WEBVTT - 50 Cent Talks "Tycoon Houston Comedy Fest, YK Osiris, Love For Houston, Mending Relationships & More

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<v Speaker 1>Wait that ass up in the morning breakfast club more

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<v Speaker 1>than everybody is DJ Envy angela Ye, Charlemagne the guy.

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<v Speaker 1>We are the breakfast club. We got a special guest

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<v Speaker 1>in the building fifty. It got me up bright and early.

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<v Speaker 1>What's going on? Manything? Good man? No complaints? How I

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<v Speaker 1>feel to be back in New York. Man, feel good man?

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<v Speaker 1>The city? The city is good. Don't you ain't watching

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<v Speaker 1>YouTube to see the news clips about every things is

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<v Speaker 1>going on out here. You look like you got back

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<v Speaker 1>in the gym heavy brom I back. You know, they

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<v Speaker 1>say I was fat super Bowl. That shit bothers me, man,

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<v Speaker 1>because I was like, what are you talking about? I'm

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<v Speaker 1>not fat? Like I got I'm gonna sure you pitture

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<v Speaker 1>I took with Jimmie Foxx. You know, I guess it's

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<v Speaker 1>the angle because I was coming up, so you see

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<v Speaker 1>like it looked a little wider and then they got

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<v Speaker 1>they got that and they ran with it. But you know,

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<v Speaker 1>like I'm I'm looking like now, I fluctuated a lot

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<v Speaker 1>throughout mind my run, you know what I'm saying, And

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<v Speaker 1>it's just my body tie. I can be security, bro,

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<v Speaker 1>I'm gonna be too big and it's sorry. You know,

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<v Speaker 1>I started training and working out stuff but regular stuff,

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<v Speaker 1>but I just made sure I did it every morning

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<v Speaker 1>because they said that to me. How's it back on

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<v Speaker 1>the road? You know, the last two three years you've

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<v Speaker 1>been doing nothing but movies and shows, and now you're

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<v Speaker 1>back on the road. How does that feel to be

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<v Speaker 1>out performed? Like? You know, look, hip hop is now

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<v Speaker 1>old enough for them to start to treat us like

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<v Speaker 1>we treated the real pop stars, you know, like we're

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<v Speaker 1>Princeton and Mike. And then when they was, they would

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<v Speaker 1>just say I'm performing today and the show would go

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<v Speaker 1>up and sell out that day, you know what I'm saying, Like,

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<v Speaker 1>and then and the nationally, I'm getting an old response

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<v Speaker 1>to the things, like everything sold out like when I

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<v Speaker 1>went out there, and it's because I laid the groundwork,

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<v Speaker 1>like during Get Richard Died Trying and the Massacre those projects.

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<v Speaker 1>Was taking two years for me to come with the

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<v Speaker 1>next album because I spent the whole year after I

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<v Speaker 1>released it touring, you know, so because I was going

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<v Speaker 1>everywhere like Croatia, moved by India, like Coast of Old

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<v Speaker 1>like I would everywhere, you know what I'm saying, Like

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<v Speaker 1>everywhere that they would I wanted all of the flags

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<v Speaker 1>that M had on that Marsha Matters album, Yeah, that plaque.

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<v Speaker 1>So I was like, I know I'm gonna have to

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<v Speaker 1>go through the door to get it, but I'm gonna

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<v Speaker 1>go in the association to M help, you know what

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<v Speaker 1>I'm saying. So it's like I went out there and

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<v Speaker 1>did all of that, but now now it feels good

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<v Speaker 1>because I'm able to go out there and through those

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<v Speaker 1>things and people really responding to it, and I'm so

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<v Speaker 1>seasoned the performance now it's like it's easy, you know

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<v Speaker 1>what I'm saying, Like I'm running out and it's like

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<v Speaker 1>oh boom. I'm like, yeah, I'll get do it again

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<v Speaker 1>tonight because it makes you feel celebrated and appreciated. Because

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<v Speaker 1>fifth you would you a different type of legend, like

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<v Speaker 1>it levels the legends, you know, a different type of legends.

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<v Speaker 1>You gotta change. You can't see the same way. You

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<v Speaker 1>know what I'm saying, Like I'm looking going the things

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<v Speaker 1>that I got off phone in the beginning, Charla, it

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<v Speaker 1>changed dramatically, like now, look the simplicity and writing music

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<v Speaker 1>is a key to it. So like go short, it's

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<v Speaker 1>your birthdays. What comes what I'm feeling when I'm hearing

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<v Speaker 1>the rec and then the reason is where people have

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<v Speaker 1>a specific reason they want to enjoy themselves. When it's

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<v Speaker 1>your birthday and we're here, we want to have a

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<v Speaker 1>good time. So I'll put that in it. But when

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<v Speaker 1>you think about it and television is it's almost never

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<v Speaker 1>right the first time, Like they write it and then

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<v Speaker 1>they get the notes from the executives and it comes

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<v Speaker 1>down with different so it kind of morphs into something different.

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<v Speaker 1>And it's choices. So if creatively, if you make if

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<v Speaker 1>you go Okay, I'm going left here and they're gonna

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<v Speaker 1>but you could have went right, and you see, I

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<v Speaker 1>could have did that, but it was a creative choice.

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<v Speaker 1>But that example, if they don't give you that example

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<v Speaker 1>what you could have did. They don't know why they're

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<v Speaker 1>receiving there by they're being paid, so they give you

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<v Speaker 1>that example, and then the artists change it and it

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<v Speaker 1>just changes. So it makes me not creatively want to

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<v Speaker 1>be a part of the writing process because it's a

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<v Speaker 1>it's a very tedious process. You got to know so

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<v Speaker 1>many details about the story before you get started that

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<v Speaker 1>it's like I'd rather feed the writer information being part

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<v Speaker 1>of the you know, the whole creative idea. But let

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<v Speaker 1>them handle that part because there's so many changes and

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<v Speaker 1>stuff until it works. Then you start to see less

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<v Speaker 1>and less notes as the projects more and more successful.

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<v Speaker 1>But do you feel celebrated? Fifth don't like that's a skill.

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<v Speaker 1>So you guys haven't for a long time. I answered

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<v Speaker 1>how I want to answer, and I come back and

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<v Speaker 1>I say what I want to say. So you look

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<v Speaker 1>at you go Now I do feel teb even when

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<v Speaker 1>you see the new versions, like when you see like

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<v Speaker 1>Dirt and these these other artists that come out that

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<v Speaker 1>have that um like the element that is coming straight

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<v Speaker 1>out of the environment, you know what I'm saying. And

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<v Speaker 1>then you look like and this pure Chicago would you

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<v Speaker 1>you get from them? You know what I'm saying. So

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<v Speaker 1>I'm looking at him like and I was turned onto

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<v Speaker 1>them so early because I remember I was crazy about

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<v Speaker 1>Chief Keep. Ye Chief Keep first came. They thought Chief

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<v Speaker 1>I just didn't know. You didn't know what I was

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<v Speaker 1>talking about. He was like, yo, nah, like what they're

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<v Speaker 1>talking about, you know, the environment, how to survive and

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<v Speaker 1>function there. And it was in a whole new world

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<v Speaker 1>with this this actual business. You know what I'm saying,

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<v Speaker 1>but once you get a chance to kind of know them,

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<v Speaker 1>you you start to like them because they're not like

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<v Speaker 1>the music. What the music is saying is not who

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<v Speaker 1>they actually are. Like that's and it's the same thing

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<v Speaker 1>with me too, or you wouldn't be able to grow

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<v Speaker 1>past those points. He would just look the guy who

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<v Speaker 1>does exactly what I'm saying and does is that it's

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<v Speaker 1>not successful. Are you doing? Are you doing another album?

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<v Speaker 1>Hurt that you might be doing one last album? I

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<v Speaker 1>heard you working on? Is there any true to that? Yeah?

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<v Speaker 1>I started working on some things like the last one,

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<v Speaker 1>though it may not be the last album and maybe

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<v Speaker 1>broken up into something that goes out with one of

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<v Speaker 1>the television shows. You see what I'm saying. Like, but creatively,

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<v Speaker 1>I just said, now I want to do something, and

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<v Speaker 1>I got all the vehicles that I needed to do

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<v Speaker 1>twenty five television shows, so I could just put here's

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<v Speaker 1>the EP connected to this and that if without having

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<v Speaker 1>the pressure of it being a full album and and

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<v Speaker 1>all that, because like look, if you look when the

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<v Speaker 1>last time you've seen the actual numbers on the sales

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<v Speaker 1>of record, like you see, Kanye said, you put it

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<v Speaker 1>on something device so you can't see the actual number

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<v Speaker 1>the numbers, right, and that that's because if you see

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<v Speaker 1>the number, you go, oh wait, man, it's how did

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<v Speaker 1>you used to be? Yeah, you know it's especially when

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<v Speaker 1>you have a huge, successful sales record. So they're avoiding

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<v Speaker 1>that number by putting it on a device or putting

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<v Speaker 1>it through title or through somewhere else, so you can't

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<v Speaker 1>actually see what's happening with it. But the record, they're

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<v Speaker 1>bigger stars within the culture because they've been here longer

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<v Speaker 1>and developed their brands. I don't even think it mad

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<v Speaker 1>at them more. Be honestly, they did what three hundred something,

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<v Speaker 1>and people will be like, oh, it's her lower sales weekend.

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<v Speaker 1>I'm like, give see twenty five years in and I

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<v Speaker 1>mean it's just how many kids you got, three married, married,

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<v Speaker 1>three married with three kids and it's supposed to be

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<v Speaker 1>the same sex, right, I mean, it's a diff different

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<v Speaker 1>energy there. And then our audience has grown the grown folks.

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<v Speaker 1>You gotta look and say, I'd say between two thousand

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<v Speaker 1>and three and two thousand and five viewers in college,

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<v Speaker 1>you my core audience. You know what I'm saying, because

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<v Speaker 1>that's when you're having your adult experience. For the first time,

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<v Speaker 1>when you party in every available moment possible. And those

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<v Speaker 1>those people the material impacted the hardest because it's the

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<v Speaker 1>theme music to their life at that point when it's smoking, hotest,

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<v Speaker 1>brand new, it's just happening at that point. And then

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<v Speaker 1>you look, love music don't get old. So Beyonce that

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<v Speaker 1>she ain't going nowhere like Shell, there'll be a reason

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<v Speaker 1>for you to want to listen to Beyonce. Like you

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<v Speaker 1>know what I'm saying. It's just when you look at

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<v Speaker 1>R and B music and B music require buttons. At

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<v Speaker 1>some point you had to be a gentleman. Now you

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<v Speaker 1>look up, they got the same tattoos the hip hop artist.

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<v Speaker 1>They're saying the same they're singing the lyrics the hip

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<v Speaker 1>hop artists would say in the verse, And what about

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<v Speaker 1>g Unit? I see Banks making his rounds. Yeah, when

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<v Speaker 1>y'all do a project in a documentary, when is that happening?

