WEBVTT - Episode 4 - A Neurotic Thriller

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<v Speaker 1>Welcome to get it to Dutch. A screenwriter's journey. I'm marked,

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<v Speaker 1>that's Greg, that's Brendan, for a team of Hollywood screenwriters

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<v Speaker 1>who meet every week to read from original screenplay that

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<v Speaker 1>one of us has written. We give notes, we rank

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<v Speaker 1>the scripts, and at the end of the season, we're

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<v Speaker 1>going to pitch the best script to big time Hollywood

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<v Speaker 1>producer Dutch Huxley, who is dead, so instead we're pitching

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<v Speaker 1>to his son, Duck, who's rumored to be taking over

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<v Speaker 1>his dad's empire at Victory Pictures. WHOA, I have feeling

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<v Speaker 1>great today. Wow, let's get into it. This is my script.

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<v Speaker 2>I cannot wait.

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<v Speaker 3>What is going on? This is a new Mark.

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<v Speaker 4>I'm Brendan. I have to say that or I can't

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<v Speaker 4>do it.

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<v Speaker 2>Here's the deal, guys.

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<v Speaker 1>I have started a new process, a new philosophy, a

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<v Speaker 1>new life journey.

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<v Speaker 3>Oh, a new screenwriting, A new screenwriting process.

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<v Speaker 1>I have not ejaculated in one hundred and forty four hours. WHOA,

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<v Speaker 1>I'm on a semen retention plan and I feel unstoppable.

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<v Speaker 2>Okay, my mind has never been so clear, and that.

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<v Speaker 3>Why the apartment is so clean.

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<v Speaker 2>Well, I was.

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<v Speaker 1>Awake at three point thirty in the morning. I cleaned

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<v Speaker 1>everything up and I sort of fang schwayed it in

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<v Speaker 1>a way. And it's not even something that I read

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<v Speaker 1>in a book. I just felt the energy of the room.

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<v Speaker 4>Buddy. I feel like I'm in a whole new place.

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<v Speaker 2>Doesn't it feel good?

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<v Speaker 4>Curtains are open, there's light in here, the windows are open,

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<v Speaker 4>it's not boiling hot. I'm not sitting on a waste bench.

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<v Speaker 4>I'm sitting on the very nicely new reupholstered chair here.

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<v Speaker 1>I tore down all the posters and I painted what

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<v Speaker 1>I feel inside.

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<v Speaker 2>Look at that. That could be in a museum.

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<v Speaker 4>Buddy, This is unreal.

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<v Speaker 2>That could be in a museum.

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<v Speaker 4>Yeah, I think it could.

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<v Speaker 2>God damn it. I feel good.

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<v Speaker 3>Was that you up on the roof last night? Because

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<v Speaker 3>the landlord, mister Hartunian, came by and he asked if

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<v Speaker 3>you were running around on the roof and I said,

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<v Speaker 3>I didn't know.

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<v Speaker 1>I'm teaching myself, Parkour. Here's the thing, semen retention. Have

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<v Speaker 1>you ever done it before?

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<v Speaker 4>Oh?

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<v Speaker 1>No, it's proven by science. Joe Rogan had a scientist

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<v Speaker 1>on his show. He explained it better than I.

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<v Speaker 2>Rogan scientists, but he he'll tell you.

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<v Speaker 1>I don't want to get into the The proof is

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<v Speaker 1>in the pudding.

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<v Speaker 3>You don't want to get into the science, So there isn't.

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<v Speaker 2>I mean, I could get into the science of it, but.

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<v Speaker 4>You're actually putting. Their proof is in you not making pudding.

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<v Speaker 2>I don't have to putting. The proof is in the putt.

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<v Speaker 3>You're covered in a kind of a gleam listener, he's shining.

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<v Speaker 4>He hasn't. I haven't seen him blink yet.

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<v Speaker 2>My sweat smells sweet. Have you noticed that?

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<v Speaker 3>What's that in the corner?

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<v Speaker 2>It's like, uava.

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<v Speaker 4>Are you trying?

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<v Speaker 2>I don't know. I don't know. I don't know. You're good.

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<v Speaker 4>You're like crying pre comb or something. It's sticky.

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<v Speaker 1>Get get your fingers out of my eyes, man, get

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<v Speaker 1>your fingers out of my eyes. I can I know

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<v Speaker 1>how to break fingers.

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<v Speaker 3>I know. I'm just going to ask that you talk

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<v Speaker 3>a little bit quieter.

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<v Speaker 2>Has anybody seen so the weight pench is gone?

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<v Speaker 5>Yeah?

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<v Speaker 4>This chair is amazing.

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<v Speaker 2>I don't I found that in the alley and re

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<v Speaker 2>upholstered it.

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<v Speaker 3>I don't know how I'm gonna work out now.

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<v Speaker 4>It's very comfortable, but I'm very itchy.

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<v Speaker 2>Let's get in a new business. I am. I'm done

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<v Speaker 2>with the intro new business. Brendan got well.

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<v Speaker 4>First off, I want to thank everybody who reached out

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<v Speaker 4>to me last week when I was down about not

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<v Speaker 4>hearing about my callback. I know we haven't released the

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<v Speaker 4>episode yet, but I'm just pre thanking people who are

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<v Speaker 4>probably going to reach out. You're sort of.

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<v Speaker 3>Pre pre coming, you're pre coming of thanks.

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<v Speaker 4>But everything is turned around. Apparently in this town. When

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<v Speaker 4>somebody says they're a big fan, they're a big fan.

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<v Speaker 2>Baby, right, what happened?

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<v Speaker 4>Because I will be network testing hey on Big Wonders.

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<v Speaker 2>Everything is working out. That's great. So you don't hate

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<v Speaker 2>the show.

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<v Speaker 4>No, you know what, I never did. Thought it was

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<v Speaker 4>a brilliant idea. I think going back to what we

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<v Speaker 4>loved as youth is an amazing thing to do. I

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<v Speaker 4>think Small Wonder was a great show. I think Big

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<v Speaker 4>Wonder is going to be an even better show. What

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<v Speaker 4>a great turn of events. Congrats me, Thank you. I

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<v Speaker 4>really can't believe it, and I feel.

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<v Speaker 1>Like I feel like not to steal your thunder. But

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<v Speaker 1>when someone is so positive and emitting such positive vibes,

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<v Speaker 1>that extends out to people in their surroundings, and I

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<v Speaker 1>feel like that's what I'm doing.

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<v Speaker 2>Oh great, go ahead.

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<v Speaker 3>Okay, Al, you don't have to grab my arm so hard.

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<v Speaker 3>So here we go. New business for me. I've been

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<v Speaker 3>hanging out a lot with Ducks, so I'm feeling like

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<v Speaker 3>I'm going to approach him pretty soon about bringing him

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<v Speaker 3>some ideas.

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<v Speaker 2>But haven't haven't sent, haven't pitched him anything yet.

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<v Speaker 3>No, no, no, no, I don't want to cross the

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<v Speaker 3>I don't want to cross the rubicon quite yet. But

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<v Speaker 3>my face, are you about to come?

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<v Speaker 1>No, I'm wincing because I feel like time is at hand.

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<v Speaker 1>We want to get him something.

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<v Speaker 3>Let's just play this cool. We were out on the

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<v Speaker 3>duck boat this weekend, so that was fun.

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<v Speaker 2>His yacht.

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<v Speaker 3>No, he actually has a duck boat that he bought

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<v Speaker 3>when he was on one of those tours in Boston,

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<v Speaker 3>the ones that go on the land and the sea,

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<v Speaker 3>and he just had it repurposed and now it's kind

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<v Speaker 3>of his private party duck boat. You know, we'll be

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<v Speaker 3>out on the water that we up to a restaurant

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<v Speaker 3>and that's ducks.

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<v Speaker 4>I swear to god, I saw that out in front

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<v Speaker 4>of Spago.

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<v Speaker 3>Yeah, A couple weeks ago. He likes to park it

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<v Speaker 3>on the retention pond behind Spago.

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<v Speaker 4>Wow, that's duck.

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<v Speaker 3>That's duck.

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<v Speaker 1>Speaking of retention, I want to talk more about semen retention.

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<v Speaker 1>And here's what I did this morning. I cranked out

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<v Speaker 1>a new.

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<v Speaker 3>Script and this morning.

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<v Speaker 1>This morning, so I'm on the Marky Mark schedule and

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<v Speaker 1>the Dwayne the Rock diet Johnson diet.

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<v Speaker 3>I think he goes by Mark Wahlberg now.

