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Speaker 1: Okay, podcast starts now, what's up everybody, and welcome to

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Speaker 1: a special edition Stradia Lab called Gatio Lab. That's right.

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Speaker 1: Today we are uplifting the LGBTQ plus and talking about

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Speaker 1: gay culture. Stradio Lab presents Gadia Lab presented by Big

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Speaker 1: Winni Players, presented by iHeartMedia.

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Speaker 2: Wow. When we were approached to do Gadio Lab by iHeartMedia, yeah,

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Speaker 2: at first we were ensure because we were sort of like,

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Speaker 2: our whole brand is straight straight culture, straight culture, yeah,

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Speaker 2: and unpacking it I don't even know. And we've spent

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Speaker 2: years researching it in libraries. Yeah, private institutions. They cost

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Speaker 2: a lot of money they joined. Yeah, like you know

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Speaker 2: the sort of military funded conservative research institutions that you

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Speaker 2: hear about that are primarily like for the military, but

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Speaker 2: they do fund some humanities and social sciences research and

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Speaker 2: that's sort of where we come in.

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Speaker 1: Yeah.

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Speaker 2: Yeah, yeah, And whenever we would go to those places,

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Speaker 2: there would never be a gay section. So we were like, well,

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Speaker 2: where do we even begin?

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Speaker 1: Yeah, and you know, people started to get mad at us. Yeah,

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Speaker 1: you know, because we just shown the spotlights so brightly on.

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Speaker 2: Straight culture and it was blinding.

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Speaker 1: It was blinding, and it was you know, people started

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Speaker 1: to say, hey, like, you know, there's other culture out.

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Speaker 2: There, right, Like you can shine an overhead spotlight on

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Speaker 2: straight culture, but maybe once in a while, just a

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Speaker 2: little vintage lamp, just a little a little sconce that's

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Speaker 2: just for gay culture. Maybe once every few years.

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Speaker 1: It could be tasteful.

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Speaker 2: Yeah, and we said, you know what, sure, why the

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Speaker 2: fuck not throw them a bone. They're going through a

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Speaker 2: lot this year, you know what, with multiple companies not

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Speaker 2: doing pride campaigns at all. Wait, yeah, well here's the thing. Yeah, okay,

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Speaker 2: so this is actually like really important. Basically, in the past,

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Speaker 2: everyone has done a pride campaign, so it's been hacked.

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Speaker 2: This year, it's actually indie to do a pride campaign

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Speaker 2: because the big companies are not doing them.

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Speaker 1: It's it's become indie to do prod.

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Speaker 2: Yeah. And actually it's like I'm like, you know, we

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Speaker 2: both have so much old material, old jokes that are

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Speaker 2: like making fun of corporate pride, and it's like you

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Speaker 2: can't say that anymore because now it's like make that's

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Speaker 2: like making fun of you know, sky Ferira, Like that's

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Speaker 2: like you're making fun of indie artists when you're making

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Speaker 2: fun of corporate pride.

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Speaker 1: Now pride going indie. It's sort of it is Skypierra.

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Speaker 1: It is how pop has gone indie exactly. Now, now

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Speaker 1: pop girls are indie girls and therefore they are pride.

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Speaker 2: Right, So pride used to be Katie Perry, yeah, and

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Speaker 2: now it's Caroline Pola.

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Speaker 1: Check exactly exactly.

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Speaker 2: And so you see, you know, you'll see a parade

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Speaker 2: and it'll be like, oh, I don't know, a float

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Speaker 2: that's ECU slata afloat that's you know, an independent record label.

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Speaker 2: A float that is a mom and pop pottery story.

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Speaker 2: Even all the floats are indie things rather than a

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Speaker 2: Target Starbucks. And so we thought, well, now's a better

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Speaker 2: the other time than ever to cash it. And we thought,

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Speaker 2: well we're indie, Yeah, we're indy and yeah, well.

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Speaker 1: Yeah we're indy coming from the iHeart station in midtown

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Speaker 1: Manhattan that's still indy.

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Speaker 2: Yeah, which is owned by Lockheed Martin. Literally the CBGB's

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Speaker 2: up today. But we're sort of like when a big

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Speaker 2: company has like a small team and they're like, well

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Speaker 2: that's a that's more of a startup environment. Like you guys,

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Speaker 2: just like we want you to play like you have

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Speaker 2: our own there's like a little everyone sits on a

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Speaker 2: ball rather than an office chair, and there's ping pong

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Speaker 2: and kombucha. Yeah that's what we are. And yeah, there's

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Speaker 2: taco Tuesdays and there are vegan options whatever whatever.

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Speaker 1: We're still indy.

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Speaker 2: So I guess I guess that's sort of a good

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Speaker 2: context for today. I don't want to put you on

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Speaker 2: the spot, but this was you immediately jumped on. This

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Speaker 2: was your passion project.

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Speaker 1: To be fair, I've been pushing this idea for years.

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Speaker 2: Yeah, you have been pushing this idea for years. Honestly,

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Speaker 2: from like when we started, you were like, you know,

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Speaker 2: it would be funny. We have a quarter of single episode.

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Speaker 2: You know it would be funny if like year four

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Speaker 2: we did Gatio lab where we do a gay topic.

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Speaker 1: I actually do think it will be funny, and I

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Speaker 1: stand by it. Yeah. I you know, anytime there's sort

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Speaker 1: of a flip where it's like, you know, the sitcom,

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Speaker 1: suddenly it's about the secondary character a bottle episode.

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Speaker 2: This is sort of a bottle episode even Yeah, and

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Speaker 2: I love that. So I think that's sort of what

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Speaker 2: I was hoping for. And if it flops, I want

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Speaker 2: to say it's not my fault. No, it's my heart's

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Speaker 2: fault because they asked for it and I pushed for it.

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Speaker 2: So yeah, So basically that's the fantasy. I think that's

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Speaker 2: the fantasy, you know. I also want to say I'm

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Speaker 2: in a sort of place right now where I am

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Speaker 2: pounding the Jon Diddian alarm in the sense that I

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Speaker 2: am needing to tell myself stories in order to live. Huh,

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Speaker 2: Because you know, when you have nothing in your own

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Speaker 2: life that is interesting enough to really lead with, and

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Speaker 2: you're like, well, this is where fiction comes in. So

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Speaker 2: I am in the mood to be in a heightened reality.

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Speaker 2: I'm in the mood to be in full costume on

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Speaker 2: a stage, and I'm in the mood to get a

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Speaker 2: little crazy. I'm glad.

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Speaker 1: I'm trying to think if I'm in the same mood

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Speaker 1: or yeah, I think I'm in like a mood that's.

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Speaker 2: Like you're more grounded.

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Speaker 1: I'm a little more grounded, okay, but also have nothing

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Speaker 1: to show for it, Like if it were like like

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Speaker 1: I don't have like a fun story to tell.

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Speaker 2: Or mumblecore, I'm slice of life. You're a slice of life.

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Speaker 2: Mumble core. You know what I am? I'm sort of

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Speaker 2: like the musical episode of Buffy.

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Speaker 1: Like, oh, they're like, we don't have anything to say,

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Speaker 1: so let's pay Exactly.

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Speaker 2: That's exactly how I am. I'm like, I if only

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Speaker 2: I could break into song, damn, but I can't. But

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Speaker 2: you can't. So should we bring in our guests? You

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Speaker 2: know what I think? Well, you know, when we decided

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Speaker 2: to do Gatio lab I, there are very few guests

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Speaker 2: that we could have asked to do. Yes. I mean,

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Speaker 2: we were honestly struggling locating one that would be perfect

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Speaker 2: for it. But the thing with our guests is that,

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Speaker 2: like I would say, she is the perfect vent diagram

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Speaker 2: between Stradio Lab and Gaeteo Lab, and that on the

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Speaker 2: one hand, she is a straight woman. On the other hand,

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Speaker 2: she is yas queen.

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Speaker 1: I think it's safe to say that she is perfectly

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Speaker 1: in the middle of the venda exactly. So, without further ado,

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Speaker 1: please welcome the perfect guest.

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Speaker 3: Hi, Hi, I love this vent diagram.

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Speaker 2: Yeah, it's sort of like it's like Kylie Minogue.

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Speaker 1: No, and we did ask her first.

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Speaker 2: We did, well, we spoke earlier. She couldn't do it. Yeah,

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Speaker 2: she said that was faggots.

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Speaker 1: Wow, accident work comes back.

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Speaker 3: Yeah, yeah, that was.

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Speaker 2: Wow.

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Speaker 3: Yeah, I'm excited about Bride this year.

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Speaker 2: Yeah, thank you.

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Speaker 3: I'm trying to decide whether I'll be on the Lucy

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Speaker 3: Dacas float. The Noah bombback flow, the.

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Speaker 2: No bomback float is really good.

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Speaker 3: It's gonna be great. It's gonna be great.

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Speaker 2: Yeah. I heard Maggie Jill and might be honest.

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Speaker 3: Parker Posey Yeah yeah, yeah, blood orange.

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Speaker 2: Everyone's just smoking little cigarette.

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Speaker 3: Yeah, cigarettes, It'll be great.

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Speaker 2: Hardy enough. Rachel Senneu on the Pride circuit, Yeah, circuit. No,

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Speaker 2: the no bomback float is actually, if anything, he's clear

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Speaker 2: baiting a little too much.

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Speaker 3: I would say, yeah, well, Grata can't be there, Grada

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Speaker 3: there coporate.

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Speaker 2: That's the thing. Oh my god, that's that's the thing.

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Speaker 2: She's not doing Pride anymore. Who would have thought that

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Speaker 2: would ever happen. I know, Greta is doing Barbie. Greta's

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Speaker 2: like Barbie is straight. I don't want to be part

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Speaker 2: of the game.

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Speaker 3: Are exactly exactly she's She's like ever heard of bumping

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Speaker 3: them together?

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Speaker 2: Yeah? Okay, So the Noah bombback float, I'm trying to

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Speaker 2: think what what floats were we asked to be on

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Speaker 2: this year Pride. I'm like, oh my god, you're making

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Speaker 2: me riff. No. No, oh no, he's making me riff.

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Speaker 1: No. I'm like, George, I'm gonna be honest in the cinema,

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Speaker 1: that's not where I riffed the best.

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Speaker 2: We were asked to be in the BAM Brooklyn Academy

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Speaker 2: of Music.

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Speaker 3: Oh, that's an honor.

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Speaker 2: That's an honor. So it's us in the cast of

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Speaker 2: Women Talking, the only film that has been playing at

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Speaker 2: BAM for the past sixteen months. Yes, it's just a

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Speaker 2: constant stream of women talking, women talking, women talking.

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Speaker 3: Well, that's right behind the a doll's house exactly.

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Speaker 2: So the doll's house. It is just Jessica Chastain going

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Speaker 2: around and round in a circle.

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Speaker 3: Yeah, she walks out of the theater and then just

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Speaker 3: walks through Pride, just stone face and character the whole time.

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Speaker 2: Inside of her face. That'll be fun.

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Speaker 1: Yeah, I do think it's weird that, like the community

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Speaker 1: is backlashing agins. Phoebe Bredegers float like I know, they're like,

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Speaker 1: she's too big, she's too It's like she was there, yeah,

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Speaker 1: not long ago, long ago, and without her there couldn't

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Speaker 1: be a BAM float or I mean if she's to

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Speaker 1: march in the parade, like look around like.

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Speaker 2: Yeah, yeah, you know, you get invited to two Gucci

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Speaker 2: events and suddenly you're not Indy, suddenly your target. That's

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Speaker 2: why we say R S v P no, no, no,

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Speaker 2: but take a vanetta every every corporate, every sponsored event

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Speaker 2: that I'm invited to, and honey, there are many yes,

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Speaker 2: I say, because you get on those mailing lists. Excuse me,

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Speaker 2: I just I just want to say. If there are

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Speaker 2: people that haven't updated their mailing list since the website

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Speaker 2: that I worked for were shut down, that is not

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Speaker 2: my fault. If I get those emails and I r

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Speaker 2: S GPS without asking how do I get on this list?

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Speaker 2: That is not something anyone needs to look into. That

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Speaker 2: is not because I'm an LGBTQ plus creator, And whether

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Speaker 2: or not I'm employed currently by Muscle Digital Group doesn't

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Speaker 2: mean I can't attend the J Crew Pride activation. Well.

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Speaker 3: The thing about companies is that much like people are relative,

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Speaker 3: they live on forever exactly. And so even though Goker

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Speaker 3: went under, Bussel went under Jezebel, all those things, you know,

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Speaker 3: they are, they're like a ghost in your well, they're

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Speaker 3: a family.

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Speaker 2: A brand is forever beautiful. I mean it's like when

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Speaker 2: people romanticize magazines are like, who would I be without

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Speaker 2: Sassy magazine or miz Or or George or George, I

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Speaker 2: mean those live on.

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Speaker 1: I have a question, how has Jezebel survived?

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Speaker 3: Oh? Is that one still?

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Speaker 2: That one is still?

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Speaker 1: So it always has been.

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Speaker 2: And I'm like, but wait, how everything.

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Speaker 3: Has been a blog since before computers even? Yeah, well

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Speaker 3: they created the internet from biblical time.

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Speaker 2: So someone started the ghost in the exactly. So someone

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Speaker 2: started Jezebel and they were like, it's a blog and

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Speaker 2: everyone was like what.

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Speaker 3: Is that, Like, we don't know computers.

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Speaker 2: And then and then Steve Jobs and everyone like created

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Speaker 2: computers around they were like, we have to have something

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Speaker 2: to host Jezebel. Yeah.

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Speaker 3: Yeah, she was a great prophet.

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Speaker 2: Yeah yeah. Wow, is just the question interesting?

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Speaker 1: Wow?

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Speaker 2: End of episode.

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Speaker 3: Blackout Gunshot.

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Speaker 2: I want to know.

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Speaker 1: It's cloudy outside.

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Speaker 3: Let's be honest, Let's be honest.

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Speaker 2: Let's be honest. Cloud clo not only cloud but like

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Speaker 2: apocalyptic in a way where we are, of course in

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Speaker 2: our famous Midtown studio, the Red Room, and we are

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Speaker 2: looking out and and as we walked in the rain

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Speaker 2: was starting, and now we're looking outside and it is

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Speaker 2: becoming you know Darren Aronofsky's noah, yeah, yeah, the storm

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Speaker 2: is starting, and you better get two little skunks of

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Speaker 2: different genders on that boat.

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Speaker 3: The slash kind of like the game or something like

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Speaker 3: one of those nineties like yeah, Wall Street thrillers, you know, yeah,

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Speaker 3: or Wall Street or.

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Speaker 2: Yeah. It's actually, yeah, it's funny. It's not sci fi,

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Speaker 2: but it is like, Okay, you're in this like really

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Speaker 2: modern contemporary apartment and two people are plotting something. Yeah,

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Speaker 2: so the weather outside is foreshadowing that something bad is

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Speaker 2: gonna happen. Yeah, it's damn. It's Glenn Close in damages

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Speaker 2: planning how she's gonna murder? Oh my god. Yeah, and

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Speaker 2: she says something and then there's thunder.

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Speaker 1: But it's also not not sci fi where you're like

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Speaker 1: sort of the only person who realizes you're a person.

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Speaker 1: It's almost matrixy, where you're like everyone else is walking

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Speaker 1: around the clouds and you're like, oh it's something, Oh yeah,

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Speaker 1: something I see.

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Speaker 3: Notice the ring.

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Speaker 2: Yeah suddenly I see. Actually the soundtrack really doesn't go

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Speaker 2: with really doesn't go with a material because it's this

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Speaker 2: really dark, really dark, like Zack Snyder's Justice League, and

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Speaker 2: then it's like suddenly as sadly assy.

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Speaker 3: Or it's one of those trailer remixes of it.

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Speaker 2: Suddenly it's a children's chore doing. Suddenly I yeah, wow,

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Speaker 2: So Macy, I want to know, like, you know, obviously

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Speaker 2: this is our Pride episode. How like at this moment

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Speaker 2: in time, it's twenty twenty three. Yeah, we're in New

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Speaker 2: York City, the city that Never sleeps. How where are

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Speaker 2: you in terms of Pride as a concept these days?

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Speaker 4: Well, you know, gotta love it, right, yea, God, I

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Speaker 4: love it with.

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Speaker 3: All these damn drag Queen t shirts being ripped from

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Speaker 3: the shells. Oh and at Goodyear Tires, the Rainbow tire

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Speaker 3: collection ripped from cars.

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Speaker 2: You know, Yeah, they're ripping out wheels.

