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Speaker 1: The Manawak Caves is intended for mature audiences. It contains

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Speaker 1: strong language and depictions of bullying, violence, and sexual assault

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Speaker 1: that some may find disturbing. Listener discretion is advised. Also,

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Speaker 1: this is an extremely immersive experience and headphones are recommended.

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Speaker 1: You're listening to The Maniwak Caves, a production of iHeartRadio,

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Speaker 1: Blumhouse Television and Psycopia Pictures.

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Speaker 2: Okay, looks like we have four deep lacerations across patients

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Speaker 2: abdomen just above the naval Each laceration is based approximately

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Speaker 2: one and a half inches apart extends about eight inches.

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Speaker 2: The pattern of the injury seems to be consistent with

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Speaker 2: maybe the patient was emulating some sort of a mauling.

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Speaker 2: It appears that he has recreated a pattern resembling a

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Speaker 2: clog injury like a biting Jesus an animal attack. H

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Speaker 2: and the torn flesh here and appears to be fight ones.

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Speaker 2: He's not bleeding, He's I'm sorry what he's not bleeding.

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Speaker 3: There's no blood.

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Speaker 2: Okay, so there appears to be no active bleeding, no

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Speaker 2: dry blood on the exterior.

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Speaker 3: Of the wound. He wasn't cleaned up before being brought in.

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Speaker 3: He came straight from the sail. Wait a second after,

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Speaker 3: mister Fincher, how did you do this? I I I

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Speaker 3: didn't do it. What's this issue?

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Speaker 2: See here how the flesh is protruding around the tear marks,

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Speaker 2: pulling inward there where it should be inflamed. These kinds

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Speaker 2: aren't external inflictions. Uh, mister Fincher's decisions are imploded. The

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Speaker 2: flesh looks as though it was cut on the inside.

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Speaker 3: Forget about Tyler. Tyler, that is part.

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Speaker 4: And now I'm doing mine.

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Speaker 3: But you still have work to do.

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Speaker 5: Still, and I has hell dancing, and.

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Speaker 3: I've been rejasing the steps. That's check the Samsa when

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Speaker 3: he was involved in the original homicide investigation. I don't

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Speaker 3: know what things you're in and stuff. If you don't know,

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Speaker 3: maybe you've blocked it out where you are allowed to know.

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Speaker 5: The beast of those to you too.

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Speaker 6: And it's hard to not assume the worst. Then the

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Speaker 6: devil has been living amongst us all this time?

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Speaker 3: Well I have news for you. He has.

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Speaker 6: He has been living among us, walking among us, and

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Speaker 6: he is still here.

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Speaker 3: How are you reachuling Silas? Please leave a message after

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Speaker 3: the weep. Hey, it's rich.

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Speaker 7: So I heard you're arrested, and I'm not sure you're

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Speaker 7: going to get out in time for another visit. So

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Speaker 7: this this might be the last time that you hear

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Speaker 7: my voice.

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Speaker 3: So listen.

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Speaker 4: Because there's something that I need you to know.

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Speaker 8: I'm sure your visit to Solomon's place left you with

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Speaker 8: some questions, hopefully some context too, And I hope you're

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Speaker 8: starting to accept that this is.

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Speaker 9: Big why white?

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Speaker 4: Bigger than me and you? I don't know where to start.

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Speaker 8: A lot can happen in fourteen years and change the

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Speaker 8: whole universe can shed its skin like a great big snake. Still,

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Speaker 8: some things don't change. Then you again has the same

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Speaker 8: pattern and the scales. Only difference is it's a so

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Speaker 8: it's a bigger snake. When they pulled me out of

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Speaker 8: that room and locked me in these walls, in the

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Speaker 8: exact same sale where I still spend twenty three hours

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Speaker 8: a day, well.

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Speaker 4: Back then I had a recurring.

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Speaker 10: Problem and started on my very first night and it

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Speaker 10: didn't let up till the end of summer.

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Speaker 2: This is doctor Luis Gusman, chief Medical Examiner at Riverbend

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Speaker 2: Maximum Security Institution. Today is November twenty sixth, two thousand

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Speaker 2: and seven. Eight fifty two AM reporting on Fincher James

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Speaker 2: Doc Number one five seven nine zero six seven submitted

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Speaker 2: for examination. Following and attempted suicide. Patient was found with

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Speaker 2: deep horizontal lacerations across his abdomen. No weapon was discovered

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Speaker 2: at the scene. My initial instinct would have been self

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Speaker 2: inflicted fingernail wounds, but patient's fingernails have been clipped short

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Speaker 2: in accordance with safety guidelines. Upon further inspection, I was

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Speaker 2: able to determine that mister Fincher's wounds were.

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Speaker 3: Carved outward.

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Speaker 2: From the inside of the stomach lining to the rupture

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Speaker 2: points of the flesh, possibly through the intentional ingestion of

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Speaker 2: a sharp object. But at this time all X rays

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Speaker 2: have come back inconclusive. The incident in question occurred on

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Speaker 2: mister Fincher's first night in our custody. Here on death Row.

