pick you up with one arm. Oh my god,

0:33:16.840 --> 0:33:19.800
<v Speaker 1>Derek Cuff. He is so strong. Yes, not a problem.

0:33:19.920 --> 0:33:22.960
<v Speaker 1>He could have twirled the other above his head. Now maybe,

0:33:23.040 --> 0:33:25.840
<v Speaker 1>But then when I did it, he was younger, he

0:33:26.000 --> 0:33:29.040
<v Speaker 1>was a little thing, like he was a newbie. Now

0:33:29.120 --> 0:33:47.920
<v Speaker 1>he seems manly and substantial as he does. I do

0:33:48.280 --> 0:33:52.920
<v Speaker 1>enjoy watching Brandon slash Jason priestly kiss like there is

0:33:53.040 --> 0:33:55.520
<v Speaker 1>something super hot and sexy about him. Like it's not

0:33:58.200 --> 0:34:00.800
<v Speaker 1>camera kisser, it doesn't give you from your mouth. Okay,

0:34:00.840 --> 0:34:03.960
<v Speaker 1>that's a good sign. Never. Yeah, So I was like,

0:34:04.320 --> 0:34:06.480
<v Speaker 1>maybe that's why I like Nikki because maybe I don't

0:34:06.520 --> 0:34:08.480
<v Speaker 1>even know if I like NICKI sorry, I'm I'm the

0:34:08.560 --> 0:34:12.520
<v Speaker 1>only I get so empty, ready to calm down. I don't.

0:34:12.640 --> 0:34:14.800
<v Speaker 1>I do like Nicky. I do. She doesn't bother me

0:34:14.920 --> 0:34:17.320
<v Speaker 1>at all. I don't find her annoying. There's nothing I

0:34:17.400 --> 0:34:20.080
<v Speaker 1>don't like about her. But maybe I just like seeing

0:34:20.239 --> 0:34:24.439
<v Speaker 1>him sort of cute and sexy and like that side

0:34:24.480 --> 0:34:27.080
<v Speaker 1>of him. I also like, I think that he picked

0:34:27.120 --> 0:34:29.640
<v Speaker 1>her up all the time because she was smaller than him,

0:34:30.160 --> 0:34:33.279
<v Speaker 1>and that doesn't happen very often. You know, she's like

0:34:33.320 --> 0:34:37.160
<v Speaker 1>a tiny, little tiny and I don't know, I don't

0:34:37.320 --> 0:34:42.040
<v Speaker 1>remember a lot of other guest actresses like girlfriends that

0:34:42.080 --> 0:34:46.840
<v Speaker 1>were tiny like her. Vanessa mar Vanessa Marcel was also

0:34:47.840 --> 0:34:51.719
<v Speaker 1>she's tiny. That's gonna get real interesting when we talk

0:34:51.719 --> 0:34:56.680
<v Speaker 1>about those episodes. I hope you keep me around for them. Wow,

0:34:57.640 --> 0:34:59.840
<v Speaker 1>Nicky's really getting it on the dance floor. She is,

0:35:00.360 --> 0:35:04.320
<v Speaker 1>She's got her groove on. Man. Yes, she like I

0:35:04.400 --> 0:35:07.480
<v Speaker 1>don't either. Dana Baron is a super cool chick or

0:35:07.600 --> 0:35:10.400
<v Speaker 1>Nikki is a super cool character because everything about her

0:35:10.480 --> 0:35:13.439
<v Speaker 1>is cool, like even when um, they had their sort

0:35:13.480 --> 0:35:16.600
<v Speaker 1>of makeup, you know, like Brandon was a real ass

0:35:16.680 --> 0:35:18.440
<v Speaker 1>and she was kind of done with him, and then

0:35:18.520 --> 0:35:20.920
<v Speaker 1>he goes at school to make up with her. She

0:35:21.160 --> 0:35:24.840
<v Speaker 1>isn't like a doe eyed freshman. She's very like, look, dude,

0:35:26.120 --> 0:35:30.600
<v Speaker 1>she's a freshman. Yeah. Yeah, she's very aware of herself

0:35:30.800 --> 0:35:35.400
<v Speaker 1>and confident. Yeah, you know, so interesting. I wonder Sue Scanlon,

0:35:35.480 --> 0:35:37.200
<v Speaker 1>and I'm not being means to Nicole Tom. Nicole Tom

0:35:37.320 --> 0:35:39.840
<v Speaker 1>is cool. Sue Scanlon is way too. She's just so

0:35:39.960 --> 0:35:43.840
<v Speaker 1>troubled that I never could have seen her staying you

0:35:43.920 --> 0:35:45.680
<v Speaker 1>know what I mean, for years and years with you guys.

0:35:46.080 --> 0:35:49.000
<v Speaker 1>But Dana Barroon, I actually think maybe she could have

0:35:49.840 --> 0:35:54.720
<v Speaker 1>become more of a state. Yeah, and then she fits.

