1 00:00:00,120 --> 00:00:01,680 Speaker 1: I want you to tell me if it's me or if 2 00:00:01,680 --> 00:00:02,160 Speaker 1: it's not me. 3 00:00:02,360 --> 00:00:03,400 Speaker 2: Is this an AI video? 4 00:00:03,680 --> 00:00:04,360 Speaker 1: It's not a video? 5 00:00:04,960 --> 00:00:06,680 Speaker 2: Oh ai picture? 6 00:00:06,800 --> 00:00:07,160 Speaker 1: All right? 7 00:00:07,480 --> 00:00:12,280 Speaker 3: Read that Shaq exposed for shooting shot at Sabrina Carpenter. 8 00:00:13,560 --> 00:00:18,680 Speaker 1: Bro hold on, hold on, hold on, hold on, Shack, 9 00:00:19,520 --> 00:00:22,280 Speaker 1: damn baby, I would keep your farts in a cologne 10 00:00:22,280 --> 00:00:26,200 Speaker 1: bottle and spray it on me every day, just jokes. 11 00:00:26,239 --> 00:00:30,040 Speaker 1: I'm Shack's what's your name? Baby? And Sabrina says, I 12 00:00:30,080 --> 00:00:32,479 Speaker 1: know who you are. You're way too famous to be 13 00:00:32,520 --> 00:00:36,280 Speaker 1: sending me message like that, Shack. I can't be horny 14 00:00:36,320 --> 00:00:39,360 Speaker 1: and want some of that snow bunny kidd for myself. 15 00:00:39,880 --> 00:00:42,720 Speaker 1: You're being rude for no reason. You can't handle a 16 00:00:42,800 --> 00:00:45,880 Speaker 1: big deals anyway. My meat would have you in the hospital. 17 00:00:45,960 --> 00:00:48,239 Speaker 1: Can we find out? Is that me or is that cap? 18 00:00:48,360 --> 00:00:50,920 Speaker 2: Yeah? I definitely do not believe you. 19 00:00:51,120 --> 00:00:54,960 Speaker 1: Yeah, it went viral, looktop. 20 00:00:57,440 --> 00:00:59,200 Speaker 2: Social media is a dangerous. 21 00:00:58,720 --> 00:01:02,680 Speaker 3: Game because the computer could do anything. They can make 22 00:01:03,080 --> 00:01:05,360 Speaker 3: like them old ladies. 23 00:01:05,640 --> 00:01:07,800 Speaker 1: The diesel got way more game than that. 24 00:01:07,959 --> 00:01:11,119 Speaker 3: The first line was crazy. That's how, that's how if 25 00:01:11,160 --> 00:01:13,040 Speaker 3: that's how you get here, coming through people d M, 26 00:01:13,120 --> 00:01:15,440 Speaker 3: It's like, yo, you're busting through the d M like that. Shock. 27 00:01:16,000 --> 00:01:18,640 Speaker 1: Damn baby, keep your colon. 28 00:01:19,000 --> 00:01:19,759 Speaker 3: That's crazy. 29 00:01:20,600 --> 00:01:21,120 Speaker 1: Spread it. 30 00:01:22,440 --> 00:01:24,600 Speaker 3: That's the endlest line I've ever heard of my life. 31 00:01:25,680 --> 00:01:29,760 Speaker 1: Alright, last question, the greatest athlete and see ever. 32 00:01:34,240 --> 00:01:37,480 Speaker 3: My stats, my status. Now, I'm gonna give it to you, 33 00:01:37,520 --> 00:01:40,720 Speaker 3: big fella. You know since fool snickings, and I don't 34 00:01:40,720 --> 00:01:43,120 Speaker 3: think I don't think these know what fool snickings is. 35 00:01:43,160 --> 00:01:45,600 Speaker 3: I was. I was dead for that. You heard shocked 36 00:01:45,680 --> 00:01:49,600 Speaker 3: diesel fool snickers. Go look it up for you youngsters heard. 