1 00:00:00,920 --> 00:00:04,720 Speaker 1: Look, man, oh I see you? Why why? And look 2 00:00:04,720 --> 00:00:14,600 Speaker 1: over there? How is that culture? Yes? Goodness, I have 3 00:00:14,680 --> 00:00:16,800 Speaker 1: a discussion topic right off the bat. Can we just 4 00:00:16,800 --> 00:00:20,080 Speaker 1: say what? I can't even venture to guess what topic 5 00:00:20,160 --> 00:00:22,160 Speaker 1: you will bring up. There's so much to talk about. 6 00:00:22,320 --> 00:00:24,959 Speaker 1: You can't get this one crazy week? What because while 7 00:00:24,960 --> 00:00:27,560 Speaker 1: current events are happening as we speak, I'm not bringing 8 00:00:27,600 --> 00:00:30,120 Speaker 1: up a current event. I'm bringing up something so truly 9 00:00:30,240 --> 00:00:34,680 Speaker 1: random and it's gonna rock your absolute boat forget about 10 00:00:34,680 --> 00:00:36,720 Speaker 1: your world in your mind? Do you know who I 11 00:00:36,760 --> 00:00:38,920 Speaker 1: just saw a picture of and I got so horny 12 00:00:39,040 --> 00:00:44,479 Speaker 1: Sean Williams Scott no but close but not Adrian Brody, 13 00:00:44,880 --> 00:00:48,480 Speaker 1: No man. And then that brought me to I don't 14 00:00:48,760 --> 00:00:52,400 Speaker 1: our guest is giving anti energy. But that brought me 15 00:00:52,479 --> 00:00:55,840 Speaker 1: to this, who is the weirdest celebrity that makes you 16 00:00:55,880 --> 00:00:57,840 Speaker 1: horned up? Like the fact that you're like that, like 17 00:00:57,840 --> 00:01:00,360 Speaker 1: when you get horny for them, You're like what? Because 18 00:01:00,400 --> 00:01:02,840 Speaker 1: for me it is Adrian Brodie? Not now, this is 19 00:01:02,880 --> 00:01:04,840 Speaker 1: like an old picture of Adrian Brody when he was 20 00:01:04,880 --> 00:01:09,480 Speaker 1: I guess, like all top, Yeah, I don't know the 21 00:01:09,560 --> 00:01:13,120 Speaker 1: weirdest I don't I don't really go for I don't 22 00:01:13,160 --> 00:01:18,480 Speaker 1: go for weird necessarily if we're just we're does disqualifying sometimes, 23 00:01:18,600 --> 00:01:20,200 Speaker 1: do you know what I mean, especially if it's a 24 00:01:20,200 --> 00:01:23,360 Speaker 1: help I guess I mean like most most unusual, like oh, 25 00:01:23,400 --> 00:01:25,800 Speaker 1: I'm funny for him? What a shop? I don't know. 26 00:01:25,880 --> 00:01:27,120 Speaker 1: I think I think you know what it is. I 27 00:01:27,120 --> 00:01:30,319 Speaker 1: think we as a generation have been either traumatized or 28 00:01:30,959 --> 00:01:33,560 Speaker 1: shaped by or I mean maybe there's they're the same 29 00:01:33,600 --> 00:01:35,880 Speaker 1: thing by like the Tom Green of it all. I 30 00:01:35,880 --> 00:01:40,080 Speaker 1: think Tom really fucked us up. And then only half 31 00:01:40,160 --> 00:01:42,080 Speaker 1: of us love weird and half of us hate it. 32 00:01:42,120 --> 00:01:44,440 Speaker 1: I think I'm in the last. So you think that 33 00:01:44,480 --> 00:01:47,600 Speaker 1: our generation had Tom Green sort of come into the 34 00:01:48,200 --> 00:01:51,160 Speaker 1: cultural an example, I'm not putting the blame on him. 35 00:01:52,240 --> 00:01:55,000 Speaker 1: Yeah it was. That was to Adreen Brodie. Did you 36 00:01:55,040 --> 00:01:57,320 Speaker 1: know one of the people who is never allowed to 37 00:01:57,360 --> 00:01:59,840 Speaker 1: come back to us? And I knew you would say this. Yes, 38 00:02:00,160 --> 00:02:04,440 Speaker 1: he decided to do a Rastafarian intro for the musical guest. 39 00:02:04,480 --> 00:02:06,520 Speaker 1: I forgot who was for, but he dressed in I 40 00:02:06,560 --> 00:02:09,079 Speaker 1: believe it was either Shaggy or Sean Paul. It was 41 00:02:09,120 --> 00:02:11,280 Speaker 1: Sean Paul. Oh, and then he was decided to do 42 00:02:11,400 --> 00:02:15,600 Speaker 1: like dreads and and all that stuff. He said. He said, 43 00:02:15,680 --> 00:02:18,400 Speaker 1: let me come out of appropriate real quick. Listen, how 44 00:02:18,440 --> 00:02:20,120 Speaker 1: are you feeling? Do you do you have jet lag 45 00:02:20,200 --> 00:02:22,720 Speaker 1: from Cromatica. I do have jet leg from Caromatica and 46 00:02:22,760 --> 00:02:25,520 Speaker 1: from landing in the Denver International Airport to see my 47 00:02:25,560 --> 00:02:30,960 Speaker 1: parents and my nieces Nice Slay, and I just have 48 00:02:31,160 --> 00:02:34,840 Speaker 1: to say that, oh my god, this is a crazy week, 49 00:02:34,919 --> 00:02:38,160 Speaker 1: but I would love to get into it with our guests. Honestly, 50 00:02:38,520 --> 00:02:40,919 Speaker 1: did our guest journey to Cromatica? Our guest did journey 51 00:02:40,919 --> 00:02:43,359 Speaker 1: to Kromatica? First of all, Oh my god, this is 52 00:02:43,400 --> 00:02:45,440 Speaker 1: gonna be one hell of an app I feel like 53 00:02:45,480 --> 00:02:48,359 Speaker 1: I run into our guests at very faithful moments this year. 54 00:02:48,440 --> 00:02:51,440 Speaker 1: Faithful moments. It's been those sort of moments where like 55 00:02:51,520 --> 00:02:53,720 Speaker 1: you're like lit in the sun and you sort of 56 00:02:53,720 --> 00:02:56,359 Speaker 1: whip around and turn and you see someone else very 57 00:02:56,360 --> 00:02:58,040 Speaker 1: well lit in the sun, and you're like, oh my god. 58 00:02:58,040 --> 00:03:00,840 Speaker 1: I just feels so faithful I was, and chances to 59 00:03:01,320 --> 00:03:06,960 Speaker 1: see the giest I think I would love to ask 60 00:03:07,000 --> 00:03:09,520 Speaker 1: our guests about because he has very publicly known opinions 61 00:03:09,520 --> 00:03:11,720 Speaker 1: about Taylor Swift. I don't know if this is the 62 00:03:11,760 --> 00:03:14,440 Speaker 1: platform where he wants he should talk about them, because 63 00:03:14,520 --> 00:03:17,280 Speaker 1: we do have we did somehow, we did somehow pulling 64 00:03:17,280 --> 00:03:20,920 Speaker 1: a swifty listenership, oh for sure, against all odds. And 65 00:03:20,919 --> 00:03:22,760 Speaker 1: I don't think I don't actually want to put him 66 00:03:22,760 --> 00:03:24,600 Speaker 1: in that position, and we might we might just cut 67 00:03:24,600 --> 00:03:27,400 Speaker 1: this out entirely. You know what. Here's here's what I'll 68 00:03:27,400 --> 00:03:29,480 Speaker 1: say about this episode. There's gonna be a lot of 69 00:03:29,480 --> 00:03:33,680 Speaker 1: opinions stated about the girls because also the readers are 70 00:03:33,760 --> 00:03:35,960 Speaker 1: very the readers are very upset with us that we 71 00:03:36,000 --> 00:03:38,960 Speaker 1: haven't even said the word renaissance on this podcast for 72 00:03:39,200 --> 00:03:42,840 Speaker 1: three weeks in a row, and it must it stopped here. Unique, 73 00:03:42,840 --> 00:03:46,520 Speaker 1: you won't break your soul. Unique, But no one knows. 74 00:03:46,560 --> 00:03:49,040 Speaker 1: The readers don't understand that we actually were waiting for 75 00:03:49,080 --> 00:03:52,960 Speaker 1: the Queen's remix to come out to comment that's remix, 76 00:03:53,240 --> 00:03:55,560 Speaker 1: and we're honestly waiting for the visuals to come out first. 77 00:03:55,600 --> 00:03:58,120 Speaker 1: That's that's the that's the realty, is that we want 78 00:03:58,120 --> 00:03:59,520 Speaker 1: the visuals to come out so that we want to 79 00:03:59,520 --> 00:04:03,040 Speaker 1: like actually do a holistic thing about Act one. I 80 00:04:03,080 --> 00:04:06,440 Speaker 1: am so happy to talk about all of the girls 81 00:04:06,600 --> 00:04:09,720 Speaker 1: with our guests. Our guest is, you know, one of 82 00:04:09,760 --> 00:04:11,560 Speaker 1: the girls, really one of the girls really this term 83 00:04:11,560 --> 00:04:14,040 Speaker 1: has been thrown around a little bit. Third host energy. 84 00:04:14,400 --> 00:04:18,280 Speaker 1: Oh hell yeah, third host energy. Not to put the pressure, 85 00:04:18,320 --> 00:04:21,440 Speaker 1: not to put the pressure on the guest. Well, now 86 00:04:21,520 --> 00:04:24,920 Speaker 1: the guest better absolutely fucking bring it because to come 87 00:04:25,000 --> 00:04:27,680 Speaker 1: up here and say third co host energy. And we've 88 00:04:27,720 --> 00:04:32,479 Speaker 1: only been chatting for minutes off Mike because peek behind 89 00:04:32,520 --> 00:04:35,720 Speaker 1: the curtain, we did chat before, chat before in the vestibule. 90 00:04:36,120 --> 00:04:38,960 Speaker 1: I think our guest is at this point a pop 91 00:04:38,960 --> 00:04:45,160 Speaker 1: culture icon. It's true, and someone who someone who you 92 00:04:45,200 --> 00:04:47,440 Speaker 1: see and it's like what you're saying, Like I saw 93 00:04:47,520 --> 00:04:50,280 Speaker 1: him at multiple points this year and it was like 94 00:04:51,120 --> 00:04:53,479 Speaker 1: it was glamorous, was giving, like wait, how did you 95 00:04:53,520 --> 00:04:57,080 Speaker 1: find your lighting? Because because because I turned and I 96 00:04:57,080 --> 00:04:58,680 Speaker 1: see him, I'm like, oh my god. I saw him 97 00:04:58,680 --> 00:05:01,560 Speaker 1: either night at the X and I literally walk in 98 00:05:01,600 --> 00:05:04,560 Speaker 1: to take a little piss and I turned around. I 99 00:05:04,600 --> 00:05:08,080 Speaker 1: whip around and I see our guests just holding court 100 00:05:08,600 --> 00:05:11,760 Speaker 1: but lit in the night in the Williamsburg night, and 101 00:05:11,800 --> 00:05:15,040 Speaker 1: I go, uh, and it was lovely. He did compliment 102 00:05:15,080 --> 00:05:17,360 Speaker 1: my skin. It horse met horse me does step look 103 00:05:17,440 --> 00:05:20,160 Speaker 1: it's because your skin has been looking insane And I've 104 00:05:20,160 --> 00:05:22,760 Speaker 1: actually said it on this podcast. It's it's it's the 105 00:05:22,839 --> 00:05:25,840 Speaker 1: zoom blur, I promise. Except remember last night when we 106 00:05:25,880 --> 00:05:28,920 Speaker 1: before we were going to see Titannique, which I did 107 00:05:28,920 --> 00:05:32,400 Speaker 1: finally bring boone. What do we ever find out what 108 00:05:32,440 --> 00:05:35,080 Speaker 1: that white flaky ship on your skin was? No? No, 109 00:05:35,720 --> 00:05:38,000 Speaker 1: I put on a Joan of Argus face mask. That 110 00:05:38,080 --> 00:05:40,560 Speaker 1: might have been. It was calm, it was kind and 111 00:05:40,800 --> 00:05:44,159 Speaker 1: no I wish, I wish What do you mean you wish? Have? 112 00:05:44,240 --> 00:05:47,120 Speaker 1: You haven't been dragging off? It wouldn't land on my face, 113 00:05:47,320 --> 00:05:49,320 Speaker 1: It wouldn't land on my don't know, then, honey, you're 114 00:05:49,360 --> 00:05:52,840 Speaker 1: not doing drags the guest. Let's bring him the guests. 115 00:05:52,839 --> 00:05:55,479 Speaker 1: What do you say? Roll roll up to roll out, rollout, bowen, 116 00:05:55,800 --> 00:05:58,960 Speaker 1: roll out. Okay, our guest is a legend um. He 117 00:05:59,000 --> 00:06:02,360 Speaker 1: competed on das at the Starrs. He is truly Cheryl 118 00:06:02,440 --> 00:06:05,320 Speaker 1: Burke too, which is like, that's not just competing, that's 119 00:06:05,320 --> 00:06:07,479 Speaker 1: being part of the fabric of the show. Okay, let's 120 00:06:07,480 --> 00:06:13,559 Speaker 1: just say that absolutely absolutely, and he is a maybe 121 00:06:13,640 --> 00:06:17,320 Speaker 1: the but one of the Peloton instructors that we love, 122 00:06:17,480 --> 00:06:20,440 Speaker 1: and maybe the but one of iconic, and maybe the 123 00:06:20,560 --> 00:06:23,160 Speaker 1: but one of I think, well, that's not up to us. 124 00:06:23,360 --> 00:06:25,600 Speaker 1: I don't think. But he's the he's the only one 125 00:06:25,640 --> 00:06:28,520 Speaker 1: I really go for. And it's it's really beautiful to 126 00:06:28,600 --> 00:06:30,480 Speaker 1: develop that rapport with something, you know what, it's like 127 00:06:30,720 --> 00:06:32,520 Speaker 1: it's speed dating, and then you always go back to 128 00:06:32,560 --> 00:06:33,960 Speaker 1: the one that you're like, well, no, you took care 129 00:06:33,960 --> 00:06:38,160 Speaker 1: of me since the beginning. You absolutely so anyway, absolutely 130 00:06:38,320 --> 00:06:45,360 Speaker 1: please welcome. All right, I was like, I love the intro. 131 00:06:45,640 --> 00:06:51,000 Speaker 1: That was a very iconic intro. Third host was already 132 00:06:50,960 --> 00:06:54,400 Speaker 1: been throwing around, Wow, I know, so now you better 133 00:06:54,440 --> 00:06:56,600 Speaker 1: come fucking hard with your takes on the girl on 134 00:06:56,720 --> 00:06:59,440 Speaker 1: the girls and like already like I was already nervous 135 00:06:59,440 --> 00:07:01,320 Speaker 1: about today. It's like, you bitches are funny and I 136 00:07:01,320 --> 00:07:07,320 Speaker 1: gotta keep up, Like you know, it's the same. Literally, 137 00:07:07,880 --> 00:07:10,320 Speaker 1: let's level with the reader the listener. We're all a 138 00:07:10,320 --> 00:07:14,080 Speaker 1: little we're giving a little Sunday tired, but we will transcend. 139 00:07:14,320 --> 00:07:16,160 Speaker 1: But we will transcend and there is no pressure. And 140 00:07:16,320 --> 00:07:18,160 Speaker 1: I'm so sorry. I did not mean to put that 141 00:07:18,200 --> 00:07:20,760 Speaker 1: pressure on any of us to deliver to that. This 142 00:07:20,840 --> 00:07:23,120 Speaker 1: is actually blame my being tired and I want to 143 00:07:23,160 --> 00:07:26,440 Speaker 1: know how everyone feels. Actually, CHROMATICA fucked up my sleep 144 00:07:26,680 --> 00:07:31,280 Speaker 1: because I decided to go hard at CHROMATICA and then 145 00:07:31,320 --> 00:07:33,520 Speaker 1: we really were up past CHROMATICA, because what are you 146 00:07:33,520 --> 00:07:38,160 Speaker 1: gonna do not continue to celebrate the journey. I went 147 00:07:38,200 --> 00:07:41,160 Speaker 1: hard for no literal reason. I went hard for no reason. 148 00:07:41,280 --> 00:07:45,240 Speaker 1: I chose chaos and violence and just I don't know 149 00:07:45,280 --> 00:07:47,320 Speaker 1: why I went there, but I did. I think I 150 00:07:47,360 --> 00:07:49,880 Speaker 1: took your class on the day of the You did 151 00:07:49,880 --> 00:07:53,040 Speaker 1: a class on the day of the show, And then 152 00:07:53,080 --> 00:07:54,720 Speaker 1: I think, or no, but you had you had a 153 00:07:54,720 --> 00:07:57,560 Speaker 1: class in the morning. I had a class at ten am, 154 00:07:57,640 --> 00:07:59,280 Speaker 1: and I didn't get to bed until probably like to. 155 00:08:00,120 --> 00:08:02,320 Speaker 1: But but a bitch is professional and I made it 156 00:08:02,360 --> 00:08:04,640 Speaker 1: and I actually slay the rides, honestly, and they were 157 00:08:04,680 --> 00:08:07,200 Speaker 1: one of some of my best. Here we go, I think, 158 00:08:07,520 --> 00:08:10,160 Speaker 1: I think you've been You've never been better, and I 159 00:08:10,200 --> 00:08:14,200 Speaker 1: think it will it will maintain that way. What I 160 00:08:14,400 --> 00:08:18,680 Speaker 1: really talked about into these holes, I'm like, this is this. 161 00:08:20,120 --> 00:08:26,600 Speaker 1: He will never go back. I'm tired. Okay, Cody, what 162 00:08:26,680 --> 00:08:30,720 Speaker 1: was your grammatical ball experience? Tell us I didn't get 163 00:08:30,760 --> 00:08:33,600 Speaker 1: tickets to like like the day of, so I'm grateful 164 00:08:33,640 --> 00:08:36,760 Speaker 1: for that. I manifested it. That was wonderful. She she 165 00:08:36,920 --> 00:08:38,800 Speaker 1: was in the pit with all the little monsters and 166 00:08:38,800 --> 00:08:45,440 Speaker 1: I in the pit. Yes, damn, but I didn't want 167 00:08:45,440 --> 00:08:47,079 Speaker 1: to get too close. I've seen I've seen her, you know, 168 00:08:47,120 --> 00:08:48,440 Speaker 1: I don't need I need. I don't need gud got 169 00:08:48,520 --> 00:08:51,240 Speaker 1: a spit on me. I needed it. And this actually 170 00:08:51,280 --> 00:08:54,840 Speaker 1: was my first ball. I've seen her randomly at different 171 00:08:55,040 --> 00:08:58,920 Speaker 1: live I actually was Bone and I were Bizarrely somehow 172 00:08:58,960 --> 00:09:01,679 Speaker 1: we ended up at the Gaga and Tony taping, so 173 00:09:01,760 --> 00:09:03,840 Speaker 1: that was the time I've seen her. But she was 174 00:09:03,960 --> 00:09:06,439 Speaker 1: very much giving, Like you know, I kept saying, where 175 00:09:06,440 --> 00:09:08,600 Speaker 1: then is Tony Bennett. He's gonna pop up on that stage, 176 00:09:08,640 --> 00:09:11,040 Speaker 1: like like Michelle out of the Super Bowl. I was like, 177 00:09:11,080 --> 00:09:15,400 Speaker 1: come on, Tony, let's go. Let's go somehow more rock 178 00:09:15,440 --> 00:09:19,960 Speaker 1: study than she. Ever, let's be honest, popped up and 179 00:09:20,000 --> 00:09:21,880 Speaker 1: planted his arm on his hip. That would have been 180 00:09:21,920 --> 00:09:25,200 Speaker 1: so iconic. What what an iconic fag Tony Bennett would 181 00:09:25,200 --> 00:09:29,199 Speaker 1: have proved to be in that moment. But let's be honest, 182 00:09:29,240 --> 00:09:32,040 Speaker 1: Gaga the first four songs was not dancing, and I 183 00:09:32,080 --> 00:09:34,320 Speaker 1: was a little concerned. I was a little concerned. For 184 00:09:34,360 --> 00:09:37,559 Speaker 1: the first four songs she was standing in gorgeous garments 185 00:09:37,600 --> 00:09:40,760 Speaker 1: and on a wall horizontally and I was like, I know, 186 00:09:40,880 --> 00:09:42,640 Speaker 1: I know, there's something wrong with the hip, the fiber 187 00:09:42,640 --> 00:09:44,840 Speaker 1: of my aalga. I was like, what's going on? And 188 00:09:44,880 --> 00:09:49,000 Speaker 1: then by fifth song she was really hitting the steps, 189 00:09:49,040 --> 00:09:51,600 Speaker 1: So I was very great by the time Act one started. 