WEBVTT - The Random Years Meets World

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<v Speaker 1>So since Danielle is is out this episode, thought you

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<v Speaker 1>and I should will we should we should talk about

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<v Speaker 1>trips that we took just the two of us.

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<v Speaker 2>Oh, I thought you were gonna say what we really

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<v Speaker 2>thought about Danielle. Oh no, I will report back. Uh.

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<v Speaker 1>Do you remember our first, our only autograph signing trip

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<v Speaker 1>that we did.

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<v Speaker 2>Oh geez.

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<v Speaker 1>We went up to like San Francisco. We've stayed in

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<v Speaker 1>San Francisco, but then it wasn't in It was like

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<v Speaker 1>somewhere in the East Bay or South Bay and it

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<v Speaker 1>was a mall and a mall. Why were we doing that?

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<v Speaker 1>I don't know.

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<v Speaker 2>And why did the East Coast swing too? Because it

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<v Speaker 2>on the East coast as well.

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<v Speaker 1>The only time I ever got invited to any and

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<v Speaker 1>it was actually a Disney thing. They brought us up there.

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<v Speaker 1>We we got paid some sort of flat rate for

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<v Speaker 1>you and me to go up north and do a

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<v Speaker 1>signing at them all and it was a big deal,

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<v Speaker 1>like there was tons of people. Yeah. And then do

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<v Speaker 1>you remember what we did?

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<v Speaker 2>No? Did we did we go to an amusement park?

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<v Speaker 1>Yes, we did. We went to Great America, which is

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<v Speaker 1>the Six Flags up in northern California. But I just

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<v Speaker 1>remember we like we had we finished our signing for

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<v Speaker 1>the day and it was like two in the afternoon

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<v Speaker 1>and you were like we were I said, oh, you know,

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<v Speaker 1>we're somewhere near Great America and You're like, why don't

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<v Speaker 1>we go? And we convinced the handler from Disney to

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<v Speaker 1>call Great America and see if they could just give

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<v Speaker 1>us like VIP backstage, and they did. They did, really

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<v Speaker 1>they did, so we didn't have to wait in any lines.

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<v Speaker 1>We went and did like a whirlwind like day at

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<v Speaker 1>Great America, going with all the roller coasters, and I

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<v Speaker 1>did they have like that extra you know how they

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<v Speaker 1>have some amusement parks like the bungee jumping like Superman

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<v Speaker 1>thing where there's.

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<v Speaker 2>The Superman you did with the with the handler, did

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<v Speaker 2>exactly you remember this?

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<v Speaker 3>I do?

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<v Speaker 2>Oh my god, I can't believe that's.

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<v Speaker 3>Did you say how old you were here?

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<v Speaker 1>I would have been seventeen. Yeah, it was much been

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<v Speaker 1>just fifth season, fourth, fifth season something. But isn't it weird?

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<v Speaker 1>So you did an East Coast swing too?

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<v Speaker 2>Then I did an East Coast swing because I remember

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<v Speaker 2>the funny The funniest thing was so was that a

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<v Speaker 2>mall in New York and my family came because they

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<v Speaker 2>were all in New York at the time, Gary and

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<v Speaker 2>Greg and everybody, and they were all there and jokingly

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<v Speaker 2>waiting in line. And one of the first people I

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<v Speaker 2>saw was a girl who was probably twelve thirteen, and

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<v Speaker 2>she came up and she asked for an autograph, and

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<v Speaker 2>I said, of course, and I gave her an autograph.

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<v Speaker 2>She turned around and not even trying to lower her voice, went,

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<v Speaker 2>he looked so much better on TV.

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<v Speaker 1>Oh.

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<v Speaker 2>I remember like turning it essentially saying it right to

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<v Speaker 2>my family, who were the next ones in line, and

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<v Speaker 2>I was like, oh wow, what a way to spend

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<v Speaker 2>a day.

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<v Speaker 1>You see. I can't remember if I did get off,

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<v Speaker 1>like if I got asked to do these kinds of things,

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<v Speaker 1>because I would have said no, especially after the cruise.

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<v Speaker 1>I would have just said like, no, I'm not, like

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<v Speaker 1>I was so scared of the idea of meeting fans

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<v Speaker 1>and like do we need anything? But I must have

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<v Speaker 1>agreed to this one because you were going. It was like, oh,

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<v Speaker 1>you and Will get to go and I was like, yes,

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<v Speaker 1>Will and I get to go off, and we did.

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<v Speaker 1>We had so much fun. But that's the only time

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<v Speaker 1>I ever did anything like that until you know you wrote, yeah,

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<v Speaker 1>you asked me that I do conventions coming in two

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<v Speaker 1>thousand and you know, eighteen or whatever. It's like, yeah,

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<v Speaker 1>there's there's something out there. And then I loved it.

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<v Speaker 1>There's so much fun.

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<v Speaker 3>But I was surprised Danielle didn't do a lot of

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<v Speaker 3>them either. I think she only did that Mall of

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<v Speaker 3>America one and maybe one other one. But you guys

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<v Speaker 3>weren't like on the Tiffany Debbie Gibson tourists, right, no malls.

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<v Speaker 2>That would be great now. And then Danielle did one

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<v Speaker 2>for her book signing too, right.

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<v Speaker 3>Yeah, like those are but those are like Barnes and

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<v Speaker 3>Nobles and right, that's funny. Well that's really funny. I mean,

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<v Speaker 3>do you guys still I mean, I know, Disney every

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<v Speaker 3>once in a while when you can, but like, does

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<v Speaker 3>does roller coasters mean anything to you now? Because they

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<v Speaker 3>make me dizzy at forty five? Oh me too?

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<v Speaker 1>They're so fun, No, make that. I definitely get a

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<v Speaker 1>little like a different feeling than I used to as

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<v Speaker 1>a kid. I'm like, oh god, I am so old

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<v Speaker 1>for this by a lot. I love it.

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<v Speaker 2>You know why though, It's because of the crystals. In

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<v Speaker 2>your ears. Yeah, so this crystals in your ear drums

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<v Speaker 2>that at the older you get, they more they solidify

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<v Speaker 2>so they're less liquid. So then that kind of movement

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<v Speaker 2>makes you feel more sick. I remember because Sue and

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<v Speaker 2>I hadn't been on a roller coaster in forever, and

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<v Speaker 2>we all went to disney Land and they had the

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<v Speaker 2>loop coaster there and we hadn't done, ever done a

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<v Speaker 2>loop coaster at Disneyland was the first one they had there.

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<v Speaker 2>We're like, okay, great, let's do this. It was the

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<v Speaker 2>first thing we did. Ruined our whole day. The rest

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<v Speaker 2>of the day we were like, can't, can't do this anymore? Like, yeah, horrible, okay,

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<v Speaker 2>best ride you've ever been on?

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<v Speaker 3>Good question. I mean it seems like that Star Wars

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<v Speaker 3>thing might be the best one ever made.

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<v Speaker 2>Where you go in the you actually go in and

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<v Speaker 2>you see the walker, like the Imperial Walker.

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<v Speaker 3>It's insane. Yeah, it would be difficult to beat that.

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<v Speaker 1>I having been on stuff recently. Ghost Rider, the roller

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<v Speaker 1>coaster at Knotsberry Farm, is the most perfect roller coaster.

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<v Speaker 3>I ever been on it.

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<v Speaker 1>No, it's an old school wooden one, but a fast

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<v Speaker 1>and it is really well made. I I've just I've

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<v Speaker 1>been on it maybe six times, and I've enjoyed it.

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<v Speaker 1>Every time you do it at night and they light

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<v Speaker 1>it up. It is so much fun.

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<v Speaker 2>Better than Goofy Sky School.

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<v Speaker 3>Oh god, anything called Goofy Sky School, Jesus not very

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<v Speaker 3>farm is the underrated theme, it is.

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<v Speaker 2>It is the part I have to admit though. The

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<v Speaker 2>first time that I ever went on what is now

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<v Speaker 2>Guardians of the Galaxy, but was then Tower Terror.

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<v Speaker 3>That's a great ride. That was a great Guardian really fun. Yeah, yeah,

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<v Speaker 3>we're going if we're going on the kid Angle. Also,

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<v Speaker 3>I think Mister Toad's Wild Ride is hard to beat

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<v Speaker 3>as well.

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<v Speaker 2>That's a great ride the Caribbean.

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<v Speaker 1>Pirates of the Caribbean when the sense of atmosphere like though,

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<v Speaker 1>and I like it when it's physical. That's my problem

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<v Speaker 1>with the the Star Wars ride. I mean, it's just

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<v Speaker 1>still a lot of screen stuff, you know, Like anytime

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<v Speaker 1>I'm looking at screens or actors on screens, I'm like, okay,

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<v Speaker 1>I'm not in Wait.

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<v Speaker 2>Which Star Wars right are you talking about? You're talking

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<v Speaker 2>about flying the Millennium Falcon.

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<v Speaker 3>But have you ever done that one where you see

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<v Speaker 3>the Stormtroopers where you walk through and you're like, yeah,

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<v Speaker 3>that's incredible. Where you get to.

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<v Speaker 2>I think I told you if I really got to

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<v Speaker 2>the the girl who obviously had been there all day

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<v Speaker 2>and was just like, Hi, I'm Kelly, I'm here from

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<v Speaker 2>the Resistance.

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<v Speaker 3>Follow me please. Everyone else is doing an accent. They

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<v Speaker 3>all were like, you.

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<v Speaker 1>Worthless dogs, Let's take down the Empire.

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<v Speaker 3>Let's go. Yeah, we did it. It was so funny.

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<v Speaker 3>Fifty four Megasex doesn't know any of the words, just

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<v Speaker 3>walking through it. Well, welcome to pop Mey's world.

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<v Speaker 2>I'm Jensen Cart, I'm rather strong, and I'm Wilfordell.

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<v Speaker 3>Listen. It's the last Monday where you're gonna have to

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<v Speaker 3>hear me or look at me, So don't worry. It

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<v Speaker 3>all goes away. Danielle will be back very soon. And

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<v Speaker 3>normally I come on the show to play you a

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<v Speaker 3>clip of something that I found in my extensive research

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<v Speaker 3>for Pod Meets World, and this actually kind of fits

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<v Speaker 3>in that genre, which is I love looking at things

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<v Speaker 3>that Will and Ryder have done outside of the show.

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<v Speaker 3>It's one of my favorite hobbies. I don't do it

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<v Speaker 3>for Danielle because she will kill me, but in this case,

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<v Speaker 3>I found a longer piece of media that had to

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<v Speaker 3>be dug into a little deeper. And this is a

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<v Speaker 3>show that Will did after Boy Meets World. This was,

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<v Speaker 3>in my opinion, the next step for Will in a

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<v Speaker 3>sense that he could run his own sitcom. It seems

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<v Speaker 3>like that was what was going to happen after Boy

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<v Speaker 3>Meets World correctly, and this was a show called The

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<v Speaker 3>Random Years. So before we dive into this, we'll be

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<v Speaker 3>recapping the pilot of The Random Years. It is currently

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<v Speaker 3>available to watch on YouTube. All you have to type

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<v Speaker 3>in is the Random Years. We will put the link

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<v Speaker 3>to the show that we used for our recapping. It's

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<v Speaker 3>the best quality online in our description, you could check

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<v Speaker 3>it out. It actually has the first and second episode

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<v Speaker 3>on that YouTube video, but we only I mean I

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<v Speaker 3>watched both because I'm just obsessed with life, but the

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<v Speaker 3>first one is the one we recap. Will tell us

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<v Speaker 3>a little bit about your journey to The Random Years,

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<v Speaker 3>and then I'll talk maybe a little bit more details

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<v Speaker 3>about the show. Yeah.

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<v Speaker 2>What I remember most about my journey to The Random

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<v Speaker 2>Years was the kind of controversy that surrounded it. Yeah,

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<v Speaker 2>so I had, you know, I finished Boy Metswirld, and

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<v Speaker 2>I was on a what's called the Whole Deal with Disney,

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<v Speaker 2>and the first thing they did was they put me

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<v Speaker 2>on a show that I did six episodes of called

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<v Speaker 2>GoFish with Kieran Culkin and Andy Dick.

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<v Speaker 3>Oh wow, it.

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<v Speaker 2>Was the several of the cast members were very nice.

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<v Speaker 2>I got along with It is by far the worst

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<v Speaker 2>experience I've ever had on on a television show.

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<v Speaker 3>I like a guess between Curing Cocan or Andy Dick

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<v Speaker 3>where you had.

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<v Speaker 2>The problem, To be honest with you, it wasn't either

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<v Speaker 2>of them.

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<v Speaker 3>Okay, yeah, right, it.

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<v Speaker 1>Wasn't either of them were playing the older brother on it,

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<v Speaker 1>so it's sort of like they just like sampled you from.

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<v Speaker 2>Boy me and I went from playing the older brother

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<v Speaker 2>of a savage to the older brother of a Coulkin.

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<v Speaker 1>And was it a single camera a multi camp?

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<v Speaker 2>It was single camera, single camera, And so we we

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<v Speaker 2>did that, we finished that, obviously didn't get picked up.

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<v Speaker 2>We got we wrapped that up, and then you know,

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<v Speaker 2>you're back kind of on the audition circuit. But I

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<v Speaker 2>was still in the place where I didn't have to audition.

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<v Speaker 2>So UPN called and said, we have a show that

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<v Speaker 2>we'd like you to read for called or come in

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<v Speaker 2>and meet on called the Random yres great. I read

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<v Speaker 2>the script.

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<v Speaker 3>I really liked it.

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<v Speaker 2>I went in and met with them. They said, look,

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<v Speaker 2>we'd really love you to do this show. I said, fine,

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<v Speaker 2>I signed on to do the show. We shot the

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<v Speaker 2>Memory Serves, we shot the pilot. Had a great time.

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<v Speaker 3>The cast is.

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<v Speaker 2>Awesome, awesome, Eather there, Sean Murray and I became very

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<v Speaker 2>very close friends, Natalia, Josh, everybody.

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<v Speaker 3>We were We got along right off the bat. Uh.

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<v Speaker 2>And then they said we're not we're not picking it up.

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<v Speaker 3>We're not.

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<v Speaker 2>You did the pilot, thank you very much, We're not.

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<v Speaker 2>We're not doing it anymore. I said, okay, that's fine.

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<v Speaker 2>And then I got a call from the w B

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<v Speaker 2>saying we're doing a show.

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<v Speaker 3>Was it the www B?

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<v Speaker 2>It was the w W this is w B and

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<v Speaker 2>they were Sean, oh god, now I'm gonna British actor

0:10:27.240 --> 0:10:31.720
<v Speaker 2>Sean Connery. Sean, Yes, it was Sean Connery is finally

0:10:31.760 --> 0:10:32.880
<v Speaker 2>doing a sitcoms w B.

0:10:33.320 --> 0:10:33.560
<v Speaker 3>Yeah.

0:10:33.679 --> 0:10:38.640
<v Speaker 2>It was called you Bastards and so welcome to you

0:10:38.720 --> 0:10:42.719
<v Speaker 2>Bastards on the Doctor here w B.

0:10:42.880 --> 0:10:43.720
<v Speaker 3>Why is that frog?

0:10:43.840 --> 0:10:47.440
<v Speaker 2>No? So I went in and met on that I

0:10:47.520 --> 0:10:50.600
<v Speaker 2>met with Sean King I think is his name, and uh,

0:10:51.320 --> 0:10:53.280
<v Speaker 2>they said, yeah, this has already been picked up for

0:10:53.400 --> 0:10:56.079
<v Speaker 2>twenty six episodes. We'd love for you to do this

0:10:56.240 --> 0:10:58.800
<v Speaker 2>with us. I said, I'd love to do this show.

0:10:59.040 --> 0:11:01.839
<v Speaker 2>I then got a letter like two days later from WB,

0:11:02.040 --> 0:11:04.480
<v Speaker 2>I still have it. Welcome to the cast of Off Center.

0:11:04.640 --> 0:11:09.080
<v Speaker 2>We're so excited to start blah blah blah. UPN then

0:11:09.280 --> 0:11:12.240
<v Speaker 2>heard that I had was now going to do a

0:11:12.400 --> 0:11:17.360
<v Speaker 2>WB show, so they decided to exercise my option and

0:11:17.480 --> 0:11:20.040
<v Speaker 2>pick us up for the six episodes that were guaranteed

0:11:20.080 --> 0:11:22.920
<v Speaker 2>to burn us off so that I couldn't go to

0:11:22.960 --> 0:11:25.520
<v Speaker 2>the WB. And it made the trades. So it was

0:11:25.559 --> 0:11:28.480
<v Speaker 2>all over the trades that w that. You know, WB

0:11:28.640 --> 0:11:31.960
<v Speaker 2>was really upset because they were yeah, and.

0:11:32.280 --> 0:11:34.079
<v Speaker 3>This was their main competition, right, I mean, that was

0:11:34.160 --> 0:11:36.320
<v Speaker 3>who they were going up against. Yeah, so they were.

0:11:36.600 --> 0:11:39.280
<v Speaker 2>It was at the time they were UPN was going

0:11:39.320 --> 0:11:42.880
<v Speaker 2>through a changeover, which every network does all the time,

0:11:42.920 --> 0:11:46.520
<v Speaker 2>and and less Moonvest had come in and picked up

0:11:46.559 --> 0:11:48.880
<v Speaker 2>four or five shows, random Yres being one of them,

0:11:48.920 --> 0:11:50.720
<v Speaker 2>and the second then less Moonvest left.

0:11:51.160 --> 0:11:52.520
<v Speaker 3>They knew anything he brought to.

0:11:52.520 --> 0:11:54.480
<v Speaker 2>The network was what was going to be gone and

0:11:54.520 --> 0:11:56.120
<v Speaker 2>we were one of those, so they knew they were

0:11:56.120 --> 0:11:58.080
<v Speaker 2>going to cancel us before they picked us up, just

0:11:58.120 --> 0:12:00.440
<v Speaker 2>so I couldn't go to the WB Wow after assuring

0:12:00.480 --> 0:12:01.480
<v Speaker 2>me that that wouldn't happen.

0:12:01.520 --> 0:12:02.920
<v Speaker 1>And what happened to the w B show?

0:12:02.920 --> 0:12:05.240
<v Speaker 3>Did it go on? It went two seasons, two seasons.

0:12:05.520 --> 0:12:08.000
<v Speaker 2>Eddie K Thomas, Yeah, Eddie K took over.

0:12:08.760 --> 0:12:10.520
<v Speaker 1>I was supposed to frustrating man.

0:12:10.600 --> 0:12:14.120
<v Speaker 2>No, yes, it would be an actor so rough, Yeah,

0:12:14.160 --> 0:12:16.280
<v Speaker 2>it was. I mean it was would have been two

0:12:16.320 --> 0:12:18.240
<v Speaker 2>seasons on a sick and who knows, maybe if it

0:12:18.320 --> 0:12:20.160
<v Speaker 2>was Shahn and I it would have gone longer. You never,

0:12:20.200 --> 0:12:24.520
<v Speaker 2>you never, well, but he was fun doing well.

0:12:24.559 --> 0:12:26.720
<v Speaker 3>It is fun. The Random Years aired on the UPN

0:12:26.720 --> 0:12:28.880
<v Speaker 3>Network in two thousand and two. Debuted in March. It's

0:12:28.920 --> 0:12:31.520
<v Speaker 3>created by Michael Lisbie and Nate Regor.

0:12:31.640 --> 0:12:36.640
<v Speaker 2>A rider you also met they were. They marched with

0:12:36.720 --> 0:12:38.959
<v Speaker 2>us randomly. I think it was Nate. It was either

0:12:39.040 --> 0:12:41.280
<v Speaker 2>Nate or Mike were one of the people that marched

0:12:41.280 --> 0:12:43.120
<v Speaker 2>with us during the strike on that World Day.

0:12:43.200 --> 0:12:46.400
<v Speaker 3>Yeah. Yeah. Their their first big gig, and really almost

0:12:46.400 --> 0:12:49.199
<v Speaker 3>their first gig, was on Spin City. They pretty much

0:12:49.200 --> 0:12:51.960
<v Speaker 3>struck gold. They were given their own kind of development deals.

0:12:52.280 --> 0:12:54.000
<v Speaker 3>This was the result of it.

0:12:54.480 --> 0:12:56.240
<v Speaker 1>That's funny because when I was watching this, I was

0:12:56.280 --> 0:12:59.640
<v Speaker 1>like there. I was like, oh, Will's doing like an

0:12:59.640 --> 0:13:03.760
<v Speaker 1>Alex speaking Yeah, so that makes sense. The spin City,

0:13:03.800 --> 0:13:05.440
<v Speaker 1>There's a There's a.

0:13:05.480 --> 0:13:08.600
<v Speaker 3>The show is loosely inspired by the Friends Boom of

0:13:08.720 --> 0:13:11.839
<v Speaker 3>those years. It was based on the writers experience living

0:13:11.880 --> 0:13:14.200
<v Speaker 3>in New York City after graduating from college and what

0:13:14.440 --> 0:13:17.679
<v Speaker 3>they call a mid season replacement. So this is a

0:13:17.720 --> 0:13:20.000
<v Speaker 3>show that doesn't debut at the beginning of the season.

0:13:20.000 --> 0:13:22.720
<v Speaker 3>It comes in for someone that is ailing. That show

0:13:22.720 --> 0:13:25.480
<v Speaker 3>that was ailing. Do you know what it was? No,

0:13:26.120 --> 0:13:28.800
<v Speaker 3>Roswell really.

0:13:30.440 --> 0:13:32.880
<v Speaker 2>Five seasons seasons?

0:13:32.960 --> 0:13:35.199
<v Speaker 3>Yeah, I know for as bad as your industry story

0:13:35.280 --> 0:13:37.320
<v Speaker 3>was the Roswell Roswell has a great industry story.