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<v Speaker 1>Mark Wahlberg, Yeah, And I think the Rock's just he's

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<v Speaker 1>the Rock. So I'm on the Wallberg the Rock, you know,

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<v Speaker 1>schedule diet. I wake up at three point thirty. I

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<v Speaker 1>work out, Okay.

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<v Speaker 3>Yeah, could you keep that down? Honestly?

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<v Speaker 1>I will, so I looked. I lift weights for two hours.

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<v Speaker 1>I eat six hard boiled eggs and a can of sardines.

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<v Speaker 5>Wow.

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<v Speaker 1>I jump right into an hour and a half of

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<v Speaker 1>cardio and core. Okay, eat a farmer's breakfast, then run

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<v Speaker 1>six miles, meditate for an hour. Cool down with third breakfast,

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<v Speaker 1>which is usually tuna fish wrapped in a hamsteak.

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<v Speaker 4>Third breakfast, You're like a jacked up hobbit.

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<v Speaker 2>And then I start writing and I shit out this

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<v Speaker 2>bad dog. Between nine and ten am.

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<v Speaker 4>Oh my god, it's a full script for Yeah.

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<v Speaker 2>Wow, fucking crushed it.

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<v Speaker 3>Holy moly, Well congrats Mark.

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<v Speaker 2>This is great.

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<v Speaker 3>But I thought this week you were gonna I thought

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<v Speaker 3>you were working on my big fat Greek yogurt script

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<v Speaker 3>about the guy who started Chobani.

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<v Speaker 1>Yeah, that's back burner for now, maybe forever. I need

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<v Speaker 1>to write my own stories, is what I realized. And

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<v Speaker 1>this one's an erotic thriller. And like I said, I

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<v Speaker 1>cranked it out in under an hour before very down.

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<v Speaker 3>We haven't seen an erotic thriller in a while. They

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<v Speaker 3>feel like they what was the last great erotic thriller?

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<v Speaker 4>Oh? The Avatar? Hmm hmmm, right, would you? You wouldn't

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<v Speaker 4>classify that erotic.

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<v Speaker 5>Thriller, wouldn't call it a thriller.

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<v Speaker 4>You call it erotic though?

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<v Speaker 5>Turned me on.

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<v Speaker 4>God dang.

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<v Speaker 3>The point is it's been a while since there's been

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<v Speaker 3>an erotic thriller. I guess that's the point I was making.

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<v Speaker 1>Ye, Yeah, I think it's due time. So this one

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<v Speaker 1>is called Edge of Desire. It's about a detective with

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<v Speaker 1>a dark past and some very dark secrets who gets

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<v Speaker 1>pulled into an erotic world of thrills.

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<v Speaker 2>Oh, thrills.

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<v Speaker 1>It's a thriller. So let's jump in at page one.

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<v Speaker 1>I don't want to miss a thing. Your parts are

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<v Speaker 1>Mark Brendan, you're on stage.

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<v Speaker 3>Dresser does I don't want to and let's get into it.

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<v Speaker 4>Okay? Is everybody ready?

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<v Speaker 2>Ready? Been ready?

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<v Speaker 5>All right?

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<v Speaker 4>Exterior Houseboat night, sound of a couple in the throes

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<v Speaker 4>of ecstasy echo across the Placid Harbor. Cut two. Interior

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<v Speaker 4>Houseboat continuous from the back, we see Detective Jack long

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<v Speaker 4>finger forties, cool as a polar bears toe now but

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<v Speaker 4>the years are beginning of the show. He sits on

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<v Speaker 4>a folding chair, naked, painfully pleasury on the TV. An

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<v Speaker 4>Italian woman gets pounded from behind by a chubby tweedledee

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<v Speaker 4>as a horse watches. Jack whispers to himself.

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<v Speaker 2>First base bucker, second base, Spirit.

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<v Speaker 4>Around the room, liquor bottles, dirty clothes, A red Sox

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<v Speaker 4>pennant hangs limply over a murphy bed on the fridge.

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<v Speaker 4>A curling photograph of a smiling family and a gorgeous

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<v Speaker 4>blonde woman who holds a baby next to a golden

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<v Speaker 4>retriever and a clean cut man. Could that be Jack

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<v Speaker 4>from the TV?

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<v Speaker 3>The Italian woman mons Benee Bennie Bennee.

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<v Speaker 4>Jack's drenched in sweat. He's getting close.

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<v Speaker 1>Third base bogs short stop.

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<v Speaker 2>I can't, I can't.

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<v Speaker 4>Cut two. Outside the boat, the TV and VCR smashed

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<v Speaker 4>through the porthole and splash into the bay. As the

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<v Speaker 4>VCR sinks into the dark, swirling water, Wei crosses all

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<v Speaker 4>too Interior Police Department, next day, a swirling cup of coffee.

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<v Speaker 4>Jack is at his desk, a cold compress against his head.

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<v Speaker 4>He's clean, but not neat, in a suit and tie.

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<v Speaker 4>He rifles through a drawer and comes up with some aspirin,

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<v Speaker 4>chews violently and chases it with a pull from a flask.

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<v Speaker 4>From off screen, we hear you look like shit, Jack.

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<v Speaker 4>A beautiful secretary Diane. She leans in seductively, cleavage on

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<v Speaker 4>full display.

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<v Speaker 5>Yeah, well, I feel even worse.

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<v Speaker 3>Chief wants to see you cut two.

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<v Speaker 4>Interior Chief's Office, Chief Ron beefeed Er slides a crime

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<v Speaker 4>scene photo of a mutilated naked man's corpse and a

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<v Speaker 4>pool of blood across his desk.

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<v Speaker 3>Billionaire Gerard DeMont. We thought it was a classic stab

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<v Speaker 3>and grab, but nothing was stolen, and when we turned

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<v Speaker 3>him over we found this.

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<v Speaker 4>He points to another photo taps a small metal cage

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<v Speaker 4>strapped to the corpse's genitalia.

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<v Speaker 2>Ah Prince Eddie Trapp, classic Sado massacist. Device keeps your

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<v Speaker 2>cock locked in a little cage so you can't experience

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<v Speaker 2>pleasure unless that's your thing. Looks like this guy had

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<v Speaker 2>more kinks than a garden hose.

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<v Speaker 4>A woman's voice behind Jack, he was a man of

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<v Speaker 4>large appetites. Yes, as the years passed, I wasn't always

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<v Speaker 4>the dish he wanted, but we had a good marriage

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<v Speaker 4>unseen until now. Evelyn Dumont thirty, soft spoken angelic. I

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<v Speaker 4>can't bear the thought that whoever did this is still

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<v Speaker 4>out there.

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<v Speaker 3>I need a good detective on this, and you know

0:09:52.920 --> 0:09:53.880
<v Speaker 3>this world, Jack.

0:09:54.040 --> 0:09:55.040
<v Speaker 5>Not anymore, Chief.

0:09:55.280 --> 0:09:57.680
<v Speaker 2>Besides, I got two weeks until retirement.

0:09:58.000 --> 0:10:04.199
<v Speaker 4>Please. Detective touches his hand tenderly. Jack groans hand away.

0:10:04.800 --> 0:10:06.120
<v Speaker 4>Is everything all right, mister longthing?

0:10:06.240 --> 0:10:08.760
<v Speaker 2>Your hands they're like peaches in a basket.

0:10:09.120 --> 0:10:11.320
<v Speaker 3>We're just asking you to blend in play the part.

0:10:11.600 --> 0:10:14.199
<v Speaker 3>Find out who killed this rich pervert, no offense man,

0:10:14.800 --> 0:10:17.560
<v Speaker 3>find out who did the old fuck in No offense man,

0:10:17.960 --> 0:10:20.080
<v Speaker 3>One last case before you're dick deep down in the

0:10:20.120 --> 0:10:22.120
<v Speaker 3>sand and key largo, no offense, ma'am.

0:10:22.240 --> 0:10:27.280
<v Speaker 4>Evelyn looks at Jack with desperation. Please Jack, I need justice.

0:10:30.360 --> 0:10:34.920
<v Speaker 3>Okay, yeah, wow, Yeah, I can't believe you wrote this

0:10:34.960 --> 0:10:35.360
<v Speaker 3>so fast.

0:10:35.480 --> 0:10:36.360
<v Speaker 4>This is amazing.

0:10:36.400 --> 0:10:37.439
<v Speaker 2>Yeah, it's great.

0:10:37.559 --> 0:10:39.000
<v Speaker 3>This might be the best thing you've ever written.

0:10:39.120 --> 0:10:40.840
<v Speaker 4>Yeah, really great characters.

0:10:41.120 --> 0:10:52.600
<v Speaker 3>I mean wow, So what's the program you're on? You

0:10:52.640 --> 0:10:53.719
<v Speaker 3>don't jerk off at all?

