WEBVTT - Pin (1988)

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<v Speaker 1>On the Bechdel Cast. The questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? It's the patriarchy, zeph and

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<v Speaker 1>best start changing it with the Bechdel Cast.

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<v Speaker 2>Happy birthday, Jamie.

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<v Speaker 3>It's me pin my lips flapping, my lips flapping, my

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<v Speaker 3>teeth showing. Don't say anything. Oh oh oh, listeners, you're

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<v Speaker 3>in for it today. Welcome to the Bechdel Cast. My

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<v Speaker 3>name is Jamie Loft. My name's Jamie loved this.

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<v Speaker 2>My name's Gaitland Durande and.

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<v Speaker 3>This sorry you should you should know. Actually behind me,

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<v Speaker 3>I kind of have my pin my Barbie. I have

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<v Speaker 3>a my size Barbie that I've used on stage many times. Yeah,

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<v Speaker 3>she's kind of my pin in that she's real and

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<v Speaker 3>she killed my parents and it was her. Had nothing

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<v Speaker 3>to do with me. It was her. Yeah, I would

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<v Speaker 3>have grocery shopping. That's one of the There are so.

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<v Speaker 2>Many things with Leon in this movie.

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<v Speaker 3>Room. Like Leon, we got to be a better liar.

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<v Speaker 3>If we're going to be committing so many murders.

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<v Speaker 2>He's gonna be a better liar. His sister needs to

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<v Speaker 2>be more discerning. I would say it's really important not

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<v Speaker 2>to start blame her.

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<v Speaker 3>I was like, let's start by blaming the victim, and uh,

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<v Speaker 3>leave my friend Ursula alone. She's doing her best well.

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<v Speaker 3>Coach to defessional casts. My name is Jamie pinn Loftus.

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<v Speaker 2>Wow. My name's Kate pinn Durante.

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<v Speaker 3>Wow.

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<v Speaker 2>Yeah Wow.

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<v Speaker 3>What a way to start a Monday. And this is

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<v Speaker 3>our podcast where we take a look at your favorite

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<v Speaker 3>or in this case, I think just my favorite movies

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<v Speaker 3>using an intersectional feminist lens.

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<v Speaker 2>I'm not sure most people know about pin nineteen eighty eight.

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<v Speaker 3>I mean, that's kind of why we're doing this, to

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<v Speaker 3>spread the good word. The pin pin exists. Imagine clapping

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<v Speaker 3>emojis between those words.

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<v Speaker 2>Are there any pin Heads in the in the crowd?

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<v Speaker 3>Not that kind of pinhead. I don't like those ones.

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<v Speaker 3>I like psychological horror pin Wait.

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<v Speaker 2>I don't even know what pinhead refers to. I'm I

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<v Speaker 2>just know that there was a fake band in Back

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<v Speaker 2>to the Future called the Pinheads.

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<v Speaker 3>But Pinhead, well, it's the main character in hell Raiser.

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<v Speaker 3>The hell Raiser Ah that franchise, right, And you'll never believe.

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<v Speaker 2>Why he's called that because he has pins in his

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<v Speaker 2>head because.

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<v Speaker 3>He has pins in his head? Caitlin, what's the Bechtel test?

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<v Speaker 2>It is a media metric created by our good friend

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<v Speaker 2>Alison Bechdel. There's there's a lot of backstory behind it,

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<v Speaker 2>but we've we've just got to get into Pin today,

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<v Speaker 2>so I'll do the abridged version. Sure, there are many

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<v Speaker 2>versions of the Bechtel test, but the one that we

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<v Speaker 2>use is, do two characters of a marginal gender have names?

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<v Speaker 2>Do they speak to each other? And is there conversation

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<v Speaker 2>about something other than a man or a male? Coded?

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<v Speaker 3>Yeah, I would all Pin he him? Pin?

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<v Speaker 2>Is he him all the way down? Hear him?

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<v Speaker 3>Yeah? If you've seen I don't really think there's other

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<v Speaker 3>no other interpretations. Let's just leave it at that.

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<v Speaker 2>Let's leave it at that.

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<v Speaker 3>Some real heat him behavior coming from from Pin and

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<v Speaker 3>for sure, and also his various you know, if you

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<v Speaker 3>subscribe to the Pin Isn't real theory, all of his

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<v Speaker 3>ventriloquists are also men, toxic men, toxic toxic men. Absolutely,

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<v Speaker 3>so Pin is an agent. He's a puppet of the patriarchy. Wow, yeah, yeah,

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<v Speaker 3>So we are here to talk about the feminist implications

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<v Speaker 3>of the movie. Pin nineteen eighty eight. I think that

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<v Speaker 3>we both saw this movie under the while we were

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<v Speaker 3>not physically together, we were in community when we first

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<v Speaker 3>saw this. Yeah, what's your history with Pin?

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<v Speaker 2>You're referring to the annual twenty four hour horror movie

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<v Speaker 2>marathon aka Horror Thon that our friend Alex does every year.

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<v Speaker 2>I think we saw this during the Horrorthon that was

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<v Speaker 2>like four or five years ago. Okay, So for me,

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<v Speaker 2>I was only loosely paying attention as Pin was being

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<v Speaker 2>streamed before my very eyes, and so I had different

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<v Speaker 2>I had a different impression of it than is actually

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<v Speaker 2>the case. So when I rewatched it to prefer this episode,

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<v Speaker 2>I was like, Oh, it's like it's like kind of

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<v Speaker 2>higher budget than I thought. I was remembering like student

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<v Speaker 2>film vibes, Like.

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<v Speaker 3>No, I mean this was supposed to be a theatrical release,

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<v Speaker 3>as it got kind of got the shaft. I mean

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<v Speaker 3>it definitely as TV movie and energy. Yeah, which makes

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<v Speaker 3>sense when you like, that's a lot of what this

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<v Speaker 3>director did. It's like Canadian like many, you know what

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<v Speaker 3>I should have done this year creating remlos Aar I

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<v Speaker 3>like many, Like many of my favorite movies, it is

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<v Speaker 3>basically a TV movie in vibes in I feel like

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<v Speaker 3>in the way that it's shot, in the way that

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<v Speaker 3>the music sounds, even the performances, it's like it's very

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<v Speaker 3>and I say this while feeling the performances in this movie,

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<v Speaker 3>especially the two center well let's and let's throw a

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<v Speaker 3>pin in there. The three central performances I think are

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<v Speaker 3>really good, like kind of better than they have any

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<v Speaker 3>right to be. I agree, but it is like a

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<v Speaker 3>mellow drama. Everyone seems to know the movie they're in.

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<v Speaker 3>It is a very intense. But the lead perform like Leon,

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<v Speaker 3>really he reminds me he's giving like young Robert Pattinson

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<v Speaker 3>to me.

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<v Speaker 2>Sure, especially when he's playing a creep like Edward Cullen.

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<v Speaker 3>A weird well, he's playing like a very stoic weirdo

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<v Speaker 3>and I just yeah. British Canadian actor David Hewlett, who

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<v Speaker 3>I guess is most famous for being in the Stargate franchise,

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<v Speaker 3>which I have not seen, but he was also in

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<v Speaker 3>He's one of the villains in the Shape of Water,

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<v Speaker 3>which is a fave of mine. He's like one of

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<v Speaker 3>the corporate Cold War guys, so he's like a Del

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<v Speaker 3>Toro like all of these actors have like pretty pretty

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<v Speaker 3>cool resumes. I mean not to mention literally literally.

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<v Speaker 2>John Locke of Lost fame.

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<v Speaker 3>John Locke is in this movie, and he's maybe Terry O'Quinn.

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<v Speaker 3>If he's gonna do one thing, it's play the weirdest

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<v Speaker 3>bitch in the movie, Like he is always the weirdest

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<v Speaker 3>bitch on screen. He's so good at it. Yes, I

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<v Speaker 3>just my god, Sorry, I'm already getting distracted by pen

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<v Speaker 3>so Yes horror thon.

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<v Speaker 2>Yes, so we saw that you. I remember you really

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<v Speaker 2>latching onto this movie. I was not quite so enamored

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<v Speaker 2>by it.

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<v Speaker 3>Me and Bryants were really into it.

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<v Speaker 2>Yes, for me, I think I don't remember like where

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<v Speaker 2>it was in the order of this again twenty four

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<v Speaker 2>hour marathon, so I might have been tired. I might

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<v Speaker 2>have just been kind of distracted, but I was sort

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<v Speaker 2>of checked out during Pin. But I do remember you

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<v Speaker 2>and our friend Bryant being like locked in, John locked in.

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<v Speaker 3>We were John locked in. And this is before I

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<v Speaker 3>found Lot, before I watched Lost. So now rewatching Pin

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<v Speaker 3>and knowing weird bitch John Locke is in it. Everyone.

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<v Speaker 3>Check out my favorite John lock clip, which is him

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<v Speaker 3>in group therapy, yelling at a woman saying, you want

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<v Speaker 3>your thirty dollars back. I want my kidney back because

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<v Speaker 3>his father stole his kidney.

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<v Speaker 2>Oh, I forgot about that.

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<v Speaker 3>He's so funny, dude, He's so funny. He's the most

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<v Speaker 3>put upon character in all of television, and he's got

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<v Speaker 3>the scars to show for it because he's a weird,

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<v Speaker 3>weird man.

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<v Speaker 2>Yes, So anyway, that's my history with PIN. I had

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<v Speaker 2>never heard of it before that.

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<v Speaker 3>Neither had I.

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<v Speaker 2>I've never seen it referenced since it is sort of

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<v Speaker 2>it's kind of lost media. It feels like it is

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<v Speaker 2>for free on YouTube, but otherwise you can't rent it

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<v Speaker 2>or stream it or anywhere.

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<v Speaker 3>I think it's like sort of one of those those

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<v Speaker 3>movies that's being like single handedly kept alive by like

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<v Speaker 3>horror fans, which is cool. Yeah, like Alex right, Alex.

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<v Speaker 2>Yes, But yeah, that's that's my relationship to it, Jamie,

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<v Speaker 2>tell us more about yours.

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<v Speaker 3>Well, it started at the very same horror thon. I

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<v Speaker 3>think it also had to do with, first of all,

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<v Speaker 3>where I was at in my life and like what

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<v Speaker 3>I was doing and how much I was paying attention

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<v Speaker 3>because I don't expect you to remember this, because I've

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<v Speaker 3>never disclosed it, but this was this would have been

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<v Speaker 3>Horror on twenty twenty one when I was going through

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<v Speaker 3>a rather gnarly breakup and as I was watching horrorson

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<v Speaker 3>this year, I was repainting the walls in my old apartment.

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<v Speaker 3>So two critical things, which is leading up to a

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<v Speaker 3>very embarrassing reveal. Two critical things about me getting really

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<v Speaker 3>locked in on Pin is Number one, my house was

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<v Speaker 3>full of paint fumes because I was repainting the house,

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<v Speaker 3>being like I have to change my life. So first

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<v Speaker 3>of all, I was maybe a little bit high on

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<v Speaker 3>paint fumes. Number one. Number two, I was not fully

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<v Speaker 3>paying attention to some crucial shots in Pin. I missed

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<v Speaker 3>a few crucial shots in Pin, okay because I was

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<v Speaker 3>painting my bathroom at the time, which means that I thought,

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<v Speaker 3>on this first viewing that Pin was real, and I didn't.

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<v Speaker 3>I didn't realize Pin wasn't real. And that said, I

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<v Speaker 3>fully thought, because they don't. I mean again, and this

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<v Speaker 3>fads to like the netflixification of how we watch movie now,

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<v Speaker 3>because you are clearly given the information if you're looking

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<v Speaker 3>at the screen the whole time, like movies are supposed

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<v Speaker 3>to go, but I was just hearing Pin and I

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<v Speaker 3>was like, this is so wild. I love this real character.

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<v Speaker 2>There's a sentient medical dummy. Although I think that the

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<v Speaker 2>movie keeps you guessing about whether or not Pin is

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<v Speaker 2>real or slash sentient for a little while. It becomes

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<v Speaker 2>clear the further into the movie you get that Pin

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<v Speaker 2>is only seems to be talking and moving because of

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<v Speaker 2>ventriloquism and because of a live human people manipulating him

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<v Speaker 2>and his movements and things like that. But for a

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<v Speaker 2>little while, I feel like you're not totally sure one

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<v Speaker 2>way or the other.

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<v Speaker 3>Well, there's one sequence in particular where I'm like, the

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<v Speaker 3>car cried the.

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<v Speaker 2>Car, yeah exactly.

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<v Speaker 3>Leon is certainly not in there, so I don't under Yeah,

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<v Speaker 3>there's one scene where and I think I was going

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<v Speaker 3>with that, but I think for like kind of every

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<v Speaker 3>other sequence, Leon's always.

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<v Speaker 2>There Leon or the yeah or the dad.

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<v Speaker 3>Something I thought was interesting, and this isn't even a criticism,

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<v Speaker 3>is that the voice doesn't change for Pin, even when

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<v Speaker 3>the person being Pins ventriloquist changes. I think I like that.

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<v Speaker 3>But anyways, I fully was high on paint fumes. I

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<v Speaker 3>thought Pin was real on the first viewing, But I'm

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<v Speaker 3>thrilled to report that I've seen it two or three

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<v Speaker 3>times since then and it's still so awesome. I mean,

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<v Speaker 3>I think what I missed in. I mean, even if

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<v Speaker 3>you watch the movie Pin believing Pin is real high

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<v Speaker 3>on paint fumes, it is still a very intense psychological thriller.

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<v Speaker 3>But once you know that he is being used a

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<v Speaker 3>ventriloquist dummy, the psychological thriller stuff really amps up. So Yeah,

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<v Speaker 3>and then Alex Jacob's iconic film editor of movies like

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<v Speaker 3>In a Violent Nature, In a Violent Nature too, Night Nurse,

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<v Speaker 3>which just came out.

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<v Speaker 2>Is there another one? Maybe Jamie my.

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<v Speaker 3>Movie that hasn't come out but hopefully will. But he's

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<v Speaker 3>I feel like he's because he programs this and is

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<v Speaker 3>also a horror fan. Who would know about Pin brought

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<v Speaker 3>Pin to the People in twenty twenty one. Yes, I

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<v Speaker 3>also own a copy of the book, which I considered

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<v Speaker 3>reading for this, but then I read that it really

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<v Speaker 3>leans into the incest subplot and decided I don't need

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<v Speaker 3>to read it. I don't need to read it. Actually,

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<v Speaker 3>there's enough of an incest subplot in the movie for me. Yeah,

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<v Speaker 3>it's it's a psychological thriller. These kids they never stood

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<v Speaker 3>a chance because their father was John Locke and so,

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<v Speaker 3>but yes, I think I have like such an affection

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<v Speaker 3>for this movie. I think part of it is connected

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<v Speaker 3>to like how and I saw it. But I also

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<v Speaker 3>think it's like again, like you're saying, like better than

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<v Speaker 3>you would think like because it's basically lost Media. I

0:13:08.400 --> 0:13:12.120
<v Speaker 3>feel like that means either lost at media, Oh my god,

0:13:12.160 --> 0:13:15.440
<v Speaker 3>sr John Locke, Oh my god. If Lost ever got lost,

0:13:16.320 --> 0:13:19.920
<v Speaker 3>I'd be pissed. I'm looking at my John Locke doll

0:13:20.360 --> 0:13:22.200
<v Speaker 3>over there. Wait what you know?

0:13:22.240 --> 0:13:24.679
<v Speaker 2>I see him? Do you have an I know? Okay, well,

0:13:24.720 --> 0:13:26.680
<v Speaker 2>I already know how many dolls you have.

0:13:26.880 --> 0:13:28.520
<v Speaker 3>I have a lot of dolls.

0:13:28.400 --> 0:13:31.080
<v Speaker 2>The life size Barbie you have you famously have an

0:13:31.120 --> 0:13:35.240
<v Speaker 2>American girl doll boy looy.

0:13:35.200 --> 0:13:37.920
<v Speaker 3>And two girls unfortunately and two girls like this is

0:13:38.080 --> 0:13:41.480
<v Speaker 3>John Locke. It's like a whoa little it's for kids.

0:13:41.880 --> 0:13:46.400
<v Speaker 3>And there's there's Hurley, Jack and Kate. Where's Sayed? You know,

0:13:46.440 --> 0:13:49.719
<v Speaker 3>where's Sun? Where's a lot of good characters missing from that.

0:13:49.800 --> 0:13:53.640
<v Speaker 3>But I but I bought it because John Locke is

0:13:53.679 --> 0:13:58.280
<v Speaker 3>my number one? Where's Walt? Where's Michael? Come on? Folks,

0:13:58.840 --> 0:14:03.559
<v Speaker 3>where are the good characters making anyways? John Locke one

0:14:03.600 --> 0:14:09.640
<v Speaker 3>of our best men being Bitch's canon characters indeed. But anyways, Yeah,

0:14:09.640 --> 0:14:12.120
<v Speaker 3>like I think, because Pin is so hard to find,

0:14:12.960 --> 0:14:13.840
<v Speaker 3>you're like, either.

0:14:13.679 --> 0:14:16.880
<v Speaker 2>It's a hard pin point, it's I'm.

0:14:16.679 --> 0:14:20.960
<v Speaker 3>Really setting myself up with this. You would think that

0:14:21.000 --> 0:14:24.760
<v Speaker 3>it's like not good, but it is good.

0:14:24.840 --> 0:14:26.680
<v Speaker 2>It is like better than you'd think.

0:14:27.160 --> 0:14:30.200
<v Speaker 3>Yeah, And I think it's doing a lot of like

0:14:30.400 --> 0:14:34.200
<v Speaker 3>horror tropes in ways that I like haven't really seen

0:14:34.360 --> 0:14:37.320
<v Speaker 3>come together quite in this way.

0:14:37.880 --> 0:14:38.880
<v Speaker 2>So I may say, if.

0:14:38.800 --> 0:14:42.440
<v Speaker 3>You haven't seen Pin, I would recommend watching in a group.

0:14:42.600 --> 0:14:46.320
<v Speaker 3>Don't it's weird. Now we can both attest. It feels

0:14:46.400 --> 0:14:47.920
<v Speaker 3>weird to watch Pin by yourself.

0:14:48.600 --> 0:14:52.720
<v Speaker 2>It does. And I would recommend before you listen to

0:14:52.720 --> 0:14:55.960
<v Speaker 2>the rest of this episode and hear the recap if

0:14:56.000 --> 0:14:59.000
<v Speaker 2>you have not already seen Pin. Oh yeah, don't get

0:14:59.120 --> 0:15:03.120
<v Speaker 2>it spoiled by the recap and our discussion. Just take

0:15:03.480 --> 0:15:08.080
<v Speaker 2>just take some time, pause this episode. Watch Pin on YouTube.

0:15:08.200 --> 0:15:11.400
<v Speaker 2>It's an hour and forty three minutes or something like that.

0:15:11.480 --> 0:15:14.360
<v Speaker 2>It's a pretty quick watch, and then come back and

0:15:14.400 --> 0:15:18.080
<v Speaker 2>listen to the rest of this episode, because like, it

0:15:18.120 --> 0:15:22.040
<v Speaker 2>gets so nuts so fast that I want people to

0:15:22.400 --> 0:15:24.160
<v Speaker 2>experience it for themselves.

0:15:24.400 --> 0:15:27.120
<v Speaker 3>I agree, you deserve to have the optimal Pin experience.

0:15:27.120 --> 0:15:30.480
<v Speaker 3>Will leave the YouTube link because like there literally is.

0:15:30.560 --> 0:15:32.440
<v Speaker 3>I don't think that you could pay to watch this

0:15:32.520 --> 0:15:34.920
<v Speaker 3>movie if you wanted to, which feels kind of evil.

0:15:35.800 --> 0:15:39.160
<v Speaker 3>I want I want Pin to get residuals well.

0:15:39.560 --> 0:15:41.920
<v Speaker 2>We want to financially support Pin.

0:15:42.240 --> 0:15:46.360
<v Speaker 3>I want Ursula, Ursula, God and Stan. Ursula and Stan

0:15:46.760 --> 0:15:50.360
<v Speaker 3>one iconic couple. Top ten most iconic couples in film.

0:15:50.480 --> 0:15:54.840
<v Speaker 3>Ursula and Stan, Stan, I think is such an iconic character.

0:15:54.880 --> 0:15:55.600
<v Speaker 3>We'll get to stand.

0:15:55.680 --> 0:15:58.640
<v Speaker 2>I'm a stand fan. I'm a stand Stan of Stan.

0:15:59.720 --> 0:16:02.280
<v Speaker 3>I was standing Stan. It's so and it's so hard

0:16:02.320 --> 0:16:04.360
<v Speaker 3>to get us on board with a boyfriend character, but

0:16:04.400 --> 0:16:07.800
<v Speaker 3>I'm like, Stan has some great boyfriend qualities, and that

0:16:08.080 --> 0:16:10.080
<v Speaker 3>every time we cut to him, he's trying to learn

0:16:10.080 --> 0:16:10.640
<v Speaker 3>how to read.

0:16:11.080 --> 0:16:14.520
<v Speaker 2>He's like, okay, he's trying to learn how to read

0:16:15.000 --> 0:16:18.080
<v Speaker 2>a language that is not his first line French, right,

0:16:18.560 --> 0:16:19.480
<v Speaker 2>I think Italian?

0:16:19.640 --> 0:16:20.200
<v Speaker 3>Italian?

0:16:20.560 --> 0:16:21.040
<v Speaker 2>Okay.

0:16:21.840 --> 0:16:24.200
<v Speaker 3>But I just was like Stan, He's he's a jock

0:16:24.280 --> 0:16:29.080
<v Speaker 3>with a dream, and he's so nice to Pin. It's

0:16:29.280 --> 0:16:30.320
<v Speaker 3>wild out nice.

0:16:30.240 --> 0:16:32.960
<v Speaker 2>At to Pin. People are too nice to Pin in

0:16:33.000 --> 0:16:36.160
<v Speaker 2>this movie. It's true, it's true, and therein lies the problem.

0:16:36.360 --> 0:16:38.960
<v Speaker 3>But you see, if you see Pin out in the streets,

0:16:39.360 --> 0:16:42.640
<v Speaker 3>do not be nice to him. Kick his ass, dude.

0:16:42.720 --> 0:16:46.400
<v Speaker 3>He's the one, He's he's maybe the one. The one

0:16:46.440 --> 0:16:49.760
<v Speaker 3>guy that really has it coming is Pin. And then

0:16:49.800 --> 0:16:53.360
<v Speaker 3>when Pin get oh god, okay, truly stop. If you

0:16:53.440 --> 0:16:56.280
<v Speaker 3>haven't seen Pin, please stop, please and go watch and

0:16:56.320 --> 0:16:58.480
<v Speaker 3>watch it, because what I'm about to say is one

0:16:58.520 --> 0:17:00.360
<v Speaker 3>of the best parts of the movie. When Pin gets skin.

0:17:00.600 --> 0:17:06.320
<v Speaker 3>Oh my god, Oh my god, it's so wild. I

0:17:06.440 --> 0:17:09.760
<v Speaker 3>remember it, do you remember. I'll never forget where I

0:17:09.960 --> 0:17:11.879
<v Speaker 3>was the first time I saw Pin with skin. It

0:17:11.920 --> 0:17:13.120
<v Speaker 3>was in a bathroom.