0:13:37.400 --> 0:13:39.280
<v Speaker 2>But yes, no, we were. We were very much the

0:13:39.280 --> 0:13:43.760
<v Speaker 2>sacrificial lamb. As we were shooting, we knew we weren't

0:13:43.760 --> 0:13:44.040
<v Speaker 2>doing it.

0:13:44.200 --> 0:13:49.480
<v Speaker 1>Really, they just did this attack my other deal. Everybody

0:13:49.520 --> 0:13:50.800
<v Speaker 1>else know that too, the other actors.

0:13:50.800 --> 0:13:52.199
<v Speaker 2>I don't know. Well, I mean it was in the trades,

0:13:52.240 --> 0:13:53.920
<v Speaker 2>it was everywhere, and that it was the and then

0:13:53.960 --> 0:13:56.000
<v Speaker 2>we actually went to upfronts and you know, because it's

0:13:56.040 --> 0:13:57.720
<v Speaker 2>u PN there were nine people in the in the

0:13:57.720 --> 0:14:01.800
<v Speaker 2>audience at upfronts, and every question was what do you

0:14:01.800 --> 0:14:03.679
<v Speaker 2>think about the WB doing this, what do you think

0:14:03.679 --> 0:14:05.400
<v Speaker 2>about UPM doing this? Do you really want to be

0:14:05.400 --> 0:14:06.840
<v Speaker 2>doing the show or did you rather be doing Off Center?

0:14:06.880 --> 0:14:08.640
<v Speaker 2>And it was like, boy, no, I'm excited to be

0:14:08.679 --> 0:14:09.360
<v Speaker 2>here kind of thing.

0:14:09.440 --> 0:14:11.640
<v Speaker 3>Yeah, yeah, I did read it. I did read a

0:14:11.679 --> 0:14:13.480
<v Speaker 3>couple of interviews with you from the time, and it

0:14:13.520 --> 0:14:15.280
<v Speaker 3>is focused on you saying this is the show I

0:14:15.360 --> 0:14:19.440
<v Speaker 3>want to be on. Just yeah, I know that happened,

0:14:19.480 --> 0:14:20.920
<v Speaker 3>and this is the show I ended up on the

0:14:20.920 --> 0:14:22.560
<v Speaker 3>show I really wanted to be on. That's kind of

0:14:22.600 --> 0:14:24.640
<v Speaker 3>just the talking point you had. I'm so glad I

0:14:24.640 --> 0:14:26.000
<v Speaker 3>got to meet all those guys, but I would rather

0:14:26.040 --> 0:14:29.320
<v Speaker 3>have been on the other show because Roswell was an hour,

0:14:29.520 --> 0:14:31.960
<v Speaker 3>so you went first. And then another show called as

0:14:32.000 --> 0:14:34.240
<v Speaker 3>If as If. I remember that because I remember meeting

0:14:34.240 --> 0:14:36.720
<v Speaker 3>the as If. It was a show that was really

0:14:36.720 --> 0:14:39.640
<v Speaker 3>big in England and they brought over an American version,

0:14:39.640 --> 0:14:41.720
<v Speaker 3>but they brought over some of the cast as well, and.

0:14:41.600 --> 0:14:43.400
<v Speaker 2>I remember them at the UPM party. Were all very

0:14:43.440 --> 0:14:44.960
<v Speaker 2>very nice. So but that show didn't go either.

0:14:45.640 --> 0:14:48.840
<v Speaker 3>Well, you guys, Film seven episodes, only four aired. Fun

0:14:48.880 --> 0:14:51.160
<v Speaker 3>trivia question. Do you know the name of the final

0:14:51.200 --> 0:14:52.320
<v Speaker 3>episode that aired?

0:14:52.960 --> 0:14:56.080
<v Speaker 2>I think, if memory serves it was called Boy Meets World.

0:14:56.160 --> 0:15:02.160
<v Speaker 3>It was called Wow. I was so excited when I

0:15:02.160 --> 0:15:02.720
<v Speaker 3>found that out.

0:15:02.960 --> 0:15:04.560
<v Speaker 2>We did seven. We did seven?

0:15:04.760 --> 0:15:07.320
<v Speaker 3>Film seven? You film seven? You aired for? Yeah, you

0:15:07.360 --> 0:15:10.200
<v Speaker 3>aired for. I'm not doing this for anything other than

0:15:10.240 --> 0:15:12.000
<v Speaker 3>a fact I'm not kicking you while you're down. You

0:15:12.040 --> 0:15:14.160
<v Speaker 3>know that the network was pushing to get the show

0:15:14.200 --> 0:15:16.880
<v Speaker 3>off the air. The Random Years received the lowest ratings

0:15:16.920 --> 0:15:21.720
<v Speaker 3>of any original programming of that network TV season. Really

0:15:21.920 --> 0:15:23.920
<v Speaker 3>it did which which shows? They just didn't show any

0:15:23.920 --> 0:15:27.560
<v Speaker 3>commercials because even just by showing a commercial you get

0:15:27.600 --> 0:15:28.240
<v Speaker 3>better ratings.

0:15:28.280 --> 0:15:31.200
<v Speaker 2>They wanted us. They wanted us to die. That was

0:15:31.240 --> 0:15:36.000
<v Speaker 2>they were ironically. Critics kind of liked it. Yeah, they

0:15:36.080 --> 0:15:37.600
<v Speaker 2>kind of liked it. I found a bunch of reviews

0:15:37.600 --> 0:15:39.920
<v Speaker 2>that liked the cast. A bunch of people liked you, obviously,

0:15:40.680 --> 0:15:43.440
<v Speaker 2>and the cast is a bunch of I would call

0:15:43.480 --> 0:15:48.000
<v Speaker 2>them workers, Yeah, a bunch of like hardcore just TV workers,

0:15:48.600 --> 0:15:50.200
<v Speaker 2>which we'll get into in a minute. Uh.

0:15:50.480 --> 0:15:52.640
<v Speaker 3>Lisbie and Regor would go on to have a fruitful

0:15:52.640 --> 0:15:55.520
<v Speaker 3>career in Hollywood, writing and producing on just shoot me. Cougartown,

0:15:55.560 --> 0:15:58.200
<v Speaker 3>two broke Girls, the cool kids. They've created shows, They've

0:15:58.200 --> 0:15:59.640
<v Speaker 3>went on to do a lot of stuff, and they

0:15:59.680 --> 0:16:02.120
<v Speaker 3>most rely worked on a show called Alca Poco, which

0:16:02.160 --> 0:16:03.480
<v Speaker 3>people really like on Apple TV.

0:16:03.840 --> 0:16:06.800
<v Speaker 2>Okay too, and they're also they were really great to

0:16:06.880 --> 0:16:09.720
<v Speaker 2>work with, very collaborative, really cool guys.

0:16:09.960 --> 0:16:11.640
<v Speaker 3>Yeah, well, we will get into the recap and you

0:16:11.640 --> 0:16:13.640
<v Speaker 3>can give us some inside stories about things you remember

0:16:13.680 --> 0:16:16.760
<v Speaker 3>from watching it. Then timeline from Boy Meets World? How

0:16:16.800 --> 0:16:19.400
<v Speaker 3>long after Boy Meets World raps? Does this start?

0:16:19.640 --> 0:16:22.320
<v Speaker 2>Two years? Because we finished in two thousand and I

0:16:22.320 --> 0:16:24.800
<v Speaker 2>think that, so yeah, end of because we finished Go

0:16:24.920 --> 0:16:26.280
<v Speaker 2>Fish in two thousand and one, so yeah, this is

0:16:26.320 --> 0:16:27.640
<v Speaker 2>two thousand and two, two years later.

0:16:27.720 --> 0:16:30.240
<v Speaker 3>And were the Fridels were Were they watching it as

0:16:30.280 --> 0:16:32.160
<v Speaker 3>excitedly as they were Boy Meets World?

0:16:33.120 --> 0:16:36.440
<v Speaker 2>Any any time? My mom My mom loves me to death,

0:16:36.560 --> 0:16:39.600
<v Speaker 2>and of course she's very supportive anything I do. My

0:16:39.720 --> 0:16:41.760
<v Speaker 2>dad is like, this is the best thing that has

0:16:41.800 --> 0:16:45.720
<v Speaker 2>ever happened. It is the greatest show on TV. My god,

0:16:45.760 --> 0:16:46.720
<v Speaker 2>my son is a genius.

0:16:46.760 --> 0:16:49.080
<v Speaker 3>That's my thing. Yeah right, I'm not doing this so

0:16:49.120 --> 0:16:50.520
<v Speaker 3>that I could find it, because I could find it

0:16:50.560 --> 0:16:52.480
<v Speaker 3>on my own, But I am asking what was your

0:16:52.720 --> 0:16:55.240
<v Speaker 3>next step? What was the show right after Boy Meets

0:16:55.240 --> 0:16:56.800
<v Speaker 3>World for me? Yeah?

0:16:57.080 --> 0:16:59.760
<v Speaker 1>Uh nothing. I went to college. I went to New

0:16:59.840 --> 0:17:03.280
<v Speaker 1>York and yeah, there was a I had a whole

0:17:03.320 --> 0:17:06.439
<v Speaker 1>deal too, And there was a show that Will and

0:17:06.480 --> 0:17:09.520
<v Speaker 1>I both went to Network for different parts. Do you

0:17:09.520 --> 0:17:10.280
<v Speaker 1>remember this show? Will?

0:17:10.320 --> 0:17:10.840
<v Speaker 2>It was? It was?

0:17:10.960 --> 0:17:13.600
<v Speaker 1>It was by the guys who are now huge. They

0:17:13.640 --> 0:17:16.600
<v Speaker 1>did Deep and oh Wow.

0:17:16.880 --> 0:17:17.879
<v Speaker 3>There was a Mandel.

0:17:18.280 --> 0:17:23.400
<v Speaker 1>Yeah, yeah, Mandel and then his writing partner God who

0:17:23.600 --> 0:17:24.879
<v Speaker 1>ran Silicon Valley.

0:17:25.160 --> 0:17:29.560
<v Speaker 2>And it wasn't like The Loft or the Apartment.

0:17:29.800 --> 0:17:31.960
<v Speaker 1>It was a college show. It was about It was

0:17:31.960 --> 0:17:33.280
<v Speaker 1>about like guys in college.

0:17:33.359 --> 0:17:33.720
<v Speaker 3>I don't know.

0:17:33.880 --> 0:17:34.760
<v Speaker 2>Years was that?

0:17:34.800 --> 0:17:35.920
<v Speaker 1>What was just called the college?

0:17:35.960 --> 0:17:36.760
<v Speaker 2>It was called the College.

0:17:37.440 --> 0:17:40.480
<v Speaker 1>Dave Mandel and the other guy they were amazing and

0:17:40.480 --> 0:17:42.800
<v Speaker 1>they're great writers. They've obviously gone onto huge careers separately,

0:17:42.840 --> 0:17:44.960
<v Speaker 1>but at the time they were writing partners and they

0:17:45.000 --> 0:17:47.280
<v Speaker 1>created the show called The College Years, and they brought

0:17:47.359 --> 0:17:49.560
<v Speaker 1>us both in and I remember being like, they're going

0:17:49.600 --> 0:17:51.800
<v Speaker 1>to have to pick one of us, and neither of

0:17:51.880 --> 0:17:53.960
<v Speaker 1>us got it. And then I went off to college

0:17:53.960 --> 0:17:55.200
<v Speaker 1>and I was like, yeah, I'm not going to keep

0:17:55.200 --> 0:17:57.440
<v Speaker 1>auditioning for TV shows. Oh no, wait, I did do

0:17:57.480 --> 0:17:59.200
<v Speaker 1>a show. I did a pilot in two thousand and one.

0:17:59.600 --> 0:18:01.919
<v Speaker 1>I did a upn show. I don't know what it

0:18:02.119 --> 0:18:04.800
<v Speaker 1>ended up being called. When I did it, it was

0:18:04.840 --> 0:18:08.680
<v Speaker 1>called something like uh whatever, or you know, like some

0:18:08.760 --> 0:18:12.040
<v Speaker 1>generic sort of catchphrase. But yeah, it was just a

0:18:12.119 --> 0:18:14.680
<v Speaker 1>high school show, like it was a senior in high

0:18:14.720 --> 0:18:18.800
<v Speaker 1>school and it was a pretty funny single camera pilot,

0:18:18.840 --> 0:18:19.879
<v Speaker 1>but never got picked up.

0:18:20.560 --> 0:18:25.520
<v Speaker 3>Alec Berg you Sefeld too. Yes, he's a great great writer,

0:18:26.320 --> 0:18:29.119
<v Speaker 3>as Mandel as well, who created their you.

0:18:29.119 --> 0:18:31.800
<v Speaker 1>Know, and their stuff is like they brought me in

0:18:31.920 --> 0:18:34.760
<v Speaker 1>also they they wrote and directed with another guy, They

0:18:34.800 --> 0:18:38.160
<v Speaker 1>wrote and directed a movie called Fistful of Euros in

0:18:38.160 --> 0:18:39.639
<v Speaker 1>like two thousand and two, So they brought me in

0:18:39.680 --> 0:18:43.040
<v Speaker 1>and screen tested me for that. I just I loved

0:18:43.080 --> 0:18:45.920
<v Speaker 1>the writing and they liked me. We always look out a.

0:18:46.520 --> 0:18:48.439
<v Speaker 2>I don't think they liked me, if memory serves, if

0:18:48.440 --> 0:18:49.760
<v Speaker 2>they're the two guys I think they are. I don't

0:18:49.760 --> 0:18:50.600
<v Speaker 2>think they were huge.

0:18:50.400 --> 0:18:52.120
<v Speaker 1>Fans of really great great writers.

0:18:52.119 --> 0:18:56.800
<v Speaker 3>Well. I also I also hope that this gives our

0:18:56.840 --> 0:19:00.760
<v Speaker 3>listeners a bit of a viewing into a different aspect

0:19:00.800 --> 0:19:04.160
<v Speaker 3>of acting, which is that we focus the show on

0:19:04.280 --> 0:19:07.160
<v Speaker 3>the biggest success of your careers. You know, this is

0:19:07.200 --> 0:19:08.960
<v Speaker 3>a show that went on forever and is being talked

0:19:08.960 --> 0:19:12.560
<v Speaker 3>about thirty years later, But yet even your most successful

0:19:12.600 --> 0:19:16.400
<v Speaker 3>actors have these stories, which is, you know, something else

0:19:16.440 --> 0:19:18.240
<v Speaker 3>that went on that could have went that way but didn't.

0:19:19.119 --> 0:19:21.440
<v Speaker 3>And maybe there's there's some insight you can give while

0:19:21.480 --> 0:19:24.080
<v Speaker 3>we go through the recap as to why or what

0:19:24.119 --> 0:19:25.600
<v Speaker 3>you liked about it or whatever it was. But I

0:19:25.680 --> 0:19:27.280
<v Speaker 3>actually had a fun time watching it. I guess we

0:19:27.359 --> 0:19:29.359
<v Speaker 3>usually asked what everyone thought about it. I guess we'll

0:19:29.359 --> 0:19:32.240
<v Speaker 3>start with Will, what did you think about watching this complete?

0:19:32.280 --> 0:19:34.639
<v Speaker 3>I'm sure everything was forgotten from your brain watching it.

0:19:34.680 --> 0:19:35.159
<v Speaker 3>What was you?

0:19:36.160 --> 0:19:39.080
<v Speaker 2>You know what? To be totally honestly, I was pleasantly surprised.

0:19:39.119 --> 0:19:42.199
<v Speaker 2>I remember my performance being a lot worse than it was.

0:19:42.800 --> 0:19:46.639
<v Speaker 2>I knew the rest of the cast, including the guest stars,

0:19:46.680 --> 0:19:50.800
<v Speaker 2>were solid, because I remember how funny they were. I

0:19:50.840 --> 0:19:53.480
<v Speaker 2>always thought that especially I was pushing a little like

0:19:53.520 --> 0:19:55.080
<v Speaker 2>in my head, I was pushing too hard to try

0:19:55.119 --> 0:19:57.359
<v Speaker 2>to be the leading man. I was mugging for the

0:19:57.400 --> 0:20:00.600
<v Speaker 2>camera more than I needed to. And then when I

0:20:00.600 --> 0:20:02.600
<v Speaker 2>watched it back, I was like, Okay, it's not bad.

0:20:02.680 --> 0:20:05.439
<v Speaker 2>I actually watched the second episode as well, and frankly,

0:20:05.440 --> 0:20:06.880
<v Speaker 2>I thought the second episode was better than.

0:20:06.840 --> 0:20:09.400
<v Speaker 3>The first one. Yeah, so pilots are always hard.

0:20:09.320 --> 0:20:12.600
<v Speaker 2>Yeah, but overall I was I was actually pleasantly surprised

0:20:12.640 --> 0:20:15.359
<v Speaker 2>with the chemistry we all had on camera and the

0:20:15.400 --> 0:20:17.760
<v Speaker 2>writing and the sets and everything. I mean, I was.

0:20:18.119 --> 0:20:18.639
<v Speaker 3>I liked it.

0:20:18.680 --> 0:20:20.640
<v Speaker 2>I actually I actually enjoyed it.

0:20:20.640 --> 0:20:22.320
<v Speaker 3>It's a fun show. Rter, Wait, what did you think?

0:20:22.800 --> 0:20:24.960
<v Speaker 1>Yeah, I mean I think that this is an example

0:20:25.000 --> 0:20:28.040
<v Speaker 1>of just a pretty amazing cast, Like these are all

0:20:28.240 --> 0:20:33.439
<v Speaker 1>just great sitcom actors. I just didn't feel like this

0:20:33.520 --> 0:20:35.399
<v Speaker 1>was a pilot. I wanted this to be the second

0:20:35.480 --> 0:20:39.600
<v Speaker 1>or third episode, and I think I feel like this

0:20:39.880 --> 0:20:45.760
<v Speaker 1>was there was I like pilots that that initiate the

0:20:45.800 --> 0:20:48.480
<v Speaker 1>situation or explain the situation, and I was lost.

0:20:48.520 --> 0:20:50.040
<v Speaker 3>I was like, wait, you were thrown in.

0:20:50.440 --> 0:20:52.280
<v Speaker 1>We were thrown in, and we were just supposed to

0:20:52.320 --> 0:20:54.399
<v Speaker 1>know these characters, and I want and by the end

0:20:54.400 --> 0:20:56.160
<v Speaker 1>of the episode, I was like, Okay, now I get

0:20:56.160 --> 0:20:59.000
<v Speaker 1>where we're going. But I wanted a little bit more telegraphing,

0:20:59.119 --> 0:21:01.920
<v Speaker 1>to be like, this is this guy whose apartment is here,

0:21:01.920 --> 0:21:03.679
<v Speaker 1>and he has this kind of job. This is his

0:21:03.760 --> 0:21:05.560
<v Speaker 1>loser friend who does this, and this is his friend,

0:21:05.600 --> 0:21:07.760
<v Speaker 1>you know, like just a little bit more like locating

0:21:07.880 --> 0:21:10.520
<v Speaker 1>of where it felt a little too generic. I feel

0:21:10.520 --> 0:21:12.919
<v Speaker 1>like they just they they didn't go hard enough. It

0:21:12.960 --> 0:21:15.359
<v Speaker 1>was like, and it's not the actor's fault. I feel

0:21:15.359 --> 0:21:17.240
<v Speaker 1>like it was probably and probably not the writer's fault.

0:21:17.240 --> 0:21:18.960
<v Speaker 1>I feel like it was probably a network note like

0:21:19.320 --> 0:21:22.080
<v Speaker 1>just make it friends. Just put these guys in funny situations.

0:21:22.119 --> 0:21:24.280
<v Speaker 1>And it's like, yeah, okay, you can do that. But

0:21:24.600 --> 0:21:27.639
<v Speaker 1>even Friends starts with like Rachel being introduced to everybody,

0:21:28.040 --> 0:21:31.920
<v Speaker 1>so she's like a fish out of water being like yes,

0:21:32.040 --> 0:21:34.159
<v Speaker 1>and this didn't have like a way in. So I

0:21:34.200 --> 0:21:36.240
<v Speaker 1>just felt a little like I'm throwing the deep end

0:21:36.480 --> 0:21:38.800
<v Speaker 1>with funny actors, but I don't know why I'm here,

0:21:39.000 --> 0:21:40.320
<v Speaker 1>and I don't know what I'm looking for.

0:21:40.480 --> 0:21:41.879
<v Speaker 3>I know what it is because Danielle and I have

0:21:41.920 --> 0:21:44.960
<v Speaker 3>sold enough script deals to figure out you know that,

0:21:45.080 --> 0:21:46.800
<v Speaker 3>you know we don't get it. I've gotten one thing

0:21:46.800 --> 0:21:49.400
<v Speaker 3>on TV, but but basically everything else gets canned before

0:21:49.440 --> 0:21:51.800
<v Speaker 3>it gets to even this point. But the idea is

0:21:51.800 --> 0:21:54.240
<v Speaker 3>is they the note is always let's just get into

0:21:54.280 --> 0:21:57.000
<v Speaker 3>it exactly right, isn't that the note? The note is like,

0:21:57.040 --> 0:21:58.800
<v Speaker 3>you only have two minutes to get the viewer to

0:21:58.840 --> 0:22:01.400
<v Speaker 3>not change a channel. Let's just do it into it. Yeah,

0:22:01.600 --> 0:22:04.240
<v Speaker 3>And they don't want to do any setup. Instead, it's

0:22:04.280 --> 0:22:06.760
<v Speaker 3>you walking around with a concern and now we're in

0:22:06.800 --> 0:22:08.120
<v Speaker 3>the show, right like and.