190 00:09:51,720 --> 00:09:54,800 Speaker 1: By the time one started, you got you got some steps. 191 00:09:55,000 --> 00:09:59,000 Speaker 1: The dancers were working very hard. The first five songs 192 00:09:59,600 --> 00:10:03,520 Speaker 1: it really war because she was in this basically kinetic 193 00:10:03,640 --> 00:10:08,040 Speaker 1: sculpture up top um, screaming dressed dance while she was 194 00:10:08,080 --> 00:10:12,040 Speaker 1: not moving herself, which is whatever. And then the jaws 195 00:10:12,080 --> 00:10:14,280 Speaker 1: of life came and took her out of the metal 196 00:10:14,320 --> 00:10:17,640 Speaker 1: garment and she finally began to after we were all 197 00:10:17,720 --> 00:10:20,280 Speaker 1: told it was the beginning of Act one. She was 198 00:10:20,360 --> 00:10:23,760 Speaker 1: thrust and we were all thrust into Chromatica itself. Remember 199 00:10:23,760 --> 00:10:25,960 Speaker 1: when we all sort of as an audience were sort 200 00:10:26,000 --> 00:10:29,040 Speaker 1: of staring towards the planet of Chromatica. And then Alice 201 00:10:29,080 --> 00:10:32,320 Speaker 1: started and it was very clear that she did not 202 00:10:32,480 --> 00:10:35,080 Speaker 1: know if her name was ours or not, but she 203 00:10:35,280 --> 00:10:36,600 Speaker 1: was sort of you know what I mean, like the 204 00:10:36,720 --> 00:10:39,520 Speaker 1: narrative had begun. I think she knew so, and my 205 00:10:39,520 --> 00:10:41,959 Speaker 1: my questions were the first four songs like a prelude, 206 00:10:42,000 --> 00:10:43,960 Speaker 1: is that what was going on. I think it was. 207 00:10:44,640 --> 00:10:48,200 Speaker 1: I think I think in the Gaga story structure it 208 00:10:48,320 --> 00:10:55,720 Speaker 1: always goes prelude at one, two, three, four. Yeah. Never 209 00:10:55,760 --> 00:11:01,200 Speaker 1: in the history of opera, of theater of music has 210 00:11:01,200 --> 00:11:04,080 Speaker 1: that ever been the structure. But she invented it. No, 211 00:11:04,280 --> 00:11:06,480 Speaker 1: it made perfect sense in a chromatic It was a 212 00:11:06,559 --> 00:11:10,200 Speaker 1: chromatic in structure. That's why it didn't necessarily quote unquote 213 00:11:10,240 --> 00:11:15,760 Speaker 1: make sense. But emotionally we felt every beat. It really is. Now, Cody, 214 00:11:15,800 --> 00:11:17,720 Speaker 1: what did you think she meant when she said to 215 00:11:17,720 --> 00:11:20,320 Speaker 1: the audience. At one point, she goes to the piano 216 00:11:20,360 --> 00:11:22,920 Speaker 1: and she says, well, first of all, okay, no, no, 217 00:11:23,000 --> 00:11:24,760 Speaker 1: first of all, let's let let's go in order. She 218 00:11:24,800 --> 00:11:28,400 Speaker 1: sings one, and in the sort of rev up to 219 00:11:28,440 --> 00:11:31,680 Speaker 1: the chorus, she screams to us one of her first 220 00:11:31,720 --> 00:11:34,880 Speaker 1: American shows, and she says, this country knows what to 221 00:11:34,960 --> 00:11:38,319 Speaker 1: do in an emergency. Let's go my biggest Let's go. 222 00:11:39,080 --> 00:11:46,559 Speaker 1: Do we though? Do we? She was also very very demanding. 223 00:11:46,640 --> 00:11:48,679 Speaker 1: She was telling us to like dance and jump, and 224 00:11:48,760 --> 00:11:52,120 Speaker 1: like I was like, okay, enough enough, Like I'm doing it. 225 00:11:52,200 --> 00:11:56,199 Speaker 1: Do I need to do more? Right? Mama? I just 226 00:11:56,400 --> 00:12:00,640 Speaker 1: like damn it. I would disagree with statement, I don't 227 00:12:00,640 --> 00:12:01,920 Speaker 1: I don't know if we do know what to do. 228 00:12:01,960 --> 00:12:04,360 Speaker 1: In egence, we've kind of we've kind of been fumbling 229 00:12:04,400 --> 00:12:08,880 Speaker 1: the ball in the past. This dot an emergency, what 230 00:12:09,080 --> 00:12:12,680 Speaker 1: act even more chaotic? Like CDC says fuck it? This 231 00:12:12,760 --> 00:12:15,560 Speaker 1: because this c d C. I said fuck it because 232 00:12:15,679 --> 00:12:18,520 Speaker 1: like bitch can't even get a monkey. So, like, you know, 233 00:12:19,559 --> 00:12:22,000 Speaker 1: we don't know what to do it We share Instagram 234 00:12:22,000 --> 00:12:25,520 Speaker 1: and for graphics. That's all we know how to do anymore. Essentially, 235 00:12:25,559 --> 00:12:27,600 Speaker 1: maybe she still thought she was in Europe and she 236 00:12:27,760 --> 00:12:29,959 Speaker 1: was like, oh funk, I said, I met one of 237 00:12:30,000 --> 00:12:33,120 Speaker 1: the countries I just left my bad girls. Fuck I 238 00:12:33,120 --> 00:12:36,079 Speaker 1: I thought the social safety net here it was different. 239 00:12:36,320 --> 00:12:38,600 Speaker 1: I thought that was something else, okay, And then Cody, 240 00:12:38,840 --> 00:12:41,160 Speaker 1: you remember her saying, because you know what will happen 241 00:12:41,840 --> 00:12:44,240 Speaker 1: when they try to come for gay marriage. You know 242 00:12:44,440 --> 00:12:47,480 Speaker 1: what's gonna happen. And if they come for gay marriage, 243 00:12:47,720 --> 00:12:51,600 Speaker 1: you know what's gonna happen. When if when? When I 244 00:12:51,679 --> 00:12:55,680 Speaker 1: just remember, literally everyone around me was just blank. It 245 00:12:55,760 --> 00:13:01,360 Speaker 1: was we can't even engage in this one. It to disconnect, baby, 246 00:13:01,400 --> 00:13:04,040 Speaker 1: We don't need to be reminded that it's that is 247 00:13:04,040 --> 00:13:06,240 Speaker 1: going away in a few in a few years and 248 00:13:06,320 --> 00:13:08,480 Speaker 1: were no cheers. So there were no cheers. We were 249 00:13:08,520 --> 00:13:11,880 Speaker 1: like mom must saying, I always remember was this, Will 250 00:13:11,920 --> 00:13:16,040 Speaker 1: you put that foot on that piano and get you 251 00:13:16,360 --> 00:13:18,400 Speaker 1: play the heads? Put the foot on the piano, put 252 00:13:18,400 --> 00:13:21,240 Speaker 1: the fot on the piano. I will say, not having 253 00:13:21,240 --> 00:13:23,800 Speaker 1: been to the other balls, I did leave the concert. 254 00:13:23,920 --> 00:13:26,559 Speaker 1: And mind you, I had true quite the you were 255 00:13:26,559 --> 00:13:30,000 Speaker 1: flipping a little, you were chop at mushrooms. I was 256 00:13:30,040 --> 00:13:33,120 Speaker 1: probably peaking, but I was leaving saying that was the 257 00:13:33,160 --> 00:13:36,760 Speaker 1: best concert of my life. I loved it. I loved it. 258 00:13:36,800 --> 00:13:38,719 Speaker 1: I don't know if it was the best, but like 259 00:13:39,000 --> 00:13:41,960 Speaker 1: I loved it. Okay, we we we we played this 260 00:13:42,040 --> 00:13:44,000 Speaker 1: game and it wasn't a game. But we asked everybody 261 00:13:44,000 --> 00:13:46,559 Speaker 1: in the car this on the way home. First concert, 262 00:13:46,720 --> 00:13:51,000 Speaker 1: favorite concert? Oh, okay you because I think I think 263 00:13:51,000 --> 00:13:53,480 Speaker 1: this is this is so instructive about Cody. I think 264 00:13:53,520 --> 00:13:55,280 Speaker 1: if you learn this about Cody, I think it'll tell 265 00:13:55,360 --> 00:13:57,880 Speaker 1: us a lot. And I know what is what is yours? 266 00:13:57,960 --> 00:14:03,280 Speaker 1: I know mine first concert ever? I think Aerosmith with 267 00:14:03,400 --> 00:14:06,880 Speaker 1: my mom, that's actually a good one. That's solid. I mean, 268 00:14:06,880 --> 00:14:10,760 Speaker 1: it's giving, it's giving, drag, it's giving followed by Twain, 269 00:14:11,080 --> 00:14:13,800 Speaker 1: so that that was a good second one and man, 270 00:14:14,360 --> 00:14:20,200 Speaker 1: I felt like a woman and best concert. Yeah, if 271 00:14:20,520 --> 00:14:26,200 Speaker 1: chromatical Ball wasn't then what was Beyonce's formation. I honestly 272 00:14:26,240 --> 00:14:28,720 Speaker 1: like lost my ship and I didn't have I had 273 00:14:28,800 --> 00:14:31,280 Speaker 1: like seats in the bleachers or whatever they called it. 274 00:14:31,280 --> 00:14:33,040 Speaker 1: And I'm actually glad that I did, because I got 275 00:14:33,080 --> 00:14:37,160 Speaker 1: the entire visual art direction and I ate it up. 276 00:14:37,400 --> 00:14:40,200 Speaker 1: So you were at City Field, Yes, I was also 277 00:14:40,240 --> 00:14:42,680 Speaker 1: at City Field, me Sudie and Henry and my boyfriend 278 00:14:42,680 --> 00:14:45,400 Speaker 1: at the time. We were in the last row in 279 00:14:45,440 --> 00:14:48,520 Speaker 1: the bleachers, last row up against the fence, like if 280 00:14:48,520 --> 00:14:51,320 Speaker 1: there wasn't offense, we would have fallen down. We were 281 00:14:51,320 --> 00:14:55,360 Speaker 1: by home plate, we were by home baker with baseball um. 282 00:14:55,440 --> 00:14:58,080 Speaker 1: But you were close, we were kind of, but we 283 00:14:58,080 --> 00:15:00,920 Speaker 1: were on the total opposite end of this age. So 284 00:15:01,040 --> 00:15:03,800 Speaker 1: like we were like technically like in the good seat, 285 00:15:03,840 --> 00:15:05,960 Speaker 1: like if it were a baseball game, a good seat. 286 00:15:06,000 --> 00:15:08,640 Speaker 1: But you're right, I am glad I got to see 287 00:15:08,680 --> 00:15:12,840 Speaker 1: the whole Like everything about that spinning cube was fucking 288 00:15:12,880 --> 00:15:15,840 Speaker 1: crazy to me. And then remember she did it was 289 00:15:15,840 --> 00:15:17,440 Speaker 1: like right after Prince passed away, and then she did 290 00:15:17,440 --> 00:15:22,480 Speaker 1: purple rain. It was unbelievable. Can I add another concert? 291 00:15:22,560 --> 00:15:27,040 Speaker 1: Yea Spice Girls Reunion tour. I lost my entire ship. 292 00:15:27,520 --> 00:15:30,040 Speaker 1: I saw it twice because I saw it. This is 293 00:15:30,040 --> 00:15:31,520 Speaker 1: when I lived in North Carolina. I saw it in 294 00:15:31,600 --> 00:15:35,000 Speaker 1: d C. And my seats were horrendous, so I had 295 00:15:35,040 --> 00:15:37,120 Speaker 1: to see it much closer. So I went again and 296 00:15:37,160 --> 00:15:39,280 Speaker 1: I put it on my AMEX and I probably didn't 297 00:15:39,280 --> 00:15:41,240 Speaker 1: pay it off until probably eight years later or so. 298 00:15:41,320 --> 00:15:43,720 Speaker 1: You know what was that like two thousand? No, that 299 00:15:43,760 --> 00:15:49,480 Speaker 1: when was or seven something like that. Yep, I remember 300 00:15:49,560 --> 00:15:52,160 Speaker 1: that because I remember I remember remember when they did 301 00:15:52,160 --> 00:15:55,120 Speaker 1: that documentary called Boys Fate. Remember when they did that 302 00:15:55,160 --> 00:15:57,240 Speaker 1: documentary where it was like oh yeah, yeah, yeah, the 303 00:15:57,320 --> 00:16:00,520 Speaker 1: five hour long documentary. I was at Boys State when 304 00:16:00,520 --> 00:16:03,880 Speaker 1: the Spice Girls announced they were going to do that tour, 305 00:16:04,440 --> 00:16:07,880 Speaker 1: and I've never felt like more of a fagot than 306 00:16:07,960 --> 00:16:10,080 Speaker 1: in that moment. I was just like I was around 307 00:16:10,160 --> 00:16:13,480 Speaker 1: all like these military military boys, like, well, the Spice 308 00:16:13,480 --> 00:16:15,200 Speaker 1: Girls are coming back, and they were like get out 309 00:16:15,200 --> 00:16:19,080 Speaker 1: of yeah, you know, you were the only one and 310 00:16:19,120 --> 00:16:21,040 Speaker 1: it wasn't get out of here, like like get out 311 00:16:21,040 --> 00:16:27,680 Speaker 1: of here. I was like, actually, ejectively, um, did you 312 00:16:27,720 --> 00:16:33,000 Speaker 1: watch the Shania Twain documentary on Netflix. It's not watched. Watch. 313 00:16:33,560 --> 00:16:35,960 Speaker 1: She's been through it. She's been to Helen back. I 314 00:16:35,960 --> 00:16:38,800 Speaker 1: mean the whole ship about her husband cheating on her 315 00:16:39,240 --> 00:16:42,200 Speaker 1: like with their friend, and her losing her voice because 316 00:16:42,200 --> 00:16:44,320 Speaker 1: of the trauma of that and then having to relearn 317 00:16:44,320 --> 00:16:49,520 Speaker 1: how to sing. It's really crazy either oh yeah, oh, 318 00:16:49,560 --> 00:16:54,480 Speaker 1: she she like lost the ability to sing because largely 319 00:16:54,560 --> 00:16:58,000 Speaker 1: because she was so traumatized by her divorce, and then 320 00:16:58,000 --> 00:16:59,840 Speaker 1: she got ill and then she lost the ability to 321 00:17:00,120 --> 00:17:02,200 Speaker 1: and had to relearn how to sing. It was like, okay, 322 00:17:02,240 --> 00:17:05,119 Speaker 1: not to bring in this like different current event, but 323 00:17:05,560 --> 00:17:09,280 Speaker 1: why is this theme through the decades up and down 324 00:17:09,400 --> 00:17:12,479 Speaker 1: like the spectrum of success? Like why is it that, 325 00:17:12,520 --> 00:17:16,720 Speaker 1: like our most talented female singers and songwriters get cheated 326 00:17:16,760 --> 00:17:19,040 Speaker 1: on by their husbands and then they are like fully, 327 00:17:19,200 --> 00:17:21,840 Speaker 1: they're the ones who somehow suffered the most. Like the 328 00:17:21,840 --> 00:17:27,040 Speaker 1: Michelle Branch news is driving me believe it. I have 329 00:17:27,080 --> 00:17:30,359 Speaker 1: a controversial take on it, which is the fact that 330 00:17:30,400 --> 00:17:33,280 Speaker 1: he called do you know what happened with Michelle? I'm 331 00:17:33,280 --> 00:17:36,440 Speaker 1: just gag that you're still following Michelle Branch but live 332 00:17:36,880 --> 00:17:40,280 Speaker 1: She's okay, no, no, I never stopped and how dare you? 333 00:17:43,280 --> 00:17:47,600 Speaker 1: It's truly okay. So basically for for readers, Michelle Branch 334 00:17:47,640 --> 00:17:52,040 Speaker 1: was arrested for domestic for domestic violence on Thursday morning, 335 00:17:53,520 --> 00:17:57,120 Speaker 1: and it was because she found out that her husband, 336 00:17:57,280 --> 00:18:00,600 Speaker 1: the drummer for the Black Keys, which I didn't even 337 00:18:00,640 --> 00:18:05,880 Speaker 1: know still existed after two thousand five, cheated on her 338 00:18:06,000 --> 00:18:07,440 Speaker 1: while she was at home with the baby with a 339 00:18:07,480 --> 00:18:10,520 Speaker 1: six month old. Yeah, and so she slapped him twice, 340 00:18:10,600 --> 00:18:12,439 Speaker 1: but when the cops showed up, there were no visible 341 00:18:12,520 --> 00:18:15,960 Speaker 1: and not that this like justifies the sort of idea 342 00:18:16,080 --> 00:18:19,879 Speaker 1: the concept of like domestic abuse or physical violence. Is 343 00:18:19,920 --> 00:18:22,679 Speaker 1: your controversial take map that like he's a fucking idiot 344 00:18:22,760 --> 00:18:25,639 Speaker 1: he thought. My controversial take is that he is a 345 00:18:26,480 --> 00:18:30,520 Speaker 1: he he is a complete loser who ruined this woman's life. 346 00:18:30,880 --> 00:18:33,159 Speaker 1: And then he comes home, it takes two slaps to 347 00:18:33,160 --> 00:18:36,560 Speaker 1: the face and then calls the police. So then now 348 00:18:36,600 --> 00:18:38,560 Speaker 1: she gets arrested. And now because they're going to have 349 00:18:38,600 --> 00:18:42,240 Speaker 1: a divorce, now she has an arrest record for domestic violence. 350 00:18:42,280 --> 00:18:45,120 Speaker 1: Went and like it's gonna probably like affect like maybe 351 00:18:45,119 --> 00:18:48,959 Speaker 1: even custody because he called the police on his small 352 00:18:49,000 --> 00:18:51,560 Speaker 1: life who slapped him a couple of times. Because he 353 00:18:51,640 --> 00:18:57,399 Speaker 1: humiliated her and broke her completely. I called bullshit on 354 00:18:57,520 --> 00:19:02,080 Speaker 1: that one. Yeah, period, be bothered to learn his name anyway, Sorry, Cody, 355 00:19:02,119 --> 00:19:04,159 Speaker 1: We're just we're we haven't we haven't unloaded on this, 356 00:19:04,320 --> 00:19:06,720 Speaker 1: we haven't downloaded each other on this on our reactions. 