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Speaker 1: With Jenny Garth and Tori Spelling. Oh my gosh, Welcome

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Speaker 1: to another episode of OMG. Does it stand for oh

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Speaker 1: my gosh or oh my God? That's the big debates,

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Speaker 1: Oh my god, but you could say gosh if you

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Speaker 1: don't like to say god. You know what, Amy, I'm

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Speaker 1: gonna say, oh my golly. M hmm, just because Hi, everybody, welcome,

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Speaker 1: Welcome to another week with me and am I swear

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Speaker 1: you guys, Tory is coming up and she's going to

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Speaker 1: tell everybody everything. We promise we're not we haven't. I

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Speaker 1: think next week. I'm hoping we haven't exiled her or

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Speaker 1: taken her, tied her up in the trunk or anything.

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Speaker 1: She's definitely coming back. We miss her. We know you

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Speaker 1: guys miss her so much, but you have us. You're

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Speaker 1: stuck with us this week. Oh my golly, that's another one.

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Speaker 1: I like it, like it. How many of this oh

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Speaker 1: my goodness, Oh my geez, that works. Let's say I

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Speaker 1: want to hear what everybody thinks OMG stands for. I

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Speaker 1: see it constantly. Now, I don't know about you, guys.

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Speaker 1: It's embarrassing how much I put it in a text,

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Speaker 1: like it's probably it's out like embarrassing. The kids don't

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Speaker 1: say OMG anymore. I actually think you're right. I think

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Speaker 1: it is out. But we are old longdoing not for

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Speaker 1: us something. Listen, I when I have an OMG moment,

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Speaker 1: now it's equivalent to my AHA moment, like it's right

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Speaker 1: underneath AHA moment. So Oprah had her AHA moment. We

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Speaker 1: have our O m G moments. You know what I

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Speaker 1: think really dates me in our group text is because

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Speaker 1: there's young people in our group text. And first of all,

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Speaker 1: that just how we are that we call people young

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Speaker 1: people is when I write Rad, it's so you though,

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Speaker 1: when you say Raddy like Jenny and aren't texting, and

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Speaker 1: it was like, Okay, I'll see you at ten thirty.

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Speaker 1: Rap Oh, I'm cheap, get it to get Rad on nine? Oh,

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Speaker 1: I feel like Rad was going to it. I mean,

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Speaker 1: Yarley was gnarly around. The righteous Dudu has been around

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Speaker 1: is like one of my favorite words. How did we

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Speaker 1: even start talking about these things? And I'm really sorry, guys,

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Speaker 1: this happens. Well, we we have another episode to talk about.

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Speaker 1: Do you guys want to talk about it? Do you

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Speaker 1: want to talk about it? Amy, I'm saying you guys like,

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Speaker 1: there's more than one of you. It's just me and

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Speaker 1: my dogs. I totally behind because once again it is

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Speaker 1: the very serious issue combined with like nine O two

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Speaker 1: one oh jolly saying like wow, this was an after

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Speaker 1: school special episode. Yes, yes, and they tied it up

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Speaker 1: in way too pretty of a beau in forty eight

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Speaker 1: minutes or whatever. I was like, wait, that's totally major.

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Speaker 1: What just happened? I mean, did they It's all messed

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Speaker 1: up over there at the Scanling household, and I actually

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Speaker 1: can't remember if this was Nicole Tom's last. I think

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Speaker 1: she might come back again, but it's like, can you

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Speaker 1: imagine that they just she disappears after this? I can,

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Speaker 1: because that's what happens on our show. People come in

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Speaker 1: for their big O MG moment and then they just disappear,

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Speaker 1: kind of like Tori. I'm just kidding. She didn't disappear him.

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Speaker 1: Some really iconic fashion moments in these episodes, and good acting.

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Speaker 1: This was another great Donna Donna episode. Donna, there wasn't

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Speaker 1: enough Kelly in this episode. Did you notice that? It

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Speaker 1: was like, I was fine with it, but yeah, there's

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Speaker 1: a lot of Donna, a lot of Sue. I liked

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Speaker 1: it and Dylan has COVID. Uh, okay, let's just start

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Speaker 1: because we can't help us. Professional Season three, episode eleven,

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Speaker 1: A Presumption of Innocence, aired on October one. Meyer's future

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Speaker 1: is on the line over a sexual misconduct charge, but

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Speaker 1: he's more concerned about the future of his MHM. Meyer's

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Speaker 1: future is on the line over a sexual misconduct charge,

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Speaker 1: but he's more concerned about the future of his accuser. Meanwhile,

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Speaker 1: surfing becomes hazardous to Dylan's health and Brandon hits the

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Speaker 1: dance floor. Directed by Bethany Rooney, written by Karen Rosen

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Speaker 1: and Darren Starr. I love Bethany. It feels like it's

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Speaker 1: been for like a really long I mean really yeah.

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Speaker 1: We had a lot of shows. Are Parents. So this

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Speaker 1: was when I was a freshman in college. So so

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Speaker 1: I was graduating from high school in ninety two, but

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Speaker 1: I think at this point now I'm a freshman in

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Speaker 1: college and I'm telling you these were the episodes we

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Speaker 1: just squished our There was thirty girls in there, squished

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Speaker 1: into this tiny TV room and it was called a

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Speaker 1: TV room, and the screen was probably like the size

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Speaker 1: of my laptop screen. Did you have a VCR. Of course,

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Speaker 1: somebody would say, are you gonna tape it? I don't.

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Speaker 1: I wonder if the thing had You remember like TVs

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Speaker 1: when you had to turn the dial. I think we

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Speaker 1: did have remote. No, there was no dial. I remember, yeah,

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Speaker 1: my TV when I was a little girl, and I

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Speaker 1: would sit in front of it and watch the Brady bunch.

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Speaker 1: Was was one of those big consults, sat on the

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Speaker 1: floor and you had that was so seventies. That thing.

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Speaker 1: This people are gonna get mad. But I have to ask,

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Speaker 1: were you more Greg or Peter? Neither or her face?

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Speaker 1: It wasn't really into the boys then. I was into

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Speaker 1: Marcia and Cindy. Sorry, Jan, what if I was like

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Speaker 1: my favorite was Alice? Like, oh god, yeah, I think

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Speaker 1: I was more Peter because so like I'm not being braggy,

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Speaker 1: but like we've met a lot of bradies, right like

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Speaker 1: in our job. Not to beg but I know all

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Speaker 1: the bradies. You're totally bragging right now. I to this

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Speaker 1: day cannot look Greg Brady in the eye. Two celebrities.

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Speaker 1: I don't know. I don't know if it's because like

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Speaker 1: maybe I liked him back then he fiddled with his

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Speaker 1: mom on the show You're embarrassed or like he's kind

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Speaker 1: of goony. So it's like, oh no, it's yeah, it's

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Speaker 1: I cannot look Greg Brady in the eye, like when

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Speaker 1: we do things with them, I have to have I

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Speaker 1: run away. I go like, I'm sorry, you have to

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Speaker 1: have someone else handle this, and the other one I

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Speaker 1: can't really David hasshole. I literally cannot do it, like

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Speaker 1: I have I have to leave. I cannot do you wait,

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Speaker 1: and I needed to know more about the Hasslehoff that

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Speaker 1: I will admit. When he was a night writer, I

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Speaker 1: literally love you, Okay, so it was a love So

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Speaker 1: that is like I think it's a combination of that

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Speaker 1: and like, you know, his trajectory has been a little

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Speaker 1: wonky maybe. So it's like I'm just I'm like, no,

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Speaker 1: but I can watch an old night writer and I'm okay, yeah,

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Speaker 1: I don't know if I'd be able to look the

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Speaker 1: Hoff in the eye either. I wouldn't. I would I

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Speaker 1: wouldn't know where to look. It's it's wrong, Okay, back

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Speaker 1: to Okay, Yes, um yone has COVID like sink Okay. Yeah,

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Speaker 1: I was like, um, okay, so Dylan is coughing on

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Speaker 1: everyone his birthday. What the like what apparently this was

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Speaker 1: way before COVID and also before the whole like cough

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Speaker 1: into your elbow trend, you know, So, I mean he's

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Speaker 1: just he's coughing into a little closed fifth like that,

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Speaker 1: like as if the germs are going right in that

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Speaker 1: is this islder Okay? What is harder to play fake

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Speaker 1: drunk or fake six? He was good at playing fake sit.

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Speaker 1: I believed it. I believed he had a bronchial infection.

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Speaker 1: I agree, that's what do you think it was from

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Speaker 1: the water? Well, I think that's what we're like supposed

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Speaker 1: to believe. And then we're jumping ahead. But I love

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Speaker 1: they went to the pediatrician and got a lollipop in

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Speaker 1: some antibiotics. It was just like he just turned eighteen.

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Speaker 1: He hasn't gotten his big boy doctor yet. Yeah, and

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Speaker 1: you know, I knew he was going to be eighteen,

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Speaker 1: but that was sort of like, oh whoa. And then

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Speaker 1: it was very through me that Donna is eighteen. Yeah.

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Speaker 1: I was hard because she was the younger one in

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Speaker 1: real life, like with the younger ones in real life,

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Speaker 1: and then now she's supposed to be the gip a grade.

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Speaker 1: I'm so confused. I don't get it. Maybe she skipped

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Speaker 1: Kundergarten like my kids. Something weird. Okay, so really quickly,

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Speaker 1: did you notice Nicki and Brandon just so in love

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Speaker 1: in the back So the table is like Dylan and

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Speaker 1: the Cake and Brenda and then Nikki and Brandon are

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Speaker 1: just so touchy touchy. They're like j Lo and Ben,

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Speaker 1: like always touchy. They aren't even on camera practically like

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Speaker 1: this song, just making out for the fun of it

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Speaker 1: back there. And also, why what I am so confused

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Speaker 1: as a human being? Kelly and Anna? No, Kelly and

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Speaker 1: Brenda and Dylan just pretending like nothing ever happened. It's

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Speaker 1: so weird. Okay, so weird. But I guess in real life, Okay,

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Speaker 1: let's think about this. In real life, if you are

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Speaker 1: in high school and you like scandalously sort of made

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Speaker 1: out with a dude all summer and you're his girlfriend

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Speaker 1: is your best friend, Like, I guess you're going to

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Speaker 1: pretend nothing happened, because it would be weird if Kelly

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Speaker 1: was just never there, like she can't come around, then

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Speaker 1: it's like, what the F. Yeah, I guess they couldn't

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Speaker 1: really do that because of the they had to. I

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Speaker 1: don't know, but it just part of the stuff. I mean,

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Speaker 1: I'm happy that they're friends, but it's just I'm confused

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Speaker 1: because I was all amped up for something to happen

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Speaker 1: and and like the wheels were turning and and then nothing.