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Speaker 1: They're ripping out wheels out Rainbow and cars can't drive

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Speaker 1: without the wheels.

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Speaker 3: They have those those spike things on the road. They're

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Speaker 3: throwing them across. They're making these cars crash into deep ravines.

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Speaker 3: So you know, whether or not Pride has become tiresome

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Speaker 3: over the years, I've heard talk of that. I don't

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Speaker 3: necessarily subscribe to that idea. But I understand that's a

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Speaker 3: popular sentiment. We I think we have to just support it.

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Speaker 3: And we all have to be on sixth Avenue on

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Speaker 3: June twenty.

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Speaker 2: Oh we're busy that day. Actually that sucks. And it's

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Speaker 2: that day you have the j Crew Pride Activation. Okay, yeah, yeah,

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Speaker 2: well sponsored by the Westboro Baptist Church. Excellent, yeah, excellent.

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Speaker 2: Really Now they hired a new head of diversity and inclusion.

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Speaker 3: Things are top seed turvy these days.

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Speaker 2: If someone approach you and they were like, do you

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Speaker 2: want to be the head of diversity and inclusion at

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Speaker 2: the Westboro Baptist Church, Yeah, what would you say?

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Speaker 3: Here's twenty five million dollars. I'm like, sure, yeah, I'll

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Speaker 3: have a conversation. I'll get in that room.

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Speaker 1: They have like a lot of time off.

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Speaker 3: You guys, we have to address these people. We have

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Speaker 3: to be in the room to make change. We have

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Speaker 3: to be in the room in a room at Westbro

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Speaker 3: Baptist Church of Alex Jones's personal office.

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Speaker 1: Yeah yeah, I mean that's these are the rooms four

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Speaker 1: five now more than ever news.

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Speaker 3: We got to storm it after this, I.

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Speaker 2: Mean right there, especially in the building. All right, Okay, well,

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Speaker 2: should we do our first segment is that crazy. I

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Speaker 2: don't think it's crazy, Okay, And then I feel like

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Speaker 2: I want to really get into the topic because we're

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Speaker 2: only going to do gatio lab once. That's not true, okay,

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Speaker 2: it could be a yearly a smash success.

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Speaker 3: I love this sort of queer argument, gay argument that

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Speaker 3: you've manufactured before the show. Disagreements, very disagreements, consensus straight,

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Speaker 3: super straight, super straight, manufacturing consent even straight.

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Speaker 1: Yes, wow.

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Speaker 2: Yeah.

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Speaker 1: So you know, for our special edition, we're doing a

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Speaker 1: very brand new segment.

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Speaker 2: It's called it's called gay.

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Speaker 1: Shooter Shooters and is to gauge your familiarity with incomplicity

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Speaker 1: in gay culture by asking a series of rapid by

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Speaker 1: your questions basically this thing or this other thing. And

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Speaker 1: the only rule is you can't ask any followup questions,

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Speaker 1: or maybe you can because it's gay this time.

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Speaker 2: You can ask follow up questions, but only if you

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Speaker 2: do it in like a really LGBTQ plus way, if

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Speaker 2: you're like, like, hold on a second, there, girl, Yeah, okay,

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Speaker 2: so I'm not just for everyone watching. I'm not looking

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Speaker 2: at my text. I'm looking at a text I sent

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Speaker 2: myself with my Gay Shooters. You know what I mean,

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Speaker 2: I'm impressed because I could see people being like, why

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Speaker 2: is he texting?

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Speaker 3: I'm not even if you were, it would be consistent

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Speaker 3: with the.

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Speaker 2: Okay, I'm now I'm like, is everything texting is part

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Speaker 2: of theme, which is.

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Speaker 1: We're just like, yeah, wait, okay, wait, wait, okay. Literally

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Speaker 1: we're restarting the episode.

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Speaker 2: Okay, okay, okay, So welcome to Gatio Lab. Did you

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Speaker 2: see this go I'm busy okay and I hate her? Okay,

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Speaker 2: So so yeah, we're doing our segment Gaze Shooters.

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Speaker 1: Wait, guys, seriously, government's crazy right now?

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Speaker 2: I know, did you hear? I just got the New

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Speaker 2: York Times notification They're shutting the whole thing down. They're

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Speaker 2: shutting the whole government down. Honestly, work for good, honestly,

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Speaker 2: honestly work. Okay. Finally, yeah, let's do gay shoot. Okay,

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Speaker 2: So gay shooter. So Macy you know, go with God

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Speaker 2: of course? Yes, yes, okay, Macy having an apparel sprits

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Speaker 2: or having anonymous sex at the Ritz? I think the sprits, Yeah,

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Speaker 2: the sprits?

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Speaker 1: Okay, Macy? Could baby Gronk be the next Riz King?

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Speaker 1: Or Zendia is Michi and Lebron James Is GWANGI.

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Speaker 2: Zindaia Yeah, yeah, Macy Demi Levado or I'll have a Cartado,

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Speaker 2: I'll have a Kurtato.

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Speaker 1: Yeah, okay, this girl is on fire or the boy's

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Speaker 1: a liar.

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Speaker 3: Girls on fire?

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Speaker 2: Freaking out because you spotted Kirsten Dunst or tweaking out

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Speaker 2: while listening to music that goes wow, We'll go kiki

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Speaker 2: not safe for work or too cool for school n

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Speaker 2: s f W being lgbt Q or I don't have

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Speaker 2: a problem with all g people. I have a problem

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Speaker 2: with you.

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Speaker 1: The Ladder Yeah, yeah, okay, Lady Gaga doing an ad

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Speaker 1: for ner Tech, or Sam and George doing an ad

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Speaker 1: Ford Rex.

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Speaker 3: Sam and George, Yeah, I'm so glad that that had

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Speaker 3: to celebrate pride.

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Speaker 1: That was I you know, I hit play on our episode.

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Speaker 1: I said, let's see how this sounds, and it starts

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Speaker 1: with an AD and I was like, when the hell did.

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Speaker 2: We do this?

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Speaker 3: Voices?

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Speaker 2: Yeah, it's all yeah GBT yeah, And they made me sound.

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Speaker 2: They made us both sound really mask which was like people, hey, cowboys.

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Speaker 3: Ramping up before you shoot babies in near your ground.

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Speaker 1: I wish they would do that.

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Speaker 2: Of course, fellas would rather go wrong.

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Speaker 3: Inside of a pussy feels real good, but you'll feel

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Speaker 3: it just as well with an X.

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Speaker 2: Oh my God, put on a rain goat and make

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Speaker 2: it right.

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00:20:06,760 --> 00:20:09,239
Speaker 1: That's a much better app you can use that.

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Speaker 2: Let's replace that. If any producers listening, well, should we

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Speaker 2: get into our topic? Yeah?

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Speaker 1: So basically, since this is my passion project, I thought congratulations.

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Speaker 2: By the way, Yeah, I think it's going really well.

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Speaker 1: You know, if anyone out there it doesn't feel that

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Speaker 1: people believe in them, and they have a really good

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Speaker 1: idea for an alternative version of their mildly successful podcast,

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Speaker 1: just keep fighting because one day you're going to be

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Speaker 1: at the top of the tower in Midtown and you

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Speaker 1: will be doing your alternative podcast.

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Speaker 2: And God will be punishing you with a big rain.

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Speaker 3: Yeah. But you're kind of an example for all those

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Speaker 3: like freaks out there. Anyone who was ever picked on

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Speaker 3: in school, maybe high.

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Speaker 1: School, yeah, the losers, yeah alone, yeah.

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Speaker 2: Yeah. If you were ever told that what you are

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Speaker 2: is that what you are is not fucking perfect, to

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Speaker 2: quote pink, then guess what, hany, this episode's for you.

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Speaker 1: If a teacher ever told you, hey, this answer is wrong,

396
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Speaker 1: then this episode's for you.

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Speaker 2: If a teacher ever told you you can't read and

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Speaker 2: in fifth grade, this episode is for you.

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Speaker 1: If someone, if if if you're a coach said stop

400
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Speaker 1: screaming now, then this episode's for you.

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Speaker 2: And if you were ever put in an after school

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Speaker 2: program for kids that had like specific learning needs, but

403
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Speaker 2: they made it clear that you don't have a learning

404
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Speaker 2: disability and you're not meant to Oh you're just kind

405
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Speaker 2: of dumb, this episode is for you.

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Speaker 3: That's amazing, Yeah, amazing.

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Speaker 2: Yeah.

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Speaker 1: So since it's my passion project, I thought of some

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Speaker 1: topics today and can I read of course? So you

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Speaker 1: know it's this is such a tough do you need

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Speaker 1: a moment?

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Speaker 2: I know this is really personal for you.

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Speaker 1: This is so because so often we aren't looking inward. Yeah,

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Speaker 1: and to sort of examine my own life and be like,

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Speaker 1: what is my culture?

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Speaker 2: You know what? This is giving And I'm sorry to

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Speaker 2: interrupt you, please, this is giving. Okay. This is like

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Speaker 2: when an actress directs a film her entire life, She's

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Speaker 2: been told what to do. She's been told like tits

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Speaker 2: ad and luck pretty miss tuts mistoots mistuts tits ad

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Speaker 2: and look pretty mistuts. Okay, that's what That's what they

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Speaker 2: told that's what they told Sarah Paul. And that's why

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Speaker 2: they told Kristen Stewart before she directed that boy Genius video.

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Speaker 2: And they woke up one day and that's, by the way,

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Speaker 2: what they told Reesweatherston because before she became a mega

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Speaker 2: producer on the series Big.

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Speaker 3: Oh my god, that's true.

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Speaker 2: And they and they said, you know what, I know

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Speaker 2: how the industry works. By this point, I have money,

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Speaker 2: and I have ideas, and yeah, I've read every single

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Speaker 2: best seller targeting women this year and I'm going to

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Speaker 2: adapt all of them for yeah.

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Speaker 3: Yeah.

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Speaker 2: Yeah.

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Speaker 1: So with that being said, these were my topics. I said, tickets, travel,

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Speaker 1: threesome's women, weird underwear.

437
00:23:11,320 --> 00:23:12,120
Speaker 2: And the stage.

438
00:23:13,760 --> 00:23:16,920
Speaker 1: You know, I was really hoping that we would pick

439
00:23:16,920 --> 00:23:19,119
Speaker 1: weird underwear, but respect.

440
00:23:20,480 --> 00:23:23,000
Speaker 2: I am always touch we can touch on it for sure.

441
00:23:23,160 --> 00:23:25,080
Speaker 1: I have been trying to make weird underwear as a joke,

442
00:23:25,440 --> 00:23:27,359
Speaker 1: like I used to do this. I tried to do

443
00:23:27,400 --> 00:23:29,479
Speaker 1: this joke on time that obviously it was like one

444
00:23:29,560 --> 00:23:31,480
Speaker 1: of like right after like being able to do shows

445
00:23:31,480 --> 00:23:33,359
Speaker 1: again in the Pandemic where I was like, okay, like

446
00:23:33,520 --> 00:23:36,000
Speaker 1: let's all new stuff and I'd be like, best part

447
00:23:36,000 --> 00:23:38,280
Speaker 1: about being gay gotta be the weird.

448
00:23:38,119 --> 00:23:43,240
Speaker 3: Underwear like to exist or like like Christians.

449
00:23:43,560 --> 00:23:46,200
Speaker 2: Uh, there's so many, like it's weird weird.

450
00:23:46,440 --> 00:23:48,439
Speaker 3: Yeah, it's like more or less like it would be

451
00:23:48,480 --> 00:23:50,240
Speaker 3: recognizable as a pair of underwear.

452
00:23:50,320 --> 00:23:52,720
Speaker 1: Yeah, it's like too big in someblace is too small

453
00:23:52,720 --> 00:23:54,679
Speaker 1: in others. There's cutouts in random.

454
00:23:54,640 --> 00:23:58,200
Speaker 3: There's like weird engineering. It's like they kind of stand alone,

455
00:23:58,240 --> 00:23:59,719
Speaker 3: like without being on a body.

456
00:24:00,080 --> 00:24:02,399
Speaker 1: The colors, Oh, you're so bizarre.

457
00:24:02,520 --> 00:24:05,240
Speaker 3: It's like a deep purple and a bright orange or something,

458
00:24:05,320 --> 00:24:06,440
Speaker 3: or like a coral.

459
00:24:06,119 --> 00:24:07,000
Speaker 2: And a neon green.

460
00:24:07,119 --> 00:24:09,000
Speaker 1: It's almost like a child picked the colors.

461
00:24:09,080 --> 00:24:13,639
Speaker 2: Yeah, yeah, and a child did. And his name is Andrew. Andrew.

462
00:24:13,720 --> 00:24:16,719
Speaker 2: And Andrew Christian is twelve years old and Christian, and

463
00:24:16,720 --> 00:24:21,280
Speaker 2: he's being groomed by big underwear. By big underwear. You know,

464
00:24:21,359 --> 00:24:25,280
Speaker 2: this is a very few thing to say because okay,

465
00:24:25,920 --> 00:24:27,720
Speaker 2: I feel like to catch you up. May see. The

466
00:24:27,760 --> 00:24:29,840
Speaker 2: thing with Sam is sort of like sometimes something will

467
00:24:29,840 --> 00:24:32,679
Speaker 2: be sort of straight, but because Sam is so deeply

468
00:24:32,840 --> 00:24:35,199
Speaker 2: entrenched in gay life, he only knows of it as

469
00:24:35,240 --> 00:24:37,639
Speaker 2: a gay thing. Yeah, so it'll be like you know,

470
00:24:37,840 --> 00:24:40,960
Speaker 2: going on trips. Well, Sam is like travel. It's like

471
00:24:41,000 --> 00:24:43,040
Speaker 2: Sam's like, oh, that's like something gay guys do, and

472
00:24:43,080 --> 00:24:46,119
Speaker 2: it's well, yeah, like definitely the gay guys we know

473
00:24:46,240 --> 00:24:47,760
Speaker 2: do that. But when I think of trips, I think

474
00:24:47,840 --> 00:24:49,920
Speaker 2: like a family yeah yeah yeah, or like an office

475
00:24:49,960 --> 00:24:51,720
Speaker 2: retreat or whatever. Like you can argue that it's straight.

476
00:24:52,040 --> 00:24:53,280
Speaker 2: This is funny because to me.

477
00:24:53,640 --> 00:24:56,600
Speaker 3: Like men going down on women so gay.

478
00:24:57,240 --> 00:25:03,040
Speaker 2: Like complicated underwear is so pioneered buy like women wearing

479
00:25:03,160 --> 00:25:06,639
Speaker 2: like sexy laundry. It's like and then also the like

480
00:25:06,880 --> 00:25:10,119
Speaker 2: very nineties premise of like a man buying a woman's

481
00:25:10,119 --> 00:25:12,560
Speaker 2: sexy laundry. Yeah, I feel.

482
00:25:12,359 --> 00:25:15,240
Speaker 3: Like that is very straight, which is so weird because

483
00:25:15,280 --> 00:25:20,600
Speaker 3: like how do you know her size? It's like like

484
00:25:20,680 --> 00:25:23,600
Speaker 3: that's like the bra alone. It's like it's like you

485
00:25:23,760 --> 00:25:27,040
Speaker 3: need the cup size and the like the wit right right,

486
00:25:27,480 --> 00:25:32,000
Speaker 3: I mean in the nipple size and the aerial I mean.

487
00:25:31,920 --> 00:25:35,280
Speaker 2: You can sort of when you go to buy women's underwear.

488
00:25:35,320 --> 00:25:38,520
Speaker 2: When I go to the bra to how bigger nipples are?

489
00:25:38,560 --> 00:25:43,120
Speaker 2: Is that correct? Yeah? Yeah, they touch them, they take

490
00:25:43,119 --> 00:25:45,040
Speaker 2: on a magnifying glass. They're like, we're gonna need a

491
00:25:45,080 --> 00:25:49,960
Speaker 2: bigger bra for this for this A lass nipple looking

492
00:25:50,119 --> 00:25:52,879
Speaker 2: like salami, unbelievable.

493
00:25:53,880 --> 00:25:56,080
Speaker 3: It's like a bunch of old smoking women.

494
00:25:57,320 --> 00:25:57,760
Speaker 2: They're calling.

495
00:25:57,840 --> 00:26:00,560
Speaker 1: Everybody laughs like everyone laughs.

496
00:26:01,000 --> 00:26:02,880
Speaker 2: Okay, so you wanted to do weird underwear.

