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Speaker 1: Bombing with Aericres.

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Speaker 2: Okay, ladies and gentlemen, my name is Eric Andre. The

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Speaker 2: podcast is called Bombing, and I am here with the

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Speaker 2: Queen of Melrose aka Cosmo Bomo Legend. Now I want

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Speaker 2: to know why are you on cops? That's a bit

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Speaker 2: of a bomb and I love that you ever were

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Speaker 2: selling a perfume called my Cunt? That's what we have

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Speaker 2: to put this image up on the fucking he's serving.

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Speaker 2: You're selling a signature cent called my Cunt.

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Speaker 3: You know what?

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Speaker 2: It's pretty and soft? Yes?

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Speaker 4: Wow?

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Speaker 1: Why make sure you.

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Speaker 2: Guys get wow? I sold out?

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Speaker 1: Yes, I need.

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Speaker 2: I need something to cut.

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Speaker 1: You want to smell Cosmos cut?

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Speaker 2: I want to smell Cosmo cun. I never thought I did.

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Speaker 1: Now I do.

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Speaker 5: I always know.

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Speaker 2: I always knew I was on the fence, but now

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Speaker 2: I'm now I'm no longer of fence. I'm in Okay,

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Speaker 2: So cops, we gotta talk about why are you on cops?

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Speaker 3: So I'm in La. This is when I first come

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Speaker 3: to l A again, and I'm here for a few years,

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Speaker 3: and I go, let me go buy some drugs. So

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Speaker 3: I wear like this Adida sweatsuit and my twin brother

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Speaker 3: and a baseball hat and I don't look like this

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Speaker 3: at all. I look like my twin brother, right, gonna

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Speaker 3: go bad neighborhood. So anyway, I'm a cat and Santa

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Speaker 3: Monica Boulevard there was the drug spot there, so there

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Speaker 3: I go. I'm buying drugs and then all of a

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Speaker 3: sudden they're like, you're on Cops. And I turn around, right,

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Speaker 3: and it's main of these two guys ready to go

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Speaker 3: and get our freak on and have fun.

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Speaker 1: And I have the drugs in my hand.

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Speaker 3: And I turned around and the first year of Cops

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Speaker 3: son in my face.

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Speaker 2: And camera twitch fee for me.

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Speaker 4: Don't move?

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Speaker 6: Okay? Sure, Hi Joe from New York. How long you

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Speaker 6: been out here? Have you got in your pocket? Do

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Speaker 6: you know anything shop or anything? I'm a jab myself

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Speaker 6: one to you. Then I'm gonna cut my cell phone

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Speaker 6: and poke myself.

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Speaker 1: You know.

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Speaker 4: Okay? Do you have identification or anything? No idea? I

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Speaker 4: just poked down here. But I just got a job

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Speaker 4: on no road. Did you see?

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Speaker 7: Yeah?

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Speaker 4: Where do you live at? I'll stay with my mom

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Speaker 4: at w Hill. Are you're done over in this part

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Speaker 4: of the neighborhood?

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Speaker 6: I was looking for my God, won't you do me

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Speaker 6: favor when you step back watch step okay, and step

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Speaker 6: one over here for me.

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Speaker 2: Okay, stand next to.

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Speaker 3: The wall here, and they're like, we're gonna go to

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Speaker 3: d see if you have a warrant, you know, and

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Speaker 3: then if you sign this release, we'll let you go.

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Speaker 3: So I had all cocaine crack in my mouth and

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Speaker 3: they're asking me questions that I'm praying that one don't

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Speaker 3: fall out, right, right.

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Speaker 8: So anyway, so do they like, arrest you, put you

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Speaker 8: in the car, and then have you signed a release?

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Speaker 3: And so they said, if you sign this release to

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Speaker 3: show your face on cops, we're gonna let you go

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Speaker 3: because I had a warrant, so otherwise they would have

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Speaker 3: took me in. I would have signed anything to go

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Speaker 3: smoke my coke and get away from them, right So,

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Speaker 3: and I'm like, it's not a thing because who heard

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Speaker 3: the cops. Nobody heard of A few weeks later, they're

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Speaker 3: calling me from New York because it's three I was

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Speaker 3: difference there and.

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Speaker 1: They're like, I hear Cosmo in my living room.

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Speaker 3: I go look at the TV.

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Speaker 2: Cosmo's on Cops, you know.

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Speaker 1: So they just kept on playing that episode. It was

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Speaker 1: the first year of cops.

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Speaker 3: But till this day, you know, the repeats what you're

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Speaker 3: going to do when they come for you, They keep

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Speaker 3: on playing that fucking episode. My god, there's nothing I

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Speaker 3: could do about it. I signed my cunts away.

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Speaker 2: I absolutely that I was on to catch a predator.

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Speaker 2: I thought that those twelve year old girls won, and

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Speaker 2: Mike's hard lemonade.

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Speaker 9: And I I always feel bad for the guy.

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Speaker 2: I feel a little bit better. I always want to

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Speaker 2: pedophile on that show.

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Speaker 5: Always.

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Speaker 2: I don't feel bad for pedophiles in general, but on

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Speaker 2: the show, so we're kind of like, well, I'm not.

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Speaker 8: I'm always give him a break.

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Speaker 4: Remember, I'm like.

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Speaker 2: A little bit, you know, he's all big stuff. Because

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Speaker 2: the other side of it is the Chris Hansen Nazi guy.

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Speaker 2: And then this fascistic swat team that comes in. You're like,

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Speaker 2: I don't really like a fascistic swat team either, like

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Speaker 2: police power destroying. Yeah for lower class guy, that FS

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Speaker 2: weird too, But I can't funk kids, I got it.

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Speaker 1: Yeah, there's.

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Speaker 4: My heart always goes out to the guys on that way.

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Speaker 1: It's overkilled, like guy, yeah, devastating.

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Speaker 3: That's kind of how I was, you know. So yeah,

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Speaker 3: that's what happens, you know. And these fucking shows they

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Speaker 3: set you up, you know, with Rendre.

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Speaker 1: Tours.

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Speaker 2: Everybody, Hey, tell me the story about when we were

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Speaker 2: on tour and we did that drug we.

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Speaker 5: Did for you.

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Speaker 2: Yeah, you cried the whole night.

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Speaker 4: I was coming on myself.

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Speaker 2: I feels like I'm getting.

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Speaker 7: I never felt that goodt I was like, I'm sorry,

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Speaker 7: you can't feel as good as I feel.

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Speaker 2: Right, we played a show in San Francisco and Tyler

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Speaker 2: Bradbury had that scientist friend who gave us two c

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Speaker 2: B or tw some designer psychedelic. So then we're driving

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Speaker 2: with it on tour and we get to the tip

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Speaker 2: of Western Texas. We get right before I'll pass so

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Speaker 2: and the tour bus driver goes, I don't care if

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Speaker 2: you guys have drugs on the bus, but get them

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Speaker 2: out of here before we hit Texas.

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Speaker 7: Got to take it over in the just He goes,

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Speaker 7: they Yeah, it was like within twenty four hours we

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Speaker 7: were still high. Yeah, but I was like, go ahead

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Speaker 7: with the story though.

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Speaker 2: So our bus drivers like, you gotta get either, do

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Speaker 2: all the drugs, get rid of them before we hit Texas.

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Speaker 2: We're all right, I got it, and all we had

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Speaker 2: left over was that ship because we didn't know.

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Speaker 1: What we was on.

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Speaker 4: He was on the state side.

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Speaker 7: We was on the state line between New Mentsico and Texas,

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Speaker 7: and we was at a hotel right there on the line.

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Speaker 2: So we were like, all right, so we'll do this.

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Speaker 2: I don't know if it was two C B.

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Speaker 4: To S and I'm like, what is like, Eric comments,

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Speaker 4: we want to do this thing?

