Speaker 1: The Manawak Caves is intended for mature audiences. It contains
Speaker 1: strong language and depictions of bullying, violence, and sexual assault
Speaker 1: that some may find disturbing. Listener discretion is advised. Also,
Speaker 1: this is an extremely immersive experience and headphones are recommended.
Speaker 1: You're listening to The Maniwak Caves, a production of iHeartRadio,
Speaker 1: Blumhouse Television and Psycopia Pictures.
Speaker 2: Okay, looks like we have four deep lacerations across patients
Speaker 2: abdomen just above the naval Each laceration is based approximately
Speaker 2: one and a half inches apart extends about eight inches.
Speaker 2: The pattern of the injury seems to be consistent with
Speaker 2: maybe the patient was emulating some sort of a mauling.
Speaker 2: It appears that he has recreated a pattern resembling a
Speaker 2: clog injury like a biting Jesus an animal attack. H
Speaker 2: and the torn flesh here and appears to be fight ones.
Speaker 2: He's not bleeding, He's I'm sorry what he's not bleeding.
Speaker 3: There's no blood.
Speaker 2: Okay, so there appears to be no active bleeding, no
Speaker 2: dry blood on the exterior.
Speaker 3: Of the wound. He wasn't cleaned up before being brought in.
Speaker 3: He came straight from the sail. Wait a second after,
Speaker 3: mister Fincher, how did you do this? I I I
Speaker 3: didn't do it. What's this issue?
Speaker 2: See here how the flesh is protruding around the tear marks,
Speaker 2: pulling inward there where it should be inflamed. These kinds
Speaker 2: aren't external inflictions. Uh, mister Fincher's decisions are imploded. The
Speaker 2: flesh looks as though it was cut on the inside.
Speaker 3: Forget about Tyler. Tyler, that is part.
Speaker 4: And now I'm doing mine.
Speaker 3: But you still have work to do.
Speaker 5: Still, and I has hell dancing, and.
Speaker 3: I've been rejasing the steps. That's check the Samsa when
Speaker 3: he was involved in the original homicide investigation. I don't
Speaker 3: know what things you're in and stuff. If you don't know,
Speaker 3: maybe you've blocked it out where you are allowed to know.
Speaker 5: The beast of those to you too.
Speaker 6: And it's hard to not assume the worst. Then the
Speaker 6: devil has been living amongst us all this time?
Speaker 3: Well I have news for you. He has.
Speaker 6: He has been living among us, walking among us, and
Speaker 6: he is still here.
Speaker 3: How are you reachuling Silas? Please leave a message after
Speaker 3: the weep. Hey, it's rich.
Speaker 7: So I heard you're arrested, and I'm not sure you're
Speaker 7: going to get out in time for another visit. So
Speaker 7: this this might be the last time that you hear
Speaker 7: my voice.
Speaker 3: So listen.
Speaker 4: Because there's something that I need you to know.
Speaker 8: I'm sure your visit to Solomon's place left you with
Speaker 8: some questions, hopefully some context too, And I hope you're
Speaker 8: starting to accept that this is.
Speaker 9: Big why white?
Speaker 4: Bigger than me and you? I don't know where to start.
Speaker 8: A lot can happen in fourteen years and change the
Speaker 8: whole universe can shed its skin like a great big snake. Still,
Speaker 8: some things don't change. Then you again has the same
Speaker 8: pattern and the scales. Only difference is it's a so
Speaker 8: it's a bigger snake. When they pulled me out of
Speaker 8: that room and locked me in these walls, in the
Speaker 8: exact same sale where I still spend twenty three hours
Speaker 8: a day, well.
Speaker 4: Back then I had a recurring.
Speaker 10: Problem and started on my very first night and it
Speaker 10: didn't let up till the end of summer.
Speaker 2: This is doctor Luis Gusman, chief Medical Examiner at Riverbend
Speaker 2: Maximum Security Institution. Today is November twenty sixth, two thousand
Speaker 2: and seven. Eight fifty two AM reporting on Fincher James
Speaker 2: Doc Number one five seven nine zero six seven submitted
Speaker 2: for examination. Following and attempted suicide. Patient was found with
Speaker 2: deep horizontal lacerations across his abdomen. No weapon was discovered
Speaker 2: at the scene. My initial instinct would have been self
Speaker 2: inflicted fingernail wounds, but patient's fingernails have been clipped short
Speaker 2: in accordance with safety guidelines. Upon further inspection, I was
Speaker 2: able to determine that mister Fincher's wounds were.