497
00:26:03,040 --> 00:26:06,200
Speaker 1: Yeah, well, I was hoping it would speak most to all,

498
00:26:06,320 --> 00:26:09,520
Speaker 1: but what actually spoke to all was women.

499
00:26:10,520 --> 00:26:13,280
Speaker 3: I will say I women's stories matter.

500
00:26:13,359 --> 00:26:18,760
Speaker 2: Women's stories matter period. We're actually all going to the

501
00:26:18,760 --> 00:26:20,199
Speaker 2: Women's Stories Matter Float after this.

502
00:26:20,400 --> 00:26:24,720
Speaker 3: Yes, yes, and it's not affiliated with Reese at all.

503
00:26:24,880 --> 00:26:27,640
Speaker 3: It's some gay guy on Twitter. It's just the jif

504
00:26:27,880 --> 00:26:28,680
Speaker 3: on a big TV.

505
00:26:30,600 --> 00:26:32,920
Speaker 2: It is actually sponsored by the first person to make

506
00:26:33,000 --> 00:26:33,920
Speaker 2: that a yes.

507
00:26:34,040 --> 00:26:38,520
Speaker 3: Yes, yes, who's now kind of a national and has

508
00:26:38,560 --> 00:26:42,040
Speaker 3: just been promoted to CEO of iHeartMedia.

509
00:26:42,640 --> 00:26:44,800
Speaker 2: I do also like the stage. I want to compliment you.

510
00:26:44,880 --> 00:26:45,919
Speaker 3: Oh yeah, the stage.

511
00:26:46,080 --> 00:26:48,640
Speaker 2: Topics are really good. Thank you. I'm sorry I led

512
00:26:48,640 --> 00:26:49,399
Speaker 2: with negativity.

513
00:26:50,160 --> 00:26:51,359
Speaker 3: What tickets is about.

514
00:26:51,720 --> 00:26:56,119
Speaker 1: Tickets is about like like events and people love to

515
00:26:56,119 --> 00:26:58,919
Speaker 1: go to like ticketed events. Like to me, that's like

516
00:26:59,280 --> 00:27:02,879
Speaker 1: people yeah at Pride or I'm sorry, I think this

517
00:27:02,960 --> 00:27:03,520
Speaker 1: is another one.

518
00:27:03,640 --> 00:27:08,320
Speaker 2: You're of your being too entrenched in LGBTQ life. No,

519
00:27:08,520 --> 00:27:09,960
Speaker 2: everyone's always like did you get tickets to that?

520
00:27:10,080 --> 00:27:11,119
Speaker 1: Or like I'm selling my tickets to this?

521
00:27:11,320 --> 00:27:14,320
Speaker 2: And do you think straight people don't do that. I

522
00:27:14,320 --> 00:27:16,440
Speaker 2: think they do it way less. Okay, okay, I think

523
00:27:16,440 --> 00:27:17,040
Speaker 2: they do it like.

524
00:27:17,000 --> 00:27:19,520
Speaker 1: Once a year for like the Big Game, the Big.

525
00:27:19,840 --> 00:27:22,800
Speaker 3: You think gay guys are like, are like, oh, I

526
00:27:22,880 --> 00:27:24,919
Speaker 3: just got to snatch up the tickets otherwise, oh oh

527
00:27:25,000 --> 00:27:28,280
Speaker 3: my god. And then they don't think about literally they

528
00:27:28,320 --> 00:27:30,439
Speaker 3: do that. I think that they're like, oh, might as

529
00:27:30,480 --> 00:27:31,199
Speaker 3: well have Caroline.

530
00:27:31,200 --> 00:27:33,879
Speaker 2: I don't know when the next, you know, the tickets

531
00:27:33,880 --> 00:27:36,159
Speaker 2: around sale takes around every single day. They have like

532
00:27:36,240 --> 00:27:38,680
Speaker 2: color Swatch, like a color Swatches book, but it's all

533
00:27:38,840 --> 00:27:41,000
Speaker 2: just tickets to see Caroline Pelichick. And they're like, I

534
00:27:41,000 --> 00:27:43,040
Speaker 2: don't know, February, March, September.

535
00:27:43,200 --> 00:27:46,480
Speaker 3: Dusting in at night while watching like selling Sunset.

536
00:27:47,600 --> 00:27:49,480
Speaker 2: No. Tickets are huge in the gay community.

537
00:27:49,560 --> 00:27:51,919
Speaker 3: Yeah, okay, I'll give you. I'll get tickets to the

538
00:27:51,920 --> 00:27:52,879
Speaker 3: Fire Island Ferry.

539
00:27:53,160 --> 00:27:56,480
Speaker 2: Oh my god, even do anything without ticket these days?

540
00:27:58,520 --> 00:27:59,040
Speaker 2: Too good in you.

541
00:28:02,760 --> 00:28:05,400
Speaker 1: So and not to mention the golden ticket Willy Wonka.

542
00:28:05,600 --> 00:28:08,880
Speaker 3: Timmy v Shall, and may Dick Vane hat. Gay guys

543
00:28:08,920 --> 00:28:09,800
Speaker 3: will know what I'm talking about.

544
00:28:09,920 --> 00:28:12,320
Speaker 1: You guys know, Gay guys know, you guys know that's

545
00:28:12,320 --> 00:28:14,040
Speaker 1: the sound bored thing we need.

546
00:28:14,480 --> 00:28:16,520
Speaker 3: Guys, guys.

547
00:28:16,640 --> 00:28:23,160
Speaker 1: No, so okay, So so tickets is valid?

548
00:28:24,080 --> 00:28:29,679
Speaker 2: Is valid? Yeah, we're validating the tickets. I mean the

549
00:28:29,680 --> 00:28:30,760
Speaker 2: stage I obviously love.

550
00:28:30,960 --> 00:28:34,119
Speaker 1: Yes, yeah, well that one's I thought that would be

551
00:28:34,160 --> 00:28:37,280
Speaker 1: interesting because it is complicated, as we all know, when

552
00:28:37,280 --> 00:28:40,000
Speaker 1: there's when you are performing on stage and there's gay

553
00:28:40,040 --> 00:28:42,440
Speaker 1: people that also want to be performing on stage.

554
00:28:42,520 --> 00:28:43,800
Speaker 2: Yeah yeah yeah, and so.

555
00:28:43,720 --> 00:28:49,480
Speaker 1: It's like, yeah, then the audience is the stage. It's

556
00:28:49,560 --> 00:28:52,440
Speaker 1: too much performance. There's performance in every direction.

557
00:28:52,600 --> 00:28:56,160
Speaker 3: Yeah. Any Lana show where it's just they're singing the

558
00:28:56,240 --> 00:28:59,360
Speaker 3: all the lyrics louder.

559
00:28:59,040 --> 00:29:03,560
Speaker 2: Than her, yeah yeah, shut up, shut up.

560
00:29:04,080 --> 00:29:07,920
Speaker 3: Wow. Which my my sibling bought me tickets to Patty

561
00:29:08,000 --> 00:29:12,520
Speaker 3: Smith show on New Year's and uh and which is

562
00:29:12,560 --> 00:29:15,560
Speaker 3: decidedly not gay. I think in a.

563
00:29:15,520 --> 00:29:18,160
Speaker 2: Way we could talk about that for hours. Yeah we'll

564
00:29:18,200 --> 00:29:21,480
Speaker 2: just leave that. I could write books and they'd be

565
00:29:21,480 --> 00:29:24,400
Speaker 2: better than just oh my god.

566
00:29:24,600 --> 00:29:27,280
Speaker 3: But it was like such a straight audience and it

567
00:29:27,320 --> 00:29:28,720
Speaker 3: was literally people just being like.

568
00:29:32,440 --> 00:29:33,840
Speaker 2: Love it isn't she great?

569
00:29:34,040 --> 00:29:38,000
Speaker 3: Like it was like because the night there was nobody

570
00:29:38,000 --> 00:29:38,360
Speaker 3: doing that.

571
00:29:39,480 --> 00:29:41,560
Speaker 2: Yeah, well it's a very Patty Smith I think does

572
00:29:41,640 --> 00:29:43,040
Speaker 2: draw a sort of NPR crowd.

573
00:29:43,640 --> 00:29:45,760
Speaker 3: Yeah, well it was half MPR and half kind of

574
00:29:45,800 --> 00:29:50,640
Speaker 3: like like Booze Cruise, like Jimmy Buffalo, people that are

575
00:29:50,680 --> 00:29:52,960
Speaker 3: just like I heard a rock, you know.

576
00:29:53,400 --> 00:29:55,640
Speaker 1: Like yeah, punks that are now like sixty yeah.

577
00:29:55,520 --> 00:29:59,720
Speaker 2: Yeah, yeah, yeah. Wow. Okay, so now we're at women.

578
00:30:00,240 --> 00:30:06,600
Speaker 2: And so now we're at women, which okay is obvious. Obvious.

579
00:30:07,160 --> 00:30:09,560
Speaker 1: It's like sort of like this is where it's difficult

580
00:30:09,600 --> 00:30:11,479
Speaker 1: to do gay you allow, because for us we're like, well,

581
00:30:11,520 --> 00:30:12,400
Speaker 1: what's there to explore?

582
00:30:13,120 --> 00:30:15,520
Speaker 3: Well, it's enough said.

583
00:30:15,840 --> 00:30:18,440
Speaker 2: It's already genius that it's like word two gay guys

584
00:30:18,480 --> 00:30:25,720
Speaker 2: and we invited a woman and we're like, yeah, but

585
00:30:26,160 --> 00:30:29,680
Speaker 2: I guess Macie, you picked women. You said that's the topic. Yeah,

586
00:30:30,080 --> 00:30:33,640
Speaker 2: and so you know, what do you think, like, what

587
00:30:33,680 --> 00:30:35,000
Speaker 2: do you think is gay about women?

588
00:30:37,360 --> 00:30:40,560
Speaker 3: Well, aside from gay women, right of course, gay.

589
00:30:40,480 --> 00:30:43,880
Speaker 2: Women, right, women can just be gay.

590
00:30:44,000 --> 00:30:46,160
Speaker 3: They can a lot of people don't know this. Yeah

591
00:30:46,280 --> 00:30:48,680
Speaker 3: I don't know this. It's not very widespread knowledge. But

592
00:30:48,720 --> 00:30:49,440
Speaker 3: they can.

593
00:30:50,000 --> 00:30:53,120
Speaker 2: And it's actually legal too, it was legal before men

594
00:30:53,120 --> 00:30:53,520
Speaker 2: were allowed.

595
00:30:53,680 --> 00:30:59,440
Speaker 3: Yes, yeah, which is cool. But yeah, I mean it's

596
00:30:59,480 --> 00:31:01,400
Speaker 3: kind of like what you're talking about with the tickets thing.

597
00:31:01,880 --> 00:31:05,880
Speaker 3: It's like whenever there's any kind of woman, gay guys

598
00:31:05,880 --> 00:31:12,200
Speaker 3: will find a way to like pathologically idolized her or

599
00:31:12,520 --> 00:31:16,200
Speaker 3: hate her. Yeah yeah, yeah, yeah, so like whether or

600
00:31:16,240 --> 00:31:18,959
Speaker 3: not it's like a businesswoman with a briefcase or like

601
00:31:19,920 --> 00:31:24,600
Speaker 3: your mom or like somebody else's mom or Beyonce or

602
00:31:24,720 --> 00:31:29,840
Speaker 3: Lady Gaga. It's like there's like there is a very

603
00:31:29,920 --> 00:31:34,600
Speaker 3: gay thing that is like it's kind of related to

604
00:31:34,760 --> 00:31:38,400
Speaker 3: trans but it like took a different hallway, you know

605
00:31:38,760 --> 00:31:41,880
Speaker 3: where it's like you it's like gay guys like are

606
00:31:42,080 --> 00:31:45,280
Speaker 3: women in a way in like a very sixties way,

607
00:31:45,320 --> 00:31:47,800
Speaker 3: Like what are you're talking about skart, you know, like

608
00:31:48,160 --> 00:31:53,440
Speaker 3: like in like kind of a I shouldn't have said

609
00:31:53,440 --> 00:31:55,400
Speaker 3: that way, like degrading way.

610
00:31:55,760 --> 00:31:58,360
Speaker 2: No, no, I think you're pointing. I mean basically the

611
00:31:58,360 --> 00:32:00,200
Speaker 2: pathology of being a gay man. And by the way, wait,

612
00:32:00,200 --> 00:32:01,840
Speaker 2: this podcast is not just about game men. I want

613
00:32:01,840 --> 00:32:03,280
Speaker 2: to make I feel like we're being very gay guys

614
00:32:03,320 --> 00:32:06,560
Speaker 2: central Well this is from what's of a gay guy?

615
00:32:06,720 --> 00:32:08,280
Speaker 2: Yeah right, If gay.

616
00:32:08,160 --> 00:32:10,000
Speaker 3: Guys are women, then you're silencing women's voice.

617
00:32:10,040 --> 00:32:19,280
Speaker 2: That's true. Oh my god, that's guys and women's voices. Okay, yeah,

618
00:32:19,480 --> 00:32:24,400
Speaker 2: but I do think that like the entire dilemma of

619
00:32:24,440 --> 00:32:28,120
Speaker 2: being a gay man is basically figuring out psychoanalytically your

620
00:32:28,120 --> 00:32:32,160
Speaker 2: relationship to women. Yeah, like to the woman within, to

621
00:32:32,240 --> 00:32:34,600
Speaker 2: the woman that raised you, to the women that is

622
00:32:35,200 --> 00:32:36,920
Speaker 2: with you at any given moments.

623
00:32:37,040 --> 00:32:42,800
Speaker 1: Is sounding very like a monologue from Wild.

624
00:32:43,320 --> 00:32:44,480
Speaker 2: Did I tell you my big idea?

625
00:32:44,560 --> 00:32:46,400
Speaker 3: That would be amazing if you just knocked you in

626
00:32:46,440 --> 00:32:47,560
Speaker 3: the monologue for a while.

627
00:32:47,840 --> 00:32:50,160
Speaker 2: Well, I've been known to do that before. But my

628
00:32:50,240 --> 00:32:53,240
Speaker 2: big idea is Okay, okay, this is actually there's not

629
00:32:53,320 --> 00:32:55,360
Speaker 2: that much time left in Pride. So if there are

630
00:32:55,400 --> 00:32:58,000
Speaker 2: any drag queens listening, please take this idea and do it.

631
00:32:58,040 --> 00:33:00,440
Speaker 2: You don't have to credit me. It's a drag queen

632
00:33:00,560 --> 00:33:04,840
Speaker 2: named Cheryl Slade and she is dressed as Spoon and Wild.

633
00:33:05,000 --> 00:33:09,520
Speaker 2: Oh okay, and because it's Cheryl Strade and Wild, got

634
00:33:09,520 --> 00:33:12,160
Speaker 2: I got it. So she's dressed to Cheryl Strade with

635
00:33:12,240 --> 00:33:14,960
Speaker 2: the pack with the big backpack, and the number is

636
00:33:15,000 --> 00:33:19,480
Speaker 2: the Climb by Miley Cyrus And you just walk slowly

637
00:33:19,880 --> 00:33:23,280
Speaker 2: across and it's like she's hiking, she's climbing, and she's

638
00:33:23,320 --> 00:33:26,800
Speaker 2: doing the climb. That's actually really good, thank you.

639
00:33:27,280 --> 00:33:29,360
Speaker 1: It could be cool also if there were like dancers

640
00:33:29,360 --> 00:33:32,480
Speaker 1: that sort of like God on all fours and they're

641
00:33:32,520 --> 00:33:34,680
Speaker 1: the animals and you know you would like climb up

642
00:33:34,720 --> 00:33:35,440
Speaker 1: them like they do.

643
00:33:36,160 --> 00:33:38,520
Speaker 3: Oh it becomes like a moving kind of yea.

644
00:33:39,720 --> 00:33:42,920
Speaker 2: That yeahchoreo from the idol.

645
00:33:44,360 --> 00:33:46,520
Speaker 3: Which I mean speaking of which.

646
00:33:46,800 --> 00:33:49,560
Speaker 1: I haven't seen it. Okay wait, oh wait, we're not

647
00:33:49,600 --> 00:33:50,440
Speaker 1: saying on any topic.

648
00:33:50,600 --> 00:33:54,760
Speaker 2: Wait okay, So that was my contribution gay men's relationship

649
00:33:54,760 --> 00:33:55,120
Speaker 2: to women.

