1 00:00:00,360 --> 00:00:04,880 Speaker 1: Wait that ass up in the morning breakfast club more 2 00:00:04,880 --> 00:00:08,920 Speaker 1: than everybody is DJ Envy angela Ye, Charlemagne the guy. 3 00:00:08,960 --> 00:00:11,399 Speaker 1: We are the breakfast club. We got a special guest 4 00:00:11,480 --> 00:00:15,880 Speaker 1: in the building fifty. It got me up bright and early. 5 00:00:16,440 --> 00:00:19,400 Speaker 1: What's going on? Manything? Good man? No complaints? How I 6 00:00:19,440 --> 00:00:21,520 Speaker 1: feel to be back in New York. Man, feel good man? 7 00:00:21,560 --> 00:00:24,160 Speaker 1: The city? The city is good. Don't you ain't watching 8 00:00:24,200 --> 00:00:27,520 Speaker 1: YouTube to see the news clips about every things is 9 00:00:27,600 --> 00:00:29,800 Speaker 1: going on out here. You look like you got back 10 00:00:29,800 --> 00:00:31,760 Speaker 1: in the gym heavy brom I back. You know, they 11 00:00:31,840 --> 00:00:37,920 Speaker 1: say I was fat super Bowl. That shit bothers me, man, 12 00:00:38,960 --> 00:00:40,400 Speaker 1: because I was like, what are you talking about? I'm 13 00:00:40,440 --> 00:00:42,360 Speaker 1: not fat? Like I got I'm gonna sure you pitture 14 00:00:42,600 --> 00:00:45,159 Speaker 1: I took with Jimmie Foxx. You know, I guess it's 15 00:00:45,159 --> 00:00:47,400 Speaker 1: the angle because I was coming up, so you see 16 00:00:47,440 --> 00:00:50,240 Speaker 1: like it looked a little wider and then they got 17 00:00:50,240 --> 00:00:51,839 Speaker 1: they got that and they ran with it. But you know, 18 00:00:51,960 --> 00:00:55,200 Speaker 1: like I'm I'm looking like now, I fluctuated a lot 19 00:00:55,320 --> 00:00:57,880 Speaker 1: throughout mind my run, you know what I'm saying, And 20 00:00:57,880 --> 00:00:59,840 Speaker 1: it's just my body tie. I can be security, bro, 21 00:01:00,560 --> 00:01:03,760 Speaker 1: I'm gonna be too big and it's sorry. You know, 22 00:01:03,760 --> 00:01:06,280 Speaker 1: I started training and working out stuff but regular stuff, 23 00:01:06,319 --> 00:01:08,360 Speaker 1: but I just made sure I did it every morning 24 00:01:08,400 --> 00:01:11,000 Speaker 1: because they said that to me. How's it back on 25 00:01:11,040 --> 00:01:12,920 Speaker 1: the road? You know, the last two three years you've 26 00:01:12,920 --> 00:01:15,720 Speaker 1: been doing nothing but movies and shows, and now you're 27 00:01:15,720 --> 00:01:17,040 Speaker 1: back on the road. How does that feel to be 28 00:01:17,080 --> 00:01:20,080 Speaker 1: out performed? Like? You know, look, hip hop is now 29 00:01:20,120 --> 00:01:22,000 Speaker 1: old enough for them to start to treat us like 30 00:01:22,040 --> 00:01:26,360 Speaker 1: we treated the real pop stars, you know, like we're 31 00:01:26,440 --> 00:01:29,400 Speaker 1: Princeton and Mike. And then when they was, they would 32 00:01:29,440 --> 00:01:32,880 Speaker 1: just say I'm performing today and the show would go 33 00:01:32,959 --> 00:01:35,120 Speaker 1: up and sell out that day, you know what I'm saying, Like, 34 00:01:35,160 --> 00:01:38,679 Speaker 1: and then and the nationally, I'm getting an old response 35 00:01:38,720 --> 00:01:41,080 Speaker 1: to the things, like everything sold out like when I 36 00:01:41,080 --> 00:01:43,240 Speaker 1: went out there, and it's because I laid the groundwork, 37 00:01:43,280 --> 00:01:47,120 Speaker 1: like during Get Richard Died Trying and the Massacre those projects. 38 00:01:47,240 --> 00:01:48,840 Speaker 1: Was taking two years for me to come with the 39 00:01:48,840 --> 00:01:50,840 Speaker 1: next album because I spent the whole year after I 40 00:01:50,920 --> 00:01:54,400 Speaker 1: released it touring, you know, so because I was going 41 00:01:54,440 --> 00:01:59,320 Speaker 1: everywhere like Croatia, moved by India, like Coast of Old 42 00:01:59,400 --> 00:02:01,360 Speaker 1: like I would everywhere, you know what I'm saying, Like 43 00:02:01,400 --> 00:02:03,960 Speaker 1: everywhere that they would I wanted all of the flags 44 00:02:03,960 --> 00:02:07,520 Speaker 1: that M had on that Marsha Matters album, Yeah, that plaque. 45 00:02:07,680 --> 00:02:08,919 Speaker 1: So I was like, I know I'm gonna have to 46 00:02:08,960 --> 00:02:11,120 Speaker 1: go through the door to get it, but I'm gonna 47 00:02:11,160 --> 00:02:15,120 Speaker 1: go in the association to M help, you know what 48 00:02:15,160 --> 00:02:17,480 Speaker 1: I'm saying. So it's like I went out there and 49 00:02:17,520 --> 00:02:19,079 Speaker 1: did all of that, but now now it feels good 50 00:02:19,080 --> 00:02:20,600 Speaker 1: because I'm able to go out there and through those 51 00:02:20,600 --> 00:02:24,280 Speaker 1: things and people really responding to it, and I'm so 52 00:02:24,520 --> 00:02:29,639 Speaker 1: seasoned the performance now it's like it's easy, you know 53 00:02:29,680 --> 00:02:31,200 Speaker 1: what I'm saying, Like I'm running out and it's like 54 00:02:31,240 --> 00:02:33,680 Speaker 1: oh boom. I'm like, yeah, I'll get do it again 55 00:02:33,840 --> 00:02:37,799 Speaker 1: tonight because it makes you feel celebrated and appreciated. Because 56 00:02:37,840 --> 00:02:40,200 Speaker 1: fifth you would you a different type of legend, like 57 00:02:40,200 --> 00:02:43,160 Speaker 1: it levels the legends, you know, a different type of legends. 58 00:02:43,240 --> 00:02:45,720 Speaker 1: You gotta change. You can't see the same way. You 59 00:02:45,760 --> 00:02:47,680 Speaker 1: know what I'm saying, Like I'm looking going the things 60 00:02:47,680 --> 00:02:50,840 Speaker 1: that I got off phone in the beginning, Charla, it 61 00:02:50,919 --> 00:02:54,800 Speaker 1: changed dramatically, like now, look the simplicity and writing music 62 00:02:55,520 --> 00:02:57,240 Speaker 1: is a key to it. So like go short, it's 63 00:02:57,240 --> 00:02:59,679 Speaker 1: your birthdays. What comes what I'm feeling when I'm hearing 64 00:02:59,680 --> 00:03:03,240 Speaker 1: the rec and then the reason is where people have 65 00:03:03,320 --> 00:03:05,760 Speaker 1: a specific reason they want to enjoy themselves. When it's 66 00:03:05,800 --> 00:03:08,080 Speaker 1: your birthday and we're here, we want to have a 67 00:03:08,120 --> 00:03:10,480 Speaker 1: good time. So I'll put that in it. But when 68 00:03:10,520 --> 00:03:14,079 Speaker 1: you think about it and television is it's almost never 69 00:03:14,160 --> 00:03:17,000 Speaker 1: right the first time, Like they write it and then 70 00:03:17,160 --> 00:03:19,200 Speaker 1: they get the notes from the executives and it comes 71 00:03:19,240 --> 00:03:21,760 Speaker 1: down with different so it kind of morphs into something different. 72 00:03:22,000 --> 00:03:24,600 Speaker 1: And it's choices. So if creatively, if you make if 73 00:03:24,600 --> 00:03:27,200 Speaker 1: you go Okay, I'm going left here and they're gonna 74 00:03:27,560 --> 00:03:29,720 Speaker 1: but you could have went right, and you see, I 75 00:03:29,760 --> 00:03:31,880 Speaker 1: could have did that, but it was a creative choice. 76 00:03:32,360 --> 00:03:35,000 Speaker 1: But that example, if they don't give you that example 77 00:03:35,120 --> 00:03:38,080 Speaker 1: what you could have did. They don't know why they're 78 00:03:38,120 --> 00:03:42,720 Speaker 1: receiving there by they're being paid, so they give you 79 00:03:42,760 --> 00:03:45,200 Speaker 1: that example, and then the artists change it and it 80 00:03:45,320 --> 00:03:47,760 Speaker 1: just changes. So it makes me not creatively want to 81 00:03:47,800 --> 00:03:50,640 Speaker 1: be a part of the writing process because it's a 82 00:03:50,800 --> 00:03:53,440 Speaker 1: it's a very tedious process. You got to know so 83 00:03:53,480 --> 00:03:56,440 Speaker 1: many details about the story before you get started that 84 00:03:56,520 --> 00:04:02,040 Speaker 1: it's like I'd rather feed the writer information being part 85 00:04:02,040 --> 00:04:06,040 Speaker 1: of the you know, the whole creative idea. But let 86 00:04:06,080 --> 00:04:08,400 Speaker 1: them handle that part because there's so many changes and 87 00:04:08,440 --> 00:04:11,200 Speaker 1: stuff until it works. Then you start to see less 88 00:04:11,200 --> 00:04:14,680 Speaker 1: and less notes as the projects more and more successful. 89 00:04:14,760 --> 00:04:21,240 Speaker 1: But do you feel celebrated? Fifth don't like that's a skill. 90 00:04:22,680 --> 00:04:25,400 Speaker 1: So you guys haven't for a long time. I answered 91 00:04:25,440 --> 00:04:28,160 Speaker 1: how I want to answer, and I come back and 92 00:04:28,279 --> 00:04:30,159 Speaker 1: I say what I want to say. So you look 93 00:04:30,200 --> 00:04:32,640 Speaker 1: at you go Now I do feel teb even when 94 00:04:33,080 --> 00:04:35,120 Speaker 1: you see the new versions, like when you see like 95 00:04:35,240 --> 00:04:37,760 Speaker 1: Dirt and these these other artists that come out that 96 00:04:37,920 --> 00:04:41,520 Speaker 1: have that um like the element that is coming straight 97 00:04:41,520 --> 00:04:43,760 Speaker 1: out of the environment, you know what I'm saying. And 98 00:04:43,760 --> 00:04:46,200 Speaker 1: then you look like and this pure Chicago would you 99 00:04:46,480 --> 00:04:48,200 Speaker 1: you get from them? You know what I'm saying. So 100 00:04:48,279 --> 00:04:50,800 Speaker 1: I'm looking at him like and I was turned onto 101 00:04:50,839 --> 00:04:53,880 Speaker 1: them so early because I remember I was crazy about 102 00:04:53,920 --> 00:04:57,520 Speaker 1: Chief Keep. Ye Chief Keep first came. They thought Chief 103 00:04:58,720 --> 00:05:01,000 Speaker 1: I just didn't know. You didn't know what I was 104 00:05:01,040 --> 00:05:03,120 Speaker 1: talking about. He was like, yo, nah, like what they're 105 00:05:03,160 --> 00:05:06,279 Speaker 1: talking about, you know, the environment, how to survive and 106 00:05:06,360 --> 00:05:08,960 Speaker 1: function there. And it was in a whole new world 107 00:05:09,640 --> 00:05:11,520 Speaker 1: with this this actual business. You know what I'm saying, 108 00:05:11,560 --> 00:05:13,960 Speaker 1: but once you get a chance to kind of know them, 109 00:05:14,000 --> 00:05:16,839 Speaker 1: you you start to like them because they're not like 110 00:05:16,880 --> 00:05:19,120 Speaker 1: the music. What the music is saying is not who 111 00:05:19,120 --> 00:05:21,320 Speaker 1: they actually are. Like that's and it's the same thing 112 00:05:21,320 --> 00:05:22,920 Speaker 1: with me too, or you wouldn't be able to grow 113 00:05:23,400 --> 00:05:26,320 Speaker 1: past those points. He would just look the guy who 114 00:05:27,320 --> 00:05:32,039 Speaker 1: does exactly what I'm saying and does is that it's 115 00:05:32,080 --> 00:05:34,279 Speaker 1: not successful. Are you doing? Are you doing another album? 