1 00:00:00,080 --> 00:00:03,520 Speaker 1: First of all, you don't know me. Were all about 2 00:00:03,520 --> 00:00:06,320 Speaker 1: that high school drama Girl Drama Girl, all about them 3 00:00:06,400 --> 00:00:09,520 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,600 --> 00:00:15,560 Speaker 1: our comic Girl Cheering for the drama Queens up girl fashion, 5 00:00:15,600 --> 00:00:17,799 Speaker 1: but you'll tough, girl, You could sit with us Girl 6 00:00:17,920 --> 00:00:21,680 Speaker 1: Drama Queens, Drama, Queen's Drama, Queen's Drama Drawn MC Queen's 7 00:00:21,720 --> 00:00:28,680 Speaker 1: Drama Queens, I Dare You, Episode five, I Will Dare 8 00:00:28,760 --> 00:00:32,360 Speaker 1: October nineteenth, two thousand and four. Here's the synopsis. Here's 9 00:00:32,400 --> 00:00:35,480 Speaker 1: what happened in case you missed it, which you probably didn't, 10 00:00:35,520 --> 00:00:38,160 Speaker 1: because otherwise, why would you be listening to drama Queens. 11 00:00:38,760 --> 00:00:43,040 Speaker 1: Phoenix organized a Dare a Dare Knight to test the 12 00:00:43,080 --> 00:00:45,880 Speaker 1: limits of his new classmates. While out playing the game, 13 00:00:46,080 --> 00:00:51,600 Speaker 1: Lucas meets a mysterious new girl, Anna Peyton, beautifully and 14 00:00:51,680 --> 00:00:56,040 Speaker 1: tearfully confesses to the church that she recently tried cocaine 15 00:00:56,200 --> 00:01:01,080 Speaker 1: and that she's struggling with her mother's absence death. And 16 00:01:01,240 --> 00:01:04,160 Speaker 1: Keith is caught off guard when a beautiful woman comes 17 00:01:04,200 --> 00:01:08,319 Speaker 1: to the shop and begins flirting with him. Meanwhile, Karen 18 00:01:08,360 --> 00:01:11,880 Speaker 1: goes on a date with Andy, her younger professor. So 19 00:01:11,920 --> 00:01:16,040 Speaker 1: many things in this episode. Hot for teacher. We're all 20 00:01:16,040 --> 00:01:18,480 Speaker 1: hot for teacher. Well, we were just saying in the 21 00:01:18,520 --> 00:01:20,920 Speaker 1: last episode, in the last episode that we missed all 22 00:01:20,959 --> 00:01:23,000 Speaker 1: of us being together, you know, because everything was sort 23 00:01:23,000 --> 00:01:25,600 Speaker 1: of segregated and sectioned off. So I'm so glad that 24 00:01:25,600 --> 00:01:28,759 Speaker 1: we got an episode where everybody's all all together now. 25 00:01:29,560 --> 00:01:31,760 Speaker 1: It was so nice and to really be in a 26 00:01:31,800 --> 00:01:36,000 Speaker 1: big group, to see that sort of friend chemistry and laughter. 27 00:01:36,200 --> 00:01:38,560 Speaker 1: I mean, not to jump straight to the end, but 28 00:01:38,760 --> 00:01:40,960 Speaker 1: after all the girls win and we're just like a 29 00:01:41,080 --> 00:01:43,680 Speaker 1: dancing around in the cafe, I was like, oh, look, 30 00:01:44,160 --> 00:01:47,200 Speaker 1: we were such a good time. I love that shot 31 00:01:47,280 --> 00:01:49,840 Speaker 1: of the three of us. So it's it's it's all 32 00:01:49,840 --> 00:01:51,400 Speaker 1: over the internet, you know, you can always find it. 33 00:01:51,440 --> 00:01:54,160 Speaker 1: There's there's a few great classic shots of the three 34 00:01:54,200 --> 00:01:56,440 Speaker 1: of us, and I love that one. So that was 35 00:01:56,480 --> 00:01:58,760 Speaker 1: really fun. But wow, what a what a busy episode. 36 00:01:59,000 --> 00:02:01,920 Speaker 1: I mean, let's just art with your beautiful performance, since 37 00:02:01,960 --> 00:02:05,440 Speaker 1: that's what's on my mind anyway. Hillary. Um, it was 38 00:02:05,680 --> 00:02:07,680 Speaker 1: first of all, so lovely. Um the way it was 39 00:02:07,720 --> 00:02:11,960 Speaker 1: shot just in the dark with one light and you, um, 40 00:02:12,800 --> 00:02:15,600 Speaker 1: we didn't need anything else. We just needed to hear 41 00:02:15,680 --> 00:02:18,480 Speaker 1: your voice and see your face, and you were so 42 00:02:18,560 --> 00:02:21,200 Speaker 1: honest and raw and um it really did feel like 43 00:02:21,240 --> 00:02:25,320 Speaker 1: a private moment. Peyton wasn't dealing with the insecurity of 44 00:02:25,400 --> 00:02:30,000 Speaker 1: having another person in the room while she was emoting. UM, 45 00:02:30,040 --> 00:02:34,840 Speaker 1: so there was no reservation. And I really I was 46 00:02:35,040 --> 00:02:38,560 Speaker 1: really drawn in by your the subtlety of your performance 47 00:02:38,600 --> 00:02:41,200 Speaker 1: and the honesty. And it's hard to do at that age. 48 00:02:41,400 --> 00:02:46,040 Speaker 1: That was beautiful, well done. Thanks. Yeah, of all the 49 00:02:46,040 --> 00:02:48,280 Speaker 1: episodes we've watched so far, this is the one that 50 00:02:48,360 --> 00:02:51,920 Speaker 1: I have totally the greatest sense memory for, Like I 51 00:02:51,960 --> 00:02:57,400 Speaker 1: remember this like it was a week ago. Yes, And 52 00:02:57,720 --> 00:03:03,440 Speaker 1: that scene, that scene was hard because, um, I was 53 00:03:04,320 --> 00:03:09,040 Speaker 1: very much drawing from a real life loss that and 54 00:03:09,080 --> 00:03:11,440 Speaker 1: I hadn't had to do that, you know, like Peyton 55 00:03:11,480 --> 00:03:13,600 Speaker 1: like crying about her mom Peyton, you know, like that 56 00:03:13,680 --> 00:03:18,000 Speaker 1: kind of stuff was definitely acting. But this was very 57 00:03:18,040 --> 00:03:21,720 Speaker 1: different because we were in a church setting and I 58 00:03:21,760 --> 00:03:24,600 Speaker 1: grew up very, very very strict, you know. There was 59 00:03:24,639 --> 00:03:27,760 Speaker 1: like definitely like I couldn't watch Dawson's Creek. I couldn't 60 00:03:27,800 --> 00:03:31,520 Speaker 1: watch these rif raff shows about teenagers having sex and 61 00:03:31,600 --> 00:03:36,320 Speaker 1: making poor choices, and here I was on one you know, Um, 62 00:03:36,800 --> 00:03:40,360 Speaker 1: and I had a pastor growing up that I loved. 63 00:03:40,560 --> 00:03:44,920 Speaker 1: Pastor Snow was the passetor pastor of Sterling United Methodist 64 00:03:45,400 --> 00:03:47,560 Speaker 1: and his kids were all in school with us. He 65 00:03:47,600 --> 00:03:49,600 Speaker 1: had three kids that were like all right around my age. 66 00:03:49,640 --> 00:03:51,800 Speaker 1: We didn't student government together. His son was on the 67 00:03:51,800 --> 00:03:55,080 Speaker 1: football team like he was every game. He was the 68 00:03:55,120 --> 00:03:59,600 Speaker 1: most gregarious, awesome man and he Um. He got cancer 69 00:04:00,400 --> 00:04:03,400 Speaker 1: and died my senior year in high school. And he 70 00:04:03,560 --> 00:04:06,880 Speaker 1: delivered a sermon a couple of years before his passing 71 00:04:07,320 --> 00:04:09,960 Speaker 1: where he was talking about this hymn that he loved 72 00:04:10,000 --> 00:04:11,960 Speaker 1: in the garden, geoy, do you know this one? And 73 00:04:12,040 --> 00:04:13,720 Speaker 1: he walks with me and he talks with me and 74 00:04:13,760 --> 00:04:16,960 Speaker 1: he tells me, I am his own. It's like it's 75 00:04:17,000 --> 00:04:19,960 Speaker 1: just like like Conway Twitty sang it, you know, It's 76 00:04:20,000 --> 00:04:23,040 Speaker 1: like one of those like American country music kind of hymns. 77 00:04:23,480 --> 00:04:26,080 Speaker 1: And I remember him saying in a sermon, this is 78 00:04:26,120 --> 00:04:27,760 Speaker 1: the song I want you guys to all sing at 79 00:04:27,760 --> 00:04:31,839 Speaker 1: my funeral. Um. And so when I was in that 80 00:04:31,960 --> 00:04:38,240 Speaker 1: confession booth, Um, I pulled out the hymnal that you know. 81 00:04:38,279 --> 00:04:39,680 Speaker 1: It was in the bench where you and I were 82 00:04:39,839 --> 00:04:43,400 Speaker 1: seated together. And I flipped to that hymn and I 83 00:04:43,440 --> 00:04:45,520 Speaker 1: just kept it down at my feet. And so the 84 00:04:45,520 --> 00:04:49,520 Speaker 1: conversation I'm having there is with Pastor Snow, who I 85 00:04:49,600 --> 00:04:55,440 Speaker 1: loved so much. Um. And so the flip side of 86 00:04:55,440 --> 00:04:57,599 Speaker 1: this calling kids is that when you use your real 87 00:04:57,680 --> 00:05:02,880 Speaker 1: life tragedy, sometimes you take it very, very personally. Because 88 00:05:03,120 --> 00:05:05,760 Speaker 1: do you guys remember, at the same time this season 89 00:05:05,839 --> 00:05:11,760 Speaker 1: was airing, Warner Brothers had that acting competition TV show. 90 00:05:11,800 --> 00:05:14,840 Speaker 1: It was like it was like the Voice, but like 91 00:05:15,000 --> 00:05:20,120 Speaker 1: for acting, it only lasted one season. Vaguely remember something 92 00:05:20,160 --> 00:05:24,679 Speaker 1: like this. Yeah, And so our episode aired, I felt 93 00:05:24,880 --> 00:05:28,440 Speaker 1: very naked people seeing this scene, you know, especially people 94 00:05:28,480 --> 00:05:31,320 Speaker 1: back home, because there were some people who knew, you know, 95 00:05:31,360 --> 00:05:33,960 Speaker 1: like the emotion that was tied up in it. And 96 00:05:34,120 --> 00:05:37,160 Speaker 1: the Warner Brothers calls are like, well love the scene, kid, 97 00:05:37,200 --> 00:05:40,000 Speaker 1: and we're gonna have all these actors recreated on our 98 00:05:40,000 --> 00:05:44,400 Speaker 1: show as part of a contest and oh yeah, And 99 00:05:44,440 --> 00:05:47,160 Speaker 1: I said no, and they were like, oh, you can't 100 00:05:47,160 --> 00:05:49,719 Speaker 1: say no. And I was like, don't you dare that 101 00:05:49,839 --> 00:05:53,320 Speaker 1: is my real life tragedy on screen, Like don't you 102 00:05:53,440 --> 00:05:57,240 Speaker 1: dare exploit it for a contest And they're like, still 103 00:05:57,320 --> 00:06:00,240 Speaker 1: late we've already shot it, you know, right of, and 104 00:06:00,360 --> 00:06:03,599 Speaker 1: they wanted me to come and like judge that competition. 