0:35:54.920 --> 0:35:58.399
<v Speaker 1>I could see that. I could see that. I don't

0:35:58.440 --> 0:36:03.799
<v Speaker 1>know though she was only there for a few Yeah,

0:36:04.080 --> 0:36:06.719
<v Speaker 1>it's we're coming to an end soon with her. Not

0:36:06.880 --> 0:36:09.400
<v Speaker 1>a big Kelly episode, not a big Steve episode. Not

0:36:09.480 --> 0:36:11.520
<v Speaker 1>a lot of Steve I mean bad shirts always, but

0:36:11.640 --> 0:36:14.520
<v Speaker 1>like not a lot. And then and then just Nikki

0:36:14.600 --> 0:36:17.920
<v Speaker 1>like uh dancing with him. Ah wait, wait that's going

0:36:17.960 --> 0:36:21.000
<v Speaker 1>to bring me to my favorite line. Oh yeah, you

0:36:21.040 --> 0:36:23.680
<v Speaker 1>can't help it, but my favorite line, should I say

0:36:23.719 --> 0:36:27.000
<v Speaker 1>it now? Or wait, definitely say it now? Excuse me

0:36:27.120 --> 0:36:29.719
<v Speaker 1>if I don't enjoy watching you bump and grind with

0:36:29.880 --> 0:36:33.280
<v Speaker 1>every guy in here. I wrote it down. It's a Brandon,

0:36:33.360 --> 0:36:39.120
<v Speaker 1>the Brandon. Brandon's all mad because she's dirty dancing with

0:36:39.200 --> 0:36:41.800
<v Speaker 1>Steve and then he says bump and grind and I'm like,

0:36:42.320 --> 0:36:45.120
<v Speaker 1>that made me throw up a little bit. Have you

0:36:45.239 --> 0:36:47.719
<v Speaker 1>ever uttered those words out of your mouth? Ever? No,

0:36:49.360 --> 0:36:52.120
<v Speaker 1>no where did that even come from? Yeah? The bumping

0:36:52.160 --> 0:36:54.960
<v Speaker 1>herrind is a dance move, is like the koala but different,

0:36:56.320 --> 0:36:59.879
<v Speaker 1>and it was just like, dude, come on, oh. I Also,

0:37:00.160 --> 0:37:02.879
<v Speaker 1>here's a favorite at the club because I don't think

0:37:02.920 --> 0:37:04.840
<v Speaker 1>this happens in real life, but maybe it does. So

0:37:05.000 --> 0:37:07.840
<v Speaker 1>like remember good songs on and they're all dancing, dancing,

0:37:07.880 --> 0:37:12.560
<v Speaker 1>and then the song ends and you're clapping for a song.

0:37:13.040 --> 0:37:15.640
<v Speaker 1>It's clearly that wasn't a real club because it was

0:37:15.719 --> 0:37:17.759
<v Speaker 1>just way too bright, like who turns the lights on

0:37:17.920 --> 0:37:23.400
<v Speaker 1>that bright? In a day of club? And I remember

0:37:23.520 --> 0:37:27.880
<v Speaker 1>filming that, like those dancing scenes and really not wanting

0:37:28.000 --> 0:37:32.360
<v Speaker 1>to dance because you're it's embarrassing and you're like I

0:37:32.480 --> 0:37:34.759
<v Speaker 1>was in the background with with Steve, and I know

0:37:35.040 --> 0:37:37.000
<v Speaker 1>I can tell because I always have my back to

0:37:37.080 --> 0:37:40.520
<v Speaker 1>the camera that I'm just messing around, like I'm not

0:37:40.719 --> 0:37:45.080
<v Speaker 1>taking it seriously whatsoever. And I purposely always have my

0:37:45.160 --> 0:37:48.239
<v Speaker 1>back to the camera. Well, after learning from you and

0:37:48.360 --> 0:37:52.120
<v Speaker 1>David lash Or last week how uncomps those scenes are

0:37:52.280 --> 0:37:55.600
<v Speaker 1>to shoot, it's like, oh god, they are because the

0:37:55.680 --> 0:37:59.600
<v Speaker 1>whole the crew is like somebody's sitting over there eating

0:37:59.600 --> 0:38:02.719
<v Speaker 1>a bag and nuts, like that guy's over there, you know,

0:38:02.880 --> 0:38:06.160
<v Speaker 1>checking his cell phone or not. Then but there's people,

0:38:06.360 --> 0:38:08.040
<v Speaker 1>there's and there's then then there's the people that are

0:38:08.120 --> 0:38:13.120
<v Speaker 1>just like you guys Jenny's space, they just want to

0:38:13.160 --> 0:38:15.600
<v Speaker 1>go home, They just wanted to be over. Yeah, it's

0:38:15.640 --> 0:38:18.239
<v Speaker 1>just like some tired old grip like get me out

0:38:18.320 --> 0:38:20.080
<v Speaker 1>of here. And it's and then you have to go

0:38:20.160 --> 0:38:21.920
<v Speaker 1>out there and act like you're having the time of

0:38:22.000 --> 0:38:25.439
<v Speaker 1>your life and couldn't be happier dancing to music that's

0:38:25.480 --> 0:38:28.399
<v Speaker 1>not even there. Have you had not Dancing with the Stars,

0:38:28.480 --> 0:38:31.200
<v Speaker 1>but have you had any other like major choreographed dance

0:38:31.200 --> 0:38:35.520
<v Speaker 1>scenes and like the movies you've done and other TV projects.

0:38:37.440 --> 0:38:40.120
<v Speaker 1>I don't know. I don't think so. I think that

0:38:41.160 --> 0:38:44.120
<v Speaker 1>nine or two, and we did the most like you know,

0:38:44.480 --> 0:38:47.239
<v Speaker 1>kids dancing at clubs and dances and that kind of thing.

0:38:47.560 --> 0:38:49.239
<v Speaker 1>I don't think there was I've had a lot of

0:38:49.280 --> 0:38:53.400
<v Speaker 1>other dancing opportunities on the screen. What is worse a

0:38:53.640 --> 0:38:58.840
<v Speaker 1>danccene like the one from the Pigskin prom or this?