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Speaker 1: What is like?

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Speaker 4: It's like, uh, it's like M D M A and

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Speaker 4: acid it. I was like, and I was like, I

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Speaker 4: never done none of them. I don't have.

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Speaker 7: This is one thing I just always sometimes it's go

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Speaker 7: you know what I mean, And like, we're gonna meditate

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Speaker 7: for this. When Aeric just started meditation ship and he's like,

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Speaker 7: we gonna I'm gonna meditate first twenty minutes and we're

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Speaker 7: gonna take it.

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Speaker 4: And I was like, all right, cool.

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Speaker 1: So he in the room.

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Speaker 7: We got his legs caused he doing all this ship

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Speaker 7: you got you know, he had that weird backpillow at

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Speaker 7: the time.

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Speaker 2: He was just the spikes on him.

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Speaker 7: Yeah yeah, then spike pad. He's got reader ship now

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Speaker 7: and I'm sitting in the check got some headphones on

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Speaker 7: the ship and we take it, and then they call

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Speaker 7: us to dinner.

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Speaker 2: Everybody in the Yeah, the whole crew. We're going to

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Speaker 2: a steakhouse on the he got good news. Everyone put

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Speaker 2: this all dinner. Everyone in the steak house, everyone, all

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Speaker 2: the customers look like machetey Danny Tree.

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Speaker 10: We go.

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Speaker 4: He's like, hey, they downstairs, we gotta go. We gotta

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Speaker 4: go to dinner.

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Speaker 7: And and he's like, I'm finna, I'm goin to get

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Speaker 7: ready and he turns his head right uh, and then

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Speaker 7: he turns his head again, and I was like, okay.

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Speaker 1: That's said my head.

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Speaker 2: You you're just moved.

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Speaker 4: I said something.

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Speaker 7: But then I was like, I'm like, I'm a sound

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Speaker 7: with schizophrenics, so I'm just like I gotta watch it.

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Speaker 4: I was like, what the is that chicken in?

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Speaker 11: Now?

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Speaker 7: Like you had those thoughts right, you started your parents

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Speaker 7: and ship and I got in the elevat I'm not

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Speaker 7: going to drop these headphones off to the room and all.

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Speaker 7: Even before then, I came back to your room, but

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Speaker 7: you was way down there. Remember you called me and

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Speaker 7: I was like, and I at another door, and I'm like,

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Speaker 7: how do you get all the way down the Yeah? Yeah,

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Speaker 7: we were fed up and then the elevator closed and

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Speaker 7: I saw reflection on myself in the mirror, you know't

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Speaker 7: like that with.

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Speaker 4: The eyes with the uh.

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Speaker 7: The wild wild country eyes with that with that, and

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Speaker 7: I was like, I took a photo of myself and

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Speaker 7: I said, so I went, I went on Twitter and

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Speaker 7: said something and then uh, he got in the van

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Speaker 7: and I got I went and jumped on the bumper

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Speaker 7: of the van and I started doing.

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Speaker 2: This like hip hop parade.

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Speaker 4: I was like, turn the white pers on and they

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Speaker 4: was like, get your ass in the vand and I

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Speaker 4: got in the land.

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Speaker 2: The wrestling crew was just drunk.

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Speaker 7: I don't even know I'm tripping yet. But I sat

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Speaker 7: next to Jason McDon shout out Jason McDonald and he

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Speaker 7: was like, Jeane. Somebody was sweating, and so I had

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Speaker 7: a little fun.

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Speaker 2: No, it was Larry, the guy that played fake me Man.

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Speaker 2: The other goutya played fake Hannibal. I started Jason JP.

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Speaker 4: I leaned into somebody so hard. I talked. I talked

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Speaker 4: so much.

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Speaker 1: Ship.

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Speaker 4: I was like your own PI.

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Speaker 7: I like, you smell like Hitler's jacket. After he went

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Speaker 7: through and did every speech, it just kept looking the

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Speaker 7: whole time.

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Speaker 4: You know what, I mean, I'm talking okay all the way.

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Speaker 4: All the way to the restaurant, I'm like, I want

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Speaker 4: going in. I'm feeling good too.

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Speaker 1: Okay.

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Speaker 2: So but we get to the rest of buffet or whatever.

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Speaker 2: It's a big banquet kind of table because there's a

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Speaker 2: bunch of us. The one guy that played fake Me Larry,

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Speaker 2: he's going super loud. He goes Texas Barbecue. Bullshit, man,

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Speaker 2: you know what has the best barbecue? Los Angeles were like,

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Speaker 2: shut it on up.

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Speaker 1: Man.

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Speaker 2: It turned like stand out because Byron Balls, he's like

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Speaker 2: crying and he's grabbing both people's hands next to him.

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Speaker 4: He's like, I'm tweeting everything. I tweeting everything. I like,

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Speaker 4: I just saw the Devil's.

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Speaker 2: He coming against We started crying. Then the waitress came

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Speaker 2: by it.

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Speaker 1: She's like.

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Speaker 2: And she looks at me me from the.

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Speaker 10: This and this.

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Speaker 7: This was triggered the cry because they got steak. Well

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Speaker 7: they didn't have uh, they didn't have uh mashed potatoes,

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Speaker 7: so with butter.

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Speaker 4: Yeah. Remember I was like.

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Speaker 7: Because I was like, you got mass potatoes. She was

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Speaker 7: like no, and I and I was like, you have

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Speaker 7: no mass potatoes. She's like, we got baked potatoes and

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Speaker 7: I started crying, and I was like, bringing butter, Bring

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Speaker 7: a lot of butter.

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Speaker 2: First you start crying, and yeah, this is waitress.

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Speaker 1: You go.

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Speaker 2: Your make up, your.

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Speaker 5: Your no, no no.

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Speaker 4: I was like, hey, hey, it's like what I was like,

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Speaker 4: you got the most beautiful makers.

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Speaker 2: And she was like, oh, okay, say that to people,

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Speaker 2: and then she was like what do you want to eat?

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Speaker 4: And just just pretty big. But I mean, I've got butter.

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Speaker 2: God, these people and all I heard.

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Speaker 7: And I was looking around and ship and I would

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Speaker 7: close my eyes and I'll see the windows pipe screens.

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Speaker 4: That we should put up here.

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Speaker 2: We can see it on a trip, we can get

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Speaker 2: But also it was when vine, the social media vine

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Speaker 2: was the thing. So Jean was going up to other

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Speaker 2: people at the tables, like pranking people at each table seven.

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Speaker 7: Seconds sitting next to the shitting next to him and

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Speaker 7: a girl you only praying people on dates, like going.

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Speaker 2: Like You're like, we're like white knuckle, Like yeah, Aaron

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Speaker 2: white Knuckle.

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Speaker 7: I'm like, I'm like, I'm just I'm just tweeting this

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Speaker 7: ship like but no liquid coming out, so I'm trying

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Speaker 7: to figure out what's going on.

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Speaker 2: What it was.

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Speaker 7: It was green and red like that, and then man,

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Speaker 7: the orgasm was like powerful, and then they just I

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Speaker 7: would stop because I'll be like.

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Speaker 4: And then I stopped, be like whoa.

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Speaker 7: And then it was just happened like something the trigger

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Speaker 7: be like the girl make up or something, and it'll

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Speaker 7: start all over again.

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Speaker 4: To it started to get like I'm knowing how knowing it?

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Speaker 5: I feel like you know what table the table was

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Speaker 5: shut up, some family praying for their food.

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Speaker 4: I'm just like, oh ship and shut. They had to

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Speaker 4: carry me out of the restaurant getting more butter.

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Speaker 2: I went outside, babe myself throw up, didn't do anything?

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Speaker 7: Are got?

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Speaker 4: I was like, what are they? He in his room

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Speaker 4: trying to cut his dick dick off?