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Speaker 1: Well it's hullabaloo because it's coming, Like what's that mean?

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Speaker 1: Hulla Ballou's yeah, okay, it's a bunch of habernacky. I

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Speaker 1: don't know. I just made that up. Also, why is

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Speaker 1: Gill at the peach pick? Can you stop with your brains?

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Speaker 1: Because my note says why is uh Dil? I'm going

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Speaker 1: to call him from now because I don't like him

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Speaker 1: and his name is Gils, I'm gonna call him Dell.

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Speaker 1: Why is Dylan Dylan's party? It's so weird? Haven't eating

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Speaker 1: his cake? And was offered someone a bite? Oh god,

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Speaker 1: didn't he offer us? That was so weird. That was

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Speaker 1: very for telling, Like yes, it's like I get that

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Speaker 1: he didn't do it. Obviously we know that he didn't

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Speaker 1: do it, but it was so messy, like why are

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Speaker 1: you so tight with these kids? And like it's creepy. Yeah,

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Speaker 1: and she chump, she just comes in hot with what

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Speaker 1: do I have to do? Take my clothes off to

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Speaker 1: get a good gride. I just never said that she's

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Speaker 1: I don't know where she gets these things. Yeah, well,

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Speaker 1: obviously now we know that she's got like total trauma

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Speaker 1: from what happened to her, which is also probably why

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Speaker 1: she was so aggressive with David last episode because she's

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Speaker 1: so she just has massive trauma. Yeah, she's so messed up,

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Speaker 1: Sweet Sue. I feel so bad. And then you know,

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Speaker 1: the minute I saw that Mr Uncle Henry with the

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Speaker 1: creepy stash ad you know from the start, listen anybody

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Speaker 1: with a mustache like that, it's the red flag. Just no,

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Speaker 1: I mean, I do think it's so weird because watching

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Speaker 1: it with like eyes, these were important things not to

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Speaker 1: be like I don't know what the word is, like

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Speaker 1: preachy or like I don't know no eyed about it.

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Speaker 1: But it's like there were kids that watched these things.

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Speaker 1: That helps. Like I remember a Different Strokes episode that

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Speaker 1: totally addressed like molesting and kidnapping and like all these

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Speaker 1: heavy different Strokes. Yes, yes, so those were like very

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Speaker 1: special episodes too. They weren't like every time, but it

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Speaker 1: does bring the conversation out, so I do get why

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Speaker 1: they were doing this. You can't just have like kiss

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Speaker 1: kiss surf surf, make out with Dylan all the time.

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Speaker 1: I mean it's a huge thing, Like it's got to

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Speaker 1: happen still all the time. I mean, girls falling in

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Speaker 1: love with their teachers, teachers doing inappropriate like saying inappropriate

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Speaker 1: things or inappropriate all the time, touching, hugging. You cannot

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Speaker 1: at a child if you are women teachers have that's

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Speaker 1: in the news all the time, like women teachers with

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Speaker 1: male students. It's like, what the hell? So this wasn't

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Speaker 1: that outlandish, like that part of it, like it was weird,

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Speaker 1: but it was like I can understand when he was yeah,

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Speaker 1: he across the line, even though he didn't do anything wrong.

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Speaker 1: And I guess by the book when she when Seuss

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Speaker 1: closes that classroom door and walked back over to him,

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Speaker 1: I'm like no, no, and then she hugs him. I'm

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Speaker 1: like no, no hugging. Wait, but before that he puts

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Speaker 1: his he takes her her face in his hands. That

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Speaker 1: is just too intimate. Well, and back at the peach pit,

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Speaker 1: it was like also Andrea, so he she comes up

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Speaker 1: to him and then I think Aurea said like I'll

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Speaker 1: leave you too, And it was like, oh god, how

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Speaker 1: did she know? So fast, and then it's perfection that

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Speaker 1: she's like standing right outside his door went and she

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Speaker 1: comes out with the crying and the mascara was like

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Speaker 1: dripping down. I was just like, oh my god, what

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Speaker 1: happened in there? From the hug to the obviously said

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Speaker 1: no oh, and then that upset her and then she

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Speaker 1: was just probably overwhelmed and embarrassed and all the things.

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Speaker 1: And then I mean it was that was a mess.

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Speaker 1: There was a mess, but you know what it wasn't

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Speaker 1: a mess the fact that Dyl lived on malbou Beach, Like, um,

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Speaker 1: nice first of all, nice teacher salary over there. I

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Speaker 1: literally wrote, how is this guy affording this place? Even

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Speaker 1: though it was like a little surf shack, it was

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Speaker 1: so you I wanted to redo it. That's like millions

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Speaker 1: of dollars Like it was on the ocean, yeah, right there,

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Speaker 1: like in Malibu, and not even on like the noisy

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Speaker 1: part of it was not pch. It was like on

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Speaker 1: one of the cute little colony. Oh man, what I

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Speaker 1: wouldn't do for that? Okay, we need to backtrack, backtrack,

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Speaker 1: because I have a lot of questions. Now. I'm sure

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Speaker 1: we've talked about this before, and I need to look

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Speaker 1: it up. Maybe somebody can look it up while we're talking.

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Speaker 1: Sue Scanlon's mom was very of the time. She had

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Speaker 1: been in a lot of things. I first was jarred

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Speaker 1: because she looked very familiar to the creepy mom in

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Speaker 1: frid of thirteen, But I don't think she was her.

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Speaker 1: Do you remember the original? This is where you need

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Speaker 1: to because she loves her horrible Can somebody just tell

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Speaker 1: us a few other credits of Sue Scanlon's mom because

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Speaker 1: she was very around Okay, so backtracking, we all had

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Speaker 1: a bad vibe from the uncle right away. Also, oh

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Speaker 1: my god, okay, so Brenda's clearly got a job. And wait, yeah,

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Speaker 1: when did when did Brenda become Mrs Teasley's assistant? I

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Speaker 1: do not know, But how about her dressing for the part?

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Speaker 1: Like she's wearing full suit? Like it looked like she

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Speaker 1: borrowed Mrs Teasley suit today? Literally, guys, I went to

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Speaker 1: high school in the nineties and we wore boxer shorts

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Speaker 1: literally men's boxer shorts. I don't know why we're allowed

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Speaker 1: to do that, but we were Adidas slides with socks

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Speaker 1: I don't know what we were on top and double

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Speaker 1: strap backpacks. I have a visual right now. It's so bad,

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Speaker 1: like I literally like, oh my god. And then in

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Speaker 1: the early nineties we were wearing body suits, I will

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Speaker 1: admit that, and maybe like leggings were coming around, but

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Speaker 1: I never wore a suit that high school. No, But

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Speaker 1: Brenda has you know, big dreams, she's got inspirations. You know,

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Speaker 1: she's a girl in the rise, So it makes sense

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Speaker 1: for me. Can you believe how invests were? Okay, whoa

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Speaker 1: a lot of us? The vest on Andrea, you guys,

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Speaker 1: I know the difference between the cool vest they let

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Speaker 1: Brenda wear and the like grandma schoolmarm vest that poor

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Speaker 1: Andrea wear. No offense, but that vest with the flowers.

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Speaker 1: My mom has that same couch. I swear to God,

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Speaker 1: here's where. And again I don't know if it's eyes

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Speaker 1: or if I knew it. Then when Andrea and Sue

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Speaker 1: Scamblin are having that scene where she's saying like, I'm

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Speaker 1: here for you, But did you not feel like it

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Speaker 1: was a mom talking to a kid? Kind of yeah,

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Speaker 1: it's very like because she's I don't she's so much

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Speaker 1: there's could have been her daughter. Quite honestly, she's so maternal,

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Speaker 1: like as a person. She's a hairtake probably Gabrielle's. And

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Speaker 1: so it just came across like so much where I'm like,

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Speaker 1: is this a mom and a kid? And then like

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Speaker 1: when she goes to the house, it literally felt like

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Speaker 1: not as old as the mom, but definitely not as

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Speaker 1: young as Sue. It was like, yeah, she felt thirty

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Speaker 1: something weirdly. Yes, Yes, let's take a break and come

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Speaker 1: back because we have more to talk about. You know

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Speaker 1: what I always noticed about Andrea and every scene that

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Speaker 1: she's in I am mesmerized by her beautiful fingernails. Oh,

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Speaker 1: I have to look. She just has such pretty lady hands.

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Speaker 1: She's a great presence. I like her a lot. It's

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Speaker 1: just she's not a kid. She's not Gil. But also

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Speaker 1: I'm jumping ahead, but there is a scene between Andrea

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Speaker 1: and Gil where I was like, they had it was

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Speaker 1: a great conversation, but it was just so not a

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Speaker 1: student and a teacher. You mean in the newspaper office. Yeah,

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Speaker 1: when she finally tells her what happened and he opens

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Speaker 1: up to her, and you know, she's very fiery and

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Speaker 1: coming back at him, which I loved the I love

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Speaker 1: the conversation of two colleagues, like it was like, what,

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Speaker 1: he's not like a normal teacher though, and she's not

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Speaker 1: a normal student. Right, It's like the still what okay?

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Speaker 1: So that no, no, you go, I'm just taking us backwards, okay.

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Speaker 1: It just it gets into really tricky territory with the

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Speaker 1: whole innocent until proven guilty versus uh, you know, blaming

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Speaker 1: the victim. Like there's two sides of the argument there,

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Speaker 1: and you actually, when you learn everything, admire Gil because

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Speaker 1: he's been through this and he's like, I just this

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Speaker 1: child is not capable of me saying this didn't happen,

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Speaker 1: do you know what I mean? Like I thought that

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Speaker 1: was like, okay, he he was he is a good dude.

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Speaker 1: Gil is a good guy. Yeah yeah, yeah, but he's great,

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Speaker 1: sire a little too tight well and calling him Gil

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Speaker 1: is weird? And why is he a Dylan's birthday party?