105 00:06:04,400 --> 00:06:09,080 Speaker 1: Oh god, thank you. But by the way, like that's 106 00:06:09,120 --> 00:06:10,800 Speaker 1: the thing that we deal with his actors. It's like 107 00:06:10,839 --> 00:06:13,720 Speaker 1: how much of yourself do you give away? How much 108 00:06:13,760 --> 00:06:16,200 Speaker 1: of yourself do you use? And then like how do 109 00:06:16,240 --> 00:06:19,880 Speaker 1: you compartmentalize? And I've always had trouble compartmentalizing because I 110 00:06:20,000 --> 00:06:24,839 Speaker 1: feel it so deeply. Um, but I you know, you 111 00:06:24,880 --> 00:06:27,440 Speaker 1: see I still tear up because that's a pastor snow scene. 112 00:06:27,520 --> 00:06:30,560 Speaker 1: He was Oh man, he was so good, like such 113 00:06:30,600 --> 00:06:33,760 Speaker 1: a good dude. Um. So yeah, it's good to have 114 00:06:33,800 --> 00:06:35,919 Speaker 1: those people in your life that make you want to 115 00:06:35,960 --> 00:06:38,960 Speaker 1: confess and that you feel like you can be vulnerable with. 116 00:06:39,880 --> 00:06:42,200 Speaker 1: That was something I loved about it so much. Was 117 00:06:43,200 --> 00:06:48,440 Speaker 1: and it makes sense hearing the behind the scenes, um 118 00:06:48,680 --> 00:06:52,640 Speaker 1: experience that you were having, because I kept thinking while 119 00:06:52,640 --> 00:06:59,159 Speaker 1: we were watching it, how beautiful your performance was. And 120 00:06:59,640 --> 00:07:02,440 Speaker 1: after it was over, I was like, oh, and they 121 00:07:02,520 --> 00:07:05,240 Speaker 1: never cut, like they started in the wide shot to 122 00:07:05,360 --> 00:07:07,679 Speaker 1: establish the confessional and then they were in that close 123 00:07:07,720 --> 00:07:11,000 Speaker 1: shot with you the whole time, and that's not always 124 00:07:11,040 --> 00:07:14,000 Speaker 1: common to really just stay in one shot and they 125 00:07:14,040 --> 00:07:18,080 Speaker 1: stayed with you because it was intimate, because you were 126 00:07:18,120 --> 00:07:22,960 Speaker 1: expressing something that made the viewer, the director, each of 127 00:07:23,040 --> 00:07:26,640 Speaker 1: us want to be close to you, to hold that space. 128 00:07:27,640 --> 00:07:35,040 Speaker 1: And it's so beautiful to watch. And I can feel 129 00:07:35,120 --> 00:07:39,840 Speaker 1: my like defensive sister energy kick up because I'm like, everybody, 130 00:07:39,920 --> 00:07:45,000 Speaker 1: give her space, don't touch her scene and it's like 131 00:07:45,880 --> 00:07:48,600 Speaker 1: it and maybe you know you and I both being 132 00:07:48,640 --> 00:07:52,560 Speaker 1: cancer is just born a week apart, like that feeling 133 00:07:52,600 --> 00:07:54,880 Speaker 1: of like no, I felt that so deeply. That's real. 134 00:07:55,520 --> 00:07:59,800 Speaker 1: It was something real, you know, and it's sensitive and 135 00:07:59,800 --> 00:08:03,440 Speaker 1: it's confusing because it's your job, but it's also there 136 00:08:03,440 --> 00:08:06,120 Speaker 1: are real feelings and it's not just work, and it 137 00:08:06,480 --> 00:08:09,320 Speaker 1: is a very blurry thing. You do have to you 138 00:08:09,360 --> 00:08:11,080 Speaker 1: do have to do your work to know the lines 139 00:08:11,160 --> 00:08:13,400 Speaker 1: and to make sure that you're prepared when you go in. 140 00:08:13,520 --> 00:08:16,080 Speaker 1: It's not just showing up and suddenly you have an 141 00:08:16,080 --> 00:08:19,120 Speaker 1: emotional experience. I mean, you have to be prepared so 142 00:08:19,160 --> 00:08:21,800 Speaker 1: that when the emotional experience comes, you can translate it 143 00:08:21,880 --> 00:08:24,680 Speaker 1: through the words that have been written for you, you know. 144 00:08:24,760 --> 00:08:27,120 Speaker 1: So you you also did a lot of work there, 145 00:08:27,200 --> 00:08:30,760 Speaker 1: and I love that tom our director, Tom Right, trusted 146 00:08:30,840 --> 00:08:33,679 Speaker 1: you with that material and didn't feel like he needed 147 00:08:33,679 --> 00:08:36,320 Speaker 1: to chop it up to create some emotional manipulation. He 148 00:08:36,440 --> 00:08:39,040 Speaker 1: just trusted that you were where you needed to be 149 00:08:39,120 --> 00:08:41,640 Speaker 1: and let the camera role. That's a dream for an actor, 150 00:08:41,720 --> 00:08:44,440 Speaker 1: by the way, I mean, yeah, it's so nice when 151 00:08:44,440 --> 00:08:47,560 Speaker 1: you feel like you're trusted by your director, by your 152 00:08:47,559 --> 00:08:49,960 Speaker 1: fellow actors and you can just do what you show do, 153 00:08:50,120 --> 00:08:52,480 Speaker 1: show up and do the job that you prepared for. 154 00:08:53,520 --> 00:08:55,440 Speaker 1: I joked that the like this was kind of the 155 00:08:55,480 --> 00:08:58,120 Speaker 1: beginning of the end because this was the scene where like, 156 00:08:58,800 --> 00:09:02,640 Speaker 1: afterwards our boss is were like, hey, you're not good 157 00:09:02,880 --> 00:09:05,760 Speaker 1: at like the having fun part. Uh? You like when 158 00:09:05,800 --> 00:09:08,360 Speaker 1: you have to fake laugh? No one buys that, but 159 00:09:09,160 --> 00:09:11,200 Speaker 1: you can cry And now we're going to make you 160 00:09:11,240 --> 00:09:16,319 Speaker 1: cry in every episode. Wow, this was this was the 161 00:09:16,440 --> 00:09:21,160 Speaker 1: turning point. Yeah, but God blessed Tom right. Like you 162 00:09:21,160 --> 00:09:23,920 Speaker 1: guys have heard us talk about him before. I love 163 00:09:24,000 --> 00:09:25,880 Speaker 1: him as a director, I love him as a person. 164 00:09:26,520 --> 00:09:29,880 Speaker 1: He has a pinky ring that looks like a frog, remember, 165 00:09:31,960 --> 00:09:35,760 Speaker 1: and he's an amazing artist. Did you know? Um? Oh, 166 00:09:35,800 --> 00:09:37,560 Speaker 1: what is it like? It was a show that came 167 00:09:37,559 --> 00:09:39,640 Speaker 1: on after Twilight Zone, but it was called The Night 168 00:09:39,679 --> 00:09:42,800 Speaker 1: Gallery and he did all the paintings for it. He's 169 00:09:42,840 --> 00:09:48,200 Speaker 1: like a legend. I didn't know. That's cool. Yeah, he's great. Hey, 170 00:09:48,320 --> 00:09:53,480 Speaker 1: I have a question to segue into Darrenknite activities. Um, 171 00:09:53,640 --> 00:09:56,559 Speaker 1: we did kind of notice that with Peyton and Haley. 172 00:09:56,880 --> 00:09:59,800 Speaker 1: Peyton was doing all the dares, which is like, what 173 00:09:59,840 --> 00:10:01,720 Speaker 1: the I don't know what happened there? But you know 174 00:10:01,760 --> 00:10:05,800 Speaker 1: what I wondered, I do you have this memory? Or 175 00:10:05,800 --> 00:10:09,880 Speaker 1: am I crazy? Was I supposed to eat the pickled eggs? 176 00:10:10,440 --> 00:10:13,160 Speaker 1: And then I was like, guys like, I literally cannot 177 00:10:13,200 --> 00:10:15,720 Speaker 1: eat pick of eggs. I'll throw up. I would vomit. 178 00:10:16,280 --> 00:10:20,120 Speaker 1: And then you said, I'll just do it, just I'll 179 00:10:20,120 --> 00:10:23,559 Speaker 1: do it. I feel like that happened. But am I 180 00:10:23,840 --> 00:10:26,480 Speaker 1: Does that sound familiar to you at all? No? I 181 00:10:26,559 --> 00:10:28,320 Speaker 1: just were being excited that you and I got to 182 00:10:28,400 --> 00:10:34,440 Speaker 1: hang at jungle rappids. The greatest is jungle rappids. Still there. 183 00:10:35,160 --> 00:10:38,240 Speaker 1: I don't know. I don't look it up. Jungle rappids. 184 00:10:38,400 --> 00:10:40,480 Speaker 1: You know. Once they figured out a couple of hot 185 00:10:40,480 --> 00:10:42,120 Speaker 1: spots on Talent that we could go to that were 186 00:10:42,120 --> 00:10:46,000 Speaker 1: like fun and loved Zaney. We worked those spaces and 187 00:10:46,120 --> 00:10:48,720 Speaker 1: Jungle Rappids. I was like we had fun at Jungle Rappits, 188 00:10:50,320 --> 00:10:53,280 Speaker 1: And I feel like when Peyton thanks Haley in this episode, 189 00:10:53,280 --> 00:10:56,720 Speaker 1: like thanks for hanging out with me, Um. I do 190 00:10:56,800 --> 00:10:59,000 Speaker 1: think Peyton is the kind of person that's like, I'll 191 00:10:59,000 --> 00:11:00,720 Speaker 1: do it so you don't have to do it because 192 00:11:00,760 --> 00:11:02,640 Speaker 1: I'm just so happy that you're hanging out with me. 193 00:11:03,720 --> 00:11:07,880 Speaker 1: I'll take the hit to the head, like please, it's funny. 194 00:11:07,920 --> 00:11:11,840 Speaker 1: Maybe maybe yeah, I don't know. She's needy man, like 195 00:11:12,080 --> 00:11:14,800 Speaker 1: I'll carry your books. I love the comedy of the 196 00:11:14,840 --> 00:11:16,920 Speaker 1: two of you though in that scene, you getting the 197 00:11:16,920 --> 00:11:20,520 Speaker 1: head hit and enjoy you running into check are you okay? 198 00:11:20,520 --> 00:11:22,280 Speaker 1: And then getting it in the bed like it was 199 00:11:22,320 --> 00:11:25,280 Speaker 1: all just so funny. Did did they have somebody tossed? 200 00:11:25,400 --> 00:11:32,400 Speaker 1: They didn't actually have it good? Remember Brian and Props. 201 00:11:32,800 --> 00:11:35,439 Speaker 1: I think one of them was like a kid's like 202 00:11:35,760 --> 00:11:37,280 Speaker 1: maybe the one that came at me. Maybe it might 203 00:11:37,280 --> 00:11:40,440 Speaker 1: have been one of those squishy, squishy ones for kids. 204 00:11:40,920 --> 00:11:43,240 Speaker 1: Didn't really egg her because you don't even see a 205 00:11:43,280 --> 00:11:45,640 Speaker 1: bruise later when we're in the cafe. That would have 206 00:11:45,640 --> 00:11:50,000 Speaker 1: been funny though if we did, you know, you know, honestly, 207 00:11:50,160 --> 00:11:53,400 Speaker 1: m v P Award in my mind for the comedy 208 00:11:53,440 --> 00:11:58,120 Speaker 1: of this episode goes to sweet James and Bratt wearing 209 00:11:58,240 --> 00:12:05,000 Speaker 1: those adorable girl scout outfits that I honestly, I just 210 00:12:05,080 --> 00:12:07,719 Speaker 1: want people to do that for Halloween one year, Like 211 00:12:07,840 --> 00:12:11,400 Speaker 1: it's such a good outfit and they're sweet little like 212 00:12:11,720 --> 00:12:17,080 Speaker 1: friend argument that Tim's vulnerability. Somebody people have dressed up 213 00:12:17,120 --> 00:12:18,880 Speaker 1: as them in those outfits, right if you have, will 214 00:12:18,920 --> 00:12:21,880 Speaker 1: you send us your photos to see you want to see? Well? 215 00:12:21,920 --> 00:12:24,480 Speaker 1: Also some real great comedy by Mouth in this episode 216 00:12:24,480 --> 00:12:28,920 Speaker 1: with Baby Got Back, Oh my gosh, Lena's dancing. That 217 00:12:29,000 --> 00:12:32,240 Speaker 1: man's an icon. He comes through every time man commits. 