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<v Speaker 1>I probably won't do a project with them. I'm done

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<v Speaker 1>with with carrying them around my back hurt. Yeah, it's

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<v Speaker 1>a different animal, like if it doesn't you know what

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<v Speaker 1>he showed him. If he does something wrong, I don't

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<v Speaker 1>care what what magnitude of it is. He'll look, he'll

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<v Speaker 1>go my bad, and and you go all right, and

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<v Speaker 1>we just keep going to the next time he does

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<v Speaker 1>something wrong. That's the relationship. That is our relationship. Now

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<v Speaker 1>when you look at the like Banks, all these other guys,

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<v Speaker 1>they oh they came in by way of him, and

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<v Speaker 1>they have a different temperament. It's not like it's not

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<v Speaker 1>the same relationship. So I don't necessarily go back to

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<v Speaker 1>carrying them. You know. Yeah, he's it's different. Do you

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<v Speaker 1>want do you watch hold On? Do you watch the

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<v Speaker 1>unit in interviews? Do you watch like Banks interviews? I

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<v Speaker 1>see some of the stuff to come through. I saw

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<v Speaker 1>he did something with flex, I saw it yep um clips, Yeah,

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<v Speaker 1>because that the whole interview. But I see pieces like

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<v Speaker 1>I saw something that he did with your buddy. Yeah,

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<v Speaker 1>he gave you big problems on that. He said that

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<v Speaker 1>you made him a better songwriter. You improved his craft

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<v Speaker 1>at that point. I wasn't doing nothing but writing nothing

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<v Speaker 1>the song, right, Like if you're saying, if you're going,

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<v Speaker 1>I don't think you should be have the best verse

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<v Speaker 1>at fifty years old. In hip hop culture, I think

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<v Speaker 1>the hip part of hip hop this youth coaching and

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<v Speaker 1>that and that like we we love things that are

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<v Speaker 1>like the coach loves things that have been damaged by

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<v Speaker 1>the experience. And you can see, no matter how harsh

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<v Speaker 1>the experience has been, how beautiful the art is in it,

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<v Speaker 1>Like it sounds perfect when you hear Cardi be saying it, Oh,

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<v Speaker 1>it sounds like something different, and you know what the

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<v Speaker 1>experience has been like prior to that, it's been a

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<v Speaker 1>rough road to get there, Like you're going if you

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<v Speaker 1>don't think that I picked up specifically because of the

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<v Speaker 1>strip club and that experience, the like every single one

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<v Speaker 1>of those girls, like let's say about sixty or seventy

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<v Speaker 1>percent of them would like to trade places with Cardi

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<v Speaker 1>right now. Right, So the dream happened and it's like

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<v Speaker 1>a year the record work meant, that got married, Ye

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<v Speaker 1>had the kids. The whole shit just came together like

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<v Speaker 1>like in one year. So I was like, I'll point

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<v Speaker 1>to that because it's the beauty of our cultures, Like

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<v Speaker 1>we saved people. And what about the documentary because I

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<v Speaker 1>think a lot of people would love to know how

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<v Speaker 1>would happened, Like they see fifth they know what happened,

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<v Speaker 1>but they don't know how it happened. Yeah, I would

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<v Speaker 1>do it. I would do a documentary on it, and

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<v Speaker 1>I think the if there would be surprised from from

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<v Speaker 1>my perspective what it is like because you look at

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<v Speaker 1>it and you say, like we have communications. I come

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<v Speaker 1>in and I told them all. I said, Yo, look

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<v Speaker 1>under the table. They look under the table and they

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<v Speaker 1>got on ELVs and Chi. You know That's what I'm saying,

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<v Speaker 1>do not expect your JUNA check to come at the

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<v Speaker 1>time they were being paid to where JUnit Sniager is RBK,

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<v Speaker 1>So don't expect that check to come in the mail again,

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<v Speaker 1>you know what I'm exactly. And it was like jay

0:11:15.360 --> 0:11:18.959
<v Speaker 1>Z didn't give his shoe deal to He didn't give

0:11:19.600 --> 0:11:23.480
<v Speaker 1>the the other guys that was on Rockefeller the shoe

0:11:23.520 --> 0:11:26.400
<v Speaker 1>deal he was with Basketball Plue right, And I'm like,

0:11:26.440 --> 0:11:28.880
<v Speaker 1>I could have just put the shoes on the court

0:11:29.000 --> 0:11:31.960
<v Speaker 1>or because I took the Stan Smithadita to kind of

0:11:31.960 --> 0:11:34.400
<v Speaker 1>create what the Juni shoe was, because it just went

0:11:34.440 --> 0:11:37.480
<v Speaker 1>to tennis, you know what I'm saying, And it made

0:11:37.520 --> 0:11:39.559
<v Speaker 1>that cool like while we was doing everything else, and

0:11:39.600 --> 0:11:42.640
<v Speaker 1>instead I gave all of them to check that fund

0:11:42.720 --> 0:11:45.400
<v Speaker 1>that was their finance was coming from RBK to pay

0:11:45.440 --> 0:11:47.640
<v Speaker 1>them to do it, and they was just on trim

0:11:47.640 --> 0:11:50.840
<v Speaker 1>with what everybody else was doing style wise doing that.

0:11:50.920 --> 0:11:52.560
<v Speaker 1>So I'm like, I don't expect that to come. But

0:11:52.640 --> 0:11:54.960
<v Speaker 1>at that point I was telling them that they needed

0:11:55.000 --> 0:11:58.560
<v Speaker 1>to focus on their branding, stitching and stuff and everything

0:11:58.559 --> 0:12:00.600
<v Speaker 1>else because I'm not going to do it for you,

0:12:00.679 --> 0:12:04.400
<v Speaker 1>like to just do it for you. And it's it's not. Look,

0:12:04.640 --> 0:12:08.040
<v Speaker 1>I'm not that much smarter than these guys. Man. I

0:12:08.120 --> 0:12:12.480
<v Speaker 1>just the time period that I had between like five

0:12:12.720 --> 0:12:17.000
<v Speaker 1>the massacre, because at that period three from three to five,

0:12:18.240 --> 0:12:21.360
<v Speaker 1>I was on the whole experiment. Like the girls was

0:12:21.400 --> 0:12:24.120
<v Speaker 1>excited about me. We was going who it was, I

0:12:24.120 --> 0:12:26.400
<v Speaker 1>wouldn't even know. It's the fuzziest blurry to me who

0:12:26.520 --> 0:12:29.440
<v Speaker 1>was there at that point right now? But oh five,

0:12:30.200 --> 0:12:32.640
<v Speaker 1>I was locking in because I was trying to understand

0:12:32.720 --> 0:12:35.400
<v Speaker 1>what was actually going on so to get rich to

0:12:35.440 --> 0:12:37.440
<v Speaker 1>gossel fans. Yeah, so I was in the in the

0:12:38.000 --> 0:12:39.800
<v Speaker 1>in the hotels, I'm on the phone with the lawyer.

0:12:39.840 --> 0:12:42.160
<v Speaker 1>U sense, so what does this mean? Because the terms

0:12:42.160 --> 0:12:45.640
<v Speaker 1>in the actual contracts are written within legal terms that

0:12:45.679 --> 0:12:47.839
<v Speaker 1>I don't understand everything that's dead and I went through

0:12:47.880 --> 0:12:51.040
<v Speaker 1>everything into it. I can know enough to use my

0:12:51.080 --> 0:12:53.960
<v Speaker 1>gut instincts on how I want to do the deal. Meanwhile,

0:12:54.000 --> 0:12:57.720
<v Speaker 1>everybody else is at the party. This this NonStop party

0:12:57.720 --> 0:13:01.480
<v Speaker 1>that's going on. That they missed all of the information

0:13:01.520 --> 0:13:03.240
<v Speaker 1>and stuff like that. So when it came time for

0:13:03.280 --> 0:13:06.640
<v Speaker 1>them to secure keeping things going, they didn't do the

0:13:06.679 --> 0:13:09.440
<v Speaker 1>same thing I did. Damn you You you talk about writing,

0:13:09.480 --> 0:13:12.120
<v Speaker 1>did you only write for gunit artists? Yesterday I saw

0:13:12.840 --> 0:13:15.679
<v Speaker 1>a reference track for Higher Leaked, Yeah, and as you

0:13:15.760 --> 0:13:21.920
<v Speaker 1>as you doing. I did what's your Name? Uhi songs

0:13:21.960 --> 0:13:24.560
<v Speaker 1>on that album, Well everybody knows that, and I did

0:13:24.840 --> 0:13:29.040
<v Speaker 1>on What's your Name? I did Paradise for LL with

0:13:29.880 --> 0:13:34.120
<v Speaker 1>but Yeah. I wrote that and then Charmagne did the

0:13:35.000 --> 0:13:38.120
<v Speaker 1>reference vocals and then from Tony Pope. Because it was

0:13:38.160 --> 0:13:40.920
<v Speaker 1>a familiar loop, it needed to have the chorus on

0:13:40.960 --> 0:13:42.640
<v Speaker 1>that to sell, you know, I tracked Myssters used to

0:13:42.720 --> 0:13:46.520
<v Speaker 1>do all of the joints over so to pitch that

0:13:46.600 --> 0:13:49.360
<v Speaker 1>to LL, you got to have a full picture for

0:13:49.440 --> 0:13:51.040
<v Speaker 1>him to see it when he come in, or he's

0:13:51.080 --> 0:13:53.680
<v Speaker 1>not gonna understand why he's doing that that loop again,

0:13:53.920 --> 0:13:56.280
<v Speaker 1>you know what I'm saying. And we did that. Then,

0:13:56.520 --> 0:14:02.880
<v Speaker 1>um few other pieces I did, but next oh, for Next,

0:14:02.880 --> 0:14:05.439
<v Speaker 1>I did the R and B group. Yeah, what song

0:14:05.600 --> 0:14:07.360
<v Speaker 1>was it? I forgot? Was Fun of the Joints. But

0:14:07.400 --> 0:14:09.920
<v Speaker 1>I got a plaque for that for next and I

0:14:09.960 --> 0:14:16.959
<v Speaker 1>did UM I wrote for Puff. But what did you

0:14:16.960 --> 0:14:20.320
<v Speaker 1>write for buff the not Guilty and a filthy come

0:14:20.360 --> 0:14:26.160
<v Speaker 1>on take this money, this money? Oh up? Joint? You

0:14:26.240 --> 0:14:30.840
<v Speaker 1>wrote that? Yeah? I saw ye say that he was

0:14:30.880 --> 0:14:33.400
<v Speaker 1>supposed to sign a bad boy. Yeah, you know what.

0:14:33.480 --> 0:14:36.240
<v Speaker 1>I was going back and forth and he just he

0:14:36.400 --> 0:14:38.920
<v Speaker 1>just look. They knew I was talented. They just looked

0:14:38.960 --> 0:14:40.760
<v Speaker 1>at it and was like, I don't want all of

0:14:40.760 --> 0:14:43.520
<v Speaker 1>this stuff that comes with him, you know what I'm saying.

0:14:43.560 --> 0:14:46.720
<v Speaker 1>And it took for me to go around until uh

0:14:47.200 --> 0:14:49.520
<v Speaker 1>the m stumbled over it. But he didn't know the

0:14:49.560 --> 0:14:53.400
<v Speaker 1>trouble that came with it what I'm saying. I was like, Yo, no,

0:14:53.560 --> 0:14:56.160
<v Speaker 1>this is perfect. Like I wasn't even gonna say nothing,

0:14:56.200 --> 0:14:59.680
<v Speaker 1>to be honest with you, I didn't even address them

0:14:59.760 --> 0:15:03.560
<v Speaker 1>direc erectly until uh, like John had said something about

0:15:03.680 --> 0:15:06.840
<v Speaker 1>Hailey and they had a relationship because they was getting out.

0:15:06.840 --> 0:15:10.920
<v Speaker 1>They had hung out together and got high together and them, yeah,

0:15:10.960 --> 0:15:14.040
<v Speaker 1>go from there, like because he felt like there was

0:15:14.080 --> 0:15:16.600
<v Speaker 1>something that there was closer than it was based on that.

0:15:16.640 --> 0:15:20.720
<v Speaker 1>This is joh So he when they got into we

0:15:20.800 --> 0:15:22.680
<v Speaker 1>got to a point he had fired off and he

0:15:23.400 --> 0:15:25.880
<v Speaker 1>said some stuff about Haley and that was just it.

0:15:26.000 --> 0:15:27.600
<v Speaker 1>I seen him was upset. I said all right, I

0:15:27.600 --> 0:15:30.840
<v Speaker 1>can't do it now and I went in the next room.

0:15:30.920 --> 0:15:33.640
<v Speaker 1>I was in Detroit and I recorded Automatic Gunfight that

0:15:33.680 --> 0:15:38.280
<v Speaker 1>weekend because the first tape was the Future was all

0:15:38.320 --> 0:15:40.360
<v Speaker 1>of those tapes. That was one photo shoot in this

0:15:40.520 --> 0:15:44.760
<v Speaker 1>dude garage. Wowow with the white with the red, white

0:15:44.760 --> 0:15:47.040
<v Speaker 1>and blue and the white shirt. It was all three

0:15:47.080 --> 0:15:50.280
<v Speaker 1>shirts we had. We had a green theme, the red,

0:15:50.280 --> 0:15:52.680
<v Speaker 1>white and blue thing and white t shirts. I want

0:15:52.680 --> 0:15:56.600
<v Speaker 1>to go back. So you wrote Higher, Yeah, you wrote

0:15:56.600 --> 0:15:59.800
<v Speaker 1>six songs off that album Higher. This is how we do.

0:16:00.000 --> 0:16:02.960
<v Speaker 1>Were automatically thinking we do. But his verses on that.

