WEBVTT - From the Archives: Jacques Pépin

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeartRadio. My guest today has worked in the

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<v Speaker 1>best restaurants in the world, taught thousands of hours of

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<v Speaker 1>culinary technique, authored over thirty cookbooks, and at the age

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<v Speaker 1>of eighty eight, shows no signs of slowing down. Legendary

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<v Speaker 1>French chef Jacques Pepin Chef Pepin has enjoyed, by all accounts,

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<v Speaker 1>a most extraordinary life and career. By twenty two, he

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<v Speaker 1>was the personal chef for French President Charles de gaul

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<v Speaker 1>In nineteen fifty nine, he immigrated to America and worked

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<v Speaker 1>at Le Pavillon, the best French restaurant in New York City,

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<v Speaker 1>before moving to Howard Johnson's. His next frontier was the

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<v Speaker 1>American home, instructing audiences on proper French cooking methods. This

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<v Speaker 1>began with his cookbooks, including the groundbreaking La Teche, and

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<v Speaker 1>then through multiple PBS series like Today's Gourmet and Cooking

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<v Speaker 1>at Home. Here, Chef Papin taught the home chef both

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<v Speaker 1>the basics for everyday meals and experimentation with gourmet flourishes.

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<v Speaker 1>His most recent cookbook is called Jacques papine cooking my

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<v Speaker 1>way recipes and techniques for economical cooking. I wanted to

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<v Speaker 1>know how growing up in a small town in France

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<v Speaker 1>with his mother working in restaurants put him on the

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<v Speaker 1>path to where he is today.

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<v Speaker 2>Where we were in the film country, we had a

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<v Speaker 2>little restaurant just outside of Lyons. The life was quite different.

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<v Speaker 2>I mean, I tell Nady eight yesterday, so I'm thinking

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<v Speaker 2>about over eighty years ago. Life was relatively easy. My

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<v Speaker 2>father with a cabinet maker, my mother with a cook.

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<v Speaker 2>So my choice in life was I'm a cabinet maker,

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<v Speaker 2>I'm a cook, within of the telephone, within the radio

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<v Speaker 2>revision of course, any of this. So life was probably

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<v Speaker 2>much easier for kid than he is now. And we

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<v Speaker 2>took the dog, my brother and I go into the

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<v Speaker 2>forest and all that on all day off and the

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<v Speaker 2>parents never you know, we came back at night and

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<v Speaker 2>no one.

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<v Speaker 3>Worried about where you were.

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<v Speaker 1>It was.

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<v Speaker 3>It was quite different than now.

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<v Speaker 1>Did your father take his cabinet making practice out into

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<v Speaker 1>the country with you just outside of the or did

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<v Speaker 1>he stay in the city and makers products.

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<v Speaker 2>No, he did that in the country, but after he

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<v Speaker 2>gave up anyway, at some point to work in the

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<v Speaker 2>restaurant with my mother. But my father was a cabinet maker.

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<v Speaker 2>His father was his brother was what we could in

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<v Speaker 2>France ebonist from the world ebony. So it's fancy cabinet maker.

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<v Speaker 1>You know.

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<v Speaker 2>He used noble wood like cherries, oak and so forth.

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<v Speaker 2>Never use any nail. It's always you know, curt and

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<v Speaker 2>joint and glue and a sculpture on the wood to

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<v Speaker 2>that type of work. And the weally the sixteen with

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<v Speaker 2>seventeen kind of furniture. I should have a couple of

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<v Speaker 2>peace from him actually in my house.

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<v Speaker 1>Now, your mother got into the restaurant business when you

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<v Speaker 1>were how old?

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<v Speaker 2>Well after I was born, because I have exactly twenty

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<v Speaker 2>years different with my mother. I mean she got married

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<v Speaker 2>I think she was seventeen and a half then at

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<v Speaker 2>my brother with a year and a half older than

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<v Speaker 2>me than me and anotherwise, so she got into the

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<v Speaker 2>restaurant business before the war straighttly before the war. She

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<v Speaker 2>was a waddress, working different restaurants, stelf helping in the kitchen.

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<v Speaker 2>It was pretty common in France, I mean in the family.

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<v Speaker 2>In France, I come twelve restaurant, twelve of them run

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<v Speaker 2>by women. My two aunts and sister in law, cousin,

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<v Speaker 2>a niece, a mother.

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<v Speaker 3>They all had.

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<v Speaker 2>I was actually the first male to go into that business.

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<v Speaker 2>And those kind of a formidable women who were not

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<v Speaker 2>very empressed by me. I remember when I was the

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<v Speaker 2>chef to the president in France. Go back down to

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<v Speaker 2>Leono to my aunt to a little restaurant. I get

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<v Speaker 2>into the kitchen. She drove me out. She said, you

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<v Speaker 2>used too much. Better get out of here. They were

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<v Speaker 2>not very unpressed by me.

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<v Speaker 1>And who's managing all this enterprise? Your mother?

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<v Speaker 2>Oh, they didn't have twelve restaurants at the time. I'm

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<v Speaker 2>calling you general. And my aunt at a restaurant in book,

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<v Speaker 2>another aunt at a restaurant somewhere else, my mother at

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<v Speaker 2>three four restaurants actually at some point.

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<v Speaker 1>And what was it about? I mean, so, I'm assuming

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<v Speaker 1>you feel like you were born to this. There's no

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<v Speaker 1>way you could escape. And you said cabin making or cooking, right,

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<v Speaker 1>But you found the kitchen more seductive.

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<v Speaker 2>Correct, absolutely more exciting, more seductive, And so I went

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<v Speaker 2>into this. I mean now, I said, the choice was

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<v Speaker 2>relatively easy for kid at that point, and France, we

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<v Speaker 2>were supposed to go to school in teenage fourteen, which

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<v Speaker 2>I did at thirteen, and I took all the exam

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<v Speaker 2>you know at the end of primary school, the front exam.

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<v Speaker 2>So I took all of those and I finished when

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<v Speaker 2>I was early thirteen.

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<v Speaker 3>So I say that's it. I'm going into a frightdiceship.

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<v Speaker 2>My older brother became an engineer, so he worked, you know,

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<v Speaker 2>so it was not a question of me that I

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<v Speaker 2>had to go to work. That's what I wanted to do,

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<v Speaker 2>so and I went to school later.

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<v Speaker 1>So do you think that people, I mean, there's next

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<v Speaker 1>to no association between what I do for a living

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<v Speaker 1>and what you do for a living. But in the

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<v Speaker 1>world of acting in theater and so forth, people will

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<v Speaker 1>often say, I can't make you a good actor, but

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<v Speaker 1>I can make you a better actor than you were

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<v Speaker 1>when you walked in the door. But there needs to

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<v Speaker 1>be some inherent inspiration. That is that thing true about

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<v Speaker 1>food and cooking? Do people have to have an inherent

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<v Speaker 1>gift for that kind of thing?

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<v Speaker 3>Yes, certainly.

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<v Speaker 2>I mean for me, I'm talking about professionalism, professional chef

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<v Speaker 2>and on a professional chef. I did those books called Technique,

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<v Speaker 2>which is an illustrated my doorit of cooking. Technique to

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<v Speaker 2>know to bon out. You can to poach an egg

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<v Speaker 2>and it's not a question of knowing.

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<v Speaker 3>How to do it.

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<v Speaker 2>It's eleven o'clock and you have one hundred people sitting

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<v Speaker 2>down for lunch.

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<v Speaker 3>You really have to move.

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<v Speaker 2>So this is the difference between a professional chef and

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<v Speaker 2>a home cook. You know, the speed and all that too.

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<v Speaker 2>So you have to be a good technician to be

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<v Speaker 2>a chef first. But I know a fair amount of

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<v Speaker 2>a chef who a good technician, run a good kitchen

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<v Speaker 2>and are relatively lousy cook. The food is all right.

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<v Speaker 2>But conversely, I know people who cook at home who

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<v Speaker 2>wouldn't be able to run a restaurant speed and all

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<v Speaker 2>that to But food is fantastic, great, you know. So

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<v Speaker 2>to be a great chef like Tomas Keller or Daniel Buru,

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<v Speaker 2>well you have to be a technician first, but then

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<v Speaker 2>you have to have other things after. You know, you

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<v Speaker 2>have to have imagination talent to bring it to another level.

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<v Speaker 1>You know. I think eventually you moved to Paris, yes,

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<v Speaker 1>and I don't want to quote the number here because

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<v Speaker 1>I find this fantastic. You work in many, many, many

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<v Speaker 1>restaurants during that period, correct.

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<v Speaker 3>Close to one hundred.

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<v Speaker 1>How is that possible?

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<v Speaker 2>Its possible because I work at the Plaza and in

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<v Speaker 2>Paris for like seven years, put my day off.

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<v Speaker 3>Each day off, I.

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<v Speaker 2>Work at a different restaurant most of the time, and

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<v Speaker 2>that two day of a week. There is an organization

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<v Speaker 2>called associated the Quasi Society of the Chef of Paris,

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<v Speaker 2>which I would a member. In fact, I don't know

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<v Speaker 2>why we don't have that in New York. But you

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<v Speaker 2>go in the morning or someone your cook doesn't come

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<v Speaker 2>or whatever doesn't come.

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<v Speaker 3>They call they say I need one cook for the day.