37 00:01:49,640 --> 00:01:51,440 Speaker 3: I want to know because you don't want to know. 38 00:01:51,520 --> 00:01:54,200 Speaker 3: Shock is talk about the fool snickings. That's all I'm 39 00:01:54,200 --> 00:01:57,080 Speaker 3: gonna say. It get deeper, but I can't say this. 40 00:01:57,160 --> 00:01:59,960 Speaker 3: You can wrap my brother. I've heard you on numerous records. 41 00:02:00,040 --> 00:02:01,279 Speaker 1: Thank you. I appreciate that. 42 00:02:01,200 --> 00:02:03,480 Speaker 3: After you get used to the shock, he's a basketball player, 43 00:02:03,680 --> 00:02:06,640 Speaker 3: and then you start to listen, Oh shock got some 44 00:02:06,720 --> 00:02:07,640 Speaker 3: bars though, like. 45 00:02:09,440 --> 00:02:12,639 Speaker 1: But you know what, people don't understand. I take this seriously. 46 00:02:13,760 --> 00:02:17,200 Speaker 1: You know. One let me in. I had to prove 47 00:02:17,280 --> 00:02:19,799 Speaker 1: myself right. But when I hear all that, oh he's 48 00:02:19,840 --> 00:02:22,239 Speaker 1: this and he's close the shot, I just go and laugh. 49 00:02:22,520 --> 00:02:25,239 Speaker 1: Lay twenty. I was listening to one of my old 50 00:02:25,240 --> 00:02:27,960 Speaker 1: records the other day, my uncle Jerome like, you spit 51 00:02:28,080 --> 00:02:30,400 Speaker 1: that boy, but you're having fun when you be in 52 00:02:30,480 --> 00:02:31,200 Speaker 1: that booth. 53 00:02:30,960 --> 00:02:36,160 Speaker 3: Doctor and you be collected, you're collecting. I'm telling you 54 00:02:36,480 --> 00:02:37,880 Speaker 3: you've been around some real spittters. 55 00:02:37,960 --> 00:02:38,200 Speaker 1: Yeah. 56 00:02:38,360 --> 00:02:40,840 Speaker 3: Wow, Peter Guns and all of them really get busy 57 00:02:41,120 --> 00:02:43,680 Speaker 3: like that. Jus Tariq, he was around. You was around 58 00:02:43,760 --> 00:02:47,040 Speaker 3: and when really wrapping from New York guys before any 59 00:02:47,040 --> 00:02:48,919 Speaker 3: of this, like you, you had to have some bars 60 00:02:48,960 --> 00:02:51,359 Speaker 3: and it rubs off on you. So if you have 61 00:02:51,560 --> 00:02:54,959 Speaker 3: any bit of a flow, which you obviously had, now 62 00:02:55,000 --> 00:02:58,480 Speaker 3: you're around some ill rappers, all of that iron sharpers, 63 00:02:58,520 --> 00:02:59,160 Speaker 3: iron you know. 64 00:02:59,280 --> 00:03:01,440 Speaker 1: Crazy. They never let me let up in the studio 65 00:03:02,760 --> 00:03:05,760 Speaker 1: food about two three year ours Eric Simmon and played 66 00:03:05,840 --> 00:03:08,800 Speaker 1: rap man from my hood. He's like, nah, nah that 67 00:03:09,000 --> 00:03:10,720 Speaker 1: do it again? Do it? So? Like I, like you said, 68 00:03:10,720 --> 00:03:11,560 Speaker 1: I've been a biggie. 69 00:03:12,040 --> 00:03:14,120 Speaker 3: How was the biggie boy Biggie? 70 00:03:15,440 --> 00:03:19,240 Speaker 1: It was different? So I sent him the beat. He 71 00:03:19,280 --> 00:03:21,200 Speaker 1: said he liked it. So I had the studio in 72 00:03:21,280 --> 00:03:24,200 Speaker 1: my house, so I was I was writing, being my engineer. 