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Speaker 2: Oh yeah. Then I went back to my room. That

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Speaker 2: went back to my room.

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Speaker 4: I thought I was bad. I thought I had a

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Speaker 4: bad man. My trip was be good.

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Speaker 1: Now.

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Speaker 2: I was in the bathroom, in the bathtub naked later

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Speaker 2: that night, looking at my dick like I have to

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Speaker 2: cut my dick off tonight.

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Speaker 7: The direction I wanted to apologize to the hostess for

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Speaker 7: being rude. And it started sprinkling, and when the rain

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Speaker 7: hit my face, I started to like come again, and

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Speaker 7: John and somebody else lifted me up like this with

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Speaker 7: my legs up and they carried me out and I

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Speaker 7: ended up on the.

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Speaker 4: Tour bus locked. We supposed to go to the strip club.

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Speaker 2: Yeah, then the cops did bulls over.

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Speaker 7: Right, somebody shut the striper. I think I was tweeting

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Speaker 7: because I got I had picked.

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Speaker 4: Up the most fallow I ever had in my life.

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Speaker 2: Oh yeah, yeah on this run.

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Speaker 4: Yeah, because I don't know what on but y'all need

302
00:13:55,960 --> 00:13:57,480
Speaker 4: to y'all need to pay attention to his thread.

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Speaker 7: And I think it just hit like adults swim because

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Speaker 7: I want to thinking. I'm like, I'm on the like

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Speaker 7: a corporate thing, you know what I mean. People hitting

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Speaker 7: me up, like I'm like, somebody call me. I'm trying

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00:14:09,400 --> 00:14:11,160
Speaker 7: to get a female to call me, you know what

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Speaker 7: i mean, talk that dirty ship in my ear, you

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Speaker 7: know what I mean. And nobody called me. This guy

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Speaker 7: Mark Searah Taylor called me, and I'm like, I was like,

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Speaker 7: what the fuck are you doing? He's like, you know,

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Speaker 7: I'm just trying to make sure you. I'm like, yeah,

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Speaker 7: I'm right, you know what I mean. A bus and

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Speaker 7: nuts on the back of the.

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Speaker 2: Tour with us, and then like border patrol came on

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Speaker 2: the bus.

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Speaker 7: That's later though. We went to night We went to

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Speaker 7: a nightclub. We went to a nightclub because I remember going.

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Speaker 7: You could ask Jaan. We had to go through security,

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Speaker 7: they like. I was like, I don't think y'all should

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Speaker 7: pat me down, and we gotta pat you down. I

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Speaker 7: was like, all right, it's at your own wrist and

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Speaker 7: he was patting me and I was like.

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Speaker 4: And we went to the club.

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Speaker 7: I remember sitting on the bench and just staring out

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Speaker 7: trying to like figure out, like wait on everything to

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Speaker 7: come down. And I was like, man, they don't set

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Speaker 7: us up. We're not going to go to the strip club.

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Speaker 7: And then we got on the bus because we had

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Speaker 7: to pull out that night and the bus stopped. We

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Speaker 7: was only two people up.

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Speaker 2: He was in the bathroom and like ten like border patrol,

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Speaker 2: like sheriffs came on. They were like you hiding any

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Speaker 2: The guy goes you hiding any illegals on the bus

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Speaker 2: and we were like all still coming down.

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Speaker 1: They're like no.

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Speaker 4: He was like aliens and was like oh no, no, no, no,

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Speaker 4: no least drugs. Yeah, you look at what but the cops.

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Speaker 7: When the cop showed up, it was me and the

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Speaker 7: bus driver, so he stopped. Get first cop get on

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Speaker 7: and uh, he looked at me. I'm talking to him.

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Speaker 4: Eric comes out the best.

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Speaker 2: Driver didn't say ship too. We had to do all

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Speaker 2: the talking.

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Speaker 1: Eric.

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Speaker 4: Eric come out of the bathroom and I'm like the

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Speaker 4: cops here.

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00:15:37,960 --> 00:15:40,760
Speaker 7: Eric tries to open the bathroom door like it's a

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Speaker 7: swinging door, but it's a sliding door.

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Speaker 4: So he's stuck and he stick out to the.

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Speaker 2: Sorry, what what what illegal things? You're interested in?

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Speaker 5: Aliens?

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Speaker 4: Now? He was like his face, he was like, oh no,

354
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Speaker 4: I ain't know illegals on here.

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Speaker 1: Yeah.

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Speaker 2: I was like, well, I was like, I'm going to

357
00:16:00,280 --> 00:16:02,000
Speaker 2: I didn't eat all the drugs. They're not sure.

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00:16:02,320 --> 00:16:05,440
Speaker 4: Somebody tried to jump off that bus. Oh yeah, someone

359
00:16:05,520 --> 00:16:06,840
Speaker 4: tried to jump off the bus. And then we're going

360
00:16:06,880 --> 00:16:07,520
Speaker 4: eight miles.

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00:16:07,320 --> 00:16:10,360
Speaker 2: An hours our one tour. One tour manager we had

362
00:16:10,480 --> 00:16:14,680
Speaker 2: back in the day. It was a drug enjoyer. Uh,

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00:16:15,880 --> 00:16:16,200
Speaker 2: I don't know.

364
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Speaker 1: And he would sleep.

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00:16:17,400 --> 00:16:20,000
Speaker 4: He was just freaking out, so he like, m fell

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Speaker 4: down all down here.

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00:16:22,120 --> 00:16:23,360
Speaker 2: Yeah, you'd wake up in the middle of the night

368
00:16:23,360 --> 00:16:25,600
Speaker 2: and his like ass was hanging out. Also, one time,

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00:16:26,040 --> 00:16:28,720
Speaker 2: the bus driving like ninety miles an hour and he

370
00:16:28,840 --> 00:16:32,120
Speaker 2: somehow got it. He slept, walked and got the door open.

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00:16:32,280 --> 00:16:33,560
Speaker 2: He was about to walk out on the.

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00:16:33,600 --> 00:16:38,160
Speaker 4: Bus driving ground like this. The bus drivers dude say

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00:16:38,160 --> 00:16:40,200
Speaker 4: a word, grabs him, throws him in the back. We'll

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Speaker 4: be right back.

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00:16:43,080 --> 00:16:43,880
Speaker 8: Through a floor.

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Speaker 12: He felt that hole on the fucking stage at one time.

377
00:16:47,720 --> 00:16:50,680
Speaker 12: He's like, let's go over to scowlactics.

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Speaker 1: For this man.

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00:16:50,640 --> 00:16:53,640
Speaker 4: If you just go back in time, man, that ship

380
00:16:53,840 --> 00:16:55,800
Speaker 4: was amazing.

381
00:16:56,040 --> 00:16:58,680
Speaker 2: Now remember when the doors opened.

382
00:17:03,320 --> 00:17:15,199
Speaker 1: With a recondre, with a recondre.

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00:17:15,040 --> 00:17:21,000
Speaker 2: Sandy one, we're here with the comedian extraordinary more bombing stories.

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00:17:21,240 --> 00:17:24,760
Speaker 9: I was doing a character that I call the Quief

385
00:17:24,800 --> 00:17:27,399
Speaker 9: of comedy, which is.

386
00:17:30,920 --> 00:17:34,800
Speaker 2: I can quef on command, So you really you can

387
00:17:34,880 --> 00:17:38,120
Speaker 2: throw up on command too, which is like amazing. Yeah,

388
00:17:38,720 --> 00:17:42,200
Speaker 2: it's like the jackass guys can't even do. Yeah, like

389
00:17:42,320 --> 00:17:45,320
Speaker 2: I think only Steve O possesses your like you can

390
00:17:45,520 --> 00:17:46,320
Speaker 2: read vomit.

391
00:17:46,840 --> 00:17:47,600
Speaker 9: No, I really can't.