357 00:19:07,080 --> 00:19:08,879 Speaker 1: I just looked him up and he's just not cute. 358 00:19:08,880 --> 00:19:12,280 Speaker 1: So they never are. No drummer is going to be cute. 359 00:19:12,320 --> 00:19:17,960 Speaker 1: That's no drummer is gonna be But I don't care 360 00:19:18,280 --> 00:19:21,119 Speaker 1: ahead think what you want to think. I just think 361 00:19:22,400 --> 00:19:25,919 Speaker 1: she's so beautiful. She is a beautiful star. Every picture 362 00:19:26,000 --> 00:19:28,080 Speaker 1: that's in this new speed just looks like she's taking 363 00:19:28,080 --> 00:19:34,680 Speaker 1: a picture with a fan of them. Yeah. Now here's 364 00:19:34,680 --> 00:19:38,479 Speaker 1: me and my full on douchebag husband. We support Michelle, 365 00:19:38,560 --> 00:19:41,480 Speaker 1: we love Michelle. Yeah, but that was not that was 366 00:19:41,560 --> 00:19:44,399 Speaker 1: not a fun thing to hear about at all. But 367 00:19:44,480 --> 00:19:47,560 Speaker 1: I think also the fact is like these these women, 368 00:19:47,680 --> 00:19:50,760 Speaker 1: like they marry these guys and they can't handle having 369 00:19:51,040 --> 00:19:53,880 Speaker 1: like I don't think they can handle having a dynamic wife. 370 00:19:53,960 --> 00:19:58,240 Speaker 1: Like I mean, like even like Shania, like like Robert 371 00:19:58,320 --> 00:20:00,800 Speaker 1: mutt Lange was the name of her husband, and he 372 00:20:00,920 --> 00:20:05,359 Speaker 1: like Robert Mutlin, Yeah, who I think was also something 373 00:20:05,359 --> 00:20:08,120 Speaker 1: he was like a genius musician, but and like actually 374 00:20:08,200 --> 00:20:12,199 Speaker 1: revolutionized her career, like her like second country album that 375 00:20:12,280 --> 00:20:15,119 Speaker 1: came out before Come On Over, like he jumped on 376 00:20:15,160 --> 00:20:17,199 Speaker 1: at the documentary talks about this, and it like he 377 00:20:17,280 --> 00:20:19,680 Speaker 1: was like a rock musician. So he made her country 378 00:20:19,720 --> 00:20:24,240 Speaker 1: songs like pop and he did like um any Man 379 00:20:24,320 --> 00:20:26,960 Speaker 1: of Mine and like all her like big country hits 380 00:20:27,080 --> 00:20:29,600 Speaker 1: because the first album was like sort of successful, like 381 00:20:29,720 --> 00:20:31,840 Speaker 1: not as huge as her other ones. And then Come 382 00:20:31,880 --> 00:20:34,280 Speaker 1: On Over still to this day is the biggest selling 383 00:20:34,400 --> 00:20:39,440 Speaker 1: female album of all time. Still to this day, any 384 00:20:39,560 --> 00:20:42,280 Speaker 1: genre and genre is the best selling album by a 385 00:20:42,400 --> 00:20:47,119 Speaker 1: woman ever. That's that's history. That's not like Whitney speaking up. 386 00:20:47,160 --> 00:20:49,439 Speaker 1: Not Whitney, not Adele, not like any of any of 387 00:20:49,520 --> 00:20:54,800 Speaker 1: like the the more crossover people. That was the crossover album. 388 00:20:54,960 --> 00:20:57,520 Speaker 1: I mean come on Over, like I mean our own 389 00:20:57,560 --> 00:20:59,600 Speaker 1: Cody Rigsby went to the concert. He probably saw all 390 00:20:59,640 --> 00:21:02,920 Speaker 1: types of folks. I can barely remember. It was also 391 00:21:03,000 --> 00:21:06,080 Speaker 1: like the era of like the height of people buying music. 392 00:21:06,119 --> 00:21:09,280 Speaker 1: Because a little bit after that, which is when I'm 393 00:21:09,280 --> 00:21:15,200 Speaker 1: buying music. Napster, Baby Napster ended that quick Napster said, 394 00:21:15,920 --> 00:21:20,080 Speaker 1: taking you out back music industry shot to the head. 395 00:21:29,480 --> 00:21:32,840 Speaker 1: My first concert was Mariah Carey, and my best concert 396 00:21:33,200 --> 00:21:36,720 Speaker 1: was I think it was Beyonce, but it wasn't Formation. 397 00:21:36,800 --> 00:21:40,320 Speaker 1: It was when I saw her do four at Roseland Volumes. 398 00:21:40,359 --> 00:21:44,600 Speaker 1: She did four shows at Roseland and it was absolutely 399 00:21:44,640 --> 00:21:48,800 Speaker 1: insane watching her perform for Live, like newly, like free 400 00:21:48,840 --> 00:21:52,239 Speaker 1: of Matthew, like she he wasn't managing her anymore. She 401 00:21:52,400 --> 00:21:56,040 Speaker 1: did that fucking incredible album, and then watching her just 402 00:21:56,119 --> 00:21:59,360 Speaker 1: tear it up. And then the real gag was about 403 00:22:00,640 --> 00:22:02,720 Speaker 1: month and a half. Two months later was the VMA's 404 00:22:02,760 --> 00:22:04,880 Speaker 1: where she revealed she was pregnant when she sang Love 405 00:22:04,920 --> 00:22:06,760 Speaker 1: on Top and then dropped the mic and revealed her 406 00:22:06,760 --> 00:22:11,600 Speaker 1: baby bump, and I was bump, Okay, we have a 407 00:22:11,680 --> 00:22:17,920 Speaker 1: truth here. You know this is nice. That is what 408 00:22:18,200 --> 00:22:20,720 Speaker 1: it's giving Third Colors energy because we meet something coming 409 00:22:20,800 --> 00:22:23,760 Speaker 1: with the controversy. I've seen the video and that bump 410 00:22:24,160 --> 00:22:29,800 Speaker 1: it does, the bump folded, folded, it folded. I saw 411 00:22:29,920 --> 00:22:34,000 Speaker 1: with my very own eyes. Is mad at you. I mean, 412 00:22:34,680 --> 00:22:37,280 Speaker 1: there's there's one group of fans that you don't want 413 00:22:37,320 --> 00:22:41,280 Speaker 1: mad at you. It is the bee, the beehive. And 414 00:22:41,760 --> 00:22:48,119 Speaker 1: of course Teresa Judaic is tree huggers. There are the 415 00:22:48,240 --> 00:22:50,960 Speaker 1: beehive of the housewives community. That's a real culture, number 416 00:22:50,960 --> 00:22:56,919 Speaker 1: forty four the community, and they're all they're militant right 417 00:22:56,960 --> 00:23:02,240 Speaker 1: now as well, I go tell us mine. My first 418 00:23:02,240 --> 00:23:03,879 Speaker 1: one was Imagine Heat, which I was telling that I 419 00:23:03,920 --> 00:23:07,359 Speaker 1: used to think was like not a cool because Okay, 420 00:23:07,359 --> 00:23:09,520 Speaker 1: my parents didn't really like let me go to like 421 00:23:09,920 --> 00:23:12,440 Speaker 1: concerts when I was growing up, Like they wouldn't know 422 00:23:12,440 --> 00:23:13,960 Speaker 1: what's like take me to. So it wasn't until high 423 00:23:13,960 --> 00:23:16,679 Speaker 1: school and like I had my own money to spend that, 424 00:23:16,800 --> 00:23:19,679 Speaker 1: like all of our friends in drama club, We're going 425 00:23:19,680 --> 00:23:21,480 Speaker 1: to Imagine and Heat. And then I was like it 426 00:23:21,560 --> 00:23:25,120 Speaker 1: was an amazing show and it was into my space, 427 00:23:25,200 --> 00:23:29,800 Speaker 1: so you know. One this was after the Tonic MySpace 428 00:23:30,800 --> 00:23:34,199 Speaker 1: Iconic didn't have that. I'd like to meet someone who 429 00:23:34,280 --> 00:23:37,080 Speaker 1: did not have that as their space song at one point, 430 00:23:37,640 --> 00:23:46,920 Speaker 1: at one point thinking that you were so unique. Well, 431 00:23:46,920 --> 00:23:49,240 Speaker 1: that was the trap of indie music at that time, 432 00:23:49,280 --> 00:23:53,440 Speaker 1: was that everyone thought they were being so like crate 433 00:23:53,520 --> 00:23:56,560 Speaker 1: diggye underground, Like oh, I really like dug this out 434 00:23:56,600 --> 00:23:59,920 Speaker 1: of a record shop and it's like, no, every fucking 435 00:24:00,000 --> 00:24:01,960 Speaker 1: fourteen year old in the country house this because we're 436 00:24:01,960 --> 00:24:05,639 Speaker 1: all watching the C. I only made it past the 437 00:24:05,640 --> 00:24:09,560 Speaker 1: first season of The o C. Well, it went off 438 00:24:09,560 --> 00:24:11,760 Speaker 1: a cliff after the first season. I think I didn't 439 00:24:11,760 --> 00:24:14,160 Speaker 1: miss much that, okay, but you did sort of miss 440 00:24:14,200 --> 00:24:16,920 Speaker 1: some camp when Mischa Barton threw that pool chair into 441 00:24:17,000 --> 00:24:29,359 Speaker 1: the pool. It was the first season. It was Oliver trash. 442 00:24:29,440 --> 00:24:33,240 Speaker 1: Oh my god. Oliver was the best arc of television history. 443 00:24:33,440 --> 00:24:35,120 Speaker 1: Oliver on the o C when he had a gun, 444 00:24:35,520 --> 00:24:39,120 Speaker 1: Oh my god, and that was terrible. And we've talked 445 00:24:39,119 --> 00:24:43,240 Speaker 1: about how samayor Armstrong, who played um, what's her face 446 00:24:43,520 --> 00:24:48,840 Speaker 1: like Anna? That's the long triangle between Rachel Bilson, Adam 447 00:24:48,920 --> 00:24:57,439 Speaker 1: Brody No, no no, Adam Brodie and not Adrian. Can I 448 00:24:57,480 --> 00:24:59,119 Speaker 1: just tell you I cringed at that because I had 449 00:24:59,119 --> 00:25:01,200 Speaker 1: a like one of my first boyfriends kind of looked 450 00:25:01,200 --> 00:25:02,960 Speaker 1: like Adrian Brodie, so like I could never go I 451 00:25:03,040 --> 00:25:06,560 Speaker 1: just like I can't. I completely disagree. But anyway, but 452 00:25:07,000 --> 00:25:09,399 Speaker 1: on what happened with samar we know what happened, but 453 00:25:09,400 --> 00:25:11,240 Speaker 1: what happened to all the readers, she's like full Q 454 00:25:11,400 --> 00:25:19,360 Speaker 1: and on now I think she's it's actually a really 455 00:25:19,480 --> 00:25:26,520 Speaker 1: culture at number ten Strong Mom's cute, but then the best. 456 00:25:26,640 --> 00:25:29,560 Speaker 1: But I will say about Image and like, oh that 457 00:25:30,240 --> 00:25:31,919 Speaker 1: is now like like they did a hold right up 458 00:25:31,920 --> 00:25:36,200 Speaker 1: about this where it's like she has influenced everybody now 459 00:25:36,640 --> 00:25:39,400 Speaker 1: where Casey Musgraves when right when she wrote Golden Hour 460 00:25:39,560 --> 00:25:41,000 Speaker 1: was like, what would it sound like if Image and 461 00:25:41,000 --> 00:25:42,560 Speaker 1: he made a country album. That's what I want this 462 00:25:42,600 --> 00:25:45,480 Speaker 1: album to sound like. Yeah, that makes sense, Ariana Grande 463 00:25:45,640 --> 00:25:49,680 Speaker 1: doing like like full on covers um we said, Taylor Swift, 464 00:25:49,720 --> 00:25:52,159 Speaker 1: I mean you could argue that Delicate is like entirely 465 00:25:52,160 --> 00:25:55,159 Speaker 1: a call back to something like that into Cody. Is 466 00:25:55,200 --> 00:25:58,399 Speaker 1: there a way that we can convince you that, like 467 00:25:58,720 --> 00:26:02,600 Speaker 1: there's good Taylor stuff is what's what? What's your? We 468 00:26:02,600 --> 00:26:03,960 Speaker 1: don't have to get into it if you don't want 469 00:26:03,960 --> 00:26:08,320 Speaker 1: to break it down for us, Mama fish Okay, So 470 00:26:10,560 --> 00:26:13,720 Speaker 1: it's a theme. So I had a boyfriend in college, 471 00:26:14,560 --> 00:26:18,840 Speaker 1: so I really, I really, I really liked like like 472 00:26:18,880 --> 00:26:22,359 Speaker 1: tear drops in the guitar to mcgral with what was 473 00:26:22,400 --> 00:26:26,480 Speaker 1: like the really breakthrough album which we belong together, Fearless 474 00:26:26,560 --> 00:26:28,240 Speaker 1: was solid, and then what was that afterward? What was 475 00:26:28,280 --> 00:26:32,000 Speaker 1: after that? Speak now which people speak now, which is 476 00:26:32,200 --> 00:26:34,720 Speaker 1: probably know all three of those albums, and this is 477 00:26:34,800 --> 00:26:37,560 Speaker 1: Nick this is the lost culture, says exclusive. I've never 478 00:26:37,600 --> 00:26:42,280 Speaker 1: said that before. Okay, okay, you actually know you know 479 00:26:43,040 --> 00:26:47,640 Speaker 1: Taylor Swift fear list and speak now he's book off 480 00:26:47,720 --> 00:26:53,360 Speaker 1: book off the record anyway, on the record, on the record, uh, 481 00:26:54,320 --> 00:26:57,040 Speaker 1: on the record title of app. I just like I 482 00:26:57,080 --> 00:26:59,879 Speaker 1: can't relate like she dances like this is a getty noodle, 483 00:27:00,160 --> 00:27:02,720 Speaker 1: Like I just don't think she's a good person, Like 484 00:27:02,880 --> 00:27:05,920 Speaker 1: I just don't see it for her. Okay, Okay, no, no, 485 00:27:06,040 --> 00:27:10,880 Speaker 1: no, no no, This is totally shout out to everybody that 486 00:27:10,960 --> 00:27:14,160 Speaker 1: likes Taylor Taylor Swift, like you know, like enjoy your 487 00:27:14,840 --> 00:27:18,800 Speaker 1: enjoy your life. I do enjoy my life very much, 488 00:27:19,160 --> 00:27:22,560 Speaker 1: thank you very much. And so I would say the 489 00:27:22,560 --> 00:27:28,639 Speaker 1: thing about Taylor is I've actually noticed that sometimes people 490 00:27:29,240 --> 00:27:33,359 Speaker 1: criticize me and Bowen for being so pro Taylor because 491 00:27:33,400 --> 00:27:35,920 Speaker 1: there was an era of this podcast. And this is 492 00:27:35,960 --> 00:27:38,080 Speaker 1: true and we're just gonna come clean about it. There 493 00:27:38,200 --> 00:27:41,480 Speaker 1: was an era of this podcast that was not pro Taylor, 494 00:27:42,040 --> 00:27:48,359 Speaker 1: and it it proceeded I believe when was no, it 495 00:27:48,480 --> 00:27:51,359 Speaker 1: was not. It was like it was like around like 496 00:27:51,600 --> 00:27:57,480 Speaker 1: the when Taylor became so Taylor that like when she 497 00:27:57,560 --> 00:28:01,199 Speaker 1: did get brought down a peg by and Kim and 498 00:28:01,240 --> 00:28:04,240 Speaker 1: by a peg, I mean almost entirely. It was when 499 00:28:04,280 --> 00:28:08,040 Speaker 1: people were sort of like not happy to see her fail, 500 00:28:08,160 --> 00:28:12,240 Speaker 1: but like they weren't concerned about her, like like, oh no, 501 00:28:12,400 --> 00:28:15,320 Speaker 1: our faith. It was like there were people that were 502 00:28:15,359 --> 00:28:17,800 Speaker 1: sort of snickering at the fact that, like she was, 503 00:28:18,480 --> 00:28:23,399 Speaker 1: she was revealed as being you know, un calculated quote 504 00:28:23,480 --> 00:28:28,639 Speaker 1: unquote person Cody. But so I was just calculation. For me, 505 00:28:28,760 --> 00:28:31,000 Speaker 1: everything is calculated, That's what I'm saying, Like, why are 506 00:28:31,000 --> 00:28:32,879 Speaker 1: you up front? You're you're the front row of every 507 00:28:32,920 --> 00:28:35,679 Speaker 1: show with a new best friend, and you're dancing and 508 00:28:35,680 --> 00:28:37,560 Speaker 1: at the moment that the camera hits you, you know 509 00:28:37,640 --> 00:28:40,680 Speaker 1: exactly when to have fun and dance. They probably don't 510 00:28:40,680 --> 00:28:42,560 Speaker 1: even follow each other on Instagram. She probably doesn't even 511 00:28:42,560 --> 00:28:44,200 Speaker 1: have this girl's phone number, you know what I'm saying, 512 00:28:44,200 --> 00:28:47,000 Speaker 1: Like she's there with Selena Gomez and probably doesn't even 513 00:28:47,000 --> 00:28:48,360 Speaker 1: have her phone number saved in her phone, do you you 514 00:28:48,400 --> 00:28:51,840 Speaker 1: know what I'm saying. It was the most transparent when 515 00:28:51,920 --> 00:28:54,760 Speaker 1: she did have all of like the season eleven girls 516 00:28:54,760 --> 00:28:56,280 Speaker 1: of Drag Race with her at the v Amaze and 517 00:28:56,320 --> 00:28:58,880 Speaker 1: it's like you've never you probably I don't think you've 518 00:28:58,880 --> 00:29:01,360 Speaker 1: watched an episode of this show except for maybe j 519 00:29:01,520 --> 00:29:04,080 Speaker 1: Jolie doing you on Snatch Game, but otherwise, like I think, 520 00:29:04,600 --> 00:29:07,280 Speaker 1: like in the in the package of clips you got like, 521 00:29:07,320 --> 00:29:09,080 Speaker 1: I don't think you have a full to full context 522 00:29:09,160 --> 00:29:12,400 Speaker 1: for like who like you know, fucking like Rajo'harra is 523 00:29:13,120 --> 00:29:18,000 Speaker 1: like and and she never was very vocal about anything 524 00:29:18,080 --> 00:29:23,760 Speaker 1: gay for until Yeah. Well she discusses that in the documentary, 525 00:29:23,760 --> 00:29:27,120 Speaker 1: the Miss Americana Documentary, where she's like she felt she 526 00:29:27,160 --> 00:29:30,040 Speaker 1: couldn't be and I think that is when she was 527 00:29:30,280 --> 00:29:33,640 Speaker 1: peak annoying. Was when she was the most famous pop 528 00:29:33,640 --> 00:29:35,680 Speaker 1: star in the world, when she was in her apex 529 00:29:35,840 --> 00:29:40,880 Speaker 1: With album and like the world started to burn around 530 00:29:40,920 --> 00:29:43,520 Speaker 1: her and it felt like she wasn't doing anything about 531 00:29:43,560 --> 00:29:46,400 Speaker 1: it when other people were and like maybe suffering for it. 532 00:29:46,440 --> 00:29:50,200 Speaker 1: When it felt like she was like the capitalist pop star, 533 00:29:50,720 --> 00:29:55,240 Speaker 1: like and you know, the short little blond Bob, the supermodels, 534 00:29:55,320 --> 00:29:57,840 Speaker 1: you know what I mean, That is when the Collie 535 00:29:57,920 --> 00:30:00,080 Speaker 1: class of it all. That is when I think, but 536 00:30:00,120 --> 00:30:03,760 Speaker 1: we're like not this And then when that all came 537 00:30:03,760 --> 00:30:08,600 Speaker 1: tumbling down. I think then she was like I can 538 00:30:08,640 --> 00:30:10,640 Speaker 1: say we were back on the up and up because 539 00:30:10,840 --> 00:30:13,080 Speaker 1: I think she did get oversaturated, and I think that 540 00:30:13,160 --> 00:30:16,640 Speaker 1: we are guilty of not being like Ride or Die 541 00:30:16,720 --> 00:30:19,200 Speaker 1: tailor throughout every era that I mean, We're just gonna 542 00:30:19,240 --> 00:30:22,400 Speaker 1: be transparent about it. Totally, totally, totally, but we're we 543 00:30:22,440 --> 00:30:25,840 Speaker 1: love her. A great businesswoman, a great businesswoman, you know, 544 00:30:25,960 --> 00:30:29,680 Speaker 1: like I will respect I do respect the check, so 545 00:30:29,800 --> 00:30:32,920 Speaker 1: you know, respect the check and even be doing the 546 00:30:32,920 --> 00:30:37,280 Speaker 1: album so she's getting more checks, like congratulations, we thoroughly 547 00:30:37,360 --> 00:30:40,440 Speaker 1: stan okay, period, But then she comes out in her 548 00:30:40,480 --> 00:30:45,320 Speaker 1: private jets. Yeah but not the third co host. Okay, 549 00:30:45,560 --> 00:30:51,080 Speaker 1: I'm gonna sitment myself over here and uh yeah, oh 550 00:30:51,080 --> 00:30:53,160 Speaker 1: my god, I feel that I feel like I really 551 00:30:53,640 --> 00:30:56,600 Speaker 1: back to Cody into a corner with that. It's the 552 00:30:56,680 --> 00:30:59,680 Speaker 1: third okay, okay, okay, okay, but I just people are 553 00:30:59,680 --> 00:31:03,240 Speaker 1: gonna be ad, but it's okay. I live, I I 554 00:31:03,280 --> 00:31:05,200 Speaker 1: stand in my truth. I said everything that I said 555 00:31:05,240 --> 00:31:08,200 Speaker 1: with my full chest, and that's okay. Yes, you do 556 00:31:08,280 --> 00:31:10,239 Speaker 1: speak from the chest. You you come out with some 557 00:31:10,320 --> 00:31:13,360 Speaker 1: takes in class, and you do seem to have like 558 00:31:13,440 --> 00:31:16,200 Speaker 1: a good, emotionally mature response to all of them. Suld 559 00:31:16,200 --> 00:31:20,440 Speaker 1: you get some unhinged response based on the smallest things 560 00:31:20,440 --> 00:31:25,040 Speaker 1: you say when you're on camera. Yeah, And I feel 561 00:31:25,040 --> 00:31:26,600 Speaker 1: like that's like part of that's like half of the 562 00:31:26,720 --> 00:31:29,000 Speaker 1: job in a way, is like knowing how to like 563 00:31:29,400 --> 00:31:32,280 Speaker 1: handle yourself when you have to like notice speak to 564 00:31:32,360 --> 00:31:36,440 Speaker 1: like moms and you know, like the suburbs and like 565 00:31:36,800 --> 00:31:40,719 Speaker 1: fags in the city and like everyone in between. You know, 566 00:31:41,320 --> 00:31:44,560 Speaker 1: like it's a it's it's it's like a really trippy thing. 