1 00:00:01,240 --> 00:00:04,840 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning Show. 2 00:00:05,120 --> 00:00:08,920 Speaker 2: Okay, okay, we're on everywhere, so I'm sorry. If you're 3 00:00:08,920 --> 00:00:10,959 Speaker 2: not in New York, you don't understand. You're like, why 4 00:00:11,000 --> 00:00:12,559 Speaker 2: are they yelling? If you're in New York listening to 5 00:00:12,640 --> 00:00:14,080 Speaker 2: Z one hundred, you're like, oh my god, what a 6 00:00:14,080 --> 00:00:14,600 Speaker 2: crap show. 7 00:00:14,760 --> 00:00:17,320 Speaker 1: I melt down. It's great. 8 00:00:17,400 --> 00:00:19,360 Speaker 2: Okay, here's what we're gonna do. We're running kind of late, 9 00:00:19,440 --> 00:00:21,639 Speaker 2: so I said, okay, when the song's over, go directly 10 00:00:21,640 --> 00:00:23,800 Speaker 2: to the phone tap because we're running late. And then 11 00:00:23,800 --> 00:00:25,239 Speaker 2: at the last minute, I said, oh no, wait, I 12 00:00:25,280 --> 00:00:27,160 Speaker 2: want to talk for a second. It's scary. Does this 13 00:00:27,320 --> 00:00:30,320 Speaker 2: scary as like this? And he runs over. He runs 14 00:00:30,360 --> 00:00:34,479 Speaker 2: over there and starts pulling buttons and pulling levers. A 15 00:00:34,560 --> 00:00:37,000 Speaker 2: spring flew across the room. What is it? What does 16 00:00:37,040 --> 00:00:41,080 Speaker 2: the spring? And then we started like blowing up. The 17 00:00:41,120 --> 00:00:44,000 Speaker 2: whole thing is what the hell? It's my fault because 18 00:00:44,000 --> 00:00:46,680 Speaker 2: I had a last minute change, and it's Scary's fault 19 00:00:46,680 --> 00:00:49,640 Speaker 2: because he panicked and pushed the button should push? I 20 00:00:49,640 --> 00:00:51,080 Speaker 2: got to be able to contain my show. 21 00:00:51,360 --> 00:00:52,879 Speaker 3: I think we need to take a class as a 22 00:00:52,920 --> 00:00:56,560 Speaker 3: group about calmness. In the face of adversity. How do 23 00:00:56,720 --> 00:00:58,560 Speaker 3: we just breathe and not throw equipment around there? 24 00:01:00,120 --> 00:01:04,120 Speaker 2: Or we just laugh? It's like who cares? No one dies, 25 00:01:04,200 --> 00:01:04,920 Speaker 2: it's my solution. 26 00:01:05,280 --> 00:01:06,200 Speaker 1: It never helps. 27 00:01:06,680 --> 00:01:09,360 Speaker 2: Did you see this the panicle scary space? And then 28 00:01:09,680 --> 00:01:11,880 Speaker 2: ZE one hunters out of control and we looked Scotty 29 00:01:11,959 --> 00:01:13,839 Speaker 2: b that's where he does. He runs Z one hundred 30 00:01:13,880 --> 00:01:16,520 Speaker 2: or station here. He's not even in there. He's getting 31 00:01:16,600 --> 00:01:20,200 Speaker 2: chicken parm out there at the kitchens. 32 00:01:20,040 --> 00:01:23,360 Speaker 1: That scary, like Scott it be. It just keeps yelling 33 00:01:23,400 --> 00:01:25,839 Speaker 1: it over and over. We're supposedly sound. 34 00:01:27,160 --> 00:01:28,880 Speaker 2: Don't just stand there and yell run to the other 35 00:01:28,880 --> 00:01:33,920 Speaker 2: wind fix it. I can't run, have more chicken parm. 36 00:01:33,959 --> 00:01:37,520 Speaker 2: I'm so sorry you're listening to this meltdown. Meltdowns happened, 37 00:01:37,720 --> 00:01:40,000 Speaker 2: and it's it's how you choose to deal with it 38 00:01:40,120 --> 00:01:42,360 Speaker 2: makes the difference. Look, there are times it pisses me off. 39 00:01:42,400 --> 00:01:44,080 Speaker 2: Right the thing I wasn't there, he would have thrown 40 00:01:44,120 --> 00:01:44,720 Speaker 2: me into the world. 41 00:01:45,000 --> 00:01:47,080 Speaker 1: Whatever you had been dead, you have bruised. 