392
00:17:47,680 --> 00:17:49,159
Speaker 2: That's pretty crazy, even when I.

393
00:17:49,160 --> 00:17:49,600
Speaker 9: Don't want to.

394
00:17:50,520 --> 00:17:54,200
Speaker 2: Vomiting on command is somehow even more aggressive.

395
00:17:54,280 --> 00:17:58,320
Speaker 9: But anyway, comedy, I was doing the Queen of comedy,

396
00:17:58,400 --> 00:17:59,480
Speaker 9: which is that you just put.

397
00:17:59,400 --> 00:18:00,439
Speaker 2: The microphone vagina.

398
00:18:02,160 --> 00:18:02,520
Speaker 1: Is that it?

399
00:18:05,560 --> 00:18:08,480
Speaker 11: Well, it's like I'm telling jokes as well. It'll be

400
00:18:08,600 --> 00:18:12,639
Speaker 11: like these corny, corny, corny jokes that I write. Actually

401
00:18:12,680 --> 00:18:15,920
Speaker 11: some of them are. It was Hunks and His Punks.

402
00:18:15,960 --> 00:18:18,960
Speaker 11: Do you know Seth Bogart. He's an amazing artist and

403
00:18:19,000 --> 00:18:21,119
Speaker 11: he has this like punk band that they like they

404
00:18:21,400 --> 00:18:23,760
Speaker 11: used to perform like ten years ago and they're doing another.

405
00:18:25,160 --> 00:18:25,480
Speaker 4: Album.

406
00:18:25,640 --> 00:18:26,440
Speaker 9: So they did a show.

407
00:18:26,840 --> 00:18:30,359
Speaker 11: This was like some point over the summer, and he

408
00:18:30,560 --> 00:18:33,119
Speaker 11: specifically requested the Cleef of Comedy because he.

409
00:18:33,160 --> 00:18:34,080
Speaker 9: Loves her, And.

410
00:18:35,680 --> 00:18:38,680
Speaker 11: A lot of the jokes actually are rejected monologue jokes

411
00:18:38,720 --> 00:18:42,040
Speaker 11: that I wrote for your show, because it was like,

412
00:18:42,160 --> 00:18:43,879
Speaker 11: you know, when we just sit down and write for

413
00:18:44,000 --> 00:18:46,119
Speaker 11: ten minutes, it's like the worst jokes you can think of.

414
00:18:48,200 --> 00:18:50,280
Speaker 9: They were so bad they didn't even make it into

415
00:18:50,320 --> 00:18:53,680
Speaker 9: the So it's like that level of joke.

416
00:18:54,080 --> 00:18:54,960
Speaker 4: And then after like.

417
00:19:00,119 --> 00:19:01,760
Speaker 11: I can I have a lot of control over it.

418
00:19:01,880 --> 00:19:04,479
Speaker 11: I can control like if it's like a loud one

419
00:19:04,600 --> 00:19:06,040
Speaker 11: or if it's like a quiet.

420
00:19:07,560 --> 00:19:10,240
Speaker 9: Like so I'll like jump around.

421
00:19:10,480 --> 00:19:13,119
Speaker 12: So we were walking into the venue, what did you

422
00:19:13,160 --> 00:19:14,960
Speaker 12: see the Hunks of Punks or whatever?

423
00:19:15,440 --> 00:19:18,840
Speaker 9: Yeah, and they're seeing that and also it was like.

424
00:19:19,080 --> 00:19:21,359
Speaker 2: So you just like you were a roadie for the

425
00:19:21,440 --> 00:19:25,200
Speaker 2: band and lost your mind because.

426
00:19:27,240 --> 00:19:31,119
Speaker 9: You know, people were looking at me just like.

427
00:19:31,320 --> 00:19:36,879
Speaker 11: They were laughing, because like you can't sort of watch

428
00:19:37,000 --> 00:19:38,200
Speaker 11: that and not be laughing.

429
00:19:38,280 --> 00:19:39,840
Speaker 9: But I don't know if they knew that they were

430
00:19:39,920 --> 00:19:41,320
Speaker 9: laughing with me or at me.

431
00:19:41,800 --> 00:19:43,720
Speaker 1: Yeah whatever.

432
00:19:44,000 --> 00:19:46,440
Speaker 11: That was like the one time performing where I really

433
00:19:46,520 --> 00:19:48,920
Speaker 11: felt like I was like in a circus side show.

434
00:19:49,119 --> 00:19:52,800
Speaker 8: Like it was like the Creeping Woman.

435
00:19:54,680 --> 00:19:56,119
Speaker 9: Oh my god. I would have loved to be in

436
00:19:56,160 --> 00:19:57,000
Speaker 9: a side show.

437
00:19:58,600 --> 00:19:59,680
Speaker 7: Like the world.

438
00:20:00,200 --> 00:20:02,480
Speaker 2: Like what do you mean, like a circus, like a

439
00:20:02,600 --> 00:20:05,520
Speaker 2: circus freak kind of like like you wanted to be

440
00:20:05,640 --> 00:20:11,120
Speaker 2: genetically deformed? Yeah, really but like like elephant man level.

441
00:20:11,400 --> 00:20:12,119
Speaker 2: What are you talking here?

442
00:20:12,600 --> 00:20:14,879
Speaker 11: I guess just the concept of it sounds, you know,

443
00:20:14,960 --> 00:20:17,880
Speaker 11: it's it's obviously probably really bad.

444
00:20:18,040 --> 00:20:19,919
Speaker 2: It's explained genetic defense.

445
00:20:20,200 --> 00:20:23,639
Speaker 1: Yeah. Years ago.

446
00:20:27,880 --> 00:20:31,360
Speaker 2: They're like, yeah, repetties and there's kind of a fun

447
00:20:31,480 --> 00:20:35,920
Speaker 2: and arm growing out on the face. Yeah, ye sick.

448
00:20:36,200 --> 00:20:37,240
Speaker 8: I would have been sick.

449
00:20:38,160 --> 00:20:38,680
Speaker 9: I don't know what.

450
00:20:39,320 --> 00:20:40,560
Speaker 11: In my head, I was like, well, you get to

451
00:20:40,640 --> 00:20:42,480
Speaker 11: go to you get to be part of the circuits,

452
00:20:42,600 --> 00:20:44,760
Speaker 11: travel the world, see the sights.

453
00:20:45,520 --> 00:20:48,200
Speaker 2: Weep into a microphone, into the microphone, you know what

454
00:20:48,320 --> 00:20:51,000
Speaker 2: I think Sarah figured out that's smart is that she

455
00:20:51,240 --> 00:20:55,480
Speaker 2: uses the big screen behind her, and you know, because

456
00:20:55,760 --> 00:21:00,800
Speaker 2: those those music shows, it's like a it's a it's

457
00:21:00,840 --> 00:21:02,600
Speaker 2: like you gotta think about it, like you're shooting in

458
00:21:02,680 --> 00:21:04,960
Speaker 2: a really wide frame, like you have to fill up

459
00:21:05,000 --> 00:21:08,720
Speaker 2: the space, and using that screen and her visuals that

460
00:21:08,880 --> 00:21:12,159
Speaker 2: I was like, Aha, that's how she did because Hannibal

461
00:21:12,240 --> 00:21:15,080
Speaker 2: kind of started doing that too. He was like using multimedia,

462
00:21:16,040 --> 00:21:18,919
Speaker 2: Like that's the way, that's the way, using that screen.

463
00:21:19,000 --> 00:21:21,640
Speaker 2: I don't think it's cheating at all. I'd like, first

464
00:21:21,640 --> 00:21:23,159
Speaker 2: of all, I love Carra top and I don't know

465
00:21:23,240 --> 00:21:24,960
Speaker 2: anybody made fun of him in the nineties, Like I

466
00:21:25,040 --> 00:21:26,840
Speaker 2: was like, by the way, I was like, yeah, prop comedy,

467
00:21:26,920 --> 00:21:27,879
Speaker 2: Like why not use props?

