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Speaker 1: So since Danielle is is out this episode, thought you

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Speaker 1: and I should will we should we should talk about

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Speaker 1: trips that we took just the two of us.

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Speaker 2: Oh, I thought you were gonna say what we really

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Speaker 2: thought about Danielle. Oh no, I will report back. Uh.

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Speaker 1: Do you remember our first, our only autograph signing trip

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Speaker 1: that we did.

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Speaker 2: Oh geez.

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Speaker 1: We went up to like San Francisco. We've stayed in

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Speaker 1: San Francisco, but then it wasn't in It was like

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Speaker 1: somewhere in the East Bay or South Bay and it

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Speaker 1: was a mall and a mall. Why were we doing that?

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Speaker 1: I don't know.

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Speaker 2: And why did the East Coast swing too? Because it

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Speaker 2: on the East coast as well.

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Speaker 1: The only time I ever got invited to any and

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Speaker 1: it was actually a Disney thing. They brought us up there.

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Speaker 1: We we got paid some sort of flat rate for

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Speaker 1: you and me to go up north and do a

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Speaker 1: signing at them all and it was a big deal,

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Speaker 1: like there was tons of people. Yeah. And then do

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Speaker 1: you remember what we did?

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Speaker 2: No? Did we did we go to an amusement park?

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Speaker 1: Yes, we did. We went to Great America, which is

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Speaker 1: the Six Flags up in northern California. But I just

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Speaker 1: remember we like we had we finished our signing for

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Speaker 1: the day and it was like two in the afternoon

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Speaker 1: and you were like we were I said, oh, you know,

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Speaker 1: we're somewhere near Great America and You're like, why don't

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Speaker 1: we go? And we convinced the handler from Disney to

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Speaker 1: call Great America and see if they could just give

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Speaker 1: us like VIP backstage, and they did. They did, really

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Speaker 1: they did, so we didn't have to wait in any lines.

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Speaker 1: We went and did like a whirlwind like day at

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Speaker 1: Great America, going with all the roller coasters, and I

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Speaker 1: did they have like that extra you know how they

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Speaker 1: have some amusement parks like the bungee jumping like Superman

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Speaker 1: thing where there's.

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Speaker 2: The Superman you did with the with the handler, did

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Speaker 2: exactly you remember this?

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Speaker 3: I do?

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Speaker 2: Oh my god, I can't believe that's.

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Speaker 3: Did you say how old you were here?

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Speaker 1: I would have been seventeen. Yeah, it was much been

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Speaker 1: just fifth season, fourth, fifth season something. But isn't it weird?

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Speaker 1: So you did an East Coast swing too?

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Speaker 2: Then I did an East Coast swing because I remember

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Speaker 2: the funny The funniest thing was so was that a

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Speaker 2: mall in New York and my family came because they

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Speaker 2: were all in New York at the time, Gary and

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Speaker 2: Greg and everybody, and they were all there and jokingly

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Speaker 2: waiting in line. And one of the first people I

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Speaker 2: saw was a girl who was probably twelve thirteen, and

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Speaker 2: she came up and she asked for an autograph, and

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Speaker 2: I said, of course, and I gave her an autograph.

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Speaker 2: She turned around and not even trying to lower her voice, went,

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Speaker 2: he looked so much better on TV.

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Speaker 1: Oh.

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Speaker 2: I remember like turning it essentially saying it right to

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Speaker 2: my family, who were the next ones in line, and

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Speaker 2: I was like, oh wow, what a way to spend

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Speaker 2: a day.

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Speaker 1: You see. I can't remember if I did get off,

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Speaker 1: like if I got asked to do these kinds of things,

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Speaker 1: because I would have said no, especially after the cruise.

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Speaker 1: I would have just said like, no, I'm not, like

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Speaker 1: I was so scared of the idea of meeting fans

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Speaker 1: and like do we need anything? But I must have

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Speaker 1: agreed to this one because you were going. It was like, oh,

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Speaker 1: you and Will get to go and I was like, yes,

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Speaker 1: Will and I get to go off, and we did.

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Speaker 1: We had so much fun. But that's the only time

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Speaker 1: I ever did anything like that until you know you wrote, yeah,

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Speaker 1: you asked me that I do conventions coming in two

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Speaker 1: thousand and you know, eighteen or whatever. It's like, yeah,

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Speaker 1: there's there's something out there. And then I loved it.

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Speaker 1: There's so much fun.

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Speaker 3: But I was surprised Danielle didn't do a lot of

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Speaker 3: them either. I think she only did that Mall of

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Speaker 3: America one and maybe one other one. But you guys

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Speaker 3: weren't like on the Tiffany Debbie Gibson tourists, right, no malls.

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Speaker 2: That would be great now. And then Danielle did one

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Speaker 2: for her book signing too, right.

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Speaker 3: Yeah, like those are but those are like Barnes and

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Speaker 3: Nobles and right, that's funny. Well that's really funny. I mean,

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Speaker 3: do you guys still I mean, I know, Disney every

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Speaker 3: once in a while when you can, but like, does

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Speaker 3: does roller coasters mean anything to you now? Because they

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Speaker 3: make me dizzy at forty five? Oh me too?

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Speaker 1: They're so fun, No, make that. I definitely get a

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Speaker 1: little like a different feeling than I used to as

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Speaker 1: a kid. I'm like, oh god, I am so old

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Speaker 1: for this by a lot. I love it.

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Speaker 2: You know why though, It's because of the crystals. In

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Speaker 2: your ears. Yeah, so this crystals in your ear drums

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Speaker 2: that at the older you get, they more they solidify

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Speaker 2: so they're less liquid. So then that kind of movement

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Speaker 2: makes you feel more sick. I remember because Sue and

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Speaker 2: I hadn't been on a roller coaster in forever, and

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Speaker 2: we all went to disney Land and they had the

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Speaker 2: loop coaster there and we hadn't done, ever done a

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Speaker 2: loop coaster at Disneyland was the first one they had there.

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Speaker 2: We're like, okay, great, let's do this. It was the

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Speaker 2: first thing we did. Ruined our whole day. The rest

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Speaker 2: of the day we were like, can't, can't do this anymore? Like, yeah, horrible, okay,

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Speaker 2: best ride you've ever been on?

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Speaker 3: Good question. I mean it seems like that Star Wars

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Speaker 3: thing might be the best one ever made.

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Speaker 2: Where you go in the you actually go in and

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Speaker 2: you see the walker, like the Imperial Walker.

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Speaker 3: It's insane. Yeah, it would be difficult to beat that.

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Speaker 1: I having been on stuff recently. Ghost Rider, the roller

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Speaker 1: coaster at Knotsberry Farm, is the most perfect roller coaster.

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Speaker 3: I ever been on it.

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Speaker 1: No, it's an old school wooden one, but a fast

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Speaker 1: and it is really well made. I I've just I've

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Speaker 1: been on it maybe six times, and I've enjoyed it.

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Speaker 1: Every time you do it at night and they light

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Speaker 1: it up. It is so much fun.

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Speaker 2: Better than Goofy Sky School.

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Speaker 3: Oh god, anything called Goofy Sky School, Jesus not very

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Speaker 3: farm is the underrated theme, it is.

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Speaker 2: It is the part I have to admit though. The

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Speaker 2: first time that I ever went on what is now

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Speaker 2: Guardians of the Galaxy, but was then Tower Terror.

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Speaker 3: That's a great ride. That was a great Guardian really fun. Yeah, yeah,

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Speaker 3: we're going if we're going on the kid Angle. Also,

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Speaker 3: I think Mister Toad's Wild Ride is hard to beat

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Speaker 3: as well.

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Speaker 2: That's a great ride the Caribbean.

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Speaker 1: Pirates of the Caribbean when the sense of atmosphere like though,

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Speaker 1: and I like it when it's physical. That's my problem

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Speaker 1: with the the Star Wars ride. I mean, it's just

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Speaker 1: still a lot of screen stuff, you know, Like anytime

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Speaker 1: I'm looking at screens or actors on screens, I'm like, okay,

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Speaker 1: I'm not in Wait.

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Speaker 2: Which Star Wars right are you talking about? You're talking

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Speaker 2: about flying the Millennium Falcon.

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Speaker 3: But have you ever done that one where you see

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Speaker 3: the Stormtroopers where you walk through and you're like, yeah,

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Speaker 3: that's incredible. Where you get to.

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Speaker 2: I think I told you if I really got to

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Speaker 2: the the girl who obviously had been there all day

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Speaker 2: and was just like, Hi, I'm Kelly, I'm here from

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Speaker 2: the Resistance.

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Speaker 3: Follow me please. Everyone else is doing an accent. They

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Speaker 3: all were like, you.

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Speaker 1: Worthless dogs, Let's take down the Empire.

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Speaker 3: Let's go. Yeah, we did it. It was so funny.

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Speaker 3: Fifty four Megasex doesn't know any of the words, just

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Speaker 3: walking through it. Well, welcome to pop Mey's world.

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Speaker 2: I'm Jensen Cart, I'm rather strong, and I'm Wilfordell.

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Speaker 3: Listen. It's the last Monday where you're gonna have to

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Speaker 3: hear me or look at me, So don't worry. It

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Speaker 3: all goes away. Danielle will be back very soon. And

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Speaker 3: normally I come on the show to play you a

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Speaker 3: clip of something that I found in my extensive research

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Speaker 3: for Pod Meets World, and this actually kind of fits

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Speaker 3: in that genre, which is I love looking at things

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Speaker 3: that Will and Ryder have done outside of the show.

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Speaker 3: It's one of my favorite hobbies. I don't do it

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Speaker 3: for Danielle because she will kill me, but in this case,

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Speaker 3: I found a longer piece of media that had to

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Speaker 3: be dug into a little deeper. And this is a

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Speaker 3: show that Will did after Boy Meets World. This was,

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Speaker 3: in my opinion, the next step for Will in a

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Speaker 3: sense that he could run his own sitcom. It seems

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Speaker 3: like that was what was going to happen after Boy

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Speaker 3: Meets World correctly, and this was a show called The

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Speaker 3: Random Years. So before we dive into this, we'll be

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Speaker 3: recapping the pilot of The Random Years. It is currently

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Speaker 3: available to watch on YouTube. All you have to type

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Speaker 3: in is the Random Years. We will put the link

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Speaker 3: to the show that we used for our recapping. It's

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Speaker 3: the best quality online in our description, you could check

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Speaker 3: it out. It actually has the first and second episode

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Speaker 3: on that YouTube video, but we only I mean I

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Speaker 3: watched both because I'm just obsessed with life, but the

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Speaker 3: first one is the one we recap. Will tell us

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Speaker 3: a little bit about your journey to The Random Years,

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Speaker 3: and then I'll talk maybe a little bit more details

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Speaker 3: about the show. Yeah.

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Speaker 2: What I remember most about my journey to The Random

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Speaker 2: Years was the kind of controversy that surrounded it. Yeah,

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Speaker 2: so I had, you know, I finished Boy Metswirld, and

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Speaker 2: I was on a what's called the Whole Deal with Disney,

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Speaker 2: and the first thing they did was they put me

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Speaker 2: on a show that I did six episodes of called

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Speaker 2: GoFish with Kieran Culkin and Andy Dick.

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Speaker 3: Oh wow, it.

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Speaker 2: Was the several of the cast members were very nice.

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Speaker 2: I got along with It is by far the worst

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Speaker 2: experience I've ever had on on a television show.

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Speaker 3: I like a guess between Curing Cocan or Andy Dick

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Speaker 3: where you had.

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Speaker 2: The problem, To be honest with you, it wasn't either

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Speaker 2: of them.

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Speaker 3: Okay, yeah, right, it.

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Speaker 1: Wasn't either of them were playing the older brother on it,

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Speaker 1: so it's sort of like they just like sampled you from.

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Speaker 2: Boy me and I went from playing the older brother

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Speaker 2: of a savage to the older brother of a Coulkin.

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Speaker 1: And was it a single camera a multi camp?

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Speaker 2: It was single camera, single camera, And so we we

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Speaker 2: did that, we finished that, obviously didn't get picked up.

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Speaker 2: We got we wrapped that up, and then you know,

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Speaker 2: you're back kind of on the audition circuit. But I

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Speaker 2: was still in the place where I didn't have to audition.

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Speaker 2: So UPN called and said, we have a show that

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Speaker 2: we'd like you to read for called or come in

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Speaker 2: and meet on called the Random yres great. I read

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Speaker 2: the script.

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Speaker 3: I really liked it.

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Speaker 2: I went in and met with them. They said, look,

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Speaker 2: we'd really love you to do this show. I said, fine,

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Speaker 2: I signed on to do the show. We shot the

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Speaker 2: Memory Serves, we shot the pilot. Had a great time.

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Speaker 3: The cast is.

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Speaker 2: Awesome, awesome, Eather there, Sean Murray and I became very

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Speaker 2: very close friends, Natalia, Josh, everybody.

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Speaker 3: We were We got along right off the bat. Uh.

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Speaker 2: And then they said we're not we're not picking it up.

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Speaker 3: We're not.

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Speaker 2: You did the pilot, thank you very much, We're not.

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Speaker 2: We're not doing it anymore. I said, okay, that's fine.

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Speaker 2: And then I got a call from the w B

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Speaker 2: saying we're doing a show.

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Speaker 3: Was it the www B?

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Speaker 2: It was the w W this is w B and

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Speaker 2: they were Sean, oh god, now I'm gonna British actor

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Speaker 2: Sean Connery. Sean, Yes, it was Sean Connery is finally

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Speaker 2: doing a sitcoms w B.

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Speaker 3: Yeah.

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Speaker 2: It was called you Bastards and so welcome to you

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Speaker 2: Bastards on the Doctor here w B.

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Speaker 3: Why is that frog?

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Speaker 2: No? So I went in and met on that I

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Speaker 2: met with Sean King I think is his name, and uh,

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Speaker 2: they said, yeah, this has already been picked up for

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Speaker 2: twenty six episodes. We'd love for you to do this

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Speaker 2: with us. I said, I'd love to do this show.

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Speaker 2: I then got a letter like two days later from WB,

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Speaker 2: I still have it. Welcome to the cast of Off Center.

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Speaker 2: We're so excited to start blah blah blah. UPN then

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Speaker 2: heard that I had was now going to do a

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Speaker 2: WB show, so they decided to exercise my option and

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Speaker 2: pick us up for the six episodes that were guaranteed

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Speaker 2: to burn us off so that I couldn't go to

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Speaker 2: the WB. And it made the trades. So it was

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Speaker 2: all over the trades that w that. You know, WB

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Speaker 2: was really upset because they were yeah, and.

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Speaker 3: This was their main competition, right, I mean, that was

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Speaker 3: who they were going up against. Yeah, so they were.

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Speaker 2: It was at the time they were UPN was going

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Speaker 2: through a changeover, which every network does all the time,

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Speaker 2: and and less Moonvest had come in and picked up

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Speaker 2: four or five shows, random Yres being one of them,

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Speaker 2: and the second then less Moonvest left.

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Speaker 3: They knew anything he brought to.

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Speaker 2: The network was what was going to be gone and

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Speaker 2: we were one of those, so they knew they were

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Speaker 2: going to cancel us before they picked us up, just

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Speaker 2: so I couldn't go to the WB Wow after assuring

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Speaker 2: me that that wouldn't happen.

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Speaker 1: And what happened to the w B show?

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Speaker 3: Did it go on? It went two seasons, two seasons.

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Speaker 2: Eddie K Thomas, Yeah, Eddie K took over.

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Speaker 1: I was supposed to frustrating man.

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Speaker 2: No, yes, it would be an actor so rough, Yeah,

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Speaker 2: it was. I mean it was would have been two

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Speaker 2: seasons on a sick and who knows, maybe if it

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Speaker 2: was Shahn and I it would have gone longer. You never,

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Speaker 2: you never, well, but he was fun doing well.

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Speaker 3: It is fun. The Random Years aired on the UPN

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Speaker 3: Network in two thousand and two. Debuted in March. It's

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Speaker 3: created by Michael Lisbie and Nate Regor.

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Speaker 2: A rider you also met they were. They marched with

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Speaker 2: us randomly. I think it was Nate. It was either

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Speaker 2: Nate or Mike were one of the people that marched

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Speaker 2: with us during the strike on that World Day.

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Speaker 3: Yeah. Yeah. Their their first big gig, and really almost

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Speaker 3: their first gig, was on Spin City. They pretty much

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Speaker 3: struck gold. They were given their own kind of development deals.

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Speaker 3: This was the result of it.

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Speaker 1: That's funny because when I was watching this, I was

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Speaker 1: like there. I was like, oh, Will's doing like an

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Speaker 1: Alex speaking Yeah, so that makes sense. The spin City,

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Speaker 1: There's a There's a.

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Speaker 3: The show is loosely inspired by the Friends Boom of

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Speaker 3: those years. It was based on the writers experience living

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Speaker 3: in New York City after graduating from college and what

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Speaker 3: they call a mid season replacement. So this is a

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Speaker 3: show that doesn't debut at the beginning of the season.

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Speaker 3: It comes in for someone that is ailing. That show

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Speaker 3: that was ailing. Do you know what it was? No,

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Speaker 3: Roswell really.

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Speaker 2: Five seasons seasons?

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Speaker 3: Yeah, I know for as bad as your industry story

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Speaker 3: was the Roswell Roswell has a great industry story.

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Speaker 2: But yes, no, we were. We were very much the

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Speaker 2: sacrificial lamb. As we were shooting, we knew we weren't

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Speaker 2: doing it.

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Speaker 1: Really, they just did this attack my other deal. Everybody

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Speaker 1: else know that too, the other actors.

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Speaker 2: I don't know. Well, I mean it was in the trades,

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Speaker 2: it was everywhere, and that it was the and then

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Speaker 2: we actually went to upfronts and you know, because it's

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Speaker 2: u PN there were nine people in the in the

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Speaker 2: audience at upfronts, and every question was what do you

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Speaker 2: think about the WB doing this, what do you think

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Speaker 2: about UPM doing this? Do you really want to be

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Speaker 2: doing the show or did you rather be doing Off Center?

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Speaker 2: And it was like, boy, no, I'm excited to be

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Speaker 2: here kind of thing.

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Speaker 3: Yeah, yeah, I did read it. I did read a

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Speaker 3: couple of interviews with you from the time, and it

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Speaker 3: is focused on you saying this is the show I

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Speaker 3: want to be on. Just yeah, I know that happened,

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Speaker 3: and this is the show I ended up on the

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Speaker 3: show I really wanted to be on. That's kind of

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Speaker 3: just the talking point you had. I'm so glad I

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Speaker 3: got to meet all those guys, but I would rather

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Speaker 3: have been on the other show because Roswell was an hour,

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Speaker 3: so you went first. And then another show called as

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Speaker 3: If as If. I remember that because I remember meeting

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Speaker 3: the as If. It was a show that was really

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Speaker 3: big in England and they brought over an American version,

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Speaker 3: but they brought over some of the cast as well, and.

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Speaker 2: I remember them at the UPM party. Were all very

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Speaker 2: very nice. So but that show didn't go either.

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Speaker 3: Well, you guys, Film seven episodes, only four aired. Fun

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Speaker 3: trivia question. Do you know the name of the final

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Speaker 3: episode that aired?

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Speaker 2: I think, if memory serves it was called Boy Meets World.

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Speaker 3: It was called Wow. I was so excited when I

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Speaker 3: found that out.

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Speaker 2: We did seven. We did seven?

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Speaker 3: Film seven? You film seven? You aired for? Yeah, you

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Speaker 3: aired for. I'm not doing this for anything other than

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Speaker 3: a fact I'm not kicking you while you're down. You

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Speaker 3: know that the network was pushing to get the show

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Speaker 3: off the air. The Random Years received the lowest ratings

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Speaker 3: of any original programming of that network TV season. Really

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Speaker 3: it did which which shows? They just didn't show any

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Speaker 3: commercials because even just by showing a commercial you get

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Speaker 3: better ratings.

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Speaker 2: They wanted us. They wanted us to die. That was

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Speaker 2: they were ironically. Critics kind of liked it. Yeah, they

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Speaker 2: kind of liked it. I found a bunch of reviews

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Speaker 2: that liked the cast. A bunch of people liked you, obviously,

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Speaker 2: and the cast is a bunch of I would call

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Speaker 2: them workers, Yeah, a bunch of like hardcore just TV workers,

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Speaker 2: which we'll get into in a minute. Uh.

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Speaker 3: Lisbie and Regor would go on to have a fruitful

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Speaker 3: career in Hollywood, writing and producing on just shoot me. Cougartown,

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Speaker 3: two broke Girls, the cool kids. They've created shows, They've

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Speaker 3: went on to do a lot of stuff, and they

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Speaker 3: most rely worked on a show called Alca Poco, which

359
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Speaker 3: people really like on Apple TV.

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Speaker 2: Okay too, and they're also they were really great to

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Speaker 2: work with, very collaborative, really cool guys.