Speaker 3: Carved outward.
Speaker 2: From the inside of the stomach lining to the rupture
Speaker 2: points of the flesh, possibly through the intentional ingestion of
Speaker 2: a sharp object. But at this time all X rays
Speaker 2: have come back inconclusive. The incident in question occurred on
Speaker 2: mister Fincher's first night in our custody. Here on death Row.
Speaker 2: One could possibly presume that this is a stress related phenomena. Still,
Speaker 2: in all my years treating incarcerated patients, I have never
Speaker 2: seen injuries consistent with what I saw today, regardless is
Speaker 2: being put on twenty four hour surveillance and I'm prescribing
Speaker 2: a mood stabilizer, an antipsychotic, and recommending group psychotherapy commencing immediately.
Speaker 4: I didn't mind going to group therapy.
Speaker 8: I kind of liked the idea of being able to
Speaker 8: have people to talk to, people to listen, even if
Speaker 8: the other inmates didn't exactly share my views.
Speaker 3: Good morning, mister Fincher. Morning. Can I call you James Games? No, no, no, no,
Speaker 3: just call me Finch? All right? Anybody need a refresher
Speaker 3: on the rules? Yes, Neil got helpt out today. Why
Speaker 3: do you want to do that?
Speaker 11: Well, because I ain't gonna share my most fucking thoughts and.
Speaker 3: Dealers with baby killer over there. What even doing to him?
Speaker 3: May no name calling, mister Lukovics, mister Fincher.
Speaker 4: They called me baby killer when I first arrived.
Speaker 10: It doing it as if them boys were babies, as
Speaker 10: if they had one modicum of innocence about them.
Speaker 4: That's the narrative the prosecution sold, the judge and.
Speaker 10: Jury, and it's stuck the papers, the press, they all
Speaker 10: went along for the ride.
Speaker 8: Too, sweet innocent angels, they said, glowing lights in the
Speaker 8: dark valley, good Christian boys from humble community snuffed out
Speaker 8: by a monster.
Speaker 12: Me.
Speaker 10: So now.
Speaker 4: I'm the worst of the worst, a monster of monsters.
Speaker 3: Hey, get James next time.
Speaker 11: Do us all a thiev and you yourself with the
Speaker 11: same respect you did those boys, you yourself, U effects
Speaker 11: what he thinks his little son last night wouldn't get
Speaker 11: around death rolls a small town man, worse spreads.
Speaker 3: Ain't nobody don't know about your shit? All right, that's
Speaker 3: a shot. But I ain't talking.
Speaker 11: About shit with this baby killing ankle here.
Speaker 3: That's all I gotta say.
Speaker 4: And I continued on like that day and day app.
Speaker 8: I'd have some terrible nightmare, rip me out of my sleep,
Speaker 8: wake me up, all disoriented, sore and aching, and I
Speaker 8: lift up my shirt and find a new swoop or
Speaker 8: line carved into my body, never bleeding. And I didn't
Speaker 8: know what it meant at first, but I always knew
Speaker 8: where it came from.
Speaker 4: And I knew I couldn't talk about it.
Speaker 8: Guards did their rounds every few minutes, and they they
Speaker 8: always see me carved up, even if I try to
Speaker 8: hide it, And sure shit, I send me right back
Speaker 8: to the yard to start the whole process over again.