0:38:59.680 --> 0:39:09.279
<v Speaker 1>Or sex scenes? What's your more uncomfortable? Uh? Definitely sex scenes? Really? Yeah,

0:39:10.480 --> 0:39:13.920
<v Speaker 1>I mean imagine, yeah, just put yourself in that, in

0:39:14.040 --> 0:39:17.680
<v Speaker 1>that position of I wonder if i'd be good at it?

0:39:19.040 --> 0:39:21.839
<v Speaker 1>So bad at it? I think, you know what I mean,

0:39:21.840 --> 0:39:25.040
<v Speaker 1>I think you'd be good at it. I don't know.

0:39:26.920 --> 0:39:28.680
<v Speaker 1>I feel like I could just be, like if I

0:39:28.800 --> 0:39:31.360
<v Speaker 1>liked that, if the dude was cute, I not like,

0:39:31.760 --> 0:39:34.000
<v Speaker 1>we're not talking like porn guys. We're just talking like

0:39:34.280 --> 0:39:37.920
<v Speaker 1>a Nikki Brandon laying in the bed kissing scene. If

0:39:37.960 --> 0:39:40.080
<v Speaker 1>the dude was cute, I think I could roll with it.

0:39:40.200 --> 0:39:42.399
<v Speaker 1>But if the guy, if I was not attracted to him,

0:39:43.239 --> 0:39:44.960
<v Speaker 1>even though it's fake, I get it, that would be

0:39:45.160 --> 0:39:48.360
<v Speaker 1>so awful. Yeah, it is. There's the thing. It's not

0:39:48.520 --> 0:39:52.239
<v Speaker 1>fake while you're doing it, it's real. You're that's real,

0:39:52.480 --> 0:39:56.200
<v Speaker 1>and you really have to do the kiss and touch

0:39:56.280 --> 0:40:02.480
<v Speaker 1>and swap spit and it's not fun if it's definitely

0:40:02.520 --> 0:40:05.040
<v Speaker 1>not fun if you don't like the guy. Okay, so

0:40:05.080 --> 0:40:06.600
<v Speaker 1>you don't have to name names, but I have two

0:40:06.680 --> 0:40:09.960
<v Speaker 1>questions on all the seasons of nine o two and now,

0:40:11.560 --> 0:40:14.200
<v Speaker 1>did you ever hate the guy you had to like

0:40:14.360 --> 0:40:16.000
<v Speaker 1>make out with. You don't have to say who, but

0:40:16.040 --> 0:40:18.000
<v Speaker 1>like where you were just like I can stay on

0:40:18.080 --> 0:40:23.440
<v Speaker 1>this guy? Yeah, I mean that would be awful. And

0:40:23.719 --> 0:40:27.400
<v Speaker 1>I think the guy knows who who he is. I

0:40:27.520 --> 0:40:31.239
<v Speaker 1>can't wait figure it out. I don't think I did yet.

0:40:31.840 --> 0:40:33.560
<v Speaker 1>Were you not attracted to him? Or was just like

0:40:33.640 --> 0:40:36.680
<v Speaker 1>this guy sucks and I have to do He's just

0:40:36.800 --> 0:40:40.680
<v Speaker 1>not my he's not my jam. Yeah. But when I

0:40:40.760 --> 0:40:42.880
<v Speaker 1>did a movie, I've told the story before I did

0:40:42.920 --> 0:40:47.400
<v Speaker 1>a movie. Uh. One of my first TV movies was

0:40:47.480 --> 0:40:49.880
<v Speaker 1>called Oh, I can't say because then you'll know the

0:40:49.920 --> 0:40:54.280
<v Speaker 1>guy was this? No, this was he had like schmig

0:40:54.360 --> 0:40:57.920
<v Speaker 1>mut like like in the like you know, like the

0:40:58.000 --> 0:41:01.520
<v Speaker 1>little white goo goose right there layer. You think someone's

0:41:01.640 --> 0:41:05.600
<v Speaker 1>job would be check that, do you know what I mean? Like?

0:41:05.600 --> 0:41:07.879
<v Speaker 1>Because I have worked with Ryan Seacrest for a hundred

0:41:07.960 --> 0:41:09.600
<v Speaker 1>years and I would never like let him go out

0:41:09.640 --> 0:41:13.360
<v Speaker 1>on camera with his teeth or something. He never has that.

0:41:13.560 --> 0:41:16.120
<v Speaker 1>He's he's he would never have that. He's too like,

0:41:16.800 --> 0:41:18.920
<v Speaker 1>he's very clear. He you know, if you eat, you

0:41:19.040 --> 0:41:21.400
<v Speaker 1>eat so fast you're trying, especially because his stuff is

0:41:21.400 --> 0:41:23.320
<v Speaker 1>always live. If he had, like, I would never like

0:41:23.400 --> 0:41:24.840
<v Speaker 1>let someone go out with food in there to youth

0:41:25.160 --> 0:41:28.640
<v Speaker 1>know maybe they maybe they just didn't see it, but yeah,

0:41:29.160 --> 0:41:30.640
<v Speaker 1>is there a teeth checker? Like if you guys have

0:41:30.680 --> 0:41:33.320
<v Speaker 1>a lunch break, would you brush your teeth after before

0:41:33.400 --> 0:41:35.920
<v Speaker 1>you started work again? Or like does someone check hey? Like,

0:41:36.560 --> 0:41:41.040
<v Speaker 1>hey check me? Because yeah, especially if you have a

0:41:41.160 --> 0:41:43.960
<v Speaker 1>kissing scene or like, right, you gotta do the like

0:41:44.080 --> 0:41:48.840
<v Speaker 1>whole hygiene thing before you like garlish garlic mashed potato

0:41:49.000 --> 0:41:52.560
<v Speaker 1>bro I hate like And when the guy eats garlic

0:41:52.600 --> 0:41:54.279
<v Speaker 1>for lunch and then you have to make out with him,

0:41:54.400 --> 0:41:58.799
<v Speaker 1>it is nothing. So let's say you're having like an

0:41:58.880 --> 0:42:03.080
<v Speaker 1>intimate scene, right like I'm making out, laying down, maybe

0:42:03.120 --> 0:42:06.080
<v Speaker 1>even more than that, you know, like a love scene.