116 00:05:34,360 --> 00:05:36,520 Speaker 1: Hurt that you might be doing one last album? I 117 00:05:36,640 --> 00:05:38,200 Speaker 1: heard you working on? Is there any true to that? Yeah? 118 00:05:38,200 --> 00:05:40,400 Speaker 1: I started working on some things like the last one, 119 00:05:40,440 --> 00:05:42,799 Speaker 1: though it may not be the last album and maybe 120 00:05:43,480 --> 00:05:46,120 Speaker 1: broken up into something that goes out with one of 121 00:05:46,160 --> 00:05:49,240 Speaker 1: the television shows. You see what I'm saying. Like, but creatively, 122 00:05:49,279 --> 00:05:51,120 Speaker 1: I just said, now I want to do something, and 123 00:05:51,400 --> 00:05:53,320 Speaker 1: I got all the vehicles that I needed to do 124 00:05:53,680 --> 00:05:56,720 Speaker 1: twenty five television shows, so I could just put here's 125 00:05:56,720 --> 00:06:01,120 Speaker 1: the EP connected to this and that if without having 126 00:06:01,160 --> 00:06:03,880 Speaker 1: the pressure of it being a full album and and 127 00:06:03,880 --> 00:06:05,880 Speaker 1: all that, because like look, if you look when the 128 00:06:05,920 --> 00:06:08,880 Speaker 1: last time you've seen the actual numbers on the sales 129 00:06:08,920 --> 00:06:11,000 Speaker 1: of record, like you see, Kanye said, you put it 130 00:06:11,040 --> 00:06:15,320 Speaker 1: on something device so you can't see the actual number 131 00:06:15,360 --> 00:06:17,960 Speaker 1: the numbers, right, and that that's because if you see 132 00:06:18,000 --> 00:06:21,200 Speaker 1: the number, you go, oh wait, man, it's how did 133 00:06:21,200 --> 00:06:23,880 Speaker 1: you used to be? Yeah, you know it's especially when 134 00:06:23,880 --> 00:06:27,440 Speaker 1: you have a huge, successful sales record. So they're avoiding 135 00:06:27,480 --> 00:06:30,440 Speaker 1: that number by putting it on a device or putting 136 00:06:30,440 --> 00:06:33,479 Speaker 1: it through title or through somewhere else, so you can't 137 00:06:33,520 --> 00:06:36,279 Speaker 1: actually see what's happening with it. But the record, they're 138 00:06:36,320 --> 00:06:39,559 Speaker 1: bigger stars within the culture because they've been here longer 139 00:06:40,000 --> 00:06:41,680 Speaker 1: and developed their brands. I don't even think it mad 140 00:06:41,680 --> 00:06:43,680 Speaker 1: at them more. Be honestly, they did what three hundred something, 141 00:06:43,760 --> 00:06:46,360 Speaker 1: and people will be like, oh, it's her lower sales weekend. 142 00:06:46,400 --> 00:06:48,560 Speaker 1: I'm like, give see twenty five years in and I 143 00:06:48,560 --> 00:06:52,760 Speaker 1: mean it's just how many kids you got, three married, married, 144 00:06:53,000 --> 00:06:56,440 Speaker 1: three married with three kids and it's supposed to be 145 00:06:56,480 --> 00:07:01,359 Speaker 1: the same sex, right, I mean, it's a diff different 146 00:07:01,440 --> 00:07:05,159 Speaker 1: energy there. And then our audience has grown the grown folks. 147 00:07:05,200 --> 00:07:08,080 Speaker 1: You gotta look and say, I'd say between two thousand 148 00:07:08,080 --> 00:07:10,560 Speaker 1: and three and two thousand and five viewers in college, 149 00:07:10,600 --> 00:07:13,520 Speaker 1: you my core audience. You know what I'm saying, because 150 00:07:13,600 --> 00:07:16,000 Speaker 1: that's when you're having your adult experience. For the first time, 151 00:07:16,000 --> 00:07:20,160 Speaker 1: when you party in every available moment possible. And those 152 00:07:20,240 --> 00:07:23,560 Speaker 1: those people the material impacted the hardest because it's the 153 00:07:23,560 --> 00:07:26,920 Speaker 1: theme music to their life at that point when it's smoking, hotest, 154 00:07:26,960 --> 00:07:29,600 Speaker 1: brand new, it's just happening at that point. And then 155 00:07:29,640 --> 00:07:32,080 Speaker 1: you look, love music don't get old. So Beyonce that 156 00:07:32,120 --> 00:07:35,000 Speaker 1: she ain't going nowhere like Shell, there'll be a reason 157 00:07:36,120 --> 00:07:38,800 Speaker 1: for you to want to listen to Beyonce. Like you 158 00:07:38,840 --> 00:07:40,800 Speaker 1: know what I'm saying. It's just when you look at 159 00:07:40,880 --> 00:07:43,880 Speaker 1: R and B music and B music require buttons. At 160 00:07:43,880 --> 00:07:46,080 Speaker 1: some point you had to be a gentleman. Now you 161 00:07:46,120 --> 00:07:49,600 Speaker 1: look up, they got the same tattoos the hip hop artist. 162 00:07:49,920 --> 00:07:52,200 Speaker 1: They're saying the same they're singing the lyrics the hip 163 00:07:52,200 --> 00:07:55,280 Speaker 1: hop artists would say in the verse, And what about 164 00:07:55,320 --> 00:07:59,400 Speaker 1: g Unit? I see Banks making his rounds. Yeah, when 165 00:07:59,440 --> 00:08:02,240 Speaker 1: y'all do a project in a documentary, when is that happening? 166 00:08:02,280 --> 00:08:04,640 Speaker 1: I probably won't do a project with them. I'm done 167 00:08:04,640 --> 00:08:10,720 Speaker 1: with with carrying them around my back hurt. Yeah, it's 168 00:08:10,760 --> 00:08:13,880 Speaker 1: a different animal, like if it doesn't you know what 169 00:08:13,960 --> 00:08:16,280 Speaker 1: he showed him. If he does something wrong, I don't 170 00:08:16,320 --> 00:08:19,960 Speaker 1: care what what magnitude of it is. He'll look, he'll 171 00:08:20,000 --> 00:08:26,720 Speaker 1: go my bad, and and you go all right, and 172 00:08:26,800 --> 00:08:28,600 Speaker 1: we just keep going to the next time he does 173 00:08:28,640 --> 00:08:33,400 Speaker 1: something wrong. That's the relationship. That is our relationship. Now 174 00:08:33,440 --> 00:08:37,600 Speaker 1: when you look at the like Banks, all these other guys, 175 00:08:37,640 --> 00:08:41,800 Speaker 1: they oh they came in by way of him, and 176 00:08:42,040 --> 00:08:44,960 Speaker 1: they have a different temperament. It's not like it's not 177 00:08:45,000 --> 00:08:48,680 Speaker 1: the same relationship. So I don't necessarily go back to 178 00:08:48,800 --> 00:08:53,679 Speaker 1: carrying them. You know. Yeah, he's it's different. Do you 179 00:08:53,720 --> 00:08:55,000 Speaker 1: want do you watch hold On? Do you watch the 180 00:08:55,080 --> 00:08:58,280 Speaker 1: unit in interviews? Do you watch like Banks interviews? I 181 00:08:58,360 --> 00:09:00,960 Speaker 1: see some of the stuff to come through. I saw 182 00:09:00,960 --> 00:09:05,440 Speaker 1: he did something with flex, I saw it yep um clips, Yeah, 183 00:09:05,760 --> 00:09:07,840 Speaker 1: because that the whole interview. But I see pieces like 184 00:09:07,840 --> 00:09:09,520 Speaker 1: I saw something that he did with your buddy. Yeah, 185 00:09:09,520 --> 00:09:10,920 Speaker 1: he gave you big problems on that. He said that 186 00:09:10,960 --> 00:09:14,000 Speaker 1: you made him a better songwriter. You improved his craft 187 00:09:14,240 --> 00:09:16,880 Speaker 1: at that point. I wasn't doing nothing but writing nothing 188 00:09:16,920 --> 00:09:18,560 Speaker 1: the song, right, Like if you're saying, if you're going, 189 00:09:19,320 --> 00:09:21,439 Speaker 1: I don't think you should be have the best verse 190 00:09:21,559 --> 00:09:23,880 Speaker 1: at fifty years old. In hip hop culture, I think 191 00:09:24,160 --> 00:09:27,360 Speaker 1: the hip part of hip hop this youth coaching and 192 00:09:27,360 --> 00:09:29,760 Speaker 1: that and that like we we love things that are 193 00:09:30,000 --> 00:09:32,800 Speaker 1: like the coach loves things that have been damaged by 194 00:09:32,800 --> 00:09:37,200 Speaker 1: the experience. And you can see, no matter how harsh 195 00:09:37,240 --> 00:09:41,480 Speaker 1: the experience has been, how beautiful the art is in it, 196 00:09:41,600 --> 00:09:44,320 Speaker 1: Like it sounds perfect when you hear Cardi be saying it, Oh, 197 00:09:44,480 --> 00:09:47,400 Speaker 1: it sounds like something different, and you know what the 198 00:09:48,200 --> 00:09:50,480 Speaker 1: experience has been like prior to that, it's been a 199 00:09:50,559 --> 00:09:53,120 Speaker 1: rough road to get there, Like you're going if you 200 00:09:53,120 --> 00:09:57,040 Speaker 1: don't think that I picked up specifically because of the 201 00:09:58,000 --> 00:10:01,240 Speaker 1: strip club and that experience, the like every single one 202 00:10:01,240 --> 00:10:05,160 Speaker 1: of those girls, like let's say about sixty or seventy 203 00:10:05,200 --> 00:10:08,160 Speaker 1: percent of them would like to trade places with Cardi 204 00:10:08,280 --> 00:10:16,200 Speaker 1: right now. Right, So the dream happened and it's like 205 00:10:16,240 --> 00:10:22,040 Speaker 1: a year the record work meant, that got married, Ye 206 00:10:22,880 --> 00:10:25,440 Speaker 1: had the kids. The whole shit just came together like 207 00:10:25,600 --> 00:10:28,120 Speaker 1: like in one year. So I was like, I'll point 208 00:10:28,160 --> 00:10:31,280 Speaker 1: to that because it's the beauty of our cultures, Like 209 00:10:31,360 --> 00:10:33,720 Speaker 1: we saved people. And what about the documentary because I 210 00:10:33,760 --> 00:10:35,840 Speaker 1: think a lot of people would love to know how 211 00:10:35,880 --> 00:10:39,080 Speaker 1: would happened, Like they see fifth they know what happened, 212 00:10:39,080 --> 00:10:41,160 Speaker 1: but they don't know how it happened. Yeah, I would 213 00:10:41,160 --> 00:10:42,719 Speaker 1: do it. I would do a documentary on it, and 214 00:10:42,760 --> 00:10:47,240 Speaker 1: I think the if there would be surprised from from 215 00:10:47,240 --> 00:10:49,720 Speaker 1: my perspective what it is like because you look at 216 00:10:49,760 --> 00:10:52,560 Speaker 1: it and you say, like we have communications. I come 217 00:10:52,559 --> 00:10:55,120 Speaker 1: in and I told them all. I said, Yo, look 218 00:10:55,200 --> 00:10:57,959 Speaker 1: under the table. They look under the table and they 219 00:10:58,000 --> 00:11:01,520 Speaker 1: got on ELVs and Chi. You know That's what I'm saying, 220 00:11:01,840 --> 00:11:06,120 Speaker 1: do not expect your JUNA check to come at the 221 00:11:06,160 --> 00:11:10,240 Speaker 1: time they were being paid to where JUnit Sniager is RBK, 222 00:11:10,520 --> 00:11:12,760 Speaker 1: So don't expect that check to come in the mail again, 223 00:11:13,120 --> 00:11:15,280 Speaker 1: you know what I'm exactly. And it was like jay 224 00:11:15,360 --> 00:11:18,959 Speaker 1: Z didn't give his shoe deal to He didn't give 225 00:11:19,600 --> 00:11:23,480 Speaker 1: the the other guys that was on Rockefeller the shoe 226 00:11:23,520 --> 00:11:26,400 Speaker 1: deal he was with Basketball Plue right, And I'm like, 227 00:11:26,440 --> 00:11:28,880 Speaker 1: I could have just put the shoes on the court 228 00:11:29,000 --> 00:11:31,960 Speaker 1: or because I took the Stan Smithadita to kind of 229 00:11:31,960 --> 00:11:34,400 Speaker 1: create what the Juni shoe was, because it just went 230 00:11:34,440 --> 00:11:37,480 Speaker 1: to tennis, you know what I'm saying, And it made 231 00:11:37,520 --> 00:11:39,559 Speaker 1: that cool like while we was doing everything else, and 232 00:11:39,600 --> 00:11:42,640 Speaker 1: instead I gave all of them to check that fund 233 00:11:42,720 --> 00:11:45,400 Speaker 1: that was their finance was coming from RBK to pay 234 00:11:45,440 --> 00:11:47,640 Speaker 1: them to do it, and they was just on trim 235 00:11:47,640 --> 00:11:50,840 Speaker 1: with what everybody else was doing style wise doing that. 236 00:11:50,920 --> 00:11:52,560 Speaker 1: So I'm like, I don't expect that to come. But 237 00:11:52,640 --> 00:11:54,960 Speaker 1: at that point I was telling them that they needed 238 00:11:55,000 --> 00:11:58,560 Speaker 1: to focus on their branding, stitching and stuff and everything 239 00:11:58,559 --> 00:12:00,600 Speaker 1: else because I'm not going to do it for you, 240 00:12:00,679 --> 00:12:04,400 Speaker 1: like to just do it for you. And it's it's not. Look, 241 00:12:04,640 --> 00:12:08,040 Speaker 1: I'm not that much smarter than these guys. Man. I 242 00:12:08,120 --> 00:12:12,480 Speaker 1: just the time period that I had between like five 243 00:12:12,720 --> 00:12:17,000 Speaker 1: the massacre, because at that period three from three to five, 244 00:12:18,240 --> 00:12:21,360 Speaker 1: I was on the whole experiment. Like the girls was 245 00:12:21,400 --> 00:12:24,120 Speaker 1: excited about me. We was going who it was, I 246 00:12:24,120 --> 00:12:26,400 Speaker 1: wouldn't even know. It's the fuzziest blurry to me who 247 00:12:26,520 --> 00:12:29,440 Speaker 1: was there at that point right now? But oh five, 248 00:12:30,200 --> 00:12:32,640 Speaker 1: I was locking in because I was trying to understand 249 00:12:32,720 --> 00:12:35,400 Speaker 1: what was actually going on so to get rich to 250 00:12:35,440 --> 00:12:37,440 Speaker 1: gossel fans. Yeah, so I was in the in the 251 00:12:38,000 --> 00:12:39,800 Speaker 1: in the hotels, I'm on the phone with the lawyer. 