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Speaker 2: One could possibly presume that this is a stress related phenomena. Still,

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Speaker 2: in all my years treating incarcerated patients, I have never

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Speaker 2: seen injuries consistent with what I saw today, regardless is

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Speaker 2: being put on twenty four hour surveillance and I'm prescribing

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Speaker 2: a mood stabilizer, an antipsychotic, and recommending group psychotherapy commencing immediately.

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Speaker 4: I didn't mind going to group therapy.

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Speaker 8: I kind of liked the idea of being able to

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Speaker 8: have people to talk to, people to listen, even if

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Speaker 8: the other inmates didn't exactly share my views.

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Speaker 3: Good morning, mister Fincher. Morning. Can I call you James Games? No, no, no, no,

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Speaker 3: just call me Finch? All right? Anybody need a refresher

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Speaker 3: on the rules? Yes, Neil got helpt out today. Why

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Speaker 3: do you want to do that?

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Speaker 11: Well, because I ain't gonna share my most fucking thoughts and.

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Speaker 3: Dealers with baby killer over there. What even doing to him?

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Speaker 3: May no name calling, mister Lukovics, mister Fincher.

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Speaker 4: They called me baby killer when I first arrived.

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Speaker 10: It doing it as if them boys were babies, as

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Speaker 10: if they had one modicum of innocence about them.

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Speaker 4: That's the narrative the prosecution sold, the judge and.

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Speaker 10: Jury, and it's stuck the papers, the press, they all

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Speaker 10: went along for the ride.

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Speaker 8: Too, sweet innocent angels, they said, glowing lights in the

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Speaker 8: dark valley, good Christian boys from humble community snuffed out

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Speaker 8: by a monster.

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Speaker 12: Me.

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Speaker 10: So now.

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Speaker 4: I'm the worst of the worst, a monster of monsters.

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Speaker 3: Hey, get James next time.

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Speaker 11: Do us all a thiev and you yourself with the

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Speaker 11: same respect you did those boys, you yourself, U effects

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Speaker 11: what he thinks his little son last night wouldn't get

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Speaker 11: around death rolls a small town man, worse spreads.

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Speaker 3: Ain't nobody don't know about your shit? All right, that's

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Speaker 3: a shot. But I ain't talking.

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Speaker 11: About shit with this baby killing ankle here.

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Speaker 3: That's all I gotta say.

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Speaker 4: And I continued on like that day and day app.

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Speaker 8: I'd have some terrible nightmare, rip me out of my sleep,

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Speaker 8: wake me up, all disoriented, sore and aching, and I

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Speaker 8: lift up my shirt and find a new swoop or

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Speaker 8: line carved into my body, never bleeding. And I didn't

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Speaker 8: know what it meant at first, but I always knew

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Speaker 8: where it came from.

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Speaker 4: And I knew I couldn't talk about it.

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Speaker 8: Guards did their rounds every few minutes, and they they

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Speaker 8: always see me carved up, even if I try to

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Speaker 8: hide it, And sure shit, I send me right back

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Speaker 8: to the yard to start the whole process over again.

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Speaker 2: This is doctor Luis Gusmann reporting on Fincher James Doc

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Speaker 2: Number one five seven nine zero six seven. It is

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Speaker 2: the official motion of the state that James Fincher not

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Speaker 2: be moved for any special examination, and his injuries are

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Speaker 2: in fact self inflicted, and his repeated claims that he

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Speaker 2: is the recipient of some miraculous form of spontaneous scarification

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Speaker 2: or symptoms of psychosis and should be treated medically in

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Speaker 2: tandem with continued psychotherapy. Since mister Fincher's arrival in this institution,

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Speaker 2: the pattern of his injuries has expanded. They have branched

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Speaker 2: off into tributaries wrapping around his entire torso the wounds

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Speaker 2: appear to be forming some sort of a pattern. Despite

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Speaker 2: my numerous requests stp nightly restraints for the prisoner, the

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Speaker 2: correction staff has either been negligent in applying these restraints

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Speaker 2: or they were somehow ineffective. I've still been unable to

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Speaker 2: determine the instrument used to cause the lesions, and all

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Speaker 2: X rays of his internal organs have continuously come back

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Speaker 2: and conclusive. I'm at a loss, and in beginning to consider,

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Speaker 2: against my better judgment, James's Steppas's belief in the miraculous

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Speaker 2: nature of his wounds. At this point, I am simply

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Speaker 2: observing napping and recording upon the several occasions in which

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Speaker 2: I've asked James to speculate us to the origins of

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Speaker 2: his injuries. He refused. When I asked what he believed

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Speaker 2: these marking to be, he simply replied cave drawings. Indeed,

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Speaker 2: what began as linear markings on mister Fincher's body have

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Speaker 2: evolved in more complex shapes, some even resembling humanoid or

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Speaker 2: animal figures. Each new wound leaves a thick and darkened

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Speaker 2: scar across mister Fincher's skin, which furthers the conceptualization of

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Speaker 2: the markings is well, drawings like a child's perhaps simple primitive.