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<v Speaker 2>So you know I will end up like at Messi,

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<v Speaker 2>you know, Galley la Fayette to and do like three

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<v Speaker 2>thousand plate with a slice, a piece of salad in

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<v Speaker 2>between and an egg, you know, and the next time

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<v Speaker 2>I end up in a two star restaurant and next

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<v Speaker 2>so you never know where the society is going to

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<v Speaker 2>sign you. But that was great experience, you know, of

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<v Speaker 2>working because in case like this, it's not like you

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<v Speaker 2>have to wait for the day to learn the habit

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<v Speaker 2>of the house. I mean, within fifteen minutes you're there,

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<v Speaker 2>the chef say you got to work.

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<v Speaker 3>So it's great training.

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<v Speaker 1>Really, So you have a job in one where you

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<v Speaker 1>were at Tatanay. Yes, and you have a job. But

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<v Speaker 1>it sounds you sound like we've had guests on the

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<v Speaker 1>show who were some of the most legendary sessions musicians

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<v Speaker 1>in history, right, and it sounds like you have the

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<v Speaker 1>same kind of thing you're you're going to go in

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<v Speaker 1>for a day and and is the culture there, I

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<v Speaker 1>don't want to say uniform, but approachable where you can

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<v Speaker 1>walk in and you're just accepted you walk in there

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<v Speaker 1>or do you see the other conflicts with the way

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<v Speaker 1>things are done?

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<v Speaker 2>Sometimes no, No, if you work on a job to

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<v Speaker 2>stay for a couple of years, you may get involving

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<v Speaker 2>into that type of thing. But when you work for

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<v Speaker 2>the day two days, no, And remember that at the time,

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<v Speaker 2>the cook was really at the bottom of the social scale.

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<v Speaker 2>Any good mother I wanted a child to marry the lawyer,

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<v Speaker 2>you know, a doctor, certainly not a cook. So now

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<v Speaker 2>we are genius. I don't know what happened at that time.

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<v Speaker 2>It wasn't okay. So when you went into a restaurant,

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<v Speaker 2>it was to conform exactly to the habit of that reston.

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<v Speaker 2>It was not to create or do something on your own.

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<v Speaker 2>In fact, I don't think I ever used a recipe

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<v Speaker 2>before I came to America. So you work in that place,

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<v Speaker 2>you learn the taste of that, and those dishes in

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<v Speaker 2>a sense become very visceral, very powerful. I mean the

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<v Speaker 2>dishes my mother did as a kid. You know, those

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<v Speaker 2>states will stay with you the rest of your life.

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<v Speaker 2>And I'll go the president in Paris, for example, we

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<v Speaker 2>did the lobster soufle. We were a foty eight chef

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<v Speaker 2>in the kitchen there, and the forty eight of us

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<v Speaker 2>could have done it.

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<v Speaker 3>You would never have known who has done it.

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<v Speaker 2>That's what the way it was until Nouvelle Cuisine in

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<v Speaker 2>the mid eighteen ninety when the chef started creating and

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<v Speaker 2>doing that type of thing.

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<v Speaker 3>Whige different.

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<v Speaker 1>Now now you're a hired chef for the president of France,

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<v Speaker 1>right and you work with the gall and some other

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<v Speaker 1>heads of state. How long were you doing that job?

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<v Speaker 2>From fifty six and fifty six to fifty eight and

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<v Speaker 2>the fifty eight I came here at the end.

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<v Speaker 3>Of fifty nine. You know, you have to realize that

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<v Speaker 3>at the time.

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<v Speaker 2>Again, as I said, the cook, I serve people like

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<v Speaker 2>either know where nehru Tito macmilland over the head of state.

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<v Speaker 2>Not anyone ever would call you to get kuru in

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<v Speaker 2>the dining room.

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<v Speaker 3>Are you kidding? The cook was in the kitchen.

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<v Speaker 1>That was it.

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<v Speaker 2>If anyone came into the kitchen because something was wrong.

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<v Speaker 2>Towards two confidences. So I had never had an antilio.

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<v Speaker 2>Television barely existed, but with radio or magazzine newspaper that

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<v Speaker 2>didn't exist.

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<v Speaker 3>So it was a different world.

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<v Speaker 1>So you're at what is certainly one of the summits

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<v Speaker 1>of cooking in France. If you're cooking for the head

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<v Speaker 1>of state. There you have this amazing job, and then

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<v Speaker 1>when you're done in fifty eight, you moved to the

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<v Speaker 1>United States.

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<v Speaker 2>Correct, right, at the end of nineteen fifteen, I moved.

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<v Speaker 2>I wasn't married. At a great job in France, my

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<v Speaker 2>brother at a restaurant, but I wanted to come to America.

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<v Speaker 3>America.

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<v Speaker 2>I was she leaves the Golden fleeceh. So I said,

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<v Speaker 2>I want to go there for a year, two years,

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<v Speaker 2>maybe learn the language a little bit, see what's going on.

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<v Speaker 2>I was unattached to So I came here at the

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<v Speaker 2>end of fifty nine and I'm still here.

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<v Speaker 1>But you what you see up till then before you

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<v Speaker 1>settle in the United States, it is it's safe to

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<v Speaker 1>say you have a very restless nature.

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<v Speaker 2>Yes, has an extent, but that's what the world of

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<v Speaker 2>food was in a center, restless, moving from one place

0:11:23.520 --> 0:11:26.640
<v Speaker 2>to the other to learn because if you keep your

0:11:26.679 --> 0:11:28.800
<v Speaker 2>eye open, I mean, I can't work with anyone now

0:11:28.840 --> 0:11:31.160
<v Speaker 2>and you learn something, you know you would never have

0:11:31.240 --> 0:11:33.679
<v Speaker 2>sort of doing it this way too. Sometimes you learn

0:11:33.760 --> 0:11:37.960
<v Speaker 2>what not to do, but you learn something. But yeah,

0:11:38.080 --> 0:11:40.840
<v Speaker 2>so in that sense, coming to America was different. It

0:11:40.920 --> 0:11:42.640
<v Speaker 2>was the first time I work at the Pavio in

0:11:42.679 --> 0:11:45.920
<v Speaker 2>New York, was considered, you know, the best restaurant here.

0:11:46.160 --> 0:11:48.199
<v Speaker 2>And it was the first time that I did my

0:11:48.920 --> 0:11:52.640
<v Speaker 2>day in one in one shift. In France, we still

0:11:52.679 --> 0:11:54.839
<v Speaker 2>did two shift. I start nine o'clock in the morning

0:11:54.880 --> 0:11:58.120
<v Speaker 2>until two o'clock in the afternoon. You're from from two

0:11:58.160 --> 0:11:58.640
<v Speaker 2>to five.

0:11:59.200 --> 0:11:59.800
<v Speaker 3>Go sit down.

0:11:59.800 --> 0:12:02.600
<v Speaker 2>So where and that five you start five to nine

0:12:02.679 --> 0:12:06.560
<v Speaker 2>or ten. But was standard, you know, so here I

0:12:06.559 --> 0:12:08.800
<v Speaker 2>started doing it was one shift. I thought it was

0:12:08.840 --> 0:12:11.320
<v Speaker 2>like half a day of working. That's where I started

0:12:11.320 --> 0:12:13.720
<v Speaker 2>going to school and did other things. I had plenty

0:12:13.720 --> 0:12:16.440
<v Speaker 2>of time and the people, I have to say, at

0:12:16.480 --> 0:12:19.800
<v Speaker 2>the time were very very welcoming. I mean they know,

0:12:19.840 --> 0:12:21.719
<v Speaker 2>they say, oh, you come from a great country. We

0:12:21.840 --> 0:12:24.920
<v Speaker 2>have so much culture, you know. So I said, wow.

0:12:25.679 --> 0:12:27.640
<v Speaker 2>I talked to the people in France I left. They said,

0:12:27.640 --> 0:12:29.480
<v Speaker 2>what are you doing? They don't even have bread, they

0:12:29.480 --> 0:12:33.840
<v Speaker 2>don't have wine, you know at the time. But yeah,

0:12:34.040 --> 0:12:37.600
<v Speaker 2>people were extremely welcoming here. So I loved this. Things

0:12:37.679 --> 0:12:41.000
<v Speaker 2>went on one thing after another, and I'm still here.

0:12:41.480 --> 0:12:45.120
<v Speaker 1>But the thing is, you come here and you have pavion.

0:12:45.200 --> 0:12:48.360
<v Speaker 2>For how long I went at the Pavio not too long,

0:12:48.360 --> 0:12:52.280
<v Speaker 2>from September until next April, six seven months. At that

0:12:52.320 --> 0:12:54.960
<v Speaker 2>time there was a problem with Sule, the owner, and

0:12:56.320 --> 0:12:58.800
<v Speaker 2>all got a problem with the m Pierre Frede, who

0:12:58.920 --> 0:13:02.640
<v Speaker 2>was the executive chef, and the outcome with Suley in

0:13:02.760 --> 0:13:06.240
<v Speaker 2>nineteen thirty nine for the Worldfare at a Young Coming,

0:13:06.320 --> 0:13:09.000
<v Speaker 2>and he stayed there. Eventually he was the executive chef

0:13:09.320 --> 0:13:11.920
<v Speaker 2>when I was there, a problem with Sule and he

0:13:12.080 --> 0:13:16.360
<v Speaker 2>decided to leave. And coincidentally, at that time, Howard Johnson,

0:13:16.520 --> 0:13:21.000
<v Speaker 2>Howard D. Johnson, who created Howard Johnson whether regular patron

0:13:21.040 --> 0:13:23.400
<v Speaker 2>of the Pavilon. So he I at Pierre and Pierre

0:13:23.440 --> 0:13:25.920
<v Speaker 2>told me you want to come with me, and I said, okay,

0:13:25.960 --> 0:13:28.640
<v Speaker 2>great ideas. So that's that's what happens.