650
00:33:55,440 --> 00:34:00,320
Speaker 3: Yes, yes, yes, yes, yes, it's like yeah, it's weird

651
00:34:00,840 --> 00:34:06,760
Speaker 3: like feminization that is maybe more like not intentional, but

652
00:34:06,880 --> 00:34:10,640
Speaker 3: like happened. I don't know, I'm not a fucking doctor.

653
00:34:10,840 --> 00:34:15,080
Speaker 5: Well, first of all, yourself short you are, and get

654
00:34:15,080 --> 00:34:16,080
Speaker 5: into surgery right now.

655
00:34:17,640 --> 00:34:24,760
Speaker 3: Wash those hands, mama, And right there.

656
00:34:25,200 --> 00:34:32,759
Speaker 2: He's flatlining sweetheart, scalp of mama. Scal So wait, I

657
00:34:32,800 --> 00:34:35,640
Speaker 2: want to actually say one more thing about queer women,

658
00:34:36,280 --> 00:34:39,080
Speaker 2: which is that like, okay, it's funny because and I'm

659
00:34:39,080 --> 00:34:41,320
Speaker 2: speaking in binaries right now, but like let's say, okay,

660
00:34:41,360 --> 00:34:44,080
Speaker 2: gay men are defined by the women they idolize, the

661
00:34:44,080 --> 00:34:46,920
Speaker 2: women they tear down. Fine, then you would think that

662
00:34:47,000 --> 00:34:51,640
Speaker 2: gay women were like obsessed with men, not the case

663
00:34:51,320 --> 00:34:53,480
Speaker 2: the women.

664
00:34:53,719 --> 00:34:53,919
Speaker 3: Yeah.

665
00:34:54,120 --> 00:34:56,120
Speaker 2: So, in fact, that's what makes the concept of women

666
00:34:56,920 --> 00:35:01,240
Speaker 2: LGBT Q is that no matter where on the spectrum

667
00:35:02,760 --> 00:35:05,160
Speaker 2: with women, yes, yeah, like there, and I think that

668
00:35:05,200 --> 00:35:08,520
Speaker 2: applies to pretty much. I mean it's like literally like

669
00:35:08,640 --> 00:35:12,960
Speaker 2: anyone on the spectrum, Like there's no one, there is

670
00:35:13,160 --> 00:35:16,200
Speaker 2: no one on the spectrum who is like yes men,

671
00:35:18,000 --> 00:35:18,600
Speaker 2: maybe like.

672
00:35:18,520 --> 00:35:24,480
Speaker 3: A conservative trans man totally like Angel yes angels like

673
00:35:24,640 --> 00:35:26,560
Speaker 3: yes men, angel Is.

674
00:35:26,600 --> 00:35:31,920
Speaker 2: Like yeah he did they.

675
00:35:34,520 --> 00:35:38,440
Speaker 3: But yeah you're yeah, no, you're right. But like I

676
00:35:38,520 --> 00:35:40,560
Speaker 3: like that point about gay women because it's like they

677
00:35:40,600 --> 00:35:44,279
Speaker 3: really could be like on an island, don't need men

678
00:35:44,320 --> 00:35:45,240
Speaker 3: for anything.

679
00:35:44,960 --> 00:35:47,520
Speaker 1: Right, yeah, Whereas like if gay men were on an island,

680
00:35:47,560 --> 00:35:49,359
Speaker 1: they would need a woman there to stand.

681
00:35:49,480 --> 00:35:53,120
Speaker 3: Exactly, they would draw one like yeah.

682
00:35:53,280 --> 00:35:55,680
Speaker 2: It's also sort of why queer women are a stronger

683
00:35:55,800 --> 00:36:01,960
Speaker 2: community because they actually uplift their own Where's gay men? Don't? Sure?

684
00:36:02,160 --> 00:36:02,440
Speaker 1: Yeah?

685
00:36:02,520 --> 00:36:04,440
Speaker 2: You know, there could never be a game Melissa gay man,

686
00:36:04,480 --> 00:36:07,000
Speaker 2: Melissa Everidge, I don't think no.

687
00:36:07,120 --> 00:36:09,719
Speaker 3: And every time there's been an attempt that it's been,

688
00:36:09,880 --> 00:36:10,879
Speaker 3: it's gone horribly wrong.

689
00:36:10,880 --> 00:36:12,359
Speaker 2: The same as stand up comedy. I mean, there's so

690
00:36:12,360 --> 00:36:16,160
Speaker 2: many famous lesbian comedians name one game male comedian. Literally,

691
00:36:16,320 --> 00:36:24,440
Speaker 2: can't I love that? I can't, I can't, I can't

692
00:36:24,480 --> 00:36:28,600
Speaker 2: think of a single women Wanda Sykes, Margaret Choe, Ellen,

693
00:36:29,200 --> 00:36:32,799
Speaker 2: Paula Poundstone, Rosie O'Donnell. Literally multiple gay women have had

694
00:36:32,840 --> 00:36:36,040
Speaker 2: talk shows. Yes, yes, yes, men can't think of have

695
00:36:36,120 --> 00:36:42,000
Speaker 2: a single one. No, wow, well I love that, Macy,

696
00:36:42,040 --> 00:36:43,080
Speaker 2: who's your favorite woman?

697
00:36:45,960 --> 00:36:47,439
Speaker 3: I think it changes a lot.

698
00:36:48,200 --> 00:36:48,880
Speaker 2: Marisa Tomey.

699
00:36:49,760 --> 00:36:53,719
Speaker 3: Sure she's been there, she's been there maybe during the

700
00:36:53,760 --> 00:36:56,239
Speaker 3: wrestler era, Yeah, totally yeah.

701
00:36:56,360 --> 00:36:59,280
Speaker 2: What do you look for a woman?

702
00:37:04,400 --> 00:37:05,120
Speaker 3: Complexity?

703
00:37:05,280 --> 00:37:15,120
Speaker 2: Yeah, power, power, yeah, strength, strength actually, but vulnerability but yes, yes,

704
00:37:15,400 --> 00:37:16,719
Speaker 2: which is the strength?

705
00:37:17,080 --> 00:37:24,279
Speaker 3: Yeah? Right, say it says right now, I'm loving I

706
00:37:24,320 --> 00:37:28,319
Speaker 3: hate to say it. Lily Rose Up, she is.

707
00:37:28,760 --> 00:37:31,560
Speaker 2: You know, I gotta say, I watched the first half

708
00:37:31,560 --> 00:37:34,080
Speaker 2: of the first episode. She's killing it.

709
00:37:35,000 --> 00:37:38,960
Speaker 3: I love the show really show Yeah, it's like everything

710
00:37:39,000 --> 00:37:42,640
Speaker 3: it's speaking of women. It reminds me all have show girls.

711
00:37:43,640 --> 00:37:47,399
Speaker 3: It's very like stupid, you know.

712
00:37:47,880 --> 00:37:50,320
Speaker 2: It's I mean, not whatever, but it's camp.

713
00:37:51,360 --> 00:37:54,839
Speaker 3: Well it it's gadio. I think we're allowed to bring

714
00:37:54,880 --> 00:37:55,440
Speaker 3: camp back for.

715
00:37:57,239 --> 00:38:00,640
Speaker 2: Right. I've always struggled with you for yeah, because I

716
00:38:00,640 --> 00:38:04,520
Speaker 2: hate you for it, exactly, hate you like I watch

717
00:38:04,960 --> 00:38:08,560
Speaker 2: you off your rocker. Guess what euphoria straight the idol

718
00:38:08,600 --> 00:38:10,200
Speaker 2: gay exactly.

719
00:38:10,320 --> 00:38:13,239
Speaker 3: Oh my god, yes, I didn't even think about that.

720
00:38:14,040 --> 00:38:17,680
Speaker 1: Wow. So Sam Levinson bisexual confirmed.

721
00:38:17,920 --> 00:38:19,680
Speaker 2: I actually think it's the weekend that make I think

722
00:38:19,680 --> 00:38:24,400
Speaker 2: the yeah queer code, don't you think?

723
00:38:24,719 --> 00:38:28,839
Speaker 3: Well you, I'm sure you've seen the like little monologue

724
00:38:28,840 --> 00:38:30,920
Speaker 3: from the second episode where he's like, I'm gonna stretch

725
00:38:30,920 --> 00:38:34,839
Speaker 3: your tight little like that is the gayest thing I've

726
00:38:34,880 --> 00:38:38,560
Speaker 3: ever seen. Right, It's like straight pulled straight from a grinder.

727
00:38:38,840 --> 00:38:39,720
Speaker 2: You know. Wow?

728
00:38:39,840 --> 00:38:40,240
Speaker 3: True.

729
00:38:40,480 --> 00:38:41,560
Speaker 2: I mean even though.

730
00:38:41,440 --> 00:38:44,440
Speaker 3: He's saying I'm going to stretcher little pussy out.

731
00:38:44,719 --> 00:38:48,440
Speaker 2: Yeah, so it's fine. I mean John Early has a

732
00:38:48,520 --> 00:38:50,360
Speaker 2: joke about this in his new special, which is that

733
00:38:50,760 --> 00:38:53,399
Speaker 2: in retrospect, the Trump tapes are kind of gay. When

734
00:38:53,440 --> 00:38:57,359
Speaker 2: he's like, grab him by the pussies, I care like

735
00:38:57,360 --> 00:39:00,120
Speaker 2: a gay man's impression of what a straight man would.

736
00:39:00,560 --> 00:39:02,880
Speaker 2: And I feel like that's like so extreme, Like I

737
00:39:02,880 --> 00:39:05,239
Speaker 2: feel like that very much. Is It's like a man

738
00:39:05,280 --> 00:39:07,520
Speaker 2: that is comfortable in his masculinity is not going to.

739
00:39:07,960 --> 00:39:11,239
Speaker 3: No He's like, yes, honey, it stretched that title for me.

740
00:39:11,320 --> 00:39:14,720
Speaker 3: I'm gonna put my big, huge cock in your little

741
00:39:14,760 --> 00:39:18,120
Speaker 3: tight pussy. I got my big fat tongue. It's gonna

742
00:39:18,160 --> 00:39:23,680
Speaker 3: go right on that pussy and then she's like, she's

743
00:39:23,719 --> 00:39:27,080
Speaker 3: like a beautiful pop star. I'm like a disgrace to actors.

744
00:39:27,200 --> 00:39:31,040
Speaker 3: Child like it's the most insane thing.

745
00:39:30,960 --> 00:39:32,240
Speaker 2: To ever be released.

746
00:39:32,280 --> 00:39:33,960
Speaker 3: I think, huh.

747
00:39:33,960 --> 00:39:35,759
Speaker 2: Yeah, yeah, one of them.

748
00:39:35,840 --> 00:39:38,279
Speaker 3: Well, the whale was up there.

749
00:39:39,760 --> 00:39:41,920
Speaker 2: Do you know what that I saw? I watched the

750
00:39:41,920 --> 00:39:44,319
Speaker 2: Whale finally on a plane, and I think because of

751
00:39:44,320 --> 00:39:47,919
Speaker 2: the altitude, I cry. Oh, I cried, for sure. It's

752
00:39:48,080 --> 00:39:51,920
Speaker 2: very You're crying while being like this is incorrect, Like

753
00:39:53,000 --> 00:39:55,480
Speaker 2: I am for the sake of this scene, I have

754
00:39:55,560 --> 00:39:57,960
Speaker 2: to go by their rules, and based on those rules,

755
00:39:58,000 --> 00:39:59,759
Speaker 2: I'm crying. Yes, yeah, those are wrong.

756
00:39:59,800 --> 00:40:02,640
Speaker 3: If I don't cry, I'm not fulfilling the complex of

757
00:40:02,680 --> 00:40:03,600
Speaker 3: going into this movie.

758
00:40:03,719 --> 00:40:05,400
Speaker 1: The way that you two are on the same page

759
00:40:05,640 --> 00:40:09,640
Speaker 1: about very controversial media is shocking to me.

760
00:40:09,960 --> 00:40:11,840
Speaker 2: It's very like we found the only two.

761
00:40:11,680 --> 00:40:16,319
Speaker 6: People that like that stand the idol in the whale.

762
00:40:16,280 --> 00:40:20,360
Speaker 1: Like I didn't know this was possible in today's culture,

763
00:40:21,800 --> 00:40:23,560
Speaker 1: which just goes to show you that Gatia lab is

764
00:40:23,560 --> 00:40:24,320
Speaker 1: bringing people together.

765
00:40:24,480 --> 00:40:26,160
Speaker 2: True, and we're complex.

766
00:40:26,360 --> 00:40:29,200
Speaker 3: Women are so compecially they can like the idol.

767
00:40:29,440 --> 00:40:32,240
Speaker 2: Yeah, women are complex, and so it is Brendan Fraser.

768
00:40:34,400 --> 00:40:36,120
Speaker 1: I started standing a woman on the train today.

769
00:40:36,120 --> 00:40:37,879
Speaker 2: Oh my god, who do I know her?

770
00:40:39,360 --> 00:40:42,480
Speaker 1: She was like reading, she was reading one of the

771
00:40:42,560 --> 00:40:44,160
Speaker 1: Rings on the train and like it performed, and I

772
00:40:44,200 --> 00:40:45,120
Speaker 1: was like, I'm in a movie.

773
00:40:45,160 --> 00:40:46,480
Speaker 2: I'm already buying tickets. Yeah.

774
00:40:46,600 --> 00:40:48,719
Speaker 1: I was like, this is amazing. This is like it's

775
00:40:48,719 --> 00:40:50,840
Speaker 1: like a two thousand and seven, Like totally.

776
00:40:51,200 --> 00:40:54,320
Speaker 3: I think that there's like there are women walking around

777
00:40:54,320 --> 00:40:56,960
Speaker 3: New York City constantly and you see them go by,

778
00:40:57,040 --> 00:40:59,799
Speaker 3: and you go, that's a movie. She's in her own movie. Yeah,

779
00:41:00,480 --> 00:41:01,720
Speaker 3: she's in an HBO series.

780
00:41:01,719 --> 00:41:03,560
Speaker 2: I think you're pointing to the exact I think this

781
00:41:03,719 --> 00:41:06,399
Speaker 2: is the right sort of way into this topic. It's

782
00:41:06,400 --> 00:41:08,960
Speaker 2: not it's we're not talking about diva worship, yeah, talking

783
00:41:08,960 --> 00:41:12,560
Speaker 2: about like Izaah. It's literally that like as you're walking,

784
00:41:14,200 --> 00:41:16,239
Speaker 2: it's like it's like in the same way that someone

785
00:41:16,239 --> 00:41:18,800
Speaker 2: has a sex addiction and they like can't be around

786
00:41:18,840 --> 00:41:21,200
Speaker 2: like women with a decolletage because they're like two turned on.

787
00:41:21,640 --> 00:41:23,439
Speaker 2: The gay equivalent of that is like you can't. There's

788
00:41:23,480 --> 00:41:25,759
Speaker 2: too many strong, independent women all around me, and I'm

789
00:41:25,760 --> 00:41:27,600
Speaker 2: distracted because they all deserve their own show.

790
00:41:30,680 --> 00:41:33,480
Speaker 3: Yes, all you need, you need nothing to set the

791
00:41:33,520 --> 00:41:37,040
Speaker 3: scene you need a purse, Yeah, and like looking out

792
00:41:37,040 --> 00:41:40,279
Speaker 3: into the distance or like someone like jotting down a note,

793
00:41:40,840 --> 00:41:41,359
Speaker 3: looking at.

794
00:41:41,239 --> 00:41:44,960
Speaker 2: Your phone and then being like, oh my god, a.

795
00:41:45,000 --> 00:41:48,280
Speaker 3: Sigh of any kind. I hate series.

796
00:41:49,000 --> 00:41:51,560
Speaker 1: Where I Starbucks when I got this very iced coffee,

797
00:41:51,600 --> 00:41:53,560
Speaker 1: there were two teens making out, and I was like,

798
00:41:53,600 --> 00:41:55,440
Speaker 1: this girl is having a coming of age moment in

799
00:41:55,480 --> 00:41:56,560
Speaker 1: the Starbucks in mid.

800
00:41:56,480 --> 00:42:00,800
Speaker 3: She's being lady Bird in public. Right now, she's literally

801
00:42:00,840 --> 00:42:01,200
Speaker 3: later Bird.

802
00:42:01,239 --> 00:42:03,200
Speaker 1: She's about to dive into a pool and perfumed genius

803
00:42:03,239 --> 00:42:06,879
Speaker 1: is gonna play this is Happy Summer to all?

804
00:42:07,719 --> 00:42:11,480
Speaker 3: Yes, what's that? What's have you seen? To Leslie?