0:22:08.320 --> 0:22:10.760
<v Speaker 1>Yeah, it seems like the conceit of the show, which

0:22:10.800 --> 0:22:13.239
<v Speaker 1>I did watch the beginning of the second episode, and

0:22:13.280 --> 0:22:15.000
<v Speaker 1>that was much better at setting up the conceit of

0:22:15.000 --> 0:22:18.240
<v Speaker 1>the show, which is three guys who all want love,

0:22:18.280 --> 0:22:20.280
<v Speaker 1>They all want a woman in their life, and they

0:22:20.280 --> 0:22:23.320
<v Speaker 1>all have different strategies and completely different lifestyles, but they're

0:22:23.320 --> 0:22:26.159
<v Speaker 1>best friends. And so that's the next episode begins with

0:22:26.160 --> 0:22:28.199
<v Speaker 1>them all hitting on a waitress with their own style,

0:22:28.720 --> 0:22:31.200
<v Speaker 1>and I thought that was a better intro because it's

0:22:31.200 --> 0:22:33.920
<v Speaker 1>like that sets up the thematics of the show right now,

0:22:34.000 --> 0:22:35.560
<v Speaker 1>you walking in and being like, why are you on

0:22:35.600 --> 0:22:37.679
<v Speaker 1>my couch again? I was like, oh wait, wait, is

0:22:37.840 --> 0:22:38.440
<v Speaker 1>who's what?

0:22:38.440 --> 0:22:38.960
<v Speaker 3>What you know?

0:22:39.000 --> 0:22:40.840
<v Speaker 1>I just wanted a little bit more of like, what

0:22:41.000 --> 0:22:42.480
<v Speaker 1>is the point of this show? And if the point

0:22:42.480 --> 0:22:44.400
<v Speaker 1>of the show is three guys are desperate to find

0:22:44.440 --> 0:22:47.000
<v Speaker 1>love in New York City in the Random Mirrors that

0:22:47.040 --> 0:22:47.400
<v Speaker 1>would have.

0:22:47.320 --> 0:22:49.440
<v Speaker 3>Been just just sit tell me that it is funny

0:22:49.480 --> 0:22:51.680
<v Speaker 3>to mention the second episodes opening, because I do think

0:22:51.680 --> 0:22:53.720
<v Speaker 3>it gets across each character better than we do.

0:22:53.840 --> 0:22:56.000
<v Speaker 2>Yeh pilot yet disagree.

0:22:55.960 --> 0:22:57.800
<v Speaker 3>Just by telling us how they deal with women.

0:22:57.840 --> 0:23:00.399
<v Speaker 1>Exactly one short scene. It was like a little well like,

0:23:00.720 --> 0:23:02.800
<v Speaker 1>here's each guy's take, and you know who's going to

0:23:02.840 --> 0:23:03.920
<v Speaker 1>be successful and who's now.

0:23:03.880 --> 0:23:05.400
<v Speaker 3>The jokes And by the way, the jokes are harder

0:23:05.440 --> 0:23:07.240
<v Speaker 3>to find in the pilot than they are in the second.

0:23:07.640 --> 0:23:09.920
<v Speaker 2>By the way I've said this, I've said this from

0:23:10.200 --> 0:23:12.240
<v Speaker 2>for for since I saw it. If you want to

0:23:12.280 --> 0:23:16.800
<v Speaker 2>see pretty close to a perfect sitcompilot, go watch the

0:23:16.800 --> 0:23:21.200
<v Speaker 2>pilot for news Radio. It is just it gets everybody

0:23:21.240 --> 0:23:23.840
<v Speaker 2>in from the second year they're on camera, you know

0:23:23.880 --> 0:23:26.600
<v Speaker 2>what's happening. They give you there's a there's a mission

0:23:26.920 --> 0:23:30.399
<v Speaker 2>for our lead character. You were he's introduced to everybody else.

0:23:30.680 --> 0:23:33.639
<v Speaker 2>It is a pretty perfect sitcompilot.

0:23:33.920 --> 0:23:36.320
<v Speaker 3>Another thing for listeners who aren't in the business. I

0:23:36.400 --> 0:23:39.960
<v Speaker 3>actually would argue if networks were able to throw away money,

0:23:39.960 --> 0:23:42.399
<v Speaker 3>which twenty twenty four that is no longer happening. No,

0:23:42.560 --> 0:23:45.080
<v Speaker 3>I wouldn't even air pilots. I know that we just

0:23:45.160 --> 0:23:46.720
<v Speaker 3>keep them because oh they have them in the can

0:23:46.760 --> 0:23:48.119
<v Speaker 3>and they just put it on. But the truth is

0:23:48.200 --> 0:23:51.880
<v Speaker 3>shows get better. Yeah, after you get months off basically

0:23:51.880 --> 0:23:53.920
<v Speaker 3>between the pilot and the pickup, and then you're back

0:23:53.960 --> 0:23:56.920
<v Speaker 3>and people just you've you've worked on the characters more.

0:23:56.960 --> 0:23:59.760
<v Speaker 3>The whole thing is just better by that. And honestly,

0:24:00.040 --> 0:24:01.960
<v Speaker 3>and for podcast too, if you listen to our podcast

0:24:02.040 --> 0:24:04.080
<v Speaker 3>up top and you learn and you change and all

0:24:04.119 --> 0:24:06.359
<v Speaker 3>those things happen, it just shows get better.

0:24:06.680 --> 0:24:08.439
<v Speaker 2>If you want to see a perfect example of that,

0:24:08.520 --> 0:24:09.960
<v Speaker 2>I always bring it back to Mash, which I'm going

0:24:10.000 --> 0:24:12.080
<v Speaker 2>to do. So when they did the pilot of Mash,

0:24:12.119 --> 0:24:14.960
<v Speaker 2>then they ran the entire first season of Mash. People

0:24:15.040 --> 0:24:17.719
<v Speaker 2>weren't watching it at all. It was almost canceled several times.

0:24:18.119 --> 0:24:22.520
<v Speaker 2>So to relaunch it, they essentially did a second pilot to.

0:24:22.600 --> 0:24:23.600
<v Speaker 3>Start season two.

0:24:24.320 --> 0:24:26.840
<v Speaker 2>So if you watch the very first episode then the

0:24:26.920 --> 0:24:29.679
<v Speaker 2>very first episode of season two, you're essentially watching two pilots.

0:24:29.680 --> 0:24:32.280
<v Speaker 2>It's really interesting to see how they change it over

0:24:32.320 --> 0:24:35.000
<v Speaker 2>the season. But they reintroduce all the characters again, they

0:24:35.080 --> 0:24:37.480
<v Speaker 2>reshow the camp again. It's like they start all over

0:24:37.560 --> 0:24:38.800
<v Speaker 2>after an entire season of the show.

0:24:38.800 --> 0:24:40.800
<v Speaker 3>It's cool well. Also, for the record, that is why

0:24:40.840 --> 0:24:43.199
<v Speaker 3>you hear so many people say, oh, it takes a

0:24:43.200 --> 0:24:45.480
<v Speaker 3>couple to get going, but once you're in episode four,

0:24:45.520 --> 0:24:48.520
<v Speaker 3>it's it's not. They didn't try to do that. Yeah, no, exactly.

0:24:48.680 --> 0:24:50.919
<v Speaker 2>I mean break You know how many people said to

0:24:50.960 --> 0:24:52.639
<v Speaker 2>me with Breaking bad with like just keep with it,

0:24:52.720 --> 0:24:53.440
<v Speaker 2>just stick with it.

0:24:53.400 --> 0:24:56.600
<v Speaker 3>Ben, you're gonna get hooked, and the Wired people same thing.

0:24:56.680 --> 0:24:57.800
<v Speaker 2>Stick with it, stick with it.

0:24:57.800 --> 0:25:11.600
<v Speaker 3>It's like, okay, all right, all right, Well, let's get

0:25:11.600 --> 0:25:14.080
<v Speaker 3>into the recap here. This is season one, episode one

0:25:14.119 --> 0:25:17.240
<v Speaker 3>of the random years. Pilots are always named basically the

0:25:17.280 --> 0:25:19.240
<v Speaker 3>random year of course. Yeah, yeah, it's always the name.

0:25:19.400 --> 0:25:22.440
<v Speaker 3>First air date was March fifth, two thousand and two.

0:25:23.680 --> 0:25:27.280
<v Speaker 3>Certain time in Everyone's life. There the synopsis four Friends

0:25:27.320 --> 0:25:30.280
<v Speaker 3>Experience Life, Love and Laughs in New York City. Keep

0:25:30.320 --> 0:25:33.639
<v Speaker 3>it as generic as humanly possible for your violot exactly,

0:25:33.760 --> 0:25:37.399
<v Speaker 3>they tell me anything. And it's directed by Lee Shallat Chemmel,

0:25:37.520 --> 0:25:40.000
<v Speaker 3>a TV legend in the field. She has over one

0:25:40.080 --> 0:25:42.520
<v Speaker 3>hundred credits for Murphy Brown, to George Lopez, to The

0:25:42.520 --> 0:25:45.160
<v Speaker 3>Bernie Mac Show to Raising Hope. You name a show

0:25:45.240 --> 0:25:48.960
<v Speaker 3>she has probably worked on it. Script is obviously always

0:25:48.960 --> 0:25:51.480
<v Speaker 3>by the creators of the show. They're the showrunners. That's

0:25:51.520 --> 0:25:53.639
<v Speaker 3>for many reasons. One, if you're not in the business,

0:25:53.640 --> 0:25:56.119
<v Speaker 3>I could tell you they get paid on every episode

0:25:56.480 --> 0:25:59.120
<v Speaker 3>something to know. Basically, they created the characters. They get

0:25:59.160 --> 0:26:01.320
<v Speaker 3>to Also, by the way, Lee also gets paid on

0:26:01.320 --> 0:26:04.280
<v Speaker 3>every director. Yeah, director, director, pilot. You get money for

0:26:04.320 --> 0:26:06.480
<v Speaker 3>the rest of that shows, rest of that show. So characters,

0:26:06.480 --> 0:26:08.879
<v Speaker 3>buy all those things come up through the creators. So

0:26:08.880 --> 0:26:12.000
<v Speaker 3>they write the first screenplay. It's starring our own wilfredell

0:26:12.119 --> 0:26:14.840
<v Speaker 3>Is Alex Barnes. All Right, what do you remember about

0:26:14.840 --> 0:26:16.840
<v Speaker 3>getting this cat? Like, what was the character? What did

0:26:16.840 --> 0:26:18.719
<v Speaker 3>you know? Nothing?

0:26:18.960 --> 0:26:21.439
<v Speaker 2>He's really he's at the beginning, you know, you're just

0:26:21.440 --> 0:26:24.600
<v Speaker 2>a guy. It's more like how I can insert myself

0:26:24.600 --> 0:26:26.199
<v Speaker 2>into the character. I knew he was supposed to be

0:26:26.440 --> 0:26:29.960
<v Speaker 2>a website at the time. He runs a music website site. Yeah,

0:26:30.359 --> 0:26:34.480
<v Speaker 2>he is obviously trying to find love. He's out of

0:26:34.520 --> 0:26:36.640
<v Speaker 2>college for a year or two by this point, we're

0:26:36.720 --> 0:26:39.160
<v Speaker 2>just starting to and like most kids just starting out,

0:26:39.200 --> 0:26:41.240
<v Speaker 2>he's got a seventeen thousand square foot apartment in New

0:26:41.320 --> 0:26:43.359
<v Speaker 2>York City, so obvious.

0:26:43.320 --> 0:26:45.200
<v Speaker 1>See that's what I was sort of thinking. I was like, oh,

0:26:45.240 --> 0:26:49.639
<v Speaker 1>well he's the guy like I realized. I was like, Oh,

0:26:49.680 --> 0:26:52.600
<v Speaker 1>the point or one of the is the differences between

0:26:52.600 --> 0:26:55.080
<v Speaker 1>the guys. You're the one who did all the right things,

0:26:55.119 --> 0:26:57.600
<v Speaker 1>you like made money right, right, and then you have

0:26:57.680 --> 0:27:00.760
<v Speaker 1>your friend who has no ambition and who just sits

0:27:00.760 --> 0:27:03.200
<v Speaker 1>on the couch but has an easy time with girls,

0:27:03.560 --> 0:27:05.879
<v Speaker 1>and you're you're struggling. And then you have your weirdo

0:27:06.000 --> 0:27:10.080
<v Speaker 1>friend who's like maybe a genius, but he's like really

0:27:10.119 --> 0:27:13.160
<v Speaker 1>awkward with women, right, yeah, and he's a dental assistant. Right,

0:27:13.200 --> 0:27:15.800
<v Speaker 1>but you like do everything right, but you can't find love.

0:27:16.119 --> 0:27:21.120
<v Speaker 1>Cor okay, Like, but it took a while to their distinctions. Yeah,

0:27:21.280 --> 0:27:23.160
<v Speaker 1>but I know you were Alex P. Keaton, you were

0:27:23.200 --> 0:27:26.879
<v Speaker 1>like the more conservative like you. You know, you dress well,

0:27:27.000 --> 0:27:29.680
<v Speaker 1>you do your job, everybody likes you, but you're still

0:27:29.720 --> 0:27:32.960
<v Speaker 1>unhappy because you want love. I don't know that's the vibent.

0:27:33.280 --> 0:27:35.359
<v Speaker 2>Yeah, I think that's everybody's that We were all looking

0:27:35.400 --> 0:27:36.640
<v Speaker 2>for that person.

0:27:36.359 --> 0:27:36.960
<v Speaker 1>In our lives.

0:27:37.040 --> 0:27:39.920
<v Speaker 3>Right question, are you are you Napster? Are or are

0:27:39.960 --> 0:27:40.720
<v Speaker 3>you Pitchfork?

0:27:41.400 --> 0:27:41.720
<v Speaker 1>Hmmm?

0:27:42.600 --> 0:27:44.760
<v Speaker 3>Like you have a website, well, Napster like was a

0:27:44.840 --> 0:27:47.120
<v Speaker 3>peer to peer in two thousands, like Pitchfork. I think

0:27:47.160 --> 0:27:49.760
<v Speaker 3>it's like Pitchfork is like a it's like culturally cool,

0:27:49.800 --> 0:27:50.400
<v Speaker 3>but not like.

0:27:51.040 --> 0:27:53.720
<v Speaker 1>Breaking the Internet cool, you know, like Napster was breaking

0:27:53.720 --> 0:27:56.199
<v Speaker 1>the Internet. I feel like this character is much more like, Oh,

0:27:56.200 --> 0:27:58.200
<v Speaker 1>I'm just I've see a new business and I'm going

0:27:58.200 --> 0:28:00.440
<v Speaker 1>into it and like we're making money and we're doing fine.

0:28:00.640 --> 0:28:01.840
<v Speaker 2>I think it is the one I've heard of that

0:28:01.880 --> 0:28:03.920
<v Speaker 2>didn't that guy like steal it or something like that.

0:28:04.040 --> 0:28:05.760
<v Speaker 3>Well, I mean, yeah, all these guys in two thousand

0:28:05.800 --> 0:28:07.320
<v Speaker 3>and two have some story that could be turned into

0:28:07.320 --> 0:28:09.840
<v Speaker 3>a movie. But but what I'm sort of saying is like,

0:28:09.920 --> 0:28:13.239
<v Speaker 3>were you illegally putting music online? Or were Oh?

0:28:13.359 --> 0:28:15.480
<v Speaker 2>No, I don't think so. I don't think so. Yeah,

0:28:15.640 --> 0:28:18.120
<v Speaker 2>all right, isn't the guy from Napster? Wasn't he in

0:28:18.160 --> 0:28:20.240
<v Speaker 2>the Facebook? Yeah?

0:28:20.320 --> 0:28:21.440
<v Speaker 3>Yeah? Yeah?

0:28:21.480 --> 0:28:23.560
<v Speaker 1>So who who was the female regular?

0:28:24.080 --> 0:28:26.800
<v Speaker 3>Okay, I'll get his only Well, let's let's tell you. Yeah,

0:28:26.880 --> 0:28:31.119
<v Speaker 3>let's get into Josh Suckerman is wise Man or Weissman Wiseman.

0:28:32.000 --> 0:28:34.000
<v Speaker 3>This was early in his acting career, after small parts

0:28:34.000 --> 0:28:36.960
<v Speaker 3>in Pearl Harbor and Evolution. Soon after the Random Years,

0:28:36.960 --> 0:28:39.840
<v Speaker 3>he would retire from acting really yeah, and he would

0:28:39.840 --> 0:28:43.719
<v Speaker 3>begin producing unscripted television executive producing shows like Hustle and

0:28:43.760 --> 0:28:47.600
<v Speaker 3>tow Girl Meets Farm in Sidon City Toe. Isn't that

0:28:47.640 --> 0:28:50.640
<v Speaker 3>like towing show subgenre?

0:28:50.720 --> 0:28:51.400
<v Speaker 1>Yeah? I love that.

0:28:51.520 --> 0:28:55.320
<v Speaker 2>Okay, okay, I'm super nice guy. I remember he was.

0:28:55.720 --> 0:28:57.840
<v Speaker 2>You know, they were essentially like without telling him to

0:28:57.880 --> 0:29:00.360
<v Speaker 2>be Kramer, they were telling him to be Cramer correct direct.

0:29:00.800 --> 0:29:06.440
<v Speaker 3>Yeah, yea. Natalia is Casey. That's who you're asking about,

0:29:06.480 --> 0:29:08.120
<v Speaker 3>will Right Rider.

0:29:08.160 --> 0:29:09.480
<v Speaker 2>You have also worked with Natalia?

0:29:09.800 --> 0:29:10.640
<v Speaker 3>I have yet.

0:29:10.720 --> 0:29:15.200
<v Speaker 2>Natalia was on what was the show that Chila was

0:29:15.240 --> 0:29:16.959
<v Speaker 2>on that we would then went over and did an

0:29:16.960 --> 0:29:18.520
<v Speaker 2>episode of. I did an episode of and you were

0:29:18.520 --> 0:29:19.040
<v Speaker 2>in the Party?

0:29:20.160 --> 0:29:20.880
<v Speaker 3>Odd Man Out?

0:29:21.080 --> 0:29:23.160
<v Speaker 2>Yes, thank you. Natalia was on odd Man Out?

0:29:23.400 --> 0:29:23.680
<v Speaker 1>Gotcha?

0:29:23.720 --> 0:29:25.080
<v Speaker 2>She was one of the regulars on odd Man Out.

0:29:25.080 --> 0:29:26.760
<v Speaker 3>Oh there she's yeah, I have that. I have that.

0:29:27.760 --> 0:29:30.080
<v Speaker 3>She played Lindsay Wagner on Saved by the Bell The

0:29:30.120 --> 0:29:32.280
<v Speaker 3>New Class. That was her biggest role. She would appear

0:29:32.320 --> 0:29:34.160
<v Speaker 3>on Beverly Hills nine O two one, Oh was Chloe,

0:29:34.200 --> 0:29:36.120
<v Speaker 3>and shows like odd Man Out, as you said, Pacific

0:29:36.160 --> 0:29:39.040
<v Speaker 3>Palisades and Unhappily. Ever After, she would go on to

0:29:39.080 --> 0:29:41.400
<v Speaker 3>be in stuff like Joe Dirt and Joe Dirt sequel,

0:29:41.960 --> 0:29:44.720
<v Speaker 3>All My Children, Raising the Bar and something called Deputy,

0:29:44.760 --> 0:29:46.480
<v Speaker 3>which is pretty new.

0:29:47.200 --> 0:29:50.880
<v Speaker 1>Okay, so she's she becomes a regular. There's only only four.

0:29:51.200 --> 0:29:53.040
<v Speaker 1>There's four man, Okay, yeah, gotcha.

0:29:53.080 --> 0:29:55.200
<v Speaker 2>In the second episode, she ends up moving in with

0:29:55.400 --> 0:29:56.720
<v Speaker 2>or moving into the apartment.

0:29:56.400 --> 0:29:57.440
<v Speaker 3>Across the way from us.

0:29:57.520 --> 0:30:00.000
<v Speaker 1>Great, Okay, I wish that was the pilot then, yeah,

0:30:01.080 --> 0:30:03.160
<v Speaker 1>those who would have been the perfect audience surrogate, like

0:30:03.280 --> 0:30:05.480
<v Speaker 1>coming into this situation with these three.

0:30:05.680 --> 0:30:08.920
<v Speaker 3>Yes, she's the paid star. Those are the paid stars,

0:30:08.920 --> 0:30:11.480
<v Speaker 3>by the way, So now we're into guest stars. David

0:30:11.520 --> 0:30:14.960
<v Speaker 3>Gary as Waiter, another Joe Dirt guy who also appeared

0:30:15.000 --> 0:30:16.760
<v Speaker 3>on Just Shoot Me, so I assume that's how he

0:30:16.800 --> 0:30:21.760
<v Speaker 3>got that job. Valerie Geffner as Joe Lene, Jennifer Morrison

0:30:21.840 --> 0:30:24.320
<v Speaker 3>as Megan. Megan would go on to star on the

0:30:24.360 --> 0:30:28.040
<v Speaker 3>TV show House, which which is very cool as doctor

0:30:28.040 --> 0:30:29.960
<v Speaker 3>Allison Cameron, and she would appear on How I Met

0:30:29.960 --> 0:30:31.040
<v Speaker 3>Your Mother and This is.

0:30:31.080 --> 0:30:34.960
<v Speaker 2>Us and she and my girlfriend really she was. We

0:30:35.000 --> 0:30:36.840
<v Speaker 2>met on this set and then we dated after this. Yeah.

0:30:37.320 --> 0:30:40.800
<v Speaker 2>Very sweet girl, very sweet girl a couple of months.

0:30:40.920 --> 0:30:42.480
<v Speaker 3>She's very pretty, very pretty.

0:30:42.480 --> 0:30:46.720
<v Speaker 2>She is also on the cover of our Approboard pants catalog.

0:30:47.560 --> 0:30:54.960
<v Speaker 3>Oh, it's gonna sell us some pants. Yes, she's very cool.

0:30:55.160 --> 0:30:58.000
<v Speaker 3>And Sean Murray is Todd Mitchell. You'll most likely recognize

0:30:58.040 --> 0:31:01.040
<v Speaker 3>him from hocus Pocus, where he played Fatackery, and then

0:31:01.080 --> 0:31:03.000
<v Speaker 3>he'd go on to play Timothy McGee on almost five

0:31:03.080 --> 0:31:06.400
<v Speaker 3>hundred episodes of ncis yet still on it. He's never

0:31:06.880 --> 0:31:08.040
<v Speaker 3>run into these people ever.