Speaker 2: This is doctor Luis Gusmann reporting on Fincher James Doc
Speaker 2: Number one five seven nine zero six seven. It is
Speaker 2: the official motion of the state that James Fincher not
Speaker 2: be moved for any special examination, and his injuries are
Speaker 2: in fact self inflicted, and his repeated claims that he
Speaker 2: is the recipient of some miraculous form of spontaneous scarification
Speaker 2: or symptoms of psychosis and should be treated medically in
Speaker 2: tandem with continued psychotherapy. Since mister Fincher's arrival in this institution,
Speaker 2: the pattern of his injuries has expanded. They have branched
Speaker 2: off into tributaries wrapping around his entire torso the wounds
Speaker 2: appear to be forming some sort of a pattern. Despite
Speaker 2: my numerous requests stp nightly restraints for the prisoner, the
Speaker 2: correction staff has either been negligent in applying these restraints
Speaker 2: or they were somehow ineffective. I've still been unable to
Speaker 2: determine the instrument used to cause the lesions, and all
Speaker 2: X rays of his internal organs have continuously come back
Speaker 2: and conclusive. I'm at a loss, and in beginning to consider,
Speaker 2: against my better judgment, James's Steppas's belief in the miraculous
Speaker 2: nature of his wounds. At this point, I am simply
Speaker 2: observing napping and recording upon the several occasions in which
Speaker 2: I've asked James to speculate us to the origins of
Speaker 2: his injuries. He refused. When I asked what he believed
Speaker 2: these marking to be, he simply replied cave drawings. Indeed,
Speaker 2: what began as linear markings on mister Fincher's body have
Speaker 2: evolved in more complex shapes, some even resembling humanoid or
Speaker 2: animal figures. Each new wound leaves a thick and darkened
Speaker 2: scar across mister Fincher's skin, which furthers the conceptualization of
Speaker 2: the markings is well, drawings like a child's perhaps simple primitive.
Speaker 8: They moved me out of group therapy. I was getting
Speaker 8: threats and they decided it was too dangerous.
Speaker 4: Can you believe that?
Speaker 8: And yere, we live out the remainder of our lives
Speaker 8: with nothing to look forward to other than our own
Speaker 8: predetermined deaths.
Speaker 4: And they decided that we all in air deserve to die.
Speaker 8: And then they spend all their time up until the
Speaker 8: moment of our injection, making absolutely sure that we don't
Speaker 8: die by any hands set theirs. Our elimination ain't the point, though,
Speaker 8: you see. It's it's not that the world will be
Speaker 8: a better place without us, it's not even about justice.
Speaker 13: It's all about power.
Speaker 8: I suppose you probably never feel more powerful than when
Speaker 8: you take a life.
Speaker 4: Yeah, but I.
Speaker 13: Wouldn't know.
Speaker 8: So they set me up with the private therapists. Now
Speaker 8: you know what's bad when they set you up with
Speaker 8: a private one when you're too hated or too far
Speaker 8: gone to be allowed in group therapy anymore. And of course,
Speaker 8: if you're bad enough to get the private quacks, all
Speaker 8: the boys on the block just got that much more
Speaker 8: AMMO to.
Speaker 4: Hate you with.
Speaker 8: We're all freaks here, but even in this little world
Speaker 8: there's still room to point fingers.
Speaker 4: If you're just different enough.
Speaker 3: How are you feeling today, James? Better?
Speaker 14: Now that's just you and me, Yeah, I guess you kiss.
Speaker 14: I figure you're gonna be happy to get away from
Speaker 14: the others.
Speaker 3: They were the only company that I hate.
Speaker 14: You want to tell me a little bit about these
Speaker 14: new injuries, James, What do you want to know?
Speaker 3: Well, who's causing them? If it's not you, I'm gonna
Speaker 3: help you.
Speaker 14: It's in all the medical recourse, right, Yes, and no.
Speaker 14: I'd like to hear your perspective. What prompts the injuries?
Speaker 3: Do you think?
Speaker 14: Do you suffer from many dark thoughts just before they happen,
Speaker 14: like anxiety depression.
Speaker 3: It's just.
Speaker 12: Not pictures you mean dreams, night MARISONA. No, just pictures
Speaker 12: in my head of things that haven't happened yet.
Speaker 14: So your dreams are prophetic and you're like a claar
Speaker 14: VOI claar voy that the way you're looking for. What
Speaker 14: makes you think these visions are going to come true?
Speaker 3: I don't think they're going to It's not even like
Speaker 3: they're going to happen. It's like they're already just in
Speaker 3: the future.
Speaker 12: But I'm just watching a recording or something that we
Speaker 12: haven't had the time.
Speaker 3: To see it.
Speaker 12: And there's no point in trying to stop something that's
Speaker 12: already happened, even if it's already happened in the future.