218 00:12:32,840 --> 00:12:35,240 Speaker 1: The stuff that works in this episode is the stuff 219 00:12:35,280 --> 00:12:38,160 Speaker 1: that is true to life, because I feel like that 220 00:12:38,240 --> 00:12:42,400 Speaker 1: was every Thursday at Level five like they it was. 221 00:12:42,840 --> 00:12:44,800 Speaker 1: It was like they just the stuff they knew that 222 00:12:44,840 --> 00:12:46,760 Speaker 1: we were sensitive about or that we were good at. 223 00:12:46,760 --> 00:12:48,440 Speaker 1: And they're like, you know what, let's just tap into 224 00:12:48,480 --> 00:12:53,000 Speaker 1: the reality this episode and we'll go from there. Um, 225 00:12:53,040 --> 00:12:57,080 Speaker 1: Sophia being piste off, They're like, you know what she's 226 00:12:57,120 --> 00:13:03,320 Speaker 1: good at? I was really is that this whole storyline? Um? Yeah, 227 00:13:03,360 --> 00:13:06,360 Speaker 1: I think they knew. I was so mad about the 228 00:13:07,200 --> 00:13:12,480 Speaker 1: not slight racism with the Spanish speaking storyline in the 229 00:13:12,520 --> 00:13:17,400 Speaker 1: last episode. Then she's real piste. Maybe we'll just make 230 00:13:17,400 --> 00:13:20,280 Speaker 1: her pissed about this guy in this episode. I was 231 00:13:20,320 --> 00:13:23,640 Speaker 1: real mad um. But it worked. Oh yeah, it did work. 232 00:13:23,679 --> 00:13:28,080 Speaker 1: And I loved the wrestling that Brooke did with the 233 00:13:28,679 --> 00:13:31,840 Speaker 1: you know, with the restaurant, not just like having fun 234 00:13:31,840 --> 00:13:33,400 Speaker 1: and being like, Oh, I'm going to scoot out. It 235 00:13:33,520 --> 00:13:35,480 Speaker 1: will be so fun. You know. She really was wrestling 236 00:13:35,480 --> 00:13:37,520 Speaker 1: with her conscience on that, which I thought was really 237 00:13:37,559 --> 00:13:40,920 Speaker 1: sweet too. It's good she's a good girl. She's a 238 00:13:40,960 --> 00:13:44,280 Speaker 1: good girl. She's a good girl. That's the best way 239 00:13:44,320 --> 00:13:53,480 Speaker 1: to put it. Joy. I was really happy to see 240 00:13:53,520 --> 00:13:56,800 Speaker 1: the boundary at the end too, Like she she saws 241 00:13:56,840 --> 00:14:01,560 Speaker 1: a little bit with Felix. I'm still annoyed that Brooke 242 00:14:01,600 --> 00:14:03,160 Speaker 1: had to go be on a bad date while all 243 00:14:03,160 --> 00:14:06,120 Speaker 1: the friends got to do fun things. But it's fine. 244 00:14:06,240 --> 00:14:09,360 Speaker 1: Trapped to you. He tripped. It's a date napping. Have 245 00:14:09,480 --> 00:14:12,680 Speaker 1: you ever been a date napping in real life? I 246 00:14:12,720 --> 00:14:17,600 Speaker 1: got da tell me everything. Oh, I will tell you, 247 00:14:17,640 --> 00:14:20,240 Speaker 1: but if you go, oh no, I can't because it 248 00:14:20,320 --> 00:14:22,520 Speaker 1: is by a famous person, so I'll have to tell 249 00:14:22,600 --> 00:14:28,760 Speaker 1: you too. After Oh it was it was egregious. I 250 00:14:28,840 --> 00:14:32,000 Speaker 1: remember this I'm typing it in the group. Check right now. Okay, 251 00:14:32,040 --> 00:14:42,400 Speaker 1: hold on, thank you remember yes? Oh man, I've said 252 00:14:42,400 --> 00:14:45,240 Speaker 1: too much. I can't say anything anymore. I'll tell you 253 00:14:45,240 --> 00:14:55,960 Speaker 1: about mom. I was. I was Hilary's Dying right. I 254 00:14:56,560 --> 00:15:01,040 Speaker 1: love it so much. I was in New York in 255 00:15:01,080 --> 00:15:04,400 Speaker 1: my twenties, and um, I was working this guy on 256 00:15:04,440 --> 00:15:06,520 Speaker 1: a show that I was working on. You were working 257 00:15:06,560 --> 00:15:09,000 Speaker 1: this guy? I was. I was working on a show. 258 00:15:09,200 --> 00:15:12,200 Speaker 1: Oh god, this is my bad sentences. I was working 259 00:15:12,200 --> 00:15:13,760 Speaker 1: on the show and this guy was a new guy 260 00:15:13,760 --> 00:15:15,440 Speaker 1: on the show, and I was just being friendly and 261 00:15:15,560 --> 00:15:17,360 Speaker 1: nice and like yeah. He was like, you want to 262 00:15:17,360 --> 00:15:21,000 Speaker 1: go see a movie? Uh this weekender something. I was like, yeah, sure, 263 00:15:21,080 --> 00:15:24,080 Speaker 1: just whatever. Give me about I'm around And he comes 264 00:15:24,080 --> 00:15:27,320 Speaker 1: to the door and I'm literally like in sweatpants and 265 00:15:27,360 --> 00:15:29,880 Speaker 1: a T shirt and like I'm just grabbing my coat 266 00:15:29,920 --> 00:15:32,280 Speaker 1: and my boots and he and I opened the door 267 00:15:32,320 --> 00:15:34,760 Speaker 1: and he's like got flowers and he's in a nice 268 00:15:34,880 --> 00:15:37,880 Speaker 1: like shirt and his pants are all nice and he's 269 00:15:38,040 --> 00:15:44,320 Speaker 1: in good shoes. And I was like, oh, no, nice. 270 00:15:45,440 --> 00:15:47,760 Speaker 1: I grew like, are you got about a date? Later? 271 00:15:52,400 --> 00:15:54,520 Speaker 1: How did you friend zone him? Did you call him dude? 272 00:15:54,560 --> 00:15:59,000 Speaker 1: Real fast, and we went to see, um, what was 273 00:15:59,040 --> 00:16:02,280 Speaker 1: that movie with Jennifer Lopez about Hell? Was it called 274 00:16:04,880 --> 00:16:06,840 Speaker 1: Oh my God, that's what it was. Maybe it's not 275 00:16:06,840 --> 00:16:10,200 Speaker 1: about Hell, just her and Vincent Dinofrio and everything was 276 00:16:10,200 --> 00:16:13,320 Speaker 1: always melting. That was scary. He went to see that 277 00:16:13,360 --> 00:16:16,720 Speaker 1: movie and sat in the front, which one who does 278 00:16:16,760 --> 00:16:18,320 Speaker 1: that at a movie theater? I can't. I mean, I 279 00:16:18,360 --> 00:16:20,240 Speaker 1: had a headache, my neck hurt. I was like, I 280 00:16:20,240 --> 00:16:26,040 Speaker 1: gotta go the evening. I was leaking. Yeah, that was 281 00:16:26,080 --> 00:16:30,960 Speaker 1: accidental date. I oh, date nappings Wolf. But Felix said 282 00:16:31,000 --> 00:16:33,480 Speaker 1: he date napped Brooke. And I will say I was 283 00:16:33,480 --> 00:16:35,440 Speaker 1: proud of her for setting a boundary at the end, 284 00:16:36,040 --> 00:16:41,800 Speaker 1: you know, she she thought a little but really was like, nope, 285 00:16:41,840 --> 00:16:45,560 Speaker 1: I'm going inside, bye bye, and that I was proud 286 00:16:45,560 --> 00:16:49,560 Speaker 1: of her because he keeps like flinging the money around 287 00:16:49,640 --> 00:16:54,320 Speaker 1: and like everything's kind of distasteful, and Brooke has just 288 00:16:54,440 --> 00:16:57,600 Speaker 1: come off her like I like Lucas. He's not a 289 00:16:57,640 --> 00:17:00,840 Speaker 1: wealthy kid, you know, Like I like that they have 290 00:17:01,040 --> 00:17:04,280 Speaker 1: shown that her priorities are not like I like many 291 00:17:04,280 --> 00:17:08,560 Speaker 1: many money, many money. So much talk about money too. 292 00:17:09,000 --> 00:17:11,639 Speaker 1: I guess it's an interesting juxtaposition to see someone who's 293 00:17:11,680 --> 00:17:20,000 Speaker 1: handling it pretty well versus you know, young dumb, rich kid. Yeah, 294 00:17:21,359 --> 00:17:23,080 Speaker 1: it's funny when you put it that way. I hadn't 295 00:17:23,119 --> 00:17:26,280 Speaker 1: thought about the specificity of that for Brooke, but now 296 00:17:26,320 --> 00:17:28,960 Speaker 1: I'm like, Oh, I like this because she likes having 297 00:17:29,000 --> 00:17:31,880 Speaker 1: her own money. Yeah, she didn't care if other people 298 00:17:31,960 --> 00:17:35,720 Speaker 1: have money. She just wants to have her own. Yeah. Yeah, 299 00:17:36,119 --> 00:17:39,000 Speaker 1: I like. I like that as a goal. Who has, 300 00:17:39,040 --> 00:17:44,280 Speaker 1: like your own money, make your own. Have you guys 301 00:17:44,320 --> 00:17:48,960 Speaker 1: ever done a din and ditch? No? No, it's like 302 00:17:49,880 --> 00:17:53,120 Speaker 1: kids at home. Don't do that. It's gross. Those waiters 303 00:17:53,160 --> 00:17:57,040 Speaker 1: have to like cover the food that you ditch comes 304 00:17:57,040 --> 00:17:59,159 Speaker 1: out of their paycheck. No, it's not right. That's not 305 00:17:59,240 --> 00:18:03,280 Speaker 1: right at all. I love food and I so appreciate 306 00:18:03,280 --> 00:18:10,920 Speaker 1: people who make it. Yeah, it's art with vegetables, man, um, 307 00:18:10,960 --> 00:18:12,920 Speaker 1: But hold on, have you ever done a Darren Nite 308 00:18:12,960 --> 00:18:17,119 Speaker 1: in real life? Oh? Have I did we do what 309 00:18:17,800 --> 00:18:20,720 Speaker 1: this episode? Oh? I can't remember. Going to say the 310 00:18:20,720 --> 00:18:22,680 Speaker 1: same thing, Sophie, I feel like maybe we all just 311 00:18:22,880 --> 00:18:25,440 Speaker 1: came up with one and did arcade party or something. 