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Speaker 3: Yeah, well, we will get into the recap and you

363
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Speaker 3: can give us some inside stories about things you remember

364
00:16:13,680 --> 00:16:16,760
Speaker 3: from watching it. Then timeline from Boy Meets World? How

365
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Speaker 3: long after Boy Meets World raps? Does this start?

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Speaker 2: Two years? Because we finished in two thousand and I

367
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Speaker 2: think that, so yeah, end of because we finished Go

368
00:16:24,920 --> 00:16:26,280
Speaker 2: Fish in two thousand and one, so yeah, this is

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Speaker 2: two thousand and two, two years later.

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Speaker 3: And were the Fridels were Were they watching it as

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Speaker 3: excitedly as they were Boy Meets World?

372
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Speaker 2: Any any time? My mom My mom loves me to death,

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Speaker 2: and of course she's very supportive anything I do. My

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Speaker 2: dad is like, this is the best thing that has

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Speaker 2: ever happened. It is the greatest show on TV. My god,

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Speaker 2: my son is a genius.

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Speaker 3: That's my thing. Yeah right, I'm not doing this so

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Speaker 3: that I could find it, because I could find it

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Speaker 3: on my own, But I am asking what was your

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Speaker 3: next step? What was the show right after Boy Meets

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Speaker 3: World for me? Yeah?

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Speaker 1: Uh nothing. I went to college. I went to New

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Speaker 1: York and yeah, there was a I had a whole

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Speaker 1: deal too, And there was a show that Will and

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00:17:06,480 --> 00:17:09,520
Speaker 1: I both went to Network for different parts. Do you

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Speaker 1: remember this show? Will?

387
00:17:10,320 --> 00:17:10,840
Speaker 2: It was? It was?

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00:17:10,960 --> 00:17:13,600
Speaker 1: It was by the guys who are now huge. They

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Speaker 1: did Deep and oh Wow.

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Speaker 3: There was a Mandel.

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00:17:18,280 --> 00:17:23,400
Speaker 1: Yeah, yeah, Mandel and then his writing partner God who

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Speaker 1: ran Silicon Valley.

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Speaker 2: And it wasn't like The Loft or the Apartment.

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Speaker 1: It was a college show. It was about It was

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Speaker 1: about like guys in college.

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Speaker 3: I don't know.

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Speaker 2: Years was that?

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Speaker 1: What was just called the college?

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Speaker 2: It was called the College.

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Speaker 1: Dave Mandel and the other guy they were amazing and

401
00:17:40,480 --> 00:17:42,800
Speaker 1: they're great writers. They've obviously gone onto huge careers separately,

402
00:17:42,840 --> 00:17:44,960
Speaker 1: but at the time they were writing partners and they

403
00:17:45,000 --> 00:17:47,280
Speaker 1: created the show called The College Years, and they brought

404
00:17:47,359 --> 00:17:49,560
Speaker 1: us both in and I remember being like, they're going

405
00:17:49,600 --> 00:17:51,800
Speaker 1: to have to pick one of us, and neither of

406
00:17:51,880 --> 00:17:53,960
Speaker 1: us got it. And then I went off to college

407
00:17:53,960 --> 00:17:55,200
Speaker 1: and I was like, yeah, I'm not going to keep

408
00:17:55,200 --> 00:17:57,440
Speaker 1: auditioning for TV shows. Oh no, wait, I did do

409
00:17:57,480 --> 00:17:59,200
Speaker 1: a show. I did a pilot in two thousand and one.

410
00:17:59,600 --> 00:18:01,919
Speaker 1: I did a upn show. I don't know what it

411
00:18:02,119 --> 00:18:04,800
Speaker 1: ended up being called. When I did it, it was

412
00:18:04,840 --> 00:18:08,680
Speaker 1: called something like uh whatever, or you know, like some

413
00:18:08,760 --> 00:18:12,040
Speaker 1: generic sort of catchphrase. But yeah, it was just a

414
00:18:12,119 --> 00:18:14,680
Speaker 1: high school show, like it was a senior in high

415
00:18:14,720 --> 00:18:18,800
Speaker 1: school and it was a pretty funny single camera pilot,

416
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Speaker 1: but never got picked up.

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Speaker 3: Alec Berg you Sefeld too. Yes, he's a great great writer,

418
00:18:26,320 --> 00:18:29,119
Speaker 3: as Mandel as well, who created their you.

419
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Speaker 1: Know, and their stuff is like they brought me in

420
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Speaker 1: also they they wrote and directed with another guy, They

421
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Speaker 1: wrote and directed a movie called Fistful of Euros in

422
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Speaker 1: like two thousand and two, So they brought me in

423
00:18:39,680 --> 00:18:43,040
Speaker 1: and screen tested me for that. I just I loved

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Speaker 1: the writing and they liked me. We always look out a.

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Speaker 2: I don't think they liked me, if memory serves, if

426
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Speaker 2: they're the two guys I think they are. I don't

427
00:18:49,760 --> 00:18:50,600
Speaker 2: think they were huge.

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Speaker 1: Fans of really great great writers.

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Speaker 3: Well. I also I also hope that this gives our

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Speaker 3: listeners a bit of a viewing into a different aspect

431
00:19:00,800 --> 00:19:04,160
Speaker 3: of acting, which is that we focus the show on

432
00:19:04,280 --> 00:19:07,160
Speaker 3: the biggest success of your careers. You know, this is

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00:19:07,200 --> 00:19:08,960
Speaker 3: a show that went on forever and is being talked

434
00:19:08,960 --> 00:19:12,560
Speaker 3: about thirty years later, But yet even your most successful

435
00:19:12,600 --> 00:19:16,400
Speaker 3: actors have these stories, which is, you know, something else

436
00:19:16,440 --> 00:19:18,240
Speaker 3: that went on that could have went that way but didn't.

437
00:19:19,119 --> 00:19:21,440
Speaker 3: And maybe there's there's some insight you can give while

438
00:19:21,480 --> 00:19:24,080
Speaker 3: we go through the recap as to why or what

439
00:19:24,119 --> 00:19:25,600
Speaker 3: you liked about it or whatever it was. But I

440
00:19:25,680 --> 00:19:27,280
Speaker 3: actually had a fun time watching it. I guess we

441
00:19:27,359 --> 00:19:29,359
Speaker 3: usually asked what everyone thought about it. I guess we'll

442
00:19:29,359 --> 00:19:32,240
Speaker 3: start with Will, what did you think about watching this complete?

443
00:19:32,280 --> 00:19:34,639
Speaker 3: I'm sure everything was forgotten from your brain watching it.

444
00:19:34,680 --> 00:19:35,159
Speaker 3: What was you?

445
00:19:36,160 --> 00:19:39,080
Speaker 2: You know what? To be totally honestly, I was pleasantly surprised.

446
00:19:39,119 --> 00:19:42,199
Speaker 2: I remember my performance being a lot worse than it was.

447
00:19:42,800 --> 00:19:46,639
Speaker 2: I knew the rest of the cast, including the guest stars,

448
00:19:46,680 --> 00:19:50,800
Speaker 2: were solid, because I remember how funny they were. I

449
00:19:50,840 --> 00:19:53,480
Speaker 2: always thought that especially I was pushing a little like

450
00:19:53,520 --> 00:19:55,080
Speaker 2: in my head, I was pushing too hard to try

451
00:19:55,119 --> 00:19:57,359
Speaker 2: to be the leading man. I was mugging for the

452
00:19:57,400 --> 00:20:00,600
Speaker 2: camera more than I needed to. And then when I

453
00:20:00,600 --> 00:20:02,600
Speaker 2: watched it back, I was like, Okay, it's not bad.

454
00:20:02,680 --> 00:20:05,439
Speaker 2: I actually watched the second episode as well, and frankly,

455
00:20:05,440 --> 00:20:06,880
Speaker 2: I thought the second episode was better than.

456
00:20:06,840 --> 00:20:09,400
Speaker 3: The first one. Yeah, so pilots are always hard.

457
00:20:09,320 --> 00:20:12,600
Speaker 2: Yeah, but overall I was I was actually pleasantly surprised

458
00:20:12,640 --> 00:20:15,359
Speaker 2: with the chemistry we all had on camera and the

459
00:20:15,400 --> 00:20:17,760
Speaker 2: writing and the sets and everything. I mean, I was.

460
00:20:18,119 --> 00:20:18,639
Speaker 3: I liked it.

461
00:20:18,680 --> 00:20:20,640
Speaker 2: I actually I actually enjoyed it.

462
00:20:20,640 --> 00:20:22,320
Speaker 3: It's a fun show. Rter, Wait, what did you think?

463
00:20:22,800 --> 00:20:24,960
Speaker 1: Yeah, I mean I think that this is an example

464
00:20:25,000 --> 00:20:28,040
Speaker 1: of just a pretty amazing cast, Like these are all

465
00:20:28,240 --> 00:20:33,439
Speaker 1: just great sitcom actors. I just didn't feel like this

466
00:20:33,520 --> 00:20:35,399
Speaker 1: was a pilot. I wanted this to be the second

467
00:20:35,480 --> 00:20:39,600
Speaker 1: or third episode, and I think I feel like this

468
00:20:39,880 --> 00:20:45,760
Speaker 1: was there was I like pilots that that initiate the

469
00:20:45,800 --> 00:20:48,480
Speaker 1: situation or explain the situation, and I was lost.

470
00:20:48,520 --> 00:20:50,040
Speaker 3: I was like, wait, you were thrown in.

471
00:20:50,440 --> 00:20:52,280
Speaker 1: We were thrown in, and we were just supposed to

472
00:20:52,320 --> 00:20:54,399
Speaker 1: know these characters, and I want and by the end

473
00:20:54,400 --> 00:20:56,160
Speaker 1: of the episode, I was like, Okay, now I get

474
00:20:56,160 --> 00:20:59,000
Speaker 1: where we're going. But I wanted a little bit more telegraphing,

475
00:20:59,119 --> 00:21:01,920
Speaker 1: to be like, this is this guy whose apartment is here,

476
00:21:01,920 --> 00:21:03,679
Speaker 1: and he has this kind of job. This is his

477
00:21:03,760 --> 00:21:05,560
Speaker 1: loser friend who does this, and this is his friend,

478
00:21:05,600 --> 00:21:07,760
Speaker 1: you know, like just a little bit more like locating

479
00:21:07,880 --> 00:21:10,520
Speaker 1: of where it felt a little too generic. I feel

480
00:21:10,520 --> 00:21:12,919
Speaker 1: like they just they they didn't go hard enough. It

481
00:21:12,960 --> 00:21:15,359
Speaker 1: was like, and it's not the actor's fault. I feel

482
00:21:15,359 --> 00:21:17,240
Speaker 1: like it was probably and probably not the writer's fault.

483
00:21:17,240 --> 00:21:18,960
Speaker 1: I feel like it was probably a network note like

484
00:21:19,320 --> 00:21:22,080
Speaker 1: just make it friends. Just put these guys in funny situations.

485
00:21:22,119 --> 00:21:24,280
Speaker 1: And it's like, yeah, okay, you can do that. But

486
00:21:24,600 --> 00:21:27,639
Speaker 1: even Friends starts with like Rachel being introduced to everybody,

487
00:21:28,040 --> 00:21:31,920
Speaker 1: so she's like a fish out of water being like yes,

488
00:21:32,040 --> 00:21:34,159
Speaker 1: and this didn't have like a way in. So I

489
00:21:34,200 --> 00:21:36,240
Speaker 1: just felt a little like I'm throwing the deep end

490
00:21:36,480 --> 00:21:38,800
Speaker 1: with funny actors, but I don't know why I'm here,

491
00:21:39,000 --> 00:21:40,320
Speaker 1: and I don't know what I'm looking for.

492
00:21:40,480 --> 00:21:41,879
Speaker 3: I know what it is because Danielle and I have

493
00:21:41,920 --> 00:21:44,960
Speaker 3: sold enough script deals to figure out you know that,

494
00:21:45,080 --> 00:21:46,800
Speaker 3: you know we don't get it. I've gotten one thing

495
00:21:46,800 --> 00:21:49,400
Speaker 3: on TV, but but basically everything else gets canned before

496
00:21:49,440 --> 00:21:51,800
Speaker 3: it gets to even this point. But the idea is

497
00:21:51,800 --> 00:21:54,240
Speaker 3: is they the note is always let's just get into

498
00:21:54,280 --> 00:21:57,000
Speaker 3: it exactly right, isn't that the note? The note is like,

499
00:21:57,040 --> 00:21:58,800
Speaker 3: you only have two minutes to get the viewer to

500
00:21:58,840 --> 00:22:01,400
Speaker 3: not change a channel. Let's just do it into it. Yeah,

501
00:22:01,600 --> 00:22:04,240
Speaker 3: And they don't want to do any setup. Instead, it's

502
00:22:04,280 --> 00:22:06,760
Speaker 3: you walking around with a concern and now we're in

503
00:22:06,800 --> 00:22:08,120
Speaker 3: the show, right like and.

504
00:22:08,320 --> 00:22:10,760
Speaker 1: Yeah, it seems like the conceit of the show, which

505
00:22:10,800 --> 00:22:13,239
Speaker 1: I did watch the beginning of the second episode, and

506
00:22:13,280 --> 00:22:15,000
Speaker 1: that was much better at setting up the conceit of

507
00:22:15,000 --> 00:22:18,240
Speaker 1: the show, which is three guys who all want love,

508
00:22:18,280 --> 00:22:20,280
Speaker 1: They all want a woman in their life, and they

509
00:22:20,280 --> 00:22:23,320
Speaker 1: all have different strategies and completely different lifestyles, but they're

510
00:22:23,320 --> 00:22:26,159
Speaker 1: best friends. And so that's the next episode begins with

511
00:22:26,160 --> 00:22:28,199
Speaker 1: them all hitting on a waitress with their own style,

512
00:22:28,720 --> 00:22:31,200
Speaker 1: and I thought that was a better intro because it's

513
00:22:31,200 --> 00:22:33,920
Speaker 1: like that sets up the thematics of the show right now,

514
00:22:34,000 --> 00:22:35,560
Speaker 1: you walking in and being like, why are you on

515
00:22:35,600 --> 00:22:37,679
Speaker 1: my couch again? I was like, oh wait, wait, is

516
00:22:37,840 --> 00:22:38,440
Speaker 1: who's what?

517
00:22:38,440 --> 00:22:38,960
Speaker 3: What you know?

518
00:22:39,000 --> 00:22:40,840
Speaker 1: I just wanted a little bit more of like, what

519
00:22:41,000 --> 00:22:42,480
Speaker 1: is the point of this show? And if the point

520
00:22:42,480 --> 00:22:44,400
Speaker 1: of the show is three guys are desperate to find

521
00:22:44,440 --> 00:22:47,000
Speaker 1: love in New York City in the Random Mirrors that

522
00:22:47,040 --> 00:22:47,400
Speaker 1: would have.

523
00:22:47,320 --> 00:22:49,440
Speaker 3: Been just just sit tell me that it is funny

524
00:22:49,480 --> 00:22:51,680
Speaker 3: to mention the second episodes opening, because I do think

525
00:22:51,680 --> 00:22:53,720
Speaker 3: it gets across each character better than we do.

526
00:22:53,840 --> 00:22:56,000
Speaker 2: Yeh pilot yet disagree.

527
00:22:55,960 --> 00:22:57,800
Speaker 3: Just by telling us how they deal with women.

528
00:22:57,840 --> 00:23:00,399
Speaker 1: Exactly one short scene. It was like a little well like,

529
00:23:00,720 --> 00:23:02,800
Speaker 1: here's each guy's take, and you know who's going to

530
00:23:02,840 --> 00:23:03,920
Speaker 1: be successful and who's now.

531
00:23:03,880 --> 00:23:05,400
Speaker 3: The jokes And by the way, the jokes are harder

532
00:23:05,440 --> 00:23:07,240
Speaker 3: to find in the pilot than they are in the second.

533
00:23:07,640 --> 00:23:09,920
Speaker 2: By the way I've said this, I've said this from

534
00:23:10,200 --> 00:23:12,240
Speaker 2: for for since I saw it. If you want to

535
00:23:12,280 --> 00:23:16,800
Speaker 2: see pretty close to a perfect sitcompilot, go watch the

536
00:23:16,800 --> 00:23:21,200
Speaker 2: pilot for news Radio. It is just it gets everybody

537
00:23:21,240 --> 00:23:23,840
Speaker 2: in from the second year they're on camera, you know

538
00:23:23,880 --> 00:23:26,600
Speaker 2: what's happening. They give you there's a there's a mission

539
00:23:26,920 --> 00:23:30,399
Speaker 2: for our lead character. You were he's introduced to everybody else.

540
00:23:30,680 --> 00:23:33,639
Speaker 2: It is a pretty perfect sitcompilot.

541
00:23:33,920 --> 00:23:36,320
Speaker 3: Another thing for listeners who aren't in the business. I

542
00:23:36,400 --> 00:23:39,960
Speaker 3: actually would argue if networks were able to throw away money,

543
00:23:39,960 --> 00:23:42,399
Speaker 3: which twenty twenty four that is no longer happening. No,

544
00:23:42,560 --> 00:23:45,080
Speaker 3: I wouldn't even air pilots. I know that we just

545
00:23:45,160 --> 00:23:46,720
Speaker 3: keep them because oh they have them in the can

546
00:23:46,760 --> 00:23:48,119
Speaker 3: and they just put it on. But the truth is

547
00:23:48,200 --> 00:23:51,880
Speaker 3: shows get better. Yeah, after you get months off basically

548
00:23:51,880 --> 00:23:53,920
Speaker 3: between the pilot and the pickup, and then you're back

549
00:23:53,960 --> 00:23:56,920
Speaker 3: and people just you've you've worked on the characters more.

550
00:23:56,960 --> 00:23:59,760
Speaker 3: The whole thing is just better by that. And honestly,

551
00:24:00,040 --> 00:24:01,960
Speaker 3: and for podcast too, if you listen to our podcast

552
00:24:02,040 --> 00:24:04,080
Speaker 3: up top and you learn and you change and all

553
00:24:04,119 --> 00:24:06,359
Speaker 3: those things happen, it just shows get better.

554
00:24:06,680 --> 00:24:08,439
Speaker 2: If you want to see a perfect example of that,

555
00:24:08,520 --> 00:24:09,960
Speaker 2: I always bring it back to Mash, which I'm going

556
00:24:10,000 --> 00:24:12,080
Speaker 2: to do. So when they did the pilot of Mash,

557
00:24:12,119 --> 00:24:14,960
Speaker 2: then they ran the entire first season of Mash. People

558
00:24:15,040 --> 00:24:17,719
Speaker 2: weren't watching it at all. It was almost canceled several times.

559
00:24:18,119 --> 00:24:22,520
Speaker 2: So to relaunch it, they essentially did a second pilot to.

560
00:24:22,600 --> 00:24:23,600
Speaker 3: Start season two.

561
00:24:24,320 --> 00:24:26,840
Speaker 2: So if you watch the very first episode then the

562
00:24:26,920 --> 00:24:29,679
Speaker 2: very first episode of season two, you're essentially watching two pilots.

563
00:24:29,680 --> 00:24:32,280
Speaker 2: It's really interesting to see how they change it over

564
00:24:32,320 --> 00:24:35,000
Speaker 2: the season. But they reintroduce all the characters again, they

565
00:24:35,080 --> 00:24:37,480
Speaker 2: reshow the camp again. It's like they start all over

566
00:24:37,560 --> 00:24:38,800
Speaker 2: after an entire season of the show.

567
00:24:38,800 --> 00:24:40,800
Speaker 3: It's cool well. Also, for the record, that is why

568
00:24:40,840 --> 00:24:43,199
Speaker 3: you hear so many people say, oh, it takes a

569
00:24:43,200 --> 00:24:45,480
Speaker 3: couple to get going, but once you're in episode four,

570
00:24:45,520 --> 00:24:48,520
Speaker 3: it's it's not. They didn't try to do that. Yeah, no, exactly.

571
00:24:48,680 --> 00:24:50,919
Speaker 2: I mean break You know how many people said to

572
00:24:50,960 --> 00:24:52,639
Speaker 2: me with Breaking bad with like just keep with it,

573
00:24:52,720 --> 00:24:53,440
Speaker 2: just stick with it.

574
00:24:53,400 --> 00:24:56,600
Speaker 3: Ben, you're gonna get hooked, and the Wired people same thing.

575
00:24:56,680 --> 00:24:57,800
Speaker 2: Stick with it, stick with it.

576
00:24:57,800 --> 00:25:11,600
Speaker 3: It's like, okay, all right, all right, Well, let's get

577
00:25:11,600 --> 00:25:14,080
Speaker 3: into the recap here. This is season one, episode one

578
00:25:14,119 --> 00:25:17,240
Speaker 3: of the random years. Pilots are always named basically the

579
00:25:17,280 --> 00:25:19,240
Speaker 3: random year of course. Yeah, yeah, it's always the name.

580
00:25:19,400 --> 00:25:22,440
Speaker 3: First air date was March fifth, two thousand and two.