252 00:12:39,840 --> 00:12:42,160 Speaker 1: U sense, so what does this mean? Because the terms 253 00:12:42,160 --> 00:12:45,640 Speaker 1: in the actual contracts are written within legal terms that 254 00:12:45,679 --> 00:12:47,839 Speaker 1: I don't understand everything that's dead and I went through 255 00:12:47,880 --> 00:12:51,040 Speaker 1: everything into it. I can know enough to use my 256 00:12:51,080 --> 00:12:53,960 Speaker 1: gut instincts on how I want to do the deal. Meanwhile, 257 00:12:54,000 --> 00:12:57,720 Speaker 1: everybody else is at the party. This this NonStop party 258 00:12:57,720 --> 00:13:01,480 Speaker 1: that's going on. That they missed all of the information 259 00:13:01,520 --> 00:13:03,240 Speaker 1: and stuff like that. So when it came time for 260 00:13:03,280 --> 00:13:06,640 Speaker 1: them to secure keeping things going, they didn't do the 261 00:13:06,679 --> 00:13:09,440 Speaker 1: same thing I did. Damn you You you talk about writing, 262 00:13:09,480 --> 00:13:12,120 Speaker 1: did you only write for gunit artists? Yesterday I saw 263 00:13:12,840 --> 00:13:15,679 Speaker 1: a reference track for Higher Leaked, Yeah, and as you 264 00:13:15,760 --> 00:13:21,920 Speaker 1: as you doing. I did what's your Name? Uhi songs 265 00:13:21,960 --> 00:13:24,560 Speaker 1: on that album, Well everybody knows that, and I did 266 00:13:24,840 --> 00:13:29,040 Speaker 1: on What's your Name? I did Paradise for LL with 267 00:13:29,880 --> 00:13:34,120 Speaker 1: but Yeah. I wrote that and then Charmagne did the 268 00:13:35,000 --> 00:13:38,120 Speaker 1: reference vocals and then from Tony Pope. Because it was 269 00:13:38,160 --> 00:13:40,920 Speaker 1: a familiar loop, it needed to have the chorus on 270 00:13:40,960 --> 00:13:42,640 Speaker 1: that to sell, you know, I tracked Myssters used to 271 00:13:42,720 --> 00:13:46,520 Speaker 1: do all of the joints over so to pitch that 272 00:13:46,600 --> 00:13:49,360 Speaker 1: to LL, you got to have a full picture for 273 00:13:49,440 --> 00:13:51,040 Speaker 1: him to see it when he come in, or he's 274 00:13:51,080 --> 00:13:53,680 Speaker 1: not gonna understand why he's doing that that loop again, 275 00:13:53,920 --> 00:13:56,280 Speaker 1: you know what I'm saying. And we did that. Then, 276 00:13:56,520 --> 00:14:02,880 Speaker 1: um few other pieces I did, but next oh, for Next, 277 00:14:02,880 --> 00:14:05,439 Speaker 1: I did the R and B group. Yeah, what song 278 00:14:05,600 --> 00:14:07,360 Speaker 1: was it? I forgot? Was Fun of the Joints. But 279 00:14:07,400 --> 00:14:09,920 Speaker 1: I got a plaque for that for next and I 280 00:14:09,960 --> 00:14:16,959 Speaker 1: did UM I wrote for Puff. But what did you 281 00:14:16,960 --> 00:14:20,320 Speaker 1: write for buff the not Guilty and a filthy come 282 00:14:20,360 --> 00:14:26,160 Speaker 1: on take this money, this money? Oh up? Joint? You 283 00:14:26,240 --> 00:14:30,840 Speaker 1: wrote that? Yeah? I saw ye say that he was 284 00:14:30,880 --> 00:14:33,400 Speaker 1: supposed to sign a bad boy. Yeah, you know what. 285 00:14:33,480 --> 00:14:36,240 Speaker 1: I was going back and forth and he just he 286 00:14:36,400 --> 00:14:38,920 Speaker 1: just look. They knew I was talented. They just looked 287 00:14:38,960 --> 00:14:40,760 Speaker 1: at it and was like, I don't want all of 288 00:14:40,760 --> 00:14:43,520 Speaker 1: this stuff that comes with him, you know what I'm saying. 289 00:14:43,560 --> 00:14:46,720 Speaker 1: And it took for me to go around until uh 290 00:14:47,200 --> 00:14:49,520 Speaker 1: the m stumbled over it. But he didn't know the 291 00:14:49,560 --> 00:14:53,400 Speaker 1: trouble that came with it what I'm saying. I was like, Yo, no, 292 00:14:53,560 --> 00:14:56,160 Speaker 1: this is perfect. Like I wasn't even gonna say nothing, 293 00:14:56,200 --> 00:14:59,680 Speaker 1: to be honest with you, I didn't even address them 294 00:14:59,760 --> 00:15:03,560 Speaker 1: direc erectly until uh, like John had said something about 295 00:15:03,680 --> 00:15:06,840 Speaker 1: Hailey and they had a relationship because they was getting out. 296 00:15:06,840 --> 00:15:10,920 Speaker 1: They had hung out together and got high together and them, yeah, 297 00:15:10,960 --> 00:15:14,040 Speaker 1: go from there, like because he felt like there was 298 00:15:14,080 --> 00:15:16,600 Speaker 1: something that there was closer than it was based on that. 299 00:15:16,640 --> 00:15:20,720 Speaker 1: This is joh So he when they got into we 300 00:15:20,800 --> 00:15:22,680 Speaker 1: got to a point he had fired off and he 301 00:15:23,400 --> 00:15:25,880 Speaker 1: said some stuff about Haley and that was just it. 302 00:15:26,000 --> 00:15:27,600 Speaker 1: I seen him was upset. I said all right, I 303 00:15:27,600 --> 00:15:30,840 Speaker 1: can't do it now and I went in the next room. 304 00:15:30,920 --> 00:15:33,640 Speaker 1: I was in Detroit and I recorded Automatic Gunfight that 305 00:15:33,680 --> 00:15:38,280 Speaker 1: weekend because the first tape was the Future was all 306 00:15:38,320 --> 00:15:40,360 Speaker 1: of those tapes. That was one photo shoot in this 307 00:15:40,520 --> 00:15:44,760 Speaker 1: dude garage. Wowow with the white with the red, white 308 00:15:44,760 --> 00:15:47,040 Speaker 1: and blue and the white shirt. It was all three 309 00:15:47,080 --> 00:15:50,280 Speaker 1: shirts we had. We had a green theme, the red, 310 00:15:50,280 --> 00:15:52,680 Speaker 1: white and blue thing and white t shirts. I want 311 00:15:52,680 --> 00:15:56,600 Speaker 1: to go back. So you wrote Higher, Yeah, you wrote 312 00:15:56,600 --> 00:15:59,800 Speaker 1: six songs off that album Higher. This is how we do. 313 00:16:00,000 --> 00:16:02,960 Speaker 1: Were automatically thinking we do. But his verses on that. 314 00:16:03,040 --> 00:16:04,440 Speaker 1: So when you see the writing credit, you think it's 315 00:16:04,440 --> 00:16:09,280 Speaker 1: his verse. You see the writing. Look, they said kind 316 00:16:09,280 --> 00:16:12,760 Speaker 1: of stuff about like he said he wrote what up Gangs? Yeah, 317 00:16:12,760 --> 00:16:14,640 Speaker 1: I'm like, come on, bro, he wasn't even around when 318 00:16:14,640 --> 00:16:16,520 Speaker 1: we did that. Like that was before he even came 319 00:16:16,520 --> 00:16:19,480 Speaker 1: into the picture. Like that's get rich to died trying. 320 00:16:19,560 --> 00:16:22,200 Speaker 1: He didn't even come after that. Yeah, we don't even 321 00:16:22,240 --> 00:16:25,000 Speaker 1: know who he was after. But there's a I know, 322 00:16:25,360 --> 00:16:28,360 Speaker 1: there's a point where desperation when you say anything like 323 00:16:28,400 --> 00:16:32,640 Speaker 1: this is how to rob? Me to ro Yeah, Columbia, 324 00:16:32,960 --> 00:16:35,000 Speaker 1: you know what I'm saying. I'm like yo, because after 325 00:16:35,080 --> 00:16:38,240 Speaker 1: bigg and the two part of the name artists was 326 00:16:38,360 --> 00:16:41,400 Speaker 1: kind of standing away from saying everybody's name. This is 327 00:16:41,440 --> 00:16:43,440 Speaker 1: when they're doing twenty three bets on one in them 328 00:16:44,600 --> 00:16:48,640 Speaker 1: threat some Syneymlex three TV sets the minimum that's naws 329 00:16:49,480 --> 00:16:52,280 Speaker 1: about jay Z in my lifetime, you know what I'm saying. 330 00:16:52,320 --> 00:16:55,600 Speaker 1: So that it was all subliminal, say everything I gotta 331 00:16:55,640 --> 00:16:58,520 Speaker 1: say about you without saying it's for you, and let 332 00:16:58,520 --> 00:17:00,680 Speaker 1: the you know listener go ah oh he's saying this. 333 00:17:01,200 --> 00:17:03,640 Speaker 1: You know what I'm saying. So they were still doing that, 334 00:17:03,680 --> 00:17:06,119 Speaker 1: and I was like, uh, okay, I'm say everybody's name 335 00:17:06,200 --> 00:17:09,240 Speaker 1: because it looks like I'm going back to the neighborhood. 336 00:17:10,280 --> 00:17:14,119 Speaker 1: I'm gonna be subjective to what the guy. So it 337 00:17:14,240 --> 00:17:16,879 Speaker 1: just didn't matter. It was like whatever, I'm going back anyway. 338 00:17:16,880 --> 00:17:18,920 Speaker 1: It looked like we'll cause more drama. How to rob 339 00:17:18,960 --> 00:17:23,320 Speaker 1: a Holy Chrome? How to rob? Really? You know, it's 340 00:17:23,359 --> 00:17:26,760 Speaker 1: ill the Karan look, and they just the documentary thing 341 00:17:26,800 --> 00:17:29,000 Speaker 1: came out and I don't care nothing about that because 342 00:17:29,000 --> 00:17:33,320 Speaker 1: I know nas his the connection to that as there 343 00:17:33,400 --> 00:17:36,120 Speaker 1: was god body. You know what I'm saying, like that 344 00:17:36,280 --> 00:17:39,400 Speaker 1: is this thing other than that? There's nothing else dead, 345 00:17:39,840 --> 00:17:42,280 Speaker 1: you know what I mean? And you look and I go, well, 346 00:17:42,280 --> 00:17:46,239 Speaker 1: what is the when they put the Koran? And they 347 00:17:46,280 --> 00:17:48,199 Speaker 1: they mentioned how many times did their name were in 348 00:17:48,320 --> 00:17:52,000 Speaker 1: records in the documentary and it was cool every time 349 00:17:52,040 --> 00:17:54,000 Speaker 1: that their name was in records, but they was upset 350 00:17:54,080 --> 00:17:58,200 Speaker 1: with the version that I did. Team up. They went 351 00:17:58,280 --> 00:18:00,399 Speaker 1: through ten different For people that don't know what the 352 00:18:00,400 --> 00:18:02,360 Speaker 1: holy Qurana is is is you talked about a lot 353 00:18:02,400 --> 00:18:05,360 Speaker 1: of the hustlers and queens. Yeah, the neighborhood. Yeah. And 354 00:18:05,600 --> 00:18:06,800 Speaker 1: I don't know if you know, but you know, DJs 355 00:18:06,800 --> 00:18:09,960 Speaker 1: would get beat up for playing the record all day, 356 00:18:10,040 --> 00:18:14,200 Speaker 1: like if you played it, like, don't play that record. Yeah, 357 00:18:14,200 --> 00:18:16,160 Speaker 1: that's that's how crazy it was back there. And they 358 00:18:16,160 --> 00:18:18,960 Speaker 1: wouldn't say nothing to me though they're going on, no, 359 00:18:19,480 --> 00:18:22,120 Speaker 1: you know, like not seeing me, it's enough. And didn't 360 00:18:22,160 --> 00:18:24,600 Speaker 1: have problem with the record. Then he had a problem 361 00:18:24,720 --> 00:18:27,560 Speaker 1: later when law enforcement start to hold on to the 362 00:18:27,600 --> 00:18:31,280 Speaker 1: records and then not holding the record because of what 363 00:18:31,320 --> 00:18:34,879 Speaker 1: I said on it, because they already got a separate 364 00:18:34,920 --> 00:18:37,760 Speaker 1: homicide that you're sitting in here on. They already got 365 00:18:37,760 --> 00:18:39,960 Speaker 1: your tapes in the dope that you got caught within 366 00:18:40,000 --> 00:18:42,639 Speaker 1: bottom up. So what they're really holding you to is 367 00:18:42,680 --> 00:18:44,680 Speaker 1: the fact that I didn't say nothing when I got hit. 368 00:18:45,480 --> 00:18:48,240 Speaker 1: So they're saying, he's associated to this thing with this kid, 369 00:18:48,280 --> 00:18:51,520 Speaker 1: and and this is the this is why they keep 370 00:18:51,560 --> 00:18:53,600 Speaker 1: bringing that into this actual case. Butmber, all of the 371 00:18:53,600 --> 00:18:55,879 Speaker 1: snitch you snitch this is now that's the worst thing 372 00:18:55,920 --> 00:18:58,040 Speaker 1: you can be in the environment that I