0:13:28.720 --> 0:13:31.280
<v Speaker 1>Okay, let's stop there because this is the term that

0:13:31.360 --> 0:13:34.000
<v Speaker 1>this is so amazing to me. So you hit the

0:13:34.000 --> 0:13:36.240
<v Speaker 1>summit in France, you're cooking for the heads of state.

0:13:36.280 --> 0:13:38.520
<v Speaker 1>You come to New York, you're a Pavinon in New York,

0:13:39.200 --> 0:13:42.440
<v Speaker 1>and the Howard Johnson, the namesake of the business, comes

0:13:42.440 --> 0:13:44.000
<v Speaker 1>to Pavinon. Is he a regular?

0:13:44.240 --> 0:13:47.520
<v Speaker 4>Yes, he's a regular there, and he gets you to

0:13:47.559 --> 0:13:53.400
<v Speaker 4>come and cook for the Howard Johnson's restaurant chain. Correct, Yes, absolutely,

0:13:53.520 --> 0:13:55.960
<v Speaker 4>How the hell did he do that?

0:13:56.120 --> 0:13:57.439
<v Speaker 1>How did he get you to come?

0:13:57.720 --> 0:14:01.080
<v Speaker 2>No, he actually asked Pierre to come, and Pierre decided

0:14:01.120 --> 0:14:03.080
<v Speaker 2>to go, and Pierre told me, you want to come

0:14:03.080 --> 0:14:05.680
<v Speaker 2>with me to assist me and do and that's how

0:14:05.720 --> 0:14:08.200
<v Speaker 2>I did. But the point is that, as I said,

0:14:08.240 --> 0:14:11.800
<v Speaker 2>the cook was quite different than now, because on that

0:14:11.840 --> 0:14:14.480
<v Speaker 2>spring of nineteen sixty, I actually I would have felt

0:14:14.520 --> 0:14:17.240
<v Speaker 2>the job at the White House for Kennedy and then

0:14:17.760 --> 0:14:20.160
<v Speaker 2>but I had done that, as I said in France,

0:14:20.160 --> 0:14:22.560
<v Speaker 2>I had never been on a magazine newspaper, so I

0:14:22.600 --> 0:14:26.720
<v Speaker 2>had no idea of the potential for publicity too, because

0:14:26.760 --> 0:14:29.440
<v Speaker 2>it really did not exist. In fact, the one who

0:14:29.440 --> 0:14:31.800
<v Speaker 2>went to the White House with a front of mine

0:14:31.800 --> 0:14:33.560
<v Speaker 2>who was the sou chef at the Sex House in

0:14:33.600 --> 0:14:35.920
<v Speaker 2>New York, and I called him, put them in touch.

0:14:35.960 --> 0:14:38.960
<v Speaker 2>Eventually he got the job, and a year later he

0:14:39.000 --> 0:14:41.360
<v Speaker 2>sent me a picture of him with President Kennedy or

0:14:41.400 --> 0:14:44.000
<v Speaker 2>Missus Carr as Wow. I never had a picture with

0:14:44.120 --> 0:14:48.520
<v Speaker 2>the goal of so it was already changing a different world.

0:14:48.600 --> 0:14:51.320
<v Speaker 2>But prior to him, who was a chef at the

0:14:51.320 --> 0:14:51.920
<v Speaker 2>White House?

0:14:52.120 --> 0:14:52.720
<v Speaker 3>I asked?

0:14:52.760 --> 0:14:55.360
<v Speaker 2>And it ended up knowing that it was a black

0:14:55.600 --> 0:14:57.440
<v Speaker 2>lady from the South somewhere.

0:14:57.480 --> 0:14:59.720
<v Speaker 3>No one would have known her name, no more than

0:14:59.720 --> 0:15:02.640
<v Speaker 3>an my name or whatever. So it was a differnt world.

0:15:03.000 --> 0:15:04.840
<v Speaker 3>We have to look at it in that context.

0:15:05.400 --> 0:15:09.440
<v Speaker 2>And Haward Johnson or another world for me, American heating,

0:15:09.440 --> 0:15:10.360
<v Speaker 2>American habit.

0:15:10.840 --> 0:15:12.280
<v Speaker 1>Well, that's what I want to ask you, which is

0:15:12.280 --> 0:15:16.400
<v Speaker 1>when you come here, yeah again, Head of State France Pavillon,

0:15:16.760 --> 0:15:19.320
<v Speaker 1>you could offer the White House job. What's the first

0:15:19.320 --> 0:15:21.440
<v Speaker 1>thing you're in New York? Correct? You settled in New York. First,

0:15:21.560 --> 0:15:23.760
<v Speaker 1>what's the first thing that strikes you about the way

0:15:23.800 --> 0:15:26.280
<v Speaker 1>Americans eat in American restaurants?

0:15:26.720 --> 0:15:30.440
<v Speaker 2>Well, I live on fiftieth between first and second Avenue,

0:15:30.720 --> 0:15:33.600
<v Speaker 2>on top of a little restaurant called lettock Blanche near

0:15:33.640 --> 0:15:34.480
<v Speaker 2>a certain.

0:15:34.200 --> 0:15:35.560
<v Speaker 3>Place for a very nice area.

0:15:35.880 --> 0:15:38.520
<v Speaker 2>So they are a superhi market, which happened my first

0:15:38.520 --> 0:15:39.320
<v Speaker 2>SUPERI market.

0:15:39.640 --> 0:15:40.600
<v Speaker 3>I thought it was great.

0:15:40.880 --> 0:15:42.320
<v Speaker 2>I didn't have to go to the fish guide, the

0:15:42.400 --> 0:15:45.600
<v Speaker 2>vegetable guide and so forth. But then there was a

0:15:45.600 --> 0:15:49.880
<v Speaker 2>lot of package package package. Then there was some good meat, beef,

0:15:50.360 --> 0:15:54.320
<v Speaker 2>lamb lobster, but there was only one salad that was iceberg.

0:15:54.720 --> 0:15:58.480
<v Speaker 2>There was no leak, no shallow, no intel vergetable. I

0:15:58.520 --> 0:16:01.080
<v Speaker 2>remember saying, what are the mercioms thet's say Aisle five

0:16:01.280 --> 0:16:04.960
<v Speaker 2>that was ken mushroom there you didn't, so it was

0:16:05.080 --> 0:16:07.520
<v Speaker 2>undo the world, you know, in terms of course had

0:16:07.520 --> 0:16:10.640
<v Speaker 2>the pavillon. We had great supplier even from Europe, from

0:16:10.720 --> 0:16:14.360
<v Speaker 2>different parts or the fish and all that too. But yes,

0:16:14.480 --> 0:16:17.040
<v Speaker 2>it certainly it was different.

0:16:17.680 --> 0:16:19.760
<v Speaker 1>So when France it's very compartmentalized. You go to the

0:16:19.760 --> 0:16:21.320
<v Speaker 1>fish market, you go to the butcher, you go to

0:16:21.320 --> 0:16:24.480
<v Speaker 1>the vegetable. It's a separate, the bakery, everything is separate. Now,

0:16:25.800 --> 0:16:28.920
<v Speaker 1>I mean, I can only say this because it's true,

0:16:28.920 --> 0:16:32.320
<v Speaker 1>and that is that for me. Howard Johnson's occupied a

0:16:32.440 --> 0:16:35.240
<v Speaker 1>very specific place because as a Catholic in the sixties,

0:16:35.280 --> 0:16:38.840
<v Speaker 1>as a child, we couldn't eat meat on Friday. So

0:16:38.920 --> 0:16:43.280
<v Speaker 1>the Howard Johnson's fish fry on Fridays was a staple

0:16:43.320 --> 0:16:45.320
<v Speaker 1>in my house, going to have the coles Law and

0:16:45.360 --> 0:16:47.600
<v Speaker 1>the hush puppies and the corn or whatever it was,

0:16:48.080 --> 0:16:53.320
<v Speaker 1>and fried clams. But Howard Johnson's for the guy that's

0:16:53.320 --> 0:16:56.160
<v Speaker 1>a restless guy, for the guy that's moving around and

0:16:56.160 --> 0:16:58.960
<v Speaker 1>trying things. You stayed with Howard Johnson's for ten years,

0:16:59.040 --> 0:17:00.840
<v Speaker 1>is that correct? Yes? Why?

0:17:01.160 --> 0:17:04.800
<v Speaker 2>Well, to start with how Old Johnson, the father came

0:17:04.840 --> 0:17:07.639
<v Speaker 2>to my wedding, He came to the Christian of my daughter,

0:17:08.080 --> 0:17:10.600
<v Speaker 2>so they were they used to come to the commissary

0:17:11.280 --> 0:17:13.879
<v Speaker 2>and Pierre fred and he said, okay, you guys, do

0:17:13.960 --> 0:17:18.680
<v Speaker 2>whatever you want to. We start changing butter instead of margarine,

0:17:18.960 --> 0:17:22.159
<v Speaker 2>fresh ones and the hydrated onion. We start changing all

0:17:22.200 --> 0:17:25.520
<v Speaker 2>the recipe and start working in the kitchen with four

0:17:25.920 --> 0:17:28.800
<v Speaker 2>for chicken to do a chicken pot pie, and we

0:17:28.920 --> 0:17:31.120
<v Speaker 2>end up with three thousand pounds of chicken at the time.