Speaker 3: Okay, can you give me an example.
Speaker 14: This stays between us, James, don't worry the.
Speaker 3: Recording can be used against you. What about my sister?
Speaker 3: What about her? Can anything I say be used against her?
Speaker 3: Or how do you mean I worry about her? Out there?
Speaker 12: The sister of a convicted murderer, a single mom in
Speaker 12: the town that don't want her, that hates her. It's
Speaker 12: about association. She can barely make against me. She can't
Speaker 12: afford to move nowhere better. And Lord knows you don't
Speaker 12: need nothing else to worry about, especially not the things
Speaker 12: I may or may not say to you in here.
Speaker 12: You privately uns it directly in dangerous life. And nothing
Speaker 12: you say in here will ever leave this room. It'll
Speaker 12: stays between you and me. All right, I'll trust you
Speaker 12: on that, Okay. So let's take Neil for example. I
Speaker 12: dreamed about Neil getting off in the showers. I think
Speaker 12: yellow tiles splattered with blood.
Speaker 3: And you believe that this is going to happen in
Speaker 3: the future It already has, but it hasn't.
Speaker 14: I saw Neil just earlier today in the group says, yeah,
Speaker 14: you saw him in the now, you see.
Speaker 3: But all the future becomes to pass eventually. There's nothing
Speaker 3: you can do about it.
Speaker 14: Are you saying that you believe that what there are,
Speaker 14: that our lives, the future, it's all predetermined.
Speaker 12: I'm saying it don't change nothing if you believe me
Speaker 12: or not fair enough, But how do you know when
Speaker 12: these dreams are going to or that they are coming true?
Speaker 3: How do you know they're not just like any other dream?
Speaker 3: They just feel different? Okay? They smell different. It's a
Speaker 3: different flavor.
Speaker 14: We'll have any of your different flavored dreams not come true. James,
Speaker 14: You do understand how these solutions of grant are, these
Speaker 14: ideas that you have a gift of being able to
Speaker 14: see into the future. You see how they're potentially harmful
Speaker 14: to not only yourself but also to those around you.
Speaker 3: I don't want to harm anybody, and I ain't never
Speaker 3: Big grand.
Speaker 8: Neil was killed in the showers three days later a
Speaker 8: piece of newspaper shaped into a ship with toothpaste and
Speaker 8: dried out till it was sharp.
Speaker 10: Those are good for about three stabs before they break.
Speaker 4: Enough to take a life.
Speaker 10: Though they took my privileges away after that figured it
Speaker 10: was me, of course, but they couldn't prove nothing, and
Speaker 10: even if they could, what were they gonna do?
Speaker 4: And I kept waking up with them cuts. My dreams
Speaker 4: have always come true, Julian. My grandmother told me when
Speaker 4: I was little, but I just thought she was making
Speaker 4: stuff up. You know.
Speaker 10: It just made me feel special.
Speaker 4: You used to be in my dreams too, Julian.
Speaker 10: That year after your mother passed away, that spring before graduation,
Speaker 10: before the Hadley brothers were murdered.
Speaker 4: I dreamed.
Speaker 9: You were being followed.
Speaker 10: At first, it was only a shadow, an empty space,
Speaker 10: black hole. But that shadow started a bend and.
Speaker 4: Stretch behind you.
Speaker 10: Eventually I saw it more clearly, saw him, I mean
Speaker 10: his shadow and the reflections a mirror in your house
Speaker 10: or in the moon, the window in your old bedroom.
Speaker 10: He was tall, pale faced, his fingers like claws on,
Speaker 10: blinking eyes, snake eyes. I seen him later too, in
Speaker 10: the caves, a reflection in the cave pools, or he's ancient,
Speaker 10: older than the.
Speaker 4: Caves, even hideous and beautiful at the same time.
Speaker 10: I looked at the slits of his eyes and the reflection,
Speaker 10: and I felt.
Speaker 8: His his hunger and setuable, and I knew you wanted
Speaker 8: to slur my soul.
Speaker 9: Right out on my body.
Speaker 10: But that night in the caves, when I turned and
Speaker 10: I looked over my shoulder, there was nothing, just in
Speaker 10: the absence, a hole would no light and go nothing
Speaker 10: in that hole.