581
00:25:23,680 --> 00:25:27,280
Speaker 3: Certain time in Everyone's life. There the synopsis four Friends

582
00:25:27,320 --> 00:25:30,280
Speaker 3: Experience Life, Love and Laughs in New York City. Keep

583
00:25:30,320 --> 00:25:33,639
Speaker 3: it as generic as humanly possible for your violot exactly,

584
00:25:33,760 --> 00:25:37,399
Speaker 3: they tell me anything. And it's directed by Lee Shallat Chemmel,

585
00:25:37,520 --> 00:25:40,000
Speaker 3: a TV legend in the field. She has over one

586
00:25:40,080 --> 00:25:42,520
Speaker 3: hundred credits for Murphy Brown, to George Lopez, to The

587
00:25:42,520 --> 00:25:45,160
Speaker 3: Bernie Mac Show to Raising Hope. You name a show

588
00:25:45,240 --> 00:25:48,960
Speaker 3: she has probably worked on it. Script is obviously always

589
00:25:48,960 --> 00:25:51,480
Speaker 3: by the creators of the show. They're the showrunners. That's

590
00:25:51,520 --> 00:25:53,639
Speaker 3: for many reasons. One, if you're not in the business,

591
00:25:53,640 --> 00:25:56,119
Speaker 3: I could tell you they get paid on every episode

592
00:25:56,480 --> 00:25:59,120
Speaker 3: something to know. Basically, they created the characters. They get

593
00:25:59,160 --> 00:26:01,320
Speaker 3: to Also, by the way, Lee also gets paid on

594
00:26:01,320 --> 00:26:04,280
Speaker 3: every director. Yeah, director, director, pilot. You get money for

595
00:26:04,320 --> 00:26:06,480
Speaker 3: the rest of that shows, rest of that show. So characters,

596
00:26:06,480 --> 00:26:08,879
Speaker 3: buy all those things come up through the creators. So

597
00:26:08,880 --> 00:26:12,000
Speaker 3: they write the first screenplay. It's starring our own wilfredell

598
00:26:12,119 --> 00:26:14,840
Speaker 3: Is Alex Barnes. All Right, what do you remember about

599
00:26:14,840 --> 00:26:16,840
Speaker 3: getting this cat? Like, what was the character? What did

600
00:26:16,840 --> 00:26:18,719
Speaker 3: you know? Nothing?

601
00:26:18,960 --> 00:26:21,439
Speaker 2: He's really he's at the beginning, you know, you're just

602
00:26:21,440 --> 00:26:24,600
Speaker 2: a guy. It's more like how I can insert myself

603
00:26:24,600 --> 00:26:26,199
Speaker 2: into the character. I knew he was supposed to be

604
00:26:26,440 --> 00:26:29,960
Speaker 2: a website at the time. He runs a music website site. Yeah,

605
00:26:30,359 --> 00:26:34,480
Speaker 2: he is obviously trying to find love. He's out of

606
00:26:34,520 --> 00:26:36,640
Speaker 2: college for a year or two by this point, we're

607
00:26:36,720 --> 00:26:39,160
Speaker 2: just starting to and like most kids just starting out,

608
00:26:39,200 --> 00:26:41,240
Speaker 2: he's got a seventeen thousand square foot apartment in New

609
00:26:41,320 --> 00:26:43,359
Speaker 2: York City, so obvious.

610
00:26:43,320 --> 00:26:45,200
Speaker 1: See that's what I was sort of thinking. I was like, oh,

611
00:26:45,240 --> 00:26:49,639
Speaker 1: well he's the guy like I realized. I was like, Oh,

612
00:26:49,680 --> 00:26:52,600
Speaker 1: the point or one of the is the differences between

613
00:26:52,600 --> 00:26:55,080
Speaker 1: the guys. You're the one who did all the right things,

614
00:26:55,119 --> 00:26:57,600
Speaker 1: you like made money right, right, and then you have

615
00:26:57,680 --> 00:27:00,760
Speaker 1: your friend who has no ambition and who just sits

616
00:27:00,760 --> 00:27:03,200
Speaker 1: on the couch but has an easy time with girls,

617
00:27:03,560 --> 00:27:05,879
Speaker 1: and you're you're struggling. And then you have your weirdo

618
00:27:06,000 --> 00:27:10,080
Speaker 1: friend who's like maybe a genius, but he's like really

619
00:27:10,119 --> 00:27:13,160
Speaker 1: awkward with women, right, yeah, and he's a dental assistant. Right,

620
00:27:13,200 --> 00:27:15,800
Speaker 1: but you like do everything right, but you can't find love.

621
00:27:16,119 --> 00:27:21,120
Speaker 1: Cor okay, Like, but it took a while to their distinctions. Yeah,

622
00:27:21,280 --> 00:27:23,160
Speaker 1: but I know you were Alex P. Keaton, you were

623
00:27:23,200 --> 00:27:26,879
Speaker 1: like the more conservative like you. You know, you dress well,

624
00:27:27,000 --> 00:27:29,680
Speaker 1: you do your job, everybody likes you, but you're still

625
00:27:29,720 --> 00:27:32,960
Speaker 1: unhappy because you want love. I don't know that's the vibent.

626
00:27:33,280 --> 00:27:35,359
Speaker 2: Yeah, I think that's everybody's that We were all looking

627
00:27:35,400 --> 00:27:36,640
Speaker 2: for that person.

628
00:27:36,359 --> 00:27:36,960
Speaker 1: In our lives.

629
00:27:37,040 --> 00:27:39,920
Speaker 3: Right question, are you are you Napster? Are or are

630
00:27:39,960 --> 00:27:40,720
Speaker 3: you Pitchfork?

631
00:27:41,400 --> 00:27:41,720
Speaker 1: Hmmm?

632
00:27:42,600 --> 00:27:44,760
Speaker 3: Like you have a website, well, Napster like was a

633
00:27:44,840 --> 00:27:47,120
Speaker 3: peer to peer in two thousands, like Pitchfork. I think

634
00:27:47,160 --> 00:27:49,760
Speaker 3: it's like Pitchfork is like a it's like culturally cool,

635
00:27:49,800 --> 00:27:50,400
Speaker 3: but not like.

636
00:27:51,040 --> 00:27:53,720
Speaker 1: Breaking the Internet cool, you know, like Napster was breaking

637
00:27:53,720 --> 00:27:56,199
Speaker 1: the Internet. I feel like this character is much more like, Oh,

638
00:27:56,200 --> 00:27:58,200
Speaker 1: I'm just I've see a new business and I'm going

639
00:27:58,200 --> 00:28:00,440
Speaker 1: into it and like we're making money and we're doing fine.

640
00:28:00,640 --> 00:28:01,840
Speaker 2: I think it is the one I've heard of that

641
00:28:01,880 --> 00:28:03,920
Speaker 2: didn't that guy like steal it or something like that.

642
00:28:04,040 --> 00:28:05,760
Speaker 3: Well, I mean, yeah, all these guys in two thousand

643
00:28:05,800 --> 00:28:07,320
Speaker 3: and two have some story that could be turned into

644
00:28:07,320 --> 00:28:09,840
Speaker 3: a movie. But but what I'm sort of saying is like,

645
00:28:09,920 --> 00:28:13,239
Speaker 3: were you illegally putting music online? Or were Oh?

646
00:28:13,359 --> 00:28:15,480
Speaker 2: No, I don't think so. I don't think so. Yeah,

647
00:28:15,640 --> 00:28:18,120
Speaker 2: all right, isn't the guy from Napster? Wasn't he in

648
00:28:18,160 --> 00:28:20,240
Speaker 2: the Facebook? Yeah?

649
00:28:20,320 --> 00:28:21,440
Speaker 3: Yeah? Yeah?

650
00:28:21,480 --> 00:28:23,560
Speaker 1: So who who was the female regular?

651
00:28:24,080 --> 00:28:26,800
Speaker 3: Okay, I'll get his only Well, let's let's tell you. Yeah,

652
00:28:26,880 --> 00:28:31,119
Speaker 3: let's get into Josh Suckerman is wise Man or Weissman Wiseman.

653
00:28:32,000 --> 00:28:34,000
Speaker 3: This was early in his acting career, after small parts

654
00:28:34,000 --> 00:28:36,960
Speaker 3: in Pearl Harbor and Evolution. Soon after the Random Years,

655
00:28:36,960 --> 00:28:39,840
Speaker 3: he would retire from acting really yeah, and he would

656
00:28:39,840 --> 00:28:43,719
Speaker 3: begin producing unscripted television executive producing shows like Hustle and

657
00:28:43,760 --> 00:28:47,600
Speaker 3: tow Girl Meets Farm in Sidon City Toe. Isn't that

658
00:28:47,640 --> 00:28:50,640
Speaker 3: like towing show subgenre?

659
00:28:50,720 --> 00:28:51,400
Speaker 1: Yeah? I love that.

660
00:28:51,520 --> 00:28:55,320
Speaker 2: Okay, okay, I'm super nice guy. I remember he was.

661
00:28:55,720 --> 00:28:57,840
Speaker 2: You know, they were essentially like without telling him to

662
00:28:57,880 --> 00:29:00,360
Speaker 2: be Kramer, they were telling him to be Cramer correct direct.

663
00:29:00,800 --> 00:29:06,440
Speaker 3: Yeah, yea. Natalia is Casey. That's who you're asking about,

664
00:29:06,480 --> 00:29:08,120
Speaker 3: will Right Rider.

665
00:29:08,160 --> 00:29:09,480
Speaker 2: You have also worked with Natalia?

666
00:29:09,800 --> 00:29:10,640
Speaker 3: I have yet.

667
00:29:10,720 --> 00:29:15,200
Speaker 2: Natalia was on what was the show that Chila was

668
00:29:15,240 --> 00:29:16,959
Speaker 2: on that we would then went over and did an

669
00:29:16,960 --> 00:29:18,520
Speaker 2: episode of. I did an episode of and you were

670
00:29:18,520 --> 00:29:19,040
Speaker 2: in the Party?

671
00:29:20,160 --> 00:29:20,880
Speaker 3: Odd Man Out?

672
00:29:21,080 --> 00:29:23,160
Speaker 2: Yes, thank you. Natalia was on odd Man Out?

673
00:29:23,400 --> 00:29:23,680
Speaker 1: Gotcha?

674
00:29:23,720 --> 00:29:25,080
Speaker 2: She was one of the regulars on odd Man Out.

675
00:29:25,080 --> 00:29:26,760
Speaker 3: Oh there she's yeah, I have that. I have that.

676
00:29:27,760 --> 00:29:30,080
Speaker 3: She played Lindsay Wagner on Saved by the Bell The

677
00:29:30,120 --> 00:29:32,280
Speaker 3: New Class. That was her biggest role. She would appear

678
00:29:32,320 --> 00:29:34,160
Speaker 3: on Beverly Hills nine O two one, Oh was Chloe,

679
00:29:34,200 --> 00:29:36,120
Speaker 3: and shows like odd Man Out, as you said, Pacific

680
00:29:36,160 --> 00:29:39,040
Speaker 3: Palisades and Unhappily. Ever After, she would go on to

681
00:29:39,080 --> 00:29:41,400
Speaker 3: be in stuff like Joe Dirt and Joe Dirt sequel,

682
00:29:41,960 --> 00:29:44,720
Speaker 3: All My Children, Raising the Bar and something called Deputy,

683
00:29:44,760 --> 00:29:46,480
Speaker 3: which is pretty new.

684
00:29:47,200 --> 00:29:50,880
Speaker 1: Okay, so she's she becomes a regular. There's only only four.

685
00:29:51,200 --> 00:29:53,040
Speaker 1: There's four man, Okay, yeah, gotcha.

686
00:29:53,080 --> 00:29:55,200
Speaker 2: In the second episode, she ends up moving in with

687
00:29:55,400 --> 00:29:56,720
Speaker 2: or moving into the apartment.

688
00:29:56,400 --> 00:29:57,440
Speaker 3: Across the way from us.

689
00:29:57,520 --> 00:30:00,000
Speaker 1: Great, Okay, I wish that was the pilot then, yeah,

690
00:30:01,080 --> 00:30:03,160
Speaker 1: those who would have been the perfect audience surrogate, like

691
00:30:03,280 --> 00:30:05,480
Speaker 1: coming into this situation with these three.

692
00:30:05,680 --> 00:30:08,920
Speaker 3: Yes, she's the paid star. Those are the paid stars,

693
00:30:08,920 --> 00:30:11,480
Speaker 3: by the way, So now we're into guest stars. David

694
00:30:11,520 --> 00:30:14,960
Speaker 3: Gary as Waiter, another Joe Dirt guy who also appeared

695
00:30:15,000 --> 00:30:16,760
Speaker 3: on Just Shoot Me, so I assume that's how he

696
00:30:16,800 --> 00:30:21,760
Speaker 3: got that job. Valerie Geffner as Joe Lene, Jennifer Morrison

697
00:30:21,840 --> 00:30:24,320
Speaker 3: as Megan. Megan would go on to star on the

698
00:30:24,360 --> 00:30:28,040
Speaker 3: TV show House, which which is very cool as doctor

699
00:30:28,040 --> 00:30:29,960
Speaker 3: Allison Cameron, and she would appear on How I Met

700
00:30:29,960 --> 00:30:31,040
Speaker 3: Your Mother and This is.

701
00:30:31,080 --> 00:30:34,960
Speaker 2: Us and she and my girlfriend really she was. We

702
00:30:35,000 --> 00:30:36,840
Speaker 2: met on this set and then we dated after this. Yeah.

703
00:30:37,320 --> 00:30:40,800
Speaker 2: Very sweet girl, very sweet girl a couple of months.

704
00:30:40,920 --> 00:30:42,480
Speaker 3: She's very pretty, very pretty.

705
00:30:42,480 --> 00:30:46,720
Speaker 2: She is also on the cover of our Approboard pants catalog.

706
00:30:47,560 --> 00:30:54,960
Speaker 3: Oh, it's gonna sell us some pants. Yes, she's very cool.

707
00:30:55,160 --> 00:30:58,000
Speaker 3: And Sean Murray is Todd Mitchell. You'll most likely recognize

708
00:30:58,040 --> 00:31:01,040
Speaker 3: him from hocus Pocus, where he played Fatackery, and then

709
00:31:01,080 --> 00:31:03,000
Speaker 3: he'd go on to play Timothy McGee on almost five

710
00:31:03,080 --> 00:31:06,400
Speaker 3: hundred episodes of ncis yet still on it. He's never

711
00:31:06,880 --> 00:31:08,040
Speaker 3: run into these people ever.

712
00:31:08,360 --> 00:31:08,960
Speaker 1: I do well.

713
00:31:09,360 --> 00:31:11,360
Speaker 2: Sewn and I became good friends. I was at Sewan's wedding,

714
00:31:11,920 --> 00:31:14,800
Speaker 2: so yeah, no, we became very friendly and we were

715
00:31:14,880 --> 00:31:17,760
Speaker 2: friends for years and then we've kind of lost touch,

716
00:31:17,760 --> 00:31:19,680
Speaker 2: but we'll always kind of come back into each other's lives.

717
00:31:19,760 --> 00:31:22,760
Speaker 2: So at one point he was a very good friend

718
00:31:22,760 --> 00:31:24,520
Speaker 2: of mine. I still consider him a friend of mine.

719
00:31:24,560 --> 00:31:33,240
Speaker 2: He's a great guy all the way.

720
00:31:37,920 --> 00:31:39,600
Speaker 3: Before we get into the recap and get into the

721
00:31:39,680 --> 00:31:42,360
Speaker 3: nitty gritty, people know all about successes. Like I said,

722
00:31:42,440 --> 00:31:44,480
Speaker 3: what does it feel like to be on a show

723
00:31:44,960 --> 00:31:46,600
Speaker 3: at this point? You kind of know the network is

724
00:31:46,640 --> 00:31:48,520
Speaker 3: dooming it and then you get the call that there's

725
00:31:48,720 --> 00:31:50,760
Speaker 3: you know, we're done after four I mean, what is

726
00:31:50,760 --> 00:31:53,000
Speaker 3: that feeling for people who don't act?

727
00:31:53,160 --> 00:31:53,920
Speaker 1: It's tough.

728
00:31:53,960 --> 00:31:56,360
Speaker 2: I mean, well, I mean it's tough mostly because let's

729
00:31:56,360 --> 00:31:58,440
Speaker 2: put it this way. Sometimes it's tough, sometimes it's not.

730
00:31:58,520 --> 00:32:00,440
Speaker 2: When I found out go Fish wasn't getting picked up,

731
00:32:00,440 --> 00:32:04,200
Speaker 2: I was very happy. When I found out random here

732
00:32:04,240 --> 00:32:05,960
Speaker 2: is what they were doing with it, I was upset

733
00:32:06,000 --> 00:32:08,680
Speaker 2: because I really liked everybody. We got along super well.

734
00:32:09,200 --> 00:32:12,560
Speaker 2: The set was a fun place to be. We just

735
00:32:12,880 --> 00:32:15,480
Speaker 2: enjoyed being with each other. We enjoyed the scripts. It

736
00:32:15,560 --> 00:32:19,120
Speaker 2: was also coming off A Boy Meets World and going

737
00:32:19,160 --> 00:32:21,680
Speaker 2: to a show where we were talking about sex, where

738
00:32:21,720 --> 00:32:23,960
Speaker 2: we were drinking, where we were doing all stuff. It

739
00:32:24,080 --> 00:32:26,240
Speaker 2: was such a step up as an actor, and that's

740
00:32:26,320 --> 00:32:28,320
Speaker 2: that's wrong. That's step up is wrong. It's just a

741
00:32:28,360 --> 00:32:31,680
Speaker 2: different chapter in my life as an actor. We're now

742
00:32:31,840 --> 00:32:34,880
Speaker 2: playing an adult and I'm aging up. So that was

743
00:32:35,320 --> 00:32:36,960
Speaker 2: That was a lot of fun. I remember the first time,

744
00:32:37,680 --> 00:32:39,480
Speaker 2: you know, as we're on the set and Lee's like,

745
00:32:39,520 --> 00:32:40,800
Speaker 2: all right, wanted you to go up to the to

746
00:32:40,840 --> 00:32:42,600
Speaker 2: the fridge and grab a beer and come back. I'm like,

747
00:32:43,240 --> 00:32:47,080
Speaker 2: I grab a beer. She's like, yeah, you're up a beer?

748
00:32:47,120 --> 00:32:52,440
Speaker 3: Is there a photo of a beef scrambled egg?

749
00:32:52,600 --> 00:32:54,800
Speaker 2: You sure? We don't want red drink like that?

750
00:32:54,920 --> 00:32:55,120
Speaker 1: You know?

751
00:32:55,280 --> 00:32:57,720
Speaker 2: So it was, Yeah, it was strange, like go grab

752
00:32:57,720 --> 00:32:59,840
Speaker 2: a beer, come back down, all right, We'll get four more.

753
00:33:00,240 --> 00:33:01,640
Speaker 2: And it was just like, oh man, this is this

754
00:33:01,720 --> 00:33:02,360
Speaker 2: is great.

755
00:33:02,160 --> 00:33:03,400
Speaker 3: So fun.

756
00:33:03,480 --> 00:33:05,360
Speaker 2: The one thing I do remember that was bad about well,

757
00:33:05,760 --> 00:33:09,520
Speaker 2: first of all, this was the show to where we

758
00:33:09,600 --> 00:33:12,360
Speaker 2: shot on the same set that they did Family Ties.

759
00:33:12,920 --> 00:33:17,760
Speaker 2: Oh so being again, well that's what I said. So

760
00:33:17,960 --> 00:33:21,680
Speaker 2: they brought me into I had Michael J. Fox's dressinger

761
00:33:21,760 --> 00:33:24,440
Speaker 2: come and the first night I was there, I cried

762
00:33:24,600 --> 00:33:26,320
Speaker 2: because I was like all I had ever wanted to

763
00:33:26,320 --> 00:33:28,320
Speaker 2: be was Michael Fox and I'm sitting on the set

764
00:33:28,640 --> 00:33:30,800
Speaker 2: of Family Ties. I'm I'm like, I'm on the stage,

765
00:33:30,840 --> 00:33:33,360
Speaker 2: I'm the star of the show, I'm in his thing,

766
00:33:33,400 --> 00:33:35,160
Speaker 2: and I like, I was like, I never cried, what

767
00:33:35,200 --> 00:33:35,920
Speaker 2: the hell's appening?

768
00:33:36,320 --> 00:33:36,760
Speaker 3: So it was.

769
00:33:36,840 --> 00:33:38,680
Speaker 2: It was one that was one of those moments in

770
00:33:38,720 --> 00:33:40,240
Speaker 2: my career where I was like, oh my god, I'm

771
00:33:40,240 --> 00:33:41,720
Speaker 2: actually here. I just come off seven.

772
00:33:41,600 --> 00:33:42,680
Speaker 3: Years of a show.