312 00:18:26,600 --> 00:18:30,560 Speaker 1: Parties were gloves off. Man, those things are dangerous. So 313 00:18:30,920 --> 00:18:33,720 Speaker 1: the answer is yes, and maybe we don't remember, is 314 00:18:33,720 --> 00:18:40,280 Speaker 1: that what you say? Those were the rum years. Um. 315 00:18:40,400 --> 00:18:44,680 Speaker 1: I remember coming back from college and all my girlfriends 316 00:18:44,680 --> 00:18:47,119 Speaker 1: and I like, we had a really good football team 317 00:18:47,200 --> 00:18:50,520 Speaker 1: and we all broke onto the football field in the 318 00:18:50,520 --> 00:18:52,480 Speaker 1: middle of the night and like pete on the fifty 319 00:18:52,520 --> 00:18:56,359 Speaker 1: yard line and it was before oh yeah, and it 320 00:18:56,440 --> 00:18:58,760 Speaker 1: was real fun. And now we're like all moms and 321 00:18:58,800 --> 00:19:01,119 Speaker 1: we're like the pop time. Let me just tell you 322 00:19:01,240 --> 00:19:09,840 Speaker 1: if I gotta go, Julie repeating behind Horonymous. Every once 323 00:19:09,840 --> 00:19:12,040 Speaker 1: in a while, you drive down Market Street in Wilmington's 324 00:19:12,040 --> 00:19:14,480 Speaker 1: and you see some teen drama actresses peeing behind a 325 00:19:14,520 --> 00:19:20,240 Speaker 1: building right there on the main drag. I cam'p a lot. Um. 326 00:19:20,280 --> 00:19:22,960 Speaker 1: I don't really care about popping a squad. I'm good, 327 00:19:23,040 --> 00:19:28,800 Speaker 1: you're a girl. My daughter is really I mean, Maria 328 00:19:29,000 --> 00:19:31,320 Speaker 1: is like she every time I suggested she we on 329 00:19:31,320 --> 00:19:33,040 Speaker 1: the highway or whatever, and I'm like She's like, I 330 00:19:33,160 --> 00:19:34,520 Speaker 1: really really have to go. I really have to go. 331 00:19:34,520 --> 00:19:36,480 Speaker 1: And I'm like, the next rest stops not for other 332 00:19:36,600 --> 00:19:39,160 Speaker 1: like ten minutes. I mean, look, there's a whole bunch 333 00:19:39,200 --> 00:19:41,280 Speaker 1: of bushes over there. Let's let me just pull over 334 00:19:41,440 --> 00:19:44,480 Speaker 1: and you can run behind a bush. Just no I 335 00:19:44,520 --> 00:19:48,080 Speaker 1: will not just harmorrified if she doesn't scream. I mean Tim. 336 00:19:48,119 --> 00:19:50,320 Speaker 1: Tim takes it to the extreme in this episode. God, 337 00:19:50,520 --> 00:19:53,720 Speaker 1: that's the last time, Sophia, not in the woods. When's 338 00:19:53,800 --> 00:20:00,600 Speaker 1: the last time you pee illegally in public? Not not 339 00:20:00,760 --> 00:20:04,120 Speaker 1: in the woods? Oh man, that's hard. Not in the woods. 340 00:20:09,280 --> 00:20:12,160 Speaker 1: I was with I was with another One Tree Hill 341 00:20:12,200 --> 00:20:16,560 Speaker 1: cast member, Elizabeth Arnoa. Where did you pee? We were 342 00:20:16,600 --> 00:20:19,040 Speaker 1: coming back from Big Bear, like the day after New 343 00:20:19,119 --> 00:20:21,959 Speaker 1: Year's Eve, and it's just stuck traffic and you're literally 344 00:20:22,000 --> 00:20:26,159 Speaker 1: sitting there for like four hours, and we had to 345 00:20:26,200 --> 00:20:29,760 Speaker 1: open up the passenger door and then the other door 346 00:20:29,840 --> 00:20:33,439 Speaker 1: and just kind of like hover between them. But the 347 00:20:33,520 --> 00:20:37,080 Speaker 1: road curves so everyone can still see what's happening, and 348 00:20:37,119 --> 00:20:39,520 Speaker 1: they just see this like stream from these like little 349 00:20:39,560 --> 00:20:47,159 Speaker 1: blonde girls. Liz Arne was bad news, man. You know 350 00:20:47,200 --> 00:20:49,400 Speaker 1: what I pet on the side of the road. I'm 351 00:20:49,440 --> 00:20:52,720 Speaker 1: remembering now. It was last December because we were obviously 352 00:20:52,920 --> 00:20:57,040 Speaker 1: in lockdown and I had gone to make this movie 353 00:20:57,080 --> 00:21:01,000 Speaker 1: I'd signed on to do pre COVID and then everything 354 00:21:01,000 --> 00:21:02,960 Speaker 1: got pushed back like six months. In this movie that 355 00:21:03,000 --> 00:21:05,600 Speaker 1: we were supposed to do in Upstate New York in 356 00:21:05,720 --> 00:21:09,000 Speaker 1: like the summer in May of we wound up doing 357 00:21:09,040 --> 00:21:12,840 Speaker 1: in November and December in Utah. We just had to 358 00:21:13,080 --> 00:21:15,560 Speaker 1: recreate the whole plan. Was this a movie that Jeff 359 00:21:15,560 --> 00:21:19,679 Speaker 1: just watched? No, okay, that movie we did pre COVID 360 00:21:20,119 --> 00:21:22,560 Speaker 1: was so crazy to think that I was locked in 361 00:21:22,560 --> 00:21:26,400 Speaker 1: a motel room with forty people for three weeks. But no, Yeah, 362 00:21:26,440 --> 00:21:29,160 Speaker 1: we went and did this thing. I've in Utah and 363 00:21:29,680 --> 00:21:33,040 Speaker 1: I was driving home like one shot, you know, twelve 364 00:21:33,040 --> 00:21:39,720 Speaker 1: hour drive solo, and we've been we'd all driven their solo, tested, quarantined, 365 00:21:39,880 --> 00:21:41,880 Speaker 1: and then we literally lived in the house we shot 366 00:21:41,920 --> 00:21:43,879 Speaker 1: the movie in so that we were a bubble. And 367 00:21:43,920 --> 00:21:47,200 Speaker 1: then we all came home and I was driving home. Man, 368 00:21:47,280 --> 00:21:49,200 Speaker 1: I was like eight hours into the drive, really trying 369 00:21:49,200 --> 00:21:50,840 Speaker 1: to rash in my water, but I was also so 370 00:21:50,920 --> 00:21:53,920 Speaker 1: thirsty and I was like and I finished my water 371 00:21:53,920 --> 00:21:55,520 Speaker 1: bottle in twenty minutes later. I was like, oh my god, 372 00:21:55,520 --> 00:21:57,800 Speaker 1: I have to be so bad, and I was like die. 373 00:21:58,359 --> 00:22:00,480 Speaker 1: And I was on that weird stretch like when you're 374 00:22:00,520 --> 00:22:04,120 Speaker 1: almost home but you've passed Vegas and there's that road 375 00:22:04,160 --> 00:22:06,280 Speaker 1: that's like x x y z z X, Like I 376 00:22:06,280 --> 00:22:09,480 Speaker 1: don't know what that is physics and I was like, 377 00:22:10,040 --> 00:22:14,640 Speaker 1: I was like, well, I'm paying here, and I was like, yeah, 378 00:22:16,000 --> 00:22:17,760 Speaker 1: I'm just gonna I'm gonna pee on the side of 379 00:22:17,800 --> 00:22:20,359 Speaker 1: the highway and really hope that this isn't the moment 380 00:22:20,400 --> 00:22:24,840 Speaker 1: that like HP thinks I'm in trouble because I don't 381 00:22:24,840 --> 00:22:30,040 Speaker 1: need any help with this, and like, I'm not drunk. 382 00:22:30,080 --> 00:22:33,320 Speaker 1: I'm actually just desperate for a bathroom that doesn't have 383 00:22:33,400 --> 00:22:36,520 Speaker 1: COVID really hydrated. Do you feel like it's a mother 384 00:22:36,680 --> 00:22:40,239 Speaker 1: you do wilder things now than because we were, like 385 00:22:40,560 --> 00:22:43,960 Speaker 1: we were careful children. I don't know if it's so 386 00:22:44,040 --> 00:22:46,720 Speaker 1: much that it's that I'm a mother as much as 387 00:22:46,840 --> 00:22:49,840 Speaker 1: just as that I'm older and I care less about 388 00:22:49,960 --> 00:22:53,000 Speaker 1: what people think. You know, I've run out of all 389 00:22:53,040 --> 00:22:57,240 Speaker 1: my yes, exactly. A dare Knight at this age is 390 00:22:57,280 --> 00:23:02,840 Speaker 1: so much more dangerous than night and how let's do it? 391 00:23:02,840 --> 00:23:04,800 Speaker 1: Should we? Should we do it in Instagram? Live it? 392 00:23:06,280 --> 00:23:10,960 Speaker 1: I don't be any evidence up to camera phones now. 393 00:23:12,359 --> 00:23:14,720 Speaker 1: I had that phone that that first one in the 394 00:23:14,720 --> 00:23:17,440 Speaker 1: episode that you see, the little rectangular one that flips open. 395 00:23:17,440 --> 00:23:20,520 Speaker 1: I had them. Yeah, that was amazing. Though the fact 396 00:23:20,600 --> 00:23:23,520 Speaker 1: that Lucas had to deliver a lie, well Chad as 397 00:23:23,600 --> 00:23:25,479 Speaker 1: Lucas had to deliver a line saying, do you have 398 00:23:25,560 --> 00:23:28,280 Speaker 1: your camera phone? I was like, I gotta go. This 399 00:23:28,359 --> 00:23:32,480 Speaker 1: is insane. We called technology. It was a big deal 400 00:23:32,720 --> 00:23:34,320 Speaker 1: to have a flip phone with a camera in it. 401 00:23:34,920 --> 00:23:38,359 Speaker 1: I remember thinking how stupid it was that we kept 402 00:23:38,400 --> 00:23:41,359 Speaker 1: referencing it, because it was like, guys, we want this 403 00:23:41,400 --> 00:23:43,680 Speaker 1: episode to be timeless, why don't we keep talking about 404 00:23:43,760 --> 00:23:46,960 Speaker 1: camera phones? Like this might just be a sad people 405 00:23:47,000 --> 00:23:49,600 Speaker 1: aren't going to use camera phone? And then two years 406 00:23:49,680 --> 00:23:54,040 Speaker 1: later the iPhone came out. Yeah, Chad had to do 407 00:23:54,119 --> 00:23:57,120 Speaker 1: some fun stuff. He did leather pants. How about that 408 00:23:57,600 --> 00:24:01,960 Speaker 1: leather pants? In them all? Were they from Wilson's leather? 409 00:24:03,480 --> 00:24:06,719 Speaker 1: What I don't understand is why why did the security 410 00:24:06,800 --> 00:24:20,160 Speaker 1: guards chase him like doing wrong would have flater? Did 411 00:24:20,200 --> 00:24:22,560 Speaker 1: we have segways that our mall in Wilmington? I feel 412 00:24:22,600 --> 00:24:25,800 Speaker 1: like that's real high falutin. It was a fancy copely 413 00:24:27,160 --> 00:24:31,119 Speaker 1: so great. Nice introduction for Daniella Alonso. Yeah, she was 414 00:24:31,160 --> 00:24:33,560 Speaker 1: so sweet. I liked her a lot. She's really nice 415 00:24:34,160 --> 00:24:40,400 Speaker 1: and fun. Um, she's a good job, instantly likable. And 416 00:24:40,480 --> 00:24:44,080 Speaker 1: it's interesting too because you know, we remember very well 417 00:24:44,200 --> 00:24:46,639 Speaker 1: that she and Felix are brother and sister, but they 418 00:24:46,680 --> 00:24:50,640 Speaker 1: were trying to kind of, you know, not tip people 419 00:24:50,720 --> 00:24:55,720 Speaker 1: off to that. But he's instantly unlikable and she's instantly 420 00:24:56,119 --> 00:25:00,119 Speaker 1: so likable. Um that it's hard to reconcile the two 421 00:25:00,119 --> 00:25:02,480 Speaker 1: of them growing up in the same house. She doesn't 422 00:25:02,480 --> 00:25:06,520 Speaker 1: project any of that, like I got money stuff. Yeah, 423 00:25:07,240 --> 00:25:09,439 Speaker 1: it didn't look like they did have a lot of 424 00:25:09,480 --> 00:25:12,720 Speaker 1: money when when he I don't know, there was something 425 00:25:12,760 --> 00:25:15,360 Speaker 1: so kind of I guess I wasn't really paying attention. 