73 00:03:24,360 --> 00:03:26,760 Speaker 1: I don't like that, I go back. I don't like 74 00:03:26,800 --> 00:03:29,240 Speaker 1: that I did I did the record probably for about 75 00:03:29,280 --> 00:03:32,000 Speaker 1: seven times. So then I got one that I liked, 76 00:03:32,040 --> 00:03:35,160 Speaker 1: the one that you hear. I was nervous because you know, 77 00:03:35,280 --> 00:03:38,680 Speaker 1: for me, it wasn't about being being a rapper. It's 78 00:03:38,680 --> 00:03:41,920 Speaker 1: about rapping with my favorite artists. The big get to 79 00:03:41,960 --> 00:03:44,280 Speaker 1: the house, I go in the studio, I'm shaking it. 80 00:03:45,000 --> 00:03:46,960 Speaker 1: I play it so big. It's like this as ego, 81 00:03:49,080 --> 00:03:51,600 Speaker 1: that's tight, big dog. Now I'm happy to I'm like, 82 00:03:51,600 --> 00:03:53,680 Speaker 1: for real, He's all, man, I I don't need to 83 00:03:53,680 --> 00:03:54,920 Speaker 1: do it. Was like, no, I don't even do it 84 00:03:54,920 --> 00:03:57,680 Speaker 1: over So now I don't like to bother y'all. Let's say, 85 00:03:57,680 --> 00:04:01,320 Speaker 1: hey man, I'm going in the house. My engineer, you 86 00:04:01,400 --> 00:04:04,120 Speaker 1: hit the button whenever you get done, just let me know. 87 00:04:04,160 --> 00:04:06,760 Speaker 1: He's like, I'm ready now, look what you mean ready now, 88 00:04:07,240 --> 00:04:09,520 Speaker 1: and then went in there like I ain't never seen 89 00:04:09,520 --> 00:04:11,920 Speaker 1: that before. In one take he killed it, but it 90 00:04:11,960 --> 00:04:15,000 Speaker 1: was it was super vulgar, and I had to hit 91 00:04:15,040 --> 00:04:19,000 Speaker 1: the button. I was like, and he's like, no, no, 92 00:04:19,160 --> 00:04:20,640 Speaker 1: be right for the kids. For the kids. So that 93 00:04:20,760 --> 00:04:22,120 Speaker 1: he spit the other world. I'm the only one with 94 00:04:22,160 --> 00:04:24,719 Speaker 1: that other vogal person, and I'll never put it out 95 00:04:25,040 --> 00:04:26,600 Speaker 1: out of respect. For his things. I don't want to 96 00:04:26,920 --> 00:04:28,840 Speaker 1: think I'm dumping, but he when I tell you that, 97 00:04:28,839 --> 00:04:32,560 Speaker 1: I was saying, and I'm up then and so then 98 00:04:32,640 --> 00:04:34,680 Speaker 1: after that I takeship to about five minutes. Were in 99 00:04:34,720 --> 00:04:37,599 Speaker 1: the house, were eating cake, hanging out. And then the 100 00:04:37,640 --> 00:04:39,240 Speaker 1: next day him and sea, he tried to get on 101 00:04:39,279 --> 00:04:42,680 Speaker 1: the sea almost drowned him a little seeds on the sea. 102 00:04:43,480 --> 00:04:49,880 Speaker 1: I had to get the flop the water. Yeah. Yeah, 103 00:04:50,200 --> 00:04:51,680 Speaker 1: you think I'll ever get back to the way it 104 00:04:51,760 --> 00:04:54,240 Speaker 1: was for artists. I mean selling albums to get a 105 00:04:54,240 --> 00:04:56,600 Speaker 1: little bit of change, but he's streaming numbers like this. 106 00:04:58,200 --> 00:04:59,719 Speaker 1: You don't get no money from streaming. 107 00:05:00,120 --> 00:05:03,360 Speaker 3: To say that, I wouldn't say that. I would say this. 108 00:05:03,720 --> 00:05:07,239 Speaker 3: I would say the artists need to negotiate their deals 109 00:05:07,279 --> 00:05:09,719 Speaker 3: a little bit better. And what you see on the 110 00:05:09,760 --> 00:05:11,800 Speaker 3: front and streaming might not what be what you see 111 00:05:11,839 --> 00:05:13,239 Speaker 3: on the backside of streaming. 