567 00:31:45,320 --> 00:31:47,360 Speaker 1: And I can't say I can relate because I feel 568 00:31:47,360 --> 00:31:49,680 Speaker 1: like it's a very specific thing in terms of like 569 00:31:50,600 --> 00:31:52,680 Speaker 1: the fitness space where it's like you really have to 570 00:31:52,720 --> 00:31:59,320 Speaker 1: like present yourself as like this very like um understandable person. 571 00:31:59,520 --> 00:32:03,680 Speaker 1: Does that makes end? Yeah? I think I I love 572 00:32:03,720 --> 00:32:07,160 Speaker 1: that I get to like bring people like, you know, 573 00:32:07,280 --> 00:32:10,480 Speaker 1: bring people into it and like, yeah, the suburban housewives 574 00:32:10,480 --> 00:32:12,600 Speaker 1: that don't have a gay friend, like they're they're they're 575 00:32:12,600 --> 00:32:16,560 Speaker 1: getting into the culture, you know, like they allow themselves 576 00:32:16,640 --> 00:32:18,960 Speaker 1: to kind of like feel the fantasy for a little bit. 577 00:32:19,000 --> 00:32:21,760 Speaker 1: And why not we? I mean, are we say that 578 00:32:21,800 --> 00:32:25,000 Speaker 1: our our our listener is a woman named Katie who's 579 00:32:25,560 --> 00:32:29,360 Speaker 1: who works in who She's a communications major who lives 580 00:32:29,360 --> 00:32:33,280 Speaker 1: outside of Chicago. Was what I say? I wanted to 581 00:32:33,320 --> 00:32:37,080 Speaker 1: ask you, out of ten, how many people that say 582 00:32:37,120 --> 00:32:39,880 Speaker 1: they love what you do are named Katie? Like, out 583 00:32:39,880 --> 00:32:45,840 Speaker 1: of ten, would you say for me? It's like say 584 00:32:46,160 --> 00:32:48,440 Speaker 1: get six for all of us. In fact, literally the 585 00:32:48,480 --> 00:32:53,480 Speaker 1: other night Bowen, when we were leaving, the girl girl 586 00:32:53,520 --> 00:32:56,120 Speaker 1: came up and I always asked whenever anyone's like, hey, 587 00:32:56,160 --> 00:32:58,040 Speaker 1: I'm a fan, like I just wanted to say hi. 588 00:32:58,240 --> 00:33:00,000 Speaker 1: I always say I always ask what their name is, 589 00:33:00,360 --> 00:33:02,680 Speaker 1: and this girl said Katie. And I don't even react anymore. 590 00:33:02,720 --> 00:33:04,160 Speaker 1: I'm like, Katie, it was so nice to meet you. 591 00:33:04,280 --> 00:33:08,120 Speaker 1: Like they're they're so many, it's an army of Katie's. 592 00:33:08,240 --> 00:33:10,080 Speaker 1: We need to stop calling them the readers and call 593 00:33:10,160 --> 00:33:16,760 Speaker 1: them the Katie Katie like period Like, if you're, if you've, 594 00:33:16,840 --> 00:33:19,760 Speaker 1: if you've previously been a reader of this podcast, you 595 00:33:19,800 --> 00:33:21,480 Speaker 1: are like and that's what we call our bee hive. 596 00:33:21,640 --> 00:33:23,920 Speaker 1: You are now the Katie's. This is the Katie era. 597 00:33:24,400 --> 00:33:27,680 Speaker 1: This is the Katie era, of of of of lost culture. 598 00:33:27,720 --> 00:33:29,320 Speaker 1: I was speaking of which Toody recently went to go 599 00:33:29,360 --> 00:33:33,480 Speaker 1: see Katie and Vegas right good was that I got 600 00:33:33,520 --> 00:33:36,800 Speaker 1: my life? Bitch. It's hit after hit after hit after 601 00:33:37,360 --> 00:33:41,040 Speaker 1: after you know the words, you know, everyone's every fu song, 602 00:33:41,360 --> 00:33:44,320 Speaker 1: she's giving you camp, she's giving you theatrics. It was 603 00:33:45,080 --> 00:33:47,240 Speaker 1: so good. I'm so glad it went. And that was 604 00:33:47,520 --> 00:33:49,920 Speaker 1: literally twenty four hour trip because that was the only 605 00:33:49,960 --> 00:33:52,080 Speaker 1: reason I was going to Vegas. It's the only way 606 00:33:52,160 --> 00:33:54,160 Speaker 1: you can do Vegas. That we just went for my birthday. 607 00:33:54,240 --> 00:33:57,720 Speaker 1: Phone didn't get to come. The straight community loves Vegas. 608 00:33:57,840 --> 00:34:05,040 Speaker 1: The straight loves Vegas. It's their fire island. I mean 609 00:34:05,120 --> 00:34:09,640 Speaker 1: in a but it's so fun. I I do love 610 00:34:09,760 --> 00:34:13,880 Speaker 1: a good hard like almost forty eight hours in Vegas. 611 00:34:13,880 --> 00:34:17,880 Speaker 1: I do because you do always do something stupid, and 612 00:34:17,960 --> 00:34:20,600 Speaker 1: you do always remember. I remember all the stupid should 613 00:34:20,640 --> 00:34:25,239 Speaker 1: I do well? Remember slash happily don't like remember all 614 00:34:25,239 --> 00:34:27,520 Speaker 1: the stuff that has happened in Vegas. And I do 615 00:34:27,640 --> 00:34:31,960 Speaker 1: believe it stays in Vegas, thank God. Yeah, it's it's 616 00:34:32,040 --> 00:34:34,799 Speaker 1: dark sided. It's not Christian, like just keep it there. 617 00:34:35,040 --> 00:34:38,000 Speaker 1: It's certainly not Christian. Oh no, it's the least Christian 618 00:34:38,000 --> 00:34:40,680 Speaker 1: city I went to. That's not even a real culture. 619 00:34:40,719 --> 00:34:42,440 Speaker 1: That's a that's a rule of life, like in like 620 00:34:42,560 --> 00:34:46,719 Speaker 1: Las Vegas. Las Vegas is not not Christian. But you know, 621 00:34:47,640 --> 00:34:50,160 Speaker 1: I think the girls are all gonna are all ending 622 00:34:50,200 --> 00:34:52,120 Speaker 1: up there are making pit stops there and it's like 623 00:34:52,160 --> 00:34:55,399 Speaker 1: we keep going because that's where the girls are. Well, 624 00:34:55,440 --> 00:34:58,000 Speaker 1: I need to reschedule, is Kelly. I know, Adel just 625 00:34:58,120 --> 00:35:01,640 Speaker 1: rescheduled her her the guest residency, but the Vegas regular 626 00:35:01,719 --> 00:35:04,720 Speaker 1: residency that was canceled that was starting on April Fools 627 00:35:04,800 --> 00:35:08,080 Speaker 1: Day twenty that was canceled was Kelly Clarkson, who, of 628 00:35:08,120 --> 00:35:12,320 Speaker 1: course is my number one. I'm a big fan, Hue. 629 00:35:12,560 --> 00:35:14,640 Speaker 1: I saw you on Kelly. You guys had a lovely time. 630 00:35:15,120 --> 00:35:17,040 Speaker 1: She was lovely, but she was quick, honey. She that 631 00:35:17,080 --> 00:35:19,240 Speaker 1: was a well oiled machine. It was in and out. 632 00:35:19,239 --> 00:35:23,279 Speaker 1: I was like, okay, let's go. They give you a record? 633 00:35:23,320 --> 00:35:25,280 Speaker 1: Did they? Did they give you a record? A vinyl? 634 00:35:25,800 --> 00:35:28,560 Speaker 1: As part of your game? Janet Jackson's Rhythm Nation. That's 635 00:35:28,560 --> 00:35:32,359 Speaker 1: a really good one. That's a really good one. They 636 00:35:32,400 --> 00:35:34,920 Speaker 1: gave me not one that matches me, which makes me 637 00:35:34,960 --> 00:35:37,000 Speaker 1: think that like it's they just pick it out of 638 00:35:37,000 --> 00:35:38,640 Speaker 1: a box. What did she give you? What? For people 639 00:35:38,680 --> 00:35:42,080 Speaker 1: at home? For the Katie's at Home listening, Kelly Clarkson 640 00:35:42,320 --> 00:35:45,320 Speaker 1: gives all of her guests a vinyl as a gift, 641 00:35:45,400 --> 00:35:49,200 Speaker 1: and she personal as beautiful gift beautiful. She personally picks 642 00:35:49,239 --> 00:35:51,240 Speaker 1: it out like she actually got for Joel Kim Booster. 643 00:35:51,719 --> 00:35:54,239 Speaker 1: She gave him the back to Basics Christina Aguilera vinyl, 644 00:35:54,280 --> 00:35:57,200 Speaker 1: which is a cool Yeah. I don't know that she 645 00:35:57,239 --> 00:35:59,400 Speaker 1: does pick it up because do you guys want to 646 00:35:59,400 --> 00:36:03,200 Speaker 1: guess what she me? No, we don't want to guess. Okay. 647 00:36:03,719 --> 00:36:09,600 Speaker 1: Bruce Springsteen's greatest hits m Homophone, maybe maybe I love 648 00:36:09,640 --> 00:36:15,160 Speaker 1: I love Bruce Springsteen, Electory Chair. She thought he's Mikey Day. 649 00:36:15,280 --> 00:36:19,960 Speaker 1: She thought you were a Mikey Days greams. Bruce Springsteen 650 00:36:20,480 --> 00:36:23,239 Speaker 1: also got talking about Bruce Springsteen. I am proud of 651 00:36:23,280 --> 00:36:25,279 Speaker 1: her for knowing that she was in Jersey. You know, 652 00:36:25,320 --> 00:36:27,759 Speaker 1: I feel like it was She's very conflicted. Did she 653 00:36:27,840 --> 00:36:30,040 Speaker 1: say she's in Jersey? She's in New York? You know, 654 00:36:30,239 --> 00:36:33,080 Speaker 1: I don't know. Well, that's the thing with MetLife Stadium 655 00:36:33,120 --> 00:36:35,719 Speaker 1: because when we saw Taylor again, like and I have 656 00:36:35,800 --> 00:36:38,719 Speaker 1: to say, I want to stress like Taylor is the 657 00:36:38,760 --> 00:36:42,080 Speaker 1: majority of music that I listened to. I do love Taylor. 658 00:36:42,280 --> 00:36:45,319 Speaker 1: You guys know, I love Taylor. The majority of the 659 00:36:45,440 --> 00:36:48,880 Speaker 1: music that you listen to. You I wish it was 660 00:36:49,000 --> 00:36:52,920 Speaker 1: not because Cody. There's because there's variety, there's you're you're 661 00:36:52,960 --> 00:36:57,480 Speaker 1: you're getting a different, a different fantasy with Okay, you've 662 00:36:57,480 --> 00:37:01,600 Speaker 1: got pop, you've got country, you've got country crossover, you've 663 00:37:01,600 --> 00:37:06,000 Speaker 1: got folkey music. You've got I think that's about it. 664 00:37:06,480 --> 00:37:13,680 Speaker 1: End game. You have absolute gangster rap. But she Taylor 665 00:37:13,719 --> 00:37:16,319 Speaker 1: said she will try it. Though she will try, she 666 00:37:16,440 --> 00:37:19,360 Speaker 1: kept talking about like I love Jersey, like it's so 667 00:37:19,360 --> 00:37:21,800 Speaker 1: amazing to be in Jersey tonight, Like how's it going Jersey? 668 00:37:22,000 --> 00:37:23,799 Speaker 1: And we were like god, like we're in New York. 669 00:37:23,840 --> 00:37:25,600 Speaker 1: And then as I think she did toss off, she 670 00:37:25,680 --> 00:37:27,600 Speaker 1: did at some point be like she was like, no, 671 00:37:27,680 --> 00:37:33,520 Speaker 1: Wholier came in from New York tonight and everybody, I 672 00:37:33,520 --> 00:37:35,239 Speaker 1: will Okay, I will get credit to Taylor. This is 673 00:37:35,239 --> 00:37:37,719 Speaker 1: what I want. What I wanted more of CHROMATICA. I 674 00:37:37,760 --> 00:37:40,759 Speaker 1: wanted more production value. I needed like a little bit 675 00:37:40,800 --> 00:37:43,799 Speaker 1: more production value. And Taylor had a like snake coming 676 00:37:43,800 --> 00:37:48,799 Speaker 1: out of Goddamn wasn't an incredible concert. You can watch 677 00:37:48,800 --> 00:37:54,239 Speaker 1: it on Netflix. I'll pass. But you know, watched that 678 00:37:54,360 --> 00:37:58,960 Speaker 1: and I remember she's trying to be a pop star. 679 00:37:59,040 --> 00:38:01,000 Speaker 1: It's just like, no, girl, that not your lane. That's 680 00:38:01,000 --> 00:38:05,640 Speaker 1: like you you like it? When she was Taylor Swift 681 00:38:05,680 --> 00:38:07,800 Speaker 1: with a hard R and a hard team, and not 682 00:38:07,960 --> 00:38:11,239 Speaker 1: when she's Taylor Swift with a very loose a and 683 00:38:11,280 --> 00:38:17,280 Speaker 1: a and because she's a player. You know, Yeah, katie's're 684 00:38:17,280 --> 00:38:20,719 Speaker 1: bringing back the word player, like hate player, player. I 685 00:38:20,719 --> 00:38:22,520 Speaker 1: wish I would date that guy, but I know he's 686 00:38:22,560 --> 00:38:24,680 Speaker 1: a player. He's a player. Okay, put it. Put a 687 00:38:24,719 --> 00:38:27,640 Speaker 1: pin in that well. Okay, So she did put out 688 00:38:28,280 --> 00:38:32,320 Speaker 1: um in response to the three l W lawsuit, Yeah, 689 00:38:34,320 --> 00:38:38,120 Speaker 1: issuing her for potentially stealing the lyrics. Players are gonna 690 00:38:38,120 --> 00:38:40,680 Speaker 1: play hate. It's gonna hate for schack it off. Good 691 00:38:40,680 --> 00:38:43,360 Speaker 1: for them. They need a check. I'm all about and 692 00:38:43,400 --> 00:38:46,799 Speaker 1: I'm all about chasing a check. So get her. Absolutely 693 00:38:47,000 --> 00:38:49,680 Speaker 1: get her. She might have to take one or two 694 00:38:49,920 --> 00:38:53,080 Speaker 1: less private planes a month. Give her to get her. 695 00:38:53,680 --> 00:38:55,760 Speaker 1: Every plane, by the way, every plane flying over at, 696 00:38:55,840 --> 00:38:58,320 Speaker 1: every plane plant fling over, met Life Stadio, every fagon 697 00:38:58,280 --> 00:39:00,239 Speaker 1: in that seae was like, oh, look, Taylor Swift. But 698 00:39:00,560 --> 00:39:03,839 Speaker 1: if Taylor has put out Steven saying that she has 699 00:39:03,960 --> 00:39:06,759 Speaker 1: never heard of the of the group three ill W 700 00:39:07,080 --> 00:39:10,680 Speaker 1: or the song players go and play, which is ridiculous, 701 00:39:10,760 --> 00:39:19,319 Speaker 1: which that is not true, Tay, come on and that's 702 00:39:19,320 --> 00:39:21,840 Speaker 1: when I that's when I can't fully like support it. 703 00:39:21,880 --> 00:39:23,960 Speaker 1: I'm like, no, like you can't like that was that 704 00:39:24,040 --> 00:39:26,600 Speaker 1: was Radio Disney. That was all over Radio Disney. You 705 00:39:26,680 --> 00:39:33,279 Speaker 1: know what I'm saying. You're listening to that everything face 706 00:39:33,360 --> 00:39:37,480 Speaker 1: with that. No, No, she has heard players they're gonna pay. 707 00:39:37,520 --> 00:39:40,759 Speaker 1: I will say this. I hope this. She throes Adrian 708 00:39:41,800 --> 00:39:45,680 Speaker 1: Bailon Howton some check because we know the Real is canceled. 709 00:39:45,760 --> 00:39:48,920 Speaker 1: The Real is canceled. It's too bad. But I can 710 00:39:48,960 --> 00:39:53,480 Speaker 1: also understand that Cody, Cody's sort of approach to Taylor 711 00:39:53,600 --> 00:39:56,000 Speaker 1: is informed by this, you know this ax that is 712 00:39:56,040 --> 00:39:59,600 Speaker 1: emotionally a little prickly because you you'll think of him 713 00:39:59,600 --> 00:40:01,440 Speaker 1: if you was in the Taylor, you're a broken heart 714 00:40:01,600 --> 00:40:05,919 Speaker 1: that so long ago. It's so long ago. But I know, No, 715 00:40:06,000 --> 00:40:10,319 Speaker 1: you don't seem like you. You seem really raw. No, 716 00:40:10,520 --> 00:40:14,640 Speaker 1: not what was he like? What was it fun? I 717 00:40:14,680 --> 00:40:17,840 Speaker 1: was like it was like nineteen like we didn't. You 718 00:40:17,880 --> 00:40:23,040 Speaker 1: never forget that one. You never forget never, never never. Okay, 719 00:40:23,040 --> 00:40:25,239 Speaker 1: I think it's time to ask Tody the question. Well, 720 00:40:25,480 --> 00:40:26,839 Speaker 1: I just want to say, I just want to say 721 00:40:26,880 --> 00:40:28,840 Speaker 1: before we ask the question and spin off, we do 722 00:40:28,920 --> 00:40:31,000 Speaker 1: have to give renaissance thoughts because here we are, we've 723 00:40:31,000 --> 00:40:32,960 Speaker 1: talked about all the girls, and we have to give 724 00:40:33,000 --> 00:40:35,880 Speaker 1: renaissance thoughts. So let's just say, what are your unique 725 00:40:36,080 --> 00:40:38,640 Speaker 1: thoughts about renaissance? What are your thoughts No one else 726 00:40:38,680 --> 00:40:42,919 Speaker 1: has go that no one else has well because they've 727 00:40:42,960 --> 00:40:46,040 Speaker 1: heard the Katies, ever heard all the other takes, Yes, 728 00:40:46,160 --> 00:40:49,279 Speaker 1: Coaches coming in hot almost a month late. My my 729 00:40:49,400 --> 00:40:53,680 Speaker 1: unique thought, my unique thought is to listen to it 730 00:40:53,760 --> 00:40:56,480 Speaker 1: on a plane the next time you're gonna plane Katie's 731 00:40:57,239 --> 00:40:58,960 Speaker 1: You're Gonna, You're gonna. It's like watching a movie on 732 00:40:58,960 --> 00:41:00,839 Speaker 1: a plane. It's like you're really going to be hit 733 00:41:00,880 --> 00:41:03,719 Speaker 1: in a different way, in a more impactful way. It 734 00:41:03,760 --> 00:41:05,279 Speaker 1: really opened up the rest of the album for me, 735 00:41:05,320 --> 00:41:06,960 Speaker 1: like like I was more like I was more of 736 00:41:07,000 --> 00:41:09,880 Speaker 1: a back half girl. And then on this flight recently, 737 00:41:09,920 --> 00:41:11,239 Speaker 1: I was listening to the front half and I was like, 738 00:41:11,239 --> 00:41:14,719 Speaker 1: wait a minute, this whole thing is incredible. You were 739 00:41:14,960 --> 00:41:17,279 Speaker 1: you didn't the front half didn't hit for you at 740 00:41:17,280 --> 00:41:22,040 Speaker 1: the jump because like fit and comfit. By the way, 741 00:41:22,400 --> 00:41:25,440 Speaker 1: when when Lizzo heard Coffett, she was shaking in her boots. 