426 00:25:15,359 --> 00:25:17,560 Speaker 1: But the set, as I remember having just watched, it 427 00:25:17,600 --> 00:25:21,080 Speaker 1: seemed really small and like kind of kind of homey 428 00:25:21,200 --> 00:25:24,680 Speaker 1: in the same way that I don't know, Brooker Peyton's 429 00:25:24,760 --> 00:25:27,359 Speaker 1: room looked like it was just kind of close together 430 00:25:27,359 --> 00:25:29,320 Speaker 1: and everything, And I guess, if they're trying to give 431 00:25:29,359 --> 00:25:31,720 Speaker 1: this perspective of opulence that they live in, I was. 432 00:25:32,240 --> 00:25:34,680 Speaker 1: I didn't get that from the set that I saw, 433 00:25:35,000 --> 00:25:39,639 Speaker 1: so that made me think, like, maybe he's just faking it. Oh, 434 00:25:39,680 --> 00:25:41,520 Speaker 1: but he is books next to our neighbor and they 435 00:25:41,560 --> 00:25:44,840 Speaker 1: live in a fancy neighborhood, so I don't know. I 436 00:25:44,880 --> 00:25:48,320 Speaker 1: wonder if a it was meant to continue to encourage 437 00:25:48,359 --> 00:25:52,280 Speaker 1: the misdirect or be if if it's just the fact 438 00:25:52,280 --> 00:25:54,560 Speaker 1: that I don't know, I don't feel like sets in 439 00:25:54,600 --> 00:25:56,720 Speaker 1: general were as fancy then as they are now, Like 440 00:25:56,760 --> 00:26:00,280 Speaker 1: we weren't renting mega mansions to do so true. Yeah, 441 00:26:00,359 --> 00:26:04,520 Speaker 1: that's totally true. I feel like when you go so heightened. Yeah, 442 00:26:04,760 --> 00:26:06,479 Speaker 1: but when you went to Nathan's house, it was like 443 00:26:06,520 --> 00:26:08,880 Speaker 1: you see the big columns when you know, and there 444 00:26:08,960 --> 00:26:13,360 Speaker 1: was like every the space high ceilings on the wall. Yeah, 445 00:26:13,440 --> 00:26:21,600 Speaker 1: there was. There was a big deal. And all those lamps, lamps, 446 00:26:21,920 --> 00:26:25,840 Speaker 1: so many lamps. One of the things I thought was 447 00:26:25,880 --> 00:26:29,720 Speaker 1: kind of interesting about that dynamic. Felix gives off exactly 448 00:26:29,720 --> 00:26:31,640 Speaker 1: what you were saying, Hilary. It's like a smarmy energy 449 00:26:31,680 --> 00:26:34,080 Speaker 1: you want to punch him. And then Anna is like 450 00:26:34,280 --> 00:26:39,399 Speaker 1: sweet and charming and fun and and then I wonder 451 00:26:39,440 --> 00:26:42,320 Speaker 1: if a little bit of the dynamic is sort of 452 00:26:42,359 --> 00:26:45,520 Speaker 1: alluded to when he says good night, little sister, like 453 00:26:46,320 --> 00:26:50,600 Speaker 1: he's the older brother who's, you know, a stereotypical older, 454 00:26:50,760 --> 00:26:54,280 Speaker 1: annoying older brother television character, and she's like the charming 455 00:26:54,320 --> 00:26:59,320 Speaker 1: little sister with a secret. Yeah. There was just so 456 00:26:59,359 --> 00:27:02,800 Speaker 1: many lines that he had in this episode that I 457 00:27:02,840 --> 00:27:06,920 Speaker 1: think someone thought were charming and just ended up not 458 00:27:07,160 --> 00:27:09,840 Speaker 1: holding up, you know, like, not every line that we 459 00:27:09,920 --> 00:27:12,600 Speaker 1: have is going to hold up for almost twenty years, 460 00:27:12,720 --> 00:27:17,080 Speaker 1: you know, But the idea of the cute bad boy 461 00:27:17,240 --> 00:27:22,639 Speaker 1: has changed significantly over the last couple of decades, and 462 00:27:22,720 --> 00:27:27,680 Speaker 1: I think, yeah, cool, god, yeah, I mean, I'm trying 463 00:27:27,680 --> 00:27:30,800 Speaker 1: to think who I had crushes on when we were little. 464 00:27:31,560 --> 00:27:33,720 Speaker 1: I don't know, I was like real moody dudes on TV. 465 00:27:33,960 --> 00:27:35,280 Speaker 1: You know who I had a crush on when we 466 00:27:35,280 --> 00:27:38,720 Speaker 1: were little, Tom Selleck, magnum p. I was my show 467 00:27:38,800 --> 00:27:44,439 Speaker 1: girl mustache, Tom Selleck with that curly hair and that mustache. 468 00:27:44,520 --> 00:27:51,280 Speaker 1: I love that. I'm gonna grow up and marry him. Yeah, 469 00:27:51,280 --> 00:27:54,280 Speaker 1: it was a different time in the eighties, kids, And 470 00:27:54,359 --> 00:27:56,399 Speaker 1: so we're sorry that in the early two thousands we 471 00:27:56,480 --> 00:27:59,440 Speaker 1: brought you smarm um that's not attractive and we tried 472 00:27:59,480 --> 00:28:03,360 Speaker 1: to ti us viable dating material. You know, who's my 473 00:28:03,560 --> 00:28:09,359 Speaker 1: like hot bad boy on TV? Now? Oh my god? Yeah, 474 00:28:09,720 --> 00:28:13,480 Speaker 1: so cute. Did you see the New Spider Man? Yeah, 475 00:28:14,080 --> 00:28:17,200 Speaker 1: I can't wait. I had chills watching the New Euphoria 476 00:28:17,280 --> 00:28:23,680 Speaker 1: trailer though, Dude, she is so cute, so cute. Pretty 477 00:28:23,760 --> 00:28:26,760 Speaker 1: much everybody in the New Spider man is so cute. 478 00:28:26,760 --> 00:28:28,280 Speaker 1: And I'm not going to give you any spoilers, but 479 00:28:28,320 --> 00:28:29,639 Speaker 1: I got to go on a little date with my 480 00:28:29,680 --> 00:28:33,560 Speaker 1: family to go see it COVID safe, and like it 481 00:28:33,680 --> 00:28:35,320 Speaker 1: was so sweet. I loved it. It made me feel 482 00:28:35,320 --> 00:28:37,680 Speaker 1: like a kid. I also just love that they're in love, 483 00:28:38,840 --> 00:28:40,520 Speaker 1: and I like that people are being nice to them 484 00:28:40,520 --> 00:28:48,720 Speaker 1: about it. What, it's very cute. That's so weird. Yeah, 485 00:28:48,760 --> 00:28:51,040 Speaker 1: like Felix, this whole thing about like, oh, you're eating 486 00:28:51,040 --> 00:28:53,360 Speaker 1: disorder or is it the stealing purses are at the 487 00:28:53,400 --> 00:28:56,240 Speaker 1: eating disorder and it just casually gets like laughed off, 488 00:28:56,280 --> 00:28:59,360 Speaker 1: and I'm like and then like walking away from her 489 00:28:59,360 --> 00:29:01,080 Speaker 1: in the grave, which I mean whatever. I guess if 490 00:29:01,080 --> 00:29:02,680 Speaker 1: you've got a good thing going with somebody, it's kind 491 00:29:02,680 --> 00:29:06,400 Speaker 1: of funny. But he's compiled on top of all his 492 00:29:06,440 --> 00:29:09,520 Speaker 1: other bizarre behavior. I would never leave you at the 493 00:29:09,600 --> 00:29:11,920 Speaker 1: edge of a grave just for a second, just as 494 00:29:11,960 --> 00:29:16,000 Speaker 1: a joke. I would be screened from inside that grave. 495 00:29:16,160 --> 00:29:18,000 Speaker 1: I would have been like, just you got back here, 496 00:29:18,600 --> 00:29:20,880 Speaker 1: just like you did. You did that. But that's what 497 00:29:20,920 --> 00:29:23,160 Speaker 1: I'm saying. I'm like that, that's that's that is a 498 00:29:23,200 --> 00:29:25,520 Speaker 1: genuine moment for me. That is not a stretch as 499 00:29:25,520 --> 00:29:27,880 Speaker 1: an actor, and I will say I wanted to high 500 00:29:27,920 --> 00:29:30,520 Speaker 1: five Brooke Davis when she got that Dare and was like, 501 00:29:30,560 --> 00:29:32,920 Speaker 1: good since I plan on killing you anyway. I was like, 502 00:29:34,040 --> 00:29:36,239 Speaker 1: murder him, just smother him in his sleep, go for it. 503 00:29:36,760 --> 00:29:41,200 Speaker 1: Thee what's up with up? Them? Using the Nathan and 504 00:29:41,240 --> 00:29:47,320 Speaker 1: Haley song with Lucas and Anna what was guys? Didn't work? Sorry? 505 00:29:49,160 --> 00:29:52,800 Speaker 1: Back off? They started playing a It's Nathan and Haley's 506 00:29:52,800 --> 00:29:57,280 Speaker 1: Forever be They started playing Dare you don't moment. It's 507 00:29:57,280 --> 00:30:00,520 Speaker 1: like this huge epic moment song and look as in 508 00:30:00,560 --> 00:30:04,160 Speaker 1: Anna are just talking next to the car. I was like, 509 00:30:04,200 --> 00:30:08,720 Speaker 1: this is the worst sink I've ever didn't make any sense. 510 00:30:08,960 --> 00:30:11,680 Speaker 1: It didn't make any sense. We've already paid for it, guys, 511 00:30:11,840 --> 00:30:16,040 Speaker 1: use it. It's a Dare night for It's right. Anna 512 00:30:16,880 --> 00:30:20,840 Speaker 1: Dan Yella ended up working with me on Lethal Weapon 513 00:30:21,120 --> 00:30:25,920 Speaker 1: years later, and she was like was she pregnant or 514 00:30:25,960 --> 00:30:28,760 Speaker 1: she had a baby. She was like a cartel guy's 515 00:30:28,960 --> 00:30:30,880 Speaker 1: love interest that I had to protect and like had 516 00:30:30,920 --> 00:30:33,920 Speaker 1: to do this big like shootout. Meanwhile, like so we're 517 00:30:33,920 --> 00:30:36,040 Speaker 1: having to do all this like super like crazy shit, 518 00:30:36,360 --> 00:30:38,480 Speaker 1: and then the second the camera stuff rolling I'm like, oh, 519 00:30:38,520 --> 00:30:40,800 Speaker 1: we cut into me so much to listen to hang out. Guys, 520 00:30:40,800 --> 00:30:46,400 Speaker 1: we've kissed before, we've kissed, and she gets prettier and 521 00:30:46,560 --> 00:30:50,800 Speaker 1: prettier and prettier. We need to have her on whoever listening. 522 00:30:53,640 --> 00:30:57,920 Speaker 1: I remember seeing her on Animal Kingdom and I really 523 00:30:57,920 --> 00:31:01,600 Speaker 1: started screaming at my TV. I was like, oh, yeah, 524 00:31:01,680 --> 00:31:04,280 Speaker 1: Like I was so excited. Oh my god, she's so 525 00:31:04,320 --> 00:31:06,800 Speaker 1: good on that show. So if there's any world in 526 00:31:06,840 --> 00:31:09,600 Speaker 1: which Danielle you listen to this podcast, we love you. 527 00:31:09,800 --> 00:31:13,920 Speaker 1: That's all. It's fun to watch you. Yeah, she's a 528 00:31:13,960 --> 00:31:18,200 Speaker 1: good egg. Man. Um, the boys, let's talk about Antoine. 529 00:31:19,320 --> 00:31:26,560 Speaker 1: Vaughn and you're just the most charming, The most charming. 