0:10:54.320 --> 0:10:57.760
<v Speaker 2>No, you masturbate all the time. You just don't ejaculate.

0:10:57.840 --> 0:11:01.200
<v Speaker 2>I'm constantly waming it. I just I stop right at

0:11:01.240 --> 0:11:03.720
<v Speaker 2>the tippy top and don't blow.

0:11:03.400 --> 0:11:04.920
<v Speaker 4>It, Tash, How do you do that?

0:11:06.160 --> 0:11:09.600
<v Speaker 1>There's some tricks. Sometimes you have to punch yourself. Sometimes

0:11:09.600 --> 0:11:12.760
<v Speaker 1>you just fucking tense up and you know, grind your teeth.

0:11:12.880 --> 0:11:14.920
<v Speaker 3>Oh that's why I keep hearing you in the showery

0:11:14.920 --> 0:11:17.559
<v Speaker 3>whispering the whole starting lineup of the two thousand and

0:11:17.600 --> 0:11:18.240
<v Speaker 3>one capitals.

0:11:18.400 --> 0:11:21.160
<v Speaker 1>Yeah that's right. You can also take those little stoppers

0:11:21.200 --> 0:11:22.680
<v Speaker 1>from Starbucks and put them in there.

0:11:22.800 --> 0:11:25.400
<v Speaker 4>Oh wow. Okay. Well, I don't know if this is true,

0:11:25.400 --> 0:11:27.600
<v Speaker 4>but I said it to many a lady in my life.

0:11:28.080 --> 0:11:30.600
<v Speaker 4>I've said, if I don't do it, I'm gonna die.

0:11:30.960 --> 0:11:31.839
<v Speaker 4>Is that a real thing?

0:11:32.080 --> 0:11:32.880
<v Speaker 2>It's harassment?

0:11:33.280 --> 0:11:35.040
<v Speaker 4>Oh, not that part about me talking to the girls.

0:11:35.080 --> 0:11:37.400
<v Speaker 4>I'm talking about if if you will die?

0:11:37.480 --> 0:11:40.400
<v Speaker 1>No, I mean, oh my god, you feel more alive

0:11:40.720 --> 0:11:43.480
<v Speaker 1>than you've ever felt. I feel like I'm seeing through

0:11:43.559 --> 0:11:46.800
<v Speaker 1>the sheen of life, another dimension.

0:11:47.160 --> 0:11:49.439
<v Speaker 3>I remember I was. I had a stomach bug one

0:11:49.480 --> 0:11:51.199
<v Speaker 3>week and I didn't do it and I almost went

0:11:51.240 --> 0:11:51.800
<v Speaker 3>white blind.

0:11:52.080 --> 0:11:54.320
<v Speaker 4>Oh man, I can't sleep if I don't take a

0:11:54.320 --> 0:11:56.440
<v Speaker 4>whack on my baby crack.

0:11:56.559 --> 0:11:57.560
<v Speaker 2>Why do you need to sleep?

0:11:57.840 --> 0:11:58.320
<v Speaker 3>Oh? Yeah, good?

0:11:58.320 --> 0:11:59.960
<v Speaker 2>Why do you need to well?

0:12:00.080 --> 0:12:01.240
<v Speaker 4>Because I get tired a lot.

0:12:01.840 --> 0:12:04.200
<v Speaker 2>I'm asleep at one thirty, awake at three thirty.

0:12:04.559 --> 0:12:04.760
<v Speaker 4>Oh.

0:12:05.080 --> 0:12:07.079
<v Speaker 1>I feel like I'm on the limitless drug. Have you

0:12:07.120 --> 0:12:08.760
<v Speaker 1>ever had an out of body experience?

0:12:09.200 --> 0:12:11.800
<v Speaker 3>Yeah? But just once on the duck boat last weekend?

0:12:12.120 --> 0:12:14.640
<v Speaker 2>Is that his main means of transportation these days?

0:12:14.640 --> 0:12:18.079
<v Speaker 4>It is huh for the listeners. Mark is doing full

0:12:18.280 --> 0:12:20.479
<v Speaker 4>squats right now. It's pretty impressive.

0:12:23.400 --> 0:12:27.680
<v Speaker 1>Wow, all right, just head. It just kind of snap

0:12:27.760 --> 0:12:30.040
<v Speaker 1>my spine a little. I don't need to go to

0:12:30.040 --> 0:12:31.880
<v Speaker 1>the chiropractor anymore. I can do it myself.

0:12:32.440 --> 0:12:33.200
<v Speaker 3>Did you go before?

0:12:33.360 --> 0:12:35.559
<v Speaker 2>I used to go all the time back was all

0:12:35.640 --> 0:12:38.480
<v Speaker 2>jacked up. Actually, this is science.

0:12:38.720 --> 0:12:42.079
<v Speaker 1>Semen is sort of fluid for your spine, so if

0:12:42.080 --> 0:12:43.880
<v Speaker 1>you get rid of it too much, it'll hurt your back.

0:12:44.000 --> 0:12:45.960
<v Speaker 4>Oh is that why my posture is so bad?

0:12:46.240 --> 0:12:50.040
<v Speaker 3>Yeah, you keep saying science, What is the science the science.

0:12:49.720 --> 0:12:53.000
<v Speaker 2>Of what of semen? Retention? Look it up, man, don't

0:12:53.040 --> 0:12:55.040
<v Speaker 2>take my word for it. Look it up. I'm not

0:12:55.120 --> 0:12:56.200
<v Speaker 2>doing your research for you.

0:12:56.240 --> 0:12:58.800
<v Speaker 4>But it's on a lot of websites, but retention spelled

0:12:58.840 --> 0:12:59.800
<v Speaker 4>wrong on all of them.

0:12:59.800 --> 0:13:02.480
<v Speaker 1>Here here's a little advice for you. Do it yourself.

0:13:02.840 --> 0:13:05.520
<v Speaker 1>Don't take my word for it. Be your own leader.

0:13:05.800 --> 0:13:09.679
<v Speaker 2>Okay, let's go out next scene. Fuck all right?

0:13:09.760 --> 0:13:13.199
<v Speaker 1>So here it is. Evelyn is asking Jack for justice.

0:13:13.240 --> 0:13:15.880
<v Speaker 1>She's calling on him to be his best self. I

0:13:15.920 --> 0:13:18.760
<v Speaker 1>know what that feels like in Jack's learning. But to

0:13:18.800 --> 0:13:21.280
<v Speaker 1>get there, he has to journey into the city's dark

0:13:21.440 --> 0:13:25.839
<v Speaker 1>sexual underground and risk getting lost in his own dangerous

0:13:25.880 --> 0:13:29.640
<v Speaker 1>sexual desires. And so the prime suspect in the murder

0:13:29.679 --> 0:13:33.160
<v Speaker 1>of Evelyn's husband is Sarah Fina Heartgrave. She's the madam

0:13:33.520 --> 0:13:36.760
<v Speaker 1>at the city's most notorious underground sex club, and she

0:13:36.880 --> 0:13:40.640
<v Speaker 1>is hot. She is just everything that Jack wants but

0:13:40.760 --> 0:13:44.120
<v Speaker 1>shouldn't have. And as Jack is investigating, he's getting pulled

0:13:44.160 --> 0:13:46.840
<v Speaker 1>further and further back into his old life of risky

0:13:46.920 --> 0:13:51.480
<v Speaker 1>and risk a sexual deviance. Everyone is telling Jack, you know,

0:13:51.559 --> 0:13:55.040
<v Speaker 1>slow down, be careful, don't get too close. So that's

0:13:55.040 --> 0:13:55.560
<v Speaker 1>that's kind of.

0:13:55.520 --> 0:13:56.360
<v Speaker 2>Where we are right now.

0:13:56.400 --> 0:13:57.840
<v Speaker 1>So I want to jump to the scene where Sarah

0:13:57.880 --> 0:14:02.200
<v Speaker 1>Fina shows up unexpected on Jack's houseboat and for the

0:14:02.280 --> 0:14:04.559
<v Speaker 1>first time, takes Jack right to the edge.

0:14:04.640 --> 0:14:07.240
<v Speaker 2>And this this is on page forty five.

0:14:07.320 --> 0:14:10.400
<v Speaker 4>All right, I got it. Okay, Here we are interior

0:14:10.600 --> 0:14:11.600
<v Speaker 4>Jack's house boat.

0:14:11.679 --> 0:14:11.839
<v Speaker 5>Night.