112 00:05:13,520 --> 00:05:15,200 Speaker 1: I know, but I missed the days of going in 113 00:05:15,240 --> 00:05:16,200 Speaker 1: the store getting it like you. 114 00:05:16,279 --> 00:05:18,960 Speaker 3: No, I missed that. Now that the hunt were talking 115 00:05:19,000 --> 00:05:21,440 Speaker 3: about that just yesterday, the hunt of going to get 116 00:05:21,480 --> 00:05:25,280 Speaker 3: that CD that everybody needs to look at the booklet 117 00:05:25,520 --> 00:05:25,960 Speaker 3: to look it. 118 00:05:26,279 --> 00:05:27,880 Speaker 1: Okay, once you started to cut you out once you 119 00:05:27,880 --> 00:05:30,799 Speaker 1: picked the CD up, you already know record label getting 120 00:05:30,800 --> 00:05:32,719 Speaker 1: their cut and he getting their cut. Now with these streams, 121 00:05:32,800 --> 00:05:35,120 Speaker 1: like like to me, when when I hear somebody's chick, 122 00:05:35,160 --> 00:05:37,360 Speaker 1: I streamed the million times, like, oh they went platinum, 123 00:05:37,360 --> 00:05:39,360 Speaker 1: but you're only getting two thousand dollars. 124 00:05:39,800 --> 00:05:42,960 Speaker 3: This is a playforal platforms that people will get paid from. 125 00:05:43,240 --> 00:05:51,240 Speaker 3: And remember these kids get monthly money residuals, so I 126 00:05:51,480 --> 00:05:55,159 Speaker 3: get a pretty good monthly check of for music. So 127 00:05:55,400 --> 00:05:58,239 Speaker 3: I don't know if they explain to you everything. So 128 00:05:58,279 --> 00:06:01,760 Speaker 3: some people using it like they're retirement front. Some people 129 00:06:01,760 --> 00:06:04,360 Speaker 3: against seventy eighty thousand dollars a month and every month 130 00:06:04,400 --> 00:06:08,400 Speaker 3: for the Yeah, and I get a pretty good amount 131 00:06:08,400 --> 00:06:10,760 Speaker 3: of money every month off my hads, and I have 132 00:06:10,839 --> 00:06:13,359 Speaker 3: publishing checks that come four times a year, and I 133 00:06:13,400 --> 00:06:15,919 Speaker 3: have other things that I've gotten with these hits that 134 00:06:15,960 --> 00:06:19,000 Speaker 3: I've done because I was able, I was blessed to 135 00:06:19,000 --> 00:06:22,880 Speaker 3: be able to come out before all of this crazy 136 00:06:22,920 --> 00:06:25,640 Speaker 3: stuff start to happen. But I'm manipulate the streaming like 137 00:06:25,680 --> 00:06:29,000 Speaker 3: nobody else. And do I miss the law of the 138 00:06:29,080 --> 00:06:31,599 Speaker 3: old school game, Yes, but it's not the same. Man. 139 00:06:31,800 --> 00:06:33,640 Speaker 3: While I'm in this game, I got to adapt and 140 00:06:33,680 --> 00:06:36,280 Speaker 3: be able to stay at the forefront of what's going on, 141 00:06:36,360 --> 00:06:39,279 Speaker 3: and that's how we make our money. But the kids 142 00:06:39,320 --> 00:06:42,400 Speaker 3: didn't get to witness that, so it doesn't feel like 143 00:06:42,440 --> 00:06:45,320 Speaker 3: they're missing anything. The only people that feel like it's 144 00:06:45,440 --> 00:06:48,080 Speaker 3: missing something is us because we've been there before and 145 00:06:48,120 --> 00:06:52,880 Speaker 3: we can