0:16:03.040 --> 0:16:04.440
<v Speaker 1>So when you see the writing credit, you think it's

0:16:04.440 --> 0:16:09.280
<v Speaker 1>his verse. You see the writing. Look, they said kind

0:16:09.280 --> 0:16:12.760
<v Speaker 1>of stuff about like he said he wrote what up Gangs? Yeah,

0:16:12.760 --> 0:16:14.640
<v Speaker 1>I'm like, come on, bro, he wasn't even around when

0:16:14.640 --> 0:16:16.520
<v Speaker 1>we did that. Like that was before he even came

0:16:16.520 --> 0:16:19.480
<v Speaker 1>into the picture. Like that's get rich to died trying.

0:16:19.560 --> 0:16:22.200
<v Speaker 1>He didn't even come after that. Yeah, we don't even

0:16:22.240 --> 0:16:25.000
<v Speaker 1>know who he was after. But there's a I know,

0:16:25.360 --> 0:16:28.360
<v Speaker 1>there's a point where desperation when you say anything like

0:16:28.400 --> 0:16:32.640
<v Speaker 1>this is how to rob? Me to ro Yeah, Columbia,

0:16:32.960 --> 0:16:35.000
<v Speaker 1>you know what I'm saying. I'm like yo, because after

0:16:35.080 --> 0:16:38.240
<v Speaker 1>bigg and the two part of the name artists was

0:16:38.360 --> 0:16:41.400
<v Speaker 1>kind of standing away from saying everybody's name. This is

0:16:41.440 --> 0:16:43.440
<v Speaker 1>when they're doing twenty three bets on one in them

0:16:44.600 --> 0:16:48.640
<v Speaker 1>threat some Syneymlex three TV sets the minimum that's naws

0:16:49.480 --> 0:16:52.280
<v Speaker 1>about jay Z in my lifetime, you know what I'm saying.

0:16:52.320 --> 0:16:55.600
<v Speaker 1>So that it was all subliminal, say everything I gotta

0:16:55.640 --> 0:16:58.520
<v Speaker 1>say about you without saying it's for you, and let

0:16:58.520 --> 0:17:00.680
<v Speaker 1>the you know listener go ah oh he's saying this.

0:17:01.200 --> 0:17:03.640
<v Speaker 1>You know what I'm saying. So they were still doing that,

0:17:03.680 --> 0:17:06.119
<v Speaker 1>and I was like, uh, okay, I'm say everybody's name

0:17:06.200 --> 0:17:09.240
<v Speaker 1>because it looks like I'm going back to the neighborhood.

0:17:10.280 --> 0:17:14.119
<v Speaker 1>I'm gonna be subjective to what the guy. So it

0:17:14.240 --> 0:17:16.879
<v Speaker 1>just didn't matter. It was like whatever, I'm going back anyway.

0:17:16.880 --> 0:17:18.920
<v Speaker 1>It looked like we'll cause more drama. How to rob

0:17:18.960 --> 0:17:23.320
<v Speaker 1>a Holy Chrome? How to rob? Really? You know, it's

0:17:23.359 --> 0:17:26.760
<v Speaker 1>ill the Karan look, and they just the documentary thing

0:17:26.800 --> 0:17:29.000
<v Speaker 1>came out and I don't care nothing about that because

0:17:29.000 --> 0:17:33.320
<v Speaker 1>I know nas his the connection to that as there

0:17:33.400 --> 0:17:36.120
<v Speaker 1>was god body. You know what I'm saying, like that

0:17:36.280 --> 0:17:39.400
<v Speaker 1>is this thing other than that? There's nothing else dead,

0:17:39.840 --> 0:17:42.280
<v Speaker 1>you know what I mean? And you look and I go, well,

0:17:42.280 --> 0:17:46.239
<v Speaker 1>what is the when they put the Koran? And they

0:17:46.280 --> 0:17:48.199
<v Speaker 1>they mentioned how many times did their name were in

0:17:48.320 --> 0:17:52.000
<v Speaker 1>records in the documentary and it was cool every time

0:17:52.040 --> 0:17:54.000
<v Speaker 1>that their name was in records, but they was upset

0:17:54.080 --> 0:17:58.200
<v Speaker 1>with the version that I did. Team up. They went

0:17:58.280 --> 0:18:00.399
<v Speaker 1>through ten different For people that don't know what the

0:18:00.400 --> 0:18:02.360
<v Speaker 1>holy Qurana is is is you talked about a lot

0:18:02.400 --> 0:18:05.360
<v Speaker 1>of the hustlers and queens. Yeah, the neighborhood. Yeah. And

0:18:05.600 --> 0:18:06.800
<v Speaker 1>I don't know if you know, but you know, DJs

0:18:06.800 --> 0:18:09.960
<v Speaker 1>would get beat up for playing the record all day,

0:18:10.040 --> 0:18:14.200
<v Speaker 1>like if you played it, like, don't play that record. Yeah,

0:18:14.200 --> 0:18:16.160
<v Speaker 1>that's that's how crazy it was back there. And they

0:18:16.160 --> 0:18:18.960
<v Speaker 1>wouldn't say nothing to me though they're going on, no,

0:18:19.480 --> 0:18:22.120
<v Speaker 1>you know, like not seeing me, it's enough. And didn't

0:18:22.160 --> 0:18:24.600
<v Speaker 1>have problem with the record. Then he had a problem

0:18:24.720 --> 0:18:27.560
<v Speaker 1>later when law enforcement start to hold on to the

0:18:27.600 --> 0:18:31.280
<v Speaker 1>records and then not holding the record because of what

0:18:31.320 --> 0:18:34.879
<v Speaker 1>I said on it, because they already got a separate

0:18:34.920 --> 0:18:37.760
<v Speaker 1>homicide that you're sitting in here on. They already got

0:18:37.760 --> 0:18:39.960
<v Speaker 1>your tapes in the dope that you got caught within

0:18:40.000 --> 0:18:42.639
<v Speaker 1>bottom up. So what they're really holding you to is

0:18:42.680 --> 0:18:44.680
<v Speaker 1>the fact that I didn't say nothing when I got hit.

0:18:45.480 --> 0:18:48.240
<v Speaker 1>So they're saying, he's associated to this thing with this kid,

0:18:48.280 --> 0:18:51.520
<v Speaker 1>and and this is the this is why they keep

0:18:51.560 --> 0:18:53.600
<v Speaker 1>bringing that into this actual case. Butmber, all of the

0:18:53.600 --> 0:18:55.879
<v Speaker 1>snitch you snitch this is now that's the worst thing

0:18:55.920 --> 0:18:58.040
<v Speaker 1>you can be in the environment that I come up in, Right,

0:18:58.960 --> 0:19:02.639
<v Speaker 1>what a snitch at And the documentary I'm not in

0:19:02.680 --> 0:19:06.960
<v Speaker 1>that case. So there's no snitch there, right, there's nothing

0:19:07.000 --> 0:19:09.919
<v Speaker 1>about nothing. All he says is he knew me. He

0:19:10.000 --> 0:19:12.480
<v Speaker 1>knew what what that was about. And what it is

0:19:12.600 --> 0:19:14.760
<v Speaker 1>what that was about was he got an idea and

0:19:14.800 --> 0:19:18.080
<v Speaker 1>they eat the same idea. I got minds work. Obviously,

0:19:19.720 --> 0:19:21.840
<v Speaker 1>do you understand what I'm saying. He like his idea

0:19:22.080 --> 0:19:26.680
<v Speaker 1>is YO, lead them alone, they our food because he

0:19:26.800 --> 0:19:28.399
<v Speaker 1>eating off him, like when the when the fish is

0:19:28.520 --> 0:19:31.800
<v Speaker 1>saying yo, while he's saying yo, we beat the feeder,

0:19:31.960 --> 0:19:35.800
<v Speaker 1>never beat nothing, and he wasn't involved in nothing. They

0:19:35.880 --> 0:19:38.560
<v Speaker 1>really washed you up to make sure that they got

0:19:38.640 --> 0:19:41.440
<v Speaker 1>him so you couldn't help him financially. Yeah, they only

0:19:41.440 --> 0:19:43.800
<v Speaker 1>put you in the case to eat it. He'll tell

0:19:43.880 --> 0:19:46.200
<v Speaker 1>you he was two million in the hole. And the

0:19:46.280 --> 0:19:47.680
<v Speaker 1>thing I think I think I heard that he said,

0:19:47.680 --> 0:19:49.840
<v Speaker 1>they don't drink cha, So why are you two million

0:19:49.840 --> 0:19:52.640
<v Speaker 1>in the hole? Is to make sure you can't help him.

0:19:52.680 --> 0:19:55.840
<v Speaker 1>He went to trial with a legal eighty. They never

0:19:55.880 --> 0:19:57.879
<v Speaker 1>had a home jury, know nothing. These words out of

0:19:57.880 --> 0:20:00.399
<v Speaker 1>his mouth. You see what I'm saying. But I go

0:20:00.480 --> 0:20:03.840
<v Speaker 1>see bids, I go see kat In Clinton. Cat go,

0:20:04.880 --> 0:20:09.200
<v Speaker 1>Yeah he fucked that up, he go. I don't understand

0:20:09.320 --> 0:20:15.080
<v Speaker 1>he was supposed to have both. Why he choose You

0:20:15.080 --> 0:20:17.359
<v Speaker 1>see what I'm saying, Like he's going, y'all from you

0:20:17.480 --> 0:20:21.080
<v Speaker 1>from It's like you're from this that's automatic, and you're going,

0:20:21.200 --> 0:20:24.080
<v Speaker 1>I understand that these kids are trying to make death row.

0:20:25.720 --> 0:20:27.880
<v Speaker 1>This is Cat saying, they're trying to make death row.

0:20:27.960 --> 0:20:29.720
<v Speaker 1>That's what they're trying to do with this, with that,

0:20:29.840 --> 0:20:33.280
<v Speaker 1>But why would you go against that? To do that

0:20:34.680 --> 0:20:37.000
<v Speaker 1>when you know I had to residence to go against

0:20:37.040 --> 0:20:39.919
<v Speaker 1>anybody like there's nobody this too, it else. Those are

0:20:39.960 --> 0:20:42.199
<v Speaker 1>the guys that you would choose not to go against

0:20:42.280 --> 0:20:45.200
<v Speaker 1>at that point. It's in the environment. They got it,

0:20:45.280 --> 0:20:48.960
<v Speaker 1>and it's not him individually, because everybody's greater than their

0:20:48.960 --> 0:20:50.960
<v Speaker 1>absence than they are in the presence. His or is

0:20:51.000 --> 0:20:54.159
<v Speaker 1>stronger than he is. He asked him about that. When

0:20:54.200 --> 0:20:56.600
<v Speaker 1>he go get his arm broke and they joint them,

0:20:56.640 --> 0:20:59.600
<v Speaker 1>they missed that part. He's gonna say he slipped fell

0:20:59.640 --> 0:21:04.600
<v Speaker 1>on mind. Yeah, is there anybody fifty cent fears? Ever?

0:21:04.800 --> 0:21:08.240
<v Speaker 1>Historically in life all of the situations. If you don't

0:21:08.240 --> 0:21:10.840
<v Speaker 1>have fear, then you're not Then you're just not acknowledging

0:21:10.960 --> 0:21:16.320
<v Speaker 1>danger point. Yeah, but you just you're just not stupid,

0:21:16.359 --> 0:21:19.760
<v Speaker 1>Then you're not scared enohing. You watch that guy that

0:21:19.920 --> 0:21:22.280
<v Speaker 1>just has a zero fear and say, yeah, we can

0:21:22.320 --> 0:21:24.160
<v Speaker 1>get him. He's tough. We're gonna have a hard time

0:21:24.240 --> 0:21:26.920
<v Speaker 1>chewing on him, but we're gonna get him. We get him.

0:21:27.200 --> 0:21:29.399
<v Speaker 1>Like other than that, you just gotta pay attention to it.

0:21:29.800 --> 0:21:31.760
<v Speaker 1>It's surrounded as things is going on, like and you

0:21:31.840 --> 0:21:36.680
<v Speaker 1>say never never saying the toughest guy, I just I'm

0:21:36.680 --> 0:21:40.080
<v Speaker 1>gonna do what I want to do. And then if

0:21:40.080 --> 0:21:42.040
<v Speaker 1>I die in the process. I was doing what I

0:21:42.119 --> 0:21:46.080
<v Speaker 1>wanted to do. Even the themes. Look, it's power the dollar, Yeah,

0:21:46.520 --> 0:21:50.560
<v Speaker 1>I get here, I come back, get rich or die trying. Yeah, right,

0:21:50.560 --> 0:21:53.040
<v Speaker 1>and the prices because that's already what I'm feeling, like,

0:21:53.080 --> 0:21:54.800
<v Speaker 1>I'm gonna do it. I'm in the process. It's the

0:21:54.840 --> 0:21:57.640
<v Speaker 1>greatest thing is to watch me because either I'm going

0:21:57.680 --> 0:21:59.720
<v Speaker 1>to get rich or I'm gonna die in the process.