0:14:12.520 --> 0:14:14.960
<v Speaker 4>Jack is shirtless and sweaty, and he works a speed

0:14:14.960 --> 0:14:18.560
<v Speaker 4>bag with focused intensity. He jumps rope faster and faster

0:14:18.640 --> 0:14:21.200
<v Speaker 4>and faster. He's going as hard as he can. He's

0:14:21.240 --> 0:14:24.000
<v Speaker 4>on a row machine, working himself into a lather, a

0:14:24.080 --> 0:14:27.360
<v Speaker 4>man running from himself. He's doing those push ups where

0:14:27.400 --> 0:14:29.840
<v Speaker 4>you jump with your hands and clap when you're at

0:14:29.880 --> 0:14:30.200
<v Speaker 4>the top.

0:14:30.640 --> 0:14:31.840
<v Speaker 5>Then there's a knock at the door.

0:14:32.360 --> 0:14:35.800
<v Speaker 2>One second, I sit one, God damn.

0:14:36.240 --> 0:14:39.040
<v Speaker 4>He opens the door. Saraphina's standing there in a trench coat.

0:14:39.400 --> 0:14:42.920
<v Speaker 4>She looks him up and down, a heaving, pulsing we man.

0:14:43.200 --> 0:14:46.080
<v Speaker 4>He's chiseled from stone. Her tongue touches the front of

0:14:46.080 --> 0:14:46.440
<v Speaker 4>her teeth.

0:14:46.520 --> 0:14:49.240
<v Speaker 1>Yeah, hold on, hold on, hold on, we're uh, we're

0:14:49.440 --> 0:14:53.240
<v Speaker 1>heading into rough seas here, all right, so let me better.

0:14:53.320 --> 0:14:56.880
<v Speaker 1>Let Papa take the wheel here, Brenda, okay, all right, okay, Papa,

0:14:57.040 --> 0:14:58.440
<v Speaker 1>all right, I'll take the stage direction.

0:14:58.720 --> 0:15:01.080
<v Speaker 2>It needs a little goose.

0:15:01.240 --> 0:15:01.560
<v Speaker 5>Okay.

0:15:02.400 --> 0:15:05.440
<v Speaker 2>He opens the door. Sarah finis standing near with a

0:15:05.560 --> 0:15:09.160
<v Speaker 2>trench coat. She looks him up and down, a heaving,

0:15:09.520 --> 0:15:15.200
<v Speaker 2>pulsing wet man chiseled from stone. Her tongue touches her

0:15:15.280 --> 0:15:15.880
<v Speaker 2>front teeth.

0:15:16.000 --> 0:15:19.160
<v Speaker 3>Oh mind, if I come inside?

0:15:19.800 --> 0:15:23.160
<v Speaker 2>She brushes past him. He looks into the darkness to

0:15:23.200 --> 0:15:26.880
<v Speaker 2>make sure they're all alone, then shuts the door. She

0:15:26.960 --> 0:15:30.920
<v Speaker 2>takes off her shoes, then pours herself a drink. She

0:15:31.040 --> 0:15:33.320
<v Speaker 2>looks at the picture of his family on the fridge,

0:15:33.360 --> 0:15:36.400
<v Speaker 2>then peels it off and drops it into the roaring fire.

0:15:37.960 --> 0:15:39.000
<v Speaker 2>What are you doing here?

0:15:39.560 --> 0:15:42.480
<v Speaker 3>I found something the phone records you were looking for.

0:15:43.120 --> 0:15:46.240
<v Speaker 3>Figured i'd bring it to you myself. You can't trust

0:15:46.400 --> 0:15:47.520
<v Speaker 3>anyone these days.

0:15:47.600 --> 0:15:50.720
<v Speaker 2>The eyes are closely I'll have the guys run it tomorrow.

0:15:50.880 --> 0:15:51.760
<v Speaker 2>You shouldn't be here.

0:15:51.880 --> 0:15:54.200
<v Speaker 3>It's too risky, risky for who Jack.

0:15:54.520 --> 0:15:57.440
<v Speaker 2>She draws a line down his chest with her finger.

0:15:58.240 --> 0:16:03.120
<v Speaker 2>He inhales her scent for both of us. She presses

0:16:03.160 --> 0:16:06.320
<v Speaker 2>herself closer to him, drawing her lips near his.

0:16:06.960 --> 0:16:08.160
<v Speaker 3>Don't you want me to stay?

0:16:08.520 --> 0:16:12.840
<v Speaker 2>That's the problem. She slowly pulls the draw string on

0:16:12.880 --> 0:16:16.640
<v Speaker 2>her trench coat until it falls open, revealing that she's

0:16:16.760 --> 0:16:20.360
<v Speaker 2>completely naked underneath. She puts her arms around him and

0:16:20.400 --> 0:16:23.880
<v Speaker 2>gets closer while he stays rigidly still. She opens her

0:16:23.920 --> 0:16:27.240
<v Speaker 2>lips and reaches for his mouth, gently biting his lower lip.

0:16:27.480 --> 0:16:28.280
<v Speaker 5>He pulls away.

0:16:29.120 --> 0:16:32.000
<v Speaker 2>I can't If I go too far, I would kill

0:16:32.080 --> 0:16:32.560
<v Speaker 2>us both.

0:16:33.400 --> 0:16:34.760
<v Speaker 3>That sounds like a good time to me.

0:16:35.280 --> 0:16:40.520
<v Speaker 2>You don't understand. I have explosives in my balls.

0:16:41.400 --> 0:16:42.720
<v Speaker 3>Then let's light the match.

0:16:42.840 --> 0:16:43.640
<v Speaker 2>You don't get it.

0:16:43.840 --> 0:16:46.960
<v Speaker 1>There's enough actual C four implanted in my hangars to

0:16:47.000 --> 0:16:49.160
<v Speaker 1>blow this boat out of the water if I ever

0:16:49.200 --> 0:16:51.040
<v Speaker 1>finish cboo.

0:16:51.480 --> 0:16:52.320
<v Speaker 2>She takes this in.

0:16:52.800 --> 0:16:55.360
<v Speaker 3>Then I'm not looking to die, jack, but I do

0:16:55.520 --> 0:16:56.120
<v Speaker 3>like to play.

0:16:56.600 --> 0:16:59.320
<v Speaker 2>She steps closer to him, then lets her trench coat

0:16:59.400 --> 0:17:02.960
<v Speaker 2>fall to the on the edge. She wraps her arms

0:17:03.000 --> 0:17:05.159
<v Speaker 2>around him. He can't take it any longer.

0:17:05.560 --> 0:17:07.960
<v Speaker 1>He grabs her and lifts her onto him, then turns

0:17:07.960 --> 0:17:11.000
<v Speaker 1>and presses her back against the wall. He grinds against

0:17:11.040 --> 0:17:12.960
<v Speaker 1>her as she exposes her throat to.

0:17:13.000 --> 0:17:15.920
<v Speaker 2>His hungry lips. He takes her neck in his mouth,

0:17:15.960 --> 0:17:19.320
<v Speaker 2>and she lets out a moan of deep and lustful surrender.

0:17:20.160 --> 0:17:22.560
<v Speaker 2>She hooks his jim shorts with her toes and drops

0:17:22.560 --> 0:17:25.000
<v Speaker 2>them to the floor, then wraps her legs around his

0:17:25.080 --> 0:17:28.480
<v Speaker 2>waist and pulls him inside of her. He grunts from

0:17:28.520 --> 0:17:33.159
<v Speaker 2>somewhere deep, primal animal drive surging to the surface. A

0:17:33.240 --> 0:17:37.320
<v Speaker 2>wolfish gleam flashes across his eyes. He throws her on

0:17:37.359 --> 0:17:40.439
<v Speaker 2>the bed and enters her again. She digs her long,

0:17:40.640 --> 0:17:43.560
<v Speaker 2>sharp nails deep into his back, drawing blood.

0:17:44.000 --> 0:17:48.360
<v Speaker 6>He growls like a dog and drives harder, harder, harder,

0:17:48.760 --> 0:17:52.040
<v Speaker 6>until she's the one wailing with sinful delight.

0:17:52.680 --> 0:17:56.720
<v Speaker 1>Outside the houseboat rocks steadily, causing the adjacent boats to

0:17:56.880 --> 0:18:00.800
<v Speaker 1>sway in its wake. He's standing behind her, now, pressing

0:18:00.880 --> 0:18:04.040
<v Speaker 1>her flat against the wall. She lets him take control.

0:18:04.760 --> 0:18:07.600
<v Speaker 2>His hand wraps around her throat, and her eyes roll

0:18:07.760 --> 0:18:10.320
<v Speaker 2>back in her head. He lets her go as she

0:18:10.520 --> 0:18:15.080
<v Speaker 2>gasps her breath exhilarated, He falls onto the bed and

0:18:15.160 --> 0:18:19.520
<v Speaker 2>she straddles him, sliding onto him, then pounding him with

0:18:19.600 --> 0:18:20.960
<v Speaker 2>her full body weight.