make the similarities between or whatever, between the 146 00:06:52,920 --> 00:06:55,680 Speaker 3: streaming and the old way of people used to get 147 00:06:55,839 --> 00:06:58,479 Speaker 3: The kids they never had the luxury of doing that, 148 00:06:58,560 --> 00:07:00,800 Speaker 3: so they could give two about it, you know what 149 00:07:00,800 --> 00:07:03,000 Speaker 3: I mean. We're the only ones. The older generation is 150 00:07:03,040 --> 00:07:05,240 Speaker 3: the only one that's complaining about these streams. If you 151 00:07:05,320 --> 00:07:06,440 Speaker 3: ever know that, If you ever. 152 00:07:06,360 --> 00:07:09,760 Speaker 2: Noticed, speaking of your heads, we Fly High is obviously 153 00:07:09,800 --> 00:07:12,240 Speaker 2: one of your most well known songs. I'm curious to know. 154 00:07:12,400 --> 00:07:15,080 Speaker 2: Did any NBA players hit you up because they liked 155 00:07:15,120 --> 00:07:15,920 Speaker 2: that song so much? 156 00:07:16,400 --> 00:07:18,600 Speaker 3: Now here's the funny part of We Fly High. All 157 00:07:18,720 --> 00:07:21,760 Speaker 3: NBA players love the record. When I try to get 158 00:07:21,800 --> 00:07:25,800 Speaker 3: the record to be part of the NBA's system, maybe 159 00:07:25,880 --> 00:07:30,360 Speaker 3: as an anthem, uh, I believe David Stern was still there, 160 00:07:30,480 --> 00:07:33,120 Speaker 3: I believe, and they told me that the NBA does 161 00:07:33,160 --> 00:07:36,320 Speaker 3: not encourage hip hop or does not do business with 162 00:07:36,400 --> 00:07:38,640 Speaker 3: hip hop at the time and now you look back 163 00:07:38,720 --> 00:07:44,400 Speaker 3: now I'm looking. I didn't. I hadn't listen, you know. 164 00:07:44,720 --> 00:07:46,560 Speaker 3: And I was so hurt because I was like, yo, bro, 165 00:07:46,640 --> 00:07:49,200 Speaker 3: the whole NBA listen to I mean college, I mean 166 00:07:49,280 --> 00:07:53,160 Speaker 3: college locker room. Just this. No, there's no sports team 167 00:07:53,160 --> 00:07:56,160 Speaker 3: that's not listening to this right now. And they dubbed me. 168 00:07:56,240 --> 00:07:58,720 Speaker 3: But I will shout to that, and I love the NBA, 169 00:07:58,760 --> 00:08:01,480 Speaker 3: but it shouts it NFL and shout out to straight 170 00:08:01,520 --> 00:08:05,320 Speaker 3: Hand because when straighthn straight Hand starts sacking people on 171 00:08:05,400 --> 00:08:08,040 Speaker 3: Monday Night Football and get up and doing the ball 172 00:08:08,120 --> 00:08:10,600 Speaker 3: and dance, and then all the giants start getting up 173 00:08:10,640 --> 00:08:13,160 Speaker 3: and doing the ball and dance, it took the record. 174 00:08:13,160 --> 00:08:16,080 Speaker 3: It's Monday Night football the biggest day on TV. That 175 00:08:16,160 --> 00:08:17,800 Speaker 3: took the record to it. And then they started inviting 176 00:08:17,840 --> 00:08:19,880 Speaker 3: me to the games and backstem in the locker room 177 00:08:19,920 --> 00:08:23,000 Speaker 3: like I wanted the Knicks to do. That was so 178 00:08:23,080 --> 00:08:24,920 Speaker 3: hurt that I couldn't get that off with the next 179 00:08:24,920 --> 00:08:25,840 Speaker 3: But I still love the nick. 180 00:08:25,840 --> 00:08:28,800 Speaker 1: When you created did it just happened because you heard 181 00:08:28,800 --> 00:08:30,320 Speaker 1: the beat on It was something. 