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Speaker 8: They moved me out of group therapy. I was getting

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Speaker 8: threats and they decided it was too dangerous.

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Speaker 4: Can you believe that?

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Speaker 8: And yere, we live out the remainder of our lives

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Speaker 8: with nothing to look forward to other than our own

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Speaker 8: predetermined deaths.

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Speaker 4: And they decided that we all in air deserve to die.

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Speaker 8: And then they spend all their time up until the

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Speaker 8: moment of our injection, making absolutely sure that we don't

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Speaker 8: die by any hands set theirs. Our elimination ain't the point, though,

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Speaker 8: you see. It's it's not that the world will be

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Speaker 8: a better place without us, it's not even about justice.

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Speaker 13: It's all about power.

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Speaker 8: I suppose you probably never feel more powerful than when

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Speaker 8: you take a life.

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Speaker 4: Yeah, but I.

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Speaker 13: Wouldn't know.

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Speaker 8: So they set me up with the private therapists. Now

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Speaker 8: you know what's bad when they set you up with

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Speaker 8: a private one when you're too hated or too far

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Speaker 8: gone to be allowed in group therapy anymore. And of course,

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Speaker 8: if you're bad enough to get the private quacks, all

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Speaker 8: the boys on the block just got that much more

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Speaker 8: AMMO to.

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Speaker 4: Hate you with.

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Speaker 8: We're all freaks here, but even in this little world

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Speaker 8: there's still room to point fingers.

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Speaker 4: If you're just different enough.

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Speaker 3: How are you feeling today, James? Better?

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Speaker 14: Now that's just you and me, Yeah, I guess you kiss.

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Speaker 14: I figure you're gonna be happy to get away from

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Speaker 14: the others.

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Speaker 3: They were the only company that I hate.

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Speaker 14: You want to tell me a little bit about these

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Speaker 14: new injuries, James, What do you want to know?

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Speaker 3: Well, who's causing them? If it's not you, I'm gonna

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Speaker 3: help you.

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Speaker 14: It's in all the medical recourse, right, Yes, and no.

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Speaker 14: I'd like to hear your perspective. What prompts the injuries?

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Speaker 3: Do you think?

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Speaker 14: Do you suffer from many dark thoughts just before they happen,

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Speaker 14: like anxiety depression.

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Speaker 3: It's just.

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Speaker 12: Not pictures you mean dreams, night MARISONA. No, just pictures

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Speaker 12: in my head of things that haven't happened yet.

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Speaker 14: So your dreams are prophetic and you're like a claar

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Speaker 14: VOI claar voy that the way you're looking for. What

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Speaker 14: makes you think these visions are going to come true?

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Speaker 3: I don't think they're going to It's not even like

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Speaker 3: they're going to happen. It's like they're already just in

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Speaker 3: the future.

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Speaker 12: But I'm just watching a recording or something that we

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Speaker 12: haven't had the time.

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Speaker 3: To see it.

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Speaker 12: And there's no point in trying to stop something that's

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Speaker 12: already happened, even if it's already happened in the future.

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Speaker 3: Okay, can you give me an example.

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Speaker 14: This stays between us, James, don't worry the.

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Speaker 3: Recording can be used against you. What about my sister?

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Speaker 3: What about her? Can anything I say be used against her?

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Speaker 3: Or how do you mean I worry about her? Out there?

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Speaker 12: The sister of a convicted murderer, a single mom in

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Speaker 12: the town that don't want her, that hates her. It's

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Speaker 12: about association. She can barely make against me. She can't

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Speaker 12: afford to move nowhere better. And Lord knows you don't

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Speaker 12: need nothing else to worry about, especially not the things

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Speaker 12: I may or may not say to you in here.

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Speaker 12: You privately uns it directly in dangerous life. And nothing

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Speaker 12: you say in here will ever leave this room. It'll

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Speaker 12: stays between you and me. All right, I'll trust you

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Speaker 12: on that, Okay. So let's take Neil for example. I

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Speaker 12: dreamed about Neil getting off in the showers. I think

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Speaker 12: yellow tiles splattered with blood.

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Speaker 3: And you believe that this is going to happen in

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Speaker 3: the future It already has, but it hasn't.

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Speaker 14: I saw Neil just earlier today in the group says, yeah,

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Speaker 14: you saw him in the now, you see.

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Speaker 3: But all the future becomes to pass eventually. There's nothing

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Speaker 3: you can do about it.

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Speaker 14: Are you saying that you believe that what there are,

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Speaker 14: that our lives, the future, it's all predetermined.