come up in, Right, 373 00:18:58,960 --> 00:19:02,639 Speaker 1: what a snitch at And the documentary I'm not in 374 00:19:02,680 --> 00:19:06,960 Speaker 1: that case. So there's no snitch there, right, there's nothing 375 00:19:07,000 --> 00:19:09,919 Speaker 1: about nothing. All he says is he knew me. He 376 00:19:10,000 --> 00:19:12,480 Speaker 1: knew what what that was about. And what it is 377 00:19:12,600 --> 00:19:14,760 Speaker 1: what that was about was he got an idea and 378 00:19:14,800 --> 00:19:18,080 Speaker 1: they eat the same idea. I got minds work. Obviously, 379 00:19:19,720 --> 00:19:21,840 Speaker 1: do you understand what I'm saying. He like his idea 380 00:19:22,080 --> 00:19:26,680 Speaker 1: is YO, lead them alone, they our food because he 381 00:19:26,800 --> 00:19:28,399 Speaker 1: eating off him, like when the when the fish is 382 00:19:28,520 --> 00:19:31,800 Speaker 1: saying yo, while he's saying yo, we beat the feeder, 383 00:19:31,960 --> 00:19:35,800 Speaker 1: never beat nothing, and he wasn't involved in nothing. They 384 00:19:35,880 --> 00:19:38,560 Speaker 1: really washed you up to make sure that they got 385 00:19:38,640 --> 00:19:41,440 Speaker 1: him so you couldn't help him financially. Yeah, they only 386 00:19:41,440 --> 00:19:43,800 Speaker 1: put you in the case to eat it. He'll tell 387 00:19:43,880 --> 00:19:46,200 Speaker 1: you he was two million in the hole. And the 388 00:19:46,280 --> 00:19:47,680 Speaker 1: thing I think I think I heard that he said, 389 00:19:47,680 --> 00:19:49,840 Speaker 1: they don't drink cha, So why are you two million 390 00:19:49,840 --> 00:19:52,640 Speaker 1: in the hole? Is to make sure you can't help him. 391 00:19:52,680 --> 00:19:55,840 Speaker 1: He went to trial with a legal eighty. They never 392 00:19:55,880 --> 00:19:57,879 Speaker 1: had a home jury, know nothing. These words out of 393 00:19:57,880 --> 00:20:00,399 Speaker 1: his mouth. You see what I'm saying. But I go 394 00:20:00,480 --> 00:20:03,840 Speaker 1: see bids, I go see kat In Clinton. Cat go, 395 00:20:04,880 --> 00:20:09,200 Speaker 1: Yeah he fucked that up, he go. I don't understand 396 00:20:09,320 --> 00:20:15,080 Speaker 1: he was supposed to have both. Why he choose You 397 00:20:15,080 --> 00:20:17,359 Speaker 1: see what I'm saying, Like he's going, y'all from you 398 00:20:17,480 --> 00:20:21,080 Speaker 1: from It's like you're from this that's automatic, and you're going, 399 00:20:21,200 --> 00:20:24,080 Speaker 1: I understand that these kids are trying to make death row. 400 00:20:25,720 --> 00:20:27,880 Speaker 1: This is Cat saying, they're trying to make death row. 401 00:20:27,960 --> 00:20:29,720 Speaker 1: That's what they're trying to do with this, with that, 402 00:20:29,840 --> 00:20:33,280 Speaker 1: But why would you go against that? To do that 403 00:20:34,680 --> 00:20:37,000 Speaker 1: when you know I had to residence to go against 404 00:20:37,040 --> 00:20:39,919 Speaker 1: anybody like there's nobody this too, it else. Those are 405 00:20:39,960 --> 00:20:42,199 Speaker 1: the guys that you would choose not to go against 406 00:20:42,280 --> 00:20:45,200 Speaker 1: at that point. It's in the environment. They got it, 407 00:20:45,280 --> 00:20:48,960 Speaker 1: and it's not him individually, because everybody's greater than their 408 00:20:48,960 --> 00:20:50,960 Speaker 1: absence than they are in the presence. His or is 409 00:20:51,000 --> 00:20:54,159 Speaker 1: stronger than he is. He asked him about that. When 410 00:20:54,200 --> 00:20:56,600 Speaker 1: he go get his arm broke and they joint them, 411 00:20:56,640 --> 00:20:59,600 Speaker 1: they missed that part. He's gonna say he slipped fell 412 00:20:59,640 --> 00:21:04,600 Speaker 1: on mind. Yeah, is there anybody fifty cent fears? Ever? 413 00:21:04,800 --> 00:21:08,240 Speaker 1: Historically in life all of the situations. If you don't 414 00:21:08,240 --> 00:21:10,840 Speaker 1: have fear, then you're not Then you're just not acknowledging 415 00:21:10,960 --> 00:21:16,320 Speaker 1: danger point. Yeah, but you just you're just not stupid, 416 00:21:16,359 --> 00:21:19,760 Speaker 1: Then you're not scared enohing. You watch that guy that 417 00:21:19,920 --> 00:21:22,280 Speaker 1: just has a zero fear and say, yeah, we can 418 00:21:22,320 --> 00:21:24,160 Speaker 1: get him. He's tough. We're gonna have a hard time 419 00:21:24,240 --> 00:21:26,920 Speaker 1: chewing on him, but we're gonna get him. We get him. 420 00:21:27,200 --> 00:21:29,399 Speaker 1: Like other than that, you just gotta pay attention to it. 421 00:21:29,800 --> 00:21:31,760 Speaker 1: It's surrounded as things is going on, like and you 422 00:21:31,840 --> 00:21:36,680 Speaker 1: say never never saying the toughest guy, I just I'm 423 00:21:36,680 --> 00:21:40,080 Speaker 1: gonna do what I want to do. And then if 424 00:21:40,080 --> 00:21:42,040 Speaker 1: I die in the process. I was doing what I 425 00:21:42,119 --> 00:21:46,080 Speaker 1: wanted to do. Even the themes. Look, it's power the dollar, Yeah, 426 00:21:46,520 --> 00:21:50,560 Speaker 1: I get here, I come back, get rich or die trying. Yeah, right, 427 00:21:50,560 --> 00:21:53,040 Speaker 1: and the prices because that's already what I'm feeling, like, 428 00:21:53,080 --> 00:21:54,800 Speaker 1: I'm gonna do it. I'm in the process. It's the 429 00:21:54,840 --> 00:21:57,640 Speaker 1: greatest thing is to watch me because either I'm going 430 00:21:57,680 --> 00:21:59,720 Speaker 1: to get rich or I'm gonna die in the process. 431 00:22:00,640 --> 00:22:02,520 Speaker 1: And this is what I'm gonna call the record. So 432 00:22:02,600 --> 00:22:05,520 Speaker 1: it was the massacre you projecting all the pain you 433 00:22:05,600 --> 00:22:07,879 Speaker 1: felt on everybody else. I was supposed to go, but 434 00:22:08,280 --> 00:22:11,400 Speaker 1: that album was supposed to come out February Age supposed 435 00:22:11,400 --> 00:22:14,240 Speaker 1: to be the same Valentine's Day Master they pushed it 436 00:22:14,280 --> 00:22:16,480 Speaker 1: back because we was doing too good with games record, 437 00:22:17,520 --> 00:22:19,040 Speaker 1: and I'm like, yo, Like you got to think in 438 00:22:19,119 --> 00:22:22,480 Speaker 1: the scope was when East Coast West Coast was going on. 439 00:22:22,960 --> 00:22:26,199 Speaker 1: In the scope was the West coast, So it's some 440 00:22:26,400 --> 00:22:29,560 Speaker 1: uncomfortability with me being from the East coast. Yeah, then 441 00:22:29,560 --> 00:22:31,879 Speaker 1: I'm not even conscious of Initially I'm going like yo, 442 00:22:32,000 --> 00:22:35,480 Speaker 1: They're like yo, they love that, they're doing extremely well 443 00:22:35,520 --> 00:22:37,200 Speaker 1: like that, but they're going to damn why we can't 444 00:22:37,200 --> 00:22:41,120 Speaker 1: have one like from here, you see what I'm saying, 445 00:22:41,119 --> 00:22:43,840 Speaker 1: Like from Drake's perspective, it's why why we can't have 446 00:22:43,920 --> 00:22:50,200 Speaker 1: one from the West coast like that? And it's that's 447 00:22:50,240 --> 00:22:52,920 Speaker 1: the assignment to a game started moving. It was like wait, wait, 448 00:22:52,960 --> 00:22:55,639 Speaker 1: wait to build that, Like what's that? That record is 449 00:22:55,640 --> 00:22:57,880 Speaker 1: out in the selling They're going to wait, we don't 450 00:22:57,920 --> 00:23:00,760 Speaker 1: want to cut the legs off of this, And you're going, 451 00:23:02,680 --> 00:23:06,040 Speaker 1: but that's rearranging my presentation what I'm doing. So now 452 00:23:07,119 --> 00:23:11,159 Speaker 1: I wouldn't. I wouldn't have given him things it was 453 00:23:11,200 --> 00:23:13,040 Speaker 1: so good if I felt like it was going all 454 00:23:13,040 --> 00:23:15,440 Speaker 1: to what I'm doing, you know what I'm saying, Like 455 00:23:15,520 --> 00:23:18,159 Speaker 1: I did my first record so fast like the second record. 456 00:23:18,720 --> 00:23:21,040 Speaker 1: My attempt that the first record went was done in 457 00:23:21,040 --> 00:23:25,679 Speaker 1: the weekend, so did get rich? No, the second the 458 00:23:25,720 --> 00:23:28,359 Speaker 1: massacre and that the attempt that was done in the 459 00:23:28,400 --> 00:23:32,520 Speaker 1: weekend turns into games out. You regret giving game, you regret, 460 00:23:32,760 --> 00:23:35,480 Speaker 1: hated to love it. This is how we do. Look, 461 00:23:35,640 --> 00:23:38,480 Speaker 1: it's just the way things are. When I look, I 462 00:23:38,480 --> 00:23:44,560 Speaker 1: don't I don't see anyone who's who hasn't um, who 463 00:23:44,600 --> 00:23:49,320 Speaker 1: hasn't helped other artists and haven't had it reciprocated probably 464 00:23:50,119 --> 00:23:53,400 Speaker 1: like that's what every everybody, you know what I'm saying, 465 00:23:53,400 --> 00:23:56,359 Speaker 1: even with Koda, you see him with jack Boy, the 466 00:23:56,600 --> 00:23:59,720 Speaker 1: things that these guys come together because I'm told Code 467 00:23:59,720 --> 00:24:01,879 Speaker 1: that he oh yo, but I didn't know we was 468 00:24:01,920 --> 00:24:05,280 Speaker 1: gonna go through that. It's too hard, Like it's too 469 00:24:05,320 --> 00:24:07,840 Speaker 1: hard to get it for us to go through that. 470 00:24:07,960 --> 00:24:09,600 Speaker 1: So but now that's the same thing as what we 471 00:24:09,680 --> 00:24:14,720 Speaker 1: experienced we looked down for like when they're not right 472 00:24:14,800 --> 00:24:17,440 Speaker 1: under you, because they're in a different area, it's easy 473 00:24:17,560 --> 00:24:21,440 Speaker 1: to persuade them. Like. This is also how Jimmy Henchman felt. 474 00:24:22,400 --> 00:24:25,320 Speaker 1: This is what drive what how game was behaving because 475 00:24:25,359 --> 00:24:28,240 Speaker 1: he also had his whole management team is going, yo, 476 00:24:28,320 --> 00:24:30,560 Speaker 1: you don't need them from you got a whole coast, 477 00:24:31,320 --> 00:24:33,160 Speaker 1: you got the whole West coast, Like you don't gotta 478 00:24:33,200 --> 00:24:35,679 Speaker 1: be down with them. When he's I just gave him 479 00:24:35,720 --> 00:24:38,600 Speaker 1: the record, you know what I'm saying, and then they 480 00:24:38,760 --> 00:24:42,159 Speaker 1: go oh he flips out. I'm like, oh okay, but 481 00:24:42,320 --> 00:24:44,440 Speaker 1: it is a reflection of you see how the Jimmy 482 00:24:44,480 --> 00:24:47,320 Speaker 1: Henchman thing turned out, like the eight tons into real 483 00:24:47,359 --> 00:24:49,120 Speaker 1: street stuff, you know what I'm saying. So you're going 484 00:24:50,640 --> 00:24:54,920 Speaker 1: he was feeling that way along before, Yeah, I mean, 485 00:24:54,960 --> 00:24:57,560 Speaker 1: and then then it just was like, yeah, full on, 486 00:24:57,680 --> 00:25:00,800 Speaker 1: we could do everything we want to do. Vice first 487 00:25:00,800 --> 00:25:03,800 Speaker 1: because Chris really his issues was with Chris, with Chris Lydy. 488 00:25:04,119 --> 00:25:08,080 Speaker 1: That's why I don't like James Cruise, why I saw, Yeah, 489 00:25:08,119 --> 00:25:09,720 Speaker 1: I don't like I don't like him at all, Like 490 00:25:09,760 --> 00:25:11,800 Speaker 1: because he's a sucker. Like the whole time he was 491 00:25:11,840 --> 00:25:15,880 Speaker 1: like he was still going to go see Jimmy hanging out. Meanwhile, 492 00:25:15,960 --> 00:25:18,680 Speaker 1: Jimmy's getting Mike Lighty cut in the back of the 493 00:25:18,760 --> 00:25:21,520 Speaker 1: head and everything else and the shooting and everything else 494 00:25:21,640 --> 00:25:23,399 Speaker 1: is going. He's a punk. Like when you see people 495 00:25:23,440 --> 00:25:27,040 Speaker 1: that like they're just feel full of We said respect 496 00:25:27,119 --> 00:25:30,120 