0:42:07.520 --> 0:42:10.560
<v Speaker 1>Does the boy ever you know what? Like? Does his

0:42:10.800 --> 0:42:13.360
<v Speaker 1>you know what ever? Get you know? We've talked about this,

0:42:13.520 --> 0:42:15.560
<v Speaker 1>Why do you want to talk about this again? I

0:42:15.680 --> 0:42:21.040
<v Speaker 1>just have to remember that does happen, right, Yeah, and

0:42:21.120 --> 0:42:24.080
<v Speaker 1>does a guy feel dumb, No, he should play not

0:42:25.600 --> 0:42:28.759
<v Speaker 1>maybe he feels awesome. I don't know. I've never even

0:42:28.840 --> 0:42:31.680
<v Speaker 1>it's not when that has happened. That's never been even addressed.

0:42:31.760 --> 0:42:35.040
<v Speaker 1>It's just kind of like, oh, you just go you

0:42:35.160 --> 0:42:41.120
<v Speaker 1>just ignore it and and keep going. Yeah, I can't think.

0:42:41.280 --> 0:42:44.000
<v Speaker 1>I don't think I could. That's rough. That's it gets

0:42:44.680 --> 0:42:50.359
<v Speaker 1>really weird. I love that I've asked that twice. Yeah,

0:42:50.800 --> 0:42:53.640
<v Speaker 1>maybe you can. It's season four. Our stay tuned because

0:42:53.719 --> 0:42:56.239
<v Speaker 1>she's gonna ask just get every season. Guys, don't worry, like,

0:42:56.320 --> 0:42:58.560
<v Speaker 1>I'll just keep asking it as we get that. Okay.

0:43:00.640 --> 0:43:03.040
<v Speaker 1>I did think it was cute that there was sort

0:43:03.040 --> 0:43:05.880
<v Speaker 1>of some real interaction between David and Brandon and this

0:43:06.080 --> 0:43:08.520
<v Speaker 1>because David was going to teach him how to dance

0:43:08.600 --> 0:43:11.560
<v Speaker 1>even though didn't happen. He comes over with them. Yeah,

0:43:11.640 --> 0:43:13.920
<v Speaker 1>he comes over and brands like, oh dude, I totally forgot,

0:43:13.960 --> 0:43:17.120
<v Speaker 1>and David goes, well, yeah I didn't. I just thought

0:43:17.160 --> 0:43:20.440
<v Speaker 1>that was the funniest come back, like I didn't. Here,

0:43:20.480 --> 0:43:23.040
<v Speaker 1>I am, let's do this right, dude, you ask my help.

0:43:23.160 --> 0:43:25.600
<v Speaker 1>He goes all the way there and then in the

0:43:25.680 --> 0:43:28.600
<v Speaker 1>new leaves. It's not like you know, Beverly Hills is

0:43:29.200 --> 0:43:31.400
<v Speaker 1>walk down the street to get to each other's houses.

0:43:31.480 --> 0:43:34.280
<v Speaker 1>That's like can be twenty minutes in traffic, thirty minutes

0:43:34.320 --> 0:43:38.560
<v Speaker 1>in traffic. True that I even live in the same neighborhood.

0:43:40.080 --> 0:43:42.200
<v Speaker 1>And for people listening in real life, Everly Hills is

0:43:42.320 --> 0:43:45.680
<v Speaker 1>like vast because I picture like some of those mansions

0:43:45.719 --> 0:43:48.640
<v Speaker 1>you guys live in more up the hill, and then

0:43:48.640 --> 0:43:50.600
<v Speaker 1>I feel like the Walshes are more in the flats,

0:43:51.280 --> 0:43:53.719
<v Speaker 1>maybe like even a Beverly Wood. It's hard for me

0:43:53.800 --> 0:43:57.040
<v Speaker 1>because I know the Walshes were actually an Altonina and

0:43:57.239 --> 0:44:01.759
<v Speaker 1>Kelly and Steve. We're in Sherman Oaks. Uh, so it's

0:44:01.800 --> 0:44:04.319
<v Speaker 1>really hard for me to even imagine them in Beverly Hills.