0:17:31.280 --> 0:17:34.959
<v Speaker 2>You know, I move on on the in thousand gallon kettles,

0:17:34.960 --> 0:17:36.240
<v Speaker 2>so it was a large production.

0:17:36.880 --> 0:17:37.080
<v Speaker 3>You know.

0:17:37.119 --> 0:17:41.040
<v Speaker 2>When I finished Howard Johnson. I opened a restaurant on

0:17:41.040 --> 0:17:44.000
<v Speaker 2>Fifth Avenue, cool a potagerie in New York. We sell

0:17:44.080 --> 0:17:46.639
<v Speaker 2>only soup, and I were a consult time for the

0:17:46.680 --> 0:17:49.280
<v Speaker 2>World Trade Center for Joe Baum. We saved one hundred

0:17:49.560 --> 0:17:52.159
<v Speaker 2>thirty thousand people a day. I was a consultant at

0:17:52.160 --> 0:17:56.640
<v Speaker 2>the Russian Teerom. I'm saying only that because other French

0:17:56.720 --> 0:17:57.680
<v Speaker 2>chefs I would never.

0:17:57.520 --> 0:17:59.480
<v Speaker 3>Have been able to do any of those jobs.

0:18:00.040 --> 0:18:03.760
<v Speaker 2>I didn't do anything about production, marketing, chemi history of food.

0:18:04.240 --> 0:18:06.879
<v Speaker 2>So Howard Johnson was a good experience for me. I

0:18:06.960 --> 0:18:07.560
<v Speaker 2>learned a lot.

0:18:07.880 --> 0:18:10.720
<v Speaker 1>The book is the technique. So the technique is as

0:18:10.720 --> 0:18:13.520
<v Speaker 1>important to you as the artistry preparing food in a

0:18:13.560 --> 0:18:18.920
<v Speaker 1>certain way, because you've mentioned repeatedly in interviews programs of

0:18:19.000 --> 0:18:22.879
<v Speaker 1>yours and then your writing about your mindfulness about economics

0:18:22.920 --> 0:18:25.080
<v Speaker 1>in cooking. Yeah, don't waste anything.

0:18:25.200 --> 0:18:28.719
<v Speaker 2>Yeah, economic of motion as well as the economic of

0:18:28.800 --> 0:18:32.520
<v Speaker 2>food and so forth. And the technique. I published that technique.

0:18:32.520 --> 0:18:35.639
<v Speaker 2>I think it's seventy four or five. It's still in print.

0:18:35.960 --> 0:18:37.879
<v Speaker 2>I don't cook the same way that I cook fifty

0:18:37.960 --> 0:18:40.439
<v Speaker 2>years ago or two, but the way you shop on

0:18:40.480 --> 0:18:44.600
<v Speaker 2>a knife, you know, piternaspara goose, porch and egg is

0:18:44.640 --> 0:18:47.080
<v Speaker 2>the same way. So those books of technique kind of

0:18:47.080 --> 0:18:48.480
<v Speaker 2>remain because of that.

0:18:53.640 --> 0:18:58.919
<v Speaker 1>Chef Jacques Pepin. If you enjoy in depth culinary conversations,

0:18:59.320 --> 0:19:02.640
<v Speaker 1>check out my episode with Chef Eric Repair of the

0:19:02.720 --> 0:19:04.399
<v Speaker 1>legendary Le Bernadelle.

0:19:05.160 --> 0:19:07.840
<v Speaker 5>What I like about Europe is the quality of the products.

0:19:08.040 --> 0:19:10.960
<v Speaker 5>When they serve vegetables, they test like what they're supposed

0:19:10.960 --> 0:19:11.560
<v Speaker 5>to taste.

0:19:11.880 --> 0:19:12.560
<v Speaker 3>Here's a bit of.

0:19:12.600 --> 0:19:17.280
<v Speaker 5>A challenge because we do not cultivate the same way.

0:19:17.760 --> 0:19:20.399
<v Speaker 5>You know, like the soil is maybe not the same.

0:19:20.720 --> 0:19:23.399
<v Speaker 5>I don't know, Like an artichock in a Mediterranean is

0:19:23.440 --> 0:19:26.040
<v Speaker 5>not the same artichock that we eat here. And you know,

0:19:26.280 --> 0:19:29.560
<v Speaker 5>it's like those gigantic farms, and they have ways of

0:19:29.600 --> 0:19:31.800
<v Speaker 5>cultivating and maximizing the land.

0:19:31.520 --> 0:19:34.320
<v Speaker 3>And factory its factories the artichoks are grown.

0:19:36.760 --> 0:19:40.720
<v Speaker 1>To hear more of my conversation with Eric Repair, go

0:19:40.880 --> 0:19:44.879
<v Speaker 1>to Here's the Thing dot org. After the break, Jacques

0:19:44.880 --> 0:19:49.160
<v Speaker 1>Papa tells us where a world famous chef dines in

0:19:49.160 --> 0:20:03.240
<v Speaker 1>his downtime. I'm Alec Baldwin and you're listening to Here's

0:20:03.320 --> 0:20:09.240
<v Speaker 1>the Thing Jacques Pepin's culinary techniques every day Cooking and

0:20:09.560 --> 0:20:12.359
<v Speaker 1>Heart and Soul in the Kitchen. These are just a

0:20:12.400 --> 0:20:16.760
<v Speaker 1>few of the many television programs Papin has created to

0:20:16.880 --> 0:20:20.320
<v Speaker 1>instruct the home chef. But of all his work as

0:20:20.359 --> 0:20:24.200
<v Speaker 1>a television icon, one series he is most well known

0:20:24.240 --> 0:20:28.440
<v Speaker 1>for is his Emmy winning show with Julia Child Julia

0:20:28.600 --> 0:20:30.560
<v Speaker 1>and Jacques Cooking at Home.

0:20:31.840 --> 0:20:33.960
<v Speaker 2>When I did a theory with Julia Child, you know

0:20:34.040 --> 0:20:37.199
<v Speaker 2>we did. I knew her fifty years. You know, I'm

0:20:37.200 --> 0:20:39.720
<v Speaker 2>married in eighteen sixty, so we did the theory together.

0:20:39.760 --> 0:20:42.480
<v Speaker 2>We had no recipe. She said, what do you want

0:20:42.520 --> 0:20:44.480
<v Speaker 2>to do? Just right down one hundred things of you

0:20:44.560 --> 0:20:47.399
<v Speaker 2>want to do with the twenty six show, and she

0:20:47.480 --> 0:20:50.240
<v Speaker 2>did the same way, and I think three of mine

0:20:50.280 --> 0:20:53.479
<v Speaker 2>made it in the show. You know, we cook together

0:20:53.640 --> 0:20:56.439
<v Speaker 2>without recipes, so it was harder for the cameraman. Of

0:20:56.440 --> 0:20:58.960
<v Speaker 2>course they don't know whether we're going to left right

0:20:59.080 --> 0:21:02.080
<v Speaker 2>or whatever. But for me, I have a scallion in

0:21:02.160 --> 0:21:04.200
<v Speaker 2>that dish because they happened to be on the table,

0:21:04.240 --> 0:21:07.040
<v Speaker 2>so I throw them in much idea to work without

0:21:07.080 --> 0:21:11.120
<v Speaker 2>recip just testing, adjusting this. And the second thing when

0:21:11.160 --> 0:21:14.240
<v Speaker 2>we did our show, of course on PBS, you have

0:21:14.280 --> 0:21:17.560
<v Speaker 2>a time frame. The show thirty minute all the time.

0:21:17.640 --> 0:21:21.480
<v Speaker 2>It's too expensive. But Julia said, we'll cook and when

0:21:21.520 --> 0:21:23.720
<v Speaker 2>it finished, will tell you some of the show.

0:21:23.560 --> 0:21:26.920
<v Speaker 3>For eighty minutes ninety minute. I mean, it was amazing.

0:21:27.760 --> 0:21:29.080
<v Speaker 3>And then so we had wine.

0:21:29.440 --> 0:21:32.040
<v Speaker 2>We had good wine, we had no recipe, and we

0:21:32.080 --> 0:21:33.520
<v Speaker 2>had as much time as we wanted.

0:21:33.640 --> 0:21:35.359
<v Speaker 3>So it was fun cooking.

0:21:35.600 --> 0:21:38.719
<v Speaker 1>I watched that documentary about her, and I was enthralled

0:21:38.800 --> 0:21:41.640
<v Speaker 1>by that film. It really was a magical an opportunity

0:21:41.880 --> 0:21:44.640
<v Speaker 1>to really get to know somebody you thought you knew. Yes,

0:21:44.760 --> 0:21:47.439
<v Speaker 1>a woman who everybody in this country knew who she was,

0:21:47.440 --> 0:21:49.560
<v Speaker 1>I mean at least of my generation, but you really

0:21:49.560 --> 0:21:51.000
<v Speaker 1>didn't know her when you got to know her. It

0:21:51.040 --> 0:21:52.880
<v Speaker 1>was really really a wonderful film.