805
00:42:12,480 --> 00:42:12,560
Speaker 1: No?

806
00:42:13,040 --> 00:42:15,160
Speaker 2: Oh no, we flew too close to the sun about

807
00:42:15,200 --> 00:42:17,799
Speaker 2: something we don't have a common No, I haven't seen it. Okay,

808
00:42:17,800 --> 00:42:20,560
Speaker 2: but guess Leslie and I feel like the way Too

809
00:42:20,680 --> 00:42:23,160
Speaker 2: Leslie got made is like someone looked at a woman

810
00:42:23,200 --> 00:42:24,719
Speaker 2: that was Leslie on the street and they were like,

811
00:42:24,719 --> 00:42:27,120
Speaker 2: I have to make a movie better. That's what I think.

812
00:42:27,280 --> 00:42:29,160
Speaker 3: Yeah, I'm like, I feel like a lot of that

813
00:42:29,880 --> 00:42:33,640
Speaker 3: has been coming out recently to Leslie's.

814
00:42:33,239 --> 00:42:36,640
Speaker 2: Jersey Gloria Bell, Yes, yeah, I love Gloria Bell.

815
00:42:36,960 --> 00:42:40,359
Speaker 3: That's definitely someone who somebody was just like, oh my god,

816
00:42:40,440 --> 00:42:43,440
Speaker 3: she's standing in that parking structure, just staring. She's on

817
00:42:43,440 --> 00:42:44,040
Speaker 3: her lunch bike.

818
00:42:44,120 --> 00:42:49,080
Speaker 2: What maybe she's going through divorce? Oh my god. Yeah. Wow,

819
00:42:49,880 --> 00:42:52,040
Speaker 2: it seems like I gotta watch some more movies. Huh. Well,

820
00:42:52,080 --> 00:42:53,920
Speaker 2: you know what, or reads, I think it. I think

821
00:42:53,920 --> 00:42:56,440
Speaker 2: it stretches to any kind of media. I mean basically,

822
00:42:56,440 --> 00:42:58,279
Speaker 2: I only read books that are narrated by women going

823
00:42:58,320 --> 00:43:00,799
Speaker 2: through divorces. Yeah, I highly recommend. Yes.

824
00:43:02,600 --> 00:43:06,279
Speaker 1: Okay, wait. I had something about like, how do like

825
00:43:06,560 --> 00:43:09,000
Speaker 1: straight men see a woman on the train reading the

826
00:43:09,040 --> 00:43:11,040
Speaker 1: book God which a.

827
00:43:15,760 --> 00:43:21,520
Speaker 2: It's literally it's literally too. Leslie is on the subway

828
00:43:21,520 --> 00:43:23,799
Speaker 2: and she's like struggling with addiction and meanwhile a man

829
00:43:23,880 --> 00:43:30,040
Speaker 2: is like, nice tits on that one. It's like, try

830
00:43:30,080 --> 00:43:31,000
Speaker 2: to like drinking.

831
00:43:31,120 --> 00:43:32,560
Speaker 3: I got something for you to drink.

832
00:43:34,360 --> 00:43:37,799
Speaker 2: And she's like, I'm trying to reconnect with my son.

833
00:43:38,000 --> 00:43:42,959
Speaker 2: I'm like, I'll give you something to reconnect with trying

834
00:43:42,960 --> 00:43:49,319
Speaker 2: to connect with their son. You need a dad. I'll

835
00:43:49,360 --> 00:43:54,919
Speaker 2: never understand women like we do. No, no, no no.

836
00:43:55,040 --> 00:43:57,160
Speaker 2: I have a question for you. May as a woman,

837
00:43:57,400 --> 00:43:59,520
Speaker 2: do you feel like sometimes when you're on the subway,

838
00:43:59,600 --> 00:44:04,279
Speaker 2: someone is thinking you're too Leslie. Someone is like she

839
00:44:04,640 --> 00:44:06,440
Speaker 2: isn't a movie? Yeah?

840
00:44:06,520 --> 00:44:08,360
Speaker 1: Yeah, is that a lot of pressure?

841
00:44:08,520 --> 00:44:11,239
Speaker 2: Yeah? No, you know, do you.

842
00:44:11,280 --> 00:44:15,919
Speaker 3: Like it sometimes? Yeah? Yeah, I mean that's it. That's

843
00:44:16,000 --> 00:44:20,600
Speaker 3: a trans women I feel like are often like get

844
00:44:20,800 --> 00:44:24,279
Speaker 3: uh some guy that's just like, oh my god.

845
00:44:25,160 --> 00:44:27,799
Speaker 2: Wait in what way? Like in a guy that is

846
00:44:27,840 --> 00:44:30,759
Speaker 2: like in an emotional way, your emotional way, sexual way,

847
00:44:30,880 --> 00:44:34,160
Speaker 2: or like a gay guy, gay guy, oh gay gay guy?

848
00:44:34,440 --> 00:44:36,239
Speaker 2: Oh who is like standing you in real time?

849
00:44:36,360 --> 00:44:39,640
Speaker 3: Standing you and it's like I love that way. You

850
00:44:39,719 --> 00:44:43,400
Speaker 3: just started that dre Oh my god, you smoke cigarettes

851
00:44:43,640 --> 00:44:48,239
Speaker 3: so crazy? Oh my god, eat a salad so great? Like,

852
00:44:50,680 --> 00:44:55,759
Speaker 3: And I think because it's within the community, it's like,

853
00:44:57,280 --> 00:45:01,480
Speaker 3: there's there, it's there. It's fine to say something totally,

854
00:45:01,680 --> 00:45:04,080
Speaker 3: which it is. Yeah, you know, but it's I don't

855
00:45:04,080 --> 00:45:07,920
Speaker 3: think you would go up to your coworker Melissa and say.

856
00:45:07,920 --> 00:45:14,680
Speaker 2: Oh my god, that salad you ate? Sis? Right? That

857
00:45:14,880 --> 00:45:21,359
Speaker 2: is very complicated, Yeah, complicated. You choose a very complex Yeah.

858
00:45:21,400 --> 00:45:26,279
Speaker 1: I guess I'm really complex. I guess there's maybe maybe

859
00:45:26,320 --> 00:45:27,000
Speaker 1: i'm too leslie.

860
00:45:27,080 --> 00:45:30,640
Speaker 2: Ing to Leslie is when you're being complex.

861
00:45:32,040 --> 00:45:38,120
Speaker 1: In a feminine type of way. Yeah, yeah, yeah, Okay. Also,

862
00:45:38,560 --> 00:45:40,400
Speaker 1: I want to talk about like I feel like in

863
00:45:40,440 --> 00:45:44,759
Speaker 1: the past, straight men had muses a lot, and it

864
00:45:44,880 --> 00:45:46,960
Speaker 1: was always like a woman that they would be like, no,

865
00:45:47,000 --> 00:45:49,160
Speaker 1: I need to make you a star, like you're inspiring

866
00:45:49,200 --> 00:45:53,040
Speaker 1: me to make a film, and it's like, how do

867
00:45:53,080 --> 00:45:55,239
Speaker 1: we square that?

868
00:45:56,280 --> 00:45:59,879
Speaker 2: In the gadio lag Well, you know you know who

869
00:46:00,040 --> 00:46:03,400
Speaker 2: have a lot to say about that, Hannah Gatsby, And

870
00:46:03,440 --> 00:46:07,759
Speaker 2: it's the topic of their brand new exhibition. It's problematic

871
00:46:08,120 --> 00:46:09,760
Speaker 2: right now at the Brooklyn Museum.

872
00:46:10,360 --> 00:46:16,080
Speaker 3: Well go see it.

873
00:46:16,280 --> 00:46:17,840
Speaker 2: Have you ever been amused?

874
00:46:19,120 --> 00:46:22,080
Speaker 3: Yes to Hannah Gatsby.

875
00:46:23,239 --> 00:46:28,360
Speaker 2: Well, great work. Yeah, you inspired some really brilliant Yeah,

876
00:46:28,440 --> 00:46:34,480
Speaker 2: yourt she changed your name for legal reasons.

877
00:46:34,640 --> 00:46:37,080
Speaker 3: Yes, yes, I was like, it's not that about bad stuff,

878
00:46:37,120 --> 00:46:38,759
Speaker 3: but Nette is no.

879
00:46:38,840 --> 00:46:44,960
Speaker 2: But the way Hannah Gatsby I think Hannah Gatsby was like,

880
00:46:45,280 --> 00:46:47,239
Speaker 2: this show is going to be about someone named the Nette.

881
00:46:47,239 --> 00:46:50,320
Speaker 2: Then I changed my mind, but I kept the time. Okay, Okay,

882
00:46:50,360 --> 00:46:52,839
Speaker 2: so we literally still don't it? Okay, Okay, I mean

883
00:46:52,960 --> 00:46:53,880
Speaker 2: talk about complicated.

884
00:46:55,800 --> 00:46:57,799
Speaker 3: Have I ever been a mused? Yeah, I think so

885
00:46:59,520 --> 00:47:06,040
Speaker 3: to different gay guys in my life totally, but I'm

886
00:47:06,040 --> 00:47:07,359
Speaker 3: still friends with them, so I don't want.

887
00:47:07,239 --> 00:47:07,960
Speaker 2: To love their spot.

888
00:47:08,200 --> 00:47:12,399
Speaker 3: Yeah, but yeah, I mean it's it's good.

889
00:47:12,719 --> 00:47:13,479
Speaker 2: Do you have to check?

890
00:47:13,600 --> 00:47:14,920
Speaker 1: Like when they're like, hey, makeson do you want to

891
00:47:14,920 --> 00:47:17,279
Speaker 1: get drinks? And you're like, is it because I'm your muse?

892
00:47:17,880 --> 00:47:18,160
Speaker 2: Are you?

893
00:47:18,200 --> 00:47:21,680
Speaker 3: Are you just like mining this for your speech?

894
00:47:23,600 --> 00:47:27,719
Speaker 2: Am I your music? Or you're just happy to see me? Yeah?

895
00:47:27,719 --> 00:47:28,000
Speaker 2: They are.

896
00:47:28,040 --> 00:47:36,120
Speaker 3: They always have big erect yea, and they're painting furiously

897
00:47:36,920 --> 00:47:37,759
Speaker 3: huge directions.

898
00:47:38,000 --> 00:47:39,080
Speaker 2: Yeah.

899
00:47:39,239 --> 00:47:42,560
Speaker 3: Wow No, I mean yeah, I mean I I.

900
00:47:43,400 --> 00:47:44,359
Speaker 1: I love it.

901
00:47:44,840 --> 00:47:45,239
Speaker 2: I love that.

902
00:47:48,400 --> 00:47:49,920
Speaker 1: Can a gay guy be amused?

903
00:47:51,880 --> 00:48:01,040
Speaker 3: Well, Sean Hayes is my Yeah.

904
00:48:01,040 --> 00:48:01,680
Speaker 2: This is my amuse.

905
00:48:01,719 --> 00:48:09,040
Speaker 3: Next question, I think like a like a beautiful young

906
00:48:09,080 --> 00:48:10,440
Speaker 3: twink could maybe be amused.

907
00:48:10,480 --> 00:48:13,200
Speaker 2: Oh sure sure yeah. But then what kind of art

908
00:48:13,239 --> 00:48:14,000
Speaker 2: is being created?

909
00:48:14,320 --> 00:48:17,200
Speaker 1: Black and white photography on Fire Island?

910
00:48:18,000 --> 00:48:21,120
Speaker 2: Yeah, maybe a jean brand.

911
00:48:20,840 --> 00:48:24,960
Speaker 3: Maybe a gene brand, but unbuttoned unbuttoned button Yeah, I mean,

912
00:48:25,000 --> 00:48:26,800
Speaker 3: if you're buttoning your jeans, you're not amused.

913
00:48:26,920 --> 00:48:28,160
Speaker 1: So I'll say that.

914
00:48:29,120 --> 00:48:30,640
Speaker 2: Number one sign you're amused your jeans are.

915
00:48:30,760 --> 00:48:35,920
Speaker 1: But like a like a you might be a redneck,

916
00:48:35,960 --> 00:48:40,600
Speaker 1: but it.

917
00:48:40,520 --> 00:48:42,239
Speaker 3: Sounds like that sounds like something that would be on

918
00:48:42,280 --> 00:48:45,560
Speaker 3: like a magnet or a coffee cup, like you might

919
00:48:45,560 --> 00:48:50,400
Speaker 3: be amused if you drank that last bottlish like and

920
00:48:50,440 --> 00:48:51,920
Speaker 3: it's like a fifties housewife.

921
00:48:52,120 --> 00:49:02,080
Speaker 2: Yeah. Wow wow, I mean okay, so we've talked about like, I.

922
00:49:02,080 --> 00:49:04,320
Speaker 1: Mean, we do need to talk about like deva worship.

923
00:49:04,320 --> 00:49:06,800
Speaker 1: If we're gona talk about women, I think we're like

924
00:49:06,840 --> 00:49:07,319
Speaker 1: getting there.

925
00:49:07,680 --> 00:49:10,880
Speaker 3: Okay, maybe we should talk about that aesthetic that was

926
00:49:10,880 --> 00:49:12,799
Speaker 3: so popular for a while and kind of still is

927
00:49:13,120 --> 00:49:19,120
Speaker 3: the like fifties housewife drawing with like, uh, just give

928
00:49:19,160 --> 00:49:19,880
Speaker 3: me a reasoning.

929
00:49:20,680 --> 00:49:24,719
Speaker 2: Oh you know I only drink and days that end

930
00:49:24,800 --> 00:49:26,719
Speaker 2: in day. Yeah.

931
00:49:26,840 --> 00:49:33,240
Speaker 1: Yeah, this is like like I feel like drag queens

932
00:49:33,239 --> 00:49:35,920
Speaker 1: got obsessed with that in a way where I'm always

933
00:49:35,920 --> 00:49:40,319
Speaker 1: like I don't want it anymore. Like they can be

934
00:49:40,360 --> 00:49:42,560
Speaker 1: like so talented and they're like doing the housewife thing.

935
00:49:42,600 --> 00:49:46,120
Speaker 3: And again, oh the housewife aesthetic.

936
00:49:47,200 --> 00:49:50,360
Speaker 2: It's same with the pin up aesthetic. Yeah. Well this okay,

937
00:49:50,760 --> 00:49:52,960
Speaker 2: This sort of points to one of the main issues

938
00:49:52,960 --> 00:49:54,440
Speaker 2: with a lot of things we're talking about, which is, like,

939
00:49:55,320 --> 00:49:58,080
Speaker 2: guess what, as much as we can, as much as

940
00:49:58,280 --> 00:50:01,200
Speaker 2: gay people can say they love com plex women, they

941
00:50:01,200 --> 00:50:05,600
Speaker 2: want them to be complex in a very specific way. Yeah,

942
00:50:05,840 --> 00:50:09,480
Speaker 2: and that way is essentially Lana del Rey like they don't.

943
00:50:09,320 --> 00:50:12,839
Speaker 3: Because it's it's Leslie.

944
00:50:14,560 --> 00:50:17,960
Speaker 2: And and I do think that. I mean, this is

945
00:50:18,040 --> 00:50:20,600
Speaker 2: where the obvious critique of like is it all rooted

946
00:50:20,600 --> 00:50:25,560
Speaker 2: and misogyny comes in, where it's like, can gay people

947
00:50:25,719 --> 00:50:30,240
Speaker 2: can queer LGBTQ plus people actually ever stand a real

948
00:50:30,320 --> 00:50:31,160
Speaker 2: complex woman?

949
00:50:32,719 --> 00:50:36,480
Speaker 3: Like, like, what is the let's think of the most

950
00:50:36,600 --> 00:50:38,880
Speaker 3: complex woman that we've.

951
00:50:38,719 --> 00:50:42,040
Speaker 1: Been Okay, what is the most We're hosting the Complex

952
00:50:42,040 --> 00:50:43,239
Speaker 1: Woman Awards, Okay.

953
00:50:43,600 --> 00:50:48,200
Speaker 2: And they're and they're judged by all gay guys. You

954
00:50:48,239 --> 00:50:49,080
Speaker 2: guys are literally.

955
00:50:48,840 --> 00:50:52,080
Speaker 3: Trans like the end of bo Is Afraid, where it's

956
00:50:52,200 --> 00:50:57,000
Speaker 3: just like a weird like auditorium, but it's all gay guys.

957
00:50:57,160 --> 00:50:58,320
Speaker 2: Yeah, it's a weird auditorium.