0:31:08.360 --> 0:31:08.960
<v Speaker 1>I do well.

0:31:09.360 --> 0:31:11.360
<v Speaker 2>Sewn and I became good friends. I was at Sewan's wedding,

0:31:11.920 --> 0:31:14.800
<v Speaker 2>so yeah, no, we became very friendly and we were

0:31:14.880 --> 0:31:17.760
<v Speaker 2>friends for years and then we've kind of lost touch,

0:31:17.760 --> 0:31:19.680
<v Speaker 2>but we'll always kind of come back into each other's lives.

0:31:19.760 --> 0:31:22.760
<v Speaker 2>So at one point he was a very good friend

0:31:22.760 --> 0:31:24.520
<v Speaker 2>of mine. I still consider him a friend of mine.

0:31:24.560 --> 0:31:33.240
<v Speaker 2>He's a great guy all the way.

0:31:37.920 --> 0:31:39.600
<v Speaker 3>Before we get into the recap and get into the

0:31:39.680 --> 0:31:42.360
<v Speaker 3>nitty gritty, people know all about successes. Like I said,

0:31:42.440 --> 0:31:44.480
<v Speaker 3>what does it feel like to be on a show

0:31:44.960 --> 0:31:46.600
<v Speaker 3>at this point? You kind of know the network is

0:31:46.640 --> 0:31:48.520
<v Speaker 3>dooming it and then you get the call that there's

0:31:48.720 --> 0:31:50.760
<v Speaker 3>you know, we're done after four I mean, what is

0:31:50.760 --> 0:31:53.000
<v Speaker 3>that feeling for people who don't act?

0:31:53.160 --> 0:31:53.920
<v Speaker 1>It's tough.

0:31:53.960 --> 0:31:56.360
<v Speaker 2>I mean, well, I mean it's tough mostly because let's

0:31:56.360 --> 0:31:58.440
<v Speaker 2>put it this way. Sometimes it's tough, sometimes it's not.

0:31:58.520 --> 0:32:00.440
<v Speaker 2>When I found out go Fish wasn't getting picked up,

0:32:00.440 --> 0:32:04.200
<v Speaker 2>I was very happy. When I found out random here

0:32:04.240 --> 0:32:05.960
<v Speaker 2>is what they were doing with it, I was upset

0:32:06.000 --> 0:32:08.680
<v Speaker 2>because I really liked everybody. We got along super well.

0:32:09.200 --> 0:32:12.560
<v Speaker 2>The set was a fun place to be. We just

0:32:12.880 --> 0:32:15.480
<v Speaker 2>enjoyed being with each other. We enjoyed the scripts. It

0:32:15.560 --> 0:32:19.120
<v Speaker 2>was also coming off A Boy Meets World and going

0:32:19.160 --> 0:32:21.680
<v Speaker 2>to a show where we were talking about sex, where

0:32:21.720 --> 0:32:23.960
<v Speaker 2>we were drinking, where we were doing all stuff. It

0:32:24.080 --> 0:32:26.240
<v Speaker 2>was such a step up as an actor, and that's

0:32:26.320 --> 0:32:28.320
<v Speaker 2>that's wrong. That's step up is wrong. It's just a

0:32:28.360 --> 0:32:31.680
<v Speaker 2>different chapter in my life as an actor. We're now

0:32:31.840 --> 0:32:34.880
<v Speaker 2>playing an adult and I'm aging up. So that was

0:32:35.320 --> 0:32:36.960
<v Speaker 2>That was a lot of fun. I remember the first time,

0:32:37.680 --> 0:32:39.480
<v Speaker 2>you know, as we're on the set and Lee's like,

0:32:39.520 --> 0:32:40.800
<v Speaker 2>all right, wanted you to go up to the to

0:32:40.840 --> 0:32:42.600
<v Speaker 2>the fridge and grab a beer and come back. I'm like,

0:32:43.240 --> 0:32:47.080
<v Speaker 2>I grab a beer. She's like, yeah, you're up a beer?

0:32:47.120 --> 0:32:52.440
<v Speaker 3>Is there a photo of a beef scrambled egg?

0:32:52.600 --> 0:32:54.800
<v Speaker 2>You sure? We don't want red drink like that?

0:32:54.920 --> 0:32:55.120
<v Speaker 1>You know?

0:32:55.280 --> 0:32:57.720
<v Speaker 2>So it was, Yeah, it was strange, like go grab

0:32:57.720 --> 0:32:59.840
<v Speaker 2>a beer, come back down, all right, We'll get four more.

0:33:00.240 --> 0:33:01.640
<v Speaker 2>And it was just like, oh man, this is this

0:33:01.720 --> 0:33:02.360
<v Speaker 2>is great.

0:33:02.160 --> 0:33:03.400
<v Speaker 3>So fun.

0:33:03.480 --> 0:33:05.360
<v Speaker 2>The one thing I do remember that was bad about well,

0:33:05.760 --> 0:33:09.520
<v Speaker 2>first of all, this was the show to where we

0:33:09.600 --> 0:33:12.360
<v Speaker 2>shot on the same set that they did Family Ties.

0:33:12.920 --> 0:33:17.760
<v Speaker 2>Oh so being again, well that's what I said. So

0:33:17.960 --> 0:33:21.680
<v Speaker 2>they brought me into I had Michael J. Fox's dressinger

0:33:21.760 --> 0:33:24.440
<v Speaker 2>come and the first night I was there, I cried

0:33:24.600 --> 0:33:26.320
<v Speaker 2>because I was like all I had ever wanted to

0:33:26.320 --> 0:33:28.320
<v Speaker 2>be was Michael Fox and I'm sitting on the set

0:33:28.640 --> 0:33:30.800
<v Speaker 2>of Family Ties. I'm I'm like, I'm on the stage,

0:33:30.840 --> 0:33:33.360
<v Speaker 2>I'm the star of the show, I'm in his thing,

0:33:33.400 --> 0:33:35.160
<v Speaker 2>and I like, I was like, I never cried, what

0:33:35.200 --> 0:33:35.920
<v Speaker 2>the hell's appening?

0:33:36.320 --> 0:33:36.760
<v Speaker 3>So it was.

0:33:36.840 --> 0:33:38.680
<v Speaker 2>It was one that was one of those moments in

0:33:38.720 --> 0:33:40.240
<v Speaker 2>my career where I was like, oh my god, I'm

0:33:40.240 --> 0:33:41.720
<v Speaker 2>actually here. I just come off seven.

0:33:41.600 --> 0:33:42.680
<v Speaker 3>Years of a show.

0:33:42.720 --> 0:33:45.440
<v Speaker 2>But here it was like, I'm here, this is I had.

0:33:45.880 --> 0:33:48.520
<v Speaker 1>I had the exact same experience of being on a

0:33:48.560 --> 0:33:51.200
<v Speaker 1>show that you knew was doomed. When we did Pepper Dennis,

0:33:51.240 --> 0:33:53.840
<v Speaker 1>which is where I met my wife. We were that

0:33:54.000 --> 0:33:57.520
<v Speaker 1>was it was a very hot pilot. The pilot script

0:33:57.560 --> 0:34:01.080
<v Speaker 1>was amazing, and networks were in. Rebecca Remain was the

0:34:01.080 --> 0:34:03.080
<v Speaker 1>star and she was huge at the time. It was

0:34:03.080 --> 0:34:04.800
<v Speaker 1>her big step into acting. She was coming off the

0:34:04.960 --> 0:34:07.360
<v Speaker 1>x Men films and it was like, Oh, we're gonna

0:34:07.400 --> 0:34:08.839
<v Speaker 1>do it. And what happened is she had to go

0:34:08.880 --> 0:34:12.040
<v Speaker 1>do x Men two. So they held us for six

0:34:12.080 --> 0:34:15.400
<v Speaker 1>months and we just had to wait. No one could

0:34:15.600 --> 0:34:18.520
<v Speaker 1>do take other jobs. And when we came back, we

0:34:18.520 --> 0:34:21.560
<v Speaker 1>were shooting our second or third episode and they announced

0:34:21.600 --> 0:34:24.400
<v Speaker 1>the merger between WB and UPN, and we knew we

0:34:24.400 --> 0:34:27.520
<v Speaker 1>were screwed because the president of UPN was taking over

0:34:27.560 --> 0:34:30.640
<v Speaker 1>the new network, and so we were a WB show.

0:34:30.640 --> 0:34:33.040
<v Speaker 1>We're like, oh, well, then that's it, We're done, and

0:34:33.120 --> 0:34:36.520
<v Speaker 1>yet we still had to shoot thirteen episodes, and so

0:34:36.680 --> 0:34:39.399
<v Speaker 1>was this weird thing of like we loved each other,

0:34:39.440 --> 0:34:41.200
<v Speaker 1>we all got along, we all had it, and we

0:34:41.200 --> 0:34:43.760
<v Speaker 1>were like, maybe if we're good enough, it'll still matter.

0:34:43.800 --> 0:34:45.319
<v Speaker 1>So you still kind of give it your all, but

0:34:45.719 --> 0:34:48.200
<v Speaker 1>it's depressing and it's just hard to commit. All of

0:34:48.239 --> 0:34:50.480
<v Speaker 1>our scripts had already been written because of the strike too,

0:34:50.640 --> 0:34:52.080
<v Speaker 1>and then they had to let go of all of

0:34:52.120 --> 0:34:55.080
<v Speaker 1>the writing staff, so we only had our showrunners, and

0:34:55.080 --> 0:34:57.160
<v Speaker 1>I don't even think they could rewrite the scripts, so

0:34:57.200 --> 0:34:59.319
<v Speaker 1>we would just have table reads for no reason because

0:34:59.360 --> 0:35:03.240
<v Speaker 1>it couldn't rewri It was it was. It was so depressing,

0:35:03.600 --> 0:35:05.000
<v Speaker 1>but you know, I got to work with great people,

0:35:05.000 --> 0:35:07.960
<v Speaker 1>like the one writer I became friends with, Jason Catom's

0:35:08.480 --> 0:35:10.719
<v Speaker 1>was on our show, and he was like, he was like,

0:35:10.760 --> 0:35:13.240
<v Speaker 1>I'm bailing to go do this Friday Night Lights series

0:35:13.280 --> 0:35:15.640
<v Speaker 1>and I was like, Oh, that movie's good, I bet

0:35:15.680 --> 0:35:18.520
<v Speaker 1>the series is gonna suck. Yeah, went on to you know,

0:35:18.600 --> 0:35:20.920
<v Speaker 1>create Parenthood and he's a legend. But you know, there

0:35:20.960 --> 0:35:22.799
<v Speaker 1>was like great people involved, but we were all just

0:35:22.840 --> 0:35:26.120
<v Speaker 1>sort of like sad, and so it's just this bizarre.

0:35:25.760 --> 0:35:29.560
<v Speaker 3>Like from a job, this is eerily similar. Yeah, right,

0:35:29.760 --> 0:35:30.239
<v Speaker 3>yeah it is.

0:35:30.280 --> 0:35:32.440
<v Speaker 2>But it's also it's weird. It's it's getting on a

0:35:32.480 --> 0:35:36.920
<v Speaker 2>boat with your friends knowing four days into the cruise

0:35:37.040 --> 0:35:40.360
<v Speaker 2>it's going to sink exactly. So it's like, well, I

0:35:40.360 --> 0:35:42.680
<v Speaker 2>guess we can party for the four There's a great

0:35:42.719 --> 0:35:47.359
<v Speaker 2>buffet until we actually hit the icebergs, so let's do that. Yeah,

0:35:47.360 --> 0:35:50.719
<v Speaker 2>it's it's very very it's a strange sensation. Yeah, it's

0:35:50.719 --> 0:35:51.360
<v Speaker 2>a strange feeling.

0:35:51.600 --> 0:35:54.439
<v Speaker 3>Yeah, well, let's get into the recap. Will or writer

0:35:54.640 --> 0:35:57.400
<v Speaker 3>feel free to jump in at any point, let me

0:35:57.480 --> 0:35:58.719
<v Speaker 3>know if you want to talk about something. But we

0:35:58.719 --> 0:36:02.240
<v Speaker 3>start in the apartment, which obviously is the center stage

0:36:02.239 --> 0:36:06.080
<v Speaker 3>for this entire show. Alex Barnes, played by our Palhill Wilferdell,

0:36:06.160 --> 0:36:08.560
<v Speaker 3>walks in and greets his roommate Todd, who was supposed

0:36:08.560 --> 0:36:11.000
<v Speaker 3>to be doing temp work today. Todd says the gig

0:36:11.000 --> 0:36:13.719
<v Speaker 3>didn't feel quite right because it was in an office.

0:36:13.880 --> 0:36:16.840
<v Speaker 3>Alex tells him it's a concession. A concession will eventually

0:36:16.880 --> 0:36:19.040
<v Speaker 3>have to make. Todd shakes his head. I live in

0:36:19.040 --> 0:36:21.720
<v Speaker 3>New York. If I sit here, it will come. Alex

0:36:21.719 --> 0:36:24.560
<v Speaker 3>hands him a beer and Todd grins, see see game.

0:36:25.719 --> 0:36:28.239
<v Speaker 3>Alex looks at their answering machine, reminding us exactly what

0:36:28.320 --> 0:36:30.839
<v Speaker 3>year this takes place in, and he says, why don't

0:36:30.840 --> 0:36:33.480
<v Speaker 3>you ever play the messages? Todd shrugs, it's always like

0:36:33.600 --> 0:36:34.719
<v Speaker 3>Hi Todd, how are you?

0:36:35.080 --> 0:36:35.200
<v Speaker 2>Hi?

0:36:35.320 --> 0:36:36.920
<v Speaker 3>Todd, let's get together. I don't want to be a

0:36:36.960 --> 0:36:40.840
<v Speaker 3>part of that. So he is the Costanza, or he

0:36:40.960 --> 0:36:43.360
<v Speaker 3>is the Kramer, He's the Coristanza.

0:36:43.760 --> 0:36:47.439
<v Speaker 2>He's the Costanza. Yeah, yeah, yes, you're the Jerry, I'm

0:36:47.440 --> 0:36:50.319
<v Speaker 2>the Jerry, He's this Yeah, and then Wiseman's the the

0:36:50.600 --> 0:36:54.360
<v Speaker 2>uh Kramer, and then Natalia's is Elaine.

0:36:54.480 --> 0:36:58.120
<v Speaker 3>Yeah essentially yeah. Alex presses play anyway. The first is

0:36:58.160 --> 0:37:01.319
<v Speaker 3>from Todd's grandpa, who wants his copy of Lonesome Dove back.

0:37:01.600 --> 0:37:05.160
<v Speaker 3>Todd yells at the phone, I gave it back at Thanksgiving. Next,

0:37:05.200 --> 0:37:08.200
<v Speaker 3>a message from Megan Murphy. Alex is thrilled. This is

0:37:08.239 --> 0:37:09.759
<v Speaker 3>a girl who's in New York and would like to

0:37:09.760 --> 0:37:13.759
<v Speaker 3>see him. Alex lets out a scream. Yes. Todd warns him,

0:37:13.760 --> 0:37:16.520
<v Speaker 3>don't be too eager, but Eric says, it's fate. It's

0:37:16.520 --> 0:37:18.439
<v Speaker 3>like the sun has broken through the clouds and made

0:37:18.480 --> 0:37:19.480
<v Speaker 3>everything beautiful.

0:37:19.719 --> 0:37:20.759
<v Speaker 2>Did you call me Eric?

0:37:20.920 --> 0:37:21.880
<v Speaker 1>You did? Ax?

0:37:22.640 --> 0:37:27.800
<v Speaker 3>No, by the way, it actually says Alex, you still

0:37:27.840 --> 0:37:30.440
<v Speaker 3>said Eric. Oh my god. This shows how good Danielle

0:37:30.520 --> 0:37:31.160
<v Speaker 3>is at the job.

0:37:31.840 --> 0:37:34.120
<v Speaker 1>This is this is where you know. By this point,

0:37:34.160 --> 0:37:37.919
<v Speaker 1>I'm like, I'm just enjoying Will being a leading man,

0:37:38.080 --> 0:37:41.960
<v Speaker 1>Like it's so you just you needed your own sitcom,

0:37:42.080 --> 0:37:44.439
<v Speaker 1>like and you know, I'm so used to you being Eric,

0:37:44.480 --> 0:37:47.160
<v Speaker 1>which is way more of a character, you know, especially

0:37:47.160 --> 0:37:48.920
<v Speaker 1>by the end of Win's World, It's like you do

0:37:49.000 --> 0:37:51.440
<v Speaker 1>not have a normal bone in your part. You walk

0:37:51.480 --> 0:37:53.680
<v Speaker 1>into a scene and you're a cartoon character, and so

0:37:53.719 --> 0:37:56.080
<v Speaker 1>it was so cool to see you as just this

0:37:56.239 --> 0:38:00.760
<v Speaker 1>like more like just straightforward, kind of a straight man,

0:38:01.040 --> 0:38:03.319
<v Speaker 1>but you're still very funny. But it was like, yes,

0:38:03.480 --> 0:38:05.719
<v Speaker 1>this guy should have his own show. It makes so

0:38:05.840 --> 0:38:09.920
<v Speaker 1>many running the ship, setting the tone. Oh, it just

0:38:09.960 --> 0:38:10.879
<v Speaker 1>fits you so well.

0:38:11.280 --> 0:38:11.600
<v Speaker 2>Thank you.

0:38:12.239 --> 0:38:15.279
<v Speaker 3>A major set piece is their industrial sliding door that

0:38:15.280 --> 0:38:17.080
<v Speaker 3>they have that seems like a big thing. It opens

0:38:17.160 --> 0:38:19.360
<v Speaker 3>up and it's their friend and their other roomy Weissman.

0:38:20.000 --> 0:38:22.440
<v Speaker 3>He says, please tell me that's vegetable soup on the stairs,

0:38:22.800 --> 0:38:24.080
<v Speaker 3>referencing I'm assuming puke.

0:38:24.360 --> 0:38:27.520
<v Speaker 2>Vomit, good vomit joke. Get the show started.

0:38:27.840 --> 0:38:30.960
<v Speaker 3>Alex is still giddy. You're never gonna guess who called Wiseman,

0:38:31.000 --> 0:38:34.520
<v Speaker 3>guesses mister Miller, our middle school gym teacher. Alex is concerned. No,

0:38:34.680 --> 0:38:38.480
<v Speaker 3>but why would he call great gloried? Wiseman admits, I

0:38:38.520 --> 0:38:40.720
<v Speaker 3>don't know. I've just been thinking about him lately. Alex

0:38:40.800 --> 0:38:43.440
<v Speaker 3>is unfazed. Megan Murphy called, she wants to see me tonight.

0:38:43.520 --> 0:38:46.720
<v Speaker 3>Wiseman not as stoked. She thinks she can just waltz

0:38:46.719 --> 0:38:49.000
<v Speaker 3>back into your life after five years. Forget it, Alex,

0:38:49.040 --> 0:38:52.279
<v Speaker 3>We've moved on. Alex fights back. It's the best relationship

0:38:52.280 --> 0:38:53.279
<v Speaker 3>he's ever had. Now.

0:38:53.320 --> 0:38:55.120
<v Speaker 2>One thing I seriously noticed. And if you go back

0:38:55.120 --> 0:38:57.640
<v Speaker 2>and you watch so we had. This is the first scene.

0:38:58.160 --> 0:39:01.000
<v Speaker 2>We're in front of the audience and you can see

0:39:01.239 --> 0:39:04.640
<v Speaker 2>how nervous Josh is and when he puts up his hands,

0:39:04.880 --> 0:39:08.960
<v Speaker 2>his hands are shake and shaking like this, like no, Alex,

0:39:09.160 --> 0:39:09.759
<v Speaker 2>we've moved on.

0:39:09.840 --> 0:39:11.960
<v Speaker 1>And I was like, oh, that's right, I can remember.

0:39:12.000 --> 0:39:16.439
<v Speaker 1>Should do a pilot or redo a pilot. Every show

0:39:16.440 --> 0:39:19.600
<v Speaker 1>should write the first six episodes and shoot like two

0:39:19.680 --> 0:39:20.520
<v Speaker 1>through six and.

0:39:20.480 --> 0:39:22.000
<v Speaker 3>Go back and do the pie. I know that's such

0:39:22.000 --> 0:39:24.759
<v Speaker 3>a good idea, and rewrite that first after two through six.

0:39:25.120 --> 0:39:27.080
<v Speaker 3>You really help. Yeah, you can tell he's nervous.

0:39:27.280 --> 0:39:27.520
<v Speaker 1>Yeah.

0:39:27.560 --> 0:39:29.680
<v Speaker 3>Todd reminds him that they dated for seven days, but

0:39:29.719 --> 0:39:31.800
<v Speaker 3>Alex calls them the best seven days of his life.

0:39:31.960 --> 0:39:34.080
<v Speaker 3>It was like a movie montage, except they didn't make

0:39:34.120 --> 0:39:36.279
<v Speaker 3>love in the sand. Here comes a real Wilfredell moment.

0:39:36.280 --> 0:39:38.560
<v Speaker 3>By the way, Todd grimaces make love. What are you

0:39:38.600 --> 0:39:41.160
<v Speaker 3>one hundred years old? Alex wants to be romantic, not

0:39:41.200 --> 0:39:43.560
<v Speaker 3>make it all about sex, but Wiseman says it was

0:39:43.600 --> 0:39:46.799
<v Speaker 3>hot though, right, and then Will perfectly turns them, Oh dude,

0:39:46.800 --> 0:39:49.400
<v Speaker 3>you should have been there. Well, you know what I mean,

0:39:49.440 --> 0:39:53.040
<v Speaker 3>you shouldn't have been there, great timing. Wiseman was there

0:39:53.080 --> 0:39:55.640
<v Speaker 3>for the tragic ending though, and Todd reminist says, ah, yes.