0:22:00.640 --> 0:22:02.520
<v Speaker 1>And this is what I'm gonna call the record. So

0:22:02.600 --> 0:22:05.520
<v Speaker 1>it was the massacre you projecting all the pain you

0:22:05.600 --> 0:22:07.879
<v Speaker 1>felt on everybody else. I was supposed to go, but

0:22:08.280 --> 0:22:11.400
<v Speaker 1>that album was supposed to come out February Age supposed

0:22:11.400 --> 0:22:14.240
<v Speaker 1>to be the same Valentine's Day Master they pushed it

0:22:14.280 --> 0:22:16.480
<v Speaker 1>back because we was doing too good with games record,

0:22:17.520 --> 0:22:19.040
<v Speaker 1>and I'm like, yo, Like you got to think in

0:22:19.119 --> 0:22:22.480
<v Speaker 1>the scope was when East Coast West Coast was going on.

0:22:22.960 --> 0:22:26.199
<v Speaker 1>In the scope was the West coast, So it's some

0:22:26.400 --> 0:22:29.560
<v Speaker 1>uncomfortability with me being from the East coast. Yeah, then

0:22:29.560 --> 0:22:31.879
<v Speaker 1>I'm not even conscious of Initially I'm going like yo,

0:22:32.000 --> 0:22:35.480
<v Speaker 1>They're like yo, they love that, they're doing extremely well

0:22:35.520 --> 0:22:37.200
<v Speaker 1>like that, but they're going to damn why we can't

0:22:37.200 --> 0:22:41.120
<v Speaker 1>have one like from here, you see what I'm saying,

0:22:41.119 --> 0:22:43.840
<v Speaker 1>Like from Drake's perspective, it's why why we can't have

0:22:43.920 --> 0:22:50.200
<v Speaker 1>one from the West coast like that? And it's that's

0:22:50.240 --> 0:22:52.920
<v Speaker 1>the assignment to a game started moving. It was like wait, wait,

0:22:52.960 --> 0:22:55.639
<v Speaker 1>wait to build that, Like what's that? That record is

0:22:55.640 --> 0:22:57.880
<v Speaker 1>out in the selling They're going to wait, we don't

0:22:57.920 --> 0:23:00.760
<v Speaker 1>want to cut the legs off of this, And you're going,

0:23:02.680 --> 0:23:06.040
<v Speaker 1>but that's rearranging my presentation what I'm doing. So now

0:23:07.119 --> 0:23:11.159
<v Speaker 1>I wouldn't. I wouldn't have given him things it was

0:23:11.200 --> 0:23:13.040
<v Speaker 1>so good if I felt like it was going all

0:23:13.040 --> 0:23:15.440
<v Speaker 1>to what I'm doing, you know what I'm saying, Like

0:23:15.520 --> 0:23:18.159
<v Speaker 1>I did my first record so fast like the second record.

0:23:18.720 --> 0:23:21.040
<v Speaker 1>My attempt that the first record went was done in

0:23:21.040 --> 0:23:25.679
<v Speaker 1>the weekend, so did get rich? No, the second the

0:23:25.720 --> 0:23:28.359
<v Speaker 1>massacre and that the attempt that was done in the

0:23:28.400 --> 0:23:32.520
<v Speaker 1>weekend turns into games out. You regret giving game, you regret,

0:23:32.760 --> 0:23:35.480
<v Speaker 1>hated to love it. This is how we do. Look,

0:23:35.640 --> 0:23:38.480
<v Speaker 1>it's just the way things are. When I look, I

0:23:38.480 --> 0:23:44.560
<v Speaker 1>don't I don't see anyone who's who hasn't um, who

0:23:44.600 --> 0:23:49.320
<v Speaker 1>hasn't helped other artists and haven't had it reciprocated probably

0:23:50.119 --> 0:23:53.400
<v Speaker 1>like that's what every everybody, you know what I'm saying,

0:23:53.400 --> 0:23:56.359
<v Speaker 1>even with Koda, you see him with jack Boy, the

0:23:56.600 --> 0:23:59.720
<v Speaker 1>things that these guys come together because I'm told Code

0:23:59.720 --> 0:24:01.879
<v Speaker 1>that he oh yo, but I didn't know we was

0:24:01.920 --> 0:24:05.280
<v Speaker 1>gonna go through that. It's too hard, Like it's too

0:24:05.320 --> 0:24:07.840
<v Speaker 1>hard to get it for us to go through that.

0:24:07.960 --> 0:24:09.600
<v Speaker 1>So but now that's the same thing as what we

0:24:09.680 --> 0:24:14.720
<v Speaker 1>experienced we looked down for like when they're not right

0:24:14.800 --> 0:24:17.440
<v Speaker 1>under you, because they're in a different area, it's easy

0:24:17.560 --> 0:24:21.440
<v Speaker 1>to persuade them. Like. This is also how Jimmy Henchman felt.

0:24:22.400 --> 0:24:25.320
<v Speaker 1>This is what drive what how game was behaving because

0:24:25.359 --> 0:24:28.240
<v Speaker 1>he also had his whole management team is going, yo,

0:24:28.320 --> 0:24:30.560
<v Speaker 1>you don't need them from you got a whole coast,

0:24:31.320 --> 0:24:33.160
<v Speaker 1>you got the whole West coast, Like you don't gotta

0:24:33.200 --> 0:24:35.679
<v Speaker 1>be down with them. When he's I just gave him

0:24:35.720 --> 0:24:38.600
<v Speaker 1>the record, you know what I'm saying, and then they

0:24:38.760 --> 0:24:42.159
<v Speaker 1>go oh he flips out. I'm like, oh okay, but

0:24:42.320 --> 0:24:44.440
<v Speaker 1>it is a reflection of you see how the Jimmy

0:24:44.480 --> 0:24:47.320
<v Speaker 1>Henchman thing turned out, like the eight tons into real

0:24:47.359 --> 0:24:49.120
<v Speaker 1>street stuff, you know what I'm saying. So you're going

0:24:50.640 --> 0:24:54.920
<v Speaker 1>he was feeling that way along before, Yeah, I mean,

0:24:54.960 --> 0:24:57.560
<v Speaker 1>and then then it just was like, yeah, full on,

0:24:57.680 --> 0:25:00.800
<v Speaker 1>we could do everything we want to do. Vice first

0:25:00.800 --> 0:25:03.800
<v Speaker 1>because Chris really his issues was with Chris, with Chris Lydy.

0:25:04.119 --> 0:25:08.080
<v Speaker 1>That's why I don't like James Cruise, why I saw, Yeah,

0:25:08.119 --> 0:25:09.720
<v Speaker 1>I don't like I don't like him at all, Like

0:25:09.760 --> 0:25:11.800
<v Speaker 1>because he's a sucker. Like the whole time he was

0:25:11.840 --> 0:25:15.880
<v Speaker 1>like he was still going to go see Jimmy hanging out. Meanwhile,

0:25:15.960 --> 0:25:18.680
<v Speaker 1>Jimmy's getting Mike Lighty cut in the back of the

0:25:18.760 --> 0:25:21.520
<v Speaker 1>head and everything else and the shooting and everything else

0:25:21.640 --> 0:25:23.399
<v Speaker 1>is going. He's a punk. Like when you see people

0:25:23.440 --> 0:25:27.040
<v Speaker 1>that like they're just feel full of We said respect

0:25:27.119 --> 0:25:30.120
<v Speaker 1>come from admiration of fear one of the others, right,

0:25:30.359 --> 0:25:33.240
<v Speaker 1>His respect for Jimmy comes from fear. So he's a

0:25:33.280 --> 0:25:35.000
<v Speaker 1>sucker in my eyes, you know what I'm saying. And

0:25:35.000 --> 0:25:37.320
<v Speaker 1>then he does all of this talk about things that

0:25:37.440 --> 0:25:40.080
<v Speaker 1>went on with Chris Lydy. Then I'm like, yo, why

0:25:40.080 --> 0:25:42.879
<v Speaker 1>are you even talking about what I'm doing? Come from me?

0:25:43.000 --> 0:25:46.000
<v Speaker 1>You You was like you were in the meeting. You

0:25:46.040 --> 0:25:48.560
<v Speaker 1>didn't actually make no deals. I thought he said he

0:25:48.600 --> 0:25:52.159
<v Speaker 1>managed you. At one point he was working for Chris Lydy.

0:25:53.400 --> 0:25:55.920
<v Speaker 1>So you in there as Chris Lady's assistant while you're

0:25:55.920 --> 0:25:58.160
<v Speaker 1>doing what you're doing in the deal, and when did

0:25:58.200 --> 0:26:00.879
<v Speaker 1>you He never had no agreement with me to manage

0:26:00.880 --> 0:26:03.880
<v Speaker 1>me in anyway or any capacity. So when you say that,

0:26:04.359 --> 0:26:06.719
<v Speaker 1>it irritates me, you know what I'm saying that Then

0:26:06.920 --> 0:26:10.359
<v Speaker 1>like later he's just he's a sucker. I didn't understand

0:26:10.359 --> 0:26:12.760
<v Speaker 1>why Chris wanted him around, you know what I'm saying,

0:26:12.760 --> 0:26:16.200
<v Speaker 1>Like when the shooting happened with little kim O d

0:26:16.359 --> 0:26:19.320
<v Speaker 1>Rod hating him, Yo, come out from behind the red car.

0:26:19.400 --> 0:26:23.320
<v Speaker 1>They got us. That's what he was doing, you know

0:26:23.320 --> 0:26:29.240
<v Speaker 1>what I'm like. And the Chris was like like dealing

0:26:29.240 --> 0:26:31.520
<v Speaker 1>with him because he had, you know, like a background.

0:26:31.600 --> 0:26:34.359
<v Speaker 1>He was because he had a radio background. He always

0:26:34.400 --> 0:26:37.480
<v Speaker 1>looked like he should get a piece. But if you're

0:26:37.480 --> 0:26:39.120
<v Speaker 1>getting the best deal for me, why do you feel

0:26:39.119 --> 0:26:41.760
<v Speaker 1>like somebody should get your piece. That's the way I

0:26:41.840 --> 0:26:43.760
<v Speaker 1>look at it. I look like if you go to

0:26:43.800 --> 0:26:45.560
<v Speaker 1>somebody else to say, yo, you should get me a watch,

0:26:45.640 --> 0:26:48.560
<v Speaker 1>or you should get me this, That's that was his thing.

0:26:48.720 --> 0:26:49.959
<v Speaker 1>You know what I'm saying that, I'm like, but if

0:26:49.960 --> 0:26:51.800
<v Speaker 1>you're asking them for a watch. Then you felt like

0:26:51.800 --> 0:26:54.720
<v Speaker 1>you gave him a deal to then you didn't get

0:26:54.760 --> 0:26:56.720
<v Speaker 1>me the best deal if you if he owes your

0:26:56.720 --> 0:26:59.639
<v Speaker 1>watch for the deal. You see what I'm saying. And

0:26:59.640 --> 0:27:03.120
<v Speaker 1>then it's like they act like they don't understand why

0:27:03.119 --> 0:27:05.080
<v Speaker 1>I don't like him. Between you, Diddi and Crews, I

0:27:05.119 --> 0:27:07.520
<v Speaker 1>don't think you'd have worked on bad Boy. I don't

0:27:07.520 --> 0:27:11.160
<v Speaker 1>think terrible, but you know, I look at that point,

0:27:11.160 --> 0:27:13.600
<v Speaker 1>I would have probably did the deal. There was no

0:27:13.720 --> 0:27:16.480
<v Speaker 1>other like at that point. But when I was, when

0:27:16.520 --> 0:27:20.879
<v Speaker 1>I was Jennifer who told Puff to work with me

0:27:22.400 --> 0:27:25.200
<v Speaker 1>okay because she her first album want to Say Boy.