958
00:50:58,640 --> 00:51:01,040
Speaker 3: It was Afraid kind of was this in a way.

959
00:51:01,320 --> 00:51:03,279
Speaker 2: So I haven't seen it. Well, I did read the

960
00:51:03,320 --> 00:51:05,319
Speaker 2: Wikipedia page because I wanted to make sure I can

961
00:51:05,400 --> 00:51:05,759
Speaker 2: handle it.

962
00:51:05,840 --> 00:51:08,279
Speaker 3: I love them referencing this as if everyone has seen it.

963
00:51:08,280 --> 00:51:12,440
Speaker 2: It's like no one, Yeah, literally, but I need whatever

964
00:51:12,440 --> 00:51:13,640
Speaker 2: I need to see it for Patty, Oh my god,

965
00:51:13,680 --> 00:51:20,000
Speaker 2: deva worship. Here we go again. But it's a safer Parker.

966
00:51:22,000 --> 00:51:25,120
Speaker 2: It's literally gay guys trying to atone for their sins.

967
00:51:25,160 --> 00:51:29,719
Speaker 2: Of being sexist by hosting the Complex Woman Awards. Like,

968
00:51:29,800 --> 00:51:31,600
Speaker 2: we're gonna get to the bottom of this. We're going

969
00:51:31,680 --> 00:51:33,040
Speaker 2: to host the Complex Woman Awards.

970
00:51:33,280 --> 00:51:36,719
Speaker 1: Okay, so what is a complex The complex is the

971
00:51:36,760 --> 00:51:42,960
Speaker 1: intro Websters defines complex woman as.

972
00:51:43,000 --> 00:51:45,800
Speaker 2: Well, you know, iconically in our epolitionary read we defined

973
00:51:45,920 --> 00:51:49,840
Speaker 2: a glamour girl as someone who is glamorous, wounded and

974
00:51:49,880 --> 00:51:55,279
Speaker 2: seeking truth. Yeah, oh love, And so that's certainly I

975
00:51:55,280 --> 00:51:57,200
Speaker 2: think that is the kind of complex woman that gay

976
00:51:57,200 --> 00:51:59,960
Speaker 2: people are attracted to. Yeah, yeah, I mean, this is

977
00:52:00,080 --> 00:52:05,359
Speaker 2: the reporter with her notebook trying to solve the case.

978
00:52:05,440 --> 00:52:07,560
Speaker 2: It's basically Julia Roberts and Rocks.

979
00:52:07,840 --> 00:52:11,960
Speaker 3: It's Juli essentially, it's uh yeah, Julianne Moore in Anything

980
00:52:11,960 --> 00:52:17,400
Speaker 3: More than Anything. Also, but like the reverse is also true.

981
00:52:17,440 --> 00:52:23,600
Speaker 3: A performative dressing down, destroyer, destroyer, monster, monster.

982
00:52:24,280 --> 00:52:28,520
Speaker 2: Oh yeah, destroyer, I mean beautiful movie.

983
00:52:28,320 --> 00:52:31,799
Speaker 3: Kate in mud, Yeah, caked and caked, ship and.

984
00:52:31,800 --> 00:52:39,719
Speaker 5: Dirt this episode, Holly Hunter in that in the Top

985
00:52:39,760 --> 00:52:42,279
Speaker 5: of the Lake and top and thirteen all the.

986
00:52:42,200 --> 00:52:43,399
Speaker 2: Time, yeah, all the time.

987
00:52:43,480 --> 00:52:45,800
Speaker 1: This episode there will be you will be able to

988
00:52:45,840 --> 00:52:47,480
Speaker 1: make a super cut of you guys talk about movies

989
00:52:47,520 --> 00:52:48,200
Speaker 1: and be going.

990
00:52:53,600 --> 00:52:55,920
Speaker 2: Simply. Okay, wait, I have one for you. I've seen.

991
00:52:57,400 --> 00:52:58,480
Speaker 1: Five percent of the movie.

992
00:52:59,200 --> 00:53:01,919
Speaker 2: You've seen Monster. No, I have one for you because

993
00:53:01,920 --> 00:53:04,200
Speaker 2: I know you just watched this movie the mom and

994
00:53:04,280 --> 00:53:11,560
Speaker 2: Rachel getting married, so true, getting married, and also Ann

995
00:53:11,560 --> 00:53:12,680
Speaker 2: Hathaway and Rachel getting married.

996
00:53:12,760 --> 00:53:18,080
Speaker 3: Yeah, and the sister yeah get yeah, Rachel getting married

997
00:53:18,120 --> 00:53:19,120
Speaker 3: was great for dressing down.

998
00:53:19,280 --> 00:53:24,440
Speaker 2: Yeah. You know Audra McDonald in The Good Fight, Halle.

999
00:53:24,160 --> 00:53:31,440
Speaker 3: Berry Monsters, Yeah, Merrill does it a lot. Yeah yeah.

1000
00:53:31,560 --> 00:53:33,839
Speaker 1: Okay, So Complex Woman Awards, Okay, we have to make

1001
00:53:33,880 --> 00:53:34,360
Speaker 1: a decision.

1002
00:53:34,400 --> 00:53:35,200
Speaker 3: That's a category.

1003
00:53:35,280 --> 00:53:38,279
Speaker 2: Okay, dress dressed down, but maybe there's one. Yes?

1004
00:53:38,840 --> 00:53:39,920
Speaker 3: Is it all actresses?

1005
00:53:40,000 --> 00:53:43,080
Speaker 2: Well no, no, no, women on the subway? Yeah yeah yeah,

1006
00:53:44,080 --> 00:53:45,600
Speaker 2: women in New York. And we have to find the

1007
00:53:45,600 --> 00:53:49,279
Speaker 2: most complex woman. It's a Complex Woman pageant. Yeah. We're

1008
00:53:49,280 --> 00:53:51,760
Speaker 2: basically so yeah. To battle sexism in the gay community,

1009
00:53:51,760 --> 00:53:55,160
Speaker 2: we're holding a pageant for women, and we're holding a

1010
00:53:55,200 --> 00:53:57,920
Speaker 2: pageant for women. And the most complex woman, as judged

1011
00:53:57,920 --> 00:54:00,719
Speaker 2: by a panel of gay men, win gets a jobs.

1012
00:54:02,200 --> 00:54:06,640
Speaker 3: Swan filler filler in botogue.

1013
00:54:06,840 --> 00:54:08,399
Speaker 2: We give her a full make of her mame.

1014
00:54:09,320 --> 00:54:13,359
Speaker 3: Wow, you get mello facial surgery. You got all your

1015
00:54:13,360 --> 00:54:19,759
Speaker 3: teeth ripped out and new ones. But wow, okay, so

1016
00:54:20,000 --> 00:54:24,880
Speaker 3: we've got so mother I think mothers should be.

1017
00:54:25,120 --> 00:54:26,040
Speaker 2: Mother is a category.

1018
00:54:26,120 --> 00:54:34,400
Speaker 3: Mother is, by the way, not not the biologically but Mammy, Mammy.

1019
00:54:34,520 --> 00:54:36,240
Speaker 2: The Mommy Award, the Mammy Award.

1020
00:54:36,280 --> 00:54:41,600
Speaker 1: Okay, mom of the Year, business woman, business business excellent,

1021
00:54:41,640 --> 00:54:42,480
Speaker 1: we're literally.

1022
00:54:42,160 --> 00:54:43,640
Speaker 2: Doing Paris is burning right now.

1023
00:54:43,800 --> 00:54:48,000
Speaker 6: And just like category is executive real but for but

1024
00:54:48,160 --> 00:54:50,800
Speaker 6: for straight women on the subway.

1025
00:54:50,680 --> 00:54:53,000
Speaker 1: I do want one that's conservative woman.

1026
00:54:54,280 --> 00:54:55,160
Speaker 3: Conservative woman.

1027
00:54:55,320 --> 00:54:58,520
Speaker 1: I mean you have to complex. I mean she's gonna win.

1028
00:54:59,560 --> 00:55:00,440
Speaker 1: I mean that complex.

1029
00:55:00,480 --> 00:55:01,800
Speaker 2: There are some of the most complex.

1030
00:55:01,840 --> 00:55:04,839
Speaker 3: Did you see what's the shirleyst there in Fox News

1031
00:55:04,880 --> 00:55:06,320
Speaker 3: movie Bombshell?

1032
00:55:07,640 --> 00:55:09,800
Speaker 2: All of them, when all of them, when.

1033
00:55:09,719 --> 00:55:12,040
Speaker 3: All of them, when I'm so sorry they win.

1034
00:55:11,960 --> 00:55:14,160
Speaker 1: Every single year, they always sweep the awards.

1035
00:55:14,320 --> 00:55:16,600
Speaker 2: I'm always fascinated by. You know who is fascinating to

1036
00:55:16,600 --> 00:55:17,719
Speaker 2: me A Laura Bush?

1037
00:55:18,200 --> 00:55:21,480
Speaker 3: Yeah, because you really are like any quiet wife of

1038
00:55:21,520 --> 00:55:22,080
Speaker 3: a war criminal.

1039
00:55:22,160 --> 00:55:24,480
Speaker 2: Anything could be going on. Yes, And I actually do

1040
00:55:24,640 --> 00:55:28,920
Speaker 2: think she has moments of real progressivism and she has to,

1041
00:55:29,040 --> 00:55:32,360
Speaker 2: like you know, I think, for instance, she has a

1042
00:55:32,400 --> 00:55:33,080
Speaker 2: lot of gay friends.

1043
00:55:33,920 --> 00:55:35,040
Speaker 3: Okay, is that true?

1044
00:55:35,120 --> 00:55:37,080
Speaker 2: I think, oh, you think okay, Yeah, And I think

1045
00:55:37,320 --> 00:55:40,000
Speaker 2: she like sort of came out pro game rage came out.

1046
00:55:40,040 --> 00:55:45,960
Speaker 2: She came out as questions. She was like the cue

1047
00:55:45,960 --> 00:55:49,880
Speaker 2: is valid, Laura Bus. She's like out of nowhere twenty

1048
00:55:49,920 --> 00:55:54,960
Speaker 2: twenty one, coming ask questions like, well, I thought about it.

1049
00:55:55,920 --> 00:56:00,440
Speaker 2: I will admit I thought about it. Wis you?

1050
00:56:02,400 --> 00:56:03,839
Speaker 3: I don't have an answer yet, but.

1051
00:56:07,760 --> 00:56:11,400
Speaker 2: Question who among us? Laura Bush coming out of his questioning

1052
00:56:11,400 --> 00:56:13,520
Speaker 2: would be a great character for you in your cab.

1053
00:56:13,840 --> 00:56:18,480
Speaker 3: She's like, you've seen Sama Hi pretty hard. It's a

1054
00:56:18,480 --> 00:56:22,239
Speaker 3: beautiful woman, looks like maske it. I don't know what

1055
00:56:22,280 --> 00:56:23,000
Speaker 3: to say.

1056
00:56:24,160 --> 00:56:26,480
Speaker 2: Wow, okay.

1057
00:56:26,680 --> 00:56:29,919
Speaker 1: Also, Laura Bush has like this like permanent smile on

1058
00:56:30,120 --> 00:56:32,040
Speaker 1: where it's like Mona Lisa found in the ditch.

1059
00:56:32,600 --> 00:56:38,239
Speaker 2: It's like wishes she was Laura Bush.

1060
00:56:38,400 --> 00:56:43,960
Speaker 3: Actually they do kind of look similar style Mona Lisa,

1061
00:56:44,239 --> 00:56:45,960
Speaker 3: like love Laura.

1062
00:56:45,719 --> 00:56:49,960
Speaker 2: Does Mona Lisa for the snatchcase. Guess what for Interview

1063
00:56:50,200 --> 00:56:52,480
Speaker 2: mel Ottenburg. If you're listening for Interview magazine, I want

1064
00:56:52,480 --> 00:56:57,239
Speaker 2: to photo shoot know Laura Bush styled Mona Lisa mel Ottenburg.

1065
00:56:57,280 --> 00:57:02,839
Speaker 6: If you're listening by Vladimir Food, I have I want

1066
00:57:02,840 --> 00:57:07,400
Speaker 6: a big spread, A big spread. Oh my god, the

1067
00:57:07,640 --> 00:57:08,920
Speaker 6: icons issue.

1068
00:57:09,760 --> 00:57:11,440
Speaker 1: Love them, hate them, it's still an obsession.

1069
00:57:13,480 --> 00:57:15,840
Speaker 2: And then Laura Bush is posting like a thrill to

1070
00:57:15,920 --> 00:57:19,880
Speaker 2: work with photographer at bottom slot bottom, and you click

1071
00:57:19,920 --> 00:57:22,000
Speaker 2: on their profile and it's only the black and white

1072
00:57:22,040 --> 00:57:23,760
Speaker 2: twings with the jeans on Laura Bush.

1073
00:57:26,880 --> 00:57:33,040
Speaker 3: Oh my god, hair byes Diva, curl wigs number five.

1074
00:57:32,880 --> 00:57:40,200
Speaker 2: Make up by Mayhem Miller. I mean you laugh. But

1075
00:57:40,240 --> 00:57:41,800
Speaker 2: at some point she will be a guest judge on

1076
00:57:41,840 --> 00:57:42,360
Speaker 2: Drag Race.

1077
00:57:42,520 --> 00:57:47,280
Speaker 3: Oh god, I mean Nancy was yeah, oh I thought you.

1078
00:57:47,520 --> 00:57:51,120
Speaker 1: I was like, Nancy Reagan, I was like, I missed

1079
00:57:51,120 --> 00:57:51,880
Speaker 1: that episode.

1080
00:57:52,680 --> 00:57:56,640
Speaker 2: They brought her. They brought her corpse and plopped it

1081
00:57:56,720 --> 00:57:59,960
Speaker 2: on one of those chairs. They were like, Nancy, how

1082
00:58:00,120 --> 00:58:02,280
Speaker 2: your head falls off?

1083
00:58:02,760 --> 00:58:08,439
Speaker 1: She's like, oh my, oh my god.

1084
00:58:14,400 --> 00:58:15,320
Speaker 2: She's like, how that?

1085
00:58:15,440 --> 00:58:17,440
Speaker 3: How's that for trickle down?

1086
00:58:23,520 --> 00:58:28,880
Speaker 2: My god? Wow, we have a mommy business woman stripping

1087
00:58:28,920 --> 00:58:31,400
Speaker 2: out category.

1088
00:58:31,680 --> 00:58:36,760
Speaker 3: I think we also need like divorced, well divorced, yeah,

1089
00:58:36,880 --> 00:58:40,640
Speaker 3: just general divorce category. We need like slut oh.

1090
00:58:41,200 --> 00:58:43,000
Speaker 2: Yeah, oh my god, that's right. We have not been

1091
00:58:43,480 --> 00:58:44,800
Speaker 2: celebrating sex.

1092
00:58:44,880 --> 00:58:48,440
Speaker 1: Sex and it's yeah, well.

1093
00:58:49,840 --> 00:58:51,959
Speaker 3: Kink it pride. It's a big it's a big top.

1094
00:58:52,160 --> 00:58:55,280
Speaker 3: It's a big topic, especially now that we have Indie pride, right,

1095
00:58:55,640 --> 00:58:58,120
Speaker 3: we just don't know, we don't know how far.

1096
00:58:58,760 --> 00:59:00,800
Speaker 2: That's a good question, is kinkle out indie?

1097
00:59:01,240 --> 00:59:04,919
Speaker 3: Well that's when you get into like sounding and and like.

1098
00:59:05,120 --> 00:59:07,360
Speaker 2: Uh, I don't want to see can't get indie problem,

1099
00:59:07,720 --> 00:59:10,600
Speaker 2: You don't want to can get indie pro Sarah pol

1100
00:59:12,080 --> 00:59:13,520
Speaker 2: Sarah poly sounding station.

1101
00:59:20,680 --> 00:59:21,439
Speaker 3: Yeah you get.

1102
00:59:22,160 --> 00:59:24,880
Speaker 2: You get lots of stuff over there, you get lots

1103
00:59:24,920 --> 00:59:29,480
Speaker 2: of stuff of Sarah sounding station. Yeah, you got so No,

1104
00:59:29,600 --> 00:59:33,760
Speaker 2: can't get in harmonde care in human tampon. Hm.

1105
00:59:39,720 --> 00:59:42,440
Speaker 3: It gets really gnarly. It's really gnarly, and.

1106
00:59:42,480 --> 00:59:45,440
Speaker 1: So yeah that's important.