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00:20:27,480 --> 00:20:33,520
Speaker 1: But he was girls and party shoes still hanging onto

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Speaker 1: that weird. But it was sort of noble. I guess

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Speaker 1: you could say that he didn't want to fight back

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Speaker 1: to her because she was so traumatized and he knew

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Speaker 1: it and she was so like this was could have

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Speaker 1: been her undoing if he fought back and she had

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Speaker 1: to like, I don't know what happens to you, but

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Speaker 1: go to testify against him something. Yeah, and so he

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Speaker 1: was doing the right thing. Now did you also notice

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00:21:00,080 --> 00:21:05,879
Speaker 1: us Donna goes to the pool party, Sue Scanlon tells

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Speaker 1: what happened, and like literally the next morning Gil was

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Speaker 1: back at school. I was like, m I think there

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00:21:11,280 --> 00:21:15,000
Speaker 1: would have been like a bit more maybe some emails

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Speaker 1: on no letters take time, and then the classes like clappit, bloody,

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Speaker 1: glad you didn't do it. Like it was just like

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Speaker 1: this is not Yeah, it was too convenient, That's what

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00:21:28,440 --> 00:21:32,880
Speaker 1: I was like, there's our little bow. Okay, So really

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00:21:32,960 --> 00:21:36,400
Speaker 1: quickly the scene was weird with Sue Scanlon in there

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Speaker 1: in the office with the face touching and the whole

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00:21:42,560 --> 00:21:52,520
Speaker 1: that was weird. Yeah, hello, duh, that's weird. And then

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Speaker 1: sort of we follow Sue. Let's do Sue's storyline first

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Speaker 1: and we'll get to the dancing. So then we follow

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Speaker 1: Sue to her uncomfortable house. That house is like I

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00:22:02,840 --> 00:22:06,240
Speaker 1: don't know what it's the house of fear, like scary house.

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Speaker 1: What's that called fright house? But it's scary. How many

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00:22:11,040 --> 00:22:13,640
Speaker 1: freaking kids do they have too? Because at the barbecue

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00:22:13,680 --> 00:22:17,040
Speaker 1: or their kids, little kids running everywhere. I was assuming

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00:22:17,040 --> 00:22:22,200
Speaker 1: neighbor kids came also. Now that was outside, like unlike

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00:22:22,240 --> 00:22:24,400
Speaker 1: when you guys have a barbecue at Dylan's. That had

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Speaker 1: to have been actually shot outside. That felt like that

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00:22:28,240 --> 00:22:29,960
Speaker 1: would have been a day when we would have shot

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Speaker 1: the exterior of the front of the house. So when uh,

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Speaker 1: Andrea goes over there, right and when yeah, Donna and

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Speaker 1: David come over later, they would shot those two scenes

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Speaker 1: and then they would have gone to the backyard and

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Speaker 1: shot the barbecue scene because that probably took because you've

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Speaker 1: got that, You've got this house for a day, so

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00:22:48,040 --> 00:22:51,320
Speaker 1: it's like you gotta get it done. Interesting. Yeah, it

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Speaker 1: does feel more real that pool than the Melrose Place

356
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Speaker 1: pool or Dylan's yard. Yeah, it was. That was really

357
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Speaker 1: a backyard and that uncle was Yeah, he was creepy

358
00:23:02,720 --> 00:23:06,080
Speaker 1: from the go. Then a way he's touching that the

359
00:23:06,240 --> 00:23:09,560
Speaker 1: little one, the little thing. And then we learned obviously

360
00:23:10,400 --> 00:23:15,160
Speaker 1: there was some incident with Scott Scandlin because Scott used

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Speaker 1: to love the uncle and then he told David he

362
00:23:17,480 --> 00:23:21,680
Speaker 1: hates this guy. I don't know that it was heavy,

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00:23:21,840 --> 00:23:24,840
Speaker 1: and then I just wanted to know what happened like

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00:23:24,960 --> 00:23:28,200
Speaker 1: after did he go he. I hope they didn't move

365
00:23:28,280 --> 00:23:30,960
Speaker 1: to Colorado and go live with Uncle Henry because that

366
00:23:30,960 --> 00:23:36,800
Speaker 1: would be terrible. Should not be around children. I think

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00:23:36,880 --> 00:23:40,080
Speaker 1: it was perf. Also, it was interesting to me because

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00:23:40,119 --> 00:23:42,640
Speaker 1: there's a scene where Donna then referred to him as

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Speaker 1: their friend, and I'm like, that's their creepy uncle. Did

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00:23:46,760 --> 00:23:49,359
Speaker 1: you see that? Huh? At the very end, She's like

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00:23:50,600 --> 00:23:53,119
Speaker 1: their friend did that or something, and I'm like, that

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00:23:53,240 --> 00:24:00,080
Speaker 1: was their uncle. Weird uncle anyway. Okay, so before we

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Speaker 1: move on to the good stuff, how about the fact

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00:24:03,320 --> 00:24:07,879
Speaker 1: that like they just show up at the teacher's house weird,

375
00:24:08,320 --> 00:24:11,359
Speaker 1: and then that Dylan suddenly is on the beach with

376
00:24:11,840 --> 00:24:15,600
Speaker 1: Gil just growing out like it was DoD They even

377
00:24:15,720 --> 00:24:19,560
Speaker 1: know each have they are they is Dylan? I guess

378
00:24:19,640 --> 00:24:23,000
Speaker 1: maybe Dylan is as a student of it of Dil's.

379
00:24:23,600 --> 00:24:26,919
Speaker 1: The teacher student relationships on the show are a tad

380
00:24:27,560 --> 00:24:32,760
Speaker 1: odd Yeah. Well that they all seem like they could

381
00:24:32,760 --> 00:24:37,080
Speaker 1: go out for a beer, those three, Jason, Luke and

382
00:24:37,280 --> 00:24:42,639
Speaker 1: Dil I mean Mark, Yeah. I hope Mark doesn't get

383
00:24:42,680 --> 00:24:46,680
Speaker 1: mad that I'm calling his character dil not at all.

384
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Speaker 1: I think he's probably like, what sort of polarized by

385
00:24:49,640 --> 00:24:52,520
Speaker 1: that whole like how he feels about the character. Yeah,

386
00:24:53,440 --> 00:24:55,560
Speaker 1: I mean, I really wish I had known all this

387
00:24:56,320 --> 00:24:59,080
Speaker 1: this episode when I when we talked to him, like, god,

388
00:24:59,119 --> 00:25:01,000
Speaker 1: it's so weird to think about that he was gonna

389
00:25:01,080 --> 00:25:04,960
Speaker 1: be Dean Kane. That was that would have not worked.

390
00:25:05,119 --> 00:25:09,720
Speaker 1: Remember Mark Kylie was going to be Dean Kane's character.

391
00:25:10,960 --> 00:25:13,000
Speaker 1: That would have been not he is handsome and cue.

392
00:25:13,080 --> 00:25:31,159
Speaker 1: But no, all right, so let's get to the dancing.

393
00:25:32,760 --> 00:25:41,200
Speaker 1: Give me your thoughts. Well, I mean, Brandon doesn't dance.

394
00:25:42,680 --> 00:25:48,960
Speaker 1: That's just not common knowledge. And I it must come

395
00:25:49,080 --> 00:25:52,440
Speaker 1: back to the first time that he danced on the show,

396
00:25:53,640 --> 00:25:56,160
Speaker 1: remember with Peena Faris, and she was going to link

397
00:25:56,240 --> 00:25:59,680
Speaker 1: that to him. I think it traumatized him and he

398
00:25:59,800 --> 00:26:02,280
Speaker 1: was like, I I'm never doing another dancing scene before again.

399
00:26:04,080 --> 00:26:05,920
Speaker 1: I mean the first scene in the club. Oh, we

400
00:26:06,119 --> 00:26:08,359
Speaker 1: have to look up what that club's name was. I know,

401
00:26:08,520 --> 00:26:11,080
Speaker 1: I have it. I wrote it down because they were

402
00:26:11,119 --> 00:26:14,480
Speaker 1: going to that hot club to go the hot new

403
00:26:14,560 --> 00:26:17,480
Speaker 1: club to go dancing. I'll find it before we finish.

404
00:26:18,040 --> 00:26:19,960
Speaker 1: And he's wearing a sport coat, which also is like

405
00:26:21,760 --> 00:26:25,280
Speaker 1: that's his idea of dressing up. I know, the cook

406
00:26:25,400 --> 00:26:27,480
Speaker 1: is called a blazer, but I feel like sports coat

407
00:26:27,880 --> 00:26:32,520
Speaker 1: on Brandon, it's a sports jacket. Kingston twelve, Kingston twelve.

408
00:26:32,880 --> 00:26:41,520
Speaker 1: Now are these uh under one clubs? Apparently obviously? Oh,

409
00:26:42,040 --> 00:26:44,119
Speaker 1: I don't know or do there any of those dance

410
00:26:44,160 --> 00:26:46,240
Speaker 1: clubs exist still where you can go in and dance

411
00:26:46,320 --> 00:26:48,960
Speaker 1: if you're under twenty one here, I think so. But

412
00:26:49,440 --> 00:26:52,000
Speaker 1: did you ever go to anything like that? We didn't.

413
00:26:52,080 --> 00:26:54,600
Speaker 1: I never did that under twenty one. No, I went

414
00:26:54,720 --> 00:26:56,560
Speaker 1: to the over twenty one with the fake I d

415
00:26:58,119 --> 00:27:01,879
Speaker 1: That was like in high school. We never went to

416
00:27:02,119 --> 00:27:07,200
Speaker 1: any kind of a dance club ever. Yeah, No, I

417
00:27:07,240 --> 00:27:10,280
Speaker 1: didn't do that until I was out of high school. Yeah.

418
00:27:10,400 --> 00:27:12,879
Speaker 1: In college we would have like fraternity parties and I

419
00:27:12,920 --> 00:27:15,760
Speaker 1: think we would like rent out places and there was dancing.

420
00:27:16,000 --> 00:27:19,119
Speaker 1: The dancing. I'll give them, there's a lot of dancing,

421
00:27:19,440 --> 00:27:22,880
Speaker 1: but like, no, I don't know. I love. I used

422
00:27:22,880 --> 00:27:24,920
Speaker 1: to love. It reminded me when I saw them just

423
00:27:25,040 --> 00:27:27,119
Speaker 1: going there to dance, and I saw like Kelly and

424
00:27:27,200 --> 00:27:30,080
Speaker 1: Steve dancing together in the background. It reminded me of

425
00:27:30,200 --> 00:27:32,119
Speaker 1: like when I was young and I would go to

426
00:27:32,240 --> 00:27:35,920
Speaker 1: dance clubs just to dance. Yeah, Like I just wanted

427
00:27:35,920 --> 00:27:38,320
Speaker 1: to get my dance on, like I wanted to like

428
00:27:38,520 --> 00:27:41,800
Speaker 1: sweat it out on the dance floor. That was the

429
00:27:41,840 --> 00:27:44,480
Speaker 1: big thing when we were in college, like the fraternity party,

430
00:27:45,000 --> 00:27:48,359
Speaker 1: the like they parties or the you know whatever. It

431
00:27:48,440 --> 00:27:49,800
Speaker 1: was all about the dancing and was like, oh, I

432
00:27:49,840 --> 00:27:53,160
Speaker 1: hope there's a good DJ. Also, shout out to everybody

433
00:27:53,240 --> 00:27:56,680
Speaker 1: who agreed with my Stairway to Heaven think thank you. Yeah,

434
00:27:56,760 --> 00:28:00,560
Speaker 1: you had a number of people that could relate. So yeah,

435
00:28:00,640 --> 00:28:03,560
Speaker 1: so let's try it again. In college, it was very

436
00:28:03,640 --> 00:28:06,879
Speaker 1: seventies music, did you when we were all that age, remember,

437
00:28:06,960 --> 00:28:09,159
Speaker 1: it was like a lot of dancing, like seventies What

438
00:28:09,840 --> 00:28:11,680
Speaker 1: you are you talking about? You can ring my bell?