0:17:13.160 --> 0:17:17.640
<v Speaker 2>Pink ingesting paint fumes.

0:17:17.760 --> 0:17:20.080
<v Speaker 3>This is a great breakup. This is a great breakup

0:17:20.119 --> 0:17:23.160
<v Speaker 3>movie for reasons I can't quite articulate, because that has

0:17:23.240 --> 0:17:23.800
<v Speaker 3>nothing to.

0:17:23.680 --> 0:17:24.320
<v Speaker 2>Do with the movie.

0:17:24.640 --> 0:17:26.640
<v Speaker 3>But you just leave your body watching Pin.

0:17:26.960 --> 0:17:29.359
<v Speaker 2>No, of course, Well, let's take a quick break and

0:17:29.400 --> 0:17:33.359
<v Speaker 2>give people the opportunity to go and watch Pin, and

0:17:33.400 --> 0:17:46.840
<v Speaker 2>then we'll come back for the recap. So a content

0:17:46.920 --> 0:17:52.560
<v Speaker 2>warning before we delve into the recap, for there are

0:17:52.600 --> 0:17:57.480
<v Speaker 2>mentions of rape and incest, which will also come up

0:17:57.600 --> 0:18:02.560
<v Speaker 2>in our discussion, so that listeners are aware of that.

0:18:03.560 --> 0:18:07.520
<v Speaker 2>Here's the plot of Pin. We open on some kids

0:18:07.600 --> 0:18:11.479
<v Speaker 2>who are outside of a house looking at something in

0:18:11.520 --> 0:18:12.560
<v Speaker 2>the second story window.

0:18:13.040 --> 0:18:16.399
<v Speaker 3>This which, mind you of a movie, because another one

0:18:16.440 --> 0:18:18.520
<v Speaker 3>of my favorite movies starts with this said.

0:18:18.600 --> 0:18:23.040
<v Speaker 2>Oh wait, it does seem familiar, but I can't. This

0:18:23.200 --> 0:18:26.439
<v Speaker 2>just happens. Endpoint it again with that pun.

0:18:26.800 --> 0:18:28.520
<v Speaker 3>This is how Casper begins.

0:18:29.080 --> 0:18:35.240
<v Speaker 2>Oh yeah, right, okay, weird. So these kids are looking

0:18:35.320 --> 0:18:37.960
<v Speaker 2>at something in the window. It might be a man

0:18:38.240 --> 0:18:41.040
<v Speaker 2>sitting very still, or it might be a dummy. We're

0:18:41.080 --> 0:18:43.840
<v Speaker 2>not sure. One of the little boys climbs up to

0:18:43.840 --> 0:18:46.800
<v Speaker 2>get a better look, and it's hard to tell exactly

0:18:46.840 --> 0:18:50.159
<v Speaker 2>what he's looking at. But then we see a face

0:18:50.680 --> 0:18:54.760
<v Speaker 2>and eyes that blink, and so we're like ah, and

0:18:54.920 --> 0:18:58.720
<v Speaker 2>the boys are scared off and run away. We cut

0:18:58.760 --> 0:19:04.840
<v Speaker 2>to fifteen years earlier. We meet the Lyndon family. The

0:19:05.000 --> 0:19:09.400
<v Speaker 2>father is doctor Lindon played by Terry O'Quinn aka John

0:19:09.440 --> 0:19:12.080
<v Speaker 2>Locke from Lost Ah.

0:19:12.440 --> 0:19:14.959
<v Speaker 3>He's being weird. I will say I think they had

0:19:15.240 --> 0:19:18.760
<v Speaker 3>for particularly, I think for both of the siblings they

0:19:18.840 --> 0:19:23.800
<v Speaker 3>found appropriate young like baby Leon and adult Leon. I

0:19:23.800 --> 0:19:27.560
<v Speaker 3>think are equally creepy, which had to have been difficult

0:19:27.920 --> 0:19:31.560
<v Speaker 3>because that's a respect. That child is probably like fifty

0:19:31.640 --> 0:19:34.119
<v Speaker 3>years old. Now that's a very creepy kid.

0:19:35.000 --> 0:19:38.919
<v Speaker 2>Yeah for sure. Also, okay, so I didn't catch this

0:19:39.040 --> 0:19:42.920
<v Speaker 2>the first time, but we see the kids as two

0:19:43.040 --> 0:19:48.040
<v Speaker 2>different ages before they become teenagers, or at least Ursula

0:19:48.160 --> 0:19:51.880
<v Speaker 2>the sister, she's like maybe like a five year old

0:19:52.560 --> 0:19:55.159
<v Speaker 2>in a couple scenes, and then they age her up

0:19:55.160 --> 0:19:59.880
<v Speaker 2>and they have another actor who is probably like ten

0:20:00.520 --> 0:20:00.760
<v Speaker 2>or so.

0:20:01.520 --> 0:20:05.040
<v Speaker 3>Yeah, there's some ethical I have some ethical questions about

0:20:05.040 --> 0:20:09.199
<v Speaker 3>how these kids are directed and what they're talking about and.

0:20:08.520 --> 0:20:10.600
<v Speaker 2>And the need.

0:20:11.600 --> 0:20:14.399
<v Speaker 3>Oh god, now's a good time to say that. In

0:20:14.440 --> 0:20:18.240
<v Speaker 3>the movie Pin nineteen eighty eight, getting horny is called

0:20:18.280 --> 0:20:21.480
<v Speaker 3>the need. Everyone calls it that. There's no other word

0:20:21.520 --> 0:20:21.880
<v Speaker 3>for it.

0:20:22.160 --> 0:20:26.800
<v Speaker 2>Yes, it reminded me of have you ever read The Giver? Yes,

0:20:26.840 --> 0:20:31.720
<v Speaker 2>when they call like sexual desire stirrings, I think is

0:20:31.760 --> 0:20:32.479
<v Speaker 2>the term they use.

0:20:32.640 --> 0:20:34.960
<v Speaker 3>Wow, I haven't thought about The Giver in a very

0:20:35.000 --> 0:20:36.719
<v Speaker 3>long time. That was one of my favorite books as

0:20:36.720 --> 0:20:37.040
<v Speaker 3>a kid.

0:20:37.200 --> 0:20:41.480
<v Speaker 2>Same, same interesting, but yeah, they're like, oh, tween, kid,

0:20:41.920 --> 0:20:47.399
<v Speaker 2>you're starting to feel sexual feelings. Those are stirrings, And

0:20:47.480 --> 0:20:49.320
<v Speaker 2>I remember reading that as a kid and being like,

0:20:49.640 --> 0:20:52.960
<v Speaker 2>oh my god, what the hell, what.

0:20:52.840 --> 0:20:56.360
<v Speaker 3>The hell it's it's a little bit nasty to call

0:20:56.400 --> 0:21:01.480
<v Speaker 3>it that, but if you get the immediately, this family

0:21:02.000 --> 0:21:03.840
<v Speaker 3>is the kind of family that would call it the

0:21:03.920 --> 0:21:09.280
<v Speaker 3>need versus yes anything. This family sucks so bad.

0:21:09.640 --> 0:21:13.240
<v Speaker 2>They're all very creepy. So we meet the father, doctor Lindon.

0:21:13.920 --> 0:21:20.439
<v Speaker 2>He is super like uppity, in formal, and creepy. He

0:21:20.560 --> 0:21:25.840
<v Speaker 2>makes his small children Leon and Ursula do math before

0:21:25.880 --> 0:21:29.920
<v Speaker 2>they go to bed. Meanwhile, their mother, Missus Lindon, I'm

0:21:29.920 --> 0:21:31.479
<v Speaker 2>not sure if we ever get a first name for her.

0:21:31.960 --> 0:21:36.800
<v Speaker 2>She's also very like prim and uppity. She's obsessed with cleanliness.

0:21:36.840 --> 0:21:38.200
<v Speaker 3>She's also physically violent.

0:21:38.280 --> 0:21:42.880
<v Speaker 2>She's also physically and verbally abusive. Yeah, so this is

0:21:42.920 --> 0:21:47.960
<v Speaker 2>not a happy family. No. We cut to doctor Lindon's

0:21:47.960 --> 0:21:52.880
<v Speaker 2>medical office and while he is treating a child, he's

0:21:52.960 --> 0:21:58.560
<v Speaker 2>also talking to a life size medical dummy named Pin, who.

0:21:58.359 --> 0:22:03.440
<v Speaker 3>We learn later is anatomically correct. Yes, and in the

0:22:03.520 --> 0:22:07.560
<v Speaker 3>pediatrician's office. I mean, it makes sense that a medical

0:22:07.640 --> 0:22:10.719
<v Speaker 3>dummy would be anatomically correct, Yeah, but it doesn't make

0:22:10.720 --> 0:22:13.160
<v Speaker 3>sense it would be in the pediatrician's office.

0:22:14.520 --> 0:22:17.359
<v Speaker 2>I don't know it was the eighties. I know, I

0:22:17.400 --> 0:22:17.840
<v Speaker 2>can say.

0:22:18.000 --> 0:22:19.880
<v Speaker 3>I was like, it's so yeah, you have to sort

0:22:19.880 --> 0:22:22.360
<v Speaker 3>of wonder, You're like, I mean, obviously, I don't think

0:22:22.359 --> 0:22:25.680
<v Speaker 3>it was ever normalized for an anatomically correct medical dummy

0:22:25.960 --> 0:22:30.439
<v Speaker 3>that speaks via ventral equism to be normalized in you know,

0:22:30.560 --> 0:22:35.640
<v Speaker 3>Western society. But I have to imagine that creepy. I mean,

0:22:35.680 --> 0:22:39.400
<v Speaker 3>I think about like behavior that my pediatrician was doing

0:22:39.440 --> 0:22:42.600
<v Speaker 3>in the like late nineties, early two thousands, and you're like, hmmmm,

0:22:43.119 --> 0:22:46.120
<v Speaker 3>I probably would not fly today. I would not let

0:22:46.160 --> 0:22:50.640
<v Speaker 3>my child. You know, my doctor was weird.

0:22:51.480 --> 0:22:56.760
<v Speaker 2>I feel like my doctor, my pediatrician, was pretty not weird.

0:22:57.160 --> 0:22:59.480
<v Speaker 3>My pediatrician. I've been thinking about it a lot because

0:22:59.480 --> 0:23:03.520
<v Speaker 3>I just read essay about scoliosis and my pediatrician a

0:23:03.800 --> 0:23:07.760
<v Speaker 3>totally missed my scoliosis, which was so bad and advanced

0:23:07.760 --> 0:23:09.720
<v Speaker 3>that it's kind of shocking that he missed it for

0:23:09.760 --> 0:23:12.280
<v Speaker 3>what would have had to have been years. And then

0:23:12.359 --> 0:23:16.200
<v Speaker 3>when he when my gym teacher found it instead of him,

0:23:16.440 --> 0:23:20.359
<v Speaker 3>he was so embarrassed that he spent years just like

0:23:20.920 --> 0:23:23.399
<v Speaker 3>kind of freaking me out into like like telling me

0:23:23.440 --> 0:23:26.520
<v Speaker 3>I had various illnesses. I didn't have because he was

0:23:26.640 --> 0:23:29.280
<v Speaker 3>so like, yeah, he told he told me I had

0:23:29.640 --> 0:23:33.320
<v Speaker 3>he's he thought that I had more fan syndrome like

0:23:33.400 --> 0:23:35.199
<v Speaker 3>I got. I mean, I'm glad that like if he

0:23:35.400 --> 0:23:38.480
<v Speaker 3>suspected that, he sent me to get tested and like

0:23:38.520 --> 0:23:40.320
<v Speaker 3>all this stuff. But it just felt like he was

0:23:40.359 --> 0:23:43.639
<v Speaker 3>overcompensating for a clear failure and then sent me on

0:23:43.720 --> 0:23:47.080
<v Speaker 3>all these really scary tests that never ended up being anything.

0:23:47.160 --> 0:23:50.679
<v Speaker 3>But it just like, but he was like our family doctor.

0:23:50.680 --> 0:23:53.320
<v Speaker 3>All my cousins went to him too, and so we're

0:23:53.400 --> 0:23:57.119
<v Speaker 3>just like he has a Looney Tunes tie. He's probably

0:23:57.200 --> 0:24:00.400
<v Speaker 3>a good doctor. Anyways, he was.

0:24:00.359 --> 0:24:03.640
<v Speaker 2>Not okay, and neither is doctor Lindon.

0:24:04.160 --> 0:24:06.720
<v Speaker 3>Oh I mean, I guess I should be counting my blessings. Pin,

0:24:06.880 --> 0:24:08.919
<v Speaker 3>was it at least? Oh my god?

0:24:09.560 --> 0:24:14.360
<v Speaker 2>Right, yeah, be grateful, Jamie. So doctor Lindon is talking

0:24:14.400 --> 0:24:18.840
<v Speaker 2>to this medical dummy named Pin, and Pin is quote

0:24:18.920 --> 0:24:24.280
<v Speaker 2>unquote responding because doctor Lindon is throwing his voice and

0:24:24.320 --> 0:24:27.680
<v Speaker 2>doing ventriloquism to make it seem like Pin is talking

0:24:27.800 --> 0:24:32.639
<v Speaker 2>back to him. Also, doctor Lindon's children are in the

0:24:32.720 --> 0:24:38.080
<v Speaker 2>room as he's performing like a medical examination on a child.

0:24:38.160 --> 0:24:40.439
<v Speaker 3>And it doesn't seem like a child they know, not

0:24:40.520 --> 0:24:42.360
<v Speaker 3>that that would make it appropriate, but I'm like, if

0:24:42.359 --> 0:24:45.600
<v Speaker 3>it's a cousin, maybe, but like it's just that that's

0:24:45.640 --> 0:24:46.400
<v Speaker 3>not the situation.

0:24:47.240 --> 0:24:50.360
<v Speaker 2>Yeah, no, it's it's uncalled for any way you look

0:24:50.400 --> 0:24:54.560
<v Speaker 2>at it. So all this creepy stuff is happening, including

0:24:55.080 --> 0:24:59.240
<v Speaker 2>the way Pin looks and sounds, because he looks like

0:24:59.320 --> 0:25:01.720
<v Speaker 2>something out of a night I don't know if that's

0:25:01.800 --> 0:25:04.040
<v Speaker 2>just how medical dummies looked at the time.

0:25:04.080 --> 0:25:05.520
<v Speaker 3>But I think they went out of their way to

0:25:05.560 --> 0:25:09.960
<v Speaker 3>make him scarier because he has these like empty blue eyes, right.

0:25:10.240 --> 0:25:15.200
<v Speaker 2>But otherwise, like other medical dummies, they would basically look

0:25:15.240 --> 0:25:17.680
<v Speaker 2>the way a human would look if you removed their skin,

0:25:17.840 --> 0:25:21.560
<v Speaker 2>so you see like their muscles and stuff.

0:25:21.680 --> 0:25:25.440
<v Speaker 3>But he's also did you watch Breaking Bad and or

0:25:25.520 --> 0:25:26.840
<v Speaker 3>better call Saul, because I did not.

0:25:27.760 --> 0:25:32.320
<v Speaker 2>I've seen the first season and change of Breaking Bad,

0:25:32.440 --> 0:25:36.560
<v Speaker 2>But like many many TV series, even if they're good

0:25:36.600 --> 0:25:39.639
<v Speaker 2>and I'm enjoying them, I still fall off pretty quickly.

0:25:40.280 --> 0:25:45.840
<v Speaker 3>I just I just haven't seen it. But yeah, I'm

0:25:45.920 --> 0:25:49.200
<v Speaker 3>sure many of our listeners have, and so it's worth

0:25:49.280 --> 0:25:55.000
<v Speaker 3>mentioning that the voice actor for Pin is one Jonathan Banks,

0:25:55.440 --> 0:25:58.720
<v Speaker 3>who plays a huge character on both Breaking Bad, and

0:25:58.840 --> 0:26:04.360
<v Speaker 3>better call Saul Hitman and fixer Mike Erman Trout. Okay,

0:26:04.480 --> 0:26:07.159
<v Speaker 3>so he's been in I think like basically every breaking

0:26:07.160 --> 0:26:10.399
<v Speaker 3>bad thing you could possibly be in. He was nominated

0:26:10.400 --> 0:26:12.960
<v Speaker 3>for an Emmy for this role a number of times.

0:26:13.280 --> 0:26:16.440
<v Speaker 3>He was nominated for a SAG Awards Saturday Awards. So anyways,

0:26:16.480 --> 0:26:20.840
<v Speaker 3>if you saw any breaking bad media, I'm assuming that

0:26:20.920 --> 0:26:23.399
<v Speaker 3>you would recognize this actor and you would be shocked

0:26:23.440 --> 0:26:26.760
<v Speaker 3>to find that he also played Pin. I was able

0:26:26.760 --> 0:26:30.720
<v Speaker 3>to find an interview, but like, there's so little meat.

0:26:30.840 --> 0:26:34.360
<v Speaker 3>So a few people have acknowledged they're in Pin. David Hewlett,

0:26:34.400 --> 0:26:36.960
<v Speaker 3>you cannot find a single acknowledgment, and he does a

0:26:37.000 --> 0:26:40.440
<v Speaker 3>lot of interviews. He pretends he doesn't see Pin, even

0:26:40.480 --> 0:26:43.880
<v Speaker 3>though he's giving the performance of a lifetime whatever whatever.

0:26:44.200 --> 0:26:47.880
<v Speaker 3>But Jonathan Banks did give one errant interview about Pin,

0:26:48.000 --> 0:26:50.080
<v Speaker 3>and he was like, I don't remember really doing that,

0:26:50.440 --> 0:26:53.760
<v Speaker 3>but I never got any residuals were in my residuals

0:26:53.800 --> 0:26:57.280
<v Speaker 3>And it's like bad bad news, Pal Pin didn't really

0:26:57.400 --> 0:27:00.280
<v Speaker 3>come out. Oh, I think residuals are on the way. No,

0:27:00.720 --> 0:27:05.080
<v Speaker 3>they should give him YouTube ad rup. How can we

0:27:05.119 --> 0:27:08.280
<v Speaker 3>get Mike? How can we get breaking bads? Mike erman

0:27:08.320 --> 0:27:10.320
<v Speaker 3>Trout paid for Pin. I think The Pin Boys is

0:27:10.400 --> 0:27:11.480
<v Speaker 3>so effective and.

0:27:11.520 --> 0:27:17.800
<v Speaker 2>So very creepy. Yes, yeah, And despite Pin sounding and

0:27:17.840 --> 0:27:22.840
<v Speaker 2>looking extremely creepy, the children think that Pin is cool.

0:27:23.119 --> 0:27:26.680
<v Speaker 2>Especially Leon is really into Pin.

0:27:27.000 --> 0:27:31.159
<v Speaker 3>Yeah, and the children, I mean Leon, I feel like

0:27:31.600 --> 0:27:36.359
<v Speaker 3>Pin is the only quote unquote adult sized creature that

0:27:36.560 --> 0:27:42.080
<v Speaker 3>seems to show Leon any patience, even though I wouldn't

0:27:42.080 --> 0:27:43.360
<v Speaker 3>say kindness.

0:27:43.359 --> 0:27:49.200
<v Speaker 2>Feels like a stretch, right because Pin isn't like warm. No,

0:27:49.320 --> 0:27:52.880
<v Speaker 2>He's very clinical and again creepy.

0:27:53.359 --> 0:27:56.960
<v Speaker 3>Yeah, but he isn't like cruel, which is how Leon's

0:27:56.960 --> 0:27:59.240
<v Speaker 3>parents are. So I think that he gets attached for

0:27:59.760 --> 0:28:00.600
<v Speaker 3>that another reason.

0:28:01.000 --> 0:28:05.760
<v Speaker 2>Right, So Leon is obsessed with Pin, and the kids

0:28:05.960 --> 0:28:10.960
<v Speaker 2>have a quick conversation with Pin, and once again it's

0:28:11.000 --> 0:28:16.080
<v Speaker 2>pretty clear that doctor Lyndon has Pin quote unquote respond

0:28:16.680 --> 0:28:22.640
<v Speaker 2>via ventriloquism, and Penn tells the children that they shouldn't

0:28:22.680 --> 0:28:25.800
<v Speaker 2>be talking to him when their father isn't around, and

0:28:25.840 --> 0:28:29.800
<v Speaker 2>this is something that Leon really like takes to heart.

0:28:31.560 --> 0:28:35.680
<v Speaker 2>One day, Leon goes into his dad's office to talk

0:28:35.720 --> 0:28:40.360
<v Speaker 2>to Pin, partly because Pin seems to be Leon's only friend.

0:28:40.720 --> 0:28:44.560
<v Speaker 2>The kids at school don't like Leon, and they bully him,

0:28:45.120 --> 0:28:49.640
<v Speaker 2>So Leon goes to confide in Pin, but then a

0:28:49.720 --> 0:28:52.120
<v Speaker 2>nurse is about to come into the room, so Leon

0:28:52.240 --> 0:28:58.640
<v Speaker 2>hies and then watches as the nurse has sex with Pin.

0:28:59.200 --> 0:29:05.440
<v Speaker 3>This scene is so it's wild weird. It's one of

0:29:05.640 --> 0:29:08.200
<v Speaker 3>It's not the first thing that happens in Pin that

0:29:08.320 --> 0:29:10.760
<v Speaker 3>makes you go yuck, what, but it is the first

0:29:10.760 --> 0:29:13.520
<v Speaker 3>thing where you're just like wow, truly, anything could happen

0:29:13.560 --> 0:29:18.160
<v Speaker 3>in the movie Pin, because this nurse spoiler alert, we

0:29:18.440 --> 0:29:21.320
<v Speaker 3>never see her again. The fact that she fox Pin

0:29:21.920 --> 0:29:24.360
<v Speaker 3>is not relevant to the plot at all. It's just

0:29:24.560 --> 0:29:26.720
<v Speaker 3>something that, like, I mean, I guess the way that

0:29:26.800 --> 0:29:29.760
<v Speaker 3>it I wouldn't say it moves the plot forward, except

0:29:29.760 --> 0:29:34.560
<v Speaker 3>that like it does, I guess further complicate Leon's relationship

0:29:34.720 --> 0:29:40.440
<v Speaker 3>to sexualourages, how he conflights various things because he doesn't

0:29:40.440 --> 0:29:42.120
<v Speaker 3>have an adult in his life to have an honest

0:29:42.160 --> 0:29:45.680
<v Speaker 3>conversation with him about this. But the way they choose

0:29:45.720 --> 0:29:48.240
<v Speaker 3>to get that information Cross is just by saying, so

0:29:48.480 --> 0:29:50.280
<v Speaker 3>this nurse we met at the beginning of the movie,

0:29:50.320 --> 0:29:53.960
<v Speaker 3>who don't get comfortable, she will not be coming back.