0:18:21.359 --> 0:18:25.959
<v Speaker 7>She goes faster, and faster and faster still until go slow,

0:18:26.640 --> 0:18:30.879
<v Speaker 7>go slow. She goes faster and coaxes him, demanding the

0:18:31.119 --> 0:18:33.200
<v Speaker 7>ultimate finality.

0:18:32.720 --> 0:18:35.119
<v Speaker 3>To it, Jack, don't fight it anymore.

0:18:35.440 --> 0:18:37.080
<v Speaker 5>You know how bad you want it.

0:18:39.600 --> 0:18:41.600
<v Speaker 2>Jack pushes her off and onto the floor.

0:18:41.640 --> 0:18:44.520
<v Speaker 6>He leaps to his feet, clenches his whole body, and

0:18:44.600 --> 0:18:48.639
<v Speaker 6>lets out a guttural scream. He spins and rips his

0:18:48.720 --> 0:18:52.320
<v Speaker 6>brand new TV VCR combo from the wall and smashes

0:18:52.359 --> 0:18:53.119
<v Speaker 6>it to the floor.

0:18:53.760 --> 0:18:57.320
<v Speaker 2>Are you crazy? Do you want me to die?

0:18:57.400 --> 0:18:58.120
<v Speaker 5>She smiles.

0:18:58.240 --> 0:19:01.400
<v Speaker 2>Riley then collects herself, pulling on her trench.

0:19:01.040 --> 0:19:06.240
<v Speaker 3>Coat and shoes right to the edge. That was incredible.

0:19:11.080 --> 0:19:11.679
<v Speaker 2>Good out.

0:19:13.119 --> 0:19:15.400
<v Speaker 3>You know where to find me, detective.

0:19:15.800 --> 0:19:19.680
<v Speaker 2>She opens the door and disappears into the night. Jack

0:19:19.800 --> 0:19:24.120
<v Speaker 2>drops to his knees, naked and panting, a pounding, gnawing

0:19:24.280 --> 0:19:28.879
<v Speaker 2>frustration aching to explode out of him. Jack screams, and

0:19:28.920 --> 0:19:31.440
<v Speaker 2>it echoes across the silent harbor.

0:19:38.400 --> 0:19:43.399
<v Speaker 3>Yeah, thank god Brendan didn't read that. Oh hell yeah, god, wow,

0:19:43.560 --> 0:19:44.280
<v Speaker 3>belly hurts.

0:19:45.040 --> 0:19:46.160
<v Speaker 2>Wow, this is.

0:19:46.840 --> 0:19:53.159
<v Speaker 3>Really yeah right, the tents. You should write eratic fiction.

0:19:53.320 --> 0:19:55.800
<v Speaker 2>That was just just fucking did man?

0:19:56.200 --> 0:19:58.520
<v Speaker 4>Hell yeah, I think I might be dang should we

0:19:58.520 --> 0:20:01.560
<v Speaker 4>take a break, Yeah I can. I'm gonna need whoa,

0:20:01.680 --> 0:20:02.360
<v Speaker 4>let's take ten.

0:20:03.000 --> 0:20:04.120
<v Speaker 2>You guys need some waters?

0:20:04.280 --> 0:20:06.159
<v Speaker 3>Yeah yeah, but could you guys get out of my

0:20:06.200 --> 0:20:06.879
<v Speaker 3>room for a second.

0:20:06.960 --> 0:20:08.160
<v Speaker 2>I'm gonna do some push ups.

0:20:08.160 --> 0:20:11.000
<v Speaker 4>He's gonna kind of hunk over and slowly walk out

0:20:11.000 --> 0:20:13.400
<v Speaker 4>of here. I'm bent over because my back hurt's.

0:20:13.240 --> 0:20:14.479
<v Speaker 2>Anybody want a arm wrestle?

0:20:14.760 --> 0:20:29.440
<v Speaker 3>No, So he has C four in his balls? Hell yeah, okay,

0:20:30.160 --> 0:20:30.920
<v Speaker 3>how'd that happen?

0:20:30.960 --> 0:20:31.960
<v Speaker 2>And that fucking cool?

0:20:32.240 --> 0:20:33.280
<v Speaker 3>But how that happened?

0:20:33.320 --> 0:20:34.360
<v Speaker 2>Fucking cool? Is that?

0:20:34.800 --> 0:20:39.000
<v Speaker 1>So if he comes to fucking explode everything for a

0:20:39.080 --> 0:20:40.280
<v Speaker 1>block radius.

0:20:39.920 --> 0:20:40.640
<v Speaker 4>Hey guys, I'm back.

0:20:40.680 --> 0:20:43.600
<v Speaker 1>I'm sorry, it is pretty fucking cool. So here's the

0:20:43.640 --> 0:20:45.000
<v Speaker 1>backstory on how that asks?

0:20:45.080 --> 0:20:46.240
<v Speaker 2>Right, right, very tired.

0:20:46.560 --> 0:20:48.960
<v Speaker 1>So he fucked over the wrong guys at one of

0:20:49.000 --> 0:20:51.320
<v Speaker 1>these sex clubs, and again it's it's a place where

0:20:51.359 --> 0:20:55.600
<v Speaker 1>like all the power brokers are entangled by mayors, senators.

0:20:55.680 --> 0:20:56.679
<v Speaker 3>Judges, got it.

0:20:56.720 --> 0:20:58.840
<v Speaker 1>So Jack gets caught up and they drag him into

0:20:58.920 --> 0:21:02.399
<v Speaker 1>a basement like a sort of dingy dungeon that's in

0:21:02.440 --> 0:21:05.200
<v Speaker 1>the bottom of one of these clubs. Okay, they strap

0:21:05.280 --> 0:21:08.480
<v Speaker 1>him down to what looks like some old medieval torture

0:21:08.760 --> 0:21:13.120
<v Speaker 1>table and they surgically implant explosives into his nuts and

0:21:13.280 --> 0:21:15.639
<v Speaker 1>that was the last time he ever ejaculated, which is

0:21:15.680 --> 0:21:17.680
<v Speaker 1>the best thing that ever happened to him.

0:21:18.320 --> 0:21:21.360
<v Speaker 4>Wow, unbelievable. This yeah pretty amazing.

0:21:21.720 --> 0:21:24.240
<v Speaker 3>Fuck yeah, it is seems like it's really working for you.

0:21:24.680 --> 0:21:26.760
<v Speaker 4>Yeah, Hey, Mark, if I write some stuff down and

0:21:26.760 --> 0:21:28.480
<v Speaker 4>have you kind of like talk in that voice, you

0:21:28.560 --> 0:21:29.880
<v Speaker 4>think you could record something.

0:21:29.640 --> 0:21:31.280
<v Speaker 1>For me while we move on to the next scene

0:21:31.280 --> 0:21:34.280
<v Speaker 1>and we can talk about you know, semen retention at

0:21:34.280 --> 0:21:34.640
<v Speaker 1>the end.

0:21:35.160 --> 0:21:36.520
<v Speaker 3>Okay, okay, great.

0:21:36.359 --> 0:21:38.240
<v Speaker 1>I'm happy to talk about it. I just feel like,

0:21:38.400 --> 0:21:39.800
<v Speaker 1>let's keep this ball rolling.

0:21:39.920 --> 0:21:42.399
<v Speaker 2>God, I have a headache because this this train is

0:21:42.760 --> 0:21:44.000
<v Speaker 2>running full steam.

0:21:45.400 --> 0:21:47.760
<v Speaker 4>Uh, your toilet might be backed up a little bit.

0:21:48.040 --> 0:21:49.280
<v Speaker 2>Pick up where we left off.

0:21:49.680 --> 0:21:51.880
<v Speaker 4>Looks like the Raiders of the Lost Dark, all those

0:21:51.920 --> 0:21:56.520
<v Speaker 4>ghosts swirling around in there. Too much toilet paper. All right,

0:21:56.600 --> 0:21:57.040
<v Speaker 4>let's see.

0:21:57.680 --> 0:21:59.320
<v Speaker 3>Yeah, let's get yeah, let's get right right.

0:21:59.280 --> 0:22:01.480
<v Speaker 4>Andnot wait to get into this thing. Let's do it,

0:22:01.520 --> 0:22:04.600
<v Speaker 4>I mean of that. Okay, Uh, what is next? Let's see?