0:39:55.719 --> 0:39:59.200
<v Speaker 3>Day eight, Alex tells them it wasn't Megan's fault. Her

0:39:59.280 --> 0:40:02.520
<v Speaker 3>dad got transfer to Kenya. Todd wonders why she waited

0:40:02.560 --> 0:40:05.840
<v Speaker 3>five years to call. Then it's a good question, Alex reiterates,

0:40:05.840 --> 0:40:10.040
<v Speaker 3>she was in Kenya. They have a fledgling telecommunications network. Plus,

0:40:10.080 --> 0:40:11.759
<v Speaker 3>all that matters is that he gets a second chance

0:40:11.760 --> 0:40:16.680
<v Speaker 3>with her. That's the fledgling telecommunications is a big piece

0:40:16.680 --> 0:40:19.919
<v Speaker 3>of the commercial for this show. It did right, Yeah,

0:40:19.960 --> 0:40:21.279
<v Speaker 3>it aired a couple of times and I was like,

0:40:21.440 --> 0:40:23.359
<v Speaker 3>that's a weird pick, is it really?

0:40:23.360 --> 0:40:25.080
<v Speaker 2>Oh that's what they picked? Is that line? For some

0:40:25.120 --> 0:40:26.640
<v Speaker 2>time I thought you meant that that was an on

0:40:26.760 --> 0:40:28.360
<v Speaker 2>running gag in the episode.

0:40:28.440 --> 0:40:30.799
<v Speaker 3>No, it's the commercial for the show for people to

0:40:30.800 --> 0:40:32.480
<v Speaker 3>tune in. That's like the big joke piece.

0:40:32.600 --> 0:40:35.600
<v Speaker 2>That's what they were Hey, they're trying to viewers.

0:40:36.280 --> 0:40:38.520
<v Speaker 1>Is a mistake. I think this whole first scene should

0:40:38.520 --> 0:40:40.359
<v Speaker 1>have just been should have just been the scene from

0:40:40.480 --> 0:40:44.080
<v Speaker 1>the first episode, the next episode, Yeah, because this just

0:40:44.239 --> 0:40:46.400
<v Speaker 1>has a I'm just I'm lost. I'm like, what is

0:40:46.400 --> 0:40:49.279
<v Speaker 1>the you mean? And also like, you know an age

0:40:49.320 --> 0:40:51.680
<v Speaker 1>of television where you just have three white guys, like

0:40:51.760 --> 0:40:54.240
<v Speaker 1>as the start, it was like, now, distinguishing you guys

0:40:54.360 --> 0:40:55.000
<v Speaker 1>is is hard.

0:40:55.120 --> 0:40:57.239
<v Speaker 3>I was like, Who's who? How do I know which? Yeah?

0:40:57.239 --> 0:40:59.480
<v Speaker 1>What's their gimmicks? What's the end? You guys all kind

0:40:59.520 --> 0:40:59.960
<v Speaker 1>of are?

0:41:00.120 --> 0:41:02.160
<v Speaker 2>They eventually bring in a white lady though.

0:41:03.640 --> 0:41:05.120
<v Speaker 1>But you got the other one kind of of the

0:41:05.160 --> 0:41:07.640
<v Speaker 1>same age, You're the same type in a lot of ways.

0:41:07.680 --> 0:41:09.799
<v Speaker 1>I was just like, I'm I'm not sure what the

0:41:09.800 --> 0:41:12.320
<v Speaker 1>inn is here, Like, what's the conflict? What's the difference?

0:41:12.400 --> 0:41:14.520
<v Speaker 1>Is everybody's just too generic.

0:41:14.280 --> 0:41:14.480
<v Speaker 3>You know?

0:41:14.520 --> 0:41:16.520
<v Speaker 1>And I'm sure they got sharper as it went along.

0:41:16.800 --> 0:41:19.240
<v Speaker 3>They do they do. Yeah, I did think to myself,

0:41:19.239 --> 0:41:21.200
<v Speaker 3>like what is the difference between the three? But you

0:41:21.239 --> 0:41:22.400
<v Speaker 3>do get that leader, yeah.

0:41:22.360 --> 0:41:22.879
<v Speaker 1>Which is great.

0:41:22.880 --> 0:41:24.480
<v Speaker 2>You're right if you see if you open in that

0:41:24.520 --> 0:41:27.120
<v Speaker 2>restaurant scene from the second one and you just delineate

0:41:27.160 --> 0:41:29.080
<v Speaker 2>who we all are, it does you all.

0:41:28.960 --> 0:41:32.080
<v Speaker 1>Want the same thing? Different angles? And different results.

0:41:32.120 --> 0:41:35.080
<v Speaker 3>Perfect. Alex is proud he's no longer a dumb college kid.

0:41:35.120 --> 0:41:37.080
<v Speaker 3>You ate Captain Crunch for dinner. He stuffs a full

0:41:37.120 --> 0:41:39.720
<v Speaker 3>pizza slice in his mouth, then continues with his mouth class.

0:41:39.719 --> 0:41:42.640
<v Speaker 3>I'm a moderately successful guy who happens to run his

0:41:42.680 --> 0:41:44.200
<v Speaker 3>own music. Webon business with the food.

0:41:45.480 --> 0:41:46.120
<v Speaker 2>Gotta do it.

0:41:46.760 --> 0:41:49.000
<v Speaker 3>Wiseman reminds him their young guys with no attachments, they

0:41:49.000 --> 0:41:50.920
<v Speaker 3>can get any girl they want. Todd gives them a

0:41:50.960 --> 0:41:54.839
<v Speaker 3>knowing look and Wiseman size Theoretically. Alex says, Megan wasn't

0:41:54.880 --> 0:41:56.520
<v Speaker 3>just any girl. All she had to do was put

0:41:56.520 --> 0:41:58.480
<v Speaker 3>her hand on his arm. Todd rolls his eyes. Oh,

0:41:58.520 --> 0:42:00.960
<v Speaker 3>here we go, the old double squeeze. Alex is adam,

0:42:00.960 --> 0:42:02.840
<v Speaker 3>and it was amazing. She'd stare in your eyes, the

0:42:02.840 --> 0:42:05.040
<v Speaker 3>corners of her mouth would curl ever so slightly, and

0:42:05.080 --> 0:42:06.879
<v Speaker 3>when you think it couldn't get any better, she'd give

0:42:06.920 --> 0:42:09.560
<v Speaker 3>you the squeeze. He mimics the action on Wiseman's arm,

0:42:09.600 --> 0:42:12.839
<v Speaker 3>forcing him to blurt out, I could be ready by seven.

0:42:13.440 --> 0:42:15.000
<v Speaker 3>We see a sped up exterior and we all know

0:42:15.040 --> 0:42:17.759
<v Speaker 3>that means day is turning tonight. Oh yeah, we're back

0:42:17.760 --> 0:42:19.839
<v Speaker 3>in the apartment. Probably an argument I could make two

0:42:19.880 --> 0:42:21.560
<v Speaker 3>for your pilot to not have the first two scenes

0:42:21.560 --> 0:42:25.239
<v Speaker 3>in the same space. Ye whatever. Alex is putting the

0:42:25.239 --> 0:42:27.920
<v Speaker 3>finishing touches on his date night fit. He tries ironing

0:42:27.920 --> 0:42:30.319
<v Speaker 3>his shirt while still wearing it, and he screams in pain.

0:42:30.960 --> 0:42:34.760
<v Speaker 3>Funny scene. Wiseman walks by with a basket of laundry.

0:42:34.800 --> 0:42:37.879
<v Speaker 3>Alex asks what are those? He responds, sexy sheets. This

0:42:37.920 --> 0:42:41.120
<v Speaker 3>is his Kramer by the way. At this point, yeah,

0:42:41.200 --> 0:42:44.040
<v Speaker 3>Alex mocks him. Are those to go along with your

0:42:44.080 --> 0:42:46.280
<v Speaker 3>sexy Batman comforter? Were you Batman?

0:42:47.360 --> 0:42:49.200
<v Speaker 2>Oh yeah, I'd already done. We were already done by

0:42:49.200 --> 0:42:49.520
<v Speaker 2>this point.

0:42:49.560 --> 0:42:49.799
<v Speaker 1>Yeah.

0:42:49.880 --> 0:42:52.960
<v Speaker 2>Yeah, small means nobody knew I was Batman because it's.

0:42:52.840 --> 0:42:55.400
<v Speaker 1>Still I thought you were gonna maybe say to go

0:42:55.440 --> 0:42:58.400
<v Speaker 1>along with your Batman underwear, and then it would be

0:42:58.400 --> 0:42:59.799
<v Speaker 1>a very will for Delman.

0:43:00.000 --> 0:43:02.560
<v Speaker 2>I know, will fredil moment. Yes, No, I was, yeah,

0:43:02.600 --> 0:43:06.080
<v Speaker 2>it's right as I heard it last night too. I

0:43:06.120 --> 0:43:09.040
<v Speaker 2>was like, I don't like making fun of Batman, right, not.

0:43:09.040 --> 0:43:11.760
<v Speaker 3>Right, not right, right, not right, but they definitely reference

0:43:11.760 --> 0:43:12.600
<v Speaker 3>it because of you, they do.

0:43:12.920 --> 0:43:16.200
<v Speaker 1>Wiseman is going, this is even this is a sort

0:43:16.200 --> 0:43:18.680
<v Speaker 1>of a better intro to your characters, because this says,

0:43:18.960 --> 0:43:21.520
<v Speaker 1>these guys don't know how to be adults yet. They're

0:43:21.560 --> 0:43:23.840
<v Speaker 1>living this adult life, but they don't know how to iron.

0:43:24.320 --> 0:43:28.640
<v Speaker 1>They have batman, you know, blankets like that says the story.

0:43:28.680 --> 0:43:30.439
<v Speaker 1>I'm like, oh, now I know who these people are.

0:43:30.440 --> 0:43:32.760
<v Speaker 1>They're like trying to be grown ups, but they're still

0:43:32.800 --> 0:43:34.839
<v Speaker 1>not grown up yet. They don't know how to do

0:43:34.920 --> 0:43:37.839
<v Speaker 1>certain things. That's like describes way better than the first scene.

0:43:37.920 --> 0:43:38.360
<v Speaker 1>I agree.

0:43:38.880 --> 0:43:40.520
<v Speaker 3>Wiseman is going to the laundry mat and there are

0:43:40.560 --> 0:43:42.959
<v Speaker 3>women at the laundry mat. These sexy sheets are bait.

0:43:43.280 --> 0:43:45.120
<v Speaker 3>We hear a buzz and Wiseman opens the door to

0:43:45.160 --> 0:43:47.880
<v Speaker 3>see a cute girl, Kasey Parker. Wiseman asker, what do

0:43:47.880 --> 0:43:50.680
<v Speaker 3>you think of these sexy sheets? She bluntly responds, could

0:43:50.719 --> 0:43:52.560
<v Speaker 3>you not stand so close to me? Did somebody here

0:43:52.600 --> 0:43:53.400
<v Speaker 3>to call for a temp?

0:43:54.400 --> 0:43:55.080
<v Speaker 2>Great entrance?

0:43:55.320 --> 0:43:58.200
<v Speaker 3>Me not stand so close to me? And Wiseman nervously

0:43:58.239 --> 0:44:01.400
<v Speaker 3>shuffles backwards. Alex said it was him and wishes Wiseman

0:44:01.440 --> 0:44:04.200
<v Speaker 3>good night, making it obvious he needs to leave. As

0:44:04.200 --> 0:44:06.680
<v Speaker 3>Wiseman awkwardly leaves, Alex tells her there are some new

0:44:06.719 --> 0:44:09.160
<v Speaker 3>ads that need to go up on his website tonight

0:44:09.200 --> 0:44:10.960
<v Speaker 3>he do it himself, but he has a date and

0:44:11.000 --> 0:44:13.880
<v Speaker 3>starts to get into the complicated Megan situation before realizing

0:44:13.920 --> 0:44:17.239
<v Speaker 3>she doesn't need to know this at all. He goes

0:44:17.280 --> 0:44:18.880
<v Speaker 3>to grab her some water in case. He takes a

0:44:18.920 --> 0:44:21.279
<v Speaker 3>seat on the couch, but she immediately springs up. We

0:44:21.360 --> 0:44:23.640
<v Speaker 3>hear a groan come from underneath some pillows. It's taught.

0:44:24.000 --> 0:44:28.960
<v Speaker 3>He thanks her for cracking his bag. You're so sweaty.

0:44:29.160 --> 0:44:32.040
<v Speaker 3>Also a commercial moment again, Oh was it? Okay? I'm

0:44:32.080 --> 0:44:34.200
<v Speaker 3>just because I want to know why did people not

0:44:34.280 --> 0:44:36.840
<v Speaker 3>tune in? Why was it the least watch network show?

0:44:37.120 --> 0:44:38.600
<v Speaker 3>So I watched some commercials and I was like, yeah,

0:44:38.600 --> 0:44:42.000
<v Speaker 3>you don't sell it, that's why. Yeah. Alex returns with

0:44:42.040 --> 0:44:44.120
<v Speaker 3>the water and she asks, there isn't a toothless kid

0:44:44.160 --> 0:44:46.640
<v Speaker 3>with a banjo in the other room, is there? He

0:44:46.680 --> 0:44:48.840
<v Speaker 3>assures her Todd is harmless deliverance reference.

0:44:49.160 --> 0:44:51.799
<v Speaker 2>Ye, yeah, gotta be. I just saw how sweaty he was.

0:44:51.800 --> 0:44:54.440
<v Speaker 2>He's obviously under that blanket for like fifteen minutes.

0:44:54.800 --> 0:44:57.759
<v Speaker 3>I'm sure. He says, It's all basic stuff and gives

0:44:57.800 --> 0:44:59.400
<v Speaker 3>her a quick rundown of the task. He gives her

0:44:59.400 --> 0:45:01.359
<v Speaker 3>his cell phone number in case she needs it as

0:45:01.400 --> 0:45:04.080
<v Speaker 3>he's leaving. Uh, he tells Casey, if Todd gets cranky,

0:45:04.160 --> 0:45:05.600
<v Speaker 3>just put on dark side of the moon, give him

0:45:05.640 --> 0:45:08.160
<v Speaker 3>a beer, and he'll go right to sleep. And then

0:45:08.160 --> 0:45:09.399
<v Speaker 3>she sort of pets his head. Yeah.

0:45:09.400 --> 0:45:12.400
<v Speaker 1>So this scene describes all these characters way better. And

0:45:12.440 --> 0:45:15.440
<v Speaker 1>it should have been her starting the show now because

0:45:15.480 --> 0:45:17.640
<v Speaker 1>she's coming into this world and has to meet these

0:45:17.680 --> 0:45:19.800
<v Speaker 1>three guys and figure out who they are. And I

0:45:19.800 --> 0:45:21.480
<v Speaker 1>would have been it. So it should have started with

0:45:21.520 --> 0:45:23.520
<v Speaker 1>her like getting ready for her intempt job and then

0:45:23.719 --> 0:45:25.839
<v Speaker 1>letting her be the audience surget into this world.

0:45:25.960 --> 0:45:27.880
<v Speaker 3>Yeah, that's right. We go to the We go to

0:45:27.880 --> 0:45:29.520
<v Speaker 3>the laundry mat, which would have been good too because

0:45:29.520 --> 0:45:31.920
<v Speaker 3>it was a second scene outside of the set. Wiseman

0:45:32.000 --> 0:45:34.000
<v Speaker 3>is stuffing the sexy sheets into a washing machine and

0:45:34.000 --> 0:45:36.680
<v Speaker 3>we hear a seductive voice say, hey, sexy sheets. He

0:45:36.760 --> 0:45:38.719
<v Speaker 3>stares at the off camera woman with a huge grin

0:45:38.800 --> 0:45:41.640
<v Speaker 3>on his face. Very gramer again. We go to we

0:45:41.680 --> 0:45:46.640
<v Speaker 3>go to break break, We go we go to a

0:45:46.640 --> 0:45:49.640
<v Speaker 3>commercial break on YouTube. Very cool part. We could see all.

0:45:50.800 --> 0:45:54.200
<v Speaker 1>And that's when I wrote down the real death knell

0:45:54.520 --> 0:45:58.719
<v Speaker 1>for this show was that there was an Osbourne's and

0:45:58.760 --> 0:46:02.000
<v Speaker 1>I was like, right, this is when reality was taking over.

0:46:02.360 --> 0:46:05.960
<v Speaker 1>So shows like this, like just good old fashioned sitcoms

0:46:06.080 --> 0:46:09.920
<v Speaker 1>were not doing well. Everybody was tuning in to watch

0:46:10.080 --> 0:46:12.960
<v Speaker 1>Ozzy Osbourne and his family cutting up this stuff in

0:46:13.000 --> 0:46:13.480
<v Speaker 1>their kitchen.

0:46:13.719 --> 0:46:18.160
<v Speaker 2>Sweet Life, Simple Life. That was so that's what.

0:46:18.280 --> 0:46:19.960
<v Speaker 1>So when I saw the promo for that, I was like,

0:46:20.040 --> 0:46:22.640
<v Speaker 1>oh God, it's like that's what was happening, and it's

0:46:22.680 --> 0:46:24.240
<v Speaker 1>like nobody was watching these shows.

0:46:24.440 --> 0:46:26.680
<v Speaker 3>Yeah. Well, on the more positive side, we do get

0:46:26.719 --> 0:46:29.480
<v Speaker 3>a pretty great carat top one Hunter collect commercial, which

0:46:29.520 --> 0:46:32.960
<v Speaker 3>I was excited to see. We are now in the restaurant.

0:46:33.040 --> 0:46:35.560
<v Speaker 3>Alex is nervously pacing waiting for Megan to arrive. She

0:46:35.600 --> 0:46:37.359
<v Speaker 3>eventually walks through the door. They look at each other

0:46:37.360 --> 0:46:39.960
<v Speaker 3>and on say hello. Alex makes his way over to her,

0:46:40.040 --> 0:46:42.840
<v Speaker 3>but abruptly trips on a stair. He eventually gets to

0:46:42.840 --> 0:46:46.480
<v Speaker 3>turn and passionately they kiss. She sort of kisses him.

0:46:46.680 --> 0:46:47.520
<v Speaker 2>Yeah, she grabs me.

0:46:47.800 --> 0:46:50.480
<v Speaker 3>Yeah. Alex is shocked. Wow, it's like riding a bike.

0:46:50.880 --> 0:46:53.239
<v Speaker 3>She nervously giggles. She wasn't planning on doing that, but

0:46:53.320 --> 0:46:55.840
<v Speaker 3>just seeing him made her. He agrees and says she

0:46:55.920 --> 0:46:58.640
<v Speaker 3>looks amazing. He suggests they grab a table, but Megan

0:46:58.680 --> 0:47:01.600
<v Speaker 3>stops him. She's a little heirist. There's something she needs

0:47:01.600 --> 0:47:03.680
<v Speaker 3>to give him. She hands Alex something and he excitedly

0:47:03.719 --> 0:47:06.360
<v Speaker 3>responds to my seventh grade swim medal. I've been looking

0:47:06.360 --> 0:47:09.000
<v Speaker 3>for this forever. She's sorry she took it, but she

0:47:09.080 --> 0:47:10.640
<v Speaker 3>knew it was his good luck charm and she wanted

0:47:10.640 --> 0:47:12.320
<v Speaker 3>something to remember him by. He looks it over and

0:47:12.360 --> 0:47:14.759
<v Speaker 3>then gives it back. He insists she keep it. You

0:47:14.800 --> 0:47:20.600
<v Speaker 3>can always get another one. Seventh readers are really slowe This.

0:47:20.520 --> 0:47:22.040
<v Speaker 2>Is also you know, one of the problems I have

0:47:22.080 --> 0:47:24.959
<v Speaker 2>when I watched the show is this is pretty close

0:47:25.000 --> 0:47:28.600
<v Speaker 2>to peak anxiety years for me. Really, So this whole

0:47:28.680 --> 0:47:29.680
<v Speaker 2>thing was, This.

0:47:29.760 --> 0:47:33.160
<v Speaker 3>Entire run of these shows was really tough.

0:47:34.360 --> 0:47:36.040
<v Speaker 2>That's one of the reasons why Jen and I like that,

0:47:36.160 --> 0:47:37.759
<v Speaker 2>you know, because I liked her so much. But I

0:47:37.840 --> 0:47:39.919
<v Speaker 2>was just such in a dark place at the time

0:47:40.360 --> 0:47:42.160
<v Speaker 2>that it just was never gonna work. When you're when

0:47:42.160 --> 0:47:44.640
<v Speaker 2>you're dealing with that kind of mental illness, you're never

0:47:44.680 --> 0:47:46.360
<v Speaker 2>gonna hey, let's jump into a relationship.

0:47:46.360 --> 0:47:48.400
<v Speaker 3>It just wasn't. In the car, can't tell, will you

0:47:48.440 --> 0:47:48.759
<v Speaker 3>look good?

0:47:48.800 --> 0:47:49.600
<v Speaker 1>And thank you?

0:47:49.719 --> 0:47:51.440
<v Speaker 3>Yeah? But it's Yeah, the.

0:47:51.480 --> 0:47:54.120
<v Speaker 1>Guest cast is so good. I mean, she's amazing and

0:47:54.160 --> 0:47:57.279
<v Speaker 1>the other woman is amazing, to the degree that if

0:47:57.280 --> 0:48:00.800
<v Speaker 1>they weren't playing crazy characters, they might be becoming regulars.

0:48:01.160 --> 0:48:01.719
<v Speaker 1>At this point the.

0:48:01.920 --> 0:48:03.720
<v Speaker 3>Wheel back, I think they can reel them back a little.

0:48:03.840 --> 0:48:05.919
<v Speaker 1>But at this moment when they you guys just kissed,

0:48:05.960 --> 0:48:07.520
<v Speaker 1>I was like, is she going to become a regular?