468
00:21:28,040 --> 00:21:30,320
Speaker 9: I'm his number one fan, Like I used.

469
00:21:30,200 --> 00:21:32,879
Speaker 2: Props on the Eric Andre Show, Like make props, use

470
00:21:32,880 --> 00:21:33,120
Speaker 2: a prop?

471
00:21:33,200 --> 00:21:33,560
Speaker 1: Why is that?

472
00:21:33,680 --> 00:21:37,680
Speaker 11: It was also a literal genius he I saw his

473
00:21:37,720 --> 00:21:40,240
Speaker 11: show in Vegas and oh my god, he let us

474
00:21:40,280 --> 00:21:41,000
Speaker 11: come backstage.

475
00:21:41,520 --> 00:21:42,840
Speaker 9: I was with Sarah actually, and.

476
00:21:44,320 --> 00:21:47,919
Speaker 11: We like he just talked to him for like an

477
00:21:48,200 --> 00:21:50,919
Speaker 11: hour and he just was like telling us he writes

478
00:21:51,000 --> 00:21:53,680
Speaker 11: like five minutes of new material every day every day.

479
00:21:53,800 --> 00:21:57,120
Speaker 2: He has a ton, a tremendous amount of material. He's

480
00:21:57,119 --> 00:22:00,200
Speaker 2: been doing it for forty years, and like we're like

481
00:22:00,560 --> 00:22:04,240
Speaker 2: hundreds of millions of dollars and then playing Vegas every day.

482
00:22:04,640 --> 00:22:07,760
Speaker 2: I love that years. Honestly, you got to give it up.

483
00:22:07,880 --> 00:22:08,919
Speaker 9: You've got to give.

484
00:22:09,040 --> 00:22:12,160
Speaker 2: Perseverance because he got so shipped on in the nineties.

485
00:22:12,320 --> 00:22:16,240
Speaker 2: I know, comedy that's whack character fucking carrot. That's a

486
00:22:16,320 --> 00:22:18,880
Speaker 2: rough name to like have you know, it's an easy

487
00:22:19,000 --> 00:22:19,600
Speaker 2: guy to pick up.

488
00:22:19,680 --> 00:22:21,800
Speaker 9: He had gone by Scott, maybe he would know my Scott.

489
00:22:21,800 --> 00:22:23,240
Speaker 2: I would have been a little less of a pounding,

490
00:22:23,320 --> 00:22:26,760
Speaker 2: But like, whatever, make props? Like what why are there rules?

491
00:22:26,880 --> 00:22:28,720
Speaker 2: Like maybe people laugh? Who gives a fuck?

492
00:22:28,960 --> 00:22:31,720
Speaker 11: I'm actually working on a set that is like a

493
00:22:31,800 --> 00:22:35,000
Speaker 11: prop thing, and I'm like really excited because.

494
00:22:34,800 --> 00:22:39,280
Speaker 2: I I'm actually like, why don't I do prop comedy anytime?

495
00:22:39,320 --> 00:22:42,760
Speaker 2: I was like like why not? He Also, when I

496
00:22:42,880 --> 00:22:46,360
Speaker 2: watched Sarah and Hand some of Hannibal's multimedia stuff, I'm like, yeah,

497
00:22:46,520 --> 00:22:49,040
Speaker 2: use the whole stage, Like what is this Vaudeville? Like, right,

498
00:22:49,200 --> 00:22:50,920
Speaker 2: gives a fuck. We're in the twenty first century.

499
00:22:51,040 --> 00:22:51,159
Speaker 1: You know.

500
00:22:51,280 --> 00:22:53,760
Speaker 11: Sometimes people would be like, oh, like doing a PowerPoint

501
00:22:53,880 --> 00:22:56,080
Speaker 11: is hack or whatever, And I'm like, is the audience laughing?

502
00:22:56,280 --> 00:22:57,639
Speaker 2: Yeah, is the audience laughing?

503
00:22:57,680 --> 00:22:58,439
Speaker 9: That's all that matters.

504
00:22:58,480 --> 00:22:59,680
Speaker 2: Here's what the fucking medium is.

505
00:22:59,760 --> 00:23:00,440
Speaker 9: All that matters.

506
00:23:00,520 --> 00:23:02,639
Speaker 2: Is the audience that matters. You know what those people are.

507
00:23:03,520 --> 00:23:07,440
Speaker 2: They're not successful, they're not that funny say that.

508
00:23:07,600 --> 00:23:08,280
Speaker 1: They are haters.

509
00:23:08,400 --> 00:23:08,959
Speaker 9: They're haters.

510
00:23:09,080 --> 00:23:09,919
Speaker 2: They're fucking haters.

511
00:23:10,440 --> 00:23:10,760
Speaker 7: Yeah.

512
00:23:10,760 --> 00:23:13,359
Speaker 2: So that's a problem with comedy. It's like surrounded by bitter,

513
00:23:13,640 --> 00:23:16,440
Speaker 2: entitled people with personality disorders.

514
00:23:16,560 --> 00:23:17,200
Speaker 9: It's rough.

515
00:23:17,480 --> 00:23:20,680
Speaker 2: It's rough, man. I thought it'd be more fun when

516
00:23:20,680 --> 00:23:22,200
Speaker 2: I started comedy. I was like, Oh, it's going to

517
00:23:22,240 --> 00:23:26,159
Speaker 2: be a group of the most fun people ever. And

518
00:23:26,280 --> 00:23:29,480
Speaker 2: it's misery everywhere, bitter.

519
00:23:29,720 --> 00:23:34,480
Speaker 11: So much, mad at the world, sometimes mad in a

520
00:23:34,520 --> 00:23:36,440
Speaker 11: way where it's like they don't even know what they're

521
00:23:36,480 --> 00:23:40,080
Speaker 11: mad at. Some of these comics. Yeah, they like hate everything,

522
00:23:40,119 --> 00:23:42,480
Speaker 11: shit on everything. But they're really sensitive and if you

523
00:23:42,640 --> 00:23:46,919
Speaker 11: say anything that is like slightly degrading to them, they

524
00:23:46,960 --> 00:23:48,720
Speaker 11: are like, how fucking dare you?

525
00:23:48,760 --> 00:23:50,480
Speaker 9: And it's like my thought. We were like joking around

526
00:23:50,560 --> 00:23:53,000
Speaker 9: and the whole thing is that you think everything sucks.

527
00:23:53,280 --> 00:23:56,080
Speaker 2: Oh I know it, well, well you want to wrap

528
00:23:56,160 --> 00:23:58,440
Speaker 2: it up or it's another bomb. Did I step on

529
00:23:58,520 --> 00:23:59,520
Speaker 2: the rest of your queen story?

530
00:24:00,200 --> 00:24:01,480
Speaker 9: No, that was basically it.

531
00:24:04,800 --> 00:24:06,920
Speaker 11: Someone got mad at me when I did that bit

532
00:24:07,040 --> 00:24:09,800
Speaker 11: once because I had a joke in it, like towards

533
00:24:09,880 --> 00:24:12,720
Speaker 11: the end that like my mom was dying and then

534
00:24:12,760 --> 00:24:15,280
Speaker 11: it was like basically her dying words were and then

535
00:24:15,320 --> 00:24:16,800
Speaker 11: I cleef again and.

536
00:24:17,640 --> 00:24:24,280
Speaker 9: This person, you know, it takes a week recoof.

537
00:24:23,960 --> 00:24:24,040
Speaker 1: But.

538
00:24:29,760 --> 00:24:33,720
Speaker 2: With a recondre I'm here with John Health from Health. Okay,

539
00:24:33,800 --> 00:24:35,080
Speaker 2: tell me some bombing stories.