0:44:04.400 --> 0:44:07.239
<v Speaker 1>But yeah, Beverly Hills is big. There's the flat part,

0:44:07.600 --> 0:44:10.360
<v Speaker 1>there's the like town the city part, then there's the

0:44:10.800 --> 0:44:13.440
<v Speaker 1>uh the hills. Then there's bell Air, which is on

0:44:13.560 --> 0:44:17.320
<v Speaker 1>the hill. So I that's my bell Air. That's so

0:44:17.440 --> 0:44:20.480
<v Speaker 1>pretty up there. Yeah, I had like the jillion dollars,

0:44:20.600 --> 0:44:23.200
<v Speaker 1>which I do not, guys, but if I did, I

0:44:23.239 --> 0:44:26.320
<v Speaker 1>would pick bell Air. Did you ever go like in

0:44:26.440 --> 0:44:29.160
<v Speaker 1>the heyday or even like in any of this, you know, years,

0:44:29.280 --> 0:44:32.360
<v Speaker 1>but especially like after season two or so when it

0:44:32.400 --> 0:44:35.719
<v Speaker 1>was just exploding to Beverly Hills, Like did people just

0:44:36.120 --> 0:44:39.960
<v Speaker 1>freak the f out if they saw like you shopping

0:44:40.000 --> 0:44:42.840
<v Speaker 1>on roadeo. Yeah, no, I never went there ever. Again,

0:44:44.120 --> 0:44:47.040
<v Speaker 1>here's the thing, Well, I filmed there. I remember. The

0:44:47.120 --> 0:44:49.600
<v Speaker 1>only time I remember ever going back there was when um,

0:44:50.520 --> 0:44:55.400
<v Speaker 1>Kelly and Donna filmed uh something for the for for

0:44:55.600 --> 0:44:57.759
<v Speaker 1>nine o two and oh with the teeny Boppers, that one,

0:44:57.920 --> 0:45:01.320
<v Speaker 1>that version of it, mm hmm. They had Kelly and

0:45:01.400 --> 0:45:05.440
<v Speaker 1>Donna in a convertible being so we were being driven

0:45:05.600 --> 0:45:11.279
<v Speaker 1>in a convertible car around which was so embarrassing. And uh,

0:45:11.520 --> 0:45:15.160
<v Speaker 1>I remember that. And the only other time I ever

0:45:15.440 --> 0:45:18.960
<v Speaker 1>go to Beverly Hills is to see my dentist. He's

0:45:19.040 --> 0:45:21.719
<v Speaker 1>on Rocksberry driving. Yeah, it's kind of I mean for

0:45:21.840 --> 0:45:23.440
<v Speaker 1>people listening like, I don't mean to be all and

0:45:23.680 --> 0:45:26.080
<v Speaker 1>we live in l A. But you don't go to

0:45:26.160 --> 0:45:29.200
<v Speaker 1>Beverly Like I don't go to Beverly Hills that much.

0:45:29.760 --> 0:45:33.320
<v Speaker 1>I mean a lot of people do. That's they like

0:45:33.400 --> 0:45:36.920
<v Speaker 1>go to lunch and yeah they do the restaurants now

0:45:37.120 --> 0:45:39.560
<v Speaker 1>trying to think I don't never go there. I mean,

0:45:39.600 --> 0:45:41.040
<v Speaker 1>I have not been to Beverly Hills in a really

0:45:41.120 --> 0:45:45.399
<v Speaker 1>long time because it's not where I would go to shop. Yeah,

0:45:45.840 --> 0:45:49.320
<v Speaker 1>it's not my jam either. Yeah it is Tursty and

0:45:49.400 --> 0:45:52.080
<v Speaker 1>that's not a dig. It's like there are people it is.

0:45:52.520 --> 0:45:54.680
<v Speaker 1>People still love going there, which is great. There was

0:45:54.760 --> 0:45:57.080
<v Speaker 1>a shout out for Robertson I think in this episode

0:45:57.440 --> 0:46:00.120
<v Speaker 1>one of the new clubs on Robertson, which actually was

0:46:00.239 --> 0:46:04.120
<v Speaker 1>very ahead of its time because Robertson actually is super cool.

0:46:04.400 --> 0:46:10.759
<v Speaker 1>Where hold on, I can't Robertson. There's a lot yes,

0:46:11.560 --> 0:46:14.960
<v Speaker 1>so like a lot of the cool shopping now is

0:46:14.960 --> 0:46:19.480
<v Speaker 1>actually on Robertson, right, it's where Yeah, there's like that's

0:46:19.520 --> 0:46:23.839
<v Speaker 1>where I would go there over Rodeo probably people love

0:46:24.000 --> 0:46:26.760
<v Speaker 1>that other street. It's like it's it's like kind of Venisy,

0:46:26.880 --> 0:46:31.160
<v Speaker 1>Santa Monichy, Abbot Kenny. Oh yeah, that one. So many

0:46:31.200 --> 0:46:33.200
<v Speaker 1>cool places to go. My daughter wanted to go to

0:46:33.280 --> 0:46:35.200
<v Speaker 1>Melrose the other day to shop. I was like, absolutely

0:46:35.280 --> 0:46:38.880
<v Speaker 1>not so Melrose was so in in the nineties. Do

0:46:39.360 --> 0:46:41.600
<v Speaker 1>your kids like thrifting? That's like the big thing that

0:46:41.719 --> 0:46:44.520
<v Speaker 1>they do these days, thrifting. I don't like to use

0:46:44.600 --> 0:46:47.960
<v Speaker 1>my car so I like if I I only can

0:46:48.000 --> 0:46:49.759
<v Speaker 1>go places I can walk to because I don't want

0:46:49.760 --> 0:46:52.440
<v Speaker 1>to get in my car and have to like drive somewhere.

0:46:53.719 --> 0:46:56.719
<v Speaker 1>We're really quite tired. Oh my god, I love you.