0:48:07.640 --> 0:48:08.880
<v Speaker 1>Is that? You know? Is this going to be like

0:48:08.920 --> 0:48:11.799
<v Speaker 1>friends where there's three girls and three guys but ends

0:48:11.840 --> 0:48:14.239
<v Speaker 1>up being No. The point of this episode is, you know,

0:48:14.280 --> 0:48:16.600
<v Speaker 1>the crazy girl trope, like the crazy dates that go

0:48:16.719 --> 0:48:19.560
<v Speaker 1>so wrong, but actually like it could have gone a

0:48:19.560 --> 0:48:21.399
<v Speaker 1>different way, Like it could have you know, because they're

0:48:21.760 --> 0:48:24.560
<v Speaker 1>so good, they're the acting is amazing.

0:48:25.480 --> 0:48:27.520
<v Speaker 3>A little later in the restaurant, Alex and Megan are

0:48:27.560 --> 0:48:29.200
<v Speaker 3>now at a table and he's telling her about the

0:48:29.200 --> 0:48:30.920
<v Speaker 3>time he was stuck on a ski lift in Vermont

0:48:30.920 --> 0:48:33.400
<v Speaker 3>for four hours. She says she's never gonna get on

0:48:33.440 --> 0:48:36.480
<v Speaker 3>a ski lift. She's terrified of heights. Alex is confused

0:48:36.600 --> 0:48:39.040
<v Speaker 3>she took him rock climbing once she explains that was

0:48:39.040 --> 0:48:42.160
<v Speaker 3>before the plane crash. She was in a twelve person

0:48:42.239 --> 0:48:45.080
<v Speaker 3>plane headed in Na Robi and they got struck by lightning.

0:48:45.800 --> 0:48:47.040
<v Speaker 3>I love his response.

0:48:47.080 --> 0:48:48.680
<v Speaker 2>It's just like, oh my god.

0:48:49.560 --> 0:48:52.040
<v Speaker 1>But that's what you're You're acting is perfect because you're like,

0:48:52.400 --> 0:48:56.560
<v Speaker 1>this sounds crazy. You're you're saying all the right things,

0:48:56.600 --> 0:48:59.200
<v Speaker 1>but your tone is like, I think, are you joking?

0:48:59.480 --> 0:48:59.719
<v Speaker 1>Are you?

0:49:00.600 --> 0:49:04.719
<v Speaker 3>I love it you're listening in horror. She continues. The

0:49:04.719 --> 0:49:07.040
<v Speaker 3>worst part is it dislotted a piece of the windshield,

0:49:07.040 --> 0:49:09.319
<v Speaker 3>which not the pilot out. I was closest. I was

0:49:09.320 --> 0:49:11.520
<v Speaker 3>the closest person to the cockpit, so I grabbed the controls,

0:49:11.520 --> 0:49:14.080
<v Speaker 3>and the guys in the tower talked me down. Alex

0:49:14.160 --> 0:49:18.440
<v Speaker 3>is dumbfounded. You landed a plane. Also good if I'm

0:49:18.480 --> 0:49:20.319
<v Speaker 3>the network and I'm arguing, get to a quicker. This

0:49:20.440 --> 0:49:21.279
<v Speaker 3>is what you get too quickly.

0:49:22.120 --> 0:49:23.799
<v Speaker 2>I felt the same thing. I felt it picked up

0:49:24.000 --> 0:49:24.560
<v Speaker 2>especially here.

0:49:24.640 --> 0:49:26.759
<v Speaker 3>Yeah, yeah, at first I was terrified, But to tell

0:49:26.760 --> 0:49:28.400
<v Speaker 3>you the truth, it's all all like driving a car.

0:49:29.120 --> 0:49:31.640
<v Speaker 3>Just then, Wiseman and his new laundry Matt Lover, who

0:49:31.680 --> 0:49:35.919
<v Speaker 3>actually kind of looks like him, right yeah, walks into

0:49:35.960 --> 0:49:38.480
<v Speaker 3>the restaurant, arm in arm. She looks around and pressed,

0:49:38.480 --> 0:49:42.680
<v Speaker 3>this place is fancy, Weisman adds, and reasonable and unreasonable

0:49:42.719 --> 0:49:44.480
<v Speaker 3>didn't necessarily know what the joke was other than the

0:49:44.520 --> 0:49:47.320
<v Speaker 3>fact that you read it like craver. But yeah, reasonable,

0:49:59.640 --> 0:50:02.160
<v Speaker 3>All right. We're back in the apartment. Casey's hard at

0:50:02.160 --> 0:50:04.279
<v Speaker 3>work on the computer when Todd, who was holding a

0:50:04.360 --> 0:50:07.279
<v Speaker 3>huge sandwich, points out, you've been working for forty five

0:50:07.280 --> 0:50:10.440
<v Speaker 3>minutes straight. You are way overdue for a break. She sighs.

0:50:10.560 --> 0:50:13.640
<v Speaker 3>She's expected to be further along, but someone spilled chocolate

0:50:13.640 --> 0:50:16.320
<v Speaker 3>milk on her to do list. Todd explains he was

0:50:16.360 --> 0:50:20.960
<v Speaker 3>startled by the modem, another timely reference for people who

0:50:21.000 --> 0:50:23.560
<v Speaker 3>don't know. Modems used to be very loud when you

0:50:23.600 --> 0:50:24.239
<v Speaker 3>logged into the.

0:50:24.200 --> 0:50:31.080
<v Speaker 2>Internet, things like huge screams that sandwich looks so good,

0:50:31.239 --> 0:50:33.760
<v Speaker 2>Oh my god, so good, and the sandwich looks so good.

0:50:33.600 --> 0:50:37.560
<v Speaker 3>Great food on TV. Yes, just look great. Yeah, he explains,

0:50:37.600 --> 0:50:40.160
<v Speaker 3>I'm attempt too. Frankly, this whole period in work ethic thing,

0:50:40.200 --> 0:50:42.160
<v Speaker 3>it's kind of run counter It kind of runs counter

0:50:42.200 --> 0:50:45.279
<v Speaker 3>to the whole temp philosophy. Casey asked why Alex didn't

0:50:45.320 --> 0:50:47.160
<v Speaker 3>just use Todd as attempt, and Todd explains he had

0:50:47.200 --> 0:50:49.440
<v Speaker 3>other important matters to attend to, and he takes a

0:50:49.480 --> 0:50:53.400
<v Speaker 3>ridiculous bite of that giant sandwich. Yeah, Casey stares at

0:50:53.400 --> 0:50:56.360
<v Speaker 3>the sandwich. Is there a waffle in there? With a mouthful?

0:50:56.400 --> 0:50:57.319
<v Speaker 3>He asked, what do you want one?

0:50:57.560 --> 0:50:59.600
<v Speaker 2>I love though his reading of that too, yeah you

0:50:59.640 --> 0:51:01.560
<v Speaker 2>want it is like a smile on his face. It's

0:51:01.680 --> 0:51:02.160
<v Speaker 2>so great.

0:51:02.280 --> 0:51:03.839
<v Speaker 3>Yeah, you were starting. We're starting to pick up how

0:51:03.880 --> 0:51:06.440
<v Speaker 3>these three guys could be together, right, Like we're starting

0:51:06.440 --> 0:51:09.400
<v Speaker 3>to feel it and starting to understand their characters. Casey's

0:51:09.440 --> 0:51:11.560
<v Speaker 3>had enough. She doesn't want a sandwich or chocolate milk.

0:51:11.600 --> 0:51:13.399
<v Speaker 3>She doesn't want to play risk or compare how tall

0:51:13.440 --> 0:51:15.080
<v Speaker 3>they are, and she really doesn't want to talk to

0:51:15.080 --> 0:51:18.520
<v Speaker 3>his grandfather on the phone again. Maybe a rewrite for

0:51:18.560 --> 0:51:19.400
<v Speaker 3>the button.

0:51:19.120 --> 0:51:21.040
<v Speaker 2>I would I thought this said the better button than

0:51:21.040 --> 0:51:22.640
<v Speaker 2>that better button. Maybe thought the same thing.

0:51:23.239 --> 0:51:26.080
<v Speaker 3>We're back at the restaurant, cheap pilot. As far as sets, right.

0:51:26.239 --> 0:51:29.239
<v Speaker 2>Yeah, yeah, I also remember just how deep all the

0:51:29.239 --> 0:51:31.840
<v Speaker 2>sets were so hard Deep Boy meets World had really

0:51:31.960 --> 0:51:35.560
<v Speaker 2>shallow sets. We were just used to, like the classroom

0:51:35.600 --> 0:51:38.280
<v Speaker 2>and even the hallway. We were kind of not upstage

0:51:38.280 --> 0:51:42.160
<v Speaker 2>a whole lot. Just so yeah, coming into kind of

0:51:42.200 --> 0:51:43.959
<v Speaker 2>shows where it's like, all right, now we're gonna wheel

0:51:44.000 --> 0:51:45.800
<v Speaker 2>the cameras back to the back part of it's like,

0:51:45.840 --> 0:51:47.360
<v Speaker 2>oh god, okay, that's totally different.

0:51:47.760 --> 0:51:51.120
<v Speaker 3>So yeah, it was strange. Back at the restaurant, Wiseman's

0:51:51.120 --> 0:51:53.319
<v Speaker 3>telling his date that being a dental assistant is a

0:51:53.320 --> 0:51:55.120
<v Speaker 3>lot cooler than people think. If you wanted, I could

0:51:55.120 --> 0:51:57.640
<v Speaker 3>wipen your teeth to night. She wonders if he has

0:51:57.680 --> 0:51:59.600
<v Speaker 3>any plans to become a dentist. He says, now, he

0:51:59.640 --> 0:52:01.840
<v Speaker 3>has other aspirations, but probably will stay in teeth in

0:52:01.880 --> 0:52:05.799
<v Speaker 3>some capacity, possibly a consultant, a consultant teeth, consultant teeth.

0:52:05.800 --> 0:52:08.239
<v Speaker 3>Because she says, this is fun. She thought she was

0:52:08.280 --> 0:52:09.839
<v Speaker 3>going to spend the night doing laundry, but here she

0:52:10.000 --> 0:52:12.080
<v Speaker 3>is with him. Then the waiter arrives and hands them

0:52:12.120 --> 0:52:16.640
<v Speaker 3>two wineglasses, and she turns and shouts time. It was

0:52:16.719 --> 0:52:22.239
<v Speaker 3>just incredible. Read yeah, so good, startling the audience too.

0:52:22.280 --> 0:52:25.600
<v Speaker 3>It's so good. Wiseman is shocked. It's so funny. I

0:52:25.600 --> 0:52:27.480
<v Speaker 3>mean that that might be my biggest laugh for the episode.

0:52:27.560 --> 0:52:30.080
<v Speaker 3>It was great. It was great, good. Yeah. The waiter

0:52:30.160 --> 0:52:32.680
<v Speaker 3>apologize in it and assures her the appetizers will be

0:52:32.719 --> 0:52:35.120
<v Speaker 3>right out. She scoffs they better be. She turns to

0:52:35.120 --> 0:52:37.239
<v Speaker 3>Wiseman as if nothing happens, So that's what I do.

0:52:38.960 --> 0:52:42.640
<v Speaker 3>He responds another great read prison Guard, prison card. So good.

0:52:43.160 --> 0:52:45.560
<v Speaker 3>Then over at Alex and Meghan's table, he seems annoyed.

0:52:45.600 --> 0:52:48.520
<v Speaker 3>So you invented Pokemon? She nods, Yeah, remember how I

0:52:48.600 --> 0:52:52.400
<v Speaker 3>used a doodle? Alex Blutley states, not really. She continues,

0:52:52.400 --> 0:52:54.680
<v Speaker 3>I had this Japanese penpal, and every time i'd write her,

0:52:54.719 --> 0:52:57.239
<v Speaker 3>I'd draw these little cartoons in the margin. Next thing

0:52:57.280 --> 0:52:59.319
<v Speaker 3>I know, they're on TV and she never calls me again.

0:52:59.440 --> 0:53:01.000
<v Speaker 3>Alex face out, Wow.

0:53:01.880 --> 0:53:05.759
<v Speaker 2>I remember distinctly remember her because if memory serves, she's

0:53:05.760 --> 0:53:09.040
<v Speaker 2>from Chicago and she'd hated how she could she say pan,

0:53:09.160 --> 0:53:11.320
<v Speaker 2>pale and sad. If you listen to it again, she's like,

0:53:11.320 --> 0:53:14.160
<v Speaker 2>I have this pan pal. I can't get the Chicago

0:53:14.200 --> 0:53:15.239
<v Speaker 2>out of them. It's like, it's fine.

0:53:15.560 --> 0:53:18.080
<v Speaker 1>Have you guys had this conversation with people before where

0:53:18.120 --> 0:53:20.840
<v Speaker 1>they're like, oh, you know I wrote that I invented

0:53:20.840 --> 0:53:25.400
<v Speaker 1>Harry Potter. It's like the biggest red flag for me

0:53:25.560 --> 0:53:27.719
<v Speaker 1>when somebody's like, well, I would have been a great

0:53:27.719 --> 0:53:30.239
<v Speaker 1>filmmaker except somebody stole my idea. And you're always like,

0:53:30.440 --> 0:53:34.719
<v Speaker 1>you mean the boy Wizard or it's always just I'm like,

0:53:35.160 --> 0:53:37.879
<v Speaker 1>but maybe it was actually just well written. Maybe it's

0:53:38.040 --> 0:53:41.000
<v Speaker 1>really good and your version sucked. Yeah, it's like.

0:53:41.000 --> 0:53:44.359
<v Speaker 2>Yeah generic, they get too where it's like I really

0:53:44.360 --> 0:53:46.840
<v Speaker 2>came up with an idea for a submarine movie. It's like, what,

0:53:47.080 --> 0:53:49.359
<v Speaker 2>that's it. There's a lot of them, that's what you got,

0:53:49.440 --> 0:53:50.439
<v Speaker 2>because there's plenty of those.

0:53:50.840 --> 0:53:54.040
<v Speaker 3>It's the Christen Wig character that like I created. It

0:53:54.320 --> 0:53:58.320
<v Speaker 3>was always up upping someone on sl Well, I actually

0:53:58.520 --> 0:54:04.240
<v Speaker 3>I built the Titanic. Yes, Megan is beaming. Old feelings

0:54:04.280 --> 0:54:07.000
<v Speaker 3>are resurfacing. She asked, what about you? He just stares

0:54:07.040 --> 0:54:09.040
<v Speaker 3>back with a fake grin. It's hard to describe what

0:54:09.040 --> 0:54:11.719
<v Speaker 3>I'm feeling right now. We go to another commercial break.

0:54:11.760 --> 0:54:14.040
<v Speaker 3>This time we get a Jack and dexter ad and

0:54:14.120 --> 0:54:17.040
<v Speaker 3>one of those MasterCard ads where something ends up priceless.

0:54:17.320 --> 0:54:19.600
<v Speaker 1>Yeah, well they are all And we also get a

0:54:19.640 --> 0:54:23.560
<v Speaker 1>promo for as If yep that says it's not a

0:54:23.600 --> 0:54:26.960
<v Speaker 1>reality showy, it feels like one or whatever. It has

0:54:26.960 --> 0:54:29.560
<v Speaker 1>like a line where I was like, again, realities take

0:54:29.640 --> 0:54:32.760
<v Speaker 1>it over, yeep, Hey, especially for smaller networks.

0:54:32.840 --> 0:54:36.320
<v Speaker 2>Cheaper cheap, yes, up there. Yeah, put a bunch of

0:54:36.320 --> 0:54:37.560
<v Speaker 2>people in the house and film them.

0:54:37.880 --> 0:54:40.920
<v Speaker 3>Does not sell me on as if either. Back in

0:54:40.960 --> 0:54:43.240
<v Speaker 3>the apartment, Casey stands up from the desk and stretches

0:54:43.280 --> 0:54:45.080
<v Speaker 3>before making her way to the living room. Todd, who's

0:54:45.080 --> 0:54:46.879
<v Speaker 3>on the couch, asked what she's doing. She says she's

0:54:46.920 --> 0:54:48.920
<v Speaker 3>taking a five minute break, and Todd is pleased you're

0:54:48.920 --> 0:54:51.960
<v Speaker 3>coming to the dark side. She's actually just downloading some logos,

0:54:51.960 --> 0:54:53.600
<v Speaker 3>but if it makes him feel any better, she's ready

0:54:53.600 --> 0:54:56.239
<v Speaker 3>to have that conversation about how much Foghorn Leghorn weighs

0:54:56.280 --> 0:55:00.600
<v Speaker 3>in real life. Todd notes, well, he's actually times bigger

0:55:00.640 --> 0:55:03.920
<v Speaker 3>than any other chickens. Casey corrects him, Actually, I'm not

0:55:04.200 --> 0:55:07.640
<v Speaker 3>ready for this conversation. Todd tells her it's okay, his

0:55:07.640 --> 0:55:10.320
<v Speaker 3>favorite show's coming on. Yes, really, who's in the center square?

0:55:10.760 --> 0:55:13.759
<v Speaker 3>He reveals it's actually Antiques Roadshow. Nice little storyline here,

0:55:13.800 --> 0:55:14.600
<v Speaker 3>I thought anti.

0:55:15.400 --> 0:55:21.320
<v Speaker 2>Does anybody remember what other famous sitcom characters really connect

0:55:21.400 --> 0:55:22.560
<v Speaker 2>over Antiques Roadshow?

0:55:22.800 --> 0:55:23.239
<v Speaker 3>Mm hmm.

0:55:23.920 --> 0:55:26.920
<v Speaker 2>So one of the best episodes of Fraser is Fraser

0:55:26.960 --> 0:55:30.040
<v Speaker 2>his dad and Niles turn it into a drinking game,

0:55:30.160 --> 0:55:32.520
<v Speaker 2>which is kind of what this is. Yeah, so they're

0:55:32.560 --> 0:55:35.440
<v Speaker 2>like all right, all right, Sherry, and they're like all right,

0:55:35.440 --> 0:55:38.399
<v Speaker 2>which way anytime somebody says it was like linoleum, you've

0:55:38.400 --> 0:55:40.239
<v Speaker 2>got well, this isn't real, this is actually ananoleum.

0:55:40.239 --> 0:55:44.200
<v Speaker 1>Oh drink drink joke here man, the same show. They

0:55:44.280 --> 0:55:47.200
<v Speaker 1>take that from Fraser then directly, I'm pretty sure.

0:55:47.000 --> 0:55:51.120
<v Speaker 3>Fraser was before this had Yeah, weird Casey Surprise. Seriously,

0:55:51.120 --> 0:55:52.840
<v Speaker 3>that's weird. I kind of like that show. He wonders

0:55:52.880 --> 0:55:54.759
<v Speaker 3>why it's so weird? Do they like the same show?

0:55:54.800 --> 0:55:57.400
<v Speaker 3>And Casey, without missing a beat, just says, because you

0:55:57.520 --> 0:55:59.120
<v Speaker 3>use books as plates.

0:55:58.760 --> 0:56:03.600
<v Speaker 1>Which is a great line character Yea, yeah, totally really good.

0:56:04.080 --> 0:56:07.000
<v Speaker 3>Yep. Yeah, you're learning so much about the characters here again,

0:56:07.440 --> 0:56:10.680
<v Speaker 3>could have went faster. Back at the restaurant, Wiseman tells

0:56:10.719 --> 0:56:12.680
<v Speaker 3>his date that he was on the high school football team.

0:56:12.719 --> 0:56:16.040
<v Speaker 3>She's interested, and that's what position he played, He grins, owl.

0:56:16.360 --> 0:56:19.239
<v Speaker 3>I was the mascot. She loves football. She went to

0:56:19.239 --> 0:56:21.279
<v Speaker 3>the super Bowl in Tampa, great town. Just don't ever

0:56:21.320 --> 0:56:24.279
<v Speaker 3>punch a cop. They sit in silence. They sit in

0:56:24.360 --> 0:56:26.200
<v Speaker 3>silence as she stares him down.

0:56:26.400 --> 0:56:30.680
<v Speaker 2>Had this happen? Why had this happened? I was dating

0:56:30.680 --> 0:56:34.960
<v Speaker 2>a girl back in the day and getting along great

0:56:35.400 --> 0:56:38.160
<v Speaker 2>out for a while, and she told me. She's like, oh, yeah,

0:56:38.200 --> 0:56:40.319
<v Speaker 2>except when I got arrested for beating up that cop

0:56:40.360 --> 0:56:44.160
<v Speaker 2>and I went what And she's like, yeah, I was

0:56:44.200 --> 0:56:47.400
<v Speaker 2>walking out of a bar and somebody grabbed me and

0:56:47.520 --> 0:56:50.200
<v Speaker 2>spun me around and I turned around swinging, and I

0:56:50.400 --> 0:56:52.400
<v Speaker 2>punched twice and I looked up and it was a

0:56:52.440 --> 0:56:55.520
<v Speaker 2>CoP's like and I was in jail, and I was like, okay,

0:56:55.920 --> 0:56:58.080
<v Speaker 2>well it was nice beating you.

0:56:59.080 --> 0:57:02.760
<v Speaker 3>That's pretty cool. Yeah, she'd be fun. Oh my god.

0:57:03.160 --> 0:57:03.279
<v Speaker 2>Uh.

0:57:03.480 --> 0:57:06.480
<v Speaker 3>Back over at Alex and Meghan's table, she's talking about Sasquatch.

0:57:06.480 --> 0:57:08.319
<v Speaker 3>I didn't believe in him either until this one night

0:57:08.360 --> 0:57:11.040
<v Speaker 3>on my uncle's boat. Alex cuts her off. Okay, Meghan,

0:57:11.320 --> 0:57:13.440
<v Speaker 3>before you get into that, there's something I really need

0:57:13.480 --> 0:57:15.400
<v Speaker 3>to know. She smiles. What is it. I'll tell you anything.

