WEBVTT - Irving Azoff

0:00:08.600 --> 0:00:12.320
<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets Podcasting.

0:00:12.760 --> 0:00:16.560
<v Speaker 1>My guest today is a man who food needs an introduction,

0:00:17.000 --> 0:00:20.000
<v Speaker 1>a man who's played every role of the music business,

0:00:20.040 --> 0:00:23.040
<v Speaker 1>the one and only Irving as of Irving. Good to

0:00:23.079 --> 0:00:25.759
<v Speaker 1>have you here, thrilled to be here, Abob. So what's

0:00:25.800 --> 0:00:28.000
<v Speaker 1>really going on with the live business? Are we back?

0:00:28.040 --> 0:00:29.520
<v Speaker 1>Are we not back? Are we gonna have to have

0:00:29.640 --> 0:00:32.440
<v Speaker 1>vaccine passports? How do you see it? We're not gonna

0:00:32.479 --> 0:00:37.040
<v Speaker 1>have vaccine passports. Um. The thing that you know has

0:00:37.200 --> 0:00:40.839
<v Speaker 1>has unimpressed me, shall we say, is as we were

0:00:40.840 --> 0:00:42.680
<v Speaker 1>in the in the depths of this, there was all

0:00:42.680 --> 0:00:45.480
<v Speaker 1>this talk about all these people running around, we're gonna

0:00:45.479 --> 0:00:48.600
<v Speaker 1>have testing machines, and can you test a person every

0:00:48.640 --> 0:00:51.800
<v Speaker 1>twenty seconds or ninety seconds before they walk in the building,

0:00:51.880 --> 0:00:54.600
<v Speaker 1>and they're gonna require that before we can go. And

0:00:54.640 --> 0:00:56.840
<v Speaker 1>then it was we're gonna have you're gonna have a

0:00:57.320 --> 0:01:01.440
<v Speaker 1>put on your device, you know, a vaccine passport. And

0:01:01.440 --> 0:01:04.560
<v Speaker 1>and what I'm finding is none of the above. When

0:01:04.640 --> 0:01:07.120
<v Speaker 1>you go to a venue I've been doing, a well

0:01:07.160 --> 0:01:11.520
<v Speaker 1>known venue called Staples Center for a Laker basketball game. UM,

0:01:11.560 --> 0:01:14.360
<v Speaker 1>and you arrive and they say, uh, I need to

0:01:14.400 --> 0:01:18.120
<v Speaker 1>see your vaccine card. Okay, then you pull out your

0:01:18.160 --> 0:01:22.040
<v Speaker 1>phone and a guy looks at it for about ten seconds.

0:01:22.720 --> 0:01:27.479
<v Speaker 1>Doesn't match your name against the card or anything. So um,

0:01:27.520 --> 0:01:31.520
<v Speaker 1>you know, our government blue wear masks, don't wear masks,

0:01:31.959 --> 0:01:34.880
<v Speaker 1>wash your hands, don't wash your hands. And now they've

0:01:34.880 --> 0:01:39.679
<v Speaker 1>blown you know, at all levels, federal, state health. We

0:01:39.760 --> 0:01:43.759
<v Speaker 1>have no plan. It's it's it's total chaos out there.

0:01:44.360 --> 0:01:48.600
<v Speaker 1>So I think it hurts consumer confidence on whether it

0:01:48.600 --> 0:01:52.360
<v Speaker 1>attend to show. Um. And you know, that's just you know,

0:01:52.680 --> 0:01:57.160
<v Speaker 1>in addition to you know, musicians basically being the bottom

0:01:57.200 --> 0:02:02.120
<v Speaker 1>of the heap uh in terms of um assistance, financial

0:02:02.160 --> 0:02:06.600
<v Speaker 1>assistance for their cruise and them during this pandemic um,

0:02:06.800 --> 0:02:08.800
<v Speaker 1>they haven't even come up with a decent plan to

0:02:08.880 --> 0:02:12.320
<v Speaker 1>protect us, or protect the fans or give people confidence

0:02:12.360 --> 0:02:14.920
<v Speaker 1>to come back to shows. Now, does that mean that

0:02:14.960 --> 0:02:17.600
<v Speaker 1>people aren't going to come? Of course they're gonna come,

0:02:17.639 --> 0:02:20.480
<v Speaker 1>but they're not. I don't think they're gonna come um

0:02:20.520 --> 0:02:22.560
<v Speaker 1>in the numbers that they would have had we had

0:02:22.560 --> 0:02:28.320
<v Speaker 1>a cohesive vaccination passport plan. So are there any issues

0:02:28.360 --> 0:02:31.720
<v Speaker 1>of liability in the behalf of the promoter of the act?

0:02:31.840 --> 0:02:34.880
<v Speaker 1>Is are you hesitant to book your acts until you

0:02:34.960 --> 0:02:38.360
<v Speaker 1>see what ultimately plays out. Look, it's the it's the wild,

0:02:38.440 --> 0:02:42.280
<v Speaker 1>wild West. Um. I don't think anybody's really worried about liability,

0:02:42.520 --> 0:02:44.920
<v Speaker 1>you know. And we've got some states all already passing

0:02:45.000 --> 0:02:50.320
<v Speaker 1>no liability laws. Um, California, who had the strictest um

0:02:50.440 --> 0:02:55.080
<v Speaker 1>lockdown laws. UM. Now suddenly, as I understand it, if

0:02:55.120 --> 0:02:58.000
<v Speaker 1>you're going to go into a music venue, UM, it's

0:02:58.040 --> 0:03:00.880
<v Speaker 1>the honor system. You have to say, I've either been

0:03:00.960 --> 0:03:05.040
<v Speaker 1>vaccinated or tested in the last forty eight hours. Uh

0:03:05.080 --> 0:03:08.920
<v Speaker 1>so you know what, what's what's somebody gonna sue for

0:03:08.960 --> 0:03:11.560
<v Speaker 1>that for I mean, you know it's crazy, okay, But

0:03:11.639 --> 0:03:14.200
<v Speaker 1>in terms of booking your acts, where you that where

0:03:14.200 --> 0:03:16.160
<v Speaker 1>were you on that one of your acts going to

0:03:16.280 --> 0:03:19.799
<v Speaker 1>start hitting the boards? The gardens opening Medison Square Gardens

0:03:19.840 --> 0:03:22.520
<v Speaker 1>opening June seventeenth with the Food Fighters that that that

0:03:22.600 --> 0:03:25.480
<v Speaker 1>was up and sold out already, the second shows in

0:03:25.480 --> 0:03:27.920
<v Speaker 1>the Garden or the Eagles in August, I think two

0:03:27.960 --> 0:03:31.400
<v Speaker 1>and two. Um, there's an announcement coming at the Forum

0:03:31.480 --> 0:03:35.520
<v Speaker 1>for a mid July date. UM. So you know, Jimmy

0:03:35.560 --> 0:03:40.040
<v Speaker 1>Buffett's opening his tour in July eighth in Nashville. Um,

0:03:40.160 --> 0:03:43.200
<v Speaker 1>people are going you know and um and uh it's

0:03:43.240 --> 0:03:46.800
<v Speaker 1>hard if you're a you know on a level arena

0:03:46.880 --> 0:03:48.640
<v Speaker 1>or stadium act that you have to go build a

0:03:48.720 --> 0:03:52.880
<v Speaker 1>huge production because you can't be sure, um of what

0:03:53.080 --> 0:03:56.000
<v Speaker 1>of what's going to happen. So you know, the you know, uh,

0:03:56.240 --> 0:03:58.920
<v Speaker 1>they're really the really big tours are being very wary.

0:03:58.960 --> 0:04:02.760
<v Speaker 1>Most of them are just holding off until next year. Okay,

0:04:03.440 --> 0:04:08.200
<v Speaker 1>so let's talk about your management company. Who started in management?

0:04:09.280 --> 0:04:13.000
<v Speaker 1>Explain it to me. Jeffrey runs it, where are you involved, etcetera.

0:04:13.920 --> 0:04:16.040
<v Speaker 1>But we're a private company, Bob, so we're not big

0:04:16.080 --> 0:04:19.479
<v Speaker 1>on titles, so nobody really runs it. Um. We're a

0:04:19.480 --> 0:04:24.760
<v Speaker 1>group of very talented managers. Um. And and you know

0:04:25.040 --> 0:04:27.520
<v Speaker 1>we have teams of people on each account. But you know,

0:04:27.800 --> 0:04:30.320
<v Speaker 1>a managed you can't run a management business like a

0:04:30.400 --> 0:04:34.400
<v Speaker 1>real business, you know, I mean, as you know, as

0:04:34.440 --> 0:04:36.279
<v Speaker 1>you know, most of us in the business don't feel

0:04:36.279 --> 0:04:38.520
<v Speaker 1>that we really have jobs. You know, we really do

0:04:38.640 --> 0:04:41.640
<v Speaker 1>this because we love it. Um. But yeah, my my

0:04:41.680 --> 0:04:44.760
<v Speaker 1>son Jeffrey is very talented. I think he's one of

0:04:44.800 --> 0:04:47.880
<v Speaker 1>the best managers I've ever known. So yeah, he's he's

0:04:47.880 --> 0:04:50.720
<v Speaker 1>got a group of managers around him who have been

0:04:51.200 --> 0:04:57.880
<v Speaker 1>incredibly successful. Okay, so, uh at full Stop is what

0:04:58.000 --> 0:05:01.400
<v Speaker 1>the management company is called. Now, what's the derivation of that?

0:05:01.520 --> 0:05:06.320
<v Speaker 1>Why is it called full stop? Um? Full Stop was

0:05:06.400 --> 0:05:10.440
<v Speaker 1>a company founded by Harry Styles and Jeffrey. Aesof that

0:05:11.520 --> 0:05:14.320
<v Speaker 1>merged with I don't know what was I calling mine?

0:05:14.320 --> 0:05:19.200
<v Speaker 1>He's off music management, I think, and and that, uh,

0:05:19.640 --> 0:05:22.039
<v Speaker 1>you know who needs you know, we don't have a

0:05:22.080 --> 0:05:23.640
<v Speaker 1>case of Geff and I justs we didn't need the

0:05:23.720 --> 0:05:27.159
<v Speaker 1>name on the door, so full stop was full stop

0:05:27.240 --> 0:05:29.680
<v Speaker 1>was fine? So I love the name. Okay, it's kind

0:05:29.680 --> 0:05:31.800
<v Speaker 1>of an English term, you know, from in the war.

0:05:31.880 --> 0:05:33.480
<v Speaker 1>You know, at the end of the at the end

0:05:33.520 --> 0:05:35.160
<v Speaker 1>of the wires that would come in, it would say

0:05:35.200 --> 0:05:37.120
<v Speaker 1>full stop. That's how you knew when it was over.

0:05:38.160 --> 0:05:40.839
<v Speaker 1>So I I don't know the derivation. There's something English

0:05:40.839 --> 0:05:43.960
<v Speaker 1>about it. You'd have to ask carrier Jeffrey. Okay, how

0:05:44.000 --> 0:05:46.400
<v Speaker 1>many acts are under the full Stop banner at this

0:05:46.440 --> 0:05:50.120
<v Speaker 1>particular point in time, I don't know. I never counted.

0:05:50.160 --> 0:05:56.239
<v Speaker 1>We don't publish artist rosters. I really don't know. Twenty thirty, fifty,

0:05:56.560 --> 0:05:59.680
<v Speaker 1>I don't know more than I'd say closer to thirty

0:05:59.720 --> 0:06:03.120
<v Speaker 1>than twenty or fifty. Okay, how many people work for

0:06:03.120 --> 0:06:07.200
<v Speaker 1>full Stop? I don't know, what is this? The I

0:06:07.320 --> 0:06:09.880
<v Speaker 1>R S. I mean, what's going on here? Bob? No, no, no,

0:06:09.960 --> 0:06:12.520
<v Speaker 1>why would the things people want to know? I'm not

0:06:12.600 --> 0:06:14.920
<v Speaker 1>writing it down to, you know, to write a book.

0:06:15.279 --> 0:06:18.800
<v Speaker 1>It's just to get an idea. I would guess there

0:06:18.800 --> 0:06:22.240
<v Speaker 1>are far more people that work there than clients, so

0:06:22.680 --> 0:06:27.960
<v Speaker 1>you know, probably maybe are they all there in Westwood

0:06:28.000 --> 0:06:30.680
<v Speaker 1>at this point or is everybody spread out? Uh? We

0:06:30.800 --> 0:06:36.360
<v Speaker 1>were spread out before, you know. Uh, but um, it's

0:06:36.440 --> 0:06:38.960
<v Speaker 1>really interesting because if you go into a management office

0:06:39.640 --> 0:06:41.359
<v Speaker 1>in the middle of the summer especially, and there's a

0:06:41.360 --> 0:06:43.360
<v Speaker 1>lot of people there, you know it's not going well

0:06:43.400 --> 0:06:46.839
<v Speaker 1>because we by nature touring being you know, a vast

0:06:46.920 --> 0:06:50.320
<v Speaker 1>majority of the earnings, uh, for our artists. You most

0:06:50.520 --> 0:06:54.080
<v Speaker 1>people are on the road. People are out, um, you know,

0:06:54.200 --> 0:06:57.680
<v Speaker 1>so you know, we don't care where people live. We've

0:06:57.720 --> 0:06:59.920
<v Speaker 1>got people. We've got people in Nashville, We've got people

0:07:00.040 --> 0:07:04.320
<v Speaker 1>New York, we got people in Scottsdale. People you know,

0:07:04.360 --> 0:07:06.719
<v Speaker 1>people living up in the Bay Area, people living in

0:07:06.720 --> 0:07:11.040
<v Speaker 1>the desert. Okay, needless, just say you are the most

0:07:11.080 --> 0:07:15.560
<v Speaker 1>experienced manager extant. To what degree are you focused on

0:07:15.680 --> 0:07:18.360
<v Speaker 1>mentoring the other people at full Stop or it's pretty

0:07:18.440 --> 0:07:21.200
<v Speaker 1>much everybody going their own way and just gleaning your

0:07:21.200 --> 0:07:26.440
<v Speaker 1>great moves and acting accordingly. Um uh, we think we

0:07:26.520 --> 0:07:30.840
<v Speaker 1>have an incredible culture. UM. You know, this isn't Frontline

0:07:30.920 --> 0:07:34.120
<v Speaker 1>Management where we you know, um, which as you know

0:07:34.240 --> 0:07:36.960
<v Speaker 1>because we've talked about it a lot, but for your listeners,

0:07:36.960 --> 0:07:38.720
<v Speaker 1>we may not have when you know. When we you know,

0:07:38.760 --> 0:07:41.680
<v Speaker 1>Frontline Management was founded at a time when there's a

0:07:41.720 --> 0:07:45.320
<v Speaker 1>lot of consolidation going on the business and I was

0:07:45.360 --> 0:07:48.080
<v Speaker 1>starting over in the management business after having left the

0:07:48.120 --> 0:07:50.880
<v Speaker 1>record business, and and we found that no matter how

0:07:50.920 --> 0:07:53.040
<v Speaker 1>big the Eagles and Fleetwood Mac were, you weren't going

0:07:53.080 --> 0:07:56.600
<v Speaker 1>to fight the consolidation in the business. UM. So we

0:07:56.720 --> 0:08:00.000
<v Speaker 1>got other like manded managers to that we acquired or

0:08:00.080 --> 0:08:04.040
<v Speaker 1>merged with. UM. But full Stop is a business that's

0:08:04.040 --> 0:08:07.240
<v Speaker 1>been grown out of culture, so we're not interested in

0:08:07.280 --> 0:08:10.800
<v Speaker 1>acquiring other managers. We kind of it's all everything's homegrown,

0:08:11.040 --> 0:08:13.680
<v Speaker 1>you know. Um. We've got incredible people and managers who

0:08:13.720 --> 0:08:16.000
<v Speaker 1>have worked up through the rants. It's a great place

0:08:16.640 --> 0:08:19.320
<v Speaker 1>for for somebody interested in the managing business to work

0:08:19.400 --> 0:08:21.680
<v Speaker 1>because you're gonna you're gonna grow and you're gonna learn

0:08:21.720 --> 0:08:24.280
<v Speaker 1>it and you're gonna you're gonna become successful and wealthy

0:08:24.360 --> 0:08:27.120
<v Speaker 1>doing it. But we have a culture. Um. You know.

0:08:27.840 --> 0:08:32.120
<v Speaker 1>Rule one is always make the right decision for your

0:08:32.240 --> 0:08:34.800
<v Speaker 1>artists and it will be the right decision for your business.

0:08:35.440 --> 0:08:37.640
<v Speaker 1>So you don't think short term, We think long term.

0:08:38.120 --> 0:08:42.480
<v Speaker 1>Rule two is see rule one. UM, And that's uh,

0:08:42.800 --> 0:08:45.760
<v Speaker 1>that's that's kind of how how we run it. You know,

0:08:45.920 --> 0:08:49.720
<v Speaker 1>none of us can sell a ticket. Um. Uh. And

0:08:49.800 --> 0:08:52.120
<v Speaker 1>we love it. And if you don't, you know, my

0:08:52.160 --> 0:08:56.160
<v Speaker 1>advice is, if you don't love artists and the craziest

0:08:56.200 --> 0:09:00.400
<v Speaker 1>that comes with it, don't do it. Let's talk about average,

0:09:00.400 --> 0:09:04.719
<v Speaker 1>which you referenced. You famously lined up certain clients so

0:09:04.840 --> 0:09:08.320
<v Speaker 1>you had power against the labels or Visa Viva labels.

0:09:08.600 --> 0:09:11.960
<v Speaker 1>Same deal. When Live Nation then called Clear Channel was

0:09:12.040 --> 0:09:15.280
<v Speaker 1>moving up, you helped form a competitor a g. Can

0:09:15.280 --> 0:09:19.240
<v Speaker 1>you tell us about those experiences in your strategies? Um,

0:09:19.400 --> 0:09:23.040
<v Speaker 1>it was survival. I mean back in those days, it

0:09:23.120 --> 0:09:26.240
<v Speaker 1>was shrinking from like twelve to five record labels. Now

0:09:26.240 --> 0:09:28.360
<v Speaker 1>we're basically down to the three majors, but with some

0:09:28.400 --> 0:09:33.760
<v Speaker 1>wonderful independent action going on now outside of it, Um,

0:09:33.840 --> 0:09:36.440
<v Speaker 1>there was big consolidation at retail, you know, because this

0:09:36.520 --> 0:09:38.719
<v Speaker 1>was even precede you know, it was even pre c

0:09:38.880 --> 0:09:42.240
<v Speaker 1>d s in early days of c ds when we

0:09:42.320 --> 0:09:46.400
<v Speaker 1>when we did that, and there was consolidation and promoters,

0:09:46.480 --> 0:09:48.920
<v Speaker 1>you know, because Bob Sullerman, which was the primary it

0:09:48.960 --> 0:09:50.800
<v Speaker 1>wasn't really about the labels as much as it was

0:09:50.840 --> 0:09:53.559
<v Speaker 1>the live side of the business. And Bob Sullerman had

0:09:53.600 --> 0:09:55.480
<v Speaker 1>come along and you know, and rolled up a whole

0:09:55.480 --> 0:09:58.520
<v Speaker 1>bunch of these big promoters and sold them to Clear

0:09:58.600 --> 0:10:02.720
<v Speaker 1>Channel Radio. Uh and in those days called Clear Channel. Um.

0:10:02.960 --> 0:10:05.480
<v Speaker 1>And and I woke up one day, uh, and I'd

0:10:05.480 --> 0:10:08.280
<v Speaker 1>restarted my business, and I believe I was managing the

0:10:08.320 --> 0:10:11.720
<v Speaker 1>Eagles and Journey. And I got into a big beef

0:10:12.280 --> 0:10:14.439
<v Speaker 1>with a couple of promoters that were running Clear Channel

0:10:14.480 --> 0:10:16.600
<v Speaker 1>at the time, who are my friends who had done

0:10:16.640 --> 0:10:19.040
<v Speaker 1>business with for thirty years. And I said, I gotta

0:10:19.040 --> 0:10:21.400
<v Speaker 1>get bigger fast, or I'm not going to be able

0:10:21.440 --> 0:10:22.960
<v Speaker 1>to you know, no matter how you know, I should

0:10:23.040 --> 0:10:25.640
<v Speaker 1>I should quit because I can't I can't get fair

0:10:25.679 --> 0:10:30.439
<v Speaker 1>deals for my artists. UM. So that's that was the

0:10:30.440 --> 0:10:34.120
<v Speaker 1>the reason for putting together front Line And what about

0:10:34.600 --> 0:10:38.560
<v Speaker 1>helping in the creation of a g um that was

0:10:38.679 --> 0:10:40.880
<v Speaker 1>that was the level of playing field as well in

0:10:40.920 --> 0:10:45.160
<v Speaker 1>those days. And you know Tim lay Wicky who UM

0:10:45.280 --> 0:10:50.640
<v Speaker 1>who I met when he was building staples UM understood

0:10:50.679 --> 0:10:52.880
<v Speaker 1>the content game and said we want to be in it.

0:10:53.440 --> 0:10:57.000
<v Speaker 1>And I felt that. And I had invested in a

0:10:57.000 --> 0:11:01.120
<v Speaker 1>company called Concerts West, not the original Big Concerts West,

0:11:01.200 --> 0:11:03.760
<v Speaker 1>but some guys that are in Gongo area and Meglan

0:11:03.800 --> 0:11:06.679
<v Speaker 1>who had split off from the origin know when Concerts

0:11:06.720 --> 0:11:10.520
<v Speaker 1>West folded and Terry Bassett gave them the name so

0:11:10.600 --> 0:11:13.480
<v Speaker 1>that the company name would go on. So I I

0:11:13.559 --> 0:11:15.760
<v Speaker 1>had invested in those guys, and in those days I

0:11:15.760 --> 0:11:20.320
<v Speaker 1>had invested in Golden Voice in Coachella, UM, and then

0:11:20.440 --> 0:11:26.040
<v Speaker 1>we kind of put together Golden Voice Coachella and UH

0:11:26.160 --> 0:11:30.760
<v Speaker 1>Concerts West to start a g live. Okay, let's stay

0:11:30.800 --> 0:11:33.280
<v Speaker 1>with a live business. This is a business where those

0:11:33.320 --> 0:11:35.680
<v Speaker 1>on the inside know what's going on, those on the

0:11:35.720 --> 0:11:39.679
<v Speaker 1>outside are clueless. Ticket masters paid to take the heat.

0:11:40.080 --> 0:11:42.960
<v Speaker 1>But as a manager, we've discussed a number of issues

0:11:43.360 --> 0:11:47.920
<v Speaker 1>relative to the buildings, tickets on the manifest, what leverage

0:11:47.960 --> 0:11:50.160
<v Speaker 1>their employing. Can you go a little deeper into that,

0:11:52.120 --> 0:11:55.760
<v Speaker 1>UM tickets on the manifest off the man of what

0:11:55.840 --> 0:11:58.959
<v Speaker 1>you want to know. Yeah, we were taught. We were

0:11:58.960 --> 0:12:03.160
<v Speaker 1>talking that the buildings are withholding tickets and wanting certain

0:12:03.200 --> 0:12:05.880
<v Speaker 1>commitments in order to take the data for you to

0:12:05.920 --> 0:12:09.640
<v Speaker 1>play the date. Um there were you know, Bob, it's

0:12:09.679 --> 0:12:16.480
<v Speaker 1>really been cleaned up recently over the years though. Um.

0:12:16.640 --> 0:12:18.959
<v Speaker 1>So like if you if you landed on Earth from Mars,

0:12:19.600 --> 0:12:22.960
<v Speaker 1>how a record contract has written or paid, or how

0:12:23.000 --> 0:12:25.600
<v Speaker 1>a live contract has written or paid, It would never

0:12:25.640 --> 0:12:29.640
<v Speaker 1>look this way. When Fred rosen Um took over and

0:12:29.920 --> 0:12:33.439
<v Speaker 1>and made and switched, we had a company in those

0:12:33.480 --> 0:12:36.400
<v Speaker 1>old days called Tickettron that he kind of put out

0:12:36.400 --> 0:12:39.439
<v Speaker 1>a business. And the difference between Tickettron and ticket Master

0:12:39.679 --> 0:12:42.079
<v Speaker 1>was it was an all in ticket price went during

0:12:42.080 --> 0:12:45.080
<v Speaker 1>the Tickettron days and then you would pay them a

0:12:45.160 --> 0:12:48.560
<v Speaker 1>dollar and a half or two bucks for selling your ticket.

0:12:48.960 --> 0:12:51.840
<v Speaker 1>Rosen came along and said to the buildings, instead of

0:12:51.880 --> 0:12:54.440
<v Speaker 1>you paying a dollar and a half to two bucks

0:12:54.520 --> 0:12:57.880
<v Speaker 1>to Tickettron, I'll pay you, but I'm gonna put a

0:12:57.880 --> 0:13:02.000
<v Speaker 1>service charge on top. So he they inflated the price

0:13:02.040 --> 0:13:04.200
<v Speaker 1>of tickets and and basically took a piece of the

0:13:04.400 --> 0:13:08.560
<v Speaker 1>artist gross and and start paying the buildings. So then

0:13:08.880 --> 0:13:11.440
<v Speaker 1>you know, so as things happen. So then we as

0:13:11.520 --> 0:13:14.200
<v Speaker 1>managers and agents then said okay, but we're not gonna

0:13:14.240 --> 0:13:17.400
<v Speaker 1>pay you rent. Right, So then when we weren't paying

0:13:17.440 --> 0:13:22.120
<v Speaker 1>them rent, they said, okay, but we've got these seats

0:13:22.160 --> 0:13:25.960
<v Speaker 1>that we sold as I don't know, sponsor seats, club seats,

0:13:26.440 --> 0:13:29.280
<v Speaker 1>you know, whatever, wherever you want to call them, and uh,

0:13:29.320 --> 0:13:32.400
<v Speaker 1>you know, and and that's what helped us finance the

0:13:32.440 --> 0:13:36.920
<v Speaker 1>improvements on our buildings. So those seats don't exist, meaning yeah,

0:13:36.920 --> 0:13:39.360
<v Speaker 1>we're gonna they're sold and we're gonna put people in them,

0:13:39.360 --> 0:13:41.959
<v Speaker 1>but they're sold by the year. And then suddenly buildings

0:13:42.000 --> 0:13:44.680
<v Speaker 1>started with sweets. So so through the years, it's just

0:13:44.760 --> 0:13:48.560
<v Speaker 1>a moving of the same money around. Okay, you know, uh,

0:13:48.600 --> 0:13:53.160
<v Speaker 1>you know, a standard or nine five deal with an artist,

0:13:53.200 --> 0:13:56.280
<v Speaker 1>if promoter had to live off of just that, um,

0:13:56.360 --> 0:13:58.560
<v Speaker 1>there'd be no you know, there would be no live nation,

0:13:58.559 --> 0:14:01.160
<v Speaker 1>there be no age, either be no promoters. So so

0:14:01.240 --> 0:14:03.040
<v Speaker 1>then it comes down to, oh, but we have to

0:14:03.080 --> 0:14:05.400
<v Speaker 1>have rebates and we have to have ticket service fees,

0:14:05.440 --> 0:14:08.520
<v Speaker 1>and we have. Then then somebody invented the facility fee,

0:14:08.880 --> 0:14:12.040
<v Speaker 1>which was supposed to pay a state government or something

0:14:12.400 --> 0:14:14.680
<v Speaker 1>attacks but it wasn't attacked. It was to pay off

0:14:14.720 --> 0:14:17.360
<v Speaker 1>your loan for having built the building. But no, no,

0:14:17.480 --> 0:14:22.600
<v Speaker 1>two buildings have the same economics. But um, um, you know,

0:14:22.720 --> 0:14:26.960
<v Speaker 1>since you know, listen, um, Michael Rapino is committed to

0:14:27.040 --> 0:14:32.080
<v Speaker 1>a fair count okay, and and between him, um and

0:14:32.080 --> 0:14:35.680
<v Speaker 1>and pressure and and look, buildings are not the enemy.