0:29:54.840 --> 0:29:58.400
<v Speaker 3>She fox Pin on her break, She fox Pin at

0:29:58.440 --> 0:30:02.280
<v Speaker 3>work at work on her break, and that's why it's

0:30:02.320 --> 0:30:08.080
<v Speaker 3>important that Pin is anatomically correct, because he is this

0:30:08.360 --> 0:30:09.600
<v Speaker 3>nurse's sex doll.

0:30:09.920 --> 0:30:16.840
<v Speaker 2>Apparently Pin has a constant erect penis. Otherwise I'm not sure.

0:30:17.320 --> 0:30:20.280
<v Speaker 3>I guess I don't know enough about medical dolls to

0:30:20.320 --> 0:30:23.240
<v Speaker 3>be like, I miss Yeah, I guess you don't get

0:30:23.240 --> 0:30:26.560
<v Speaker 3>them aroused. Wow, I didn't think about that. That's another

0:30:26.640 --> 0:30:31.120
<v Speaker 3>argument for Pin real? Right if Pin has a boner

0:30:32.000 --> 0:30:34.640
<v Speaker 3>unless but then it's like, if Pin is real, he's

0:30:34.680 --> 0:30:36.400
<v Speaker 3>also getting assaulted.

0:30:37.600 --> 0:30:39.480
<v Speaker 2>Right is Pin consenting to this? Can?

0:30:39.520 --> 0:30:40.120
<v Speaker 3>Pin? Can?

0:30:40.240 --> 0:30:45.120
<v Speaker 2>Can? Alternatively, if we go with the read that Pin

0:30:45.280 --> 0:30:52.600
<v Speaker 2>is not alive, which is okay, some dissenters may make

0:30:52.640 --> 0:30:56.080
<v Speaker 2>this claim. Perhaps the sex that the nurses having with

0:30:56.160 --> 0:31:01.600
<v Speaker 2>Pin is not penetrative. Maybe he's just sort of rubbing,

0:31:02.640 --> 0:31:06.200
<v Speaker 2>rubbing up on Pin, rubbing up on Pin, rubbing pins

0:31:06.360 --> 0:31:09.960
<v Speaker 2>flaccid anatomically correct penis, that's against her.

0:31:10.400 --> 0:31:13.920
<v Speaker 3>We don't know, and it's we don't know. I I

0:31:13.960 --> 0:31:17.640
<v Speaker 3>think you know the nurse. I can't say nurse innocent

0:31:17.760 --> 0:31:20.640
<v Speaker 3>necessarily because you shouldn't be having sex with Pin at

0:31:20.680 --> 0:31:25.360
<v Speaker 3>a pediatrician's office with the door ajar. I might add, also,

0:31:25.520 --> 0:31:28.720
<v Speaker 3>she does not close the door, so I would say

0:31:28.880 --> 0:31:32.600
<v Speaker 3>that is a bit diabolical. I cannot stand that this

0:31:32.760 --> 0:31:34.040
<v Speaker 3>is a woman's wrong.

0:31:34.560 --> 0:31:36.240
<v Speaker 2>I think this is a woman's wrong.

0:31:36.480 --> 0:31:38.960
<v Speaker 3>Having sex with Pin not my business. Having sex with

0:31:39.040 --> 0:31:41.280
<v Speaker 3>Pin at work and you worked at a pediatricians office

0:31:41.280 --> 0:31:44.680
<v Speaker 3>and the door's open, Well that's good, that's a red flag.

0:31:44.680 --> 0:31:51.320
<v Speaker 2>Okay, seek treatment, yes, And Leon is witnessing this all happen,

0:31:51.600 --> 0:31:56.760
<v Speaker 2>and he seems quite horrified, understandably, so then we cut

0:31:56.800 --> 0:32:01.640
<v Speaker 2>to Ursula's birthday. Pin has gone her a present as

0:32:01.680 --> 0:32:05.600
<v Speaker 2>if he is one of the family. Oh my god, and.

0:32:05.600 --> 0:32:07.680
<v Speaker 3>It's so thoughtful. I love I don't know why this

0:32:07.720 --> 0:32:10.719
<v Speaker 3>line stuck with me. But when Leon goes, oh, he's like,

0:32:11.000 --> 0:32:13.160
<v Speaker 3>this is the exact kind of present Pin would get

0:32:13.400 --> 0:32:15.760
<v Speaker 3>because he's just like Pin is such a classy, a

0:32:15.840 --> 0:32:16.560
<v Speaker 3>classy guy.

0:32:16.800 --> 0:32:18.360
<v Speaker 2>Oh he is Pin's number one fan.

0:32:18.520 --> 0:32:20.120
<v Speaker 3>Penn has taste.

0:32:20.840 --> 0:32:24.320
<v Speaker 2>And then that night Leon and Ursula are talking. She

0:32:24.640 --> 0:32:30.160
<v Speaker 2>insults Pin, so Leon strikes her, and then their mother

0:32:30.320 --> 0:32:37.640
<v Speaker 2>catches them with a magazine that contains nudity and she's appalled.

0:32:38.600 --> 0:32:42.920
<v Speaker 2>The next day the kids get the sex talk, but

0:32:43.200 --> 0:32:46.320
<v Speaker 2>guess who it's from. It's from Pin.

0:32:46.600 --> 0:32:49.760
<v Speaker 3>Unfortunately from Pin. Why did they get the talk from

0:32:49.800 --> 0:32:53.720
<v Speaker 3>Pin and why well, I think this is this brings

0:32:53.760 --> 0:32:55.520
<v Speaker 3>up a lot of questions about the doctor character. I

0:32:55.520 --> 0:32:59.960
<v Speaker 3>think that the doctor character it's interesting and I'm using

0:33:00.080 --> 0:33:03.360
<v Speaker 3>the word interesting liberally here, and I don't it's tricky

0:33:03.400 --> 0:33:06.120
<v Speaker 3>because it's like this movie and also like a lot

0:33:06.160 --> 0:33:09.760
<v Speaker 3>of movies in this genre, like the way that that

0:33:09.840 --> 0:33:14.240
<v Speaker 3>horror film address abuse can sometimes be like overt right,

0:33:15.080 --> 0:33:18.520
<v Speaker 3>but I think that this movie kind of it's just

0:33:18.720 --> 0:33:21.200
<v Speaker 3>the stuff. There's a lot of questions left with the doctor.

0:33:21.440 --> 0:33:26.080
<v Speaker 3>I think that like the doctor is sort of using

0:33:26.160 --> 0:33:29.680
<v Speaker 3>Pin as a grooming tool to some extent here, but

0:33:30.000 --> 0:33:32.880
<v Speaker 3>also it seemed like I think, at least towards his daughter,

0:33:32.960 --> 0:33:35.920
<v Speaker 3>I think he behaves very inappropriately towards his daughter with

0:33:35.960 --> 0:33:38.880
<v Speaker 3>regards to her body, like especially when she gets older,

0:33:38.920 --> 0:33:42.280
<v Speaker 3>but I also think when she's younger, like the way

0:33:42.280 --> 0:33:48.360
<v Speaker 3>that he talks to the kids about their bodies is inappropriate,

0:33:48.880 --> 0:33:52.600
<v Speaker 3>and that that's like a behavior that Leon repeats toward

0:33:52.760 --> 0:33:55.960
<v Speaker 3>Ursula later in the movie, like talking with talking to

0:33:56.080 --> 0:33:59.360
<v Speaker 3>Ursula about her body and her autonomy in a very

0:33:59.640 --> 0:34:01.800
<v Speaker 3>I mean with Leon, it gets pretty extreme, but like

0:34:02.520 --> 0:34:06.400
<v Speaker 3>in a very invasive and shamey and inappropriate way, but

0:34:06.800 --> 0:34:09.240
<v Speaker 3>I was kind of surprised at how and maybe people

0:34:09.280 --> 0:34:12.480
<v Speaker 3>are like, Jamie, your brain has officially died, but like,

0:34:13.600 --> 0:34:17.640
<v Speaker 3>I'm surprised at how kind of like not banging you

0:34:17.680 --> 0:34:19.760
<v Speaker 3>over the head with it, they are in the father's

0:34:19.800 --> 0:34:22.600
<v Speaker 3>behavior because you're so focused on how weird Pin is

0:34:22.719 --> 0:34:26.400
<v Speaker 3>conceptually right, but like, what he's having Pins say is

0:34:26.480 --> 0:34:29.200
<v Speaker 3>so creepy, and it's something that I don't think an

0:34:29.239 --> 0:34:32.000
<v Speaker 3>adult man could get away with saying. Not to say

0:34:32.000 --> 0:34:35.000
<v Speaker 3>that giving your children the talk is creepy. Obviously it

0:34:35.080 --> 0:34:37.799
<v Speaker 3>isn't it's the way he's doing it. When he's says it,

0:34:37.840 --> 0:34:39.839
<v Speaker 3>and then he says, take the towel off my lap.

0:34:39.920 --> 0:34:44.040
<v Speaker 3>You're like, that's not how that goes. And also does

0:34:44.080 --> 0:34:48.920
<v Speaker 3>anyone hose Pin downy Pins esexually active dull.

0:34:49.719 --> 0:34:52.160
<v Speaker 2>Pin has juices on him from the nurse.

0:34:52.440 --> 0:34:54.880
<v Speaker 3>Oh my god, yes, it's well.

0:34:54.920 --> 0:34:59.640
<v Speaker 2>I also think that the movie frames the mother character

0:35:00.120 --> 0:35:06.360
<v Speaker 2>as more overtly abusive because she strikes her son. She

0:35:07.840 --> 0:35:10.200
<v Speaker 2>I read her as just being sort of more overtly

0:35:10.280 --> 0:35:11.799
<v Speaker 2>abusive versus.

0:35:11.680 --> 0:35:15.080
<v Speaker 3>Yeah, certainly physically. Yeah, But I also think that the dad, Yeah,

0:35:15.120 --> 0:35:17.800
<v Speaker 3>the dad is abusive in again, like in a more

0:35:18.040 --> 0:35:20.040
<v Speaker 3>shades of gray than you would expect in a movie

0:35:20.080 --> 0:35:23.719
<v Speaker 3>like this, Right, the dad is definitely I mean, they're

0:35:23.719 --> 0:35:27.399
<v Speaker 3>both emotionally abusive towards their kids, but like their dad

0:35:27.440 --> 0:35:30.200
<v Speaker 3>is emotionally abusive in this very and then I think

0:35:30.520 --> 0:35:33.359
<v Speaker 3>you could argue he's physically abusive, but in this very

0:35:33.400 --> 0:35:38.600
<v Speaker 3>like detached way where the mother's abuse comes through a

0:35:38.640 --> 0:35:42.640
<v Speaker 3>lot I think, like just through anger and rage, but

0:35:42.680 --> 0:35:46.200
<v Speaker 3>the dad's abuse, I do. And maybe I'm like overstating.

0:35:46.200 --> 0:35:49.160
<v Speaker 3>I don't want to like use this word irresponsibly, but

0:35:49.200 --> 0:35:51.040
<v Speaker 3>I do feel like Penn is kind of being used

0:35:51.040 --> 0:35:54.160
<v Speaker 3>to like groom the children to think about their bodies

0:35:54.200 --> 0:35:57.400
<v Speaker 3>a certain way. I agree that entitles their father to

0:35:57.440 --> 0:35:58.080
<v Speaker 3>their bodies.

0:35:58.760 --> 0:36:02.439
<v Speaker 2>Yes, yes, I also think that the ways in which

0:36:02.520 --> 0:36:07.200
<v Speaker 2>the dad character is abusive was very normalized for the

0:36:07.280 --> 0:36:10.120
<v Speaker 2>time and might not have even been read as abuse

0:36:10.480 --> 0:36:13.600
<v Speaker 2>for audiences who were watching this in the late eighties.

0:36:13.680 --> 0:36:16.439
<v Speaker 3>Oh God, I have to believe that my dear friend

0:36:16.520 --> 0:36:20.719
<v Speaker 3>Terry o'quinnin was aware. But this scene is also interesting

0:36:21.640 --> 0:36:25.880
<v Speaker 3>because this is where Ursula the smartest person in the movie,

0:36:26.800 --> 0:36:28.960
<v Speaker 3>and this is the scene that I guess I was

0:36:29.080 --> 0:36:32.399
<v Speaker 3>painting and not looking at the screen because you can

0:36:32.480 --> 0:36:38.080
<v Speaker 3>see John Locke clearly being ventriloquist and Ursula noticing it

0:36:38.440 --> 0:36:41.360
<v Speaker 3>and then turning back to Pin and engaging. But the

0:36:41.360 --> 0:36:44.760
<v Speaker 3>way that Ursula engages with Pin is out of fear

0:36:45.040 --> 0:36:49.399
<v Speaker 3>versus belief. And then that's like something that remains true

0:36:49.480 --> 0:36:53.160
<v Speaker 3>for the rest of I don't know, who knows, I

0:36:53.160 --> 0:36:56.400
<v Speaker 3>guess the rest of her life. You see how Pin ends.

0:36:57.719 --> 0:37:01.360
<v Speaker 2>And just you wait, listeners, but you should have already

0:37:01.360 --> 0:37:02.719
<v Speaker 2>watched it. You should already know.

0:37:02.880 --> 0:37:05.920
<v Speaker 3>If you're still here, you we trust the And also,

0:37:06.040 --> 0:37:08.239
<v Speaker 3>oh my gosh, wait, this would be so fun if

0:37:08.280 --> 0:37:11.920
<v Speaker 3>you watched Pin on YouTube, leave a comment saying the

0:37:11.960 --> 0:37:13.080
<v Speaker 3>Bechtel has brought me here.

0:37:13.520 --> 0:37:14.720
<v Speaker 2>Oh a comment on YouTube?

0:37:14.800 --> 0:37:18.360
<v Speaker 3>Yes, yes, I want to see. Yes, please, Let's let's

0:37:18.400 --> 0:37:21.800
<v Speaker 3>get the Pin video and let's get engagement up. Halloween's

0:37:21.840 --> 0:37:23.759
<v Speaker 3>right around the corner. We need people watching Pin.

0:37:24.280 --> 0:37:28.759
<v Speaker 2>Yes, yes, oh okay. So the kids are getting the

0:37:28.800 --> 0:37:33.720
<v Speaker 2>sex talk from Pin. He tells them about the urge

0:37:33.880 --> 0:37:37.680
<v Speaker 2>people get to have sex, and we will talk more

0:37:38.280 --> 0:37:43.520
<v Speaker 2>about this scene in our discussion. But that's the vibe

0:37:43.520 --> 0:37:46.960
<v Speaker 2>of the conversation. And then Pinn is like, look at

0:37:46.960 --> 0:37:53.359
<v Speaker 2>my genitals, and afterward Leon and Ursula talk about kind

0:37:53.400 --> 0:37:56.040
<v Speaker 2>of what just happened, and it seems as though Ursula

0:37:56.200 --> 0:38:01.080
<v Speaker 2>is more curious and comfortable talking about sex ruality, while

0:38:01.719 --> 0:38:05.000
<v Speaker 2>Leon seems much less comfortable with it.

0:38:05.160 --> 0:38:08.799
<v Speaker 3>Yeah, which is another interesting, like it's hard to put

0:38:08.800 --> 0:38:11.200
<v Speaker 3>yourself in like nineteen eighty eight mindset, because I think

0:38:11.239 --> 0:38:14.279
<v Speaker 3>that there's a read of Ursula's behavior early on that

0:38:14.440 --> 0:38:17.640
<v Speaker 3>is like a very normal curiosity for a young girl

0:38:17.760 --> 0:38:20.200
<v Speaker 3>to have, and that is the intent of how it

0:38:20.239 --> 0:38:22.279
<v Speaker 3>was written. And then I think there's another read of

0:38:22.320 --> 0:38:25.319
<v Speaker 3>it is like she is like hyper sexual and this

0:38:25.480 --> 0:38:28.400
<v Speaker 3>is abnormal. I'm not really sure what what read the

0:38:28.400 --> 0:38:30.879
<v Speaker 3>movie intends you to take, but I like that both

0:38:30.880 --> 0:38:33.759
<v Speaker 3>are available. I think, well, just because I like the

0:38:33.760 --> 0:38:36.839
<v Speaker 3>movie PIN, I want to say that it's presented as

0:38:36.960 --> 0:38:41.040
<v Speaker 3>normal because Ursula is like our final girl and kind

0:38:41.080 --> 0:38:45.600
<v Speaker 3>of the survivor. Like I think that if she and

0:38:45.800 --> 0:38:47.800
<v Speaker 3>we've all watched Pins, so this is safe to say,

0:38:48.280 --> 0:38:50.600
<v Speaker 3>if she like died in a horrible way, I feel

0:38:50.640 --> 0:38:52.280
<v Speaker 3>like the other read is more.

0:38:52.239 --> 0:38:55.320
<v Speaker 2>Likely, right because it would probably seem like the movie

0:38:55.400 --> 0:38:58.520
<v Speaker 2>is punishing her for having sexual.

0:38:58.520 --> 0:39:02.719
<v Speaker 3>Needs exactly need exactly Yeah, Yeah, but she I mean,

0:39:02.760 --> 0:39:05.520
<v Speaker 3>she is punished for having the need. But then our.

0:39:05.360 --> 0:39:08.320
<v Speaker 2>Foot by her brother, not by the movie.

0:39:08.840 --> 0:39:12.520
<v Speaker 3>Yes, that is true, And she meets She's she meets

0:39:12.560 --> 0:39:14.799
<v Speaker 3>the only nice movie boyfriend I've ever seen. She meets

0:39:14.800 --> 0:39:17.440
<v Speaker 3>a sweety pie stand the man, a little sweetie, I

0:39:17.480 --> 0:39:17.959
<v Speaker 3>love Stan.

0:39:19.200 --> 0:39:22.680
<v Speaker 2>Yeah, yes, okay, so the kids have gotten the sex talk,

0:39:22.760 --> 0:39:25.680
<v Speaker 2>and then we cut to a few years later. Leon

0:39:25.760 --> 0:39:31.760
<v Speaker 2>and Ursula are now teenagers. Leon is super straight laced.

0:39:32.520 --> 0:39:35.359
<v Speaker 2>He seems to take after his parents quite a bit.

0:39:35.480 --> 0:39:37.960
<v Speaker 3>He's got kind of a proud boy haircut, let's be honest.

0:39:38.160 --> 0:39:42.400
<v Speaker 2>For sure, Yes, he's like wearing a suit to school

0:39:42.640 --> 0:39:46.880
<v Speaker 2>kind of thing. But Ursula, she seems to be a

0:39:46.920 --> 0:39:52.000
<v Speaker 2>proud slut. She is sexually liberated and she's wearing it proudly.

0:39:52.800 --> 0:39:57.360
<v Speaker 2>And Leon finds her having sex with a guy in

0:39:57.800 --> 0:39:58.640
<v Speaker 2>a car, but.

0:39:58.560 --> 0:40:00.839
<v Speaker 3>We also know that she's being bullied for it.

0:40:01.280 --> 0:40:04.120
<v Speaker 2>True. Yes, yes, yeah, there's like graffiti on the lockers

0:40:04.560 --> 0:40:07.480
<v Speaker 2>because saying that she's easy or whatever.

0:40:07.640 --> 0:40:12.520
<v Speaker 3>Girls and women famously can't win, right yeah.

0:40:11.880 --> 0:40:15.799
<v Speaker 2>Yes, anyway, Leon discovers her having sex in a car,

0:40:15.920 --> 0:40:20.279
<v Speaker 2>so he intervenes, beats up the guy, and then ruthlessly

0:40:20.600 --> 0:40:23.879
<v Speaker 2>slut shames Ursula and basically says, like, if you ever

0:40:23.920 --> 0:40:27.720
<v Speaker 2>have sex again, you can forget that I'm your brother.

0:40:27.960 --> 0:40:31.480
<v Speaker 2>He's like threatening to disown her, and so she promises

0:40:31.560 --> 0:40:35.239
<v Speaker 2>not to do it again, but uh oh, it's too late.

0:40:35.800 --> 0:40:41.040
<v Speaker 2>She is pregnant. Ursula reveals to Leon that she believes

0:40:41.080 --> 0:40:44.239
<v Speaker 2>that she is pregnant, and they debate whether or not

0:40:44.320 --> 0:40:47.600
<v Speaker 2>they should tell their father or go to a different

0:40:47.680 --> 0:40:51.719
<v Speaker 2>doctor in town, or how to maybe keep this under wraps.

0:40:52.080 --> 0:40:55.320
<v Speaker 3>But as in all things, Ursula is just absolutely trapped

0:40:55.440 --> 0:41:00.680
<v Speaker 3>in this web of horrible men, and Leon pertally correctly

0:41:00.680 --> 0:41:02.400
<v Speaker 3>points out that they live in a small town and

0:41:02.440 --> 0:41:04.520
<v Speaker 3>it would get back to her father anyways, and.

0:41:04.480 --> 0:41:07.200
<v Speaker 2>So they should just tell him, right, because I guess

0:41:07.239 --> 0:41:09.600
<v Speaker 2>the doctors in this town don't give a shit about

0:41:09.920 --> 0:41:11.440
<v Speaker 2>hippa violations.

0:41:11.520 --> 0:41:13.920
<v Speaker 3>I mean, that is definitely true because that happened to

0:41:14.080 --> 0:41:16.759
<v Speaker 3>when my mom. That happened to my mom when she

0:41:16.840 --> 0:41:20.400
<v Speaker 3>got an abortion in the eighties, where a doctor violated

0:41:21.320 --> 0:41:24.840
<v Speaker 3>hippa roles. So I do think that that concern is

0:41:24.840 --> 0:41:27.600
<v Speaker 3>well placed, Yeah, for sure. But then it's like, oh,

0:41:27.719 --> 0:41:30.080
<v Speaker 3>now I have to get an abortion from fucking John

0:41:30.239 --> 0:41:33.879
<v Speaker 3>Locke this and po and pinh my god.

0:41:33.920 --> 0:41:37.000
<v Speaker 2>Okay, so yes, here's what happens. Because they don't know

0:41:37.040 --> 0:41:40.439
<v Speaker 2>exactly what to do, Leon suggests they go to Pin

0:41:40.719 --> 0:41:45.120
<v Speaker 2>for advice, and Ursula is like, uh, that's not going

0:41:45.239 --> 0:41:50.319
<v Speaker 2>to work. Pin won't slash, can't talk when our father

0:41:50.480 --> 0:41:53.040
<v Speaker 2>isn't there. But Leon is like, no, no, no, no,

0:41:53.640 --> 0:41:57.719
<v Speaker 2>Pin is going to help us. So they go to

0:41:57.760 --> 0:42:00.760
<v Speaker 2>their dad's office and talk to Pin, and it seems

0:42:00.760 --> 0:42:04.000
<v Speaker 2>at first like Pin is not going to respond because

0:42:04.320 --> 0:42:09.759
<v Speaker 2>doctor Lindon is not there ventriloquizing him, but then twist,

0:42:10.480 --> 0:42:14.560
<v Speaker 2>Pin talks to them in his creepy voice. So this

0:42:14.640 --> 0:42:16.919
<v Speaker 2>is where we're starting to be like, Okay, is Pin

0:42:17.160 --> 0:42:23.719
<v Speaker 2>sentient or is it Leon throwing his voice and ventriloquizing

0:42:24.320 --> 0:42:24.960
<v Speaker 2>and Pin.