0:27:25.280 --> 0:27:28.600
<v Speaker 1>Rooney was the executive producer. Borey Rooney was my executive

0:27:28.600 --> 0:27:31.879
<v Speaker 1>producer for Power of the Doubt. So we had the

0:27:31.920 --> 0:27:35.280
<v Speaker 1>relationship from Queens and everything coming out that they put

0:27:35.320 --> 0:27:37.719
<v Speaker 1>us in the same circles. And then Jennifer was telling Yo,

0:27:37.800 --> 0:27:40.680
<v Speaker 1>he is dope. You work with him like he's gonna

0:27:40.760 --> 0:27:44.960
<v Speaker 1>it's gonna eventually it's gonna happen, you know. And then Puff,

0:27:45.000 --> 0:27:47.560
<v Speaker 1>that's what Puff is calling me down to do it.

0:27:47.600 --> 0:27:51.040
<v Speaker 1>But Puff can't even hear hit. See I know he can't.

0:27:51.040 --> 0:27:55.120
<v Speaker 1>He couldn't Puff can't hear a hit. That's kind of crazy.

0:27:55.840 --> 0:27:58.800
<v Speaker 1>He still hear things from back then that time, Oh

0:27:59.200 --> 0:28:01.720
<v Speaker 1>got you? Now I can't buy the right. He can't.

0:28:01.720 --> 0:28:03.840
<v Speaker 1>You play for him right now and it's hot, he

0:28:03.960 --> 0:28:06.200
<v Speaker 1>can't buy it. This is why he's fighting Drake when

0:28:06.200 --> 0:28:08.879
<v Speaker 1>you hit Drake because he used the beat that he

0:28:08.920 --> 0:28:12.679
<v Speaker 1>didn't actually you know what I'm saying. So if you like,

0:28:12.720 --> 0:28:14.719
<v Speaker 1>he heard it and then he heard Drake's used it,

0:28:14.720 --> 0:28:16.639
<v Speaker 1>but it wasn't a hit yet until Drake put the

0:28:16.680 --> 0:28:20.480
<v Speaker 1>thing the lines are and he's upset about that because

0:28:20.480 --> 0:28:22.160
<v Speaker 1>he can't hear it. But he felt like he took

0:28:22.200 --> 0:28:26.000
<v Speaker 1>something from and you know there's something to him for that.

0:28:26.040 --> 0:28:29.200
<v Speaker 1>But did terr Marie ever pay you all your money yet?

0:28:29.480 --> 0:28:35.120
<v Speaker 1>She's still how much? Just love that old I think

0:28:35.119 --> 0:28:39.040
<v Speaker 1>it's like fifty something thousand now, I thought it was

0:28:39.040 --> 0:28:41.120
<v Speaker 1>twenty five thousand. Yeah, and it keeps going up because

0:28:41.120 --> 0:28:44.280
<v Speaker 1>she keeps delaying and moving around like the she gonna

0:28:44.320 --> 0:28:46.800
<v Speaker 1>feel like she went to college. Man, it's clearly the

0:28:46.800 --> 0:28:50.040
<v Speaker 1>principle with you because it's not the money. Why though,

0:28:50.360 --> 0:28:52.720
<v Speaker 1>because I have to set examples so people don't keep

0:28:52.760 --> 0:28:54.840
<v Speaker 1>coming to play with me. See, look, this is Lisa Bloom.

0:28:55.280 --> 0:29:00.560
<v Speaker 1>I don't think nobody played, but I don't think nobody

0:29:00.680 --> 0:29:03.760
<v Speaker 1>plays with the said me too. I say not me.

0:29:05.280 --> 0:29:07.000
<v Speaker 1>I tell people all the time, you know what I'm

0:29:07.000 --> 0:29:09.160
<v Speaker 1>saying When they say me too, I said, na me,

0:29:09.960 --> 0:29:12.240
<v Speaker 1>I'm not involved with that. So when she comes, she

0:29:12.320 --> 0:29:16.000
<v Speaker 1>was upset because I said something about Trey Trey Songs

0:29:16.040 --> 0:29:17.760
<v Speaker 1>had a situation that was going on one of the

0:29:17.800 --> 0:29:21.040
<v Speaker 1>girls that was around in the actual house set. Nah,

0:29:21.040 --> 0:29:24.080
<v Speaker 1>he didn't hit her that particular situation. He didn't hit it.

0:29:24.200 --> 0:29:26.040
<v Speaker 1>He put out out the house, but the way he

0:29:26.120 --> 0:29:27.840
<v Speaker 1>said it and he did it made her feel like

0:29:29.360 --> 0:29:32.800
<v Speaker 1>she felt like he slapped her right, and that's why

0:29:33.120 --> 0:29:36.800
<v Speaker 1>later she said that he hit her. And I'm like,

0:29:36.880 --> 0:29:39.320
<v Speaker 1>because the other female that I knew it was there

0:29:39.760 --> 0:29:41.600
<v Speaker 1>said that to me. I was like, nah, I don't

0:29:41.600 --> 0:29:44.360
<v Speaker 1>believe he did that. And then she was like, don't

0:29:44.360 --> 0:29:50.240
<v Speaker 1>be uh, but she's shaming the girl that um one

0:29:50.280 --> 0:29:53.800
<v Speaker 1>of her clients, Victim Shaman one of her clients. And

0:29:53.880 --> 0:29:56.200
<v Speaker 1>I'm like, no, no, like, I'm not Victim Shaman. I'm

0:29:56.240 --> 0:29:59.120
<v Speaker 1>just saying I don't believe her. And then the next

0:29:59.160 --> 0:30:01.920
<v Speaker 1>available thing that she could come with, she was, oh, yes, yes,

0:30:02.960 --> 0:30:05.160
<v Speaker 1>jumped on Tara Marie think because she's gonna come, she

0:30:05.240 --> 0:30:08.440
<v Speaker 1>gonna service me, right, she gonna because the climate is

0:30:08.840 --> 0:30:11.000
<v Speaker 1>all me too. That when you bring a female and

0:30:11.040 --> 0:30:14.400
<v Speaker 1>you said you've done something. You see what I'm saying,

0:30:14.400 --> 0:30:19.600
<v Speaker 1>they felt like, oh yeah, yeah, you're finished, buddy. And

0:30:19.640 --> 0:30:22.120
<v Speaker 1>then when it don't work out, they think it just

0:30:22.160 --> 0:30:26.239
<v Speaker 1>goes away. You can't say that you see what they came.

0:30:26.360 --> 0:30:28.640
<v Speaker 1>But that was a great I understand. I understand exactly

0:30:28.640 --> 0:30:31.719
<v Speaker 1>why he's doing ten times. I get it because they

0:30:31.720 --> 0:30:33.880
<v Speaker 1>would hold it to you, yes, yes, and then you

0:30:33.920 --> 0:30:35.400
<v Speaker 1>know what they would do to you, like just based

0:30:35.440 --> 0:30:38.320
<v Speaker 1>on those circumstances, like you go in in the entire

0:30:38.360 --> 0:30:41.080
<v Speaker 1>career and you go so that's what you was attempting

0:30:41.120 --> 0:30:44.120
<v Speaker 1>to do at that point or you wanted She's said

0:30:44.160 --> 0:30:45.840
<v Speaker 1>to a friend, now I'm trying to get the bag.

0:30:45.920 --> 0:30:48.000
<v Speaker 1>You know what I'm saying that. I'm like, okay, so

0:30:48.080 --> 0:30:50.040
<v Speaker 1>now I'm gonna make you feel like you went to college.

0:30:50.960 --> 0:30:53.480
<v Speaker 1>Ko Cyrus, are you gonna help me get into acting?

0:30:53.920 --> 0:30:56.239
<v Speaker 1>You want to do some acting? Anyone? He was up there.

0:30:56.280 --> 0:30:57.760
<v Speaker 1>He said that you were supposed to sign put him

0:30:57.760 --> 0:31:00.920
<v Speaker 1>in power, to put him in power. Good guy, it's

0:31:01.080 --> 0:31:05.000
<v Speaker 1>a personality. I think it's bigger personality than than artist,

0:31:05.040 --> 0:31:07.640
<v Speaker 1>like as a songwriter and stuff like that, because when

0:31:07.640 --> 0:31:09.880
<v Speaker 1>you watch him, like when I see him on the

0:31:09.920 --> 0:31:12.040
<v Speaker 1>clips and stuff like that, now he like that in person.

0:31:12.280 --> 0:31:15.400
<v Speaker 1>It's a ton of personality there. So you know, will

0:31:15.440 --> 0:31:17.240
<v Speaker 1>we find the right thing and get him in there?

0:31:17.680 --> 0:31:21.440
<v Speaker 1>He um and tell him the story, Tell him the story.

0:31:21.680 --> 0:31:24.400
<v Speaker 1>So we're talking about rumors, and you know when you

0:31:24.440 --> 0:31:26.720
<v Speaker 1>google his name, there's a rumor that pops up that

0:31:26.880 --> 0:31:30.320
<v Speaker 1>he was did He's boy toy? Oh shit? Right wait,

0:31:30.360 --> 0:31:32.920
<v Speaker 1>so this is so Charlomagne say it's not true. But

0:31:32.960 --> 0:31:34.720
<v Speaker 1>I told after he brought up the stuff with you,

0:31:34.720 --> 0:31:36.040
<v Speaker 1>I said, you know what Fifthy is gonna say when

0:31:36.040 --> 0:31:38.040
<v Speaker 1>he meet you? Oh no, I don't know that that

0:31:38.200 --> 0:31:40.480
<v Speaker 1>was going on. You know, I can't wait to running

0:31:40.560 --> 0:31:43.080
<v Speaker 1>him what you're gonna say to him? He was playing

0:31:43.080 --> 0:31:49.600
<v Speaker 1>with your booty in Miami. You know it was in Miami. Yo.

0:31:49.720 --> 0:31:53.160
<v Speaker 1>Look that's for James Cruisers all the time. Miami, Miami.

0:31:53.200 --> 0:31:57.240
<v Speaker 1>He's like, Miami. I'm look what you're talking happened in Miami.

0:31:57.560 --> 0:32:03.840
<v Speaker 1>We play the audio. He gonna get universe when it's good. Yeah,

0:32:03.880 --> 0:32:06.400
<v Speaker 1>you gonna you know, we just yeah, but come here,

0:32:06.560 --> 0:32:07.800
<v Speaker 1>you know, if he's gonna say to you when he

0:32:07.840 --> 0:32:13.880
<v Speaker 1>see he did he touch your button? Yeah? Waituntil I

0:32:13.920 --> 0:32:19.440
<v Speaker 1>see him what I see. I'm like, yo, yeah, that's you.

0:32:20.000 --> 0:32:22.600
<v Speaker 1>And did he got a good relationship though? Right? Yeah? Yeah,

0:32:23.200 --> 0:32:25.560
<v Speaker 1>Like do you see I got quin season raising canan?

0:32:25.880 --> 0:32:29.000
<v Speaker 1>Oh that's true? Oh yeah yeah YEAHO talented and and

0:32:29.600 --> 0:32:32.280
<v Speaker 1>I want to get Justin and something. How did that

0:32:32.360 --> 0:32:33.960
<v Speaker 1>go to? Do you? Do? You have talked about that

0:32:34.320 --> 0:32:35.920
<v Speaker 1>he stay out, stays out of that, you know what

0:32:35.960 --> 0:32:38.240
<v Speaker 1>we're talking about that it was more, it's more that's

0:32:38.280 --> 0:32:40.760
<v Speaker 1>about his talent though, that's not about like he read

0:32:40.840 --> 0:32:42.840
<v Speaker 1>he read for that, he killed it, you know what

0:32:42.880 --> 0:32:45.080
<v Speaker 1>I'm saying. I think, like and I called him to

0:32:45.120 --> 0:32:46.560
<v Speaker 1>tell him that, like you ain't got to do with

0:32:46.600 --> 0:32:49.000
<v Speaker 1>you that, it's really about the work you put in

0:32:50.040 --> 0:32:52.400
<v Speaker 1>Right now, now, why did you pass on Jay Coole before?