773
00:33:42,720 --> 00:33:45,440
Speaker 2: But here it was like, I'm here, this is I had.

774
00:33:45,880 --> 00:33:48,520
Speaker 1: I had the exact same experience of being on a

775
00:33:48,560 --> 00:33:51,200
Speaker 1: show that you knew was doomed. When we did Pepper Dennis,

776
00:33:51,240 --> 00:33:53,840
Speaker 1: which is where I met my wife. We were that

777
00:33:54,000 --> 00:33:57,520
Speaker 1: was it was a very hot pilot. The pilot script

778
00:33:57,560 --> 00:34:01,080
Speaker 1: was amazing, and networks were in. Rebecca Remain was the

779
00:34:01,080 --> 00:34:03,080
Speaker 1: star and she was huge at the time. It was

780
00:34:03,080 --> 00:34:04,800
Speaker 1: her big step into acting. She was coming off the

781
00:34:04,960 --> 00:34:07,360
Speaker 1: x Men films and it was like, Oh, we're gonna

782
00:34:07,400 --> 00:34:08,839
Speaker 1: do it. And what happened is she had to go

783
00:34:08,880 --> 00:34:12,040
Speaker 1: do x Men two. So they held us for six

784
00:34:12,080 --> 00:34:15,400
Speaker 1: months and we just had to wait. No one could

785
00:34:15,600 --> 00:34:18,520
Speaker 1: do take other jobs. And when we came back, we

786
00:34:18,520 --> 00:34:21,560
Speaker 1: were shooting our second or third episode and they announced

787
00:34:21,600 --> 00:34:24,400
Speaker 1: the merger between WB and UPN, and we knew we

788
00:34:24,400 --> 00:34:27,520
Speaker 1: were screwed because the president of UPN was taking over

789
00:34:27,560 --> 00:34:30,640
Speaker 1: the new network, and so we were a WB show.

790
00:34:30,640 --> 00:34:33,040
Speaker 1: We're like, oh, well, then that's it, We're done, and

791
00:34:33,120 --> 00:34:36,520
Speaker 1: yet we still had to shoot thirteen episodes, and so

792
00:34:36,680 --> 00:34:39,399
Speaker 1: was this weird thing of like we loved each other,

793
00:34:39,440 --> 00:34:41,200
Speaker 1: we all got along, we all had it, and we

794
00:34:41,200 --> 00:34:43,760
Speaker 1: were like, maybe if we're good enough, it'll still matter.

795
00:34:43,800 --> 00:34:45,319
Speaker 1: So you still kind of give it your all, but

796
00:34:45,719 --> 00:34:48,200
Speaker 1: it's depressing and it's just hard to commit. All of

797
00:34:48,239 --> 00:34:50,480
Speaker 1: our scripts had already been written because of the strike too,

798
00:34:50,640 --> 00:34:52,080
Speaker 1: and then they had to let go of all of

799
00:34:52,120 --> 00:34:55,080
Speaker 1: the writing staff, so we only had our showrunners, and

800
00:34:55,080 --> 00:34:57,160
Speaker 1: I don't even think they could rewrite the scripts, so

801
00:34:57,200 --> 00:34:59,319
Speaker 1: we would just have table reads for no reason because

802
00:34:59,360 --> 00:35:03,240
Speaker 1: it couldn't rewri It was it was. It was so depressing,

803
00:35:03,600 --> 00:35:05,000
Speaker 1: but you know, I got to work with great people,

804
00:35:05,000 --> 00:35:07,960
Speaker 1: like the one writer I became friends with, Jason Catom's

805
00:35:08,480 --> 00:35:10,719
Speaker 1: was on our show, and he was like, he was like,

806
00:35:10,760 --> 00:35:13,240
Speaker 1: I'm bailing to go do this Friday Night Lights series

807
00:35:13,280 --> 00:35:15,640
Speaker 1: and I was like, Oh, that movie's good, I bet

808
00:35:15,680 --> 00:35:18,520
Speaker 1: the series is gonna suck. Yeah, went on to you know,

809
00:35:18,600 --> 00:35:20,920
Speaker 1: create Parenthood and he's a legend. But you know, there

810
00:35:20,960 --> 00:35:22,799
Speaker 1: was like great people involved, but we were all just

811
00:35:22,840 --> 00:35:26,120
Speaker 1: sort of like sad, and so it's just this bizarre.

812
00:35:25,760 --> 00:35:29,560
Speaker 3: Like from a job, this is eerily similar. Yeah, right,

813
00:35:29,760 --> 00:35:30,239
Speaker 3: yeah it is.

814
00:35:30,280 --> 00:35:32,440
Speaker 2: But it's also it's weird. It's it's getting on a

815
00:35:32,480 --> 00:35:36,920
Speaker 2: boat with your friends knowing four days into the cruise

816
00:35:37,040 --> 00:35:40,360
Speaker 2: it's going to sink exactly. So it's like, well, I

817
00:35:40,360 --> 00:35:42,680
Speaker 2: guess we can party for the four There's a great

818
00:35:42,719 --> 00:35:47,359
Speaker 2: buffet until we actually hit the icebergs, so let's do that. Yeah,

819
00:35:47,360 --> 00:35:50,719
Speaker 2: it's it's very very it's a strange sensation. Yeah, it's

820
00:35:50,719 --> 00:35:51,360
Speaker 2: a strange feeling.

821
00:35:51,600 --> 00:35:54,439
Speaker 3: Yeah, well, let's get into the recap. Will or writer

822
00:35:54,640 --> 00:35:57,400
Speaker 3: feel free to jump in at any point, let me

823
00:35:57,480 --> 00:35:58,719
Speaker 3: know if you want to talk about something. But we

824
00:35:58,719 --> 00:36:02,240
Speaker 3: start in the apartment, which obviously is the center stage

825
00:36:02,239 --> 00:36:06,080
Speaker 3: for this entire show. Alex Barnes, played by our Palhill Wilferdell,

826
00:36:06,160 --> 00:36:08,560
Speaker 3: walks in and greets his roommate Todd, who was supposed

827
00:36:08,560 --> 00:36:11,000
Speaker 3: to be doing temp work today. Todd says the gig

828
00:36:11,000 --> 00:36:13,719
Speaker 3: didn't feel quite right because it was in an office.

829
00:36:13,880 --> 00:36:16,840
Speaker 3: Alex tells him it's a concession. A concession will eventually

830
00:36:16,880 --> 00:36:19,040
Speaker 3: have to make. Todd shakes his head. I live in

831
00:36:19,040 --> 00:36:21,720
Speaker 3: New York. If I sit here, it will come. Alex

832
00:36:21,719 --> 00:36:24,560
Speaker 3: hands him a beer and Todd grins, see see game.

833
00:36:25,719 --> 00:36:28,239
Speaker 3: Alex looks at their answering machine, reminding us exactly what

834
00:36:28,320 --> 00:36:30,839
Speaker 3: year this takes place in, and he says, why don't

835
00:36:30,840 --> 00:36:33,480
Speaker 3: you ever play the messages? Todd shrugs, it's always like

836
00:36:33,600 --> 00:36:34,719
Speaker 3: Hi Todd, how are you?

837
00:36:35,080 --> 00:36:35,200
Speaker 2: Hi?

838
00:36:35,320 --> 00:36:36,920
Speaker 3: Todd, let's get together. I don't want to be a

839
00:36:36,960 --> 00:36:40,840
Speaker 3: part of that. So he is the Costanza, or he

840
00:36:40,960 --> 00:36:43,360
Speaker 3: is the Kramer, He's the Coristanza.

841
00:36:43,760 --> 00:36:47,439
Speaker 2: He's the Costanza. Yeah, yeah, yes, you're the Jerry, I'm

842
00:36:47,440 --> 00:36:50,319
Speaker 2: the Jerry, He's this Yeah, and then Wiseman's the the

843
00:36:50,600 --> 00:36:54,360
Speaker 2: uh Kramer, and then Natalia's is Elaine.

844
00:36:54,480 --> 00:36:58,120
Speaker 3: Yeah essentially yeah. Alex presses play anyway. The first is

845
00:36:58,160 --> 00:37:01,319
Speaker 3: from Todd's grandpa, who wants his copy of Lonesome Dove back.

846
00:37:01,600 --> 00:37:05,160
Speaker 3: Todd yells at the phone, I gave it back at Thanksgiving. Next,

847
00:37:05,200 --> 00:37:08,200
Speaker 3: a message from Megan Murphy. Alex is thrilled. This is

848
00:37:08,239 --> 00:37:09,759
Speaker 3: a girl who's in New York and would like to

849
00:37:09,760 --> 00:37:13,759
Speaker 3: see him. Alex lets out a scream. Yes. Todd warns him,

850
00:37:13,760 --> 00:37:16,520
Speaker 3: don't be too eager, but Eric says, it's fate. It's

851
00:37:16,520 --> 00:37:18,439
Speaker 3: like the sun has broken through the clouds and made

852
00:37:18,480 --> 00:37:19,480
Speaker 3: everything beautiful.

853
00:37:19,719 --> 00:37:20,759
Speaker 2: Did you call me Eric?

854
00:37:20,920 --> 00:37:21,880
Speaker 1: You did? Ax?

855
00:37:22,640 --> 00:37:27,800
Speaker 3: No, by the way, it actually says Alex, you still

856
00:37:27,840 --> 00:37:30,440
Speaker 3: said Eric. Oh my god. This shows how good Danielle

857
00:37:30,520 --> 00:37:31,160
Speaker 3: is at the job.

858
00:37:31,840 --> 00:37:34,120
Speaker 1: This is this is where you know. By this point,

859
00:37:34,160 --> 00:37:37,919
Speaker 1: I'm like, I'm just enjoying Will being a leading man,

860
00:37:38,080 --> 00:37:41,960
Speaker 1: Like it's so you just you needed your own sitcom,

861
00:37:42,080 --> 00:37:44,439
Speaker 1: like and you know, I'm so used to you being Eric,

862
00:37:44,480 --> 00:37:47,160
Speaker 1: which is way more of a character, you know, especially

863
00:37:47,160 --> 00:37:48,920
Speaker 1: by the end of Win's World, It's like you do

864
00:37:49,000 --> 00:37:51,440
Speaker 1: not have a normal bone in your part. You walk

865
00:37:51,480 --> 00:37:53,680
Speaker 1: into a scene and you're a cartoon character, and so

866
00:37:53,719 --> 00:37:56,080
Speaker 1: it was so cool to see you as just this

867
00:37:56,239 --> 00:38:00,760
Speaker 1: like more like just straightforward, kind of a straight man,

868
00:38:01,040 --> 00:38:03,319
Speaker 1: but you're still very funny. But it was like, yes,

869
00:38:03,480 --> 00:38:05,719
Speaker 1: this guy should have his own show. It makes so

870
00:38:05,840 --> 00:38:09,920
Speaker 1: many running the ship, setting the tone. Oh, it just

871
00:38:09,960 --> 00:38:10,879
Speaker 1: fits you so well.

872
00:38:11,280 --> 00:38:11,600
Speaker 2: Thank you.

873
00:38:12,239 --> 00:38:15,279
Speaker 3: A major set piece is their industrial sliding door that

874
00:38:15,280 --> 00:38:17,080
Speaker 3: they have that seems like a big thing. It opens

875
00:38:17,160 --> 00:38:19,360
Speaker 3: up and it's their friend and their other roomy Weissman.

876
00:38:20,000 --> 00:38:22,440
Speaker 3: He says, please tell me that's vegetable soup on the stairs,

877
00:38:22,800 --> 00:38:24,080
Speaker 3: referencing I'm assuming puke.

878
00:38:24,360 --> 00:38:27,520
Speaker 2: Vomit, good vomit joke. Get the show started.

879
00:38:27,840 --> 00:38:30,960
Speaker 3: Alex is still giddy. You're never gonna guess who called Wiseman,

880
00:38:31,000 --> 00:38:34,520
Speaker 3: guesses mister Miller, our middle school gym teacher. Alex is concerned. No,

881
00:38:34,680 --> 00:38:38,480
Speaker 3: but why would he call great gloried? Wiseman admits, I

882
00:38:38,520 --> 00:38:40,720
Speaker 3: don't know. I've just been thinking about him lately. Alex

883
00:38:40,800 --> 00:38:43,440
Speaker 3: is unfazed. Megan Murphy called, she wants to see me tonight.

884
00:38:43,520 --> 00:38:46,720
Speaker 3: Wiseman not as stoked. She thinks she can just waltz

885
00:38:46,719 --> 00:38:49,000
Speaker 3: back into your life after five years. Forget it, Alex,

886
00:38:49,040 --> 00:38:52,279
Speaker 3: We've moved on. Alex fights back. It's the best relationship

887
00:38:52,280 --> 00:38:53,279
Speaker 3: he's ever had. Now.

888
00:38:53,320 --> 00:38:55,120
Speaker 2: One thing I seriously noticed. And if you go back

889
00:38:55,120 --> 00:38:57,640
Speaker 2: and you watch so we had. This is the first scene.

890
00:38:58,160 --> 00:39:01,000
Speaker 2: We're in front of the audience and you can see

891
00:39:01,239 --> 00:39:04,640
Speaker 2: how nervous Josh is and when he puts up his hands,

892
00:39:04,880 --> 00:39:08,960
Speaker 2: his hands are shake and shaking like this, like no, Alex,

893
00:39:09,160 --> 00:39:09,759
Speaker 2: we've moved on.

894
00:39:09,840 --> 00:39:11,960
Speaker 1: And I was like, oh, that's right, I can remember.

895
00:39:12,000 --> 00:39:16,439
Speaker 1: Should do a pilot or redo a pilot. Every show

896
00:39:16,440 --> 00:39:19,600
Speaker 1: should write the first six episodes and shoot like two

897
00:39:19,680 --> 00:39:20,520
Speaker 1: through six and.

898
00:39:20,480 --> 00:39:22,000
Speaker 3: Go back and do the pie. I know that's such

899
00:39:22,000 --> 00:39:24,759
Speaker 3: a good idea, and rewrite that first after two through six.

900
00:39:25,120 --> 00:39:27,080
Speaker 3: You really help. Yeah, you can tell he's nervous.

901
00:39:27,280 --> 00:39:27,520
Speaker 1: Yeah.

902
00:39:27,560 --> 00:39:29,680
Speaker 3: Todd reminds him that they dated for seven days, but

903
00:39:29,719 --> 00:39:31,800
Speaker 3: Alex calls them the best seven days of his life.

904
00:39:31,960 --> 00:39:34,080
Speaker 3: It was like a movie montage, except they didn't make

905
00:39:34,120 --> 00:39:36,279
Speaker 3: love in the sand. Here comes a real Wilfredell moment.

906
00:39:36,280 --> 00:39:38,560
Speaker 3: By the way, Todd grimaces make love. What are you

907
00:39:38,600 --> 00:39:41,160
Speaker 3: one hundred years old? Alex wants to be romantic, not

908
00:39:41,200 --> 00:39:43,560
Speaker 3: make it all about sex, but Wiseman says it was

909
00:39:43,600 --> 00:39:46,799
Speaker 3: hot though, right, and then Will perfectly turns them, Oh dude,

910
00:39:46,800 --> 00:39:49,400
Speaker 3: you should have been there. Well, you know what I mean,

911
00:39:49,440 --> 00:39:53,040
Speaker 3: you shouldn't have been there, great timing. Wiseman was there

912
00:39:53,080 --> 00:39:55,640
Speaker 3: for the tragic ending though, and Todd reminist says, ah, yes.

913
00:39:55,719 --> 00:39:59,200
Speaker 3: Day eight, Alex tells them it wasn't Megan's fault. Her

914
00:39:59,280 --> 00:40:02,520
Speaker 3: dad got transfer to Kenya. Todd wonders why she waited

915
00:40:02,560 --> 00:40:05,840
Speaker 3: five years to call. Then it's a good question, Alex reiterates,

916
00:40:05,840 --> 00:40:10,040
Speaker 3: she was in Kenya. They have a fledgling telecommunications network. Plus,

917
00:40:10,080 --> 00:40:11,759
Speaker 3: all that matters is that he gets a second chance

918
00:40:11,760 --> 00:40:16,680
Speaker 3: with her. That's the fledgling telecommunications is a big piece

919
00:40:16,680 --> 00:40:19,919
Speaker 3: of the commercial for this show. It did right, Yeah,

920
00:40:19,960 --> 00:40:21,279
Speaker 3: it aired a couple of times and I was like,

921
00:40:21,440 --> 00:40:23,359
Speaker 3: that's a weird pick, is it really?

922
00:40:23,360 --> 00:40:25,080
Speaker 2: Oh that's what they picked? Is that line? For some

923
00:40:25,120 --> 00:40:26,640
Speaker 2: time I thought you meant that that was an on

924
00:40:26,760 --> 00:40:28,360
Speaker 2: running gag in the episode.

925
00:40:28,440 --> 00:40:30,799
Speaker 3: No, it's the commercial for the show for people to

926
00:40:30,800 --> 00:40:32,480
Speaker 3: tune in. That's like the big joke piece.

927
00:40:32,600 --> 00:40:35,600
Speaker 2: That's what they were Hey, they're trying to viewers.

928
00:40:36,280 --> 00:40:38,520
Speaker 1: Is a mistake. I think this whole first scene should

929
00:40:38,520 --> 00:40:40,359
Speaker 1: have just been should have just been the scene from

930
00:40:40,480 --> 00:40:44,080
Speaker 1: the first episode, the next episode, Yeah, because this just

931
00:40:44,239 --> 00:40:46,400
Speaker 1: has a I'm just I'm lost. I'm like, what is

932
00:40:46,400 --> 00:40:49,279
Speaker 1: the you mean? And also like, you know an age

933
00:40:49,320 --> 00:40:51,680
Speaker 1: of television where you just have three white guys, like

934
00:40:51,760 --> 00:40:54,240
Speaker 1: as the start, it was like, now, distinguishing you guys

935
00:40:54,360 --> 00:40:55,000
Speaker 1: is is hard.

936
00:40:55,120 --> 00:40:57,239
Speaker 3: I was like, Who's who? How do I know which? Yeah?

937
00:40:57,239 --> 00:40:59,480
Speaker 1: What's their gimmicks? What's the end? You guys all kind

938
00:40:59,520 --> 00:40:59,960
Speaker 1: of are?

939
00:41:00,120 --> 00:41:02,160
Speaker 2: They eventually bring in a white lady though.

940
00:41:03,640 --> 00:41:05,120
Speaker 1: But you got the other one kind of of the

941
00:41:05,160 --> 00:41:07,640
Speaker 1: same age, You're the same type in a lot of ways.

942
00:41:07,680 --> 00:41:09,799
Speaker 1: I was just like, I'm I'm not sure what the

943
00:41:09,800 --> 00:41:12,320
Speaker 1: inn is here, Like, what's the conflict? What's the difference?

944
00:41:12,400 --> 00:41:14,520
Speaker 1: Is everybody's just too generic.

945
00:41:14,280 --> 00:41:14,480
Speaker 3: You know?

946
00:41:14,520 --> 00:41:16,520
Speaker 1: And I'm sure they got sharper as it went along.

947
00:41:16,800 --> 00:41:19,240
Speaker 3: They do they do. Yeah, I did think to myself,

948
00:41:19,239 --> 00:41:21,200
Speaker 3: like what is the difference between the three? But you

949
00:41:21,239 --> 00:41:22,400
Speaker 3: do get that leader, yeah.

950
00:41:22,360 --> 00:41:22,879
Speaker 1: Which is great.

951
00:41:22,880 --> 00:41:24,480
Speaker 2: You're right if you see if you open in that

952
00:41:24,520 --> 00:41:27,120
Speaker 2: restaurant scene from the second one and you just delineate

953
00:41:27,160 --> 00:41:29,080
Speaker 2: who we all are, it does you all.

954
00:41:28,960 --> 00:41:32,080
Speaker 1: Want the same thing? Different angles? And different results.

955
00:41:32,120 --> 00:41:35,080
Speaker 3: Perfect. Alex is proud he's no longer a dumb college kid.

956
00:41:35,120 --> 00:41:37,080
Speaker 3: You ate Captain Crunch for dinner. He stuffs a full

957
00:41:37,120 --> 00:41:39,720
Speaker 3: pizza slice in his mouth, then continues with his mouth class.

958
00:41:39,719 --> 00:41:42,640
Speaker 3: I'm a moderately successful guy who happens to run his

959
00:41:42,680 --> 00:41:44,200
Speaker 3: own music. Webon business with the food.

960
00:41:45,480 --> 00:41:46,120
Speaker 2: Gotta do it.