Speaker 1: come from admiration of fear one of the others, right, 497 00:25:30,359 --> 00:25:33,240 Speaker 1: His respect for Jimmy comes from fear. So he's a 498 00:25:33,280 --> 00:25:35,000 Speaker 1: sucker in my eyes, you know what I'm saying. And 499 00:25:35,000 --> 00:25:37,320 Speaker 1: then he does all of this talk about things that 500 00:25:37,440 --> 00:25:40,080 Speaker 1: went on with Chris Lydy. Then I'm like, yo, why 501 00:25:40,080 --> 00:25:42,879 Speaker 1: are you even talking about what I'm doing? Come from me? 502 00:25:43,000 --> 00:25:46,000 Speaker 1: You You was like you were in the meeting. You 503 00:25:46,040 --> 00:25:48,560 Speaker 1: didn't actually make no deals. I thought he said he 504 00:25:48,600 --> 00:25:52,159 Speaker 1: managed you. At one point he was working for Chris Lydy. 505 00:25:53,400 --> 00:25:55,920 Speaker 1: So you in there as Chris Lady's assistant while you're 506 00:25:55,920 --> 00:25:58,160 Speaker 1: doing what you're doing in the deal, and when did 507 00:25:58,200 --> 00:26:00,879 Speaker 1: you He never had no agreement with me to manage 508 00:26:00,880 --> 00:26:03,880 Speaker 1: me in anyway or any capacity. So when you say that, 509 00:26:04,359 --> 00:26:06,719 Speaker 1: it irritates me, you know what I'm saying that Then 510 00:26:06,920 --> 00:26:10,359 Speaker 1: like later he's just he's a sucker. I didn't understand 511 00:26:10,359 --> 00:26:12,760 Speaker 1: why Chris wanted him around, you know what I'm saying, 512 00:26:12,760 --> 00:26:16,200 Speaker 1: Like when the shooting happened with little kim O d 513 00:26:16,359 --> 00:26:19,320 Speaker 1: Rod hating him, Yo, come out from behind the red car. 514 00:26:19,400 --> 00:26:23,320 Speaker 1: They got us. That's what he was doing, you know 515 00:26:23,320 --> 00:26:29,240 Speaker 1: what I'm like. And the Chris was like like dealing 516 00:26:29,240 --> 00:26:31,520 Speaker 1: with him because he had, you know, like a background. 517 00:26:31,600 --> 00:26:34,359 Speaker 1: He was because he had a radio background. He always 518 00:26:34,400 --> 00:26:37,480 Speaker 1: looked like he should get a piece. But if you're 519 00:26:37,480 --> 00:26:39,120 Speaker 1: getting the best deal for me, why do you feel 520 00:26:39,119 --> 00:26:41,760 Speaker 1: like somebody should get your piece. That's the way I 521 00:26:41,840 --> 00:26:43,760 Speaker 1: look at it. I look like if you go to 522 00:26:43,800 --> 00:26:45,560 Speaker 1: somebody else to say, yo, you should get me a watch, 523 00:26:45,640 --> 00:26:48,560 Speaker 1: or you should get me this, That's that was his thing. 524 00:26:48,720 --> 00:26:49,959 Speaker 1: You know what I'm saying that, I'm like, but if 525 00:26:49,960 --> 00:26:51,800 Speaker 1: you're asking them for a watch. Then you felt like 526 00:26:51,800 --> 00:26:54,720 Speaker 1: you gave him a deal to then you didn't get 527 00:26:54,760 --> 00:26:56,720 Speaker 1: me the best deal if you if he owes your 528 00:26:56,720 --> 00:26:59,639 Speaker 1: watch for the deal. You see what I'm saying. And 529 00:26:59,640 --> 00:27:03,120 Speaker 1: then it's like they act like they don't understand why 530 00:27:03,119 --> 00:27:05,080 Speaker 1: I don't like him. Between you, Diddi and Crews, I 531 00:27:05,119 --> 00:27:07,520 Speaker 1: don't think you'd have worked on bad Boy. I don't 532 00:27:07,520 --> 00:27:11,160 Speaker 1: think terrible, but you know, I look at that point, 533 00:27:11,160 --> 00:27:13,600 Speaker 1: I would have probably did the deal. There was no 534 00:27:13,720 --> 00:27:16,480 Speaker 1: other like at that point. But when I was, when 535 00:27:16,520 --> 00:27:20,879 Speaker 1: I was Jennifer who told Puff to work with me 536 00:27:22,400 --> 00:27:25,200 Speaker 1: okay because she her first album want to Say Boy. 537 00:27:25,280 --> 00:27:28,600 Speaker 1: Rooney was the executive producer. Borey Rooney was my executive 538 00:27:28,600 --> 00:27:31,879 Speaker 1: producer for Power of the Doubt. So we had the 539 00:27:31,920 --> 00:27:35,280 Speaker 1: relationship from Queens and everything coming out that they put 540 00:27:35,320 --> 00:27:37,719 Speaker 1: us in the same circles. And then Jennifer was telling Yo, 541 00:27:37,800 --> 00:27:40,680 Speaker 1: he is dope. You work with him like he's gonna 542 00:27:40,760 --> 00:27:44,960 Speaker 1: it's gonna eventually it's gonna happen, you know. And then Puff, 543 00:27:45,000 --> 00:27:47,560 Speaker 1: that's what Puff is calling me down to do it. 544 00:27:47,600 --> 00:27:51,040 Speaker 1: But Puff can't even hear hit. See I know he can't. 545 00:27:51,040 --> 00:27:55,120 Speaker 1: He couldn't Puff can't hear a hit. That's kind of crazy. 546 00:27:55,840 --> 00:27:58,800 Speaker 1: He still hear things from back then that time, Oh 547 00:27:59,200 --> 00:28:01,720 Speaker 1: got you? Now I can't buy the right. He can't. 548 00:28:01,720 --> 00:28:03,840 Speaker 1: You play for him right now and it's hot, he 549 00:28:03,960 --> 00:28:06,200 Speaker 1: can't buy it. This is why he's fighting Drake when 550 00:28:06,200 --> 00:28:08,879 Speaker 1: you hit Drake because he used the beat that he 551 00:28:08,920 --> 00:28:12,679 Speaker 1: didn't actually you know what I'm saying. So if you like, 552 00:28:12,720 --> 00:28:14,719 Speaker 1: he heard it and then he heard Drake's used it, 553 00:28:14,720 --> 00:28:16,639 Speaker 1: but it wasn't a hit yet until Drake put the 554 00:28:16,680 --> 00:28:20,480 Speaker 1: thing the lines are and he's upset about that because 555 00:28:20,480 --> 00:28:22,160 Speaker 1: he can't hear it. But he felt like he took 556 00:28:22,200 --> 00:28:26,000 Speaker 1: something from and you know there's something to him for that. 557 00:28:26,040 --> 00:28:29,200 Speaker 1: But did terr Marie ever pay you all your money yet? 558 00:28:29,480 --> 00:28:35,120 Speaker 1: She's still how much? Just love that old I think 559 00:28:35,119 --> 00:28:39,040 Speaker 1: it's like fifty something thousand now, I thought it was 560 00:28:39,040 --> 00:28:41,120 Speaker 1: twenty five thousand. Yeah, and it keeps going up because 561 00:28:41,120 --> 00:28:44,280 Speaker 1: she keeps delaying and moving around like the she gonna 562 00:28:44,320 --> 00:28:46,800 Speaker 1: feel like she went to college. Man, it's clearly the 563 00:28:46,800 --> 00:28:50,040 Speaker 1: principle with you because it's not the money. Why though, 564 00:28:50,360 --> 00:28:52,720 Speaker 1: because I have to set examples so people don't keep 565 00:28:52,760 --> 00:28:54,840 Speaker 1: coming to play with me. See, look, this is Lisa Bloom. 566 00:28:55,280 --> 00:29:00,560 Speaker 1: I don't think nobody played, but I don't think nobody 567 00:29:00,680 --> 00:29:03,760 Speaker 1: plays with the said me too. I say not me. 568 00:29:05,280 --> 00:29:07,000 Speaker 1: I tell people all the time, you know what I'm 569 00:29:07,000 --> 00:29:09,160 Speaker 1: saying When they say me too, I said, na me, 570 00:29:09,960 --> 00:29:12,240 Speaker 1: I'm not involved with that. So when she comes, she 571 00:29:12,320 --> 00:29:16,000 Speaker 1: was upset because I said something about Trey Trey Songs 572 00:29:16,040 --> 00:29:17,760 Speaker 1: had a situation that was going on one of the 573 00:29:17,800 --> 00:29:21,040 Speaker 1: girls that was around in the actual house set. Nah, 574 00:29:21,040 --> 00:29:24,080 Speaker 1: he didn't hit her that particular situation. He didn't hit it. 575 00:29:24,200 --> 00:29:26,040 Speaker 1: He put out out the house, but the way he 576 00:29:26,120 --> 00:29:27,840 Speaker 1: said it and he did it made her feel like 577 00:29:29,360 --> 00:29:32,800 Speaker 1: she felt like he slapped her right, and that's why 578 00:29:33,120 --> 00:29:36,800 Speaker 1: later she said that he hit her. And I'm like, 579 00:29:36,880 --> 00:29:39,320 Speaker 1: because the other female that I knew it was there 580 00:29:39,760 --> 00:29:41,600 Speaker 1: said that to me. I was like, nah, I don't 581 00:29:41,600 --> 00:29:44,360 Speaker 1: believe he did that. And then she was like, don't 582 00:29:44,360 --> 00:29:50,240 Speaker 1: be uh, but she's shaming the girl that um one 583 00:29:50,280 --> 00:29:53,800 Speaker 1: of her clients, Victim Shaman one of her clients. And 584 00:29:53,880 --> 00:29:56,200 Speaker 1: I'm like, no, no, like, I'm not Victim Shaman. I'm 585 00:29:56,240 --> 00:29:59,120 Speaker 1: just saying I don't believe her. And then the next 586 00:29:59,160 --> 00:30:01,920 Speaker 1: available thing that she could come with, she was, oh, yes, yes, 587 00:30:02,960 --> 00:30:05,160 Speaker 1: jumped on Tara Marie think because she's gonna come, she 588 00:30:05,240 --> 00:30:08,440 Speaker 1: gonna service me, right, she gonna because the climate is 589 00:30:08,840 --> 00:30:11,000 Speaker 1: all me too. That when you bring a female and 590 00:30:11,040 --> 00:30:14,400 Speaker 1: you said you've done something. You see what I'm saying, 591 00:30:14,400 --> 00:30:19,600 Speaker 1: they felt like, oh yeah, yeah, you're finished, buddy. And 592 00:30:19,640 --> 00:30:22,120 Speaker 1: then when it don't work out, they think it just 593 00:30:22,160 --> 00:30:26,239 Speaker 1: goes away. You can't say that you see what they came. 594 00:30:26,360 --> 00:30:28,640 Speaker 1: But that was a great I understand. I understand exactly 595 00:30:28,640 --> 00:30:31,719 Speaker 1: why he's doing ten times. I get it because they 596 00:30:31,720 --> 00:30:33,880 Speaker 1: would hold it to you, yes, yes, and then you 597 00:30:33,920 --> 00:30:35,400 Speaker 1: know what they would do to you, like just based 598 00:30:35,440 --> 00:30:38,320 Speaker 1: on those circumstances, like you go in in the entire 599 00:30:38,360 --> 00:30:41,080 Speaker 1: career and you go so that's what you was attempting 600 00:30:41,120 --> 00:30:44,120 Speaker 1: to do at that point or you wanted She's said 601 00:30:44,160 --> 00:30:45,840 Speaker 1: to a friend, now I'm trying to get the bag. 602 00:30:45,920 --> 00:30:48,000 Speaker 1: You know what I'm saying that. I'm like, okay, so 603 00:30:48,080 --> 00:30:50,040 Speaker 1: now I'm gonna make you feel like you went to college. 604 00:30:50,960 --> 00:30:53,480 Speaker 1: Ko Cyrus, are you gonna help me get into acting? 605 00:30:53,920 --> 00:30:56,239 Speaker 1: You want to do some acting? Anyone? He was up there. 606 00:30:56,280 --> 00:30:57,760 Speaker 1: He said that you were supposed to sign put him 607 00:30:57,760 --> 00:31:00,920 Speaker 1: in power, to put him in power. Good guy, it's 608 00:31:01,080 --> 00:31:05,000 Speaker 1: a personality. I think it's bigger personality than than artist, 609 00:31:05,040 --> 00:31:07,640 Speaker 1: like as a songwriter and stuff like that, because when 610 00:31:07,640 --> 00:31:09,880 Speaker 1: you watch him, like when I see him on the 611 00:31:09,920 --> 00:31:12,040 Speaker 1: clips and stuff like that, now he like that in person. 612 00:31:12,280 --> 00:31:15,400 Speaker 1: It's a ton of personality there. So you know, will 613 00:31:15,440 --> 00:31:17,240 Speaker 1: we find the right thing and get him in there? 614 00:31:17,680 --> 00:31:21,440 Speaker 1: He um and tell him the story, Tell him the story. 615 00:31:21,680 --> 00:31:24,400 Speaker 1: So we're talking about rumors, and you know when you 616 00:31:24,440 --> 00:31:26,720 Speaker 1: google his name, there's a rumor that pops up that 617 00:31:26,880 --> 00:31:30,320 Speaker 1: he was did He's boy toy? Oh shit? Right wait, 618 00:31:30,360 --> 00:31:32,920 Speaker 1: so this is so Charlomagne say it's not true. But 619 00:31:32,960 --> 00:31:34,720 Speaker 1: I told after he brought up the stuff with you, 620 00:31:34,720 --> 00:31:36,040 Speaker 1: I said, you know what Fifthy is gonna say when 621 00:31:36,040 --> 00:31:38,040 Speaker 1: he meet you? Oh no, I don't know that that 622 00:31:38,200 --> 00:31:40,480 Speaker 1: was going on. You know, I can't wait to running 623 00:31:40,560 --> 00:31:43,080 Speaker 1: him what you're gonna say to him? He was playing 624 00:31:43,080 --> 00:31:49,600 Speaker 1: with your booty in Miami. You know it was in Miami. Yo. 625 00:31:49,720 --> 00:31:53,160 Speaker 1: Look that's for James Cruisers all the time. Miami, Miami. 