0:14:36.080 --> 0:14:38.240
<v Speaker 1>You know, Buildings don't make nearly the kind of money

0:14:38.280 --> 0:14:41.720
<v Speaker 1>that people think, okay, So um, And there's a lot

0:14:41.760 --> 0:14:44.040
<v Speaker 1>of people that would take tickets off the manifest you know,

0:14:44.040 --> 0:14:47.520
<v Speaker 1>in this order, I would say the um, the stub

0:14:47.600 --> 0:14:50.200
<v Speaker 1>hubs of the world are the are the worst, okay,

0:14:50.200 --> 0:14:52.000
<v Speaker 1>because they have no skin in the game, and they've

0:14:52.000 --> 0:14:54.320
<v Speaker 1>got people that get ahold of tickets and they take

0:14:54.360 --> 0:14:58.560
<v Speaker 1>a big chunk um. You know, buildings taking tickets, you know,

0:14:58.560 --> 0:15:02.680
<v Speaker 1>manifests tickets off the manifest except you know that's kind

0:15:02.680 --> 0:15:06.320
<v Speaker 1>of gone away, especially for a big act, okay. And

0:15:06.320 --> 0:15:09.440
<v Speaker 1>then of course you've got acts that are doing it themselves.

0:15:09.760 --> 0:15:15.120
<v Speaker 1>So um, it's a while wild west out there. Okay.

0:15:15.200 --> 0:15:18.800
<v Speaker 1>So let's today today. If you play an arena fifteen

0:15:18.840 --> 0:15:22.200
<v Speaker 1>thousand seats, how many of those seats are in the

0:15:22.240 --> 0:15:24.840
<v Speaker 1>deal with the act? And how many just never show off? Well,

0:15:24.840 --> 0:15:27.440
<v Speaker 1>I can. I can tell you at the Forum, every

0:15:27.440 --> 0:15:32.560
<v Speaker 1>seats on the manifest. Okay, I can tell you that, UM,

0:15:32.600 --> 0:15:36.360
<v Speaker 1>in most buildings, every seats on the manifest except for

0:15:36.400 --> 0:15:39.720
<v Speaker 1>the sweets. Okay. Now, on a big show they might

0:15:39.720 --> 0:15:42.840
<v Speaker 1>try and put four extra stools and the suits and

0:15:42.880 --> 0:15:46.080
<v Speaker 1>sell them. But the buildings are being really cool now,

0:15:46.120 --> 0:15:47.840
<v Speaker 1>so they're kind of telling you and they're gonna they're

0:15:47.840 --> 0:15:49.560
<v Speaker 1>gonna pay you or split that money with you on

0:15:49.600 --> 0:15:53.120
<v Speaker 1>those seats. Um, it's it's gotten cleaned, it's gotten a

0:15:53.200 --> 0:15:55.800
<v Speaker 1>lot cleaned up. There are there are a few buildings,

0:15:56.400 --> 0:16:00.440
<v Speaker 1>uh that still have some some some unmanifested seats. And

0:16:00.480 --> 0:16:03.680
<v Speaker 1>their claim is, look, the way we built this building

0:16:03.960 --> 0:16:06.280
<v Speaker 1>was with the money from these suite holders. We took

0:16:06.320 --> 0:16:10.400
<v Speaker 1>these massive, several thousand dollar year commitment for people to

0:16:10.440 --> 0:16:13.000
<v Speaker 1>have these suits, and that's what allowed us to go

0:16:13.200 --> 0:16:15.440
<v Speaker 1>have the money to go get financed so we can

0:16:15.480 --> 0:16:19.480
<v Speaker 1>build the building. UM and and what so, So what

0:16:19.600 --> 0:16:22.480
<v Speaker 1>goes on is with the exception of the suites, it's

0:16:22.480 --> 0:16:24.800
<v Speaker 1>pretty clean out there with the buildings. Now there's a

0:16:24.840 --> 0:16:27.360
<v Speaker 1>few and what they claim is well for the suites

0:16:27.400 --> 0:16:29.880
<v Speaker 1>that are behind the stage and can't see, that's why

0:16:29.920 --> 0:16:32.720
<v Speaker 1>we have these unmanifested seats to move these people down there.

0:16:33.000 --> 0:16:35.200
<v Speaker 1>But of course we find them listed on the secondary

0:16:35.240 --> 0:16:37.240
<v Speaker 1>a lot of times, and you don't know if it

0:16:37.320 --> 0:16:39.120
<v Speaker 1>was the guys in the suite that listed it or

0:16:39.120 --> 0:16:42.080
<v Speaker 1>the building that listed it. But every time we find that,

0:16:42.120 --> 0:16:45.440
<v Speaker 1>we clean it up real quickly. And all in all,

0:16:45.840 --> 0:16:48.320
<v Speaker 1>the building sign of the business is very clean, The

0:16:48.360 --> 0:16:51.880
<v Speaker 1>ticketmaster side of the business is very clean. The secondary

0:16:52.000 --> 0:16:55.440
<v Speaker 1>is very dirty. Okay, before we get to the secondary,

0:16:55.920 --> 0:17:00.280
<v Speaker 1>let's just just you talk. Can you explain since you

0:17:00.400 --> 0:17:06.080
<v Speaker 1>certainly worked at Live Nation where the profit verticals for

0:17:06.160 --> 0:17:11.320
<v Speaker 1>the promoter um, Well, at Live Nation they have a

0:17:11.359 --> 0:17:16.720
<v Speaker 1>wonderful sponsor, you know, have the sponsorship branding arm um

0:17:16.960 --> 0:17:21.200
<v Speaker 1>is you know they're allowing you know that that isn't shared, okay,

0:17:21.600 --> 0:17:23.960
<v Speaker 1>so that they make their money that way they you

0:17:24.000 --> 0:17:26.400
<v Speaker 1>know then and certainly when they own venues, they're making

0:17:26.440 --> 0:17:28.439
<v Speaker 1>it off the popcorn and the beer in the parking

0:17:29.119 --> 0:17:31.240
<v Speaker 1>and and and stuff like that. But on the straight

0:17:31.280 --> 0:17:35.960
<v Speaker 1>promoter line, the money, the money's you know, the money's made,

0:17:36.400 --> 0:17:40.800
<v Speaker 1>you know, off a piece off a piece of the ticket. Okay,

0:17:41.240 --> 0:17:45.640
<v Speaker 1>what's the status of the secondary market today? And uh,

0:17:45.760 --> 0:17:50.199
<v Speaker 1>we'll see post COVID, you know um stub Hub and

0:17:50.240 --> 0:17:54.080
<v Speaker 1>those you know whereas Live Nation and a g. When

0:17:54.160 --> 0:17:56.520
<v Speaker 1>COVID hit, we're saying, if you'd like a refund, here's

0:17:56.560 --> 0:18:01.760
<v Speaker 1>your cash. Stub Hub basically issued credits. Okay, So coming

0:18:01.800 --> 0:18:04.800
<v Speaker 1>out of COVID, I'm hoping these guys have maybe shot

0:18:04.840 --> 0:18:08.560
<v Speaker 1>themselves at the foot because when the consumer realizes that

0:18:08.640 --> 0:18:12.040
<v Speaker 1>he can't get his cash back from these people, maybe

0:18:12.040 --> 0:18:15.680
<v Speaker 1>people will realizing for the pariahs that they are. Now.

0:18:15.720 --> 0:18:18.360
<v Speaker 1>You certainly come up with ways to beat the scalpers.

0:18:18.720 --> 0:18:21.000
<v Speaker 1>You came up with Platinum, and you told me once

0:18:21.040 --> 0:18:23.840
<v Speaker 1>you know, find someone who complains about paying you know,

0:18:24.000 --> 0:18:26.600
<v Speaker 1>five sit in the first ten rows for the Eagles.

0:18:26.720 --> 0:18:30.480
<v Speaker 1>You can't find them, so well he well here look here,

0:18:30.560 --> 0:18:33.040
<v Speaker 1>here's what it is. You gotta price your tickets, right.

0:18:33.680 --> 0:18:36.200
<v Speaker 1>I mean, if you're an act and you think your

0:18:36.320 --> 0:18:39.800
<v Speaker 1>your fans gonna love you more because you charge less money,

0:18:39.960 --> 0:18:43.719
<v Speaker 1>and then somebody buys six tickets and gives and sells

0:18:43.760 --> 0:18:46.360
<v Speaker 1>four of them on the secondary. You know, when when

0:18:46.359 --> 0:18:48.159
<v Speaker 1>you go to a concert you don't turn it's not

0:18:48.200 --> 0:18:49.880
<v Speaker 1>you know, when you get on an airplane, you don't

0:18:49.880 --> 0:18:51.280
<v Speaker 1>get to the person next to you and say how

0:18:51.359 --> 0:18:53.120
<v Speaker 1>much did you pay for your ticket? I paid more

0:18:53.160 --> 0:18:55.480
<v Speaker 1>than you. Oh I'm piste off. It's just a fact

0:18:55.480 --> 0:18:58.000
<v Speaker 1>alive when you when you walk into building, nobody turns

0:18:58.000 --> 0:18:59.400
<v Speaker 1>to the guy next and says where did you get

0:18:59.440 --> 0:19:01.840
<v Speaker 1>your ticket and how much did you pay? They just

0:19:01.880 --> 0:19:03.639
<v Speaker 1>know what they paid and whether they thought it was

0:19:03.680 --> 0:19:06.400
<v Speaker 1>worth it, you know. And the great thing is that

0:19:06.520 --> 0:19:09.600
<v Speaker 1>we can dynamically price now. And if you if an

0:19:09.680 --> 0:19:12.760
<v Speaker 1>act will price their tickets right, so you have a

0:19:12.840 --> 0:19:15.399
<v Speaker 1>chance to charge in the upper deck and the seats

0:19:15.400 --> 0:19:18.040
<v Speaker 1>behind the stage a very small amount of money so

0:19:18.080 --> 0:19:20.560
<v Speaker 1>that more of your real fans they can pick where

0:19:20.560 --> 0:19:22.080
<v Speaker 1>they want to sit in the building, where what they

0:19:22.080 --> 0:19:25.639
<v Speaker 1>can afford um. And you know, if if acts would

0:19:25.640 --> 0:19:27.840
<v Speaker 1>just price their tickets right, the only people that ever

0:19:27.920 --> 0:19:31.119
<v Speaker 1>complain about tickets being priced too high were the press

0:19:31.359 --> 0:19:33.920
<v Speaker 1>who got their tickets for free anyway, you know, And

0:19:33.920 --> 0:19:35.640
<v Speaker 1>and and you know, we're in a new era where

0:19:35.680 --> 0:19:38.240
<v Speaker 1>more and more acts are not afraid to price their

0:19:38.280 --> 0:19:42.520
<v Speaker 1>tickets right. Platinum, it's just that's just pricing your tickets right.

0:19:42.880 --> 0:19:45.560
<v Speaker 1>Only when you when you go on Ticketmaster, it says

0:19:45.600 --> 0:19:47.879
<v Speaker 1>it's a hundred and fifty dollar and a hundred and

0:19:47.920 --> 0:19:50.320
<v Speaker 1>seventy five dollar ticket, but they know to go to

0:19:50.359 --> 0:19:52.960
<v Speaker 1>Platinum and there's some five hundred dollar tickets. It's just

0:19:53.040 --> 0:19:54.400
<v Speaker 1>in a way for an act to say I didn't

0:19:54.480 --> 0:19:58.960
<v Speaker 1>charge five hundred dollars from my tickets. They're fucking kidding themselves. Okay,

0:19:59.040 --> 0:20:02.640
<v Speaker 1>let's talk about e g g. The Oakview Group. What exactly

0:20:03.080 --> 0:20:07.480
<v Speaker 1>is ov G uh. Oak View Group is a a

0:20:07.480 --> 0:20:11.399
<v Speaker 1>company that's primarily owned by Tim Lwicky, UH, the light

0:20:11.480 --> 0:20:15.040
<v Speaker 1>Wicky family and the Asa family. UH, funded with and

0:20:15.119 --> 0:20:20.040
<v Speaker 1>partnered with silver Lake, A wonderful UM one of the

0:20:20.040 --> 0:20:23.239
<v Speaker 1>biggest private equity companies in the world. UM. And we

0:20:23.320 --> 0:20:27.760
<v Speaker 1>have UM UM. We're committed to building new arenas and

0:20:27.800 --> 0:20:31.000
<v Speaker 1>maybe other kinds of venues at some point UM and

0:20:31.080 --> 0:20:35.200
<v Speaker 1>taking over certain existing arenas and renovating them. And what

0:20:35.240 --> 0:20:38.520
<v Speaker 1>we're committed is to, you know, buildings that are built

0:20:39.160 --> 0:20:41.840
<v Speaker 1>UM for the future, not the past. For instance, in

0:20:41.880 --> 0:20:44.280
<v Speaker 1>our you know, in our buildings, UH, you know, you've

0:20:44.280 --> 0:20:47.879
<v Speaker 1>got a sports tenant, seailar being one backstage and music

0:20:47.960 --> 0:20:50.720
<v Speaker 1>being at afterthought where you just get to go use

0:20:50.760 --> 0:20:55.280
<v Speaker 1>the visiting team visiting NBA or hockey teams dressing room.

0:20:55.600 --> 0:20:59.360
<v Speaker 1>There's full sets of dressing rooms like at the Forum

0:20:59.520 --> 0:21:02.920
<v Speaker 1>for music and a full set addressing rooms for sports. Right,

0:21:03.000 --> 0:21:05.520
<v Speaker 1>we're trying to say that music is a tenant and

0:21:05.640 --> 0:21:09.399
<v Speaker 1>just as important as sports. UM and UH and the

0:21:09.520 --> 0:21:12.880
<v Speaker 1>right and the right mix of premium and great experiences

0:21:12.920 --> 0:21:15.439
<v Speaker 1>in the building. People want experience more than just the

0:21:15.480 --> 0:21:18.560
<v Speaker 1>concert now in a building, so UM, you know. And

0:21:18.680 --> 0:21:22.200
<v Speaker 1>we were opening in Seattle in mid October. We're opening

0:21:22.200 --> 0:21:25.040
<v Speaker 1>in New York at the at UBA you know ubs

0:21:25.520 --> 0:21:28.600
<v Speaker 1>Belmont Park, the home of the Islanders. Seattle's the home

0:21:28.640 --> 0:21:31.880
<v Speaker 1>of the Kraken. UH. And we're opening in in Austin

0:21:31.920 --> 0:21:35.720
<v Speaker 1>in April of UM and then the next couple to

0:21:35.760 --> 0:21:40.440
<v Speaker 1>come online or Manchester, England and Palm Springs, California. Now

0:21:40.760 --> 0:21:45.240
<v Speaker 1>haven't you also UH created a group of buildings where

0:21:45.240 --> 0:21:48.600
<v Speaker 1>you share information and there are other initiatives you have

0:21:48.720 --> 0:21:52.480
<v Speaker 1>as a whole. Yeah, the the Arena Alliance. So if

0:21:52.520 --> 0:21:56.359
<v Speaker 1>you're a big national brand, you're probably not going to

0:21:56.560 --> 0:21:59.560
<v Speaker 1>just go to Salt Lake. And if you're if you're Walmart,

0:21:59.560 --> 0:22:02.119
<v Speaker 1>you're probably not going to go do a dealing. You know,

0:22:02.200 --> 0:22:04.440
<v Speaker 1>you don't have anybody in the field there's gonna Walmart's

0:22:04.440 --> 0:22:06.920
<v Speaker 1>going to do a deal with the building in Salt Lake. Okay,

0:22:06.960 --> 0:22:10.000
<v Speaker 1>they like to buy nationally. So you've got these billionaires

0:22:10.000 --> 0:22:12.320
<v Speaker 1>that known the hockey and the NBA teams, but they're

0:22:12.320 --> 0:22:15.879
<v Speaker 1>not getting any national brands. So what we do is

0:22:16.119 --> 0:22:18.840
<v Speaker 1>people for people like pet Smart and Walmart you know

0:22:18.880 --> 0:22:21.160
<v Speaker 1>there we offer it to all our buildings. Were able

0:22:21.200 --> 0:22:24.679
<v Speaker 1>to create national in you know, national brand income for

0:22:24.720 --> 0:22:27.840
<v Speaker 1>these buildings that they wouldn't have. And we share information

0:22:28.200 --> 0:22:32.240
<v Speaker 1>for routing purposes, um and you know, and and and

0:22:32.240 --> 0:22:36.240
<v Speaker 1>stuff like that. So we help these buildings get booked. Um,

0:22:36.320 --> 0:22:38.360
<v Speaker 1>we help them on you know, as we went through

0:22:38.400 --> 0:22:41.960
<v Speaker 1>the COVID protocol. We're you know, we help people through

0:22:41.960 --> 0:22:45.919
<v Speaker 1>their safety stuff. It's it's a consulting arm um and

0:22:45.800 --> 0:22:48.080
<v Speaker 1>and um, you know we're not you know, the Arena

0:22:48.080 --> 0:22:51.720
<v Speaker 1>Alliance are not promoters. Um. You know, we don't book

0:22:51.800 --> 0:22:54.600
<v Speaker 1>the buildings. They booked themselves. But we you know, we

0:22:54.600 --> 0:22:56.760
<v Speaker 1>we make sure to get all the information out out

0:22:56.800 --> 0:23:00.439
<v Speaker 1>for them. Um. But we but we're creating these national brands.

0:23:00.480 --> 0:23:04.080
<v Speaker 1>It's it's it's castlow positive in each building. Okay, let's

0:23:04.119 --> 0:23:06.720
<v Speaker 1>go back to silver Lake. Silver Lake, you know, huge

0:23:06.840 --> 0:23:11.960
<v Speaker 1>venture firm. They ultimately want their money back, whether it

0:23:12.119 --> 0:23:14.720
<v Speaker 1>be going public or someone replacing them. Is that sort

0:23:14.760 --> 0:23:20.720
<v Speaker 1>of built into the ov G relationship? M No, it's not. Okay,

0:23:20.800 --> 0:23:24.520
<v Speaker 1>And they haven't said they're they're they're savvy investors. Um,

0:23:24.560 --> 0:23:26.959
<v Speaker 1>they're just encouraging us to grow the business because they

0:23:27.000 --> 0:23:30.000
<v Speaker 1>like what we what they say. Okay, let's talk about

0:23:30.040 --> 0:23:33.800
<v Speaker 1>selling just in general, not just ov G. You certainly

0:23:33.800 --> 0:23:36.520
<v Speaker 1>of someone who has sold your management company a number

0:23:36.560 --> 0:23:41.000
<v Speaker 1>of times, and you've represented people who sold things. When

0:23:41.040 --> 0:23:43.199
<v Speaker 1>do you think you should sell? And when do you

0:23:43.240 --> 0:23:47.240
<v Speaker 1>think you should hold on? You know, Um, there's a

0:23:47.280 --> 0:23:50.560
<v Speaker 1>lot of questions to go into that, um, family estate

0:23:50.600 --> 0:23:55.000
<v Speaker 1>planning being one. Uh. And you know, and and are

0:23:55.040 --> 0:23:57.919
<v Speaker 1>their errors around to to keep running these companies that

0:23:58.000 --> 0:24:00.480
<v Speaker 1>want to do it and that you believe and can

0:24:00.520 --> 0:24:03.679
<v Speaker 1>do it um uh And you know, and but if

0:24:03.680 --> 0:24:06.960
<v Speaker 1>you're building brands for your artists, most of those people

0:24:06.960 --> 0:24:11.040
<v Speaker 1>are building it to sell. So if that's what you're that,

0:24:11.040 --> 0:24:14.879
<v Speaker 1>that's what you're referring to. But you know, UM, we

0:24:14.920 --> 0:24:17.840
<v Speaker 1>never start a business going hey, we're gonna sell this.

0:24:18.880 --> 0:24:22.760
<v Speaker 1>It just happens. Um. But in terms of in terms

0:24:22.800 --> 0:24:25.720
<v Speaker 1>of the management business, I never you know, I merged

0:24:25.840 --> 0:24:28.760
<v Speaker 1>more than I sold. You know, we merged people together

0:24:28.800 --> 0:24:33.080
<v Speaker 1>in front Line. Uh, then we merged with Ticketmaster. Then

0:24:33.080 --> 0:24:37.520
<v Speaker 1>we merged Ticketmaster in front Line with Live Nation. Um

0:24:37.560 --> 0:24:41.199
<v Speaker 1>so you know, so then when I left, um, you know,

0:24:41.480 --> 0:24:44.080
<v Speaker 1>Frontline State. So that group of manager stayed and I

0:24:44.160 --> 0:24:47.439
<v Speaker 1>started over. Yeah. But also when you went to m

0:24:47.480 --> 0:24:52.480
<v Speaker 1>c A, didn't they pay you for front Line? About

0:24:52.560 --> 0:24:55.320
<v Speaker 1>three years in they paid me for front one. They

0:24:55.359 --> 0:24:57.679
<v Speaker 1>bought front one. What was what was the logic of

0:24:57.720 --> 0:25:01.159
<v Speaker 1>three years? Uh? There was a new existing consent decree

0:25:01.280 --> 0:25:04.000
<v Speaker 1>from the old m c A days. Um, they didn't.

0:25:04.000 --> 0:25:06.040
<v Speaker 1>They didn't want me spending my dame and my time

0:25:06.040 --> 0:25:08.720
<v Speaker 1>on management. I would have been happy not to sell.

0:25:09.040 --> 0:25:11.600
<v Speaker 1>They wanted me to spend all my time. You know

0:25:11.720 --> 0:25:13.440
<v Speaker 1>at that point I was running the record company, we

0:25:13.560 --> 0:25:17.640
<v Speaker 1>were building amphitheaters, I was running their video business. Uh.

0:25:17.680 --> 0:25:21.479
<v Speaker 1>They didn't want me compromised and you know, running around

0:25:21.480 --> 0:25:25.640
<v Speaker 1>to shows all over the world. Okay, let's go back

0:25:25.680 --> 0:25:28.160
<v Speaker 1>to the cell. If someone is not a state planning

0:25:28.560 --> 0:25:32.320
<v Speaker 1>and you represent that act. Now with these huge multiples

0:25:32.400 --> 0:25:37.600
<v Speaker 1>for publishing catalogs, what do you tell them? Um, there's

0:25:37.600 --> 0:25:40.000
<v Speaker 1>a lot of questions you have to ask people. Do

0:25:40.080 --> 0:25:44.080
<v Speaker 1>you have airs. Do you hate your kids? Are you

0:25:44.119 --> 0:25:47.399
<v Speaker 1>worried that your kids are gonna screw up your legacy?

0:25:47.960 --> 0:25:51.320
<v Speaker 1>Do you have things you want to buy? Uh? Even

0:25:51.359 --> 0:25:53.600
<v Speaker 1>at these multiples, if you're just gonna take the money

0:25:53.600 --> 0:25:56.280
<v Speaker 1>and throw it in treasury bills or stuff that's really safe,

0:25:56.680 --> 0:25:59.040
<v Speaker 1>your cash flow every year is the same or more

0:25:59.040 --> 0:26:02.359
<v Speaker 1>holding right, But if you really want to, you know,

0:26:02.440 --> 0:26:04.600
<v Speaker 1>have things that you want to buy with the money,

0:26:04.720 --> 0:26:07.479
<v Speaker 1>or you know, for guys in their mid seventies that

0:26:07.520 --> 0:26:09.800
<v Speaker 1>are that are struggling to make ends meet, they can't

0:26:09.800 --> 0:26:13.160
<v Speaker 1>tour anymore, why shouldn't they sell for a big, huge check? Okay,

0:26:13.200 --> 0:26:15.080
<v Speaker 1>I don't you know? And then again for guys like

0:26:15.200 --> 0:26:17.800
<v Speaker 1>Ryan Tedder who are as hot as hell, are going

0:26:17.840 --> 0:26:20.399
<v Speaker 1>to write more hits, you know, if his family can

0:26:20.520 --> 0:26:23.320
<v Speaker 1>enjoy the benefits of him selling his what he's written

0:26:23.359 --> 0:26:25.280
<v Speaker 1>to date because he knows he's gonna sell, you know,

0:26:25.320 --> 0:26:28.359
<v Speaker 1>write more going forward? Why not? It works for some people,

0:26:28.400 --> 0:26:30.960
<v Speaker 1>doesn't work for others. But as you're seeing, whether you're

0:26:30.960 --> 0:26:35.400
<v Speaker 1>Paul Simon or you're Neil Young or you're Bob Dylan, Um,

0:26:35.480 --> 0:26:38.640
<v Speaker 1>you know these people are you know, I understand every

0:26:38.680 --> 0:26:41.320
<v Speaker 1>one of them wanting to sell and why And as

0:26:41.320 --> 0:26:45.400
<v Speaker 1>you know, you know, we're, um, it's not our primary business.