0:46:57.800 --> 0:47:00.279
<v Speaker 1>I love this one. I actually did not. Is not

0:47:00.360 --> 0:47:03.080
<v Speaker 1>my favorite favorite episode by any means, but I totally

0:47:03.200 --> 0:47:05.440
<v Speaker 1>enjoyed it. It was. It's a good episode. I remembered

0:47:05.480 --> 0:47:08.000
<v Speaker 1>it well, like I remembered it from the first round

0:47:08.080 --> 0:47:11.759
<v Speaker 1>I watched, or the second or third or however. Yeah,

0:47:11.760 --> 0:47:14.120
<v Speaker 1>it wouldn't be an episode of I too. I know though,

0:47:14.880 --> 0:47:19.600
<v Speaker 1>without Brandon and Andrea having conflict in the newspaper office,

0:47:20.719 --> 0:47:22.720
<v Speaker 1>are they always going to be in the newspaper office?

0:47:22.840 --> 0:47:25.640
<v Speaker 1>The blaze is so major, and I do remember that

0:47:26.920 --> 0:47:30.280
<v Speaker 1>the Blaze, it's major, you know. I'm much more into

0:47:31.320 --> 0:47:35.359
<v Speaker 1>the not the like heavy topic issues like we've had

0:47:35.400 --> 0:47:37.600
<v Speaker 1>for the last couple of weeks. I want to see

0:47:38.040 --> 0:47:43.239
<v Speaker 1>the love triangle. Yeah, I'd rather have fun too. I

0:47:43.360 --> 0:47:45.759
<v Speaker 1>like the soapy aspect of nine O two and O.

0:47:47.239 --> 0:47:48.719
<v Speaker 1>I'm fine with it all. I mean, I totally it's

0:47:48.840 --> 0:47:52.160
<v Speaker 1>like I love rewatching it. I think it gets a

0:47:52.320 --> 0:47:59.000
<v Speaker 1>lot more like issue heavy, right, it's coming back to me? Yeah, yeah,

0:47:59.200 --> 0:48:02.719
<v Speaker 1>oh yeah, I remember, I remember. Let me see if

0:48:02.719 --> 0:48:04.759
<v Speaker 1>I missed anything good fashion again. I wish Tory was

0:48:04.800 --> 0:48:08.000
<v Speaker 1>here because she's got some great the vet look other

0:48:08.080 --> 0:48:10.640
<v Speaker 1>than Andrea. The vests are awesome. I love a vest.

0:48:10.680 --> 0:48:13.040
<v Speaker 1>I like want to get my arms back and looking

0:48:13.080 --> 0:48:15.280
<v Speaker 1>good so I can wear a vest again. And Donna

0:48:15.360 --> 0:48:17.320
<v Speaker 1>had that black and white top. It was like a

0:48:17.400 --> 0:48:22.640
<v Speaker 1>sweater vest. I thought that was awesome. I don't remember

0:48:22.719 --> 0:48:25.080
<v Speaker 1>that one. I just was when she went to the

0:48:25.440 --> 0:48:29.319
<v Speaker 1>to the Scamblin's house David. Yeah, I'm so scarred by

0:48:29.360 --> 0:48:33.200
<v Speaker 1>the Andrea's best that I can't really even move on

0:48:33.360 --> 0:48:35.880
<v Speaker 1>from it and the suit. We didn't talk about the voting,

0:48:36.560 --> 0:48:39.759
<v Speaker 1>but that Donna, who no one ever gives credit to,

0:48:39.960 --> 0:48:44.279
<v Speaker 1>totally registered to vote on time. She's ready to go vote, okay.

0:48:44.320 --> 0:48:46.560
<v Speaker 1>So that was like a weird d story, like the

0:48:46.680 --> 0:48:50.000
<v Speaker 1>voting thing and the problems in the ocean. She's six

0:48:50.200 --> 0:48:54.480
<v Speaker 1>months older than so she's so she's eighteen and a

0:48:54.600 --> 0:48:58.120
<v Speaker 1>half in her sast year. She's all registered and then

0:48:58.200 --> 0:48:59.919
<v Speaker 1>Dylan wants to talk to her about heal the Bay

0:49:00.120 --> 0:49:02.560
<v Speaker 1>or so that was interesting. Also. I think that was

0:49:02.640 --> 0:49:06.200
<v Speaker 1>shot really at the West Beverly Hills post office. Oh

0:49:06.520 --> 0:49:11.000
<v Speaker 1>that looks really authentic. Yeah, yes, so that was cool.

0:49:11.600 --> 0:49:14.680
<v Speaker 1>And then for some reason I wrote down, oh, I

0:49:14.760 --> 0:49:17.920
<v Speaker 1>know when Dylan was all sick and Brenda said, you

0:49:17.960 --> 0:49:19.800
<v Speaker 1>won't have my sandwich. I don't know why that. I

0:49:19.920 --> 0:49:22.279
<v Speaker 1>was like, well, I don't know why I wrote that down,

0:49:22.400 --> 0:49:25.320
<v Speaker 1>but he thought it was nice. I just yeah, it

0:49:25.360 --> 0:49:29.080
<v Speaker 1>seemed very real. Yeah. But then she was like, oh,

0:49:29.160 --> 0:49:31.880
<v Speaker 1>I can make you feel better outside the post office.

0:49:32.280 --> 0:49:35.560
<v Speaker 1>And he goes, oh, nope, I'm still contagious and she goes.

0:49:42.160 --> 0:49:47.239
<v Speaker 1>And then and then I had, you know, at at

0:49:47.320 --> 0:49:50.960
<v Speaker 1>the newspaper office when they're all happy that girl's coming

0:49:51.040 --> 0:49:56.640
<v Speaker 1>back to town, back towards the end, uh, when they're

0:49:56.680 --> 0:50:00.560
<v Speaker 1>all standing there and Brenda peels off. Do you see

0:50:00.600 --> 0:50:04.520
<v Speaker 1>the way Dylan is staring at Kelly. Did you clock

0:50:04.640 --> 0:50:09.400
<v Speaker 1>that at all? Of course? What? Why? Why you do this?