Speaker 13: But sorrow, greed.
Speaker 10: Hatred, and hunger, folding in on itself again and again
Speaker 10: like a never in the necko.
Speaker 9: But that spring, I dreamed he was following you, sneaking
Speaker 9: closer and closer to you, moving in the shadows and
Speaker 9: whispering in your ear. I've dreamed about you a lot
Speaker 9: that summer too, after I got locked up, and he
Speaker 9: was always always behind you, never letting you out of
Speaker 9: his sight.
Speaker 10: But one day you escaped and you flew as fast
Speaker 10: as you could, straight out of town.
Speaker 4: And after that you weren't in my dreams no more.
Speaker 2: Luis couse Mon, December thirtieth, two thousand and seven. Oh,
Speaker 2: James Spincher.
Speaker 13: Today.
Speaker 2: Today was the first day since November twenty sixth, but
Speaker 2: this year that I did not receive a visit from him.
Speaker 2: I can only speculate an over enthusiasm and his self
Speaker 2: harming measures that have finally gone too far, or perhaps
Speaker 2: some medications are taking hold. Let's hope for the latter.
Speaker 8: So after that everything stopped, No more dreams, no more scars.
Speaker 8: The world just settled into kind of normal, well death
Speaker 8: row normal. And I found out later that day that
Speaker 8: you you're gone, left from this place, away from your father,
Speaker 8: away from your youth, away from caves, away from him
Speaker 8: for good, or so I hoped. Next day I got
Speaker 8: a visit from an unexpected guest.
Speaker 13: Morning, James, good morning. You know who I am here.
Speaker 13: You're the minister, Reverend Reverend Perkinson, you go to the
Speaker 13: chapel this morning, James, how can you ever expect to
Speaker 13: be forgiven if you don't ask for forgiveness?
Speaker 4: Because I ain't got nothing to be forgiven for.
Speaker 13: Here's the thing about that.
Speaker 15: We all have stories, we tell ourselves, we all keep
Speaker 15: our own narrative, but only God knows for sure. Now
Speaker 15: the state, the state has determined your guilt, and so
Speaker 15: by the laws of man here you sit. But still
Speaker 15: you never confessed, James. It doesn't matter what you tell
Speaker 15: the world, or even what you tell yourself. God knows
Speaker 15: the truth. And even though your body may be imprisoned
Speaker 15: here in this institution on death row, your soul can
Speaker 15: still be saved. James.
Speaker 4: Did you know that?
Speaker 5: James?
Speaker 4: Man? You are something special, ain't you?
Speaker 3: What's in it for you?
Speaker 13: Me confess?
Speaker 8: In one way or another? They are able to try
Speaker 8: or to put me away. They're fixing to kill me
Speaker 8: for it. You got your way. So what exactly are
Speaker 8: you doing here?
Speaker 3: River?
Speaker 4: What do you want?
Speaker 15: If we confess our sins? He is faithful and just
Speaker 15: to forgive us our sins and to cleanse us from
Speaker 15: all unrighteousness. John one nine mm hmm.
Speaker 8: Well, John, he don't know fuck all about Manowell count.
Speaker 16: I'm not going to deceive you, James.
Speaker 15: I want to put this to rest, for this community,
Speaker 15: for the Hadley family, for your family too. What if
Speaker 15: I told you that there was some upset. Not in
Speaker 15: my town I have you, but in the bigger city
Speaker 15: is a few towns over here in Nashville, down in Atlanta, Charlotte.
Speaker 15: Turns out there's some folk who don't know screw all
Speaker 15: about the good people, the possible, who have some misgivings
Speaker 15: about your trial. And they got your TV personalities and
Speaker 15: your news channels all talking about it. They want the
Speaker 15: world to believe you are a victim. And I'll tell
Speaker 15: you what, I don't want nobody talking about it no more.
Speaker 15: They're making me and mine look bad.
Speaker 4: Well, and my heart is over here breaking.
Speaker 15: Now you listen to me. I need you to think
Speaker 15: real hard about delivering me a confession. It can't do
Speaker 15: nothing but help all the parties involved. Were you to
Speaker 15: do so, for me the outsider, stop agitating, casting doubt,
Speaker 15: making people worry. And for you, well, God will see
Speaker 15: that you're taking care of God will forgive you.