439
00:28:12,600 --> 00:28:16,800
Speaker 1: Are you can ring? I love that one. That's a

440
00:28:16,920 --> 00:28:20,160
Speaker 1: good one. Like some Marvin Gay was always in there.

441
00:28:20,320 --> 00:28:22,440
Speaker 1: Always the last song of the night at the fraternity

442
00:28:22,520 --> 00:28:25,800
Speaker 1: parties was like sexual Healing Marvin Gay. Oh yeah, I

443
00:28:25,840 --> 00:28:28,240
Speaker 1: always like it when they play that. Wait, what's that

444
00:28:28,359 --> 00:28:31,760
Speaker 1: song where we are family? Oh yeah, of course, yeah,

445
00:28:33,880 --> 00:28:36,160
Speaker 1: that happens to that song, though, like you can't really

446
00:28:36,200 --> 00:28:39,440
Speaker 1: actually dance to that song. It's more of like a wedding. Yeah,

447
00:28:40,840 --> 00:28:43,400
Speaker 1: every Italian wedding I've ever been to has that song

448
00:28:43,920 --> 00:28:47,520
Speaker 1: on the dance floor. Yeah, so I can remember all that.

449
00:28:47,720 --> 00:28:54,000
Speaker 1: We were definitely dancing in the nineties, yes, but not

450
00:28:54,200 --> 00:29:01,600
Speaker 1: at a club. Then Brandon getting so mad all of

451
00:29:01,680 --> 00:29:04,680
Speaker 1: a sudden, like she's dancing with this random guy after

452
00:29:04,840 --> 00:29:08,320
Speaker 1: random guy, why did he even go? Why? And then

453
00:29:08,400 --> 00:29:10,360
Speaker 1: why is he going to sit there and like lear

454
00:29:10,520 --> 00:29:13,719
Speaker 1: at her tables? And then then he loses it when

455
00:29:13,840 --> 00:29:16,840
Speaker 1: she dances with Steve. But I will say, she you know,

456
00:29:17,200 --> 00:29:19,520
Speaker 1: just because one he says, go ahead and dance with

457
00:29:19,680 --> 00:29:21,680
Speaker 1: one guy doesn't mean go ahead and dance with every

458
00:29:21,760 --> 00:29:24,400
Speaker 1: guy and dire They did like a montage of her

459
00:29:24,440 --> 00:29:28,240
Speaker 1: with literally every every background actor that could dance, like

460
00:29:28,960 --> 00:29:31,720
Speaker 1: she's a cute girl, She's a cute dancer. She I

461
00:29:31,840 --> 00:29:37,360
Speaker 1: love her, but she looks adorable, like perky, and she

462
00:29:37,520 --> 00:29:40,600
Speaker 1: said to him, I think it was Brenda finally said

463
00:29:40,640 --> 00:29:42,840
Speaker 1: to him, like you have a sexy girlfriend who wants

464
00:29:42,880 --> 00:29:46,080
Speaker 1: to dance, like learn to dance. He was such a

465
00:29:46,160 --> 00:29:48,440
Speaker 1: like a cur mudgeon the whole episode, like I don't

466
00:29:48,520 --> 00:29:55,840
Speaker 1: want to. I'm just there's a couple of like shots

467
00:29:55,920 --> 00:29:59,080
Speaker 1: of him going, especially when at the end when she's

468
00:29:59,120 --> 00:30:00,680
Speaker 1: trying to teach him to dance and they kind of

469
00:30:00,720 --> 00:30:02,920
Speaker 1: like rotate around him and they're in his room. He's

470
00:30:02,960 --> 00:30:06,720
Speaker 1: like has his arms crossed. He's like, yeah, I don't

471
00:30:06,720 --> 00:30:10,680
Speaker 1: know dance. Oh that he says, do you know that?

472
00:30:10,920 --> 00:30:13,040
Speaker 1: Do you know the Brandon Walsh Is that what he

473
00:30:13,120 --> 00:30:18,720
Speaker 1: calls dance? Oh? I know that dance? I know that dance. Well,

474
00:30:19,760 --> 00:30:23,920
Speaker 1: where you don't dancing, you just thrower on the bed.

475
00:30:25,000 --> 00:30:28,640
Speaker 1: First of all, so much to discuss with that, Like

476
00:30:29,520 --> 00:30:31,480
Speaker 1: I don't I mean, I didn't have super strict parents,

477
00:30:31,560 --> 00:30:35,480
Speaker 1: but like where that was weird that Cindy doesn't even

478
00:30:35,560 --> 00:30:41,520
Speaker 1: have a job but still downtoor vegetables and then the

479
00:30:41,720 --> 00:30:48,120
Speaker 1: full laying down makeout set all. He's like a senior senior.

480
00:30:48,760 --> 00:30:51,000
Speaker 1: I guess like if his parents came in and he'd

481
00:30:51,000 --> 00:30:55,440
Speaker 1: be like hey mom, like he wouldn't get in trouble.

482
00:30:55,520 --> 00:30:58,120
Speaker 1: I get. I don't know. Yeah, that wasn't like that

483
00:30:58,280 --> 00:31:02,400
Speaker 1: was like, wow, okay, well here's the problem I have. Well,

484
00:31:02,560 --> 00:31:06,400
Speaker 1: beside him being so stubborn, which is I kind of

485
00:31:06,480 --> 00:31:08,960
Speaker 1: think it was cute. I kind of actually like the

486
00:31:09,040 --> 00:31:12,520
Speaker 1: fact that Brandon doesn't dance. I think it's yea, yeah, yeah, yeah,

487
00:31:12,520 --> 00:31:17,160
Speaker 1: I agree, But I just have a problem with him

488
00:31:17,280 --> 00:31:23,600
Speaker 1: continually picking her up. Oh yeah, like she's like she's

489
00:31:23,640 --> 00:31:27,640
Speaker 1: a thing, a little dolly to be picked up. Yeah,

490
00:31:29,400 --> 00:31:31,960
Speaker 1: I don't know about you. I have a thing don't

491
00:31:32,000 --> 00:31:35,160
Speaker 1: pick me up, like like I have like a rule

492
00:31:35,240 --> 00:31:38,400
Speaker 1: like and and it happens all the time, like no,

493
00:31:38,520 --> 00:31:46,280
Speaker 1: I'm only tall you are, I'm five seven picked up

494
00:31:46,320 --> 00:31:49,480
Speaker 1: a lot, like I feel like I think I'm too

495
00:31:51,080 --> 00:31:55,640
Speaker 1: athletic to be picked up to say that, but even

496
00:31:55,680 --> 00:31:58,800
Speaker 1: all my life, it's always like in the scene they

497
00:31:58,880 --> 00:32:01,800
Speaker 1: want the guy to pick the girl up and twirl around.

498
00:32:02,600 --> 00:32:05,600
Speaker 1: So it's the Bachelor. So do you have you ever

499
00:32:05,640 --> 00:32:09,200
Speaker 1: watched The Bachelor? So okay, so like if you watch

500
00:32:09,280 --> 00:32:12,640
Speaker 1: The Bachelor regularly, you will always see the scene over

501
00:32:12,840 --> 00:32:15,480
Speaker 1: and over and over again where the woman So the

502
00:32:15,600 --> 00:32:18,280
Speaker 1: bachelors like standing on the beach or whatever, the woman

503
00:32:18,800 --> 00:32:21,960
Speaker 1: runs and then she it's called they have a name

504
00:32:22,040 --> 00:32:24,240
Speaker 1: for it. They it's like they actually tell the girl

505
00:32:24,320 --> 00:32:26,520
Speaker 1: to do it. I think, like run and do the

506
00:32:27,240 --> 00:32:31,280
Speaker 1: crawdaddy or whatever it is like and they big daddy

507
00:32:31,840 --> 00:32:36,680
Speaker 1: hug him in the arms and and it's like I think,

508
00:32:36,760 --> 00:32:39,440
Speaker 1: maybe is it good for television or something like maybe

509
00:32:39,520 --> 00:32:41,920
Speaker 1: that's why he picks her up. Do people want to see?

510
00:32:42,200 --> 00:32:45,160
Speaker 1: Is that what they want to see? The people? Does

511
00:32:45,240 --> 00:32:49,360
Speaker 1: that say, oh, they love each other? I don't. For me,

512
00:32:49,560 --> 00:32:51,960
Speaker 1: I just whenever a guy tries to pick me up

513
00:32:52,000 --> 00:32:54,640
Speaker 1: on camera in a scene, I like, don't, don't, don't, don't,

514
00:32:54,680 --> 00:32:57,360
Speaker 1: don't pick me up. I don't like it. Please don't

515
00:32:57,360 --> 00:33:01,120
Speaker 1: pick me up? Which interesting tricky When I did Dancing

516
00:33:01,200 --> 00:33:03,400
Speaker 1: with the Stars and I was gonna say, don't pick

517
00:33:03,480 --> 00:33:06,320
Speaker 1: me up sidebar. I mean, Derek Cuff was like, you

518
00:33:06,360 --> 00:33:08,440
Speaker 1: couldn't have had a better partner. I know, but I

519
00:33:08,600 --> 00:33:11,360
Speaker 1: was literally twice the size of him, and he I

520
00:33:11,600 --> 00:33:13,560
Speaker 1: don't think he could have picked He's so strong he

521
00:33:13,600 --> 00:33:16,720
Speaker 1: could pick you up with one arm. Oh my god,

522
00:33:16,840 --> 00:33:19,800
Speaker 1: Derek Cuff. He is so strong. Yes, not a problem.

523
00:33:19,920 --> 00:33:22,960
Speaker 1: He could have twirled the other above his head. Now maybe,

524
00:33:23,040 --> 00:33:25,840
Speaker 1: But then when I did it, he was younger, he

525
00:33:26,000 --> 00:33:29,040
Speaker 1: was a little thing, like he was a newbie. Now

526
00:33:29,120 --> 00:33:47,920
Speaker 1: he seems manly and substantial as he does. I do

527
00:33:48,280 --> 00:33:52,920
Speaker 1: enjoy watching Brandon slash Jason priestly kiss like there is

528
00:33:53,040 --> 00:33:55,520
Speaker 1: something super hot and sexy about him. Like it's not

529
00:33:58,200 --> 00:34:00,800
Speaker 1: camera kisser, it doesn't give you from your mouth. Okay,

530
00:34:00,840 --> 00:34:03,960
Speaker 1: that's a good sign. Never. Yeah, So I was like,

531
00:34:04,320 --> 00:34:06,480
Speaker 1: maybe that's why I like Nikki because maybe I don't

532
00:34:06,520 --> 00:34:08,480
Speaker 1: even know if I like NICKI sorry, I'm I'm the

533
00:34:08,560 --> 00:34:12,520
Speaker 1: only I get so empty, ready to calm down. I don't.