0:50:09.760 --> 0:50:13.160
<v Speaker 1>Why you do this? He's messing with it. It just

0:50:13.200 --> 0:50:16.759
<v Speaker 1>feels like he's messing with her. I'm glad we're bringing

0:50:16.800 --> 0:50:19.439
<v Speaker 1>this up because this is gonna, this is coming back.

0:50:20.200 --> 0:50:23.239
<v Speaker 1>So I don't know if you remember, but that's why

0:50:23.239 --> 0:50:25.840
<v Speaker 1>I always asked myself, is he with Brenda because he

0:50:26.000 --> 0:50:28.200
<v Speaker 1>loves her? Or is he with Brenda sort of by

0:50:28.320 --> 0:50:32.799
<v Speaker 1>default because like that's what where he was at. Does

0:50:32.840 --> 0:50:37.799
<v Speaker 1>he totally love them both? Which is possible? It is, yeah,

0:50:37.920 --> 0:50:41.719
<v Speaker 1>yeah sure, But when you're a young guy like that,

0:50:41.880 --> 0:50:43.960
<v Speaker 1>like maybe you just like it doesn't last that long.

0:50:44.239 --> 0:50:49.120
<v Speaker 1>Maybe he's you know, how to nice experience with Brenda

0:50:49.200 --> 0:50:54.439
<v Speaker 1>and it's high school right exactly, people like not ready

0:50:54.480 --> 0:50:57.880
<v Speaker 1>to settle down and get married or anything, right, But

0:50:58.000 --> 0:51:00.080
<v Speaker 1>I never feel like he's faking it with her, Like

0:51:00.160 --> 0:51:02.120
<v Speaker 1>even in this episode, I think they had there was

0:51:02.160 --> 0:51:05.160
<v Speaker 1>a kiss and there was some sweet interactions, and it

0:51:05.239 --> 0:51:08.560
<v Speaker 1>also feels authentic. So you're like, what is really going

0:51:08.640 --> 0:51:10.759
<v Speaker 1>on with these people? And that's the part I like

0:51:10.880 --> 0:51:13.760
<v Speaker 1>the ass this is part I like this. Yeah again

0:51:13.920 --> 0:51:18.680
<v Speaker 1>it had me so ker funkled kerun what's kerr funckled?

0:51:18.840 --> 0:51:26.000
<v Speaker 1>Ker Funkeled's the word kerfuffled. It is a bit of

0:51:26.120 --> 0:51:30.080
<v Speaker 1>a ker foot fall because you're like, do you when

0:51:30.120 --> 0:51:35.399
<v Speaker 1>you watch Dylan and Brenda as Jenny this many years later,

0:51:36.560 --> 0:51:39.160
<v Speaker 1>what does it feel Even in like this episode where

0:51:39.160 --> 0:51:43.400
<v Speaker 1>it's kind of like miner it feels normal and natural

0:51:43.600 --> 0:51:45.920
<v Speaker 1>and like you said, like authentic, but it doesn't. It

0:51:45.960 --> 0:51:49.279
<v Speaker 1>feels I still now knowing what I know. I'm I

0:51:49.360 --> 0:51:51.759
<v Speaker 1>don't like Dylan Like I'm I don't know why they

0:51:51.800 --> 0:51:56.360
<v Speaker 1>would do this to to the audience with this character

0:51:56.520 --> 0:52:01.160
<v Speaker 1>that it's so vital and important and popular and and

0:52:01.239 --> 0:52:03.960
<v Speaker 1>it was luke Like, why would they make because the

0:52:04.360 --> 0:52:07.440
<v Speaker 1>person like me watching it is thinking, wait, how can

0:52:07.520 --> 0:52:11.480
<v Speaker 1>he be He's like two times like he's say one

0:52:11.520 --> 0:52:14.400
<v Speaker 1>thing but doing another, and it just makes me not

0:52:14.600 --> 0:52:18.200
<v Speaker 1>like him. So I don't know what this says about me,

0:52:18.360 --> 0:52:20.479
<v Speaker 1>but it doesn't make me like him one bit less,

0:52:20.560 --> 0:52:26.680
<v Speaker 1>Like I still like him. Yeah, I mean, yeah, I

0:52:26.760 --> 0:52:28.680
<v Speaker 1>think I get it. I think that's the thing. It's like,

0:52:28.920 --> 0:52:31.640
<v Speaker 1>I get that he has something with Kelly, and I'm

0:52:31.719 --> 0:52:35.640
<v Speaker 1>kind of here for it. I want to explore this more. Yeah,

0:52:35.719 --> 0:52:39.279
<v Speaker 1>I mean, I'd be into that, but I don't know.

0:52:39.680 --> 0:52:41.799
<v Speaker 1>I just died on. We'll have to wait and see,

0:52:41.840 --> 0:52:45.560
<v Speaker 1>because there is I do not remember what's coming. There's

0:52:45.600 --> 0:52:48.719
<v Speaker 1>a big old thing coming. I do not have any

0:52:48.760 --> 0:52:51.840
<v Speaker 1>clue what is happening, what is going to happen. I

0:52:51.960 --> 0:52:56.359
<v Speaker 1>know eventually they must something, it must happen that brings

0:52:56.400 --> 0:52:58.880
<v Speaker 1>them together. And and then eventually Brenda is not a

0:52:58.920 --> 0:53:00.759
<v Speaker 1>part of it because she's not a show anymore. Like,

0:53:00.960 --> 0:53:04.279
<v Speaker 1>that's how vague my memories are, so I really need

0:53:04.360 --> 0:53:06.560
<v Speaker 1>somebody to connect the dots. Here's what I'll say for

0:53:06.640 --> 0:53:13.800
<v Speaker 1>everyone listening to it is imminent, this scene coming imminent.