742 00:41:25,640 --> 00:41:28,040 Speaker 1: When Lizzo heard that song, it's a very Lizzo track. 743 00:41:28,120 --> 00:41:30,400 Speaker 1: Let's just be honest. It's a it's it's a Lizzo 744 00:41:30,560 --> 00:41:34,400 Speaker 1: s track. It's a Lizzos track. And there is this conspiracy, 745 00:41:35,000 --> 00:41:37,640 Speaker 1: not a conspiracy, but there's a theory that Beyonce does 746 00:41:37,680 --> 00:41:41,560 Speaker 1: not like Lizzo. Oh wow, well why because she wasn't 747 00:41:41,640 --> 00:41:44,680 Speaker 1: mentioned in the I think I think now all of 748 00:41:44,680 --> 00:41:47,000 Speaker 1: the wasn't she wasn't she mentioned in that. She was 749 00:41:47,000 --> 00:41:49,279 Speaker 1: not in the Queen's Rex. Lizza was not mentioned in 750 00:41:49,320 --> 00:41:52,040 Speaker 1: the Queen's Remax. Also missing is Mariah I'll say that 751 00:41:52,200 --> 00:41:56,560 Speaker 1: and Brandy Brandy and Becca producer Becca says, but she 752 00:41:56,680 --> 00:42:00,439 Speaker 1: did give Lizzo a birthday post. Okay, so all mind 753 00:42:00,480 --> 00:42:02,399 Speaker 1: because I wanted it to not be true. So thank 754 00:42:02,400 --> 00:42:05,640 Speaker 1: you so much for disproving alright, so that I still 755 00:42:05,640 --> 00:42:07,680 Speaker 1: want to know. I also want to know why the 756 00:42:07,680 --> 00:42:10,160 Speaker 1: track America has a Problem is not political at all. 757 00:42:10,200 --> 00:42:11,680 Speaker 1: I thought it was going to be very political, and 758 00:42:11,719 --> 00:42:15,560 Speaker 1: it's it's not. It's note I'm obsessed with the fact 759 00:42:15,560 --> 00:42:17,440 Speaker 1: that it's called America has a Problem and everyone was 760 00:42:17,440 --> 00:42:19,160 Speaker 1: like cracking their knuckles getting ready for that, and then 761 00:42:19,160 --> 00:42:22,080 Speaker 1: it's just about more about her. Fucking I absolutely love it. 762 00:42:22,280 --> 00:42:24,719 Speaker 1: She's like, and I thought, my husband like this too, 763 00:42:24,760 --> 00:42:27,000 Speaker 1: by the way, and it's like, but America has a America. 764 00:42:27,760 --> 00:42:30,239 Speaker 1: I thought America had a problem and we're gonna have 765 00:42:30,280 --> 00:42:32,680 Speaker 1: a discourse about it. What happened. We would talk about 766 00:42:32,680 --> 00:42:34,759 Speaker 1: how America had a problem. Thought Beyonce was going to 767 00:42:34,800 --> 00:42:36,520 Speaker 1: help solve the problem. But now she was like, nope. 768 00:42:36,560 --> 00:42:39,480 Speaker 1: Sometimes beyond Beyonce gets it from the back from Jay 769 00:42:39,800 --> 00:42:42,360 Speaker 1: And I was like, okay, okay, well that colors in 770 00:42:42,440 --> 00:42:45,040 Speaker 1: some lines at least. I mean, jay Z definitely got 771 00:42:45,040 --> 00:42:47,879 Speaker 1: a break on this album because I want to worried 772 00:42:47,920 --> 00:42:54,120 Speaker 1: about the man the booty gonna do what it wants to. Okay. 773 00:42:54,160 --> 00:42:56,960 Speaker 1: I would say my unique thoughts about Renaissance are that 774 00:42:57,080 --> 00:42:59,120 Speaker 1: it is the album of the year. Obviously that's not 775 00:42:59,160 --> 00:43:02,319 Speaker 1: a unique thought, but I would say that won't won 776 00:43:03,239 --> 00:43:07,680 Speaker 1: just like like, if it doesn't, I will protest. I 777 00:43:07,719 --> 00:43:09,880 Speaker 1: will take to the streets with the fervor of any 778 00:43:09,880 --> 00:43:12,799 Speaker 1: other issue. America has a problem, and honestly, America will 779 00:43:12,840 --> 00:43:15,040 Speaker 1: have a major problem, and I will be the same 780 00:43:15,160 --> 00:43:17,239 Speaker 1: shouting it from the rooftops, and it won't be about 781 00:43:17,320 --> 00:43:19,320 Speaker 1: high got it in my butt. It will be about 782 00:43:19,360 --> 00:43:21,600 Speaker 1: how Beyonce doesn't have an Album of the Year Grammy 783 00:43:21,640 --> 00:43:23,799 Speaker 1: after this year, it must happen. It does seem like 784 00:43:23,800 --> 00:43:25,640 Speaker 1: there's going to be two more chances, this being an 785 00:43:25,640 --> 00:43:27,879 Speaker 1: act one of three. But I hope that they don't, like, 786 00:43:28,280 --> 00:43:30,080 Speaker 1: you know, Lord of the Rings, this ship and wait 787 00:43:30,120 --> 00:43:32,080 Speaker 1: till the last one to give it the big award, 788 00:43:32,160 --> 00:43:35,759 Speaker 1: because we must award Beyonce now like do it in 789 00:43:35,800 --> 00:43:39,160 Speaker 1: the now like award these people now say to the 790 00:43:39,200 --> 00:43:42,239 Speaker 1: talented people of now, we recognize your talented now. Don't 791 00:43:42,320 --> 00:43:45,160 Speaker 1: let it be like an Haiti who We're only saying, hey, 792 00:43:45,200 --> 00:43:47,760 Speaker 1: you know she was a good actress after she's tragically passed. 793 00:43:47,800 --> 00:43:50,120 Speaker 1: And I'll get to that in my I don't think so, honey. 794 00:43:50,200 --> 00:43:54,040 Speaker 1: But back to my unique thoughts on Renaissance. I believe that, yes, 795 00:43:54,080 --> 00:43:56,200 Speaker 1: it is like a cohesive album, like you can listen 796 00:43:56,200 --> 00:43:57,879 Speaker 1: to it through and think, wow, I got my life. 797 00:43:58,040 --> 00:44:00,760 Speaker 1: There is a standout track. It is only in Superstar 798 00:44:00,800 --> 00:44:02,520 Speaker 1: and I think it has risen to the top and 799 00:44:02,560 --> 00:44:06,279 Speaker 1: I think we can't deny that. No, that that's undeniable. 800 00:44:06,760 --> 00:44:09,319 Speaker 1: It is. It is the song. You guys think it's 801 00:44:09,360 --> 00:44:12,280 Speaker 1: the song, Well, now that the break my soul Queen's 802 00:44:12,360 --> 00:44:14,440 Speaker 1: remix came out. I think that's the song, and I 803 00:44:14,440 --> 00:44:17,279 Speaker 1: think it's like I just think it's watershed. But like 804 00:44:17,320 --> 00:44:20,200 Speaker 1: Alien Superstar, I mean, Virgo's groove got a lot of 805 00:44:20,200 --> 00:44:22,879 Speaker 1: attention off the top, and I totally agreed with that. 806 00:44:23,120 --> 00:44:26,080 Speaker 1: I do love Summer Renaissance. I love the Donna Summer sample. 807 00:44:26,120 --> 00:44:28,520 Speaker 1: I think that's like, really, you don't Cody, you don't 808 00:44:28,560 --> 00:44:31,520 Speaker 1: stand somewhere. It's fair. Look, I I'm just appreciated that 809 00:44:31,600 --> 00:44:34,160 Speaker 1: it's a body of work because people don't make a 810 00:44:34,200 --> 00:44:36,919 Speaker 1: body of work to be People don't make a body 811 00:44:36,920 --> 00:44:38,960 Speaker 1: of work anymore, and I appreciate a body of work 812 00:44:38,960 --> 00:44:42,200 Speaker 1: that I can listen to from front to back. Summer 813 00:44:42,200 --> 00:44:45,280 Speaker 1: Renaissance is solid. I like it. By that, I guess 814 00:44:45,280 --> 00:44:48,000 Speaker 1: like it's by that it's time. You're like, okay, I've 815 00:44:48,040 --> 00:44:51,640 Speaker 1: I've heard the album, yeah, but I have not stopped 816 00:44:51,640 --> 00:44:54,960 Speaker 1: listening to an album like, Okay, what's your unique thought? 817 00:44:55,560 --> 00:44:58,000 Speaker 1: I told you? But wait, what was that? America has 818 00:44:58,000 --> 00:45:00,880 Speaker 1: a problem is not political? Im guy's a problem is 819 00:45:00,920 --> 00:45:03,400 Speaker 1: not political? Right right right right right right right in 820 00:45:03,520 --> 00:45:06,000 Speaker 1: this moment in American history. To not be political in 821 00:45:06,040 --> 00:45:08,400 Speaker 1: America has a problem. Beyonce, We're looking at you with 822 00:45:08,440 --> 00:45:12,160 Speaker 1: an awkward eye, but also always satiated by you telling 823 00:45:12,280 --> 00:45:14,640 Speaker 1: us how you're getting it. This is a hot take 824 00:45:14,640 --> 00:45:18,880 Speaker 1: it up, but I feel like I'm gonna I just question. Yeah, 825 00:45:19,040 --> 00:45:22,720 Speaker 1: Beyonce is using the queer culture, but what she about 826 00:45:22,719 --> 00:45:26,319 Speaker 1: the queer culture until this album came out? So it's funny. 827 00:45:26,400 --> 00:45:29,320 Speaker 1: I'm just it's just Devil's advocate, like in a statement, 828 00:45:29,320 --> 00:45:35,640 Speaker 1: I'm just asking a question. Damn, I'm loving this was Beyonce. 829 00:45:35,960 --> 00:45:38,520 Speaker 1: Like last year in Pride, everyone's like, Beyonce is coming 830 00:45:38,520 --> 00:45:41,000 Speaker 1: to this dingy Brooklyn club and everyone's got to be there. 831 00:45:41,040 --> 00:45:42,520 Speaker 1: She did not come, you know what I'm saying, Like 832 00:45:42,520 --> 00:45:44,120 Speaker 1: it was like her team was there or whatever. The funk? 833 00:45:44,200 --> 00:45:47,720 Speaker 1: Yeah sure, but whatever, But I'm like, so so Becca. 834 00:45:47,880 --> 00:45:50,560 Speaker 1: Becca has announced in the in the in the chat 835 00:45:50,840 --> 00:45:53,920 Speaker 1: that she is of beehive and now she I can 836 00:45:54,000 --> 00:45:57,600 Speaker 1: feel her rage. So this album is dedicated to her 837 00:45:57,640 --> 00:45:59,920 Speaker 1: gay uncle, and there's a speech she gave attributing him 838 00:46:00,000 --> 00:46:03,560 Speaker 1: the community. Yes we know all about uncle Johnny. Awards, Yes, 839 00:46:03,600 --> 00:46:05,560 Speaker 1: the GLAD Awards, and she was she was a ordered 840 00:46:05,600 --> 00:46:07,680 Speaker 1: with a GLAD Award and she gave a very emotional 841 00:46:07,680 --> 00:46:10,560 Speaker 1: speech about Uncle Johnny and Uncle Johnny's in the liner notes, etcetera. 842 00:46:10,800 --> 00:46:15,120 Speaker 1: And take the floor. Well, I think Matt and I 843 00:46:15,200 --> 00:46:19,120 Speaker 1: both chuckle anytime we think about the fact that before 844 00:46:19,160 --> 00:46:20,919 Speaker 1: even before this album came in, anytime you think about 845 00:46:20,920 --> 00:46:23,080 Speaker 1: the fact that after Brittany Madonna kissed the v m as, 846 00:46:23,840 --> 00:46:26,880 Speaker 1: her response to the media was that she was disgusted. 847 00:46:26,960 --> 00:46:31,360 Speaker 1: But I don't know that she was discussing the homost 848 00:46:31,400 --> 00:46:35,640 Speaker 1: sexuality of its famously a Christian girl, she's a Christian girl, 849 00:46:35,640 --> 00:46:37,279 Speaker 1: but I think she was. She's a church girl. She's 850 00:46:37,280 --> 00:46:39,279 Speaker 1: a church girl. Don't hurt nobody, but she I think 851 00:46:39,320 --> 00:46:44,319 Speaker 1: she We can't quite pinpoint. Yeah, Okay, Becka says, you're 852 00:46:44,360 --> 00:46:46,719 Speaker 1: not wrong there. Okay, So we have be high confirming this, 853 00:46:47,280 --> 00:46:51,040 Speaker 1: and we are, of course be high as well firmly, 854 00:46:51,280 --> 00:46:55,480 Speaker 1: firmly firm bestate life formation. Okay. And it's interesting that 855 00:46:55,560 --> 00:46:57,560 Speaker 1: you bring this up because I was at up how 856 00:46:58,400 --> 00:47:02,000 Speaker 1: I was in North Carolina all places, working this job, 857 00:47:02,040 --> 00:47:03,799 Speaker 1: and I he's working with a bunch of heteroes and 858 00:47:03,840 --> 00:47:06,520 Speaker 1: they were like the straight community. The straight community was 859 00:47:06,560 --> 00:47:08,279 Speaker 1: like as a little confused by it because they're like 860 00:47:08,320 --> 00:47:11,319 Speaker 1: and then one person even said, it sounds like she's 861 00:47:11,400 --> 00:47:14,120 Speaker 1: like using lingo. That's like that just doesn't sound right 862 00:47:14,160 --> 00:47:16,560 Speaker 1: on her, And I'm like, oh, that's definitely not true. 863 00:47:16,560 --> 00:47:18,160 Speaker 1: It's not that it doesn't sound right on her. It's 864 00:47:18,200 --> 00:47:22,480 Speaker 1: like she like she's representing a community that invented the lingo. 865 00:47:22,640 --> 00:47:25,480 Speaker 1: I have to say, completely insane for straight people to 866 00:47:25,520 --> 00:47:30,439 Speaker 1: say this lingo doesn't sound They cannot be the ones 867 00:47:30,480 --> 00:47:33,560 Speaker 1: to say that, like jail time for them. I think 868 00:47:33,560 --> 00:47:37,120 Speaker 1: it's just that like electric chair, Literally, I think it's 869 00:47:37,120 --> 00:47:39,680 Speaker 1: an adjustment. I think, like I think that we just 870 00:47:39,800 --> 00:47:42,919 Speaker 1: we we are not used to Beyonce being this like 871 00:47:43,719 --> 00:47:47,560 Speaker 1: direct and faggoty exactly. You get the sense that, like 872 00:47:47,760 --> 00:47:51,000 Speaker 1: so many of these pop stars know and make it 873 00:47:51,040 --> 00:47:53,440 Speaker 1: a part of their thing that they are gay icons, 874 00:47:53,480 --> 00:47:55,600 Speaker 1: you know what I mean. Like Lady Gaga's allish up 875 00:47:55,640 --> 00:47:59,520 Speaker 1: to the queer community is so intrinsic in what she does, 876 00:47:59,800 --> 00:48:02,360 Speaker 1: and like it feels like in terms of the queer 877 00:48:02,360 --> 00:48:04,520 Speaker 1: community and in terms of being a queer icon, which 878 00:48:04,680 --> 00:48:08,240 Speaker 1: Beyonce so undoubtedly is. It never seemed top of mind 879 00:48:08,360 --> 00:48:12,680 Speaker 1: for her. Only seemed like recently that she's even really 880 00:48:12,719 --> 00:48:15,600 Speaker 1: publicly acknowledged her uncle Johnny who were now to believe 881 00:48:15,960 --> 00:48:18,680 Speaker 1: was like a major influence on her, and it just 882 00:48:18,760 --> 00:48:21,319 Speaker 1: seems like maybe this was a little bit more of 883 00:48:21,360 --> 00:48:23,960 Speaker 1: a struggle in her growing up and in her maturity 884 00:48:24,320 --> 00:48:28,280 Speaker 1: than it was for her peers that are like major 885 00:48:28,360 --> 00:48:31,080 Speaker 1: pop stars who have been like unabashed about being queer 886 00:48:31,200 --> 00:48:33,839 Speaker 1: icons and olice to the queer community. Because while I'm 887 00:48:33,880 --> 00:48:37,239 Speaker 1: like not doubting it at all, and this is like 888 00:48:37,280 --> 00:48:42,919 Speaker 1: an extremely like lived in, like experiential piece of work 889 00:48:42,960 --> 00:48:45,319 Speaker 1: that she's made, it just seems like she's never been 890 00:48:45,360 --> 00:48:48,640 Speaker 1: out here being like, hey gay is okay? Doja cat? 891 00:48:49,520 --> 00:48:51,960 Speaker 1: She didn't even make a no hate picture in the 892 00:48:52,080 --> 00:49:06,000 Speaker 1: early two thousand oh Wait and they come after game. 893 00:49:07,680 --> 00:49:10,239 Speaker 1: We're teasing, were cheasing, we're teasing. But if they if 894 00:49:10,480 --> 00:49:12,480 Speaker 1: they if Daga says, if they don't, if they come 895 00:49:12,480 --> 00:49:15,640 Speaker 1: from gay marriage, then Beyonce will doing no hate, thank god, 896 00:49:15,680 --> 00:49:27,719 Speaker 1: And then we're then where's pull up and that's lock up. 897 00:49:27,840 --> 00:49:30,080 Speaker 1: But you're right, Matt, I think like this is speaking 898 00:49:30,080 --> 00:49:34,000 Speaker 1: to like the fact that she has had to maybe 899 00:49:34,200 --> 00:49:36,880 Speaker 1: catch up on a lot of things, especially after you 900 00:49:36,920 --> 00:49:39,880 Speaker 1: pointed out like after she dropped her father, after Matthew 901 00:49:39,960 --> 00:49:42,000 Speaker 1: Knowles was out of the picture in the business side 902 00:49:42,000 --> 00:49:44,440 Speaker 1: of things, she was able to be like right from 903 00:49:44,920 --> 00:49:48,719 Speaker 1: performed from a more liberated place. Yeah, be like this 904 00:49:48,800 --> 00:49:53,080 Speaker 1: fucking doll for someone else. And I think, I think, yeah, 905 00:49:53,080 --> 00:49:54,879 Speaker 1: this is probably just a journey for her, like like 906 00:49:55,080 --> 00:49:59,680 Speaker 1: her awareness what's up? But even like the form formation 907 00:50:00,040 --> 00:50:03,799 Speaker 1: Arrow was like the I'm not not the first time, 908 00:50:03,840 --> 00:50:06,520 Speaker 1: but like where she was very liberated in her blackness 909 00:50:06,560 --> 00:50:10,239 Speaker 1: to you know what I'm saying, Like, also do this 910 00:50:10,320 --> 00:50:16,680 Speaker 1: like the album after maybe of course, of course, you know, 911 00:50:17,239 --> 00:50:21,000 Speaker 1: I think that like she she always was, but I 912 00:50:21,040 --> 00:50:23,680 Speaker 1: think that there was like an immediacy to it which 913 00:50:23,800 --> 00:50:26,399 Speaker 1: was like very very important to the moment. And I think, 914 00:50:26,680 --> 00:50:28,839 Speaker 1: like it's this thing, like we said with Taylor, like 915 00:50:29,080 --> 00:50:32,120 Speaker 1: it's like you we do look to these people to 916 00:50:32,320 --> 00:50:35,319 Speaker 1: make statements to the people now, like you do have 917 00:50:35,400 --> 00:50:37,480 Speaker 1: to when you have a platform and you have influence, 918 00:50:37,520 --> 00:50:40,440 Speaker 1: Like no, you don't have to do anything obviously, but 919 