540
00:24:35,240 --> 00:24:37,119
Speaker 8: Oh, this isn't really a bombing. But one of the

541
00:24:37,240 --> 00:24:39,120
Speaker 8: last nighte Shale shows we played this is separately after

542
00:24:39,200 --> 00:24:41,240
Speaker 8: that tour. It was on their farewell shows in l A.

543
00:24:41,760 --> 00:24:43,800
Speaker 8: And we were on stage and like halfway to the set,

544
00:24:43,880 --> 00:24:45,159
Speaker 8: I like it was just like it was like the

545
00:24:45,440 --> 00:24:46,920
Speaker 8: it was like an outhouse but like like the back

546
00:24:46,960 --> 00:24:48,639
Speaker 8: of the Chinese restaurant put together. It was like so

547
00:24:48,800 --> 00:24:50,159
Speaker 8: bad and I was like, dude, at first, it's like

548
00:24:50,200 --> 00:24:51,560
Speaker 8: someone farting. I'm like, not that, I can't where it

549
00:24:51,600 --> 00:24:55,560
Speaker 8: was at the Fonda. We're like two songs in and

550
00:24:55,680 --> 00:24:57,360
Speaker 8: I'm just like and I'm just staring at the guys

551
00:24:57,359 --> 00:24:59,399
Speaker 8: in the man with someone shit their fucking pants. Like

552
00:24:59,520 --> 00:25:01,440
Speaker 8: only a sh a live ship could be this live.

553
00:25:01,480 --> 00:25:03,399
Speaker 8: It was actually crazier, like how could a ship be

554
00:25:03,480 --> 00:25:05,640
Speaker 8: this crazy? And I'm just looking and I'm like sclaring

555
00:25:05,680 --> 00:25:07,480
Speaker 8: at everyone, like who the fuck ship their pants?

556
00:25:07,560 --> 00:25:07,679
Speaker 1: Man?

557
00:25:07,960 --> 00:25:09,520
Speaker 8: And they were playing this thing and then suddenly I

558
00:25:09,560 --> 00:25:11,760
Speaker 8: hear was screaming for the audience and screaming and screamings building,

559
00:25:11,880 --> 00:25:14,240
Speaker 8: and I looked out and this girl in Daisy Dudes,

560
00:25:14,320 --> 00:25:17,080
Speaker 8: Red Daisy Duchess is being crowdsurfed, and I fucking like

561
00:25:17,200 --> 00:25:20,520
Speaker 8: the fire hose, like of of of just of just

562
00:25:20,720 --> 00:25:24,440
Speaker 8: you know, of whatever. Yeager ship is spraying full blast,

563
00:25:24,440 --> 00:25:29,119
Speaker 8: and you were like, and she got fucking thrown over

564
00:25:29,200 --> 00:25:31,800
Speaker 8: the barricade, just spraying and spraying and spray Why and

565
00:25:31,880 --> 00:25:32,320
Speaker 8: then are you?

566
00:25:32,680 --> 00:25:34,280
Speaker 2: And I was like crowdserving why?

567
00:25:34,400 --> 00:25:36,240
Speaker 8: You know they're trying to get rid of her. She

568
00:25:36,400 --> 00:25:40,840
Speaker 8: was spraying so bad. They're like here, you know, and

569
00:25:40,960 --> 00:25:42,959
Speaker 8: you know, and you know, I'm sure she's waiting there

570
00:25:42,960 --> 00:25:45,920
Speaker 8: since like eight in the morning, drinking Yegger so so

571
00:25:46,280 --> 00:25:50,280
Speaker 8: so they spray over. Yeah, everyone's everyone's just screaming and screaming,

572
00:25:50,320 --> 00:25:53,920
Speaker 8: and there's just you know, liquid ship everyone smell yeah,

573
00:25:54,280 --> 00:25:57,840
Speaker 8: oh yeah, imagine underneath everyone it was like it was

574
00:25:57,880 --> 00:26:02,159
Speaker 8: like blade, you know, like everyone's gonna like j so

575
00:26:02,240 --> 00:26:03,719
Speaker 8: then I at this moment, I'm like, dude, we hit

576
00:26:03,760 --> 00:26:04,280
Speaker 8: the brown note.

577
00:26:04,400 --> 00:26:04,720
Speaker 9: But no.

578
00:26:04,840 --> 00:26:07,880
Speaker 8: Then I You're like, well halfway through, I'm like, dude,

579
00:26:07,880 --> 00:26:09,879
Speaker 8: we're fucking whoa your pants?

580
00:26:10,080 --> 00:26:10,280
Speaker 4: Man?

581
00:26:10,720 --> 00:26:11,800
Speaker 8: And then and then I was like, oh wait, that

582
00:26:11,840 --> 00:26:13,879
Speaker 8: doesn't make any sense. There's no funk away, you know,

583
00:26:14,040 --> 00:26:16,400
Speaker 8: like I don't know. I was like, is it the moment,

584
00:26:16,440 --> 00:26:19,679
Speaker 8: It's like a few seconds anyway, you start thinking logically,

585
00:26:19,760 --> 00:26:22,120
Speaker 8: they're waiting all day in the sun, drinking Yeager. I'm

586
00:26:22,119 --> 00:26:22,800
Speaker 8: assuming Yeger.

587
00:26:23,359 --> 00:26:23,840
Speaker 2: Why why?

588
00:26:23,920 --> 00:26:24,080
Speaker 1: Why?

589
00:26:24,200 --> 00:26:25,360
Speaker 8: Why the consistency?

590
00:26:25,600 --> 00:26:28,200
Speaker 2: You know, like you know you can tell what like

591
00:26:29,840 --> 00:26:32,800
Speaker 2: how it is. If anyone would know, it would be you.

592
00:26:34,320 --> 00:26:36,520
Speaker 8: Something Yeager equivalent to get that consistency.

593
00:26:36,600 --> 00:26:37,400
Speaker 2: It was like that ship.

594
00:26:37,680 --> 00:26:39,760
Speaker 8: It was like a not a smoothie, but a milkshake,

595
00:26:40,880 --> 00:26:43,439
Speaker 8: you know what I'm saying, like empty stomach.

596
00:26:43,960 --> 00:26:46,239
Speaker 2: Could you imagine that that story haunts your whole life?

597
00:26:46,240 --> 00:26:48,480
Speaker 2: And then she comes across it this podcast episode is

598
00:26:48,520 --> 00:26:50,360
Speaker 2: like she can't shake it. I don't care. I hope

599
00:26:50,400 --> 00:26:51,479
Speaker 2: she does hear this podcast.

600
00:26:53,400 --> 00:26:55,240
Speaker 8: I was like, these guys are really not get to

601
00:26:55,400 --> 00:26:59,520
Speaker 8: go to the hospital. She's like touch nails man. She

602
00:26:59,560 --> 00:27:01,520
Speaker 8: will not you know, Rare, just get those tickets. I

603
00:27:01,640 --> 00:27:03,399
Speaker 8: just really shocky letter back in. I feel like if

604
00:27:03,440 --> 00:27:04,520
Speaker 8: I was sprained diarrhea.

605
00:27:05,359 --> 00:27:10,879
Speaker 2: They I'm going home, I'm washing up, and I'm like,

606
00:27:11,240 --> 00:27:13,280
Speaker 2: I'm quarantining. It was so rad though.

607
00:27:13,359 --> 00:27:15,720
Speaker 8: She's wearing Daisy Dukes though, because I think because the

608
00:27:15,800 --> 00:27:18,920
Speaker 8: tight what city l a is that the fond of

609
00:27:19,480 --> 00:27:21,919
Speaker 8: so the tightness of the pants, I think I created

610
00:27:21,960 --> 00:27:24,280
Speaker 8: that that that hose affect me. You squeeze the hose

611
00:27:24,440 --> 00:27:26,320
Speaker 8: and it was coming out like one of those the

612
00:27:26,440 --> 00:27:28,120
Speaker 8: v you know, you know what I'm saying.