0:26:45.720 --> 0:26:49.840
<v Speaker 1>But when you know, um, i'd rather my family um

0:26:50.000 --> 0:26:52.280
<v Speaker 1>own royalties from the works of the Beach Boys or

0:26:52.320 --> 0:26:56.080
<v Speaker 1>Linda Ronstad or or David Crosby. Then uh, you know,

0:26:56.200 --> 0:26:59.560
<v Speaker 1>by a Treasury bill. So that's why I'm in that business. Okay,

0:26:59.640 --> 0:27:03.760
<v Speaker 1>let's talk about iconic. Uh you have relationships with those

0:27:03.800 --> 0:27:07.320
<v Speaker 1>three entities. Do you own them a hundred percent? Is

0:27:07.359 --> 0:27:10.280
<v Speaker 1>it your personal money? Is it somebody else's money? We

0:27:10.520 --> 0:27:13.280
<v Speaker 1>uh on on the on the Beach Boys were a

0:27:13.280 --> 0:27:15.640
<v Speaker 1>partnership with the Beach Boys, with us being the controlling

0:27:15.680 --> 0:27:22.240
<v Speaker 1>partner in certain in certain masters, recorded music, flow, royalties, publishing, writing.

0:27:22.240 --> 0:27:24.920
<v Speaker 1>It depends down. You know. They have a very complex thing.

0:27:25.040 --> 0:27:29.800
<v Speaker 1>So we kind of we're so we're the controlling shareholder there. Um.

0:27:29.840 --> 0:27:33.320
<v Speaker 1>In the case of Linda Ronstadt, um, we bought her

0:27:33.480 --> 0:27:37.280
<v Speaker 1>masters and her flow of her recording income. Uh. And

0:27:37.359 --> 0:27:39.560
<v Speaker 1>in the case of David Crosby, we bought his recording

0:27:39.600 --> 0:27:42.679
<v Speaker 1>in his and his publishing and writing. Now I need

0:27:42.760 --> 0:27:45.240
<v Speaker 1>to say, there are a lot of elderly classic rock

0:27:45.359 --> 0:27:49.680
<v Speaker 1>legendary acts. You have three, how many might you ultimately

0:27:49.800 --> 0:27:54.080
<v Speaker 1>end up with? I don't know we um uh. You know,

0:27:54.119 --> 0:27:56.720
<v Speaker 1>obviously the return on investment is not good if you

0:27:56.760 --> 0:28:00.880
<v Speaker 1>just pay a percent cash for these things. So we

0:28:00.880 --> 0:28:05.399
<v Speaker 1>were fortunate enough um to be able to get some

0:28:05.520 --> 0:28:10.040
<v Speaker 1>debt rated uh and sold some debt to a company

0:28:10.080 --> 0:28:12.720
<v Speaker 1>that likes to own debt so that you know, we

0:28:12.800 --> 0:28:17.439
<v Speaker 1>have UM a substantial line of credit in that area too.

0:28:17.560 --> 0:28:20.520
<v Speaker 1>You know, we put up, we put up some some equity.

0:28:20.560 --> 0:28:22.400
<v Speaker 1>But then we have we don't know, you don't borrow

0:28:23.080 --> 0:28:26.200
<v Speaker 1>and anything, but UM, so we have so we have

0:28:26.480 --> 0:28:29.880
<v Speaker 1>resources available and when we see the right things. UM,

0:28:30.040 --> 0:28:33.479
<v Speaker 1>we'll announce a couple more deals soon. But you know

0:28:34.240 --> 0:28:37.120
<v Speaker 1>they're all very predictable. There might you know, so far

0:28:37.200 --> 0:28:39.400
<v Speaker 1>I am done. I haven't done a deal with the client.

0:28:39.680 --> 0:28:44.080
<v Speaker 1>You know, it's been with friends. UM. But they're predictable deals.

0:28:44.080 --> 0:28:46.800
<v Speaker 1>You'll see us do more. You know, we believe that UM,

0:28:46.840 --> 0:28:48.560
<v Speaker 1>we have something to add. I'm not going to buy

0:28:48.560 --> 0:28:50.520
<v Speaker 1>anything that we don't believe. We can't make the cash

0:28:50.520 --> 0:28:55.520
<v Speaker 1>flow bigger. UM. We encourage um some of these uh

0:28:55.880 --> 0:28:58.280
<v Speaker 1>you know artists to stay in. I'd rather buy half

0:28:58.280 --> 0:29:00.320
<v Speaker 1>than all of it, because I think I can their

0:29:00.360 --> 0:29:03.160
<v Speaker 1>half worth you know, a lot more plus they've gotten

0:29:03.160 --> 0:29:06.320
<v Speaker 1>the capital gain on the first half that they sold. UM.

0:29:06.360 --> 0:29:08.800
<v Speaker 1>But you know, we we've we've built and we're building

0:29:08.800 --> 0:29:12.360
<v Speaker 1>out an incredible marketing staff. UM will make some announcements

0:29:12.360 --> 0:29:15.280
<v Speaker 1>on some exciting things on the Beach Boys. UM. You know,

0:29:15.320 --> 0:29:18.360
<v Speaker 1>they spent the last I don't know how many decades

0:29:18.400 --> 0:29:22.040
<v Speaker 1>fighting with each other, UM, and a lot of missed

0:29:22.040 --> 0:29:25.200
<v Speaker 1>opportunities were making up for lost time. And I'm and

0:29:25.240 --> 0:29:28.320
<v Speaker 1>I'm just I'm a Beach Boys freak. It was one

0:29:28.320 --> 0:29:30.160
<v Speaker 1>of the it was the first real show I ever

0:29:30.200 --> 0:29:33.120
<v Speaker 1>attended when I was a kid. UH. And I just

0:29:34.280 --> 0:29:37.680
<v Speaker 1>I just think that that there's credible upside and the

0:29:37.680 --> 0:29:40.480
<v Speaker 1>Beach Boys. When you talk about iconic and you look

0:29:40.480 --> 0:29:44.000
<v Speaker 1>at your other enterprises, there any advantage in mass and

0:29:44.120 --> 0:29:48.320
<v Speaker 1>market share in the legacy business. I don't think so.

0:29:55.200 --> 0:29:58.239
<v Speaker 1>And then let's go into GMR. Tell us how you,

0:29:58.360 --> 0:30:01.280
<v Speaker 1>of all people, suddenly came up with the idea and

0:30:01.320 --> 0:30:06.240
<v Speaker 1>where we are now on global rights management. UM. It's

0:30:06.280 --> 0:30:10.040
<v Speaker 1>it's no secret that I hitched my start to two

0:30:10.080 --> 0:30:15.120
<v Speaker 1>guys named Glenn Fry and Don Henley. Throughout all my career, UH,

0:30:15.160 --> 0:30:17.280
<v Speaker 1>and a lot of what has motivated me to do

0:30:17.400 --> 0:30:20.160
<v Speaker 1>things has been things that I that they've either taught

0:30:20.200 --> 0:30:25.160
<v Speaker 1>me or that we experienced together. Um. And there was

0:30:25.200 --> 0:30:29.680
<v Speaker 1>a there was a time on YouTube where some satanic

0:30:29.840 --> 0:30:34.120
<v Speaker 1>minister was using a hotel California under one of his

0:30:34.240 --> 0:30:39.040
<v Speaker 1>crazy satanic bullshit things. So you know, you know, you know,

0:30:39.080 --> 0:30:42.840
<v Speaker 1>the whackable job at at YouTube. So you send a letter,

0:30:43.080 --> 0:30:45.920
<v Speaker 1>they take it down, pops back up. Then you have

0:30:45.960 --> 0:30:49.080
<v Speaker 1>to send a lawyer's letter, they take it down, pops

0:30:49.120 --> 0:30:51.640
<v Speaker 1>back up. Then you have to kind of really get

0:30:51.680 --> 0:30:56.080
<v Speaker 1>into a process improve you know, uh, improved stuff before

0:30:56.080 --> 0:30:58.560
<v Speaker 1>YouTube will take it down. And what we found out

0:30:58.640 --> 0:31:03.000
<v Speaker 1>was this satanic minister had gone to the UK uh

0:31:03.080 --> 0:31:07.880
<v Speaker 1>two prs, the the the society there. Um and I

0:31:07.920 --> 0:31:10.520
<v Speaker 1>believe we were b m I at the time, so

0:31:10.640 --> 0:31:12.640
<v Speaker 1>b A my Ra as CAP. I'm not sure because

0:31:12.680 --> 0:31:15.680
<v Speaker 1>we went back and forth. But basically b MRI as

0:31:15.720 --> 0:31:20.320
<v Speaker 1>CAP had given blanket rights right. So in the United States,

0:31:20.840 --> 0:31:23.480
<v Speaker 1>if you want to put a song in a play,

0:31:23.560 --> 0:31:25.440
<v Speaker 1>or you want to put a song in your you know,

0:31:25.640 --> 0:31:27.520
<v Speaker 1>in a play at at a high school, you gotta

0:31:27.520 --> 0:31:33.160
<v Speaker 1>get permission. Well, the YouTube had a blanket license YouTube

0:31:33.400 --> 0:31:35.520
<v Speaker 1>and this guy went and got a blanket license from

0:31:35.520 --> 0:31:38.360
<v Speaker 1>the UK from the performing right stiety. So now suddenly

0:31:38.680 --> 0:31:41.560
<v Speaker 1>you could use the Eagles song in a satanic message

0:31:41.920 --> 0:31:44.880
<v Speaker 1>on YouTube and you didn't need any permission and we

0:31:44.920 --> 0:31:48.560
<v Speaker 1>couldn't stop it. So and then I started looking into it,

0:31:48.640 --> 0:31:51.120
<v Speaker 1>you know, and then I would see you can't audit

0:31:51.120 --> 0:31:54.720
<v Speaker 1>as cap or b m I when you know, UM,

0:31:55.480 --> 0:31:58.880
<v Speaker 1>no right to audit. You can't sue them, and and

0:31:58.920 --> 0:32:01.440
<v Speaker 1>I would get stays for all my acts, which just

0:32:01.520 --> 0:32:04.640
<v Speaker 1>to check and I'd go, well, what's this based on?

0:32:05.440 --> 0:32:08.240
<v Speaker 1>And the answers you just shut up in cash it

0:32:09.000 --> 0:32:13.600
<v Speaker 1>so um. So we started the first private h performing

0:32:13.680 --> 0:32:17.760
<v Speaker 1>rights organization in seventy five years. We promptly got sued

0:32:17.800 --> 0:32:22.200
<v Speaker 1>by their radio music licensing cartel uh and all that.

0:32:22.320 --> 0:32:27.320
<v Speaker 1>But it's been a great ride. We're wildly successful. Um.

0:32:27.360 --> 0:32:30.480
<v Speaker 1>We've signed you know, major writer after major writer. Our

0:32:30.560 --> 0:32:34.320
<v Speaker 1>writers are rap cartists, higher are our people make more money.

0:32:34.760 --> 0:32:38.360
<v Speaker 1>It's transparent. Um. You can go on the website and say, hey,

0:32:38.400 --> 0:32:40.640
<v Speaker 1>I got played four time on Kiss FM and this

0:32:40.720 --> 0:32:43.200
<v Speaker 1>is how much money I made. Um. So it's been

0:32:43.240 --> 0:32:46.240
<v Speaker 1>a great business. Um. And we feel like we've made

0:32:46.280 --> 0:32:49.120
<v Speaker 1>the world a better place for these writers. How much

0:32:49.160 --> 0:32:51.440
<v Speaker 1>more would I get if I switched from on a

0:32:51.520 --> 0:32:58.640
<v Speaker 1>traditional Aska BM I to your company. UM. Hard to

0:32:58.680 --> 0:33:01.560
<v Speaker 1>say in a blanket answer, but we did have We

0:33:01.640 --> 0:33:03.880
<v Speaker 1>do have deals where we've garen pee people. You'll make

0:33:03.880 --> 0:33:08.760
<v Speaker 1>ten or more, um, for sure, but I think we

0:33:08.840 --> 0:33:13.480
<v Speaker 1>make people in most instances way more. Okay, you own

0:33:13.600 --> 0:33:17.320
<v Speaker 1>two restaurants, you own a certain amount of real estate,

0:33:17.680 --> 0:33:19.959
<v Speaker 1>how how much of your time and how much your

0:33:20.000 --> 0:33:24.120
<v Speaker 1>investments in real estate? Uh? Okay, I don't own any

0:33:24.240 --> 0:33:28.360
<v Speaker 1>I don't own any restaurants. Those are Shelley's. Okay, everything's

0:33:28.400 --> 0:33:33.000
<v Speaker 1>in the well. The family owns the restaurants, but Shelley. Okay.

0:33:33.120 --> 0:33:36.440
<v Speaker 1>So Nate Now's uh, seventy five year old restaurant in

0:33:36.480 --> 0:33:41.440
<v Speaker 1>Beverly Hills was in jeopardy of becoming extinct. You know,

0:33:41.520 --> 0:33:44.040
<v Speaker 1>the Beverly Hills real estate worth had pretty much made

0:33:44.040 --> 0:33:47.160
<v Speaker 1>it extinct. So through through a labor love, we and

0:33:47.240 --> 0:33:52.080
<v Speaker 1>some other family friends UM have taken it over, even

0:33:52.160 --> 0:33:55.600
<v Speaker 1>pre COVID. You know, we have the right to lose money,

0:33:55.640 --> 0:33:58.280
<v Speaker 1>but we have a mean mats of Brian, a great

0:33:58.320 --> 0:34:01.240
<v Speaker 1>corn beef and a great mats of ball suit. Uh.

0:34:01.280 --> 0:34:04.520
<v Speaker 1>The Apple Pan similar situation where we got a call

0:34:05.400 --> 0:34:10.240
<v Speaker 1>um and the family that had owned it wanted another

0:34:10.320 --> 0:34:12.560
<v Speaker 1>family in the restaurant business to kind of take it

0:34:12.640 --> 0:34:16.720
<v Speaker 1>over that had some Hamburger history. We've had some history

0:34:16.760 --> 0:34:20.239
<v Speaker 1>with five guys, Corn cap Shaw and myself and a

0:34:20.280 --> 0:34:23.120
<v Speaker 1>group that included Phil Nicholson and a bunch of others

0:34:23.160 --> 0:34:26.400
<v Speaker 1>that owned a bunch of five guys restaurants together. Um,

0:34:26.440 --> 0:34:28.239
<v Speaker 1>so we kind of it kind of fell into it.

0:34:28.280 --> 0:34:32.520
<v Speaker 1>But it's for fun and community and uh. Um, you know,

0:34:33.320 --> 0:34:36.160
<v Speaker 1>one Eagles date's gonna make us more than a year

0:34:36.200 --> 0:34:39.520
<v Speaker 1>a year at the restaurant. Uh. And as far as

0:34:39.640 --> 0:34:45.880
<v Speaker 1>real estate goes, Um, we're not heavily invested, but that

0:34:46.040 --> 0:34:49.240
<v Speaker 1>we have invested in the years and everything from apartment

0:34:49.239 --> 0:34:52.960
<v Speaker 1>buildings to office buildings and um, you kind of hang

0:34:53.000 --> 0:34:56.960
<v Speaker 1>on and never sell those, Okay, in terms of things

0:34:57.040 --> 0:34:59.680
<v Speaker 1>that your where your money is invested in, taking your time.

0:35:00.160 --> 0:35:05.560
<v Speaker 1>Is there anything else in your portfolio that I haven't mentioned. Um,

0:35:05.719 --> 0:35:11.800
<v Speaker 1>let's say Oak View g MR Management Business Iconic and uh,

0:35:11.920 --> 0:35:14.279
<v Speaker 1>we're in the process now of starting a record label,

0:35:14.320 --> 0:35:21.160
<v Speaker 1>the music publishing company, and your thoughts in creating those were, um,

0:35:21.200 --> 0:35:25.279
<v Speaker 1>pretty simple, you know you. Um again, I think we

0:35:25.360 --> 0:35:28.200
<v Speaker 1>want to be an alternative to the majors because I

0:35:28.239 --> 0:35:31.440
<v Speaker 1>believe that artists should own their I P. So we're

0:35:31.440 --> 0:35:35.320
<v Speaker 1>gonna be a different model and more artist friendly model

0:35:35.640 --> 0:35:40.200
<v Speaker 1>economic model. UM. And when you look at UH, you know,

0:35:40.320 --> 0:35:43.439
<v Speaker 1>Universal's worth what forty fifty billion, sixty billion? I don't

0:35:43.440 --> 0:35:44.799
<v Speaker 1>know what the number is gonna be when they go.

0:35:44.840 --> 0:35:50.040
<v Speaker 1>Probably Warners is trading at what billion, twenty billions something

0:35:50.040 --> 0:35:53.399
<v Speaker 1>like that. Sony's probably worth somewhere in between. So you're

0:35:53.440 --> 0:35:58.120
<v Speaker 1>over a hundred billion dollars UM. You know, artists like

0:35:58.239 --> 0:36:00.440
<v Speaker 1>to do business with us because we're very hard is friendly.

0:36:00.480 --> 0:36:05.240
<v Speaker 1>We proved it GMR that we can sign UM. We've

0:36:05.760 --> 0:36:09.000
<v Speaker 1>landed an incredible talent in UH to go with my

0:36:09.040 --> 0:36:14.240
<v Speaker 1>son Jeffrey, with Sean Tubby Holiday who's an incredibly gifted

0:36:14.360 --> 0:36:18.040
<v Speaker 1>in our guy. UM. And we've started to sign UM.

0:36:18.200 --> 0:36:21.200
<v Speaker 1>And you know, we kind of think if if we can't,

0:36:22.000 --> 0:36:24.680
<v Speaker 1>you know, get two percent of the market, we're idiots.

0:36:24.719 --> 0:36:27.560
<v Speaker 1>So what's two percent of the market worth two billion dollars?

0:36:28.840 --> 0:36:31.320
<v Speaker 1>And what kind of deals you offering? You know, fifty

0:36:31.440 --> 0:36:36.640
<v Speaker 1>fifty on streaming revenue? Who owns the asset? UH? They

0:36:36.800 --> 0:36:40.640
<v Speaker 1>will be a profit participant for a number of years UM.

0:36:40.680 --> 0:36:42.399
<v Speaker 1>But the artists will always have a right to buy

0:36:42.440 --> 0:36:45.800
<v Speaker 1>us out at fair market value, okay, or or or

0:36:45.840 --> 0:36:48.120
<v Speaker 1>it's either a term or a right to buy out,

0:36:48.160 --> 0:36:51.920
<v Speaker 1>depending on which the artist prefers. And then in terms

0:36:51.960 --> 0:36:56.960
<v Speaker 1>of net how's the net split? Um? Certain, you know,

0:36:57.080 --> 0:36:58.799
<v Speaker 1>it depends on who it is and what it is

0:36:58.840 --> 0:37:00.400
<v Speaker 1>and when it isn't their career. But we won't be

0:37:00.440 --> 0:37:02.960
<v Speaker 1>doing three sixty deals and asking for pieces of touring

0:37:03.040 --> 0:37:06.000
<v Speaker 1>and pieces of of all that stuff. But you know,

0:37:06.040 --> 0:37:08.600
<v Speaker 1>if you're a major established artist, I'm not. You know,

0:37:08.640 --> 0:37:13.520
<v Speaker 1>we're not gonna ask for anywhere near fifty. Okay, let's

0:37:13.560 --> 0:37:17.600
<v Speaker 1>go back to the beginning. So originally you're from Illinois.

0:37:17.880 --> 0:37:21.760
<v Speaker 1>Where are you from? Uh? I was? I was born

0:37:21.760 --> 0:37:25.760
<v Speaker 1>in Chicago. Was raised in a little town called Danville,

0:37:25.800 --> 0:37:30.880
<v Speaker 1>ILLINOI went to a little bit slower. How far is

0:37:31.000 --> 0:37:35.319
<v Speaker 1>Danville from Chicago? A hundred and thirty miles? So what's

0:37:36.160 --> 0:37:38.400
<v Speaker 1>what's Danville like? Are you growing up in the sticks

0:37:38.520 --> 0:37:41.000
<v Speaker 1>or is it like up to date? Uh? Town of

0:37:41.040 --> 0:37:47.320
<v Speaker 1>about thirty forty people. Um, a lot of you know plants.

0:37:47.360 --> 0:37:49.880
<v Speaker 1>You know, there was a GM plant heister, there was

0:37:50.040 --> 0:37:53.160
<v Speaker 1>I think there was a forget who the big cereal

0:37:53.280 --> 0:37:57.840
<v Speaker 1>company was there, um, but it was mostly an industrial

0:37:57.840 --> 0:38:01.399
<v Speaker 1>and right on the Illinois Indiana border. Um. But for

0:38:01.440 --> 0:38:05.160
<v Speaker 1>some reason it had Uh there was a lady that

0:38:05.239 --> 0:38:09.120
<v Speaker 1>taught at the high school for years and uh they

0:38:09.160 --> 0:38:11.479
<v Speaker 1>had a real good arts program. You know. Dick van Dyke,

0:38:11.600 --> 0:38:18.239
<v Speaker 1>Jerry Van Dyke, Bobby Short, Jeene Hackman all came from Danville, Illinois. UM.

0:38:18.280 --> 0:38:20.720
<v Speaker 1>So that's where I grew up and then thirty west

0:38:20.719 --> 0:38:23.719
<v Speaker 1>of that. What'd your father do for a living. My

0:38:23.800 --> 0:38:25.640
<v Speaker 1>father was a pharmacist and had a share in a

0:38:25.640 --> 0:38:29.120
<v Speaker 1>couple of pharmacies. My mom was a bookkeeper. Okay, how

0:38:29.120 --> 0:38:31.920
<v Speaker 1>many kids in the family, brother and sister. I was

0:38:31.920 --> 0:38:35.760
<v Speaker 1>the oldest. You were the oldest. Okay, you go to school.

0:38:35.760 --> 0:38:38.520
<v Speaker 1>You got a public school. I assume, oh yeah, oh,

0:38:38.560 --> 0:38:41.239
<v Speaker 1>you got a public school. You're the class clown or

0:38:41.239 --> 0:38:43.520
<v Speaker 1>you're the troublemaker? Are you the silent? Are you popular?

0:38:43.840 --> 0:38:48.839
<v Speaker 1>What's your role in school? Straight a's class clown and

0:38:48.880 --> 0:38:50.760
<v Speaker 1>you could get away with it because you're so smart.

0:38:51.040 --> 0:38:55.719
<v Speaker 1>Guess Okay, you have a big interest in sports. Were

0:38:55.719 --> 0:39:00.600
<v Speaker 1>you an athlete? No? No, no, no, no, I mean

0:39:00.640 --> 0:39:04.759
<v Speaker 1>did you forget the team? Yeah? Oh yeah, we played

0:39:04.800 --> 0:39:08.319
<v Speaker 1>Yeah all summer we played baseball in the park, you know,

0:39:08.960 --> 0:39:13.520
<v Speaker 1>played basketball poor like basketball baseball. Okay, so now you're

0:39:13.560 --> 0:39:18.120
<v Speaker 1>in high school. How do you fit in? In high school? Well,

0:39:18.160 --> 0:39:21.239
<v Speaker 1>there were I think eight of us Jewish kids in

0:39:21.280 --> 0:39:26.799
<v Speaker 1>the whole school. Yeah, um, but we fit in. You know,

0:39:27.520 --> 0:39:30.280
<v Speaker 1>were you a manager? Were you the guy who's rounding

0:39:30.320 --> 0:39:33.040
<v Speaker 1>people up even back then? Yeah. By the time I

0:39:33.080 --> 0:39:36.360
<v Speaker 1>was a senior in high school, you know, my friends

0:39:36.360 --> 0:39:38.960
<v Speaker 1>were in bands. I know, I tried. I couldn't sing.

0:39:39.480 --> 0:39:42.760
<v Speaker 1>I tried drums, I tried saxophone. Remember in those days,

0:39:43.080 --> 0:39:47.360
<v Speaker 1>you had to learn an instrument. That's part of it. Yeah,

0:39:47.400 --> 0:39:50.200
<v Speaker 1>you know, I wasn't gifted as a as a musician.

0:39:50.280 --> 0:39:52.760
<v Speaker 1>So then I just started kind of My friends were

0:39:52.760 --> 0:39:56.120
<v Speaker 1>all were in bands, so, um, I kind of started

0:39:56.160 --> 0:39:58.479
<v Speaker 1>the business side of it. So I started booking bands

0:39:58.480 --> 0:40:00.920
<v Speaker 1>when I was in high school. Okay, but you also

0:40:01.040 --> 0:40:03.640
<v Speaker 1>told me that you were representing the DJs at w

0:40:03.920 --> 0:40:11.239
<v Speaker 1>l S. That's later. You're already in college when that happens, correct, Okay. Uh, Now,

0:40:11.480 --> 0:40:16.440
<v Speaker 1>needless to say, somewhat like myself, you're somewhat vertically challenged.

0:40:16.480 --> 0:40:19.799
<v Speaker 1>What was the experience of being in school? Did you

0:40:19.840 --> 0:40:22.000
<v Speaker 1>make that work for you? Was, did you take abuse?

0:40:22.360 --> 0:40:25.360
<v Speaker 1>I was no. I was good in high school and

0:40:25.440 --> 0:40:29.120
<v Speaker 1>I liked it. Uh. But when I got to college,

0:40:29.640 --> 0:40:32.360
<v Speaker 1>I went. You know, my dad was a pharmacist, so

0:40:32.440 --> 0:40:35.040
<v Speaker 1>my parents decided I should be a doctor. So I

0:40:35.040 --> 0:40:37.400
<v Speaker 1>I go to the University of Illinois and Champagne, thirty

0:40:37.400 --> 0:40:40.880
<v Speaker 1>miles away. I go there for a couple of reasons.

0:40:41.480 --> 0:40:43.840
<v Speaker 1>I go there because I already had this booking business going.

0:40:44.160 --> 0:40:45.520
<v Speaker 1>So I knew how I was going to put my

0:40:45.520 --> 0:40:49.760
<v Speaker 1>way through school. Um too, I had. I had applied

0:40:49.760 --> 0:40:53.200
<v Speaker 1>at U c l a UM where my and my

0:40:53.200 --> 0:40:56.480
<v Speaker 1>my grandmother, and I had aunts and uncles out here. Uh.