626 00:31:53,200 --> 00:31:57,240 Speaker 1: He's like, Miami. I'm look what you're talking happened in Miami. 627 00:31:57,560 --> 00:32:03,840 Speaker 1: We play the audio. He gonna get universe when it's good. Yeah, 628 00:32:03,880 --> 00:32:06,400 Speaker 1: you gonna you know, we just yeah, but come here, 629 00:32:06,560 --> 00:32:07,800 Speaker 1: you know, if he's gonna say to you when he 630 00:32:07,840 --> 00:32:13,880 Speaker 1: see he did he touch your button? Yeah? Waituntil I 631 00:32:13,920 --> 00:32:19,440 Speaker 1: see him what I see. I'm like, yo, yeah, that's you. 632 00:32:20,000 --> 00:32:22,600 Speaker 1: And did he got a good relationship though? Right? Yeah? Yeah, 633 00:32:23,200 --> 00:32:25,560 Speaker 1: Like do you see I got quin season raising canan? 634 00:32:25,880 --> 00:32:29,000 Speaker 1: Oh that's true? Oh yeah yeah YEAHO talented and and 635 00:32:29,600 --> 00:32:32,280 Speaker 1: I want to get Justin and something. How did that 636 00:32:32,360 --> 00:32:33,960 Speaker 1: go to? Do you? Do? You have talked about that 637 00:32:34,320 --> 00:32:35,920 Speaker 1: he stay out, stays out of that, you know what 638 00:32:35,960 --> 00:32:38,240 Speaker 1: we're talking about that it was more, it's more that's 639 00:32:38,280 --> 00:32:40,760 Speaker 1: about his talent though, that's not about like he read 640 00:32:40,840 --> 00:32:42,840 Speaker 1: he read for that, he killed it, you know what 641 00:32:42,880 --> 00:32:45,080 Speaker 1: I'm saying. I think, like and I called him to 642 00:32:45,120 --> 00:32:46,560 Speaker 1: tell him that, like you ain't got to do with 643 00:32:46,600 --> 00:32:49,000 Speaker 1: you that, it's really about the work you put in 644 00:32:50,040 --> 00:32:52,400 Speaker 1: Right now, now, why did you pass on Jay Coole before? 645 00:32:52,520 --> 00:32:53,800 Speaker 1: That's before we get to the new stuff. Why did 646 00:32:53,800 --> 00:32:55,920 Speaker 1: you pass on Jay Coole? That was so early? Bro, 647 00:32:56,120 --> 00:33:00,760 Speaker 1: Like like this is before Like I think, look, there's 648 00:33:00,760 --> 00:33:03,160 Speaker 1: a difference, you know, I think when at that point 649 00:33:03,240 --> 00:33:05,360 Speaker 1: we didn't have a lot of representation on the street, 650 00:33:05,400 --> 00:33:09,480 Speaker 1: and like we were the representation at that point, and 651 00:33:09,640 --> 00:33:13,280 Speaker 1: you know they're they're cringing for something else that whatever 652 00:33:13,440 --> 00:33:18,600 Speaker 1: it is, that it's to me. J cole Um, Kendrick 653 00:33:18,680 --> 00:33:25,280 Speaker 1: lamar Um. These artists existed early on when I fell 654 00:33:25,320 --> 00:33:29,600 Speaker 1: in love with hip hop. But it was Tyler qual Yeah, 655 00:33:29,720 --> 00:33:32,760 Speaker 1: it was most deaf, tropical questions, It's trip coal quest 656 00:33:32,840 --> 00:33:40,440 Speaker 1: It was like, it was Tyler most common sense, you 657 00:33:40,480 --> 00:33:43,400 Speaker 1: know what I'm saying. And they really as dope as 658 00:33:43,440 --> 00:33:46,800 Speaker 1: they are, like that they are that it's like, it's 659 00:33:47,200 --> 00:33:51,320 Speaker 1: smarter rap, smarter music. The logic can sit down, be humble. 660 00:33:53,400 --> 00:33:55,680 Speaker 1: We're supposed to already know to sit down and be humble. 661 00:33:56,040 --> 00:33:59,480 Speaker 1: They put that there. It's it's it's almost the conscious 662 00:33:59,520 --> 00:34:02,200 Speaker 1: side of of it. And I looked and I'm like, 663 00:34:02,280 --> 00:34:04,640 Speaker 1: oh no, I was cool, but I didn't really know 664 00:34:04,760 --> 00:34:07,280 Speaker 1: if everybody was ready for it because of how strong 665 00:34:07,360 --> 00:34:10,680 Speaker 1: it was embracing what were doing street stuff that I 666 00:34:10,719 --> 00:34:12,759 Speaker 1: got a lot of people say that when you and 667 00:34:12,880 --> 00:34:16,640 Speaker 1: Kanye went head up, and that's what that was when 668 00:34:16,640 --> 00:34:18,480 Speaker 1: you sold them, when you sold more, it shifted from 669 00:34:18,480 --> 00:34:22,040 Speaker 1: the streets streets to know when you do Look, they 670 00:34:22,160 --> 00:34:24,759 Speaker 1: just wanted that anyway, Look, look at the best New 671 00:34:24,880 --> 00:34:27,880 Speaker 1: Artists a thirteen million records. On the first album, you 672 00:34:27,960 --> 00:34:30,520 Speaker 1: got to have a double CD and Die to Go 673 00:34:30,680 --> 00:34:34,920 Speaker 1: Diamond Tupac or Eyes on Me. Yeah. Prior to my 674 00:34:35,040 --> 00:34:36,799 Speaker 1: album Come and Give It to Die Try, you had 675 00:34:36,880 --> 00:34:39,640 Speaker 1: to have a double CD and Die a big two. 676 00:34:39,680 --> 00:34:42,400 Speaker 1: I think likely those are the only two albums that 677 00:34:42,520 --> 00:34:45,320 Speaker 1: they sold that many copies. So when you come and 678 00:34:46,120 --> 00:34:50,440 Speaker 1: and you're having that much success, you would see uh. 679 00:34:53,320 --> 00:34:55,960 Speaker 1: Dianel Ross was on on the award panels saying, you 680 00:34:56,040 --> 00:34:58,880 Speaker 1: don't have to be like this, like you don't have 681 00:34:58,960 --> 00:35:02,319 Speaker 1: to be like like they're afraid their kids going want 682 00:35:02,360 --> 00:35:06,719 Speaker 1: to be fifty if they acknowledge the material, so they 683 00:35:06,760 --> 00:35:08,520 Speaker 1: don't give you the trophies. I got the checks. I 684 00:35:08,560 --> 00:35:12,279 Speaker 1: didn't get Jake got all of my fucking trophies. Man, 685 00:35:12,400 --> 00:35:19,400 Speaker 1: that's because he signed that contract. Who contract. No, if 686 00:35:19,440 --> 00:35:21,320 Speaker 1: you don't sign, you don't give him a trophy. She 687 00:35:21,320 --> 00:35:25,839 Speaker 1: ain't coming. They don't need him in the seats. Now, 688 00:35:25,920 --> 00:35:28,000 Speaker 1: come on, you know Beyonce and I ran down on 689 00:35:28,080 --> 00:35:30,120 Speaker 1: you once fifth come on. She did she did work. 690 00:35:30,200 --> 00:35:32,920 Speaker 1: She jumped up in the thing off collect I was like, 691 00:35:33,040 --> 00:35:34,960 Speaker 1: oh shit, I didn't really know what to do and 692 00:35:35,160 --> 00:35:37,839 Speaker 1: be looking. It was worse situations where he was like, whoa, 693 00:35:38,840 --> 00:35:41,560 Speaker 1: he says to Jay. He says, Ja, he'll look at 694 00:35:41,600 --> 00:35:47,120 Speaker 1: you a goal. No, that happened. Beyonce jumped down on you. 695 00:35:47,280 --> 00:35:49,319 Speaker 1: She jumped out. She was like on a window sill 696 00:35:49,520 --> 00:35:52,040 Speaker 1: right who was in Vegas? She said, I come on talking. 697 00:35:52,440 --> 00:35:54,520 Speaker 1: She jumped out. She was like, and I'm like, wait, 698 00:35:54,640 --> 00:35:58,799 Speaker 1: what did you doing that? Stuff? And stuff? This ain't 699 00:35:58,800 --> 00:36:00,719 Speaker 1: got nothing to do with you girl? Come so hod 700 00:36:00,800 --> 00:36:04,279 Speaker 1: wasn't there me. I'm talking to Jail and I talked 701 00:36:04,280 --> 00:36:06,239 Speaker 1: to Jay. She jumped out and come over, said, old ship, 702 00:36:06,280 --> 00:36:08,320 Speaker 1: look at this about to jump you Lucky so luge 703 00:36:08,360 --> 00:36:17,360 Speaker 1: wasn't I would have had a reboot like that elevator 704 00:36:17,440 --> 00:36:22,520 Speaker 1: like it was nothing some gastes shit going on? Nothing? 705 00:36:23,360 --> 00:36:25,520 Speaker 1: What the bay? She was just staring at you now, 706 00:36:25,640 --> 00:36:29,160 Speaker 1: she can't like she was ready, like something was gonna happen. 707 00:36:29,480 --> 00:36:34,200 Speaker 1: And I'm like, yo, whoaa, she's throwing me off now 708 00:36:34,840 --> 00:36:37,000 Speaker 1: because I don't know what exactly how to respond it. 709 00:36:38,760 --> 00:36:41,879 Speaker 1: You are still beyond sane, you know. She brought all 710 00:36:41,880 --> 00:36:45,160 Speaker 1: of the sexy over that jumping off and I'm like, 711 00:36:45,200 --> 00:36:51,600 Speaker 1: what the fuck I'm seeing all this I'm like, wait, 712 00:36:51,680 --> 00:36:56,440 Speaker 1: what happened? I look at Jail. He goes Now, but 713 00:36:56,560 --> 00:36:57,960 Speaker 1: y'all knew each other. For you though you had you 714 00:36:58,040 --> 00:37:03,680 Speaker 1: had the thugs. What I want? Yeah? Yeah, that's the cap. 715 00:37:03,840 --> 00:37:05,759 Speaker 1: You know that Beyonce back fifty down? You know that. 716 00:37:06,000 --> 00:37:09,279 Speaker 1: I thought people do that people. Oh she did jump down. 717 00:37:10,000 --> 00:37:11,520 Speaker 1: I didn't even know how to respond to that. I 718 00:37:11,680 --> 00:37:13,120 Speaker 1: just looked at Jay. He was looking at He was like, 719 00:37:15,120 --> 00:37:18,200 Speaker 1: I said, all right, whatever, I don't know what because 720 00:37:18,280 --> 00:37:21,800 Speaker 1: we really I'm just saying, what's up? But she feeling 721 00:37:21,840 --> 00:37:24,040 Speaker 1: my energy come over? Because we do say things about 722 00:37:24,080 --> 00:37:27,560 Speaker 1: each other. It's competitive nature. That's it hip hop at 723 00:37:27,719 --> 00:37:29,600 Speaker 1: It's not like I didn't want to do something more. 724 00:37:30,360 --> 00:37:32,560 Speaker 1: We don't want to do something not to each other. 725 00:37:32,640 --> 00:37:35,200 Speaker 1: Y'all gotta go. Y'all still got y'all got a good relationship, right, Yeah? 726 00:37:35,560 --> 00:37:39,759 Speaker 1: If you look, I think if you don't have, if 727 00:37:39,760 --> 00:37:42,200 Speaker 1: you don't have people that you're competing with, I don't 728 00:37:42,239 --> 00:37:47,200 Speaker 1: know where you get your additional energy. Right. That's speaking 729 00:37:47,440 --> 00:37:52,320 Speaker 1: speaking of Houston's Renee. Renee's like cut my Tycoo weekend. 730 00:37:55,480 --> 00:38:00,359 Speaker 1: They take to me thirty six thousands Tycoon Weekend break Down. 731 00:38:00,480 --> 00:38:01,960 Speaker 1: What is tip a weekend for people that don't know 732 00:38:02,360 --> 00:38:06,320 Speaker 1: Tycoon for it's really it started in Atlanta and and 733 00:38:06,560 --> 00:38:08,240 Speaker 1: did it the first time. We did it in Atlanta. 734 00:38:08,719 --> 00:38:11,080 Speaker 1: Then we moved it to let we break it down. 735 00:38:11,120 --> 00:38:13,840 Speaker 1: So in Atlanta they rented a mansion in a residential 736 00:38:13,920 --> 00:38:18,439 Speaker 1: area and had about five thousand people coming that residential area, 737 00:38:18,680 --> 00:38:21,160 Speaker 1: white people walking their dogs, and we just brought the 738 00:38:21,280 --> 00:38:23,200 Speaker 1: hood to I mean, I don't even know how you 739 00:38:23,280 --> 00:38:26,000 Speaker 1: did that. Yeah, it was like a real show that 740 00:38:26,120 --> 00:38:28,680 Speaker 1: we did, like a show. Everybody Christmas there, everybody came. 741 00:38:30,120 --> 00:38:32,360 Speaker 1: We did that. Then the next day it was the 742 00:38:32,400 --> 00:38:36,479 Speaker 1: pool party thing and it went over. We got away 743 00:38:36,520 --> 00:38:40,040 Speaker 1: with that because there's nothing really, nothing bad happened, resulted 744 00:38:40,080 --> 00:38:43,759 Speaker 1: in just a great time. Then in New York we 745 00:38:43,920 --> 00:38:46,200 Speaker 1: did it again, but we did it attached to the 746 00:38:47,160 --> 00:38:51,080 Speaker 1: premiere the Power of Man. So we sold the gardeners 747 00:38:51,239 --> 00:38:53,759 Speaker 1: sold out and we did the because I had all 748 00:38:53,840 --> 00:38:57,120 Speaker 1: of everybody coming out to do some performances stuff at 749 00:38:57,160 --> 00:38:58,840 Speaker 1: the same time. So we did talk on around it 750 00:38:59,000 --> 00:39:03,520 Speaker 1: and that was a uma in Jersey and then um 751 00:39:04,640 --> 00:39:07,759 Speaker 1: we surrounded a bunt, tried to surround more events with it, 752 00:39:07,840 --> 00:39:11,560 Speaker 1: like Pier one fifteen and a bunch of other stuff. 