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Speaker 12: I'm saying it don't change nothing if you believe me

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Speaker 12: or not fair enough, But how do you know when

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Speaker 12: these dreams are going to or that they are coming true?

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Speaker 3: How do you know they're not just like any other dream?

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Speaker 3: They just feel different? Okay? They smell different. It's a

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Speaker 3: different flavor.

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Speaker 14: We'll have any of your different flavored dreams not come true. James,

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Speaker 14: You do understand how these solutions of grant are, these

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Speaker 14: ideas that you have a gift of being able to

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Speaker 14: see into the future. You see how they're potentially harmful

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Speaker 14: to not only yourself but also to those around you.

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Speaker 3: I don't want to harm anybody, and I ain't never

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Speaker 3: Big grand.

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Speaker 8: Neil was killed in the showers three days later a

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Speaker 8: piece of newspaper shaped into a ship with toothpaste and

254
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Speaker 8: dried out till it was sharp.

255
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Speaker 10: Those are good for about three stabs before they break.

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Speaker 4: Enough to take a life.

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Speaker 10: Though they took my privileges away after that figured it

258
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Speaker 10: was me, of course, but they couldn't prove nothing, and

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Speaker 10: even if they could, what were they gonna do?

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Speaker 4: And I kept waking up with them cuts. My dreams

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Speaker 4: have always come true, Julian. My grandmother told me when

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Speaker 4: I was little, but I just thought she was making

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Speaker 4: stuff up. You know.

264
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Speaker 10: It just made me feel special.

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Speaker 4: You used to be in my dreams too, Julian.

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Speaker 10: That year after your mother passed away, that spring before graduation,

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Speaker 10: before the Hadley brothers were murdered.

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Speaker 4: I dreamed.

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Speaker 9: You were being followed.

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Speaker 10: At first, it was only a shadow, an empty space,

271
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Speaker 10: black hole. But that shadow started a bend and.

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Speaker 4: Stretch behind you.

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00:20:23,040 --> 00:20:28,840
Speaker 10: Eventually I saw it more clearly, saw him, I mean

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Speaker 10: his shadow and the reflections a mirror in your house

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Speaker 10: or in the moon, the window in your old bedroom.

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Speaker 10: He was tall, pale faced, his fingers like claws on,

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Speaker 10: blinking eyes, snake eyes. I seen him later too, in

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Speaker 10: the caves, a reflection in the cave pools, or he's ancient,

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Speaker 10: older than the.

280
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Speaker 4: Caves, even hideous and beautiful at the same time.

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Speaker 10: I looked at the slits of his eyes and the reflection,

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Speaker 10: and I felt.

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Speaker 8: His his hunger and setuable, and I knew you wanted

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Speaker 8: to slur my soul.

285
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Speaker 9: Right out on my body.

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Speaker 10: But that night in the caves, when I turned and

287
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Speaker 10: I looked over my shoulder, there was nothing, just in

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Speaker 10: the absence, a hole would no light and go nothing

289
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Speaker 10: in that hole.

290
00:21:41,400 --> 00:21:43,920
Speaker 13: But sorrow, greed.

291
00:21:44,960 --> 00:21:53,000
Speaker 10: Hatred, and hunger, folding in on itself again and again

292
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Speaker 10: like a never in the necko.

293
00:21:58,080 --> 00:22:04,360
Speaker 9: But that spring, I dreamed he was following you, sneaking

294
00:22:04,480 --> 00:22:09,840
Speaker 9: closer and closer to you, moving in the shadows and

295
00:22:10,000 --> 00:22:15,160
Speaker 9: whispering in your ear. I've dreamed about you a lot

296
00:22:15,160 --> 00:22:18,840
Speaker 9: that summer too, after I got locked up, and he

297
00:22:19,000 --> 00:22:25,280
Speaker 9: was always always behind you, never letting you out of

298
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Speaker 9: his sight.

299
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Speaker 10: But one day you escaped and you flew as fast

300
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Speaker 10: as you could, straight out of town.

301
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Speaker 4: And after that you weren't in my dreams no more.

302
00:22:47,560 --> 00:22:50,719
Speaker 2: Luis couse Mon, December thirtieth, two thousand and seven. Oh,

303
00:22:50,800 --> 00:22:51,399
Speaker 2: James Spincher.

304
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Speaker 13: Today.

305
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Speaker 2: Today was the first day since November twenty sixth, but

306
00:22:55,320 --> 00:22:58,440
Speaker 2: this year that I did not receive a visit from him.

307
00:22:58,800 --> 00:23:02,080
Speaker 2: I can only speculate an over enthusiasm and his self

308
00:23:02,119 --> 00:23:06,800
Speaker 2: harming measures that have finally gone too far, or perhaps

309
00:23:06,800 --> 00:23:11,240
Speaker 2: some medications are taking hold. Let's hope for the latter.

310
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Speaker 8: So after that everything stopped, No more dreams, no more scars.