534
00:34:12,640 --> 00:34:14,800
Speaker 1: I do like Nicky. I do. She doesn't bother me

535
00:34:14,920 --> 00:34:17,320
Speaker 1: at all. I don't find her annoying. There's nothing I

536
00:34:17,400 --> 00:34:20,080
Speaker 1: don't like about her. But maybe I just like seeing

537
00:34:20,239 --> 00:34:24,439
Speaker 1: him sort of cute and sexy and like that side

538
00:34:24,480 --> 00:34:27,080
Speaker 1: of him. I also like, I think that he picked

539
00:34:27,120 --> 00:34:29,640
Speaker 1: her up all the time because she was smaller than him,

540
00:34:30,160 --> 00:34:33,279
Speaker 1: and that doesn't happen very often. You know, she's like

541
00:34:33,320 --> 00:34:37,160
Speaker 1: a tiny, little tiny and I don't know, I don't

542
00:34:37,320 --> 00:34:42,040
Speaker 1: remember a lot of other guest actresses like girlfriends that

543
00:34:42,080 --> 00:34:46,840
Speaker 1: were tiny like her. Vanessa mar Vanessa Marcel was also

544
00:34:47,840 --> 00:34:51,719
Speaker 1: she's tiny. That's gonna get real interesting when we talk

545
00:34:51,719 --> 00:34:56,680
Speaker 1: about those episodes. I hope you keep me around for them. Wow,

546
00:34:57,640 --> 00:34:59,840
Speaker 1: Nicky's really getting it on the dance floor. She is,

547
00:35:00,360 --> 00:35:04,320
Speaker 1: She's got her groove on. Man. Yes, she like I

548
00:35:04,400 --> 00:35:07,480
Speaker 1: don't either. Dana Baron is a super cool chick or

549
00:35:07,600 --> 00:35:10,400
Speaker 1: Nikki is a super cool character because everything about her

550
00:35:10,480 --> 00:35:13,439
Speaker 1: is cool, like even when um, they had their sort

551
00:35:13,480 --> 00:35:16,600
Speaker 1: of makeup, you know, like Brandon was a real ass

552
00:35:16,680 --> 00:35:18,440
Speaker 1: and she was kind of done with him, and then

553
00:35:18,520 --> 00:35:20,920
Speaker 1: he goes at school to make up with her. She

554
00:35:21,160 --> 00:35:24,840
Speaker 1: isn't like a doe eyed freshman. She's very like, look, dude,

555
00:35:26,120 --> 00:35:30,600
Speaker 1: she's a freshman. Yeah. Yeah, she's very aware of herself

556
00:35:30,800 --> 00:35:35,400
Speaker 1: and confident. Yeah, you know, so interesting. I wonder Sue Scanlon,

557
00:35:35,480 --> 00:35:37,200
Speaker 1: and I'm not being means to Nicole Tom. Nicole Tom

558
00:35:37,320 --> 00:35:39,840
Speaker 1: is cool. Sue Scanlon is way too. She's just so

559
00:35:39,960 --> 00:35:43,840
Speaker 1: troubled that I never could have seen her staying you

560
00:35:43,920 --> 00:35:45,680
Speaker 1: know what I mean, for years and years with you guys.

561
00:35:46,080 --> 00:35:49,000
Speaker 1: But Dana Barroon, I actually think maybe she could have

562
00:35:49,840 --> 00:35:54,720
Speaker 1: become more of a state. Yeah, and then she fits.

563
00:35:54,920 --> 00:35:58,399
Speaker 1: I could see that. I could see that. I don't

564
00:35:58,440 --> 00:36:03,799
Speaker 1: know though she was only there for a few Yeah,

565
00:36:04,080 --> 00:36:06,719
Speaker 1: it's we're coming to an end soon with her. Not

566
00:36:06,880 --> 00:36:09,400
Speaker 1: a big Kelly episode, not a big Steve episode. Not

567
00:36:09,480 --> 00:36:11,520
Speaker 1: a lot of Steve I mean bad shirts always, but

568
00:36:11,640 --> 00:36:14,520
Speaker 1: like not a lot. And then and then just Nikki

569
00:36:14,600 --> 00:36:17,920
Speaker 1: like uh dancing with him. Ah wait, wait that's going

570
00:36:17,960 --> 00:36:21,000
Speaker 1: to bring me to my favorite line. Oh yeah, you

571
00:36:21,040 --> 00:36:23,680
Speaker 1: can't help it, but my favorite line, should I say

572
00:36:23,719 --> 00:36:27,000
Speaker 1: it now? Or wait, definitely say it now? Excuse me

573
00:36:27,120 --> 00:36:29,719
Speaker 1: if I don't enjoy watching you bump and grind with

574
00:36:29,880 --> 00:36:33,280
Speaker 1: every guy in here. I wrote it down. It's a Brandon,

575
00:36:33,360 --> 00:36:39,120
Speaker 1: the Brandon. Brandon's all mad because she's dirty dancing with

576
00:36:39,200 --> 00:36:41,800
Speaker 1: Steve and then he says bump and grind and I'm like,

577
00:36:42,320 --> 00:36:45,120
Speaker 1: that made me throw up a little bit. Have you

578
00:36:45,239 --> 00:36:47,719
Speaker 1: ever uttered those words out of your mouth? Ever? No,

579
00:36:49,360 --> 00:36:52,120
Speaker 1: no where did that even come from? Yeah? The bumping

580
00:36:52,160 --> 00:36:54,960
Speaker 1: herrind is a dance move, is like the koala but different,

581
00:36:56,320 --> 00:36:59,879
Speaker 1: and it was just like, dude, come on, oh. I Also,

582
00:37:00,160 --> 00:37:02,879
Speaker 1: here's a favorite at the club because I don't think

583
00:37:02,920 --> 00:37:04,840
Speaker 1: this happens in real life, but maybe it does. So

584
00:37:05,000 --> 00:37:07,840
Speaker 1: like remember good songs on and they're all dancing, dancing,

585
00:37:07,880 --> 00:37:12,560
Speaker 1: and then the song ends and you're clapping for a song.

586
00:37:13,040 --> 00:37:15,640
Speaker 1: It's clearly that wasn't a real club because it was

587
00:37:15,719 --> 00:37:17,759
Speaker 1: just way too bright, like who turns the lights on

588
00:37:17,920 --> 00:37:23,400
Speaker 1: that bright? In a day of club? And I remember

589
00:37:23,520 --> 00:37:27,880
Speaker 1: filming that, like those dancing scenes and really not wanting

590
00:37:28,000 --> 00:37:32,360
Speaker 1: to dance because you're it's embarrassing and you're like I

591
00:37:32,480 --> 00:37:34,759
Speaker 1: was in the background with with Steve, and I know

592
00:37:35,040 --> 00:37:37,000
Speaker 1: I can tell because I always have my back to

593
00:37:37,080 --> 00:37:40,520
Speaker 1: the camera that I'm just messing around, like I'm not

594
00:37:40,719 --> 00:37:45,080
Speaker 1: taking it seriously whatsoever. And I purposely always have my

595
00:37:45,160 --> 00:37:48,239
Speaker 1: back to the camera. Well, after learning from you and

596
00:37:48,360 --> 00:37:52,120
Speaker 1: David lash Or last week how uncomps those scenes are

597
00:37:52,280 --> 00:37:55,600
Speaker 1: to shoot, it's like, oh god, they are because the

598
00:37:55,680 --> 00:37:59,600
Speaker 1: whole the crew is like somebody's sitting over there eating

599
00:37:59,600 --> 00:38:02,719
Speaker 1: a bag and nuts, like that guy's over there, you know,

600
00:38:02,880 --> 00:38:06,160
Speaker 1: checking his cell phone or not. Then but there's people,

601
00:38:06,360 --> 00:38:08,040
Speaker 1: there's and there's then then there's the people that are

602
00:38:08,120 --> 00:38:13,120
Speaker 1: just like you guys Jenny's space, they just want to

603
00:38:13,160 --> 00:38:15,600
Speaker 1: go home, They just wanted to be over. Yeah, it's

604
00:38:15,640 --> 00:38:18,239
Speaker 1: just like some tired old grip like get me out

605
00:38:18,320 --> 00:38:20,080
Speaker 1: of here. And it's and then you have to go

606
00:38:20,160 --> 00:38:21,920
Speaker 1: out there and act like you're having the time of

607
00:38:22,000 --> 00:38:25,439
Speaker 1: your life and couldn't be happier dancing to music that's

608
00:38:25,480 --> 00:38:28,399
Speaker 1: not even there. Have you had not Dancing with the Stars,

609
00:38:28,480 --> 00:38:31,200
Speaker 1: but have you had any other like major choreographed dance

610
00:38:31,200 --> 00:38:35,520
Speaker 1: scenes and like the movies you've done and other TV projects.

611
00:38:37,440 --> 00:38:40,120
Speaker 1: I don't know. I don't think so. I think that

612
00:38:41,160 --> 00:38:44,120
Speaker 1: nine or two, and we did the most like you know,

613
00:38:44,480 --> 00:38:47,239
Speaker 1: kids dancing at clubs and dances and that kind of thing.

614
00:38:47,560 --> 00:38:49,239
Speaker 1: I don't think there was I've had a lot of

615
00:38:49,280 --> 00:38:53,400
Speaker 1: other dancing opportunities on the screen. What is worse a

616
00:38:53,640 --> 00:38:58,840
Speaker 1: danccene like the one from the Pigskin prom or this?

617
00:38:59,680 --> 00:39:09,279
Speaker 1: Or sex scenes? What's your more uncomfortable? Uh? Definitely sex scenes? Really? Yeah,

618
00:39:10,480 --> 00:39:13,920
Speaker 1: I mean imagine, yeah, just put yourself in that, in

619
00:39:14,040 --> 00:39:17,680
Speaker 1: that position of I wonder if i'd be good at it?

620
00:39:19,040 --> 00:39:21,839
Speaker 1: So bad at it? I think, you know what I mean,

621
00:39:21,840 --> 00:39:25,040
Speaker 1: I think you'd be good at it. I don't know.