961
00:41:46,760 --> 00:41:49,000
Speaker 3: Wiseman reminds him their young guys with no attachments, they

962
00:41:49,000 --> 00:41:50,920
Speaker 3: can get any girl they want. Todd gives them a

963
00:41:50,960 --> 00:41:54,839
Speaker 3: knowing look and Wiseman size Theoretically. Alex says, Megan wasn't

964
00:41:54,880 --> 00:41:56,520
Speaker 3: just any girl. All she had to do was put

965
00:41:56,520 --> 00:41:58,480
Speaker 3: her hand on his arm. Todd rolls his eyes. Oh,

966
00:41:58,520 --> 00:42:00,960
Speaker 3: here we go, the old double squeeze. Alex is adam,

967
00:42:00,960 --> 00:42:02,840
Speaker 3: and it was amazing. She'd stare in your eyes, the

968
00:42:02,840 --> 00:42:05,040
Speaker 3: corners of her mouth would curl ever so slightly, and

969
00:42:05,080 --> 00:42:06,879
Speaker 3: when you think it couldn't get any better, she'd give

970
00:42:06,920 --> 00:42:09,560
Speaker 3: you the squeeze. He mimics the action on Wiseman's arm,

971
00:42:09,600 --> 00:42:12,839
Speaker 3: forcing him to blurt out, I could be ready by seven.

972
00:42:13,440 --> 00:42:15,000
Speaker 3: We see a sped up exterior and we all know

973
00:42:15,040 --> 00:42:17,759
Speaker 3: that means day is turning tonight. Oh yeah, we're back

974
00:42:17,760 --> 00:42:19,839
Speaker 3: in the apartment. Probably an argument I could make two

975
00:42:19,880 --> 00:42:21,560
Speaker 3: for your pilot to not have the first two scenes

976
00:42:21,560 --> 00:42:25,239
Speaker 3: in the same space. Ye whatever. Alex is putting the

977
00:42:25,239 --> 00:42:27,920
Speaker 3: finishing touches on his date night fit. He tries ironing

978
00:42:27,920 --> 00:42:30,319
Speaker 3: his shirt while still wearing it, and he screams in pain.

979
00:42:30,960 --> 00:42:34,760
Speaker 3: Funny scene. Wiseman walks by with a basket of laundry.

980
00:42:34,800 --> 00:42:37,879
Speaker 3: Alex asks what are those? He responds, sexy sheets. This

981
00:42:37,920 --> 00:42:41,120
Speaker 3: is his Kramer by the way. At this point, yeah,

982
00:42:41,200 --> 00:42:44,040
Speaker 3: Alex mocks him. Are those to go along with your

983
00:42:44,080 --> 00:42:46,280
Speaker 3: sexy Batman comforter? Were you Batman?

984
00:42:47,360 --> 00:42:49,200
Speaker 2: Oh yeah, I'd already done. We were already done by

985
00:42:49,200 --> 00:42:49,520
Speaker 2: this point.

986
00:42:49,560 --> 00:42:49,799
Speaker 1: Yeah.

987
00:42:49,880 --> 00:42:52,960
Speaker 2: Yeah, small means nobody knew I was Batman because it's.

988
00:42:52,840 --> 00:42:55,400
Speaker 1: Still I thought you were gonna maybe say to go

989
00:42:55,440 --> 00:42:58,400
Speaker 1: along with your Batman underwear, and then it would be

990
00:42:58,400 --> 00:42:59,799
Speaker 1: a very will for Delman.

991
00:43:00,000 --> 00:43:02,560
Speaker 2: I know, will fredil moment. Yes, No, I was, yeah,

992
00:43:02,600 --> 00:43:06,080
Speaker 2: it's right as I heard it last night too. I

993
00:43:06,120 --> 00:43:09,040
Speaker 2: was like, I don't like making fun of Batman, right, not.

994
00:43:09,040 --> 00:43:11,760
Speaker 3: Right, not right, right, not right, but they definitely reference

995
00:43:11,760 --> 00:43:12,600
Speaker 3: it because of you, they do.

996
00:43:12,920 --> 00:43:16,200
Speaker 1: Wiseman is going, this is even this is a sort

997
00:43:16,200 --> 00:43:18,680
Speaker 1: of a better intro to your characters, because this says,

998
00:43:18,960 --> 00:43:21,520
Speaker 1: these guys don't know how to be adults yet. They're

999
00:43:21,560 --> 00:43:23,840
Speaker 1: living this adult life, but they don't know how to iron.

1000
00:43:24,320 --> 00:43:28,640
Speaker 1: They have batman, you know, blankets like that says the story.

1001
00:43:28,680 --> 00:43:30,439
Speaker 1: I'm like, oh, now I know who these people are.

1002
00:43:30,440 --> 00:43:32,760
Speaker 1: They're like trying to be grown ups, but they're still

1003
00:43:32,800 --> 00:43:34,839
Speaker 1: not grown up yet. They don't know how to do

1004
00:43:34,920 --> 00:43:37,839
Speaker 1: certain things. That's like describes way better than the first scene.

1005
00:43:37,920 --> 00:43:38,360
Speaker 1: I agree.

1006
00:43:38,880 --> 00:43:40,520
Speaker 3: Wiseman is going to the laundry mat and there are

1007
00:43:40,560 --> 00:43:42,959
Speaker 3: women at the laundry mat. These sexy sheets are bait.

1008
00:43:43,280 --> 00:43:45,120
Speaker 3: We hear a buzz and Wiseman opens the door to

1009
00:43:45,160 --> 00:43:47,880
Speaker 3: see a cute girl, Kasey Parker. Wiseman asker, what do

1010
00:43:47,880 --> 00:43:50,680
Speaker 3: you think of these sexy sheets? She bluntly responds, could

1011
00:43:50,719 --> 00:43:52,560
Speaker 3: you not stand so close to me? Did somebody here

1012
00:43:52,600 --> 00:43:53,400
Speaker 3: to call for a temp?

1013
00:43:54,400 --> 00:43:55,080
Speaker 2: Great entrance?

1014
00:43:55,320 --> 00:43:58,200
Speaker 3: Me not stand so close to me? And Wiseman nervously

1015
00:43:58,239 --> 00:44:01,400
Speaker 3: shuffles backwards. Alex said it was him and wishes Wiseman

1016
00:44:01,440 --> 00:44:04,200
Speaker 3: good night, making it obvious he needs to leave. As

1017
00:44:04,200 --> 00:44:06,680
Speaker 3: Wiseman awkwardly leaves, Alex tells her there are some new

1018
00:44:06,719 --> 00:44:09,160
Speaker 3: ads that need to go up on his website tonight

1019
00:44:09,200 --> 00:44:10,960
Speaker 3: he do it himself, but he has a date and

1020
00:44:11,000 --> 00:44:13,880
Speaker 3: starts to get into the complicated Megan situation before realizing

1021
00:44:13,920 --> 00:44:17,239
Speaker 3: she doesn't need to know this at all. He goes

1022
00:44:17,280 --> 00:44:18,880
Speaker 3: to grab her some water in case. He takes a

1023
00:44:18,920 --> 00:44:21,279
Speaker 3: seat on the couch, but she immediately springs up. We

1024
00:44:21,360 --> 00:44:23,640
Speaker 3: hear a groan come from underneath some pillows. It's taught.

1025
00:44:24,000 --> 00:44:28,960
Speaker 3: He thanks her for cracking his bag. You're so sweaty.

1026
00:44:29,160 --> 00:44:32,040
Speaker 3: Also a commercial moment again, Oh was it? Okay? I'm

1027
00:44:32,080 --> 00:44:34,200
Speaker 3: just because I want to know why did people not

1028
00:44:34,280 --> 00:44:36,840
Speaker 3: tune in? Why was it the least watch network show?

1029
00:44:37,120 --> 00:44:38,600
Speaker 3: So I watched some commercials and I was like, yeah,

1030
00:44:38,600 --> 00:44:42,000
Speaker 3: you don't sell it, that's why. Yeah. Alex returns with

1031
00:44:42,040 --> 00:44:44,120
Speaker 3: the water and she asks, there isn't a toothless kid

1032
00:44:44,160 --> 00:44:46,640
Speaker 3: with a banjo in the other room, is there? He

1033
00:44:46,680 --> 00:44:48,840
Speaker 3: assures her Todd is harmless deliverance reference.

1034
00:44:49,160 --> 00:44:51,799
Speaker 2: Ye, yeah, gotta be. I just saw how sweaty he was.

1035
00:44:51,800 --> 00:44:54,440
Speaker 2: He's obviously under that blanket for like fifteen minutes.

1036
00:44:54,800 --> 00:44:57,759
Speaker 3: I'm sure. He says, It's all basic stuff and gives

1037
00:44:57,800 --> 00:44:59,400
Speaker 3: her a quick rundown of the task. He gives her

1038
00:44:59,400 --> 00:45:01,359
Speaker 3: his cell phone number in case she needs it as

1039
00:45:01,400 --> 00:45:04,080
Speaker 3: he's leaving. Uh, he tells Casey, if Todd gets cranky,

1040
00:45:04,160 --> 00:45:05,600
Speaker 3: just put on dark side of the moon, give him

1041
00:45:05,640 --> 00:45:08,160
Speaker 3: a beer, and he'll go right to sleep. And then

1042
00:45:08,160 --> 00:45:09,399
Speaker 3: she sort of pets his head. Yeah.

1043
00:45:09,400 --> 00:45:12,400
Speaker 1: So this scene describes all these characters way better. And

1044
00:45:12,440 --> 00:45:15,440
Speaker 1: it should have been her starting the show now because

1045
00:45:15,480 --> 00:45:17,640
Speaker 1: she's coming into this world and has to meet these

1046
00:45:17,680 --> 00:45:19,800
Speaker 1: three guys and figure out who they are. And I

1047
00:45:19,800 --> 00:45:21,480
Speaker 1: would have been it. So it should have started with

1048
00:45:21,520 --> 00:45:23,520
Speaker 1: her like getting ready for her intempt job and then

1049
00:45:23,719 --> 00:45:25,839
Speaker 1: letting her be the audience surget into this world.

1050
00:45:25,960 --> 00:45:27,880
Speaker 3: Yeah, that's right. We go to the We go to

1051
00:45:27,880 --> 00:45:29,520
Speaker 3: the laundry mat, which would have been good too because

1052
00:45:29,520 --> 00:45:31,920
Speaker 3: it was a second scene outside of the set. Wiseman

1053
00:45:32,000 --> 00:45:34,000
Speaker 3: is stuffing the sexy sheets into a washing machine and

1054
00:45:34,000 --> 00:45:36,680
Speaker 3: we hear a seductive voice say, hey, sexy sheets. He

1055
00:45:36,760 --> 00:45:38,719
Speaker 3: stares at the off camera woman with a huge grin

1056
00:45:38,800 --> 00:45:41,640
Speaker 3: on his face. Very gramer again. We go to we

1057
00:45:41,680 --> 00:45:46,640
Speaker 3: go to break break, We go we go to a

1058
00:45:46,640 --> 00:45:49,640
Speaker 3: commercial break on YouTube. Very cool part. We could see all.

1059
00:45:50,800 --> 00:45:54,200
Speaker 1: And that's when I wrote down the real death knell

1060
00:45:54,520 --> 00:45:58,719
Speaker 1: for this show was that there was an Osbourne's and

1061
00:45:58,760 --> 00:46:02,000
Speaker 1: I was like, right, this is when reality was taking over.

1062
00:46:02,360 --> 00:46:05,960
Speaker 1: So shows like this, like just good old fashioned sitcoms

1063
00:46:06,080 --> 00:46:09,920
Speaker 1: were not doing well. Everybody was tuning in to watch

1064
00:46:10,080 --> 00:46:12,960
Speaker 1: Ozzy Osbourne and his family cutting up this stuff in

1065
00:46:13,000 --> 00:46:13,480
Speaker 1: their kitchen.

1066
00:46:13,719 --> 00:46:18,160
Speaker 2: Sweet Life, Simple Life. That was so that's what.

1067
00:46:18,280 --> 00:46:19,960
Speaker 1: So when I saw the promo for that, I was like,

1068
00:46:20,040 --> 00:46:22,640
Speaker 1: oh God, it's like that's what was happening, and it's

1069
00:46:22,680 --> 00:46:24,240
Speaker 1: like nobody was watching these shows.

1070
00:46:24,440 --> 00:46:26,680
Speaker 3: Yeah. Well, on the more positive side, we do get

1071
00:46:26,719 --> 00:46:29,480
Speaker 3: a pretty great carat top one Hunter collect commercial, which

1072
00:46:29,520 --> 00:46:32,960
Speaker 3: I was excited to see. We are now in the restaurant.

1073
00:46:33,040 --> 00:46:35,560
Speaker 3: Alex is nervously pacing waiting for Megan to arrive. She

1074
00:46:35,600 --> 00:46:37,359
Speaker 3: eventually walks through the door. They look at each other

1075
00:46:37,360 --> 00:46:39,960
Speaker 3: and on say hello. Alex makes his way over to her,

1076
00:46:40,040 --> 00:46:42,840
Speaker 3: but abruptly trips on a stair. He eventually gets to

1077
00:46:42,840 --> 00:46:46,480
Speaker 3: turn and passionately they kiss. She sort of kisses him.

1078
00:46:46,680 --> 00:46:47,520
Speaker 2: Yeah, she grabs me.

1079
00:46:47,800 --> 00:46:50,480
Speaker 3: Yeah. Alex is shocked. Wow, it's like riding a bike.

1080
00:46:50,880 --> 00:46:53,239
Speaker 3: She nervously giggles. She wasn't planning on doing that, but

1081
00:46:53,320 --> 00:46:55,840
Speaker 3: just seeing him made her. He agrees and says she

1082
00:46:55,920 --> 00:46:58,640
Speaker 3: looks amazing. He suggests they grab a table, but Megan

1083
00:46:58,680 --> 00:47:01,600
Speaker 3: stops him. She's a little heirist. There's something she needs

1084
00:47:01,600 --> 00:47:03,680
Speaker 3: to give him. She hands Alex something and he excitedly

1085
00:47:03,719 --> 00:47:06,360
Speaker 3: responds to my seventh grade swim medal. I've been looking

1086
00:47:06,360 --> 00:47:09,000
Speaker 3: for this forever. She's sorry she took it, but she

1087
00:47:09,080 --> 00:47:10,640
Speaker 3: knew it was his good luck charm and she wanted

1088
00:47:10,640 --> 00:47:12,320
Speaker 3: something to remember him by. He looks it over and

1089
00:47:12,360 --> 00:47:14,759
Speaker 3: then gives it back. He insists she keep it. You

1090
00:47:14,800 --> 00:47:20,600
Speaker 3: can always get another one. Seventh readers are really slowe This.

1091
00:47:20,520 --> 00:47:22,040
Speaker 2: Is also you know, one of the problems I have

1092
00:47:22,080 --> 00:47:24,959
Speaker 2: when I watched the show is this is pretty close

1093
00:47:25,000 --> 00:47:28,600
Speaker 2: to peak anxiety years for me. Really, So this whole

1094
00:47:28,680 --> 00:47:29,680
Speaker 2: thing was, This.

1095
00:47:29,760 --> 00:47:33,160
Speaker 3: Entire run of these shows was really tough.

1096
00:47:34,360 --> 00:47:36,040
Speaker 2: That's one of the reasons why Jen and I like that,

1097
00:47:36,160 --> 00:47:37,759
Speaker 2: you know, because I liked her so much. But I

1098
00:47:37,840 --> 00:47:39,919
Speaker 2: was just such in a dark place at the time

1099
00:47:40,360 --> 00:47:42,160
Speaker 2: that it just was never gonna work. When you're when

1100
00:47:42,160 --> 00:47:44,640
Speaker 2: you're dealing with that kind of mental illness, you're never

1101
00:47:44,680 --> 00:47:46,360
Speaker 2: gonna hey, let's jump into a relationship.

1102
00:47:46,360 --> 00:47:48,400
Speaker 3: It just wasn't. In the car, can't tell, will you

1103
00:47:48,440 --> 00:47:48,759
Speaker 3: look good?

1104
00:47:48,800 --> 00:47:49,600
Speaker 1: And thank you?

1105
00:47:49,719 --> 00:47:51,440
Speaker 3: Yeah? But it's Yeah, the.

1106
00:47:51,480 --> 00:47:54,120
Speaker 1: Guest cast is so good. I mean, she's amazing and

1107
00:47:54,160 --> 00:47:57,279
Speaker 1: the other woman is amazing, to the degree that if

1108
00:47:57,280 --> 00:48:00,800
Speaker 1: they weren't playing crazy characters, they might be becoming regulars.

1109
00:48:01,160 --> 00:48:01,719
Speaker 1: At this point the.

1110
00:48:01,920 --> 00:48:03,720
Speaker 3: Wheel back, I think they can reel them back a little.

1111
00:48:03,840 --> 00:48:05,919
Speaker 1: But at this moment when they you guys just kissed,

1112
00:48:05,960 --> 00:48:07,520
Speaker 1: I was like, is she going to become a regular?

1113
00:48:07,640 --> 00:48:08,880
Speaker 1: Is that? You know? Is this going to be like

1114
00:48:08,920 --> 00:48:11,799
Speaker 1: friends where there's three girls and three guys but ends

1115
00:48:11,840 --> 00:48:14,239
Speaker 1: up being No. The point of this episode is, you know,

1116
00:48:14,280 --> 00:48:16,600
Speaker 1: the crazy girl trope, like the crazy dates that go

1117
00:48:16,719 --> 00:48:19,560
Speaker 1: so wrong, but actually like it could have gone a

1118
00:48:19,560 --> 00:48:21,399
Speaker 1: different way, Like it could have you know, because they're

1119
00:48:21,760 --> 00:48:24,560
Speaker 1: so good, they're the acting is amazing.

1120
00:48:25,480 --> 00:48:27,520
Speaker 3: A little later in the restaurant, Alex and Megan are

1121
00:48:27,560 --> 00:48:29,200
Speaker 3: now at a table and he's telling her about the

1122
00:48:29,200 --> 00:48:30,920
Speaker 3: time he was stuck on a ski lift in Vermont

1123
00:48:30,920 --> 00:48:33,400
Speaker 3: for four hours. She says she's never gonna get on

1124
00:48:33,440 --> 00:48:36,480
Speaker 3: a ski lift. She's terrified of heights. Alex is confused

1125
00:48:36,600 --> 00:48:39,040
Speaker 3: she took him rock climbing once she explains that was

1126
00:48:39,040 --> 00:48:42,160
Speaker 3: before the plane crash. She was in a twelve person

1127
00:48:42,239 --> 00:48:45,080
Speaker 3: plane headed in Na Robi and they got struck by lightning.

1128
00:48:45,800 --> 00:48:47,040
Speaker 3: I love his response.

1129
00:48:47,080 --> 00:48:48,680
Speaker 2: It's just like, oh my god.

1130
00:48:49,560 --> 00:48:52,040
Speaker 1: But that's what you're You're acting is perfect because you're like,

1131
00:48:52,400 --> 00:48:56,560
Speaker 1: this sounds crazy. You're you're saying all the right things,

1132
00:48:56,600 --> 00:48:59,200
Speaker 1: but your tone is like, I think, are you joking?

1133
00:48:59,480 --> 00:48:59,719
Speaker 1: Are you?

1134
00:49:00,600 --> 00:49:04,719
Speaker 3: I love it you're listening in horror. She continues. The

1135
00:49:04,719 --> 00:49:07,040
Speaker 3: worst part is it dislotted a piece of the windshield,

1136
00:49:07,040 --> 00:49:09,319
Speaker 3: which not the pilot out. I was closest. I was

1137
00:49:09,320 --> 00:49:11,520
Speaker 3: the closest person to the cockpit, so I grabbed the controls,

1138
00:49:11,520 --> 00:49:14,080
Speaker 3: and the guys in the tower talked me down. Alex

1139
00:49:14,160 --> 00:49:18,440
Speaker 3: is dumbfounded. You landed a plane. Also good if I'm

1140
00:49:18,480 --> 00:49:20,319
Speaker 3: the network and I'm arguing, get to a quicker. This

1141
00:49:20,440 --> 00:49:21,279
Speaker 3: is what you get too quickly.

1142
00:49:22,120 --> 00:49:23,799
Speaker 2: I felt the same thing. I felt it picked up

1143
00:49:24,000 --> 00:49:24,560
Speaker 2: especially here.

1144
00:49:24,640 --> 00:49:26,759
Speaker 3: Yeah, yeah, at first I was terrified, But to tell

1145
00:49:26,760 --> 00:49:28,400
Speaker 3: you the truth, it's all all like driving a car.

1146
00:49:29,120 --> 00:49:31,640
Speaker 3: Just then, Wiseman and his new laundry Matt Lover, who

1147
00:49:31,680 --> 00:49:35,919
Speaker 3: actually kind of looks like him, right yeah, walks into

1148
00:49:35,960 --> 00:49:38,480
Speaker 3: the restaurant, arm in arm. She looks around and pressed,

1149
00:49:38,480 --> 00:49:42,680
Speaker 3: this place is fancy, Weisman adds, and reasonable and unreasonable

1150
00:49:42,719 --> 00:49:44,480
Speaker 3: didn't necessarily know what the joke was other than the

1151
00:49:44,520 --> 00:49:47,320
Speaker 3: fact that you read it like craver. But yeah, reasonable,

1152
00:49:59,640 --> 00:50:02,160
Speaker 3: All right. We're back in the apartment. Casey's hard at

1153
00:50:02,160 --> 00:50:04,279
Speaker 3: work on the computer when Todd, who was holding a

1154
00:50:04,360 --> 00:50:07,279
Speaker 3: huge sandwich, points out, you've been working for forty five

1155
00:50:07,280 --> 00:50:10,440
Speaker 3: minutes straight. You are way overdue for a break. She sighs.