311
00:23:19,880 --> 00:23:25,200
Speaker 8: The world just settled into kind of normal, well death

312
00:23:25,280 --> 00:23:29,840
Speaker 8: row normal. And I found out later that day that

313
00:23:29,920 --> 00:23:36,200
Speaker 8: you you're gone, left from this place, away from your father,

314
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Speaker 8: away from your youth, away from caves, away from him

315
00:23:45,200 --> 00:23:54,720
Speaker 8: for good, or so I hoped. Next day I got

316
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Speaker 8: a visit from an unexpected guest.

317
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Speaker 13: Morning, James, good morning. You know who I am here.

318
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Speaker 13: You're the minister, Reverend Reverend Perkinson, you go to the

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Speaker 13: chapel this morning, James, how can you ever expect to

320
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Speaker 13: be forgiven if you don't ask for forgiveness?

321
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Speaker 4: Because I ain't got nothing to be forgiven for.

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Speaker 13: Here's the thing about that.

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Speaker 15: We all have stories, we tell ourselves, we all keep

324
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Speaker 15: our own narrative, but only God knows for sure. Now

325
00:24:44,040 --> 00:24:50,439
Speaker 15: the state, the state has determined your guilt, and so

326
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Speaker 15: by the laws of man here you sit. But still

327
00:24:56,880 --> 00:25:04,960
Speaker 15: you never confessed, James. It doesn't matter what you tell

328
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Speaker 15: the world, or even what you tell yourself. God knows

329
00:25:12,119 --> 00:25:16,320
Speaker 15: the truth. And even though your body may be imprisoned

330
00:25:16,359 --> 00:25:23,880
Speaker 15: here in this institution on death row, your soul can

331
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Speaker 15: still be saved. James.

332
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Speaker 4: Did you know that?

333
00:25:28,440 --> 00:25:28,760
Speaker 5: James?

334
00:25:43,000 --> 00:25:47,119
Speaker 4: Man? You are something special, ain't you?

335
00:25:53,720 --> 00:25:54,600
Speaker 3: What's in it for you?

336
00:25:56,960 --> 00:25:57,600
Speaker 13: Me confess?

337
00:25:57,640 --> 00:26:00,520
Speaker 8: In one way or another? They are able to try

338
00:26:00,880 --> 00:26:02,440
Speaker 8: or to put me away. They're fixing to kill me

339
00:26:02,480 --> 00:26:04,719
Speaker 8: for it. You got your way. So what exactly are

340
00:26:04,720 --> 00:26:05,240
Speaker 8: you doing here?

341
00:26:05,320 --> 00:26:05,480
Speaker 3: River?

342
00:26:06,600 --> 00:26:07,200
Speaker 4: What do you want?

343
00:26:09,119 --> 00:26:12,080
Speaker 15: If we confess our sins? He is faithful and just

344
00:26:12,400 --> 00:26:15,960
Speaker 15: to forgive us our sins and to cleanse us from

345
00:26:15,960 --> 00:26:19,160
Speaker 15: all unrighteousness. John one nine mm hmm.

346
00:26:20,200 --> 00:26:27,560
Speaker 8: Well, John, he don't know fuck all about Manowell count.

347
00:26:30,000 --> 00:26:31,880
Speaker 16: I'm not going to deceive you, James.

348
00:26:33,359 --> 00:26:36,919
Speaker 15: I want to put this to rest, for this community,

349
00:26:37,600 --> 00:26:43,280
Speaker 15: for the Hadley family, for your family too. What if

350
00:26:43,320 --> 00:26:48,480
Speaker 15: I told you that there was some upset. Not in

351
00:26:48,520 --> 00:26:51,480
Speaker 15: my town I have you, but in the bigger city

352
00:26:51,560 --> 00:26:55,919
Speaker 15: is a few towns over here in Nashville, down in Atlanta, Charlotte.

353
00:26:57,520 --> 00:27:01,960
Speaker 15: Turns out there's some folk who don't know screw all

354
00:27:02,160 --> 00:27:05,920
Speaker 15: about the good people, the possible, who have some misgivings

355
00:27:05,920 --> 00:27:10,440
Speaker 15: about your trial. And they got your TV personalities and

356
00:27:10,520 --> 00:27:14,960
Speaker 15: your news channels all talking about it. They want the

357
00:27:15,119 --> 00:27:20,800
Speaker 15: world to believe you are a victim. And I'll tell

358
00:27:20,840 --> 00:27:25,960
Speaker 15: you what, I don't want nobody talking about it no more.

359
00:27:29,040 --> 00:27:31,080
Speaker 15: They're making me and mine look bad.

360
00:27:34,400 --> 00:27:36,560
Speaker 4: Well, and my heart is over here breaking.