0:57:15.440 --> 0:57:17.640
<v Speaker 3>He gives a fake laugh. I know you will. He

0:57:17.720 --> 0:57:19.560
<v Speaker 3>takes a deep breath. When we said goodbye, you told

0:57:19.560 --> 0:57:21.320
<v Speaker 3>me it was because your family was moving to Kenya.

0:57:21.400 --> 0:57:23.920
<v Speaker 3>Was that the truth? She stutters, Well, not entirely. We

0:57:23.960 --> 0:57:26.840
<v Speaker 3>didn't move until later that summer. Alex is confused. Then

0:57:26.840 --> 0:57:29.040
<v Speaker 3>why did you stop seeing me? She nervously says. It's

0:57:29.080 --> 0:57:31.280
<v Speaker 3>hard to talk about. He says it was really a

0:57:31.280 --> 0:57:33.720
<v Speaker 3>significant point in my life. Whatever it is, I can

0:57:33.720 --> 0:57:36.280
<v Speaker 3>handle it. She blurts out. I was sleeping with Professor Markowitz.

0:57:36.400 --> 0:57:37.960
<v Speaker 3>I had to do it. He threatened to fail me.

0:57:38.400 --> 0:57:41.320
<v Speaker 3>Alex is shocked. But he was gay in ninety. She

0:57:41.400 --> 0:57:43.240
<v Speaker 3>strokes his arm. For what it's worth, whenever I was

0:57:43.280 --> 0:57:44.680
<v Speaker 3>with him, I was thinking of you. He gives it

0:57:44.680 --> 0:57:47.200
<v Speaker 3>a nervous grin and in response, is that a good thing?

0:57:47.720 --> 0:57:49.600
<v Speaker 2>I just want to I wanted to hear Rusties, but

0:57:49.680 --> 0:57:53.120
<v Speaker 2>he was gay and ninety I wanted to do Rusty's

0:57:53.240 --> 0:57:54.000
<v Speaker 2>Russy's saying.

0:57:55.400 --> 0:57:57.560
<v Speaker 3>The silence is broken by a familiar voice, Hey, you

0:57:58.040 --> 0:58:00.760
<v Speaker 3>did these chicken fingers come off a chicken's ass? It's

0:58:00.840 --> 0:58:03.880
<v Speaker 3>Wiseman's date yelling again at the waiter. Alex makes eye

0:58:03.920 --> 0:58:06.920
<v Speaker 3>contact with Wiseman and angrily motions towards the bathroom with

0:58:06.920 --> 0:58:11.400
<v Speaker 3>his eyes. Uh not one of my favorite overall scenes.

0:58:11.840 --> 0:58:14.640
<v Speaker 1>Now, I mean, I think your character needs a little

0:58:14.640 --> 0:58:18.400
<v Speaker 1>bit of specificity, Like I think for me, like just

0:58:18.480 --> 0:58:20.400
<v Speaker 1>listening to this recap, like, oh, it would have been

0:58:20.400 --> 0:58:23.400
<v Speaker 1>great if you were like a workaholic, like you were

0:58:23.400 --> 0:58:25.440
<v Speaker 1>the kid who were like came out of college. I

0:58:25.560 --> 0:58:27.760
<v Speaker 1>just want to focus on my career and it worked,

0:58:28.040 --> 0:58:31.520
<v Speaker 1>but you missed out on dating. You know that those

0:58:31.600 --> 0:58:34.160
<v Speaker 1>years where you would have and so you're pining after

0:58:34.200 --> 0:58:36.640
<v Speaker 1>your old girlfriend because you haven't done anything else.

0:58:36.800 --> 0:58:38.520
<v Speaker 2>So that would have like given me a way in

0:58:38.640 --> 0:58:39.000
<v Speaker 2>to you.

0:58:39.120 --> 0:58:41.680
<v Speaker 1>Right. Oh, he's the guy who spent way too much

0:58:41.720 --> 0:58:44.240
<v Speaker 1>time on computers and working to make money and now

0:58:44.400 --> 0:58:47.439
<v Speaker 1>least having success. He's realizing he's missing this other part

0:58:47.440 --> 0:58:49.600
<v Speaker 1>of his life, so he's diving in. And I would

0:58:49.640 --> 0:58:51.560
<v Speaker 1>have been like, Okay, I'm with this guy as it is.

0:58:51.600 --> 0:58:53.920
<v Speaker 1>I was like, you're kind of just a generic dude,

0:58:53.960 --> 0:58:56.120
<v Speaker 1>Like there's nothing like that. Yeah, exactly. It would have

0:58:56.120 --> 0:58:57.400
<v Speaker 1>been nice to have an angle.

0:58:57.520 --> 0:58:59.640
<v Speaker 3>Yeah. The two of them burst into the bathroom in

0:58:59.640 --> 0:59:01.720
<v Speaker 3>Wiseman and let's out of sigh relief. Thank god you're here,

0:59:01.840 --> 0:59:03.640
<v Speaker 3>Alex reminds him. Of course I'm here. I told you

0:59:03.680 --> 0:59:05.760
<v Speaker 3>I was coming here. What are you doing? Wiseman explains,

0:59:05.800 --> 0:59:07.520
<v Speaker 3>I needed a cool restaurant. I met this girl at

0:59:07.520 --> 0:59:10.840
<v Speaker 3>the Laundry Mountain. We just kind of clicked. Alex sarcastically responds,

0:59:10.920 --> 0:59:15.680
<v Speaker 3>she seems wonderful, great, grateful, great read. Wiseman admits, I'm scared.

0:59:15.680 --> 0:59:17.440
<v Speaker 3>I'm in way over my head. Alex groans, I know

0:59:17.560 --> 0:59:19.560
<v Speaker 3>me too. Meghan's crazy. Everything that comes out of her

0:59:19.560 --> 0:59:23.080
<v Speaker 3>mouth is a lie. Wiseman asks, beautiful, wonderful Meghan from college.

0:59:23.120 --> 0:59:25.280
<v Speaker 3>Alex isn't even sure she went to college. Did you

0:59:25.280 --> 0:59:27.120
<v Speaker 3>ever see her go to class? Because I never saw

0:59:27.120 --> 0:59:29.880
<v Speaker 3>her go to class. Wiseman jumps on the sink counter

0:59:29.920 --> 0:59:32.120
<v Speaker 3>and reaches for a window. Alex says, what's what are

0:59:32.120 --> 0:59:34.400
<v Speaker 3>you doing? Wiseman says they got to get out of here.

0:59:34.520 --> 0:59:36.920
<v Speaker 3>Alex says he can't leave. Megan's got that good luck medal.

0:59:37.200 --> 0:59:39.400
<v Speaker 3>Wiseman doesn't hesitate, Well, good luck see you on the

0:59:39.440 --> 0:59:42.240
<v Speaker 3>other side. Alex pulls him down, and Wiseman's confused. Why

0:59:42.240 --> 0:59:43.320
<v Speaker 3>do you want to go back in there for your

0:59:43.320 --> 0:59:46.600
<v Speaker 3>stupid seventh grade swimming medal. Alex insists it's not stupid.

0:59:46.640 --> 0:59:48.600
<v Speaker 3>It means something to him. Plus he doesn't want Meghan.

0:59:48.600 --> 0:59:50.920
<v Speaker 3>There's a dinosaur skeleton under my house Murphy to have it.

0:59:51.440 --> 0:59:53.479
<v Speaker 2>But you get I mean, I get that now she's

0:59:53.560 --> 0:59:55.760
<v Speaker 2>lying to him, so he sees another side of her.

0:59:55.840 --> 0:59:58.480
<v Speaker 2>But he hasn't had the medal for years, and then

0:59:58.520 --> 0:59:59.400
<v Speaker 2>he gave it back to her.

0:59:59.720 --> 1:00:01.440
<v Speaker 1>That's but it needs to be connected to his character

1:00:01.440 --> 1:00:03.240
<v Speaker 1>in some way, like, you know, this is the one

1:00:03.240 --> 1:00:06.480
<v Speaker 1>thing that I did that I don't know somehow if

1:00:06.480 --> 1:00:08.560
<v Speaker 1>it was it was something that because I love the

1:00:08.640 --> 1:00:10.800
<v Speaker 1>Hyjenks of like we got to get this away from her,

1:00:11.080 --> 1:00:13.000
<v Speaker 1>but like if it was connected to your character in

1:00:13.000 --> 1:00:15.280
<v Speaker 1>a way, like oh, if I could just get this back,

1:00:15.360 --> 1:00:17.760
<v Speaker 1>this was the last time I, you know, won something

1:00:17.760 --> 1:00:19.720
<v Speaker 1>that my mom was proud of, you know, or like,

1:00:19.760 --> 1:00:21.479
<v Speaker 1>I don't know, just give me.

1:00:21.440 --> 1:00:23.600
<v Speaker 2>One time in my life I was athletic something like that.

1:00:23.640 --> 1:00:24.080
<v Speaker 1>I don't know.

1:00:24.160 --> 1:00:26.280
<v Speaker 2>Yeah, like I thought the same thing. I was, like,

1:00:26.320 --> 1:00:28.320
<v Speaker 2>but you handed it back to her. I mean, I

1:00:28.360 --> 1:00:31.480
<v Speaker 2>know she hasn't lied to you yet, but you still couldn't.

1:00:32.000 --> 1:00:33.920
<v Speaker 3>I didn't even know. You didn't even really you know, right,

1:00:33.960 --> 1:00:37.000
<v Speaker 3>Oh yeah, this, yeah exactly. Wiseman asked how he's going

1:00:37.040 --> 1:00:38.760
<v Speaker 3>to get it back. Alex doesn't know. That's where you

1:00:38.800 --> 1:00:42.320
<v Speaker 3>come in. Wiseman growns, I'm sitting in water again. Maybe

1:00:42.360 --> 1:00:44.280
<v Speaker 3>maybe would have pitched a better out there.

1:00:44.560 --> 1:00:47.680
<v Speaker 2>I also it was I distinctly remember something about his

1:00:47.760 --> 1:00:50.480
<v Speaker 2>line read because it was like that to me, that

1:00:50.520 --> 1:00:52.360
<v Speaker 2>couldn't have been the best read. It was almost like

1:00:52.400 --> 1:00:54.840
<v Speaker 2>it was so thrown away that it was a very

1:00:54.840 --> 1:00:55.640
<v Speaker 2>strange read.

1:00:55.480 --> 1:00:57.120
<v Speaker 3>For that line. It was a whisper for an out.

1:00:57.240 --> 1:01:00.400
<v Speaker 3>Yeah in the apartment, Casey's all finished. Todd congrad her,

1:01:00.440 --> 1:01:02.240
<v Speaker 3>and she proudly states I even did some extra stuff

1:01:02.240 --> 1:01:04.320
<v Speaker 3>he didn't ask for. Can you sign my time card?

1:01:04.480 --> 1:01:06.880
<v Speaker 3>Todd nod. Sure, I'll put down you for forty hours.

1:01:07.200 --> 1:01:08.919
<v Speaker 3>Casey laughs and sits out next to him to watch

1:01:08.920 --> 1:01:11.440
<v Speaker 3>Antique's Roadshow. Todd explains that a woman thinks her toaster

1:01:11.600 --> 1:01:13.880
<v Speaker 3>was built by the Shakers in the mid nineteenth century,

1:01:14.200 --> 1:01:16.720
<v Speaker 3>and Casey points out that the microwave he's referring to

1:01:16.800 --> 1:01:19.840
<v Speaker 3>is actually a Victorian pie chest. Todd rolls his eyes. Now,

1:01:19.840 --> 1:01:21.720
<v Speaker 3>you're just making stuff up. She assures him she's not,

1:01:22.040 --> 1:01:23.880
<v Speaker 3>and Todd wants to make a bet. She says she

1:01:23.880 --> 1:01:25.640
<v Speaker 3>doesn't have any extra money to throw away, and Todd

1:01:25.680 --> 1:01:29.040
<v Speaker 3>lee slightly remarksable, then let's bet something else. She instantly asked,

1:01:29.200 --> 1:01:31.640
<v Speaker 3>like what, and they smile at each other. I did

1:01:31.680 --> 1:01:39.560
<v Speaker 3>not think Strip Antiques Roadshow first thing. The first starts myself.

1:01:39.560 --> 1:01:40.560
<v Speaker 3>I was like, I wonder what this game is going

1:01:40.600 --> 1:01:43.040
<v Speaker 3>to be funny. At the restaurant, Alex makes his way

1:01:43.040 --> 1:01:45.520
<v Speaker 3>back to Megan, with Wiseman following close behind, then ducking

1:01:45.560 --> 1:01:48.080
<v Speaker 3>under the table. Meghan suggests they just skipped asert and

1:01:48.120 --> 1:01:50.280
<v Speaker 3>heads straight back to the hotel. She is d two

1:01:50.360 --> 1:01:55.080
<v Speaker 3>earl two ear. Alex immediately shouts no, he just really

1:01:55.120 --> 1:01:58.080
<v Speaker 3>loves dessert. She brushes it off. She's thinking of extending

1:01:58.120 --> 1:01:59.919
<v Speaker 3>her state. What do you think about that? Meanwhile, Wise

1:02:00.280 --> 1:02:03.320
<v Speaker 3>picking up strange objects off the floor, examining them. Alex

1:02:03.360 --> 1:02:05.680
<v Speaker 3>answers her, I think that sounds like I might get expensive,

1:02:05.720 --> 1:02:08.800
<v Speaker 3>She smirks, not if I stay with you. She kicks

1:02:08.800 --> 1:02:10.640
<v Speaker 3>her leg out underneath the table and it almost hits

1:02:10.640 --> 1:02:13.160
<v Speaker 3>Wiseman in the face. He watches her foot bounce back

1:02:13.160 --> 1:02:15.160
<v Speaker 3>and forth in amusement, which was an extra shock.

1:02:15.200 --> 1:02:17.240
<v Speaker 2>The whole thing underneath the table is really weird to

1:02:17.480 --> 1:02:18.520
<v Speaker 2>like he didn't need any of this.

1:02:18.680 --> 1:02:20.800
<v Speaker 3>Yeah, Alex says he lives in a loft apartment in

1:02:20.840 --> 1:02:22.760
<v Speaker 3>Chinatown with these two other guys, and they actually can't

1:02:22.800 --> 1:02:24.920
<v Speaker 3>have any people stay over. It's in their lease. Wiseman's

1:02:24.960 --> 1:02:27.240
<v Speaker 3>now reaching for Megan's handbag so he can grab the medal.

1:02:27.440 --> 1:02:29.080
<v Speaker 3>Then we hear a woman's voice ask what are you

1:02:29.200 --> 1:02:32.480
<v Speaker 3>doing down there? It's his date standing well above him

1:02:32.480 --> 1:02:35.440
<v Speaker 3>with her arms crossed. He gets up in waves good evening.

1:02:36.640 --> 1:02:39.800
<v Speaker 3>Alex thinks, fast, you remember Wiseman, right, We're always playing

1:02:39.800 --> 1:02:41.400
<v Speaker 3>that game to see you can sneak up on each other.

1:02:41.440 --> 1:02:43.160
<v Speaker 3>He turns to Wiseman, you almost got me their pal,

1:02:43.280 --> 1:02:45.920
<v Speaker 3>and they playfully fight each other, sort of throwing their

1:02:46.040 --> 1:02:49.960
<v Speaker 3>arms the restaurant again. Some time has passed. The two

1:02:50.000 --> 1:02:51.600
<v Speaker 3>couples have now moved in down bigs.

1:02:51.440 --> 1:02:54.400
<v Speaker 1>A double day, moved into a wacky double.

1:02:54.280 --> 1:02:58.240
<v Speaker 3>Date bitcom one O one. They all sit together. Wiseman's

1:02:58.320 --> 1:03:00.080
<v Speaker 3>date is telling Meghan, you can't do New York in

1:03:00.120 --> 1:03:02.520
<v Speaker 3>a weekend. You have to stay. Megan agrees, I wanted

1:03:02.520 --> 1:03:05.280
<v Speaker 3>to stay, but Alex's least doesn't allow guest. Wiseman's blurts out,

1:03:05.320 --> 1:03:08.400
<v Speaker 3>I didn't know that. That sucks. That sucks. Alex gives

1:03:08.480 --> 1:03:10.400
<v Speaker 3>him a look and begins to push Meghan's purse over

1:03:10.400 --> 1:03:13.080
<v Speaker 3>to him under the table to get that medal. Instead,

1:03:13.120 --> 1:03:15.200
<v Speaker 3>the purse hits Wiseman's date and they start to play

1:03:15.280 --> 1:03:17.400
<v Speaker 3>foot seat with Alex, which is like, she's down to

1:03:17.480 --> 1:03:20.560
<v Speaker 3>party this mone she is this one. Yeah, she seems excited.

1:03:20.880 --> 1:03:23.240
<v Speaker 3>She tells Megan, Oh, I'm gonna ski this weekend. You

1:03:23.240 --> 1:03:26.120
<v Speaker 3>could stay at my place. Megan's excited you ski the

1:03:26.200 --> 1:03:28.680
<v Speaker 3>date response, Yeah, I almost made the Olympic ski team,

1:03:28.920 --> 1:03:32.040
<v Speaker 3>Megan guess, so did I, but right before the trials

1:03:32.040 --> 1:03:34.280
<v Speaker 3>I got stuck on a ski lift in Vermont. By

1:03:34.320 --> 1:03:36.280
<v Speaker 3>the time they got me down, my fingers were actually

1:03:36.280 --> 1:03:42.240
<v Speaker 3>turning blue. So she's a psychopathy. Yeah, yeah, this is

1:03:42.280 --> 1:03:43.040
<v Speaker 3>Alex's story.

1:03:43.400 --> 1:03:46.640
<v Speaker 1>Very smart because you're gonna steal somebody's story, don't take

1:03:46.680 --> 1:03:50.040
<v Speaker 1>it from them. Twenty minutes, your audience, your audience.

1:03:49.720 --> 1:03:52.080
<v Speaker 3>True psychopath. He has to get out of his date,

1:03:52.160 --> 1:03:54.080
<v Speaker 3>so he pretends to choke. The girls try to help him,

1:03:54.120 --> 1:03:56.080
<v Speaker 3>and Wiseman is trying to figure this out. Are you choking?

1:03:56.480 --> 1:03:58.840
<v Speaker 3>Alex gives him a look, and Wiseman loudly exclaims, oh,

1:03:58.840 --> 1:04:01.160
<v Speaker 3>I get it. It's an allergic action, sort of figuring

1:04:01.200 --> 1:04:03.800
<v Speaker 3>out that this is not real. Just then, Wiseman reaches

1:04:03.840 --> 1:04:06.160
<v Speaker 3>into Megan's bag gets the metal. While all the girls

1:04:06.200 --> 1:04:08.760
<v Speaker 3>are frantically trying to help Alex, Wiseman's date shouts out,

1:04:08.800 --> 1:04:12.280
<v Speaker 3>I know CPR, and Alex looks horrified. This is going

1:04:12.320 --> 1:04:14.240
<v Speaker 3>too far. Wiseman says he's gonna take him to the

1:04:14.240 --> 1:04:16.320
<v Speaker 3>emergency room, and Meghan insists that she goes with him.

1:04:16.360 --> 1:04:19.400
<v Speaker 3>Alex pauses his allergic reaction. Had to replay this forty

1:04:19.440 --> 1:04:21.680
<v Speaker 3>two times to figure out the line. The line is no,

1:04:21.960 --> 1:04:25.720
<v Speaker 3>the cab won't stop for four two. Yeah. Yeah, yeah,

1:04:26.240 --> 1:04:30.360
<v Speaker 3>even the subtitles got it wrong. Oh really yeah. Wiseman

1:04:30.440 --> 1:04:32.600
<v Speaker 3>tells the women to stay at the restaurant and settle

1:04:32.640 --> 1:04:35.040
<v Speaker 3>the bill, and the guy's bolt out the door. In

1:04:35.080 --> 1:04:37.160
<v Speaker 3>the taxi, Alex is still in eye. I can't believe

1:04:37.200 --> 1:04:39.760
<v Speaker 3>she told you that ski lift story, Wiseman wonders. Didn't

1:04:39.760 --> 1:04:41.960
<v Speaker 3>something like that happen to you? He responds, something exactly

1:04:42.080 --> 1:04:44.840
<v Speaker 3>like that happened to me. Wiseman is shocked. Wow, what

1:04:44.880 --> 1:04:48.280
<v Speaker 3>are the chances? Alex explained, she stole my story. She's insane.

1:04:48.760 --> 1:04:50.800
<v Speaker 3>Wiseman tries to make him feel better. At least Meghan

1:04:50.800 --> 1:04:52.920
<v Speaker 3>didn't hold the waiter's hand over a candle to get

1:04:52.960 --> 1:04:57.840
<v Speaker 3>more breadsticks. Alex. Alex is depressed. He had this vision

1:04:57.880 --> 1:04:59.360
<v Speaker 3>of how everything was going to be, and now it's

1:04:59.400 --> 1:05:01.920
<v Speaker 3>just gone. Wiseman admits, I'm with you, pal, and I

1:05:02.040 --> 1:05:04.720
<v Speaker 3>hopes for Joe Lean. Alex gets his metal from Wiseman

1:05:04.800 --> 1:05:07.360
<v Speaker 3>and excitedly puts it around his neck. Yeah. Then he

1:05:07.440 --> 1:05:09.520
<v Speaker 3>realizes maybe I'll just wear it on the inside and

1:05:09.520 --> 1:05:11.800
<v Speaker 3>tucks in his shirt. Again. Don't really know the joke there.

1:05:11.800 --> 1:05:14.080
<v Speaker 2>No, just just that it's I think it's supposed to

1:05:14.080 --> 1:05:16.240
<v Speaker 2>be like two mouths, not cool to wear your seventh

1:05:16.240 --> 1:05:20.040
<v Speaker 2>grade metal. But but this is the scene where buttons buttons.