0:40:56.520 --> 0:40:59.799
<v Speaker 1>And I applied at Johns Hopkins Uh. And I got

0:40:59.800 --> 0:41:02.959
<v Speaker 1>an accepted at all three. Um, I was gonna come

0:41:03.800 --> 0:41:07.160
<v Speaker 1>to you at very one, various different points. I decided

0:41:07.200 --> 0:41:09.000
<v Speaker 1>I was going to each one of those, and then

0:41:09.000 --> 0:41:10.640
<v Speaker 1>at the at the end of the day, I just

0:41:10.680 --> 0:41:13.920
<v Speaker 1>decided that I loved booking bands and stuff, and I

0:41:13.920 --> 0:41:16.000
<v Speaker 1>had already started a business there, so I stayed and

0:41:16.000 --> 0:41:19.080
<v Speaker 1>went to the University of Illinois. Okay, what was the

0:41:19.160 --> 0:41:22.880
<v Speaker 1>status of your band booking business by time you graduate

0:41:22.920 --> 0:41:28.280
<v Speaker 1>from high school? And local bands? You know, a bunch

0:41:28.280 --> 0:41:31.280
<v Speaker 1>of local bands. We were playing, you know, renting halls

0:41:31.360 --> 0:41:36.120
<v Speaker 1>and collecting the money, you know, planning sock ops. Well

0:41:36.120 --> 0:41:37.839
<v Speaker 1>what was your deal with the bands and how much

0:41:37.840 --> 0:41:40.800
<v Speaker 1>money could you make? Oh? You know those days you

0:41:40.840 --> 0:41:43.239
<v Speaker 1>were playing for Union scale and stuff. So you know,

0:41:43.239 --> 0:41:46.160
<v Speaker 1>the band was making a hundred ten dollars and I

0:41:46.200 --> 0:41:49.040
<v Speaker 1>was getting you know, eleven bucks on top or something.

0:41:49.840 --> 0:41:54.719
<v Speaker 1>It's crazy. Okay, So you go to college, you're a freshman,

0:41:54.800 --> 0:41:59.920
<v Speaker 1>You walk on the campus. Then what happens? Uh, I'm

0:42:00.040 --> 0:42:03.840
<v Speaker 1>met a crazy guy that book bands there book college bands,

0:42:03.840 --> 0:42:08.640
<v Speaker 1>a guy named Robert Nutt and U T t Um

0:42:08.680 --> 0:42:12.200
<v Speaker 1>and he uh he and I started an agency called

0:42:12.200 --> 0:42:15.879
<v Speaker 1>Blytheam Limited b L y T h M Limited. Some

0:42:16.040 --> 0:42:19.160
<v Speaker 1>street what what what? Why was it called that? It's

0:42:19.200 --> 0:42:21.239
<v Speaker 1>a street in England. Bob had been to England with

0:42:21.239 --> 0:42:23.320
<v Speaker 1>one of the one of the our one of our artists,

0:42:23.719 --> 0:42:25.520
<v Speaker 1>guy in the Finchley Boys, and it was a street

0:42:25.520 --> 0:42:29.640
<v Speaker 1>in England that he remembered. Um, and we just kind

0:42:29.640 --> 0:42:33.120
<v Speaker 1>of took the college circuit by storm. You know, there

0:42:33.160 --> 0:42:37.439
<v Speaker 1>are those days University of Illinois had fifty six fraternities

0:42:37.480 --> 0:42:41.480
<v Speaker 1>and like twenty eight sororities and like three beer bars. Right,

0:42:41.560 --> 0:42:43.760
<v Speaker 1>So We had a lot of gigs to go around,

0:42:44.360 --> 0:42:46.440
<v Speaker 1>and there weren't enough local bands to do it. So

0:42:46.480 --> 0:42:48.319
<v Speaker 1>we had bands coming in from all over the Tri

0:42:48.440 --> 0:42:51.000
<v Speaker 1>state area that we would book. And then we grew

0:42:51.040 --> 0:42:53.360
<v Speaker 1>a business. We expanded the business out there, we opened

0:42:53.560 --> 0:42:57.120
<v Speaker 1>we opened offices in Madison, Wisconsin, and Chicago and Champagne.

0:42:57.120 --> 0:43:00.000
<v Speaker 1>So by the time I was a sophomore in college,

0:43:00.120 --> 0:43:01.920
<v Speaker 1>you know, I didn't have any time for school, and

0:43:01.960 --> 0:43:04.080
<v Speaker 1>I was making more money than a doctor ever could.

0:43:04.120 --> 0:43:08.320
<v Speaker 1>So you know that was it? Okay, a little bit slower?

0:43:08.320 --> 0:43:11.040
<v Speaker 1>How much money were you making? This is the late sixties.

0:43:12.600 --> 0:43:17.040
<v Speaker 1>Hundreds of thousands a year. That's net to you. Yeah,

0:43:17.440 --> 0:43:21.319
<v Speaker 1>that's a lot of money. Especially and then and then

0:43:21.480 --> 0:43:24.120
<v Speaker 1>what did your parents say when nice Jewish boy drops

0:43:24.120 --> 0:43:27.279
<v Speaker 1>out of college? Um, they were very happy to move

0:43:27.320 --> 0:43:31.320
<v Speaker 1>in the new house. I bought him, no problem. Okay,

0:43:32.160 --> 0:43:34.359
<v Speaker 1>Mr Nutt, who you're working with, is he making as

0:43:34.400 --> 0:43:38.200
<v Speaker 1>much money as you? Yeah? Okay? And you're the two principles.

0:43:38.200 --> 0:43:41.520
<v Speaker 1>There is no one else with you? Okay. How do

0:43:41.560 --> 0:43:44.120
<v Speaker 1>you end up representing the w l S d JS

0:43:45.640 --> 0:43:50.040
<v Speaker 1>um So w LS was this powerhouse in Chicago, hundred

0:43:50.040 --> 0:43:52.120
<v Speaker 1>thousand water with ten thousand what I don't know what

0:43:52.160 --> 0:43:55.680
<v Speaker 1>the number was. Was it a hundred thousand, Yeah, hundred

0:43:55.680 --> 0:43:57.719
<v Speaker 1>thousand wats you could you could hear it all over

0:43:57.719 --> 0:43:59.799
<v Speaker 1>the Midwest. You could hear it Nashville. It was like

0:44:00.160 --> 0:44:01.680
<v Speaker 1>I think it was fifty was as much as you

0:44:03.560 --> 0:44:05.480
<v Speaker 1>But you know the three big stations in the world

0:44:05.480 --> 0:44:09.360
<v Speaker 1>where w ABC, kh J in l A and w

0:44:09.520 --> 0:44:13.759
<v Speaker 1>l S and Chicago. Uh so um if you so

0:44:13.800 --> 0:44:17.320
<v Speaker 1>there were this chain. There were all these clubs around

0:44:17.360 --> 0:44:19.880
<v Speaker 1>Chicago that one of their ex DJ is a guy

0:44:19.960 --> 0:44:23.160
<v Speaker 1>named dex Card dex Cards Wild Goose Clubs. So he

0:44:23.239 --> 0:44:25.879
<v Speaker 1>had like seven of these clubs. So what you would

0:44:25.920 --> 0:44:28.399
<v Speaker 1>do to get you couldn't afford as a as a

0:44:28.400 --> 0:44:31.719
<v Speaker 1>little club promoter. You couldn't afford advertising on w LS.

0:44:31.719 --> 0:44:34.880
<v Speaker 1>But w LS allowed their DJs to go out and

0:44:35.200 --> 0:44:38.799
<v Speaker 1>m c these shows. And then they had they had

0:44:38.840 --> 0:44:41.160
<v Speaker 1>spots that they ran all the time where we go

0:44:41.520 --> 0:44:44.200
<v Speaker 1>tonight at x Cards, Wild Goose and Joliet, Illinois. You

0:44:44.280 --> 0:44:47.600
<v Speaker 1>can see three Dog Night with Larry lu Jack, right,

0:44:47.880 --> 0:44:51.240
<v Speaker 1>and so all these disc jockeys and by the way,

0:44:51.440 --> 0:44:53.560
<v Speaker 1>and when you bring him down to the you know,

0:44:53.600 --> 0:44:58.240
<v Speaker 1>to the prom at Danville High School, they were draws.

0:44:58.320 --> 0:45:00.160
<v Speaker 1>They were a big deal, so it was legitimate. I

0:45:00.160 --> 0:45:02.200
<v Speaker 1>mean that you booked these guys, but you'd always book

0:45:02.280 --> 0:45:05.760
<v Speaker 1>them with UH, you know, with an act, so they act,

0:45:05.920 --> 0:45:09.280
<v Speaker 1>you book, you package the act in the DJ together

0:45:09.800 --> 0:45:12.719
<v Speaker 1>and UH and that's kind of how it started. Yeah, well,

0:45:12.719 --> 0:45:15.399
<v Speaker 1>tell me the story, tell my audience story about your

0:45:15.400 --> 0:45:21.160
<v Speaker 1>meeting with Morris Levy. Um. One of our bands, UH

0:45:21.320 --> 0:45:23.319
<v Speaker 1>from Champagne, Illinois at the University of I was a

0:45:23.320 --> 0:45:25.239
<v Speaker 1>big band on campus. Was a band called the One

0:45:25.239 --> 0:45:30.200
<v Speaker 1>Eyed Jacks um and and Bob Nutt had gotten them

0:45:30.719 --> 0:45:35.279
<v Speaker 1>UH up in Chicago, and there was a jingle ad

0:45:35.320 --> 0:45:38.880
<v Speaker 1>agency guy that had a studio and they'd recorded a

0:45:38.960 --> 0:45:41.399
<v Speaker 1>record the name of which I can't even remember right now.

0:45:41.760 --> 0:45:47.280
<v Speaker 1>And Art Roberts, who was the program director, w ls UM,

0:45:47.360 --> 0:45:50.680
<v Speaker 1>I love the song, and he said, I'm gonna play

0:45:50.719 --> 0:45:55.120
<v Speaker 1>this and so I said, well, it's great that you're

0:45:55.120 --> 0:45:58.080
<v Speaker 1>gonna play it. Um, how do I get a record label?

0:45:58.239 --> 0:46:01.120
<v Speaker 1>And those days you'd have distroy aributors like All State

0:46:01.200 --> 0:46:04.439
<v Speaker 1>in Chicago distributed Columbia Records and this one and that one.

0:46:04.920 --> 0:46:06.640
<v Speaker 1>And he says, I'll help you get her. I'll help

0:46:06.680 --> 0:46:10.200
<v Speaker 1>you get a record deal. Okay, and so he says,

0:46:10.200 --> 0:46:13.279
<v Speaker 1>we're gonna go to New York. Um, I'm gonna get

0:46:13.280 --> 0:46:15.160
<v Speaker 1>you a lawyer, and we're gonna go play this. The

0:46:15.160 --> 0:46:17.359
<v Speaker 1>fact that I'm willing to put this record on w LS,

0:46:17.400 --> 0:46:19.319
<v Speaker 1>You're gonna get a record deal, he says. And my

0:46:19.400 --> 0:46:21.160
<v Speaker 1>ears are good. This is gonna be a smash. I

0:46:21.160 --> 0:46:24.439
<v Speaker 1>mean he really believed in the record. This wasn't under

0:46:24.480 --> 0:46:28.680
<v Speaker 1>that table anything, right. Um, So I, Uh, my mom

0:46:28.800 --> 0:46:31.600
<v Speaker 1>was afraid to fly if we took a vacation to Florida.

0:46:31.640 --> 0:46:35.319
<v Speaker 1>We drove. So I'm eighteen, nineteen years old. I think

0:46:35.360 --> 0:46:38.600
<v Speaker 1>I was nineteen. Maybe I've never been on an airplane.

0:46:39.160 --> 0:46:41.400
<v Speaker 1>My first plane flight to go to New York with

0:46:41.560 --> 0:46:45.360
<v Speaker 1>Art roberts Um and we hired this lawyer named Mort Farber,

0:46:45.880 --> 0:46:49.400
<v Speaker 1>who at the time represented I think like Ingelbert Hunker,

0:46:49.480 --> 0:46:52.680
<v Speaker 1>Dank and a bunch of people. And he sets up

0:46:52.719 --> 0:46:55.080
<v Speaker 1>two meetings. When we go to h we go to

0:46:55.120 --> 0:46:58.680
<v Speaker 1>see Atlantic Records Jerry Greenberg at the time, and we

0:46:58.800 --> 0:47:00.960
<v Speaker 1>play We play the record for Jerry. Jay says, it's

0:47:00.960 --> 0:47:03.319
<v Speaker 1>a nice record. I'd have to hear more. I'm not

0:47:03.360 --> 0:47:05.799
<v Speaker 1>sure I want it, and uh, And then we go

0:47:05.880 --> 0:47:09.480
<v Speaker 1>over to Roulette Records to see Morris Leavey and they're

0:47:09.600 --> 0:47:11.920
<v Speaker 1>riding high at that time with Tommy James and the

0:47:11.960 --> 0:47:17.399
<v Speaker 1>Shan dels Uh and the lawyer Mort Farber says to me, look,

0:47:17.440 --> 0:47:20.720
<v Speaker 1>he says, here's what you're gonna do. He says, Morris

0:47:20.800 --> 0:47:25.600
<v Speaker 1>is gonna offer you three for the single and says

0:47:25.640 --> 0:47:27.200
<v Speaker 1>if it's a hit, he'll make an album. But we

0:47:27.200 --> 0:47:30.920
<v Speaker 1>don't have another deal. So you tell him, okay, I

0:47:31.080 --> 0:47:33.040
<v Speaker 1>remember the numbers, like five grand, but tell him you

0:47:33.040 --> 0:47:35.040
<v Speaker 1>got he's got to give you five thousand for the record,

0:47:35.080 --> 0:47:38.200
<v Speaker 1>but you want five points, not three points. So we

0:47:38.280 --> 0:47:40.680
<v Speaker 1>get in the meeting, me and Art and Morris, and

0:47:40.719 --> 0:47:42.560
<v Speaker 1>he listens to the record and he says, let me

0:47:42.560 --> 0:47:44.879
<v Speaker 1>bring my promotion guy in. He he brings this guy,

0:47:44.960 --> 0:47:47.440
<v Speaker 1>Red Schwartz, this famous promotion guy who has just broken

0:47:47.480 --> 0:47:49.920
<v Speaker 1>Tommy James, and Red Sworts says, I like this record.

0:47:49.920 --> 0:47:52.000
<v Speaker 1>I like this right. So so Moore says, okay, kid,

0:47:52.000 --> 0:47:54.400
<v Speaker 1>I'll tell you what. And he's got his big cigars

0:47:54.440 --> 0:47:56.719
<v Speaker 1>and he's chomping on the scars. He says, I'll take it.

0:47:57.000 --> 0:47:58.799
<v Speaker 1>I'm gonna I'm gonna take the record. I'm gonna give

0:47:58.800 --> 0:48:01.719
<v Speaker 1>you five thousand dollars and three points, just like just

0:48:01.760 --> 0:48:04.319
<v Speaker 1>like Mark part Center says, well, Mr Levy, you know

0:48:04.360 --> 0:48:07.160
<v Speaker 1>we have other interests. Um, I'm okay with the five

0:48:07.200 --> 0:48:10.200
<v Speaker 1>thou dollars, but could we please have five? And he

0:48:10.239 --> 0:48:11.880
<v Speaker 1>whirls around on the chair and he looks at me

0:48:11.880 --> 0:48:14.960
<v Speaker 1>and he says, I'll give you five percent, but I'm

0:48:14.960 --> 0:48:19.319
<v Speaker 1>gonna pay you three. That was my first record deal.

0:48:20.320 --> 0:48:25.760
<v Speaker 1>Whatever happened with the record, the record came out and stiffed. Okay,

0:48:25.880 --> 0:48:29.200
<v Speaker 1>so you're this incredible entrepreneur. Where did you learn how

0:48:29.239 --> 0:48:33.279
<v Speaker 1>to do that? I don't know, just in your you know,

0:48:33.320 --> 0:48:35.400
<v Speaker 1>it's in your blood. Okay, Well, I didn't want to

0:48:35.440 --> 0:48:37.800
<v Speaker 1>have a real job. Okay, if you're in high school,

0:48:38.640 --> 0:48:41.160
<v Speaker 1>you're working in high school other than booking bands. Did

0:48:41.160 --> 0:48:43.880
<v Speaker 1>you ever have a paper route? Did you ever sell anything?

0:48:44.160 --> 0:48:46.719
<v Speaker 1>I had a paper route when I was, you know,

0:48:46.840 --> 0:48:49.640
<v Speaker 1>young kid. We had a We had these classes called

0:48:49.719 --> 0:48:52.840
<v Speaker 1>Junior Achievement. I remember. We had so you had to

0:48:52.880 --> 0:48:55.759
<v Speaker 1>make you know, we made these stupid lights that you

0:48:55.880 --> 0:48:58.040
<v Speaker 1>put in your car, that you plug in the battery

0:48:58.080 --> 0:49:01.959
<v Speaker 1>if your car broke down. Um, you learned stuff like that.

0:49:02.680 --> 0:49:05.279
<v Speaker 1>Um My father owned a pharmacy so in the you know,

0:49:05.320 --> 0:49:08.520
<v Speaker 1>in the summers, I would work there, right, work in

0:49:08.560 --> 0:49:12.439
<v Speaker 1>the pharmacy, work to cash, registered, do stuff like that.

0:49:13.040 --> 0:49:16.920
<v Speaker 1>Um kind of had a little business mowing lawns and

0:49:16.920 --> 0:49:19.160
<v Speaker 1>and shoveling snow, but I hired people to do that.

0:49:19.200 --> 0:49:21.720
<v Speaker 1>I would book the lawns. But okay, that's where it starts,

0:49:21.760 --> 0:49:24.440
<v Speaker 1>is to start there or anything before that kind of

0:49:24.440 --> 0:49:27.160
<v Speaker 1>a combination of all of it. Okay, So now you're

0:49:27.160 --> 0:49:29.800
<v Speaker 1>in Illinois, you drop out of college. Are you booking

0:49:29.960 --> 0:49:33.440
<v Speaker 1>bands that are named talent or just all the local

0:49:33.440 --> 0:49:37.400
<v Speaker 1>talent the area? Um? No, we were booking regional bands

0:49:37.400 --> 0:49:41.400
<v Speaker 1>that were important. Okay. Um, but by this time, the

0:49:41.400 --> 0:49:44.680
<v Speaker 1>the agents around the country, you know, knew we controlled

0:49:44.719 --> 0:49:48.200
<v Speaker 1>the college markets especially, so we we were booking some

0:49:48.280 --> 0:49:51.400
<v Speaker 1>we were booking some national talent. You know. The relationship

0:49:51.400 --> 0:49:54.879
<v Speaker 1>with WS certainly didn't hurt me. Like when like three

0:49:54.960 --> 0:49:58.000
<v Speaker 1>Dog Night came in, you know, and and and basically

0:49:58.239 --> 0:50:00.279
<v Speaker 1>they wanted to break in the area. And those days,

0:50:00.520 --> 0:50:03.080
<v Speaker 1>you could put a record on Impuri Illinois or Rockford,

0:50:03.120 --> 0:50:04.799
<v Speaker 1>Illinois and if it showed up, it was a hit.

0:50:04.840 --> 0:50:07.160
<v Speaker 1>That's how you got Chicago to play it. I mean,

0:50:07.160 --> 0:50:09.320
<v Speaker 1>it was legit in those days of how it worked.

0:50:09.680 --> 0:50:13.080
<v Speaker 1>So you know, so Art Roberts, the program director at

0:50:13.200 --> 0:50:16.480
<v Speaker 1>w LS, would would tell like whoever it was at

0:50:16.520 --> 0:50:19.960
<v Speaker 1>ABC Dunhill, Hey, you know, if you really want to

0:50:20.000 --> 0:50:22.160
<v Speaker 1>break this record, there's an agent here that can get

0:50:22.200 --> 0:50:23.880
<v Speaker 1>you dates. If you're gonna put the record on the

0:50:24.000 --> 0:50:26.960
<v Speaker 1>radio and Purian Rockford and all that, you should go

0:50:27.000 --> 0:50:30.200
<v Speaker 1>play there because that's how you really get a simple thing,

0:50:30.239 --> 0:50:32.040
<v Speaker 1>you know, the country. In those days, you could go

0:50:32.040 --> 0:50:34.720
<v Speaker 1>out and hard work. That's how Area Speedwagon was built.

0:50:35.239 --> 0:50:37.640
<v Speaker 1>You know, work. You know, you worked every little nook

0:50:37.640 --> 0:50:39.879
<v Speaker 1>and cranny. So you know, I would get a call

0:50:39.960 --> 0:50:42.080
<v Speaker 1>and they'd say three dog night, take them for three

0:50:42.080 --> 0:50:43.680
<v Speaker 1>weeks and book them, you know, and they'd pay me

0:50:43.719 --> 0:50:46.160
<v Speaker 1>an agency commission and I book them all over the

0:50:46.160 --> 0:50:48.960
<v Speaker 1>three state area little towns and the record would go on.

0:50:49.080 --> 0:50:50.960
<v Speaker 1>And that's how you that's how you built a base

0:50:51.000 --> 0:50:54.000
<v Speaker 1>in those days. Um. And you know, I always thought

0:50:54.080 --> 0:50:56.439
<v Speaker 1>that I had a big edge coming from Illinois and

0:50:56.520 --> 0:50:59.880
<v Speaker 1>having seen how the process worked, and you know, and

0:50:59.880 --> 0:51:02.680
<v Speaker 1>I actually, you know, we actually broke Orio Speedwagon off

0:51:02.680 --> 0:51:04.880
<v Speaker 1>that process. And you know, and you've got guys on

0:51:04.920 --> 0:51:06.400
<v Speaker 1>the coast that had you know, growing up in New

0:51:06.480 --> 0:51:08.200
<v Speaker 1>York and l A. You know, they just think you

0:51:08.239 --> 0:51:10.200
<v Speaker 1>walk in and get a record deal, put on the radio,

0:51:10.200 --> 0:51:13.000
<v Speaker 1>and it happens. But these bands that had touring basis,

0:51:13.480 --> 0:51:17.719
<v Speaker 1>you know, it was become bigger and quicker. How many

0:51:17.800 --> 0:51:20.160
<v Speaker 1>years were you in Illinois before you left for l

0:51:20.200 --> 0:51:25.160
<v Speaker 1>A and once you got to college? Uh? I moved

0:51:25.200 --> 0:51:29.279
<v Speaker 1>to l A when I was twenty two. So what

0:51:29.719 --> 0:51:35.319
<v Speaker 1>very long? No? Okay, and you're in there. How do

0:51:35.360 --> 0:51:41.000
<v Speaker 1>you develop your relationship with Ario Speedwagon and Dan Volgeber?

0:51:42.360 --> 0:51:50.280
<v Speaker 1>Uh Ario Speedwagon? Um, we're a local band that played

0:51:50.320 --> 0:51:54.000
<v Speaker 1>in our clubs and so I was their agent, you know,

0:51:54.040 --> 0:51:56.400
<v Speaker 1>and then there was no difference between agent manager in

0:51:56.400 --> 0:51:58.520
<v Speaker 1>those days, you know. And that's so we made some

0:51:58.600 --> 0:52:00.960
<v Speaker 1>tapes and you know, we I went to New York

0:52:01.000 --> 0:52:05.000
<v Speaker 1>got him a record deal um with Ronald Lexemburg at

0:52:05.120 --> 0:52:09.520
<v Speaker 1>U Epic Records, UM, and you know, so that's how

0:52:09.560 --> 0:52:13.000
<v Speaker 1>that kind of started. But I actually moved to California

0:52:13.040 --> 0:52:15.480
<v Speaker 1>because I had Rio and Vogelberg and I felt that

0:52:15.840 --> 0:52:17.320
<v Speaker 1>I had to go to New York or l A

0:52:18.480 --> 0:52:20.600
<v Speaker 1>to break them because how did you get how did

0:52:20.600 --> 0:52:23.880
<v Speaker 1>you get Fogelberg? Uh? Fogelberg was the local folk singer.

0:52:23.960 --> 0:52:26.160
<v Speaker 1>He played at a place called the Red Herring, which

0:52:26.200 --> 0:52:28.479
<v Speaker 1>was a coffee shop on the other side of town

0:52:28.480 --> 0:52:31.400
<v Speaker 1>in urbana Um. And you know, and the rock guys

0:52:31.440 --> 0:52:34.080
<v Speaker 1>didn't really hang out with the folk guys. And I

0:52:34.120 --> 0:52:37.880
<v Speaker 1>was the rock guy. Uh and uh, a friend of

0:52:37.880 --> 0:52:40.920
<v Speaker 1>mine took me to see Fogelberg, who was friend who

0:52:40.960 --> 0:52:43.120
<v Speaker 1>kind of knew Fogelberg and thought he was great. And

0:52:43.160 --> 0:52:45.560
<v Speaker 1>then uh, he came to my office the next day.

0:52:45.600 --> 0:52:49.080
<v Speaker 1>He had made a tape because his father was a

0:52:49.160 --> 0:52:51.759
<v Speaker 1>high school music teacher in Pure Illinois and had a

0:52:51.760 --> 0:52:54.200
<v Speaker 1>friend in Peak in Illinois, where he had been in

0:52:54.200 --> 0:52:56.600
<v Speaker 1>the studio made some tapes that they and they were

0:52:56.600 --> 0:53:00.520
<v Speaker 1>playing his his tapes on the local college radio station.

0:53:00.960 --> 0:53:03.839
<v Speaker 1>So Dan was like a year younger than me. So

0:53:03.880 --> 0:53:06.080
<v Speaker 1>he came to my office, came on his bicycle, came

0:53:06.120 --> 0:53:07.680
<v Speaker 1>in and played me these tapes. And then of course

0:53:07.680 --> 0:53:10.320
<v Speaker 1>his bicycle got stolen while he was hit in my

0:53:10.440 --> 0:53:12.880
<v Speaker 1>office playing me the tapes. But but the first person

0:53:12.960 --> 0:53:16.000
<v Speaker 1>to take me to see Dan was a guy that

0:53:16.080 --> 0:53:19.879
<v Speaker 1>I had met who just came up to me and said, Hey,

0:53:19.920 --> 0:53:22.080
<v Speaker 1>you gotta go here. This guy is incredible. I have

0:53:22.120 --> 0:53:23.520
<v Speaker 1>nothing to do with him. I don't know him, but

0:53:23.560 --> 0:53:26.160
<v Speaker 1>he's a great, great singer. You gotta go hear him.