0:42:25.080 --> 0:42:29.560
<v Speaker 3>Ursula is pretty sure it's the latter. Yes, poor Ursula. There.

0:42:29.719 --> 0:42:31.960
<v Speaker 3>Ursula is always in a horrible situation, and then Pin

0:42:32.040 --> 0:42:34.680
<v Speaker 3>comes in and makes it twenty times worse, like.

0:42:35.080 --> 0:42:39.839
<v Speaker 2>It just yeah. So Pin tells them that Ursula should

0:42:39.880 --> 0:42:43.440
<v Speaker 2>definitely see a doctor if she is pregnant.

0:42:43.600 --> 0:42:48.640
<v Speaker 3>Soles Pin, she wouldn't have known that otherwise, right, So.

0:42:48.760 --> 0:42:52.400
<v Speaker 2>Ursula and Leon end up telling their father, and then

0:42:52.480 --> 0:42:57.880
<v Speaker 2>doctor Lindon gives his own daughter an abortion, presumably a

0:42:58.000 --> 0:43:01.080
<v Speaker 2>surgical abortion via her vagina.

0:43:01.600 --> 0:43:05.960
<v Speaker 3>She's so I don't I don't know where to begin.

0:43:06.120 --> 0:43:08.520
<v Speaker 3>It's it's so clear that like this is, but this,

0:43:08.520 --> 0:43:10.560
<v Speaker 3>this I feel like is I don't mean to sound

0:43:10.600 --> 0:43:13.279
<v Speaker 3>callous by saying payoff, but like I think does sort

0:43:13.320 --> 0:43:17.120
<v Speaker 3>of pay off on how the doctor talks to his

0:43:17.160 --> 0:43:19.799
<v Speaker 3>kids about their bodies earlier, so that by the time

0:43:19.880 --> 0:43:24.040
<v Speaker 3>this happens later, he feels very comfortable asserting autonomy and

0:43:24.080 --> 0:43:27.120
<v Speaker 3>control over his daughter's body in a way that feels

0:43:27.400 --> 0:43:29.480
<v Speaker 3>very inappropriate.

0:43:29.440 --> 0:43:32.040
<v Speaker 2>Because he also slept shames her before performing.

0:43:32.080 --> 0:43:35.239
<v Speaker 3>Everyone slut shame a portion. Yeah, she doesn't even I mean,

0:43:35.280 --> 0:43:37.480
<v Speaker 3>we have no reason to believe that a conversation with

0:43:37.520 --> 0:43:40.319
<v Speaker 3>her mom would go well. It seems like we're led

0:43:40.320 --> 0:43:42.239
<v Speaker 3>to believe it would go worse than any of the

0:43:42.280 --> 0:43:46.400
<v Speaker 3>other conversations. But she doesn't even get the opportunity to

0:43:46.520 --> 0:43:49.799
<v Speaker 3>consider it. Like, both her brother and her father are

0:43:49.840 --> 0:43:52.640
<v Speaker 3>like that, can't. We're protecting you by slut shaming you

0:43:52.719 --> 0:43:54.960
<v Speaker 3>and putting you in this awful position, which is just

0:43:56.400 --> 0:43:57.640
<v Speaker 3>yeah horrible.

0:43:58.120 --> 0:44:03.000
<v Speaker 2>Uh Okay. So sometimes passes after the abortion, and one

0:44:03.120 --> 0:44:08.959
<v Speaker 2>night their father catches Leon asking Pin for advice, and

0:44:09.200 --> 0:44:12.719
<v Speaker 2>his father is horrified that Leon is talking to Pin.

0:44:13.200 --> 0:44:15.920
<v Speaker 3>It looks like he catches it. That whole scene plays

0:44:15.920 --> 0:44:18.040
<v Speaker 3>out like he's been caught having sex, which I thought

0:44:18.080 --> 0:44:21.719
<v Speaker 3>was like very like a fun directorialist raice where it's

0:44:21.719 --> 0:44:25.560
<v Speaker 3>like he walks in on Leon and Pin basically yeah,

0:44:25.600 --> 0:44:27.640
<v Speaker 3>and it's like get out of here, you slut.

0:44:28.040 --> 0:44:28.279
<v Speaker 1>Yeah.

0:44:28.320 --> 0:44:31.760
<v Speaker 2>He's basically like, Pin is mine. You can't have him.

0:44:31.760 --> 0:44:33.160
<v Speaker 3>That's my dirty boy.

0:44:34.800 --> 0:44:38.200
<v Speaker 2>So he sends Leon home and then doctor Lindon and

0:44:38.560 --> 0:44:43.000
<v Speaker 2>his wife speed off to some conference or something. It's

0:44:43.040 --> 0:44:47.000
<v Speaker 2>it's very urgent and they have to get there on time.

0:44:47.040 --> 0:44:50.279
<v Speaker 2>They can't be late. Yeah, and doctor Lindon brings Pin

0:44:50.760 --> 0:44:51.279
<v Speaker 2>with them.

0:44:51.520 --> 0:44:55.040
<v Speaker 3>He says, curtains on Pin, like mm hmm. Yeah.

0:44:55.080 --> 0:45:00.000
<v Speaker 2>But because doctor Lindon is driving so recklessly, he crashed

0:45:00.239 --> 0:45:04.760
<v Speaker 2>the car and it's maybe because he's distracted by Pin,

0:45:05.160 --> 0:45:09.359
<v Speaker 2>or that Pin does something to cause the accident. It's

0:45:09.400 --> 0:45:12.880
<v Speaker 2>all very murky here to your point earlier of like

0:45:13.239 --> 0:45:15.840
<v Speaker 2>there is Pin sentient? What's happening?

0:45:16.040 --> 0:45:18.520
<v Speaker 3>This is as close as we get to being invited

0:45:18.560 --> 0:45:22.319
<v Speaker 3>to believe Pin is sentient, I think, But like they

0:45:22.360 --> 0:45:24.520
<v Speaker 3>do add An, I wonder if it's ad R two,

0:45:24.800 --> 0:45:27.279
<v Speaker 3>Like the mom is like, oh my god, why are

0:45:27.280 --> 0:45:30.160
<v Speaker 3>you driving so fast? And then she turns around and

0:45:30.239 --> 0:45:32.920
<v Speaker 3>she's Pin and she's like ah. Then he's like he's

0:45:32.960 --> 0:45:35.360
<v Speaker 3>like he just well, I took the quarter too hard,

0:45:35.480 --> 0:45:38.040
<v Speaker 3>Like they give you an explanation as to how Pin

0:45:38.160 --> 0:45:41.320
<v Speaker 3>could have been setting up, but you're just like, I

0:45:41.320 --> 0:45:45.480
<v Speaker 3>don't know if Pin is real. Then I also love

0:45:45.560 --> 0:45:48.080
<v Speaker 3>the movie. There's no version of Pin that I'm like,

0:45:48.400 --> 0:45:49.800
<v Speaker 3>this movie sucks.

0:45:49.880 --> 0:45:53.759
<v Speaker 2>Right right and again this scene is like, what are

0:45:53.800 --> 0:45:57.400
<v Speaker 2>you suggesting? Because after this it starts to become clearer

0:45:57.440 --> 0:46:00.560
<v Speaker 2>and clearer that Pin is not and has never been.

0:46:00.960 --> 0:46:05.640
<v Speaker 2>Cindi in so but this scene really complicates things. In

0:46:05.680 --> 0:46:10.239
<v Speaker 2>any case, doctor Lindon and missus Lindon die in the

0:46:10.280 --> 0:46:14.800
<v Speaker 2>car accident. There is a funeral, Leon and Ursula's aunt

0:46:14.800 --> 0:46:18.800
<v Speaker 2>Dorothy tell them that she's going to come and stay

0:46:18.800 --> 0:46:22.520
<v Speaker 2>with them for a while to care for them now

0:46:22.600 --> 0:46:24.600
<v Speaker 2>that their parents have passed away.

0:46:25.239 --> 0:46:28.360
<v Speaker 3>I love that. I love Aunt Dorothy for many reasons,

0:46:28.960 --> 0:46:30.720
<v Speaker 3>one of them being I also read that this movie

0:46:30.760 --> 0:46:33.520
<v Speaker 3>was shot absurdly out of order, to the point where

0:46:33.560 --> 0:46:38.880
<v Speaker 3>the actress playing Ursula, whose name is Cindy Preston, but

0:46:39.280 --> 0:46:43.480
<v Speaker 3>she she had to like keep the storyboards with her

0:46:43.560 --> 0:46:45.920
<v Speaker 3>whenever she was performing, because they would just have them

0:46:46.040 --> 0:46:49.880
<v Speaker 3>jumping around so wildly, like in the space of a day. Anyways,

0:46:50.080 --> 0:46:52.759
<v Speaker 3>the actor playing Aunt Dorothy is not saying Leon's name

0:46:52.800 --> 0:46:59.279
<v Speaker 3>correctly the whole time. She's just Leyon Layon because she's

0:46:59.280 --> 0:47:00.279
<v Speaker 3>so she's so.

0:47:00.360 --> 0:47:01.919
<v Speaker 2>Fancy, so chic.

0:47:02.840 --> 0:47:07.560
<v Speaker 3>You're not eating your food, Leon, Oh she's cooked.

0:47:07.400 --> 0:47:11.719
<v Speaker 2>She's dead. Yeah. So before she moves in, Leon and

0:47:11.840 --> 0:47:15.600
<v Speaker 2>Ursula are alone in the house and Ursula wakes up

0:47:15.640 --> 0:47:18.360
<v Speaker 2>in the middle of the night to discover that Leon

0:47:18.520 --> 0:47:20.919
<v Speaker 2>is talking to Pin. That like he has brought Pin

0:47:21.120 --> 0:47:23.200
<v Speaker 2>home and they're having a conversation.

0:47:23.320 --> 0:47:25.359
<v Speaker 3>He's pinterested, he's.

0:47:27.000 --> 0:47:30.360
<v Speaker 2>He I get it too, Okay, I love it. It's good.

0:47:30.520 --> 0:47:35.000
<v Speaker 2>Thank you. Also, Leon has dressed Pin in a suit,

0:47:35.320 --> 0:47:38.840
<v Speaker 2>and honestly he should have put him in a pinstripe suit.

0:47:39.600 --> 0:47:41.799
<v Speaker 3>But that would have been Leon doesn't have a sense

0:47:41.840 --> 0:47:43.960
<v Speaker 3>of humor like that, and it comes to Pin and

0:47:44.040 --> 0:47:47.280
<v Speaker 3>also in his life when we get to hit Leon's poetry,

0:47:47.440 --> 0:47:52.359
<v Speaker 3>oh god, that is I think viewed in the right way,

0:47:52.840 --> 0:47:59.520
<v Speaker 3>a like sketch, like it's so fucked up. Yeah's poetry imminent.

0:48:00.200 --> 0:48:03.640
<v Speaker 2>But in the meantime Pinn is now wearing a suit

0:48:03.680 --> 0:48:08.680
<v Speaker 2>I think it's the late doctor Lindon's clothes, and Leon

0:48:08.800 --> 0:48:12.799
<v Speaker 2>insists that Pin is part of the family, more so

0:48:12.920 --> 0:48:18.920
<v Speaker 2>than Aunt Dorothy, who Leon ominously says she's not gonna

0:48:18.960 --> 0:48:22.440
<v Speaker 2>stay with us for very long because she's going to

0:48:22.520 --> 0:48:24.879
<v Speaker 2>realize that she's not wanted here.

0:48:25.520 --> 0:48:29.160
<v Speaker 3>And also Pen needs his own room, so yeah, Pin's

0:48:29.200 --> 0:48:33.719
<v Speaker 3>slumming it in the attic and that's not okay now.

0:48:33.920 --> 0:48:38.920
<v Speaker 2>Ursula meanwhile, is very freaked out by Pin and doesn't

0:48:38.960 --> 0:48:43.920
<v Speaker 2>want him around, but Leon reassures her that Pin is fine,

0:48:44.480 --> 0:48:47.200
<v Speaker 2>he's one of us, He's part of the family, and

0:48:47.239 --> 0:48:50.799
<v Speaker 2>then Aunt Dorothy moves in. Leon is being very rude

0:48:50.800 --> 0:48:54.880
<v Speaker 2>to her. Also, the conversations with Pin that he's having

0:48:55.040 --> 0:48:59.760
<v Speaker 2>are getting creepier and creepier. Penn's voice is also starting

0:48:59.760 --> 0:49:05.520
<v Speaker 2>to say even creepier. So things are not going well here,

0:49:06.320 --> 0:49:10.000
<v Speaker 2>certainly not. One night, Aunt Dorothy wakes up to discover

0:49:10.120 --> 0:49:14.280
<v Speaker 2>that Pin is in her bed and like slowly sitting upright.

0:49:15.360 --> 0:49:17.960
<v Speaker 2>She tries to run out, the door is locked, and

0:49:18.000 --> 0:49:23.359
<v Speaker 2>then she collapses and dies, presumably from a heart attack.

0:49:23.360 --> 0:49:26.359
<v Speaker 3>Yes, which is foreshadow She's like, maybe being here will

0:49:26.400 --> 0:49:27.800
<v Speaker 3>help my heart Leon.

0:49:29.239 --> 0:49:30.600
<v Speaker 2>Yeah, it doesn't.

0:49:31.040 --> 0:49:33.879
<v Speaker 3>It's also implied. I think that I read that this

0:49:34.880 --> 0:49:38.399
<v Speaker 3>she's given slightly more of an arc in the book. Okay,

0:49:38.440 --> 0:49:42.120
<v Speaker 3>but unfortunately it seems like, you know, Ursula, it's kind

0:49:42.120 --> 0:49:44.279
<v Speaker 3>of hard to I think Ursula's it seems like she's

0:49:44.680 --> 0:49:47.480
<v Speaker 3>okay with her being around because it protects her from

0:49:48.200 --> 0:49:52.160
<v Speaker 3>Pin being front and center. But it is also clear

0:49:52.239 --> 0:49:56.760
<v Speaker 3>that like every potential guardian or like ally that Arsula

0:49:56.760 --> 0:50:00.560
<v Speaker 3>comes into contact with prior to meeting Stan, she has

0:50:00.560 --> 0:50:03.520
<v Speaker 3>an ulterior motive where she wants the house and she

0:50:04.120 --> 0:50:07.120
<v Speaker 3>like wants to sell their stuff and like wants access

0:50:07.160 --> 0:50:08.080
<v Speaker 3>to their money.

0:50:08.080 --> 0:50:09.640
<v Speaker 2>Sort of like Count oll Off.

0:50:10.719 --> 0:50:12.840
<v Speaker 3>She's I mean, she's not Count O. I feel like

0:50:13.360 --> 0:50:16.440
<v Speaker 3>there is a Count all Off energy about this, but

0:50:16.480 --> 0:50:18.600
<v Speaker 3>like but yeah, she's like when she's like, oh, keep

0:50:18.640 --> 0:50:21.120
<v Speaker 3>the furniture covered, it's so valuable. I guess I was

0:50:21.160 --> 0:50:23.520
<v Speaker 3>getting the feeling that she wanted to stick around long

0:50:23.600 --> 0:50:26.719
<v Speaker 3>enough to like get stuff. Sure, she also doesn't seem

0:50:26.719 --> 0:50:30.600
<v Speaker 3>to be mourning her her bitch sister, not really no,

0:50:30.760 --> 0:50:33.520
<v Speaker 3>which is like, okay, you know she wasn't a great lady,

0:50:33.600 --> 0:50:35.120
<v Speaker 3>but anyways.

0:50:34.880 --> 0:50:37.680
<v Speaker 2>Aunt Dorothy, she's got issues of her own.

0:50:38.040 --> 0:50:40.160
<v Speaker 3>Yeah, and she'll know she will never resolve them.

0:50:40.080 --> 0:50:43.040
<v Speaker 2>Because right, yeah, not the least of which she she

0:50:43.040 --> 0:50:47.880
<v Speaker 2>she got killed by pin pin induced heart attack. And

0:50:47.920 --> 0:50:51.239
<v Speaker 2>then and then Leon pops out from behind Pin. So

0:50:51.320 --> 0:50:56.919
<v Speaker 2>it seems as though Leon was controlling Pin maybe, but again,

0:50:56.960 --> 0:50:59.560
<v Speaker 2>I feel like we're still not totally sure at this point.

0:51:00.440 --> 0:51:04.279
<v Speaker 3>Yeah, I which again, I'm like, I worked for me.

0:51:04.760 --> 0:51:08.200
<v Speaker 3>If you're high on paint fumes and aren't really paying attention,

0:51:08.440 --> 0:51:11.600
<v Speaker 3>you're like Pin is a real guy, for sure. Yeah, sure,

0:51:11.840 --> 0:51:13.120
<v Speaker 3>he's my friend. Okay.

0:51:13.160 --> 0:51:16.839
<v Speaker 2>So Leon brings Pin back down from the attic and

0:51:17.280 --> 0:51:21.200
<v Speaker 2>moves him into the room that Aunt Dorothy had been

0:51:21.239 --> 0:51:24.960
<v Speaker 2>staying in, and the next thing we know, Leon has

0:51:25.000 --> 0:51:30.320
<v Speaker 2>put Pin in a skin suit, which you alluded to earlier.

0:51:30.880 --> 0:51:35.080
<v Speaker 3>Pin Pin skin reveal. I will never forget it is

0:51:35.239 --> 0:51:38.719
<v Speaker 3>so like it is a it's a great it's such

0:51:38.760 --> 0:51:42.560
<v Speaker 3>a great production design job too, because it's really hard

0:51:42.600 --> 0:51:46.320
<v Speaker 3>to say whether the skin makes him worse or better.

0:51:46.440 --> 0:51:49.920
<v Speaker 3>To like, I think he just looks equally scary, but

0:51:50.000 --> 0:51:51.480
<v Speaker 3>it just like a totally different.

0:51:51.160 --> 0:51:55.400
<v Speaker 2>Way, right right. I I think I'm gonna land on

0:51:55.440 --> 0:51:59.600
<v Speaker 2>the side that Pin looks even creepier than he because

0:51:59.640 --> 0:52:04.960
<v Speaker 2>before least Tea resembles, you know, a medical dummy, which

0:52:05.320 --> 0:52:08.600
<v Speaker 2>you might see in the real world. Pin in skin

0:52:09.600 --> 0:52:13.560
<v Speaker 2>looks like it's not okay. Nothing you've ever seen before.

0:52:14.239 --> 0:52:15.160
<v Speaker 2>It's not okay.

0:52:15.400 --> 0:52:18.279
<v Speaker 3>It's not okay. And also, I mean, this movie is

0:52:18.600 --> 0:52:21.279
<v Speaker 3>not being subtle about what's going on with Leon. He's

0:52:21.280 --> 0:52:26.520
<v Speaker 3>wearing John Locke's clothes. I'm so curious how he did

0:52:26.560 --> 0:52:29.320
<v Speaker 3>the skin situation. I'm like, I assume here that was

0:52:29.360 --> 0:52:31.759
<v Speaker 3>a solo job. You can't really like get on.

0:52:31.840 --> 0:52:35.399
<v Speaker 2>Task rabbit for that, right, right? Did he make it?

0:52:35.520 --> 0:52:40.759
<v Speaker 2>Did he buy it somewhere to know what is going on?

0:52:41.960 --> 0:52:45.919
<v Speaker 2>Either way, Ursula is like, what the fuck is this?

0:52:47.120 --> 0:52:50.440
<v Speaker 3>And Ursula She's like, yeah, sure, A likely thing for

0:52:50.560 --> 0:52:53.040
<v Speaker 3>Leon to do is put skin all over Pin.

0:52:53.840 --> 0:52:56.840
<v Speaker 2>M hm. And this leads to a fight between Ursula

0:52:56.920 --> 0:53:02.920
<v Speaker 2>and Leon. Leon again, do any thing? Oh no, and

0:53:03.000 --> 0:53:05.920
<v Speaker 2>he threatens to kick Ursula out if she does not

0:53:06.120 --> 0:53:09.920
<v Speaker 2>accept Pin as being a member of the family, so

0:53:09.960 --> 0:53:11.040
<v Speaker 2>she sort of has no choice.

0:53:11.120 --> 0:53:13.800
<v Speaker 3>Does he have the right to do this? I honestly

0:53:13.840 --> 0:53:17.000
<v Speaker 3>am not sure because I'm like, unless their parents were like,

0:53:17.040 --> 0:53:18.799
<v Speaker 3>we're giving everything to Leon, I'm like, can.

0:53:18.680 --> 0:53:21.280
<v Speaker 2>You even do that? Anyways, I don't know, well, because

0:53:21.280 --> 0:53:24.640
<v Speaker 2>she's she's a miner, she's a oh.

0:53:24.320 --> 0:53:27.399
<v Speaker 3>Maybe that's it, and Leon is canonically eighteen. We find

0:53:27.400 --> 0:53:29.120
<v Speaker 3>out that he's he's an adult.

0:53:29.040 --> 0:53:30.600
<v Speaker 2>Right do we? I forge we do?

0:53:30.840 --> 0:53:33.799
<v Speaker 3>Okay, Okay, we do, okay, so actually that does make sense.

0:53:34.400 --> 0:53:39.520
<v Speaker 2>Okay, Well, anyway, things seem to calm down a little

0:53:39.520 --> 0:53:43.440
<v Speaker 2>bit after this, and this is when Ursula meets a

0:53:43.560 --> 0:53:45.240
<v Speaker 2>nice young man named Stan.

0:53:45.920 --> 0:53:48.759
<v Speaker 3>She also gets a job. I really love like the

0:53:49.120 --> 0:53:53.600
<v Speaker 3>moments where like Ursula has like autonomy or like tries

0:53:53.600 --> 0:53:55.719
<v Speaker 3>to exert control of her life even though she doesn't

0:53:55.760 --> 0:53:59.279
<v Speaker 3>have any opportunities. But like, yeah, she gets a job

0:53:59.320 --> 0:54:02.759
<v Speaker 3>at the library. She's really excited about it, and that's

0:54:02.800 --> 0:54:04.160
<v Speaker 3>where she meets Stan.

0:54:04.920 --> 0:54:08.319
<v Speaker 2>She meets Stan. We can call into question because it's

0:54:08.400 --> 0:54:12.200
<v Speaker 2>established that Stan is a college student and we know

0:54:12.480 --> 0:54:16.000
<v Speaker 2>that Ursula is I think sixteen sixteen.

0:54:16.239 --> 0:54:16.479
<v Speaker 1>So.

0:54:17.880 --> 0:54:20.680
<v Speaker 3>I mean, yeah, I guess I'm not going to comment

0:54:20.719 --> 0:54:25.520
<v Speaker 3>on that. That's that's a tricky one. But in any case,

0:54:25.719 --> 0:54:28.080
<v Speaker 3>it's not an egregious age gap, is what I'll say.

0:54:28.560 --> 0:54:31.480
<v Speaker 2>No, because it's he's maybe a freshman. It seems like

0:54:31.640 --> 0:54:33.080
<v Speaker 2>he's the same age.