1156
00:50:10,560 --> 00:50:13,640
Speaker 3: She's expected to be further along, but someone spilled chocolate

1157
00:50:13,640 --> 00:50:16,320
Speaker 3: milk on her to do list. Todd explains he was

1158
00:50:16,360 --> 00:50:20,960
Speaker 3: startled by the modem, another timely reference for people who

1159
00:50:21,000 --> 00:50:23,560
Speaker 3: don't know. Modems used to be very loud when you

1160
00:50:23,600 --> 00:50:24,239
Speaker 3: logged into the.

1161
00:50:24,200 --> 00:50:31,080
Speaker 2: Internet, things like huge screams that sandwich looks so good,

1162
00:50:31,239 --> 00:50:33,760
Speaker 2: Oh my god, so good, and the sandwich looks so good.

1163
00:50:33,600 --> 00:50:37,560
Speaker 3: Great food on TV. Yes, just look great. Yeah, he explains,

1164
00:50:37,600 --> 00:50:40,160
Speaker 3: I'm attempt too. Frankly, this whole period in work ethic thing,

1165
00:50:40,200 --> 00:50:42,160
Speaker 3: it's kind of run counter It kind of runs counter

1166
00:50:42,200 --> 00:50:45,279
Speaker 3: to the whole temp philosophy. Casey asked why Alex didn't

1167
00:50:45,320 --> 00:50:47,160
Speaker 3: just use Todd as attempt, and Todd explains he had

1168
00:50:47,200 --> 00:50:49,440
Speaker 3: other important matters to attend to, and he takes a

1169
00:50:49,480 --> 00:50:53,400
Speaker 3: ridiculous bite of that giant sandwich. Yeah, Casey stares at

1170
00:50:53,400 --> 00:50:56,360
Speaker 3: the sandwich. Is there a waffle in there? With a mouthful?

1171
00:50:56,400 --> 00:50:57,319
Speaker 3: He asked, what do you want one?

1172
00:50:57,560 --> 00:50:59,600
Speaker 2: I love though his reading of that too, yeah you

1173
00:50:59,640 --> 00:51:01,560
Speaker 2: want it is like a smile on his face. It's

1174
00:51:01,680 --> 00:51:02,160
Speaker 2: so great.

1175
00:51:02,280 --> 00:51:03,839
Speaker 3: Yeah, you were starting. We're starting to pick up how

1176
00:51:03,880 --> 00:51:06,440
Speaker 3: these three guys could be together, right, Like we're starting

1177
00:51:06,440 --> 00:51:09,400
Speaker 3: to feel it and starting to understand their characters. Casey's

1178
00:51:09,440 --> 00:51:11,560
Speaker 3: had enough. She doesn't want a sandwich or chocolate milk.

1179
00:51:11,600 --> 00:51:13,399
Speaker 3: She doesn't want to play risk or compare how tall

1180
00:51:13,440 --> 00:51:15,080
Speaker 3: they are, and she really doesn't want to talk to

1181
00:51:15,080 --> 00:51:18,520
Speaker 3: his grandfather on the phone again. Maybe a rewrite for

1182
00:51:18,560 --> 00:51:19,400
Speaker 3: the button.

1183
00:51:19,120 --> 00:51:21,040
Speaker 2: I would I thought this said the better button than

1184
00:51:21,040 --> 00:51:22,640
Speaker 2: that better button. Maybe thought the same thing.

1185
00:51:23,239 --> 00:51:26,080
Speaker 3: We're back at the restaurant, cheap pilot. As far as sets, right.

1186
00:51:26,239 --> 00:51:29,239
Speaker 2: Yeah, yeah, I also remember just how deep all the

1187
00:51:29,239 --> 00:51:31,840
Speaker 2: sets were so hard Deep Boy meets World had really

1188
00:51:31,960 --> 00:51:35,560
Speaker 2: shallow sets. We were just used to, like the classroom

1189
00:51:35,600 --> 00:51:38,280
Speaker 2: and even the hallway. We were kind of not upstage

1190
00:51:38,280 --> 00:51:42,160
Speaker 2: a whole lot. Just so yeah, coming into kind of

1191
00:51:42,200 --> 00:51:43,959
Speaker 2: shows where it's like, all right, now we're gonna wheel

1192
00:51:44,000 --> 00:51:45,800
Speaker 2: the cameras back to the back part of it's like,

1193
00:51:45,840 --> 00:51:47,360
Speaker 2: oh god, okay, that's totally different.

1194
00:51:47,760 --> 00:51:51,120
Speaker 3: So yeah, it was strange. Back at the restaurant, Wiseman's

1195
00:51:51,120 --> 00:51:53,319
Speaker 3: telling his date that being a dental assistant is a

1196
00:51:53,320 --> 00:51:55,120
Speaker 3: lot cooler than people think. If you wanted, I could

1197
00:51:55,120 --> 00:51:57,640
Speaker 3: wipen your teeth to night. She wonders if he has

1198
00:51:57,680 --> 00:51:59,600
Speaker 3: any plans to become a dentist. He says, now, he

1199
00:51:59,640 --> 00:52:01,840
Speaker 3: has other aspirations, but probably will stay in teeth in

1200
00:52:01,880 --> 00:52:05,799
Speaker 3: some capacity, possibly a consultant, a consultant teeth, consultant teeth.

1201
00:52:05,800 --> 00:52:08,239
Speaker 3: Because she says, this is fun. She thought she was

1202
00:52:08,280 --> 00:52:09,839
Speaker 3: going to spend the night doing laundry, but here she

1203
00:52:10,000 --> 00:52:12,080
Speaker 3: is with him. Then the waiter arrives and hands them

1204
00:52:12,120 --> 00:52:16,640
Speaker 3: two wineglasses, and she turns and shouts time. It was

1205
00:52:16,719 --> 00:52:22,239
Speaker 3: just incredible. Read yeah, so good, startling the audience too.

1206
00:52:22,280 --> 00:52:25,600
Speaker 3: It's so good. Wiseman is shocked. It's so funny. I

1207
00:52:25,600 --> 00:52:27,480
Speaker 3: mean that that might be my biggest laugh for the episode.

1208
00:52:27,560 --> 00:52:30,080
Speaker 3: It was great. It was great, good. Yeah. The waiter

1209
00:52:30,160 --> 00:52:32,680
Speaker 3: apologize in it and assures her the appetizers will be

1210
00:52:32,719 --> 00:52:35,120
Speaker 3: right out. She scoffs they better be. She turns to

1211
00:52:35,120 --> 00:52:37,239
Speaker 3: Wiseman as if nothing happens, So that's what I do.

1212
00:52:38,960 --> 00:52:42,640
Speaker 3: He responds another great read prison Guard, prison card. So good.

1213
00:52:43,160 --> 00:52:45,560
Speaker 3: Then over at Alex and Meghan's table, he seems annoyed.

1214
00:52:45,600 --> 00:52:48,520
Speaker 3: So you invented Pokemon? She nods, Yeah, remember how I

1215
00:52:48,600 --> 00:52:52,400
Speaker 3: used a doodle? Alex Blutley states, not really. She continues,

1216
00:52:52,400 --> 00:52:54,680
Speaker 3: I had this Japanese penpal, and every time i'd write her,

1217
00:52:54,719 --> 00:52:57,239
Speaker 3: I'd draw these little cartoons in the margin. Next thing

1218
00:52:57,280 --> 00:52:59,319
Speaker 3: I know, they're on TV and she never calls me again.

1219
00:52:59,440 --> 00:53:01,000
Speaker 3: Alex face out, Wow.

1220
00:53:01,880 --> 00:53:05,759
Speaker 2: I remember distinctly remember her because if memory serves, she's

1221
00:53:05,760 --> 00:53:09,040
Speaker 2: from Chicago and she'd hated how she could she say pan,

1222
00:53:09,160 --> 00:53:11,320
Speaker 2: pale and sad. If you listen to it again, she's like,

1223
00:53:11,320 --> 00:53:14,160
Speaker 2: I have this pan pal. I can't get the Chicago

1224
00:53:14,200 --> 00:53:15,239
Speaker 2: out of them. It's like, it's fine.

1225
00:53:15,560 --> 00:53:18,080
Speaker 1: Have you guys had this conversation with people before where

1226
00:53:18,120 --> 00:53:20,840
Speaker 1: they're like, oh, you know I wrote that I invented

1227
00:53:20,840 --> 00:53:25,400
Speaker 1: Harry Potter. It's like the biggest red flag for me

1228
00:53:25,560 --> 00:53:27,719
Speaker 1: when somebody's like, well, I would have been a great

1229
00:53:27,719 --> 00:53:30,239
Speaker 1: filmmaker except somebody stole my idea. And you're always like,

1230
00:53:30,440 --> 00:53:34,719
Speaker 1: you mean the boy Wizard or it's always just I'm like,

1231
00:53:35,160 --> 00:53:37,879
Speaker 1: but maybe it was actually just well written. Maybe it's

1232
00:53:38,040 --> 00:53:41,000
Speaker 1: really good and your version sucked. Yeah, it's like.

1233
00:53:41,000 --> 00:53:44,359
Speaker 2: Yeah generic, they get too where it's like I really

1234
00:53:44,360 --> 00:53:46,840
Speaker 2: came up with an idea for a submarine movie. It's like, what,

1235
00:53:47,080 --> 00:53:49,359
Speaker 2: that's it. There's a lot of them, that's what you got,

1236
00:53:49,440 --> 00:53:50,439
Speaker 2: because there's plenty of those.

1237
00:53:50,840 --> 00:53:54,040
Speaker 3: It's the Christen Wig character that like I created. It

1238
00:53:54,320 --> 00:53:58,320
Speaker 3: was always up upping someone on sl Well, I actually

1239
00:53:58,520 --> 00:54:04,240
Speaker 3: I built the Titanic. Yes, Megan is beaming. Old feelings

1240
00:54:04,280 --> 00:54:07,000
Speaker 3: are resurfacing. She asked, what about you? He just stares

1241
00:54:07,040 --> 00:54:09,040
Speaker 3: back with a fake grin. It's hard to describe what

1242
00:54:09,040 --> 00:54:11,719
Speaker 3: I'm feeling right now. We go to another commercial break.

1243
00:54:11,760 --> 00:54:14,040
Speaker 3: This time we get a Jack and dexter ad and

1244
00:54:14,120 --> 00:54:17,040
Speaker 3: one of those MasterCard ads where something ends up priceless.

1245
00:54:17,320 --> 00:54:19,600
Speaker 1: Yeah, well they are all And we also get a

1246
00:54:19,640 --> 00:54:23,560
Speaker 1: promo for as If yep that says it's not a

1247
00:54:23,600 --> 00:54:26,960
Speaker 1: reality showy, it feels like one or whatever. It has

1248
00:54:26,960 --> 00:54:29,560
Speaker 1: like a line where I was like, again, realities take

1249
00:54:29,640 --> 00:54:32,760
Speaker 1: it over, yeep, Hey, especially for smaller networks.

1250
00:54:32,840 --> 00:54:36,320
Speaker 2: Cheaper cheap, yes, up there. Yeah, put a bunch of

1251
00:54:36,320 --> 00:54:37,560
Speaker 2: people in the house and film them.

1252
00:54:37,880 --> 00:54:40,920
Speaker 3: Does not sell me on as if either. Back in

1253
00:54:40,960 --> 00:54:43,240
Speaker 3: the apartment, Casey stands up from the desk and stretches

1254
00:54:43,280 --> 00:54:45,080
Speaker 3: before making her way to the living room. Todd, who's

1255
00:54:45,080 --> 00:54:46,879
Speaker 3: on the couch, asked what she's doing. She says she's

1256
00:54:46,920 --> 00:54:48,920
Speaker 3: taking a five minute break, and Todd is pleased you're

1257
00:54:48,920 --> 00:54:51,960
Speaker 3: coming to the dark side. She's actually just downloading some logos,

1258
00:54:51,960 --> 00:54:53,600
Speaker 3: but if it makes him feel any better, she's ready

1259
00:54:53,600 --> 00:54:56,239
Speaker 3: to have that conversation about how much Foghorn Leghorn weighs

1260
00:54:56,280 --> 00:55:00,600
Speaker 3: in real life. Todd notes, well, he's actually times bigger

1261
00:55:00,640 --> 00:55:03,920
Speaker 3: than any other chickens. Casey corrects him, Actually, I'm not

1262
00:55:04,200 --> 00:55:07,640
Speaker 3: ready for this conversation. Todd tells her it's okay, his

1263
00:55:07,640 --> 00:55:10,320
Speaker 3: favorite show's coming on. Yes, really, who's in the center square?

1264
00:55:10,760 --> 00:55:13,759
Speaker 3: He reveals it's actually Antiques Roadshow. Nice little storyline here,

1265
00:55:13,800 --> 00:55:14,600
Speaker 3: I thought anti.

1266
00:55:15,400 --> 00:55:21,320
Speaker 2: Does anybody remember what other famous sitcom characters really connect

1267
00:55:21,400 --> 00:55:22,560
Speaker 2: over Antiques Roadshow?

1268
00:55:22,800 --> 00:55:23,239
Speaker 3: Mm hmm.

1269
00:55:23,920 --> 00:55:26,920
Speaker 2: So one of the best episodes of Fraser is Fraser

1270
00:55:26,960 --> 00:55:30,040
Speaker 2: his dad and Niles turn it into a drinking game,

1271
00:55:30,160 --> 00:55:32,520
Speaker 2: which is kind of what this is. Yeah, so they're

1272
00:55:32,560 --> 00:55:35,440
Speaker 2: like all right, all right, Sherry, and they're like all right,

1273
00:55:35,440 --> 00:55:38,399
Speaker 2: which way anytime somebody says it was like linoleum, you've

1274
00:55:38,400 --> 00:55:40,239
Speaker 2: got well, this isn't real, this is actually ananoleum.

1275
00:55:40,239 --> 00:55:44,200
Speaker 1: Oh drink drink joke here man, the same show. They

1276
00:55:44,280 --> 00:55:47,200
Speaker 1: take that from Fraser then directly, I'm pretty sure.

1277
00:55:47,000 --> 00:55:51,120
Speaker 3: Fraser was before this had Yeah, weird Casey Surprise. Seriously,

1278
00:55:51,120 --> 00:55:52,840
Speaker 3: that's weird. I kind of like that show. He wonders

1279
00:55:52,880 --> 00:55:54,759
Speaker 3: why it's so weird? Do they like the same show?

1280
00:55:54,800 --> 00:55:57,400
Speaker 3: And Casey, without missing a beat, just says, because you

1281
00:55:57,520 --> 00:55:59,120
Speaker 3: use books as plates.

1282
00:55:58,760 --> 00:56:03,600
Speaker 1: Which is a great line character Yea, yeah, totally really good.

1283
00:56:04,080 --> 00:56:07,000
Speaker 3: Yep. Yeah, you're learning so much about the characters here again,

1284
00:56:07,440 --> 00:56:10,680
Speaker 3: could have went faster. Back at the restaurant, Wiseman tells

1285
00:56:10,719 --> 00:56:12,680
Speaker 3: his date that he was on the high school football team.

1286
00:56:12,719 --> 00:56:16,040
Speaker 3: She's interested, and that's what position he played, He grins, owl.

1287
00:56:16,360 --> 00:56:19,239
Speaker 3: I was the mascot. She loves football. She went to

1288
00:56:19,239 --> 00:56:21,279
Speaker 3: the super Bowl in Tampa, great town. Just don't ever

1289
00:56:21,320 --> 00:56:24,279
Speaker 3: punch a cop. They sit in silence. They sit in

1290
00:56:24,360 --> 00:56:26,200
Speaker 3: silence as she stares him down.

1291
00:56:26,400 --> 00:56:30,680
Speaker 2: Had this happen? Why had this happened? I was dating

1292
00:56:30,680 --> 00:56:34,960
Speaker 2: a girl back in the day and getting along great

1293
00:56:35,400 --> 00:56:38,160
Speaker 2: out for a while, and she told me. She's like, oh, yeah,

1294
00:56:38,200 --> 00:56:40,319
Speaker 2: except when I got arrested for beating up that cop

1295
00:56:40,360 --> 00:56:44,160
Speaker 2: and I went what And she's like, yeah, I was

1296
00:56:44,200 --> 00:56:47,400
Speaker 2: walking out of a bar and somebody grabbed me and

1297
00:56:47,520 --> 00:56:50,200
Speaker 2: spun me around and I turned around swinging, and I

1298
00:56:50,400 --> 00:56:52,400
Speaker 2: punched twice and I looked up and it was a

1299
00:56:52,440 --> 00:56:55,520
Speaker 2: CoP's like and I was in jail, and I was like, okay,

1300
00:56:55,920 --> 00:56:58,080
Speaker 2: well it was nice beating you.

1301
00:56:59,080 --> 00:57:02,760
Speaker 3: That's pretty cool. Yeah, she'd be fun. Oh my god.

1302
00:57:03,160 --> 00:57:03,279
Speaker 2: Uh.

1303
00:57:03,480 --> 00:57:06,480
Speaker 3: Back over at Alex and Meghan's table, she's talking about Sasquatch.

1304
00:57:06,480 --> 00:57:08,319
Speaker 3: I didn't believe in him either until this one night

1305
00:57:08,360 --> 00:57:11,040
Speaker 3: on my uncle's boat. Alex cuts her off. Okay, Meghan,

1306
00:57:11,320 --> 00:57:13,440
Speaker 3: before you get into that, there's something I really need

1307
00:57:13,480 --> 00:57:15,400
Speaker 3: to know. She smiles. What is it. I'll tell you anything.

1308
00:57:15,440 --> 00:57:17,640
Speaker 3: He gives a fake laugh. I know you will. He

1309
00:57:17,720 --> 00:57:19,560
Speaker 3: takes a deep breath. When we said goodbye, you told

1310
00:57:19,560 --> 00:57:21,320
Speaker 3: me it was because your family was moving to Kenya.

1311
00:57:21,400 --> 00:57:23,920
Speaker 3: Was that the truth? She stutters, Well, not entirely. We

1312
00:57:23,960 --> 00:57:26,840
Speaker 3: didn't move until later that summer. Alex is confused. Then

1313
00:57:26,840 --> 00:57:29,040
Speaker 3: why did you stop seeing me? She nervously says. It's

1314
00:57:29,080 --> 00:57:31,280
Speaker 3: hard to talk about. He says it was really a

1315
00:57:31,280 --> 00:57:33,720
Speaker 3: significant point in my life. Whatever it is, I can

1316
00:57:33,720 --> 00:57:36,280
Speaker 3: handle it. She blurts out. I was sleeping with Professor Markowitz.

1317
00:57:36,400 --> 00:57:37,960
Speaker 3: I had to do it. He threatened to fail me.

1318
00:57:38,400 --> 00:57:41,320
Speaker 3: Alex is shocked. But he was gay in ninety. She

1319
00:57:41,400 --> 00:57:43,240
Speaker 3: strokes his arm. For what it's worth, whenever I was

1320
00:57:43,280 --> 00:57:44,680
Speaker 3: with him, I was thinking of you. He gives it

1321
00:57:44,680 --> 00:57:47,200
Speaker 3: a nervous grin and in response, is that a good thing?

1322
00:57:47,720 --> 00:57:49,600
Speaker 2: I just want to I wanted to hear Rusties, but

1323
00:57:49,680 --> 00:57:53,120
Speaker 2: he was gay and ninety I wanted to do Rusty's

1324
00:57:53,240 --> 00:57:54,000
Speaker 2: Russy's saying.

1325
00:57:55,400 --> 00:57:57,560
Speaker 3: The silence is broken by a familiar voice, Hey, you

1326
00:57:58,040 --> 00:58:00,760
Speaker 3: did these chicken fingers come off a chicken's ass? It's

1327
00:58:00,840 --> 00:58:03,880
Speaker 3: Wiseman's date yelling again at the waiter. Alex makes eye

1328
00:58:03,920 --> 00:58:06,920
Speaker 3: contact with Wiseman and angrily motions towards the bathroom with

1329
00:58:06,920 --> 00:58:11,400
Speaker 3: his eyes. Uh not one of my favorite overall scenes.