0:32:52.520 --> 0:32:53.800
<v Speaker 1>That's before we get to the new stuff. Why did

0:32:53.800 --> 0:32:55.920
<v Speaker 1>you pass on Jay Coole? That was so early? Bro,

0:32:56.120 --> 0:33:00.760
<v Speaker 1>Like like this is before Like I think, look, there's

0:33:00.760 --> 0:33:03.160
<v Speaker 1>a difference, you know, I think when at that point

0:33:03.240 --> 0:33:05.360
<v Speaker 1>we didn't have a lot of representation on the street,

0:33:05.400 --> 0:33:09.480
<v Speaker 1>and like we were the representation at that point, and

0:33:09.640 --> 0:33:13.280
<v Speaker 1>you know they're they're cringing for something else that whatever

0:33:13.440 --> 0:33:18.600
<v Speaker 1>it is, that it's to me. J cole Um, Kendrick

0:33:18.680 --> 0:33:25.280
<v Speaker 1>lamar Um. These artists existed early on when I fell

0:33:25.320 --> 0:33:29.600
<v Speaker 1>in love with hip hop. But it was Tyler qual Yeah,

0:33:29.720 --> 0:33:32.760
<v Speaker 1>it was most deaf, tropical questions, It's trip coal quest

0:33:32.840 --> 0:33:40.440
<v Speaker 1>It was like, it was Tyler most common sense, you

0:33:40.480 --> 0:33:43.400
<v Speaker 1>know what I'm saying. And they really as dope as

0:33:43.440 --> 0:33:46.800
<v Speaker 1>they are, like that they are that it's like, it's

0:33:47.200 --> 0:33:51.320
<v Speaker 1>smarter rap, smarter music. The logic can sit down, be humble.

0:33:53.400 --> 0:33:55.680
<v Speaker 1>We're supposed to already know to sit down and be humble.

0:33:56.040 --> 0:33:59.480
<v Speaker 1>They put that there. It's it's it's almost the conscious

0:33:59.520 --> 0:34:02.200
<v Speaker 1>side of of it. And I looked and I'm like,

0:34:02.280 --> 0:34:04.640
<v Speaker 1>oh no, I was cool, but I didn't really know

0:34:04.760 --> 0:34:07.280
<v Speaker 1>if everybody was ready for it because of how strong

0:34:07.360 --> 0:34:10.680
<v Speaker 1>it was embracing what were doing street stuff that I

0:34:10.719 --> 0:34:12.759
<v Speaker 1>got a lot of people say that when you and

0:34:12.880 --> 0:34:16.640
<v Speaker 1>Kanye went head up, and that's what that was when

0:34:16.640 --> 0:34:18.480
<v Speaker 1>you sold them, when you sold more, it shifted from

0:34:18.480 --> 0:34:22.040
<v Speaker 1>the streets streets to know when you do Look, they

0:34:22.160 --> 0:34:24.759
<v Speaker 1>just wanted that anyway, Look, look at the best New

0:34:24.880 --> 0:34:27.880
<v Speaker 1>Artists a thirteen million records. On the first album, you

0:34:27.960 --> 0:34:30.520
<v Speaker 1>got to have a double CD and Die to Go

0:34:30.680 --> 0:34:34.920
<v Speaker 1>Diamond Tupac or Eyes on Me. Yeah. Prior to my

0:34:35.040 --> 0:34:36.799
<v Speaker 1>album Come and Give It to Die Try, you had

0:34:36.880 --> 0:34:39.640
<v Speaker 1>to have a double CD and Die a big two.

0:34:39.680 --> 0:34:42.400
<v Speaker 1>I think likely those are the only two albums that

0:34:42.520 --> 0:34:45.320
<v Speaker 1>they sold that many copies. So when you come and

0:34:46.120 --> 0:34:50.440
<v Speaker 1>and you're having that much success, you would see uh.

0:34:53.320 --> 0:34:55.960
<v Speaker 1>Dianel Ross was on on the award panels saying, you

0:34:56.040 --> 0:34:58.880
<v Speaker 1>don't have to be like this, like you don't have

0:34:58.960 --> 0:35:02.319
<v Speaker 1>to be like like they're afraid their kids going want

0:35:02.360 --> 0:35:06.719
<v Speaker 1>to be fifty if they acknowledge the material, so they

0:35:06.760 --> 0:35:08.520
<v Speaker 1>don't give you the trophies. I got the checks. I

0:35:08.560 --> 0:35:12.279
<v Speaker 1>didn't get Jake got all of my fucking trophies. Man,

0:35:12.400 --> 0:35:19.400
<v Speaker 1>that's because he signed that contract. Who contract. No, if

0:35:19.440 --> 0:35:21.320
<v Speaker 1>you don't sign, you don't give him a trophy. She

0:35:21.320 --> 0:35:25.839
<v Speaker 1>ain't coming. They don't need him in the seats. Now,

0:35:25.920 --> 0:35:28.000
<v Speaker 1>come on, you know Beyonce and I ran down on

0:35:28.080 --> 0:35:30.120
<v Speaker 1>you once fifth come on. She did she did work.

0:35:30.200 --> 0:35:32.920
<v Speaker 1>She jumped up in the thing off collect I was like,

0:35:33.040 --> 0:35:34.960
<v Speaker 1>oh shit, I didn't really know what to do and

0:35:35.160 --> 0:35:37.839
<v Speaker 1>be looking. It was worse situations where he was like, whoa,

0:35:38.840 --> 0:35:41.560
<v Speaker 1>he says to Jay. He says, Ja, he'll look at

0:35:41.600 --> 0:35:47.120
<v Speaker 1>you a goal. No, that happened. Beyonce jumped down on you.

0:35:47.280 --> 0:35:49.319
<v Speaker 1>She jumped out. She was like on a window sill

0:35:49.520 --> 0:35:52.040
<v Speaker 1>right who was in Vegas? She said, I come on talking.

0:35:52.440 --> 0:35:54.520
<v Speaker 1>She jumped out. She was like, and I'm like, wait,

0:35:54.640 --> 0:35:58.799
<v Speaker 1>what did you doing that? Stuff? And stuff? This ain't

0:35:58.800 --> 0:36:00.719
<v Speaker 1>got nothing to do with you girl? Come so hod

0:36:00.800 --> 0:36:04.279
<v Speaker 1>wasn't there me. I'm talking to Jail and I talked

0:36:04.280 --> 0:36:06.239
<v Speaker 1>to Jay. She jumped out and come over, said, old ship,

0:36:06.280 --> 0:36:08.320
<v Speaker 1>look at this about to jump you Lucky so luge

0:36:08.360 --> 0:36:17.360
<v Speaker 1>wasn't I would have had a reboot like that elevator

0:36:17.440 --> 0:36:22.520
<v Speaker 1>like it was nothing some gastes shit going on? Nothing?

0:36:23.360 --> 0:36:25.520
<v Speaker 1>What the bay? She was just staring at you now,

0:36:25.640 --> 0:36:29.160
<v Speaker 1>she can't like she was ready, like something was gonna happen.

0:36:29.480 --> 0:36:34.200
<v Speaker 1>And I'm like, yo, whoaa, she's throwing me off now

0:36:34.840 --> 0:36:37.000
<v Speaker 1>because I don't know what exactly how to respond it.

0:36:38.760 --> 0:36:41.879
<v Speaker 1>You are still beyond sane, you know. She brought all

0:36:41.880 --> 0:36:45.160
<v Speaker 1>of the sexy over that jumping off and I'm like,

0:36:45.200 --> 0:36:51.600
<v Speaker 1>what the fuck I'm seeing all this I'm like, wait,

0:36:51.680 --> 0:36:56.440
<v Speaker 1>what happened? I look at Jail. He goes Now, but

0:36:56.560 --> 0:36:57.960
<v Speaker 1>y'all knew each other. For you though you had you

0:36:58.040 --> 0:37:03.680
<v Speaker 1>had the thugs. What I want? Yeah? Yeah, that's the cap.

0:37:03.840 --> 0:37:05.759
<v Speaker 1>You know that Beyonce back fifty down? You know that.

0:37:06.000 --> 0:37:09.279
<v Speaker 1>I thought people do that people. Oh she did jump down.

0:37:10.000 --> 0:37:11.520
<v Speaker 1>I didn't even know how to respond to that. I

0:37:11.680 --> 0:37:13.120
<v Speaker 1>just looked at Jay. He was looking at He was like,

0:37:15.120 --> 0:37:18.200
<v Speaker 1>I said, all right, whatever, I don't know what because

0:37:18.280 --> 0:37:21.800
<v Speaker 1>we really I'm just saying, what's up? But she feeling

0:37:21.840 --> 0:37:24.040
<v Speaker 1>my energy come over? Because we do say things about

0:37:24.080 --> 0:37:27.560
<v Speaker 1>each other. It's competitive nature. That's it hip hop at

0:37:27.719 --> 0:37:29.600
<v Speaker 1>It's not like I didn't want to do something more.

0:37:30.360 --> 0:37:32.560
<v Speaker 1>We don't want to do something not to each other.

0:37:32.640 --> 0:37:35.200
<v Speaker 1>Y'all gotta go. Y'all still got y'all got a good relationship, right, Yeah?

0:37:35.560 --> 0:37:39.759
<v Speaker 1>If you look, I think if you don't have, if

0:37:39.760 --> 0:37:42.200
<v Speaker 1>you don't have people that you're competing with, I don't

0:37:42.239 --> 0:37:47.200
<v Speaker 1>know where you get your additional energy. Right. That's speaking

0:37:47.440 --> 0:37:52.320
<v Speaker 1>speaking of Houston's Renee. Renee's like cut my Tycoo weekend.

0:37:55.480 --> 0:38:00.359
<v Speaker 1>They take to me thirty six thousands Tycoon Weekend break Down.

0:38:00.480 --> 0:38:01.960
<v Speaker 1>What is tip a weekend for people that don't know

0:38:02.360 --> 0:38:06.320
<v Speaker 1>Tycoon for it's really it started in Atlanta and and

0:38:06.560 --> 0:38:08.240
<v Speaker 1>did it the first time. We did it in Atlanta.

0:38:08.719 --> 0:38:11.080
<v Speaker 1>Then we moved it to let we break it down.

0:38:11.120 --> 0:38:13.840
<v Speaker 1>So in Atlanta they rented a mansion in a residential

0:38:13.920 --> 0:38:18.439
<v Speaker 1>area and had about five thousand people coming that residential area,

0:38:18.680 --> 0:38:21.160
<v Speaker 1>white people walking their dogs, and we just brought the

0:38:21.280 --> 0:38:23.200
<v Speaker 1>hood to I mean, I don't even know how you

0:38:23.280 --> 0:38:26.000
<v Speaker 1>did that. Yeah, it was like a real show that

0:38:26.120 --> 0:38:28.680
<v Speaker 1>we did, like a show. Everybody Christmas there, everybody came.

0:38:30.120 --> 0:38:32.360
<v Speaker 1>We did that. Then the next day it was the

0:38:32.400 --> 0:38:36.479
<v Speaker 1>pool party thing and it went over. We got away

0:38:36.520 --> 0:38:40.040
<v Speaker 1>with that because there's nothing really, nothing bad happened, resulted

0:38:40.080 --> 0:38:43.759
<v Speaker 1>in just a great time. Then in New York we

0:38:43.920 --> 0:38:46.200
<v Speaker 1>did it again, but we did it attached to the

0:38:47.160 --> 0:38:51.080
<v Speaker 1>premiere the Power of Man. So we sold the gardeners

0:38:51.239 --> 0:38:53.759
<v Speaker 1>sold out and we did the because I had all

0:38:53.840 --> 0:38:57.120
<v Speaker 1>of everybody coming out to do some performances stuff at

0:38:57.160 --> 0:38:58.840
<v Speaker 1>the same time. So we did talk on around it

0:38:59.000 --> 0:39:03.520
<v Speaker 1>and that was a uma in Jersey and then um

0:39:04.640 --> 0:39:07.759
<v Speaker 1>we surrounded a bunt, tried to surround more events with it,

0:39:07.840 --> 0:39:11.560
<v Speaker 1>like Pier one fifteen and a bunch of other stuff.

0:39:11.600 --> 0:39:14.720
<v Speaker 1>And then the next time, like this time in Houston,

0:39:15.239 --> 0:39:18.680
<v Speaker 1>there's so many locations that it makes it made better

0:39:18.760 --> 0:39:21.680
<v Speaker 1>sense to build out a whole weekend, and so I

0:39:21.719 --> 0:39:25.640
<v Speaker 1>took the Toyota Center and the Comedy Music Festival. I

0:39:25.640 --> 0:39:27.480
<v Speaker 1>added the comedy show to it, and then I put

0:39:27.680 --> 0:39:30.759
<v Speaker 1>um like musical acts in between each comedian and keep

0:39:30.840 --> 0:39:33.879
<v Speaker 1>the room the abians going, and then the same way

0:39:33.920 --> 0:39:37.400
<v Speaker 1>the DJ would play music in between. Instead of that,

0:39:37.560 --> 0:39:42.400
<v Speaker 1>we're getting the five artists and then when the proceeds

0:39:42.480 --> 0:39:46.320
<v Speaker 1>to that will go to the Unity and enter HID.