361
00:27:36,960 --> 00:27:40,760
Speaker 15: Now you listen to me. I need you to think

362
00:27:41,000 --> 00:27:46,199
Speaker 15: real hard about delivering me a confession. It can't do

363
00:27:46,280 --> 00:27:48,560
Speaker 15: nothing but help all the parties involved. Were you to

364
00:27:48,600 --> 00:27:52,520
Speaker 15: do so, for me the outsider, stop agitating, casting doubt,

365
00:27:52,760 --> 00:27:58,640
Speaker 15: making people worry. And for you, well, God will see

366
00:27:58,640 --> 00:28:03,120
Speaker 15: that you're taking care of God will forgive you.

367
00:28:03,720 --> 00:28:08,680
Speaker 13: James.

368
00:28:08,960 --> 00:28:12,600
Speaker 4: I'm good. Thanks for stopping.

369
00:28:12,359 --> 00:28:19,800
Speaker 8: By fifteen years ago. It was the first time Perkins

370
00:28:19,840 --> 00:28:22,959
Speaker 8: came at me with a bride confessed to a murder,

371
00:28:23,000 --> 00:28:25,800
Speaker 8: asked for forgiveness. Even if the people won't forgive, Jesus

372
00:28:25,800 --> 00:28:31,879
Speaker 8: Will said, I could still save my soul. I was

373
00:28:32,119 --> 00:28:35,560
Speaker 8: hoping that you getting out of this place would save you,

374
00:28:35,640 --> 00:28:39,640
Speaker 8: to somehow save you from what the rest of us

375
00:28:39,640 --> 00:28:43,479
Speaker 8: were suffering. I thought, maybe that's why the dreams had

376
00:28:43,520 --> 00:28:50,040
Speaker 8: stopped and the cuts. But now you're back, and I

377
00:28:50,120 --> 00:28:59,640
Speaker 8: see clear that was just all wishful thinking on my part. Anyway,

378
00:29:01,200 --> 00:29:04,240
Speaker 8: You think the bribes would have stopped years ago. Ain't

379
00:29:04,240 --> 00:29:06,280
Speaker 8: nobody interested in the case no more? But then you

380
00:29:06,400 --> 00:29:11,640
Speaker 8: came back home, and it's like you woke it up again.

381
00:29:13,040 --> 00:29:13,440
Speaker 4: Even me.

382
00:29:14,760 --> 00:29:16,600
Speaker 10: I woke up in my sail last night, the middle

383
00:29:16,600 --> 00:29:18,880
Speaker 10: of the night, pitch flaxxcept for the fluorescent lights bleeding

384
00:29:18,880 --> 00:29:20,200
Speaker 10: from the hall on the other side of the bars,

385
00:29:22,280 --> 00:29:25,560
Speaker 10: and I knew I wasn't alone.

386
00:29:26,360 --> 00:29:27,000
Speaker 9: He was back.

387
00:29:29,360 --> 00:29:31,640
Speaker 10: I saw the snake eyes reflected in the dull metal

388
00:29:31,640 --> 00:29:33,960
Speaker 10: mirror that's bolted to the cinder block above my toilet,

389
00:29:33,960 --> 00:29:35,120
Speaker 10: his pale face.

390
00:29:35,440 --> 00:29:38,040
Speaker 9: Catch you a sliver of flight that was bleeding from

391
00:29:38,080 --> 00:29:38,920
Speaker 9: behind the bars.

392
00:29:43,840 --> 00:29:47,920
Speaker 4: He was in the sail with me, and he touched

393
00:29:47,920 --> 00:29:48,600
Speaker 4: my shoulder.

394
00:29:52,360 --> 00:29:54,440
Speaker 16: He spoke, and his.

395
00:29:54,480 --> 00:30:02,880
Speaker 4: Words slithered in my ear. He knew what I wanted, you,

396
00:30:03,000 --> 00:30:04,360
Speaker 4: what I was most afraid of.

397
00:30:05,800 --> 00:30:08,240
Speaker 9: And he knows that I'm helpless to do anything for

398
00:30:08,400 --> 00:30:08,960
Speaker 9: my family.

399
00:30:12,280 --> 00:30:14,400
Speaker 4: I'm helpless to ensure their safety.

400
00:30:14,080 --> 00:30:17,040
Speaker 14: Of prosperity for the future.

401
00:30:21,720 --> 00:30:25,480
Speaker 10: And he goes the whole town hates them and fears them,

402
00:30:25,800 --> 00:30:30,920
Speaker 10: and he said he can make it better, make it

403
00:30:30,960 --> 00:30:32,840
Speaker 10: so Dina and Jimmy will be all right.

404
00:30:33,680 --> 00:30:35,520
Speaker 4: Guarantee their future and allow.

405
00:30:35,320 --> 00:30:39,440
Speaker 8: Them prosperity in their lives, provide them every opportunity for

406
00:30:39,480 --> 00:30:40,200
Speaker 8: their well being.

407
00:30:46,680 --> 00:30:52,360
Speaker 4: He made me an offer, and all he wanted in return.

408
00:30:56,000 --> 00:30:56,520
Speaker 10: My soul.