1330
00:58:11,840 --> 00:58:14,640
Speaker 1: Now, I mean, I think your character needs a little

1331
00:58:14,640 --> 00:58:18,400
Speaker 1: bit of specificity, Like I think for me, like just

1332
00:58:18,480 --> 00:58:20,400
Speaker 1: listening to this recap, like, oh, it would have been

1333
00:58:20,400 --> 00:58:23,400
Speaker 1: great if you were like a workaholic, like you were

1334
00:58:23,400 --> 00:58:25,440
Speaker 1: the kid who were like came out of college. I

1335
00:58:25,560 --> 00:58:27,760
Speaker 1: just want to focus on my career and it worked,

1336
00:58:28,040 --> 00:58:31,520
Speaker 1: but you missed out on dating. You know that those

1337
00:58:31,600 --> 00:58:34,160
Speaker 1: years where you would have and so you're pining after

1338
00:58:34,200 --> 00:58:36,640
Speaker 1: your old girlfriend because you haven't done anything else.

1339
00:58:36,800 --> 00:58:38,520
Speaker 2: So that would have like given me a way in

1340
00:58:38,640 --> 00:58:39,000
Speaker 2: to you.

1341
00:58:39,120 --> 00:58:41,680
Speaker 1: Right. Oh, he's the guy who spent way too much

1342
00:58:41,720 --> 00:58:44,240
Speaker 1: time on computers and working to make money and now

1343
00:58:44,400 --> 00:58:47,439
Speaker 1: least having success. He's realizing he's missing this other part

1344
00:58:47,440 --> 00:58:49,600
Speaker 1: of his life, so he's diving in. And I would

1345
00:58:49,640 --> 00:58:51,560
Speaker 1: have been like, Okay, I'm with this guy as it is.

1346
00:58:51,600 --> 00:58:53,920
Speaker 1: I was like, you're kind of just a generic dude,

1347
00:58:53,960 --> 00:58:56,120
Speaker 1: Like there's nothing like that. Yeah, exactly. It would have

1348
00:58:56,120 --> 00:58:57,400
Speaker 1: been nice to have an angle.

1349
00:58:57,520 --> 00:58:59,640
Speaker 3: Yeah. The two of them burst into the bathroom in

1350
00:58:59,640 --> 00:59:01,720
Speaker 3: Wiseman and let's out of sigh relief. Thank god you're here,

1351
00:59:01,840 --> 00:59:03,640
Speaker 3: Alex reminds him. Of course I'm here. I told you

1352
00:59:03,680 --> 00:59:05,760
Speaker 3: I was coming here. What are you doing? Wiseman explains,

1353
00:59:05,800 --> 00:59:07,520
Speaker 3: I needed a cool restaurant. I met this girl at

1354
00:59:07,520 --> 00:59:10,840
Speaker 3: the Laundry Mountain. We just kind of clicked. Alex sarcastically responds,

1355
00:59:10,920 --> 00:59:15,680
Speaker 3: she seems wonderful, great, grateful, great read. Wiseman admits, I'm scared.

1356
00:59:15,680 --> 00:59:17,440
Speaker 3: I'm in way over my head. Alex groans, I know

1357
00:59:17,560 --> 00:59:19,560
Speaker 3: me too. Meghan's crazy. Everything that comes out of her

1358
00:59:19,560 --> 00:59:23,080
Speaker 3: mouth is a lie. Wiseman asks, beautiful, wonderful Meghan from college.

1359
00:59:23,120 --> 00:59:25,280
Speaker 3: Alex isn't even sure she went to college. Did you

1360
00:59:25,280 --> 00:59:27,120
Speaker 3: ever see her go to class? Because I never saw

1361
00:59:27,120 --> 00:59:29,880
Speaker 3: her go to class. Wiseman jumps on the sink counter

1362
00:59:29,920 --> 00:59:32,120
Speaker 3: and reaches for a window. Alex says, what's what are

1363
00:59:32,120 --> 00:59:34,400
Speaker 3: you doing? Wiseman says they got to get out of here.

1364
00:59:34,520 --> 00:59:36,920
Speaker 3: Alex says he can't leave. Megan's got that good luck medal.

1365
00:59:37,200 --> 00:59:39,400
Speaker 3: Wiseman doesn't hesitate, Well, good luck see you on the

1366
00:59:39,440 --> 00:59:42,240
Speaker 3: other side. Alex pulls him down, and Wiseman's confused. Why

1367
00:59:42,240 --> 00:59:43,320
Speaker 3: do you want to go back in there for your

1368
00:59:43,320 --> 00:59:46,600
Speaker 3: stupid seventh grade swimming medal. Alex insists it's not stupid.

1369
00:59:46,640 --> 00:59:48,600
Speaker 3: It means something to him. Plus he doesn't want Meghan.

1370
00:59:48,600 --> 00:59:50,920
Speaker 3: There's a dinosaur skeleton under my house Murphy to have it.

1371
00:59:51,440 --> 00:59:53,479
Speaker 2: But you get I mean, I get that now she's

1372
00:59:53,560 --> 00:59:55,760
Speaker 2: lying to him, so he sees another side of her.

1373
00:59:55,840 --> 00:59:58,480
Speaker 2: But he hasn't had the medal for years, and then

1374
00:59:58,520 --> 00:59:59,400
Speaker 2: he gave it back to her.

1375
00:59:59,720 --> 01:00:01,440
Speaker 1: That's but it needs to be connected to his character

1376
01:00:01,440 --> 01:00:03,240
Speaker 1: in some way, like, you know, this is the one

1377
01:00:03,240 --> 01:00:06,480
Speaker 1: thing that I did that I don't know somehow if

1378
01:00:06,480 --> 01:00:08,560
Speaker 1: it was it was something that because I love the

1379
01:00:08,640 --> 01:00:10,800
Speaker 1: Hyjenks of like we got to get this away from her,

1380
01:00:11,080 --> 01:00:13,000
Speaker 1: but like if it was connected to your character in

1381
01:00:13,000 --> 01:00:15,280
Speaker 1: a way, like oh, if I could just get this back,

1382
01:00:15,360 --> 01:00:17,760
Speaker 1: this was the last time I, you know, won something

1383
01:00:17,760 --> 01:00:19,720
Speaker 1: that my mom was proud of, you know, or like,

1384
01:00:19,760 --> 01:00:21,479
Speaker 1: I don't know, just give me.

1385
01:00:21,440 --> 01:00:23,600
Speaker 2: One time in my life I was athletic something like that.

1386
01:00:23,640 --> 01:00:24,080
Speaker 1: I don't know.

1387
01:00:24,160 --> 01:00:26,280
Speaker 2: Yeah, like I thought the same thing. I was, like,

1388
01:00:26,320 --> 01:00:28,320
Speaker 2: but you handed it back to her. I mean, I

1389
01:00:28,360 --> 01:00:31,480
Speaker 2: know she hasn't lied to you yet, but you still couldn't.

1390
01:00:32,000 --> 01:00:33,920
Speaker 3: I didn't even know. You didn't even really you know, right,

1391
01:00:33,960 --> 01:00:37,000
Speaker 3: Oh yeah, this, yeah exactly. Wiseman asked how he's going

1392
01:00:37,040 --> 01:00:38,760
Speaker 3: to get it back. Alex doesn't know. That's where you

1393
01:00:38,800 --> 01:00:42,320
Speaker 3: come in. Wiseman growns, I'm sitting in water again. Maybe

1394
01:00:42,360 --> 01:00:44,280
Speaker 3: maybe would have pitched a better out there.

1395
01:00:44,560 --> 01:00:47,680
Speaker 2: I also it was I distinctly remember something about his

1396
01:00:47,760 --> 01:00:50,480
Speaker 2: line read because it was like that to me, that

1397
01:00:50,520 --> 01:00:52,360
Speaker 2: couldn't have been the best read. It was almost like

1398
01:00:52,400 --> 01:00:54,840
Speaker 2: it was so thrown away that it was a very

1399
01:00:54,840 --> 01:00:55,640
Speaker 2: strange read.

1400
01:00:55,480 --> 01:00:57,120
Speaker 3: For that line. It was a whisper for an out.

1401
01:00:57,240 --> 01:01:00,400
Speaker 3: Yeah in the apartment, Casey's all finished. Todd congrad her,

1402
01:01:00,440 --> 01:01:02,240
Speaker 3: and she proudly states I even did some extra stuff

1403
01:01:02,240 --> 01:01:04,320
Speaker 3: he didn't ask for. Can you sign my time card?

1404
01:01:04,480 --> 01:01:06,880
Speaker 3: Todd nod. Sure, I'll put down you for forty hours.

1405
01:01:07,200 --> 01:01:08,919
Speaker 3: Casey laughs and sits out next to him to watch

1406
01:01:08,920 --> 01:01:11,440
Speaker 3: Antique's Roadshow. Todd explains that a woman thinks her toaster

1407
01:01:11,600 --> 01:01:13,880
Speaker 3: was built by the Shakers in the mid nineteenth century,

1408
01:01:14,200 --> 01:01:16,720
Speaker 3: and Casey points out that the microwave he's referring to

1409
01:01:16,800 --> 01:01:19,840
Speaker 3: is actually a Victorian pie chest. Todd rolls his eyes. Now,

1410
01:01:19,840 --> 01:01:21,720
Speaker 3: you're just making stuff up. She assures him she's not,

1411
01:01:22,040 --> 01:01:23,880
Speaker 3: and Todd wants to make a bet. She says she

1412
01:01:23,880 --> 01:01:25,640
Speaker 3: doesn't have any extra money to throw away, and Todd

1413
01:01:25,680 --> 01:01:29,040
Speaker 3: lee slightly remarksable, then let's bet something else. She instantly asked,

1414
01:01:29,200 --> 01:01:31,640
Speaker 3: like what, and they smile at each other. I did

1415
01:01:31,680 --> 01:01:39,560
Speaker 3: not think Strip Antiques Roadshow first thing. The first starts myself.

1416
01:01:39,560 --> 01:01:40,560
Speaker 3: I was like, I wonder what this game is going

1417
01:01:40,600 --> 01:01:43,040
Speaker 3: to be funny. At the restaurant, Alex makes his way

1418
01:01:43,040 --> 01:01:45,520
Speaker 3: back to Megan, with Wiseman following close behind, then ducking

1419
01:01:45,560 --> 01:01:48,080
Speaker 3: under the table. Meghan suggests they just skipped asert and

1420
01:01:48,120 --> 01:01:50,280
Speaker 3: heads straight back to the hotel. She is d two

1421
01:01:50,360 --> 01:01:55,080
Speaker 3: earl two ear. Alex immediately shouts no, he just really

1422
01:01:55,120 --> 01:01:58,080
Speaker 3: loves dessert. She brushes it off. She's thinking of extending

1423
01:01:58,120 --> 01:01:59,919
Speaker 3: her state. What do you think about that? Meanwhile, Wise

1424
01:02:00,280 --> 01:02:03,320
Speaker 3: picking up strange objects off the floor, examining them. Alex

1425
01:02:03,360 --> 01:02:05,680
Speaker 3: answers her, I think that sounds like I might get expensive,

1426
01:02:05,720 --> 01:02:08,800
Speaker 3: She smirks, not if I stay with you. She kicks

1427
01:02:08,800 --> 01:02:10,640
Speaker 3: her leg out underneath the table and it almost hits

1428
01:02:10,640 --> 01:02:13,160
Speaker 3: Wiseman in the face. He watches her foot bounce back

1429
01:02:13,160 --> 01:02:15,160
Speaker 3: and forth in amusement, which was an extra shock.

1430
01:02:15,200 --> 01:02:17,240
Speaker 2: The whole thing underneath the table is really weird to

1431
01:02:17,480 --> 01:02:18,520
Speaker 2: like he didn't need any of this.

1432
01:02:18,680 --> 01:02:20,800
Speaker 3: Yeah, Alex says he lives in a loft apartment in

1433
01:02:20,840 --> 01:02:22,760
Speaker 3: Chinatown with these two other guys, and they actually can't

1434
01:02:22,800 --> 01:02:24,920
Speaker 3: have any people stay over. It's in their lease. Wiseman's

1435
01:02:24,960 --> 01:02:27,240
Speaker 3: now reaching for Megan's handbag so he can grab the medal.

1436
01:02:27,440 --> 01:02:29,080
Speaker 3: Then we hear a woman's voice ask what are you

1437
01:02:29,200 --> 01:02:32,480
Speaker 3: doing down there? It's his date standing well above him

1438
01:02:32,480 --> 01:02:35,440
Speaker 3: with her arms crossed. He gets up in waves good evening.

1439
01:02:36,640 --> 01:02:39,800
Speaker 3: Alex thinks, fast, you remember Wiseman, right, We're always playing

1440
01:02:39,800 --> 01:02:41,400
Speaker 3: that game to see you can sneak up on each other.

1441
01:02:41,440 --> 01:02:43,160
Speaker 3: He turns to Wiseman, you almost got me their pal,

1442
01:02:43,280 --> 01:02:45,920
Speaker 3: and they playfully fight each other, sort of throwing their

1443
01:02:46,040 --> 01:02:49,960
Speaker 3: arms the restaurant again. Some time has passed. The two

1444
01:02:50,000 --> 01:02:51,600
Speaker 3: couples have now moved in down bigs.

1445
01:02:51,440 --> 01:02:54,400
Speaker 1: A double day, moved into a wacky double.

1446
01:02:54,280 --> 01:02:58,240
Speaker 3: Date bitcom one O one. They all sit together. Wiseman's

1447
01:02:58,320 --> 01:03:00,080
Speaker 3: date is telling Meghan, you can't do New York in

1448
01:03:00,120 --> 01:03:02,520
Speaker 3: a weekend. You have to stay. Megan agrees, I wanted

1449
01:03:02,520 --> 01:03:05,280
Speaker 3: to stay, but Alex's least doesn't allow guest. Wiseman's blurts out,

1450
01:03:05,320 --> 01:03:08,400
Speaker 3: I didn't know that. That sucks. That sucks. Alex gives

1451
01:03:08,480 --> 01:03:10,400
Speaker 3: him a look and begins to push Meghan's purse over

1452
01:03:10,400 --> 01:03:13,080
Speaker 3: to him under the table to get that medal. Instead,

1453
01:03:13,120 --> 01:03:15,200
Speaker 3: the purse hits Wiseman's date and they start to play

1454
01:03:15,280 --> 01:03:17,400
Speaker 3: foot seat with Alex, which is like, she's down to

1455
01:03:17,480 --> 01:03:20,560
Speaker 3: party this mone she is this one. Yeah, she seems excited.

1456
01:03:20,880 --> 01:03:23,240
Speaker 3: She tells Megan, Oh, I'm gonna ski this weekend. You

1457
01:03:23,240 --> 01:03:26,120
Speaker 3: could stay at my place. Megan's excited you ski the

1458
01:03:26,200 --> 01:03:28,680
Speaker 3: date response, Yeah, I almost made the Olympic ski team,

1459
01:03:28,920 --> 01:03:32,040
Speaker 3: Megan guess, so did I, but right before the trials

1460
01:03:32,040 --> 01:03:34,280
Speaker 3: I got stuck on a ski lift in Vermont. By

1461
01:03:34,320 --> 01:03:36,280
Speaker 3: the time they got me down, my fingers were actually

1462
01:03:36,280 --> 01:03:42,240
Speaker 3: turning blue. So she's a psychopathy. Yeah, yeah, this is

1463
01:03:42,280 --> 01:03:43,040
Speaker 3: Alex's story.

1464
01:03:43,400 --> 01:03:46,640
Speaker 1: Very smart because you're gonna steal somebody's story, don't take

1465
01:03:46,680 --> 01:03:50,040
Speaker 1: it from them. Twenty minutes, your audience, your audience.

1466
01:03:49,720 --> 01:03:52,080
Speaker 3: True psychopath. He has to get out of his date,

1467
01:03:52,160 --> 01:03:54,080
Speaker 3: so he pretends to choke. The girls try to help him,

1468
01:03:54,120 --> 01:03:56,080
Speaker 3: and Wiseman is trying to figure this out. Are you choking?

1469
01:03:56,480 --> 01:03:58,840
Speaker 3: Alex gives him a look, and Wiseman loudly exclaims, oh,

1470
01:03:58,840 --> 01:04:01,160
Speaker 3: I get it. It's an allergic action, sort of figuring

1471
01:04:01,200 --> 01:04:03,800
Speaker 3: out that this is not real. Just then, Wiseman reaches

1472
01:04:03,840 --> 01:04:06,160
Speaker 3: into Megan's bag gets the metal. While all the girls

1473
01:04:06,200 --> 01:04:08,760
Speaker 3: are frantically trying to help Alex, Wiseman's date shouts out,

1474
01:04:08,800 --> 01:04:12,280
Speaker 3: I know CPR, and Alex looks horrified. This is going

1475
01:04:12,320 --> 01:04:14,240
Speaker 3: too far. Wiseman says he's gonna take him to the

1476
01:04:14,240 --> 01:04:16,320
Speaker 3: emergency room, and Meghan insists that she goes with him.

1477
01:04:16,360 --> 01:04:19,400
Speaker 3: Alex pauses his allergic reaction. Had to replay this forty

1478
01:04:19,440 --> 01:04:21,680
Speaker 3: two times to figure out the line. The line is no,

1479
01:04:21,960 --> 01:04:25,720
Speaker 3: the cab won't stop for four two. Yeah. Yeah, yeah,

1480
01:04:26,240 --> 01:04:30,360
Speaker 3: even the subtitles got it wrong. Oh really yeah. Wiseman

1481
01:04:30,440 --> 01:04:32,600
Speaker 3: tells the women to stay at the restaurant and settle

1482
01:04:32,640 --> 01:04:35,040
Speaker 3: the bill, and the guy's bolt out the door. In

1483
01:04:35,080 --> 01:04:37,160
Speaker 3: the taxi, Alex is still in eye. I can't believe

1484
01:04:37,200 --> 01:04:39,760
Speaker 3: she told you that ski lift story, Wiseman wonders. Didn't

1485
01:04:39,760 --> 01:04:41,960
Speaker 3: something like that happen to you? He responds, something exactly

1486
01:04:42,080 --> 01:04:44,840
Speaker 3: like that happened to me. Wiseman is shocked. Wow, what

1487
01:04:44,880 --> 01:04:48,280
Speaker 3: are the chances? Alex explained, she stole my story. She's insane.

1488
01:04:48,760 --> 01:04:50,800
Speaker 3: Wiseman tries to make him feel better. At least Meghan

1489
01:04:50,800 --> 01:04:52,920
Speaker 3: didn't hold the waiter's hand over a candle to get

1490
01:04:52,960 --> 01:04:57,840
Speaker 3: more breadsticks. Alex. Alex is depressed. He had this vision

1491
01:04:57,880 --> 01:04:59,360
Speaker 3: of how everything was going to be, and now it's

1492
01:04:59,400 --> 01:05:01,920
Speaker 3: just gone. Wiseman admits, I'm with you, pal, and I

1493
01:05:02,040 --> 01:05:04,720
Speaker 3: hopes for Joe Lean. Alex gets his metal from Wiseman

1494
01:05:04,800 --> 01:05:07,360
Speaker 3: and excitedly puts it around his neck. Yeah. Then he

1495
01:05:07,440 --> 01:05:09,520
Speaker 3: realizes maybe I'll just wear it on the inside and

1496
01:05:09,520 --> 01:05:11,800
Speaker 3: tucks in his shirt. Again. Don't really know the joke there.

1497
01:05:11,800 --> 01:05:14,080
Speaker 2: No, just just that it's I think it's supposed to

1498
01:05:14,080 --> 01:05:16,240
Speaker 2: be like two mouths, not cool to wear your seventh

1499
01:05:16,240 --> 01:05:20,040
Speaker 2: grade metal. But but this is the scene where buttons buttons.

1500
01:05:20,280 --> 01:05:22,200
Speaker 1: But this is also the scene where you can thematically

1501
01:05:22,600 --> 01:05:24,800
Speaker 1: say what the show is about. Like, yes, you know,

1502
01:05:24,880 --> 01:05:26,680
Speaker 1: we were trying to be grown ups tonight were I

1503
01:05:26,680 --> 01:05:28,920
Speaker 1: thought we were ready to date and be you know,

1504
01:05:29,200 --> 01:05:31,400
Speaker 1: but I still feel like a little kid. Then you

1505
01:05:31,400 --> 01:05:33,200
Speaker 1: have the little kid joke about I got my seventh

1506
01:05:33,200 --> 01:05:35,400
Speaker 1: grade metal back. It's like something about the fact that

1507
01:05:35,440 --> 01:05:40,480
Speaker 1: you're stuck between childhood and college in the random say it.

1508
01:05:40,560 --> 01:05:42,760
Speaker 1: Have the character say some version of that, you know,

1509
01:05:42,960 --> 01:05:45,560
Speaker 1: in a real personal, non thematic way, But that says

1510
01:05:45,560 --> 01:05:47,360
Speaker 1: what the name of the show is, Like, I guess

1511
01:05:47,400 --> 01:05:49,000
Speaker 1: we're not ready yet. We thought we could do it,

1512
01:05:49,040 --> 01:05:50,560
Speaker 1: but we'll try again next week. You know.