42 00:01:47,080 --> 00:01:50,040 Speaker 2: Do you be bruising already? Yep? Anyway, we move on. 43 00:01:50,320 --> 00:01:52,080 Speaker 1: Can we pull that sound for later so we can 44 00:01:52,080 --> 00:01:53,400 Speaker 1: actually hear how it went down. 45 00:01:54,720 --> 00:01:57,160 Speaker 2: Because most people didn't hear it. Only people in New 46 00:01:57,200 --> 00:01:59,600 Speaker 2: York heard what that sounded exactly? Can we pull that? 47 00:02:00,160 --> 00:02:01,400 Speaker 4: Garrett probably already pulled. 48 00:02:01,200 --> 00:02:04,680 Speaker 2: Hey, Garrett, can you pull that? There? 49 00:02:04,720 --> 00:02:04,920 Speaker 4: You go? 50 00:02:05,040 --> 00:02:08,240 Speaker 2: All right? If you're anywhere other than New York listening 51 00:02:08,240 --> 00:02:10,040 Speaker 2: to any other station, it probably wasn't as bad as 52 00:02:10,040 --> 00:02:11,600 Speaker 2: what you're about to hear. This is what people in 53 00:02:11,600 --> 00:02:13,440 Speaker 2: New York City, in our hometown heard. 54 00:02:14,120 --> 00:02:16,720 Speaker 1: It's like an audio plane crash, like air traffic control is. 55 00:02:16,680 --> 00:02:19,880 Speaker 2: Just not exactly it's it's awful. The song ended and 56 00:02:19,919 --> 00:02:22,280 Speaker 2: the music started playing. Then some guy's talking about a 57 00:02:22,280 --> 00:02:25,959 Speaker 2: phone tap and some guy it's it's it's it's craziness. 58 00:02:27,160 --> 00:02:30,000 Speaker 2: So what happens is I look over it's it's all 59 00:02:30,040 --> 00:02:32,440 Speaker 2: because of Scotty Bee and Scotty B Studio. It's all 60 00:02:32,480 --> 00:02:35,080 Speaker 2: you what I do? You're in charge of Z one hundred, 61 00:02:35,160 --> 00:02:37,920 Speaker 2: Yes I am. And so we're looking over him, like, 62 00:02:37,919 --> 00:02:40,519 Speaker 2: why is all this happening? Why is he He wasn't 63 00:02:41,000 --> 00:02:42,440 Speaker 2: doing something, He's not in there. 64 00:02:42,520 --> 00:02:43,440 Speaker 4: I went out to get food. 65 00:02:43,480 --> 00:02:46,240 Speaker 2: He went out to get chicken palm from from our 66 00:02:46,280 --> 00:02:47,880 Speaker 2: friends who are visiting. And we're gonna talk about them 67 00:02:47,880 --> 00:02:50,960 Speaker 2: in a minute, I'm like, where's Scotty? Then, Scary is 68 00:02:50,960 --> 00:02:54,960 Speaker 2: this standing here trying to take flight? He's flailing his 69 00:02:55,040 --> 00:02:57,480 Speaker 2: arms like, Scotty, where are you? You don't you can't 70 00:02:57,480 --> 00:03:00,120 Speaker 2: just stand there. You have to go go fix it. 71 00:03:00,200 --> 00:03:02,160 Speaker 2: The worst part is when Scotty does come into the 72 00:03:02,160 --> 00:03:05,119 Speaker 2: studio with the chicken par in his hands, like I'm 73 00:03:05,120 --> 00:03:08,639 Speaker 2: flapping my my arms and he's pointing the accusatory finger 74 00:03:08,840 --> 00:03:10,919 Speaker 2: with his only free hands with the other one with 75 00:03:10,960 --> 00:03:13,959 Speaker 2: the chicken part. Because you're standing here, look like you're 76 00:03:13,960 --> 00:03:16,200 Speaker 2: trying to take flight. Okay, So here's what it sounded 77 00:03:16,280 --> 00:03:19,079 Speaker 2: right here. This is what it sounded like here on 78 00:03:19,200 --> 00:03:22,080 Speaker 2: zero and just understand this is just like this happens. 