00:50:40,520 --> 00:50:44,400 Speaker 1: it's immensely helpful. We see what happens when these people 920 00:50:44,400 --> 00:50:46,719 Speaker 1: speak to their fan bases. So when it feels like 921 00:50:46,760 --> 00:50:49,080 Speaker 1: someone is like a washed out version of what they 922 00:50:49,120 --> 00:50:52,799 Speaker 1: can be like now, we notice. And so when it 923 00:50:52,920 --> 00:50:58,200 Speaker 1: comes to these very calculated pop culture icons and these 924 00:50:58,239 --> 00:51:01,799 Speaker 1: fixtures in pop culture, there is always a question of 925 00:51:01,920 --> 00:51:04,359 Speaker 1: how is this serving you? You know what I mean, 926 00:51:04,440 --> 00:51:07,840 Speaker 1: Like whenever you're speaking to and speaking for a certain community, 927 00:51:08,200 --> 00:51:12,640 Speaker 1: I think, so I totally understand like where that's coming from. 928 00:51:12,960 --> 00:51:15,040 Speaker 1: And I also think like it's touchy, you know what 929 00:51:15,080 --> 00:51:18,400 Speaker 1: I mean, Like whenever anyone is like I am speaking 930 00:51:18,400 --> 00:51:20,880 Speaker 1: for the queers now, it's it's like you sort of 931 00:51:20,920 --> 00:51:23,839 Speaker 1: get this like intrinsic thing, like oh yeah, of course, 932 00:51:23,880 --> 00:51:26,439 Speaker 1: and they always have. But then you backtrack and that's 933 00:51:26,440 --> 00:51:30,520 Speaker 1: not really true because you know, there's different things that play. 934 00:51:30,600 --> 00:51:33,720 Speaker 1: But I think with Beyonce, I think she's like kind 935 00:51:33,760 --> 00:51:38,600 Speaker 1: of giving us, like dumping a lot of knowledge download 936 00:51:38,840 --> 00:51:41,640 Speaker 1: onto us. Like with the Queen's Remix, it's like okay, yes, 937 00:51:41,760 --> 00:51:46,600 Speaker 1: Like she she's nodding to all of the houses, and 938 00:51:46,640 --> 00:51:49,279 Speaker 1: she's nodding to like all of like the girls from 939 00:51:49,280 --> 00:51:51,920 Speaker 1: the past to get back. For sure, she's taking it 940 00:51:51,920 --> 00:51:55,000 Speaker 1: back and it's I mean, that's it's a genius piece 941 00:51:55,000 --> 00:51:58,600 Speaker 1: of music in terms of absolutely reclaiming the song Vogue, 942 00:51:58,880 --> 00:52:01,799 Speaker 1: but also not shopping Madonna. You know you're not You're 943 00:52:01,840 --> 00:52:04,080 Speaker 1: not like saying fuck you Madonna, Like this was our 944 00:52:04,200 --> 00:52:06,000 Speaker 1: thing and you made it yours. For a second, it's 945 00:52:06,000 --> 00:52:09,960 Speaker 1: like no, like there's this beautiful intersection of things that 946 00:52:09,960 --> 00:52:11,719 Speaker 1: like you can sort of pay homage to that, but 947 00:52:11,760 --> 00:52:15,840 Speaker 1: also like trying to move forward with like the ownership 948 00:52:15,840 --> 00:52:18,239 Speaker 1: of it. But yeah, I'm saying, like I think that's like, 949 00:52:18,520 --> 00:52:20,880 Speaker 1: that's that's where I get the sense like Beyonce is 950 00:52:21,680 --> 00:52:23,560 Speaker 1: not doing this in bad faith or not doing it 951 00:52:23,640 --> 00:52:28,440 Speaker 1: just for the cloud, not even cloud. Yeah, exactly, I 952 00:52:28,440 --> 00:52:30,360 Speaker 1: don't think she is either at all. When I first 953 00:52:30,360 --> 00:52:34,360 Speaker 1: heard that new bridge on the Queens, I had to 954 00:52:34,520 --> 00:52:36,799 Speaker 1: I literally had to deposit and stand up because I 955 00:52:36,840 --> 00:52:39,160 Speaker 1: was like, oh, this is such a moment, this is 956 00:52:39,200 --> 00:52:43,080 Speaker 1: such a genius moment, and like it also was just 957 00:52:43,200 --> 00:52:46,520 Speaker 1: so like now those people are solidified in time, you 958 00:52:46,520 --> 00:52:49,520 Speaker 1: know what I mean. Like and there's like like and like, yes, 959 00:52:49,560 --> 00:52:51,880 Speaker 1: I love what you said about like her, not like 960 00:52:51,880 --> 00:52:55,880 Speaker 1: shooting on Madonna. She instead made Vogue their thing, you 961 00:52:55,920 --> 00:52:58,359 Speaker 1: know what I mean. Now it's something that truly can 962 00:52:58,400 --> 00:53:01,480 Speaker 1: feel like it is a celebration of all these icons 963 00:53:01,560 --> 00:53:05,600 Speaker 1: like from this community. Because when you think about like 964 00:53:05,600 --> 00:53:09,839 Speaker 1: like Madonna like taking ballroom culture and then and then 965 00:53:09,920 --> 00:53:12,120 Speaker 1: using the word vogue and then shouting back to the 966 00:53:12,120 --> 00:53:17,520 Speaker 1: white actresses of the past, like it is a little weird, 967 00:53:17,880 --> 00:53:20,120 Speaker 1: great perspective. I just didn't even think. I didn't even 968 00:53:20,160 --> 00:53:22,319 Speaker 1: think about that. It just doesn't. It doesn't. It's not 969 00:53:22,360 --> 00:53:24,360 Speaker 1: like it's certainly not an A too B, nor is 970 00:53:24,400 --> 00:53:26,440 Speaker 1: an a TOC. It's like what it's like, what are 971 00:53:26,440 --> 00:53:29,560 Speaker 1: we saying? Like d drinking the Maaggio for Vogue and 972 00:53:29,600 --> 00:53:32,120 Speaker 1: you're voguing in the video, like what is the connection here? 973 00:53:32,320 --> 00:53:34,200 Speaker 1: Just that you're in black and white and they did 974 00:53:34,239 --> 00:53:36,719 Speaker 1: movies in black and white. I don't know, but you 975 00:53:36,760 --> 00:53:39,200 Speaker 1: know it just I feel like it all makes sense 976 00:53:39,239 --> 00:53:41,640 Speaker 1: and comes together in a gorgeous, stunning way now. And 977 00:53:41,680 --> 00:53:44,720 Speaker 1: I love the song, love the album, and love Beyonce 978 00:53:45,000 --> 00:53:58,040 Speaker 1: obviously the artist of our lifetime. I think it's time 979 00:53:58,080 --> 00:54:00,360 Speaker 1: to ask Tody question, which is Tody to be? What 980 00:54:00,480 --> 00:54:02,680 Speaker 1: is the culture that made you say? Culture is for me? 981 00:54:03,480 --> 00:54:07,880 Speaker 1: This is the formative pop culture for you? Um that 982 00:54:08,120 --> 00:54:14,560 Speaker 1: you can can trace back to your beginnings. Seeing Brittney 983 00:54:14,640 --> 00:54:19,360 Speaker 1: Spears in a bohemian outfit with a fedora hat barefoot 984 00:54:19,400 --> 00:54:23,000 Speaker 1: out of a gas station bathroom while people asked for 985 00:54:23,040 --> 00:54:28,800 Speaker 1: her signature really fortified just so much joy and excellence 986 00:54:28,800 --> 00:54:32,080 Speaker 1: in my life. I knew that then I could be 987 00:54:32,160 --> 00:54:35,680 Speaker 1: anything that I wanted to be, and that a messy 988 00:54:35,920 --> 00:54:41,640 Speaker 1: boy from the South would achieve greatness only because she 989 00:54:41,800 --> 00:54:45,239 Speaker 1: paved the way for people like us. And that is 990 00:54:45,239 --> 00:54:47,839 Speaker 1: when I knew that the culture it was in fact 991 00:54:47,920 --> 00:54:52,800 Speaker 1: for me. I forget to be a full paragraph, I 992 00:54:52,840 --> 00:54:59,080 Speaker 1: mean like literally thesis statement on the essay that was beautiful, beautiful, beautiful. 993 00:54:59,760 --> 00:55:02,680 Speaker 1: She I felt what could be the messy Southern gay 994 00:55:02,719 --> 00:55:07,839 Speaker 1: because of that messy Southern girl from can what Louisiana, 995 00:55:08,239 --> 00:55:13,279 Speaker 1: Honey remember the name? Now? Is this the moment where 996 00:55:13,320 --> 00:55:17,399 Speaker 1: she Wasn't this It was not. It was not when 997 00:55:17,440 --> 00:55:22,560 Speaker 1: she was like going through like uh, very messy and 998 00:55:22,640 --> 00:55:25,520 Speaker 1: shaking the head. No, this was this is like peak fame, 999 00:55:25,760 --> 00:55:28,160 Speaker 1: Like this is peak peek, Like maybe like after in 1000 00:55:28,239 --> 00:55:32,240 Speaker 1: the zone she probably maybe dating cafe ed at the time, 1001 00:55:32,800 --> 00:55:36,680 Speaker 1: but really went into that bathroom with no no shoes, 1002 00:55:37,719 --> 00:55:40,720 Speaker 1: no fox to give, no fox to give, no shoes, 1003 00:55:40,760 --> 00:55:43,960 Speaker 1: no fox to give title of that no shoes. No, 1004 00:55:44,960 --> 00:55:48,000 Speaker 1: that's actually the title of her book that's coming out. 1005 00:55:49,040 --> 00:55:51,239 Speaker 1: How are you feeling about Brittany in the present moment? Like, 1006 00:55:51,239 --> 00:55:54,120 Speaker 1: what are your thoughts. I just want Brittany to be happy. 1007 00:55:54,239 --> 00:55:56,120 Speaker 1: I just want her to live her live. That is 1008 00:55:56,160 --> 00:55:59,359 Speaker 1: the company line. I hope that she's getting great dick 1009 00:55:59,400 --> 00:56:06,759 Speaker 1: from that very handsome man, and um yeah yeah, that's 1010 00:56:06,840 --> 00:56:08,600 Speaker 1: that's about it. I don't need new music from her. 1011 00:56:08,719 --> 00:56:12,239 Speaker 1: I honestly, if she wants to make it, congratulations, but 1012 00:56:12,320 --> 00:56:14,920 Speaker 1: I don't. I don't need an album. She's She's literally 1013 00:56:14,960 --> 00:56:21,920 Speaker 1: giving us a lifetime of hits, hot tracks, bops, iconic performances. 1014 00:56:22,239 --> 00:56:24,920 Speaker 1: We're we're good bad like take a take a break, 1015 00:56:24,960 --> 00:56:27,040 Speaker 1: take a nap, go sleep, go taking them kids. I 1016 00:56:27,040 --> 00:56:31,480 Speaker 1: don't know, just like you're good. Yeah, I what do 1017 00:56:31,520 --> 00:56:32,640 Speaker 1: you think? What are you feeling? What are you guys 1018 00:56:32,640 --> 00:56:35,239 Speaker 1: feeling about this Elton John track? It'll be cute to 1019 00:56:35,320 --> 00:56:37,960 Speaker 1: be interesting would be like, um, you know, um the 1020 00:56:38,320 --> 00:56:41,160 Speaker 1: do a thing doing rocket Man. I did like that. 1021 00:56:41,239 --> 00:56:43,279 Speaker 1: I did like duo though, and Elton John that that 1022 00:56:43,480 --> 00:56:46,839 Speaker 1: that that caught me by surprise that I actually liked 1023 00:56:46,880 --> 00:56:48,600 Speaker 1: it that much. Not that I'm not an Elton John 1024 00:56:48,600 --> 00:56:50,080 Speaker 1: can and I'm a huge do leap a fan. But 1025 00:56:50,600 --> 00:56:52,560 Speaker 1: do you know when you mix old and it just 1026 00:56:52,600 --> 00:56:56,479 Speaker 1: doesn't work, it doesn't work. But Gaga and Elton also 1027 00:56:56,520 --> 00:56:58,680 Speaker 1: slayed in CHROMATICA. We we didn't get that at the tour, 1028 00:56:58,719 --> 00:57:00,840 Speaker 1: but we did not get signed from above, which I 1029 00:57:01,160 --> 00:57:04,600 Speaker 1: did not but Tony Bennett, because Tony Bennett couldn't make it. 1030 00:57:04,640 --> 00:57:11,800 Speaker 1: He was gonna do with Eldon's part, and Tony Bennett 1031 00:57:11,800 --> 00:57:19,200 Speaker 1: going I was at would have been a gag. I was, Oh, 1032 00:57:19,280 --> 00:57:24,160 Speaker 1: that's good. You think Laura Lauren Matt has a Tony 1033 00:57:24,160 --> 00:57:34,040 Speaker 1: Bennett host for Joker Folio do, Tony. I think I 1034 00:57:34,080 --> 00:57:36,880 Speaker 1: think so much of your The moment I became obsessed 1035 00:57:36,920 --> 00:57:39,240 Speaker 1: with you was when you know, we all learned the 1036 00:57:39,320 --> 00:57:42,960 Speaker 1: rule that like when you play Britney Spears, we function up. 1037 00:57:44,720 --> 00:57:47,160 Speaker 1: I have not. I need to revisit the fact that 1038 00:57:47,320 --> 00:57:51,000 Speaker 1: she taught me everything I know about how to listen 1039 00:57:51,000 --> 00:57:54,240 Speaker 1: to music, about how to like every watch music videos. Yeah, 1040 00:57:54,320 --> 00:57:58,000 Speaker 1: every homosexual, every homosexual on Fire Island is dressed like 1041 00:57:58,080 --> 00:58:03,320 Speaker 1: a two thousands of Britney Spears video. They've got the 1042 00:58:03,400 --> 00:58:06,960 Speaker 1: rhinestone g string out, they've got the they've got the 1043 00:58:07,000 --> 00:58:10,640 Speaker 1: broad top, they've got the sparkle pant. Like, everybody is 1044 00:58:10,760 --> 00:58:14,720 Speaker 1: dressed like a Britney Spears video. Right now, I would 1045 00:58:14,800 --> 00:58:17,880 Speaker 1: say there was there was the day before Britney Spears 1046 00:58:17,960 --> 00:58:19,400 Speaker 1: was a thing and there was the day after. I 1047 00:58:19,480 --> 00:58:21,920 Speaker 1: mean it was a sea change. It was a sea change. 1048 00:58:23,160 --> 00:58:25,840 Speaker 1: Nothing solidified my homosexuality more than like the Oops, I 1049 00:58:25,880 --> 00:58:28,600 Speaker 1: did it again performance at the M A M. Right, 1050 00:58:30,480 --> 00:58:33,080 Speaker 1: she could rock a Fedora. The Fedora is actually kind 1051 00:58:33,120 --> 00:58:37,200 Speaker 1: of fanatic in her and really Fedora like she's she's 1052 00:58:37,280 --> 00:58:41,919 Speaker 1: loved a Fedora for far too long. I I would 1053 00:58:41,920 --> 00:58:44,120 Speaker 1: say stopped, but like I'm gonna let her know. It's 1054 00:58:44,120 --> 00:58:48,120 Speaker 1: her thing her. They really placed that Fedor on her 1055 00:58:48,320 --> 00:58:51,880 Speaker 1: on her head during the Blackout album. They're like, Okay, 1056 00:58:51,880 --> 00:58:54,800 Speaker 1: we need we need something to fix this picture. Here 1057 00:58:54,840 --> 00:58:58,560 Speaker 1: you go girl. Yeah, her influence on fashion at that 1058 00:58:58,640 --> 00:59:01,080 Speaker 1: time that really thrust us into Fedora era and that 1059 00:59:01,240 --> 00:59:05,120 Speaker 1: was not good for the majority of people before Justin Timberlake, 1060 00:59:05,160 --> 00:59:09,280 Speaker 1: to be honest, before Justin, but Fedora wascited to get it, 1061 00:59:09,320 --> 00:59:14,000 Speaker 1: to be amazed right in the zone and then the 1062 00:59:14,120 --> 00:59:19,600 Speaker 1: music video yep, and then then be More album and 1063 00:59:19,640 --> 00:59:25,280 Speaker 1: the Blackout also, have we clocked this as a culture 1064 00:59:25,360 --> 00:59:31,240 Speaker 1: yet that like she has this through line and it 1065 00:59:31,360 --> 00:59:34,040 Speaker 1: just said it pretty much says everything that like the 1066 00:59:34,160 --> 00:59:37,400 Speaker 1: Britney Spears look alike in the crimea River music video 1067 00:59:37,600 --> 00:59:40,320 Speaker 1: was really only a look alike because she had blonde 1068 00:59:40,360 --> 00:59:42,800 Speaker 1: hair and a fedora as she walked into her home, 1069 00:59:42,920 --> 00:59:45,040 Speaker 1: and they're like, we know who that is? God, what 1070 00:59:45,160 --> 00:59:55,680 Speaker 1: a tacky guy. I not a chair Kelly Clarkson great 1071 00:59:55,760 --> 01:00:02,000 Speaker 1: people talking about Kelly. Oh no I did. I did 1072 01:00:04,920 --> 01:00:09,400 Speaker 1: electric cheering Kelly for giving me a Bruce spring but 1073 01:00:10,440 --> 01:00:15,760 Speaker 1: her chance let her free, don't. I don't like thinking 1074 01:00:15,800 --> 01:00:19,160 Speaker 1: about Kelly and the electric chain. We would never let 1075 01:00:19,200 --> 01:00:23,600 Speaker 1: it happens. Never. And I just found a hundred and 1076 01:00:23,720 --> 01:00:26,960 Speaker 1: fifteen images on Getty images of Britney Spears and Fedora. 1077 01:00:27,560 --> 01:00:31,560 Speaker 1: I'm getty, not even on Google. I'm getty. I believe 1078 01:00:31,600 --> 01:00:33,840 Speaker 1: there's a New Year's Eve moment. Here's what I can 1079 01:00:33,880 --> 01:00:37,640 Speaker 1: tell because she's performing in Times Square. Yeah, yeah, that 1080 01:00:37,760 --> 01:00:41,720 Speaker 1: makes sense. I think I think we're about to get 1081 01:00:41,800 --> 01:00:44,880 Speaker 1: the Fedora back in full force. I don't want it. 1082 01:00:45,240 --> 01:00:47,680 Speaker 1: Do you think that? Do you think that Bowen? I 1083 01:00:47,760 --> 01:00:52,120 Speaker 1: don't know about you and a Fedora. I certainly not, Cody, 1084 01:00:52,200 --> 01:00:54,560 Speaker 1: I guess I kind of I see you in the Fedora. 1085 01:00:54,640 --> 01:00:58,480 Speaker 1: I really if anyone, if anyone can like be the 1086 01:00:58,520 --> 01:01:02,640 Speaker 1: Britney Spears, like in an sir in fashion and the culture. 1087 01:01:02,800 --> 01:01:06,120 Speaker 1: It could be you excuse me giving guys and dolls. 1088 01:01:06,240 --> 01:01:09,080 Speaker 1: I'm not here for that. Do you know what I 1089 01:01:09,200 --> 01:01:11,360 Speaker 1: just realized again that we have to talk about is 1090 01:01:11,400 --> 01:01:16,440 Speaker 1: your Mickey Mouse tattoo. I'm not a Disney adult otherwise. 