753 00:39:11,600 --> 00:39:14,720 Speaker 1: And then the next time, like this time in Houston, 754 00:39:15,239 --> 00:39:18,680 Speaker 1: there's so many locations that it makes it made better 755 00:39:18,760 --> 00:39:21,680 Speaker 1: sense to build out a whole weekend, and so I 756 00:39:21,719 --> 00:39:25,640 Speaker 1: took the Toyota Center and the Comedy Music Festival. I 757 00:39:25,640 --> 00:39:27,480 Speaker 1: added the comedy show to it, and then I put 758 00:39:27,680 --> 00:39:30,759 Speaker 1: um like musical acts in between each comedian and keep 759 00:39:30,840 --> 00:39:33,879 Speaker 1: the room the abians going, and then the same way 760 00:39:33,920 --> 00:39:37,400 Speaker 1: the DJ would play music in between. Instead of that, 761 00:39:37,560 --> 00:39:42,400 Speaker 1: we're getting the five artists and then when the proceeds 762 00:39:42,480 --> 00:39:46,320 Speaker 1: to that will go to the Unity and enter HID. 763 00:39:46,520 --> 00:39:47,879 Speaker 1: So you don't even make no money over it. That's 764 00:39:47,960 --> 00:39:53,279 Speaker 1: not charity. That's the entrepreneurship program. In Houston, I did 765 00:39:53,360 --> 00:39:57,120 Speaker 1: three schools versus with Lee Worthing and cash Man, and 766 00:39:58,440 --> 00:40:01,200 Speaker 1: I'm spending it to six schools, and then the proceeds 767 00:40:01,280 --> 00:40:04,600 Speaker 1: from the show, we're probably fund being able to do 768 00:40:04,719 --> 00:40:07,560 Speaker 1: even more so probably probably nine schools. But though that 769 00:40:07,840 --> 00:40:10,439 Speaker 1: by at that point we out of the hood, because 770 00:40:10,440 --> 00:40:12,040 Speaker 1: we don't gonna run out of the hood spots, and 771 00:40:12,120 --> 00:40:16,120 Speaker 1: then we and everybody else's neighborhood with adopter school program. 772 00:40:16,200 --> 00:40:21,080 Speaker 1: But entrepreneurship program is doing extremely well. It's when you 773 00:40:21,239 --> 00:40:24,160 Speaker 1: put when you bring the kids together and you tell 774 00:40:24,200 --> 00:40:27,400 Speaker 1: them you got to come up with your idea to 775 00:40:27,520 --> 00:40:31,120 Speaker 1: be successful because it's their idea. You see how much 776 00:40:31,200 --> 00:40:34,719 Speaker 1: more passionate there about it. And then when it gets 777 00:40:34,719 --> 00:40:37,319 Speaker 1: to the point that they sort out that because they're 778 00:40:37,520 --> 00:40:40,120 Speaker 1: providing the information for them how to develop it, and 779 00:40:40,160 --> 00:40:41,799 Speaker 1: then they're gonna see what you need now, and they said, 780 00:40:41,800 --> 00:40:44,120 Speaker 1: well we need money and then go well, okay, well 781 00:40:44,160 --> 00:40:47,880 Speaker 1: here's how we fell out your job application. When you 782 00:40:48,000 --> 00:40:51,319 Speaker 1: do that, seventy five sixty nine of the seventy five 783 00:40:51,400 --> 00:40:56,560 Speaker 1: kids were employed because it's not even your idea, it's 784 00:40:56,680 --> 00:40:58,520 Speaker 1: my idea. I need the money so I can pay 785 00:40:58,600 --> 00:41:01,359 Speaker 1: for my idea. Wow, Versus you're saying, yo, go get 786 00:41:01,360 --> 00:41:03,759 Speaker 1: a job. They're like, nah, I don't know if if 787 00:41:03,800 --> 00:41:07,120 Speaker 1: I want a job because it's too much, you know 788 00:41:07,160 --> 00:41:09,120 Speaker 1: what I'm saying. Until once they put their thought into 789 00:41:09,239 --> 00:41:11,200 Speaker 1: what they actually want to do and they become passionate 790 00:41:11,239 --> 00:41:13,520 Speaker 1: about it, they get into it, they actually want to 791 00:41:13,560 --> 00:41:16,000 Speaker 1: make it happen. So it was able to get more 792 00:41:16,040 --> 00:41:19,440 Speaker 1: of a motivated to do some different stuffs. So much 793 00:41:20,400 --> 00:41:23,120 Speaker 1: you know what, my experience in Houston, it's just been 794 00:41:23,320 --> 00:41:25,800 Speaker 1: kind acts. Some people from Houston, like I've had a 795 00:41:25,840 --> 00:41:28,080 Speaker 1: good time several times that I went out there and 796 00:41:28,200 --> 00:41:33,160 Speaker 1: made me like it. And then the taxes, ye say taxes, Yeah, 797 00:41:33,480 --> 00:41:36,239 Speaker 1: because I'm looking at all. I guess the Yankee hat, bro, 798 00:41:37,200 --> 00:41:40,520 Speaker 1: So they gave me was a Yankee hat, and they 799 00:41:40,600 --> 00:41:46,759 Speaker 1: want now you go so more than your partner. I'm like, 800 00:41:46,840 --> 00:41:52,320 Speaker 1: wait a minute, I could have the wonder Puffy's touching 801 00:41:52,360 --> 00:41:58,520 Speaker 1: that button Miami. He has more money because this Miami. 802 00:42:02,320 --> 00:42:04,480 Speaker 1: That's what happens, bro. Now you do think about you 803 00:42:04,600 --> 00:42:06,560 Speaker 1: like when you know much money we could be making 804 00:42:06,680 --> 00:42:09,480 Speaker 1: if we was in not New York. It's a different thing. 805 00:42:09,560 --> 00:42:12,640 Speaker 1: Like it's just look and y'all syndicated so many places 806 00:42:12,680 --> 00:42:15,320 Speaker 1: that YA can just move the shoulder. Let's take the 807 00:42:15,360 --> 00:42:20,160 Speaker 1: show to Houston. Don't give us no idea. I'll be 808 00:42:20,200 --> 00:42:24,960 Speaker 1: in South Carolina. No, I mean Florida. That's straight like that. 809 00:42:25,600 --> 00:42:27,040 Speaker 1: I go to Houston in a minute for that. So 810 00:42:27,120 --> 00:42:29,960 Speaker 1: when's the weekend? With that weekend? It's August twenty fifth 811 00:42:30,000 --> 00:42:32,680 Speaker 1: through to twenty eight. Okay, a couple more questions you, um, 812 00:42:32,840 --> 00:42:35,680 Speaker 1: how have you even been able to maintain relationships with 813 00:42:35,760 --> 00:42:37,600 Speaker 1: people even though you have said things about them? Like 814 00:42:37,640 --> 00:42:40,879 Speaker 1: the Doctor Dre's the Jimmy Ivens, like like Drey had 815 00:42:40,880 --> 00:42:42,239 Speaker 1: you at the super Bowl. I don't think you know, 816 00:42:42,520 --> 00:42:44,560 Speaker 1: Jimmy Ivien will walk by you at the game like 817 00:42:45,160 --> 00:42:46,920 Speaker 1: you know what I mean? Like you know? Still look 818 00:42:47,600 --> 00:42:50,120 Speaker 1: when you say when I say things like I'm really 819 00:42:50,239 --> 00:42:53,920 Speaker 1: talking about the true experience, I'm not saying anything about them. 820 00:42:54,000 --> 00:42:55,560 Speaker 1: That's a lot like you know what I'm saying. I 821 00:42:55,640 --> 00:42:57,920 Speaker 1: didn't be upset, did you? You know what I mean? 822 00:42:58,239 --> 00:43:01,160 Speaker 1: And maybe this person can't speak to you when they 823 00:43:01,200 --> 00:43:03,319 Speaker 1: see you because you said something and you'd like lied 824 00:43:03,360 --> 00:43:06,719 Speaker 1: on them. But if you you said f Jimmy V 825 00:43:06,880 --> 00:43:09,840 Speaker 1: on the record on a mixtape, because he gave examples. 826 00:43:10,719 --> 00:43:13,000 Speaker 1: It gave examples that it's okay as long as it 827 00:43:13,080 --> 00:43:16,359 Speaker 1: makes money. Oh god, okay to disrespect you. So it's 828 00:43:16,360 --> 00:43:18,200 Speaker 1: okay for a game to say everything that he said 829 00:43:18,239 --> 00:43:21,239 Speaker 1: because he was still an earner. He's still bringing the money. 830 00:43:21,320 --> 00:43:23,120 Speaker 1: And this is the example that you gave me because 831 00:43:23,160 --> 00:43:25,640 Speaker 1: he brought me that and said, if you can you 832 00:43:25,760 --> 00:43:28,279 Speaker 1: fix this, if you fix it out, I'll give you, 833 00:43:29,360 --> 00:43:31,759 Speaker 1: like break the deal up and give you the half 834 00:43:31,800 --> 00:43:35,880 Speaker 1: of the money. And then when when the disrespect comes in, there, 835 00:43:36,000 --> 00:43:39,759 Speaker 1: and it's like it's almost a fear factor because of 836 00:43:39,800 --> 00:43:42,920 Speaker 1: the association of the Jimmy Hensiman thing. Add that to 837 00:43:43,040 --> 00:43:49,480 Speaker 1: it because that kept them from not not doing the project. 838 00:43:50,200 --> 00:43:52,640 Speaker 1: You know what I'm saying, And then there's a whole different, 839 00:43:53,120 --> 00:43:55,719 Speaker 1: different thing. But in that example of you saying, you 840 00:43:55,800 --> 00:43:58,160 Speaker 1: can say all that and look, if you signed the 841 00:43:58,320 --> 00:44:03,480 Speaker 1: unit direct like the other or with that kind of disrespect, 842 00:44:03,560 --> 00:44:05,919 Speaker 1: you don't have a record deal, you don't have music 843 00:44:06,000 --> 00:44:10,920 Speaker 1: coming out. Instead, because it was a joint venture, there 844 00:44:11,040 --> 00:44:13,520 Speaker 1: was still no control factor and they continue to put 845 00:44:13,560 --> 00:44:15,920 Speaker 1: the music out. So it was like, you're letting me 846 00:44:16,080 --> 00:44:19,239 Speaker 1: compete with me so you can make money, right the 847 00:44:19,440 --> 00:44:22,240 Speaker 1: artist that comes from the material that I just created, 848 00:44:22,400 --> 00:44:25,160 Speaker 1: that that made it sell five million pieces, It is 849 00:44:25,239 --> 00:44:29,040 Speaker 1: now a legit competitor for me. When how about the 850 00:44:29,160 --> 00:44:31,839 Speaker 1: label when you're delivering something that's pro fitty saying you're 851 00:44:31,880 --> 00:44:34,640 Speaker 1: delivering something that's anti fifty said, aren't you telling the 852 00:44:34,719 --> 00:44:38,080 Speaker 1: DJ's okay to say whatever you feel about it? But bro, 853 00:44:38,200 --> 00:44:40,560 Speaker 1: I heard you ship on TV networks and then get 854 00:44:40,600 --> 00:44:43,000 Speaker 1: a deal from the same TV network because they don't 855 00:44:43,040 --> 00:44:46,920 Speaker 1: care about They're not one person. The network is a conglomerate. 856 00:44:47,640 --> 00:44:50,760 Speaker 1: There's multiple people there. Like when you say this person, 857 00:44:51,560 --> 00:44:56,880 Speaker 1: isn't it but you said that before? Yeah, like this person. 858 00:44:57,040 --> 00:45:01,440 Speaker 1: You're talking about this person, not the entire organization. And 859 00:45:01,640 --> 00:45:04,040 Speaker 1: you're gonna if when the projects working on projects. No, 860 00:45:04,080 --> 00:45:06,640 Speaker 1: it's just true, like these people have issues, Like you 861 00:45:06,719 --> 00:45:09,359 Speaker 1: got people that have cool jobs that weren't necessarily cool 862 00:45:09,440 --> 00:45:12,759 Speaker 1: people on the way there and they get there and 863 00:45:12,760 --> 00:45:15,879 Speaker 1: they're dealing with their own issues, their own energy. They're 864 00:45:16,000 --> 00:45:19,080 Speaker 1: like looking for they want to be seen as the CEO, 865 00:45:19,320 --> 00:45:21,960 Speaker 1: the guy who actually made it happen. And I get 866 00:45:22,040 --> 00:45:25,160 Speaker 1: in away with that because people look and say, fifty mate, 867 00:45:25,200 --> 00:45:28,400 Speaker 1: that's fifty show. You see what I'm saying. So you 868 00:45:28,520 --> 00:45:31,720 Speaker 1: get that energy only it's there. If that's a conflict. 