622
00:39:26,920 --> 00:39:28,680
Speaker 1: I feel like I could just be, like if I

623
00:39:28,800 --> 00:39:31,360
Speaker 1: liked that, if the dude was cute, I not like,

624
00:39:31,760 --> 00:39:34,000
Speaker 1: we're not talking like porn guys. We're just talking like

625
00:39:34,280 --> 00:39:37,920
Speaker 1: a Nikki Brandon laying in the bed kissing scene. If

626
00:39:37,960 --> 00:39:40,080
Speaker 1: the dude was cute, I think I could roll with it.

627
00:39:40,200 --> 00:39:42,399
Speaker 1: But if the guy, if I was not attracted to him,

628
00:39:43,239 --> 00:39:44,960
Speaker 1: even though it's fake, I get it, that would be

629
00:39:45,160 --> 00:39:48,360
Speaker 1: so awful. Yeah, it is. There's the thing. It's not

630
00:39:48,520 --> 00:39:52,239
Speaker 1: fake while you're doing it, it's real. You're that's real,

631
00:39:52,480 --> 00:39:56,200
Speaker 1: and you really have to do the kiss and touch

632
00:39:56,280 --> 00:40:02,480
Speaker 1: and swap spit and it's not fun if it's definitely

633
00:40:02,520 --> 00:40:05,040
Speaker 1: not fun if you don't like the guy. Okay, so

634
00:40:05,080 --> 00:40:06,600
Speaker 1: you don't have to name names, but I have two

635
00:40:06,680 --> 00:40:09,960
Speaker 1: questions on all the seasons of nine o two and now,

636
00:40:11,560 --> 00:40:14,200
Speaker 1: did you ever hate the guy you had to like

637
00:40:14,360 --> 00:40:16,000
Speaker 1: make out with. You don't have to say who, but

638
00:40:16,040 --> 00:40:18,000
Speaker 1: like where you were just like I can stay on

639
00:40:18,080 --> 00:40:23,440
Speaker 1: this guy? Yeah, I mean that would be awful. And

640
00:40:23,719 --> 00:40:27,400
Speaker 1: I think the guy knows who who he is. I

641
00:40:27,520 --> 00:40:31,239
Speaker 1: can't wait figure it out. I don't think I did yet.

642
00:40:31,840 --> 00:40:33,560
Speaker 1: Were you not attracted to him? Or was just like

643
00:40:33,640 --> 00:40:36,680
Speaker 1: this guy sucks and I have to do He's just

644
00:40:36,800 --> 00:40:40,680
Speaker 1: not my he's not my jam. Yeah. But when I

645
00:40:40,760 --> 00:40:42,880
Speaker 1: did a movie, I've told the story before I did

646
00:40:42,920 --> 00:40:47,400
Speaker 1: a movie. Uh. One of my first TV movies was

647
00:40:47,480 --> 00:40:49,880
Speaker 1: called Oh, I can't say because then you'll know the

648
00:40:49,920 --> 00:40:54,280
Speaker 1: guy was this? No, this was he had like schmig

649
00:40:54,360 --> 00:40:57,920
Speaker 1: mut like like in the like you know, like the

650
00:40:58,000 --> 00:41:01,520
Speaker 1: little white goo goose right there layer. You think someone's

651
00:41:01,640 --> 00:41:05,600
Speaker 1: job would be check that, do you know what I mean? Like?

652
00:41:05,600 --> 00:41:07,879
Speaker 1: Because I have worked with Ryan Seacrest for a hundred

653
00:41:07,960 --> 00:41:09,600
Speaker 1: years and I would never like let him go out

654
00:41:09,640 --> 00:41:13,360
Speaker 1: on camera with his teeth or something. He never has that.

655
00:41:13,560 --> 00:41:16,120
Speaker 1: He's he's he would never have that. He's too like,

656
00:41:16,800 --> 00:41:18,920
Speaker 1: he's very clear. He you know, if you eat, you

657
00:41:19,040 --> 00:41:21,400
Speaker 1: eat so fast you're trying, especially because his stuff is

658
00:41:21,400 --> 00:41:23,320
Speaker 1: always live. If he had, like, I would never like

659
00:41:23,400 --> 00:41:24,840
Speaker 1: let someone go out with food in there to youth

660
00:41:25,160 --> 00:41:28,640
Speaker 1: know maybe they maybe they just didn't see it, but yeah,

661
00:41:29,160 --> 00:41:30,640
Speaker 1: is there a teeth checker? Like if you guys have

662
00:41:30,680 --> 00:41:33,320
Speaker 1: a lunch break, would you brush your teeth after before

663
00:41:33,400 --> 00:41:35,920
Speaker 1: you started work again? Or like does someone check hey? Like,

664
00:41:36,560 --> 00:41:41,040
Speaker 1: hey check me? Because yeah, especially if you have a

665
00:41:41,160 --> 00:41:43,960
Speaker 1: kissing scene or like, right, you gotta do the like

666
00:41:44,080 --> 00:41:48,840
Speaker 1: whole hygiene thing before you like garlish garlic mashed potato

667
00:41:49,000 --> 00:41:52,560
Speaker 1: bro I hate like And when the guy eats garlic

668
00:41:52,600 --> 00:41:54,279
Speaker 1: for lunch and then you have to make out with him,

669
00:41:54,400 --> 00:41:58,799
Speaker 1: it is nothing. So let's say you're having like an

670
00:41:58,880 --> 00:42:03,080
Speaker 1: intimate scene, right like I'm making out, laying down, maybe

671
00:42:03,120 --> 00:42:06,080
Speaker 1: even more than that, you know, like a love scene.

672
00:42:07,520 --> 00:42:10,560
Speaker 1: Does the boy ever you know what? Like? Does his

673
00:42:10,800 --> 00:42:13,360
Speaker 1: you know what ever? Get you know? We've talked about this,

674
00:42:13,520 --> 00:42:15,560
Speaker 1: Why do you want to talk about this again? I

675
00:42:15,680 --> 00:42:21,040
Speaker 1: just have to remember that does happen, right, Yeah, and

676
00:42:21,120 --> 00:42:24,080
Speaker 1: does a guy feel dumb, No, he should play not

677
00:42:25,600 --> 00:42:28,759
Speaker 1: maybe he feels awesome. I don't know. I've never even

678
00:42:28,840 --> 00:42:31,680
Speaker 1: it's not when that has happened. That's never been even addressed.

679
00:42:31,760 --> 00:42:35,040
Speaker 1: It's just kind of like, oh, you just go you

680
00:42:35,160 --> 00:42:41,120
Speaker 1: just ignore it and and keep going. Yeah, I can't think.

681
00:42:41,280 --> 00:42:44,000
Speaker 1: I don't think I could. That's rough. That's it gets

682
00:42:44,680 --> 00:42:50,359
Speaker 1: really weird. I love that I've asked that twice. Yeah,

683
00:42:50,800 --> 00:42:53,640
Speaker 1: maybe you can. It's season four. Our stay tuned because

684
00:42:53,719 --> 00:42:56,239
Speaker 1: she's gonna ask just get every season. Guys, don't worry, like,

685
00:42:56,320 --> 00:42:58,560
Speaker 1: I'll just keep asking it as we get that. Okay.

686
00:43:00,640 --> 00:43:03,040
Speaker 1: I did think it was cute that there was sort

687
00:43:03,040 --> 00:43:05,880
Speaker 1: of some real interaction between David and Brandon and this

688
00:43:06,080 --> 00:43:08,520
Speaker 1: because David was going to teach him how to dance

689
00:43:08,600 --> 00:43:11,560
Speaker 1: even though didn't happen. He comes over with them. Yeah,

690
00:43:11,640 --> 00:43:13,920
Speaker 1: he comes over and brands like, oh dude, I totally forgot,

691
00:43:13,960 --> 00:43:17,120
Speaker 1: and David goes, well, yeah I didn't. I just thought

692
00:43:17,160 --> 00:43:20,440
Speaker 1: that was the funniest come back, like I didn't. Here,

693
00:43:20,480 --> 00:43:23,040
Speaker 1: I am, let's do this right, dude, you ask my help.

694
00:43:23,160 --> 00:43:25,600
Speaker 1: He goes all the way there and then in the

695
00:43:25,680 --> 00:43:28,600
Speaker 1: new leaves. It's not like you know, Beverly Hills is

696
00:43:29,200 --> 00:43:31,400
Speaker 1: walk down the street to get to each other's houses.

697
00:43:31,480 --> 00:43:34,280
Speaker 1: That's like can be twenty minutes in traffic, thirty minutes

698
00:43:34,320 --> 00:43:38,560
Speaker 1: in traffic. True that I even live in the same neighborhood.

699
00:43:40,080 --> 00:43:42,200
Speaker 1: And for people listening in real life, Everly Hills is

700
00:43:42,320 --> 00:43:45,680
Speaker 1: like vast because I picture like some of those mansions

701
00:43:45,719 --> 00:43:48,640
Speaker 1: you guys live in more up the hill, and then

702
00:43:48,640 --> 00:43:50,600
Speaker 1: I feel like the Walshes are more in the flats,

703
00:43:51,280 --> 00:43:53,719
Speaker 1: maybe like even a Beverly Wood. It's hard for me

704
00:43:53,800 --> 00:43:57,040
Speaker 1: because I know the Walshes were actually an Altonina and

705
00:43:57,239 --> 00:44:01,759
Speaker 1: Kelly and Steve. We're in Sherman Oaks. Uh, so it's

706
00:44:01,800 --> 00:44:04,319
Speaker 1: really hard for me to even imagine them in Beverly Hills.