613
00:27:28,440 --> 00:27:30,080
Speaker 2: Yeah, and you have like a chicken pog in your.

614
00:27:37,440 --> 00:27:39,080
Speaker 1: With Aricondre.

615
00:27:46,440 --> 00:27:50,280
Speaker 2: With Aridre on today's episode, I took DJ and music

616
00:27:50,359 --> 00:27:51,920
Speaker 2: producer Dylan Francis.

617
00:27:52,119 --> 00:27:54,920
Speaker 13: What is the worst show you've ever done? What is

618
00:27:55,000 --> 00:27:57,320
Speaker 13: the worst gig you ever had? What is the worst

619
00:27:57,400 --> 00:28:01,760
Speaker 13: day job, worst day? And what's the most fucking wasted

620
00:28:01,800 --> 00:28:02,440
Speaker 13: you've been on stage?

621
00:28:02,440 --> 00:28:05,560
Speaker 14: And how is the the person you loved the most?

622
00:28:05,640 --> 00:28:06,520
Speaker 9: How did you hurt them?

623
00:28:07,119 --> 00:28:07,320
Speaker 1: Yeah?

624
00:28:07,480 --> 00:28:11,320
Speaker 2: Okay? And what's your favorite child trauma? And one's the

625
00:28:11,400 --> 00:28:13,800
Speaker 2: one you can't stuck raving about.

626
00:28:14,160 --> 00:28:18,320
Speaker 10: Favorite childhood trauma. Do you remember the movie Hook? Remember

627
00:28:18,359 --> 00:28:20,639
Speaker 10: the ROUTIEO? Yeah, the blue box, I don't remember. I

628
00:28:20,640 --> 00:28:24,160
Speaker 10: got the box. It was the scorpion. So they put

629
00:28:24,160 --> 00:28:25,600
Speaker 10: a guy in a box and there's the scorpion and

630
00:28:25,640 --> 00:28:28,440
Speaker 10: they dropped the scorpion in. So my brother and his

631
00:28:28,520 --> 00:28:30,560
Speaker 10: friend Cash wanted to do the boot box to me,

632
00:28:31,240 --> 00:28:32,920
Speaker 10: but we didn't have a scorpion, but we did have

633
00:28:32,960 --> 00:28:34,960
Speaker 10: a dog cage, so they put me in a dog cage.

634
00:28:35,080 --> 00:28:37,760
Speaker 10: Hog Tide, put a sock in my mouth and sprayed

635
00:28:37,840 --> 00:28:45,280
Speaker 10: me with water. My childhood trauma. It's like Alabama fucking torture.

636
00:28:45,440 --> 00:28:47,720
Speaker 14: Also, to go from the boot box to like, it's

637
00:28:47,920 --> 00:28:56,160
Speaker 14: just like that's bucks were playing Steven Spielberg's Hook. Mom

638
00:28:56,240 --> 00:28:57,600
Speaker 14: and Dad, leave us alone.

639
00:28:57,560 --> 00:29:06,360
Speaker 10: Dude, Stephen super for really really yeah, let's put Yeah,

640
00:29:07,400 --> 00:29:09,160
Speaker 10: this is the best bombing experience.

641
00:29:09,280 --> 00:29:14,760
Speaker 2: Every later in the show, tell us something else. I like,

642
00:29:14,840 --> 00:29:17,080
Speaker 2: you guys, you're cool.

643
00:29:18,560 --> 00:29:23,320
Speaker 10: Hey, no goe okay, okay, okay, well not say it yet, okay,

644
00:29:23,320 --> 00:29:25,760
Speaker 10: and I'll say it now. I was playing at this

645
00:29:26,240 --> 00:29:30,040
Speaker 10: very crusty festival up in it's I think it's upstate

646
00:29:30,120 --> 00:29:33,560
Speaker 10: New York called Camp Bisco, and I was it was

647
00:29:33,600 --> 00:29:37,920
Speaker 10: the first time I was headlining a stage. So me

648
00:29:38,040 --> 00:29:40,680
Speaker 10: and a friend whose name I won't say, I was.

649
00:29:41,080 --> 00:29:42,800
Speaker 2: Well, put it up, We'll put it up on the screen. Yeah,

650
00:29:42,800 --> 00:29:44,400
Speaker 2: put up on the screen for me this number.

651
00:29:44,640 --> 00:29:48,280
Speaker 4: I was, I was drinking a lot and he was

652
00:29:48,280 --> 00:29:49,360
Speaker 4: your drinking choice. I was.

653
00:29:49,400 --> 00:29:50,920
Speaker 10: I was drinking Greg Goose at the time, and I

654
00:29:50,960 --> 00:29:53,640
Speaker 10: think I drank a whole bottle to myself, and then

655
00:29:53,680 --> 00:29:56,560
Speaker 10: he was I was thirsty, it's it's hot.

656
00:29:58,240 --> 00:29:58,719
Speaker 1: And uh.

657
00:29:58,800 --> 00:30:03,240
Speaker 10: And then my friend was just like basically fun dipping

658
00:30:03,280 --> 00:30:06,520
Speaker 10: ecstasy into his mouth so or M D M A.

659
00:30:07,560 --> 00:30:11,240
Speaker 10: And he was emceeing for me. I don't think there's

660
00:30:11,240 --> 00:30:14,160
Speaker 10: any footage of this online, thank god, but he's m

661
00:30:14,280 --> 00:30:16,680
Speaker 10: seeing for me. And I got so drunk. I think

662
00:30:16,800 --> 00:30:19,680
Speaker 10: halfway through the show. I couldn't really see my computer

663
00:30:19,760 --> 00:30:22,640
Speaker 10: screen as I was djaing off of it, and I.

664
00:30:22,760 --> 00:30:28,240
Speaker 2: Could not send emails or yeah, you're playing tickets and

665
00:30:28,600 --> 00:30:29,160
Speaker 2: all that stuff.

666
00:30:29,160 --> 00:30:31,840
Speaker 4: I can't do any work.

667
00:30:31,880 --> 00:30:35,320
Speaker 2: I couldn't even see the song. So I so you

668
00:30:35,400 --> 00:30:36,120
Speaker 2: were faded.

669
00:30:36,360 --> 00:30:41,720
Speaker 10: I was like you, and you're like like this, yeah,

670
00:30:42,120 --> 00:30:43,800
Speaker 10: and there's like a song ending over here, there's a

671
00:30:43,880 --> 00:30:46,120
Speaker 10: song ending, And I had no idea what to play next.

672
00:30:46,280 --> 00:30:49,960
Speaker 10: And the song ended and I still couldn't see the computer.

673
00:30:50,000 --> 00:30:51,560
Speaker 10: So I look over at him and I'm like, talk

674
00:30:51,640 --> 00:30:58,480
Speaker 10: on the mic, and he's like, I can't. He doesn't

675
00:30:58,520 --> 00:31:01,160
Speaker 10: get on the mic. There is probably and like thirty

676
00:31:01,240 --> 00:31:07,520
Speaker 10: seconds of silence at a music festival. Two seconds. So

677
00:31:08,760 --> 00:31:11,520
Speaker 10: we're just standing there and I try to pick up

678
00:31:11,520 --> 00:31:13,719
Speaker 10: the mic and talk. I don't even think I said anything.

679
00:31:13,840 --> 00:31:15,880
Speaker 10: I maybe even mumble the words.

680
00:31:17,960 --> 00:31:18,360
Speaker 5: Your lips.