0:53:26.400 --> 0:53:29.600
<v Speaker 1>Um and the and the the guy was down at

0:53:29.640 --> 0:53:32.920
<v Speaker 1>the University Illinois visiting his girlfriend. Um the guy was

0:53:33.000 --> 0:53:36.839
<v Speaker 1>John Belushi. It took me to see Dan. I hadn't

0:53:36.840 --> 0:53:41.160
<v Speaker 1>heard that story before. Okay, so now you're you want

0:53:41.160 --> 0:53:43.760
<v Speaker 1>to go to l A and then you ultimately write

0:53:43.840 --> 0:53:48.759
<v Speaker 1>letters to everybody. By the way, it's just strikes me,

0:53:48.800 --> 0:53:51.920
<v Speaker 1>you know, so I meet my, think my, I really

0:53:51.920 --> 0:53:55.719
<v Speaker 1>get started, and you start thinking about it, you know, Belushi,

0:53:55.760 --> 0:53:58.919
<v Speaker 1>Fogelberg and you know what are they now? They're both dead, right,

0:53:59.000 --> 0:54:05.000
<v Speaker 1>I mean, it's God, it's crazy, both prematurely did well.

0:54:05.040 --> 0:54:07.320
<v Speaker 1>You know, it's weird when I remember watching the George

0:54:07.320 --> 0:54:09.360
<v Speaker 1>Carlin special before he died and he had his address

0:54:09.400 --> 0:54:12.560
<v Speaker 1>because ripping this guy out, he's dead and that's in

0:54:12.600 --> 0:54:16.239
<v Speaker 1>the future. Now that's us. It's very weird. And you

0:54:16.280 --> 0:54:19.919
<v Speaker 1>start wondering how much time you actually have left, which

0:54:19.960 --> 0:54:28.680
<v Speaker 1>begs the question anything you have to do before you die? Uh?

0:54:29.200 --> 0:54:32.279
<v Speaker 1>Who is the one who's it? Said to me, I

0:54:32.320 --> 0:54:34.600
<v Speaker 1>don't intend to retire and I don't intend to die.

0:54:34.680 --> 0:54:36.640
<v Speaker 1>I'll just go with that. Well, it didn't work for

0:54:36.680 --> 0:54:40.640
<v Speaker 1>some to Redstone. So but irrelevant when that happens thirty

0:54:40.719 --> 0:54:43.600
<v Speaker 1>years from an hour, thirty minutes from now. God forbid

0:54:44.000 --> 0:54:47.960
<v Speaker 1>any place you haven't been, anything you haven't done, you know,

0:54:48.080 --> 0:54:50.400
<v Speaker 1>I know, you know, I feel very fortunate and blessed

0:54:50.400 --> 0:54:52.080
<v Speaker 1>to what I've done. I'm not. I don't have a

0:54:52.120 --> 0:54:55.040
<v Speaker 1>bucket list left. I mean, it's like, uh, just do

0:54:55.200 --> 0:54:57.520
<v Speaker 1>more of the same. Okay, So you want to move

0:54:57.520 --> 0:55:02.080
<v Speaker 1>to l A. And you told me you wrote these letters. Uh. Well,

0:55:02.120 --> 0:55:05.719
<v Speaker 1>I sent Fogelberg's tape to Geffen because there had been

0:55:05.760 --> 0:55:09.359
<v Speaker 1>an article in Rolling Stone that said, uh, um that

0:55:09.400 --> 0:55:13.440
<v Speaker 1>he was starting asylum records. Um. And and he you know,

0:55:13.480 --> 0:55:15.960
<v Speaker 1>And I sent it to him. I don't and then

0:55:15.960 --> 0:55:20.760
<v Speaker 1>I then I called him. He picked up the phone. Um.

0:55:20.400 --> 0:55:22.680
<v Speaker 1>I knew him a little bit because when he was

0:55:22.719 --> 0:55:27.680
<v Speaker 1>an agent at uh he was booking the association, I think,

0:55:27.680 --> 0:55:30.040
<v Speaker 1>and I booked something or we had a conversation about

0:55:30.040 --> 0:55:33.520
<v Speaker 1>booking something. Uh and he uh and he said that

0:55:33.560 --> 0:55:35.480
<v Speaker 1>he had listened to the tape and he really liked

0:55:35.480 --> 0:55:40.600
<v Speaker 1>it and that I should come see him. Uh. So

0:55:42.080 --> 0:55:45.920
<v Speaker 1>Ario already had a record deal with Epic, and my

0:55:45.960 --> 0:55:48.520
<v Speaker 1>friend Terry Bassett at concerts. West had put them on

0:55:48.560 --> 0:55:51.680
<v Speaker 1>a Grand Funk Railroad tour, so they were out touring

0:55:51.719 --> 0:55:54.799
<v Speaker 1>everywhere and we we had our start. Um. But I

0:55:55.040 --> 0:55:57.560
<v Speaker 1>uh so I came out to see Geffen and he said,

0:55:57.760 --> 0:56:00.800
<v Speaker 1>and he told me, um, that Jack and Brown really

0:56:00.840 --> 0:56:05.040
<v Speaker 1>liked the Vogelberg tapes, but that he was backed up

0:56:05.040 --> 0:56:08.239
<v Speaker 1>on male singer songwriters because he had Jackson, he had Nendoheeny,

0:56:08.280 --> 0:56:11.439
<v Speaker 1>he had David Blue, you know, all these all these

0:56:11.800 --> 0:56:13.920
<v Speaker 1>and he said, if I could wait a year, he

0:56:13.960 --> 0:56:18.400
<v Speaker 1>would sign Dan. Now us being what we were, kids

0:56:18.440 --> 0:56:23.239
<v Speaker 1>being kids. Um, uh, we didn't wait a year, but

0:56:23.280 --> 0:56:25.400
<v Speaker 1>I took it. I took a job working for Jerry

0:56:25.440 --> 0:56:27.920
<v Speaker 1>Heller at a place called the Heller Ficial Agency. Wait wait,

0:56:27.960 --> 0:56:29.879
<v Speaker 1>you told me that you tried to get a job

0:56:29.880 --> 0:56:31.719
<v Speaker 1>with a million other people. That was and he was

0:56:31.760 --> 0:56:34.120
<v Speaker 1>the only one who offered you a job. No, no,

0:56:34.120 --> 0:56:35.919
<v Speaker 1>that wasn't true. That. I don't know what I told

0:56:35.920 --> 0:56:40.000
<v Speaker 1>you then, but but do your call. But I uh, um,

0:56:40.040 --> 0:56:41.360
<v Speaker 1>I had to decide I was gonna go to New

0:56:41.400 --> 0:56:43.239
<v Speaker 1>Yorker l A. I decided I was going to lead

0:56:43.320 --> 0:56:46.080
<v Speaker 1>Champagne and I had actually Bob Nutt had you know,

0:56:47.040 --> 0:56:50.960
<v Speaker 1>right free free you know, kind of just went nuts

0:56:50.960 --> 0:56:54.279
<v Speaker 1>on drugs and alcohol and kind of disappeared. And I

0:56:54.440 --> 0:56:56.480
<v Speaker 1>and the guy I kind of gave the agency to

0:56:56.520 --> 0:56:59.400
<v Speaker 1>the guys that worked for me, uh and said I

0:56:59.440 --> 0:57:01.520
<v Speaker 1>don't want to do us anymore. And I'd saved a

0:57:01.520 --> 0:57:05.200
<v Speaker 1>bunch of money anyway. So um. But the biggest agent

0:57:05.200 --> 0:57:09.120
<v Speaker 1>in the business was Frank Barcelona, premier talent in New York,

0:57:09.120 --> 0:57:11.359
<v Speaker 1>you know, and a gentleman who was you know, who

0:57:11.440 --> 0:57:14.440
<v Speaker 1>was a pioneer of you know, he divided the country

0:57:14.560 --> 0:57:17.000
<v Speaker 1>up and decided who got what. He had all the

0:57:17.040 --> 0:57:22.040
<v Speaker 1>big English bands, right and uh and um so uh

0:57:22.120 --> 0:57:24.640
<v Speaker 1>and and I had books and stuff for Frank and stuff.

0:57:24.640 --> 0:57:27.800
<v Speaker 1>And my friend Bill Elson from Chicago gone to work there.

0:57:28.320 --> 0:57:31.160
<v Speaker 1>Um and Bill had and so I've been in to

0:57:31.240 --> 0:57:34.800
<v Speaker 1>see Frank and he so he kind of said, I'm

0:57:34.800 --> 0:57:37.040
<v Speaker 1>gonna come work here. Come moved to New York and

0:57:37.080 --> 0:57:39.360
<v Speaker 1>work here. So he said, I'm gonna be in Chicago.

0:57:39.400 --> 0:57:42.240
<v Speaker 1>I'm gonna be at Aaron Russo's Kinetic Playground to see

0:57:42.600 --> 0:57:45.520
<v Speaker 1>led Zeppelin. Why don't you come up to Chicago and

0:57:45.560 --> 0:57:47.560
<v Speaker 1>meet with me. I'll meet you in front of the

0:57:47.640 --> 0:57:50.760
<v Speaker 1>Kinetic Playground. At eight o'clock whatever it was, and and

0:57:50.760 --> 0:57:53.600
<v Speaker 1>and and so I go up there and the Kinetic

0:57:53.680 --> 0:57:56.040
<v Speaker 1>playground earlier in the day had burned to the ground,

0:57:57.360 --> 0:57:59.720
<v Speaker 1>and I took that as a message, don't move to

0:57:59.760 --> 0:58:02.920
<v Speaker 1>new Arc, okay. So and I have then offered this

0:58:02.960 --> 0:58:06.200
<v Speaker 1>other job. Jerry Heller was a very uh. It was

0:58:06.240 --> 0:58:11.440
<v Speaker 1>a new startup agency. UH represented jose Feliciano. The guests

0:58:11.440 --> 0:58:17.880
<v Speaker 1>who Lee Michael's Nils Lofgern and grin Um had a

0:58:17.920 --> 0:58:20.080
<v Speaker 1>bunch of stuff, a bunch of Geff and stuff, Jojo

0:58:20.160 --> 0:58:24.120
<v Speaker 1>gunn On Asylum and a bunch of stuff Um and

0:58:24.200 --> 0:58:26.080
<v Speaker 1>Jerry and Donna owned this agency. So it was the

0:58:26.120 --> 0:58:28.480
<v Speaker 1>two of them and me. Uh. And they were fun

0:58:28.520 --> 0:58:30.920
<v Speaker 1>times until Jerry did too much blow and kind of

0:58:31.480 --> 0:58:33.960
<v Speaker 1>gotten to fight with Geffen and was fighting with everybody.

0:58:34.000 --> 0:58:42.640
<v Speaker 1>And then I moved to associated booking company tell the

0:58:42.720 --> 0:58:45.479
<v Speaker 1>story of we're going to do the Lee Michael's Deep.

0:58:46.360 --> 0:58:51.480
<v Speaker 1>So Jerry Heller says to me, Uh, go up stay

0:58:51.520 --> 0:58:54.720
<v Speaker 1>with Lee. Um, make sure he goes to this gig.

0:58:54.800 --> 0:58:58.920
<v Speaker 1>I think it was. I don't know. It wasn't Sacramento,

0:58:59.000 --> 0:59:02.400
<v Speaker 1>might have been Fresno or or something. You told me

0:59:02.440 --> 0:59:04.920
<v Speaker 1>Sacramento the last time, yeah, because it was drivable from

0:59:04.960 --> 0:59:09.240
<v Speaker 1>San Francisco, right, And he had some like Ferrari or something.

0:59:09.560 --> 0:59:12.160
<v Speaker 1>So I get to his house. The sky had live

0:59:12.680 --> 0:59:17.120
<v Speaker 1>mountain lions and tigers in his backyard as pets. Okay,

0:59:17.480 --> 0:59:20.200
<v Speaker 1>scared the ship out of me. So I survived that.

0:59:20.840 --> 0:59:26.200
<v Speaker 1>And he had this wonderful girlfriend that I think had.

0:59:26.320 --> 0:59:28.840
<v Speaker 1>I know whether she was with Van Morrison before or

0:59:28.880 --> 0:59:33.280
<v Speaker 1>after him, but I remember her name was Janet Planet. Right, okay,

0:59:33.560 --> 0:59:36.000
<v Speaker 1>And so Lee and I we jump in the car.

0:59:36.000 --> 0:59:37.920
<v Speaker 1>He drives like a hundred miles an hour to the

0:59:37.960 --> 0:59:43.800
<v Speaker 1>gig okay uh. And he he had this two piece band,

0:59:44.600 --> 0:59:47.440
<v Speaker 1>him and a drummer named Frosty, and he had this

0:59:47.800 --> 0:59:51.120
<v Speaker 1>massive hit record and he was huge in California, so

0:59:52.600 --> 0:59:58.480
<v Speaker 1>you know. And and he played like twenty minutes and

0:59:58.600 --> 1:00:00.600
<v Speaker 1>comes over the size stage and says, come on, kid,

1:00:00.640 --> 1:00:04.320
<v Speaker 1>we're leaving. And I went, you can't leave. You just

1:00:04.360 --> 1:00:08.040
<v Speaker 1>played fifty twenty minutes. He says, do you have the money?

1:00:08.240 --> 1:00:10.360
<v Speaker 1>I said yeah. He says we got paid. I said yeah.

1:00:10.360 --> 1:00:14.760
<v Speaker 1>He says we're out of here, okay, and drag me

1:00:14.800 --> 1:00:16.640
<v Speaker 1>to the car and we drove back to San Francisco

1:00:17.680 --> 1:00:19.280
<v Speaker 1>and you all still have to give the money back.

1:00:20.000 --> 1:00:21.520
<v Speaker 1>Of course we had to give the money back because

1:00:21.520 --> 1:00:24.600
<v Speaker 1>they nearly rioted. And then Jerry Heller said to me,

1:00:24.640 --> 1:00:26.640
<v Speaker 1>what what do you I send you up there? How

1:00:26.640 --> 1:00:28.160
<v Speaker 1>do you fund this up? How did you let the

1:00:28.200 --> 1:00:31.960
<v Speaker 1>guy leave? Right? But anyway, there's I got a million

1:00:31.960 --> 1:00:34.520
<v Speaker 1>of those stories. Okay, so you'll go to Associated Booking.

1:00:34.560 --> 1:00:40.040
<v Speaker 1>What is that? Associated Booking was a bigger agency, um,

1:00:40.080 --> 1:00:42.520
<v Speaker 1>you know, and if you know, it was founded basically

1:00:42.520 --> 1:00:46.000
<v Speaker 1>by Joe Glazer. Um. The guy running it was Oscar Cohen.

1:00:46.120 --> 1:00:48.000
<v Speaker 1>But you know it was built on the back of

1:00:48.280 --> 1:00:53.560
<v Speaker 1>uh you know, Glazer represented um people like Louis Armstrong

1:00:53.720 --> 1:00:56.160
<v Speaker 1>and you know, all the big bands and and and

1:00:56.200 --> 1:00:58.640
<v Speaker 1>that stuff and and it was. It was a solid place.

1:00:58.640 --> 1:01:01.800
<v Speaker 1>You know, Tom Ross who founded CIA Personal Appearance Department

1:01:01.800 --> 1:01:04.800
<v Speaker 1>was there, Johnny Podell who later kind of founded a

1:01:04.840 --> 1:01:10.080
<v Speaker 1>t I. But but we had um Alice Cooper, Quicksilver,

1:01:10.200 --> 1:01:16.360
<v Speaker 1>Messenger Service, um, the doors. It was you know, it

1:01:16.440 --> 1:01:20.040
<v Speaker 1>was a real real place. Okay, then you end up

1:01:20.360 --> 1:01:26.240
<v Speaker 1>booking the Roxy. Yeah, I'm an Associated Booking And then

1:01:26.320 --> 1:01:30.120
<v Speaker 1>David Elliott convinced me to leave. Take Vogel Burgnario with me,

1:01:30.160 --> 1:01:33.160
<v Speaker 1>who I was managing while I was still an agent. Um.

1:01:33.160 --> 1:01:36.000
<v Speaker 1>And come when when David goes to asylum, I go

1:01:36.040 --> 1:01:40.360
<v Speaker 1>to Geff and Roberts too, um to kind of fill

1:01:40.400 --> 1:01:43.680
<v Speaker 1>the void. Uh and and every and they were all

1:01:43.720 --> 1:01:46.280
<v Speaker 1>piste off at Doug Weston for the shitty deals he

1:01:46.320 --> 1:01:48.800
<v Speaker 1>was giving artists. So I guess I kind of I

1:01:48.800 --> 1:01:51.560
<v Speaker 1>guess you know, I would have to say thank you

1:01:51.640 --> 1:01:55.240
<v Speaker 1>to Elliott and David and Lou Adler, who said, uh,

1:01:55.360 --> 1:01:57.800
<v Speaker 1>if you see something really wrong where an artist is

1:01:57.800 --> 1:02:03.600
<v Speaker 1>getting screwed, uh, you know, start something, start a competitor, right,

1:02:03.680 --> 1:02:07.880
<v Speaker 1>So they went and built the Roxy because Doug Weston's

1:02:07.920 --> 1:02:10.640
<v Speaker 1>deals for artists were unfair. I mean you'd have to

1:02:10.640 --> 1:02:13.080
<v Speaker 1>give them big options. You know, Elton, John, Bet Midler,

1:02:13.120 --> 1:02:15.160
<v Speaker 1>everybody came in there. I mean you would have to

1:02:15.200 --> 1:02:17.440
<v Speaker 1>play their three, four or five weeks to get your

1:02:17.480 --> 1:02:20.240
<v Speaker 1>initial booking you'd get. They'd have four options at like

1:02:20.360 --> 1:02:24.440
<v Speaker 1>stupid low money. Um. But yeah, so I end up

1:02:24.440 --> 1:02:27.600
<v Speaker 1>book So I end up booking the the opening of

1:02:27.600 --> 1:02:30.320
<v Speaker 1>the Roxy. And um, in those days, Cheech and Chong

1:02:30.360 --> 1:02:34.680
<v Speaker 1>were huge, and that was lose act of course. UM,

1:02:34.760 --> 1:02:42.200
<v Speaker 1>and I'm trying to remember who we booked the opening week? Um,

1:02:42.280 --> 1:02:44.040
<v Speaker 1>it doesn't come to me now, but I know Cheech

1:02:44.080 --> 1:02:46.280
<v Speaker 1>and Chong had been in there, and and and a

1:02:46.280 --> 1:02:49.560
<v Speaker 1>bunch of bands and and so Lou has said to me,

1:02:49.640 --> 1:02:52.840
<v Speaker 1>you know we need something you need something black too.

1:02:52.920 --> 1:02:56.960
<v Speaker 1>So I booked the Temptations. Um, but they could only play.

1:02:57.000 --> 1:02:59.640
<v Speaker 1>They'd only were only open to play, like Friday Saturday

1:02:59.760 --> 1:03:01.720
<v Speaker 1>or set Mattery Sunday. And he said, look, you know

1:03:01.760 --> 1:03:05.080
<v Speaker 1>my ax just came in here and played five days. Um.

1:03:05.200 --> 1:03:07.200
<v Speaker 1>So I got this big fight with Luke because he said,

1:03:07.240 --> 1:03:09.600
<v Speaker 1>you can't book the Temptations unless play. They played the

1:03:09.600 --> 1:03:11.560
<v Speaker 1>whole week, and I said, I'll tell you what, asshole,

1:03:11.600 --> 1:03:15.040
<v Speaker 1>you booked the fucking so I know. So I booked

1:03:15.080 --> 1:03:20.560
<v Speaker 1>the opening and quit. Um, but should happens? But those

1:03:20.600 --> 1:03:23.360
<v Speaker 1>are those are incredible days in the strip at l A. Okay,

1:03:23.360 --> 1:03:25.160
<v Speaker 1>So you're working at Geff and Roberts. What are you

1:03:25.200 --> 1:03:30.080
<v Speaker 1>doing there? What's going on there? I was predominantly doing

1:03:30.080 --> 1:03:32.440
<v Speaker 1>what I knew best, which was touring, you know, So

1:03:32.480 --> 1:03:35.200
<v Speaker 1>I was I was booking the tours with you know,

1:03:35.320 --> 1:03:37.800
<v Speaker 1>there were agents, but I was putting together and supervising

1:03:37.840 --> 1:03:43.400
<v Speaker 1>the book. And how did you end up managing the Eagles. Um,

1:03:43.440 --> 1:03:48.760
<v Speaker 1>so we were managing those days. Uh, Dylan, Crazy Stills,

1:03:48.840 --> 1:03:54.920
<v Speaker 1>Nash Young, Joni, America Eagles. So the Eagles in America

1:03:54.960 --> 1:03:59.480
<v Speaker 1>were the kids, Poco. I think too, Jackson, Uh, and

1:03:59.480 --> 1:04:01.640
<v Speaker 1>the Eagles America were kind of the kids. And I

1:04:01.680 --> 1:04:05.080
<v Speaker 1>bring Joe Walsh scenario and Vogelberg with me too. Well,

1:04:05.120 --> 1:04:07.480
<v Speaker 1>how do you get involved with Joe Walsh because he's

1:04:07.560 --> 1:04:11.560
<v Speaker 1>with the Belkons in Ohio? How does that start? Uh?

1:04:11.720 --> 1:04:15.320
<v Speaker 1>Um Belkon and I promoted, Um, Mike was a friend

1:04:15.320 --> 1:04:18.480
<v Speaker 1>of mine. We promoted a series of concerts in Lake Geneva, Wisconsin.

1:04:19.200 --> 1:04:21.400
<v Speaker 1>And so I was around Joe a lot. With Mike

1:04:22.000 --> 1:04:24.760
<v Speaker 1>and Joe. The James gang had broken up, Joe had

1:04:24.800 --> 1:04:29.360
<v Speaker 1>made an unsuccessful solo album, Mike and Joe had parted company.

1:04:30.040 --> 1:04:33.680
<v Speaker 1>Um and um, Joe and I had stayed in touch

1:04:34.520 --> 1:04:36.680
<v Speaker 1>because I promoted a bunch of dates on him. So

1:04:36.760 --> 1:04:39.040
<v Speaker 1>he looks me up in l A. He found me

1:04:39.080 --> 1:04:42.000
<v Speaker 1>in l A. Okay, So you're back to the story

1:04:42.040 --> 1:04:47.040
<v Speaker 1>with the Eagles. Uh. Yeah. So um, it's no secret

1:04:47.120 --> 1:04:52.880
<v Speaker 1>that uh um, the Eagles and Geffen had their differences. Um.

1:04:52.960 --> 1:04:58.360
<v Speaker 1>So at some point, um, big blow up occurs. Uh,

1:04:58.400 --> 1:05:02.320
<v Speaker 1>and the Eagles say we're lee eaving. Um, why don't

1:05:02.360 --> 1:05:04.760
<v Speaker 1>you come, Why don't you take Vogelberg and Aaria, Why

1:05:04.800 --> 1:05:08.480
<v Speaker 1>don't you come start your company and be our manager? Right?

1:05:09.000 --> 1:05:13.120
<v Speaker 1>And I'd had a failed negotiation with David Elliott to

1:05:13.120 --> 1:05:16.960
<v Speaker 1>become a partner in the firm. Um the deal and

1:05:17.000 --> 1:05:20.000
<v Speaker 1>by the way, the deal just changed, shall we say,

1:05:20.120 --> 1:05:21.840
<v Speaker 1>it wasn't what they said it was going to be.

1:05:21.880 --> 1:05:25.680
<v Speaker 1>After a year happens in rock and roll. No, uh

1:05:25.760 --> 1:05:29.280
<v Speaker 1>and and uh and they and by the way they

1:05:29.320 --> 1:05:32.240
<v Speaker 1>were they were great mentors. And the deal and by

1:05:32.240 --> 1:05:34.640
<v Speaker 1>the even the change deal was okay. But my heart

1:05:34.800 --> 1:05:38.280
<v Speaker 1>Glenn and Glenna Donna become my closest friends, and Vogelberg

1:05:38.280 --> 1:05:39.600
<v Speaker 1>and Joe. You know, I just want to be with

1:05:39.640 --> 1:05:42.880
<v Speaker 1>my guys. So so I go back to David Elliott

1:05:42.920 --> 1:05:45.880
<v Speaker 1>and say, you know, the Eagles are leaving and they

1:05:45.880 --> 1:05:48.640
<v Speaker 1>want you know, and you know, the deal didn't happen

1:05:48.680 --> 1:05:51.600
<v Speaker 1>that you said was going to happen. Um, I think

1:05:51.640 --> 1:05:54.080
<v Speaker 1>I'm gonna go with him. And they go, Okay, you

1:05:54.120 --> 1:05:56.880
<v Speaker 1>can have your deal. We don't give a we don't

1:05:56.880 --> 1:06:00.200
<v Speaker 1>give a funk if they leave, but we care you leave, right,

1:06:00.520 --> 1:06:03.320
<v Speaker 1>So I said, I'm gonna stay. And I go back

1:06:03.320 --> 1:06:05.840
<v Speaker 1>to the Eagles and say, guess what, We're gonna stay,

1:06:05.880 --> 1:06:08.080
<v Speaker 1>but things will be different because now I'm a partner

1:06:08.120 --> 1:06:11.200
<v Speaker 1>and I can do Then they said, nah, we're not staying.