530 00:31:26,600 --> 00:31:29,920 Speaker 1: One of the best parts of our show because it 531 00:31:29,960 --> 00:31:32,959 Speaker 1: feels like a real town. It feels like we've all 532 00:31:33,000 --> 00:31:35,400 Speaker 1: got our different friend groups, we all like kind of 533 00:31:35,440 --> 00:31:39,720 Speaker 1: moved together in different packs. They add so much to 534 00:31:39,960 --> 00:31:44,520 Speaker 1: the comedy of our show. Um, and it's effortless for them. 535 00:31:44,560 --> 00:31:48,640 Speaker 1: Like Vaughn playing Fergie, that's him in real life. Like, 536 00:31:48,720 --> 00:31:50,800 Speaker 1: the stuff that's good about our show is the stuff 537 00:31:50,840 --> 00:31:57,360 Speaker 1: that's being ripped from real life. Mostly it was well 538 00:31:57,680 --> 00:32:02,800 Speaker 1: getting married in high school that had you ever gone 539 00:32:02,800 --> 00:32:06,760 Speaker 1: to the serpentarium before. Yes, let's talk about that. Um, 540 00:32:06,800 --> 00:32:10,280 Speaker 1: I have gone to the serpentarium. I am not a 541 00:32:10,320 --> 00:32:14,880 Speaker 1: fan of snakes like you and Sophia. I don't like them. 542 00:32:15,040 --> 00:32:18,640 Speaker 1: I don't like him went anyway, Yeah, because who'd you 543 00:32:18,680 --> 00:32:25,320 Speaker 1: go with? Were you date? Napped? Spentium? Get me out 544 00:32:25,320 --> 00:32:28,360 Speaker 1: of here? No, I don't remember. I don't remember who 545 00:32:28,360 --> 00:32:29,800 Speaker 1: I went with. It might have just been even by 546 00:32:29,800 --> 00:32:32,520 Speaker 1: myself on a board day, you know, wandering around Wilmington. 547 00:32:32,600 --> 00:32:35,080 Speaker 1: I was like, I would never see if they're behind glass. 548 00:32:35,200 --> 00:32:38,120 Speaker 1: I'm not It's fine. I just don't want to you 549 00:32:38,160 --> 00:32:42,200 Speaker 1: explain to the people because rattles on my property. Here 550 00:32:42,240 --> 00:32:45,840 Speaker 1: we have snakes all I don't like them. Um. The 551 00:32:45,880 --> 00:32:49,320 Speaker 1: Serpentarium is a little spot in downtown Wilmington's where you 552 00:32:49,360 --> 00:32:52,120 Speaker 1: can go in and it's exactly what you saw in 553 00:32:52,120 --> 00:32:55,320 Speaker 1: this episode where there's snakes and and other serpents and 554 00:32:55,440 --> 00:33:01,800 Speaker 1: alligators and uh what else lizards and stuff behind dangerous. Yeah, 555 00:33:01,880 --> 00:33:05,240 Speaker 1: but but there's there's something much more. I mean, Hillary, 556 00:33:05,280 --> 00:33:07,520 Speaker 1: you know the story better. You need to tell the 557 00:33:07,680 --> 00:33:10,920 Speaker 1: story of the serpent Tam. I'm obsessed with the Serpentarium. 558 00:33:11,040 --> 00:33:14,960 Speaker 1: I know, obsessed. It was in downtown said did I 559 00:33:15,000 --> 00:33:17,680 Speaker 1: not say that? Sorry? So it was like the largest 560 00:33:17,800 --> 00:33:21,440 Speaker 1: private collection of poisonous snakes in the United States, and 561 00:33:21,480 --> 00:33:24,880 Speaker 1: the didn't know that. The guy that ran it was 562 00:33:25,040 --> 00:33:26,880 Speaker 1: known in like the snake world. Like do you ever 563 00:33:26,880 --> 00:33:29,960 Speaker 1: see on Netflix those those shows that like my kids 564 00:33:30,000 --> 00:33:33,720 Speaker 1: love that are like fifty seven Deadliest Animals in North America? 565 00:33:33,920 --> 00:33:36,960 Speaker 1: You know, I love to watch that two in the morning. 566 00:33:37,720 --> 00:33:41,400 Speaker 1: The guy that owned the Serpentarium is interviewed in all 567 00:33:41,440 --> 00:33:43,280 Speaker 1: of those shows because he was one of the leading 568 00:33:43,280 --> 00:33:46,280 Speaker 1: authorities on poisonous snakes in the United States. He would 569 00:33:46,320 --> 00:33:51,560 Speaker 1: go tiger king for snakes. Yes, yes, joy you that 570 00:33:53,520 --> 00:33:58,600 Speaker 1: hence the past hits just used. She's a little foreshadowing. Friends. 571 00:33:59,240 --> 00:34:02,600 Speaker 1: He would go all over the world and hire like 572 00:34:02,680 --> 00:34:05,200 Speaker 1: local people to take him, like up to the mountains 573 00:34:05,200 --> 00:34:08,239 Speaker 1: where these snakes that have never been captured, where we're 574 00:34:08,280 --> 00:34:11,719 Speaker 1: like local tribes would get very upset that he was 575 00:34:11,760 --> 00:34:14,960 Speaker 1: messing with their gods, with their local live you know, 576 00:34:15,040 --> 00:34:17,880 Speaker 1: like their animals. Like he went into some dangerous places 577 00:34:17,880 --> 00:34:22,839 Speaker 1: and people were killed, like it was crazy. It was. 578 00:34:22,960 --> 00:34:27,600 Speaker 1: It was definitely not always ethical, is what I was told, right. 579 00:34:27,800 --> 00:34:32,920 Speaker 1: Disclaimer my stories. Um, that's the rumor mill in Wilmington's. 580 00:34:33,320 --> 00:34:36,719 Speaker 1: So anyway, I I guess this happened just a couple 581 00:34:36,719 --> 00:34:39,680 Speaker 1: of years ago. I still get alerts from Star News 582 00:34:39,880 --> 00:34:44,399 Speaker 1: in Wilmington's and he was shot by his wife. Uh. 583 00:34:46,360 --> 00:34:49,200 Speaker 1: They lived in the apartment above the Serpentarium and he 584 00:34:49,239 --> 00:34:51,160 Speaker 1: was shot by his wife. And I don't know what 585 00:34:51,280 --> 00:34:54,440 Speaker 1: happened with her trial. Um, but it was like a 586 00:34:54,719 --> 00:35:01,280 Speaker 1: major girl. There was such a story. What well listen, 587 00:35:01,320 --> 00:35:06,560 Speaker 1: that's next season breadcast. I'm telling that that was such 588 00:35:06,560 --> 00:35:09,560 Speaker 1: a weird scene because my brother and my boyfriend and 589 00:35:09,600 --> 00:35:11,439 Speaker 1: I want to say Lasseter, one of our p as, 590 00:35:11,480 --> 00:35:13,440 Speaker 1: they all went to the Serpentarium on a day I 591 00:35:13,480 --> 00:35:15,480 Speaker 1: wasn't in town day I was in New York and 592 00:35:15,640 --> 00:35:18,719 Speaker 1: watched one of the handlers get bit by the Boa 593 00:35:18,760 --> 00:35:22,440 Speaker 1: constrictor and get taken down in the cage and kids 594 00:35:22,440 --> 00:35:25,680 Speaker 1: are crying and local firefighters are trying to pull them out, 595 00:35:26,320 --> 00:35:28,360 Speaker 1: and when they finally got e m T s to 596 00:35:28,400 --> 00:35:31,000 Speaker 1: the site, the owner came out. He's like, nothing happened, 597 00:35:31,400 --> 00:35:36,160 Speaker 1: nothing happened here. Super eerie. So it's super fun to 598 00:35:36,160 --> 00:35:38,360 Speaker 1: shoot TV shows in places that you know are conflicted 599 00:35:38,400 --> 00:35:40,920 Speaker 1: because you're like, what's coming? This is like this is 600 00:35:40,960 --> 00:35:43,200 Speaker 1: like a replay of the alligators in the water with 601 00:35:43,280 --> 00:35:49,239 Speaker 1: the snipers nearby, like just standing maybe not? Maybe maybe not. 602 00:35:50,160 --> 00:35:53,239 Speaker 1: Antoine had good reason to be nervous in this episode, 603 00:35:53,360 --> 00:35:57,360 Speaker 1: Like is that lit on super tight? Super tight? Snake 604 00:35:57,480 --> 00:36:00,000 Speaker 1: was standing up so high? I didn't know snakes could bend, 605 00:36:00,000 --> 00:36:03,440 Speaker 1: didn't have and stand up? Yeah, see there's snakes. No, 606 00:36:03,560 --> 00:36:06,960 Speaker 1: I don't know. No, no, you wouldn't dance with a 607 00:36:07,000 --> 00:36:10,600 Speaker 1: boa constrictor like Britney spears. I don't know. If I 608 00:36:10,840 --> 00:36:13,080 Speaker 1: look if I was paid to. Obviously I'm an actor. 609 00:36:13,239 --> 00:36:18,920 Speaker 1: I swallow lots of fears for many things. Joy I 610 00:36:18,920 --> 00:36:20,840 Speaker 1: want that on a shirt as well, if I was 611 00:36:20,880 --> 00:36:28,759 Speaker 1: paid to. I'm an actor. Yeah, it's amazing what we 612 00:36:28,800 --> 00:36:33,400 Speaker 1: can do as actors. How we can just completely bury 613 00:36:33,600 --> 00:36:37,600 Speaker 1: or or ignore any great fear that we have for 614 00:36:37,640 --> 00:36:41,720 Speaker 1: the sake of a storytell like a performance, no problem. 615 00:36:41,920 --> 00:36:46,080 Speaker 1: But in juggle fire, yeah, no problem, I'll take. I 616 00:36:46,120 --> 00:36:47,960 Speaker 1: gotta be honest. I agree with you on a lot 617 00:36:48,000 --> 00:36:51,520 Speaker 1: of fronts, but I draw the line of bugs like 618 00:36:52,560 --> 00:36:56,360 Speaker 1: if I know, like if I have somebody at the 619 00:36:56,400 --> 00:37:00,440 Speaker 1: poor peney on you and let go with spiders. Absolutely 620 00:37:00,440 --> 00:37:03,319 Speaker 1: not trying to have it. I'm so ractophobic. Give me 621 00:37:03,400 --> 00:37:06,440 Speaker 1: a Boa constrictor. It can wrap itself around my belly 622 00:37:06,480 --> 00:37:09,000 Speaker 1: and use my body as a hot rock. I don't care. 623 00:37:09,480 --> 00:37:13,160 Speaker 1: But if I had to work with spiders, it's a 624 00:37:13,200 --> 00:37:16,279 Speaker 1: hard pass enjoy. Were you there, I would never have 625 00:37:16,320 --> 00:37:19,279 Speaker 1: guessed that, Oh my god, my nightmare. Was it you 626 00:37:19,360 --> 00:37:21,600 Speaker 1: and I? Or was it was it? No? I think 627 00:37:21,640 --> 00:37:25,600 Speaker 1: it was me and Lisa Goldstein doing the stuff with 628 00:37:25,640 --> 00:37:28,719 Speaker 1: the cockroaches at Karen's in the later seasons. I don't 629 00:37:28,719 --> 00:37:31,000 Speaker 1: remember that. Oh it was just me and Lisa. Then 630 00:37:31,040 --> 00:37:35,200 Speaker 1: you weren't there. It was not right, like not right, 631 00:37:35,440 --> 00:37:39,800 Speaker 1: It was not right. And you have like an animal 632 00:37:39,840 --> 00:37:42,520 Speaker 1: wrangler on set that's like, don't talk to the cock roaches, miss, 633 00:37:43,080 --> 00:37:46,440 Speaker 1: and you're not allowed to go near them, swap them, 634 00:37:46,719 --> 00:37:49,120 Speaker 1: brush them off you like, if they come at you, 635 00:37:49,120 --> 00:37:52,680 Speaker 1: you just have to let them because you're like you're 636 00:37:52,719 --> 00:38:00,640 Speaker 1: in Italian. It's a cock roach chipa. No. That's hard 637 00:38:00,920 --> 00:38:04,719 Speaker 1: note for me is the bugs, Sophia. I would have 638 00:38:04,840 --> 00:38:09,759 Speaker 1: never ever ever guessed that either. Yeah, it's not right. 639 00:38:10,280 --> 00:38:13,200 Speaker 1: I just can't do it. So next time darre Knight 640 00:38:13,280 --> 00:38:16,080 Speaker 1: comes around, we know to keep the bugs out of situation. 