0:54:32.960 --> 0:54:35.359
<v Speaker 3>I was gonna say, it seems like their age gap

0:54:35.480 --> 0:54:39.200
<v Speaker 3>is small enough that I'm just particularly in Ursula's case,

0:54:39.280 --> 0:54:42.880
<v Speaker 3>I'm like, I'm not gonna take Stan from her. I

0:54:42.920 --> 0:54:45.759
<v Speaker 3>cannot good conscience take the first person to be nice

0:54:45.760 --> 0:54:48.640
<v Speaker 3>to Ursula in her entire life in a sincere way.

0:54:49.280 --> 0:54:53.520
<v Speaker 2>Yeah, from her right. So he approaches her at the library.

0:54:53.719 --> 0:54:57.520
<v Speaker 2>He has a little crush on her. Ursula tells Leon

0:54:57.600 --> 0:55:03.000
<v Speaker 2>about it, and he creepily says, well, it's no wonder

0:55:03.360 --> 0:55:07.520
<v Speaker 2>You've become a beautiful young woman, and you're like, give

0:55:07.520 --> 0:55:11.080
<v Speaker 2>it a rest man, and it'll get worse again.

0:55:11.160 --> 0:55:14.080
<v Speaker 3>Wait till the poetry, Wait till he which reminded me

0:55:14.160 --> 0:55:16.239
<v Speaker 3>of a movie that I should have put on my Matreon.

0:55:17.000 --> 0:55:19.000
<v Speaker 3>Our listeners would hate it, but it would be really fun.

0:55:19.960 --> 0:55:21.759
<v Speaker 3>Get well, I'll get to it when we do the

0:55:21.800 --> 0:55:22.520
<v Speaker 3>poetry part.

0:55:22.840 --> 0:55:26.960
<v Speaker 2>Okay, got it? So Stan asks Ursula out to dinner

0:55:27.000 --> 0:55:29.680
<v Speaker 2>in a movie. They go, They have a nice time.

0:55:30.280 --> 0:55:35.640
<v Speaker 2>Leon seems jealous about this whole situation. Again, he is

0:55:36.000 --> 0:55:40.719
<v Speaker 2>very sexually repressed. He insists that he doesn't have quote

0:55:40.760 --> 0:55:44.640
<v Speaker 2>unquote the need. When Ursula comes home from the date,

0:55:45.000 --> 0:55:50.320
<v Speaker 2>Leon berates her again, but then he starts wondering maybe

0:55:50.360 --> 0:55:55.080
<v Speaker 2>he does have the need. So he goes out with

0:55:55.640 --> 0:55:57.839
<v Speaker 2>this young woman named Marcia, who who.

0:55:57.800 --> 0:56:01.400
<v Speaker 3>We have seen referenced by Leon many times at this

0:56:01.440 --> 0:56:03.280
<v Speaker 3>point in the movie, going back to when they were children,

0:56:03.320 --> 0:56:04.759
<v Speaker 3>and he fat shamed her.

0:56:05.080 --> 0:56:06.800
<v Speaker 2>Yes, this poor character.

0:56:06.880 --> 0:56:08.799
<v Speaker 3>Again, it's like a character that I don't think that

0:56:08.880 --> 0:56:13.520
<v Speaker 3>the movie lacks sympathy for. But Leon is just like

0:56:13.760 --> 0:56:17.400
<v Speaker 3>such a mask off misogynist throughout, and you get the

0:56:17.480 --> 0:56:22.360
<v Speaker 3>feeling that you know, it is a learned behavior, right.

0:56:22.520 --> 0:56:25.640
<v Speaker 2>And to your point, yes, she had already been referenced

0:56:25.680 --> 0:56:31.160
<v Speaker 2>before via Leon, first fat shaming her and then later

0:56:31.239 --> 0:56:35.040
<v Speaker 2>on slut shaming her the way he tends to do

0:56:35.239 --> 0:56:38.560
<v Speaker 2>to women. Yeah, but he is now on a date

0:56:38.600 --> 0:56:42.680
<v Speaker 2>with Marcia and she's kissing all over him, but he's

0:56:42.680 --> 0:56:46.359
<v Speaker 2>still so repressed that he puts a stop to it,

0:56:46.840 --> 0:56:49.440
<v Speaker 2>and he's like, I have to go check on my

0:56:49.520 --> 0:56:55.680
<v Speaker 2>friend Pin. So so Marcia, you know, gets dressed and

0:56:55.760 --> 0:57:01.160
<v Speaker 2>comes out and oh, Spaghettio, there's Pin and he's chasing

0:57:01.239 --> 0:57:04.719
<v Speaker 2>Marcia somehow, And it turns out that Leon has put

0:57:04.880 --> 0:57:10.160
<v Speaker 2>Pin on some sort of like remote controlled real apparatus.

0:57:10.320 --> 0:57:13.560
<v Speaker 3>I'm just like, should Leon just be an imagineer, Like,

0:57:14.360 --> 0:57:17.000
<v Speaker 3>can we find a productive Can we find a productive

0:57:17.080 --> 0:57:21.360
<v Speaker 3>use of this ingenuity that isn't quite so scary. It

0:57:21.440 --> 0:57:24.640
<v Speaker 3>is impressive what he's managing to do. He's making basically

0:57:24.720 --> 0:57:26.000
<v Speaker 3>a pin animatronic.

0:57:26.160 --> 0:57:28.560
<v Speaker 2>He's building a man he is.

0:57:28.680 --> 0:57:35.600
<v Speaker 3>He's Doctor Frankensteining Pin. But in this case, luckily Ursula

0:57:35.760 --> 0:57:37.240
<v Speaker 3>is alerted in time.

0:57:37.880 --> 0:57:41.360
<v Speaker 2>Well, yeah, Ursula comes in and saves Marcia. We don't

0:57:41.360 --> 0:57:44.120
<v Speaker 2>know what would have happened if if Ursula didn't come

0:57:44.160 --> 0:57:48.040
<v Speaker 2>to the rescue. But the tension is diffused for a

0:57:48.040 --> 0:57:48.600
<v Speaker 2>bit here.

0:57:48.920 --> 0:57:51.560
<v Speaker 3>I think another nice touch on this movie too, where

0:57:51.560 --> 0:57:53.840
<v Speaker 3>it's like you are very conditioned to expect one thing

0:57:53.880 --> 0:57:57.720
<v Speaker 3>to happen because it is a horror movie. But the

0:57:57.840 --> 0:58:00.480
<v Speaker 3>quote unquote Final Girl, which I feel like La fills

0:58:00.480 --> 0:58:05.200
<v Speaker 3>in many ways. And a sexually active woman is like

0:58:05.480 --> 0:58:08.160
<v Speaker 3>actively spared by the narrative, which I think is like

0:58:08.320 --> 0:58:11.280
<v Speaker 3>unusual totally and saved by another woman.

0:58:12.040 --> 0:58:15.120
<v Speaker 2>I mean, we've talked at length about the and this

0:58:15.160 --> 0:58:17.400
<v Speaker 2>is I mean not just us. This is a very

0:58:17.440 --> 0:58:22.840
<v Speaker 2>commonly known trope as far as in horror movies. If

0:58:23.040 --> 0:58:28.360
<v Speaker 2>a young woman is has sexual desires or has sex,

0:58:28.840 --> 0:58:34.160
<v Speaker 2>she's often punished by the plot by being murdered. But yeah,

0:58:34.160 --> 0:58:37.040
<v Speaker 2>this does not happen no in this movie. And even

0:58:37.080 --> 0:58:40.040
<v Speaker 2>another trope that is spared is we've been talking about

0:58:40.040 --> 0:58:42.720
<v Speaker 2>this going back to our Indiana Jones episode like eight

0:58:42.800 --> 0:58:47.000
<v Speaker 2>years ago, that when women do defend themselves in these situations,

0:58:47.040 --> 0:58:50.440
<v Speaker 2>they usually use household objects, and as we'll get to later.

0:58:51.040 --> 0:58:52.120
<v Speaker 3>That is not what our does.

0:58:52.920 --> 0:58:58.320
<v Speaker 2>Oh yeah, yeah, let's put a pin in that. Okay,

0:58:58.360 --> 0:59:02.600
<v Speaker 2>So Ursula has come in and saved Marcia. The next day,

0:59:02.960 --> 0:59:07.439
<v Speaker 2>Leon is like, oh, I'm sorry, Ursula, I overreacted. Why

0:59:07.440 --> 0:59:11.360
<v Speaker 2>don't you invite Stan over for dinner? And she's like,

0:59:12.400 --> 0:59:14.439
<v Speaker 2>I don't know if Stan is ready to meet Pin,

0:59:15.240 --> 0:59:18.160
<v Speaker 2>But what she means is, h, I'm not bringing Stan

0:59:18.600 --> 0:59:26.960
<v Speaker 2>home to see the likes of whatever creepy my scarin. Yeah. Yeah,

0:59:27.280 --> 0:59:32.240
<v Speaker 2>but Leon insists. So Stan comes over. Leon introduces him

0:59:32.280 --> 0:59:37.000
<v Speaker 2>to Pin. Stan is clearly disturbed, but he's playing along

0:59:37.280 --> 0:59:38.320
<v Speaker 2>the best he can.

0:59:38.520 --> 0:59:42.920
<v Speaker 3>So nice about it, and and and that like, Ursula

0:59:43.000 --> 0:59:45.320
<v Speaker 3>is like, obviously briefed him, yes.

0:59:45.640 --> 0:59:49.360
<v Speaker 2>And this is when we learn that Pin is short

0:59:49.480 --> 0:59:51.680
<v Speaker 2>for Pinocchio, I.

0:59:51.600 --> 0:59:55.200
<v Speaker 3>Know, which You're like, how the hell did I not notice?

0:59:55.680 --> 0:59:56.040
<v Speaker 3>I mean?

0:59:56.840 --> 0:59:59.760
<v Speaker 2>And this leads us to realize that we could have

1:00:00.760 --> 1:00:06.240
<v Speaker 2>the movie Pin during the Pinocchio Wars, because Pin is Pinocchio.

1:00:06.560 --> 1:00:09.960
<v Speaker 3>It's true, he is Pinocchio. But yet he's like, so

1:00:10.960 --> 1:00:13.560
<v Speaker 3>he's so his own, He's so his own.

1:00:13.640 --> 1:00:14.120
<v Speaker 2>This is true.

1:00:14.160 --> 1:00:18.560
<v Speaker 3>Pin is his own man father, I want to be

1:00:18.680 --> 1:00:21.200
<v Speaker 3>on my own. That's kind of the Pin kind of

1:00:21.240 --> 1:00:25.080
<v Speaker 3>like is happy in his situation? Pin?

1:00:26.480 --> 1:00:28.040
<v Speaker 2>Yes, I don't know.

1:00:28.120 --> 1:00:28.360
<v Speaker 3>I guess.

1:00:28.440 --> 1:00:32.360
<v Speaker 2>Let's explore that further. It's true, okay, so be happy.

1:00:32.360 --> 1:00:35.880
<v Speaker 2>It's not the right word, well, Pin, because I mean

1:00:36.160 --> 1:00:40.320
<v Speaker 2>Pin is only being projected onto so we don't sure.

1:00:40.360 --> 1:00:42.280
<v Speaker 2>We don't know how Pin really feels.

1:00:42.760 --> 1:00:46.000
<v Speaker 3>Leon doesn't seem to be having a great time in

1:00:46.040 --> 1:00:46.640
<v Speaker 3>his life.

1:00:46.960 --> 1:00:52.520
<v Speaker 2>No, okay. So Stan is over for dinner. He's playing

1:00:52.560 --> 1:00:56.680
<v Speaker 2>along with the Pin of it all. He wants to

1:00:56.720 --> 1:01:00.880
<v Speaker 2>hear some poetry that Leon, who is in aspiring writer,

1:01:01.560 --> 1:01:07.439
<v Speaker 2>has written, and Leon reads it and it's it's about

1:01:07.480 --> 1:01:13.160
<v Speaker 2>sexual violence. It's about a mans raping his sister, and

1:01:13.400 --> 1:01:14.800
<v Speaker 2>Ursula and Stan are like.

1:01:17.640 --> 1:01:19.800
<v Speaker 3>This reminds me of a Seed that is not quite

1:01:19.800 --> 1:01:23.000
<v Speaker 3>as bad but is a fascinating movie that Sarah Marshall

1:01:23.000 --> 1:01:24.400
<v Speaker 3>showed me. I think I told you about. It's called

1:01:24.440 --> 1:01:25.120
<v Speaker 3>Mister Wrong.

1:01:26.880 --> 1:01:29.920
<v Speaker 2>Remind me, okay it is a wait, is this the

1:01:29.960 --> 1:01:34.600
<v Speaker 2>Ellen DeGeneres movie? Yes, but I still need a refresher. Okay,

1:01:34.640 --> 1:01:38.600
<v Speaker 2>so this is pre coming out Ellen. Let me just

1:01:38.840 --> 1:01:42.240
<v Speaker 2>verify that. Yes, Okay, this came out the year before

1:01:42.280 --> 1:01:45.880
<v Speaker 2>Ellen came out publicly. So it's It's an interesting concept

1:01:45.920 --> 1:01:48.200
<v Speaker 2>in many ways because it is a I mean, not

1:01:48.280 --> 1:01:51.560
<v Speaker 2>that Ellen cannot play a straight character, but as we

1:01:51.640 --> 1:01:55.840
<v Speaker 2>conceive Ellen. And also there's all the other workplace abuse stuff.

1:01:56.600 --> 1:01:59.680
<v Speaker 2>It feels in twenty twenty six bizarre to watch Ellen

1:02:00.560 --> 1:02:04.520
<v Speaker 2>headline a straight rom com called Mister Wrong.

1:02:05.120 --> 1:02:07.320
<v Speaker 3>But this is what happened in nineteen ninety six. No

1:02:07.360 --> 1:02:09.240
<v Speaker 3>one talks about this movie. I'd never heard of it

1:02:09.280 --> 1:02:12.520
<v Speaker 3>before Sarah showed it to me. Shout out Sarah Marshall,

1:02:12.560 --> 1:02:16.480
<v Speaker 3>who was honored Devil's Advocate episode same author as Pin. Yes,

1:02:18.080 --> 1:02:21.920
<v Speaker 3>but it starts Ellen DeGeneres and Bill Pullman, and the

1:02:22.040 --> 1:02:24.920
<v Speaker 3>plot is fascinating. I feel like it could be adapted

1:02:24.920 --> 1:02:28.280
<v Speaker 3>into like a neon psychological thriller, but it's a rom

1:02:28.320 --> 1:02:29.200
<v Speaker 3>com in this case.

1:02:29.440 --> 1:02:34.640
<v Speaker 2>It's alarming how the plots of these two genres really

1:02:34.680 --> 1:02:36.080
<v Speaker 2>could go one way or the other.

1:02:36.280 --> 1:02:39.120
<v Speaker 3>It's just all about performance and scoring. Those are really

1:02:39.120 --> 1:02:42.840
<v Speaker 3>the only differences. But yeah, I want the pin rom com.

1:02:42.880 --> 1:02:44.480
<v Speaker 3>Oh my god, should we do that?

1:02:44.960 --> 1:02:47.600
<v Speaker 2>Well, it got me thinking about Lars and the real girl.

1:02:48.120 --> 1:02:52.480
<v Speaker 3>Sure, sure, I've never seen that. Actually, but in Mister Wrong,

1:02:52.680 --> 1:02:55.880
<v Speaker 3>Ellen meets and also it is like fun to reflect

1:02:55.920 --> 1:02:57.800
<v Speaker 3>on because it's like right before she came out and

1:02:57.840 --> 1:03:00.360
<v Speaker 3>it's her meeting a guy and realizing she don't want

1:03:00.400 --> 1:03:03.320
<v Speaker 3>to be with him, which is fun. Yeah. Anyways, Bill

1:03:03.360 --> 1:03:07.760
<v Speaker 3>Pullman like really kind of like love bombs ellen degenerous character,

1:03:07.800 --> 1:03:10.520
<v Speaker 3>and then she quickly figures out he's like the worst

1:03:10.520 --> 1:03:15.000
<v Speaker 3>guy ever. He's in fact, mister Wrong. And one of

1:03:15.040 --> 1:03:17.200
<v Speaker 3>the first tip offs that he's mister wrong is he

1:03:17.240 --> 1:03:20.480
<v Speaker 3>reads her his poetry and it's it is, actually, I

1:03:20.560 --> 1:03:23.000
<v Speaker 3>think a very funny scene in Mister Wrong. Bill Pullman

1:03:23.120 --> 1:03:26.440
<v Speaker 3>is putting his whole Bill Pullman ussy into this like

1:03:26.640 --> 1:03:30.720
<v Speaker 3>very funny, Like it's not sexually violent poetry like Leon's.

1:03:30.800 --> 1:03:34.640
<v Speaker 3>It's more just like a string of adjectives. And then

1:03:34.680 --> 1:03:37.440
<v Speaker 3>it cuts back to Ellen winsing at like he's like

1:03:37.760 --> 1:03:43.080
<v Speaker 3>I'm a sailor in the blue, in the depth in

1:03:43.320 --> 1:03:46.680
<v Speaker 3>the ocean, and like it just keeps going. I just

1:03:46.800 --> 1:03:49.960
<v Speaker 3>love when men are discouraged from becoming writers. I think

1:03:50.000 --> 1:03:52.560
<v Speaker 3>that there should be more scenes in film where men

1:03:52.680 --> 1:03:56.760
<v Speaker 3>try to write and our humiliate. As her soult, I agree.

1:03:56.920 --> 1:03:58.560
<v Speaker 2>It kind of reminds me of the scene in Barbie

1:03:58.600 --> 1:04:02.120
<v Speaker 2>when all the Kens are totally Matchbox twenty on their

1:04:02.160 --> 1:04:05.520
<v Speaker 2>acoustic guitars at the Barbie's and they're just like, oh God.

1:04:06.480 --> 1:04:09.240
<v Speaker 3>But then yeah, I mean, never forget that Barbie didn't

1:04:09.240 --> 1:04:11.440
<v Speaker 3>get a song at Barbie and Ken got a banger.

1:04:12.000 --> 1:04:15.720
<v Speaker 3>I love that song, but why did Barbie not get one?

1:04:15.920 --> 1:04:22.600
<v Speaker 2>Anyway? Okay, so we've heard Leon's very scary and sexually

1:04:22.680 --> 1:04:27.040
<v Speaker 2>violent poetry. He goes upstairs to put Pin in his room,

1:04:27.480 --> 1:04:31.760
<v Speaker 2>and as he's coming back downstairs, he overhears Ursula and

1:04:31.800 --> 1:04:37.160
<v Speaker 2>Stan talking about getting psychiatric help for Leon, and Leon

1:04:37.480 --> 1:04:41.520
<v Speaker 2>does not like this. He goes back to Pin, who

1:04:41.520 --> 1:04:45.440
<v Speaker 2>tells Leon that Stan is trying to turn Ursula against

1:04:45.560 --> 1:04:49.320
<v Speaker 2>him and something needs to be done about it. So

1:04:50.000 --> 1:04:54.120
<v Speaker 2>Leon invites Stan over under the guys that he needs

1:04:54.160 --> 1:05:00.480
<v Speaker 2>help planning Ursula's surprise birthday party. Stan comes over, Leon drugs,

1:05:00.920 --> 1:05:06.360
<v Speaker 2>attacks and kills Stan. Pin is in the room. Of course,

1:05:06.400 --> 1:05:09.360
<v Speaker 2>as all this is happening, and he tells Leon to

1:05:09.480 --> 1:05:13.280
<v Speaker 2>hide Stan's car, put his body in the woodpile, and

1:05:13.320 --> 1:05:15.840
<v Speaker 2>then come back and clean up the blood off of

1:05:15.920 --> 1:05:20.760
<v Speaker 2>the rug. Ursula then comes home from work. Leon tells

1:05:20.760 --> 1:05:23.640
<v Speaker 2>her that Stan called to cancel a date that he

1:05:23.760 --> 1:05:27.440
<v Speaker 2>had with her that night, and Ursula is worried. She

1:05:27.480 --> 1:05:30.640
<v Speaker 2>can tell that something is off, but Leon pretends everything

1:05:30.720 --> 1:05:31.240
<v Speaker 2>is normal.

1:05:31.400 --> 1:05:35.120
<v Speaker 3>Leon is gaslighting, like his life depends on it, which

1:05:35.240 --> 1:05:37.840
<v Speaker 3>he does. He does, Oh, do you think Stan's cheating

1:05:37.880 --> 1:05:38.240
<v Speaker 3>on you?

1:05:38.320 --> 1:05:40.360
<v Speaker 2>And why don't you trust him if you love him

1:05:40.400 --> 1:05:40.840
<v Speaker 2>so much?

1:05:41.080 --> 1:05:42.720
<v Speaker 3>Yeah, and she's like, Sam would never cheat on me,

1:05:42.760 --> 1:05:43.520
<v Speaker 3>and that's so true.

1:05:43.760 --> 1:05:49.000
<v Speaker 2>He would, I know. So they're having dinner, the siblings,

1:05:49.040 --> 1:05:52.720
<v Speaker 2>and then Leon goes off to grab his poetry to

1:05:52.800 --> 1:05:55.360
<v Speaker 2>read more of it to her, and while he's in

1:05:55.360 --> 1:06:01.080
<v Speaker 2>the other room, Ursula hears Stan's watch beep, a watch

1:06:01.160 --> 1:06:04.760
<v Speaker 2>that she had given him as a gift, a Chekhov's

1:06:04.960 --> 1:06:07.440
<v Speaker 2>watch if you will, which I forgot to mention earlier.

1:06:08.480 --> 1:06:10.520
<v Speaker 2>So she hears the watch beep and then she finds

1:06:10.520 --> 1:06:13.560
<v Speaker 2>it on the floor, and then notices the wet spot

1:06:13.640 --> 1:06:17.280
<v Speaker 2>on the carpet where Leon had scrubbed away the blood,

1:06:18.080 --> 1:06:22.920
<v Speaker 2>So she knows something horrible has happened, and she asks

1:06:23.080 --> 1:06:27.080
<v Speaker 2>Leon what did he do? And Leon's like it was

1:06:27.320 --> 1:06:31.720
<v Speaker 2>Pin who did it. He and Stan started arguing, and

1:06:31.720 --> 1:06:36.000
<v Speaker 2>then Stan fell and hit his head and died. So

1:06:36.240 --> 1:06:39.479
<v Speaker 2>Ursula freaks out and runs off and then comes back

1:06:39.520 --> 1:06:42.760
<v Speaker 2>in with an axe, which is what you were alluding

1:06:42.800 --> 1:06:43.240
<v Speaker 2>to earlier.

1:06:43.400 --> 1:06:46.760
<v Speaker 3>Hey, woman, you use a weapon in a horror movie

1:06:46.800 --> 1:06:48.000
<v Speaker 3>that isn't a kitchen.