1:06:11.600 --> 1:06:14.200
<v Speaker 1>Pick that it's demmeer us And so I went. So,

1:06:14.280 --> 1:06:16.600
<v Speaker 1>I you know, I went with them because they were

1:06:16.880 --> 1:06:19.240
<v Speaker 1>you know, was it was. They were you know, they were,

1:06:20.320 --> 1:06:22.920
<v Speaker 1>we were you know, obviously we were really tight. So

1:06:23.360 --> 1:06:28.480
<v Speaker 1>what was the status? Where were they in their album cycles? Then? Um,

1:06:28.600 --> 1:06:36.080
<v Speaker 1>when we left was probably after Desperado but before on

1:06:36.120 --> 1:06:38.880
<v Speaker 1>the Borders released. Okay, so they had the peak on

1:06:38.920 --> 1:06:44.240
<v Speaker 1>the first album, but they were relatively cold at the time, yes, unfortunately. Okay,

1:06:44.440 --> 1:06:48.880
<v Speaker 1>so the first big success you have that your new manager,

1:06:49.120 --> 1:06:51.360
<v Speaker 1>Joe Joe Wos was bigger than the Eagles at that

1:06:51.400 --> 1:06:53.640
<v Speaker 1>point because he has the smoker you drink player, get

1:06:53.720 --> 1:06:57.400
<v Speaker 1>Rocky Mountain way right? And so is the next big

1:06:57.400 --> 1:07:00.120
<v Speaker 1>success the Eagles or is there something else? Well? Are

1:07:00.240 --> 1:07:04.800
<v Speaker 1>Ario is a huge touring band? Um, Joe was, and

1:07:04.840 --> 1:07:08.080
<v Speaker 1>you know, and and yeah, and then uh Dan broke

1:07:08.160 --> 1:07:11.600
<v Speaker 1>after the Eagles, but um, you know, and then it's

1:07:11.640 --> 1:07:14.360
<v Speaker 1>kind of a blur you know, Jimmy Buffett comes aboard,

1:07:14.400 --> 1:07:19.800
<v Speaker 1>Boss Gags, Steely Dan, Stevie Nicks. Okay, so what was

1:07:19.840 --> 1:07:26.880
<v Speaker 1>your special sauce? Um? You know, I think it's just

1:07:26.960 --> 1:07:29.480
<v Speaker 1>that that standard, that standard thing. You know, you take

1:07:29.520 --> 1:07:32.120
<v Speaker 1>every phone call, you return every phone call, you treat

1:07:32.160 --> 1:07:36.720
<v Speaker 1>people with respect. Um. If you know you can't be

1:07:36.760 --> 1:07:39.000
<v Speaker 1>afraid to get in a fight. You show me a

1:07:39.040 --> 1:07:41.200
<v Speaker 1>manager that just says yes and never gets in a fight.

1:07:41.240 --> 1:07:44.640
<v Speaker 1>He's doing a shitty job, okay, because you know, saying

1:07:44.840 --> 1:07:47.440
<v Speaker 1>saying yes is easy, saying no is hard, you know,

1:07:47.720 --> 1:07:51.240
<v Speaker 1>can get you in some scrapes. Um. And and you know,

1:07:51.280 --> 1:07:53.320
<v Speaker 1>the whole thing about you know, you gotta understand, you know,

1:07:53.960 --> 1:07:56.240
<v Speaker 1>the artist is that the artist is the drawing card,

1:07:56.240 --> 1:07:57.680
<v Speaker 1>and the artist is the reason you're there and you

1:07:57.760 --> 1:07:59.520
<v Speaker 1>and you gotta like these people, and you gotta like

1:07:59.640 --> 1:08:03.240
<v Speaker 1>you to love music or you shouldn't do it. Okay.

1:08:03.360 --> 1:08:06.360
<v Speaker 1>People who don't actually know you and go by reputation,

1:08:06.400 --> 1:08:08.680
<v Speaker 1>they're not aware of the fact that you're so charming

1:08:08.760 --> 1:08:11.720
<v Speaker 1>and friendly and you get along. It's not just your personality.

1:08:12.120 --> 1:08:16.880
<v Speaker 1>Was that a strategy? Also? I don't think it's a strategy.

1:08:18.479 --> 1:08:21.639
<v Speaker 1>But listen, Hanley has this this line he uses all

1:08:21.680 --> 1:08:24.720
<v Speaker 1>the time. When it's necessary, I need you to go

1:08:24.880 --> 1:08:28.960
<v Speaker 1>seventies on him. Okay, And and and we I mean,

1:08:29.000 --> 1:08:31.040
<v Speaker 1>come on when your kids and you're you know, you're

1:08:31.040 --> 1:08:33.920
<v Speaker 1>you know, Glenn Fry was James Dean Man. I mean,

1:08:33.960 --> 1:08:36.719
<v Speaker 1>you know, it was like we were running hard and fast.

1:08:37.000 --> 1:08:39.599
<v Speaker 1>You know. I was never you know, consuming what they

1:08:39.600 --> 1:08:44.280
<v Speaker 1>were consuming. But I certainly had the punk attitude, you know. Um,

1:08:44.400 --> 1:08:47.160
<v Speaker 1>and you know, you're in Hollywood and it's an actor job.

1:08:47.200 --> 1:08:50.439
<v Speaker 1>And you know during in the seventies in Hollywood, you know,

1:08:50.520 --> 1:08:53.639
<v Speaker 1>you you know, you had you had rough characters out there,

1:08:53.640 --> 1:08:55.760
<v Speaker 1>whether it was you know, you'd sit in front of

1:08:55.760 --> 1:08:57.519
<v Speaker 1>the sitt in the trouber or at night and listened

1:08:57.560 --> 1:09:01.639
<v Speaker 1>to Albert Grossman and David Geffen scream at each other. Right. Um,

1:09:01.720 --> 1:09:04.720
<v Speaker 1>So it was you just you had to kind of

1:09:04.720 --> 1:09:09.040
<v Speaker 1>play to the to the the type cast that you

1:09:09.080 --> 1:09:11.400
<v Speaker 1>were given. You know, we're all we're in Hollywood, so

1:09:12.200 --> 1:09:17.400
<v Speaker 1>you know all that all that kind of seventies behavior

1:09:17.640 --> 1:09:20.080
<v Speaker 1>was it was one, it was an act too. It

1:09:20.120 --> 1:09:25.480
<v Speaker 1>was fun um and three it worked. Now, you notoriously

1:09:25.520 --> 1:09:27.880
<v Speaker 1>got into battles where you didn't speak to people for

1:09:27.920 --> 1:09:32.479
<v Speaker 1>a while, and then you made up what was happening there. Well,

1:09:32.520 --> 1:09:34.840
<v Speaker 1>when you put somebody in jail, they get out eventually.

1:09:36.120 --> 1:09:37.439
<v Speaker 1>I mean, I kind of it was. I looked at

1:09:37.439 --> 1:09:39.519
<v Speaker 1>it more like a hockey game. You have a fight,

1:09:39.920 --> 1:09:41.560
<v Speaker 1>the guy goes in the penalty box, and then he

1:09:41.600 --> 1:09:44.160
<v Speaker 1>gets out of the penalty box. Yeah, but you also

1:09:44.360 --> 1:09:49.040
<v Speaker 1>sent like, uh, Chuck Morris an actual buck and told

1:09:49.120 --> 1:09:53.720
<v Speaker 1>him he was out of the penalty box. Possible. Okay,

1:09:54.160 --> 1:09:57.720
<v Speaker 1>were you aware before it's released? How big and here's

1:09:57.720 --> 1:10:00.040
<v Speaker 1>how good your memory is and my memory is to

1:10:00.040 --> 1:10:01.720
<v Speaker 1>did you ever know why Chuck Morris went in the

1:10:01.760 --> 1:10:04.519
<v Speaker 1>penalty box? He did tell me, But how you're gonna

1:10:04.600 --> 1:10:06.600
<v Speaker 1>remind me? I can't whip it out. So when I

1:10:06.640 --> 1:10:09.280
<v Speaker 1>was an m c A Records, he was man as

1:10:09.360 --> 1:10:12.280
<v Speaker 1>I sold, you know, and we still had the management business,

1:10:12.400 --> 1:10:15.000
<v Speaker 1>right and you know, he was my promoter in Colorado

1:10:15.080 --> 1:10:18.120
<v Speaker 1>and other places and close close friend, and he was

1:10:18.200 --> 1:10:22.320
<v Speaker 1>managing the Dirt Band and um, the Dirt went off

1:10:22.320 --> 1:10:24.720
<v Speaker 1>of Warner and he made a deal with me for

1:10:24.760 --> 1:10:26.880
<v Speaker 1>the Dirt Band to come record for me. And it

1:10:26.920 --> 1:10:29.120
<v Speaker 1>was you know, and we were launching, really getting big

1:10:29.120 --> 1:10:32.559
<v Speaker 1>in Nashville. Um, and then he decided not to close

1:10:32.560 --> 1:10:34.240
<v Speaker 1>the deal, so I put him in the penalty box

1:10:34.280 --> 1:10:38.120
<v Speaker 1>for a while. Fair right, they went to United Artists.

1:10:38.240 --> 1:10:41.000
<v Speaker 1>It really fucked him up, just when he tells the story.

1:10:41.040 --> 1:10:42.920
<v Speaker 1>But going back, you're you know, it takes a while

1:10:42.960 --> 1:10:46.640
<v Speaker 1>to make Hotel California. Are you aware of the phenomenon

1:10:46.720 --> 1:10:50.240
<v Speaker 1>it's going to be before it comes out? Uh? We

1:10:50.360 --> 1:10:56.160
<v Speaker 1>knew it was magical. Yeah, I mean, look, you never

1:10:56.400 --> 1:11:02.240
<v Speaker 1>you never can predict that level of success. But um,

1:11:02.280 --> 1:11:05.320
<v Speaker 1>you know, he just uh, you know, I had the

1:11:06.240 --> 1:11:10.759
<v Speaker 1>good fortune to be sitting there as those songs were written,

1:11:11.439 --> 1:11:13.680
<v Speaker 1>you know, whether it was in the rented houses that

1:11:13.720 --> 1:11:17.840
<v Speaker 1>we rented or sometimes in my house. Um, and I

1:11:17.880 --> 1:11:20.200
<v Speaker 1>was there when the tracks were laid, and I was

1:11:20.240 --> 1:11:21.880
<v Speaker 1>there when the vocals were late, you know, and you

1:11:22.000 --> 1:11:26.040
<v Speaker 1>just you know, Glenn and Donnas had just hit the

1:11:26.120 --> 1:11:28.599
<v Speaker 1>hit their stride, you know. And I don't know why,

1:11:29.160 --> 1:11:32.400
<v Speaker 1>you know, these guys can't. It doesn't last thirty or

1:11:32.439 --> 1:11:35.360
<v Speaker 1>forty or fifty years, the ability to write and and

1:11:35.479 --> 1:11:38.680
<v Speaker 1>record and stay you know, ahead of it. Um, but

1:11:38.760 --> 1:11:40.920
<v Speaker 1>that you know, but they that those were you know,

1:11:41.400 --> 1:11:44.040
<v Speaker 1>but but look I would contend even all the way back.

1:11:44.120 --> 1:11:48.360
<v Speaker 1>But you know, long run hotel California on the border

1:11:48.439 --> 1:11:51.200
<v Speaker 1>were you know, and I and I thought Long Road

1:11:51.200 --> 1:11:55.000
<v Speaker 1>out of Eden were just amazing pieces of work certainly.

1:11:55.320 --> 1:11:58.000
<v Speaker 1>So ultimately you have this huge success and suddenly you're

1:11:58.000 --> 1:12:02.040
<v Speaker 1>managing everybody Steely Dan boss gags Buffet. Are these people

1:12:02.080 --> 1:12:03.960
<v Speaker 1>just calling the up say, you know, give me some

1:12:04.000 --> 1:12:05.880
<v Speaker 1>of the magic. How do you end up managing all

1:12:05.920 --> 1:12:12.200
<v Speaker 1>those people? Uh? Networking? You know, there's no two situations

1:12:12.240 --> 1:12:18.599
<v Speaker 1>that are saying, um, Jimmy Buffett, Um, I'm in the um.

1:12:18.680 --> 1:12:20.640
<v Speaker 1>You know. We had houses in Aspen, and I was

1:12:20.680 --> 1:12:22.879
<v Speaker 1>in the I was in the Jerome Bar, and Aspen

1:12:23.680 --> 1:12:26.160
<v Speaker 1>called the office and got a message that some opening

1:12:26.160 --> 1:12:29.559
<v Speaker 1>act had canceled and we were leaving the next day

1:12:29.600 --> 1:12:32.439
<v Speaker 1>to start a date in Carolina. And I looked over

1:12:32.439 --> 1:12:34.320
<v Speaker 1>and I knew Jimmy because we were both at Aspen.

1:12:34.400 --> 1:12:38.320
<v Speaker 1>He's sitting literally sitting at the bar with Hunter Thompson

1:12:39.040 --> 1:12:43.639
<v Speaker 1>at the Jerome Bar hotel, and I'm going, Jimmy's wife's

1:12:43.640 --> 1:12:46.479
<v Speaker 1>from Carolina. He's Jimmy's big and Carolina. We're starting in

1:12:46.479 --> 1:12:48.120
<v Speaker 1>the Carolina. So I went over and tapped him on

1:12:48.120 --> 1:12:51.760
<v Speaker 1>the shoulder and said, hey, he wanted he want to

1:12:51.800 --> 1:12:54.960
<v Speaker 1>come open for the Eagles on the tour and he says, yeah,

1:12:54.960 --> 1:12:56.439
<v Speaker 1>I ain't doing nothing. Of course, I said, all right,

1:12:56.439 --> 1:12:58.479
<v Speaker 1>grab your guitar and meet me at the airport. I'll

1:12:58.520 --> 1:13:00.960
<v Speaker 1>book the flights tomorrow morning. He flew together the date

1:13:01.000 --> 1:13:04.360
<v Speaker 1>and that's and he and and uh he was Uh.

1:13:04.600 --> 1:13:06.400
<v Speaker 1>He was managed by a guy in Nashville at the

1:13:06.439 --> 1:13:08.639
<v Speaker 1>time and had a record deal and was starting out

1:13:08.920 --> 1:13:11.080
<v Speaker 1>and it was kind of just getting started for him.

1:13:11.080 --> 1:13:14.880
<v Speaker 1>But things things got got way late, and one day

1:13:14.920 --> 1:13:17.479
<v Speaker 1>after he opens for the Eagles at Madison were Garden,

1:13:17.920 --> 1:13:21.599
<v Speaker 1>his wife Jane Buffett, hops in my limo and says, uh,

1:13:21.760 --> 1:13:24.120
<v Speaker 1>you're going to manage my husband. You're going to go

1:13:24.240 --> 1:13:27.840
<v Speaker 1>buy him out of this other contract and and manage Jimmy.

1:13:27.920 --> 1:13:31.280
<v Speaker 1>So that's how that kind of happens. Um. I believe

1:13:32.840 --> 1:13:38.200
<v Speaker 1>somebody at Columbia Records set me up with boss. Um.

1:13:38.240 --> 1:13:42.439
<v Speaker 1>You know, my my girl Stevie Um was just you know,

1:13:42.600 --> 1:13:45.960
<v Speaker 1>Fleetwood Mac was a mess, and she knew she wanted

1:13:46.000 --> 1:13:50.800
<v Speaker 1>to make solo records. Um. And you know, and and

1:13:50.840 --> 1:13:53.559
<v Speaker 1>we've done dates together, Eagles and Fleetwood Mac. So you

1:13:53.600 --> 1:13:55.599
<v Speaker 1>mostly meet these people out on the road, you know,

1:13:56.760 --> 1:14:00.759
<v Speaker 1>And how do you get involved with Howard Kaufman. Howard

1:14:00.920 --> 1:14:06.040
<v Speaker 1>Kaufman was he and Larry Fitzgerald were running Jimmy Garcio's

1:14:06.040 --> 1:14:09.160
<v Speaker 1>management business, and they were managing Chicago and the Beach

1:14:09.160 --> 1:14:12.840
<v Speaker 1>Boys and maybe even Billy Joel. I don't know, I

1:14:12.880 --> 1:14:17.599
<v Speaker 1>don't remember. But Howard was the kind of CFO guy,

1:14:17.640 --> 1:14:20.880
<v Speaker 1>and Larry was kind of the general manager, you know,

1:14:20.960 --> 1:14:25.080
<v Speaker 1>and Garcio as the producer. UM and I, you know,

1:14:25.160 --> 1:14:27.519
<v Speaker 1>we and I we were recording up at Cariboo, the

1:14:27.520 --> 1:14:30.639
<v Speaker 1>Eagles and stuff. I met Howard and Larry. UM. One

1:14:30.680 --> 1:14:32.640
<v Speaker 1>thing led to another, and Howard ended up you know,

1:14:32.720 --> 1:14:34.719
<v Speaker 1>and Jimmy wasn't paying those guys what they were worth.

1:14:35.360 --> 1:14:37.680
<v Speaker 1>And then Howard became a partner in the company, and

1:14:38.280 --> 1:14:41.520
<v Speaker 1>the rest is kind of history. What we were. Howard's

1:14:41.600 --> 1:14:44.280
<v Speaker 1>roles as opposed to your roles, well, he kind of

1:14:44.280 --> 1:14:46.320
<v Speaker 1>picked up the uh, you know, I was the I

1:14:46.400 --> 1:14:50.639
<v Speaker 1>was the talent artist relations guy. UM. I would help

1:14:50.800 --> 1:14:53.080
<v Speaker 1>the making of the records and the and you know

1:14:53.160 --> 1:14:55.680
<v Speaker 1>kind of route the tours and stuff. But Howard would

1:14:55.800 --> 1:14:57.560
<v Speaker 1>all the you know, all the economics. He was a

1:14:57.680 --> 1:15:02.400
<v Speaker 1>very gifted business manager. So deals, Okay, how do you

1:15:02.479 --> 1:15:05.920
<v Speaker 1>end up at M c A. How did I end

1:15:06.000 --> 1:15:09.200
<v Speaker 1>up at m c A. Uh, Well, the Eagles broke up,

1:15:09.280 --> 1:15:15.280
<v Speaker 1>Fleetwood Mac broke up Um, Steely Dan broke up Um Howard.

1:15:15.400 --> 1:15:16.960
<v Speaker 1>We used to we used to have this act. We

1:15:17.040 --> 1:15:21.240
<v Speaker 1>called me the pencil and him the eraser and uh

1:15:21.320 --> 1:15:23.920
<v Speaker 1>and Howard said, you know, no matter how much money

1:15:23.920 --> 1:15:26.080
<v Speaker 1>we've made, you know, you know, without all this income

1:15:26.080 --> 1:15:28.160
<v Speaker 1>from these other people, we have to go sign other people.

1:15:28.640 --> 1:15:31.160
<v Speaker 1>And all I know is I wake up one day

1:15:31.240 --> 1:15:36.439
<v Speaker 1>and and we'd signed sticks and the go goes. After

1:15:36.520 --> 1:15:43.000
<v Speaker 1>having the Eagles, Steely Dan and Fleetwood Mac, Um and uh,

1:15:43.600 --> 1:15:48.479
<v Speaker 1>somehow fell into UM this movie FM that I had

1:15:48.520 --> 1:15:51.719
<v Speaker 1>made it at Universal, where I took my name off

1:15:51.760 --> 1:15:54.240
<v Speaker 1>because they had the right to take my name off

1:15:54.280 --> 1:15:56.600
<v Speaker 1>if I didn't like the movie, which they thought was hilarious.

1:15:56.680 --> 1:15:59.200
<v Speaker 1>That I negotiated that right. So I did the soundtrack,

1:15:59.240 --> 1:16:01.599
<v Speaker 1>which was very sick ccessful, and I took my name

1:16:01.640 --> 1:16:04.479
<v Speaker 1>off the movie because I didn't like the movie, which

1:16:04.520 --> 1:16:06.519
<v Speaker 1>they thought was fucking ridiculous. So I get a call

1:16:06.600 --> 1:16:10.320
<v Speaker 1>one day from the UM and then UM. They had

1:16:10.320 --> 1:16:13.280
<v Speaker 1>a guy running MCRE Records named Gene Frolick. And in

1:16:13.280 --> 1:16:18.760
<v Speaker 1>those days, I think records were maybe I think they

1:16:18.760 --> 1:16:20.760
<v Speaker 1>were that expensive yet, but okay, I think there were

1:16:20.760 --> 1:16:25.559
<v Speaker 1>still si whatever. Frolick decided that Gaucho by Steely Dan,

1:16:26.120 --> 1:16:29.200
<v Speaker 1>which was the last album they owed m c A, uh,

1:16:29.479 --> 1:16:33.840
<v Speaker 1>should be it was a dollar or two whatever, dollar

1:16:33.920 --> 1:16:38.240
<v Speaker 1>or two dollars more. Um, So Fagan and Becker and I,

1:16:38.240 --> 1:16:41.559
<v Speaker 1>I said, listen, I've got a perfect way to let

1:16:41.560 --> 1:16:44.120
<v Speaker 1>the public know that that we are not off, you know,

1:16:44.160 --> 1:16:48.720
<v Speaker 1>that we're unhappy that they're charging this money. So I

1:16:48.720 --> 1:16:51.320
<v Speaker 1>heard Mickey Rewden, who was this who was Frank Sinatra's

1:16:51.360 --> 1:16:53.800
<v Speaker 1>lawyer in this high powered you know, on Steve Ross

1:16:53.800 --> 1:16:56.560
<v Speaker 1>at Warner's Layer, and I had him sue m c

1:16:56.760 --> 1:16:59.640
<v Speaker 1>A on the grounds that we wanted out of our

1:16:59.680 --> 1:17:03.719
<v Speaker 1>country because um, they're not a proper record label, because

1:17:03.760 --> 1:17:08.839
<v Speaker 1>no record labels stupid enough to charge record And actually

1:17:09.200 --> 1:17:13.000
<v Speaker 1>then they of course had to file for um summary

1:17:13.080 --> 1:17:15.720
<v Speaker 1>judgment to get the case dropped, and we actually took

1:17:15.720 --> 1:17:20.000
<v Speaker 1>Sheinberg's deposition and stuff. It was fucking hilarious, and Sheinberg

1:17:20.000 --> 1:17:22.439
<v Speaker 1>thought that this was the greatest stunt ever. And of

1:17:22.439 --> 1:17:25.519
<v Speaker 1>course we lost, and the album came out and did fine.

1:17:25.920 --> 1:17:27.840
<v Speaker 1>But then I get this call from them one day

1:17:28.000 --> 1:17:29.559
<v Speaker 1>and I was, I don't know, it must have been

1:17:30.080 --> 1:17:35.560
<v Speaker 1>I can tell exactly. I was thirty five and they said, UM,

1:17:35.680 --> 1:17:38.400
<v Speaker 1>why don't you come be on our board and run

1:17:38.439 --> 1:17:42.479
<v Speaker 1>the record company? And you know, I wasn't having any

1:17:42.479 --> 1:17:44.360
<v Speaker 1>fun right then, and I and I turned it down

1:17:44.360 --> 1:17:50.160
<v Speaker 1>a couple of times, and they kept coming back to me. UM.

1:17:50.280 --> 1:17:54.960
<v Speaker 1>And I remember Shelley and I were at Caesar's Palace

1:17:55.000 --> 1:17:57.360
<v Speaker 1>in Las Vegas. They used to have this big tennis

1:17:57.400 --> 1:18:01.559
<v Speaker 1>tournament down there, UM, and we went down with our fringe,

1:18:01.600 --> 1:18:06.479
<v Speaker 1>John McEnroe UM, and he was so and and at

1:18:06.520 --> 1:18:08.040
<v Speaker 1>the time I was playing a lot of tennis and

1:18:08.080 --> 1:18:10.479
<v Speaker 1>stuff and and so he was. He was down there.

1:18:10.520 --> 1:18:13.080
<v Speaker 1>We were hanging out with John macarro and Bjorn Borg

1:18:13.240 --> 1:18:15.760
<v Speaker 1>and you know, they were doing naughty things and it

1:18:15.840 --> 1:18:18.800
<v Speaker 1>was just just really fun. And I remember Shelley come

1:18:18.800 --> 1:18:20.719
<v Speaker 1>in and get me, says, Steaming Knix is on the phone.

1:18:20.800 --> 1:18:23.320
<v Speaker 1>She's crying blah blah blah blah blah blah blah. So

1:18:23.560 --> 1:18:25.479
<v Speaker 1>I get I picked up the phone and Stevie says

1:18:25.520 --> 1:18:31.439
<v Speaker 1>to me, Um, she was signing her solo deal to UH,

1:18:31.720 --> 1:18:38.200
<v Speaker 1>Danny Goldberg and UH and Paul on Modern Records, and

1:18:38.240 --> 1:18:40.840
<v Speaker 1>she says, they say, you're being so mean to them,

1:18:40.840 --> 1:18:43.160
<v Speaker 1>and you're charging them too much money, and you're gonna

1:18:43.479 --> 1:18:46.920
<v Speaker 1>they can't afford to pay for me what you want, etcetera, etcetera, etcetera,

1:18:47.000 --> 1:18:50.280
<v Speaker 1>cter and and you know, and I just kind of

1:18:50.280 --> 1:18:51.760
<v Speaker 1>threw up my hands. I said, Shell, you know what,

1:18:52.240 --> 1:18:54.800
<v Speaker 1>that's a signal maybe I'm maybe I should just go

1:18:54.880 --> 1:18:57.880
<v Speaker 1>do this right so I, you know, and then one

1:18:57.880 --> 1:18:59.599
<v Speaker 1>thing lent to another, so I agreed to do it,

1:18:59.720 --> 1:19:02.360
<v Speaker 1>Like I felt like, I've done interviews where I called

1:19:02.400 --> 1:19:06.080
<v Speaker 1>him the music Cemetery of America, which Lew Wasserman said

1:19:06.120 --> 1:19:08.920
<v Speaker 1>Chibrick thought was hilarious. And I had called him that

1:19:09.000 --> 1:19:11.080
<v Speaker 1>joke of that joke of a record company in the

1:19:11.160 --> 1:19:14.080
<v Speaker 1>valley nobody wants to sign with. And I kind of

1:19:14.120 --> 1:19:16.720
<v Speaker 1>figured there was nowhere to go but up. Yeah, the

1:19:16.800 --> 1:19:19.960
<v Speaker 1>label is essentially moribund. They had this act I took.

1:19:20.040 --> 1:19:23.839
<v Speaker 1>I took all the album covers of the current artists,

1:19:24.160 --> 1:19:26.639
<v Speaker 1>and there's this there was this big long haul down

1:19:26.680 --> 1:19:29.000
<v Speaker 1>at the in the quarter and in the offices, put

1:19:29.080 --> 1:19:31.280
<v Speaker 1>them all up on the on the wall and and

1:19:31.320 --> 1:19:33.720
<v Speaker 1>I and I made I mad, made all the new

1:19:33.760 --> 1:19:36.000
<v Speaker 1>employees work. I said, this is the walk of shame,

1:19:37.320 --> 1:19:39.360
<v Speaker 1>she said we would, And then one by one we

1:19:39.439 --> 1:19:42.040
<v Speaker 1>dropped every act on the roster. Now suddenly you're on

1:19:42.080 --> 1:19:44.120
<v Speaker 1>the other side. You're on the buying as opposed to

1:19:44.200 --> 1:19:48.880
<v Speaker 1>the selling. Yeah, okay, And there was nothing there and

1:19:48.920 --> 1:19:51.240
<v Speaker 1>it was the worst label in the business. How did

1:19:51.280 --> 1:19:56.120
<v Speaker 1>you build it? Uh? Well, I made some mistakes. Uh.