79 00:03:22,240 --> 00:03:33,320 Speaker 2: This is a work time hazard for us. Go on, 80 00:03:34,120 --> 00:03:53,200 Speaker 2: Scary Republic. Sorry, wow, I think you only heard that 81 00:03:53,240 --> 00:03:55,000 Speaker 2: if you were in New York, right, Yeah, and that 82 00:03:55,000 --> 00:03:56,800 Speaker 2: that's what it was. That's what we heard here. 83 00:03:56,960 --> 00:03:58,640 Speaker 4: Wait, hold on a second. How about all the other 84 00:03:58,680 --> 00:04:00,400 Speaker 4: stations that didn't hear all the crazy in this but 85 00:04:00,440 --> 00:04:01,400 Speaker 4: just heard Elvis yelling. 86 00:04:01,640 --> 00:04:03,320 Speaker 2: Of course that I know that. I'm very aware of that, 87 00:04:03,920 --> 00:04:07,080 Speaker 2: very aware. Okay, I know I know how the network runs. No, 88 00:04:07,160 --> 00:04:08,440 Speaker 2: I just I would like to hear. That is what 89 00:04:08,480 --> 00:04:12,760 Speaker 2: I'm saying. Well, but you know what's what a bonus? 90 00:04:12,800 --> 00:04:14,840 Speaker 2: A bonus? We have gone here. We have cameras everywhere, 91 00:04:15,960 --> 00:04:17,800 Speaker 2: So we're gonna have Deanna if she, if she's up 92 00:04:17,800 --> 00:04:19,600 Speaker 2: for it, to put this all together. I want you 93 00:04:19,680 --> 00:04:22,040 Speaker 2: to see everyone flopping around in a like a bunch 94 00:04:22,040 --> 00:04:27,600 Speaker 2: of fools. It was hilarious. So everyone else is panicking. 95 00:04:27,920 --> 00:04:29,279 Speaker 2: Got in here, sitting here laughing. 96 00:04:29,720 --> 00:04:31,839 Speaker 1: I can't not laugh in emergency situation. 97 00:04:32,160 --> 00:04:32,919 Speaker 2: Daniel's laughing. 98 00:04:32,960 --> 00:04:34,880 Speaker 4: Now are we supposed to handle the situation though? 99 00:04:34,920 --> 00:04:37,800 Speaker 2: Like Scotty's not getting chicken Parmre's you have to go 100 00:04:37,880 --> 00:04:38,120 Speaker 2: in there. 101 00:04:38,200 --> 00:04:39,760 Speaker 1: Yeah, you have to move into the room and put 102 00:04:39,800 --> 00:04:40,080 Speaker 1: the button. 103 00:04:40,120 --> 00:04:42,200 Speaker 2: You have to physically go in. We install a doorway. 104 00:04:43,760 --> 00:04:47,200 Speaker 4: There should have been a door. They designed this place wrong. 105 00:04:47,279 --> 00:04:48,320 Speaker 2: I'm sorry. Are we keeping you up? 106 00:04:48,360 --> 00:04:48,480 Speaker 4: Nate? 107 00:04:48,560 --> 00:04:51,160 Speaker 2: I'm sorry. I'm trying to like organize the footage right 108 00:04:51,160 --> 00:04:52,920 Speaker 2: now because I ran out of the studio and then 109 00:04:52,920 --> 00:04:55,640 Speaker 2: Scotty bees over there over the steamer tray of chicken 110 00:04:55,720 --> 00:04:58,800 Speaker 2: Farm and he's like, what's the problem. I see what 111 00:04:59,520 --> 00:05:02,200 Speaker 2: and then he just like his arms start flailing. He's like, 112 00:05:03,360 --> 00:05:06,000 Speaker 2: we have cameras at content. I'm hoping that we get it. 113 00:05:06,160 --> 00:05:08,200 Speaker 2: We're gonna bust you so bad. 114 00:05:08,680 --> 00:05:10,040 Speaker 4: I don't even know if it was my fault or not. 115 00:05:10,120 --> 00:05:12,160 Speaker 2: I'm not sure you admitted it. 116 00:05:12,240 --> 00:05:13,680 Speaker 4: I said it might have been. I got to check 117 00:05:13,680 --> 00:05:14,200 Speaker 4: the records. 118 00:05:14,400 --> 00:05:17,200 Speaker 3: Okay, Well, this was an actual emergency. We all would 119 00:05:17,200 --> 00:05:19,960 Speaker 3: have died, every single one of us. We need to 120 00:05:19,960 --> 00:05:20,400 Speaker 3: work on this. 121 00:05:20,720 --> 00:05:22,520 Speaker 2: I love this place. People are like, do you like 122 00:05:22,560 --> 00:05:25,560 Speaker 2: your job? But no, I don't. I don't like it. 123 00:05:26,120 --> 00:05:28,039 Speaker 2: I love it. So there's that