641 00:38:16,320 --> 00:38:18,960 Speaker 1: I will write a bug and I will not act 642 00:38:19,719 --> 00:38:24,560 Speaker 1: with spiders. I want to do it. Money. Come on, 643 00:38:24,600 --> 00:38:30,279 Speaker 1: come on, it has to be a number so much. 644 00:38:31,640 --> 00:38:34,000 Speaker 1: It would have to be like pay off my mortgage 645 00:38:34,080 --> 00:38:36,440 Speaker 1: and never have to worry about my property taxes for 646 00:38:36,480 --> 00:38:38,879 Speaker 1: the rest of my life kind of money, Sophia. It's 647 00:38:38,880 --> 00:38:47,600 Speaker 1: an Oscar nominated role for sure. It's like Scorsesey maybe 648 00:38:47,600 --> 00:38:49,800 Speaker 1: from Martie. I would act to the spider. I don't know, 649 00:38:50,000 --> 00:38:59,520 Speaker 1: it's Spielberg. Don't do Oh my god, gonna happen? Um Wolf. 650 00:38:59,520 --> 00:39:00,759 Speaker 1: You know who I don't think I had to act 651 00:39:00,840 --> 00:39:04,720 Speaker 1: very hard is Moira um because because Andy's so cute. 652 00:39:05,080 --> 00:39:09,040 Speaker 1: It's just so freaking cute. And when when she clarifies 653 00:39:09,560 --> 00:39:12,080 Speaker 1: at the end of the episode that guys, we all 654 00:39:12,719 --> 00:39:15,920 Speaker 1: made the same phase. And when she's like, um, did 655 00:39:15,960 --> 00:39:22,680 Speaker 1: I misread the cafe visit, He's like, absolutely not. Oh 656 00:39:22,719 --> 00:39:26,480 Speaker 1: my god, it was sexy. It really was. There's something 657 00:39:26,680 --> 00:39:32,560 Speaker 1: very sexy about clarification, right, Like, I agree, m h, 658 00:39:32,640 --> 00:39:36,040 Speaker 1: let's just say the thing that everyone's thinking, like, let's 659 00:39:36,080 --> 00:39:38,440 Speaker 1: quit beating around the bush. It's an adult. I couldn't 660 00:39:38,480 --> 00:39:42,120 Speaker 1: do it as a kid. It is adroning. It's so 661 00:39:42,239 --> 00:39:44,080 Speaker 1: nice as a grown up to just be able to 662 00:39:44,120 --> 00:39:46,080 Speaker 1: just yeah, say what the elephant the room is? You 663 00:39:46,080 --> 00:39:48,480 Speaker 1: don't have to. Everybody knows why we're here. We're interested 664 00:39:48,480 --> 00:39:50,239 Speaker 1: in each other. I like you, you like me, Like, 665 00:39:50,320 --> 00:39:52,040 Speaker 1: let's just talk about it. We don't really, it doesn't 666 00:39:52,080 --> 00:39:56,960 Speaker 1: have to be weird. We could be rational adults about this. 667 00:39:57,160 --> 00:39:59,640 Speaker 1: Tell me, how do we feel about Keith with this 668 00:39:59,680 --> 00:40:03,800 Speaker 1: new this new lady Maria, how do we feel about 669 00:40:03,840 --> 00:40:08,240 Speaker 1: that man? Mariama new knows is just so damn lovely. 670 00:40:08,440 --> 00:40:10,600 Speaker 1: I was so happy when she came to play on 671 00:40:10,600 --> 00:40:13,760 Speaker 1: our show. She really was so sweet and it's really nice. 672 00:40:13,960 --> 00:40:17,920 Speaker 1: You know Keith, we've seen him feel kind of beaten 673 00:40:17,960 --> 00:40:22,479 Speaker 1: down and sad and unacknowledged and to just be flirted with, 674 00:40:23,560 --> 00:40:26,680 Speaker 1: and he deserves that in such a sweet way. And 675 00:40:26,680 --> 00:40:28,400 Speaker 1: when he says it, not well, I'm not a I 676 00:40:28,440 --> 00:40:30,359 Speaker 1: don't know a dealership. I'm a mechanic and she goes, 677 00:40:30,480 --> 00:40:32,880 Speaker 1: I like mechanics, and his little smile. I was like, 678 00:40:33,239 --> 00:40:37,319 Speaker 1: this is I don't think she's right for Keith. I 679 00:40:37,400 --> 00:40:41,160 Speaker 1: don't think this is like his I can't I can't 680 00:40:41,160 --> 00:40:47,799 Speaker 1: remember if who he Oh, wow, you know where I'm going? 681 00:40:47,800 --> 00:40:51,719 Speaker 1: Oh my god, Oh my god. Sorry, um, but yeah, 682 00:40:51,719 --> 00:40:53,880 Speaker 1: I know she didn't seem like that personality. I don't know. 683 00:40:53,920 --> 00:40:55,440 Speaker 1: It was like it was really fun to see him 684 00:40:55,480 --> 00:40:57,040 Speaker 1: just out on a date and having fun and there's 685 00:40:57,080 --> 00:40:59,520 Speaker 1: like sparks and that's fun. But I don't know, I 686 00:40:59,520 --> 00:41:04,040 Speaker 1: feel like needed somebody a little bit more like introspective 687 00:41:04,239 --> 00:41:08,520 Speaker 1: or or I don't know. He's very soulful. He needs 688 00:41:08,520 --> 00:41:10,520 Speaker 1: like a soulful kind of girl, and I wasn't getting 689 00:41:10,520 --> 00:41:23,840 Speaker 1: that vibe from her. No, dec we're all thinking it 690 00:41:24,280 --> 00:41:29,360 Speaker 1: all thinking I care about I'm just saying, yeah, I 691 00:41:29,400 --> 00:41:35,440 Speaker 1: know Keith's character is I think universally loved chicks like us, 692 00:41:35,680 --> 00:41:37,640 Speaker 1: And that's like what you hope for, Like a guy 693 00:41:37,680 --> 00:41:41,200 Speaker 1: that's just like a stand up good dude who can 694 00:41:41,239 --> 00:41:45,400 Speaker 1: fix your car, who can fix your car. He also 695 00:41:45,480 --> 00:41:47,400 Speaker 1: takes the trash out. Do you think he does that 696 00:41:48,520 --> 00:41:50,520 Speaker 1: like on a regular basis, But you don't have to 697 00:41:50,560 --> 00:41:53,120 Speaker 1: tell him, You don't even have to ask. You just 698 00:41:53,160 --> 00:41:55,359 Speaker 1: walk down the kitchen, open the drawer, and you're like, 699 00:41:56,080 --> 00:42:03,560 Speaker 1: the garbage is empty. What else does dream Keith do? 700 00:42:04,239 --> 00:42:08,719 Speaker 1: He probably he probably rinses his own dishes. He hasn't 701 00:42:08,719 --> 00:42:10,480 Speaker 1: put them in the sink, he puts them in the 702 00:42:10,600 --> 00:42:22,200 Speaker 1: dish wash. Stop it. I'm literally fanning myself. The only 703 00:42:22,239 --> 00:42:24,920 Speaker 1: thing that I like had an issue with was that, um, 704 00:42:24,960 --> 00:42:29,239 Speaker 1: she's twenty six on that paperwork, and I couldn't just 705 00:42:30,000 --> 00:42:32,560 Speaker 1: it couldn't just be like a woman of his own age. 706 00:42:32,920 --> 00:42:34,440 Speaker 1: How old is he supposed to be? We determined he 707 00:42:34,480 --> 00:42:38,320 Speaker 1: was like, yeah, mid thirties, mid late thirties something. It's 708 00:42:38,320 --> 00:42:44,680 Speaker 1: so bad. I mean it's but but why there was 709 00:42:44,719 --> 00:42:49,120 Speaker 1: an opportunity yeah, that we didn't I wish. I mean, 710 00:42:49,160 --> 00:42:52,560 Speaker 1: I guess. I guess Karen's also doing the cougar bit. 711 00:42:52,760 --> 00:42:55,120 Speaker 1: I mean she's got and he's supposed to be younger, right, 712 00:42:55,280 --> 00:42:58,600 Speaker 1: I guess so yeah, because because he's like talking about 713 00:42:58,680 --> 00:43:03,080 Speaker 1: hit bands and she's like, I don't know, the Constant teens. 714 00:43:03,080 --> 00:43:07,320 Speaker 1: The CD called the Constant Teens. That was a lovely moment. 715 00:43:08,080 --> 00:43:12,440 Speaker 1: Sweet yeah, I'm really sweet. Your hip mom? Does Maria 716 00:43:12,480 --> 00:43:14,960 Speaker 1: give you it about being hip? Yet? Like, oh my 717 00:43:15,040 --> 00:43:17,080 Speaker 1: gosh all the time, like I can't if I just 718 00:43:17,080 --> 00:43:19,120 Speaker 1: want to sing to myself or like dance to myself. 719 00:43:19,120 --> 00:43:22,000 Speaker 1: And then she's like, oh, covering her eyes, stop it, 720 00:43:23,440 --> 00:43:25,319 Speaker 1: you guys. I picked up Gus and one of his 721 00:43:25,360 --> 00:43:29,120 Speaker 1: friends from soccer, and I listened to nineties on nine 722 00:43:29,200 --> 00:43:33,799 Speaker 1: on and jay Z Problems comes on, and I'm like, 723 00:43:34,040 --> 00:43:37,200 Speaker 1: I love this song and I'm listening to it and 724 00:43:37,239 --> 00:43:41,200 Speaker 1: Gus is like, you're mortifying right now, Oh my god. 725 00:43:42,719 --> 00:43:45,640 Speaker 1: I was like, no, it's just cool. You like this, right, dude. 726 00:43:45,800 --> 00:43:50,920 Speaker 1: This little buddy is just like Mrs Morgan. Maria was 727 00:43:50,960 --> 00:43:52,719 Speaker 1: putting on some shoes it wouldn't fit her the other day, 728 00:43:52,719 --> 00:43:54,160 Speaker 1: some heels, and I was like, we'll find some kids 729 00:43:54,200 --> 00:43:55,879 Speaker 1: sacks and put some secks on with it, like socks 730 00:43:55,920 --> 00:43:57,600 Speaker 1: and heels will be cute. And she just looked at 731 00:43:57,640 --> 00:44:00,799 Speaker 1: me like she just said, Mom, that is not a thing. 732 00:44:01,440 --> 00:44:12,719 Speaker 1: It's excuse me. It's It's like Karen's going for it. Yeah, 733 00:44:12,800 --> 00:44:15,439 Speaker 1: I love it too. I love it too. It's also 734 00:44:15,520 --> 00:44:21,280 Speaker 1: just nice after their their codependent relationship, which in certain 735 00:44:21,320 --> 00:44:23,839 Speaker 1: aspects is a beautiful friendship and in certain aspects has 736 00:44:23,880 --> 00:44:28,440 Speaker 1: clearly kept them each from moving on. To see both 737 00:44:28,600 --> 00:44:35,600 Speaker 1: Karen and Keith be flirting and exploring and remembering what 738 00:44:35,680 --> 00:44:39,359 Speaker 1: a fresh spark is in the same episode is so refreshing. 739 00:44:39,480 --> 00:44:42,760 Speaker 1: I'm like, God for you guys, and it doesn't seem 740 00:44:42,760 --> 00:44:45,799 Speaker 1: competitive it's not like they're doing it to irk the 741 00:44:45,840 --> 00:44:48,520 Speaker 1: other person, so they don't know. Neither of them knows. 742 00:44:48,560 --> 00:44:51,879 Speaker 1: They're just out exploring. Yeah, as you know, I mean 743 00:44:52,080 --> 00:44:56,960 Speaker 1: she said no, so there's nothing left to hold on to. Really, 744 00:44:57,440 --> 00:44:59,360 Speaker 1: it's kind of nice to see them move on, you know. 745 00:44:59,360 --> 00:45:02,160 Speaker 1: It was also kind nice was seeing Brett clay Well 746 00:45:02,200 --> 00:45:05,480 Speaker 1: get a little work beyond just Gophie. That was really 747 00:45:05,560 --> 00:45:08,680 Speaker 1: nice to give him a moment to be his vulnerability. Yes, 748 00:45:09,320 --> 00:45:11,560 Speaker 1: I thought he did a really nice job there, Tim 749 00:45:11,680 --> 00:45:19,600 Speaker 1: Tim Brett, Tim Tim, Yeah, honestly, I really am happy that. 750 00:45:19,880 --> 00:45:23,680 Speaker 1: Um We've gotten to see Brett at some conventions and stuff, 751 00:45:23,719 --> 00:45:27,400 Speaker 1: and like he does a lot of charity work his 752 00:45:27,520 --> 00:45:30,160 Speaker 1: new you know, he works with the Paul Walker Foundation. 