0:39:46.520 --> 0:39:47.879
<v Speaker 1>So you don't even make no money over it. That's

0:39:47.960 --> 0:39:53.279
<v Speaker 1>not charity. That's the entrepreneurship program. In Houston, I did

0:39:53.360 --> 0:39:57.120
<v Speaker 1>three schools versus with Lee Worthing and cash Man, and

0:39:58.440 --> 0:40:01.200
<v Speaker 1>I'm spending it to six schools, and then the proceeds

0:40:01.280 --> 0:40:04.600
<v Speaker 1>from the show, we're probably fund being able to do

0:40:04.719 --> 0:40:07.560
<v Speaker 1>even more so probably probably nine schools. But though that

0:40:07.840 --> 0:40:10.439
<v Speaker 1>by at that point we out of the hood, because

0:40:10.440 --> 0:40:12.040
<v Speaker 1>we don't gonna run out of the hood spots, and

0:40:12.120 --> 0:40:16.120
<v Speaker 1>then we and everybody else's neighborhood with adopter school program.

0:40:16.200 --> 0:40:21.080
<v Speaker 1>But entrepreneurship program is doing extremely well. It's when you

0:40:21.239 --> 0:40:24.160
<v Speaker 1>put when you bring the kids together and you tell

0:40:24.200 --> 0:40:27.400
<v Speaker 1>them you got to come up with your idea to

0:40:27.520 --> 0:40:31.120
<v Speaker 1>be successful because it's their idea. You see how much

0:40:31.200 --> 0:40:34.719
<v Speaker 1>more passionate there about it. And then when it gets

0:40:34.719 --> 0:40:37.319
<v Speaker 1>to the point that they sort out that because they're

0:40:37.520 --> 0:40:40.120
<v Speaker 1>providing the information for them how to develop it, and

0:40:40.160 --> 0:40:41.799
<v Speaker 1>then they're gonna see what you need now, and they said,

0:40:41.800 --> 0:40:44.120
<v Speaker 1>well we need money and then go well, okay, well

0:40:44.160 --> 0:40:47.880
<v Speaker 1>here's how we fell out your job application. When you

0:40:48.000 --> 0:40:51.319
<v Speaker 1>do that, seventy five sixty nine of the seventy five

0:40:51.400 --> 0:40:56.560
<v Speaker 1>kids were employed because it's not even your idea, it's

0:40:56.680 --> 0:40:58.520
<v Speaker 1>my idea. I need the money so I can pay

0:40:58.600 --> 0:41:01.359
<v Speaker 1>for my idea. Wow, Versus you're saying, yo, go get

0:41:01.360 --> 0:41:03.759
<v Speaker 1>a job. They're like, nah, I don't know if if

0:41:03.800 --> 0:41:07.120
<v Speaker 1>I want a job because it's too much, you know

0:41:07.160 --> 0:41:09.120
<v Speaker 1>what I'm saying. Until once they put their thought into

0:41:09.239 --> 0:41:11.200
<v Speaker 1>what they actually want to do and they become passionate

0:41:11.239 --> 0:41:13.520
<v Speaker 1>about it, they get into it, they actually want to

0:41:13.560 --> 0:41:16.000
<v Speaker 1>make it happen. So it was able to get more

0:41:16.040 --> 0:41:19.440
<v Speaker 1>of a motivated to do some different stuffs. So much

0:41:20.400 --> 0:41:23.120
<v Speaker 1>you know what, my experience in Houston, it's just been

0:41:23.320 --> 0:41:25.800
<v Speaker 1>kind acts. Some people from Houston, like I've had a

0:41:25.840 --> 0:41:28.080
<v Speaker 1>good time several times that I went out there and

0:41:28.200 --> 0:41:33.160
<v Speaker 1>made me like it. And then the taxes, ye say taxes, Yeah,

0:41:33.480 --> 0:41:36.239
<v Speaker 1>because I'm looking at all. I guess the Yankee hat, bro,

0:41:37.200 --> 0:41:40.520
<v Speaker 1>So they gave me was a Yankee hat, and they

0:41:40.600 --> 0:41:46.759
<v Speaker 1>want now you go so more than your partner. I'm like,

0:41:46.840 --> 0:41:52.320
<v Speaker 1>wait a minute, I could have the wonder Puffy's touching

0:41:52.360 --> 0:41:58.520
<v Speaker 1>that button Miami. He has more money because this Miami.

0:42:02.320 --> 0:42:04.480
<v Speaker 1>That's what happens, bro. Now you do think about you

0:42:04.600 --> 0:42:06.560
<v Speaker 1>like when you know much money we could be making

0:42:06.680 --> 0:42:09.480
<v Speaker 1>if we was in not New York. It's a different thing.

0:42:09.560 --> 0:42:12.640
<v Speaker 1>Like it's just look and y'all syndicated so many places

0:42:12.680 --> 0:42:15.320
<v Speaker 1>that YA can just move the shoulder. Let's take the

0:42:15.360 --> 0:42:20.160
<v Speaker 1>show to Houston. Don't give us no idea. I'll be

0:42:20.200 --> 0:42:24.960
<v Speaker 1>in South Carolina. No, I mean Florida. That's straight like that.

0:42:25.600 --> 0:42:27.040
<v Speaker 1>I go to Houston in a minute for that. So

0:42:27.120 --> 0:42:29.960
<v Speaker 1>when's the weekend? With that weekend? It's August twenty fifth

0:42:30.000 --> 0:42:32.680
<v Speaker 1>through to twenty eight. Okay, a couple more questions you, um,

0:42:32.840 --> 0:42:35.680
<v Speaker 1>how have you even been able to maintain relationships with

0:42:35.760 --> 0:42:37.600
<v Speaker 1>people even though you have said things about them? Like

0:42:37.640 --> 0:42:40.879
<v Speaker 1>the Doctor Dre's the Jimmy Ivens, like like Drey had

0:42:40.880 --> 0:42:42.239
<v Speaker 1>you at the super Bowl. I don't think you know,

0:42:42.520 --> 0:42:44.560
<v Speaker 1>Jimmy Ivien will walk by you at the game like

0:42:45.160 --> 0:42:46.920
<v Speaker 1>you know what I mean? Like you know? Still look

0:42:47.600 --> 0:42:50.120
<v Speaker 1>when you say when I say things like I'm really

0:42:50.239 --> 0:42:53.920
<v Speaker 1>talking about the true experience, I'm not saying anything about them.

0:42:54.000 --> 0:42:55.560
<v Speaker 1>That's a lot like you know what I'm saying. I

0:42:55.640 --> 0:42:57.920
<v Speaker 1>didn't be upset, did you? You know what I mean?

0:42:58.239 --> 0:43:01.160
<v Speaker 1>And maybe this person can't speak to you when they

0:43:01.200 --> 0:43:03.319
<v Speaker 1>see you because you said something and you'd like lied

0:43:03.360 --> 0:43:06.719
<v Speaker 1>on them. But if you you said f Jimmy V

0:43:06.880 --> 0:43:09.840
<v Speaker 1>on the record on a mixtape, because he gave examples.

0:43:10.719 --> 0:43:13.000
<v Speaker 1>It gave examples that it's okay as long as it

0:43:13.080 --> 0:43:16.359
<v Speaker 1>makes money. Oh god, okay to disrespect you. So it's

0:43:16.360 --> 0:43:18.200
<v Speaker 1>okay for a game to say everything that he said

0:43:18.239 --> 0:43:21.239
<v Speaker 1>because he was still an earner. He's still bringing the money.

0:43:21.320 --> 0:43:23.120
<v Speaker 1>And this is the example that you gave me because

0:43:23.160 --> 0:43:25.640
<v Speaker 1>he brought me that and said, if you can you

0:43:25.760 --> 0:43:28.279
<v Speaker 1>fix this, if you fix it out, I'll give you,

0:43:29.360 --> 0:43:31.759
<v Speaker 1>like break the deal up and give you the half

0:43:31.800 --> 0:43:35.880
<v Speaker 1>of the money. And then when when the disrespect comes in, there,

0:43:36.000 --> 0:43:39.759
<v Speaker 1>and it's like it's almost a fear factor because of

0:43:39.800 --> 0:43:42.920
<v Speaker 1>the association of the Jimmy Hensiman thing. Add that to

0:43:43.040 --> 0:43:49.480
<v Speaker 1>it because that kept them from not not doing the project.

0:43:50.200 --> 0:43:52.640
<v Speaker 1>You know what I'm saying, And then there's a whole different,

0:43:53.120 --> 0:43:55.719
<v Speaker 1>different thing. But in that example of you saying, you

0:43:55.800 --> 0:43:58.160
<v Speaker 1>can say all that and look, if you signed the

0:43:58.320 --> 0:44:03.480
<v Speaker 1>unit direct like the other or with that kind of disrespect,

0:44:03.560 --> 0:44:05.919
<v Speaker 1>you don't have a record deal, you don't have music

0:44:06.000 --> 0:44:10.920
<v Speaker 1>coming out. Instead, because it was a joint venture, there

0:44:11.040 --> 0:44:13.520
<v Speaker 1>was still no control factor and they continue to put

0:44:13.560 --> 0:44:15.920
<v Speaker 1>the music out. So it was like, you're letting me

0:44:16.080 --> 0:44:19.239
<v Speaker 1>compete with me so you can make money, right the

0:44:19.440 --> 0:44:22.240
<v Speaker 1>artist that comes from the material that I just created,

0:44:22.400 --> 0:44:25.160
<v Speaker 1>that that made it sell five million pieces, It is

0:44:25.239 --> 0:44:29.040
<v Speaker 1>now a legit competitor for me. When how about the

0:44:29.160 --> 0:44:31.839
<v Speaker 1>label when you're delivering something that's pro fitty saying you're

0:44:31.880 --> 0:44:34.640
<v Speaker 1>delivering something that's anti fifty said, aren't you telling the

0:44:34.719 --> 0:44:38.080
<v Speaker 1>DJ's okay to say whatever you feel about it? But bro,

0:44:38.200 --> 0:44:40.560
<v Speaker 1>I heard you ship on TV networks and then get

0:44:40.600 --> 0:44:43.000
<v Speaker 1>a deal from the same TV network because they don't

0:44:43.040 --> 0:44:46.920
<v Speaker 1>care about They're not one person. The network is a conglomerate.

0:44:47.640 --> 0:44:50.760
<v Speaker 1>There's multiple people there. Like when you say this person,

0:44:51.560 --> 0:44:56.880
<v Speaker 1>isn't it but you said that before? Yeah, like this person.

0:44:57.040 --> 0:45:01.440
<v Speaker 1>You're talking about this person, not the entire organization. And

0:45:01.640 --> 0:45:04.040
<v Speaker 1>you're gonna if when the projects working on projects. No,

0:45:04.080 --> 0:45:06.640
<v Speaker 1>it's just true, like these people have issues, Like you

0:45:06.719 --> 0:45:09.359
<v Speaker 1>got people that have cool jobs that weren't necessarily cool

0:45:09.440 --> 0:45:12.759
<v Speaker 1>people on the way there and they get there and

0:45:12.760 --> 0:45:15.879
<v Speaker 1>they're dealing with their own issues, their own energy. They're

0:45:16.000 --> 0:45:19.080
<v Speaker 1>like looking for they want to be seen as the CEO,

0:45:19.320 --> 0:45:21.960
<v Speaker 1>the guy who actually made it happen. And I get

0:45:22.040 --> 0:45:25.160
<v Speaker 1>in away with that because people look and say, fifty mate,

0:45:25.200 --> 0:45:28.400
<v Speaker 1>that's fifty show. You see what I'm saying. So you

0:45:28.520 --> 0:45:31.720
<v Speaker 1>get that energy only it's there. If that's a conflict.