1:06:47.720 --> 1:06:52.120
<v Speaker 2>Knife, yay, or a frying pan or something yea. And

1:06:52.280 --> 1:06:56.160
<v Speaker 2>she is about to chop Leon, but we don't exactly

1:06:56.200 --> 1:07:00.160
<v Speaker 2>know what happens because we cut immediately to a bunch

1:06:59.960 --> 1:07:03.400
<v Speaker 2>of police are at the house. Ursula is in the

1:07:03.400 --> 1:07:06.800
<v Speaker 2>back of a cop car, and Stan's body is found

1:07:06.960 --> 1:07:12.920
<v Speaker 2>in the woodpile. But wait, he's alive still, which is

1:07:13.000 --> 1:07:17.360
<v Speaker 2>you're like sure, sure, And then we cut to some

1:07:17.440 --> 1:07:24.200
<v Speaker 2>time later, Ursula and Stan, who seems well again, visit

1:07:24.840 --> 1:07:28.160
<v Speaker 2>the house that she grew up in but apparently does

1:07:28.200 --> 1:07:33.240
<v Speaker 2>not live there anymore. Ursula goes inside and talks to

1:07:33.560 --> 1:07:37.040
<v Speaker 2>a figure who's sitting at the window. We only see

1:07:37.120 --> 1:07:40.040
<v Speaker 2>him from behind at first, but it seems to be

1:07:40.240 --> 1:07:44.160
<v Speaker 2>Pin because he's sitting perfectly still and it's Pin's voice

1:07:44.760 --> 1:07:48.800
<v Speaker 2>and they're talking about Leon. But then the final shot

1:07:48.840 --> 1:07:52.640
<v Speaker 2>of the movie is a reveal Leon with frosted tips.

1:07:53.320 --> 1:07:58.120
<v Speaker 2>It is Leon who has apparently dissociated and is now

1:07:58.240 --> 1:08:04.400
<v Speaker 2>living as Pin. Yes, the end, So let's take a

1:08:04.440 --> 1:08:18.559
<v Speaker 2>quick break and then we'll come back to discuss and

1:08:18.720 --> 1:08:23.519
<v Speaker 2>we are back. Yeah, where to start about to Pin boy?

1:08:23.800 --> 1:08:26.120
<v Speaker 3>I feel like we've touched on a lot of themes

1:08:26.600 --> 1:08:28.920
<v Speaker 3>that just we need to dig into a little further here.

1:08:29.040 --> 1:08:33.000
<v Speaker 3>I mean, I think obviously the issue of mental illness

1:08:33.560 --> 1:08:35.400
<v Speaker 3>is brought up in the year, which we've talked about

1:08:35.439 --> 1:08:38.240
<v Speaker 3>a number of times in the context of how mental

1:08:38.240 --> 1:08:42.400
<v Speaker 3>illness is invoked in horror movies, that it's like such

1:08:42.400 --> 1:08:44.719
<v Speaker 3>a difficult conversation to have because of course it shouldn't

1:08:44.720 --> 1:08:47.760
<v Speaker 3>be off limits in any genre of movie, but this

1:08:47.840 --> 1:08:50.519
<v Speaker 3>movie does do something that always bothers me. I think

1:08:50.560 --> 1:08:53.000
<v Speaker 3>the biggest example of it that I always think of

1:08:53.320 --> 1:08:59.679
<v Speaker 3>is at the beginning of Midsomar, Yeah, where you see

1:09:00.200 --> 1:09:05.160
<v Speaker 3>mentally unstable behavior, which is like so much of horror,

1:09:05.240 --> 1:09:08.840
<v Speaker 3>you cannot extract that from the genre, right, But the

1:09:08.960 --> 1:09:12.120
<v Speaker 3>issue is that it is like given a specific it

1:09:12.160 --> 1:09:15.479
<v Speaker 3>is attributed to a specific mental illness and then serves

1:09:15.520 --> 1:09:21.640
<v Speaker 3>to stigmatize people with that illness and usually is wildly

1:09:21.680 --> 1:09:26.360
<v Speaker 3>inaccurate and implies that anyone who has said mental illness

1:09:26.560 --> 1:09:31.479
<v Speaker 3>is murderous and right, which is what happens towards the

1:09:31.600 --> 1:09:33.600
<v Speaker 3>end of PIN. I forgot that it happened because we

1:09:33.640 --> 1:09:37.479
<v Speaker 3>get so far in without it, because I think it

1:09:37.720 --> 1:09:39.760
<v Speaker 3>just as easily reads, and maybe if it was made

1:09:39.800 --> 1:09:44.160
<v Speaker 3>today would read as like Pin is this you know,

1:09:44.800 --> 1:09:48.000
<v Speaker 3>certainly like Leon is not mentally well. But I feel

1:09:48.000 --> 1:09:53.240
<v Speaker 3>like PIN to me kind of clearly embodies this generational

1:09:54.000 --> 1:09:59.120
<v Speaker 3>trauma that like, this trauma around perception of self and

1:09:59.160 --> 1:10:03.599
<v Speaker 3>repression and attitudes around sex that is inherited from his

1:10:03.800 --> 1:10:06.639
<v Speaker 3>father who originally voiced PIN, And I feel like that

1:10:06.840 --> 1:10:10.160
<v Speaker 3>explanation it makes more narrative sense, and it doesn't stigmatize

1:10:10.920 --> 1:10:14.600
<v Speaker 3>anyone who has schizophrenia. And it's so frequently schizophrenia that

1:10:14.720 --> 1:10:20.600
<v Speaker 3>is attributed to any charcutory board of behaviors, most of

1:10:20.640 --> 1:10:23.960
<v Speaker 3>which have nothing to do with schizophrenia, which is a

1:10:24.040 --> 1:10:28.320
<v Speaker 3>treatable illness. But yeah, I guess I was sort of

1:10:28.439 --> 1:10:31.559
<v Speaker 3>confused at how it comes up here, because it's towards

1:10:31.600 --> 1:10:34.000
<v Speaker 3>the end makes very little. I mean, I guess it's

1:10:34.360 --> 1:10:37.639
<v Speaker 3>spoken in the context of Ursula say I don't want

1:10:37.880 --> 1:10:42.800
<v Speaker 3>my brother to be institutionalized, which I think is complicated

1:10:42.840 --> 1:10:46.240
<v Speaker 3>because you don't because that, you know, suggests that getting

1:10:46.360 --> 1:10:49.519
<v Speaker 3>help with mental illness is only a bad thing or

1:10:49.600 --> 1:10:53.120
<v Speaker 3>like will ostracize you from your family. But there are

1:10:53.240 --> 1:10:55.320
<v Speaker 3>enough examples of that being the case that it's like,

1:10:55.360 --> 1:10:58.439
<v Speaker 3>I understand why she's concerned about that, especially in the

1:10:58.479 --> 1:11:00.360
<v Speaker 3>context of an institution.

1:11:00.240 --> 1:11:03.960
<v Speaker 2>I mean totally, especially in the I mean in the

1:11:04.040 --> 1:11:09.800
<v Speaker 2>late eighties where like psychiatric help was still not the

1:11:09.840 --> 1:11:12.080
<v Speaker 2>best in most cases still can.

1:11:11.960 --> 1:11:16.760
<v Speaker 3>Be a wildly misogynist race, I mean, like homophobic. There

1:11:16.760 --> 1:11:17.680
<v Speaker 3>are so many ways that.

1:11:17.800 --> 1:11:22.439
<v Speaker 2>Ablest like go down the list. But but yeah, I

1:11:22.479 --> 1:11:26.400
<v Speaker 2>almost read that is like she doesn't want him to

1:11:26.680 --> 1:11:30.960
<v Speaker 2>be in an institution where he would likely be further

1:11:31.120 --> 1:11:35.920
<v Speaker 2>abused and mistreated and things like that, but we don't

1:11:35.920 --> 1:11:39.240
<v Speaker 2>know for sure. Also, it's her who diagnoses him, and

1:11:39.320 --> 1:11:43.080
<v Speaker 2>it's her who it's Ursula who like mentions the specific

1:11:43.240 --> 1:11:46.960
<v Speaker 2>mental illness, so which she says based on having read

1:11:47.040 --> 1:11:49.120
<v Speaker 2>books about it at the library. So she's not a

1:11:49.640 --> 1:11:52.960
<v Speaker 2>she's not a mental health expert or at least certainly

1:11:53.000 --> 1:11:56.000
<v Speaker 2>not a professional. Not to say that people you know

1:11:56.000 --> 1:11:59.439
<v Speaker 2>who do their own research can't be correct in a

1:11:59.600 --> 1:12:03.160
<v Speaker 2>diagnosed as they give themselves or give someone else. But

1:12:03.200 --> 1:12:04.920
<v Speaker 2>either way we have to take what she's saying with

1:12:04.960 --> 1:12:06.960
<v Speaker 2>a grain of salt. I would say it.

1:12:06.920 --> 1:12:10.240
<v Speaker 3>Does feel like very of the time and would continue

1:12:10.240 --> 1:12:13.000
<v Speaker 3>to be of the time for decades after, because Midsommar

1:12:13.040 --> 1:12:16.639
<v Speaker 3>comes out what thirty years after Pin? But like, is

1:12:16.720 --> 1:12:23.639
<v Speaker 3>this process of ascribing any mental illness to murderous behavior? Yes,

1:12:23.720 --> 1:12:27.240
<v Speaker 3>it's very unnecessary, and I wanted to point that out.

1:12:27.720 --> 1:12:30.000
<v Speaker 3>It's so funny because you're like, well, this is sure.

1:12:30.080 --> 1:12:30.639
<v Speaker 3>Is that harmful?

1:12:30.720 --> 1:12:30.920
<v Speaker 2>Yes?

1:12:30.960 --> 1:12:36.200
<v Speaker 3>Has anyone seen pin unclear? Unclear this had the opportunity

1:12:36.280 --> 1:12:39.920
<v Speaker 3>to do harm? But as worth mentioning, well.

1:12:39.800 --> 1:12:43.880
<v Speaker 2>I also feel like the movie sort of suggests, and

1:12:44.120 --> 1:12:45.880
<v Speaker 2>I'm curious what you think about this, but it feels

1:12:45.880 --> 1:12:51.480
<v Speaker 2>like the movie sort of suggests that the mental illness

1:12:51.640 --> 1:12:56.439
<v Speaker 2>that Leon has is part of what leads to his

1:12:57.520 --> 1:13:02.280
<v Speaker 2>intense sexual repression. Sure, some of it is environmental, some

1:13:02.360 --> 1:13:08.000
<v Speaker 2>of it is his father's behavior and his father things

1:13:08.000 --> 1:13:12.200
<v Speaker 2>that their dad says about sex, and like the bizarro

1:13:12.360 --> 1:13:15.920
<v Speaker 2>sex talk that Penn gives the kids, which we'll talk

1:13:15.920 --> 1:13:21.040
<v Speaker 2>about further. But I feel like based on what we

1:13:21.280 --> 1:13:26.280
<v Speaker 2>hear the parents say or don't hear the parents say,

1:13:26.880 --> 1:13:32.120
<v Speaker 2>because they're not they're definitely abusive and cold and cruel

1:13:32.880 --> 1:13:36.320
<v Speaker 2>as parents, But I felt like they weren't like super

1:13:36.360 --> 1:13:42.479
<v Speaker 2>super driving home a need to repress sexual desire. So

1:13:42.560 --> 1:13:44.840
<v Speaker 2>I kind of, I mean a little bit. But also

1:13:45.760 --> 1:13:49.360
<v Speaker 2>and I know that the dad slut shames ursula, but

1:13:50.160 --> 1:13:54.000
<v Speaker 2>I didn't really get any strong indication that he was

1:13:54.080 --> 1:14:01.160
<v Speaker 2>saying to Leon like repress any need you might have.

1:14:01.600 --> 1:14:05.519
<v Speaker 2>No conversation felt a bit more just like clinical, And

1:14:06.439 --> 1:14:07.320
<v Speaker 2>it was definitely weird.

1:14:07.720 --> 1:14:09.840
<v Speaker 3>The sex talk, I guess I don't I don't think

1:14:09.840 --> 1:14:12.960
<v Speaker 3>that there's in my opinion, there's not enough information to

1:14:13.000 --> 1:14:16.040
<v Speaker 3>suggest that they're placing it on the mental illness. If anything,

1:14:16.080 --> 1:14:18.880
<v Speaker 3>I think it's like a mix of things, because I

1:14:19.560 --> 1:14:23.599
<v Speaker 3>do feel like the father encourages both children to have

1:14:23.720 --> 1:14:26.479
<v Speaker 3>disordered relationships to sex and their bodies, not in the

1:14:26.479 --> 1:14:31.200
<v Speaker 3>same way. But I think that just Pin alone, giving

1:14:31.200 --> 1:14:34.120
<v Speaker 3>you the talk like that that gives you a disordered

1:14:34.360 --> 1:14:37.320
<v Speaker 3>relationship to how bodies are talked about, how sex is

1:14:37.360 --> 1:14:40.800
<v Speaker 3>talked about. The and the nurse fucking Pin seems to

1:14:40.840 --> 1:14:41.960
<v Speaker 3>really do a number on Leon.

1:14:42.080 --> 1:14:42.439
<v Speaker 2>As well.

1:14:42.880 --> 1:14:45.200
<v Speaker 3>So I feel like it's a combination of Like, clearly

1:14:45.320 --> 1:14:49.800
<v Speaker 3>whatever is like the environmental stuff is exacerbated by the

1:14:49.800 --> 1:14:51.600
<v Speaker 3>mental illness. But I don't know. I didn't think it

1:14:51.640 --> 1:14:55.800
<v Speaker 3>was suggested that that it was solely that fair, But

1:14:56.120 --> 1:15:00.519
<v Speaker 3>I don't know. It so hard to tell what we're

1:15:00.520 --> 1:15:05.479
<v Speaker 3>supposed to believe after watching Pin right, well, so.

1:15:05.600 --> 1:15:10.120
<v Speaker 2>To talk more about the sex talk that Pin aka

1:15:10.520 --> 1:15:14.880
<v Speaker 2>their father gives them via Pin, it starts out by

1:15:15.320 --> 1:15:20.960
<v Speaker 2>saying that, like, people have a biological imperative to reproduce

1:15:21.200 --> 1:15:25.799
<v Speaker 2>and that creates the quote unquote need. And of course

1:15:26.040 --> 1:15:30.520
<v Speaker 2>the way that this is framed is like very gender essentialist,

1:15:30.600 --> 1:15:35.519
<v Speaker 2>it's very heteronormative. It also erases a sexual people because

1:15:35.560 --> 1:15:40.080
<v Speaker 2>at one point, Ursula asks if every person will have

1:15:40.439 --> 1:15:44.320
<v Speaker 2>the need or has the need, and Pin responds with

1:15:44.840 --> 1:15:47.519
<v Speaker 2>if they're normal, they do so.

1:15:47.360 --> 1:15:50.720
<v Speaker 3>It just like I think, yes, I agree, I think

1:15:50.760 --> 1:15:53.320
<v Speaker 3>that this is attitude of the time. And also Pin

1:15:53.520 --> 1:15:55.880
<v Speaker 3>is not a character who we're supposed to be, Like,

1:15:56.360 --> 1:15:58.880
<v Speaker 3>if Pin said it, it must be true.

1:15:58.560 --> 1:16:02.120
<v Speaker 2>Right, But when you can consider that it's doctor Lyndon

1:16:02.840 --> 1:16:08.200
<v Speaker 2>saying these things, who is a medical doctor. No, he's horrible,

1:16:08.200 --> 1:16:12.320
<v Speaker 2>but that's my point. My point is that his attitude

1:16:12.400 --> 1:16:16.720
<v Speaker 2>toward sex and human sexuality, even though he is a

1:16:16.760 --> 1:16:20.599
<v Speaker 2>man of science, he is a medical doctor, he still

1:16:20.640 --> 1:16:26.720
<v Speaker 2>has a very regressive and repressive way of looking at

1:16:26.880 --> 1:16:31.280
<v Speaker 2>human sexuality, which again reflective of the time. But also

1:16:31.520 --> 1:16:34.719
<v Speaker 2>just to share a little anecdote of a doctor's appointment

1:16:34.720 --> 1:16:39.280
<v Speaker 2>that I had in recent years that demonstrates that so

1:16:39.400 --> 1:16:44.360
<v Speaker 2>many doctors harbor whatever like biases they have from whatever

1:16:44.640 --> 1:16:48.160
<v Speaker 2>that they bring that into their medical practice. Because this

1:16:48.280 --> 1:16:50.680
<v Speaker 2>was a few years ago when I was trying to

1:16:51.600 --> 1:16:55.280
<v Speaker 2>get my tubes tied pre hysterectomy. I had gone to

1:16:55.320 --> 1:16:58.360
<v Speaker 2>a doctor. I had said I want to go off

1:16:58.400 --> 1:17:02.120
<v Speaker 2>of birth control has made me more or less completely

1:17:02.160 --> 1:17:05.320
<v Speaker 2>lose my libido. The particular birth control I was on.

1:17:05.960 --> 1:17:10.000
<v Speaker 2>The doctor, who was a woman by the way, asked

1:17:10.120 --> 1:17:14.640
<v Speaker 2>if I had a partner and I said no, and

1:17:14.680 --> 1:17:17.200
<v Speaker 2>she said, well, then how do you know that you

1:17:17.240 --> 1:17:20.280
<v Speaker 2>don't have a libido? I've probably shared.

1:17:20.000 --> 1:17:22.479
<v Speaker 3>This story before this, but you're just like man, and.

1:17:22.439 --> 1:17:25.080
<v Speaker 2>I'm just like you are like And then then I

1:17:25.080 --> 1:17:30.080
<v Speaker 2>had to explain human sexuality to a doctor, which was

1:17:30.280 --> 1:17:34.559
<v Speaker 2>absolutely nuts. But uh, I feel like this movie actually

1:17:34.600 --> 1:17:38.080
<v Speaker 2>does a good job of showing the ways in which

1:17:38.880 --> 1:17:44.480
<v Speaker 2>like sexual repression and misunderstandings of sexuality can permeate medicine

1:17:44.640 --> 1:17:48.439
<v Speaker 2>and can influence certain doctor's attitudes and can affect the

1:17:48.439 --> 1:17:50.879
<v Speaker 2>way they treat patients totally.

1:17:50.960 --> 1:17:55.000
<v Speaker 3>I mean, it's like they're everyone in this. It doesn't

1:17:55.000 --> 1:17:57.760
<v Speaker 3>stop at the doctor, look at the nurse, everyone at

1:17:57.800 --> 1:18:02.360
<v Speaker 3>the in this doctor's, this Pia Patrician's office has a

1:18:02.479 --> 1:18:05.400
<v Speaker 3>disordered relationship to the way they think of sex and bodies.

1:18:05.400 --> 1:18:08.879
<v Speaker 3>And again, not shaming using a sex doll, I'm shaming

1:18:09.360 --> 1:18:11.880
<v Speaker 3>using a sex doll at your place of work with

1:18:11.960 --> 1:18:15.200
<v Speaker 3>the door open with a child outside. Don't do that.

1:18:15.280 --> 1:18:15.800
<v Speaker 2>Don't do it.

1:18:15.880 --> 1:18:17.920
<v Speaker 3>That's a good point. Yeah, it's like that. There is

1:18:18.040 --> 1:18:20.960
<v Speaker 3>so much because of how, because of how we're socially

1:18:21.040 --> 1:18:24.960
<v Speaker 3>conditioned to view doctors, which in a best case scenario

1:18:24.960 --> 1:18:28.559
<v Speaker 3>wouldn't be harmful, as like someone who is not going

1:18:28.600 --> 1:18:34.320
<v Speaker 3>to bring their own social conditioning into a work setting,

1:18:34.400 --> 1:18:38.800
<v Speaker 3>but they so often do, especially if you are marginalized

1:18:38.840 --> 1:18:39.400
<v Speaker 3>in any way.

1:18:40.200 --> 1:18:45.799
<v Speaker 2>Exactly. The issue of biases affecting medical professionals goes beyond

1:18:46.120 --> 1:18:50.320
<v Speaker 2>the topic of sexuality and it extends to you know,

1:18:50.680 --> 1:18:54.439
<v Speaker 2>there's a lot of racism in medicine, there's sexism, there's

1:18:54.600 --> 1:19:00.320
<v Speaker 2>fat phobia, there's transphobia, there's again ableism and agism, like

1:19:00.400 --> 1:19:06.400
<v Speaker 2>all of this stuff that often significantly harms patients. And

1:19:06.439 --> 1:19:09.679
<v Speaker 2>then the irony is that when Ursula finds out she's

1:19:09.680 --> 1:19:14.920
<v Speaker 2>pregnant and wants to avoid the shame that's going to

1:19:14.960 --> 1:19:19.320
<v Speaker 2>come along with like being teen pregnant and who do

1:19:19.400 --> 1:19:21.840
<v Speaker 2>we tell and how do we maybe keep this a

1:19:21.920 --> 1:19:26.280
<v Speaker 2>secret from our parents kind of thing, Pin says, Pin

1:19:26.439 --> 1:19:30.080
<v Speaker 2>and Leon say, like telling a doctor, even if it's

1:19:30.120 --> 1:19:33.599
<v Speaker 2>your father. You know, that's an objective person of science.

1:19:33.640 --> 1:19:37.080
<v Speaker 2>They're not going to bring morality into it, which is

1:19:37.160 --> 1:19:41.360
<v Speaker 2>not what happens because in the next scene, doctor Lindon,

1:19:41.880 --> 1:19:44.679
<v Speaker 2>who is about to perform an abortion on his own

1:19:44.760 --> 1:19:50.599
<v Speaker 2>daughter again, I cannot stress enough how fucking horrifying and

1:19:51.280 --> 1:19:56.280
<v Speaker 2>horrible that is. He says, like, Wow, after all the

1:19:56.400 --> 1:20:00.960
<v Speaker 2>time that Pin took to explain sex to you and

1:20:01.360 --> 1:20:04.320
<v Speaker 2>give you a better start than I ever had, I

1:20:04.439 --> 1:20:08.320
<v Speaker 2>still end up with a pregnant, teen pregnant daughter. It's

1:20:08.400 --> 1:20:11.679
<v Speaker 2>but then it goes back to like sex ed and

1:20:12.120 --> 1:20:15.960
<v Speaker 2>the sex talk that pinnaka doctor Lindon gave the kids,

1:20:16.000 --> 1:20:20.200
<v Speaker 2>which is like, Okay, well doctor, did you talk about

1:20:20.520 --> 1:20:25.240
<v Speaker 2>contraceptives and safe sex? Did you talk about consent?

1:20:25.400 --> 1:20:29.920
<v Speaker 3>Like, clearly not based on how like he and Leon,

1:20:30.240 --> 1:20:33.720
<v Speaker 3>I mean, Leon, you can see he takes a very

1:20:34.280 --> 1:20:36.720
<v Speaker 3>judgmental approach to That's why I'm like, I think that

1:20:36.800 --> 1:20:39.799
<v Speaker 3>there's stuff going on with the father that we don't see.