707
00:44:04,400 --> 00:44:07,239
Speaker 1: But yeah, Beverly Hills is big. There's the flat part,

708
00:44:07,600 --> 00:44:10,360
Speaker 1: there's the like town the city part, then there's the

709
00:44:10,800 --> 00:44:13,440
Speaker 1: uh the hills. Then there's bell Air, which is on

710
00:44:13,560 --> 00:44:17,320
Speaker 1: the hill. So I that's my bell Air. That's so

711
00:44:17,440 --> 00:44:20,480
Speaker 1: pretty up there. Yeah, I had like the jillion dollars,

712
00:44:20,600 --> 00:44:23,200
Speaker 1: which I do not, guys, but if I did, I

713
00:44:23,239 --> 00:44:26,320
Speaker 1: would pick bell Air. Did you ever go like in

714
00:44:26,440 --> 00:44:29,160
Speaker 1: the heyday or even like in any of this, you know, years,

715
00:44:29,280 --> 00:44:32,360
Speaker 1: but especially like after season two or so when it

716
00:44:32,400 --> 00:44:35,719
Speaker 1: was just exploding to Beverly Hills, Like did people just

717
00:44:36,120 --> 00:44:39,960
Speaker 1: freak the f out if they saw like you shopping

718
00:44:40,000 --> 00:44:42,840
Speaker 1: on roadeo. Yeah, no, I never went there ever. Again,

719
00:44:44,120 --> 00:44:47,040
Speaker 1: here's the thing, Well, I filmed there. I remember. The

720
00:44:47,120 --> 00:44:49,600
Speaker 1: only time I remember ever going back there was when um,

721
00:44:50,520 --> 00:44:55,400
Speaker 1: Kelly and Donna filmed uh something for the for for

722
00:44:55,600 --> 00:44:57,759
Speaker 1: nine o two and oh with the teeny Boppers, that one,

723
00:44:57,920 --> 00:45:01,320
Speaker 1: that version of it, mm hmm. They had Kelly and

724
00:45:01,400 --> 00:45:05,440
Speaker 1: Donna in a convertible being so we were being driven

725
00:45:05,600 --> 00:45:11,279
Speaker 1: in a convertible car around which was so embarrassing. And uh,

726
00:45:11,520 --> 00:45:15,160
Speaker 1: I remember that. And the only other time I ever

727
00:45:15,440 --> 00:45:18,960
Speaker 1: go to Beverly Hills is to see my dentist. He's

728
00:45:19,040 --> 00:45:21,719
Speaker 1: on Rocksberry driving. Yeah, it's kind of I mean for

729
00:45:21,840 --> 00:45:23,440
Speaker 1: people listening like, I don't mean to be all and

730
00:45:23,680 --> 00:45:26,080
Speaker 1: we live in l A. But you don't go to

731
00:45:26,160 --> 00:45:29,200
Speaker 1: Beverly Like I don't go to Beverly Hills that much.

732
00:45:29,760 --> 00:45:33,320
Speaker 1: I mean a lot of people do. That's they like

733
00:45:33,400 --> 00:45:36,920
Speaker 1: go to lunch and yeah they do the restaurants now

734
00:45:37,120 --> 00:45:39,560
Speaker 1: trying to think I don't never go there. I mean,

735
00:45:39,600 --> 00:45:41,040
Speaker 1: I have not been to Beverly Hills in a really

736
00:45:41,120 --> 00:45:45,399
Speaker 1: long time because it's not where I would go to shop. Yeah,

737
00:45:45,840 --> 00:45:49,320
Speaker 1: it's not my jam either. Yeah it is Tursty and

738
00:45:49,400 --> 00:45:52,080
Speaker 1: that's not a dig. It's like there are people it is.

739
00:45:52,520 --> 00:45:54,680
Speaker 1: People still love going there, which is great. There was

740
00:45:54,760 --> 00:45:57,080
Speaker 1: a shout out for Robertson I think in this episode

741
00:45:57,440 --> 00:46:00,120
Speaker 1: one of the new clubs on Robertson, which actually was

742
00:46:00,239 --> 00:46:04,120
Speaker 1: very ahead of its time because Robertson actually is super cool.

743
00:46:04,400 --> 00:46:10,759
Speaker 1: Where hold on, I can't Robertson. There's a lot yes,

744
00:46:11,560 --> 00:46:14,960
Speaker 1: so like a lot of the cool shopping now is

745
00:46:14,960 --> 00:46:19,480
Speaker 1: actually on Robertson, right, it's where Yeah, there's like that's

746
00:46:19,520 --> 00:46:23,839
Speaker 1: where I would go there over Rodeo probably people love

747
00:46:24,000 --> 00:46:26,760
Speaker 1: that other street. It's like it's it's like kind of Venisy,

748
00:46:26,880 --> 00:46:31,160
Speaker 1: Santa Monichy, Abbot Kenny. Oh yeah, that one. So many

749
00:46:31,200 --> 00:46:33,200
Speaker 1: cool places to go. My daughter wanted to go to

750
00:46:33,280 --> 00:46:35,200
Speaker 1: Melrose the other day to shop. I was like, absolutely

751
00:46:35,280 --> 00:46:38,880
Speaker 1: not so Melrose was so in in the nineties. Do

752
00:46:39,360 --> 00:46:41,600
Speaker 1: your kids like thrifting? That's like the big thing that

753
00:46:41,719 --> 00:46:44,520
Speaker 1: they do these days, thrifting. I don't like to use

754
00:46:44,600 --> 00:46:47,960
Speaker 1: my car so I like if I I only can

755
00:46:48,000 --> 00:46:49,759
Speaker 1: go places I can walk to because I don't want

756
00:46:49,760 --> 00:46:52,440
Speaker 1: to get in my car and have to like drive somewhere.

757
00:46:53,719 --> 00:46:56,719
Speaker 1: We're really quite tired. Oh my god, I love you.

758
00:46:57,800 --> 00:47:00,279
Speaker 1: I love this one. I actually did not. Is not

759
00:47:00,360 --> 00:47:03,080
Speaker 1: my favorite favorite episode by any means, but I totally

760
00:47:03,200 --> 00:47:05,440
Speaker 1: enjoyed it. It was. It's a good episode. I remembered

761
00:47:05,480 --> 00:47:08,000
Speaker 1: it well, like I remembered it from the first round

762
00:47:08,080 --> 00:47:11,759
Speaker 1: I watched, or the second or third or however. Yeah,

763
00:47:11,760 --> 00:47:14,120
Speaker 1: it wouldn't be an episode of I too. I know though,

764
00:47:14,880 --> 00:47:19,600
Speaker 1: without Brandon and Andrea having conflict in the newspaper office,

765
00:47:20,719 --> 00:47:22,720
Speaker 1: are they always going to be in the newspaper office?

766
00:47:22,840 --> 00:47:25,640
Speaker 1: The blaze is so major, and I do remember that

767
00:47:26,920 --> 00:47:30,280
Speaker 1: the Blaze, it's major, you know. I'm much more into

768
00:47:31,320 --> 00:47:35,359
Speaker 1: the not the like heavy topic issues like we've had

769
00:47:35,400 --> 00:47:37,600
Speaker 1: for the last couple of weeks. I want to see

770
00:47:38,040 --> 00:47:43,239
Speaker 1: the love triangle. Yeah, I'd rather have fun too. I

771
00:47:43,360 --> 00:47:45,759
Speaker 1: like the soapy aspect of nine O two and O.

772
00:47:47,239 --> 00:47:48,719
Speaker 1: I'm fine with it all. I mean, I totally it's

773
00:47:48,840 --> 00:47:52,160
Speaker 1: like I love rewatching it. I think it gets a

774
00:47:52,320 --> 00:47:59,000
Speaker 1: lot more like issue heavy, right, it's coming back to me? Yeah, yeah,

775
00:47:59,200 --> 00:48:02,719
Speaker 1: oh yeah, I remember, I remember. Let me see if

776
00:48:02,719 --> 00:48:04,759
Speaker 1: I missed anything good fashion again. I wish Tory was

777
00:48:04,800 --> 00:48:08,000
Speaker 1: here because she's got some great the vet look other

778
00:48:08,080 --> 00:48:10,640
Speaker 1: than Andrea. The vests are awesome. I love a vest.

779
00:48:10,680 --> 00:48:13,040
Speaker 1: I like want to get my arms back and looking

780
00:48:13,080 --> 00:48:15,280
Speaker 1: good so I can wear a vest again. And Donna

781
00:48:15,360 --> 00:48:17,320
Speaker 1: had that black and white top. It was like a

782
00:48:17,400 --> 00:48:22,640
Speaker 1: sweater vest. I thought that was awesome. I don't remember

783
00:48:22,719 --> 00:48:25,080
Speaker 1: that one. I just was when she went to the

784
00:48:25,440 --> 00:48:29,319
Speaker 1: to the Scamblin's house David. Yeah, I'm so scarred by

785
00:48:29,360 --> 00:48:33,200
Speaker 1: the Andrea's best that I can't really even move on

786
00:48:33,360 --> 00:48:35,880
Speaker 1: from it and the suit. We didn't talk about the voting,

787
00:48:36,560 --> 00:48:39,759
Speaker 1: but that Donna, who no one ever gives credit to,

788
00:48:39,960 --> 00:48:44,279
Speaker 1: totally registered to vote on time. She's ready to go vote, okay.

789
00:48:44,320 --> 00:48:46,560
Speaker 1: So that was like a weird d story, like the

790
00:48:46,680 --> 00:48:50,000
Speaker 1: voting thing and the problems in the ocean. She's six

791
00:48:50,200 --> 00:48:54,480
Speaker 1: months older than so she's so she's eighteen and a

792
00:48:54,600 --> 00:48:58,120
Speaker 1: half in her sast year. She's all registered and then

793
00:48:58,200 --> 00:48:59,919
Speaker 1: Dylan wants to talk to her about heal the Bay

794
00:49:00,120 --> 00:49:02,560
Speaker 1: or so that was interesting. Also. I think that was

795
00:49:02,640 --> 00:49:06,200
Speaker 1: shot really at the West Beverly Hills post office. Oh

796
00:49:06,520 --> 00:49:11,000
Speaker 1: that looks really authentic. Yeah, yes, so that was cool.

797
00:49:11,600 --> 00:49:14,680
Speaker 1: And then for some reason I wrote down, oh, I

798
00:49:14,760 --> 00:49:17,920
Speaker 1: know when Dylan was all sick and Brenda said, you

799
00:49:17,960 --> 00:49:19,800
Speaker 1: won't have my sandwich. I don't know why that. I

800
00:49:19,920 --> 00:49:22,279
Speaker 1: was like, well, I don't know why I wrote that down,

801
00:49:22,400 --> 00:49:25,320
Speaker 1: but he thought it was nice. I just yeah, it

802
00:49:25,360 --> 00:49:29,080
Speaker 1: seemed very real. Yeah. But then she was like, oh,

803
00:49:29,160 --> 00:49:31,880
Speaker 1: I can make you feel better outside the post office.

804
00:49:32,280 --> 00:49:35,560
Speaker 1: And he goes, oh, nope, I'm still contagious and she goes.

805
00:49:42,160 --> 00:49:47,239
Speaker 1: And then and then I had, you know, at at

806
00:49:47,320 --> 00:49:50,960
Speaker 1: the newspaper office when they're all happy that girl's coming

807
00:49:51,040 --> 00:49:56,640
Speaker 1: back to town, back towards the end, uh, when they're

808
00:49:56,680 --> 00:50:00,560
Speaker 1: all standing there and Brenda peels off. Do you see

809
00:50:00,600 --> 00:50:04,520
Speaker 1: the way Dylan is staring at Kelly. Did you clock

810
00:50:04,640 --> 00:50:09,400
Speaker 1: that at all? Of course? What? Why? Why you do this?