0:22:05.080 --> 0:22:08.320
<v Speaker 4>Oh this is a montage great in tiar houseboat dawn

0:22:08.840 --> 0:22:11.560
<v Speaker 4>Jack wakes up before the sun stripped naked and dies

0:22:11.600 --> 0:22:14.040
<v Speaker 4>off the roof of his houseboat into the harbor. Time

0:22:14.119 --> 0:22:16.640
<v Speaker 4>laps we see him swim the harbor for an hour

0:22:16.720 --> 0:22:19.240
<v Speaker 4>before pulling himself onto the bow of his boat and

0:22:19.280 --> 0:22:23.440
<v Speaker 4>then immediately crushing fifty burpies, no questions asked. Cut too

0:22:23.600 --> 0:22:27.199
<v Speaker 4>exterior street day, busy streets of Los Angeles, but not

0:22:27.320 --> 0:22:31.080
<v Speaker 4>for a long finger which squinted unblinking eyes. He shifts

0:22:31.080 --> 0:22:33.800
<v Speaker 4>sufficiently up and down and up and down and up,

0:22:33.840 --> 0:22:36.840
<v Speaker 4>weaving in and out of traffic like a Formula one racer,

0:22:37.400 --> 0:22:40.520
<v Speaker 4>cold and precise, never missing a chance to jump ahead

0:22:40.520 --> 0:22:45.480
<v Speaker 4>of the dawdling cars. Cut two exterior skyscraper drone footage.

0:22:45.680 --> 0:22:50.040
<v Speaker 4>Night Jack is free climbing a massive building, breathing evenly,

0:22:50.280 --> 0:22:54.240
<v Speaker 4>eyes focus methodically alternating arm and leg all the way

0:22:54.240 --> 0:22:57.200
<v Speaker 4>off the building until he reaches the summit and immediately

0:22:57.280 --> 0:23:01.280
<v Speaker 4>crushes fifty burpies, barely breaking a swim. He surveys the

0:23:01.280 --> 0:23:04.400
<v Speaker 4>city below him, clenches his entire body, and lets add

0:23:04.400 --> 0:23:05.520
<v Speaker 4>a primal screen.

0:23:06.280 --> 0:23:08.720
<v Speaker 3>Okay, so what the fuck is happening now? I feel

0:23:08.760 --> 0:23:11.359
<v Speaker 3>like we really departed from all the fun, Like.

0:23:11.400 --> 0:23:13.800
<v Speaker 4>Cool, where's the part where he's bonking girls?

0:23:14.240 --> 0:23:15.639
<v Speaker 2>Yeah? I mean you can't do that the whole. I mean,

0:23:15.640 --> 0:23:17.200
<v Speaker 2>this is just the part of him.

0:23:17.800 --> 0:23:21.080
<v Speaker 1>I'm trying to show that he's he's unstoppable, like he's.

0:23:20.800 --> 0:23:23.200
<v Speaker 3>But from a genre perspective, I was kind of expecting

0:23:23.200 --> 0:23:26.040
<v Speaker 3>to seem like, you know, fall apart, and then he

0:23:26.119 --> 0:23:29.920
<v Speaker 3>falls deeper into the old addictions and habits and more

0:23:29.960 --> 0:23:32.520
<v Speaker 3>sex scenes. Yeah, this is like reading like a superhero movie.

0:23:32.560 --> 0:23:35.040
<v Speaker 1>Well, I mean that's because that's how you feel like

0:23:35.320 --> 0:23:38.200
<v Speaker 1>I did. I tell you I can kick the ceiling,

0:23:38.920 --> 0:23:41.000
<v Speaker 1>like I can. I can plant the bottom of my

0:23:41.040 --> 0:23:42.800
<v Speaker 1>foot directly on the ceiling.

0:23:42.920 --> 0:23:44.760
<v Speaker 2>I doubt that that's true.

0:23:44.840 --> 0:23:45.200
<v Speaker 3>Let's see.

0:23:45.560 --> 0:23:49.040
<v Speaker 2>I will show you, honestly. Listen. I know how to

0:23:49.080 --> 0:23:52.200
<v Speaker 2>listen to this. I know how to reset a dislocated shoulder.

0:23:52.320 --> 0:23:52.919
<v Speaker 3>Do the ceiling.

0:23:52.960 --> 0:23:54.560
<v Speaker 2>Let me let me dislok at your shoulder and I'll

0:23:54.560 --> 0:23:55.400
<v Speaker 2>show you how to put it back.

0:23:56.160 --> 0:23:58.080
<v Speaker 3>I want to see the ceiling barely hurts.

0:23:58.160 --> 0:23:58.680
<v Speaker 2>Just do it.

0:23:58.840 --> 0:24:00.439
<v Speaker 3>You can't say it's something like I can kick the

0:24:00.440 --> 0:24:01.760
<v Speaker 3>ceiling and then not do it.

0:24:01.880 --> 0:24:03.399
<v Speaker 2>Okay, you want to see it?

0:24:03.520 --> 0:24:07.879
<v Speaker 3>Yeah, all right, not even close.

0:24:08.760 --> 0:24:10.320
<v Speaker 2>Well I'm not. I'm not gonna I don't want to

0:24:10.359 --> 0:24:11.200
<v Speaker 2>mark the ceiling.

0:24:11.280 --> 0:24:14.119
<v Speaker 1>But I mean I can get up. I basically backflip

0:24:14.200 --> 0:24:15.320
<v Speaker 1>and run on the ceiling.

0:24:15.840 --> 0:24:17.040
<v Speaker 2>Did it? I did it last night.

0:24:17.440 --> 0:24:17.960
<v Speaker 4>Let me try.

0:24:19.160 --> 0:24:22.560
<v Speaker 2>No, dude, you do not want to do it. I

0:24:22.600 --> 0:24:23.600
<v Speaker 2>can lift the fridge.

0:24:24.000 --> 0:24:27.320
<v Speaker 1>Oh, I'm doing my own dental work. I can speed

0:24:27.359 --> 0:24:30.199
<v Speaker 1>read now. I went to the library yesterday and sped

0:24:30.560 --> 0:24:33.800
<v Speaker 1>red every single Edcyclopedia speed red.

0:24:34.000 --> 0:24:35.840
<v Speaker 3>It's like blow dry. You don't say blue dried.

0:24:36.440 --> 0:24:39.600
<v Speaker 2>Say whatever you want. The truth is in there.

0:24:39.600 --> 0:24:43.960
<v Speaker 1>I'm I'm like downloading gobs of information like I'm the Matrix.

0:24:44.000 --> 0:24:45.240
<v Speaker 2>I'm basically the Internet.

0:24:45.280 --> 0:24:46.920
<v Speaker 4>Okay, we believe you can.

0:24:46.960 --> 0:24:50.200
<v Speaker 3>We just get to the parts, like the fun cool parts.

0:24:50.240 --> 0:24:51.679
<v Speaker 2>These are fun cool parts.

0:24:51.880 --> 0:24:53.360
<v Speaker 3>They're just what do you want?

0:24:53.359 --> 0:24:54.840
<v Speaker 2>What more do you want?

0:24:55.560 --> 0:24:55.760
<v Speaker 1>Yeah?

0:24:55.800 --> 0:24:59.679
<v Speaker 3>The erotic thriller. I'm getting a little you know, titchy,

0:25:00.160 --> 0:25:01.399
<v Speaker 3>because that's why you read a.

0:25:01.400 --> 0:25:06.720
<v Speaker 1>Script, learn to harness that discomfort. That's that's where you

0:25:06.800 --> 0:25:09.400
<v Speaker 1>change your life. But that's fine, that's fine. We'll calm

0:25:09.440 --> 0:25:11.360
<v Speaker 1>it down. We'll go to the end because I think

0:25:11.359 --> 0:25:13.639
<v Speaker 1>you'll see that it wraps up in a very tidy

0:25:13.680 --> 0:25:15.000
<v Speaker 1>and satisfying way.

0:25:15.040 --> 0:25:16.520
<v Speaker 3>If you keep up with this program, you're going to

0:25:16.560 --> 0:25:18.320
<v Speaker 3>be dragging your balls like Dick Van Dyke.

0:25:18.359 --> 0:25:20.879
<v Speaker 2>The hell I am will hell no, all right, So

0:25:20.920 --> 0:25:21.400
<v Speaker 2>here we go.

0:25:21.840 --> 0:25:25.280
<v Speaker 1>Jack is in relationship with Sarah Fina and he's also

0:25:25.400 --> 0:25:27.160
<v Speaker 1>started a relationship with Evelyn.

0:25:27.240 --> 0:25:27.720
<v Speaker 2>You'll like that.

0:25:27.840 --> 0:25:28.320
<v Speaker 5>Oh yeah.