Speaker 13: James.
Speaker 4: I'm good. Thanks for stopping.
Speaker 8: By fifteen years ago. It was the first time Perkins
Speaker 8: came at me with a bride confessed to a murder,
Speaker 8: asked for forgiveness. Even if the people won't forgive, Jesus
Speaker 8: Will said, I could still save my soul. I was
Speaker 8: hoping that you getting out of this place would save you,
Speaker 8: to somehow save you from what the rest of us
Speaker 8: were suffering. I thought, maybe that's why the dreams had
Speaker 8: stopped and the cuts. But now you're back, and I
Speaker 8: see clear that was just all wishful thinking on my part. Anyway,
Speaker 8: You think the bribes would have stopped years ago. Ain't
Speaker 8: nobody interested in the case no more? But then you
Speaker 8: came back home, and it's like you woke it up again.
Speaker 4: Even me.
Speaker 10: I woke up in my sail last night, the middle
Speaker 10: of the night, pitch flaxxcept for the fluorescent lights bleeding
Speaker 10: from the hall on the other side of the bars,
Speaker 10: and I knew I wasn't alone.
Speaker 9: He was back.
Speaker 10: I saw the snake eyes reflected in the dull metal
Speaker 10: mirror that's bolted to the cinder block above my toilet,
Speaker 10: his pale face.
Speaker 9: Catch you a sliver of flight that was bleeding from
Speaker 9: behind the bars.
Speaker 4: He was in the sail with me, and he touched
Speaker 4: my shoulder.
Speaker 16: He spoke, and his.
Speaker 4: Words slithered in my ear. He knew what I wanted, you,
Speaker 4: what I was most afraid of.
Speaker 9: And he knows that I'm helpless to do anything for
Speaker 9: my family.
Speaker 4: I'm helpless to ensure their safety.
Speaker 14: Of prosperity for the future.
Speaker 10: And he goes the whole town hates them and fears them,
Speaker 10: and he said he can make it better, make it
Speaker 10: so Dina and Jimmy will be all right.
Speaker 4: Guarantee their future and allow.
Speaker 8: Them prosperity in their lives, provide them every opportunity for
Speaker 8: their well being.
Speaker 4: He made me an offer, and all he wanted in return.
Speaker 10: My soul.
Speaker 15: I need to put this thing to rest for good
Speaker 15: and final.
Speaker 10: I'm so sorry, Reverend. Ain't nothing that you can give
Speaker 10: me that I'm interested in.
Speaker 13: Oh I don't think that's true, son.
Speaker 4: I'm sure shit.
Speaker 8: Reverend Perkins showed back up here this morning, damn tape recorder,
Speaker 8: clutching his bony ass fingers, and he upped his bargain.
Speaker 15: I've been paying extra special attention to your family these
Speaker 15: past several years. They ain't doing so hot are they
Speaker 15: Dena's still working her fingers to the bone for below
Speaker 15: minimum wage, can't manage to get herself up and out
Speaker 15: of her situation. Her boy, what's his name, Jeremy, Jimmy, Jimmy,
Speaker 15: They said, Well, Jimmy can't seem to stay in school,
Speaker 15: real problem child, been expelled, arrested more than once. Everyone's
Speaker 15: putting bets on Juvie for that one. See, it turns
Speaker 15: out your family ain't no better off than you.
Speaker 4: Shut your fucking mouth.
Speaker 13: But I can change all that. I can help your family.
Speaker 13: I can bring them from.
Speaker 15: The shadows of scorn, ridicule and deliver them into the
Speaker 15: light of goodwill and hope for a more prosperous future.
Speaker 15: I can personally see to it that Dina has better opportunities.
Speaker 15: I can sift through the deep pockets of the church,
Speaker 15: start a fund to lift her out of her pathetic life.
Speaker 15: Can get a job, find a place to live that
Speaker 15: has insulation and running water. And Jimmy. I can baptize
Speaker 15: Jimmy in my very own church. I can see that
Speaker 15: our church embraces them, welcomes them into our tight community.