409
00:31:05,400 --> 00:31:07,520
Speaker 15: I need to put this thing to rest for good

410
00:31:07,520 --> 00:31:08,040
Speaker 15: and final.

411
00:31:09,560 --> 00:31:12,720
Speaker 10: I'm so sorry, Reverend. Ain't nothing that you can give

412
00:31:12,800 --> 00:31:13,959
Speaker 10: me that I'm interested in.

413
00:31:14,240 --> 00:31:17,080
Speaker 13: Oh I don't think that's true, son.

414
00:31:19,080 --> 00:31:19,840
Speaker 4: I'm sure shit.

415
00:31:21,560 --> 00:31:25,800
Speaker 8: Reverend Perkins showed back up here this morning, damn tape recorder,

416
00:31:25,840 --> 00:31:30,120
Speaker 8: clutching his bony ass fingers, and he upped his bargain.

417
00:31:31,960 --> 00:31:36,800
Speaker 15: I've been paying extra special attention to your family these

418
00:31:36,880 --> 00:31:42,800
Speaker 15: past several years. They ain't doing so hot are they

419
00:31:43,320 --> 00:31:46,800
Speaker 15: Dena's still working her fingers to the bone for below

420
00:31:46,960 --> 00:31:50,360
Speaker 15: minimum wage, can't manage to get herself up and out

421
00:31:50,360 --> 00:31:58,680
Speaker 15: of her situation. Her boy, what's his name, Jeremy, Jimmy, Jimmy,

422
00:31:59,320 --> 00:32:04,240
Speaker 15: They said, Well, Jimmy can't seem to stay in school,

423
00:32:05,080 --> 00:32:14,880
Speaker 15: real problem child, been expelled, arrested more than once. Everyone's

424
00:32:14,920 --> 00:32:19,200
Speaker 15: putting bets on Juvie for that one. See, it turns

425
00:32:19,240 --> 00:32:23,080
Speaker 15: out your family ain't no better off than you.

426
00:32:23,120 --> 00:32:25,520
Speaker 4: Shut your fucking mouth.

427
00:32:27,040 --> 00:32:32,320
Speaker 13: But I can change all that. I can help your family.

428
00:32:33,480 --> 00:32:34,720
Speaker 13: I can bring them from.

429
00:32:34,640 --> 00:32:39,840
Speaker 15: The shadows of scorn, ridicule and deliver them into the

430
00:32:39,960 --> 00:32:45,520
Speaker 15: light of goodwill and hope for a more prosperous future.

431
00:32:47,120 --> 00:32:51,240
Speaker 15: I can personally see to it that Dina has better opportunities.

432
00:32:52,800 --> 00:32:55,040
Speaker 15: I can sift through the deep pockets of the church,

433
00:32:55,080 --> 00:32:58,680
Speaker 15: start a fund to lift her out of her pathetic life.

434
00:33:00,040 --> 00:33:03,040
Speaker 15: Can get a job, find a place to live that

435
00:33:03,160 --> 00:33:10,080
Speaker 15: has insulation and running water. And Jimmy. I can baptize

436
00:33:10,160 --> 00:33:14,480
Speaker 15: Jimmy in my very own church. I can see that

437
00:33:14,600 --> 00:33:20,680
Speaker 15: our church embraces them, welcomes them into our tight community.

438
00:33:21,200 --> 00:33:23,640
Speaker 15: I can do more for them than you could ever

439
00:33:23,720 --> 00:33:24,120
Speaker 15: dream of.

440
00:33:24,240 --> 00:33:24,480
Speaker 13: Doing.

441
00:33:26,160 --> 00:33:29,440
Speaker 16: I can save them.

442
00:33:29,720 --> 00:33:34,560
Speaker 15: I can save their poor souls and yours too, James,

443
00:33:35,600 --> 00:33:41,000
Speaker 15: yours two. All I need from you is three little words.

444
00:33:42,400 --> 00:33:53,120
Speaker 16: I am guilty.

445
00:33:53,800 --> 00:33:58,400
Speaker 4: Well, I say, the Lord works in mysterious ways. Well,

446
00:34:00,160 --> 00:34:04,160
Speaker 4: got nothing on the devil. I guess this message is.

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00:34:06,520 --> 00:34:07,200
Speaker 4: It's a warning.

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00:34:11,480 --> 00:34:17,920
Speaker 17: He's coming for us now, all of us, Me and

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00:34:17,960 --> 00:34:22,000
Speaker 17: you and Tyler.

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00:34:31,239 --> 00:34:33,200
Speaker 18: I swear I heard every bit of that message when

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00:34:33,200 --> 00:34:35,879
Speaker 18: I got out of holding and finally got my phone back,

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00:34:36,719 --> 00:34:38,879
Speaker 18: But when I tried to play it, it wasn't all there.

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00:34:40,239 --> 00:34:42,880
Speaker 18: This was all that was left on the voicemail.