0:53:13.960 --> 0:53:18.520
<v Speaker 1>I'm scared. You've got me scared. It's heavy. Yeah, like

0:53:18.680 --> 0:53:22.320
<v Speaker 1>i've I've I know it's coming, and I have rewatched

0:53:22.400 --> 0:53:24.279
<v Speaker 1>this particular scene, so I don't want to run it,

0:53:24.680 --> 0:53:28.160
<v Speaker 1>but it's it's it's coming. I think we might get

0:53:28.200 --> 0:53:33.480
<v Speaker 1>to in the next month. Oh, buckle up, buckle up,

0:53:33.920 --> 0:53:40.120
<v Speaker 1>buck a ruse d Yeah. I think the only one

0:53:40.120 --> 0:53:42.719
<v Speaker 1>week AFT was I swear Steve said something about good

0:53:42.719 --> 0:53:47.360
<v Speaker 1>off your rump at the dance. Clumby wanted Barending to

0:53:47.400 --> 0:53:52.759
<v Speaker 1>get off as rump. Steve I thought it was Q

0:53:52.920 --> 0:53:54.920
<v Speaker 1>two and Stephen Kelly come into the club and he's like,

0:53:55.600 --> 0:53:57.399
<v Speaker 1>she goes, just to be clear, this is not a date,

0:53:58.760 --> 0:54:01.880
<v Speaker 1>but we'll dance together. I love them as friends, I

0:54:02.040 --> 0:54:07.400
<v Speaker 1>really as much as Yeah. I just love Iron so

0:54:07.600 --> 0:54:10.799
<v Speaker 1>much that I love being in scenes with him as

0:54:10.840 --> 0:54:14.520
<v Speaker 1>a friend and not all like heavy and emotional and

0:54:15.440 --> 0:54:22.080
<v Speaker 1>you know, tortured. Okay, next week is another episode shocker. Uh.

0:54:22.520 --> 0:54:26.800
<v Speaker 1>Next next week is episode twelve Destiny rides again. What

0:54:26.880 --> 0:54:28.720
<v Speaker 1>do you think that one's going to be about Greek?

0:54:29.520 --> 0:54:32.759
<v Speaker 1>I think it might be uh huh. And also I

0:54:32.840 --> 0:54:34.840
<v Speaker 1>know that Rosie O'donald's going to show up in a minute.

0:54:34.880 --> 0:54:36.480
<v Speaker 1>Do that? Do you remember that at all? That's coming

0:54:36.520 --> 0:54:43.480
<v Speaker 1>to Rosy o'donnald? I don't remember. Oh is her name Destiny?

0:54:43.560 --> 0:54:46.600
<v Speaker 1>Is she writing again? I don't know. The titles are

0:54:46.640 --> 0:54:50.839
<v Speaker 1>so like on the notes. It might be Rick because

0:54:50.880 --> 0:54:53.320
<v Speaker 1>he is back in the next week or two for sure. Okay,

0:54:53.560 --> 0:54:57.480
<v Speaker 1>I'm in for it. I'm ready for it. Good stuff.

0:54:59.320 --> 0:55:01.960
<v Speaker 1>I hope you guys like it and are doing our best.

0:55:04.239 --> 0:55:06.720
<v Speaker 1>We love it. We love it. We love doing our podcast.

0:55:06.920 --> 0:55:09.799
<v Speaker 1>And that's all your comments because I read every single one.

0:55:09.920 --> 0:55:12.759
<v Speaker 1>I literally I'm obsessed with the Instagram and we don't

0:55:12.760 --> 0:55:15.200
<v Speaker 1>know how to respond on the Instagram. I noticed you,

0:55:15.320 --> 0:55:18.600
<v Speaker 1>did you do? Jenny? I responded to something that was

0:55:18.680 --> 0:55:21.919
<v Speaker 1>so cool and I remember what it was. But that's

0:55:21.960 --> 0:55:25.920
<v Speaker 1>really cool. But we we we love that and we're

0:55:25.920 --> 0:55:28.800
<v Speaker 1>gonna do when Tory does come back, We're going to

0:55:28.880 --> 0:55:33.400
<v Speaker 1>do some more interactive Oh, definitely pods, so where we

0:55:33.600 --> 0:55:37.439
<v Speaker 1>answer some questions, we get into the whole Brenda camp,

0:55:37.560 --> 0:55:41.640
<v Speaker 1>Kelly Camp. Because we want to be fair. Yes, because

0:55:41.680 --> 0:55:43.520
<v Speaker 1>we're I'm one sided on it and I can't help.

0:55:44.440 --> 0:55:48.520
<v Speaker 1>I'm so sorry. I'm like waiting for them to make

0:55:48.600 --> 0:55:52.920
<v Speaker 1>out again. I'm like, so it's gonna get good. We're good,

0:55:52.960 --> 0:55:57.799
<v Speaker 1>we're good, we're good, but we're good now. Hey, we'll

0:55:57.800 --> 0:55:59.879
<v Speaker 1>see you in a week, hopefully Tori will be here. Yes.

0:56:00.440 --> 0:56:09.279
<v Speaker 1>Fingers crossed by God by h