Speaker 15: I can do more for them than you could ever
Speaker 15: dream of.
Speaker 13: Doing.
Speaker 16: I can save them.
Speaker 15: I can save their poor souls and yours too, James,
Speaker 15: yours two. All I need from you is three little words.
Speaker 16: I am guilty.
Speaker 4: Well, I say, the Lord works in mysterious ways. Well,
Speaker 4: got nothing on the devil. I guess this message is.
Speaker 4: It's a warning.
Speaker 17: He's coming for us now, all of us, Me and
Speaker 17: you and Tyler.
Speaker 18: I swear I heard every bit of that message when
Speaker 18: I got out of holding and finally got my phone back,
Speaker 18: But when I tried to play it, it wasn't all there.
Speaker 18: This was all that was left on the voicemail.
Speaker 3: Hey, it's rich.
Speaker 7: So I heard you arrested, and I'm not sure you're
Speaker 7: gonna get out in time for another visit. So this
Speaker 7: this might be the last time that you hear my voice.
Speaker 7: So listen because there's something that I need you to know.
Speaker 7: I guess this message is. It's a warner. He's coming
Speaker 7: for us now.
Speaker 3: Oh other was me and you and Tyler. Well he's
Speaker 3: already dead.
Speaker 5: The ghosten Emuir in the Hounds of Hell Dancing and.
Speaker 1: You The Manwalk Caves stars Jonathan Tucker as Julian Sallace,
Speaker 1: Eddie Gatheggy as James Fincher, Clark Peters as Detective Solomon Smith,
Speaker 1: Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,
Speaker 1: Jill Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert,
Speaker 1: Scott Poythus as Reverend Perkins, Samantha Ashley as Dena Fincher,
Speaker 1: Justin Matthew Smith as Paul Sallace, Tara Oakes as Laura Sallace,
Speaker 1: Jonathan Horn as Deacon Hadley, Alden Karanovich as Thomas Hadley,
Speaker 1: Mike w Anderson as Griff Washington Body, Walter Off as
Speaker 1: Jimmy Fincher, Brian McClure as Ian Spinks, Larry Clark as
Speaker 1: Bobby Hadley, Peydon Fallis as ed leablanc Vic Palisis as
Speaker 1: William Fowler, Nick Diakosky as Richard Rydell.
Speaker 4: And Aileen Loy as The Darkness.
Speaker 1: With additional performances by Clint McGown, Dina Dill, Edward Howard,
Speaker 1: Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Heineman,
Speaker 1: David Mitchell, and Bernard Sataro Clark created by comin Byrne
Speaker 1: and Dan Bush. Written by Dan Bush, Zoe Cooper and
Speaker 1: Nicholas Dakoski, featuring our theme song Killer Inside, written produced
Speaker 1: and performed by Lera Lynn. Our executive producers are Matt Frederick,
Speaker 1: Alexander Williams, Michael Monty, and Courtney du Frees.
Speaker 13: Our executive producers.
Speaker 1: At Blumhouse Television are Jeremy Gold, Chris Dickey, and Noah Feinberg.
Speaker 1: Produced by Dan Bush, music by Ben Lovett, additional music
Speaker 1: by Alexander Rodriguez, Edited by Dan Bush, Chris Childs, Stephen Perez,
Speaker 1: and David Chen. Sound design by Benjamin Malcolm. Additional sound
Speaker 1: design by Alexander Rodriguez. Dialogue editing and sound mixing by
Speaker 1: Juan Campos. Recorded at Studio Awesome in Los Angeles, sound
Speaker 1: Bite Studio in Atlanta, and Echo Mountain in Ashville. Casting
Speaker 1: by Sunday Bowling, Kennedy and Meg Mormon. Our dialect coach
Speaker 1: is Linda Bessesti, Assistant director, Michael Monty, Second assistant director,
Speaker 1: script supervisor and production coordinator Sarah Klein, Supervising producer Josh
Speaker 1: Than Special thanks to Mary Ellen and Jason Davis. Jonathan
Speaker 1: Dieter and Joe Rickman. The Manwalk Caves is a production
Speaker 1: of iHeartRadio, Blumhouse Television and Psycopia Pictures.
Speaker 9: Who Sad
Speaker 16: Sad