1:20:39.880 --> 1:20:42.640
<v Speaker 3>And this is again me kind of projecting, but like,

1:20:43.120 --> 1:20:45.640
<v Speaker 3>the way that Leon talks to his sister does not

1:20:45.760 --> 1:20:50.719
<v Speaker 3>come from nowhere, and he has such a shame forward

1:20:50.840 --> 1:20:53.840
<v Speaker 3>approach even when they're very young, like it and in

1:20:53.920 --> 1:20:56.280
<v Speaker 3>their approach, like where she's interested. She's like looking at

1:20:56.280 --> 1:21:00.599
<v Speaker 3>a Playboy issue, which you're like, I hope those are

1:21:00.680 --> 1:21:03.519
<v Speaker 3>inserts from the child actors, but like, but either way

1:21:04.080 --> 1:21:08.120
<v Speaker 3>that he's like horrified by her. Like he has a

1:21:08.320 --> 1:21:13.400
<v Speaker 3>very armslength relationship to sex and bodies from the time

1:21:13.520 --> 1:21:15.760
<v Speaker 3>he's very young, And I do feel like that is

1:21:15.800 --> 1:21:17.800
<v Speaker 3>sort of connected to how he's fought because his father

1:21:17.960 --> 1:21:22.080
<v Speaker 3>is so disconnected emotionally from others that he can't have

1:21:22.160 --> 1:21:27.240
<v Speaker 3>a discussion with bodies with his own children without a mannequin.

1:21:26.840 --> 1:21:29.720
<v Speaker 4>Pressent having a pin there, right, So it's like I

1:21:30.760 --> 1:21:35.000
<v Speaker 4>do feel like that there's a pretty like well mapped,

1:21:35.120 --> 1:21:40.000
<v Speaker 4>like you're saying, like there's medical bias and abuse layered

1:21:40.040 --> 1:21:43.400
<v Speaker 4>onto it, and these kids are just like raised to

1:21:43.479 --> 1:21:47.840
<v Speaker 4>be so like I just have a disordered relationship to

1:21:48.280 --> 1:21:50.200
<v Speaker 4>their body that it seems like Ursula spends a lot

1:21:50.200 --> 1:21:53.000
<v Speaker 4>of her life trying to like understand and reclaim, but

1:21:53.040 --> 1:21:55.240
<v Speaker 4>doesn't have anyone to talk to about it because she

1:21:55.400 --> 1:21:57.320
<v Speaker 4>the only person she has to go. I mean, I

1:21:57.320 --> 1:21:59.320
<v Speaker 4>guess she does have the friend, but we don't really

1:21:59.360 --> 1:22:01.920
<v Speaker 4>see them talk or that relationship build. We just know

1:22:01.960 --> 1:22:04.960
<v Speaker 4>they've been friends for a long time, and she clearly

1:22:04.960 --> 1:22:07.400
<v Speaker 4>doesn't know her friend, clearly doesn't know enough to know

1:22:07.520 --> 1:22:09.800
<v Speaker 4>not to go on a date with Leon. So I

1:22:09.840 --> 1:22:14.000
<v Speaker 4>can't imagine they're especially close because if my best friend's

1:22:14.040 --> 1:22:16.920
<v Speaker 4>brother was Leon and I knew all that Leon and Penn,

1:22:17.000 --> 1:22:19.160
<v Speaker 4>I wouldn't be like, yeah, let's go on a date.

1:22:20.200 --> 1:22:24.559
<v Speaker 3>Frankly, but it just seems like she goes to Leon

1:22:25.240 --> 1:22:28.599
<v Speaker 3>for emotional support and he cannot give it to her,

1:22:28.840 --> 1:22:33.639
<v Speaker 3>and I just feel so poor Ursula. Ursula is trying

1:22:33.720 --> 1:22:37.080
<v Speaker 3>so hard to and it also seems like she's trying

1:22:37.120 --> 1:22:41.400
<v Speaker 3>to live up to other social expectations of her, which

1:22:41.439 --> 1:22:45.439
<v Speaker 3>include that of being a caretaker to her brother and

1:22:45.479 --> 1:22:48.600
<v Speaker 3>shielding him from the judgment of the world and like

1:22:48.720 --> 1:22:54.120
<v Speaker 3>taking that on, which does feel like a very feminine expectation, right,

1:22:54.280 --> 1:22:57.320
<v Speaker 3>is that she defaults to caretaker when her mother dies,

1:22:57.360 --> 1:23:00.360
<v Speaker 3>she defaults to I clean the house now. And I

1:23:00.400 --> 1:23:03.240
<v Speaker 3>do feel like it's like intentionally done in the movie

1:23:03.400 --> 1:23:07.120
<v Speaker 3>where there's like a moment where Leon sits down after

1:23:07.640 --> 1:23:10.320
<v Speaker 3>their parents die and Ursula sort of lingers for a

1:23:10.360 --> 1:23:12.840
<v Speaker 3>second and then starts to clean up, and it just

1:23:12.880 --> 1:23:15.360
<v Speaker 3>feels like they're It felt like a moment where it's like, oh,

1:23:15.479 --> 1:23:19.639
<v Speaker 3>they're starting to like click into these roles because they don't.

1:23:20.000 --> 1:23:22.920
<v Speaker 3>There's just like a void of order.

1:23:23.120 --> 1:23:25.479
<v Speaker 2>That's not about that too. But then it's Leon who

1:23:25.520 --> 1:23:29.240
<v Speaker 2>seems to cook all of the meals, so he's okay, prettysive,

1:23:29.479 --> 1:23:33.639
<v Speaker 2>so actually feminist icon.

1:23:33.479 --> 1:23:36.439
<v Speaker 3>Don't worry about all the woman murders. Actually, and then

1:23:36.439 --> 1:23:39.040
<v Speaker 3>he does try to kill stands, so you know he's

1:23:39.080 --> 1:23:44.519
<v Speaker 3>open to killing people of alt true, But yeah, I mean,

1:23:44.520 --> 1:23:47.800
<v Speaker 3>and then I think it's I almost I don't feel

1:23:47.800 --> 1:23:50.920
<v Speaker 3>like we have time to get into this as fully

1:23:51.040 --> 1:23:55.479
<v Speaker 3>as maybe we I don't know if should is the

1:23:55.560 --> 1:24:00.400
<v Speaker 3>right word, but like the themes of incest that I

1:24:00.439 --> 1:24:03.760
<v Speaker 3>hear come up far more in the book, which kind

1:24:03.840 --> 1:24:09.240
<v Speaker 3>of scans to me because the writer Andrew Niederman, who's

1:24:09.240 --> 1:24:11.720
<v Speaker 3>still living and also wrote the original screenplay to The

1:24:11.720 --> 1:24:16.360
<v Speaker 3>Amityville Horror and The Devil's Advocate, but he was the

1:24:16.560 --> 1:24:21.200
<v Speaker 3>talk about feminist icon. He was the ghost writer for

1:24:21.560 --> 1:24:27.000
<v Speaker 3>horror writer VC Andrews after she died for decades, and

1:24:27.240 --> 1:24:29.639
<v Speaker 3>her work when she was alive, and then the ghost

1:24:29.680 --> 1:24:32.599
<v Speaker 3>written work after she died. This was a frequent theme

1:24:33.080 --> 1:24:33.599
<v Speaker 3>that would.

1:24:33.439 --> 1:24:35.840
<v Speaker 2>Appear in her horror incest was.

1:24:36.040 --> 1:24:39.880
<v Speaker 3>Incest or like disordered, like disordered relationships to sex, growing

1:24:39.960 --> 1:24:43.360
<v Speaker 3>up with a family. So while I didn't read the

1:24:43.400 --> 1:24:45.519
<v Speaker 3>book because it just did not sound like a fun

1:24:45.560 --> 1:24:48.559
<v Speaker 3>way to spend a weekend, and I like the movie,

1:24:48.920 --> 1:24:51.920
<v Speaker 3>I hear that that seems to come up far more.

1:24:52.560 --> 1:24:55.400
<v Speaker 3>But the change made for the movie is that that

1:24:55.680 --> 1:24:59.720
<v Speaker 3>set of I don't know how to properly describe it,

1:25:00.240 --> 1:25:05.000
<v Speaker 3>that set of disordered feeling and thinking that manifests an

1:25:05.160 --> 1:25:10.680
<v Speaker 3>abusive behavior towards his sister is sort of kept exclusively

1:25:10.720 --> 1:25:13.800
<v Speaker 3>to Leon. I guess in the book they're both struggling

1:25:13.880 --> 1:25:17.599
<v Speaker 3>with this, But in the movie, which I think sort

1:25:17.600 --> 1:25:21.120
<v Speaker 3>of plays to like you're saying of how heavily emphasized

1:25:21.280 --> 1:25:25.439
<v Speaker 3>Leon's mental illnesses, specifically where I think the book even

1:25:25.439 --> 1:25:30.280
<v Speaker 3>though Leon is the pin Enabler in the book of

1:25:31.479 --> 1:25:39.080
<v Speaker 3>the Pinnabler the Penultimate but that they both sort of

1:25:39.160 --> 1:25:43.160
<v Speaker 3>fall into this mental health crisis after their parents die

1:25:43.760 --> 1:25:46.320
<v Speaker 3>where in the movie, And I think I prefer this

1:25:46.680 --> 1:25:51.479
<v Speaker 3>like that Ursula is more focused on trying to move

1:25:51.520 --> 1:25:55.479
<v Speaker 3>forward with her life and being met with nothing but

1:25:56.600 --> 1:25:59.000
<v Speaker 3>expectations that are far more than should be expected of

1:25:59.040 --> 1:26:02.200
<v Speaker 3>a teenage girl, that protecting her brother from what she

1:26:02.280 --> 1:26:09.320
<v Speaker 3>fears will be an abusive institutionalization, navigating her own relationship

1:26:09.400 --> 1:26:12.200
<v Speaker 3>to her body and sex, which is very disordered because

1:26:12.320 --> 1:26:16.960
<v Speaker 3>she is forced to vow abstinence to her brother brother

1:26:17.400 --> 1:26:21.000
<v Speaker 3>and not to mention all of the weird stuff with

1:26:21.080 --> 1:26:23.799
<v Speaker 3>her father as well, and it seems like the total

1:26:23.880 --> 1:26:27.120
<v Speaker 3>void of a relationship with her mother. So she goes

1:26:27.200 --> 1:26:30.679
<v Speaker 3>from you know, being like a sexually active teenager, which

1:26:31.560 --> 1:26:34.680
<v Speaker 3>we don't really have enough information to know, like is

1:26:34.720 --> 1:26:37.800
<v Speaker 3>she just like doing what teenagers do? Is she like

1:26:37.880 --> 1:26:40.439
<v Speaker 3>acting out? We like don't know. It could be some

1:26:40.560 --> 1:26:44.080
<v Speaker 3>column a columbe CALLM C. Whatever but she makes a

1:26:44.080 --> 1:26:47.000
<v Speaker 3>pretty severe one eighty on that and goes to being

1:26:47.320 --> 1:26:50.120
<v Speaker 3>completely complicit to what her brother says she should do,

1:26:50.840 --> 1:26:54.040
<v Speaker 3>sort of as a punishment for having gotten this abortion.

1:26:54.960 --> 1:26:57.280
<v Speaker 3>It seems like they're like, well, the way to avoid

1:26:57.400 --> 1:27:00.639
<v Speaker 3>getting pregnant again is to completely cut yourself off from

1:27:00.760 --> 1:27:03.080
<v Speaker 3>the need, so that the fact when she meets Pin

1:27:03.240 --> 1:27:06.200
<v Speaker 3>and quote unquote, the need comes back. Even though I

1:27:06.200 --> 1:27:09.599
<v Speaker 3>think for Ursula they when she meets oh my god,

1:27:10.400 --> 1:27:13.880
<v Speaker 3>our boyfriend Pin, what does she fall in love with

1:27:13.920 --> 1:27:15.800
<v Speaker 3>the Pin? Oh my god? And then it's and it's

1:27:15.840 --> 1:27:16.679
<v Speaker 3>so love triangle.

1:27:16.920 --> 1:27:17.600
<v Speaker 2>Wow.

1:27:17.840 --> 1:27:22.040
<v Speaker 3>Oh, But when she meets Stan, oh, I my argument

1:27:22.080 --> 1:27:26.240
<v Speaker 3>for Ursula is the need for her is actually just

1:27:26.360 --> 1:27:30.519
<v Speaker 3>a need for genuine connection with someone, where I think

1:27:30.680 --> 1:27:32.960
<v Speaker 3>that the need as it manifests, actually is something that

1:27:33.000 --> 1:27:36.880
<v Speaker 3>affects almost everybody you know, and she's coming of age

1:27:36.880 --> 1:27:39.519
<v Speaker 3>and all of this stuff. But like by the time

1:27:39.800 --> 1:27:42.599
<v Speaker 3>we're at like the midpoint of this movie, I think

1:27:42.800 --> 1:27:46.160
<v Speaker 3>the need for Ursula like it is sexual. It seems

1:27:46.200 --> 1:27:48.840
<v Speaker 3>like she and Stan are sexually active. We see him

1:27:48.880 --> 1:27:52.120
<v Speaker 3>topless opening a watch at some point like relatively if

1:27:52.120 --> 1:27:54.479
<v Speaker 3>they have sex, which I also think is a really

1:27:54.479 --> 1:27:56.840
<v Speaker 3>good plot point for Ursula because that shows that she's

1:27:56.920 --> 1:27:59.880
<v Speaker 3>directly going against what her brother has demanded of her,

1:28:00.640 --> 1:28:05.200
<v Speaker 3>and that where I normally don't whatever, we tend to

1:28:05.240 --> 1:28:08.320
<v Speaker 3>be pretty ambivalent towards like a love interest shoehorned in.

1:28:08.439 --> 1:28:12.519
<v Speaker 3>But I think like Stan serves because Ursula pursues and

1:28:12.680 --> 1:28:16.240
<v Speaker 3>gets a job that she likes. I think Stan serves

1:28:16.280 --> 1:28:19.040
<v Speaker 3>like a narrative purpose that is very active for her,

1:28:19.160 --> 1:28:21.360
<v Speaker 3>where it's like she is standing up to her brother,

1:28:21.920 --> 1:28:26.320
<v Speaker 3>she is seeking out emotional safety that she's never had before,

1:28:27.320 --> 1:28:31.960
<v Speaker 3>and she's you know, not buying this the horror movie

1:28:31.960 --> 1:28:34.719
<v Speaker 3>trope that if I have sex, I won't survive the movie,

1:28:34.760 --> 1:28:39.240
<v Speaker 3>because she does, and so I like the stand relationship.

1:28:39.479 --> 1:28:43.520
<v Speaker 2>She seems to be realizing more and more that perhaps

1:28:43.880 --> 1:28:48.599
<v Speaker 2>her brother is not right about a lot of his

1:28:49.640 --> 1:28:54.320
<v Speaker 2>views on sexuality, imagine that he's perhaps a bit unstable,

1:28:54.880 --> 1:28:59.160
<v Speaker 2>and that she shouldn't listen to him yet. And then

1:28:59.200 --> 1:29:03.640
<v Speaker 2>she starts kind of breaking away from the stronghold he

1:29:03.760 --> 1:29:09.080
<v Speaker 2>has on her behavior, particularly as it relates to her sexuality,

1:29:09.640 --> 1:29:13.200
<v Speaker 2>and kind of in an act of defiance, says, well,

1:29:13.280 --> 1:29:16.320
<v Speaker 2>I'm going to just do my own thing and pursue

1:29:16.360 --> 1:29:22.600
<v Speaker 2>what I want and fulfill my need if I so choose.

1:29:22.880 --> 1:29:26.400
<v Speaker 3>I agree, and yeah, and I like on Stan's and

1:29:27.040 --> 1:29:30.680
<v Speaker 3>that Stan is it seems like because sometimes this is

1:29:30.760 --> 1:29:32.640
<v Speaker 3>like a good and this could be a relationship of

1:29:32.680 --> 1:29:35.439
<v Speaker 3>any kind, like it doesn't need to be romantic, but

1:29:35.600 --> 1:29:40.639
<v Speaker 3>that like he is articulating things that she needs to hear,

1:29:40.800 --> 1:29:42.800
<v Speaker 3>and it makes sense that she hasn't been able to say.

1:29:42.800 --> 1:29:45.559
<v Speaker 3>But like, I mean, do I wish for for Stan's

1:29:45.600 --> 1:29:48.040
<v Speaker 3>sake that he maybe waited until they were in a

1:29:48.120 --> 1:29:52.120
<v Speaker 3>second location to bring up all the like, clearly your

1:29:52.120 --> 1:29:58.559
<v Speaker 3>brother needs help and is scaring me? Why he looks

1:29:58.680 --> 1:29:59.640
<v Speaker 3>like that.

1:30:00.840 --> 1:30:03.320
<v Speaker 2>What's that skin suit he's wearing?

1:30:03.880 --> 1:30:05.920
<v Speaker 3>But that has it's so funny when we're talking about

1:30:05.920 --> 1:30:08.320
<v Speaker 3>this seriously because you're like, oh, right, we're talking about Pin.

1:30:08.720 --> 1:30:11.599
<v Speaker 3>But like that has to be affirming for Arthula because

1:30:11.600 --> 1:30:13.080
<v Speaker 3>that's something that she's had in the back of her

1:30:13.120 --> 1:30:16.000
<v Speaker 3>mind for years but can't talk about with anybody out

1:30:16.040 --> 1:30:19.800
<v Speaker 3>of fear of the consequences of talking about it, and

1:30:19.840 --> 1:30:22.160
<v Speaker 3>that like Stan, it seems like is the first person

1:30:22.240 --> 1:30:25.280
<v Speaker 3>that can just I mean, that's such a powerful thing

1:30:25.360 --> 1:30:28.800
<v Speaker 3>to be like, hey, I also see Pin, and I'm

1:30:28.800 --> 1:30:29.920
<v Speaker 3>also scared of Pin.

1:30:30.520 --> 1:30:34.120
<v Speaker 2>That's powerful for sure, But that makes me think of

1:30:34.920 --> 1:30:40.760
<v Speaker 2>the one scene where their mother and Pin are in

1:30:40.840 --> 1:30:44.240
<v Speaker 2>close proximity to each other, which is the car scene.

1:30:44.600 --> 1:30:48.000
<v Speaker 2>But it's clear that their mother thinks Pin is freaky

1:30:48.080 --> 1:30:52.439
<v Speaker 2>and weird and doesn't like Pin. So why so I'm wondering, like,

1:30:52.560 --> 1:30:56.600
<v Speaker 2>why wasn't there may be a conversation between Ursula and

1:30:56.640 --> 1:31:00.559
<v Speaker 2>her mother where they're talking about how uncomfortable makes them.

1:31:00.600 --> 1:31:03.639
<v Speaker 2>You're not wrong, And my guess is that because this

1:31:03.880 --> 1:31:08.280
<v Speaker 2>is written and directed by men, and men tend not

1:31:08.560 --> 1:31:13.880
<v Speaker 2>to think about women interacting, can you believe it, So

1:31:14.360 --> 1:31:19.840
<v Speaker 2>they can't really conceive of what a conversation between two

1:31:19.840 --> 1:31:22.799
<v Speaker 2>women or a woman and a girl or whatever would

1:31:23.000 --> 1:31:27.439
<v Speaker 2>look like. So that's why we don't have that. But

1:31:27.520 --> 1:31:30.120
<v Speaker 2>it's established that both of the women in the family,

1:31:30.240 --> 1:31:33.000
<v Speaker 2>like have a lot of uneasiness around Pin.

1:31:33.479 --> 1:31:36.799
<v Speaker 3>Women do not trust Pin, and with good reason except

1:31:36.800 --> 1:31:42.320
<v Speaker 3>for that nurse. Except for that, nurses are closest She's

1:31:42.400 --> 1:31:46.240
<v Speaker 3>right or die for. Look, sometimes we are attracted to

1:31:46.240 --> 1:31:49.479
<v Speaker 3>toxic people and even toxic pins.

1:31:49.920 --> 1:31:52.360
<v Speaker 2>Toxic pins, toxic pins.

1:31:53.160 --> 1:31:57.280
<v Speaker 3>Anyways, Yeah, Pin is scary. I like the stand relationship.

1:31:57.320 --> 1:32:01.960
<v Speaker 3>I will say I think that there was equal opportunity

1:32:01.960 --> 1:32:06.560
<v Speaker 3>for this to happen with Ursula with a friend, particularly

1:32:06.920 --> 1:32:09.639
<v Speaker 3>the friend who ends up going on a date with Leon.

1:32:10.760 --> 1:32:13.160
<v Speaker 3>I do feel like that character is well used, but

1:32:13.760 --> 1:32:16.439
<v Speaker 3>I sort of was wondering why Ursula wouldn't have had

1:32:16.479 --> 1:32:19.320
<v Speaker 3>a more open relationship with her that too. Yeah, but

1:32:19.479 --> 1:32:22.000
<v Speaker 3>I think that where Stan gets the edge there is

1:32:22.040 --> 1:32:24.160
<v Speaker 3>like if everyone in this movie absolutely has to be

1:32:24.560 --> 1:32:28.880
<v Speaker 3>straight or pin because it's nineteen eighty eight, that like

1:32:29.040 --> 1:32:31.880
<v Speaker 3>the sexual component of her relationship with Stan is also

1:32:31.960 --> 1:32:36.000
<v Speaker 3>kind of like important to why they're being together. Makes

1:32:36.040 --> 1:32:39.040
<v Speaker 3>sense in the story because it's like she's getting that

1:32:39.080 --> 1:32:42.479
<v Speaker 3>emotional closeness and she's like not falling into the Leon

1:32:42.600 --> 1:32:45.880
<v Speaker 3>superstition that having sex means that your life is over

1:32:46.040 --> 1:32:48.400
<v Speaker 3>or whatever, you're damaged or whatever.

1:32:49.240 --> 1:32:54.120
<v Speaker 2>Yeah. I mean, ultimately, this is a movie about how

1:32:55.080 --> 1:33:01.120
<v Speaker 2>being sexually repressed, which is a learned behavior. This is,

1:33:01.280 --> 1:33:06.200
<v Speaker 2>you know, Leon learned this, How detrimental that can be.

1:33:06.560 --> 1:33:12.160
<v Speaker 2>It can lead to people dying, getting chopped with an axe.

1:33:12.320 --> 1:33:17.760
<v Speaker 3>Pinned, crash your car. H Also, it seems like maybe

1:33:18.200 --> 1:33:21.760
<v Speaker 3>John Locke starts to realize this ten seconds before.

1:33:21.479 --> 1:33:24.240
<v Speaker 2>He dies, that Pen is maybe bad news.

1:33:25.000 --> 1:33:27.360
<v Speaker 3>No, well not the Pin is bad news. But that

1:33:27.560 --> 1:33:31.160
<v Speaker 3>like the way that he has conditioned his children to

1:33:31.240 --> 1:33:35.880
<v Speaker 3>think is unsharpy to them. You know, based on what

1:33:35.880 --> 1:33:37.720
<v Speaker 3>we know about the character, I don't think we're led

1:33:37.720 --> 1:33:41.640
<v Speaker 3>to believe he's going to have a positive change to

1:33:41.680 --> 1:33:44.280
<v Speaker 3>his life as a result. But it did seem like that,

1:33:44.400 --> 1:33:48.200
<v Speaker 3>like register that, like, oh, the me doing this like

1:33:48.360 --> 1:33:50.679
<v Speaker 3>hurts Leon, right, because.