811
00:50:09,760 --> 00:50:13,160
Speaker 1: Why you do this? He's messing with it. It just

812
00:50:13,200 --> 00:50:16,759
Speaker 1: feels like he's messing with her. I'm glad we're bringing

813
00:50:16,800 --> 00:50:19,439
Speaker 1: this up because this is gonna, this is coming back.

814
00:50:20,200 --> 00:50:23,239
Speaker 1: So I don't know if you remember, but that's why

815
00:50:23,239 --> 00:50:25,840
Speaker 1: I always asked myself, is he with Brenda because he

816
00:50:26,000 --> 00:50:28,200
Speaker 1: loves her? Or is he with Brenda sort of by

817
00:50:28,320 --> 00:50:32,799
Speaker 1: default because like that's what where he was at. Does

818
00:50:32,840 --> 00:50:37,799
Speaker 1: he totally love them both? Which is possible? It is, yeah,

819
00:50:37,920 --> 00:50:41,719
Speaker 1: yeah sure, But when you're a young guy like that,

820
00:50:41,880 --> 00:50:43,960
Speaker 1: like maybe you just like it doesn't last that long.

821
00:50:44,239 --> 00:50:49,120
Speaker 1: Maybe he's you know, how to nice experience with Brenda

822
00:50:49,200 --> 00:50:54,439
Speaker 1: and it's high school right exactly, people like not ready

823
00:50:54,480 --> 00:50:57,880
Speaker 1: to settle down and get married or anything, right, But

824
00:50:58,000 --> 00:51:00,080
Speaker 1: I never feel like he's faking it with her, Like

825
00:51:00,160 --> 00:51:02,120
Speaker 1: even in this episode, I think they had there was

826
00:51:02,160 --> 00:51:05,160
Speaker 1: a kiss and there was some sweet interactions, and it

827
00:51:05,239 --> 00:51:08,560
Speaker 1: also feels authentic. So you're like, what is really going

828
00:51:08,640 --> 00:51:10,759
Speaker 1: on with these people? And that's the part I like

829
00:51:10,880 --> 00:51:13,760
Speaker 1: the ass this is part I like this. Yeah again

830
00:51:13,920 --> 00:51:18,680
Speaker 1: it had me so ker funkled kerun what's kerr funckled?

831
00:51:18,840 --> 00:51:26,000
Speaker 1: Ker Funkeled's the word kerfuffled. It is a bit of

832
00:51:26,120 --> 00:51:30,080
Speaker 1: a ker foot fall because you're like, do you when

833
00:51:30,120 --> 00:51:35,399
Speaker 1: you watch Dylan and Brenda as Jenny this many years later,

834
00:51:36,560 --> 00:51:39,160
Speaker 1: what does it feel Even in like this episode where

835
00:51:39,160 --> 00:51:43,400
Speaker 1: it's kind of like miner it feels normal and natural

836
00:51:43,600 --> 00:51:45,920
Speaker 1: and like you said, like authentic, but it doesn't. It

837
00:51:45,960 --> 00:51:49,279
Speaker 1: feels I still now knowing what I know. I'm I

838
00:51:49,360 --> 00:51:51,759
Speaker 1: don't like Dylan Like I'm I don't know why they

839
00:51:51,800 --> 00:51:56,360
Speaker 1: would do this to to the audience with this character

840
00:51:56,520 --> 00:52:01,160
Speaker 1: that it's so vital and important and popular and and

841
00:52:01,239 --> 00:52:03,960
Speaker 1: it was luke Like, why would they make because the

842
00:52:04,360 --> 00:52:07,440
Speaker 1: person like me watching it is thinking, wait, how can

843
00:52:07,520 --> 00:52:11,480
Speaker 1: he be He's like two times like he's say one

844
00:52:11,520 --> 00:52:14,400
Speaker 1: thing but doing another, and it just makes me not

845
00:52:14,600 --> 00:52:18,200
Speaker 1: like him. So I don't know what this says about me,

846
00:52:18,360 --> 00:52:20,479
Speaker 1: but it doesn't make me like him one bit less,

847
00:52:20,560 --> 00:52:26,680
Speaker 1: Like I still like him. Yeah, I mean, yeah, I

848
00:52:26,760 --> 00:52:28,680
Speaker 1: think I get it. I think that's the thing. It's like,

849
00:52:28,920 --> 00:52:31,640
Speaker 1: I get that he has something with Kelly, and I'm

850
00:52:31,719 --> 00:52:35,640
Speaker 1: kind of here for it. I want to explore this more. Yeah,

851
00:52:35,719 --> 00:52:39,279
Speaker 1: I mean, I'd be into that, but I don't know.

852
00:52:39,680 --> 00:52:41,799
Speaker 1: I just died on. We'll have to wait and see,

853
00:52:41,840 --> 00:52:45,560
Speaker 1: because there is I do not remember what's coming. There's

854
00:52:45,600 --> 00:52:48,719
Speaker 1: a big old thing coming. I do not have any

855
00:52:48,760 --> 00:52:51,840
Speaker 1: clue what is happening, what is going to happen. I

856
00:52:51,960 --> 00:52:56,359
Speaker 1: know eventually they must something, it must happen that brings

857
00:52:56,400 --> 00:52:58,880
Speaker 1: them together. And and then eventually Brenda is not a

858
00:52:58,920 --> 00:53:00,759
Speaker 1: part of it because she's not a show anymore. Like,

859
00:53:00,960 --> 00:53:04,279
Speaker 1: that's how vague my memories are, so I really need

860
00:53:04,360 --> 00:53:06,560
Speaker 1: somebody to connect the dots. Here's what I'll say for

861
00:53:06,640 --> 00:53:13,800
Speaker 1: everyone listening to it is imminent, this scene coming imminent.

862
00:53:13,960 --> 00:53:18,520
Speaker 1: I'm scared. You've got me scared. It's heavy. Yeah, like

863
00:53:18,680 --> 00:53:22,320
Speaker 1: i've I've I know it's coming, and I have rewatched

864
00:53:22,400 --> 00:53:24,279
Speaker 1: this particular scene, so I don't want to run it,

865
00:53:24,680 --> 00:53:28,160
Speaker 1: but it's it's it's coming. I think we might get

866
00:53:28,200 --> 00:53:33,480
Speaker 1: to in the next month. Oh, buckle up, buckle up,

867
00:53:33,920 --> 00:53:40,120
Speaker 1: buck a ruse d Yeah. I think the only one

868
00:53:40,120 --> 00:53:42,719
Speaker 1: week AFT was I swear Steve said something about good

869
00:53:42,719 --> 00:53:47,360
Speaker 1: off your rump at the dance. Clumby wanted Barending to

870
00:53:47,400 --> 00:53:52,759
Speaker 1: get off as rump. Steve I thought it was Q

871
00:53:52,920 --> 00:53:54,920
Speaker 1: two and Stephen Kelly come into the club and he's like,

872
00:53:55,600 --> 00:53:57,399
Speaker 1: she goes, just to be clear, this is not a date,

873
00:53:58,760 --> 00:54:01,880
Speaker 1: but we'll dance together. I love them as friends, I

874
00:54:02,040 --> 00:54:07,400
Speaker 1: really as much as Yeah. I just love Iron so

875
00:54:07,600 --> 00:54:10,799
Speaker 1: much that I love being in scenes with him as

876
00:54:10,840 --> 00:54:14,520
Speaker 1: a friend and not all like heavy and emotional and

877
00:54:15,440 --> 00:54:22,080
Speaker 1: you know, tortured. Okay, next week is another episode shocker. Uh.

878
00:54:22,520 --> 00:54:26,800
Speaker 1: Next next week is episode twelve Destiny rides again. What

879
00:54:26,880 --> 00:54:28,720
Speaker 1: do you think that one's going to be about Greek?

880
00:54:29,520 --> 00:54:32,759
Speaker 1: I think it might be uh huh. And also I

881
00:54:32,840 --> 00:54:34,840
Speaker 1: know that Rosie O'donald's going to show up in a minute.

882
00:54:34,880 --> 00:54:36,480
Speaker 1: Do that? Do you remember that at all? That's coming

883
00:54:36,520 --> 00:54:43,480
Speaker 1: to Rosy o'donnald? I don't remember. Oh is her name Destiny?

884
00:54:43,560 --> 00:54:46,600
Speaker 1: Is she writing again? I don't know. The titles are

885
00:54:46,640 --> 00:54:50,839
Speaker 1: so like on the notes. It might be Rick because

886
00:54:50,880 --> 00:54:53,320
Speaker 1: he is back in the next week or two for sure. Okay,

887
00:54:53,560 --> 00:54:57,480
Speaker 1: I'm in for it. I'm ready for it. Good stuff.

888
00:54:59,320 --> 00:55:01,960
Speaker 1: I hope you guys like it and are doing our best.

889
00:55:04,239 --> 00:55:06,720
Speaker 1: We love it. We love it. We love doing our podcast.

890
00:55:06,920 --> 00:55:09,799
Speaker 1: And that's all your comments because I read every single one.

891
00:55:09,920 --> 00:55:12,759
Speaker 1: I literally I'm obsessed with the Instagram and we don't

892
00:55:12,760 --> 00:55:15,200
Speaker 1: know how to respond on the Instagram. I noticed you,

893
00:55:15,320 --> 00:55:18,600
Speaker 1: did you do? Jenny? I responded to something that was

894
00:55:18,680 --> 00:55:21,919
Speaker 1: so cool and I remember what it was. But that's

895
00:55:21,960 --> 00:55:25,920
Speaker 1: really cool. But we we we love that and we're

896
00:55:25,920 --> 00:55:28,800
Speaker 1: gonna do when Tory does come back, We're going to

897
00:55:28,880 --> 00:55:33,400
Speaker 1: do some more interactive Oh, definitely pods, so where we

898
00:55:33,600 --> 00:55:37,439
Speaker 1: answer some questions, we get into the whole Brenda camp,

899
00:55:37,560 --> 00:55:41,640
Speaker 1: Kelly Camp. Because we want to be fair. Yes, because

900
00:55:41,680 --> 00:55:43,520
Speaker 1: we're I'm one sided on it and I can't help.

901
00:55:44,440 --> 00:55:48,520
Speaker 1: I'm so sorry. I'm like waiting for them to make

902
00:55:48,600 --> 00:55:52,920
Speaker 1: out again. I'm like, so it's gonna get good. We're good,

903
00:55:52,960 --> 00:55:57,799
Speaker 1: we're good, we're good, but we're good now. Hey, we'll

904
00:55:57,800 --> 00:55:59,879
Speaker 1: see you in a week, hopefully Tori will be here. Yes.

905
00:56:00,440 --> 00:56:09,279
Speaker 1: Fingers crossed by God by h