1107
00:59:46,320 --> 00:59:48,840
Speaker 3: I remember, Yeah, you kind of do want it behind

1108
00:59:48,840 --> 00:59:49,400
Speaker 3: closed doors.

1109
00:59:49,480 --> 00:59:59,080
Speaker 1: Yeah, yeah, yeah, the Fox search Light human sentiment. All right,

1110
01:00:00,040 --> 01:00:07,240
Speaker 1: we're being bad. Where do we go from here? I

1111
01:00:07,320 --> 01:00:09,840
Speaker 1: have literally no idea. I've never been more lost in

1112
01:00:09,880 --> 01:00:12,200
Speaker 1: my life. I feel like we've This has been such

1113
01:00:12,200 --> 01:00:14,240
Speaker 1: a groundbreaking episode of Gadio Lab.

1114
01:00:14,360 --> 01:00:16,960
Speaker 2: It's insane and I and just to be I just

1115
01:00:16,960 --> 01:00:20,040
Speaker 2: want to say this now while we're still recording. Sam,

1116
01:00:20,400 --> 01:00:24,480
Speaker 2: you had an idea and you fucking did it.

1117
01:00:26,080 --> 01:00:27,240
Speaker 3: You're basically lydia tar.

1118
01:00:27,480 --> 01:00:33,280
Speaker 2: I'm being so lydiatar right now. Lydia Tar would definitely

1119
01:00:33,480 --> 01:00:34,480
Speaker 2: slay at the awards.

1120
01:00:34,480 --> 01:00:36,960
Speaker 3: Oh my god, she would sweep a lot of the categories.

1121
01:00:37,200 --> 01:00:42,560
Speaker 2: Yeah, conservative woman, conservative women women, business woman.

1122
01:00:42,480 --> 01:00:44,840
Speaker 1: I mean canceled woman, even canceled.

1123
01:00:46,200 --> 01:00:48,320
Speaker 2: Yeah, I'm murting for Barry Wise.

1124
01:00:50,760 --> 01:00:52,200
Speaker 3: Wait, who is that she's like?

1125
01:00:53,040 --> 01:00:56,040
Speaker 2: Was wrote for the New York Times opinion section and then,

1126
01:00:56,480 --> 01:00:58,960
Speaker 2: rather than make fire, just quit and wrote about how

1127
01:00:58,960 --> 01:01:02,760
Speaker 2: she was pushed. Now, oh, she's one of these like

1128
01:01:02,800 --> 01:01:11,160
Speaker 2: anti cancel culture like yeah, oh short shor.

1129
01:01:12,240 --> 01:01:14,680
Speaker 3: But yeah, but your selt category needs to be present.

1130
01:01:16,920 --> 01:01:21,160
Speaker 1: This is starting to feel less like Parents is Burning

1131
01:01:21,160 --> 01:01:23,439
Speaker 1: and more like the like Westminster Dog Show.

1132
01:01:23,960 --> 01:01:28,920
Speaker 2: Right, well, it's degrading. Let's be honest. Let's be honest

1133
01:01:28,960 --> 01:01:29,720
Speaker 2: with ourselves.

1134
01:01:30,080 --> 01:01:32,320
Speaker 3: It's basically best in show best.

1135
01:01:32,360 --> 01:01:35,200
Speaker 2: It is the one of the most degrading things one

1136
01:01:35,200 --> 01:01:38,000
Speaker 2: could possibly imagine. I think I think the complex one

1137
01:01:38,040 --> 01:01:41,480
Speaker 2: would have been canceled. I think, I mean, the thing is,

1138
01:01:41,520 --> 01:01:42,760
Speaker 2: and it's.

1139
01:01:42,600 --> 01:01:44,640
Speaker 3: It's ran by Huffpa.

1140
01:01:47,440 --> 01:01:49,680
Speaker 2: I think the only way to make this work is

1141
01:01:49,720 --> 01:01:53,320
Speaker 2: if it is, I mean, then you just go. Basically,

1142
01:01:53,520 --> 01:01:55,320
Speaker 2: it should be just a little fair. It should be

1143
01:01:55,320 --> 01:01:57,120
Speaker 2: like queer women judging other queer women.

1144
01:01:57,600 --> 01:02:01,120
Speaker 3: Yeah, yeah, which is really the best way to judge.

1145
01:02:01,760 --> 01:02:04,160
Speaker 2: They should do that. They should do a rouphouls drag

1146
01:02:04,240 --> 01:02:08,440
Speaker 2: race that is just like queer women owned and operated. Yes,

1147
01:02:09,240 --> 01:02:14,280
Speaker 2: it's like she owns a tire store. And then everyone's like,

1148
01:02:14,480 --> 01:02:17,400
Speaker 2: I loved what you did with those socks, like they're

1149
01:02:17,440 --> 01:02:23,760
Speaker 2: really original. Yeah, those hiking boots look very comfortable, guess

1150
01:02:23,880 --> 01:02:24,840
Speaker 2: judge Rachel Maddow.

1151
01:02:25,400 --> 01:02:27,880
Speaker 1: Yeah, it's like the temperature and you're perfect. Who did that?

1152
01:02:28,680 --> 01:02:29,240
Speaker 2: Yeah?

1153
01:02:29,320 --> 01:02:32,600
Speaker 3: Yeah, I also love these stereotypes of queer women that

1154
01:02:32,640 --> 01:02:36,320
Speaker 3: were putting totally. I think it's really brave.

1155
01:02:37,160 --> 01:02:42,760
Speaker 1: No one does that anymore, don't you think no one's

1156
01:02:42,800 --> 01:02:46,040
Speaker 1: allowed to No one's aowed to make generalizations are queermen anymore?

1157
01:02:46,120 --> 01:02:48,360
Speaker 3: It's like, yeah, it's like how the idolist bringing back

1158
01:02:48,400 --> 01:02:51,560
Speaker 3: like kind of the nineties thriller Fatal Attraction remake, Like

1159
01:02:51,600 --> 01:02:56,760
Speaker 3: we're bringing back like SUPERU jokes, super joke, yes, jokes

1160
01:02:56,760 --> 01:03:00,960
Speaker 3: about women. Yeah, and lesbians, Yeah, say lesbians.

1161
01:03:01,000 --> 01:03:03,240
Speaker 2: You can say, queer women don't have to be lesbians,

1162
01:03:03,720 --> 01:03:13,040
Speaker 2: thank you, Macie. Jesus. Is this episode offensive?

1163
01:03:14,160 --> 01:03:14,840
Speaker 3: I think so?

1164
01:03:15,200 --> 01:03:15,720
Speaker 2: Yeah?

1165
01:03:16,280 --> 01:03:20,040
Speaker 1: I agree, Yeah, I think this episode is one of

1166
01:03:20,080 --> 01:03:21,040
Speaker 1: our more offensive.

1167
01:03:22,280 --> 01:03:24,240
Speaker 3: Yeah. I feel bad every time I come here. I'm like,

1168
01:03:24,320 --> 01:03:31,160
Speaker 3: no calling Neil Patrick Harris the sag word. I'm creating

1169
01:03:31,160 --> 01:03:32,320
Speaker 3: a pageant for women.

1170
01:03:32,840 --> 01:03:36,400
Speaker 2: Do you feel like you're being almost like by being

1171
01:03:36,560 --> 01:03:40,520
Speaker 2: part of this conversation, sort of joining us in degrading women.

1172
01:03:40,920 --> 01:03:43,240
Speaker 2: Do you feel like you're being complicit in a sort

1173
01:03:43,240 --> 01:03:45,240
Speaker 2: of oh, I'm just a guy's gal type of way.

1174
01:03:45,440 --> 01:03:49,280
Speaker 3: Yeah, I'm like the Jenny McCarthy exact network.

1175
01:03:48,920 --> 01:03:50,919
Speaker 2: Because you could have at any point put your foot

1176
01:03:50,960 --> 01:03:53,760
Speaker 2: down and be like stop saying that about too, leslie,

1177
01:03:54,240 --> 01:03:59,280
Speaker 2: and that you joined in made jokes. Yes, yeah, yeah, yeah, yeah,

1178
01:04:00,040 --> 01:04:01,040
Speaker 2: women tearing down women.

1179
01:04:01,320 --> 01:04:01,800
Speaker 3: I love it.

1180
01:04:01,920 --> 01:04:05,640
Speaker 1: If you can't call women the sea word complex.

1181
01:04:07,240 --> 01:04:14,240
Speaker 2: Then we're making merch complexes. Then you see words, you

1182
01:04:14,280 --> 01:04:16,440
Speaker 2: know how they were like, oh the B word is bossy.

1183
01:04:16,960 --> 01:04:18,240
Speaker 2: Oh I love that.

1184
01:04:18,520 --> 01:04:21,880
Speaker 3: Okay too, because even mentioning the sea words kind of

1185
01:04:22,440 --> 01:04:23,000
Speaker 3: kind of risky.

1186
01:04:23,080 --> 01:04:27,760
Speaker 2: Oh people got mad at me? Yeah, people in this room, Yeah, exactly. Wow.

1187
01:04:27,800 --> 01:04:31,160
Speaker 3: There's about fifty people behind the cameras, behind the mics,

1188
01:04:31,160 --> 01:04:32,040
Speaker 3: and they're all glacious.

1189
01:04:32,080 --> 01:04:34,120
Speaker 2: It's literally an it's actually an all women crew. And

1190
01:04:34,120 --> 01:04:36,680
Speaker 2: they're all like horrified and you're like their arms crossed,

1191
01:04:36,800 --> 01:04:40,200
Speaker 2: like I thought these were just they're all gay guys.

1192
01:04:40,240 --> 01:04:44,960
Speaker 2: They're all whispering to each other. Wow. I mean, but

1193
01:04:45,040 --> 01:04:45,800
Speaker 2: I think it brings up.

1194
01:04:45,800 --> 01:04:50,760
Speaker 3: If it brings we're not we're not asking any questions,

1195
01:04:50,760 --> 01:04:58,040
Speaker 3: but we're gesturing towards problems of misogyny of other stuff.

1196
01:04:58,040 --> 01:05:00,240
Speaker 3: I'm sure warming.

1197
01:05:00,160 --> 01:05:05,760
Speaker 2: Yeah, warming, yeah, yeah, well, the constitution, the dead ceiling, yeah,

1198
01:05:05,920 --> 01:05:08,880
Speaker 2: the dead, the becoming elections, yeah, yeah, of course, they're

1199
01:05:08,920 --> 01:05:16,120
Speaker 2: always just so may see, Like, as a woman, what

1200
01:05:16,200 --> 01:05:18,640
Speaker 2: do you think? And because I feel like, you know,

1201
01:05:18,680 --> 01:05:20,200
Speaker 2: you've been sort of out a remove you're like, oh,

1202
01:05:20,240 --> 01:05:21,640
Speaker 2: this is what we're going to do with these women

1203
01:05:21,640 --> 01:05:24,600
Speaker 2: that we're gonna put in this room, But I want

1204
01:05:24,600 --> 01:05:27,280
Speaker 2: to put the spotlight on you as a woman. What

1205
01:05:27,320 --> 01:05:29,840
Speaker 2: do you think for anyone listening that wants to be

1206
01:05:29,880 --> 01:05:32,640
Speaker 2: an ally to women, what are the issues currently facing women?

1207
01:05:32,880 --> 01:05:35,880
Speaker 2: And what can we do to be better allies to women.

1208
01:05:36,720 --> 01:05:40,640
Speaker 3: Currently facing women issues.

1209
01:05:40,360 --> 01:05:43,960
Speaker 1: Specifically and maybe even specifically address the gay guy community.

1210
01:05:44,280 --> 01:05:50,320
Speaker 3: Yeah, okay, I think that women's stories just need to

1211
01:05:50,360 --> 01:05:50,880
Speaker 3: be told.

1212
01:05:51,000 --> 01:05:52,360
Speaker 2: Yeah, I was gonna say that.

1213
01:05:52,800 --> 01:05:55,560
Speaker 3: It's a huge problem. It's just like there's not enough

1214
01:05:55,720 --> 01:05:59,400
Speaker 3: stories being told totally, so in general in general, mainly

1215
01:05:59,440 --> 01:06:00,160
Speaker 3: for women.

1216
01:06:00,080 --> 01:06:02,800
Speaker 2: Mainly for women. Women's stories matter.

1217
01:06:04,320 --> 01:06:06,720
Speaker 3: And what was the other be half of the question, how.

1218
01:06:06,520 --> 01:06:08,560
Speaker 2: Can we be better allies to women?

1219
01:06:08,960 --> 01:06:13,320
Speaker 3: Oh, if you see it to Leslie on the street, right,

1220
01:06:13,400 --> 01:06:16,720
Speaker 3: that movie, you know, write that movie about that woman

1221
01:06:16,760 --> 01:06:17,480
Speaker 3: with a briefcase.

1222
01:06:17,520 --> 01:06:21,560
Speaker 2: So the movie should be written by gay men only, Yeah, only.

1223
01:06:21,880 --> 01:06:24,880
Speaker 3: That's your way to give back to women, you know,

1224
01:06:25,600 --> 01:06:32,000
Speaker 3: by making them iconoclastic, by making them these you know,

1225
01:06:33,120 --> 01:06:37,520
Speaker 3: these figures. And you know, I think that because we

1226
01:06:37,520 --> 01:06:41,000
Speaker 3: were talking about men, straight men don't see women the

1227
01:06:41,000 --> 01:06:43,000
Speaker 3: same way. I think maybe you should amp up some

1228
01:06:43,080 --> 01:06:45,880
Speaker 3: of the like features of their personality, their bodies.

1229
01:06:46,240 --> 01:06:47,120
Speaker 2: Maybe have them in like.

1230
01:06:47,080 --> 01:06:52,320
Speaker 3: Corsets and big bras, big wigs, if they even get

1231
01:06:52,320 --> 01:06:55,600
Speaker 3: a little bit sad, make them cry hysterically, just to

1232
01:06:55,640 --> 01:06:57,920
Speaker 3: really drive the point home. I think this is like

1233
01:06:57,960 --> 01:07:00,360
Speaker 3: a really fair way for a word.

1234
01:07:00,680 --> 01:07:02,959
Speaker 2: Yeah, you know, perfect all right. So, any gay guys

1235
01:07:02,960 --> 01:07:06,320
Speaker 2: out there listening, if you see a woman, write a

1236
01:07:06,360 --> 01:07:09,080
Speaker 2: movie about her, I think that or.

1237
01:07:10,880 --> 01:07:14,440
Speaker 3: A stage or stage or mini series'.

1238
01:07:14,240 --> 01:07:17,560
Speaker 2: Series that maybe maybe a one woman show where it's

1239
01:07:17,560 --> 01:07:19,600
Speaker 2: the gay guy in dragon the story of that woman.

1240
01:07:19,920 --> 01:07:22,720
Speaker 2: It could be fun. That could be really fun. That

1241
01:07:22,760 --> 01:07:33,479
Speaker 2: could be maybe a novel. No, who's reading anymore? Say that? Yeah?

1242
01:07:33,560 --> 01:07:35,440
Speaker 1: Okay, perfect, Well that sounds amazing.

1243
01:07:35,560 --> 01:07:36,880
Speaker 2: Thanks for that advice.

1244
01:07:37,000 --> 01:07:40,440
Speaker 1: Yeah, do we have anything else you want to say

1245
01:07:40,440 --> 01:07:41,840
Speaker 1: about women?

1246
01:07:42,200 --> 01:07:50,280
Speaker 2: Macie vote? Yeah, because guess what, all right, start depending

1247
01:07:50,280 --> 01:07:55,280
Speaker 2: on it. It's true, not just women's rights.

1248
01:07:55,320 --> 01:07:58,880
Speaker 3: Although women's rights are wrapped into men's right.

1249
01:07:59,160 --> 01:08:00,720
Speaker 2: Women's rights are human rights, and.

1250
01:08:00,720 --> 01:08:04,280
Speaker 3: So if you want to keep your men's rights, you

1251
01:08:04,280 --> 01:08:05,880
Speaker 3: should start caring about women's rights.

1252
01:08:07,000 --> 01:08:16,920
Speaker 2: That's that's the only reason. Yeah, that's on democracy. Howney mauma. Well,

1253
01:08:17,160 --> 01:08:23,080
Speaker 2: no one has ever said we need to start doing

1254
01:08:23,080 --> 01:08:25,640
Speaker 2: that again. I love when we you say mama mama,

1255
01:08:26,200 --> 01:08:31,600
Speaker 2: like rather than mama, mama, mama. It's like I have

1256
01:08:31,640 --> 01:08:35,840
Speaker 2: a friend. John Copeland was like was on and he

1257
01:08:36,080 --> 01:08:37,760
Speaker 2: was like in a sort of New Jersey Acient was like,

1258
01:08:37,920 --> 01:08:44,120
Speaker 2: oh is this padam padam padam padam?