1:33:50.479 --> 1:33:55.000
<v Speaker 2>He's horrified to learn that. Leon goes and has full

1:33:55.120 --> 1:34:00.000
<v Speaker 2>dialogues with Pin, and it seems like he realizes, like, oh,

1:34:00.080 --> 1:34:02.840
<v Speaker 2>oh no, what have I done if I had only

1:34:02.880 --> 1:34:04.920
<v Speaker 2>just talked to my son directly for once in my

1:34:05.000 --> 1:34:09.200
<v Speaker 2>life and not only communicated him via making him count

1:34:09.280 --> 1:34:12.960
<v Speaker 2>backwards from one hundred by sevens, which, by the way,

1:34:13.840 --> 1:34:18.559
<v Speaker 2>that scene, so it seems like Leon and Ursula are

1:34:18.640 --> 1:34:20.800
<v Speaker 2>like two or three years apart in.

1:34:20.800 --> 1:34:22.720
<v Speaker 3>Age, right, Yeah, something like that.

1:34:22.800 --> 1:34:25.720
<v Speaker 2>Yeah, And it seems like in that scene when their

1:34:25.840 --> 1:34:28.960
<v Speaker 2>dad is like making them do counting and or math,

1:34:29.800 --> 1:34:32.400
<v Speaker 2>he says to Ursula, who seems to be about five

1:34:32.560 --> 1:34:36.920
<v Speaker 2>at the time, to count to ten, and then Leon,

1:34:36.960 --> 1:34:40.080
<v Speaker 2>who's only two years older than her, has to count

1:34:40.160 --> 1:34:43.360
<v Speaker 2>backwards from one hundred by sevens. But my point is, like,

1:34:44.200 --> 1:34:49.200
<v Speaker 2>surely Ursula can do slightly more complicated things with numbers

1:34:49.240 --> 1:34:50.880
<v Speaker 2>than simply just counting to ten.

1:34:51.840 --> 1:34:55.360
<v Speaker 3>I think that that's like intentional though, right, like he

1:34:55.479 --> 1:34:58.840
<v Speaker 3>is setting Leon up to fail, and like it almost

1:34:58.880 --> 1:35:00.800
<v Speaker 3>feels that's how I read it, is like and or.

1:35:00.760 --> 1:35:05.800
<v Speaker 2>He underestimates the capabilities of girls because he's sexist.

1:35:06.280 --> 1:35:09.479
<v Speaker 3>Maybe I don't know. Yeah, I read that as like

1:35:09.640 --> 1:35:12.840
<v Speaker 3>him like enacting this. That's why I mean, like the

1:35:13.360 --> 1:35:16.120
<v Speaker 3>mother's abuse is far more direct, But I do feel

1:35:16.120 --> 1:35:19.160
<v Speaker 3>like the father's behavior is intended as abuse, but like

1:35:19.200 --> 1:35:22.680
<v Speaker 3>a far more like psychologically torturous. Like I think that

1:35:22.680 --> 1:35:25.479
<v Speaker 3>that was like a humiliation ritual, Like he doesn't even

1:35:25.520 --> 1:35:28.360
<v Speaker 3>make physical contact with Leon. He just wants him to

1:35:28.400 --> 1:35:32.080
<v Speaker 3>feel bad about himself before going to bed, which is

1:35:32.160 --> 1:35:33.040
<v Speaker 3>so horrible.

1:35:33.560 --> 1:35:37.280
<v Speaker 2>That's so evil, right, because later there's a scene between

1:35:37.479 --> 1:35:42.320
<v Speaker 2>Leon and Ursula where Leon speaks to clear resentment he

1:35:42.400 --> 1:35:46.080
<v Speaker 2>has towards his parents and the psychological damage they did

1:35:46.120 --> 1:35:49.720
<v Speaker 2>to him. It's when he's like pouring wine over the

1:35:49.720 --> 1:35:52.880
<v Speaker 2>tablecloth and being like, oh, my god, mother would hate

1:35:52.920 --> 1:35:55.200
<v Speaker 2>this and father would hate that we're drinking wine.

1:35:55.320 --> 1:35:58.080
<v Speaker 3>He said, let's go and let's get a little silly,

1:35:58.200 --> 1:36:02.439
<v Speaker 3>and Ursula understand. I don't know or I do I

1:36:02.840 --> 1:36:05.640
<v Speaker 3>even though it's like it freaks you out because you're like,

1:36:05.920 --> 1:36:09.400
<v Speaker 3>anytime she stands up to Leon, she's in danger, unfortunate,

1:36:09.400 --> 1:36:11.040
<v Speaker 3>and that's so many I mean, she is in a

1:36:11.040 --> 1:36:14.559
<v Speaker 3>domestic abuse situation with her brother, yes, but also it

1:36:14.640 --> 1:36:18.120
<v Speaker 3>is as a viewer very satisfying for her to be like,

1:36:18.439 --> 1:36:21.160
<v Speaker 3>I can't eat it at the table with fucking Pin.

1:36:21.920 --> 1:36:24.400
<v Speaker 3>This sucks and he's like, I'll.

1:36:24.280 --> 1:36:25.080
<v Speaker 2>Take it up with Pin.

1:36:25.520 --> 1:36:29.240
<v Speaker 3>Pin says it's okay. You're like, fuck you, Leah. I look,

1:36:30.120 --> 1:36:31.639
<v Speaker 3>this movie is so awesome.

1:36:32.120 --> 1:36:34.639
<v Speaker 2>Uh yeah, yeah.

1:36:34.760 --> 1:36:37.400
<v Speaker 3>I'm trying to think of, like what else there is

1:36:37.439 --> 1:36:41.559
<v Speaker 3>to say. I mean, I think that there's opportunities for

1:36:41.880 --> 1:36:43.600
<v Speaker 3>I mean getting into I do believe it passes the

1:36:43.600 --> 1:36:47.599
<v Speaker 3>Bechtel test not often, but there I forget, Well, this

1:36:47.680 --> 1:36:50.760
<v Speaker 3>is maybe proving the point. But like her boss at

1:36:50.800 --> 1:36:53.599
<v Speaker 3>the library does have a name, and they talk about

1:36:53.640 --> 1:36:58.800
<v Speaker 3>they like do have like a few exchanges. So I am, well,

1:36:58.840 --> 1:37:01.280
<v Speaker 3>it's one of my one of my favorite movies. But

1:37:01.320 --> 1:37:03.160
<v Speaker 3>it is like a movie I really like, and I

1:37:03.200 --> 1:37:04.760
<v Speaker 3>want to give it the edge because I do think

1:37:04.800 --> 1:37:08.240
<v Speaker 3>that the movies. I think the movie has a lot

1:37:08.240 --> 1:37:12.320
<v Speaker 3>of empathy for both of the siblings, but especially Ursula.

1:37:12.600 --> 1:37:15.880
<v Speaker 3>It's like more subversive than it seems, even though I

1:37:15.920 --> 1:37:19.640
<v Speaker 3>think a big failure of it is you know, I

1:37:20.160 --> 1:37:22.960
<v Speaker 3>don't know. I don't feel qualified to decide how this

1:37:23.200 --> 1:37:28.400
<v Speaker 3>handles incest. I'm assuming not very well. But I think

1:37:28.760 --> 1:37:32.080
<v Speaker 3>that there are we were presented with a number of

1:37:32.120 --> 1:37:35.160
<v Speaker 3>women who could have had a bigger role in the story,

1:37:35.880 --> 1:37:40.519
<v Speaker 3>and don't I think, yeah, that it feels very written

1:37:40.680 --> 1:37:42.960
<v Speaker 3>by a man, directed by a man that you know,

1:37:43.000 --> 1:37:45.519
<v Speaker 3>it's the relationship to their father that is the one

1:37:45.560 --> 1:37:49.320
<v Speaker 3>that shapes their lives for better and for worse, their

1:37:49.360 --> 1:37:53.320
<v Speaker 3>mother's present, but we do not as present Ursula find

1:37:53.479 --> 1:37:56.479
<v Speaker 3>solace in a relationship, in a romantic relationship with a man,

1:37:57.040 --> 1:37:58.840
<v Speaker 3>not maybe with the friend that we know.

1:37:58.880 --> 1:38:02.480
<v Speaker 2>She's close with, more Marcia. Trust more Marcia.

1:38:03.080 --> 1:38:05.160
<v Speaker 3>But I also think we're presented with a lot of

1:38:05.160 --> 1:38:09.320
<v Speaker 3>classic horror setups that are like very intentionally subverted in

1:38:09.479 --> 1:38:13.200
<v Speaker 3>Ursula's favor, where she is the final girl, she's not

1:38:13.320 --> 1:38:19.919
<v Speaker 3>using a frying pan. Marcia lives and is saved by Ursula.

1:38:20.120 --> 1:38:22.960
<v Speaker 3>So I don't know, it's it's it's a very very

1:38:23.040 --> 1:38:26.599
<v Speaker 3>mixed bag. I feel this movie in terms in terms

1:38:26.640 --> 1:38:29.880
<v Speaker 3>of Bechdel cast, it is a mixed fact as a

1:38:30.080 --> 1:38:31.320
<v Speaker 3>movie to watch.

1:38:31.640 --> 1:38:35.800
<v Speaker 2>You gotta watch Pin. It's it's on the pinometer. It's

1:38:35.800 --> 1:38:36.679
<v Speaker 2>a ten out of ten.

1:38:37.400 --> 1:38:41.880
<v Speaker 3>That's there's so many different pin rank your favorite Pin?

1:38:42.000 --> 1:38:42.240
<v Speaker 2>Look?

1:38:42.320 --> 1:38:48.439
<v Speaker 3>Are you into skin pin or no skin? Pin? Uh?

1:38:48.600 --> 1:38:52.959
<v Speaker 2>No skin plus suit or no skin naked like a

1:38:53.000 --> 1:38:55.080
<v Speaker 2>clothing suit not skin suit? Right?

1:38:55.640 --> 1:38:58.960
<v Speaker 3>Yeah? Dead father suit on pin or maybe not?

1:38:59.280 --> 1:39:03.880
<v Speaker 2>Or fully new food with an anatomically correct penis?

1:39:04.200 --> 1:39:06.639
<v Speaker 3>Is that covered in skin? Or do we keep that raw?

1:39:07.240 --> 1:39:11.599
<v Speaker 3>So many questions with regards to Pin. But I do

1:39:11.680 --> 1:39:14.800
<v Speaker 3>believe it pastest. I believe you.

1:39:14.920 --> 1:39:15.879
<v Speaker 2>I didn't pay attention.

1:39:16.640 --> 1:39:18.519
<v Speaker 3>I do believe it does. I don't think it you know,

1:39:18.640 --> 1:39:21.479
<v Speaker 3>not handily, but I think it technically does. Okay, what

1:39:21.680 --> 1:39:27.040
<v Speaker 3>is your what is your nipple rating for the film Pin.

1:39:27.560 --> 1:39:31.400
<v Speaker 2>I'll give this. I feel like it's a split down

1:39:31.439 --> 1:39:34.120
<v Speaker 2>the middle because it does feel like such a mixed bag.

1:39:34.160 --> 1:39:36.800
<v Speaker 2>I think it is doing something interesting by commenting on

1:39:37.400 --> 1:39:44.679
<v Speaker 2>like in cell slash val cell mentality and how that

1:39:45.240 --> 1:39:53.000
<v Speaker 2>sexual repression which often manifests as utter rage and often

1:39:53.120 --> 1:39:59.720
<v Speaker 2>violence toward women. The movie like acknowledges that examines it

1:39:59.760 --> 1:40:05.240
<v Speaker 2>in I think pretty effective ways. I don't know, I

1:40:05.280 --> 1:40:08.960
<v Speaker 2>think so. It's such a wild movie. But and again

1:40:09.040 --> 1:40:12.040
<v Speaker 2>to your point, the tropes that are being subverted, as

1:40:12.040 --> 1:40:16.040
<v Speaker 2>far as teen girls who are sexually interested and have

1:40:16.120 --> 1:40:19.960
<v Speaker 2>clear sexual desire not being punished by the plot of

1:40:20.000 --> 1:40:23.799
<v Speaker 2>the movie for that, they are punished by men around

1:40:23.880 --> 1:40:28.680
<v Speaker 2>them who are harboring, you know, sex negative attitudes and

1:40:28.720 --> 1:40:35.040
<v Speaker 2>misogyny and the double standards around being sexually active from

1:40:35.080 --> 1:40:38.040
<v Speaker 2>a gender point of view, and they're so quick to

1:40:38.240 --> 1:40:42.400
<v Speaker 2>slept shame teen girls and women. So all of that

1:40:42.439 --> 1:40:43.519
<v Speaker 2>stuff is pretty interesting.

1:40:43.720 --> 1:40:46.439
<v Speaker 3>It's a rich text, you can rich text.

1:40:47.320 --> 1:40:51.320
<v Speaker 2>Yeah, so let's say two and a half nipples, two

1:40:51.360 --> 1:40:56.760
<v Speaker 2>and a half plastic skin suit nipples that we are

1:40:56.800 --> 1:41:01.880
<v Speaker 2>to believe Pin eventually has. Yes, Okay, and I'm giving

1:41:01.920 --> 1:41:05.880
<v Speaker 2>them to Ursula, who that actor looks so much like

1:41:05.920 --> 1:41:08.880
<v Speaker 2>Taylor Swift to me, just throwing that out there.

1:41:09.160 --> 1:41:12.200
<v Speaker 3>She does kind of look like eighties Taylor Swift. That's

1:41:12.200 --> 1:41:12.799
<v Speaker 3>so interesting.

1:41:12.960 --> 1:41:15.280
<v Speaker 2>But yeah, I'll give them to Ursula, and I'll give

1:41:15.280 --> 1:41:18.760
<v Speaker 2>my half nipple to Marcia. She deserved more. Yeah, she

1:41:18.920 --> 1:41:19.439
<v Speaker 2>was a cutie.

1:41:20.400 --> 1:41:22.799
<v Speaker 3>I am also going to go two and a half.

1:41:22.920 --> 1:41:27.040
<v Speaker 3>I think that's a fair rating for Pin. It's I

1:41:27.080 --> 1:41:28.840
<v Speaker 3>think it's it's so tricky because it's like, I think

1:41:28.880 --> 1:41:31.519
<v Speaker 3>it's doing a lot of really interesting subversa things. It's

1:41:31.560 --> 1:41:35.400
<v Speaker 3>doing a number of less so and then it's doing

1:41:35.560 --> 1:41:38.000
<v Speaker 3>a bunch of third things that I don't fully know

1:41:38.080 --> 1:41:40.240
<v Speaker 3>if it's doing a good or bad job, but it

1:41:40.360 --> 1:41:41.280
<v Speaker 3>kept my attention.

1:41:41.960 --> 1:41:46.880
<v Speaker 2>Is Pin sentient in the car or otherwise shrug, just

1:41:47.080 --> 1:41:47.679
<v Speaker 2>don't know.

1:41:47.880 --> 1:41:51.840
<v Speaker 3>I I I will say, I really, I really enjoy

1:41:51.920 --> 1:41:53.840
<v Speaker 3>this movie. I think this is a super fun movie

1:41:53.840 --> 1:41:57.840
<v Speaker 3>to like what it's like a sleepover movie. It's so weird. Yeah,

1:41:57.880 --> 1:42:01.400
<v Speaker 3>so bring Pin to your friend if I mean, I

1:42:01.400 --> 1:42:03.680
<v Speaker 3>guess with the appropriate trigger warnings, but bring Pin to

1:42:03.720 --> 1:42:08.400
<v Speaker 3>your friends. You'll never see a mannequin the same again,

1:42:08.920 --> 1:42:11.000
<v Speaker 3>that would actually be a good theme because there's there

1:42:11.080 --> 1:42:14.120
<v Speaker 3>is that Kim Control movie Mannequin as well that I've

1:42:14.160 --> 1:42:15.439
<v Speaker 3>seen with Briant.

1:42:15.439 --> 1:42:21.400
<v Speaker 2>It's a weird one. The Real Girl size, which we've

1:42:21.400 --> 1:42:22.479
<v Speaker 2>covered on the Matreon.

1:42:22.560 --> 1:42:26.960
<v Speaker 3>I think Mannikinuary, think about it, think about it anyways. Yes,

1:42:26.960 --> 1:42:28.439
<v Speaker 3>I'm going to give it two and a half nipples.

1:42:28.479 --> 1:42:32.240
<v Speaker 3>Two to ursula and have to the pile of wood

1:42:32.600 --> 1:42:38.479
<v Speaker 3>that barely hides stands apparently a live body. Yeah, and

1:42:38.520 --> 1:42:39.920
<v Speaker 3>I think that's going to do it for Pin.

1:42:41.160 --> 1:42:42.360
<v Speaker 2>Happy birthday, Jamie.

1:42:42.640 --> 1:42:44.839
<v Speaker 3>Yeah, I'm noticing no one's wished me a happy birthday.

1:42:44.920 --> 1:42:46.960
<v Speaker 3>Kind of interesting, Okay.

1:42:46.720 --> 1:42:49.200
<v Speaker 2>Pin, I wished you one at the beginning of the episode.

1:42:49.200 --> 1:42:56.519
<v Speaker 2>If you recall, remember I want happy.

1:42:54.080 --> 1:42:55.640
<v Speaker 3>Oh my god, you know what. I don't think I

1:42:55.680 --> 1:42:57.840
<v Speaker 3>heard that, because when you do Pin voice, it cuts

1:42:57.880 --> 1:43:01.719
<v Speaker 3>out on the zoom it because it's too scary.

1:43:02.120 --> 1:43:06.120
<v Speaker 2>You're a while zoo tracering Pin, I retract.

1:43:06.160 --> 1:43:09.640
<v Speaker 3>I didn't realize you said that because your good voice disappears.

1:43:09.760 --> 1:43:12.080
<v Speaker 2>That's how I opened the episode. Wow.

1:43:12.479 --> 1:43:16.639
<v Speaker 3>Well, uh, you know, happy happy birthday. For my birthday,

1:43:17.400 --> 1:43:20.080
<v Speaker 3>I don't. I don't know, Caitlyn, I should text you.

1:43:20.120 --> 1:43:22.120
<v Speaker 3>I got to make some plans and then the day

1:43:22.160 --> 1:43:26.000
<v Speaker 3>after my birthday, I'm going to see my nieces and nephews.

1:43:26.040 --> 1:43:27.000
<v Speaker 3>So I'm excited about that.

1:43:27.280 --> 1:43:28.840
<v Speaker 2>Yeah, what a lovely gift.

1:43:29.080 --> 1:43:31.519
<v Speaker 3>I will not be showing them Pin.

1:43:33.360 --> 1:43:33.960
<v Speaker 2>Good fun.

1:43:35.240 --> 1:43:39.120
<v Speaker 3>But yeah, thank you so much for listening, listeners, thank

1:43:39.160 --> 1:43:41.640
<v Speaker 3>you for watching Pin. I'm assuming if you made it

1:43:41.680 --> 1:43:45.200
<v Speaker 3>this far. Also, if you made it this far, if

1:43:45.200 --> 1:43:47.640
<v Speaker 3>we haven't released it already, there are tour announcements on

1:43:47.720 --> 1:43:49.960
<v Speaker 3>the way for this fall and beyond for our ten

1:43:50.040 --> 1:43:53.960
<v Speaker 3>year anniversary tour, keep your eyes peel for that. As always,

1:43:54.240 --> 1:43:56.760
<v Speaker 3>the best way to support the show is by subscribing

1:43:56.800 --> 1:43:59.760
<v Speaker 3>to our Patreon ak Matreon, Caitlyn, you just mentioned that's

1:43:59.760 --> 1:44:03.400
<v Speaker 3>where our life Size episode is, where over two hundred

1:44:03.439 --> 1:44:06.120
<v Speaker 3>episodes are and it's been the same price for almost

1:44:06.200 --> 1:44:09.439
<v Speaker 3>ten years. Five dollars a month gets you access to

1:44:09.479 --> 1:44:12.040
<v Speaker 3>the entire back catalog as well as two new episodes

1:44:12.280 --> 1:44:14.400
<v Speaker 3>on a theme of ours or your choosing, every month,

1:44:14.920 --> 1:44:17.200
<v Speaker 3>and it is it is the way to keep the

1:44:17.200 --> 1:44:19.360
<v Speaker 3>Bextel cast afloat. So as a birthday gift to me,

1:44:19.800 --> 1:44:22.640
<v Speaker 3>become a matron or just remain a matron.

1:44:22.760 --> 1:44:26.160
<v Speaker 2>Please, and you can enjoy Jamie's Birthday picks over on

1:44:26.200 --> 1:44:30.000
<v Speaker 2>the Matreon this month, which is minised too. And two

1:44:30.080 --> 1:44:31.639
<v Speaker 2>thousand and one a space Odyssey.

1:44:31.960 --> 1:44:36.519
<v Speaker 3>Yeah, really really expanding what two can mean in the

1:44:36.520 --> 1:44:37.640
<v Speaker 3>title of a movie.

1:44:39.240 --> 1:44:40.320
<v Speaker 2>It's so pactic.

1:44:40.760 --> 1:44:44.360
<v Speaker 3>Thank you for watching Pin again, Caitlin. It's a birthday miracle.

1:44:44.680 --> 1:44:47.000
<v Speaker 2>Honestly, I had a pretty good time, so thank you.

1:44:47.120 --> 1:44:50.280
<v Speaker 3>It's a good time all right.

1:44:50.920 --> 1:44:54.160
<v Speaker 2>Bye, Bye, Jamie Baking.

1:44:58.600 --> 1:45:01.960
<v Speaker 3>The Bechdel Cast is a production of iHeartMedia, hosted and

1:45:02.080 --> 1:45:04.240
<v Speaker 3>produced by Me, Jamie Loftus.

1:45:04.120 --> 1:45:07.599
<v Speaker 2>And Me Caitlyn Dorante. The podcast is also produced by

1:45:07.720 --> 1:45:09.080
<v Speaker 2>Sophie Lichtermann and.

1:45:09.280 --> 1:45:12.479
<v Speaker 3>Edited by Caitlyn Durrante. Ever Heard of Them? That's Me

1:45:13.000 --> 1:45:16.200
<v Speaker 3>and our logo and merch and all of our artwork

1:45:16.240 --> 1:45:19.800
<v Speaker 3>in fact are designed by Jamie Loftus, Ever Heard of Her?

1:45:20.000 --> 1:45:20.759
<v Speaker 2>Oh My God?

1:45:21.240 --> 1:45:23.720
<v Speaker 3>And our theme song, by the way, was composed by

1:45:23.760 --> 1:45:24.880
<v Speaker 3>Mike Kaplan.

1:45:24.760 --> 1:45:27.840
<v Speaker 2>With vocals by Katherine Voskrasinski.

1:45:27.400 --> 1:45:30.240
<v Speaker 3>Iconic and a special thanks to the one and only

1:45:30.600 --> 1:45:31.880
<v Speaker 3>Aristotle Acevedo.

1:45:32.400 --> 1:45:36.200
<v Speaker 2>For more information about the podcast, please visit linktree slash

1:45:36.240 --> 1:45:37.040
<v Speaker 2>Spectel Cast