0:25:28.400 --> 0:25:32.480
<v Speaker 1>So there's this secret love triangle happening. And in the end,

0:25:32.560 --> 0:25:34.960
<v Speaker 1>he and Evelyn decide they're going to take the husband's

0:25:34.960 --> 0:25:37.280
<v Speaker 1>money and they're going to escape together. So we pick

0:25:37.280 --> 0:25:40.280
<v Speaker 1>it up on the cliff's edge at the meetup spot

0:25:40.720 --> 0:25:42.160
<v Speaker 1>page one oh four.

0:25:43.000 --> 0:25:44.320
<v Speaker 4>Please stop staring at me like that.

0:25:45.000 --> 0:25:46.080
<v Speaker 2>I know how to fix you, bro.

0:25:46.440 --> 0:25:48.919
<v Speaker 3>Oh man, you haven't blinked since we started this.

0:25:49.359 --> 0:25:51.240
<v Speaker 2>Don't need to anymore, all right.

0:25:51.400 --> 0:25:55.200
<v Speaker 4>Exterior Malibu Cliff sunset. Jack stands on the edge of

0:25:55.200 --> 0:25:58.200
<v Speaker 4>a cliff, staring out into the ocean. The seed crashes

0:25:58.240 --> 0:26:01.159
<v Speaker 4>against rocks below. Jack wonders if he has time to

0:26:01.240 --> 0:26:05.719
<v Speaker 4>let out a primal scream. When Jack he startles, almost

0:26:05.760 --> 0:26:09.000
<v Speaker 4>losing his balance. Evelyn is standing there, looking more beautiful

0:26:09.040 --> 0:26:11.639
<v Speaker 4>and helpless than we've ever seen her. She needs someone

0:26:11.640 --> 0:26:14.040
<v Speaker 4>to save her, and Jack hopes the hell he's.

0:26:13.840 --> 0:26:15.200
<v Speaker 2>Got what it takes to do it.

0:26:15.359 --> 0:26:17.160
<v Speaker 5>You're laid it, you have it.

0:26:17.560 --> 0:26:20.119
<v Speaker 4>He hands her a mini DV taped smudge with blood.

0:26:20.560 --> 0:26:23.000
<v Speaker 4>She looks at it, then throws it over the cliff's edge.

0:26:23.200 --> 0:26:25.160
<v Speaker 4>It clatters on the rocks below.

0:26:25.119 --> 0:26:26.680
<v Speaker 5>The money in my account.

0:26:26.920 --> 0:26:28.840
<v Speaker 4>He moves to kiss her, but she pulls away.

0:26:29.320 --> 0:26:29.919
<v Speaker 5>What's wrong?

0:26:30.400 --> 0:26:32.000
<v Speaker 4>You killed my husband, Jack?

0:26:32.560 --> 0:26:33.760
<v Speaker 5>What are you talking about?

0:26:33.800 --> 0:26:35.200
<v Speaker 4>And that's what the police think?

0:26:35.440 --> 0:26:36.200
<v Speaker 5>Bullshit?

0:26:36.880 --> 0:26:39.840
<v Speaker 4>You killed him because he put explosives in your balls.

0:26:40.119 --> 0:26:41.560
<v Speaker 4>It's the perfect revenge story.

0:26:41.960 --> 0:26:42.919
<v Speaker 5>And you're in love with me.

0:26:43.240 --> 0:26:44.800
<v Speaker 4>So you did it for the money too.

0:26:44.760 --> 0:26:46.480
<v Speaker 5>You snake. You sold me out.

0:26:46.920 --> 0:26:47.600
<v Speaker 3>We had to.

0:26:48.080 --> 0:26:50.720
<v Speaker 4>Sarafina steps out from the shadows and puts her arms

0:26:50.720 --> 0:26:53.160
<v Speaker 4>around Evelyn. They kiss deeply.

0:26:53.760 --> 0:26:56.199
<v Speaker 3>I ought to kill you both, I don't think so.

0:26:56.720 --> 0:26:58.639
<v Speaker 4>Sarafina takes a gun from her coat and points it

0:26:58.680 --> 0:27:02.280
<v Speaker 4>at him. The air with noise, wind whips up as

0:27:02.280 --> 0:27:05.359
<v Speaker 4>a helicopter rises above the cliff and lands next to them.

0:27:05.640 --> 0:27:09.440
<v Speaker 4>Evelyn and Saraphina back towards a gun still pointed at Jack.

0:27:09.840 --> 0:27:12.920
<v Speaker 4>Evelyn breaks away and runs to Jack before I go,

0:27:13.480 --> 0:27:17.159
<v Speaker 4>there's something you should know. You don't have explosives in

0:27:17.200 --> 0:27:17.800
<v Speaker 4>your balls.

0:27:18.280 --> 0:27:20.359
<v Speaker 2>What the hell are you talking about?

0:27:20.520 --> 0:27:24.040
<v Speaker 4>I was there in the dungeon. We're back in the dungeon.

0:27:24.359 --> 0:27:27.080
<v Speaker 4>Jack's on a stone table, writhing as a mask man

0:27:27.200 --> 0:27:30.640
<v Speaker 4>looms over him with the knife. Evelyn in the corner, masked,

0:27:30.720 --> 0:27:31.560
<v Speaker 4>watching the scene.

0:27:31.960 --> 0:27:33.879
<v Speaker 5>I know what happened. They cut me open.

0:27:34.080 --> 0:27:37.479
<v Speaker 4>You were hypnotized, what you felt was in your mind

0:27:37.880 --> 0:27:40.280
<v Speaker 4>or in a crummy stock room. Jack's on a cot.

0:27:40.560 --> 0:27:43.280
<v Speaker 4>A balding therapist waves a pocket watch in front of

0:27:43.280 --> 0:27:46.639
<v Speaker 4>his face as Jack screams. Evelyn watches from the corner.

0:27:47.119 --> 0:27:48.240
<v Speaker 4>We're back on the cliff.

0:27:48.640 --> 0:27:51.760
<v Speaker 5>I had a family, and you live.

0:27:51.640 --> 0:27:52.080
<v Speaker 8>On the edge.

0:27:52.200 --> 0:27:52.440
<v Speaker 2>Jack.

0:27:53.000 --> 0:27:55.840
<v Speaker 4>People are bound to fall off. See He licks his

0:27:55.920 --> 0:27:58.399
<v Speaker 4>cheek and then turns and runs to the helicopter. It

0:27:58.480 --> 0:28:02.080
<v Speaker 4>lifts off. Jack watch them disappear into the sunset. The

0:28:02.119 --> 0:28:06.000
<v Speaker 4>breeze from the Pacific rustles his hair. He turns and sprints.

0:28:06.640 --> 0:28:11.320
<v Speaker 4>Exterior Jack's houseboat night a full moon. The houseboat bobs

0:28:11.320 --> 0:28:14.399
<v Speaker 4>in the tranquil waters on the horizon. A fleet of

0:28:14.480 --> 0:28:18.000
<v Speaker 4>police boats sprint over the waves, and the lead boat, Beefeater,

0:28:18.080 --> 0:28:20.320
<v Speaker 4>swints against the salt water spray.

0:28:20.080 --> 0:28:22.120
<v Speaker 3>Two minutes to contact guns out.

0:28:22.200 --> 0:28:26.720
<v Speaker 4>Safety is off Exterior Jack's houseboat. From inside, we hear moans.

0:28:27.160 --> 0:28:30.280
<v Speaker 4>The Italian woman from the movie in the beginning ries out.

0:28:30.680 --> 0:28:33.120
<v Speaker 3>Then a mannee mane.

0:28:33.560 --> 0:28:37.560
<v Speaker 4>From above, we see the speedboats closing in circling the houseboat.

0:28:37.720 --> 0:28:44.640
<v Speaker 4>Then ariva, the houseboat explodes. A geyser of water shoots

0:28:44.680 --> 0:28:47.680
<v Speaker 4>into the air, an endless plume of smoke and debris,

0:28:48.040 --> 0:28:52.600
<v Speaker 4>a terrifying coda on one man's violent symphony. As the

0:28:52.640 --> 0:28:55.600
<v Speaker 4>boat parks continue to rain down on the harbor, you

0:28:55.680 --> 0:28:59.600
<v Speaker 4>see the words and loving memory of Detective Jack long

0:28:59.600 --> 0:29:02.760
<v Speaker 4>Finger fade out the end.

0:29:04.720 --> 0:29:07.920
<v Speaker 8>Okay, so hold on, hold on, hold on, just just

0:29:08.480 --> 0:29:16.680
<v Speaker 8>feel it for a minute. Yeah, yeah, oh yeah, fucking great.