1259
01:08:44,439 --> 01:08:44,639
Speaker 3: Oh?

1260
01:08:49,200 --> 01:08:51,679
Speaker 2: I mean should we do our final segment? Yeah?

1261
01:08:52,160 --> 01:08:56,479
Speaker 1: Please take the reins on this so fans will know

1262
01:08:56,560 --> 01:09:00,960
Speaker 1: that we always end our show with a little segment

1263
01:09:01,040 --> 01:09:03,439
Speaker 1: called shout Outs, which is an homoage to straight culture.

1264
01:09:03,840 --> 01:09:07,000
Speaker 1: But this ain't Stradio Lab Sweetheart, This is iHeart Presents,

1265
01:09:07,000 --> 01:09:12,280
Speaker 1: Big Twenty Players Presents Stradio Lab presents Gay and So

1266
01:09:12,320 --> 01:09:14,839
Speaker 1: today instead of shout outs, we will be paying homage

1267
01:09:14,880 --> 01:09:18,800
Speaker 1: to the great gay tradition and doing branded content from

1268
01:09:18,840 --> 01:09:24,200
Speaker 1: a queer creator, which is an amazing new segment.

1269
01:09:24,479 --> 01:09:30,120
Speaker 2: Okay, so we are doing Yeah, we're each doing a

1270
01:09:30,280 --> 01:09:35,080
Speaker 2: branded segment where we promote a queer.

1271
01:09:34,840 --> 01:09:38,160
Speaker 1: Product or any product we're enjoying, any product we're enjoying,

1272
01:09:38,600 --> 01:09:40,320
Speaker 1: doing it in a queer way, in a queer way.

1273
01:09:40,400 --> 01:09:41,839
Speaker 2: Okay, I'll start great.

1274
01:09:44,360 --> 01:09:49,519
Speaker 1: Okay, Hey everybody, Hey, my LGBTQ plus fam, I hope

1275
01:09:49,560 --> 01:09:52,160
Speaker 1: you're enjoying pride. You know, for me, pride is all

1276
01:09:52,160 --> 01:09:54,320
Speaker 1: about getting together and it's all about having fun, but

1277
01:09:54,360 --> 01:09:57,400
Speaker 1: it's also all about energy. And I get my energy

1278
01:09:57,479 --> 01:10:01,120
Speaker 1: from Starbucks drinks. I went to a Starbucks today in

1279
01:10:01,160 --> 01:10:04,360
Speaker 1: Midtown Manhattan, and I saw teens coming of age and

1280
01:10:04,439 --> 01:10:07,479
Speaker 1: I needed a cold brew because I said, honey, I

1281
01:10:07,479 --> 01:10:08,000
Speaker 1: don't have that.

1282
01:10:08,040 --> 01:10:11,280
Speaker 2: Energy anymore that you teach kids have. But you know

1283
01:10:11,320 --> 01:10:13,479
Speaker 2: what what does give me that energy? A cold brew.

1284
01:10:13,840 --> 01:10:17,120
Speaker 1: I am jittery, I am shaking, I am unable to

1285
01:10:17,240 --> 01:10:21,439
Speaker 1: form sentences, and I am feeling so LGBTQ and so

1286
01:10:21,840 --> 01:10:26,160
Speaker 1: me and I love Starbucks and I love my community

1287
01:10:26,280 --> 01:10:31,240
Speaker 1: aka Chosen Family all Starbucks employees XO XO Sam.

1288
01:10:31,400 --> 01:10:31,679
Speaker 3: Wow.

1289
01:10:33,600 --> 01:10:35,880
Speaker 2: I thought we were sort of launching new products, but

1290
01:10:35,920 --> 01:10:36,960
Speaker 2: I think both can work.

1291
01:10:37,000 --> 01:10:38,840
Speaker 1: I mean, well, if you want to launch a product.

1292
01:10:38,600 --> 01:10:41,840
Speaker 2: I'm lying. I'm part of the first round of influencers

1293
01:10:41,840 --> 01:10:44,080
Speaker 2: that was contacted to promote a new product. See, I

1294
01:10:44,120 --> 01:10:45,719
Speaker 2: was partnering with Starbucks launch.

1295
01:10:45,840 --> 01:10:47,599
Speaker 3: I launched Starbucks in general.

1296
01:10:47,760 --> 01:10:49,679
Speaker 1: Yeah, well I'm partnering with Starbucks.

1297
01:10:50,400 --> 01:10:52,840
Speaker 2: Well, they just canceled their actual pride campaign and now

1298
01:10:52,840 --> 01:10:55,880
Speaker 2: they're doing it only through queer podcasts, so that like

1299
01:10:56,080 --> 01:10:57,080
Speaker 2: no other people.

1300
01:10:57,439 --> 01:10:59,360
Speaker 3: Right right right, we don't have anything go.

1301
01:11:00,120 --> 01:11:05,200
Speaker 2: People don't have to know that, samlike start yeah, ky

1302
01:11:05,240 --> 01:11:09,600
Speaker 2: little kittens. This is George, the co host of the

1303
01:11:09,600 --> 01:11:12,800
Speaker 2: podcast Radio Lab, and of course the writer of my

1304
01:11:13,720 --> 01:11:16,439
Speaker 2: queer newsletter where I talk about you know, pop culture

1305
01:11:16,439 --> 01:11:18,840
Speaker 2: and other things that we all care about. It's called

1306
01:11:20,080 --> 01:11:25,599
Speaker 2: My Way Sis, and I'm here to promote a brand

1307
01:11:25,800 --> 01:11:30,000
Speaker 2: new pharmaceutical product, the Cube Pill. It's a pill for

1308
01:11:30,120 --> 01:11:36,200
Speaker 2: LGBTQ plus identified people that don't have a mental illness,

1309
01:11:36,200 --> 01:11:39,080
Speaker 2: but something feels off. So you wake up every day,

1310
01:11:39,080 --> 01:11:44,040
Speaker 2: you take fourteen pills, and then you feel sort of balanced.

1311
01:11:44,120 --> 01:11:46,560
Speaker 2: For the rest of the day, so it's non specific.

1312
01:11:46,800 --> 01:11:51,639
Speaker 2: It can cure things like, you know, slight anxiety from

1313
01:11:51,800 --> 01:11:55,280
Speaker 2: having to meet a deadline, things like, oh, it's been

1314
01:11:55,320 --> 01:11:57,000
Speaker 2: five days since you're replied to that email, but you

1315
01:11:57,040 --> 01:12:00,280
Speaker 2: still are not sure what to say, things like honey,

1316
01:12:00,280 --> 01:12:03,679
Speaker 2: word I put my phone, Things like things like who's

1317
01:12:03,720 --> 01:12:06,360
Speaker 2: that guy on grinder? And have I hooked up with

1318
01:12:06,479 --> 01:12:10,640
Speaker 2: him before? Things like oh, there's a line at the

1319
01:12:10,640 --> 01:12:14,719
Speaker 2: big Pride party. Just pop in those fourteen Q pills

1320
01:12:14,720 --> 01:12:16,960
Speaker 2: and you are good to go. Your eyes will be

1321
01:12:17,040 --> 01:12:19,439
Speaker 2: glazed over and you'll be ready to dance the night

1322
01:12:19,479 --> 01:12:25,880
Speaker 2: away slowly and gracefully. Wow. So yeah, just to be clear,

1323
01:12:25,960 --> 01:12:28,120
Speaker 2: don't ask your doctor about it, and just go to

1324
01:12:28,160 --> 01:12:32,639
Speaker 2: the website quepill dot com, dot fizz slash, Stradio Lab

1325
01:12:32,840 --> 01:12:38,599
Speaker 2: promotion to get two percent off and it's not covered

1326
01:12:38,600 --> 01:12:39,360
Speaker 2: by any insurance.

1327
01:12:39,439 --> 01:12:42,519
Speaker 1: No god, no, all right, all right, not that you

1328
01:12:42,560 --> 01:12:42,880
Speaker 1: have it?

1329
01:12:42,960 --> 01:12:47,519
Speaker 2: Bye mine. So, Macie, you can either launch your own

1330
01:12:47,600 --> 01:12:50,439
Speaker 2: product or partner with an existing one. Well I I.

1331
01:12:50,600 --> 01:12:53,840
Speaker 3: It is a new product by some brands that you

1332
01:12:53,920 --> 01:12:58,559
Speaker 3: might be familiar with. It's a collab between myself, Taco Bell,

1333
01:12:58,640 --> 01:13:02,240
Speaker 3: and Nozembeg oh my god. And the one of the

1334
01:13:02,240 --> 01:13:05,840
Speaker 3: big drawbacks of ozembic is that it's a shot and

1335
01:13:06,160 --> 01:13:08,960
Speaker 3: you don't really eat on it, and so that's kind

1336
01:13:08,960 --> 01:13:12,679
Speaker 3: of boring. You know, eating is fun. It's an American pastime,

1337
01:13:12,680 --> 01:13:13,519
Speaker 3: that's what I always say.

1338
01:13:13,600 --> 01:13:14,160
Speaker 2: It's culture.

1339
01:13:14,400 --> 01:13:17,559
Speaker 3: Yeah, and so with this, it's a butt plug.

1340
01:13:17,920 --> 01:13:19,120
Speaker 2: Oh yeah.

1341
01:13:19,479 --> 01:13:22,280
Speaker 3: And so you you got you can get any talk

1342
01:13:22,320 --> 01:13:25,040
Speaker 3: a belt. It's got tons of them. And basically the

1343
01:13:25,040 --> 01:13:27,719
Speaker 3: butt plug you put it in, you press the button,

1344
01:13:27,840 --> 01:13:33,720
Speaker 3: it basically shoots out little needles into your racktom and

1345
01:13:34,000 --> 01:13:37,640
Speaker 3: that delivers the ozempic. And this this formulation kind of

1346
01:13:37,680 --> 01:13:40,200
Speaker 3: works in a slightly different way. You can shovel the

1347
01:13:40,640 --> 01:13:43,280
Speaker 3: food in. You you have a huge apptit, you actually

1348
01:13:43,360 --> 01:13:46,800
Speaker 3: have a partier appetite. But it looks kind of like

1349
01:13:46,800 --> 01:13:49,040
Speaker 3: a microphone at the end, like it's got little holes.

1350
01:13:49,160 --> 01:13:51,720
Speaker 3: And what it does is when your the food goes in,

1351
01:13:52,320 --> 01:13:55,920
Speaker 3: it travels through the butt plug and is it comes

1352
01:13:56,040 --> 01:13:58,679
Speaker 3: out as like a perfume of your choice.

1353
01:13:59,520 --> 01:14:02,480
Speaker 2: It's all so wow.

1354
01:14:02,600 --> 01:14:05,639
Speaker 3: And so it's a really innovative product. We're really proud

1355
01:14:05,640 --> 01:14:08,480
Speaker 3: of it. I'm using it right now.

1356
01:14:08,960 --> 01:14:10,160
Speaker 2: It's what I'm getting sandaled with.

1357
01:14:10,680 --> 01:14:12,320
Speaker 1: Yeah, yeah, very summary.

1358
01:14:12,439 --> 01:14:16,200
Speaker 2: Yeah very yes, yes, yes, they've got a whole summer campfire.

1359
01:14:16,240 --> 01:14:20,639
Speaker 3: I would say, yeah, yeah, it's the Margella yes, yeah, marginal, Yeah,

1360
01:14:20,680 --> 01:14:22,160
Speaker 3: it's woodsy but feminine.

1361
01:14:22,800 --> 01:14:23,200
Speaker 2: Yeah.

1362
01:14:23,240 --> 01:14:29,680
Speaker 1: Wow, well that's so amazing. It's crazy. I love that

1363
01:14:29,720 --> 01:14:33,479
Speaker 1: we have the ozempic, Taco Bell, cent Berd, the Q pill,

1364
01:14:33,520 --> 01:14:35,080
Speaker 1: and of course Starbus.

1365
01:14:35,120 --> 01:14:40,040
Speaker 3: Yeah, well all of them.

1366
01:14:40,320 --> 01:14:42,760
Speaker 2: I do want to say, you can't do the ozempic

1367
01:14:42,800 --> 01:14:45,680
Speaker 2: but plug while on Q pills because it will lead

1368
01:14:45,680 --> 01:14:49,120
Speaker 2: to immediate death, violent death where you will explode from

1369
01:14:49,120 --> 01:14:52,120
Speaker 2: the inside. Okay, first, yeah.

1370
01:14:52,000 --> 01:14:54,879
Speaker 3: I kind of glazed over the fine print, but that's.

1371
01:14:54,720 --> 01:14:57,479
Speaker 2: Totally you know, it's like whatever, and they're both, you know,

1372
01:14:58,120 --> 01:15:00,400
Speaker 2: great products, and some people will prefer one and some

1373
01:15:00,439 --> 01:15:01,080
Speaker 2: people prefer this.

1374
01:15:01,080 --> 01:15:01,559
Speaker 3: It's true.

1375
01:15:01,960 --> 01:15:04,320
Speaker 2: Luckily, you can drink Starbucks no matter what you put

1376
01:15:04,320 --> 01:15:05,559
Speaker 2: in your mouth or a butthole.

1377
01:15:05,640 --> 01:15:09,240
Speaker 3: Yeah, actually you should. You should. That zepig thing doesn't

1378
01:15:09,320 --> 01:15:13,120
Speaker 3: start working to Starbucks Starbucks Active.

1379
01:15:13,240 --> 01:15:15,559
Speaker 2: I tell you have a Vanila Machiata.

1380
01:15:15,240 --> 01:15:19,519
Speaker 3: Exactly, which is weird because it's it's Taco Bell.

1381
01:15:19,840 --> 01:15:24,720
Speaker 1: Yeah, but you know they're all owned by the same media.

1382
01:15:24,880 --> 01:15:29,600
Speaker 1: Yeah yeah, wow, wow, Well, this has been an amazing episode.

1383
01:15:30,040 --> 01:15:32,880
Speaker 2: Not agree more. I'm well, I'm fearful of it to

1384
01:15:32,880 --> 01:15:35,519
Speaker 2: come out, but I have I feel like this is

1385
01:15:36,120 --> 01:15:38,160
Speaker 2: exactly what I wanted today. You know, when I came

1386
01:15:38,160 --> 01:15:39,880
Speaker 2: in and I was like, I want this to be

1387
01:15:40,080 --> 01:15:42,080
Speaker 2: improv I wanted to be we tell ourselves stories in

1388
01:15:42,120 --> 01:15:43,719
Speaker 2: order to live. Honey, I'm living.

1389
01:15:44,560 --> 01:15:47,920
Speaker 1: Yeah, yeah, you know. I think people will clock my

1390
01:15:48,120 --> 01:15:53,160
Speaker 1: big paws up top. And and I came into this

1391
01:15:53,240 --> 01:15:56,280
Speaker 1: being like, wow, I'm gonna do a podcast today.

1392
01:15:56,360 --> 01:16:01,759
Speaker 2: Yeah, we did it, and all thanks to the winner

1393
01:16:02,360 --> 01:16:09,880
Speaker 2: of the Complex Woman pageant. Congratulations you beat Lydia Tour

1394
01:16:12,160 --> 01:16:13,160
Speaker 2: Chandelier players.

1395
01:16:14,840 --> 01:16:16,400
Speaker 1: Barbara Bush is crying.

1396
01:16:17,439 --> 01:16:19,519
Speaker 2: Stabbing herself in the eye. She's like, why did I

1397
01:16:19,520 --> 01:16:22,320
Speaker 2: do it? Why did I do it? Why did I

1398
01:16:22,400 --> 01:16:25,720
Speaker 2: do it? Oh my god? All right, Well see you

1399
01:16:25,760 --> 01:16:28,879
Speaker 2: at next year as Awards. Get tickets to the event. Yeah,

1400
01:16:29,400 --> 01:16:31,360
Speaker 2: it's a really complicated process. You have to download a

1401
01:16:31,360 --> 01:16:31,719
Speaker 2: new app.

1402
01:16:31,880 --> 01:16:35,120
Speaker 1: It's a complex it's a complex process for complex women.

1403
01:16:35,400 --> 01:16:37,000
Speaker 2: Okay, bye, bye bye