1:19:56.240 --> 1:19:59.439
<v Speaker 1>I bought a jone Jet record she was free after

1:19:59.479 --> 1:20:03.120
<v Speaker 1>her big record on Casablanca. I bought a beat. I

1:20:03.160 --> 1:20:06.599
<v Speaker 1>bought a Barry Gibbs solo record that stiffed. I bought

1:20:06.600 --> 1:20:10.479
<v Speaker 1>a jone Jet record that's stiffed. I bought a Brian

1:20:10.479 --> 1:20:14.599
<v Speaker 1>Wilson solo record that's stiffed. But I love, but I love,

1:20:15.280 --> 1:20:18.320
<v Speaker 1>but I loved all. I loved two of the three. Um.

1:20:18.360 --> 1:20:23.040
<v Speaker 1>But I also started a label within a label, you know,

1:20:23.080 --> 1:20:26.200
<v Speaker 1>in in the black music department, and Clarence Avon helped

1:20:26.200 --> 1:20:31.200
<v Speaker 1>me hire Gerald Busby and Little Silas, both of whom

1:20:31.200 --> 1:20:34.040
<v Speaker 1>are no longer with us. UM And we built a

1:20:34.120 --> 1:20:36.479
<v Speaker 1>label within a label. In those days, you'd have like

1:20:36.600 --> 1:20:39.720
<v Speaker 1>kind of a white head of the of your music division.

1:20:40.439 --> 1:20:41.960
<v Speaker 1>Then it would report in you know, there'll be a

1:20:42.000 --> 1:20:44.840
<v Speaker 1>senior VP Black Music that was a white guy, right,

1:20:45.240 --> 1:20:48.559
<v Speaker 1>and I made Gerald president of Black Music, and you know,

1:20:48.560 --> 1:20:50.559
<v Speaker 1>and and I looked, I just let those guys go.

1:20:50.800 --> 1:20:52.599
<v Speaker 1>You know, I helped them sign, you know, when they

1:20:52.600 --> 1:20:54.760
<v Speaker 1>walk baby Face in l A and I convinced him

1:20:54.760 --> 1:20:56.759
<v Speaker 1>to sign, when they walked Teddy Riley, and I convinced

1:20:56.840 --> 1:21:00.360
<v Speaker 1>him to sign. Um, we still knew it. We stole

1:21:00.320 --> 1:21:02.280
<v Speaker 1>a new addition out from under Clive. He had a

1:21:02.320 --> 1:21:05.000
<v Speaker 1>contract issue and we got there the last minute and

1:21:05.040 --> 1:21:07.120
<v Speaker 1>overpaid and got him. And then I did the same

1:21:07.160 --> 1:21:10.680
<v Speaker 1>thing in Nashville with Jimmy Bowen and uh and uh

1:21:10.680 --> 1:21:15.559
<v Speaker 1>other people where we started a country division, um you know,

1:21:15.600 --> 1:21:19.040
<v Speaker 1>which became a you know, so basically the country and

1:21:19.080 --> 1:21:22.240
<v Speaker 1>the black music divisions made us made our day. And

1:21:22.280 --> 1:21:26.080
<v Speaker 1>then we bought Motown. So would you learn running a

1:21:26.160 --> 1:21:31.320
<v Speaker 1>label as opposed to being a manager? Um, you know,

1:21:32.920 --> 1:21:34.960
<v Speaker 1>I didn't like ever having to be on the other

1:21:35.000 --> 1:21:39.360
<v Speaker 1>side of the talent table. This is kind of why

1:21:39.360 --> 1:21:45.840
<v Speaker 1>I went back there. Okay, then it becomes an amazing operation.

1:21:45.960 --> 1:21:48.880
<v Speaker 1>You leave, you form giant you have you know, you

1:21:48.960 --> 1:21:53.160
<v Speaker 1>keep selling your company. And you were not as big

1:21:53.200 --> 1:21:56.040
<v Speaker 1>then as you were previously and as you are now

1:21:56.160 --> 1:21:58.240
<v Speaker 1>what what was going through your mind in those days

1:21:58.240 --> 1:22:05.479
<v Speaker 1>in the nineties. Um, well the giant things started out okay, um,

1:22:05.520 --> 1:22:08.599
<v Speaker 1>but it never exploded. You know, I kind of did

1:22:08.600 --> 1:22:10.439
<v Speaker 1>the same stuff I'd done there, and you know, started

1:22:10.520 --> 1:22:14.840
<v Speaker 1>country division, started a black music division, the whole thing that.

1:22:14.960 --> 1:22:18.360
<v Speaker 1>You know, it's hard to build from scratch um in

1:22:18.400 --> 1:22:22.080
<v Speaker 1>those days. Um. And so when the so we put

1:22:22.080 --> 1:22:24.559
<v Speaker 1>the Eagles back together and signed journeys, So I said,

1:22:25.160 --> 1:22:26.720
<v Speaker 1>I'm out of here. So I still you know, so

1:22:26.880 --> 1:22:29.200
<v Speaker 1>Roger Eames was at Warners at the time, So I

1:22:29.240 --> 1:22:33.960
<v Speaker 1>sold the label. UM. And by the way, still even

1:22:34.000 --> 1:22:37.120
<v Speaker 1>with a I don't want to call it unsuccessful, but

1:22:37.200 --> 1:22:41.599
<v Speaker 1>a not major asset, still got paid more money than

1:22:41.640 --> 1:22:44.160
<v Speaker 1>I would have had, you know, salary for working you know,

1:22:44.200 --> 1:22:47.599
<v Speaker 1>the salary I would have made staying at Universal. UM.

1:22:47.640 --> 1:22:49.439
<v Speaker 1>So it's still worked out, okay. And then I then,

1:22:49.479 --> 1:22:51.760
<v Speaker 1>you know, then I went back in the you know,

1:22:51.920 --> 1:22:53.920
<v Speaker 1>that's when I go back in the management business. And

1:22:53.960 --> 1:22:56.439
<v Speaker 1>then shortly after that, you know, kind of promoting a

1:22:56.439 --> 1:22:59.200
<v Speaker 1>little bit of everything. I have no attention span, and

1:22:59.360 --> 1:23:01.800
<v Speaker 1>you know, and I know enough to know that you

1:23:01.840 --> 1:23:04.000
<v Speaker 1>can do more for your artists if you have more

1:23:04.040 --> 1:23:07.640
<v Speaker 1>cloud than just managing artists and you can and you

1:23:07.680 --> 1:23:11.280
<v Speaker 1>really need the platform and more than just a management business.

1:23:11.680 --> 1:23:14.280
<v Speaker 1>You know, guys like Corn Capshaw. I've learned that really. Well,

1:23:16.000 --> 1:23:19.000
<v Speaker 1>so what did you then get with the universe merging

1:23:19.160 --> 1:23:23.080
<v Speaker 1>part of front Line with different companies? Well, we're what

1:23:23.160 --> 1:23:25.840
<v Speaker 1>was the strategy and all that? Now, that was that

1:23:26.000 --> 1:23:27.760
<v Speaker 1>you know that the front Line roll up with the

1:23:27.800 --> 1:23:30.719
<v Speaker 1>strategy was to fight the consolidation of what was clear

1:23:30.800 --> 1:23:34.439
<v Speaker 1>Channel and and and those guys at that point, okay,

1:23:34.600 --> 1:23:36.400
<v Speaker 1>you know, and then one and then you know, and

1:23:36.439 --> 1:23:39.360
<v Speaker 1>then uh then it just keeps growing, you know, and

1:23:40.080 --> 1:23:44.719
<v Speaker 1>then h um, and then the Ticketmaster opportunity came around.

1:23:44.760 --> 1:23:47.240
<v Speaker 1>I had one or two choices. I'd gotten the seed,

1:23:47.479 --> 1:23:49.080
<v Speaker 1>you know, when I got ready to merge with a

1:23:49.080 --> 1:23:51.719
<v Speaker 1>bunch of these other managers, we were we were all.

1:23:51.760 --> 1:23:54.120
<v Speaker 1>I had this theory we'd all keep half our commissions

1:23:54.160 --> 1:23:56.200
<v Speaker 1>and then the other half commissions we'd put in the pot.

1:23:56.600 --> 1:23:59.720
<v Speaker 1>So it's kind of we'd all have incentive to take

1:23:59.760 --> 1:24:01.600
<v Speaker 1>care our own acts, but also to look out for

1:24:01.600 --> 1:24:04.240
<v Speaker 1>our partners. And then when it came time to close,

1:24:04.880 --> 1:24:07.559
<v Speaker 1>you know, we had they're like four of us. Everybody was, well,

1:24:07.560 --> 1:24:10.600
<v Speaker 1>where's our check? Right? And nobody wanted to put the

1:24:10.600 --> 1:24:14.920
<v Speaker 1>half in the pot. They wanted me to buy that half. So, UM,

1:24:14.960 --> 1:24:17.519
<v Speaker 1>I knew this guy named Scott Spurling who had been

1:24:17.720 --> 1:24:20.160
<v Speaker 1>who was a Thomas Lee which is now thh Le

1:24:20.280 --> 1:24:22.519
<v Speaker 1>in Boston. I knew him because he was the student

1:24:22.560 --> 1:24:24.559
<v Speaker 1>buyer and went to went to school with my brother

1:24:24.600 --> 1:24:28.479
<v Speaker 1>at Purdue University, and just he calls me up one

1:24:28.520 --> 1:24:32.080
<v Speaker 1>day and says, hey, I'm gonna buy Warner Music. Uh,

1:24:32.120 --> 1:24:34.280
<v Speaker 1>and I'm gonna put this guy, Jeff Quaton's in charge

1:24:34.320 --> 1:24:36.840
<v Speaker 1>to run it. Can you consult us and help us

1:24:36.960 --> 1:24:40.240
<v Speaker 1>get this deal done? And I went to Scott, first

1:24:40.280 --> 1:24:42.880
<v Speaker 1>of all, you're not buying Warner Music. They're gonna use

1:24:42.920 --> 1:24:46.480
<v Speaker 1>you as a stocking horse. And Celty am I, okay too,

1:24:47.000 --> 1:24:50.320
<v Speaker 1>You're not putting Jeff Quaton it's in charge of anything, okay.

1:24:50.640 --> 1:24:54.120
<v Speaker 1>And so one thing led to another. Um, and of

1:24:54.160 --> 1:24:57.679
<v Speaker 1>course they did buy Warner Music. Um. And he came

1:24:57.720 --> 1:25:00.519
<v Speaker 1>back to me and said, how about and I and

1:25:00.560 --> 1:25:02.360
<v Speaker 1>I and we were friends, and I told him I

1:25:02.720 --> 1:25:05.080
<v Speaker 1>know how all these you know, I wanted to emerge

1:25:05.080 --> 1:25:08.360
<v Speaker 1>all these management businesses. He said, merge all the management

1:25:08.360 --> 1:25:11.280
<v Speaker 1>businesses and then we'll merge it with Warner Music, right.

1:25:11.880 --> 1:25:14.880
<v Speaker 1>And then when they when everybody said, oh, we need money,

1:25:15.200 --> 1:25:17.720
<v Speaker 1>Scott came back to me and said, I'll put up

1:25:17.720 --> 1:25:20.920
<v Speaker 1>the money, right. And so Scott and I, you know,

1:25:21.000 --> 1:25:23.200
<v Speaker 1>th H D and I went in business to buy

1:25:23.320 --> 1:25:26.840
<v Speaker 1>all these managers together. And then he comes and then

1:25:26.880 --> 1:25:29.720
<v Speaker 1>he has Edgar Brockt been running Warner etcetera, etcetera. And

1:25:29.760 --> 1:25:31.599
<v Speaker 1>then when the time and then he comes and says,

1:25:31.600 --> 1:25:34.320
<v Speaker 1>we want to emerge. You change Warner Music into a

1:25:34.360 --> 1:25:38.640
<v Speaker 1>different model. We're doing terrible right, uh, And we we

1:25:38.760 --> 1:25:42.200
<v Speaker 1>have the deal done. And I think it was own

1:25:42.280 --> 1:25:45.360
<v Speaker 1>a guy that owned timber Cent Providence owned timber Center

1:25:45.400 --> 1:25:48.200
<v Speaker 1>Warner at the time, this guy Jonathan Nelson, who is

1:25:48.240 --> 1:25:51.000
<v Speaker 1>a really nice guy. But Jonathan said it wasn't fair

1:25:51.560 --> 1:25:54.360
<v Speaker 1>for th H Lee to make a profit when they

1:25:54.439 --> 1:25:59.040
<v Speaker 1>sold Frontline Management and merged it with Warner, so he

1:25:59.080 --> 1:26:02.960
<v Speaker 1>wanted Scott to scourge his profit to the partners. And

1:26:03.000 --> 1:26:05.360
<v Speaker 1>Scott said, I'm not going to do that. And while

1:26:05.400 --> 1:26:10.200
<v Speaker 1>that was going on, Barry Diller showed up and said, um,

1:26:10.280 --> 1:26:12.880
<v Speaker 1>I'll you know, merge with Ticketmaster. I'll pay you more.

1:26:13.439 --> 1:26:16.720
<v Speaker 1>And Scott said, take their check and and and we

1:26:16.800 --> 1:26:19.600
<v Speaker 1>and We basically thought in those days, you know, the

1:26:19.640 --> 1:26:22.960
<v Speaker 1>record business was in the toilet, and we kind of felt,

1:26:23.000 --> 1:26:25.200
<v Speaker 1>all of us, felt, all our managers, that we sat down,

1:26:25.240 --> 1:26:29.000
<v Speaker 1>we all felt that UM, controlling Ticketmaster and putting us

1:26:29.000 --> 1:26:30.679
<v Speaker 1>in the life side of the business was a better

1:26:30.720 --> 1:26:34.080
<v Speaker 1>idea than merging with the record label. But you a

1:26:34.080 --> 1:26:36.439
<v Speaker 1>little bit get in the den of the wolf there

1:26:36.520 --> 1:26:43.080
<v Speaker 1>with Barry Diller. Um. Yeah, Barry's a strong personality, a

1:26:43.120 --> 1:26:47.640
<v Speaker 1>brilliant guy. He's made billions and billions and billions. But um,

1:26:47.760 --> 1:26:51.599
<v Speaker 1>I was a you know, my job because he you know,

1:26:51.640 --> 1:26:55.840
<v Speaker 1>he had screwed Ticketmaster up so bad. Um. Their deal

1:26:55.960 --> 1:26:59.080
<v Speaker 1>was expiring with both a G and Live Nation. So

1:26:59.160 --> 1:27:02.479
<v Speaker 1>it's clear, you know, right after I got there that

1:27:02.560 --> 1:27:04.680
<v Speaker 1>we had to do a deal with one of them.

1:27:04.720 --> 1:27:08.080
<v Speaker 1>So my my that you know, my deal of choice

1:27:08.160 --> 1:27:11.519
<v Speaker 1>was a G because my friend Tim was there. Um.

1:27:11.840 --> 1:27:16.240
<v Speaker 1>So the truth is that we had a handshake UM

1:27:17.040 --> 1:27:21.280
<v Speaker 1>to UM do a new long term deal with a G.

1:27:21.479 --> 1:27:24.759
<v Speaker 1>A G I think was getting like a fIF steak

1:27:24.840 --> 1:27:29.000
<v Speaker 1>in Ticketmaster and return for a long term ticketing deal. Um.

1:27:29.040 --> 1:27:33.719
<v Speaker 1>And then uh, Phil Lanchitz and Barry Um I couldn't

1:27:33.720 --> 1:27:36.640
<v Speaker 1>get along and the deal fell apart. So then I

1:27:36.680 --> 1:27:39.880
<v Speaker 1>went and made the Live Nation deal and lived happily

1:27:39.920 --> 1:27:45.520
<v Speaker 1>ever after. Yeah, so what kind of plane do you have? Now? Um?

1:27:45.640 --> 1:27:47.320
<v Speaker 1>What kind of plane? I don't have any plane. My

1:27:47.360 --> 1:27:49.560
<v Speaker 1>wife has a plane? What kind of what? Shelley, what

1:27:49.640 --> 1:27:52.160
<v Speaker 1>kind of plane does she have? She has? She has

1:27:52.200 --> 1:27:57.320
<v Speaker 1>a she has a humble airplane. We fly private. Okay,

1:27:57.400 --> 1:28:00.759
<v Speaker 1>it ain't that humble because you upgraded. So you upgraded

1:28:00.800 --> 1:28:03.840
<v Speaker 1>from something not so humble to something a little less humble.

1:28:04.560 --> 1:28:07.320
<v Speaker 1>So you don't want to mention the model the maker. No,

1:28:07.600 --> 1:28:12.320
<v Speaker 1>it's not important. Okay. Many people will say economically, it

1:28:12.360 --> 1:28:16.200
<v Speaker 1>doesn't pay to have your own plane, just use net chet.

1:28:16.400 --> 1:28:20.680
<v Speaker 1>What's the thinking there? Um? Look, and a lot a

1:28:20.680 --> 1:28:23.960
<v Speaker 1>lot of plants. Clients have planes and stuff too. Um.

1:28:24.080 --> 1:28:26.840
<v Speaker 1>First of all, I think the plane is a is

1:28:26.880 --> 1:28:29.400
<v Speaker 1>a great luxury, but it's also you know, I could

1:28:29.479 --> 1:28:32.160
<v Speaker 1>I used to pre pandemic. I'm doing it again. You

1:28:32.240 --> 1:28:35.120
<v Speaker 1>save up six seven stops and you go out, and

1:28:35.200 --> 1:28:37.320
<v Speaker 1>you know you can go out and get done in

1:28:37.360 --> 1:28:39.120
<v Speaker 1>three days. It would take you ten days if you

1:28:39.240 --> 1:28:42.960
<v Speaker 1>find commercial city to city. But that that notwithstanding, the

1:28:43.080 --> 1:28:45.040
<v Speaker 1>rule of thumb is if you're flying two hundred fifty

1:28:45.040 --> 1:28:47.880
<v Speaker 1>hours a year or more as an entertainer and executive.

1:28:48.560 --> 1:28:52.040
<v Speaker 1>Uh in in in a in a fractional jet. You

1:28:52.080 --> 1:28:56.040
<v Speaker 1>should you're better off owning your own plane. Okay, So

1:28:57.040 --> 1:29:04.920
<v Speaker 1>what's your take on YouTube now? Um? You know they've

1:29:05.000 --> 1:29:11.800
<v Speaker 1>just they still pay so little per per stream or

1:29:11.840 --> 1:29:15.800
<v Speaker 1>per whatever you want to say, user or whatever. Um.

1:29:15.880 --> 1:29:19.160
<v Speaker 1>I think they're shocked that they're now getting another so

1:29:19.200 --> 1:29:23.840
<v Speaker 1>many subscribers they're signing up for the pay service. Um,

1:29:23.880 --> 1:29:26.599
<v Speaker 1>but it's you know, it's it's you know, they they're

1:29:26.600 --> 1:29:29.400
<v Speaker 1>saying they paid four billion or whatever. You know, I've

1:29:29.400 --> 1:29:32.639
<v Speaker 1>got analysis being done. It's not as rosy as it looks.

1:29:32.920 --> 1:29:35.800
<v Speaker 1>But it's not as bad as it was. So you

1:29:35.840 --> 1:29:38.280
<v Speaker 1>know they get a they get a C minus for

1:29:38.400 --> 1:29:41.240
<v Speaker 1>me instead of an F these days. Um, but it's

1:29:41.240 --> 1:29:44.439
<v Speaker 1>getting better, it is getting better. What what will make

1:29:44.479 --> 1:29:46.599
<v Speaker 1>it get better? What would you like to see happen there?

1:29:46.600 --> 1:29:49.600
<v Speaker 1>You see is going to happen? Well, I contend with

1:29:49.640 --> 1:29:52.320
<v Speaker 1>a company like YouTube, where they say YouTube wasn't making

1:29:52.360 --> 1:29:55.000
<v Speaker 1>any money. When the worth of your company goes from

1:29:55.040 --> 1:29:57.280
<v Speaker 1>a hundred million to a trillion five or whatever it

1:29:57.320 --> 1:30:00.439
<v Speaker 1>goes to that you made money, there's different. There's two

1:30:00.439 --> 1:30:04.040
<v Speaker 1>ways to make money, cash and and the valuation of

1:30:04.120 --> 1:30:07.519
<v Speaker 1>you of your business. Their valuation of their business based

1:30:07.520 --> 1:30:10.160
<v Speaker 1>on YouTube was went way up, you know, and and

1:30:10.400 --> 1:30:12.639
<v Speaker 1>you know they and they got uh, they got into

1:30:12.720 --> 1:30:15.000
<v Speaker 1>bed with the labels or you know, the labels are

1:30:15.000 --> 1:30:17.280
<v Speaker 1>getting paid a bunch of money that isn't being shared

1:30:17.320 --> 1:30:21.439
<v Speaker 1>with artists and producers. You know, Oh, YouTube is promotional, okay,

1:30:21.479 --> 1:30:23.360
<v Speaker 1>so you don't have to pay a royalty on it,

1:30:23.600 --> 1:30:25.040
<v Speaker 1>you know, and then they pay the labels all this

1:30:25.120 --> 1:30:27.960
<v Speaker 1>flat money, and then you know, it's a look, it's

1:30:27.960 --> 1:30:32.679
<v Speaker 1>a big fight, you know. The it's uh, we're never

1:30:32.720 --> 1:30:35.960
<v Speaker 1>going to get a fair division between you know, creative

1:30:36.439 --> 1:30:39.559
<v Speaker 1>and whether it's YouTube or you know, or one of

1:30:39.600 --> 1:30:42.200
<v Speaker 1>the labels or or somebody. But we can get closer

1:30:42.240 --> 1:30:46.320
<v Speaker 1>to the middle. And of the varying streaming companies left

1:30:46.400 --> 1:30:52.160
<v Speaker 1>really three big ones, Apple, Amazon, Spotify. Do those maintain

1:30:52.280 --> 1:30:55.559
<v Speaker 1>their you know independence? Is there a merger there? How

1:30:55.560 --> 1:30:59.280
<v Speaker 1>do you see that? There's no there's no merger there.

1:30:59.320 --> 1:31:02.000
<v Speaker 1>You know, the personal regulators wouldn't allow it. There's no

1:31:02.120 --> 1:31:05.200
<v Speaker 1>fit there, and they have different business plans. Amazon, you

1:31:05.200 --> 1:31:08.839
<v Speaker 1>know is you know, Amazon Prime is about getting loyalty

1:31:08.880 --> 1:31:11.880
<v Speaker 1>from customers to their other business and they use music

1:31:11.960 --> 1:31:15.240
<v Speaker 1>and movies and streaming for all of that. You know

1:31:15.760 --> 1:31:19.000
<v Speaker 1>at you know Apple, Yes it's a services company, but

1:31:19.040 --> 1:31:22.679
<v Speaker 1>it's also um you know, hardware. But you know Apple

1:31:22.760 --> 1:31:25.040
<v Speaker 1>is the only company that you know doesn't give anything.

1:31:25.200 --> 1:31:27.400
<v Speaker 1>You know, they don't do any free okay, all right?

1:31:27.400 --> 1:31:30.200
<v Speaker 1>And Spotify I think needs to do free for their

1:31:30.240 --> 1:31:32.640
<v Speaker 1>business model. But you know, you know, you need a

1:31:32.680 --> 1:31:36.960
<v Speaker 1>healthy Spotify because you know they're in one line of business.

1:31:37.000 --> 1:31:40.559
<v Speaker 1>Amazon and Apple have other businesses. Um. So I think

1:31:40.560 --> 1:31:44.720
<v Speaker 1>there's a nice balance now between the three. And from

1:31:44.760 --> 1:31:47.080
<v Speaker 1>where you sit, you know, there's all this scuttle but

1:31:47.280 --> 1:31:51.120
<v Speaker 1>about streaming payments, I'm talking about paid services. What's your

1:31:51.160 --> 1:31:55.880
<v Speaker 1>viewpoint on that? Um? The services are paying a fair

1:31:55.920 --> 1:32:01.920
<v Speaker 1>amount to for I p so, but I don't agree.

1:32:01.960 --> 1:32:05.960
<v Speaker 1>I don't agree with how it's divided, okay, meaning you

1:32:06.000 --> 1:32:08.000
<v Speaker 1>know it's being used, you know, for a kid using

1:32:08.000 --> 1:32:10.479
<v Speaker 1>it as a radio station and punching the button thirty

1:32:10.479 --> 1:32:13.519
<v Speaker 1>five times while I'm at work, right and you know

1:32:13.560 --> 1:32:16.280
<v Speaker 1>that record that he's punching thirty five times getting paid

1:32:16.280 --> 1:32:19.000
<v Speaker 1>thirty five times. I've paid the same amount of money

1:32:19.000 --> 1:32:20.360
<v Speaker 1>I work and then I come moment at night and

1:32:20.400 --> 1:32:23.479
<v Speaker 1>listen to four tracks you know, my you know, but

1:32:23.840 --> 1:32:27.559
<v Speaker 1>my four tracks you know whoever those were don't get paid.

1:32:28.120 --> 1:32:30.320
<v Speaker 1>What the you know what the one wrecked one new

1:32:30.720 --> 1:32:33.800
<v Speaker 1>you know record that came out that the kids hit

1:32:33.840 --> 1:32:37.280
<v Speaker 1>played thirty five times during the day, So you know,

1:32:37.280 --> 1:32:39.880
<v Speaker 1>I think it should be by the user, not not

1:32:40.040 --> 1:32:43.679
<v Speaker 1>by the you know, not by the Okay, So now

1:32:43.720 --> 1:32:47.880
<v Speaker 1>you're in the publishing business. Most people believe the streaming

1:32:47.960 --> 1:32:52.519
<v Speaker 1>pive publishing gets uh too lower percentage. Do you agree

1:32:52.520 --> 1:32:54.759
<v Speaker 1>with that? Do you think? You know, there's some government

1:32:54.800 --> 1:32:59.800
<v Speaker 1>regulations spotify for them. What's the future of publishing payments on?

1:33:01.200 --> 1:33:05.680
<v Speaker 1>The general consensus amongst the artist groups is that the

1:33:05.880 --> 1:33:09.040
<v Speaker 1>labels got too big a pie in the streaming versus

1:33:09.080 --> 1:33:13.799
<v Speaker 1>the publishers. Now Universal, Sony and Warner owned huge publishing companies,

1:33:14.080 --> 1:33:17.800
<v Speaker 1>so they're getting this you know, but yeah, you know,

1:33:18.080 --> 1:33:19.960
<v Speaker 1>but but but you know, so the argument that you

1:33:19.960 --> 1:33:24.559
<v Speaker 1>would hear from publishers and writers is that, yeah, but

1:33:24.840 --> 1:33:27.160
<v Speaker 1>you know, they have a lot of administration deals and stuff.