0:21:53.359 --> 0:21:55.840
<v Speaker 3>But she was exactly the same way in person that

0:21:55.960 --> 0:21:56.959
<v Speaker 3>she was on television.

0:21:57.800 --> 0:22:00.719
<v Speaker 1>Now, so when you're in the United States and you

0:22:00.800 --> 0:22:03.080
<v Speaker 1>come here and before you go to Pavion and the

0:22:03.200 --> 0:22:06.960
<v Speaker 1>speaks to also just your patterns throughout your life, whether

0:22:07.000 --> 0:22:09.159
<v Speaker 1>you're in Europe or what have you. Do you like

0:22:09.240 --> 0:22:11.879
<v Speaker 1>to go to restaurants? Do you enjoy eating out or

0:22:11.880 --> 0:22:13.880
<v Speaker 1>do you much more prefer to just cook at home.

0:22:13.920 --> 0:22:16.440
<v Speaker 1>Do you dine out with any regularity or you prefer

0:22:16.520 --> 0:22:18.040
<v Speaker 1>not to both.

0:22:18.160 --> 0:22:20.640
<v Speaker 2>I mean I love to cook at home with Fran

0:22:20.760 --> 0:22:24.560
<v Speaker 2>occasionally we did last night, but otherwise I love to

0:22:24.560 --> 0:22:29.000
<v Speaker 2>go to the restaurant. Of course, I mean usually pretty straightforward restaurant.

0:22:29.640 --> 0:22:32.480
<v Speaker 2>For example, for America, and in the psyche of American

0:22:32.840 --> 0:22:36.479
<v Speaker 2>I believe a lot French cooking is understood in the

0:22:36.480 --> 0:22:40.640
<v Speaker 2>context of Micheline Star. You know, well, there is twelve

0:22:40.680 --> 0:22:43.560
<v Speaker 2>I think twelve or fourteen three star Micheline in France,

0:22:43.960 --> 0:22:47.399
<v Speaker 2>with about seventy eighty two star and about four hundred

0:22:47.480 --> 0:22:47.960
<v Speaker 2>one star.

0:22:48.359 --> 0:22:50.840
<v Speaker 3>The whole star system of the Missionine.

0:22:50.480 --> 0:22:53.399
<v Speaker 2>About six hundred restaurant, where there is one hundred and

0:22:53.400 --> 0:22:57.080
<v Speaker 2>sixty eight thousand restaurants in France. All the restaurants that

0:22:57.119 --> 0:23:00.359
<v Speaker 2>I was thinking about, my mother to any of them

0:23:00.440 --> 0:23:02.240
<v Speaker 2>had never been in a three star restaurant in the

0:23:02.320 --> 0:23:05.480
<v Speaker 2>Mishline guide. I'm saying that because in the psyche of

0:23:05.520 --> 0:23:08.600
<v Speaker 2>the American people often they look at French cooking in

0:23:08.680 --> 0:23:11.560
<v Speaker 2>the context of michelan very elegant and.

0:23:11.760 --> 0:23:14.320
<v Speaker 3>Famous high stakes timing, which.

0:23:14.119 --> 0:23:16.920
<v Speaker 2>Is not really it's part of it, but a small

0:23:17.040 --> 0:23:18.280
<v Speaker 2>part to a certain extent.

0:23:18.800 --> 0:23:21.040
<v Speaker 1>Now, for you, when you dine out, what's the first

0:23:21.040 --> 0:23:22.600
<v Speaker 1>thing that you look for in a restaurant that you

0:23:22.960 --> 0:23:24.240
<v Speaker 1>find attractive.

0:23:24.320 --> 0:23:27.359
<v Speaker 2>Well to a certain extent, the service. I mean, you know,

0:23:27.480 --> 0:23:29.320
<v Speaker 2>you get into a restaurant, or you're on the road,

0:23:29.320 --> 0:23:30.440
<v Speaker 2>you get into a restaurant.

0:23:31.320 --> 0:23:33.680
<v Speaker 3>You go in just looking at the bottom of the

0:23:34.720 --> 0:23:36.320
<v Speaker 3>chair or the table, whether.

0:23:36.119 --> 0:23:38.160
<v Speaker 2>They are clean or not, the smell of the restaurants

0:23:38.200 --> 0:23:40.760
<v Speaker 2>and all that I'm saying or I'm not saying here.

0:23:41.200 --> 0:23:43.760
<v Speaker 2>I'm not talking about famous restaurants. So there is that

0:23:43.840 --> 0:23:46.639
<v Speaker 2>first impression which is very important, and the way you

0:23:46.760 --> 0:23:51.600
<v Speaker 2>received the service to Yeah, those first impressions are very important,

0:23:51.680 --> 0:23:53.760
<v Speaker 2>I think in the restaurant. I mean I used to

0:23:53.800 --> 0:23:56.800
<v Speaker 2>review a fair amount of restaurant with Craig label on

0:23:57.480 --> 0:24:00.600
<v Speaker 2>the New York Times because I knew Craig again when

0:24:00.600 --> 0:24:04.160
<v Speaker 2>I came to this country. I mean through the pavilion again,

0:24:04.320 --> 0:24:08.480
<v Speaker 2>so very often to touch job that I would not, in.

0:24:08.400 --> 0:24:11.800
<v Speaker 3>Fact, I was broke with the job after he.

0:24:11.800 --> 0:24:14.760
<v Speaker 2>Left and died. I mean that would you be interested?

0:24:15.720 --> 0:24:18.800
<v Speaker 2>I couldn't do that. I mean it's very easy. I

0:24:18.800 --> 0:24:21.199
<v Speaker 2>can't tell you fifteen things wrong anywhere that you go,

0:24:21.359 --> 0:24:23.960
<v Speaker 2>but this is not my type of thing.

0:24:24.400 --> 0:24:26.080
<v Speaker 3>And after I know, I would have been.

0:24:26.359 --> 0:24:30.879
<v Speaker 2>Pretty bored and frustrated after you know, a couple of

0:24:30.880 --> 0:24:31.680
<v Speaker 2>weeks on the job.

0:24:32.200 --> 0:24:34.240
<v Speaker 1>Well, for me, my wife and I we go out

0:24:34.280 --> 0:24:36.800
<v Speaker 1>to dinner probably you know, four nights a week because

0:24:36.800 --> 0:24:39.160
<v Speaker 1>it's the only time I have my wife to myself. Right.

0:24:39.320 --> 0:24:40.959
<v Speaker 1>We have to put all the kids to bed and

0:24:41.240 --> 0:24:43.520
<v Speaker 1>I go to dinner with my wife. And my feeling

0:24:43.560 --> 0:24:46.840
<v Speaker 1>about restaurants is, you know, we basically try new things

0:24:46.840 --> 0:24:48.879
<v Speaker 1>every now and then someone will say, oh, you must

0:24:48.920 --> 0:24:51.720
<v Speaker 1>go here, but we go to the same four places

0:24:51.760 --> 0:24:54.239
<v Speaker 1>over and over again. I want reliability. I walk in

0:24:54.240 --> 0:24:56.120
<v Speaker 1>that restaurant, I know exactly what I want to get.

0:24:56.119 --> 0:24:58.679
<v Speaker 2>Right me too, if I played with it to a

0:24:58.720 --> 0:25:02.159
<v Speaker 2>fantastic ROAs Chin, I want to go back there. And

0:25:02.200 --> 0:25:03.760
<v Speaker 2>if I go back there and they say, we don't

0:25:03.760 --> 0:25:06.120
<v Speaker 2>do it anymore, so what's going on?

0:25:06.160 --> 0:25:06.400
<v Speaker 3>I mean?

0:25:06.440 --> 0:25:09.960
<v Speaker 2>You know, I add, you know, so many twenty three

0:25:10.040 --> 0:25:12.919
<v Speaker 2>twenty four thousand restaurants in New York. The amount of

0:25:12.920 --> 0:25:16.800
<v Speaker 2>ethnicity and the choice is unmatched anywhere in the world.

0:25:17.200 --> 0:25:19.920
<v Speaker 2>When you find six or eight restaurant that you can

0:25:20.000 --> 0:25:22.520
<v Speaker 2>rely on. If you want Chinese, all this and that, yeah,

0:25:22.560 --> 0:25:24.440
<v Speaker 2>of course you go back there. That's what you want,

0:25:24.480 --> 0:25:25.560
<v Speaker 2>and you want the same food.

0:25:26.840 --> 0:25:30.200
<v Speaker 1>Now, are there things you won't eat or did your

0:25:30.200 --> 0:25:32.119
<v Speaker 1>training put you in a place where you eat anything?

0:25:32.640 --> 0:25:36.560
<v Speaker 2>Yes, I'm a glutton basically. Yeah, I eat anything you

0:25:36.560 --> 0:25:39.320
<v Speaker 2>put in front of me. Really, yes, I mean I

0:25:39.320 --> 0:25:42.760
<v Speaker 2>don't really think of anything that I don't like. It changed,

0:25:42.760 --> 0:25:46.000
<v Speaker 2>I mean your metabolism change. At my age, I used.

0:25:45.800 --> 0:25:47.000
<v Speaker 3>To love a large stake.

0:25:47.160 --> 0:25:49.200
<v Speaker 2>Now if I have a stick, if I have two

0:25:49.280 --> 0:25:51.480
<v Speaker 2>or three answers a piece of that, that's more than

0:25:51.600 --> 0:25:55.000
<v Speaker 2>enough to still. You know, things change. I eat probably

0:25:55.000 --> 0:25:57.880
<v Speaker 2>more soup than I ever did, and other things like that.