1513
01:05:51,000 --> 01:05:52,440
Speaker 2: Is in this part of my life, I feel like

1514
01:05:52,480 --> 01:05:53,840
Speaker 2: I'm forty, and in this part of my life, I

1515
01:05:53,840 --> 01:05:54,600
Speaker 2: feel like I'm fortunate.

1516
01:05:54,600 --> 01:05:56,800
Speaker 1: I'm so ready to I'm running a business. Why can't

1517
01:05:56,800 --> 01:05:58,520
Speaker 1: I date a woman? And I can't even date a

1518
01:05:58,560 --> 01:05:59,640
Speaker 1: woman from my childhood?

1519
01:06:00,000 --> 01:06:01,560
Speaker 3: And it's on yours back. Now that I have time,

1520
01:06:01,600 --> 01:06:03,840
Speaker 3: I'm just picking the wrong people or something like that,

1521
01:06:03,880 --> 01:06:07,000
Speaker 3: you know, like nowaday exactly all right. Back at the apartment,

1522
01:06:07,040 --> 01:06:08,720
Speaker 3: Todd and Casey are still on the couch, but now

1523
01:06:08,720 --> 01:06:11,400
Speaker 3: Todd is just in his underwear. They're shouting at the TV.

1524
01:06:11,600 --> 01:06:14,240
Speaker 3: Very invested in an antique Troe show. Casey guesses six

1525
01:06:14,280 --> 01:06:17,000
Speaker 3: thousand dollars minimum. Todd scoffs, are you blind? That's not

1526
01:06:17,000 --> 01:06:19,600
Speaker 3: even mahogany, that's not even wood. That's some kind of

1527
01:06:19,680 --> 01:06:21,800
Speaker 3: naga crap that my spidy sense is telling me could

1528
01:06:21,840 --> 01:06:23,840
Speaker 3: only have come from one decade. The man on the

1529
01:06:23,840 --> 01:06:27,120
Speaker 3: TV cuts him off production made in the seventies. Todd

1530
01:06:27,160 --> 01:06:30,680
Speaker 3: stands up victory. He turns to Casey, Now get that

1531
01:06:30,880 --> 01:06:33,440
Speaker 3: shirt off. She takes off her sweater to reveal a

1532
01:06:33,520 --> 01:06:36,800
Speaker 3: tank top underneath. Todd complains, that's not fair. She laughs,

1533
01:06:36,840 --> 01:06:38,880
Speaker 3: it's was cold this morning. Did you expect to see

1534
01:06:38,880 --> 01:06:41,720
Speaker 3: me in my lacy, skimpy sea through bra. Todd sits

1535
01:06:41,760 --> 01:06:44,520
Speaker 3: back down. He's only one item away. Casey laughs, Yeah,

1536
01:06:44,520 --> 01:06:46,640
Speaker 3: from being naked. I am so much better at this

1537
01:06:46,720 --> 01:06:49,640
Speaker 3: than you Todd's size. Oh no, it's over, Casey jumps

1538
01:06:49,720 --> 01:06:52,520
Speaker 3: up and exclaims, I won real jump there in the script,

1539
01:06:52,560 --> 01:06:55,640
Speaker 3: they didn't couldn't fit one more of those like television backs.

1540
01:06:55,840 --> 01:06:56,240
Speaker 1: No.

1541
01:06:56,400 --> 01:06:56,840
Speaker 3: Uh.

1542
01:06:56,920 --> 01:06:58,960
Speaker 2: They have good chemistry, by the way, very good. Them

1543
01:06:58,960 --> 01:07:02,400
Speaker 2: together are really really good. I wanted to see, like

1544
01:07:02,680 --> 01:07:05,840
Speaker 2: moving forward as an audience member. I was excited to

1545
01:07:05,880 --> 01:07:07,160
Speaker 2: see where that relationship was.

1546
01:07:07,280 --> 01:07:08,520
Speaker 1: This is that what happened over the course.

1547
01:07:09,000 --> 01:07:11,880
Speaker 2: I believe so, But yeah, I think so. And it's

1548
01:07:12,160 --> 01:07:15,160
Speaker 2: there's just something about that that's really fun. Like I

1549
01:07:15,240 --> 01:07:18,120
Speaker 2: remember certain little things that popped up in other episodes

1550
01:07:18,160 --> 01:07:20,720
Speaker 2: were laugh out loud funny. I remember, you know, you

1551
01:07:20,880 --> 01:07:24,960
Speaker 2: remember the Sopranos, the the woman who goes undercover to

1552
01:07:25,040 --> 01:07:27,160
Speaker 2: be aids. Oh, yeah, she's a friend.

1553
01:07:27,360 --> 01:07:27,880
Speaker 3: She's great.

1554
01:07:28,080 --> 01:07:29,520
Speaker 2: So she came on as a guest star. She was

1555
01:07:29,560 --> 01:07:31,440
Speaker 2: actually shooting Sopranos at the time. She couldn't tell us

1556
01:07:31,440 --> 01:07:33,040
Speaker 2: what she was doing, but she came on as a

1557
01:07:33,040 --> 01:07:35,520
Speaker 2: guest star, and she shows up as one of his

1558
01:07:35,640 --> 01:07:37,800
Speaker 2: He's like, I have this kind of stalker client who

1559
01:07:37,840 --> 01:07:41,040
Speaker 2: keeps getting her teeth cleaned, and so she just keeps

1560
01:07:41,040 --> 01:07:42,560
Speaker 2: showing up to get her teeth clean, and the last

1561
01:07:42,560 --> 01:07:44,680
Speaker 2: time he walks in, she's butt naked in the chair,

1562
01:07:45,600 --> 01:07:47,880
Speaker 2: and they actually shot it where she's naked in the chair,

1563
01:07:47,960 --> 01:07:52,240
Speaker 2: so she's covered by like the dental slates, but she's

1564
01:07:52,400 --> 01:07:54,160
Speaker 2: looks like she's just and he just walks back in

1565
01:07:54,200 --> 01:07:56,240
Speaker 2: and she's just like naked in the chair. So, I mean,

1566
01:07:56,240 --> 01:07:58,760
Speaker 2: we did things that were adult and very funny, but

1567
01:07:58,840 --> 01:08:00,840
Speaker 2: I don't remember how cookey if they were to the

1568
01:08:00,880 --> 01:08:03,560
Speaker 2: actual stories the problem I love if they only aired four,

1569
01:08:03,600 --> 01:08:05,080
Speaker 2: I wonder if we could even get the other seven.

1570
01:08:05,080 --> 01:08:06,760
Speaker 3: I got to get in touch with lesbian rigor, because

1571
01:08:06,760 --> 01:08:10,200
Speaker 3: I bet you they have them. It's fun to Todd

1572
01:08:10,240 --> 01:08:12,240
Speaker 3: stands to meet her at eye level. You just got lucky.

1573
01:08:12,280 --> 01:08:13,840
Speaker 3: They both stare at each other for a moment. They

1574
01:08:13,880 --> 01:08:17,000
Speaker 3: kisses looming. A voiceover from the TV announces up next

1575
01:08:17,800 --> 01:08:21,439
Speaker 3: Rutherford B. Hayes a biography. Todd breaks the ice. Well

1576
01:08:21,479 --> 01:08:22,240
Speaker 3: now it's just awkward.

1577
01:08:22,400 --> 01:08:23,320
Speaker 2: Now it's just awkward.

1578
01:08:23,640 --> 01:08:25,080
Speaker 3: Could have maybe come up with a better thing that

1579
01:08:25,120 --> 01:08:25,960
Speaker 3: made it awkward? Also?

1580
01:08:26,080 --> 01:08:26,800
Speaker 1: I know?

1581
01:08:26,880 --> 01:08:29,479
Speaker 3: Then behave yeah, yeah. Then we hear the lock begin

1582
01:08:29,560 --> 01:08:31,840
Speaker 3: to juggle, and Casey scrambles to grab her sweater and

1583
01:08:31,920 --> 01:08:33,560
Speaker 3: runs into a different room. The guys walk in to

1584
01:08:33,640 --> 01:08:36,240
Speaker 3: see Todd justin is underwear. Alex and Wiseman just stare

1585
01:08:36,240 --> 01:08:38,360
Speaker 3: at him. Todd waves as though nothing's out of the ordinary.

1586
01:08:38,720 --> 01:08:40,960
Speaker 3: Wiseman turns Alex. At least he's not wearing a helmet

1587
01:08:41,040 --> 01:08:43,400
Speaker 3: this time. Todd asked the guys what went wrong? They're

1588
01:08:43,400 --> 01:08:46,960
Speaker 3: back at nine thirty. Alex Bluntley states, yeah, Meghan was psycho.

1589
01:08:47,479 --> 01:08:51,160
Speaker 3: Wiseman wonders how he didn't know that in college. Sarcastically wonders,

1590
01:08:51,200 --> 01:08:52,720
Speaker 3: g I was eighteen and she was the first girl

1591
01:08:52,760 --> 01:08:54,439
Speaker 3: willing to sleep with me. How did I overlook that?

1592
01:08:55,200 --> 01:08:57,040
Speaker 3: Todd says, there's no need to sweat it. This is

1593
01:08:57,080 --> 01:08:58,680
Speaker 3: just a reminder to never pin your hopes on a

1594
01:08:58,760 --> 01:09:02,240
Speaker 3: fantasy girl. Fantasies, by definition, are perfect. Alex declares that

1595
01:09:02,360 --> 01:09:04,280
Speaker 3: one good thing did come out of this though. Up

1596
01:09:04,400 --> 01:09:06,639
Speaker 3: until now, every girl he's dated he's compared to Megan,

1597
01:09:06,680 --> 01:09:08,800
Speaker 3: and none of them have ever come close. Now, any

1598
01:09:08,880 --> 01:09:11,160
Speaker 3: girl with a valid driver's license is looking real good.

1599
01:09:11,439 --> 01:09:15,280
Speaker 3: Great will read. Wiseman nods, welcome to my world. Casey

1600
01:09:15,360 --> 01:09:18,320
Speaker 3: then returns clothed. Alex and Wiseman immediately stand at attention

1601
01:09:18,360 --> 01:09:19,960
Speaker 3: when they see her. She asks how the dates went,

1602
01:09:20,000 --> 01:09:23,160
Speaker 3: and the guys immediately lie, really good, great. Alex clears

1603
01:09:23,200 --> 01:09:25,720
Speaker 3: his throat, a little suspicious. I was just wondering how

1604
01:09:25,760 --> 01:09:28,160
Speaker 3: did work go? She tells him it went great. She

1605
01:09:28,200 --> 01:09:31,120
Speaker 3: accomplished everything he asked, and she defragged his heart drive.

1606
01:09:31,840 --> 01:09:34,639
Speaker 3: Wiseman creepily asks her, can you defrag my hard drive?

1607
01:09:34,960 --> 01:09:38,920
Speaker 3: All right? She sarcastically responds, Wow, that's hot. She does

1608
01:09:39,000 --> 01:09:41,320
Speaker 3: not think it's hot. She gets ready to leave, but

1609
01:09:41,439 --> 01:09:43,960
Speaker 3: Alex stops her. Actually, I was thinking about hiring somebody

1610
01:09:44,000 --> 01:09:46,360
Speaker 3: to help me run the website. Any interest, she smiles,

1611
01:09:46,400 --> 01:09:49,040
Speaker 3: maybe call me. As she walks away, Todd shouts, hey,

1612
01:09:49,080 --> 01:09:51,560
Speaker 3: don't forget your shirt and throws her the sweater. She

1613
01:09:51,680 --> 01:09:54,160
Speaker 3: nervously laughs and stutters. While walking towards the door, She

1614
01:09:54,320 --> 01:09:55,120
Speaker 3: lets herself out.

1615
01:09:55,320 --> 01:09:57,920
Speaker 1: Audience loves that too, with the shirt thing. That gotta

1616
01:09:57,920 --> 01:10:01,599
Speaker 1: beat this whole dynamic of like her entry, this trio friends. Yeah,

1617
01:10:01,640 --> 01:10:03,880
Speaker 1: I want a little more specificity on like how you

1618
01:10:04,000 --> 01:10:07,120
Speaker 1: feel about her, Like obviously you're impressed with her work, Yeah,

1619
01:10:07,160 --> 01:10:09,120
Speaker 1: but like I want I don't know, and like Wiseman

1620
01:10:09,360 --> 01:10:11,760
Speaker 1: is into her, but yeah, I like that.

1621
01:10:11,760 --> 01:10:16,200
Speaker 3: You didn't objectify her too. Yeah right, yeah, yeah. We

1622
01:10:16,280 --> 01:10:18,800
Speaker 3: go to our final commercial break, which hasn't add for

1623
01:10:18,840 --> 01:10:22,240
Speaker 3: a Sprint flip phone. Yeah as well as Yes, I

1624
01:10:22,360 --> 01:10:25,200
Speaker 3: miss my flip phone too. They're coming back, I hear,

1625
01:10:25,320 --> 01:10:25,600
Speaker 3: are they?

1626
01:10:26,000 --> 01:10:26,160
Speaker 2: Well?

1627
01:10:26,160 --> 01:10:28,280
Speaker 3: I mean, Sabrina Carpenter has had one for a long

1628
01:10:28,360 --> 01:10:30,559
Speaker 3: time with her deal with some phone company, so I've

1629
01:10:30,600 --> 01:10:32,759
Speaker 3: seen that, but it seems like people like the retro

1630
01:10:32,920 --> 01:10:33,080
Speaker 3: of it.

1631
01:10:33,479 --> 01:10:34,400
Speaker 2: I'm not familiar with her.

1632
01:10:34,760 --> 01:10:39,400
Speaker 3: Okay, hot pockets and then also a podmet World sponsor Huggies. Yes,

1633
01:10:41,280 --> 01:10:43,680
Speaker 3: all right, so we're in the tag. Every sitcom has

1634
01:10:43,720 --> 01:10:46,160
Speaker 3: one of those. We're back in the apartment, big shock.

1635
01:10:46,280 --> 01:10:48,960
Speaker 3: Alex tells Todd, Hey, how'd you get her shirt? Todd

1636
01:10:49,040 --> 01:10:52,639
Speaker 3: nonchalantly reveals we were playing Strip Antiques road Show. Wiseman

1637
01:10:52,720 --> 01:10:54,640
Speaker 3: is impressed, just out of curiosity. How do you get

1638
01:10:54,680 --> 01:10:57,519
Speaker 3: that kind of thing off the ground? Alex is also interested.

1639
01:10:57,720 --> 01:10:59,439
Speaker 3: Wiseman and I put in all our effort to get

1640
01:10:59,479 --> 01:11:01,680
Speaker 3: real dates. We get dressed up, we spend money, you

1641
01:11:01,760 --> 01:11:03,519
Speaker 3: stay here, and you still do better than we did.

1642
01:11:03,880 --> 01:11:06,759
Speaker 3: Todd shrugs, I didn't even take a shower today. Alex

1643
01:11:06,840 --> 01:11:09,080
Speaker 3: shakes his head in disappointment as the three roommates drink

1644
01:11:09,120 --> 01:11:12,000
Speaker 3: beer in each Chinese takeout again better button.

1645
01:11:13,040 --> 01:11:16,439
Speaker 1: Yeah, but as a scene, that's a great describes all

1646
01:11:16,479 --> 01:11:19,120
Speaker 1: three characters where they're always going to go, We're back

1647
01:11:19,120 --> 01:11:21,680
Speaker 1: to normal next week, try and get dates again, I.

1648
01:11:21,760 --> 01:11:24,120
Speaker 3: Might argue again, too close to each other.

1649
01:11:24,920 --> 01:11:25,400
Speaker 1: Yeah, there is.

1650
01:11:25,960 --> 01:11:28,559
Speaker 2: I think they started to get different, starting to.

1651
01:11:28,600 --> 01:11:31,559
Speaker 3: Go and got them all back together. A'se. Guys who

1652
01:11:31,640 --> 01:11:37,599
Speaker 3: just want love? Yeah, yeah, well that's random, you will writer.

1653
01:11:38,560 --> 01:11:40,080
Speaker 1: Should have been a show, should have been a show,

1654
01:11:40,120 --> 01:11:42,200
Speaker 1: I think so. It should have been rewritten. This pilot

1655
01:11:42,200 --> 01:11:44,680
Speaker 1: could have been punched up really quickly, kept all the

1656
01:11:44,720 --> 01:11:48,120
Speaker 1: same scenes, uh, same actors, because this cast is phenomenal.

1657
01:11:48,160 --> 01:11:50,600
Speaker 1: You guys are so good and like this should have

1658
01:11:50,640 --> 01:11:52,320
Speaker 1: been you know, this should have been the Air to Friends.

1659
01:11:52,360 --> 01:11:54,080
Speaker 1: I mean, and I know every network at this time

1660
01:11:54,200 --> 01:11:56,120
Speaker 1: was trying to find that right they were trying to

1661
01:11:56,240 --> 01:11:58,920
Speaker 1: find and none of them lasted, None of them worked.

1662
01:11:59,320 --> 01:12:01,240
Speaker 1: Big Bang Theory is the only show that you know,

1663
01:12:01,280 --> 01:12:02,960
Speaker 1: and then How I Met Your Mother? But those were

1664
01:12:03,080 --> 01:12:05,120
Speaker 1: they had different angles, they had different things going for

1665
01:12:05,840 --> 01:12:07,880
Speaker 1: just the like group of friends in New York or

1666
01:12:08,040 --> 01:12:11,479
Speaker 1: in a city hanging out together is a great format

1667
01:12:11,600 --> 01:12:13,320
Speaker 1: and this was this could have been great. Yeah.

1668
01:12:13,360 --> 01:12:15,600
Speaker 2: I think it had a lot of potential and I

1669
01:12:15,680 --> 01:12:18,439
Speaker 2: loved the cast. We got it so well right off

1670
01:12:18,479 --> 01:12:20,240
Speaker 2: the bat, and I think we could have done something

1671
01:12:20,240 --> 01:12:20,800
Speaker 2: pretty special.

1672
01:12:21,320 --> 01:12:23,320
Speaker 3: Well, the first two episodes are on YouTube. We will

1673
01:12:23,360 --> 01:12:25,599
Speaker 3: put the link in our description. We ask you guys

1674
01:12:25,640 --> 01:12:27,880
Speaker 3: go watch it. It's really fun. This is the last

1675
01:12:27,920 --> 01:12:32,200
Speaker 3: episode Danielle will be back luckily, so I beenough. Well,

1676
01:12:32,479 --> 01:12:33,439
Speaker 3: not familiar with her either.

1677
01:12:33,640 --> 01:12:36,760
Speaker 2: Okay, you've been great, Jensen, thank you, you've been great

1678
01:12:36,840 --> 01:12:41,240
Speaker 2: sitting in for Danielle. It's not not the same visual, I'll.

1679
01:12:41,040 --> 01:12:43,320
Speaker 3: Be honest, No, I'm not the same. She's so talented

1680
01:12:43,400 --> 01:12:46,120
Speaker 3: at this, she's so difficult. She poses so much show

1681
01:12:46,120 --> 01:12:47,720
Speaker 3: that both you guys were like, don't make us do

1682
01:12:47,800 --> 01:12:49,200
Speaker 3: it both, Yah, don't do it.

1683
01:12:49,560 --> 01:12:51,800
Speaker 2: Because we're lazy, not because she's better than us, right,

1684
01:12:51,880 --> 01:12:53,599
Speaker 2: I mean, let's be honest, what do we really think

1685
01:12:53,600 --> 01:12:54,120
Speaker 2: of Danielle?

1686
01:12:54,439 --> 01:12:56,479
Speaker 3: Okay, well, this is where I'll say. You could follow

1687
01:12:56,600 --> 01:12:59,439
Speaker 3: us on Instagram at podmeets Worldshow dot com or send

1688
01:12:59,479 --> 01:13:02,040
Speaker 3: us an email Podmeets World Show at gmail dot com.

1689
01:13:02,200 --> 01:13:03,639
Speaker 3: And we have Merch.

1690
01:13:04,080 --> 01:13:05,160
Speaker 1: We miss you, Danielle.

1691
01:13:05,360 --> 01:13:08,439
Speaker 3: Merch it's at Podmetsworldshow dot com.

1692
01:13:09,280 --> 01:13:12,439
Speaker 1: Writer send us home, We love you all, pod dismissed.

1693
01:13:14,479 --> 01:13:17,880
Speaker 1: Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1694
01:13:17,920 --> 01:13:22,080
Speaker 1: Wilfredell and Ryder Strong executive producers Jensen Karp and Amy Sugarman.

1695
01:13:22,240 --> 01:13:25,400
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1696
01:13:25,439 --> 01:13:29,360
Speaker 1: Tarasubasch producer, Maddie Moore, engineer and boy Meets World Superman

1697
01:13:29,520 --> 01:13:32,879
Speaker 1: Easton Allen. Our theme song is by Kyle Morton of Typhoon.

1698
01:13:33,200 --> 01:13:36,120
Speaker 1: Follow us on Instagram at Podmets World Show or email

1699
01:13:36,240 --> 01:13:39,040
Speaker 1: us at Podmeats World Show at gmail dot com