1:33:27.200 --> 1:33:29.479
<v Speaker 1>So when a dollar goes to the record company, the

1:33:29.560 --> 1:33:31.120
<v Speaker 1>label keeps a lot more of it than when a

1:33:31.160 --> 1:33:33.760
<v Speaker 1>dollar goes to their publishing company. I don't think they

1:33:33.760 --> 1:33:37.240
<v Speaker 1>sat down and figured that out. Traditionally, labels in our

1:33:37.280 --> 1:33:40.839
<v Speaker 1>business took the artist development process and the marketing costs,

1:33:41.080 --> 1:33:44.680
<v Speaker 1>and publishers, you know, got less per record because they

1:33:44.680 --> 1:33:47.719
<v Speaker 1>took less risk. They paid writer advances, but they didn't

1:33:47.720 --> 1:33:51.280
<v Speaker 1>have marketing costs. They didn't have manufacturing costs. You know, now,

1:33:51.360 --> 1:33:55.280
<v Speaker 1>of course nobody has manufacturing costs. But there's just traditions.

1:33:55.280 --> 1:33:58.479
<v Speaker 1>And I think that's why publishers got less than they

1:33:58.600 --> 1:34:02.000
<v Speaker 1>than they you know that that that then they should

1:34:02.040 --> 1:34:05.479
<v Speaker 1>have gotten. Yeah, is there an imbalance? He isn't gonna

1:34:05.520 --> 1:34:10.200
<v Speaker 1>get fixed. I doubt it. Okay, Now the big action

1:34:10.280 --> 1:34:14.120
<v Speaker 1>in the last couple of years is third party money.

1:34:14.280 --> 1:34:18.000
<v Speaker 1>Scooter Braun took a huge check, he went through changes,

1:34:18.080 --> 1:34:21.920
<v Speaker 1>ultimately sold out to the Koreans. We have Mercuriotis, we

1:34:21.960 --> 1:34:24.519
<v Speaker 1>have Primary Wave. Is this all a good thing or

1:34:24.640 --> 1:34:29.040
<v Speaker 1>not good thing? Um? Look the you know, look the

1:34:29.400 --> 1:34:36.160
<v Speaker 1>great thing about um capitalism in general, UM is you know,

1:34:37.360 --> 1:34:41.680
<v Speaker 1>everybody's got a chance to go invent and do things differently. UM.

1:34:41.720 --> 1:34:44.840
<v Speaker 1>I wouldn't. Uh. I don't know scooters deals, but I

1:34:45.360 --> 1:34:48.360
<v Speaker 1>know that uh. Um, I do know some of the

1:34:48.400 --> 1:34:51.280
<v Speaker 1>deals he made when he was acquiring management businesses and stuff,

1:34:51.680 --> 1:34:53.479
<v Speaker 1>and the way in which they were done, and you know,

1:34:53.560 --> 1:34:56.800
<v Speaker 1>those managers end up losing clients and there wasn't full

1:34:56.800 --> 1:34:59.880
<v Speaker 1>disclosure and stuff like that, so and and and you

1:35:00.120 --> 1:35:03.679
<v Speaker 1>and uh, you know, I just think that UM, there's

1:35:03.800 --> 1:35:06.320
<v Speaker 1>there's certainly within their rights to do what they want.

1:35:06.680 --> 1:35:10.200
<v Speaker 1>UM merchs model. You know, I love the idea that

1:35:10.240 --> 1:35:14.760
<v Speaker 1>marks out there bringing attention to UM the value of

1:35:14.800 --> 1:35:17.680
<v Speaker 1>I P because that helps artists. And I don't you know,

1:35:17.680 --> 1:35:19.040
<v Speaker 1>if I don't want to if I don't want to

1:35:19.160 --> 1:35:20.960
<v Speaker 1>match or right that big a check, I you know,

1:35:21.000 --> 1:35:23.519
<v Speaker 1>I just say I can't do it. But I'm never

1:35:23.520 --> 1:35:26.680
<v Speaker 1>gonna bitch when an artist gets more money. That's that's

1:35:26.720 --> 1:35:29.400
<v Speaker 1>why we exist. Speaking of the artist, what about the

1:35:29.439 --> 1:35:34.639
<v Speaker 1>seven year rule? The seven year rules are cake okay? UM.

1:35:34.680 --> 1:35:37.519
<v Speaker 1>When I was at Universal in the eighties, and I

1:35:37.600 --> 1:35:39.640
<v Speaker 1>was one of the guys that helped, you know that

1:35:39.840 --> 1:35:43.360
<v Speaker 1>not help, but I certainly supported that we needed the

1:35:43.400 --> 1:35:46.439
<v Speaker 1>exclusion from the seven year rule because you know, sometimes

1:35:46.439 --> 1:35:48.960
<v Speaker 1>the band wouldn't happen to their fifth year, right, you

1:35:49.080 --> 1:35:51.880
<v Speaker 1>get two albums in five years, you'd lose money and

1:35:51.920 --> 1:35:54.920
<v Speaker 1>then so it was necessary. But these days, you know

1:35:55.200 --> 1:35:57.200
<v Speaker 1>how you know, how long did it really take Billie

1:35:57.200 --> 1:36:00.519
<v Speaker 1>Eilish or Olivia Rodrigo or one of those to happen. So,

1:36:01.040 --> 1:36:03.280
<v Speaker 1>you know, it's just a changing marketplace, you know. And

1:36:03.280 --> 1:36:06.960
<v Speaker 1>and the seven year rule is antiquated. So I mean,

1:36:07.160 --> 1:36:08.960
<v Speaker 1>I mean, you know, the you know, the exception you know,

1:36:09.000 --> 1:36:10.840
<v Speaker 1>giving a record. The only people in the state of

1:36:10.880 --> 1:36:13.360
<v Speaker 1>California to get an exception to the seven year labor

1:36:13.439 --> 1:36:17.160
<v Speaker 1>law are you know, people that are penalized or recording artists. So,

1:36:17.280 --> 1:36:20.439
<v Speaker 1>but there's there's a compromise to be had. Uh and

1:36:20.479 --> 1:36:23.200
<v Speaker 1>you know, the bill will come back up in January. Uh,

1:36:23.200 --> 1:36:27.559
<v Speaker 1>and they'll be a big fight and hopefully uh, reasonable

1:36:27.560 --> 1:36:30.160
<v Speaker 1>people will will work it out, you know. But you

1:36:30.160 --> 1:36:32.720
<v Speaker 1>know the labels, you know, look, so the seven year

1:36:32.760 --> 1:36:36.000
<v Speaker 1>things antiquated, but so is the uh um, you know,

1:36:36.120 --> 1:36:40.080
<v Speaker 1>the clause, the rerecording clause. You know, Taylor Swift's being

1:36:40.120 --> 1:36:44.680
<v Speaker 1>really successful right now right rerecording all her stuff. You know,

1:36:45.800 --> 1:36:48.040
<v Speaker 1>labels have far more to worry about with that than

1:36:48.080 --> 1:36:51.880
<v Speaker 1>they do the seven year statute. Okay, what is the

1:36:51.920 --> 1:36:55.080
<v Speaker 1>future of the labels because now many people, you know,

1:36:55.160 --> 1:36:57.800
<v Speaker 1>they can make the record without the label. They can

1:36:57.800 --> 1:37:01.599
<v Speaker 1>put it on Spotify just like anybody else. Now obviously

1:37:01.600 --> 1:37:04.200
<v Speaker 1>they have great I P. But going forward, you know,

1:37:04.240 --> 1:37:08.360
<v Speaker 1>look they're the banks, um. Now that they're all public

1:37:08.520 --> 1:37:12.760
<v Speaker 1>entities thinking quartered a quarter um there you know, I

1:37:12.800 --> 1:37:19.080
<v Speaker 1>see the deals of titaned um and you know it's

1:37:19.120 --> 1:37:22.400
<v Speaker 1>it's it's it's free enterprise, it's capitalism. So now that

1:37:22.439 --> 1:37:26.200
<v Speaker 1>they're down to three and that their public companies sort

1:37:26.200 --> 1:37:29.960
<v Speaker 1>of feels like they'll be flourishing. Independence coming at some point.

1:37:31.160 --> 1:37:34.640
<v Speaker 1>And the agency business, you'll say, the agencies have changed completely.

1:37:35.120 --> 1:37:37.080
<v Speaker 1>You know, w M E does not make most of

1:37:37.120 --> 1:37:39.320
<v Speaker 1>their business and not most of their money in Hollywood.

1:37:40.000 --> 1:37:42.880
<v Speaker 1>And do we even need an agent? Is you know

1:37:42.920 --> 1:37:46.880
<v Speaker 1>we need this many agents? Look look there just uh yeah,

1:37:46.920 --> 1:37:49.360
<v Speaker 1>I think we need agents. I believe in the agency system,

1:37:49.439 --> 1:37:53.240
<v Speaker 1>especially for you know, not everybody. The handful of major

1:37:53.280 --> 1:37:56.479
<v Speaker 1>attractions don't need agents, but they have areas of their

1:37:56.520 --> 1:37:59.920
<v Speaker 1>life where their agents get them, you know, look at

1:38:00.000 --> 1:38:02.240
<v Speaker 1>after them. You know. Um. But in terms of the

1:38:02.240 --> 1:38:06.680
<v Speaker 1>personal appearance agency side of the business, um, most ex

1:38:07.479 --> 1:38:09.960
<v Speaker 1>you know are needed. And you've got a lot of

1:38:10.400 --> 1:38:13.439
<v Speaker 1>managers these days that an artists, sophisticated that really need

1:38:13.520 --> 1:38:16.080
<v Speaker 1>the skills of an agent to make their make their

1:38:16.120 --> 1:38:21.040
<v Speaker 1>live deals. So who do you learn from? Mm hmm,

1:38:21.840 --> 1:38:23.840
<v Speaker 1>Well I learned the most from Don Henley and Glenn

1:38:23.840 --> 1:38:29.720
<v Speaker 1>Fry of everybody, a couple of lessons, you know. One

1:38:29.760 --> 1:38:31.559
<v Speaker 1>of the earliest things, you know, Fry showed up in

1:38:31.560 --> 1:38:34.479
<v Speaker 1>a T shirt that said song power and tossed me

1:38:34.560 --> 1:38:40.200
<v Speaker 1>a T shirt that said phone power, and uh, you

1:38:40.280 --> 1:38:44.200
<v Speaker 1>gotta have great songs. I learned that from them. It's

1:38:44.200 --> 1:38:48.920
<v Speaker 1>about songs, it's about lyric it's about distinctive melody. All

1:38:48.960 --> 1:38:52.640
<v Speaker 1>starts there, okay, But on a general level, like in

1:38:52.680 --> 1:38:55.519
<v Speaker 1>the Wall Street journals, say who are your mentors? Who's

1:38:55.560 --> 1:38:59.920
<v Speaker 1>your club? Who's your club today? I had I had

1:39:00.000 --> 1:39:02.639
<v Speaker 1>the good fortune, you know, to be around David Geffen

1:39:02.680 --> 1:39:06.360
<v Speaker 1>and Elliott Roberts in the early days. Okay, Um, I

1:39:06.400 --> 1:39:08.879
<v Speaker 1>had Barry Diller in my life. I had Scott Spurgwing

1:39:08.880 --> 1:39:10.800
<v Speaker 1>and Teach Lee in my life. I had John Alone

1:39:10.880 --> 1:39:14.920
<v Speaker 1>in my life. Right that that at Live Nation, those

1:39:14.960 --> 1:39:18.799
<v Speaker 1>are those are there's some Lou Wasserman and Sid Sheiberg

1:39:18.800 --> 1:39:22.280
<v Speaker 1>were amazing, right. So, you know, I've been around some

1:39:22.360 --> 1:39:27.720
<v Speaker 1>of the most you know, famous corporate minds in the

1:39:27.720 --> 1:39:29.719
<v Speaker 1>business and you pick up stuff and you learn stuff,

1:39:29.720 --> 1:39:33.000
<v Speaker 1>but you know, eventually you turn it into your own. Okay,

1:39:33.000 --> 1:39:39.519
<v Speaker 1>So when you're in a quandary, who do you call Shelley? Okay?

1:39:39.640 --> 1:39:44.559
<v Speaker 1>And what does she tell you? Work harder? But how

1:39:44.560 --> 1:39:49.280
<v Speaker 1>about business insight? In terms of decisions? Who do you call? Um?

1:39:49.360 --> 1:39:52.160
<v Speaker 1>Who are my mentors these days? Who do I call

1:39:52.920 --> 1:39:56.639
<v Speaker 1>business insights? Um? You know I have some really close

1:39:56.680 --> 1:39:59.320
<v Speaker 1>personal friends, some of whom I'm in business with and

1:39:59.439 --> 1:40:05.160
<v Speaker 1>not but um, David Bonderman, tpg uh Egon Durban at

1:40:06.160 --> 1:40:11.559
<v Speaker 1>silver Lake, Eddie Q at Apple. Um. You know, there's

1:40:11.600 --> 1:40:14.559
<v Speaker 1>a there's a lot of a lot of great people around.

1:40:14.920 --> 1:40:19.560
<v Speaker 1>Rapino and I talk regularly. I think he is brilliant

1:40:19.600 --> 1:40:22.200
<v Speaker 1>and strategic and I learned a lot from him. I

1:40:22.240 --> 1:40:23.840
<v Speaker 1>can't tell you how much I learned from the Lye

1:40:23.880 --> 1:40:27.160
<v Speaker 1>Wicky brothers, from Tim and Todd uh Tim and Todd Lwicky.

1:40:28.200 --> 1:40:30.200
<v Speaker 1>So I got a lot of people around to bounce

1:40:30.200 --> 1:40:34.240
<v Speaker 1>stuff off. And you still talk to Don Henley every day? Yes?

1:40:35.320 --> 1:40:38.400
<v Speaker 1>And how long a conversation about what well it can be?

1:40:38.439 --> 1:40:41.320
<v Speaker 1>You know, it can be some texting, but but you know,

1:40:41.640 --> 1:40:43.759
<v Speaker 1>you know, we either talk on the phone or multiple

1:40:43.800 --> 1:40:50.360
<v Speaker 1>texts every day and personal or business both. Okay, So

1:40:50.400 --> 1:40:53.520
<v Speaker 1>the music business, what do we know? Sixties and seventies

1:40:53.640 --> 1:40:56.240
<v Speaker 1>drove the culture If you were a musician who as

1:40:56.320 --> 1:40:59.920
<v Speaker 1>rich as anybody in America today we literally have billionaire

1:41:00.000 --> 1:41:03.800
<v Speaker 1>it's okay, most almost none of them made their money

1:41:04.080 --> 1:41:08.519
<v Speaker 1>a former etcetera. In addition, once you start in the

1:41:08.560 --> 1:41:13.360
<v Speaker 1>sixties to seventy five, it's a new business with evolution, okay,

1:41:13.520 --> 1:41:16.280
<v Speaker 1>the switching and the deals from the Sid Bernstein deals

1:41:16.280 --> 1:41:20.519
<v Speaker 1>to the Peter Grant deals, etcetera. Where's music place in

1:41:20.560 --> 1:41:26.120
<v Speaker 1>the firmament now? And what is the future? Um? Music

1:41:26.400 --> 1:41:30.000
<v Speaker 1>and is still a very important part of culture, probably

1:41:30.040 --> 1:41:33.519
<v Speaker 1>more influential, um then it's ever been. It may not,

1:41:33.840 --> 1:41:36.439
<v Speaker 1>it may not be throwing off the economics in terms

1:41:36.479 --> 1:41:39.160
<v Speaker 1>of other people are making more money, but it's certainly

1:41:39.200 --> 1:41:42.280
<v Speaker 1>as important to lifestyle and culture as as it's ever been.

1:41:43.160 --> 1:41:45.360
<v Speaker 1>So you know, for you know, if you want to

1:41:45.400 --> 1:41:47.479
<v Speaker 1>be I guess, if you're thinking how am I going

1:41:47.520 --> 1:41:49.960
<v Speaker 1>to become a multibillionaire, you've got to think of some

1:41:50.080 --> 1:41:53.120
<v Speaker 1>crazy company to start that you can sell as to know,

1:41:53.840 --> 1:41:57.479
<v Speaker 1>anything related to tech. But um, but if you want

1:41:57.479 --> 1:41:59.920
<v Speaker 1>to influence culture, I would still say that a musician

1:42:00.400 --> 1:42:04.360
<v Speaker 1>influences more than a than an actor or you know

1:42:04.520 --> 1:42:07.519
<v Speaker 1>any of that stuff. Okay, you have a million stories,

1:42:07.880 --> 1:42:11.800
<v Speaker 1>tell us one or two of your favorite stories. I'll

1:42:11.840 --> 1:42:17.120
<v Speaker 1>close with one great one. Okay. Um it is and

1:42:17.520 --> 1:42:20.400
<v Speaker 1>and it's no secret that it has to be Joe Wallace, right,

1:42:20.479 --> 1:42:24.400
<v Speaker 1>who is another one of my closest running mates for many, many,

1:42:24.439 --> 1:42:30.000
<v Speaker 1>many many years. Um, which Joe Walls story? Do you want?

1:42:31.680 --> 1:42:33.920
<v Speaker 1>You want a Keith Moon story or oh I got

1:42:33.920 --> 1:42:37.040
<v Speaker 1>a good one. So we were on the road tour

1:42:37.520 --> 1:42:42.599
<v Speaker 1>pre joining the Eagles, Joe Wah, Marshall, Tucker, Leonard Skinners, um.

1:42:42.680 --> 1:42:47.439
<v Speaker 1>And in those days, Um, Joe would hallucinate, and so

1:42:47.479 --> 1:42:50.800
<v Speaker 1>we would get adjoining rooms and I'd leave the door open,

1:42:50.880 --> 1:42:52.559
<v Speaker 1>so in the middle of the night when the Martians

1:42:52.600 --> 1:42:55.800
<v Speaker 1>came to take him, he'd run in my room yelling,

1:42:55.800 --> 1:42:57.720
<v Speaker 1>the Martians are coming, the Martians are coming. And I

1:42:57.760 --> 1:43:00.559
<v Speaker 1>would just say, no, Joe, They're not go back to bed. Right.

1:43:00.920 --> 1:43:03.040
<v Speaker 1>So we get it. We're an upstate New York I

1:43:03.040 --> 1:43:07.040
<v Speaker 1>think it was like Syracuse or Albany or one of those.

1:43:08.880 --> 1:43:11.479
<v Speaker 1>And uh, And we were in one of those round

1:43:11.560 --> 1:43:15.320
<v Speaker 1>holiday inns and we check in at the and they go,

1:43:15.479 --> 1:43:19.160
<v Speaker 1>we don't have any adjoining rooms. And you know, and

1:43:19.680 --> 1:43:21.960
<v Speaker 1>that's the first thing that travel agent, the tour manager

1:43:22.000 --> 1:43:24.840
<v Speaker 1>had because Joe couldn't couldn't sleep. He wasn't in the

1:43:24.920 --> 1:43:27.760
<v Speaker 1>joining room of me. And they said, but we have

1:43:27.920 --> 1:43:31.160
<v Speaker 1>rooms next door to each other. There physically isn't two

1:43:31.280 --> 1:43:33.160
<v Speaker 1>rooms in the hotel that you know where the door

1:43:33.200 --> 1:43:35.639
<v Speaker 1>opens and it connects, I says, Joe, you'll be fine

1:43:35.680 --> 1:43:38.200
<v Speaker 1>for one night. And you know, I said, you'll be

1:43:38.240 --> 1:43:40.080
<v Speaker 1>fine for one night. What what I'll do is I

1:43:40.120 --> 1:43:42.640
<v Speaker 1>won't double lock my door. I got two keys to

1:43:42.680 --> 1:43:44.519
<v Speaker 1>my room. And when the Martians come in the middle

1:43:44.560 --> 1:43:46.360
<v Speaker 1>of the night, you go out in the hallway, you

1:43:46.439 --> 1:43:48.400
<v Speaker 1>take one step to the right, you unlock my door.

1:43:48.439 --> 1:43:51.200
<v Speaker 1>You come in and and and you kept me And

1:43:51.200 --> 1:43:54.439
<v Speaker 1>he says, I'm fine, that's great, no problem. Um. And

1:43:54.479 --> 1:43:56.240
<v Speaker 1>these are the days. So you know, you land at

1:43:56.240 --> 1:43:58.720
<v Speaker 1>an airport, I'd call the office and I'd scribble on

1:43:58.800 --> 1:44:01.200
<v Speaker 1>the back of a piece of paper thirty calls or

1:44:01.240 --> 1:44:03.719
<v Speaker 1>so that I have to call back. So I'm sitting

1:44:03.760 --> 1:44:06.320
<v Speaker 1>in my hotel room, chose in the in the room

1:44:06.360 --> 1:44:08.639
<v Speaker 1>next door to me, and you're sitting there and you're

1:44:08.720 --> 1:44:10.880
<v Speaker 1>you're dialing one after the other and you know, you're

1:44:10.920 --> 1:44:13.479
<v Speaker 1>entering your credit card and you remember those days when

1:44:13.479 --> 1:44:18.080
<v Speaker 1>you know your course, you know. And I had given

1:44:18.200 --> 1:44:21.320
<v Speaker 1>Joe it had had this horrible chainsaw on the road

1:44:21.360 --> 1:44:24.760
<v Speaker 1>with him to saw things, uh, and it was one

1:44:24.800 --> 1:44:27.400
<v Speaker 1>of those dirty ones that had like you had to

1:44:27.400 --> 1:44:30.760
<v Speaker 1>put a casoline in it and ship. So I got

1:44:30.800 --> 1:44:33.719
<v Speaker 1>him an electric chainsaw and mounted it in a guitar

1:44:33.800 --> 1:44:37.200
<v Speaker 1>case and stuff. So he's got out his electric chainsaw, um,

1:44:37.240 --> 1:44:40.680
<v Speaker 1>and I hear it start, and I'm going so he

1:44:40.760 --> 1:44:45.320
<v Speaker 1>saw you know, he's sawing up some furniture, no big deal, uh.

1:44:45.479 --> 1:44:48.000
<v Speaker 1>And then the wall, like I hear it, like into

1:44:48.000 --> 1:44:50.559
<v Speaker 1>the wall, right. So I just keep making my phone

1:44:50.560 --> 1:44:52.600
<v Speaker 1>calls and it's getting louder and louder, and then I

1:44:52.640 --> 1:44:55.080
<v Speaker 1>see the thing come through the door. So he's made

1:44:55.080 --> 1:44:58.759
<v Speaker 1>an igloe sized cut all, you know, like an opening

1:44:58.800 --> 1:45:02.640
<v Speaker 1>to an igloo around like semicircle. And then he and

1:45:02.640 --> 1:45:04.720
<v Speaker 1>then he's you know, kicking it and pushing it and

1:45:05.160 --> 1:45:07.719
<v Speaker 1>you know, the plasters breaking, and the ship comes through,

1:45:07.840 --> 1:45:10.360
<v Speaker 1>and I just keep making my calls and he crawls

1:45:10.600 --> 1:45:13.439
<v Speaker 1>through the hole in the wall between the two of us,

1:45:13.720 --> 1:45:15.840
<v Speaker 1>and he looks up at me and he says, and

1:45:15.880 --> 1:45:22.080
<v Speaker 1>I made it just your size, but a big I

1:45:22.160 --> 1:45:23.800
<v Speaker 1>just have to ask one more question. You have all

1:45:23.840 --> 1:45:27.439
<v Speaker 1>the stories and stories on the road. The manager of

1:45:27.520 --> 1:45:29.720
<v Speaker 1>the hotel finds out, what do you do? Just have

1:45:29.800 --> 1:45:31.760
<v Speaker 1>a huge stack a hundred dollar bills? How do you

1:45:31.800 --> 1:45:35.639
<v Speaker 1>get out of this? You pay road manager, tour manager

1:45:35.680 --> 1:45:37.519
<v Speaker 1>deals with it and and as long as you have

1:45:37.600 --> 1:45:40.559
<v Speaker 1>enough money, it all works. Yeah. Well, you can't do

1:45:40.560 --> 1:45:42.560
<v Speaker 1>it these days. First of all, people film ship and

1:45:42.600 --> 1:45:44.360
<v Speaker 1>they put it up. You can't get away with this

1:45:44.439 --> 1:45:47.040
<v Speaker 1>ship anymore. You go to jail for it. Now. Somebody

1:45:47.040 --> 1:45:52.759
<v Speaker 1>would have filmed it right right, Okay, thanks Bob Irving.

1:45:52.800 --> 1:45:57.120
<v Speaker 1>We we've just you know, hit the surface of the planet.

1:45:57.240 --> 1:46:00.519
<v Speaker 1>But we can do it again. You know, wh where's

1:46:00.520 --> 1:46:06.280
<v Speaker 1>this air? Where's this air? Where? Yea both where. It's

1:46:06.280 --> 1:46:10.160
<v Speaker 1>gonna be on literally every podcast service. We are I

1:46:10.360 --> 1:46:13.000
<v Speaker 1>Heart products, So it'll be on the i Heart platform,

1:46:13.160 --> 1:46:16.519
<v Speaker 1>beyond the Spotify platform, beyond the Stitcher platform, beyond the

1:46:16.560 --> 1:46:20.479
<v Speaker 1>Apple platform, beyond the Mzon platform, so it's on all

1:46:20.520 --> 1:46:24.000
<v Speaker 1>of the big things. I'm sure you know that everyone

1:46:24.040 --> 1:46:27.760
<v Speaker 1>will be scrambling to hear your words of well you

1:46:28.040 --> 1:46:29.840
<v Speaker 1>keep up the good work Bob. You're doing and by

1:46:29.960 --> 1:46:32.840
<v Speaker 1>and by the way, as you know, I'm a big fan,

1:46:32.920 --> 1:46:34.960
<v Speaker 1>and you're you're you're hitting it out of the park.

1:46:35.000 --> 1:46:38.439
<v Speaker 1>You're doing good. Thanks so much for taking the time irving.

1:46:38.479 --> 1:46:42.000
<v Speaker 1>I know you're busy, so until next time. This is

1:46:42.080 --> 1:46:43.000
<v Speaker 1>Bob left sets