869 00:45:32,360 --> 00:45:35,160 Speaker 1: Anybody that doesn't doesn't care about that. It's gonna be 870 00:45:35,200 --> 00:45:37,800 Speaker 1: like so we watching stars or not anymore? Because you 871 00:45:37,880 --> 00:45:41,160 Speaker 1: say I thought it was no subscription. Yeah, programmers for 872 00:45:41,239 --> 00:45:43,759 Speaker 1: six months. That's what I thought. It's gonna come back, 873 00:45:45,080 --> 00:45:46,600 Speaker 1: So I give my subscription back. I want to make 874 00:45:46,600 --> 00:45:49,080 Speaker 1: sure it was all stars. You say all stars. I 875 00:45:49,320 --> 00:45:51,200 Speaker 1: don't think it's gonna be where it was what it was, 876 00:45:51,239 --> 00:45:54,520 Speaker 1: where it was headed because I won't be loading everything 877 00:45:54,560 --> 00:45:57,360 Speaker 1: else going to it, but they have this would be 878 00:45:57,440 --> 00:46:00,160 Speaker 1: there and then the new stuff that I have, like 879 00:46:00,239 --> 00:46:05,399 Speaker 1: I took the massacre, the snoops. It was the case 880 00:46:06,120 --> 00:46:09,000 Speaker 1: different things off of the platform because it's like, nah, 881 00:46:09,200 --> 00:46:11,400 Speaker 1: I'm doing too much for the platform if you go 882 00:46:11,560 --> 00:46:13,800 Speaker 1: look when I didn't received the accolades connected to the 883 00:46:13,880 --> 00:46:16,880 Speaker 1: success that I was having. In music, I focused on 884 00:46:17,400 --> 00:46:19,640 Speaker 1: the actual sound scan. This is when the artists started 885 00:46:19,680 --> 00:46:22,239 Speaker 1: talking about sound scale correct and everything else, because I 886 00:46:22,360 --> 00:46:26,560 Speaker 1: was like, yo, now look because this is the actual stats, 887 00:46:26,680 --> 00:46:29,600 Speaker 1: the actual this is what shows you the general public 888 00:46:29,719 --> 00:46:34,000 Speaker 1: actual response to the material when I'm not receiving the 889 00:46:34,040 --> 00:46:38,359 Speaker 1: accolades connected to it. In television, I started marketing more 890 00:46:39,360 --> 00:46:42,759 Speaker 1: over marketing, like I became the Stars Network, so it 891 00:46:42,920 --> 00:46:46,200 Speaker 1: was more visibility and make I said, I'm outperforming the 892 00:46:46,280 --> 00:46:48,719 Speaker 1: shows that they are given the nod too, so they 893 00:46:48,760 --> 00:46:51,680 Speaker 1: see we're doing bigger numbers than those shows. Right, and 894 00:46:51,800 --> 00:46:55,000 Speaker 1: then eventually they have to look at the issue is 895 00:46:55,239 --> 00:46:57,759 Speaker 1: a tougher issue to work through because what we're working 896 00:46:57,800 --> 00:47:01,520 Speaker 1: through is diversity and be like they looking and the 897 00:47:01,640 --> 00:47:05,080 Speaker 1: system does have this cookie cutter mentality that feels like 898 00:47:05,160 --> 00:47:07,560 Speaker 1: that this is the way you make a hit and 899 00:47:08,480 --> 00:47:12,319 Speaker 1: you can put people with different ethnic backgrounds and lead 900 00:47:12,400 --> 00:47:15,200 Speaker 1: roles into big numbers. You can tell those stories and 901 00:47:15,320 --> 00:47:18,359 Speaker 1: this is what power proves and these other projects. When 902 00:47:18,400 --> 00:47:21,800 Speaker 1: you see Empire at Fox and then Snowfall and stuff 903 00:47:21,840 --> 00:47:23,719 Speaker 1: like that, whenever you just see people that look like 904 00:47:23,840 --> 00:47:28,040 Speaker 1: you and leave Rose, it's showing you that that's there. 905 00:47:28,200 --> 00:47:30,640 Speaker 1: They're saying that Fox was saying this is our power 906 00:47:32,080 --> 00:47:34,040 Speaker 1: in part the same the other network is saying this 907 00:47:34,160 --> 00:47:36,319 Speaker 1: is our and and it's only one at the time 908 00:47:37,320 --> 00:47:39,439 Speaker 1: for them. You know what I'm saying. You look look 909 00:47:39,480 --> 00:47:45,680 Speaker 1: at how when you see the young talent like little 910 00:47:45,760 --> 00:47:49,720 Speaker 1: meach or Michael Rainey or McCoy Curtis for Regent Cannan, 911 00:47:49,880 --> 00:47:52,000 Speaker 1: when you see them out in the in the club 912 00:47:52,120 --> 00:47:55,880 Speaker 1: run like in the nightclub, you never see actors on 913 00:47:56,040 --> 00:47:58,640 Speaker 1: that circuit. You know what I'm saying, Like that was 914 00:47:58,800 --> 00:48:00,920 Speaker 1: this is really the first time they're making a connection, 915 00:48:01,320 --> 00:48:06,000 Speaker 1: and it's because they're connected not only to having a 916 00:48:06,080 --> 00:48:10,360 Speaker 1: hit show, but they're connected to music culture. Yeah, I 917 00:48:10,400 --> 00:48:12,799 Speaker 1: don't think. I don't think people will realize what you're 918 00:48:12,880 --> 00:48:15,600 Speaker 1: doing at Stars Like I don't think people I don't 919 00:48:15,640 --> 00:48:17,880 Speaker 1: pine Pople realize how unprecedented that is, Like how much 920 00:48:18,080 --> 00:48:21,680 Speaker 1: programming are you responsible for over there? Like fifty Well yeah, 921 00:48:21,719 --> 00:48:23,840 Speaker 1: they would say fifty percent of it, and it's like 922 00:48:24,239 --> 00:48:27,319 Speaker 1: probably eighty percent of what the viewership is into. Wow. 923 00:48:28,080 --> 00:48:30,600 Speaker 1: At that point, you pull they put supposed to be 924 00:48:30,640 --> 00:48:34,759 Speaker 1: an executive up there something. Then they're going if you're 925 00:48:34,800 --> 00:48:38,359 Speaker 1: going with the confusion everything that you see me talk 926 00:48:38,400 --> 00:48:41,399 Speaker 1: about being upset about, I think you don't see anywhere else, 927 00:48:41,480 --> 00:48:45,319 Speaker 1: Like you don't see other networks having the television show leak. Yeah, 928 00:48:45,960 --> 00:48:47,480 Speaker 1: you don't see you know what I'm saying, Like when 929 00:48:47,520 --> 00:48:54,680 Speaker 1: they talk about a programming for specific demographic, then you go, 930 00:48:55,000 --> 00:48:57,279 Speaker 1: uh like there was go a premium woman is the man? 931 00:48:57,360 --> 00:49:00,759 Speaker 1: They when you do that, you go, okay, well, I 932 00:49:00,840 --> 00:49:04,680 Speaker 1: mean but that ain't what your hits are because Power 933 00:49:04,880 --> 00:49:09,000 Speaker 1: wasn't Premium Woman, and all four the spinoffs are not 934 00:49:09,160 --> 00:49:11,480 Speaker 1: Premium Woman. So now you're saying you can't have the 935 00:49:11,560 --> 00:49:14,359 Speaker 1: hit that you had to beget this drawing people here 936 00:49:14,800 --> 00:49:17,719 Speaker 1: because you just created a new man date away from 937 00:49:18,400 --> 00:49:21,239 Speaker 1: the success you have, right, and I'm going away, So 938 00:49:21,320 --> 00:49:23,680 Speaker 1: it's this, Can you explain that to me a little 939 00:49:23,719 --> 00:49:25,480 Speaker 1: further so I understand exactly what it is, because I 940 00:49:25,480 --> 00:49:27,480 Speaker 1: could produce what you need. I just got to understand 941 00:49:27,520 --> 00:49:31,160 Speaker 1: exactly what it is. Because what does when you see 942 00:49:31,200 --> 00:49:34,840 Speaker 1: me in Variety or the Rap or Hollywood Reporter and 943 00:49:34,880 --> 00:49:37,160 Speaker 1: stuff like that, that does nothing from my phone goes 944 00:49:37,200 --> 00:49:42,839 Speaker 1: further than the Hollywood Reporter and Variety I could just right. 945 00:49:42,920 --> 00:49:46,520 Speaker 1: So when when you think about what those things do, 946 00:49:46,760 --> 00:49:51,000 Speaker 1: those things speak directly the business inside. It says, if 947 00:49:51,040 --> 00:49:52,880 Speaker 1: you have this project and you want to sell it, 948 00:49:53,040 --> 00:49:54,840 Speaker 1: you should come to fifties so we can sell it 949 00:49:55,600 --> 00:49:59,279 Speaker 1: and I get additional things. But but I can look 950 00:49:59,280 --> 00:50:02,839 Speaker 1: at these things if they work for the network. When 951 00:50:02,880 --> 00:50:04,759 Speaker 1: you understand the mandate, you know what I'm saying. So 952 00:50:05,200 --> 00:50:07,279 Speaker 1: I'm going I can find what you need, if what 953 00:50:07,400 --> 00:50:10,040 Speaker 1: you want, and bring it in and produce it for you. 954 00:50:10,120 --> 00:50:14,359 Speaker 1: If you don't. If there's a once this clarity, it's clear. 955 00:50:14,480 --> 00:50:19,560 Speaker 1: But they're looking and using it for their own identity. 956 00:50:19,800 --> 00:50:22,520 Speaker 1: I don't. I hate mandates, especially when you've given a 957 00:50:22,719 --> 00:50:25,840 Speaker 1: network four or five shows that work. Create more of 958 00:50:25,880 --> 00:50:28,440 Speaker 1: those type of shows. But they take common sense. It 959 00:50:28,600 --> 00:50:30,719 Speaker 1: doesn't take it. It doesn't take anybody to come up 960 00:50:30,760 --> 00:50:33,879 Speaker 1: with some like Einstein to be involved. It's say, it's 961 00:50:33,880 --> 00:50:35,680 Speaker 1: got to go to by the way. Oh yeah, but 962 00:50:35,680 --> 00:50:37,839 Speaker 1: if you make a hit, you want more of a hit, 963 00:50:38,520 --> 00:50:41,480 Speaker 1: more of that energy, more that that with service, that 964 00:50:41,600 --> 00:50:43,200 Speaker 1: base that would keep them coming. And you see the 965 00:50:43,280 --> 00:50:47,200 Speaker 1: networkers continues to growing. But in in exchange, I've seen 966 00:50:47,280 --> 00:50:51,000 Speaker 1: them do things for vanity, like they'll pay more for 967 00:50:52,360 --> 00:50:54,480 Speaker 1: first of all, their premium woman. Man did this premium 968 00:50:54,520 --> 00:50:57,680 Speaker 1: white woman because since then, the only thing that they've 969 00:50:57,719 --> 00:51:03,719 Speaker 1: created was the uh Julia Roberts gas lit and h 970 00:51:04,320 --> 00:51:07,920 Speaker 1: Courtney Cox. I don't even know the name of that 971 00:51:09,400 --> 00:51:16,440 Speaker 1: watching pink people worship because it's like it's almost like 972 00:51:16,520 --> 00:51:21,200 Speaker 1: a horror comedy. Hard to make me laugh when I'm scared, 973 00:51:22,360 --> 00:51:23,920 Speaker 1: you know what I'm saying, Like, it's hard to do 974 00:51:24,080 --> 00:51:25,880 Speaker 1: both at the same time. So I didn't know what 975 00:51:26,000 --> 00:51:28,759 Speaker 1: really was trying to do with that one. But you know, 976 00:51:29,800 --> 00:51:31,239 Speaker 1: you better do the right thing, because you know, I 977 00:51:31,560 --> 00:51:36,120 Speaker 1: there's no reason to watch stars if program about it's 978 00:51:36,120 --> 00:51:40,480 Speaker 1: just a fact. We appreciate you for joining us August 979 00:51:40,520 --> 00:51:42,880 Speaker 1: twenty fifth out in Houston. I'll be out there and 980 00:51:42,920 --> 00:51:45,080 Speaker 1: host to others. Make sure you get your tickets. There's 981 00:51:45,080 --> 00:51:48,240 Speaker 1: so many things from pool parties, clubs to charity events 982 00:51:48,280 --> 00:51:51,080 Speaker 1: to comedy shows, performances. Make sure you're part of it. 983 00:51:51,400 --> 00:51:57,080 Speaker 1: And we see raising cannon coming soon. That's right. And 984 00:51:57,160 --> 00:51:58,360 Speaker 1: one is it true they ask you to be on 985 00:51:58,400 --> 00:52:03,799 Speaker 1: the Murdering Doc? No, they wanted, wasn't it to try 986 00:52:03,800 --> 00:52:07,839 Speaker 1: and clear I get money for the Supreme thing? Oh? Okay, okay, 987 00:52:08,440 --> 00:52:11,239 Speaker 1: they asked you to be on the Doctor? Did you 988 00:52:11,280 --> 00:52:21,640 Speaker 1: clear it? It's the Breakfast Cloud. Good morning,