182 00:08:30,080 --> 00:08:32,160 Speaker 3: That happened because my back was against the wall. I 183 00:08:32,280 --> 00:08:35,000 Speaker 3: did a record with the franchise Boys. That same record 184 00:08:35,040 --> 00:08:36,719 Speaker 3: was the record I had with Franchise Boys, and my 185 00:08:36,800 --> 00:08:39,360 Speaker 3: label was pressuring me to do a single because we 186 00:08:39,400 --> 00:08:41,400 Speaker 3: had deadlines to make, and I was like, Yo, pull 187 00:08:41,400 --> 00:08:44,080 Speaker 3: our record up, take the franchise with the Franchise Boys, 188 00:08:44,080 --> 00:08:46,560 Speaker 3: take the Franchise bolls off of it, and one of 189 00:08:46,600 --> 00:08:48,360 Speaker 3: my little mans from the hood. I'm like, YO, call 190 00:08:48,400 --> 00:08:50,400 Speaker 3: your baby mom. I want to sing We're part of 191 00:08:50,440 --> 00:08:53,360 Speaker 3: this hooking and start rearranging the song. I just saw 192 00:08:53,679 --> 00:08:55,840 Speaker 3: drop Down Get Your Eagle On with Puffy and Nelly 193 00:08:55,960 --> 00:08:57,800 Speaker 3: on the on the video and said I was like, Yo, 194 00:08:57,800 --> 00:08:59,360 Speaker 3: we gotta get the girl in. It just kind of 195 00:08:59,400 --> 00:09:02,120 Speaker 3: came together back against the wall, and then I had 196 00:09:02,160 --> 00:09:03,800 Speaker 3: no idea it was going to be what it was. 197 00:09:03,840 --> 00:09:06,640 Speaker 3: It was just like me trying to get a record 198 00:09:06,679 --> 00:09:08,480 Speaker 3: on a good temple beat that I could give to 199 00:09:08,520 --> 00:09:10,160 Speaker 3: the label, like we could use this for the radio, 200 00:09:10,240 --> 00:09:12,040 Speaker 3: and it was the world. 201 00:09:12,400 --> 00:09:14,400 Speaker 2: Have you ever felt like, you know, like in that 202 00:09:14,440 --> 00:09:16,480 Speaker 2: moment when you're done recording a song that it's gonna be. 203 00:09:16,480 --> 00:09:19,440 Speaker 3: A hit, you would think, you know, sometimes it happened 204 00:09:19,440 --> 00:09:22,160 Speaker 3: like that. Balling wasn't the one that I knew it 205 00:09:22,200 --> 00:09:24,200 Speaker 3: was a hit. I mean Balling wasn't the record that 206 00:09:24,240 --> 00:09:27,600 Speaker 3: I wanted to put out as as as my first record, 207 00:09:27,679 --> 00:09:28,079 Speaker 3: what was. 208 00:09:28,040 --> 00:09:29,360 Speaker 2: The one that you wanted to put out your first? 209 00:09:29,360 --> 00:09:30,960 Speaker 3: I can remember what was the first. I think it 210 00:09:31,000 --> 00:09:32,800 Speaker 3: was like repping time, or maybe it was like pinning 211 00:09:32,800 --> 00:09:34,480 Speaker 3: a tail on a donkey, wanting the records that had 212 00:09:34,520 --> 00:09:38,400 Speaker 3: on that. But Flex start up DJ Flex started playing 213 00:09:38,440 --> 00:09:40,559 Speaker 3: balling and take it to a whole nother status fare 214 00:09:40,559 --> 00:09:42,960 Speaker 3: and then it started connecting like you say, momentum, the 215 00:09:43,000 --> 00:09:45,520 Speaker 3: snowball effects started happening and it was out of my hands. 