0:29:17.040 --> 0:29:20.520
<v Speaker 2>Yeah yeah, yeah, great.

0:29:21.240 --> 0:29:22.960
<v Speaker 3>This was based on a true.

0:29:22.720 --> 0:29:24.600
<v Speaker 4>Story, loving memory of Jack long Fingers.

0:29:24.680 --> 0:29:28.320
<v Speaker 2>No, No, I mean that's just I got attached to

0:29:28.440 --> 0:29:31.600
<v Speaker 2>the character and wanted to trying to give him a

0:29:31.760 --> 0:29:32.720
<v Speaker 2>proper send off.

0:29:32.880 --> 0:29:35.320
<v Speaker 3>So he finally jerked off, did he?

0:29:35.800 --> 0:29:35.920
<v Speaker 2>Well?

0:29:36.000 --> 0:29:41.720
<v Speaker 4>Yeah, the exploded he was watching the Yeah.

0:29:40.480 --> 0:29:42.120
<v Speaker 2>Well not necessarily.

0:29:42.480 --> 0:29:43.600
<v Speaker 3>Well what blew up the boat?

0:29:44.040 --> 0:29:44.720
<v Speaker 2>Explosives?

0:29:44.760 --> 0:29:49.240
<v Speaker 3>Probably so his balls didn't have explosives, but the boat

0:29:49.320 --> 0:29:50.360
<v Speaker 3>does blow up at the end.

0:29:51.040 --> 0:29:54.560
<v Speaker 1>Is that your interpretation. I'm not going to tell you

0:29:54.640 --> 0:29:58.719
<v Speaker 1>how to interpret art. The thing is, he's he exploded.

0:29:59.080 --> 0:30:01.760
<v Speaker 4>We know that he was watching the movie from the beginning,

0:30:01.880 --> 0:30:05.480
<v Speaker 4>and you right, what was there something else at play

0:30:05.520 --> 0:30:06.320
<v Speaker 4>here that I'm missing.

0:30:07.160 --> 0:30:10.080
<v Speaker 1>I mean, maybe it's part of a wider conspiracy. It's

0:30:10.160 --> 0:30:13.240
<v Speaker 1>up to the viewer, right, Maybe the levers of power

0:30:13.480 --> 0:30:15.680
<v Speaker 1>were tracking him this whole time and new to the

0:30:15.840 --> 0:30:19.720
<v Speaker 1>if if he was allowed to continue in this way,

0:30:19.840 --> 0:30:22.440
<v Speaker 1>that that he'd blow the thing wide open.

0:30:23.080 --> 0:30:24.080
<v Speaker 2>Mark, Maybe he would.

0:30:24.160 --> 0:30:27.440
<v Speaker 1>He he'd expose everybody that was wrapped up in this thing.

0:30:27.560 --> 0:30:31.840
<v Speaker 1>And it's a metaphor for absolute power. Have we given

0:30:31.880 --> 0:30:34.600
<v Speaker 1>away too much power? If we don't take it for ourselves,

0:30:34.640 --> 0:30:37.480
<v Speaker 1>then we're just lemmings. We're conditioned right from the start.

0:30:37.520 --> 0:30:39.200
<v Speaker 1>Anybody can come along and tell us what to do.

0:30:39.280 --> 0:30:42.600
<v Speaker 4>Okay, sit down, Well this is important.

0:30:42.640 --> 0:30:44.320
<v Speaker 2>Are you you should? You should listen to this?

0:30:44.400 --> 0:30:47.360
<v Speaker 4>Yeah, I'm listening. Don't pull my ear. I can hear.

0:30:48.040 --> 0:30:49.360
<v Speaker 2>Listen to what I'm saying.

0:30:49.440 --> 0:30:49.920
<v Speaker 4>I hear it.

0:30:50.320 --> 0:30:51.800
<v Speaker 2>This is a very clear thought.

0:30:51.920 --> 0:30:56.200
<v Speaker 1>It's a very uh accurate depiction of what happens in

0:30:56.240 --> 0:30:58.200
<v Speaker 1>everyday life with the levers of power.

0:30:58.320 --> 0:30:59.120
<v Speaker 2>Are you listening?

0:30:59.240 --> 0:31:01.560
<v Speaker 3>Don't point your so close to my face?

0:31:01.600 --> 0:31:03.200
<v Speaker 2>All right? Don't you know what to tell with it?

0:31:03.320 --> 0:31:03.920
<v Speaker 2>Fuck it all?

0:31:04.000 --> 0:31:04.800
<v Speaker 3>Fuck it all?

0:31:05.440 --> 0:31:09.240
<v Speaker 2>You see? Do you see what I'm does? Any of this?

0:31:10.000 --> 0:31:13.960
<v Speaker 2>Am I too far out over my skis on this one.

0:31:14.200 --> 0:31:17.200
<v Speaker 4>I don't what Mark. I think it's time you go

0:31:18.440 --> 0:31:19.320
<v Speaker 4>and you walk.

0:31:19.080 --> 0:31:23.200
<v Speaker 3>The dog, take the old dolphin on a jog.

0:31:24.280 --> 0:31:26.080
<v Speaker 4>Let the queen out on the balcony so she can

0:31:26.120 --> 0:31:27.080
<v Speaker 4>meet the people.

0:31:27.480 --> 0:31:31.160
<v Speaker 3>Raise the flag and bring it back down again, Fold

0:31:31.200 --> 0:31:33.239
<v Speaker 3>it up in a nice little box, put it on

0:31:33.240 --> 0:31:33.640
<v Speaker 3>a grave.

0:31:33.800 --> 0:31:39.880
<v Speaker 2>Yeah, man, okay, okay, I'll go nobody, nobody eat my crackers.

0:31:41.240 --> 0:31:44.040
<v Speaker 3>There he goes to Jim jan the slum.

0:31:44.120 --> 0:31:46.000
<v Speaker 5>Jim, hand me those crackers.

0:31:47.120 --> 0:31:50.560
<v Speaker 3>Shower on. Yeah, classic mid afternoon shower.

0:31:51.000 --> 0:31:55.240
<v Speaker 4>Oh man, well it looks like finally a little Greg

0:31:55.240 --> 0:31:55.960
<v Speaker 4>and Brendan time.

0:31:56.200 --> 0:31:57.520
<v Speaker 3>Yeah, this is fun.

0:31:58.360 --> 0:32:00.000
<v Speaker 4>Do you want to rate the screw?

0:32:00.480 --> 0:32:02.400
<v Speaker 3>We hear a primal scream coming from there. I think

0:32:02.400 --> 0:32:03.560
<v Speaker 3>we'll know exactly.

0:32:05.920 --> 0:32:06.160
<v Speaker 2>It is.

0:32:06.800 --> 0:32:08.800
<v Speaker 4>I don't think that drink can handle what's coming down

0:32:08.880 --> 0:32:10.840
<v Speaker 4>in Ah.

0:32:10.840 --> 0:32:13.120
<v Speaker 3>Well, I don't want to call the landlord about that.

0:32:13.640 --> 0:32:15.640
<v Speaker 3>I guess I was already mad that Mark was running

0:32:15.680 --> 0:32:16.400
<v Speaker 3>around on the roof.

0:32:16.720 --> 0:32:18.880
<v Speaker 5>Yeah, god, dang man, Well.

0:32:18.760 --> 0:32:20.800
<v Speaker 3>Why don't you take us out, Brendan before Mark comes

0:32:20.800 --> 0:32:22.040
<v Speaker 3>back and says something insane.

0:32:22.280 --> 0:32:23.400
<v Speaker 2>All right, it's done.

0:32:23.720 --> 0:32:25.840
<v Speaker 3>Oh god, did you fall down in there?

0:32:26.840 --> 0:32:26.920
<v Speaker 8>No?

0:32:27.320 --> 0:32:29.520
<v Speaker 2>Well, yeah, I slipped out of the bath and I

0:32:29.600 --> 0:32:31.040
<v Speaker 2>chip my tooth on the sink.

0:32:31.000 --> 0:32:32.520
<v Speaker 3>Unless you could do your dental work now.

0:32:32.760 --> 0:32:34.640
<v Speaker 5>Ah, not right now.

0:32:34.440 --> 0:32:38.120
<v Speaker 4>Oh no, we forgot that part. The Queen has met

0:32:38.120 --> 0:32:39.720
<v Speaker 4>the people, he is out.

0:32:41.720 --> 0:32:42.800
<v Speaker 3>Can you put a towel over that?

0:32:43.080 --> 0:32:44.480
<v Speaker 5>Yeah?

0:32:44.480 --> 0:32:47.880
<v Speaker 4>Okay, lights, camera action, but for writing. See you next week.