1:05:20.280 --> 1:05:22.200
<v Speaker 1>But this is also the scene where you can thematically

1:05:22.600 --> 1:05:24.800
<v Speaker 1>say what the show is about. Like, yes, you know,

1:05:24.880 --> 1:05:26.680
<v Speaker 1>we were trying to be grown ups tonight were I

1:05:26.680 --> 1:05:28.920
<v Speaker 1>thought we were ready to date and be you know,

1:05:29.200 --> 1:05:31.400
<v Speaker 1>but I still feel like a little kid. Then you

1:05:31.400 --> 1:05:33.200
<v Speaker 1>have the little kid joke about I got my seventh

1:05:33.200 --> 1:05:35.400
<v Speaker 1>grade metal back. It's like something about the fact that

1:05:35.440 --> 1:05:40.480
<v Speaker 1>you're stuck between childhood and college in the random say it.

1:05:40.560 --> 1:05:42.760
<v Speaker 1>Have the character say some version of that, you know,

1:05:42.960 --> 1:05:45.560
<v Speaker 1>in a real personal, non thematic way, But that says

1:05:45.560 --> 1:05:47.360
<v Speaker 1>what the name of the show is, Like, I guess

1:05:47.400 --> 1:05:49.000
<v Speaker 1>we're not ready yet. We thought we could do it,

1:05:49.040 --> 1:05:50.560
<v Speaker 1>but we'll try again next week. You know.

1:05:51.000 --> 1:05:52.440
<v Speaker 2>Is in this part of my life, I feel like

1:05:52.480 --> 1:05:53.840
<v Speaker 2>I'm forty, and in this part of my life, I

1:05:53.840 --> 1:05:54.600
<v Speaker 2>feel like I'm fortunate.

1:05:54.600 --> 1:05:56.800
<v Speaker 1>I'm so ready to I'm running a business. Why can't

1:05:56.800 --> 1:05:58.520
<v Speaker 1>I date a woman? And I can't even date a

1:05:58.560 --> 1:05:59.640
<v Speaker 1>woman from my childhood?

1:06:00.000 --> 1:06:01.560
<v Speaker 3>And it's on yours back. Now that I have time,

1:06:01.600 --> 1:06:03.840
<v Speaker 3>I'm just picking the wrong people or something like that,

1:06:03.880 --> 1:06:07.000
<v Speaker 3>you know, like nowaday exactly all right. Back at the apartment,

1:06:07.040 --> 1:06:08.720
<v Speaker 3>Todd and Casey are still on the couch, but now

1:06:08.720 --> 1:06:11.400
<v Speaker 3>Todd is just in his underwear. They're shouting at the TV.

1:06:11.600 --> 1:06:14.240
<v Speaker 3>Very invested in an antique Troe show. Casey guesses six

1:06:14.280 --> 1:06:17.000
<v Speaker 3>thousand dollars minimum. Todd scoffs, are you blind? That's not

1:06:17.000 --> 1:06:19.600
<v Speaker 3>even mahogany, that's not even wood. That's some kind of

1:06:19.680 --> 1:06:21.800
<v Speaker 3>naga crap that my spidy sense is telling me could

1:06:21.840 --> 1:06:23.840
<v Speaker 3>only have come from one decade. The man on the

1:06:23.840 --> 1:06:27.120
<v Speaker 3>TV cuts him off production made in the seventies. Todd

1:06:27.160 --> 1:06:30.680
<v Speaker 3>stands up victory. He turns to Casey, Now get that

1:06:30.880 --> 1:06:33.440
<v Speaker 3>shirt off. She takes off her sweater to reveal a

1:06:33.520 --> 1:06:36.800
<v Speaker 3>tank top underneath. Todd complains, that's not fair. She laughs,

1:06:36.840 --> 1:06:38.880
<v Speaker 3>it's was cold this morning. Did you expect to see

1:06:38.880 --> 1:06:41.720
<v Speaker 3>me in my lacy, skimpy sea through bra. Todd sits

1:06:41.760 --> 1:06:44.520
<v Speaker 3>back down. He's only one item away. Casey laughs, Yeah,

1:06:44.520 --> 1:06:46.640
<v Speaker 3>from being naked. I am so much better at this

1:06:46.720 --> 1:06:49.640
<v Speaker 3>than you Todd's size. Oh no, it's over, Casey jumps

1:06:49.720 --> 1:06:52.520
<v Speaker 3>up and exclaims, I won real jump there in the script,

1:06:52.560 --> 1:06:55.640
<v Speaker 3>they didn't couldn't fit one more of those like television backs.

1:06:55.840 --> 1:06:56.240
<v Speaker 1>No.

1:06:56.400 --> 1:06:56.840
<v Speaker 3>Uh.

1:06:56.920 --> 1:06:58.960
<v Speaker 2>They have good chemistry, by the way, very good. Them

1:06:58.960 --> 1:07:02.400
<v Speaker 2>together are really really good. I wanted to see, like

1:07:02.680 --> 1:07:05.840
<v Speaker 2>moving forward as an audience member. I was excited to

1:07:05.880 --> 1:07:07.160
<v Speaker 2>see where that relationship was.

1:07:07.280 --> 1:07:08.520
<v Speaker 1>This is that what happened over the course.

1:07:09.000 --> 1:07:11.880
<v Speaker 2>I believe so, But yeah, I think so. And it's

1:07:12.160 --> 1:07:15.160
<v Speaker 2>there's just something about that that's really fun. Like I

1:07:15.240 --> 1:07:18.120
<v Speaker 2>remember certain little things that popped up in other episodes

1:07:18.160 --> 1:07:20.720
<v Speaker 2>were laugh out loud funny. I remember, you know, you

1:07:20.880 --> 1:07:24.960
<v Speaker 2>remember the Sopranos, the the woman who goes undercover to

1:07:25.040 --> 1:07:27.160
<v Speaker 2>be aids. Oh, yeah, she's a friend.

1:07:27.360 --> 1:07:27.880
<v Speaker 3>She's great.

1:07:28.080 --> 1:07:29.520
<v Speaker 2>So she came on as a guest star. She was

1:07:29.560 --> 1:07:31.440
<v Speaker 2>actually shooting Sopranos at the time. She couldn't tell us

1:07:31.440 --> 1:07:33.040
<v Speaker 2>what she was doing, but she came on as a

1:07:33.040 --> 1:07:35.520
<v Speaker 2>guest star, and she shows up as one of his

1:07:35.640 --> 1:07:37.800
<v Speaker 2>He's like, I have this kind of stalker client who

1:07:37.840 --> 1:07:41.040
<v Speaker 2>keeps getting her teeth cleaned, and so she just keeps

1:07:41.040 --> 1:07:42.560
<v Speaker 2>showing up to get her teeth clean, and the last

1:07:42.560 --> 1:07:44.680
<v Speaker 2>time he walks in, she's butt naked in the chair,

1:07:45.600 --> 1:07:47.880
<v Speaker 2>and they actually shot it where she's naked in the chair,

1:07:47.960 --> 1:07:52.240
<v Speaker 2>so she's covered by like the dental slates, but she's

1:07:52.400 --> 1:07:54.160
<v Speaker 2>looks like she's just and he just walks back in

1:07:54.200 --> 1:07:56.240
<v Speaker 2>and she's just like naked in the chair. So, I mean,

1:07:56.240 --> 1:07:58.760
<v Speaker 2>we did things that were adult and very funny, but

1:07:58.840 --> 1:08:00.840
<v Speaker 2>I don't remember how cookey if they were to the

1:08:00.880 --> 1:08:03.560
<v Speaker 2>actual stories the problem I love if they only aired four,

1:08:03.600 --> 1:08:05.080
<v Speaker 2>I wonder if we could even get the other seven.

1:08:05.080 --> 1:08:06.760
<v Speaker 3>I got to get in touch with lesbian rigor, because

1:08:06.760 --> 1:08:10.200
<v Speaker 3>I bet you they have them. It's fun to Todd

1:08:10.240 --> 1:08:12.240
<v Speaker 3>stands to meet her at eye level. You just got lucky.

1:08:12.280 --> 1:08:13.840
<v Speaker 3>They both stare at each other for a moment. They

1:08:13.880 --> 1:08:17.000
<v Speaker 3>kisses looming. A voiceover from the TV announces up next

1:08:17.800 --> 1:08:21.439
<v Speaker 3>Rutherford B. Hayes a biography. Todd breaks the ice. Well

1:08:21.479 --> 1:08:22.240
<v Speaker 3>now it's just awkward.

1:08:22.400 --> 1:08:23.320
<v Speaker 2>Now it's just awkward.

1:08:23.640 --> 1:08:25.080
<v Speaker 3>Could have maybe come up with a better thing that

1:08:25.120 --> 1:08:25.960
<v Speaker 3>made it awkward? Also?

1:08:26.080 --> 1:08:26.800
<v Speaker 1>I know?

1:08:26.880 --> 1:08:29.479
<v Speaker 3>Then behave yeah, yeah. Then we hear the lock begin

1:08:29.560 --> 1:08:31.840
<v Speaker 3>to juggle, and Casey scrambles to grab her sweater and

1:08:31.920 --> 1:08:33.560
<v Speaker 3>runs into a different room. The guys walk in to

1:08:33.640 --> 1:08:36.240
<v Speaker 3>see Todd justin is underwear. Alex and Wiseman just stare

1:08:36.240 --> 1:08:38.360
<v Speaker 3>at him. Todd waves as though nothing's out of the ordinary.

1:08:38.720 --> 1:08:40.960
<v Speaker 3>Wiseman turns Alex. At least he's not wearing a helmet

1:08:41.040 --> 1:08:43.400
<v Speaker 3>this time. Todd asked the guys what went wrong? They're

1:08:43.400 --> 1:08:46.960
<v Speaker 3>back at nine thirty. Alex Bluntley states, yeah, Meghan was psycho.

1:08:47.479 --> 1:08:51.160
<v Speaker 3>Wiseman wonders how he didn't know that in college. Sarcastically wonders,

1:08:51.200 --> 1:08:52.720
<v Speaker 3>g I was eighteen and she was the first girl

1:08:52.760 --> 1:08:54.439
<v Speaker 3>willing to sleep with me. How did I overlook that?

1:08:55.200 --> 1:08:57.040
<v Speaker 3>Todd says, there's no need to sweat it. This is

1:08:57.080 --> 1:08:58.680
<v Speaker 3>just a reminder to never pin your hopes on a

1:08:58.760 --> 1:09:02.240
<v Speaker 3>fantasy girl. Fantasies, by definition, are perfect. Alex declares that

1:09:02.360 --> 1:09:04.280
<v Speaker 3>one good thing did come out of this though. Up

1:09:04.400 --> 1:09:06.639
<v Speaker 3>until now, every girl he's dated he's compared to Megan,

1:09:06.680 --> 1:09:08.800
<v Speaker 3>and none of them have ever come close. Now, any

1:09:08.880 --> 1:09:11.160
<v Speaker 3>girl with a valid driver's license is looking real good.

1:09:11.439 --> 1:09:15.280
<v Speaker 3>Great will read. Wiseman nods, welcome to my world. Casey

1:09:15.360 --> 1:09:18.320
<v Speaker 3>then returns clothed. Alex and Wiseman immediately stand at attention

1:09:18.360 --> 1:09:19.960
<v Speaker 3>when they see her. She asks how the dates went,

1:09:20.000 --> 1:09:23.160
<v Speaker 3>and the guys immediately lie, really good, great. Alex clears

1:09:23.200 --> 1:09:25.720
<v Speaker 3>his throat, a little suspicious. I was just wondering how

1:09:25.760 --> 1:09:28.160
<v Speaker 3>did work go? She tells him it went great. She

1:09:28.200 --> 1:09:31.120
<v Speaker 3>accomplished everything he asked, and she defragged his heart drive.

1:09:31.840 --> 1:09:34.639
<v Speaker 3>Wiseman creepily asks her, can you defrag my hard drive?

1:09:34.960 --> 1:09:38.920
<v Speaker 3>All right? She sarcastically responds, Wow, that's hot. She does

1:09:39.000 --> 1:09:41.320
<v Speaker 3>not think it's hot. She gets ready to leave, but

1:09:41.439 --> 1:09:43.960
<v Speaker 3>Alex stops her. Actually, I was thinking about hiring somebody

1:09:44.000 --> 1:09:46.360
<v Speaker 3>to help me run the website. Any interest, she smiles,

1:09:46.400 --> 1:09:49.040
<v Speaker 3>maybe call me. As she walks away, Todd shouts, hey,

1:09:49.080 --> 1:09:51.560
<v Speaker 3>don't forget your shirt and throws her the sweater. She

1:09:51.680 --> 1:09:54.160
<v Speaker 3>nervously laughs and stutters. While walking towards the door, She

1:09:54.320 --> 1:09:55.120
<v Speaker 3>lets herself out.

1:09:55.320 --> 1:09:57.920
<v Speaker 1>Audience loves that too, with the shirt thing. That gotta

1:09:57.920 --> 1:10:01.599
<v Speaker 1>beat this whole dynamic of like her entry, this trio friends. Yeah,

1:10:01.640 --> 1:10:03.880
<v Speaker 1>I want a little more specificity on like how you

1:10:04.000 --> 1:10:07.120
<v Speaker 1>feel about her, Like obviously you're impressed with her work, Yeah,

1:10:07.160 --> 1:10:09.120
<v Speaker 1>but like I want I don't know, and like Wiseman

1:10:09.360 --> 1:10:11.760
<v Speaker 1>is into her, but yeah, I like that.

1:10:11.760 --> 1:10:16.200
<v Speaker 3>You didn't objectify her too. Yeah right, yeah, yeah. We

1:10:16.280 --> 1:10:18.800
<v Speaker 3>go to our final commercial break, which hasn't add for

1:10:18.840 --> 1:10:22.240
<v Speaker 3>a Sprint flip phone. Yeah as well as Yes, I

1:10:22.360 --> 1:10:25.200
<v Speaker 3>miss my flip phone too. They're coming back, I hear,

1:10:25.320 --> 1:10:25.600
<v Speaker 3>are they?

1:10:26.000 --> 1:10:26.160
<v Speaker 2>Well?

1:10:26.160 --> 1:10:28.280
<v Speaker 3>I mean, Sabrina Carpenter has had one for a long

1:10:28.360 --> 1:10:30.559
<v Speaker 3>time with her deal with some phone company, so I've

1:10:30.600 --> 1:10:32.759
<v Speaker 3>seen that, but it seems like people like the retro

1:10:32.920 --> 1:10:33.080
<v Speaker 3>of it.

1:10:33.479 --> 1:10:34.400
<v Speaker 2>I'm not familiar with her.

1:10:34.760 --> 1:10:39.400
<v Speaker 3>Okay, hot pockets and then also a podmet World sponsor Huggies. Yes,

1:10:41.280 --> 1:10:43.680
<v Speaker 3>all right, so we're in the tag. Every sitcom has

1:10:43.720 --> 1:10:46.160
<v Speaker 3>one of those. We're back in the apartment, big shock.

1:10:46.280 --> 1:10:48.960
<v Speaker 3>Alex tells Todd, Hey, how'd you get her shirt? Todd

1:10:49.040 --> 1:10:52.639
<v Speaker 3>nonchalantly reveals we were playing Strip Antiques road Show. Wiseman

1:10:52.720 --> 1:10:54.640
<v Speaker 3>is impressed, just out of curiosity. How do you get

1:10:54.680 --> 1:10:57.519
<v Speaker 3>that kind of thing off the ground? Alex is also interested.

1:10:57.720 --> 1:10:59.439
<v Speaker 3>Wiseman and I put in all our effort to get

1:10:59.479 --> 1:11:01.680
<v Speaker 3>real dates. We get dressed up, we spend money, you

1:11:01.760 --> 1:11:03.519
<v Speaker 3>stay here, and you still do better than we did.

1:11:03.880 --> 1:11:06.759
<v Speaker 3>Todd shrugs, I didn't even take a shower today. Alex

1:11:06.840 --> 1:11:09.080
<v Speaker 3>shakes his head in disappointment as the three roommates drink

1:11:09.120 --> 1:11:12.000
<v Speaker 3>beer in each Chinese takeout again better button.

1:11:13.040 --> 1:11:16.439
<v Speaker 1>Yeah, but as a scene, that's a great describes all

1:11:16.479 --> 1:11:19.120
<v Speaker 1>three characters where they're always going to go, We're back

1:11:19.120 --> 1:11:21.680
<v Speaker 1>to normal next week, try and get dates again, I.

1:11:21.760 --> 1:11:24.120
<v Speaker 3>Might argue again, too close to each other.

1:11:24.920 --> 1:11:25.400
<v Speaker 1>Yeah, there is.

1:11:25.960 --> 1:11:28.559
<v Speaker 2>I think they started to get different, starting to.

1:11:28.600 --> 1:11:31.559
<v Speaker 3>Go and got them all back together. A'se. Guys who

1:11:31.640 --> 1:11:37.599
<v Speaker 3>just want love? Yeah, yeah, well that's random, you will writer.

1:11:38.560 --> 1:11:40.080
<v Speaker 1>Should have been a show, should have been a show,

1:11:40.120 --> 1:11:42.200
<v Speaker 1>I think so. It should have been rewritten. This pilot

1:11:42.200 --> 1:11:44.680
<v Speaker 1>could have been punched up really quickly, kept all the

1:11:44.720 --> 1:11:48.120
<v Speaker 1>same scenes, uh, same actors, because this cast is phenomenal.

1:11:48.160 --> 1:11:50.600
<v Speaker 1>You guys are so good and like this should have

1:11:50.640 --> 1:11:52.320
<v Speaker 1>been you know, this should have been the Air to Friends.

1:11:52.360 --> 1:11:54.080
<v Speaker 1>I mean, and I know every network at this time

1:11:54.200 --> 1:11:56.120
<v Speaker 1>was trying to find that right they were trying to

1:11:56.240 --> 1:11:58.920
<v Speaker 1>find and none of them lasted, None of them worked.

1:11:59.320 --> 1:12:01.240
<v Speaker 1>Big Bang Theory is the only show that you know,

1:12:01.280 --> 1:12:02.960
<v Speaker 1>and then How I Met Your Mother? But those were

1:12:03.080 --> 1:12:05.120
<v Speaker 1>they had different angles, they had different things going for

1:12:05.840 --> 1:12:07.880
<v Speaker 1>just the like group of friends in New York or

1:12:08.040 --> 1:12:11.479
<v Speaker 1>in a city hanging out together is a great format

1:12:11.600 --> 1:12:13.320
<v Speaker 1>and this was this could have been great. Yeah.

1:12:13.360 --> 1:12:15.600
<v Speaker 2>I think it had a lot of potential and I

1:12:15.680 --> 1:12:18.439
<v Speaker 2>loved the cast. We got it so well right off

1:12:18.479 --> 1:12:20.240
<v Speaker 2>the bat, and I think we could have done something

1:12:20.240 --> 1:12:20.800
<v Speaker 2>pretty special.

1:12:21.320 --> 1:12:23.320
<v Speaker 3>Well, the first two episodes are on YouTube. We will

1:12:23.360 --> 1:12:25.599
<v Speaker 3>put the link in our description. We ask you guys

1:12:25.640 --> 1:12:27.880
<v Speaker 3>go watch it. It's really fun. This is the last

1:12:27.920 --> 1:12:32.200
<v Speaker 3>episode Danielle will be back luckily, so I beenough. Well,

1:12:32.479 --> 1:12:33.439
<v Speaker 3>not familiar with her either.

1:12:33.640 --> 1:12:36.760
<v Speaker 2>Okay, you've been great, Jensen, thank you, you've been great

1:12:36.840 --> 1:12:41.240
<v Speaker 2>sitting in for Danielle. It's not not the same visual, I'll.

1:12:41.040 --> 1:12:43.320
<v Speaker 3>Be honest, No, I'm not the same. She's so talented

1:12:43.400 --> 1:12:46.120
<v Speaker 3>at this, she's so difficult. She poses so much show

1:12:46.120 --> 1:12:47.720
<v Speaker 3>that both you guys were like, don't make us do

1:12:47.800 --> 1:12:49.200
<v Speaker 3>it both, Yah, don't do it.

1:12:49.560 --> 1:12:51.800
<v Speaker 2>Because we're lazy, not because she's better than us, right,

1:12:51.880 --> 1:12:53.599
<v Speaker 2>I mean, let's be honest, what do we really think

1:12:53.600 --> 1:12:54.120
<v Speaker 2>of Danielle?

1:12:54.439 --> 1:12:56.479
<v Speaker 3>Okay, well, this is where I'll say. You could follow

1:12:56.600 --> 1:12:59.439
<v Speaker 3>us on Instagram at podmeets Worldshow dot com or send

1:12:59.479 --> 1:13:02.040
<v Speaker 3>us an email Podmeets World Show at gmail dot com.

1:13:02.200 --> 1:13:03.639
<v Speaker 3>And we have Merch.

1:13:04.080 --> 1:13:05.160
<v Speaker 1>We miss you, Danielle.

1:13:05.360 --> 1:13:08.439
<v Speaker 3>Merch it's at Podmetsworldshow dot com.

1:13:09.280 --> 1:13:12.439
<v Speaker 1>Writer send us home, We love you all, pod dismissed.

1:13:14.479 --> 1:13:17.880
<v Speaker 1>Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1:13:17.920 --> 1:13:22.080
<v Speaker 1>Wilfredell and Ryder Strong executive producers Jensen Karp and Amy Sugarman.

1:13:22.240 --> 1:13:25.400
<v Speaker 1>Executive in charge of production, Danielle Romo, producer and editor,

1:13:25.439 --> 1:13:29.360
<v Speaker 1>Tarasubasch producer, Maddie Moore, engineer and boy Meets World Superman

1:13:29.520 --> 1:13:32.879
<v Speaker 1>Easton Allen. Our theme song is by Kyle Morton of Typhoon.

1:13:33.200 --> 1:13:36.120
<v Speaker 1>Follow us on Instagram at Podmets World Show or email

1:13:36.240 --> 1:13:39.040
<v Speaker 1>us at Podmeats World Show at gmail dot com