0:25:58.040 --> 0:26:01.000
<v Speaker 3>The way you cook when you're young chef of and you.

0:26:00.960 --> 0:26:02.960
<v Speaker 2>Add to the plate, you add to the plate. You

0:26:03.000 --> 0:26:07.000
<v Speaker 2>add to the plate to presentation too. And when you

0:26:07.040 --> 0:26:10.879
<v Speaker 2>get to be a sertain age. If I have a

0:26:10.920 --> 0:26:14.199
<v Speaker 2>great tomato out of my gardener, the right temperature, you know,

0:26:14.280 --> 0:26:17.080
<v Speaker 2>a bit of salt, it's ripe, A bit of salt,

0:26:17.119 --> 0:26:19.560
<v Speaker 2>bit of a river on top, I don't need more

0:26:19.600 --> 0:26:22.800
<v Speaker 2>embellishment on the plate. So I take away, take away

0:26:23.160 --> 0:26:25.760
<v Speaker 2>from the plate to be left with something more essential.

0:26:25.920 --> 0:26:30.080
<v Speaker 2>Not my age, but it's a normal progression with age

0:26:30.119 --> 0:26:31.080
<v Speaker 2>and so forth.

0:26:31.560 --> 0:26:34.360
<v Speaker 1>I mean beyond. I want to say this carefully because

0:26:34.359 --> 0:26:36.200
<v Speaker 1>I don't want to get this say the wrong thing here.

0:26:36.200 --> 0:26:39.480
<v Speaker 1>But it's like, beyond drugs and alcohol and things that

0:26:39.520 --> 0:26:41.960
<v Speaker 1>have a grip on people in this very very powerful way,

0:26:42.600 --> 0:26:45.359
<v Speaker 1>beyond that, there's nothing that has a control of people

0:26:45.400 --> 0:26:48.920
<v Speaker 1>more than food. Oh yeah, food is the most powerful

0:26:49.800 --> 0:26:51.320
<v Speaker 1>reality in our lives.

0:26:51.600 --> 0:26:55.480
<v Speaker 2>There is nothing also will bring people together like food.

0:26:55.600 --> 0:26:58.359
<v Speaker 2>You know, you sit down at the table with people

0:26:58.400 --> 0:27:00.960
<v Speaker 2>you don't know to all of a sudden, you know,

0:27:01.000 --> 0:27:04.199
<v Speaker 2>you starting conversation and all that. You may be sitting

0:27:04.240 --> 0:27:06.679
<v Speaker 2>next to the governor on one side and maybe the

0:27:06.720 --> 0:27:09.800
<v Speaker 2>dishwasher of the restaurant on the other side. But if

0:27:09.800 --> 0:27:12.800
<v Speaker 2>really it doesn't matter. I remember traveling in the northern

0:27:12.840 --> 0:27:16.920
<v Speaker 2>of Europe, Yugoslavia and so forth, in little village many

0:27:16.920 --> 0:27:20.480
<v Speaker 2>many years ago, people look behind the curtain foreigners, you know,

0:27:20.560 --> 0:27:23.240
<v Speaker 2>I mean, you're dangerous. You see it at the bistro

0:27:23.680 --> 0:27:24.760
<v Speaker 2>and you're there by hand.

0:27:24.760 --> 0:27:25.840
<v Speaker 3>If you don't know the language.

0:27:25.920 --> 0:27:28.760
<v Speaker 2>You get the bottle of wine there and whatever bread

0:27:28.800 --> 0:27:31.520
<v Speaker 2>to and all of a sudden people sit around you.

0:27:31.520 --> 0:27:33.040
<v Speaker 2>You know, they look at you. You send them a

0:27:33.040 --> 0:27:36.320
<v Speaker 2>bottle of wine and an hour letter. You're speaking unknown

0:27:36.400 --> 0:27:40.280
<v Speaker 2>language with those people because you'll quote normal you know,

0:27:40.359 --> 0:27:42.560
<v Speaker 2>you eat like them or so forth. So food is

0:27:42.680 --> 0:27:46.119
<v Speaker 2>very important. One of the most important thing for me

0:27:46.280 --> 0:27:49.000
<v Speaker 2>is probably to follow the season. You know, I mean

0:27:49.280 --> 0:27:52.200
<v Speaker 2>the stupo markets seem to be greater and more beautiful

0:27:52.240 --> 0:27:55.040
<v Speaker 2>they've ever been. You have through very year round, but

0:27:55.119 --> 0:27:56.720
<v Speaker 2>when you test it, and when you go to a

0:27:56.800 --> 0:27:59.679
<v Speaker 2>farm by a basket of srowary in full season, you

0:27:59.720 --> 0:28:02.880
<v Speaker 2>can see the difference. So it seemed to be very

0:28:02.920 --> 0:28:06.120
<v Speaker 2>plentiful in some ways, but it's not. I mean, following

0:28:06.160 --> 0:28:08.680
<v Speaker 2>the season the best thing you can do. That's when

0:28:08.680 --> 0:28:12.400
<v Speaker 2>a tomato really tastes good full season, that's when it's

0:28:12.440 --> 0:28:15.879
<v Speaker 2>really cheap too, and when when nutritionally that's when it

0:28:15.960 --> 0:28:18.040
<v Speaker 2>the bests for you. So you know, you go to

0:28:18.119 --> 0:28:22.080
<v Speaker 2>those places from the south of France to Sicily or

0:28:22.119 --> 0:28:25.240
<v Speaker 2>Sardinia where people live over one hundred years old, they

0:28:25.280 --> 0:28:28.760
<v Speaker 2>eat very simply, but they follow the season simply, have

0:28:28.800 --> 0:28:31.480
<v Speaker 2>a glass of wine and eat you know what's in

0:28:31.560 --> 0:28:33.320
<v Speaker 2>seasons simply, and that's great.

0:28:34.040 --> 0:28:37.480
<v Speaker 1>We had Eric Repair obviously from the Bernadette here on

0:28:37.520 --> 0:28:39.840
<v Speaker 1>the show about a year ago, and when he described

0:28:39.880 --> 0:28:41.360
<v Speaker 1>what it was like when he was young and he

0:28:41.480 --> 0:28:43.640
<v Speaker 1>was in the kitchen. It's a lot of work. Boy,

0:28:43.720 --> 0:28:45.640
<v Speaker 1>it sounds like it was really, really, really a lot

0:28:45.680 --> 0:28:46.080
<v Speaker 1>of work.

0:28:46.160 --> 0:28:48.200
<v Speaker 2>It was, but we didn't know it was work, you know.

0:28:48.360 --> 0:28:51.400
<v Speaker 2>And as I said at that time, no recipe. The

0:28:51.480 --> 0:28:53.480
<v Speaker 2>chef that you do this, and if you say why,

0:28:53.480 --> 0:28:55.280
<v Speaker 2>you would have said because I just told you.

0:28:55.400 --> 0:28:55.560
<v Speaker 3>Right.

0:28:56.040 --> 0:28:59.400
<v Speaker 2>So I work for a year on an apprenticeship cleaning

0:28:59.400 --> 0:29:02.760
<v Speaker 2>the floor, and then started scaling fish, killing chicken at

0:29:02.760 --> 0:29:06.240
<v Speaker 2>the time we killed chicken, pop chicken, rabbit, scaling fish

0:29:06.320 --> 0:29:09.960
<v Speaker 2>too without just by looking and doing it. And then

0:29:10.000 --> 0:29:12.800
<v Speaker 2>when the earlier the chef told me you started the

0:29:12.840 --> 0:29:14.960
<v Speaker 2>stove tomorrow started the stove.

0:29:15.000 --> 0:29:18.160
<v Speaker 3>They only get close to the stof to put wood.

0:29:18.120 --> 0:29:20.760
<v Speaker 2>And calling it at that when it was now and

0:29:21.280 --> 0:29:22.760
<v Speaker 2>I work at the stove, and I knew how to

0:29:22.800 --> 0:29:25.800
<v Speaker 2>do it through osmosis, you know, at that time, the

0:29:25.880 --> 0:29:26.960
<v Speaker 2>repeat and so forth.

0:29:27.000 --> 0:29:29.560
<v Speaker 3>So that was a different way of learning as we

0:29:29.680 --> 0:29:30.160
<v Speaker 3>do now.

0:29:30.560 --> 0:29:32.960
<v Speaker 2>You know, I've been dinner at the French Culinariantitute in

0:29:33.000 --> 0:29:35.320
<v Speaker 2>New York for twenty five years. That I teach at

0:29:35.320 --> 0:29:39.560
<v Speaker 2>BU for forty three years, I think. So now you

0:29:39.640 --> 0:29:43.680
<v Speaker 2>teach Chatali differently. The key first are usually coming from

0:29:44.160 --> 0:29:46.640
<v Speaker 2>not only high school but often college, so they want

0:29:46.680 --> 0:29:49.480
<v Speaker 2>to know more totally different than the way I was

0:29:49.520 --> 0:29:51.840
<v Speaker 2>told when I was thirteen fourteen, do this, do that

0:29:51.840 --> 0:29:52.280
<v Speaker 2>that said?