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00:34:46,120 --> 00:34:49,000
Speaker 3: Hey, it's rich.

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00:34:50,880 --> 00:34:53,040
Speaker 7: So I heard you arrested, and I'm not sure you're

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00:34:53,040 --> 00:34:57,080
Speaker 7: gonna get out in time for another visit. So this

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00:34:57,080 --> 00:34:59,320
Speaker 7: this might be the last time that you hear my voice.

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00:35:00,880 --> 00:35:05,520
Speaker 7: So listen because there's something that I need you to know.

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00:35:10,600 --> 00:35:19,600
Speaker 7: I guess this message is. It's a warner. He's coming

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00:35:19,719 --> 00:35:20,319
Speaker 7: for us now.

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00:35:22,280 --> 00:35:33,279
Speaker 3: Oh other was me and you and Tyler. Well he's

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00:35:33,320 --> 00:35:33,919
Speaker 3: already dead.

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00:36:00,120 --> 00:36:06,920
Speaker 5: The ghosten Emuir in the Hounds of Hell Dancing and.

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Speaker 1: You The Manwalk Caves stars Jonathan Tucker as Julian Sallace,

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Speaker 1: Eddie Gatheggy as James Fincher, Clark Peters as Detective Solomon Smith,

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00:36:24,480 --> 00:36:29,200
Speaker 1: Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

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00:36:29,600 --> 00:36:33,960
Speaker 1: Jill Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert,

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00:36:34,400 --> 00:36:38,680
Speaker 1: Scott Poythus as Reverend Perkins, Samantha Ashley as Dena Fincher,

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00:36:39,320 --> 00:36:43,480
Speaker 1: Justin Matthew Smith as Paul Sallace, Tara Oakes as Laura Sallace,

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00:36:44,040 --> 00:36:48,640
Speaker 1: Jonathan Horn as Deacon Hadley, Alden Karanovich as Thomas Hadley,

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00:36:49,440 --> 00:36:53,560
Speaker 1: Mike w Anderson as Griff Washington Body, Walter Off as

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Speaker 1: Jimmy Fincher, Brian McClure as Ian Spinks, Larry Clark as

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Speaker 1: Bobby Hadley, Peydon Fallis as ed leablanc Vic Palisis as

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Speaker 1: William Fowler, Nick Diakosky as Richard Rydell.

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00:37:05,760 --> 00:37:08,760
Speaker 4: And Aileen Loy as The Darkness.

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00:37:08,719 --> 00:37:13,320
Speaker 1: With additional performances by Clint McGown, Dina Dill, Edward Howard,

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Speaker 1: Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Heineman,

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Speaker 1: David Mitchell, and Bernard Sataro Clark created by comin Byrne

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00:37:25,640 --> 00:37:29,560
Speaker 1: and Dan Bush. Written by Dan Bush, Zoe Cooper and

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00:37:29,680 --> 00:37:34,480
Speaker 1: Nicholas Dakoski, featuring our theme song Killer Inside, written produced

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Speaker 1: and performed by Lera Lynn. Our executive producers are Matt Frederick,

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Speaker 1: Alexander Williams, Michael Monty, and Courtney du Frees.

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Speaker 13: Our executive producers.

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00:37:44,560 --> 00:37:49,120
Speaker 1: At Blumhouse Television are Jeremy Gold, Chris Dickey, and Noah Feinberg.

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00:37:49,880 --> 00:37:54,360
Speaker 1: Produced by Dan Bush, music by Ben Lovett, additional music

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00:37:54,400 --> 00:37:59,440
Speaker 1: by Alexander Rodriguez, Edited by Dan Bush, Chris Childs, Stephen Perez,

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00:37:59,600 --> 00:38:04,239
Speaker 1: and David Chen. Sound design by Benjamin Malcolm. Additional sound

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00:38:04,239 --> 00:38:07,839
Speaker 1: design by Alexander Rodriguez. Dialogue editing and sound mixing by

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00:38:07,880 --> 00:38:12,200
Speaker 1: Juan Campos. Recorded at Studio Awesome in Los Angeles, sound

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00:38:12,239 --> 00:38:16,480
Speaker 1: Bite Studio in Atlanta, and Echo Mountain in Ashville. Casting

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Speaker 1: by Sunday Bowling, Kennedy and Meg Mormon. Our dialect coach

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00:38:19,680 --> 00:38:24,320
Speaker 1: is Linda Bessesti, Assistant director, Michael Monty, Second assistant director,

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Speaker 1: script supervisor and production coordinator Sarah Klein, Supervising producer Josh

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Speaker 1: Than Special thanks to Mary Ellen and Jason Davis. Jonathan

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00:38:34,280 --> 00:38:37,720
Speaker 1: Dieter and Joe Rickman. The Manwalk Caves is a production

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Speaker 1: of iHeartRadio, Blumhouse Television and Psycopia Pictures.

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Speaker 9: Who Sad

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Speaker 16: Sad