0:45:32.360 --> 0:45:35.160
<v Speaker 1>Anybody that doesn't doesn't care about that. It's gonna be

0:45:35.200 --> 0:45:37.800
<v Speaker 1>like so we watching stars or not anymore? Because you

0:45:37.880 --> 0:45:41.160
<v Speaker 1>say I thought it was no subscription. Yeah, programmers for

0:45:41.239 --> 0:45:43.759
<v Speaker 1>six months. That's what I thought. It's gonna come back,

0:45:45.080 --> 0:45:46.600
<v Speaker 1>So I give my subscription back. I want to make

0:45:46.600 --> 0:45:49.080
<v Speaker 1>sure it was all stars. You say all stars. I

0:45:49.320 --> 0:45:51.200
<v Speaker 1>don't think it's gonna be where it was what it was,

0:45:51.239 --> 0:45:54.520
<v Speaker 1>where it was headed because I won't be loading everything

0:45:54.560 --> 0:45:57.360
<v Speaker 1>else going to it, but they have this would be

0:45:57.440 --> 0:46:00.160
<v Speaker 1>there and then the new stuff that I have, like

0:46:00.239 --> 0:46:05.399
<v Speaker 1>I took the massacre, the snoops. It was the case

0:46:06.120 --> 0:46:09.000
<v Speaker 1>different things off of the platform because it's like, nah,

0:46:09.200 --> 0:46:11.400
<v Speaker 1>I'm doing too much for the platform if you go

0:46:11.560 --> 0:46:13.800
<v Speaker 1>look when I didn't received the accolades connected to the

0:46:13.880 --> 0:46:16.880
<v Speaker 1>success that I was having. In music, I focused on

0:46:17.400 --> 0:46:19.640
<v Speaker 1>the actual sound scan. This is when the artists started

0:46:19.680 --> 0:46:22.239
<v Speaker 1>talking about sound scale correct and everything else, because I

0:46:22.360 --> 0:46:26.560
<v Speaker 1>was like, yo, now look because this is the actual stats,

0:46:26.680 --> 0:46:29.600
<v Speaker 1>the actual this is what shows you the general public

0:46:29.719 --> 0:46:34.000
<v Speaker 1>actual response to the material when I'm not receiving the

0:46:34.040 --> 0:46:38.359
<v Speaker 1>accolades connected to it. In television, I started marketing more

0:46:39.360 --> 0:46:42.759
<v Speaker 1>over marketing, like I became the Stars Network, so it

0:46:42.920 --> 0:46:46.200
<v Speaker 1>was more visibility and make I said, I'm outperforming the

0:46:46.280 --> 0:46:48.719
<v Speaker 1>shows that they are given the nod too, so they

0:46:48.760 --> 0:46:51.680
<v Speaker 1>see we're doing bigger numbers than those shows. Right, and

0:46:51.800 --> 0:46:55.000
<v Speaker 1>then eventually they have to look at the issue is

0:46:55.239 --> 0:46:57.759
<v Speaker 1>a tougher issue to work through because what we're working

0:46:57.800 --> 0:47:01.520
<v Speaker 1>through is diversity and be like they looking and the

0:47:01.640 --> 0:47:05.080
<v Speaker 1>system does have this cookie cutter mentality that feels like

0:47:05.160 --> 0:47:07.560
<v Speaker 1>that this is the way you make a hit and

0:47:08.480 --> 0:47:12.319
<v Speaker 1>you can put people with different ethnic backgrounds and lead

0:47:12.400 --> 0:47:15.200
<v Speaker 1>roles into big numbers. You can tell those stories and

0:47:15.320 --> 0:47:18.359
<v Speaker 1>this is what power proves and these other projects. When

0:47:18.400 --> 0:47:21.800
<v Speaker 1>you see Empire at Fox and then Snowfall and stuff

0:47:21.840 --> 0:47:23.719
<v Speaker 1>like that, whenever you just see people that look like

0:47:23.840 --> 0:47:28.040
<v Speaker 1>you and leave Rose, it's showing you that that's there.

0:47:28.200 --> 0:47:30.640
<v Speaker 1>They're saying that Fox was saying this is our power

0:47:32.080 --> 0:47:34.040
<v Speaker 1>in part the same the other network is saying this

0:47:34.160 --> 0:47:36.319
<v Speaker 1>is our and and it's only one at the time

0:47:37.320 --> 0:47:39.439
<v Speaker 1>for them. You know what I'm saying. You look look

0:47:39.480 --> 0:47:45.680
<v Speaker 1>at how when you see the young talent like little

0:47:45.760 --> 0:47:49.720
<v Speaker 1>meach or Michael Rainey or McCoy Curtis for Regent Cannan,

0:47:49.880 --> 0:47:52.000
<v Speaker 1>when you see them out in the in the club

0:47:52.120 --> 0:47:55.880
<v Speaker 1>run like in the nightclub, you never see actors on

0:47:56.040 --> 0:47:58.640
<v Speaker 1>that circuit. You know what I'm saying, Like that was

0:47:58.800 --> 0:48:00.920
<v Speaker 1>this is really the first time they're making a connection,

0:48:01.320 --> 0:48:06.000
<v Speaker 1>and it's because they're connected not only to having a

0:48:06.080 --> 0:48:10.360
<v Speaker 1>hit show, but they're connected to music culture. Yeah, I

0:48:10.400 --> 0:48:12.799
<v Speaker 1>don't think. I don't think people will realize what you're

0:48:12.880 --> 0:48:15.600
<v Speaker 1>doing at Stars Like I don't think people I don't

0:48:15.640 --> 0:48:17.880
<v Speaker 1>pine Pople realize how unprecedented that is, Like how much

0:48:18.080 --> 0:48:21.680
<v Speaker 1>programming are you responsible for over there? Like fifty Well yeah,

0:48:21.719 --> 0:48:23.840
<v Speaker 1>they would say fifty percent of it, and it's like

0:48:24.239 --> 0:48:27.319
<v Speaker 1>probably eighty percent of what the viewership is into. Wow.

0:48:28.080 --> 0:48:30.600
<v Speaker 1>At that point, you pull they put supposed to be

0:48:30.640 --> 0:48:34.759
<v Speaker 1>an executive up there something. Then they're going if you're

0:48:34.800 --> 0:48:38.359
<v Speaker 1>going with the confusion everything that you see me talk

0:48:38.400 --> 0:48:41.399
<v Speaker 1>about being upset about, I think you don't see anywhere else,

0:48:41.480 --> 0:48:45.319
<v Speaker 1>Like you don't see other networks having the television show leak. Yeah,

0:48:45.960 --> 0:48:47.480
<v Speaker 1>you don't see you know what I'm saying, Like when

0:48:47.520 --> 0:48:54.680
<v Speaker 1>they talk about a programming for specific demographic, then you go,

0:48:55.000 --> 0:48:57.279
<v Speaker 1>uh like there was go a premium woman is the man?

0:48:57.360 --> 0:49:00.759
<v Speaker 1>They when you do that, you go, okay, well, I

0:49:00.840 --> 0:49:04.680
<v Speaker 1>mean but that ain't what your hits are because Power

0:49:04.880 --> 0:49:09.000
<v Speaker 1>wasn't Premium Woman, and all four the spinoffs are not

0:49:09.160 --> 0:49:11.480
<v Speaker 1>Premium Woman. So now you're saying you can't have the

0:49:11.560 --> 0:49:14.359
<v Speaker 1>hit that you had to beget this drawing people here

0:49:14.800 --> 0:49:17.719
<v Speaker 1>because you just created a new man date away from

0:49:18.400 --> 0:49:21.239
<v Speaker 1>the success you have, right, and I'm going away, So

0:49:21.320 --> 0:49:23.680
<v Speaker 1>it's this, Can you explain that to me a little

0:49:23.719 --> 0:49:25.480
<v Speaker 1>further so I understand exactly what it is, because I

0:49:25.480 --> 0:49:27.480
<v Speaker 1>could produce what you need. I just got to understand

0:49:27.520 --> 0:49:31.160
<v Speaker 1>exactly what it is. Because what does when you see

0:49:31.200 --> 0:49:34.840
<v Speaker 1>me in Variety or the Rap or Hollywood Reporter and

0:49:34.880 --> 0:49:37.160
<v Speaker 1>stuff like that, that does nothing from my phone goes

0:49:37.200 --> 0:49:42.839
<v Speaker 1>further than the Hollywood Reporter and Variety I could just right.

0:49:42.920 --> 0:49:46.520
<v Speaker 1>So when when you think about what those things do,

0:49:46.760 --> 0:49:51.000
<v Speaker 1>those things speak directly the business inside. It says, if

0:49:51.040 --> 0:49:52.880
<v Speaker 1>you have this project and you want to sell it,

0:49:53.040 --> 0:49:54.840
<v Speaker 1>you should come to fifties so we can sell it

0:49:55.600 --> 0:49:59.279
<v Speaker 1>and I get additional things. But but I can look

0:49:59.280 --> 0:50:02.839
<v Speaker 1>at these things if they work for the network. When

0:50:02.880 --> 0:50:04.759
<v Speaker 1>you understand the mandate, you know what I'm saying. So

0:50:05.200 --> 0:50:07.279
<v Speaker 1>I'm going I can find what you need, if what

0:50:07.400 --> 0:50:10.040
<v Speaker 1>you want, and bring it in and produce it for you.

0:50:10.120 --> 0:50:14.359
<v Speaker 1>If you don't. If there's a once this clarity, it's clear.

0:50:14.480 --> 0:50:19.560
<v Speaker 1>But they're looking and using it for their own identity.

0:50:19.800 --> 0:50:22.520
<v Speaker 1>I don't. I hate mandates, especially when you've given a

0:50:22.719 --> 0:50:25.840
<v Speaker 1>network four or five shows that work. Create more of

0:50:25.880 --> 0:50:28.440
<v Speaker 1>those type of shows. But they take common sense. It

0:50:28.600 --> 0:50:30.719
<v Speaker 1>doesn't take it. It doesn't take anybody to come up

0:50:30.760 --> 0:50:33.879
<v Speaker 1>with some like Einstein to be involved. It's say, it's

0:50:33.880 --> 0:50:35.680
<v Speaker 1>got to go to by the way. Oh yeah, but

0:50:35.680 --> 0:50:37.839
<v Speaker 1>if you make a hit, you want more of a hit,

0:50:38.520 --> 0:50:41.480
<v Speaker 1>more of that energy, more that that with service, that

0:50:41.600 --> 0:50:43.200
<v Speaker 1>base that would keep them coming. And you see the

0:50:43.280 --> 0:50:47.200
<v Speaker 1>networkers continues to growing. But in in exchange, I've seen

0:50:47.280 --> 0:50:51.000
<v Speaker 1>them do things for vanity, like they'll pay more for

0:50:52.360 --> 0:50:54.480
<v Speaker 1>first of all, their premium woman. Man did this premium

0:50:54.520 --> 0:50:57.680
<v Speaker 1>white woman because since then, the only thing that they've

0:50:57.719 --> 0:51:03.719
<v Speaker 1>created was the uh Julia Roberts gas lit and h

0:51:04.320 --> 0:51:07.920
<v Speaker 1>Courtney Cox. I don't even know the name of that

0:51:09.400 --> 0:51:16.440
<v Speaker 1>watching pink people worship because it's like it's almost like

0:51:16.520 --> 0:51:21.200
<v Speaker 1>a horror comedy. Hard to make me laugh when I'm scared,

0:51:22.360 --> 0:51:23.920
<v Speaker 1>you know what I'm saying, Like, it's hard to do

0:51:24.080 --> 0:51:25.880
<v Speaker 1>both at the same time. So I didn't know what

0:51:26.000 --> 0:51:28.759
<v Speaker 1>really was trying to do with that one. But you know,

0:51:29.800 --> 0:51:31.239
<v Speaker 1>you better do the right thing, because you know, I

0:51:31.560 --> 0:51:36.120
<v Speaker 1>there's no reason to watch stars if program about it's

0:51:36.120 --> 0:51:40.480
<v Speaker 1>just a fact. We appreciate you for joining us August

0:51:40.520 --> 0:51:42.880
<v Speaker 1>twenty fifth out in Houston. I'll be out there and

0:51:42.920 --> 0:51:45.080
<v Speaker 1>host to others. Make sure you get your tickets. There's

0:51:45.080 --> 0:51:48.240
<v Speaker 1>so many things from pool parties, clubs to charity events

0:51:48.280 --> 0:51:51.080
<v Speaker 1>to comedy shows, performances. Make sure you're part of it.

0:51:51.400 --> 0:51:57.080
<v Speaker 1>And we see raising cannon coming soon. That's right. And

0:51:57.160 --> 0:51:58.360
<v Speaker 1>one is it true they ask you to be on

0:51:58.400 --> 0:52:03.799
<v Speaker 1>the Murdering Doc? No, they wanted, wasn't it to try

0:52:03.800 --> 0:52:07.839
<v Speaker 1>and clear I get money for the Supreme thing? Oh? Okay, okay,

0:52:08.440 --> 0:52:11.239
<v Speaker 1>they asked you to be on the Doctor? Did you

0:52:11.280 --> 0:52:21.640
<v Speaker 1>clear it? It's the Breakfast Cloud. Good morning,