0:29:52.440 --> 0:29:54.760
<v Speaker 1>You know, going back to when you were talking about

0:29:55.120 --> 0:29:57.200
<v Speaker 1>a great tomato. What you see is I live on

0:29:57.200 --> 0:29:59.320
<v Speaker 1>Long Island in the summer. We're out there for the summer,

0:29:59.400 --> 0:30:02.240
<v Speaker 1>my family, and these farmers' markets where it seems like

0:30:02.280 --> 0:30:05.160
<v Speaker 1>people will pay just about anything to have a basket

0:30:05.200 --> 0:30:07.360
<v Speaker 1>of something of the season. We have a garden in

0:30:07.400 --> 0:30:09.560
<v Speaker 1>our house. We have a woman who comes. She prepares

0:30:09.600 --> 0:30:11.880
<v Speaker 1>the garden, and then she texts me and says, here's

0:30:11.920 --> 0:30:14.720
<v Speaker 1>what's ready to pick. The Japanese egg plant is ready

0:30:14.760 --> 0:30:17.360
<v Speaker 1>to pick. The flowers are ready to pick. We've got

0:30:17.400 --> 0:30:19.600
<v Speaker 1>a decent sized garden and my family I got, like

0:30:19.640 --> 0:30:21.800
<v Speaker 1>I said, I got seven kids, my wife, and I

0:30:22.040 --> 0:30:24.600
<v Speaker 1>of some people who help us. We can't eat everything

0:30:24.600 --> 0:30:25.600
<v Speaker 1>that comes out of that garden.

0:30:26.120 --> 0:30:28.959
<v Speaker 2>I did two soup this summer with cucumber. It's almost

0:30:29.400 --> 0:30:31.040
<v Speaker 2>I put it, took the seat out of it, put

0:30:31.080 --> 0:30:34.200
<v Speaker 2>it in the food processor and rucifi it salt paper

0:30:34.280 --> 0:30:36.920
<v Speaker 2>and I mixed that with a bloody Marry remix. There

0:30:36.960 --> 0:30:40.560
<v Speaker 2>is I had a guess pastio right there, and I

0:30:40.600 --> 0:30:42.880
<v Speaker 2>did another one the same way, but then mix it

0:30:42.920 --> 0:30:46.600
<v Speaker 2>with the with yogurt and mint to do yogot soup

0:30:46.680 --> 0:30:49.680
<v Speaker 2>during the summer. So often the recipe come from that

0:30:49.840 --> 0:30:52.000
<v Speaker 2>overabundance of the things that you have.

0:30:54.840 --> 0:30:58.640
<v Speaker 1>Chef Jacques Pepin, if you're enjoying this conversation, tell a

0:30:58.680 --> 0:31:01.760
<v Speaker 1>friend and be sure to follow Here's the Thing on

0:31:01.840 --> 0:31:06.800
<v Speaker 1>the iHeartRadio app, Spotify or wherever you get your podcasts.

0:31:07.400 --> 0:31:10.640
<v Speaker 1>When we come back, Jacques Papass shares how a near

0:31:10.800 --> 0:31:24.960
<v Speaker 1>fatal car accident changed the course of his life. I'm

0:31:24.960 --> 0:31:29.000
<v Speaker 1>Alec Baldwin and you're listening to Here's the Thing. Chef

0:31:29.160 --> 0:31:33.920
<v Speaker 1>Jacques Papa's career boasts a seemingly endless list of accomplishments,

0:31:34.320 --> 0:31:37.920
<v Speaker 1>from cooking for multiple heads of state to creating the

0:31:38.080 --> 0:31:43.120
<v Speaker 1>culinary certificate program at Boston University. That's why I wanted

0:31:43.160 --> 0:31:45.320
<v Speaker 1>to know why he chose to go back to school,

0:31:45.840 --> 0:31:50.800
<v Speaker 1>earning his bachelor's and master's degrees from Columbia University in

0:31:50.920 --> 0:31:52.320
<v Speaker 1>his adulthood.

0:31:53.280 --> 0:31:55.480
<v Speaker 3>We're to start with Atle Skuluhn.

0:31:55.520 --> 0:31:58.280
<v Speaker 2>I was thirteen years old, so there was always often

0:31:58.320 --> 0:32:01.680
<v Speaker 2>in the kitchen that complex about not having an education.

0:32:02.160 --> 0:32:02.959
<v Speaker 3>You know and all that.

0:32:03.120 --> 0:32:06.680
<v Speaker 2>So I saw that even as I said, when I

0:32:06.760 --> 0:32:09.320
<v Speaker 2>was at Howard Johnan, for example, I was with Pia Fredde.

0:32:09.560 --> 0:32:13.280
<v Speaker 2>Pierre Frede was a fantastic chef, great guy. He started

0:32:13.320 --> 0:32:15.400
<v Speaker 2>working like I did, but he never went back to

0:32:15.400 --> 0:32:18.720
<v Speaker 2>college after he was here. And I remember mister Johnson

0:32:19.560 --> 0:32:22.680
<v Speaker 2>junior there who was at Cornell. He used to come

0:32:22.720 --> 0:32:26.360
<v Speaker 2>with his other kid the sandwich two twenty three. They

0:32:26.400 --> 0:32:28.680
<v Speaker 2>come out of college, and I know that Pierre was mpressed,

0:32:28.760 --> 0:32:30.720
<v Speaker 2>didn't know what to do, when in fact they knew

0:32:30.720 --> 0:32:33.400
<v Speaker 2>nothing about cooking or anything. At that time, I was

0:32:33.400 --> 0:32:35.560
<v Speaker 2>already in the graduate school at Columbia. So a one

0:32:35.600 --> 0:32:39.600
<v Speaker 2>time pressed by them, So it changed your mentality, you know.

0:32:39.840 --> 0:32:42.240
<v Speaker 2>As I said, one time I gave the commandment address

0:32:42.320 --> 0:32:45.360
<v Speaker 2>at Columbia. Actually, and I said a quote I think

0:32:45.400 --> 0:32:50.320
<v Speaker 2>from Somerset Mohan, which the education is very important. Without

0:32:50.360 --> 0:32:53.880
<v Speaker 2>an education, you're likely to fall in the deadly danger

0:32:54.000 --> 0:32:56.000
<v Speaker 2>of taking educated people seriously.

0:32:56.480 --> 0:33:00.480
<v Speaker 3>So it's true to a certain extent.

0:33:00.640 --> 0:33:02.840
<v Speaker 2>You know, I would never have been able to do

0:33:02.920 --> 0:33:06.800
<v Speaker 2>everything that I've done without the education I get at Columbia.

0:33:06.920 --> 0:33:09.360
<v Speaker 2>And I went to Columbia from nineteen fifty nine to

0:33:09.480 --> 0:33:14.560
<v Speaker 2>nineteen seventy three seventy three, Appropot a doctoral dissertation on

0:33:14.640 --> 0:33:18.160
<v Speaker 2>an history of food in the context Civil edition literature,

0:33:18.480 --> 0:33:20.080
<v Speaker 2>and at that time to me, are you crazy?

0:33:20.160 --> 0:33:23.680
<v Speaker 3>Food? Now we cannot accept that. So I left.

0:33:23.800 --> 0:33:24.440
<v Speaker 1>That's crazy.

0:33:24.440 --> 0:33:27.440
<v Speaker 3>Actually I want to be you and you got your

0:33:27.480 --> 0:33:30.360
<v Speaker 3>doctorate there. Yeah, Columbia still gave me a PhD.

0:33:30.520 --> 0:33:33.480
<v Speaker 2>Letter. I think it's another world, the world of food now,

0:33:33.600 --> 0:33:35.600
<v Speaker 2>I mean the way we get respect and all that.

0:33:35.680 --> 0:33:39.320
<v Speaker 2>And I have to say that American chefs start later

0:33:39.400 --> 0:33:41.640
<v Speaker 2>than what it used to be thirteen years old in

0:33:41.680 --> 0:33:44.600
<v Speaker 2>Europe and so forth, so they usually go to school today,

0:33:44.600 --> 0:33:47.920
<v Speaker 2>are more educated too, so it's a different business. They

0:33:47.920 --> 0:33:50.480
<v Speaker 2>get much more into business now. So many chefs that

0:33:50.520 --> 0:33:53.280
<v Speaker 2>I know from Daniel bul have six seven eight restaurants.

0:33:53.800 --> 0:33:56.720
<v Speaker 2>I never did that type of thing. I don't think

0:33:56.720 --> 0:33:58.880
<v Speaker 2>that I would have been very good at that. I'm

0:33:58.920 --> 0:34:00.760
<v Speaker 2>not very good at business in general.

0:34:00.920 --> 0:34:06.120
<v Speaker 3>So, but the chef now is that much more larger

0:34:06.280 --> 0:34:07.440
<v Speaker 3>person than it used to be.

0:34:08.360 --> 0:34:09.920
<v Speaker 1>So a couple of quick things that I want to

0:34:09.920 --> 0:34:13.520
<v Speaker 1>touch on. So you were in a very serious car accident, yes,

0:34:13.680 --> 0:34:14.680
<v Speaker 1>and this was back in what.

0:34:14.800 --> 0:34:17.040
<v Speaker 3>Year nineteen seventy four?

0:34:17.280 --> 0:34:19.640
<v Speaker 2>You know, I tried to avoid idea of falling arriving

0:34:20.719 --> 0:34:23.960
<v Speaker 2>tree and I had twelve fourteen fracture, and so I

0:34:24.120 --> 0:34:27.440
<v Speaker 2>broke my back in three places, my two hip leg arm.