681
00:31:18,560 --> 00:31:22,480
Speaker 10: Yeah. And then I found a song and I just

682
00:31:22,600 --> 00:31:27,240
Speaker 10: clicked it into the the turntable. It was en serato. Basically,

683
00:31:27,240 --> 00:31:29,479
Speaker 10: it's you're it's like fake vinyl.

684
00:31:29,680 --> 00:31:32,760
Speaker 2: We know, okay, cool. I wanted to let you know.

685
00:31:33,160 --> 00:31:35,880
Speaker 2: And as for his demo, dude, your demo.

686
00:31:37,320 --> 00:31:37,560
Speaker 1: Sick?

687
00:31:38,000 --> 00:31:41,640
Speaker 2: Hell yeah, sign him? Sign him right now, dude, if

688
00:31:41,680 --> 00:31:45,080
Speaker 2: you had the bravery, you would sign her, just knowing

689
00:31:45,160 --> 00:31:50,080
Speaker 2: that I have a USB driver. Yes, does Hulu represent Yes,

690
00:31:50,200 --> 00:31:51,960
Speaker 2: that's the name of that and DJ Hulu. You don't

691
00:31:51,960 --> 00:31:53,680
Speaker 2: even want that ship?

692
00:31:53,960 --> 00:31:57,560
Speaker 4: Holy sh she you want to ship?

693
00:31:57,680 --> 00:31:59,440
Speaker 2: You want to hear some dude?

694
00:31:59,440 --> 00:32:00,920
Speaker 4: Did you go over the king speech?

695
00:32:01,120 --> 00:32:03,440
Speaker 2: That's the King speech man, That's what I call all

696
00:32:03,520 --> 00:32:09,080
Speaker 2: my music. I wish I could have used this that night.

697
00:32:09,280 --> 00:32:12,680
Speaker 2: You needed that, Yeah, I could like fucking fun up.

698
00:32:12,720 --> 00:32:18,880
Speaker 10: Okay, So you know, thirty thirty seconds of silence, and

699
00:32:19,000 --> 00:32:21,680
Speaker 10: I just clicked a song in. And during this time,

700
00:32:21,920 --> 00:32:25,280
Speaker 10: songs are five minutes long. For anything you're playing, such

701
00:32:25,280 --> 00:32:29,320
Speaker 10: a drum intro, that's usually a minute, so we so

702
00:32:29,440 --> 00:32:31,760
Speaker 10: I clicked a song in that was a minute long,

703
00:32:32,040 --> 00:32:34,200
Speaker 10: just boom boom, like t track.

704
00:32:34,560 --> 00:32:37,560
Speaker 2: Yeah, basically basically playing a tick track.

705
00:32:40,240 --> 00:32:40,680
Speaker 4: Exactly.

706
00:32:41,320 --> 00:32:44,400
Speaker 2: Is the stage manitor, is anybody that like runs this concert? Like,

707
00:32:44,520 --> 00:32:46,080
Speaker 2: oh fuck no, I don't even think I had a

708
00:32:46,080 --> 00:32:47,000
Speaker 2: tour manager at the time.

709
00:32:47,520 --> 00:32:52,320
Speaker 14: It was like a concert backwoods, Yes, halfway climbing out

710
00:32:52,360 --> 00:32:54,920
Speaker 14: the stack of speakers like maybe.

711
00:32:55,360 --> 00:32:55,600
Speaker 2: Okay.

712
00:32:55,680 --> 00:32:59,880
Speaker 10: So the great thing is my old photographer, his girl

713
00:33:00,040 --> 00:33:03,120
Speaker 10: friend was actually at Camp Bisco when that happened, and

714
00:33:03,960 --> 00:33:06,280
Speaker 10: he asked her about it and she said, oh yeah,

715
00:33:06,320 --> 00:33:08,280
Speaker 10: when that happened, we all just thought he was fucking

716
00:33:08,320 --> 00:33:10,320
Speaker 10: with us. We thought he was just playing a huge

717
00:33:10,400 --> 00:33:13,200
Speaker 10: joke on the crowd. So I got away with it,

718
00:33:13,280 --> 00:33:14,000
Speaker 10: Scott free.

719
00:33:13,920 --> 00:33:20,200
Speaker 2: Because I was just was so off yeah and ke yeah, man, man,

720
00:33:20,240 --> 00:33:23,440
Speaker 2: he's changing the game. Sometimes he doesn't even play music.

721
00:33:25,200 --> 00:33:27,320
Speaker 2: So that was my that was my worst bombing experience.

722
00:33:27,320 --> 00:33:31,680
Speaker 2: What do I do with me to your label? All right?

723
00:33:31,720 --> 00:33:33,960
Speaker 2: I got this. So you get off stage and that

724
00:33:34,120 --> 00:33:35,200
Speaker 2: night you're puke and blood.

725
00:33:35,320 --> 00:33:37,480
Speaker 4: Right, No, no, no, that that was it.

726
00:33:37,760 --> 00:33:38,040
Speaker 1: That was.

727
00:33:40,680 --> 00:33:42,560
Speaker 10: I was like, well we got off and I was like, dude,

728
00:33:42,560 --> 00:33:44,680
Speaker 10: why didn't you say anything? And he's like I couldn't.

729
00:33:45,960 --> 00:33:49,120
Speaker 2: He's just why don't you drink water at that point?

730
00:33:49,240 --> 00:33:50,440
Speaker 10: No, we just kept drinking more.

731
00:33:50,600 --> 00:33:53,000
Speaker 14: Oh boy, that is kind of the activity that I

732
00:33:53,040 --> 00:33:55,400
Speaker 14: feel like, You're like, well, well, might as well drink more.

733
00:33:55,480 --> 00:33:56,560
Speaker 2: Yeah, I failed up again.

734
00:33:56,680 --> 00:33:58,720
Speaker 8: I haven't I didn't throw up.

735
00:34:00,760 --> 00:34:02,800
Speaker 1: I'll be with Avery Codre.

736
00:34:03,240 --> 00:34:05,720
Speaker 2: All right, listen up. We got some sposive for you.

737
00:34:06,040 --> 00:34:08,359
Speaker 2: Got a burning story that you're itching to tell about

738
00:34:08,360 --> 00:34:11,279
Speaker 2: when you bombed or absolutely failed in life. Now's your

739
00:34:11,400 --> 00:34:14,000
Speaker 2: chance to tell me all about it, babe. I want

740
00:34:14,040 --> 00:34:17,680
Speaker 2: to hear your worst, most cringe worthy what the fuck

741
00:34:17,880 --> 00:34:19,760
Speaker 2: was I thinking? What just happened?

742
00:34:19,800 --> 00:34:20,080
Speaker 1: Moment?

743
00:34:20,280 --> 00:34:23,600
Speaker 2: So pick up your phone and dial seven one six bombing.

744
00:34:23,880 --> 00:34:27,400
Speaker 2: That's seven one six two six six twenty four sixty

745
00:34:27,440 --> 00:34:29,719
Speaker 2: four and leave me a voicemail and we might just

746
00:34:29,840 --> 00:34:32,440
Speaker 2: play it on a future episode. Bombing with Eric Andrey

747
00:34:32,520 --> 00:34:34,360
Speaker 2: is brought to you by Will Ferrell's Big Money Players

748
00:34:34,400 --> 00:34:38,160
Speaker 2: Network and iHeart Podcast. Our executive producer is Olivia Aguilar.

749
00:34:38,400 --> 00:34:42,120
Speaker 2: Our producer is Bei Wang. Our research assistant is David Carliner.

750
00:34:42,239 --> 00:34:44,640
Speaker 2: Our editor in sound designers Andy Harris, and our art

751
00:34:44,760 --> 00:34:47,200
Speaker 2: is by Dylan Vanderberg. Go rate us five stars and

752
00:34:47,280 --> 00:34:49,480
Speaker 2: drop a review on your podcast app a choice