753 00:45:30,480 --> 00:45:33,040 Speaker 1: He works with a lot of fundraising platforms for charities 754 00:45:33,120 --> 00:45:36,319 Speaker 1: like that is what Brett has thrown himself into. And 755 00:45:37,120 --> 00:45:41,160 Speaker 1: I think he's a wonderful actor, you know. I they 756 00:45:41,200 --> 00:45:43,480 Speaker 1: would give him the hardest stuff. They'd be like, oh, 757 00:45:43,520 --> 00:45:45,719 Speaker 1: we don't know how to make this moment work. There's 758 00:45:45,760 --> 00:45:48,799 Speaker 1: like the beach party where they made him improvise for 759 00:45:48,960 --> 00:45:52,400 Speaker 1: like an hour and he would just do something different 760 00:45:52,480 --> 00:45:56,880 Speaker 1: every take. And I don't know, I I love, um, 761 00:45:57,239 --> 00:45:59,279 Speaker 1: I love that he's a dad now and that he 762 00:45:59,320 --> 00:46:02,879 Speaker 1: seems to be really happy and everything. Um, but boy, 763 00:46:02,880 --> 00:46:05,920 Speaker 1: which had fun. He's it's fun. He was a good 764 00:46:05,920 --> 00:46:15,239 Speaker 1: person to go out downtown with. Well, you know what 765 00:46:15,280 --> 00:46:19,000 Speaker 1: else it's fun is our listener questions. So those So 766 00:46:19,120 --> 00:46:21,319 Speaker 1: here's one of them from Mandy. She said, did the 767 00:46:21,400 --> 00:46:23,799 Speaker 1: three of you ever lived together while filming the show 768 00:46:24,000 --> 00:46:26,839 Speaker 1: or with any of the other cast mates? We never 769 00:46:26,880 --> 00:46:36,360 Speaker 1: lived together three of us. Hurricane's just going to say, Hurricane, yeah, yeah, yeah, 770 00:46:36,480 --> 00:46:38,640 Speaker 1: that was it. And then when we would travel for 771 00:46:38,680 --> 00:46:42,480 Speaker 1: the show, we like hotel parties were fun. That Raleigh 772 00:46:42,840 --> 00:46:45,040 Speaker 1: when we went to Raleigh for the state championship and 773 00:46:45,080 --> 00:46:48,799 Speaker 1: we're all hammered in the hotel bar was fun. One 774 00:46:48,840 --> 00:46:50,880 Speaker 1: of the dummies from the audience with us, one of 775 00:46:50,920 --> 00:46:56,800 Speaker 1: those inflatable that's right. Um, but yeah, the boys lived together. 776 00:46:57,320 --> 00:47:04,320 Speaker 1: Boys lived together? First season? Wait, didn't did Did James 777 00:47:04,320 --> 00:47:06,799 Speaker 1: and Brett ever lived together? Am I making that up? 778 00:47:07,280 --> 00:47:09,160 Speaker 1: I don't know. Did they get out? I don't know? 779 00:47:09,239 --> 00:47:14,480 Speaker 1: Or maybe they? And then and then Bevin and I 780 00:47:14,600 --> 00:47:18,759 Speaker 1: lived together for a year. Oh that's right, which was 781 00:47:18,800 --> 00:47:22,640 Speaker 1: so fun. We had such a good time. Um and 782 00:47:22,800 --> 00:47:25,960 Speaker 1: sweet Daniella, who was you know, for all the fans listening. 783 00:47:26,360 --> 00:47:28,920 Speaker 1: Daniella was one of our other cheerleaders and one of 784 00:47:28,920 --> 00:47:32,480 Speaker 1: my dearest girlfriends from you know, that whole phase of 785 00:47:32,520 --> 00:47:35,360 Speaker 1: our lives, and we've stayed really close, even though she 786 00:47:35,440 --> 00:47:38,640 Speaker 1: lives in London now with her cute husband and cute children. 787 00:47:38,719 --> 00:47:45,520 Speaker 1: Could but Daniella loved Patch and so any time I 788 00:47:45,560 --> 00:47:47,560 Speaker 1: had to travel, like if I had to go do something, 789 00:47:47,680 --> 00:47:50,320 Speaker 1: you know, for the weekend, whatever, She'd always come house sets. 790 00:47:50,400 --> 00:47:52,960 Speaker 1: So we wound up having an awful lot of slumber 791 00:47:52,960 --> 00:47:56,080 Speaker 1: parties on the front end of that, and like, oh 792 00:47:56,120 --> 00:47:58,399 Speaker 1: my god, I just would be on the phone with her. 793 00:47:58,440 --> 00:48:00,120 Speaker 1: I'd be like in New York with you guys, as 794 00:48:00,120 --> 00:48:02,000 Speaker 1: we'd have pressed or something, and I'd call her and 795 00:48:02,040 --> 00:48:04,000 Speaker 1: she'd be like, well, you know, everything here is going 796 00:48:04,000 --> 00:48:10,360 Speaker 1: to Patch. Accent is so thick. Her accent is my 797 00:48:10,520 --> 00:48:15,960 Speaker 1: favorite thing. Um. Yeah, So it was like such a 798 00:48:16,000 --> 00:48:23,800 Speaker 1: beautiful camaraderie. Joy, did you live with anybody much? Served 799 00:48:23,840 --> 00:48:27,960 Speaker 1: a lot? Yeah, you are, Like I slept on Elizabeth 800 00:48:28,000 --> 00:48:30,959 Speaker 1: Arnlaw's couch for a really long time whenever I would 801 00:48:30,960 --> 00:48:33,400 Speaker 1: go to l A because I hate being in hotels 802 00:48:33,440 --> 00:48:36,879 Speaker 1: and I'm not going to being alone. Um, and then 803 00:48:37,200 --> 00:48:40,080 Speaker 1: I started saying that Daniel's place when her and Jensen 804 00:48:40,120 --> 00:48:43,600 Speaker 1: got together, and then Jensen would come home from Supernatural 805 00:48:43,600 --> 00:48:45,520 Speaker 1: and be like, why the hell is Hillary in our house? 806 00:48:46,120 --> 00:48:48,800 Speaker 1: And I think that's why he introduced me to my husband, 807 00:48:48,800 --> 00:48:50,319 Speaker 1: because he was like, we have to get rid of her. 808 00:48:50,640 --> 00:48:58,400 Speaker 1: There's gotta be somewhere, get her on just couch somehow off. Um. Yeah, 809 00:48:58,920 --> 00:49:01,600 Speaker 1: you know when you're family, you guys just like crash 810 00:49:01,640 --> 00:49:04,839 Speaker 1: with each other, and that's what we had. Yeah. Yeah, 811 00:49:05,040 --> 00:49:07,680 Speaker 1: Tiffany asks, now that you're grown ups, which of the 812 00:49:07,719 --> 00:49:09,720 Speaker 1: grown ups on the show would you want to play 813 00:49:11,000 --> 00:49:17,200 Speaker 1: deb Yeah? I was gonna say that so fun. I mean, honestly, 814 00:49:17,239 --> 00:49:19,560 Speaker 1: after these last two episodes, I want to play Andy 815 00:49:21,080 --> 00:49:24,600 Speaker 1: Well with all your money, money, money, money, minute, just 816 00:49:24,640 --> 00:49:26,719 Speaker 1: like be a hot teacher and get to flirt with 817 00:49:26,760 --> 00:49:32,719 Speaker 1: Moira Kelly Hello, sweet gig. Yeah. Joy and I are 818 00:49:32,719 --> 00:49:35,000 Speaker 1: more like, no, we want the pills and the booze 819 00:49:35,040 --> 00:49:38,759 Speaker 1: and all you know, the fireplace. We kind of did 820 00:49:38,760 --> 00:49:42,960 Speaker 1: all that. Really we're similar in a lot of ways, 821 00:49:43,040 --> 00:49:46,919 Speaker 1: so I feel like very much. So, yeah, exactly, that's 822 00:49:46,920 --> 00:49:50,040 Speaker 1: a good question. Um, ladies, shall we spin a wheel 823 00:49:50,280 --> 00:50:08,680 Speaker 1: spin spin away. Most likely, oh, Christ, most likely to 824 00:50:08,800 --> 00:50:12,760 Speaker 1: lose their glasses and realize they're on top of their head. 825 00:50:12,880 --> 00:50:21,359 Speaker 1: Joe Hansen, Yo and how yes, and then he'll get 826 00:50:21,400 --> 00:50:27,880 Speaker 1: mad about it. I've seen him. Somebody gasses really on 827 00:50:27,920 --> 00:50:32,680 Speaker 1: your face, just on the top part your head. Yeah, 828 00:50:32,840 --> 00:50:38,680 Speaker 1: which character do we think? Why? Yeah? Barry? Oh no, 829 00:50:38,760 --> 00:50:42,680 Speaker 1: we're putting Paul and White on the second. Paul, don't listen. 830 00:50:43,400 --> 00:50:47,840 Speaker 1: Um Yeah, that tracks all right, feels right. I like it. 831 00:50:48,400 --> 00:50:50,759 Speaker 1: I love Chris episode. I had a lot of fun 832 00:50:50,800 --> 00:50:52,640 Speaker 1: with you filming this episode. Joy. I was glad that 833 00:50:52,640 --> 00:50:55,160 Speaker 1: we got some girl time together too. I loved it. 834 00:50:55,640 --> 00:50:59,120 Speaker 1: And I'm super glad Sophie and I kissed because now 835 00:50:59,160 --> 00:51:01,600 Speaker 1: anytime someone asked me who my favorite kisser on the 836 00:51:01,600 --> 00:51:06,520 Speaker 1: show is, I have for years said thank you. There 837 00:51:06,560 --> 00:51:08,480 Speaker 1: you go. I really appreciate that. It's a title I 838 00:51:08,480 --> 00:51:13,520 Speaker 1: hope to hold forever forever. Thank you guys for joining us. 839 00:51:13,560 --> 00:51:16,120 Speaker 1: We hope you had a fabulous holiday. Thanks for spending 840 00:51:16,239 --> 00:51:19,160 Speaker 1: your one with us, the second half of your year 841 00:51:19,200 --> 00:51:21,680 Speaker 1: with us. Thank you so so much. We couldn't do 842 00:51:21,680 --> 00:51:24,279 Speaker 1: this without you and um and we love you all 843 00:51:24,360 --> 00:51:26,640 Speaker 1: and we cannot wait to see you again in the 844 00:51:26,680 --> 00:51:29,920 Speaker 1: new year. Hey, thanks for listening. Don't forget to leave 845 00:51:30,000 --> 00:51:32,759 Speaker 1: us a review. You can also follow us on Instagram 846 00:51:32,800 --> 00:51:36,239 Speaker 1: at Drama Queens O t H. Or email us at 847 00:51:36,320 --> 00:51:39,880 Speaker 1: Drama Queens at I heart radio dot com. See you 848 00:51:39,960 --> 00:51:45,120 Speaker 1: next time. We all about that high school drama. Girl drama, Girl, 849 00:51:45,160 --> 00:51:48,319 Speaker 1: all about them high school queens. We'll take you for 850 00:51:48,400 --> 00:51:52,240 Speaker 1: a rod in our comic girl cheering father right drama 851 00:51:52,280 --> 00:51:56,399 Speaker 1: queens up girl fashion, but you'll tough. Girl. You could 852 00:51:56,400 --> 00:52:00,760 Speaker 1: sit with us. Girl Drama, Queens Drama, Queens Drama, Queen's Drama, Drama, 853 00:52:00,840 --> 00:52:02,080 Speaker 1: Queen's Drama, Queen's