216 00:09:45,559 --> 00:09:46,840 Speaker 3: It was just going, I'm. 217 00:09:46,720 --> 00:09:48,160 Speaker 1: Gonna ask you a question. I don't want you to 218 00:09:48,160 --> 00:09:51,600 Speaker 1: elaborate because it maybe a touchy subject, so just be 219 00:09:51,679 --> 00:09:54,559 Speaker 1: yes or noough will ever be a reunion? Is as 220 00:09:54,600 --> 00:09:55,760 Speaker 1: a fan, I would like to see that. 221 00:09:55,840 --> 00:09:57,200 Speaker 3: I'm always over for a reunion. 222 00:09:57,520 --> 00:09:59,000 Speaker 1: Yes or no. My brother. 223 00:10:01,679 --> 00:10:05,959 Speaker 3: Up to me, yes, but I'm just me. Yeah you did, 224 00:10:06,080 --> 00:10:08,559 Speaker 3: No matter what goes on, you did because my my 225 00:10:09,200 --> 00:10:10,760 Speaker 3: my thing is I know it's two sides that this 226 00:10:10,800 --> 00:10:13,240 Speaker 3: is my personal and it's something that we built, you 227 00:10:13,280 --> 00:10:15,280 Speaker 3: know what I mean? And if the money is right, 228 00:10:15,320 --> 00:10:18,319 Speaker 3: I get on stage with anybody, I might want to 229 00:10:18,360 --> 00:10:21,160 Speaker 3: fight you after stage, but I get on stage and 230 00:10:21,920 --> 00:10:23,440 Speaker 3: the people are gonna look like it and they're gonna 231 00:10:23,480 --> 00:10:26,280 Speaker 3: love it. It might hog you on stage, but we're on 232 00:10:26,320 --> 00:10:28,480 Speaker 3: stage and as at the team, you know that, you 233 00:10:28,480 --> 00:10:28,920 Speaker 3: know what I mean? 234 00:10:29,720 --> 00:10:31,439 Speaker 2: Have any of those conversations happened there? 235 00:10:31,880 --> 00:10:33,959 Speaker 3: I don't think people want to converse with me right now. 236 00:10:34,000 --> 00:10:36,840 Speaker 3: But so it's always it's always a way to get 237 00:10:36,880 --> 00:10:39,040 Speaker 3: things done. If it becomes that type of business. I 238 00:10:39,040 --> 00:10:42,680 Speaker 3: don't believe anybody's that hard up about not making no 239 00:10:42,760 --> 00:10:45,040 Speaker 3: good money, you know. I mean, we built the brand 240 00:10:45,040 --> 00:10:47,800 Speaker 3: that if somebody did come to us to do something 241 00:10:47,800 --> 00:10:51,000 Speaker 3: they know is gonna be a pretty penny they got 242 00:10:51,000 --> 00:10:53,240 Speaker 3: to pay. And I don't think I think everybody like 243 00:10:53,280 --> 00:10:54,560 Speaker 3: pretty pennies, you know what I mean. 244 00:10:54,960 --> 00:10:57,200 Speaker 1: When it comes to certain music that we grew up on, 245 00:10:57,559 --> 00:11:00,280 Speaker 1: the music that you created, it's new music, or you 246 00:11:00,360 --> 00:11:01,200 Speaker 1: a love or a hitter. 247 00:11:01,480 --> 00:11:05,040 Speaker 3: I'm a lover like you, like I love some of 248 00:11:05,040 --> 00:11:07,680 Speaker 3: the new stuff. I mean, I love some of the 249 00:11:07,679 --> 00:11:10,040 Speaker 3: new stuff. I don't love all of the new stuff. 