1091 01:01:17,360 --> 01:01:20,120 Speaker 1: I do appreciate going to the parks from time to time. 1092 01:01:21,080 --> 01:01:24,040 Speaker 1: But I have a lot of Mickey. I have a 1093 01:01:24,080 --> 01:01:26,919 Speaker 1: lot of Mickey apparel. I think Mickey is a pop 1094 01:01:27,080 --> 01:01:34,560 Speaker 1: culture Americana icon, no doubt, and Disney adult. So I 1095 01:01:34,640 --> 01:01:37,360 Speaker 1: just want to get this the facts together. Okay, So 1096 01:01:37,440 --> 01:01:39,640 Speaker 1: we let's get the facts together then, because I would say, 1097 01:01:39,680 --> 01:01:41,760 Speaker 1: and Bowen, let me know if you agree that having 1098 01:01:41,920 --> 01:01:44,760 Speaker 1: a lot of merch and having a tattoo of Mickey 1099 01:01:44,840 --> 01:01:47,280 Speaker 1: on your bicep does make it more of a Disney 1100 01:01:47,320 --> 01:01:49,600 Speaker 1: adult than like not going to the parks like I 1101 01:01:49,640 --> 01:01:52,040 Speaker 1: don't know, once every couple of months. No, Matt, I 1102 01:01:52,080 --> 01:01:55,720 Speaker 1: think Cody is like an our in our fantasy where 1103 01:01:55,840 --> 01:01:59,720 Speaker 1: we do not identify as Disney adults either. But you 1104 01:02:00,200 --> 01:02:02,480 Speaker 1: know we love to funk it up at the parks, 1105 01:02:03,840 --> 01:02:08,160 Speaker 1: the parks, We really do that. It's about enjoying. It's 1106 01:02:08,200 --> 01:02:11,680 Speaker 1: about just going there and enjoying. You so right, king, 1107 01:02:12,360 --> 01:02:16,440 Speaker 1: well what what what? What? What? No? I was promised 1108 01:02:16,640 --> 01:02:19,600 Speaker 1: one chaperone trip to Disney after doing Dance with the Stars, 1109 01:02:19,600 --> 01:02:21,440 Speaker 1: and I have not I have not cashed in that 1110 01:02:21,520 --> 01:02:25,000 Speaker 1: token yet, and so I'm waiting, what which one World 1111 01:02:25,120 --> 01:02:28,800 Speaker 1: or World or Land. I think I think you've got 1112 01:02:28,880 --> 01:02:31,080 Speaker 1: to go to World. Then if they're offering you the opportunity, 1113 01:02:31,120 --> 01:02:33,240 Speaker 1: you have to go to World. And also, like I 1114 01:02:33,400 --> 01:02:36,280 Speaker 1: know for a fact that Kenya Moore they took her 1115 01:02:36,400 --> 01:02:40,520 Speaker 1: down to Disney World, and they did they when she 1116 01:02:40,720 --> 01:02:44,000 Speaker 1: was on they were literally doing like pieces in in 1117 01:02:44,080 --> 01:02:46,240 Speaker 1: front of Rise of the Resistance, like her and her 1118 01:02:46,360 --> 01:02:48,920 Speaker 1: dance partner, and she brought her daughter in Brooklyn and 1119 01:02:48,960 --> 01:02:51,400 Speaker 1: she was like, I'm so excited to be in Disney World. 1120 01:02:51,520 --> 01:02:56,600 Speaker 1: And it was like definitely like packaged pieces exactly. And 1121 01:02:56,720 --> 01:02:59,280 Speaker 1: you were on this season prior to mis more correct, No, 1122 01:02:59,400 --> 01:03:03,360 Speaker 1: we're in the same Why didn't they bring you down? Bitch? 1123 01:03:03,400 --> 01:03:06,240 Speaker 1: I had COVID and I was sick. That's why. Oh 1124 01:03:06,360 --> 01:03:09,240 Speaker 1: my god, yes you were. You iconically had COVID during 1125 01:03:09,280 --> 01:03:12,000 Speaker 1: the com It was tragic. It was really tradic. That 1126 01:03:12,080 --> 01:03:20,040 Speaker 1: was what she is, you know what our relationship it 1127 01:03:20,080 --> 01:03:21,680 Speaker 1: took a while to like warm up to each other. 1128 01:03:21,720 --> 01:03:24,680 Speaker 1: It was hard really for the first three weeks. Yeah, 1129 01:03:24,760 --> 01:03:27,560 Speaker 1: just because we're both too strong personality. She's been in 1130 01:03:27,600 --> 01:03:30,040 Speaker 1: the game for a really long time, and I think 1131 01:03:30,040 --> 01:03:32,000 Speaker 1: we butted heads for like the first few weeks, not 1132 01:03:32,040 --> 01:03:33,680 Speaker 1: even butted heads, but I was just like I had 1133 01:03:33,720 --> 01:03:36,560 Speaker 1: to absorb a lot. But then I started to really 1134 01:03:36,720 --> 01:03:41,600 Speaker 1: understand understand her and also understand that whole machine, and 1135 01:03:41,640 --> 01:03:43,560 Speaker 1: I had so much more respect and love for her 1136 01:03:43,920 --> 01:03:46,600 Speaker 1: once I like sat in that ballroom more and more, 1137 01:03:46,680 --> 01:03:52,360 Speaker 1: because that whole process is like mental and emotional, just gymnastics, 1138 01:03:52,520 --> 01:03:54,760 Speaker 1: and it takes so much to be in that space, 1139 01:03:54,880 --> 01:03:59,080 Speaker 1: like a competition like that live. So like my respect 1140 01:03:59,120 --> 01:04:01,640 Speaker 1: for her group so much throughout the process, just like 1141 01:04:02,000 --> 01:04:06,200 Speaker 1: observing her and like, yeah, and you did incredible. I 1142 01:04:06,240 --> 01:04:09,520 Speaker 1: mean that's like second runner up. Thank you so much, 1143 01:04:10,400 --> 01:04:13,200 Speaker 1: not for nothing. It was great. I mean it was great. 1144 01:04:13,200 --> 01:04:14,200 Speaker 1: I'm so glad I did it, but I was so 1145 01:04:14,280 --> 01:04:17,360 Speaker 1: happy it was over. Like I just like I was 1146 01:04:17,400 --> 01:04:19,480 Speaker 1: just like, Okay, I did that. I did that. It's 1147 01:04:19,520 --> 01:04:21,880 Speaker 1: over great. Oh And that was when that was when 1148 01:04:21,880 --> 01:04:24,200 Speaker 1: you had your classes and like the l A store 1149 01:04:24,360 --> 01:04:28,080 Speaker 1: or something, and then yeah, there was a store in Venice. Yeah, 1150 01:04:28,320 --> 01:04:29,600 Speaker 1: and it was like it was such it was it 1151 01:04:29,680 --> 01:04:31,440 Speaker 1: was like it was very jarring for me to like 1152 01:04:31,760 --> 01:04:33,680 Speaker 1: very make shift. It was very make shift when we 1153 01:04:33,760 --> 01:04:38,400 Speaker 1: made it happen. And I appreciate Peloton's um help. I mean, 1154 01:04:38,440 --> 01:04:39,840 Speaker 1: I'm sure, I'm sure you get this all the time, 1155 01:04:39,880 --> 01:04:42,880 Speaker 1: but like, um, I'm literally telling you what you've heard 1156 01:04:42,920 --> 01:04:47,400 Speaker 1: from every other single single from from from Katie's. But like, 1157 01:04:47,640 --> 01:04:50,040 Speaker 1: I really it really was a thing where Cody was 1158 01:04:50,160 --> 01:04:52,360 Speaker 1: like keeping me like it was like a friend that like, 1159 01:04:52,640 --> 01:04:56,880 Speaker 1: especially in like early lockdown. UM, I was like fuck it, 1160 01:04:56,920 --> 01:04:59,400 Speaker 1: I'm getting a fucking Peloton like I can't, I can't, 1161 01:04:59,480 --> 01:05:02,240 Speaker 1: I can't do this. Um. And then it was like 1162 01:05:02,640 --> 01:05:04,840 Speaker 1: discovering Cody and being like, oh, he's the only one 1163 01:05:04,880 --> 01:05:07,080 Speaker 1: who plays the ship. I like great. Then like he's 1164 01:05:07,120 --> 01:05:10,080 Speaker 1: my guy, and it was just like oh great, Like 1165 01:05:10,760 --> 01:05:12,640 Speaker 1: Cody is just like and you you got you guys 1166 01:05:12,720 --> 01:05:15,880 Speaker 1: all like keep it positive, which I know it sounds 1167 01:05:16,080 --> 01:05:18,280 Speaker 1: not trivial, but I know it sounds like oh sure, 1168 01:05:18,400 --> 01:05:21,040 Speaker 1: like it's a that that feels implicit, but it's like 1169 01:05:21,200 --> 01:05:25,080 Speaker 1: it's so hard to do. It's very hard to keep 1170 01:05:25,120 --> 01:05:27,800 Speaker 1: it like real, but light no that's kind of always 1171 01:05:27,840 --> 01:05:29,919 Speaker 1: the real that that is kind of all a rule 1172 01:05:30,040 --> 01:05:31,920 Speaker 1: for me. It's like you can talk about deep stuff 1173 01:05:31,920 --> 01:05:34,120 Speaker 1: where you can kind of get a little like I 1174 01:05:34,120 --> 01:05:35,920 Speaker 1: don't want to say, yeah, you can get negative or 1175 01:05:35,960 --> 01:05:38,040 Speaker 1: bring bring up stuff that might be uncomfortable, but you've 1176 01:05:38,040 --> 01:05:41,040 Speaker 1: gotta always gotta find a way to like not spin it, 1177 01:05:41,160 --> 01:05:44,000 Speaker 1: but like find the positive in it, like people are 1178 01:05:44,040 --> 01:05:45,520 Speaker 1: because people are coming to the class, I don't want 1179 01:05:45,520 --> 01:05:46,680 Speaker 1: to They don't want to be down. They want to 1180 01:05:46,680 --> 01:05:50,160 Speaker 1: be you know. Like so that's the rule that has 1181 01:05:50,240 --> 01:05:53,520 Speaker 1: to be tough though, like to be effusive all the time. 1182 01:05:53,920 --> 01:05:55,560 Speaker 1: You know what I mean? Like that is that is 1183 01:05:55,640 --> 01:05:58,440 Speaker 1: like texting well in that space it's only for like 1184 01:05:58,480 --> 01:06:01,560 Speaker 1: thirty or forty five minutes. But I see, right even 1185 01:06:01,600 --> 01:06:04,040 Speaker 1: this like summer, I've come to like like butt heads 1186 01:06:04,080 --> 01:06:06,320 Speaker 1: with it. Like sometimes I'm like I'm not in a 1187 01:06:06,400 --> 01:06:08,440 Speaker 1: great mood and I have to turn it off. You know, 1188 01:06:08,920 --> 01:06:13,439 Speaker 1: I'm sure, I'm sure with you this summer with Fireland movie, 1189 01:06:13,520 --> 01:06:16,480 Speaker 1: like you you had a lot more bombardment of people 1190 01:06:16,640 --> 01:06:19,400 Speaker 1: and like having to turn it on more often. No, 1191 01:06:20,040 --> 01:06:23,360 Speaker 1: definitely it was more than it would have been. Although 1192 01:06:23,400 --> 01:06:25,560 Speaker 1: I kind of I think and maybe Bowen thinks this too, 1193 01:06:25,680 --> 01:06:29,440 Speaker 1: but like there was so obviously an endpoint to everything 1194 01:06:29,600 --> 01:06:31,960 Speaker 1: we were doing. It just feel like and we were 1195 01:06:32,000 --> 01:06:34,800 Speaker 1: so grateful for this, but because the movie was successful 1196 01:06:34,840 --> 01:06:37,520 Speaker 1: and that people really enjoyed it, the the the like 1197 01:06:37,680 --> 01:06:40,000 Speaker 1: press of it all and the conversation around it felt 1198 01:06:40,040 --> 01:06:42,360 Speaker 1: like and also the Pride Month of it all felt 1199 01:06:42,400 --> 01:06:45,560 Speaker 1: like it kept going, which is like, you know what 1200 01:06:45,600 --> 01:06:50,400 Speaker 1: I mean, bo totally, But I think people are also 1201 01:06:50,520 --> 01:06:53,520 Speaker 1: more understanding now. It's not like not to compare ourselves 1202 01:06:53,600 --> 01:06:57,040 Speaker 1: to like Britney Spears when she was of her fame, 1203 01:06:57,440 --> 01:06:59,960 Speaker 1: but like that was a completely different culture around fame work. 1204 01:07:00,040 --> 01:07:03,120 Speaker 1: It was like there was no compassion whatsoever or empathy 1205 01:07:03,280 --> 01:07:05,600 Speaker 1: or like understand what this person would be going through. 1206 01:07:05,760 --> 01:07:07,720 Speaker 1: And I think, like I think, I think anyone anyone 1207 01:07:07,800 --> 01:07:09,720 Speaker 1: can understand that, Like we are just real people and 1208 01:07:09,840 --> 01:07:11,880 Speaker 1: like you know, when we like you know, are walking 1209 01:07:11,920 --> 01:07:14,200 Speaker 1: around and they want to say hello, and it's and 1210 01:07:14,280 --> 01:07:16,800 Speaker 1: it's it's lovely. I think I think people are very 1211 01:07:16,840 --> 01:07:20,040 Speaker 1: respect very it's lovely and especially because you're you're doing, 1212 01:07:20,840 --> 01:07:22,960 Speaker 1: you're having a positive impact on people. You can't be 1213 01:07:23,040 --> 01:07:25,960 Speaker 1: mad at someone, you can't be mad or like upset 1214 01:07:26,120 --> 01:07:27,800 Speaker 1: that someone's going to tell you that like you had 1215 01:07:27,880 --> 01:07:31,680 Speaker 1: a positive influence on their life. You know, it makes 1216 01:07:31,760 --> 01:07:36,760 Speaker 1: me happy and smile every single time. Every This actually 1217 01:07:36,840 --> 01:07:38,840 Speaker 1: dovetails nicely into my I don't think so, honey, So 1218 01:07:38,960 --> 01:07:42,600 Speaker 1: should be transition though it Oh my god, this is like, guys, 1219 01:07:42,720 --> 01:07:48,080 Speaker 1: this is like lip sinking for my life. Like better 1220 01:07:48,160 --> 01:07:50,960 Speaker 1: get a fucking legendary legend star after you're getting one. 1221 01:07:51,040 --> 01:07:53,040 Speaker 1: You're getting one. Everyone gets one. It's it's like a 1222 01:07:53,120 --> 01:07:59,640 Speaker 1: participation trophy, which it often was on Drag Race. Don't 1223 01:07:59,640 --> 01:08:01,240 Speaker 1: even really I mean that it was just like right 1224 01:08:01,280 --> 01:08:11,360 Speaker 1: there for me. Okay, So this is I don't think 1225 01:08:11,400 --> 01:08:14,080 Speaker 1: so funny. Is a sixty second segment where Bowen Yang, 1226 01:08:14,320 --> 01:08:16,880 Speaker 1: Matt Rodgers, that's me and our guest today that happens 1227 01:08:16,880 --> 01:08:18,960 Speaker 1: to be Cody Riggs, b third co host Energy All 1228 01:08:19,000 --> 01:08:22,320 Speaker 1: the Do Not Day. We um all take a minute 1229 01:08:22,640 --> 01:08:24,920 Speaker 1: to rant against something in culture that deserves to be 1230 01:08:24,960 --> 01:08:28,400 Speaker 1: absolutely dragged and bow and I do have something. Okay, 1231 01:08:29,120 --> 01:08:32,360 Speaker 1: this is Matt Rodgers. I don't think sonny, his time 1232 01:08:32,479 --> 01:08:34,720 Speaker 1: starts now. I don't think so, honey, the way that 1233 01:08:34,800 --> 01:08:37,160 Speaker 1: we did and hait like if you really look back 1234 01:08:37,240 --> 01:08:39,479 Speaker 1: to the beginning of when she became super famous, it 1235 01:08:39,600 --> 01:08:42,120 Speaker 1: was extremely homophobic. And then when she was having struggles 1236 01:08:42,160 --> 01:08:45,200 Speaker 1: with her mental health, like she was derided and her 1237 01:08:45,240 --> 01:08:48,160 Speaker 1: career was basically destroyed. If you look back at her work, 1238 01:08:48,600 --> 01:08:51,600 Speaker 1: like taking out the way that she passed completely like 1239 01:08:51,840 --> 01:08:56,559 Speaker 1: this was an incredibly talented actor, like watch birth Watch 1240 01:08:56,720 --> 01:09:00,680 Speaker 1: six Days, seven Nights, watch um, you know, like her 1241 01:09:00,880 --> 01:09:02,880 Speaker 1: entire body of work, so I know what you did 1242 01:09:02,960 --> 01:09:05,120 Speaker 1: last summer. Like there's just so many things that she 1243 01:09:05,320 --> 01:09:06,840 Speaker 1: was in that you forget she was in because she 1244 01:09:06,960 --> 01:09:09,639 Speaker 1: was so in the fabric of movies, like the Psycho 1245 01:09:10,000 --> 01:09:12,599 Speaker 1: Um remake that they did in ninety eight Gus Fans 1246 01:09:12,680 --> 01:09:14,880 Speaker 1: and the remakeup Psycho Shot for shot. It is so 1247 01:09:15,080 --> 01:09:18,280 Speaker 1: incredibly difficult to do to be iconic and be singular 1248 01:09:18,320 --> 01:09:21,519 Speaker 1: in a shot by shot remix but remake, but she 1249 01:09:21,720 --> 01:09:24,800 Speaker 1: was in a remix, and Hayes was incredibly talented, Like 1250 01:09:25,080 --> 01:09:28,479 Speaker 1: she passed away in a tragic way. Obviously she could 1251 01:09:28,479 --> 01:09:30,320 Speaker 1: have heard a lot of people. But I feel like 1252 01:09:30,400 --> 01:09:33,320 Speaker 1: we have to just remember the positive and not drag 1253 01:09:33,720 --> 01:09:36,880 Speaker 1: these especially women who are having real life struggles. And 1254 01:09:36,920 --> 01:09:38,479 Speaker 1: I just think we need to be more compassionate about 1255 01:09:38,479 --> 01:09:40,840 Speaker 1: people who are having mental health struggles. This is my 1256 01:09:40,880 --> 01:09:44,439 Speaker 1: I don't think so. And that's one I just I've 1257 01:09:44,520 --> 01:09:47,519 Speaker 1: been thinking so much about, Like you know, obviously, like 1258 01:09:47,640 --> 01:09:49,720 Speaker 1: the way she died was like a sensational thing, Like 1259 01:09:49,840 --> 01:09:51,840 Speaker 1: it was crazy. Who knows what she was going through 1260 01:09:52,160 --> 01:09:54,880 Speaker 1: and she could have hurt someone, and thank god, the 1261 01:09:55,360 --> 01:09:57,880 Speaker 1: woman that who's home that she crashed into was okay, 1262 01:09:57,920 --> 01:10:00,959 Speaker 1: and so were her pets, Like there was very minor injuries. 1263 01:10:01,040 --> 01:10:03,320 Speaker 1: But you know, I think that this was someone who 1264 01:10:03,400 --> 01:10:06,759 Speaker 1: was very obviously for decades dealing with like serious mental 1265 01:10:06,840 --> 01:10:11,400 Speaker 1: health situations, and I just wish that we always could 1266 01:10:11,400 --> 01:10:12,960 Speaker 1: have been this compassionate, like you think about it with 1267 01:10:13,040 --> 01:10:15,320 Speaker 1: Brittany too. Obviously we talked about it so much, but 1268 01:10:15,439 --> 01:10:17,920 Speaker 1: like I don't know, just leave people alone. And she 1269 01:10:18,120 --> 01:10:20,479 Speaker 1: was like an incredibly smart and talented woman. And it's 1270 01:10:20,479 --> 01:10:23,120 Speaker 1: a shame that she's not around to do more stuff 1271 01:10:23,120 --> 01:10:26,240 Speaker 1: because she was always good. And talk about someone who 1272 01:10:26,320 --> 01:10:29,960 Speaker 1: was very singular, who had a very specific individual identity 1273 01:10:30,280 --> 01:10:34,439 Speaker 1: and energy as a performer. That's her, and she's we 1274 01:10:34,600 --> 01:10:36,760 Speaker 1: are worse off for not being able to watch more 1275 01:10:36,760 --> 01:10:41,040 Speaker 1: of her stuff. Yeah, that's all that's all really so sad, 1276 01:10:41,800 --> 01:10:44,920 Speaker 1: so sad, but yeah, don't make fun of people that 1277 01:10:45,200 --> 01:10:47,080 Speaker 1: that are that are going through mental health stuff. It's 1278 01:10:47,240 --> 01:10:52,880 Speaker 1: that that's really dark, like literally said that a chromatical ball. Yeah, compassion. 