0:34:28.040 --> 0:34:29.680
<v Speaker 3>They thought that I would live, They thought that I

0:34:29.719 --> 0:34:30.560
<v Speaker 3>would walk again.

0:34:31.000 --> 0:34:34.479
<v Speaker 2>And in fact, one of the first things my wife

0:34:34.600 --> 0:34:37.040
<v Speaker 2>signed removal of the left town. The left town. There

0:34:37.080 --> 0:34:39.759
<v Speaker 2>was only this is a good thing. They didn't cut

0:34:39.840 --> 0:34:42.960
<v Speaker 2>it off. So yeah, that kind of changed my life too.

0:34:43.040 --> 0:34:45.320
<v Speaker 2>It pushed me in the direction of writing about food.

0:34:45.800 --> 0:34:47.600
<v Speaker 2>You know, I did for the New York Times.

0:34:47.640 --> 0:34:49.600
<v Speaker 1>You couldn't stand in the kitchen for very long.

0:34:49.440 --> 0:34:52.359
<v Speaker 2>Obviously, Well I can, but you know, not like back then,

0:34:52.880 --> 0:34:54.560
<v Speaker 2>all the time, every day, six hours.

0:34:54.600 --> 0:34:57.200
<v Speaker 3>It's pretty taxing, you know. So of course, yeah, so

0:34:57.320 --> 0:34:58.160
<v Speaker 3>that changed.

0:34:58.239 --> 0:35:01.080
<v Speaker 1>Changed your life in an important way. I want you

0:35:01.120 --> 0:35:03.160
<v Speaker 1>to mention two things. Your new cookbook is called what.

0:35:03.920 --> 0:35:04.759
<v Speaker 3>Cooking My Way?

0:35:04.800 --> 0:35:09.440
<v Speaker 2>I think you know, I did thirteenth theery of PBS show,

0:35:10.000 --> 0:35:12.279
<v Speaker 2>And each time there is a theme. So each time

0:35:12.320 --> 0:35:13.960
<v Speaker 2>you have a book with a different theme. And that's

0:35:13.960 --> 0:35:15.880
<v Speaker 2>what I have so many books. I even did a

0:35:15.880 --> 0:35:18.720
<v Speaker 2>book for the Cleveland Clinic for Caldiac version wet loss.

0:35:18.760 --> 0:35:22.319
<v Speaker 2>So you put your knowledge of food to a very

0:35:22.320 --> 0:35:25.879
<v Speaker 2>specific area in the New York Time for eight ten

0:35:25.960 --> 0:35:28.360
<v Speaker 2>years that I had a column called The Purposeful Cook,

0:35:28.400 --> 0:35:30.640
<v Speaker 2>which was to cook for a family of six from

0:35:30.640 --> 0:35:33.440
<v Speaker 2>a minimum amount of money. So there the idea was

0:35:33.520 --> 0:35:36.319
<v Speaker 2>economy in the kitchen. So this is a bit of

0:35:36.360 --> 0:35:40.759
<v Speaker 2>the same theme that I took back here. But I've

0:35:40.800 --> 0:35:43.799
<v Speaker 2>been very lucky with all the books that I've done,

0:35:43.880 --> 0:35:46.320
<v Speaker 2>and with PBS and so forth.

0:35:46.360 --> 0:35:49.120
<v Speaker 1>So you've had an amazingly broad career. It's incredible.

0:35:49.640 --> 0:35:50.560
<v Speaker 3>I'm very lucky.

0:35:51.320 --> 0:35:55.440
<v Speaker 1>Which brings me to you said you just turned eighty eight. Yeah, yesterday,

0:35:55.600 --> 0:35:58.200
<v Speaker 1>So yesterday was your birthday, your eighty eight. Which I

0:35:58.239 --> 0:36:01.520
<v Speaker 1>have many friends, many friends who are older than I am.

0:36:01.560 --> 0:36:03.839
<v Speaker 1>I'm sixty five, and my friends who were in their

0:36:03.880 --> 0:36:06.799
<v Speaker 1>late seventies around in the corner toward eighty, who have

0:36:07.040 --> 0:36:10.080
<v Speaker 1>great careers. They're like, they're never going to retire, Like, well,

0:36:10.080 --> 0:36:11.279
<v Speaker 1>this is who I am, this is what I do.

0:36:11.400 --> 0:36:12.200
<v Speaker 1>Retirement it's death.

0:36:13.080 --> 0:36:14.960
<v Speaker 3>If you love what you're doing, you never have to

0:36:14.960 --> 0:36:15.560
<v Speaker 3>go to work.

0:36:16.360 --> 0:36:21.040
<v Speaker 1>Fantastic, fantastic. Now, one more thing. Your foundation describe to

0:36:21.120 --> 0:36:22.840
<v Speaker 1>us when you started that what the mission of the

0:36:22.840 --> 0:36:23.400
<v Speaker 1>foundation is.

0:36:23.480 --> 0:36:26.040
<v Speaker 2>Yeah, it was actually my son in law, my daughter

0:36:26.160 --> 0:36:28.680
<v Speaker 2>does Facebook for me, my son in law does instide

0:36:28.680 --> 0:36:31.839
<v Speaker 2>gramble of though its a professor Johnson and weel it's

0:36:31.840 --> 0:36:34.919
<v Speaker 2>actually a professional chef forty years but then he went

0:36:34.960 --> 0:36:37.600
<v Speaker 2>back to Johnson and weell to teach and get his

0:36:37.760 --> 0:36:40.960
<v Speaker 2>master and get a PhD. So at some point about

0:36:41.000 --> 0:36:43.279
<v Speaker 2>five six years ago, he told me, you know you've

0:36:43.320 --> 0:36:45.360
<v Speaker 2>been teaching all your life. Who do you think you

0:36:45.400 --> 0:36:47.480
<v Speaker 2>would like to teach now? So we talked about it.

0:36:47.560 --> 0:36:49.120
<v Speaker 2>I said, you know people who have been a bit

0:36:49.719 --> 0:36:52.879
<v Speaker 2>these enfranchised by life. You know, people who come out

0:36:52.880 --> 0:36:56.680
<v Speaker 2>of jail, you know, homeless people form a drug addict,

0:36:57.000 --> 0:37:00.319
<v Speaker 2>even veteran. So I feel that in six weeks, with

0:37:00.360 --> 0:37:02.880
<v Speaker 2>the video that we are teaching and all that, in

0:37:02.920 --> 0:37:05.680
<v Speaker 2>six weeks, I could teach someone in the kitchen, if

0:37:05.680 --> 0:37:08.360
<v Speaker 2>they're interested, how to pier on your properly, or to

0:37:08.400 --> 0:37:11.200
<v Speaker 2>pilasi argus, how to push on egg and then you

0:37:11.280 --> 0:37:13.719
<v Speaker 2>know the basic and if you like it and keep

0:37:13.719 --> 0:37:16.759
<v Speaker 2>at it, Fabio, there may be other chef there. You know,

0:37:16.960 --> 0:37:19.200
<v Speaker 2>you're in charge now at the kitchen, and you make

0:37:19.239 --> 0:37:21.840
<v Speaker 2>good money and it kind of redo your life. So

0:37:22.000 --> 0:37:25.719
<v Speaker 2>they are not necessarily young people in the organization you know,

0:37:26.160 --> 0:37:30.359
<v Speaker 2>a lot of forty fifty people. But we work through

0:37:30.400 --> 0:37:33.359
<v Speaker 2>community kitchen a bit all over the country and it's

0:37:33.400 --> 0:37:36.080
<v Speaker 2>been quite rewarding, and we need people like that.

0:37:36.080 --> 0:37:37.479
<v Speaker 3>In the kitchen, you know, to work.

0:37:37.760 --> 0:37:40.920
<v Speaker 1>Yeah, well, I must say what a great honor it

0:37:41.000 --> 0:37:42.800
<v Speaker 1>is for me to meet you. It is an honor.

0:37:42.840 --> 0:37:44.280
<v Speaker 1>I'm a great admirer of yours.

0:37:44.560 --> 0:37:46.440
<v Speaker 3>A great honor for me. I wanted to tell you.

0:37:46.680 --> 0:37:47.680
<v Speaker 3>I have to say. Yeah.

0:37:47.719 --> 0:37:51.239
<v Speaker 2>My daughter and my son in law and my granddaughter,

0:37:51.480 --> 0:37:52.080
<v Speaker 2>they love you.

0:37:52.120 --> 0:37:54.000
<v Speaker 3>Thank you, sir, thank you, happy cooking.

0:37:58.280 --> 0:38:02.759
<v Speaker 1>My thanks to Jacques Papin. More information about the Jacques

0:38:02.800 --> 0:38:08.040
<v Speaker 1>Pepin Foundation can be found at jp dot Foundation. This

0:38:08.239 --> 0:38:13.040
<v Speaker 1>episode was recorded at CDM Studios in New York City.

0:38:13.520 --> 0:38:17.600
<v Speaker 1>We're produced by Kathleen Russo, Zach MacNeice, and Maureen Hoben.

0:38:18.000 --> 0:38:22.200
<v Speaker 1>Our engineer is Frank Imperial. Our social media manager is

0:38:22.320 --> 0:38:26.040
<v Speaker 1>Danielle Gingrich. I'm Alec Baldwin. Here's the thing is brought

0:38:26.040 --> 0:38:28.080
<v Speaker 1>to you by iHeart Radio.