250 00:11:11,120 --> 00:11:13,240 Speaker 3: I can say that, but I love some of the 251 00:11:13,240 --> 00:11:15,120 Speaker 3: new stuff. And there are some artists that give me 252 00:11:15,120 --> 00:11:19,360 Speaker 3: that nostalgic feeling. In today's gay very few you know 253 00:11:19,400 --> 00:11:21,440 Speaker 3: what I mean. But you know, we listened to We 254 00:11:21,480 --> 00:11:24,280 Speaker 3: listen to music way different than than the new kids. 255 00:11:24,360 --> 00:11:28,120 Speaker 3: I mean, the things that satisfy us. It's way different. 256 00:11:28,120 --> 00:11:29,720 Speaker 3: But then again, we had our time. And that's why 257 00:11:29,760 --> 00:11:31,240 Speaker 3: I want people to know, like, yo, well we had 258 00:11:31,240 --> 00:11:33,640 Speaker 3: our time. It's no really critiquing the new music because 259 00:11:33,640 --> 00:11:36,760 Speaker 3: it's not new music, it's their music. We had our music. 260 00:11:37,080 --> 00:11:38,640 Speaker 1: You listen to beats, lyrics. 261 00:11:38,960 --> 00:11:41,640 Speaker 3: Me, I listened to lyrics more than I listen to beats. 262 00:11:42,240 --> 00:11:43,760 Speaker 1: You gotta be beats for me first. 263 00:11:44,480 --> 00:11:46,680 Speaker 3: I mean, that's how I am. I mean, a good beat, 264 00:11:46,679 --> 00:11:49,199 Speaker 3: a great record is a great record. But I'm from 265 00:11:49,240 --> 00:11:51,120 Speaker 3: New York, so we always trying to listen to somebody's 266 00:11:51,600 --> 00:11:54,760 Speaker 3: got that flow. His cadence is right, he's spitting crazy, 267 00:11:54,800 --> 00:11:56,240 Speaker 3: you know what I mean. And then the beat is 268 00:11:56,280 --> 00:11:59,800 Speaker 3: gonna make it more crazier for you to get respect 269 00:12:00,320 --> 00:12:03,040 Speaker 3: in the New York artist eyes, you better be saying 270 00:12:03,120 --> 00:12:05,640 Speaker 3: some sh and try to disguise it with the beat. 271 00:12:05,679 --> 00:12:08,120 Speaker 3: We don't want to hit, We don't listen. Don't do 272 00:12:08,200 --> 00:12:12,120 Speaker 3: that right, And then they all records that did sound 273 00:12:12,200 --> 00:12:13,760 Speaker 3: good no matter what it is, it don't even got 274 00:12:13,880 --> 00:12:16,280 Speaker 3: to be it just he could say anything and that 275 00:12:16,320 --> 00:12:17,880 Speaker 3: if it's good, it's good, you know what I mean. 276 00:12:18,240 --> 00:12:20,520 Speaker 2: So then, what's your take on the mumble rapper generation 277 00:12:21,280 --> 00:12:22,000 Speaker 2: mumble rap? 278 00:12:23,960 --> 00:12:26,319 Speaker 3: I like some of that too. Some of it is good. 279 00:12:26,600 --> 00:12:29,240 Speaker 3: Some of it they mumbling, but there's people that understand them. 280 00:12:29,280 --> 00:12:32,240 Speaker 3: Mumble rap Like, I got no real preference. I like 281 00:12:32,280 --> 00:12:34,680 Speaker 3: what I like, and I don't try to discredit anybody 282 00:12:34,679 --> 00:12:37,200 Speaker 3: for making any money. Because there was a place where 283 00:12:37,200 --> 00:12:39,920 Speaker 3: people was listening into dip set and Jim Jones Like, 284 00:12:39,920 --> 00:12:43,439 Speaker 3: what the is he really rapping about? You know what 285 00:12:43,440 --> 00:12:43,719 Speaker 3: I mean? 286 00:12:44,000 --> 00:12:47,679 Speaker 1: Yeah, I feel you. 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