1279 01:10:53,080 --> 01:10:56,280 Speaker 1: She had compassion for people with mental illness. Because if you, 1280 01:10:56,439 --> 01:10:59,040 Speaker 1: if you, if you twittered like hashtag and has like 1281 01:10:59,120 --> 01:11:02,000 Speaker 1: even after her death, loud Twitter was dark. It was 1282 01:11:02,200 --> 01:11:06,080 Speaker 1: really rough. It's not gonna be good. It's not, of course, 1283 01:11:06,080 --> 01:11:08,880 Speaker 1: because it's Twitter, but you know, just just something to 1284 01:11:08,920 --> 01:11:12,240 Speaker 1: remember the girls dragging her on Twitter. Oh yeah, just 1285 01:11:12,560 --> 01:11:14,400 Speaker 1: just making a punch line out of it, which is 1286 01:11:14,560 --> 01:11:18,840 Speaker 1: so fun. I think maybe people thought because she didn't 1287 01:11:18,880 --> 01:11:20,880 Speaker 1: die right away that it was okay to make jokes 1288 01:11:20,920 --> 01:11:31,360 Speaker 1: about but um, yeah, because I mean anyway, but yeah, 1289 01:11:31,520 --> 01:11:33,400 Speaker 1: I think this is an important one and I think 1290 01:11:33,400 --> 01:11:36,040 Speaker 1: I'm sure you guys will a great important even this 1291 01:11:36,160 --> 01:11:38,400 Speaker 1: is bonus. I don't think so, honey. His time starts now. 1292 01:11:38,760 --> 01:11:41,479 Speaker 1: I don't think so, honey. The Delta sky Lounge having 1293 01:11:41,560 --> 01:11:46,640 Speaker 1: for tatas and not scrambled eggs. When I want breakfast 1294 01:11:46,800 --> 01:11:49,080 Speaker 1: effort an early flight, and I go to the Delta 1295 01:11:49,160 --> 01:11:52,320 Speaker 1: sky Lounge, which I have heard my place in I 1296 01:11:52,439 --> 01:11:54,599 Speaker 1: have I've built up the credit to have a platinum 1297 01:11:54,720 --> 01:11:57,960 Speaker 1: m X card, so I can what get into the club, 1298 01:11:58,360 --> 01:12:01,439 Speaker 1: the space, the fantasy of the Delta Sky Lounge. Get 1299 01:12:01,520 --> 01:12:03,559 Speaker 1: welcome to the one of Laguardy this morning. And all 1300 01:12:03,640 --> 01:12:06,080 Speaker 1: I wanted was a scrambled egg and two bacon strips. 1301 01:12:06,320 --> 01:12:09,479 Speaker 1: But no, what do I get instead? Egg white and 1302 01:12:09,880 --> 01:12:14,919 Speaker 1: sausage and pork sausage? No, honey, I wanted a specific fantasy, 1303 01:12:15,000 --> 01:12:16,640 Speaker 1: and you were not able to afford that to me. 1304 01:12:17,240 --> 01:12:21,040 Speaker 1: I loved the cantaloupe, loved the berries, loved the bagel, 1305 01:12:21,080 --> 01:12:25,360 Speaker 1: even had they had a fucking and cream cheese for 1306 01:12:25,479 --> 01:12:29,000 Speaker 1: your nerve. But I needed the scrambled eggs, Like all 1307 01:12:29,080 --> 01:12:31,400 Speaker 1: we need scrambled eggs. Don't make it fancy. Don't give 1308 01:12:31,439 --> 01:12:34,280 Speaker 1: me a little circle, little hockey puck of eggs. I 1309 01:12:34,439 --> 01:12:39,480 Speaker 1: want a nice, fluffy, little mound of egg and cholesterol. 1310 01:12:39,800 --> 01:12:43,519 Speaker 1: And that's one minute. I think that every Katie listening 1311 01:12:43,640 --> 01:12:46,880 Speaker 1: right now can identify with that one because Delta Sky 1312 01:12:47,040 --> 01:12:51,040 Speaker 1: Lounge complaint. All the kids are Delta Gold, not platinum, 1313 01:12:51,080 --> 01:12:56,559 Speaker 1: not diamond, but I mean Deltas. Deltas are that are that? Girl? Um? Yeah, 1314 01:12:56,640 --> 01:12:58,800 Speaker 1: I will say I, I too, have worked up my 1315 01:12:58,880 --> 01:13:01,120 Speaker 1: points to become a member of the adulta sky Lounge 1316 01:13:01,160 --> 01:13:04,360 Speaker 1: and those fritatas don't look good and just make it. 1317 01:13:05,560 --> 01:13:08,479 Speaker 1: What is the big deal? And no ice coffee in 1318 01:13:08,520 --> 01:13:13,120 Speaker 1: the Delta Lounge. We need ice coffees in the Delta 1319 01:13:13,240 --> 01:13:20,920 Speaker 1: Lounge period period. People are turning this off. It's true 1320 01:13:22,240 --> 01:13:24,519 Speaker 1: that it's crazy they don't have it. Like I said, 1321 01:13:24,600 --> 01:13:26,439 Speaker 1: it is crazy, they don't have it. They don't have 1322 01:13:26,520 --> 01:13:30,280 Speaker 1: ice coffee. No. I mean you can make it. You 1323 01:13:30,400 --> 01:13:33,880 Speaker 1: could make it, but you know that's the worst. Don't 1324 01:13:34,040 --> 01:13:39,559 Speaker 1: don't walk around with us. You make it before they 1325 01:13:39,600 --> 01:13:42,600 Speaker 1: get before they get CoFe. Listen, I'll take a Celsius, 1326 01:13:42,760 --> 01:13:45,240 Speaker 1: I love a self. How did Celsius become that girl? 1327 01:13:45,360 --> 01:13:47,880 Speaker 1: Like she really became that girl out of nowhere? Which 1328 01:13:47,960 --> 01:13:51,760 Speaker 1: here's here's what happened. Jonah Hill was fucking chugging them 1329 01:13:51,800 --> 01:13:54,280 Speaker 1: on the set of Don't Look Up, and then he 1330 01:13:54,439 --> 01:13:59,160 Speaker 1: recommended it to everyone. Leo, Meryl Streep, you know, fucking 1331 01:13:59,600 --> 01:14:01,759 Speaker 1: caplain if this is how she became the girl. Literally, 1332 01:14:01,920 --> 01:14:03,680 Speaker 1: I think this is part of I think Jonah Hill, 1333 01:14:04,000 --> 01:14:05,720 Speaker 1: I'm not I'm not I'm not even lying. This is 1334 01:14:05,840 --> 01:14:08,519 Speaker 1: t like Jonah Hill was like their brand ambassador, wasn't 1335 01:14:08,520 --> 01:14:10,559 Speaker 1: even getting paid. He was just like, this stuff is amazing. 1336 01:14:10,640 --> 01:14:15,320 Speaker 1: I don't crash. It's the flavors are cute. I don't. 1337 01:14:15,479 --> 01:14:17,200 Speaker 1: I don't crash. I think someone. I think it's because 1338 01:14:17,200 --> 01:14:18,599 Speaker 1: someone told me you don't crash on these, and it's 1339 01:14:18,640 --> 01:14:22,240 Speaker 1: placebon and I just believe in my body is probably yeah. 1340 01:14:22,280 --> 01:14:25,040 Speaker 1: Becca Becca confirms they have a Starbucks machine to make 1341 01:14:25,080 --> 01:14:28,120 Speaker 1: hot lattez, but no ice. It's not Europe. It's like 1342 01:14:28,200 --> 01:14:30,880 Speaker 1: they sell it at the grocery store now. They sell big, big, 1343 01:14:31,040 --> 01:14:34,960 Speaker 1: big things of ice coffees crafted that even. I also 1344 01:14:35,120 --> 01:14:38,600 Speaker 1: feel like most gay people who drink ice coffee, we 1345 01:14:38,760 --> 01:14:42,719 Speaker 1: know this. They are Delta, like most gay people are Delta. 1346 01:14:42,760 --> 01:14:47,599 Speaker 1: I feel I think Deltas get the gay airline, right, yeah, yeah, 1347 01:14:47,680 --> 01:14:51,639 Speaker 1: I mean that's that's just that's something I'm surmising. These Delta, 1348 01:14:51,680 --> 01:14:55,360 Speaker 1: these Delta sky lounges have some like there was a 1349 01:14:55,479 --> 01:14:58,519 Speaker 1: family bathroom, which like whatever, like if you like meet 1350 01:14:58,600 --> 01:15:01,960 Speaker 1: someone there then right, But there was literally at LaGuardia, 1351 01:15:01,960 --> 01:15:03,800 Speaker 1: at this room next to the family bathroom that I 1352 01:15:03,880 --> 01:15:05,920 Speaker 1: open because they need to go to the bathroom, and 1353 01:15:05,960 --> 01:15:09,280 Speaker 1: it was just a sink and a chair and a 1354 01:15:09,360 --> 01:15:11,439 Speaker 1: hand dryer. There was no toilet, and I go, oh, 1355 01:15:11,520 --> 01:15:15,840 Speaker 1: this is just a fucking room. This is just a 1356 01:15:15,960 --> 01:15:19,160 Speaker 1: room for fucking, which which is actually very queer. And 1357 01:15:19,200 --> 01:15:20,560 Speaker 1: if they can do that, then might not have the 1358 01:15:20,600 --> 01:15:22,519 Speaker 1: ice coffees. But what status do you have to be 1359 01:15:22,640 --> 01:15:25,560 Speaker 1: to get into that bathroom? I don't know. I don't know. 1360 01:15:26,400 --> 01:15:33,720 Speaker 1: I don't know. Good questions. Yang hooked up in the 1361 01:15:33,760 --> 01:15:39,240 Speaker 1: Barcelona airport. Congratulations, it was it was crazy. It was so, 1362 01:15:39,520 --> 01:15:42,080 Speaker 1: it was it was crazy. I was felt like it 1363 01:15:42,160 --> 01:15:50,439 Speaker 1: was in a porn Now anyway, oh all right, you ready? Boom, 1364 01:15:50,520 --> 01:15:54,280 Speaker 1: okay bone Yang? Are you gonna are you gonna time 1365 01:15:54,360 --> 01:15:57,040 Speaker 1: him all time? All time him? This is Cony Rigsby's 1366 01:15:57,040 --> 01:15:59,479 Speaker 1: I don't think so, honey. His time starts now. I 1367 01:15:59,560 --> 01:16:04,760 Speaker 1: don't think so honey. Be real, Okay, I have enough 1368 01:16:04,840 --> 01:16:06,880 Speaker 1: social media apps on my phone. I don't need any 1369 01:16:06,920 --> 01:16:12,120 Speaker 1: more distractions. Um. Also, I'm a millennial. I like things 1370 01:16:12,160 --> 01:16:14,519 Speaker 1: to be curated. I like things to be creative. I 1371 01:16:14,600 --> 01:16:15,880 Speaker 1: need a little bit of face to him. I need 1372 01:16:15,880 --> 01:16:20,000 Speaker 1: a little bit of filter. So please, no be real, No, 1373 01:16:20,200 --> 01:16:23,880 Speaker 1: be real. I I scroll every day. Is depressing, it's doomsday, 1374 01:16:24,120 --> 01:16:26,800 Speaker 1: it's political news. I don't need to see you and 1375 01:16:26,840 --> 01:16:29,519 Speaker 1: the guynecologist. I don't need to see your hot like 1376 01:16:30,560 --> 01:16:34,360 Speaker 1: you know, I just don't need any of that. And 1377 01:16:34,479 --> 01:16:37,160 Speaker 1: let's be honest, be real. Are you being real? Because 1378 01:16:37,280 --> 01:16:39,240 Speaker 1: the rules have changed. You used to be able to 1379 01:16:39,640 --> 01:16:42,240 Speaker 1: upload your be real within a limited amount of time, 1380 01:16:42,320 --> 01:16:44,400 Speaker 1: and now you can be late to your be real? 1381 01:16:45,160 --> 01:16:48,960 Speaker 1: Is it? Is it? Be real? It's sounding a little 1382 01:16:49,520 --> 01:16:54,880 Speaker 1: be fake to me. The Fairy the Pines affairries right 1383 01:16:55,000 --> 01:16:56,720 Speaker 1: picture and they wanted me to be in there. Be real. 1384 01:16:56,760 --> 01:16:59,679 Speaker 1: It's the worst picture I've ever take. Be real about 1385 01:16:59,720 --> 01:17:04,200 Speaker 1: his ellis Taylor Swift. I can't believe this one, and 1386 01:17:04,280 --> 01:17:06,640 Speaker 1: that's why admitted on that. But it couldn't help. But 1387 01:17:07,000 --> 01:17:11,400 Speaker 1: throwing one last jab at her, at our queen, I 1388 01:17:11,520 --> 01:17:15,880 Speaker 1: have to say, be realist getting more boring. It's not 1389 01:17:16,280 --> 01:17:19,920 Speaker 1: it's not last thing, It's not. It's like, you know, 1390 01:17:20,760 --> 01:17:26,880 Speaker 1: the tail is oldest time, Okay, period period. I think 1391 01:17:27,360 --> 01:17:29,640 Speaker 1: I think you know. Cody is being honest about the 1392 01:17:29,680 --> 01:17:31,920 Speaker 1: fact that part of the fun of other forms of 1393 01:17:31,960 --> 01:17:33,960 Speaker 1: social media is that you do get to curate, You 1394 01:17:34,040 --> 01:17:36,280 Speaker 1: do get to have some control over over what you 1395 01:17:36,439 --> 01:17:40,280 Speaker 1: show people, which is both the joy and the curse 1396 01:17:41,320 --> 01:17:43,680 Speaker 1: of the whole thing. Everybody wants attention. Everyone wants to 1397 01:17:43,680 --> 01:17:48,240 Speaker 1: show off, so like, there you go. But I will 1398 01:17:48,360 --> 01:17:52,479 Speaker 1: say though, like, because you don't have to do it 1399 01:17:52,600 --> 01:17:55,559 Speaker 1: within those two minutes, you can decide I'm just gonna 1400 01:17:55,600 --> 01:17:58,640 Speaker 1: be late today and curate something. So it's not like 1401 01:17:58,760 --> 01:18:02,720 Speaker 1: it's giving you no opperty unity to curate, but it's 1402 01:18:02,880 --> 01:18:05,680 Speaker 1: answer that's the but it is And this is of 1403 01:18:05,800 --> 01:18:10,160 Speaker 1: what it is because we were because it could be real. 1404 01:18:10,240 --> 01:18:13,240 Speaker 1: Happened on Cromatical Ball day, like right before we we 1405 01:18:13,360 --> 01:18:16,080 Speaker 1: left with the concert. But our friend Patrick goes, I'm 1406 01:18:16,080 --> 01:18:18,280 Speaker 1: gonna take mine at the show, and I wanted to 1407 01:18:18,360 --> 01:18:21,840 Speaker 1: be like, well, that's not that's not being real. But also, 1408 01:18:21,960 --> 01:18:24,600 Speaker 1: where the funk are they at be Real Headquarters that 1409 01:18:24,720 --> 01:18:26,840 Speaker 1: they know the Gaga concert is happening in New York 1410 01:18:26,880 --> 01:18:28,360 Speaker 1: City that night and they're like, yeah, let's do it 1411 01:18:28,439 --> 01:18:32,160 Speaker 1: at two fift pm. Stupid fuckers. I don't think the 1412 01:18:32,200 --> 01:18:34,719 Speaker 1: people that be Real Headquarters know or care that chromatic 1413 01:18:34,760 --> 01:18:36,599 Speaker 1: A Ball is happening. Well, they need to hire more 1414 01:18:36,760 --> 01:18:38,840 Speaker 1: queer people then, And this is what I'm saying is 1415 01:18:38,880 --> 01:18:42,320 Speaker 1: be Real obviously doesn't have queer people working there. Hire 1416 01:18:42,439 --> 01:18:45,240 Speaker 1: more queers now more. It is it is. It is 1417 01:18:45,320 --> 01:18:49,000 Speaker 1: for gen Zers mostly theory on that, but maybe maybe 1418 01:18:49,040 --> 01:18:51,559 Speaker 1: they're getting tired of it too. Is there anything below 1419 01:18:51,640 --> 01:18:56,000 Speaker 1: gen Z like younger Jan Alpha? Is that what they're called? 1420 01:18:56,720 --> 01:18:58,040 Speaker 1: You told me that. That's what you told me that 1421 01:18:58,080 --> 01:19:00,880 Speaker 1: that's what they're called. I'll find. First of all, don't 1422 01:19:00,960 --> 01:19:03,240 Speaker 1: point at me with your finger. You can take your 1423 01:19:03,280 --> 01:19:05,200 Speaker 1: finger and you go pointing at someone else if you 1424 01:19:05,280 --> 01:19:09,599 Speaker 1: have the big attitudes, because you have an attitude, it's true, 1425 01:19:09,760 --> 01:19:13,720 Speaker 1: it's which that's the chicest name. Yeah, it's really good 1426 01:19:13,920 --> 01:19:16,280 Speaker 1: until you get to gen Omega, which is like we'll 1427 01:19:16,280 --> 01:19:19,360 Speaker 1: be we'll be gone by then we'll be dead. Mama. There, 1428 01:19:19,360 --> 01:19:25,040 Speaker 1: they're gonna start sounding like co variance. It's gonna be 1429 01:19:25,120 --> 01:19:28,439 Speaker 1: O Macron generation. I'm gonna say, yeah, I remember what 1430 01:19:28,560 --> 01:19:35,000 Speaker 1: overcron meant something different, Matt. I think I put too 1431 01:19:35,120 --> 01:19:37,960 Speaker 1: much pressure on our guests to be third co host energy, 1432 01:19:38,040 --> 01:19:41,120 Speaker 1: but I think more And you want to know he's 1433 01:19:41,240 --> 01:19:44,240 Speaker 1: challenged us. He challenged us. That's what it was looking 1434 01:19:44,320 --> 01:19:48,040 Speaker 1: I'm dancing if you could see him now, Katie's so 1435 01:19:48,240 --> 01:19:52,840 Speaker 1: much happened on this episode. Fandom name, we were talking 1436 01:19:52,840 --> 01:19:58,479 Speaker 1: a we were challenged. Oh once the chromatical Ball and 1437 01:19:58,520 --> 01:20:01,040 Speaker 1: even though we were jet legged from our trip to Chromatica, 1438 01:20:01,160 --> 01:20:03,640 Speaker 1: we still came through about I think the three of 1439 01:20:03,720 --> 01:20:05,840 Speaker 1: us all had travel days today, right, We all came 1440 01:20:05,920 --> 01:20:08,280 Speaker 1: back from the place or had to go someplace else. 1441 01:20:08,479 --> 01:20:11,080 Speaker 1: But Cody, you traveled yesterday. Oh yeah, just want to 1442 01:20:11,200 --> 01:20:14,080 Speaker 1: fire on for the day. Wow, it must have been nice. 1443 01:20:14,240 --> 01:20:18,400 Speaker 1: I'll take it out of you. Literally, I woke up 1444 01:20:18,439 --> 01:20:20,559 Speaker 1: this morning. I was like, oh, thank you for coming 1445 01:20:20,600 --> 01:20:22,400 Speaker 1: out and took my whole life last time. Yeah, this 1446 01:20:22,479 --> 01:20:24,280 Speaker 1: was a fun app Thank you baby, thank you for 1447 01:20:24,400 --> 01:20:26,439 Speaker 1: having me. We finally made this happen. I feel like 1448 01:20:26,439 --> 01:20:29,680 Speaker 1: we've been talking about this for like months. Yeah, by 1449 01:20:29,760 --> 01:20:35,000 Speaker 1: popular demand and after my Yeah, yeah, it's just that 1450 01:20:35,120 --> 01:20:36,840 Speaker 1: is what it is. So we made it work. Um, 1451 01:20:37,520 --> 01:20:39,240 Speaker 1: we love you. I can't wait to see your next work. 1452 01:20:39,280 --> 01:20:41,840 Speaker 1: When the light hits you just right, baby, I'm always 1453 01:20:41,840 --> 01:20:47,000 Speaker 1: going to find that light. You will. Well. We end 1454 01:20:47,120 --> 01:20:53,920 Speaker 1: every episode with a song unique I'm the bar star 1455 01:20:55,080 --> 01:20:59,040 Speaker 1: uniforn is the uniform you put on when you perform. Okay, 1456 01:20:59,320 --> 01:21:02,639 Speaker 1: off book on the record, No no, no, I'm off book. Unheated. 1457 01:21:02,720 --> 01:21:04,479 Speaker 1: At the end of he did tip tip tip on 1458 01:21:04,600 --> 01:21:07,080 Speaker 1: hardwood floor. Some of it just some of it. Tip 1459 01:21:07,160 --> 01:21:12,240 Speaker 1: tip tip on hardwood floor, tross the floor, or give 1460 01:21:12,320 --> 01:21:16,360 Speaker 1: me face based based based yeah face card never God period. 1461 01:21:16,920 --> 01:21:18,960 Speaker 1: Eat it, eat it, eat it, eat it. I can't 1462 01:21:19,120 --> 01:21:22,599 Speaker 1: rest but listen to Eat It by Beyonce. Bye Bye 1463 01:21:22,640 --> 01:21:22,840 Speaker 1: Bye